There's nothing like escaping your neighbourhood and hitting the road to explore a new one with a great playlist pumping through the car speakers. One common journey is that from Melbourne to Sydney and, with so many places to stop off, it's clear why travellers choose to drive it. Plus, the Dog on the Tuckerbox needs a regular visit. We've highlighted ten country towns to visit along the way, so you can fill your journey with nature walks, wineries, the Big Merino and some of the best bakeries the country has to offer. Please stay up to date with the latest NSW Government health advice regarding COVID-19. [caption id="attachment_795806" align="alignnone" width="1920"] Yindyamurra Sculpture Walk, Destination NSW[/caption] CYCLE THROUGH AN OUTDOOR SCULPTURE GALLERY IN ALBURY Right on the border between Victoria and New South Wales, you'll find Albury. This vibrant city neighbouring Wodonga has plenty to explore. Stretch your legs by taking a stroll or hiring a bike and riding around the bends of the Murray River Precinct. By taking the Wagirra Trail, you can spot a string of sculptural works by local Aboriginal artists that portray the Wiradjuri peoples' connection with the river. Alternatively, grab some cheese from The Riverina Dairy and set up a picnic at one of the many riverside spots. For a more substantial meal, try out The River Deck, surrounded by the native trees, for some regional food. Spending the night? Book a room at the Astor Hotel, which was given a multimillion-dollar, Palm Springs-inspired revamp last year. [caption id="attachment_795807" align="alignnone" width="1920"] Courabyra Wines, Destination NSW[/caption] SIP ON COOL-CLIMATE WINES IN TUMBARUMBA Tumbarumba, locally known as Tumba, is a tiny town located on the western edge of the Snowy Mountains. It's known for its cool-climate wines and nature walks. Head to Courabyra Wines to pick up a bottle of chardonnay or pinot grigio — any passengers not sharing the driving can also enjoy a wine tasting — and, if you're feeling peckish, enjoy a seasonal produce platter on the balcony. Or, head to Nest to tuck into a dish made with local ingredients, take a look around the bookstore or catch a flick at the on-site cinema. This charming little cottage, located on the Johansen Wines vineyard, is the perfect little retreat for your overnight stay. [caption id="attachment_795792" align="alignnone" width="1920"] Batlow, Destination NSW[/caption] STOCK UP ON FRESH PRODUCE IN BATLOW Batlow is the apple of the Snowy Mountains region's eye. It's known for its apple orchards and bountiful produce, including cherries and pears. Grab some apples and local harvest from Wilgro Orchards' roadside stall and stop by Mouat's Farm for seasonal fruit, fresh apple juice and other goods, such as apple jelly and honey. And don't forget to take a photo at the Big Apple, too, just five kilometres north of the town. We suggest bunking down at art deco spot The Batlow Hotel for the night. [caption id="attachment_795793" align="alignnone" width="1920"] Tumut, Destination NSW[/caption] CYCLE, HIKE AND SWIM YOUR WAY AROUND TUMUT If you like getting out in nature, you'll love what Tumut has to offer. Wander around the Tumut Wetlands or along the Tumut River Walk, hike one of the trails at Tumut State Forest or take a dip in Blowering Dam. Get to the know the landscape even better by heading to Kosciuszko National Park, which boasts plenty of wildlife, and take the Wiradjuri Aboriginal Cultural Tour to learn about native plants and bush tucker. The town is also home to plenty of country pubs, including The Royal Hotel and the Oriental Hotel, which offer great local feeds. Spend the night at heritage-listed luxury property The Monarch. [caption id="attachment_795809" align="alignnone" width="1920"] Dog on the Tuckerbox, Destination NSW[/caption] VISIT THE LEGENDARY DOG ON THE TUCKERBOX IN GUNDAGAI Home to the famous Dog on the Tuckerbox is Gundagai, a town just off the Hume Highway that has long provided weary travellers with a much-needed pee break, a spot for lunch and a place to stretch their legs. If you're in the mood for a hot pie, sausage roll, sandwich or sweet treat, head to Gundagai Bakery. If it's a good cup of coffee you're after, try The Coffee Pedaler along the main street. The town is also steeped in history, which you can learn about by taking the Architectural Heritage Walk, doing a tour of the Old Gundagai Gaol or stopping by the war memorial, ANZAC Grove. Kimo Estate has plenty of accommodation options for you, from luxury off-grid eco huts (complete with woodfired hot tubs and log fires), cosy cottages, the rustic six-bedroom Shearers Quarters and boutique hotel Flash Jacks. [caption id="attachment_795795" align="alignnone" width="1920"] Long Track Pantry, Destination NSW[/caption] STOCK UP ON LOCALLY MADE SNACKS IN JUGIONG Jugiong is a charming town just 20 minutes down the Hume Highway from Gundagai, sitting along the picturesque Murrumbidgee River. It features the award-winning Long Track Pantry, which boasts jams, relishes, chutneys, vinegars and sauces — all handmade in small batches — as well as olives, muesli and granola bars for the drive ahead. There's also the Jugiong Wine Cellar, sporting fine drops and beautiful artworks, and the Jugiong Country Experience where you can explore the town's history, heritage and rural allure after being 'held up' by a bushranger — who then becomes your tour guide. And every visit to Jugiong must include a visit to The Sir George. The local institution has a pub and an artisanal bakery, plus 19th-century former stone stables and modern barns, if you wish to spend the night. [caption id="attachment_795796" align="alignnone" width="1920"] Clementine Bakery, Destination NSW[/caption] ENJOY AN IMPROMPTU PICNIC IN THE PARK IN YASS Yass, a lively town right in the middle of sheep grazing country, offers a glimpse of laidback country living, scenic parks and plenty to eat and drink. Start by grabbing some handmade baked goods from the small artisanal bakery, Clementine Bakery, and finding a spot under a tree to eat them at Banjo Paterson Park, named after the famous writer and poet. Then, step back in time at Yass Railway Museum, which boasts a black 1307 steam locomotive, as well as the original loading bank, station building and station master's residence to peruse. This self-contained barn, based on a working cattle farm just out of town, hits the balance between luxurious and rustic country abode. [caption id="attachment_698049" align="alignnone" width="1920"] The Big Merino, Destination NSW[/caption] SAY HELLO TO THE BIG MERINO IN GOULBURN Two hours shy of Sydney is Goulburn, known as the fine wool capital of Australia (and the world). This is proudly commemorated by the Big Merino — affectionately nicknamed Rambo by locals — standing over 15 metres high and 18 metres long. Suffice to say, it's hard to miss while passing by. The country city is also home to the historic 1830s inn Riversdale Homestead and the Rocky Hill War Memorial and Museum which remembers the locals who fought in WWI. After your dose of history, feed your appetite at Harvest, a charming eatery that fuses fresh regional produce with contemporary food trends. If you're keen to spend more time in the area, we suggest booking in to Towrang Farm Stay, which is 20 minutes out of town. The homestead is based on a working farm, complete with sheep, horse, geese and chickens. Guests are encouraged to collect eggs for brekkie, pick fresh fruit from the orchard and even fish for trout in the nearby dam. [caption id="attachment_795799" align="alignnone" width="1920"] Bundanoon, Destination NSW[/caption] WANDER THROUGH BUSHLAND IN BUNDANOON Bundanoon, locally known as Bundy, is a small town in the Southern Highlands. Explore Fairy Bower Falls in Morton National Park, where a one-hour loop walk will take you past moss-covered rocks, small streams and to the top of a flowing waterfall said to sparkle in the sun. Or, take on the Erith Coal Mine Track, where a walk through heath, woodland and rainforest leads to an old coal mine, last in operation in 1915. After all that walking, stop off at Potter's Pantry for an award-winning coffee and bite of banana bread. A five-minute drive out of town is The Hut at Morton Ash Stable, a modern hut the owners built using timber milled from the property after the 2020 bushfires. [caption id="attachment_770408" align="alignnone" width="1920"] Dirty Janes, Destination NSW[/caption] DO A SPOT OF BOUTIQUE SHOPPING IN BOWRAL Bowral is about 90 minutes southwest of Sydney, making it a perfect place to refresh and revive before making the last leg of your journey. The town is full of boutique shops, such as Barbara's Storehouse, which is full of vintage furniture and home decor, and Cookshop Plus, perfect for cooking enthusiasts. Corbett Gardens is another stop for the agenda — the beautiful park is full of colour thanks to tulips, trees and shrubbery. Then, grab a coffee from The Press Shop and head over to Glebe Park to take a photo with the Mary Poppins statue and enjoy a spot in the shade. If you want to extend your time and explore everything the Southern Highlands wine region has to offer, accommodation options abound in Bowral. Some of our favourites include the stylish Berida Hotel and five-star estate Milton Park Country House. Start planning your great escape to New South Wales this season by visiting the Visit NSW website. Top image: Bendooley Estate, Destination NSW
We're going back ... back to see Back to the Future, this time as a musical on the Sydney Lyric Theatre's stage. First floated 20 years ago by the big-screen trilogy's screenwriter Bob Gale, then finally premiering in 2020, the song-filled take on Marty McFly and Doc Brown's exploits has proven an award-winning success in London's West End and on Broadway. In 2025, the DeLorean is finally heading to Australia. The power of Back to the Future isn't really a curious thing. As viewers have known since 1985, the Michael J Fox (The Good Fight)-starring sci-fi/comedy is timeless delight. But as well as making film lovers weep with joy for almost four decades, the iconic movie has been making other folks sing — the casts of the Olivier Award-winning Back to the Future: The Musical, that is. Aussie audiences will get to see the results from September 2025 in the show's Down Under premiere season. Exclaiming "great Scott!" is obviously the only fitting response to this development, and to the production in general — and there's clearly plenty to get excited about. Since initially racing towards clocktowers onstage in the UK since early 2020 (around a pandemic hiatus or two, of course), Back to the Future: The Musical has picked up the Olivier Award for Best New Musical, and then was nominated for two Tony Awards in 2024. And yes, the show does indeed follow the Marty McFly and Doc Brown-led story we all know and adore, but with songs, including renditions of Chuck Berry's 'Johnny B Goode' and Huey Lewis and the News' 'The Power of Love' and 'Back in Time', naturally. Australian fans will now want to speed at 88 miles per hour towards the Harbour City, given that it is the only Aussie city where a season of Back to the Future: The Musical has been announced so far. If you won't be making a visit to the New South Wales capital by plane or DeLorean, start crossing your fingers that the production heads to other Aussie cities — or pop on your own white lab coat, start tinkering around with electronics and whip up your own time machine to try to make it happen. There's no exact date for the show's Down Under opening yet, other than sometime in September 2025, but you can now join the ticket waitlist to find out as soon as more details are announced. Also featuring music and lyrics by OG Back to the Future composer Alan Silvestri and acclaimed songwriter Glen Ballard (Jagged Little Pill the Musical), plus a book by Gale — who co-penned all three Back to the Future film scripts with filmmaker Robert Zemeckis (Here) — Back to the Future: The Musical was nominated for seven Olivier Awards. It only won the big one, but emerged victorious over heavy-hitters and fellow screen-to-stage shows Moulin Rouge! The Musical and Frozen. "I am thrilled to be bringing Back to the Future: The Musical to Australia, premiering at the Sydney Lyric in September 2025. Australian audiences are going to be blown away to see how this iconic story has been recreated for the stage," said Australian producer John Frost for Crossroads Live Australia. "To paraphrase Marty McFly, you guys are ready for this, and your kids are gonna love it (too)! If Bob Zemeckis and I time-travelled back to 1980 and told our younger selves that the script they were struggling to write would become a West End and Broadway musical now making its way to Sydney, Australia 45 years later, they'd kick us out of their office and call us crazy," added Gale. "Well, sometimes, crazy ideas give birth to great entertainment, and now Bob and I are eager to share our musical vision with Sydney audiences. This musical production has exceeded our original expectations on every level. Regardless of whether you've seen the original film, Back to the Future: The Musical, with its incredible stagecraft, will delight and enthrall you, your kids, your parents, and everyone you know!" Check out the trailer for Back to the Future: The Musical below: Back to the Future: The Musical is playing Sydney Lyric Theatre, 55 Pirrama Road, Pyrmont, Sydney from September 2025. Head to the show's Australian website to join the ticket waitlist and keep an eye out for more details. Images: Matthew Murphy and Evan Zimmerman, and Sean Ebsworth Barnes.
It's getting mighty chilly here in Melbourne, and if you're to believe what the studies suggest, that equates to a dip in serotonin, which can affect your mood. So it's rather timely that the concept for Burnley's newest cafe, Serotonin Eatery, is based on the idea of giving diners a boost of this feel-good brain chemical. To do this, they're serving up a plant-based menu filled with colourful, nutritious and organic fare, and nixing meat products, processed foods and refined sugar completely. The idea was always guaranteed to hit a home run with the clean eating crowd, but the way it's been executed should keep everyone else happy too. Well, perhaps everyone except the most ardent meat-lovers. The fit-out is contemporary and upbeat, with smooth timber features and neutral tones broken up by pops of yellow and black. Tiny hexagon wall tiles are a subtle DNA reference, and there's a range of seating options, from a communal table, to a courtyard, to a row of sunken booths. Food-wise, you'll find half a dozen breakfast options and about the same number on the weekly changing lunch menu. Weekend brunch favourites have been given a healthy makeover, so the bread is wholegrain rye or gluten-free, the eggs-on-toast comes with an alkalising salad and the beans with something called 'powerkraut'. A bite of the 'positive pancakes' will satisfy even the most devoted sweet tooth — they're made with coeliac-friendly banana flour and teamed with berries, house-made banana ice cream and orbs of hung yoghurt ($22). Seasonal lunch offerings might include a gluten-free 'smiling pizza', with eggplant, pumpkin, spinach, feta and cherry tomatoes ($16), or raw zucchini linguine ($18). The 'nutrition bomb' is clearly the serotonin fix of choice: a riotous salad bowl packed with greens, broccoli, house-made hummus, cold roast veggies, sprouts, kraut and pickles, topped with a poached egg ($22). Coffee is from Five Senses, but there are caffeine-free options aplenty. This is your opportunity to try one of those matcha or turmeric lattes (both $6) that have been overtaking your Instagram feed. Staff (also known as the 'Serotonin Dealers') are plentiful, and as happy as you'd expect, given their working environment. Even though it's early days and the crowds are flocking, it's pretty smooth sailing as far as the eye can see, so props to them. Put as much stock as you like in the science behind this feel-good find, but if you nab one of the highly coveted window swing seats and tuck into some colourful breakfast fare, then it's pretty hard not to leave with a smile on your dial and a pep in your step.
After more than a year of exhaustive renovations, Rydges Melbourne has been reborn as an entirely new and thoroughly modern hotel in the city's theatre district. From the outside perspective of Exhibition Street it looks like little has changed from the 70s — but the interior has been totally gutted and transformed. You've got a handful of stay options among the 370 luxurious new rooms at Rydges Melbourne. Choose from a classic king room, a larger suite or one of the apartments that come equipped with a kitchen, laundry and heaps of living space. The design is understated, comfortable and chic. And the views aren't bad either, looking out over Chinatown and Her Majesty's Theatre. The latest tech has been installed throughout the hotel to create a seamless guest experience, including an effortless check-in process in which one of the many tablets dotted in the lobby which will spit out your room key for you. The revamped amenities at Rydges Melbourne include the stylish rooftop pool (heated to a pleasant 28-degrees in winter), a sleek new gym with a terrace that's set to be home to yoga classes when the weather warms up, and the Bossley Bar and Restaurant. At Bossley you can feast on the breakfast buffet, grab lunch or dinner, or just pop down for some of the team's signature cocktails. Our pick? The Bossley martini made with Four Pillars Olive Leaf gin, vermouth, sherry and a few drops of miso and saltbush infused olive oil. A carefully curated list of Australian and New Zealand wines also features. In the coming months, Rydges Melbourne also hopes to open another bar on its second-floor terrace where you can sip on negronis while looking out over Exhibition Street and down the red lantern-lit China Town. It's definitely one to watch.
Few cocktails have the staying power of the negroni. It's bitter, bold and perfectly balanced. Made with equal parts Campari, gin, and vermouth, the apéritif is a fixture on many Melbourne menus. While some bartenders swear by keeping it classic, in true Melbourne style, there are several spin-offs across the city that shake up the Italian icon. This September marks Negroni Month. It's four weeks of national celebrations (because there's no negroni without Campari), featuring rooftop parties, bar takeovers, and negroni-obsessed menus. From a $105 tableside service to the stalwart served in CBD restaurants, ahead of Negroni Month, we've rounded up the city's best negronis. Above Board Above Board Hidden one floor above Smith Street, this tiny cocktail bar has earned numerous awards and accolades, including Concrete Playground's Best Bars in Melbourne in 2023. It's no surprise then that its negroni is a must-try. The intimate 12-seater bar offers an elevated experience and world-class service. Its classic negroni is poured with precision and served in solid glassware with a giant ice cube to create a perfectly cool cocktail. [caption id="attachment_936276" align="alignleft" width="1920"] Johnny's Green Room[/caption] Johnny's Green Room Described as a southern twist on the Italian icon, the Arancia Rossa Negroni at Johnny's Green Room is worth the hype. Crafted with blood orange gin and Campari, this negroni is perfect for sipping on a spring afternoon as you watch the sun set over the city. On Sunday, September 14, Johnny's Green Room is hosting a Negroni Month event titled 'Johnny's Sunday Service' where you can dance to Kuzco, who'll be spinning decks, enjoy food by chef Mischa Tropp (of The Toddy Shop) and peruse the Campari-inspired menu. [caption id="attachment_819113" align="alignleft" width="1920"] Tom Blachford[/caption] Society Lounge Chris Lucas' Society Lounge bar on Collins Street sports timeless and dramatic aesthetics. The theatre doesn't just stop at the interiors. Society Lounge bar is home to one of Melbourne's most decadent negronis: the Vintage Bianco Negroni. Featuring 1960s Campari cordial, 19502 Suze, 1970s Gordons Dry Gin and Carpano Bianco, this negroni is made tableside and will set you back $105. The reason for the high price tag is the use of a rare (and now discontinued) raspberry distillate liqueur. If you're a negroni fan, it's a must-try bucket list experience. [caption id="attachment_921864" align="alignleft" width="1920"] Frederic[/caption] Fred's Bar Cremorne's Frederic is all about French classics, but head next door to Fred's Bar, and you'll find an Italian negroni—the ultimate after-work pick-me-up. The team rotate the menu seasonally, but you can guarantee that whether summer or winter-inspired, the negroni will be strong and stiff. Crafted with Campari and gin, Fred's negroni is the perfect apéritif to sip alone at the bar or with friends on the sunshine-drenched footpath. [caption id="attachment_854879" align="alignleft" width="1920"] Heartbreaker[/caption] Heartbreaker If you love a strong and bitter Campari, this is the bar for you. American-style dive bar Heartbreaker serves rock 'n'roll energy until late into the night (or, morning). This high-octane energy is felt in its drinks menu. Heartbreaker has four pre-batched cocktails to choose from, one of which is the negroni. Don't let the 'pre-batched' label scare you off though. The cocktails are still packing a punch and don't compromise taste for time. [caption id="attachment_1020308" align="alignleft" width="1920"] Grossi Florentino[/caption] Grossi Florentino This Italian institution is a 'must try' for negroni lovers. Made with Barolo Chinato, Malfy gin and Campari, the house negroni at Bourke Street stalwart, Grossi Florentino, is sure to scratch your bitter-loving itch. The restaurant has been setting the standard for Italian dining in Melbourne for close to a century, which means that the timeless menu pairs perfectly with a classic apéritif. [caption id="attachment_1019843" align="alignleft" width="1920"] Black Pearl[/caption] Black Pearl A Fitzroy favourite, Black Pearl is a bartender's bar. This means they can make a mean negroni. The Merri Negroni is mixed with Campari, gin, Americano vermouth and curacao, creating a cocktail that doesn't disappoint. For Negroni Month, the team is flexing their bartending skills with a curated negroni menu that pushes the classic's boundaries while keeping Campari front and centre. Head to the Brunswick Street bar this September to try it for yourself. [caption id="attachment_1020309" align="alignleft" width="1920"] Code Black Coffee[/caption] Code Black Flinders Lane What's a Melbourne recommendation without some coffee? At Code Black in Flinders Lane, they serve a negroni with a caffeinated twist. Aptly named the Coffee Negroni, it features coffee-infused Campari (yes, it's a thing), gin, and vermouth. If you love beans and bitters, this Melbourne cafe should go to the top of your list this Negroni Month. Whether you're a hardcore bitters lover or are dabbling in the Italian apéritif, Negroni Month is your excuse to round up the crew and cheers to the classic cocktail. See which Melbourne venues are serving curated negroni menus this September here. Please remember to drinkwise.
