Take one of popular culture's biggest supervillains, throw in one of today's very best actors and add the director of The Hangover trilogy. Only a few years ago, the above sentence might've seemed like a joke. Today, it's the reality we're living in — the reality that sees a standalone Joker movie cackling its way towards cinema screens, starring Joaquin Phoenix in the titular role. Move over Cesar Romero, Jack Nicholson, Heath Ledger and Jared Leto — it's Phoenix's time to don exaggerated clown makeup, wield a killer smile and wreak havoc on Gotham City. The just-released final trailer for Joker promises plenty of all three, as failed standup comedian Arthur Fleck turns to a life of facepaint-wearing crime (and eventually obsessing over Batman, we're guessing). As directed and co-written by Todd Phillips (Old School, Starsky & Hutch, Due Date), Joker also comes with a suitably unhinged vibe, as if Phoenix's You Were Never Really Here character stumbled into Martin Scorsese's The King of Comedy. (Fittingly, the latter film plus Taxi Driver and Raging Bull have been cited as inspirations for the new DC Comics flick, and Scorsese is one of Joker's executive producers.) It also looks certain to help everyone forget that the last take on the famous villain only arrived three years ago, because who wants to remember Leto's green-haired turn in Suicide Squad? If the first and second trailers are anything to go by, it looks like Phoenix will — thankfully — follow in the footsteps of Nicholson and Oscar-winner Ledger instead, as he plays alongside his nemesis (and talk show host) Robert De Niro, his love interest Atlanta's Zazie Beetz and his mother Frances Conroy, as well as Marc Maron and Brett Cullen. But we'll have to wait till October to know for sure. If you'd like a dose of terrifying clown cinema before then, IT: Chapter Two drops next week. In the meantime, check out the final trailer below: https://www.youtube.com/watch?v=zAGVQLHvwOY Joker releases in Australian cinemas on October 3, 2019.
The Sydney Dance Company has announced they'll be kicking off their 2013 season with a killer show, De Novo, which features costumes by Dion Lee and the music of Sarah Blasko and Nick Wales. The artists are collaborating on artistic director Rafael Bonachela's Emergence, one part of a trio of dance works that make up De Novo. It will be a testament to Bonachela's belief in the value of pop culture and other artistic practices to contribute to contemporary dance, with Blasko's vocals and Wales's soundscape providing the inspirational fuel for the piece. It's certainly piqued our interest, even more so because Lee's and Blasko's aesthetics don't suggest an immediate match. Will it be severely tailored, or adorably vintage? Adorably tailored? The start of a new cultural epoch? The only thing we know for certain is that it will be memorable. The other two works in De Novo have their own lure. Cacti is the product of renowned Swedish choreographer Alexander Ekman, currently working with the Netherlands Dance Theatre, and features 16 dancers, a string quarter, and a dynamic set with the titular cacti. Meanwhile, the third dance, Fanatic, is about a fan outraged over the Alien vs Predator franchise — a choreographic theme as old as star-cross'd romance. De Novo opens in Sydney on March 1. Tickets are available from the SDC website.
