Forget celebrating Christmas in July — when the middle of the year hits, it's time to start working yourself up to the best occasion of the year. If you like scary movies, candy and dressing up in costumes, then you know the occasion. And in 2022, Halloween is almost here in more than a few ways. In just a few months, the spooky celebration itself will indeed arrive. Also hitting in October: the latest film in the Halloween franchise. A sequel to last year's Halloween Kills, as well as the third film in the trilogy within the broader saga that started with 2018's Halloween, it's been dubbed Halloween Ends. To that, we have two questions: will it really, and do we want it to? The just-dropped trailer for the new film certainly wants audiences to believe that this will be the last time that Laurie Strode (Jamie Lee Curtis, Everything Everywhere All At Once) and mask-wearing villain Michael Myers do battle. If the movie is a box office blockbuster, though, that might prove otherwise. Nothing ever truly dies these days in the pop-culture realm, especially successful big-screen series — and, since debuting back in 1978 with John Carpenter's OG masterpiece, the Halloween franchise has come back 11 other times before now. Story-wise, Halloween Ends will pick up four years after Halloween Kills, and see Laurie still processing the fallout — and living with her granddaughter Allyson (Andi Matichak, Foxhole) while writing her memoir. She wants to move on from Michael Myers, who hasn't been seen since the events of the last movie. Then, a young man (Rohan Campbell, The Hardy Boys) is accused of killing a boy he's babysitting. As well as Curtis and Matichak, Will Patton (Outer Range) will return as Officer Frank Hawkins, and Kyle Richards does the same as Lindsey Wallace — a part she also played back in the very first film. David Gordon Green (Stronger) is still in the director's chair for the third Jason Blum-produced Halloween entry in a row (and his third, too), and co-wrote the screenplay with Danny McBride (The Righteous Gemstones), Paul Brad Logan (Manglehorn) and Chris Bernier (The Driver). If the Halloween saga really does end here after 44 years, it'll wrap up one of horror's best franchises — albeit a series that also varies wildly from movie to movie. Again, the first flick is an absolute masterpiece, as well as one of the best horror films ever made. Since then, the slasher saga has delivered excellent and terrible sequels, veered into remake territory, both killed off and brought back its heroine, and completely erased parts of its own past several times. Check out the Halloween Ends trailer below: Halloween Kills will release in cinemas Down Under on October 13.
It was really only a matter of time before someone went there — and they finally have. Residents that fit into the intersection of the 'Singapore resident' and 'Orange Is the New Black fan' Venn diagram will be stoked to hear Netflix is opening an a pop-up restaurant themed around the show's prison cafeteria. As of yesterday, June 16, Singaporean diner OverEasy has been transformed into Litchfield Penitentiary Cafeteria to bring the TV prison experience to the people (and also to cash in on the hype surrounding the OITNB season four debut, which should be going up on Netflix sometime today). Chef Bjorn Shen has created the menu inspired by the depressing slop served up in the prison cafeteria but, you know, more gourmet. On the menu? An appetiser of corn kernels with spiced butter, cheese and lime, a main designed to replicate Nutraloaf (the US prison punishment food of three meals literally blended into one), and gruel for dessert (which is actually white chocolate and coconut rice pudding, almond crumble and 'fruit' of the day). And to wash it all down? Delicious tap water (moreish, healthy and flavourful!). Unfortunately the restaurant has filled up pretty quickly but if you're in Singapore right now, you can chance your arm for a walk-in. It's worth a shot because the prison-style grub is free — probably because no one would actually pay for prison fare. And for everyone else, well, we can sleep easy knowing that OITNB-branded GruelTM is surely coming soon to a supermarket near us and get stuck into binge watching season four. Via CNET.
Acclaimed Sydney restaurants, award-winning cookbooks, global kudos, a sustainable seafood restaurant in Singapore: championing a fin-to-tail approach to the ocean's finest, Josh and Julie Niland's culinary footprint spans all of the above. From April 2025, their first-ever Queensland eatery will also join the list, as part of the new The Sundays hotel that's opening on Hamilton Island. The Nilands' Sunshine State debut doesn't yet have a name, but it will form part of the 59-room hotel at Catseye Beach's northern end — and serving the pair's seafood dishes to the entire family will be on the menu. While The Sundays is a luxury boutique hotel, being family friendly is part of its point of difference. That mindset will apply to the new restaurant, too, with catering to family holidays a guiding principle. "Julie and I fell in love with the entire vision behind The Sundays. It reflects so much of what we value — bringing people together to create memories in beautiful surroundings. We can't wait to introduce a dining experience that feels connected to the island and its incredible natural environment," said Josh. The Nilands have four children, so whipping up menus to suit both adults and kids is nothing new for Josh and Julie. Alongside whole-fish seafood dishes, the restaurant will feature local ingredients and span beyond the sea for its protein sources. Also, when diners tuck in, they'll do so with views of the ocean. When it opens on Thursday, May 1, 2025 — with reservations available now — The Sundays will feature an oceanfront swimming pool surrounded by private cabanas as well, alongside a pickleball court and tropical gardens. Room options include balcony and terrace, plus interconnecting family rooms, all decked out in relaxing hues. Hamilton Island Enterprises, which is also behind qualia, is running the show at The Sundays. Bookings still don't come heap, however, with a launch deal on offer for four nights for $3564, which includes a 10-percent discount on accommodation. Nab the deal and you'll also receive a $500 voucher for the Nilands' restaurant. Josh and Julie's new restaurant will open at The Sundays, Catseye Beach, Hamilton Island, from April 2025 — with the hotel launching on Thursday, May 1, 2025. Keep an eye on the hotel's website for more details in the interim. Images: Hamilton Island Photography, Sharyn Cairns, Adam Rikys, Nick Leary.
Dust off your sombreros, amigos. The latest international excuse for a good time to reach our shores is Cinco de Mayo — a celebration of all things Mexican (which, if we’re being nit-picky, is really more of an Americanisation than anything but shh, let us party). In celebration, the folks at Corona and Beach Burrito Company Coogee are putting together a fiesta, complete with face painting by local street artists and the first ever Taco Time Trials Eating Contest. For the less competitively inclined but equally taco-happy, Cinco de Mayo falls conveniently on a Tuesday, and Beach Burrito Co’s regular $3 taco deal applies, so your pesos’ll stretch further. With what you’ve got left, you can sip salt-rimmed margaritas, down trays of tequila shots (not recommended) or share a bucket of ice-cold Coronas. And, of course, come prepared to smash and whack your way to glory, because they wouldn’t be doing Mexico right without pinatas.
In The Accountant 2, Christian Wolff is back, as is Ben Affleck (Air) in the role. Jon Bernthal (Daredevil: Born Again) returns as the numbers-whiz character's killer-for-hire brother Braxton, too. The first film's Cynthia Addai-Robinson (The Lord of the Rings: The Rings of Power) and JK Simmons (Juror No 2) also reprise their parts. Behind the camera, director Gavin O'Connor not only helms the follow-up to his own 2016 release, but makes his third movie in a row — including The Way Back, which isn't part of the franchise — with Affleck starring. Screenwriter Bill Dubuque (Ozark) is among the familiar folks backing up for another The Accountant flick as well. With so many tried-and-tested talents onboard, this thriller sequel's return to the world of its titular figure — a forensic accountant with autism who started the initial picture fixing the books for criminal organisations — could've just taken rinse-and-repeat approach. That wouldn't have meant making a movie that's as much an odd-couple buddy comedy, however, by playing up the chalk-and-cheese relationship between Affleck and Bernthal's characters. Balancing intense action scenes with line dancing likely wouldn't have been in the mix, either. Also, Addai-Robinson's Marybeth Medina, who is now a Deputy Director in the Treasury Department, may not have been so central — indeed, Affleck calls her "the lead in the movie". No one involved in The Accountant 2 was interested in making a comeback just to do what they've already done. That's particularly true for Affleck, who so rarely steps into a character's shoes twice — except as Batman and Bruce Wayne in the now-defunct DC Extended Universe, and also as Holden McNeil in the View Askewniverse. Boot scootin' to 'Copperhead Road' as a way of flirting is also a brand-new development for him, and one that not everyone was convinced would make the final cut. "I was like 'this scene will never work'," advises Bernthal. "I was like 'there's no way that's going to work. Like, why is he? Like, what? How is this — what does this scene have to do with anything?'. And as soon as I saw him go out there, I was singing that song. I love that song. I love that. It was so good." "If you asked Jon before we shot that scene, he was saying 'this is going to get cut from the movie'," adds O'Connor. "There's no way. I was like 'why are we even here?'," responds Bernthal. The moment does hit its mark, and also perfects what The Accountant 2 is shooting for character-wise with Christian and Brax. One is trying to connect with others, including romantically — this isn't the only sequence in the film about Christian's love life — and finds that his penchant for numbers and patterns is an unexpectedly ideal fit for line dancing. The other is attempting to assist his brother to embrace more than just his routine. Together, the siblings are also endeavouring to repair their long-fractured relationship. [caption id="attachment_1001142" align="alignnone" width="1920"] Eric Charbonneau/Amazon MGM Studios via Getty Images[/caption] When The Accountant 2's team get together to chat about it at a press conference for the movie — returnees Affleck, Bernthal, O'Connor and Addai-Robinson, plus franchise newcomer Daniella Pineda (Cowboy Bebop) — they're animated and enthusiastic. The film benefits from their passion, even as it combines its comic turns, dancing and brotherly bonding with the fact that it's still an action-thriller that plunges into dark territory. This time, Christian's skills are needed, as are Brax's, after an acquaintance's murder. In a narrative that involves human trafficking, Marybeth is on the case, enlisting the brothers' assistance as she searches for the culprit, and also investigating how the situation connects to a family from El Salvador. Why was Affleck keen to return? When did O'Connor start thinking about which elements of the first film he wanted to pick up in a second flick, and where things would be different? How did humour work its way in — and what was Bernthal's response to the buddy-comedy aspect? The group answered these questions, too, while also digging into why Affleck sees Addai-Robinson's Cynthia as the movie's protagonist, the movie's action scenes and emotional arcs, and, yes, the line dancing. On Why Affleck Was Keen to Add a Very Rare Sequel to His Resume Ben: "This is a movie where, after the first one, it was successful and I was really proud of it, but it had a longer life in terms of the just real-life feedback that I get from people, what movies they would mention when they come up to me. And so I definitely was aware 'oh wow, that movie seems to still be being watched'. I think it's also a function of the fact that streaming really started to take off after this movie, so people had the opportunity to pick what movie they're going to watch, that sort of thing. And also I just love this character. I really enjoyed playing it. Gavin and I both very much were drawn to the idea of bringing Jon back and expanding on that, because we both really were like 'this guy's fabulous and we love it' — and I think we both felt like there was a lot more to do. And the only thing that I think, that I would rephrase from your question, is they really brought me back. Bill and Gavin spent a lot of time in the intervening years developing and putting together, in a quite typical-of-Gavin, meticulous, patient, detail-oriented, character-driven way, what it could be. Because both were quite mindful of not wanting to repeat it, not wanting to just 'oh hey, they like the first one, let's just figure something out and do another one'. So everything about it was appealing to me." On When O'Connor Started Thinking About Which Aspects of The Accountant He Wanted to Bring Back for a Sequel — and What to Change Up Gavin: "Just a lot of conversations with Bill in regard to — there's certain DNA that it was important to preserve. And then after that, it was a lot of left turns and just try to refill the tank in a very different way. And I in no way wanted to recycle the same thing that we did in the first film, so it was it was just a matter of 'how do we just start recreating the character in a way that is putting them on a different journey, integrating Brax, wanting to bring Cynthia back?'. We knew the key in the ignition was to kill Ray, because I wanted it to be personal for both of these guys. And most importantly, and we had these conversations, I just want to make a movie that was fun and entertaining — and put people in the seats, and go to a movie theatre and the lights come down, and have a communal experience where they can walk out of the theatre and go 'man, that was a fucking ball. That was just a great. That was a great time at the movies'. And that's really what we were going for." On Playing Up the Odd-Couple Buddy Comedy — and When Bernthal Found Out That That Would Be the Case Jon: "I don't know that I was ever really told that. I don't know that." Ben: "It was bait and switch." Jon: "Look it was — it was, yeah, little bit, a little bit. I was like 'what?'. But Bill's writing is so unbelievably strong. And Gavin and I, we're very close. And you work with Gavin, he's always going to whittle it down and try to get to the truth of the character, and there's no stone left unturned. It was a real thrill for me to get back. And I think with Ben, it just kind of happened that way. I mean it's there, it was very much supported by Gavin to let moments linger and let it exist naturally, and play the moments in between the beats. He's unbelievably funny and he has such a — it sounds corny, he's just mastered this character in such a way that there's just so many little moments of truth that are going on that you love, but can also drive you crazy from the right point of view. And I feel like we were really — I was really — let off the leash to have a real opinion about that." [caption id="attachment_1001143" align="alignnone" width="1920"] Eric Charbonneau/Amazon MGM Studios via Getty Images[/caption] Gavin: "I don't think we ever said like 'oh, it has to be funny', when I say I wanted the movie to be fun and entertaining. Jon and I had so many sitdowns were we would just be dissecting the character, and 'what's the intention of this scene?' — but once you just put these guys together, they both have specific wants. And if you're not getting your wants — and both these guys are slightly, the characters are slightly bonkers, right, in certain ways, so if they're not getting their wants, if you just let them do their thing, it was such a fertile environment for them just in the scenes that it just created. They weren't trying — the reason I think it works is because they weren't trying to be funny. No one was trying to be funny. They were so engrained in their characters and they had very specific wants. And if you're not getting that, it's like banging your head against the wall." Ben: "And also Jon took pleasure in torturing me. So that was really just funny." On What Addai-Robinson Was Able to Explore in Her Role the Second Time Around Cynthia: "I think I always viewed Marybeth as the entry point for the audience, because she's observing and seeing all these things unfold around her and reacting in kind. And myself as an actor, same thing. I think back to working on the first movie: I was nervous and I was kind of out of my depth in a way, just trying to present as if I wasn't, which I think, for Marybeth, it was a similar type of situation. And here we are, eight years later, when we started on the sequel — and Marybeth has evolved, grown. She's in this elevated position within the Treasury Department. And for myself as a person and an actor, I felt like I had also grown, and it was like 'all right, I'm going to be returning to a situation that's familiar. I feel a little bit more comfortable, a little bit more confident'. And so that was really nice for me to feel like 'okay, I'm feeling like I can handle what I'm now getting thrown at me' — which is, again, this dynamic with Ben and Jon's characters. And just again being, for the audience, that point of entry. So all of their shenanigans, I also got to just bear witness to and be like 'all right, these guys are kind of crazy and they're also kind of challenging my view of how to serve justice', really." [caption id="attachment_1001144" align="alignnone" width="1920"] Eric Charbonneau/Amazon MGM Studios via Getty Images[/caption] Ben: "The secret of this movie is that Cynthia is the protagonist, really. She's the lead in the movie — she's the entree for the audience, which means we get to play character parts. And there is a kind of relief from not having to carry a certain — there a whole bunch of expectations and stuff that go with being the lead in the movie, because as Cynthia says, the audience is really projecting themselves onto you. And so we're like a dual aggravant in some ways to her. And if you look at the math of the story, it's about her being brought into this, seeing this person be killed, trying to find out what it was and what she has to go through to get there, and the resolution of her story. And that's something that I find very artful and interesting, where this person is the lead of the movie and you have these dual character actors in there. So that affords Jon and I the luxury of doing this two-hander odd couple. " On Bringing a Heightened Level of Female Action to the Film Daniella: "I would say this is definitely next-level. I mean, it's not necessarily a character you see all the time. I feel like it's kind of changing a bit. I saw a video the other day of these two American eagle chicks in a nest, and one of the siblings just takes out the littler one, takes out the nest, and I was like 'oh hey, I know that girl. That's all nice'. But at the same time, you want to see that eagle hunt and you want to see that eagle fly — and there is something really compelling about watching a predator do their thing. At the same time, I felt like there's more to her. There's more layers there. So she's not just a stone-cold killer. It's the type of role that I would like to see more women get to play. They're certainly here in the real world. And I love to beat the shit out of Cynthia — but we were hugging, we were hugging in-between takes, and it was nice. I got really lucky. I had a good partner. It was fun, it was fun — but as she'll tell you, it was brutal." Cynthia: "It is pretty good — and what's very satisfying is we've now had opportunities to see the movie with audiences, and when you hear an audience audibly gasp, then you know you're doing something right. Because it means that the stakes and how invested people are in these characters, they are literally leaning forward, and with each blow, each hit, it's like 'aaaahhh'. So I think that's a nice vote of confidence to hear those gasps." On How The Accountant 2's Action Stands Apart From Affleck and O'Connor's Past Projects Ben: "To me, what makes it interesting, and what made me think that we could do something that would actually connect with an audience in the sense that they feel something for what's happening, is because Gavin's approach is not about 'this is a shot where visually it looks cool because of XY and Z elements, and we're going to construct it in such a way', and then you have to reverse-engineer why in the world you would be doing something that would lead you to that place. It's always driven from 'what does each character want? Why are they doing this?'. There's a grounded reason for it. And then his gift is to take that and make that visually compelling." Gavin: "Yeah, and not try to make it feel stunt-y — or some of these, we can cite action movies that are great, but it just feels like the action is in front of the characters. And for us, and the same with the girls, we were always coming from character. So what we were always tracking when we got to the third act was like 'how were these guys working together? How are they now united?'. We knew what the stakes were. We knew what they wanted. So inside of the action and the choreography, really, it was about the emotional line between the two brothers and how are they going to try to accomplish this together? And that was really what the conversations were about. The action is like dance, right? It's just doing it in beats. But action isn't emotional — and disposable violence, who cares about it, right? So it was really evoking emotion because you care about the characters." On How Bernthal Approached His Character's Emotional Arc — and Balanced It with the Demanding Action Sequences Jon: "You can't lie in a fight. You just can't lie — it's all, what you want is right there. And so if you're going for it, you've just got to know what you're going for and why you're going for it. I think more than any director I've ever worked with, Gavin has an appetite and an availability, and a hunger, to go back and to really get into what makes these guys tick. He'll talk to you as long as you want to talk to him about where these guys came from. And what's so beautiful about this being a second film — I think for me with Braxton, he's really shrouded in mystery in the first one. There was a point, you really don't know too much about him, but you have these amazing flashbacks to see how these two boys were raised and what their relationship was with their dad. And it really is the crux of what is really bothering both of them, and what's really bothering Brax: the roles that we've always filled for each other, getting each other's back, having to be there for each other, the lack of being there for each other. So then for it to culminate — it just doesn't culminate just in a gunfight, it culminates in 'hey, I'm there for you. I'm getting your back. You're getting mine. We're joined forever'. And it's a way, for lack of a better word, of showing how much you love somebody — and violence can actually be that sometimes." On Affleck's Line-Dancing Scene Ben: "That was one of the fun things about this thing, was the idea that here's a guy who's trying to figure out — he wants to have a relationship with a woman, he's trying to figure out how to do that, how to put yourself out there. He's not comfortable extending himself. He doesn't really know how to flirt exactly. He's not comfortable, like so many of us — it's not easy for anyone figuring out relationships, particularly the very early part where you're trying to gauge 'what does this signal mean? Is this person looking at me? Do they like me? Am I going to humiliate myself if I go over there?'. And what he does is kind of a lovely thing, which is he uses something that he's comfortable with — which in that case is the ability to recognise and identify the pattern of line dancing, because it is so structured and patterned — to participate in this. And it's the perfect way that he's comfortable to stand next to this woman who he's attracted to and wants to connect with, because it's kind of like parallel play with little kids. You don't have to look at somebody and engage them, but you get to be with them and do something next to them, and he finds a way that he's comfortable doing that. And it required, yeah, a lot of me. I probably am not going to get a lot more demands for my line-dancing work. I don't know. The phone hasn't rung yet. But it was really fun to — I think what's charming about it is when somebody puts himself out there to do something, at least I hope, that they're not necessarily great at, but they're trying. And I mean, really at the end of the day, that's sort of all any of us can do. Some of us are great at things — like Jon, the fighting comes easy to him. The action scenes with him are like playing in a basketball movie and this guy, you're like 'oh, you played professional basketball — okay, great'. And whereas these women of action, like you said then Danielle, they trained like crazy and brought incredible aptitude. Those fight scenes are a function of tremendous commitment and dedication and emotional perseverance that was astonishing. And for me, I'm coming at this line dancing thing like 'I don't really have the natural gifts but I'm willing to try.' I would say they did a hell of a lot better with the action I did with the line dancing. Luckily for me, it wasn't supposed to be good." Gavin: "The other thing about the scene that we were trying to accomplish, that was really important, is obviously there was that happening but we just left the plot of the movie. It was like 'we're going to leave the plot for a while', because that whole scene is really about the brothers. They've been in all this conflict driving up to that scene, and then at the end of the scene on the Airstream he says 'let's go get drunk'. And then that scene became 'they're still kind of in conflict trying to figure it out' — but once he goes to dance, Brax is like, that started to unite the two brothers, and it was just baby steps to get these guys there. So that was the other thing." Ben: "And it anchors the audience, having him celebrate for his brother, like that's who you're connecting to." Gavin: "Totally. Totally, yes. 'Yeah, 'that's my big brother up there'. It's beautiful." The Accountant 2 opened in cinemas Down Under on Thursday, April 24, 2025. Film stills: courtesy of Warrick Page, Amazon MGM Studios / Prime Video © Amazon Content Services LLC.
