With Lacoste tennis dresses donned, twee baked goods in hand and Famous Friend bingo card at the ready, we checked into Wes Anderson’s newest and wildly anticipated new pop-up book of a cinematic endeavour, The Grand Budapest Hotel. Murder, art theft, pastry and Adrien Brody's moustache — Anderson serves up his most diabolical, zany undertaking yet, using every trick in his own book. FUTURA IS DEAD Looks like Anderson has relinquished his hold on his longtime minimalist typeface go-to Futura, handing the reins to Lorde and Vampire Weekend and opting for a more weighted, slab serif font called Archer. Often featured in credits sequences of old Italian films, Archer is described by developers Hoefler & Co. as "sweet but not saccharine, earnest but not grave, Archer is designed to hit just the right notes of forthrightness, credibility, and charm." Film schools worldwide will undoubtedly be mass-installing the new typeface immediately. POLITENESS GETS YOU EVERYWHERE, EVEN OUT OF JAIL Sporadically reciting romantic poetry, giving lectern-delivered philosophical orations to the hotel staff about guest rudeness, serving up mush in prison with five-star finesse, Ralph Fiennes solidifies himself as downright godly in his role as M. Gustave, the flamboyant, charming and silver-tongued concierge of The Royal Budapest Hotel. Winning as many friends as he makes enemies, Fiennes sees Gustave balancing art theft, jailbreaks and cologne appreciation with breezy, theatrical conviction. Goes to show, a little complimentary affection will get you everywhere, darling. CELEBRITY BINGO MEANS A TOPNOTCH CAST A well-known fact, Anderson has accrued quite the crew of illustrious buddies simply by sticking with familiar faces all career long. Zissou-Tenenbaum-Rocket leads Bill Murray, Owen Wilson and Jason Schwartzman have stepped back from the top spots for cheer-inducing pop-ins and supporting roles, making way for the new Wanderson Posse of Edward Norton, Tilda Swinton and Adrien Brody. Prompting constant outbursts of “Ohhh, it’s that guy!” from cinemagoers, we’ve come to actually wait for Anderson’s flurry of crafty cameos. Once again, Anderson’s cohort of well-liked celebs play dress up and wear All The Moustaches, with every screen guru from Tom Wilkinson to Jude Law and Harvey Keitel making their fleeting moments count. Now with added newbies Lea Seydoux and Saoirse Ronan, being in a Wes Anderson cast is now the hottest bill around. JEFF GOLDBLUM MAKES LEGAL JARGON SOUND UNBELIEVABLY EROTIC Jur-is-diction. Ex-ec-u-tor. If Jeff Goldblum wasn’t mystical and unnervingly alluring enough, he’s gone and landed himself one of his most potentially meme-worthy roles to date, with circular, thick-rimmed spectacles to boot. Using flashcards to describe a murder scene without taking one eye off the camera, dumping his dead Persian in a trashcan and being chased through an art museum by Willem Defoe aren’t nearly as exhilarating moments as Goldblum simply reading the contents of a last will and test-a-ment. IF IT AIN'T BROKE DON'T FIX IT Meticulously premeditated and artful mise en scene, idiosyncratic scripting, perfectly flawed and outlandishly eccentric characters and a ukulele-fuelled soundtrack have become a formidable formula for Anderson, slowly developing into an extreme form of his own genre. After being royally reprimanded by critics for Moonrise Kingdom being a little too cute for their liking (heartless bums), TRBH sees the Twee King back on form with all the artful weirdness of The Royal Tenenbaums peppered with The Life Aquatic’s epic storybook set detail and The Fantastic Mr. Fox’s jolly good humour. With super zooms, painted landscape backdrops, frontal character portraits, horizontal tracking shots and whole lot of font, Anderson seems more settled in his own style than ever. And that’s quite alright, darling. The Grand Budapest Hotel opens April 10.
'Drink fresh' is the general rule of thumb when it comes to beer, but not all brews must be consumed according to a 'best by' date. Because really, some things are just better with age (see: wine, whisky, wisdom). And in actuality, some beers are better with some age. So, in celebration of Coopers' 2017 Vintage Ale release, we're exploring the idea of ageing, and more particularly, ageing beer, because time can be of the essence when it comes to some of the finest things in life. We've already looked at five unexpected things that get better with age (number one being beer), and now we're diving deeper into this idea of ageing brews. Chief brewer of the iconic Coopers Brewery, Dr Tim Cooper is an impressive figure within Australia's beer scene. Not only is he a certified medical doctor, but he also heads up the family business, continuing to grow its legacy. As part of this legacy, his team has explored the process of ageing beers since 1998 when they released their very first Coopers Extra Strong Vintage Ale. For the uninitiated, these beers are made with the intention that they should be cellared before enjoyed in order to help deepen flavour and bring out new aromas as the brew ages. Looking to dive a bit deeper into this cellaring process, we sat down with Dr Tim to talk through all things aged beer — why you should try it, which beers you should (and shouldn't) cellar and how to age them correctly. WHY YOU SHOULD AGE BEER "My father used to tell tales at the brewery of a Norwegian sea captain who would purchase a year's supply when docking in port closest to the Adelaide brewery," says Dr Tim. "He would hoard the beer for his travels, preferring to drink those stored from the previous years as they had matured. This was back in the 1970s, and showed that people were interested in ageing back then." Come the 1990s, numerous requests from publicans pressured the brewery to consider a vintage seasonal; by the time 1998 came around, the Coopers Vintage Ale was born. Whilst it's not entirely clear what will happen when a beer ages — there are just too many variables — maturation cannot be considered emphatically better or worse, it merely changes the beer's flavour. "Ageing takes some of the raw edges off the perceptible flavour and can definitely be an improvement," Dr Tim asserts. Ageing beer brings out new flavours, replacing harsher notes with softer, sweeter aromas. "Fermentation with ale yeast imparts fragrant esters of tropical fruit, pineapple and banana evident early on," explains Dr Tim. "These compliment the floral and fruity notes arising from the addition of aroma hops. Consumers will enjoy these flavours when drinking these ales fresh." Then, over a relatively short time, the fruity and floral character of the ferment esters and hops dwindle, so by the five year mark, the malt characteristics become fortified. This further ageing will foster umami and vinous characteristics of, say, port wine. When it comes down to it, however, it's all dependant on your own tastes. The reason you should try ageing beer exists in why you drink it in the first place — "the end goal should be for better enjoyment." WHICH BEERS CAN BE AGED Overall, beers with higher alcohol are up to the challenge of cellaring. "By and large the Coopers Vintage products are generally higher than average in alcohol," Dr Tim explains. Similarly, sour styles and beers you can buy already barrel-aged fend nicely, developing flavour and complexity as time goes by. These heftier, more alcoholic beers — think stouts, porters and barley wines — not only have natural means of reducing the negative effects ageing has on taste, but their flavours often benefit. Fruity, floral notes and any bitterness decrease due to the natural degradation of hop profiles, all while malt characteristics such as bready notes and sweetness generally take over. Just keep in mind that hop-centric beers, lagers and beers with lower ABV are generally brewed for fresh consumption. Their flavours will suffer from any prolonged ageing. HOW TO PROPERLY CELLAR Implicitly funky and unpredictable, beer is like a jazz musician who leads by listening rather than following any sheet music. So ageing beer can go in strange directions, both pleasant and less than. How should you cellar your beer to best bring out deeper flavours and avoid ruining the brew? It's best to avoid oxygen, heat and sunlight. A young beer will age gracefully under proper conditions. Coopers helps you out on the oxygen front, by naturally conditioning their bottles to help remove any free oxygen that will ruin your beer. Dr Tim explains how "naturally conditioned beers can be best [for ageing], as the yeast mops up the oxygen left over in the bottles helping to curb oxidation and spoilage." He also suggests storing a carton or two in a central part of your house that isn't likely to heat up, "preferably a dark cellar, but anywhere that is cool, around ten to 15 degrees, is good." A space with minimal light is also ideal to avoid too much sun. Without breaking open the chemistry textbooks, the reason to avoid storing your beer in sunlight is that ultraviolet light breaks down acids from the hops to the same sulphur radical as the smell of skunk spray — hence why as some beers age, they can become 'skunked', particularly hoppy beers and lagers like IPAs and golden ales. Quite possibly the biggest challenge of ageing beer is keeping it cellared long enough to allow for the ageing process to take place. "I'm completely hopeless," says Dr Tim. "I do always enjoy every vintage, but [I don't] always remember to take it home." We can appreciate that when it comes to tasty beers, it is hard to keep your hands off them. Sometimes ageing can be a great thing. Stock up on some Coopers Vintage Ale 2017 and try it yourself. Words: Mikey Lowe and Quinn Connors.
Do you like horror films? Australian director Mark Hartley obviously does. His infectious, gleeful enthusiasm for his popular if sometimes critically reviled genre of horror makes this a blood-soaked treat for like-minded fans. Having previously explored the rich if somewhat forgotten back catalogues of Australian exploitation cinema horror in his excellent doco Not Quite Hollywood, he takes the next logical step here, remaking Richard Franklin's 1978 cult favourite B-movie. The tagline of the original also serves as a neat plot summary: 'He's in a coma…yet, he can kill!' He is Patrick, a patient who somehow maintains his excellent condition while those around him waste away in a vegetative state in a creepy, isolated hospital. When a young nurse makes a ghoulish discovery that leads to her grisly end, the bright young Kathy 'Jac' Jacquard (Sharni Vinson) is recruited to the facility, which is overseen by Dr. Roget (Charles Dance) and his dead-eyed daughter, Matron Cassidy (Rachel Griffiths). Jac has just broken up with her boyfriend Ed (Damon Gameau) and is seeking a clean break. She soon finds an ally in the spirited Nurse Williams (Peta Sergeant), who fills her in on the shady happenings in the facility, a dimly lit Gothic hellhole. She takes a special interest in Patrick, who Dr Roget has adopted as his special project, administering electro-shock therapy and other techniques not prescribed in any medical journal. Alarmed at the bizarre experiments and freaked out that the comatose Patrick seems to be able to communicate with her, Jac confides in Brian (Martin Crewes), a former doctor and writer who advises her to report Dr Roget to the authorities and get out of town. But this wouldn't be a horror film if its hero took the safe option, and as Ed arrives in town to reconcile with Jac, he too gets drawn into the escalating terror wreaked by malevolent forces at the hospital. Patrick rattles through genre tropes (creaky elevator shafts, dirty-looking syringes, zombie-like patients wandering blackened corridors, moments of silence shattered by a pounding at the door) with an expert's assurance and a fan's relish. This is a film that knows exactly what it is, and that recognises that some things are cliches for a reason. Vinson, last seen in You're Next (a more nasty and realist film than Patrick) makes for a plucky heroine, while it's a shame Sergeant's character fades into the background somewhat as Jac delves further into Patrick's story. Their performances form part of an impressive film seemingly destined for cultish devotion. While Patrick may not convince the unconverted, horror fans will lap up every minute of its lean, gore-splattered running time. https://youtube.com/watch?v=0N5iCcPGqoY
If you like croissants and ice cream, as everyone should, then we've just found the four tastiest words in the English language: Lune ice cream sandwich. Lune Croissanterie serves up limited-edition treats each month, and has just added to its February 2024 range with the ultimate special to see out summer. These $15 sandos are even made with croissant ice cream. There's three forms of croissant worked into Lune's latest Frankenstein's monster-esque pastry mashup, providing the outside of the sandwich and featuring in the filling. Wrapped around the ice cream is a pain au chocolat, which has been sliced open. And inside, that croissant ice cream is made using pastry-infused milk and caramelised croissant pieces. How do you whip up croissant ice cream? Lune takes its croissants, soaks them in milk, then uses that as a base. As it's churning, the caramelised croissant pieces are added. Yes, it just reading about it should make you hungry. "When we first opened Lune in Fitzroy, one day an ingenious staff member cut a pain au chocolat in half and filled it with some gelato we happened to have in the freezer. It became a mainstay staff snack (with a rather naughty nickname)," explains Lune owner and co-founder Kate Reid. "We've decided that it's far too good to keep in-house as a staff secret. My inner child is so stoked that it's making a public debut!" [caption id="attachment_735735" align="alignnone" width="1920"] Josie Withers[/caption] The Lune ice cream sando is only on the menu from Saturday, February 10–Wednesday, February 28, and only at the chain's the chain's stores in Armadale in Melbourne and South Brisbane. There's no online pre-orders, either, so you will need to lineup to get your hands around this special. While you're there, you can also treat yo'self to something else in the February lineup. The twice-baked finger bun croissants are back, alongside cherry ripe pains au chocolat, tiramisu puddings, berry juniper cruffins, and harissa and goats' cheese escargots. Lune's ice cream sandwiches are available until Wednesday, February 28, 2024 at the chain's Armadale and South Brisbane stores only. Images: Lune.
If you're fond of cats big and small — fluffy, hair-free, scampering, sleeping and the like — then you'll know one golden rule: every day is better when there's meowing mousers involved. And, maybe you've secured that sweet situation thanks to your own purring pet. Or, perhaps you're just the kind of person who makes a beeline to any kitten they see, tries to become its best friend and can't focus on anything else while it's in the vicinity. Whichever fits, adding more cats to your day is something that every feline fan wants — and it's definitely a part of the Cat Protection Society of Victoria's new dream gig. It's a volunteer job, spanning a three-month stint in Melbourne, but it'll 100-percent bring kittens your way. The role: CPSV's official 'cat cuddler'. Yes, that's really what it's called. Obviously, what it entails is rather self-explanatory — because the lucky person who scores the position will be tasked with providing love, affection and enrichment to the cats and kittens in the society's care as they wait to be adopted. The word you're looking for? "Awwwwwwwwwwwwwwwwwww". This is the organisation that offered cat cuddling gift vouchers as Christmas gifts last year, after all — but this is even cuter. The caveats: you'll need to be in Melbourne to take the gig, and you'll need to have a minimum of three hours per week — on one weekday each week, and during normal operating hours — to head to CPSV's adoption centre to give its kitties all those snuggles. If that sounds like you — or if you've got a pussy-loving pal that you know would love it — all applicants have until Friday, June 4 to apply to temporarily join the society's team of around 40 volunteers. To throw your name in the ring, you'll want to head to the CPSV website and upload a short video (up to two minutes max) that explains why you should be the official Cat Protection Society Cat Cuddler, and also complete the online application form. To apply for the Cat Protection Society of Victoria's 'cat cuddler' position before Friday, June 4, head to the organisation's website.
