It's fair to say that MasterChef Australia winner and media personality chef Adam Liaw is a national treasure. When he's not blessing us with insights on Twitter or presenting cooking shows on TV that make our tummies grumble, he's off collaborating with flavoursome chip brand, Red Rock Deli. And on Wednesday, May 15, Liaw will be hosting an intimate secret supper for 20 guests. The location remains a secret for now — as does the menu. All we know so far is that the three-course menu will be inspired by Red Rock Deli's newest flavour — Limited-Edition Thai Red Chilli and Creamy Coconut. [caption id="attachment_718821" align="alignnone" width="1920"] Kitti Gould[/caption] It's all very hush-hush — but we've done some prying. First up, Liaw did tell us that the menu is 'a journey in three parts'. The first dish will hero chilli, while the dessert will incorporate the creamy texture of coconut. For the main, you can expect both flavours to be featured. We also know that Liaw's knowledge of Asian cuisines is extraordinary — he was born in Malaysia to an English Singaporean mother and Hainanese Chinese father and is the Goodwill Ambassador for Japanese cuisine — and he loves bringing elements from these cuisines into his cooking. "The one thing I always come back to is not how different they are, but how much common ground there is. Every cuisine has its comfort foods, sweet treats, grilled meats and balanced tastes. Once you understand the context of the food, the ingredients can be combined and integrated to create something new," he told us. [caption id="attachment_659258" align="alignnone" width="1920"] Chaco Bar, Leticia Almeida[/caption] So, in trying to crack the menu code, we thought we'd find out a little about the Asian restaurants that Liaw visits in Sydney (and the dishes he orders) for inspiration. He name-dropped a few of his recent favourites, which may give us an idea of what to expect. First up: wagyu carpaccio with sea urchin, parmesan and truffle — a bold flavour combo — from Darlinghurst's Chaco Bar. And, if you're feeling brave, Liaw recommends the 'char-siu' roasted Glacier toothfish from Mr Wong. What is a Glacier toothfish? And why do we want to eat it? It just goes to show that a menu item that starts with 'char-siu' (which is traditionally served as barbecued pork) can end however it likes and, if Liaw suggests it, we'll give it a go. He also mentioned Mama Mulan's Mongolian-style lamb ribs with cumin and the Moo ping marinated pork skewers with jim jaew from Khao Pla as inspirational dishes. [caption id="attachment_611319" align="alignnone" width="1920"] Mr Wong[/caption] Rounding out Liaw's top six were hot pot chain The Dolar Shop and Ho Jiak — both in Haymarket. "[They're] doing fantastic things with modern, creative Asian food while still understanding Australia's love of authenticity," he says. From Dolar Shop, he rates the Sichuan broth, whole big eye ocean perch and sweet potato noodles. You had us at whole big eye ocean perch, Mr Liaw. Adam Liaw's Secret Supper is now sold out but we've still got two tickets to give away. To be in with a chance, head this way. And, while you wait for the big night to roll around, you can get cracking on this Liaw-certified recommendation circuit. Top Image: Kitti Gould.
At the intersection of Brighton Road and Chapel Street, St Kilda's historic Trinity church hall has entered a new phase of existence, reborn as a 300-person pub, beer garden, event space and food truck park. The brainchild of third-generation Melbourne hospitality owner Matt Nikakis, pet-friendly Trinity has fast become a St Kilda go-to. In front, an all-weather courtyard is filled with outdoor tables and fringed by that day's food truck lineup. There are always a couple of guests on rotation (think, Nem 'n Nem and Cha Chas Vegan Mexican) joining Trinity's resident kitchen, housed in a shiny 1956 Airstream. This is your pitstop for snacks like fried chicken tenders ($14), mac 'n' cheese bites ($13) and crispy onion rings ($9), alongside a range of things in buns — maybe a double beef and bacon number ($20), a Southern-style chicken burger ($17), or a fried fish roll with dill tartar ($17). The red-brick former church hall building has been converted into a lofty, light-filled beer hall, complete with soaring ceilings and a huge central bar. You'll find roomy booths in emerald velvet, a separate sitting room filled with a curation of vintage furniture, and a suite of elegant Art Deco-inspired finishes throughout. The glass-walled mezzanine level is available for private functions and sports its very own bar. The drinks offering is a hefty one. A 12-strong tap list heroes familiar favourites from Balter, 4 Pines and Mountain Goat, while the beer fridges showcase drops like Colonial's pale ale ($9), the Kaiju Krush tropical ale ($9) and a slew of Saintly seltzers. Wines are largely local — think, Seville Estate's Sewn Chardonnay, or the Wilds Gully Tempranillo out of King Valley — and cocktails celebrate reworked classics. Settle in with one of three margaritas, try the house ode to Four Pillars' shiraz gin ($22), or get into the good times groove with the mezcal-infused Holy Trinity ($25). Images: Nicole Cleary
The southern stretch of Collingwood's Smith Street has scored an inviting new arrival in vibrant, globally-inspired bar and eatery, Sixty Smith. Opening its doors in late 2020, it's the latest venture from Indy Weerakoon and Sam Silva, co-owners of Fitzroy Beer Garden. Sixty Smith is a warm, eclectic venue boasting four distinct areas. A cosy front bar greets you straight from the street, while further in, a light-filled dining room features cushion-filled banquette seating and an abundance of greenery. Out the back, a covered beer garden is filled with neon street art and upcycled pallet furniture. For quieter drinks and intimate, private celebrations, The Attic awaits upstairs — an old-world-inspired space with gold accents and inky blue hues. The Attic will also play host to a series of monthly dance parties. Sixty Smith's menu draws on a range of global influences, shaped by Head Chef Three Phadungkarn's own experiences — from growing up in Bangkok, to seven years spent cooking Spanish tapas at MoVida and more recently creating classic European fare in the kitchen of Syracuse. The lineup kicks off with lunch plates like the roasted spatchcock with potato salad, a mushroom, truffle and parmesan spaghetti, and a pulled pork burger starring pickled zucchini and spicy mayo. Meanwhile, the dinner offering features bites for appetites small and large, starting with 'graze' snacks like eggplant popcorn, school prawns matched with a tom yum mayo, and lamb spare ribs done with kipflers and capsicum salmorejo (a Spanish-style cold soup similar to gazpacho). The 'gorge' section of the menu might see ox cheek teamed with parsnip puree, braised onion and a hit of horseradish, while grilled broccoli is elevated with harissa and a sunflower seed mole. Otherwise, the decision-saving chef's tasting menu delivers a parade of seasonal hits for $65 per person. You'll spy a couple of rotating tap brews, a lineup of tinnies and a largely local wine selection with plenty of options by the glass. And if cocktails are the mood, there's an impressive rotation of crafty concoctions on offer, from an espresso martini made with vegan dulce de leche, to the fruity yuzu-spiked Tatsu Fizz. Complementing Sixty Smith's artfully plated food and beautifully executed sips is a rotating art exhibition called The Hook, curated by art collective Fort Heart. A dedicated wall within the venue will showcase diverse works from a lineup of local talent, available to buy, plus you can stay tuned for a calendar of supporting art events. Find Sixty Smith at 60 Smith Street, Collingwood. It's open from Tuesday–Thursday 4pm–11pm, Friday–Saturday midday–1am and Sunday 4pm–11pm.
Croissants aren't easy to make, and no one in Australia knows that better than Kate Reid. For a decade, she's been the face of Lune Croissanterie, the bakery acclaimed by everyone from Yotam Ottolenghi (who called its flaky wares "the croissant that should act as the prototype for all others") to The New York Times (who anointed them "the finest you will find anywhere in the world"). The Melbourne-born chain's pastries didn't just luck into that effusive praise, however. Drawing upon her background as an ex-Formula 1 aerodynamicist, Reid took to the task of making the perfect croissant with scientific precision back when she changed fields. Lune's climate-controlled glass cubes, where its croissants are made and baked, have also become famous — adding even more complexity to an already-intricate pastry-creating process. After ten years spent crafting its titular treat, and also expanding the brand across Melbourne and Brisbane (plus Sydney in 2023), Lune has its croissants down to an art — and a science. Australia's pastry fiends clearly agree, spanning the chain's classic OG number through to its rotating array of monthly specials; head to any Lune location and the lines are proof enough. But Reid doesn't want croissant aficionados to only covet Lune's baked goods by heading in-store, not that anyone needs much encouragement there. Cue recipe book LUNE: Croissants All Day, All Night, which endeavours to share and demystify the croissant-making method — the butter, layers and laminating all included — across its hefty 272 pages. [caption id="attachment_871783" align="alignnone" width="1920"] Lune's Kate and Cam Reid[/caption] Reid hasn't found a croissant-making shortcut for the masses, but she has reworked Lune's greatest hits to whip up at home. "Making croissants is really hard, and there's a reason why it's normally a bakery with commercial equipment," she tells Concrete Playground, chatting while touring the country launching the book. When it came time to write the tome, the pandemic struck. Reid describes herself as "a hermit" as a result, but put the situation to good use. "It was coincidental that we ended up in a lockdown, and I was basically stuck in my kitchen at home," she explains. "I was like, 'okay, well what I'm surrounded by is what everyone who buys the book is going to be surrounded by'. So I basically rewrote the recipes from scratch with the home baker in mind." Yes, while everyone else was trying out sourdough, Reid was creating the world's next home-cooking obsession. (When Concrete Playground suggests that perhaps readers will approach Reid's recipes Julie & Julia-style, baking their way through them all from start to finish, she laughs approvingly.) If that commitment sounds like the act of a perfectionist, it is, and Reid freely uses the label to describe herself. You don't get to be an Australian who's globally renowned for a French pastry — so much so that LUNE: Croissants All Day, All Night is being snapped by up folks with bakeries in Wales and Prague, Reid advises — without being diligent and meticulous. You also don't get there without learning plenty. When Reid founded Lune, she did "honestly just want to make the best croissant". She was dedicated to that task — starting work at 5am and putting in 10–12-hours-plus a day rolling croissants up until just a couple of years ago — but didn't once dream of having "five stores around Australia, soon to add to Sydney to the mix (which we're all super-excited about), a book, 170 staff and a wine bar", as she itemises. She credits that modest initial outlook and the genuine passion behind it for Lune's success. It might seem surprising for someone clearly so detail-oriented, but she also champions discovering when to not sweat the small stuff, as she talked through in a chat about croissant dreams, cookbook essentials and the best advice she's ever received. ON STARTING LUNE TO CHASE THE PERFECT CROISSANT "The story's well known about leaving Formula 1 and coming back to Australia, and being interested in being a baker or a pastry chef. But it was going to Paris and spending the time at Du Pain et des Idées, and working exclusively in their raw pastry kitchen. Prior to that, I'd been working in cafes, and making cakes and tarts and biscuits — and while I enjoyed that, I needed something that presented far more of a technical challenge. Discovering that at a bakery in Paris, I finally felt like every single one of the receptors that I needed to be stimulated to feel fulfilled in my work were. I was working in a bakery in France where I had to speak French, and learn new techniques that are physically challenging. I came back from Paris so inspired by what I'd learnt — and then wanting to find a croissant in Melbourne that had matched what I'd been eating and making in Paris. I couldn't really find anything that came anywhere near it, so I guess that was where the idea for Lune was born." [caption id="attachment_668102" align="alignnone" width="1920"] Peter Tarasiuk.[/caption] ON SWAPPING A CHILDHOOD DREAM FOR A PASTRY-FILLED FUTURE "I think I'd turned 30 the year I started Lune. For 20 years just preceding that, I'd been laser-focused about a career in Formula 1. I'd literally planned out my retirement. I was going to be the first female technical director of an F1 team, and wanted to retire in Scotland. When I got sick and came back to Australia, the thought of planning too far ahead scared me, because planning so far ahead had put me in a pretty dark place and things hadn't panned out the way I'd thought. So Lune was a bit more of a one-step-at-a-time approach. Like, 'okay you've discovered this new thing that you love, and you've got an ideal to open a little wholesale bakery in Melbourne — let's start there'. Maybe that's been one of the keys to the success of Lune, in that I didn't have a hard and fast outcome that I needed to achieve other than continuing to hone and perfect this pastry, and therefore it has grown in quite an organic direction. The right people have come along at the right time. Cam [Reid's brother and co-owner] came along 18 months in and he's been instrumental. And Nathan [restaurateur Toleman, of Dessous, Hazel and Common Ground Project] came onboard another year or so later, and he's been instrumental as we've been growing in Victoria and interstate. And then there's the chefs that've crossed our paths over the years. We didn't even know that we were going to go to Brisbane up until two years ago, when the opportunity presented itself. I think now where we are, it's important for us to have a growth plan and a vision, but I think all of us — myself, Cameron and Nathan — are all aware that you don't know what life's going to throw at you, or what your business or you are personally going to have to face, and what challenges are going to come. And it's better to be open-minded, as doors will open when you don't expect." ON WRITING A LUNE COOKBOOK TEN YEARS ON — AND CATERING FOR ALL BAKERS "I've had experiences, not just with bakery books but cookbooks in general, where you follow a recipe to the letter in a book and somehow the end result isn't exactly what it promises to be in the photo or the inscriptions. You always blame yourself, because you're like 'well I'm not a professional chef that wrote that recipe, and I don't work in that restaurant, so I must've done something wrong'. I really wanted to write a book that, short of having me in the kitchen with you, the person who bought it and wanted to cook from it really felt like I was like coaching them through the process in a very detailed way. So, the recipes had to be achievable by a home cook. In order to do that, I discovered over probably six or seven weeks of pretty frustrating trials at home last year that I couldn't just replicate what we did at Lune, obviously, because no one in their home kitchen has all the commercial bakery equipment that we have at Lune. I make no bones about it: there's a reason that we don't make croissants at home. But I think especially over the past few years — and with thanks to people like Chad Robertson from Tartine, who's really normalised and championed more technical baking at home, especially with the understanding of making sourdough bread — people out there want a bigger challenge. Especially over the last couple of years with going in and out of lockdown, people got really savvy in their own kitchens making things that otherwise they might've just wandered down to the local bakery to get. There will be many people who read the recipes I've written and, at the start it tells you you've got to dedicate three days to it —there's managing of temperatures, and pulling batches of pastry in and out of the fridge to make sure the butter's the right consistency; it's very technical. The technical home baker will absolutely dive into the recipes. But for those people who don't want to dedicate three days of life to try to make them from home, there's a couple of chapters in the book dedicated to twice-baked recipes that are cult-classics at Lune — like our coconut pandan or the carrot cake, the mocha, the choc-chip cookie-slice bake — and then there's also a leftovers chapter. Those chapters mean that you can just walk down to your local bakery, buy half-a-dozen plain croissants, then engage with the book and cook from it in a couple of hours of cooking in the kitchen, rather than three days." ON PICKING THE RECIPES — AND PLAYING FAVOURITES "I actually compiled a list of every single special we've ever done at Lune, and the list is hundreds long. Then I looked through it, and basically went and picked out my 60 favourites. The book had to come from my heart, and I needed to make sure that there was a really lovely story behind each recipe included. I also wanted it to be a good balance of sweet and savoury, of simple and complex, and pastries that Lune customers remember from the last ten years. It'd be very hard for me to go past the traditional croissant, and just the challenge of mastering the plain croissant at home. Anyone who embarks on that recipe is going to have a great amount of satisfaction when they pull them out of the oven on day three. But in terms of what to do with the croissant pastry and be creative with it, there are so many recipes in the book. The fish pie one is genius because it uses the scraps of the scraps, so nothing needs to get thrown in the bin. And then with the kouign-amann recipe, which isn't a cult Lune recipe — it's a classic French pastry — even if you've stuffed up your lamination a bit in the raw pastry, you are going to get the most delicious pastry you've ever made at home." ON THE BEST ADVICE REID HAS EVER RECEIVED "It's probably been from Cam, my brother. I am absolutely a perfectionist, maybe to my detriment, and had Cam not come along I potentially could've gotten really stuck in the detail of perfecting the croissant — and at the expense of making a viable business. I'm a control freak as well, so it took me a long time to be able to step back and let go of control of elements that ultimately I didn't need to have control of. The advice is to let go of the things that don't matter, and let other people take hold of things, because somebody's always better at something than you are. If you can find someone that's better at it than you, it's going to be to the benefit of the business and the product, and ultimately you as well. And trusting in people. I think my biggest learning is that to grow a business, 100-percent the most important thing is to have a really good recruitment program, because to get the right people involved in your business is the only way for a business to grow and succeed." AND SOME ADVICE FOR LUNE: CROISSANTS ALL DAY, ALL NIGHT READERS "Source really good ingredients to start with, because you can't make something great from bad ingredients – you just can't. They're your foundation, your good ingredients. If you live in a really hot, humid environment and you don't have air-conditioning, it's probably going to be the most frustrating recipe of your entire life. It's really not designed for warm environments, and if you don't have the ability to control the room that you're doing the pastry in, then you're not going to have a great time. And please tag me on Instagram if you try to make it, because I'm so excited to see everyone's results. That's not advice — that's a request!" LUNE: Croissants All Day, All Night is available at Australian bookstores and online, with the hardback edition retailing for $55.