If you consider yourself a Lord of the Rings fan — of JRR Tolkien's books, Peter Jackson's movies or both — then one TV series has sat at the top of your most-anticipated list for the past few years. That'd be Amazon Studios' new LOTR show, bringing the beloved property from the page to the cinema to your TV. A five-season series was first announced in 2017, then received the official go-ahead in mid-2018. In case anyone thought that the new program would just be a simple rehash, it was revealed back in 2019 that it wouldn't simply be remaking events already covered by the movies, with show's official Twitter account hinting at spending time in Middle-earth's Second Age. If you're a little rusty on your LOTR lore, the Second Age lasted for 3441 years, and saw the initial rise and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. Knowing when the new series will be set is all well and good, but that description is still rather scarce on details. Thankfully, Amazon has now dropped an official synopsis for the show that provides more information. "Amazon Studios' forthcoming series brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth's history," it confirms. "This epic drama is set thousands of years before the events of JRR Tolkien's The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien's pen threatened to cover all the world in darkness." https://twitter.com/LOTRonPrime/status/1349519737655611392 Yes, you can expect Sauron to feature, and to give the show's main figures some trouble. "Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," the official synopsis continues. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone," it also advises. Exactly when Amazon's series will arrive on screens hasn't yet been revealed but, pre-pandemic, it was originally expected to drop sometime in 2021. It is currently in production, though — in New Zealand, of course. A huge number of cast members have been announced, however — plus some talent behind the scenes. Among the actors traversing Middle-earth are Tom Budge (Judy & Punch), Morfydd Clark (Saint Maud), Ismael Cruz Córdova (The Undoing), Joseph Mawle (Game of Thrones), Cynthia Addai-Robinson (The Accountant), Maxim Baldry (Years and Years), Peter Mullan (Westworld), Benjamin Walker (Jessica Jones) and comedian Lenny Henry. And, the series is being overseen by showrunners and executive producers JD Payne and Patrick McKay, while filmmaker JA Bayona (A Monster Calls, Jurassic World: Fallen Kingdom) directs the first two episodes. Amazon's new Lord of the Rings series will hit screens sometime in the future — we'll update you with release details when they come to hand.
Penélope Cruz didn't score an Oscar this year for Parallel Mothers. Her husband Javier Bardem didn't win one for Being the Ricardos, either. And, just a couple of years ago, Antonio Banderas also didn't nab a shiny Academy Award for Pain and Glory — but the three acclaimed actors are all winners at the 2022 Spanish Film Festival. The annual cinema showcase spotlights not just Spanish but also Latin American cinema, and it's back for another Aussie tour throughout April and May — hitting up Sydney, Canberra, Melbourne, Perth, Adelaide, Brisbane and Byron Bay. On the bill: 34 movies that hail from both regions, or tie into them in one way or another, including several with Cruz, Bardem and or Banderas at their centre. Kickstarting this year's Spanish Film Festival with the Cruz- and Banderas-starring Official Competition must've been the easiest programming choice in the fest's history. A filmmaking satire, it casts Cruz as a famous director entrusted to bring a Nobel Prize-winning novel about sibling rivalry to the screen, and enlists Banderas as a Hollywood heartthrob. Throw all of that together and it's clearly film festival catnip, as the movie's berths at overseas fests such as Venice, Toronto and San Sebastián have already shown — and it'll enjoy its Australia premiere as the Spanish Film Festival's opening night pick. The aforementioned — and sublime — Parallel Mothers is also on the lineup after releasing in Aussie cinemas earlier this year, if you missed it then. And, so are two Cruz-Bardem collaborations: Jamón Jamón, the pair's first film together, which marks its 30th anniversary in 2022, and 2017's Loving Pablo, which sees Bardem play Pablo Escobar. Of course, the Spanish Film Festival spans plenty of movies that don't star Spanish cinema's best-known acting names, too — with 2022 Goya-winning political drama Maixabel, fellow Goya-recipient Mediterráneo: The Law of the Sea, psychological horror flick The House of Snails, road-movie comedy Carpoolers, and the coming-of-age-focused Once Upon a Time in Euskadi also on the program. Or, there's Girlfriends, about childhood pals reuniting; dramatic thriller The Daughter, which hones in on a pregnant teen; mother-daughter drama Ama; the Himalayas-set Beyond the Summit; and The Cover, about a pop star impersonator. From the Cine Latino strand, ten films hail from the likes of Argentina, Mexico, Uruguay and the Dominican Republic — including rom-com The Big Love Picture, thriller Immersion, the footballer-centric 9 and Goya-winner (yes, another one) Forgotten We'll Be. Plus, the lineup also includes Language Lessons, which is directed by and starring Natalie Morales (The Little Things), and also features Mark Duplass (Bombshell) — with the pair navigating an online setup to play a Spanish teacher and her student. And, there's sessions of the Spanish-language version of Disney's Encanto as well. SPANISH FILM FESTIVAL 2022 DATES: April 19–May 15: Palace Norton Street, Palace Verona, Palace Central and Chauvel Cinema, Sydney April 20–May 15: Palace Electric, Canberra April 21–May 15: The Astor Theatre, Palace Cinema Como, Palace Brighton Bay, Palace Westgarth, The Kino, Palace Balwyn and Pentridge Cinema, Melbourne April 27–May 18: Palace Nova Eastend Cinemas, Adelaide April 27–May 18: Palace Raine Square Cinemas, Luna Leederville and Luna on SX., Perth April 28–May 18: Palace Barracks and Palace James Street, Brisbane April 29–May 15: Palace Byron Bay, Byron Bay The Spanish Film Festival tours Australia from Tuesday, April 19–Wednesday, May 18. For more information or to buy tickets, visit the festival's website.
