It's a space usually reserved for local crime alerts, missing persons' notices and the odd cringeworthy dad joke, but the Victoria Police Facebook page stirred up quite the social media frenzy last week, when it popped up a public poll asking one little question: "When using a fast-food outlet's drive-thru service, can I use my phone to pay?" https://www.facebook.com/victoriapolice/posts/2927840057288111 A bit of a frenzy followed, as 55,600 votes came flooding in. Victoria Police, mercifully, gifted us with the answer a few hours after the initial August 2 post, dropping this bombshell: "No. Using a handheld mobile phone while driving carries a $484 fine and accrue four demerit points." They go on to explain, "If you intend to use your mobile phone to pay at the drive-thru window, apply the hand brake, switch the engine off and then access your mobile phone. In doing so, you are not considered driving." Punters haven't seemed overly happy with the response, or the news that using a smartphone to tap and go might not always be quite as "convenient" as it's cracked up to be. Plenty of commenters argued that the law was bizarre and needed to be reviewed — words like "pathetic", "revenue raising" and "dumbest thing I've ever read" were thrown around a whole lot. It seems Victoria's not alone, either. The NSW Government has similar legislation, telling Concrete Playground: "It is illegal to use a hand-held mobile phone at any time while driving or riding. If you want to use a hand-held mobile phone your vehicle must be parked out of the line of traffic." And as for that Macca's run? "Mobile phone rules apply to drivers on all roads and road related areas. A road-related area is an area that is open to or used by the public for driving, riding or parking vehicles and therefore includes Drive-Thrus," the NSW Government confirmed. If you do decide to tap and go with your phone in NSW, you could be fined $344 and five demerit points. While the Queensland Government hadn't respond to Concrete Playground's request for a comment at time of publication, its website states that you can only use a mobile phone "held in your hand" if you are legally parked. If you do use your phone, you could be fined $400 and penalised three demerit points. So, next time you have a late-night junk food run remember to whip out the plastic (or cash) instead. To find out more about the use of mobile phones in cars in your state, head to the Transport for NSW, Vic Roads and Queensland Government websites.
If your days spent working from home and social distancing could do with a few more adorable animals — or your days in general if you're not currently living in a part of the country that's in lockdown — you'll be happy to know the internet is filled with many. Melbourne's zoos have live streaming their penguins, leopard cubs and giraffes, its aquarium wants you to bliss out while watching marine life, and a Queensland wildlife sanctuary has cams on its koalas 24/7. And, after first launching last year, Taronga TV has made a comeback. The online television station was established by Taronga Zoo Sydney and Taronga Western Plains Zoo Dubbo in 2020 for obvious reasons, and the Sydney site has now brought it back — again, you know why. Head here to get your cute animal fix, because every day can be improved by peering at seals swimming, meerkats playing and otters frolicking. They're three of the new live-streams on offer, alongside capybara cam — so you can spend your days looking at the world's largest rodents if you like. In the returning camp, fellow 24/7 live-streams take a gander at the zoos' sumatran tigers, lions and elephants. The station is also releasing regular videos across its Facebook, Instagram and YouTube channels. Also online: keeper talks, which is where the zoos' baby goats and echidnas come in; a Tasmanian Devil getting a health check; a baby black rhino calf; and a look into where giraffes sleep. "Although we aren't able to welcome guests to the zoo in Sydney, we're thrilled that we have the chance to showcase all the work that goes on behind the scenes that we normally don't get the chance to show," said Chief Executive of Taronga Conservation Society Australia, Cameron Kerr. "We'll be giving people the opportunity to see our keepers care for our animals and showcase our world-leading conservation work to protect our precious native wildlife. We are thrilled to be keeping our wonderful guests and supporters updated through Taronga TV during this difficult time, until we're able to throw open our gates again." To check out Taronga TV, head to the channel's website — or keep an eye on its videos on its Facebook, Instagram and YouTube pages. Top image: Rick Stevens
Listening to a song, discovering a musician for the first time and feeling like they're speaking directly to you: it's a moment that everyone can relate to. It's also the premise for Blinded by the Light, a new coming-of-age movie which wowed this year's Sundance Film Festival with its enormous love of Bruce Springsteen. The Boss' tunes don't just feature on the film's soundtrack (17 of them, in fact). They actually inspired the entire flick, jukebox musical-style. It's based on the experiences of Springsteen-obsessed journalist Sarfraz Manzoor, with the Pakistan-born British broadcaster also co-writing the script, which is set in 80s-era England at the height of Thatcherism. He's no ordinary fan, either, having seen the denim-loving singer perform live more than 150 times. Narrative-wise, Blinded by the Light follows 16-year-old Javed (film newcomer Viveik Kalra), whose life changes when he's given a couple of Bruce's cassette tapes. You could say he's born to run, feels like he's on fire and is suddenly dancing in the dark — but, used to being under his strict parents' watch and being an outcast at school, he just finds hope in the music of a rocker from New Jersey. In the director's and co-writer's chair sits someone with a background in cross-culture teen-focused Brit pictures, Bend It Like Beckham filmmaker Gurinder Chadha. Plus, as well as Kalra, the film stars Hayley Atwell, Sally Phillips and Rob Bryden. If Blinded by the Light sounds a little like another feel-good, 80s-set, music-fuelled, high school-oriented British standout from a few years back, Sing Street, that's definitely not a bad thing. Tap your toes along to the trailer below: https://www.youtube.com/watch?v=Ond9SLcHX4Q Blinded by the Light screens at this year's Sydney Film Festival, then releases in cinemas around Australia on August 22.
Think about your life. Think about everything you have and everything you hold close. Now think of matcha. Do you even own one measly tin of the stuff? Well, buddy, the end is coming — the end of your world without matcha. Widely used in Japanese desserts, ice cream and snacks (including Pocky) and completely westernised by Starbucks in concoctions such as the Green Tea Latte and Green Tea Cream Frappucino, matcha is a Japanese gem, rich in history as well as antioxidants. And so, Smith Street’s specialty tea room Storm in a Teacup, is organising a tea party to end all tea parties: Matchageddon. A five-day tea festival focussing solely on matcha, Matchageddon is for both lovers of the green tea powder, and those that are still a little confused. For five full days, Storm in a Teacup will become one big teapot of celebration, including tea ceremonies, workshops, demonstrations, tastings and performance art. To kick things off, book yourself into The Green Beam: Matcha 101 for the Party People workshop on September 11, or head along to the GraffiTEA ceremonies or a very special Butoh performance on Saturday night. The Matchageddon menu will also be special, with matcha infused sencha, sweet matcha juice, matcha cocktails and matcha desserts. Also available for sale will be matcha kits, whisks and bowls. It’s really all the matcha you could ever need.
In 2024, sustainability is front of mind for consumers and creators. Fortunately, it has also never been easier to incorporate environmentally responsible ethos and practices into daily life and with your purchases. The BCG economy (Bio-Circular-Green) has led to the creation of products on the cutting edge of sustainability, which are the focus of the Naturally Good Expo at the Sydney ICC on Monday, June 3 and Tuesday, June 4. A series of brands and products being showcased at the Expo are part of Thailand's Department of International Trade Promotion (DITP) and the Ministry of Commerce's initiative to position the nation as a global leader in sustainable products and designs conceived and manufactured in Thailand for a global audience. The products on display at the BCG booth range across four key areas: food and drink, decorative and tableware, personal care, and packaging. You'll be able to see all the products firsthand should you visit the expo (hint, it's booth D20), but we can give you an idea of what to expect. To spread the good (and green) word of this initiative, we've gathered some examples of brands leading the charge toward the products of a greener future. Khramer Indigo is traditionally associated with clothing, not skincare, but contemporary skincare brand Khramer aims to change that. That unmistakable deep blue colour is traced back to the indigo root, a plant that holds significance in Thai farming communities. Farmers in the town of Sakon Nakorn harvest the trees and use them to make dye to colour fabrics, which in turn protects farmers' skin from the harsh subtropical sun by keeping them cool and sunburn-free. Khramer knows the town well and took inspiration from the local community and their use of all the plants' elements. Khramer uses the tree's roots, discarded in dye making, to apply the numerous benefits of indigo plants to skincare products. The result is traditional skincare benefits made through contemporary sustainable thinking. SUPP As much as we all enjoy squeaky clean belongings and households, the unfortunate side effect of many high-end cleaning products is toxicity — both for us and our environment. SUPP is leading the charge of environmentally friendly alternatives in Thailand. SUPP has developed three core cleaning products: a floor cleaner, a bathroom cleaner and a dishwashing liquid. All three underwent rigorous testing to ensure they met the strict standards of cleaning materials being safe to use, effective and environmentally friendly. The products all come from natural ingredients and will, depending on conditions, biodegrade within two to thirty days in water. And though the packaging is plastic, it's refillable and completely recyclable. Coco Thumb If you love to highroad your tap-water-drinking friends with your preference for coconut water, this Thai brand is exactly up your alley. This convenient take on the popular healthy drink choice is a product of K Fresh, the world's biggest exporter of Nam Hom aromatic coconuts, which are native to Thailand and commonly grown in the coastal province of Ratchaburi. Coco Thumb sits halfway on the convenience chart in the realm of coconut waters. You don't have to desperately struggle to crack open the coconut on a sharp rock, and you're closer to the source than taking off the lid on a carton you got at the shops. Simply press on the cap, and you will open the still-sealed coconut, which you can sip directly from. Starch-Pac If you find yourself with an abundance of leftovers to be dished out after a dinner party or don't have much in the way of plastic Tupperware to transport your lunch to the office, it might be worth considering an order of these takeaway containers. A product of Global Biopolymers Co. Ltd, Starch-Pac containers are an eco-friendly alternative solution to your food packaging woes. Instead of being made with cheap or even recyclable plastic, the Starch-Pac, if you haven't guessed already, is made with tapioca starch. It's a much more environmentally friendly alternative to petrochemical plastic, capable of breaking down in landfills and soil and actually acting as a fertiliser in soil after degradation. AWA Decor Home furnishings are an art, both in creation and curation. If you ask us, they're what make a house into a home. If you're looking to impress guests with some seriously eye-catching homewares but aren't keen on supporting the big brands, then AWA Decor is a choice worth investigating further. These products range across lighting, kitchen, tabletop, accessories, and more, but specialise in wooden products. Every AWA product is made sustainably, using materials left over from manufacturing. No chemicals are used, and the process is carefully designed not to create any extra waste. They look fantastic, and you know it's come from a good place. Bioplus+iq Another excellent choice in the homewares department is Bioplus+iq, which uses bioplastics to create a wide range of products, from light shades and deck chairs to pet crates and storage bins. What do they all have in common? They're all made with leftover materials from the agricultural and manufacturing centres, mainly hemp stalks, sawdust, rice husks and PIR pellets. The result? Durable and stylish homewares that won't weigh on your conscience. For more information on these products and other sustainable brands, check out BCG at booth D20 at the Naturally Good Expo on Monday, June 3 and Tuesday, June 4. Visit the website for more information, or to get your registration.
If Neil Buchanan taught us anything on Art Attack it was that a toilet paper roll can be used to design an array of artistic works. Whilst the word 'intricate' may never be used to describe the toilet roll castles he helped us build, it perfectly describes the artworks created by artist Anastassia Elias using only toilet rolls and a scalpel. Since 2009, the French artist has sculpted 67 works from these rolls, with each as spectacular and beautiful as the next. She carves the detail of each scene from other rolls and then delicately inserts them through a slit cut into the roll that frames each individual piece. Her works include dancing ballerinas, a busy construction site, an incredibly detailed science laboratory and an amusement park spanning two toilet rolls. Rouleaux, the title of the series and the accompanying book, is available here. In the meantime, you can check out our favourites below. Via Huffington Post.
Maybe you're reading this while wearing your warmest jacket. You could be scanning the page beneath all the blankets you own. Or, you might be perusing while shivering through record-breaking cold temperatures. Whichever fits, winter isn't just coming to Australia for 2023 — in many parts of the country, it feels like it has already arrived. Enter Aldi with perfect timing, announcing that it's bringing back its popular snow gear sale after taking a year off in 2022. Most years — except 2020 due to the pandemic, and then 2022 — Aldi puts a heap of snowfield-ready wardrobe items up for grabs, including everything from jackets and boots to face masks and beanies. Thankfully, 2023 is now one of those year, which is welcome news if you have a ski trip, snowboarding session of a stint building snowmen in your future, or you're simply keen to rug up at home. Mark Saturday, May 20 in your diary, make a date with your nearest Aldi supermarket, and prepare to have ample company. Every time this sale happens, it draws quite a crowd — and 2023's run includes more than 70 products, with prices starting from $4.99. Available at stores across the nation, and made to withstand extreme weather conditions, the latest range of gear includes ski jackets for $59.99, ski pants for $49.99, thermal underwear sets for $29.99, long-sleeved Merino wool tops for $39.99 and anti-fog ski goggles for $15.99. Kids clothing is part of the deal, too, if you'll be travelling with younger skiers — including being able to nab a childrens' jacket, pants, gloves, beanie and socks for a total of $97.95. Once you're all kitted out, you're certain to stay toasty no matter what frosty landscapes you have in your future. Prefer spending winter indoors? This year's selection has cosy attire for that, too, and the whole lineup spans different styles and colours to previous years. The Aldi Snow Gear Special Buys range is available from Aldi stores nationally from Saturday, May 20.
