With the subtly sweet smell of spice and all things nice wafting through the air, it can only mean one thing: hot cross buns have arrived. Regardless of your religious inclinations, a fresh hot cross bun warmed up, and slathered in butter is considered a spiritual experience in and of itself by many. And while we are all for eating your body weight in the pillowly parcels of goodness, with so many options around town, it's helpful to know where to start. So we've rounded up the best hot cross buns being baked in Melbourne to guide you on your cinnamon-spiced journey ahead. Whether they are loaded with plump dried fruit, stuffed with bittersweet chocolate, paired with the likes of creamy gelato or left pure and simple in their most traditional form, these hot cross buns will satisfy your doughy cravings this Easter. Recommended reads: The Best Cafes in Melbourne The Best Bottomless Brunches in Melbourne The Best Coffee in Melbourne The Best Restaurants in Melbourne MORNING MARKET Add Morning Market to your hot cross bun crawl this year for a super-spiced, generously-studded treat. The Morning Market variety is flavoured with Pastis, Brandy, cardamon and allspice, before being stuffed with plump apricots, prunes, sultanas and currants. What makes these buns extra special is that the baking team soaks the dried fruit in a fragrant citrus-and-spice infusion for three days before being folded into the rich dough. The only thing that makes these better is a thick slab of butter on top. PENNY FOR POUND x AXIL Now here's a collab that just makes sense. Beloved bakery Penny for Pound has teamed up with legendary coffee roasters Axil to create a mocha cross bun. Available at all Penny for Pound, and some Axil Coffee locations, the creative take on the traditional treat includes a smooth espresso ganache made with couverture milk chocolate and fresh shots of Axil coffee. But that's certainly not all. Penny for Pound is also bringing back their traditional hot cross buns, as well as a Hot-Cross-ant, a flaky croissant with cinnamon and orange-spiced almond frangipane and dried fruit. And on the weekend only, brave the lines for a choco caramello croissant and a carrot cake croissant. TO BE FRANK Northside favourite bakery To Be Frank is delivering the goods this Easter. Located in Collingwood and East Brunswick Village, the bakery is renowned for its crusty loaves and fluffy focaccia. This Easter, grab traditional hot cross buns with organic sultanas, currants and candied orange, or try something different with a saffron, currant and lemon variety. Treat yourself to a hot cross-ant, an inventive take on the hot cross bun. To Be Frank utilises a laminated pastry made using a spiced croissant dough, that is filled with a spiced fruit cream. Crisp and flakey on the outside, soft and creamy on the inside. Don't miss your chance to try one of these. BAKER BLEU One of Melbourne's best bakeries, Baker Bleu, has brought back its renowned Easter treats this year. While you can't go wrong with the cinnamon-and-ginger-spiced traditional variety, those in the know line up for one particular product during the Easter period: the sour cherry and dark chocolate buns. The moreish mix of acidic sour cherries, creamy 64% couverture chocolate and warming spices makes this one of Melbourne's best hot cross buns. And this year, to complement their buns, Baker Bleu is adding an iced hot cross bun latte, an iced cherry chocolate drink, and hot cross bun soft serves to their Eatser menu (available at limited locations). PHILLIPPA'S BAKERY With a handful of stores across Melbourne, long-running bakery Phillippa's is here to ensure all your hot cross bun cravings are fulfilled this Easter. Its chewy glazed buns are a perennial favourite, crafted with slow-fermented dough, house-made candied peel and loads of organic vine fruit. Phillippa's beloved recipes for toasted hot cross bun ice cream and hot cross bun-and-butter puddings are the perfect way to use up any leftovers. MORK CHOCOLATE Artisanal hot chocolate maker Mork has created its own indulgent riff on the hot cross bun, which, unsurprisingly, features the brand's irresistible chocolate. The process begins with a dough crafted from wheat and whole-grain spelt sourdough that is slow-fermented over three days. The dough is infused with aromatic spices, green aniseed and Tasmanian leatherwood honey, before being studded generously with currants, raisins, Earl Grey soaked orange peel and chunks of 68% dark chocolate. While you're at it, try Mork's Dessert Eggs, pocket-sized treats that feature layered textures and flavours spanning matcha to milk tea, and caramelised chocolate to passionfruit. DENCH BAKERS Having earned a cult following for its artisan baked goods, Dench has long been a Melbourne staple. And its signature sourdough hot cross buns have fans coming back year after year, each batch stuffed full of Aussie vine fruits, made from organic flour and grains. Dench offers traditional hot cross buns and a chocolate orange variety for a little something special. BREAD CLUB One of Melbourne's best bakeries, Bread Club, is slinging some serious tasty hot cross buns this Easter. These premium sweet treats are loaded with Hunted + Gathered chocolate and stuffed with house-made toffee. With locations in North Melbourne and Albert Park, locals will be thrilled to have these on their doorstep, and we bet visitors will travel from far and wide for a taste of these special buns. PIDAPIPO While it might be the master of Gelato, Pidapipo is no stranger to other sweet culinary treats and desserts. Making a much-anticipated return this year is Pidapipo's hot cross doughnut. The doughy delight, baked fresh each morning in the Fitzroy Laboratorio, features a hot cross bun-flavoured doughnut with dried figs and custard. Of course, because it is a gelateria after all, the creation is then topped with almond gelato and spiced caramel sauce. Don't stop there, though, because the laboratory is also creating a selection of chocolate treats for Easter. There are bags of mini eggs, medium-sized eggs, and praline-filled chocolate tins featuring ingredients such as white chocolate peppermint ganache and matcha ganache. Feature image: Pidapipo, Parker Plain. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
It can be tricky to do something truly new in Melbourne's packed dining scene, but recently opened Ms Parker in The Motley is well on their way to achieving just that. Nestled on the ground floor of the bold and eclectic Motley Hotel, the menu celebrates seasonality and locally-sourced produce, taking cues from chef Steve Harry's rich and diverse culinary experience. Earlybirds can tuck into the likes of wattleseed sourdough, 'nduja shakshuka with dukkah, and even a brekkie pavlova paired with coconut sorbet. But while Ms Parker serves up coffee and excellent cafe fare by day, it's the transition into a clever yet unpretentious diner in the evening where the menu really shines. Guests will spot a healthy dose of Australian nostalgia, from a kangaroo tartare on top a vegemite cracker and a reimagined Dagwood dog, spiced with 'nduja and pickled mustard seeds. Diver deeper into the menu to indulge on plates that might touch on Harry's experience in Japanese kitchens, nod to his Northern African heritage or showcase traditional French technique. Bone marrow is elevated with a miso brûlée and fermented daikon, while rainbow trout is done up with roe and a beurre blanc. Grilled tiger prawns are tossed through tamarind and curry leaf, while duck liver parfait profiteroles showcase the team's creativity and culinary flare. Pavlova makes another welcomed appearance in the dessert section, and a small but curated menu of wines, cocktails and local beers are available throughout the day. Ms Parker is open daily 6.30am–late Monday–Friday, 7am–late Saturday–Sunday at 205 Bridge Road, Richmond. You can book via the Ms Parker website.
It's a great privilege to experience the homelands of Traditional Owners — and it's even more exceptional when you have a local to guide you along the way. Tropical North Queensland is blessed with many experiences that'll allow you the opportunity to connect and learn from Traditional Custodians as they generously share their art, food, dancing and customs. We've teamed up with Tropical North Queensland to share one-of-a-kind experiences to add to your hit list if you're passionate about travelling consciously. By supporting Aboriginal and Torres Strait Islander-owned businesses like those mentioned below, you're helping to preserve sacred practices that have been passed down for thousands of years. SEEK OUT SOME OF THE BEST LOCAL INDIGENOUS ART This year, the Cairns Indigenous Art Fair will be held from July 6–10. This annual festival attracts thousands of local and international visitors to the city to celebrate Indigenous artists and their latest works. The program includes a visual feast of artwork and performances, alongside fashion shows, workshops and symposiums. While it honours Indigenous culture and traditions, the event also provides economic and personal development opportunities for the artists. Some artworks are acquired by private collectors, while others are purchased for display across the world. Previous years have seen impressive buyers representing the Harvard University Art Museum and the National Gallery of Canada. TAKE A THREE-DAY 4WD TOUR THROUGH THE REGION The team at Culture Connect prides itself on providing visitors with authentic Aboriginal cultural experiences from Cairns to Cooktown. The small tour group sizes allow for an intimate opportunity to explore the region, with local Aboriginal guides who are passionate about their homeland and history. Experiences range in length from half-day nature walks to a full-day scenic flight adventure. There's also a three-day 4WD tour on offer with meals and accommodation included. Guests have the opportunity to explore ancient rock art galleries, learn traditional coastal survival skills or or learn to paint from an acclaimed local Indigenous artist. [caption id="attachment_846219" align="alignnone" width="1920"] Island Stars Cultural Experience[/caption] EXPLORE THE REGION WITH THE HELP OF AN INDIGENOUS GUIDE Hundreds of islands make up the Torres Strait region and just 17 are currently inhabited. Touring this area without local knowledge is tricky, which is where Strait Experience steps in to help. This Torres Strait-owned business offers incredible opportunities to explore remote destinations such as Thursday Island and Horn Island. Strait Experience connects visitors with exclusive accommodation options, unique beachside activities and tours focusing on historical sites and ancient traditions on some of the islands in the Torres Strait. And, if you time it just right, you might even be lucky enough to observe turtles nesting on the beach. TAKE A BOAT TOUR TO A TRADITIONAL SMOKING CEREMONY The traditional lands of the Mandingalbay Yidinji People cover an impressive 10,000 hectares, which allowed ancient ancestors to develop an impressive range of survival and conservation skills. Just a short river cruise with Mandingalbay Ancient Indigenous Tours will transport you thousands of years back in time. Departing from Cairns Marlin Marina, a 15-minute boat journey will take you from Trinity Inlet to Hills Creek. Once arriving at the destination, guests are welcomed with a traditional cleansing smoking ceremony. Other tour options include eco walks, overnight camping expeditions and dance performances. The famous 'Deadly Dinners' give you the opportunity to sample delicious local ingredients such as kangaroo, crocodile and mud crab. [caption id="attachment_829657" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] WANDER THROUGH THE WONDERS OF KUKU YALANJI COUNTRY Did you know that two World Heritage-listed sites meet in Tropical North Queensland? Yep, in Kuku Yalanji Country, you'll see where the epic Daintree Rainforest juts up against the iconic Great Barrier Reef. And you can explore all the wonders of this area on a half- or full-day tour with Walkabout Cultural Adventures. This 100-percent First Nations-owned and operated cultural tour company offers you the opportunity to learn about this unique environment and the foods and medicines that are produced here. You'll get to sample bush tucker, swim in freshwater streams and maybe even try spear and boomerang throwing. Your tour guide takes care of everything — all you need to do is wear comfy shoes. [caption id="attachment_830381" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] PLUNGE INTO THE DEEP BLUE Experiencing the wonders of the Great Barrier Reef is an irrefutable addition to any TNQ itinerary. But doing so with Dreamtime Dive and Snorkel will leave you with an even greater understanding and appreciation of this natural beauty and the connection that local First Nations people have with it. Across a five-hour tour, you'll get to hear the creation story of the Great Barrier Reef, snorkel or dive in two outer reef sites, sample native bush food and be entertained by a traditional dance. The tours are run by First Nations sea rangers whose passion for reef preservation and sustainable tourism is evident. TAKE A DIP IN AN OUTBACK POOL Update: Talaroo Hot Springs 2022 season will run from April 1-October 31. It may take about 4.5 hours to drive from Cairns to this outback pool in the heart of Ewamian Country. But boy, oh, boy is it worth it. The hot springs here formed millions of years ago with the water seeping from underground and heated by granite rocks along the way. When it reaches the pools, it's a whopping 68 degrees celsius and cools as it flows across the rippled travertine terraces. You can't directly enter the natural hot springs, but you can take a dip in one of the site's private soaking pools which can be accessed via a timber boardwalk on a First Nations-led tour. Talaroo Hot Springs also has an outback caravan park and campground if you'd like to stay a little longer (and we wouldn't blame you if you did). [caption id="attachment_842421" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] GET A DIFFERENT PERSPECTIVE OF THE TROPICS Located in Burketown, Yagurli Tours is a First Nations-owned and operated tour company. With local Gangalidda and Garawa guides, these experiences offer a unique opportunity to learn about Gulf Savannah country from the Traditional Custodians of the land. Yagurli Tours offer five different immersive adventures, like Yaliya's Stories (Stargazing) on Australia's largest salt pans and the Gambumanda Sunset Cruise with dinner and drinks. Also on offer is the Marrija 4WD Cultural Tour and Aloft Hot Air Balloon flights showcasing the Albert River, salts pans and the Arafura Sea in the Gulf of Carpentaria. [caption id="attachment_845212" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] DISCOVER HISTORY THROUGH MAGNIFICENT ROCK ART Jarramali Rock Art Tours are perfect for those wanting to avoid the crowds and experience an intimate and rugged adventure. This authentic Aboriginal cultural experience will commence with either a 4WD drive with a Traditional Owner or a scenic helicopter flight depending on if you want a day trip or would rather embark on an overnight stay. We suggest an overnight stay where you will camp in an exclusive location, only accessible to Jarramali guests. Discover the history of the Kuku Yalanji people through magnificent Quinkan Rock Art. Traditional Owners will guide you through the 20,000 year old art found among sandstone escarpments near Laura in North Queensland. You will gain a deeper understanding of Australia's Indigenous history while soaking in the beauty of the remote wilderness - making this definitely, a once in a lifetime experience. [caption id="attachment_844022" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] FLEX YOUR CREATIVE MUSCLES WITH AN INDIGENOUS PAINTING WORKSHOP Owned by renowned First Nations artist Brian 'Binna' Swindley, Janbal Gallery offers visitors a unique opportunity to learn about Aboriginal culture through art and storytelling experiences. Binna is a local Kuku Yalanji man from Mossman and the gallery is lovingly named after his late mother. Binna hosts painting workshops on weekdays, with morning and afternoon sessions available. Choose from either a small boomerang or canvas to paint, with all paints and tools supplied. An impressive range of Aboriginal artwork is on display at the gallery, with items available for purchase, too. Ready to plan a trip to the tropics? For more information visit the Tropical North Queensland website.
A chat with Moritz Mohr about Boy Kills World is a chat about the things that he loves. His DVD copy of Battle Royale comes up, and his DVD and Blu-Ray collection in general. So does spending "months and months and months" listening to the soundtrack to Park Chan-wook's Oldboy, and the fact that the iconic South Korean revenge thriller is now being turned into a TV series. Boy Kills World, the German filmmaker's first feature, is a movie eagerly and overtly made from the things that Mohr adores. "That's a very correct assessment of the situation," he tells Concrete Playground. "We — me and all my collaborators, the writers — we really put into that movie everything that we love. So it should feel like that because that's basically what it is," he continues. Accordingly, yes, Mohr and the Boy Kills World team are fond of vengeance stories, martial arts films and fight-to-the-death flicks. And, they've worked that affection into a wild ode to action cinema starring Bill Skarsgård (John Wick: Chapter 4), featuring the voice of H Jon Benjamin (Bob's Burgers) and produced by Evil Dead filmmaker Sam Raimi (Doctor Strange in the Multiverse of Madness). The involvement of each of those key figures also stems from enthusiasm. Skarsgård was the first actor cast, for a role that makes him a silent film star — Boy, the movie's protagonist, is an orphan who has spent his childhood training for a quest for retribution, and is also deaf and mute — and trades on his physicality as a form of expression as a result. It required him to get ripped, too. "I was like 'are you up for that? Are you up for the training and all?'. And he promised me he would be up for it," explains Mohr. Was he ever; the proof is in the movie. Boy doesn't speak, a choice that plays with the usual strong and silent action-hero archetype; however, viewers are still clued into his every thought and feeling thanks to Benjamin. He gives the flick Boy's inner monologue, and his involvement came about exactly as you'd expect. "I love H Jon. I love his comedy. I love Archer. I love Bob's Burgers. So that's the reason — that's the only reason, because I love him and I thought he would be a great fit," says Mohr. As for Raimi, getting him onboard — and getting compliments from him at Mohr's very-first meeting with him — had Boy Kills World's helmer thinking "oh my god, I can die now", he tells us. It's an inspirational result for anyone who has ever dreamed with their friends of making a movie, and specifically making the kind of movie you'd love to see yourself. Indeed, that's exactly the starting point for the film that premiered at 2023's Toronto International Film Festival, has scored a spinoff video game and is also seeing that button-mashing title get an animated series. [caption id="attachment_954583" align="alignnone" width="1920"] Julian Leshay[/caption] Story-wise, Boy Kills World plunges into a dystopian world that brings The Hunger Games to mind, complete with death as a televised spectacle. When Boy is a boy (Nicholas and Cameron Crovetti, Goodnight Mommy), he loses family at the hands of a despot (Famke Janssen, Locked In), then commits himself to revenge. Cue carnage once he's an adult, as brought to the screen with energetic glee — and with a cast that also includes Yayan Ruhian (The Raid, The Raid 2) as the Shaman who teaches Boy his ferocious fighting skills, plus Michelle Dockery (Downton Abbey: A New Era), Sharlto Copley (Monkey Man), Jessica Rothe (the Happy Death Day franchise) and Andrew Koji (Warrior). How did Boy Kills World evolve from an idea bandied about in Berlin to bouncing through cinemas? What goes into making the movie a balancing act of action and comedy, and also genres and styles? With Mohr, we also discussed the above, adding complexity to vengeance tales, casting Skarsgård, directing a wordless performance and ensuring that the film goes on a helluva ride. On How Boy Kills World Went From Idea and Proof-of-Concept Short to Getting Sam Raimi Producing and Hitting the Screen "In 2016, there were five people in Berlin: producer, writer, director, fight choreographer and action guy. And we're like 'we really want to make something that we would watch ourselves', because we're all working in advertising and TV, and there's not much of an action scene in in Germany — there's basically no action movies, never have been. And we were like 'we want to do something and we want to feature the unique talent of our brilliant action designer Dawid Szatarski [an alum of Black Widow and Kingsman: The Golden Circle]. And that's why we shot this proof-of-concept trailer, which I think we shot for like five days. It took us a year to wrap it up. And at one point, I got a call from a friend who went to the AFM, the American Film Market in LA. He's like 'hey Moritz, do you want to come along? I'm kind of lonely and I have a couch'. So I was like 'yeah, sure, I'll finish the trailer, wrap it up, stop tinkering with it and just go over there and give it a shot, and see what happens'. When I arrived there I had like four meetings, and the first meeting was like 'this is a great trailer, cool — do you have a script?'. I was like 'no, I don't have a script yet'. So like 'oh sorry, then we can't help you'. And I thought that's how it would stay, basically because I knew everybody told me 'if you want to sell something, you need a script'. Yeah, well, I don't have one. We had a treatment, a five-pager or something. But through very nice people who kept connecting me to other people, about four days later I was in contact with Sam Raimi. And I met him. He's the nicest guy ever. We had this beautiful moment that I will probably remember forever: it was the first meeting and I was like 'I'm such a huge fan of yours' — he's just like 'and I'm a big fan of yours Moritz'. And I was like 'oh my god, I can die now. This is great'. So after that meeting, it's basically sort of a handshake agreement, we're going to do this together. Also Stuart Manashil [Irma Vep, Malcolm & Marie] and Roy Lee [Late Night with the Devil, Godzilla x Kong: The New Empire]. Roy Lee, he's a great producer in his own right, he did the IT movies and Lego and The Ring remakes and all that. Then we found a studio, basically, developing a script — and then it just took us five little years and lots of lots of detours. When we finally found our final partners Nthibah Pictures in South Africa and Hammerstone studios, that were ready to put all the money we needed in the film and really make the movie as it was intended to be made — and really believed in us — that's when we started shooting in Cape Town three years ago." On the Film's Balancing Act in Mashing Up Genres and Styles, and Getting the Mix of Action and Comedy Right "That's what I was worried about the entire time — it was like 'alright, we've got the comedy, but we've also got the drama. And we've got the action, and putting that in in the right amount'. Can we cut this joke? Is the movie still funny enough? Can we linger on that dramatic scene a little longer, or is it dragging everything down? Or is it too much action? Are the action scenes too long? Obviously lots of that stuff is very subjective, but it's definitely something you're worried about the entire time." On Adding Complexity to Boy Kills World's Revenge Tale "I really think there's so many revenge movies out there that I just didn't want to add something that is exactly like anything else. And as a thinking human being, usually in a revenge movie you go like 'isn't that enough revenge now? You killed like 50 people. You don't think this is enough now for whatever happened to you?'. Because it is never black and white, right? And it shouldn't be. One of my favourite directors is Park Chan-wook and his revenge trilogy — and with every one of the three movies, he put a different spin on revenge. And that definitely heavily inspired me because it just shouldn't be that easy. If you add something to the great, great genre of revenge movies, I feel like you should these days put a slight twist to it." On Boy Being a Literally Silent Hero — and Unpacking the Trope in the Process "The whole voiceover concept was there pretty much from the start. It was like 'hey, let's combine this young hero with an old narrator voice', that split. It's definitely a disconnect for the audience that the audience has to get used to, but it also makes it special. That's what was, in the beginning, when pitching the project and developing it — besides everything else, besides the story and all — it was one of the things that was like 'oh yeah, that's what makes the whole thing special, that's what sets it apart'. That was very, very deliberate. I read a comment once that was like 'oh, they probably added the voiceover after the fact when they realised that the mute hero doesn't work'. I was really hurt at that moment. I was like 'oh, no, I hope people don't think that'." On Casting Bill Skarsgard as Boy "Bill's a terrific actor, obviously. He was basically the first person we cast, and the only caveat besides him being a great actor and obviously having a super-expressive face that felt very right for role, was that he had never done any action — or not as a lead in an action movie. For a moment I was like 'ohh, can he do that?'. And in my first call, I asked him about it. I was like 'are you up for that? Are you up for the training and all?'. And he promised me he would be up for it. And I was like 'alright, you're good enough for me'. And he really delivered on his promise. He started training in Stockholm. We sent somebody over to go through the basics, the punching and kicking, and then just the motions, and he really put in the work. Like, he got in shape. He got ripped. He trained. The action scenes are basically dance routines to a degree, where you have to remember the movements and the punches and all. So that just takes time, and he was fully, fully committed to this— and spent hours and hours and days and weeks in the gym with our guys creating these scenes." On the Direction That You Give Someone When Their Performance Is Purely Expressive with No Dialogue "It is absolutely, right. So this may sound very stupid, but it was literally – because, giving direction, usually you talk to the actors and then they give you their performance. And then most of the time, if you have good actors, you just go 'oh yeah, can you go a little bigger there in the end? Or take a break?' Just like small things. When I started directing people back in the day, I just talked at them, like 'oh, you need to do this, this and this' — 15 years ago, film school days, basically. But now I'm working with all these great actors, and you really work with what they give you. And you watching the first take is usually magic, or the rehearsal — when you're like 'ohhh, this is amazing. I could never have dreamed to get something like this. That's the perfect start to these scenes'. With Bill in particular, since there's no lines, it was usually very simple directions. We're basically just 'oh yeah, do a little more here, be a bit more expressive, be more intense — or less intense'. And that's the way to go, because I did not have a lot of work with Bill in that regard; he delivered on that." On Making the Film a Wild Ride Where It Feels as If Anything Could Happen "Balancing all that, that's the big task, and we had created a canvas for ourselves where we could do some crazy stuff — and since we created our own world, nobody told us how things should be, so we had all the freedom in that regard. There are some major tonal shifts in the movie, and I was definitely worried that the audience wouldn't be along for them or [would be] like 'oh my god, the tone of that movie is all over the place'. I was literally waiting for — I'm still waiting for somebody to just call me out on that. But I actually love movies where you don't know where they're going to go, and I think that's the most exciting kind of movie — where you can be actually surprised where it's going to go." Boy Kills World opened in cinemas Down Under on Thursday, May 2. Read our review. Film stills: Roadside Attractions.
