If you're thirty-plus (either chronologically, or in terms of your musical tastes) and finding triple j increasingly unsuitable to your aural palette, then you're probably going to love the ABC's latest move. Yesterday afternoon, the broadcaster announced that, as of 5pm, digital music channel Dig had come under triple j's management. Essentially, the plan is to revamp Dig as a 'triple j for over-thirties'. In other words, the program will be shaped by the types of artists that originally informed the triple j ethos. Think Tex Perkins, Eskimo Joe, Nick Cave and their musical progeny. About 75 percent of the playlist will be comprised of new music (triple j's is about 90 percent that way) and the other 25 percent will be made up of classics familiar to '70s and '80s babies. Each week, there'll be a minimum of four pre-recorded, guest-programmed segments. Anticipated curators include Billy Bragg, Sarah Blasko, Adalita, Missy Higgins, Bernard Fanning, Tex Perkins, David Bridie, Eskimo Joe, Clare Bowditch and Moby. During the next six months, Dig is asking listeners to let the station know exactly what they want to hear, and how they want it presented. The channel will be officially launched in its new format in April 2014. "Over the last few years, there have been many voices calling out for a station like this," commented Dig Music's content director Meagan Loader, "and the input of those voices during this initial stage is hugely valuable. We are so excited to be able to evolve with our listeners and create something truly unique." Dig Music is available online at www.digmusic.net.au, on mobile phones via the ABC Radio App, and through both digital radio and television.
You should cut down on your porklife and get to the Sydney Opera House this summer, Damon Albarn is coming to Sydney. Celebrating the recent release of his critically-acclaimed first solo venture Everyday Roots, the legendary Blur frontman will bring early Christmas presents to Sydneysiders with an intimate performance on Monday, December 15. Alongside his Blur/Gorillaz escapades, the 46-year-old has casually worked with Everyone Ever — including the late Bobby Womack, buds Brian Eno, Natasha Khan (Bat For Lashes), Paul Simonon (The Clash), master drummer Tony Allen, Snoop Dogg and Flea (Red Hot Chili Peppers). For his Sydney show he'll be joined onstage with his shiny new live crew, The Heavy Seas, plus a cheeky string quartet and onstage choir. Epic. "Damon Albarn is one of the great figures in modern music and we're incredibly proud to present his debut solo performance in Australia," said Ben Marshall, head of contemporary music at Sydney Opera House. "His restless inventiveness, inquisitiveness and taste across all his projects have been an inspiration to me and this will be an amazing summer evening in the Opera House Concert Hall." While the setlist will undoubtedly focus on Albarn's solo material, fingers are crossed for a Boys and Girls Easter Egg or two. Albarn's Melbourne show will be announced soon. Damon Albarn will play Sydney Opera House's Concert Hall at 8pm, Monday 15 December. Tickets on sale to the general public Friday, July 11 at 9am via SOH. https://youtube.com/watch?v=ODG3VRkncBc
It has been three years since Australia said a resounding yes to same-sex marriage, with results from the country's postal vote survey on marriage equality announced in November 2017 and the corresponding legislation passed through parliament in December the same year. Now, to commemorate the historic event, the City of Sydney is planning to create a permanent reminder — courtesy of a rainbow footpath through Prince Alfred Park in Surry Hills. Announcing the news, Lord Mayor Clover Moore called the proposal "a permanent tribute" — not only to the vote in favour of same-sex marriage, but "to the moment when more than 30,000 Sydneysiders gathered together to hear the results". She continued: "the path will represent both the progress we have made towards equality and the long way to go before our LGBTIQ communities are free of discrimination". Stretching across a 90-metre expanse, the path will feature six coloured bands painted over an existing footpath, to resemble a rainbow (obviously). It'll be curved just like the real thing, too. And, it'll be located in the area that was recently renamed Equality Green, with plenty of grass on either side. Inspired by an idea from the Surry Hills Creative Precinct, the path is at the proposal stage at present — and the City of Sydney is currently asking for community feedback until 5pm on Sunday, November 29. [caption id="attachment_788550" align="aligncenter" width="1920"] Damian Shaw / City of Sydney[/caption] The revamped, brightly coloured footpath will join Sydney's rainbow crossing in Darlinghurst — so there'll soon be multiple spots around town where you can venture to the other side of the rainbow. Top image: City of Sydney.
Fact is more powerful than fiction, as the Antenna Documentary Film Festival knows. Where most film festivals simply include a selection of documentaries amongst their programs, Antenna is solely devoted to truthful tales, highlighting the best of the factual medium. Since 2011, the festival has showcased documentary filmmaking in all its guises, and the fourth annual event proves no different. Continuing Antenna's trend of fantastic programming, 35 feature-length documentaries from over 20 countries comprise the lineup, including five Australian efforts. Shorts, guest speakers and one-of-a-kind experiences round out a program that is both diverse and interesting. So, what should you see at the 2014 Antenna Documentary Film Festival when it takes over Sydney's Chauvel and Verona cinemas from Tuesday, October 14, to Sunday, October 19? We've sampled the full program to provide our picks. https://youtube.com/watch?v=5FmHuio4C-s The 50 Year Argument Taking the page to the screen has become a frequent part of Martin Scorsese's filmmaking career; indeed, his last three features — an eclectic lineup of Shutter Island, Hugo and The Wolf of Wall Street — all started out in print. That goes some way to explaining why the iconic auteur has turned his focus to the literary world's premier publication, the New York Review of Books, for his latest documentary, as co-helmed with his three-time factual editor David Tedeschi. The 50 Year Argument combines archival and interview footage to chronicle the history and influence of the legendary periodical. Noam Chomsky, Susan Sontag and Gore Vidal are among the lauded figures canvassed in an insightful look at a magazine that became an unparalleled cultural institution. October 18 at the Chauvel. https://youtube.com/watch?v=nPNeh4d9guk Gimme Shelter Thanks to recent Oscar winners Searching for Sugar Man and 20 Feet from Stardom, the music documentary is back and doing big business. Yet, every new effort endeavouring to tell the tales of the industry owes a debt to Gimme Shelter, a landmark example of showing the reality of rock and roll on film if ever there was one. In 1969, filmmakers Albert and David Maysles and Charlotte Zwerin tracked the last weeks of the Rolling Stones' US tour, which ended in anarchy when 300,000 members of the Love Generation clashed with a few dozen Hells Angels at San Francisco's Altamont Speedway. If getting a rare chance to see the documentary on the big screen isn't enough of an incentive, Sam Cutler, former tour manager of the Rolling Stones, will also be in attendance. October 16 at Palace Verona. https://youtube.com/watch?v=NKFrZTuKQo8 Choose Your Own Documentary Remember the Choose Your Own Adventure books? Of course you do! Flipping back and forth through dog-eared pages to chart every possible outcome has provided many a childhood with literary fun, and Nathan Penlington and his team of filmmakers — Nick Watson, Sam Smail and Fernando Guttierez De Jesus — want to recreate the experience. It all starts when a forgotten diary falls out of an old book, sparking a raft of decisions. The twist is that you, the audience, determines what happens next. In a unique live experience performed in the cinema, attendees choose their own documentary via remote controls as they guide Penlington through over 1,500 paths and towards multiple endings. October 15 and 18 at Giant Dwarf. https://youtube.com/watch?v=i5H7GJymQns Regarding Susan Sontag Writer, filmmaker, teacher, critic, activist: for multiple generations, Susan Sontag was a force for change, the voice of reason, and much more. Never shying away from controversy in her output and actions, she became a cultural, political, feminist and gay icon. Though Sontag passed away ten years ago, her inimitable imprint remains. Her diaries, letters, essays and novels linger as her legacy, as Regarding Susan Sontag makes plain. Actress Patricia Clarkson enlivens Sontag's story, reading excerpts from her work to furnish the film's account of her life and times. Hearing Sontag's views come to life once more on topics such as photography, war, illness, and terrorism is a treat; however, it is the intimate investigation of a figure unafraid of the public scrutiny of her personal stance that promises to resonate. October 17 at the Chauvel. https://youtube.com/watch?v=sNh30pRugKM Point and Shoot A soul-searching overseas jaunt can change lives in more ways than one, as Matthew VanDyke discovered. When the 28-year-old Baltimore resident set out on a solo 35,000km trip through North Africa and the Middle East, inspired by Australia's own Alby Mangels and aiming to learn a few lessons along the way, filming his adventure through a vast and largely unseen continent was his only thought — but his journey thrust him into the thick of conflict. Working as a journalist in Iraq, VanDyke befriended a Libyan hippie who convinced him not only to visit his country in the midst of civil war but to join the rebels in the fight against Gaddafi. His camera kept on rolling, informing Marshall Curry's account of VanDyke's experience, and winning best documentary at the 2014 TriBeCa Film Festival. October 15 at the Chauvel. The Antenna Documentary Film Festival is on from October 14-19. For the full program, see the festival website.
A brand new restaurant has cropped up in inner west Sydney that looks poised to take the Australian food scene by storm. Nestled in the heart of Camperdown, the menu at The Corner is jam packed with fashionable dining options, from lentil and eggplant salad to roast Moroccan chicken breast, tomato and bocconcini Caprese salad to...Wait a minute, are those McNuggets? Yes, Sydney's hottest new eatery turned out to be a Maccas in disguise. Described by the fast food giant as a 'learning lab', the site will be used to trial a bunch of new menu options, presumably in a bid to combat their flagging sales. Which is all very well and good, but come on. Brioche McMuffins? Pulled pork Quarter Pounders? What kind of twisted bait and switch is the Hamburglar trying to pull? Of course, the reality is that a bit of sneaky rebranding is de rigueur for companies like these. McDonald's isn't the first chain to try and capture a trendier market share, and it certainly won't be the last. Here are four other examples of mass producing omnicorps attempting to cash in on foodie culture. YOUR FAVOURITE CORNER COFFEE JOINT TURNED OUT TO BE A STARBUCKS No self-respecting coffee lover would ever be caught dead in Starbucks. That is, unless they didn’t know it was a Starbucks. In an attempt to raise sales in the wake of the global recession, the massive coffee chain started to revamp a number of its US and European locations in 2010, removing all traces of the company name save for a nauseating caveat that the 'new' stores were 'inspired by Starbucks'. The good news is that Australia's coffee snobbery has already killed close to three quarters of the Starbucks locations down under, so our chances of being hoodwinked are fairly slim. That is, unless they just said they were closing all those stores. Maybe it was just a trick. Maybe they never left at all. BURGER KING TRIED OUT 'SODA PAIRINGS' It's common knowledge that certain wines go better with certain foods. All Burger King tried to do was apply that same basic principal to soft drink in 2014. Taped half-heartedly to the side of a soda fountain, their pairings seem somewhat arbitrary to me, but then again I'm no sommelier. After a hearty Angus Burger and onion rings, who's to say that a 'crisp, clear bodied' Sprite doesn’t sit better on the palate than a Diet Coke? Honestly, this feeble attempt at classing up the joint isn't so much insidious as it is really, really lame. That being said, nothing goes well with Dr. Pepper. YOUR AVERAGE BP SERVO SANDWICH WENT ALL 'ARTISAN' When they're not too busy pumping oil into the ocean, it turns out BP make freshly baked artisan bread. And brew 100 percent organic coffee. And build rescue shelters for injured puppies. Okay fine, so I made up that last one. But the other two are apparently staples of Jack & Co., self-described as "the freshest convenience stores in the world". The original store was fused to a BP service station in 2012, but recent openings in Taree, NSW have evolved into their own faux-gourmet, corporate guilt-alleviating entities. YOUR KFC ZINGER COMBO WILL HAVE CRAFT BEER FOR THE DRINK Face it: if Mickey D is targeting hipsters, this lot were never far behind. Kudos to the Colonel for at least having the giblets to keep the initials — not that KFC actually stands for anything anymore. In any case, Parramattans will soon be able to get beer and cider with their original recipe, when 'KFC Urban' is granted a liquor licence later in 2015. Like McDonald's, KFC has been falling behind in the fast food arms race, losing younger customers to chains like Nandos and Grill’d. Rather than serving up a kale burger, their solution is apparently to just get everybody sloshed. Frankly, I have absolutely no problem with that. Images: The Corner, Fast Company, Imgur, Jack & Co., KFC.