'Be Brave. Make Change.' That's the theme guiding this year's National Reconciliation Week, which Melbourne Quarter is celebrating with a suite of activations and events from Friday, May 27–Friday, June 3. The inner-city precinct, set on land that was once a significant meeting place for the Woiwurrung people of the Kulin nation, will champion the spirit of reconciliation via a diverse program of happenings. It kicks off on May 27 with a smoking ceremony led by First Nations elders in the forecourt, before Melbourne Quarter launches the first episode of its new podcast, featuring Brotha Black in conversation with Clothing the Gaps' Head of Impact Lena Charles. It'll be available to listen to via Soundcloud. From May 31–June 2, the main lobby will play host to a retail pop-up showcasing threads and homewares from celebrated First Nations businesses including Gammin Threads, Clothing the Gaps, Haus of Dizzy and Our Dilly Bag. Meanwhile, Wurundjeri artist Simone Thomson has created a stunning mural along Gunpowder Walk, plus you can catch live acoustic sets by local First Nations acts from 12–2pm daily between May 31–June 2. And in the Two Melbourne Quarter lobby, check out 11 striking floral installations by Melbourne studio Alchemy Orange, each representing one of Victoria's First Nations groups. Top Images: Melbourne Quarter live music. Clothing the Gaps.
Stormwater drains do not immediately spring to mind as the most likely of subjects for a photography exhibition. Dank, dark and deliberately hidden from view, the humble drain is generally seen as a necessity of modern life but one that should be left in the deep underground recesses beneath our feet. Sydney artist Oliver Hopes begs to differ. After a boyhood adventure gone awry left Hopes stranded in the blackness of one of Sydney's innumerable stormwater drains, surrounded on all sides by an army of swarming cockroaches, his "most hated of animals", Hopes developed a permanent fascination with this unseen world of underground mazes. "I had a bunch of mates that would go and explore stormwater drains, and I don't know how they got the idea," Hopes told us. "We built a flaming torch out of a stick and torn T-shirt and kerosene ... and that was the first time I went down the drain." It certainly wasn't his last. These days, the artist finds himself lost in Sydney's drain system as often he can. Unlike this first encounter, which was inspired more by a sense of boyhood adventure than artistic expression, Hopes now always makes sure he has his digital camera with him and his latest exhibition is on display as part of the Head On photo festival at the Robin Gibson Gallery. Yet Hopes' art is no accident; it's the work of a man who knows how to find incredible beauty in the most unexpected of locations. The images are a cinematic delight, bathed in an evocative contrast of light and dark. If it weren't for the subtle details of the drains — the water stains and faded graffiti — the photographs could easily be mistaken for location shots from a Godfather film. Despite the grandiosity of the images, Hopes' process is amazingly DIY. Having experimented with elaborate camera set-ups, studio lights and plenty of work in the editing studio, Hopes found that often the most effective approach was also the most simple. Just a digital camera and then "it's basically me and what I see down there." "Most of them have a pretty natural cinematic quality, that special something that needs very little manipulation," Hopes said. "They are pretty powerful spaces naturally, which is what inspires me more to keep going. They are just so amazing and different and powerful." Thankfully for us, these atmospheric chiaroscuros hide some of the less appetising aspects of drains — though Hopes describes seeing everything from bats to rats to eels to cats. "You name it, it's down there," he says. Check out some of our favourite drains from Hopes' amazing collection of photographs below. Images courtesy of Robin Gibson Gallery and © Oliver Hopes.
Print is dead, or so we've been told for the past few years. Newspaper sales are down, Borders and Angus & Robertson stores are closing their doors and our attention shifts more and more to computer monitors. But is it a full stop or just another stage in the cycle? The nature of books is changing. They are moving online but aren't remaining stagnant in their form. A more discerning palette for information is leading readers to different forms of consumption. The same person might skim through the paper online, read a Kindle Single (a digital book a seventh the size of a regular book) during their lunch-break, flick through a broadsheet on the train home and indulge in a traditional hardcover before bed. The prophecies that people aren't reading anymore are unfounded. Readers are just diversifying their source. With traditional bookstores feeling the backlash from this new plethora of information outlets, unconventional ventures could prove the way forward. Ed's Martian Book is the creation of author Andrew Kessler, and sells over three thousand books. Well three thousand copies of the one book. His book. Although not the most financially sound move, Kessler freely admitting "I'm not a very good businessperson." He has sold a few hundred copies but at least his book is getting some attention in this store. Instead of ruthlessly vying for the attention of customers with displays and discounts, in his store he is guaranteed an audience. The current state of affairs in publishing has been reached through the advance of technology but it wasn't a march towards an ideal, but rather a winding road of adaptation. Visual Loop recently teamed up with Brazilian designer, Flavia Marinho, to cover the history of printing. What it reveals is the rise of the book, the rise of the newspaper, the fall of the book, the rise of the novel, the collapse of newspapers, the rise of the magazine, the resurrection of the newspaper and so on. Overall it shows a trend of peaks and troughs, it has happened before, it is happening now and it is going to happen again. Whether tablet PCs will destroy print media is yet to be seen, but there's something to be said about the smell of a new book, the feel of paper between your fingers and the satisfaction from a finished book on the nightstand that can't be mimicked by a computer. Well not yet at least.
A new food/art installation in Tokyo is offering a multi-sensory eating experience that combines delicate Japanese cuisine with stunning projections and sound. Located inside Sagaya, a Saga beef restaurant in the city's Ginza district, the permanent installation, titled Worlds Unleashed and then Connecting, was created by art collective teamlab and serves just eight guests each day. Projections depicting Japanese scenery and wildlife illuminate the walls and table, and react different to each artfully presented dish on the rotating monthly menu. https://www.youtube.com/watch?v=JLYxixvQ_hw "When a dish is placed on the table, the world contained within the dish is unleashed, unfolding onto the table and into the surrounding space," explains the collective. "A bird released from one dish can perch on the branch of a tree unleashed from another. The trees that grow from each dish are not identical; their sizes and shapes are affected by the worlds unleashed by the other dishes on the table. These unleashed worlds are also affected by your behaviour. If you stand still, a tiny bird might alight on your hand; if you move suddenly, it might fly away." Pretty lofty, but we're never opposed to ambitious creativity on our plates. Via Designboom.
World Chocolate Day (Wednesday, July 7) is on the horizon, so what better excuse for two of the country's top dessert masters to join forces? Aussie chocolate brand Koko Black and the ever-innovative, Sydney-born cake maestros Black Star Pastry have dreamed up some sweet-toothed magic, available for one day only this July. The Meteor Cake is the brainchild of Koko Black Head Chocolatier Remco Brigou and Black Star's Group Head Pastry Chef Arnaud Vodounou. First up, there are the neat layers of dark chocolate financier, caramel-infused chocolate, muscovado sponge, dense hazelnut cremeux, choccy mousse and praline. Crowning that delicious tower is a flying 'meteor' — a hazelnut truffle coated in black cocoa nibs — trailing a blazing edible flame crafted from luxe Sao Thome chocolate. There's even a pile of meteor 'rubble', made of crumbled cocoa nibs. It's here for a good time, but a very fleeting one, hitting stores for one day only on (you guessed it) Wednesday, July 7. The Meteor Cake comes in at $15 a slice, available to purchase only from select Koko Black stores in Melbourne. After the first half of this year, you bloody well deserve it.
When JK Rowling dropped those last terrible three words on us at the close of Harry Potter and the Deathly Hallows, all was not well. It would never be well without Harry, Ron, Hermione fighting the Dark Lord in a series of fantastical and wholly engrossing scenarios. But little did we know, this would not be the end of the Age of Harry Potter. Thanks to the internet and the sheer demand for all things HP, Harry has lived on through new books, fan website Pottermore, film spinoff trilogy Fantastic Beasts and Where to Find Them, a series of film screenings accompanied by a live orchestra and all manner of pop-ups around the world. But one of the biggest things to come of the post-Harry Potter era has been Harry Potter and the Cursed Child, JK Rowling's West End play that's essentially the eighth book in the series. And now — are you ready for it, muggles? — producers Sonia Friedman and Colin Callender have announced that the acclaimed play will be making its way to Australia in early 2019. Harry Potter fandom aside, it's something all theatre-goers can get excited about. Since debuting in July 2016 the production has won 22 awards and has repeatedly sold out at London's Palace Theatre. It will head to Broadway next year, before gracing Melbourne's Princess Theatre in early 2019. So what exactly is The Cursed Child about? Well, it picks up 19 years after Harry Potter and the Deathly Hallows and that abominably cheery epilogue on Platform 9 3/4. Harry is now an overworked Ministry of Magic employee, and the play focuses on both him and his youngest son Albus Severus Potter as they grapple with the past and future. The production is presented in two parts, so you'll have to book into two performances, either on the same day (matinee and evening) or on consecutive evenings. Update, June 27, 2018: It was announced this morning that tickets for the Australian premiere of Harry Potter and the Cursed Child will go on sale at 9am (AEST) on Monday, August 6, 2018 via harrypottertheplay.com. Muggles can also follow that link to join the mailing list and receive priority booking access. The dates for the show, which will be shown exclusively in Melbourne at the Princess Theatre, have also been released, with preview performances running from January 16, 2019 to February 22, 2019 and regular performances running from February 25, 2019. Ticket prices will range between $65–175, with 40 seats priced at $40 released for every performance, too. For more information about the cheap ticket initiative, full dates and cast announcement keep an eye on the website. Image: Manuel Harlan. By Lauren Vadnjal and Nita Fredricks.
If you're looking to reverse the impact of the last two lockdown-filled years with a big dose of holistic good vibes, you won't find a much better-looking spot to do so than Aberfeldie's stunning new multidisciplinary wellness hub. Insight Body and Mind has made its home in Melbourne's inner northwest, sporting a striking fitout by award-winning studio Biasol. The practice is focused not just on mindful movement, with a program of pilates, barre, yoga and meditation classes, but also the mind itself, via a range of psychology services. It's a wellness go-to for the body and the head, all under one roof. Designed to speak to the concepts of energy, flow and life, the space is a calming haven of light and stone, decked out in plenty of natural hues. It's the kind of soothing, inspiring setting that's primed for a spot of physical or mental improvement. Those wanting to move their body will find a menu of specialised classes ranging from yoga flow and hot pilates, to reformer pilates and barre, held in gorgeous light-filled studio spaces. There's also onsite nutrition and naturopathy services for anyone wanting to further support their fitness endeavours. Meanwhile, Insight's psychology practice offers treatment and assessment services for people of all ages, led by a team of specialists and based on evidence-based approaches. Find Insight Body and Mind at 361A Buckley Street, Aberfeldie.
There's something rather cool about being ahead of the curve when it comes to cinema, watching the latest and greatest flicks unfold on the silver screen before the rest of the world gets to see them. Well, at Flickerfest Short Film Festival you can do just that. Yep, break out the popcorn, the internationally acclaimed festival is touring in Melbourne on Wednesday, February 12 — and there's a swag of homegrown talent on the bill. This year, the folks at Flickerfest received a record 3500 entries from more than 100 countries around the world, making the 2020 program a real doozy. More than 200 handpicked creative and inspiring shorts screened at the festival's ten-day stint in Sydney earlier this summer. Now, at The Kino cinema, you'll catch the cream of the crop, with a focus on the best Australian — and more specifically Melbourne-based — shorts. Highlights include Elders, directed by writer director Tony Briggs and recently selected for the Berlin Film Festival; animated short Rebooted about a movie star who also happens to be a skeleton; thrilling drama The Widow; and Blackwood, which won best cinematography at this year's Flickerfest Awards. [caption id="attachment_759070" align="alignnone" width="1920"] 'Rebooted'[/caption] After seeing a bunch of Melbourne-produced shorts, you can head to the after party. There you'll find Vietnamese snacks — think rice paper rolls, skewers and dumplings — as well as beer, wine and non-alcoholic bevvies. Tickets for the evening cost $25 and include access to the after party. To see the full program and grab tickets, head here. Top images (in order): The Widow by Brendan Young and Catherine McQuade and Elders by Tony Briggs.
