Global ice cream company Ben & Jerry's is best-known for its chunk-filled scoops and bizarre flavour titles like Schweddy Balls and Dave Matthews Band. After releasing an over-the-top creation for both ice cream and burger lovers earlier in the year, the brand has now unveiled its latest frankencreation in its Fast Food Series. The Dough-licious Pizza is the ice cream-pizza hybrid that no-one asked for. Available by both the slice and as a whole pizza, the creation features a baked base made from Ben & Jerry's cookie dough and comes filled with a layer of the brand's chocolate chip cookie dough or chocolate fudge brownie ice cream. From there, you get the choice of two toppings — from chunky cookie dough pieces to brownie chunks, crunchy nuts and chocolate-dipped pretzels — plus a drizzle of either hot fudge or caramel sauce. Of course, hardcore ice cream lovers can push the boat out and select all of the above. The pizza is the second in a series of crossbreed creations from Ben & Jerry's inspired by Australia's favourite fast foods. The Impossible To Eat Burger was described as "the messiest ice cream ever". The 'Dough-licious Pizza' is available for a limited time at Ben & Jerry's shops and Scoop Stores across the ACT, NSW, Qld, Vic and WA. It's also available to order on Uber Eats.
When a musical becomes a Broadway sensation, FOMO tends to sink in for theatre fans Down Under. Rave reviews might start pouring in, and awards as well, but seeing whichever production has New York talking usually requires a Big Apple trip — an expensive endeavour even for the biggest stage aficionado. The other option: waiting patiently for NYC's brightest shows to head Down Under. It happened with Hamilton, finally, and now it's happening with Dear Evan Hansen. A six-time Tony Award-winner, Dear Evan Hansen premiered in the US in 2016, then made the leap to the big screen in 2021. The next stop, back in stage form, is Sydney, with Sydney Theatre Company putting on the musical's Australian debut as part of its just-announced 2024 season. Michael Cassel Group is also behind the Aussie premiere, which will play at the Roslyn Packer Theatre from Saturday, October 12–Sunday, November 17, 2024. The two organisations are already teaming up on The Picture of Dorian Gray's upcoming run in West End in London next year — starring none other than Succession's Sarah Snook, too — following joining forces to take the STC show to Melbourne in 2022. With Dear Evan Hansen, STC and Michael Cassel Group will follow the titular anxious teen. He's advised by his therapist to pen letters to himself to highlight the good aspects of his day; however, when one of his notes ends up in a similarly lonely classmate's hands, it sparks a complex chain reaction. Created for the stage by songwriting and composing duo Benj Pasek and Justin Paul — who nabbed an Oscar for La La Land's 'City of Stars' — with playwright Steven Levenson (Fosse/Verdon), the musical spins a coming-of-age story about a plethora of high school struggles. "This will be the first new, original production since the show's phenomenal Broadway debut. This is a real coup for Sydney, and we couldn't be in better hands than with the brilliant Dean Bryant at the helm — one of the best musical theatre directors in the country, and loved by STC audiences after his superb work recently on Hubris and Humiliation and Fun Home," said Sydney Theatre Company's Artistic Director Kip Williams. "Words fail to truly capture the profound impact Dear Evan Hansen has had on audiences and I am thrilled to be partnering with Sydney Theatre Company to create an entirely new version of the show for Australia," added Michael Cassel. "There are no other contemporary musicals that capture the challenges of being a teenager in such a distinguished way with such a phenomenal score." There's no word yet as to whether the STC production of Dear Evan Hansen will tour to other Australian cities — so start crossing your fingers. Check out the trailer for the Dear Evan Hansen film below: Sydney Theatre Company's production of Dear Evan Hansen will play the Roslyn Packer Theatre, 22 Hickson Road, Walsh Bay in Sydney, from Saturday, October 12–Sunday, November 17, 2024 — with tickets available in stages via Sydney Theatre Company from Tuesday, September 19, 2023. Images: Universal.
Small wine bars might be all the rage in Sydney right now, but Mudgee’s had it covered since 1923. Back when we were cruising around in Ford Model Ts, a 22-year-old by the name of Robert Roth bought a terrace on Market Street. He turned it into a general store, selling the odd tipple on-the-sly to a particularly parched farmer or two. But the authorities pressed him to go legal and NSW welcomed one of its first-ever wine bars. He must’ve known what he was doing. Ninety-one years later, I’m here on a Saturday evening, and Roth’s Wine Bar (30 Market St, Mudgee; (02) 6372 1222) is buzzing. It’s part Sydney-sass and part Melbourne-funky. Think candles, couches, live music and an easy-to-chat-to crowd. You can buy beverages with genuinely country names like 1080 (yes, it’s also a fox bait) and Lucjet, plus there’s an extensive, 80 percent local wine list. ORGANIC AND LOCAVORE In fact, drinking and eating locavore-style is what this town is all about. Just ask David Lowe. Not only is he a sixth-generation Mudgeean, he’s also a passionate advocate of intelligent farming and regionalism — and the man behind Lowe Wines (Tinja Lane, Mudgee; (02) 6372 0800). They’re certified organic and biodynamic. “I’ve only ever wanted to be a winemaker,” he says. “It’s what gets me up in the morning.” When David was just 14, he started digging out the cellar by hand. A visit is not merely a tasting; it’s an immersive experience. The spacious cellar door offers views over the vineyards and a 40-minute self-guided walking trail incorporating a biodynamic compost, rescue donkeys and a recycled ‘chook palace’. The events menu, coordinated by David’s partner and food legend Kim Currie varies from ten-course vintage birthdays (the next one’s coming up on April 12) to monthly, often sold-out winemakers tables to Iron Chef-inspired comps. THE GRAPE PIONEERS Lowe Wines is but one of 40 wineries in the Mudgee locale, where winemaking’s been going on for 150 years. That’s more variety than most mortals can handle over the course of a boozy weekend — but without the crowds, bucks’ parties and mini-buses that tend to frequent bigger regions like the Hunter. Most winemakers still have time to chat at the cellar door. At Vinifera (194 Henry Lawson Drive, Mudgee; (02) 6372 2461), where Spanish wines are the specialty, Debbie McKendry tells me that she and her husband Tony planted the vineyards in 1994. “Our first grapes were tempranillo, chardonnay and cabernet,” she recalls. “At that stage nobody knew what tempranillo was. There were only about four people with it. We decided that Mudgee had a similar climate to the Rioja region in northern Spain and that it would be something different.” I try a dark, tangy, spicy Gran Tinto (a combination of ganarcha, graciano, tempicynillo and cabernet sauvignon) and an excellent, marmalade-y, apricot-y dessert wine dubbed ‘Easter Semillon’. Outside, the sunny lawns tempt a lazy afternoon of badminton, croquet and Jenga. There are more drops to sample, however, so move on I must. In fact, the Vinifera property is also home to Mudgee’s first boutique distillery, Baker Williams ((02) 6373 9332). Distiller Nathan Williams and his partner Helen developed a “fascination” for high-quality spirits and liqueurs while travelling in the US. They set up Baker Williams in December 2012 and, in a short time, have developed a well-balanced yet fittingly indulgent butterscotch schnapps, a refreshing coffee liqueur sourced from local beans and a rouge vert jus. The “first ferment of whiskey is out the back,” Nathan tells me. “We’ll be starting distillation next week.” Vinifera’s Mediterranean focus is also shared at Di Lusso (Eurunderee Lane, Mudgee; (02) 6373 3125) and Mansfield (Eurunderee Lane, Mudgee; (02) 6373 3871). The former is a specialist in all-things Italian. Think a seasonal menu, woodfired pizzas and impeccably landscaped grounds. Plus, they've recently released an exceptional vermentino reserve. The latter presents a complex tasting list visiting a diverse array of grapes and crossing the entire Mediterranean. Current standout is the 2010 touriga nacional, a Portugese drop. For further wine adventures, there’s Moothi Estate (85 Rocky Waterhole Road, Mudgee; (02) 6372 2925), which lies southeast of the town and is one of Mudgee’s highest vineyards. The food platters are generous and the pinot grigio particularly drinkable. Just off the Castlereagh Highway, stop into Optimiste (Horseflat Lane, Mullamuddy; 0428 640 800), where an entire homestead is dedicated to tasting. So you can kick back on a couch in the loungeroom, or on the shady verandah, trying up to 11 different grape varieties. Potentially dangerous if you’re on the way home to Sydney. CUTE CAFES WITHOUT THE QUEUES Having had a coffee in three different cafes, I’m wondering if the barista police deal out especially harsh penalties around here. Standards are astoundingly high. A local blend from Yarrabin Road Roasters is on the menu at intimate, French-style cafe-by-day, wine-bar-by-night Alby + Esthers (61 Market St, Mudgee; (02) 6372 1555). It’s chocolatey, spicy and has its origins in Brazil, Ethiopia, Columbia and Sumatra. The bigger, eclectically outfitted Butcher Shop Cafe (49 Church St, Mudgee; (02) 6372 7373) (yes, it was once a butcher’s), bustling with locals, offers a less intense experience but it’s still a fine Saturday morning starter. For breakfast, a suitably creamy eggs Benedict is to be found at the roomy, white-painted, French-farmhouse spirited Market Street Cafe (Market Street pedestrian crossing, Mudgee; (02) 6372 0052). The menu is keep it simple; do it well. For dinner, I head to the Wineglass Bar and Grill inside the Cobb and Co. Boutique Hotel (97 Market St, Mudgee; (02) 6372 7245), where I discover a long local wine list and an especially good fractured chocolate meringue and raspberry dessert. EVERYWHERE AN ART SHOW "We have a very strong, active art community here," Helen Harwood tells me. I'm standing in the Fairview Artspace (6 Henry Lawson Drive, Mudgee; (02) 6372 2850). It's a cosy cafe/gallery. After or before caffeinating and snacking, you can wander through several rooms where permanent and temporary works are on show. This month, Lewisham-based artist Filippa Buttitta's Lost Child in the Bush is the centrepiece. It's a contemporary reimagining of the images imprinted in the Australian consciousness by works like Frederick McCubbin's Lost (1907) and Joan Lindsay's Picnic at Hanging Rock. For Indigenous art (as well as a host of natively sourced foods and products), there's the Indigiearth Showroom (1/55 Market St, Mudgee; (02) 6372 1878). It's a 100 percent Aboriginal-owned and -operated business, powered by Sharon Winsor. SALTWATER SLEEP SPOT About 7 kilometres north of the township, a winding, climbing dirt road leads to Wombadah Guesthouse (44 Tierney Lane, Mudgee; (02) 6373 3176). Henry Lawson’s schoolteacher, Mr John Tierney, was the original property owner. His homestead was lost in a fire, but the new building features four truly king-sized rooms (with beds to match) offering ridiculously beautiful views over the Mudgee Valley. An idyllic organic olive grove makes up the foreground. “We’ve been here for ten years,” Ray Whitfield, who runs Wombadah with his wife, Kaye, tells me. “It’s what we always wanted to do.” You can tell. Every detail is taken care of, from the luxurious linen to the handmade toiletries to the ample, home-cooked breakfast. Behind the house, there’s a shimmering in-ground saltwater pool and spa, backdropped by forest. If only there weren't another 34 wineries to investigate.
When everything in the world has fallen into tiny, cracked pieces, the absurdist playwright always seem to be there to try and build it back up again, or at least offer a witty commentary on the whole debacle. The Turquoise Elephant, opening at Griffin on October 14, promises not to buck the trend, with playwright Stephen Carleton's work poised to have deliciously scathing dig at modern life. The play follows the story of three women, all of whom are drowning in the world's problems, but can't seem to agree of any of them. Much in the tradition of Absurdists like Dario Fo and Ionesco, Carleton says of the play, "Every time you think things can't get any more ludicrous, another catastrophe occurs." The Turquoise Elephant is brought to life by director Gale Edwards, a legend of the Australian theatre, who has directed most things you've heard of and everything you haven't.
Benny Sweeten is a man with many hats — a hospitality master if you will. His resume includes Rose Bay Diner, Surry Hills' Joe Black Cafe and, more recently, Kansas City Shuffle in The Rocks. His latest venture Tuxedo is an extension of the Kansas City Shuffle space, which occupies the old Cadbury Chocolate Factory on Gloucester Street. Half cafe, half bar, Sweeten saw an opportunity to expand the space and combine two of his passions: coffee and alcohol. Thus creating Sydney's first specialised espresso martini bar. Opening Thursday, August 18, the bar will open from midday, with an evening session running from 5-7pm. Capacity for the evening sesh will be limited to 50 punters. It will launch with seven different martinis, including the Cadbury Chocolate Martini (an ode to the original owners of the venue) as well as a traditional take on the drink, which will be on tap. Some wilder versions with extravagant garnishes include The Candy Man — a blend of amaretto, vodka, Kahlúa and espresso served in a glass rimmed with sprinkles — and the a cold drip martini, which comes topped with a mini cinnamon doughnut. Freakshake or cocktail? You decide. For those who can't handle caffeine post 5pm, don't fret — a decaf version of the martini will be available too. And if you don't like something, you can just let the team know. Sweeten is keen to get customer feedback to help finalise the cocktail menu. The food menu at Tuxedo takes cues from adjoining sister venue Kansas City Shuffle, offering bites of their superfood snack menu. Think house-smoked salmon and quinoa with asparagus, smoked beef brisket fortune tacos, a shrimp cocktail and — this is what we're most excited for — a tiramisu made with Mr Black coffee liqueur. The vibe of the place is yet to be determined — its inner city location means the establishment has a strong business crowd, however the table tennis and pool tables give it a more relaxed feel amongst elements of the old chocolate factory. Word on the street is that Young Henrys will be pairing up with the venue in the near future to collaborate on a beer-based espresso martini, for those who need their beer injected with coffee too. Tuxedo is located at 195 Gloucester Street, The Rocks. The bar will open on Thursday, August 18 at 5pm. For launch, the bar will be open noon till 7pm, but they're looking to extend operating hours as the weather warms up. For more info, visit their Instagram.