Motoi Yamamoto’s sculpture is bringing a new meaning to ‘living in the moment’. The supremely disciplined artist from Hiroshima creates installations out of grains of salt. Using intricate techniques that involve layering, shaking, sweeping and infinite amounts of patience, he has made a labyrinth, a set of steps, a ‘corridor to remembrance’ and a series of complex patterns that imitate biological systems. When the works have run their course, he sends them back to the sea. Yamamoto’s engagement with salt as a form started eighteen years ago, when he lost his sister to brain cancer. She was just 24, and struggling to cope with the loss, Yamamoto sought a way to recall his memories through his art. His very first piece was a bed comprised of bricks and the second, a three-dimensional representation of the human brain. In Japan, salt symbolises the processes of cleansing and mourning. Its use forms an important part of funeral rituals. Restaurateurs and small business owners often place salt at their doors, in the belief that it deters evil spirits and magnetises forces for good. “I can’t tell if my feelings of death have been changed by the passage of time or by the process of creating my work,” Yamamoto told the Daily Serving in June last year. “I don’t have any way to compare to the two alternatives because I’ve only experienced this through my work, not through a more conventional mourning process. I would like to think that it altered my thoughts on loss gradually, but I don’t know.” Yamamoto’s salt installations have been exhibited in galleries all over the world, from the Ierimonti Gallery in Milan to the Halsey Institute of Contemporary Art in Charleston, USA. Last month, they were on show at the Mint Museum in Charlotte.
Team bonding aside, the EOFY is the perfect excuse to reflect on the year that was and celebrate all those hard-earned wins with a couple of bevvies. And what could make this better than hitting a pub with no minimum spend for your function? If you work in the Melbourne CBD or nearby, we've narrowed down the top CBD and inner city spots where you can book EOFY drinks. And, each venue we've chosen has no minimum spend for EOFY functions, so you can celebrate the way you like without the stress of blowing a budget on bookings alone. With a little help from The Pass, an app that allows you to order food and drinks, earn points and redeem rewards at over 190 pubs, bars and restaurants, we're here to help make sure you and the team have a good night. Garden State Hotel, Flinders Lane The EOFY will be going off at the Garden State Hotel. You'll find a mix of different spaces at this classic greenery-packed Melbourne pub. With a beer garden, an observatory with stunning city views, and a Rose Garden, there's a spot for every type of team. Simply take your pick and celebrate your team's wins with a beverage or two. The Duke of Wellington, Flinders Street If your team follows the 'work hard, play hard' mentality, then a trip to The Duke in Melbourne's CBD will not go amiss. This historic pub offers a range of private and semi-private spaces, plus a rooftop with views of the Forum, Fed Square and Flinders Street. 'Nuff said. Imperial Bourke St Do EOFY right at the Imperial Bourke Street. Offering equal parts city views and good vibes in the heart of Melbourne, hosting your team here is a no-brainer. Depending on the mood, choose from an intimate team lunch, casual after-work cocktails or a full-blown rooftop party. There are also customisable function packages to make the whole process even more seamless. Melbourne Public, South Wharf Melbourne Public offers a range of event spaces perfect for an EOFY blow-out. From intimate dining rooms to a stunning open terrace, the pub delivers fully serviced events featuring a seasonal menu and delicious drinks. Its prime location near the edge of the Yarra River's scenery in the heart of South Wharf is the cherry on top. State of Grace, King Street Got a whole host of completed KPIs to say cheers to this end of financial year? Do it at State of Grace. Located on King Street, the luxe spot gives hidden speakeasy vibes. This means it's the perfect backdrop for all the kinds of out-of-office antics to be expected at EOFY drinks. The bar offers tailored packages, bespoke cocktails, and a range of spaces. Public House, Richmond Perhaps the most well-known rooftop in Richmond, Public House offers good