All across New South Wales, stages are being swept, setlists are being finalised, speakers are being stress tested, and crowds are gearing up — what for? It's time for the long-awaited 2025 return of Great Southern Nights. This massive festival series will see over 300 gigs take place in cities and regional hubs across NSW — from Byron Bay to Broken Hill and beyond. To the south of Sydney, one hell of a lineup is setting up shop in Wollongong. Already worth visiting year-round with its beautiful beaches and buzzing communities, the capital of the Illawarra will play host to gigs great and small from Friday, March 21 to Sunday, April 6. We've teamed up with Great Southern Nights to tell you when and where the hottest gigs are taking place and the spots to catch your breath between them. [caption id="attachment_939244" align="aligncenter" width="1920"] Georgia Griffiths[/caption] The Great Southern Nights Lineup Over 17 nights all across NSW, Great Southern Nights will be putting on a good time and bringing the noise. In Wollongong, you'll have your pick of 15 gigs across the festival, from Thirroul down to the middle of town. Some of the heaviest hitters (including Missy Higgins and The Cat Empire) have already sold out, so if any of the artists interest you, you'd best get tickets sorted. On the lineup, there's the famously raucous Northeast Party House, rising stars Waax and ARIA-nominated Emily Wurramara. Additionally, acclaimed jazz vocalist Emma Pask, six-piece alt ensemble Gut Health, 80's Aussie rock legends Noiseworks, dance duo The Presets, local grunge rock group Satin Cali and indie pop group Sesame Girl stand out as must-see shows. [caption id="attachment_809031" align="aligncenter" width="1920"] Jasmine Low[/caption] Local Eats and Treats As one of NSW's great seaside cities, it's no surprise that Wollongong has a busy hospitality scene. Let's start at sunrise, breakfast is the most important meal of the day, after all. One of the top spots is Diggies, a cafe by the beach in North Wollongong that serves up breakfast and brunch delights like salmon croquettes with poached eggs and buttermilk pancakes with fresh fruit and honeycomb butter. If you're seeking a nightcap or an ideal pre-game spot ahead of the GSN gigs, Wollongong's got quite the small bar scene. If a cold schooner is what you need, make tracks to Five Barrel Brewing. With seven core brews and a colourful roster of limited releases, you'll find a brew for you. If you prefer a drink with a bit more bite, then head to Howlin Wolf Whiskey Bar for a nip of the 350+ options on the strong whisky (and whiskey) list. Can't decide? Don't stress. Head to Humber for a drink and meal of your choice in the laneway, cocktail lounge or rooftop. Things to Do and Places to See Wollongong is a regional melting pot of experiences, where the history, culture and entertainment offerings from across the Illawarra come to a head all in one place. If you prefer to keep your itinerary simple and focus on the scenery, the legendary Sea Cliff Bridge is arguably one of the most scenic roads in the country and is just half an hour out of Wollongong. Otherwise, hit the Illawarra Escarpment on foot to get out of the hustle and bustle and into a 30-million-year-old rainforest. If you're in need of some zen (no shame in taking a breather between gigs), Wollongong just so happens to be home to one of the largest Buddhist temples in the southern hemisphere and a beautiful botanical garden park in the northwest corner of the city. If you'd rather raise your heart rate — try skydiving from an almighty 15,000 feet (4572 metres), the highest altitude skydive you can do in the country and half the cruising altitude of a 747 airliner. Otherwise, keep things simple and hit the beach. You're spoilt for choice down here, with 17 patrolled beaches within the borders of the City of Wollongong. North Wollongong Beach or Wollongong City Beach are your closest picks, or the expansive Windang Beach just south of the city lies in wait for those keen to go further afield. Where to Spend the Night Of course, a packed itinerary like this will leave you in dire need of a hot shower and a comfy mattress on which to rest your weary bones. There are plenty of budget options scattered throughout the city if all you need is a bed for the night post-gig before the drive home, but some standout options are available as well. If you're planning on spending your free time by the beach, you'd benefit from a booking at the small but beloved Surfside 22 Motel. This Palm Springs-style property has been open since the 60s, with 16 rooms fitted out with all the modern fixings in a retro style. You'll be mere steps from Wollongong City Beach, and amenities like a plunge pool, sauna, outdoor shower and garden wrapped in a contactless self-check-in-and-out system for a smooth stay. [caption id="attachment_882177" align="aligncenter" width="1920"] Courtesy of Novotel Wollongong Northbeach[/caption] If you prefer a large-scale stay, Novotel Wollongong Northbeach is the place for you. This four-and-a-half star stay sets you up a stone's throw from North Beach — with city or seaside views to boot. Get all the modern amenities your heart desires (including four on-site venues serving food and drinks), all within walking distance of the gigs you'll be hitting up for Great Southern Nights. And if you're after something really different… why not book a stay in that aforementioned Buddhist temple? The Nan Tien temple offers rooms in the Pilgrim Lodge for any would-be traveller and gig-goer. With views of the temple's scenic gardens and an option to partake in any of the on-site ceremonies and wellness activities, it's perfect for anyone seeking some peace and quiet without leaving the city. Just be aware that since it's a functioning Buddhist temple, all guests are expected to respect the dress code and etiquette requirements. Great Southern Nights is set to take over venues across NSW between Friday, March 21 and Sunday, April 6. Check out our gig guides for Sydney, the Central Coast and Newcastle or visit the website for more information.
Pull up a milk crate and set yourself up in this excellent outdoor bar just on the edge of Chinatown. The bar, which has been constructed out of an old shipping container, serves everything from your spirit of choice to a cheeky long neck. While the space is essentially a converted parking lot, parasols and lanterns pretty up the place, and the street art on the surrounding walls display some of Melbourne's finest talent. Finally, these guys know how to throw a party — Rizky's Block Party is on monthly where they play the best hip hop beats and serve up awesome Caribbean food. To see more of our top ten laneway bars in Melbourne, look here.
When JK Rowling sat in an Edinburgh cafe and jotted down the first Harry Potter book more than two decades ago, she couldn't have guessed just how magical her life would become — or how she'd escape from her ordinary existence. We can't all follow in her literary footsteps, but we can now try to escape HP-style. No, not into the novels or movies. No, not via broomstick, portkey, apparating or the floo network. Rather, if you're in Melbourne, you can attempt to find your way out of a Harry Potter-inspired escape room. Let's be honest: it sounds like the kind of place you don't want to escape from, doesn't it? While getting out is the aim of the game at Trapt's new Alchemy rooms, enjoying the experience is too. Here, you'll "practise spells and enchantments and test your magical skills," according to the website, aiming to "discover the mythical substance and Elixir of Life, the Philosopher's Stone, before time runs out." Trapt is also quick to state that this isn't an official HP offering, but you can't bring up spells, wizarding and the title of the first Boy Who Lived book without nodding to the room's obvious inspiration. Make that rooms, with two identical spaces available — to meet demand, because you know there'll be more than a little. In addition, the Lonsdale Street establishment is also serving up an appropriate array of beverages at the bar — both alcoholic and non-boozy, including Flying Cauldron butterscotch beer, the blueberry and cardamom-flavoured Exhibito Noctis, and Potion of Fire spiced rum. And if you're after a journey into more than one themed realm while you're there, there's also a spy room, a prohibition-set offering that's all about bootlegging and moonshine, and an Alice in Wonderland space as well. It's not the first time an Australian escape room has tried to give muggles a magical experience, with Sydney's Break the Code announcing its own back in 2016. Alas, at present, it's still listed as coming soon on the site's website, although it does boast Indiana Jones, Avatar and Lost-themed rooms. Find Alchemy at Trapt, The Basement, 377 Lonsdale Street, Melbourne, or visit the venue's website for further details.
Alan Partridge (Steve Coogan) is a man with such a proficient ability to inject even the most banal of situations with toe-curling awkwardness that it borders on being a talent. A much-loved character that fans have followed over a range of TV series, specials, radio plays and his I, Partridge autobiography, this latest instalment (and the first big-screen outing for the character) is an unusually high-concept affair which makes the most of its delicious conceit. Having schemed desperately (but unsuccessfully) for his old TV hosting job, Partridge is still clinging onto his local celebrity status, revelling in the soul-crushingly inane show where he tackle questions such as "What's the worst kind of monger? Fish, Rumour, Iron or War?". When the station is taken over by a corporation intent on rebranding the backwater North Norfolk Digital as a vibrant youth station, he barely survives the cull. The upheaval sees the ageing Pat (Colm Meaney) axed, a decision he responds to by returning to a station party with a gun and taking the staff hostage. By dumb luck, Alan finds himself outside the station as the siege begins, and as the only one Pat trusts, he finds himself pushed into being the go-between between Pat and the police tasked with ending the siege. Simultaneously fearful and puffed up with importance, he soon starts to think that being the face of the siege (or "siege face" in his words) could be just the tonic his forever ailing career needs. Among those trapped at the station are the hapless Sidekick Simon (the hilarious Tim Key) and Angela (Monica Dolan), a co-worker so socially inept and desperate that she seems a plausible love interest for Alan. It also wouldn't be a Partridge show without Alan's long-suffering assistant Lynn (Felicity Montagu), who is on hand to massage Alan's fragile ego and generally be bossed around and underappreciated. It's interesting to see how the character of Partridge has softened over the years. Initially a misanthropic buffoon with the soul of a parking station, Partridge now seems completely eccentric and devoid of self-awareness but an essentially sympathetic figure who you actually cheer for as he finds himself in way over his head. The lighter tone hasn't led to a lack of laughs though — whether singing along to Roachford, back-announcing his soft rock favourites with baffling non-sequiturs, losing his trousers while managing to lock himself out of the under-siege building or completely misjudging every single conversation he enters, the painfully funny Partridge remains exhibit A in the argument for Coogan's status as a comic genius. While the pitch-perfect slice-of-life series Mid-Morning Matters with Alan Partridge remains the high water mark of the now sprawling Partridge oeuvre, Alpha Papa is a beautifully written and performed work, likely to delight both long-term fans and introduce a broader audience to one of British comedy's most inspired creations. https://youtube.com/watch?v=qywG2-FC6x0
Spender understands the adaptability of a chair, Jeremy Neale and Go Violets team up and Bonobo are ready to help you relax on a Sunday. Here are five tracks to soundtrack your weekend. https://youtube.com/watch?v=HgU3rROkeIE 1. 'Bed & Chair' - Spender Spender dropped this pop tune densely wrapped in deep synth only yesterday, meaning you could be one of the first to own it, and then when your friends catch up and start talking about him in a month, you can be that person who says "I knew him before he was big". Be quick though; this window will only be open a short time, with Spender set to soar into stardom off the back of this dance-inducing smash. Also, we don't recommend trying his chair positions at home. https://youtube.com/watch?v=JyqemIbjcfg 2. 'Recover' - CHVRCHES CHVRCHES announced this week their plans to tour Australia in early August (with Splendour in the Grass rumours swiftly following), and their tickets will be in hot demand. Their debut EP Recover was released only two months ago and has since gained worldwide acclaim, and the title-track here is a fine example of just why everyone wants a piece of the Scottish trio. https://youtube.com/watch?v=bpm8VV8O93E 3. 'Antenna' - Bonobo Bonobo are the masters of making music that suits every occasion, and their newly released album, The North Borders, showcases this to perfection. Play this track at that house party on Friday night, whilst nursing that hangover on Saturday morning or whilst having the in-laws over for supper on Sunday, and nobody will be disappointed, especially not you. 4. 'In Stranger Times' - Jeremy Neale & Go Violets Jeremy Neale is the garage guru of Brisbane. Not only does he front the voracious Velociraptor, but he also creates his own catchy tracks in his spare time. Now he has teamed up with the guru-esses Go Violets to create a delectable harmony that transports you back to the '60s. So open all the windows and doors and blare 'In Stranger Times' to all of your neighbours — they deserve to hear it. https://youtube.com/watch?v=tBsRvthVhdw 5. 'Entertainment' - Phoenix Phoenix's new album Bankrupt is finally released in only 11 short days. The French rockers have been teasing us ever since the release of Wolfgang Amadeus Phoenix with hints about when they would release new music and what it would sound like. Well, ladies and gentlemen, it sounds incredible. 'Entertainment', the first track off the soon-to-be-released album, is a ballistic blend of pop, orient-inspired synth and bass guitar that will populate every party playlist you hear this weekend.