It may be famous for its snappy inhabitants, but there's more to do in Darwin than simply spot crocs. This warm tropical city is home to a swag of attractions, from its striking sunsets to its authentic Asian eats and relaxed beachside bars. And for those who love the great outdoors, well, there's more nature here than you can poke a stick at. What's more, when exploring a tropical destination like Darwin, it's important to lock down some comfortable accommodation, a place where you can wash off the red dirt and escape the heat and mozzies for a night of solid sleep — and a place that'll give you a nice, warm 'welcome cookie' to make you feel at home. That's why we teamed up with DoubleTree by Hilton to curate this guide. Book a room to set up a home base — with harbour views and an outdoor pool set in lush tropical gardens to boot — then get exploring. Need some recommendations on where to start? Here's our list of the top ten things to do in Australia's Top End. GO SWIMMING AT BERRY SPRINGS If Kakadu or Litchfield are too much of a mission, try Berry Springs for a pocket of wilderness just 40 minutes from the city. This lush nature reserve is home to clear swimming holes, mini waterfalls and dense jungle greenery, set to the soundtrack of native bird calls. After a dip in the water, take the looped walking track which will lead you through woodlands and a monsoon forest. You can either bring a picnic with you or try a homemade mango ice cream from the Crazy Acres Kiosk. Come during March and April to enjoy the wildflowers. TRY THE BARRA AT THE DARWIN SKI CLUB While technically a watersports clubhouse, this waterside spot attracts the locals for beer drinking and sunset watching more so than the jetski hire. Sure, the furniture is of the plastic garden variety and the bistro looks a bit like a shed, but the views of Darwin harbour are worth a million bucks — and to be able to enjoy it in thongs, well that's priceless. What's more, the food is great too, with plenty of freshly caught options, including the juicy Arafura prawns, beer-battered Threadfin salmon and, of course, the grilled local barra. Come on the right night and you may even be treated to some local live music. CUDDLE A CROC AT CROCOSAURUS COVE This popular Darwin attraction is choccas with croccas, and trust us, this is as close as you're going to want to get. Inside, you'll find plenty of impressive specimens, including the perpetually bad-tempered Dirty Harry, the battle-scarred Chopper and confirmed bachelor Burt — who ate his last three girlfriends. But they're not all frightening. Head to the World of Crocs exhibit where you can hold a baby saltie, we promise those big unblinking eyes will steal your heart forever. Or for something a bit more exhilarating, why not give the Cage of Death a go. It makes for a great experience (if you live to tell the tale). EAT DOUGHNUTS AT RUBY G'S CANTEEN AND BAKERY Every town has a great bakery and in Darwin this is it. Ruby G's selection includes flaky pastries, such as cherry danishes and lemon meringue cruffins, as well as homemade organic breads. Their specialty is doughnuts, with mouthwatering options such as the pomegranate and rose petal ring and the vanilla glazed doughie with volcanic black salt flakes. And if you don't like wastage, well you better get a container of doughnut holes slathered in dark chocolate, too. Ruby G's is hard to miss, with a bakery in Coconut Grove as well as canteens at the Mindil and Parap markets. SEE THE SUNSET AT THE MINDIL BEACH SUNSET MARKETS Darwin is famous for their electric sunsets and the best place to drink them in is at the Mindil Beach Sunset Markets, a palm-tree lined strip just two kilometres from town centre. Held during 'the dry', the Mindil Markets showcase the best of local arts and crafts, including indigenous artworks and didgeridoos, fashion, jewellery and handwoven rugs. Want a model plane made out of a Jim Beam can? Well, you can find those here, too. There's also plenty of delicious street eats, from Indonesian satays to Greek souvlaki — and croc burgers for the curious (may as well get in first). Once you've made your selection, take your parcel of food to the sand for a relaxed evening spent sky-gazing. FEAST AT LOCAL FAVOURITE HANUMAN Ask any Territorian for a restaurant recommendation, and they'll be sure to tell you Hanuman. Named after the Hindu monkey god, Hanuman is a shrine to Indian, Thai and Nonya cuisines. The bright, tropical curries are their specialty with options such as the Mean Moolie made from freshly caught barra simmered with coconut milk, curry leaf and turmeric and their red duck curry with sweet local pineapple. If you can, nab a table on the front deck, which is kept pleasantly cool by an army of fans. CATCH A FILM AT THE DECKCHAIR CINEMA Darwin's balmy evenings are perfect for an outdoor movie, especially one with cosy deckchairs. Organised by the Darwin Film Society, the Deckchair Cinema screens a diverse program of films, with a number of local, indie and foreign options not usually shown elsewhere. Come early, not just to save a seat, but also for dinner — local restaurants (including Hanuman) cater from 6pm, before the film starts at 7.30pm. Plus, it's fully licensed with beers and wines available from the kiosk. EXPLORE THE GEORGE BROWN BOTANIC GARDENS You don't have to wade into croc-infested waters to take in the unique flora and fauna of the region. Hop on a bike and make the short cycle to the stunning George Brown Botanic Gardens, just two kilometres from the city centre. Located on an impressive 42-hectare site, the 130-year-old gardens feature various ecosystems, including mangroves, woodlands and a monsoon forest. Keep your eyes peeled for the resident rufous owls. BRUSH UP ON HISTORY AT THE DARWIN MILITARY MUSEUM You may not be a guns and tanks-type person, but history buffs will be fascinated by this comprehensive military museum documenting Darwin's involvement in WWII. Built around original concrete bunkers and an intelligence command centre, the museum contains wartime artefacts, military vehicles and artillery, as well as firsthand accounts and original footage of the infamous Darwin bombings. Don't miss their permanent exhibition, the Defence of Darwin, that uses state-of-the-art immersive displays to recreate that fateful day. ADMIRE INDIGENOUS ART AT THE MAGNT The Top End is responsible for some amazing indigenous artworks, many of which can be admired at the Museum and Art Gallery of the Northern Territory (MAGNT). Both contemporary and traditional indigenous artists are represented in this ever-changing gallery, with celebrated works by Jukuja Dolly Snell and Emily Kame Kngwarreye often making an appearance. Other permanent collections include the Cyclone Tracey exhibit, which lets you listen to the screeching winds in a sound booth, plus there's a stuffed five-metre croc called Sweetheart who was the local troublemaker in the 70s. Explore some of the very best things around Darwin, and when you need a place to refresh, find your home away from home at DoubleTree by Hilton.
Things are getting spicy up at Mt Buller this August as Chin Chin takes over the kitchen at The Whitt — the Ski Club of Victoria's on-mountain dining room — for a weekend-long winter pop-up. Over three nights from Friday, August 1–Sunday, August 3, Chin Chin's Executive Chef Benjamin Cooper and his team will be plating up a multi-course tasting menu of the restaurant's greatest hits in a snow-capped, ski-in/ski-out setting. The menu includes signatures like Chin Chin's caramelised sticky pork and sour herb salad, butter chicken curry, and the much-imitated (yet still unrivalled) kingfish sashimi with lime, chilli, coconut and Thai basil — all served with a generous side of snow-dusted scenery. Kids can get in on the action with a $30 Feed Me menu of their own, and there'll be options for gluten-free and vegan diners, too. You can pair your meal with a frosty Snow Bunny Sour. Created exclusively for the pop-up, the cocktail features gin, lychee, ginger and sake, and has been designed for après-ski sipping. Bookings for this one-off alpine adventure are essential — and to do so, you can phone The Whitt on 5777 6024 or email reservations@skivictoria.com.au. Whether you're a snow junkie, a spice lover or both, Chin Chin at The Whitt is shaping up to be one of winter's hottest reasons to hit the slopes.
It's about time for her arrival: Christina Aguilera's, that is, with the 'Dirrty', 'Genie in a Bottle', 'What a Girl Wants', 'Lady Marmalade' and 'Beautiful' singer heading Down Under this November for a one-night-only gig. Hitting Australia for the first time since 2007, the singer headlines Victoria's statewide music celebration Always Live, which is returning in 2023 for its second year after a successful debut run in 2022. Aguilera will play Melbourne's Flemington Racecourse on Saturday, November 25, in a show that'll also mark 20 years since her album Stripped. One of pop music's former Mouseketeers, the six-time Grammy-winner leads a bill that spans more than 165 artists at 60-plus events — all in Victoria. In other words, she spearheads a lineup that's designed to get the state's residents hitting up live gigs, and to entice tourists from the rest of the country to make music-filled holiday plans. 2023's leg of Always Live runs for 17 days, from Friday, November 24–Sunday, December 10, with a feast of shows — also including Swedish DJ and producer Eric Prydz bringing his HOLO set our way in an Australia–New Zealand exclusive; songwriter and producer Jai Paul also playing his only shows in this neck of the woods; and Jessie Ware putting on two intimate evenings outside her Summer Camp headlining stint. Already on the Meredith bill, Caroline Polachek has added a solo gig at Melbourne's Forum Theatre. Also a huge highlight: BLAKTIVISM at Hamer Hall, with King Stingray, Tasman Keith, Emma Donovan, Uncle Bart Willoughby, Deline Briscoe, Sorong Samarai and Suga Cane Mamas. For Swifties, tribute gig Taylor Made will see Alex The Astronaut, Charley, Clare Bowditch, Emily Wurramurra, Kate Miller-Heidke, Lisa Mitchell and Sophia J Smith shaking off their best Taylor Swift covers. [caption id="attachment_899478" align="alignnone" width="1920"] Raph_PH via Wikimedia Commons.[/caption] Returning from last year, Emma Donovan and Friends will again hero acoustic tunes from First Nations artists, while purpose-built pop-up studio SOUNDBOX will be back at the Arts Centre Melbourne forecourt. The jam-packed program also boasts the Tones and I-curated Music In the Park in Mornington, featuring The Cat Empire, The Veronicas, Budjerah, KAIIT and The Pierce Brothers; the Gonna Be Good series, with everyone from Holy Holy, Aleksiah, ILLY and The Temper Trap to Northeast Party House, Casey Barnes and Ruby Fields; Summer Camp, as already announced; and SOULTRAINS, which is getting Lee Fields & The Expressions, plus Surprise Chef, playing four venues along four Metro train lines. Still on a railway theme, there's End of the Line, a festival popping ip at the end of the train lines in Sandringham and Williamstown. Clare Bowditch headlines the former, and Alex Lahey the latter. And, music lovers can look forward to the Jamaican Food and Music Festival at Seaworks, the Ballroom Mix Tapes series at Brunswick Ballroom — which will launch brand-new releases — and a regional tour by Amyl and the Sniffers. Throw in Peter Garrett and The Alter Egos hitting Wangarratta Arts Centre, Cosmic Psychos marking their 40th anniversary and A.B. Original headlining a free show at Victoria Park Lake, and clearly the list well and truly goes on. In fact, there's so much to fit in that an event called Garage Band will pop up on Saturday, October 14, before the Always Live dates, featuring 25 emerging bands playing an original song each on four stages in Federation Square. Always Live 2023 runs from Friday, November 24–Sunday, December 10, with one pre-festival gig on Saturday, October 14. For more information, and to get tickets, head to the festival website. Christina Aguilera will play Melbourne's Flemington Racecourse on Saturday, November 25, with pre sales from 12pm AEST on Tuesday, August 29 and general sales from 12pm AEST on Wednesday, August 20.
Star Wars fandom has taken over the galaxy, from concert screenings and battle parties to boozy cantinas and saucy burlesque shows. Loving the George Lucas-created space opera isn't just about heading out to see multiple interpretations of the hit franchise, however — you can also wear your affection thanks to BlackMilk Clothing's new Star Wars collection. Pop culture-themed apparel is far from new, of course, and neither is Star Wars clothing. BlackMilk first took inspiration from jedis, rebels, siths and wookiees back in 2012, as its very first licensed collection, to massive sell outs. Now it's doing it all over again, unleashing the range for the third time. But in this collection, everything from leggings to dresses to swimsuits draws upon both the film series' beloved classic characters and on newcomers such as Daisy Ridley's Rey. If you're keen on a R2-D2 one-piece just in time to hit the pool this summer, fancy a pair of cuffed pants filled with droits and sentients that you are actually looking for, or need to get comfy in a big t-shirt adorned with Chewie and a few porgs, you'll find them all here. In total, the range spans 22 pieces, and they all go on sale from 9am on Tuesday, September 18. Unsurprisingly, the clothing items are expected to be popular — this is the company that turned exercise into something magical with its Harry Potter activewear, after all. BlackMilk Clothing's new Star Wars range goes on sale at 9am on Tuesday, September 18. For more information, head to the brand's website.
Francophiles rejoice: a new community hotspot is set to launch in the coming days, as the Alliance Française de Melbourne opens the French Hub on Bourke Street. Conceived as an inviting cultural and educational space, this new venue is just the latest chapter in the organisation's storied past, which traces back to 1890, when art teacher Berthe Mouchette opened the country's first Australian Alliance Française in Melbourne. Bringing together French language, culture and creativity under one roof, this purpose-designed space spans two expansive levels. Featuring a sunlit 300-square-metre terrace, fully equipped event spaces, classrooms, a library and a digital museum, connecting with and feeling immersed in Victoria's Francophile community comes naturally thanks to this focal point situated in the heart of the city. "We're thrilled to welcome Melburnians to our new home — a warm, inclusive space to learn, connect and celebrate all things French," says Myriam Boisbouvier-Wylie, President of the Alliance Française de Melbourne board. "The French Hub represents not just a new address, but a renewed vision for our community." Centred around the terrace, the hub's design offers subtle nods to classical French architecture through parquet flooring and elegant ceiling trims. Meanwhile, the main corridor serves as a reference to the Seine — Paris' most famous waterway — connecting visitors to the centre's varied zones while providing a comfortable networking space. Launching on Saturday, June 21, Alliance Française de Melbourne will kick things off at the French Hub with a free, family-friendly open day themed around 'A Warm French Escape'. Running from 12–5pm, visitors can expect live music, French cuisine and interactive cultural experiences. Sip and snack on tasty market-style treats like mulled wine, raclette and crepes, then head over to the croissant bar to enjoy a freshly baked pastry from Noisette, with sweet conserves provided by Bonne Maman. On the terrace, French and New Caledonian artists will serve up tuneful performances. Then, inside the hub, visitors are welcome to take part in free 30-minute beginner French lessons — perfect for those interested in enrolling in a course or just curious to learn langue de Molière basics. "We want people of all ages and backgrounds to feel welcome here," says Boisbouvier-Wylie. "Whether you're a fluent speaker or a first-time visitor, there's something for everyone at the French Hub." Alliance Française de Melbourne's French Hub opens Saturday, June 21, at 140 Bourke Street, Melbourne. Head to the website for more information. Images: Geena Glass
There you are just standing around minding your own business, going about your day as usual, when you see a tyrannosaurus rex towering over you. Given that the Jurassic Park and Jurassic World franchise doesn't depict reality, that's the kind of incident that requires either fossils or a bit of creative magic to make happen in the year 2023. Dinos Alive: An Immersive Experience opts for the latter, thanks to animatronic dinosaur replicas that are life-sized, and also move — as Australians can see for themselves when the exhibition heads Down Under from September. Welcome to... your next date with prehistoric creatures after watching Prehistoric Planet, hitting up Brisbane's Dinosaurs of Patagonia museum showcase, exploring the Lego Jurassic World exhibition a few years back and soaking in every other excuse to scope out the earth's always-fascinating ancient inhabitants. This one will debut locally in Melbourne, kicking off on Friday, September 29. It makes its way to our shores with help from entertainment platform Fever, which is also currently touring a Banksy showcase. At Dinos Alive, you'll peer up at not only a T-rex, but also stegosaurus, ankylosaurus, gorgosaurus, velociraptors and other critters that roamed the planet all those millions of years back. (No, everyone's dad's favourite, aka doyouthinkhesaurus, won't be there.) The exhibition's creatures are designed to look as realistic as possible, with more than 80 specimens covered. Because this is an all-ages affair — kids love dinosaurs, and adults never grow out of loving dinosaurs — there'll also be an educational side if you're keen to up your dino knowledge. As the latest season of the David Attenborough-hosted Prehistoric Planet devoted some time to, the Triassic, Jurassic and Cretaceous eras weren't just about giants on land. Accordingly, Dinos Alive will also feature a virtual aquarium to showcase the creatures that dwelled under the sea. Virtual reality will also help make parts of the exhibition as lifelike as possible, as part of an experience that'll take attendees between 60–75 minutes to wander through. While Melbourne is Dinos Alive's first Australian stop after proving a hit in the US, there's also a waitlist for a yet-to-be-announced Sydney season. Fingers crossed that these dinosaurs will also rampage elsewhere around the rest of country once they've brought their giant footprints to the Victorian and New South Wales capitals. Dinos Alive: An Immersive Experience will open at Fever Exhibition Hall, 62 Dawson Street, Brunswick, Melbourne from Friday, September 29, 2023, with tickets available now. You can also join the waitlist for the yet-to-be-announced Sydney season. We'll update you with future dates and cities when they're announced.
Melbourne winters mightn't be known for their ice and snow (just yet, anyway), but that doesn't mean you can't slide across a frozen surface in the centre of the city. From June 21 to July 14, the corner of Acland and Barkly streets will become a winter wonderland thanks to the return of the Skating At St Kilda Festival. With the event back for another year, all of the frosty fabulousness Melburnians know and love is back, too: ice skating, obviously, but also music, food and more. It's the next best thing to heading to Europe when Melbourne's at its iciest. Entry to the area is free, but you'll have to pay for all of the fun stuff, with the fest open from 10am–9pm Monday to Sunday. The lineup of events includes not only regular ice skating, but a romance-themed 'date and skate' night each Tuesday, plus a 90s and 00s-themed 'Ice Ice Baby' disco evening every Thursday.
What more fitting date to indulge your inner Francophile, than France's national day of celebration? Break out the beret, because once again, Federation Square is embracing the red, white and blue for Bastille Day, with an extended weekend of French festivities. Descending on the precinct on July 12 and 13, the 2019 Bastille Day French Festival is dishing up a free program of food, entertainment, market stalls and more. You'll catch a mini marketplace stocked full of French favourites, from buttery croissants, dreamy cheese and charcuterie, to crepes, toasty serves of mulled wine and of course, the world's finest bubbly, straight out of Champagne. The entertainment runs from live acoustic tunes to cancan dancers to fencing demonstrations, or you can load up on French history at a series of expert-led talks and masterclasses. Melbourne's own secret French roots will also be explored, with a series of guided walking tours through the city.