Once upon a time, an imaginary photographer named Franz took imaginary photos for an imaginary journal, which came to find itself in a highly imaginative photo exhibition: A Glimpse at Anti-Terra. A melange of film noir photographs line the walls of the small but prestigious MILS gallery, which sits like a wedge of cake on Randle Street, Surry Hills. The brainchild — a haunting, oneiric and whimsical collection of work — can be attributed to a very real person: 24-year-old, Libran, Ukranian lawyer and photographer, Vladimir Kravchenko. Despite this being his first solo exhibition of both analogue and digital work, capturing a world beyond this one is something Kravchenko achieves best: landscapes slide off the edge of the Earth, upside-down puddles reflect the sky and ghostly shadows elide your vision. The fine grain tones and contrasted shadows are testimony to that eccentric, Eastern European stark obscurity that lives someplace deep inside our minds. Each untitled artwork delivers you, with immediacy, into the odd and explicit moments that define Franz's life; as does the accompanying narrative penned by Kravchenko. The combination is somewhat intoxicating as you find yourself stalking Franz, as he stalks the Earth and the people in it. From the window of a dismal grey block apartment, a woman appears with pert breasts and an Amelie bob framing red lips. Far below, dunes of shiny blonde sand replace what would otherwise be a street path. According to the narrative, it is the apartment that Franz can no longer climb to see Fredericka, "Now that she was gone, her window gained a sinister air and he knew that it was not just her absence, it was something else, some quirk in space altering the view." Aptly named, this Kafka-esque character goes through aspects of stark misery but also comedy whereby his friend Karl appears in a single portrait with a side part and top buttoned shirt, clasping his own head with wonder. Franz observes, "Eggs Benedict was Karl's favourite breakfast and he found the idea that his head also resembles an egg an endearing one." I shall never think of eggs Benedict quite the same way again. MILS Gallery is open Wednesday to Sunday 12-4. Image by Vladimir Kravchenko.
With a weekly listenership of 1.7 million and a strong following since 1995, the popular weekly hour-long radio program This American Life is due to make its debut in Australian cinemas. Filmed on a stage in New York City, This American Life — Live! is a packed show featuring stories by host Ira Glass, writers David Sedaris and David Rakoff, comic Tig Notaro and Snap Judgment host Glynn Washington, plus live music by OK Go. This live experience will encompass things you could never do on the radio, such as a new short film by Mike Birbiglia, dance by Monica Bill Barnes & Company, original animation, projected illustration and more. Glass is excited to see how it turns out; "We've built this line-up of stories mixed with super visual things," he says. "It's going to feel like the radio show but also totally unlike anything we've done before." A must-see event to be permanent-markered in. This American Life — Live! will screen in Sydney at the Cremorne Orpheum, Dendy Newtown, Chauvel Paddington and Riverside Theatre Parramatta. https://youtube.com/watch?v=iDDUB379juo
If the kids in your life have lots of energy heading into the school holidays, or you want to relive the era of jumping castle parties from when you were the kid in your parents' life, look no further. With hours of fun for the whole family (and a momentary well-deserved break for parents), everyone's favourite inflatable obstacle course, Monster Jump Sydney, is returning to the Entertainment Quarter this July. Running from Saturday, July 5 to Sunday, July 20, this ultimate school holiday activity is perfect for getting outdoors and active. The 280-metre inflatable obstacle course boasts over 30 challenges. You'll find yourself sliding and jumping, climbing walls and slides, jumping over hurdles, and ducking under and around inflated barriers while putting a whole lot of concentration into staying upright. Whether you're racing friends to see who is the fastest or you prefer to enjoy the course at your own pace, Monster Jump will get the adrenaline pumping. Unlike other obstacle courses, there's no mud or sharp edges here, only one of the best cardio exercises you've done in months. And this year, the action will be turning up a notch with the introduction of the Monster Sports Jam Inflatable. Perfect for sport-lovers or the kind of people who find a way to make things competitive, pick your game and take on a range of epic sporting challenges. Try your luck at basketball, a jousting station, or even a wrecking ball, just to name a few. Tickets to Monster Jump Sydney are based on preset two-hour session times, so come ahead of time to get your wristbands before your time slot. Session times are 10am-12pm, 11am-1pm, 12pm-2pm, 1pm-3pm, and 2pm-4pm. Tickets to Monster Jump Sydney are available on the website now. Make sure to pre-book to secure your preferred session time and avoid missing out. Images: Supplied.
The plastic flaps make this play. They're hanging in the theatre doorway, thick, long, translucent and evocative. They're exactly the sort you see separating the sparkling-tiled butcher's shopfront from its bloody back room, and now you're already thinking about big knives and intestines. Flipping through the flaps, you'll find two guys in crisp cricket whites, hair slicked back and carefully parted, frozen on stage and blinking around. One moos occasionally, and the other bleats. Rain patters in the background. It's bleak and weird, and a great start. This is Hartley (Heath Ivey-Law) and Hugo (Liam Nunan), A Butcher of Distinction's twin protagonists, and in the opening scene they're plucking through their father's belongings, snatching up bits to sell. They're out of their element, far away from their isolated country estate and trembling in the dank basement of a London pub. They whimper about their inheritance, and start to plan, poorly, for dealing without it. Their father, we learn, has killed their mother and shot himself dead. They're delicate brats wetting themselves at the prospect of job-hunting. Their parents' death seems more like a financial loss than an emotional one, and so it's not easy to care about their problems. The director, James Dalton, says in the program that they do become likeable, but it didn't happen. Teddy (Paul Hooper) crashes in with a lot of thumping, shouting, drinking and chest hair. He owns the pub and knows a lot more than the twins about their father's sleazy dealings down here. He also knows that he is owed money. Apparently the old man used this dump to indulge in some gross stuff, and now, says Teddy, the twins will have to pay off the debt at a pretty devastating personal cost. And the twins are all "oh dear, okay", which seems implausible, and the writing doesn't redeem itself from there. A Butcher of Distinction is a fresh piece from 25-year-old British playwright Rob Hayes, and it's so exciting to have young work on in cool Sydney spaces. But this script is undercooked. Main characters don't have to be likeable or their situations relatable, but cutting plot corners in the same script is asking too much of the audience. These characters aren't nuanced but just plain inconsistent; the twins supposedly work as a goat herder and butcher, but they're portrayed as privileged wimps until suddenly flipping at the end. The script aims for dark humour, but I just saw some pretty weak punchlines and a gory twist. Stylistically there is strong stuff going on. You know how I feel about the plastic flaps; set designer Dylan Tonkin deftly conjures all kinds of unsettling ideas using just one set piece. Dalton's nailed the macabre atmosphere here, and that opening sequence is ace. The tiny theatre's size works for this play, too, as you feel uncomfortably close to some uncomfortable ideas. But comfortably close to the flaps.
Weary of Westeros? Want a new formula to Breaking Bad? Zoned out of Walking Dead? Okay, perhaps not yet, but soon these shows will be over for the season (or *gulp* for good), and we'll be in the mood for something new. To pre-empt this moment, we've found five shows that might even top the hits we worship now. Here are the soon-to-air, highly anticipated television shows that are a must-see (and that we hope are fast-tracked on some Australasian network soon, but don't hold your breath). 1. American Gods Airing: late 2013/early 2014 Length: Six seasons of 10-12 episodes Based on Neil Gaiman's award-winning novel American Gods, the upcoming HBO series of the same name is expected to grab the attention of TV lovers worldwide. The series, written by Gaiman and produced by Playtone productions, is based on the idea that the gods of ancient mythology do exist in modern America and are kept alive by the people that believe in them. The main character, Shadow Moon, is an ex-convict recently released from prison. Unimaginable events begin to unfold in Shadow's life and he begins to question his perceived conceptions of the modern world. Producers have confirmed that the show will air for six seasons, so get ready to lose days to any binge watching you choose to get into. 2. Under The Dome Airing: June 24, 2013 Length: 13 episodes A television series brought to you by Steven Spielberg and Stephen King? That already sounds like a huge success. Under the Dome, a CBS series due to air June 24, has a star-studded cast and producing team, including actors Mike Vogel, Rachelle Lefevre and Colin Ford and comics king Brian K. Vaughan. Based on the novel of the same name by King, who is also executive producer of the show, Under the Dome follows what happens to a town when they are cut off completely from the rest of the world. In Chester's Mill, Maine no one can come in and no one can go out. With 2000 people trapped under an invisible barrier, things are bound to get scary fast. 3. Family Tree Airing: May 12, 2013 Length: Eight episodes HBO, in collaboration with BBC2, just released its first teaser for the coming series Family Tree. The show, which stars the beloved Bridesmaids and IT Crowd actor Chris O'Dowd, is a single-camera, improvisational, documentary-style comedy series that follows the life of 30-year-old Tom Chadwick (O'Dowd) as he investigates his strange family lineage, travelling from the UK to Los Angeles. The series was created by Christopher Guest, one of the original mockumentarians who brought us This Is Spinal Tap, and frequent collaborator Jim Piddock and could well revive a flagging genre. 4. Masters of Sex Airing: September 29, 2013 Length: 12 episodes in season one confirmed so far Based on Thomas Maier's 2009 biography Masters of Sex: The Life and Times of William Masters and Virginia Johnson, Masters of Sex is a drama series set to premiere on September 29 on the always-impressive Showtime network. Starring Michael Sheen as William Masters and Lizzy Caplan as Virginia Johnson, the show follows the bizarre lives and romance of the real-life pioneers of the science of human sexuality and leaders of the sexual revolution, Dr William Masters and Virginia Johnson. While not much else has been released about the series, this tidbit is enough to grab our attention. 5. True Detective Airing: Soon? Length: Eight episodes in season one With a superb, show-stopping cast, the new HBO series True Detective is without a doubt a show to look out for in the coming months. The series recently went into production and hopes to bring the contemporary crime underworld back to HBO. Starring talented doppelgangers Matthew McConaughey and Woody Harrelson, the eight-episode drama series has been in production since late 2012 but still no official word on when it will premiere. The series will follow an anthology vein comparable to the hit series American Horror Story, meaning the next seasons (if the first season is successful) will feature a whole new cast and a different storyline.
Every film festival has its traditions. At the Sydney Film Festival, adding to its program just days before the curtain lifts is a tried-and-tested part of its annual cycle. First, the Harbour City's major cinema showcase reveals a few titles in April to start getting movie lovers excited. Then, it advises who'll be the focus of its big retrospective. Next, it drops its complete lineup in May, but it isn't actually quite complete. This year, closing night's film was unveiled after that. And, once the Cannes Film Festival takes place, SFF also throws in a few more picks from France's prestigious event. SFF 2023 starts on Wednesday, June 8, running until Sunday, June 19 — and the day before the fest kicks off, it has boosted its bill with nine more features. The huge drawcard: Anatomy of a Fall, a drama about an author (Sandra Hüller, Toni Erdmann) accused of her husband's murder, which just won French director Justine Triet (Sibyl) the Palme d'Or. She became just the third female filmmaker to earn the coveted prize after Jane Campion — the subject of this year's SFF retrospective — for The Piano in 1993 and Julia Ducournau for Titane in 2021. Also hitting Sydney after competing for Cannes' major prize are Club Zero and May December. Helmed by Little Joe's Jessica Hausner, the former stars Mia Wasikowska (Blueback) as a boarding-school teacher spearheading a conscious-eating movement. The latter hails from Carol director Todd Haynes, is led by Natalie Portman (Thor: Love and Thunder) and Julianne Moore (Sharper), and dives into a scandal. SFF has also added body-horror film Tiger Stripes, which is set in the Malaysian jungle and won the 2023 Cannes Critics' Week Grand Prize — and Inshallah a Boy, about a woman in Jordan who fakes a pregnancy because it's the only way she can secure her inheritance. Plus, from Cannes Directors' Fortnight comes Georgian feature Blackbird Blackbird Blackberry, about an autumn romance. Also from the Croisette: Anselm, Wim Wenders' (Submergence) portrait of artist Anselm Kiefer; and Four Daughters, which won Cannes' top documentary prize for its tale about a Tunisian mother and her missing children. And, while it screened at Sundance instead, The Persian Version — an Audience Award-winner at the Utah fest, focusing on Iranian American filmmaker Leila (Layla Mohammadi, The Sex Lives of College Girls), her romantic life and her mother Shireen's (Niousha Noor, Kaleidoscope) story before her — rounds out the new additions. SFF attendees, you'll now need to rejig your schedule. That's one of this film festival's annual traditions, too. Sydney Film Festival 2023 runs from Wednesday, June 7–Sunday, June 18 at various Sydney cinemas — head to the festival website for further information and tickets.
Sandwiches masquerading as lollipops, a garden you can eat and a dessert fairyland featuring giant marshmallows, meringue mushrooms and edible rainbows are just three of the many reasons why you should book a spot at the Mad Hatter’s Brunch. The long, champagne-fuelled banquet will happen at the Ananas Bar and Brasserie on Sunday, May 31, the third in their series of monthly themed brunch events. “It promises to be our most magical brunch yet,” says chef de cuisine Neil Martin. "I don't want to give too much away, but it will be a fantastical feast paired with ‘drink me’ potions, teapot cocktails and a two-hour bottomless flute of champagne for those who want to indulge.” Brunch will be served in the form of a roaming buffet, inspired by French cuisine. You’ll also be treated to freshly shucked oysters, handmade pasta, charcuterie, house-made terrines, pates and a breakfast bar. To match the exotic food, Ananas will be turned into a magical world, with brightly coloured teapots, crazy costumes and eclectic decorations. Don’t, under any circumstances, forget your mad hat.
Sydney design trio Babekühl are collaborating with Bill & Toni's Pub Life in Surry Hills this week to bring us a burger of epic proportions. Known as the Hambürg, this stoner plat du jour features a bratwurst patty with German beer, rosti, sauerkraut and hot mustard mayo, to be delivered to your table in a custom-made burger box. As if that wasn't enough, Babekühl are also serving up a tape packed with beats and five copies of their latest book, Above The Clouds. Get in quick though: we imagine there might not be enough of these limited edition feasts to go around. This Wednesday night only.