If you're looking for a city break with a difference, head to a place where urban creativity meets Indigenous bush-tucker gardens meets a riverside retreat. That place is Parramatta, Sydney's city outside of the city, just 25 kilometres west of the CBD. In winter, a weekend in these parts means wandering along the Parramatta riverfront, feasting on authentic international food, strolling the Aboriginal Landscape Trail and drinking creative cocktails. Skip the traffic by catching a train or ferry — or better yet, book yourself into one of the AccorHotels nearby, and get stuck into the soul-nourishing activities below. EAT AND DRINK For one of the best brekkies in town, claim a table on Circa Espresso's sunny terrace — or the lamp-lit, book-filled back room. Among the Middle Eastern-inspired offerings are Ottoman eggs with crumbed eggplant, garlic labneh, burnt chilli, sage butter and seeded sourdough. The coffee is roasted in small batches: choose from Three Ropes — a buttery, chocolatey blend of Colombian, Guatemalan and Peruvian beans — or a single origin. Other spots for a good morning brew and bite are White Henry Espresso, tucked away in Fire Horse Lane, and country farmhouse-esque Paper Plane, which serves up Little Marionette coffee. Come lunch or dinner time, head to hybrid eatery-retail space Butter. Yep, this is the sibling of the Surry Hills original, but it's twice the size. Stay downstairs for fried chicken, Champagne and hip-hop; head upstairs for sneakers, hoodies, caps, socks and bags. Another couple of inner-city favourites to have set up digs in Parramatta are BL Burgers and Neil Perry's Burger Project. For a more local experience, try dining at Temasek. Prepare to queue for a table: foodies pack out this friendly, no-frills eatery for excellent Malaysian and Singaporean dishes, from laksa to nasi goreng. Meanwhile, just one train station — or five minutes' drive — away is Harris Park's cornucopia of Indian restaurants, where Chatkazz does tasty, affordable, vegetarian street food and Not Just Curries an array of regional dishes from all over India. Or, for something fancier, head to 350 Restaurant and Bar, the refined offering within the Novotel Parramatta Sydney, for a three-parter of blue swimmer crab with sweet corn veloute, Cape Grim beef cheeks and Frangelico panna cotta. It's recently nabbed a TripAdvisor Certificate of Excellence, which goes to the spots with the top user reviewers. A couple of sweet spots for pre-dinner bevvies are ALEX&Co., whose cocktail bar overlooks Parramatta River, and the Riverside Brewing Company, which offers an ideal winter beer in the chocolatey Eighty-Eight Robust Porter. Note that the cellar door is only open Friday and Saturday, 2pm—6pm. After dinner, swing by Uncle Kurt's, a street-art-plastered small bar hidden away in a car park that feels as though it's straight out of Brooklyn and where head bartender Alex Colman makes every cocktail from scratch. Among his winter-friendly signature creations is the Westside, a heartening concoction of kaffir lime leaf-infused gin, yellow chartreuse, citrus, sugar snap peas, honey and ginger. DO Parramatta knows how to throw a festival just as well as the Sydney CBD. Coming up from October 9–12 is Parramatta Lanes, which takes over the area's laneways, plazas and hidden nooks. Roam the night and you might stumble across bands, street eats, pop-up bars, projections, glowing sculptures and interactive art installations. Before or after, book a ticket to a show at Riverside Theatres — the diverse program features everything from political satire to orchestral performances. During the day, Parramatta's surprisingly bushy outdoors offer stacks of escapades. To immerse yourself in Indigenous culture, head to Parramatta Park, where the Burramatta Aboriginal Landscape Trail travels through terrain that's been regenerated to reflect its state before European arrival. Meanwhile, among Parramatta Lake's 73 hectares of bushland, you'll find the Arrunga Bardo Bush Food Garden, crowded with edible and medicinal plants. Need to get warm? Jump on your bike and conquer one of Parramatta's many and varied cycle paths. The Heritage Ride takes in 27 historical spots; the Parramatta Park Ride is an easy, 3.5-kilometre loop through greenery; and the riverside route travels (mostly) along the waterfront to Sydney Olympic Park. If you have more of a lazy winter weekender in mind, then head to the Wentworth Atelier, a revamped Victorian terrace, for a blow dry or hot towel shave — with a top-shelf whiskey — at Dapper & Doll or to get measured up for a shirt or suit at the old-school Tailor & Co. SLEEP When you're on a wintry break, sleeping over in a snug spot is half the fun. For a stay right on the river — and just a minute's walk from the CBD — check into the Novotel Sydney Parramatta. The 4.5-star digs vary from Standard Rooms with queen or twin beds to Spa Suites with jacuzzis, but all come with massive windows that let in buckets of winter sunshine and splashes of earthy colours. There's an on-site gym, steam room, outdoor pool, restaurant and bar. For a more affordable option, book a room at the Mercure Sydney Parramatta, right near Rosehill Gardens Racecourse. You can count on a spacious, peaceful room, plus there's a tennis court, outdoor pool and the M Restaurant and Bar, serving contemporary Australian cuisine from head chef Roshni Bista. The new winter menu includes macadamia-encrusted barramundi with New York cheesecake for dessert. It's located near the M4, meaning getting back to Sydney or journeying on to the Blue Mountains is easy as pie. Go to the AccorHotels website to book your stay in Parramatta, and to discover more of NSW, swing by Visit NSW.
Now a decade and a half in — and 28 films, too, plus seven new TV series that've hit queues in the last 18 months — the Marvel Cinematic Universe is an ever-expanding pop-culture behemoth. Sometimes it can be spectacular, as with Black Panther and Thor: Ragnarok. Sometimes it's dispiritingly routine, as seen in Doctor Strange in the Multiverse of Madness. The MCU keeps shining bright popularity-wise, though, so much so that it's now telling its own tales about how it's so popular. In Ms Marvel, it even focuses on a Marvel superfan, heads to a Marvel fan convention and revels in worshipping at its own altar. Yes, we've reached the point in the biggest current franchise there is where the MCU is overtly and openly celebrating itself within its own on-screen stories — and celebrating the people who celebrate the MCU. Here, Marvel also shows its characters frothing over the very saga they're appearing in, homemade costumes whipped up for cosplay contests and all. That sounds like something out of the supremely non-Marvel superhero satire The Boys, but it's now an IRL status quo. And yet, with new streaming series Ms Marvel — which started its six-episode run on Disney+ on Wednesday, June 8 — all this Marvel self-fandom thankfully doesn't just feel like a massive corporation patting itself on the back in an expensive splash of self-congratulations. One of the reasons that Ms Marvel works: it's a series about a Marvel devotee because it's a coming-of-age series. Today's teens have grown up with the MCU, so a show about a 16-year-old finding her place in the world — with and without powers — can easily acknowledge that fact. The comic-book company isn't being meta or reflective. Rather, as non-Marvel fellow Disney+ release Turning Red was, Ms Marvel is about a teenage girl working out who she is and what she wants to be, and also how that process is shaped by what she loves. Pakistani American Kamala Khan (debutant Iman Vellani) happens to be obsessed with Marvel, and with Captain Marvel (Brie Larson, Just Mercy). Ms Marvel's first two episodes largely set the scene, establishing the MCU's second new-to-screens character in as many Disney+ programs after Moon Knight. Kamala lives in Jersey City with her parents Yusuf (Mohan Kapur, Bullets) and Muneeba (Zenobia Shroff, The Affair) — one friendly, the other strict — plus her elder brother Aamir (Saagar Shaikh, Unfair & Ugly). As well as palling around with her mates Bruno (Matt Lintz, The Walking Dead) and Nakia (Yasmeen Fletcher, Let Us In), often while talking about the Avengers, Kamala makes stop-motion videos fuelled by her Marvel mania. She also wants to do more than her mother allows, such as attending an Avengers convention dressed up as her hero, which Muneeba deems inappropriate. Deepening this tale about a teen desperate to follow her heart — a story that's hardly unique — is how wonderfully culturally specific Ms Marvel proves. The titular character is Marvel's first Muslim superhero, and this TV series embraces Kamala's heritage, as well as the stresses that come with being the American-born child of immigrant parents who want her to take advantage of their adopted home while remaining steadfastly true to their culture. Yes, Bend It Like Beckham did something similar first, just with soccer in Britain rather than superhero devotion in the US. That doesn't make Ms Marvel any less astute and affecting, however, including when it examines Kamala's layered relationship with her family and their expectations, and balancing caped-crusader fandom with tradition, religion and Pakistani pop culture. Of course, if Kamala's on-screen debut was only about a Marvel-loving high schooler with recognisable adolescent woes — even welcomely culturally apt ones — it wouldn't exist. Amid the yearning and rebellion, and just being a Pakistani American teen, arrives superpowers that are a literal dream come true for such a MCU stan. But Kamala doesn't know why she can suddenly create floating energy fields, shooting them a bit like Spider-Man slings webs, or where her abilities stem from. While that setup isn't unique either, creator and head writer Bisha K Ali (Loki, Four Weddings and a Funeral) ties Kamala's tussle with her new skills to everything that makes her who she is. The broader embrace and exploration of her culture doesn't subside; indeed, thanks to family whisperings about the perils of indulging in fantasies, her heritage might be linked to her future path. The MCU has spun coming-of-age tales before, with not one, not two, but three Tom Holland-starring Spider-Man movies within the franchise. There's a touch of the animated Spider-Man: Into the Spider-Verse to Ms Marvel, though, in its infectiously joyous vibe. If the series wasn't as sincere as it is — and as charming, warm and fun as well — it could've easily felt too calculating. Marvel does like to try other genres on for size, often moulding them to fit the house style, and Ms Marvel might've done the same with teen dreams and high-school hijinks. Indeed, it still may have played out that way if its lead casting wasn't so spot-on. Surprisingly given how much of a natural she is in front of the camera, and in the role, Vellani is an on-screen newcomer — and an utter delight. Just as the unrelated Conversations with Friends benefited from casting a new talent without any past credits, Ms Marvel is all the better for having its lead come to the part without any film and TV baggage. But being a fresh face navigating such a sprawling realm isn't why Vellani is so engaging. She's at home selling the show's comedy and drama alike, and its diehard Marvel devotion and adolescent angst as well, and making it all feel as lived in and genuine as the MCU has ever managed. That this miniseries is a lead up to 2023 big-screen release The Marvels, where Vellani will return as Kamala, is gloriously great news as a result. It'll team her up with Larson as Carol Danvers, plus WandaVision's Teyonah Parris as Monica Rambeau — and, if Ms Marvel is any indication, it's hopefully poised to be much better than the lacklustre Captain Marvel. Check out the trailer for Ms Marvel below: Ms Marvel streams via Disney+ from Wednesday, June 8, with episodes dropping weekly. Images: ©Marvel Studios 2022. All Rights Reserved.
Coburg will be a flurry of colour when Fitzroy's Mukka throws a party in honour of Holi on Sunday, May 5. To celebrate the festival of colours, the eatery will bring a warehouse in Coburg to life as part of a raucous party. You'll start off with a cup of chai and some Indian sweets while you listen to music from classical Indian instruments, such as the sitar and the tabla. When everyone's warmed up, the party starts. To fully partake in Holi, you have to get messy. Grab gulal (that is, the herbal powder in a range of bright colours) and go crazy. Expect to see pinks and blues and yellows flying through the air that will, in turn, paint the space, you and everyone else. To top it off, Mukka will be serving its samosas and dosas throughout the afternoon. The party is a way for Mukka's owners, Prateek and Aditya Dhawan, to celebrate their culture and the holiday in Australia. It's a great way to get involved in Holi, whether you've grown up celebrating it or have never had the chance to.
A year filled with catastrophic bushfires, seemingly never-ending Brexit negotiations and a US President that Tweets this, 2019 doesn't particularly inspire the phrase "dependable and stable". But Pantone is hoping 2020 will. Its colour experts have just announced the 2020 Colour of the Year and they're saying (or hoping) it'll signal a "new era" that's a little less shaky. Classic Blue (Pantone 19-4052) is the elegant, simple and enduring colour Pantone has chosen for the turn of the decade. As well as highlighting "our desire for a dependable and stable foundation on which to build as we cross the threshold into a new era", the cooling shade makes us think of summer — well, all those beaches, ocean pools and rivers we'll be jumping into during the warmer months. Speaking of water, hopefully Classic Blue also inspires some more of it to fall down on Australia, parts of which are pushing through a two-year drought. [caption id="attachment_663542" align="alignnone" width="1920"] Bilgola Beach by Paros Huckstepp[/caption] According to the Pantone experts, Classic Blue can also do a lot for you mentally — including bringing "a sense of peace and tranquility" and helping concentration, clarity and reflection. So paint your room in it, cover your body in it or just buy some snazzy blue socks — it might help you get through this crazy messed up world in 2020. You can check out all the previous Colours of the Year, head to the Pantone website.
Since 2012, Melburnians have been honouring the age old tradition of making salami by throwing their hat in the ring and showing off their product at the Melbourne Salami Festa. For those who are just being introduced to The Salami Army, salami-making is by no means restricted to your elderly Italian neighbours, as every year their salami-tasting competition sees more and more entrants. Making salami is a nose-to-tail approach where every piece is appreciated and nothing is wasted. The process that goes into creating this delicious treat takes skill and patience, and we’re salivating just thinking about taste-testing the rewards. Northcote Town Hall will be set up as a salumi tasting hall, with some of Australia’s best artisan brands selling their product. On top of that, a few of Melbourne’s top restaurants will have pop-up stalls, and there'll be live music throughout the day. If you’re inspired to make your own salami, stick around for a demonstration or two, just don’t forget to make one for us.
Imagine if beach party preparations were as easy as pushing a button. Well with the new folding recreational island, they just might be. Originally designed as a luxury yachting accessory, the Recreational Island may either be docked at the back of a yacht, or stabilised in the water by four anchors. The island unfolds using a pressurised hydraulic system, measures 10 by 8 meters when opened, and can be easily stowed in a ship's garage when out of use. Designed by Henry Ward and currently under development by BMT Nigel Gee, the island may also be suitable for purposes other than swimming and dining. Concepts in the works include use as a rental room for hotels, an emergency helicopter landing platform and close-up seating for water sport judges. [via Designboom]
Mark Ruffalo has always been a stellar actor, and he has the resume to prove it. But he's in particularly excellent form in I Know This Much Is True. It isn't just because he's as reliably great as ever in the six-part HBO miniseries, which is adapted from the book of the same name. He is, of course; however he's also playing two roles. While identical twins Dominick and Thomas Birdsey look alike, they have their own struggles — including, in the latter's case, paranoid schizophrenia. Set in the 90s in Three Rivers, Connecticut, the series charts the intricacies of their intertwined lives as past and present troubles collide. It's no slouch behind the lens, either, with Blue Valentine and The Place Beyond the Pines filmmaker Derek Cianfrance directing and co-writing the entire thing.