What features Jay and Silent Bob dancing, the Quick Stop opening and hockey being played on the roof? There's more than one answer to that question. The response right now: the trailer for Clerks III, which is a real thing that's headed to US cinemas in September. Feeling like you've just jumped back 28 years comes with the territory with this threequel — and the film well and truly knows it. Trust Jason Mewes (Loafy), playing Jay yet again, to state the obvious in the just-dropped sneak peek at Kevin Smith's third Clerks flick. "That's how we did it in the 90s, son!" he exclaims. Naturally, that's just the beginning of Clerks III's meta leanings. In fact, winking and nodding is one of the main reasons that this movie seems to exist — because the titular twosome, aka Randal Graves (Jeff Anderson, Zack and Miri Make a Porno) and Dante Hicks (Brian O'Halloran, On Your Own), are making their own movie. As the trailer shows, Randal has a heart attack on the job, realises he's living on borrowed time and decides that he'll finally make a film rather than just watch them. "Everything in the script is something either me or someone I know said," he explains — followed by Our Flag Means Death's Fred Armisen, Buffy the Vampire Slayer icon Sarah Michelle Gellar, and Smith's Mallrats and Chasing Amy star Ben Affleck uttering "I'm not even supposed to be here today". No, snoochie boochies, nothing in pop culture ever really dies or ends. Yes, there's always a new movie or TV show popping up to prove how that's the case. All things Star Wars keeps on keeping on, after all — and, given that Smith both writes and directs Clerks III, as he did 1994's Clerks and 2006's Clerks II, you bet that sci-fi space opera gets a mention in his latest flick. If you're new to Clerks, aka the franchise that kickstarted Smith's career both behind and in front of the camera — playing Silent Bob, of course — the OG black-and-white movie followed Quick Stop Groceries employee Dante and his video rental store worker pal Randal going about an ordinary day. Famously, Dante wasn't even supposed to be working. The first sequel then picked up ten years later, checking in on the pair's lives. In that film, they've made the move to fast food, with Rosario Dawson (DMZ) playing their manager. Dawson features in Clerks III, too, as do other familiar franchise faces that are best spotted by watching the trailer yourself — or seeing the film, although it doesn't yet have a release date Down Under. Given how many times that Smith has busted out Jay and Silent Bob now — this makes the ninth View Askewniverse film so far, and they've appeared in other flicks like Scream 3 as well — you can probably expect that he'll be palling around with Mewes on-screen until he's at least 90. The Tusk and Yoga Hosers filmmaker also has a sequel to Mallrats in the works, so add that to the list. Check out the trailer for Clerks III below: Clerks III will release in the US from September 4, with Down Under release dates yet to be confirmed — we'll update you when local details are announced.
Thailand is undoubtedly one of Australia's favourite holiday destinations, and Bangkok is one of the world's most visited cities by international tourists. The sprawling metropolis makes room for the old and the new — one minute you're cruising down the Chao Phraya river, the next you're travelling through the city at breakneck speed on the BTS skytrain. We've going to bet that a few of you have been to Bangkok before. Maybe you've even trekked up to Chiang Mai and Pai, or soaked up some sun scuba diving off one of Thailand's many islands. That's why we've left some of the obvious Bangkok destinations out of this article, like the mind-boggling Chatuchak markets, the opulent Grand Palace and the silk-lovers heaven that is Jim Thompson House. If you're in the country's capital and looking for a fun way to spend a few days, we recommend giving a few of these a visit. Drink at high altitudes Bangkok has quite a nifty reputation for its rooftop bar scene, so we decided to check out the highest one we could find — it was the Sky Bar at the Lebua State Tower (also known as the rooftop bar from The Hangover 2). Come alone or come in a wolf pack to the 65th floor — the service is friendly and the cocktails are outstanding. We could drink their blueberry sour G&T's all damn day, but there's also a Hangovertini for those looking to stay in theme. Sunset is generally the best time to arrive but, then again, we're yet to find a bad time to drink at high altitudes. We also climbed to the top of Moon Bar at the Banyan Tree Bangkok, located on the 61st floor. It's extremely easy to pass the hours when you're seated against the glass wall overlooking the city — with free bar snacks that were constantly replenished, no less. There was a smart casual dress code at both of these rooftop bars, so it's worth checking ahead to make sure drinking in the clouds stays firmly on your conquered list. Yes, both of these places were a bit pricier than your average 60 Baht bottle of Chang beer, but if you're after a nice night out, this is it. What can we say? Bangkok has us now. Work Your Way Out Of Escape Hunt Escape rooms are becoming a bit of a thing in Australia, but we tried out the Bangkok version at Escape Hunt anyway. For the uninitiated, escape rooms are like playing real-life Cluedo: you get 'locked' in a room, left to solve a murder mystery before your time is up. In our case, we had an hour to figure out who had killed a female painter — one of her three boyfriends, or the groundskeeper? This was totally awesome. And if Bangkok hasn't already tested your relationship with your travel partner, this certainly will. You're allowed to get clues from your host, but each clue deducts one minute off your time, so we recommend only using them when you're desperately seeking some Sherlock intuition. Thankfully, we made it out with just under two minutes to spare, and we were given the cutest tweed detective gear to put on and take photos in. Check Out Cat, Dog and Bunny Cafes Cat cafes did originate in Asia, so it's no surprise there are a few here in Thailand's capital. We're not sure exactly how many cat cafes Bangkok has, but we know there are at least three. Purr Cat Cafe Club is one of the more prominent ones in Sukhumvit, and in a city filled with apartment buildings and high rises, it's no wonder Bangkok locals are looking to spend some quality time with a furry friend. Purr is run by a Thai sitcom actress and houses 14 fluffy Persians cats. At the cafe you can have cat-shaped brownies and whiskers drawn on your hot chocolate. There is also Kitty Cat Cafe and Makura Cat Cafe in Bangkok if you can't get enough of your feline friends. Cats not your thing? Don't even worry about it. Bangkok also has a cafe that specifically houses Siberian huskies called True Love Cafe. There are 17 of these adorable pups running around, all of different colours and sizes. One final animal establishment we'd like to throw out there is the Lucky Bunny Cafe & Restaurant, which houses happy, healthy rabbits. All of the cute, all at once. Food and (Safe) Sex Together At Last With a tagline like 'Our food is guaranteed not to cause pregnancy', how could you possibly refuse a meal here? There are mannequins covered in elaborate condom costumes which are hilarious and honestly quite impressive, but Cabbages and Condoms is not the money-grabbing, photo-opportunity establishment you might first think. Cabbages and Condoms was initially created to promote a better understanding of sexual health and family planning, as a portion of the profits go towards the Population and Community Development Association (PDA). It's all in the name of an excellent cause, so you might as well get amongst. The menu is strictly Thai cuisine, and there's plenty to choose from. There are a few Cabbages and Condoms located all over Thailand, so if you're heading over to Thailand but not staying in Bangkok, there's still a chance to check this out. Grab a handful of free dingers on the way out and have yourself a safe and merry day. Choose Your Own Adventure: Thai Street Food Let's be honest, this section could be a whole article to itself. Thai street food is the best kind of street food — cheap, unpredictable (in a good way), and, above all, delicious. The rules are simple: eat anything that looks interesting, ask questions later and try something new every time. On a personal note, I spent two years of my childhood living in Thailand, so I had a slight advantage of knowing that (1) My chances of death were slim if I chose wisely, and (2) I could identify some of the strangest looking toppings on Thai snow cones. Boat noodles (kuay tiew rua) are a Bangkok street food staple, and there is a whole alley dedicated to this delicacy located near Victory Monument. For other noodles on the run, a safe bet is the readily available stir-fried wide rice noodles (pad see ew) or Pad Thai. Our favourite savoury snacks were easily the bacon-wrapped enoki mushrooms, as well as the ever-present and super cheap grilled pork sticks (moo ping). For sweets you can't go passed mango and sticky rice (kao niao mumuang) — it's traditional and delicious. For some who are keen for a little lucky dip, give the Thai snow cone (nam kang sai) a go. You fill the bottom of the bowl with anything from black jelly, chestnuts, sweetened taro to red beans, then place a mound of shaved ice on top of that and cover with flavoured syrups and condensed, evaporated or coconut milk, depending on how sweet you want it. Top image thanks to Scalino, Lubua photo taken by Vicky Chung via Flickr, cat image thanks to ironypoisoning, Cabbages and Condoms image thanks to micamonkey, street food image thanks to jaaron.
If you still feel like cooking after midnight, take the party to Funny Funny Korean and whip up a hotpot or barbecue the whole squad can enjoy. Funny Funny's grill-ready meat and vegetables platters, including a pork intestine special — don't knock it till you've tried it — lets you do a late-night meal your own way. For those who'd rather just eat, try the famous KFC — Korean Fried Chicken — with beer, a bibimbap or stir fry noodles. Or, just split some dumplings and a shallot pancake for a satiating snack. Funny Funny also has daily specials, like pork stews and sashimi, and provides the usual kimchi and banchan (side dishes). Relaxed but vibrant, the Korean eatery is open from Monday to Saturday, serving the nighttime crowd until 1.30am every night.
They're red, sweet and juicy — and they're everyone's favourite fruit. They're also grown in abundance around Queensland. Did you know that 40 percent of the state's strawberries come from the Moreton Bay region? Well, you do now — and you might just want to celebrate that fact. All you need to do is head on over to Sandstone Point from 10am on Saturday, September 10 for the returning Strawberry and Dessert Festival. Because you can never have too much of a good thing, this Sandstone Point Hotel event will paint the pub pink with farm-fresh strawberries — and strawberry milkshakes, strawberry ice cream, scones with strawberry jam and chocolate-coated strawberries are all usually on the menu. So is a strawberry-eating competition, plus a bar serving strawberry-flavoured cocktails. As you might've noticed, this isn't just a strawberry festival. It's a showcase of many a sweet treat as well. Basically, arrive hungry — and wear something stretchy — as you prepare to devour desserts aplenty. Also on the lineup: cooking demonstrations, spanning strawberries and desserts; dessert cocktail-making demos as well; and live tunes and fireworks. Images: Sandstone Point Hotel.
When news of Albion's soon-to-launch new dining precinct first broke, Brisbanites were promised that Craft'd Grounds would feature quite the array of drawcards. On the list: a brewery, pop-up restaurant, patisserie, craft bottle shop, coffee roaster, street food, specialty espresso bar, wine and cocktail bar, events space, and laneway filled with street art. Now, as the Collingwood Street space inches closer to opening, Brissie caffeine fiends have something concrete to look forward to. When the spot launches in October, it'll boast Australian coffee roaster Seven Miles' new Queensland flagship coffee roastery. Previously, Seven Miles has operated out of Newstead; however, come spring, Albion will be its local base of operations. And, it won't just be roasting behind closed doors. Its new setup is all about immersing coffee lovers in the experience — so, while you're sitting in the open-plan venue, you'll be able to see through wall-to-ceiling glass and witness everything that happens to bring the brand's roasts to your cuppas. "From the ceiling-high glass walls, open seating plan, our dedicated training spaces for masterclasses and public cuppings and barista-art competitions — it'll be a lively, immersive, and fully transparent experience," says Ben Graham, the ex-owner of Parallel Roasters and now Seven Miles' Queensland Operations Manager. "You'll witness specialty coffee roasters in action, taste our coffees in the way we taste it — learning what to look for and why it's important — whether you're in the industry or just an avid coffee lover." Seven Miles' will continue to serve up its Brisbane-made roast The Cat's Pyjamas, which will be joined on the menu by its other brands such Wilde and Cultivar, as well as a range of monthly rotating Single Origin coffees. The focus on giving coffee fans a glimpse of the work behind the brews firmly fits in line with Craft'd Grounds' overall mission to celebrate all things handcrafted — which its resident brewery Brewtide, onsite patisserie and fromagerie, and regular markets will obviously also tap into. Seven Miles also operates roasteries in both Sydney and Melbourne, and supplies coffee to more than 800 cafes around the country, including over 120 in Queensland. Find Seven Miles' new Queensland flagship roastery at Craft'd Grounds, Collingwood Street, Albion, at a yet-to-be-revealed date in October. We'll update you when exact opening details are announced. Images: Justin Ma.
UPDATE, Thursday, October 5: Zach Bryan's Australian show has now been moved to Flemington Racecourse due to demand. Not content with bringing Christina Aguilera to Australia for a one-off Down Under show, and boasting exclusive Eric Prydz and Jai Paul gigs as well, Victoria's statewide music celebration Always Live has added country music megastar Zach Bryan to its 2023 bill. The 17-day festival will now feature the biggest name in the genre right now, taking to the stage at St Kilda's Catani Gardens. The 'Something in the Orange' singer will head to Melbourne on Saturday, December 9 for an openair gig that'll give the Oologah, Oklahoma native's 2022 American Heartbreak album a hefty spin. Although he released two records prior — 2019's DeAnn and 2020's Elisabeth — his third album marked his major-label debut, and also the reason that Bryan has become such a sensation. Among Bryan's recent feats, American Heartbreak premiered in the top spot on America's Billboard 200. 'Something in the Orange' has now stayed in the charts longer than any single by a male country artist. In Australia, Bryan has earned that same achievement in the ARIA Top 50 Singles Chart for all country artists. And his streaming numbers? In excess of 6.8 billion worldwide. Yellowstone viewers will also know him from popping up in the western series. As he's been taking his American Heartbreak tour around the US — including stops at Lollapalooza and Austin City Limits — Bryan has been smashing attendance records, too. In his first-ever Australian stint, he'll also have tracks from his latest album to play, with the self-titled Zach Bryan releasing in August. Among the tunes: collaborations with Kacey Musgraves, The Lumineers, The War and Treaty, and Sierra Ferrell. Being brought Down Under by Untitled Group, which is also behind Beyond The Valley, Pitch Music & Arts, Grapevine Gathering, Wildlands and Ability Fest, Bryan's just-announced spot on the Always Live bill is his only currently scheduled gig in Australia. The statewide music celebration's full lineup includes more than 165 artists at 60-plus events — all, of course, in Victoria. Always Live 2023 runs from Friday, November 24–Sunday, December 10, with one pre-festival gig on Saturday, October 14. For more information, and to get tickets, head to the festival website. Zach Bryan will play St Kilda's Catani Gardens on Saturday, December 9, with pre sales from 12pm AEDT on Thursday, October 5 and general sales from 12pm AEDT on Friday, October 6.
The 90s were great. That shouldn't be a controversial opinion. Whether you lived through them or have spent the last couple of decades wishing you did — aka binging on 90s pop culture — this late-night shindig at The Foundry will indulge your retro urges. Drinks, tunes, fashion: expect all of the above at the No Scrubs: 90s and Early 00s party from 9pm on Saturday, January 18. Of course, it's up to you to make sure the clothing side of thing is covered, and to get into the spirit of the party. If you want to use Mariah Carey as a style icon, it'd be fitting. Expect to unleash your inner Spice Girl and Backstreet Boy too. TLC, Destiny's Child, Savage Garden, Usher, Blink-182, No Doubt — we'd keep listing artists, but you all know what you're getting yourselves into. Tickets are $12.25 online, with the fun running through until 3am. Image: No Scrubs.
Knowledgeable epicureans from around Australia know there's no better way to spend a weekend than hitting a wine region. Cellar doors offer a cornucopia of delights and their proximity to farmland means you're guaranteed the freshest produce to complement your tipple. South Australia's Clare Valley is one such destination, famous for wine, food and glorious scenery. The combination of rich red soil, an undulating valley of varying microclimates, and the cool, dry seasons create the perfect storm of red and white perfection. And, together with southaustralia.com, we've created this comprehensive guide to the famed wine region — from some of Australia's best riesling to excellent specimens of cabernet sauvignon and shiraz, you'll find something to suit every wine lover's palate here. And only a couple of hours out of Adelaide, the Clare Valley is so close you can almost taste it as soon as you step off the plane. If you have the time, immerse yourself in the Fleurieu Peninsula and the Limestone Coast, too. Or explore the Adelaide CBD — there are plenty of underground bars and fairy light-lit rooftops to uncover. [caption id="attachment_680370" align="alignnone" width="1920"] Skillogalee[/caption] EAT In the lead up to your Clare Valley weekend, we recommend training your stomach because you're going to want to eat — a lot. There's an award-winning venue around every bend in the road, but we recommend starting strong with a visit to Skillogalee and its winery restaurant. The lunch menu is packed with unexpected combinations (try the wallaby shank if you're feeling adventurous) or grab a picnic basket chock full of local produce and explore the grounds. Next on your list of must-eats is Seed, a modern wine bar and restaurant housed in a beautifully renovated old building on Main North Road. The venue, with exposed stone, wood and a roaring fire, is cosy and sophisticated, beckoning you to settle in with a buttered rum or a glass of the Valley's finest red. The menu is hearty and modern, with a dedicated vegetarian section, and all served with house-made ciabatta. If at this point you haven't melted into a hedonistic puddle of excess, head over to Terroir Auburn, a restaurant in, yes, Auburn that combines ethical produce with old-school service. The light interior of Terrior is offset by the warmth of its wooden décor and the friendly staff. Pick their brains to find your perfect food and wine match. The menu is tight, meat-heavy and the food is beautifully presented and generously served. Finally, Bush Devine in Polish Hill River, located in the Paulett Wines Cellar Door, is an unforgettable experience — and we don't use that term lightly. Bush Devine is an Indigenous Australian Bush Food restaurant with an associated bush food garden where they grow the food you'll eat. The garden is free to explore before you settle down to your meal. We recommend the wattleseed gnocchi with smoked kangaroo, fennel, green olives, peas and sage cream. The share platters are also a great way to get a taste of all the best bits. [caption id="attachment_680373" align="alignnone" width="1920"] Sevenhill Cellars, Adam Bruzzone[/caption] DRINK If you thought figuring out where to eat was tough, just wait till you try to pick a winery. You would need a lifetime to explore all of the Clare Valley's amazing venues but seeing as we only have a weekend, let's explore the best of the best. Start your weekend off with a beer at the Clare Valley Brewing Co. You might say "I didn't come to a famous riesling wine region to drink beer!" but trust us, you'll kick yourself if you miss the CVBC. The brewery itself it beautiful, with insane views to take in as you sample their core range of award-winning beers. When you're ready to move onto the main event (i.e. wine) make your way across to Clare Valley's very first winery Sevenhill Cellars. After tasting plenty of wines in the cellar door, head on a tour of the stunning sandstone underground cellar which is where all the fortified wines are stored. Next on the agenda: Mr Mick Cellar Door. It's worth a trip to Mr Mick just to experience the grounds and the venue. And while you're there — oooh-ing at scenes straight out of Hobbiton and ahh-ing at the cosy cellar door decor — try a glass of the novo sangiovese. They've won awards for it. [caption id="attachment_680368" align="alignnone" width="1920"] Mr Mick Cellar Door, Adam Bruzzone[/caption] Speaking of award-winning, Kilikanoon is next on the agenda — and it's won more awards than you can shake a stick at, including winery of the year and best shiraz. The vineyard is in a picturesque location, with lush green rolling hills and a cellar door nestled in a stone farmhouse surrounded by cottage gardens, fruit orchards and tall gums. We recommend adding a cheese or produce board to go with your tasting experience to really lean into the holiday mood. The final must-do is famed riesling producer Jim Barry. The Barry family own and operate the winery (only a five-minute drive from the town of Clare and easily accessible by the Riesling Trail) so you can get up close and personal with your winemakers. At the cellar door, you'll obviously want to try the riesling, but we also recommend exploring some reds, too — the shiraz will round out your trip perfectly. [caption id="attachment_680371" align="alignnone" width="1920"] Riesling Trail[/caption] DO If you have a few moments between wine tastings and feasts, the Clare Valley has many wholesome activities to offer. The most obvious (which ties neatly into the wine and food agenda) is cycling the Riesling Trail. It's an easy, 32-kilometre bike track that takes you past the best riesling vineyards between Auburn and Clare. If you do it right and stop at all the best wineries, the trail will take a few days to complete. You can either hire a bike and do the trail solo, or join an all-inclusive tour organised by Tour de Vines. [caption id="attachment_680372" align="alignnone" width="1920"] Mintaro Maze[/caption] And, because we're still kids at heart, we can't go past the the Mintaro Maze. It takes 800 conifers to create one glorious maze that will have you wandering for, well, hopefully not hours — but at least a little while. Once you've conquered the maze, crack open a picnic and cruise around the grounds. Keep an eye out for the giant chess board too. [caption id="attachment_680306" align="alignnone" width="1920"] Neagles Retreat Villas[/caption] STAY After a day of eating, drinking, cycling, and getting lost in the maze shenanigans, you'll want a comfy bed to recuperate in. Thankfully, the valley is resplendent with cute accommodation options to suit any budget. If you want to stay in town, the Mill Apartments in Clare are modern, clean and central. But if you're looking for a more remote stay, Neagles Retreat Villas in Emu Flats are not to be missed. They're located right on the Riesling Trail and close to five big wineries, including Jim Barry — so it's easy to line up with your winery tours. And if you want to rough it, but not really, Bukirk Glamping in Stanley Flat can hook you up with a kitted-out tent (including all the mod-cons and a woodfire) that will still let you rise with the sun and say hello to the day in the middle of nature. To discover more of Adelaide and South Australia, head to SATC. Top image: Riesling Trail, Adam Bruzzone.