A favourite in Federation Square boasting views over the Yarra and the ideal people-watching spot, Taxi Kitchen remains a staple in Melbourne's hospitality scene. Offering an Asian-influenced, modern Australian menu executed by Executive Chef Tony Twitchett, the space sitting above Fed Square is worth the elevator ride, all these years on. Small plates run to the likes of tempura bug tails with sesame yuzu aioli ($28), candy pork belly with pickled papaya ($24), and Szechuan wagyu dumpling with apple soy dressing ($27). The big guns come out in the form of Szechuan duck with watercress and chilli dressing ($52), and the slow-cooked lamb shoulder with kohlrabi puree and XinJiang spices ($55). The claypot sticky rice with lup chong, shiitake and a son-in-law egg is a must-try ($22). Try the favourites of the menu with Taxi Kitchen's recently launched $45 lunch, where patrons can choose three small plates and a large plate to share. For those with a sweet tooth and a love of nostalgia, Taxi's frozen lemon meringue pie with raspberries is a solid choice ($20), while the yuzu souffle with caremelised white chocolate, burnt orange ice cream ($22) is a stronger nod to the restaurant's Asian influence. Images: Michael Pham. Updated April, 2023
Dig out those once-a-year novelty gumboots, Groovin the Moo has unveiled its 2019 lineup. Taking the large-scale music festival out of the city and into regional centres for another year, GTM will kick things off on Friday, April 26 in South Australia and travel through Maitland, Canberra, Bendigo and Townsville before finishing up in Bunbury on Saturday, May 11. This year sees local talent new and established taking the stage, with the lineup spanning up-and-comers like Jack River, G Flip and Haiku Hands right through to recent Hottest 100 top tenner Billie Eilish, Aussie favourites Nick Murphy and Thelma Plum, Australian hip hop legends Hilltop Hoods and rockers Regurgitator. International talent like Coolio — who'll you'll most likely recognise from his hit track 'Gangsta's Paradise' — Danish pop singer MØ and American rapper A$AP Twelvyy will make their way to the Moo, too. After hosting Australia's first ever pill testing trial in Canberra last year, Groovin the Moo is moving its ACT festival to Exhibition Park for the first time. Pill testing is still a much-debated topic around the country with five people recently dying from suspected overdoses in as many months. Here's the full lineup. GROOVIN THE MOO 2019 LINEUP A$AP Twelvyy (USA) Angie McMahon Aurora (Nor) Billie Eilish Carmouflage Rose Coolio (USA) Crooked Colours DMA's Duckwrth Fisher Flosstradamus (USA) G Flip Haiku Hands Hermitude Hilltop Hoods Holy Holy Jack River Just a Gent MØ (Dnk) Nick Murphy Nicole Millar Regurgitator Rejjie Snow (Irl) Sofi Tukker Spinderella Thelma Plum TOKiMONSTA (USA) Trophy Eyes GROOVIN THE MOO 2019 DATES & VENUES Friday, April 26 — Wayville (SA) Saturday, April 27 – Maitland (NSW) Sunday, April 28 — Canberra (ACT) Saturday, May 4 — Bendigo (VIC) Sunday, May 5 – Townsville (QLD) Saturday, May 11 — Bunbury (WA) Tickets for GTM in Wayville, Maitland and Canberra will go on sale at 8am on Thursday, January 31, and Bendigo, Bunbury and Townsville will be released the day after at 8am on Friday, February 1. For more info, go to gtm.net.au. Images: Jack Toohey.
Previously, if you wanted to get hot food at Queen Vic Market, you'd have very limited options. Throughout the week, there are a few ready-to-eat spots in The Dairy Hall — look no further than The Borek Shop — plus the iconic American Doughnut Kitchen will forever be popular with locals and visitors alike. Food trucks were only really found here on Sundays and during the night market. But the Queen Vic Market crew has taken it to the next level, recently opening its new Food Truck Pit Stop. Within E Shed — on Tuesdays and from Thursday–Sunday — you'll find nine different food trucks serving a diverse range of food and bevs . Grab your coffee from Expresso Time and Bean Brewed, German snags from Galaxy Taste, Ethiopian eats from Eat Enjera, sweet and savoury crepes from Kiki's Crepes, falafel wraps and spicy chicken shwarma from Wesh, Japanese pancakes from Kicca Okonomiyaki, Mexican bites from Tacos El Habanero, momo and stir-fried noodles from Oz Tibet Kitchen, plus heaps more. QVM has needed a bigger lineup of hot food traders for a long time now, and we are stoked to see them deliver. We'll be sure to check out the Food Truck Pit Stop next time we're visiting for a grocery shop or needing a lunchtime bite. You'll find Queen Victoria Market's new Food Truck Pit Stop at E shed, open during normal trading hours on Tuesdays, and from Thursday–Sunday. For more details, you can check out the market's website.
The service industry is something of a crucible for millions of Australians. Ask anyone, and they probably spent some time as a teenager or student working in retail or hospitality. It's mandatory for anyone looking to gain some valuable life lessons while they're learning basic employment skills and saving some cash. Love it or hate it, we've all got to do it at some point. Gruelling as it sometimes is, the service industry is of immense importance. Who else can make the world's coffees, package their orders, cook their dinners — and do it all while putting a smile on the faces of customers? The simple act of good service makes all the difference for any business; it's a key ingredient to building up a customer base and ensuring loyalty and word of mouth to keep that base growing. Maybe what the world needs is a shortlist — a pocket guide, if you will — to the secrets of good service. If you're an aspiring business owner or an existing member of the service industry, you could probably use some tips from the pros on what good service can and should look like. We made a few calls, and we've got your good service guide right here. RULE 1: DON'T OVERCOMPLICATE IT Service, like anything, is easy to overthink and overcomplicate. But at the end of the day, it's all about the basic fundamentals. In hospitality, you might overthink the prioritisation of good food vs good service, but Alex Brawn of Cremorne's Amatrice Rooftop Restaurant and Caffe Amatrice understands that one takes precedence. "The reality is that we need to be nailing both. But going out to a cafe or restaurant is about an 'experience', and we all like to leave feeling good — and that mostly comes down to good service. Looking after our guests, making them feel good, that's what hospitality is about." "It's a common gripe for people where they try a restaurant, and the food and ambience were amazing, but the service was terrible, and they declare "I will never go again". So it goes to show that it doesn't matter how good your food is, or how expensive or beautiful your fit-out is, if you have poor service then you [as a business] just won't be successful long term." RULE 2: DON'T SHY AWAY FROM BEING PERSONAL It's absolutely key to maintain an professional attitude in any line of work, but in the case of service and hospitality, making things personal can go a long way to keeping a customer happy. It's the little things like smiling, remembering a name, or if you're able, going the extra mile in your service. Brawn, who's also a part of the team at the Williamstown waterfront spot, Sebastian Beach Grill & Bar, puts it plainly: "We keep it simple, just focusing on friendly, genuine service that makes people happy. Remembering regulars' names and having a chat about how their day is going — just those little things that make our guests feel a little bit special." "Recently, a family dined at Sebastian to celebrate an 80th birthday. The host of the dinner was telling her family how she remembered being in San Sebastian many years ago and having a special cheesecake. Our team overhead this conversation and arranged for a Basque cheesecake with a candle…looking after our guests and making them feel good is the key to good hospitality." RULE 3: GOOD SERVICE IS A PARACHUTE IF PRODUCTS FAIL The fact of the matter is this: it's hard to crack an original idea these days. If you're planning to open a bar, restaurant or café, you need something memorable. Good food and drinks are newsworthy and get tongues wagging, but if people don't have a good time consuming those products, you're going to burn out before you know it. Slipstream Brewing Co. is one of Queensland's most awarded breweries, so it is safe to say that director Elisa Stanley-Hunt knows all about the balancing act of products and services. "Great service fosters a welcoming atmosphere, encourages repeat customers, and helps build a strong reputation — especially in the early days. Even if the food isn't perfect yet, exceptional service can turn a first-time visitor into a loyal customer. That said, quality food is a close second. Once service is dialled in, focusing on a menu that's consistent, delicious and suits your brand will solidify your success. Ideally, both should go hand in hand, but if you lead with service, your customers will be more forgiving as you refine your offerings." RULE 4: LEARN TO SPOT A TELL We've already established the importance of personal service, but the ability to listen for and spot little details in a customer's preferences, routines and interests can elevate just another meal into a truly memorable experience. You likely know how good it feels to have a regular barista remember your coffee order, for example. For Andrew Garling of Fortitude Valley's Mr Valentine, that attention to detail is paramount. "Good service at Mr Valentine is anticipating a customer's needs from the moment they walk in the door, nothing more, nothing less. When you spend long enough serving people, they give you small cues as to what they need. We try and take those cues and act on them before they ask. These can be as small as taking a to-go box to a table as they are finishing before they ask, making a coffee when you see a regular walking from afar…they're all very simple things that make our customers feel important, and they cost us nothing to provide...the transaction is the last thing we think about." RULE 5: SAVE TIME ON THE TECHNICALITIES What we've learned here is that good service, above all, comes down to authenticity and human interaction. A smile, listening for special occasions, paying attention to what makes your regulars tick. What you don't want to do is take away from precious staff-to-customer contact time by having to fiddle with terminals and tablets, so having a smooth system to take care of the nitty-gritty makes a world of difference; ask any business owner. That's especially true when products like Square make things as easy for the customer as for the operator. Alex Brawn experiences that often; "the simplicity of the Square POS and EFTPOS units means we spend less time looking at a screen and more time looking after our guests." Andrew Garling agrees: "[Square] allows us to do the things we talked about before and leave the transaction as the last thing to worry about…we can tailor the use of software and [the] hardware experience so the customer has the smoothest possible transaction." Find out how Square can kickstart your business at squareup.com.
With the Australian Government restrictions on mass gatherings currently having no end date, the country's flurry of event cancellations was always going to continue. In Melbourne, that means a massive change to the city's September calendar, with the Royal Melbourne Show shuttering its 2020 plans. In a statement released today, Wednesday, April 29, the Royal Agricultural Society of Victoria announced it had made the decision to cancel the 2020 show in the "best interests of public health". "The COVID-19 health crisis is unprecedented and the ongoing social distancing measures and mass gathering restrictions mean...we are unable to plan and deliver the 2020 Royal Melbourne Show." This year's event was due to take over the Royal Melbourne Showgrounds from Saturday, September 19 to Tuesday, September 29. First held in 1855, this is only the third time in the show's 165-year history that it has been cancelled — with previous cancellations in 1915 and between 1940-1945 due to World War I and II, respectively. The Royal Melbourne show, which attracts around 450,000 visitors each year, joins a growing list of cancelled and postponed events, including Sydney's Royal Easter Show and Brisbane's Ekka. The 2020 Royal Melbourne Show will no longer take place from Saturday, September 19 to Tuesday, September 29. For more information, visit the show's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Images: Flickr/Chris Phutully.
New Zealand chocolatier Whittaker's has released a special Easter treat for folks looking for something other than eggs and bunnies to indulge in in 2024. While it might seem a little early to be planning your Easter egg hunt and lining up Australia's best hot cross bun, it's never not the right time to indulge in Whittaker's chocolate. Whittaker's Choc Cross Bun Block fuses two of the best parts of Easter — hot cross buns and chocolate, of course — into one creamy block. Whittaker's classic milk chocolate is flavoured with raisins, spices and orange oil to capture the sweet citrus flavours of a traditional hot cross bun. Crafted in Porirua, like all Whittaker's chocolate, this limited-edition chocolate block is a great alternative for adults who may not be interested in the admin involved in an Easter egg hunt. It also ties into one of the best Easter trends each and every year: seeing how chocolatiers, restaurants and bars can whip up new and inventive treats for the occasion. You'll only find this one at Coles supermarkets. The Whittaker's Choc Cross Bun Block will be available in Coles stores across Australia while stocks last.
Sydney WorldPride is bringing the party to town. Not only will it see our country's best gay clubs, bars and party spaces come to life but the celebrations will flow throughout galleries and art spaces, museums (hello Pride Shark!), boutiques, public parks, rainbow roads, and the sails of the Opera House. Our editors have picked their favourite Sydney WorldPride events but we've also enlisted a few locals to share some of the less obvious spots to celebrate. Enter Alex Greenwich. The Independent MP is a proud gay man and has used his public platform to push for equality and LGBTQIA+ rights throughout his career. For WorldPride, he's swapped his signature casual suit and shirt for a tuxedo exploding with green tulle in an installation hosted in the hallowed halls of the QVB. Alex is among a lineup of queer Australian legends currently being honoured for their contributions to the LGBTQIA+ community. The retail centre is temporarily changing up its name from the Queen Victoria Building to reflect each of these contemporary queens with a set of fabulous portraits befitting of any royalty on display shot by photographer Dream Syndicator. The queens in focus are trans icon and cabaret star Carlotta, queer activist Ken Davis (a member of the original Mardi Gras 78ers), Indigenous drag queen Felicia Foxx, and Alex along with Janine Middleton who, together, co-chaired Australian Equality and successfully fought for and helped achieve marriage equality in Australia. Who better than MP Greenwich — whose office is literally in the middle of Oxford Street — to give a few tips on where to go during Sydney WorldPride? And if you bump into him in a bar, he'll take a tequila and soda, thanks darl. What do you think about Sydney hosting WorldPride this year? "Sydney hosting WorldPride is such a great opportunity to showcase our city and diverse community to the whole world. During covid Sydney missed the world and the world missed Sydney and Sydney WorldPride is a nice way to welcome back the rest of the world. Sydney has the most beautiful and diverse welcoming LGBTQIA+ community and I'm grateful to be part of that community. I'm also grateful to have the opportunity to represent that community in parliament." If someone spies Alex Greenwich at a club or bar (and WorldPride is bringing to life some of the best), what drink should they buy you? (And what topic should they NEVER bring up?) "If I'm in a club, tequila and soda will probably be the drink of choice. I don't know about a topic that I wouldn't want some to bring up... I'll talk about any topic." What are the best queer venues in Sydney in your opinion? "I think there's such a great variety of queer venues in Sydney. I love Stonewall. The re-opening of ARQ is awesome. POOF DOOF at Kinsella's and smaller venues like Dulcies in the Cross." [caption id="attachment_679716" align="alignnone" width="1920"] The iconic Stonewall on Oxford Street[/caption] What are some of the best spots where an international visitor should go on a first-date during Pride? "There's so many great spots in Sydney to choose from. What I would say is to go to a swimming hole like the new cove in Barangaroo, grab food from a mini deli like Darlinghurst Deli and stop by a bottle shop, and go for a picnic and a swim." Where do you like having a late-night dinner or snack? "Chinatown is always a great destination for a late night dinner." Which local LGBTQIA+ owned businesses do you like to support? The great thing with Sydney is there are so many LGBTQIA+ owned businesses to support. I try to support them all but Claire's Kitchen on Oxford Street is an iconic dinner destination. What events are you most excited about for Mardi Gras and WorldPride? And what are the events you would say are not-to-be-missed? "I'm most excited for the Pride March Harbour Bridge Crossing . It will be historic and an opportunity to send a strong message about supporting LGBTQIA+ rights. I'm also looking forward to the Mardi Gras parade and marching in it again, the First Nations Gala at the Opera House, and the Opening Ceremony." [caption id="attachment_892180" align="alignnone" width="1920"] Miss First Nations perform at the First Nations Gala[/caption] Finally, Alex: how important is Kylie Minogue? "Kylie is obviously an icon of Australia and a strong supporter of the community and it's so wonderful that she is joining us for the celebration." For more inspiration for how to make the most of this once-in-a-lifetime celebration head to our events guide on the best of Sydney WorldPride.
An alpine slice of paradise, a high-altitude escape and a wild, snow-capped land. This isn't some European Alps locale, this is Mt Hotham in our very own Victoria. Situated on the Great Dividing Range, this small village sits atop the mountains. At 1,750 metres above sea level, it's among the highest-altitude villages in Australia. That gets it a spot on the must-visit list year-round, particularly in the winter. Unsurprisingly it's one of the state's most popular skiing destinations and is quite unique in that the village sits above most of the skiing, rather than below. Picture waking up inside a cloud illuminated by the sunrise, and getting onto a run that's right outside your door, it's possible at Mt Hotham. But it can't be all skiing and snowboarding — the human legs can only take so much action. So when you've had your fill of the mountain, come back here to find out how to enjoy your evenings. GET SOME SHUTEYE AT MOUNTAIN DREAMING APARTMENTS Sometimes after a long day on the mountain, all you need and want is to go to bed. There's no shame in that — a long day or difficult conditions can really take it out of you. A popular cosy overnight spot for any visitor is Mountain Dreaming Apartments. These self-contained and self-catered apartments are the perfect pick for experienced snowgoers, with fully stocked kitchens and private balconies overlooking those killer mountain views. The on-site restaurant offers drinks and Aussie pub-style cuisine to recharge your batteries, plus the apartments are a mere 100 metres from the Big D Lift, the less time you need to walk in your boots the better. FEEL AT HOME IN GRAVBROT SKI CLUB Slightly further down the road in Davenport village is a luxe but affordable alternative: Gravbrot Ski Club. An ideal destination for families or larger groups, especially if you don't fancy forking out for meals or bringing your own groceries. A stay here includes the home cooking of the lodge's own chef for every meal. The whole experience is designed to not just accommodate you but to make you feel at home while away from home. You even get assigned an essential role in maintaining the lodge during your stay. The lodge's position in Davenport puts you in close proximity to cross-country trails, so it's perfect if you fancy an adventure through the snow to start or end your day. PUT YOUR FEET UP IN 'THE HEART OF HOTHAM' AT ZIRKY'S Location-wise, Zirky's really is the heart of Mt Hotham, and it has been for over 60 years. Sat in the bustling heart of the village, it offers a serious drawcard as the ideal ski-in-ski-out location for a stay in Hotham. The apartment-style rooms range from one to six bedrooms, perfect for groups big and small. Zirky's boasts multiple options for diners. You can grab a coffee and a quick snack at the cafe before you head out, enjoy a relaxed lunch or après drinks in the bar, or enjoy a refined dining experience in the á la carte restaurant, it's headed up by Chef Stephanie Graham of the St Kilda seafood hit, Donovans. Needless to say, reservations are strongly encouraged. MAKE THE MOST OF APRÈS-SKI WITH DINNER AND DRINKS AT THE GENERAL Holiday towns can suffer a bit on the nightlife front, but locals and visitors of Mt Hotham alike know that's not the case when they spend an evening at The General. This is a classic Aussie pub. It prides itself on being at one of the highest altitudes of its kind and serves hot and hearty pub classics until late. The Genny also maintains a regular live music and entertainment roster, rotating between live DJs and artists to pub trivia and afternoon après happy hour specials. If you're looking for a night out on the mount, this is a prime choice. TAKE IN THE SCENERY ON A SUNSET SNOW KAT TOUR Altitude and killer views go hand in hand, and Hotham is no exception to that rule. But when you're careening down the slopes, staring at the view isn't the safest thing to do. It's easy enough to take a break on The Summit during the day, but you really should try coming back at sunset. The only way to do that is on a Sunset Snow Kat Tour. This deluxe experience starts with bubbles and cheese at The Bird before a heated ride in a snow kat up to the summit to watch the sun go down with hot choccy in hand. It'll be cold, but the views are unbeatable. Legend says that on a clear night, you might see as far as Mt Kosciuszko. SPEND A NIGHT OUTDOORS AT ALPINE NATURE EXPERIENCE Just like the killer views, the lovely ambience of the Victorian Alps is a little tricky to take in when you're moving down a hillside at high speeds. A better choice for a leisurely wander through the high country is cross-country skiing or even snowshoeing. Mt Hotham offers that in large amounts, but a truly special way to do it is the Alpine Nature Experience. This evening tour starts with a 20-minute snowshoe walk through the snow gums, followed by mulled wine, cheese fondue and a three-course dinner in a cosy tipi in the snow. You can also book to stay the night in a luxury heated 'skydome' or authentic igloo, followed by a warm breakfast in the morning. HAVE A QUICK BREAK THEN KEEP SHREDDING AFTER DARK You don't always have to take off your gear for good once the sun goes down. Mt Hotham has a bustling nightlife and a broad list of activities in the village, but the action can continue on the slopes if you pick the right night. If the conditions are good, visitors can return to the mountain with limited access to Big D for night skiing and boarding every Wednesday and Saturday night from 6.30–9.30pm. And in case the floodlights don't illuminate enough of the situation, Wednesday nights also feature fireworks displays that light up Big D, The Summit or the Basin at 6.30pm. Keep an eye on the Mt Hotham app or TV to find out what's happening. All this and more can be found in Mt Hotham, Australia's alpine wonderland. To find out more and start planning your trip, visit the website.