After throwing open the doors to its new development in Brisbane in 2018 and announcing it'll be laying foundations in Sydney as well, the next destination on the horizon for luxe hotel chain W Hotel will be Melbourne. W Melbourne is slated to open in December 2020 on Collins Street in the middle of Melbourne's shopping heartland. Following Brisbane's ten-gallon baths and Sydney's flashy pool deck overlooking the harbour, the Melbourne digs look to be no less indulgent. W Melbourne will encompass 294 rooms and 29 suites, including an 'Extreme Wow Suite', which has its own 40-square-metre balcony with views of the Yarra, a jukebox and cocktail bar. Designed by New York-based Shop Architects, global design firm Woods Bagot and interior designers Hachem, W Melbourne will also house a 14th-floor spa, gym and a heated indoor pool with a gold-adorned roof, as well as a poolside bar and DJ decks. And, for those needing function space, W will have more of it than you can physically fill (under current COVID-19 restrictions, at least) — a 830-square metre space for conferences, meetings or holding lush balls. [caption id="attachment_673553" align="alignnone" width="1920"] Collins Arch[/caption] On the food and drinks front, you'll have four in-house venues to choose from. The 30-seat Warabi will be your go-to for Japanese fine dining, while Lollo will be run by a "renowned local chef" — we'll let you know exactly who that is when it's announced. Curious bar promises an "all-night experience" like "falling down a rabbit hole" and Culprit will flip from a cafe during the day to a wine bar at night. Functioning, too, as the bottom 20-storeys of a towering new precinct called Collins Arch, W Melbourne will sit on Flinders Lane. The $1.3 billion new precinct will be comprised of two towers of commercial, residential and retail spaces, joined at the top by a dramatic sky bridge. With international travel looking like it'll be off the cards for Australians for a little while longer, the opening of the dramatic W Hotel may be a good excuse to plan a trip to Melbourne or staycation when the hotel opens. W Melbourne is slated to open on Flinders Lane in December 2020.
Have you heard? Award-winning theatrical producer Cameron Mackintosh's stand-out adaptation of Andrew Lloyd Webber's The Phantom of the Opera has landed in Melbourne for an exclusive season. For the uninitiated, the story follows a masked figure as he lurks in the catacombs below the Paris Opera House, haunting all within — then there's a big dose of love thrown in, which is all you want from a night at the opera. In celebration of the opening, we've teamed up with Opera Australia and their official hotel partner Sofitel Melbourne on Collins to treat five theatre lovers (and their lucky plus-ones) to an unforgettable evening inspired by the luxurious offerings of the City of Lights, right here in the heart of Melbourne. You're one of the lucky winners? You and your date (or mate) are in for a night of dramatic opulence: two tickets to the famed musical at the State Theatre, a sophisticated stay in a Superior Room at the Sofitel Melbourne on Collins (including brekkie at No35 in the morning). Essentially, a culture-packed overnight escape, close to home. To enter, fill out the form below. [competition]876514[/competition] Images: Daniel Boud
Over the past seven years, Hamilton has become a cultural phenomenon — and, thanks to its fame and acclaim, so has the hip hop musical's creator Lin-Manuel Miranda. But that's not the only stellar stage show to the multi-talented composer, actor, singer and playwright's name. Before he took on US history (and before he helped bring Bring It On to the theatre, too), Miranda turned life in Manhattan's Washington Heights into four-time Tony-winner In the Heights. While every Hamilton fan dreams of the day that it gets adapted for the big screen, his debut musical is actually making the leap to cinemas first — this year, finally, after its original 2020 release date was postponed due to the pandemic. Yes, the recorded version of Hamilton hit streaming last year, and was as phenomenal as everyone hoped, but In the Heights hasn't just filmed a stage performance. When it releases Down Under on June 24, In the Heights will do so with a stacked cast, with Crazy Rich Asians director Jon M Chu behind the lens, and via a movie primarily shot on location in its titular spot. Quiara Alegría Hudes, who wrote the text for the stage version, has also written the feature's screenplay. And Lin-Manuel Miranda is involved, naturally, producing the movie, overseeing the music and popping up on-screen as well. On Broadway from 2008–11, Miranda played the lead role of bodega owner Usnavi de la Vega. In the film, that honour goes to Anthony Ramos — an alumnus of the original production of Hamilton who has also featured in Patti Cake$, A Star Is Born and Godzilla: King of the Monsters. Usnavi works hard, saves everything he earns and strives for a better life. He also sits at the centre of a vibrant community just beyond the 181st Street subway stop, with In the Heights charting the lives, loves and dreams of the Latinx neighbourhood through colourful, energetic and — as seen in both 2019's first trailer for the movie and the latest, just-dropped sneak peek — exquisitely choreographed song and dance numbers. Joining Ramos and Miranda (who plays Piragua Guy, the owner of a shaved ice dessert stand) are Corey Hawkins (Straight Outta Compton), singer Leslie Grace, Melissa Barrera (Vida), Dascha Polanco (Orange is the New Black), Marc Anthony and Jimmy Smits — plus original In the Heights stage star Olga Merediz, Rent's Daphne Rubin-Vega and Matilda the Musical's Gregory Diaz IV. Brooklyn Nine-Nine's Stephanie Beatriz also features, after Miranda made an appearance on the hit sitcom in 2019. Check out the latest trailer below: https://www.youtube.com/watch?v=V4CRPvel2Vc In the Heights will release in cinemas Down Under on June 24.
The National Gallery of Victoria's blockbuster Triennial 2020 exhibition is still in full swing, but, already, the gallery has announced the next fresh dose of artistic goodness heading our way. Today, Monday, March 1, it revealed a jam-packed lineup of exhibitions and programs for 2021. Among them, the international exclusive French Impressionism, featuring more than 100 French impressionist masterpieces on loan from Boston's renowned Museum of Fine Arts. Yep, overseas trips might still be on hold, but come June 2021, you'll be able to catch iconic works from the likes of Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Mary Cassatt and more, when they hit the NGV for this huge showcase, as part of the Melbourne Winter Masterpieces exhibition series. French Impressionism is set to feature 79 works never before shown in Australia, and will wrap up with a groundbreaking presentation of 16 Monet pieces displayed on curved walls — a nod to the oval gallery at Musée de l'Orangerie in Paris that the artist helped design for his famed Water Lilies paintings. [caption id="attachment_801662" align="alignnone" width="1920"] Camille Henrot, The Pale Fox (2014) installation view. Copyright courtesy of the artist and kamel mennour, Paris/London; König Galerie, Berlin; Metro Pictures, New York. Photographer: Anders Sune Berg.[/caption] Turning the lens closer to home, large-scale exhibition She-Oak and Sunlight: Australian Impressionism will feature a huge 270 artworks plucked from major public and private collections across the country. It aims to explore Australia's own position within the impressionist movement, showcasing both recognised and lesser-known works from names like Tom Roberts, Frederick McCubbin, Jane Sutherland, Jane Price, Clara Southern and John Russell. Elsewhere in the program, catch an Aussie-first survey of works by celebrated French-born, New York-based contemporary artist Camille Henrot, showcasing a diverse spread of media created across the last decade. NGV Collection exhibition Big Weather shares a new appreciation for our weather systems, as told through Aboriginal and Torres Strait Islander art, while Bark Ladies features two decades of stunning works on bark by masterful Yolngu women artists from Northeast Arnhem Land. And in groundbreaking show Queer, more than 300 works displayed across five different gallery spaces will mark the most historically expansive thematic presentation of artworks relating to queer stories ever shown in an Australian gallery. For more details about the just-announced NGV 2021 Season, jump over to the website. Image one: Claude Monet, Water Lilies (1905). Courtesy of the Museum of Fine Arts, Boston. Gift of Edward Jackson Holmes. Photography copyright Museum of Fine Arts, Boston. Image two: Alfred Sisley, Waterworks at Marly (1876). Courtesy of the Museum of Fine Arts, Boston. Gift of Miss Olive Simes Photography copyright Museum of Fine Arts, Boston. Image three: Tom Roberts, Shearing the rams (1890). Courtesy of National Gallery of Victoria, Melbourne. Felton Bequest, 1932.
Coca-Cola Amatil, one of the largest manufacturers of beverages and food products in the Asia-Pacific, is the latest company to make a big-ticket move in the fight against plastic waste, announcing it'll phase out all single-use plastic straws and stirrers from its Aussie operations. The company is now switching to fully recyclable and biodegradable paper straws sourced from BioPak and Austraw, for its distribution services to around 115,000 venues across the country, which include everything from grocery stores to petrol stations, bars and cafes. Stocks of the current single-use products will be run out over the next two months, with the more eco-friendly alternatives available from February. While it's a great move for the environment, as highlighted by the ABC, it also has potential to marginalise disabled members of the community. A number of Aussies with disabilities rely on straws to eat and drink, and reusable versions aren't always an alternative. And it seems this is just the start for Coca-Cola Amatil's sustainability shake-up, as the group moves towards its goal to have 100 percent of its Australian packaging fully recyclable by 2025, including bottles, cans, plastic wrap, cardboard and glass. With over 700,000 customers across its brands, ditching the plastic will have a big positive impact. The company says it's currently working with suppliers on a range of sustainable solutions for products like plastic spoons and frozen drink scoops. Last year, it also announced a range of environmental targets it hoped to achieve by 2020, including using at least 60 percent renewable or low-carbon energy in its operations, and significantly reducing the overall carbon footprint of its drinks. The straw phase-out follows similar recent moves by the likes of IKEA, McDonald's and Melbourne's Crown Casino, and comes as South Australia reveals it's looking at implementing its own state-wide ban on single-use plastic items.
If you've ever needed a positive example of how one night can change everything, just chat to Nema Adel. He had no intention of becoming an artist. In fact, he had just completed a university degree in a completely unrelated field when he went to a Flying Lotus performance at the Sydney Opera House that sparked a new passion for real-time digital art. Four and a half years on, Adel is now a sought-after digital artist who has created activations for festivals such as Liveworks and Vivid. He is also one of the visionary artists to team up with Miller Design Lab in 2020 to celebrate our nightlife and its impact on culture to deliver exceptional moments to you and your home. Deciding to forge a career in a relatively new — and quite niche — artistic field has meant Adel's path has been anything but traditional, so Concrete Playground sat down with the artist to discuss his creative process. Read on to discover how he seeks inspiration and the importance of nightlife to his art, then check out the video above to see him in action. In addition to the Flying Lotus gig, Adel pinpoints one other serendipitous moment that propelled his career. At his first ever event in 2016, which involved digital projections on a bank of trees over a river, Adel met an artist from Germany who liked his work. What followed was a six-month stint touring Germany and Austria doing shows. "And that was my education," he says. Adel explains that because digital art is such a new and ever-evolving art form he is mostly self-taught. "If I go on Google, I won't get any answers to the things I want to know, because nobody has really done it before," he says. Instead, Adel relies on connecting with others around the world who work in similar artistic spaces, particularly through Instagram, to share ideas, new techniques and advice. In particular, he notes San Francisco-based company All Of It Now and its Creative Director Kev Zhu, who shares tutorials online and has worked with Drake on custom projections for arena tours, as a key source of inspiration and knowledge sharing. But mostly, "it's just loads of experimentation. Unlike fine arts and classical arts, where [there is a] technique that we've perfected over hundreds of years." Customisation is present throughout Adel's entire process. "The design mainly happens on the computer, but I don't know how that actually looks unless I set up the projection and understand it in reality. Then, I'll take it back to the computer, then back to reality, and keep ping-ponging back and forth." For that reason, Adel doesn't really have a traditional workspace. He has a studio at Marrickville's Create Or Die, a creative hub filled with artists that he loves to bounce ideas off or collaborate with, including graffiti artist Iro Kitamura. "He might be painting murals and I'll be projecting onto the mural painting. I really enjoy it as I don't have those fine art skills," he says. Adel also likes that his work takes him out and about. "I love my style of work so much because the space changes — different venues and different galleries — and that'll always inform how you're going to work." And he mostly works at night. "On the most basic level, I cannot do my craft in the middle of the day… the natural light will wash out my projection light. Without the nighttime, I don't have a craft." Beyond that, he acknowledges the symbiotic relationship art and nightlife have: "I work in a lot of events and I was able to keep practising through the nightlife that we have — whether it's working with musical artists or exhibitions. If you have an extensive nightlife, [artists] can keep rolling and keep becoming better". Of course, much of that has changed in the past few months due to restrictions on public gatherings. Adel has had many jobs cancelled and has made the decision to temporarily move out of his Marrickville studio for safety reasons. Though he knows many other creatives are trying to keep up the collaboration and creativity in this time, he isn't. For someone who believes that "creativity is a mirror" and will reflect the artist's mood or current situation, it makes sense that he'd prefer to pause on creating for now. "I've consciously decided to use this as a bit more of a rest period, and that's partly due to the fact that there is a lot less inspiration in my life at the moment," he explains. Instead, he is viewing this time as a "study period" by doing some online tutorials, perfecting techniques and keeping up to date on the software tools he relies on. But when normal life resumes and he is ready to boost what he calls his creativity "metre" again, Adel has a few tried and tested techniques for seeking inspiration. "Travelling or seeing a new place and taking photos — that'll always bring new ideas to me," he says. He also mentions going out to see live music as a huge influence, naming Freda's in Chippendale and Camelot Lounge in Marrickville as his go-tos. "When there are events on with artists from other countries, I love it. I have no idea what to expect… but their art has been formed in a different way. You want to get as many perspectives as you possibly can under your belt. "I'm also very inspired by the Studio Ghibli films…. They've managed to create rich stories from imagery, and I think for me that is the ultimate goal: not just creating things that look nice, but things which convey meaning. That's hopefully what I aim for in the next ten years." For more, check out Nema's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
I have to be honest. I went into New Shanghai, nestled into the third level of Emporium, rather sceptically — and not just because it went against my rule (and that of almost anyone who's on the lookout for new and unique dining experiences) that there is nothing good to be found in a food court, ever. But I also doubted the credibility of what I was about to experience; can Chinese street-style dumplings, pitched to Emporium shoppers, really be paired with matching wines? Do matching wines even exist? Nevertheless, I was curious to find out. Getting over my innate Melbourne snobbiness that recoils from eating at an international chain (New Shanghai has restaurants all over Australia, as well as Shanghai) inside a food court, I proceeded cautiously. Normally, I would straight-up cringe at the tacky, film set-style plastic props designed to recreate a very fake Shanghai street, and sneer at the thought of unpalatably salty food court Chinese. Being pleasantly surprised, however, is a much nicer way to begin an evening. New Shanghai exceeded my expectations, and for the hour and a half I spent there, I forgot I was inside a shopping mall, riddled with fluorescent colour and overworked air conditioning. What's important to take into consideration is how everything works as a whole. Much of the pairings worked well with the variety of dishes, which ranged from deep fried pork ribs to traditional sesame dumplings in sweet rice wine sauce. Often, the wine gave balance to the dish where it was otherwise lacking: the dry, fresh taste of a Vic sauvignon blanc cut through the too-heavy-on-the-salt and pepper prawn ($24). While the pairing itself leaves more to be desired, the originality and approach to traditional, sometimes over-worked dishes is refreshing and, over all, works very well. The menu offering is extensive, with the majority devoted to dim sum and dumpling specialities and classics, as well as a good selection of meat and vegetable dishes, noodles, soups and seafood. Unless you have any favourites, dive straight in with the special 'hot broth' dumplings ($8.60-15.50), which should be first punctured to let the hot broth flow onto the spoon. Biting off the top also works quite well. Jazz it up with a sparkling white from the Barossa, which works surprisingly well against the fatty soup texture of the dish. More times than not, places become known for one or two dishes and nothing beyond that, and a detail becomes the whole. What New Shanghai does exceedingly well is drawing your attention away from the micro to the macro. Its worth isn't just its food, nor for its wine or fit-out — but together, somehow, it all just works. Who knows, maybe you'll be as surprised as I was.