The new happiest place on earth is mere months away from opening, with Studio Ghibli's very own theme park welcoming in animation lovers when November 1 arrives. Long in the works, Ghibli Park has had animation lovers waiting to wander its 200-hectare expanse in Nagoya's Aichi Prefecture, around a three-hour train trip from Tokyo, since back in 2017. And wondering exactly how magical it will look for just as long, too. The answer? Supremely enchanting; yes, getting spirited away will be easy here. Ghibli has been dropping early glimpses, even if its recent Hayao Miyazaki-directed cat train trailer was solely animated (but still wonderful). Now, it has just unveiled a treasure trove of new sneak peeks at the upcoming venue. The park will open in phases, but the first won't be short on highlights, including what's been dubbed Ghibli's Great Warehouse — aka its main area. Think of it like a fair within the overall attraction, featuring a video exhibition room, three special exhibition rooms, plus shops and cafes all in one space. Many movie lovers' first stop will be Orionza, a cinema that'll seat 170 patrons and screen ten Ghibli shorts — all of which have only previously been seen at the studio's existing Ghibli Museum in Mitaka, a city on the western outskirts Tokyo. The easy highlight: the 13-minute-long sequel to My Neighbour Totoro, which is an absolute delight, unsurprisingly. Fancy entering one of Ghibli's films? The park also includes recreations of 13 famous scenes from the company's cinematic catalogue that you can step into, including becoming Spirited Away's Chihiro by sitting next to Kaonashi on a mysterious train by the sea. Or, another exhibition focuses on Ghibli's knack for drawing delicious-looking food, and is certain to make you hungry. And, if you're curious how Ghibli's works — such as posters, videos, music and books — appear overseas, there's an exhibition about that as well. Because you'll want souvenirs, the Ghibli's warehouse store will sell Ghibli goodies galore, including items specific to the park. Expect two things: to want to purchase everything, so much so that you'll contemplate whether it's worth getting another suitcase to take home with you; and plenty of company while you're browsing and buying. For a bite or a drink, the Great Warehouse's cafe and milk stand will both take their cues The Wind Rises. One will sling sandwiches and pizzas, while the other focuses on sips to drink — and a sweet made of red bean paste between two pieces of castella, as seen in the movie. Yes, it all truly does resemble the Japanese animation house's glorious frames in real life — as that aforementioned Studio Ghibli museum already does as well. Also slated to feature across the whole park: a life-sized version of Howl's Moving Castle, the antique shop from Whisper of the Heart, Kiki's home from Kiki's Delivery Service and a village area that pays tribute to Princess Mononoke. The Aichi Prefecture Expo Park spot is already home to a replica of Satsuki and Mei's house from My Neighbour Totoro, and Totoro still features heavily in the expanded setup — with the site even initially described as having a My Neighbour Totoro focus. Or, you can check out nods to the cat from Whisper of the Heart and The Cat Returns, buildings with design elements that take their cues from Laputa: Castle in the Sky, and a super-sized garden that'll make you feel like you're one of the tiny characters in Arrietty. Expect more nods to Ghibli's various features to follow, recreating other aspects from its three-decade-old body of work (and possibly its most recent movie, Earwig and the Witch). The animation house also released a new short video with added glimpses at the park, because there's no such thing as too many sneak peeks at something this entrancing pic.twitter.com/oZUKE36Jeg — スタジオジブリ STUDIO GHIBLI (@JP_GHIBLI) September 15, 2022 If you're now planning a Ghibli-centric holiday, Japan's changed its border rules in September to let overseas tourists enter the country without booking guided tours. At the time of writing, you do still need to be travelling on a package tour, however — through a travel agency, even if it just covers your flights and accommodation. Fingers crossed that changes soon. Ghibli Park will open on November 1, 2022. For more information, head to the venue's website. Images: © Studio Ghibli.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's nine you can watch right now at home. JUNGLE CRUISE Take two charming actors, then couple them up for a feature-length volley of fast-paced banter: that's the screwball rom-com formula. Place this pleasing pair in a scenic but challenging setting — one that'll highlight their individual strengths, see them turn seeming weaknesses into new skills, and will obviously bring them closer together — and that's exactly how plenty of action-adventure movies have unfurled. Sending the always personable and likeable Dwayne Johnson and Emily Blunt to the Amazon, Jungle Cruise stitches together these two well-established formulas. It traverses its cinematic rapids in the slipstream of 80s fare like Raiders of the Lost Ark and Romancing the Stone (and their respective sequels), and even rollicks along in the footsteps of The Mummy franchise of the late 90s and early 00s (a series which actually gave Johnson his first big-screen roles). But, as anyone with even a passing knowledge of Disney's theme parks knows, Jungle Cruise also falls from the attraction-to-film mould that the Mouse House clearly loves. Pirates of the Caribbean is an overt influence, right down to the way that some of this new flick's villains look, and thrusting all these blatant templates to the fore — and together — doesn't quite result in movie magic. Indeed, despite Johnson and Blunt's charismatic and capable pairing, as well as the movie's visually boisterous imagery, the film's modest pleasures all fade oh-so-quickly, as happens with every amusement ride. Directed by Unknown, Non-Stop, Run All Night and The Commuter's Jaume Collet-Serra, who makes a workmanlike but hardly memorable jump from unleashing Liam Neeson's special set of skills, Jungle Cruise wants to whisk viewers off on a spirited ride. That's the experiential aim of most theme park-based films: these flicks want audiences to feel like they've stepped inside the attraction from their cinema seat. So, before the movie's title card graces the screen, two sequences endeavour to set this tone. It's 1916, and Dr Lily Houghton (Blunt, A Quiet Place Part II) sneaks into an all-male science society to look for a treasured arrowhead from the Amazon. She's tasked her fussy brother MacGregor (Jack Whitehall, Good Omens) with deflecting the organisation's members by telling them her theories about a fabled South American tree, called the Tears of the Moon, that can cure any illness or break any curse. The men are dismissive, but she knows they will be. She's there to steal the trinket so it can lead her to the mythical plant, all while Prince Joachim of Germany (Jesse Plemons, Judas and the Black Messiah) tries to get his hands on it as well. When Lily comes out on top, the Houghtons are off to Brazil to hit the river, but they'll need a captain to guide their watery jaunt. In his introductory scene, the roguish Frank Wolff (Johnson, Jumanji: The Next Level) is spied conducting tourist trips down the Amazon, every step choreographed like an amusement park ride, and with his own pun-heavy showman patter narrating the journey. He's corny, and he has a jaguar in on the act, too. Accordingly, there are zero surprises when Lily enlists his services reluctantly and after some subterfuge on his side, or when he keeps trying to trick her into giving up her quest. Jungle Cruise is available to stream via Disney+ with Premier Access. Read our full review. TALL POPPY — A SKATER'S STORY When skateboarding makes its debut as an Olympic sport in Tokyo this winter, it'll do so with Poppy Starr Olsen flying the flag for Australia. A world champion since her teens, she first hit the Bondi Skate Park at the age of eight, and proclaimed at the time that she'd like to spend her adult life carving, ollieing, flipping and grinding — one of those childhood wishes that, in this case, has proven more than just a kid's outlandish fantasy. Audiences know about this youthful exclamation because it was caught on camera. Yes, Tall Poppy — A Skater's Story belongs in the camp of documentaries that are inescapably blessed by the constant lens through which many of our lives have been captured since video cameras became a household gadget and then a standard mobile phone feature. Accordingly, making her first feature-length doco, filmmaker Justine Moyle has ample material to draw upon as she weaves together a portrait of Olsen's life from pint-sized bowl-rider to Australia's best female skater, the fourth best woman on a board in the world and an Olympian, all by the age of 21. This isn't just a film compiled from home videos, though, although the feature. In front of Dane Howell's (Without a Tracey) lens as she has grown up, Olsen is candid, open and relaxed as she literally comes of age before the camera, and her skateboarding skills are just as riveting to watch. You can tell much about Olsen by just seeing her in the bowl or on the park, no matter her age, wherever she happens to be at the time, or if she's competing, practicing or just skating for fun. It hardly comes as a surprise that she takes to the pastime because it feels so freeing; as she rolls up and down in Bondi after first giving skateboarding a try, she may as well be flying. Tall Poppy — A Skater's Story captures the rollercoaster ride from there, as she's eager and enthusiastic at both local and international competitions, visibly nervous at her first X Games, and also a little disillusioned once she's put on an Olympic path. She's a teenager, in other words, and her emotional ups and downs mirror those on the board. This is a film about resilience, perseverance and taking on the world on your own terms, however, as Olsen works out who she wants to be and how that ripples through in her skateboarding. She's already a role model, whether or not you want to follow in her footsteps. Here, she's doubly so for her personal ebbs and flows, including through COVID-19, as much as her professional achievements. Tall Poppy — A Skater's Story is an affectionate movie, of course. Its release is also impeccably timed, it's as deservedly loving towards female skaters as the fictional Skate Kitchen and its TV spinoff Betty, and it shows the beauty in every commonplace and exceptional skateboarding trick. But Olsen's presence, passion and prowess drive this rousing documentary above all else. Tall Poppy — A Skater's Story is available to stream via ABC iView, Google Play, YouTube Movies, iTunes and Amazon Prime Video. FAST AND FURIOUS 9 Fast cars, furious action stars, a love of family and oh-so-many Coronas: across ten movies over 20 years, that's the Fast and Furious franchise. It might've started out as a high-octane spin on Point Break, but this long-running series has kept motoring across nine flicks in its main storyline, and also via a 2019 spinoff. The latter, Hobbs & Shaw, actually casts a shadow over the saga's latest instalment. Because Dwayne Johnson was part of that sidestep, he doesn't show up in Fast and Furious 9. He's missed, regardless of whether you're usually a diehard fan of the wrestler-turned-actor, because he's managed to perfect the F&F tone. Over his decade-long involvement to-date, Johnson always seems amused in his Fast and Furious performances. He's always sweaty, too, but that's another matter. Entering the F&F realm in Fast Five, he instantly oozed the kind of attitude the franchise needs. He knows that by taking the outlandish stunts, eye-catching setpieces and penchant for family with the utmost seriousness, these films border on comedic — and by navigating five flicks with that mood, he's been the saga's playful and entertaining barometer. Without Johnson, Fast and Furious 9 isn't as willing to admit that it's often downright silly. It's nowhere near as fun, either. Hobbs & Shaw wasn't a franchise standout, but Fast and Furious 9 mainly revs in one gear, even in a movie that features a high-speed car chase through Central American jungles, a plane with a magnet that can scoop up fast-driving vehicles and a trip to space in a rocket car. The latest F&F is as ridiculous as ever, and it's the least-eager F&F film to acknowledge that fact. It's also mostly a soap opera. It leans heavily on its favourite theme — yes, family — by not only swapping in a different wrestler-turned-actor as Dominic Toretto's (Vin Diesel, Bloodshot) long-lost sibling, but also by fleshing out the warring brothers' backstory through flashbacks to their tragic past. Fast and Furious 9 starts with an 80s-era Universal logo, because that's the time period it heads to first — to introduce a teen Dom (Vinnie Bennett, Ghost in the Shell), his never-before-mentioned younger brother Jakob (Finn Cole, Dreamland) and their dad Jack (JD Pardo, Mayans MC). It's 1989, the elder Toretto is behind the wheel on the racetrack, and his sons are part of his pit crew. Then tragedy strikes, tearing the Toretto family apart. In the present day, Dom and Jakob (John Cena, Playing with Fire) definitely don't get along. Indeed, when Roman (Tyrese Gibson, The Christmas Chronicles: Part Two), Tej (Chris 'Ludacris' Bridges, Show Dogs) and Ramsey (Nathalie Emmanuel, Four Weddings and a Funeral) drive up to the rural hideout that Dom has been calling home with wife Letty (Michelle Rodriguez, Crisis) and toddler son Brian (first-timers Isaac and Immanuel Holtane) since the events of 2017's The Fate of the Furious, he doesn't even want to hear about the latest mission that demands their help. The only thing that changes his mind: realising that Jakob is involved and up to no good. Fast and Furious 9 is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Read our full review. GUNPOWDER MILKSHAKE Cutesy name, likeable stars, stylised brutality, a familiar revenge scenario: blend them all together, and that's Gunpowder Milkshake. There's one particular ingredient that's missing from this action-thriller's recipe, though, and its absence is surprising — because much about the film feels like it has jumped from the pages of a comic book. That's one of the movie's best traits, in fact. The world already has too many comics-to-cinema adaptations, but although Gunpowder Milkshake doesn't stem from a graphic novel, it actually looks the part. Its precise framing and camera placement, hyper-vibrant colours and love of neon could've easily been printed in inky hues on paper, then splattered across the screen like the blood and bullets the feature sprays again and again. Writer/director Navot Papushado (Big Bad Wolves) and cinematographer Michael Seresin (War for the Planet of the Apes) have made a visually appealing film, and a movie with evident aesthetic flair. All that gloss is paired with a generic assassin storyline, however, and a half-baked feminist thrust. It's Sin City meets John Wick but gender-flipped, except that the Kill Bill movies and Atomic Blonde have been there and done that. Crafting a film that's entertaining enough, but largely in a mechanical way, Papushado and co-scribe Ehud Lavski (a feature first-timer) attempt to complicate their narrative. The basics are hardly complex, though. As skilled killer Sam (Karen Gillan, Avengers: Endgame) notes in the movie's opening narration, she works for a group of men called The Firm, cleaning up its messes with her deadly prowess. It's an inherited gig, in a way. Fifteen years earlier, she was a fresh-faced teen (Freya Allan, The Witcher) with a mum, Scarlet (Lena Headey, Game of Thrones), who did the same thing. Then her mother abandoned her after a diner shootout, leaving Sam to fend herself — and, to ultimately get her jobs from Nathan (Paul Giamatti, Billions), one of The Firm's flunkies. It's on just that kind of gig that Sam kills the son of a rival crime hotshot (Ralph Ineson, Chernobyl), and he wants revenge. Soon, her employers are also on her trail, after she takes another assignment in an attempt to sort out her first problem, then ends up trying to save eight-year-old Emily (Chloe Coleman, Big Little Lies) from violent kidnappers. The cast also spans the impressive trio of Angela Bassett (Black Panther), Michelle Yeoh (Last Christmas) and Carla Gugino (a Sin City alum), albeit sparingly, with all of Gunpowder Milkshake's female figures solely tasked with navigating an inescapably clear-cut scenario. Gunpowder Milkshake is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Read our full review. SPACE JAM: A NEW LEGACY In the misfire that's always been 1996's Space Jam, basketball superstar-turned-unconvincing actor Michael Jordan is asked to hurry up. "C'mon Michael, it's game time! Get your Hanes on, lace up your Nikes, grab your Wheaties and your Gatorade, and we'll pick up a Big Mac on the way to the ballpark," he's told. Spoken by go-to 90s schemester Wayne Knight (aka Seinfeld's Newman), this line couldn't better sum up the film or the franchise it has now spawned. The Space Jam movies aren't really about the comedic chaos that springs when a famous sportsperson pals around with cartoons. That's the plot, complicated in the original flick and now 25-years-later sequel Space Jam: A New Legacy by evil forces that turn a basketball game into a battle ground; however, it's also just a means to an end. These features are truly about bringing brands together in a case of mutual leveraging, as product placement always is. Connect Looney Tunes with the NBA, and audiences will think of both when they think of either, the strategy aims. It has worked, of course — and with A New Legacy, the approach is put to even broader and more shameless use. Everyone who has ever even just heard of Space Jam in passing knows its central equation: Looney Tunes + hoop dreams. The first Space Jam's viewers mightn't also remember the aforementioned product name-drops, but Warner Bros, the studio behind this saga, hopes A New Legacy's audience will forever recall its new references. All the brands shoehorned in here are WB's own, with its other pop culture franchises and properties mentioned repeatedly. The company also has Harry Potter, The Matrix, the DC Extended Universe flicks such as Wonder Woman, and Mad Max: Fury Road in its stable. Its catalogue includes Game of Thrones, Rick and Morty, The Lord of the Rings, and Hanna-Barbera cartoons like The Flintstones and Scooby-Doo, too. And, it holds the rights to everything from The Wizard of Oz, Metropolis and Casablanca to A Clockwork Orange and IT. A New Legacy wants to forcefully and brazenly impress these titles into viewers' minds so that they'll always equate them with the studio. In other words, this is just a Warner Bros ad with LeBron James and Looney Tunes as its spokespeople. You don't need to be a cynic or have zero nostalgia for the OG Space Jam to see A New Legacy as purely a marketing exercise, though, because corporate synergy is literally what the movie's villain, an algorithm named Al G Rhythm (Don Cheadle, Avengers: Endgame) that runs the on-screen Warner Bros, aims to achieve in this shambles of a film. Space Jam: A New Legacy is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Read our full review. DREAM HORSE Life-changing conversations can happen in bars — as Jan Vokes well and truly knows. Played in Dream Horse by Toni Collette (I'm Thinking of Ending Things), the Welsh supermarket employee and pub barmaid overheard Howard Davies (Damian Lewis, Billions) chatting about his past success as a racehorse owner. In his beer-fuelled boasting, he doesn't discuss how it almost left him bankrupt and divorced, but Jan is still inspired to both follow his lead and enlist his help. Having bred whippets and racing pigeons before, and won prizes for doing so, she decides she'll turn her attention to horses. Husband Brian (Owen Teale, Game of Thrones) isn't initially convinced, but soon she's studying guides, finding a mare and then a stallion, and convincing her friends and neighbours to put away a tenner a week to pay for this little endeavour. The syndicate's focus: a foal they name Dream Alliance, who spends his early days being raised on the Vokes' allotment, and eventually ends up with racing hotshot Philip Hobbs (Nicholas Farrell, The Nevers) as its trainer. Dream Horse wouldn't exist if success didn't follow, and it leaves no doubt that that's the case; however, director Euros Lyn (The Library Suicides) and screenwriter Neil McKay (Mad Money) chart lows as well as highs, and always ensure their characters are their primary focus. Dream Alliance was always going to gallop into cinemas, of course — and not just via 2015 documentary Dark Horse: The Incredible True Story of Dream Alliance. His is a story too crowd-pleasing for filmmakers to ignore, especially given the UK's penchant for against-the-odds tales about motley crews of struggling salt-of-the-earth characters who band together over an unusual but swiftly shared interest that ends up revitalising their lives in more ways than one. That's the template Dream Horse plays to, even though it's based on a true tale and an actual horse. The Full Monty, Calendar Girls and similar feel-good flicks provide as much inspiration here as the actual real-life details, in fact. Accordingly, this is a movie that's easy to get caught up in. It's almost impossible not to, really. That said, it's also a film that wears its warmth, sentimentality and shameless heartstring-pulling as a badge of honour. As a result, it's also impossible to ignore the buttons the movie keeps gleefully pushing, and the parts of the tale that must've been smoothed out to elicit the desired cheer-inducing response — even around Collette's committed performance. But this happily mawkish feature and its characters are all doing it for the "hwyl", a Welsh term that means "emotional motivation and energy", and neither is willing to let that mission dwindle even for a second. Dream Horse is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. SNAKE EYES: GI JOE ORIGINS Every film doesn't have to spawn a franchise, and most shouldn't; however, when a Hollywood studio teams