Inspire packed halls to erupt with laughter, travel around picturesque locales while eating meals with Steve Coogan, and imitate everyone from Tom Jones to Michael Caine. Yes, there's much that Rob Brydon can do. He can also hold his own on every British panel show ever made, play a traffic warden in Lock, Stock and Two Smoking Barrels and make his voice sound like it's echoing from a box. But not even this multi-talented Welsh comedian can keep Swimming with Men afloat. Brydon's latest big-screen outing wants to bob along the surface of the offbeat sports comedy pool. It wants to paddle around casually, making viewers happy without making too big a splash. Alas, this by-the-numbers comedy sinks quickly, as you might expect given its premise: The Full Monty, just with synchronised swimming. The mix of curiosity, amusement and puzzlement that synchronised swimming sometimes sparks ("really, this is actually a sport?") is Eric Scott's (Brydon) starting position. To be fair, he's similarly bewildered by much of his routine life. The closer that his local councillor wife Heather (Jane Horrocks) seems to get to her colleague Lewis (Nathaniel Parker), the more blustered Eric becomes, and the more his son Billy (Spike White) revels in the uncomfortable situation. Gin doesn't cure his despair, however a dip in the local pool just might. In the beginning, Eric only notices the amateur synchronised swimming squad because they have the wrong number of members, and naturally he's an accountant. And yet it's not all that long until he's joining their ranks. The difference between formulaic comedy done well and formulaic comedy done badly is often a matter of mood and energy. With Swimming with Men reaching cinema screens at the same time as the also straightforward Fighting with My Family, that couldn't be more evident. The pair have their commonalities and their contrasts. Both are based on documentaries — 2010's Men Who Swim, about an all-male Swedish team, in this case — and both tell standard underdog tales. Each focuses on a vastly dissimilar sport, and has its own target market in mind. But the flat, dull feeling that Swimming with Men evokes is all a matter of tone and spirit; specifically, it doesn't have much of either. Instead, the film presents a forced feel-good vibe, a strong desire to swim in Calendar Girls and Brassed Off's slipstream, and very little to make it stand out. Skimming along the surface of its male malaise theme, it also boasts a rote group of hardly fit and heavily discontent blokes surrounding Brydon: Rupert Graves plays the slick one, Adeel Akhtar is the cynic, Jim Carter is sensitive, Daniel Mays is both hot-headed and stressed, and Thomas Turgoose is the token troubled youth. No one is at their best, and while treading water is an essential part of donning speedos and doing eggbeater kicks, the cast does so both literally and figuratively. Screenwriter Aschlin Ditta doesn't give anyone much choice, saddling them with easy, lazy humour and zero trace of character development. Also wading half-heartedly is director Oliver Parker. Trading the teen-centric St. Trinian's flicks for the silliness of Johnny English Reborn, and then for the middle-aged antics of Dad's Army and Swimming with Men, he's happy to take the dullest, most obvious route through the movie. It's the filmmaking equivalent of slowly paddling laps rather than busting out any acrobatic moves — and while you can swim freestyle leisurely with a smile, it's always going to remain the same old stroke. When the film reaches its big climax, a synchronised swimming contest, it almost seems like Parker realises how little excitement he has put on the screen. Rather than relishing the performance, appreciating this odd bunch of unlikely men banding together and doing their best, or eagerly celebrating their achievement, he keeps jumping to shots of the watching crowd. They might be enthused, but after such a bland affair, it's difficult to share their sentiments. https://www.youtube.com/watch?v=3pzvyIZdXTY
The past lingers. At the heart of Scrublands, both in its debut season in 2023 and now in its second — aka Scrublands: Silver — history doesn't just fade as time goes by. Portrayed by Luke Arnold (Last King of the Cross), investigative journalist Martin Scarsden witnessed this truth in action in the town of Riversend the first time that this page-to-streaming series based on Chris Hammer's novels hit the small screen. There, the character was chasing a story about a shocking tragedy impacting the entire community. As he met and became closer to bookstore-slash-cafe proprietor and single mother Mandy Bond, as played by Bella Heathcote (The Moogai), he wasn't just watching on from the outside, either. Streaming on Stan from Thursday, April 17, 2025, season two of Scrublands swaps Mandy's hometown for Martin's. In their new coastal surroundings of Port Silver, she isn't free from the past's persistent grasp despite being a newcomer to the close-knit seaside spot; however, her other half is equally haunted. Martin left town as a teenager to pursue his journalism dreams, but not before sparking a scandal. Until the first episode begins, he hasn't been back since. What's meant to be a fresh beginning for a couple already burdened by recent woes soon gets swept in other directions. The murder of Martin's childhood best friend Jasper (Hamish Michael, Apple Cider Vinegar), Mandy being named as the key suspect and Martin using his reporter instincts to try to get to the bottom of another mystery affecting the woman he loves will do that. So will Scarsden's own history bubbling back up. Looking back to the start of their Scrublands journey with Arnold and Heathcote, the pair are both clear that one season was all that they were focusing on when they initially stepped into Martin and Mandy's shoes — even though Hammer's novels about their characters had already notched up three entries thanks to 2018's Scrublands, 2019's Silver and 2020's Trust. That approach was partly pragmatic. "I think having been in this game for a while, you very much try to practice not getting ahead of yourself. And I think we were all in that mode, going 'okay, this would be great. We know the books are there. And so if we do a good job, we might be asked to come back and do some more'," Arnold tells Concrete Playground. "But at first you're just going 'hey, let's try to get through this thing and not screw it up, and then let's see what people think'." "It is always tough when there is this existing property there that people really love — sometimes that can go well, sometimes it can go the opposite way, and you find 'ohh no, you didn't', and it wasn't what the fans wanted or something went awry. So I think first season, we were just trying to do the best we could with that. And then I think the response to the show was so great and kind of beyond what we could have hoped for, so once that happened, things quickly started moving towards coming back for season two." Heathcote was instantly drawn to Mandy when the project crossed her path via Wolf Creek, Rogue and Jungle director Greg McLean, who she worked with on fellow Aussie series Bloom, but the pitch was for a one-and-done project. "Bizarrely, not at the time," she advises when asked about whether season two was ever on her mind to begin with. "I've now drunk the Kool-Aid and now I've read all the books, but in the first season I didn't — because it was pegged as a miniseries, and I thought 'okay, great'. But now I think we're all hooked, on the books and each other. I just want to work with everyone again." "There was something so comforting about coming back to this role, and being back with Luke, and Sarah Roberts [Runt], Toby Truslove [La Brea], taking the band on tour to WA. It feels sort of like coming home." Both Arnold and Heathcote have enjoyed a coming-home journey themselves, as Australian actors who enjoy overseas success tend to. (See also: Jacob Elordi and Odessa Young with The Narrow Road to the Deep North, Ashley Zukerman with In Vitro, and Radha Mitchell and Jesse Spencer with Last Days of the Space Age, to name just a few recent examples). Scrublands' two leads each have the almost-requisite Aussie soaps on their resumes, Home and Away for Arnold and Neighbours for Heathcote — and, for Arnold, four seasons on seafaring American series Black Sails, around gigs in everything from Rush Hour and MacGyver to Lethal Weapon; for Heathcote, a main part in Dark Shadows led to the eclectic likes of Not Fade Away, Pride and Prejudice and Zombies, The Neon Demon, Fifty Shades Darker, Professor Marston and the Wonder Women and The Man in the High Castle. Neither have been absent from Australian fare lately, though, via the likes of Glitch, The End, Preppers, True Colours and Arnold's Home and Away stint, plus Relic, C*A*U*G*H*T and others for Heathcote. With Scrublands, they're both hooked, including as viewers. Indeed, both binged Silver's four parts, texting each other, when they were able to see the finished product. And yet, Arnold wouldn't be bringing Scarsden to the screen at all if he had followed the advice given to him back on his first taste in the business, as assistant sword fight choreographer on 2003's Australian-made Peter Pan more than a decade before playing Michael Hutchence in Never Tear Us Apart changed the course of his career. The person offering those ignored words of wisdom: The White Lotus season three's Jason Isaacs. Heathcote's early experiences also resonate with her now, specifically when it comes to being part of a great cast on Scrublands (The Artful Dodger's Luke Carroll, Good Cop/Bad Cop's Debra Lawrance, Spit's David Roberts, The Twelve's Tasma Walton and Transfusion's Damian De Montemas are among Silver's ensemble). "Oh man, it's everything. I remember early on in my career, just being really terrified of working with some big-name actor — but you're also as good as the actors around you. It's pretty hard to act in a vacuum if the people around you aren't good," she notes. From the process of stepping back into Martin and Mandy's shoes for the second time, navigating complicated emotional journeys and pondering how the past keeps haunting, through to why this Aussie noir hit resonates and whether either of its leads initially dreamed of where acting would take them, we also chatted to Arnold and Heathcote about plenty more. On What Excited Arnold and Heathcote When Scrublands First Came Their Ways Luke: "I hadn't read the books yet. It came through a lovely casting director, Lou Mitchell here in Melbourne — who, back in the day, I used to read for her at auditions for other people. And so when it came through her and I had a look, and because I have in the last few years also been writing — and writing mystery novels, fantasy, mystery stories — being able to play a writer in a mystery show just felt like the perfect fit. There's sometimes a little battle in my head between the writer and the actor, and I was like 'oh, I get to bring both sides of my creative self to this job'. And so from when I put the first tape down, I put it down with my now-fiancée, and out of all the jobs I've ever done, it was the one, she was reading opposite me, she thought it was a done deal from the beginning — and ended up being right. So I think Martin and I were a good fit from the beginning, and it is a very comfortable place for me to be when I get to step into it." Bella: "It did get me excited. It's so funny, because it came about in a really surprising way. Greg McLean and I had a project that we were doing together that fell apart, and I emailed him just checking in about something and he said 'you know what, I'm doing this show, and I feel like you might be right for this role in it'. And it was Mandy. And he's like 'read the scripts and tell me what you think' — the thing that we all say to each other, where it's like 'oh, don't worry if you don't like it'. And I read it and I just ripped through them. And then I was just like 'where do I sign?'. Because I thought she was great, and I loved how spunky she was. And I loved how much — there's something that I do that tat I really share with Mandy, where if she likes someone, she hangs shit on them. If she doesn't like someone, she also hangs shit on them. But if she really likes someone, then she just hangs even more shit on them. And I just loved that interaction that she had with both Martin and Byron [Territory's Jay Ryan in season one], and how quickly it cut through and established these relationships. Particularly the Byron storyline, I was just so impressed at how you could really feel the intimacy between them in such a short period of time. You know that expression 'show don't tell'? I just thought it did that so well, but with the thrill of the crime drama. And yeah, I just thought it was so well done and I loved it." On How the Job and Your Performance Evolves When You're Stepping Back Into a Character's Shoes for a Second Season Bella: "I guess it does evolve, because you're just layering up, aren't you? I get terrified before every job. I maybe erroneously thought that — no, I just know that I get terrified before every job. But this one felt like I put more pressure on myself or I was scared because I loved Mandy in season one, and I didn't want to do her a disservice in season two. So god, I hope I didn't. I guess the circumstances evolve, and you just put that suit back on and hope that you show up and do it justice." Luke: "It's interesting, because it's both much more comfortable and it's nice knowing 'okay, I know to a degree where this guy sits'. I also think sometimes the trap is to get too comfortable in that, and to make sure you're really looking at what the arc of this season is, what the story is. In a lot of ways, there's a lot of things that are completely different between these two seasons. The first season, Martin is the outsider. He is not emotionally or personally connected to this mystery in any way. He's got his own personal journey going on, but he is the somewhat-dispassionate journalist coming in just to tell this story, and everyone else in town has been traumatised and connected to it. This is the opposite. When we when we jump into Silver, it's Martin's old best friend who's been murdered — in a town where a lot of terrible things happened to Martin, but also he did some things that we'll find out he has some regrets, some shame over, potentially. The person who is accused of the murder is his now-partner. So he could not be more personally connected to every aspect of it. So in that way, he's going to approach it completely differently to how he did the mystery in season one. So it's somewhat comfortable, but also a completely new character in some ways." On Whether One of the Challenges of Returning to a Role Is Conveying How a Character Has Grown and Changed Between Seasons Luke: "I think so, mainly in context to Martin and Mandy. The potential relationship is only just blooming by the end of season one. So the whole year has happened for those two. So I think that's the hardest bit of catch-up to do, is to work out 'all right, how close are these two? How established is the relationship? How much trust has been built?'. Because very quickly, going back to Port Silver and the events that happened there, both of them realise that maybe they have to question how much this other person is opening up to them, how much they trust them, how truthful they're being. [caption id="attachment_929182" align="alignnone" width="1920"] Sarah Enticknap[/caption] So I think that is the first thing that we had to consider — what this relationship between Martin and Mandy is, how that year has been between, how established are things, how much do they trust each other? And because it is an ongoing series — but each of these is its own standalone mystery. So in some ways, you want to get that established really quickly so you can get into the real meat of what this season's about." On How Heathcote Approached Mandy's Complicated Emotional Journey in Scrublands: Silver Bella: "I really just went off what was on the page and in the book. Although, you know what comes to mind — and this is a book that has really spoken to me, a book that I've told everyone I know to read and rabbited on about for so long. I don't know if you've ever read it? Any Ordinary Day by Leigh Sales. Oh my god, so just this idea that Mandy — everything that's happening to her is so in the present, but given everything that's happened in season one, it's just like she just has to keep going on, even given everything happened with Byron and with her dad. But she has this son and she has to raise him. And there's all this stuff happening and it's just a trauma that she doesn't have time to process right now because she just has to do the next indicated thing, and she's just so focused on Liam. It's almost like Martin has to try to think of things around the crime and what's going on, because all she can think about is like 'where's my son? I have to go get him. Is he okay? Who is he with right now?. And in some ways, I guess that sort of protects her, insulates her. I feel like if you looked at Mandy five weeks later, she'd be grappling with something different than just what she's dealing with in the shock of the moment." On Navigating the Conflicts Within Both Martin and Mandy — One So Astute in His Work and Yet Awkward in His Personal Life, the Other Fiercely Protective of Who She Loves But Struggling with Trust in Their Relationship Luke: "I think it's the great thing about having the whole story from the beginning — this feeling that 'all right, we've got all these four episodes', and so even before starting, you get to chart some evolution about what can change for him over the course of the story and why. And I think it is knowing that this guy has mostly been on his own, single, bouncing around the world, caring about one thing — which is the story — and believing that is important above all things. That would even mean that in a lot of these situations, while he would be making friends, building relationships, if some of those people are implicit in the story, if they're part of it, that he'd know professionally it's his job to put that aside in the service of the truth. So I think once you know that that is a core part of who Martin is, then it becomes a little easier to play those moments where he could maybe act in ways that are disappointing or upsetting to the people around him. And I do think that's the fun of the season. Every time you do any part, it's always fun to look at 'all right, what are you hoping they learn through the course of this story? So how do we take them a few steps back from that at the beginning?'. And I think it's sometimes the most fun stuff to see when characters are oblivious, when they put a foot wrong — when you hopefully still enjoy watching them, but you can also be frustrated by them as well." Bella: "I think she just loses patience pretty quickly with Martin and his jealousy, Martin and his inability to deal with his past and his family. I think she calls him out on it quite a few times because she just hasn't, doesn't, they don't have time to luxuriate in whatever six months of couples' therapy they need in order to deal with this. It's just like 'get over yourself. Go deal with your family. I'm going to do this thing that's right in front of me. I'm going to deal with the next crisis. I don't have time for whatever nonsense you're bringing to this'." On the Series' Exploration of the Fact That the Past Can Haunt You — Whether You've Tried to Leave It Behind in a New Setting or You're Returning Home Bella: "I don't think you need to dig deep into it because it's true. I mean, it's true for me. I think we're all shaped by our past and whatever traumas we've experienced or whatever loss we've experienced, so I think it's just something that we all carry. We carry the scars of it, hopefully to a lesser extent — or hopefully we are able to do the work so that it doesn't impact our daily life in a way that becomes unmanageable. But I guess I just agree with what Mandy says, because that's been my experience." Luke: "I think what was really great is there were extensive flashbacks in the book, and I think Felicity [Packard, Pine Gap], our writer/producer, and Ben Young [Hounds of Love], our director this season, and everyone else did a really good job of going 'okay, how do we crystallise the ideas, the themes, the character moments in those very broad flashbacks down to something that fits our format?'. And I think they did a fantastic job of that. I think it's really about tying the tragedies of Martin's history here to his own actions, and to the man he is now. And knowing that, yes, some of those blocks he might have emotionally and relationship-wise all have to do with those walls he put up at a very young age, and those decisions he made to go 'no, this is important, what I'm doing is important, so I'm going to go down that road'. So I think it's a theme that pops up with a lot of characters there, but what's fun is I think all those themes, those character moments and the mystery all end up overlapping each other really nicely." On Why the World of Scrublands Resonates with Audiences, Both on the Page and as a TV Series Luke: "This Aussie-noir thing is obviously captivating people here and around the world. It taps into that feeling of Australia I think we all have — I feel like each of these stories so far take place in an Australian small town where some dark things happened, where you've got this tight-knit community. And there is something interesting here, I think, compared to Riversend. Riversend was a place where an awful thing happened that I think really affected the whole community in terrible ways. There's a bit of a different thing going on here with Port Silver, where the change is different — there's some stuff here that happened in the past that compromised everyone and there is still some pain of that, but there's also this gentrification and other shift happening in the town. But I think overall it's that mix of a really good mystery, first and foremost. I think sometimes we can put those darker themes front and centre, and the mystery is somewhat there to support a story that's more interested in theme, in pain, in trauma — and sometimes those stories can be fantastic. But I think this story, for us, especially when we lift it to the screen, we're really trying to tell the mystery first and making sure that we fill it in with all that beautiful texture, but that from scene to scene, we're keeping you on the hook, trying to find out what happened, why and who committed the crime." Bella: "I talk to my dad about this a lot because he loves crime fiction, and it's sort of the only genre he reads. And it tracks because he was a lawyer. I can see why that would be fun for him. But I also I ripped through these books so quickly, and I don't typically read crime fiction. I read them all in two days each — less, maybe. Just couldn't put them down. And I don't know, why is that? They're just delicious and moreish. And you can't, you just want to know what happens. I want to know what happens. I wanted to know what happened watching the show. I was trying to prep this job I'm doing now, and I just thought 'I'll just watch one episode' — and then cut to it's midnight and I'm supposed to be working the next day, and I'm like 'shit, okay, stop watching them'. And I was texting with Luke, and he was still up in Australia because he and his partner had stayed up to watch them. Yeah, they're just moreish." On Scrublands: Silver Taking Aussie Noir to a New Setting in Coastal WA and Helping Expand the Vision of Australia On-Screen Luke: "I think it is the kind of secret weapon of the season, that we could not get over when we were there. This is not a side of Australia people have seen a lot of. Augusta, the town that we shot in, is like the most-southwesterly point of Australia. It's got its own little microclimate. There are humpback whales that you're seeing every day. And funnily enough, there was just this amazing silver sheen over the whole place. Very different to season one, and very different to most things that we've seen in Australia. And I think it is really great. And that just because we're making so much more stuff — and I think we're making so much interesting stuff these days, and enough of it, that we don't feel like what it would have been in the old days, where if you were trying to make a show in Australia that you wanted to export to the world, there's almost an Australian brand. And so you go 'no, don't try and' — like a show like this, you might go 'no, no, no, you buy a show that looks like this from somewhere in Europe. Let's do another McLeod's Daughters or something like that'. Where, because we're exporting so much great stuff these days, we do get to step outside that. We do get to shoot in all corners of the country, and I think it's really exciting for so many reasons. We get to really start showing the world that this isn't just a bunch of beer-drinking — even though, look, we drink a bit of beer in this as well — but it's it's not quite that one image of Australia that we were showing for a very long time." Bella: "My god, I love it — and I love the fact that they let us do it, because I think for most people, Australia, its selling point is the sun-bleached country or the beaches and sunshine and barbecues or something. So to be given — permission is the wrong word, but to be given carte blanche to shoot in winter in WA. And it's so beautiful, it's so breathtakingly beautiful that coast in winter, and the whales and that lighthouse. I just thought it was so idyllic and just really set a certain tone and mood, and I think it's incredible. I'd never been to WA before shooting there, so I'm grateful that we shot there. Because Australia, everywhere you go just feels like it could be its own little universe. They're so different, season one to season two, those settings are so vastly different — and both are so, so special and so beautiful." On What You Learn From Playing Parts Like Martin and Mandy for Two Seasons Bella: "The thing that comes to mind is that you can be tough and sensitive. That you can be tough and vulnerable, and that those things aren't mutually exclusive. I think through so much of my twenties, I thought you were either one or the other, and I feel like Mandy is all of those things all at once." Luke: "I think there's a great window, in both seasons, there's a real window into journalism that I didn't quite know before that's really interesting, and that I had to get my head around then to start playing Martin. Being in the arts, I do think we're often going to the human element first, and are empathy-forward in our ways of how we think about any story. And so just ticking over into not only the mindset of a journalist, I guess, where it's like 'it's about the truth, it's about the facts, that's what's important' — the human element is part of it, but your job as a journalist is to go in and get the truth first, and that's what matters. And I think that's so fun to play. I don't think is a spoiler to say that Toby Truslove as Doug Monkton is back, and so is Sarah Roberts as Beth, so when you get these scenes between the journos, I think that's really, really fun. And that's something that also feels different. We've seen a lot of shows of cops talking and lawyers talking and that kind of thing. I think that the camaraderie and competition between journalists is really fun to play, a whole new window. So I think extending my understanding of that world and getting to play with that is one of my most favourite elements." On Whether Arnold and Heathcote Ever Dreamed of Where Their Careers Have Taken Them Both at Home and Overseas When They Were First Starting Out — Behind the Scenes on Peter Pan and in Australian Film Acolytes, Respectively Luke: "No, of course not. It's funny on that job, being assistant to the swordmaster from Peter Pan. I'm just like everyone watching The White Lotus season three at the moment. And so I was still at high school, really, doing that job — and Jason Isaacs from White Lotus was playing Hook. And on my last day, I went in and had a chat with him, and he was like 'so what are you going to do now?' And I was like 'ohh, I'm going to go to film school, or do a writing course or go to acting school'. And there in his full Hook regalia, he was like 'well, just so you know, writers and directors often have much happier lives than actors'. And I was like 'all right' — and I ended up not taking his advice and went to drama school. And during that time, you're just hoping — like you really get it in your head that 'hey, if I can be a jobbing actor, if I can get to a point where I make most of my money from being an actor, that'll be great'. And that is a kind of dream, and it is tough. It's really hard to do. So then you spend, for a while there, doing a bunch of jobs that are really rewarding but without any — you'd go and do an acting job and then you go back to one of the countless terrible casual jobs that I've done in between. And that felt like 'well, this might be my life'. And then going through those couple of years where I got to do Never Tear Us Apart and Black Sails, obviously that really changed things. Since then, I've just been able to solely work in the creative industries, and I am eternally grateful for it. And there's always a sense that it could change at any moment. But on that, I think as well, that also led me — not to go on a whole big thing, but from that as well, that led to a bit of time where I was spending a lot of time overseas. And I then also had that moment where I was like 'oh, I don't — this isn't the life I want'. It's very easy to get drawn into this feeling of trying to go bigger and further away. And while I'm always open to working overseas, there was a shift even before 2020, when I really, I think, felt really appreciative of the industry we have here in Australia, the great things we do and being able to have this quality of life — working with these people on projects like this was really appealing. So what I'm really most grateful for is that I was able to come back to Australia and really cement myself here, and the work I've been doing the last few years has been some of the most fun and rewarding I've done." Bella: "I suppose that's what you want when you start as an actor, but also I had no concept of really where it could go — because I didn't have anyone in my family who was in this industry. It seemed sort of improbable. But I just didn't want to do anything else, so it's just like 'well, this is what I have to do'. I mean, it's a dream. I still think about that now, like the fact that I've just been able to earn a living doing this thing for the last, jeez, 18 years or whatever it's been now, feels like a small miracle." On What Heathcote Looks for in a New Homegrown Project When Adding to Her Recent Run of Scrublands, Bloom, The Moogai and More Bella: "I guess it's the same thing I'd look for overseas — just a role that speaks to me and creatives that I'm excited by. I mean, The Moogai, for example, I just thought that was a really important story and I'm always fascinated by horror films that are sort of an allegory for something bigger than just horror, genre. And Bloom, I remember just being excited to work with Phoebe [Tonkin, Boy Swallows Universe], and I was in Australia — and I met with Greg and Glen [Dolman, I Met a Girl], the writer, and just thought this would just be a laugh. I also love the comedic element of it, or the situation just felt so ludicrous, to play this old woman, this very uptight old woman, but in a young woman's body. It's giving Freaky Friday. And then Scrublands, I just love Mandy. I just thought she had such spunk. A friend of mine said something once: 'you need two out of three'. And it was pay, creative, location. Sometimes, if you're lucky, you get all three. And I suppose that's how I make most of my decisions." On What Gets Arnold Excited About a New Role in General Luke: "It can go both ways. I think what excites me sometimes is if there's some crazy challenge — where the script is so good and there's some amazing challenge in there that I haven't done yet. And you go 'all right'. And it's going to push me in ways where I can't rely on the things I think I know and the things I've done before, and just launch into something with faith in the people I'm working with and in the process, and get to just stretch myself in new and exciting ways. That's both really exciting — and also what's really exciting sometimes is when I feel like 'oh, I think I'm the right guy for this job'. It's a really rewarding, exciting thing, because there's so much self-doubt here. And every job you do, you always go 'well, everyone's going to think I suck in that'. And every audition you do, you go 'of course, I'm not going to get this'. But occasionally these things come forward where you're like 'I think this is my skill set. I think I know how to do this. And I think I can maybe bring something to this that not every actor could'. And I think, from a kind of craft sense — and just, as we said, how long I've been in this industry — it's a really nice thing when I feel 'oh, I think I could be helpful to this thing'. And that's why there was maybe a sense with Martin that I felt like 'oh, I think my writer's mind will be really useful in this role'. Because when you are in the position where your character is, you are with the audience as you're putting the pieces together, you are part of shaping the story and putting the pieces of that mystery together, I did feel like 'oh, I think I might be the right actor to make this character work'. So I think that is sometimes a great thing, when I can enter into something with a little less self-doubt and a little more excitement to bring all of me to a role." Scrublands: Silver streams via Stan from Thursday, April 17, 2025. Read our review of season one. Images: David Dare Parker / Sarah Enticknap.