10x10 is a youth- and volunteer-led organisation encouraging the next generation to get involved in philanthropy. How it does this, however, is a little different — it raises money for charities by hosting interactive, live crowdfunding events. And it's next one is happening in Sydney on Thursday, April 19. The organisation was started four years ago by a group of young people who wanted to make a difference. Since then, it has raised over $1.2 million for 108 different charities across Australia, UK, Hong Kong and the USA. The events — which are held biannually in Sydney, Brisbane, Melbourne and Adelaide — are broken into three parts. First, you head to 10x10's website to make a pledge of $100 or more (this amount will be converted into "Charity Dollars" and is also your ticket). Next, you rock up to the event, where three different start-up charities will pitch their causes to the crowd. Finally, you decide what charity you want your pledge, or "Charity Dollars", to go to and bam — a little more goodness is created in the world and a charity nabs some much-needed funds. You'll also have the chance to sip wine, snack on complimentary bites and chat to like-minded, philanthropic folk at the event. So think of it as a fundraiser-meets-cocktail party (without the starched collars and ballgowns). Pitching on the night will be Barayamal, an organisation supporting Indigenous youth; The John Mac Foundation, who works to empower refugees and others impacted by war; and the Dandelion Support Network, who organises physical donations for young families in need. If you feel any of these are more in need of your dollars than you and your avocado toast (they are), get amongst it — you can make your pledges here and they're 100-percent tax-deductible.
International Women's Day (IWD) is all about celebrating the social, cultural, economic and political achievements of women all around the world — and about furthering the movement for the rights of all women and non-binary identifying folks. This year's theme is #EachforEqual, calling for all to take action towards equality and raise awareness to help forge a gender equal world. And it's a good opportunity to thank and uplift all the badass womxn in your life. In Sydney, there are a bunch of events marking the day, so no matter what your interests — politics, art, beer — you'll be able to find something to get around. Here are just a couple of ways to spend this IWD on Sunday, March 8.
Surfers may flock to Sydney's sandy suburbs while leaf-lovers stick to the city's best parks, but locals wanting the best of both worlds will head to Randwick. This easy-breezy 'burb is perfectly positioned between Centennial Park and the eastern suburbs' fantastic stretch of coastline for residents and visitors to enjoy the best of the city in one spot. At its heart is the long-standing Ritz Cinema and its impressive art deco facade, and a clutch of well-kept cafes, restaurants, bars and specialised shops. In partnership with American Express, we've found a Randwick spot that'll hit the mark on every occasion, whether you're catching up with a group of old mates or refurbishing your pad.
When you feel like hitting the water, you don't need to head straight for the sea. Instead, hook up the boat and take a cruise to one of Australia's many serene inland lakes or rivers that offer everything you need for an incredible boating trip with your closest mates. Keep yourself entertained on the water by loading up some fishing rods and snorkelling gear. You can also throw in the new ultra-portable Sonos Roam — it features a drop-resistant design and waterproofing technology — to make sure your on-water getaway comes with your very own soundtrack. [caption id="attachment_813546" align="alignnone" width="1920"] Pittwater, Destination NSW[/caption] PITTWATER, NEW SOUTH WALES Pittwater is ideal for those looking for a quick escape from Sydney. Situated about an hour's drive from the CBD, this 18.4-square-kilometre estuary boasts a remarkably diverse landscape and incredible scenery. You can spot everything from mangrove wetlands and salt marshes to sand flats and seagrass meadows. While the waterway features plenty of nooks and crannies that are well worth dropping anchor to explore, the expansive, grassy lands of The Basin offer opportunities for fishing, swimming and beachfront barbecues. It's also home to one of the area's only campgrounds. [caption id="attachment_813653" align="alignnone" width="1920"] Jack van Tricht, Unsplash[/caption] LAKE SOMERSET, QUEENSLAND Situated about a 1.5-hour drive from Brisbane, Lake Somerset is a prime destination for Queensland boating enthusiasts. This picturesque spot is one of the state's top places for water sports, so don't be surprised to find dozens of people ripping up the freshwater lake with jet skis and speedboats. There are a number of private campgrounds, holiday houses and retreats dotted around the 42.1-square-kilometre lake, too, if you're looking to make a trip out of it. Prefer to indulge in some peaceful fishing away from the crowds? Nearby Lakes Wivenhoe and Atkinson are worth a visit. [caption id="attachment_813549" align="alignnone" width="1920"] Nelson Bay, Destination NSW[/caption] PORT STEPHENS, NEW SOUTH WALES As far as marine playgrounds go, Port Stephens is undoubtedly one of Australia's most impressive. The Great Lakes Marine Park consists of an estimated 980 square kilometres of waterways that provide virtually limitless offshore adventures. If you're coming from the city (or Newcastle, from which Port Stephens is about a 40-minute drive north) you don't have to worry about bringing up your own boat, with a number of boat hire shops dotted around the estuary that makes exploring every corner of the region easy. Popular pitstops include the Karuah and Myall Rivers, which are perfect for a relaxing cruise through beautiful national parks. [caption id="attachment_813554" align="alignnone" width="1920"] Mildura, Visit Victoria[/caption] MURRAY RIVER, VICTORIA/NEW SOUTH WALES You won't find many inland boating trips quite as special as cruising down the mighty Murray River. Stretching over 2500 kilometres, this winding waterway is the third-longest navigable river in the world and stretches from the alpine Snowy Mountains, along the Victorian border and into the Great Southern Ocean via South Australia's Lake Alexandrina. You're welcome to climb aboard a throwback paddle steamer or even rent a houseboat if you want to complete the journey in style with riverfront towns like Mildura, Swan Hill and Renmark making for outstanding stops along the way. [caption id="attachment_813720" align="alignnone" width="1920"] Patrick Ryan, Unsplash[/caption] GOLD COAST WATERWAYS, QUEENSLAND Weaving in and around the Gold Coast is a labyrinth of waterways that ensures boaties can see every side of the city from the water. With so much space to cover, knowing which direction to point your vessel is no mean feat. Runaway Bay is a fine place to start, as you can calmly sail along the wide waterways and tie up at one of the restaurants or cafes lining the local rivers and canals. Further along, the Coomera River is another great pick, with Sanctuary Cove's Marine Village offering a selection of high-end eateries and boutiques well worth the stop. [caption id="attachment_813563" align="alignnone" width="1920"] Destination NSW[/caption] LAKE MACQUARIE, NEW SOUTH WALES As Australia's largest coastal saltwater lake, Lake Macquarie has everything you need for a top-notch boating adventure. Locals here love the water, so you'll find lavishly appointed marinas, yacht clubs and jetties in the towns around the lake to make your trip a smooth one. Keen anglers won't be disappointed in Lake Macquarie — the region was zoned as a Recreational Fishing Haven in 2002, so you can while away the hours at your leisure. Plus, there's a high chance of spotting a much-loved dolphin that has made Marmong Point its home for the last few years. [caption id="attachment_813552" align="alignnone" width="1920"] Josie Withers, Visit Victoria[/caption] GIPPSLAND LAKES, VICTORIA The largest network of inland waterways in Australia, the Gippsland Lakes are bursting with things to see and do. There's no shortage of remarkable places to dock, but Barrier Landing's jetty and lagoon are especially rewarding for those who love fishing and wildlife spotting. If you're on the lookout for something a bit more heart-pumping, the waters surrounding Raymond Island are the go-to spot for water skiing. The island itself is also one of the best places in Victoria to get up close with koalas in their natural habitat. Further south, consider mooring at Ninety Mile Beach for a delightful picnic on the sand and a chance to spot humpback whales migrating along the coast. Connecting Ninety Mile Beach with Gippsland Lakes is the relaxed town of Lakes Entrance. Probably the region's headline destination, the popular beachfront town is perfect for experiencing the glistening waters in relative peace. [caption id="attachment_813734" align="alignnone" width="1920"] Ezykron, Wikimedia Commons[/caption] LAKE BOONDOOMA, QUEENSLAND Drive through the flourishing wine region of South Burnett and you'll arrive at Lake Boondooma. Since being dammed in 1983, the area has transformed into a popular water sport and fishing destination, attracting visitors from across the state eager to spend a tranquil day on the water. Situated deep within the Queensland backcountry, Lake Boondooma offers a great chance to switch off and enjoy the serenity for a couple of days. Once you've finished carving up the lakefront, pitch a tent at one of the nearby campgrounds or book a cabin for the night. Find out more about the new Sonos Roam at the official website. Top image: Unsplash
Paddington nose-to-tail seafood favourite Saint Peter is getting a bar — and Josh and Julie Niland, the pair behind the acclaimed eatery, are getting a boutique hotel, too. Come summer 2022–23, the Nilands will take over Underwood Street's Grand National Hotel, moving their beloved restaurant into it. Also on the cards: a separate bar menu for a more casual stopover, an additional private dining room and 14 rooms for guests to stay in. It's already been a big few years for Josh and Julie, who also opened their first Fish Butchery in Paddington back in 2018, launched sustainable fish and chip shop Charcoal Fish in Rose Bay in 2021 and set up a second Fish Butchery in Waterloo earlier in 2022. This news is particularly huge, though. Closed since 2019, the Grand National dates back to 1896, and will relaunch under the Nilands after a new stint of renovations. [caption id="attachment_855329" align="alignnone" width="1920"] Newtown Grafitti via Flickr[/caption] For seafood lovers eager to follow Saint Peter to its new digs after six years at 362 Oxford Street, the relocated restaurant will sit within a 45-seat dining room — and beneath a skylight ceiling. It's no wonder that the Nilands have called the move "opulent". While you eat, you'll be able to see into the open kitchen and wood-fired grill, and also peer at the fish charcuterie cabinets and displays. And, menu-wise, you'll be picking from an a la carte menu filled with the ocean's finest, showcasing Australia's top fishers and oyster growers (as well as vegetable growers, winemakers and artisans). As for that bar, it'll be there for sips before or after dinner — or just for lunch or dinner on its own. And, for special occasions, the private dining room will cater to 15. [caption id="attachment_811440" align="alignnone" width="1920"] The interior of Saint Peter, by Nikki To.[/caption] Keen to tuck into a fishy spread, have a few drinks, then bunker down for the night? The Nilands describe the hotel as providing "our restaurant guests with an opportunity to extend their Saint Peter experience with a luxurious overnight stay". Exactly when Saint Peter will start operating in its new spot, and when The Grand National will reopen, hasn't yet been revealed — but Saint Peter Oxford Street will shut its doors sometime in early 2023. Saint Peter will remain at 362 Oxford Street, Paddington, until early 2023. The Grand National Hotel, at 161 Underwood Street, Paddington, is set to open sometime over the summer of 2022–23. Top image: Rob Palmer.
It's no secret that Adelaide's live music scene is one of the most thriving in the country — though this is probably not a surprise when you consider the city has given the world artists like Jimmy Barnes, Sia, Hilltop Hoods and Paul Kelly. When it comes to live music festivals though, the cities in the east tend to get the biggest acts. Until this November, that is, when brand-new festival Harvest Rock will take over Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina for two massive days. Headlining the bill is Jack White (pictured below), with The White Stripes frontman playing his only Australian show at Harvest Rock. And he'll be joined by plenty more international talent — The Black Crowes, Khruangbin and Groove Armada are all on the roster, as are The Lumineers, Hot Chip and Sam Fender. We reckon that's a lineup worth planning a weekend in Adelaide for. From the local contingent, Crowded House will bring a hefty dose of nostalgia, while The Avalanches, Courtney Barnett, You Am I and Tones And I will also take to the stage. Hailing from Secret Sounds, the crew behind Splendour in the Grass and Falls Festival, Harvest Rock's two-day run will also place a big focus on the other part of its moniker: food. That'll include a dedicated stage for chef and bar stars to showcase their skills, a marquee serving up curated bites by chef Jake Kellie (arkhé, Burnt Ends) and a food-truck park. Plus, the bar lineup is being curated by Australian wine critic Nick Stock, and features Archie Rose Distilling Co pouring spirits, wine tastings at a cellar door pop-up, a beer hall and a champagne bar. One watering hole will be a LGBTQI+ space, too, and there'll also be a booze-free bar for anyone keen on avoiding a post-fest hangover. Harvest Rock will take over Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, November 19–Sunday, November 20. Tickets are on sale now. For more details and to purchase tickets, head to the Harvest Rock website.
