In a city where coffee reigns supreme, launching a specialty hot chocolate brand could've easily flown under the radar. But in 2012, the team behind Mörk Chocolate, husband and wife duo Kiril Shaginov and Josefin Zernell, saw a gap in the market. "Back then, Melbourne's attention was firmly on specialty coffee," Kiril tells Concrete Playground. "But specialty hot chocolate was still overlooked. We set out to change that." What began as a niche wholesale business-to-business operation supplying chocolate powder to cafés and restaurants has grown (quietly and organically) into five Melbourne venues and a strong, local business. In partnership with the business solution experts at Square, we sat down with Mörk Chocolate's co-founder and director, Kiril, to learn more about how they scaled a retail brand into a booming hospitality business. [caption id="attachment_1024588" align="alignleft" width="1920"] Mörk Chocolate Centre Place[/caption] From little things While it may be surprising to hear, Mörk Chocolate never set out to have brick-and-mortar cafés. "The core of the business has always been wholesale," says Kiril. "We sell our blends to cafés and restaurants. That's what we set out to do." Mörk Chocolate's first store opened in North Melbourne a decade ago and quickly became a destination for sweet tooths across the city. However, the ensuing venues in the CBD, Queen Victoria Market, and Chadstone weren't the result of any intentional expansion strategy. "They kind of just happened by accident," Kiril says. "We don't have investors. We don't go and borrow lots of money. All the expansion comes from cash flow, and so for us to [launch] a venue, it's a big deal, it doesn't matter how small or big. That's why it happens with time naturally and organically." The challenges Of course, organic growth doesn't equal easy. With five venues in four different suburbs (two are in the CBD), Kiril notes that anticipating what each customer needs is a big part of the work. "Each venue reflects different concepts, archetypes, and customer habits, which means anticipating customer responses and needs is always part of the journey. Each of our locations is tailored to its market; no two stores look or feel the same. Our focus remains firmly on quality and on sharing knowledge about chocolate. We've found that Mörk Chocolate customers truly value this approach," Kiril says. Across every location, the brand's focus remains clear: offer an exceptional hot chocolate experience, without overcomplicating it. "We specialise in hot chocolate — that's what we do. We just focus on that and we don't try to do lots of other things." [caption id="attachment_1024589" align="alignleft" width="1920"] Mörk Chocolate Queen Victoria Market[/caption] Advice for new business owners Kiril notes that having that "pure vision" of knowing what you believe in and excelling at the one thing is really important. "I think a lot of new businesses try to do too many things to capture a bigger part of the market, but then the concept gets diluted a little bit." When asked if good products or good service take priority, Kiril says that both are equally important. "One cannot exist without the other. The key message is maintaining consistency across both." One way that Mörk Chocolate maintains this service consistency is through Square. "Consistency and customer experience are our priorities. We're streamlining POS systems to improve reporting and create a more seamless back-end operation," Kiril says. In the end, Kiril recommends focusing on what you love and believe in. The café side was born from Kiril, and the specialty chocolate side from Josefin. As a business, Mörk Chocolate has proven that focusing your efforts on one well-made product can compound over time. And maybe, a decade later, your business-to-business brand will become a hospitality legend. Square empowers local businesses to thrive by making it easier to run, manage, and grow their operations. Find out how Square can help your business grow.
One universal takeaway from the past few years is a newfound appreciation for the great outdoors. After all, a hike in nature has loads of benefits: fresh air, fitness, scenery, a feeling of smug satisfaction... what's not to like? There are several summits worth surmounting in New South Wales and a heap of them are located an easy drive from Sydney. Here are the best mountain walks near Sydney for when you need an altitude boost. [caption id="attachment_790361" align="alignnone" width="1920"] Elinor Sheargold via Department of Planning, Industry and Environment[/caption] MOUNT BANKS, BLUE MOUNTAINS NATIONAL PARK For dazzling views of the Grose Valley and wombat spotting, head to Mount Banks. The 2.4-kilometre return trail starts at the Mount Banks picnic area and begins with a short yet steep climb before ascending gradually to the summit. Most peaks in the Blue Mountains are sandstone but this still has a basalt covering created by volcanoes 20 million years ago. For the flora fiends among you, take in smooth-barked monkey gums and native wildflowers. Once you hit the top, the view of Grose Valley from the summit is awesome. If you'd like to extend the hike, opt to link up with the Mount Banks Road cycle route, which will make the trek about 4.7 kilometres all up. [caption id="attachment_790363" align="alignnone" width="1920"] Peter Beard via Department of Planning, Industry and Environment[/caption] CAREYS PEAK, BARRINGTON TOPS NATIONAL PARK Set within the ancient Gondwana rainforests — a World Heritage Area — Careys Peak takes you through the best bits of Barrington Tops National Park. The 14-kilometre return walk begins at the Mount Barrington picnic area and travels through the Australian wilderness, parts of which will remind you of Lord of the Rings with more giant native ferns and fewer demonic shadow creatures. From the peak, 1544 metres above sea level, soak up the pastoral glory of the Hunter Valley on one side and the expansive Barrington wilderness on the other. [caption id="attachment_790364" align="alignnone" width="1920"] Rachel-Ann Wilcher via Department of Planning, Industry and Environment[/caption] BURNING MOUNTAIN, BURNING MOUNTAIN NATURE RESERVE Burning Mountain (aka Mount Wingen) gets its name from a coal seam, 30 metres underground, that has been on fire for an estimated 5500 years. And, since the fire moves one metre every year, the landscape is continually changing. The hike itself is an accessible four-kilometre loop that allows you to explore this phenomenon and its impact on geology, animals and plants — from the smoke billowing out of the ground to the red gums growing along cracks in the earth. The Burning Mountain Nature Reserve is a 3.5-hour drive from Sydney, so we recommend staying overnight at a campsite or at accommodation in nearby Scone (the town, not the baked good). [caption id="attachment_789748" align="alignnone" width="1920"] Destination NSW[/caption] DONKEY MOUNTAIN, WOLGAN VALLEY Wolgan Valley sits between Gardens of Stone National Park and Newnes Plateau. Somewhere in the middle is Donkey Mountain. Reaching its summit involves weaving your way through an adventurer's paradise — in and out of canyons, pagodas and caves splashed with rock orchids, ferns and natural vertical gardens. The trails are largely unmarked and difficult to navigate, so it's best to come prepared for a challenge and take a compass/GPS or an experienced climber. We recommend staying the night before at the nearby Newnes campground to allow plenty of time to explore the region. [caption id="attachment_790360" align="alignnone" width="1920"] Susan Davis via Department of Planning, Industry and Environment[/caption] PIERIES PEAK, MOUNT ROYAL NATIONAL PARK Don't let the three-kilometre return hike to Pieries Peak fool you. It may not be long but it is steep. The challenging trail starts at Youngville campground and launches straight into action, climbing through rocky ridges, snow grass and rainforest. Once you reach the top, kick back and enjoy views across Hunter Valley and Lake Saint Clair. The peak gets pretty cold in winter so check the forecast and make sure it's not arctic up there before you commit. In general, the region's weather is unpredictable, so come prepared for all scenarios. [caption id="attachment_840238" align="alignnone" width="1920"] Destination NSW[/caption] THE CASTLE, MORTON NATIONAL PARK The Budawangs are a three-hour drive from Sydney, so if you can't cut an early start, head down the night before and pitch a tent by the river at Long Gully campground. It'll give you time to physically and mentally prep, because The Castle hike isn't exactly a lazy stroll. Prepare for rock scrambling at great heights. If you'd rather hike with a pro, you can book in a guided tour through Big Nature Adventures. Despite its difficulty, this hike is worth it — The Castle is hands down one of the best mountain walks in New South Wales, giving you amazing views over Morton National Park, the Byangee Walls and Pigeon House Mountain. [caption id="attachment_789764" align="alignnone" width="1920"] Destination NSW[/caption] WENTWORTH PASS, BLUE MOUNTAINS NATIONAL PARK Do go chasing waterfalls at Wentworth Pass walking trail. Located two hours from Sydney, the grade four hike is a five-kilometre loop that takes around four hours to complete. The trek is a segment of the famed National Pass trail. Along the way, you'll hike deep into the Valley of the Waters encountering seven waterfalls — starting with Wentworth Falls. The lookout boasts views across the Jamison Valley to Mount Solitary. You'll then undertake one helluva steep climb, passing five more waterfalls along the way, finishing at the breathtaking Empress Falls lookout. BULAHDELAH MOUNTAIN TRAIL, BULAHDELAH Located an hour north of Newcastle, the Bulahdelah Mountain boasts a relaxed 4.5-kilometre return hike up to the top of the mountain. Once you reach the summit, you'll be treated to expansive views of the surrounding bushland, but there's also plenty to discover on your way up. Sitting in Worimi Country, the mountain is a sacred Indigenous site with a traditional cultural space found halfway up. Throughout the hike, you'll find tree carvings that were created in 2018 by local First Nations community members. And, while you're in Bulahdelah, you can stop by the Grandis picnic area to find the tallest standing tree in NSW. Top image: Morton National Park by Destination NSW
The results of the 36th edition of the Official Great Aussie Pie Competition have just been announced, revealing the best pies, sausage rolls and pasties across Australia. The competition, which ran over four days at the Fine Food Event at the International Convention Centre in Sydney, welcomed over 1500 entries from more than 200 bakeries. This year's winners, across 15 categories, came from far and wide. Paradise Bakehouse in Bundaberg, Queensland, won the award for the best plain meat pie. Banana Boogie in Belair, South Australia, took out the award for the best plain sausage roll. The best gourmet pie was a beef bourguignon version from Mount Barker Country Bakery in Western Australia. View this post on Instagram A post shared by Daisy (@australia.food.drink) There is a wide range of categories judged, including everything from the best gourmet seafood pie to the best slow-cooked barbecue pie and the best brekkie pie. The best vegetarian pie was a roasted cauliflower pie with black truffle and provolone cheese sauce. An apple and raspberry pie from Miami Bakehouse Greenfield in Western Australia took out the dessert pie category. Victoria took out the best manufacturing sausage roll, the best gourmet game pie, and the best gluten-free pie awards. View this post on Instagram A post shared by Miami Bakehouse (@miamibakehouse) Over $50,000 in prize money and products were on the table, but the real prize of the competition in the past has been the remarkable boost in sales for winning bakeries. Previous winning bakeries have attracted customers from hours away, with lines out the door, to try their award-winning goods. Images: Supplied. For the full list of winners, check out the official website. If all this talk of pies and pastries has made you hungry, check out the best bakeries in Melbourne.
If you're not attending a Christmas lunch to devour five different kinds of roast meats, Christmas Day can be a little up in the air. No, your regular coffee place won't be pouring, brunch will not be happening (sorry), and you can't even head into Woolies for some milk. But don't panic: things are still on, public transport is running (to a Sunday timetable), and 7-Eleven will remain open for emergency packets of chips and gum. And, as a gift from us to you, we've put together a few things that you can do if you're in town with nothing to do, don't celebrate Christmas or are otherwise uninterested in the big day. Inhale Tacos Over Margaritas Sure, most of Brisbane shuts down for Christmas Day, other than eateries specifically serving a festive menu — and if you're keen for that, you'll likely be testing your wallet. However, one location that'll remain pumping like it's any other day of the year is El Camino Cantina at South Bank. Fancy tacos and OTT margaritas instead of the usual festive spread? Here, that's exactly what's on the menu. The Tex-Mex chain's Surfers Paradise venue is also open as usual, too, with both locations serving up plenty to eat and sip — frozen margs included — amid their brightly coloured surroundings. Head down the coast and you'll also score beach views. See Some Aussie Wildlife Christmas in Australia — and in Brisbane, in particular — means something different to the rest of the world. We have heat and storms instead of cold and sleet, seafood lunches as well as roasts, and we play cricket in the street rather than make snowmen. In that spirit, why not embrace everything our sun-drenched country has to offer by sharing the day with some of our native animals? At Lone Pine, the world's first and largest koala sanctuary, you can see more than 100 koalas, hand feed a wild lorikeet or kangaroos, and watch sheep dogs, birds of prey and dingos. It's open from 9am–3pm on Christmas Day — and although cuddling a koala is no longer part of the Lone Pine experience, you can feel their fur and learn all about them. Attend or Help Out at a Charity Lunch There are plenty of organisations and people putting together free Christmas lunches for those that might not have anywhere else to go. If you're missing out by circumstance, not by choice, or if you want to volunteer your time to help make someone else's Christmas a little brighter, Community Friends hosts an inclusive December 25 event. 2024's get-together runs over both breakfast and lunch from 7.30am–1.30pm at Bunyapah Park, at 68 Vulture Street in West End. Bookings aren't necessary, but you can volunteer to bring a plate of food to share or presents for people of all ages. Peer Down on the City By day and by night, Brisbane is a pretty city as seen from great heights. The serenity that comes from looking down from above only increases when the usual hustle and bustle grinds to a halt — and there's no quieter time in the CBD and surrounding areas than Christmas. Head up to the Mt Coot-tha lookout to glance over the eerie stillness through the in-built binoculars. Or, watch the world go round as you head around on The Wheel of Brisbane — which is open from 12–10pm — followed by a stroll through South Bank and a dip in one of the riverside pools. [caption id="attachment_750974" align="alignnone" width="1920"] Kangaroo Point via Tourism and Events Queensland[/caption] Picnic Somewhere Scenic The joy of the city's many public areas — filled with green grass, tall trees and wide-open spaces as as they are — is a lack of adherence to standard operating hours. The Kangaroo Point Cliffs, Roma Street Parklands, New Farm Park and a variety of shady urban spots: they're each open all-year round, offering a free and accessible way to spend some time in the sun. Bring along your own rug, frisbee and basket full of scrumptious goodies, of course, and company. Here's our pick of the best picnic spots in Brisbane, plus nine waterside spots you mightn't have visited — and these are the places that allow you to BYO booze. Top image: Lone Pine Koala Sanctuary.
Is cricket confusing you? Don't know your LBWs from your BBLs (Big Bash League)? Don't fret. We're here to tell you that the fun of cricket, especially the BBL, is more about the community, the spectacle, the seagulls, the superstars, and, of course, the KFC. Confused? Read on. [caption id="attachment_981725" align="aligncenter" width="1920"] Photo by Morgan Hancock/Getty Images[/caption] What Is It? Unlike traditional cricket, which you've probably seen on pub TVs and in the background at grandad's house, Big Bash cricket is a fast and flashy affair. There's a set number of innings and overs, and the scoring system is super simple – score more runs, win the game. Easy peasy. There are a few other bits and bobs unique to this faster game, but they're not really necessary to enjoy it. Now that the hit-ball-run-score-points element of the game is behind us let's dive into the spectacle of the game. But first, who's who? Who are the Major Players? Remember Warnie (RIP) in the early noughties? That cheek and camaraderie has carried on into modern-day cricket, including the zippier, simpler, faster game of Big Bash. So, you can expect the same cult of personality personalities. We're not going to run you through all the gang, but here are some of the bigger names and faces. [caption id="attachment_981726" align="aligncenter" width="1920"] Photo by Albert Perez/Getty Images[/caption] Paul Walter (Brisbane Heat) Tall blokes usually get picked for a career on the courts of basketball, but England-born bowler Paul Walter made his way to the pitch instead. Paul, 'Tall Paul' as he's dubbed with his 6'7" stature, has spent the majority of his career in his homeland, but Aussie fans of the game know him well, too. He's putting his left-hand-favouring skills to work for the Brisbane Heat now, and you'd best be ready for some crowd catches. Tall Paul bats big. [caption id="attachment_982894" align="aligncenter" width="1920"] Photo by Darrian Traynor/Getty Images[/caption] Jake Fraser-McGurk (Melbourne Renegades) Another beautiful thing about BBL is the platform it provides for rising young stars to make their mark in the game. If anyone is making a mark at the moment, it's 22-year-old Melbourne Renegades batter Jake Fraser-McGurk. He's made a reputation for himself with several stellar performances at the state level, but he rocketed to stardom in 2021 with a legendary catch of a screamer against the Strikers. [caption id="attachment_982895" align="aligncenter" width="1920"] Photo by Jonathan DiMaggio/Getty Images[/caption] Marcus Stoinis (Melbourne Stars) One could argue that the true spectacle of any BBL game is the batting. And Marcus Stoinis knows how to hit. Known for his aggressive, chunky shots, he can change the course of a game single-handedly. His powerful arm, particularly at the top or middle of the over, makes him a crowd favourite, holding the record for the highest individual score in BBL history. As you can expect, Stoinis has a larger-than-life personality, which is reflected in his interactions with his teammates, his facial expressions, and, of course, his over-the-top celebrations. [caption id="attachment_981724" align="aligncenter" width="1920"] Photo by Izhar KHAN / AFP[/caption] Teams and Rivalries It wouldn't be sport if there wasn't a bit of drama. Team rivalries keep the game alive, and the audience engaged – what would football be without the Manchester United v Liverpool feud? In the Big Bash League, there are a few ongoing rivalries, maybe not as loud or fierce as Premier League bouts, but still good fun to watch. There are regular rivalries between teams that'll hit the pitch this season. For starters, there are the Sydney teams, the Sydney Sixers and Sydney Thunder, who are set to go head-to-head on Saturday, December 21. Then, the Melbourne teams – the Melbourne Renegades and Melbourne Stars – will face off on Saturday, January 4. But the biggest and longest rivalry is between the Sydney Sixers and the Perth Scorchers, who are set to play on Saturday, January 11. Why the beef? They're the two best teams in the competition and have met in the final on five occasions. Rituals, Quirks and What to Expect Aside from your big players, there are a number of rituals and fireworks (literally) that run alongside a typical Big Bash game. You've got the seagulls that will sit on the green, watching the game (legend has it they're old players reincarnated). There are the actual fireworks and flames, which are an integral part of every Big Bash game, exploding whenever a team enters, a ball hits the boundary, or a wicket is scored. Then, there are derbies (hitting Sydney on December 17 and January 21, plus Melbourne on January 4 and January 12), pregames and halftime shows with live music, DJs, and of course, more fireworks. You didn't hear it from us, but some of the music acts this season will be unmissable, with major performances from the likes of Peking Duk, Baker Boy, Cyril and more planned on December 26 and 31, plus January 1, 4 and 12. Lastly, there's the time-honoured tradition of the KFC bucket heads, which is exactly how it sounds – chuck a KFC bucket on your head. Quirky? Yes. Nonsensical? A little, but all in the name of Aussie cricket. No matter how you spin it (get it?), the Big Bash is something to get excited about. For more information on the Big Bash League and it's 2025 season, head to the BBL website.
A 275-square-metre hotel suite is bigger than the average new Australian home — and Australia builds larger-than-average new homes — let alone a standard apartment. Splash some cash to stay on the Gold Coast from 2026 onwards, and that massive space could be yours for a night or several. Its home: the Glitter Strip's just-announced new Ritz-Carlton hotel, which will join a $480-million waterfront development at Mariner's Cove in Main Beach. If that expansive — and clearly pricey — suite won't fit your budget, the swanky spot will feature 149 other rooms, plus a range of eating, drinking and hangout options. Expect to still treat yo'self cost-wise, however. A signature restaurant will serve bites to eat, as will a cafe, while there'll be three bars: a lobby lounge, a destination bar and a poolside bar. Speaking of swims, the Gold Coast's Ritz-Carlton will boast an outdoor rooftop pool, too, so just think of the views while you're taking a dip. Boasting the signature Ritz-Carlton Spa for pampering sessions, too, plus a 512-square-metre ballroom for functions and parties, the Mariner's Cove site will mark the hotel chain's third in Australian when it opens. At present, it operates in Perth, and will also open an outpost in Melbourne in 2023. Next stop from there: the Goldie. While the Sunshine State tourist spot doesn't lack in hotels near the ocean, the Ritz-Carlton's waterfront location is still set to be a huge drawcard — alongside the luxury the brand is known for. Given the spot, it'll also be in close vicinity to a heap of waterfront restaurants and bars, the Broadwater and beaches. "Once opened, the resort expects to set a new benchmark for luxury on Australia's Gold Coast with the property's enviable waterfront location," said Richard Crawford, Vice President of Hotel Development, Australia, New Zealand and Pacific at Marriott International, which owns the Ritz-Carlton. It's a booming time for big-name hotels either heading to or spreading through Australia, with The Langham launching on the Gold Coast earlier in 2022, Ace Hotels launching its first Down Under site this year and The Waldorf Astoria on its way to Sydney in 2025. You can never have too many staycation/vacation options, though. The Ritz-Carlton is set to open in 2026 in Mariner's Cove, 60–70 Seaworld Drive, Main Beach. We'll update you with an exact launch date when one is announced. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
First films are special. With Aftersun as her feature debut, Charlotte Wells knows this. Ahead of dedicating time to writing her second movie, a project eagerly awaited by the cinema-loving world, the Scottish filmmaker is deep in celebrating fellow directors starting out — leading the jury for the Bright Horizons competition at the 2025 Melbourne International Film Festival, then jumping to Venice afterwards to do the same for its debut film accolade, the Luigi De Laurentiis Award. She's an apt choice for both, given Aftersun's dream run from its premiere at the 2022 Cannes Film Festival onwards. Widespread acclaim came the coming-of-age gem's way, and deservedly; so did a strong bond with viewers who saw themselves in a picture that Wells drew in part from her own experiences. When Concrete Playground first interviewed Wells at the beginning of 2023, as Aftersun was about to enjoy its Australian theatrical release — after its local premiere the year prior in MIFF's the Bright Horizons competition, fittingly — she advised that she "had naively not thought about what came after making the film". She continued: "it's been really special. I don't think you set out to make films to get that type of award recognition, but it's been really nice to see the work recognised, and the work of my collaborators recognised". At the time, Wells and Aftersun had been nominated for four BAFTAs, but hadn't yet won Outstanding Debut by a British Writer, Director or Producer. (Among the prestigious award's other recipients before and since: We Need to Talk About Kevin and You Were Never Really Here's Lynne Ramsey, Senna and Amy's Asif Kapadia, Pride & Prejudice and Atonement's Joe Wright, American Honey and Bird's Andrea Arnold, Shame and Widows' Steve McQueen, Moon and Source Code's Duncan Jones, Four Lions' Chris Morris and, most recently, Rich Peppiatt for Kneecap.) Speaking with Concrete Playground again now, Wells is grateful for the opportunities that Aftersun's recognition gave her to share in that success with its cast and crew, and with her family. "I kind of took each of them as an opportunity to recognise different people who had a role in the shaping of the film," she explains. For portraying Calum, father to 11-year-old Sophie (then-debutant Frankie Corio), in a movie that sees the adult version of the latter (Celia Rowlson-Hall, Vox Lux) look back on the dad and daughter's 1999 holiday to Turkey, Paul Mescal (Gladiator II) earned his own acclaim for Aftersun: an Oscar nomination for Best Actor, and the same recognition from the BAFTAs, Gotham Awards, Film Independent Spirit Awards and a wealth of critics' associations, plus winning the field at the Irish Film and Television Awards. Speaking about the experience to GQ in 2024, he shared that he was keen to have "a De Niro–Scorsese relationship" with Wells. She's eager to collaborate again as well, she tells Concrete Playground. "I'm excited to work with him again." Casting Aftersun wasn't simple, Wells stressed to us in 2023. "I think when before I worked on things that were inspired by experiences that I had or people that I knew, my instinct was always to cast away, as far away as possible, and that was my instinct here — and yet I was constantly drawn back, apparently, as Barry Jenkins [the Moonlight, If Beale Street Could Talk and Mufasa: The Lion King filmmaker produced Aftersun] likes to point out in public when we're together, to people who were fairly close in resemblance to their sources of inspiration. And that was really challenging in the casting process," Wells told us at the time. "And Lucy [Pardee], our casting director, was really patient with me as I was constantly articulating wanting something and then responding to something very different, and I think that's just the push and pull of one's subconscious throughout this process. And some things were easier to separate from myself than others. Casting proved to be really quite tricky in that way. But ultimately, I don't think it was a physicality that I responded to most of all, but I think it was an energy more that I was looking for. I think it was the stability that I feel in Paul, and the vulnerability that he's able to portray." Back to 2025: in Melbourne for her Bright Horizons Jury President stint, Wells also chatted with us about Aftersun's BAFTA, the film's resonance with and love from audiences, becoming closer with Mescal and Corio while actually taking the movie around the world, and, yes, what's next. [caption id="attachment_1018670" align="alignnone" width="1920"] Stuart Wilson/BAFTA/Getty Images for BAFTA[/caption] On Aftersun's Widespread Recognition, Including Winning the BAFTA for Outstanding Debut by a British Writer, Director or Producer — and Its BAFTA Scotland Award Wins "The special thing about home screenings and home awards was the opportunity to share it with my family. My mum and brother were there that night, and the film team. Any time I was anywhere with our crew, in whatever configuration that was — that night was with my producers and Paul and Frankie — it was just a really special place to be. I just enjoy all of those people so much. And that felt like in many ways — I think that was the last event that Frankie, or maybe there were a few in the US after, but if felt like one of the last events with kind of all of us there, and it felt like very much the peak, I think, collectively of that experience for the three of us, Paul, Frankie and I. It was a really special night, and it definitely helped the film continue to be seen and pick up momentum with audiences. It played really well in the UK, which was a really special thing. But more than anything, I think about that night, I think about having my mum there and just having the opportunity to acknowledge her. I think that's what was so nice about many of the award ceremonies is, I kind of took each of them as an opportunity to recognise different people who had a role in the shaping of the film — either directly, like our team, or indirectly, like family." On If Wells Has Any Thoughts on Why Aftersun Resonated So Strongly with Audiences "Yeah. Maybe. No. I don't know. I think there's something about a parent-child relationship that is a lot more relatable than I maybe thought. I had always thought personally of Aftersun as Sophie story, I suppose because to the degree it was a personal film, that was my story, and I saw the film as being through her eyes — and the overarching point of view of the film was Sophie as an adult looking back. I didn't really count on so many people connecting with Calum, which I think really broadened people who felt like the film was also about or for them. But I think ultimately, themes of grief, specifically parental grief and that pivotal coming-of-age moment — not just for Sophie age 11 or so, but also for Calum kind of tipping into his 30s, just connected with a lot of people. I think the alchemy of those things together just gave it a certain reach. At least, that's how I think about it. But I'm always curious on other people's take on this, because it's just a special thing, I think — a moment in time where people happen to connect with something that you've made. I think it's always hard to identify exactly why, but those are the things I tend to think of when I reflect back on it — and I consider that every film I make will not be about themes or characters that can connect with so many people." [caption id="attachment_1018669" align="alignnone" width="1920"] Matt Winkelmeyer/Getty Images[/caption] On Paul Mescal Saying That He Wants to Have "a De Niro-Scorsese Relationship" with Wells "I love Paul. I'm excited to work with him again, and definitely giving present consideration as to what that next project will be. It's kind of funny, because I think on set, Frankie and Paul really had the closest relationship between the three of us — and that was what was important. That was the most-important thing to me, was that those two were connecting and that they had a foundation on which to build the performances on-screen. But really afterward and through the distribution and sharing of the film, I really got to know both of them a lot better. So it's kind of a funny thing. I feel like the three of us became a lot closer in the sharing of the film than we were on set, just because we were pulled in the directions of our respective roles there. So it will be really nice to get back on set with Paul at some point and have that foundation, and I think we were able to have a certain trust in the making of Aftersun that you're able to have in a feature that is very difficult in a short. The idea of building on that in future projects is really exciting. Yeah, I'm all for it." On How Taking the Film Around the World, Including Festivals and at Awards Ceremonies, Brought Wells, Mescal and Frankie Corio Closer Together "I think for a film, the vast majority of it is not production — unfortunately, because production is, in so many ways, the most-fulfilling part, at least for the director. It's the part I would like to be experiencing a lot more often, but it's really the shortest part. You're editing for two, three, four times as long. You're writing for many times more than that. And then you're promoting the film for more as well. So yeah, it's a funny thing. I think people tend to think about production itself, but it's just a small, although very important, obviously, part of the process of making a film." On What's Next for Wells — What She Can Share Right Now, At Least "Can? Want to? I think I went into this post-Aftersun process wanting not to be in the position I'm in right now again, which is to say not knowing exactly what comes next. I think I had a fancy of when I got into the edit for Aftersun I would start writing again, which really turned out to be not so much a fancy as a delusion as to what's possible — because the edit process was so consuming. And I took a bit of time. It was nice to have that time just to live my life a little bit again. And I wanted to know not just what's next, but what's next after that, so inevitably that takes a little bit of time. So now there are a few things in the works, I suppose, is all I'll say — a couple of which are kind of New York-based, where I've lived for a long time now, which is exciting." The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, visit the MIFF website. Aftersun is available to stream via SBS On Demand and iTunes. Read our review, and our interview with Wells from 2023. Aftersun images: Sarah Makharine.