up with a toy manufacturer to turn action figures into a movie, and then wants to keep using the latter to sell the former, apparently that stops being the case. That's why cinema audiences have been forced to suffer through the Transformers movies over the years, and why we also now have Snake Eyes: GI Joe Origins, the latest addition that no one wanted to a dull saga that started with 2009's GI Joe: The Rise of Cobra and then continued via 2013's GI Joe: Retaliation. Channing Tatum isn't part of the story this time around, with the focus shifting to the eponymous Snakes Eyes (Henry Golding, Monsoon). Before the character becomes a member of the GI Joe team, he's a man out to avenge the murder of his father (Steven Allerick, Westworld) from back when he was a kid. That quest first leads him into the employ of yakuza kingpin Kenta (Takehiro Hira, Girl/Haji), where he helps smuggle guns in giant dead fish. From there, he gets his shot with the Arashikage clan — a family-run enclave of Japanese powerbrokers that the ambitious Tommy (Andrew Koji, Warrior) thinks he'll lead next, is unsurprisingly wary of outsiders, but eventually and after much suspicion from head of security Akiko (Haruka Abe, Cruella) lets Snake Eyes undertake its secretive testing process to become a member. It's a credit to director Robert Schwentke (Insurgent and Allegiant), and to writers Evan Spiliotopoulos (The Unholy), Joe Shrapnel and Anna Waterhouse (Rebecca), that Snake Eyes isn't obsessed with obnoxiously stressing its franchise ties. It does all lead up to uttering a well-known GI Joe adversary's name, other recognisable characters such as Scarlett (Samara Weaving, Bill & Ted Face the Music) and Baroness (Úrsula Corberó, Money Heist) pop up, and nefarious terrorist organisation Cobra plays a part, but none of these links ever feel like the movie's primary purpose. Still, that half-heartedness speaks volumes about a movie that displays that trait again and again, is fine with remaining a generic Tokyo-set ninja revenge movie — complete with gratingly obvious shots of Mount Fuji, the Shibuya scramble crossing and Tokyo Tower — and also works giant snakes rendered in visually abhorrent CGI into the mix. The best element: Golding, who has never been less than charismatic in any of his on-screen roles (see also: Last Christmas, A Simple Favour and Crazy Rich Asians). He can't lift this formulaic franchise-extending slog, though, and neither can his rapport with both Koji and Abe, Schwentke's eye for his settings or the movie's often eye-catching costuming. The film's unenthused action scenes prove an apt weathervane, because they're by-the-numbers at best, even when The Raid's Iko Uwais is involved. Snake Eyes is available to stream via Google Play, YouTube Movies and Amazon Prime Video. SIR ALEX FERGUSON: NEVER GIVE IN Even among sports agnostics who know next to nothing about football of any code, and don't want to, Sir Alex Ferguson's name still likely rings a bell. The prodigiously successful soccer manager was synonymous with equally prosperous English Premier League team Manchester United for almost three decades between 1986–2013, leading them to 38 different trophies — including 13 EPL titles. He oversaw an era that featured star players such as David Beckham, Eric Cantona, Cristiano Ronaldo and Wayne Rooney, all famous names that are also known beyond sports fans. Accordingly, Ferguson is a highly obvious candidate for a documentary, particularly an authorised film directed by his own son Jason. But the best docos don't just preach to the already celebratory and converted. A piece of non-fiction cinema has the potential to turn any viewer into an aficionado, and to get everyone watching not only paying attention, but wholly invested. As the vastly dissimilar, not-at-all sports-related The Sparks Brothers also does, that's what Sir Alex Ferguson: Never Give In achieves. It steps through its eponymous subject's life story, all with the man himself narrating the details, sharing his memories and musings, and looking back on an extraordinary career. Helpfully when it comes to standing out from the crowded sports doco crowd, Never Give In has an angle: in 2018, Sir Alex was rushed to hospital and into surgery due to a brain haemorrhage. At the time, his biggest fear was losing his memories, which the younger Ferguson uses as an entry point — and as a touchstone throughout the birth-to-now recollections that fill the film otherwise. This approach helps reinforce exactly what Sir Alex has to recall, and what it all means to him. It also makes his plight relatable, a feat his footballing achievements were never going to muster (we can all understand the terror of having our lives' best moments ripped from our consciousness, but few people can claim to know what his level of professional success feels like). In his Scottish brogue, the elder Ferguson proves a lively storyteller, talking through his upbringing in Glasgow, his childhood adoration of Rangers Football Club, his ups and downs as a player — including taking to the pitch for Rangers and against them — and the path that led him to coaching first in Scotland, then for Manchester United. A wealth of archival footage assists in fleshing out the tale, as do interviews with players such as Cantona and Ryan Griggs. The result: an easy win of a film, but a nonetheless compelling and skilful one, too. Sir Alex Ferguson: Never Give In is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. SPIRIT UNTAMED The first time that a Kiger Mustang named Spirit cantered across the silver screen, it was in 2002's Oscar-nominated Spirit: Stallion of the Cimarron. Back then, the film marked just the sixth theatrical feature that Dreamworks Animation had brought to cinemas — following Antz, The Prince of Egypt, The Road to El Dorado, Chicken Run and Shrek — and if anything stood out, it was the movie's hand-drawn animation. Almost two decades later, Spirit Untamed returns the energetic and determined horse back to theatres. The movie he's in still looks gorgeous, even if computers have replaced pencils in bringing him to life. That said, this isn't actually the franchise's second step, with Netflix series Spirit Riding Free also telling the apple-loving animal's story across 78 episodes since 2017. In both look and feel, Spirit Untamed has more in common with its streaming counterpart than its big-screen predecessor, unsurprisingly. It's happy to primarily court the show's young audience, too. Indeed, while voice work by Jake Gyllenhaal (Spider-Man: Far From Home), Julianne Moore (Lisey's Story), Walton Goggins (Fatman), Andre Braugher (Brooklyn Nine-Nine) and Eiza González (Godzilla vs Kong) is designed to appeal to adults, there's little else but scant traces of nostalgia and pastel-hued imagery to keep anyone past their teens interested. Her vocals stem from a different actor — with Isabela Merced (Dora and the Lost City of Gold) doing the honours — but Fortuna Esperanza "Lucky" Prescott still sits at the heart of Spirit Untamed. Like Spirit Riding Free, the new film tells of Lucky's arrival in the frontier town of Miradero, her connection with Spirit and her efforts to save him from wranglers (led by Goggins). Also covered: her budding friendship with fellow horse-lovers Pru (voiced here by Little's Marsai Martin) and Abigail (Mckenna Grace, Annabelle Comes Home). They're the pals she needs when Spirit and his wild companions are snatched up by the nefarious rustlers, who plan to ship the horses off and sell them. Together, the pre-teen trio then sets off across the dangerous plains, determined to save the galloping animals and do the right thing. There's an obvious but still welcome and powerful message in Lucky's story, as she ignores her worried dad's (Gyllenhaal) warnings and her doting aunt's (Moore) fussing, choosing to follow her own heart and path instead. (Her father frets because her mother, voiced by González, worked as a horse-riding stunt performer and died during a show.) Similarly pleasing, even if the movie basically just remakes the TV show's first episode: that this all-ages wild west tale heroes women, although it pales in comparison to the recent Calamity, a Childhood of Martha Jane Cannary. Spirit Untamed is available to stream via Google Play, YouTube Movies, iTunes and Amazon Prime Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May, June and July. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
Becky with the good hair gets a shoutout in Swarm. Facial bites do as well, complete with a Love & Basketball reference when the culprit flees. This seven-part series about a global pop sensation and her buzzing fans and stans also has its music icon unexpectedly drop a stunner of a visual album, ride a white horse, be married to a well-known rapper, become a mum to twins and see said husband fight with her sister in an elevator. Her sibling is also a singer, and plenty of folks contend she's the more interesting of the two. Still, Swarm's object of fascination — protagonist Dre's (Dominique Fishback, Judas and the Black Messiah) undying obsession — sells out tours, breaks Ticketmaster and headlines one of the biggest music festivals there is. And, while they call themselves the titular term rather than a hive, her devotees are zealous and then some, especially humming around on social media. Donald Glover and Janine Nabers, the show's creators and past colleagues on Glover's exceptional, now-finished Atlanta — Nabers also worked on Watchmen, too — couldn't be more upfront about who they're referring to. No one says Beyoncé's name, however, but Swarm's Houston-born music megastar is the former Destiny's Child singer in everything except moniker. In case anyone watching thinks that this series is trading in coincidences and déjà vu, or just failing to be subtle when it comes to Ni'Jah (Nirine S Brown, Ruthless), the Prime Video newcomer keeps making an overt opening declaration. "This is not a work of fiction. Any similarity to actual persons, living or dead, or events, is intentional," it announces before each episode, all of which stream from Friday, March 17. Ni'Jah is Swarm's sun, radiating her vastly popular glow upon all who choose to bask, and upon the world in general anyway. Always orbiting her from a distance, Dre is the show's earth. This is the latter's tale, as she starts the series as a twentysomething in 2016 who still adores her childhood idol with the same passion she did as a teen and, instalment by instalment, shows how far she's willing to go to prove it. Swarm's debut scene features Dre excitedly tearing open an envelope containing the credit card she needs to buy expensive Ni'Jah tickets she can't afford, which she's purchasing as a birthday present for her best friend and housemate Marissa (Chloe Bailey, Grown-ish). Alas, before the first set of closing credits run, that concert-going dream will be tainted by tragedy and murder, sending Dre across the country to chase her hero, confront Ni'Jah naysayers and work out if she's anyone beyond a stan. Thoroughly unrelated fellow 2023 arrival Poker Face commences in a similar fashion — not with pop goddesses and the people who are crazy, drunk and sometimes dangerously in love them, but with a friendship fractured and a road trip springing in the aftermath. While Swarm isn't a mystery-of-the-week series, it does see Dre head to different places, take up various jobs and befriend an array of people, and lets each chapter unfurl as a largely self-contained narrative. It's also anchored by a compelling lead performance, and one that's calibrated to make a statement. As Dre, Fishback is commanding. She stings with vulnerability and fierceness alike, and floats between the two expertly. Crucially, while she's ferocious, she's purposefully the opposite — or near enough — of Ni'Jah's Queen Bey-esque vision of perfect Black womanhood. Even if Swarm wasn't in formation with the star who runs many fans' worlds, Dre would remain a character rarely seen on-screen. From The King of Comedy through to its own ardent admirer Joker, and including Misery in-between, pop culture isn't lacking in ultra-dedicated enthusiasts who've sipped more than lemonade and can't stop worshipping — but they're never Black women. As Atlanta did before it and so gloriously, Swarm unpacks stereotypical representation. It tears into fame and its costs and consequences as well, plus true-crime and its formula, and it's clearly unafraid of real-world parallels. Surging with the surreal and savage, too, it whirrs and fizzes on a heightened plane (that Swarm's episodes could slot easily into Atlanta is an immense compliment). Awkward to the point of barely speaking at the outset — she lights up in Marissa's presence, then withdraws whenever Khalid (Damson Idris, Snowfall), Marissa's boyfriend, is around — Dre is the type of protagonist that audiences can't look away from even at her worst. Journeying from strip-club gigs to communes, she traverses a coming-of-age story, but a brutal one. Fishback's resume has ample highlights, such as a BAFTA nomination for Judas and the Black Messiah, and also-excellent work in Show Me a Hero, The Hate U Give and The Deuce, but she turns in the TV equivalent to Mia Goth's phenomenal recent work in Pearl here. Both tell of young women who don't feel like they belong, want more than their lot than life, and sport hopes and dreams they're constantly told are pure fantasies. Both won't simply accept that reality, either, no matter who or what gets in their way. There's a particular potency to Glover, aka Childish Gambino, helping to tell Swarm's toxic showbiz fandom tale. Again, the series leans into letting art blatantly imitate and riff on life — not with references to his own career, but in nudges to IRL fame wherever it can. Bailey is one half of Chloe x Halle, a singer and star, and even a former Beyoncé co-star and protege. Popping up as an erotic dancer, Paris Jackson (Gringo) is the daughter of Michael Jackson and, yes, has an album as well. When Dre finds herself with a NXIVM-inspired group, Billie Eilish plays its leader Eva. Brother to Macaulay and Succession's Kieran, Rory Culkin (Under the Banner of Heaven) also features. So does Glover's own sibling Stephen. And, among Swarm's staff writers is Malia Obama, credited as Malia Ann. Winking and nodding serves Swarm nicely, filtering down to its co-director Ibra Ake, who held the same position with Beyoncé's The Lion King visual album Black Is King — a movie where Donald Glover voiced Simba and Beyoncé voiced Nala. Top-notch craft that's as immersive and textured as Atlanta always was, all while veering more prominently into psychological horror-meets-satire territory, proves as important and deftly executed (with the Glovers and Honk for Jesus, Save Your Soul's Adamma Ebo also behind the lens). Indeed, Swarm is a gripping series to look at and listen to, and a feat in aesthetics and sound; often grainy and saturated with red, and also literally buzzing whenever Dre's deeds are about to get violent, it's meticulous at plunging viewers into its headspace. Getting obsessed is easy — which, like any pop hit and its hooks, is aptly and knowingly all by design. Check out the trailer for Swarm below: Swarm streams via Prime Video.
In fantastic news, Entrecôte has announced that it is bringing back its famous breakfast offering, so you can indulge your French fantasies with flowing champagne and crisp croissants, all before 11am. For the first time, the Greville Street venue will open its doors to those looking for a buzzy brekkie, because who says you have to save the party for lunch and dinner? It was a classic Melbourne experience, hustling for a prized table in the front terrace of the charming Entrecôte of old (when it was perched next to the Tan in South Yarra), enjoying a buttered baguette in one hand and a coffee in the other. It was about as close as one could get to a Parisian affair without having to leave the country. So Melburnians will be thrilled to once again have the opportunity to enjoy Entrecôte's signature breakfast. "Breakfast at Entrecôte…is a mood, a little bit of mischief, a lot of indulgence", says owner Jason M. Jones, a classic bon vivant and well-known figure across Melbourne's hospitality landscape. The menu, he says, is "a love letter to mornings with a French accent." The elusive golden folded eggs return, as does the glorious Croque Madame with Parisian ham, gruyère and Dijon béchamel, and a fried egg. If you're not worried about clogging your arteries at 9am, go for the La Grande with a minute steak, Toulouse sausage, grilled bacon and fried eggs. Or make it feel like you are on holiday and order the Le Petit Déjeuner Complet. Choose between a baguette with butter, cheese, ham and eggs, or a croissant with jam, yoghurt and granola, all served with juice and a hot beverage. The beverages hold their own here, too, whether you're going alcoholic or keeping it PG. Inspired by the viral hot chocolate from Angelina in Paris, Entrecôte's version sees Belgian dark chocolate steamed with Jersey milk, served with crème Chantilly. The breakfast cocktails, including a breakfast martini with marmalade vodka and a Bloody Marie Antoinette, will have the party starting from bright and early. "Think Paris cafe mornings, only with Melbourne sunshine and a soundtrack of clinking coffee cups and laughter…The terrace is ready, the Taittinger is cold, and Le Petit Déjeuner is back on the menu at Entrecôte. No bookings. No fuss. Just turn up, sit down, and pretend you always start your mornings like this." Images: Ricky Sam. Entrecôte will be serving breakfast from 8am, with last orders at 11.15am. If you're not an early bird, the Prix Fixe, two—or three-course lunch menu is available on weekdays.
If there's two things that the end of the year always includes, it's Christmas decorations and plenty of drinks. They're both all well and good separately, but they might be even better combined — in a Christmas tree made out of tinnies, for instance. A real object that now exists ready for the merriest portion of the 2021 calendar, this Christmas tinnie tree isn't fashioned out of old cans. So, it doesn't merely celebrate the remnants of your past beverages. Instead, it gives you a place to stack new cold ones just waiting to quench your thirst. And yes, it comes with beers, as they're obviously essential to the whole concept. Craft Cartel is slinging these mighty jolly centrepieces this festive season, after giving beer lovers Australia's largest case of craft beer back in 2020. If you're keen to add one to your home — and to get sipping — it'll cost you $399, which covers a flat-pack tree that you then put together yourself, 48 brews ready to wet your whistle and delivery to your door. If you're wondering what you'll be drinking, those 48 tinnies span 24 different varieties — so, two of each. And, alongside cans from Ballistic, Slipstream, Sydney Brewing, Gage Roads, Modus Operandi and Brick Lane, there's seven limited releases among them, such as Stockade's The Mountie Maple Imperial Stout, Akasha's Korben Double IPA, Sauce's Caribbean Fogg Hazy Pale Ale and Moon Dog's Splice of Heaven Mango Ice Cream IPA. Design-wise, the tree itself uses sustainable timber, and is crafted to resemble a traditional pine tree — all thanks to Australian designer Ian Tran of Domus Vim. Who doesn't want to place all their presents around a tower of beer? No one, that's who. And if you decide it needs some tinsel as well, that's up to you. For more information about the Christmas tinnie tree, or to buy one, head to the Craft Cartel website.
Love the fact or not, as far as top-notch tipples and world-class watering holes go, Melbourne just kicked a serious goal. Here to add a little more fuel to the 'which city does it best?' debate, the Victorian capital has outranked all other Australian counterparts to nab a spot in Punch's 2023 guide to the world's most travel-worthy drinking destinations. The international drinks publication has revealed its Where to Drink in 2023 wrap-up, naming Melbourne as one of just five cities worldwide. Also making the unranked list were Buenos Aires in Argentina, Portugal's capital Lisbon, Osaka in Japan and, flying the flag for the United States, Madison in Wisconsin. [caption id="attachment_787570" align="alignnone" width="1920"] Nick & Nora's by Brook James[/caption] Punch's drinks connoisseurs selected their top five locations based on their ability to deftly balance long-held traditions and old-school sensibilities with fresh, forward-thinking philosophies. "The results are often surprising, sometimes frenetic, tense, even bewildering, but never boring," Punch explains. As for what specifically earned Melbourne a spot in this year's lineup, the publication cited its penchant for the unpretentious, its new-school take on casual service and the cultural diversity that continues to shape its drinks scene. That broad assortment of genres proved a wining formula, too — whether you're into divey rock 'n roll joints like Heartbreaker, sophisticated cocktail haunts like Nick & Nora's, intimate wine bars such as The Moon, or something in between, Melbourne's got a drinking den to suit. The city's commitment to sustainability and innovation also scored a shoutout, as did its famed pub culture — according to Punch, "rivalled only by the U.'s, with a diversity and familiarity that feels particularly Australian." [caption id="attachment_835092" align="alignnone" width="1920"] Pearl Diver Cocktail & Oysters[/caption] The publication also shared its top three picks for Melbourne's must-drink cocktails, naming the espresso martini (no shocks there), the New York-style sazerac and the Melbourne-born Japanese Slipper. This boozy new badge of honour comes after Melbourne scored a slew of drinks-related accolades in 2022. CBD bar Caretaker's Cottage nabbed a spot in latest's edition of The World's 50 Best Bars extended 51–100 list, Pearl Diver's Alex Boon was crowned 2022 winner of the Patrón Perfectionists Australian Cocktail Competition and Nick Tesar of Bar Liberty took out the title of Australia's Best Bartender. [caption id="attachment_623310" align="alignnone" width="1920"] Bar Liberty by Brook James[/caption] Check out Punch's full Where to Drink in 2023 list over at its website. Top image: The Moon.