food, great vibes, and plenty of different spaces — and the best bit? No minimum spend on group bookings. Choose from the rooftop garden, VIP lounges and outdoor courtyards. The options are endless. This is an inner city spot where you can book EOFY drinks for the whole team and feel confident you will have a good time. Prince Alfred, Richmond With a range of private and semi-private function spaces, Prince Alfred is one of Richmond's most sought-after function venues. Whether you're planning an intimate celebration or an all-out blowout with the team, Prince Alfred has you sorted. You can book the elegant function room for an air of sensibility or settle in the beer garden with a pint for a more casual vibe. Yarra Botanica, Southbank Fancy celebrating the EOFY at a two-level floating bar and eatery on the Yarra River? The Yarra Botanica is just that: it serves up a seasonal food and drink menu, local produce, and unbeatable city views. Plus, the riverside spot has a range of flexible packages to suit every kind of team. The Prince, St Kilda At The Prince, EOFY bevvies never looked so good. The much-loved art deco hotel is a popular go-to for events and functions in Melbourne. And for good reason, too. With ample space, floor-to-ceiling windows and a large timber deck to soak up the sea breeze and panoramic views, we can't think of a much better backdrop for EOFY celebrations. The Espy, St Kilda Just a stone's throw away is the Hotel Esplanade in St Kilda, more fondly known as The Espy, another great CBD and inner city spot where you can book EOFY drinks for the whole team. With six levels and a range of unique spaces to choose from, you can opt for the sunroom, the balcony bar, a Cantonese-inspired dining room, a private bar with a baby piano or Louey's Bar & Kitchen, The Espy's main dining venue, perfect for casual gatherings. Enquire now at https://thepassapp.com.au/. Images: Supplied.
Spoiler warning: this interview incudes specifics about Smoke if you aren't up to date with the series before reading. Noticing patterns sits at the heart of most detective narratives. For the characters in Smoke, that's firmly part of the job. Dave Gudsen (Taron Egerton, Carry-On) is a former firefighter-turned-arson investigator on the trail of two serial pyromaniacs — one using milk bottles to set their blazes, the other starting multiple infernos at once to attempt to split the fire department's resources — and, as a result, he's hunting for recurring clues in the ashes. So is Michelle Calderone (Jurnee Smollett, The Order), his new partner and a police officer who has been transferred to the fictional Umberland's arson squad not by choice. Add these figures to the list, too, in the nine-part Apple TV+ miniseries: Captain Steven Burke (Rafe Spall, William Tell), who is behind Michelle's reassignment; Commander Harvey Englehart (Greg Kinnear, Off the Grid), Umberland's fire chief; Ezra Esposito (John Leguizamo, Bob Trevino Likes It), the cop who was previously by Gudsen's side; and Special Agent Dawn Hudson (Anna Chlumsky, Bride Hard). Spotting connections falls on Smoke's audience as well, although it's an easy task at the outset. Here, Egerton leads, Kinnear co-stars and author-turned-TV showrunner Dennis Lehane is behind the miniseries, drawing upon a true-crime tale to make a thriller series about questioning appearances — who is reliable as a character, who isn't, and the difference between how someone is perceived and their reality — where unpacking the human psyche is a key factor. This all also proved the case with the streaming platform's Emmy- and Golden Globe-winning Black Bird in 2022. Smoke boasts a few more nifty links. Back when Egerton was just starting his on-screen career, one of his first roles was in the 2014 firefighter-focused British series The Smoke, for instance. "It's a weird moment," Egerton advises. "When I first started working on this, I sent a photo of myself in the firefighter gear to Rhashan Stone [Midsomer Murders] and Jamie Bamber [Beyond Paradise], who were two actors I worked with on that TV show The Smoke, saying 'this is weird'," he continues. "I'm glad that I've been employed long enough to end up doing two shows that are called the same thing. That's got to be a success on some level, right?" Then there's the fact that this Smoke, which debuted with two episodes at the end of June 2025 and is unveiling the rest of its instalments