The beginning of a new year isn't solely about deciding how you'd like to change your life for the better. That's just one January tradition. Another: plotting out where around the world you'd like to travel to across the 12 months to come. Arriving mere days into 2024, The New York Times' annual '52 Places to Go' list is a handy guide for inspiration — including for Down Under spots earning global recognition. After 2023's list included Auckland, Kangaroo Island and Australia's Red Centre to soak in Uluru-Kata Tjuta National Park's wonders, 2024's counterpart features New Zealand by train, the entire state of Tasmania and Queensland capital city Brisbane. Experiencing Aotearoa's charms by rail placed fourth, while the Apple Isle came in at 29 and Brissie took 39th spot. The NYT gave a 17-day journey across NZ some love for being "a simpler and more sustainable way" to see the country, calling out stops at "transcendent sites like the volcanic peaks of Tongariro National Park and Te Papa Tongarewa Museum" to begin with. Also earning a mention: getting the ferry to the South Island, then taking "a ride through world-class vineyards and along the jagged coast", plus whale- and dolphin-watching in Christchurch, before hitting the Southern Alps for "views to white-capped peaks, rushing rivers and alpine lakes". Tasmania earned its placing for enabling visitors to get out in nature via guided walks, celebrate Indigenous culture and focus on local produce. Taking a three-day trek across Bruny Island, foraging for wattle seeds and pepperberries, and chef Analiese Gregory's wild-cooking dishes all scored a specific callout. Brisbane keeps popping up on lists like this lately — see also: travel guide Frommer's, which also named the city one of 2024's best spots to visit; TIME, which put it on its world's greatest places list for 2023; and the World's Best 50 Hotels, which picked The Calile as its only Australian and Oceanic entry in its inaugural countdown in 223 — and the obvious reason was called out in the NYT's first sentence. Yes, that'd be hosting the 2032 Olympic and Paralympic Games. The Queen's Wharf precinct and its towering Sky Deck, restaurant Agnes and the Brisbane Powerhouse — including eating dinner hanging off the side of the building at vertical dining experience Vertigo, and the upcoming Melt OPEN queer arts fest — all were singled out. So was The Calile, which is clearly Brissie's most-famous hotel. [caption id="attachment_921654" align="alignnone" width="1920"] Markus Ravik[/caption] Topping the '52 Places to Go' rankings for 2024: North America's path of totality, where a total solar eclipse will be take over the skies in April, followed by Paris — the host of the 2024 Olympics — and Yamaguchi in Japan. Maui in Hawaii rounded out the top five, while Baaj Nwaavjo I'tah Kukveni in Arizona (the sacred Indigenous land around the Grand Canyon), Singapore, O'Higgins in Chile, Ladakh in India and Geneva in Switzerland filled the rest of the top ten. Across the full 52 picks, Manchester in England, Negombo in Sri Lanka, Morocco, Lake Toba in Indonesia and Ireland's Waterford also featured. So did Mustang in Nepal, Vienna in Austria, the Albanian Alps and Flamingo in Florida — and plenty more spots to instantly put on your must-visit list. For The New York Times' full 52 Places to Go list for 2024, head to the publication's website. Top image: Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Like its name might suggest, Nana and Da's is very charming. This gem is a prime example of why the ever-growing northside cafe scene holds its own against inner city cafe clusters. Its combo of tasty food, quality service and a unique interior works well. You may have a little trouble finding the cafe if Kedron is unfamiliar, but luckily it has one distinguishing feature — a wooden kangaroo on the footpath out front. Visiting Nana and Da's feels like calling in to your grandparents' or an old friend's house as the gorgeous polished floors and warm blue wallpaper with pink flowers is perfectly homely. The whole cafe exudes both Australian charm and a welcoming atmosphere that is instantly loveable. A key component of the space is the second feature wall which depicts twee illustrations of birds and deer drawn on book pages. The interior's pretty appearance is balanced nicely with wooden chairs, floorboards and tables. Staff were prompt to guide us to a table, provide menus and happily answer questions. While the range of meals is not extensive, each choice is appealing and filled with fresh produce. The specials boards also offered a couple of options that sounded mouth-watering such as quinoa fritters. For an early light lunch the pumpkin, tamari almonds, with quinoa tabouleh, and lemon tahini dressing ($15.50) proved to be a good choice. Another tasty lunchtime treat was the house made pork and apple sausage, sauteed potato, fennel and onion with jus ($18.50). Nana and Da's coffee was without fault. Inside, the bustling cafe was quite noisy due to the large amount of happy diners. If you enjoy a quieter atmosphere to chow down, there are plenty of tables outside and Fido is welcome to hang out with Skippy while you eat.
Does a slice of great pizza make you feel like dancing? Of course it does. Disco-themed Bakery Lane Italian joint Jonny's Pizzeria knows this — in fact, it's part of their whole vibe. And, while there's never a bad time to kick up your heels in celebration of a great slice, February 9 is a particularly great occasion. It's also known as World Pizza Day. We know, we know, every day is a pizza day if you make it one. And, actually, there's more than one Pizza Day on the long, seemingly ever-growing list of food-themed days. Either way, Jonny's is making this one a good one. On the agenda: an Italian disco, which includes $5 pizzas with a drink purchase, Aperol Spritz cocktails to quench your thirst, making shapes and listening to DJs spinning tunes. Whether you drop by before you head elsewhere or settle in for a slice and some fun, you'll be eating and dancing up a storm.
White apartment walls are so blah. Make them so yesterday with one (or all five) of these simple do-it-yourself art projects. Relatively easy, cheap, and removable, these projects are ideal for the broke, rent-paying tenants out there, and could fool anyone into thinking you're an interior designer. 1. Paint Sample Wall Designs Ever left the hardware store with a stash of these in your pockets? The paint sample wall is hard to resist, with its enticing, color-organized array of shades. If you don't want to commit to four whole walls of 'Pacific Pine' or 'Blackberry Harvest', simply trim each sample to a desired size and arrange in a design of your choice. 2. Wallpaper Transfer Bust out the old trusty Sharpie and mimic the artistically sketched wallpaper designs by the likes of Marimekko. Craft blog Curbly shows you how. 3. Coffee Stirrer Wall Art Surely Starbucks won't mind if you 'borrow' a few extra coffee stirrers. Follow Make & Do Girl's tutorial to create these fabulously tactile, wooden pieces of art. Simply paint, arrange, and glue. What could be easier (or cheaper)? 4. CD-Case Frames The advent of the iPod certainly rendered CDs obsolete. But before you designate all of those clear jewel cases to the rubbish, reconsider. With just a little effort from you, they may be transformed into the perfect picture frames for that poster you've been meaning to hang. 5. Custom Colour Wall Calendar Inject a little fun into your daily scheduling by creating your own custom colour wall calendar. Chalkboard-finish paints are available in traditional shades in stores, but if you use this Martha Stewart formula, you can concoct your own hue. [via GOOD]
Get your wish, This That fans: come November, the coastal festival will return for the first time since early 2022 with another impressive lineup. US singer, songwriter and producer Porter Robinson leads the just-dropped roster of talent for the two-city touring event, which hits up Brisbane and Newcastle, joined by Australian favourites Gang of Youths. Queenslanders, you're heading to Sandstone Point Hotel on Saturday, November 4 to dance to 'Goodbye to a World' and 'Let Me Down Easy'. Music lovers of New South Wales, make a date with Wickham Park in Newcastle on Saturday, November 11. Also on the first This That 2023 lineup announcement: Peking Duk, Hockey Dad, Alex Lahey, Slumberjack, Set Mo and The Presets doing a DJ set, plus Lola Scott, Trophy Eyes, Dear Seattle, Chillinit, Hooligan Hefs, Jesswar, Sophiya, Godlands, Kinder, Alice Ivy and more. This That has traditionally taken place in spring, but that time of year wasn't happy for the fest, or for Newcastle and Brisbane folks planning to dance their way through the music festival, in 2022. The event had to pull the plug on its October and November dates "due to a combination of issues", organisers advised; however, it always promised that it'd be back in 2023. Some of this year's acts were also on last year's cancelled lineup, such as The Presets, Winston Surfshirt, Chillinit, Hockey Dad and Jesswar. This That 2023 will take place across three stages: the This stage, complete with fireworks; the That stage, the go-to for DJs and rappers; and the Other stage, which is about art, immersion and sensory installations. THIS THAT NOVEMBER 2023 DATES: Saturday, November 4 Sandstone Point Hotel, Sandstone Point, Queensland Saturday, November 11: Wickham Park, Newcastle, New South Wales THIS THAT NOVEMBER 2023 LINEUP: Porter Robinson Gang Of Youths Alex Lahey Alice Ivy Chillinit Dear Seattle Eliza & The Delusionals Godlands Hockey Dad Hooligan Hefs Jesswar Kinder Kita Alexander Lola Scott Peking Duk The Presets [DJ set] Set Mo Slumberjack [Live] Sophiya Trophy Eyes Winston Surfshirt + Triple J Unearthed winner Newcastle only: Made On Sunday DJs Ned Bennett Who Is Arcadia Daydreaming Soundsystem Queensland only: Rory Tolsher Sammy G Jess Toasty This That will return in November 2023, playing Sandstone Point in Queensland and Newcastle in New South Wales. For more information, and for pre-sale tickets from 8am on Tuesday, August 1 and general sales from 8am on Thursday, August 3, head to the festival's website. Images: Mitch Lowe / Jordan Munns / Zagexma via Wikimedia Commons.
Here at Concrete Playground, we're big proponents of the night-time economy. Cities that keep things moving after dark often offer the best in food, beverages and culture. And while Australians are notorious morning people (who love their 8am flat whites), data from Visa has shown that we still find a lot of value in getting out in the evening. The Visa Australia Night-time Economy Index 2025 is a new in-depth analysis measuring data such as spending, vibrancy, venues open and even the number of nightworkers who are boosting the economy after dark. According to the data, Melburnians are getting off the couch the most frequently and spending their hard-earned dollars on bars, restaurants, and late-night feeds. Sydney and its surrounding metro areas also nabbed 12 of the 20 top night-time hotspots, proving that the city is slowly bouncing back from its lockout laws. Of course, it's not exactly surprising that the two most populous East Coast cities are ruling the after-dark economy. However, there are also several regional areas, such as Newcastle and Lake Macquarie, that are tapping their cards once the sun sets. Canberra is also increasing its evening spending, thanks to tourists and the opening of more eateries. To learn more about the future of the night-time economy and what's trending after dark right now, Concrete Playground's Managing Editor, Eliza Campbell and Staff Writer Alec Jones shared their insights. CP: Melbourne was named the number one night-time hotspot in Australia according to data from Visa. Does this surprise you? Eliza: It doesn't surprise me at all. This city has an inherent underground nature that invites you to always be exploring and looking beyond the surface — particularly after dark. And nightlife isn't limited to weekends, either. Between gallery exhibitions, secret music gigs and speakeasy bars, there's something to get lost in at all hours, any day of the week. CP: 12 out of 20 of the night-time hotspots were in Sydney and its metro areas. What's your favourite thing about Sydney after dark? Alec: This began to pick up in late 2023 after we all shook off the last of lockdown fever, but it's that feeling of merriment in the air. It's like static electricity. Walking past busy bars and restaurants in suburbs like Darlinghurst, Surry Hills, and Newtown, hearing the chatter and seeing people share food and drinks with their friends and family, it never fails to make me smile. CP: What's one trend you're seeing emerge in the night-time economy that excites you? Eliza: The resurgence of secret gigs and DJ sets. I love the idea of last-minute announcements to see some of the world's best artists in intimate settings — first-come, first-served. There's less of a distinction between going to a live gig and going to a bar now. We want once-in-a-lifetime cultural experiences that blend seamlessly into the fabric of our city's nightlife, and I'm so here for it. Alec: Venues in Sydney that are really performing are the ones with a loyal audience, but also a hook. Something you can't find anywhere else, whether it's on the menu or just in the space. People aren't going out just to get drunk or have a feed; they're doing it to go to these specific places. [caption id="attachment_885691" align="alignleft" width="1920"] Above Board[/caption] CP: What's your top tip for planning the perfect night out? Eliza: Have a rough outline of the kind of evening you want to have — but leave room for spontaneous adventures. There's nothing worse than not knowing where to go or what to do next, but equally, some of the best nights are all about the memories you make getting from point A to point B. CP: What's a venue or precinct that gets the night-time experience right? Alec: YCK Laneways in the Sydney CBD has actually done a great job of revitalising an area that doesn't really scream "nightlife." The bars in that area are some of the most interesting venues you'll find in the city and are all within walking distance of one another (and your bus or train home). Eliza: One of my favourite Melbourne venues that absolutely nails the night-time experience is Collingwood's Beermash — and its (somewhat secret) adjoining speakeasy bar, Above Board. Beermash spotlights independent craft beer and wine producers and lets you take-away or drink-in at bottleshop prices. Al fresco drinks on the Smith Street terrace can be followed by award-winning cocktails upstairs in what's, in my opinion, one of Melbourne's most unique hidden bars. From casual and fun to cosy and intimate — the perfect evening trajectory. View this post on Instagram A post shared by Beermash (@beermash) [caption id="attachment_1025682" align="alignleft" width="1920"] Hyde Park[/caption] CP: How is nightlife intersecting with other parts of culture (like art, fashion, live music) in interesting ways right now? Eliza: What's interesting about the intersection of nightlife and culture right now is that there's less separation than ever before. With the rise of low- and no-alcohol trends, nightlife in 2025 isn't just about partying or bar-hopping anymore. People still want to experience their city after dark — but that now spans the full spectrum of the arts: galleries and museums staying open late, fashion infiltrating the food and drink scene, and live music spilling out from bandrooms into public (and often free-entry) spaces across the city. CP: Where's your favourite after-dark venue? Eliza: An after-dark venue needs good music, good drinks and just the right amount of grunge. For me, that's Heartbreaker in the CBD. Catch me screaming post-punk revival with a negroni in hand in the early hours of the morning. View this post on Instagram A post shared by Heartbreaker Bar 💔 (@heartbreakerbar) Alec: Crows Nest on the lower North Shore has exploded since the Metro station opened, Parramatta is packed with great venues, and love it or hate it, Bondi continues to be iconic without trying very hard. Ask a local who lives in a different part of Sydney from you and follow their advice. [caption id="attachment_994726" align="alignleft" width="1920"] Carriageworks[/caption] CP: What do you hope to see more of in our after-dark spaces from both venues and councils? Eliza: I'll always scream and shout about supporting the Arts. Free entertainment like live music, performance and exhibitions not only supports our incredible local arts community but also helps people stay connected to the endlessly inspiring, exciting and thought-provoking creative industries — especially in tough political and economic climates. The more we can bring people together, the better. Alec: Regular events like night markets consistently draw big crowds from locals, but what if instead of the same old gozleme and chips-on-a-stick stands, we got famous restaurants from around Sydney to get involved? That'd help connect communities with food and drink they can't usually find on their side of whatever the closest bridge is (we don't cross any of them enough). CP: For people who say, "There's nothing to do after 9pm anymore", what would you tell them? Alec: You're not trying very hard. You can find something really cool if you just look a little bit harder. Eliza: I'd say, "Where are you? Obviously not in Melbourne." Discover the vibe near you. Lead image: FG Trade Latin / Getty
Aloha! Following the unfortunate closure of City Studios, Brisbane’s newest creative studio space The Thought Fort, is now open and ready for business. Located on Wickham Street, The Thought Fort exists as a creative hub for writers, designers, programmers and more to think, work and create in a shared space. The Fort’s presence is yet to “officially” exist though, so what better way to officially inaugurate the space than to have a luau launch party? Yep, for one night this Valley studio will transport you to the warm sunny beaches of Honolulu for their launch party - palm trees, a tiki-emblazoned deck, flower leis ahoy! At this luau launch, you can share a scorpion bowl or dance a little bit of hula, all while meeting and greeting some of Brisbane’s most exotic and tropical creatives. Dress in your best Hawaiian shirt, throw on a grass skirt and say e komo mai (welcome in Hawaiian - obviously) to The Thought Fort!