Daydream Island in The Whitsundays is only home to one resort; however the luxury venue has been through a difficult few years. Back in March 2018, it was devastated by Cyclone Debbie. Then, after a huge $100 million redevelopment, Daydream Island Resort reopened in April 2019. This year, the COVID-19 pandemic hit, shutting down the site again — but with Queensland's border starting to reopen, so is the getaway spot. Boasting a 200-metre living reef, three restaurants and a poolside bar to boot, the exclusive resort reopened to Queensland visitors from Wednesday, July 1, and will do the same with interstate travellers from Friday, July 10. Of course, it's doing so in line with the state's border policy — which mandates that anyone travelling to Queensland from Victoria, including local residents, will be refused entry unless they go into forced quarantine for 14 days, in a hotel, at their own expense. If you're a Queensland, New South Wales, South Australia, Western Australia, Tasmania, the Northern Territory and the Australian Capital Territory resident eager for a tropical holiday, you'll find 277 suites that span ocean, garden and pool views. Those aren't any ordinary ocean views, either, with crystal clear turquoise waters surrounding every corner of this tiny oasis. And the massive landscaped pool wraps throughout the resort's tropical gardens and links to its coral beaches, offering views of the Great Barrier Reef beyond. The resort's living reef is also a key attraction — it's a coral lagoon that spans 200 metres and surrounds the central building, with its 1.5 million litres of water housing over 100 species of fish, coral and invertebrates. Guests can learn from local marine biologists while helping to feed baby stingrays and explore the new underwater observatory that lies four metres below sea level. Daydream Island also boasts three distinct restaurants, all of which feature seasonal and local produce. Fine-dining restaurant Infinity offers panoramic ocean views and a menu of Asian-fusion eats, along with a teppanyaki private dining room. Then there's Inkstone Kitchen and Bar, a modern Australian restaurant using that's heavy on seafood. And, at greenhouse-style option Graze, you'll tuck into an array of international cuisine. Drinks-wise, Tonic is the onsite gin bar, with 16 types of cocktails on the menu. Or you can also swim up to the Barefoot Bar, which serves up tipples such as the 'Passionate Living Reef Margarita' (with tequila, cointreau, passionfruit, sugar and lime) and the 'Tim Tam Dreaming' (with Kahlua, Frangelico, Baileys, chocolate, honey and cream). Daydream Island Resort's reopening will adhere to a COVID Safe Health Management Plan, which, for guests, means a range of new practices and amenities — such as amenity cleaning kits, sanitiser and wipes for everyone; a focus on reduced contact through touchless transactions; contactless check in and check out; and QR code activated menus. While you're in the region, don't miss the chance to do a bit of exploring and check out the nearby Whitehaven Beach, which is listed as one of the best beaches in the world.Those keen to explore the Whitsundays further can book snorkelling, helicopter tours, sailing, jet-skiing and island-hopping experiences through the resort. Of course, all this doesn't come cheap. Rates start at $281 per night as part of a reopening special, for a resort room. Start saving now, or just daydream by having a scroll through the photos. Daydream Island Resort is now open to Queenslanders, and reopens to visitors from interstate from Friday, July 10. For more to see and do in the region, check out our Outside Guide to the Whitsundays.
Bringing some of the world's greatest past and present artists to Australia, the Sydney International Art Series 2017-18 features two outstanding exhibitions — and a gleaming pop-up bar to match. First up, the MCA hosts Pipilotti Rist: Sip My Ocean, a kaleidoscopic exhibition exploring the much-acclaimed work of the Swiss video art pioneer. The most comprehensive showing of Rist's work in Australia to date, the exhibition considers the coming together of the natural world, technology and the human body through Rist's immersive installations and vast audiovisual compositions. Meanwhile, just across the Royal Botanical Garden at the Art Gallery of NSW, Rembrandt and the Dutch Golden Age: Masterpieces from the Rijksmuseum showcases 76 masterpieces of Dutch painting, created during an era of unmatched prosperity and artistic inspiration. Rembrandt and the Dutch Golden Age reveals the wealth, power and influence of an emerging Dutch society in the 17th century. As part of the exhibition, there will be an entire room dedicated to Rembrandt's vast range of work. Also, there will be a work by painter Johannes Vermeer — one of only 35 surviving paintings in the world. To celebrate this year's event, a Pipilotti Rist inspired pop-up bar has sprung up on the banks of Circular Quay. A vibrant and unconventional space, Colour Fields has lots going on, including Sunday sessions by Future Classic, snacks and cocktails by Culinary Edge, workshops and more. Art Gallery of NSW will also hold special events dedicated to the Rembrandt exhibition. Each Wednesday evening during the exhibition's run, the gallery's Art After Hours will feature special talks, tours, performances and a pop-up bar serving drinks and eats. Pipilotti Rist: Sip My Ocean runs until February 18, 2018; Colour Fields is open throughout the summer at the MCA and Rembrandt and the Dutch Golden Age runs until February 18, 2018.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's nine you can watch right now at home. JUNGLE CRUISE Take two charming actors, then couple them up for a feature-length volley of fast-paced banter: that's the screwball rom-com formula. Place this pleasing pair in a scenic but challenging setting — one that'll highlight their individual strengths, see them turn seeming weaknesses into new skills, and will obviously bring them closer together — and that's exactly how plenty of action-adventure movies have unfurled. Sending the always personable and likeable Dwayne Johnson and Emily Blunt to the Amazon, Jungle Cruise stitches together these two well-established formulas. It traverses its cinematic rapids in the slipstream of 80s fare like Raiders of the Lost Ark and Romancing the Stone (and their respective sequels), and even rollicks along in the footsteps of The Mummy franchise of the late 90s and early 00s (a series which actually gave Johnson his first big-screen roles). But, as anyone with even a passing knowledge of Disney's theme parks knows, Jungle Cruise also falls from the attraction-to-film mould that the Mouse House clearly loves. Pirates of the Caribbean is an overt influence, right down to the way that some of this new flick's villains look, and thrusting all these blatant templates to the fore — and together — doesn't quite result in movie magic. Indeed, despite Johnson and Blunt's charismatic and capable pairing, as well as the movie's visually boisterous imagery, the film's modest pleasures all fade oh-so-quickly, as happens with every amusement ride. Directed by Unknown, Non-Stop, Run All Night and The Commuter's Jaume Collet-Serra, who makes a workmanlike but hardly memorable jump from unleashing Liam Neeson's special set of skills, Jungle Cruise wants to whisk viewers off on a spirited ride. That's the experiential aim of most theme park-based films: these flicks want audiences to feel like they've stepped inside the attraction from their cinema seat. So, before the movie's title card graces the screen, two sequences endeavour to set this tone. It's 1916, and Dr Lily Houghton (Blunt, A Quiet Place Part II) sneaks into an all-male science society to look for a treasured arrowhead from the Amazon. She's tasked her fussy brother MacGregor (Jack Whitehall, Good Omens) with deflecting the organisation's members by telling them her theories about a fabled South American tree, called the Tears of the Moon, that can cure any illness or break any curse. The men are dismissive, but she knows they will be. She's there to steal the trinket so it can lead her to the mythical plant, all while Prince Joachim of Germany (Jesse Plemons, Judas and the Black Messiah) tries to get his hands on it as well. When Lily comes out on top, the Houghtons are off to Brazil to hit the river, but they'll need a captain to guide their watery jaunt. In his introductory scene, the roguish Frank Wolff (Johnson, Jumanji: The Next Level) is spied conducting tourist trips down the Amazon, every step choreographed like an amusement park ride, and with his own pun-heavy showman patter narrating the journey. He's corny, and he has a jaguar in on the act, too. Accordingly, there are zero surprises when Lily enlists his services reluctantly and after some subterfuge on his side, or when he keeps trying to trick her into giving up her quest. Jungle Cruise is available to stream via Disney+ with Premier Access. Read our full review. TALL POPPY — A SKATER'S STORY When skateboarding makes its debut as an Olympic sport in Tokyo this winter, it'll do so with Poppy Starr Olsen flying the flag for Australia. A world champion since her teens, she first hit the Bondi Skate Park at the age of eight, and proclaimed at the time that she'd like to spend her adult life carving, ollieing, flipping and grinding — one of those childhood wishes that, in this case, has proven more than just a kid's outlandish fantasy. Audiences know about this youthful exclamation because it was caught on camera. Yes, Tall Poppy — A Skater's Story belongs in the camp of documentaries that are inescapably blessed by the constant lens through which many of our lives have been captured since video cameras became a household gadget and then a standard mobile phone feature. Accordingly, making her first feature-length doco, filmmaker Justine Moyle has ample material to draw upon as she weaves together a portrait of Olsen's life from pint-sized bowl-rider to Australia's best female skater, the fourth best woman on a board in the world and an Olympian, all by the age of 21. This isn't just a film compiled from home videos, though, although the feature. In front of Dane Howell's (Without a Tracey) lens as she has grown up, Olsen is candid, open and relaxed as she literally comes of age before the camera, and her skateboarding skills are just as riveting to watch. You can tell much about Olsen by just seeing her in the bowl or on the park, no matter her age, wherever she happens to be at the time, or if she's competing, practicing or just skating for fun. It hardly comes as a surprise that she takes to the pastime because it feels so freeing; as she rolls up and down in Bondi after first giving skateboarding a try, she may as well be flying. Tall Poppy — A Skater's Story captures the rollercoaster ride from there, as she's eager and enthusiastic at both local and international competitions, visibly nervous at her first X Games, and also a little disillusioned once she's put on an Olympic path. She's a teenager, in other words, and her emotional ups and downs mirror those on the board. This is a film about resilience, perseverance and taking on the world on your own terms, however, as Olsen works out who she wants to be and how that ripples through in her skateboarding. She's already a role model, whether or not you want to follow in her footsteps. Here, she's doubly so for her personal ebbs and flows, including through COVID-19, as much as her professional achievements. Tall Poppy — A Skater's Story is an affectionate movie, of course. Its release is also impeccably timed, it's as deservedly loving towards female skaters as the fictional Skate Kitchen and its TV spinoff Betty, and it shows the beauty in every commonplace and exceptional skateboarding trick. But Olsen's presence, passion and prowess drive this rousing documentary above all else. Tall Poppy — A Skater's Story is available to stream via ABC iView, Google Play, YouTube Movies, iTunes and Amazon Prime Video. FAST AND FURIOUS 9 Fast cars, furious action stars, a love of family and oh-so-many Coronas: across ten movies over 20 years, that's the Fast and Furious franchise. It might've started out as a high-octane spin on Point Break, but this long-running series has kept motoring across nine flicks in its main storyline, and also via a 2019 spinoff. The latter, Hobbs & Shaw, actually casts a shadow over the saga's latest instalment. Because Dwayne Johnson was part of that sidestep, he doesn't show up in Fast and Furious 9. He's missed, regardless of whether you're usually a diehard fan of the wrestler-turned-actor, because he's managed to perfect the F&F tone. Over his decade-long involvement to-date, Johnson always seems amused in his Fast and Furious performances. He's always sweaty, too, but that's another matter. Entering the F&F realm in Fast Five, he instantly oozed the kind of attitude the franchise needs. He knows that by taking the outlandish stunts, eye-catching setpieces and penchant for family with the utmost seriousness, these films border on comedic — and by navigating five flicks with that mood, he's been the saga's playful and entertaining barometer. Without Johnson, Fast and Furious 9 isn't as willing to admit that it's often downright silly. It's nowhere near as fun, either. Hobbs & Shaw wasn't a franchise standout, but Fast and Furious 9 mainly revs in one gear, even in a movie that features a high-speed car chase through Central American jungles, a plane with a magnet that can scoop up fast-driving vehicles and a trip to space in a rocket car. The latest F&F is as ridiculous as ever, and it's the least-eager F&F film to acknowledge that fact. It's also mostly a soap opera. It leans heavily on its favourite theme — yes, family — by not only swapping in a different wrestler-turned-actor as Dominic Toretto's (Vin Diesel, Bloodshot) long-lost sibling, but also by fleshing out the warring brothers' backstory through flashbacks to their tragic past. Fast and Furious 9 starts with an 80s-era Universal logo, because that's the time period it heads to first — to introduce a teen Dom (Vinnie Bennett, Ghost in the Shell), his never-before-mentioned younger brother Jakob (Finn Cole, Dreamland) and their dad Jack (JD Pardo, Mayans MC). It's 1989, the elder Toretto is behind the wheel on the racetrack, and his sons are part of his pit crew. Then tragedy strikes, tearing the Toretto family apart. In the present day, Dom and Jakob (John Cena, Playing with Fire) definitely don't get along. Indeed, when Roman (Tyrese Gibson, The Christmas Chronicles: Part Two), Tej (Chris 'Ludacris' Bridges, Show Dogs) and Ramsey (Nathalie Emmanuel, Four Weddings and a Funeral) drive up to the rural hideout that Dom has been calling home with wife Letty (Michelle Rodriguez, Crisis) and toddler son Brian (first-timers Isaac and Immanuel Holtane) since the events of 2017's The Fate of the Furious, he doesn't even want to hear about the latest mission that demands their help. The only thing that changes his mind: realising that Jakob is involved and up to no good. Fast and Furious 9 is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Read our full review. GUNPOWDER MILKSHAKE Cutesy name, likeable stars, stylised brutality, a familiar revenge scenario: blend them all together, and that's Gunpowder Milkshake. There's one particular ingredient that's missing from this action-thriller's recipe, though, and its absence is surprising — because much about the film feels like it has jumped from the pages of a comic book. That's one of the movie's best traits, in fact. The world already has too many comics-to-cinema adaptations, but although Gunpowder Milkshake doesn't stem from a graphic novel, it actually looks the part. Its precise framing and camera placement, hyper-vibrant colours and love of neon could've easily been printed in inky hues on paper, then splattered across the screen like the blood and bullets the feature sprays again and again. Writer/director Navot Papushado (Big Bad Wolves) and cinematographer Michael Seresin (War for the Planet of the Apes) have made a visually appealing film, and a movie with evident aesthetic flair. All that gloss is paired with a generic assassin storyline, however, and a half-baked feminist thrust. It's Sin City meets John Wick but gender-flipped, except that the Kill Bill movies and Atomic Blonde have been there and done that. Crafting a film that's entertaining enough, but largely in a mechanical way, Papushado and co-scribe Ehud Lavski (a feature first-timer) attempt to complicate their narrative. The basics are hardly complex, though. As skilled killer Sam (Karen Gillan, Avengers: Endgame) notes in the movie's opening narration, she works for a group of men called The Firm, cleaning up its messes with her deadly prowess. It's an inherited gig, in a way. Fifteen years earlier, she was a fresh-faced teen (Freya Allan, The Witcher) with a mum, Scarlet (Lena Headey, Game of Thrones), who did the same thing. Then her mother abandoned her after a diner shootout, leaving Sam to fend herself — and, to ultimately get her jobs from Nathan (Paul Giamatti, Billions), one of The Firm's flunkies. It's on just that kind of gig that Sam kills the son of a rival crime hotshot (Ralph Ineson, Chernobyl), and he wants revenge. Soon, her employers are also on her trail, after she takes another assignment in an attempt to sort out her first problem, then ends up trying to save eight-year-old Emily (Chloe Coleman, Big Little Lies) from violent kidnappers. The cast also spans the impressive trio of Angela Bassett (Black Panther), Michelle Yeoh (Last Christmas) and Carla Gugino (a Sin City alum), albeit sparingly, with all of Gunpowder Milkshake's female figures solely tasked with navigating an inescapably clear-cut scenario. Gunpowder Milkshake is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Read our full review. SPACE JAM: A NEW LEGACY In the misfire that's always been 1996's Space Jam, basketball superstar-turned-unconvincing actor Michael Jordan is asked to hurry up. "C'mon Michael, it's game time! Get your Hanes on, lace up your Nikes, grab your Wheaties and your Gatorade, and we'll pick up a Big Mac on the way to the ballpark," he's told. Spoken by go-to 90s schemester Wayne Knight (aka Seinfeld's Newman), this line couldn't better sum up the film or the franchise it has now spawned. The Space Jam movies aren't really about the comedic chaos that springs when a famous sportsperson pals around with cartoons. That's the plot, complicated in the original flick and now 25-years-later sequel Space Jam: A New Legacy by evil forces that turn a basketball game into a battle ground; however, it's also just a means to an end. These features are truly about bringing brands together in a case of mutual leveraging, as product placement always is. Connect Looney Tunes with the NBA, and audiences will think of both when they think of either, the strategy aims. It has worked, of course — and with A New Legacy, the approach is put to even broader and more shameless use. Everyone who has ever even just heard of Space Jam in passing knows its central equation: Looney Tunes + hoop dreams. The first Space Jam's viewers mightn't also remember the aforementioned product name-drops, but Warner Bros, the studio behind this saga, hopes A New Legacy's audience will forever recall its new references. All the brands shoehorned in here are WB's own, with its other pop culture franchises and properties mentioned repeatedly. The company also has Harry Potter, The Matrix, the DC Extended Universe flicks such as Wonder Woman, and Mad Max: Fury Road in its stable. Its catalogue includes Game of Thrones, Rick and Morty, The Lord of the Rings, and Hanna-Barbera cartoons like The Flintstones and Scooby-Doo, too. And, it holds the rights to everything from The Wizard of Oz, Metropolis and Casablanca to A Clockwork Orange and IT. A New Legacy wants to forcefully and brazenly impress these titles into viewers' minds so that they'll always equate them with the studio. In other words, this is just a Warner Bros ad with LeBron James and Looney Tunes as its spokespeople. You don't need to be a cynic or have zero nostalgia for the OG Space Jam to see A New Legacy as purely a marketing exercise, though, because corporate synergy is literally what the movie's villain, an algorithm named Al G Rhythm (Don Cheadle, Avengers: Endgame) that runs the on-screen Warner Bros, aims to achieve in this shambles of a film. Space Jam: A New Legacy is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Read our full review. DREAM HORSE Life-changing conversations can happen in bars — as Jan Vokes well and truly knows. Played in Dream Horse by Toni Collette (I'm Thinking of Ending Things), the Welsh supermarket employee and pub barmaid overheard Howard Davies (Damian Lewis, Billions) chatting about his past success as a racehorse owner. In his beer-fuelled boasting, he doesn't discuss how it almost left him bankrupt and divorced, but Jan is still inspired to both follow his lead and enlist his help. Having bred whippets and racing pigeons before, and won prizes for doing so, she decides she'll turn her attention to horses. Husband Brian (Owen Teale, Game of Thrones) isn't initially convinced, but soon she's studying guides, finding a mare and then a stallion, and convincing her friends and neighbours to put away a tenner a week to pay for this little endeavour. The syndicate's focus: a foal they name Dream Alliance, who spends his early days being raised on the Vokes' allotment, and eventually ends up with racing hotshot Philip Hobbs (Nicholas Farrell, The Nevers) as its trainer. Dream Horse wouldn't exist if success didn't follow, and it leaves no doubt that that's the case; however, director Euros Lyn (The Library Suicides) and screenwriter Neil McKay (Mad Money) chart lows as well as highs, and always ensure their characters are their primary focus. Dream Alliance was always going to gallop into cinemas, of course — and not just via 2015 documentary Dark Horse: The Incredible True Story of Dream Alliance. His is a story too crowd-pleasing for filmmakers to ignore, especially given the UK's penchant for against-the-odds tales about motley crews of struggling salt-of-the-earth characters who band together over an unusual but swiftly shared interest that ends up revitalising their lives in more ways than one. That's the template Dream Horse plays to, even though it's based on a true tale and an actual horse. The Full Monty, Calendar Girls and similar feel-good flicks provide as much inspiration here as the actual real-life details, in fact. Accordingly, this is a movie that's easy to get caught up in. It's almost impossible not to, really. That said, it's also a film that wears its warmth, sentimentality and shameless heartstring-pulling as a badge of honour. As a result, it's also impossible to ignore the buttons the movie keeps gleefully pushing, and the parts of the tale that must've been smoothed out to elicit the desired cheer-inducing response — even around Collette's committed performance. But this happily mawkish feature and its characters are all doing it for the "hwyl", a Welsh term that means "emotional motivation and energy", and neither is willing to let that mission dwindle even for a second. Dream Horse is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. SNAKE EYES: GI JOE ORIGINS Every film doesn't have to spawn a franchise, and most shouldn't; however, when a Hollywood studio teams up with a toy manufacturer to turn action figures into a