The best glamping sites in Australia are made for those of us who want to get up close to nature — without having to skimp on any of our comforts. We want to hear the sounds of local wildlife rummaging about nearby. We want to smell the native plants and sea air as we wake up. But we also want running hot water, aircon (if the season calls for it) and quality bedding. Room service never hurts, either. So, if you're looking for a holiday that provides all of the above, read on. Here we have some of Australia's best glamping sites, located in some of the most unique and beautiful natural landscapes — from remote deserts to lush rainforests and tropical islands. Recommended reads: The Best Glamping Sites in NSW The Best Glamping Sites in Victoria The Best Glamping Sites in Queensland The Best Pet-Friendly Hotels in Australia Nightfall, Queensland Set within Queensland's Lamington National Park is the luxury glamping site Nightfall. There's only four permanent, hand-built tents on the property, each spaced far enough apart to give visitors the feeling of total isolation. In summer, you can roll up the canvas walls to immerse yourself in the surrounding forest — native birds gather in treetops and the nearby Christmas Creek is perfect for a little swim. You can even choose to bathe outside in nature, without the fear of anyone walking past. For winter, keep the walls down, have a hot bath inside, turn on the rotating fireplace and get proper cosy. The Nightfall team will also feed you throughout your stay — they pride themselves on providing organic meals, focusing on food cooked over the fire. Each daily meal is served in a different location, taking full advantage of the vast forest surrounding your glampsite. Produce is sourced from the onsite kitchen garden, wild Aussie bush tucker plants, the local farms of Scenic Rim and organic markets in Brisbane. Sustainability is at the core of everything done here, helping make this one of the best places to go glamping in Australia. Discovery Rottnest Island, Western Australia Rottnest Island is a must-see for anyone going on an adventure in Western Australia. For one, this is where you'll snuggle up to quokkas and take all the adorable selfies you could want. But there's a lot more going on here too, including an array of stunning white sandy beaches and hidden coves. And we can think of no better way to experience this island paradise, just off the shores of Perth, than by hitting up the Discovery Rottnest Island glamping site. These low-impact tents are set amongst the dunes of Pinky Beach, right by the water. The entry-level options have ensuites and private decks, while the larger ones have their own kitchens, walk-in robes and extra-large bathrooms. From this beachside location, you can go on sea-kayaking treks, do a bit of snorkelling, head inland for some hiking or just sit on the shoreline all day long, dipping in and out of the clear blue waters at your own leisure. [caption id="attachment_874857" align="alignnone" width="1920"] South Australian Tourism Commission[/caption] Wilpena Pound, South Australia This is far more than your usual glamping site. Yes, the natural surrounds are truly epic in scale and your luxury tents come with all your creature comforts, but Wilpena Pound has a special ethos that respects the traditional landowners of the Flinders Ranges region — the Adnyamathanha people. The area is known for its geological history, ancient fossils and Aboriginal rock art. And the team here works closely with local Indigenous communities to educate guests about the cultural significance of the land they're on. During your stay, you can go on an Aboriginal cultural tour of the area, led by an Adnyamathanha guide. You'll be taken on a hike through the Flinders Ranges, experiencing the landscape through the eyes of its Traditional Owners. The Wilpena team can also organise a 4WD tour, scenic flight or another stellar jaunt through the bush. Meals combine modern Aussie cuisine with Indigenous ingredients — all prepared with genuine respect for the Adnyamathanha people. It's not just for show. Sal Salis, Western Australia This is where the desert meets the sea — an extraordinary and unique part of Australia that should be on all travel bucket lists. There are a range of accommodations dotted along the Ningaloo Reef, but Sal Salis is just that bit extra special. The 16 off-grid wilderness tents are located right on the beach, surrounded by little else but untamed nature. Swing in your hammock all day long, gazing into your stupid-beautiful views with an ice-cold beer at hand, or get exploring. The Sal Salis team will help you out with sea kayaks, stand-up paddleboards, snorkel gear and wetsuits. They'll even take you out for some guided experiences. This is an all-inclusive Australian glamping site, too — activities galore and drinks from the open bar are yours to enjoy. There's not a single need to hold back here. Happy Glamper, Victoria This is a really unique glamping experience: you pick your own campsite along Victoria's Mornington Peninsula and the Happy Glamper team will set everything up for you right there. Arriving before you, they'll install one of their large canvas tents, which comes with a bed, lounge chairs, board games, magazines and a spread of other things. And when you're done, they'll pack it all down and clean up — lush. The mobile glamping company even helps with big gatherings — if you make a big, multi-tent booking, the team's willing to go far beyond their usual patch in the Mornington Peninsula. Either head to a beachside campground or a block of private land, and your bespoke experience will appear. The fine print? You'll need to book your campsite separately — either find your own or opt for one of the recommended sites. Paperbark Camp, New South Wales The definition of 'tent' is stretched a little bit at Paperbark Camp. These canopies rest up on large wooden stilts and are surrounded by private decks. Technically, the rooms do have canvas walls, so tents they are. Each of the NSW glamping sites comes with an open-air ensuite bathroom, complete with a freestanding bath and separate shower. It's mightily luxurious. Plus, there's stacks of things to do in the area. The property has a series of trails through the namesake paperbark, gum and mangrove forests, where plenty of kangaroos roam. You can cycle into town within 15 minutes and hang out at the beach, or go for a long canoe trek to Huskisson and back, stopping off for a cute picnic and swim on the banks of Currambene Creek. Sanctuary by Sirromet, Queensland Not only is it home to grapevines as far as the eye can see, but Mount Cotton's Sirromet Winery also has a restaurant with views over Moreton Bay, a nine-hole modified form of golf and regular live concerts — along with onsite glamping within its expansive 560-acre grounds. Visitors to Sanctuary by Sirromet can get cosy in one of 18 tents, each featuring a king bed, plush places to sit, al fresco dining furniture, bathrooms and reverse cycle air-conditioning to cope with southeast Queensland's warm weather. Every safari-style abode also includes a minibar filled with Sirromet wine, and all bookings include a complimentary breakfast. You can add on all kinds of winery experiences too, allowing you to take full advantage of the unique location. All these additions help make Sanctuary by Sirromet one of the best glamping sites in Australia. Peninsula Hot Springs, Victoria The Peninsula Hot Springs' series of luxury glamping tents allows visitors to spend the night onsite, mere steps from the geothermal baths, saunas, pools and other wellness offerings. The Victoria glamping retreat is a classy affair, with the tents nestled amongst the natural environment, boasting thermally-heated concrete floors, custom-made furniture and beds decked out in plush linens. Guests are treated to private ensuites and walk-in robes, complimentary breakfast, and access to the precinct's many wellness experiences. All that's left to decide is how much pampering you can fit into a weekend. [caption id="attachment_876464" align="alignnone" width="1920"] Tourism Australia[/caption] Banubanu Beach Resort, Northern Territory Run away to the Northern Territory's Bremer Island for a tropical island holiday. It's well and truly off the beaten path, so you'll be away from the crowds, surrounded only by well-preserved wilderness. To make it even more remote, head to Banubanu Beach Retreat, right at the northernmost tip of the island. Here, you'll find five glamping tents sitting pretty on the beach. All rooms come with a king or twin single, an ensuite, a deck with views over the water and an outdoor shower — the penthouse bungalow even has its own plunge pool. And as you are so far away from everything, a stay here also includes transfers to and from the mainland, all meals (courtesy of onsite chefs) and access to all the kayaking and snorkel gear you could need. Just bring your togs and a sun hat — there's no need to wear anything else during your stay. Marramarra Lodge, Hawkesbury River This ultra-luxe glamping site near Sydney is set within the picturesque Marramarra National Park, right on the Hawkesbury River. Arrive in style by boat from Mooney Mooney or Brooklyn, before setting yourselves up in one of the large open-plan safari tents. Each of the Marramarra Lodge tents boasts a king-sized bed, large riverstone-clad bathroom, aircon, all your linen and towels, a fully stocked mini bar, and tea- and coffee-making facilities. You can even get room service delivered. But the best feature has got to be the private timber deck that offers up uninterrupted views across this stunning spot that's just an hour out of Sydney. Bay of Fires Retreat, Tasmania As far as glamping goes, Bay of Fires Bush Retreat is laidback. The large bell tents are basic, but come with a king bed, power for recharging your tech and space for you to store your gear — more than your swag will allow for. Then, there's a communal kitchen and toilet block. You can choose to cook up some of their pre-prepared meals or BYO grub to fuel you through your adventuring. Unlike many of the other inclusions in this list, here you're closest to actually camping (but you've still managed to score a big comfy bed). The local area is ripe for exploring. The retreat is located within the bushlands at the southern entrance to Tasmania's Bay of Fires. You're not really in walking distance from a lot, but you can quickly drive to all the best bits of the area. Head north from the retreat along Gardens Road to find the iconic white sand beaches, crystal blue water and the orange-hued granite boulders the Bay of Fires is so renowned for. Werribee Open Range Zoo, Victoria Going on an African safari is on so many travel bucket lists. But they are an investment trip and fairly far away from Australia's shores. So, if you want to do some holidaying that's reminiscent of an overseas safari, the Werribee Zoo's slumber safari is for you. Expect tents all set up and ready to go in a private section of the zoo, close to the giraffes, elephants and lions — but still safely hidden behind fences. Worry not. Kick back in your tent with all the usual amenities — plus a private deck overlooking the zoo's open plains. Then, head to some closed-off parts of the zoo, where most visitors never go, to see the animals up close. It's a behind-the-scenes tour of Werribee Zoo with glamping accommodation, a three-course dinner and sunset drinks. Longitude 131°, Northern Territory This is one of Australia's most famous glamping accommodations: Longitude 131°. Here, set within iconic red sand dunes, each luxury tent gives guests views over Uluru itself. You won't want to miss any of the sunsets or sunrises from your room, and thankfully you won't even need to get out of bed to experience them. Floor-to-ceiling glass windows will have you mesmerised by the surrounding landscape for your entire trip. You'll also have a private deck (with a fireplace and day bed), a king bed and large ensuite bathroom. The grounds? Built like a luxury resort. They have restaurants and bars onsite — the most impressive being Dune Top, which even has its own plunge pool complete with uninterrupted views of the surreal vista. Plus, there's a spa for those who want to be pampered. This is an incredible glamping site for the most special of special occasions. Save this Red Centre stay for one of life's major milestones. Sierra Escape, New South Wales Sierra Escape — the luxe glamping retreat in Mudgee — is located 260 kilometres northwest of Sydney. The 280-acre property boasts spectacular views and is home to wildlife, including kangaroos, deer and various native birds. So yeah, basically, it's paradise. The Carinya tent — if you can even call something this opulent a tent — includes floor-to-ceiling windows, large indoor and outdoor freestanding bathtubs and a firepit area. It's insulated for all seasons, and there's even a deck out front where you can kick back and watch the sunset from one of the best places to go glamping in NSW. Pebble Point, Victoria The Twelve Apostles is a must-see when touring The Great Ocean Road. But few people know about the hidden glamping site located behind these cliff tops and rock formations. There are six safari tents at Pebble Point, which may not look out over the ocean but do offer countryside views that are nothing to gawk at. Besides, they're super close to the beaches situated at the end of the Great Ocean Walk. Rooms come with king beds, ensuite bathrooms and access to the communal kitchen area and barbecue site. But keep in mind: the tents aren't heated. It can get fairly cold on the Victorian coast in winter, so be sure to bring your thermals and woolly jumpers. The beauty of these comfortable-yet-simple glamping tents is that you won't be breaking the bank, while still getting all the best bits of sleeping amongst Australia's unique wildlife and natural scenery. Feeling inspired to book a glamping getaway? Book your next dream holiday with Concrete Playground Trips — with deals on flights, stays and experiences at destinations around the world. Top images: Sal Salis
If the sun is shining and you're in the vicinity of one of these leafy parks in Brisbane, then your senses will be overwhelmed with the telltale signs of barbecuing and picnicking. Your eyes will spy people sitting on the grass, your ears will hear the distinctive sound of happy chatter, your skin will feel the warm glow streaming down from above and your nose will be filled with the scent of tasty fare. Yep, there's nothing better than an afternoon of eating, drinking and being merry in one of the city's green spaces — particularly if you're in one where you can actually have a beverage. You may not know this, but there are only four areas within Brissie parks that allow alcohol to be consumed. There's a couple of rules, too: anyone keen on an outdoor tipple must also be consuming a substantial meal at the same time, and you can only enjoy your time outside between 10am–8pm. With all of that in mind, here's the quintet of spots just waiting for you to take a picnic basket and a few bevs to in Brisbane. Recommended reads: The Best Walks in and Around Brisbane The Best Beer Gardens in Brisbane The Best Beaches in Brisbane The Best Rooftop Bars in Brisbane [caption id="attachment_918854" align="alignnone" width="1920"] Emily Davies[/caption] Roma Street Parkland Celebration Lawn When it comes to this popular section of one of Brisbane's most popular inner-city parks, the name says it all, really. If you want to spend some time eating outside while also consuming a few drinks to mark the occasion, then you're going to want to head to the Roma Street Parkland Celebration Lawn. This is where most of the park's major events are held, so you might find some festivities taking place on the lawn when you arrive. That said, with such a huge stretch of grass to sit on — plus artwork, a living mural and a dramatic water wall to look at — you're definitely going to have some company whenever you stop by; but hey, isn't that what a picnic in the great outdoors is all about? [caption id="attachment_918865" align="alignnone" width="1920"] Lenny K Photography via Wikimedia Commons[/caption] Lake Precinct How do you make a picnic even better? And no, we're not just talking about going to a Brisbane park where you can BYO booze. Combine your eating and drinking with a killer view, and you'll never want to go indoors ever again. Because one alcohol-friendly area isn't enough in a 16-hectare space like Roma Street Parkland, its Lake Precinct is its second spot that allows a tipple or two with food — all while roving your eyes over the watery haven that is the massive central lake, of course. You'll be so relaxed watching the ducks swim by, you'll forget that you're actually in the middle of the CBD. Now, that's the life. [caption id="attachment_877232" align="alignnone" width="1920"] Jennifer Dudley Nicholson[/caption] South Bank Parklands River Quay Green If you haven't already guessed by now, the folks responsible for naming the various spaces in Brissie's parks really like to let everyone know just what they'll find. At the South Bank Parklands River Quay Green, you get two things: a gorgeous riverside spot with a city view to match and some lush, lush greenery to sit on. Sadly, you'll have to stay away from the redeveloped, futuristic-looking playground, as it's only for kids aged 15 and under. That doesn't mean that there's no outdoorsy fun to be had here though, thanks to its close proximity to Streets Beach and the boat pool. [caption id="attachment_918857" align="alignnone" width="1920"] Emily Davies[/caption] Picnic Island Green A whole island just for picnics? We'd like to say "yes, really", but this is more a "well, kind of" affair. South Bank Parklands' Picnic Island isn't actually a land mass surrounded by water, as anyone who has been to South Bank before knows, but it is a space dedicated to feasting, knocking back a few beers and enjoying Brisbane's (usually) glorious weather. Don't worry: even if the sky opens here, the barbecues are undercover — and they're free. We recommend having your own sausage sizzle with a few drinks in hand, lazing about on the grass and even indulging in some inner-city wildlife-spotting thanks to the surrounding foliage and the neighbouring fish-filled pond.
Summer in Australia means sandy feet, mangos, and a speaker permanently in your beach bag playing the music that will soundtrack the season. But, did you know that just 8.4 percent of the music we consume as Aussies is actually Australian? Thelma Plum, Keli Holiday, G Flip, Ben Lee, Gordi and whole host of Australian musicians are asking us to Ausify our algorithms this month. Why? Because the more we play Aussie music the more momentum it gets. More gigs, more music. More stories that represent the rich fabric of what makes up Australia being told. Whether you're watching a summer storm roll in, dipping in and out of the surf, or manning the BBQ, here's some inspiration to Ausify your playlists this AusMusic month. Prefer your music live? Aussie artists are always touring. This month, you can catch Josh Pyke, The Reubens, Thelma Plum and more across the country. A Summer Walk View this post on Instagram A post shared by K I T A (@kitaalexander) With the smell of jasmine in the air and the sun on your skin, nothing beats a headphones-in walk by the Harbour Bridge or through your local neighbourhood. Try Ausifying your walking playlist with Ocean Alley for the perfect summer soundtrack with sun-soaked guitar and hypnotic vocals. For the times your walk needs heavy-hitting lyrics and a lot of feelings, add some Kita Alexander to your walk. Or, when you need more of a strut than a walk, press play on some Jessica Mauboy. A Boogie with Friends View this post on Instagram A post shared by keli holiday (@keliholiday) There are so many Aussie artists begging to soundtrack your summer dance parties. Keli Holiday's 'Dancing2' is shaping up to be the song of the summer and is an absolute joy to dance to, especially around the people you love the most. For something new, check out Ninajirachi. She has quickly gone from triple j Unearthed High finalist to an absolute night out playlist staple with a nostalgic EDM sound. For infectious beats that feel like they are made to be played on a balmy summer night, put on some Electric Fields. Watching a Storm Roll In View this post on Instagram A post shared by Beyond Productions (@beyondproductions.tv) An Australian summer isn't complete without an afternoon or two spent watching a storm roll in as the day's humidity finally snaps away. This calls for comforting, nostalgic and somehow thrilling tunes. Take Midnight Oil for example with their classic rock vibe perfect for watching a summer storm. Or blast some King Gizzard & the Lizard Wizard for an anticipatory sound that somehow pairs perfectly with the impending approach of those telltale dark clouds. If you're looking to self-soothe and find comfort, Josh Pyke has the perfect ambient vibe to pair with claps of thunder and drops of rain. Road Trips View this post on Instagram A post shared by Thelma Plum (@thelmaplum) A road trip over summer is an Australian right of passage. Whether it's travelling to see family, chasing a waterfall on a scorching day, or driving to the coast to race through hot sand and dive into the sea, road trips feel like a summer non-negotiable. Missy Higgins 'Scar' is an essential accompaniment for watching the scenery pass by. Then, for those drives when you need poignant lyrics to scream along to, or maybe a boost of hometown nostalgia, Thelma Plum's music is road trip certified. Then, for something that will get the whole car going like a shot of espresso, hit play on Amyl and the Sniffers. Beach Day View this post on Instagram A post shared by Baker Boy (@dabakerboy) Nothing feels as good as that first beach day of the summer when the country slowly defrosts. A parmy at a surf club, sunscreen on your skin, and Aussie music playing on your speaker: the perfect day, really. For that welcome to summer feeling, Baker Boy makes the best feel-good, high-energy music to blast as the mercury rises. If you're spending a chill, surfy day by the water Xavier Rudd's music is the natural choice. But, if your beach days are more high-energy check out G Flip for big vocals and punchy beats. This summer, make it your mission to explore Aussie music. The more you explore, the more it gives back. Find out more at the Ausify website.
When an arts festival gifts its chosen city with shows, it also brightens up the darkness whenever its program spills into venues and spaces around town after night falls. Many such fests like taking that idea literally. At Brisbane Festival, for example, after-dark light event Lightscape was on the lineup in 2023 and 2024, getting the Brisbane City Botanic Gardens glowing. The same fest is heading to the same place in 2025, but with something different: the fiery Afterglow. Brisbane is hosting the world-premiere run of this luminous experience, which is part of the 2025 Brisbane Festival program. Across Friday, September 5–Saturday, September 27, Afterglow will fill one of the River City CBD's leafiest parts with fire sculptures and candlelit installations, and also live performances. If you want to be among the first on the planet to enjoy it, you'll need to be in the Queensland capital. At Afterglow, you'll wander. You'll follow the flame-lined 1.4-kilometre path through an inner-city patch of greenery. You'll soak in the work of fire artists, too, and you'll watch the evening blaze away in the process. "Across time and cultures, people have always felt a connection to fire — as an element of nature, a force of renewal, or a symbol of ceremony and ritual," said Brisbane Festival Artistic Director Louise Bezzina, announcing Afterglow as part of 2025's lineup. "Afterglow is a slow-burn experience, an invitation to deliberately and respectfully engage with the artistry and power of fire." [caption id="attachment_1008781" align="alignnone" width="1920"] Markus Ravik[/caption] If this sounds familiar, that might be because you're thinking of Fire Gardens, another installation event with flames at its centre. It was last in Australia in 2024 for Illuminate Adelaide — and back in 2019, it was meant to also be part of the Brisbane Festival program. A hit everywhere from Stonehenge to the Pont du Gard before it began making stops Down Under, Fire Gardens hails from French art collective Compagnie Carabosse, a group that has been starting fires professionally for more than two decades. Its planned Brisbane trip six years ago didn't eventuate, however, due to devastating bushfires carving a destructive path across the Gold Coast and the Sunshine Coast at the time, plus a total fire ban that was put in place across southeast Queensland as a result. Afterglow is completely separate to Fire Gardens, though — and will run every 15 minutes each evening across its dates from 5.45pm. The trail is family friendly, and also accessible. The event falls within the jam-packed 2025 Brisbane Festival program, which also includes a Gatsby-themed show and pop-up club, turning some of the city's pedestrian bridges into an art trail, a tribute to beloved restaurant Sultan's Kitchen, and a world-premiere dance work by acclaimed choreographer Benjamin Millepied and LA Dance Project, to name just a few of its 106 productions and 1069 performances. [caption id="attachment_1008784" align="alignnone" width="1920"] Andrew Ogilvy[/caption] Afterglow will take over the Brisbane City Botanic Gardens, Alice Street, Brisbane between Friday, September 5–Saturday, September 27, 2025 during Brisbane Festival. For more information and tickets, head to the fest's website. Brisbane Festival 2025 runs from Friday, September 5–Saturday, September 27 at various venues around Brisbane. Head to the fest's website for tickets and further details. Top image: Mellumae and Sean Dowling. All images: Sony Music Entertainment.