It's official: after a dream of a first season, Rose Matafeo's delightful rom-com sitcom Starstruck is back to make you fall head over heels for its firmly 21st-century take on dating a famous actor all over again. It's also official for Matafeo's (Baby Done) on-screen alter ego Jessie and Tom (Nikesh Patel, Four Weddings and a Funeral), the celebrity she had a one-night stand with on New Year's Eve, then navigated an awkward will-they-won't-they dance around every time they ran into each other in London. Once the show's newly arrived second season gets a few episodes in — it's now streaming in full via ABC iView in Australia and TVNZ OnDemand in New Zealand — they're officially dating. Starstruck's debut run ended with a glorious jump in Jessie and Tom's relationship. She was set to leave the UK to return home to New Zealand, but he showed up at just the right moment to inspire her to stay. Indeed, when the season came to a close, they sat on the backseat of a bus, blissful smiles slowly slipping as they each internally grabbled with what'd just happened, like they were were Dustin Hoffman and Katharine Ross 55 years back. That nod to The Graduate couldn't have been more knowing, just like the show's entire narrative arc across its first season. Co-writing the series as well as starring — and playing a movie-loving cinema employee at that — Matafeo and co-scribes Alice Snedden and Nic Sampson recognise that the best way to create a smart, savvy, affectionate and heartfelt entry in such a well-populated, often schmaltzy and cheesy genre is to call out all of the conventions and tropes. And, to play with and twist them, then layer them with truth, wit and depth. Indeed, rom-com self-awareness has always been one of Starstruck's big assets — it basically takes Notting Hill's setup and fast-forward two-plus decades, after all — and that hasn't changed in season two. This next batch of six episodes has a key question in mind, however: once you've enjoyed the wild meet-cute, ridden the courtship rollercoaster and been bowled over by a grand romantic gesture, what comes next? It's the stuff that rom-com sequels might cover, except that for all of Hollywood's eagerness to rinse and repeat its most popular fare, the romantic-comedy genre is comparatively sparse in the follow-up department. It's easy to understand why everything from Pretty Woman to Amelie hasn't sparked on-screen continuations — or the likes of Clueless, 10 Things I Hate About You and, yes Notting Hill, too. Getting to live happily ever after is always the point, as well as the end point. Thankfully, merely recharting that familiar path wasn't ever going to be enough for Starstruck, as wonderful a job as it did of doing just that in its first season. As a result, season two picks up exactly where its predecessor left off. Jessie and Tom's bus ride segues into a WTF realisation, as in "WTF do we do now?". That's a query that Jessie isn't ready to answer, even though she's made the big leap and missed her flight home. So, she avoids even tackling the situation, instead dragging Tom along to play tourist for the day. He's meant to be flying off to Ireland for a new film shoot and delays leaving for Jessie, so her decision to simply ignore what they've both just done affects them both in multiple ways. The mess of any and every relationship, which rom-coms don't typically show when they end with that happily-ever-after moment, fuels Starstruck's new episodes. Like everyone, Jessie and Tom have plenty. They both have pasts and exes, which shapes how they approach romance now. They know they want to be together, but Jessie isn't as committed to putting in the effort that an ordinary, everyday, long-term relationship requires. Tom has a judgemental brother Vinay (Parth Thakerar, Vigil), too, who doesn't make a great first impression. Plus, Jessie's last boyfriend Ben (Edward Easton, Porters) reappears in her life, much to her devoted best friend and roommate Kate's (Emma Sidi, Pls Like) dismay. Starstruck wades through all of this chaos, and through the inescapable fact that getting what we want can also spark a spiral of self-sabotage one throwaway comment, pointless disagreement and lie of omission at a time. The show's second season is light but also deep, the exact opposite of one of its key watery settings, and remains a rom-com that's as aware of what relationships in 2022 are really alike as it is about how romance is typically portrayed in its genre. Matafeo, Sneddon and Sampson (who also plays Jessie's fellow Kiwi-in-the-UK pal Steve) still keep the screwball vibe alive, and the dialogue sharp and relatable, of course. They keep the fellow rom-com references weaved in as well (Love Actually and Bridget Jones' Diary fans, prepare to feel seen). There's no morning-after stride of pride to the sounds of 'Return of the Mack' this time, but everything else that made Starstruck's first season such a gem is accounted for. Matafeo is still a multi-layered marvel as Jessie, especially as the series wades through more of her tumultuous choices. Patel keeps finding the ideal balance of charisma and earthiness while playing a well-known actor who knows the trappings of his work, what he values and what he wants out of a relationship. The supporting cast — the returning Minnie Driver (Cinderella) as Tom's Agent and Russell Tovey (Years and Years) as the director of his latest project included — remains top-notch, and the direction is breezy but never fluffy or frothy. Yes, Marry Me is now flirting with the same concept on the big screen, but Starstruck is the clever and charming rom-com to truly swoon over. Check out the trailer for Starstruck's second season below: Starstruck's second season is available to stream in Australia via ABC iView and in New Zealand via TVNZ OnDemand. Read our full review of Starstruck's first season.
The force is set to be strong across streaming queues in 2023, with another new live-action Star Wars series on its way. Following three seasons of The Mandalorian so far — one of which is airing now — plus 2021–22's The Book of Boba Fett, and also 2022's Obi-Wan Kenobi and Andor, Ahsoka will give warrior, outcast, rebel and Jedi her own show. Even better: it now has a trailer and a release month. Rosario Dawson (Clerks III) returns as the limited series' titular figure, after playing the part in both The Mandalorian and The Book of Boba Fett. If you're new to the character, she was Anakin Skywalker's padawan before he became Darth Vader — and, here, an ex-Jedi Knight who is determined to battle a threat to the post-Empire galaxy. Her latest exploits will hit Disney+ sometime in August. Ahsoka follows animated film Star Wars: The Clone Wars and the TV series it spawned, too, plus fellow animated show Star Wars Rebels — because yes, this franchise about a galaxy far, far away will keep spreading far and wide in this one. From the latter series, Star Wars aficionados will spot rebel crew member Hera Syndulla and former bounty hunter Sabine Wren. Mary Elizabeth Winstead (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) plays the former in Ahsoka, while Natasha Liu Bordizzo (Guns Akimbo) steps into the latter's shoes. Also among the familiar characters: fellow Jedi padawan Ezra Bridger from Star Wars Rebels, with Eman Esfandi (King Richard) doing the live-action honours. Ahoska's cast includes Ray Stevenson (RRR) and Ivanna Sakhno (The Reunion), and reports have been bubbling for years about Hayden Christensen returning as Anakin, as he did in Obi-Wan Kenobi. This is Disney+'s first series focused on a female Jedi; indeed, as a character, Ahoska has long been one of the few women among the franchise's Jedi ranks, dating back to 2008. Off-screen, The Mandalorian writer/director/executive producer Dave Filoni writes and executive produces Ahoska, with Jon Favreau, Kathleen Kennedy, Colin Wilson, and Carrie Beck also doing the latter — all seasoned Star Wars veterans. Check out the trailer for Ahsoka below: Ahsoka will stream via Disney+ from August 2023 — we'll update you with an exact release date when one is announced. Images: ©2023 Lucasfilm Ltd & TM. All Rights Reserved.
Japanese food is one of the most popular cuisines worldwide, and it's no wonder. It's flexible, healthy, often served fresh, presented beautifully and perhaps most importantly, it tastes fantastic. You can get a box of takeaway sushi or a bowl of ramen all over the world, but certain elements and specialties of Japanese cuisine have yet to take off worldwide. Whether it's down to unique ingredients, well-guarded local knowledge or a certain…flair that turns away more conservative palates, these dishes you need to seek out in the land of the rising sun itself. So, should you be planning a Japan jaunt, save this guide for some of its lesser-known treats and where to find them. Goya Chanpuru, Okinawa Prefecture Starting in the summery and tropical south of Japan, we have the regional specialty of goya chanpuru hailing from sunny Okinawa. Chanpuru itself is an Okinawan stir fry of vegetables and fresh tofu, but the most popular variety comes with a helping of a bitter gourd called goya. The summer vegetable is sliced and stir-fried in oil with pork, eggs and, crucially, Okinawan tofu (which is prepared differently from other tofu). The result is a bitter but healthy meal, rich in vitamin C. [caption id="attachment_991975" align="aligncenter" width="1920"] Hanasunrise via iStock[/caption] Buri Daikon, Kagoshima Prefecture Moving north to the island of Kyushu and Kagoshima Prefecture, a popular at-home winter dish made with vegetables and fish, takes our eye. Buri daikon is specifically made with yellowtail, commonly fished in Kagoshima Prefecture, and thick slices of daikon, a Japanese radish — especially a sweeter cultivar called Sakurajima daikon. The daikon is chopped and stewed with yellowtail, sake and ginger, then served with shredded ginger — making for a fantastic winter warmer. [caption id="attachment_991976" align="aligncenter" width="1920"] Stossi Mammont via iStock[/caption] Horakuyaki, Ehime Prefecture Ehime Prefecture is home to one of Japan's three major tidal flows, the Kurushima Strait. The fresh seafood that's the main ingredient in horakuyaki is almost exclusively caught in this very strait. Popular in Imabari, horakuyaki is a luxurious dish that's innately connected to the rich maritime culture of the region and is fairly simple to prepare. Commonly made with bream, octopus, shrimps and clams caught in the strait — the catch is prepared, lightly salted, then steamed and roasted in a flat pan called a horaku nabe. It's tender, rich in seafood flavour and a common sight at banquets and celebrations year-round. [caption id="attachment_991978" align="aligncenter" width="1920"] ES3N via iStock[/caption] Fuku Sashi, Yamaguchi Prefecture Fuku sashi is Yamaguchi Prefecture's regional spin on the internationally known dish of fugu, sashimi of the highly poisonous pufferfish. It's a dish that can only be prepared by accredited chefs since one wrong cut can make the meat of the fish fatal when consumed. When a chef in Yamaguchi Prefecture is qualified to serve fugu, it's used in this locally popular dish. The fish is sliced so it's translucently thin, then served with ponzu sauce — made with soy sauce and citrus juice. It's also popular with sliced chives or grated radish. While popular, a decline in fugu stock has made the dish reserved for special occasions. [caption id="attachment_991983" align="aligncenter" width="1920"] TokyoViews via Flickr[/caption] Tekonezushi, Mie Prefecture Local meals often have a simple origin, and that's the case with tekonezushi, tracing its origins to being a simple meal that fishermen could prepare while still out on their boats. Not far from Japan's largest cities, the waters of Mie Prefecture are busy with fishing boats, often hunting skipjack tuna. Hence, local fishermen and now restaurants often prepare tekonezushi. All it takes is tuna or bonito sashimi marinated in soy sauce and placed on a bed of vinegared rice with a sprinkle of nori (dried seaweed) and shiso (perilla) on top. [caption id="attachment_991985" align="aligncenter" width="1920"] Hideya Hamano via Flickr[/caption] Hotaruika no Sumisoae, Toyama Prefecture In central Japan where the mountains meet the Sea of Japan, Toyama Bay is home to a population of stunning firefly squid, which is the centrepiece of hotaruika no sumisoae. Traditionally residents of deep water, these luminescent cephalopods make quite the sight in the shallows. Often served in early spring, coinciding with the fishing season, this dish is prepared by boiling the squid in salted water and then serving with leeks and a generous pour of vinegared miso (miso, vinegar, hot pepper and sugar). Kiritanpo Nabe, Akita Prefecture Nearby in Akita Prefecture is kiritanpo nabe, a local take on hot pot that dates back to when loggers used to climb the region's mountains in search of timber. The key carbohydrate base is kiritanpo — rice that has been boiled, mashed and grilled on a cedar skewer. Cooked in a cylindrical shape, they're added to a boiling hot pot with chicken bone broth and a mix of ingredients. Typically, you'll see sliced root vegetables, mushrooms, thin noodles and chicken as well as sake, salt and soy sauce. It's often served for celebrations and is the star dish in local festivals in the region. Milk and Dairy Products, Hokkaido Prefecture Japan's northernmost island (and prefecture) of Hokkaido might be most famous for its snow resorts, but the area is also home to Japan's dairy industry. The climate is ideal for dairy production and is where over 50% of Japan's milk originates. Supposedly, the milk has a rich, vanilla-esque flavour. As such, there are all sorts of treats to try. Lavender soft serve ice cream, cheese, butter, bread and milk jam (the Japanese equivalent of dulce de leche) are some of the most popular treats, all served in restaurants and the regions working dairy farms. Discover more and start planning your trip to Japan at the Japan National Tourism Organization website. Header image: Green Planet World via iStock. Body images courtesy of the Japan National Tourism Organization unless specified otherwise.
When working nine to five isn't panning out for Raylene 'Red 'Delaney (Krew Boylan, A Place to Call Home), she does what all folks should: takes Dolly Parton's advice. Pouring yourself a cup of ambition is never simple, but when you're a Parton-obsessed Australian eager to make all things Dolly your living, it's a dream that no one should be allowed to shatter. That's the delightful idea behind Seriously Red, which pushes Parton worship to the next level — and idolising celebrities in general — while tracking Red's quest to make it, cascading blonde wigs atop her natural flame-hued tresses and all, as a Dolly impersonator. That's a wonderfully flamboyant concept, too, as brought to the screen with a surreal 'Copy World' filled with other faux superstars; enlisting Rose Byrne (Physical) as an Elvis mimic is particularly inspired. Seriously Red doesn't just get its namesake adhering to Parton's wisdom, whether sung or spoken over the icon's 55-year career. It also splashes the country music queen's adages like "find out who you are and do it on purpose" across its frames as well. They help give the film structure and assist in setting the tone, as this rhinestone-studded movie comedically but earnestly explores two universal struggles. Everyone wants to be true to themselves, and to work out what that means. We all yearn to spend our days chasing our heart's real desires, too. As penned by Boylan in her debut script, and directed by fellow feature first-timer Gracie Otto (after documentaries The Last Impresario and Under the Volcano, plus episodes of The Other Guy, Bump, Heartbreak High and more), Seriously Red spots a big question lurking in these missions for Red, however — because what does it mean when being yourself and scoring your dream gig means being someone else? When the film begins, Red isn't loving or even liking her lot in life, and definitely doesn't want to keep the status quo on purpose. Tension lingers in her real-estate valuer job and at home, where she's turned her mum Viv's (Jean Kittson, Fat Pizza: Back in Business) garage into a flat — and the daily tumble out of bed and stumble to the kitchen, then to work, is a grind. Even worse, she's tricked into showing up to the company party in her Dolly regalia to be the butt of the office's jokes, although it does get her an in with an impersonator talent agent. Teeth (Celeste Barber, The Letdown) sees an opportunity, Red is willing to take it, and employment and a whole new world follows. Still, Viv can't see how going full Dolly can pay the bills, withholding her support. Also at home, Red's friendship with her best mate Francis (Thomas Campbell, Love and Monsters) feels the strain. Just like its protagonist, embracing this trip down the impersonator rabbit hole — using a Parton-shaped key and plenty of pluck — is easy for Seriously Red. It revels in the look and feel of all things Dolly from outfits to paraphernalia; if something is adorned in a Parton-esque way, this film will likely always love it, short of the flick becoming a movie version of Dollywood. Plunging into the Copy World happens with just as much spirit and affection, and with gags like Dannii Minogue as a Dannii Minogue impersonator. Trevor Ashley's Barbra Streisand tribute gets a whirl, and everyone from Elton John and Freddie Mercury to Madonna and George Michael scores a doppelgänger. If The Adventures of Priscilla, Queen of the Desert and Muriel's Wedding spring to mind — because movies about taking to the stage in big, camp theatrical displays based around music legends has long been in Aussie cinema's DNA — there's a tangible link to the former courtesy of Oscar-winning costume designer Tim Chappel. It should come as no surprise, too, that Boylan's script has Red team up with a Kenny Rogers impersonator (Daniel Webber, Billy the Kid), including to do more than croon 'Islands in the Stream'. In the business, as she flits around the country and even the world busting out her best Dolly, there's no shortage of people who respect the gig — Bobby Cannavale (The Watcher) plays Wilson, an ex-Neil Diamond impersonator-turned-agency owner, as another example — but Seriously Red's Kenny is something else. He lives like his hero 24/7, right down to the attire, locks and facial hair. He's also made 'The Gambler' singer's moniker legally his. And, he's the impetus for Red making a similarly hearty commitment, then also evaluating whether Dolly or Red should actually come first. Glimmering with the same fantastical vibe that gleefully silly recent new instant comedy classic Barb and Star Go to Vista Del Mar also boasted — cinematographer Toby Oliver lenses both, roving over jewel tones here instead of pastels — there's more verve and attitude than poise to Seriously Red. That always feels fitting. There's a scrappiness to being even the best impersonator, as Red's Parton shows; over and over, she sums up the bulk of the movie. While the film can fall on the awkward side of comic, and its dramatic beats aren't quite in tune (see: Red's conflicts with her family and friends), that can-do attitude keeps shining. Of course a feature about taking a big swing does that itself again and again. Of course a picture about adoring and taking life advice from a legend that has never let anyone else define her, and has proven the epitome of kindness-fuelled resilience over her time in the spotlight, dances to its own song as well. Parton's music isn't always as bright as her smile, though, a truth that Seriously Red also works with. This Dolly-approved flick — with her likeness so prominent and her music instrumental, including sung by both Boylan and the artist herself, it couldn't have happened without Parton's seal of approval — grapples with Red's lows as well as highs. It shows the impact that her self-centred behaviour has on others, too, and the way the world often beams anything but sunshine her way. As an actor, Boylan weathers those ebbs and flows with adaptability and commitment. As a performer playing an aspiring performer whose whole routine is based on another performer, she ensures that Red's raw edges are never buffed away. As a writer, Boylan noticeably leans on tropes, but Seriously Red doesn't need to beg its viewers to have an entertaining time.