Since July 2024, The Zoo has been no more, with the beloved venue on Ann Street in Fortitude Valley closing its doors after more than three decades of hosting live tunes. If you're a heartbroken Brisbanite who still can't imagine the city's music scene without one of its most-famous places, that's understandable — its influence was that big — but soon the pivotal space will no longer be empty, or silent. The team behind Crowbar Brisbane also know what it's like to have to close the doors on one of the city's favourite hangouts — and now they're saving the day at The Zoo. Four years after shutting up shop in the River City due to the impact of the pandemic, Tyla Dombroski and Trad Nathan are bringing Crowbar back, taking over The Zoo's old digs. "The Zoo has been an institution in Brisbane for over three decades. Crowbar intends to honour the amazing path laid before us and continue offering great events for years to come," said Nathan, announcing the news. "As a former punter, band member, booker and promoter, playing The Zoo was a great achievement for aspiring bands — we're excited to be able to keep music within its walls." "We are so grateful to have the opportunity to work with the landlords, the Apostolos family, in maintaining the property as a live music venue. Our focus is to continue providing a great space for artists and music lovers, while working with industry and government to ensure the survival of grassroots venues across Australia," added Dombroski. There's no exact date yet for 711 Ann Street's reopening as Crowbar Brisbane, but the revival will continue the Crowbar brand in its birthplace. It was back in 2012 that the venue initially launched as a live music space, expanding to Sydney in 2018. When it is up and running at its new location, Crowbar Brisbane 2.0 will include American-inspired, smashed burger-slinging eatery Ultimate Pig, where fried chicken, barbecue and more will also be on the menu — and a rebrand by Melbourne artist Callum Preston, who'll be doing the same for Crowbar Sydney. To celebrate its launch week, the new Crowbar Brisbane will host a week of special events featuring well-known Australian names, too, with details still to be revealed. The Zoo's 32-year run saw it host gigs by local favourites such as Resin Dogs and Screamfeeder, Aussie greats like Nick Cave and Silverchair, and international acts including The Pixies and The Black Keys — and plenty more in-between. The team behind the venue shut up shop due to "rising operational costs and decreasing returns". "Sadly, the financial reality of keeping music venues afloat in 2024 is all too stark. The Zoo reached its highest ticket sales in its 32-year history last year, yet this was still not enough to combat rising operational costs and decreasing returns," The Zoo crew advised when they broke the news. "As a music venue, we try our best to keep venue hire costs as low as possible for artists and promoters, which means that the financial risks are on the venue, and we depend on bar sales for profit. The cost of supplying alcohol is rising, and bar sales are going down, likely due to a mix of lifestyle changes and cost of living stress for our patrons." "The hard truth is that we've been running at a loss for over three years. Despite exploring every avenue available to us, we could not secure the level of support needed to surmount the continued financial strain. We have no choice but to call last drinks for both of our beloved music venues." [caption id="attachment_873288" align="alignnone" width="1920"] Luke Henery[/caption] Find Crowbar Brisbane in The Zoo's old digs at 711 Ann Street, Fortitude Valley sometime in the near future. For further information in the interim, head to the venue's Facebook and Instagram pages. The Zoo images: Cat Clarke / Luke Henery.
Wiseman's Ferry is a teeny, tiny village perched on the banks of the mighty Hawkesbury River, surrounded by national park and with a population of just 220. The settlement gets its name from one Solomon Wiseman, an ex-convict who, in 1827, organised the first river crossing by ferry. And his service still runs today. A weekend at Wiseman's usually involves hours lolling by, on and in the river; pretty walks through nearby Dharug and Yengo National Parks; some pub grub at Wiseman's Inn and perusing paintings by local artists. On top of that, the annual Return To Rio rolls into town in November for three days to add even more reason to make your way to the idyllic village. This year, Carl Cox and Eric Powell will be powering through their Mobile Disco, a twelve-hour (yep) marathon of funk, soul, disco and classic house, pumped out by a live, twelve-piece band. Also in the line-up are Incognito, Lee Foss, &ME, Fabio and Grooverider, Bedouin, Neil James and loads more dance music legends. When you're not furiously making shapes, you can take a timeout at yoga classes, meditation sessions, markets and swimming holes. We've teamed up with Mazda3 to help you make the most of your Return to Rio. Here are the best options for what to eat, what to do and where to stay during the festival weekend. EAT AND DRINK At Return To Rio, expect an array of food stalls, peddling all kinds of international cuisines, from steaming pho to massive burgers, designed to fuel all-night dancing. Vegos and vegans, fear not: you'll be well catered for, too. Also, if food options are any worry, you're invited to pack your own steak or haloumi slab and fry it up on one of the barbecues provided. Outside of the festival, no visit to Wiseman's Ferry counts without a visit to Wiseman's Inn. Built in 1827, this sandstone retreat was once Solomon Wiseman's stately home and is now owned by ex-Wallaby Bill Young. On cool days, relax by the open fire; on hot ones, head into the shady beer garden. Either way, keep an eye out for the local ghosts who are said to be roaming the halls of the inn. Meanwhile, you can find coffee, house-made pies and wraps at Wiseman's Ferry Grocer, and a solid modern Australian offering at Busby's Cafe, where dishes include garlic prawns in creamy chive-white wine sauce, as well as baby barramundi fillets with kipfler potatoes and tomato-rocket salad. For a fancier bite, reserve a table at Riverbend Restaurant, within the idyllic, landscaped gardens of The Retreat. The ever-changing menu is big on local, seasonal produce. DO Festival bound? Your first job is to dance until you're wrecked. After that, wander around the Return To Rio markets, relax at a yoga session and restore your energy by the pool, complete with cocktail bar and soundtracked by reggae. Your ticket also gets you access to the resort's facilities, which include a nine-hole golf course, volleyball and tennis courts and plenty of river frontage. When you're ready to find out what lies beyond the festival gates, a bush walk is a good starting point. For a piece of convict history, as well as some stunning Hawkesbury vistas, there's the Old Great North Road World Heritage Walk, a nine-kilometre loop that begins on the river's northern bank (you'll need to catch the ferry). If you're short on time, it's possible to stroll along just one section, such as Hangman's Rock. A more challenging adventure is the 11 Kilometre Walking Track, which takes in ferny forests, friendly creeks and some steep sections. Next up is the question of getting onto the water. Hawkesbury House Boats hires out various vessels, from kayaks to speedboats. Meanwhile, Xterra Adventures offers guided tours in the form of a four-hour escapade up MacDonald River, a tributary of the Hawkesbury that includes morning tea. Keen to meet a few arty types? Wiseman's Ferry's natural beauty and isolation have been attracting them for years. Check out their work at Ferry Artists' Gallery, a community-run venture that exhibits painting, sculpture, jewellery, ceramics and glassware. There are occasional workshops, too. STAY The festival grounds give you pretty much every accommodation option under the sun: camp it (with your own tent), glamp it (with Simple Pleasures providing all your needs) or tipi it (in one of Rainbow Tipis' magnificent creations). Should you seek the protection of four solid walls, book a cabin, lodge or home — depending on the size of your crew. Last, but not least, you're welcome to bring your own mobile digs, be they van, car or motorhome: just make sure you book a spot before leaving home. Like the idea of popping in and out of the action? Get some buddies together and sleepover on a houseboat. Able Hawkesbury River Houseboats have them for all budgets. At one end, there's the five-star Spa, with five queen-sized ensuite bedrooms, a ten-person jacuzzi, full kitchen, lounge room and wrap-around deck. At the other, there's the humble Aquavan two to four berth, with sleeping space for up to four on day lounges that turn into double beds, a shady front deck and a barbecue. The benefit of the Aquavan's littleness is that you can go exploring on the Colo and MacDonald Rivers. Back on land, the aforementioned Wiseman's Inn harbours a bunch of straightforward, affordable rooms. Or, if you want to go all out on a luxe stay, check into The Retreat, a 50-acre property with 54 rooms, including spa suites, as well as a golf course, tennis courts and pool. Return To Rio takes place at Del Rio Resort from November 3 to 5. Personalise your next adventure via The Playmaker, driven by Mazda3.
After the work-week marathon, holing up at home all weekend can be mighty tempting, especially in 2020. And while technology has gifted us with the amazing ability to get both food and entertainment without changing out of our PJs, you might still feel like sunshine and socialising. So, once a month, swap the hermit life for an outside hangout. The Sound Society is an initiative that fills Roma Street Parkland with music. If a slow Sunday morning and afternoon accompanied by live tunes is your style, meander down to the Banyan Lawn between 11am–2pm — picnic blanket in hand. The lineup is eclectic, with the Jess Spina Quintet slated to perform on August 2. You can then head by on September 6, October 4, November 1 and December 6 as well. You can also order a picnic hamper from the Parkland's Garden Cafe to pick up on the day — or, of course, you can bring your own. The Sound Society takes place at Roma Street Parkland's Banyan Lawn from 11am–2pm on August 2, September 6, October 4, November 1 and December 6.
Bring together a heritage-listed building, Heston-esque gastronomy, a bit of viand magic and impeccable service and you have the lab bar + restaurant. It's rare to find such a quality restaurant that strikes the perfect balance of fine dining enjoyed in a relaxed, completely unpretentious atmosphere; however, in the lab, located in heart of Brisbane in the stunning architectural gem that is the Treasury Hotel, you'll find just that. As soon as you enter the venue you feel transported back to a time of old-world glamour, with a charming mahogany saloon-style bar to the right and big, beautiful bay windows running the length of the dining room. With the waitstaff dressed in all white providing attentive silver service, it's hard not to feel like a high roller. And then there's the food. To not indulge in a three-course meal here would be sacrilege and a missed opportunity to taste the talent and skill of the team in the kitchen. Entrees consist of both delicate flavours (dishes like the scallops with lentils, cauliflower, speck and onion vinaigrette), as well as heartier plates, such as the impressive ballotine of prosciutto wrapped quail with parsnip, sweet corn and cavolo nero. For main, the venison is a hands-down winner, served medium rare with celeriac, baby beets and crunchy edamame and finished with a thick, sticky, sensory explosion of a cacao jus. But for some of that gastronomic magic, it's the house-made beetroot ravioli that steals the show. The pasta itself is actually made with dehydrated beetroot, ground down to a fine powder and filled with a confit tomato and crumbled feta mixture, topped with fried basil. Finally, the desserts showcase quality ingredients with an exotic twist. The piece de resistance is sous chef Lauren Curmi's creation of Espresso Japonaise (an Opera style cake with layers of meringue, espresso butter cream and chocolate ganache), served with a creme anglaise egg. The egg itself is also molecular gastronomy at work — prepared then frozen solid and dipped repeatedly into a 'special lab solution' until an egg yolk-like layer forms around the outside — which bursts open once pierced, just like a poached egg. Alternatively, the chocolate tart made from 70 percent cacao and served with house-made raspberry marshmallows and boysenberry ice cream is a chocolate lover's dream. the lab bar + restaurant's promise of "great chemistry, incredible food" isn't an empty one. Your tastebuds will be tantalised by phenomenal flavour combinations and eyes delighted by perfectly deconstructed plating and presentation. Even better; although you might feel the pinch of your belt from a full stomach, you won't feel it in your wallet.