Hate to see food going to waste? Saving your favourite treats from the bin and scoring a great deal in the process is now easier than ever, as Too Good to Go launches in Queensland. Following successful launches in Sydney, Melbourne and Perth, the world's largest marketplace for surplus food connects local businesses with customers, allowing for excess stock to go where it belongs — in someone's mouth. With the app having helped over 600,000 users save more than 400,000 meals, food-conscious consumers in Brisbane, the Sunshine Coast, Goldy and beyond are invited to explore what cheap goodies await in their area. While the app only launched in Australia in August 2024, it has already grown to include over 1,300 partners, with more than a few names you know and love using the app daily to offer 'Surprise Bags' filled with assorted goods. "Expanding our footprint to include Queensland is an important step in our goal to help halve Australia's food waste by 2030," says Joost Rietveld, Too Good to Go Australia Country Director. "Queenslanders are known for appreciating fresh food, and we are eager to empower Brisbane and greater Queensland locals to take meaningful action and contribute to a more sustainable future." Eateries like Bakers Delight, Muffin Break, Jamaica Blue, Sushi Sushi and Roll'd are all active on the platform, with delicious food available at a significantly reduced price. While most people are aware that food waste is an issue, the scale of the problem might spark surprise. Each year, 7.6 million tonnes of food is discarded, with over two-thirds still edible. As food loss and waste account for around 10 percent of global greenhouse gas emissions, the issue is a seismic one. Forming a neat part of the solution, Too Good to Go's model is win-win-win. Food businesses can recover costs on food that would otherwise be wasted, app users snag great food for an even better price, and the process has a tangible impact on greenhouse gas emissions. With more than 100 million users across 19 countries, the app's expansion in Australia highlights how locals are keen to do their bit. "We have seen an incredible response from Australians so far, with more than half a million people joining our community to save food from going to waste," says Rietveld. "There has never been a better time for food businesses to start saving food with Too Good To Go instead of seeing the food they have created with pride and joy ending up in the bin." Too Good to Go is available for download on the App Store and Google Play. Head to the website for more information.
If clothes make the man, the beard defines the attitude. Whether it's a sharp stubble, a neat fade or a bold statement moustache, the right grooming routine can elevate your whole look. That's where the Philips OneBlade 360 comes in. This all-in-one tool is built to trim, edge and shave any length of hair with precision and ease, thanks to a flexible 360-degree blade that follows the contours of your face, a five-in-one adjustable comb and a fast-moving cutter that can deal with hair of any length. To show what it can do, we've teamed up with Joe Kurdyla from Melbourne barbershop Kings Domain to walk us through four trending facial hair styles that you can nail at home with the Philips OneBlade 360. Short stubble Effortless and universally flattering, a tidy five o'clock shadow is an easy way to look put-together without appearing as though you've tried too hard. Keep it sharp by using the adjustable guard to maintain your preferred length, and let the 360-degree blade do the heavy lifting. Neat beard A short-to-medium beard with faded sides and defined edges is a low-maintenance way to enhance your face shape and jawline while still looking professional. No fuzz, no fuss. The OneBlade's precision trimmer lets you clean up the neckline and cheeks in seconds, keeping things fresh between barber visits. Full beard Bold, rugged and full of character, a full-length beard is a surefire way to make a statement. Use the OneBlade to shape and edge around the beard, especially around the cheeks and neckline, so it stays strong rather than scruffy. Retro moustache Throwback alert: whether you're going for the retro Tom Selleck look or prefer a neater, cleaner look (think: Nathan Cleary), the OneBlade's dual-sided blade helps you define edges with total control. Ditch the guard, tidy the stubble around your mo and let the whiskers take centre stage. For more information on the Philips OneBlade 360, head to the brand's website.
Phones and laptops are hardly the best screens for watching movies. At the cinemas, there's big screens, however, and then there's IMAX. The large-format system has been around for more than half a century, but it's a huge time for it in Australia right now. In 2023, Sydney's IMAX reopened, after it closed down back in 2016 to be rebuilt. In 2024, both the Gold Coast and Canberra scored their own IMAX screens. A second Melbourne venue has been confirmed as well, launching by the end of 2025, and now four more sites around the country are also on their way. Indeed, news that Village Cinemas Fountain Gate will give the Victorian capital another IMAX is still fresh, but that hasn't stopped an additional quartet of hefty screens from being announced. These four will hail from EVT, the hospitality company behind Event Cinemas. Three will welcome in movie lovers in 2026, with the fourth arriving before 2027 is out. EVT is also responsible for IMAX Sydney and IMAX Event Cinemas Pacific Fair on the Gold Coast, so it's no stranger to the world of giant picture palace screens. It also has IMAX venues up and running in New Zealand and Germany. All four of its new Australian sites will feature state-of-the-art IMAX with Laser systems, meaning that viewers can expect 4k laser-projection, bright images, a wide range of colours, deeper contrast and increased resolution. If you're wondering where Down Under these IMAXs are opening, that is yet to be revealed — but they're part of a lineup of seven new IMAX sites that EVT is opening worldwide. Also not known so far is whether these new Aussie IMAX sites will follow in Pacific Fair's footsteps, converting a screen within an existing cinema. Whichever eventuates — and wherever in Australia nabs IMAX screens, including whether IMAX is headed to cities that already boast one of its setups or is venturing further afield — this is the largest-ever deal for new Aussie IMAX locations. It does seem that at least some of these four screens are destined for new areas, however. "Moviegoer demand for IMAX significantly eclipses our current footprint in Australia and EVT continues to be very proactive and strategic in filling that gap, with IMAX locations set for new areas across the country," said IMAX CEO Rich Gelfond. "EVT and IMAX share a passion and keen focus on delivering the best possible cinematic experience, and we look forward to adding even more locations in one of our most productive markets worldwide," continued Gelfond. "A key element of the EVT entertainment strategy is to target investment into 'fewer and better' locations," said EVT CEO Jane Hastings. "Our customers love the IMAX format and when you pair that with our broad range of premium seating options, we continue to deliver world class moviegoing experiences." Three of EVT's four new IMAX locations will open in 2026, and the fourth is set to arrive in 2027. We'll update you when further information is revealed — keep an eye on the brand's website for more details in the interim. IMAX images: IMAX Sydney, IMAX Pacific Fair and IMAX Queensgate NZ.
You don't have to go to Tokyo to enjoy an immersive Japanese experience. You can, of course, and you should at some point, because there's really nowhere else in the world like it. But if you're eager to eat like you're already there, watch performances and take part in cultural activities, you can save yourself the airfare at the Matsuri Japanese Festival. Your bank account will thank you, and you'll take care of that nagging travel envy for an afternoon. A one-day celebration that's taking place at Whites Hill State College in Camp Hill in 2024 — the date: Saturday, September 7 — this is Brisbane's own ode to the country that brought us sushi, katsu, yakitori, sake, matcha lattes and more. Expect to find more than a few things from that list on offer, and plenty of things to see and do as well. Admission is free and, like every great cultural festival, you can expect a little bit of everything that makes Japan so ace.
First, RuPaul's Drag Race Down Under sashayed its way Down Under. Now, the series that's been known as Drag Race Down Under since RuPaul handed over hosting duties to Michelle Visage for season four is sharing its talents with the world. Or, to be more accurate, Drag Race Down Under vs The World is welcoming queens from around the globe to compete against Drag Race Down Under favourites. Stan has announced that Drag Race Down Under vs The World is on its way — although there's no exact release date as yet. The streaming platform has also revealed that Visage, who has been involved in the Drag Race world as a judge since the third season of the OG RuPaul's Drag Race, is hosting. PLus, Rhys Nicholson is back on the judging panel, joined by season four's winner Lazy Susan. Whenever it hits, there'll be eight hour-long episodes of Drag Race Down Under vs The World, all pitting Down Under competitors from the four seasons so far of Drag Race Down Under against contenders from beyond Australia and New Zealand's shores. Viewers will also be tuning in for a show that's following in the footsteps of other Drag Race spinoffs such as UK vs The World and Canada vs The World. The drag queens at the centre of the series haven't yet been announced, either, and neither has the lineup of guest judges. "After four incredible seasons of Drag Race Down Under, we're delighted to bring back our Aussie drag fan-favourites and unleash them onto the world stage," said Michael Healy, Nine Entertainment's Executive Director, Entertainment Content Commissioning. "With a formidable and familiar panel, and the reigning queen Lazy Susan joining the esteemed judges' desk, Drag Race Down Under vs The World will showcase the extraordinary talent we have in Australia and give local audiences a front-row seat to watch our queens shine globally." Drag Race initially made the leap Down Under in 2021 — and if you've been watching since, it's time to start guessing which past queens will be making a comeback for Drag Race Down Under vs The World. Of course, there's no trailer yet for Drag Race Down Under vs The World, but check out clips from past seasons of Drag Race Down Under below: Drag Race Down Under vs The World doesn't yet have a release date, but will stream via Stan and TVNZ when it returns — we'll update you with an exact date when one is announced.
Australian Cinémathèque is the cinema within Brisbane's GOMA — and because it's a member of the International Federation of Film Archives, they have access to the best film archives in the world. There are films you won't see on the big screen anywhere else in Australia, and many of the sessions are completely free. On Wednesdays and Fridays (cheap date night, anyone?), Australian Cinémathèque shows flicks from its eclectic range. From contemporary arthouse to historic cinematic fails, rediscovered restored works to cult classics, experimental styles to international oddities — and even silent film featuring live musical performance — a trip here is an absolute must for any true cinephile. Image: John Gollings
If Melbourne's famous for anything, it's a sense of discovery. Nothing beats the absolute thrill of ducking down a laneway, following the scent of coffee, and stumbling into something you didn't even know you were looking for. In one particularly special part of the city — Little Collins street — that discovery will bring you to Hotel Indigo Melbourne Little Collins. The hotel and its close neighbours are stitched together from historic buildings that once housed everything from Turkish baths to grand music retailers. Inside, things get even cooler. Its interiors are threaded with local stories, from a statement spiral staircase inspired by the drapery sold by Sidney Myer (yes, the founder of the eponymous department store) to a huge lobby mural by renowned Melbourne artist Lisa King. Best of all, the hotel's position on Little Collins street puts you right in the centre of Melbourne's CBD. Here's how to plan your next weekend exploring the neighbourhood. Begin in the Laneways Forget Google Maps for a while. The best part of this Melbourne neighbourhood is its grid-like layout, meaning it's almost impossible to get lost. In fact, the laneways around Little Collins are best explored without a plan. Hosier Lane is the obvious icon, its walls splashed with artwork and graffiti. But veer off course and you'll also stumble upon AC/DC Lane with its nod to Aussie rock, or Centre Place where tiny cafes and restaurants are packed with the local lunch crowd. Take Coffee Seriously It might sound cliché, but in this neighbourhood coffee really is the fuel that keeps everything moving. Pellegrini's, which opened in 1954, is a time capsule of Melbourne's espresso beginnings, when Italian immigrants kickstarted the city's coffee culture. Nearby, Brother Baba Budan is instantly recognisable for the chairs hanging from its ceiling, and Dukes on Flinders Lane is where the locals queue for their morning fix. Staying nearby means you're never more than a few minutes from a genuinely great cup. Dine Like a Local Melbourne is nothing if not a food city and around Little Collins, you'll find flavours from every corner of the globe within walking distance. Fern Bar and Dining, tucked inside Hotel Indigo, is a slick all-day spot where menus lean into seasonal Victorian produce and good vibes. It's perfect for a pre-theatre bite or early-morning brekky. Venture outside the hotel and you're spoiled for choice: Cumulus Inc serves refined share plates in a converted warehouse, Grossi Florentino is your go-to for old-school Italian, and Embla is the best place to crack a bottle of natural wines and seriously good bar food. Our best advice? Come hungry. Soak Up The Architecture From gothic banks to Victorian-era buildings and Art Deco beauties, Melbourne's skyline is a result of decades of boom and reinvention. Design lovers will want to check out the Gothic Revival spires atop the Manchester Unity Building, look up at Gaunt's Clock in Royal Arcade, and explore the intricate mosaic floors inside the Block Arcade. If you're planning a trip for next winter, Open House Melbourne also gives you the rare chance to peek inside heritage buildings usually closed to the public. Around here, even the spaces between buildings are just as interesting as what's inside them. The Perfect Base When you're done wandering, Hotel Indigo Melbourne Little Collins makes for a fitting place to land. Home to 179 modern, stylish rooms, it's built in a historic building and filled with nods to the neighbourhood. With a beautiful lobby area, luxe outdoor courtyard garden, and views across the city from almost every window, the space feels less like a cookie-cutter hotel and more like a continuation of the streets outside. Want to stay in the thick of it? Find out more about Hotel Indigo Melbourne Little Collins here.
Sometimes, you should go chasing waterfalls near Brisbane. What beats splashing about in a natural swimming pool, underneath streams of rushing water? Not much, especially when Queensland's hot, sticky weather kicks in. Living in the city may limit your opportunities to enjoy such aquatic experiences, but delights await if you're willing to go for a drive. Luckily, our national parks offer some of the best waterfall swimming in the country. Here are five watering holes that are more than just the rivers and the lakes you're used to — and all are just a short road trip from Brisbane. Recommended reads: The Best Snorkelling Spots Near Brisbane The Best Walks in and Around Brisbane The Best Rivers to Swim in Near Brisbane The Best Outdoor Pools in Brisbane [caption id="attachment_726971" align="alignnone" width="1920"] Matthew Taylor Thomas via Tourism and Events Queensland[/caption] Twin Falls, Springbrook National Park About 100 kilometres south of Brisbane, including a winding drive off of the Pacific Motorway, Springbrook National Park is large, sprawling and home to many-a-spot to wet your feet. Since its famous Natural Bridge closed its waters to swimmers due to dangerous conditions, Twin Falls has become the park's favourite place to take a dip. And what a place it is. Walking a four-kilometre circuit will get you there and back — hiking over rocks, tramping through jungle-like landscape and even stepping behind the waterfalls. Once you see them, you won't be able to resist jumping in. [caption id="attachment_785408" align="alignnone" width="1920"] Larissa Dening via Tourism and Events Queensland[/caption] Kondalilla Falls, Montville Heading north, the Sunshine Coast Hinterland boasts many treasures — and not just of the wintry variety. You might be more familiar with making the journey up the Bruce Highway to Montville to snuggle up in the cold, but you can also frolic in the nearby swimming spots when it is warmer. Located within Kondalilla National Park on the Blackall Range, the falls are named for an Aboriginal word meaning 'rushing waters.' In that, they deliver. The main attraction plunges 90-metres down into a rainforest valley. But, after a steep 45-minute walk to loftier heights, you'll find a rock pool with its own four-metre falls, as well as an adjacent picnic area. [caption id="attachment_785409" align="alignnone" width="1920"] Larissa Dening via Tourism and Events Queensland[/caption] Booloumba Falls, Conondale National Park Montville isn't the only quaint mountainous town with gushing streams close by — Maleny matches its neighbour for exciting experiences. You'll take a similar two-hour drive up from Brisbane, this time heading towards Kenilworth until you get to Conondale National Park. From there, it's a 1.5-kilometre walk, taking you from the designated picnic area to the stunning Booloumba Falls. Even if that sounds like a fair trek, traversing the distance is worth it to reach the Queensland waterfall, accompanying rock pools and the sights of The Breadknife rock formation. Just be sure to look out for leeches on the way. [caption id="attachment_971408" align="alignnone" width="1920"] Archmage01 via Flickr[/caption] Cedar Creek Falls, Tamborine Mountain In the heart of the Gold Coast Hinterland, Tamborine Mountain's most-popular spot can be enjoyed from above or below — or both. After venturing along Mount Tamborine Road and then Cedar Creek Falls Road, a quick walk takes you either up to the lookout, where you can see Cedar Creek Falls cascading into rock pools, or down to the only swimming holes on the mountain. When the water is really flowing, you'll feel like you're in a natural hot tub, without the heat. Picnic tables are nearby for those making a day of it, but be warned: if the weather is nice, they'll be busy. [caption id="attachment_785525" align="alignnone" width="1920"] Lenny K Photography via Flickr[/caption] JC Slaughter Falls and Simpson Falls, Mount Coot-tha What's this — waterfalls in Brisbane? And just a stone's throw away from the CBD? Yep, it's true. Located in the Mounth Coot-tha Reserve, both JC Slaughter Falls and Simpsons Falls are located just a 15–20 minute drive out of the city. But there is one catch: swimming under these falls will depend on how much rain we've had lately. If wet weather has cast shadows over the city (which is fairly likely during spring and summer), there should be just enough water for these falls to live up to their name. Regardless of recent precipitation levels, both sites are still ideal for barbecues and picnics. Plus, from the lookout to the botanic gardens, there are plenty of other things to do while you're in the Mount Coot-tha region. Top Image: Kondalilla Falls by Jesse Lindemann via Tourism and Events Queensland.
For a few winter weeks in 2025, Middle-earth is coming to the Gold Coast, but not exactly as everyone knows it. What happens when one of the most-beloved fantasy tales adds singing and dancing? Prepare to find out at The Lord of the Rings — A Musical Tale. The stage production layers tunes into JRR Tolkien's iconic story, including as its hobbits go on perilous adventures, and it has just locked in the only Queensland stop on its upcoming Australian tour. A Sydney season was announced back in August, with news arriving in October that Melbourne and Perth will also be enjoying a musical LoTR journey. Now comes confirmation of southeast Queensland's turn — only at HOTA, Home of the Arts from Friday, July 4–Sunday, July 20. On screens big and small for decades so far (and into the future, with more TV episodes and movies on the way), hobbits have trekked, ate second breakfasts and attempted to project precious jewellery. Onstage Down Under in 2025, they'll also be marking an eleventy-first birthday, receiving a gold ring, taking a quest to Mordor and attempting to fight evil in The Lord of the Rings — A Musical Tale. The Harbour City season at the State Theatre comes first, followed by a stop at Crown Theatre in Western Australia from March, then a Victorian stint at Comedy Theatre that starts in April — before the Sunshine State joins in. Dating back to 2006, just after the original live-action movie trilogy, this stage musical was revived in the UK in 2023, opened in the US in July 2024 and will hit New Zealand this November before crossing the ditch. Your guides for the show are the hobbits, of course, as Frodo and company celebrate Bilbo Baggins, then depart The Shire upon a life-changing journey. Thanks to Tolkien, what occurs from there has enthralled audiences for 70 years now, with The Fellowship of the Ring and The Two Towers initially hitting bookshelves in 1954. There's been no shortage of ways to indulge your Lord of the Rings love since Peter Jackson's features — including his Hobbit trilogy — helped fan the flames of pop culture's affection for Frodo, Samwise, Pippin, Merry and the franchise's many non-underground-dwelling characters. Cinema marathons, visiting the Hobbiton movie set, staying there overnight, hitting up pop-up hobbit houses, sipping hobbit-themed beer: they've all been on the agenda. Only The Lord of the Rings — A Musical Tale is combining all things LoTR with tunes and dancing, however, in a show that sports a book and lyrics by from Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Matilda the Musical, Groundhog Day the Musical), plus original music by Slumdog Millionaire Oscar-winner AR Rahman, folk band Värttinä from Finland and Matilda the Musical alum Christopher Nightingale. The Australian cast has also been announced, including Rarmian Newton as Frodo Baggins, Wern Mak as Samwise Gamgee, Jeremi Campese as Merry and Hannah Buckley as Pippin. Laurence Boxhall is playing Gollum, Andrew Broadbent steps into Elrond's shoes and Terence Crawford is Gandalf — with Rohan Campbell as Boromir, Stefanie Caccamo as Arwen, Rob Mallett as Strider, Connor Morel as Gimli, Conor Neylon as Legolas, Jemma Rix as Galadriel, Ian Stenlake as Saruman and Ruby Clark as Rosie, too. The Lord of the Rings — A Musical Tale Australian Dates 2025 From Tuesday, January 7 — State Theatre, Sydney From Wednesday, March 19 — Crown Theatre, Perth From Monday, April 21 — Comedy Theatre, Melbourne From Friday, July 4–Sunday, July 20 — HOTA, Home of the Arts, Gold Coast The Lord of the Rings — A Musical Tale is touring Australia from January 2025. Head to the production's website for further details and to sign up for the ticket waitlist. Images: Liz Lauren.
Catching a blockbuster or indie flick beneath the stars is already pretty special. Yet part of the reason so many people love Moonlight Cinema is that you can bring your dog along for the ride. Good luck finding a conventional cinema with that perk — unless Yarraville's Sun Theatre and their doggy day sessions are within reach. Now the experience for your pooch is getting even better, as Moonlight Cinemas across the country (except Perth) are adding exclusive Lyka doggie bag meals to the menu for the first time. So, when it's time to hit up the kitchen and bar for your movie night snacks, pet parents can also grab some dog-friendly goodies to keep their pup occupied. While you get stuck into the popcorn and perhaps a wine or two, your dog could be munching on a tasty kangaroo meal. Served as part of a goodie bag for $17, it comes with a handy DOG by Dr Lisa Lick Mat and a Turkey Dental Jerky Treat, perfect for times when your dog grows a little restless. And with everything handed over inside a convenient Lyka cooler bag, it's easy to keep the doggy snacks chilled on a warm evening. Ready for a night out with the fam — pets and all? Moonlight Cinema's 30th season kicks off on Friday, November 21, in Sydney, with Adelaide, Brisbane and Melbourne soon to follow.
Summer in Brisbane is getting a major new soundtrack. A brand-new program called Southwave: summer Electronic Series will take over South Bank across January and February 2026 and every event in the lineup is completely free. Running from January 2 to February 21, the series will host nine openair events at south Bank's Rainforest Green, transforming the riverside pocket into a tropical dance floor backdropped by greenery, pop-up bars and late-summer sunsets. Presented by South Bank, Double Agency and The Tivoli Group, Southwave is shaping up to be one of the biggest additions to Brisbane's summer events calendar. And the lineup is stacked. International names include Maribou State (DJ), Folamour, Rose Gray, DJ Seinfeld, Jimi Jules, Bimini and ABSOLUTE., joined by a deep roster of Australian favourites like Big Wett, Sampology, DJ JNETT, Jordan Brando, Laura Vizer, Wax'o Paradiso, Natural Steps and dozens more across the season. Each event is co-presented with some of the country's most trusted promoters, including Handsome Tours, Astral People, Kindacool, No Time, Mushroom Group, Family Tree and Natural Steps, curating riverside afternoons that slide into deeper twilight sets. "Electronic music has always been about connection and possibility," said Dave Sleswick, Curator and Creative Director of The Tivoli Group. "This series takes the spirit of the club and puts it into the heart of the city. We're giving artists and audiences space to dance, breathe and celebrate what Brisbane can be when culture is accessible, ambitious and proudly ours." Southwave also arrives alongside the inaugural On the Banks live music series, creating a new cultural moment for the precinct as south Bank leans further into accessible, openair programming. "Southwave will add a new rhythm to south Bank's summer," said south Bank CEO Julia Scodellaro. "Our collaboration with The Tivoli Group reflects a shared commitment to supporting artists, celebrating diversity and making culture accessible to everyone." All events are free to attend, but registration is essential via the Southwave website. Registration doesn't guarantee entry, but helps organisers manage capacity, communicate set times and provide any weather updates. If an event reaches capacity, entry will operate on a one-out, one-in basis. Brisbane's 2026 summer is already looking huge, and Southwave is set to be its new pulse, a chance to dance under the trees, discover new artists and welcome international favourites back to the river.