Whether you're a Queenslander exploring your own backyard, or you're holidaying in the Sunshine State from another part of the country — including New South Wales and Victoria from Tuesday, December 1, once the border reopens to both regions — visiting the beach is probably on your to-do list. The state is known for its sun, surf and sand, after all, but that isn't the only attraction that Queensland holds. In fact, it has just added another big drawcard, which is particularly great news if you're fond of a few vinos. The Vine and Shine Trail is Queensland's first official wine trail, and it's rather hefty — covering more than 70 wineries, vineyards and cellar doors. It's a self-guided affair, so you can choose just how much of it you'd like to explore, and in which spots in the southern portion of the state. If you'd like to try to see 'em all, treating wineries like Pokemon, well, that's up to you. Fancy moseying through the Granite Belt or the Scenic Rim? Eager to see what drops the Gold Coast Hinterland has on offer? Prefer something in the Brisbane area? They're all on the trail. So is everywhere from the South Burnett and Wide Bay-Burnett regions, to the Sunshine Coast — and the Darling Downs and western Queensland as well. And they're split into six separate mini-trails, if you only have so much time to spend hopping between wineries. Just how you interact with the trail's many stops is also a choose-your-own-adventure-type experience, with some cellar doors hosting lunches, some vineyards letting you picnic beside the grapes, and plenty of places offering tastings. And, variety-wise, you'll be able to sip an array of types, whether you're fond of popular drops or you're eager to drink something you mightn't have tried before. The idea, like most things in 2020, is to encourage everyone to get out of the house, explore this area of the country and support local businesses. It's specifically part of a dedicated campaign in Queensland to get folks to do more than just hang out on the coast, enticing them inland to roam along the vines and enjoy a heap of wines. For more information about the Vine and Shine Trail, visit its website.
It began, as so many wonderful internet things do, with an XKCD cartoon. Titled Up-Goer Five, the schematic explained the internal workings of the only rocket to have transported humans into space, the Saturn V, using only the 1000 most commonly used words in the English language. Rocket is not one of the words, nor thousand. Nor most of the words in this paragraph. In the last few days, enabled by Theo Sanderson's specially built text editor, several other people have Up-Goer Fived their own area of expertise. Most of them are scientists from esoteric fields, giving us laymen a rare chance to grasp what their life's work is about. Not being able to use jargon makes for some convoluted WTF gibberish sentences, but at other, better times, it creates windows where you can grasp at some previously ungraspable idea. Check out these excerpts and their simply stated insights. 1. Saturn's moon Iapetus is two-toned because bits of air turn into ice on the back side of it "First, it runs into black stuff that sticks to the front of it. That black stuff takes in more light from the sun and makes it warmer. That makes very tiny bits of the ice it's made of turn into air, and the bits of air go around it and turn back into ice on the back side of it. Second, when the bits of ice go away from the front side, they leave behind dark stuff that was between and under them, and that makes the front side even blacker, and helps it warm up even more, so things go on and on and on. The back side is white because it didn't get black stuff on it, and also because the ice that went away from the black side went there and made it bright." By Rachel Klippenstein. Read in full at io9.com. 2. The Higgs boson is the tiny thing that makes all other things heavy "What makes the tiniest things heavy? The best guess explained this by saying that all around us is a field, which is a bit like water or some other stuff that would slow you down if you tried to walk through it … [U]ntil last year, people weren’t completely sure this field was real. But they knew that if it was real, and you shook it really hard, then a totally new tiny thing would fall out of it. That’s because it’s a bit like the water-like-stuff is made out of this new tiny thing." By Michael Slezak. Read in full here. 3. We don't have robot helpers yet because it's hard to make computers with bodies walk "We want the computers with bodies to run quickly. We want them to climb walls. We need them to do these things even when the ground is covered in rocks or with ice, without tripping and falling or getting stuck. We look a lot at animals to see how they do these things. We try to understand how their brain decides where to put their legs, and how their legs are built." By Shira E. Read in full here. 4. The Bechdel Test is a check to see if things are even in the way they show men and women "To make the story as much like real life as possible (except for the made-up bits) you really do need a lot of different kinds of people, not just lots of men who are quite like each other because they are all young and white and strong. This makes it easier for people to accept the really made up bits, because the rest of the story feels much more real." Read in full here. 5. Environmental protection might mean not giving so much food to animals and cars "So how are we going to grow more food without cutting down more trees? One answer to this problem is looking at how we use the food we grow today. People eat food, but food is also used to make animals and run cars. In fact, animals eat over one-third of the food we grow." By Emily S. Cassidy, environmental scientist. Read in full here. 6. Postmodernism is that many things we think are facts are actually stories "This is not to say the facts are not true. But the story isn't." Read in full here.
There are plenty of ways to describe something that's fun while it lasts, but finishes up prematurely. And yes, many of them could be followed by "title of your sex tape". So, with US TV network NBC announcing a few months back that beloved sitcom Brooklyn Nine-Nine will come to an end after its next season, we're sure you've been thinking about Jake Peralta's favourite retort for a while now. We're sure the phrase will be uttered at least once in the show's final batch of episodes, too — which will air in America in August. B99 is due to wrap up its police-focused comedic antics with a ten-episode eighth season, which will launch following the Tokyo Olympics, NBC has just announced. Just when the show's latest instalments will surface Down Under hasn't yet been revealed, though. In Australia, SBS has fast-tracked recent seasons — so fingers crossed that we'll be farewelling the Nine-Nine crew at the same time as our overseas counterparts. When those final episodes hit screens, it'll be your last chance to spend time in Brooklyn's fictional 99th police precinct, and with Peralta (Andy Samberg), Amy Santiago (Melissa Fumero), Rosa Diaz (Stephanie Beatriz), Charles Boyle (Joe Lo Truglio), Terry Jeffords (Terry Crews) and Raymond Holt (Andre Braugher) — and even Hitchcock (Dirk Blocker) and Scully (Joel McKinnon Miller). Well, other than binging your way through the show's entire run again and again, a pastime that will never get old. Whenever any B99 news arrives — happy or sad — there are plenty of appropriate ways to mark this development. You could break out a sorrowful yoghurt, Terry Jeffords-style. If you're more like Captain Raymond Holt, perhaps you'd like to treat yourself to a trip to a barrel museum. You could also channel your inner Gina Linetti (Chelsea Peretti) and dance about your distressed feelings, organise your entire house as you know Santiago would, or say cheers to Peralta by watching Die Hard over and over. And, to fill the time until the new episodes drop, you can also watch this cool cool cool B99 training video below: https://www.youtube.com/watch?v=VaoBN_e9Om0 Brooklyn Nine-Nine's eighth and final season is set to air in the US from August 2021. We'll update you when an air date Down Under is announced.
They say you should ring in the new year in the same way you wish to spend the rest of it — and if sipping champagne on a New York-style rooftop in downtown Brisbane sounds pretty ideal, we like where your 2020 is heading. If you're keen to see out the year in style, Sixteen Antlers Rooftop Bar on 16th floor of the Pullman & Mercure Hotel is throwing a party themed 'All White Every Thang'. Don your finest white attire to this soiree where Aussie swimwear label Seafolly is turning the space into an Ibiza beach party for the night. And, it wouldn't be a celebration without champagne, so there'll be plenty of French bubbly flowing throughout the night. Tickets are $99, which gets you a four-hour drinks and food package, complete with Chandon Brut and Chandon Rosé, plus Veuve Clicquot to toast with at midnight, specialty cocktails, canapes, charcuterie boards and a dessert cart. Plus, a party has to have some pumping jams to go with it. Getting things started at 8.30pm will be electric cellist and DJ Wilma Tunes, followed by a DJ, a saxophonist and then Gold Coast singer Taylah Little. Counting you down to midnight and into 2020 will be DJ Mason Stewart from 11.30pm, with some dance-worthy tunes. Snap up tickets to the All White Every Thang Rooftop NYE Party or find more information here.
Love dance, music and movement, but want to see something different? We don’t just mean a performance outside the norm. We mean something you won’t see the next evening, even if you go to the same show again — and after seeing Assemblies for One Body, you might be inclined to. Dancer and choreographer Rhiannon Newton takes audiences inside a living experiment, with minimalism, simplicity and deconstruction key. In a stripped-back space, Newton improvises an energetic contemporary routine, starting every performance with a new series of repetitive and unconstrained movements. She then breaks her unique dance down into its fundamental components, trying to chart their emergence and decay. Swept up in the same spirit of experimentation, collaborating sound artist Kynan Tan shapes the acoustic field that accompanies Newton’s display, with the entire show played live and taking place inside an installation of eight subwoofer piles. The end result is a shuddering expression of bodies, sounds and space that changes night after night.
Whenever Vivid takes over Sydney to kick off winter, the city instantly gets brighter. Unleashing a huge festival of lights and vibrant installations, live music, food and talks will do that, of course. Mark Friday, May 26–Saturday, June 17 in your calendars for 2023, with the annual festival returning — and with its just-announced program featuring more than 300 activations and events across its 23 days. Lights-wise, more than 50 installations will be bringing bursts of colour to the Harbour City, with public installations, 3D projections and ticketed events all part of the lineup. The Vivid Light Walk is back with free public works inspired by nature popping up from over 100 light collaborators and 26 international light artists from 13 countries. First Light will also return, celebrating Australia's original custodians and opening the festival with a performance from Yolngu supergroup Yothu Yindi. Other notable installations include Written in the Stars, which will see over 1000 drones like up the night sky; projections on the Sydney Opera House's sails from John Olsen; and a huge Tumbalong Park activation called Dance Together, which will have you shaking your hips underneath three giant floating rings suspended above your head. Plus, the previously announced Lightscape will also be a part of the program. The after-dark light festival will be taking over the Royal Botanic Garden from 5.30pm each night. Prepare to see the garden illuminated by immersive and large-scale installations scattered along a 2.1-kilometre route, including sparkling trees, luminous walkways and bursts of colour that look like fireworks. A big highlight: large-scale works like giant flowers and glowing tunnels, both of which will make you feel like you're being bathed in radiance. Vivid 2022 marked the first time food was given its own spot on the lineup with the inaugural Vivid Dinner, and this year the festival's gone one better with a full-sized food program celebrating Sydney's hospitality scene. Standout moments from this portion of the festival include the return of the Vivid Dinner, this time with chefs Ben Greeno and Danielle Alvarez at the helm; and a revamp of Luke Mangan's restaurant on top of a Sydney Harbour Bridge pylon that will give guests the chance to take in the lights from atop the bridge accompanied by wine and snacks from the acclaimed chef. The Vivid Fire Kitchen will bring smoked meats and barbecues to Barangaroo's The Cutaway, the Carriageworks Night Markets will also make a one-off comeback during the festival, and a series of residencies will see Barangaroo House and Mary's underground taken over with a mix of food, wine, music and art. Beyond the official Vivd Food program is a heap of special activities planned across a huge number of vendors within the CBD including a special limited edition Vivid-only creation from Black Star Pastry in The Galeries — the yuzu and raspberry flavoured 'glonut' finished with icing designed with vibrant orange and pink polka dots (only available Saturday until 17th June). Meanwhile at the QVB, for those wanting to indulge in a more sophisticated culinary experience, Manon Brasserie is inviting guests to unwind, Paris-style, on the street-side tables and take in the special happy hour menu conceived just for Vivid crowds. And if you really want to elevate your happy options, Golden Hour at Reign will be serving drinks special and bar snacks for champagne aficionados including $20 Mumm 'Grand Cordon' Champagne (a real bargain, trust us) from 5pm to 7pm every Wednesday to Sunday throughout the festival. [caption id="attachment_892843" align="alignnone" width="1920"] Destination NSW[/caption] Music is always a huge component of the festival, and this year's lineup does not disappoint. The Sydney Opera House has rolled out a predictably showstopping and diverse mix of artists, starting with Devonté Hynes (also known as Blood Orange) performing selected classical works with the Sydney Symphony Orchestra. The bill also features José González celebrating the 20th anniversary of his album Veneer, Cat Power recreating and reinterpreting a 1966 performance by Bob Dylan, and appearances from the likes of Thundercat, Yaeji, Ella Mai, Weyes Blood, Hiatus Kaiyote, Ethel Cain, Sleaford Mods, Squarepusher, Iceage, Kimbra and Budjerah. The Opera House's studio parties are also making a return, with party collectives Mad Racket, Picnic, Future Classic and House of Mince all bringing the tunes to the venue's artist studios until the early hours. Outside of the Sydney Opera House, Vivid's music lineup will include A Bend in the River: A Celebration of the Life & Music of Archie Roach at the Sydney Town hall with Paul Kelly, Emma Donovan, Dan Sultan, Kutcha Edwards and Becca Hatch among the friends, collaborators and contemporaries that will perform during the tribute. [caption id="attachment_892841" align="alignnone" width="1920"] Archie Roach, Lisa Businovski[/caption] Tumbalong Park will again host 12 nights of free live music featuring Yothu Yindi, Hatchie, Kaiit, A.Girl, Ziggy Ramo, Cornelius and a celebration of 15 years of triple j's Unearthed High competition. And, Carriageworks has curated a genre-spanning lineup with the like soft Desire Marea, Flying Lotus, Molchat Doma, Liv.e, Floodlights and Soft Centre. Rounding out the lineup is Vivid Ideas, which will feature 60 talks and workshops spanning love, community, authenticity, body positivity and sustainability. World-renowned British author Jeanette Winterson will be in the country for her talk LIFE AND MARS: The Future of Human; Could the Ocean be the Solution? will explore how technology is helping to clean up the world's oceans; and Melbourne-based artists have created NOCTURNE, an immersive journey through The Rocks. If you want to get into the nitty-gritty of the program, you can head to the Vivid Sydney website. Yes, you'd best clear your calendar for the end of May and the first few weeks of June — Vivid is about to keep you mighty busy. Vivid Sydney 2023 will run from Friday, May 26–Saturday, June 17. For further information and tickets, head to the event's website.
Little monsters, get excited: Lady Gaga is coming to Australia. Been watching with envy as the music superstar has locked in dates on The MAYHEM Ball tour everywhere from Las Vegas, New York and Toronto to London, Stockholm, Berlin and Paris? You can now start making plans to see Stefani Joanne Angelina Germanotta on her next Down Under visit, with shows confirmed for Melbourne, Brisbane and Sydney. Lady Gaga is heading this way in December 2025, with three gigs announced: on Friday, December 5 at Marvel Stadium in Melbourne, then Tuesday, December 9 at Suncorp Stadium in Brisbane and Friday, December 12 at Sydney's Accor Stadium. When the 14-time Grammy Award-winner takes to the stage at the trio of massive concerts, she'll not only play her first Australian shows in 11 years — she'll do her first-ever Australian stadium concerts as well. [caption id="attachment_998819" align="alignnone" width="1920"] Frank Lebon[/caption] The tour kicks off in Las Vegas in July, after Lady Gaga headlines Coachella — which everyone worldwide can livestream across both of the Californian festival's two weekends on Saturday, April 12–Monday, April 14 and Saturday, April 19–Monday, April 21 Australian time. Before The MAYHEM Ball tour begins, she's also doing shows in Mexico City, Singapore and Rio de Janeiro. Given that this is Gaga's first Aussie visit since 2014's ArtRave: The ARTPOP Ball gigs (with the Joanne and Chromatica Ball tours bypassing this part of the world), expect tickets for the local leg to go fast. When she added 13 new dates to the initially announced first shows on the tour, they all sold out swiftly. As the name makes plain, Germanotta is touring on the back of MAYHEM, her latest album — and seventh in a row to go to number one on the Billboard 200. It also debuted in the top spot on Australia's charts, and gave Gaga her biggest streaming week ever by notching up 240-million streams on its first week alone. As well as MAYHEM tracks such as 'Disease', 'Abracadabra' and 'Die with a Smile', fans can likely look forward to hits from across the artist's career, such as 'Poker Face', 'Bad Romance', 'Paparazzi', 'Born This Way' and 'Rain on Me' — plus, of course, seeing Gaga live onstage, rather than getting your fix via her film work in recent years in A Star Is Born, House of Gucci and Joker: Folie à Deux. Lady Gaga's The Mayhem Tour Australia 2025 Dates Friday, December 5 — Marvel Stadium, Melbourne Tuesday, December 9 — Suncorp Stadium, Brisbane Friday, December 12 — Accor Stadium, Sydney Lady Gaga is touring Australia in December 2025, with ticket presales starting at 10am on Monday, April 14 and general sales from 12pm on Thursday, April 17 — with times varying per city. Head to the tour website for more details. Live images: Raph PH via Flickr.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=HdF25b1tv1g THE NEST Before watching The Nest, you mightn't have imagined Jude Law playing Mad Men's Don Draper. He didn't, of course. But this new 80s-set psychological thriller about a corroding marriage brings that idea to mind, because it too follows a man who spends his days selling a dream, thinks he can talk and charm his way into anything, and may have unleashed his biggest spin upon himself. More often than not, Law's character here has used his charisma to get whatever he wants, and to evade whichever sticky personal and professional situations he's plunged himself into. Indeed, stock trader Rory O'Hara slides easily into Law's list of suave on-screen roles, alongside the likes of The Talented Mr Ripley and Alfie. But there's also a tinge of desperation to his arrogance, as the actor showcased well in miniseries The Third Day. A Brit who relocated to New York and married horse trainer Allison (Carrie Coon, Widows), Rory looks the picture of Reagan-era affluence but, when he suddenly wants to return to London to chase new work opportunities, the cracks in his facade start widening. As directed with a heightened sense of dread by Martha Marcy May Marlene filmmaker Sean Durkin, The Nest busts open those fractures, with Allison, her teenage daughter Sam (Oona Roche, Morning Wars) and her son Ben (Charlie Shotwell, The Nightingale) all weathering the repercussions. While it's obvious from the outset that trouble is afoot, Durkin isn't in any rush to unleash The Nest's full nightmare. He wants his viewers to linger in it, because his characters must. Allison is forced to live with the knowledge that little is right, but the way she chain-smokes hurriedly illustrates that she also knows how far her fortunes could fall. Every move Rory makes is driven by his need to paint a gleaming portrait of himself, and he knows that it's a reverse Dorian Gray situation: the shinier and flashier he makes everything seem to anyone who'll listen, the more he rots inside. Durkin doesn't just rely upon an exacting pace and a festering mood of gloom, though. Reuniting with cinematographer Mátyás Erdély (Son of Saul) after 2013 miniseries Southcliffe, he gives every second of The Nest an eerie look — whether staying a few beats longer than normal on its opening shot, lensing vast rooms to emphasise their emptiness, repeatedly peering at the film's characters through glass or breaking out the most gradual of zooms. All that tension and unease conveys not only Rory and Allison's domestic discontent, but also the false promises of chasing capitalism-driven fantasies. And, with Coon as essential as Law and Durkin, it drives an excellent thriller that knows how how gut-wrenching it feels to realise that the life you don't even love is a sham. Read our full review. https://www.youtube.com/watch?v=wZg2iEf-fTA EARWIG AND THE WITCH If you wanted to use Studio Ghibli's name as an adjective, it could mean many things, including beautiful, playful, moving, heartwarming, thoughtful and bittersweet. Thanks to the delightful combination of these traits in the company's work to-date, everyone knows a Ghibli film when they see it, as has proven the case for almost four decades. But, seven years after When Marnie Was There — and five years since French co-production The Red Turtle — the Japanese animation house has released a movie that doesn't slide instantly into its gorgeous and affecting catalogue. The studio's first film made solely using computer-generated 3D animation, Earwig and the Witch immediately stands out thanks to its plastic-looking visuals. That smooth, glossy imagery is impossible not to notice. It feels generic, and that sensation lingers. Indeed, almost everything in this slight, bright, likeable but rarely memorable addition to Studio Ghibli's filmography also earns the same description. And, despite focusing on a determined young girl, featuring a witch, and even including a talking cat and other helpful tiny critters, Earwig and the Witch rarely works Ghibli's usual magic. A by-the-numbers movie from the company is still better than many other family-friendly features — and this is average rather than awful, too — but the animated effort makes its audience work to uncover its modest charms. In a thinly plotted picture that tries to tick off as many of the studio's known traits as possible — and also endeavours to squeeze Ghibli's sensibilities into the broader anime mould, all while appealing more firmly to children than adults — viewers first meet Earwig (Kokoro Hirasawa) as a baby. After trying to shake off the dozen other witches chasing them along a highway during the opening scene of this Gorō Miyazaki (Tales from Earthsea, From Up on Poppy Hill)-directed