When most folks think about Queensland, locals included, they think about the enticing coastline. The Sunshine State is known for its surf and sand — and, obviously, sun — after all. But if you're looking for an escape into nature that doesn't involve the sea, southeast Queensland is also home to more than a few rocky, towering peaks. They're perfect for scenic hikes and, when you walk along them, they'll have you feeling like you're on top of the world. Even better: if you're eager for a mountainous trek but you're also keen to spend more time on your feet than driving, plenty of spots sit within a short distance from Brisbane. And if you're not quite sure where to head, we've rounded up five epic locations for you to add to your must-walk list. [caption id="attachment_784273" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] Mount Barney National Park Queenslanders can thank a volcanic eruption 24 million years ago for this mountainous patch of the state, which boasts several peaks. There's Mount Barney, of course, as well as Mount Maroon, Mount May, Mount Lindesay, Mount Ernest, Mount Ballow and Mount Clunie. Accordingly, the Mount Barney National Park offers up a choose-your-own-adventure-style roster of treks, all slightly south of Brisbane and all best for experienced bushwalkers. Among the plethora of trails awaiting your footsteps, you can pick between two types: walking tracks or, for those experienced with rock scrambling, summit routes. Our suggestion: the Cronan Creek Falls trail, where you'll mosey along the rugged mountainous landscape and also see tumbling water, as the name suggests. It spans 12 kilometres, and will take you around four hours. Glass House Mountains Sometimes, it's easy to overlook things that are virtually in your own backyard. For many Brisbanites, the Glass House Mountains fall into that category. We all know that they're there, sitting between Brisbane and the Sunshine Coast — but, because they are always there, you mightn't have taken the time to visit them. Redressing that quick smart is recommended, because this range is simply stunning, even if you just decide to peer up at its peaks from the ground. We definitely encourage putting on some comfy shoes and making your way along one or several of the walking trails, though, with options available for both first-timers and experienced hikers. Most are quite short, so you could climb up to the Mount Ngungun summit in two hours, circumnavigate Mount Tibrogarga in 90 minutes and trek to the top of Mount Beerburrum in another 90 minutes — walking 10.4 kilometres in total, and making quite the day of it. [caption id="attachment_784278" align="aligncenter" width="1920"] Do Japan via Wikimedia Commons[/caption] Lamington National Park Part of the Gold Coast hinterland, Lamington National Park is another spot south of Brisbane that serves up many mountainous hiking options. Here, you'll be walking along, through and atop the McPherson Range — and peering out over the park itself, as well as the Gold Coast, southeast Queensland and northern New South Wales. If you're fond of ogling waterfalls and valleys, take the day-long, 21-kilometre Ships Stern circuit in the Binna Burra section of the park. If you're particularly enthusiastic about making your trek at a high altitude (and possibly even through some mist), opt for the 18-kilometre Wagawn track and its impressive vantage from the Garragoolba lookout. You could also choose the 18.2-kilometre Mount Hobwee circuit, which branches off from it. For something a bit shorter, the 12-kilometre Daves Creek circuit serves up scenic views, rainforest sections and the eye-catching Surprise Rock, a volcanic dyke. [caption id="attachment_784274" align="aligncenter" width="1920"] Tourism and Events Queensland/Larissa Dening[/caption] Mount Coolum The walk to the top of Mount Coolum isn't particularly long, spanning 1.6 kilometres and taking around an hour (plus an hour to get back down, of course). It is a bit steep, rather rocky and can be challenging, though, so you'll want to work your way up to it by getting in some experience on other tracks first — and it's recommended for fit walkers only. Once you decide that you're ready to tackle this Sunshine Coast spot, you'll reach a site that's perched 208 metres above sea level — with 360-degree views of the coast, the Glass House Mountains, Blackall Range and even Noosa once you get there. Yes, that's 100-percent worth making the effort. Make sure you only walk Mount Coolum in dry conditions, however, because it can get immensely slippery. And, if you fancy hanging around for more than just a day, you can camp nearby: at Mudjimba and at Coolum Beach. [caption id="attachment_784272" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] Springbrook National Park By now, while perusing this list, you've probably sensed a trend. Yes, Brisbanites can basically choose their preferred location either north or south of the city, then pick between several walks branching off rom any one spot. Springbrook National Park is no different, although most walks here are rather short and easy — which means that you can cram in a few and make the absolute most of your trip to the Gold Coast. Obviously, given its moniker, you want to try the 600-metre, 30-minute walk to the Best of All lookout, which'll let you peer down into New South Wales. If you like chasing waterfalls, the Twin Falls circuit will take you two hours across four kilometres. Those eager to make a day of it on the Springbrook plateau should opt for the 14-kilometre Warrie circuit, which is the longest track here and also casually climbs up a gorge. Top image: Mount Ngungun by Tourism and Events Queensland
For the past nine months, The Lume has dazzled Melburnians with an immersive, multi-sensory exploration of the works of Van Gogh. Now, the digital art gallery is gearing up to launch its second exhibition, swapping the giant projections of Sunflowers and The Starry Night for a showcase of iconic works from the French Impressionist era. Announced today, Monet & Friends Alive is the next dynamic art experience set to take over the gallery's lofty spaces, kicking off Wednesday, October 26, in the site's permanent home at the Melbourne Convention and Exhibition Centre (MCEC). Taking visitors back in time to 19th-Century Paris, it'll celebrate the paintings of Impressionist icons from Monet to Renoir, and Cézanne to Manet. As with its predecessor, the exhibition will display its artworks via supersized projections splashed across its sprawling surfaces, and paired with a curation of tastes, aromas and sounds. Here, that means you'll be able to wander over a bridge and right into a recreation of Monet's famed 1899 work, Bridge Over a Pond of Water Lilies. Other interactive experiences will include a studio space where visitors can have a go at creating their own replicas of Monet's best-known paintings. Further tapping into the French bohemian spirit will be The Lume's own take on a 19th-Century Parisian cafe, Cafe Lumiere, which will be serving up a menu of small bites, share plates and desserts to enjoy after your artistic adventures. The Lume is the brainchild of Melbourne-based Grande Experiences, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 130 cities across the world. The company also owns and operates Rome's Museo Leonardo da Vinci. You've still got a few more weeks to catch Van Gogh at The Lume before it wraps up on Sunday, October 9, making way for Monet & Friends Alive to take over. 'Monet & Friends Alive' will launch on October 26, with tickets available from August 26. Head to the website for more details.
When Lewis Carroll first sent Alice down the rabbit hole back in 1865, he couldn't have guessed just where she'd end up. While the English mathematician-turned-writer obviously knew she'd be wandering around Wonderland, that was just the beginning of her white rabbit-chasing journey. Countless film, TV, comic book, game, stage, music, music videos and ballet adaptations have taken the famous character far and wide — and, come 2018, she'll be stopping by Melbourne. From April 5 to October 7, the Australian Centre for the Moving Image will pay tribute to all things Alice in Wonderland, the centre's major exhibition for the year as part of the Victorian Government's Melbourne Winter Masterpieces series. A world-premiere event crafted and curated by ACMI, the entirely original showcase will take fans through the screen history of Alice's Adventures in Wonderland, Through the Looking Glass, and What Alice Found There — aka the two Carroll-penned books that introduced not only the titular heroine, but the Mad Hatter, the Cheshire Cat, the hookah-smoking Caterpillar, and food and drink with "eat me" and "drink me" labels. Proving a date you won't want to be late for, fans can follow Alice on her voyage through more than 40 cinema and 30 television versions, as well as through popular culture in general. Spanning her first big screen appearance in 1903 to 2016's Alice Through the Looking Glass, the exhibition will step through her different guises, and the technologies that have brought her story to life, all in an interactive, experiential way. That includes animation, puppetry, live-action cinema, video games, CGI, 3D and more, as well as playful environments, digital activities and behind-the-scenes glimpses. "With Wonderland, ACMI has created an interactive exhibition where audiences will explore the magic of film craft and its integral role embedding this much loved story in our imaginations for generations," explains ACMI CEO and director Katrina Sedgwick. Given ACMI's two on-site cinemas, it's safe to assume that an enchanting lineup of Alice in Wonderland films will also feature.
The Gold Coast, Australia's beach club capital. That isn't how anyone refers to the Glitter Strip to at the moment, but it might soon become a reality. The tourist spot is already home to a rooftop beach club in Surfers Paradise, and will welcome a pop-up beach club on the sand at Broadbeach this month, too. Plus, sometime early in 2022, it'll also boast La Luna, a new floating beach club at the Marina Mirage. The space is the brainchild of the Gennari Group, which is already behind the Gold Coast's Koi Broadbeach, Glass Dining & Lounge Bar, The Loose Moose, Maggie Choo and Roosevelt Lounge. This new venue will clearly stand out, though — setting up a beach club on pontoons will do that. La Luna will take inspiration from its European counterparts — and from Mykonos and Saint-Tropez in general — with a few cues gleaned from the setups in Tulum in Mexico as well. Think: daybeds, private cabanas and pools, obviously, as well as a bar, and dining both inside and by the water. Based on concept images, the look is light and airy, with splashes of pink and blue against white and cream-hued furniture — including ever-trusty beach umbrellas. Given the venue's moniker, circles, glowing orbs and lunar shapes aplenty pop up, too. And, as well as making you feel like you're on the other side of the world, La Luna is aiming to radiate big yacht life vibes. Basically, it'll be the beach club you hang out in when you want to pretend you're spending your daily lazing around on a boat's deck. Bring your adult siblings, start bickering and you'll feel like you're in Succession, perhaps? While specifics in terms of menu and entertainment haven't been revealed as yet, La Luna will serve up Mediterranean and Asian fusion bites made with local produce, have DJs set the mood and host parties under the stars. Cocktails will be big on the drinks list, naturally. La Luna's restaurant is currently slated to have a soft launch in January, ahead of the full venue opening sometime early in 2022 — so whether you'll be able to add floating pool club hangs (and living the yacht life without the yacht) to your summer plans hasn't yet been confirmed. La Luna Beach Club will open at Marina Mirage, 74 Seaworld Drive, Gold Coast sometime in early 2022 — we'll update you with further details when they're announced. Images: artists' impressions of La Luna Beach Club.
There is indeed a bell in one of The Belvedere Hotel's bars. When most folks at the northside pub say "The Bel", though, they're referring to the watering hole itself. A Woody Point mainstay since 1901, this waterside bar has back open and pouring drinks after a hefty makeover since late 2023. If sips with an ocean view take your fancy — and with shimmering sunsets part of those vistas, too — then this grand old establishment has you sorted in its new guise. Parent company Lewis Land Group has put more than $10 million into revitalising the historic spot, with the results now on display for patrons to enjoy. To make the most of its location, the vibe and setup alike are breezy and open. And all that space? It means being able to cater for 1000 people. Perched on Bramble Bay, The Bel now features revamped dining spaces and terraces, plus a new first-floor bar area with shimmering sunset views. Expect a shady time if you're keen to have a beverage outside. On level one, there's also a new dining spot — and the public bar is also all new. Fans of the venue's outdoor Pavilion bar and bistro will be hanging out in refreshed surroundings, and now sitting in booths. The Bel's all-day food menu now benefits from a pizzeria and gelato bar onsite, serving up everything from squid ink truffle salami slices to mango scoops. Elsewhere, the culinary range includes chilli scrambled eggs and lemon crepes for breakfast, salt and vinegar calamari and sticky chicken wings among the lunch and dinner starters, and hot and cold seafood platters to share as a highlight among the mains range. Or, tuck into lobster three ways — in a pie, with prawns over pasta or as part of a surf 'n' turf special — as well four steak choices and a steak sandwich. There's also three types of oysters, fried chicken burgers, pork knuckles and crispy noodle salads on offer. For dessert, if you're keen for more than gelato, banana split parfait, a chocolate tart, deconstructed blueberry cheesecake and Biscoff crepes await. And for entertainment beyond a meal, a drink, the mood and the view, trivia nights take place on the deck each Wednesday.
Mixed media, multimedia, new media, cross-disciplinary art – there’s a lot of words to describe art that is made outside of the ‘traditional’ domain of drawing, sculpture and paint. You know one local artist that isn’t using one of those terms (or made one up herself)? Madeleine Kelly. Originally studying Science/Philosophy/Psychology at the University of Queensland, Kelly is now an oil painter by trade, part of the Queensland College of Art staff and a current PhD student. Her works are inspired by the world around her, conveying mans relationship to nature – more specifically, its relationship to the burning of fossil fuels. The pieces Kelly creates are strong and vibrant with an ephemeral feel. Kelly’s latest exhibition, Hollow Mark, will be exhibited at Kelly’s stomping grounds of the Queensland College of Art Gallery from this Friday until mid-November. If you’re looking for a little less genre-mashup headache and a little more single-layer imagery, stroll down to the better part of South Bank this Friday night.
A piece of history is making history in Australia. Until October 2024, Melbourne Museum has a must-see sight on display for everyone interested in dinosaurs — so, everyone — courtesy of its Victoria the T. rex exhibition. The titular fossil isn't any old Tyrannosaurus rex, not that such a description ever fits the first kind of dino that always comes to mind when anyone thinks about dinos. This one happens to be one of the world's largest and most-complete T. rex skeletons, and also the biggest and most-complete specimen ever to display Down Under. Showing until Sunday, October 20, 2024, Victoria's fossil has made Aussie debut in the state with the absolute best name for the occasion. In the process, it also marks the first time that a real T. rex has ever been on display in Victoria. And it isn't small: found in South Dakota in 2013 but dating back 66 million years, Victoria is comprised of 199 bones, including a skull that weighs 139 kilograms. The fossil reaches 12 metres in length and 3.6 metres in height. And, because the skull is so heavy, it has to be displayed separately as it can't be mounted upon Victoria's body. The Victoria the T. rex exhibition also features interactive elements, such as multi-sensory installations that let you experience how the Tyrannosaurus rex saw and smelled, plus dioramas and a section where you can make your own customised 3D T. rex. Welcome to... the cretaceous period, then. The informative side of the showcase steps through recent palaeontological findings, so that you can get an idea of what Victoria's life was like all that time ago — and also find out what brought about her end. If that's not enough dino action to make you feel like David Attenborough — or his brother Richard in Jurassic Park and The Lost World — Victoria the T. rex is displaying alongside Triceratops: Fate of the Dinosaurs, which has been open at Melbourne Museum since 2022. The latter permanently features Horridus, the world's most complete Triceratops fossil, and entry to both exhibitions is included in one ticket. At IMAX Melbourne, 45-minute documentary T.REX 3D is also be showing, complete with footage of Horridus. "Victoria the T. rex is a monumental addition to our world-class exhibition lineup. Melbourne Museum is the home of dinosaurs in Australia, and currently the only place on earth where visitors can see two of the finest examples of a real T. rex and a real Triceratops under one roof." said CEO and Director of Museums Victoria Lynley Crosswell. As Museums Victoria Research Institute senior curator of vertebrate palaeontology Dr Thomas Rich explains, there's another highlight, too. "Not only can visitors to Melbourne Museum see one of the world's finest examples of a T. rex; they can also see a related and extremely rare fossil cared for in the State Collection: Timimus hermani, one of the state of Victoria's most unique dinosaurs and possibly a great-great-great grandfather of T. rex. This 105-million-year-old fossil is an example of the only undoubted tyrannosauroid from the southern hemisphere and is on public display in the exhibition 600 Million Years." Victoria the T. rex is on display from Friday, June 28–Sunday, October 20, 2024 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the museum's website for tickets and further information. Images: Eugene Hyland.
Everyone has a preferred temperature. Some folks like rainy days, while others crave sunshine. Tropical weather beckons to some, and snowy climes call others. That remains the case when you go on holidays, but unless you're going skiing, you probably want to head somewhere where it'll be warm but not blistering hot, and where you won't need an umbrella. And, now, regardless of when you're getting away, you can always find the perfect destination. Ryan Whitaker thought that working out the best place to go at any particular time of year would be easy; however when he found otherwise — "searching Google for things like 'best places to visit in January' or 'best time to visit Spain'", and coming across broad recommendations that weren't backed up by data or experience — he decided to create his own. Available on DecisionData.org, the result is a map called The Best Time to Visit Anywhere in the World, and yep, that's exactly what it tells users. [caption id="attachment_618852" align="aligncenter" width="1219"] Image: DecisionData.org[/caption] Just enter your preferred week of travel, the temperature range you're after (including ideal minimum, maximum and average values), and how much rain you'd accept, and Whitaker's map has the answers. Available in both Celsius and Fahrenheit, it's based on National Oceanic and Atmospheric Administration data from the past ten years, captured every day at between 10,000 and 12,000 weather stations — or 35 million lines of information. Users can also exclude areas that don't report on precipitation to minimise showery surprises. Whitaker includes a reminder that his map isn't designed to replace local knowledge of events or seasonal attractions, but aims to "supplement it with good data on where temperatures are ideal." Keeping all that in mind, it's certain to prove a handy tool when you're planning your next getaway. Say goodbye to filling your suitcase with everything from an umbrella to swimwear to a warm coat — just in case — and hello to perfect holiday conditions. Via AWOL.