Television has delivered many great characters over the decades, but Leslie Knope is the best there is. As played to perfection by Amy Poehler, she's the determined, passionate and persistent local government employee and later politician — not to mention a huge fan of waffles and Joe Biden, too — that we all wish really existed. Where The Office turns a regular paper company's operations into must-see comedy, Parks and Recreation weaves the same magic with the titular department in the fictional town of Pawnee, Indiana. Creators Mike Schur and Greg Daniels worked on both shows, but P&R evolves into its own overwhelmingly good-natured, heartwarming, hilarious creation. If you wanted to call it literally the best TV comedy of the 21st century, Chris Traeger-style, we'd wholeheartedly agree with you. And yes, with Nick Offerman, Aubrey Plaza, Chris Pratt, Aziz Ansari, Adam Scott and Rob Lowe among its cast, it's the show that just keeps giving.
A 500-hectare site at Shanes Park between Penrith and Windsor has been earmarked to become a new NSW National Park. The feral predator-free area will aim to reintroduce locally extinct species including quolls, bettongs and the brush-tailed phascogale to the area. The project was announced on Sunday, September 26 by NSW Premier Gladys Berejiklian with two primary goals — to create more natural public space for western Sydney residents and to assist in animal conservation efforts. The wildlife restoration project will see the reintroduction of 30 species of animals into the Shanes Park area, which is slated to open to the public in early 2023. "This is wildlife restoration on a grand scale and one of the biggest urban wildlife restoration projects in Australia's history," NSW Minister for the Environment Matt Kean said. "Visiting Shanes Park will be like stepping back in time to see the Australian bush alive with native animals as it was before foxes, cats and rabbits had such a devastating impact." The NSW Government hopes the outdoor space and abundance of native species in the park will be a drawcard for both locals and tourists, with Berejiklian calling it "one of the nation's best wildlife experiences". View this post on Instagram A post shared by Matt Kean MP (@mattkeanmp) Shane Park will join six other NSW National Parks which are established or will be established as feral-free areas. This project will take the total feral-free area across the state to almost 65,000 hectares. The government is currently consulting with local Aboriginal groups in order to ensure the new National Park is given an Aboriginal name. The park will include visitor facilities and an education centre which will run nocturnal spotlighting tours. A new National Park is set to be open to the public at Shanes Park in early 2023. Keep up to date with the latest via the NSW Government website. Top image: Quoll by Andrew Arch
In The Guest Edit, we hand the reins over to some of Australia's most interesting, tasteful and/or entertaining people. For this instalment, we've enlisted comedian, actor, DJ, drag artist and all-round superstar Natali Caro (aka Papi Chulo) to run us through their picks for this year's Sydney Comedy Festival. You can catch Natali's one-person show Seeking Representation at the Factory Theatre on Saturday, April 30 or Sunday, May 1. NATALI CARO: During my four years of doing stand-up, it's safe to say that there are several pockets of comedy that I have intentionally steered away from, whether it be certain rooms, events or groups of people. As a queer, genderfluid person of colour, comedy spaces aren't always the most inviting. And, I know that many of my QTPOC audience feel the same way, avoiding comedy all together. But the truth is there are a lot of great comics in Sydney doing great things. Lucky for you, I have picked some of the funniest and most inviting of them all in anticipation for Sydney Comedy Festival, which kicked off Monday, April 25. I've done it chronologically too, look at me! (Most of these shows are on at different times as well, so there's a good chance you can catch them all.) AJ LAMARQUE: ENGLISH BREAKFAST AJ is about the same age as me, yet has the demeanour and wisdom of Julie Andrews in any movie starring Julie Andrews — and it's reassuring AF. There is something about tea rituals that just screams "CAMP!", and I am not surprised that AJ made this the thematic focal point of his debut solo comedy show. You will be in safe hands with this "self-declared Mixed Race Queen." AJ is charming, witty, full of panache and very much worth the "BYO Teacups." When: Thursday, April 28–Sunday, May 1 Where: Factory Theatre How much: $20 GABBI BOLT: I HOPE MY KEYBOARD DOESN'T BREAK Now, I've met a lot of people that DON'T like musical comedy. But those people just simply don't have the talent. They can't comprehend what it would take to write an hour of hilarious bangers — as your first solo show, nonetheless. I love musical comedy acts: Flight of The Conchords, Spinal Tap, Michelle Brasier ... The Chainsmokers. And I personally can't wait to watch Gabbi's POV on "climate change, feminism and why small towns have too many pubs." If Wayne Brady is a fan, then you will be too. When: Thursday, April 28–Friday, April 29 Where: Factory Theatre How much: $30–35 [caption id="attachment_851242" align="alignnone" width="1920"] Annie Walker[/caption] NATALI CARO: SEEKING REPRESENTATION That's me! I genuinely would be cheating you if I didn't gently nudge you toward "the best show of the year" (2020 and 2021!). This show has enough of everything to leave you satisfied and wanting more. I really wanted an agent so I put together the ultimate comedy showreel showcasing stand up, drag, impressions, sketch, audio visuals, song and dance. Two sold out shows and two standing ovations – not bad for my debut solo show ... let's make it three for three?? (Sunday's show will be Auslan interpreted.) When: Saturday, April 30–Sunday, May 1 Where: Factory Theatre How much: $15–25 THAO THANH CAO: MARMALADE The name intrigues me ... yet I am sure it has nothing to do with the song. If you ever wanted to know "what is the best safety tip when driving with a baby on board?", "how to creatively handle a racist?" and "what is the number one thing you should never do on a first date?", then this show is for you! Thanh has been playing rooms all over Sydney, selling out festivals and even winning awards (Short and Sweet comedy and several open mic contests). When: Saturday, April 30–Sunday, May 1 Where: Enmore Theatre How much: $25.90 NAOMI MOURRA AND PAGE BARTELT: YOU CAN'T MAKE THIS UP This is a split-bill show with one of my favourite, "Lebanese, lesbian, ex-Jehovah's Witness" Sydney comedians, Naomi Mourra. Naomi can tell the hell out of a knock-knock joke (I should give her credit for that one) and holds a bible like no one else. If her 2018 debut solo show, An Open Book, is anything to go by, then you don't want to miss your chance to catch her this festival season, talking all things, "chicks, chickpeas, cults and culture." And you get TWO comics for the price of one. When: Saturday, April 30 Where: Enmore Theatre How much: $15–20 OLIVER TWIST: GRIOT Oliver is a rising star in comedy and, conveniently, a very cool person. He is relentlessly funny and talented as an actor, writer and comedian. ICYMI, Oliver has been touring his debut play JALI, all over Australia, with great success. And it's no question this solo show is a must-watch. Oliver tells the story of his time in a refugee camp, applying to study in Canada: "where do you see yourself in five years? ... I was like, 'anywhere but here, literally anywhere but this refugee camp' ... that's why I'm doing this entire questionnaire." When: Thursday, May 5—Sunday, May 8 Where: Enmore Theatre How much: $20.40 HOT DEPARTMENT: AFTER PARTY Hot Department are bringing the HEAT all the way from Melbourne! You better believe this unhinged sketch comedy duo, composed of Patrick Durnan Silva and Honor Wolff, are "at it again. But this time, they're at it again." Sydneysiders are lucky to be graced with their appearance this comedy season. After getting many of us through several lockdowns online, it is timely and just that we get to see them IRL! When: Saturday, May 14–Sunday, May 15 Where: Factory Theatre How much: $25 HARRY JUN: ONE OF THE GOOD ONES Definition: A backhanded compliment said by bigots. Typically describes a person of colour who is complicit, and/or agrees with the bigot's social and political values. See, I always thought this meant "one of the good *male* comedians," which would in fact be true! This show "is about race, relationships and successfully failing to meet expectations," as well as Harry's "light-hearted and heavy-handed approach to uncomfortable situations." Harry Jun is *bleeping* funny and definitely worth the watch! When: Thursday, May 19—Friday, May 20 Where: Enmore Theatre How much: $15–20 SOPHIA MORRISON: LOVELY I've never met Sophia, but she seems lovely! Absurdist comedy isn't often given the airtime it deserves — not unless you are white and/or male. Often these acts can do whatever they want under the guise of "absurdism", and are celebrated as being clever or innovative simply for existing within the space. But Sophia mitigates this through hard work and thoughtfulness, rising above the mediocrity. In this show, Sophia "travels through time and place as she tries to find a Sophia-shaped hole for herself in a world not built for a dyslexic mind". When: Saturday, May 21—Sunday, May 22 Where: Factory Theatre How much: $18–22 The Sydney Comedy Festival runs from Monday, April 25–Sunday, May 22 at various venues around town. Top image: Dream Syndicator/Ash Penin.
Toronto welcomed a new and unique edition to its dining scene last month: Canada's first-ever restaurant tailored for the deaf. Signs, already popular with locals and tourists alike, is the brainchild of Anjan Manikumar, a hearing man who was inspired to learn American Sign Language (ASL) after realising first-hand how deaf customers struggled in restaurant situations that are simply taken for granted by others. The bar-restaurant, serving modern Canadian and international fare, employs a team of waiters who are almost entirely deaf. Choosing from over 200 deaf applicants, Manikumar found none had any waiting experience and some had never had a full-time job at all. He hopes the new venture will encourage the creation of other career opportunities for the deaf, while also promoting sign language among the community. For customers unfamiliar to ASL, the menu handily lists the sign equivalent next to each item, and a 'cheat sheet' (pictured below) translates some longer phrases, encouraging customers to engage with staff and fellow diners in this universal language. Via Buzzfeed. Photo credit: Signs.
Parramatta locals have scored a brand-new Japanese joint — and it's harbouring major culinary talent. Inside the suburb's long-standing Heritage Lounge precinct you'll now find an elegant Japanese restaurant called Oribu. This sleek addition to Church Street aims to redefine perceptions of Japanese cuisine in the area by offering a lavish dining experience. It also boasts top-notch hospitality talent with Head Chef Harry Cho (ex-Nobu) leading the charge. Chef Cho brings his Korean and Japanese roots, decades of expertise and technical precision to an impressive food offering. Peruse the menu and you'll find highlights like popcorn prawns paired with creamy spicy sauce and a splash of yuzu juice; lamb cutlets with saikyo miso, custard crumbs and grilled cherry tomatoes; and a selection of premium caviar if you're ready to splurge. Each dish is plated with the thought and detail of a minor work of art. "Shaped by the precision and discipline instilled during my military years, Oribu is more than a culinary venture; it's a testament to my story of service to the delicate artistry of cuisine," said Chef Cho. "It's also an opportunity to create something truly special that the community can proudly call its own." Oribu's sophisticated fit-out features black interiors with flashes of greenery, including a humble tree situated at the centre of its dining area. Its moody ambience creates an atmosphere fit for a celebratory dinner or an intimate date night. You'll find Oribu at 215 Church St in Parramatta, open from 5pm–10pm Wednesday–Sunday. Head to the Heritage Lounge website to make a booking.
In what's proving to be a huge year for new places to stay in Brisbane, Fortitude Valley has just welcomed its next addition: The Calile Hotel. Two years in the making — as anyone that spotted the constant construction site on James Street will know — the seven-storey, 175-room spot is calling itself 'Australia's first urban resort'. Yes, that means that going for a splash in the central pool, lazing around in cabanas or on a sun lounge, and eating on the hotel's outdoor deck are all on the agenda. So is hanging out at the spa, which is also open to the general public, and just making the most of Brissie's climate. The white brick design, by architects Richards and Spence, certainly highlights the tropical side of things. Think open-air spaces and breezeways, natural ventilation and plants aplenty, as well as a cool, soothing colour scheme. Inside the rooms, guests will find oak furniture, cork floors and sisal matting in the bathrooms, day beds for afternoon naps, linen robes and a mini bar stocked from local suppliers. Recognising how sunny the city gets, every room is also fitted with motorised blackout blinds. If you need to escape the glow, the in-suite Chromecast and sound bar will help as well. Rooms start from just over $200, with The Calile also featuring nine suites and two premier suites, complete with poolside and terrace-style balconies as well as two private rooftop terraces — for when you're feeling like splashing some cash around. Operated by TFE Hotels Collection, other drawcards include the all-day Lobby Bar, the opening of Hellenika's first Brisbane digs — bringing the Gold Coast's favourite Greek eats to town — and meeting and function rooms that can cater for up to 500 people, including an outdoor amphitheatre. The Calile joins W Hotel Brisbane, the Ovolo Inchcolm Hotel in Spring Hill, the Novotel in South Bank, the new Emporium (also in South Bank) and the revamped Ovolo in Fortitude Valley among the fresh staycation spots opening their doors across the city in 2018. It will boast one unique highlight, too — Ada Lane, a micro-precinct filled with five bars and eateries, that's set to open later this year. Find The Calile Hotel at 48 James Street, Fortitude Valley. Images: Sean Fennessy.
