It's true every time that the Sydney Gay and Lesbian Mardi Gras announces its annual program: whether you're keen on the parade action, browsing stalls, partying in pools, hitting the dance floor, catching drag performances or plenty more, there's no shortage of options at the Harbour City's celebration of LGBTQIA+ pride and culture. For 2025, the just-revealed lineup spans the return of Fair Day, the festival's usual beloved splash-filled soirees, Honey Dijon and Romy from The xx headlining the Mardi Gras Party, plus Trixie Mattel — and that's just the beginning. In total, more than 80 LBGTQIA+ events will take over the Harbour City between Friday, February 14–Sunday, March 2, 2025. One highlight was first a Sydney WorldPride hit in 2023: the Blak & Deadly First Nations gala concert at City Recital Hall. The overarching theme in Mardi Gras' 47th year: "free to be", which nods to the fight for equality, while also championing individuality and the strength of community. "Each year, Sydney Gay and Lesbian Mardi Gras brings people from all corners of the globe together for a celebration of community, visibility and progress. The 2025 festival embodies this spirit, reflecting the resilience, creativity and unity of our LGBTQIA+ communities," explains the event's CEO Gil Beckwith. "We are thrilled to welcome everyone to this year's festivities and look forward to continuing to champion the values of inclusivity and equality." Fair Day's comeback follows its cancellation in 2024 due to asbestos being found in Victoria Park's mulch. In 2025, it'll be at the same site with 200-plus stalls. The pool action comes courtesy of the Kaftana Pool Party and Paradiso Pool Party, which are just two more of Mardi Gras' signature events that are on the 2025 bill. Also in the same category: the parade and the Mardi Gras Party, of course, alongside the Sissy Ball and Laneway shindig. 2024's Ultra Violet is also back, again celebrating LGBTQIA+ women — as is trans and gender-diverse celebration Hot Trans Summer, which'll take over a floating venue, as well as opening ceremony First Nations First Light: A Festival Welcome at Bondi Beach. Among the new additions for 2025, Mardi Gras is teaming up with Qtopia Sydney on a suite of shows and exhibitions, such as the drag king-focused They Will Be Kings and the millennial pop culture-loving I Want It That Gay. Over at Sydney Opera House, Samuel Barnett's one-man show Feeling Afraid As If Something Terrible Is Going to Happen is another highlight. From there, The Kaye Hole, family-friendly Disco on the Green, Kate Bush tribute An Evening Without Kate Bush and a Pride in Sport Festival featuring everything from self-defence workshops to volleyball tournaments are fellow standouts. Sydney Gay and Lesbian Mardi Gras 2025 will run from Friday, February 14–Sunday, March 2, 2025. For more information, or for tickets, head to the event's website. Images: Jordan Munns, Joseph Mayers, Ann-Marie Calilhanna, Vic Lentaigne, Ken Leanfore, Lexi Laphor, Jess Gleeson.
Jenny Lewis, former lead singer of indie rock group Rilo Kiley, is about to release her first solo album in six years, so why not come back with a bang (and a viral video)? Her social media freakout-inducing clip for first single, the Beck-produced 'One of The Guys' has a few of Hollywood's leading ladies taking the piss out of gender roles by tracksuiting up and acting like real tough dudes. Unlikely accomplices Anne Hathaway, Kristen Stewart and Brie Larson casually make up Lewis's backing band, eventually winding up in drag, fly kicking, breakdancing and giving each other those perplexing man-hug-hand-shake things. Snaps to Lewis for fusing taking Taylor Swift-style famous friend collab cues. There are so many high-fivable things going on here, it's hard to know where to start. Lewis's rainbow pantsuit, Hathaway's rat-tail and keytar, and Stewart actually looking like she's having fun for once in her life — all good places to start. Despite all this nonchalant splendour, Larson takes the cake. The Short Term 12 star is completely hysterical in this clip as a boy, and is probably the most convincing lip syncher of the band next to Lewis. Despite the silliness, the single is actually quite a poignant note on being comfortable with yourself both in your womanhood and in your age. Just goes to show, dealing with heavy stuff doesn't mean taking yourself seriously all the time. 'Just One of the Guys' is the first single from Lewis' new record Voyager, which will be out by the end of the month. Watch 'Just One of the Guys' right here: https://youtube.com/watch?v=Irvcf6dCk-k Via Rolling Stone.
Right now (in case you haven't been hanging on every tweet), the Consumer Technology Association is holding a huge conference in Las Vegas — CES 2017 — and while that might sound kind of abstract, it's an internationally-watched event with reams of huge new product announcements that are relevant to the everyday tech user (that's you!). The Consumer Technology Association (acronymed to CES, not CTA, for unfathomable reasons) is a trade union that promotes and standardises widely used technology, meaning high-end tech gets into your life sooner. This year has already been pretty epic. Here's a breakdown of some of the best tech reveals (so far), coming soon to a smart household near you. A SMART COLLAR FOR YOUR POOCH Now, this is a nifty little device for lucky, lucky pet owners. Whistle 3 is a new pet tracking collar that lets you monitor your puppo's or catto's daily activity levels and track them on your smartphone. It's the third iteration of the product and reports from CES indicate this time they've nailed it. Whistle 3 is compact, waterproof, clips to your pet's collar and syncs to an app on your phone. At the moment, it's only available in the US but we'll keep you updated on developments. In the meantime, remember to get your precious furbabies microchipped. AN AI-FITTED TOYOTA What business Toyota has building an AI, we don't know. But they have. Its name is Yui (pronounced you-ee) and, yes, we expect it will allow us to become best friends with our car like Shia Lebeouf and Bumblebee. No, but really. AI in a car is about risk assessment and will work in tandem with what they called 'human driving'. So it's not exactly automated but it will allow certain elements of automation when it's safe to do so. Yui warns the driver about potential hazards and can automate corrections to prevent them. But most importantly, it's super-duper cute and futuristic. A RELATIVELY FAST SCOOTER THAT CAN CHARGE YOUR DEVICES The URB-E might look a little goofy (like its Segway and Hoverboard brothers) but this compact little electric scooter could be the future of travel. Give up any dreams of your kids buying their first banged up Holden Commodore, the next generation will be driving these 30-pound scooties to school. Three years ago, the URB-E was debuted at CES. This year, they've revealed four new, updated models and a range of accessories. To fill you in, the URB-E is a foldable scooter/bicycle hybrid out of America. The cheapest, the URB-E Sport, retails for US$899 and can reach a top speed of 22 kilometres. A fully-charged URB-E Sport can travel up to 25 kilometres before needing a recharge. And you can charge your phone off it too. Damn. These iterations of the URB-E are more affordable and more powerful than ever, so you might as well embrace these tiny, goofy scooters because they ain't leaving anytime soon. A CASUALLY POWERFUL, 92-MEGAPIXEL, VR-SUPPORTING PHONE While we're not sold on the name ZenFone (imagine the roundtable on that decision), the newest phone out of the Asus camp is exciting for multiple reasons. First, it's built to support virtual and augmented reality technology (the future is here!) which means it's packing a considerable amount of processing power for such a little thing. Its three cameras (the most powerful of which takes 92-megapixel images and 4K videos) enables 3D mapping technology. Yeah. Your selfie game just jumped up a level. It's expected for release midway through this year. UH... A SMART HAIRBRUSH? Yeah, so L'Oreal has designed a smart hairbrush. Rejoice for now every part of your daily routine will be watched over by machines. The Keratase Hair Coach uses sensors, an accelerometer, a gyroscope, and a microphone to spy on you and determine a) how healthy your hair is b) whether your hair is wet or dry c) whether you're brushing too hard or too much and d) how many Keratase products you need in your life right now. Guive Balooch, the vice president of L'Oreal's Technology Incubator, said to Fortune the brush will also try to smooth your hair. All of this for under $200? Woah. The future really is stupid. Via IB Times, The Verge and Gizmodo.
There will be spice in 2023's sandiest movie, the eagerly anticipated sequel to 2021's Dune. With a war a-brewing on the planet Arrakis, seeing Paul Atreides (Timothée Chalamet, Bones and All) and the Fremen face off against the folks who destroyed his family, there will be blood as well. And, in the centrepiece to Dune: Part Two's glorious first trailer ahead of its November release in cinemas, there will be sandworms and wormriding — including the internet's boyfriend going for a cruise on one of the sci-fi franchise's mammoth creatures. When its predecessor hit the big screen, it was after a year-long delay due to the pandemic, and as a second movie adaptation of Frank Herbert's novel. Following in David Lynch's footsteps might seem a foolish move, even when it's making a new version of one of the most unfairly maligned sci-fi films ever crafted, but Denis Villeneuve (Blade Runner 2049) managed what Alejandro Jodorowsky sadly couldn't (see: excellent documentary Jodorowsky's Dune), and a new science-fiction cinema classic arrived. Villeneuve's picture only told part of Dune's story, though, which is where Dune: Part Two comes in. The first film had Paul head to Arrakis because his dad Duke Leto Atreides (Oscar Isaac, Moon Knight) had just been given stewardship of the sandy celestial body and its abundance of 'the spice' — aka the most valuable substance in the universe — and then get caught up in a bitter battle with malicious forces over the substance. It also saw Paul meet the population of people known as the Fremen, including Zendaya's (Euphoria) Chani and Javier Bardem's (Lyle, Lyle Crocodile) Stilgar, which is who he and his mother Lady Jessica (Rebecca Ferguson, Doctor Sleep) are with when the new flick's trailer begins. Amid that expansive desert landscape, those hulking sandworms, Villeneuve's reliable eye for a spectacle and Hans Zimmer's (The Son) latest likely Oscar-winning score, Paul, Chani, Stilgar and company have vengeance to seek — but Paul also has to choose between love and preventing a dark future. And, he has new players to face, with Austin Butler ditching his Elvis locks as Feyd Rautha Harkonnen, the nephew of Stellan Skarsgard's (Andor) Baron Harkonnen, plus Florence Pugh (The Wonder) joining the saga as Princess Irulen, daughter of Christopher Walken's (Severance) Emperor Shaddam IV. From the first film, which scored ten Oscar nominations and six wins, Josh Brolin (Outer Range), Dave Bautista (Knock at the Cabin), Stephen McKinley Henderson (Beau Is Afraid) and Charlotte Rampling (Benedetta) return, while Léa Seydoux (Crimes of the Future) also joins the cast. Off-screen, Villeneuve has brought back not just Zimmer, but Oscar-winning Australian director of photography Greig Fraser (The Batman), Oscar-winning production designer Patrice Vermett (Vice), Oscar-winning editor Joe Walker (The Unforgivable), Oscar-winning visual effects supervisor Paul Lambert (First Man) and Oscar-nominated costume designer Jacqueline West (Song to Song). Check out the first Dune: Part Two trailer below: Dune will release in cinemas Down Under on November 2, 2023.
This Sydney Festival, you can explore this vast, light-filled inflated labyrinth of winding paths and soaring domes at Tumbalong Park in Darling Harbour. Nottingham (UK) artists Architects of Air have created (and, impressively, handmade) the blow-up maze, which features overwhelming domes inspired by natural forms, geometric solids and Islamic and Gothic architecture. The beaming colours you see is light streaming in from the outside, so it's best to visit this neon-looking artwork in the middle of the day for the full effect. This sensory wonderland is free to enjoy. It's open from 10am–6pm Monday to Wednesday, and until 5pm Thursday to Sunday. If you want to skip the queue or get access 6.30pm and 7pm sessions, you can nab a ticket for $20. There will also be special relaxed sessions for those with access needs, on January 16 and 23. Check out our video below for what to expect. Images: Reuben Gibbes and Alan Parkinson. First published: November 4, 2019. Updated: January 14, 2020.