It was true in 2023 and it's the case again in 2024: The Calile in Brisbane is the best hotel in both Australia and Oceania. After earning those honours on the inaugural World's Best 50 Hotels list last year, the Fortitude Valley venue has backed up the accolades for a second year. This time, it isn't the only Aussie accommodation spot to make the cut, but it still ranked higher than anywhere else Down Under. In 2023, The Calile came in at 12th place. In 2024, it sits in 25th. The awards called the James Street hotel an example of "laid-back, sun-soaked, chic Aussie hospitality", noting that it "riffs on modernist Miami and Palm Springs while also nodding to the design stylings of 1960s Australia". Also getting some love: its onsite dining and drinking spots, such as Hellenika, Biànca, Sushi Room, SK Steak and Oyster, and Lobby Bar, some of which have scored Nigella Lawson's approval as well. "Brisbane is becoming an increasingly interesting place to dine and The Calile's six restaurants have been instrumental in making that a reality," the World's Best 50 Hotels noted. Praise was also showered upon the site's ability to ensure that indoors meets outdoors, the 30-metre pool surrounded by cabanas and the service. "The Calile's stunning botanical pool deck is undeniably the hotel's centrepiece, with sun lounges filled with tanned and leggy guests, overlooked by the curved balconies of the hotel's poolside rooms. The seven cabanas can be booked for dinner or cocktails, which are the best place to observe all the action of Brisbanites at play," the accolades continued. The Tasman in Hobart is the other Australian spot to nab a place in the top 50, coming in at number 48. It received attention for its "three distinct architectural eras cleverly melded into one seamless, luxurious whole". "What binds this eccentric collection of styles together is an uncompromising attention to detail, a sense of relaxed luxury and a uniquely Tasmanian style and pace," the awards also advised. If you're looking for Aussie spots for a staycation or vacation, there's your top two suggestions sorted. If you're keen to say at some of the world's best hotels beyond Australian shores, you have 48 choices, capped by Capella Bangkok — which was 2023's Best New Hotel — in first place. [caption id="attachment_973399" align="alignnone" width="1920"] Capella Bangkok[/caption] Passalacqua in Moltrasio in Italy dropped down from top spot last year to second this year, while Rosewood Hong Kong came in third and Cheval Blanc in Paris ranked fourth. From there, The Upper House in Hong Kong sits in fifth place, Raffles Singapore came in sixth, Aman Tokyo ranked seventh, Soneva Fushi in The Maldives nabbed eighth place, and The Atlantis Royal in Dubai and Nihi Sumba on Sumba Island in Indonesia round out the top ten. Per continent, as well as The Calile being named the best spot in Oceania, Capella Bangkok did the same in Asia, Passalacqua was named Europe's top hotel, Chablé Yucatán in Mexico did the honours in North America, Rosewood São Paulo notched up the feat in South America and Mount Nelson in South Africa scored the title in Africa. [caption id="attachment_918889" align="alignnone" width="1920"] Passalacqua © Ruben Ortiz[/caption] The World's Best 50 Hotels sits in the 50 Best stable alongside the World's 50 Best Restaurants, the World's 50 Best Bars, Asia's 50 Best Bars, Asia's 50 Best Restaurants and more. Debuting in 2023, the countdown highlights excellence among places to stay, and initially favoured Europe heavily among its selections — but its second year sees Asian hotels earn more spots on the list than anywhere else with 19 in total, including four from Bangkok alone. European accommodation spots are represented in 2024 by 13 places, North American hotels nabbed nine, Africa features four, Oceania scored four as well and South America has one. The World's Best 50 Hotels winners for 2024 were picked by more than 600 international travel experts, all with a significant number of stamps on their passports, with the list unveiled in London. [caption id="attachment_819667" align="alignnone" width="1920"] Rosewood Hong Kong[/caption] "To have been selected two years in a row marks a significant affirmation of The Calile's place on the global hotel industry stage. This is a win for our team, our collaborators, our loyal guests and a win for Brisbane as a destination, and we are humbled to again represent Australia and be recognised as leading in the Oceania region," said The Calile Hotel co-owner Catherine Malouf, who attended the ceremony in the UK. Brisbane keeps garnering the international spotlight, as does the broader Sunshine State as well. The River City was named one of the best places to go in 2024 by The New York Times, travel guide Frommer's also selected the city as one of 2024's best spots to visit and TIME put it on its world's greatest places list for 2023. Further north, Palm Cove near Cairns topped Condé Nast Traveller's beach list for 2024, and was named the home of the best hotel in the South Pacific, and also Australia, by Tripadvisor. For the full World's 50 Best Hotels list for 2024, head to the awards' website. The Calile images: Cieran Murphy.
To watch mother! is to watch Jennifer Lawrence's housewife protagonist, and to see the world through her eyes. As she remains confined to her sprawling country abode, which she's restoring for her poet husband (Javier Bardem), the camera remains largely fixed on either her face or her perspective. When she awakens to an empty bed, the film looks on. When outward politeness masks internal horror following the arrival of an unexpected guest (Ed Harris), viewers switch between witnessing her dismay and sharing her cautious gaze. Her despair heightens further when the man's wife (Michelle Pfeiffer) arrives, followed by their feuding adult sons (Brian and Domhnall Gleeson). And as her sense of anxiety grows, so too does writer-director Darren Aronofsky dive deeper and deeper into the character's inner turmoil. The idea of a woman not quite coping with a change to her home life might sound fairly standard, even old-fashioned. Run-of-the-mill dramas, clichéd comedies and scary flicks have been there and done that before. But mother! doesn't fit into those categories. It's not your usual unwanted visitor tale. Nor is it the Rosemary's Baby riff that's hinted at during its ominous first half. Never one to colour within the filmmaking lines (see Black Swan, Noah and Requiem for a Dream), with mother! Aronofsky serves up his boldest work to date – an ambitious, unnerving, immersive exercise that defies all sense of expectation. From walls that beat like a heart when they're touched, to a freewheeling third act that has to be seen to be believed, mother! is a movie driven by emotions and experiences. Lawrence's unnamed figure reacts to the ups and downs of her existence, and the film responds in turn. As destruction grows, life-changing decisions are made, and one woman's wants and needs are routinely ignored, it's not so much what happens that really matters. Rather, what's crucial is how it all makes the protagonist feel, and how Aronofsky aligns the audience with her mindset. Disgust, fear, frustration and sadness provide the film its palette, layered on top of its distinctive grey-hued colour scheme. Likewise, in a movie without music, the silence of hurt, confusion, neglect, betrayal and disappointment takes the place of a conventional soundtrack. There's no evading anything that Aronofsky throws at his viewers, as he makes it almost impossible to hold onto one's bearings. With the lens trained on Lawrence in close up for more than half of the movie's running time, the sense that you can't grasp onto anything else is clearly by design. She's the fraying canvas that all these swirling sensations converge upon — and, amidst the inescapable chaos, she plays her part to near-perfection And still the question remains: what exactly is mother!? Ultimately, there are many answers. At its most basic level, it's a tense psychological thriller built on domestic and social unease, spiralling into the disorder caused by humanity's worst urges, and touching upon everything from biblical parallels to a savage reflection of our current cutthroat society. It's also an exploration of a woman forced to ponder her place and purpose, with Lawrence's central character saddled with the duties of the caring, supportive, devoted spouse as Bardem's writer gets increasingly enamoured with his own fame. Indeed, in a movie that stays intimate in its focus but universal in its escalating mayhem, Aronofsky applies that line of thinking to all women subjected to the control and demands of men – a thematic fascination seen in many of his earlier films. On top of all of that, mother! is a fever dream of a cinema experience, audacious and utterly unique. Be warned: you'll either love it or hate it. We fall gleefully into the first category. https://www.youtube.com/watch?v=xXy6aD_m-gk Image: Paramount Pictures
It isn't every day that wandering through Federation Square involves walking past — or through — a whopping 3000 kilograms of clothing waste. Thanks to an eye-catching, awareness-raising, three-day-only pop-up, however, Melburnians can currently do just that. Until Thursday, April 28, a hefty pile of discarded fashion is sitting in the middle of the Victorian capital, all to draw attention to how many threads are thrown away by Australians. The sustainability focused installation is a collaboration between Kathmandu and zero-waste advocate Joost Bakker, and it'll instantly teach you something — because the 3000 kilograms of discarded clothing that's pivotal to the piece only represents the amount of textiles disposed of by Aussies in a mere five-minute window. That's how much that gets thrown away every five minutes, in fact, with Kathmandu and Bakker's team-up designed to make that stark truth hit home. "The thing that shocked me the most — I just thought I'd use 500 kilos of clothing, but then I got 200 kilos of clothing in just one day," Bakker tells Concrete Playground. "I just went 'oh my god'. There's just this huge volume. I just couldn't quite comprehend the volume, and the weight. And then when you see these piles of clothing, or you see factories full, or you see it in landfill — the energy, the water, the labour, everything that's gone into creating that, and it's just thrown into landfill, it's crazy." The 3000 kilograms of clothes that Bakker has amassed for this project — with the help of clothing recycling centre Upparel — is used in a tunnel structure that visitors to Fed Square can mosey through. Still, it's hard not to feel the the scale of it. Again, that's completely by design. "My core belief is that people are aware, they'll do something about it," says Bakker. "Even if it's just one person who walks through that structure and gets inspired and comes up with a solution — that's what's so exciting. Globally, so many people are putting their energy into finding solutions that, over the next ten years, it'll be a thing of the past. I have no doubt that clothing waste will not exist very quickly because we're all putting our energy into it and trying to find solutions. Humans are amazing at finding solutions when we put our energy and efforts into it, and that's what's happening now. That's really what this installation is all about," he continues. The reason for the collab with Kathmandu: the company asked, and gave Bakker free rein to come up with his own way to highlight the fashion-waste problem. "I thought it was quite inspiring that a brand wanted to actually highlight this, and so I got quite excited," he notes. "I wanted to really come up with a way that you could actually immerse yourself in a volume [of textiles]. If you have a pile of clothing, it's very difficult to get a sense of how much that is," Bakker tells CP. "So I wanted to create a structure where you were really in it and immersed in it. And I'm based in Monbulk, I'm surrounded by flower farmers, and I was able to access plastics that are used for greenhouses — these are all offcuts, and we've put lots of layers of offcut plastic to create that structure that allows you to see the enormous waste that's generated." Kathmandu is also launching a new 100-percent biodegradable BioDown puffer jacket, which Melburnians will see hanging through the installation. It's made from materials — outer, inner, down, zips, threads, tags and all — that are treated with a special additive that helps accelerate biodegradation, but only in a landfill environment. The jackets will hit stores from Thursday, April 28. Bakker notes that it's moves like these that'll help see textile waste eliminated — an issue that's only been around for half a century or so anyway — and unwanted fashion items reused and recycled instead. "My belief is that waste is just a human thing. Waste is something that pretty much is only a fifty-year thing, it's a very short space of time that we've generated a waste industry. Even if you go back 60, 70 years, everything was a resource, so we didn't have things like landfills and waste dumps," he explains. "I view waste as something beautiful. It's amazing how many people have commented 'the structure is actually really beautiful, but it's filled with waste, it's filled with something that we discard, something that we don't put any value on'. All my work has been about turning that around," Bakker continues. "In nature, there's no waste. You don't walk around a forest and go 'oh my god, I'm surrounded by all this rubbish'. It's only a human thing, because everything becomes something else again. I think the sooner that as a society we embrace that idea, we can completely design waste out of everything. It can happen really quickly, and I think it will happen really quickly, because we are all aware now." Kathmandu's fashion-waste installation is on display at Federation Square, Flinders Street, Melbourne, from Tuesday, April 26–Thursday, April 28.
Established in 2013 as an online gift store stocked with items for apologising, showing gratitude and getting a little romantic, multi-hyphenate concept store Sorry Thanks I Love You has continued to evolve with the launch of a second Sydney concept store in Paddington. Moving into 25hours Hotel The Olympia — a long-awaited boutique development — this forward-thinking fashion, design and art space feels right at home alongside a similarly eclectic mix of neighbours. Slotting in beside an Australian outpost for London's renowned Palomar restaurant, specialty cafe Jacob The Angel, and a Hollywood-inspired cocktail bar, Sorry Thanks I Love You brings together rare clothing and accessories from around the world. Think high-end names like Comme Des Garçons, Bao Bao Issey Miyake and MM6 Maison Margiela, alongside emerging designers from Paris' Dover St Market incubator. Plus, locals like Loco Love, Momoko Hatano, and Dinosaur Designs round out the collection. Yet this brand-new storefront will feature garments of a different kind, as STILY has recently revealed a debut clothing collection of its own. Designed by Co-Founders Ant White and Caroline Ball, fashion-forward pieces span cut-to-length velveteen jersey t-shirts, diamond quilted denim jackets and water-resistant parkas that wouldn't look out of place in an Oasis photoshoot. Made in Japan and Portugal, each silhouette is the result of months of careful consideration. "It's the beginning of a new chapter for Sorry Thanks I Love You: one fuelled by experience, experimentation and a quiet obsession with doing things properly," says Ant. Similar care has been taken in designing the new store. Led by Paddington local and award-winning architect, Shelley Indyk, the Oxford Street location presents as a calming, light-filled space. For those familiar with STILY, the Yves Klein blue returns, adorning a pressed-tin ceiling, plush velvet curtains and custom detailing throughout, contrasting with stark white walls and garment racks that tread the line between fashion boutique and art gallery. "If Sydney is a city of villages, then Paddington is its capital," says Caroline. "The Olympia is the kind of beautiful electric shock that Oxford Street has been waiting for, and we can't wait to show Sydneysiders what's inside." Sorry Thanks I Love You is now open Monday–Saturday from 10am–6pm and Sunday from 11am–5pm at The Olympia, 1 Oxford Street, Sydney. Head to the website for more information.
Ever been to a comedy fest, hopped between amusing folks tickling your funny bone, and wished you could also catch some live tunes in the middle? Or, maybe you've done the reverse — spent a day seeing band after band, but felt like giggling and guffawing to break up the music? Either way, Brisbane festival Super Fun Day wants to get you dancing as well as laughing, combining comedy and music on the same bill. The event debuted in 2022, enjoying its first-ever outing in March at Eatons Hill Hotel across two stages, both indoors and outside. And, it had such a good time of it, it's making the shindig an annual event. [caption id="attachment_879216" align="alignnone" width="1920"] Tonje Thilesen[/caption] Mark Saturday, March 18, 2023 in your diary and get ready to enjoy a heap of talent — including headliners Dune Rats and Patti Harrison. Brisbane's own Dunies will top the music bill, heading home during a European tour to do the honours. As for Harrison, she'll make her Australian premiere on the comedy lineup, hitting the stage after appearing in The Lost City, She-Hulk: Attorney at Law, A Simple Favour, High Maintenance and Search Party, and writing for I Think You Should Leave and Big Mouth. Also taking to the stage: FIDLAR, Ruby Fields, Pale Waves, Beach Bunny, Ocean Grove and The Reytons. More acts are set to be announced closer to the fest and, if it brings back everything from last year, you'll be able to play giant games while you're there, too, including Jenga, Connect Four and Noughts and Crosses. SUPER FUN DAY 2023 LINEUP: Dune Rats FIDLAR Ruby Fields Pale Waves Beach Bunny Ocean Grove Patti Harrison The Reytons Dan Rath Danielle Walker Frenchy & The Talent Hevenshe Hot Department John Cruckshank Juno Late November The Moving Stills Karaoke with Shaggy Knees Super Fun Day 2023 takes place on Saturday, March 18 at Eatons Hill Outdoors and Ballroom, 646 S Pine Road, Eatons Hill. Ticket pre-sales start at 9am local time on Friday, November 25, with general sales from 9am local time on Tuesday, November 29.