This year, Australia's leading Aboriginal and Torres Strait Islander performing company, Bangarra Dance Theatre, is inviting audiences to experience a connection to Country in a whole new way. The company's newest stage production, Illume, will tour nationally from June to September 2025, bringing Bard-Bardi Jawi culture and storytelling to the stage. Developed by Mirning woman and Bangarra Artistic Director and Co-CEO Frances Rings, the show is an exciting kaleidoscope of images, music and movement. It explores light as a bridge between the physical and spiritual worlds, the impacts of light pollution, and puts forward the question: 'Is the deep wisdom passed down from elders enough to illuminate a path forward from the shadows of a dark future?'. [caption id="attachment_1007624" align="alignnone" width="1920"] Daniel Boud[/caption] It's also the first time a Bangarra mainstage production has been created in partnership with a First Nations visual artist – Goolarrgon Bard man, Darrell Sibosado. Sibosado is known for his pearl shell carvings and large-scale geometric installations, with works shown at the Biennale of Sydney and QAGOMA, and held in the collections of the National Gallery of Australia, National Gallery of Victoria and Art Gallery of South Australia. In Illume, his visual language shapes the entire production, from costume and set design to lighting patterns that ripple across the stage, creating a shimmering world that draws directly from his Bard-Bardi Jawi heritage. "I think [Frances' work] and my work will work very well together, there is a similar energy," Sibosado says. "It's always about the rhythm and everything of my own Country." [caption id="attachment_1002105" align="aligncenter" width="1920"] Cass Eipper[/caption] On top of Sibosado's artistic influence, what makes the production special is the way it came to life through Bangarra's Cultural Creation Lifecycle, a process that involves years of community engagement, transfers of knowledge, and on-Country visits. This unique Cultural Creation Lifecycle is the foundation of all Bangarra's work and can take anywhere from 3 to 4 years from start to finish. With each production, the process begins with people, place and story, then involves multiple stages of research, development and input from cultural leaders. [caption id="attachment_1002103" align="aligncenter" width="1920"] Cass Eipper[/caption] For Illume, the Bangarra creative team made multiple trips to draw inspiration, including travelling to Lombadina on the Dampier Peninsula in Western Australia. There, they met with local cultural consultants, spent time listening and observing, and sought permission to bring elements of their stories into the work. Rings and her collaborators consider the Cultural Creation Lifecycle an essential part of the creative process. Rather than drawing from archives or second-hand sources, the company builds work through lived experience. By being on Country, surrounded by the landscape and people who shape the story, they're able to create something that's authentic and respectful. [caption id="attachment_1002106" align="aligncenter" width="1920"] Daniel Boud[/caption] In Illume, that deep connection to Country is felt in every moment, from the stunning set details to the choreography led by Rings, and the score by Brendon Boney, an Wiradjuri/Gamilaroi man and longtime Bangarra collaborator. The end result is a performance that's immersive, powerful and grounded in place. It promises to bring audiences closer to the stories of Bard-Bardi Jawi Country in a way that's creative and entirely original. Bangarra will tour Illume nationally from June to September 2025, with stops in Sydney, Perth, Albany, Canberra, Brisbane, Darwin and Melbourne. Whether you've followed Bangarra's work for years or you're seeing the company for the first time, Illume is a chance to experience a unique creative collaboration that brings Country to the stage in your city. Illume tour dates: Gadigal Country Sydney Opera House – Wednesday, June 4 to Saturday, June 14 Whadjuk Noongar Boodja Heath Ledger Theatre, Perth – Tuesday, July 10 to Sunday, July 13 Kinjarling Albany Entertainment Centre – Friday, July 18 Ngunnawal Country Canberra Theatre Centre – Friday, July 25 to Saturday, July 26 Meanjin QPAC, Brisbane – Friday, August 1 to Saturday, August 9 Garramilla Darwin Entertainment Centre – Friday, August 15 to Saturday, August 16 Wurundjeri Country Arts Centre Melbourne – Thursday, September 4 to Saturday, September 13 Bangarra's 'Illume' tours nationally from June to September 2025. Head to the website for more information or to book your tickets. Images courtesy of Bangarra Dance Theatre By Jacque Kennedy
Every December, fans of sparkling sights are gifted a luminous feast for their eyes. No, we're not talking about Christmas lights. Regardless of whether you're bathing in a festive glow or hardly fond of all the merriment, 'tis the season for the Geminids meteor shower to soar through the sky — starting on Monday, December 4 and finishing for 2023 on Wednesday, December 20. Even better: Down Under, it's at its peak on the evening of Thursday, December 14 and the morning of Friday, December 15. If you have a telescope at hand, it's clearly a great time to put it to use. Eager to catch a glimpse, even from just your backyard or balcony? Here's everything you need to know. [caption id="attachment_754955" align="alignnone" width="1920"] A composite of 163 photos taken over 90 minutes during the Geminids by Jeff Smallwood for Flickr.[/caption] WHAT IS IT? Lighting up the end-of-year skies, the Geminids meteor shower is considered the most spectacular meteor shower of the year. Again, Christmas lights aren't the only spectacle worth peering at this month. The Geminids is caused by a stream of debris, left by an asteroid dubbed the 3200 Phaethon, burning up in Earth's atmosphere — and it was first observed in 1862. Some years, you can catch as many as 150 meteors every 60 minutes, so this definitely isn't just any old meteor shower. [caption id="attachment_699423" align="alignnone" width="1920"] NASA, Marshall Space Flight Center, Jeff Dai.[/caption] WHEN TO SEE IT The 2023 shower kicks off on Monday, December 4, running through till Wednesday, December 20. As with every year, it's expected to be at its peak in Australia overnight mid-month — between Thursday, December 14–Friday, December 15, specifically. If you fancy a stint of stargazing, the best time to look up is on Thursday, December 14 from around 9pm in Brisbane, 10pm in Perth, 11pm in Sydney, 11.30pm in Adelaide and 12am in Melbourne. The best time to catch an eyeful will be after midnight, when the moon has set and its light will not interfere, but before sunrise. [caption id="attachment_882304" align="alignnone" width="1920"] ESO/G. Lombardi via Wikimedia Commons[/caption] HOW TO SEE IT For your best chances, it's worth getting as far away from bright lights as possible. This could be a good excuse to head out of the city to a clear-skied camping spot — and pray for no clouds. To see the meteors, you'll need to give your eyes around 15–30 minutes to adapt to the dark (so try to avoid checking your phone) and look to the northeast. The shower's name comes from the constellation from which they appear to come, Gemini. So that's what you'll be looking for in the sky. To locate Gemini, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Geminids. The Geminids meteor shower runs from Monday, December 4–Wednesday, December 20, and will be at its peak during the night on Thursday, December 14–Friday, December 15. For further details, head to Time and Date. Top image: A composite of 88 photos taken over 60 minutes during the Geminids by Paul Balfe via Flickr.
A long-standing local favourite, Poppyshop is the toyshop that you might remember from your childhood, if you grew up in the area. The store's display of toys, from tiny wooden figurines right up to huge blow-up creatures, is wonderful to wander through — for adults and children alike. As they say, all ages can play! If you're after a gift for someone small, you're likely to find something here. As well as the toys and other objects there is a beautiful range of cards. Images: Parker Blain.
Drawing attention away from any one of Timothée Chalamet (Wonka), Zendaya (Euphoria), Javier Bardem (The Little Mermaid), Rebecca Ferguson (Silo) or Josh Brolin (Outer Range) isn't easy, let alone from all five in the same films. And yet, the desert expanse that's roamed across by the stars of Denis Villeneuve's Dune franchise demands notice above everyone and everything. The person guaranteeing that viewers not only spy the sand stretching as far as the eye can see, but feel its impact: Australian cinematographer Greig Fraser. On both Dune: Part One and Dune: Part Two, his work for the Blade Runner 2049 director ensures that audiences spend ample time with Chalamet and company as well. The two movies are as intimate as they are epic. But these pictures couldn't exist without their namesake receiving such prominence. Sand isn't just sand in Dune, or to Fraser. With Dune: Part Two, Frank Herbert's books now reach cinemas for the third time — David Lynch's 80s adaptation came first — but they couldn't value golden grains more highly even when they were only playing out in readers' imaginations. In the Dune realm, all that siliceous substance is spice, also known as melange. It powers interstellar travel, extends lives and expands consciousness. It's only found on Arrakis, the planet that Chalamet's Paul Atreides is sent to live on in Dune: Part One when his father (Oscar Isaac, Spider-Man: Across the Spider-Verse) is installed as its new ruler. It's hardly astonishing, then, that past overseer Baron Vladimir Harkonnens (Stellan Skarsgård, Andor) isn't thrilled about losing control of such a treasure trove. It's similarly unsurprising that the Fremen, Arrakis' Indigenous population, is determined to fight for their home and destiny. Spinning this story for cinema was always going to be a sandy endeavour, with Fraser's skills pivotal. For Dune: Part One, which stunned with its spectacular desert-swept visuals and set the bar stratospherically high for its sequel, he won the Best Cinematography Oscar. "You become an expert in the dunes," he tells Concrete Playground about not just making the first film, but also returning for Dune: Part Two. He didn't shoot the initial flick with its follow-up in mind, however — or even dream back when he lensed his first-ever feature, 2005's Jewboy, that this is where his career would take him, or to an Academy Award-nomination for Lion before his Dune win. Bright Star, Let Me In, Zero Dark Thirty, Foxcatcher, Rogue One: A Star Wars Story, The Mandalorian, The Batman, The Creator: they're all also on Fraser's resume. "It's funny because, it's going to sound a little bit weird, but I just didn't think full stop," Fraser shares about his mindset when he was initially starting out. "Whenever I was doing a movie when I was younger, or even now, frankly, it's one foot in front of the other as opposed to a master plan. I wish I was smart enough to be in that Dune world of plans within plans, and manipulating events to my end. But really what I was just trying to do was just trying to do the best job of the thing that was sitting right in front of me." "So no, I can tell you that right now, when we were filming in Bondi for that movie, on a bus in Bondi" — for Jewboy, that is — "that I categorically was not ever thinking about the possibility of doing something like Dune. That was never on my radar. Obviously I knew what I liked, and I knew the films that I loved. And it just became a a race — or a game, I should say — of doing what I love doing. And then if I was doing what I love doing, and then doing the best job that I could, then hopefully that then leads to the next thing that I love doing. And that's kind of how the career's gone. It's a little bit of a simplistic way of describing it, but that's a genuine, honest take on it," Fraser continues. To say that his career is going well is an understatement. Now that Fraser has returned to Dune — including showing moviegoers what Arrakis and all of its sand looks like under an eclipse, and also bringing the planet of Giedi Prime, which dwells beneath a black sun, to the screen — he'll next shoot the Dark Knight again on The Batman Part II. We chatted with the cinematographer about his work on both Dune films to-date, his Oscars recognition, how daunting it is to try to back up his Dune: Part One accolades on Dune: Part Two, his new expertise on sand dunes, taking Arrakis and Giedi Prime from the page to the screen, and more. [caption id="attachment_774009" align="alignnone" width="1920"] Dune: Part One. Image: Chiabella James. Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved.[/caption] On Lensing Dune: Part One Without Presuming That Fraser would Be Returning on Dune: Part Two "You never take anything for granted, and doing a movie is a miracle. People talk about us as a species having evolved, that's kind of a miracle — because there's a million things that could have gone wrong with a film getting up and going, but then there's another million things that could have gone wrong with me being able to do it. I could have been committed on another project. Denis may have chosen to to use another cinematographer, as is his right and he should and could, to create something different. Because that's what he he does — he casts his crew like he cast his actors. And so there's a whole myriad of reasons why I may not have been able to do Part Two. So I wasn't necessarily doing Part One on the proviso that I do Part Two. I was trying to make — as Denis was — Part One as good as possible, and do the best job for my director as possible. Then, with Part Two — obviously, we knew there was more of the story, but it's not dissimilar to to something like Rogue One. You know there's more to the story because the Star Wars universe is bigger than just Rogue One, but you don't make Rogue One thinking there's going to be another one or a series. You make the best thing you can." On Winning an Oscar for Dune: Part One — and Receiving a Nomination for Lion Before That "I love Lion, as I know a lot of people do. There's a lot of love out in the world for Lion. So, to have done that — the recognition is interesting, because the recognition from my peers is really important, and particularly peers that I respect and know. There's been a few events in my life where I've been given a pat on the back by people that I respect, and that's what effectively the Oscars are. A nomination for that is that exact thing. It's a pat on the back by your peers. And the win itself is, of course, icing on the cake, but that's not the most important thing. The most important thing is the nomination, because it basically says that of the movies of that year, that your peers feel like you are in the top five — and that's a big deal. For a kid from Melbourne who used to shoot short films and music videos with his buddies, to have made the top five film of the year for two years, I guess, now — two nominations — that's a big deal to have kudos from your peers, that I think's quite, quite fantastic. And also as a pat on the back to not just me, but also my director. Because if you recall in that year, Garth Davis directed Lion and that's a pat on the back to him. And Denis in the year that Dune was nominated, it's a massive pat on the back to him." On Being Daunted on Dune: Part Two After the Accolades and Acclaim Earned by Dune: Part One "Suddenly there's hype behind it. If it'd just been people going 'yeah, good one, that's great', well Part Two, you've got nothing to lose. But going into Part Two for us meant that we had everything to lose. Suddenly the stakes where a thousand times higher because everybody was going 'well, that won all these awards, this has got to be better'. Now, I will say just on the record, there have been many, many movies that have not won Academy Awards that are incredibly deserving — and there are many, many that have that aren't. So winning an Academy Award, in my opinion, is not always for the best film, out of respect for other films that don't win. But there is an inbuilt kind of consensus that that becomes the best film of the year. So therefore we were like 'alright, well all of us basically won that year'. Myself, and Patrice [Vermette, Foe] the production designer, and Paul [Lambert, First Man] the effects supervisor, and Joe [Walker, The Creator] the editor — we all kind of went 'gulp, we've got to make this better'. We want to make it better for ourselves anyway, and for the director anyway. But we're now like 'okay, now we've got to make it better better better better better'. Again, regardless of what it does in the awards season, I feel like we've made it better. I think every department stepped up. I didn't think that was even possible, frankly — that the design could be any better than last time or the VFX could be better than last time. But it is. And it was. And we did. And it felt better." On Becoming an Expert in Sand Dunes "What happens that I've learned — so here is the the masterclass of the sand dunes, if anybody wants to go out and shoot sand dunes — is that the time of day is critical. So you might be scouting a place in the morning where the sun's coming from east and you might not love it. You might dismiss it as a location. But you're driving past there in the afternoon, and the way the sun works its way across the the tops of the sand dunes and backlights the wind, it can change the location massively. Often at the beginning of our journey, back in 2019–2020, we would scout at the wrong time of day — or we would scout at a time of day that we weren't shooting. And we soon came to realise that 'okay, when this is scheduled, let's scout when it's scheduled, and that's the afternoon'. Which, in hindsight, is logical, and I'm surprised it even took us the couple of days it took us to figure that out. But yeah, I've become a bit of an expert when it comes to what the sand dunes are going to look like with the right light." On Giving Arrakis a Different Colour Palette for Dune: Part Two "We didn't want to start the movie the same way that that Part One ended. And it was a very deliberate, very deliberate process. Denis obviously had a really long time to think about this film — because even though I had done The Batman between the two Dune films, he had not. He was finishing Dune: Part One and he was preparing Dune: Part Two. So he had a lot of time to think about it, and he came to me and said 'I don't feel like we should start this the same way we ended'. And he said 'should we consider doing this as a night scene?'. And you know, I read the script, and a night scene for that scene would have been technically really tough, in the desert with lights. It would have been not only tough — nothing was impossible, of course — but I don't think the end result would have been as good. So we looked at day for night options. We looked at other ways to film it, to make it look different. And I found a filter that that cuts out a lot of blue and green light — not all of it, just a part of it, so it changes the spectrum, and it felt a little bit reddy-orange, but it still had colour. And we went 'perfect, that's what this world looks like when there's an eclipse'. So we said 'okay, we have the ability to to make an eclipse whenever we want'. And so we went 'let's start the film with an eclipse'. The funny thing was, we didn't plan for this, but during our time filming that sequence there was actually an eclipse in Jordan. Not to that degree — but we did a shot, we had our splinter unit DP Christoph with the long lens filming the sun, and so he did film the eclipse. I think there might be shot of the actual eclipse that we filmed in the film." On the Striking Look of House Harkonnen's Giedi Prime "Again, it's conversation with Denis. So Denis said 'listen, there's a fight scene. Feyd-Rautha [played by Elvis' Austin Butler] is gladiator, and there's a fight scene, and it's outside in a gladiatorial environment — but it can't look like Arrakis'. You think about all the gladiator films you've seen, and they're all on sand, aren't they? And they're all under the sun. So you would be confused if it looked like Gladiator or something, because it would be too similar to Arrakis. I'm not sure if this is in the book or not, but Denis wanted to create a a black sun for that world. And I was like 'wow, okay, what does the black sun do? Does it suck light out? Well, if it does, then it's black. It's a black hole.' But we were like 'no, it sucks the colour out. It emits an infrared light, but it sucks all the colour'. All work that's outside — the sun, effectively anything that's hit by sun or the effects of sun — is an infrared type of light with no visible colour. There are some scenes where it's inside in Giedi Prime and it's muted colours, but it's not black and white. When anybody comes from the Baron's box, for example, when they're inside in artificial light, let's call it, it's colour. It has colour. But then when they get hit by the sun, they become just this white, almost-ghoulish kind of effect. The benefit of that was that it really helped us tell that story of why the Harkonnen look the way they do — why they look so pale, and why they have alopecia, and why they have such gaunt, pale, pasty skin. It's because they don't get any of the ultraviolet from from the real sun. That's a backstory that never gets discussed in the movie, but hopefully with an audience it starts to become logical that you go 'okay, I get why they're so white and they need protection in the desert, because they can't handle the UV'. On Balancing the Epic and the Intimate On-Screen "I love extremes. I love dramatic extremes. I'm visually quite dramatic, I would like to think. So there's nothing more fantastic to me than seeing a closeup, then cutting to an extreme wide [shot] and seeing scale and grandeur that we possibly can't even imagine. It's something that I love about the Star Wars series. These guys get on the Millennium Falcon, which is massive, and then the Millennium Falcon flies up close to the Death Star, which then the Millennium Falcon becomes tiny. It's all about scale. It's people that we know get into something big, and then that big thing flies into something even bigger, which is beyond belief. It's hard to imagine that scale. As humans, we rarely come across scale that that absolutely floors us. I know people start talking about things like the Grand Canyon, they start talking about massive structures — massive earth-mining machinery, about the scale of those things that just literally blow their mind. So with filmmaking, we have that ability to create this scale that's beyond beyond this world, but mindblowing. Like those worms, I mean, those worms are beyond massive." On Making a Third Dune Film If It Comes to Fruition "Absolutely. I love working with Denis, so anytime Denis asks me to do a movie, I'll be there if the stars align — I'd be absolutely there. How it would look is a different story. I can't tell you what that would be, and that's what's fun about the process of discovering what a film is. Because Part Three would not look like Part One and Part Two. It would look different, and I don't know how that would be different at this point, which is fun because it means you got to work it out — and we could be talking again in whenever it comes out, five, ten years, whatever. If I get the chance to shoot it, then I'd love to talk about how different we made it. But at the moment, I don't know. It's a funny thing. I would love to do it. And if it comes off for me and the timing's right, fantastic." Dune: Part Two opened in cinemas Down Under on Thursday, February 29, 2024. Read our reviews of Dune: Part One and Dune: Part Two.