For two decades now, ever since Batman Begins proved such a smash back in 2025, the release of a new Christopher Nolan film has been a big occasion. Indeed, 'big' applies to much about the acclaimed director's approach. His movies are made for the big screen. The response is always huge. With The Odyssey, which releases in 2026, he's also making the first feature entirely shot on IMAX cameras. If you already have Thursday, July 16, 2026 marked on your calendar, then you're clearly keen for the filmmaker's first picture since 2023's Oppenheimer, which won him the Best Director Oscar. Here's another date of importance: Thursday, July 17, 2025. Tickets for The Odyssey at IMAX Melbourne have already gone on sale a year out from the movie's release, and they're already likely to sell out. View this post on Instagram A post shared by Odyssey Movie (@theodysseymovie) IMAX Melbourne is no stranger to showing Nolan's films, or for packing out its cinema while doing so. For The Odyssey, it will also be the only venue in Australia screening the movie on IMAX 1570 film and in the expanded 1.43 aspect ratio. If you haven't been keeping up with news about Nolan's 13th feature, the Memento, Inception, Interstellar, Dunkirk and Tenet director is adapting Homer's epic ancient poem about Odysseus' ten-year journey home to Ithaca after the also ten-year Trojan War. View this post on Instagram A post shared by Odyssey Movie (@theodysseymovie) Matt Damon (The Instigators) is playing Odysseus, Tom Holland (The Crowded Room) is his son Telemachus, and the rest of the cast also includes Zendaya (Challengers), Anne Hathaway (The Idea of You), Lupita Nyong'o (The Wild Robot), Robert Pattinson (Mickey 17), Charlize Theron (The Old Guard 2), Jon Bernthal (The Bear) and plenty more. IMAX Melbourne is one of a handful of IMAX cinemas around the world with tickets for its 70-millimetre sessions now on sale, and the only one in Australia. The Odyssey opens in Australian cinemas, including at IMAX Melbourne, on Thursday, July 16, 2026 — head to the IMAX Melbourne website for tickets.
If you catch public transport in southeast Queensland, then you'll know this feeling: in your rush to get out of the house, you've made it all the way to the bus, train, CityCat, ferry or tram without your Go Card. While gone are the days when you'd be slugged paper ticketing prices for forgetting your pivotal piece of plastic — thanks to the state's permanent 50-cent fares, which apply no matter how you're paying — it's still an annoying situation. Thankfully, that scenario is now a thing of the past. When the Sunshine State's Go Cards were introduced, they were billed as a quicker, easier way to pay for public transport — but if you've ever been in the above circumstances, had trouble topping up or been wrongly penalised for not touching off when you did, then you probably disagree. In fact, you've likely been dreaming of the day when you won't need a Go Card. Good news: ditching it is now a reality. Smart ticketing has been rolled out across SEQ's public transport network. If this feels like an 'about time' moment, that's because it is. Back in 2018, it was revealed that the Queensland Government was planning to trial and implement electronic payment methods for public transport. Then, in 2020, the first such test got underway on the Gold Coast. In 2022, the smart-ticketing technology was given a run on Queensland Rail services on the Ferny Grove line. Developments have been made since, but clearly it's been a lengthy journey to get to this point. The last piece of the puzzle across SEQ: Brisbane City Council's buses joining the system, which has now happened after the 17 other operators across the region had already done so. So, since Monday, March 24, 2025, you can now pay for your bus, train, CityCat, ferry and tram ticket using your smartphone; Visa, MasterCard or AMEX credit or debit card; or smart watch. All you need to do is tap on and off using your card or device. If you're keen to retain your Go Card, you can for now. In the future, the smart ticketing system will score its own new card, however. Even before the rollout was completed, more than 25 percent of customers on services with smart ticketing were already using it. [caption id="attachment_857365" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] [caption id="attachment_811655" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Smart ticketing has been rolled out across the southeast Queensland bus, train, ferry and tram public transport network. For further details, head to the Translink website.
Scroll any FYP in the year 2025 and you'll see run clubs and coffee raves galore. As Gen Z emerges from the pandemic armed with their hobbies and strict morning wellness routines, it's easy to lament the "death" of nightlife. @bree.active Sober rave 🤌🏽 #runclub #melbourne #lskd #coffeerave #caferave #soberrave #coffeeparty #coffee #run ♬ No Broke Boys - Disco Lines & Tinashe As someone who ran their first half-marathon post-Melbourne lockdowns, I get it. When the world feels increasingly out of control, choosing to spend time on healthy habits and getting out in the daylight feels like an antidote. It's not just Gen Z who are getting involved with these clubs; brands are also joining the trend. The cult Surry Hills cafe, A.P. Bakery, hosts a run club on select Sundays, and Onair in Cremorne serves both iced coffees and DJ sets every weekend. [caption id="attachment_996531" align="alignleft" width="1920"] Onair[/caption] The Visa Vibe Economy report, commissioned by Visa and conducted by McCrindle, shows that, despite Gen Z choosing cold brews over cocktails, the night-time economy is still strong — and young people in fact are leading the charge. According to the report, 32 percent of Australians consider night-time socialising either "extremely" or "very" important. Younger generations in particular value it for new experiences and social connections. Here's the cold, hard proof that it's not the last call for nightlife in Australia. Where are People Getting Out the Most? The Visa Australia Night-time Economy Index 2025, a new in-depth analysis measuring data such as spending, vibrancy, and venues open after dark, crowned Melbourne as the number one night-time hotspot in the country. Between its laneway bars, world-class restaurants, and sports and entertainment events, Melburnians are getting out of the house after dark the most frequently. [caption id="attachment_922915" align="alignleft" width="1920"] Her Bar, Melbourne[/caption] New South Wales, however, is rapidly catching up. Sydney's CBD outperformed Melbourne in terms of spending at night, but Melbourne took the top spot due to its night-time workers and merchants. Essentially, Melburnians are working late, with more inner-city haunts open longer than their Sydney counterparts. Sydney and its surrounding metro areas accounted for 12 of the top 20 night-time precincts in the country, proving that the after-dark economy may slowly but surely be recovering from the lockout laws. [caption id="attachment_1018911" align="alignleft" width="1920"] SXSW Sydney[/caption] According to the index, Canberra is the highest-ranked place outside the Sydney and Melbourne metro areas for evening spending. This is thanks to strong spending by tourists, people tapping their Visas after dark, and the fast growth in the number of restaurants open in the evening. A large percentage of Canberra's population is also young people and uni students aged 20-29, proving that Gen Z are helping to boost the economy with their socialising. That said, it wasn't just capital cities leading the charge. The regional university town of Newcastle, nearby Lake Macquarie, and the party town of the Gold Coast also made the top 20 list. Due to shift workers in industries like logistics and mining, rural areas, including Tasmania's South East, the Queensland Outback, the Northern Territory Outback and Warrnambool, had some of the highest night-time spending per active card. Why Are People Heading Out? We know, thanks to Visa's data, that Australians are still spending money after dark, but what are they doing? According to the Visa Vibe Economy report, dining out is the most popular night-time activity for a huge 76 percent of Australians. Over half of the people surveyed are also looking for night markets and festivals. [caption id="attachment_1014951" align="alignleft" width="1920"] Bessie's Restaurant[/caption] Despite what your FYP is telling you, the kids are alright. Gen Z is the most active demographic after dark, with 73 percent going out once or more per week (an average of 9.4 nights per month). Half of the surveyed generation also believes that nights offer more new experiences than the daytime, and 45 percent of Gen Z shared that going out after dark made them feel more connected to others than during the day. The Sober Curious Trend The data says that, despite our reputation as early risers and run club fanatics, Australians still try to find balance and head out after dark for a restaurant or festival experience. One thing our FYPs have right, though? We actually are drinking less. Only nine percent of Australians surveyed believe that alcohol availability when heading out for the night is extremely important. [caption id="attachment_1010146" align="alignleft" width="1920"] Katje-Ford[/caption] With Gen Z's "sober curious" attitude to alcohol, it seems that going out for a meal with friends is higher on the list for young Australians than hitting the clubs all night. Given Gen Z came of age during Sydney's lockout laws and the COVID pandemic, it's no surprise that the healthy habits of run clubs and pre-work coffee rave meet-ups are popular at the moment. The data has found, however, that Gen Z aren't resigned to their couches every Saturday night. Turns out, it's all about finding the balance. Discover the vibe near you. Lead image: Form Cafe Brisbane
Not all moviegoing experiences are created equal. At-home viewing will always be trumped by the silver screen and, once you're out of the house to see a flick, different picture palaces offer different vibes, seats, snacks and beverages. Care more about the film than the surroundings? There are venues for that. Keeping an eye on your bank balance but still want to see the latest and greatest features? There are spots for that, too. Fancy grabbing a drink from a glam new bar, enjoying privacy shrouds in Gold Class and, in the future, settling into a next-level boutique cinema? That's all on the menu at Event Cinemas Chermside. The northside shopping centre mainstay has been undergoing a massive revamp, with its first stage unveiled late in 2022. So, if you stopped by to see a Boxing Day flick — or box-office behemoth Avatar: The Way of Water — you will have noticed a few changes. If you're a Brisbanite who hasn't been in that part of town for a while, or even just that section of Westfield Chermside, big differences await. When it comes to actually catching a movie, the venue has upgraded its Gold Class cinemas. That means new whole-body reclining seats with those privacy barriers — so no one will interrupt your viewing — and far more seats Before you get comfy in Gold Class' treat yo'self setup, however, you'll spot Event Cinemas' new lounge and bar. It's where you grab a drink, of course, and pairs timber, blue hues and geometric designs, plus twinkling lighting above. Nab your tipple of choice — including a sizeable spirits range behind the bar — then relax in velvety, jewel-toned booths. Just remember to go see your movie when it starts (or save your trip here for a post-flick chat). The Chermside cinema has also gained a marketplace-style food offering and beverage centre for your flick-viewing snacks, which serves up freshly made flavoured popcorn, nachos and churros. And, there's a lolly tree stacked with movie confectionary favourites. As exciting as all of the above is, perhaps the best part is still on its way: Queensland's first next-level Event Boutique cinema. Already operating down south, and hailing from the same minds behind Gold Class, V-Max and the multi-sensory 4DX cinema, this addition to the chain's offering takes an existing theatre, decks it out with unique theming and turns the decor into a huge drawcard. Within the intimate but roomy spaces, movie buffs will also find luxurious recliner chairs and state-of-the-art sound technology, too, plus a levelled-up food and drink menu. Exactly what Chermside's boutique addition will look like hasn't yet been revealed, and neither has an opening date. Design-wise, it'll have a similar layout to Sydney's versions, but no two Event Boutique spaces look the same. Still, if you're wondering, the New South Wales capital's George Street cinema has two boutique theatres: the 'Paparazzi' auditorium, which is inspired by red carpet glamour; and 'The Library', which is all about the art of storytelling. Also yet-to-be-announced: Chermside's Event Boutique culinary and beverage range. As a guide, Sydney's iteration launched with cheese and charcuterie, smashed avo, croissants, banana loaf, wagyu beef burgers, braised brisket pies, reuben sandwiches, goat's cheese mini pizzas, fried-to-order cinnamon doughnuts, pints of Magnum ice cream and popcorn-topped chocolate brownies — and waiter service. [caption id="attachment_725805" align="alignnone" width="1920"] Event Boutique George Street, Sydney[/caption] Find Event Cinemas Chermside at Chermside Shopping Centre, 38 Hamilton Road, Chermside. We'll update you with further details about the venue's new Event Boutique setup, including a launch date, when they're announced.
One of the best ways to disconnect from the city and connect with nature is a leisurely soak in one of the best hot springs in New South Wales. Scattered across the state, most of these natural pools are sourced from the Great Artesian Basin — a massive underground supply of freshwater — and are renowned for their many health benefits, like melting away that muscle tension. Found tucked into the Blue Mountains or out in the vast expanse of central NSW, these hidden gems provide an opportunity for ultimate rest and relaxation. So grab your swimmers and get your body into one of the best natural hot springs near Sydney. Recommended reads: The Best Spas in Sydney The Best Ocean Pools in Sydney The Best Glamping Spots Near Sydney The Seven Best Out-of-Town Ocean Pools Near Sydney YARRANGOBILLY CAVES THERMAL POOL It's not hard to see why this thermal pool in the Kosciuszko National Park is a local favourite. Quiet and secluded, with heaps to explore in the surroundings, it's the perfect destination for an early autumn adventure or a crisp winter's day. Filled with water from a NSW natural hot spring, the 20-metre pool remains at a perfect 27 degrees all year round. Get there via a short (but steep) 700-metre walk from the nearby car park, or wind your way along the three-kilometre River Walk. If the temps aren't too frosty, have a post-swim feed in the adjacent picnic area before exploring the surrounding caves. Where: Snowy Mountains Highway, Kosciuszko National Park, Tumut. LIGHTNING RIDGE HOT BORE BATHS Located just outside the opal mining town of Lightning Ridge, these delightful baths are surrounded by remote bushland and are gloriously removed from all signs of civilisation — plus they're open 24 hours a day. You can soak in the hot waters of this NSW hot pool at sunrise, sunset, or any other time your little heart desires throughout winter. Night swims are particularly recommended as you can float in the 40-degree water while taking in the stunning expanse of the starry sky. A popular meeting place for Lightning Ridge residents, the baths are also a great place to get a feel for local life. Best of all? Entry is totally free. Where: Pandora Street, Lightning Ridge. BURREN JUNCTION BORE BATHS Want to extend your hot spring adventure into a relaxing weekend (or week) away? Pack a tent and head for the Burren Junction bore baths and campground. Camping is $6 per vehicle, and there are barbecue facilities, filtered water and electricity. Open 24-hours between April and November, the baths offer the opportunity to spend your days and nights soaking in the circular pool's 38-degree waters. Once you've melted away the week's tensions, head into town for a beer and a meal at the bustling Junction City Hotel for a taste of country town life just 2 kilometres away. While you're in the area, you may as well visit another natural bore bath in Pilliga. It's a half-hour drive from Burren Junction, and you can pitch your tent in the camping ground for $5 a night and, although the facilities are very basic, it's well worth it for proximity to the lovely baths. Recent upgrades have added a roof over the pool area, lighting for night bathing and a barbecue and picnic area. It's clearly one of the best natural springs in NSW to visit. If you'd rather rest your newly rejuvenated bod in a proper bed, book into the Pilliga Pub, three kilometres away from the baths. Where: Kamilaroi Highway, Burren Junction JAPANESE BATH HOUSE When relaxation is the name of the game, these peaceful baths on the outskirts of Lithgow are the perfect escape for anyone in need of a little R&R. Taking its cues from centuries-old Japanese culture, this picturesque bath house in NSW boasts indoor and outdoor onsen, as well as massage services, traditional gardens, public baths and accommodation all surrounded by the breathtaking scenery of the Blue Mountains. The natural mineral water here flows from 300 metres under the surface into the serine baths above ground. Book for a casual visit or a full day, or make the most of your relaxation with an overnight stay in one of the Japanese-inspired rooms celebrating the simple, unobtrusive beauty of the shibusa aesthetic. And don't bother bringing a phone charger, by the way — there's no wifi on the property and reception in the area is patchy at best, so you can unwind without any external distractions. Where: 259 Sir Thomas Mitchell Drive, South Bowenfels Top image: Yarrangobilly Caves Thermal Pool by Murray Vanderveer.
The Brisbane River may give our city that romantic feel, but its muddy waters are pretty off-putting for swimming purposes. There's a growing call to clean up the waterway, but with those plans still in the pipeline — and warm weather a Brissie constant — we don't have time to wait. So, we've scoped out some rivers near Brisbane where you can take a dip in clean, healthy waters. Whether you want to hang out underneath a tumbling waterfall or picnic among tranquil rock pools, there's a cool, watery escape for you here. Recommended reads: The Best Summer Day Trips From Brisbane The Best Waterfalls You Can Swim Under Near Brisbane The Best Walks Around Brisbane The Best Snorkelling Spots Near Brisbane [caption id="attachment_783110" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Garners Falls, Maleny At some point along the shady, ferny walking trail to Gardners Falls, the real world slips away. This dreamy rock pool feels like it could be a portal to some fairy tale alter-universe. It's hidden in the Sunshine Coast Hinterland, just a five-minute drive from Maleny — and a 90-minute drive north of Brisbane. There's a variety of swimming holes, from shallow spots where you can get your feet wet to an expansive pool beneath a waterfall. Spend your terrestrial time relaxing on rock platforms or go exploring in nearby bushland. Surrounded by native forest, the location is also ideal for a post-swim picnic under a giant water gum. It's easily one of our favourite Queensland rivers for swimming in. Bunya Crossing Reserve, The Hills District When you're short on time, make tracks to Bunya Crossing Reserve swimming hole, which you'll find on a bend in the South Pine River. It's just 25 minutes from Brisbane's CBD, so it's more or less in the suburbs. There are a bunch of spots of various depths, letting you completely submerge yourself or stick to paddling in the shallows. Note that you could be sharing the water with ducks, fish and turtles. In the surrounding bushland — part of Bunyaville State Forest Park — walking trails are home to possums, wallabies and bush turkeys. You're welcome to fish, bring your dog (as long as they stay on-leash) and there are gas barbies, too, where you can fire up your catch while it's still super fresh. [caption id="attachment_828020" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Currumbin Creek, Gold Coast Hinterland No doubt your usual motivation for road tripping to the Gold Coast is beaches. But drive inland from Currumbin Beach for just 15 minutes (about 1.5 hours south of Brisbane) and you'll reach the enchanting rock pools of Currumbin Creek, nestled into Currumbin Valley. Set against steep rock faces and dotted with rope swings and ledges, the Currumbin Rock Pools look like something out of an Enid Blyton adventure novel. Once you've finished up with your swim, you can always head to the Currumbin Wildlife Sanctuary, too, to enjoy an afternoon with native fauna in natural surrounds. [caption id="attachment_827977" align="alignnone" width="1920"] John via Flickr[/caption] Cedar Creek, Samford Samford's Cedar Creek is a 45-minute drive northwest of Brisbane, and it boasts quite the popular name. Yes, there's also a Cedar Creek in Tamborine National Park, plus another up in Proserpine — just to make things confusing. With this one, though, you're headed to a cheerful Queensland river spot that starts high up in Mount Glorious, before gradually winding its way to Moreton Bay. Be prepared for plenty of rocks, small but cute swimming spots, and having a leisurely creek dip. Don't forget to pack sturdy shoes to explore the area, and to bring a picnic. There's more than a few spots to eat, and you'll want to kick back and relax for a while. This all combines to makes it one of the best rivers for swimming in near Brisbane. [caption id="attachment_828019" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Lower Portals, Mount Barney National Park To make the most out of this river swim, leave early. The swimming spot is a 1.5-hour drive southwest of Brisbane, then a 7.4-kilometre loop along a steep and rocky trail. That might sound like an effort, but the cool, lush gully known as Lower Portals is worth it — especially on a steaming hot day in Brisbane. Here, you'll discover a string of crystal-clear rock pools, separated by enormous boulders and rising into subtropical rainforest. Fair warning: the water is usually rather cold, even in the middle of summer. But it's a refreshing dip during the warmer days ahead. You can find Abbott's Bakery products at all major supermarkets — and discover more tasty sandwich recipes via its website. Top image: Lower Portals, Mount Barney Lodge by Tourism and Events Queensland.
As the mercury rises, Australian cities come to life. Rooftop bars transform under the summer sun, the streets feel alive, and you start feeling that itch to explore. Call it a sign, but Vibe Hotels have decided to bring their Black Friday sale forward to match that exact feeling. From now until Tuesday, December 2 you can score 20 percent off at each of their hotels. Plus, sign up to the e-Club to receive an additional discount and instant reward every time you stay. From waterside gems to sun-drenched rooftop bars, these cities make for the perfect summer breaks. Adelaide [caption id="attachment_1043290" align="alignnone" width="1920"] Vibe Hotel Adelaide[/caption] Adelaide is often overlooked as a summer getaway thanks to its reputation as a city of churches. But, in reality, it's a foodie mecca, fringed with endless beaches. Base yourself at Vibe Hotel Adelaide, naturally. Start your day with a leafy walk to breakfast at sacred local spot Exchange Coffee as you plan which of Adelaide's beaches you'll spend the day lazing at: Glenelg, Henley, or slightly further out Port Noarlunga. Take a day trip to Kangaroo Island for more ridiculous beaches and wild life spotting. Or, you'll be spoiled for choice when it comes to wineries: Barossa, McLaren Vale, the Adelaide Hills, and the Clare Valley are all easy day trips. After a long day exploring, head back to your hotel for dinner at Storehouse Flinders East. Hobart Thanks to Dark Mofo, Hobart has earned a reputation as a winter city. But ask any local and they'll tell you it's a city made for summer. Vibe Hotel Hobart has a location perfect for exploring everything the city has to offer with onsite restaurant Belvedere showcasing the Apple Isle's bountiful produce. For more local-approved bites, head to hole in the wall wine bar Sonny or, for a sun-dappled beer garden, try Preachers in historic Battery Point. Hobart is the best place to make the most of Tasmania's wilderness with countless day trips at your fingertips. Spot wombats and dip in crystal clear waters at Maria Island, stand at the edge of the world in the Tasman National Park, or take a foodie tour of Bruny Island. If the Tasmanian summer isn't quite summering, thaw out in the heated swimming pool at your hotel. Subiaco [caption id="attachment_1041855" align="alignnone" width="1920"] Rottnest Island, Fabian Kühne[/caption] Subiaco—known affectionately as Subi to locals—is an ultra-sleek pocket of inner city Perth. You'll find excellent coffee, fine dining, and of course, Vibe Hotel Subiaco right in the thick of it. And, one of the city's favourite restaurants, Storehouse Subiaco is perched right on the roof with unparalleled views of the city skyline. Rokeby Road cuts through the heart of Subi and is lined with chic boutiques, galleries and some of Perth's best dining. Yiamas, Shui, Lulu La Delizia are some of the suburb's best eats. If you're taking a weekend break, stop by the Subiaco Station Markets to sample the local produce. You'll also find the Regal Theatre, one of the last live theatres in Perth within walking distance from your hotel. If you're craving beaches, you're conveniently staying on the train line to Fremantle. Fremantle is not only home to some of Perth's best beaches, but is also the departure point to access Rottnest Island. Melbourne [caption id="attachment_1043679" align="alignnone" width="1920"] Vibe Hotel Melbourne[/caption] Finding a reason to spend a weekend in Melbourne is one of life's easier tasks. When you add Vibe Hotel's 20 percent off Black Friday discount, its almost like you have to go. Fleet Rooftop sits 68 metres high above the Vibe Hotel Melbourne. Start your trip here with cocktails, artfully served small plates and a stellar view of the Melbourne skyline. You'll be staying right in the centre of the city so you can spend your trip weaving through laneways and arcades as you discover the cafes, bars and vintage boutiques. Catch a show at the nearby historic East End Theatre District. Or, back at your hotel, unwind in the pool before heading back to the rooftop for sunset. Vibe Melbourne Docklands also offers amazing views of the city and Yarra River with leisure facilities including a 28-metre heated rooftop pool (one of Melbourne's largest), a steam room and well-equipped gym. On the edge of the free city circle tram, you'll be in the heart of the city within 15 minutes while enjoying the more laidback atmosphere of the Docklands waterfront precinct. Darling Harbour [caption id="attachment_1043678" align="alignnone" width="1920"] Vibe Hotel Darling Harbour[/caption] Sometimes you just need a getaway to take a moment to enjoy Sydney's summer from a rooftop pool. Vibe Hotel Sydney Darling Harbour is the perfect place to do just that. Spend a weekend soaking up the sun from a poolside cabana with views out across the city. Then, as the sun begins to set, head over to Above 319, the hotel's rooftop bar for cocktails before enjoying a night out in Sydney. Try Pakistani food at Lal Qila, treat yourself to Japanese fine dining at nearby Nobu's or nab a reservation at Sydney institution, Bennelong. Make the most of summer and while away a weekend taking advantage of Sydney's beaches before you head back home to reality. Catch a ferry from Darling Harbour to locally loved beaches like Milk Beach or Camp Cove. Darwin Ask what people love about Darwin and two things come to mind. First, it's the city's technicolour sunsets (best viewed from the Darwin Sailing Club). Second, it's the quality of the laksa available thanks to Darwin's proximity to South East Asia. You'll find some of the best at Mary's Laksa at the weekly Parap Village Markets alongside satay and fresh tropical fruits. Head inland and visit Litchfield National Park for wild swimming in shaded outback lagoons. Then, to escape the tropical heat, duck into the Museum and Art Gallery of the Northern Territory for one of the country's best displays of Indigenous art. Vibe Hotel Darwin drops you in the heart of it all with its prime position by the waterfront precinct and Darwin Lagoon. Canberra Canberra is criminally underrated as a weekend getaway, and Vibe Hotel Canberra makes for the perfect base to see it all. The sprawling grounds of Parliament House sit at its heart. Just outside the grassy knolls of our political centre, you'll find the National Portrait Gallery of Australia and the National Gallery of Australia. Don't miss the Sculpture Garden's 26 outdoor pieces, including Within Without (2010) by James Turrell. After exploring, dive into Canberra's food scene. For cocktails, a kitschy styled space and small plates stop by Such and Such. For lunch, Sanducci does a daily rotation of—not to be dramatic—life changing sandwiches. It's worth slipping beyond the city limits to visit Canberra's vineyards, like Mount Majura, and Australia's tallest peak, Mt Kosciusko. The trails are unburdened by snow in the summer making it a perfect time to visit. Book your summer getaway now with 20 percent off stays at the Vibe Hotels website. Plus sign up to their eClub and receive an additional discount and instant reward every time you stay.