Andrew Upton’s The Present, an adaptation of Anton Chekhov’s 1878 play, Platonov, sets the drama of Anna Petrovna’s 40th birthday party in post-Gorbachev, '90s Russia. The celebrations bring together a redundant military class at odds with a younger, principled middle class. Widowed Anna (Cate Blanchett) now faces an unsatisfying choice between two powerful ex-military men, Alexei (Martin Jacobs) and Yegor (David Downer), who have the necessary political links for her to sell the oil on her inherited property. Her decision is made none the easier by the fact that she still loves Mikhail (Richard Roxburgh). Alice Babidge’s design sets the play squarely in the '90s, but it’s not specifically Russian; this could easily be a British or Australian contest between generations for cultural dominance. The setting works, but when sound designer Stefan Gregory chooses 'London Calling' during a scene change, accompanied by a projection of metallic looking dark water, it’s apparent that director John Crowley was aiming for something more potent than a depiction of a disaffected middle class. Punk politics is the wrong choice for Chekhov — he does middle class ennui, not dissent. While Platonov was not one of Chekhov’s successful plays, his mastery of listlessness and thwarted dreams is alive and well in Upton’s adaptation. Mikhail’s lamentations at his own failure to change the world don’t come from a sense of protest approaching that of The Clash, but from a self-aggrandising expectation that he would one day be a great writer. Even the wet-around-the-ears Kirril (Eamon Farren) isn’t moving to Europe to dance and take drugs out of a political impulse; he simply wants to get high and have a lot of sex. This is a cast of theatre big guns (Cate Blanchett, Richard Roxburgh, Jacqueline McKenzie, Toby Schmitz), so it’s surprising in the opening scenes that the ensemble comes to less than the sum of its parts. Upton’s adaptation includes frequent moments of hubbub and interjection, which causes confusion in scenes that should function as the narrative setup. The second half is much sharper and consequently more interesting and at times riveting. This is a handsome-looking piece of theatre with good performances. Roxburgh in particular lights up the huge Roslyn Packer Theatre (formerly Sydney Theatre) with ease. The setting of '90s Russia works, but Crowley’s layering on of a punk musical aesthetic is superfluous. The Present is sold out, but a limited number of Suncorp Twenties tickets are released each Tuesday morning for the following week's performances. More info on how to book.
It's been a little over a year since Rick Viede received his second Griffin Award for New Australian Playwriting for A Hoax after winning the same award in 2008 for his play Whore. The remarks at the award evening last year were that the play was already ripe for production. The question now is whether the creative team was ready for it. After a month's run at Queensland's La Boite Theatre Company through May, it is now playing at Griffin Theatre until September 1. A Hoax is an insouciant farce about a female Indigenous author, Currah, who doesn't exist. Social worker Ant (Glenn Hazeldine) created her, young Miri Smith (Shari Sebbens) embodies her, and pariah publicists Ronnie Lowe (Sally McKenzie) and Tyrelle Parks (Charles Allen) promote and sell her. The public nature of the story means the stakes are high and the power shifts are exhilarating. Sebbens's gleeful transition from naive schoolgirl to savvy businesswoman is brilliant, and I've never seen a better on-stage rendition of Salt-N-Pepa's 'Push It'. Ant is beautifully characterised by Hazeldine, whose breakdown is best viewed from the front left row (just a tip). The play is sharp, fast, and mercurial but has not been given its full due by Lee Lewis's direction and Renee Mulder's design. The text is camp and brash, whereas the production is tame. Mulder's design unnecessarily announces the time and place with projections of images and text such as 'three weeks later', which is cute at best and patronising at worst. Lewis's direction fails to tie the cast together to make the most of the tension resulting from the ongoing status shifts. Some scenes sound like they should be building to a wicked farcical climax but are stilted instead. This is partly due to the characterisations of publicists Ronnie and Tyrelle, two extreme roles requiring wanton boldness for them to work. McKenzie and Allen playing them are either misdirected or lacking the gumption to make them fire. The production feels like it's trying to catch up with Viede's bold, intelligent text. It's exhilarating to hear Viede throw caution to the wind in his treatment of the subject of cultural legitimacy. Just as Ant is criticised for speaking on behalf of an Aboriginal woman, Viede could be chided for doing the same. But this would be a mistake. Surely invisibility and silence is less respectful than a non-Indigenous author having a shot at contentious issues. https://youtube.com/watch?v=Qc9JftcAsJ4
The National Gallery of Victoria has today revealed its summer centrepiece: a bold new world premiere exhibition pairing the work of Dutch artist M.C. Escher and Japanese design studio Nendo. Much like the NGV's 2016's Andy Warhol and Ai Weiwei show, Between Two Worlds celebrates two very different creators, bringing them together in an assembly of immersive art and design. More than 150 of Escher's prints and drawings created between 1916 to 1969 have made their way to Melbourne from the Gemeentemuseum in The Hague for the artist's first ever major exhibition in Australia. Optical illusion is what he's best known for — his intricate pieces use patterns and design to warp space and perception. You'll need to take second, third and fourth looks at pieces like Day and night and Drawing hands. To really mess with your mind, Nendo — led by designer Oki Sato — has created an immersive gallery space that's just as trippy. The studio has taken inspiration from Escher to manipulate geometry and space to warp perception, giving you an imagined sense of what it would be like to enter Escher's mind boggling world. Expect lots of mirrors, shrinking corridors and projections that will mess with your brain (in a good way). The exhibition will officially open tomorrow with the gallery's exclusive black tie NGV Gala. Then it opens to the public on Sunday, December 2 and will run until April 2019 alongside a public program of talks, workshops and the NGV's Friday night parties. Escher x Nendo: Between Two Worlds will run from December 2 until April 2019 at NGV International. Images: Eugene Hyland and Sean Fennessy.
In 1840 the Duchess of Bedford grew tired of that hunger-inducing interval between lunch and dinner, and to the benefit of humankind she invented the elaborate ritual of afternoon tea. Who doesn't like to while away an afternoon sipping tea and sampling a dazzling array of bite-sized treats extravagantly served on those three-tiered stands? But despite its traditional roots, the face of high tea is changing. No longer restricted to the retired and the rich, some of Sydney's best cafes, restaurants and dessert bars are plating up creative (both traditional and not-so) afternoon teas for every tea-swilling sweet lover to enjoy. From the cake-laden to the New Orleans-inspired, here are the best high teas in town.
Cult favourite Aussie basics label Bassike is hosting a big online warehouse sale this month, selling its items from both its past season collections and its archive at significant discounts off the regular price — with pieces starting at $30. Both men's and women's fashion will be up for grabs for five days from 8am on Thursday, July 9 till midnight on Monday, July 13. Expect to find everything from swimwear and footwear to accessories, denim, cotton jersey pieces and lots of quality basics. If you're struggling with the winter cold, you'll (thankfully) be able to find warm clothing here, too. While exact prices have not yet been announced, previously physical warehouse sales have seen denim from $90, tees from $30 and jackets for $120 — no, these aren't basement bargains, but they are reasonable prices for these fine organic pieces. Spend more than $100, and you'll score free shipping, too. Bassike's online warehouse sale will run from 8am on Thursday, July 9 till midnight on Monday, July 13.
For around 100,000 people annually, Sydney’s Tropfest is a chance to enjoy a day of live music, cold drinks, good company, and some of the best short films made that year. For a slightly smaller number it’s also a chance to delve beneath the immediate surface of filmmaking. Tropfest's Roughcut program is probably the festival's main draw for filmmakers and other cinephiles and will return in 2013 to pick apart the idea of collaboration as the key to creativity. Each session will focus on a different aspect of the filmmaking process, with speakers ranging from high-profile Australian actors to Natasha Pincus, aka the brain behind the world-dominating video for Gotye's ‘Somebody I Used to Know'. This year organisers have managed to pull together a lineup with more famous names than the Ocean's trilogy. Tackling the subject of taking Australian productions overseas will be writer/director Michael Petroni (Narnia) and producer Jamie Hilton (The Waiting City, Sleeping Beauty), while writer Erica Harrison and animator/director Simon Rippingale will discuss how they collaborated on crowd-funded animation A Cautionary Tail. Helming the requisite social media section will be Thomas Mai and Hattie Archibald of FanDependent, exploring how new media can help finance, market, and distribute film content. Cutting Edge will delve into post-production, and Aussie export Sam Worthington will rekindle his long-standing relationship with the festival (he took out Tropfest's Best Actor award in 2001 before going on to score the leading role in Avatar) by returning as a speaker. Tropfest Roughcut will be held in Monkey Baa Theatre Company at Darling Quarter on Saturday 16 February. A limited number of tickets are on sale via Monkey Baa's website.
Guzman y Gomez has no shortage of Mexican eateries in NSW. It has 43, in fact. But, it's continuing its tasty expansion and opening one more on the lower north shore on Thursday, February 27. And to celebrate, it's offering up $5 burritos and burrito bowls for a whopping seven hours. Taking place in store at the new Chatswood shop, the $5 eats will be available from 12–7pm. So, you can pop by on your lunch break, swing past after work or, throw caution to the wind, and do both. The burritos see a flour tortilla stuffed with rice, beans, pico de gallo, cheese and your choice of meat or veggies — a totally acceptable meal for both lunch and dinner, right? Well, we think so at least. Guzman y Gomez's Victoria Street opening is just a small part of the brand's 2020 expansion plans, which also include its first stores launching in the US. We could be seeing a lot more of it — and its $5 burritos — in the near future. $5 burritos are available from 12–7pm
Whether you're a Brisbanite eager to head to another state, or you live elsewhere in Australia but you're keen on holidaying in Queensland, the past two years have been more than a little difficult. They've been hard for a heap of reasons during the pandemic, obviously, but the Sunshine State's border closures have definitely been tricky to navigate. In November and December, however, that'll all start to ease. Today, Monday, October 18, Queensland Premier Annastacia Palaszczuk announced that the state will start to reopen to the rest of Australia once the Sunshine State hits the 70-percent double-vaccinated mark among its eligible population. Queensland's domestic borders haven't been closed to the entire country this year, but with New South Wales and Victoria both experiencing lengthy lockdowns, they've definitely been shut to Sydneysiders and Melburnians — so this'll be welcome news to plenty of folks. "If we keep getting our vaccine, we can welcome family and friends from interstate hot spots in a little over a month who are fully vaccinated — and a month after that, in December, they can come without having to quarantine in time for Christmas, but they too will need to be fully vaccinated," said the Premier. "Queenslanders will acknowledge that that is a sensible and cautious approach to ensure that families can be reunited, but the people coming into Queensland will have to be fully vaccinated." Palaszczuk continued: "the faster we are vaccinated, the faster these deadlines will be achieved. It means that some of these dates may come forward if we get the vaccination rates up." BREAKING: Today we're releasing a plan for Queensland borders. Travel restrictions will ease when 70% and 80% of eligible Queenslanders are fully vaccinated.#covid19 pic.twitter.com/4PANA1CBjF — Annastacia Palaszczuk (@AnnastaciaMP) October 18, 2021 So, when Queensland reaches the 70-percent double-jabbed mark — which is expected around Friday, November 19 — travellers who've been in a hotspot area within Australian in the past 14 days can enter the state again. They'll need to be double-vaxxed, to arrive by air and to have received a negative COVID-19 test result in the 72 hours before arriving. Also, anyone in this category will need to go into home quarantine for 14 days. Then, at the 80-percent double-vaccinated threshold — which is expected around Friday, December 17 — travellers from interstate hotspots can arrive by either road or air to enter the Sunshine State. They'll still need to be double-jabbed, and to have received a negative COVID-19 test result in the 72 hours before arriving. But, there won't be any quarantine requirements at that point. The announcement means that Queensland will be welcoming in travellers from elsewhere in Australia just as summer arrives — and that quarantine will be scrapped for double-jabbed Aussies before Christmas. When Queensland hits 70-percent double-vaxxed, international arrivals will still be handled as they currently are. At the 80-percent double-jabbed mark, though, double-jabbed overseas travellers will be able to undertake 14 days of home quarantine — if they've also received a negative COVID-19 test result in the 72 hours before getting to Queensland. Finally, at the 90-percent double-vaccinated threshold across the Sunshine State, all entry rules and quarantine requirements will be ditched for folks who've had both jabs. For the unvaxxed, the 14-day quarantine rule will still be in effect. At the same press conference, Queensland Deputy Premier Steven Miles revealed that more restrictions within Queensland will start easing at the 70-percent and 80-percent marks — covering things like gatherings, entering venues and the like. And, these relaxed rules will start having vax requirements attached, so both Queenslanders and visitors from interstate will need to be double-jabbed to take advantage of them. Exactly what that'll entail hasn't yet been revealed, so expect further details before mid-November. Queensland will start allowing domestic visitors back into the state from mid-November, when the 70-percent double-vaxxed threshold is met. For more information about Queensland's border policies, head to the Queensland Government website.