movie, and then wants to keep using the latter to sell the former, apparently that stops being the case. That's why cinema audiences have been forced to suffer through the Transformers movies over the years, and why we also now have Snake Eyes: GI Joe Origins, the latest addition that no one wanted to a dull saga that started with 2009's GI Joe: The Rise of Cobra and then continued via 2013's GI Joe: Retaliation. Channing Tatum isn't part of the story this time around, with the focus shifting to the eponymous Snakes Eyes (Henry Golding, Monsoon). Before the character becomes a member of the GI Joe team, he's a man out to avenge the murder of his father (Steven Allerick, Westworld) from back when he was a kid. That quest first leads him into the employ of yakuza kingpin Kenta (Takehiro Hira, Girl/Haji), where he helps smuggle guns in giant dead fish. From there, he gets his shot with the Arashikage clan — a family-run enclave of Japanese powerbrokers that the ambitious Tommy (Andrew Koji, Warrior) thinks he'll lead next, is unsurprisingly wary of outsiders, but eventually and after much suspicion from head of security Akiko (Haruka Abe, Cruella) lets Snake Eyes undertake its secretive testing process to become a member. It's a credit to director Robert Schwentke (Insurgent and Allegiant), and to writers Evan Spiliotopoulos (The Unholy), Joe Shrapnel and Anna Waterhouse (Rebecca), that Snake Eyes isn't obsessed with obnoxiously stressing its franchise ties. It does all lead up to uttering a well-known GI Joe adversary's name, other recognisable characters such as Scarlett (Samara Weaving, Bill & Ted Face the Music) and Baroness (Úrsula Corberó, Money Heist) pop up, and nefarious terrorist organisation Cobra plays a part, but none of these links ever feel like the movie's primary purpose. Still, that half-heartedness speaks volumes about a movie that displays that trait again and again, is fine with remaining a generic Tokyo-set ninja revenge movie — complete with gratingly obvious shots of Mount Fuji, the Shibuya scramble crossing and Tokyo Tower — and also works giant snakes rendered in visually abhorrent CGI into the mix. The best element: Golding, who has never been less than charismatic in any of his on-screen roles (see also: Last Christmas, A Simple Favour and Crazy Rich Asians). He can't lift this formulaic franchise-extending slog, though, and neither can his rapport with both Koji and Abe, Schwentke's eye for his settings or the movie's often eye-catching costuming. The film's unenthused action scenes prove an apt weathervane, because they're by-the-numbers at best, even when The Raid's Iko Uwais is involved. Snake Eyes is available to stream via Google Play, YouTube Movies and Amazon Prime Video. SIR ALEX FERGUSON: NEVER GIVE IN Even among sports agnostics who know next to nothing about football of any code, and don't want to, Sir Alex Ferguson's name still likely rings a bell. The prodigiously successful soccer manager was synonymous with equally prosperous English Premier League team Manchester United for almost three decades between 1986–2013, leading them to 38 different trophies — including 13 EPL titles. He oversaw an era that featured star players such as David Beckham, Eric Cantona, Cristiano Ronaldo and Wayne Rooney, all famous names that are also known beyond sports fans. Accordingly, Ferguson is a highly obvious candidate for a documentary, particularly an authorised film directed by his own son Jason. But the best docos don't just preach to the already celebratory and converted. A piece of non-fiction cinema has the potential to turn any viewer into an aficionado, and to get everyone watching not only paying attention, but wholly invested. As the vastly dissimilar, not-at-all sports-related The Sparks Brothers also does, that's what Sir Alex Ferguson: Never Give In achieves. It steps through its eponymous subject's life story, all with the man himself narrating the details, sharing his memories and musings, and looking back on an extraordinary career. Helpfully when it comes to standing out from the crowded sports doco crowd, Never Give In has an angle: in 2018, Sir Alex was rushed to hospital and into surgery due to a brain haemorrhage. At the time, his biggest fear was losing his memories, which the younger Ferguson uses as an entry point — and as a touchstone throughout the birth-to-now recollections that fill the film otherwise. This approach helps reinforce exactly what Sir Alex has to recall, and what it all means to him. It also makes his plight relatable, a feat his footballing achievements were never going to muster (we can all understand the terror of having our lives' best moments ripped from our consciousness, but few people can claim to know what his level of professional success feels like). In his Scottish brogue, the elder Ferguson proves a lively storyteller, talking through his upbringing in Glasgow, his childhood adoration of Rangers Football Club, his ups and downs as a player — including taking to the pitch for Rangers and against them — and the path that led him to coaching first in Scotland, then for Manchester United. A wealth of archival footage assists in fleshing out the tale, as do interviews with players such as Cantona and Ryan Griggs. The result: an easy win of a film, but a nonetheless compelling and skilful one, too. Sir Alex Ferguson: Never Give In is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. SPIRIT UNTAMED The first time that a Kiger Mustang named Spirit cantered across the silver screen, it was in 2002's Oscar-nominated Spirit: Stallion of the Cimarron. Back then, the film marked just the sixth theatrical feature that Dreamworks Animation had brought to cinemas — following Antz, The Prince of Egypt, The Road to El Dorado, Chicken Run and Shrek — and if anything stood out, it was the movie's hand-drawn animation. Almost two decades later, Spirit Untamed returns the energetic and determined horse back to theatres. The movie he's in still looks gorgeous, even if computers have replaced pencils in bringing him to life. That said, this isn't actually the franchise's second step, with Netflix series Spirit Riding Free also telling the apple-loving animal's story across 78 episodes since 2017. In both look and feel, Spirit Untamed has more in common with its streaming counterpart than its big-screen predecessor, unsurprisingly. It's happy to primarily court the show's young audience, too. Indeed, while voice work by Jake Gyllenhaal (Spider-Man: Far From Home), Julianne Moore (Lisey's Story), Walton Goggins (Fatman), Andre Braugher (Brooklyn Nine-Nine) and Eiza González (Godzilla vs Kong) is designed to appeal to adults, there's little else but scant traces of nostalgia and pastel-hued imagery to keep anyone past their teens interested. Her vocals stem from a different actor — with Isabela Merced (Dora and the Lost City of Gold) doing the honours — but Fortuna Esperanza "Lucky" Prescott still sits at the heart of Spirit Untamed. Like Spirit Riding Free, the new film tells of Lucky's arrival in the frontier town of Miradero, her connection with Spirit and her efforts to save him from wranglers (led by Goggins). Also covered: her budding friendship with fellow horse-lovers Pru (voiced here by Little's Marsai Martin) and Abigail (Mckenna Grace, Annabelle Comes Home). They're the pals she needs when Spirit and his wild companions are snatched up by the nefarious rustlers, who plan to ship the horses off and sell them. Together, the pre-teen trio then sets off across the dangerous plains, determined to save the galloping animals and do the right thing. There's an obvious but still welcome and powerful message in Lucky's story, as she ignores her worried dad's (Gyllenhaal) warnings and her doting aunt's (Moore) fussing, choosing to follow her own heart and path instead. (Her father frets because her mother, voiced by González, worked as a horse-riding stunt performer and died during a show.) Similarly pleasing, even if the movie basically just remakes the TV show's first episode: that this all-ages wild west tale heroes women, although it pales in comparison to the recent Calamity, a Childhood of Martha Jane Cannary. Spirit Untamed is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May, June and July. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
Bennetts Lane used to be where you'd head for a little late-night saxophone and moonshine. The laneway's Jazz Club, which closed in mid-2017 after 25 years, was one a Melbourne jazz institution, hosting gigs by locally and internationally renowned artists — including, even, Prince. Now, the laneway is about to be home to a fancy new jazz era-inspired boutique hotel. A collaboration between Aust Global Investment and designers Breathe (who recently design Sydney's award-winning Paramount House Hotel) and Plus Architecture, the hotel will seek to retain a little of the art deco moodiness of the original jazz club. It'll be home to 44 rooms across 13 levels as well as – in perhaps the best news – a speakeasy in the basement from which we can only hope the strains of Miles Davis will echo. Initial designs of the hotel show jazz-inspired architecture, brass features, curved forms referencing instruments, and a general vibe of the hidden underground side of Melbourne. Using locally sourced furnishings and fittings, Plus Architecture's design will see reception and a cafe area on the ground floor spilling out onto the laneway, prime real estate for sipping an espresso. The design might be just about done but the next step is finding the drivers that have the oomph to run the place. Putting the call out for a hospitality provider, the hotel is currently calling for expressions of interest. The prospective operator would be stepping into some pretty big shoes — Bennetts Lane Jazz Club was a fiercely loved Melbourne institution and an integral part of the city's jazz scene. Here's hoping for more late nights spent sipping whisky and listening to smooth jazz, even if it's in a hotel bar. The Bennetts Lane Hotel is slated to open in mid-2020.
There's no wrong way to visit a winery, whether you choose to participate in a boozy fun run within the grounds, cycle between a couple of wine-slinging spots, or simply stop by for a few hours, taste some tipples and make a few purchase. Or, you can stay for the night, which isn't a new concept — but one South Australian vineyard is letting folks sleep right next to the vines in a luxury pod. Wineries from Queensland to Victoria boast glamping facilities; however The Vineyard Retreat McLaren Vale now has an Escapod. As the name suggests, it's all about escaping from the hustle and bustle, which is definitely on the agenda in what's essentially a luxury detached cabin right in the heart of the vineyard. Measuring 72 square metres, the pre-fab structure includes an open-plan dining and lounge room, a king-sized bed, an open fire and two small external decks, plus a fully functioning kitchen, a separate bathroom and a storage room. On the mod cons front, it also has the requisite appliances, under-floor heating, reverse-cycle heating and cooling, and automated blinds — although you'll want to keep them open to enjoy the vineyard views. Furthermore, the pod can be connected to the main power or can go off the grid via a solar power battery, rainwater tanks and a wastewater treatment system. Built off-site then brought to the winery, the Escapod can also be moved again in the future if needed. It'll be available for bookings from September — and it's one of two pods destined for the McLaren Vale spot, although just when the second will arrive is yet to be determined. If the pod has you planning a boozy getaway, there's some other good news — more are planned. In total, Escapod is hoping to roll out 20 pods across South Australian sites across the next year. Find the first Escapod at The Vineyard Retreat McLaren Vale, 165 Whitings Road, Blewitt Springs. Visit the retreat website for further details. Via The Lead. Images: The Vineyard Retreat / Escapod.
A restaurant that takes bookings basically has unicorn status these days. Not that we're fully against this walk-ins only business — it's been known to work in our favour — but sometimes you just want to be confident you'll be able to take your Dad to dinner without a grumpy one-hour wait. For those times, you'll need to find a restaurant you can book. Helping out with that conundrum will soon be San Fransisco-based restaurant booking service OpenTable, which will be launching in Australia later this month. OpenTable has been around since 1998, and while it's an international service — they're present in Canada, Germany, Ireland, Japan, Mexico and the UK — they take up the most space in the North American market, where it supposedly facilitates 52% of restaurant reservations through its mobile app. The app is something of a cross between restaurant finder Zomato and reservation site Dimmi, which was bought out by TripAdvisor earlier this year. The OpenTable desktop site and mobile app lets you search restaurants with available tables, view the restaurant's menu, user reviews, and any other restaurants nearby you might be interested in. And while it isn't all too different to Dimmi in terms of functionality, it certainly looks a lot nicer and has some handy integrations for the hospitality industry, such as the Guest Centre booking management app for front-of-house staff. "Whether it’s at a cafe, neighbourhood bistro or hatted restaurant, Aussies love to dine out and we're committed to empowering what that experience means for people," says APAC VP and Managing Director Adam Clarke. "OpenTable's growth has been driven by our ability to develop products that cater for the changing needs of restaurants and diners. Here in Australia, we will continue to innovate by providing insight into dining trends and behaviours, and building on all we have learned over the past two decades." The OpenTable app is set to go live mid-December, and will allow you to make bookings at restaurants including Rockpool and MoVida. Of course, this service only works if your restaurant of choice doesn't work on a no-bookings system — no one can help you there, I'm afraid.
Strolling along a jetty is one of life's simple pleasures. Decking stretches from the shore out over the ocean, the water glistens as far as the eye can see, and the breeze — because there's always a breeze — is instantly refreshing. And, no matter where in the world you happen to be, the experience always feels comfortably familiar. The scenery might be different, but there's not much about moseying along a pier that changes from place to place. Well, that's usually the case. At Australia's new structure in the Eyre Peninsula city of Whyalla, in South Australia, the whole jetty concept has had quite the upgrade. The basics are still the same — it's still a platform that juts out over the sea, of course, and you still walk along it and soak in the coastal splendour — but this one has a huge circle in the middle, as well as LED lights along its handrails. If you're thinking about immediately adding it to your must-visit list, that's understandable. Instead of running in a straight line as most piers do, this $7.8-million concrete jetty boasts a loop in the centre — and visitors have to walk either one way or the other along the circle to get to the end of the structure. The design isn't symmetrical, which means you have two options: take the shorter, more direct route as you head to the big square platform at the jetty's tip, or meander along the lengthier arc for a leisurely spot of wave-watching. If you decide to wander along the entire jetty — walking the full circumference of the loop, as well as the straight sections at either end — you'll cover 315 metres. You'll also venture 165 metres out from the shore. In addition, you'll have ample space, as the whole thing is 4.5 metres wide. For accessibility purposes, a 45-metre ramp is currently under construction as well. [caption id="attachment_784064" align="alignnone" width="1920"] A render of the jetty[/caption] Officially opened on Wednesday, September 16, the Whyalla Jetty is the only jetty of its kind in the southern hemisphere — and given its eye-catching look, it's easy to see how that's the case. The design was selected by the local community to replace the old pier, which was destroyed by a fire in 2019 but was set to be superseded by the new jetty anyway. And, in picking a new structure, these SA residents have chosen well. To keep the jetty visible at night, bespoke lighting has been installed in its top brushed steel balustrade, too, with each 50-centimetre section of railing including a five-centimetre LED pod. So, as well as standing out due to its shape, this pier lights up the night. It has been built to last at least 80 years, so expect those lights to glow for some time. Visitors can meander along the jetty's expanse, obviously, as well as fish off the side; however, jetty jumping is strictly forbidden. There aren't any ladders or steps to take you down to the water either — so once you're up there, you'll be looking down at the sea from above. Find the Whyalla Jetty in Whyalla, on South Australia's Eyre Peninsula. For further details, visit the Whyalla City Council's website.
Imagine hopping on the train each morning, fitting your workout in while you travel, and then watching the latest news on a big-screen TV. Then, imagine jumping in the carriage on the way home, grabbing a beer on board and blissing out in a noise-cancelling armchair. They're some of the ideas included in Germany's new 'train of the future', a concept that's being explored by state-owned railway company Deutsche Bahn. Their Ideas Train also features a dedicated gaming zone filled with consoles, documentary and live sports screenings, a vending machine dispensing baked goods, brews on tap, a coffee cube serving up speciality sips, and digital fitness coaches to keep your exercise as on track as the train. Dedicated spaces for families and groups travelling together, dine-and-work benches with integrated tablet shelves, laptop pods and a kids' play area ensure every type of commuter is catered for. It's all part of DB Regio's attempt to adapt to the new transport landscape, given that autonomous cars are zooming towards becoming a reality. Indeed, from Elon Musk's rockets, moving hotels and hyperloop system, to self-driving buses, flying cars and solar-powered trains, getting from A to B is set to look quite different in the coming years. Here's hoping that getting to work like this is included. Images: Deutsche Bahn.
Sorry Australia and New Zealand, you can't feel it coming after all — Abel 'The Weeknd' Tesfaye and his planned 2023 tour of both countries, that is. Just over two weeks out from his first scheduled gig Down Under as part of his visit, and after having to put on more shows to meet demand before tickets even went on sale, the musician has postponed his trip. "Due to unforeseen circumstances, we must reschedule the Australia/New Zealand tour. New dates will be announced next year and current tickets will be valid for the new shows," advises a statement on the Live Nation website, which is credited as a message from The Weeknd to his fans. "Refunds will be available for those unable to attend the new dates. Deeply disappointed but can't wait to be there with you!" the statement continues. "We understand fans will be disappointed, and Live Nation is focused on working with The Weeknd to secure a new tour schedule. We will make a further announcement as soon as possible," added Live Nation Australia and New Zealand. The Canadian singer-songwriter and The Idol star was due to play two shows at Brisbane's Suncorp Stadium from Monday, November 20–Tuesday, November 21 to kick off the tour, then head to Sydney for three gigs at Accor Stadium from Friday, November 24–Saturday, November 25 and on Monday, November 27. After that, he had four shows locked in for Marvel Stadium in Melbourne: on Friday, December 1–Saturday, December 2 and Monday, December 4–Tuesday, December 5. Then, it was meant to be Eden Park in Auckland's turn from Friday, December 8–Saturday, December 9. An arena spectacular, The Weeknd's global tour has been notching up soldout shows far and wide. In the UK, The Weekend saw 160,000 folks head to London Stadium across two nights, smashing the venue's attendance record. And in Milan, he became the first artist to sell out the Ippodromo La Maura for two nights. Those feats are just the beginning. In Paris, the 'Starboy', 'I Feel It Coming', 'Can't Feel My Face', 'The Hills' and 'Blinding Lights' artist scored Stade de France's biggest sales this year — and in Nice, the 70,000 tickets sold across his two shows are the most in the city's history. The reason for the whole tour, other than just because — and when it does make its rescheduled trip Down Under — is to celebrate The Weeknd's 2020 record After Hours and its 2022 followup Dawn FM. Obviously, he'll be playing tracks from 2013's Kiss Land, 2015's Beauty Behind the Madness and 2016's Starboy as well. Just like new dates, there's no word yet if Mike Dean and Chxrry22 will still be supporting The Weeknd's Australian and NZ gigs when they do happen. THE WEEKND'S 'AFTER HOURS TIL DAWN TOUR' 2023 — POSTPONED DATES: Monday, November 20–Tuesday, November 21 — Suncorp Stadium, Brisbane Friday, November 24–Saturday, November 25 + Monday, November 27 — Accor Stadium, Sydney Friday, December 1–Saturday, December 2 + Monday, December 4–Tuesday, December 5 — Marvel Stadium, Melbourne Friday, December 8–Saturday, December 9 — Eden Park, Auckland The Weeknd is no longer touring Australia and New Zealand in November and December 2023. The shows will be rescheduled, with new dates yet to be announced — head to the tour website for more information.
The future of wearable technology is like thinking about the universe: the possibilities of what could be discovered are endless. But it's annoying enough to integrate an Apple Watch or a Fitbit into your life, let alone walk around wearing weird spy cam glasses all the time, ala Google Glass. Seriously, no one want to be that guy. But what if you could simply attach this technology to your skin with, say, a small temporary tattoo? Well, that sound pretty good to us, and Austin-based mobile development company, Chaotic Moon, are trying to make it happen. The technology, dubbed Tech Tats, are temporary electronic tattoos that would live on top of the wearer's skin, and use the skin as an interface. The tattoo holds an ATiny85 microcontroller, which stores and receives data from temperature sensors via electroconductive paint to interact with your body. "Everyone has this idea of the future as this guy with Google Glass and the Apple Watch and five Fitbits," EricSchneider, Chaotic Moon's Creative Technologist says. "But the goal is really wearable technology that you can’t even see." As well as tracking your movements and fitness, and storing your credit card details and so on, the tats would also be able to monitor your vital signs an send that data to your phone — or even your doctor. The technology is just a prototype at the moment, but it isn't too hard see this coming to life sooner rather than later. Chaotic Moon have said — if the product gets to the public — they want to keep the price point accessible, perhaps even selling the Tech Tats in packages, like Band-Aids. It seems like a happy medium between clunky, wearable technology and getting microchips implanted under the skin — we don't want to go full robot just yet. Via Motherboard.