If you're a fan of Gelato Messina and its frosty sweet treats, 2020 is the year that just keeps on giving. That saying doesn't apply to much over the past 12 months, but it definitely fits in this situation. The dessert chain has released all manner of one-off specials, launched a new range of chocolate-covered ice cream bars in supermarkets, dropped a new merchandise line and brought back its Christmas trifle, for starters — and now it's aiming to take care of your summer drinks list. Teaming up with Cocktail Porter, Messina is now serving up DIY kits that'll let you make your own boozy beverages — either using Messina's gelato or its just-as-beloved toppings. Basically, it's the answer to a familiar dilemma, especially when the weather is warm. No one likes choosing between tucking into a chilled, creamy dessert or having another boozy beverage, after all. The Messina dessert cocktail packs come in two flavours: dulce de leche espresso martinis, and gin-fuelled coconut and lychee piña coladas. In the former, you'll get Ciroc vodka, coffee liqueur, premium cold-drip coffee and Messina's dulce de leche topping, plus Messina's chocolate hazelnut spread and shaved coconut to go on top. In the latter — which are being called 'giña coladas' — you'll receive Tanqueray gin, coconut water, pineapple juice, verjuice, and vouchers to go pick up a tub of Messina coconut and lychee gelato. As well as choosing with variety you'd prefer — caffeinated and zesty or fruit and refreshing, basically — you can pick between two different-sized packs. A mini espresso martini kit costs $85, while a mini giña colada kit costs $89, and both serve up six drinks. Or, you can opt for the large ($149/159), which makes 18 dessert cocktails. Cocktail Porter delivers Australia-wide, if that's your summer drinking plans sorted. To order Cocktail Porter's Gelato Messina cocktail kits, head to the Cocktail Porter website.
Rich, magnificent and a little bit fancy are all things that come to mind when truffles are on the menu. But do we know anything about them, really? Long-time favourites of fine dining restaurants, truffles are now popping up on cafe menus too, having entire festivals thrown in their honour — they've even been added to beer, for goodness sake. In order to dispel the air of mystery surrounding truffles (and just so we can stop pretending we know what we're talking about), we've called upon truffle aficionado Bernadette Jenner from Madame Truffles to set us straight about where to find them, how to eat them, and what makes them so magical. What are truffles? Truffles are a type of fungi, and are part of the genus tuber. While there are many different types of truffles, only a few are edible; the white truffle (tuber magnatum) and the black Perigord truffle (tuber melanosporum) are the most highly sought after. Truffles range in size from as small as a marble to as big as your fist and retail for around $2,500 per kilogram. They're found underground surrounding the roots of a host tree, which is often either oak or hazelnut. Currently only the black Perigord truffles are harvested in Australia. Originally pigs were used to sniff out truffles; however, most farmers use dogs these days, as pigs were notorious for eating their discoveries. "Fighting a pig for a truffle is probably not worth your life," says Jenner, and we believe her. Interestingly, the truffle has a pheromone in it that smells like a male boar, so the female pigs are actually searching for a mate, rather than a fine-dining delicacy. "In pig world it's actually the smell of the male that speaks to its dominance. It's not about how pretty it is or how much money it earns; the better smelling the pig, the higher up in the pecking order he is." Weirdly enough, the pheromones in male pigs are actually similar to that found in male humans. Figure that one out. Where do they come from? Australia is actually the fourth largest black truffle producer in the world, following closely behind Italy, France and Spain. Black truffles can be found all over the country. So where can you get the best ones? "As a general rule, there's a great truffiere in Pemberton, WA," explains Jenner. "Truffles from Braidwood in NSW are smoky and gorgeous, and you can also get good truffles from Tassie." So how do our truffles compare? Jenner says that Australian truffles are strong competitors in relation to their European counterparts. "About 95 percent of the truffles from WA are exported to Italy and America, and they fill up the Michelin star restaurants." When are truffles in season? In Australia, peak truffle season is from the end of May through to the end of August. One great thing about truffles is their unpredictability and the variety you can have from one harvest, as Jenner explains. "Each harvest is different and even truffles from the same tree can taste and smell different." This is the fourth year Jenner has run her pop-up shop Madame Truffles during the peak season, and she has noticed a definite increase in interest in truffles. Bernie puts this down to two reasons: "The truffieres know much more about what they're doing so not only are they producing more truffles, but the quality is great." The second reason comes down to us: we're craving something new and special. "People are feeling more confident and adventurous with food," she says. How do you cook with truffles? The possibilities here are nearly endless. Truffles love heat, which make them lovely additions to pasta or risotto, where you can either mix it in while cooking, or shave some on top to add depth to your meal. Jenner's hot tip is to keep things simple. "The truffle is the diamond," she explains. "I love a decadent breakfast, so I love putting heaps of the truffle in scrambled eggs and pop a little bit on top when I serve it." A little bit goes a long way with truffles, and it’s important not to overcook as that can decrease their flavour. Where can you get them? Truffles are purchased by weight and are most often ordered online through various truffieres around Australia. Part of the thrill of buying truffles is inspecting them yourself, and most importantly, smelling them. That's what makes going to Madame Truffles such an experience. "The truffles that you buy here, you would have smelled them, we don’t sell it to you without smelling it first," explains Jenner. As well as buying truffles whole you can also by them as products such as truffle pasta, truffle butter, truffle ice cream, and Madame Truffles is even making truffle Monte Carlos for the adventurous sweet tooth. Where to enjoy truffles in Sydney Sydney is home to a raging truffle scene, not just limited to restaurants with French words splattered around the menu and a wine selection that would cost more than the average weekly rent. Devon cafe in Surry Hills is known for their inexpensive approach to the truffle — the ultimate toastie with egg, gruyere, mushroom and truffle has become a locals' favourite in winter months. Bishop Sessa in Surry Hills takes pride in their truffle offerings (so much so that once a year in June they organise an all-truffle menu), while Mr Wong in the CBD puts an intriguing Asian twist on the humble truffle with black truffle and wild mushroom dumplings and poached pork, prawn and black truffle dumplings (all under $15!). Want to play chef? You can take home some of that sweet, sweet fungus-y goodness from food markets like Pyrmont Growers Market (but remember that truffles are seasonally dependent). If you are searching for truffles all year round, grocery Gourmet Life in Darling Point imports them from Europe. By Hannah Valmadre with Natalie Freeland. Feature image courtesy of ulterior epicure via photopin and ultimate truffle sandwich via @nutellasum. Other images thanks to Madame Truffles.
Updated Tuesday, May 23: Longshore will open on Thursday, June 15 and will offer four different dining options: a la carte, a lunch tasting menu ($100), a standard tasting menu ($150) and a ten-course snacks flight ($80). Bookings are now available exclusively through OpenTable. When Jarrod Walsh and Dorothy Lee announced they'd be stepping away from beloved Enmore Road venue Hartsyard last year, they teased big things in the pipeline, thanks to plans to oversee the food and drink offerings at The Old Clare Hotel. The announcement coincided with the closing of longstanding hatted Sydney restaurant Automata, which operated out of the space next to the hotel bar for seven years — a spot that Walsh and Lee are now making their own. The dynamic hospitality duo have taken over the Chippendale digs from Clayton Wells and the crew, announcing a new 100-seat seafood-heavy restaurant and bar called Longshore. The multi-space venue will accommodate a variety of patrons, with outdoor seats on offer for light snacks over drinks, an upstairs bar for events and snack flights, and a welcoming ground-floor dining room where you can really lose a few hours. "We're honoured to be taking over a much-loved Sydney dining room and opening the suburb's first wine bar and restaurant," says Walsh. "Our menu utilises the whole of Australia's coastline, and is inspired by both our childhoods and our travels around the world. I grew up on the coast in Port Macquarie fishing, camping and exploring, and all these things I learnt as a child, such as how to catch a fish and prepare it, play a huge part in the menu." There are a couple of different ways to approach the menu at Longshore. Alongside the a la carte selection, the experimental ten-snack tasting flight will take you on a journey between hot and cold mouthfuls — and there's a five-course set menu for diners who want to sample the team's favourite dishes from the menu. [caption id="attachment_860564" align="alignnone" width="1920"] Automata, Nikki To[/caption] On the opening lineup, you can expect unique creations like a glazed abalone crumpet with guanciale and sansho pepper, steamed sand whiting with XO pipi butter, and grilled Australian wagyu accompanied by a bone marrow sauce and smoked fat. Longshore will be open four days a week, with lunch on Fridays and Saturdays. It'll launch in June, but the restaurant's exact opening date hasn't been announced just yet, so make sure to keep an eye on its Instagram for the latest updates. Plus, if you're still on the hunt for top-notch food on Enmore Road, Walsh and Lee have passed the baton of their old Hartsyard space onto Neville Dsouza, who has opened the sleek produce-driven eatery Irene's. The Hartsyard pair are still involved with the new restaurant, which serves up hearty dishes inspired by home cooking such as tamarind-glazed chicken and garlic cream grilled prawns. Jarrod Walsh and Dorothy Lee's Longshore is coming to 5 Kensington Street, Chippendale in June. It will be open for lunch Friday and Saturday, and dinner Monday and Thursday–Saturday — we'll update you with an exact launch date when one is announced. Images: Jason Loucas.
One of the giants in the modern pop scene, Goldfrapp have been mixing grind-inducing, strut-generating beats since the late nineties. With a brand new album slated for release later this month, they've joined the already illustrious bill for this year's Vivid, and they're bringing their latest and greatest to Carriageworks. The UK pop duo have had a slew a massive hits, from 2003's 'Strict Machine' to 2005's 'Ooh La La'. While there's been a widespread barrage of bangers from Goldfrapp since then, these are the two that have probably been featured in more films and TV shows than 'Bittersweet Symphony'— seriously, Goldfrapp have been featured in Entourage, NCIS, Las Vegas, House, Bones, Grey's Anatomy, The Sopranos, Ugly Betty, ER, Heroes, Numb3rs...
If you missed out on The Jungle Collective's previous two warehouse plant sales, be sure to clear this Saturday and Sunday immediately. Because there's another one on its way. The Jungle Collective is a Melbourne nursery that stocks all kinds of weird and wonderful species. After holding its first wildly successful Sydney market in February and another this month, it's gathering the leftover plants, tracking down new ones and throwing a two-day indoor plant party. While we don't know what plants will be available this time, previous sales have had everything from hanging pot plants to palms for the garden to a giant Bird of Paradise. Have a reputation for killing your cacti? Overwatering your ferns? Don't worry — there'll be horticulturalists on site on the night to give you advice and chat through any questions you might have. This one will be held in a St Peters warehouse, and will run from 10am till 4pm on Saturday with ticketed sessions. Sunday won't have scheduled slots though — you can just rock up between 10am and 2pm. We'd still suggest getting there early though. Images: Mooikin.
The Museum of Contemporary Art's annual Conversation Starters program is all about getting us talking about the issues that really matter. And in 2019 Conversation Starters 2019: Temperature Rising, will feature another groundbreaking lineup of events as part of Vivid Ideas. The program will run across Saturday, June 1 and Sunday, June 2 — and, this time, it's focusing on climate change, in response to the MCA's current exhibiton Janet Laurence: After Nature. From talks and performances to film screenings and workshops, we've picked out just a few spectacular highlights that will have you chin-wagging about the environment for hours.
Tucked away in their scrappy summerhouse, the Tyrone family faces itself. Mary Tyrone (Robyn Nevin), an aged beauty long condemned to addiction after the troubled birth of her youngest son Edmund, once again slips, glassy eyed, away from her family. Her husband, James (William Hurt), and sons, Jaime (Todd Van Voris) and Edmund (Luke Mullins), themselves suffering under the weight of life, are undone as she, the pedestaled mother, falls again. Regret spills out and over, mixing with contempt, self-loathing, love, nostalgia and lost hope. The brilliance of Long Day’s Journey Into Night, Eugene O’Neill’s largely autobiographical play, lies in its finely drawn relationships and the language with which these are expressed. Both Van Voris and have noted that the play has a reputation as a dirge, and indeed it is a slow, mournful composition that only works with pitch-perfect performances. Nevin and Hurt deliver such. Nevin is beyond majestic as Mary and Hurt manages to highlight the kind and loving aspects of a miserly old man willing to send his chronically ill son to a state institution rather than fork out the extra money for good treatment. The two of them together are genius. Unfortunately, Van Voris's and Mullins' performances are just under. While both have finely constructed the physicality of their characters, one a consumptive wraith the other a corpulent whoremonger, neither actor quite delivers the humanity required to draw compassion — compassion that is absolutely necessary to carry the audience through the final hour. Truly, by the end of the third act, you will be scratching at the inside of your skin, desperate that the thing should end. You will feel as if you're being punished. This is mostly O'Neill's fault. He is too theatrically indulgent in the scenes between the brothers, one of which, Edmund, is based on himself — justifying his own personal failings perhaps? A co-production between the Sydney Theatre Company and Oregon's Artists Repertory Theatre, this production is in many ways a triumph. Just don't go thinking it's going to be an easy night in the theatre. If you're under 30, tickets are only $40. Photo by Brett Boardman.
Australians, if you like your burgers cruelty-free, then you've probably been keen to introduce your tastebuds to Impossible Foods. One of the big names in plant-based meat, the brand has built up quite the following in the US — and, from today, Thursday, November 4, it's finally available Down Under. Known for making not just meat alternatives but also dairy substitutes out of plants, Impossible has launched in Australia with two big collaborations: with burger chain Grill'd and Sydney fried chicken joint-meets-sneaker shop Butter. Nationwide, you can now tuck into four Impossible burgs made with the brand's beef alternative. If you're a Sydneysider, you have a couple more options at Butter's Chatswood and Parramatta outposts, and you'll also be able to try a broader menu at Butter's upcoming Impossible pop-up in The Rocks. For burger fiends, those four new additions at Grill'd Australia-wide include a cheeseburger (complete with vegan cheese and vegan mayonnaise), the 'Simply Grill'd' which recreates the chain's standard burg, a vegetable-heavy option that comes with beetroot and avocado, and an Aussie spin on the concept that also adds beetroot and barbecue burger sauce. In Sydney, Butter is doing an Impossible cheeseburger and an Impossible classic burger, marking the first time it's ever had plant-based meat alternatives on its menu. Butter will also be adding a new Impossible burger to its lineup every fortnight, and slinging Impossible lasagnes and meatball subs via its home-delivery brand Mumma Julian's. And, at a yet-to-be-revealed date sometime later in November, Butter's Impossible pop-up in The Rocks will only serve items made with Impossible beef. Think: meat-free katsu, cheeseburgers and chilli cheese fries, plus whatever else Butter co-owner and executive chef Julian Cincotta comes up with. In total, Impossible's meat-less 'beef' is now available in more than 150 restaurants around the country — and you can expect more places to join the list. And if you're wondering what makes the brand's plant-based options stand out, it was named the best plant-based burger by The New York Times. Grill'd's Impossible menu is available in stores from Thursday, November 4. Butter is serving two Impossible burgers at its Chatswood and Parramatta outposts, and will set up an Impossible pop-up in The Rocks later in November. For further details about Impossible, head to the brand's website.