weekly, is drawn from the Firebug podcast focusing on IRL serial arsonist John Orr — and that when a 2002 HBO TV movie also told his tale, it starred Black Bird's Ray Liotta alongside now-Smoke supporting cast member Leguizamo. What interested the latter in stepping back into this story a second time? "Because this time it's better-written, it's better-directed — no offence. Ray Liotta was brilliant as John Orr, but I think this is a better version," Leguizamo tells Concrete Playground. "I think Dennis Lehane took some liberties, which I think made it much more interesting. It's based on, not a direct copy of what really happened, so I think that makes it more fun. He had a whole bunch of new characters, and he really gets into the mind and pathology of this character, the arsonist. And I think that's what's fascinating about this series." As Leguizamo notes, Smoke isn't a strict adaptation of John Orr's life. He isn't a character in the series, in fact. Lehane, who enjoyed great success on the page before his screen work — his books Mystic River, Shutter Island, Gone Baby Gone and Live By Night were all adapted into movies directed by Clint Eastwood, Martin Scorsese and Ben Affleck, respectively (Affleck helmed both Gone Baby Gone and Live By Night) — fictionalises many details, including monikers, in finding a new way into this story not only after Firebug but also Point of Origin. "I was trying to write about self-delusion. I was trying to write about chaos," the scribe who got his TV start penning episodes of The Wire, then worked on Boardwalk Empire, Mr Mercedes and The Outsider, explains. "I was trying to write about a world in which people feel so powerless and confused now that there are extremely powerful people who suggest with a straight face what we need to do is just burn it all down. Burn it all down. You don't like the way the government works? Burn it all down. Do we have anything to replace it with? Nope. But burn it all down. That's going on in the world, and at a pretty consistent level. And I thought this would be a fun way to look at it." "So everybody in this show is, I think, both psychologically complex and psychologically chaotic. And then they're emotionally chaotic. And then there's fire moving everywhere, which is chaotic unto itself. And it was just a way to look at a world that right now feels like it's on fire." [caption id="attachment_1014821" align="alignnone" width="1920"] John Lamparski/Getty Images for Tribeca Festival[/caption] Plenty of Smoke's complexity and chaos springs from Gudsen, who isn't just looking into the fires that are burning across his town, and is also an aspiring novelist writing about what he knows. "Dave is such a fascinating, extreme role," reflects Egerton of his latest recent part with a cat-and-mouse dynamic, because Black Bird and Carry-On also fall into the same category. "There's a few moments in this show that really come to mind very quickly as being extreme or strange moments. And I've got to be honest with you, I really love doing those moments," he says. "I do think of myself as an artist, but deep down inside I'm still the kid who wanted to climb on my school desk and have everybody look at me — so those moments, I do enjoy as an actor." What appealed to Egerton, Lehane and Kinnear about reteaming so soon after Black Bird? And to Spall, Leguizamo and Chlumsky about being a part of a series about the fine line between arsonists and arson investigators with them? What's the draw, too, of portraying morally ambiguous yet playful characters — and of jumping in when there isn't a single person in the series who is clearcut, and keeping audiences guessing about almost everyone is baked into the story? In addition to reckoning with people not being who you think they are, plus exploring what makes folks tick when they're attracted to things that can kill them or bring about their downfall, we also spoke with Egerton, Lehane, Kinnear, Spall, Leguizamo and Chlumsky about all of the above, plus more. On Reteaming on Another Crime-Thriller Series Developed by Lehane, Starring Egerton and Co-Starring Kinnear That's Unpacking the Human Psyche and Questioning Appearances Taron: "I think as an actor, you are only ever as good as the words on the page, and you're only ever as good as the person opposite you in the scene. And I really believe that. And I think in the case of the work I've done