High-rises aren't the most ideal set-up for making new buds. It's not every apartment-dwelling crew that's lucky enough to undertake wacky antics in the hall, eat from each other's fridges and bond over Ugly Naked Guys across the way. You're more likely to encounter your neighbours through the wall — outlandishly vocal bedroom activity, raging Avicii-fuelled parties, World Cups. It's all pretty negative, fist-shaking stuff, usually moderated by your tired, tired landlord. But what if some friendseeking architecture firm just wanted us to all get along, even design friendships between neighbours? It all has do to with space. Dense, high-rise housing can be an isolating place to live, even though you're surrounded by hundreds of people and their better-than-yours cooking aromas. Vertically-stacked apartment living often lacks those common areas where you can bump into your (often hundreds) of neighbours and hang out — courtyards, gardens, front porches; Actual House areas — resulting in the whole nod-and-smile, awkward silent elevator ride and subsequent, perpetual avoidance of eye contact. But you might have more in common than you think with mean old Mr Macgillycuddy downstairs. Tired of these missed, loneliness-curing opportunities and taking cues from corporate setups, a presumably friendly Belgian design firm has come up with an inspired solution. C.F. Møller Architects and Brut Architecture and Urban Design have made social interaction the main goal of their new mixed-use high-rise design in Antwerp. That's right, an apartment tower designed to help you make friends. C.F. Møller's 24-story plan is all about mini-communities. Grouping together similar apartment types (family homes with other family homes, raucous students with other raucous students), the plan throws together residents with typically matching day schedules and increases the chance of bumping into each other for mad chats, recipe swaps and sugar borrowing. Cooking and eating alone's definitely another opportunity for buddying up in apartment living — nothing like a sad, tear-dressed Caesar for one. So the team have included a communal dining area in the design, perfect for post-work vents and cheap pot luck dinners, as well as a roof terrace for those beer-fuelled new friend-making chats. Nothing sparks a new friendship faster than similar interests. Cyclists can event meet other veloheads in the bike repair repair facility. Pet owners can let their four-legged friends roam free all year long in the triple-height indoor garden and students can compare notes from outdoor study sessions in the massive balcony space. While C.F. Møller haven't released a completion date yet, estimates look toward 2017 for the building's red ribbon ceremony. Until then, why not give your neighbours a chance instead of a passive aggressive note? Could be an everyday Ryan Gosling on every floor. Via Fast Company.
Although your wardrobe might be begging for an update, there's no rule saying your fresh threads need to be brand new. Then again, not all second-hand and vintage fashion is created equal, so if you're looking for something special, SWOP is likely where you'll find it. Its colour-coded racks are always a goldmine when it comes to finding something both fashionable and sustainable. Plus, as well as promoting anti-waste, the buyers are big on inclusivity — so most of the clothing you'll find is affordable, and there tends to be plenty of options for all body types. Images: Victoria Zschommler.
If you've made it to the middle of March without starting to count down until the Easter and ANZAC Day long weekends, congratulations: you're stronger-willed that most. Beginning to think about more than just a few days off sometime soon? If you're keen to travel from the very end of April 2025, you're in luck: Virgin has just dropped a new flight sale. Book in that annual leave, because you can take a discounted trip to Hamilton Island, Uluru, Bali, Fiji, Queenstown, the Gold Coast, the Sunshine Coast, Hobart and more. The sale covers one-million fares, both Australian and international destinations among them, and prices start at $45. Yes, that $45 fare is for the Sydney–Byron Bay route, for a one-way ticket. You can also head to the Gold Coast from Sydney from $65, from Brisbane to Proserpine for $69 and from Melbourne to the Sunshine Coast from $109. Prefer a Hamilton Island getaway instead? Flights there kick off at $109 from Brisbane and Sydney, and $139 from Melbourne. Other deals elsewhere span Sydney–Melbourne from $95, Brisbane–Hobart from $115, Brisbane–Uluru from $129, Melbourne-Perth from $195 and Sydney–Perth from $199. Do scenic sights further afield call your name? Your overseas options include Melbourne–Queenstown from $425, Gold Coast–Bali from $489, Brisbane–Port Vila from $499, Sydney–Nadi from $569 and Brisbane–Apia from $689, all return. You've got until midnight AEST on Wednesday, March 26, 2025 to book, unless sold out earlier. And the cheap fares, which are valid in both directions between each point in the discounted route, start with Virgin's Economy Lite option — although there are also business seats on offer. Wondering when you'll need to travel? These deals cover periods between Wednesday, April 30, 2025–Wednesday, February 11, 2026, with all dates varying per route. Inclusions also differ depending on your ticket and, as usual when it comes to flight sales, you'll need to get in quick. Virgin's March 2025 sale runs until midnight AEST on Wednesday, March 26, 2025 — unless sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
There are a lot of weird food museums around the world, dedicated to everything from potatoes to Jell-O to kimchi. Some of them are a little questionable — others totally genius, like Japan's ramen museum — but there's certainly no question that an ice cream museum would be an important, delicious, 100 percent necessary educational facility. So it comes as no surprise that the announcement that a Museum of Ice Cream is opening in New York City this month has gone down very well with the public — especially as one of its draw cards will be a life-sized pool of sprinkles. Yes, you read that right — a pool of sprinkles. That you can swim in. Well, I don't know if you can technically swim through sprinkles, but you'll be able to fully immerse yourself in them either way. They won't be actual sprinkles, but according to Eater, they'll be made to look and feel just like those colourful little edible dots that make ice cream 10000x more delicious. The Museum of Ice Cream is being brought to life by two ice cream-loving New Yorkers, Maryellis Bunn and Manish Vora, who noticed a severe lack of ice cream-dedicated spaces and sprinkle swimming pools in the world. A pop-up museum, it will open in New York's Meatpacking District on July 19 and run until August 31. Aside from the sprinkle pool, the ice cream playground will also feature edible balloons, an "immersive" chocolate room (!!), an ice cream sandwich swing and a giant sundae. Randomly, there'll also be a room sponsored by Tinder. And because it wouldn't be a true food museum without some eating action, admission will also include tastings of special scoops created by some of the city's best ice cream artisans, including Black Tap and OddFellows. What a day out. Pool of sprinkles https://t.co/rBOQsoYgFK pic.twitter.com/4pbrSt3ray— Serena Dai (@ssdai) July 8, 2016 Via Eater.
Few things can compare to a classic Italian aperitivo. You order a drink from the bar and with it comes a delectable free snack. This delightful afternoon drinking experience is unavoidable if you're travelling through Italy. But for those of us stuck here in Melbourne, Neighbourhood Wine (one of the best wine bars in Melbourne for our money) is throwing its own version of an aperitivo throughout the rest of summer. For its Patio Aperitivo sessions, guests sitting out on the terrace from 4–6pm (any day of the week) will receive a free snack when they order a boozy beverage. And these aren't dry breadsticks we're talking. The Neighbourhood Wine crew will be slinging natural oysters, wagyu beef with bone marrow on sourdough crackers, and honeydew melon topped with capocollo ham to all the aperitivo stans out there. To nab a complimentary snack, you just need to order a glass of wine, a pint of beer or a cocktail within the two hour window. Cocktail-wise, the team has created a few summer specials for the occasion, including a signature spritz and dirty martini. But you could happily head here for a two-hour sesh on the beers and wine, filling up on plenty of fine Italian-inspired eats.
Sydney is currently experiencing a wave of new hotel openings. From the sleek-as-hell Ace Hotel and the lavish Capella Sydney to exciting upcoming openings like the forthcoming W Hotel, the Harbour City is awash with flash new accommodation providers. On top of all of this, a five-star Sydney favourite has just received a multimillion-dollar transformation with heritage CBD hotel Swissôtel unveiling its new look, Euro-influenced rooftop pool and grand lobby bar. Both the bar and pool are located high in the sky, nestled among Sydney's high rises. Enter the hotel from Market Street and head up to level eight to find Arches On Market, a no-holds-barred dining and drinking experience within the building's pre-existing 1930s lobby. A luxurious fit-out has brought new life to the space, and an award-winning chef now heads up the kitchen, serving up a selection of finger food and bar snacks. Take your pick from intimate booths, relaxed lounge seating and the more formal dining space, or take a seat at the eight-metre-long Calacatta marble bar where you can really analyse the cocktail list with the bartenders to determine the beverage your heart truly desires. On the drinks menu, you'll find the signature martini served straight out of the freezer and garnished depending on your preference, as well as sours, cobblers and a twist on an Old Fashioned. Executive Chef John Giovanni Pugliano has pulled together a snack menu that will have you cancelling your dinner reservations elsewhere. Oysters, finger sandwiches, goats cheese and caramelised onion croquettes, prawn cocktails and pork terrine all make appearances alongside caviar and mandarin cheesecake. These vibrant cocktails and stellar eats are all calling to be enjoyed poolside, and hotel guests are in luck with the Arches fare available at the new rooftop pool. This inner-city oasis now boasts built-in cabanas and sun-soaked day beds, as well as booths set up to accommodate a spread of snacks from the lobby bar. Pristine white pool club-style walls surround the timber deck, giving the sky-high swim spot a sense of privacy without shutting it off from the sun and the surrounding skyline. The new-look 369-room hotel and all of its fresh amenities are open now. Rooms start from just over $350 a night and include access to the Ten Stories restaurant, Arches on Market, the rooftop pool and the wellness and spa facilities, all in the heart of the Sydney CBD. Swissôtel Sydney is located at 68 Market Street, Sydney. Restaurant images: Steven Woodburn
After playing their first show Down Under since 2013 in Sydney, Tenacious D have scrapped the remainder of their Australian and New Zealand dates on the two-man comedy rock group's The Spicy Meatball tour. The duo, aka Jack Black and Kyle Gass, kicked off their visit in Sydney, where a joke about the attempted assassination of former US president Donald Trump by Gass sparked controversy. In the aftermath, their next gig in Newcastle was initially postponed, then the entire tour cancelled. Black has also put the band on hold, advising in a statement on social media that he was "blindsided by what was said at the show on Sunday". "I would never condone hate speech or encourage political violence in any form. After much reflection, I no longer feel it is appropriate to continue the Tenacious D tour, and all future creative plans are on hold. I am grateful to the fans for their support and understanding," the Instagram post continued. View this post on Instagram A post shared by Jack Black (@jackblack) Tenacious D last performed Down Under in 2013, and were set to play July dates in seven cities. The Grammy-winning pair, which first came together in the 90s as theatre students in Los Angeles, were due to hit up arenas in Sydney, Newcastle, Brisbane, Melbourne, Adelaide, Wellington and Auckland fresh from sellout gigs in the US, UK and Europe in 2023. Their Sydney show at the ICC Sydney Theatre on Sunday, July 14 fell on Gass' birthday, with the musician presented with a cake onstage by The Super Mario Bros Movie star Black, then asked to make a wish. He replied with "don't miss Trump next time". [caption id="attachment_939742" align="alignnone" width="1920"] Sven Mandel via Wikimedia Commons[/caption] Gass has also made a statement on social media. "The line I improvised onstage Sunday night in Sydney was highly inappropriate, dangerous and a terrible mistake. I don't condone violence of any kind, in any form, against anyone," he said on Instagram. "What happened was a tragedy, and I'm incredibly sorry for my severe lack of judgement. I profoundly apologise to those I've let down and truly regret any pain I've caused." Ticketholders for Tenacious D's cancelled Australian and New Zealand shows will automatically receive refunds. [caption id="attachment_939746" align="alignnone" width="1920"] Raph_PH via Wikimedia Commons[/caption] Tenacious D The Spicy Meatball Australia and New Zealand Tour 2024 Dates: Sunday, July 14 — ICC Sydney Theatre, Sydney Tuesday, July 16 — Newcastle Entertainment Centre, Newcastle — CANCELLED Thursday, July 18 — Brisbane Entertainment Centre, Brisbane — CANCELLED Saturday, July 20 — Rod Laver Arena, Melbourne — CANCELLED Monday, July 22 — Adelaide Entertainment Centre, Adelaide — CANCELLED Wednesday, July 24 — TSB Arena, Wellington — CANCELLED Friday, July 26 — Spark Arena, Auckland — CANCELLED [caption id="attachment_939740" align="alignnone" width="1920"] Travis Shinn[/caption] Tenacious D are no longer touring Australia and New Zealand across July 2024, with all tickets set to be automatically refunded. Head to the tour website for further details. Top image: Raph_PH via Wikimedia Commons.
It was accurate with side-splitting hilarity in The Thick of It and In the Loop, as packaged with heartache in Benediction and in the world of Doctor Who in-between: Peter Capaldi is one of Scotland's most fascinating actors today. Without a "fuckity bye" uttered, any poetry quoted or a tardis in sight, Criminal Record also uses his can't-look-away presence to excellent effect, casting him as Detective Chief Inspector Daniel Hegarty, one of the eight-part Apple TV+ series' two key detectives. There's an intensity to Capaldi that's long served him well and, as seen since the show first arrived in January, it's unsurprisingly pivotal in the first role in his four-decade career that has him playing a police officer. His stare alone on-screen has been known to make others wither; in Criminal Record, folks on both sides of the law are trying to avoid that glare, except Capaldi's Torchwood co-star Cush Jumbo. By day, the no-nonsense Hegarty is a force to be reckoned with on the force. By night, he moonlights as a driver, seeing much that lingers in London as he's behind the wheel. In his not-so-distant past is a case that brings Detective Sergeant June Lenker (Jumbo, The Good Fight) into his orbit — a case that she's certain is linked to a distressed emergency call by someone attempting to flee domestic abuse. The mystery woman says that her partner has already committed murder, gotten away with it, sent another man to prison for the crime in the process and now brags about it. Hegarty contends otherwise, vehemently and gruffly. No matter how many times she's warned off, Lenker is determined to discover the truth, find her potential victim, ascertain whether someone innocent is behind bars and learn why every move that she makes to dig deeper comes with professional — and sometimes personal — retaliation. The events in question saw Errol Mathis (Tom Moutchi, PRU) incarcerated for 24 years for the brutal 2011 killing of his long-term girlfriend Adelaide Burrowes (Ema Cavolli, Doctors), with Hegarty leading the charge in sending him away for murder. Lenker is not the only one asking questions. For over a decade, Errol's mother Doris (Cathy Tyson, Boiling Point) has been protesting his innocence, aided by lawyer Sonya Singh (Aysha Kala, The Doll Factory). Although believing the official story, Adelaide's son Patrick (Rasaq Kukoyi, The Kitchen) — who was just six when his mum died, and in the other room as she was attacked — is understandably struggling to move on. But Errol confessed and isn't keen on dredging up the past. To Lenker, however, little adds up, and it isn't just Hegarty's insistence that she leave the case alone that sparks a myriad of questions. The elder cop has cronies DS Kim Cardwell (Shaun Dooley, Saltburn) and DS Tony Gilfoyle (Charlie Creed-Miles, Gunfight at Dry River) on his side, willing to do whatever it takes to get Lenker to drop her inquiries. They'd describe themselves as "old-school". To everyone else, their prejudice and bigotry is as apparent as their sense of entitlement. Lenker isn't one to back down, though, from both trying to find the woman on the other end of the 999 call and getting to the bottom of Adelaide's death. Indeed, she's so focused that work is all that she's thinking about even when she's at home with her partner Leo (Stephen Campbell Moore, Masters of the Air) and pre-teen son Jacob (Jordan A Nash, Breeders) — and when her mother Maureen (Zoë Wanamaker, Black Ops), who doesn't trust the law regardless of that her fact that her daughter has a badge, is around. Two police officers sit at Criminal Record's centre, but creator and writer Paul Rutman (Next of Kin) clearly hasn't crafted an odd-couple cop show. With Shaun James Grant (a TV first-timer) and Jim Loach (The Tower) directing, plus Ameir Brown (Champion), Thomas Eccleshare (Witness Number 3) and Natasha Narayan (Rutman's Next of Kin co-creator) also scripting, this is still largely a two-hander — and saying that it couldn't be better cast is an understatement. Capaldi is already someone who makes every moment that he's on-screen better. So is Jumbo, which makes watching them face off as riveting as television gets. Passive aggression oozes from the frame when Hegarty and Lenker first confront each other. Tension drips throughout the series relentlessly, but with particular vigour whenever its key cops are in close proximity. Criminal Record doesn't waste time keeping audiences guessing about who's dutifully taking to their role as part of the thin blue line and who's among policing at its most corrupt. Instead, it lets two people that are both meant to be on the upstanding end of the law-and-order divide clash, surveying the damage that ripples not just through the fuzz but also the community. That said, this isn't a simple good-versus-evil scenario between fellow officers. Diving into the complexities is as much the show's remit as unfurling a whodunnit. Accordingly, there's no doubting that Hegarty and Lenker both take their jobs seriously. And, there's zero questioning that each thinks that the choices they're making — and have made — are for the best. There's no seeing past how Hegarty has managed to adapt, either, surviving in his post by saying the right things yet retaining a problematic attitude. There's also no avoiding the complications that are a daily part of the gig as well, or the systemic barriers, or the way that the force handles both gender and race. As it primarily walks in Lenker's shoes, there's similarly no escaping the microaggressions that come her way constantly. If she pushes a colleague to help, she's going too far. If she complains about a racist remark from Hegarty, she's told that she's looking for issues. As Lenker continues to probe, to refuse to take no for an answer and not accept Hegarty's claim that everything is above board, the senior cop even advises her to check her own unconscious bias. While twists and mysteries are layered into the show's narrative, they regularly come second to Criminal Record's thematic willingness to tear into what policing should be, can be and often is — and what that means for women and people of colour, both in general and when endeavouring to improve the constabulary from within. Criminal Record isn't just a supremely well-cast procedural that's home to extraordinary performances, then — it's also weighty. And, as this slickly shot series works through its episodes, a matter-of-fact air doesn't only emanate from Capaldi and Jumbo. Rutman and company don't look away from the sincerity of Lenker's wish to truly protect and serve, the desperation to combat law enforcement's most-abhorrent impulses and the bitter disappointment every time that the worst proves true. The series also spies how entrenched the problems that Hegarty and his sidekicks represent are, and how deeply they fester. It does all this while ensuring that viewers can't look away — from its stars, story or heartbreaking, infuriating intricacies. Check out the trailer for Criminal Record below: Criminal Record streams via Apple TV+.
Whether you're self-isolating or social-distancing, we bet your couch has seen more of you in the past week than it has all year long. And if you've been looking for some motivation to (temporarily) pause powering through your chocolate reserves and flipping between Netflix and COVID-19 news, here it is: free fun workouts. While you can't get to the gym or go to your bootcamp, you can work up a sweat at home without spending a dime — and without running 66 kilometres in laps around your apartment like this guy. Here are some actually fun (and free) ways to work out at home. NIKE TRAINING CLUB If you want to get fit like the pros, the Nike Training Club is the way to do it. The app offers over 190 free workouts focused on strength training, cardio, endurance and even yoga and mobility. These workouts have been designed by the Nike Master Trainers, who offer video guidance via the app. Workouts are designed for all fitness levels and heaps are body weight-only, so you don't need at-home equipment, either. The more workouts you complete, the more customised the app becomes, and it even offers daily recommendations for regular users. Basically, it's created to make you feel like you have a personal trainer in your living room. Download the free Nike Training Club app for iOS or Android. https://www.youtube.com/watch?v=--jhKVdZOJM YOGA WITH ADRIENE Yoga trainer Adriene Mishler must be doing something right — she has over 6.55 million subscribers to her YouTube channel. Her chilled-out and calming disposition make her one of the best online yogis out there. And she has a lot of videos up, with more to come, too — so you you won't run out of workouts anytime soon. Her classes are also much more specialised than your average hatha, with videos themed around yoga for almost anything and anyone. Yoga for hangovers. Yoga for writers. Yoga for chefs. For runners, self-love, cramps, couch potatoes and lower back pain — which may be particularly important in this work-from-home culture. Mishler also offers a 30-day class flow, which you can follow along with daily. Oh, and you'll also get to work out with her dog, Benjamin the blue heeler. Check out all of Yoga with Adriene's videos on her YouTube channel. SMILING MIND Odds are, you aren't just going stir crazy physically, but mentally, too. It's important now more than ever to check in with yourself, watch your stress levels and look after your mental health. One of the ways to do this from home is through guided meditation. While there are heaps of meditation and mindfulness apps out there, Smiling Mind is absolutely free. So, you can enjoy all of the benefits of a meditation guru without the monthly subscription fee — and without leaving the house. The app only suggests ten minute a day, so it isn't a huge commitment, either. Its offering is broken down into age groups, too, and even offers meditation for kids and teenagers. Download the free Smiling Mind app for iOS or Android. 30-DAY SQUAT CHALLENGE When you're staring down the barrel of a few weeks (or more) at home, it can be good to have a daily exercise goal to keep you sane. This 30-Day Squat Challenge app offers just that. The month-long workout plan focuses on — you guessed it — squats, but there isn't just one way to do this move, either. The app focuses on a whopping 13 squat variations used across six different workouts. The intensity of the workout increases by the day, so that on day 30 you'll be a squat master — and have the booty to show for it. Download the free 30 Day Squat Challenge app for iOS or Android. https://www.youtube.com/watch?v=ofddKYnkxTQ&t=5s THE FITNESS MARSHALL For a fun workout at home (that'll have you smiling if not sweating), it's time to start following fitness teacher Caleb Marshall. His YouTube channel already has 2.3 million subscribers, and for good reason — his workouts are actually fun. They're more dance classes than workouts, and you'll be grooving along to pop songs. Think Work by Rhianna, Truth Hurts by Lizzo and Womanizer by Britney Spears. Marshall's dance moves are for novices, not the pros — so anyone really can join in. And most of his videos are only the length of one song (three–four minutes long), so you can even dance along as part of a quick five-minute break. Check out all of The Fitness Marshall's videos on his YouTube channel. https://www.youtube.com/watch?v=ukDLb3rAmTY JANE FONDA ON BEFIT If you haven't watched the famous 1982 VHS Jane Fonda's Workout, you've definitely heard of it. Selling over 17 million copies, the video workout accompanied Fonda's bestselling book of the same name. While you can't watch the OG VHS for free, you can watch a heap of Fonda's slightly-more-recent videos on the BeFit YouTube channel. These oldies-but-goodies are fun, easy and a bit of a laugh. Fonda offers a wide range of workouts, from cardio and fat burning to yoga energy booster and even a questionable dance class. So dust off your leg warmers and sweatbands and prepare for some indoor aerobics. Check out all of BeFit's Jane Fonda YouTube videos over here.