When The Fast and the Furious took Point Break's premise and swapped surfing for street racing, it seemed like one of those easy Hollywood knockoffs that would speed into cinemas and then race right out of viewers' memories. Eighteen years, seven sequels, plenty of Coronas and a whole lot of talk about family later, we all now know that wasn't the case. It's the high-octane franchise that just keeps tearing up tyres and tearing across silver screen, and it has yet another new addition. The first Fast and Furious spinoff, Hobbs & Shaw reunites two of the series' newer players: Dwayne Johnson's Luke Hobbs, the government agent who has been a F&F staple since 2011's Fast Five, and Jason Statham's Deckard Shaw, the villain from Furious 7 who starts buddying around the gang in 2017's The Fate of the Furious. Directed by John Wick and Atomic Blonde's David Leitch, it's basically an excuse to put the two action heroes in the same movie again, watch as they bicker and banter like a muscular odd couple, and throw in the usual world-saving, car-racing antics. It also sounds like box office catnip. Because two of today's biggest stars isn't enough for this initial foray outside of the main F&F stable, Hobbs & Shaw also features Idris Elba as the flick's villain — plus Helen Mirren reprising her role as Shaw's mother, and The Crown's Vanessa Kirby joining the fold as his sister. Johnson reportedly wanted Hobbs to have some family, too; however bringing Aquaman's Jason Momoa on board didn't work out due to scheduling conflicts. Fans of Vin Diesel and the original gang, don't worry. Ninth and tenth F&F films are due in 2020 and 2021 respectively, so Dominic Toretto and company will be back to live their lives a quarter mile at a time once more. Also on the agenda is a female-focused spinoff focused on the ladies of the franchise, because this series remains furious about stretching out its run for as long as possible. Watch the trailer for Hobbs & Shaw below: https://www.youtube.com/watch?v=5Lxu75r3-kI Hobbs & Shaw opens in Australian cinemas on August 1.
Let's go party, indeed: Barbie is here, filling Australian cinemas with pink-hued cheer, and slaying both the patriarchy and the Australian box office. Greta Gerwig's Margot Robbie-starring take on the famous doll packed picture palaces not just with every shade of not-quite-red it could, but with people, breaking a Malibu DreamHouse worth records in the process. If you noticed plenty of fellow filmgoers watching this trip to Barbie Land, then Los Angeles, then back with you last weekend, that was the experience mirrored around the country. In fact, Barbie notched up the biggest opening at the Australian box office for 2023 so far, raking in $21.5 million including preview screenings. The stats keep coming, but the best is truly historic: Barbie enjoyed the biggest opening weekend for a film directed by a female filmmaker. It earned that same huge opening weekend title for films with any of Robbie, Gerwig and Ryan Gosling (The Gray Man) involved. Now that's some Kenergy. Also, Barbie helped smash even more records as part of the double feature of 2023: Barbenheimer. Thanks to both Barbie and Christopher Nolan's vastly dissimilar atomic-bomb thriller Oppenheimer, the Aussie box office saw its biggest-ever Saturday and Sunday takings. On Saturday, July 22, $11.1 million spent bested the $10.3 million recorded in April 2019 when Avengers: Endgame released. On Sunday, July 23, the $10.5 million gross topped the $9.96 million taken in December 2105 — on the Boxing Day public holiday on December 27, in fact — as fuelled by Star Wars: Episode VII — The Force Awakens, plus Boxing Day releases. Specific cinemas also broke past records. At Sydney's Hayden Orpheum Picture Palace, the independent theatre scored its highest-grossing weekend in its 88-year history. Oppenheimer in 70mm notched up the cinema's highest-grossing opening ever, while Barbie now sits second in that same category. At Melbourne's Cinema Nova, the also-independent cinema looks set to earn its biggest box-office week of all time. If it does, it'll break the record set in January 2020, when Gerwig's Little Women was playing alongside films like Jojo Rabbit and Parasite. Barbie also took the opening-week record from Wes Anderson's The Grand Budapest Hotel, and might become the first film by a female filmmaker to hit the venue's top ten of all time list. As for Oppenheimer, it's in the top ten biggest opening weekends. It shouldn't be lost on anyone that Barbie and Oppenheimer's successes mean that two movies that aren't part of long-running franchises have audiences flocking in. Neither film comes in as the fifth or 11th or 17th or 31st entries in a long-running saga, and don't we all know and love it. Here's the big takeaway: more of that please, especially given that oh-so-much of what reaches the silver screen is a sequel, prequel or chapter in a sprawling universe these days. Check out the trailers for Barbie and Oppenheimer below: Barbie is showing in Australian cinemas now. Read our review. Oppenheimer is also showing in Australian cinemas now. Read our review, too.
Gone are the days when gin was simply a clear spirit that tasted good with tonic. It still is, but it now comes in so many varieties that you could dedicate an entire liquor cabinet just to juniper-based beverages. Shiraz gin, chardonnay barrel-aged gin, spiced Christmas gin, pink gin made from cherries and raspberries, green ant gin and even non-alcoholic gin — they're just some of the recent types tempting your tastebuds. And if most of the above sound great for an Australian summer, then consider Bass and Flinders' truffle-infused gin your new winter go-to. Returning for 2018, the limited-edition truffle gin blends fresh Australian Black Perigord truffles — sourced from Red Hill farms, where possible — with a vapour-infused mix of juniper, angelica root and calamus root. Like all of the distillery's tipples, it also uses Bass and Flinders' grape-based eau de vie spirit, which creates a particularly smooth texture. "It is a standalone gin that's wonderful neat, or alongside creamy sauces and strong cheeses," says head distiller Holly Klintworth — or, you could opt to make your own truffle martini. Whichever way you'd like to drink it, the truffle gin is available from Friday, July 13 from Bass and Flinders' cellar door in Victoria's Red Hill, as well as via the distiller's website. If you happen to be in the vicinity of the former on Saturday, July 14, you can also take part in a truffle hunt, which includes truffle gin tastings plus cocktails with cheese platters.
Underground CBD steakhouse Bistecca will be transformed into an art gallery for negroni week. Last week, it commissioned five artists — pop artist Saint Ali, painter Marissa Mu, landscape artist John Sheehy, designer Jesse Chick and portrait painter Sangeeta Saras Lachmaiya — to create a piece of art live in the space. And, from June 17–28, that art will be auctioned off to a charity of each artist's choice. Punters can peruse the artwork with negroni in hand, and choose to bid on one, too. You can check on the current bids at the Bistecca website, with the winners will be announced on Friday, June 28. For the strictly negroni side of things, the Bistecca team has created a Four Pillars version, with $1 from each drink donated to Orange Sky, a charity that aids homeless people across Australia. Image:Dominic Loneragan
What do fashion photography, Catholic iconography and dirty rock stars all have in common? Firstly, they’re all full of foxy ladies. But more specifically, they all serve as inspiration for Sydney-based artist and go-go dancer Bridie Connell. Drawing on personal and fictional narratives, visual metaphors and dark humour, Connell investigates an ongoing interest in representations of women and femininity in art and popular culture. She’s also the brains behind Gaffa’s latest group exhibition Hello Dolly, for which she’s amassed a whole bunch of artists (both male and female) to contribute their own visual perspectives to her venture. Along with Connell’s own work Hello Dolly will involve performance artist Liam Benson’s exploration of how our cultural environment influences the conventions of gender roles, Stephen Giblett’s hyperreal oil paintings and Simon Lovelace’s sexy neo-pop art heroines. Along with other excellent local artists including hilarious duo The Motel Sisters, who are “hotter than Twitter and sweeter than a Wendy’s Sherbitt Whip”, they’ll all pay tribute to the personas we create, admire and desire through the use of fashion, costume, make-up and disguise.
Barkindtji, Yorta Yorta and Dhudaroah artist Tegan Murdock was taught to weave by her mother. Now she is sharing this special craft in workshops that create conversations about culture and Indigenous experience while providing a meditative space to work with your hands. At a Ngumpie Weaving workshop you'll start with the basics to create an intricately woven basket. Murdock's visits workplaces, schools and homes to set up her sessions but she also runs them remotely so you can organise a class via Zoom with all the materials provided beforehand. And if you want more Indigenous weaving in your life, check out Murdock's beautiful woven jewellery, wall hangings and starter kits available online at Ngumpie Weaving.
The Bar at Buena Vista, Cuba's Grandfathers of Music [and Grandmother], brings the music and spirit of 1940s and 1950s Havana, the golden age of Cuban Jazz, to the State Theatre in Sydney. This is when the musicians of the now infamous Buena Vista Social Club first began playing together. They were re-united in 1997 to record an album, which spawned a concert and also the hugely successful Wim Wenders documentary. This in turn brought many of Cuba's exceptionally talented veteran jazz stars to our attention, most of whom went on to tour and to record albums with seemingly tireless enthusiasm, while our appetite for their magical music has remained similarly unfettered. The show, written and directed by Toby Gough, promises to recreate the 'bar' at the Buena Vista Social Club, giving us a unique chance to experience the magical atmosphere and infectious sounds of this legendary venue. Cuban masters: Reynaldo Creagh, 93, lead singer; Maestro Rubalcaba , 84, on piano; and Maracaibo, 83, on guitar, will be taking the stage with Cuba's original diva, the singer Siomara Avilla Valdes Lescay. The scene will be completed with a full band and troupe of dancers.
Australia might be working through a few issues, but delivering top-shelf world-class cocktail bars sure ain't one of them, as again proved at last night's World's 50 Best Bars awards in London. Now in its ninth year, the prestigious awards ranked Sydney bar The Baxter Inn at number 45 in the world. Melbourne's Black Pearl came in at number 22, the same spot it claimed in 2016's list. This year, however, the bar backed it up with a few extra accolades, scooping the gong for Best Bar in Australasia and honoured with the title of Legend of the List, for its efforts in making the cut each year the awards have been held. Taking out top spot, along with the title of Best Bar in Europe, was The American Bar at London's Savoy Hotel. This is a win for us Aussies also — the international cocktail icon just announced it'll take over The Black Pearl and Sydney's Eau De Vie for a series of pop-ups later this month. London again proved the most represented city in the list, honoured with eight top 50 placings. The World's 50 Best Bars awards is voted by a group of over 500 industry experts from across 55 countries.