The idea that good things come to those who wait isn't just a piece of advice everyone's mum have given them at least once; over the past couple of years, it's also been the mantra behind Australia's live gig scene. And, yes, now that music festivals, concerts and shows are back in a big way, great things are indeed coming Down Under — including Fisher's rescheduled Aussie tour. The former pro surfer-turned-DJ will be hitting up Melbourne, Brisbane, Sydney and Perth in November, throwing a huge outdoor dance party in each city. He'll be on the decks, of course, but he'll also have company in the form of Booka Shade, Pnau, Loco Dice and HoneyLuv. Also on the bill: Little Fritter, Richard Penny, Tina Says and Loco Dice. International names, local talents — they're all on this lineup. And if you're wondering how excited that Fisher is to finally bring the tour to fruition, it's all there in the name. Originally his first-ever Aussie national tour was called 'Bigger Than a Beach Party', but now it's the 'Australia, It's Fk'n On' tour. [caption id="attachment_860230" align="alignnone" width="1920"] Booka Shade[/caption] A few details have changed, however. Originally, the tour was headed to Wollongong, but Stuart Park can no longer play host to major gigs due to heavy rain earlier this year. So, Fisher will hit up The Domain in Sydney instead — which is obviously ace news for Sydneysiders. It's been a huge few years for the Gold Coast DJ, since the Grammy-nominated 'Losing It' brought him to international fame. He also launched his own boozy seltzer brand FIZZ during the pandemic, which your tastebuds might be aware of. Fisher heads around Australia after headlining the Under Construction festival in the US, and playing shows at Petco Park in Denver. And yes, expect dance floors at Melbourne's Catani Gardens, Brisbane's Riverstage, The Domain in Sydney and Perth's Langley Park to be busy. [caption id="attachment_860229" align="alignnone" width="1920"] HoneyLuv[/caption] FISHER'S 2022 'IT'S FK'N ON AUSTRALIA' TOUR DATES: Saturday, November 5 — Catani Gardens, Melbourne Sunday, November 6 — Riverstage, Brisbane Saturday, November 12 — The Domain, Sydney Sunday, November 13 — Langley Park, Perth Fisher's 'It's Fk'n On Australia tour heads Down Under in November 2022. The waitlist for tickets is open now, with tickets pre-sales from 8am local time on Wednesday, July 13 — and general sales from 8am local time on Thursday, July 14.
UPDATE: Thursday May 6, 2021 — New COVID-19 restrictions have been announced. We'll keep you updated on this event as the situation changes. For the latest information, visit NSW Health. More than ever, we're looking for opportunities to immerse ourselves in another universe for a few hours. Luckily, that's exactly what you can do this summer when the hit Frozen the Musical premieres in Sydney. The stage production, based on the legendary 2013 Disney animated film, opened on Broadway in 2018 and proceeded to break box office records. After a US tour in 2019, the production is expanding to international markets with Sydney as its first stop this summer. Why was our city the lucky chosen destination? Perhaps the producers took the advice of everyone's favourite snowman Olaf when he sang "the hot and the cold are both so intense. Put 'em together, it just makes sense." If the cultural phenomenon has somehow passed you by until now, Frozen was inspired by the Hans Christian Andersen tale The Snow Queen, and it tells the story of Princesses Anna and Elsa. At the latter's coronation to become Queen, she accidentally reveals her magical powers to control and create ice and snow and inflicts an eternal winter on her kingdom, Arendelle. She flees to the North Mountain and, while singing the iconic ballad 'Let it Go', builds herself an ice castle in which to hide. Anna sets out to find her sister, proving the bonds of sisterhood can overcome all obstacles. The musical adaptation brings the beloved story to life before your eyes with opulent costumes, stunning sets and awe-inspiring special effects. All of your favourite tunes from the film will be performed — including 'For the First Time in Forever' and 'Love Is an Open Door' — plus 12 new songs as the stage production expands upon the film's narrative. The Sydney production has an all-Australian cast, led by Jemma Rix (Wicked) as Elsa, Courtney Monsma (Aladdin, Six) as Anna and Matt Lee (Mary Poppins) as the lovable Olaf. As we live in uncertain times, there are flexible ticket options available, which might suit those planning to travel to Sydney especially for the show. The Capitol Theatre also has a COVID-19 safety plan in place, in accordance with NSW Health. Frozen the Musical is running from Tuesday, December 1, 2020 to Sunday, May 23, 2021. Tickets start at $49.50 and can be purchased via Ticketmaster. Images: Frozen the Musical, Original Broadway Cast, Deen van Meer, courtesy of Destination NSW.
When news dropped that Adnan Syed's murder conviction had been overturned, an obvious announcement followed: Sarah Koenig's grimly addictive podcast Serial, which spent its first season exploring the killing of Baltimore high school student Hae Min Lee and the extremely complex legal matters surrounding her ex-boyfriend Syed, was returning for a new episode. That new instalment, called 'Adnan Is Out', is available to listen to now — and Serial isn't the only recent Syed-focused hit that's making a comeback as a result. Here's another expected but also welcome development: The Case Against Adnan Syed, HBO's four-part documentary series about the case, is also making a new chapter. The US network revealed that a follow-up episode is in the works, with filmmaker Amy Berg (Phoenix Rising, Dogs, West of Memphis) returning behind the lens. View this post on Instagram A post shared by Amy Berg (@amy_berg) "We knew the end of The Case Against Adnan Syed was not the end of this story, and we've been closely following every twist and turn in the case since the series premiered in March 2019," said Berg in a statement. "It's gratifying to see many of the questions and issues probed in the original episodes come to bear on the events of this week," the filmmaker continued. HBO revealed that the new episode will arrive sometime in 2023, but hasn't dropped any further details — including how long it'll run for or the exact release date. Where it'll stream Down Under hasn't been announced yet, either. HBO also advised that Berg has been filming the follow-up episode in Maryland since early 2021, and was in the courthouse when Baltimore City Circuit Judge Melissa Phinn vacated Syed's murder conviction. The Case Against Adnan Syed's new episode will not only chart the lead up to that decision, but will also follow Syed after his release. [caption id="attachment_668625" align="alignnone" width="1920"] Image: Adnan Syed. Via: Syed Family / Courtesy of HBO.[/caption] If you missed the HBO series when it premiered in 2019, it examined 18-year-old Lee's death in 1999 and Syed's conviction in 2000, as well as the latter's ongoing quest to have his conviction reassessed in the years since he was found guilty. Lee and Syed's relationship, tothe original police investigation and trial, the developments up until the show hit the air — they all featured, with the documentary gaining exclusive access to Syed, his family and his lawyers. Yes, it made for gripping viewing, with Berg working on the original four episodes since 2015. It was always bound to be compelling and thorough, given her excellent doco background — helming 2006's Oscar-nominated 2006 Deliver Us from Evil, about molestation in the Catholic Church; examining the West Memphis Three's quest for freedom in 2012's aforementioned West of Memphis; and tackling the sexual abuse of teenagers in the film industry in 2014's An Open Secret. Check out the trailer for The Case Against Adnan Syed's initial run below: HBO's follow-up episode to The Case Against Adnan Syed doesn't currently have a release date, other than arriving in 2023 — we'll update you when it does. In the interim, the original series is available to stream via Fetch in Australia . Images: SBS / HBO
Candlelight dinners, walks in the park, roses and chocolate. That's the old Valentine's Day. We're in 2023, the age of doing things differently. And what date concept is more unconventionally romantic than an evening of hurling a sharp object into a wooden target? The good folks at MANIAX Axe Throwing are getting in the mood and celebrating the season of love with the offer of Valentine's Day date nights at their nationwide axe throwing venues — and you can win one for free. In addition to pelting a heavy weapon at a wall with your S.O., the prize will include the added benefits of the MANIAX date night package: a 60-minute session with a lesson from an instructor (nobody throws until they're ready), two drinks of your choice and a piping hot pizza to share. MANIAX has locations in Sydney, Brisbane, the Gold Coast, Melbourne, Adelaide and Perth. So, whether you're looking for an unconventional date, have a thing for sharp weapons, or are well-versed in the world of axe throwing and simply want to show off, MANIAX has your Valentine's sorted. To earn your place in this hall of warriors, complete the form below. [competition]886696[/competition]
Four shows at Gaffa focus on half-seen worlds and the sort blurry places that can overwhelm the eyes. Armando Chant's Phase Change is dominated by a series of etchings of Banksia, shifting in and out of focus. The plates seem to have been progressively eaten away by the acid process between printings. Some have a sculptor's eye for detail. On others, the picture has faded until only rough dots or distant hazy forms remain. Arranged as a grid, the eye moves down the rows and the images dissolve. The clear topmost row of images denature down through a middle splodgy row to a lower one where almost nothing is left but soft, lumpen forms. At photo collective the Photo Group's show Eight Andrea Klucis' Where Land Meets the Sky shows a strip of a city ridge specked with trees and houses. Just above, it's touched by low rough clouds, under the bulk of the photo dominated by an endless sky. Its series of photos, Sometimes Sweet Silence, are each dominate by the 'golden hour' of light after the dawn, or before sunset. Asim Aly-Khan's Homeworlds of the Holograms makes globes from shaky streaks of light, while Mirjana Tann plays with lens flares spiking off the sun in When Darkness Lifes. Caroline McLean Foldes' domestic moments in Clifton Gardens - Home dot tiny cameos with gentle light, Mim Stirling's El retablo de los animalitos (The Altar of Little Animals) offers intimate photo portraits of tiny animal toys and Philipa Margan's lens gives M&Ms the sort of loving treatment that makes you realise how much their strange granary shape and rough aftertaste had always deserved such treatment. Plan is a joint show divided among A.W. and Kim Connerton. A.W. has images of frames within frames, empty boxes and a hollow plinth alongside correspondence between early photographers Fox Talbot and Herschel. It's a kind of unearthed bones from the world of early photography. Lotuses are the theme of Connerton's tiny sculptures, where miniature people aim to draw you into a pre-birth world. Images by Andrea Klucis and Philipa Margan.
There’s only one place better to show off your smarts than a pub trivia night — and that’s a pub trivia night devoted to art. On that front, Art Month 2016 has you covered with The Bearded Tit and the 4A Centre for Contemporary Asian Art holding the ultimate art quiz. So if you know more about Van Gogh’s bedroom than its current Airbnb host, can recite Tracey Emin’s top ten quotations and name Ai Weiwei’s five best works — you'd best head along. Reckon eight heads are better than one? You're probably right. Register as a team with up to seven other people. Or go it alone and register as a solo contestant — you’ll either be added to a group or given a spot to stand at the bar. The $35 ticket includes the quiz and a complimentary drink. And you can feel good about spending your cash, because it’s all going to 4A.
If you've ever wanted to enjoy your nosh with casual waterfalls cascading over your feet (haven't we all?), all you need is a cheeky airfare. Nestled right at the foot of a spring waterfall in a coconut plantation and resort in Laguna, Phillipines, Villa Escudero takes novelty dining next level. A self-contained working coconut plantation, Villa Escudero was founded in the 1880s and still sports that colonial-style so prevalent in resorts in the Philippines. Featuring long bamboo dining tables set right over the water, Villa Escudero's restaurant must have some pretty pruny-footed waiters after a long shift. Sure, you could get the hose out at home and attempt to create the same effect, but Villa Escudero might have a natural one-up on your bond-losing acts. Via Lost at E Minor.