When the COVID-19 pandemic forced the closure of cinemas worldwide, two questions arose: when will they be able to reopen and, with movie release dates instantly thrown into disarray, what will they show? Picture palaces are now welcoming movie buffs back through the doors in some portions of the world, including parts of Australia and in New Zealand, so that's the first query taken care of. Just what they're able to screen, however, is still the subject of constant manoeuvring. Many of the big films that were due to release in 2020 have been shifted to 2021, such as Fast and Furious 9, In the Heights, Ghostbusters: Afterlife and Halloween Kills. Some have remained committed to reaching the silver screen this year, but have still moved their release date over and over, like Tenet. And some have decided to make the jump online — including after rescheduling in-cinema release plans a few times, as is the case with Disney's live-action Mulan remake. As announced this week, the new Mulan will head straight to streaming platform Disney+ in many areas of the world, including Australia and New Zealand. It'll hit the service on Friday, September 4, but it won't be a part of your regular subscription. Instead, you'll have to pay to view it on a video-on-demand or 'premier access' basis, at a cost that's yet to be announced for viewers Down Under. If you want a ballpark figure, though, the US price is $29.99. This isn't the first Disney project to make the move to digital this year, with Pixar's Onward doing the same after a very brief cinema run as the globe went into lockdowns in March. Terrible family-friendly fantasy Artemis Fowl bypassed theatres altogether, hitting Disney+ in early June, while the phenomenal recorded version of Hamilton debuted on the streamer in July. In Mulan's case, it'll mean that fans can not only watch the highly anticipated blockbuster at home, but also finally enjoy the latest screen iteration of the famed character. In Chinese history, the legend of Hua Mulan dates back to the sixth century. At the movies, the formidable female warrior first fought her way across the big screen in a 1927 silent film. Mulan has been no stranger to the page, stage or cinema over the past 92 years, but many folks know the tale thanks to Disney's 1998 animated musical. Now, as it has done with everything from Alice in Wonderland to The Jungle Book to Aladdin, the Mouse House has turned the story into its latest live-action remake. Once again, Mulan (played by Chinese American actor Liu Yifei) will evolve from dutiful daughter to kick-ass combatant, all to protect her family in a time of war. She's originally due to be married off to a husband chosen by a matchmaker, until the Emperor of China issues a decree stating that one man per household must serve the Imperial Army as it endeavours to fend off northern invaders. To save her ailing ex-soldier father from having to fight, Mulan disguises herself as a man, takes on the name Hua Jun and becomes an icon. Forget rousing tunes or a talking dragon voiced by Eddie Murphy. This time, the tale hits the screen without a singing and smart-talking sidekick, but with plenty of sword-swinging, arrow-flinging antics. In New Zealand director Niki Caro's (Whale Rider, The Zookeeper's Wife) hands, this version of the story goes heavy on the action and empowerment, as shown in the spectacularly choreographed scenes seen so far. As well as Liu (whose resume includes The Forbidden Kingdom and The Assassins), the new Mulan features Jet Li as the Chinese Emperor, Gong Li as a witch, Donnie Yen as the protagonist's mentor, Jason Scott Lee as a villainous army leader, and Yoson An (The Meg, Mortal Engines) as her fellow fighter and love interest. Check out the full trailer below: https://www.youtube.com/watch?v=KK8FHdFluOQ Mulan will be able to view via Disney+ — on a 'premier access' video-on-demand basis from September 4, 2020. Image: © 2020 Disney Enterprises, Inc.
It’s a sad news day for all the swashbuckling pirates among you. Australian film company Village Roadshow has started a court action to shut down movie streaming website SolarMovie. After the Federal Government passed a bill to amended Australia’s copyright right laws in June of 2015, we were all expecting the worst. We’re sorry to say that while it’s taken eight months to affect any change, the laws are finally being utilised to our disadvantage. We’re assuming that half of you reading this zoned out, opened IMDB in a new tab and are now slowly finding torrents to download every film in the top 1000 while you still can. Graham Burke, co-chief executive of Village Roadshow told the ABC they’ll be targeting SolarMovie, because they’re a “vicious bunch of thieves.” Burke went on to say the site's advertising was harmful to children “If your kids go to that website, they're encouraged to gamble with no age limit; there's sexual ads there." For the record, it’s called ad-blocker dude, look it up. SolarMovie will most likely be black-listed for Aussies using DNS blocking, whereby the the DNS (domain name system), which connects readable site addresses with their internet address (IP address), is diverted and unable to connect the site name and the IP address. It's the simplest way to block sites but doesn't take the site offline at the source, so thankfully there are some easy ways around it. A VPN will do the trick, or there are more comprehensive (and free) services like TOR, which allows you browse anonymously but can seriously slow down your internet speeds as protects you by rerouting your web browsing over an encrypted network It’s only the first in a series of court actions aimed at decimating our human right to watch Broad City for free. Foxtel is expected to announce in the coming days that they will seek to block four of the biggest piracy websites, including dear friend to all poor students, The Pirate Bay. People around the world are up in arms about harsh anti-piracy legislation, often because it errs on the side of media conglomerates, can strip people of their autonomy and doesn’t address the problem at the core of it all ($14.95 for an overnight release from Blockbuster was too much, damn it). Australians have shown that they’re willing to spend money on legit streaming services (hello Netflix, Stan, maybe Presto) if easy and available and studies keep turning up the same data: people who pirate often spend more on media than people who don’t. Sigh. Guess it’s a good time to start shopping around for a VPN that works, guys. Via ABC.
One of 2022's absolute best movies explored loss, time, childhood and mother-daughter bonds, and did so with playfulness and empathy. Another pondered a fraught reality for women mere decades ago, exploring a situation that sadly isn't confined to the annals of history. Both hailed from France from female filmmakers. Both wowed the international film festival circuit. Both Petite Maman and Happening also share something else in common: they were highlights of 2022's Alliance Française French Film Festival program. It's worth remembering last year's standouts now that 2023's full lineup is here — because this new batch of flicks, some freshly announced and some revealed back in January as a sneak peek, will also contain some of this year's very best titles. In total, Australia's annual celebration of French cinema will screen 39 movies throughout March and April in its whopping 34th year, taking its selection on the road to Aussie capitals and a number of regional locations. AFFFF's 2023 opening-night pick sits among the previously unveiled films, with Masquerade spinning a tale of glitz, glamour and the Côte d'Azur's far-less-glossy underbelly under La Belle Époque's director Nicolas Bedos' guidance — and with Pierre Niney (Yves Saint Laurent) and Isabelle Adjani (The World Is Yours) among his stars. As a bookend, it's now joined by Freestyle, which takes to the road with Benjamin Voisin (Lost Illusions) and Marina Foïs (Stella in Love), and promises to end the fest as memorably as it begins. In-between, must-sees include AFFFF's big picks teased in its first program announcement: Saint Omer, with documentarian Alice Diop drawing from true events to craft a drama about a young Parisian journalist and novelist attending murder trial, then wading through the complexities it surfaces within her own family history; One Fine Morning, the latest film by Bergman Island's Mia Hansen-Løve, this time a family drama starring Léa Seydoux (Crimes of the Future); and The Innocent, as written by, directed by and starring Louis Garrel (A Faithful Man), based on his own experiences, and also featuring Noémie Merlant (Tár). There's also Final Cut, a French remake of Japanese cult hit One Cut of the Dead from The Artist director Michel Hazanavicius, starring Romain Duris (Eiffel); Winter Boy, the new film from Sorry Angel's Christophe Honoré, an autobiographical drama focusing on 17-year-old Lucas (newcomer Paul Kircher); Brother and Sister, with Marion Cotillard (Annette) playing a stage actor and sibling to Melvil Poupaud (Summer of 85); and Other People's Children, a Virginie Efira (Benedetta)-led effort about being a stepmother that's also inspired by director Rebecca Zlotowski's (Planetarium) own life. That's not the end of highlights, either already revealed or just-dropped — with the latter spanning two Quentin Dupieux films. The director of Rubber and Deerskin adds both Incredible but True and Smoking Causes Coughing to the fest's lineup, as well as a sense of humour that only he possesses, anchoring AFFFF's comedy selection. Plus, there's award-winner Playground, which focuses on a seven-year-old girl; On the Wandering Paths, which brings Sylvain Tesson's novel to the screen so swiftly after The Velvet Queen also turned his work into cinema (including at AFFFF 2022); and The Origin of Evil, an account of a dysfunctional family that's one of three AFFFF 2023 movies to star Full Time's Laure Calamy. Or, viewers can look forward to Country Cabaret, which is based on a true story about a bold move to save a family farm; Sugar and Stars, adapting pastry chef Yazid Ichemrahem's autobiography to the screen; the Christmas-set A Good Doctor; and Jack Mimoun and the Secrets of Val Verde, the fest's dose of action, adventure and laughs all in one. This year's focus is firmly on the new over the classic, but when it comes to looking backwards, 1988 French box-office smash The Big Blue does the honours. The full list of 2023 AFFFF titles goes on, as cinephiles have come to not just expect but thoroughly enjoy from a fest that's the largest celebration of French film outside of France. ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2023 DATES: Tuesday, March 7–Wednesday, April 5: Palace Central, Palace Verona, Palace Norton St, Chauvel Cinema and Hayden Orpheum Cremorne in Sydney Wednesday, March 8–Wednesday, April 5: Palace Cinema Como, Palace Balwyn, Palace Brighton Bay, Palace Westgarth, The Astor Theatre, The Kino and Pentridge Cinema in Melbourne Wednesday, March 8–Wednesday, April 5: Luna Leederville, Luna on SX, Windsor Cinema, Palace Raine Square and Camelot Outdoor Cinema in Perth Thursday, March 9–Sunday, March 19: State Cinema, Hobart Thursday, March 9–Wednesday, April 5: Palace Electric Cinema, Canberra Wednesday, March 15–Wednesday, April 12: Palace James Street and Palace Barracks in Brisbane Thursday, March 16–Wednesday, April 5: Palace Byron Bay Thursday, March 23–Wednesday, April 19: Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas in Adelaide Friday, March 24–Sunday, March 26: Northern Festival, Chaffey Theatre, Middleback Arts Centre and Sir Robert Helpmann Theatre in Port Pirie, Renmark, Whyalla and Mount Gambier Wednesday, March 29–Sunday, April 2: Riverside Theatre Parramatta Wednesday, March 29–Sunday, April 16: Dendy Southport on the Gold Coast Monday, April 3 and Monday, April 10: Victa Cinema, Victor Harbour Friday, April 21–Sunday, April 23: Star Cinema, Bendigo + encore dates in some cities The Alliance Française French Film Festival tours Australia from Tuesday, March 7–Tuesday, April 25, 2023. For more information, or to buy tickets from 9am on Thursday, February 9, visit the AFFFF website.
It all sounded like an elaborate prank. Then it sounded just too good to be true. But it's actually been confirmed. Daft Punk are launching their new album, Random Access Memories, to 4000 insanely lucky ticket holders in the NSW country town of Wee Waa. While I have a sneaking suspicion that the helmeted Frenchmen only chose Wee Waa because they giggled at the ridiculousness of its name, those opportunistic Wee Waa-ians (Wee Wains, maybe?) are making the most of this incredible event by throwing the biggest afterparty in Wee Waa history. Weekend Vines is converting the idyllic Seplin Estate Winery, 1.5km outside of Wee Waa, into a two-night camping festival. After Daft Punk have left you feeling harder, better, faster and stronger, head straight out to the Wee Waa Camping Festival where a host of electro artists and Daft Punk disciples will be rockin' out into the wee (waa) small hours of the morning. The event is fully licensed, decked out with a festival sound system and only has 2500 available tickets, so keep an eye on the Weekend Vibes website to make sure you snap one up when they are released early next week. Featuring local and international stars Olibusta (France), Marvin Roland (UK), Mr Pyz (Melbourne), Crease (UK) and Pablo J and the Lobsterettes (Sydney) wee waa beyond excited for an unforgettable weekend of awesome music and late night parties. And that's the last Wee Waa pun we'll make you read.
Godzilla is dominating the screen, as the giant creature always should be, with TV series Monarch: Legacy of Monsters currently streaming, Japanese movie Godzilla Minus One in cinemas and monster mash Godzilla x Kong: The New Empire just dropping its first trailer. Both the small-screen show and the American film form part of the Monsterverse, the US franchise that links together a heap of kaiju and critters — so if you've seen 2014's Godzilla, 2017's Kong: Skull Island, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong, you'll be primed for the next flick to come. If you're also thinking "didn't Godzilla take on King Kong before", you're right, but that isn't what Godzilla x Kong: The New Empire is about. Both Godzilla and King Kong movies are better when neither is a villain, so that's exactly what the Monsterverse is delivering. In the new film that's due in cinemas in April 2024, the two titular towering critters need to team up to tackle a new threat to life as they — and humanity — know it. The brand-new debut sneak peek at Godzilla x Kong: The New Empire teases the reason that Godzilla and King Kong join forces with some carnage in a very familiar spot, proving that Napoleon isn't the only one messing with the pyramids on-screen at the moment. From there, it also gives a glimpse at Zilly lit up with pink, not blue — and, as Brian Tyree Henry (Atlanta) puts it, a mini Kong. Taking care of the human side of the story alongside Henry: Rebecca Hall (Resurrection), Dan Stevens (Welcome to Chippendales), Kaylee Hottle (Magnum PI), Alex Ferns (Andor) and Fala Chen (Irma Vep). Henry, Hall and Hottle all return from Godzilla vs Kong. Godzilla x Kong: The New Empire's narrative also promises a deeper dive into Skull Island's mysteries, why the franchise's huge creatures exist and what links them to people. Arriving 70 years since the first-ever Godzilla feature, the new Monsterverse entry boasts Adam Wingard in the director's chair, just like Godzilla vs Kong. On screenplay duties: the also-returning Terry Rossio (The Amazing Maurice), Wingard's regular collaborator Simon Barrett (You're Next, The Guest, Blair Witch) and Jeremy Slater (Moon Knight), with the underlying story hailing from Rossio, Wingard and Barrett. Check out the first Godzilla x Kong: The New Empire trailer below: Godzilla x Kong: The New Empire opens in cinemas Down Under on Thursday, April 11, 2024. Image: Courtesy of Warner Bros. Pictures.