Have you got New Year's Eve plans yet? If you don't, it's not too late to get tickets to a waterfront party on the harbour. At Destination NYE, you'll have access to a three-level party at Cruise Bar in Circular Quay. For one night, Cruise Bar will be transformed into a huge New Year's Eve party. On level one is the Ibiza playground — with water views, a sprawling open air terrace and tunes. Paella, barbecue food, burgers and salads will be available from food carts by the water and there will be 14 DJs, live vocalists and musicians pumping the New Year's Eve vibes all night. Mr Doris, who won Best DJ at the 2016 Ibiza DJ Awards, will be supplying many of the tunes. On level two you'll feel like you're at a luxe Shanghai party. There will be hawker style noodle boxes and a tasty assortment of dumplings available for purchase, and you can book yourself into a booth for prime firework-watching opportunities. On level three there's a masquerade New York-themed rooftop party. It's a little pricier, but you'll get a free beverages (including a glass of champagne at midnight and on arrival) and food, and you'll get to spend your New Year's Eve at a glamorous masquerade party. The whole event kicks off at 6pm and will go until the early hours. Get your tickets here.
Let's be honest, interstate trips are the perfect budget-friendly breather. You get all your well-deserved downtime, without the fuss of long-distance flying and complicated international travel requirements. These Airbnbs are perfect for just that — with breathtaking views of cities across Australia for the perfect getaway. If you're eagerly planning day trips, weekend getaways and luscious week-long vacations, check out some of the best Airbnbs for the perfect vacation — or staycation — across Australia. Tamarama Panorama, Sydney In keeping with the beachside neighbourhood's "glamarama" reputation, the views from this home's floor-to-ceiling windows are dazzling. You can walk down your outdoor staircase to the beach, or just lay out on the balcony chairs and enjoy the ocean views from up above. From $700 a night, sleeps six. Harbour Hideaway, Sydney The views from this beachfront apartment and its gorgeous porch are hard to beat. If viewing the golden sand and blue water from above wasn't quite enough, the pad also has beach access. From $500 a night, sleeps two. Opera House Views, Sydney Whether you've lived in Sydney your whole life or you're just popping in for the weekend, this condo's jaw-dropping outlook over the city skyline will make you feel like you're seeing it for the first time. From $258 a night, sleeps four. Bondi Beach Ocean View, Sydney Only steps away from Sydney's most famous beach, this condo is close to not only Bondi Beach but also many nearby restaurants, bars and cafes. But its views will probably have you wanting to stay in. From $400 a night, sleeps two. Single-Bedroom Luxury Apartment, Melbourne Perfectly positioned near The Crown in the heart of Melbourne, you can take in pretty much all of the CBD from the floor-to-ceiling windows in this high-rise apartment. From $160 a night, sleeps two. Melbourne Spaceship Penthouse, Melbourne With windows on the walls and ceilings resembling a spaceship cockpit, enjoy an unmatched 270-degree view of Melbourne. From $258 a night, sleeps two. Breathtaking CBD Views, Melbourne Also conveniently located in Melbourne's CBD, the views from this apartment's bedroom are absolutely breathtaking. From $143 a night, sleeps four. Stylish Waterfront Apartment, Melbourne With utilities such as a gym, swimming pool and BBQ area all available, this property is a peaceful waterfront oasis — and only a free tram ride from Melbourne's bustling city centre. From $150 a night, sleeps two. Million Dollar Views, Brisbane Surprisingly, the real selling point of this high-rise apartment isn't its central location or its nice interior finishings, but the view from the apartment complex's rooftop pool. From $221 a night, sleeps four. Stylish One Bedroom, Brisbane Centrally-located and modern, the skyline views from this apartment and its roof will make even Brisbane locals feel like they're on a luxury vacation. From $189 a night, sleeps two. Riverview 29th Floor Apt, Brisbane Located in the heart of South Brisbane, treat yourself to stunning city views from the apartment, balcony, or rooftop infinity pool. From $205 a night, sleeps three. City View, Perth Slide open the glass doors after a long day exploring the city and enjoy the sunset over Perth from your living room. From $200 a night, sleeps two. Cottesloe Beach View, Perch Just steps from one of the most popular beaches in Western Australia, the ocean views are the star of this apartment. From $410 a night, sleeps four. French Farmhouse, Perth Craving a nature immersion? This pad is for the traveller whose ideal vacation involves forgetting about the outside world altogether. With a foliage-covered courtyard outside its windows, this rustic townhouse will help you forget about the existence of the city centre a mere five minutes away. From $200 a night, sleeps four. Glenelg Beachfront Apartment, Adelaide With arguably the best waterfront views on this list, this apartment gets up-close and personal with Glenelg Beach. But, just in case you get tired of the unrestricted views, there is plenty to do nearby in Adelaide's CBD. From $405 a night, sleeps four. Pearl, Adelaide A cosy and bright beachfront cottage, this recently renovated designer property boasts a sea view that can be enjoyed from the open lounge and kitchen or stone patio that leads directly onto the dunes. From $336 a night, sleeps four. Asri Garden Studio, Adelaide For secluded garden views, check out this tranquil studio inspired by Japanese and Balinese design. It's all about nature: nestled into a secluded garden and designed to incorporate natural materials and natural light. From $200 a night, sleeps two. View Studio, Hobart The best way to end an action-packed day in Hobart? Taking in the epic views of the city's lights from the bath in this Airbnb's master suite. From $235 a night, sleeps two. Tiny House Tasmania, Hobart For those looking to experience the tiny home craze, a trip to Hobart may be the perfect opportunity. This home overlooks the Derwent River and notably features an outdoor bathtub perfect for a relaxing evening after a day spent exploring. From $195 a night, sleeps two. Mountain View Retreat, Hobart If you prefer to get your outdoor fix in the mountains, this cosy mountainside retreat is only minutes away from Hobart — but has stunning views. From $140 a night, sleeps two. Marina Views, Darwin Enjoy this property's stellar view of the marina from its all-day shaded balcony, to keep you out of Darwin's heat. From $180 a night, sleeps four. Harbourfront Escape, Darwin This apartment right on Darwin's harbour will give visitors the perfect taste of Darwin's coastal life: explore during the day — or night — and then returning to the complex's outdoor pool and sunset views. From $189 a night, sleeps two. Opulent Ocean View Townhouse, Darwin Nestled in a quiet cul-de-sac, this townhouse boasts waterfront views in a prime location in Darwin's Stuart Park. Suitable for families or for a private getaway, you can switch off in this spacious stay and soak in the gorgeous sunrises — or sunsets — by the pool. From $481 a night, sleeps eight. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: courtesy of Airbnb
Whether you’re sipping on an elegant cocktail, smashing a VB at the pub or prefer your drinks on fire, everyone gets the drunken munchies. The below bars and restaurants are not only cool joints in their own right, they also encourage your boozy snacking – for free. THE LITTLE GUY What: The best popcorn. Ever. When: Available all day, every day Secretly spiced popcorn flows endlessly at the iconic Glebe bar. Their commitment to craft beer, love of all things bluegrass and nightly live music gives this little bar some big personality. The small eats menu is bar-bite focused as well, but the popcorn is worth grovelling for. Not that the loveable bartenders would make you: the popcorn is passed out in endless bowlfuls. MOJO RECORD BAR What: Tasty Toobs and Cheezels When: Available all night Dan Noble and the crew have hung up their pork crackling days for some vego friendly options. When the Tasty Toobs run out, the Cheezels are poured a plenty. Apart from these cheesy, salty freebees that help stave off those craft beer munchies, Mojo has some exciting upgrades ahead: including a top secret new menu and a live music venue. More on that to come. SHADY PINES SALOON What: Wild West peanuts When: Available all night Difficult to locate and worth the alleyway confusion, Shady Pines is no fancy cocktail bar; this no-frills saloon serves the most basic and necessary of bar snacks — shelled peanuts. This adds to the real country feel, though the cowboy hat-wearing bartenders, mounted game and blasting country music certainly add to the charm. Try the signature George Dickel cocktail ($8.50) — whiskey and fresh apple juice — while you munch away. UNCLE MING'S What: Snow pea crisps When: Available all night The underground bar is serving up its own brews, whiskey on fire and colourfully named cocktails — try the Misty Mountain Manhattan ($20) or the share cocktail Wet Bush ($42). Yes, there is plenty to love about the red-lit, speakeasy-style bar, but customers come craving the complimentary snow pea crisps. The dumpling menu ($9) is worth a look too, but these little snacks are a perfect complement to the boozy atmosphere. THE WILD ROVER What: Smoked almonds When: Available all night The Safari-painted walls, array of craft beer options and $1 oyster happy hour are much loved at this Irish pub, as are the free smoked almonds that will make your mouth water and keep the beers coming. Sip your beer from a steel mug while munching away on these irresistible treats. If you’re up for a bit of craic, this is the place to be. HINKY DINKS What: Retro Popcorn When: Available all night The 1950s style bar has a mantra: "cocktails first, questions later". And those first cocktails come served with free paprika sprinkled popcorn. Popped in a retro red machine and served in blue and white county fair cups, this bar snack is best eaten with a popcorn tequila cocktail ($18 – $22). Be sure to stay for dinner — the American-inspired menu won Best Bar Food from the Australian Bar Awards. TATLER SYDNEY What: Chilli Coated Nuts When: Available all night The live music on every week, artsy lounge area and posh cocktail menu isn’t the only reason to visit this popular night club. They offer complimentary chilli coated nuts — a delicious complement to any beverage. The snack is a milder cousin to wasabi peas and is an upscale take on the standard bar snack. This is the perfect bar to extend your night after dinner at Hinky Dinks next store. BAXTER INN What: Endless bowls of Pretzels When: Available all night The ultimate spot for swanky whisky lovers, the free pretzels are a simple yet necessary accompaniment to your drink here. Gaze up at the library wall of backlit whisky bottles while the retro dressed bartenders serve up these salty snacks. There will be no shortage here — the bowls seem to appear on telepathic command. EARL'S JUKE JOINT What: Spiced snack mix When: Available all night The 'Betta Meats' bar is always sure to have great beer, a good crowd, friendly bouncers and cool bartenders. They're also always sure to serve complimentary bar snacks, whether it be a bowl of mixed nuts or a spiced snack mix. They currently have Batch Brewing Co's What-A-Melon beer in 640ml bottles ($16), perfect to share with a date over some pre-dinner snacks. TIO'S CERVECERIA What: Bag o' Popcorn When: Available all night At the Surry Hills spot for all things Mexican kitsch, you can get an entire bag of popcorn all to yourself. It's flavoured with sweet and smoked paprika, a salty snack that goes well with their margaritas and Rio Bravo cerveza — the beer sits on ice below hanging bras and an alter to a haloed dog. The full menu of Mexican favourites and the rowdy crowd add to the fun atmosphere. GIGI What: Peanuts with your Pizza When: Available all night Newtown's most popular pizza joint always comes with a queue. Luckily, it also comes with a bowl of peanuts to stave off your pizza cravings. After all, Italian restaurants should be filled with family, friends and happiness, not hangry hipsters starving for a slice. Brilliantly, Gigi’s keeps the ambiance, and the waiting, worth it with their simple bar snack. RAMBLIN' RASCAL TAVERN What: Corn Nuts When: Available all night Why pop it when you can have it fried. The little bowl of crunchy corn kernels taste great with beer, cocktails or Mary's burgers — that's right, Ramblin' Rascal now has the Newtown favourite in-house. The hidden bar and throwback decor takes you out of the CBD in more ways than one. BAKER BROS What: Classy olives When: Available Fridays from 4pm until late This espresso bar turned Friday happy hour venue emphasises good coffee, good food and good wine. Sticking true to its Italian roots and ever feeding its patrons, Baker Bros serves olives as its bar snack of choice. They also have a bar and chef's menu available, making Friday hands down the best day to visit this friendly spot. BUTTON BAR What: Indian-style peanuts When: Available all night Served in an Indian-style curry pot, the classic bar snack is made fancy at Button Bar. The dimly lit, wooden pub bar is cosy even in its packed, noisy atmosphere. The mulled wine ($9.50) and extensive spirits menu adds to this vibe. You can also get 'Pizza All Night' ($12-$16), a hard bargain to pass up. THE DOCK What: Popcorn and dancing When: Available all night (mostly) With hilarious bartenders, a fun crowd and nights full of '90s pop, this wacky Redfern joint is an ever-changing cast of characters. But the old-school dancing isn't the only freebee at this bar — you can also get free popcorn all night long. Drink, eat, dance and be merry.