"The mormons are coming", posters popping up in Sydney, Melbourne and Brisbane promised in the 2010s. If you spot something similar now, they might feature the words "the mormons are back" instead. After breaking records on its first Australian run, The Book of Mormon is returning Down Under, with the smash-hit musical's suitcases packed for Sydney. Written by South Park and Team America's notoriously puerile creators Trey Parker and Matt Stone, together with Robert Lopez of genius grown-up muppet show Avenue Q, The Book of Mormon is probably one of the most-lauded comedies ever to have centred on the Church of Latter Day Saints and African missions — and to approach both with Parker and Stone's usual humour. If it wasn't so smart and so funny, few would forgive it. But since it is, The Book of Morman has picked up nine Tonys, four Olivier Awards and a Grammy since it debuted in the US in 2011, when it was called "one of the most joyously acidic bundles Broadway has unwrapped in years". Australia's OG date with The Book of Mormon also earned accolades, including Best Musical and Best Direction of a Musical at the 2017 Helpmann Awards. When the show premiered in the Victorian capital in 2015, it enjoyed the highest-selling on-sale period for a show at Melbourne's Princess Theatre. When it first went to Sydney, it also set a record for the highest-grossing musical in the city's history. A decade ago, Parker and Stone's hilariously irreverent hit production spent a year in Melbourne, then did the same in Sydney, then made two trips to Brisbane — because one wasn't enough. This time, The Book of Mormon is hitting Sydney's Capitol Theatre, starting on Tuesday, July 15, 2025. If missed it then or you're keen to see it again, you'll be plenty excited that you're getting a new chance to go learn all the idiosyncratic details of Mormonism, meet war criminal General Butt-Fucking Naked and know the true meaning of the hakuna matata-like saying 'Hasa Diga Eebowai'. Images: Paul Coltas, London Company. Updated: Tuesday, July 15, 2025.
For Victorian fans of BrewDog, the wait is finally, almost over. After years of hints and speculation, the Scottish craft beer giant has confirmed its arrival into Melbourne, revealing plans to open a hefty new venue in the historic Pentridge Prison precinct this spring. Following the launch of its first Australian brewery and taproom in Brisbane back in 2019, BrewDog confirmed some lofty ambitions to also expand into other Aussie cities. Now, thanks to a new partnership with Australian Venue Co (AVC) — the group behind spots like Harlow, The Smith, Kewpie and State of Grace — the Melbourne-based part of those plans is finally coming to life. Already the world's largest craft beer bar operator, BrewDog's next Aussie project will feature a two-level pub complete with an indoor dining room and lounge bar, plus a sprawling beer garden sporting its own BrewDog container bar, big screens and dedicated games area. Interiors will pay homage to the Coburg site's heritage, with an upper level playing host to a suite of event spaces. While further details are yet to be revealed, the 1100-square-metre venue is on track to become a go-to craft beer destination. The original Brisbane venue boasts 28 taps pouring both house creations and guest brews, alongside a menu that's known for its burgers, pizza and wings. [caption id="attachment_800310" align="alignnone" width="1920"] BrewDog DogTap Brisbane[/caption] The new BrewDog and AVC partnership is also a win for interstate beer fiends, with the duo confirming they'll be opening more of these bars across Sydney, Brisbane, Melbourne and beyond in the coming years. BrewDog currently operates 102 beer bars worldwide, having recently launched outposts in Mumbai and New Albany (USA), and with huge flagship bars coming soon to Las Vegas and Waterloo (London). Find BrewDog Pentridge in the E Division building at Pentridge Prison, 1 Champ Street, Coburg, from spring 2022. We'll share more details as they drop.
Chapel Street's Lucky Coq — one of Melbourne's best bars for dancing — is turning 18, and it's celebrating by slinging 18-cent pizzas between 2–10pm on Saturday, June 22. And that's not just the price per slice. For 18 cents, you get an entire pie. The Lucky Coq team isn't being stingy with the toppings either, as its entire pizza menu is part of the deal. That includes the Coq's classic capricciosa as well as its cheeseburger-, Indian aloo- and banh mi-inspired numbers, among others. [caption id="attachment_637801" align="alignnone" width="1920"] Leah Hulst[/caption] Pair these cheap eats with $8 Goldy lagers, and $15 espresso martinis, spicy margaritas and southsides late into the night. DJs will also be on deck for Lucky Coq's 18th birthday party, with Chapel Street legends John Course, Spacey Space, Chardy and Boogs playing tunes until 3am. If you're on the hunt for a cheap night out with your mates, this ain't a bad spot to start. [caption id="attachment_637809" align="alignnone" width="1920"] Leah Hulst[/caption] Top image: Ashley Ludkin.
Spent too much time staring at your same old furniture this winter? Wish you were relaxing somewhere coastal? Digging the desert oasis vibe? Here's one solution to all of the above: Kmart's latest homewares range. The department store's furniture drops have picked up cult followings, perhaps even more so in these steep cost-of-living times. Taking its cues from sandy locales, the August 2023 collection will only fuel that trend. When it comes to decking out your house with impressive but affordable items, Kmart has been giving IKEA a run for its money in recent years. Indeed, if you're already a convert, you probably know just how popular the department store gets whenever it drops a new range — or, you've likely seen everyone else's Instagram snaps that prove it. The current collection arrives on Thursday, July 27 with a mix of neutral tones and bursts of colour, cues taken from seashell and palm silhouettes, a heap of contrasting textures, and even coastal- and desert-themed items for pets. Expect it to fly off the shelves as always. With prices starting at $1.75 — for dinnerware, should the contents of your kitchen cupboards need a revamp — the August Living range in Australian and New Zealand stores is also about mixing and matching trends and styles. Yes, you can deck out your place like it's the beach and somewhere peppered with cacti all at once. Yes, you can do just that without stretching your budget as well. Covering items for the living, bedroom, bathroom and dining room, Kmart's current drop spans everything from oh-so-soft throws and salted caramel-scented candles through to globe-shaped lamps, timber bathroom furniture and several options for four-legged friends. The next time that your cat gets the urge to sharpen their claws, as all felines do, don't get them scratching on any old post. Direct your mouser towards a cactus-shaped version. And when your dog wants to get comfy, perhaps they'll sleep more soundly on a lush green bed. For humans, towels, crockery, wavy glasses, palm-print cushions, forest-hued quilt covers and shell-shaped bath mats are just some of the other items featured. You know how they say that change is as good as a holiday? It isn't, obviously, but swapping your home decor to the kinds of items that you might find on a getaway to the sea or desert should help lift the vibe at least. The August living range goes on sale online, in-store and via Kmart's app from Thursday, July 27 while stocks last. Kmart's August Living range goes on sale in Australia and New Zealand online, in-store and via the brand's app from Thursday, July 27 while stocks last.
Entry to Yah Yahs is usually free, so it's handy if you're after a drink before dinner on one of Smith Street's bazillion restaurants, want to see the band, or just want to rage on after other places have closed. Score a booth seat as soon as one becomes available; they'll be hot property as the drinks continue to sink.
Australia has Lune fever. That's been the case for a few years now, as the world-renowned Melbourne bakery keeps serving up delicious pastries, and also spreading its wares around the country. At present, it boasts stores in Fitzroy, the CBD and Armadale in Melbourne, plus South Brisbane and Burnett Lane in Brisbane — and it has two Sydney shops on the way, one in Darlinghurst and another in Martin Place. Also slinging Lune's wares, just for three days: select Koko Black shops. Why? Lune Croissanterie has teamed up with Koko Black to unveil a limited-edition new croissant collaboration named The Belgian Truffle. Why again? To celebrate World Chocolate Day on Friday, July 7. This year's decadent creation takes Lune's signature pastry and adds a gooey Koko Black cocoa frangipane and Guanaja fondant centre. It's also topped with tempered chocolate shards, salted cookie crumb, mascarpone chantilly and Koko Black Belgian truffles. This delectable treat will be available at Lune's Melbourne and Brisbane outposts, plus selected Koko Black stores in Melbourne and Sydney, plus a special one-off Lune Sydney pop-up over the weekend. If you want to get your hands on a croissant, Friday, July 7–Sunday, July 9 are the dates to mark down in your diary. Melburnians can head to Lune's trio of outposts, plus Koko Black's shops at The Glen, Como Centre, Highpoint, Doncaster, Royal Arcade, Flinders Lane, Melbourne Central and Chadstone. Brisbanites, you're going to Lune and Lune only. "This pastry is a classic for a reason. Our traditional croissant, elevated to celebrate Koko Black's Belgian truffle. It's the ultimate, decadent chocolate treat," said Lune founder Kate Reid. These pastries are set to be in high demand, so it's best to head down early to avoid disappointment. Lune's own venues will be trading as normal, while Koko Black will be open from 9am on Friday and Saturday, and from 10am on Sunday. Lune Croissanterie and Koko Black's 2023 World Chocolate Day special The Belgian Truffle is available at all Lune stores in Melbourne and Brisbane, and select Koko Black stores in Melbourne, from Friday, July 7 – Sunday, July 9.
You can expect a musical celebration for all the senses, when the annual Darebin Music Feast kicks off its 2019 season on Sunday, October 20. The festival's ringing in its 23rd edition with a whopping 85 parties, gigs and industry events, showcasing 20 different venues all across this vibrant pocket of Melbourne's north. Unfolding across eight jam-packed days, the program launches with a free three-stage opening party brimming with girl power. Running across Bar 303, Little Eastment Street car park and Northcote Social Club, the party will feature 15 acts including Alice Skye, Emma Donovan and the Putbacks, Jess Riberio and Kee'ahn. Elsewhere on the program, live music and environmental activism event Green Noise will take over The Thornbury Theatre on Sunday, October 27; celtic tunes and whiskey tasting flights will combine at Buck Mulligan's Wednesday night jam session; and you can join in a holy celebration on Monday with Northcote Social Club's Monday Night Mass. You can also head along to one of two film festivals — one is a brand new festival of music videos at Thornbury Picture House, the other features music-themed films created by La Trobe University students — a musical poetry slam evening and a theatrical masquerade ball. We've only just scratched the surface of what's going on during the jam-packed week, so if you'd like to check out the full program, head to the Darebin Music Feast website. Images: Thornbury Picture House, Nicole Cleary.
Staying at QT Gold Coast is a luxe experience, with the hotel chain serving up its characteristically distinctive version of beachy chic. That's one of the accommodation brand's key traits, matching each of its sites to its surroundings. QT Sydney's glorious gothic look and QT Melbourne's impeccably polished vibe wouldn't suit Surfers Paradise, after all, and the latter's coastal cool wouldn't match anywhere else either. Here's something else that mightn't quite fit at any other QT: the Gold Coast venue's new qtQT rooftop cabins. The chain has converted an otherwise unused lower-level rooftop into an urban oasis, complete with tropical gardens, firepits and six laidback spots for guests to stay — and get away from it all in the middle of the Glitter Strip. Designed by Nic Graham, a regular at working with EVT — QT's parent company — each cabin can welcome in two guests. So, you and your bestie / other half can book one for a blissful vacation, or you can gather the gang and reserve all six at once. Fancy heading along solo? This is the place for that as well. And, QT sees it as a drawcard for retreats and weddings, too. Whoever you're visiting with — or not — you'll find a stay that's designed to help you unplug, with each cabin featuring its own private balcony. They all come equipped with I Love Linen robes, a bed decked out with I Love Linen sheets and Drift candles for ambience, plus board games and coffee table books. That said, you can switch off as much or little as you like. If you still want to use the qtQT cabins as a base to explore the Goldie, the hotel's newest addition has its own 'curator of sunshine' to organise activities for you. Other onsite options include stargazing by those aforementioned firepits, enjoying an aperitivo in the same place, meditating and tucking into a meal al fresco dining area The Terrace — which'll host both bespoke feasts and communal dining experiences. There's also a lawn called The Landing which looks out over the ocean, and is touted as an ideal picnic spot, place to salute the sun with an early-morning yoga session or a breakfast hangout. And, during your stay — with rates starting at $359 per night — you'll also have access to the hotel's pool precinct. QT is launching qtQT on the first day of summer, after all, with bookings open now for trips from Thursday, December 1. Or, you can head to the onsite SpaQ, or eat cooking, eating and drinking at either sushi-making or whisky-tasting sessions at onsite Japanese restaurant Yamagen. The new qtQT concept is also QT's way of testing out a big travel trend, given how popular tiny homes and cabins have proven over the past few years. "When designing the overall QT Gold Coast upgrade, we identified a previously unused lower-level rooftop. We had been exploring the world of tiny accommodation and standing there as the sun set, we knew this would be the perfect location to trial our interpretation of this experience, the QT way," said EVT CEO Jane Hasting, announcing qtQT. Find qtQT at QT Gold Coast, 7 Staghorn Ave, Surfers Paradise. qtQT is open for bookings for stays from Thursday, December 1. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
There's much that's wild and unlikely about Kneecap's story — the band, that is, but plenty of it fuels the movie of the same name, too. When Naoise Ó Cairealláin, aka the Irish-language trio's Móglaí Bap, was christened, the British Army thought that the ceremony was an IRA meeting, even bringing in a helicopter. When the Belfast group formed decades later, Móglaí Bap and Liam Óg Ó Hannaidh, aka Mo Chara, found their third member in then-schoolteacher Jj Ó Dochartaigh, who took the moniker DJ Próvaí and dons a balaclava in the colours of the Irish flag onstage. Their first single 'C.E.A.R.T.A' was banned from the radio. They've now turned the whole ride so far into a big-screen music biopic. In said flick, which premiered at the 2024 Sundance Film Festival, Móglaí Bap, Mo Chara and DJ Próvaí all play themselves. It's true of Kneecap the band and Kneecap the film alike, of course: yes, their shared title springs from a form of violence well-known in the trio's parts during The Troubles. Leaning in in the name of subversion is one of the things that this threesome does best — and via their music and now their feature as well, they're passionate about reframing the way that the world thinks about their home city. Championing their mother tongue, and the sense of Northern Irish identity that it helps forge, is equally crucial. Roll all of that into a movie, then enlist Michael Fassbender (Next Goal Wins) and take some inspiration from Trainspotting, and the result is a blast of a picture — and one of the instant greats of its genre. Naturally, all of the details mentioned above — the christening, which made the newspapers; DJ Próvaí's background, plus his school's reaction to his side gig; the disdain from the airwaves; the texture of Belfast beyond the well-documented conflicts; the fight for the Irish language — were always going to be key elements of any silver-screen take on Kneecap, even a purposefully playful one that isn't afraid of diverting from the facts if it suits (director Rich Peppiatt has claimed is about 70-percent true). As Móglaí Bap and Mo Chara tell Concrete Playground, starring in the movie themselves felt just as inevitable. They call their on-screen parts the roles they were meant to play, which is a cracking line, but the proof is in the vibe and vitality of the film. The trio also co-wrote the feature with British filmmaker Peppiatt, who made their acquaintance by being persistent about trying to have a drink with them, and helmed their 'Guilty Conscience' music video. Ensuring that Kneecap reflected Móglaí Bap, Mo Chara and DJ Próvaí, their tunes, their personalities, their experience, the causes they're committed to and their view of their hometown was obviously paramount. Ask Móglaí Bap and Mo Chara, too, if they ever thought that this was a path that Kneecap would take when they formed the band, and they joke about awards and recognition — "we knew the accolades were coming after the first song," says Mo Chara; "we're waiting on a Nobel Peace Prize next, hopefully," adds Móglaí Bap — but, when they get serious, they stress that hitting cinemas was all about making a movie for Belfast. "It's a very colloquial film with lots of slang, and lots of jokes that maybe people only from where we are from would understand. And we never dumbed that down. We never made it more digestible for anyone outside of Ireland in that way," explains Móglaí Bap. "And I think for that reason, we didn't think beyond Ireland. The movie was made for Ireland, for Belfast. And we didn't think beyond that. I think that's the reason that we created such an original, authentic movie, because we weren't looking outside of Ireland to try and make it more digestible. We're just making it for people like us." Adds Mo Chara: "I think a lot of funders would like to feel like if they give half a million towards the movie, they would like to feel like they've had half a million worth of input. And whenever you let many people have input, it waters it down. It becomes digestible for the world, but it means nobody likes it, and especially people from where you're from." Kneecap haven't had to worry about nobody liking their film. After picking up the NEXT Audience Award at Sundance, it earned the three main gongs at Galway Film Fleadh — the Audience Award, plus Best Irish Film and Best Irish-Language Film — which has never happened before in the fest's history. It's also in Oscar contention, selected as the country's submission for the Best International Feature Film at the 2025 Academy Awards. Across the whirlwind last eight months, the band released their second album Fine Art as well. In March 2025, they'll tour Australia for the first time. We also spoke with Móglaí Bap and Mo Chara about everything that this year has brought their way so far, the reaction to the movie in Belfast even before it hit cinemas, riffing on reality, taking a risk in bringing their story to the screen, dream casting, balancing everything they wanted in the film, enlisting Fassbender's involvement and more. On How 2024 Has Panned Out Since the Film Premiered at Sundance — and with a New Kneecap Album Out, Too Mo Chara: "We've been busy little boys. We've been very busy, but we're getting opportunities that not a lot of young people, especially where we're from, get. So we're enjoying it. We're loving it. We've seen a lot of the world that we would probably not have seen, Iceland and all sorts of places. So we're enjoying it. It's hard to balance the music and the movie at the same time, but we're giving it a good go." Móglaí Bap: "Ying and yang." On the Response to the Film in Belfast, Even Before It Hit Cinemas Mo Chara: "I feel like people in Belfast — well, most, the majority of people — are very proud of us, because Belfast is something that has always just been negative in world media. And it's seen as a place that's not very …" Móglaí Bap: "Progressive." Mo Chara: "… or fun or whatever it is, or that people do well or get creative in. So I feel like a lot of people, especially the older generation, they're all just very, very proud and they're very happy that there's two or three young people, or bands, coming up, or movies being made that show Belfast in not such a negative light all the time, even though there's negativity." Móglaí Bap: "There's a little bit, just like with anywhere." On Bringing Their Origin Story to the Screen, Riffing with Reality and Rich Peppiatt's 70-Percent True Claim Móglaí Bap: "He made that up, surely." Mo Chara: "70 percent — how the fuck does he judge that? But the origin story of Kneecap, though – we're not getting into the blurred lines, but 100 percent, DJ Próvaí was a teacher. And we released the song, and the school started finding out that he was the man behind the mask and sacked him, basically. That's true." Móglaí Bap: "And the police meetings and the Irish language legislation, and all these things. Most of the crazier stories in the movie are true. The christening at the very start of the movie with the British Army helicopter is based on a true story, that's based on my christening. I was christened on a mass rock. It was kind of like an altar made of stone hidden away in the forests when Catholicism was outlawed during the Penal Laws, and I got christened there in the 90s." Mo Chara: "The first christening there for 200 years." Móglaí Bap: "Yeah, the first mass there for 200 years. And the British Army thought there was some sort of IRA meeting going on." Mo Chara: "Like a training camp for the paramilitaries." Móglaí Bap: "And then they hovered above the procession for