Mockumentaries tend to get a bit of a bad rap in critical circles. 'Lazy filmmaking' is the most common smear, and — to be fair — they are a far gentler form of screenwriting than an out-and-out screenplay. They've also experienced massive growth in recent years, most notably in television, with the likes of Modern Family, The Office and Summer Heights High all achieving both popular and critical success. In film, This Is Spinal Tap set the benchmark way back in 1984 and has reigned supreme ever since — an 11 out of 10, if you will. The newest edition in the genre is What We Do In The Shadows, a collaboration between writer/directors Taika Waititi and Flight of the Conchords' Jemaine Clement. Billed as "a couple of interviews with a couple of vampires", it's a fly on the wall 'documentary' about four vampires sharing a flat in present-day New Zealand and is, quite simply, hilarious. The subjects of the film are: Viago (Waititi), an 18th-century dandy whose anal retentiveness makes him 'that' flatmate; Vlad (Clement), a legendary Lothario and formerly prolific hypnotist; Deacon (Jonathan Brugh), the self-proclaimed 'sexy one'; and Petyr (Ben Fransham) an ancient vampire from the early days. Key to its appeal is the way What We Do In The Shadows presents the needs, problems and activities of vampires as entirely commonplace. It makes them immediately relatable, treating something like the accidental puncturing of a victim's jugular and subsequent living room mess with no more pomp or fanfare than a spilled drink on a beige couch. The flatmates cruise the clubs of Wellington seeking victims like others seek a one night stand, they jeer each other on when a back-alley argument descends into a 'bat fight', and they projectile vomit blood when they absentmindedly eat actual food. Yes, they've their share of 'vampire' problems (sunlight, vampire hunters, etc), but also more normal ones, like having to tell your best friend you're the undead and suppressing the unceasing desire to kill him. What We Do in the Shadows also comes in at the welcome length of just 87 minutes, but its brevity doesn't come at the expense of jokes. It's packed with laughs, both visual and scripted, as well as offering a decent dose of improv (a common trait for mockumentaries). There's also more than a bit of horror and gore (so much so that with minimal tweaking this could easily have been reshaped as a solid B-grade scary film), yet there's no fear of fear thanks to the unbroken procession of gags. If this is lazy filmmaking, then bring on the trackies and couch surfing, because it suits us just fine. Check out Concrete Playground NZ's interview with Taika Waititi and Jemaine Clement. https://youtube.com/watch?v=Cv568AzZ-i8
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. HOUSE OF GUCCI For the second time in as many movies, Lady Gaga is caught in a bad romance in House of Gucci. Yes, she's already sung the song to match. The pop diva doesn't belt out ballads or croon upbeat tunes in this true-crime drama, unlike in her Oscar-nominated role in A Star Is Born, but she does shimmy into a tale about love and revenge, horror and design, and wanting someone's everything as long as it's free. Eschewing the earthy naturalism of her last film performance and tapping into her famed on-stage theatricality instead, she's perfect for the part of Patrizia Reggiani, aka Lady Gucci, aka the daughter of a trucking entrepreneur who wed into one of the world's most prestigious fashion families, helped unstitch its hold on its couture empire, then went to prison for murder. She's exceptional because she goes big and lavish, and because she knows that's the type of feature she's meant to be in: a soapy spectacle about money and power that uses its depiction of excess as an interrogation technique. Complimenting Gaga for nailing the brief — for acing it so dazzlingly that she's sauntering down her own catwalk as most of her co-stars virtually watch from the floor — gives House of Gucci a tad too much credit, though. Ridley Scott's second film in mere months following The Last Duel, and his third in a row to examine wealth and influence after 2017's All the Money in the World, this fashion-world saga skews large, lush and luxe with each choice, too, but doesn't land every sashay with quite the outsized lustre of its crown jewel. If House of Gucci's veteran director was picking an outfit instead, he would've chosen a killer gown, then wavered on the accessories. Some of his other decisions gleam, as seen in the movie's knowingly maximalist and melodramatic air. Others prove fine, like its jukebox-style soundtrack of 70s and 80s bangers. A few moves are so cartoonish — Jared Leto's ridiculousness, and the Super Mario-style accents sported by almost everyone on-screen — that they play like cheap knockoffs. The story itself is a standout, however, as adapted from Sara Gay Forden's 2001 book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed. When Patrizia meets law student Maurizio Gucci (Adam Driver, Annette) at a 70s-era party, mistakes him for a bartender, then realises who he is, it sparks a rollercoaster of a relationship — starting with Maurizio being disinherited by his father Rodolfo (Jeremy Irons, Love, Weddings and Other Disasters) for their marriage. Still, the newest Gucci knows what she wants: a place in the family's dynasty. She isn't the lone cause of the Guccis' unfolding, thanks to Rodolfo's brother Aldo (Al Pacino, Hunters), his penchant for watering down the brand and tax evasion, and his wannabe-designer son Paolo (Leto, The Little Things), but she's the Lady Macbeth pushing Maurizio to seize the company by any means. And, because the reason that House of Gucci even exists was written in news headlines over a quarter-century ago, she's behind Maurizio's killing in 1995. "I don't consider myself a particularly ethical person, but I'm fair," Patrizia offers partway into the movie, a moral code that still sees her order his hit after their divorce — helped by a TV psychic-turned-pal (Salma Hayek, Eternals), because that's the kind of tale this is. Interviewed in 2016, Patrizia called herself "the most Gucci of them all", an idea that Scott and his screenwriters Becky Johnston (Arthur Newman) and Roberto Bentivegna (short El otro lado) don't ever give Italian-lilted voice to, but still use as their basic pattern. In the sartorial realm, Gucci might stand for high-end indulgence, but House of Gucci sees both the allure and the cost of the brand reflected in Patrizia's status-hungry actions. Read our full review. GHOSTBUSTERS: AFTERLIFE Spraying reboots, remakes, sequels and prequels across cinema screens like a spirit supposedly sprays ectoplasm — gushing reimaginings, spinoffs and seemingly never-ending franchises, too — Hollywood ain't afraid of no ghosts. It loves them in horror movies, obviously, but it adores the spectre of popular intellectual property even more. These phantoms of hits gone by can be resurrected again and again, all to make a profit. They haunt both cinemas and box-office blockbuster lists, making film-goers and the industry itself constantly feel like they're being spooked by the past. With 14 of Australia's 15 top cash-earning flicks of 2021 all falling into the been-there-done-that category in one way or another, looking backwards in the name of apparently going forwards is now mainstream filmmaking 101, and the big end of town rarely likes bustin' a money-making formula. After more than a few pandemic delays, that's the world that Ghostbusters: Afterlife floats into — a world that's made worshipping previous glories one of the biggest cash-spinners show business could've ever dreamed up. The fourth feature to bear the Ghostbusters name, but a new legacy sequel to the original 1984 film, this reanimated franchise entry certainly sports a fitting subtitle; treating its source material like it's nirvana is firmly filmmaker Jason Reitman's approach. To him, it might've been. Although he established his career with indie comedies such as Thank You for Smoking and Juno, he's the son of director Ivan Reitman, who helmed the OG Ghostbusters and its 1989 follow-up Ghostbusters II. To plenty of fans, those two initial comedy-horror flicks were something special as well; however, acknowledging that fact — and trying to recreate the feeling of being a kid or teen watching the first Ghostbusters nearly four decades ago — isn't enough to fuel a new film. To be fair, the younger Reitman isn't particularly interested in making a new movie; Be Kind Rewind's "sweded" Ghostbusters clips are more original than Ghostbusters: Afterlife. Instead, he directs a homage that sprinkles in links to its predecessor so heartily that it's probably easier to name the scenes and details that don't scream "hey, this is Ghostbusters!" as loudly as possible. And, even when Reitman and co-screenwriter Gil Kenan (Poltergeist) appear to shake things up ever so slightly, it all still ties back to that kid-in-the-80s sensation. Sure, Ghostbusters: Afterlife's protagonists aren't adult New Yorkers, but they're small-town adolescents who might as well have ambled out of one of the era's other hot properties: Steven Spielberg-helmed or -produced coming-of-age adventure-comedies about life-changing, Americana-dripping, personality-shaping escapades. Phoebe (Mckenna Grace, Malignant) is one such child, and a new inhabitant of the cringingly titled Summerville, Oklahoma at that. With her mother Callie (Carrie Coon, The Nest) and brother Trevor (Finn Wolfhard, The Goldfinch), she's made the move because the granddad she never knew just passed away, leaving a dilapidated rural property to his estranged family. The townsfolk speak his nickname, "dirt farmer", with mocking and intrigue, but his actual moniker — and all that equipment he's left behind — brings big changes Phoebe's way. While being Dr Egon Spengler's granddaughter doesn't initially mean too much to her, other than giving her love for science a genetic basis, she's soon segueing from testing out ghost traps with local teacher Mr Grooberson (Paul Rudd, The Shrink Next Door) to cracking Egon's secret efforts to stop a world-shattering supernatural event. Read our full review. NEVER GONNA SNOW AGAIN Start how you mean to go on is common-sense filmmaking advice. It's the medium's obvious first step, but it's also an elusive achievement. And, it's a feat that's usually only evident in hindsight — when a viewer can see if a stellar introduction really did signal just as sublime things to come, or vice versa. Never Gonna Snow Again perfects the concept, however. In its arresting opening moments, a man walks out of a forest and into a gated community in eastern Poland, and everything about the scene ripples with moody intrigue. The grey fog infusing the film's setting, the enigmatic look on the mysterious protagonist's face, the feeling that anything and everything could happen: filmmakers Malgorzata Szumowska (Mug) and Michal Englert (also the movie's cinematographer) deliver it all at the outset, and then back it up over their feature's 116 minutes. In Never Gonna Snow Again's initial images, that inscrutable man is Ukrainian masseur Zhenia (Alec Utgoff, Stranger Things), who walks out of a forest and into a gated community in eastern Poland. His destination is lined with lavish identical houses — the kind that the song 'Little Boxes' has satirised for almost six decades now — but he's about to be its most extraordinary visitor. His hands can help knead away physical troubles, a must for everyone with his profession. But as he works his physical magic, his touch can soothe minds as well. Trundling his massage table from well-appointed home to well-appointed home, he quickly builds up a devoted client list of well-to-do residents desperate for his help. He steps into their worlds, spying their outward gloss — the similar wreaths on each door, the doorbells chiming with snippets of classic music — and palpating away their inner pain. As that glorious opening scene establishes almost-unnervingly well, there's a surreal, seductive and otherworldly atmosphere to Never Gonna Snow Again, which Szumowska and Englert let float through their frames like a lingering breeze. There's also a devastatingly savvy interrogation of the type of rich lives that pine for Zhenia's involvement, including their complete obliviousness to him as anything more than a salve for their ennui. Much festers in the feature's McMansions. As it contemplates the everyday malaise that dulls wealth's superficial glow, as well as the vast chasm between gleaming exteriors and empty insides, much haunts Never Gonna Snow Again, in fact. Thematically, it wades into familiar territory — at a time when Succession and The White Lotus are the best shows on TV, and Parasite won the Best Picture Oscar just a year ago, it's probably easier to name movies and TV shows that don't shred the rich to pieces — but it stands out like a pink-hued home in an estate plastered with white and grey. Plenty dazzles in Never Gonna Snow Again, too, including Szumowska and Englert's confident handling, which knits together magical realism and razor-sharp observations about class — and about modern life's rubbish in general as well — with canny precision. Indeed, the movie could've easily crumbled in other hands, and likely will if anyone ever erroneously decides it needs an English-language remake. Perhaps the filmmaking duo's smartest decision is also their most visible, however, because Utgoff's performance is just that magnetic. He's the presence that all those well-to-do clients warm to, lean on and rely upon, and the source of comfort so reliable and cosy that they aren't ever challenged to shatter their bubbles to think about him as a person rather than a set of helping hands — but he has Never Gonna Snow Again's audience constantly pondering and questioning. CLIFFORD THE BIG RED DOG Nostalgia might be one of pop culture's most-called-upon forces — see also: Ghostbusters: Afterlife — but it can't turn every childhood favourite that reaches cinemas into a winner. Leaping from the pages of Norman Bridwell's illustrated books, the new live-action Clifford the Big Red Dog film is a huge generic slog, shoehorning its oversized, crimson-hued hound into a jumble of routine scenarios that are about as rare as wayward dog faeces in a public park. The giant scarlet woofer gallops into a by-the-numbers, family-friendly action-adventure flick that's a missive against judging things by their appearances, a cautionary tale about bullying and a takedown of nefarious corporate interests. Ron's Gone Wrong barked up all the same trees recently and, while it was hardly an instant classic, it runs circles around this. The point of Clifford the Big Red Dog, no matter what the narrative spins, is right there in the title: it's a story about an abnormally large, unusually ruby-coloured canine, and that's what people want to see. Despite 80 books to the character's name, it's a one-note idea that screenwriters Blaise Hemingway (Vampires vs the Bronx), Jay Scherick and David Ronn (Baywatch) — working with a screen story by Justin Malen (Yes Day) and Ellen Rapoport (Desperados) — unsurprisingly set about fleshing out, but also often sideline their eponymous mutt in the process. Clifford's hijinks couldn't sustain an entire feature, but he's really just a big red sidekick for the bulk of the film. He's an enormous cherry-toned sign for accepting things that are different, too, a well-intentioned message that couldn't be more glaring given that a big red dog yaps the very concept. Clifford isn't originally a giant pet when Emily Elizabeth Howard (Darby Camp, Dreamland) first makes his acquaintance in a Central Park animal-rescue tent run by the mysterious Bridwell (John Cleese, The Very Excellent Mr Dundee). He's definitely the same shade as a tomato, though, and his bond with Emily is instant — even if her mess of an uncle, Casey (Jack Whitehall, Jungle Cruise), says she can't take him home. And yet, this little critter still finds his way into his new pal's backpack. The next morning, he's also no longer a tiny pup. Plus, when he starts attracting attention around New York, he's targeted by a tech billionaire (Tony Hale, Being the Ricardos) who wants him for scientific purposes — but the already-teased Emily, who is taunted at her private school for being there on a scholarship, won't let anyone either take or victimise Clifford for standing out. The look and mood in Clifford the Big Red Dog is sunny with a side of saccharine, and it has John Debney's (Home Sweet Home Alone) relentlessly cheery score to match. With the movie's namesake blazing away in every frame he's in — not due to his hue or size, but via the terrible CGI bringing him to digital life — director Walt Becker (Alvin and the Chipmunks: The Road Chip) was never going to helm a subtle film, but everything here is exactly as nuanced as a towering vermillion puppy. The result isn't quite as doggone awful as pooch-driven buddy cop flick Show Dogs, although that's an extremely low bar. It's never as goofy as it should be, however, and it really should sport all the goofiness it can dig up (smatterings of toilet humour don't count). Clifford the Big Red Dog can also only wish it was as visually creative and emotionally endearing as the recent page-to-screen all-ages movie standard: the Paddington films, which keep being pushed into a menagerie of their own by every pale imitation. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on September 2, September 9, September 16, September 23 and September 30; October 7, October 14, October 21 and October 28; November 4, November 11, November 18 and November 25; and December 2, December 9, December 16 and December 26. You can also read our full reviews of a heap of recent movies, such as Shang-Chi and the Legend of the Ten Rings, Summer of Soul (...Or, When the Revolution Could Not Be Televised), Streamline, Coming Home in the Dark, Pig, Big Deal, The Killing of Two Lovers, Nitram, Riders of Justice, The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth and The Worst Person in the World.
Tell Joel Edgerton that you're a rower and he won't be surprised. Everyone has been. "Once you start getting involved in a movie about a certain subject, it's amazing how many people come out of the woodwork," he explains. "They're like 'oh yeah, I rowed in college or university' or 'my son is a rower' and 'my daughter is rower'. It's a more popular sport than I had realised. And certainly back at the time that this story was taking place, rowing was one of the biggest sports in the United States." The film: The Boys in the Boat. The time: the Great Depression era, including the 1936 Berlin Olympics. The tale: an IRL chapter of sporting history that Edgerton found remarkable, as audiences should as well. "I could only assume that being Australian and not American is the reason why I've never heard of it before," he advises. "But if you start to weed out anyone you know who's been on a rowing team or is a rower, they know about this story." The ninth directorial effort from George Clooney (The Tender Bar), with Edgerton in a role that the actor-turned-director might've once played himself — and could've still easily now — The Boys in the Boat focuses on the University of Washington's junior varsity team, rower Joe Rantz and coach Al Ulbrickson. The squad competed on the world's biggest stage over the college's senior crew, at an Olympics held at a difficult period and in a fraught place. On his own since he his early teens, Rantz picked up an oar solely for the money paid to the team's athletes, plus the fact that they received somewhere to stay. Ulbrickson was the former rower who saw something in Rantz, but whose inner warmth and support isn't easily given when his eyes are firmly on the prize, as they always were. Edgerton plays Ulbrickson opposite Callum Turner (Fantastic Beasts: The Secrets of Dumbledore) as Rantz, with Clooney working with a screenplay adapted from 2013 non-fiction novel The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics. As the film's star himself notes, it's an underdog story, as sports movies tend to be. But the astonishing real-life details also fuel an exploration of the class clashes that see the pastime inherently equated with wealthy schools and well-off students, rather than the struggling Rantz and many of his crewmates, as told with sincerity, impactful performances and thrilling rowing scenes. [caption id="attachment_935417" align="alignnone" width="1920"] Joe Maher/Getty Images for Warner Brothers[/caption] If it feels as if Edgerton is never far away from a screen, there's a reason for that: nearing three decades since his first credit in children's television series Spellbinder, his resume overflows with homegrown highlights and Hollywood productions. For Australians, he'll always be The Secret Life of Us' Will McGill. He'll always have Ned Kelly, The Square, Animal Kingdom, The Great Gatsby and The Stranger to his name as well. For everyone, he'll always be the Star Wars' franchise's Owen Lars, including as recently as Obi-Wan Kenobi. Zero Dark Thirty, Warrior, Midnight Special, Loving, It Comes at Night, The Underground Railroad, The Green Knight, I'm a Virgo: they all grace his filmography. So does directing and writing The Gift and Boy Erased while also featuring in both, producing The Stranger as well as leading it, and helping to turn Boy Swallows Universe into a streaming series. What appealed to Edgerton about taking on the part of Ulbrickson, who he notes "is basically the opposite of Ted Lasso"? How does he approach stepping into someone else's shoes, as he also did in Thirteen Lives recently? Was there a common baseline with Clooney on set, given that both are actors who direct, write and produce? Where did he originally imagine his career would take him? Edgerton chatted to Concrete Playground about all of the above — plus his first reaction to the tale told in The Boys in the Boat, which is in cinemas Down Under now, and more. ON EDGERTON'S FIRST REACTION TO JOE RANTZ AND AL ULBRICKSON'S TALES "My feeling about sports stories — I was involved in a big one, a sports movie called Warrior. I remember at the time, in the aftermath of that, realising that the sports movie isn't necessarily about the sport that's being depicted. It's really about the themes and about the character, and particularly about rooting for an underdog. And that if the movie's made well, that you can really appreciate it despite not knowing much about sport in question. So the idea that you could go watch The Boys in the Boat without really having much of a knowledge about rowing, I think it's true. You could go because it's really about the underdog story about these guys realising how they have to get united in order to achieve the victory. But I just got very excited. The biggest thing that really grabbed me was when you read that Joe Rantz had been abandoned by his father when he was 13 years old. And fully abandoned, as in left to live on his own — at the age of 13, through the depression. That, I don't know why — I'm sure it would've affected me hearing about that pre being the father, but picturing myself at the age of 13 being left to my own devices, I don't know how I would have survived. And that aspect to this underdog story really, really grabs me." ON PLAYING A ROWING COACH WHO'S BASICALLY THE ANTI TED LASSO "That's the joke: I say I didn't have to do any training, which is slightly true. Basically it's being the father of nine kids, essentially. I think coaches are like dads. There's a certain tough love aspect to them. From his part, there's the aspect for the kids that they want to impress and do the right thing by their coach, and so there's a real fatherly theme that runs through coaches, I think. And in particular with Ulbrickson, he's described as someone who barely cracks a smile, and it's pointing me in the direction of all those coaches that we see in various sports that just look like they're so determined to win that they look like they don't seem to enjoy themselves at all, except maybe when they have a trophy in their hands. I just love the idea of those aspects of him. It's basically the opposite of Ted Lasso. No warm and fuzzy edges. In fact, when I first started speaking to George about it, I was like 'can we lean into this even more?' — this idea that barely, I think it's once or twice in the film, you get a sense of the warmth that actually resides inside of him that he is proud of the kids, and that there is love inside of him. I think when we first meet Ulbrickson, he's not really looking at the individuals in the boat. He's just looking at the sizes of the different guys, and how fit and healthy they are, and just going 'let's just pick the eight'. They're not humans — just the eight best human machines that are going to power the boat." ON THE CHALLENGE OF BALANCING ULBRICKSON'S FOCUS ON SUCCESS WITH CARING ABOUT HIS TEAM "George, recently on a press tour in LA, was joking about sharing dailies, the footage, with the studio in the early weeks of the shooting. And I don't know if he was joking or not, but he was just talking about how the studio — because he and I had agreed on the sort of coldness, this sort of inability to show warmth, and I think they maybe wanted me to be a bit more likeable through the film. I was like 'no, I just want to hold off on that until the right moment to show that warmth'. I do feel like the audience is patient enough to see that there's a care waiting and brewing underneath there. But I find that every movie has its own challenges, and one of them was just trying to hold back too much warmth in this. I think that it earns its place at the right moment." ON PREPARING TO ENTER THE ROWING AND COACHING WORLDS "I did do some rowing training. I did some single-scull rowing, which I think it's one of the hardest things I've ever had to do in my life. The balance of a single scull is crazy. I just did a lot of watching of the coaches that were training the boys, and spent a lot of time sort of observing their journey they went on, which was quite remarkable actually. I was very impressed with how they went from complete novices to really very quickly in the space months pulling the trick that they could be an Olympic rowing team for the film. The relationship I had with them had this inbuilt kind of fatherly aspect to it anyway. I'm a bit older now and they're all young guys. We just had a good camaraderie in that sense. I felt a little bit perfectly removed enough from them, but admiring of what they were achieving on screen as actors and as a team that they were forming. It was a nice relationship that we formed just through the shoot." [caption id="attachment_935421" align="alignnone" width="1920"] Joe Maher/Getty Images for Warner Brothers[/caption] ON THE COMPLICATIONS AND PRESSURE OF STEPPING INTO A REAL-LIFE FIGURE'S SHOES "It all depends on how indelible that person was in their real life. I was very anxious about getting Harry Harris right for Thirteen Lives and doing the right thing by that story, knowing that I would eventually meet him and hope that he felt good that I stepped into his shoes. Ulbrickson is a different story because he's not somebody that the average person would really know about, know what he looked like. Uncannily, he looked a lot like my Dutch grandfather when I saw photos of him. I was like 'he looks like my Opa'. But there's no real footage or newsreel footage or audio recordings of him, so it was really up to me to just take the essence of what was said about him and amalgamate that with me so that I could be the right version of him that would make the movie work. So I didn't feel this immense pressure. The pressure I see is when I read about actors taking on some iconic role. Any of those actors who stepped into that TV show The Crown, like Elizabeth Debicki playing Diana. And Rami Malek doing Freddie Mercury. They're being asked to play characters or real-life people that we have an image of, that we have a memory of, and we have an affinity with because we're so familiar with them. That to me is a real challenge for actor — the nerves of stepping into something like that. Something like this is different, because there's a certain freedom and therefore a lack of or less pressure." ON WORKING WITH A FELLOW ACTOR-TURNED-DIRECTOR/WRITER/PRODUCER IN GEORGE CLOONEY "I think George has a really good shorthand with how to shape performance, being an actor. It is remarkable how many directors don't really either understand how to talk to actors. Or they get nervous to direct actors. Or, in the worst-case scenario, they've had bad experiences with actors and they are sort of hard-wired to not love working with them. George has a real care and love for actors, and a really good way of shaping performance. And as an actor working after having directed a couple of movies, I just feel like I'm perhaps a bit more of a team player in understanding how a film set works, and how to play my part in making it easier for what the scene requires — but never presuming to think I know better or that I would put my hand up to say 'are you sure you want to move the camera that way?'. I would never do that, the same way I wouldn't want an actor-turned-director telling me how I should play the character in some specific way." [caption id="attachment_935424" align="alignnone" width="1920"] Joe Maher/Getty Images for Warner Brothers[/caption] ON EDGERTON'S CAREER TRAJECTORY EXCEEDING EVERYTHING HE EVER IMAGINED "I feel like when I was a kid, I never really set goals. I went to drama school so I could work in the theatre, and then I started realising that it was possible to work in television and film because I knew stage actors who had also done that. Each step of the way was just stepping blindly into the future going 'alright, well maybe I could try this and try this'. But I never imagined that I'd get to work in Hollywood. I did start to develop that ambition once I saw that it was possible, but even then I didn't imagine that I'd have a nice, full career and enjoy the kinds of things that I get to do now. That said, there's still challenges that I want to get my hands on, and I've got lots to learn — like lots to learn — and lots that I want to try and wrestle with. Perhaps one of the great things about being an actor is the ability, as long as your brain keeps working, touch wood, that you can just keep evolving each step of your life, each phase life, into different sorts of characters. Here, I'm watching a bunch of other people be athletes, and I get to be the coach. And one day, if I'm lucky, I'll be playing grandfathers on film." [caption id="attachment_872851" align="alignnone" width="1920"] The Stranger[/caption] ON WHAT EDGERTON LOOKS FOR IN A ROLE "It's always reading the script and just having a response. Character and story. Particularly now that I have a lot of responsibilities in my life being a dad. It's not just me and a couple of suitcases. That response has to be really, really strong that I feel a compulsion to get involved in something, particularly if it means going to another city. We stay together as a family. It's not like I'm going off for months away from my kids. I just want to feel a real draw and a real pull to do something, and usually it just starts with reading the script and going 'ohh, this is fascinating'. There's usually an element to it where I'll feel like something's got to be a bit of a challenge — or a little bit terrifying." The Boys in the Boat opened in Australian and New Zealand cinemas on Thursday, January 4. Read our review. The Boys in the Boat images: Laurie Sparham © 2023 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
First in Sydney, then in Melbourne and now in Brisbane, the biggest show in musical theatre this century has finally been sharing its Tony-winning take on 18th-century American politics with Australian audiences. Since 2021, being in the room where it happens hasn't required a trip to the US — but you will need to be in Brisbane in March to be in the room where Hamilton creator Lin-Manuel Miranda himself will be in attendance in-person for a Hamilton fan event. For the first time during the blockbuster musical's Australian time — and likely the only time, given that the show will leave the country for a New Zealand run when it finishes its Sunshine State season at QPAC's Lyric Theatre on Sunday, April 23 — Miranda is heading Down Under. The exact date hasn't been revealed, but he'll hit the River City to meet the local company of the production, and also to take part in that event for Hamilton obsessives. [caption id="attachment_773737" align="alignnone" width="1920"] Hamilton filmed version courtesy Disney+.[/caption] "I have been waiting such a long time to come to Australia and I can't wait to be with the company down under in-person for the first time," Miranda said, announcing his visit. "I have heard such great things from friends and fans in Australia, it is going to be fantastic to be able to meet them and watch them perform." Just like exactly when in March Miranda will be in Brisbane, where the fan event will happen and what it will entail — and how folks will be able to attend — is yet to be revealed, with further details to come. Still, Brisbanites and Australians keen on a trip to the Queensland capital won't want to throw away the shot to see the man who made the game-changing, award-winning, rightly raved-about Hamilton what it is "Australian fans have been so patient waiting for Lin-Manuel Miranda's visit to Australia and we have something very special in store for them when he gets here," added Australian Hamilton producer Michael Cassel AM. [caption id="attachment_774807" align="alignnone" width="1920"] Hamilton filmed version courtesy Disney+.[/caption] The Broadway hit's Aussie production features a cast that currently includes Jason Arrow as Alexander Hamilton, Martha Berhane as Eliza Hamilton, Callan Purcell as Aaron Burr, Akina Edmonds as Angelica Schuyler, Matu Ngaropo as George Washington, and Victory Ndukwe as Marquis de Lafayette and Thomas Jefferson. Sami Afuni plays Hercules Mulligan and James Madison, Wern Mak does double duty as John Laurens and Philip Hamilton, Elandrah Eramiha plays Peggy Schuyler and Maria Reynolds, and Brent Hill steps into King George III's robes. Haven't become a Hamilton obsessive yet? Not quite sure why it has been the most-talked about theatre show of the past six years? The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its swag of Tony Awards — 11 in fact, which includes Best Musical — it has nabbed a Grammy Award and even a Pulitzer Prize. Until now, Brisbanites eager to see the show had to be content with trips south or watching the filmed version of its Broadway production, which started streaming via Disney+ in 2020 (and yes, it's as phenomenal as you've heard). And yes, the $10 ticket lottery has also hit the River City, offering Hamilton tickets for less than the cost of lunch. [caption id="attachment_870525" align="alignnone" width="1920"] Australian production of Hamilton by Daniel Boud[/caption] Hamilton's Brisbane season runs until Sunday, April 23 at QPAC's Lyric Theatre, South Bank, with tickets available via the musical's website. Details of Lin-Manuel Miranda's fan event are yet to be announced — we'll update you when more information comes to hand. Top image: Hamilton filmed version courtesy Disney+.