There's something about spending a long lazy summer day at the beach that just can't be beat. Some of our overseas friends have got this down to a fine art — think beach chairs and shady umbrellas set up ready and waiting on the white sand of a Brazilian beach, with caipirinhas and coconuts served up from the little stalls dotting the shoreline. But fear not! Although we're a little short on beach bars (except this one), back in Australia we've perfected beach luxury, BYO-style. Here are our ten favourite beach chairs to bring along with you to your favourite sandy spot, whether it's on the grassy knoll at North Bondi, on a buzzing Gold Coast main beach, Victoria's quaint Brighton Beach or a tiny secret beach at the mouth of the Hawkesbury. BANANA SUNLOUNGE, SOMMERSAULT We couldn't resist. No list of beach chairs would be complete without the humble banana lounge. They'll take you to the sand, to the park, and all the way back to those memories of the days before water restrictions when you plonked one under the sprinklers in the backyard. You can even pull them out for sleepovers. Inexpensive, functional, iconic... and don't forget they fold flat for easy storage with that familiar 'click-click'. BEACH SEAT HAVANA, SUNNY LIFE Modern comfort, lightweight portability and a retro-inspired colourful print? This chair ticks a lot of boxes for seaside adventuring. As well as that, being from the clever people at Sunny Life, you can even find a beach umbrella or towel to complement your chair. But it's not just about looks — this chair has a handy pocket providing a place to stash your valuables. And see that strap? That makes for easy carrying without bumping aluminium poles all over your shoulder. DANIA FOLDING TEAK BEACH CHAIR, SKAGERAK We know teak is pretty — Danish mid-century furniture sure taught us that. But did you know this tropical hardwood also has a number of special properties that make it an excellent outdoor material? A high oil and rubber content make it naturally weatherproof, it's strong, and with a little love and recent finishing is easily cleaned. This teak beach chair will let you bring all those perks to the beach, in a fetching Danish design. If you're into your eco-credentials and a bit wary of tropical hardwoods, check out this bamboo option, and the recycled number below. TRIOPLINA CHAIR, MUUMUU DESIGN With lush covers to choose from including black and white cowhide, leather, cotton canvas and even kangaroo, Muumuu Design makes each of their stunner folding chairs by hand right in Sydney. Featuring sustainable marine-grade plywood frames and hand-finished with either a stain or clear protective finish, they're designed to last, as well as look good. The Tripolina design was first patented in 1877, and has been popular as a campaign or safari chair ever since. This is a chair with a pretty long history — and it's had a modern update thanks to the folks at Muumuu Design. Check out their full range. RECYCLED DECK CHAIR, ECOCHIC We love a good folding deck chair. Especially when they're locally made and recycled, like this chair from Ecochic. Handmade out of recycled Australian hardwood, these chairs come in natural or white. As well as being made-to-order, they're made to last — right down to the stainless steel screws and bolts. Ecochic are on a bit of a mission to make eco-friendly furniture available to people around Australia, whether or not they have access to a store. That means they keep their shipping fees as low as possible. You can check out their eco credentials here. PANTONE FOLDING CHAIRS, SELETTI Introducing Seletti, the company bringing Pantone to the beach. Their range of folding chairs are available in those familiar colours loved by many a design aficionado. Team up with your friends and see what colour palette works best for your beach times this summer. TREKKER LOUNGE, THERMAREST Next on the lounging front is this cleverly designed number from Thermarest. Known for their top-notch sleeping mats, if you do already have a Thermarest packed away for your outdoor adventures, all you need is the Trekker Lounge chair to convert your mat into a lounge chair fit for the beach. It's pretty clever, and as a bonus it's super lightweight which means it can see you from the beach to the bush, if you're planning some summer hiking too (or both, if you're lucky enough to be hiking to a secret beach somewhere). ORSON DECK CHAIR, RODA Last but not least, check this one for style. Designed by Gordon Guillaumier for RODA, the lovely lines of this chair are perfectly complemented by its matching footstool. The chair features a teak frame, and the little capote (that's the shade sail) means this is another super comfortable, shady chair to kick back in. All that's missing from this picture is some kind of delicious cool drink, and maybe one of Sydney's cracker sunsets after a day at the beach. BUNGALOW BEACH CHAIR, BUNGALOW As part of our search for the ideal beach chair, something came to us. Shade. How nifty is it to have a little awning over your head, protecting your face from the beating rays and your arm muscles, tired from shielding your face all day? So it was with much delight we stumbled across the Bungalow Beach Chair. Not only does it have a comfy towel design that lets you lounge out right on the sand, there's a hammock-shaped back to support you. But what we're eyeing off the most is that shady shade, right above where our heads go. This chair also comes with a zippered pocket for your things. Want the ultimate summer set-up? Check out these seven nifty beach tents.
Energy: we're either using it or talking about it. When we do the latter, we also do the former, of course. It describes our strength and vitality, and also covers how we power the world — and, unsurprisingly, it's a hot topic regarding the planet's future. At We Are Electric at the UQ Art Museum from Tuesday, February 14–Saturday, June 24, energy is firmly in the spotlight, too. This free exhibition explores the subject through art, pondering extraction, extinction and the world's post-carbon futures. So, as all great showcases should, you'll be inspired to think deeply while you're peering at paintings, sculptures, installations, video works and other creative pieces — about how energy flows within us, how the planets vibrate and how humanity's need for energy to fuel our existence is coming at a cost. [caption id="attachment_894614" align="alignnone" width="1920"] Haines & Hinterding Encounter with the Halo Field, 2009-2015, still from single-channel video, sound. Commissioned in 2009 by the Australian Network for Art and Technology and Art Monthly Australia with support from the Australia Council for the Arts. Reshot for High Definition in 2015. Courtesy the artist and Sarah Cottier Gallery, Sydney. Photo: the artists.[/caption] Artists on display include Will Benedict, Diane Borsato, Eglé Budvytytè, Megan Cope, Mavis Ngallametta, Yasmin Smith, and Haines and Hinterding — plus The Institute of Queer Ecology, and Daniel Beeron (Galaman), Davina Harries, Judith Henry, Clarence Kinjun, Doris Kinjun, Debra Murray and Eileen Tep from Girringun Art Centre. Together, and in a plethora of ways, they'll get art lovers buzzing about the electricity of our hearts, earth's electromagnetic fields, climate change and renewable resources. Understandably, We Are Electric doubles as a call to action — as thinking about energy always needs to be as well. [caption id="attachment_894613" align="alignnone" width="1920"] Michaela Gleave, Terrella, 2022. Installation view, We Are Electric, UQ Art Museum, 2023. Courtesy the artist. Photo: Josef Ruckli.[/caption] Top images: Michaela Gleave, Terrella, 2022. Installation view, We Are Electric, UQ Art Museum, 2023. Courtesy the artist. Photo: Josef Ruckli. George Tjungurrayi, Tingari, 2004, synthetic polymer paint on linen. Installation view, We Are Electric, UQ Art Museum, 2023. Collection of The University of Queensland, purchased 2007. © the artist licensed by Aboriginal Artists Agency Ltd. Photo: Josef Ruckli.
Airports are a necessary part of the international travel experience. They're hardly most people's favourite place or anyone's ultimate destination, but you can't fly overseas without visiting them. Next time you're jetting abroad, however, you might want to add a visit to Singapore's Changi Airport to your trip. Nothing breaks up a long-haul journey like a 40-metre tall indoor waterfall, after all. After hosting a short-term immersive Harry Potter-themed world over the Christmas period, the Asian transit point has now launched a new permanent addition — the 137,000-square-metre Jewel Changi complex, under a glass-and-steel dome, that's jam-packed with shops, dining options, greenery, activities and one massive water feature. Designed by Safdie Architects, it takes over ten storeys, including five above the ground and five below, as part of the airport's terminal one expansion project. If it's the cascading attraction that you're most interested in, it's called the Rain Vortex. As the name suggests, it uses water collected from above. Running from 8am–12.30am, it's also the world's tallest indoor waterfall, and also provides the backdrop for a light show. Surrounding the Rain Vortex is the Shiseido Forest Valley, which is home to over 2000 trees and palms, as well as more than 100,000 shrubs, all across five storeys. To allow visitors to really soak in the natural splendour, the manicured garden features a number of walking trails that take around half an hour each to complete — and they're open 24/7. Although the waterfall and garden have been welcoming travellers since Wednesday, April 17 — as has Jewel Changi in general, its new onsite IMAX theatre and YOTELAIR Hotel, plus Nike, Marks & Spencer, Muji, Zara and Uniqlo stores as part of 280 retailers and eateries overall — there's also more to come. From June 10, the site will mark the opening of its fifth-level Canopy Park, which'll bring with it a heap more adventurous activities. Specifically, visitors will be able to walk along a bridge suspended 23 metres above the ground, and even see through the glass floor to the garden below. You'll also be able to bounce along a 250-metre span of sky nets, wander through both a hedge maze and a mirror maze, and slip down the slide-filled sculptural playground. Forget just killing time on a layover, searching for a phone charger or suffering in uncomfortable chairs while you're waiting for your flight home. Here, you might have to remind yourself that you're actually at an airport. For further details, visit the Jewel Changi Airport website.
You've saved the date. You loved the lineup. If you're keen to hit up 2025's One Night Stand — and see Spacey Jane, LUUDE, Ruby Fields, 3%, Blusher and Velvet Trip while you're there — you'll now want to make plans to visit Busselton in Western Australia. That's where the Triple J initiative is heading this year, marking its first visit to the state in almost a decade, since 2016. All of the above acts, plus a yet-to-be-announced Triple J Unearthed winner, will take to the stage in Barnard Park on Saturday, May 24. Part of the reason for the long gap between trips west: this music festival does the rounds, setting up shop in a different part of the country each year. Another factor: that One Night Stand took a break from 2020–23 due to the pandemic. [caption id="attachment_996055" align="alignnone" width="1920"] Mitch Lowe[/caption] After 2019's One Night Stand, music lovers in regional Australia waited till 2024 for the event to return. Thankfully, there's no five-year delay between festivals this time. In fact, One Night Stand is returning just over eight months since 2024's festival, which took place in the Victorian town of Warrnambool in September with G Flip, Ruel, What So Not and Thelma Plum leading the lineup. Victoria hosted the most-recent One Night Stand and also the first: 21 years ago now, Triple J gave the town of Natimuk a day to remember when the spot 300 kilometres out of Melbourne welcomed its very own major music fest. When the ABC radio station put on the festival every year between 2004–2014, then again from 2016–2019, however, it hopped around states. Fellow Western Australian spots Collie and Geraldton have already welcomed the festival, for instance. [caption id="attachment_996056" align="alignnone" width="1920"] Cole Barash[/caption] Ayr, Dalby and Mt Isa in Queensland; Port Pirie, Tumby Bay and Lucindale in South Australia; Cowra and Dubbo in New South Wales; Sale and Mildura back in Victoria; Alice Springs in the Northern Territory; and St Helens in Tasmania: they've all enjoyed the One Night Stand experience as well in prior years. It was true in 2024 and it remains the case in 2025: the all-ages event is returning at time when the Australian live music scene has been suffering, and after a spate of festivals have been cancelling or saying farewell forever, including both Splendour in the Grass and Groovin the Moo sitting out 2024 and 2025. Tickets for 2025's One Night Stand will cost $15 plus booking fee, and all proceeds will be donated to charity. One Night Stand Lineup 2025 Spacey Jane LUUDE Ruby Fields 3% Blusher Velvet Trip Triple J Unearthed winner to be announced [caption id="attachment_996060" align="alignnone" width="1920"] Savitri Wendt[/caption] 2025's triple j One Night Stand will take place on Saturday, May 24, 2025 in Barnard Park in Busselton, Western Australia. Tickets go on sale from 5pm AEDT on Thursday, March 27, 2025. For more information, head to the radio station's website.
If spending two days feasting on loukoumades, souvlaki and haloumi was on your autumn agenda — enjoying Paniyiri's first full event since 2019, too — the weather comes bearing bad news. As everyone in Brisbane has noticed, it has been wet over the past week. Yes, again. And, due to the conditions, the city's beloved Greek festival is moving its dates until spring instead. Paniyiri was due to take place across Saturday, May 21–Sunday, May 22 at West End's Musgrave Park, making a proper comeback after two pandemic-interrupted years — with the 2020 event cancelled and the 2021 fest opting for a scaled-down and largely online format. But the soggy weather, including forecast rain right through until the fest's dates, has wreaked havoc. So, you'll now need to mark Saturday, October 15–Sunday, October 16 in your diary. "We are disappointed to have to make this decision, particularly for the community groups and charities who rely on Paniyiri as their major fundraiser; as well as all the vendors, sponsors, and the team behind the scenes and for all the people who were looking forward to coming to this, particularly given the last two years," said Paniyiri Organising Committee Chairman Chris Kazonis in a statement. "But the good news is, we will be back bigger and better than ever on October 15 and 16 at Musgrave Park, and we are encouraging everyone who has pre-purchased their tickets to hold onto them as they will be valid." "Unfortunately, this is the one element of an outside festival that we can't control. This decision was not made lightly and ultimately took into account patron, stallholder, talent, volunteers and staff safety given the current weather forecast," Kazonis continued. When it does return later in October, Brisbane's massive Greek fest will take over West End with quite the array of food, drink, partying and more. Yes, there's a reason that more than two million people have gone along over the years. Think: grapes to stomp, coffee to sip, olives to consume and plates to smash, plus TV stars to rub shoulders with and cooking demonstrations to watch. Food-wise, more than 20 stalls will serve up bites from 11 Greek regions, including an abundance of loukoumades, souvlaki, haloumi and barbecued calamari. If devouring as much as you can is your idea of fun, the festival's regular food contests usually keep stomachs satisfied. Then, to wash all of that down, there'll be Greek wine, Greek beer and Greek-inspired cocktails as well. Of course, it wouldn't be Paniyiri without entertainment. Dancing is always a big feature, all thanks to Greek Dancing with the Stars and the Hellenic dancers. In addition to celebrating all things Greek in Musgrave Park, Paniyiri also takes over The Greek Club — and given that it's now marking its first regular fest in more than two years, expect both venues to host one massive shindig when October rolls around. Paniyiri 2022 will now take place from Saturday, October 15–Sunday, October 16 at Musgrave Park and The Greek Club, Edmondstone Street, South Brisbane. For more information, head to the event's website.