Journey to where the sugar-white sand is oh-so-sweet on the feet and there are more shades of blue than you can count. The Maldives will have you dozing off while fish glide by at Huvafen Fushi’s underwater spa, or diving off your private deck into a crystal clear lagoon to join them at Cocoa Island by Como. Each atoll is an idyllic natural wonder and Mr & Mrs Smith has some sensational sunseeker offers that will have you barefoot and blissful in no time. One&Only Reethi Rah A PADI National Geographic dive centre, 12 beaches and eight dining destinations make up One&Only Reethi Rah, a lush, sprawling Maldivian island retreat. From huevos rancheros in the morning to lobster gyoza at Tapasake in the evening, your palate will take an international trip each day. Hint: the island’s boutique, Neo, stocks Louboutin espadrille wedges designed especially for the resort, just in case you tire of flip-flops. Action-hungry travellers can zip from the Grand or Duplex Villas to the resort’s climbing wall in a golf buggy, dice with danger on a shark safari, then watch the sunset while swaying in a hammock between the palms on a private sandy stretch. Lazy landlubbers might find the hammock too hard to leave from dawn til dusk. Cocoa Island by Como An exquisite blue lagoon is the true champion at Cocoa Island by Como, although the villas are nothing to scoff at either. From outside, the overwater villas resemble tradtional dhoni boats resting atop the lagoon. Understated bright white interiors paired with timber furnishings make the turquoise waters the statement – even more so from your private sun-deck. Bend like the palms at yoga every morning then feast on the daily catch at Ufaa, where a combination of Mediterranean- and Thai-inspired dishes use only the best seasonal produce and local seafood. Como Shambhala Spa has world-class treatments and guided meditation to ease lingering tensions. Anantara Kihavah Villas Enjoy nature’s best at Anantara Kihavah Villas, where sandy beaches and island isolation are just the beginning. There’s an underwater wine cellar and an overwater spa with views into the azure lagoon in each treatment room – you’ll also find yoga mats, sun hats and beach bags at the ready in every villa. Sway in the ocean breeze on the Overwater Pool Villa’s hammock-strung terrace or sink your toes into your own stretch of sand in a Beach Pool Villa (wine-coolers included). Take a dip at night in the 49-metre pool where LED lights in the tiled floor mimic the stars above to create the perfect stage for romance. Naladhu Reef-fringed Veligandu Huraa is where you’ll find the boutique resort Naladhu and its 19 villas nestled between a sheltered lagoon and the Indian Ocean. Enjoy sea breezes from bedroom to bathroom – a glass panel is all that separates the soaking tub from your private pool and the horizon beyond. Dive, snorkel and swim until your heart’s content in this romantic water-bound paradise. Under a thatched roof overlooking the lagoon is the Living Room, where torches light up the night sky and you can feast on grilled tiger prawns, spicy lemongrass red snapper and more internationally inspired dishes that draw from fresh market ingredients. Park Hyatt Maldives Hadahaa An eco-friendly oasis on one of the largest Maldivian atolls, North Huvadhoo, Park Hyatt Maldives Hadahaa instils immediate holiday calm. Floor-to-ceiling windows in minimalist villas ensure constant island views from verdant tropical fronds to azure waters. Fancy learning something new? Tackle the mojito mixology class, where you’ll have to try your concoctions so you know you’re getting it just right. There’s an intricate mosaic of marine life just steps (or strokes) away at the in-house reef, which you can explore with the resident marine biologist. Laidback foodies will love the Island Grill with its sandy floor and locally inspired dishes such as plantain ragout or Wagyu tenderloin with spicy papaya. Baros Baros is a boutique on the North Malé Atoll that’s sure to fulfil your castaway island dreams (with added luxury, natch). Hide yourself away in one of the secluded Water Pool Villas on the end of the winding jetty. Each has a private pool, canopied day-bed and personal Villa Host at your beck and call. Beach Villas are nestled among palm trees and tropical fronds and have an extra portion of privacy. Travel across the lagoon to a strip of sand for morning yoga practise, then explore the reef and learn about the resort’s coral planting programme that helps sustain the local marine habitat. Huvafen Fushi Everywhere you look you’ll discover a different shade of blue at Huvafen Fushi. The toughest decision you’ll have to make here is whether you want sand shores within reach in a Beach Villa or direct ocean dips from the overwater bungalows, which come with a private plunge pool. Visit the world’s first underwater spa, Lime, where you’ll float on a bed of relaxation while watching stingrays, clownfish and co. glide by. Enjoy fine dining paired with perfect wines at Vinum, but not before sampling something from the extensive cocktail list at UMbar — the Crouching Tiger (lemongrass, lychee, gin sake, ginger liqueur and jasmine tea) is delectable. Niyama On the deserted Dhaalu Atoll, Niyama’s hovering overwater bungalows will make you swoon with their reclaimed wood exteriors, luxurious marble bathrooms and lavish rain showers. Brilliant azure waters, shimmering sands and lush palm fronds are standard here; Subsix, the world’s first underwater club, is anything but standard, with its aquarium-like feel creating definite wow-factor as you sip cocktails among vivid corals and flirty fish. Opt for a Beach Studio with Private Pool on the sunset side of the island for its prime people-watching potential — Number 14 is right in the thick of the action. Viceroy Maldives The sparkling Shaviyani Atoll has water-a-plenty, especially when you consider that all the villas at Viceroy Maldives have private plunge pools to boot. Beach Villas boast monochromatic elegance; the Water Villas’ cool greys, blues and timber furnishings allow no loud, colourful distractions from the sounds of the ocean. Wander up to Treehouse for spectacular views and delicious mezze platters at sunset and cross wooden platforms to find your own secluded dining spot. Be your own bartender in a private beach cabana for two and mix favourite tipples or tropical concoctions into the early hours. Constance Moofushi Picture this: a crystal clear lagoon with vivid corals, swaying palms and tunes from the in-house DJ drifting on the sea breeze. Welcome to laidback luxury at Constance Moofushi. For a break from the party scene at Manta Bar, take your Moofushi Nasta Lemonade (home-made lemon and ginger marmalade with bourbon, fresh mint and cucumber) back to your Water Villa. Numbers 30–35 are perfect for counting stars on your private terrace and have the best of both worlds — sandy beach on one side; the Indian Ocean on the other. Browse more hotels in the Maldives, discover the Mr & Mrs Smith collection and exclusive offers online, or contact Smith’s expert Travel Team.
2017 is proving to be a huge year for fans of horror master Stephen King. It has been creeping out coulrophobics and creeping its way to box office glory, The Dark Tower finally made it to the screen (even if it didn't come anywhere near close to doing the source material justice), and new TV series based on The Mist, Castle Rock and Mr. Mercedes have either premiered in the US, or are slated to later this year. There's even yet another Children of the Corn sequel — the tenth film in the series — headed straight to DVD. Add to that Netflix's new flick, 1922. It's the first movie adaptation of King's novella of the same name from his 2010 collection Full Dark, No Stars. Starring King veteran Thomas Jane, who also featured in the film version of The Mist as well as the terrible Dreamcatcher, it tells the tale of a Nebraska farmer unhappy with his wife's (Molly Parker) desire to move to the city. Things get gruesome and then also spooky, in a movie scripted and directed by Australian These Final Hours filmmaker Zak Hilditch. 1922 premiered at Fantastic Fest in the US overnight, and will pop up on Netflix on October 20. In the interim, the streaming platform has dropped a trailer for the suitably moody effort. Check it out below — and if you need something else to scratch your King-loving itch while you wait for the complete movie, they're also releasing the psychological horror effort Gerald's Game, based on the author's 1992 novel, on September 29. https://www.youtube.com/watch?v=3E_fT0aTsjI https://www.youtube.com/watch?v=twbGU2CqqQU
Do you have the time to listen to Green Day live? Do you now have 'Basket Case' from the California-born band's iconic 1994 album Dookie stuck in your head? To celebrate three decades since releasing one of the records that defined the 90s, Billie Joe Armstrong, Mike Dirnt and Tré Cool are returning to Australia to play it in its entirety — and to also bust out their American Idiot album from 2004 in full as well. If you're a Green Day fan, welcome to paradise come Saturday, March 1, 2025, when the band will hit up Marvel Stadium in Melbourne. We hope you have the time of your life getting a blast of 90s and 00s nostalgia, complete with 'When I Come Around', 'Longview', 'She', 'Boulevard of Broken Dreams', 'Wake Me Up When September Ends', 'Holiday' and, yes, 'American Idiot' echoing. [caption id="attachment_972774" align="alignnone" width="1920"] Alice Baxley, Apple Music[/caption] While the visit is part of the group's global The Saviors Tour, which is named for their 14th studio album Saviors, they're clearly happy to keep working through their best-known tunes — and, while they aren't on either Dookie or American Idiot, 'Minority', 'Brain Stew' and 'Good Riddance (Time of Your Life)' have been on Green Day's recent setlist overseas. In support, also bringing the 90s and 00s to mind, fellow California-born group AFI will share the stage on Green Day's 2025 Aussie tour. [caption id="attachment_972777" align="alignnone" width="1920"] Raph_PH via Flickr.[/caption] Top images: Raph_PH via Flickr, Alice Baxley.
Cafes are no longer just serving great coffee. They're serving great locally roasted coffee in many forms (from cold drip to batch and single origin espresso), great fare that caters to all dietaries. They also boast interesting decors and are passionate about sustainability and the ethical sourcing of ingredients. And our favourite cafes of the year do an impressive job at covering it all. From vegan croissants and cakes baked by 'Mum', to all-day eateries and a mini eatery pumping out top-notch breakfast banh mi, these six cafes are doing it all. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented whippersnappers pushing Melbourne to be a better, braver city. And so, these six new cafes, opened in 2018, were nominated for Best New Cafe in Concrete Playground's Best of 2018 Awards. You can check out all the winners over here.