Dust off your sombreros, amigos. The latest international excuse for a good time to reach our shores is Cinco de Mayo — a celebration of all things Mexican (which, if we’re being nit-picky, is really more of an Americanisation than anything but shh, let us party). In celebration, the folks at Corona and Beach Burrito Company Coogee are putting together a fiesta, complete with face painting by local street artists and the first ever Taco Time Trials Eating Contest. For the less competitively inclined but equally taco-happy, Cinco de Mayo falls conveniently on a Tuesday, and Beach Burrito Co’s regular $3 taco deal applies, so your pesos’ll stretch further. With what you’ve got left, you can sip salt-rimmed margaritas, down trays of tequila shots (not recommended) or share a bucket of ice-cold Coronas. And, of course, come prepared to smash and whack your way to glory, because they wouldn’t be doing Mexico right without pinatas.
Pitting Will Smith against himself, Gemini Man is designed to boggle the mind. Viewers are supposed to stare at the big screen in awe as the former Fresh Prince not only plays a supremely skilled 51-year-old assassin, but — through the wonders of seamless de-ageing CGI — also plays his 23-year-old clone. We're also meant to marvel at the 3D visuals that surround the two Smiths as they go head-to-head, with the movie shot on digital in 4K resolution at 120 frames per second. Technical jargon aside, that means Gemini Man is super-crisp thanks to its vastly increased number of pixels, and it boasts five times the usual images each second, with the camera picking up five times the visible detail as a result. Sadly, while Ang Lee loves to keep pushing the filmmaking boundaries, especially in a technical sense, he completely misses his target with Gemini Man. It doesn't come close to eliciting the same wonder that Crouching Tiger, Hidden Dragon's astonishing martial arts choreography inspired, or the dropped jaws sparked by his immersive adaptation of Life of Pi either. Instead, in Lee's second successive attempt to make a watchable high frame-rate flick (after 2016's Billy Lynn's Long Halftime Walk), this espionage thriller has the bland appearance of a TV soap opera. At its worst, it resembles absolutely anything screening on television with the motion-smoothing settings left on (aka the default viewing mode on modern screens that Tom Cruise famously asked viewers to switch off when watching Mission: Impossible - Fallout at home). Stacks of cash have been splashed on the most advanced special effects available — techniques that are being hailed as the future of cinema — but the end product really couldn't look cheaper or uglier. In a movie that basically only exists to showcase its apparently cutting-edge hyper-realistic imagery, Gemini Man's visual blah factor has an enormous impact. Lee clearly hopes his high-tech frames will patch over the generic narrative, but they actually emphasise the film's routine flavour. Penned by David Benioff (Game of Thrones), Billy Ray (Overlord) and Darren Lemke (Shazam!), this by-the-numbers affair follows seasoned government-sanctioned sharp-shooter Henry Brogan (Smith) as he packs it all in after a tricky assignment. As soon as he trades in his weapons for retirement, he's tracked down by his youthful doppelgänger (also Smith). A rogue intelligence agency head honcho (Clive Owen) is behind it all; however, as we probably don't need to point out, he isn't the toughest adversary that Brogan must face. Throw in Mary Elizabeth Winstead as another agent caught up in the chaos, plus Benedict Wong as a kindly pilot helping Brogan hop around the globe, and Gemini Man sits somewhere between every Bourne flick and every 90s action movie involving duplicity and double-crossing. Plot-wise, it truly is that standard; no-budget straight-to-VHS stinkers have demonstrated more narrative ingenuity. A boilerplate story told well can still keep viewers engrossed, though, especially in this genre (see: the excellent John Wick films), but that's not the case here. While cheesy, inane dialogue that spells out every twist is unfortunate enough, the fact that Gemini Man looks like someone has simply used their iPhone to film two Will Smiths who happen to be standing in front of them is grating, disconcerting and distracting. That it also looks like it could be a sequel to Tommy Wiseau's The Room — well, that comparison obviously says plenty. It's one thing to feel like you could reach out and touch whichever Smith you prefer (the elder Smith deserves that honour, with the actor more comfortable acting his age than chasing his younger glory days). It's another to get bombarded with so much visual data that nothing stands out, including Smith and his digital recreation. In the pursuit of hyper-clarity, Gemini Man lacks anything that resembles movie magic — and while that means there's no blurring or chaotic editing in the film's chase and fight scenes, which are both staged and shot with fluidity, it's all just dull rather than spectacular. You won't sit there wondering "how did they do that?", but rather "why did they do that?". And if you're not getting jiggy with Gemini Man's imagery, then you're not getting jiggy with this empty experiment in stretching the limits of cinema to a place that no one really wants it to go. https://www.youtube.com/watch?v=ykm0wWnzFY8
Is it a bird? Is it a plane? Is it both, in a way? Next time you see something hovering in the sky in southeast Queensland, the answer to that last question could be yes. Not content with simply serving up fried chook on land as it's done for decades, KFC has taken to the skies to pilot a new delivery method — ferrying its finger-lickin'-good chicken pieces, burgers, nuggets and fries around select suburbs via drone in an Australian-first for the chain. If you've always wanted your lunch or dinner to swoop in from above, to feel like you're living in the future or to take the whole pandemic-era contactless purchasing setup literally to another level, you'll need to live in the SEQ suburbs of Kingston, Logan Central, Slacks Creek, Underwood and Woodridge to get your flying KFC fix. And, you'll also have to download the Wing delivery app, too, with the fast-food chain teaming up with the on-demand drone delivery service on its new way to get chicken direct to your door. Where your chicken is going, it doesn't need roads. And no, it isn't yet April 1, so this is genuinely happening. KFC has also set up a dark kitchen just to cater to drone orders — which it's calling a 'cloud kitchen', but obviously still sits on the ground — and says that some deliveries might arrive within minutes. Here's how it works: once you place your order, the drone will fly to the KFC kitchen to pick it up, and will then head back up to flying altitude to get to its delivery destination. With packages of up to 1.5-kilograms, it can travel more than 110-kilometres per hour. When it arrives at your house, it'll slow down, bring itself to a delivery height of about seven metres above the ground, and lower your food on a tether — which'll automatically release. You don't need to unclip anything, and the drone doesn't need to land, either. Wing advises that on-demand drone deliveries have proven quite popular in Logan over the past year, with more than 100,000 deliveries made in 2021, if you're wondering why it was chosen for this trial. If you're a Brisbanite who doesn't live in any of the pilot suburbs but resides nearby, KFC and Wing are also gradually planning to expand the delivery radius to neighbouring spots sometime in the future — but exactly where and when hasn't been revealed. For fried chicken lovers elsewhere, cross your fingers that your next zinger or three-piece feed will be taking to the air sometime in the future. To order KFC via drone if you live in Kingston, Logan Central, Slacks Creek, Underwood and Woodridge, download the Wing delivery app.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from June's haul. BRAND NEW STUFF YOU CAN WATCH IN FULL NOW I'M A VIRGO No one makes social satires like Boots Riley. Late in I'm a Virgo, when a character proclaims that "all art is propaganda", these words may as well be coming from The Coup frontman-turned-filmmaker's very own lips. In only his second screen project after the equally impassioned, intelligent, energetic, anarchic and exceptional 2018 film Sorry to Bother You, Riley doesn't have his latest struggling and striving hero utter this sentiment, however. Rather, it springs from the billionaire technology mogul also known as The Hero (Walton Goggins, George & Tammy), who's gleefully made himself the nemesis of 13-foot-tall series protagonist Cootie (Jharrel Jerome, Spider-Man: Across the Spider-Verse). Knowing that all stories make a statement isn't just the domain of activists fighting for better futures for the masses, as Riley is, and he wants to ensure that his audience knows it. Indeed, I'm a Virgo is a show with something to say, and forcefully. Its creator is angry again, too, and wants everyone giving him their time to be bothered — and he still isn't sorry for a second. With Jerome as well-cast a lead as Atlanta's Lakeith Stanfield was, I'm a Virgo also hinges upon a surreal central detail: instead of a Black telemarketer discovering the impact of his "white voice", it hones in on the oversized Cootie. When it comes to assimilation, consider this series Sorry to Bother You's flipside, because there's no way that a young Black man that's more than double the tallest average height is passing for anyone but himself. Riley knows that Black men are too often seen as threats and targets regardless of their stature anyway. He's read the research showing that white folks can perceive Black boys as older and less innocent. As Cootie wades through these experiences himself, there isn't a single aspect of I'm a Virgo that doesn't convey Riley's ire at the state of the world — that doesn't virtually scream about it, actually — with this series going big and bold over and over. I'm a Virgo streams via Prime Video. Read our full review. BLACK MIRROR When Ron Swanson discovered digital music, the tech-phobic Parks and Recreation favourite was uncharacteristically full of praise. Played by Nick Offerman (The Last of Us) at his most giddily exuberant, he badged the iPod filled with his favourite records an "excellent rectangle". In Black Mirror, the same shape is everywhere. The Netflix series' moniker even stems from the screens and gadgets that we all now filter life through daily and unthinkingly. In Charlie Brooker's (Cunk on Earth) eyes since 2011, however, those ever-present boxes and the technology behind them are far from ace. Instead, befitting a dystopian anthology show that has dripped with existential dread from episode one, and continues to do so in its long-awaited sixth season, those rectangles keep reflecting humanity at its bleakest. Black Mirror as a title has always been devastatingly astute: when we stare at a TV, smartphone, computer or tablet, we access the world yet also reveal ourselves. It might've taken four years to return after 2019's season five, but Brooker's hit still smartly and sharply focuses on the same concern. Indeed, this new must-binge batch of nightmares begins with exactly the satirical hellscape that today's times were bound to inspire. Opening chapter Joan Is Awful, with its AI- and deepfake-fuelled mining of everyday existence for content, almost feels too prescient — a charge a show that's dived into digital resurrections, social scoring systems, killer VR and constant surveillance knows well. Brooker isn't afraid to think bigger and probe deeper in season six, though; to eschew obvious targets like ChatGPT and the pandemic; and to see clearly and unflinchingly that our worst impulses aren't tied to the latest widgets. Black Mirror streams via Netflix. Read our full review. GUY RITCHIE'S THE COVENANT Announcing his cinematic arrival with a pair of slick, witty, twisty and fast-paced British heist flicks, Guy Ritchie achieved at the beginning of his career something that many filmmakers strive for their whole lives: he cemented exactly what his features are in the minds of audiences. Lock, Stock and Two Smoking Barrels and Snatch made "Guy Ritchie movie" an instantly understood term, in fact, as the writer/director has attempted to capitalise on since with differing results (see: Revolver, RocknRolla, The Gentlemen and Operation Fortune: Ruse de Guerre). Ritchie's third film, the Madonna-starring Swept Away, has also proven just as emblematic of his career, however. He loves pumping out stereotypical Guy Ritchie movies — he even adores making them Sherlock Holmes and King Arthur flicks, with mixed fortunes — but he also likes leaving his own conventions behind in The Man From UNCLE, Aladdin, Wrath of Man and now Guy Ritchie's The Covenant. Perhaps Ritchie's name is in the title of this Afghanistan-set action-thriller to remind viewers that the film does indeed boast him behind the lens, and as a cowriter; unlike with fellow 2023 release Operation Fortune: Ruse de Guerre, they wouldn't guess otherwise. Clunky moniker aside, Guy Ritchie's The Covenant is pared down, gripping and intense, and home to two excellent performances by Jake Gyllenhaal (Strange World) as Master Sergeant John Kinley and Dar Salim (Tatort) as his interpreter Ahmed. As the former leads a team that's looking for IED factories, the pair's collaboration is tentative at first. Then a raid goes wrong, Ahmed saves Kinley's life, but the recognition and support that'd be afforded an American solider in the same situation doesn't go the local's way. Where Afghan interpreters who aid US troops are left after their task is complete is a weighty subject, and treated as such in this grounded and moving film. Guy Ritchie's The Covenant streams via Prime Video. FLAMIN' HOT How? In pop culture's current true-crime and murder-mystery trends, that's a key question, with audiences keen to discover how killers are caught — or sometimes aren't. It's also the query at the heart of another on-screen obsession of late: product films. These aren't the movies that turn every favourite character and premise possible into never-ending franchises, as seen in the many various caped-crusader universes. Rather, they're origin stories behind everything from games (Tetris) to shoes (Air) and mobile phones (BlackBerry), and they just keep arriving in 2023. Marking the feature directorial debut of Desperate Housewives actor Eva Longoria, Flamin' Hot is firmly a product film, as Cheetos fans will instantly know. If you've ever wondered how the Frito-Lay-owned brand's spiciest variety came about in the 90s — and became so popular — this likeable, energetically made movie provides the answer while itself rolling out a crowd-pleasing formula. Eating the titular snack while you watch is optional, but expect the hankering to arise either way. This story belongs to Richard Montañez — and it's also an underdog tale, and an account of chasing the American dream, especially when it seems out of reach. Flamin' Hot's pivotal figure (Jesse Garcia, Ambulance) started working at Frito-Lay to support his family, after living the gang life since high school to rebel against his dad, but he wants to be more than a janitor. His attempts to work his way up the company ladder falter not through his lack of trying or willingness to learn everything there is about making junk food, but due to a stratified hierarchy that doesn't reward his efforts. But, as he takes cues about the factory's operation from engineer Clarence (Dennis Haysbert, Lucifer), who also struggles to get promoted, he realises that chilli-flavoured Cheetos would be a smash within the Latino community. His ever-supportive wife Judy (Annie Gonzalez, Vida) is committed to helping, as are his family and friends in general — but if getting Frito-Lay CEO Roger Enrico (Tony Shalhoub, The Marvelous Mrs Maisel) onboard was easy or straightforward, there wouldn't be a film. Flamin' Hot streams via Disney+. BASED ON A TRUE STORY Murder-mystery comedies: everyone's making them, and on screens big (Knives Out and its sequel, See How They Run) and small (Only Murders in the Building, The Afterparty, Dead to Me). In fact, Based on a True Story star Kaley Cuoco has been in one lately thanks to two seasons of dark comedy-slash-whodunnit thriller The Flight Attendant. But the difference with the genre's latest streaming example is befriending a serial killer, which is the choice that Cuoco's pregnant real-estate agent Ava Bartlett and her just-fired tennis-coach husband Nathan (Chris Messina, The Boogeyman) make to chase a lucrative payday. How does palling around with the Westside Ripper, who has been terrorising Los Angeles, benefit the financially struggling couple? By making a podcast with them, as Australian-born creator and writer Craig Rosenberg (The Boys) finds his own way to riff on the Serial-sparked true-crime audio obsession. Ava is a devotee of folks talking about grisly deeds; if Only Murders in the Building existed in the Based on a True Story universe, she'd be its number-one fan. And, after