the whole time as being as being squirted with water by priest." Mo Chara: "I hope it was water." Móglaí Bap: "I think it was water, anyway. And they hovered there above the whole time. There's a newspaper article about it. It was quite an iconic moment. So like stories like that are based on truth, and we like to leave it there. But as Rich says, some of the crazier stories are based on truth." On Eventually Saying Yes to Rich Peppiatt's Persistent Efforts to Have a Drink with Kneecap — and How the Film Started From There Móglaí Bap: "We were very skeptical, of course, because Rich is obviously from England." Mo Chara: "Don't be so hard on him." Móglaí Bap: "And we're very skeptical of English people who want to profit off Irish people. So we kept him at arm's length for a while. But eventually, his arm reached across with a pint and we accepted it. It was from there that we got together very well. I think because Rich is from England is actually is his best quality. It sounds like a negative thing, but it was the best thing about him because he didn't come with any preconceived ideas of what we should represent or what culture we come from. He kind of left it to us to tell him. And because of that, there was a great line of communication in the back and forth. If we didn't feel that some scenes represented our culture or the youth culture, he would listen to us in that way. So there was a great communication between us and Rich, and he was very open director." Mo Chara: "He's done a great job portraying Belfast." Móglaí Bap: "Yeah, he did a great job of portraying Belfast — and portraying the modern era of Belfast and the youth in Belfast. So kudos to Rich." On Taking a Risk by Trusting Kneecap's Story to Any Filmmaker Mo Chara: "The biggest risk of all was the fact that our music career was on the up, and we were doing very well — well, very well for where we were at that time — and the last thing that we would have needed, for example, was a really cheesy, shit movie to come out that was hard to watch and made people cringe. Nobody's going to be able to take a music career seriously after doing a really shit film, I feel. So it was a risk we didn't need to take, but some risks are worth taking and we consider ourselves to be risk-takers. And we put a lot of trust in Rich — and I think Rich put a lot trust in us." Móglaí Bap: "It paid off for him." On the Decision to Play Themselves — and Dream Casting Ideas If That Didn't Pan Out Móglaí Bap: "I wanted to get Brad Pitt, but he was too old." Mo Chara: "He was too old, too ugly." Móglaí Bap: "And then Cillian Murphy, he was too small." Mo Chara: "As we always say, they were the roles we were born to play. So we were glad it was us and we felt like we were the only ones who could probably do it justice. It was funny, we got one of the reviews that said 'at the start I thought these actors were really good rappers. It actually just turns out that these rappers are really good actors'. So we fooled a lot of people with. I'm glad we did it." Móglaí Bap: "I think actually it still happens — during some of the film premieres, some people leave the movie still not knowing that we're an actual band and think that we're just a fake band that we created for the movie. So I think that's a good sign." On the Kind of Preparation That Goes Into Playing Yourself in Your First Acting Roles Mo Chara: "We got an unbelievable acting coach called Kieran Lagan. At the very start, it was a lot of warm-up games — and as Kieran would say, in acting, if you're in your head you're dead. You have to be present. You have to be in the room. There was a lot of staring into each other's eyes for five minutes. I don't know if you'll ever be close enough to somebody to do that. It's very awkward. And you have to describe each other's face and stuff. So there was a lot of really awkward games for us at the start. But by the end of this couple of months that we did, it became very therapeutic for us to go and do these sessions, and then we would leave and everybody would be in good form." Móglaí Bap: "We all nearly fell in love, because apparently if you stare into someone's eyes for ten minutes, you fall in love. I don't know if that's true." Mo Chara: "Speak for yourself." On Covering Kneecap's Lived Experiences, the Post-Troubles Reality in Northern Ireland, the Impact of the Police, the Campaign for the Irish Language to Be Recognised and More, All in One Film Mo Chara: "We had the term 'kill your babies'. So we would have some great ideas, but it just wasn't going to work in the film. So stuff that we really liked, we had to just cut it. And that's always tough. But I suppose that's the game. Even some scenes that were in it that have been cut that we really liked, because the the first draft was like two hours and 15 minutes. And so we went and had to cut loads of scenes. So that's always tricky. But yeah, there's a big political sphere here that we wanted to represent, but we just couldn't get everything in because it's such a complex history here. But we got what we felt was important to the story and what was important for people to understand the contacts of the of politics here. I think we got most of it across with the Irish Language Act, and the Unionist and Republican politicians." Móglaí Bap: "I think the core element of the movie, which we always came back to, is identity. Identity is so important, especially in post-colonial countries that do have Indigenous languages. Language and identity are all intertwined, and I think that's something that resonates with people. We've seen in America or places where they speak minority languages, that what resonates with them mostly is identity. And people I've met people who watch the film, they literally instantly either want to learn Irish or want to learn whatever their own Indigenous native language is. That's something that we're very proud of. That's the effect this movie is having." On Getting Michael Fassbender Onboard to Play Móglaí Bap's Father Dad Mo Chara: "It made the difference." Móglaí Bap: "He was completely starstruck when he met us." Mo Chara: "We always say that, that he was completely starstruck — but he actually was a fan of Kneecap. And I feel like he really liked the script. So it was amazing to have him. So we wrote the film. We were ready to go, basically, in a few months time, but COVID happened. So it put everything back a few years. But COVID actually in itself was a blessing, because it was after COVID or towards the end of COVID, that we got Fassbender involved. So COVID actually worked in our favour. But it made all the difference. It gave the film legitimacy, whenever you have such a big star like that involved. We already had Josie Walker [The Wonder, This Is Going to Hurt, Belfast] and Simone Kirby [The Buccaneers, Hidden Assets, His Dark Materials], who've done plenty of huge, huge roles as well. But Fassbender brought this new legitimacy to it. And also it meant anyone who was on set the day of Fassbender, everybody upped their game. Everybody wore their best clothes. The catering was better. Everyone acted better." Móglaí Bap: "We got real plates." Mo Chara: "We got real plates and cutlery." Móglaí Bap: "We got real forks and knives, instead of all the paper ones we were using." Mo Chara: "So it really just upped everyone's game, having him involved, and it it just pushed everyone just to strive to be better." Kneecap opened in cinemas Down Under on Thursday, August 29, 2024. Images: Madman / Sony Pictures Classics.
Spending more time at home is much easier to stomach with a hefty rage of desserts on hand, or at least that seems to be Gelato Messina's pandemic motto. Over the past few months, the gelato fiends have served up plenty of tasty specials, including cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties, as well as 40 of its best gelato flavours. Up next: a gelato version of everyone's childhood-favourite biscuit. If you've been baking your own coconut-topped Iced VoVos at home since Arnott's released the recipe a few months back, consider your tastebuds primed for this frosty, creamy version. Messina initially whipped it up in collaboration with Sydney eatery Firedoor and, unsurprisingly, it proved mighty popular. So the gelato chain is now making tubs of the flavour available at all its stores for a limited period. Wondering what exactly Iced VoVo gelato entails? It combines toasted coconut gelato with pieces of shortbread biscuit, then tops it with marshmallow, raspberry puree and desiccated coconut. And yes, the end result looks like the bikkies you know and love — but in a scoopable form. Available as part of Messina's new 'Hot Tub' series, the Iced VoVo gelato can only be ordered online on Monday, July 20, with a one-litre tub setting you back $30. You can then go into your chosen Messina store to pick up your tub between Friday, July 24–Sunday July 26. Gelato Messina's Iced VoVo gelato tubs will be available to order on Monday, July 20, for pick up between Friday, July 24–Sunday July 26 — keep an eye on the Messina website for further details. If and when you do decide to head out to pick up food, remember to follow the Australian Government Department of Health's social distancing guidelines.
Daniel Craig's run as Bond, James Bond might be over, but that just gives him more time to spend as Benoit Blanc. Back in 2019, the British actor added sleuthing his way through murder-mysteries to his resume, playing the private detective in star-studded whodunnit Knives Out. The end result was not only ace, but also such a hit that Netflix hopped on two sequels. The first followup, Glass Onion: A Knives Out Mystery, arrives this December — to stream on December 23, in fact, so consider it any early Christmas gift. It's also filled with famous faces, as the just-dropped first trailer illustrates. Joining Craig: Edward Norton (The French Dispatch), Janelle Monáe (Antebellum), Kathryn Hahn (WandaVision), Leslie Odom Jr (The Many Saints of Newark), Jessica Henwick (The Gray Man), Madelyn Cline (Outer Banks), Kate Hudson (Music) and Dave Bautista (Thor: Love and Thunder). In this chapter of the Knives Out franchise, the action moves to Greece. If you saw the original — or any murder-mystery involving a motley crew of characters brought together in one location when someone turns up dead — then you'll know how it works from there. There's a lavish setting, that aforementioned big group of chalk-and-cheese folks, threats aplenty and just as much suspicion. Glass Onion takes place on a Greek island, but also sends its various players on a cruise — and yes, thinking about Agatha Christie, including this year's Death on the Nile, is a natural reaction. "Lock the doors. Stay in your rooms. Everyone is in danger," Blanc advises in the sneak peek, because all of that goes with the territory as well. Is the culprit Bautista's Duke Cody on the yacht? Hudson's Birdie Jay in the games room? Hahn's Claire Debella by the pool? You'll have to watch to find out. Just like its predecessor, Glass Onion is both written and directed by Rian Johnson, with the filmmaker moving onto the franchise after 2017's Star Wars: Episode VIII — The Last Jedi — and still indulging his love of on-screen puzzles, as shone through in Brick and Looper as well. Check out the first trailer for Glass Onion: A Knives Out Mystery below: Glass Onion: A Knives Out Mystery will be available to stream via Netflix from December 23. Images: John Wilson/Netflix © 2022.
Getting philosophical about existence can mean bobbing between two extremes. At one end, life means everything, so we need to make the absolute most of it. At the other, nothing at all matters. When genre-bending and mind-melting time-loop comedy-drama Russian Doll first hit Netflix in 2019, it served up a party full of mysteries — a repeating party overflowing with chaos and questions, to be precise — but it also delivered a few absolute truths, too. Fact one: it's possible to posit that life means everything and nothing at once, all by watching Natasha Lyonne relive the same day (and same 36th birthday party) over and over. Fact two: a show led by the Orange Is the New Black, Irresistible and The United States vs Billie Holiday star, and co-created by the actor with Parks and Recreation's Amy Poehler, plus Bachelorette and Sleeping with Other People filmmaker Leslye Headland, was always going be a must-see. Russian Doll's first season wasn't just one of the best TV shows of 2019, but one of the smartest, savviest and funniest, all while making the utmost of its Groundhog Day-meets-The Good Place setup. It tasked Lyonne's chain-smoking, acerbic and misanthropic New Yorker Nadia Vulvokov with cycling through the same date again and again, experiencing both gruesome and mundane deaths, and attempting to work out what this whole life business is all about. It was dark, heartfelt, amusing and innovative, as well as clever and compelling, especially in examining fate, logic, life's loops, wading through limbo, what counts in the time we have and if anyone can ever truly make a difference. (Also, it made the world appreciate how Lyonne pronounces "cockroach", something that never, ever gets old.) It took three years, but Russian Doll has finally returned for its seven-episode second season. The glorious news for sweet birthday babies who've gotta get up, gotta get out, gotta get home before the mornin' comes: it's smarter and weirder than its predecessor, and just as delightful. In the process, it achieves a tricky feat, because making more of a show that's already about duplicating the same events could've proven a lazy and easy rehash. Indeed, Russian Doll season two stresses another key fact: that taking a leap, twisting even further, and seeing life's ups and downs as a trip is always better than treading water. At the end of Russian Doll's first season, self-destructive video-game designer Nadia closed the live-die-repeat dilemma plaguing both her and mild-mannered fellow NYC-dweller Alan Zaveri (Charlie Barnett, You). The pair found a way to wind up "the one about the broken man and the lady with a death wish that got stuck in a loop," as Nadia describes, and the series came to such a glorious conclusion that no follow-up was really necessary. But in season two, death isn't the problem. Instead, time is. It was an issue before, given the duo couldn't move with it, only back through the same events — but now, via the New York subway's No 6 train, Nadia and Alan are speeding into the past to explore cause and effect, inherited struggles and intergenerational trauma. "Inexplicable things happening is my entire modus operandi," Nadia notes — with Lyonne as dynamite as ever in the wisecracking, angry-yet-tender, career-reshaping part — but it's also Alan's as well. They're now time prisoners, and their efforts to improve the present through the past leave sizeable ripples upon the pair themselves. There's no party as a catalyst, but there's still a birthday, with the narrative unfolding as Nadia's about to turn 40. Reaching that age has long been shorthand for reflection, crisis, taking stock of regrets and rethinking the future; however, it doesn't usually mean hopping to Berlin and Budapest from years gone by to learn not only how to stay alive, as the first season covered, but how to truly revel in every heartbeat regardless of whether it counts for something, nothing or everything. It's impossible to imagine how Russian Doll would work without Lyonne at its centre. Its mood, humour and look are so tied to the actor, who spits out sharp lines as naturally as breathing, wears the hell out of Nadia's overcoat and cascading crimson curls, and ensures that the flimsy chasm between being carefree and reckless is layered and relatable. Season two sees Lyonne also take over showrunning duties from Headland — and writing and directing three of its episodes, including its first and last instalments — so the fact that it dances so firmly as one with its leading lady is unsurprising as well as thrilling. Barnett's Alan doesn't get as much screentime as viewers would like as a result, but he's just as adept at making a splash in the time he has as he was in season one. (Add that to the show's list of truths across its entire run, clearly.) Sprawling and surreal, inventive and heartfelt, and somehow both skeptical and sentimental, Russian Doll is many things in season two, as it was in its debut airing. Now, it's also home to more of the always-welcome Chloë Sevigny (The Girl From Plainview) as Nadia's late mother Nora, the similarly returning Greta Lee (Sisters) as party-throwing pal Maxine, plus Schitt's Creek and Kevin Can F**k Himself star Annie Murphy and District 9's Sharlto Copley as series newcomers. Naturally, the twists that lead the latter two into the story are best discovered by watching, but they arise within a show that jumps backwards and keeps questioning that move simultaneously. That comes through stylistically — see: the visual cues taken from 70s cinema — and in snappy dialogue, profound themes and wily plot developments that muse on constant change versus hard-earned acceptance. Yes, Russian Doll is definitely back, entertainingly so, and serving up another wonderful on-screen matryoshka doll of life-pondering insights and time-twisting trickery for audiences to entrancingly unstack. And, it inspires its own IRL loop for beguiled viewers, too — because once you're done watching it, you'll want to cycle back and start all over again. Check out the full trailer for Russian Doll's second season below: The second season of Russian Doll is available to stream via Netflix. Read our review of the first season. Images: Netflix.
The NGV is transforming into a teen-only zone for one night only on Saturday, August 9, hosting the latest instalment of its 'NGV Teens: Art Party' events. With the NGV International staying open after hours, the evening has been designed for teens by teens in collaboration with the NGV Teen Council, offering full access to both the French Impressionism and Kimono exhibitions. Activating numerous spaces throughout the gallery, guests can also expect a youthful combination of art, music, social connection and hands-on workshops. Setting the tone for the night, the NGV Great Hall will feature a boundary-pushing live DJ set by Rainbow Chan, a much-loved Hong Kong-Australian musician and visual artist. Meanwhile, several interactive experiences will level up the night. Leading textiles artist Louise Meuwissen will host a wearable beaded flower workshop inspired by flamboyant French fashion. Plus, a dedicated glitter station makes it easy for teens to customise their look, drawing inspiration from master artists like Monet, Degas and Renoir. There's also the chance to snap pics in a dreamy photobook set within Olaf Breuning's Plans for the Planet exhibition. Then, Alliance Française will build upon the evening's loose Francophile theme by hosting drop-in French friendship sessions. Here, guests can brush up on their linguistics and maybe even make a new pal in the process. Images: Nick Robertson / Eugene Hyland.
When the first-ever SXSW Sydney took place in 2023, we were there as history was made. We didn't just check out the talks, gigs, films, TV shows and games on offer — Concrete Playground was part of the conference programming, which is called Session Select. When we took to the stage, we did so to dive into youth, information and the digital age. In 2024, we're keen to do it all over again. At the end of 2023, after the inaugural SXSW Sydney proved a success, the Australian event confirmed that it'd be back in 2024. This year's dates: Monday, October 14–Sunday, October 20. Earlier in April, SXSW Sydney also revealed that Session Select candidates are currently vying for your love, because that's how this part of the program is chosen — and we'd like your help. SXSW's Down Under leg lets the community get behind the microphone at Session Select. More than that, it allows you to choose what makes it into this portion of the fest's lineup. All you need to do is vote, which is now open for 2024 until Monday, April 22. We've submitted two sessions for consideration in 2024 — here's what we're planning, both of which you can vote for via the SXSW website. [caption id="attachment_920349" align="alignnone" width="1920"] Brittany Hallberg[/caption] Appetite for Distraction: Youth, Information and the Digital Age in 2024 Call it a comeback. Call it a sequel. Either way, we're not done with this topic yet. Backing up our 2023 SXSW Sydney session, we'll host a discussion on how young people are consuming news and information in online spaces. This panel will bring together industry-leading communicators to discuss where Gen Z and young millennials are getting their news from, what's grabbing their attention, the importance of online communities and where the future of journalism and information-based content is headed. Vote for the Appetite for Distraction: Youth, Information and the Digital Age in 2024 panel online. [caption id="attachment_920350" align="alignnone" width="1920"] Brittany Hallberg[/caption] New Rituals: The State of Socialising and Hospitality How is going out changing? How are consumer expectations changing? How is the hospitality industry changing to meet those demands? What trends are we seeing and how are hospitality businesses, food and beverage businesses adapting to meet them? In this panel, we'll share five minutes of insights and consumer trends from ongoing annual research into socialising, events and going out, which will be conducted in August 2024 for the second year in a row. Then, a panel of experts will discuss some of the key themes and trends, talking about their experience within their businesses, and how they are changing their products and services to meet changing consumer expectations. Vote for the New Rituals: The State of Socialising and Hospitality panel online. If you're be interested in attending our panels, please visit the voting pages for New Rituals: The State of Socialising and Hospitality and Appetite for Distraction: Youth, Information and the Digital Age in 2024 to show your support. Voting closes on Monday, April 22, 2024. SXSW Sydney 2024 will take place from Monday, October 14–Sunday, October 20. Top image: Brendon Thorne/Getty Images for SXSW Sydney.