The huge dose of nostalgia that Milan Ring's latest release 'Are Your Friends Alright?' generates is only partially intentional. The Sydney-based artist and producer explains that she drew inspiration from parties she had been to throughout her teens and twenties where gatecrashers or uninvited people brought negative energy. "I was playing with the idea of not allowing that to make your night with your friends a bad vibe." It's an idea that most people could relate to. But, with the very notion of socialising and partying with mates seeming quaint and far away right now, the song strikes an even deeper chord. It's about focusing on the good things and channelling positive energy. Produced in collaboration with Sydney-based artist Blessed, 'Are Your Friends Alright?' is a charged track, packed with sensual vocals, soulful harmonies and a funky bassline. It's a prime example of why Ring was chosen as one of the visionary artists to collaborate with Miller Design Lab, the home of creativity and self-expression built by Australia's leading minds in design, art, technology and fashion. The platform is a celebration of our nightlife and its impact on culture to deliver exceptional moments to you and your home. To that end, we spoke with the Sydney-based talent to talk about life as an artist — from having a flexible process to seeking inspiration from her city and collaborating with some of the best in the biz. Artist is a broad term, but it's an important distinction when referring to someone like Milan Ring — she can't be pigeon-holed into one category. Throughout her teens, she spent time jamming on guitar and experimenting on an analogue drum machine, before getting a diploma in sound engineering and technical production. She started performing professionally in her twenties, first as a guitarist in bands and then progressively as a backup vocalist. Now, not only does she write and compose all of her music, but she also produces and mixes it all — and masters some of it, too. And most of that magic happens in her studio, which she built in a Marrickville warehouse with her best friend two years ago. This loaded skillset affords Ring a lot of flexibility in her creative process. "There are times when I just want to create, do something fresh and improvise. And then there are times I just want to fix things and do all the technical stuff. I listen to myself. Sometimes I go in with the intent to create a new song. I start and I'm like 'I'm not really feeling it', so then I'll pull up a song to finish the mix." Though Ring admits that she mostly works alone, she also places enormous value in teaming up with other artists and producers, including Blessed and American band The Social Experiment (who in turn have worked with Chance the Rapper). "It's down to finding the right collaborators, but you don't know until you try. Every collaboration, even if it doesn't end up with a song that's released — there's something to take away from that and something to learn." And, for Ring, there's a direct relationship between collaborating and customisation. "The way I interpret customisation would be drawing inspiration from something and making it your own. Someone like BLESSED might send me some beats and then I'll use this, change this sound, delete that, move that over here and then record it. Therefore, I've customised, added to and changed his initial concept into something else". The idea of customisation is also evident in the stitching together of Ring's various sources of inspiration. Her music is known for sampling from various genres — she specifically mentions Latin, Afro-Cuban and American-style jazz and soul music, which she spent a lot of time listening to growing up. But when it comes to lyrical content, Ring looks to her community in Sydney's inner west. "I'm definitely inspired by the area I grew up in and different people I know or have met and their stories. Things I've observed or had people tell me their story, I've written about it and taken the essence of the story and then gone off on a tangent." Ring specifically mentions a number of places around her studio in Marrickville that she frequents for inspiration, including cafes like Matinee, West Juliett and Two Chaps, the cluster of craft breweries and a handful of pubs like The Henson, The Vic on the Park and The Marrickville Hotel. And even just going and sitting Enmore Park. "It is nice being surrounded by people even if you're not talking to them. That's one of the things that I've been missing in this time [during lockdown] is just being surrounded by the hustle and bustle of everyone's lives." Speaking to this hiatus period due to COVID-19, which resulted in Ring cancelling her national tour Switch Off, Milan explains, "I haven't been as inspired to go into the studio and hustle. With everything that's going on, I'm not particularly pushing myself — it's a bit of a respite." Instead, she is spending quality time with her dog, cooking and collaborating with a friend on a kids' play-along book. And she's been working her way through a Stevie Wonder songbook on the guitar. "I'm trying to get back into my jazz theory, which I put on the back foot as I've been working on being the best producer and mixer I can be. It's been quite therapeutic for me." But there's no doubt that once lockdown is over, she'll be back out there making the most of Sydney's nightlife. "Being out with friends, going to restaurants, then going to bars and then going to a show — it about being part of culture and the community and feeling connected to all these people. Even though you don't know who they are, you're all there for the same reason." For more, check out Milan Ring's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
For everyone who has ever had a cringeworthy boss, annoying co-worker or soul-crushing office job, one sitcom franchise has understood for more than two decades now. It was back in 2001 that the original UK version of The Office arrived, introducing the world to the literally paper-pushing David Brent. And, in 2005, an American series featuring the also-awkward Michael Scott hit the small screen as well. More international takes on the show have followed, including an in-the-works Australian series that'll mark the 13th iteration beyond Britain to-date. Next, so might a big return, with the US version reportedly set to score a reboot. Might, could, apparently, rumoured, possibly, hopefully: they all fit this news, which Puck dropped in the wake of Hollywood's current writers' strike looking like it is nearing its end. "Greg Daniels is set to do a reboot of The Office," the publication noted in its wrap-up of where things stand now that the Writers Guild of America has reached a provisional deal with the Alliance of Motion Picture and Television Producers. That sentence, naming the US version of The Office's creator (who has also been behind Space Force and Upload), is all there is to go on for now; however, it hails from an outlet that's all about insider conversation in Hollywood, Silicon Valley, Wall Street and Washington. As for how a restocked take on the Dunder Mifflin-set The Office might work, who'd star, if any of the OG cast will return, if it'll still feature Scranton in Pennsylvania, how many desk supplies might get put in jelly and all the other burning questions that everyone has right now, there's no answers as yet. On its first go-around, the American The Office proved one of the rare instances where a TV remake is better than the original. It was also immensely easy to just keep rewatching, as fans have known since the 2005–13 show finished its run. Of course, that's what you get when you round up Steve Carell (Asteroid City), John Krasinski (Tom Clancy's Jack Ryan), Jenna Fischer (Splitting Up Together), Rainn Wilson (Weird: The Al Yankovic Story), Mindy Kaling (Velma), Ed Helms (Rutherford Falls), Ellie Kemper (Happiness for Beginners), Craig Robinson (Killing It) and more in the same show, and let all of them break out their comedic best. As for The Office Australia — which comes after everywhere from Canada, France and Germany to Israel, India and Poland have similarly given the idea a go — it's on its way in 2024 thanks to Prime Video. In the Aussie series, it will be Hannah Howard's turn to become the manager that no one wants but everyone has worked for. Played by actor and comedian Felicity Ward (Wakefield), she'll oversee a packaging company called Flinley Craddick. And, when she receives news that head office is shutting down her branch — with everyone working from home instead — she's determined to keep her team together. Obviously that won't go smoothly, or there'd be no sitcom antics to be had in The Office Australia. Joining Ward is a hefty cast spanning Edith Poor (The Lord of the Rings: The Rings of Power), Steen Raskopoulos (The Duchess), Shari Sebbens (Preppers), Josh Thomson (Young Rock), Jonny Brugh (What We Do in the Shadows), Pallavi Sharda (The Twelve), Susan Ling Young (Barons), Raj Labade (Back of the Net), Lucy Schmit and Firass Dirani (House Husbands). There's no sneak peek yet at whatever the US reboot of The Office pans out to be, and no trailer yet for The Office Australia, either. But, in the interim, you can check out a couple clips from the US version below: The rumoured reboot of the US version of The Office doesn't have a release date yet — we'll update you with more information when it is announced. The Office Australia will stream via Prime Video sometime in 2024 — we'll update you with an exact launch date when one is announced.
As a kid, did you ever dream about getting to roam around your favourite store after hours? As a fashion-loving adult, would you adore nothing more than being surrounded by your go-to label on an overnight stay? Thanks to House of Sunny, the latter is now becoming a reality — but for just two people for one night only, at its Hackney showroom and to celebrate London Fashion Week. The good news: this collaboration with Airbnb looks like the ultimate fashion fantasy, and it's also free. The trickier news: getting to slumber in a space that's basically House of Sunny's latest collection turned into a pop-up hotel means needing to be in London this week, because the stay is for Friday, September 22. If you've seen news of Airbnb's past one-off listings — think: Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill, Gwyneth Paltrow's Montecito abode, Hobbiton, the Bluey house, the Paris theatre that inspired The Phantom of the Opera, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage and Japan's World Heritage-listed Suganuma Village — then nothing about this situation should come as a surprise. Just like previous extremely short-term themed stays, this one is only up for reservations at a set time, too, with bookings opening at 3am AEST on Wednesday, September 20. With what's been dubbed Sunny's House, you'll kick back at a spot that's been given a stunning makeover — and you'll also get to improve your own style. The digs include an entrance that's all about greenery, taking its cues from the Hockney dress; a red and orange bedroom designed to look like the sundown cardigan; a crimson bathroom that splashes the colour all over the room, this time paying tribute to the La Belle dress; and hanging out in the cloud-adorned "wardrobe of dreams". Sunny Williams will be on hand to give you design tips one on one, and your time in the wardrobe of dreams will involve trying on House of Sunny threads. Also, due to the showroom's location, you'll be able to head beyond Sunny's House for brunch on Broadway Market, visiting the Columbia Road Flower Market and grabbing dinner. "House of Sunny's design and ethos has always been inspired by the intersection of culture, architecture, interior, and our community's love for travel, home and aesthetics. I am excited to welcome you to my house; this immersive Airbnb is unique, crafted and eye-catching, the perfect partnership of fashion and special stays," said Williams. As always, whoever scores the booking is responsible for their own travel, including if they have to get to and from London. Money literally can't buy the overnight stay, however — so best of luck to your busily clicking fingers. For more information about the Sunny's House sleepover on Airbnb, or to book at 3am AEST on Wednesday, September 20 for a stay on Friday, September 22, head to the Airbnb website. Images: Alix McIntosh. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Lygon Street scores another hotspot with Lankan Tucker, the much-loved Sri Lankan eatery, finding its new home in Carlton after the closure of its West Brunswick store at the end of 2024. While the new store will have a stronger focus on catering and wholesale the cafe will be open on Fridays and Saturdays to bring back popular favourites. Established by partners in both life and business, Nerissa Jayasingha and Hiran Koon, Lankan Tucker has become a beacon of Sri Lankan cuisine in Melbourne. Initially set up as a catering service, the pair sold lunch packs to friends and coworkers before expanding to markets and events, and finally founding their first brick-and-mortar venue in 2016. People flocked to the eatery for its Sri Lankan dishes imbued with a signature touch of Melbourne. So it's a good thing the popular menu has resurfaced in Carlton. The roti wrap with hash, bacon, egg and tomato relish is a strong contender for a fan favourite, as are the pan rolls (or, as they refer to them, Sri Lankan Chiko Rolls). While the biriyani burritos with melted cheese, spiced rice, chicken curry and raita were originally a staff-only dish, they are now one of the most popular menu items. And while it sounds simple, the cheesy roti has proven to be an irresistible menu item to many. However, you'll have to be lucky to snag a spot, as the Carlton store only opens its doors to customers between 8am and 2pm on Fridays and 10am and 3pm on Saturdays. If you miss out, don't panic because the fridges will be full of take-home meals such as curries, biriyanis, butter chicken pies, stringhoppers and rotis. Nerissa says "This move is about growth. Catering and wholesale allow us to share Sri Lankan food with more people than ever, but the cafe keeps us connected to our community. Carlton gives us space to do both." Images: J Shevan Photography.
Christmas brings with it many traditions, from party season as soon as Halloween is over through to turkey and prawns on the big occasion itself (and, obviously, carols, stockings, lights and decorations aplenty, too). The next day has its own routine as well — swapping feasts, drinks, presents and backyard cricket for hitting up your favourite picture palace, ready to gorge your way through the year's biggest movie-going moment. And yes, getting an air-conditioned escape from Australia's summer heat is quite the nice bonus. We're talking about Boxing Day, clearly — and, specifically, Boxing Day's annual haul of new films. 2022's lineup is a little smaller than past years because the hefty blue behemoth that is Avatar: The Way of Water opened in mid-December, but there's still plenty to watch. Wondering what's newly showing? Eager to learn what's truly worth your time, more importantly? We've viewed and reviewed the day's full slate of new titles, including an Oscar frontrunner, a savage satire of privilege, a Whitney Houston biopic and Antonio Banderas voicing a mischievous cat. Here's our rundown — happy viewing! THE BANSHEES OF INISHERIN In The Banshees of Inisherin, the rolling hills and clifftop fields look like they could stretch on forever, even on a fictional small island perched off the Irish mainland. For years, conversation between Padraic Súilleabháin (Colin Farrell, After Yang) and Colm Doherty (Brendan Gleeson, The Tragedy of Macbeth) has been similarly sprawling — and leisurely, too — especially during the pair's daily sojourn to the village pub for chats over pints. But when the latter calls time on their camaraderie suddenly, his demeanour turns brusque and his explanation, only given after much pestering, is curt. Uttered beneath a stern, no-nonsense stare by Gleeson to his In Bruges co-star Farrell, both reuniting with that darkly comic gem's writer/director Martin McDonagh for another black, contemplative and cracking comedy, Colm is as blunt as can be: "I just don't like you no more." In the elder character's defence, he wanted to ghost his pal without hurtful words. Making an Irish exit from a lifelong friendship is a wee bit difficult on a tiny isle, though, as Colm quickly realises. It's even trickier when the mate he's trying to put behind him is understandably upset and confused, there's been no signs of feud or fray beforehand, and anything beyond the norm echoes through the town faster than a folk ballad. So springs McDonagh's smallest-scale and tightest feature since initially leaping from the stage to the screen, and a wonderful companion piece to that first effort. Following the hitman-focused In Bruges, he's gone broader with Seven Psychopaths, then guided Frances McDormand and Sam Rockwell to Oscars with Three Billboards Outside Ebbing, Missouri, but he's at his best when his lens is trained at Farrell and Gleeson as they bicker in close confines. Read our full review. TRIANGLE OF SADNESS Ruben Östlund isn't interested in keeping his viewers comfortable, no matter how cushy their cinema chair. To watch the Swedish filmmaker's features is to feel yourself reacting — emotionally, always, and sometimes physically as well. It was true of 2014's phenomenal Force Majeure, aka as clever and cringe-inducing a portrait of marriage and masculinity as the 21st century has provided. With dropped jaws over a divisive piece of art within a divisive piece of art, it was true of 2018's The Square, the writer/director's first Cannes Film Festival Palme d'Or-winner, too. And, earning him that same prestigious prize again in 2022, it's also wholly accurate of Triangle of Sadness. Make a movie with a shape in its title, score one of the biggest filmmaking awards there is: that's been a nifty formula for Östlund of late. But even if he directs a flick called something like Hexagonal Dreaming soon, or anything else with a geometrical bent, and it too nabs that Cannes gong, beating Triangle of Sadness' vomit sequence is highly unlikely. To remind audiences that responding to films and life alike is an involuntary reflex, Östlund shows plenty of his characters doing just that — to existence, and to a choppy luxury cruise. It makes for simply unforgettable cinema, but it's also just one part of Triangle of Sadness and its sublimely shot unpacking of wealth, privilege and social hierarchies. Appearing to be coasting through perfection is an ongoing quest for Carl (Harris Dickinson, See How They Run) and Yaya (Charlbi Dean, Black Lightning), well-known models-slash-influencers, and the movie's focal point. When they take to the sea among the uber rich, they're still working the requisite angles (and snapping everything for Instagram from every angle). But then, under the captain's (Woody Harrelson, Venom: Let There Be Carnage) watch, being stranded on an island becomes their fate — and the way that Östlund satirically carves into the resulting chaos is equally hilarious and and astute, even when his film is both obvious and hardly subtle. Read our full review. WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY In the decade since her death in 2012, Whitney Houston has proven one of filmmaking's greatest loves of all. No fewer than five movies have told her tale, including documentaries Whitney: Can I Be Me and Whitney — and that's without including a feature about her daughter Bobbi Kristina, a miniseries focused on her ex-husband Bobby Brown and dramas clearly based on her story. All of that attention echoes for obvious reasons. Houston's mezzo-soprano voice, which earned her the nickname "The Voice", soared to stratospheric and literally breathtaking levels. Still holding the record for the most consecutive number-one singles on the Billboard Hot 100, which she took from The Beatles and the Bee Gees, her career zoomed skyward as well. That swift rise from New Jersey church choir member to one of the biggest bestselling music artists ever was matched by tabloid-fodder lows, however, and that tragic, gone-too-soon passing — and Whitney Houston: I Wanna Dance with Somebody charts it all. Taking its name from one of Houston's most exuberant singles isn't just music biopic 101 (see also: Bohemian Rhapsody, also penned by this film's screenwriter Anthony McCarten). Kasi Lemmons' (Harriet) feature follows the standard Wikipedia entry-like genre template, but the filmmaker wants those titular words to reflect how Whitney (Naomi Ackie, Master of None) just wanted to be herself, to be loved as such, and openly be with Robyn Crawford (Nafessa Williams, Black Lightning), the girlfriend-turned-creative director that her gospel singer mother Cissy Houston (Tamara Tunie, Cowboy Bebop) and stern father John (Clarke Peters, The Man Who Fell to Earth) disapprove of. Instead, after being signed to Arista Records at 19 by producer and executive Clive Davis (Stanley Tucci, The King's Man), Whitney becomes America's princess next door. Ackie turns in a commanding, multi-layered performance as the conflicted singer — even while lip-synching, with the movie smartly using Houston's own vocals — in a film that's impassioned, wisely filled with electrifying performance recreations, yet is happy to just hit every expected note. Read our full review. THE LOST KING When King Richard III was killed in battle in the 15th century, did anyone wonder about a public holiday? Given the era and its working conditions, likely not. There's also the hardly minor fact that the monarch was slain by the forces of Henry Tudor, who promptly became England's ruler, so downing tools for a day of mourning probably wasn't a priority. The world has a frame of reference for grieving a British sovereign, though, and recently. When Queen Elizabeth II died in September 2022, pomp and ceremony reigned supreme. Dramatising the discovery of Richard III's remains, The Lost King wasn't made with the queen's passing in mind. Actually, it world-premiered a day afterwards. But the Stephen Frears (Victoria & Abdul)-directed, Steve Coogan- and Jeff Pope (Philomena)-scripted drama benefits from audiences knowing what's done now when whoever wears the crown is farewelled. The Lost King isn't about chasing a parade, pageantry, and a day off work for the masses in Britain and further afield. Charting the true tale of Richard III's location and exhumation 527 years after he breathed his last breath, it follows a quest for recognition and respect. When the film opens, Philippa Langley (Sally Hawkins, The Phantom of the Open) wants it for herself, as a woman over 40 overlooked for a promotion at work in favour of a younger, less-experienced colleague — and as someone with a medical condition, myalgic encephalomyelitis/chronic fatigue syndrome, who's too easily dismissed due to her health. She's also newly separated from her husband John (Coogan, This Time with Alan Partridge), adding to her unappreciated feelings. It's no wonder that Richard III's plight catches her interest thanks to a production of Shakespeare's Richard III, aka one of the reasons that the king was long seen as a hunchbacked villain. More surprising: that the film about all of this, while engaging enough and featuring stellar work by Hawkins, doesn't seem to trust that its real-life story can hold its own. Read our full review. LYLE, LYLE CROCODILE The Paddington movies did it better. That's a general catch-all statement that can apply to almost anything, zero context required, and it's also the prevailing feeling while watching Lyle, Lyle, Crocodile. Instead of a marmalade-coveting bear, a singing crocodile is trying to win hearts — and the similarities don't stop there. The page-to-screen leap from a children's favourite? Tick. An adorable animal winding up in a family of humans who need its unique presence to make their lives complete, bring them together and show them what truly matters? Tick again. The strait-laced dad, creative mum, nasty neighbour and kindly kid? Keep ticking. Also present in both: the titular critter donning human clothing and craving fruity foods, warm colours aplenty, a vintage look and feel to interior spaces, a tense and traumatic capture, and an accomplished star having a whole lot of fun going big, broad and cartoonish (Javier Bardem here, and worlds away from The Good Boss, Dune or Everybody Knows). Bardem's playful turn as magician Hector P Valenti is the best thing about Lyle, Lyle, Crocodile, which is breezily watchable but so indebted to Paddington and its sequel — so desperate to be an American version of the charming English franchise — that orange conserve might as well be smeared across the lens. As directed by Office Christmas Party's Josh Gordon and Will Speck, and scripted by Johnny English Strikes Again's Will Davies (adapting from Bernard Waber's books), the film is also a musical, with the eponymous croc (voiced by Shawn Mendes) able to sing but not speak. Those forgettable songs pad out a slight story, after Valenti discovers Lyle, hopes to get famous as a double act and loses his New York City brownstone when his gambit fails. Then the new residents, the Primm family, find the reptile in the attic, son Josh (Winslow Fegley, Come Play) finds a friend and his parents (Hustlers' Constance Wu and Blonde's Scoot McNairy) find their own reasons to get snapped up in the critter's singing-and-dancing vibe — although Mr Grumps (Brett Gelman, Stranger Things) downstairs obviously lives up to his moniker. PUSS IN BOOTS: THE LAST WISH Since arriving in cinemas in 2001, Shrek has inspired three more ogre-centric flicks, a heap of shorts and TV specials, and a stage musical for the whole family. It's also the reason that green-hued burlesque shows exist, plus all manner of parties and raves — none of the last three of which are appropriate for kids, obviously. But beyond the Mike Myers (The Pentaverate)-voiced titular figure himself, only Puss in Boots has become solo big-screen fodder from among the franchise's array of characters. Like much in this series, the shoe-wearing feline hails from fairy tales, but the reason for its ongoing on-screen popularity is as simple as casting. Who doesn't want to see a kitty swashbuckler voiced by Antonio Banderas (Official Competition), basically making this a moggie Zorro? Based on the 2011 Puss in Boots' $555 million at the box office, that concept is irresistible to plenty of folks — hence, albeit 11 years later, sequel Puss in Boots: The Last Wish. Pairing the right talent to the right animated character doesn't instantly make movie magic, of course; however, The Last Wish, which literally has Puss seeking magic, is among the best films that the broader Shrek saga has conjured up so far. The eponymous cat begins the picture being his usual swaggering self and caring little for the consequences, including his own dwindling lives. One raucous incident sees him realise that he's died eight times already, though, and knowing this ninth go-around is his last according to feline lore suddenly fills him with existential woe. That's a thoughtful premise for an all-ages-friendly flick, and one that's never dampened by the film's plethora of fairy tale nods, high-energy vibe and usually amusing gags. So, Puss, Kitty Softpaws (Salma Hayek, House of Gucci) and their new canine companion Perro (Harvey Guillén, What We Do in the Shadows) attempt to find a famed wishing star that can make avoiding death a reality — but Goldilocks (Florence Pugh, The Wonder) and the three bears (Black Widow's Ray Winstone, Mothering Sunday's Olivia Colman and Our Flag Means Death's Samson Kayo) are also after it, as is a no longer 'little' Jack Horner (John Mulaney, Big Mouth).