Does anyone love biscuits as much as dads love biscuits? Probably not. But when Gelato Messina is making bikkies, everyone's tastebuds should be tempted. Each Father's Day for the past few years, the sweet-treat fiends have turned their attention from ice cream to tasty wares that don't require freezing — and 2023's haul is a trio of baked goods. Are mint slice biscuits a staple of your parents' pantry? Do they make you feel nostalgic for that exact reason? Well, now you can get your dad the Messina version again. But that isn't all that's on this year's menu, with the dessert chain also doing salted caramel and rum and raisin biscuits, combining the trio into one pack. The gelato brand does love taking other beloved desserts and giving them its own spin; see also: red velvet cake, honey joys, Bounty and Chokito bars, Iced VoVos, Viennetta and Golden Gaytimes, just to name a few. Messina's choc mint bikkies feature a chocolate base, mint centre and then 65-percent single-origin Messina dark chocolate over the top. The salted caramel goes with a salted caramel filling, of course, then, Messina caramelised white chocolate. And what's inside the rum and raisin biscuits is also obvious, with Messina milk chocolate doing the encasing. All three types are whipped up in-house by the the Messina Chocolatier team, and are being sold together in boxes of 12 — four of each — for $29. You can only purchase them up online from 9am on Monday, August 21. Then, they'll be sent to your door in advance of Father's Day on Sunday, September 3. Gelato Messina's Father's Day biscuit packs are available to order from 9am on Monday, August 21 — head to the Messina website for further details.
Both big air and big bands are on the agenda for Australia's newest festival offering. This August, the global Air + Style Big Air Competition is set to make its southern hemisphere debut, descending on The Domain for three huge days of snow sports, live music, culture and fashion. And it's being headlined by none other than Irish/Scottish alt-rockers Snow Patrol and US artist Flo Rida, each heading to town for their first Aussie shows in over five years. From August 3 to 5, the 34-hectare space on the edge of Sydney's CBD will be sporting a very different look than what locals are used to, featuring a 16-storey snow-covered ramp and multiple music stages. More than 60 of the world's best snowboarders and skiers will land here, to compete as part of the 2018 Air + Style Global Tour. Plus, the event has quite the pedigree — three-time Olympic gold medallist and all-round champion snowboarder Shaun White has been the majority shareholder since 2014. But let's not forget about the equally tempting music component. Previous incarnations of Air + Style in the likes of Beijing, Los Angeles and Austria's Innsbruck have drawn big-name artists such as Flume, Major Lazer, Portugal. The Man and Kendrick Lamar. The Sydney outing promises to follow in their footsteps, with Snow Patrol and Flo Rida just the first of many acts to be announced. Both single day tickets and multi-day passes are available, starting at $150. The Air + Style Big Air Competition comes to The Domain, Sydney from August 3-5. Head to the festival website for tickets and further information.
Before Michael Crichton conjured up an island theme park filled with cloned dinosaurs as seen in Jurassic Park, he took audiences to a different but just as eerie attraction. The year was 1973. The film was Westworld. And it was not only written by the author, but it was also directed by him as well. That's where HBO's futuristic show of the same name starring Evan Rachel Wood, Thandie Newton, Anthony Hopkins, Jeffrey Wright, Liam Hemsworth, Tessa Thompson and Aaron Paul first started. Yes, life really does find a way. Series creators Jonathan Nolan (brother of Christopher Nolan) and Lisa Joy have taken the central idea and expanded it, though, as Westworld's first three gripping TV seasons have shown since 2016. When it comes to tales about a technologically advanced amusement park where people pay to experience Wild West times, and where androids play the park's roles but don't realise that they aren't human, there are oh-so-many stories to tell, after all.
I'm no kidnapper. I've never tried and, unless this film critic thing really falls through, I hopefully never will. That said, were I to give it a crack, I can't help but think the overarching guideline for a successful 'grab' must be that my victim isn't dead by the time I get him. But look, I'm getting ahead of myself here. To the movie... In 2013 the world found itself subject to a ridiculous 'White House Being Taken Over By Terrorists Only To Be Saved By One Gritty Muscled Dude' genre battle between Olympus Has Fallen and the far superior White House Down. Now, three years later, we get London Has Fallen – the sequel to the former nobody was calling for. Starring Gerard Butler as Secret Service agent Mike Banning, London Has Fallen chronicles a devastating series of attacks throughout London on the morning of a state funeral, with the goal of assassinating world leaders and kidnapping the US President (Aaron Eckhart). Ah. There we are again. Kidnapping. I guess I'm just saying I'd be reluctant to use explosives near my target because of the potential for hurting him. I probably wouldn't, for example, instruct one of my generic 'international terrorist' henchmen to spend several minutes simply lobbing rocket-propelled grenades directly at the President's car. Or his hiding spot. Or his face. Anyway, minor side point. London Has Fallen boasts arguably the most outstanding supporting cast of Academy Award winners and nominees asked to do nothing but stare at a screen. Morgan Freeman, Jackie Earle Haley, Melissa Leo and Angela Bassett all shine for the several seconds that they're given in the White House Situation Room, and... Sorry. Not to get sidetracked again, it's just – they shoot his helicopter down. The President's helicopter. While he's in it. From an aviation safety standpoint alone, statistically that's a huge risk to take when you want to capture him alive. It's like using a nuke to get the toy out of a Kinder Surprise. As for the script, the terrorists speak in advertising slogans like "Vengeance must always be profound, and absolute", while Butler's hero Banning consistently spouts racist gems like "why don't you go back to Fuckheadistan or wherever it is you came from?" In fact, London Has Fallen is so astoundingly jingoistic and overtly xenophobic, you half-expect the credits to conclude with "Paid for by Trump 4 President". Plus...they just shoot at the President all the time. Especially when he's in cars. And then they ram those cars with garbage trucks, even before they know whether or not he's wearing a seatbelt. And it's not as though seatbelts are a guarantee of survival in a major collision... https://www.youtube.com/watch?v=3AsOdX7NcJs
Sydney cycling has come a long way. It used to be a smoggy, niche activity elbowing its way through aggressive traffic, trying to come to terms with how such a beautiful city can be so hilly. While these things are all still there, now Sydney also has long-delayed bike lanes across the CBD, regular free defensive riding lessons, a Newtown bike library holding fort until the inevitable bike share scheme arrives and even plans for a cyclist change room in Taylor Square. And just when you thought that the City of Sydney couldn't get any more Amsterdam in its love of two wheels, flowers and separated bikeways, its gone and started off its own Sydney Rides Festival. The festival is has a quadricep-straining spread across the city's geography, from its bike heavy Greenup in Darlinghurst to the borrow-a-bike sessions in North Sydney and south of the bridge. Free breakfasts for Ride to Work Day also feature under the Harbour Bridge and all over Hyde Park on Wednesday, and any number of flickering nights cohosted by the Sydney Bicycle Film Festival — not the least of which will be Sydney Rides' launch at the Bicycle Film Fest's annual street fair. You can pimp your ride in Ultimo and get the chance to introduce your bike to culture all over town. Image by plugimi.
The chance to tap into terror without actual bodily danger is what keeps us returning to horror films and roller-coasters, but neither do it as pervasively, intimately, and thoughtfully as Tamara Saulwick in Pin Drop. Primarily using sound design, the Green Room Award winner for Outstanding Production awakens a catalogue of fears learnt through interviews with subjects aged six to 92. Pin Drop is part of the Performance Space season Show On. Read about the other shows here.
Opera on a regular stage is one thing, but opera performed on a floating openair theatre atop Sydney Harbour, under the stars? Well, that's some unforgettable stuff. Especially when it's Giuseppe Verdi's famed classic La Traviata that's being given the overwater treatment. The glamorous three-act show is the latest production announced as part of Opera Australia's Handa Opera series. It was set to pop up on the harbour in March 2020, but, because of COVID-19, it was postponed. Now, it has been announced that the show will (finally) go on in March 2021. Handa Opera has pulled over 400,000 guests since debuting with La Traviata back in 2012, its mix of drinking and dining options, breathtaking views and nightly fireworks making it one of Sydney's must-try cultural offerings. It's also considered one of the world's best openair opera venues. [caption id="attachment_729347" align="alignnone" width="1920"] 'La Traviata' by Opera Australia[/caption] The upcoming season will see director Constantine Costi heading up a bold new production of La Traviata based on celebrated director Francesca Zambello's original. It tells the famously heartbreaking tale of a free-spirited Parisian courtesan and her tragic love affair with a nobleman. Expect to be wowed by a glittering nine-metre-high chandelier decked out with 10,000 crystals on stage, while world-class performers deliver soaring renditions of legendary tunes like 'Sempre Libera' and 'Brindisi'. Carmen, Aida and La Bohème are just some of the hits to grace the Handa Opera stage in recent years, with 2019's production of West Side Story selling a huge 62,000 tickets. La Traviata on Handa Opera will run from Friday, March 26 to Sunday, April 25. Tickets are on sale from the Opera Australia Box Office from $99.. Handa Opera's 2012 'La Traviata' by Lightbox Photography
Checking surf conditions is a thing of the past for Sunshine Coasters, there's a multi-million dollar wave pool on its way. Best part is, you choose the size of the waves and customise how long they roll for. Really. The hugely-anticipated Webber Wave Pool has found a spot to make its own, snapping up a 24 hectare piece of land in Glenview — a colossal corner of fun right near Australia Zoo and the Big Kart Track. Developer Waterplay Pty Ltd is behind it all, the water-happy brains behind Malaysia's Sunway Lagoon and Wadi Adventure Park in the United Arab Emirates. Surrounded by waterslides, a 120-room hotel, canoeing rapids and a holiday village, the epic wave pool is the premier focus of the park. Pumping out consistently perfect and regulated waves, grommets and old hats alike will be able to choose their level of difficulty surfing the waves. Purists might be severely facepalming right now, but honestly, this is some pretty badass technology. Webber's drive system, according to their website, allows control over the hull speed, draft and trim angle of the wave. "These additional controls will transform our ability to change the wave shape during the ride," they say. "As a result, we will be able to make the wave angle and wave size shape change in a similar way as happens in nature." If you're bored of a particular set-up (yeah, if you're bored of your predictable ol' wave), just tweak a few details and you're riding a totally different beast. https://youtube.com/watch?v=ZA4PoRBVY-M Webber's shiny new systems also allow the team to create waves of different sizes in the same pool at the same time. The coolest part? Your settings are saved on your wrist. "When linked to the profile of each patron by their RFID wristband, the software driving the new drive system will immediately adjust the ratio of the wave sizes to match with the changes in demand during the day." Rad. The Waterplay team hope to have you carving things up within a few short years, with the wave pool first on the to-do list. "All things going well, our team hopes to begin work next year and have the first Sunshine Park guests splashing, surfing and sliding on what will be Australia's latest waterpark during 2016," Waterplay spokesperson David Baird, told the Courier Mail. Fine, I guess we'll just have to surf in the real beach until then, whatever. Stupid, unruly, natural waves. Via Queensland Blog.
In the ultimate girl-power move, Australia has just scored a new contemporary art gallery dedicated entirely to female and female-identifying artists. The groundbreaking Finkelstein Gallery has made its home in Windsor The brainchild of renowned art consultant and advocate Lisa Fehily, the gallery is set to showcase works from a broad bill of emerging and established artists, including the likes of Cigdem Aydemir, Louise Paramor, Deborah Kelly, Coady, Lisa Roet and Kate Baker. On the international lineup, you'll find names such as South Africa's Kim Lieberman and London-based visual artist Sonal Kantaria. Its creation was spurred by the underrepresentation of women across Australia's art collections. According to recent figures released by The Countess Report, a project and online resource on gender equality in the Australian art sector, show that national commercial galleries show just 40 percent women artists, while state museums are at an even lower 34 percent. It'll debut with all-woman exhibition Finkelstein Gallery presents, running from Thursday, August 29 until Saturday, September 28. "I have selected an exclusive group of talented female artists, whose unique voices combine their incredible insight into contemporary society, life as a female, cultural and historical understanding, together with extraordinary skills with concepts and mediums as artists," explained Fehily in a statement. Finkelstein Gallery is set to deliver a broad range of talent, from an array of disciplines. Catch playful pop culture from emerging artist Coady, some socially and politically engaging performance art pieces from the award-winning Cigdem Aydemir, and Lisa Roet's stunning visual exploration of the relationships between humans and primates, to name just a few. The gallery is only the second of its kind in Australia, and the only existing one, with Canberra's Australian Girls Own Gallery representing exclusively women artists from 1989 until it closed in 1998. Find Finkelstein Gallery at Basement 2, 1 Victoria Street, Windsor. Finkelstein Gallery presents will run from Thursday, August 29–Thursday, September 26.