working out that she and Nathan know the killer, it's her idea to hustle that information into what she hopes will be the next big podcast, all by enlisting said criminal to natter on with them. Based on a True Story clearly skews more darkly satirical than the fellow streaming series it most closely resembles — well, that and The Flight Attendant and also country-club comedy Red Oaks. It's messier as well, sometimes feeling like it's throwing in everything it can, and Cuoco could've easily walked out of her last series and straight into this. Still, with its love of twists, willingness to call out how the world's murder fixation is so rarely about the victims, and a well-cast lineup of talent that also includes Tom Bateman (Death on the Nile) and Liana Liberato (Scream VI), it's quickly addictive — yes, like the podcasts it's parodying. Based on a True Story streams via Binge. NEW SHOWS TO CHECK OUT WEEK BY WEEK DEADLOCH Trust Kate McCartney and Kate McLennan, Australia's favourite Kates and funniest double act, to make a killer TV show about chasing a killer that's the perfect sum of two excellent halves. Given their individual and shared backgrounds, including creating and starring in cooking show sendup The Katering Show and morning television spoof Get Krack!n, the pair unsurprisingly add another reason to get chuckling to their resumes; however, with Deadloch, they also turn their attention to crime procedurals. The Kates already know how to make viewers laugh. They've established their talents as brilliant satirists and lovers of the absurd in the process. Now, splashing around those skills in Deadloch's exceptional eight-episode first season lead by Kate Box (Stateless) and Madeleine Sami (The Breaker Upperers), they've also crafted a dead-set stellar murder-mystery series. Taking place in a sleepy small town, commencing with a body on a beach, and following both the local cop trying to solve the case and the gung-ho blow-in from a big city leading the enquiries, Deadloch has all the crime genre basics covered from the get-go. The spot scandalised by the death is a sitcom-esque quirky community, another television staple that McCartney and McLennan nail. Parody requires deep knowledge and understanding; you can't comically rip into and riff on something if you aren't familiar with its every in and out. That said, Deadloch isn't in the business of simply mining well-worn TV setups and their myriad of conventions for giggles, although it does that expertly. With whip-smart writing, the Australian series is intelligent, hilarious, and all-round cracking as a whodunnit-style noir drama and as a comedy alike — and one of the streaming highlights of the year. Deadloch streams via Prime Video. Read our full review. HIJACK Whether Idris Elba will ever get to play James Bond is still yet to be seen, but he resourcefully endeavours to save lives and bring down nefarious folks in Hijack, and adds another prime example of why he'd be excellent as 007 to his resume. This new series is also basically Idris Elba on a Plane, sans slithering snakes — or Idris Elba Cancels the London-Bound Apocalypse. Die Hard with Idris Elba, 24: Idris Elba: they fit as well. Fresh from battling lions in Beast, the Luther star plays Sam Nelson, a seasoned negotiator on his way home to the UK from Dubai, and a man who just wants to try to patch things up with his estranged wife Marsha (Christine Adams, The Mandalorian) and spend time with his teenage son Kai (Jude Cudjoe, Halo). Then fellow Brit Stuart (Neil Maskell, Small Axe) and his gun-toting team take over the aircraft before the first of the journey's seven hours is out, forcing Sam to play hero to try to keep himself and his fellow passengers alive. Unfurling in seven episodes, Hijack gets its audience experiencing the tension, chaos and life-or-death stakes in tandem with Sam, the rest of the flight's hostages, and the people on the ground across several countries that are attempting to work out what's going on. Creators George Kay (Lupin) and Jim Field Smith (Litvinenko) prove masterful with suspense, and at keeping viewers hooked — and, pivotally, at knowing exactly the kind of series this wants to be, the conventions and cliches it's leaning into, what's soared there before, and how to do it well. It can't be underestimated how crucial Elba is, though. Cast the wrong person as Sam, and the ability to get everyone from pilots and crew to agitated flyers, wannabe saviours and air traffic control on his side would seem ludicrous — and, at times, the hijackers as well. Hijack streams via Apple TV+. SECRET INVASION "I've had it with these Marvel tales without Nick Fury as the lead" isn't something that Samuel L Jackson has publicly uttered, with or without expletives — yes, more than a few things have Snakes on a Plane vibes this month (see also: Hijack above) — but viewers might've thought it over the past 15 years. The character that masterminded the Avengers Initiative initially appeared in 2008's very-first Marvel Cinematic Universe movie. When Guardians of the Galaxy Vol. 3 reached cinemas earlier in 2023, the franchise hit 32 cinema outings to-date, many with Fury playing a part. And yet, none have had his name in their moniker. That remains the case now, and on the small screen as well, where the MCU has also been spreading its exploits. Secret Invasion is still exactly what Marvel has needed for over a decade, however: a Fury-centric story. Perhaps Disney realises that, too; as well as bringing back Talos (Ben Mendelsohn, Cyrano), and introducing MI6's Sonya Falsworth (Olivia Colman, Empire of Light), insurrectionist leader Gravik (Kingsley Ben-Adir, One Night in Miami) and fellow revolutionary G'iah (Emilia Clarke, Last Christmas), Secret Invasion's first two episodes feature laments aplenty about Fury's absence. Within the ever-sprawling MCU's interconnected narrative, he's been AWOL lately for two reasons: The Blip, aka Avengers: Infinity War's consequential finger-snapping; and a stint since working in space, which'll get more attention when The Marvels drops on the silver screen in November 2023. Extraterrestrial race the Skrulls has noticed Fury's departure keenly, after he promised to help them find their own planet in Captain Marvel but hasn't followed through so far. Cue two factions of the shapeshifting refugees in Secret Invasion: those still waiting and others now willing to fight to take earth as their own instead. Cue far more Skrulls on Marvel's main base than humans, including Fury, know about as well. Secret Invasion streams via Disney+. Read our full review. THE CROWDED ROOM Since 2016, Tom Holland has been so busy doing whatever a spider can that stints away from his Marvel Cinematic Universe web-slinging have been few and far between. And varied, including the long-delayed (and terrible) Chaos Walking and the entertaining-enough Uncharted movie adaptation, plus straight-to-streaming flicks The Devil All the Time and Cherry. The Crowded Room boasts his best performance yet in his Spider-Man era, and provides a reminder that the star of The Impossible and The Lost City of Z, plus lover of dancing to Rihanna's 'Umbrella', will be absolutely fine when he stops pondering how great power begets great responsibility. His new ten-part series doesn't always meet its hefty ambitions, but it's always thoughtful in its attempts as it heads back to the 70s, spends time with a young man being interrogated about his past, explores mental health and, like most things of late, revels in being a mystery. Holland plays Danny Sullivan, who starts the serious jittering with nerves at New York City's Rockefeller Center. He's with Ariana (Sasha Lane, Conversations with Friends), they have a gun, and opening fire is their aim — but, although Danny doesn't want to shoot, he's swiftly in police custody. Lead cop Matty (Thomas Sadoski, Devotion) thinks that the public incident might just be the latest in a series of incidents. Enter Rya (Amanda Seyfried, The Dropout), who spends lengthy sessions interrogating Danny about his past as he awaits trial. The Crowded Room always remains a crime drama but, as it pieces together its protagonist's complicated story complete with glimpses of his doting mother Candy (Emmy Rossum, Angelyne) and abusive stepfather Marlin (Will Chase, Dopesick), it has much more on its mind. The twist in the premise is teased out, hardly difficult to guess, yet gives Holland ample room to turn in a compellingly pliable performance — in a series the brings 1981 non-fiction novel The Minds of Billy Milligan to the screen, albeit using it as inspiration rather than straight-out adapting it, a task that's been attempted since the 90s. The Crowded Room streams via AppleTV+. RECENT CINEMA RELEASES YOU NEED TO CATCH UP WITH ASAP ALL THE BEAUTY AND THE BLOODSHED With photographer Nan Goldin at its centre, the latest documentary by Citizenfour Oscar-winner Laura Poitras is a film about many things, to deeply stunning and moving effect. In this Oscar-nominated movie's compilation of Goldin's acclaimed snaps, archival footage, current interviews, and past and present activism, a world of stories flicker — all linked to Goldin, but all also linking universally. The artist's bold work, especially chronicling LGBTQIA+ subcultures and the 80s HIV/AIDS crisis, frequently and naturally gets the spotlight. Her complicated family history, which spans heartbreaking loss, haunts the doco as it haunts its subject. The rollercoaster ride that Goldin's life has taken, including in forging her career, supporting her photos, understanding who she is and navigating an array of personal relationships, cascades through, too. And, so do her efforts to counter the opioid epidemic by bringing one of the forces behind it to public justice. Revealing state secrets doesn't sit at the core of the tale here, unlike Citizenfour and Poitras' 2016 film Risk — one about Edward Snowden, the other Julian Assange — but everything leads to the documentary's titular six words: All the Beauty and the Bloodshed. They gain meaning in a report spied late about the mental health of Goldin's older sister Barbara, who committed suicide at the age of 18 when Goldin was 11, and who Goldin contends was just an "angry and sexual" young woman in the 60s with repressed parents. A psychiatrist uses the eponymous phrase to describe what Barbara sees and, tellingly, it could be used to do the same with anyone. All the Beauty and the Bloodshed is, in part, a rebuke of the idea that a teenager with desires and emotions is a problem, and also a statement that that's who we all are, just to varying levels of societal acceptance. The film is also a testament that, for better and for worse, all the beauty and the bloodshed we all witness and endure is what shapes us. All the Beauty and the Bloodshed streams via Docplay. Read our full review. BLAZE In the name of its protagonist, and the pain and fury that threatens to parch her 12-year-old existence, Del Kathryn Barton's first feature scorches and sears. It burns in its own moniker, too, and in the blistering alarm it sounds against an appalling status quo: that experiencing, witnessing and living with the aftermath of violence against women is all too common, heartbreakingly so, including in Australia where one woman a week on average is killed by her current or former partner. Blaze has a perfect title, with the two-time Archibald Prize-winning artist behind it crafting a movie that's alight with anger, that flares with sorrow, and that's so astutely and empathetically observed, styled and acted that it chars. Indeed, it's frequently hard to pick which aspect of the film singes more: the story about surviving what should be unknown horrors for a girl who isn't even yet a teen, the wondrously tactile and immersive way in which Blaze brings its namesake's inner world to the screen, or the stunning performance by young actor Julia Savage (Mr Inbetween) in its central part. There are imagined dragons in Blaze, but Game of Thrones or House of the Dragon, this isn't — although Jake (Josh Lawson, Mortal Kombat), who Blaze spots in an alleyway with Hannah (Yael Stone, Blacklight), has his lawyer (Heather Mitchell, Bosch & Rockit) claim that his accuser knows nothing. With the attack occurring mere minutes into the movie, Barton dedicates the feature's bulk to how her lead character copes, or doesn't. Being questioned about what she saw in court is just one way that the world tries to reduce her to ashes, but the embers of her hurt and determination don't and won't die. Blaze's father Luke (Simon Baker, Limbo), a single parent, understandably worries about the impact of everything blasting his daughter's way. As she retreats then acts out, cycling between both and bobbing in-between, those fears are well-founded. Blaze is a coming-age-film — a robbing-of-innocence movie as well — but it's also a firm message that there's no easy or ideal response to something as awful as its titular figure observes. Blaze streams via Stan and Binge. Read our full review. SHE SAID Questions flow freely in She Said, the powerful and methodical All the President's Men and Spotlight-style newspaper drama from director Maria Schrader (I'm Your Man) and screenwriter Rebecca Lenkiewicz (Small Axe) that tells the story behind the past decade's biggest entertainment story. On-screen, Zoe Kazan (Clickbait) and Carey Mulligan (The Dig) tend to be doing the asking, playing now Pulitzer Prize-winning New York Times journalists Jodi Kantor and Megan Twohey. They query Harvey Weinstein's actions, including his treatment of women. They gently and respectfully press actors and Miramax employees about their traumatic dealings with the Hollywood honcho, and they politely see if some — if any — will go on the record about their experiences. And, they question Weinstein and others at his studio about accusations that'll lead to this famous headline: "Harvey Weinstein Paid Off Sexual Harassment Accusers for Decades". As the entire world read at the time, those nine words were published on October 5, 2017, along with the distressing article that detailed some — but definitely not all — of Weinstein's behaviour. Everyone has witnessed the fallout, too, with Kantor and Twohey's story helping spark the #MeToo movement, electrifying the ongoing fight against sexual assault and gender inequality in the entertainment industry, and shining a spotlight on the gross misuses of authority that have long plagued Tinseltown. The piece also brought about Weinstein's swift downfall. As well as being sentenced to 23 years in prison in New York in 2020, he's currently standing trial for further charges in Los Angeles. Watching She Said, however, more questions spring for the audience. Here's the biggest heartbreaker: how easily could Kantor and Twohey's article never have come to fruition at all, leaving Weinstein free to continue his predatory harassment? She Said streams via Netflix and Binge. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April and May this year. You can also check out our list of standout must-stream 2022 shows as well — and our best 15 new shows of last year, top 15 returning shows over the same period, 15 shows you might've missed and best 15 straight-to-streaming movies of 2022.
Francesca Martinez will tell you she's wobbly. She started her career on the (only recently-cancelled) teen classic Grange Hill, has performed with QI favourite Jo Brand, and been on Extras and Spicks and Specks. She makes her living as a standup these days. She's coming to Sydney, running her only local gig out of Parramatta's monthly Laugh Garage at the Riverside Theatre. Wobbliness is her name for cerebal palsy — a kind of paralysis, which often causes spasms as well — which she pillories as much as anything else in her act. On Grange Hill, she was one of the first disabled actors to get a big, regular part on UK television. Living with cerebral palsy is difficult, but stand-up is hard. She worked hard in the middle of the last decade, doing gigs to the point of exhaustion in 2004. Coming back from an enforced hiatus, she hopped straight back into the comedy circuit and onto the stage of the gargantuan Edinburgh Fringe. With a routine heavy with filth and swearing, it's a surprise the press focuses so much on her wobbliness instead of her talent. Balanced or otherwise, she's funny as. <iframe title="YouTube video player" width="640" height="510" src="https://www.youtube.com/embed/FQQ3sM85oYY?rel=0" frameborder="0" allowfullscreen></iframe>
Demi Lardner's comedy, in one word? Strange. The young South Australian comic has a bucketload of awards to her name, including Best Newcomer at Sydney Comedy Festival and the So You Think You're Funny? Award at Edinburgh Fringe. The listing for her latest show, I Love Skeleton, doesn't offer too many clues as to what we can expect — other than "Demi Lardner is the primary source of nutrition for infant mammals...A good serve of Demi Lardner can make your bones strong and handsome" — but if you want to get a feel for her work check out her baffling performance during last year's Melbourne International Comedy Festival gala.