These viewers are in love: by the time that the first episode of Invisible Boys ends, pressing play on the next is a necessity, not a choice. Readers fell for the story of small-town Australian LGBTQIA+ teens grappling with who they really are in a remote community where everyone thinks that they know everyone courtesy of Holden Sheppard's award-winning 2019 novel. Now, thanks to an adaption created and directed by filmmaker Nicholas Verso (Boys in the Trees), streaming audiences are there with them. As a ten-part Stan series, Invisible Boys sets its action in 2017, as the same-sex marriage plebiscite is occurring, and as four young men in Geraldton in Western Australia navigate their identities, hopes, dreams and desires — and who they keep being told that they're meant to be. Consider the show's cast in love with this tale of coming of age and coming out in rural Australia, too. Chatting with Joseph Zada (Total Control), Aydan Calafiore (The Voice) and Zach Blampied (New Gold Mountain) means hearing about the genuine rapport that they formed as three of the eponymous Invisible Boys. Speaking with Pia Miranda (Windcatcher), who portrays one of the high school-aged lead characters' disapproving mothers, means discovering how significant it is for the star to again be helping to give an underrepresented community an on-screen space, as she did when fellow beloved book Looking for Alibrandi made the leap to cinemas 25 years ago. Anyone watching is already all in by the time that Invisible Boys' sixth episode arrives; however, as the local debutant ball becomes the only thing that anyone in Geraldton is talking about, impacting Zada's Charlie, Calafiore's Zeke and Blampied's Hammer in different ways, it's one of the series' standout chapters. That's equally the case for Zada, Calafiore and Blampied, in no small part due to a deeply affecting sequence where their characters, plus Joe Klocek (Territory) as farm boy Matt, get a rare moment to hang out together at the town's lookout. The bond that's evident between the quartet is genuine. "We just hung out a lot. We spent a lot of time rehearsing, and then I feel like the beautiful thing is that you get to meet these new people and we were lucky enough to get along really well with each other, and you can really see when there's real chemistry between characters on-screen. You can really tell that there's real chemistry between characters," explains Zada. "So if you're really good friends, it shines through. And there's a real connection between all of us and we really get along. It was so lovely to have that lookout scene where we were all together." "We had a lot of fun that night," adds Blampied. "We all talk about it, that lookout scene, it was a highlight for me. I think it's the only moment — I could be wrong — but I think it's the only moment where the four of us get to share the screen together, and all be talking and communicating and having a laugh, and really feeling like we are the invisible boys. We really find our people in that moment," notes Calafiore. Her character Anna, Zeke's mum, isn't a part of it, but Miranda was also moved: "it's beautiful, that scene — it brought tears to my eyes," she tells Concrete Playground. As Charlie, Zada plays a yearning and hurting soul who lives for My Chemical Romance, and for his dream of getting out of town when his punk band hits it big. When the series starts, he isn't living for himself, though, as he struggles with the death of his father when he was a kid, and hides his sexuality from his friends and family while making the most of hookup apps. Zeke and Hammer attend the same school: the former is the studious youngest son of a conservative Italian Australian family, where nothing he ever does is good enough; the latter is the resident Aussie Rules gun with his entire future as the next Indigenous AFL superstar mapped out. While Charlie has come out by the time that episode two starts, and is starting to connect with Matt and experiencing the rollercoaster that is falling in love, his peers have their own paths to chart. Heartfelt, raw, resonant, committed to rejecting the Hollywood view of the gay experience: as it swings between aching pain and amusing chaos, plus complicated decisions and life's messes and joys alike, they all apply to Invisible Boys. Zada, Calafiore, Blampied and Miranda want viewers to find hope in the series, and to see themselves in it, no matter their own personal journey. "I hope it inspires young people, young queer people, to be themselves, and let people know that if you're feeling alone, you're not alone — there's still people out there," offers Blampied, who took inspiration from Moonlight for his part and, like Hammer here, is no stranger to footy. "I think it'll obviously find its community, but I want everyone from every background and community to watch the show and give it a go," adds Zada, who is next treading where James Dean once did, playing the same character as the late, great icon in a new version of East of Eden. "There's a lot of topics that we cover — I'm sure everyone will have their own takeaways from it". In his TV acting debut after previously gracing the stage in Fangirls and Jagged Little Pill the Musical, and with an aim to continue to pursue both music and acting, Calafiore shares similar sentiments. "My takeaways from the show, from my time shooting and then even watching a couple of the episodes, was naturally the representation. We want people to see themselves in all of the characters, take what they need from everybody and feel like they can see themselves on the screen," he notes. "But I found with Zeke, my big takeaway was that you're not alone. Even though these boys are in this small town, everyone knows everyone but they feel so, so alone and so marginalised and so in their own little bubbles that they can't be themselves, and I think the show really goes through that and shows that emotion really, really strongly — then coming again to that lookout scene, it's the real moment where you're like 'wow, I'm not alone, even though it can feel like it and it feels like the entire world is against me'. There is a light out there somewhere and you just have to find that. You find your people. It's not always who, not that you get stuck with, but it's not always who you surround yourself with. And once you find that it's such a breath of fresh air. So that was a huge takeaway for me, that you're not as alone as you might feel." We also chatted with Zada, Calafiore, Blampied and Miranda about what initially excited them about being part of Invisible Boys, digging into their characters and pushing back against Hollywood's take on the gay experience — and about Zada balancing Charlie's fierce spirit and vulnerability, the complexities of Blampied's task given that there's never been an out gay or bisexual men's AFL-level player, how Calafiore approached Zeke's conflict between being his authentic self and his family, and Miranda serving up another on-screen Tomato Day. On What Initially Excited Zada, Calafiore, Blampied and Miranda About Being Part of Invisible Boys Zach: "The thing that really jumped out at me was just when I got the brief and I saw who the character was portrayed to be, and he was a narcissist and a bully and a jock, and had a big ego. I loved that, so I wanted to play that. But he also has a very sweet side, so it was nice to dive into the two." Joseph: "I really love the character of Charlie. I read the book after the first audition, and fell in love with this story and the characters. And I think it's also it was just so unique to see a story like this as an Australian TV series. It has a really important message and covers a lot of really prominent topics." Pia: "I think for me, I love being a part of something. This is definitely going to be a show where young people will see themselves reflected back for the first time. There's going to be some young people in remote parts of Australia who've never really felt represented on-screen. And so when you get to be a part of that, that's very exciting. I got my start in a film where that had that effect. There were a lot of young migrant people that saw themselves reflected back on-screen for the first time, so it's nice to sort of carry on that tradition. It was really beautiful and exciting. I don't think we've had an LGBTQI story set in — I mean, I might be wrong — but set in a rural town." Aydan: "I think you're right. I'm pretty sure it's the first, especially to come out of WA, a Western Australian-born kind of story. It's also just nice to be a part of something that you know will be a little bit of a conversation point and a conversation starter. I think it's really important for shows like this to be given the platform that Stan's given us just to encourage conversation around some of the tougher topics that shows don't usually dive into." Pia: "A great moment Nic spoke of was when he sent the first draft to Stan, to Amanda at Stan, and then she came back and said 'I thought you told me it was going to was going to be edgy' — and he went 'oh, you never hear that. You usually hear to tone things down'. And so he had this ability to go away and really just experiment and take chances, and do something risky and exciting." On the Cast's First Reads on Their Characters — and What They Wanted to Help Bring to the Screen Joseph: "For me, it was Charlie's vulnerability. I spoke about that with Nic as well. He's very defiant by nature, but he's got a big heart. He's very rebellious, except he's just looking for love — he's just scared of rejection. So that was the take I took." Zach: "The tough bravado, but what's behind that? That was where all the juicy stuff was, and I got to flesh that out. So it was a privilege — but also vulnerability. I think all the boys in the show are very vulnerable at points." Aydan: "It's tough dynamic, when you think about the fact there are people out there that experience mother-son dynamics like this, where it's not the most supportive and loving. I can't say that I experienced that at home. I had very loving, supportive parents, so it was a big shock to see Pia Miranda being so mean to me." Pia: "It's difficult. It's exciting when you get a role like that, because it's very layered and it's a big challenge to work out how to navigate a role — because you can't go into it being judgmental when you're playing a person, because you need that to just unfold naturally. So it's a nice balance to go 'okay, I need to work out how this woman ticks and what's making her feel this way'. It's nice to be able to go deeper. And I never wanted her to be a cartoon villain, because you don't want people to feel ostracised by the character, even though she is somewhat — in the book she's described as a monster, but I think a lot of that was on the page and I tried to have a little bit of, in quotation marks, fun with it, because I thought that would lighten it a little bit. I think we found it. We had a really great groove together and just working opposite Aydan was just a beautiful experience." Aydan: "The give and take was really nice." Pia: "We found something. You can do a lot of work at home, but then it's when you get on set, if you work with a great young actor, things really can unfold in a beautiful way. If you can have a laugh in-between takes, that really lightens the mood, so you can definitely go deeper and go harder. With some of the stuff, some of the stuff I say is pretty challenging and some of it was challenging for it to come out of my mouth, but I think it's important that there's a character like that in there." Aydan: "Oh, definitely. Having the connection off screen also meant for someone like myself, who doesn't necessarily have too much experience in the screen world, I felt super comfortable going there and feeling like I was being pushed by Anna. I felt really quite comfortable to dive into those darker places of being picked on by my mum." Pia: "And Nic is very caring, the director. So he would constantly check in. So when you feel like everyone's feeling safe on set, you can go deeper and go darker and push it a little harder." On Zada's Balancing Act as Charlie, Swinging Between His Fierce Spirit and His Vulnerability Joseph: "Yeah, it was really crazy. And we didn't shoot and order either, not that really would've helped anything. It's still very much topsy-turvy. But yeah, it was crazy — I think I had something nuts like two or three crying scenes, or at least very emotional scenes, a week. It was a lot to prepare for and was a lot to map out. He's a very animated character, Charlie. And so there obviously was a lot to balance, but I had fun doing it, and it definitely, definitely challenged me as an actor. I don't think I'd be half the actor today if I hadn't been given that opportunity by Nic. You just rip in, as with any other character you play. You do all your backstory and you just work hard. I did a lot about learning about punk music. That was a fun way to me. I use a lot of music in general, but just a learned a lot about My Chemical Romance, which is Charlie's favourite band, and their lead singer. And then just the emotional stuff, I didn't feel like I was too ready for it, but then as soon as you get there on the day and you've done all your backstory, it comes." On Blampied's Task Playing a Gay Aussie Rules Footballer When No IRL Men's Player at AFL Level Has Ever Come Out as Gay or Bisexual Zach: "I really love that question. You're probably one of the first people to ask that. But me and Nic had big convos about that, and how there isn't an openly gay or bisexual AFL player. You look at the dynamics of what they go through and it's crazy to think about. I think my goal with that character, specifically towards the end when we were filming some of those scenes, was to hopefully inspire some people in the future who may be playing footy or maybe really successful at that, to not be ashamed to be themselves. So hopefully my work as an actor resonates with some young folk here out there, and even older fellas that are playing footy at the moment. So hopefully there's a change soon. I've been in change rooms before. I've played footy for most of my life. I know the dynamic in in those locker rooms. I think Hammer's just scared at the end of the day. He's scared of what will happen if he actually chooses to be himself, so he has to put on this act for the people around him and his footy mates, and everything like that." On How Calafiore Navigated Zeke's Struggle to Be His Authentic Self When His Family Have Such Strict Expectations Aydan: "There's a lot of background work that went into the complexities of Zeke. He is super layered and I love that about him, because I think as humans were all pretty layered, so it was nice to dive into something that was meaty and had some substance. So I did a lot of work. I made three character journals, where I just made those little journals as 17-year-old Zeke, but in different moments, different headspaces. So if I knew that I had to dive into a scene where I maybe felt like I was under the thumb of family or friends or school bullies or whatever, I would dive into the pages of feeling trapped and feeling like I couldn't express myself and I don't know what's going on. Then there was moments where I felt like I did get to be myself and I didn't want to keep the keep the energy like I'm feeling trapped — I wanted to let Zeke flow a little bit more — so then I would flip to the pages that it's me being myself, and being unapologetically young and free, and exploring sexuality and all of that. So it was definitely a challenge, but I think there's something nice about getting a challenge as an actor. It means that you really get to dive in and do all the work. Because, I was really worried — I didn't want to be embarrassed, I didn't want to watch it on the screen and be like 'oh, dude, why didn't you go deeper?'. I didn't want to leave anything there on set. So yeah, it was a challenge, but I enjoyed getting my teeth into it." On What It Means to Miranda to Be a Key Part of Another Pioneering Aussie Coming-of-Age Tale — and If Doing Another Tomato Day On-Screen Is a Full-Circle Moment Pia: "Weirdly yes, because I've done Tomato Day twice and they've both been on-screen. I've never done one in real life. So it does a little bit. I mean, I don't — full circle makes me feel like my career is over." Aydan: "Half circle." Pia: "But definitely, when you are in a coming-of-age film and it feels like yesterday that you were the young actor on set, it does bring back memories — and definitely brought up those memories of my first job, and how wonderful the older actors were to me. And so it's very nice to hopefully pass on that tradition of caring and making sure young actors feel safe and supported, because you only really do your best work when you're relaxed and supported. So in that sense, it's really wonderful. But it is strange, because it does come quick. As you age, it comes quick — one day you're the young actor and the next day you're the older matriarch of the set. But also it's not lost on me that there's a privilege in that as well. I feel very lucky that I'm still working 25 years after that film. I feel like sometimes as women, we feel like there's a bit of an expiration date with our careers. So I'm very grateful for the opportunity to still have a meaty role, and to be able to just flex my muscles, which is really wonderful. It means a lot to me to be a part of this story. I've had such a wonderful time working on it. And I also have teenagers myself. I've grown up in an era where young actors were told to stay in the closet because people wouldn't believe them as a romantic lead. And I've lived that experience of seeing my friends go through that. And so to be able to be a part of something groundbreaking and positive and wonderful while I'm watching my young children grow up means a lot. And I think whenever you get to be a part of something that is deep and wonderful and you know is putting good into the world, that's a privilege as well." On Invisible Boys' Aim to Correct the Way That Hollywood Usually Portrays Gay Men and Gay Relationships On-Screen Joseph: "It just meant being more real and being more raw. Everything is very mapped out. Everything you see on TV when it comes to sex, especially nowadays, is thankfully very much well-rehearsed and everybody feels comfortable. But it was long conversations about just how bullshit sex is in any shows, and especially gay sex. There's a lot more to it. It's just like: no. But it makes for this this beautiful raw quality. And humour even, as well." Pia: "I have a lot of friends that I've messaged and gone 'can't wait for you to see this show, you're really going to love it' — because for me, I don't want to speak for the gay experience, but for me, a lot of my friends didn't have that experience where they were in the city and had found their tribe. It was a tricky road to find out where they belonged. I do a lot of work with Dolly's Dream, which is a charity that really deals with the mental health of young people, but especially people who are in rural communities who are feeling isolated. I'm very passionate about that. And so it was nice for me to actually tell a story that did deal with young people and mental health in rural communities who do feel isolated. And I think it'll be so great, because sometimes we just think about kids in the city when we're making art in Australia, and we forget that there's a whole country of people who are living in country towns and are very remote." Aydan: "It's also really special that the project itself is just so unbelievably authentic, being that all of the entire team of writers are all queer, plus obviously Nic Verso as well, so it was very easy to bring the story to life in an authentic way — especially in terms of the intimacy. I think that was a big one for me, was just making sure that it wasn't Hollywoodised. Because I think most young people go into their first time or some kind of intimate moment thinking that there's just going to be fireworks and candles, and there's a little bit of that that gets shown where it's candles and rose petals and quiet music and just the dream experience, but it's really never that. It's always awkward and unsure. And 'is this okay? Is it that? Is it this?'. It's awkward. It's real. It's human. So I think that that's just really an overarching theme of the entire show — that it's human, it's real, it's raw and it's not Hollywoodised. And I think that is something that was evidently really important to all of the writers and Nic, and passed on to all of us. It was important to keep it very authentic." Invisible Boys streams via Stan. Invisible Boys images: David Dare Parker, Stan.
For almost 30 years, December 21 Down Under has been known as Gravy Day. The reason: Paul Kelly's 'How to Make Gravy', which released in 1996. The best way to mark the occasion, of course, has always included making gravy and listening to the song. But in 2024, there'll be another way to celebrate: watching the movie adapted from Kelly's tune. News that the flick was coming initially dropped in 2022, with musician Meg Washington and writer/director Nick Waterman announcing that they'd locked in the rights to make the song into a film. Then, Australian streaming platform Binge revealed that it's behind the movie, marking its first-ever original feature — and that it'd hit this year. Now, the movie version of How to Make Gravy has a release date, arriving on streaming on Sunday, December 1. How to Make Gravy, the film, also now boasts a trailer. So, if you've been wondering how a tune becomes a movie, here's a glimpse. The Royal Hotel co-stars Daniel Henshall (RFDS) and Hugo Weaving (Slow Horses) feature as Joe and Noel. The first hails from the song — he's the prisoner who writes to his brother Dan to kick things off — while Noel is a new addition. Also starring: Brenton Thwaites (Titans) as Dan, Kate Mulvany (The Clearing) as Joe's sister Stella and Damon Herriman (now that he's no longer playing Charles Manson in both Mindhunter and Once Upon a Time in Hollywood) as her husband Roger. French actor Agathe Rousselle from Titane, who is making her first English-language film, also features as Joe's wife Rita. And yes, there's a Frank and a Dolly, aka Joe's twin daughters (newcomer Rose Statham and Christmas on the Farm's Izzy Westlake) — and an Angus, Joe's son (Jonah Wren Phillips, Sweet Tooth). Still on names from the music, Eloise Rothfield (Boy Swallows Universe) is Dan's daughter Mary, while Eugene Gilfedder (Babyteeth) and Kym Gyngell (The Artful Dodger) are brothers Gary and Murray. Kieran Darcy-Smith (Mr Inbetween) is also among the cast as new character Red — and with Washington one of the picture's driving forces, Adam Briggs, Brendan Maclean, Dallas Woods, Patience Hodgson and Zaachariaha Fielding are among the musicians with cameo roles. There's no word yet if Kelly pops up as the film tells of Joe's family's preparations to spend their first Christmas without him. Check out the trailer for How to Make Gravy below — and, because you've likely now got it stuck in your head, the music video for the song as well: How to Make Gravy will stream via Binge from Sunday, December 1, 2024. Images: Jasin Boland.
With headliners like Addison Rae, Dom Dolla and Kid Cudi, Beyond the Valley's tenth birthday lineup has been a hit so far — tickets sold out in under an hour. Now, the camping festival has announced a run club with Salomon — and a chance to win a pair of much-coveted tickets and return flights to Melbourne. There will be two rounds of run clubs — one at Albert Park on 6 and 13 December, and one at Beyond the Valley's Barunah Plains site during the festival, which runs from 28–31 December. In the lead up to the festival, Solomon is hosting two special runs at Albert Park. Participants will set off at Albert Park, accompanied by tunes from one of BTV's resident DJs, snacks and bevvies. Runners will get the chance to try out shoes from the Gravel running line — but they're limited, so first in best dressed. For the first time in BTV history, Salomon will also host a daily run club during the festival at Barunah Plains. If you need a wholesome way to shake the night before the music starts again, gather at 9.30am in The Lounge Room for an early jog. To celebrate the partnership, Salomon is giving away an all-inclusive pair of four-day BTV entries with every full price purchase from the store. The tickets comes with premium camping passes, vehicle passes and return flights to Melbourne. They've also thrown in four pairs of Salomon shoes to keep you moving on the dance floor. For more information, visit Salomon's official website.