Holy Ghost are back with some ridiculously catchy music, The National have us swimming in a sea of love, and Sam Smith goes acoustic to show us the beauty of strings. Put down the iPod; these five tracks are your playlist for the weekend. 1. 'DUMB DISCO IDEAS' - HOLY GHOST Holy Ghost are back with their impending album Dynamics, and this week they treated us to the first delicious slice of audio pie from the record in 'Dumb Disco Ideas'. It is eight minutes of subtle hooks, groove and simplicity and the accompanying video is equally as fantastic, with a time lapse of the Manhattan skyline punctuated by cleverly synchronised disco lights. 2. 'SEA OF LOVE' - THE NATIONAL The National are experts at making music for all occasions. 'Sea of Love' is another one of those gems that you can listen to whilst jogging, brooding over a break-up or taking a road trip to the greatest festival of your life (at which they are probably playing). The track coasts along nicely until its final third when everything lets loose and the band just take it up a few thousand notches. The National are back to their very best. Also, the kid at the front of the video is incredible. 3. 'LATCH' - SAM SMITH Sam Smith provided the vocals for Disclosure's electro smash 'Latch'. This week he decided to strip that track back, take out all of the technologically created sounds and head in an acoustic direction and we should all be glad he has. Whilst the original is enjoyable in its own right, Sam's haunting voice and strong string accompaniment take it in a direction you never imagined the song could go. This is music as it was meant to be made. 4. 'FALL FOR YOU' - YOUNG GALAXY Canadian indie band Young Galaxy know how to have fun and thankfully they are kind enough to share what their fun creates. 'Fall For You' is from their new album Ultramarine and it creates all kinds of good feelings when you hear it. If you watch the video whilst listening you will never be sad again. 5. 'RUN AWAY' - SUNSTROKE PROJECT It's Eurovision weekend, which means its time to reflect on one of the greatest moments in recent competition history — epic sax man. When Moldova took to the stage in 2010 nobody expected much; how wrong we all were. Not only did we get a spinning violinist but we were also treated to the most epic saxophonist ever. Many have tried to replicate his hips, but none have succeeded and it is doubtful that anybody ever will.
When Meredith celebrates its 31st festival in 2023, it'll do so with a live set more than half a century in the making. Doing the headlining honours: none other than German electro pioneers Kraftwerk, who have not only announced a solo tour of Australia this December, but also locked in a key slot in Meredith's Supernatural Amphitheatre. Aunty Meredith comes bearing two big pieces of news, with Kraftwerk leading the bill — aka the only artist that's been revealed for 2023's fest so far — and the ticket ballot opening. Book that long weekend now, pop your name in the running and cross your fingers that you'll be spending Friday, December 8–Sunday, December 10 at The Sup. "Kraftwerk, quite simply, are the reason music sounds like it does today. Progenitors of pop. Of music as we know it," the Meredith team advised, announcing the Düsseldorf-formed group as the event's first big name for 2023. They're not wrong. "Specks of Kraftwerk DNA hurtle through the space-time continuum, embedding themselves into Bowie, Spacemen 3, Afrika Bambaataa, Prince, Daft Punk, New Order, Radiohead, Missy Elliott and every Meredith Music Festival for the last three decades." [caption id="attachment_847588" align="alignnone" width="1920"] Ben Fletcher[/caption] As for who else will join Kraftwerk, watch this space. In 2022, Meredith's first festival since 2019 due to the pandemic, the Caribou-, Yothu Yindi- and Courtney Barnett-led lineup dropped in mid-August. To nab tickets to the beloved three-day BYO camping festival, you've got until 10.31pm AEST on Monday, August 14 to enter the ballot. [caption id="attachment_865642" align="alignnone" width="1920"] Chelsea King[/caption] MEREDITH 2023 LINEUP: Kraftwerk and more to come Meredith Music Festival will return to Meredith on Friday, December 8–Sunday, December 10, 2023. To put your name in the ballot to get your hands on tickets, head to the festival's website before 10.31pm AEST on Monday, August 14. Top image: Steve Benn.
To not enjoy the whistful sounds of Emma Louise may as well be cardinal sin. Her ranging tempos matched with an eerily sweet voice, make for a sound that's encapsulated an audience far beyond the Triple J circuit she's been most frequented on. Now, fresh from firing her music at the flower folk in Toowoomba, Emma Louise is conquering the other side of the Great Dividing Range at Brisbane Festival. On the tail of her latest album release Emma Louise vs. Head vs. Heart this 21-year-old artist has played to sold out audiences across Australia. Her listeners have remained addicted to the pure and pared backed tunes that fuse the sounds of Sarah Blasko and the Jezabels to produce something that is uniquely Emma Louise. From her breakthrough single 'Jungle' to her latest stunners indluding 'Mirrors' and 'Boy' she's captured the hearts of everyone from angsty teens to a more mature fan base. Join a crowd of loyal fans as she treats Brisbane to two intimate shows at The Spiegeltent. Check out Emma Louise's 'Boy'
Featuring over 800 shoes from the 16th century to now, Recollect: Shoes will showcase its diverse collection at the Powerhouse Museum this November. From the first elastic-sided boots in the world (worn by Queen Victoria) to a pair of Charles Jourdan heels worn by Nicole Kidman in the film Moulin Rouge, a pair of cricket boots signed by Sir Donald Bradman and designer names such as Louboutin, Yves Saint Laurent and Prada, this event is one design lovers, fashionistas, artists, shoe fetishists and history buffs alike won't want to miss. But shoes don't just make themselves. The exhibition comes full circle without a range of shoemaking equipment, including an early 20th century clicking press, shoe lasts and patterns to demonstrate the process of making bespoke shoes, in addition to a collection of recent acquisitions, fashion photographs and an special exhibit about caring for shoes. DIY types will want to attend the shoemaking drop-in sessions by designer Jodie Morrison (10 January and 18 April).
UPDATE: May 24, 2020: Zombieland: Double Tap is available to stream via iTunes — and via Amazon Prime Video from Monday, May 25. What a delight the original Zombieland was. Led by Emma Stone, Woody Harrelson, Jesse Eisenberg and Abigail Breslin, and proving witty and wildly creative in handling its gory subject matter, the unconventional zombie road movie breathed new life into a stagnating genre. Featuring playful additions like cutaways to various zombie kills of the week, plus zombie survival rules that were neatly and contextually transposed across the screen during the action, the film paired horror, comedy and a top-notch troupe of actors to deliver an instant cult classic. Fast-forward ten years and many, many zombie films later, and we get Zombieland: Double Tap (with its name serving up a clever play on its sequel status, as well as referencing rule #2: 'the double tap', aka two shots to a zombie's head to ensure that it's truly dead). From the get-go, Double Tap reminds viewers about its trope-subverting approach, with Eisenberg's voiceover thanking the audience for choosing to watch this movie when there are so many other zombie options out there. Funny, yes, but is our allegiance rewarded? Only just. With the team now living safely in the White House, Double Tap finds itself in similar territory to season three of The Walking Dead. The zombies no longer represent much of a threat, meaning that the bulk of the tension comes from interpersonal, human-to-human conflict. Of that, there's a lot to choose from. Columbus and Wichita's (Eisenberg and Stone) romance has entered the ho-hum phase, while the de facto father-daughter relationship between Tallahassee and Little Rock (Harrelson and Breslin) is at once suffocating and frustrating, with both eager to head back out in search of adventure (and people their own age). Sure enough, the group soon splits, setting the film up for a rescue mission storyline — because, inevitably, things go awry. Relegating zombies to the level of mere background nuisance is always a risk, and in Double Tap it doesn't pay off — instead, it sucks much of the energy out of the film. Even the actors seem bored most of the time, leaving it to the movie's new additions to up the ante. Luckily, that's where Double Tap really delivers. Supporting players such as Rosario Dawson, Luke Wilson, Avan Jogia, Thomas Middleditch and Zoey Deutch provide periodic shots of cinematic epinephrine, jolting the film back into life each time it begins to fade. Deutch, in particular, delivers a cracking performance as Ugg-booted, tracksuited mall girl ditz Madison, managing to find incredible range for such a one-note role. Her casual invention of Uber (to the mockery of everyone else) is one of the film's funnier and smarter moments, as is the arrival of Wilson and Middleditch, albeit borrowing heavily from Shaun of the Dead. Directed by the original's Ruben Fleischer (who also helmed last year's Venom), and written by fellow returnees Rhett Reese and Paul Wernick with Godzilla's Dave Callaham, there's just enough in Double Tap to justify its existence, offering smatterings of new material amid the admittedly still amusing trip back to very familiar territory. Stay put, too, for the credits, which gift us a welcome secret cameo from an old favourite. https://www.youtube.com/watch?v=QUW5ZYwk2zQ
Since dropping a trailer back in September 2022, the instantly stunning-looking Suzume has sat high on animation fans' must-see lists. Given that the Japanese movie is the new release from Your Name and Weathering with You director Makoto Shinkai, it was always going to. The filmmaker's resume speaks for itself, also spanning The Place Promised in Our Early Days, 5 Centimetres per Second, Children Who Chase Lost Voices and The Garden of Words — and his features deserve to be as eagerly anticipated as Studio Ghibli's. Whether you've been excited about Suzume for months or this is the first you're hearing about it, you'd best mark your diary — because Shinkai's latest now has a release date Down Under. The film opened in Japan back in November, and will make its way to cinemas in Australia and New Zealand from Thursday, April 13. As seen in lively trailer, Suzume puts Shinkai into familiar territory visually, with the animation and art direction alone spectacularly and breathtakingly gorgeous. Every detail-filled frame of his films could easily sit on a wall — and, from the sneak peek, Suzume easily continues the trend. Story-wise, the movie follows its titular high school girl as she teams up with a mysterious young man to travel through otherworldly gates. The pair cross paths in a quiet Kyushu town, with the stranger telling the with 17-year-old Suzume that he's looking for a door. From there, they get hopping as disasters start to strike around Japan. As more doors open, more destruction follows — and it's up to Suzume to close the portals to stop the cycle. The coming-of-age tale doesn't just include doors that keep opening up in Japan's "lonely areas people have forgotten" — doors in places that'll make you want to travel far and wide through Japan, as Weathering with You did with Tokyo — but also talking cats, swirling red clouds and scampering chairs. "At its core, Suzume is based on the massive disaster that occurred in Japan twelve years ago. I'm eager to see how this film translates to international audiences: what makes sense, what doesn't, and what common ground we have across cultures," said Shinkai. "The film's imminent international release will hopefully give me the answer to those questions. And, I cannot thank our team members enough for their unprecedented talent and perseverance throughout the film's production. On behalf of the entire team, I would also like to give thanks to all the fans who have cheered us on, making Suzume possible." As they did with Your Name and Weathering with You, Radwimps provide Suzume's soundtrack. The film heads Down Under after playing the Berlin International Film Festival in February, in the prestigious event's official competition — becoming the first Japanese animated film to do so since Studio Ghibli's Spirited Away, which won the coveted Golden Bear in 2002. Check out the trailer for Suzume below: Suzume opens in Australia and New Zealand on Thursday, April 13.