There are many ways to do Vivid. But not many combine gazing at the epic views and escaping the crowds while sipping premium wines — until now. Premium wine producer Grant Burge Wines is packing up some of its best stock and bringing it up from the Barossa Valley to host a pop-up cellar door at The Squire's Landing during the festival. You'll have just five nights to join chief winemaker Craig Stansborough for a wine tasting backdropped by incredible views of the Sydney Opera House and Harbour Bridge swathed in light. You'll start your evening with sparkling wine and canapés before Stansborough guides you through a flight. The list features premium drops from Grant Burges Wines' most coveted ranges. And to celebrate this special wine tasting series, we're giving away three double passes, worth $100 each, to the final session at 7.30pm on Sunday, June 2. Enter your details below for a chance to win. [competition]717195[/competition]
The InterContinental Sydney is a five-star stay in the heart of Sydney that boasts 509 guest rooms (including 28 suites) and two bars — one of which provides some of the most spectacular views of the harbour and Opera House you can find on offer. Set within the restored and heritage-listed Treasury Building on Macquarie Street, the hotel gives guests a reliably excellent five-star experience from check in to check out. Luxuriously spacious rooms furnished in an amalgam of calming blue tones pay homage to the water you can see from the view of your signature cloud bed. If, like us, you are very fond of a hotel bar, of the two available on site, the first is appropriately named The Treasury — a classic lobby bar decked out in fresh greenery and sleek Art Deco interiors. The second is the sky-high rooftop bar Aster located on the 32nd floor of the hotel. The rooftop has been equipped with an outdoor terrace primed for sipping cocktails as you take in the uninterrupted views of Sydney's skyline. No better place for a margarita as the sun goes down before you hit the town for dinner or stroll down to the Opera House for a show.
Biannual art and design markets The Finders Keepers is returning for its autumn/winter iterations, bringing shoppers the latest and greatest from its stellar lineup of Australia's most creative makers. The Eora edition is taking over The Cutaway — the staggering sandstone-walled space in Barangaroo — from Friday, July 29 to Sunday, July 31. Joining the creatively charged stalls is a tasty range of food and beverage offerings — all the makings of a prime day to get out, have a chat with artists and support the industry. At the core of the conscious shopping space is a focus on helping you discover and connect with the next wave of independent and emerging artisans — specifically, local designers. So, you can expect to find everything from jewellery, fashion and ceramics to leather goods and body products. And, for the market's return to Sydney after more than a year, there's a swarm of new makers joining the long-held faves. Confetti Rebels will have you sorted for all of your slogan-tee needs, Bea Bellingham is back and bringing her playful ceramic creations along and newcomer Jus Gudi will have its boldly printed, consciously created fashion pieces at the ready. Plus, you'll be able to peruse the bright and upcycled apparel from Deadly Denim, the 2022 Finders Keepers Indigenous Program stall. The legendary ladies from SIP'ER will be slinging top-notch vinos, Yulli's will have you sorted on brews and whisky and Brookie's Gin will send you home with their premium tipples. As well as nabbing a ticket to enter — which is just $5 for daily general admission — be sure to remember that the market is completely cashless. So check (then check again) that you've got your digital (or plastic) payment methods at the ready — it would be a travesty to leave empty handed. The Finders Keepers Autumn/Winter Markets take place on Friday, July 29 (4–9pm), Saturday, July 30 (10am–5pm) and Sunday, July 31 (10am–5pm) at The Cutaway, Barangaroo. For more info and to check out the full vendor lineup, head to the website. Images: Samee Lapham
UPDATE, April 24, 2021: Parasite is available to stream via Stan, Google Play, YouTube Movies, iTunes and Amazon Video. When writer-director Bong Joon-ho lets two families roam around and unleash their best and worst in an opulent South Korean mansion, he couldn't have placed them in a better spot. The kind of house that anyone would dream of living in, Parasite's main setting is a multi-storey playground filled with wide-open spaces, gleaming surfaces and modernist decor, all opening out onto a grassy, leafy backyard. A real estate agent's fantasy as well, this not-so-humble abode is the bricks-and-mortar pinnacle of success and wealth. As created by production designer Lee Ha-jun to meet Bong's specific vision (a real house that matched the filmmaker's needs simply didn't exist), the labyrinthine structure is a puzzle box, too. Within its walls, mysteries linger. Here, anything and everything could happen. Parasite proves exceptional in every single frame and detail that it flicks onto the screen — but the way that this sprawling central home encapsulates the movie's very essence is a towering feat. Already lauded and applauded, not to mention awarded the top prizes at both the Cannes and Sydney film festivals, Parasite isn't short on achievements. Internationally renowned and beloved as the auteur behind The Host, Snowpiercer and Okja, Bong has crafted a bleak, twisty blend of black tragi-comedy, pulsating thrills and socially relevant horror — a movie that's such a phenomenal example of all that cinema can and should be that you'll want to high-five the filmmaker after watching it. Parasite possesses a pitch-perfect cast of both veteran and up-and-coming actors, all playing their parts with devastating precision. It's scripted, with Okja assistant director turned first-time co-writer Han Jin-won, to tease, mesmerise, infuriate, satirise and amuse in equal measures. And its look and pace, courtesy of the finessed work of cinematographer Hong Kyung-pyo (Bong's Mother) and editor Yang Jin-mo (Bong's Okja), is as polished and probing as its all-important setting. When viewers first meet Ki-taek (Song Kang-ho), his wife Chung-sook (Chang Hyae-jin), and their young but grown-up children Ki-woo (Choi Woo-shik) and Ki-jung (Park So-dam), they're dwelling in a damp, cockroach-infested basement apartment. They're also all out of work. Piggybacking whichever unlocked wi-fi network they can find keeps them going — and, when the streets outside are being fumigated, the family isn't opposed to keeping the windows open to take advantage of the free pest control (health consequences be damned). Combined, their only regular source of income comes from folding pizza boxes, with zero other prospects on the horizon. Then Ki-woo's former classmate Min (Park Seo-joon) asks if he'll fill in at a lucrative private tutoring gig. While Ki-woo doesn't have the requisite university degree such a position usually needs, it's easy to manufacture thanks to Ki-jung's impressive photoshop skills. Taking plenty of cues from this early bit of subterfuge, Parasite could be dubbed the ultimate 'fake it till you make it' movie. Stepping foot inside the film's main setting, Ki-Woo wows not only his new, quickly love-struck teenage pupil Da-hye (Jung Ziso), but her flighty mother Yeon-kyo (Cho Yeo-jeong) too. He's soon part of the household, which also includes tech entrepreneur patriarch Park (Lee Sun-kyun), pre-adolescent son Da-song (Jung Hyeon-jun) and their housekeeper (Lee Jeong-eun). With Ki-woo eager to bring his own family into this rich, luxurious orbit, an underhanded plan emerges. Without spoiling any specifics from this narrative juncture onwards, Bong was inspired to write Parasite after spotting a smudge on his pants. This intriguing tidbit gives very little away, although corrupting an otherwise pristine environment — and pondering whether a splatter of disarray makes supposed perfection and privilege better or worse — is the film's thematic stomping ground. The movie's lush locale draws viewers in, all so that it can shatter the allure. Slippery performances, with seemingly clear-cut characters becoming anything but, do the same. So too does Bong and his crew's exacting craftsmanship, which keeps audiences both immersed and guessing. Add shifting tones and changing genres to the fold as well, because evolution and elusiveness are among the movie's most crucial tools. Indeed, from sets and actors to framing and mood, every element of Parasite is weaponised. More than that, it's all calibrated and wielded for maximum impact. This isn't just a killer picture on all of the standard levels, however. Contemplating society's growing class collisions and inequities, Parasite also makes a killer statement. It shouldn't escape attention that three of the past year's absolute best and most astute works, all from South Korean or Japanese filmmakers, have taken aim at the increasing gap between the haves and the have nots. Or, looking to America as well, that one of 2019's great horror releases plays in the same terrain while also bringing race into the equation. Parasite shares its grifting, struggling family with Hirokazu Kore-eda's Shoplifters, its tonal flips and wiliness with Lee Chang-dong's Burning, and its malevolent tone with Jordan Peele's Us, adding to a blossoming field of urgent, intense and diverse cinema that interrogates the societal status quo with a rightfully scathing eye. That said, there's no mistaking Bong's dark, devious and delightful thriller for any other film — or for anything but a hands-down masterpiece. https://www.youtube.com/watch?v=w_0KJAzyUJc
The What We Do in the Shadows franchise shows no signs of dying, with the American TV comedy spinoff from Taika Waititi and Jemaine Clement's hilarious movie still going strong. But one part of this saga did say goodbye, with fellow television sitcom Wellington Paranormal running for four seasons between 2018–2022. Been missing its comic take on Cops? It's now living on with a companion podcast. Back before Wellington Paranormal initially arrived, Waititi described it as "Mulder and Scully but in a country where nothing happens". With the brand-new podcast — which is called The Wellington Paranormal Podcast — the actors behind those fictional New Zealand police officers are chatting through the show. So, get ready to spend time with Karen O'Leary (Red, White & Brass) and Mike Minogue (My Life Is Murder), who played officers Karen O'Leary and Mike Minogue, as they dive into the making of the hit series. On TV, O'Leary and Minogue were Wellington's trusty paranormal investigators, with help from the always-eager Sergeant Maaka (Maaka Pohatu, Our Flag Means Death) and Officer Parker (Tom Sainsbury, Loop Track). That meant not only trying to keep the city safe from not only vampires and werewolves, but also from ghosts, aliens and more, in a show that was equally funny and silly — and never afraid to enlist familiar faces. As podcast hosts, O'Leary and Minogue will also be bringing in guests, including Pohatu and Sainsbury. Other actors will also feature, plus writers and directors, with exactly who else will be popping up left as a surprise. Listeners can tune into the end results from Thursday, November 23, with new episodes available weekly, via Apple Podcasts, Spotify and other podcast apps. Definitely present from the get-go: O'Leary and Minogue's familiar banter. "Karen and I are excited to be bringing this podcast to our fans all around the world. They'll both be thrilled," said Minogue about The Wellington Paranormal Podcast. "We're looking forward to dissecting each episode as well as talking to both the people who created the show, and celebrity fans who, correctly, think Wellington Paranormal is the greatest thing to ever appear on screen." The Wellington Paranormal Podcast starts streaming from Thursday, November 23, with new episodes available weekly, via Apple Podcasts, Spotify and other podcast apps.
For those that need a glass of wine to feel confident enough to get creative and paint, especially in public, Cork and Canvas is waiting. Offering public painting sessions and private events, this paint 'n' sip studio does not offer your typical art class. Aspiring artists are invited to BYO drinks and nibbles to enjoy while they paint — fridges, plates, glassware and all painting supplies are provided. Each session takes on a different theme, with the Cork and Canvas team taking you step-by-step through creating a Picasso-esque portrait of your mate, a pop-art-style painting of your pet, or the next Banksy exhibition piece. Sessions will set you back between $50–80, and groups of four or more score a cheeky discount. If you're looking for somewhere to host your next work party, private sessions can be booked for up to 53 painters. Walk in with a little liquid inspiration and walk out with a new masterpiece. Image: Trent Van der jagt.