Here at Concrete Playground, we're big proponents of the night-time economy. Cities that keep things moving after dark often offer the best in food, beverages and culture. And while Australians are notorious morning people (who love their 8am flat whites), data from Visa has shown that we still find a lot of value in getting out in the evening. The Visa Australia Night-time Economy Index 2025 is a new in-depth analysis measuring data such as spending, vibrancy, venues open and even the number of nightworkers who are boosting the economy after dark. According to the data, Melburnians are getting off the couch the most frequently and spending their hard-earned dollars on bars, restaurants, and late-night feeds. Sydney and its surrounding metro areas also nabbed 12 of the 20 top night-time hotspots, proving that the city is slowly bouncing back from its lockout laws. Of course, it's not exactly surprising that the two most populous East Coast cities are ruling the after-dark economy. However, there are also several regional areas, such as Newcastle and Lake Macquarie, that are tapping their cards once the sun sets. Canberra is also increasing its evening spending, thanks to tourists and the opening of more eateries. To learn more about the future of the night-time economy and what's trending after dark right now, Concrete Playground's Managing Editor, Eliza Campbell and Staff Writer Alec Jones shared their insights. CP: Melbourne was named the number one night-time hotspot in Australia according to data from Visa. Does this surprise you? Eliza: It doesn't surprise me at all. This city has an inherent underground nature that invites you to always be exploring and looking beyond the surface — particularly after dark. And nightlife isn't limited to weekends, either. Between gallery exhibitions, secret music gigs and speakeasy bars, there's something to get lost in at all hours, any day of the week. CP: 12 out of 20 of the night-time hotspots were in Sydney and its metro areas. What's your favourite thing about Sydney after dark? Alec: This began to pick up in late 2023 after we all shook off the last of lockdown fever, but it's that feeling of merriment in the air. It's like static electricity. Walking past busy bars and restaurants in suburbs like Darlinghurst, Surry Hills, and Newtown, hearing the chatter and seeing people share food and drinks with their friends and family, it never fails to make me smile. CP: What's one trend you're seeing emerge in the night-time economy that excites you? Eliza: The resurgence of secret gigs and DJ sets. I love the idea of last-minute announcements to see some of the world's best artists in intimate settings — first-come, first-served. There's less of a distinction between going to a live gig and going to a bar now. We want once-in-a-lifetime cultural experiences that blend seamlessly into the fabric of our city's nightlife, and I'm so here for it. Alec: Venues in Sydney that are really performing are the ones with a loyal audience, but also a hook. Something you can't find anywhere else, whether it's on the menu or just in the space. People aren't going out just to get drunk or have a feed; they're doing it to go to these specific places. [caption id="attachment_885691" align="alignleft" width="1920"] Above Board[/caption] CP: What's your top tip for planning the perfect night out? Eliza: Have a rough outline of the kind of evening you want to have — but leave room for spontaneous adventures. There's nothing worse than not knowing where to go or what to do next, but equally, some of the best nights are all about the memories you make getting from point A to point B. CP: What's a venue or precinct that gets the night-time experience right? Alec: YCK Laneways in the Sydney CBD has actually done a great job of revitalising an area that doesn't really scream "nightlife." The bars in that area are some of the most interesting venues you'll find in the city and are all within walking distance of one another (and your bus or train home). Eliza: One of my favourite Melbourne venues that absolutely nails the night-time experience is Collingwood's Beermash — and its (somewhat secret) adjoining speakeasy bar, Above Board. Beermash spotlights independent craft beer and wine producers and lets you take-away or drink-in at bottleshop prices. Al fresco drinks on the Smith Street terrace can be followed by award-winning cocktails upstairs in what's, in my opinion, one of Melbourne's most unique hidden bars. From casual and fun to cosy and intimate — the perfect evening trajectory. View this post on Instagram A post shared by Beermash (@beermash) [caption id="attachment_1025682" align="alignleft" width="1920"] Hyde Park[/caption] CP: How is nightlife intersecting with other parts of culture (like art, fashion, live music) in interesting ways right now? Eliza: What's interesting about the intersection of nightlife and culture right now is that there's less separation than ever before. With the rise of low- and no-alcohol trends, nightlife in 2025 isn't just about partying or bar-hopping anymore. People still want to experience their city after dark — but that now spans the full spectrum of the arts: galleries and museums staying open late, fashion infiltrating the food and drink scene, and live music spilling out from bandrooms into public (and often free-entry) spaces across the city. CP: Where's your favourite after-dark venue? Eliza: An after-dark venue needs good music, good drinks and just the right amount of grunge. For me, that's Heartbreaker in the CBD. Catch me screaming post-punk revival with a negroni in hand in the early hours of the morning. View this post on Instagram A post shared by Heartbreaker Bar 💔 (@heartbreakerbar) Alec: Crows Nest on the lower North Shore has exploded since the Metro station opened, Parramatta is packed with great venues, and love it or hate it, Bondi continues to be iconic without trying very hard. Ask a local who lives in a different part of Sydney from you and follow their advice. [caption id="attachment_994726" align="alignleft" width="1920"] Carriageworks[/caption] CP: What do you hope to see more of in our after-dark spaces from both venues and councils? Eliza: I'll always scream and shout about supporting the Arts. Free entertainment like live music, performance and exhibitions not only supports our incredible local arts community but also helps people stay connected to the endlessly inspiring, exciting and thought-provoking creative industries — especially in tough political and economic climates. The more we can bring people together, the better. Alec: Regular events like night markets consistently draw big crowds from locals, but what if instead of the same old gozleme and chips-on-a-stick stands, we got famous restaurants from around Sydney to get involved? That'd help connect communities with food and drink they can't usually find on their side of whatever the closest bridge is (we don't cross any of them enough). CP: For people who say, "There's nothing to do after 9pm anymore", what would you tell them? Alec: You're not trying very hard. You can find something really cool if you just look a little bit harder. Eliza: I'd say, "Where are you? Obviously not in Melbourne." Discover the vibe near you. Lead image: FG Trade Latin / Getty
Halloween has been and gone for 2024, but Australia isn't done with peering at pumpkins yet. One of the most stunning sights to see in the country right now, and on an ongoing basis, is a giant gourd that stands five metres tall. The fact that it's yellow and black, and also covered in polka dots, explains why this is such a spectacular piece of art: it's one of Yayoi Kusama's famous pumpkin sculptures. Back in April, Melbourne's NGV International promised that the end of 2024 and beginning of 2025 would be filled with spots and gourds when it announced Yayoi Kusama, its big summer blockbuster exhibition. Featuring 180-plus works from the Japanese artist, the retrospective opens on Sunday, December 15, displaying until Monday, April 21. Ahead of that launch, however, Dancing Pumpkin has already arrived — and been unveiled for gallery visitors to enjoy. Open to the public since Saturday, November 8, 2024 in NGV International's Federation Court, the 2020 piece is making its Australian debut. Until now, only two editions of it had been seen anywhere on the planet, initially in 2021 at the New York Botanical Garden and then in 2022–3 at the Museum of Islamic Art in Qatar. Yayoi Kusama itself is also a first, as a world-premiere that Aussie art lovers can only check out in the Victorian capital. Gourds and dots are among Kusama's trademarks, with Dancing Pumpkin combining the two in one of her biggest pumpkin sculptures of her career. Its towering height and legs in various poses — hence the name — means that visitors literally look up at the artwork. You can also wander beneath it. While checking out not just Dancing Pumpkin but the Yayoi Kusama exhibition overall is a summer must, the former is sticking around, with the piece acquired by the NGV. "We're delighted to unveil Yayoi Kusama's breathtaking Dancing Pumpkin sculpture ahead of our major exhibition surveying the artist's groundbreaking career. The newly acquired work, supported through the generosity of the Loti & Victor Smorgon Fund, will leave a defining impact on the NGV Collection and will be available for all Victorians to enjoy for many years to come," said NGV Director Tony Ellwood AM. When we say that this Kusama showcase, is big, we mean it. While the Japanese artist's work is no stranger to Aussie shores — and was the focus of a comprehensive showcase at Brisbane's Gallery of Modern Art back in 2017–18 — NGV International's ode to the iconic talent is the largest that the country has ever seen. Among its highlights is another of Kusama's usual fascinations: kaleidoscopic reflections. Visitors will also be able to scope out the world-premiere showing of a brand-new infinity mirror. The NGV has curated Yayoi Kusama with input from Kusama, with the end result stepping through the 95-year-old artist's eight decades of making art via a thematic chronology. Some pieces hail from her childhood. Some are recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s: they'll all appear. Half of the exhibition is devoted to the past four decades — so, pumpkins galore; giant paintings; and an impressive and expansive range of room installations, complete with her very first infinity room from 1965, plus creative interpretations since from the 80s onwards. Again, this is a hefty exhibition. It's one of the most-comprehensive Kusama retrospectives ever staged globally (and the closest that you'll get to experiencing her Tokyo museum without leaving Australia). Basically, wherever you look across NGV International's ground level, Kusama works will be waiting, spanning paintings, installations, sketches, drawings, collages and sculptures, as well as videos and clothing. For the first time in the country, 2019's THE HOPE OF THE POLKA DOTS BURIED IN INFINITY WILL ETERNALLY COVER THE UNIVERSE will unleash its six-metre-high tentacles — as also speckled with yellow-and-black polka dots. One section of the gallery will replicate Kusama's New York studio. Over 20 experimental fashion designs by the artist will also demand attention. Infinity Net paintings from the 50s and 60s, Accumulation sculptures and textiles from the 60s and 70s, and a Kusama for Kids offshoot with all-ages interactivity (fingers crossed for an obliteration room) are also on their way. Almost six decades since first debuting at 1966's Venice Biennale — unofficially — Narcissus Garden will be a part of Yayoi Kusama, too, in a new version made of 1400 30-centimetre-diameter stainless silver balls. Now that's how you open an exhibition, as this will. NGV's Waterwall is also scoring a Kusama artwork specific to the space, while the Great Hall will be filled with the giant balloons of Dots Obsession floating overhead. [caption id="attachment_950480" align="alignnone" width="1920"] Yayoi Kusama, 2022 © YAYOI KUSAMA[/caption] Dancing Pumpkin is on display at NGV International, St Kilda Road, Melbourne until Monday, April 21, 2025. Yayoi Kusama runs from Sunday, December 15, 2024–Monday, April 21, 2025. Head to the NGV website for more details and tickets. Images: Yayoi Kusama's Dancing Pumpkin 2020 now on display for the Yayoi Kusama exhibition at NGV International, Melbourne until 21 April 2025. © YAYOI KUSAMA. Photo: Sean Fennessy.
If you're a film and TV obsessive, how do you know that a new year has kicked off? Hollywood starts handing out awards. Tinseltown loves starting off the annual calendar by looking backwards, giving away trophies and having parties, with the Golden Globes 2025's first ceremony to celebrate on-screen achievements from the past 12 months — in cinemas and on television. 2025's accolades, rewarding 2024's big- and small-screen fare, took place on Monday, January 6 Australian time. Accordingly, there's now a brand-new batch of Golden Globes recipients for viewers to watch — or rewatch. Some, like The Brutalist and Emilia Pérez, haven't made their way Down Under just yet (they each arrive later in January), but plenty of others are ready and waiting for audiences to catch ASAP. Haven't seen Jesse Eisenberg (Fleishman Is in Trouble) and Kieran Culkin (Succession) play bickering cousins yet? Keen to relive every thrilling, heartbreaking and tense moment of Shogun? Fancy watching Baby Reindeer on your iPhon iPhone? Need a reason to shout "yes chef!". Feel like defying gravity? Eager for a dose of The Substance? They're just some of the 11 movies and TV shows that you can make a date with right now. (Wondering what else won, too? Read through the full list as well.) Movie Must-Sees A Real Pain He didn't feature on-screen in his first film as a writer/director, but 2022's When You Finish Saving the World couldn't have sprung from anyone but Jesse Eisenberg. Neither could've 2024's A Real Pain. In the latter, the Fleishman Is in Trouble actor plays the anxious part, and literally. He's David Kaplan, with his character a bundle of nerves about and during his trip to Poland with his cousin Benji (Kieran Culkin, Succession) — a pilgrimage that they're making in honour of their grandmother, who survived the Second World War, started a new life for their family in the US in the process and has recently passed away. David is highly strung anyway, though. One source of his woes: the ease with which Benji seems to move through his days, whether he's making new friends in their tour group within seconds of being introduced or securing a stash of weed for the journey. With A Real Pain as with When You Finish Saving the World, Eisenberg is shrewdly and committedly examining an inescapable question: what is real pain, and who feels it? Are David's always-evident neuroses more worthy of worry than the despondency that Benji shuttles behind his carefree facade, and is it okay for either to feel the way they do, with their comfortable lives otherwise, in the shadow of such horrors such as the Holocaust? As a filmmaker, Eisenberg keeps interrogating what he knows: A Real Pain's main train of thought, which was When You Finish Saving the World's as well, is one that he ponders himself. Although he's not penning and helming strictly autobiographical movies, his latest does crib some details from reality, swapping out an IRL aunt for a fictional grandmother, as well as a trip that Eisenberg took with his wife for a cousins' act of tribute. It's no wonder, then, that he keeps crafting deeply felt features that resound with raw emotion, and that leave viewers feeling like they could walk right into them. With A Real Pain, he also turns in a stellar performance of his own and directs another from Culkin, who steps into Benji's shoes like he wears them himself everyday (and takes on a part that his director originally had earmarked for himself). Thrumming at the heart of the dramedy, and in its two main players, is a notion that demands facing head-on, too: that experiencing our own pain, whether big or small, world-shattering or seemingly trivial, or personal or existential, is never a minor matter. Globes Won: Best Performance by a Male Actor in a Supporting Role in Any Motion Picture (Kieran Culkin). Where to watch it: A Real Pain is screening in cinemas Down Under. Read our interview with Jesse Eisenberg. The Substance If you suddenly looked like society's ideal, how would it change your life? The Substance asks this. In a completely different way, so does fellow Golden Globe-winner A Different Man (see: below), too — but when Revenge's Coralie Fargeat is leading the charge on her long-awaited sophomore feature and earning Cannes' Best Screenplay Award for her troubles, the result is a new body-horror masterpiece. Pump it up: the sci-fi concept; the stunning command of sound, vision and tone; the savagery and smarts; the gonzo willingness to keep pushing and parodying; the gore (and there's gore); and the career-reviving performance from Demi Moore (Landman). The Substance's star has popped up in Feud, The Unbearable Weight of Massive Talent, Please Baby Please and Brave New World in recent years, but her work as Elisabeth Sparkle not only defines this period of her life as an actor; even with an on-screen resume dating back to 1981, and with the 80s- and 90s-era likes of St Elmo's Fire, Ghost, A Few Good Men, Indecent Proposal and Disclosure to her name, she'll always be known for this from this point onwards, regardless of whether awards keep rolling in. Turning 50 isn't cause for celebration for Elisabeth. She's already seen film roles pass her by over the years; on her birthday, she's now pushed out of her long-running gig hosting an aerobics show. Enter a solution, as well as another 'what if?' question: if you could reclaim your youth by injecting yourself with a mysterious liquid, would you? Here, The Substance's protagonist takes the curious serum. Enter Sue (Margaret Qualley, Drive-Away Dolls), who helps Elisabeth wind back time — and soon wants Elisabeth's time as her own. Just like someone seeking the glory days that she thinks are behind her via any means possible, Fargeat isn't being subtle with The Substance, not for a second. She goes big and brutal instead, and audacious and morbid as well, and this is the unforgettable picture it is because of it. No one holds back — not Elisabeth, not Sue, not Moore, not the also-fantastic Qualley, not Dennis Quaid (Lawman: Bass Reeves) eating shrimp, not Fargeat, and definitely not cinematographer Benjamin Kracun (Promising Young Woman) or composer Raffertie (99). Globes Won: Best Performance by a Female Actor in a Motion Picture — Musical or Comedy (Demi Moore). Where to watch it: The Substance streams via YouTube Movies, iTunes and Prime Video. A Different Man Two of 2024's best films have one person in common: Sebastian Stan. In cinemas in Australia, The Apprentice and A Different Man released within weeks of each other; as well as making a helluva double feature, they boast two of the finest performances of the year as well. In both movies, the former Gossip Girl star with the best taste in picking interesting parts — see also: Logan Lucky, I, Tonya, Destroyer, Monday, Fresh and Pam & Tommy — plays men chasing a dream that turns out to be a nightmare: once as a certain US real-estate tycoon-turned-reality TV host and then president, and once as a struggling actor who desperately wants a new face. When A Different Man's Edward Lemuel undertakes an experimental treatment for neurofibromatosis, his disfigurement disappears; however, his hopes for stardom, or even just to feature in his playwright neighbour's (Renate Reinsve, Presumed Innocent) off-Broadway production about his own life and attract her romantic interest, can't be grasped that easily. Also turning in an excellent portrayal is Adam Pearson (Ruby Splinter) as Oswald, who has a firmer grasp on the existence that Edward so feverishly covets without any medical intervention. Writer/director Aaron Schimberg (Chained for Life) knows that The Elephant Man will spring to many audiences' minds — and astutely probes and questions why in a film that is unflinching in its exploration of perception, prejudice, identity, authenticity and self-worth. As it muses on what it takes to accept yourself and ignore the world's feedback, too, and whether external change can bring about an internal transformation, A Different Man also pairs exceptionally well with The Substance (see: above). Styling his feature as a psychological thriller as much as a black comedy, Schimberg refuses to let any moment pass by without needling, probing and unpacking. He digs into not only the mindsets that surround Edward, but equally explores the character's own view as he reinvents himself — with his new Sebastian Stan good looks — as newcomer Guy Moratz. It might have a few kindred spirits in various ways among 2024's highlights, but nothing else truly like this has reached screens in years. Globes Won: Best Performance by a Male Actor in a Motion Picture — Musical or Comedy (Sebastian Stan). Where to watch it: A Different Man streams via YouTube Movies, iTunes and Prime Video. Challengers Tennis is a game of serves, shots, slices and smashes, and also of approaches, backhands, rallies and volleys. Challengers is a film of each, too, plus a movie about tennis. As it follows a love triangle that charts a path so back and forth that its ins and outs could be carved by a ball being hit around on the court, it's a picture that takes its aesthetic, thematic and emotional approach from the sport that its trio of protagonists are obsessed with as well. Tennis is everything to Tashi Duncan (Zendaya, Dune: Part Two), Art Donaldson (Mike Faist, West Side Story) and Patrick Zweig (Josh O'Connor, La Chimera), other than the threesome themselves being everything to each other. It's a stroke of genius to fashion the feature about them around the game they adore, then. Metaphors comparing life with a pastime are easy to coin. Movies that build such a juxtaposition into their fabric are far harder to craft. But it's been true of Luca Guadagnino for decades: he's a craftsman. Jumping from one Dune franchise lead to another, after doing Call Me By Your Name and Bones and All with Timothée Chalamet, Guadagnino proves something else accurate that's been his cinematic baseline: he's infatuated with the cinema of yearning. Among his features so far, only in Bones and All was the hunger for connection literal. The Italian director didn't deliver cannibalism in Call Me By Your Name and doesn't in Challengers, but longing is the strongest flavour in all three, and prominent across the filmmaker's Suspiria, A Bigger Splash and I Am Love also. So, combine the idea of styling a movie around a tennis match — one spans its entire duration, in fact — with a lusty love triangle, romantic cravings and three players at the top of their field, then this is the sublime end product. Challengers is so smartly constructed, so well thought-out down to every meticulous detail, so sensual and seductive, and so on point in conveying Tashi plus Art and Patrick's feelings, that it's instantly one of Guadagnino's grand slams. Globes Won: Best Original Score — Motion Picture (Trent Reznor and Atticus Ross). Where to watch it: Challengers streams via Prime Video, YouTube Movies and iTunes. Read our full review, as well as what Zendaya, Josh O'Connor and Mike Faist had to say about the film when they were in Australia. Wicked The colour scheme was always a given. "Pink goes good with green," Galinda (Ariana Grande, Don't Look Up) tells Elphaba (Cynthia Erivo, Luther: The Fallen Sun). "It goes well with green," the grammar-correcting reply bounces back. The songs, beloved echoing from the stage since 2003, were never in doubt as both centrepieces and a soundtrack. As a theatre-kid obsession for decades, it was also long likely that the big-screen adaptation of Wicked — a movie based on a musical springing from a book that offered a prequel to a film that walked the celluloid road 85 years ago, itself jumping from the page to the screen — would have big theatre-kid energy as it attempted to ensure that its magic enchants across mediums. Enough to fill every theatre on Broadway radiates from Grande alone, someone who, as a kid, won an auction to meet the OG Wicked good witch Kristin Chenoweth (Our Little Secret) backstage. That enthusiasm is impossible not to feel. No one would ever want a muted Wicked, where the hues, in yellow bricks and emerald cities and more, weren't trying to compete with Technicolor — and the tunes, with Chenoweth and Idina Menzel's (You Are So Not Invited to My Bat Mitzvah) voices previously behind them in such full force, weren't belted to the rafters. Jon M Chu has a knack as a filmmaker of stage hits reaching cinemas: matching the vibe of the show he's taking on expertly. It was true of his version of In the Heights. It now proves the case in its own different way with Wicked. Achieving such a feat isn't always a given; sometimes, even when it does happen, and blatantly, any stage spark can be lost in translation (see: Cats). Again, movie viewers can feel that synergy, and how much it means to everyone involved. Globes Won: Cinematic and Box Office Achievement. Where to watch it: Wicked is screening in cinemas Down Under, and streams via YouTube Movies and Prime Video. Read our interview with production designer Nathan Crowley. Small-Screen Standouts Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. The HBO comedy gave viewers a two-year wait, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returned better than ever in season three in 2024, this time charting Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland , everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Globes Won: Best Television Series — Musical or Comedy, Best Performance by a Female Actor in a Television Series — Musical or Comedy (Jean Smart). Where to watch it: Hacks streams via Stan. Read our full review. Shōgun Casting Hiroyuki Sanada (John Wick: Chapter 4), Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as its three leads is one of Shōgun's masterstrokes. The new ten-part adaptation of James Clavell's 1975 novel — following a first version in 1980 that featured Japanese icon and frequent Akira Kurosawa collaborator Toshiro Mifune — makes plenty of other excellent moves, but this is still pivotal. Disney+'s richly detailed samurai series knows how to thrust its viewers into a deeply textured world from the outset, making having three complex performances at its centre an essential anchoring tactic. Sanada plays Lord Yoshii Toranaga, who is among the political candidates vying to take control of the country. Jarvis is John Blackthorne, a British sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman who is also tasked with translating. Each character's tale encompasses much more than those descriptions, of course, and the portrayals that bring them to the screen make that plain from the moment they're each first seen. As Game of Thrones and Succession both were, famously so, Shōgun is another drama that's all about fighting for supremacy. Like just the former, too, it's another sweeping epic series as well. Although it's impossible not to see those links, knowing that both battling over who'll seize power and stepping into sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. The scale is grand, and yet it doesn't skimp on intimacy, either. The minutiae is meticulous, demanding that attention is paid to everything at all times. Gore is no stranger from the get-go. Opening in the 17th century, the series finds Japan in crisis mode, Toranaga facing enemies and Blackthorne among the first Englishmen that've made it to the nation — much to the alarm of Japan's sole European inhabitants from Portugal. Getting drawn in, including by the performances, is instantaneous. Shōgun proves powerful and engrossing immediately, and lavish and precisely made as well, with creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) doing a spectacular job of bringing it to streaming queues. Globes Won: Best Television Series — Drama, Best Performance by a Male Actor in a Television Series — Drama (Hiroyuki Sanada), Best Performance by a Female Actor in a Television Series — Drama (Anna Sawai), Best Performance by a Male Actor in a Supporting Role on Television (Tadanobu Asano). Where to watch it: Shōgun streams via Disney+. Read our full review. Baby Reindeer A person walking into a bar. The words "sent from my iPhone". A comedian pouring their experiences into a one-performer play. A twisty true-crime tale making the leap to the screen. All four either feature in, inspired or describe Baby Reindeer. All four are inescapably familiar, too, but the same can't be said about this seven-part Netflix series. Written by and starring Scottish comedian Richard Gadd, and also based on his real-life experiences, this is a bleak, brave, revelatory, devastating and unforgettable psychological thriller. It does indeed begin with someone stepping inside a pub — and while Gadd plays a comedian on-screen as well, don't go waiting for a punchline. When Martha (Jessica Gunning, The Outlaws) enters The Heart in Camden, London in 2015, Donny Dunn (Gadd, Wedding Season) is behind the counter. "I felt sorry for her. That's the first feeling I felt," the latter explains via voiceover. Perched awkwardly on a stool at the bar, Martha is whimpering to herself. She says that she can't afford to buy a drink, even a cup of tea. Donny takes pity, offering her one for free — and her face instantly lights up. That's the fateful moment, one of sorrow met with kindness, that ignites Baby Reindeer's narrative and changes Donny's life. After that warm beverage, The Heart instantly has a new regular. Sipping Diet Cokes from then on (still on the house), Martha is full of stories about all of the high-profile people that she knows and her high-flying lawyer job. But despite insisting that she's constantly busy, she's also always at the bar when Donny is at work, sticking around for his whole shifts. She chats incessantly about herself, folks that he doesn't know and while directing compliments Donny's way. He's in his twenties, she's in her early forties — and he can see that she's smitten, letting her flirt. He notices her laugh. He likes the attention, not to mention getting his ego stroked. While he doesn't reciprocate her feelings, he's friendly. She isn't just an infatuated fantasist, however; she's chillingly obsessed to an unstable degree. She finds his email address, then starts messaging him non-stop when she's not nattering at his workplace. (IRL, Gadd received more than 40,000 emails.) Globes Won: Best Television Limited Series, Anthology Series or Motion Picture Made for Television, Best Performance by a Female Actor in a Supporting Role on Television (Jessica Gunning). Where to watch it: Baby Reindeer streams via Netflix. Read our full review. The Bear Serving up another sitting with acclaimed chef Carmy Berzatto (Jeremy Allen White, The Iron Claw), his second-in-charge Sydney (Ayo Edebiri, Inside Out 2) and their team after dishing up one of the best new shows of 2022 and best returning shows of 2023, the third season of The Bear is a season haunted. Creator and writer Christopher Storer (Dickinson, Ramy) — often the culinary dramedy's director as well — wouldn't have it any other way. Every series that proves as swift a success as this, after delivering as exceptional a first and second season as any show could wish for, has the tang of its prior glory left on its lips, so this one tackles the idea head on. How can anyone shake the past at all, good or bad, the latest ten episodes ruminate on as Carmy faces a dream that's come true but hasn't and can't eradicate the lifetime of internalised uncertainty that arises from having an erratic mother, absent father, elder brother he idolised but had his own demons, and a career spent striving to be the best and put his talents to the test in an industry that's so merciless and unforgiving even before you factor in dealing with cruel mentors. Haunting is talked about often in this third The Bear course, but not actually in the sense flavouring every bite that the show's return plates up. In the season's heartiest reminder that it's comic as well as tense and dramatic — its nine Emmy wins for season one, plus four Golden Globes across season one and two, are all in comedy categories — the Faks get to Fak aplenty. While charming Neil (IRL chef Matty Matheson) is loving his role as a besuited server beneath Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings), onboard with the latter's commitment to upholding a Michelin star-chasing fine-diner's front-of-house standards and as devoted to being Carmy's best friend as ever, he's also always palling around with his handyman brother Theodore (Ricky Staffieri, Read the Room). They're not the season's only Faks, and so emerges a family game. When one Fak wrongs another, they get haunted, which is largely being taunted and unsettled by someone from basically The Bear equivalent of Brooklyn Nine-Nine's Boyles. For it to stop, you need to agree to give in. In Storer's hands, in a series this expertly layered as it picks up in the aftermath of sandwich diner The Original Beef of Chicagoland relaunching as fine-diner The Bear, this isn't just an amusing character-building aside. Globes Won: Best Performance by a Male Actor in a Television Series — Musical or Comedy (Jeremy Allen White). Where to watch it: The Bear streams via Disney+. Read our full review. The Penguin Ambition courses through The Penguin, both within its storyline and in bringing the spinoff from 2022's The Batman to the small screen. HBO might be giving a swathe of its cinema hits the TV treatment, including Dune, IT, Harry Potter and The Conjuring; however, there's nothing by the numbers about Oswald Cobb's time in the television spotlight. With Colin Farrell reprising the show's titular role, and starring in two of 2024's standout new series in the process alongside Sugar, The Penguin isn't a mere attempted caped-crusader cash-in, as some fare about nefarious folks connected to well-known heroes have proven (see: Morbius, Madame Web and Kraven the Hunter). Across its compulsively watchable eight-episode first season, this crime drama has more than a touch of The Sopranos and The Godfather films about it — and not only is it aiming high in endeavouring to follow in the footsteps of two of the greatest mob stories ever told but, as developed and co-written by Lauren LeFranc (Impulse, Agents of SHIELD), it heartily earns its place in their company. Never forgetting who it is about and what Oz's future path is, no matter how much viewers start to warm to him throughout the series, The Penguin is also responsible for one of the most-heartbreaking moments of the past year. Set after the events of The Batman — a big-screen sequel to which, aka The Batman — Part II, is on the way — the show steps back into Oz's life as he's chasing his own ambitions. After years spent as an underling, including as the righthand man to Carmine Falcone (Mark Strong, Dune: Prophecy), he has his sights set on more than just doing everyone else's bidding. Complicating this quest for power: that it coincides with the release of Carmine's daughter Sofia (Cristin Milioti, The Resort) from Arkham, and she isn't willing to simply do what she's told by the new Falcone underboss (Michael Kelly, Pantheon). As Oz navigates a turf war also involving incarcerated rival Sal Marone (Clancy Brown, Gen V), The Penguin keeps his exploits personal through his demential-afflicted mother (Deirdre O'Connell, The Big Door Prize) requiring his care, and with kindhearted teenager Vic Aguilar (Rhenzy Feliz, Encanto) trying to steal Oz's rims but ending up with a job as his driver. A grounded waddle into the supervillain realm, and boasting exceptional — and rightly Golden Globe-winning and -nominated, respectively — performances from Farrell and Milioti, this is comics-to-screen storytelling at its best. Globes Won: Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television (Colin Farrell). Where to watch it: The Penguin streams via Binge. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. Globes Won: Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television (Jodie Foster). Where to watch it: True Detective: Night Country streams via Binge. Read our full review.