Don't just smile and wave, musical fans. If you're fond of films turned into stage shows — animated hits making that leap, to be specific — then you'll want to scramble into the theatre to see the next smash-hit making its way around Australia. This time, a group of animals escape from their home in New York's Central Park Zoo, then find themselves washed ashore an island after a series of misadventures. Yes, it can only be Madagascar the Musical. Adapted from the 2005 DreamWorks animated movie, this production will start doing the rounds from December 2022 with all the bells and whistles of the international touring production. After runs in the UK and New Zealand, the show will bring the screen-to-stage story to life, supported by a lavish set, world-class puppets and colourful costumes. This'll be Madagascar the Musical's Australian debut, enjoying a two-week run from Friday, December 16–Sunday, January 1 at Sydney Coliseum Theatre to kick things off. Melbourne's Comedy Theatre will next do the honours from Wednesday, January 4–Sunday, January 15, 2023, then the Crown Theatre in Perth from Thursday, January 19–Thursday, January 26, 2023. Brisbane and Adelaide residents, fingers crossed it's your turn after that. If you've seen the film, which also sparked 2008 sequel Madagascar: Escape 2 Africa, 2012's Madagascar 3: Europe's Most Wanted and 2014 spinoff Penguins of Madagascar — as well as various TV shows and shorts, then this musical since 2018 — then you'l know the story. At the show's centre sits Alex the lion, Marty the zebra, Melman the giraffe, Gloria the hippo and a gang of penguins, who find their zoo routines shaken up and then some. As set to an upbeat score featuring hits 'Copacabana', 'I Like to Move It', 'Best Friends' and 'Boogie Wonderland', this crew of critters leaves its comfortable zoo life behind, exploring the eponymous island ruled by King Julien. Hijinks ensue, as brought to the stage in the musical's Aussie run by a cast that includes Andrew Papas (ex-Titanium) as Alex the lion, Joe Kalou (The Book of Mormon, In the Heights, Wolf Like Me) as Marty, Moniquewa Williams as Gloria, Devon Neiman (The Brief and Frightening Reign of Phil) as Melman and Jonathan Martin (the Pop Up Globe stage) as King Julien. MADAGASCAR THE MUSICAL 2022–2023 AUSTRALIAN TOUR: Friday, December 16, 2022–Sunday, January 1, 2023 — Sydney Coliseum Theatre, Sydney Wednesday, January 4–Sunday, January 15, 2023 — Comedy Theatre, Melbourne Thursday, January 19–Thursday, January 26, 2023 — Crown Theatre, Perth Madagascar the Musical tours Australia from December 2022. For more information and tickets, head to the musical's website. Images: LK Creative.
"The grid. A digital frontier. I tried to picture clusters of information as they moved through the computer. What did they look like? Ships? Motorcycles? Were the circuits like freeways? I kept dreaming of a world I thought I'd never see. And then one day, I got in." If you've watched 1982's TRON and its 28-years-later sequel TRON: Legacy in 2010, or listened to the latter's sublime Daft Punk-scored soundtrack, then you've heard those words. But what if everything that Jeff Bridges (The Old Man) describes as Kevin Flynn wasn't relegated to the virtual realm? In TRON: Ares, viewers will watch what happens when the program that shares the movie's moniker makes the jump from the digital space to the real world, giving humanity its first encounter with AI beings. Indeed, amid its heavy lashings of laser-red hues, the just-dropped first trailer for the feature has a monster-movie vibe when worlds start to collide. Flesh-and-blood folks such as Greta Lee (The Studio) stare up, then start fleeing. While things happen quickly in the digital realm, films about it clearly don't always earn the same description, given that it has now been over four decades since the first TRON film made its way to cinemas, and 15 years since its first sequel. A third movie was announced the very same year that TRON: Legacy released, in fact, but TRON: Ares has taken time to return cinemagoers to the grid. For much of the past decade and a half, it's been one of those pictures in the "I'll believe it when I'm actually sitting in a theatre watching it with my own eyes" category, until Disney not only announced that the feature had a date with picture palaces in 2025, but also dropped a first image from it. The date that you can see the next TRON on the big screen: Thursday, October 9, 2025 Down Under. Cast-wise, Jared Leto (Haunted Mansion) plays Ares, aka the threatening face of AI. Bridges is also back as the software-company employee who first found himself in the digital world in the initial flick. Evan Peters (Agatha All Along), Hasan Minhaj (It Ends with Us), Jodie Turner-Smith (The Agency), Arturo Castro (The Vince Staples Show), Cameron Monaghan (Shameless) and Gillian Anderson (Sex Education) co-star in TRON: Ares, while Joachim Rønning (Young Woman and the Sea) directs. Following on from Daft Punk's masterpiece of a score for TRON: Legacy was always going to be a tough feat, but TRON: Ares isn't skimping on musical talent. Doing the honours, as heard in the feature's first trailer: Nine Inch Nails, adding to Trent Reznor and Atticus Ross' run of film work (see also: Soul, Mank, Bones and All, Empire of Light, The Killer, Challengers, Queer and The Franchise just in the 2020s alone). Check out the first trailer for TRON: Ares below: TRON: Ares releases in cinemas Down Under on Thursday, October 9, 2025. Images: courtesy of DIsney. © 2025 Disney Enterprises, Inc. All Rights Reserved.
With three stores across Melbourne and a sprawling menu of tea options on offer at each, Top Tea has you spoilt for choice. You'll spy fruity concoctions built on fresh ingredients rather than sugary syrups, tea drinks spiked with ice cream or Yakult, and, for the dairy fiends, a series of brûlée-topped, milk tea-based creations. But one of this spot's best-known offerings has to be the line of signature cheese teas, each finished with a creamy cheesecake-like foam layer, ready to be stirred through according to taste. It's an unexpectedly satisfying match to seasonal fruit flavours like dragonfruit, cherry or watermelon. If you're also on the lookout for solid food, the store sells a bunch of buns filled with OTT fillings like mochi, matcha cream and soybean custard. Top Tea's other two stores are located on Swanston Street and inside Westfield Doncaster.
Is your wardrobe in need of a new-season refresh? Leave it in the hands of Australia's next generation of fashion legends when you shop the range of sartorial goodness that's set to grace the racks at Melbourne Fashion Hub's 2023 Pop-Up Store. It's the third annual instalment of the showcase, which is just part of the independent organisation's work supporting fashion students and recent graduates as they make their start in the industry. On show at Emporium from Saturday, March 25–Sunday, March 26, the pop-up will feature pieces from 17 emerging designers, including alumni of Holmesglen, RMIT and Whitehouse Institute of Design. They'll each have their own mini collections on show for visitors to browse and buy, spanning an array of different styles but all built on a commitment to responsible practice. You'll also have the chance to meet and chat with the designers, scoring a glimpse into the future of Melbourne's fashion scene. Who knows what rising star labels you'll unearth here before anyone else? Tickets to the pop-up are free, though you'll need to register online to secure your spot. [caption id="attachment_893782" align="alignnone" width="1920"] Works by designer Emilia Lay[/caption]
When French stage actor Sarah Bernhardt performed in the late-19th and early-20th centuries, posters helped spread the word. The art that featured is as famous as the star herself. Responsible for the designs: Czech-born painter and illustrator Alphonse Mucha, who is virtually synonymous with Paris in the art nouveau period as a result. He's also the subject of the Art Gallery of New South Wales' huge 2024 winter showcase. AGNSW has unveiled its program for the year ahead, and its biggest-name exhibition is impressive. It'll also be exclusive to Sydney. Running from Saturday, June 15–Sunday, September 22, Alphonse Mucha: Spirit of Art Nouveau will be the most-comprehensive showcase of the artist's work that Australia has ever seen, in fact. Posters for Bernhardt and others will feature, alongside illustrations, photographs, jewellery and interior decoration. Surveying Mucha's five-decade career, created in collaboration with the Mucha Foundation in Prague and featuring pieces from the Mucha Family Collection, Alphonse Mucha: Spirit of Art Nouveau will also include a digital component. There, his painting cycle The Slav Epic from 1912–26 will get the immersive treatment. [caption id="attachment_942045" align="alignnone" width="1920"] Alphonse Mucha 'Reverie' 1898, colour lithograph, 72.7 x 55.2 cm © Mucha Trust 2024 // Alphonse Mucha 'The Seasons: Summer' 1896, colour lithograph, 103 x 54 cm © Mucha Trust 2024. // Alphonse Mucha 'Princess Hyacinth' 1911, colour lithograph 125.5 x 83.5 cm © Mucha Trust 2024[/caption] "Thanks to the close and generous collaboration with the Mucha Foundation in Prague, this extensive exhibition brings many of Alphonse Mucha's exceptionally important works to Sydney, revealing an artist and designer whose powerful influence remains with us today, some 85 years after his death," said Art Gallery of New South Wales Director Michael Brand, announcing the exhibition. "Mucha was a prolific and versatile artist whose work spanned many areas of design, from the iconic theatrical posters that made his name, to design and advertising, to jewellery, sculpture and interior design, book illustration and, of course, painting." "As an artist, activist and philosopher, Mucha moved beyond art nouveau in his search for an art to elevate the human spirit, coming to focus attention on the socio-historical issues affecting the Slavic peoples then under the domination of the Austro-Hungarian Empire," Brand continued. [caption id="attachment_942047" align="alignnone" width="1920"] Lesley Dumbrell 'Solstice' 1974, Liquitex on canvas, 173 x 296 cm, Art Gallery of New South Wales, purchased with funds provided by the Patrick White Bequest 2019 © Lesley Dumbrell.[/caption] Alphonse Mucha: Spirit of Art Nouveau sits on AGNSW's 2024 lineup alongside a wealth of other reasons to hit the Sydney gallery. The Archibald, Wynne and Sulman prizes will be back, of course, displaying across winter as well. The Volume festival, which debuted in 2023, will also return — albeit with dates and details to be confirmed. And the site is a venue for the 24th Biennale of Sydney from March–June, too. The abstract art of Australian talent Lesley Dumbrell, paintings and sculptures by South Korea's Lee Ufan and stepping into Wendy Sharpe's creative process are among the other highlights, from a list that goes on. One particular must-see: What Does the Jukebox Dream Of?, where the gallery will go big on defunct media — complete with Susan Hiller's large-scale installation Die gedanken sind frei (Thoughts are free), a customised Wurlitzer jukebox, which will hit Australia for the first time and play 100-plus anthems spanning centuries. [caption id="attachment_942046" align="alignnone" width="1920"] Susan Hiller 'Die gedanken sind frei (Thoughts are free)' 2012, 102 songs on customised Wurlitzer walnut jukebox, vinyl lettering, books, benches, sound, overall display dimensions variable, Art Gallery of New South Wales, gift of Geoff Ainsworth AM and Johanna Featherstone 2017 © Estate of Susan Hiller, courtesy Lisson Gallery, photo: Jack Hems.[/caption] Art Gallery of New South Wales' 2024 Exhibitions and Events: Until Sunday, March 10 — Kandinsky and Georgiana Houghton: Invisible Friends Until Sunday, April 28 — Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? Until Sunday, April 21 — ARTEXPRESS 2024 Saturday, March 9–Monday, June 10 — 24th Biennale of Sydney: Ten Thousand Suns Saturday, March 9–Sunday, September 22 — What Does the Jukebox Dream Of? Saturday, March 9–Sunday, June 2 — Jelena Telecki: Mothers, Fathers Saturday, May 25–Sunday, August 11 — Wendy Sharpe: Spellbound Saturday, June 8–Sunday, September 8 — Archibald, Wynne and Sulman prizes 2024 Saturday, June 15–Sunday, September 22 — Alphonse Mucha: Spirit of Art Nouveau Saturday, June 22–Monday, October 7 — Emily Hunt Saturday, July 30–Sunday, October 24 — Lesley Dumbrell: Thrum Saturday, August 31–September 2024 — Lee Ufan Saturday, September 14–Sunday, January 12 — Dobell Australian Drawing Biennial 2024 Saturday, September 21–mid 2025 — Angelica Mesiti: The Rites of When Saturday, November 2–Sunday, February 16 — Leyla Stevens Saturday, November 9–Sunday, February 9 — Nusra Latif Qureshi TBC — Volume 2024 [caption id="attachment_942048" align="alignnone" width="1920"] Sampa the Great performing at the 2023 Volume Festival at the Art Gallery of NSW, photo © Art Gallery of New South Wales, Daniel Boud.[/caption] For more information about the Art Gallery of New South Wales' 2024 exhibitions — all of which will occur at The Domain, Sydney — visit the venue's website. Top image: excerpt of Alphonse Mucha 'Reverie' 1898, colour lithograph, 72.7 x 55.2 cm © Mucha Trust 2024 // Alphonse Mucha 'The Seasons: Summer' 1896, colour lithograph, 103 x 54 cm © Mucha Trust 2024. // Alphonse Mucha 'Princess Hyacinth' 1911, colour lithograph 125.5 x 83.5 cm © Mucha Trust 2024
In the 22 years since they formed out of Melbourne's underground scene, Eddy Current Suppression Ring haven't ever played a free headlining show — until September 2025 rolls around, that is. Whether you're a fan of Aussie Rules football or you just like an excuse for a public holiday, here's one way to spend this year's AFL Grand Final eve: catching the iconic band taking to the stage in Federation Square, putting on their first gig in nine years and doing so without punters needing to pay a cent. Over the years, Melbourne's Fed Square has hosted free concerts by the eclectic likes of Robbie Williams, Kneecap, Caribou, Glass Beams and more. Now, Eddy Current Suppression Ring are jumping onto that list. They'll take to the stage for their first major appearance since the garage-punk group's last-minute Dark Mofo set in 2016, and for their first headlining Melbourne show since playing The Palace in 2010. Word of the Friday, September 26, 2025 gig follows Eddy Current Suppression Ring's release of their new split 7-inch Shapes and Forms — and sees the group, aka Brendan Suppression, Eddy Current, Danny Current and Rob Solid, keep adding to a career that started after a jam session at a Melbourne vinyl pressing plant's Christmas shindig back in 2003. For company in Fed Square, the Australian Music Prize-winning and ARIA Award-nominated band will be joined by New York's EDAN and the Melbourne-based Wrong Way Up. "Eddy Current Suppression Ring is a band woven into the fabric of Melbourne's music history. Raw, fearless and utterly electrifying live," said Fed Square Director of Programming Sarah Tutton. "We're delighted to welcome them back to the city for what promises to be a truly unforgettable night at Fed Square, continuing our commitment to creating unmissable free, all-ages events that celebrate the best of local and international music, right in the heart of Melbourne." Eddy Current Suppression Ring are playing Federation Square, Melbourne, on Friday, September 26, 2025 — head to the Fed Square website for more details.
Breaking TV viewing records, progressing further into the World Cup than any Australian soccer team before, smashing their way into the 2024 Paris Olympics: the Matildas are having a helluva 12 months. They're also getting a Brisbane statue, and inspired 'Matilda' to be chosen as 2023's word of the year. Add featuring in their second documentary in a year to the squad's achievements, too, with Trailblazers headed to Stan. In 2023, docuseries Matildas: The World at Our Feet chronicled the current team's path to the 2023 Women's World Cup. In 2024, Trailblazers will take a broader look at the Tillies' story, and also at women's football in Australia. Sam Kerr, Steph Catley, Mary Fowler, Ellie Carpenter, Katrina Gorry and Teagan Micah all feature as interviewees — but chronicling the Matildas' journey before their current success is also the doco's aim. If your obsession with the Tillies started in July 2023, this is your chance to dive into the first FIFA-recognised game in 1979, the team's 2015 strike for equal pay and its fortunes at the Tokyo 2020 Olympics — and to reflect upon the the FIFA Women's World Cup 2023 in Australia and New Zealand, and the squad's qualification for Paris. So, you'll hear from and about earlier players, such as first-ever Matildas captain Julie Dolan, alongside Kerr and company. The Matildas' first Indigenous female player Karen Menzies also features among the discussions, as do fellow past players Melissa Barbieri, Kate Gill and Moya Dodd. Tommy Sermanni, who coached the Tillies from 1994–97 and 2005–12, also gets chatting. And, so does ex-Socceroos captain-turned-commentator Craig Foster. Stan will stream Trailblazers sometime in the lead up to the Paris Olympics, with an exact release date not yet announced. Behind the scenes, Maggie Miles (Dare to Be Different) and Maggie Eudes produce, write and direct the documentary — aka your next chance to revel in all things Tillies. If you want to wear green and gold while watching, or the newly released (and soldout) purple Mackenzie Arnold goalkeeper kit if you got your hands on one, that's up to you. Trailblazers is set to stream via Stan before the 2024 Paris Olympic Games, which take place from Friday, July 16–Sunday, August 11. We'll update you when an exact release date for the documentary is announced.