When we caught up with Whole Larder Love author Rohan Anderson, we became immediate fans. We love that not only does he talk green, he gets right in on the action. So the prospect of spending an afternoon in his company, discussing his often unconventional philosophies and picking up some tips for living off the land has us excited. Anderson will be making an exclusive Sydney appearance at Stories from the Cellar, organised by Sydney Living Museums and Wildwon Projects and to be held at Elizabeth Bay House on Sunday, February 23. Leading a journey into the dwelling's secret cellars, he'll be explaining how he went from part-time graphic designer to full-time gardener, forager, hunter and "family cook" in rural Victoria. Plus, there'll be demonstrations of some of his finer skills, like skinning rabbits and preparing game. Several Sydney food experts are also lending their expertise on the day. Turophiles will love artisan cheesemaker Kristen Allan, who'll be showing how to make labna, ricotta and assorted dairy delights from scratch. If you're partial to a dose of Italian seasonal goodness at Berta, you won't want to miss an opportunity to meet head chef O Tama Carey, who'll be conjuring up quick pickles and chatting about raising pigs for charcuterie. For fans of Fish Place, head smoker Steve de Launay will be engaging with all things sustainable and aquatic. Working up an appetite just reading about it? The good news is that the five-hour session will involve not only watching and preparing food but trying it out too. There'll be various samplings, as well as a long, lingering supper, created by Dan the Man Cooking and sponsored by Salumi, with drinks provided by Murray's Craft Brewing Co and live music from harpist and composer extraordinaire Jake Meadows of the Myall High Club. Stories from the Cellar is on February 23 at 3pm. Tickets are $70, or $65 if you book in a group of four. Book here. Thanks to Sydney Living Museums, we have one double pass to giveaway. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with your name and address.
Each year we vow to be better gift-givers, but when the office secret santa rolls around, and Christmas parties start to ramp up, we're left with limited time to find a truly good present, one that says we genuinely care. Well, not this year; this time we're prepared. In partnership with Square, we've searched through Australia's independent shops to bring you a gift guide to match all the colleagues you might be assigned this present-giving season. If you are a small business owner, Square has the tools you need to take payments and maximise your sales, including an ebook with tips to help you get started this holiday season. FOR THE WORK PARENT Plant and self-watering planter from The Plant Society, $30 Melbourne plant hunters Jason Chongue and Nathan Smith set up The Plant Society in 2016 and now the small business ships its green shoots, ceramics, homewares and planter kits to people across Victoria, New South Wales and Queensland. When you're looking for a gift that says thank you to the office parent — the one that mops up the spills, has painkillers when you need them and a shoulder to cry on — we suggest giving a little love back. Buy them an indoor plant already potted in a self-watering planter. You can choose the pot colour and plants, which range from tropical philodendron super atoms to the popular monstera deliciosa. FOR THE BIG CHEESE Gift card from Mould Cheese Collective, $25–85 No matter how much you love your boss, when you've drawn the big cheese of your workplace for this year's gift exchange there's a lot of pressure to get it right. Choose a dud: everyone feels awkward. Pick something special: early marks all round. We say, send them a box of cheesy delights from The Mould Cheese Collective, a Victoria-based club for cheese lovers. You can shop for gooey goodness on its website, but for the safest bet, there's a trusty gift voucher of either $25, $50 or $85. The bonus: it's an instant gift, so no need to wait for shipping. The downside: not suitable for lactose intolerant leaders. FOR THE WANNABE DJ Dolly Parton's Blue Smoke from Cottonmouth Records, $55 Sydney's Cottonmouth Records has a loyal local following for its record store and bar in Enmore, but you don't need to live nearby to take advantage of owner Zachery Williams' eclectic vinyl collection. Its online store has black gold in all shades of nostalgia, from Beastie Boys and Mariah Carey to Pearl Jam and The Prodigy. It's not all about the throwbacks — there are plenty of recent releases available on vinyl here — but, when shopping for the coworker who controls the playlist, we think there's a lot of joy in Dolly Parton's back catalogue. We've picked Blue Smoke, but you can also order Jolene for $39, which is an absolute steal. Shipping is $15, or free for orders over $100. FOR THE ETHICAL ONE Face mask from Second Stitch, $18 Melbourne-based not-for-profit Second Stitch is a social enterprise that employs refugees, migrants and people seeking asylum. It beat lockdown in Victoria by making cute reusable cloth masks in uplifting patterns and colours. When your kris kringle recipient is that work mate who likes to support charities and ethical businesses, this practical gift will go a long way. Not only are the two-layer cotton masks an environmental solution to an ongoing pandemic, but also your purchase directly provides meaningful employment for some of the most disadvantaged members in the community. Now that's what the spirit of Christmas is all about. FOR THE SALAD-FOR-LUNCH ONE Citrus Trio from Mount Zero Olives, $25 If the only thing you know about Nic from HR is that they like to bring their own meals to work every day, be the teammate who celebrates their forward planning and discipline by getting them something that'll bring them a little joy every lunchtime. This trio of extra virgin olive oils from Mount Zero Olives is better than your supermarket drizzles, as they're pressed with citrus fruits rather than infused with synthetic flavours. The family-owned Victorian company says the lime, mandarin and lemon oils pair well with seafood, egg brekkies and roast veggies, so they're versatile too. Shipping is $12, or free for orders over $100. FOR THE CAFFEINE GEEK How to Buy It, Brew It from Market Lane, $25 If you've got a work buddy who places coffee high on their daily to-do lists, look to Melbourne roaster Market Lane for a gift to match their beverage of choice. Market Lane ships beans, coffee making equipment and literature across Australia. And, for a present that'll last longer than a bag of freshly ground coffee, you should pick the in-depth guide to a good brew How to Buy It, Brew It, written by Market Lane's co-founder Jason Scheltus. You can ask for it to be wrapped in paper designed by artist Julia Stewart for no extra cost and shipping is just $8. FOR THE IT'S-5PM-SOMEWHERE ONE Four-pack of Peach Sauce from Sauce Brewing Co, $20 We've all got a coworker who's a bit of a craft beer nerd. The one who plans their weekends around brewery crawls, goes out of their way to order the most obscure ales on tap, and loves to share their knowledge of local drops. Lean into the passions of this person and get them a four-pack of tart, tangy, crowd-pleasing Peach Sauce. The berliner weisse is one of many creative brews from Sydney microbrewery Sauce. There's also hazy pale ale Caribbean Fog, New England-style IPA Bubble & Squeak and a tropical Frisson Raspberry, ready for the summer of seltzers. FOR THE SNACK QUEEN Bubble O Bill cookies from Dough Re Mi, $18 Wagga-based bakery Dough Re Mi specialises in custom-made cookies designed to brighten someone's day. And we couldn't think of anyone more deserving of a treat than the snack kings and queens of your office. They're always ready with a bag of chippies or choccies when deadlines are tight and everyone needs a mood booster. You could go all out and order ones with a motivational message, but for us the winning choice is Bubble O Bill's face on a butter biscuit, complete with a bubble gum nose. You can order a single cookie for $5.50, or a gift box for $18. And Dough Re Mi ships Australia-wide. FOR THE NEW PERSON Notebook from Studio A, $15 Thrown right in the deep end, just before the festive season, the workplace newbie has to be one of the toughest people to buy for when it comes to secret santa time. However, it couldn't be worse than actually being the newest person to join the team. Think of all the catching up they've got to do — and that's just on the office goss. Pick them something they'll be proud to use every day, like a notebook designed by one of Studio A's talented artists. The Sydney-based studio supports artists with disability, providing a workspace and materials for artists to realise their aspirations. We like these ones by Lisa Scott, left, and Thom Roberts, right. Shipping is an additional $10, so order one for yourself while you're at it. FOR THE FASHION ICON Sturt's Desert Pea Socks from Julie White, $30 Adelaide-based designer Julie White creates bold and colourful designs inspired by Australian flora and fauna. She draws all the designs by hand, including ones of lorikeets, midnight orchids and Sturt's desert peas. Her head and neck scarves are 100-percent silk, and the silky-feel knee-high socks are nylon. If your secret santa budget is $30, order a set of statement socks for the most fashionable person in your workplace. They'll feel seen. And, as a treat for you, shipping is free within Australia for orders over $30. Find out how Square is supporting small businesses with the tools they need to grow, here. If you are a small business owner, Square has guidance on how best to maximise sales in the run up to the Christmas holiday period in its ebook, found here.
If you've ever picked up a loved one at the airport, sometimes you might get caught up in the sheer beauty of the moment and simply not know what to say. Those in Amsterdam don't have to worry about becoming a stuttering emotional wreck anymore, as the Schiphol Airport Bannerxpress now allows people to print welcome home signs from a vending machine at the airport. The machine has been under development for the past three years, and recently made its debut at Schiphol Airport. Vending machines now house much more than your standard soft drink, as you can customise these signs with different sizes, fonts, artwork and themes. Depending on how fancy you banner is, this will set you back between 4 and 15 Euros. Depending on the popularity of the machine, Bannerxpress co-founder Thibaud Bruna says that there are plans to place the machines at sporting events and concerts. [via Trendhunter]
Ah, gin, how we love thee. Pretty bottles, lesser hangovers and the smell of botanicals in every sip. Bombay Sapphire are giving you the opportunity to embrace gin at its fullest by matching it to food at their annual pop-up event, Project Botanicals, happening September 8-18. There are ten different botanicals in Bombay Sapphire gin, much more than just juniper. The dishes to be served at Project Botanicals have been tailored to bring out each of the botanicals – whether it's lemon peel, coriander, orris root or almond. Because Melburnians love their gin, tickets sold out quicker than you could say G&T. But, don't worry — you can still head along to the pop-up bar for your gin fix (no ticket needed) or try making a simplified version of it at home. This here is a simple version of the Orris Spice Trader – a blend of turmeric, lime and ginger beer with gin in a cocktail best paired with a coconut curry. ORRIS SPICE TRADER Botanical: Orris root INGREDIENTS 60ml x Bombay Sapphire gin 1 tsp x caster sugar 20ml x lime juice 120ml x ginger beer ¼ pinch x grated turmeric METHOD 1. Take a highball glass and add 20ml lime juice and 1 teaspoon of caster sugar. 2. Add ¼ pinch of grated turmeric. 3. Pour in 60ml Bombay and 120ml ginger beer and 4. Stir with ice. 5. Step up the botany further with the garnish – fresh mint. Images: Steven Woodburn. Project Botanicals will take place at Taxi Riverside from September 8-18. Unfortunately all tickets have sold out, but you can still drop by the pop-up bar from Thursday to Sunday. Get all the details here.
In an industry that can sometimes come across as vapid and insipid, Patti Smith has remained the fortified voice of punk rock and guardian of good music since the '70s. With a career that has included prose, poetry, genre-defining rock and roll and a whole lot a heartbreak, Smith is coming to the Sydney Opera House in April to give a one-off talk that traverses the breadth and depth of her oeuvre. The appearance will come at the end of her Australian tour, which will see her headline Bluesfest, perform her 1975 debut album Horses in full at the State Theatre, and do a gig with Courtney Barnett at Melbourne's Festival Hall. It will be her only solo appearance of the tour, and will comprise of a magical mix of discussion, reading, and even a few songs from one of musical history's all-time greats. Tickets for In her Own Words go on general public sale at 9am on Friday, February 24. Image: Ferial.
Plays like You Know We Belong Together aren't a common sight on Australia's stages, and that's one of the reasons that it exists. Created by and starring actor and writer Julia Hales (ABC's The Upside), it features a cast performers exploring the daily reality of Down syndrome — and the fact that actors with Down syndrome are so rarely featured in Australia's cultural output. The starting point is right there in the Sydney Opera House-bound production's name, which should've instantly gotten one particular song stuck in your head. You Know We Belong Together takes its moniker from the first words to Home and Away's theme tune, a soap opera that Hales has been a life-long fan of. Watching the show's Summer Bay-set antics, she also noticed the inescapable fact that she wasn't represented in its melodramatic antics. "I want people to see us for who we are and what we do as part of the world," says Hales. "I watched every single episode of Australian soap opera Home and Away since it first aired in 1988, but I've never seen another person with Down syndrome in the cast." "I used to dream of landing a role in it and finding love. So I created You Know We Belong Together. This is a story for us, by us." Hales continues. You Know We Belong Together features Hales alongside six other Western Australian actors, all of whom draw upon their own lives and personal experiences with Down syndrome. The result combines monologues, video, scenes, dance and song, and also takes place on a replica of Home and Away's diner — allowing Hales to live her Home and Away dream. Co-written by Hales with playwright Finn O'Branagáin and Clare Watson, ex-Artistic Director and Co-CEO of Perth's Black Swan State Theatre Company, the play will hit the Opera House's Drama Theatre from Tuesday, September 6–Saturday, September 10. Watson directs, too. It comes to the venue after proving a hit in WA and overseas, including seasons at Perth Festival 2018, at Black Swan State Theatre Company in 2019, and at Edinburgh International Festival and London's Southbank Centre. As well as being committed to showing how people with disability are needlessly othered, and endeavouring to rectify that, You Know We Belong Together will feature integrated Auslan interpretation and captioning during its film segments. There'll also be a quiet space in the Drama Theatre foyer during the play's Opera House run. You Know We Belong Together plays Sydney Opera House's Drama Theatre from Tuesday, September 6–Saturday, September 10. For more information or to buy tickets — with pre-sales from 9am on Tuesday, June 21 and general sales from 9am on Friday, June 24 — head to the Opera House's website. Images: Toni Wilkinson.