Travellers are already obsessed with Japan's wild natural landscapes and hyper-organised cities bursting with a delightfully diverse culture. You've also got ancient temples, onsen baths and picturesque towns scattered about the islands. But cover all of this in snow, and see it become something far more magical. And, yes, cold. But magical, nonetheless. In the colder months, Japan comes alive with a range of activities like skiing, snowboarding and a vibrant selection of seasonal festivals. There is a rich winter culture in Japan that is seemingly underrated — read on to see why we are obsessed with Japan when it's doused in snow. [caption id="attachment_878150" align="alignnone" width="1920"] Sam Lee (Unsplash)[/caption] WINTER WONDERLAND VILLAGES Head to remote mountain villages to find Japan's own version of hygge. The steep pitched roofs of alpine homes are covered in snow and surrounded by frosted trees. Deep blankets of white consume the streets and cover frozen lakes, too. Yep, it's a lot of snow. The two most famous villages to visit — Shirakawa-go and Gokayama — are both UNESCO World Heritage sites. You'll want longer than a day trip to experience them, so stay in one of the farmhouses that have been converted into small family-run bed and breakfasts to experience rural Japanese culture authentically. Take your time exploring these winter oases, getting to know the people who call them home. [caption id="attachment_878141" align="alignnone" width="1920"] Japan National Tourism Organisation[/caption] SKIING AND SNOWBOARDING With all the snow and countless mountain ranges, it's no surprise that Japan is one of the world's biggest skiing and snowboarding destinations. There are over 500 ski resorts here, and they've even hosted two Winter Olympics. If you're into winter sports, then heading to Japan in winter is a no-brainer. On the main island, visit Hakuba Valley to find a series of connected resorts. The northern island is also incredibly popular for its very reliable snowfall. Rusutsu, Niseko and Furano are some of the most popular in this region. But, if we're being honest, just about any ski spot in Japan will be spectacular. Editor's tip: book the ultimate Japan ski tour (including lift passes, transfers and all your accommodation for seven nights) around the Hakuba Valley here. [caption id="attachment_878154" align="alignnone" width="1920"] Steven Diaz (Unsplash)[/caption] ONSEN HOPPING There's no need to run all the way to Iceland to soak in hot natural springs. Japan, a collection of volcanic islands, is full of this naturally heated water that bubbles up to the surface. It's great for your skin and your soul. And, yeah, you can visit these all year round — but nothing beats a winter onsen. Just think: vistas of Japan's snow-covered countryside while you soak your troubles away. It's an experience like no other. And, when you're searching for onsens, be sure to check out the other nature parks nearby. See snow monkeys bathing in hot springs at the Jigokudani Monkey Park, feed foxes at Zao Fox Village and watch cranes dance in the fields within the Kushiro Marsh. [caption id="attachment_878166" align="alignnone" width="1920"] Alva Pratt (Unsplash)[/caption] SEASONAL FOOD AND DRINK While you're soaking in onsens, hanging out at ski resorts and wandering rugged-up around the country's towns and cities, few things will heat you up like a shot of sake. It's like a delicious instant heat pack for your insides. And hot sake is popular for that very reason. Head to an izakaya or two during your stay and drink a few tipples. We all know the cuisine in Japan is next level, and there are dishes that are traditionally made for winter. First off, there's oden. It's a one-pot dish of various savoury goodies simmered in a soy sauce and dashi kelp broth. You can get this anywhere, even convenience stores. Nabe is also a must-try. It's a classic hot-pot dish that's similar to Korean and Chinese hot pots — just with quintessential Japanese flavours. Get cosy around these brothy bowls on a cold winter evening with your mates. [caption id="attachment_878147" align="alignnone" width="1920"] Japan National Tourism Organisation[/caption] WINTER FESTIVALS We all know that Japan uniquely blends its traditional customs with its modern culture and technology. And we believe the best way to experience this phenomenon is by hitting up some local festivals. The spring cherry blossom festival is the best known, but Japan has its own winter celebrations that rival those throughout other times of the year. Christmas and New Year's Eve are big in Japan, but are very family oriented. If you're visiting with mates, or don't know any locals, we recommend you hit up Japan during the Sapporo Snow Festival from February 4–11. The city of Sapporo is taken over by snow and ice sculptures, with live music, street food and carnivals rides too. Be sure to check out the nearby Otaru Snow Light Path Festival and Tokyo's Winter Illuminations as well. [caption id="attachment_878169" align="alignnone" width="1920"] Alessio Roversi (Unsplash)[/caption] SUMO WRESTLING When you have mates visiting from overseas, it's not abnormal to take them to an AFL or NRL match. The same can be said for sumo wrestling in Japan. Not only is the sport so much fun to watch, it's also one of the best places to do some people watching. A wide cross-section of Japanese people will attend these games, having a big day of drinking, eating and cheering on the athletes. Winter is one of the best times to do some athletic spectating here, too. There are a few big tournaments in January and February, with Tokyo being the best place to see them. Just make sure you plan ahead and book tickets early. Make a proper day of it: tickets usually give you access to the arena for the entire day, so take your time learning all the intricacies of the sport with a few drinks in hand. [caption id="attachment_878170" align="alignnone" width="1920"] Jezeal Melgoza (Unsplash)[/caption] SUPER SALES A lot of people come to Japan for the shopping. It's a thing. The city is full of unique fashion stores and all the best tech companies selling the latest devices. But you'd be a fool to come to Japan for shopping any other time than the start of the year — as bargains abound in the major cities. It's also when you'll find fukubukuro (literally 'lucky bag'). These Japanese New Year treats are put together by store owners, and hold a bunch of mystery items that are usually worth a lot more than the price you pay for the bag. It's a lucky dip and hugely popular — people go nuts for them. While visiting Japan in winter, be sure to nab a couple and see what you find. Feeling inspired to book a Japanese getaway? Through Concrete Playground Trips, our new travel booking platform, can you purchase holidays specially curated by our writers and editors. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips at destinations all over the world — check it out. Top images: Japan National Tourism Organisation
Each year in cinema, the big screen delivers plenty of must-sees. Thanks to streaming, the small screen does, too. But there's a truth that lingers whenever you sit down to watch a movie: they can't all be great. That's a fact that the just-announced Razzie nominations for 2021's worst films well and truly recognise, as the Golden Raspberry Awards have for 42 years now. Yes, cinema's award season is upon us again, but that doesn't just mean celebrating the best flicks of the past year, which is what the likes of the Oscars and the Golden Globes aim to do. Also getting some love, albeit of the unwanted kind, are 2021's terrible movies. Leading the pack among the 42nd Razzie nominations is the Netflix version of Diana the Musical — aka the Princess Diana-themed movie of the past year that wasn't the much, much, much better Spencer — which picked up nine nods. It's joined by Karen, a film that matches its name, with five nominations; the needless Space Jam sequel Space Jam: A New Legacy with four nods; and straight-to-streaming Mark Wahlberg vehicle Infinite and abysmal heist flick The Misfits with three apiece. Other movies getting some attention: the Amy Adams-starring The Woman in the Window and Dear Evan Hansen, with the actor also earning a Worst Actress nomination for the former; House of Gucci, with Jared Leto's awful efforts recognised in two different categories; and no fewer than eight Bruce Willis flicks. That's how many titles he starred in last year, and the Razzies have even made their own field for them to compete against each other. Like any awards, the Razzie nominations are subjective, of course. Donning a ridiculous blonde mop while hamming up every scene he's in, Ben Affleck turns in an entertaining performance in The Last Duel, but this year's Razzies' Best Supporting Actor category clearly doesn't agree. The 2021 Razzie Award winners will be announced on Sunday, March 27, Australian and New Zealand time. Check out the full list of nominees below: GOLDEN RASPBERRY NOMINEES 2022: WORST PICTURE Diana the Musical Infinite Karen Space Jam: A New Legacy The Woman in the Window WORST ACTOR Scott Eastwood, Dangerous Roe Hartrampf (as Prince Charles), Diana the Musical LeBron James, Space Jam: A New Legacy Ben Platt, Dear Evan Hansen Mark Wahlberg, Infinite WORST ACTRESS Amy Adams, The Woman in the Window Jeanna de Waal, Diana the Musical Megan Fox, Midnight in the Switchgrass Taryn Manning, Karen Ruby Rose, Vanquish WORST SUPPORTING ACTOR Ben Affleck, The Last Duel Nick Cannon, The Misfits Mel Gibson, Dangerous Gareth Keegan (as James Hewitt, the muscle-bound horse trainer), Diana the Musical Jared Leto, House of Gucci WORST SUPPORTING ACTRESS Amy Adams, Dear Evan Hansen Sophie Cookson, Infinite Erin Davie (as Camilla), Diana the Musical Judy Kaye (as both Queen Elizabeth and Barbara Cartland), Diana the Musical Taryn Manning, Every Last One of Them WORST PERFORMANCE BY BRUCE WILLIS IN A 2021 MOVIE Bruce Willis, American Siege Bruce Willis, Apex Bruce Willis, Cosmic Sin Bruce Willis, Deadlock Bruce Willis, Fortress Bruce Willis, Midnight in the Switchgrass Bruce Willis, Out of Death Bruce Willis, Survive the Game WORST SCREEN COMBO Any klutzy cast member and any lamely lyricised (or choreographed) musical number, Diana the Musical LeBron James and any Warner cartoon character (or Time-Warner product) he dribbles on, Space Jam: A New Legacy Jared Leto and either his 17-pound latex face, his geeky clothes or his ridiculous accent, House of Gucci Ben Platt and any other character who acts like Platt singing 24-7 is normal, Dear Evan Hansen Tom and Jerry (aka Itchy and Scratchy), Tom & Jerry WORST DIRECTOR Christopher Ashley, Diana the Musical Stephen Chbosky, Dear Evan Hansen Coke Daniels, Karen Renny Harlin, The Misfits Joe Wright, The Woman in the Window WORST REMAKE, RIPOFF or SEQUEL Karen (inadvertent remake of Cruella deVil) Space Jam: A New Legacy Tom and Jerry Twist (rap remake of Oliver Twist) The Woman in the Window (ripoff of Rear Window) WORST SCREENPLAY Diana the Musical, script by Joe DiPietro, music and lyrics by DiPietro and David Bryan Karen, written by Coke Daniels The Misfits, screenplay by Kurt Wimmer and Robert Henny, screen story by Robert Henny Twist, written by John Wrathall and Sally Collett, additional material by Matthew Parkhill, Michael Lindley, Tom Grass and Kevin Lehane, from an "original idea" by David and Keith Lynch and Simon Thomas The Woman in the Window, screenplay by Tracy Letts, from the novel by AJ Finn
It's taken a little longer than expected, but René Redzepi's world-renowned Noma finally has a return date and is about to start taking bookings. After shutting the doors of its two-Michelin star Copenhagen restaurant early this year, the acclaimed chef was due to reopen it next month in new digs, until construction hit a wall — literally, an ancient stone wall found buried below the building site. Now with things back on track — and fresh from auctioning off their old furniture and fixtures — lunch and dinner reservations to Noma 2.0 will open from 4pm November 16. That's at 2am next Friday, November 17 if you're on Australian east coast daylight saving time, with bookings taken for visits between February 15 and April 29 next year. This will mark the first of the 40-seater's three annual menus, as the restaurant moves to strengthen its focus on seasonality. These first, cooler winter months will feature a celebration of Scandinavian seafood across each meticulous dish, followed by a vegetable season starring produce from the on-site urban garden, and a game and forest season which runs from early fall through to January 2019. Of course, it doesn't come cheap — the degustation menu clocks in at DKK 2,250 per head (currently about AUD $460) and you'll need to prepay when you book. Noma's highlighted this 12 percent price hike as a way of giving their staff a better quality of life. That said, the restaurant's also reserving 10 percent of its seats each night for students with a valid student ID, who can jump on a waiting list to enjoy the menu for just DKK 1,000 (AUD $205). Noma's booking link is set to go live at 2am next Friday, November 17 AEDT. In the meantime, check out the reservation guidelines here.
A blazing red neon sign is your first view of Lucy Liu, not Charlie's Angel, but one of Melbourne's most popular laneway eateries for great food and vibes in the heart of the city. Effectively sandwiched between Flinders, Russell and Collins streets, you've got no shortage of dining options in this area. You'd be kicking yourself if you passed her by. Once inside, the space is open and warm, with a design choice that never fails: an open kitchen. Time your booking or walk in at the right moment, and you could end up sitting with a view straight into it. Lucy's just turned 10, with much of the original kitchen team still a part of the family, so these veterans have every teaspoon and presentation detail locked down. What's on the menu? There's a healthy offering of bites, buns, plates both small and large and set menu banquets. A few suggestions: caramelised tofu betel leaf with pineapple and chilli or Pacific oysters with ponzu and Lucy's Sriracha to start. Follow that with a plate of kingfish sashimi with green nan jim, coconut and Thai basil (an original menu item) or fried chicken ribs with sour plum salt, lemon and kewpie. Go big with Lucy's softshell crab jianbing or a roast pork bun with house-made kimchi and sriracha mayo — or go full-feast and order another OG: drunken chicken with Shao Xing Wine and green onion dressing or a hefty slice of market fish. The banquet menus, ranging from $58pp to $78pp, give you a taste of all the hits in five or seven plates (vegan alternatives are available). The drinks menu is just as colourful and tasty to wash down all those treats. With nine specialty cocktails to choose from, plus half-strength cocktails or cocktails to share, so you're catered for whether you're planning on driving home or not. Wine comes by the glass, and Lucy has a few of her own bottles on offer, with an impressive lineup of local and imported beers and spirits to round it out.
Alternative milk may have taken the world by storm, but that doesn't mean classic dairy milk has been relegated to the back seat. That's plain to see with Fitzroy's St David Dairy, a cafe that opened at the tail end of 2024 and is, at the time of writing, Melbourne's only micro-dairy. That's a dairy farm that keeps things small-scale and more ethical than your run-of-the-mill commercial dairy operation. The establishment and its owners know that dairy is a complex subject, but they take strides to ensure that all products on the shelves and in the refrigerators are made the way they should be: small-scale and local. Visitors can see most of the process unfurling while they sit and sip their coffee. With raw dairy products sourced from Gippsland, every batch of milk is tested daily for quality and hand-poured inside the cafe premises. You'll be able to walk away with milk, yoghurt, cream, butter, cheese, buttermilk or crème fraiche. And just like the good old days, if you return with an empty glass bottle of milk, you'll get a refill for cheaper. The offering is only increasing in size, with the cafe recently installing an ice creamery. There are also plans to host workshops in its space, including a butter master class, coffee cupping, ice cream pairing, and events educating people about sustainable practices, artisanal practices and the importance of sourcing locally.
The COVID-19 pandemic has taught us many things, and reminded us of plenty of advice that we've all heard for years. We're all now well and truly aware that any situation can change quickly, for instance. In the latest example to prove those words accurate, the Australian Government has moved forward its vaccine rollout plans — just a day after announcing its last fast-tracked inoculation schedule. Yesterday, Wednesday, January 6, Minister for Health Greg Hunt said that COVID-19 vaccinations would begin at the beginning of March, which was earlier than the previous date of late March (which, in turn, had been brought forward from the second quarter of 2021). Then today, Thursday, January 7, Prime Minister Scott Morrison announced in a press conference that the timeline for kicking off vaccinations has now been shifted to February. First in the queue when jabs start being administered mid-to-late next month (with an exact date yet to be revealed): frontline workers — particularly those working at hotel quarantine sites and international border checkpoints — as well as health workers and residential aged care facility residents. They'll comprise the first of five priority groups, with elderly Aussies aged over 70, Indigenous Australians over the age of 55, other health care workers, younger adults with an underlying medical condition, and other critical and high-risk workers falling into the second group. From there, adults aged 50–69, Indigenous Australians over 18 and the next tranche of critical and high-risk workers will receive the vaccination, followed by the balance of the adult population. Department of Health Secretary and former Chief Health Officer Brendan Murphy noted that children will fall into the last group. The Prime Minister also advised that that the rollout will begin with a target of giving 80,000 vaccinations per week, starting with the Pfizer-BioNTech vaccine. By the end of March, it's expected that four million Australians will have been vaccinated — with capacity ramping up once the University of Oxford-AstraZeneca vaccine is approved. Several vaccines have not only been created over the past year — much faster than the usual timeline — but have started being used in countries around the world. The latter is happening in places such as the UK and the US, where coronavirus case numbers have remained at enormous levels. In Australia, where the situation thankfully hasn't reached the same scale, the federal government has decided on a different approach. Vaccines need to be evaluated and approved locally by the Therapeutic Goods Administration before they can be rolled out anyway, and that process is currently underway for multiple different vaccines, including from Pfizer-BioNTech and University of Oxford-AstraZeneca. As the Prime Minister announced in mid-2020, vaccines will be provided to every Aussie for free when they are available. Australia currently has agreements to receive ten million doses of the Pfizer-BioNTech vaccine, which will be manufactured overseas, and 53.8 million doses of the University of Oxford-AstraZeneca vaccine, with production of the latter already starting locally. Both require two doses per person to be effective — and you have to get two doses of the same vaccine (so you can't mix and match them). If you're wondering how it'll all work logistics-wise, there'll be specific hubs to deliver the Pfizer-BioNTech vaccine — at 30–50 hospitals around the country — first up. After that, when the University of Oxford-AstraZeneca vaccine becomes available, vaccinations will be available at other sites, such as GPs and respiratory clinics. Obviously, it's expected that specific details about sites and dates will be revealed before vaccinations start in February. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
One of Melbourne's most recognisable rooftop addresses is getting ready to reveal a dramatic new look. This spring, MAMAS Dining Group — the crew behind Hochi Mama, Suzie Q and Winsdor Wine Room — will unveil its seventh venue: a Japanese izakaya-inspired rooftop set in the former home of Madame Brussels. The third-floor space at 59–63 Bourke Street will swap pastel garden party vibes for a low-lit, disco-drenched homage to 1980s Tokyo. Expect smooth disco and old-school hip hop spinning on vinyl, a drinks list that flows well into the night, and panoramic views of the city skyline — all wrapped in a retro-modern fit-out by hospitality architects Directitude. In the kitchen, MAMAS' Culinary Creative Director Michael Stolley will oversee a menu of share-style Japanese fare. Sushi from master chefs will sit alongside smoky, chargrilled yakitori and other snacky izakaya classics, paired with an extensive sake list, Japanese-inspired cocktails and top-shelf craft beers from Japan. With seating for up to 150, the venue aims to channel "the soul of Shibuya nights and the heart of Harajuku days". For MAMAS Dining Group CEO and Director Thai Ho, the upcoming opening is a moment worthy of the group's tenth anniversary: "We're so excited to open our seventh venue in the heart of Melbourne's CBD, a huge milestone to mark MAMAS' 10 years of operation in Australia's most renowned city for hospitality. To open in one of the city's most iconic locations is a fantastic opportunity." When the doors of the yet-to-be-named venue swing open this spring, expect a rooftop that swaps Pimm's jugs for sake carafes, cucumber sandwiches for smoky yakitori, and prim garden parties for moody Tokyo nights — and a whole new chapter for one of Melbourne's most coveted rooftops. MAMAS Dining Group's as-yet-unnamed seventh venue will open in the former Madame Brussels site this spring. For more information, head to the group's website.