Twenty years ago, Melbourne animator Adam Elliot won the Academy Award for Best Animated Short Film for Harvie Krumpet. This winter in his home town, he's opening the Melbourne International Film Festival with Memoir of a Snail. 2024's cinema celebration in Victoria's capital will kick off with the voices of Sarah Snook (Succession), Kodi Smit-McPhee (Elvis), Eric Bana (Force of Nature: The Dry 2), Tony Armstrong (Tony Armstrong's Extra-Ordinary Things), Nick Cave (The Electrical Life of Louis Wain), Jacki Weaver (Hello Tomorrow!) and Magda Szubanski (After the Trial) echoing from a new claymation feature, Elliot's second full-length stop-motion flick after 2009's Mary and Max. "After eight long years, producer Liz Kearney and I are a bit exhausted but thrilled to be asked to be the opening night film for MIFF 2024. It is truly a Melbourne film and MIFF is the perfect place for its Australian premiere," said Elliot about Memoir of a Snail launching this year's festival on Thursday, August 8. "About Melbourne, made by Melburnians and voiced by Melburnians, Memoir of a Snail is a handmade stop-motion film lovingly crafted by a team of local artists. Opening night at MIFF will be a celebration of their artistry and a celebration of this wonderful city in which we live." Spanning its usual 18-day run — this year from Thursday, August 8–Sunday, August 25 in Melbourne cinemas; from Friday, August 9–Sunday, August 25 online; and across both Friday, August 16–Sunday, August 18 and Friday, August 23–Sunday, August 25 in regional Victoria — MIFF's 2024 program will include more than 250 titles once Memoir of a Snail commences the annual excuse to spend almost three weeks in darkened rooms. The full lineup doesn't drop until Thursday, July 11, but the fest has unveiled 23 other flicks that'll feature when the projectors get whirring. And if you're a Melburnian feeling a taste of Sydney Film Festival envy to start off June, you'll recognise a few titles. Sundance sensation I Saw the TV Glow from We're All Going to the World's Fair's Jane Schoenbrun, Hunter Schafer (Euphoria)-starring thriller Cuckoo, the Sebastian Stan (Dumb Money)-led A Different Man and restaurant-set dramedy La Cocina featuring Rooney Mara (Women Talking) are among the movies that'll play MIFF after SFF. So are Frederick Wiseman's (City Hall) Menus-Plaisirs — Les Troisgros, which brings his observational gaze to a three-Michelin-starred French restaurant; the Taika Waititi (Next Goal Wins)-executive produced We Were Dangerous; and the Bundaberg-set Flathead. While an amount of crossover always happens between each Australian city's major film fest, MIFF also boasts a heap of pictures beyond Memoir of a Snail that'll be making their Aussie premiere — or even world premiere— in Melbourne. Thanks to the MIFF Premiere Fund, which supports local flicks, audiences an look forward to Justin Kurzel (Nitram)-directed documentary Ellis Park, about iconic musician Warren Ellis establish an animal sanctuary in Sumatra; Magic Beach, an animated adaptation of Alison Lester's children's book; and Audrey, starring Jackie van Beek (Nude Tuesday) as a mother who steals the identity of her teenage daughter, who is in a coma. There's also Queens of Concrete, a doco about three skateboarders balancing been teens with trying to score an Olympics berth — and fellow documentary Left Write Hook, where seven female survivors of sexual assault as children attend a recovery program. Similarly with local ties: Fungi: Web of Life, which is playing in IMAX in 3D, is narrated by Björk, and heads to Tasmania's Tarkine rainforest in search of a specific blue mushroom. After That Sugar Film and 2040, Australian actor-turned-filmmaker Damon Gameau helms Future Council, charting a cross-Europe trip with eight young minds to explore climate change solutions. Elsewhere among the just-unveiled flicks, MIFFgoers can check out Blue Sun Palace, which just won an award at Cannes Critics' Week for its tale of two Chinese workers in New York; Didi, the coming-of-age film that nabbed first-time feature director Sean Wang two prizes at Sundance; Grand Theft Hamlet, which is indeed about staging Shakespeare in Grand Theft Auto; documentary Look Into My Eyes, about psychics and their clients from Miss Americana and Pretty Baby: Brooke Shields director Lana Wilson; and Teaches of Peaches, which goes on tour with its namesake The list already goes on, with MIFF Artistic Director Al Cossar dubbing this year's full program "another extraordinary voyage through cinema". "MIFF is pleased to share our First Glance for 2024, a sneak peek of the program arriving this August — the marvellous visions, diversions, and cinematic surprises coming your way as over 250 films illuminate the screens this winter across 18 days of unbridled binge-viewing." "First Glance already sees us lifting the lid on some of the most anticipated films of the year, alongside films you won't find anywhere else — bold, thrilling, thoughtful, hilarious, terrifying, and essential new cinema, from Australia and all around the world," Cossar continued. The 2024 Melbourne International Film Festival runs from Thursday, August 8–Sunday, August 25 at a variety of venues around Melbourne; from Friday, August 16–Sunday, August 18 and Friday, August 23–Sunday, August 25 in regional Victoria; and online nationwide from Friday, August 9–Sunday, August 25. For further details, including the full program from Thursday, July 11, visit the MIFF website.
Residents of Warrnambool, a huge festival is coming your way. Music lovers, you're heading to the Victorian town. The coastal spot has been named the host of Triple J's One Night Stand for 2024, with G Flip, Ruel, What So Not — with some friends — and Thelma Plum leading the lineup. Warrnambool was picked by the Australian radio station from a huge 2087 submissions, with the nation clearly excited about the return of the fest for the first time in five years. The roster of talent taking to the stage at Friendly Societies Park three hours out of Melbourne also includes Sycco and DICE, a competition winner from Unearthed, and special guests as well. [caption id="attachment_966668" align="alignnone" width="1917"] Callum Walker Hutchinson[/caption] Triple J announced back in April that the event would make a comeback this year, then revealed at the beginning of July that it'd return on Saturday, September 14, 2024. Next came the lineup details, and now finally where the fest is rolling into town. Victoria was the site of the very first One Night Stand, too. Twenty years ago, the ABC station gave the town of Natimuk a day to remember when the spot 300 kilometres out of Melbourne hosted its very own major music fest, with Grinspoon, Eskimo Joe and The Dissociatives (aka Daniel Johns and Paul Mac) all getting behind the microphone. So began an event that became a yearly tradition, but taking place in different regional locations, with Triple J putting on a fest every year between 2004–2014, then again from 2016–2019. There's no prizes for guessing why One Night Stand pressed pause from 2020, but that gap in the event's history is finally coming to an end. The all-ages event is returning at time when the Australian live music scene has been suffering, and after a spate of festivals have been cancelling or saying farewell forever. In 2024 alone, both Groovin the Moo and Splendour in the Grass announced lineups, then scrapped this year's fests mere weeks later. Summergrounds Music Festival, which was meant to debut at Sydney Festival 2024, also didn't go ahead. As announced in 2023, Dark Mofo took a breather this year — and Mona Foma, the summer fest also held by Tasmania's Museum of Old and New Art, has advised that its 2024 event was its last ever. With the state of the industry in mind, bringing back One Night Stand is not only much-needed and well-timed, but will also raise funds Support Act, the charity for the Australian music industry. In the past, the event has also been to Ayr, Dalby and Mt Isa in Queensland; Port Pirie, Tumby Bay and Lucindale in South Australia; Cowra and Dubbo in New South Wales; Collie and Geraldton in Western Australia; Sale and Mildura in Victoria; Alice Springs in the Northern Territory; and St Helens in Tasmania. One Night Stand Lineup 2024: G Flip Ruel What So Not + Friends Thelma Plum Sycco DICE triple j Unearthed Competition Winner + special guests 2024's triple j One Night Stand will take place on Saturday, September 14 in Warrnambool, with tickets on sale from 19am on Thursday, July 25. For more information, head to the radio station's website. Top image: Drew de F Fawkes via Wikimedia Commons.
Entering an Australian supermarket over the past month or so, you can be forgiven for thinking that you're walking onto the set of a post-apocalyptic film. People have been everywhere — until customer limits were put in place in-store — but the shelves are often bare, with shoppers panic-buying everything from toilet paper and hand sanitiser to pasta and milk. As the COVID-19 situation evolved, local supermarket chains were forced to implement item limits — and increase them when the hoarding kept happening, causing everyday staples to keep selling out. But, while some restrictions aren't going anywhere soon, Coles and Woolworths have started to lift caps on a range of items. At Coles, limits have been lifted on both UHT and fresh milk, all types of meat, plus tissues and nappies. The company currently only has one-pack-per-person limits on toilet paper and paper towels, and two-pack-per-person cap on eggs, sugar, frozen vegetables, frozen desserts, canned tomatoes, pasta, all dry rice regardless of size, flour, hand sanitiser, liquid soap and antibacterial wipes — although additional limits may still be placed on other items on a store-by-store basis, so it's best to pay attention to the signage while you're shopping. Over at Woolies, caps have now been removed on tinned tomatoes, canned legumes and all canned vegetables; longlife milk; oats; baby care items excluding wipes; and serviettes. A few weeks back, it was easier to list what wasn't restricted than detail what did have limits, with a two-pack-per-person limit applying in general to most products; however the chain's caps have been changing regularly. Still, before you head in to buy groceries, it's worth checking out the Woolies website for the latest details. Aldi's most recent limits are all still in place, including caps on toilet paper (one pack); dry pasta, dry rice, flour, paper towels, tissues, sanitiser and eggs (two packs); UHT milk, sugar and microwavable rice (six packs); and canned foods (ten packs). At IGA, it's still a store-by-store decision. "In the spirit of helping everyone in our local communities access essential items, stores have placed purchase limits on items that are critically low in stock. These limits are being managed on a store by store basis and are increasing day by day," the chain advised in a statement. For more details on Australian supermarket item limits, keep an eye on Coles, Woolworths, Aldi and IGA's websites. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Vakrieger via Wikimedia Commons.
Nearly all of life's problems can be vastly improved with a plate of lasagne, especially one that's been crafted in the kitchen of a Melbourne institution like Pellegrini's. The beloved Bourke Street espresso bar is Italian comfort food at its best, warming bellies and souls with its classic pasta dishes since the 1950s. Even the fit-out nods to the old-school, with its red leather bar stools and chequered floor. Clock off work and treat yourself to a serve of home-style lasagne, washed down with an Italian espresso. While you're there, do some people watching — Pellegrini's friendly service and fantastic Italian food attracts a whole range of customers, from corporates, to retirees and tourists who have heard of its legacy. Image: Brook James.
If you're bored with standard light bulbs, or are looking for a creative light fixture to add some style to a room, why not get imaginative and do it yourself? Creating your own orbs, hanging lights or lamps can actually be much simpler than you may think, and they also make use of materials you'll probably have lying around the house sitting stagnant and useless anyway. Establish an alternative ambience, add some creative flair or improve the decor of a room simply by adding some alternative lights you've made yourself. Here are 12 of the most impressive, innovative and easiest DIY light fixtures made from everyday household objects. Wine Bottle Plastic Spoon and Water Jug Bendy Bamboo Straw Chandelier Cloud Light Paper Flower Jars Paper Cups Doily Lamp Bowler Hats Cupcake Cups Orb [Via Buzzfeed]
Make your way down the Princes Freeway to immerse yourself in a world of colour and sound at Geelong After Dark this autumn. Now in its sixth year, Geelong After Dark's exciting showcase of art, design and performance will return on Friday, May 3. As night falls, the Gateway City's laneways, hidden spaces and buildings will be filled with innovative art installations, projections, music acts and live performances. If ever there were an excuse to skip the end-of-week work drinks and head out of town, this is it. The festivities will take place across three zones in the CBD, from Johnstone Park, down Malop Street and stretching down to the waterfront. The full program is yet to be released, but this year's theme, 'heighten your senses', gives a small clue of what to expect. Artists have created a number of site-specific artworks to be unveiled on the night — all of which are designed to encourage spectator interaction via touch, sound, taste, sight or smell. One commissioned artwork that filled this brief, Sensory Portals, was built by the city's arts and culture team in conjunction with Deakin University. It involves three separate installations that visitors can step inside and immerse themselves within. Be sure to also keep an ear out for three original songs that will be sampled within a number of the After Dark installations. These songs were written and performed by local unsigned musicians under the Connecting Songs project as an homage to the area. As part of the scheme, these musical groups were also given mentoring opportunities with well-known Australian musicians, including Adalita (Magic Dirt), Mick Thomas (Weddings, Parties, Anything and Mick Thomas and the Sure Thing) and Mark Wilson (Jet). Geelong After Dark will take place from 6–10pm on Friday, May 3. For more information, visit the website. Image: Reg Ryan.
Despite her painting career lasting just eight years, late Aboriginal artist Emily Kame Kngwarreye smashed another art record this week, as her piece Earth's Creation I again fetched the highest price at auction for an Australian female artist. The contemporary piece went under the hammer for a huge $2.1 million, breaking its own 2007 record, having sold back then for $1.05 million. This time, it's been snapped up by art dealer Tim Olsen for his recently opened New York gallery, in an online auction headed up by Sydney's Cooee Art Marketplace and Fine Art Bourse. The sale of the acclaimed work, which has previously been on show at the likes of the National Museum of Art in Osaka, the National Museum of Australia and the National Gallery of Victoria, is also a big win for Australian Indigenous art, with Fine Art Bourse auctioneer Tim Goodman telling SBS: "this sale will go a long way to breathing life back into the Aboriginal art market." Hope you managed to get a look at it while it was in the country. Kngwarreye's painting is also not that far off the auction record for an Aboriginal artist, which was set by a Clifford Possum piece that sold for $2.4 million back in 2007. By contrast, the last known painting by Leonardo di Vinci, Salvator Mundi, just sold at auction for around $AUD590 million — making it history's most expensive artwork by far. Via SBS. Image: Emily Kame Kngwarreye (c.1910–1996) painting Earth's Creation I (1994).
In early September, Victorian Premier Daniel Andrews unveiled how metropolitan Melbourne area will gradually ease out of its current stage four COVID-19 lockdowns. On the cards is a five-step removal of restrictions, with the second step coming into place at 11.59pm on September 27, as confirmed by Premier Andrews yesterday. More steps will follow; however just when they'll kick in is now dependent on hitting certain case numbers, and accompanying health advice, rather than specific dates. The aim: to get Melbourne to what the powers-that-be are calling a 'COVID normal' scenario — with absolutely no restrictions on gatherings, visitors, hospitality or sport. For now, under step two, metro Melbourne has met everything it needs to. Under the roadmap, Melbourne needed to reach a 14-day rolling average of daily between 30 and 50 — and as of Sunday, September 27, the average is 22.1. If you're wondering what has changed overnight, and what you now can and can't do, that's understandable — the full outline of step two is lengthy. So, we've detailed the basics. This information is correct as of Monday, September 28. Is there still a curfew? No, the curfew for metropolitan Melbourne has now been scrapped. If lifted for the last time at 5am on Monday, September 28. Originally, it was due to stay in step two, but Premier Andrews announced that change on Sunday, September 27. For what reasons am I allowed to leave the house? Remember those four reasons first announced way back in March? Yep, it's still those. You can leave home to purchase groceries and other essentials, for care and caregiving, for outdoor exercise and recreation, and for permitted work. In step two, however, more industries are allowed to return to working onsite, covering around 127,000 employees. You can find out more about what industries are allowed on-site workers over here. [caption id="attachment_776562" align="alignnone" width="1920"] Heroes mask[/caption] Do I still have to wear a mask? Yes, masks or face coverings are still compulsory whenever you leave home. In fact, the rules for masks have tightened in step two. You now have to wear a fitted face mask — with bandanas, scarves and face shields no longer acceptable. The new rule came into effect with step two, but Melburnians are being give a one-week grace period to comply. How long am I allowed to be out of the house for? You can now head outdoors for up to two hours. You can use these two hours to exercise or to see a friends or family members (and you can split these into two one-hour sessions, but no more), but we'll get to social interactions in a second. How far can I travel? You can still only travel up to five kilometres from your home. We're sure you're very, very familiar with that patch of dirt by now, but if you want to have another look at what's around, check out this website. Can I see friends and family? Yes, but there are quite a few caveats, so bear with us. You can catch up with up to five people, from a maximum of two different households, outside of your home for up to two hours. You can exercise with them or have a picnic (socially distanced, of course), but you cannot travel more than five kilometres from your home. Inside your home, the rules are a little different. The "single social bubble" from step one is still in place, which allows a single person living alone or a single parent with children under 18 to nominate one person to be in their bubble. You are allowed to have this nominated person over to your home and you can go to their home — and you can travel more than five kilometres to visit them, but you must stay within metropolitan Melbourne. You can also stay overnight. Premier Daniel Andrews has posted a little more about the bubbles, too: https://www.facebook.com/DanielAndrewsMP/photos/pcb.3398375080227004/3401290863268759/?type=3&theater Can I drive to a park to exercise? As long as it's within five kilometres of your home, yes. While it was initially banned at the start of stage four, the government changed the rules after backlash on social media. Also, if you're a worker permitted to return to onsite work, you can now also exercise within five kilometres of your workplace. Can I have a session with a personal trainer in a park? Under step two, yes. Up to two people per trainer is allowed. Can I have a picnic in a park? Yes, as long as it's with up to five people (including yourself) from a maximum of two different households — and within five kilometres of your homes. Here are some of our favourite spots. How about a dog park? If it's within five kilometres of your home, yes. Here are some of our favourites. Can I go to the beach? Yes, if there is a beach within five kilometres of your home. But you can go for a maximum of two hours, and with with up to five people (including yourself) from a maximum of two different households. [caption id="attachment_618946" align="alignnone" width="1920"] Fitzroy Swimming Pool[/caption] Can I go to a pool? Indoor? No. Outdoor? Yes. But there are capacity limits and bookings at many pools, so check the website before throwing on your togs. You can check out some of our favourites over here. Can I visit a regional town? If you work in regional Victoria, you can travel there (but you'll need a permit) — otherwise no. You can travel more than five kilometres from your home to see someone in your "social bubble", but you cannot enter regional Victoria for this reason. Can I go shopping? For groceries and other essentials, yes. But not all shops are open and some have altered hours, so check before you head off. And do make sure you stay within five kilometres from your home. Under previous restrictions, only one person per household could go shopping for groceries and other essentials each day. That requirement has now been dropped, but you can still only shop for necessary goods and services. How about to a restaurant or cafe? You can pick up takeaway from a hospitality venue located within five kilometres of your home, but dine-in service is off the cards for now. Or a gym? Indoor gyms are currently closed, but outdoors playgrounds and gyms are open. When will more restrictions be eased? For metropolitan Melbourne, the next step of eased restrictions was originally set to take place on Monday, October 26 — but only if the state-wide average daily cases is less than five and there have been less than five cases with unknown sources over the previous 14 days. As part of the step two announcement, that specific date requirement has now been dropped. Instead, metropolitan Melbourne will move to step three when the above case numbers are met, regardless of the date. It's expected that will happen around October 19; however, again, that isn't set in stone. On Sunday, September 27, Premier Andrews noted that the city "cannot take that step any earlier because the impact of decisions made today won't be known for at least two-to-three weeks". If you have more questions, the Victorian Government has an extensive list of FAQs on its website. Top image: Royal Botanic Gardens via Visit Victoria
Having tempted us with their coffee window (cleverly positioned on the path to Victoria Park station) for four months now, Dr Morse is now in full swing, complete with a newly-acquired liquor license, beer garden, roaring open fire and one of the best value burgers in Melbourne (big call, we know). The space, on a corner beside the railway station, is a bit like a cat with nine lives. In the past few years it has been Kiss FM's pizza joint, followed by the Johnston Street Milk Bar and now, in its present reincarnation, Dr Morse. Originally, it appears, the space was an old apothecary, and the owners have restored some of the original features, including brick wall signage advertising Indian Root Pills ('for indigestion'). Hopefully this homage to its early successes will help the new owners to solidify their own. It's an interesting space, and everything has been carefully considered. The open fire place is a huge plus, warming the noses and fingertips of the lucky group who nabs the sofa and ottoman seating around it, and the beer garden will be a joy in summer, with its own bar and a BBQ hinting at plans for the warmer months. It's quite clear the aim here was to create a space that encouraged Sunday sessions and relaxed afternoons spent drinking craft cider and snacking on hand cut chips with chipotle aioli ($6). Or, looking to cure any Saturday night ills? The beef burger will do just that. It's perfectly sloppy, the bun is rich and buttery, and for $10, it's a steal. The organic quinoa salad with avocado, pistachio, pomegranate, corn and soft-boiled egg ($16) is as remedy of a different kind, and equally good value. In the mornings, the coffee window opens at 7am every day to give early morning commuters a caffeine hit and baked breakfast goods, before the main doors open up at 11.30am. The focus with the drinks list is on local makers: Abbotsford's Moondog beer is on tap, the wine list favours small Victorian labels, and there is tea available from Collingwood's Storm in a Teacup. Whatever your ailment, Dr Morse aims to cure it — or at least make you forget for a while.