Located along Johnston Street in Abbotsford, Kelso's Sandwich Shoppe is a favourite of many locals and for good reason — as the name might suggest, they know how to make a good sanga. The folks here make a ripper bacon sandwich. Dive straight into this protein-filled snack, packed with bacon, two fried eggs, cheese and ketchup, sandwiched between two slices of sourdough. Take a seat at the old-school, loosely American-style diner and order a cup of Coffee Supreme house blend filter. Then consider your next order: the $6 chip butty? The $9 tuckshop sandwich? A round of milkshakes? If you're looking for hair of the dog, they serve up spritzes, bloody marys and G&Ts, too. Images: Tofu Studio Appears in: Where to Find the Best Sandwiches in Melbourne for 2023
When Lorde announced that she'd be bringing her Ultrasound world tour to Australia in 2026, Sydneysiders and Melburnians embraced the green light to buy presale tickets. In fact, the demand for the Aotearoan star's Qudos Bank Arena and Rod Laver Arena gigs has been so huge that new shows in both cities have already been announced — before general tickets to the originally locked-in concerts even go on sale. In February 2026, the 'Royals', 'Solar Power' and 'What Was That' singer-songwriter will hit the stage across both Australia and New Zealand, making dates with arenas at every stop across a six-city run. Sydney and Melbourne are now hosting not one gig apiece, but two. Ella Yelich-O'Connor is playing the Harbour City on Wednesday, February 18 and again on Thursday, February 19, then the Victorian capital on Saturday, February 21 as well as Sunday, February 22. These are the final Sydney and Melbourne dates that'll be added to the tour. [caption id="attachment_1012905" align="alignnone" width="1920"] Joseph Okpako/WireImage[/caption] Lorde last took her Solar Power tour to Australia in 2023. Her new series of concerts begins in September 2025 in the US — and also includes gigs in Canada, the UK and across Europe before this year is out. When the initial Australian and NZ dates were revealed, they came fresh from Yelich-O'Connor's surprise 2025 Glastonbury set, as well as her fourth album Virgin releasing at the end of June. The latter debuted at number one in Australia and New Zealand alike. This is Lorde's biggest tour of her career in general, too, with nights at the likes of Madison Square Garden in New York City and O2 Arena in London already sold out. [caption id="attachment_1012901" align="alignnone" width="1920"] Thistle Brown[/caption] Featuring the aforementioned 'What Was That' — her first original new track in four years — alongside 'Man of the Year', 'Hammer', 'Favourite Daughter' and 'Shapeshifter', Virgin also hit number one in the UK and number two on the Billboard 200 chart in the US. There might be a three-year gap between Lorde's last Down Under shows and her upcoming Ultrasound tour concerts; however, in addition to writing and recording Virgin, she's been busy making a surprise Sydney club appearance back in May 2025 at a Lorde-themed night. Since 2013, when her debut record Pure Heroine arrived, Yelich-O'Connor has also released 2017's Melodrama and 2021's Solar Power, won two Grammys, picked up a Golden Globe nomination for 'Yellow Flicker Beat' from the soundtrack for The Hunger Games: Mockingjay — Part 1 and notched up over 18 billion streams worldwide. [caption id="attachment_1012904" align="alignnone" width="1920"] Joseph Okpako/WireImage[/caption] Lorde Ultrasound World Tour 2026 Australian Dates Monday, February 16 — Brisbane Entertainment Centre, Brisbane Wednesday, February 18–Thursday, February 19 — Qudos Bank Arena, Sydney Saturday, February 21–Sunday, February 22 — Rod Laver Arena, Melbourne Wednesday, February 25 — Perth Arena, Perth Lorde is touring Australia and New Zealand in February 2026, with ticket presales for the new shows from 2pm local time on Thursday, July 17, 2025 and general sales for all shows from 2pm on Friday, July 18, 2025 — head to the tour website for more details. Top image: Thistle Brown.
To Be Frank's second location within East Brunswick Village, adds to the community's ethical and sustainable options. With its Collingwood location generating a cult following for its "respectus panis" — meaning minimal yeast and an extended fermentation process that's good for your gut — bread and pastry lovers exploring the second outpost can look forward to the same uncompromising quality and communal passion. Founded by Franco Villalva and Lauren Parsons in 2019, To Be Frank's East Brunswick Village location will maintain its focus on honest bread, pastries and sandwiches, featuring a daily selection that honours traditional baking methods. Of course, that means another store to get your hands on their popular baguette, fruit loaf and focaccia, but you'll also be able to take home To Be Frank's two-kilogram wholemeal sourdough 'miche', available in quarter, half or full-sized portions. "East Brunswick Village already feels like home. We've been welcomed so warmly by the community, and we can't wait to return that warmth — in the form of good bread, coffee, and connection," said Villalva and Parsons. Just like Collingwood, To Be Frank's new digs are well-stocked with sweet and savoury pastries, including the debut of its chocolatine: a decadent croissant made with Melbourne-based Cuvèe Chocolate's Amphora 65% dark chocolate. The coconut and dulce de leche bomb pays tribute to Franco's Argentinian heritage, while the savoury sausage croissant features top-notch ingredients from neighbouring butcher, Hagen's Organics. Sandwich-lovers will have even more reason to visit, as Villalva and Parsons extend their selection at the East Brunswick locale. Drop by year-round for a ham, cheddar and Emmental toastie, catch a hot honey stracciatella open focaccia through periodic bakes, or discover new seasonal creations as they land in the cabinet. While there, order a stellar coffee with beans roasted by Blackburn's Symmetry Coffee Roasters. As for the new bakery's design, Corso Interior Architecture conceived the space as an open, purpose-built pastry kitchen, where customers get an up-close look at the action. "We've designed East Brunswick Village to be a place for people to enjoy at any time of the day – whether it be for a grab-and-go loaf in the morning for breakfast, a mid-morning coffee and pastry, or a dine-in sandwich or savoury pastry for lunch – the choice is yours," explained Villalva and Parsons. Images: Supplied.
If hitting the waves without hopping in the ocean sounds like your idea of a great time, you'll soon have more than a few places to hang ten around southeast Queensland. The Sunshine Coast is due to welcome Kelly Slater's second surf ranch. The Urbnsurf team has its sights set on Brisbane, announcing plans to open a new man-made surf lagoon in the city. And, now the Gold Coast is joining in — with the coastal city getting an Endless Surf wave pool at The Club at Parkwood Village. Parkwood Village has revealed plans for a $200-million new development, which includes a new 200-plus bed hotel, residential apartments, and hospitality, medical and commercial facilities. But giving Gold Coast residents and visitors a place to surf without diving into to the sea is the hefty drawcard. It's hoped that locals and tourists alike will be able to do just that by 2023. Obviously, the Gold Coast is well-known for its beaches. So is Australia in general — but the country has been jumping on the man-made surf pool bandwagon in a big way. Urbnsurf opened Australia's first inland surf park near the Melbourne Airport in 2020, and revealed plans for Sydney and Perth sites, too. And New South Wales' Hawkesbury region is also getting a giant wave pool and luxury resort come 2022. Whether you're a cautious swimmer, you're afraid of sharks or you're just not a beach person, Parkwood's Endless Surf-branded pool will hail from aquatic entertainment provider Whitewater, which has been in the surf pool business since 1989. As the name suggests, the waves are designed to just keep coming. The pool's rolling sets are created by pneumatic technology, and are accessible for surfers of all ages and skill levels, including first-timers. Renders of the proposed surf pool include a sandy man-made beach leading into the waves, plenty of umbrellas providing shady places to sit, big screens showing the surfing action, and places to grab food and drink. Announcing the plan, Parkwood Village Managing Director Luke Altschwager said that "there is nothing more quintessentially Australian than surfing, and this new technology creating customised repeatable man-made waves is going to revolutionise the sport. I want to make sure Parkwood becomes the heart of the sport here on the Gold Coast. Not only is a world class surf pool a perfect fit for our active community, it anchors a whole new level of economic investment in the area". The Endless Surf pool is set to open at The Club at Parkwood Village, 76–122 Napper Road, Parkwood, by 2023. Images: renders of The Club at Parkwood Village's Endless Surf pool.
Australia's most prestigious portrait award is almost upon us for another year, with the paintings vying for the 2021 Archibald Prize just announced. Ahead of anointing the winner on Friday, June 4, 52 portraits have just been shortlisted for the coveted gong — and, for the first time in its now 100-year history, an equal number of male and female artists have made the cut. More of this year's portraits depict women than men, too, although that isn't a first. Among the highlights: Kirsty Neilson's Making Noise, a portrait of Grace Tame — and Oliver Watts' Dorian Gray (Eryn Jean Norville). Other finalists include Matthew Clarke's Del Kathryn Barton is a good listener; Rachel by Thea Anamara Perkins, which depicts the latter's aunt and Jasper Jones filmmaker Rachel Perkins; and Natasha Bieniek's image of actor Rachel Griffiths. Mirra Whale's Repose, which features fellow artist Ben Quilty, has been shortlisted as well — as has Jonathan Dalton's portrait of artist Ramesh Nithiyendran. Kathrin Longhurst's Kate is in the running, and has also taken out the coveted 2021 Archibald Packing Room Prize, which is chosen by the packing room team. The portrait depicts singer and songwriter Kate Ceberano. [caption id="attachment_813770" align="aligncenter" width="1920"] Archibald Prize 2021 finalist. Kathrin Longhurst, 'Kate'. Oil on linen, 122 x 122 cm. © the artist. Photo: AGNSW, Jenni Carte.[/caption] Also spanning Sally M Nangala Mulda's Two town camp stories, Eunice Djerrkŋu Yunupiŋu's Me and my sisters, Peter Berner's Stop pouting, you've had your turn and Kim by Kim Leutwyler — all self-portraits — the 52 shortlisted works are all in contention for the Archibald's $100,000 prize. Speculation about who will be awarded the coveted prize — and, more often than not, the Archibald winner itself — usually causes much-heated debate. From 2018's five-time Archibald finalist Yvette Coppersmith's first win to Tony Costa's win with his painting of fellow artist Lindy Lee — the first portrait of an Asian Australian to pick up the prize — it's hard a win to pick. All that's really assured is that it'll be a portrait of a person by an Australian. In 2020, Vincent Namatjira's portrait of Adam Goodes did the honours, and also marked the first the award has gone to an Indigenous artist. [caption id="attachment_813771" align="aligncenter" width="1920"] Archibald Prize 2021 finalist. Oliver Watts, 'Dorian Gray (Eryn Jean Norvill)'. Acrylic on canvas, 213.5 x 137.5 cm. © the artist. Photo: AGNSW, Jenni Carte[/caption] Held at Sydney's Art Gallery of NSW every year, the Archibald runs in conjunction with the Wynne and Sulman Prizes — recognising the best landscape painting of Australian scenery or figure sculpture, and the best subject painting, genre painting or mural project, respectively. This year, 2021's winning works and finalists will be on display from Saturday, June 4–Sunday, September 26. And if it feels like all of this just happened recently, that's because 2020's Archibald Prize happened later in the year due to the pandemic. If you don't agree with the judges, you can cast your own vote for People's Choice, which will be announced on Wednesday, September 1. ARCHIBALD PRIZE 2021 DATES Art Gallery of NSW, Sydney, NSW — June 4–September 26, 2021 Gippsland Art Gallery, Sale, Victoria — October 8–November 21, 2021 Hazelhurst Regional Gallery & Art Centre, Gymea, NSW — December 3–January 16, 2022 Maitland Regional Art Gallery, Maitland, NSW — January 23–March 6, 2022 Cowra Regional Art Gallery, Cowra, NSW — March 18–June 22, 2022 Manning Regional Art Gallery, Taree, NSW — July 8–August 21, 2022 If you can't make it to any of the above dates, you can check out the award winners and finalists of the Archibald, Wynne and Sulman prizes on the Art Gallery of NSW website. Top image: Archibald Prize 2021 finalist. Kirsty Neilson, 'Making noise'. Oil on linen, 50.1 x 60.1 cm, © the artist. Photo: AGNSW, Felicity Jenkins
With cafe pedigrees taking over Melbourne, this new addition comes from one of the best. Building on the success of Coin Laundry and Station Street Trading Co., the team behind Tall Timber has brought a slice of hinterland idyll to a bustling Prahran. Be welcomed by the expansive front room, draped in winter's sun and rustic white decor. Little pots of herbs and preserves highlight your way, snaking along the side of the cafe to reveal a sheltered courtyard; the outdoor seating complements this charming feeling of home. Such a raw, effortless atmosphere makes the hospitality at Tall Timber easygoing, with the service unassuming, attentive and friendly without being pushed to a fault. This sleepy feeling is accented by a menu that is produce focused and inviting. Featuring a host of favourites that shine through careful attention to the little details, the serves are assured to impress. Although a simple concept, the breaky board (one poached egg on sourdough, house cereal with natural yogurt, poached fruit and an OJ cleanser; $16) hits the spot perfectly for both the indecisive and the eager. Such an idea is all too often missing from cafe offerings, but Tall Timber knows how to please. Likewise, the lumberjack's fry up ($19.50) is a hearty selection of breakfast necessities. Coffee is additionally reliable and handled with expertise ($3.50-4.50). From Niccolo, and soon to be roasted in-house, its consistency is sure to only get better. Complement this with a careful selection of sweets ($4-4.50) on display on the crisp cake counter. For its first weekend, Tall Timber exceeded the pressure of expectant crowds to deliver a charming, leisurely experience. It's a local that has the potential to entertain and impress your dearest of friends, while also being a reliable choice for a comfortable, solo retreat. With the team already working together as smooth as a lumberjack's axe, Tall Timber is a standout.
Some kinds of movie magic never get old, and Studio Ghibli's films are exactly that type. Understandably, a whole heap of Melbourne cinemas, indoors and out, have agreed with that idea over the years — and the Japanese animation house's flicks are rarely far from a screen around the Victorian capital. Your latest chance to catch one of the studio's delights comes courtesy of Federation Square, as part of its all-ages programming over the Easter school holidays. From Monday, April 14–Thursday, April 17, 2025, Studio Ghibli's gorgeous features will grace the location's big screen. Yes, you should make like a moving castle to see Howl's Moving Castle. And yes, you'll be palling around with My Neighbour Totoro, too. Other highlights include Spirited Away, Laputa: Castle in the Sky, Pom Poko, Nausicaä of the Valley of the Wind, The Cat Returns and Whisper of the Heart. Two films are playing daily, with the doubles running back to back from 2pm — and heading along is free. If you've missed these pictures in their limited cinema runs or fest appearances in the past, consider this your chance to catch up. Sure, you might've seen everything that Studio Ghibli has made before, but these movies really are something extra special when they're flickering across the silver screen. At Fed Square, you can either sit in deckchairs or BYO camping seat or picnic rug. For choc tops, popcorn and drinks, there's a snack bar near ACMI's entrance. And yes, this does sound like the perfect excuse — magical even — to finish work early.
It's been 25 years since the first episode, but people are still obsessed with Grand Designs. Sure, the futuristic and downright ridiculous homes are captivating. Yet many of us are tuning in to see how the insanely optimistic budgets, disappearing timelines and inevitable pregnancy announcement resolve themselves. Through it all, host Kevin McCloud is on hand to deliver a supportive quip or dire prophecy. Now you can hear McCloud's infectious energy in person with his old mate and self-confessed architecture nerd, Tim Ross, as the pair tour the country for Live in Interesting Places. On the back of a new podcast series, Tim and Kev's Big Design Adventure, they'll regale audiences with tales of modernist marvels, utopian visions and design-fuelled banter. And, as the name suggests, McCloud and Ross will come together in five architecturally significant venues throughout Australia. [caption id="attachment_1050527" align="alignnone" width="1920"] St George's Performing Arts Centre. Credit: Scott Burrows.[/caption] Presented across multiple dates from Thursday, February 5–Sunday, February 15, 2026, the tour kicks off in Perth at the University of Western Australia's Octagon Theatre. Onwards to Melbourne, Brisbane, Sydney and Canberra, audiences will gather in Brutalist theatres, heritage-listed churches and much-loved public buildings, from St George's Performing Arts Centre to the Lindfield Learning Village, fascinated by the duo's big design ideas. Several years in the making — the pair haven't appeared together since two sold-out Sydney Opera House shows in 2019 — get insight from these great thinkers and perhaps reconsider that intricate building project you had in mind. "These shows are going to be entertaining and edifying," says Kevin. "And full of surprises — you won't believe where our nerdy curiosity will take you," adds Tim. [caption id="attachment_1050526" align="alignnone" width="1920"] Lindfield Learning Village. Credit: Alex Mayes.[/caption]
The smell of scrumptious street food and the buzz of live music will soon fill the air at Queen Victoria Market as Melbourne's summer Night Market returns for its 25th season. The market will commence on Wednesday, November 19, and run every Wednesday evening until March 11, 2026, with free entry for all visitors. This milestone marks a quarter of a century since the summer Night Market first opened its doors at the turn of the millennium. What began as a small gathering has evolved into one of Melbourne's most beloved summer traditions, drawing locals and tourists alike for an openair celebration of food, music and community. For many vendors, the event has become a staple of their lives as much as the city's. Vijay Sivaraj, owner of Drums Sri Lankan Street Food, has been part of the market since its first season and says the sense of continuity keeps him coming back year after year. "The summer Night Market is flavour, family and community," Sivaraj said. "I've watched generations come through. Kids who used to eat here with their parents now bring their own families. Twenty-five summers prove what this place means to Melbourne." This year's market will feature over 50 food vendors serving cuisines from around the world. Visitors can try everything from Parisian steak baguettes and flame-grilled Brazilian meats to Cypriot souvla, buttery French snails, and fresh Portuguese custard tarts. Gelato Messina will return with its signature summer flavours, while other long-time favourites such as The Black Sheep and St. Gerry's are also back. Drinks will include locally brewed beers from Brick Lane Brewing Co., mojito slushies, and refreshing serves from Isla Vodka and Compa Tequila, offering the perfect pairing for a warm night under the city lights. Beyond the food, the market's artisan section will showcase more than 50 local makers and designers. Visitors can browse minimalist jewellery from Mecino, upcycled fashion from Grandma Funk, handcrafted stationery from The Paper and Wood Co., and textiles sourced from Japan, Nepal and Tibet. It is a space that celebrates creativity as much as cuisine, offering unique finds for anyone seeking a handmade gift or summer keepsake. Live entertainment will again be at the heart of the experience, with weekly performances by local bands, buskers and RMIT music students providing DJ sets. The rhythm of the city will soundtrack each evening, as crowds wander between stalls beneath the market's openair sheds. Visitors can also look forward to seasonal produce pop-ups like Taste of summer, highlighting fruit and vegetables from Queen Victoria Market's own traders.