film, her mother (Sherina Munaf) leaves her on an orphanage's doorstep, promising to return after her never-explained troubles subside. Ten years later, Earwig still roams the facility's halls. She brags to her offsider Custard (Yusei Saito) that she knows how to get its staff and its residents to bend to her will, and to whip up shepherd's pie on demand. And, she actively doesn't want to be adopted by the couples who stop by looking to expand their families. But when Earwig is chosen by witch Bella Yaga (Shinobu Terajima) and sorcerer The Mandrake (Etsushi Toyokawa), she has no option but to relocate to their enchanted cottage. Bella Yaga doesn't want a daughter, however. Instead, as based on the novel by Howl's Moving Castle author Diana Wynne Jones, the witch is in need of an assistant to cook, clean and crush rat bones for her spells. Seeing a chance to learn magic herself, though, Earwig isn't willing to acquiesce easily. Read our full review. https://www.youtube.com/watch?v=v8t4VuMb__E WILD MOUNTAIN THYME It doesn't happen every week, thankfully, but every now and then a movie proves so ridiculous that it's impossible to forget. Some films overtly strive for silliness from the start, while others become ludicrous slowly and/or unintentionally — and Wild Mountain Thyme falls into the latter category. For most of its duration, this rom-com is somehow both bland and over the top. It sticks to a formulaic setup that takes a few cues from Romeo and Juliet, brings in neighbouring Irish farmers instead, and demonstrates zero reason for its central couple to remain apart. It does all of the above while throwing in so many shots of green Irish fields, you'd be forgiven for expecting to spy a sea of four-leaf clovers. And, it tasks Christopher Walken with narrating the feature with a terrible accent, and uses his first line to tell us that his character is telling this tale from beyond the grave. Again and again, Wild Mountain Thyme makes you question why its cast are involved, and wonder what Emily Blunt, Jamie Dornan and Jon Hamm could've been doing instead. All those observations keep applying as its minutes drag by, too. But then comes a reveal that's as absurd as everything that Cats managed to serve up, and as unnecessary as well. Writer/director John Patrick Shanley won an Oscar for penning the script for Nicolas Cage and Cher-starring romantic comedy Moonstruck, which wasn't afraid to march to its own beat; however, there's no precedent for his latest movie's big leap. Worlds away from A Quiet Place's horrors — but perhaps not far enough from the Fifty Shades franchise's messiness — Blunt and Dornan play Rosemary Muldoon and Anthony Reilly. The pair have lived side by side all of their lives, and she has always had a crush on him, but nothing more than awkward friendship has ever arisen. Soon, though, something else upsets their patch of turf. As made clear in the opening narration, Anthony's father Tony (Walken, still having a bad run after The War with Grandpa) might not be long for this world. In his waning days, he's not convinced that his son has what it takes to keep working the land, so he's contemplating giving everything to his American nephew (Hamm, Richard Jewell) instead. Cast Blunt, Dornan and Hamm in the same rom-com, and there's obviously going to be a love triangle. At least Hamm doesn't have to put on a bad accent. There's a lyrical feel to the way Wild Mountain Thyme regards life, love and the land, but that's one of the very rare bright spots in a movie that only seems capable of operating in the lowest or highest of gears. It also features perhaps the least believable day-trip from Ireland to New York and back, but, if nothing else, it showcases Shanley's versatility — because last time he wrote and directed a movie based on his own play, as he does here, it was vastly dissimilar, four-time Oscar-nominated drama Doubt. https://www.youtube.com/watch?v=nZqVPMNgwP8 WILD THINGS There's much that's confronting in Sally Ingleton's Wild Things, including everything that the activists in its frames are fighting for. As long as the response to global warming remains woefully inadequate, it should feel distressing whenever you're reminded how the planet is changing, how quickly, what's at stake and what could be in store — even in a documentary that champions everyone who is doing everything they can to try to bring about much-needed action. But it's the torrent of anger directed at protestors at Queensland's Adani mine site that makes an immediate impact from Wild Things' array of footage. While the expletives shouted barely register, the tone behind them certainly does. So too does the sight of the same screaming semi-trailer driver inching his bulky truck closer and closer towards the standing activists, and yelling that he's doing it because he's got a job to do. Comparing his ire and threats with the signs held peacefully by the crowd, and the calm explanations from attendees about why they've taken up the cause, certainly sends a message. The earth is burning, and many who work in industries that exacerbate the planet's precarious state are simply burning with rage at anyone attempting to make a difference, rather than doing something to help face the situation themselves. Joining TV docos Australia's Great Flood and Acid Ocean among the environmentally focused works on her resume, Ingleton's film also joins a growing list of features about climate change. And, specifically, it sits among a subset of the eco-conscious genre that's only going to keep adding to its numbers: movies about activists. Where 2020's I Am Greta showed the battle from Greta Thunberg's perspective, including the toll it can take, Wild Things splits its focus between several groups on our own home soil. School kids who help plan giant marches and demand meetings with politicians, doctors willing to camp in trees to try to stop logging, grandmothers hoping to leave the world intact for their families, communities who've sprung up around their shared cause — they all earn Ingleton's attention. Along the way, the documentary also weaves in a history of Australia's environmental protests, calls upon ample footage of both past and present activities in action, and pays careful attention to the country's scenic landscape. Indeed, in terms of style, Wild Things sticks to a familiar template, as its heavy use of talking-head interviews demonstrates. But the power of the stories it's telling and the movement they belong to don't need slick packaging; these tales, this topic and the passion of those striving to bring about real efforts to combat the planet's warming resonate more than enough. https://www.youtube.com/watch?v=xx8l_Hhm2Oo WRONG TURN Horror films may routinely tally up a hefty body count, but franchises in the genre rarely stay dead for long. The latest to return after a hiatus: Wrong Turn. Like the most recent Halloween movie, it keeps things simple by taking the same name as the original film in its series. Unlike that excellent addition to an entertaining saga, however, Wrong Turn circa 2021 is a reboot. The same broad concept carries over, but it's given new faces and a slight twist. So, once again, a group that doesn't usually hail from rural Virginia heads that way, only for its members to find themselves at the mercy of the locals. This time, it's Jen Shaw (Charlotte Vega, Warrior Nun), her boyfriend Darius Clemens (Adain Bradley, Riverdale), and their pals Milla (Emma Dumont, The Gifted), Adam (Dylan McTee, Roswell, New Mexico), Gary (Vardaan Arora, Blindspot) and Luis (Adrian Favela, Booksmart) who've made the trip, with plans to spend a couple of days hiking the Appalachian Trail. They're warned to stick to the official track by everyone in town, but shrug off those cautions when Darius suggests a scenic detour. And, they're soon doing more than just walking, with a community of mountain-dwellers who call themselves The Foundation crossing their paths — and showing their displeasure about the outsiders encroaching on their home. It's a credit to screenwriter Alan McElroy, who also penned the original 2003 Wrong Turn, that the series' seventh instalment doesn't stick as faithfully to its predecessor as it could've. That said, his script can't manage to successfully balance its nods to the franchise's slasher formula and its eagerness to cut into creepy cult territory — supplementing one set of horror tropes with another, basically — or to supply its cast with anything other than boilerplate dialogue. The film also stays in obvious terrain by painting its enthusiastic young hikers as a snapshot of liberal America, exposing their prejudices against small-town folks, then pitting them against the skull-wearing, vengeance-happy Appalachian inhabitants. The situation is never as simplistic as hipsters versus hicks, thankfully, but the movie isn't interested in diving particularly deep either. Director Mike P Nelson (The Domestics) and his crew do relish each and every savage trap set in the woods, as well as the minutiae of The Foundation's insular base, though. Indeed, while the feature's physical horrors prove engaging-enough at best, it frequently seems as if the filmmaker — and the film overall, in fact — would much rather focus on bloody kills and creepy decor, instead of paying lip service to bigger ideas. Nonetheless, although seven years elapsed between 2014's Wrong Turn 6: Last Resort and this average-at-best flick, don't be surprised if more now follow. https://www.youtube.com/watch?v=zdppl5Fnmys THE FOOD CLUB Since 2011, whenever a film follows a mature-aged group of travellers while they go on vacation to forget their daily woes, it earns comparisons to The Best Exotic Marigold Hotel and its 2015 sequel. But another movie also casts a shadow over The Food Club, with its tale of three women holidaying in Italy and endeavouring to confront their romantic struggles in the process often reminiscent of the cringe-worthy trip to Abu Dhabi in the awful Sex and the City 2. That resemblance doesn't do this new Danish comedy any favours. Thankfully, The Food Club also bears a likeness to every other movie that's charted the new lease on life gained during a getaway, because most features in this category routinely prove that generic. The long list spans everything from How Stella Got Her Groove Back and Under the Tuscan Sun to Eat, Pray, Love and Made in Italy, and the feeling that if you've seen one then you've seen them all doesn't subside here. In the hands of director Barbara Topsøe-Rothenborg (One-Two-Three Now!) and screenwriter Anne-Marie Olesen (Scandinavian TV series Black Widows), the combination of amorous entanglements, existential malaise and a scenic setting plays out as it usually does. It's Christmas Eve when Marie (Kirsten Olesen, Wild Witch) learns that her life is about to fall apart, after her husband Henrik (Peter Hesse Overgaard, The Legacy) tells her that he's seeing another woman. Their children and grandchildren have just gifted them a week in Italy to learn to cook the country's delicious dishes, however, and she's not willing to see that go to waste even in her anger and pain. So, when she passes on the present to her lifelong best friends Berling (Stina Ekblad, Thicker Than Water) and Vanja (Kirsten Lehfeldt, Equinox), they're thrilled — but they insist that Marie still goes with them. At first, she's barely interested in her surroundings or the food, preferring to compose text messages to Henrik instead, but the change of scenery and facing a few hard truths alters her outlook, and Berling and Vanja's as well. The Food Club is as predictable as it sounds, and it's scripted with zero surprises and plenty of time for the genre's cliches, but the film's three leading ladies do everything they can with their stock-standard parts. It's always obvious that Olesen's Marie will reassess her willingness to be at Henrik's beck and call, that Ekblad's no-nonsense Berling is hiding her self-doubts behind her overly libidinous facade, and that Lehfeldt's bereaved Vanja will learn how to move on from her loss, of course, but the three actors bring texture to their roles that isn't abundant in the straightforward script. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26; and January 1, January 7, January 14, January 21 and January 28. You can also read our full reviews of a heap of recent movies, such as The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World and High Ground.
The proprietors of the newest Northside cafe to brighten the early hours of Brisbanite's days are obviously morning people, and they want you to be as well. Silky Oak Espresso only operates from 6am until noon, but it is as smooth by name as it is by nature — and so are its caffeinated brews. Those piping hot cuppas come courtesy of Toby's Estate coffee, with chai, mocha and hot chocolate also on offer. If that's not enough to perk you up, then perhaps the house twist on the affogato — complete with rich vanilla bean gelato — is, particularly when the weather's warm (aka most of the year — this is Queensland after all). Whether you're greeting the morning with a takeaway dose of perkiness on the way to work or stopping and savouring your daily boost in the cafe's small outdoor area, you'll need a bite to eat as well — and of course Silky Oak Espresso delivers in that domain too. Baked goods, ranging from biscuits to cakes to pastries, have your stomach covered. If you're after something healthier, don't despair, as they'll soon be added to the menu.
A small movie with a big heart: you've heard that claim before. Sometimes though, there's an example that proves the cliche, that one modest effort that punches above its weight in emotion. Don't just take our word for it — watch Infinitely Polar Bear, the latest great example. Its autobiographical look at growing up with a bipolar parent is the type of film this description was made for. Life doesn't fall into neat boxes for 12-year-old Amelia Stuart (Imogene Wolodarsky) and her younger sister, Faith (Ashley Aufderheide), nor for their nuclear family. Their father, Cam (Mark Ruffalo), lives with a condition that's not without its daily challenges — and even more so when their mother, Maggie (Zoe Saldana), goes away to graduate school, leaving Cam as the primary caregiver. The scenario and its stitching together of episodic slices of the Stuarts' lives sounds like something tailor-made for a quirky indie film adventure; however, writer/director Maya Forbes never takes the too-cute or too-eccentric route. Instead, in telling a tale based on her own childhood — and with her own daughter, Wolodarsky, basically playing the filmmaker's younger self — she grounds Infinitely Polar Bear in intimacy, affection and lived-in experience. Yes, the movie has adorable kids struggling with difficult situations, often embarrassed and only sometimes seeing the funny side of things — but it also shows ample warmth and acceptance. Anger and frustration bubble up on several occasions as the film touches upon issues of class, race and poverty, yet the characters are never meekly resigned their fate, nor are they despairing, self-pitying or defeated. With the type of care that only comes from having been there and done that, Forbes ensures that their perseverance remains their strongest element. You believe that times are tough, just as you believe they'll find a way to get through it all. The cast, understandably, is key, both young and old. Oozing the kind of naturalism most child actors lack, Wolodarsky's Amelia proves an ideal guide through the movie, though hers isn't the only impressive portrayal. As the younger Faith, Aufderheide is suitably innocent and mischievous in the way kids are, while Saldana simmers with the inner conflict that results from Maggie choosing the path of short-term pain for long-term gain. The movie belongs to Ruffalo, though, with his superb sliding from the manic to the depressive ends of the spectrum and back again. His isn't a performance made by the extremes, but of empathy for the moments in between, when Cam's good and bad days become one. Indeed, it is so easy to get so thoroughly wrapped up in Ruffalo's endearing turn that the film's few concessions to cliche in its style — handheld camera work, an upbeat soundtrack and heavy use of montages — are just as easily overlooked. Actually, they feel like they fit a movie that is slight but sweet in just the right proportions, and rather charming too.
All across New South Wales, stages are being swept, setlists are being finalised, speakers are being stress tested, and crowds are gearing up — all for the long-awaited return of Great Southern Nights in 2025. Great Southern Nights sees well over 300 gigs taking place in major cities across the state — stretching from Byron Bay to Broken Hill and beyond. The Central Coast, just north of Sydney, is one of the festival's main regions. If you're planning to head up for a gig or if you happen to be in the area between Friday, March 21 and Sunday, April 6, we've teamed up with Great Southern Nights to tell you when and where the hottest gigs are taking place and where to catch your breath between them. The Lineup So who is actually on the lineup? The highlight acts start with The Rions, hitting the stage at The Sunken Monkey in Erina on Saturday, March 22. The next day, Australian Idol star Marcia Hines takes the spotlight at The Art House in Wyong, a fittingly flashy venue for such a star. Later on, the fun returns to Erina in the form of indie trio Telenova on Thursday, March 27. That's not all — next on the roster is the ARIA-nominated Ngaiire, who will make a memorable appearance across Lake Macquarie in Warner's Bay Theatre on Saturday, March 29. And among the final weekend roster are two examples of what Great Southern Night does best: homegrown talent. The Art House in Wyong will set the scene for Troy Cassar-Daley while 90's Aussie rock icons Baby Animals bring the noise to Doyalson RSL on Friday, April 4, and Melbourne rock trio The Grogans end things with a show at Drifter's Wharf, Gosford on Sunday, April 6. Local Eats and Treats The Central Coast is a big place, so there are plenty of fantastic bars, cafes and restaurants to discover all over. However, allow us to offer some suggestions and hints to get you started. If you're near Erina, seek out the fine flavours of the Tuscan countryside at La Gioia; get a cosy garden meal and a boutique gin cocktail at Bar Botanica; or enjoy drinks by night and coffee by day at the Tame Fox. In Wyong, one of the most popular spots for patrons of all ages is the historic Wyong Milk Factory — it boasts breakfast and lunch menus (the former available from 7.30am and the latter from 10.30am), a kid's play area, the secluded Holy Cow Bar and a range of local dairy-based products for sale. Another favourite is Woodblock Bar & Grill, which dishes out hefty plates of comfort food for breakfast, lunch and dinner daily. Otherwise, Terrigal boasts one of the highest concentrations of quality restaurants in the area and is definitely worth a visit during your stay. [caption id="attachment_920860" align="aligncenter" width="1920"] Terrigal Ocean Tours[/caption] Things to Do and Places to See You'll need breaks between gigs of course, so where can you take some time off? The Central Coast is home to some of Mother Nature's most stunning and accessible sights spanning beaches, bushland and beyond. In addition to excellent dining options, Terrigal also stands out as one of Sydney's top seaside suburbs for visitors. Be it whale watching or a simple swim, this is one heck of a beach trip. Another divine coastal destination is Bouddi National Park, which traces the shoreline from Broken Bay to MacMasters Beach. Here, you can lace up the boots and hit a walking trail, pitch a tent and camp on one of its beaches and keep your eyes peeled for protected marine life, a shipwreck and more. Elsewhere, take a sunny boat tour on a working oyster farm (with tastings included) in Broken Bay, enjoy a close encounter with native wildlife at the free-range, heritage-listed Walkabout Wildlife Sanctuary or spend two-and-a-half hours scrambling, climbing and bouncing through the tree canopy at Treetops Adventure Central Coast. [caption id="attachment_947613" align="aligncenter" width="1920"] Crowne Plaza Terrigal Pacific[/caption] Where to Spend the Night Rest assured there are plenty of ideal overnight stays scattered around the Central Coast. If you're on a budget, the Pacific Highway offers motels aplenty, but if you're willing to splash a bit of cash, we have some suggestions. If you can't bear to part from the always-buzzing and beautiful Terrigal, Crowne Plaza Terrigal Pacific is your best bet. Just across the road from the water and with sunrise views to boot, it's one of the most luxurious stays in the area. With an onsite luxury restaurant, Meribella, offering breakfast, dinner and luxe set menus and the ground floor eatery Terrigal Beach House serving beers, snacks and seafood platters, you're certainly not going to leave hungry. Further north is another great pick that oozes luxury, Pullman Magenta Shores, resting between The Entrance and Soldier's Beach. This more secluded stay is easily accessed but further from any hustle and bustle, ideal for anyone seeking a bit of serenity. Though it's not far from the beach, Pullman Magenta Shores offers swimming, dining and relaxation en masse within its property. Rooms vary from villas to studios, and you'll have your pick of dining from two on-site venues for maximum convenience. If you want something a touch more rustic, the Central Coast is home to quite a few countryside stays in its western districts. Close to Wyong in the Yarramalong Valley is Lost Ranches Farmstay, a barn situated on 50 acres of historic farmland, perfect for larger groups who want to avoid staying within earshot of the action. Head out west even further, and you could end up glamping in Noonaweena to really get out into the wilderness of the Central Coast. Great Southern Nights is set to take over venues across NSW between Friday, March 21 and Sunday, April 6. Check out our gig guides for Sydney, Wollongong and Newcastle or visit the website for more information.
Treating yo'self hasn't been the easiest thing to do in 2020. For one week, however, Salt Meats Cheese at Gasworks is serving up a rather tasty menu that'll do the trick. That'd be its Truffle Week lineup, with truffles popping up in all kinds of dishes — including cocktails. From Monday, July 20–Sunday, July 26, SMC will be adding truffles to bruschetta, pizza and pappardelle — so that's three of the Italian eatery's staples covered. It'll also be whipping up wood-fired truffle brie, if you feel like getting extra cheesy with your truffles. And, because you'll need something to wash it all down with, truffle margaritas are also on offer. In Brisbane, Truffle Week is only taking place at the Newstead SMC venue. If you happen to find yourself on the Gold Coast during the seven-day period, it is also happening at SMC Surfers Paradise. And if you're wondering why SMC has suddenly gone truffle crazy, it's to celebrate the Australian truffle season. That's as good a reason as any, of course. Truffle Week runs from Monday, July 20–Sunday, July 26 at Salt Meats Cheese at Gasworks, Newstead.
It's a great time for stage versions of film and TV shows, or at least it is in Brisbane. A Back to the Future parody is coming, and so is an X-Files musical. But first? A bit of the old ultraviolence thanks to Alex DeLarge and the droogs. Yes, A Clockwork Orange was a novel by Anthony Burgess and an iconic film by Stanley Kubrick, and now it's a play at Brisbane Arts Theatre. Running on selected dates between January 6 to February 17, it's the story of disaffected youth and the state's response to anti-social behaviour, complete with a Beethoven soundtrack performed live. That's all well, good and exciting, but we heartily recommend heading along January 12, 19, 25 and 28, or February 2, 9, 15 and 17 if your diary permits it. Why? That's when A Clockwork Orange won't just bring the story to life in front of your eyes, but it'll also boast a female cast taking on the principal roles.