Here's a cheap way to update your wardrobe, as long as you're so fond of ALDI that you're keen to show your love via your outfit. Already a go-to for budget-friendly groceries, snow gear and whatever other specials that it can rustle up, the supermarket chain started its own streetwear collection in 2024, and that move proved a hit. Accordingly, you can now get excited about decking yourself out in the company's 2025 range. Selling clothes wasn't new for the chain when the ALDImania collection initially debuted, as everyone who regularly trawls its middle aisles will be well-aware, but this was the first time that the brand released its own ALDI threads. Those pieces sold out, so 2025's collection is even bigger. Everything still comes cheap, though, clocking in at under $20. Available from ALDI stores from Wednesday, April 9, 2025, the new range features 29 pieces. ALDI-branded hoodies, track pants, sneakers, socks and beanies are back, as are sweatshirts, t-shirts, bucket hats and caps. You can also get ALDI clogs this time around. For some items, there's also multiple colours available, with grey, back and white the 2025 lineup's base hues. Both types of shoes come in two styles, as do the t-shirts. For little ALDI fans, kids' sweatshirts and track pants are also on offer. Again made from sustainably sourced or recycled materials, the collection starts at $4.99 cost-wise, which'll get you a pair of socks. The most you'll pay is $19.99 for the sneakers. In-between those maximums and minimums, hoodies will set you back $14.99, beanies and bucket hats $7.99 each, clogs are the same price, and tees $8.99. If you'd like a compact umbrella (in three designs) or a double-walled insulated mug (in four designs), they help round out the collection. ALDI's 2025 streetwear range will hit the chain's supermarkets around Australia from Wednesday, April 9. Visit the ALDI website for more details.
If Meghann Fahy and Brandon Sklenar get teamed up again on-screen after Drop, don't be surprised. In a film set in a swanky sky-high Chicago restaurant, the two make a dream first-date pair. The importance of that shrewd casting move shouldn't be underestimated, because this thriller relies on its stars perfecting a number of complex tasks that are crucial to the feature's vibe. Viewers should feel the sparks between them, even when things get awkward. They need to want to like them as a couple, too. A layer of suspicion also has to float over Sklenar's Henry — but when Fahy's Violet is told by anonymous airdrops to kill him or there'll be grave consequences, no one should hope for that to happen. Directed by the Happy Death Day franchise and Freaky's Christopher Landon, Drop turns the initial in-person encounter been two people who've been connecting online into a fight for survival, and a puzzle. Inspired by IRL unrecognised messages coming producer Cameron Fuller (The Astronaut) and executive producer Sam Lerner's (The Goldbergs) ways on a holiday, the flick boasts a "what would you do?" scenario as well. In actuality, no one was told to get homicidal, of course, but that's what awaits Violet in a largely one-setting mystery where almost everybody is a suspect, tech surveillance and safety are also in focus, and the relatable fears that bubble up about the difference between how we present ourselves online and reality also drive the narrative. Landon's aim: to make a film with a modern Hitchcock feel that also takes inspiration from 90s thrillers, both things that audiences don't see every day in cinemas of late. That mix, that mission, that mood that Landon was looking for — and achieves — stood out to both The Bold Type, The White Lotus and The Perfect Couple's Fahy and 1923 and It Ends with Us' Sklenar. "It had a very clear point of view, which is part of what I found so attractive about the idea of it. I think it really knew what it wanted to do and knew what it was," Fahy tells Concrete Playground. Adds Sklenar: "it's a decisive film". Drop's villain is equally resolute: if Violet doesn't do what she's told or informs anyone about the instructions that she's being sent, this nightmare will impact her young son (debutant Jacob Robinson) and sister (Violett Beane, Death and Other Details). She can see on her home security cameras that someone has already broken into her house while she's out, waiting to harm her loved ones, all as she's attempting to be charismatic with Henry and uncover who is behind her hellish ordeal. Landon is purposeful himself, especially about plunging viewers into an immersive setup. The same applied with his cast and crew: to help those on the filmmaking journey with him, the production built a fully functioning restaurant to shoot in, right down to a real chef creating the menu. [caption id="attachment_1000353" align="alignnone" width="1920"] Alex J. Berliner/ABImages.[/caption] Do real-life awkward date moments — including the highly relatable type when unease simmers, even if just to you, because small things have gone wrong but they feel huge inside your head — assist when that's what you're enlisted to navigate? "We've all had those kinds of experiences," Fahy advises. "Definitely," chimes in Sklenar, noting that he "can't do mouth noises". The duo riff about it. "Like chewing and stuff," says Fahy. "That would be a thing for me," stresses Sklenar. "Makes you twitch. I get that. Noted," responds Fahy again. As the two bounce back and forth while speaking with us, they're in the same bantering mode that Violent and Henry are early in the movie, and charmingly, before the picture's date is saddled with life-and-death stakes. Drop places Fahy in another twisty mystery, as The White Lotus and The Perfect Couple both have in the last few years. With survivors of abuse also factoring into the storyline, as was the case in It Ends with Us, Sklenar is similarly in familiar territory. Symmetry also echoes in the two talents' paths to here, after starting out as actors at around the same time — onstage in the late 00s for Fahy, and in 2011 film Cornered for Sklenar — then working their way through the likes of One Life to Live, Political Animals, Miss Sloane, Mapplethorpe, Vice and Emily the Criminal between them to their recent respective TV successes. Amid jokes from the pair about their parallels, plus also potential other genres that Drop could've taken its thriller-slash-relationship drama into, we chatted with Fahy and Sklenar about the latest standout addition to their resumes. How pivotal it was for the movie to be as invested in the date as in the unnerving airdrops, shooting in the film's very own restaurant, Violet's survival story, approaching the picture as a long play: they all came up as well. On How Crucial It Is That the Film Is Invested in the Date, and in the Relationship at Its Centre, as Much as Its Horror-Thriller Setup Brandon: "It was important." Meghann: "I think it's part of what totally is so fun about the movie, because it has a romantic component to it, it is sort of a date movie, but it is also kind of a thriller. You get both. It's very much a hybrid." Brandon: "There was a sci-fi element early on, but we took that out — we just thought it was too genre-bending." Meghann: "But I think ultimately the story is about this relationship, and these two people who really are connecting in a way that is important and new for both of them. And it would be a great date if she didn't have to kill him." Brandon: "Yeah, it would be." Meghann: "It would be great." Brandon: "And in the end, it ends up being a good thing, I think. I think that it's not all bad." Meghann: "Nope." On Shooting in a Fully Functioning Restaurant That Was Created Just for the Film, Right Down to a Real Chef Whipping Up the Menu Meghann: "It was hugely helpful. I mean, you're in the environment, and it's so real that there's not even a big weird movie light in your face. It's just the lighting on the table and in the ceiling, so you really genuinely walk onto that set and you think 'I'm in a restaurant right now'. Which is incredible. It was very realistic." Brandon: "Yeah, it was." On Fahy's Task Digging Into Violet's Survival Story, and What It Takes to for Her to Keep Enduring Meghann: "I think that the way that we meet Violet is so violent and disturbing, and it has so much to do with her journey as a woman after that — and how she interacts with him, and why she's so nervous to go on the date in the first place. And so it's hugely informative, and was something that Chris and I talked about a lot, because it was so important that we honour her journey into moving on and having a healthy relationship — and being happy and feeling brave, and getting outside of herself and trusting herself. And I think that's what feels so good about this film, is the audience really gets to see her kind of become her own superhero. And it's just so wonderful to see that happen." On How Sklenar Approached Portraying Someone That Viewers Have to Remain on Edge with and Suspicious of, But Also Still Want to Like Brandon: "I think that there's a small degree of being aware of the plot and where it's moving, and trying to mislead the audience consciously in a certain way — and how you look at somebody or how you speak a line, or maybe a moment that you do that isn't scripted necessarily to misdirect the audience. And other than that, I think that it's on the page, mostly. And then, in just finding a rhythm with Meghann, and doing these scenes — it's essentially one giant scene, because it's in real time as soon as we get to the restaurant. So it's one 70-something-page scene." Meghann: "Yeah." Brandon: "And I prepared it like that. I memorised it like a play. And then you just show up and do it, and it just requires a great deal of presence and being present, as it is really like an acting exercise. And just being as present as you possibly can be." Meghann: "I don't think he gives himself enough credit for how interesting he made that character and how many tiny, nuanced things he layered into Henry, but it was really impressive." On Whether Fahy's Run of Twisty Mysteries, Including The White Lotus and The Perfect Couple, Is an Active Choice or How Great Parts Have Come Her Way Meghann: "I guess it's a little bit of both, to be honest with you. It is a genre that I really enjoy myself when I'm watching stuff, and it's super fun to make. So yeah, I think it's kind of — it was never consciously something I was chasing. I think it's just how things worked out. But yeah, there's definitely a mixture of both of those things for sure." On Fahy and Sklenar's Similar Journeys to Drop, After Starting Acting Around the Same Time and Enjoying Recent Small-Screen Successes (Including in 1923 for Sklenar) Brandon: "I guess we kind of do have paralleled situations. Same age. Kind of hitting it at the same time." Meghann: "Same hair." Brandon: "Same hair? Yeah, both Irish. I think that it's cool. I mean, I wouldn't have it any other way." Meghann:"Yeah, me either." Brandon: "I think there's something, there's a certain appreciation you have for the journey when you're not, I think, in your early 20s and you reach a certain level of success, and you've sort of worked at it for a really long time and tried to improve yourself personally along the way — because I'm a firm believer that the external is just a reflection of the internal. And neither of us would be sitting here at this table had we not grown as human beings outside of this crazy thing we decided to do with our lives. So that's imperative. And I think they're one and the same, and it's just a testament to keeping at it." [caption id="attachment_1000366" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] Meghann: "Yeah, taking it as it comes." Brandon: "And trying to do the best you can." Meghann: "Yeah, day by day. 100 percent. I completely agree." Drop opened in cinemas Down Under on Thursday, April 17, 2025.
It's hard to look past the historically bright personality and sticky pub floors of Oxford Street when passing through Paddington, but the beating heart of Sydney's eastern suburbs has spent the last few years undergoing a facelift amid the challenges of lockouts and lockdowns. Paddington has one of the most tightly-knit communities of the city, with a shared pride in both its history and present-day diversity of venues and businesses. Here, we've distilled a taste of it in partnership with Paddo Collective the locals who know it best. Read on to discover some of our favourite spots to visit in the daytime, then flick the switch above and we'll dim the lights to show your favourite things to do once the sun goes down.
When the Sydney Film Festival last happened in-person back in 2019, it awarded its annual prize to the movie that everyone had been talking about since its Cannes Film Festival Palme d'Or win a few weeks earlier: Bong Joon-ho's Parasite. Returning to Sydney's cinemas after a year's gap — longer, actually, after a few delays this year — SFF 2021 has declared another international festival favourite its latest Official Competition winner: Iranian drama There Is No Evil, which also nabbed Berlinale's Golden Bear in 2020. Receiving SFF's annual $60,000 award, the anthology film explores capital punishment and its impacts, with writer/director Mohammad Rasoulof examining the ripples that state-sanctioned killing has upon Iranian society. Pondering the threats and freedoms of life under an oppressive regime, it steps through the stories of a stressed husband and father (Ehsan Mirhosseini), a conscript (Kaveh Ahangar) who can't fathom ending someone's life, a soldier (Mohammad Valizadegan) whose compliance causes personal issues and a physician (Mohammad Seddighimehr) unable to practise his trade. Headed by Animal Kingdom, The Rover and The King filmmaker David Michôd, and also including actor Simon Baker (High Ground), NITV Head of Commissioning and Programming Kyas Hepworth, director and producer Maya Newell (Gayby Baby, In My Blood It Runs) and filmmaker Clara Law (Floating Life), the 2021 SFF Official Competition jury selected There Is No Evil "for its moving, multi-angled exploration of a singular theme, about the ways in which an entire culture can carry the burden of institutional cruelty." "Picking a winner from a collection of films as diverse as this one is never easy," said Michôd in a statement. "It's a movie adventurous with form and genre, beautifully performed and realised with a deft touch for simple, elegant filmmaking craft." Rasoulof has actually been banned from filmmaking in Iran, all for examining the reality of his homeland — and, after 2013's Manuscripts Don't Burn and 2017's A Man of Integrity, There Is No Evil continues the trend. "I want to thank the jury. I am really happy there is something more than a simple appreciation in this prize," the filmmaker said, accepting the award virtually from Tehran. "Being heard and understood is what keeps hope alive." In winning the Sydney Film Prize, Rasoulof's film follows in the footsteps of not only Parasite, but of other past winners The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015), Two Days, One Night (2014), Only God Forgives (2013), Alps (2012), A Separation (2011), Heartbeats (2010), Bronson (2009) and Hunger (2008). SFF announced There Is No Evil's win at its closing night ceremony, as well as a Special Mention to fellow Official Competition title Limbo — and a number of other awards spanning the rest of the 2021 program. The $10,000 Documentary Australia Foundation Award for Australian Documentary went to I'm Wanita, a portrait of the self-described 'Australian queen of honky tonk', while producer and director Karina Holden received the $10,000 Sydney-UNESCO City of Film Award. In the Dendy Awards for Australian Short Films, Sophie Somerville's Peeps won the Dendy Live Action Short Award, Taylor Ferguson received the Rouben Mamoulian Award for Best Director for tough and Olivia Martin-McGuire's Freedom Swimmer nabbed the Yoram Gross Animation Award. As previously announced before and during the festival, filmmaker Darlene Johnson received the 2021 Deutsche Bank Fellowship for First Nations Film Creatives, while Australian documentary Burning, directed by Eva Orner, scored the first-ever Sustainable Future Award. The 2021 Sydney Film Festival ran in-person from November 3–14, with the festival's online program SFF On Demand now streaming until November 21.
In news that won't surprise Melburnians, the city has been ranked Australia's number one night-time economy hotspot. From Fitzroy's buzzing bars to the fine dining restaurants in the CBD, Melbourne is doing its part for the economy by enjoying life after dark. This is according to the Visa Australia Night-time Economy Index 2025, a new in-depth analysis measuring data such as spending, vibrancy, venues open and even the amount of nightworkers boosting the economy after dark. Trailing just behind Melbourne is Sydney's CBD, which came in with a night-time Vibe Score of 74.3. So close. [caption id="attachment_1029745" align="alignleft" width="1920"] Martin Vlnas[/caption] The Visa Vibe Economy report, commissioned by Visa and conducted by McCrindle, reveals that the Victorian capital is dining out at restaurants more frequently than other cities after dark. The report surveyed 2,009 Australians to learn how we spend our evenings (and how much cash we splash on a night out). [caption id="attachment_912072" align="alignleft" width="1920"] Nick & Nora's[/caption] Who's going out after dark? While Australians may be proponents of morning run clubs and coffee catch-ups pre-work, it turns out that there are a few of us who still make the most of the evenings. According to the report, nearly half of Australians are going out at night at least once a week, with an average of 5.8 night-time outings per month. Not bad. Gen Z is at the head of the pack, with 73 per cent of the demographic making it out at least once a week. Millennials are right behind their younger siblings with an average of 7.2 nights out per month. Melbourne and Sydney may be leading the night-time charge, but other cities aren't glued to their couches all week. People in Wollongong and the Gold Coast are keeping the night alive, with an average of 6.3 nights out per month, followed closely by Brisbane at 6.1 nights a month. [caption id="attachment_868653" align="alignnone" width="1920"] Kate Shanasy[/caption] What are we up to on a night out? In good news for business owners, the majority of nights out are spent in our world-class restaurants. While most Australians prefer to keep their dining local, Gen Z is maintaining its adventurous reputation by being the demographic more likely to try cuisine in a new suburb. Outside of restaurants, 46 per cent of Australians are heading to the cinema to watch a movie after dark, with night markets and bars and pubs also ranking high on our evening activities. How much are we spending? With so many Aussies enjoying a night out with friends, the report finds that the majority of us are factoring evening activities into our spending. More than half of Gen Z actually consider spending after dark an essential part of their budgets. According to the report, the average we're forking out for an evening on the town is $120 or less per person. On the other hand, 66 per cent of respondents reported that cost is one of the main barriers to heading out for the evening. Feeling safe is also a major factor in shaping how, when and where Australians go out. [caption id="attachment_1026041" align="alignleft" width="1920"] Ennui[/caption] The future of the evening economy Sadly, many Australians feel their local nightlife isn't as vibrant as it could be—and want to see councils and businesses invest in making it better. Whether it's the after-effects and behavioural changes post-pandemic or the cost of living crisis, the report shows that nearly half of Australians believe their local nightlife needs investment to feel more vibrant. The report notes that Australians are asking for more night markets and festivals, affordable night-time options, and safer public spaces over the next two to five years. Despite Australians' reputation for being morning people, it's clear we're doing our bit for the economy by seeing our friends for a meal out, sipping on a pet nat in a Collingwood wine bar and enjoying the night markets in Sydney. So, consider this your sign to do your part and book an after-dark experience this weekend. Discover the vibe near you. Lead image: Getty/ Prasit Photo
Not every film that wins an Oscar, earns a nomination for Hollywood's night of nights or gets selected by its country to go in the running for the coveted accolades makes it to cinemas Down Under beyond festivals. A movie can have international fests buzzing as well, yet still bypass a big-screen release in Australia. That's the fate for plenty of features; however, gone are the days when skipping a date with picture palaces was a sign of a bad movie. The streaming era means that a new flick is always dropping on one of the many platforms that are available to Aussie audiences. While they can't all be excellent, that's no different to what does make it to the silver screen. The gems that go straight to home viewing are up there with the gems that do get the movie-theatre treatment — as the highlights from January–June 2024 make clear. There are indeed Academy Award-winners on this list, as well as nominees. Films that'll compete next year, festival favourites, movies with big-name stars or from high-profile directors: they all feature as well. If you haven't caught them on the couch already alongside fellow straight-to-streaming standouts from 2024's first six months, take this as your motivation, whether you're after shattering documentaries, truth-is-stranger-than-fiction comedies, affecting dramas, gorgeous animation or plenty of horror. 20 Days in Mariupol Incompatible with life. No one should ever want to hear those three devastating words. No one who is told one of the most distressing phrases there is ever has them uttered their way in positive circumstances, either. Accordingly, when they're spoken by a doctor in 2024 Oscar-winner 20 Days in Mariupol, they're deeply shattering. So is everything in this on-the-ground portrait of the first 20 days in the Ukrainian port city as Russia began its invasion, with the bleak reality of living in a war zone documented in harrowing detail. Located less than 60 kilometres from the border, Mariupol quickly segues from ordinary life to an apocalyptic scene — and this film refuses to look away. Much of its time is spent in and around hospitals, which see an influx of patients injured and killed by the combat, and also become targets as well. Many of in 20 Days in Mariupol's faces are the afflicted, the medics tending to them in horrendous circumstances, and the loves ones that are understandably inconsolable. Too many of the carnage's victims are children and babies, with their parents crushed and heartbroken in the aftermath; sometimes, they're pregnant women. Directed by Pulitzer Prize-winning journalist Mstyslav Chernov, and narrated by him with the grimness and soberness that can be this movie's only tone, 20 Days in Mariupol even existing is an achievement. What it depicts — what it immerses viewers in with urgency, from shelled hospitals, basements-turned-bomb shelters and more of the city destroyed day after day to families torn apart, looting, struggling to find food and bodies of the dead taken to mass graves — needs to be viewed as widely as possible, and constantly. His footage has also featured in news reports, but it can and must never be forgotten. Doctors mid-surgery demand that Chernov's camera is pointed their way, and that he shows the world the travesties taking place. The Ukrainian reporter, who has also covered Donbas, flight MH17, Syria and the Battle of Mosul for the Associated Press, does exactly that. He's doing more than ensuring that everyone bears witness, though; he makes certain that there's no way to watch 20 Days in Mariupol, which shows the vast civilian impact and casualties, and see anything but ordinary people suffering, or to feel anything other than shock, anger and horror. 20 Days in Mariupol streams via DocPlay. Society of the Snow It was meant to be a fun trip to Chile with friends and family for a game. When the Old Christians Club rugby union team boarded Uruguayan Air Force Flight 571 in Montevideo on October 13, 1972, destination Santiago, no one among them knew what would happen next. The plane didn't make it to its destination, as 1976 Mexican film Survive!, 1993 American movie Alive and now Spanish-US co-production Society of the Snow each cover. All three features boast apt titles, but only the latest sums up the grim reality and existential dilemma of crashing in the Andes, being stranded for 72 days in snowy climes with little resources against the weather — or for sustenance — and attempting to endure. Taken from the memoir by Pablo Vierci, aka La sociedad de la nieve in Spanish, only this phrase adorning JA Bayona's (Jurassic World: Fallen Kingdom) picture encapsulates the tremendous effort that it took to find a way to persist, as well as the fact that trying to remain alive long enough to be rescued meant adapting everything about how the survivors approached each second, minute, hour, day, week and month — and also links in with how a catastrophe like this banded them together, doing whatever it took to find a way off the mountains, while reshaping how they contemplated what it meant to be human. Society of the Snow isn't just a disaster film detailing the specifics of the flight's failed trip, the immediate deaths and those that came afterwards, the lengthy wait to be found — including after authorities called the search off — and the crushing decisions made to get through. Bayona, who also helmed the 2004 Indian Ocean tsunami-focused The Impossible, has made a weighty feature that reckons with the emotional, psychological and spiritual toll, and doesn't think of shying away from the most difficult aspects of this real-life situation (including cannibalism). This is both gruelling and meaningful viewing, as crafted with technical mastery (especially by Don't Breathe 2 cinematographer Pedro Luque, plus Cinco lobitos' Andrés Gil and Cites' Jaume Martí as editors), built upon brutal candour, and paying tribute to resilience and then some. Its feats extend to its hauntingly acted performances from a cast that includes Enzo Vogrincic (El Presidente), Agustín Pardella (Secrets of Summer) and Matías Recalt (Planners), all contributing to an account of camaraderie and sacrifice that deserves its Best International Feature Film Oscar nomination. Society of the Snow streams via Netflix. The Devil's Bath Suspense and tension, how to cultivate such a strong atmosphere of unease that it feels as if it drips from the screen, the darker side of human nature, sheer existential exasperation: writer/directors Veronika Franz and Severin Fiala know these things. The Austrian filmmakers are just as well-aware of how to make movies that crawl under your skin as much as distress does with their characters. For that sensation at its very best, see: Goodnight Mommy, their Oscar-submitted 2014 debut (which was then remade in America in 2022). The Devil's Bath earns the same description, too. The duo's first feature since 2019's Riley Keough (Under the Bridge)-starring English-language horror flick The Lodge, it needles deep as it follows new bride Agnes (Anja Plaschg, Axolotl Overkill), who is thrilled to be starting her married life to Wolf (David Scheig, Heribet), even if that joy doesn't seem completely reciprocated. Relationship disharmony bubbles at the heart of this 18th century-set film, but that's not the only force bearing down on a woman that no longer has any agency — and, soon, little hope left simmering as well. Franz and Fiala begin The Devil's Bath with a different scene of domestic struggle. They haunt their viewers from the outset, too. First up, a woman throws a baby over a waterfall, then turns herself in for punishment, knowing that she'll meet her end via decapitation. With that scene as a prologue, it hardly appears strange that Agnes is thrilled to receive a severed finger as a wedding gift — a digit that's meant to bring luck for starting a family. But nothing in the way of good fortunes spring when she's soon away from her other loved ones, left alone in a woodland cottage as Wolf works by day, stuck navigating his disinterest in the bedroom each evening and frowned upon constantly by her new mother-in-law (Maria Hofstätter, Andrea Gets a Divorce). There's history to Franz and Fiala's screenplay, which draws upon real events, and the mood of despair that seeps from returning Goodnight Mommy cinematographer Martin Gschlacht's grey-toned frames sports a can-only-be-true bite to it. There's little sunshine shed on the imagery, or on the way that people treat each other — and there's even more terror in realising that the lines between this arresting picture's vision of the past, even as set within a deeply superstitious and puritanical community, and today are far from faint. The Devil's Bath streams via Shudder and AMC+. Hit Man The feeling that Glen Powell should star in everything didn't start with Top Gun: Maverick and Anyone But You. Writer/director Richard Linklater (Apollo 10 1/2: A Space Age Childhood) has helped the notion bubble up before as early back as 2006's Fast Food Nation, then with 2016's Everybody Wants Some!! — and now he riffs on it with Hit Man. When viewers want an actor to feature everywhere, they want to see them step into all sorts of shoes but bring their innate talents and charm each time. So, Linklater enlists Powell as Gary Johnson, a real-life University of New Orleans professor who wouldn't be earning the movie treatment if he didn't also moonlight as a undercover police operative with a specific remit: playing hitmen with folks looking to pay someone to commit murder, sting-style. Johnson doesn't just give the gig the one-size-fits-all approach, though. Once he gets confidence in the job, he's dedicated to affording every target their own personal vision of their dream assassin. So, Powell gets to be a polo shirt-wearing nice guy, a long-haired master criminal, a besuited all-business type and more, including the suave smooth-talker Ron, the persona he adopts when Madison Figueroa Masters (Adria Arjona, Andor) thinks about offing her odious husband. Hit Man is as a screwball rom-com-meets-sunlit film noir, and an excellent one, as well as a feature based on a situation so wild that it can only stem from fact. Alongside charting Gary's exploits in the position and the murkiness of falling for Madison as Ron, it's also an acceptance that the kind of darkness and desperation needed for a person to want to hire a stranger to kill to make their life better isn't a rarity — if it was, Gary's services wouldn't have been needed. Linklater has been in comparably blackly comic but also clear-eyed territory before with Bernie, the past entry on his resume that Hit Man best resembles. The also-ace 2011 Jack Black (Kung Fu Panda 4)-led picture similarly told a true tale, and also sprang from an article by journalist Skip Hollandsworth. This time, Linklater penned the script with Powell instead of Hollandsworth, but the result is another black-comedy delight brimming with insight. Hit Man is a movie about finding one's identity, too, and Powell keeps showing that he's found his: a charismatic lead who anchors one of the most-entertaining flicks of the year. Hit Man streams via Netflix. Frida For almost a century, the art-loving world has peered at Frida Kahlo. Her self-portraits have stared steadfastly back. You can glean much about a person from how they commit their own likeness to canvas; whether donning a velvet dress, reclining in a hospital bed, standing between curtains, sitting opposite herself, or accompanied by a black cat and a monkey, Kahlo was unflinching. Exhibitions have adored her work, whether she's taking centre stage in her paintings or not, for decades upon decades. Creatives in other mediums have shown the same affection, be it via books (1983's Frida: A Biography of Frida Kahlo), biopics (2002's Frida, with Black Mirror's Salma Hayek as the artist; before that, 1983's Frida Still Life), operas (as first hit the stage in 1991) or ballets (Broken Wings debuted in 2016). 