"Do you remember the first time you saw a dinosaur?" asks Bryce Dallas Howard in the latest instalment of the Jurassic Park franchise. We do. It was 25 years ago, as John Williams' iconic score built to its majestic climax and the cast of Steven Spielberg's iconic blockbuster rose from the seats of their jeep, tore off their glasses and stared wide-eyed at a beautiful, towering Brachiosaurus. It's been a quarter of a century since the first Jurassic Park captured the imagination of moviegoers the world over and ushered in the brave new world of CGI-enhanced filmmaking. The whole thing was classic Spielberg: a rollicking, family-friendly adventure that pushed the boundaries of innovation whilst remaining grounded in entirely relatable human stories. Its extraordinary success made sequels inevitable, but unfortunately none except perhaps 1997's The Lost World have come even close to recapturing the magic and wonder of the original. In Jurassic World: Fallen Kingdom we have a film significantly better than its immediate predecessor, yet one that still falls well short of the bar set back in 1993. Much of the problem with this instalment lies with the franchise's so-called villains. In Jurassic Park the combination was perfect: flawed human antagonists in Dennis Nedry and John Hammond, existential menace in the form of technological hubris, and, of course, those dinosaurs. Between the thuggery of the T-Rex, the cunning of the raptors and the toxic spit of the Dilophosaurus, every step through the failing park held unbearable peril for its characters, instilling a dread that overflowed into the audience. Since then, however, the Jurassic movies have relied largely on a generic recurring villain: InGen, the unscrupulous genetics corporation behind all that Dino-DNA splicing. Even worse, the raptors and T-Rex have become, thanks to their broad popularity, inadvertent heroes, leaving the Dino-threat to come from species that never even existed. Here again in Fallen Kingdom it's that same formula at play: InGen is secretly cooking up some new dinosaurs to sell as weapons (still as ridiculous a concept as it was in Jurassic World), and the big scary dinosaur is a genetically-engineered ultra raptor. Around them are cookie-cutter human bad-guys in the form of mercenaries, big game hunters and money-hungry suits, as well as franchise regular Dr. Henry Wu (B.D. Wong), the original Jurassic Park geneticist who continues to learn precisely zero from all his past mistakes. There is still a lot of fun to be had here, and even a few unexpected feels as director J.A Bayona (A Monster Calls) reminds us that monsters of choice are always worse than monsters of instinct. The film's central conceit, too, is a compelling one: a volcano on the island upon which the dinosaurs currently reside is poised to erupt, meaning they will again become extinct without human intervention. To rescue or not to rescue becomes the burning question for Owen Grady (Chris Pratt), Claire Dearing (Dallas Howard) and returning fan favourite Dr. Ian Malcolm (Jeff Goldblum). InGen, predictably, wants the animals saved for far less noble reasons than preservation. The scenes set on the island are the strongest in the movie, and include perhaps the most affecting moment in the entire franchise in the form of a heart-wrenching callback to that iconic Brachiosaurus shot from all those years ago. Thereafter, Fallen Kingdom transforms into a semi Gothic horror film as the action shifts to an isolated mansion in which the characters are stalked by Wu's latest creation. Toby Jones and James Cromwell give spirited performances during this phase, but the weaknesses of the script refuse to be covered up. The bad get eaten whilst the good survive, and it honestly never feels like our heroes are in any genuine peril. As part two of a planned trilogy, the end-point of Fallen Kingdom certainly offers some interesting possibilities for the final instalment. That said, absent a more nuanced and, dare we say, sympathetic villain, this franchise, like Dr. Wu, seems destined to repeat the mistakes of its past. https://www.youtube.com/watch?v=vn9mMeWcgoM
Richmond stalwart the Prince Alfred is jazzing up your average bottomless brunch (literally). Each Saturday, it's serving up food and two hours of endless pours — with a side serving of swingin' live jazz. Available from noon till 2pm, the brunch series is offering much more than just free-flowing mimosas — think all-you-can-drink espresso martinis, house wines and beers, too. Food-wise, you can choose one item off the menu, which includes the likes of hotcakes with ricotta, blueberry compote and lemon butter; fried chicken burgers with coleslaw, bacon and chipotle mayo; and smashed avo with feta, charred broccolini and a poached egg. Plus, the smooth sounds of a jazz band will play as you feast and sip away. And, if you want to kick on afterwards, you can nab $15 espresso martinis and Aperol spritzes all afternoon. The brunch will cost you $59 all up. Bookings are essential and can be made here.
Just because you haven't got a big Greek family of your own, that doesn't mean that you have to miss out on the fun (and fine food) of a classic Greek Easter celebration. On Sunday, April 24, St Kilda's Stokehouse restaurant is marking the Orthodox Easter season with a festive dinner to remember, spiked with plenty of traditional flavours and a few modern twists. Joining Executive Chef Jason Staudt in the kitchen will be seafood king Matt Germanchis from Anglesea's Fish by Moonlite, so you can expect plenty of ocean-fresh elements starring throughout the evening's menu. It's set to be a truly share-friendly spread, with bookings available for large tables, at a cost of $160 per person. Gather the family or a few mates and get your tastebuds ready for dishes like charred Murray cod with rice and avgolemono (Greek lemon soup), slow-cooked lamb shoulder and Andean potatoes finished with an oregano brulee. And, for dessert, Pastry Chef Ash Smith will unveil his own riff on the traditional Greek Easter red eggs (or kokkina avga). For a special Easter addition this year, Pontoon will be getting involved just downstairs at St Kilda Beach. If you're after a more casual celebration, there'll will be an array of Fish x Moonlite's signature dishes to enjoy at the bar and eatery. Expect smaller eats such as potato cakes with taramasalata, fried calamari with skordalia, and a limited edition orange and ouzo sorbet — and live music from 4pm.
Fists fly in Polite Society. Feet as well. When the latter aren't suspended in mid-air attempting to execute stunning kung-fu stunts, they just might be busting out their best Bollywood dance moves. Words are screamed and shouted, often between sisters Ria (Priya Kansara, Bridgerton) and Lena Khan (Ritu Arya, The Umbrella Academy), who are thick as thieves until they suddenly aren't. Schoolyard fights rumble like they've spilled straight out an action movie, which budding stuntperson Ria dreams of being in. Showdowns with Lena's future mother-in-law Raheela Shah (Nimra Bucha, Ms Marvel) could've burst from a Quentin Tarantino film. Espionage missions are undertaken by high schoolers, as are heists at a spectacular Muslim wedding in a lavish London mansion. Lena scoffs down a whole roast chicken on a public footpath like it's the only thing she's ever eaten. Ria and Lena free themselves from their angst by letting loose in their living room to The Chemical Brothers' dance-floor filler 'Free Yourself'. And being a dutiful member of her community is the absolute worst fate that could await an ass-kicking British Pakistani teenage girl. In other words, a little bit of everything happens in Polite Society, the anarchic and eye-popping debut feature from We Are Lady Parts creator Nida Manzoor. That includes nods to Jackie Chan movies and The Matrix, plus Bond-style antics and Ennio Morricone-esque music drops. Add in riffs on Get Out, Crouching Tiger, Hidden Dragon-inspired wuxia, video-game flourishes, musical dance numbers, and nudges in Jane Austen and Crazy Rich Asians author Kevin Kwan's directions. Scott Pilgrim vs the World and Kill Bill leave imprints. When it examines intergenerational pressure, so do Everything Everywhere All At Once and Turning Red. Whatever this high-energy charmer throws at the screen, it always serves the narrative. It also showcases Manzoor's lively and bold filmmaking eye. But more importantly, Polite Society is the spin-kicking whirlwind it is because that's what it feels like to be a schoolgirl training in martial arts, yearning to pack a literal punch, desperate to become anything but what society demands and tired of being dictated to — and saddled with cultural expectations but determined to propel along one's own path in general, too. At school, Ria is told that she should go into medicine. Other than her best friends Clara (Seraphina Beh, Top Boy) and Alba (Ella Bruccoleri, Call the Midwife), her classmates mock her stunt-performer ambitions. Bully Kovacs (movie debutant Shona Babayemi) even gets brawling over them. Ria's parents Fatima and Rafe (We Are Lady Parts alumni Shobu Kapoor and Jeff Mirza) advocate for a more practical life goal, not just for her but for aspiring artist Lena. And yet, Ria is certain that she's going to make stunts her career, so much so that there's only two other things she believes in as passionately. She has zero doubts that Lena is meant to be a great painter, ignoring the fact that she's just dropped out of art school. Then, when a surprise invite to the Shahs' Eid soirée sees Lena start dating Raheela's doctor son Salim (Akshay Khanna, Chloe), the most lusted-after bachelor in their family's social circle, and get engaged amid plans to move to Singapore, Ria couldn't be more convinced that the whole situation is 100-percent shady. When We Are Lady Parts hit TV screens in 2021, it did so with a clear understanding of complicated sisterly relationships. Focused on all-female, all-Muslim punk rockers, the gem introduced the titular Lady Parts with quite the track: 'Ain't No One Gonna Honour Kill My Sister But Me'. In Polite Society, the film's central sibling feud gets physical — when Ria and Lena throw down in one frenetic fray, "Khan vs Khan" is emblazoned across the frame like this is Street Fighter — and, whether they're flinging limbs or hugging it out, their clash is complex. Battling sisters is a nice shorthand for one of writer/director Manzoor's key messages, stressing that there's no such thing as just one type of Muslim woman. Ria and Lena couldn't be closer before Salim's charisma splinters their bond, but even they don't know everything that each other is, wants, hopes for or fantasies about. There's no one straightforward description for Polite Society either, with its kaleidoscope of genres, bouncing between capers, coming-of-age journey, comic tone, sibling celebration and arranged-marriage satire — and its Bend It Like Beckham-influenced narrative, swapping soccer for stunts. As it bounds through Ria's world, as well as her fears about not realising her only dream and losing Lena to a conventional existence, it manages to sprinkle in horror and science fiction. Manzoor also pays loving tribute to Ria's passion not only by staging dazzling stunts, but by having her protagonist idolise real-life stunt professional Eunice Huthart. The British ex-Gladiators star sports a resume that boasts GoldenEye, The Fifth Element, Titanic, 28 Days Later, Children of Men, Maleficent, Justice League and Eternals, as well as Star Wars, Harry Potter, Fast and Furious, Terminator, Pirates of the Caribbean and Tomb Raider titles, and Polite Society finds room to wink at many of them. Ensuring that the style of a film so utterly suits its story isn't easy, and nor is having every aspect of a movie's look and feel epitomise the statement it's making — then also doing both in a way that makes it plain that no other approach could've done the flick justice. That's a feat that Manzoor smashes, and repeatedly, with equally dynamic help from cinematographer Ashley Connor (Night Sky), editor Robbie Morrison (Starstruck), inspired sound effects and a thumping global soundtrack. The camerawork has as much of a spring in its step as Ria, as does Polite Society's happily hectic pace, vibrant use of colour and everything that echoes from the cinema speakers. All movies should be acts of immersion, but rare are the films that so deeply plunge their audience into their lead character's head and heart with everything it can, let alone so committedly, creatively, convincingly and compellingly. Rare are the on-screen finds like Kansara, too, who is as expressive and exuberant as the picture she's in. Polite Society doesn't idealise Ria at any moment — a film so devoted to shattering stereotypes and destroying any possibility of Muslim women being seen as a monoculture was never going to avoid her impulsiveness and hot-headedness — instead giving Kansara ample room to have a helluva lot of fun in her fleshed-out main part. She's playful, enterprising and heartfelt while operating at a mile-a-minute speed. She isn't afraid to make big leaps and stay spirited from the get-go, and to both unpack and lean into Ria's main-character syndrome. She's also a winning blend of pluck and spark in a roundhouse kick of a joyously entertaining flick that makes every single jab and strike matter.
The world said goodbye to Amy Winehouse in 2011, but that doesn't mean that the British singer isn't still taking to the stage. The 'Back to Black' and 'Rehab' songstress is the latest celebrity to get the hologram treatment, with a new technologically enhanced performance set to hit the road in 2019 — featuring the late talent crooning her hits accompanied by a live band and on-stage singers. Attendees can expect between 75–110 minutes of Winehouse's music, all thanks to the folks at Base Hologram, who are behind similar shows involving Roy Orbison and Maria Callas. Bringing back dearly departed music icons seems to be their new niche, in a trend that just keeps gathering steam since the Tupac hologram back at Coachella in 2012. Base Hologram states that the Winehouse show will utilise "new state-of-the-art proprietary technology" and feature "digitally remastered arrangements of her classics" as well as "theatrical stagecraft". Exactly where the production will be headed has yet to be revealed, although it's expected to launch towards the end of 2019. The Guardian also reports that the the tour will raise money and awareness for the Amy Winehouse Foundation. Via The Guardian. Image: Rama via Wikimedia Commons.