Stories about the world as humanity currently knows it ending, then those that remain endeavouring to cling to whatever life is left and make the most of it, aren't just stories of survival. As they fill screens big and small — be it in movies in the Mad Max and A Quiet Place franchises, or in TV shows like The Last of Us, Fallout, Station Eleven and Paradise, to name a mere few recent and diverse examples — they tell tales of needs, costs, threats, changes and choices. A sensation in the video-game domain since 2013, and as a HBO series from a decade later, The Last of Us knows that what it takes to endure, the price paid and the type of person that such an experience makes you all firmly beat at its heart. Adapted for television by Chernobyl's Craig Mazin, it's equally and just-as-acutely aware that the kind of new existence that should spring after apocalyptic horrors is as much its focus. There was no escaping those ideas in a TV smash that proved one of the best new shows of 2023 in its first season. There's no avoiding it in one of the biggest and most-anticipated small-screen returns of 2025, either (in a year that's been filled with huge comebacks so far, thanks also to Severance season two, the third seasons of The White Lotus and Yellowjackets, Hacks season four, plus Daredevil: Born Again as well). The Last of Us season two picks up five years after the events of season one, with Joel (Pedro Pascal, The Wild Robot) and Ellie (Bella Ramsey, Chicken Run: Dawn of the Nugget) engrained in the survivor community of Jackson, Wyoming — and with how to forge a path forward, and to create a better future for the younger generations navigating existence after the cordyceps infestation, as clear in its sights as a clicker spied through a rifle scope. For Gabriel Luna, season two is indeed a return. A star of Terminator: Dark Fate, True Detective, Agents of SHIELD, Matador and more before stepping into the shoes of Joel's younger brother Tommy, and seen in Fubar and heard in Secret Level since The Last of Us debuted its first season, he's back in a part that's stuck with him. "Even during hiatus, I never really felt completely removed from the flow of the story," he tells Concrete Playground. Accordingly, he's not new to pondering the show's depths, and also thinking about its true monsters — not clickers, aka the long-term infected after their exposure to the fungus that's largely wiped out the planet, but some of the people taking doing whatever is necessary to the extreme in the nightmarish situation that the likes of Joel, Ellie, Tommy and the latter's wife Maria (Rutina Wesley, Queen Sugar) have been weathering. As the second season unpacks Jackson's hard-earned new status quo — where post-pandemic normality is the aim, but guarded walls, patrol runs, trauma counselling, and other such security measures and coping tactics will never not be elements of the daily routine — Isabela Merced and Young Mazino are fresh to The Last of Us' realm. The former plays Dina and the latter is Jesse, both of whom will be familiar to anyone that's played The Last of Us Part II. Merced joins the series after 2024's Madame Web and Alien: Romulus, plus the movie adaptation of Dora the Explorer, featuring in Instant Family and Sicario: Day of the Soldado, and leading Nickelodeon TV series 100 Things to Do Before High School before that. Mazino's resume also spans back to 2013, as Merced's does, but he's best-known for Beef, which earned him an Emmy nomination for Outstanding Supporting Actor in a Limited or Anthology Series or Movie. [caption id="attachment_999544" align="alignnone" width="1920"] Scott Ehler, Max[/caption] As Dina and Jesse, Merced and Mazino find themselves thrust into season two's big schism, as Luna's Tommy also is. Gone is the surrogate father-daughter closeness that Joel and Ellie carved out in season one, with their relationship instead evolving into the frequent next step as children grow up: distance and rebellion, and a parent dismayed at their connection changing so drastically. Audiences know, of course, that's there's more to the tension between Joel and Ellie thanks to the events of the first season — thanks to decisions and actions that also link to fellow cast addition Kaitlyn Dever (Apple Cider Vinegar) as Abby. New faces (The Studio's Catherine O'Hara is another), both friends and foes; acrimony between a pair that earned their bond, and each other's trust, the hard way in season one; a love triangle; contemplating what type of community that Jackson wants to be; a quest for revenge; an early showdown with clickers: The Last of Us kicks off its seven-episode second season with all of the above. Before that even arrives, a third season was locked in, too. When Luna, Merced and Mazino travelled to Australia to help launch HBO's dedicated streaming platform Max Down Under — where you'll find The Last of Us season two streaming from Monday, April 14, dropping its instalments week by week — we chatted with the trio about where the new chapter takes the series, what excited Merced and Mazino about becoming a part of it, how Luna approached coming back, digging into those survivalist themes and facing down clickers, among other topics. On What Excited Merced and Mazino About Joining The Last of Us for Season Two — and the Unexpected Injuries That Came Along the Way Isabela: "Initially there's the pull of the massive, just enormous size of the show — and the amount of cast members, the amount of action scenes. That was the initial pull. And then with all of the writing, it's so deep and it's so much that you can chew on and really get yourself into and throw yourself into. I love how Craig writes his characters, so I was excited to just be one of those." Young: "Yeah, I second everything she just said. You can tell the writing's excellent in the first season, and so I was so excited to get to chew on those words. And it's fun. And the physicality of it, getting to do fun things like riding horses and shooting guns and running around fighting clickers." Isabela: "Oh that's right, you pulled a muscle." Young: "Yeah, yeah. My hamstring exploded in one scene and I think you can hear me going like 'aaaah' at the end of that — and I think they kept it in the episode, too. So good times, yeah." Gabriel: "I had almost pulled a quad, and then I remember, then I did pop my calf, I think. It's healed now." Young: "Yeah, you've got to warm up." Gabriel: "You've got to, but it's hard when it's so cold. I mean -20 degrees, it's hard to get warm." Young: "I'm just eating a sandwich on the steps of my trailer and they're like 'alright, you ready?' I'm like 'yeah'. And then next thing you know, I'm booking it like 15 times in a row." Isabela: "You're an athlete, too." On How Luna Approached Stepping Back Into Tommy's Shoes for the Second Time Gabriel: "Even during hiatus, I never really felt completely removed from the flow of the story. This just always — I just remained in contact with Craig and we'd talk a lot, and text about different things and ideas for the second season. And so even while off on other jobs, this job very much took up residence and has a lot of real estate in my heart and my mind, and I think about it a lot. So I went into it ready to get back to work. And I think some of that is being excited for what was to come. Knowing what happens in the second game as far as Tommy is concerned, it was all something that I had been champing at the bit to get back into anyway. We talked about all of our injuries, but just trying to stay as physically ready as I could, even though Craig was telling me 'you know what, you know you're 55 in this story, so you can't be in too good a shape'. I was like, 'well, that's where the acting will come in, because I don't want to die out there'. It was a lot, but I was, I felt, ready — and we were ready, and we got it done." On How Season Two's First Episode Sets the Scene for What's to Come Gabriel: "For Tommy, he is a new father. He's been forced to lock in — kind of a born to dilly-dally, forced-to-lock-in type of guy— but he's really taken on that role and those responsibilities willingly, with a lot of love and compassion for his family first, and then, of course, his community. So he's had to mature quite a bit. He and Maria have Benjamin [Ezra Benedict Agbonkhese, Snowpiercer], their son. And he's also a bit of the go-between and the mediator between a lot of elements of his family." Isabela: "[For Dina and Jesse] You kind of catch them in the middle of the love triangle. So yeah, you kind of feel that tension — and it's interesting because you leave the audience with a lot of questions, but they'll get answered." Young: "Yeah, you see the breadth of the aftermath of something that just happened, and we're stepping into this uncharted territory of what's to come." Isabela: "It was interesting as actors to sort of have to do that as a first scene together." Young: "Yeah, that's interesting — and it's clever, it's clever writing, too, to establish that so quickly, which I think people will see in the first episode." On Digging Into the Show's Themes, Including What It Means to Survive, What It Requires and Costs, and Building a New World Gabriel: "When preparing for the first season, I enlisted the help of my friend Jack Nevils, who trains army snipers, and he was our military consultant on Terminator: Dark Fate. And the one thing that he said to me very early in the process that stuck and resonated was 'you know, I've been in these places where when resources are low, people become monsters, and it happens very quickly — that descent happens swiftly'. And so it's kind of carrying that sense of the paranoia of a lot of the threats. The monsters are a known quantity; it's the people that you encounter, and their deception and their intentions and their designs, that you have to be wary of. I think I'm a very open person in my personal life, and very trusting and want to give people the benefit of the doubt, but I think within this world your senses are heightened and your awareness — I think it's important to open that awareness and to be able to clock the threats." Young: "I was just thinking, there's the world-building and the environment, but then I think it it's also important to look at the character. And I personally pull threads of very specific people that I know in my life, and kind of combine them to amalgamate into this character that I think would serve this story." Gabriel: "Yeah, and a good point — while they are the greatest threat, people, they're also the greatest resource. If you can find the right people and move together, yeah, that is how you survive." Young: "Community." On What Merced Draws Upon When Facing Clickers, Including in Season Two's First Big Showdown Accompanied by Bella Ramsey as Ellie Isabela: "That's kind of the first bit of clicker action we get in the series, is that — and I find it fascinating that I didn't know what to expect in the process, but I saw the clickers on that day for the first time, and the actors that are playing them are usually stunt people and they get them as close as possible to what you see on the show in the final result. So I got to see their real movements and their actions, and their general demeanour is so frightening, I think, because it's so unpredictable. They did a really good job choreographing them — and it's really, really fun. And as a fan of the game, just to see that in person, it's really cool. The Last of Us season two streams from Monday, April 14, 2025 Down Under, via Max in Australia and Neon in New Zealand. Read our review of the first season. Images: HBO.
If playing a musical instrument in public is on your bucket list, and breaking a world record as well, then the first event announced for Brisbane Festival 2023 other than perennial favourite Riverfire has you covered. 10,000 Kazoos is exactly what it sounds like, amassing 10,000 Brisbanites to get humming and hopefully go down in history. Never played a kazoo before? That doesn't matter. This kazoo orchestra will unleash its tunes on Saturday, September 23, on the last day of this year's Brisbane Festival, taking over Victoria Park. The greenery will indeed be alive with the sound of music, in a huge mass-participation that just might make the record books. [caption id="attachment_902496" align="alignnone" width="1920"] Michael Pham[/caption] That said, given that 10,000 Kazoos is popping up in Melbourne this winter as part of the Victorian capital's RISING festival, Brisbane's version will need to top whatever numbers its southern event pulls in. If you're keen to help, registrations to take part open on Sunday, May 28. And no, you don't even need your own kazoo. Biodegradable versions of the buzzing musical instrument will be provided to everyone on the day. Once you have one, you'll just pop it in your mouth and start humming, which is what makes the membrane of the kazoo vibrate. As well as the big performance, Brisbane Festival's newfound kazoo obsession will span free kazoo workshops in 20 or so spots around the city in order to help whip up the original composition that will be played by the 10,000 kazoodlers. Until a few years back, Brisbane Festival previously wrapped up with fireworks, rather than started with them — but this is bound to make a memorable closing concert. Wondering what else will pop up at this year's citywide arts and culture celebration? More news is on the way soon, and the full lineup will be revealed in July. [caption id="attachment_818960" align="alignnone" width="1920"] Victoria Park[/caption] Brisbane Festival 2023 runs from Friday, September 1–Saturday, September 23 all around Brisbane, with 10,000 Kazoos popping up at Victoria Park, Herston, on Saturday, September 23. You can register to take part from Sunday, May 28.
It isn't just traffic that will bring Brisbane's Story Bridge to a standstill in 2024. On one October Sunday, the famed river crossing will close to cars to become the site of a new nude photography work instead. Staging spectacular pieces filled with naked participants has long been Spencer Tunick's remit — and the New York-based artist has announced his next River City installation in advance of staging his first. On Saturday, November 18, 2023, Tunick is taking to numerous spots along the Brisbane River for a piece called TIDE, which forms part of this year's MELT Festival and was announced by Brisbane Powerhouse earlier in the year. Featuring around 150 people posing for the camera, that photography shoot is now considered a prequel for Sunday, October 27, 2024, when the Story Bridge will welcome thousands of folks sans clothes. [caption id="attachment_926438" align="alignnone" width="1920"] Cape Town, Spencer Tunick[/caption] "This challenging work on the Story Bridge marks the second in my two-part series in Brisbane scheduled one year apart, in 2023 then 2024. It is the first time I have ever worked on installations with the same institution for an extended two-year project. This will allow me to deeply explore the city, its light, environment and its people," said Tunick. "The series will hopefully speak to diverse groups of people, and everyone navigating their way through the difficult challenges of our current world. It is a privilege to be making art that centres around the LGBTQIA+ community with all its beauty and vibrance." [caption id="attachment_926440" align="alignnone" width="1920"] Lyon, Spencer Tunick[/caption] The Story Bridge piece will form part of Melt Open, an expansion of Brisbane Powerhouse's LGBTQIA+ arts and culture festival that'll debut next year. The broader fest is a fringe-style open-access event that, like MELT first, champions diversity. So has Tunick's work for decades, whether he's been in the Whitsundays with almost 100 Aussies in 2019 or briefly turning Bondi into a nude beach in 2022. Tunick initially turned his lens Australia's way in 2001 in Melbourne, when 4500 naked volunteers posed for a pic near Federation Square as part of the 2001 Fringe Festival. Since then, he's also photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras, then returned to Victoria in 2018 shoot over 800 Melburnians in the rooftop carpark of a Prahran Woolworths. Elsewhere, Tunick has photographed the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK. The list goes on, with more than 100 temporary installations on his resume since 1992. [caption id="attachment_926441" align="alignnone" width="1920"] Melbourne, Spencer Tunick[/caption] "This major Tunick installation featuring thousands of nude bodies on the landmark Story Bridge is a visual expression of the diversity and inclusion that Brisbane's new LGBTQIA+ festival, Melt Open, aims to deliver across the city," said Melt Open Executive Producer Pieta Farrell. Brisbanites, or anyone who's keen to disrobe on the Story Bridge for a new piece of art, can put their hand up to join in — with the call for volunteers open now. And Tunick does indeed mean anyone, because there's no limit to the number of people who can take part. If you're not usually located in Brissie and you'd like to get snapped, you will need to travel at your expense. Successful applicants will be informed via email a few weeks prior to the shoot. [caption id="attachment_926442" align="alignnone" width="1920"] Jay Cull[/caption] Spencer Tunick's 2024 Story Bridge installation will take place on Sunday, October 27, 2024 during Melt Open. Head to the Brisbane Powerhouse website to register to take part. TIDE will be shot on Saturday, November 18, 2023 along the Brisbane River as part of MELT Festival 2023, which runs until Sunday, November 26 at Brisbane Powerhouse. For more information or to buy tickets, head to the fest's website now. Top image: Gateshead, Newcastle, England by Spencer Tunick.
At two of the world's most-prestigious film festivals, prizes are awarded to the best queer movies on the lineup. Not all cinephiles can attend Cannes and Berlinale, so Australia's Mardi Gras Film Festival is bringing LGBTQIA+ flicks from both 2024 fests Down Under in 2025. Romania's Three Kilometres to the End of the World won the Queer Palm. The Istanbul-set Crossing took home the Teddy Jury Prize in Berlin. They're both highlights of the just-announced MGFF program, which has a date with Sydney cinemas in February — and boasts a roster of almost 150 flicks. The movie-loving component of the Sydney Gay and Lesbian Mardi Gras, MGFF wants audiences to enjoy its feast of LGBTQIA+ films on the big screen if they can. The bulk of the lineup will hit picture palaces across Thursday, February 13–Thursday, February 27, at venues including Event Cinemas George Street and Hurstville, Dendy Newtown, Ritz Cinemas Randwick, the State Library of NSW and The Rocks Laneway Cinema. For those who can't make it in-person, there's also a small-screen component, streaming a selection of titles on-demand nationwide from Friday, February 28–Monday, March 10. If you're hitting up movie theatres, award-winners aren't Mardi Gras Film Festival's only drawcards. On opening night, coming-of-age tale Young Hearts will start the proceedings with a story of romance in rural Belgium, while French standout Somewhere in Love is doing the honours to close out the physical event. In-between, viewers have 72 sessions to choose from, complete with the world premiere of In Ashes from Denmark-based filmmaker Ludvig C Poulsen; South Korea's Love in the Big City; the Alan Cumming (Schmigadoon!)-starring Drive Back Home; and Ponyboi, which features Australian actor and The White Lotus favourite Murray Bartlett (The Last of Us). Or, catch Any Other Way: The Jackie Shane Story, which tells of its namesake's tale from her 50s Nashville success through to disappearing from the public for four decades; Aussie effort Heart of a Man, about a closeted Indigenous boxer; period drama Lilies Not for Me with Fionn O'Shea (Masters of the Air) and Robert Aramayo (The Lord of the Rings: The Rings of Power; Duino, a semi-autobiographical effort about an Argentinian filmmaker working on a movie about his first love; and the Venus Xtravaganza-focused I'm Your Venus, which is a must for fans of Paris Is Burning. That's just a taste of the program, which spans Aussie festive slasher Carnage for Christmas, Nina Hoss (Tár) in Foreign Language, a documentary about Ani De Franco, Brazilian drama Streets of Gloria and more, too. Blasts from the past come courtesy of a free screening of The Birdcage, plus a 20th-anniversary session of Imagine Me & You (featuring Lena Headey long before Game of Thrones), with both showing under the stars. If you'd like to don a habit, croon tunes in a cinema or both, Sister Act is getting the sing-along treatment. And from the 70s, Scarecrow in a Garden of Cucumbers — which is one of the first-ever trans-led feature films — is making its Sydney premiere. Cabaret is also on the bill, a fitting choice given that documentary Liza: A Truly Terrific Absolutely True Story is on the lineup as well — gifting Liza Minnelli obsessives a double feature. Movie buffs eager to check out the online program from their couch can look forward to the aforementioned Drive Back Home and Heart of the Man; a doco about activist Sally Gearhart; Unusually Normal's factual portrait of a family that includes two lesbian grandmothers, four lesbian mothers and one lesbian granddaughter; and a blend of fiction and reality with 2024 Sundance Special Jury Award-winner Desire Lines, among other titles. A number of shorts programs will be available to stream, too, with packages devoted to Asia Pacific, transgender and gender diverse, queer horror, queer documentaries, sapphic and more. Black Doves' Ben Whishaw pops up in one of the gay shorts, while Hacks' Megan Stalter appears in one of the films in the comedy lineup. 2025's MGFF marks Festival Director Lisa Rose's last at the helm. "The film industry has changed dramatically throughout my time with Queer Screen. The volume of LGBTQIA+ content we see, as well as how and where we see it, continues to evolve," she notes. "Yet the sense of belonging that comes when the lights dim and a room full of queer people experience a queer story together remains a constant. Even when a film has the audience divided, the feeling of community that envelops us is unifying." Queer Screen's 32nd Mardi Gras Film Festival 2025 runs from Thursday, February 13–Thursday, February 27 at venues around Sydney — and online nationally from Friday, February 28–Monday, March 10. For more information, visit the festival's website.
If a warm glass of sauvignon blanc at your local pub isn't your ideal post-work tipple, then follow us. Those magical hours before dinner are treasured in the Italian culture, and Brisbane is starting to follow suit. While the classic Aperol spritz has proven a great pre-meal staple — just look for the crowds of punters clutching those distinctive, blush-toned cocktails — it has company. There are more tasty tipples in store for those keen to broaden their horizons. And we've rounded up the bars serving them. From cheap spritzes to free snacks, these are our favourite (and best value) aperitivo hours around Brisbane.
When Marc Grey and Steve Maiden launched their first venue in Fortitude Valley's California Lane, they leaned into Grey's fondness for comic books, theming 22-seater 1st Edition around caped crusaders in its decor and menu. Less than two years later, they've added a second venue to the same stretch of pavement off McLachlan Street, and have also gone all in on a concept. Indeed, Viva La Cali couldn't be in the more perfect location. California Lane was always going to welcome a California-inspired joint at some point, and Viva La Cali is that place. It sees Grey (Destino Sanctuary Cove) and chef Maiden (Baja Fortitude Valley) team up with fellow hospitality figure Morgan Webster to celebrate the cuisine and vibe of southern California — and, reflecting the region, to mix dishes from Central and South America into the menu as well. At this bar and restaurant, diners can chase an endless summer to match Brisbane's usually sunny climate. The palm tree-heavy artwork by Steen Jones, which wraps around one side of the venue including under the bar, heartily champions that mood. So does the setup in the 80-square-metre space, thanks to an openair and undercover abode that caters to 50 folks seated — including at a sizeable communal high table — or 70 cocktail-style. The menu unsurprisingly heroes tacos while also getting creative. A banh mi-inspired taco made with pulled chicken, pickled veg and chicken pate tops the must-try list, alongside pork jowl with fermented cabbage, apple wild rice and smoked yoghurt; fish ceviche with cucumber, pickled jalapeño and pomegranate; and beef carnitas with pineapple habanero salsa. Diners can also pick snacks such as Peruvian empanadas, beef tartar with egg yolk and Viva La Cali's take on popcorn chicken with chimichurri. Short ribs, wagyu smoked in-house with cherry and apple wood (then paired with cactus salsa), and spiced eggplant with cacao mole are highlights among the bigger dishes, while the dessert options include picarones, aka crispy fried Peruvian doughnuts. To wash all of the above down, margaritas are Viva La Cali's signature sip from a tequila-centric drinks list. Whether you go with the classic sip whipped up with house-made orange bitters, a version with coffee lime agave or a Tommy's, you'll be picking from a range featuring tipples that require a comprehensive gastro process to come to fruition — a source of pride for the venue's team. Among the standouts: the Watermelon Margy Hiiiii, made with house-made watermelon cordial and a natural watermelon rind sour strap; the Bugs Bunny Margarita, which uses house-made sour carrot juice; and chilli mango coconut slushies. Operating Wednesday–Sunday, Viva La Cali will also do $79 two-hour bottomless margarita and bottomless taco sessions on Sundays, and host California Lane laneway parties with live music, and local chef and kitchen takeovers.
When Halloween falls on a Saturday, there's always the urge to start off the spooky celebrations a day early. And when you have the ideal venue for such a party — aka a hotel, which at this time of year we'll say is haunted in hopes of reliving The Shining — then fighting that temptation seems pointless. In throwing their annual Halloween event, the gang at the Limes clearly feels the same way, as they should. This year, due to popular demand, they're doubling up the devilishness and making their ode to the eerie a two-day affair. That means the same number of options await keen patrons: choose the night that suits you best, even if it is the evening before the real deal — or head along to both. Either way, you'll find cauldron cocktails, deadly shots, prizes for the best dressed and barkeeps raised from the dead (or staff pretending that they are, but in the name of the occasion, we'll go along with it).
First, you watch Rings. Then, your interest in the franchise quickly dies. That's what happens when someone unleashes a video no one really wants to see, right? If the Ring series has taught us anything, it's that unpleasant content always sparks a nasty end — and that's exactly what happens here. In a way, the saga's own rules explain why these movies keep coming, except for the fact that creating a copy is supposed to stop something bad from happening. In this case, it just makes things even worse. Odds are, you should already have some idea as to what this movie is about. Maybe you saw Naomi Watts in 2002's The Ring and its lacklustre 2005 sequel. Maybe you're familiar with the (superior) Japanese original from 1998, Ringu, and the numerous spinoffs that followed on from that. Perhaps you're even aware of the Korean remake The Ring Virus or the recent crossover with The Grudge franchise Sadako vs. Kayako. Point is, the premise remains much the same in every single one: unsuspecting folks press play on a creepy video tape, a phone call delivers a seven-day deadline, and the long-haired Samara (now played by Bonnie Morgan) starts wreaking havoc once time runs out. Finding a VCR at a flea market, college professor Gabriel (Johnny Galecki) and his student Skye (Aimee Teegarden) are the latest to let the unhinged ghost loose, turning it into a research project about the existence of the soul. Freshman Holt (Alex Roe) gets himself caught up in the mess, and is soon counting down the days as well. Enter his worried hometown girlfriend, Julia (Matilda Lutz), who decides to get to the bottom of the whole unsettling business. Wait, didn't the first two American Ring flicks involve a feisty female trying to thwart death by investigating Samara's background? Yes, yes they did. Doing the same thing over and over is what horror sequels are usually about, so the fact that this F. Javier Gutiérrez-directed effort retraces the same path is hardly a surprise. Indeed, there's basically nothing surprising about this film, other than Vincent D'Onofrio showing up to deliver some exposition. When you're trying to elicit scares, that's a problem. Cue the same tape and the same journey, shot in a style that makes the entire movie look like a digital copy of better material. A video-within-a-video of extra spooky visuals taunt Julia and company, and an expanded backstory tries to explain Samara's actions even further, but both just typify the filmmakers' underlying "more is better" line of thinking, and neither device manages to amp up the scares or the intrigue. Nor does updating the concept for the modern day. Seeing Samara on in-flight screens and smartphones, and watching people duplicate files rather than tapes, still ultimately smacks of more of the same. Even more infuriating is the fact that Rings is blatantly setting the scene for more unwanted chapters. That means that the 102-minute revisit isn't just a routine rehash — it's filler designed to work up a frenzy for something that might never actually get made. Keeping audiences hanging for future fare rather than bothering to really entertain them this time around might be common in an era of endless, interconnected superhero movies, but here, it's a bigger drag than Samara's limp locks.