2024's Frida brings Kahlo back to the screen with a new approach that she'd surely approve of: making her directorial debut with this portrait of the iconic Mexican painter, editor-turned-director Carla Gutierrez (who spliced fellow biodocs RBG and Julia) lets her subject speak for herself and her own complexity. Actor Fernanda Echevarría (Ella Camina Sola) actually does the talking, because the treasure trove of materials that Gutierrez has gained access to — illustrated diaries, essays and letters, photos and footage, plus interview transcripts by Frida: A Biography of Frida Kahlo's Hayden Herrera — doesn't include Kahlo's voice. But the impact remains: this is Kahlo as she saw herself and as she was herself, as she always fought to convey when she was living. Drawing upon Kahlo's art, Gutierrez also uses animation by Sofía Inés Cázares (Daughter From Another Mother) and Renata Galindo (A la mala) to accompany Kahlo narrating her childhood, her medical studies, her life-changing accident at the age of 18, her marriage to fellow artist Diego Rivera, her other romantic liaisons, and her thoughts about all of the above and more. It's an inspired touch, and not just in breaking up the black-and-white archival visuals with dances of colour. Seven decades since her death in 1954, Kahlo still feels alive in her work, but the latest raw, rich and deeply resonant documentary to pay tribute to her finds its own way to express and honour that sensation. Frida streams via Prime Video. American Fiction Here's Thelonious 'Monk' Ellison's (Jeffrey Wright, Rustin) predicament when American Fiction begins: on the page, his talents aren't selling books. Praise comes the Los Angeles-based professor's way for his novels, but not sales, nor attendees when he's part of writers' festival panels. And even then, publishers aren't fond of his latest manuscript. Sick of hearing that his work isn't "Black enough", and also incensed over the attention that fellow scribe Sintara Golden (Issa Rae, Barbie) is receiving for her book We's Lives in Da Ghetto, he gets a-typing, pumping out the kind of text that he vehemently hates — but 100-percent fits the stereotype of what the world keeps telling him that Black literature should be. It attracts interest, even more so when Monk takes his agent Arthur's (John Ortiz, Better Things) advice and adopts a new persona to go with it. Soon fugitive convict Stagg R Leigh and his book Fuck are a huge hit that no one can get enough of. Because of the story spun around who wrote the bestseller, too, the FBI even wants to know the author's whereabouts. Deservedly nominated for five 2024 Oscars — including for Best Picture, Best Actor for Wright and Best Supporting Actor for Sterling K Brown (Biosphere) as Monk's brother Clifford — American Fiction itself hails from the page, with filmmaker Cord Jefferson adapting Percival Everett's 2001 novel Erasure. Wright is indeed exceptional in this savvy satire of authenticity, US race relations and class chasms, and earns his awards contention for his reactions alone. Seeing how Monk adjusts himself to a world that keeps proving anything but his dream is an utter acting masterclass, in big and small moments alike. As the film dives into the character's personal chaos, that's where Brown's also-fantastic, often-tender performance comes in, plus Leslie Uggams (Extrapolations) as Monk's mother and Tracee Ellis Ross (Candy Cane Lane) as his sister, and also Erika Alexander (Run the World) as a neighbour who is a fan of his — not just Stagg R Leigh's — work. Don't discount how excellent American Fiction is beyond its literary hoax setup, in fact; as a character study, it's equally astute. American Fiction streams via Prime Video. Fancy Dance Lily Gladstone might've won the Golden Globe but not the Oscar for Killers of the Flower Moon, but her exceptional resume shows every sign of more awards coming her way. Fancy Dance, the other movie to join her filmography in 2023 — it premiered at Sundance that year, but only makes its way to streaming worldwide now — is yet another example of how the Certain Women and First Cow star is one of the very-best actors working right now. Where Gladstone's time in front of Martin Scorsese's lens showcased her mastery of restraint, playing an aunt trying to do what's best for her niece and a sister searching for her absent sibling benefits from her equal command of looseness. Jax, her character, is a pinball. When she bounces in any direction, it's with force and purpose as well as liveliness and determination, but the choice of where she's heading is rarely her own. All she wants is to find Tawi (debutant Hauli Sioux Gray) and protect 13-year-old Roki (Isabel Deroy-Olson, Three Pines), but set against the reality that law enforcement mightn't look as enthusiastically for a missing Indigenous woman — or treat one with a record attempting to do right be her family with consideration — that's far from an easy task. Writer/director Erica Tremblay hails from the Seneca–Cayuga Nation, where much of Fancy Dance is set. As Gladstone is, she's also an alum of Reservation Dogs — including helming two episodes — and so is experienced at depicting everyday reservation life with authenticity. Accordingly, her first fictional feature after documentaries Heartland: A Portrait of Survival and In the Turn takes a social-realistic approach in its details, especially when it's simply surveying the space and empathy that First Nations versus white Americans aren't given. Because Jax has a criminal history, child services deems her unfit to look after Roki, or even to take the teen to the powwow where the girl is certain her mum will attend to again steal the show in the mother-daughter dance competition; instead, Jax's white father (Shea Whigham, Lawmen: Bass Reeves) and stepmother (Audrey Wasilewski, Ted) are their choice of guardians. Fancy Dance's protagonist isn't one to simply acquiesce to that decision, and Gladstone makes both her fire and her pain palpable — and her tenderness for Roki, who is weightily portrayed by her Under the Bridge co-star Deroy-Olson, as well. Fancy Dance streams via Apple TV+. Infested For those firmly of the idea that there's no new stories in horror, just fresh takes on well-established sources of fear, Infested isn't here to change minds. Rather, the French movie is the latest poster child for what looking at a tried-and-tested concept anew can do, including while pairing it with up-to-the-moment social commentary. The genre staple here: spiders. When writer/director Sébastien Vanicek begins his feature debut — which he co-scripts with Florent Bernard (Meet the Leroys) — it's with a specific breed of the venomous eight-legged scurrying nightmares unearthed, literally, in a Middle Eastern desert. Within moments of emerging from the earth, the critters make the smugglers that are attempting to capture them pay. Horror fans should clock that Infested nods to classic ways to kickstart a scary flick from the outset, then, bringing The Exorcist's opening scene to mind. Prayer won't help the Parisian banlieue residents soon fighting arachnids for their lives, however, after Kaleb (Théo Christine, Gran Turismo: Based on a True Story) innocently purchases a new addition to his bedroom menagerie of exotic pets from a local convenience store. As he disagrees with his sister Manon (feature first-timer Lisa Nyarko) about selling the apartment that they've inherited from their mother, grapples with his grief, trades in sneakers to his neighbours to stump up a buck and is faced with small-minded prejudice just by stepping outside his door, what happens when Kaleb soon has a spider (and quickly, more than one) to track down? The critter he calls Rihanna was always going to escape, so havoc unsurprisingly eventuates. That's not to say that Infested goes through the motions. With energy and style as well as needling suspense, Vanicek makes a creature-feature equivalent of British alien-invasion gem Attack the Block, with shades of Les Misérables — the 2019 crime-thriller, not Victor Hugo-penned tale — and 2022's fellow standout Athena. He also gets his audience squirming. He filters his recognisable setup through welcome eyes. He knows how to make a heightened situation feel real to the deep distress of arachnophobics, and to get terror and tension scuttling through veins. And, he ensures that desperately rallying against forces that won't let you escape, in a setting that embodies that exact notion, proves both urgent and immediate. Infested streams via Shudder and AMC+. Stopmotion One of the most-haunting performances in Australian cinema belongs to Irish Italian actor Aisling Franciosi. She's acted in The Fall and Game of Thrones, I Know This Much Is True and Dracula: Voyage of the Demeter, and Jimmy's Hall and the upcoming Speak No Evil remake before and since, but her deservedly AACTA Award-winning work in The Nightingale — the second feature from The Babadook's Jennifer Kent, which follows a former convict's quest for revenge against a British officer in 1820s Tasmania — is stunning, searing and unforgettable. Also stellar half a decade later: Franciosi's turn in Stopmotion, which hails from the UK, has her playing the daughter of an animation genius and again tasks the immensely talented actor with confronting trauma. It's the product of a filmmaker in Robert Morgan with an uncompromising vision, too, with the English writer/director making his feature debut almost a decade after helming the D Is for Deloused segment in The ABCs of Death 2 with a movie that's never afraid to commit to its eerie chills, psychological thrills and macabre sense of wonder. Franciosi's Ella Blake has spent her entire life being told that her mother Suzanne (Stella Gonet, Breeders) is an unparalleled master at making the dead appear alive — because that's one way to see Stopmotion's eponymous art form. She's also spent much of her existence assisting rather than pursuing her own dreams, including after arthritis robs her mum of being able to use her hands to craft the exacting movements that their chosen medium requires. When the film begins, overwork has Ella fraying. Emotional cruelty has her internally raging, although she won't admit it. Suzanne has a project to finish, demanding her daughter's utmost commitment. When tragedy compounds her stress, Ella escapes into own creative vision instead, conjuring up a twisted fairy tale aided by a girl (Caoilinn Springall, The Midnight Sky) from an apartment neighbouring her new makeshift studio. Saying what Morgan unleashes from there is inventive, powerful and extraordinary — in live-action and animation alike — is an understatement. Stopmotion streams via Shudder and AMC+. Lumberjack the Monster Spanning big-screen releases, TV and straight-to-video fare, Takashi Miike has notched up 115 directorial credits in the 33 years since making his helming debut. Lumberjack the Monster isn't even the latest — it premiered at film festivals in 2023, which means that miniseries Onimusha and short Midnight have popped up since — but it is Miike back in horror mode, where 1999's Audition and 2001's Ichi the Killer famously dwelled. Here, the inimitable Japanese filmmaker and screenwriter Hiroyoshi Koiwai (Way to Find the Best Life) adapt the eponymous 2019 Mayusuke Kurai novel. Its namesake character also exists on the page in the movie itself, in a picture book. This is a serial-killer picture, though, and with more than one person taking multiple lives. A mass murderer wearing a bag over their head and swinging an axe is on a rampage, and lawyer Akira (Kazuya Kamenashi, Destiny) and surgeon Sugitani (Shôta Sometani, Sanctuary) aren't averse to dispensing death themselves. A clash is inevitable, not that the slick Akira expects it, or that his costumed attacker anticipates that their current target will survive his blade, sparking a cat-and-mouse game. Lumberjack the Monster doesn't just weave in fantasy boogeyman stories, offings upon offings, and characters with dark impulses going head to head. The police are on the case, giving the film a procedural layer, as well as Akira motivation to hunt down his assailant first. Science fiction also washes through, with brain-implanted chips and modifying human behaviour both for worse and for better part of the narrative. There's also a moral-redemption element weaved in. Consequently, it's no wonder that this tale is Miike joint. As well as being prolific, Miike loves making his resume the ultimate mashup. To name just a few examples, see: the yakuza action of Dead or Alive, superhero comedy Zebraman, titular genre of Sukiyaki Western Django, samurai efforts 13 Assassins and Blade of the Immortal, period drama Hara-Kiri: Death of a Samurai, video-game adaptation Ace Attorney, romance For Love's Sake, thriller Lesson of the Evil, vampire movie Yakuza Apocalypse and the crime-driven First Love. Unsurprisingly, Lumberjack the Monster is specifically the engrossing — and bloodily violent — Frankenstein's monster of a flick that Miike was always going to relish making when splicing together such an array of elements came his way. Lumberjack the Monster streams via Netflix. The Kitchen He has an Oscar, BAFTA and Golden Globe for Judas and the Black Messiah. He was nominated for all of the above accolades for Get Out, and should've won them all then, too. His resume spans Skins, one of Black Mirror's most-memorable episodes, plus Sicario, Widows, Black Panther, Queen & Slim and Nope as well. But The Kitchen marks a first for Daniel Kaluuya: his first movie as a director. Hopefully more will follow. Co-helming with Kibwe Tavares — who also notches up his feature debut behind the lens after shorts including Jonah and Robot & Scarecrow, which both starred Kaluuya — and co-penning the screenplay with Calm with Horses' Joe Murtagh, the actor makes a stunning arrival as a filmmaker. The Kitchen's setup: in the year 2044 in London, with class clashes so pronounced that not being rich is basically treated as a crime, a man (Top Boy's Kane Robinson, aka rapper Kano) living in the titular housing development crosses paths with a 12-year-old boy (newcomer Jedaiah Bannerman) who has just lost his mother, with the pair discovering that they have no one but each other as they endeavour to find a way to survive. Robinson's Izy has bought into the social-climbing dream when The Kitchen begins. He'll do so literally if he can come up with the cash for an apartment in a swankier tower away from everything he's ever known within 21 days, a dream that he's been working towards at his job selling funerals. It's at the latter that he meets Bannerman's Benji, who has nowhere to live after his mother's death and no one else to turn to for help. The film's scenario is pure dystopia, reflecting the inequities, oppressions and realities of today as all great sci-fi should. Its intimate emotional core hones in on people attempting to persist and connect, as the genre's best always does as well. Accordingly, this is an impassioned and infuriated portrait of society's gaps as everyone watching can recognise, a nightmarish vision of what might come and a thoughtful character study. As directors, Kaluuya and Tavares excel at world-building, at bringing such rich detail and texture to the screen that viewers feel like they could step straight into its social realist-leaning frames, and at guiding affecting performances out of both Robinson and Bannerman (who adds to the feature's impressive first efforts). The Kitchen streams via Netflix. Orion and the Dark Learning to face life's chaos, or even just recognising that life is chaos, has a particular term when Charlie Kaufman is making movies and audiences do the confronting. Describing something as Kaufmanesque sprang from the screenwriter and filmmaker's stunning run at the end of the 90s and beginning of the 00s — the Spike Jonze (Her)-helmed Being John Malkovich and Adaptation, plus the Michel Gondry (Microbe & Gasoline)-directed Human Nature and Eternal Sunshine of the Spotless Mind — and it's stuck ever since. Joining the trio of Synecdoche, New York, Anomalisa and I'm Thinking of Ending Things as well, all three of which he penned plus helmed, is new family-friendly animation Orion and the Dark. A Kaufmanesque kid-appropriate flick? It exists, and it's wonderful. Feature first-timer Sean Charmatz (TV movie Trolls Holiday in Harmony) directs, and Emma Yarlett's 2014 children's book provides the source material; however, this account of a boy afraid of the dark who then meets the literal Dark (voiced by The Afterparty's Paul Walter Hauser) is a Kaufman affair through and through. Also, iconic German filmmaker — and one-time Parks and Recreation star — Werner Herzog (The Fire Within: A Requiem for Katia and Maurice Krafft) pops up. Loaned the vocal tones of Jacob Tremblay (The Little Mermaid) as a child and Colin Hanks (The Offer) as an adult, Orion is petrified of sleeping without the lights on. And, just like the kids in Monsters, Inc that are scared of creatures in their cupboards, Orion and the Dark's protagonist is frightened of something real. Dark exists and, alongside Orion's parents (The Fall of the House of Usher's Carla Gugino and Bull's Matt Dellapina), is exasperated by the boy's response to nighttime. He can't help taking it personally, in fact, then offers to assist. For one 24-hour period, as darkness falls around the world, he gets Orion to accompany him on his travels with friends Sleep (Natasia Demetriou, What We Do in the Shadows), Insomnia (Nat Faxon, Our Flag Means Death), Quiet (Aparna Nancherla, The Great North), Unexplained Noises (Golda Rosheuvel, Bridgerton) and Sweet Dreams (Angela Bassett, Black Panther: Wakanda Forever) to demonstrate that being distressed is unfounded. It isn't just Herzog's involvement and a joke about David Foster Wallace's Infinite Jest that prove that this is a movie as much for adults as kids; amid its gorgeous animation, its understanding of existential dread is also that astute. Orion and the Dark streams via Netflix. Spaceman Should astronaut become a dictionary-certified synonym for melancholy? Cinema believes so. Its latest case in point comes via Spaceman, where life temporarily lived above and beyond the earth replaces gravity with loneliness and disconnection for Jakub Prochazka (Adam Sandler, You Are So Not Invited to My Bat Mitzvah). He's six months into a solo trip past Jupiter to investigate an eerie phenomenon in the heavens when this adaptation of Jaroslav Kalfař's 2017 sci-fi novel Spaceman of Bohemia kicks off. His quest is both time-sensitive and celebrated. South Korea is in close pursuit, he's frequently being told by Peter (Kunal Nayyar, Night Court), his contact at ground control — and Commissioner Tuma (Isabella Rossellini, Cat Person) happily keeps dialling him in for PR opportunities. As he soars through a strangely purple sky, however, endeavouring to fulfil his mission while pleading for maintenance approval on his crumbling ship, all that's really on his mind is his wife Lenka (Carey Mulligan, Maestro). Pregnant and left at home alone, she's no longer taking his fast-as-light-speed phone calls. Then Hanus (Paul Dano, Mr & Mrs Smith) scurries in beside Jakub, demanding attention — as a giant spider in space is always going to. For the best part of a decade now, seeing a live-action movie starring Sandler has meant heading to Netflix. In Australia, even Uncut Gems, his greatest-ever performance, arrived via the streaming platform. Alongside The Meyerowitz Stories (New and Selected) and Hustle, add Spaceman to the list of such features that give their star worthy parts and would've made welcome cinema releases. It isn't new news that Sandler is an excellent actor in dramatic and/or weightier roles, or that his career is more than the Billy Madison and Happy Gilmore-style comedies that he first became known for. Spaceman director Johan Renck (Chernobyl) has cast him expertly, in fact, in this tale of isolation, arrested development, otherworldly arachnids and amorous entanglements. Sending Sandler on an Ad Astra-, First Man- and Solaris-esque trip proves contemplative and empathetic — and, amid spider's-eye flashbacks to his complicated childhood in the Czech Republic, time spent with Lenka on the ground and floating around the film's claustrophobic main setting, also brimming with raw and resonant emotion. Spaceman streams via Netflix. STEVE! (martin) a documentary in 2 pieces To do justice to Steve Martin's life, career and impact requires more than just one movie. So, the engagingly and entertainingly in-depth, intimate, affectionate and informative STEVE! (martin) a documentary in 2 pieces explores the comedian and actor's existence in a pair of parts. The first is subtitled 'Then', honing in on his childhood and early stand-up days. The second, aka 'Now', jumps in when he made the leap to movies in the late 70s, which is where The Jerk, Pennies From Heaven, Planes, Trains and Automobiles, Dirty Rotten Scoundrels, Parenthood and LA Story comes in — and, of course, includes his tours with his ¡Three Amigos! co-star Martin Short, as well as their murder-mystery-comedy TV hit Only Murders in the Building. The initial half gets Martin narrating, sharing reflections personal and professional as accompanied by archival footage aplenty (and ample tapes of his stints in front of audience). The latter section treats him as an interviewee, with his wife Anne Stringfield, Short, Jerry Seinfeld (who has had Martin as a guest on Comedians in Cars Getting Coffee) and Tina Fey (who also co-starred with Martin in Baby Mama) among the talking heads. Behind it all is documentarian Morgan Neville, an Oscar-winner for 20 Feet From Stardom, as well as a filmmaker who is clearly taking his stylistic cues from his subject. That's noticeable in STEVE! (martin) a documentary in 2 pieces' moniker, for starters — it throws caution to the winds of grammar and title formats just as Martin has to comedy rules, as the two-part film makes plain again and again. No matter how well-acquainted you are with Martin, insights flow freely in this fascinating way to spend three hours surveying the ways that he's made people laugh over decades upon decades, beginning with doing magic tricks and working at Disneyland on his school holidays in the 50s. Revelations bound through about Martin as a person, too; more than once, he notes that his life has felt as if it has played out backwards, and not just because he only first became a father in his 60s. Clips of his stand-up act, and the response to it in the 60s and 70s, are gold. Hanging out with the man who originally was only going to create Only Murders in the Building, not star in it, when he's bantering with Short are as well. STEVE! (martin) a documentary in 2 pieces streams via Apple TV+. Am I OK? The question in Am I OK?'s title is indeed existential: is Lucy (Dakota Johnson, Madame Web) coping with being a thirtysomething in Los Angeles treading water emotionally, romantically and professionally? From there, more queries spring. Can she — or, more accurately, will she — shoot for more than not quite dating the smitten Ben (Whitmer Thomas, Big Mouth), right down to shaking his hand at the end of their evenings out together, and also for something beyond working as a day-spa receptionist while putting her passion and talent for art on the back burner? Is she capable of breaking free of a comfort zone padded out with spending all of her spare time with her best friend Jane (Sonoya Mizuno, House of the Dragon), including being so predictable that she always orders the same thing at their brunches at their favourite diner? Regarding the latter, she gets a push when Jane agrees to a lucrative transfer to London, splitting the pair for the first time since they were teenagers. Am I OK? is an arrested-development coming-of-age movie, then, and a film about being honest about who you are and want to be. Change comes for us all, even when we've built a cocoon to protect our happy status quo — and, at the heart of this romantic drama, change clearly comes for Lucy. She's forced to consider a path forward that doesn't involve solely being defined as half of a platonic duo. She also confronts the feelings for her coworker Brittany (Kiersey Clemons, Monarch: Legacy of Monsters) and the truth about her sexuality that she's never previously admitted. Am I OK? is a coming-out tale, too, but it treats Lucy's stuck-in-a-rut existence and at-first-tentative attempts to embrace how she truly feels holistically, seeing how life's passage inevitably shifts how we see ourselves. If the movie feels more honest than it might've been, that's because screenwriter Lauren Pomerantz (Strange Planet) spins a semi-autobiographical story. Also, the directing team of real-life couple Tig Notaro (2 Dope Queens) and Stephanie Allynne (who helmed Notaro's 2024 special Hello Again) — who met making 2015's In a World… — demonstrate the ideal light-but-delicate touch. Plus, Johnson and Mizuno exude genuine BFF chemistry, with the former again showing why fare such as this, Cha Cha Real Smooth, How to Be Single, The Peanut Butter Falcon, A Bigger Splash, Suspiria and The Lost Daughter, a diverse group of pictures, is a better fit than the Fifty Shades trilogy or a Spider-Man spinoff. Am I OK? streams via Binge. Looking for more viewing highlights? We picked the best 15 films that've reached cinemas in 2024's first half, too, plus the 15 best new TV shows of 2024 so far and the 15 best returning TV shows. We also keep a running list of must-stream TV from across the year so far, complete with full reviews. And, you can check out our list of film and TV streaming recommendations, which is updated monthly.