Defying the notion that, post-lockouts, most Sydneysiders are tucked up in bed by 10pm will be Sydney Fringe's 2018 Fringe Club. From 10.30pm on Thursday, Friday and Saturday nights throughout the month-long festival, level three of the Kings Cross Hotel will be buzzing with live performance, comedy and DJs — all free. Arrive on time and on Thursdays you'll catch Andy Dexterity's physical theatre, while on Fridays you'll get a showcase of show from the Fringe program. On Saturdays, grab a cheap pint of Young Henrys during happy hour (10.30–11.30pm) before DJ Glamour Toads start spinning non-stop hits from the nineties and noughties from midnight, taking inspiration from Video Hits, So Fresh and Hit Machine. Plus, from 11.30pm each night, potential comedians will take the stage when the mic opens to amateurs.
Watch Red, White & Brass and you'll never see the pre-game or half-time entertainment at a big sporting match the same way again. Of course, if Rihanna, or Beyoncé with Destiny's Child, or a heap of hip hop and rap legends are taking to the stage at the Super Bowl, you won't question it — but if there's a community band on the turf, you might start wondering when they first picked up their instruments, why and if it was only four weeks ago to make it to this very gig. Are they just out there because they were that desperate to see their team play? And, because they missed out on expensive and instantly sold-out tickets? Were they so eager, in fact, that they bluffed their way into a gig by claiming to already be a musical group, then had to speedily do anything and everything to learn how to get melodic, and obviously not embarrass themselves, in a passion-fuelled whirlwind of pretence and practice? A band solely forming to score access to a rugby game sounds like pure screenwriting confection. Often enough, though, when tales like that make it to the silver screen, it's because they're so wild that they can only be true. Such is the case with Red, White & Brass' premise, as it notes at the outset. Back in 2011, New Zealand hosted the Rugby World Cup, which was a source of particular excitement to Aotearoa's Tongan population, and especially to avid aficionados at a Wellington church. The kind of fans that were showing their devotion by decking out their homes in the Tongan flag top to bottom, hitching the red-and-white cloth to every free space on their cars and carrying around the symbol on their phone cases, they were determined to see Tonga play France in their own home city, and willing to whatever it takes to do so — wholesomely, in the type of underdog story about fervour, ingenuity, self-belief and luck that engagingly makes for an easy and warm-hearted cinema crowd-pleaser. On-screen, the dynamic Maka (NZ Popstars personality and film debutant John-Paul Foliaki) first thinks that he'll simply raise enough in donations for his congregation to attend the big game, aided by his dancing while the choir sings. When it ends up taking too much money to make money that way, that plan hits a bum note. So does a too-good-to-be-true offer that's exactly that. But sports fandom and a love of one's country are just like life in frequently finding a way. Handily, Aroha (Hariata Moriarty, Cousins) from the city council is looking for a brass marching band to perform before the match, asking at Maka's father Pita's (Tevita Finau) church for local talent. They don't have what she's searching for, and have never been anywhere near even thinking about having a brass marching band; however, that doesn't stop their resident born entertainer from saying otherwise when he hears that free Rugby World Cup tickets are involved. It may spring from reality, with co-writer Halaifonua (Nua) Finau scripting the story with first-time feature director Damon Fepulea'i from his very own experiences — yes, this happened to Finau — but there's a touch of Brassed Off meets Pitch Perfect meets Cool Runnings to Red, White & Brass. Although some films bring others to mind because they're that generic, often lazily as well, that isn't what's occurring here. Whether or not you know the IRL outcome going in, you know the outcome. You know that there wouldn't be a movie unless exactly what you think will happen happens. Stepping through this real-life quest makes for infectious viewing because it does follow the expected narrative pattern so lovingly, with such heart and so satisfyingly, especially when it comes to celebrating NZ's Tongan community. Maka has plenty of convincing to do, including friends like Veni (Dimitrius Shuster- Koloamatangi, Upright), who has largely lost touch with his Tongan heritage; Irene (Ilaisaane Green, The Commons), who is sceptical about this new brass-playing scheme; and his disapproving father and wary mother Elisiva (Valeti Finau). In the process, with help from Samisoni (Michael Falesiu), the only person Maka knows with any brass marching band experience, the Tongan word "māfana" is mentioned more than once. It means an overwhelming feeling of warmth and emotion, so it happily fits his mission, and it's also what Red, White & Brass itself is revelling in. This is an affectionate and joyous film that doesn't just pay tribute to events that clearly begged for the big-screen treatment from the moment that they happened, or to the feeling and energy behind them, but to the community and culture goes all-in when it comes to national pride. Even when they're disagreeing, disparaging or doubting — and when the familiar sports-film training journey sees Maka and his pals start out with plastic bottles, then join a school band for lessons, and also become the unhappy stars of a viral fail video — Red, White & Brass' persistent group of Tongan rugby superfans don't waver in their māfana. Nor does the cast that Fepulea'i has assembled to portray them, as led by Foliaki bouncing around the movie with a larger-than-life vibe that plays as pure zeal. That the Finaus, Nua's parents and both first-time actors, basically step into their own shoes is a nice touch, as is including some original members of the Taulanga Ū Brass Band, who started it all. Red, White and Brass is directed with inescapable fondness as well, which flows through to its sunny frames (as shot by Andrew McGeorge, The Panthers), upbeat editing (including by Fepulea'i) and mix of marching-band tunes with tracks from Three Houses Down. In music, hitting every expected note is usually pivotal. When that skill is perfected, creativity and experimentation can echo, which Red, White & Brass acknowledges and embraces. In cinema, movies that stick to the sheet before them can be blandly cliched, and many do, but the best of them swell with reassurance and comfort. Everyone watching wants this film to turn out the way it does, which it does, sticking to reality and offering a soothing bit of solace in a hectic world. That's what loving a sport, your culture or anything that you're passionate about can be, too, and Fepulea'i, Finau and executive producer Taika Waititi (Thor: Love and Thunder) know it, feel it and let it resound.
Everyone loves heading overseas for a holiday, but no one likes spending more time actually getting from point A to point B than they absolutely have to. So, before the pandemic grounded international getaways from Australia for the better part of two years, Qantas had been working to make stopovers a thing of the past — introducing direct flights from Perth to London, and exploring the possibility of doing the same from Sydney, Melbourne and Brisbane. While those non-stop east coast legs are currently on hold, the Aussie airline has just announced a new direct trip — and the only flight that'll connect Australia to continental Europe. Between June and October 2022, the carrier will fly return from Perth to Rome three times a week. And yes, that timing is 100-percent aimed at letting Australians take full advantage of European summer holidays. The new flights will technically end and begin in Sydney, with a stopover in Perth — and they'll be more than three hours faster than the current quickest travel time from Australia to Rome. That means fewer hours spent in transit, and more to actually soak in Italy. It also means spending a big unbroken block of time in the air, which still sounds a bit like science fiction after so long without international travel. If that's your 2022 plans sorted — why just have an Australian summer when you can enjoy Europe's warmest season as well? — tickets for the new route have gone on sale, starting from $1785 return. The Sydney–Perth–Rome flights will debut on Wednesday, June 22, and are currently scheduled to run until Thursday, October 6. And, if you're keen to head elsewhere on the continent, you'll be able to use Rome as a connection point to fly to 16 other European destinations, including Athens, Barcelona, Frankfurt, Nice, Madrid and Paris — and 15 spots in Italy, Milan and Venice among them. Also, if you fancy flying into Rome but coming home from London, or vice versa, Qantas will let you combine the two direct routes on the one return ticket. Qantas' new Australia–Rome direct flights will fly from Wednesday, June 22–Thursday, October 6. For more information, or to book tickets, head to the airline's website.
Paul Allam and David McGuinness opened Bourke St Bakery in 2004 and worked their way into the heart of inner-Sydney with their quality handmade baked goods. This month they will extend their reach to the city’s outskirts with the launch of The Bread & Butter Project, the 'Makers of Bakers', a social enterprise designed to skill-up the disenfranchised and take the tastes of Bourke St to high-end provedores, restaurants and cafes — it's an old-fashioned everybody wins scheme. The project will be starting up at their Marrickville bakery with six refugees coming on board from greater Sydney for a 12-month paid traineeship in the art of making some of this city's best bread. On graduation the trainees will not only have experience working at a high-standard bakery but be armed with TAFE-accredited credentials for the jobs marketplace. All profits from the enterprise will be reinvested back into the program, which hopes to double its intake of future bakers next year. But it's not just goodwill that will keep the bitter taste in your mouth at bay; the bread range is available on their website, and with offerings like a white chia and goji berry semi-sourdough, this initiative looks set to follow in the success of its older siblings, Bourke St Bakery and Wilbur's Place eatery. Bread & Butter will soon be available at DJs Food Halls in Bondi Junction and the CBD, along with Thomas Dux Crows Nest and from the Sydney Food Connect Organic Fruit and Vegetable Delivery Service. Bread will also be available direct to the public through local markets — The Entertainment Quarter and The Sydney Morning Herald Grower's Market in Pyrmont — and at select restaurants and cafes.
If you're tossing and turning all night — it might not just be because of the state of the world. Your mattress and pillow is something you spend nearly a third of every day lounging on, so it's never not a good time to treat yourself to some upgrades. Luckily, premium homewares brand Ecosa wants to help out. In the lead-up to the end of financial year, everything on the Ecosa website is 25 percent off from Monday, May 31 until Wednesday, June 30. So, if you've been complaining non-stop to your office buddies about a crook neck, get yourself fancy memory foam pillow. The ergonomic pillow boasts an adjustable height, a curved shape that suits side and back sleepers and a compressible foam that supports the natural shape of your head. Plus, it comes with two compression bags so you can pack it up and take it with you everywhere. If that's not enough, Ecosa is also offering free shipping and returns Australia-wide, plus a 100-day free trial period. So if you order a mattress, bed base or one of Ecosa's new cot mattresses, you'll be treated to free same-day delivery, meaning you can start sleeping right from tonight. Ecosa is a one-stop sleep shop with luxe bamboo sheets, silk pillowcases, wooden bed base, memory foam mattress and weighted blanket all available at the discounted price. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Time to scope out an enormous bib and the hardiest pair of gloves you can lay your hands on. On June 2, House of Crabs will host a one-off seafood orgy by the name of 'Endless Bag Monday'. And yes, it means exactly what you think it does. You get to eat as much crab (and as many prawns, mussels and clams) as you, your stomach and your shell-cracking knuckles can handle. The feast kicks off at 6pm. We suggest you arrive right on time because you'll have only two hours to get your money's worth. Tickets are $100, which ain't cheap but, the boil is banging and the atmosphere streaks ahead of the city's hotel seafood buffets. Given that the venue inspires queueing on regular nights, bookings are most definitely recommended. Guarantee yourself a bottomless bag by calling (02) 9699 3177 or sending an email to houseofcrabs@drinkndine.com.au.