Since being formed in 2001, Melbourne nine-piece The Bamboos have released more than five acclaimed albums, placed songs in TV shows like Grey's Anatomy, Ugly Betty and Underbelly and worked on the soundtrack for a multi-platinum Nintendo game. But frontman and periodic electronic producer Lance Ferguson isn't one to let the band rest on its smooth, funk-born laurels. Over the years he's injected new flavours into the band by collaborating with other artists, fusing elements of hip hop and psych, and constantly shaking up the lineup. In 2012 The Bamboos joined up with Tim Rogers of You Am I for the Triple J-championed track 'I Got Burned'. An addictive combo of the band's rhythmic grooves and the singer's distinctive howl, the track featured on The Bamboos latest album Medicine Man — their biggest release to date. This year they're taking the alliance live with The Rock n Soul Medicine Show. We caught up with Lance before the tour to talk about collaborating, staying current and the frustrations of being pidgeonholed. You guys have been pretty busy over 2012 did you manage to get a break over Christmas? I did, I had a week in Lorne in January, which was really good. It feels like a distant memory now though. You did Falls Festival didn't you? That's right. So how did you come to team up with Tim Rogers for 'Burned'? I first met Tim when I was playing guitar in Washington and we were playing the BDO tour. It was a few years back now, and I met him backstage and we hit it off. Just musical nerd talk of old records and stuff. We seemed to connect on that level, and on a personal level as well, and even at that point we talked about collaborating together — way before anything actually happened. https://youtube.com/watch?v=hZEN_l4j6mY Is collaborating with other artists an important thing for you? You've also got Aloe Blacc and Daniel Merriweather on the album too. Yeah it definitely is, and The Bamboos have often had guests involved with different records. Most of the collaborations have stemmed from some kind of friendship and the whole collaboration evolved organically rather than me on the phone to my manager going, "get me this guy." Most of these things have happened in nice natural and sincere progression. I do prefer that, because getting complete strangers in the studio can be weird if you're trying to connect musically. It is such an intimate thing, writing a song with someone, for me, so I do prefer it to stem from some kind of friendship I guess. https://youtube.com/watch?v=_4G96KbQ4SI What about Syl Johnson? Yeah well we toured with him twice, pretty much as his backing band. Both times were incredibly valuable. The last time unfortunately he had a heart attack when we were playing with him in Brisbane, which was just a terrible turn of events. And then he spent some time in hospital, bounced back and did a show in Melbourne after that, which was incredible. So yeah, such a cool guy actually. Going back to the ARIAS and the recent popularity of acts like Saskwatch and Chet Faker, what do you think it is about soul music now that has people taking notice? Do you think the music has changed or are we just becoming more receptive? Well it's been such a battle with this music, from my perspective. I recently put out a compilation called The Soul Of Melbourne with a friend of mine Chris Gill — a compilation of soulful Melbourne acts — so it was great to put that together, and you can see how the scene has crystallised. But I think what's happened is that there's a younger generation of fans and music lovers who are maybe in their late teens or early twenties now, and who came up through their teens hearing Amy Winehouse and Sharon Jones. I think that has created a sort of hotbed of people who know that music through being exposed to it. So now that they're at the age of going to gigs and going to festivals that music just seems sort of natural to them, like "oh it's a soul music band, we know what that is and we like it." So there's definitely the element of generational acceptance. https://youtube.com/watch?v=pxBnzQtdHdM You made the Triple J Hottest 100, which is a pretty big deal for a funk/soul-driven group. Yeah, I mean as much as that's a cool thing I do sort of battle with The Bamboos to not be such a genre-driven band. [Funk and soul] is definitely where we've come from and where we've started, and it's ostensibly what we do in terms of the sounds we create, but for me I just really don't think of The Bamboos as a band of any genre now. I just try to think of it as, "We're The Bamboos and we're just going to make some music." It could have some psych rock elements, it could be a blues tune, it could be anything — it could incorporate a whole bunch of influences now. So I definitely have tried to break the band out of just being like a soul/funk band. I'm not saying that to have a go at you, by the way! Well that's what's so unique about your music is that it incorporates so many unexpected sounds. Your electronic project, Lanu — do you think that influences The Bamboos music at all? I don't know if it influences but it's another avenue for me as a songwriter. I think anything I write separately from The Bamboos though, even if unconsciously, I reckon it must inform it. Whether it's just different forms or different ways of looking at putting a song together... So yeah, I reckon it does influence our music actually. What about other local acts — anyone in particular you been listening to heavily? My vocalist for The Bamboos, Ella Thompson, has a band called Axolotl, who do this sort of dreamy, electronic, indie stuff. I'm really into them, they supported us on our last national tour. There's another band Hiatus Kaiyote that defies genre labels, and is doing some amazing things internationally as well. They just won the Gilles Peterson Worldwide Awards for Break-Though Act, so they're really being flagged internationally. https://youtube.com/watch?v=Iae6LmWTXPw Obviously live performance is a massive part of The Bamboos appeal, and Melbourne has a very healthy live music scene. Do you think about that when making songs? I look at the studio thing and the live thing as two very separate entities, and we started out as a live act before we ever recorded anything. [The live show] has been something I've tried to improve on and tweak and be progressive with. Now we come out and basically play our songs, which sounds really obvious — but I think the lineup we've had the last year and a half is possibly the strongest, best and most solid lineup in the history of the band. For me it's an exciting time to play live. How do you see the band's sound developing over the next year or so? There were some thing in that album that were real bubblegum pop things, and I think with the next recording that things might become a little more muscular again. A bit darker. That's what I'm feeling at the moment. Is there anything else you want to say about the upcoming tour and what we can expect from it? Not really, just that it's The Bamboos and Tim Rogers rather than The Bamboos featuring Tim Rogers, so I'm really working with Tim on some new originals and we're picking out a bunch of whole new covers. There's going to be a whole new music for the band to play, which is always good for keeping us on our toes. Tim Rogers & The Bamboos Rock 'n' Soul Medicine Show: Saturday 23 Feb - Perth Festival, Perth, WA Thursday 28 Feb - QPAC, Brisbane, QLD Friday 1 March - Melbourne Zoo, Melbourne, VIC Saturday 2 March - Leongatha Memorial Hall, VIC Thursday 7 March - The HiFi, Sydney, NSW Friday 8 March - Cambridge Hotel, Newcastle, NSW Saturday 9 March - Uni Bar, Wollongong, NSW Sunday 10 March - Womadelaide, Adelaide, SA
If you're a woman who loves to network, listen up. Offering a fun way to learn, grow and connect, After Hours is coming to South Yarra on Monday, June 30 and Monday, July 7. Hosted by New Balance and the Style-ish Podcast, the intimate evenings will connect like-minded women across Melbourne. Each night will explore themes like ambition, creativity and personal style, powered by good wine and delicious food. After Hours is free to attend, with limited tickets available. [caption id="attachment_1010771" align="alignnone" width="1920"] Nicole Squelch[/caption] After Hours will also celebrate the upcoming launch of New Balance's 471 sneaker. The versatile silhouette is inspired by a vintage running style and can be worn to early meetings and post-work drinks — no outfit change required. The sneakers are also a perfect match for the venue hosting the two-part series. Taking place at Gracie's Wine Room, the Edwardian building, warm timber and leafy courtyard provide the perfect backdrop for this refreshing alternative to traditional networking. [caption id="attachment_1010773" align="alignnone" width="1920"] Supplied[/caption] On night one, guests can expect an inspiring panel discussion featuring Kelsie Grace (Founder of Gracie's Wine Room), Laura Henshaw (Co-Founder of Kic) and finance expert Melissa Browne. They'll share insights into the daunting realities of starting and scaling a business, navigating the workforce in 2025, and the power of marketing and financial literacy. At the end, there will be an audience Q&A and time to connect over food and drinks. The second instalment is themed around Fashion for the (Style-ish) Working Woman, and will see conversations celebrating Australian fashion, trends and the role of personal style in and outside the workplace. Guests include Nadia Bartel (Founder of Henne), Lucia Hanna (Co-Founder and Creative Director of With Harper Lu) and Melbourne lifestyle influencer and model Annalise Dalins. Like night one, the evening will feature a panel discussion, an audience Q&A and time to catch up after. [caption id="attachment_1010772" align="alignnone" width="1920"] Nicole Squelch[/caption]
When HBO managed to get the cast of Friends back on the same couch and chatting to camera about their time on the hit sitcom, the US cable network clearly found itself a new niche. That'd be big reunion specials that reteam the stars of beloved pop culture favourites to talk about their experiences — so it's going down the same route with the Harry Potter franchise. If you've been chanting "accio more Harry Potter" to yourself for the past decade since the eight-film series wrapped up, it seems that your wishes have finally come true. Like the Friends special, Harry Potter 20th Anniversary: Return to Hogwarts won't feature anyone in-character — but, if you're a fan, spending more time with the movies' stars still promises to be magical. There'd be no point going ahead if Daniel Radcliffe, Rupert Grint and Emma Watson weren't all involved, so they're definitely on the lineup. So is filmmaker Chris Columbus, who directed the franchise's first two movies. Joining them is a huge list of other actors from across the movie series' history, including Helena Bonham Carter, Robbie Coltrane, Ralph Fiennes, Jason Isaacs, Gary Oldman and Tom Felton, plus James Phelps, Oliver Phelps, Mark Williams, Bonnie Wright, Alfred Enoch, Matthew Lewis, Evanna Lynch and Ian Hart. You'll spot some missing names — Maggie Smith and Robert Pattinson, for instance, to name just two — but clearly there'll be a whole lot of HP cast members reminiscing about their time in the wizarding world. As the special's name makes plain, Harry Potter 20th Anniversary: Return to Hogwarts is popping up to celebrate 20 years since Harry Potter and the Philosopher's Stone first reached cinemas back in 2001. That said, whether you're a muggle, a wannabe wizard and witch, or someone who spent far too much of their childhood reading the books and watching the flicks, you'll actually be checking out the new special in 2022. In the US, it'll stream on January 1 on HBO Max. Viewing options Down Under haven't yet been revealed, so there's something to start trying to summon sooner rather than later. Check out the teaser trailer for the Harry Potter 20th Anniversary: Return to Hogwarts special below: HBO's Harry Potter 20th Anniversary: Return to Hogwarts special will be available to stream in the US on January 1, 2022 — we'll update you with viewing details Down Under when they're announced.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've been under the weather. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 13 that you can watch right now at home. CRIMES OF THE FUTURE It takes a brave filmmaker to see cancer and climate change, and think of art, evolution and eroticism in a possible future. It takes a bold director to have a character proclaim that "surgery is the new sex", too. David Cronenberg has always been that kind of visionary, even before doing all of the above in his sublime latest release — and having the Scanners, Videodrome and The Fly helmer back on his body-horror bent for the first time in more than two decades is exactly the wild and weird dream that cinephiles want it to be. The Canadian auteur makes his first movie at all since 2014's Maps to the Stars, in fact, and this tale of pleasure and pain is as Cronenbergian as anything can be. He borrows Crimes of the Future's title from his second-ever feature dating back 50-plus years, brings all of his corporeal fascinations to the fore, and moulds a viscerally and cerebrally mesmerising film that it feels like he's always been working towards. Long live the new flesh, again. Long live the old Cronenberg as well. In this portrait of a potential time to come, the human body has undergone two significant changes. Three, perhaps, as glimpsed in a disquieting opening where an eight-year-old called Brecken (debutant Sotiris Siozos) snacks on a plastic bin, and is then murdered by his mother Djuna (Lihi Kornowski, Ballistic). That incident isn't unimportant, but Crimes of the Future has other departures from today's status quo to carve into — and they're equally absorbing. Physical agony has disappeared, creating a trade in "desktop surgery" as performance art. Also, a condition dubbed Accelerated Evolution Syndrome causes some folks, such as artist Saul Tenser (Viggo Mortensen, Thirteen Lives), to grow abnormal organs. These tumours are removed and tattooed in avant-garde shows by his doctor/lover Caprice (Léa Seydoux, No Time to Die), then catalogued by the National Organ Register's Wippit (Don McKellar, reteaming with Cronenberg after eXistenZ) and Timlin (Kristen Stewart, Spencer). Crimes of the Future is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. NOPE Kudos to Jordan Peele for giving his third feature as a writer/director a haters-gonna-hate-hate-hate name: for anyone unimpressed with Nope, the response is right there. Kudos, too, to the Get Out and Us filmmaker for making his third bold, intelligent and supremely entertaining horror movie in a row — a reach-for-the-skies masterpiece that's ambitious and eerie, imaginative and expertly crafted, as savvy about cinema as it is about spectacle, and inspires the exact opposite term to its moniker. Reteaming with Peele after nabbing an Oscar nomination for Get Out, Daniel Kaluuya utters the titular word more than once in Nope. Exclaiming "yep" in your head each time he does is an instant reaction. Everything about the film evokes that same thrilled endorsement, but it comes particularly easily whenever Kaluuya's character surveys the wild and weird events around him. We say yay to his nays because we know we'd respond the same way if confronted by even half the chaos that Peele whooshes through the movie. As played with near-silent weariness by the always-excellent Judas and the Black Messiah Oscar-winner, Haywood's Hollywood Horses trainer OJ doesn't just dismiss the strange thing in the heavens, though. He can't, even if he doesn't realise the full extent of what's happening when his father (Keith David, Love Life) suddenly slumps on his steed on an otherwise ordinary day. Six months later, OJ and his sister Emerald (Keke Palmer, Lightyear) are trying to keep the family business, which dates back to the 1800s, running. The presence lurking above the Haywoods' Agua Dulce property soon requires just as much attention, though. Just as Get Out saw Peele reinterrogate the possession movie and Us did the same with doppelgängers, Nope goes all in on flying saucers. So, Emerald wants the kind of proof that only video footage can offer. She wants her "Oprah shot", as well as a hefty payday. Soon, the brother-sister duo are buying new surveillance equipment — which piques the interest of UFO-obsessed electronics salesman Angel Torres (Brandon Perea, The OA) — and also enlisting renowned cinematographer Antlers Holst (Michael Wincott, Veni Vidi Vici) to capture the lucrative image. Nope is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE BLACK PHONE The Black Phone didn't need to star Ethan Hawke. In a way, it doesn't really. Fresh from Moon Knight and The Northman, Hawke is definitely in this unsettling 1978-set horror film. He's also exceptional in it. But, his top billing springs from his name recognition and acting-veteran status rather than his screen time. Instead, superb up-and-comer Mason Thames gets the bulk of the camera's attention in his first feature role. After him, equally outstanding young talent Madeleine McGraw (Ant-Man and The Wasp) comes next. They spend most of their time worrying about, hearing rumours of, hiding from, battling and/or trying to track down a mask-wearing, van-driving, child-snatching villain — the role that Hawke plays in a firmly supporting part, almost always beneath an eerie disguise. Visibly at least, anyone could've donned the same apparel and proven an on-screen source of menace. There's a difference between popping something creepy over your face and actually being creepy, though. Scary masks can do a lot of heavy lifting, but they're also just a made-to-frighten facade. Accordingly, when it comes to being truly petrifying, Hawke undoubtedly makes The Black Phone. He doesn't literally; his Sinister director Scott Derrickson helms, and also co-wrote the script with that fellow horror flick's C Robert Cargill, adapting a short story by Stephen King's son Joe Hill — and the five-decades-back look and feel, complete with amber and grey hues, plus a nerve-rattling score, are all suitably disquieting stylistic touches. But as the movie's nefarious attacker, who has been terrorising north Denver's suburban streets and soon has 13-year-old Finney Blake (Thames) in his sights, Hawke is unnervingly excellent, and also almost preternaturally unnerving in every moment. Whenever he opens his mouth, his voice couldn't echo from anyone else; however, it's the nervy, ominous and bone-weary physicality that he brings to the character that couldn't be more pitch-perfect. The Black Phone is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. OFFICIAL COMPETITION Every actor has one, albeit in various shades, lengths and textures, but sometimes one single hairstyle says everything about a film. Wildly careening in whichever direction it seems to feel like at any point, yet also strikingly sculptural, the towering reddish stack of curly locks atop Penélope Cruz's head in Official Competition is one such statement-making coiffure. It's a stunning sight, with full credit to the movie's hairstylists. These tremendous tresses are both unruly and immaculate; they draw the eye in immediately, demanding the utmost attention. And, yes, Cruz's crowning glory shares those traits with this delightful Spanish Argentine farce about filmmaking — a picture directed and co-written by Mariano Cohn and Gastуn Duprat (The Distinguished Citizen), and also starring Antonio Banderas (Uncharted) and Oscar Martínez (Wild Tales), that it's simply impossible to look away from. Phenomenal hair is just the beginning for Cruz here. Playing filmmaker Lola Cuevas — a Palme d'Or-winning arthouse darling helming an ego-stroking prestige picture for rich octogenarian businessman Humberto Suárez (José Luis Gómez, Truman) — she's downright exceptional as well. Humberto decides to throw some cash into making a movie in the hope of leaving a legacy that lasts, and enlisting Lola to work her magic with a Nobel Prize-winning novel called Rivalry is quite the coup. So is securing the talents of flashy global star Félix Rivero (Banderas) and serious theatre actor Iván Torres (Martínez), a chalk-and-cheese pair who'll work together for the first time, stepping into the shoes of feuding brothers. But before the feature can cement its backer's name in history, its three key creatives have to survive an exacting rehearsal process. Lola believes in rigorous preparation, and in testing and stretching her leading men, with each technique she springs on them more outlandish and stressful than the last. Official Competition is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THREE THOUSAND YEARS OF LONGING No one should need to cleanse their palates between Mad Max movies — well, maybe after Mad Max: Beyond Thunderdome, depending on your mileage with it — but if anyone does, George Miller shouldn't be one of them. The Australian auteur gifted the world the hit dystopian franchise, has helmed and penned each and every chapter, and made Mad Max: Fury Road an astonishing piece of cinema that's one of the very best in every filmic category that applies. Still, between that kinetic, frenetic, rightly Oscar-winning movie and upcoming prequel Furiosa, Miller has opted to swish around romantic fantasy Three Thousand Years of Longing. He does love heightened drama and also myths, including in the series he's synonymous with. He adores chronicling yearnings and hearts' desires, too, whether surveying vengeance and survival, the motivations behind farm animals gone a-wandering in Babe: Pig in the City, the dreams of dancing penguins in Happy Feet, or love, happiness and connection here. In other words, although adapted from AS Byatt's short story The Djinn in the Nightingale's Eye, Three Thousand Years of Longing is unshakeably and inescapably a Miller movie — and it's as alive with his flair for the fantastical as most of his resume. It's a wonder for a range of reasons, one of which is simple: the last time that the writer/director made a movie that didn't connect to the Mad Max, Babe or Happy Feet franchises was three decades back. With that in mind, it comes as no surprise that this tale about a narratologist (Tilda Swinton, Memoria) and the Djinn (Idris Elba, Beast) she uncorks from a bottle, and the chats they have about their histories as the latter tries to ensure the former makes her three wishes to truly set him free, is told with playfulness, inventiveness, flamboyance and a deep heart. Much of Miller's filmography is, but there's a sense with Three Thousand Years of Longing that he's been released, too — even if he loves his usual confines, as audiences do as well. Three Thousand Years of Longing is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BULLET TRAIN Buy the ticket, take the ride, strap in for an onslaught of frenetic locomotive-bound fights: that's high-octane action-comedy Bullet Train on- and off-screen. Set on a shinkansen hurtling from Tokyo to Kyoto, in as stylised a vision of Japan that anyone not named Quentin Tarantino has ever thought of, this neon-lit adaptation of Kōtarō Isaka's 2010 page-turner Maria Beetle couldn't be more onboard with its central concept. That premise isn't snakes on a plane, but rather assassins on a train — plus one snake, one of nature's hitmen, actually. Cramming all those killers onto a single engine sparks mayhem, banter and bodies, not to mention chaotic frays in the quiet car and almost every other space. And when it works, with John Wick and Atomic Blonde's David Leitch steering the show, Tarantino and Guy Ritchie alum Brad Pitt as his main passenger, and a lifetime's worth of references to Thomas the Tank Engine slotted in, Bullet Train is as OTT and entertaining as it overtly wants to be. It doesn't always completely work, however; every journey, zipping along on a high-speed train or not, has its dips. Still, there are plenty of moving parts trying to keep the movie in motion — and plenty of plot, for better and for worse in both instances. In his second 2022 action-comedy after The Lost City, Pitt plays Ladybug, who is back riding the hired-gun rails after a zen break packed with new-age self-help platitudes. That's what he spouts to his handler (Sandra Bullock, The Unforgivable) by phone, in-between rueing his bad luck, as he tries to carry out what's supposed to be an easy job. All that Ladybug needs to do is take a briefcase, then disembark at the next station. But that piece of luggage is being transported by British assassin double-act Tangerine (Aaron Taylor-Johnson, The King's Man) and Lemon (Brian Tyree Henry, Atlanta), as they escort a Russian mobster's son (Logan Lerman, Hunters) home. To up the hitman ante, the shinkansen is also carrying The Prince (Joey King, The Princess) and Kimura (Andrew Koji, Snake Eyes: GI Joe Origins), who have their own beef, as well as the revenge-seeking Wolf (Benito A Martínez Ocasio aka Bad Bunny, Fast and Furious 9). Bullet Train is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BEAST Idris Elba fights a lion. That's it, that's Beast, as far as film pitches go at least. This South Africa-set thriller's one-sentence summary is up there with 'Jason Statham battles a giant shark' and 'Liam Neeson stares down wolves' — straightforward and irresistible, obviously, in enticing audiences into cinemas. That said, the latest addition to the animals-attack genre isn't as ridiculous as The Meg, and isn't a resonant existential musing like The Grey. What this creature feature wants to be, and is, is a lean, edge-of-your-seat, humanity-versus-nature nerve-shredder. Director Baltasar Kormákur (Adrift) knows that a famous face, a relentless critter as a foe, and life-or-death terror aplenty can be the stuff that cinema dreams and hits are made of. His movie isn't completely the former, but it does do exactly what it promises. If it proves a box office success, it'll be because it dangles an easy drawcard and delivers it. There is slightly more to Beast than Idris Elba brawling with the king of the jungle, of course — or running from it, trying to hide from it in a jeep, attempting to outsmart it and praying it'll tire of seeing him