Pucker up, fans of 90s teen flicks — whether you were the exact right age at the time, have discovered them since or found yourself looking backwards thanks to recent films like Do Revenge. After finally bringing its song- and dance-filled take on one of the most influential movies of the era to Australian stages this year, Cruel Intentions: The 90s Musical is making a comeback along Australia's east coast in 2023. It seems that we can't get enough of this bittersweet symphony. We can't stop praising it, either. This time, audiences in southeast Queensland will get a second chance to get nostalgic — at HOTA, Home of the Arts on the Gold Coast from Friday, January 20–Saturday, January 28. To answer the most crucial question, yes, the musical's soundtrack is filled hits from the period, including The Verve's 'Bittersweet Symphony' and Placebo's 'Every You Every Me'. In fact, Cruel Intentions: The 90s Musical is a jukebox musical, so it's overflowing with a heap other tunes from that late 90s–early 00s time. Think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. The story remains the same, just without Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair (and Joshua Jackson's blonde locks). If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (Dear Evan Hansen) taking over Gellar's role — then you'll know how it goes. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school.
It has been more than two decades since Harry Potter and the Philosopher's Stone first brought its magic into our lives, and muggles still share one particular dream: to attend Hogwarts. Yes, it's a fictional setting. Yes, we all know that. But that still hasn't stopped all manner of places trying to make the school an enchanting reality, from HP-inspired wizarding schools to huge brunches held in Great Hall-like spaces to activewear decked out in house colours. London's Warner Brothers Studio Tour is going one step further as part of its The Making of Harry Potter exhibit: it's letting visitors try on authentic Hogwarts robes. Short of casting a spell to go back in time and star in one of the eight Harry Potter films — or somehow finding your way onto the Fantastic Beasts' set — that's as close as you're going to get to some actual Hogwarts action. The specific tour wizard obsessives will want to take is the Behind the Seams experience, which dives into the costumes created for the movie franchise — all 25,000 of them. Sketches, finished outfits and stories about their creation are all part of this wander through a workshop-like environment, with threads worn by Cedric Diggory, Professor Sprout and even Voldemort on display. That's all great and bewitching, but the main attraction is the chance to pick your house colours and pop on a robe that featured in one of the movies. We'd tell you to BYO wand, but you've probably already thought about that. Anyone finding themselves in London over the next few months can take the Behind the Seams tour between May 23 and July 22, with sessions running daily until June 2 and then every weekend afterwards. Tickets cost £65, which includes the one-hour costume frenzy — but no, you can't wear your Hogwarts garb for the whole hour, sorry — as well as the standard studio tour, complete with a walk through the Forbidden Forest and a wait on Platform 9¾. For more information, visit the Behind the Seams website.
You don't call yourself Pluto Jonze and expect to bypass the lofty pop-god connotations that come with such title. Fortunately, this indie-techno maestro has lived up to his name, proving he holds a certain catalyst to making perfect, pop-infused beats. With a sound that ranges from the ultimate hip-jiggling jams, to something of sweet, guitar-laced ballads, Jonze captures the entire 60s rock movement, and gives it a good run for it’s money. Now, on the Brisbane leg of his national tour, Pluto Jonze brings his stomping lo-fi guitars, luscious vocals and glorious strings to cosy, dance-ready Alhambra Lounge in the Fortitude Valley. All in celebration of his debut full length album ‘Eject’, Jonze will be laying down some of his hip-hoppiest tunes to ensure all gig-goers will be moving their feet and hips in a dangerously arousing, but all too appropriate fashion. Don’t miss seeing a man whose been blamed for stealing the shows he's supported, labeled as one of Australia’s biggest up and comers, and constantly proved that he’s an artist we’d all best keep an eagle eye on. Check out Pluto Jonze's 'Eject'
Icons teaming up with icons: when documentary series Pretend It's a City hit Netflix in 2021, that's what it served up. Earning attention: Fran Lebowitz, with Martin Scorsese directing. The focus: the acclaimed writer, humorist and social commentator chatting about her life for the legendary filmmaker, following on from Scorsese's Lebowitz-focused 2010 feature-length doco Public Speaking. Of course, Lebowitz doesn't need to be nattering with Scorsese, or in front of The Wolf of Wall Street and The Irishman helmer's lens, to prove a must-watch figure. Her sharp opinions and deadpan humour have made her famous for more than five decades now, and over a career spanning magazine columns, books, working with Andy Warhol, notable late-night talkshow appearances and public-speaking tours. It's the latter that's bringing her back to Australia in 2024 — getting talking along the east coast. [caption id="attachment_912247" align="alignnone" width="1920"] Harrison Dilts[/caption] "Ever since Pretend It's a City exploded on our screens, we have wanted to bring Fran Lebowitz back to the Sydney Opera House. In this special event, we all get to take on the role of Marty Scorsese and ask her what she thinks about absolutely anything in our puzzling, frustrating, sometimes maddening world," said Sydney Opera House Head of Talks & Ideas Chip Rolley, with Lebowitz's Harbour City stop presented in conjunction with the venue's talk-focused programming strand. "It's then our job to sit back, relax and laugh until we can no longer. Sydney should prepare itself for a banner night out with one of the world's great cultural satirists." [caption id="attachment_912248" align="alignnone" width="1920"] Lia Clay Miller[/caption] Melbourne and Brisbane should also prepare accordingly, with Lebowitz also taking to the stage at Hamer Hall in the Victorian capital and QPAC in the Sunshine State in February. Will she chat about attending the Succession season four premiere party? Her role as a judge in the Law & Order franchise (and The Wolf of Wall Street)? Saturday Night Live's parody of Pretend It's a City? Being a columnist for Warhol's Interview mag? Growing up in New Jersey? New York in the 70s? Topics such as race, gender, media and politics? Anything that vexes her? Everything? At least some will earn an unfiltered mention — including at the audience Q&As. AN EVENING WITH FRAN LEBOWITZ: Tuesday, February 13 — Sydney Opera House, Sydney Thursday, February 15 — QPAC, Brisbane Sunday, February 18 — Hamer Hall, Melbourne An Evening with Fran Lebowitz hits Australia in February 2024. Head to the Sydney Opera House, QPAC and Arts Centre Melbourne websites for tickets — with pre sales from Tuesday, August 8 and general sales from Thursday, August 10 — and further details. Top image: Bill Hayes.
When winter hits in 2021, Sydneysiders can prepare to be ensconced in projections once again. After taking a year off in 2020, Vivid Sydney's annual festival of light, music and ideas will transform the city over 23 nights with a jam-packed lineup of cultural events, pop-ups and activations. Public spaces across Sydney will be treated to Vivid's beloved light installations — including the previously announced Cockle Bay light walk and Customs House's 3D visual storytelling project, and the freshly revealed activation Fall, a multi-sensory experience in The Rocks playing off the heritage area's leaky drains as a comment on our collective water consumption. The program's lineup will sprawl across iconic Sydney buildings and open spaces in Circular Quay, The Rocks, Barangaroo and Darling Harbour. [caption id="attachment_761801" align="alignnone" width="1920"] Jordan Munns[/caption] In Circular Quay, the Sydney Opera House's sails will light up with a digital rendition of Yarrkalpa (Hunting Ground), a stunning painting created by the Martu Artists of the Pilbara region. Inside and in front of the iconic harbourside venue, Vivid Live will feature an array of boundary-pushing and fan-favourite musicians from Australia and New Zealand. Across the three-week festival, music fans can catch the world premiere of Sampa the Great's new stage show, a tenth anniversary showcase of Sydney record label Astral People, rock and jazz legends Gareth Liddiard (The Drones), Jim White (Dirty Three) and Chris Abrahams performing together, plus sets from Golden Features, Flight Facilities, Hermitude, Gordi, G Flip, Miiesha and Connan Mockasin. [caption id="attachment_813276" align="alignnone" width="1920"] Image: Vivid Sydney, 2019[/caption] English actor and The Good Place star, Jameela Jamil will appear as part of Vivid Ideas, discussing body positivity, social media, diet trends and mental health via a virtual talk with Australian author and podcast host Jamila Rizvi. Elsewhere on the Vivid ideas program, Magda Szubanski will discuss the importance of art and laughter, and Briggs will be joined by YouTuber Nat's What I Reckon to discuss mental health while discussing food and music they've been loving. Author of Honeybee Craig Silvey will also be in attendance with screenwriter, performer and multi-disciplinary "trans queen" Glace Chase to talk gender fluidity and representation. Away from the Sydney Opera House, cultural events will activate across the city. Carriageworks will play home to a Cantina OK! pop-up, featuring food and cocktails from the CBD bar, a roster of DJs and performances from King Gizzard & the Lizard Wizard and Amyl & the Sniffers. LGBTQIA+ party collective Heaps Gay will bring its Kween's Ball to Luna Park, while FBi Radio will invite audiences into their studio for performances from local musicians. The UTS Great Hall will host a series of talks, seminars and film screening, and the Australian Museum, Parliament House, MCA, the Powerhouse Museum and Maritime Museum will all continue with their after-dark culture series Up Late. [caption id="attachment_809934" align="alignnone" width="1920"] Image: Destination NSW, an artist's render of a Vivid installation.[/caption] Vivid will run from Friday, August 6 until Saturday, August 28. You can check out the full program via Vivid's website.
Brunswick Street's resident arcade bar isn't short on activities, whether you want to mash buttons, bust out your board game skills or sip a few beverages. But that's just Netherworld's regular lineup. The Fortitude Valley joint is rather fond of turning an otherwise ordinary day into a special occasion, whether it's focusing on video games, carnival vibes, cult flicks or themed parties — or hosting an artist market. From 11am–2pm on Sunday, August 25, Netherworld will welcome a heap of local artists, letting them showcase their wares. Check out the results of their talents and find a few new creative pieces to take home with you, all while having a few cold ones and hitting the machines, too. The lineup is hefty, featuring Shani Finch, Planet Hostile, Serpentium Apparel, Kate Elizabeth, A.r.t Garbage, Kitty Kollect, Allegra Maeva, Gulp Magazine, Deeleeshous Treats, Gregory Hartogh and Silent Goat, just to name a few. And sure, it's only August — but it's never too early to start thinking about gift-giving season (or to buy yourself something just because). Image: Cole Bennetts.
These days, working out extends far beyond the gym floor. Housed in spaces that have their own personalities, boutique studios offer a type of workout for specific goals – whether that's endurance, strength, flexibility, or simply bragging rights. BFT and F45 offer high-intensity group training via circuits, while Barry's Bootcamp's sleek interiors are a luxe spin on the same sweat. If zen is more your speed, traditional mat-based yoga classes now sit alongside hammock-draped aerial yoga spaces where familiar poses are performed in the air. [caption id="attachment_1002460" align="alignnone" width="1920"] The Commons[/caption] Boutique fitness classes have become so popular that studio memberships are now a standard monthly expense – and it's not a tiny one. A recent study by health insurer iSelect reveals that a year of group fitness in Australia costs around $3,343.92. The price tag on group classes might be edging into luxury expense territory, but there's a reason it's hard to give up. Ever so often, a fitness trend explodes: indoor cycling, bouldering and Zumba have all had their moments in the past decade – and the current obsession is reformer Pilates. A recent study from health insurer iSelect has confirmed what your bank account already suspected: reformer pilates is officially Australia's most expensive workout. Reformer pilates studios typically have a range of membership tiers, but unlimited access is usually the best value for frequent attendees. These passes tend to be the priciest – Canberra's studios top the charts with an average of $82.20 a week. Sydney isn't far behind at $77, then Melbourne ($75.20), Perth ($74.30), Brisbane ($70.60) and Tassie ($64). Staying fit doesn't always have to break the bank. Some gyms and health clubs include reformer pilates classes in their offering, while boutique studios are getting savvy with costs. At Melbourne's Reformer Space, classes are led via a screen without an instructor present, and the savings trickle down to a weekly fee of under $30. For those seasoned with the carriage springs, explore free-and-easy formats like Pilates 24/7 and Revo Fitness, where reformer machines are readily available for self-guided workouts. It's not just group fitness that can dent your wallet. Training for sold-out endurance events requires an immense amount of time and grit, but it also takes a toll on your wallet. It costs a whopping $630 to complete the gruelling 226-kilometre Ironman triathlon, while you can show your strength at Hyrox, a hardcore hybrid competition, for $250. There's a pattern: the bigger the spectacle, the higher the price. Following its addition to the Abbott World Marathon Major series, the Sydney Marathon now costs $330 per participant – an increase of over $100 from last year's edition. In contrast, the Gold Coast marathon offers a more affordable option at $235 per runner. For those seeking a muddy challenge, Tough Mudder's obstacle courses are priced below $200. While high-end classes and prestigious triathlons dominate the conversation today, accessible options like fringe events endure. Every Saturday, parkrun organises free 5K runs and walks across the country. Who knows? It might just deliver the same sweaty satisfaction. Images: The Commons, Strong Pilates, Iron Man
Thanks to Netflix and Bill Murray, you've probably heard the term "Murray Christmas" quite a bit lately. His seasonal variety special has only been available for streaming for a matter of days, but it has already become a holiday classic. The former Ghostbuster isn't the only one using the Murray name to spread some Yuletide cheer, however. Closer to home, Murray's Craft Brewing Co. are also doing their part. For two days, the award-winning makers of many a fine beverage are taking over the taps at Death Valley. When it comes to tasty ales, pilsners and porters, it doesn't get much more festive than that. On December 11 and 12, eight of Murray's best beers will flow freely, bringing the best of the Bobs Farm-based brewery to Morningside's favourite dive bar. A refreshing pint isn't the only drawcard, though, with Red Robin Supper Truck serving up off-the-menu food pairings. Yes, you'll eat, drink and be merry, Murray style.