In Contagion, the most prophetic film of the 21st century so far, filmmaker Steven Soderbergh didn't just chart the outbreak of a deadly pandemic or introduce everyone to the term 'social distancing'. His eerily accurate thriller also delved into the quest to find a vaccine, too, so that life could go back to normal. And, that's the reality the world has been facing since COVID-19 first emerged — with pharmaceutical companies and medical researchers around the globe working furiously to come up with a solution. One of those companies is UK-based drug outfit AstraZeneca, and Aussies are now going to want to keep a close eye on its progress. As announced today, Wednesday, August 19, the Australian Government has signed a letter of intent with the company to manufacture enough doses of its vaccine, called AZD1222, for everyone in the country. The catch, and it's a big one: the vaccine needs to work. At present, AZD1222 is in phase-three trials, with the vaccine co-invented by AstraZeneca and Oxford University, and also known 'the Oxford vaccine'. In interim data published last month, it has been deemed safe, and shown to generate a strong immune response as well. In a statement, Prime Minister Scott Morrison said that "the Oxford vaccine is one of the most advanced and promising in world, and under this deal we have secured early access for every Australian". He further remarked, however, that this doesn't mean the vaccine will make it through trials. "There is no guarantee that this, or any other, vaccine will be successful, which is why we are continuing our discussions with many parties around the world while backing our own researchers at the same time to find a vaccine." Also worth noting: if the Oxford vaccine does work, it will be provided to every Aussie for free. Obviously, the government won't provide further details about how everyone will get vaccinated until a working vaccine actually exists. Speaking on radio station 3AW today, the Prime Minister did reveal that the vaccine will likely be compulsory, though. "I would expect it to be as mandatory as you can possibly make. There are always exemptions for any vaccine on medical grounds, but that should be the only basis. I mean, we're talking about a pandemic that has destroyed the global economy and taken the lives of hundreds of thousands all around the world and over 430 Australians here. So, you know, we need the most extensive and comprehensive response to this to get Australia back to normal," he commented. If you're keen to know more about AZD1222, science-wise, AstraZeneca's official rundown explains that it replicates viral vectors from chimpanzees based on a weakened version of a common cold virus. It also contains "the genetic material of the SARS-CoV-2 virus spike protein", with SARS-CoV-2 the official name of the novel coronavirus that causes COVID-19. "After vaccination, the surface spike protein is produced, priming the immune system to attack the SARS-CoV-2 virus if it later infects the body," the company says. As well as the arrangement to supply 25 million doses of the Oxford vaccine to Australia, AstraZeneca has also made a deal to roll out 400 million doses in the European Union — and has other deals in place with Russia, South Korea, Japan, China, Latin America and Brazil, which covers more than three billion doses of the vaccine in total. Of course, the world will still need to wait to see if the vaccine is successful. And, if it is, we'll need to wait for it to be rolled out from there. AstraZeneca expects its late-stage trial results later this year — but the timeline afterwards hasn't yet been advised. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
From Monday, February 21, Australia will say goodbye to its remaining international border ban on double-vaccinated travellers and hello to plenty of overseas tourists. Prime Minister Scott Morrison has announced that the country will allow all visa holders to head our way — including folks simply coming out for holidays, and business travellers — as long as they've had two COVID-19 vaccine jabs. When the border fully reopens to all double-vaxxed visitors in two weeks, it'll do so just a month shy of the two-year anniversary of Australia's indefinite international border closure back in March 2020. Plenty has changed since then, and the nation — and the world — has seen various lockdowns and other restrictions come and go, and faced multiple new variants. Since November 2021, Australia has been slowly reopening its borders, too, but this new change will allow back anyone that's double-vaccinated, including tourists and business travellers, from all countries. Announcing the news, the Prime Minister said that "the condition is: you must be double-vaccinated to come to Australia. That's the rule. Everyone is expected to abide by it. And it's very important that people understand that requirement if they're seeking to come to Australia." He continued: "but if you're double vaccinated, we look forward to welcoming you back to Australia — and I know the tourism industry will be looking forward to that. And over the next two weeks they'll get the opportunity both for visitors to be coming and for them to be gearing up to welcome international visitors back to Australia." Exactly how many tourists and business travellers will be able to fly into Australia will still depend upon state-based caps — and on state-specific rules as well. Western Australia's border is still set to remain closed to not just international travellers but the rest of the country and, after delaying its last plan to reopen this past weekend, it hasn't yet set its new reopening date. Unjabbed travellers — which includes anyone who has only had one dose of a COVID-19 vaccination — will still need to apply for permission to enter Australia, unless they can "provide proof that there is a medical reason that they cannot be vaccinated", said Home Affairs Minister Karen Andrews. They'll also need to go into hotel quarantine if they are permitted to enter. If you have pals or colleagues eager to make the trip Down Under, this'll be fantastic news. Whether airlines will increase their flights to Australia as a result hasn't yet been revealed, but it wouldn't come as a surprise. Australia will reopen its international borders to all double-vaccinated travellers from Monday, February 21. To find out more about the status of COVID-19 in Australia, head to the Australian Government Department of Health's website.
As happens each and every year, more than a few Australian films will hit screens big and small throughout 2021. More than a few have already actually, given that the year is in its home stretch. Some have proven exceptional, others have earned the exact opposite description and plenty fall somewhere in the middle. But only one happens to be the best Aussie film of the year, as well as the homegrown title that's been grabbing attention since it was first announced in 2020. That movie: Nitram. Read the movie's moniker backwards, and you'll see why it started garnering plenty of notice before anyone had even seen it. Now, Aussies are getting the chance to watch the movie themselves — with the film currently screening in Australian cinemas where they're open, and then heading to streaming service Stan from Wednesday, November 24. When it was initially announced last year, the film sparked debate about whether any feature should explore this traumatic chapter of Australia's past. Now that the end result is here, it's both intense and exceptional, as well as extremely careful about its subject matter. The latter shouldn't come as a surprise given that Nitram reunites Snowtown and True Story of the Kelly Gang filmmaker Justin Kurzel with screenwriter Shaun Grant, who penned both movies. With their two earlier collaborations, Kurzel and Grant amassed an impressive history when it comes to tackling the nation's darker and thornier moments, and that doesn't change here. Only ever referring to the gunman responsible for murdering 35 people and wounding 23 others via the movie's moniker, Nitram steps through the lead up to those events in Port Arthur 25 years ago. Caleb Landry Jones (Three Billboards Outside Ebbing, Missouri) plays the eponymous figure, who lives with his mother (Judy Davis, The Dressmaker) and father (Anthony LaPaglia, Below), and finds a friend in a reclusive heiress named Helen (Essie Davis, Babyteeth). The film isn't specifically about the tragedy of April 28 and 29, 1996, instead focusing on the time leading up to those dates, but every Australian knows where the story goes from there. Earlier in 2021, Nitram became the first Aussie feature to play in the Cannes Film Festival's coveted competition in a decade. It won Jones the prestigious fest's Best Actor prize, too. And you can expect to hear more about it again — and for the movie to collect more shiny prizes — as Australia's film awards season pops up at the end of the year. Check out the trailer below: Nitram is currently screening in Australian cinemas where they're open, and will be available to stream via Stan from Wednesday, November 24. Read our full review.
Thanks to a booming wholesale arm, you've likely spied plenty of Cobb Lane's legendary baked goods around town, hanging out in the cabinets at your favourite cafes and markets. And you'll know just why it's earned such a loyal following of Melbourne carb-lovers. The Yarraville-based brand is famed for its variety of sourdough breads, as well as for house creations like croissant loaves and baked cheese pretzels. But there's no overshadowing the collection of signature pastries and sweets, ranging from cookies and croissants, to cakes and plump filled doughnuts. Try the fan-favourite raspberry, lychee and rose number, and it's safe to say you'll be hooked. Get your fix while social distancing: One silver lining of these uncertain times is that Cobb Lane is now running a retail pop-up out of its Yarraville bakehouse. Swing by from Friday to Sunday, from 7am until they're sold out. There's also a new online store, where you can shop a range of breads, pastries and pantry staples, for home delivery. The service is free for orders over $20 if you're in the inner-west, or over $30 for those in other suburb Images: Armelle Habib Appears in: The Best Bakeries in Melbourne for 2023
Big hair, hairspray and '80s glam rock will intoxicate the Palace Theatre this Sunday, with Steel Panther hitting Melbourne. The band's exaggerated personalities, profane lyrics and insane on-stage personas, led by the blaze of Michael Starr, are the ultimate eighties parody. With tracks like '17 Girls In A Row', 'Let Me Cum In', and 'Just Like Tiger Woods', the band are a jaw-dropping gangbang of lewd behavior, dropping flairing solos, screams and pounding drums clad in unashamedly tight-fitting leopard print. With past stages shared with the likes of System Of A Down, Slipknot, Marilyn Manson and Limp Bizkit, along with timeless legends like ZZ Top and Guns 'N Roses, Steel Panther are unrivalled as performers, delivering a show not quickly forgotten. Death to all but metal. Bring a spare pair of pants.
Back in 2012, when Daniel Radcliffe was initially trying to shake a certain boy wizard from his system — before everything from Swiss Army Man and The Lost City to Miracle Workers and Weird: The Al Yankovic Story firmly helped — he stepped into a different kind of supernatural thrills. His first post-Harry Potter role saw him take on The Woman in Black, a gothic-horror tale that pitted him against a curse and a ghost. And yes, the latter did have quite the fondness for wearing dark clothing. The film adapted the 1983 novella of the same name for the second time. But before The Woman in Black made it to the screen, it spooked out the theatre. Because hauntings often keep coming back, it's doing so again, this time in a new Australian production starring John Waters (Blaze) and Daniel MacPherson (Foundation). If you don't like scary tales about sinister spirits seeking revenge for past ills, then you might want to sit this one out. If you love them, then prepare to put your nerves to the test. We're betting that the QPAC Playhouse in Brisbane, Adelaide's Dunstan Playhouse, His Majesty's Theatre in Perth, Melbourne's Athenaeum Theatre, the Canberra Theatre Centre and Newcastle's Civic Theatre will all be at their unsettling best for the occasion — it's not every day that you host a show that ranks among West End's longest-running productions, second only to Agatha Christie's The Mousetrap, after all. The Woman in Black is set in Eel Marsh House in England's north, which sits at the heart of a story that Arthur Kipps recounts about his stint as a young solicitor overseeing Mrs Alice Drablow's funeral. The place isn't just filled with secrets, thanks to the titular figure. Waters plays the elder Kipps, with MacPherson plays an actor who agrees to perform the role of his younger guise. Kicking off its Aussie tour in late April, the stage version of The Woman in Black was first adapted for the theatre by Stephen Mallatratt back in 1987. "I first saw The Woman in Black in 2020 and knew I had to bring it back to Australia. It's such an incrediblem gripping show that is so spellbinding, it has you on the edge of your seat for two hours," said the current season's producer Alex Woodward. "When it came to casting we knew it was perfect to ask theatre royalty John Waters to reprise his role he debuted in Australia more than 15 years ago. Daniel was also a natural choice for his incredible ability, charm and charisma." THE WOMAN IN BLACK 2024 AUSTRALIAN DATES: Tuesday, April 30–Saturday, May 11 — QPAC Playhouse, Brisbane Wednesday, May 15–Sunday, May 26 — Dunstan Playhouse, Adelaide Festival Centre, Adelaide Thursday, May 30–Sunday, June 9 — His Majesty's Theatre, Perth From Sunday, June 23 — Athenaeum Theatre, Melbourne Tuesday, July 9–Sunday, July 14 — Canberra Theatre Centre, Canberra Tuesday, July 23–Saturday, July 27 — Venue Civic Theatre, Newcastle The Woman in Black hits stages around Australia from April 2024, with tickets on sale from staggered dates starting on Wednesday, January 24. Head to the production's website for more information. Top image: James Reiser.
If you like watching Eric Bana (A Sacrifice) trying to solve mysteries, cinemas have been delivering in recent years. First, the Australian actor stepped into Aaron Falk's shoes in the movie adaptation of author Jane Harper's The Dry in 2020. Come 2024, that Aussie hit scored a sequel, with Bana returning as the lead in Force of Nature: The Dry 2. On the small screen, now comes Untamed, which has nothing to do with Harper's Falk novels — but still puts Bana in murder-mystery mode. As the just-dropped trailer for the Netflix limited series illustrates, the show tasks the Chopper, Dirty John, Blueback and Memoir of a Snail star with playing an Investigative Services Branch agent of the US National Parks Service who is looking into a death in Yosemite National Park. If you also enjoy watching whodunnits and detective tales where the person doing the sleuthing is forced to confront their own past in the course of their investigation, that's Untamed across six episodes as well, as viewers will see when it arrives on Netflix on Thursday, July 17, 2025. Bana's Kyle Turner is "looking into this girl who went up El Capitan", he advises at the start of the sneak peek. Before the trailer is out, Sam Neill (The Twelve) as his colleague and chief park ranger Paul Souter is advising "you have to stop beating yourself to death with memories". Skeletons, scratch marks, evil, explosions: they're all a part of the footage for the show so far, as is facing the task of working on a case that spreads across close to a million acres of wilderness. Rosemarie DeWitt (Smile 2), Lily Santiago (La Brea) and Wilson Bethel (Daredevil: Born Again) also feature among the cast, portraying Kyle's remarried ex-wife Jill, Los Angeles police officer Naya Vasquez and former army ranger-turned-park wildlife management officer Shane Maguire, respectively. Bana not only stars but executive produces, with Untamed created by Mark L Smith (Twisters) — in his second new Netflix series of 2025 after American Primeval — and boasting The Pitt's John Wells as another of its executive producers. Check out the trailer for Untamed below: Untamed streams via Netflix from Thursday, July 17, 2025. Images: Ricardo Hubbs / Netflix © 2025.