Some holidays arise from months of planning. Others happen simply because an airline has cheap flights on offer. Both are perfectly acceptable ways to lock in a getaway — and if you're keen for the latter, Jetstar is doing a big 48-hour sale with 400,000-plus fares to Bali, Phuket, Hawaii, Vietnam, Japan and Seoul, among other destinations. Actually, the Australian carrier is doing discounted flights across Australia as well as to international spots — but after the couple of years we've all had, with closed borders both locally and overseas, you're probably (and understandably) itching to venture to other countries. International fares start from $199 return — yes, both ways — because this is Jetstar's 'return for free' sale. Running from 12am AEST on Wednesday, May 4–11.59pm AEST on Thursday, May 5, or until sold out, it's as straightforward as it sounds. Whatever flights you opt for as part of the sale, you'll get the return fare for nothing. Overseas, one big caveat is worth keeping in mind: some destinations, such as Japan, haven't yet opened to international tourists. But if you'd like to book cheap flights to Tokyo or Osaka and back for later in the year and cross your fingers that the border situation changes, you can. Also on the list: fares to Bangkok, Ho Chi Minh City, Wellington, Auckland, Christchurch and Queenstown, to name a few, with 29 international routes covered. Locally, you've got a choice between 59 routes — all with return legs for free — starting from $69. Tickets in the sale are for trips from this coming spring onwards, with exact days varying in each region. There are a few other rules, as is always the case. You have to the same departure and arrival ports for the two fares — so you can go from Melbourne to Honolulu and back, for instance, but can't return via another place or to another city. And, the sale fares don't include checked baggage, so you'll need to travel super light or pay extra to take a suitcase. Jetstar's 'return for free' sale runs from 12am AEST on Wednesday, May 4–11.59pm AEST on Thursday, May 5 — or until sold out.
Speculation or humanity's certain future? Thinking about which of those two options best fits MIRRORSCAPE is part of the experience of viewing Théo Mercier's latest work. The end of the world has arrived at Mona. Where a library once sat, sand and water has been shaped into a debris-strewn post-disaster landscape. It's all in the name of art, of course — Dark Mofo is still on the calendar for 2025; after becoming the first museum in the world to receive Wu-Tang Clan's rare Once Upon a Time in Shaolin album on loan earlier in 2024, the Tasmanian gallery hasn't dropped the mic and said goodbye — but as the piece's title makes plain, MIRRORSCAPE just might be a reflection of what's to come. Making his Australian debut, French artist Mercier has moulded 80 tonnes of Tasmanian sand into a vision of life overrun by catastrophe — and as it displays for 12 months, his giant sand sculpture will keep changing. First announced in late 2024, when it was initially called DARK TOURISM, the artwork was unveiled on Saturday, February 15, 2025. It'll show Monday, February 16, 2026, and the sand within it will do what sand does over that period: erode. "The earth shuffles and trembles. It is a collection of catastrophes and its surface bears witness to the natural and political changes — and cataclysms — that pass through it," explains Mercier about the piece. "In this work, devastation finds itself petrified in the stone, as if we opened a mountain here in Tasmania and discovered the great fossil of a disaster. We don't know whether this would have happened in the past or if it's a foreshadowing of the near future." "MIRRORSCAPE is a conflict suspended in time, quarantined inside a panoramic cell that recalls the scientific laboratory or a vivarium. It is something to be studied at a distance." Featuring sandy recreations of old utes, other upturned vehicles, mattresses, cushions, clothing, bricks pipes and much more, MIRRORSCAPE undeniably looks like the aftermath of the worst occurring, and unsurprisingly makes a statement about planet's changing climate — plus humanity's role in it, and in natural disasters. "Crafted entirely from Tasmanian sand, Théo's work is a reflection of the fragile and temporary nature of the world around us, and of life itself," notes Mona Curator Sarah Wallace. "I hope visitors will be drawn in by the intricate detail in this captivating installation, while considering the questions he raises about our ecological predicament." The piece originated from a trip to the Apple Isle by the artist. "When Théo was last in Hobart he said he was 'going for a walk'. He walked to the top of kunanyi. He's back, and he'll be doing something just as mad at Mona," added Mona Owner and Founder David Walsh. Given how it'll change over the course of 12 months, you won't want to see MIRRORSCAPE just once — if you can fit in two trips to Mona between now and February 2026. MIRRORSCAPE is on display at Mona, 655 Main Road, Berriedale, Tasmania until Monday, February 16, 2026. Head to the venue's website for more information. Images: Mona/Jesse Hunniford. Courtesy of the artist and the Museum of Old and New Art, Hobart, Tasmania, Australia.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. BULLET TRAIN Buy the ticket, take the ride, strap in for an onslaught of frenetic locomotive-bound fights: that's high-octane action-comedy Bullet Train on- and off-screen. Set on a shinkansen hurtling from Tokyo to Kyoto, in as stylised a vision of Japan that anyone not named Quentin Tarantino has ever thought of, this neon-lit adaptation of Kōtarō Isaka's 2010 page-turner Maria Beetle couldn't be more onboard with its central concept. That premise isn't snakes on a plane, but rather assassins on a train — plus one snake, one of nature's hitmen, actually. Cramming all those killers onto a single engine sparks mayhem, banter and bodies, not to mention chaotic frays in the quiet car and almost every other space. And when it works, with John Wick and Atomic Blonde's David Leitch steering the show, Tarantino and Guy Ritchie alum Brad Pitt as his main passenger, and a lifetime's worth of references to Thomas the Tank Engine slotted in, Bullet Train is as OTT and entertaining as it overtly wants to be. It doesn't always completely work, however; every journey, zipping along on a high-speed train or not, has its dips. Still, there are plenty of moving parts trying to keep the movie in motion — and plenty of plot, for better and for worse in both instances. In his second 2022 action-comedy after The Lost City, Pitt plays Ladybug, who is back riding the hired-gun rails after a zen break packed with new-age self-help platitudes. That's what he spouts to his handler (Sandra Bullock, The Unforgivable) by phone, in-between rueing his bad luck, as he tries to carry out what's supposed to be an easy job. All that Ladybug needs to do is take a briefcase, then disembark at the next station. But that piece of luggage is being transported by British assassin double-act Tangerine (Aaron Taylor-Johnson, The King's Man) and Lemon (Brian Tyree Henry, Atlanta), as they escort a Russian mobster's son (Logan Lerman, Hunters) home. To up the hitman ante, the shinkansen is also carrying The Prince (Joey King, The Princess) and Kimura (Andrew Koji, Snake Eyes: GI Joe Origins), who have their own beef, as well as the revenge-seeking Wolf (Benito A Martínez Ocasio aka Bad Bunny, Fast and Furious 9). As is always the case whenever anyone asks "are we there yet?" IRL, there's more: more twists and turns to the narrative, more bickering, more familiar names facing each other down, and a mass of flashbacks to events minutes, hours, days and months earlier, most of which make the leap from the page via Zak Olkewicz's (Fear Street: Part Two — 1978) screenplay. Wondering if the scribe and Leitch have seen Kill Bill, or the Pitt-starring Snatch, or the 90s attention-grabbers that were Reservoir Dogs, Pulp Fiction and Lock, Stock and Two Smoking Barrels as they bring Isaka's novel to the screen is thoroughly pointless. But, after The Gray Man, Bullet Train is the second big, star-studded, midyear action flick that's pieced together from familiar components, only to boast the cast and visual spectacle to carry it off more often than not. What a treat Pitt is, and has been for more than three decades — because that's how long it's been since Thelma & Louise thrust him to fame. Bullet Train draws upon his Ocean's Eleven brand of chattering, casual, happy-go-lucky charisma, even with Ladybug grappling with an existential crisis over his chosen profession. Pitt is comic, but never reaches Burn After Reading's goofiness. Amid the navel-gazing and bromides, he's still calm, collected and supremely capable at holding his own, but never to a Once Upon a Time in Hollywood extent. Although Leitch doesn't give Pitt his own John Wick or Atomic Blonde, it's as crucial a piece of casting. Neither of those two flicks would be the gems they are without their specific stars, and Bullet Train similarly wouldn't have hit the marks it does without its bucket hat-wearing biggest name and his detailed performance. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on May 5, May 12, May 19 and May 26; June 2, June 9, June 16, June 23 and June 30; and July 7, July 14, July 21 and July 28. You can also read our full reviews of a heap of recent movies, such as Petite Maman, The Drover's Wife The Legend of Molly Johnson, Doctor Strange in the Multiverse of Madness, Firestarter, Operation Mincemeat, To Chiara, This Much I Know to Be True, The Innocents, Top Gun: Maverick, The Bob's Burgers Movie, Ablaze, Hatching, Mothering Sunday, Jurassic World Dominion, A Hero, Benediction, Lightyear, Men, Elvis, Lost Illusions, Nude Tuesday, Ali & Ava, Thor: Love and Thunder, Compartment No. 6, Sundown, The Gray Man, The Phantom of the Open, The Black Phone, Where the Crawdads Sing, Official Competition, The Forgiven, Full Time and Murder Party.
When you find the coming together of good coffee and a good conscience, great things usually follow. Fest of Merit, the newest venture from youth social enterprise YGAP, proves this to be true. Found in an open space on Swan Street in Richmond, they haven't held back on the interior. It's raw, exposed and perfectly executed. Hanging lights and plants finish the look perfectly (as do the handsome wait staff, but that's a whole other story). As YGAP's newest project, Feast of Merit donates all of their profits to youth education and youth leadership in Malawi, Ghana, Rwanda, Bangladesh, Cambodia and Australia. On top of this they focus on seasonal produce, raw foods and locally sourced drinks. Local, ethical and sustainable food is served up with a distinct Middle Eastern flavour. The breakfast menu caters to a range of tastes with the sweeter side of things looking like Bircher muesli, coconut water, apricot, pistachios, and hung yoghurt ($11.50) and a bowl of backyard fruits, chia seeds, orange blossom, yoghurt ice and smoked almonds ($12.50). For those going down the savoury path, you can opt for the young asparagus, ricotta and avocado with harissa toast and a soft egg ($16) or the beetroot (pickled, raw and roasted) with wild rice, candied walnuts, salted ricotta and za'atar spice ($13.50). Lunch is a 'choose your own adventure' experience with three salads available with three optional proteins for a more hearty meal. You might see a roasted Dutch carrot, mint, pistachio, currant, freekeh, harissa and preserved lemon salad topped with roasted Milawa chicken. Job done. Smoothies, juices, and digestives dominate the drinks list with a raw almond milk creation calling out our name. Warning: raw treats may tempt you as you're paying the cheque. But don't worry — your money is going to a good cause.
Viticulture specialists are always experimenting with new ways to develop fresh and exciting flavours of wine, producing sharper tastes and more expensive blends, and creating the perfect amount of tannins for that lovely bitter aftertaste. Another way in which wine inspires competition is in the race to develop the most lavish and novel wine cellar designs. Hotels and homes alike are installing increasingly glitzy wine cellars, whether taller, brighter, larger, or simply fancier than any other. Take a look at seven of the most impressive and outlandish wine cellars from around the world. Radisson Blu Hotel, Zurich At 16m high, this exotic wine cellar is the highest of its kind in the world. And the only way (well the most entertaining and novel way) to retrieve these bottles from the shelves to the customers? With acrobatic barmaids, called Flying Angels, who zip up and down the tower using a winch, of course. This enormous structure was designed by US-based Jeremy Thom Productions, weighs a massive 27.5 tons, and cost around 4 million Swiss Francs to construct. Modern Pacific Heights, San Francisco Tucked away inside a quiet set of charming townhouses on the streets of San Francisco lies a wine cellar not usually found in your everyday basement. The idea of the space is to provide a mix between a house and an art gallery, with rather unorthodox and innovative features. On top of a hidden, underground car lift, one of the key features of the townhouse is an expansive wine cellar constructed from lucite and stainless steel, giving the impression of an endless cellar — and therefore an endless supply of wine. Multimillion-Dollar Estate, Tennessee For owner of Beckwith Interiors Jamie Beckwith, having a seven-bedroom, six-and-a-half bathroom, 12,398-square-foot mansion was simply not lavish enough. It was, of course, missing an LED-lit wine cellar complete with individual wine holders and a transparent ceiling. The lights can change to any colour, adding a retro vibe to Beckwith's many parties, and the arches within the cellar perfectly match the gothic style of the rest of the estate. Spiral Cellars, UK The modern craze for storing your wine, which focuses on ease of access, low expenses, and decor integration, is installing a spiral cellar in the kitchen of your own home. First developed in 1977, the spiral cellar system is a proven success when it comes to storing the old vino, and design firm Spiral Cellar has taken this acknowledged method and modernised it. Matching the furniture or flooring of your home, these wine cellars can be easily and cheaply installed in any room of the home with a trap door which when closed seamlessly blends with the rest of the room. Yet when open, it leads to a spiral staircase descending into a huge array of your favourite wines, which thanks to the pipes and advanced ventilation system, will be fresh and the perfect temperature. Carlton-Ritz Hotel, Shanghai Named the world's best hotel in 2011 by Conde Nast Traveler, this glamourous and appropriately ritzy Chinese hotel prides itself on grandiose designs and furnishings and a particularly high-end dining scene. One of the centrepieces in this department is naturally the wine, which then requires an equally opulent area in which to store it. In its signature Cantonese restaurant, all 10 dining rooms contain their own private wine cellar, each as impressive as the next. World's Largest Wine Bottle 480L, Switzerland The small inn located in eastern Switzerland Gasthaus zum Gupf is home to the world's most incredible, record-breaking bottle of wine. Holding 480L of sweet world-class quality wine and with a height of 240cm and weight of 630kg, it is no mean feat. Just as exciting as this bottle of wine is the cellar in which it is placed, playing host to 25,000 other bottles, making up 2100 varieties of wine. The tactic of utilising the ceiling to store these many, and rather large, bottles of wine also makes this innovative cellar stand out amongst others. Biggest Wine Cellars in the World, Moldova Renowned for its flourishing wine industry and hugely popular annual wine festival, Moldova is the must-see place for all those wine connoisseurs out there. In the city of Milestii Mici, you can also find the world's biggest wine cellars, as recognised by the Guinness Book of World Records. You'll find almost any blend, colour, or taste of wine your palette could desire within the many walls of their underground cellars.
Fine dining can drift into performance — more chef's narrative, less dinner. At Singapore's Marguerite, Chef Patron Michael Wilson has made a series of choices to dismantle that rigour: an open kitchen that reads like a row of domestic island benches, total accessibility to the pass, and a standing invitation to wander over, ask questions, or simply watch. The atmosphere is notably calm — no barked orders, no theatre for theatre's sake — which makes a long tasting menu feel less like a marathon and more like an unhurried, convivial evening. The setting is singular. Marguerite lives inside the city's famed Flower Dome at Gardens by the Bay — the world's largest glass greenhouse — and the restaurant leans into that sense of immersion. Plants thread through the room and curl around tabletops set with course-specific cutlery and crockery collected on Wilson's travels. In contrast, a ten-seat private room — inspired by mountain peaks and cumulus clouds — is wrapped in deep blue, burgundy, grey and dark forest green. Singapore's climate complicates strict seasonality. When your pantry can include Australian finger limes, New Zealand lamb and French cream for house-churned butter, "place" becomes a choice. Marguerite chooses freely — loosely French in spirit, but adapted for the tropics with lighter sauces, smaller bites and lucid riffs on classics. Steak frites becomes a bite-sized potato tart filled with tartare and crowned with a fried quail egg; ajo blanco appears as an ethereal foam; and New Caledonian prawn paste is transformed into delicate "tagliolini", glossed with clear spiced consommé and bright aromatics. Course after course arrives like edible sleight of hand — entire plates of flavour distilled into a mouthful. Pairings echo the kitchen's precision. Alongside a generous, far-reaching wine match, Marguerite's Temperance program offers non-alcoholic pairings — clarified juices and fermented jun tea — designed to deliver complexity without cloying sweetness. A mixed "demi" option straddles both. Service keeps the tone grounded and genuine throughout. Wilson's path explains the poise. Melbourne-born, he worked with Andrew McConnell and Guy Grossi before earning a Michelin star at Phénix in Shanghai just five months after opening. Marguerite followed in November 2021 and earned its own star within eight months, showcasing what he calls "creative cuisine" — craft, provenance and produce brought into clear focus. All bookings at Marguerite include a complimentary limousine buggy to and from the Gardens entrance and Flower Dome access for a pre- or post-meal stroll. Images: Supplied