Four months after announcing that the Australian Aboriginal flag will get a permanent berth atop the country's most famous man-made structure — the Sydney Harbour Bridge — the New South Wales Government has committed to making that promise a reality by the end of 2022. A third flagpole will be added to the structure, giving the Aboriginal flag its own place to fly every single day of the year — instead of the current situation, where it is only on display for 19 days annually, for Australia Day, Sorry Day, Reconciliation Week and NAIDOC Week. The NSW Government will commit $25 million in the 2022–23 NSW budget to installing the third Harbour Bridge flagpole, and will do so before the year is out. The bridge's flagpoles stand around 20 metres high — the same height as a six-storey building — while the flags themselves measure around nine metres by four-and-a-half metres, which means they need a strong attachment that's able to hold in all weather conditions. "Our Indigenous history should be celebrated and acknowledged so young Australians understand the rich and enduring culture that we have here with our past," said NSW Premier Dominic Perrottet in a statement. "Installing the Aboriginal flag permanently on the Sydney Harbour Bridge will do just that and is a continuation of the healing process as part of the broader move towards reconciliation." [caption id="attachment_841961" align="alignnone" width="1920"] Mary and Andrew via Flickr.[/caption] Back in February, when the Premier first revealed that a third flagpole would be erected, he advised that it'd happen "as soon as possible". On exactly what date before 2022 is out that'll become a reality hasn't been announced, however, but there's now a concrete timeframe. The Sydney Harbour Bridge currently has two flag poles, with one flying the Australian flag and, when the Aboriginal flag isn't on display on its allocated days, the other flying the NSW state flag. The move to fly the Aboriginal flag permanently follows a five-year-long campaign by Kamilaroi woman Cheree Toka, who also launched a Change.org campaign in 2020 to continue to call on the NSW government to make this exact move. "The Aboriginal flag is a reminder that the country has a history before European arrival," Toka said two years ago. "I think it's really important to have a symbolic gesture on the bridge that identifies the true history of Australia, which is a starting point for conversation around greater issues affecting the Indigenous population." After the first three years of Toka's campaign, she had amassed more than 157,000 digital signatures and the required 10,000 paper-based signatures to bring the issue to NSW parliament. However, when it was debated in the final NSW parliamentary session of 2019, the result then was that it would cost too much to construct a third flagpole to see the Aboriginal flag flying daily — which was what sparked her crowdfunding campaign to raise the $300,000 quoted by the government to 'fund the flag'. Also in Aboriginal flag news this year, the Australian Government unveiled a copyright deal at the end of January with Luritja artist Harold Thomas, who designed the symbol, to make it freely available for public use. The Aboriginal flag will start flying permanently on the Sydney Harbour Bridge by the end of 2022 — we'll update you when further details are announced. Top image: Boyd159 via Wikimedia Commons.
Japanese and Peruvian cultures have intertwined for over 100 years, leading to the creation of a fascinating fusion cuisine known as Nikkei. It combines both cultures' produce and cooking techniques to craft new dishes and traditions that are bursting with colour and flavour. And while Melbourne has hosted plenty of Nikkei pop-ups, and a few restaurants have presented limited-time Nikkei menus, our city hasn't had a permanent restaurant dedicated to this cuisine — as far as we know. Until now, that is, thanks to Chapel Street's new Inca at Morris Jones, which opened on Saturday, July 6. Chef Carlos Moreira is running the kitchen here, pumping out classic Nikkei dishes like ceviche and tiradito — but with his own contemporary twists that go well beyond the usual varieties you're used to. Sure, you'll find the obligatory kingfish ceviche which graces every other menu in Melbourne, but there are also playful tuna, salmon and vegan versions. We're also eager to sample the wagyu beef tiradito served with crispy capers, cornichons and mustard tartufo nero. Beyond these, you'll also find the likes of Sydney rock oysters with pisco sour granita; tostada de carmarones with aji verde; spanner crab taquitos; a whole dry-aged duck with burned orange and aji amarillo crema; and a 300-gram black angus picanha with sweet potato and anticuchera sauce. Moreira is originally from Brazil, but has spent vast amounts of time in Peru researching the origins of Nikkei cuisine. He's also worked in his fair share of Michelin-starred and hatted kitchens, so we are expecting big things at Inca. The drinks list is also inspired by Nikkei flavours, boasting plenty of Peruvian pisco sours, Japanese whiskies and light lagers. All of this is being served within the recently renovated Morris Jones, which is also home to a luxe bar with a dance floor and DJs, and a newly designed courtyard that takes it cues from West Hollywood in the 60s and 70s. While you're hitting up Inca for Nikkei eats, be sure to nose around the rest of Morris Jones. You'll find Inca at 163 Chapel Street, Windsor, open 4pm–1am on Wednesdays and Thursdays, and 12pm–1am from Friday to Sunday. For more details and to book a table, visit the venue's website.
Buying and supporting local projects is a proud badge worn by many a Sydneysider. You like buying Marrickville-made jam from Eveleigh markets, you support emerging Sydney psych bands at FBi Social every other week, so why wouldn't you also support Sydney's best local innovators online? Pozible have launched a Sydney-specific page, dubbed The Sydney Edit. Previewed at Vivid Ideas' hugely popular Stand Up, Stand Out event, The Sydney Edit puts local innovations under their own spotlight — making it easier for community-loving backers to find the crowdfunding projects in their own backyards. During Pozible's event at Vivid Ideas last week, the crowdfunding heavyweights asked current project instigators to live pitch to a physical audience. Sydney creators behind AKIO, The Right Foot, The Human Sound Project and the Flute Handbag Collection had five minutes to pitch their crowdfunding ideas, then a further ten to present their work. The audience then pledged $30 of their ticket price to their favourite project in a kind of real life Pozible backing. Sydney's DirtyFeet and their project The Right Foot took out the top spot and will soon see $4050 put into their Pozible campaign (just over a grand more than their own $3000 target). The Right Foot offers creative contemporary dance workshops for young people aged 14-26 with and without disability. Nice one guys. Sydney has already proved supportive of local Pozible ventures in the past, with the successful funding of Newtown motorbike workshop-meets-ramen cafe Rising Sun Workshop. The rev-enthusiasts raised $38,500 on the site and opened in April 2014 to much backer applause. In Pozible's Sydney Edit Collections section, Pozible works with a number of local organisations across the arts sector and creative industries, as well as government, community and non-profits. This is where you'll find 'collections' of Pozible campaigns under the likes of Vivid Sydney, Sydney Fringe Festival, Underbelly Arts, Alaska Projects and many more locally-based legends you can get behind. So throw in some spare cashola and crowdfund your own city's Pozible projects at The Sydney Edit. Top image credit: Rising Sun Workshop.
Since a US remake of Jemaine Clement and Taika Waititi's vampire sharehouse mockumentary What We Do in the Shadow was first hinted at back in 2017, and then confirmed in May 2018, fans have been waiting like a ravenous vampire for the end result. Over the past few months, three brief teasers have dropped, plus a full two-minute trailer — and now the show is headed to Australian TV screens in April. Created and co-written by Clement, and executive by the Flight of the Conchords star with Thor: Ragnarok's Waititi, the ten-episode American version will air weekly on Foxtel's Showcase channel from Tuesday, April 2. That's a few days behind the US run, with the show premiering on America's FX network on Wednesday, March 27 — hot on the heels of the film festival premiere of its pilot episode, which just screened at SXSW over this weekend. Despite the involvement of Clement and Waititi, the duo don't star in the new-look series (but may make guest appearances — we hope). Rather, this take on What We Do in the Shadows follows a group of vampire flatmates living in Staten Island, and features Toast of London's Matt Berry, Four Lions' Kayvan Novak, British stand-up comedian Natasia Demetriou, The Magicians' Harvey Guillen, The Office's Mark Proksch and Lady Bird's Beanie Feldstein. Novak plays the gang's self-appointed leader, 'Nandor The Relentless', who dates back to the Ottoman Empire days and is somewhat stuck in his ways. As for Berry's mischievous British dandy Laszlo and Demetriou's seductive Nadja, they've been likened to a blood-sucking Bonnie and Clyde. Guillén steps into the shoes Nandor's familiar, who'd do anything to join the undead, while Proksch's Colin has been described as an 'energy vampire'. And Feldstein's Jenna is a college student with a new craving. If you're keen for another taste before the series starts airing, here's three new teasers: https://www.youtube.com/watch?time_continue=8&v=N0cCrfvCuZM https://www.youtube.com/watch?v=WRiyeML2mnY https://www.youtube.com/watch?time_continue=1&v=4dedH5GU9QU The US remake is just the latest addition to the What We Do in the Shadows universe, too. A follow-up, We're Wolves, is in the works, focusing on the undead bloodsuckers' Rhys Darby-led lycanthrope enemies. And television spinoff Wellington Paranormal, following the movie's cops (Mike Minogue and Karen O'Leary) as they keep investigating the supernatural, debuted its first season last year and has a second season in the works. What We Do in the Shadows will debut in America on FX on Wednesday, March 27, then air on Foxtel's Showcase channel weekly from 8.30pm AEDT on Tuesday, April 2.
What sits at the heart of European storytelling? That's a question that one of Australia's must-attend film festivals has been pondering for three years. It was back in 2022 that Europa! Europa initially started showcasing the breadth of cinema from across Europe — surveying as many countries as it can fit into each annual program, and swinging from the latest to the greatest pictures from across the continent. 2025's event kicks off in February to explore that idea again. Attending Europa! Europa's opening night this year means discovering what makes a French box-office hit, for starters. A Little Something Extra, directed by comedian and actor Artus, was its nation's highest-grossing homegrown movie of 2024. When it kicks off this Australian film fest in Sydney and Melbourne on Wednesday, February 12, it'll start the celebration of cinema with a tale about jewel thief and his son at a summer camp for young adults with disability. Returning to Classic Cinemas Elsternwick and Lido Cinemas Hawthorn in Melbourne for a month, running until Wednesday, March 12, Europa! Europa has compiled a roster of 44 movies from 26 countries. Accordingly, its latest program lets viewers dig into what drives filmmaking from Austria, Belgium, Bulgaria, Denmark and Estonia, and also Greece, Italy, Luxembourg, Poland, Spain, Switzerland and Ukraine. Titles from Bosnia and Herzegovina, Czech Republic, Finland, Germany, Georgia, Montenegro, Norway, Romania, Serbia, Slovakia, Slovenia, Sweden and the United Kingdom are on the list, too. Unsurprisingly, the largest contingent comes from France. Indeed, Gallic cinema provides Europa! Europa with its centrepiece film as well — and it's an Australian premiere, with Once Upon My Mother stepping back to the 60s. The festival's headliners bring big-name talents, as well as touching documentaries to Sydney and Melbourne. In Another End from The Wait director Piero Messina, Gael García Bernal (La Máquina) plays a mourning widower exploring tech-enhanced ways of facing grief, with Renate Reinsve (Presumed Innocent) and Bérénice Bejo (Under Paris) co-starring. The Dardenne brothers (Tori and Lokita) co-produce the Belgian tennis academy-set Julie Keeps Quiet, while Sweden's 2025 Oscar submission The Last Journey hails from Swedish journalists and TV hosts Filip Hammar and Fredrik Wikingsson, and focuses on a trip to France with the former's father. Still on familiar faces, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan Academy Award-nominee Maria Bakalova (The Apprentice) leads the satirical Triumph, French standouts Daniel Auteuil (An Ordinary Case) and Sandrine Kiberlain (November) get farcical in Love Boat, and Mélanie Laurent (Freedom) and Guillaume Canet (All-Time High) portray Marie Antoinette and Louis XVI in their final days in The Flood. Other highlights from the fest's slate of new titles include Spain's I Am Nevenka, about an IRL MeToo case; U Are the Universe, a Ukranian sci-fil film made during the current war; the Sundance-premiering Sebastian, about a writer who is also a sex worker; Anywhere, Anytime, a modernisation of Italian masterpiece Bicycle Thieves; and Loveable, from the producer of The Worst Person in the World — and the list goes on. Europa! Europa's annual retrospectives keep proving a drawcard, too. After shining the spotlight on Poor Things and Kinds of Kindness director Yorgos Lanthimos in 2024, the festival is jumping back into French film history by heroing the iconic François Truffaut. Four of the French New Wave filmmaker's movies are on the lineup, all showing as new 4K restorations: Shoot the Piano Player, The Soft Skin, Two English Girls and Finally, Sunday!.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we go to Novotel Wollongong Northbeach, where we are putting up guests who book one of our epic For The Love VIP packages. WHAT'S SO SPECIAL? This four-and-a-half-star hotel looks out over the picturesque North Wollongong Beach and lighthouse. It's one of the very best places to stay in the area, giving you easy access to local walking trails and swim spots as well as the thriving night life. THE ROOMS The rooms themselves aren't super flash, but they don't really need to be when you have sea views like this. In the morning, grab a seat on your private balcony, breathe in some sea air and watch Wollongong wake up — with the long stretch of coastline your backdrop. Gorge. Each of the 209 spacious rooms have all the necessities too. Air conditioning (a must for summer), a flat screen television, free wifi, a large desk (if you need to work) and a mini bar on demand. Just be aware that not all rooms have those stunning sea views — you'll need to choose one when booking. FOOD AND DRINK Novotel Wollongong Northbeach knows how to entertain. It has four separate bars, each with its own unique menu and level of formality. The Adrift Pool Bar consists of several white wooden booths and a few cute rattan tables set up around the heated pool. The best bit? Fresh seafood and classic cocktails are served out here. Hang out with some locals and fellow travellers at the public Pepe's on the Beach — where you can hire out your own cabana for the day. Or go for something a little more refined at North Bar. An impressive selection of wines adorn this drinks list, alongside a few specialty cocktails and top-shelf spirits. And when the sun goes down, American-style The Frisky Flamingo is the place to be — dress up and start your night out at this glam drinking den. THE LOCAL AREA Yes, you have so many places to eat and drink at Novotel Wollongong Northbeach, but you'd be a fool to spend all your time wining and dining. Either walk down to the beach or seaside pool for an ideal summer jaunt or head to some of the nearby walking trails along the coast to see even more of this gorgeous coastline. Boutique stores, local restaurants and all other town centre necessities are only a short walk away — with a free bus available right outside the hotel for those who want to have a chill one. If you're about to spend a day partying at For The Love, the bus is for you. [caption id="attachment_882178" align="alignnone" width="1920"] North Bar[/caption] Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Mid-morning croissant cravings will no longer require a trip into the CBD or to Fitzroy — if you're in Melbourne's south and hankering for Lune Croissanterie's finest, that is. A decade after first launching and forever changing the way Melburnians think about flaky, buttery pastries, the beloved bakery is now adding its third homegrown location in Armadale. Set to open sometime this winter, Lune's latest Melbourne venue will serve up all those baked goods that fans know and love — traditional French croissants which take three days to prepare, of course, as well as everything from lemon curd cruffins and morning buns to its rotating range of monthly specials. Exactly where in the suburb it'll sit hasn't yet been revealed, but the chain announced the new store on its Instagram feed and is currently recruiting for a number of roles. "Friends south of the river, we know you've been dark on us ever since we packed up shop, crossed the Yarra and moved to Fitzroy. How about if we told you we were coming back? VERY SOON," the Instagram post advises. "Before the winter is out, the leafy streets of Armadale will have a buttery breeze care of Lune!!" View this post on Instagram A post shared by Lune Croissanterie (@lunecroissant) If you're still new to Lune's croissants, they've been described as "the finest you will find anywhere in the world" by The New York Times — and expect its Armadale spot to be busy when it does fling open the doors. Lining up for baked goods is a regular part of the Lune experience, including at its Brisbane outpost up north. Melbourne is scoring a third Lune location before Sydney even gets one, with the chain finally due to open in the NSW capital sometime in 2023. Lune is also setting up a second Brisbane venue this July, too. Wondering why Lune's tasty pastries are so coveted? Founder Kate Reid is an ex-Formula 1 aerodynamicist, and brings scientific precision to her craft. That includes the climate-controlled glass cube that Lune croissants are made and baked in, and the time-consuming process used to perfect each flaky pastry. It has been a big decade for the brand, which Reid co-owns Lune with her brother Cameron and restaurateur Nathan Toleman (Dessous, Hazel, Common Ground Project). The company's journey started back in 2012 with a tiny store in the Melbourne suburb of Elwood. Since then, Lune has grown into a converted warehouse space in Fitzroy (with those perpetual lines out the front), opened a second store in the Melbourne CBD and earned praise aplenty — including that aforementioned rave from The New York Times. Find Lune Croissanterie's third Melbourne store in Armadale, opening sometime this winter — we'll update you with an exact location and opening date when they're announced. Images: Marcie Raw.
Melbourne's Vue de Monde might have some high-rise competition next year, with the city set to get a new 5-star hospitality venue — 140 metres off the ground. Like so many other projects, Sky Bar Melbourne was meant to launch this year, but COVID and construction delays have pushed the opening out to March, 2022. Still, we've got some early-release images and details to share with you. You'll find SkyBar on the 40th floor of Oakwood Premier in Southbank. Guests will enter via a private elevator in the main lobby. In the spirit of other ambitious, high-concept restaurants (we're looking at you, Society) the venue will feature five distinct dining areas, with seating for up to 250 patrons. There'll be a VIP room, star-like chandeliers hanging from the ceiling, a floating al fresco terrace, immersive lighting projects (courtesy of The Sequence Group) and the main event: a 5-star restaurant named Strato with seven-metre windows lapping right around the venue. Depending on where you sit, you'll get 360-degree views of Port Phillip Bay, the CBD skyline, the Yarra and the MCG. The sheer altitude of Sky Bar also means you'll be able to watch the weather sweep across Melbourne, and there'll be some pretty epic sunsets from the western side of the building. Don't be surprised if you're dining in the clouds, come winter. "We couldn't be more excited to open Sky Bar Melbourne," says Norman Khan, Managing Director of Yarra Hotel Group. "Our vision for this venue has been to show off our amazing city in all its glory. We know the past 18 months have been hard and dining out is dearly missed. We've put a lot of effort into making Sky Bar Melbourne an entire experience, and the venue has been developed by a team of people who are passionate about hospitality." It's clear the guys from Yarra Hotel Group are shooting for the moon with SkyBar. The menu concept for Strato alone promises "smoke, vapour, embers, levitation and nitrogen". It'll be interesting to see whether the CBD embraces sky-high dining, and how SkyBar figures with the city's post-COVID hospo recovery. Definitely, one to watch. Sky Bar Melbourne is set to launch in March 2022. We'll bring you more details closer to the launch date. Sky Bar Outlook: Rhiannon Taylor UPDATE: Since opening in July 2022, the sky-high venues at 202 Normanby Street, Southbank, have been rebranded as one all-encompassing bar and eatery named Strato Melbourne. Find out more at the website.