Harvest is back for its second year and the official lineup has now been announced. International favourites on the lineup include Beck, Sigur Ros, Grizzly Bear and Santigold. At Harvest's debut last year, festivalgoers witnessed performances from Portishead, The Flaming Lips, The National and TV On The Radio at what most hoped would be the first of many festivals to come. With rumours about the 2012 installation circulating for weeks, it was hard not to be excited when the full lineup for the November events came through at last. Tickets go on sale to the public on Thursday, June 28 at 9am from Harvest Festival, Oztix & Ticketek. Harvest Festival 2012 lineup: Beck Sigur Ros Grizzly Bear Mike Patton's Mondo Cane Santigold Beirut Cake The Dandy Warhols The Black Angels Chromatics Ozomatli Liars Ben Folds Five F**K Buttons The War on Drugs Dark Dark Dark Plus many more to be announced... Harvest 2012 dates: Sunday, November 11 at Melbourne's Werribee Park Saturday, November 17 at Sydney's Paramatta Park Sunday, November 18 at Brisbane's Botanic Gardens
We've heard of public bookshelves and we see piles of terrible self-help books left outside people's terrace houses all the time (just one time, we'd like to pick up a classic), but this New York artist has found a different way to pass on his unwanted paperbacks. Shaheryar Malik, an art director originally from London but working in NYC, left piles of books in high traffic spots around the city for people to pick up and read — and has created a pretty bloody beautiful work of art in the process. Dubbed The Reading Project, the art experiment was both a way for Malik to pass on books from his personal collection and express himself in NYC in a way that wasn't just taking another selfie. So he placed books in some of the busiest spots in one of the busiest cities in the world — Times Square Subway Station, Central Park, The High Line, Brooklyn Bridge — and had photographer Daniel Yim take a single photo of them. Then, the books were left for passersby to pick up, take home and read. Malik left a note with his contact details in each of the books, and according to The Guardian, he's recieved over 60 responses so far. The result is some seriously great photos of books in some of the world's most iconic locations. And literary nerds will be pleased to know that Malik has a diverse range of books in his collection, with titles ranging from Portuguese literature to the history of Nazi Germany — so if you ever bump into one of his book piles, you'll find much more than just the same self-help schtick. Via The Guardian. Images: Daniel Yim.
Every Australian city has its fair share of standout pizza joints, but only one is home to the country's best pizza. If you had an inkling you were chowing down on some world-class pizza, Melburnians, you might have been onto something — with the head chef and co-founder of South Yarra's 48h Pizza e Gnocchi Bar taking out top honours at the recent Campionato Mondiale Della Pizza (World Pizza Championships). In April, pizza maestro Michele Circhirillo made the trek to Parma, Italy, to battle it out against the big guns in the internationally renowned competition. He claimed the title of Australia's Best Pizza overall, with 48h's Di Parma creation. It's a menu favourite featuring ingredients specific to the Italian region: mozzarella fior di latte, rocket, prosciutto di Parma and Grana Padano parmesan. For Circhirillo, who himself grew up in the northern Italian region of Piemonte, this was the third time competing in the revered pizzaiolo challenge. "It's such a great experience to live and breath pizza for a week," he muses. "All everyone does is talk pizza." Having named their pizza bar 48h, after the minimum time required for natural pizza dough to rise, it's clear that Circhirillo and co-owner Fabio Biscaldi are pretty serious about their dough. Even more so now that their careful concoction of flour, water and yeast has scooped them the ultimate bragging rights in the world's most serious pizza competition. https://www.instagram.com/p/BwQ9sjugxnK/ Melburnians can sample Circhirillo's award-winning pizza skills at both the South Yarra and Elsternwick restaurants, any day of the week. But how about some expert tutelage so you can recreate the magic at home? Among its series of hands-on kitchen masterclasses, 48h also offers pizza-making workshops, most taught by the master himself. The next one's coming up on Saturday, June 29. Find 48h Pizza e Gnocchi Bar at 373 Malvern Road, South Yarra and 15 Gordon Street, Elsternwick.
In front of the camera, Thomas M Wright's first credit came courtesy of Round the Twist. Two decades later, he has roles on everything from The Secret Life of Us, Top of the Lake and The Bridge through to Van Diemen's Land, Balibo, Everest and Sweet Country to his name. But since hopping behind the lens in 2018, the Australian actor-turned-filmmaker has proven one of the country's most fascinating new directors — first with Acute Misfortune and now with the upcoming The Stranger. That initial helming stint saw Wright take on the story of artist Adam Cullen and journalist Erik Jensen, after the latter was invited to stay with the former in 2008 to turn his life story into a biography. One of the most stunning recent Aussie filmmaking debuts, Acute Misfortune not only explored its subject in a riveting warts-and-all fashion, but also interrogated the nation's fascination with festering masculinity — and yes, it truly was something special. Premiering at the 2022 Cannes Film Festival, then set to arrive in Australian cinemas on October 6 before hitting Netflix around the globe on October 19, The Stranger also draws from reality — from the effort to apprehend the person responsible for Daniel Morcombe's abduction and murder. That said, this isn't a recreation or a dramatisation. If you didn't know about the ties to reality going in, or even before pressing play on the just-dropped new trailer, you probably wouldn't pick it — even with lines like "this is the largest missing person's case in the history of our state and is one of the largest in the history of our country". Crucially, The Stranger isn't about the crime, but focuses on the undercover operation to bring the perpetrator to justice. Joel Edgerton (Thirteen Lives) stars as Mark, who goes undercover to befriend drifter Henry (Sean Harris, Spencer) — first striking up a conversation while travelling, with Henry unaware of Mark's true identity and motives. While fictionalised, The Stranger joins Australia's growing list of unsurprisingly tense films unpacking dark chapters in the nation's past, such as Chopper, Snowtown and Nitram. Check out the trailer for The Stranger below: The Stranger will release in Australian cinemas on October 6, and stream Down Under via Netflix from October 19.
Another year goes by, and we return to another year of Sydney's beloved short film festival: Flickerfest. Anyone who loves to be ahead of the cinematic curve can attest that a night at Australia's only Academy® Qualifying short film festival is a night of screen culture unlike anything you'll catch at the blockbusters. Returning to its home at Bondi Pavilion for the 33rd year running, Flickerfest spans ten days in Sydney before it packs up to tour screens across Australia. Throughout the festival, 200 top films handpicked from over 3400 entries will delight audiences while vying for awards like the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Panasonic Lumix for Best Australian Short Film and the Flickerfest Award for Best Documentary - all of which are Academy® qualifying. Flickerfest also includes celebrations of diverse filmmakers of all ages and walks of life. Rainbow Shorts celebrates the work of LGBTQI+ storytellers; and FlickerKids gathers the best of the family-friendly program and Short Laughs will keep you giggling throughout the night. Of course, what's a night at the movies without food and drinks? You'll be able to start your evening right with a bev at the Pav's beachside panoramic bar, enjoying conversations with your crew as the sun goes down behind you. Come by day after a swim in the water then a movie at the indoor cinema, or head into the open-air courtyard after dark and enjoy a night of screenings under the stars. After wrapping its Sydney stint, Flickerfest will share the short-film love and pop up at over 50 venues across the country between February and October 2024. The 33rd Flickerfest International Film Festival will run from Friday, January 19 to Sunday, January 28. Tickets and the full 2024 program are available now. For more information, head to the website.
Getting stuck in the Upside Down mustn't be fun. Fighting demogorgons really wouldn't be either. And, neither would being imprisoned in a Russian jail, fighting secret government agents and seeing your home town rocked by a satanic panic-style witch-hunt. They're all among the grim things that Stranger Things has thrown its characters' ways over the years, including in the just-dropped first half of its long-awaited fourth season — and now waiting for the final two episodes in the season isn't that much fun as well. Obviously, spending the entire month of June listening to Kate Bush is on most Netflix viewers' agendas. But if you're after a bit more than that, the streaming platform has just released its first teaser trailer for the second volume of Stranger Things season four. Due to arrive on Friday, July 1, it'll dive back into the current tussle with Vecna — although, as this clip shows, he's decided that no one can stop his chaos now. The new sneak peek is brief, and it won't make any sense if you haven't already seen what the residents of Hawkins, Indiana have been up to lately. It still keeps the hefty slasher and horror vibes going, though, and teases another showdown between Eleven (Millie Bobby Brown, Godzilla vs Kong) and the series' new big bad. Need a refresher on where things are up to? Season four is set six months after the season three's battle of Starcourt, and sees Eleven living in Lenora Hills, California, with Will Byers (Noah Schnapp, Waiting for Anya), his brother Jonathan (Charlie Heaton, The Souvenir Part II) and their mother Joyce (Winona Ryder, The Plot Against America). But, despite her claims that things are sunny — in letters to her boyfriend Mike Wheeler (Finn Wolfhard, Ghostbusters: Afterlife), of course — they really aren't. The same proves true back in Hawkins, too. There, teens are turning up dead, and metal-loving outcast Eddie Munson (Joseph Quinn, Small Axe) — who also runs the high school Dungeons & Dragons club — is the prime suspect. Dustin Henderson (Gaten Matarazzo, The Angry Birds Movie 2), Max Mayfield (Sadie Sink, Fear Street) and Lucas Sinclair (Caleb McLaughlin, Concrete Cowboy) all know better, though, and enlist help from Steve Harrington (Joe Keery, Free Guy), Robin Buckley (Maya Hawke, Fear Street) and Nancy Wheeler (Natalia Dyer, Things Seen & Heard) to work out what's going on. That's the basic overview — with season four so far also spanning nods to 80s flicks aplenty, a wonderful horror cameo, explorations of Eleven's past and powers, road trips, and Jim Hopper's (David Harbour, Black Widow) whole situation in a Soviet gulag. As for what'll happen next, things look as eerie, tense and chilling as ever. And no, the new trailer isn't set to 'Running Up That Hill'. Check out the first sneak peek at Stranger Things season four volume two below: The first seven episodes of Stranger Things season four are available to stream now via Netflix, with the remaining two set to follow on Friday, July 1. Read our full review of Stranger Things season four volume one.