In the age of streaming, DVD commentary tracks are no longer as much a part of the home-viewing process. If you're keen to hear insider details about the making of Sydney-shot 1999 sci-fi great The Matrix and 2025's Melbourne-made horror hit Together, however, SXSW Sydney has you covered. 2025's event has unveiled more details of its Screen Festival program for this year, with the return of its Screen Commentary sessions among the highlights. Costume designer Kym Barrett, who has also worked on everything from Baz Luhrmann's Romeo + Juliet, The Nice Guys, The Shallows, Aquaman and Us to Charlie's Angels, Shang-Chi and the Legend of the Ten Rings and Three Thousand Years of Longing — and on The Matrix Reloaded and The Matrix Revolutions, plus the Wachowskis' Speed Racer, Cloud Atlas and Jupiter Ascending — will talk through her efforts on The Matrix as the film plays. For Together, writer/director Michael Shanks will dig into his debut feature, which also opened 2025's Sydney Film Festival. SXSW Sydney has also announced Screen conference sessions as part of its roster of seminars, workshops and more, with Whitney Fuller, the Development Executive of Jordan Peele's Monkeypaw Productions, one of the big names. Fittingly, Fuller will be part of the festival's Women in Genre panel. Also, producer Liz Watts (The Royal Hotel) and filmmaker Tony Ayres (The Survivors) are teaming up for the What Is an Australian Story? session, while Fantastic Festival Director Lisa Dreyer, Rachel Watt from Watt Social, Yellow Veil Pictures' Joe Yanick and Oscilloscope's Alexandra Fredericks are set to get chatting as well. The panel lineup also spans Jill Kingston from Pacific Shadow Pictures, Enzo Tedeschi and Helen Tuck from Deadhouse Films, and Lake Martin Films' Kate Separovich unpacking all things indie horror from a filmmaking perspective, as well as Invention Studios' Carmen Knox and actor Remy Hii (Arcane) on deciding whether to make the leap to LA. SXSW Sydney's latest screen-centric additions join Paul Feig (Another Simple Favour) hitting the Harbour City as the Screen Festival keynote speaker and its first recipient of the new SXSW Sydney Screen Pioneer Award — and also a 14-hour Freaks and Geeks marathon, plus sessions of Bridesmaids and The Heat, to go along with his time at the fest. There's more to come; however, as similarly announced earlier, viewers will also be able to catch By Design, $POSITIONS, Dead Lover, Zodiac Killer Project, The Last Sacrifice and Bokshi. Among that group, body-swap effort By Design features Juliette Lewis (The Thicket), Mamoudou Athie (Kinds of Kindness) and Robin Tunney (Dear Edward); horror-comedy Dead Lover is a SXSW Austin award-winner; Charlie Shackleton (The Afterlight) digs into a famed serial killer; and everything from comedy to folk horror features. [caption id="attachment_967878" align="alignnone" width="1920"] Jaimi Joy[/caption] [caption id="attachment_923287" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] [caption id="attachment_923317" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] SXSW Sydney 2025, including the SXSW Sydney Screen Festival, runs from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details and tickets. The Matrix image: Ronald Siemoneit/Sygma/Sygma via Getty Images. Together image: Ben King, Neon.
Everyone discovers inner harmony in their own way. For instance, some people head to the nearest body of water, while others meditate with ocean waves playing in their headphones. Now it's possible to combine these restful exercises, as the JW Marriott Gold Coast Resort & Spa offers a new floating wellbeing experience. Delivered by Aqua Sculpt, a floating wellness studio, the five-star resort transforms its saltwater lagoon into a restorative sound bath experience. Held across three 60-minute sessions — on Friday, July 25; Friday, August 22; and Friday, September 19 — guests can start their day from 7–8am with a tranquil encounter filled with harmonic vibrations. With eyes covered, you'll float on inflatable boards or nestle into a cabana or lounge as a serene live soundtrack of therapeutic tunes eases you into a state of pure relaxation, bringing balance to your nervous system and creating space for mindful presence. Think crystal singing bowls, equilibrium chimes and grounded meditative guidance. With only 28 spots per session, this introspective experience might just help you feel a little more at one with yourself. The location won't hurt either, as the Marriott's saltwater lagoon has routinely been named one of Australia's best pools, making it the ideal setting for this unique wellness activity.
Great Southern Nights has just dropped its lineup for 2026, confirming the return of the multi-city festival of Aussie-made music for its fifth run, and showcasing a list of huge names and a mix of genres that will bring it to life in 2026. If you've never paid it any mind before, a TLDR: where most venues pick one venue to roll with, GSN picks hundreds. Hundred of venues calls for hundreds of gigs, and 2026 will see over 300 performances take place on stages from the South Coast up through Sydney, out as far west as Dubbo and all the way up to Byron Bay, from Friday, May 1 to Sunday, May 17. The lineup is just as expansive, too, bringing legends and rising stars alike together across the state. [caption id="attachment_1070441" align="aligncenter" width="1920"] Jesse Thompson[/caption] First up is a 2026 GSN first: Live Fest. The curated, single-day event is first taking place in Dubbo, featuring country and folk icons Paul Kelly, Missy Higgins and Kasey Chambers, indie rockers The Cruel Sea, funk legends The Cat Empire and rising genre-defying songwriter Jess Hitchcock. Then the fun heads to Tamworth with indie pop and local rock talent like Jet, The Living End, Kita Alexander, Thelma Plum and Lime Cordiale. For the rest of the statewide program, well, you can imagine there's plenty of artists to pick from. Some of the standout names are Jessica Mauboy, Peking Duk, Genesis Owusu, Ball Park Music, The Whitlams, Playlunch, Jack River, Meg Mac, Young Franco, Gordi, Keli Holiday, The Grogans, WILSN and many, many more. [caption id="attachment_1070442" align="aligncenter" width="1920"] Matt Jelonek[/caption] Great Southern Nights is organised in part by Destination NSW and ARIA, helping to drive visitation to cities across the state, instead of just piling crowds into the same Sydney venues and regional fields year after year. Minister for Jobs and Tourism Steve Kamper said, "Great Southern Nights shows the power of live music to bring people together and create energy in communities right across NSW. When you see local venues buzzing and artists performing in towns big and small, you really feel the impact these experiences have beyond the stage". [caption id="attachment_1070443" align="aligncenter" width="1920"] Georgi Griffiths for Destination NSW[/caption] CEO of ARIA Annabelle Herd added, "Great Southern Nights is about connecting audiences of all ages across NSW with the unique joy of great live music and showing up for the places that support it. Bringing iconic artists to multiple regions across NSW creates big, shared moments for local communities, friends, and families". Visit the Great Southern Nights website to browse the full program and start planning your trip to any one of the participating cities.
As many a frustrated portrait painter knows, capturing an entire person in a single image is one of art’s toughest challenges. In response, Spanish designer and illustrator Alex Trochut has developed a new technique. He’s invented a way of including two different pictures on the same surface. One can be seen only when the lights are on; the other is visible in the dark. The fruits of Trochut’s work are on show in his new exhibition, Binary Prints, which explores the dual nature of some of the electronic music industry’s most famous faces. Last month, he told the creators’ project, ‘People are always a multifaceted polygon with many sides . . . Working on the duality and covering the two extremes of any spectrum creates a sequence, a change, a short narrative and hidden side that reveals what is not obvious behind the surface.’ So, we see James Murphy (LCD Soundsystem) illuminated in drowsy mode, yawning and scruffy-haired; then donning reflective glasses, a collar and tie once the lights are out. John Talabot appears concealing his face with his hands, as though seeking to block out the light, but peeking at us from the cover of darkness. Other DJs who sat for portraits include Caribou, Damian Lazarus, Four Tet, Acid Pauli and Lucy. ‘It was like a dream come true to be able to express myself through the artists that have fuelled my imagination countless times,’ Trochut explains. ‘Some connections were made in clubs, just by passing my cell phone to the DJ booth with a text on the screen saying: "Hi, my name is Alex, I'd like to invite you to a personal project, can I get your email?"’ Binary Prints made its debut at Barcelona’s Sonar Music Festival last month and is set to embark on an ongoing international journey to various galleries, art fairs and festivals. [via the creators' project]
Sometimes, the simplest ideas are the best. So back in 2022, when Range Brewing's Gerard Martin and Matt McIver decided to pair independent beers with a DJ-spun soundtrack at a new Brisbane festival, it wasn't a complicated concept — but it was a hit. Two years later, that event is returning for its third year, with Juicy once again headed to Brisbane's Fortitude Music Hall. The setup worked a treat the first time, then the second, and now will keep doing so again in 2024. On Saturday, March 16, across two heaving sessions under the Valley Mall venue's chandeliers, the booze will be flowing from a range of breweries. Bites to eat and the talents on the deck have been carefully curated as well. This time, Brisbane's own Range (of course), Working Title and Hohly Water are on the beer list, alongside GABS 2022 and 2023 winner Mountain Culture, Bracket, Wildflower, Future and Kicks from New South Wales. You can also look forward to sips from Rocky Ridge, Hop Nation, Garage Project, Fox Friday, Shape Shifter, Found and Banks, plus Finback from the US. Here's how it works: across two slots — from 12–4pm and an evening one from 6–10pm — attendees will get their glass, then start enjoying their way through all the brews on offer, all without needing to worry about paying for drinks as you go. That's one of Juicy's big drawcards. Inspired by events overseas, Martin and McIver created a beer fest where your ticket covers everything, including what you're tasting. Taking care of 2024's music are Hol Hibbo and Aunty STAN for the afternoon session, both from Fortitude Valley's QUIVR DJs. Come evening, Ben Chiu and ELJAE will do the honours. And to help line the stomach, Southside will serve up its Asian cuisine, Zero Fox will bring its range of Japanese and Korean dishes, and Baja will take care of the Mexican bites. Juicy Beer Festival takes place on Saturday, March 16, 2024. For more information or to buy tickets, head to the fest's website. Images: Axis Productions.
Beef starts with two strangers meeting, but there's absolutely nothing cute about it. Sparks don't fly and hearts don't flutter; instead, this pair grinds each other's gears. In a case of deep and passionate hate at first sight, Danny Cho (Steven Yeun, Nope) and Amy Lau (Ali Wong, Paper Girls) give their respective vehicles' gearboxes a workout, in fact, after he begins to pull out of a hardware store carpark, she honks behind him, and lewd hand signals and terse words are exchanged. Food is thrown, streets are angrily raced down, gardens are ruined, accidents are barely avoided, and the name of Vin Diesel's famous car franchise springs to mind, aptly describing how bitterly these two strangers feel about each other — and how quickly. Created by Lee Sung Jin, who has It's Always Sunny in Philadelphia, Dave and Silicon Valley on his resume before this ten-part Netflix and A24 collaboration, Beef also commences with a simple, indisputable and deeply relatable fact. Danny could've just let Amy beep as much as she liked, then waved, apologised and driven away. Amy could've been more courteous about sounding her horn, and afterwards. But each feels immediately slighted by the other, isn't willing to stand for such an indignity and becomes consumed by their trivial spat. Whether you're a struggling contractor hardly making ends meet, as he is, or a store-owning entrepreneur trying to secure a big deal, as she is — or, if you're both, neither or anywhere in-between — pettiness reigning supreme is basic human nature. If you've ever gotten irrationally irate about a minor incident, this new standout understands. Episode by episode, it sees that annoyance fester and exasperation grow, too. Streaming in full from Thursday, April 6 just in time for Easter long-weekend binges, Beef spends its run with two people who can't let go of their instant rage, keep trying to get the other back, get even more incensed in response, and just add more fuel to the fire again and again until their whole existence is a blaze of revenge. If you've ever taken a small thing and blown it wildly out of proportion, Beef is also on the same wavelength. And if any of the above has ever made you question your entire life — or just the daily grind of endeavouring to get by, having everything go wrong, feeling unappreciated and constantly working — Beef might just feel like it was made for you. For Los Angeles resident Danny, Amy's rudeness is just another source of frustration on what seems like an endless list. He was only in her vicinity at all to return a heap of grills, but the shop assistant was snarky, he couldn't find his receipt and ended up taking them home again anyway. He's also exhausted from continuously needing to hustle for work, and from ill-mannered customers — all while getting attitude from his younger brother Paul (Young Mazino, Prodigal Son), who he's doing his best to look out for. Then there's his quest to make enough cash to bring his parents (first-timers Jerry Hanjoo Kim and Gina Lee) back from Korea after the motel they ran fell on hard times, plus the shady get-rich-quick shenanigans that his fresh-out-of-prison cousin Isaac (David Choe, The Mandalorian) is always plunging him into. For the Calabasas-dwelling Amy, there's always something to deal with — Danny's ute almost reversing into her SUV is just the latest. Her artist husband George (Joseph Lee, Searching) plays primary parent to their anxious daughter Junie (Remy Holt, The Afterparty), which means that she's the overworked financial provider via her designer plant company (and getting grief from his mother Fumi, played by Pretty Little Liars' Patti Yasutake, for it). That's involved years of toiling hard to establish the business, and make it a success. She's also spent the past two years attracting Jordan Forster (Maria Bello, NCIS), who owns the chain of hardware stores that leads her to Danny, to buy her out. All that she wants is to enjoy time with her family, but finalising the deal requires jumping through the eccentric billionaire's many hoops, even while getting insider tips from her sister-in-law Naomi (Ashley Park, Girls5eva). There's a chalk-and-cheese air to Danny and Amy's dynamic early, as Beef gets them duelling as seeming opposites. But as their fight escalates — and, from road rage to urine-soaked floors, catfishing, sabotaging careers and more, it escalates to dowright civilian warfare — they're united in their immature pettiness, their many flaws, and their individual despair over where life has taken them and why. Beef is smartly penned as a dual character study of an unhappy pair stuck between quarter-life and midlife crises, striving to move forward but treading water, and terrified of losing what they've worked for. It's a portrait of two people fracturing and fraying well before they set each other off, and it knows and sees how little that truly separates Danny and Amy, especially when they can't spy that themselves. Beef is also smart about the vengeance- and obsession-seasoned stew it splashes across the screen: its Los Angeles setting, its masterful tonal swerves from deep drama to dark comedy and back again, its treasure trove of hostilities, its willingness to get Lynchian, its lived-in characters from its central duo down to its supporting players, and the generosity and sympathy that it shows everyone even at their worst. Its brightest move in a show filled with bright moves is casting Minari Oscar-nominee Yeun and Always Be My Maybe's Wong, however. Each is exceptional. That's a word that keeps being directed Yeun's way, and deservedly — see Minari, Nope, Burning, Okja, his skit on I Think You Should Leave with Tim Robinson — but it demands screaming here as he navigates such a range of scenarios, emotions, squabbles, revelations, sources of inner turmoil, and stints of both physical and witty comedy. As an actor, Wong has never been better, also while taking the same journey. And whether they're shouting at or plotting against each other, they're dynamite together. At the end of episode one, with Danny and Amy enlivened by their feud — living for it, even — Beef plays out its debut instalment with Hoobstank's 'The Reason'. Its words are fitting; this twosome is feeding off each other, thriving in their meanest ways and only letting themselves truly be themselves in their newfound enemy's company. That's another of the show's strokes of genius. So is the 90s-heavy soundtrack, which also spans Tori Amos, Smashing Pumpkins, Bush and Offspring like it's Yellowjackets. And, equally as shrewd is the inbuilt acknowledgement that Danny and Amy are mad, sad, disappointed and frustrated about everything, not just each other, but so is everyone around them. We all have beef. "It's always fucking something," as Beef's two leads both espouse and we all feel. Recognising that makes for hilarious, grim, tense, savvy, sometimes-surreal and always-irresistible viewing. Check out the trailer for Beef below: Beef streams via Netflix from Thursday, April 6. Images: Netflix.