We're only four days out from summer (and four weeks from Christmas) but Sydney is preparing itself for another hefty spring downfall. And maybe even some flooding. According to the Bureau of Meteorology, the city is expected to be hit with between 60–120mm of rain this Wednesday, November 28, and there's a chance of some thunderstorms hitting as early as this evening, too. https://twitter.com/BOM_NSW/status/1066905019193151489 That's a lot of rain. For comparison, this September — Australia's driest September on record — Sydney copped less than five millimetres a day. So, we're not complaining, especially since 100 percent of the state has been in drought. While it doesn't look like Sydney CBD's will experience any flooding — like it did in Melbourne last week — the BOM has issued initial flood warnings for rivers between the Central Coast the Illawarra Coast, and severe weather warnings, with damaging winds and heavy rainfall expected, for the metropolitan area, the Hunter and Central and Southern Tablelands. If you were planing to spend the first weekend of summer reclining on a beach or by an ocean pool, fret not — that'll still be possible. The weather is expected to clear up by Saturday, December 1, with Sunday hitting a balmy top of 30. But, in the meantime, don't forget to pack your umbrellas and raincoats — and keep an eye on the flood warnings.
Whether it's in the insect-dappled heat of an outdoor cinema or in the sweet smack of an airconditioned theatre, summer is the season of movies. We just have more time for leisure this time of year, and not all of it can be spent running and swimming around. Many of the year's biggest releases are coming out in the next three balmy months. These are the ones you should start getting excited for now. https://youtube.com/watch?v=wceaLzbtuDY The Spectacular Now Out: Now A teen movie about a cool guy and a dorky girl falling in love that's somehow real and honest? It's a Christmas miracle. https://youtube.com/watch?v=WRY2ogQpbvg Kill Your Darlings Out: Now Daniel Radcliffe kills off the memory of Harry Potter with a convincing portrayal of US beat poet Allen Ginsberg for which he has a heady trinity of straight sex, gay sex and self-sex. https://youtube.com/watch?v=h5Cb4SFt7gE American Hustle Out: December 12 Clearly knowing he was on to a good thing, Silver Linings Playbook director David O. Russell reunites Jennifer Lawrence and Bradley Cooper and adds Christian Bale, Amy Adams, Jeremy Renner, Robert De Niro and Louis CK. Other good omens: this screenplay once made the famous 'Black List' of unproduced screenplays and used to be more blatantly titled 'American Bullshit'. https://youtube.com/watch?v=Elczv0ghqw0 Anchorman 2 Out: December 19 If that maxim about the strength of the marketing being inversely proportional to the quality of the film holds true, Anchorman 2 will be the worst movie ever. Still, we've got our fingers crossed for this sequel ten years in the making. https://youtube.com/watch?v=OPVWy1tFXuc The Hobbit: The Desolation of Smaug Out: December 26 There's nothing like Boxing Day tradition, and Peter Jackson and Warner Bros. Pictures are hoping that yours only grows stronger with a fifth year of epic Tolkien adventure. It's a no brainer. https://youtube.com/watch?v=ksrkKXoEJbM The Railway Man Out: December 26 The combination of Colin Firth and Burning Man director Jonathan Teplitzky make The Railway Man worth seeing. It's also the go-to Boxing Day film for people who like crying and catharsis around the holidays. https://youtube.com/watch?v=0XBPEUXMtMw The Secret Life of Walter Mitty Out: December 26 The Secret Life of Walter Mitty is Hollywood at its best. Deeply funny, optimistic, life-affirming and full of pretty pictures, the film follows a quiet LIFE magazine staffer, played by Ben Stiller, who learns to seize the day. Kristen Wiig is in it, too, so yay. https://youtube.com/watch?v=rETaWDZ57v0 Short Term 12 Out: December 26 Hot for: This is all a bit deep and wounded for a Boxing Day release, but try it, okay? With one of those hard-to-summarise plots centring around the kids and their barely adult supervisors at a temporary foster care facility, it's compulsively watchable and super emotional. https://youtube.com/watch?v=rD8f9kn7D2U Philomena Out: December 26. On the one hand, Philomena looks a bit fusty and British. On the other, it's written by Steve Coogan, directed by the indomitable Stephen Frears (The Queen, High Fidelity, Dangerous Liaisons, etc etc), stars Dame Judi Dench and will probably kick arse if you give it a chance. https://youtube.com/watch?v=9Hd_uO72h1s August: Osage County Out: January 1 This may look like blatant Oscar bait, but it's too fucked up for that. Which isn't to say it won't win anyway, with incredible performances from Meryl Streep and Julia Roberts, among a star-studded ensemble cast. Based on probably the best play of the last decade, it's genius-level hilarious. https://youtube.com/watch?v=6dRuGwS1gWU The Book Thief Out: January 9 Your favourite adorable Nazi Germany bibliophilic bildungsroman has been made into a film. Now with extra adorableness thanks to the girl child from Monsieur Lazhar. Saving Mr Banks Out: January 9 Disney engages in a spot of personal myth-making with a story about the meeting of Walt Disney and PL 'Mary Poppins' Travers. A bit off-putting, but it involves Emma Thompson being excellent as the steely Travers. https://youtube.com/watch?v=ne6p6MfLBxc Her Out: January 16 Anticipation is through the roof for this, the dystopic love story from cult filmmaker Spike Jonze (Where the Wild Things Are, Being John Malkovich). Joaquin Phoenix is the brooding protagonist, and Scarlett Johansson is the operating system he falls in love with. https://youtube.com/watch?v=fmyglO2Zr0E Inside Llewyn Davis Out: January 16 You can't not pay attention to a Coen Brothers release. It's not heavy on plot, but proceedings definitely include a '60s folk singer, a cat and Carey Mulligan. https://youtube.com/watch?v=iszwuX1AK6A The Wolf of Wall Street Out: January 23 If you thought Leonardo DiCaprio was draped in obscene riches in Gatsby, you ain't seen nothing yet. This three-hour Martin Scorsese comedy, of sorts, is based on a real person's memoir of pre-recession fraud and fun times. The Great Beauty Out: January 23 On the one hand, this is an unassuming Italian number about a one-hit wonder novelist coming down to earth in a beautiful way. On the other, it's made a lot of international critics' top ten lists for the year, so we're all ears. https://youtube.com/watch?v=1bQSOBJCPQE Grudge Match Out: January 30 We're not necessarily recommending you should see this. But you should most definitely be aware that a movie exists in which Sly 'Rocky' Stallone and Robert 'Raging Bull' De Niro fight each other. https://youtube.com/watch?v=z02Ie8wKKRg 12 Years a Slave Out:January 30 Splashed on best-of lists the globe over, 12 Years a Slave is the third film from the unflinching director of Hunger and Shame, Steve McQueen. The wonderful Chiwetel Ejiofor stars in this surely harrowing slavery story you just have to sit through. https://youtube.com/watch?v=xPLSpmAtc1Q Robocop Out: February 6 Look, this could go either way. It's summer, so let's be optimists. https://youtube.com/watch?v=GAglZjX3HOk Mandela: Long Walk to Freedom Out: February 6 Reviews haven't been all positive, but it can only be worthwhile spending time with such an incredible life story. Universally praised at least is Idris Elba's performance in the lead role. https://youtube.com/watch?v=U8utPuIFVnU Dallas Buyers Club Out: February 13 Matthew McConaughey gets skinny and gives a performance that no one can pay him out for. His Ron Woodroof, an '80s cowboy diagnosed with AIDS who takes to smuggling the pharmaceuticals he wants, has some cut-through lessons about the medical profession. https://youtube.com/watch?v=s4bqeT5edbs Wolf Creek 2 Out: February 20 It's been nearly ten years since the first instalment of this Australian 'torture porn' flick. And because its iconic status just seems to keep on building, we may as well have another. https://youtube.com/watch?v=UT5tqPojMtg Nebraska Out: February 20 You can tell it's the end of summer, because, like the fashion, the movies get more monochrome. Nebraska is the latest from Alexander Payne, director of The Descendants and Sideways, and follows a quirky father-and-son road trip.
Sick of playing Scrabble in generic sans serif? Lovers of words and type alike can spell their way to satisfying word play with these designer Scrabble sets by Andrew Capener. Capener wanted to "excite people about typography by giving them the ability to choose what font their scrabble set would come in." Beauty and quality are Capener's design priorities, with solid walnut and birch woods used to create the board, pieces and box. The A-1 Scrabble designer sets come in a single font of choice, or you can always mix and match with the assorted font pack. [Via Flavorwire]
Over the last year, the champagne brunches at Ananas have been pretty next-level — they've served up every ambitious theme from Mad Hatter to Willy Wonka to Halloween. Then, last December, the team took things to a new opulent level with a decadent lobster and champagne brunch. Now, due to popular demand and marking the first Ananas brunch for 2016, they're bringing the lobster brunch back on Sunday, February 21. Think copious amounts of Maine lobster. Yes, those huge, expensive crustaceans you usually only see on TV shows set in The Hamptons. Expect dishes like mini lobster rolls, chilled lobster gazpacho, oven-baked lobster thermidor, lobster hash benedict, lobster risotto and more lobstery treats. It's a steal at $99 per person for the amount of seafood on offer. Guests can upgrade their experience with a two-hour bottomless Marc champagne package for an extra $55 or the Veuve Clicquot Rose champagne package for $75. If the sound of lobster mac and cheese with a flute of bubbly doesn't bring out your inner hedonist, nothing will. It's time to dig out your stretchiest Sunday best; this is the mother of all brunches for Sydney seafood lovers. Bookings are essential, because lobster waits for no one.
Say ‘adios’ to humdrum and ‘hello’ to ten hotels that are so fresh and so cool, they’ll have you reaching for the thermostat. Boutique hotel experts Mr & Mrs Smith have the lowdown on where the trendsetters sleep. La Maison Champs Elysees - Paris What: Classic couture, Haussmann heritage Where: 8 rue Jean Goujon In the heart of the Golden Triangle, where fashion and sophistication reign supreme, La Maison Champs Elysées showcases design icon Martin Margiela’s impeccable aesthetic. A canvas of muted hues and eclectic artworks, the soothing colour palette extends into the monochrome restaurant, elegant White Lounge and darkly seductive Cigar Bar – exclusively for guest use, with staff not permitted inside. The Terrace, a lush green haven in the heart of Paris, is the perfect spot for taking breakfast or reinvigorating exploration-weary muscles. Bora Bora Pearl Beach Resort & Spa - Bora Bora What: Turquoise tryst Where: Motu Tevairoa, BP 169 Vaitape, Bora Bora, French Polynesia A recipe for tropical perfection, Bora Bora Pearl Beach Resort & Spa is a stunner — luring in loved-up honeymooners and glamorous jetsetters with its white-sand beaches and idyllic lagoon setting. Take in spectacular views from every angle on this island paradise; they're especially beautiful from the Overwater Bungalows, which have direct access to the water, or the Beach Suites with Jacuzzis that are set directly on the sand. If lazing on the beach or dining on lavish buffets suddenly becomes all too much, make a beeline for Manea Spa, whose menu includes Vichy showers or massages with ‘dancing feet’. For a souvenir with serious style — and that will never collect dust — the in-house tattooist Tuhei, from the Tuamotus islands, can help create a permanent reminder of your stay. Sal Salis - Ningaloo Reef What: Seaside safari Where: Yardie Creek Road, Cape Range National Park, Ningaloo Reef, Western Australia Snugly nestled in the sandy dunes of the Cape Range National Park, Sal Salis flaunts a decidedly luxurious spin on camping. Leave your swags and camp kitchens at home; there’s no need for bush basics when there are heavenly pillows and organic 500-thread cotton sheets waiting at the end of the day. The lapping Indian Ocean is only metres from your doorstop, so while away hours dreamily swinging in your hammock or mingling with whale sharks, manta rays and shoals of fish. And when it comes time for a feast, bush tucker is banished as Sal Salis serves contemporary Australian cuisine under the star-speckled night sky, watched inquisitively by visiting kangaroos and wallaroos. Claska - Tokyo What: Too cool for school Where: 1-3-18, Chuocho, Meguro, Tokyo Sleek and fresh in its contemporary architecture, Claska is at the apex of Tokyo’s cultural hotspot, and in the hub of what is considered to be the coolest suburb in the city. Beautiful in its elegant simplicity, Claska retains the hallmarks of traditional Japanese hospitality. We love the Tatami Rooms, designed by c, with pretty paper lanterns and contemporary furniture. The gallery and boutique, Do, offers innovative designs, creative products and bespoke souvenirs that reflect Claska’s innovative design philosophy. Commandeer one of Claska’s free ‘tokyobikes’ to enjoy a pleasant 10-minute pedal to the attractions featured on the hotel’s ‘Tokyo by Tokyo’ iPhone app. King & Grove - Williamsburg What: Urban jungle retreat Where: 160 North 12th Street, Brooklyn, New York City In the city that never sleeps, King & Grove Williamsburg offers a welcome change of pace – without sacrificing on style and street cred – by seducing guests to venture into Brooklyn. A creative hub, Williamsburg’s collection of eateries, bars and indie boutiques is ripe for exploration (on the hotel’s hipster-approved red bicycles, of course). The open-air rooftop lounge of the Upper Elm overlooks McCarren Park and has snacks, cocktails, music and a view of the city skyline that takes some trumping. Leisure-lovers should snag a prime position in a day-bed by the backyard-style saltwater pool – one of the largest in the city – or spend an afternoon unwinding over a drink with fellow guests. Taveuni Palms - Fiji Islands What: Private paradise Where: Matei, Taveuni Island, Fiji Islands Ever dreamed of retreating to the seclusion of a private island? With only three exclusive-hire villas, understated luxury is the name of the game at Taveuni Palms. Flanked by its own private plunge pool, day-beds and panoramic Pacific views, each villa comes with seven staff including a manager, two chefs, barman, housemaid and nanny. If you can tear yourself away from your villa, Taveuni Palms offers guided snorkelling and kayaking trips, cooking lessons and local excursions. The hardest thing you will have to do is leaving – a burden made lighter by instantly booking your return visit. Das Stue - Berlin What: Animal magnetism Where: 1 Drakestrasse, Berlin, Germany Withdraw from playing tourist into a place so hip, so cutting edge and so darned cool, it could only be in Berlin. Housed in the former lodgings of the Royal Danish Embassy, Das Stue is a heritage heavyweight with a serious dose of style. Everything from the impressive entrance, marble staircase and scattered artworks is impeccable – and enough to make even the most blase of hipsters twiddle their moustache with excitement. Backing onto Berlin Zoo, Das Stue guarantees a room with a view – feathery, furry or otherwise. Catalan chef Paco Pérez is at the helm of the restaurant, Cinco, and with four Michelin stars up the sleeves of his chef’s whites, he delivers outstanding gastronomic creations inspired by the rich produce of his native Spain. Kahanda Kanda - Galle What: Serene Sri Lanka Where: Angulugaha, Galle, Southern Province Monkeys, mongooses and bright-feathered birds are your neighbours at Kahanda Kanda. Surrounded by a 12-acre tea estate, each of the eight villas has been impeccably styled by the villa’s British owner and has its own distinct feel; Peacock, Tamarind and Mango each have a private balcony overlooking the garden, and the only room with a TV, the Dubu Suite, is set into the hillside with large, private lawn and pool — just be prepared to share paradise with any tree-swinging visitors. Classic Sri Lankan curries and contemporary fusion dishes are crafted using fruits, vegetables and herbs exclusively grown on the estate. Cooking classes with Kahanda Kanda’s resident chefs are available for those wishing to learn the secrets of Sri Lankan or Thai cuisine. Kurá - Costa Rica What: Sustainably stylish Where: Uvita de Osa, Calle Bejuco, Osa/Bahia Ballena, Puntarenas, Costa Rica Six teakwood villas blend harmoniously into the lush backdrop at Kurá. Reflecting the hotelier’s passion and vision for eco-friendly accommodation that doesn’t skimp on luxury, the bungalows are minimalist in style but lavish in feel. Each contemporary, open-plan villa includes a floating bed, open-air showers and a balcony that ushers in views of the jungle and Pacific Ocean. Dive into the rectangular, saltwater infinity pool that offers bird’s-eye ocean views, calming underwater music and sun loungers tailor-made for spending an afternoon getting lost in a book or enjoying a cocktail. The Sky Lounge, which has 360-degree vistas of the Costa Rican jungle and ocean, is the prime position to whale-watch and specialises in tamarind margaritas, fruit coladas and inventive mojitos. Soneva Fushi - Maldives What: Desert-island indulgence Where: Kunfunadhoo Island, Baa Atoll Shed your shoes and worries the moment you step onto this private island and into Soneva Fushi. Only missing Fabio riding a white stallion, Soneva Fushi has all the makings of a Harlequin romance: white sand, blue seas, an observatory, a wicked chocolate room and ice-cream parlour, a wine cellar and a private butler service. Bordered by imposing walls of untouched jungle and slices of too-turquoise ocean, the island is a playground of hot stone massages and Japanese watsu treatments, liquid thrills and fresher than fresh beachside feasts. As the day dwindles and sun descends, popcorn and tropical cocktails are served in the open-air cinema beneath a twinkling night sky. Ready to leave? We thought so. Scoot over to Mr & Mrs Smith to book your own stylish stay or call the expert Travel Team on 1300 896 627.