Just days out from taking to the stage together for the first time in more than a decade and a half, Oasis have given fans Down Under a gift: releasing more tickets for their spring 2025 shows in Australia. The Manchester-born band is kicking off their Oasis Live '25 tour in Cardiff, Wales on Friday, July 4, but have dates with Melbourne from the end of October and Sydney in November — and if you haven't already nabbed tix to those Aussie gigs, you've got another chance to get some. On sale now: tickets that were held for the production for Oasis' three Victorian and two New South Wales concerts. The group is playing Marvel Stadium in Melbourne across Friday, October 31–Saturday, November 1, then again on Tuesday, November 4. In Sydney, Liam and Noel Gallagher and company will hit up Accor Stadium on Friday, November 7–Saturday, November 8. [caption id="attachment_975640" align="alignnone" width="1920"] Batiste Safont via Wikimedia Commons.[/caption] Given how popular these gigs were when they were announced in 2024 — so much so that extra concerts were quickly added, and Melbourne's shows were declared a major event, meaning that they'd fall under anti-scalping laws — getting in ASAP is recommended. This year marks 20 years since Oasis last toured Australia. There's comeback tours and then there's Britain's most-famous feuding siblings reuniting to bring one of the country's iconic groups back together live — aka the biggest story in music touring of the past year, since Liam and Noel announced in August 2024 that they were reforming the band, and also burying the hatchet. View this post on Instagram A post shared by Live Nation Australia (@livenationaustralia) Initially, Oasis locked in a run of shows in the UK and Ireland. Then, they expanded their tour dates, also confirming visits to Canada and the US, plus Australia, Japan, South Korea, Argentina, Chile and Brazil. Oasis broke up in 2009, four years after their last Australian tour, and following seven albums from 1994's Definitely Maybe through to 2008's Dig Your Soul — and after drawing massive crowds to their live gigs along the way (see: documentary Oasis Knebworth 1996). If you're feeling supersonic about the group's reunion, you can likely expect to hear that track, plus everything from 'Live Forever', 'Cigarettes & Alcohol', 'Morning Glory' and 'Some Might Say' through to 'Wonderwall', 'Don't Look Back in Anger' and 'Champagne Supernova' when they hit Australia. [caption id="attachment_975202" align="alignnone" width="1920"] Simon Emmett[/caption] Oasis Live '25 Australian Dates Friday, October 31–Saturday, November 1 + Tuesday, November 4 — Marvel Stadium, Melbourne Friday, November 7–Saturday, November 8 — Accor Stadium, Sydney [caption id="attachment_975205" align="alignnone" width="1920"] Oasis Knebworth 1996, Photo by Roberta Parkin/Redferns[/caption] Oasis are touring Australia in October and November 2025, with tickets on sale now. Head to the tour website for more details. Top image: Simon Emmett.
When you drink a spritz, it might get you dreaming of Italy, the country that gave the world the summery tipple. Sip one of the cocktails at South Brisbane's Como and you'll definitely be thinking about the other side of world. A ten-option spritz menu that themes its sips around different Italian regions — Venice, Rome, Milan, Sicily and Bologna included — will do that. As its name makes plain, this spot takes inspiration from a specific part of the European country in general: Lake Como. Cue Euro summer vibes all year long and no matter the weather in Brisbane or in Italy, all on Melbourne Street. Seasonal produce is in the spotlight, with the small bites beginning with oysters, sago chips, crispy polenta with mushroom, pan brioche with raw kangaroo loin, fried calamari and caviar. There's also a selection of cured meats and focaccia, which are recommended to be paired. Or, from the antipasto range, tuck into beetroot tartare and yuzu-marinated swordfish. Among the pastas, spaghetti champagne lobster stands out, albeit with a hefty price tag to match; pappardelle with wild boar ragu and rigatoni with mussels will also tempt your tastebuds. For mains, porchetta, duck breast and market fish sit alongside two types of wagyu and dry-aged black angus sirloin. And as for dessert, watermelon yoghurt, raspberry sorbet and cheese all feature. If you can't choose what to eat, two degustation menus are on offer, including one for groups that spans six courses for $110 a head and an eight-dish feast that'll set you back $149 per person. Pizzas are available for takeaway via the restaurant's Fish Lane entrance all day from Tuesday–Sunday, while Como's bar also operates from open till close six days a week. But for dining in, you'll need to make a date for lunch from 12–2.30pm and dinner from 5.30–9.30pm. As well as spritzes, Como's drinks selection boasts multiple takes on the negroni, classics on request, non-boozy cocktails and eight pages of wine choices — with Italian, Australian, New Zealand, French, American and Spanish drops all getting their own menu sections. The mood is refined but laidback, encouraging patrons to while away their visit with their nearest and dearest. You can start at the bar, then settle in at a table. Also, if you let the staff know when you book, Como will cater to your timing if you're heading in before seeing a show somewhere around South Bank.
You should never be too far away from German beer, huge plates of pork and salty pretzels — or that seems to be Brisbane's new motto, at least. Just weeks after Munich Brauhaus opened its doors in South Bank, and a year after The Bavarian set up shop in Chermside, the city has now welcomed another huge Deutsch-themed haunt: the Bavarian Beerhaüs in the King Street precinct. Along with Bavarian Bier Cafe at Eagle Street Pier, the whole lot are run by Rockpool Dining Group, if you're wondering who's responsible for this tasty German onslaught. For the company's latest effort, it has set up a 350-seat beer hall that takes inspiration from its RNA Showgrounds setting, all within the old Royal Snack Bar. Yes, that means brews paired with carnival-style food — as well as the expected pork overload, of course. Opening its doors on May 24, the Bavarian Beerhaüs boasts 40 beer taps pumping out a range of German draught beers, which the venue claims is the largest selection in Queensland. A selection of Australian craft beers is also on offer for those sipping brews in the 150-seat beer garden — or thirsty patrons can opt for a sizeable range of schnapps, espresso martinis on tap or frozen margaritas. Food-wise, there are two components to the menu. Firstly, German-style dishes such as pork knuckle, pork belly, schnitzels, sausages and shared meat platters feature heavily, alongside barbecue fare like coffee-spice rubbed pork ribs and spice-rubbed wagyu. If it's something Ekka-style that you're after, however, then tuck into dagwood dogs, chicken wings, hot dogs, loaded fries and even a strawberry sundae. Even better — complimentary snacks, including mini loaded fries, dagwood dogs and chicken wings, are available with drinks between 4-6pm daily. The entire place blends its brewhouse vibe with modern touches — think concrete, brick walls, an exposed ceiling and vintage decor — and throws in plenty of activities to keep the fairground theme going. Weekly ping pong tournaments, trivia nights, comedy and games afternoons are all part of Bavarian Beerhaüs' regular entertainment lineup, with two days of partying getting things started across May 26-27. That includes a two-day beer carnival, plus two days of 10-cent chicken wings and $2 hot dogs as well. Find The Bavarian Beerhaüs at Shop 6, 45 King Street, Bowen Hills. Drop by seven days a week from 11am, or head to the venue's website for further details.
If you're not fond of cooking every night of the week, chances are you've relied upon food delivery services a little more than usual in 2020. With heading out to eat off the cards during Australia's nationwide lockdown earlier in the year — and throughout Melbourne's current strict stay-at-home restrictions as well — being able to get meals brought to your door has been a key coping tool. You might not be able to physically go to your favourite eatery, but you can still tuck into its dishes. For three days next week — from 12.01am Tuesday, September 29–11.59pm Thursday, October 1 — you'll also be able to get those bites to eat without paying for delivery. Across that 72-hour period, Menulog is hosting its first Menulog Free Delivery Fest. And yes, it's all there in the name. You'll still have to pay for your food, obviously, but you won't have to fork out a single cent to get it delivered. And, the deal applies to every Menulog-delivered order except KFC, so you'll have plenty of dishes to choose from. To nab free delivery, you'll need to order between the above dates and times via the Menulog app and the Menulog website. Restaurants taking part will have a free delivery icon on their Menulog listing, too — with the Menulog Free Delivery Fest running in New South Wales, Victoria, Queensland, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory. The Menulog Free Delivery Fest runs from 12.01am Tuesday, September 29–11.59pm Thursday, October 1 via the Menulog app and the Menulog website.
It's no secret we love a swimming hole. From Sydney to Melbourne to Brisbane and even over to Perth, we spend our spare January days driving in search of a swimmable body of water, and the other seasons eagerly awaiting the ripeness of summer. And the best part is that this country is full of swimming spots unique to our sunburnt landscape, both on rugged coast and hidden inland among bush and desert rocks. Caroline Clements and Dillion Seitchick-Reardon visited a whole heap of them as 'research' for their book, Places We Swim. While the book collates handy information about 60 pools, lakes, beaches and gorges across the country, here, they detail five of the stunning spots that you should most definitely plan a road trip around before summer ends. Recommended reads: The Best Australian Beaches The Best Australian Islands to Visit Anytime of the Year The Best Glamping Spots in Australia The Best Pet-Friendly Hotels in Australia Clarence Dam, Blue Mountains, NSW Dressed in native gumtrees, the landscape here feels like true blue Australiana. Around Christmas time, the tea tree near the waterline turns white, like it's somehow snow-covered in the middle of summer. The reserve is home to two disused railway dams (that feel like lakes) built to supply water for steam engines, and is still bordered at the north side by a functioning western railway corridor. But the Crown Land area is now used mostly for public recreation such as bushwalking, rock climbing, canyoning and swimming. Swimmers are in for a treat. Huge pieces of ironstone protrude out of the water in soft shapes of all sizes, like artful, abstract sculptures. It's not the water that makes this swimming hole great, it's the rock. Some have an architectural quality, which starts to make a lot of sense when we remember we were brought here by an architect. The water is cool and deep, and we swim from a low entry point over to a large ten-metre-high wall. The drop is sheer; it's also a rite of passage for local teenagers. We're about 20 years older than most, but we take the deep plunge into the cool freshwater below, slapping the water with our feet first. In other sections there are rope swings tied to tree branches at different heights, but this is no amateur set-up. There are various jumps that range from your standard rope swing to full-on carnival trapeze, none of which should be taken lightly. If jumping isn't your thing, floating down the river in an inflatable ring might be. How far? The dam is located in the Blue Mountains, close to Lithgow — about a two-hour drive from Sydney. Little Blue Lake, Mount Gambier, South Australia The pool sits in an unassuming paddock about 15 kilometres south of Mount Gambier, looking a little lonely and out of place. It makes more sense when you learn that Baby Blue is a sinkhole, formed by the gradual collapse of an underground cave. The pool has an average depth of about 35 metres and it isn't unusual (but it is a little creepy) to see the odd diver suddenly emerge from below. In fact, this area is one of the best inland diving destinations in the world, with a Swiss-cheese network of 500 underground caves and 50 sinkholes to explore. For our purposes, however, surface swimming is just about the right speed. Sheer 10-metre limestone walls make this an iconic South Australian jump and a rite of passage among locals. Like many places, signs forbid jumping here and there are murmurs of council-enforced fines, though nobody seems too concerned. Jump at your own discretion. Alternatively, take the steps down from the carpark side of the pool to a shiny new pontoon. This makes for a more gentle entry and is an easy introduction to the cool water. A few natural terraces extend back towards the road, providing a great vantage to sit and watch, like a swimming amphitheatre. How far? The lake is located just south of Mount Gambier — about a five-hour drive from both Melbourne and Adelaide. Josephine Falls, Wooroonooran National Park, Queensland It could only be described as lust when we laid eyes on this series of tiered granite rock pools and waterfalls just south of Cairns in Wooroonooran National Park. This lush mountainous land, right on the coast, covers 75,000 hectares of the Bellenden Ker Range and forms part of the Wet Tropics World Heritage area. The range includes Mt Bartle Frere, Queensland's highest mountain (1622 metres). Josephine Falls sits at the base, with a constant flow from streams that cascade down the mountain, creating some of the cleanest waterways in the world. There are three spots to stop along this boardwalk. The first is where you get in to swim. We find people sitting and chatting in crystal clear shallow pools, while others laze on big boulders in the dappled light. The biggest rock pool has a sandy bottom and is bordered by a giant piece of slippery granite that people are queueing up at to slide down, some wearing inflatable iced strawberry doughnuts. Scrambling further up takes you to more rocky slides into smaller pools, and families splashing about and fishing for yabbies. The second stop is a deck that looks over the rock pools onto swimmers below. Continuing along the rainforest walk takes you to the third stop, a large viewing platform looking up to a flowing waterfall with a deep plunge pool. It's probably the most impressive of them all but, unfortunately, is not open to public swimming. How far? The falls are located in Tropical North Queensland — about an hour south of Cairns. Bushrangers Bay, Mornington Peninsula, Victoria This basalt coastline is quite unlike anywhere else in the area, or even the state. Volcanic black rocks emerge from clear blue water. Deep pools are filled at high tide and slowly warm throughout the day. It has a distinct look and feel, so you can imagine how our eyes popped out of our heads when we saw this secret spot featured in the 2009 film adaptation of Where the Wild Things Are. Indeed, it seems like a natural place for a wild rumpus, and you will see lots of kangaroos if you arrive early in the morning. Don't be surprised to see waves exploding onto the beach, as it is exposed to a constant barrage of swells from the south. We prefer the safety and beauty of the nearby tidal rock pools. Follow the beach east towards the rocky headlands. The most prominent feature is Elephant Rock and the best pools are distributed around its base, on the left-hand side. Water is always clear here and often a few degrees warmer than the ocean – Victoria's version of a spa bath. Remember, this is a low-tide-only spot, so take a moment to make sure that rogue waves aren't crashing into the pools before jumping in. Otherwise you may suddenly find yourself inside a washing machine or heading out to sea. How far? The bay is located on the Mornington Peninsula — about an hour and a half from Melbourne. Emma Gorge, The Kimberley, Western Australia The dramatic Emma Gorge falls pour over a 65-metre-high cliff into a large plunge pool, punctuating the end of the 1.6-kilometre hike in. The track begins at Emma Gorge Resort, and winds past the deep Turquoise Pool (also a great spot to swim, which we take note of for later) before arriving at the falls. The water is refreshingly cool, shaded by the looming cliffs for most of the day. Tourists dribble in and out, dropping piles of clothes on rocks as they stare up at the falls in awe before shocking their hot, sweaty bodies with the water's cool, pristine touch. The plunge pool is deep and wide with a rocky bottom, but the water is so clear and fresh, you could drink it. We bliss out for a few hours before making out way back along the track past Turquoise Pool, where we take another plunge. The surface water here is lit up by the sun, giving it the turquoise colours it's named for, while people gather at the fringes to cool off. A rock jump begs us to plunge from a height rather than scramble over a slippery entry. Emma Gorge is one of the most incredible places we've been, even late in the season when the water isn't flowing at its best. How far? The gorge is located just west of Kununurra — about halfway between Broome and Darwin. This is an edited extract from Places We Swim by Caroline Clements and Dillion Seitchick-Reardon, published by Hardie Grant Travel. Images: Dillon Seitchick-Reardon.
For years, saying hola to a Mexican bite to eat at South Bank has meant visiting a colourful corner of Little Stanley Street. Mucho Mexicano's South Brisbane store might be no more, but Latin American cuisine will still be on the menu at the same abode from early spring 2024. This time, you'll be visiting Poca Madre, which is giving its site a pink-coloured and desert-themed makeover while keeping the focus on Mexican fare. Alemré Hospitality Group remains at the helm, just refreshing the prime location by launching a new restaurant concept. The 200-seat space will even have the right drink to match its hues: Don Julio Rosado, a pink tequila that's been aged in ruby port wine barrels. Getting sipping here is an attraction all of its own, complete with a standalone margarita bar — called The Margarita Bar — pouring piña margaritas, guava margarita and other cocktails. You can make a date solely with the watering hole, or enjoy beverages from it at Poca Madre. Also on the list at the latter: Mexican beers. If you prefer agave, that's another highlight at the restaurant, with nine Mexican distilleries providing drops. Yes, there's tastings, whether you're keen to just give one a try of knock back a flight of three different kinds. For diners with rumbling stomachs, Alemré Group Executive Chef Adam Starr has curated a culinary lineup that's all about the flavours that are synonymous with Mexican food. Across a menu that includes small plates, snacks, tacos and mains, must-try dishes include twice cooked slow-roasted brisket on corn tortillas with queso fresco and bone broth, pasilla chilli-marinated roasted chicken breast with confit tamale and a chicken jus, and wild mushroom tacos with porcini crema. Or, start with jalapeño and manchego croquetas, give the prawn cutlets pan-roasted in sweet chilli miso tamarind butter a whirl, opt for rib-eye tacos, then try the salmon baked with an epazote crust. Churros are among the dessert picks, as are chocolate lava cake and fresh fruit to dip in chocolate. Wondering about the name? It means "awesome" or "impressive", which is what the Alemré crew hope that Brisbanites will think of the venue. Find Poca Madre at Shop 15, Little Stanley Street, South Brisbane, from early spring 2024 — operating 11.30am–9pm Sunday–Thursday and 11.30am–10pm Friday–Saturday. Head to the venue's website for more details.
There's something about the colder months of the year that seems to make late-night dining, art and music illuminated by neon lights the best thing you can do with your time in Australia. Sydney calls it Vivid, Melbourne calls it RISING, and it was only a matter of time before Brisbane followed suit, adapting a typically springtime event for the winter season. Earlier this year, news broke that Night Feast, which debuted back in 2023 and has typically been an event for the defrosting months, would return in the depths of winter this year. As such, you'll be fighting the colder nights with warmer plates and brighter lights in the Brisbane Powerhouse precinct. But as of today, we know at least one of this year's headline events is taking place during daylight hours. [caption id="attachment_1088055" align="aligncenter" width="1920"] Atmosphere Photography[/caption] That headline occasion is Better Off Red, a decadent, one-day-only long lunch organised in partnership with Bosco and Blackbird Bar & Grill taking place on Sunday, August 16. Unfolding on the Performance Lawn space in the Powerhouse grounds, the event promises bold flavours, breathtaking performances and artful theatrics — all in the name of celebrating all things crimson. The menu, designed to be shared and enjoyed slowly by Simon Hill and Jake Nicholson of Bosco and Blackbird, respectively, follows that theme with fiery dedication. Expect jamón serrano with fire-roasted peppers and migas, grilled tiger prawns with romesco and chorizo glazed in hard cider, Angus rib eye carved off the bone with red wine jus and wood barbecued cumin-spiced spring lamb with quince and mint, all balanced by and paired with seasonal accompaniments poured by D'Arenberg wines. [caption id="attachment_996709" align="aligncenter" width="1920"] Blackbird Bar & Grill[/caption] As Simon Hill explains, "As if Night Feast wasn't indulgent enough, Better Off Red is an opportunity to push things even further. By bringing together the very best of Bosco and Blackbird and dialling every culinary element up to its fullest expression, Better Off Red will be a bold, multi-sensory food and wine experience that's set to become a true centrepiece of the festival." Introducing the theatrical components of the event, Louise Bezzina, CEO and Artistic Director at Brisbane Powerhouse, says, "For my first season at the helm of Night Feast, we wanted to challenge the traditional festival format by introducing a truly visceral, daylight dimension to our program. 'Better Off Red is more than a long lunch; it is a theatrical collision of fine dining and performance art that embodies the Night Feast spirit, even under the midday sun." [caption id="attachment_972439" align="aligncenter" width="1920"] Markus Ravik[/caption] Better Off Red will take place from 12–3pm on Sunday, August 16, tickets are on sale now. For more information on Night Feast, visit the website.
John Malkovich took time off from being John Malkovich to be Everyone Else for a change. Shot by Sandro Miller in Los Angeles, a new series of photographs dubbed Malkovich, Malkovich, Malkovich recreate some of the most iconic portraits in recent history — from John and Yoko to Che Guevara, Dorothea Lange's Migrant Woman to Andres Serrano's Piss Christ. According to the exhibition statement, Miller decided to undertake the project in 2013, wanting to honour the photographers whose work had inspired him and shaped his career. After selecting thirty five images to recreate, Miller got in touch with his ol' mate Malkovich — who apparently immediately agreed. "John is the most brilliant, prolific person I know," says Miller. "His genius is unparalleled. I can suggest a mood or an idea and within moments, he literally morphs into the character right in front of my eyes. He is so trusting of my work and our process… I'm truly blessed to have him as my friend and collaborator." All at once creepy and genius with Malkovich rocking an excellent Marilyn and a spot-on Dali, the series is actually less about Malkovich than it is an homage to the photographers responsible for the portraits themselves: Dianne Arbus, Annie Leibovitz, Art Shay, Dorothea Lange, Alberto Korda. That being said, it's supremely satisfying to see Malkovich in dress-up like this — his Jack Nicholson and Albert Einstein are top notch. Sandro Miller, Albert Watson / Alfred Hitchcock with Goose (1973), 2014 Sandro Miller, Philippe Halsman / Salvador Dalí (1954), 2014 Sandro Miller, Alberto Korda / Che Guevara (1960), 2014 Sandro Miller, Andy Warhol / Green Marilyn (1962), 2014 Sandro Miller, Andy Warhol / Self Portrait (Fright Wig) (1986), 2014 Sandro Miller, Annie Leibovitz / John Lennon and Yoko Ono (1980), 2014 Sandro Miller, Arthur Sasse / Albert Einstein Sticking Out His Tongue (1951), 2014 Sandro Miller, David Bailey / Mick Jagger "Fur Hood" (1964), 2014 Sandro Miller, Herb Ritts / Jack Nicholson, London (1988) (A), 2014 Sandro Miller, Andres Serrano / Piss Christ (1987), 2014