as prey. But this tussle with an apex predator is firmly at its best when it really is that simple, that primal and, with no qualms about gore and jump scares, that visceral. Elba (The Harder They Fall) plays recently widowed American doctor Nate Samuels, who is meant to be relaxing, reconnecting with his teenage daughters Mare (Iyana Halley, Licorice Pizza) and Norah (Leah Jeffries, Rel), and finding solace in a pilgrimage to his wife's homeland. But Beast wouldn't be called Beast if the Samuels crew's time with old family friend Martin (Sharlto Copley, Russian Doll), a wildlife biologist who oversees the nature reserve, was all placid safaris and sunsets. Beast is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THOR: LOVE AND THUNDER What do you call a movie filled with giant screaming goats, magic weapons vying for attention like romantic rivals, a naked Chris Hemsworth and a phenomenally creepy Christian Bale? Oh, and with no fewer than four Guns N' Roses needle drops, 80s nostalgia in droves, and a case of tonal whiplash as big as the God of Thunder's biceps? You call it Thor: Love and Thunder, and also a mixed bag. The fourth film in the Marvel Cinematic Universe to focus on the now 29-title saga's favourite space Viking, and the second Thor flick directed by Taika Waititi after Thor: Ragnarok, it welcomely boasts the New Zealand filmmaker's playful and irreverent sense of humour — and the dead-serious days of the series-within-a-series' first two outings, 2011's Thor and 2013's Thor: The Dark World, have definitely been banished. But Love and Thunder is equally mischievous and jumbled. It's chaotic in both fun and messy ways. Out in the cosmos, no one can swim, but movies about galaxy-saving superheroes can tread water. Thor Odinson (Hemsworth, Spiderhead) has been doing a bit of that himself — not literally, but emotionally and professionally. Narrated in a storybook fashion by rock alien Korg (also Waititi, Lightyear), Love and Thunder first fills in the gaps since the last time the Asgardian deity graced screens in Avengers: Endgame. Ditching his dad bod for his ultra-buff god bod earns a mention. So does biding his time with the Guardians of the Galaxy crew (with Chris Pratt, Dave Bautista, Karen Gillan, Bradley Cooper and company popping up briefly). Then, a distress call from an old friend gives Thor a new purpose. Fellow warrior Sif (Jaimie Alexander, Last Seen Alive) has been fighting galactic killer Gorr the God Butcher (Bale, Ford v Ferrari), who's on a mission to do exactly what his name promises due to a crisis of faith — which puts not only Thor himself but also New Asgard, the Norwegian village populated by survivors from his home planet, at grave risk. It also puts Thor on a collision course with his ex-flame Dr Jane Foster (Natalie Portman, Vox Lux), who's changed dramatically since last they crossed paths. Thor: Love and Thunder is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. ORPHAN: FIRST KILL What's more believable — and plot twists follow: a pre-teen playing a 33-year-old woman pretending to be a nine-year-old orphan, with a hormone disorder explaining the character's eerily youthful appearance; or an adult playing a 31-year-old woman pretending to be a lost child returned at age nine, again with that medical condition making everyone else oblivious? For viewers of 2009's Orphan and its 13-years-later follow-up Orphan: First Kill, which is a prequel, neither are particularly credible to witness. But the first film delivered its age trickery as an off-kilter final-act reveal, as paired with a phenomenal performance by then 12-year-old Isabelle Fuhrman in the pivotal role. Audiences bought the big shift — or remembered it, at least — because Fuhrman was so creepy and so committed to the bit, and because it suited the OTT horror-thriller. This time, that wild revelation is old news, but that doesn't stop Orphan: First Kill from leaning on the same two key pillars: an out-there turn of events and fervent portrayals. Yes, a big twist is again one of the movie's best elements. Fuhrman (The Novice) returns as Esther, the Estonian adult who posed as a parentless Russian girl in the initial feature. In Orphan: First Kill, she's introduced as Leena Klammer, the most dangerous resident at the Saarne Institute mental hospital. The prequel's first sighted kill comes early, as a means of escape. The second follows swiftly, because the film needs to get its central figure to the US. Fans of the previous picture will recall that Esther already had a troubled history when she was adopted and started wreaking the movie's main havoc, involving the family that brought her to America — and her time with that brood, aka wealthy Connecticut-based artist Allen Albright (Rossif Sutherland, Possessor), his gala-hosting wife Tricia (Julia Stiles, Hustlers) and their teen son Gunnar (Matthew Finlan, My Fake Boyfriend), is filmmaker William Brent Bell (The Boy and Brahms: The Boy II) and screenwriter David Coggeshall's (Scream: The TV Series) new focus. Orphan: First Kill is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE FORGIVEN Patience is somewhat of a virtue with The Forgiven. It would be in it, too, if any of its wealthy white characters hedonistically holidaying in Morocco were willing to display the trait for even a second. Another addition to the getaways-gone-wrong genre, this thorny satirical drama gleefully savages the well-to-do, proving as eager to eat the rich as can be, and also lays bare the despicable coveting of exoticism that the moneyed think is an acceptable way to splash plentiful wads of cash. There's patently plenty going on in this latest release from writer/director John Michael McDonagh, as there typically is in features by the filmmaker behind The Guard, Calvary and War on Everyone. Here, he adapts Lawrence Osborne's 2012 novel, but the movie that results takes time to build and cohere, and even then seems only partially interested in both. Still, that patience is rewarded by The Forgiven's stellar lead performance by Ralph Fiennes, playing one of his most entitled and repugnant characters yet. Sympathies aren't meant to flow David Henninger's (Fiennes, The King's Man) way, or towards his wife Jo (Jessica Chastain, The Eyes of Tammy Faye). Together, the spiky Londoners abroad bicker like it's a sport — and the only thing fuelling their marriage. Cruelty taints their words: "why am I thinking harpy?", "why am I thinking shrill?" are among his, while she counters "why am I thinking high-functioning alcoholic?". He's a drunken surgeon, she's a bored children's author, and they're venturing past the Atlas Mountains to frolic in debauchery at the village their decadent pal Richard (Matt Smith, Morbius) and his own barbed American spouse Dally (Caleb Landry Jones, Nitram) have turned into a holiday home. Sympathy isn't designed to head that pair's way, either; "we couldn't have done it without our little Moroccan friends," Richard announces to kick off their weekend-long housewarming party. But when the Hennigers arrive late after tragically hitting a local boy, Driss (Omar Ghazaoui, American Odyssey), en route, the mood shifts — but also doesn't. The Forgiven is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WHERE THE CRAWDADS SING Timing is everything in Where the Crawdads Sing, the murder-mystery melodrama set in America's Deep South that raced up bestseller lists in 2018, and now reaches cinemas a mere four years later. Its entire narrative hinges upon a simple question: did North Carolina outcast and recluse Kya Clark (Daisy Edgar-Jones, Fresh), cruelly nicknamed "the marsh girl" by locals, have time to speed home from an out-of-town stay to push star quarterback Chase Andrews (Harris Dickinson, The King's Man) from a fire tower, then resume her trip without anyone noticing? On the page, that query helped propel Delia Owens' literary sensation to success, to Reese Witherspoon's book club — she's a producer here — and to a swift film adaptation. But no timing would likely have ever been right for the movie's release, given that Owens and her husband are wanted for questioning in a real-life murder case in Zambia. Unlike the film, those off-screen details aren't new, but they were always bound to attract attention again as soon as this feature arrived. One of the reasons they're inescapable: the purposeful parallels between Owens' debut novel and her existence. Like Kya, Owens is a naturalist. The also southern-born author spent years preferring the company of plants and animals, crusading for conservation causes in Africa. Where the Crawdads Sing is timed to coincide with Owens' own life as well; it's set in the 50s and 60s and, as a child (played by Jojo Regina, The Chosen) and a teenager, Kya is around the same age that Owens would've been then. Another reason that the ways that art might link with reality can't be shaken, lingering like a sultry, squelchy day: what ends up on-screen is as poised, pristine and polished as a swampy southern gothic tale can be, and anyone in one. There's still a scandal, but forget dirt, sweat and anything but lush, vivid wilderness courtesy of filmmaker Olivia Newman (First Match), plus a rustic hut that wouldn't look out of place on Airbnb. Where the Crawdads Sing is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MURDER PARTY If Amelie and Knives Out combined, the end result would look like Murder Party. If Wes Anderson and Agatha Christie joined forces, the outcome would be the same. It's highly unlikely that first-time feature writer/director Nicolas Pleskof and his co-scribe Elsa Marpeau (Prof T) were ever going to call this feature Murder in the Game-Filled Mansion or Death While Rolling the Dice, but that's the overwhelming vibe. There's an escape room element, too — thankfully, though, nodding towards the Escape Room franchise isn't on the agenda. Murder Party's characters get stuck in intricately designed locked spaces and forced to piece together clues to secure their freedom, and are only permitted to remain breathing by keeping their wits about them, but no one's in a horror movie here. The feature starts with a killer setup: an eccentric crew of relatives, their brightly hued home on a sprawling country estate, an usual task given to a newcomer and, naturally, a sudden passing. Architect Jeanne Chardon-Spitzer (Alice Pol, Labor Day) is asked to pitch a big renovation project to the Daguerre family, transforming their impressive abode so that living there always feels like playing a game (or several). Patriarch César (Eddy Mitchell, The Middleman) already encourages his brood to enjoy their daily existence with that in mind anyway, including dedicating entire days to letting loose and walking, talking and breathing gameplay. But he's looking for a particularly bold next step. He's unimpressed by Jeanne's routine proposal, in fact. Then he drops dead, the property's doors slam shut and a voice over the intercom tells the architect, plus everyone else onsite, to undertake a series of challenges to ascertain the culprit among them — or be murdered themselves. Murder Party is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. THE PHANTOM OF THE OPEN If The Phantom of the Open was part of a game of golf, rather than a movie about the club-flinging, ball-hitting, bunker-avoiding sport, it wouldn't be a hole in one. It couldn't be; perfection doesn't suit the story that director Craig Roberts (Eternal Beauty) and screenwriter Simon Farnaby (Paddington 2) are telling, which is as real and as shaggy — as so-strange-it-can-only-be-true, too — as they can possibly come. That other key factor in spiriting dimpled orbs from the tee to the cup in a single stroke, aka luck, is definitely pertinent to this feel-good, crowd-pleasing, happily whimsical British comedy, however. Plenty of it helped Maurice Flitcroft, the man at its centre, as he managed to enter the 1976 British Open despite never having set foot on a course or played a full round of golf before. It isn't quite good fortune that makes this high-spirited movie about him work, of course, but it always feels like a feature that might've ended up in the cinematic long grass if it wasn't so warmly pieced together. When Maurice (Mark Rylance, Don't Look Up) debuts on the green at the high-profile Open Championship, it doesn't take long for gap between his skills and the professionals he's playing with to stand out. In the words of The Dude from The Big Lebowski, obviously he's not a golfer — although what makes a golfer, and whether any sport should be the domain of well-to-do gatekeepers who reserve large swathes of land for the use of the privileged few, falls into The Phantom of the Open's view. So does a breezily formulaic yet drawn-from-fact account of a man who was born in Manchester, later settled in the port town of Barrow-in-Furness in Cumbria and spent much of his life as a shipyard crane operator, providing for his wife Jean (Sally Hawkins, Spencer), her son Michael (Jake Davies, Artemis Fowl), and the pair's twins Gene (Christian Lees, Pistol) and James (Jonah Lees, The Letter for the King). Maurice had never chased his own dreams, until he decided to give golfing glory a swing. The Phantom of the Open is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and our best new TV shows, returning TV shows and straight-to-streaming movies from the first half of 2022. Or, check out the movies that were fast-tracked to digital in January, February, March, April, May, June, July and August.
The duo behind Melbourne's sake brand Toji Sake, Shar and Yuta Kobayashi, brought a new taste of Japan to Richmond in 2019. The 100-seat restaurant on Swan Street is dishing up food inspired by both Australia and Japan, as well as sake cocktails. Kobayashi's Australian-Japanese roots and Chan's experience cooking Japanese fare have both influenced the menu, which focuses on izakaya-style snacks, such as yakitori, and dishes cooked on a hibachi (a Japanese charcoal grill). For yakitori, expect all the chicken parts — thigh, oyster, heart, breast — as well as leek, baby onions covered in miso and okra. Other snacks include the likes of duck gyoza with shiso and salted plum, kingfish sashimi with smoked daikon, smoked beef tartare and short ribs with chimichurri. Bigger items at Eazy Peazy might include okonomiyaki, porterhouse with wasabi, aged dashi eggplant and chicken karaage. Behind the restaurant's long concrete bar, you'll, of course, find a few Toji Sake concoctions. The brand's crisp junmai ginjo and high-grade junmai daiginjo sakes feature in a selection of cocktails, such as Aloe Peaches — with aloe vera juice, peach liqueur and cranberry — and the Shiso Crazy with shiso leaves, rum and soda. A mostly Australian wine list and a lineup of Japanese and local beers in tins, bottles and on tap round out the drinks offering. The Eazy Peazy fit-out, by award-winning Melbourne firm Carr Design, is meant to fuse traditional Japanese elements with modern touches. Think interior walls representing the rice fields of the Niigata Prefecture, a snow-like ceiling reminiscent of the Asahi mountain ranges and doors that look like raked sand in a zen garden. These elements are juxtaposed with projections of Tokyo's famed Shibuya Crossing and Japanese cartoon figurines used as handbag hooks. Images: Carly Ravenhall and Hortenzia.
Sell-out Aussie label TWOOBS has been a go-to for chunky platform sandals and thongs since the internet-legendary summer of 2016. The brand has proved such a favourite that its collaboration with Gorman eight years ago sold out online in a mere three hours — and it's still putting out hits a decade later. TWOOBS is throwing a warehouse pop-up in Collingwood for its 10th birthday. From this Thursday, February 5, get acquainted with signature drops like waterproof flatform statement flip-flops and a Mary Jane-and-sneaker mashup. A secret birthday colourway and an unreleased style will be available IRL here before their anticipated online launch. Backed by a seriously sustainable ethos, the brand's viral styles are made from eco-conscious materials like recycled plastics and carbon-absorbing sugarcane — and its Takesies Backsies initiative will be coming to life at the pop-up. Cash in retired pairs of TWOOBS for $10, which will be transformed into office flooring. The first 40 shoppers to purchase a pair will also score a goodie bag worth over $200. The TWOOBS pop-up will run from 11am–6pm on 5 and 6 February, and 10am–4pm on 7 and 8 February.
The Melbourne Food and Wine Festival (MFWF) has announced its program for 2017 — and, well, we hope you're hungry. Come March 31, the festival will take over the city for ten days of delicious dinners, long lunches, wine weekends, parties, masterclasses and more. And while it's their 25th year, they haven't just rolled out a program of the same old thing. For the first time ever, MFWF will have their own House of Food and Wine, a more concrete answer to the pop-up hub they've had down at Queensbridge Square in the past. When they call it a house, they mean that very literally — the CBD space will be styled to feel like a home, featuring a dining room (the main event space), a lounge room (the bar) and garden in the laneway. Deviating slightly from your average house, it will also feature a gallery of illustrations by Anna Vu (from Good Food Crap Drawing) of some of the city's favourite MFWF dishes from the last 25 years. The lounge room bar will be open every day of the festival and feature a curated list of artisan Victorian wines, while the dining room will play host to a number of special events. Spend opening night (Friday, March 31) at an Italian disco and dining party and closing night (Sunday, April 9) at the Burger Block Party, which will bring together Australia's best burger-makers — think Marys from Sydney, Short Order Burger Company from Perth, and Rockwell & Sons and Beatbox Kitchen from Melbourne. There's also a whole host of exciting events happening outside the House. This year MFWF will coincide with the World's 50 Best Restaurant Awards, which are being hosted by Melbourne for the very first time. They've managed to nab some of the world's best chefs to run some masterclasses at the festival — which is a pretty big deal. Among them will be classes from sensory chef Grant Achatz from Chicago restaurant Alinea (ranked #15), Jorge Vallego from Mexico City's Quintonil (ranked #12) and Australia's David Thompson, who runs Bangkok's Nahm (ranked #37) and is set to open Long Chim in Melbourne next year. On Friday, March 31 the Bank of Melbourne is hosting the annual world's longest lunch on Melbourne's iconic Lygon Street. 1600 diners will sit along a 580-metre tables to enjoy an autumnal Italian menu from Antonio Carluccio. Unfortunately it's already sold out, but if you still want to enjoy a long lunch and don't mind spending it in a vineyard or along a riverbank, there are another 20 happening in regional Victoria. On Saturday, April 8, get armed with a myki and take tram route 72, which will become Melbourne's answer to Burgundy's Route Nationale 74 for the day. It will take you on a tram-crawl of three of the southeast's best wine bars: Milton in Malvern, Toorak Cellars in Armadale and The Alps in Prahran. On Friday, April 7, they're also hosting a culinary tour of the Melbourne General Cemetery. With many of Melbourne's best chefs and wine makers and merchants buried here, chef Allan Koh — from Springvale Botanical Cemetery's cafe-flower shop hybrid Cafe Vita et Flores — will recreate the deceased's signature dishes for guests to sample at notable grave sites. The festival will also host usual favourites like their Crawl 'n' Bite food tours, lunch specials, wine tastings and masterclasses. You can check out — and buy tickets for — the full program here. The Melbourne Food and Wine Festival will run from March 31 to April 9, 2017. For more information, visit melbournefoodandwine.com.au.
It's set in Canada. It pays tribute to iconic Iranian filmmaking. It took home Cannes Directors' Fortnight's inaugural Audience Award. It's now the recipient of the Melbourne International Film Festival's Bright Horizons accolade, too. The movie to put on your must-see list if you haven't already caught it at MIFF 2024: Matthew Rankin's Universal Language, the picture chosen by the event's 2024 jury as the pick of the fest's competition titles. It was back in 2022 that the Victorian film festival, which is Australia's oldest, revealed that it was introducing a prize for standout new filmmaking talents. The Bright Horizons Award heroes both first-time and sophomore directors — and gives each year's winner a cool $140,000 for their troubles. Nabbed by Afrofuturist musical Neptune Frost in its initial year and Senegalese-French love story Banel & Adama in 2023, that hefty amount of prize money makes the gong one of the richest film fest awards in the world. Debuting at Cannes, and also set to make its North American premiere on home soil at this year's Toronto International Film Festival, Universal Language explores a vision of Winnipeg that resembles Iran in the 80s — and where Farsi as well as French are the official tongues. Alongside helming his second feature after 2019's The Twentieth Century, Rankin also appears in one of the movie's stories, as he spins absurdist tales about two kids on an adventure started by a random banknote, an unhappy teacher and a filmmaker. "Our task as jury was joyful, invigorating and inspiring. It was also incredibly arduous, heartbreaking and some might even say cruel, because how could anyone choose a favourite or pick a winner from such an incredible lineup of films, all worthy of accolades in their own ways, all testaments to the fact that the future of cinema is bright indeed?" said 2024's MIFF Bright Horizons jury, which was led by Australian filmmaker Ivan Sen (Limbo). "One movie represented all of the facets of the Bright Horizons Award: a film whose cultural specificity transcends borders; whose cinematic playfulness is matched equally by its sensitivity; and whose very form is in conversation with cinema past, present and future. This is why the Bright Horizons Award goes to Universal Language by Matthew Rankin," continued the group's statement, with director David Lowery (Peter Pan & Wendy), producer Yulia Evina Bhara (Tiger Stripes), costume designer Deborah L Scott (Avatar: The Way of Water) and actor Jillian Nguyen (White Fever) joining Sen. The quintet also gave a Special Jury Award to Flow, an animation about animals on a boat, when selecting Universal Language from a packed pool of contenders. Other films in the running included Janet Planet, the debut movie from Pulitzer Prize-winning playwright Annie Baker; Inside, a prison drama with Guy Pearce (The Clearing), Cosmo Jarvis (Shōgun) and Toby Wallace (The Bikeriders) that's directed by Charles Williams, who won the 2018 short film Palme d'Or for All These Creatures; and The Village Next to Paradise, the first-ever Somali film play Cannes. Also since 2022, MIFF's lineup of prizes spans the Blackmagic Design Australian Innovation Award as well, which recognises an outstanding Australian creative from one of the festival's movies. 2024's recipient to the tune of $70,000: Jaydon Martin for Flathead. "We were captivated and affected by Jaydon Martin's visually arresting and very moving portrait of individuals often forgotten about in society — in this case, the real people of small town Bundaberg," advised the jury. "Flathead's seamless merging of realities and fiction, both so raw yet so cinematic, had a profound effect on our jury. We hope all of you have a chance to watch this brilliant, sensitive examination of survival, of humanity and of mortality, which will stay with you for days to come." In 2023, MIFF launched its First Nations Film Creative Award, which is now named the Uncle Jack Charles Award — with April Phillips winning for XR piece kajoo yannaga (come on let's walk together) in 2024. As chosen by festival attendees having their say as they're spending all of their spare time in a cinema, 2024's MIFF Audience Award went to two Australian movies: documentaries Voice and Left Write Hook, with the first about seeking support across the country for the Indigenous Voice referendum, and the second stepping into a boxing and creative writing program for survivors of childhood sexual abuse. The 2024 Melbourne International Film Festival runs from Thursday, August 8–Sunday, August 25. For more information, visit the MIFF website.
Do you have a whole shrine filled with gin? A shelf? A decent section of your liquor cabinet? If so, it's likely that many of those bottles hail from Australia's own Four Pillars. And, thanks to the gin-making superstars' next two tipples, you might be about to add to them. The latest additions to the award-winning brand's range both play with its original gin — and one that has quite the following. So, if you've sipped Four Pillars' Rare Dry Gin, you'll want to try its new Rarer Dry Gin and Rarest Dry Gin. The first is made with yuzu, the second features bergamot, and obviously no one stretched themselves too much thinking of these gins' names. Still citrus-heavy like the OG tipple, Rarer Dry Gin and Rarest Dry Gin came about after the Four Pillars' team discovered some locally grown yellow yuzu and green bergamot — and then started tinkering. Where the Rare Dry Gin uses nine botanicals in the pot and oranges in the vapour basket that sits above the pot, these two newbies swap in their different types of citrus. That's it, that's the change. While Four Pillars still recommends that you drink the original in G&Ts, it's suggesting that these two newcomers also suit the cocktail — or you can add the Rarer Dry Gin to a gin and soda highball if you're after something different. Rarer Dry Gin and Rarest Dry Gin will be available from Saturday, September 11 from the distillery's website, costing $75 each per bottle. And, because Four Pillars likes to put the bi-products from the distillation process to good use, this time it has whipped up a Made from Gin Yuzu & Bergamot Shred Marmalade that'll be available for $12 for a 160-gram jar. For more information about Four Pillars' Rarer Dry Gin and Rarest Dry Gin, or to buy them from Saturday, September 11, head to the distillery's website.