Who said cocktails were just for drinking? Grain Bar at Four Seasons Hotel Sydney is throwing out the rule book with its latest cocktail menu, which has been designed to ignite all five senses. Crafted by Grain Bar's in-house mix master Sarath Nair, the Epic Sensory Cocktails menu is a five-drink lineup designed to tickle your taste buds, gnaw at your nose, mess with your vision, and even get your hands in on the action. Each creation has been inspired by one of the five senses — sight, sound, smell, taste and touch — and they drinks are made to be felt just as much as they're made to be sipped. The most theatrical of the bunch? That'd be Shattered, a rosemary-smoked, rye whisky-based cocktail encased in a globe of ice that takes Nair 14 hours to handcraft, but will likely take you 0.14 seconds to smash open with the tiny hammer with which it's served. It's not every day that you can get away with playing with your food — especially not at a five-star hotel — so be sure to enjoy it. If you're looking to light up your olfactory senses, go for The Perfumed Bloom, a delicate jasmine and sparkling wine number served with a house-made cherry blossom perfume to spritz and sniff before sipping. Other standouts include the visually stunning Heart of the Garden, served under a glass cloche which is lifted tableside to reveal clouds of lemongrass and ginger smoke. Under the cloche, the elegant citrus and floral drink is presented on a miniature garden and topped with an edible jelly heart. Additionally, the Pina Fizz is a playful, tropical, rum-based sipper featuring pineapple and coconut soda, and served with fairy floss for a soft, tactile surprise. And if you really want your tastebuds to dance, the mushroom-infused vodka in the Palette Pop will take your palate on a ride through each of the five flavour notes — sweet, sour, bitter, salty and umami. It's also fully customisable according to your tastes, so feel free to turn up the dial on your preferred flavour. "I've worked in cocktail bars across the world with the Four Seasons," says Nair. "With the launch of Epic Sensory Cocktails, I wanted to create something that pushes the boundaries. These aren't just drinks, they're stories brought to life through the senses. From the smash of ice to a spritz of cherry blossom perfume, each detail is designed to awaken and surprise." The Epic Sensory Cocktails menu is now available at Grain Bar Four Seasons Hotel Sydney, 199 George Street, The Rocks. For more information, head to the venue's website.
For the third time in the 2020s, Fatboy Slim is heading to Australia to break out 'Right Here, Right Now', 'The Rockafeller Skank', 'Praise You' and plenty more dance-floor fillers. After touring the country in 2020 and 2023, the dance music legend is returning in March 2025 on a five-stop trip, four of which will get him spinning tunes in wineries. "Like the crazy drunk uncle who turns up every Christmas, I'm coming back to my Aussie fam once again. Expect the usual inappropriate behaviour and interpretational dancing," said Fatboy Slim, aka Norman Cook, announcing his latest Down Under visit. [caption id="attachment_975623" align="alignnone" width="1920"] neal whitehouse piper via Wikimedia Commons[/caption] Trying to dance like Christopher Walken, pretending you're in Cruel Intentions, being transported back to the late 90s and early 00s: that's all on the agenda again. So is making shapes to DJ Seinfeld, CC:DISCO! and Jennifer Loveless, who'll be supporting the British legend at all five gigs. The tour is kicking off in Perth, at the only show that isn't at a vineyard, on Friday, March 14. From there, Fatboy Slim has a date with Centennial Vineyards in Bowral, Peter Lehmann Wines in the Barossa Valley, Mt Duneed Estate in Geelong and Sirromet Wines in Mount Cotton. [caption id="attachment_878696" align="alignnone" width="1920"] Carlos Luna / Secretaría de Cultura CDMX via Wikimedia Commons[/caption] Cook has been making music since the 80s, but took on the name Fatboy Slim in the mid-90s, starting with 1996 record Better Living Through Chemistry. His 1998 album You've Come a Long Way, Baby was the club soundtrack to end the 20th century — a staple of every 90s teen's CD collection, too. As for 2000's Halfway Between the Gutter and the Stars, it gave the world 'Weapon of Choice' and its iconic Walken-starring (and Spike Jonze-directed) video. Fatboy Slim's discography also spans 2004 album Palookaville and 2013 single 'Eat, Sleep, Rave, Repeat'. [caption id="attachment_878697" align="alignnone" width="1920"] Secretaría de Cultura de la Ciudad de México via Wikimedia Commons[/caption] You might not be able to dance along the walls when Cook hits the decks — but you'll want to thanks to his big beat sound. Indeed, alongside the Chemical Brothers, The Prodigy, Basement Jaxx, The Propellerheads and Crystal Method, he helped bring the style to mainstream fame. If you've seen Cook live before — or the epic live video from his 2020 Melbourne gig at the Sidney Myer Music Bowl that's notched up more than 3.2-million views — then you'll know that any Fatboy Slim tour is always news to get excited about right about now. Fatboy Slim 2025 Australian Tour Friday, March 14 — Langley Park, Perth Saturday, March 15 — Centennial Vineyards, Bowral Friday, March 21 — Peter Lehmann Wines, Barossa Valley Saturday, March 22 — Mt Duneed Estate, Geelong Sunday, March 23 — Sirromet Wines, Mount Cotton Fatboy Slim is touring Australia in March 2025. Early-bird tickets start from 1pm local time on Friday, October 11, 2024, then presales from 2pm on Tuesday, October 15, then general sales from 10am on Friday, October 18. Head to the tour website for more details. Top image: Selbymay via Wikimedia Commons.
After months of WFH, there's been an understandable shift to letting our locks grow longer, seeing how bushy our beards can get, and generally opting for less personal grooming than we did before. But it's not always a good long-term strategy for keeping your hair looking its best. And, when you are ready to shed some split ends or dye that regrowth, there's nothing more transformative than a trip to the salon. We've teamed up with American Express to bring you a list of the city's top hairdressers and barbershops, so you can treat yourself to a hot towel shave, a deluxe head massage and a professional haircut. From award-winning celebrity stylists to 40-year-old barbershops, you can shop small at these salons and barbers with your Amex Card.
For some, the best thing about winter is the cosy indoor opportunities to escape the cold. Who can deny the almost spiritual joy of snuggling down next to a wood fire or cuddling up inside thick sandstone walls while the weather outside seems a world away? And if there's a glass or two of vino going, so much the better. If this sounds like a heavenly way to spend a winter's day — and you're ready for a seasonal switch from tannin' to tannins — put these five exquisite Tasmanian wineries at the top of your winter to-do list. We've tracked down a winery from nearly every corner of Tassie that'll warm the cockles of your heart — whether you're after biodynamic and sustainable practices, premium tastes in heritage buildings or a glass of red with the comfort eats of an Italian osteria. You are about to fall in love with a whole cool-climate wine culture — you'll never sip a pinot noir the same way again. [caption id="attachment_719342" align="alignnone" width="1920"] Chris Crerar.[/caption] MOORE'S HILL — TAMAR VALLEY How many wineries come with their very own dog? Well, Moore's Hill does; the loveable Otto is a regular fixture by the fireplace in winter. Located in the lush Tamar Valley, a 40-minute drive from Launceston, you'll come upon this boutique vino-producing estate that happens to be Tasmania's first 100-percent solar-powered winery. The fireplace at the cellar door is always lit for the chilly season, so you can drop by any day from 10am–5pm for a cosy guided tasting of current release wines (which are free for groups smaller than ten, too). Moore's Hill also offers a wine and chocolate tasting, as well as a whisky tasting, should you need a little something extra to really warm the soul. [caption id="attachment_719279" align="alignnone" width="1920"] Tourism Tasmania and Nick Osborne.[/caption] POOLEY WINES — COAL RIVER VALLEY Make sure to add Pooley Wines to your winter getaway. It's a vineyard with pedigree — three generations of winemakers have brought forth this nectar, producing some of the finest pinot noir, chardonnay and riesling on the island. Located in the Coal River Valley, it's proudly the first fully accredited environmentally sustainable vineyard in Tasmania. The cellar door (open 10am–5pm daily) is snuggled within the thick sandstone walls of the stately 19th-century Belmont House on the Butcher's Hill estate. With a swag of awards to its name, particularly for its pinot noir and riesling, Pooley will ensure you're sipping premium drop after premium drop. STEFANO LUBIANA — DERWENT VALLEY Stefano Lubiana Wines is an exceptional winery, being Tasmania's first and only biodynamic vineyard. This family-run winery opens its cellar door to wine-lovers from 11am–4pm Wednesday to Sunday. Sample the six-taste offering — including the bright and delightful Primavera pinot noir or a biodynamic reserve merlot — at $5 per person, or sit down for a structured tasting of exclusive museum and flagship wines for $35. The vineyard also distils its own grappa brandy, which is the perfect nip for a nippy Tassie winter. And then there's Stefano Lubiana's on-site Italian eatery, Osteria, that blends rustic food tradition with fine dining. The menu is fresh and seasonal, with locally sourced ingredients. Stay for an expertly paired meal and wine to taste the terroir and the country produce all in one go. [caption id="attachment_719278" align="alignnone" width="1920"] Pete Harmsen.[/caption] DEVIL'S CORNER — EAST COAST For some seriously cool architecture to match your cool-climate wines and the surrounding cool temps, you'll have to hit the east coast and check out Devil's Corner. En route to Freycinet National Park, Devil's Corner is a winery with a wild edge. Looking down to Moulting Lagoon and the Hazards mountain range, the vines are exposed to the elements, which creates a unique, intense flavour. In the winter, the cellar door opens daily from 10am–4pm from June to September and tastings are free for groups of up to seven (larger groups pay $5 per person). With regular music sessions and both a seafood restaurant and pizza cafe, this is a winery that can keep you toasty warm as you enjoy views over the wintry landscape. And in even more reasons to visit, Tassie's Festival of Voices will host a gig at the winery on Sunday, June 30. FROGMORE CREEK — COAL RIVER VALLEY If you don't want to stray far from Hobart but yearn for that country vineyard experience, Frogmore Creek offers the best of both worlds. After just a 20-minute drive from the CBD, you'll reach a vineyard prestigious enough to draw celebrity visitors such as Margot Robbie. Within the expansive homestead of blue-grey timber, you'll find an award-winning cellar door experience. What's more, from July 1, the barrel room here features an open fire on weekends (and the occasional weekday) all throughout winter. Open from 10am–5pm daily, the cellar door offers samples from the different wine series for you to sip around the fire. The featured offering focuses on boutique harvests, reserve wines or minimal intervention drops. Away from the roaring fire, Frogmore Creek has spectacular grounds. But if it's too chilly for exploring, you can appreciate the sweeping valley vistas from the cellar door and restaurant's floor-to-ceiling windows. Top image: Moore's Hill by Chris Crerar.
Viewing overload may be a thoroughly modern dilemma, but it's one that we can all relate to. And, it doesn't just apply to the sheer volume of options these days — across cinema releases, film festivals, regular television, pay TV and the growing number of streaming platforms, for example — but also to the types of stories told. If you're feeling a little like you've seen every superhero flick, upbeat rom-com tale, cop procedural and bromance buddy comedy ever made, then the SBS Short Film Festival is here to deliver a huge dose of diversity. The new three-day event's main aim: to showcase not only different subjects, topics and formats, but work made by creators who are typically underrepresented in the screen industry. Dropping on SBS On Demand across Friday, September 13 and Sunday, September 15, the festival will feature 14 shorts, all from Australian talents — including folks from multicultural and Indigenous backgrounds, members of the LGBTIQ+ community and those living with disabilities. Different shorts will hit the free platform each day, recreating the real-world film festival experience. Of course, to enjoy this event, you just need a TV, laptop or smartphone. Highlights include the Aaron Pedersen-starring Out of Range, which sees the acclaimed actor plays a father trying to reconnect with his estranged son on the road; Amar, about the groom-less wedding of a Muslim woman with Down syndrome; and Bananas and Flavour Swap, each exploring the bonds of food and culture. On the documentary front, Limited Surrender focuses on an artist's plight after being diagnosed with multiple sclerosis, while Lost Daylight examines the stolen generation from a personal perspective, through the tale of a woman who was placed in the Sisters of Mercy convent at Brisbane's All Hallows' school in 1950s and 60s. Other titles include The Loop, hailing from Lorcan Hopper, a first-time television director with Down syndrome; Deafinition, which crafts its sights and sounds through the perspective of someone who is profoundly deaf; and the three-part Monsters of Many Worlds, a combination of live-action and animation on the topic of mythical creatures. The SBS Short Film Festival stems from the Short-Form Content Initiative, which is committed to increasing opportunities for Australian creatives from diverse communities. The 14 films were shot across Victoria, Queensland, Western Australia, South Australia and Tasmania, with funding assistance from Film Victoria, Screen Queensland, Screenwest, South Australian Film Corporation and Screen Tasmania. Check out the festival trailer below: https://www.youtube.com/watch?v=-ex32L9dC9k The SBS Short Film Festival hits SBS On Demand between Friday, September 13 and Sunday, September 15. Images: The Small Town Drifter, Michael O'Neill, Blur Films / Out of Range, Ryan Alexander Lloyd / Amar, Zahra Habibullah / Deafinition / Flavour Swap, Amy Brown / Lives In Action, Jurban Botany.