Stay tuned. More info on its way. Image: Sardaka via Wikimedia Commons.
Hornbags of Sydney, get ready to put those post-Christmas muffin tops to good use because Hudson Ballroom is throwing the Kath & Kim-themed party of your dreams. On Australia Day eve, Kath & Kim's Aussie Shindig will see the CBD bar celebrate two of our most iconic silver screen heroines, complete with life-sized cutouts, a photobooth and a very effluent crowd. The legends in charge have come up with a cracker of a drinks list, starring Aussie-themed creations like Barbecue Shapes Margaritas, Bloody Marys with footy franks, vodka Passionas and of course, Kim's beloved Cardonnay (the h is silent). Post your favourite Kath & Kim moment on the Facebook event page before the party, for the chance to score yourself some free drinks. There's even a $50 bar tab up for grabs, going to the best-dressed foxymoron or hunk 'o' spunk on the night. Best start assembling your finest netball skirts, midriff tops, matching tracksuits and lycra in preparation.
The shard of rock in the harbour that houses the old Queen's Magazine is set to blow up with a slew of local tunes and eats when Goat Island Sounds takes over on Thursday, January 26. Come Australia Day, it'll be your very own island in the sun. Of course, the main attractions are the sounds, and they are pretty solid with appearances from triple j DJ Nina Las Vegas, and one of Australia's more sought after artists, Ngaiire. The lineup also includes a heap more of local talent, including Basenji, Kuren, Adi Toohey and Ariane. Festival food is almost as important as the music these days, so rather than settle for the classic dagwood dog or overly-salted chips with lashings of tomato sauce, the festival is splashing out with the sustenance as food will be provided by the crew from sneaker-and-chicken connoisseurs Butter and Glebe's modern Lebanese joint Thievery.
Strong women, strongly written. Maxim Gorky's play Vassa Zheleznova is sometimes said to have been a bit before its time. A dying businessman's children are eager to know where his wealth is going, after he does. While they jostle for position, their mother has her own plans. As part of the first year's season of new director Ralph Myers, the Belvoir is presenting a new translation of this classic, rarely-played work. Translator Karen Vickery and writer Jonathan Gavin have transplanted it from a mercantile story in pre-communist Russia to tell the tale of the fate and family of a small Aussie business. Vassa Zheleznova has something in common with The Borgias. It starts out with hungry inheritors scratching around a deathbed, and much of its fame springs from the strength of a female lead ruthless in her pursuit of the good of her family. So if you want to see if women can get away with the same scale of bastardry on stage as men, The Business is ready to move you or scare you. Or darker things to boot.
A food and wine festival coming to Sydney's Kensington Street this weekend is bringing new meaning to the term 'street food', with food stalls and special restaurant menus taking over the area for three days. Part of the NSW Government's $50 million CBD Revitalisation Program, Gather on Kensington St is a streetwide three-day fiesta for food lovers, celebrating the best food of Chippendale and wines from across NSW. Across the weekend, pop-up bars and cellar doors will be pouring wines from local wineries like Vinden, Mercer and M&J Becker, while bars like Handpicked Cellar Door, Gin Lane and Cartel are on cocktail duty. Food stalls set to line the street include Kensington Street faves Automata, Holy Duck and Andiamo. There will also be live entertainment and ticketed events for true foodies. You might choose to learn how to wine and cheese like a pro on Friday, before indulging in a tequila and margarita masterclass on Saturday. If you're a fan of fresh seafood champagne and leisurely Italian style lunching (who isn't?) Head along to Olio's seafood brunch with Merck Watts on Sunday — barbecued scallops, octopus, squid and prawns, and bowls of crab and 'nduja gnocchetti are all on the menu. Gather on Kensington St is free to attend and family friendly, with dishes starting from $7. On your way in, purchase a $7 reusable wine tasting glass and be treated to two samples from your favourite winemakers to really get the party started. If wine isn't your thing, you won't go thirsty: there will be beers from Better Beer, non-alcoholic offerings from NON and a range of drinks from Sip'er. Festivities kick off at 5pm on Friday, June 3, then run from 12-10pm on Saturday, June 4 and the same hours on Sunday, June 5. Head along hungry and ready to sample some of the best food and drink the region has to offer. [caption id="attachment_855926" align="alignnone" width="1920"] The Gather on Kensington St team[/caption] Top image: Olio
The International Fleet Review has taken Sydney Harbour by storm — fireworks, sailors and celebrations, all in the name of boats. So what better time to experience life at sea and set sail on the world's most beautiful harbour? The Priceless Sydney program from MasterCard® is on board, offering all MasterCard cardholders the opportunity to spend a day on the water before exploring the historic ships and galleries on display at the Australian National Maritime Museum. The only way to truly appreciate the beauty of Sydney is from atop the mystic blue water at its heart and what better way to do it than in the hands of expert sailors on a state-of-the-art yacht? With a Sydney By Sail crew (who train at the hands of Olympic sailing champion Matt Hayes) doing all the hard work, you can kick back and let the nautical team take you on a three-hour tour of what Sydney has to offer. Learn their local knowledge and absorb the best of Sydney's landmarks, beaches and hidden coast secrets as the sounds of the sea serenade you. Then, after arriving back on land, visit the vessels and galleries on offer at the Maritime Museum. With Sydney heating up, there is no better time than now. The $420 package includes a three-hour family (two adults and two children) cruise and complimentary Big Ticket entry to the National Maritime Museum, including access to all historic vessels and the latest exhibitions. So don your best boat shoes and treat yourself to a priceless family moment where you can be king (or queen) of the world.
Calling all sleuths of Australia — again. If you haven't fulfilled your murder-mystery fix on the big and small screens over the past few years, and if you missed a whodunnit play hailing from the one and only Agatha Christie in both 2022 and 2023, then you'd best make a new date with The Mousetrap. Here are two questions for you to solve first: why is this play coming your way once more a big deal, and when is it doing the rounds again? The answers: as well as being penned by Christie, it's the world's longest-running play; and, because its past Aussie seasons have proven such a hit, it's returning to a heap of cities from May–September 2024. As well as heading to Hobart and Darwin, this tour is favouring regional and smaller spots. That means seeing The Mousetrap in Newcastle, Wollongong, the Gold Coast, Toowoomba, Geelong and Frankston — among other stops — for audiences in New South Wales, Queensland and Victoria. Initially premiering in London's West End in 1952, The Mousetrap has been treading the boards in the UK ever since, only pausing during to pandemic venue closures. When theatres reopened in Britain, so did the show. Indeed, when it arrived in Australia in 2022, The Mousetrap did so 70 years to the month that it first debuted. Unsurprisingly, that hefty run means that the show has enjoyed the longest stint for any West End production, and for any play anywhere in the world. So far, there's been more than 28,500 London performances. To answer the other obvious question, yes, it's all about an unexpected body. The murder-mystery starts with news of a killing in London — and with seven people snowed in at a guest house in the country. They're strangers, which is classic Christie. When a police sergeant arrives on skis, they're told that the murderer is among them (which, again, is vintage Christie). They all have wild pasts, too, and all those details are spilled as they're interrogated, and also try to work out who among them is the killer. Those guests at Monkswell Manor include a pair of newlyweds who run the house, a spinster, an architect who is handy in the kitchen, a retired Army major, a man who says his car has overturned in a drift, and a jurist. Naturally, there's another death as they're all puzzling it over — and a twist conclusion, which audiences have been requested not to reveal after leaving the theatre for seven decades now. Again, it's all Christie all over, which'll be evident if you've seen the recent film versions of Murder on the Orient Express and Death on the Nile — or the original cinema adaptations, or read the books, or devoured anything else that Christie ever wrote. And, if you caught 2022's See How They Run, you'll be more than a little familiar with The Mousetrap as well. This theatre work started as a short radio play, which was written as a birthday present for Queen Mary. It aired in 1947 under the name Three Blind Mice, after which Christie rewrote it as a short story, then adapted it again for the stage as The Mousetrap. And no, there isn't a movie of it — because Christie stipulated that it can't leap to the screen until at least six months after the West End production closes. Clearly, that hasn't happened yet. In Australia, the play boasts Robyn Nevin directing and John Frost for Crossroads Live Australia producing. AGATHA CHRISTIE'S THE MOUSETRAP 2024 AUSTRALIAN TOUR: Saturday, May 11–Saturday, May 25: Newcastle Civic Theatre, Newcastle Thursday, May 29–Sunday, June 2 — HOTA, Home of the Arts, Gold Coast Tuesday, June 11–Monday, June 24 — Theatre Royal, Hobart Thursday, June 27–Sunday, June 30 — Civic Theatre, Orange Thursday, July 4–Sunday, July 7 — Geelong Arts Centre, Geelong Thursday, July 11–Saturday, July 13 — Darwin Entertainment Centre, Darwin Wednesday, July 17–Friday, July 19 — Glasshouse, Port Macquarie Tuesday, July 23–Wednesday, July 24 — Empire Theatre, Toowoomba Wednesday, July 31–Saturday, August 3 — Frankston Arts Centre, Frankston Thursday, August 8–Sunday, August 11 — Albury Entertainment Centre, Albury Thursday, August 15–Sunday, August 25 — Glen St Theatre, Frenchs Forest Thursday, August 29–Sunday, September 1 — Entertainment Convention Centre, Mackay Thursday, September 5–Monday, September 16 — Illawarra Performing Arts Centre, Wollongong Agatha Christie's The Mousetrap will tour Australia in 2024. For further details and tickets, head to the play's website. Images: Brian Gleach.
On Sunday, March 25, Public House Petersham will team up with day party crew One Day to transform its car park into a booming afternoon party with live music and pop-up bars. A new mural will be painted in real-time, too — lookers-on will have a chance to watch some of the best artists in action as they spray artworks onto the car park walls. DJ sets will be played by Spit Syndicate's Nick Lupi, party hero Levins, FBi's FlexMami and other local legends. And if hip hop isn't your thing, get involved in the 20-strong female Bad Bitch Choir which will be performing twice throughout the afternoon. This event will differ slightly from other One Day parties, in that it's explicitly family friendly. Because parents need to party too. Public House Petersham is known for being a good spot for families in the inner west, and, as well as the above, it'll have bubble machines, face painting and other activities to keep little ones entertained. And pups are welcome too.
Brendan Perry and Lisa Gerrard first met thirty-one years ago - in a Melbourne street in the middle of the night. Just teenagers at the time, they discovered themselves to be united by a common intention – the pursuit of creative vision without compromise. Experiments with ancient folk melodies and tribal polyrhythms led to the construction of haunting soundscapes, over which Perry's rich, solemn baritone interwove with Gerrard's soaring multi-octaves. Dead Can Dance became one of the most successful acts on 4AD's books. In 1998, the duo parted ways. Last year's release, Anastasis, is aptly titled ('Anastasis' is Greek for 'resurrection') given that its their first LP in sixteen years. The passing of time has in no way weakened the mutually creative force that drives Dead Can Dance. Anastasis has topped World Music charts all over the globe with its otherworldly harmonies and unconventional instrumentation, which includes the bouzouki, the yangqin and the Hang. Dead Can Dance last performed in Australia twenty years ago. It's no surprise that their first show at the Sydney Opera House has already sold out. The good news is that a second show is scheduled and standing room tickets are available for just $20. https://youtube.com/watch?v=vZDCOR2a1-E
With the city beginning to turn green again and temperatures creeping from 'mildly cold' to merely 'mild', this month's batch of plays still have something of an edge to them. There are very few signs of new life here, but plenty of grunt left in the classics.