Any film that critics compare to being "stabbed in the head" would normally be something that people would want to avoid. But when it comes to The Room, the harsher the reviews the better. The 2003 melodrama, about a love triangle between a banker, his best friend and his treacherous fiance, has spawned a massive cult following, with audiences all around the world coming together at late-night screenings to celebrate its cringe-worthy performances, horrendous dialogue and baffling, incomprehensible plot. The mad genius behind The Room is its writer-director-producer-star, the mysterious Tommy Wiseau. Blessed with a confidence that far exceeds his ability, it's Wiseau's virtuosic incompetence that plays a huge part in the movie's appeal. Interviews with Wiseau tend to raise more questions than they answer. A more forthcoming subject is actor Greg Sestero, who co-stars as the best friend, Mark. Sestero recently co-penned a book, titled The Disaster Artist, full of behind-the-scenes stories about the movies' turbulent production. In the lead-up to a promotional visit to Australia, Sestero spoke to Concrete Playground about the book, Wiseau and his dubious double-edged fame. https://youtube.com/watch?v=mQ4KzClb1C4 When you meet Tommy Wiseau "He was the ultimate character," remembers Sestero of his and Wiseau's first meeting, in a Los Angeles acting class back in 1998. "He didn't take no for an answer. As a nineteen-year-old aspiring actor who was doubting myself, he was the perfect person for me to meet at that point in my life." Slowly, the two became friend. Even so, when Wiseau first approached Sestero about making the movie, the actor was reluctant. "I agreed to help him make the film behind the scenes, [but] he really wanted me to be in it," says Sestero. "The night before filming he made me an offer I couldn't refuse. I was an unemployed actor working retail, and I didn't think anybody would see it. Fortunately I was wrong." Production proved a disaster, with cast and crew members regularly quitting or being fired over the course of the six month shoot. "You were dealing with somebody who had never made a film," says Sestero. "He wanted to honour his vision, and anybody who got in the way was shown the door. It was a very trying experience for a lot of people … but he had a very unique way of making art, and more power to him. Unique stands out, and here we are eleven years later, still talking about The Room." When you want fame but get notoriety "I always thought the movie was very funny and very campy, but I was shocked when it found an audience," says Sestero. "It developed a small LA fanbase around 2005, 2006, and then there was an article written in Entertainment Weekly that really blew it up. It wasn't until 2010 that I did an appearance at a theatre in New York at which twelve hundred people showed up. I think at that point I realised The Room had arrived." Of his own performance, and the questionable celebrity the film brought him, the actor remains upbeat. "For something that I just phoned in and didn't expect anything from, I can't really complain," says Sestero. "When you put yourself out there and you read bad things about yourself, it stings. But with this project I was kind of in on the joke from the beginning." And frankly, no one would argue that the cast didn't have their work cut out for them. "With the dialogue, even if you did try to act well, you would have been doomed," reflects the actor. "Even Daniel Day-Lewis probably would have had some trouble getting those lines out." When James Franco and Seth Rogen want to act out your memoirs "I think the book has kind of redeemed the whole experience," says Sestero. "Ever since I made this movie, there were so many crazy stories. I thought that if I took them to a publisher, they wouldn't even believe it as fiction. Then as time went on and the cult began to grow, I felt like the story behind it became even more compelling." Now, in a fittingly strange turn of events, James Franco and Seth Rogen have announced that they'll be adapting the memoir into a film. Franco will direct, while his younger brother Dave will play Sestero. "It's still in the early stages, but I think James Franco and Seth Rogen have made so many great films," says Sestero. "They're a great fit for the project." Despite all The Room has done for him, Sestero is looking forward to moving on. "At the end of the day, it's really Tommy's movie," says Sestero. "It's what really defines him. I think we were all just passengers on this ship. The book was a start to doing things that I'm really excited about, and to kind of show that there's more to me than just this bad movie."
Remember March 2020, when lockdowns first hit, panic-buying toilet paper became a thing and everyone watched the same true-crime docoseries? It now seems like an eternity ago, but our memories do still stretch back that far. We'll all always equate the beginning of the pandemic with Tiger King: Murder, Mayhem and Madness, after all, and do the same when it comes to last year in general and Joe Exotic and Carole Baskin-related news. Netflix isn't done with all you cool cats and kittens just just yet, however. When Tiger King became a huge hit, another season of the docuseries itself was floated — and now the streamer has confirmed that Tiger King 2 will surface before 2021 is over. Exactly what it'll focus on hasn't yet been revealed, but an incarcerated Exotic pops up in the brief snippets seen in the platform's new trailer for its upcoming true-crime slate. Also featured: Baskin, obviously. Last year, when news of more Tiger King first did the rounds, it was expected that the filmmakers behind the popular doco would actually turn their attention to a different big cat-related tale: the 2003 mauling attack at a Siegfried and Roy show. That might still come to fruition; however, for now, all you cool cats and kittens are heading back to familiar territory. And yes, other projects leapt on the Joe Exotic bandwagon over the past 18 months, endeavouring to capitalise upon the worldwide obsession with him, Baskin and the duo's strange intertwined story. So, in the near future, you'll also be watching a dramatised series with Kate McKinnon as Baskin that's been shooting in Australia this year. Sadly, another drama with Nicolas Cage as Exotic that was announced last year has since been scrapped. Back to Netflix, the platform also has four other big true-crime titles in the works. In January 2022, three-part series The Puppet Master: Hunting the Ultimate Conman will hit the service, with the filmmakers behind The Imposter telling a tale that dates back to 2005 but still has new developments today. Then, in February 2022, get ready for The Tinder Swindler, a film that's clearly about another conman — one who posed as a billionaire playboy on Tinder — and the women who decided to bring him down. Also arriving next year sometime is movie Trust No One: The Hunt for the Crypto King, about investors trying to get to the truth behind cryptocurrency multimillionaire Gerry Cotten's suspicious death, and also attempting to find the missing $250 million they think he stole. And then there's Bad Vegan, a series that sees celebrity restaurateur Sarma Melngailis get scammed out of millions after a man convinces her that he can grow her food empire and make her beloved pit bull immortal. Yes, really. Check out the teaser trailer for Netflix's true-crime slate below: Tiger King 2 will hit Netflix sometime before 2021 ends — we'll update you when an exact date is announced. For further information about the streaming platform's upcoming true-crime slate, head to the Netflix website.
Eating on a budget doesn’t mean that you have to shuffle out to the nearest transnational fast food chain for a greasy burger that, if not bland, tastes terrible, and will make you feel like a shameful ball of clogged arteries afterwards. For less than fifteen dollars, you can still go out and experience a wide range of Sydney cuisine, from delicious culinary experiments to time-tested dishes perfected by masters. And the best news? Concrete Playground has you covered for every day, so being broke and hungry will be a thing of the past. El Loco Where: 64 Foveaux Street, Surry Hills Located next to the Excelsior Hotel in Surry Hills, El Loco is the brainchild of chef extraordinaire Dan Hong. Its tacos, with a subtle Asian influence, are recognisable anywhere, and for five dollars a pop, you’d be hard-pressed to say no. The rest of the menu stays under the fifteen dollar mark, with hotdogs and salads delivered in giant servings. Tip: The frozen margaritas are delicious, but pricey at $13.50. Signing up to Club Loco, however – a quick and free process – you can get a dandy keyring which gets you half price frozen margaritas on Mondays, from 7-8pm. Stinginess win! Zushi Where: Shop 2A, 285A Crown Street, Surry Hills Judging by the queues that spill out onto the street and the arms-full of accolades that it’s swept up, Zushi is not much of a well-kept secret. And for good reason; it offers a full Japanese dining experience at an affordable price. Of the two restaurants in Darlinghurst and Surry Hills, the Crown Street joint is larger in capacity, with a more extensive menu, and – this is what you’ve been waiting for – daily dinner specials. Tip: Hit up Zushi Darlinghurst, and expect to pay no more than ten dollars for eight pieces of sushi between 6 and 7pm. This isn’t that dried-out, pitiful stuff that you get on campus, either; this is sushi from Australia’s Favourite Restaurant, as awarded by Lifestyle Food Channel in 2009. Pub Life Kitchen Where: 42 Wentworth Ave, Surry Hills With weekly experiments in burger-building, Pub Life give you something to look forward to every hump day. Checking out their gallery of burgers past, you’ll find yourself wondering if this is real life or some post-modern movement in which impossibly tasty burgers are dreamed up. Eight cheese sauce? Pork and cider patties? Purple mayo? The Pub Life kitchen is the Willy Wonka Chocolate Factory of burgers, and they’re yours for only $14, although you’ll want to line up – they’re made in strictly limited quantities of 15 servings per week. Miss out on the crazy burgers? Don’t fret. Most items on the menu are under $15, some are vegetarian-friendly, and all are served in more-than-generous portions. And, as to be expected from Jovan Curic, whose father has been the chef at the original Bill and Toni’s since 1985, the food is delicious. Tip: Catch happy hour at the bar downstairs between 5 and 7pm, and expect to leave the Macquarie Hotel with bellies content and wallets still full. Gumshara Where: Eating World, 205/25-29 Dixon Street, Haymarket Uttering ‘Gumshara’ strikes fear into the hearts of even competitive eaters. That’s because the portions are huge in this ramen eatery tucked away in Chinatown’s Eating World. Add to that the fact that the collagen-rich pork broth is produced by boiling over 100kg of pork bones on a daily basis, and you have yourself a bowl of ramen quite unlike any you’ve had before, with a thick and salty broth that goes down surprisingly well. The menu is simple, with two of the dishes being rice-based and the rest being soup-based. The ingredients mingle well with each other and result in a flavour which is unique yet classic; combined with the low prices and generous portions, there’s more than enough reasons for Gumshara to be a staple in the diets of many a penny-pincher. Tip: Try the Special Rice ($9) for a combination of spicy cabbage, soft-boiled eggs, and specially marinated pork mixed throughout the half-basketball-sized bowl of rice, or the tonkotsu ramen ($13.50), served with slices of pork and seaweed in the aforementioned broth, which is so thick, it’s practically gravy. Laurie’s Vegetarian Where: 236 Bondi Road, Bondi Beach We all have a vegan friend who needs cheering up when you go out – vegan cuisine is rarely delicious if it is not expensive. Laurie’s, then, is the perfect solution. There’s a choice of six hot dishes which cost, at most, eight dollars. For simple, delicious, and homely food, you can’t look past Laurie’s. Tip: The highlight is the tempeh burger which starts at six dollars, and can have cheese, sour cream, and guacamole added. Nothing can compare to it in price or taste. The Dip Where: 55 Liverpool Street, Sydney With a love of food inspired by a trip to Memphis, head chef Andrew Levis brings you all the best that the United States has to offer, with a rotating menu of creative and delicious varieties of hot dogs, burgers, and desserts. Items on the menu sound like a Masterchef judge’s dream induced by a food coma: the Big Windy ($12) is a hot dog that pays tribute to Chicago, being topped with sliced tomatoes, sports peppers, pickle relish, white onion, mustard, celery salt, and a dill pickle spear; the pulled pork nachos ($15) are topped with pinto beans, tomato salsa, cheese, jalapeno cream, The Dip’s famous sweet’n’strong barbeque sauce, and 12 hour smoked pork; and, for dessert, the Ice Cold Guac ($10) is two scoops of sweet avocado ice cream with strawberry salsa and waffle chips. Tip: Nothing on the menu is over fifteen dollars. Make sure you get in on Saturday to taste-test experiments in hot dog design and deliciousness. Mamak Where: 15 Goulburn Street, Haymarket You can’t ignore the line that stretches down the street: Mamak is the best place to get Malaysian hawker food at authentic prices. Try the Maggi Goreng, which is Mee Goreng made with Maggi noodles, or the Nasi Lemak for the best balance of taste and value. Tip: Visit outside of main meal times to avoid the queues.
The future is officially here, and the subject of many-a sci-fi novel and the dream of every comic book geek is set to become a mass-produceable reality. Google have been the brains and big bucks behind this astounding innovation, with the company's founder Sergey Brin stating that "you can count on one hand the number of years until ordinary people can experience this." This story has been doing the rounds on social media in the recent weeks following California governor Jerry Brown's signing of SB1298, a law which makes driverless cars legal in the state of California. While the project is still in the prototype stage, Google's driverless cars have now done more than 300,000 miles of travel without incident, which at this stage makes them statistically safer than normal automobiles. According to Brin, driverless cars will revolutionise the way we travel and commute. Anyone, and they mean anyone, can "drive" Google's driverless cars, with the elderly, the young, the blind and perhaps most significantly the intoxicated all capable of operating the self-driving car. Similarly, traffic could become a thing of the past if we are to believe Brin's analysis. "Why does the congestion happen to begin with? The fact is that on a normally operating highway, cars take up a very small fraction of the space. Mostly it's just air between you the the car in front of you, to the sides of you, and so forth. Self-driving cars can actually 'chain together' and use the highways more efficiently, potentially eradicating congestion" he said. While the image of thousands of cars roaring down the highway "chained together" does really like sound something out of a Ridley Scott film, Google are confident this image could become a reality in the coming years. The big question for most people in the advent of self-driving cars has been one of safety. Can we trust these things or are we looking at some sort of Matrix-style revolution where artificial intelligence takes over the world? In terms of accidents, so far so good. The only significant accident involving a self-driving car occurred when a driver was operating the car in manual mode. Google as well has stated that self-driving cars will never run a red light and so we are close to reaching a point where driverless cars may not only be the most ultra-modern driving experience but also the safest. While there are a long list of "what ifs" Google are still trying to iron out and overcome, if you are hoping to turn your Prius into something worthy of a James Bond film, have a look at this video to see what the ever-closer future will look like.