When Jetstar launched a big domestic flight sale in mid-June, it sold 70,000 seats in just five hours, with Australians keen to travel when and where they can in this pandemic-afflicted year. Today, Tuesday, November 17, the airline is kicking off another one — so get your clickers ready. The Return for Free sale kicks off at 3pm AEDT today and runs until 11.59pm AEDT on Thursday, November 19 — if it doesn't sell out prior. In the sale, you'll find cheap flights across 51 routes from destinations right across the country. And, as the name suggests, it's doing return flights for free. So, you buy your ticket to your destination and then Jetstar will cover your trip home. Of course, before you book one of the 400,000 return trips available, we suggest you check on the status of interstate borders wherever you'd like to visit. As everyone should know by know, border restrictions are still changing quite frequently depending on COVID-19 cases around the country. The NSW and ACT borders are currently open to everyone except those from Victoria, for instance, although that'll change come 12.01am on November 23 when the two regions reopen in full. As for Victoria itself, it is currently open — as it didn't shut its border, even during the state's recent lockdown. Queensland is still shut to Victorian and Greater Sydney residents, and will close to folks from Adelaide at 4pm on Tuesday, November 17. The Northern Territory, Tasmania and Western Australia are all open to parts of the country — with restrictions in the NT on folks arriving from metropolitan Melbourne and South Australia; in Tasmania on people from Victoria and SA; and in WA on those heading in from Victoria, NSW and SA. And in SA, it's open to everywhere except Victoria, with inhabitants of the latter allowed to visit from December 1. [caption id="attachment_773285" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] Now you know where you can and can't go, here are some of the deals — because, again, 51 routes are include in the sale. Sydneysiders can snag return tickets to Victoria for $65, Launceston for $89, Brisbane from $92, the Sunshine Coast for $96 and Hamilton Island for $151. Melburnians can book trips to Uluru for $165 and Darwin for $205. And Brisbanites can head to the Whitsundays for $89 and Hobart for $159. Yes, the list goes on. Tickets in the sale are for trips from February–August 2021, with exact dates varying in each region. So, if you're keen to get away, book some now and start planning. Jetstar's Return for Free sale runs from 3pm AEDT on Tuesday, November 17 until 11.59pm AEDT on Thursday, November 19, or until sold out.
This brilliant dance troupe hails from Elcho Island and their style combines traditional Indigenous culture with contemporary dance. Their storytelling through movement is spectacular, and will likely be one of the most stunning performances of the festival. Held in the Magic Mirrors Spiegeltent, this is sure to be a high-energy event — and with tickets around the $40 mark, it's well worth the funds. Check out more of the best Sydney Festival events under $50 here.
The Love Tilly Group is bringing the Fabbrica Pasta Shop experience across the ANZAC Bridge to Balmain, opening a new pasta and wine bar within a historic Inner West hotel. Starting life as a majority provisions store in 2020, Fabbrica has been slowly evolving its dine-in options including fun experiments like Saturday pasta dinners, aperitivo hours and weekend bake sales. Next stop: this pop-up. The team will explore an entirely dine-in version of the carb haven at The Exchange Hotel — the only catch, however, is that it is only sticking around for the rest of the year. The limited-time bar will open on the ground floor of the century-old hotel later in February, arriving with the flavour-packed dishes and carefully curated drinks lists that the hospitality group is known for across its beloved venues Ragazzi, Dear Sainte Eloise, La Salut and Love Tilly Devine. Favourites from Fabbrica and Ragazzi alongside new pasta creations will all be on offer at the 40-seat bar, from simple comfort food staples like spaghetti cacio e pepe to more boundary-pushing dishes like tonnarelli with sea urchin or conchiglie with spanner crab and corn. [caption id="attachment_888590" align="alignnone" width="1920"] Nikki To[/caption] That said, it's not all pasta. Cured meats will be sliced to order, tuna crudo and focaccia with anchovies will be available for snacking, and Love Tilly Group's Scott McComas-Williams has created a loving Italian ode to the pub schnitzel in the form of the cotoletta alla Milanese. While there will be a big focus on the food, the acclaimed hospitality group is never one to skimp on the drinks menu. The wine menu focuses on Italian and Australian-grown Italian varieties, specifically minimal intervention and biodynamic drops. And the bar will be making use of the pub's stunning copper taps, pouring pints of local and international brews. The team has again enlisted the help of Studio Vista's Sarah Watt, who previously masterminded the fitouts for the CBD pasta shop, La Salut and Ragazzi. This time, Watt has maintained the core elements of the 100-year-old pub, while adding beige and timber details and Bentwood chairs to give it the warmth and welcoming atmosphere of a Love Tilly venue. View this post on Instagram A post shared by Fabbrica (@ciaofabbrica) Fabbrica Pasta Bar Balmain is set to open on the ground floor of The Exchange Hotel, 94 Beattie Street, Balmain later this month — keep an eye on Fabbrica's Instagram for further details.
It's been a year filled with drinking at home, rather than out on the town, yet Melbourne's bar scene has continued to shine. Luke Whearty's famed local cocktail haunt Byrdi has just been named among The World's 50 Best Bars' extended 51-100 list for 2021, ranked the 56th top bar on the planet. It was the only Aussie venue to make this year's secondary lineup, which was revealed overnight. The 51-100 list comes one week ahead of the release of The World's 50 Best Bars main award list, which is set to happen at a ceremony in London on December 6. The annual ranking list is a huge deal among the international bar industry, voted by a panel of over 600 drinks experts, including bartenders, writers, consultants and mixology specialists. The 2021 51-100 list was heavy on entrants from the States, with seven USA bars including New York newcomer Double Chicken Please and LA's Thunderbolt. Five London bars also ranked among the secondary list and Nairobi's Hero Bar became the first-ever African bar outside of South Africa to make the cut. [caption id="attachment_748363" align="alignnone" width="1920"] Byrdi, by Kate Shanasy[/caption] Last year, on its debut entry, Byrdi came in 80th on the extended list, ranking close to fellow Melbourne bars The Everleigh (73), Above Board (84) and Black Pearl (98). Sydneysiders Maybe Sammy, Cantina OK! and Bulletin Place all placed among 2020's top 50, which means we could see plenty more Aussie representation among next week's top 50 lineup reveal. Byrdi was launched in 2019 by Whearty and co-founder Aki Nishikura, who were also behind Singapore's multi award-winning — and World's 50 Best Bars regular — Operation Dagger. You'll find the Melbourne favourite nestled within the CBD's Ella precinct, whipping up some truly exceptional, innovative drinks. Byrdi was one of the many bars sating cravings for well-crafted cocktails during lockdown this year and last, with lots of punters making use of its home-delivery service. Stay tuned and we'll share the winners of the World's 50 Best Bars 2021 list when they're revealed next week. For the full 51-100 list of the World's 50 Best Bars 2021 (and past years' lists), see the website. The top 50 rankings will be revealed from 8.15pm GMT on December 6, via Facebook and YouTube. Top Image: Byrdi cocktail, by Kate Shanasy
If you're a Sydneysider with a trip to Queensland in your future — or vice versa — the pandemic might've just interrupted your plans. With two new locally acquired COVID-19 cases identified in the New South Wales capital in the past two days, and the Greater Sydney region reinstating some gathering restrictions and an indoor mask mandate, the Sunshine State has announced new border rules. It isn't shutting its borders, but it does now require travellers who've visited an exposure site to undertake 14 days of quarantine. The change was announced today, Thursday, May 6, and has two components. Anyone who is currently in Queensland, or arrives in the state before 1am tomorrow, Friday, May 7, is required to quarantine at their home or accommodation, call the state's 13 HEALTH number (13 43 25 84) and get a COVID-19 test. Folks who arrive after that time won't have the same luxury, though; instead, they'll be sent to mandatory hotel quarantine for 14 days once they enter Queensland. The latter process — sending people who've visited a declared interstate exposure site into compulsory hotel quarantine for a fortnight — is part of Queensland's new Interstate Exposure Venues Direction. It came into effect on April 28, and applies moving forward. So, whenever an outbreak occurs somewhere other than Queensland, anyone who has visited declared exposure venues and then heads to the Sunshine State will be sent to mandatory hotel quarantine. https://twitter.com/qldhealthnews/status/1390171507226136579 The list of exposure sites was first announced by NSW Health yesterday, Wednesday, May 5, and has been growing since. Queensland Health has also been keeping a list, if you're a Brisbanite who has spent some time in Sydney lately, or you're a Sydneysider keen to head north in the near future. Queensland Chief Health Officer Dr Jeannette Young also advised that anyone who has been in Greater Sydney on or after Tuesday, April 27 "should be monitoring closely for symptoms and getting tested immediately if they experience COVID-19 symptoms, no matter how mild." And, if you need a reminder, the symptoms to look out for are coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste. For more information about southeast Queensland's COVID-19 border requirements, or about the status of COVID-19 in the state, visit the Qld COVID-19 hub and the Queensland Health website. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Since COVID-19 was first reported in Australia at the end of January, 6606 cases have been recorded across the country (as at 3pm on Sunday, April 19), bringing with it 70 deaths and a drastic change to life as we know it. As the coronavirus has spread, travel has been banned and restrictions on everyday movement have been implemented, good news has been few and far between of late — which makes the past weekend's significant drop in reported cases across Australia a welcome development indeed. In Queensland, Premier Annastacia Palaszczuk has announced that zero new cases were confirmed in the past 24 hours, which comes after just five cases were announced on Sunday morning and eight on Saturday morning. It's the first time in more than six weeks that the state has recorded no new cases overnight, with the state's total currently sitting at 1019 out of 85,870 tests administered. In Victoria, Premier Daniel Andrews announced that only one new case was confirmed overnight. That news comes after just nine new cases were announced on Sunday, with the state's total currently sitting at 1329. https://www.facebook.com/annastaciamp/photos/a.523591701005345/3097645476933275/?type=3&theater And while overnight numbers in New South Wales haven't dropped quite as low, Premier Gladys Berejiklian announced that only six new cases were confirmed overnight last night — from almost 3500 tests conducted yesterday — which is the state's lowest total in five weeks. As Australia's worst-affected state, NSW's total currently sits at 2963. Whether the drops in new cases will eventually lead to a loosening of current restrictions might vary state by state — with the Federal Government already outlining the three conditions that need to be in place before Australia-wide rules surrounding social distancing and public gatherings could start to be relaxed, and announcing that the earliest that this might be possible is in four weeks. Announcing today's news, Queensland Premier Palaszczuck noted that, "if we can keep this up over the coming weeks, I'm sure this is going to mean that we will be able to make some changes and ease some of those restrictions on the population." In Victoria, where a State of Emergency is in effect until at least midnight on Monday, May 11, Premier Andrews advised that "these numbers are not an invitation for us to roll back all the rules". To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Image: Julia Sansone
If you're a fan of Mariah Carey, then this is a vision of love and also a sweet, sweet fantasy come true, baby: 11 years after she last toured Australia, the iconic singer is returning in 2025 to headline Fridayz Live. For its big comeback this year, the festival boasts a lineup led by the music megastar. If all you wanted for an early Christmas is this, it's quite the gift. Mariah is celebrating 20 years since her 2005 album The Emancipation of Mimi released — and based on recent set lists, get ready to hear everything from 'Emotions', 'Dreamlover' and 'Hero' to 'Without You', 'Always Be My Baby', 'Honey' and 'Heartbreaker'. She'll have company on the Fridayz Live bill, because this event's blend of R&B, hip hop and nostalgia always brings a heap of big names our way. For 2025, Pitbull, Wiz Khalifa, Lil Jon, Eve, Tinie Tempah and Jordin Sparks are also on the lineup. 'Give Me Everything', 'Timber', 'Fireball', 'Black and Yellow', 'See You Again', 'Young, Wild and Free', 'Get Low', 'Turn Down for What', 'Let Me Blow Ya Mind', 'Who's That Girl', 'Girls Like', 'Miami 2 Ibiza', 'No Air', 'One Step at a Time': expect to hear them all too, then. In Sydney, Fridayz Live has a date with ENGIE Stadium on Saturday, October 18. If you want to go all out for the occasion, The Downing Hotel is transforming into Motel Fireball, with a Fireball-themed room (from the bedsheets to the toiletries, its all Fireball themed) available for bookings ahead of Fridayz Live. On the big day itself, there'll be a concert pre-party on the second floor with live music, a karaoke stage to practice your sing-alongs and a Fireball whisky bubbler to complete the dedication to the theme. Visit the Motel Fireball website to find out more. [caption id="attachment_1030880" align="aligncenter" width="1920"] Trent van der Jagt[/caption] Fridayz Live 2025 Lineup Mariah Carey Pitbull Wiz Khalifa Lil Jon Eve Tinie Tempah Jordin Sparks Mariah Carey images: Raph_PH via Flickr. Wiz Khalifa image: Daniel Kelly.
Over the past few years, Gelatissimo has whipped up a number of creative flavours, including frosé sorbet, gelato for dogs, and ginger beer, Weet-Bix. fairy bread, hot cross bun, cinnamon scroll and chocolate fudge gelato. Most recently, it made a bubble tea variety, too. For its latest offering, the Australian dessert chain is taking inspiration from another beloved foodstuff — in case you can't choose between slathering Belgium's Lotus Biscoff cookie butter spread over bread or licking your way through a few scoops of ice cream. Yes, that very combination is now on the menu, with Biscoff gelato earning the honours as Gelatissimo's August flavour of the month. Now on sale, it starts with buttery cinnamon biscuit gelato — which is then layered with slabs of cookie butter, then topped with crunchy biscuit pieces. If you're only just learning about Lotus Biscoff cookie butter spread, it's made from the crumbs of Lotus Biscoff caramelised biscuits, and is basically a cookie-flavoured version of peanut butter or chocolate spreads like Nutella. Understandably, it has picked up quite a following — and, in its spreadable form, comes in creamy and crunchy varieties. At Gelatissimo, the Biscoff gelato will only be available for the month of August at all stores Australia-wide — and only while stocks last. That includes via delivered take-home packs via services such as UberEats, Deliveroo and DoorDash. Gelatissimo's Biscoff gelato is available from all stores nationwide for the month of August.