with Dennis, they are — both Jimmy and Dave — just very, very rich, well-drawn characters. And they're characters drawn by Dennis. And so I feel very privileged to be in this collaborative partnership with him. As long as he wants to employ me, I'm going to work with him because he writes tremendous roles. It's not always going to be the case. He's going to want to do things without me and that's cool. But if he wants me to do something, I'm down. I really love working with Dennis, and we've struck up a really great friendship and partnership over the past five years." Dennis: "I knew I wanted to do it with Taron because I love working with Taron, and because the two of us have a great shorthand and a rather immense amount of trust between each other — for where we're willing to go and how we're willing to push each other. So in that regard, that was a no-brainer to bring Taron in on this. It's an interesting thing, because Jimmy in Black Bird goes on a journey in which he's kind of a callow, shallow guy at the beginning, and by the end, by moving through this transformation, he's become a better human being, but he's lost a lot of his swagger. Dave starts off as oh, you think he's this sweet, heroic fireman, arson investigator — but very quickly, we start to put a lie to that, and by the third episode we've pretty much lit the whole concept on fire. And now it's really about the rabbit hole of 'how demented is this guy's psyche?' — and that becomes the journey of the show. So it's almost inverse. And it was fun to write, it was fun for Taron to play." Greg: "I just think they're good dudes. What can I say? Taron and Dennis, they're both super-talented. Who doesn't like to work with talented people? And in addition to them, we have a whole cast of talented people. So I knew, I just had great confidence that that this would be a good show. And it would be unexpected — and it would like any good novel, it would be a page-turner and keep the audience hooked and guessing. He certainly didn't disappoint in Black Bird. I know he — I mean, I guess you never know, but I have great confidence just in his ability." On What's Interesting About Digging Into a Cat-and-Mouse Dynamic as an Actor Taron: "I think there's obviously tremendous tension in a cat-and-mouse dynamic — and the feeling that a great deal is at stake. And stakes are important for really good storytelling, I suppose. I have to say, I do, having been the mouse in the cat and mouse dynamic of Carry-On, there is something nice about playing Dave, who is probably a little bit of both. I think he would probably style himself as a persecuted man at a certain point in this show, but as we know, he's anything but a victim. But that's very central to his pathology, I think. I think he's a man who styles himself as what he needs to be at any one time. And I think it probably suits Dave's needs to be thought of as a victim, as a mouse, some of the time." Anna: "A lot of acting is about identifying intentions, and the cat-and-mouse structure of storytelling is delicious for that. You have to commit. You have to ask 'why this mouse?' if you're the cat — 'why this cat?' if you're the mouse, to extend the metaphor. And it's all about figuring out those motivations. And what's so awesome is, in a show like ours, because it refuses to be cut and dry, you're always discovering new motivations. And you're always discovering like 'oh wait, this is what I thought this was', but once you see it, you're like 'oh, maybe that's what it was like'. It keeps living. It doesn't die on the page. It just keeps living and generating its own fire." [caption id="attachment_1014824" align="alignnone" width="1920"] John Lamparski/Getty Images for Tribeca Festival[/caption] On Whether Moving Into Creating TV Shows Was the Plan for Lehane When He Penned His First Novel or Scored His First Screenwriting Gig Dennis: "It definitely wasn't 30 years ago. It didn't really take effect — it didn't take hold even when I was doing The Wire. I think it was when I was doing Boardwalk that I said 'well, I really like this. I like the social aspect of this. I like the feel of it. Maybe one day I'll run a show'. And then we moved to LA three years later, and then it just really, my life changed drastically, and then it just took hold. And I ultimately became a showrunner." On How Lehane Having His Own Books, Such as Mystic River and Shutter Island, Adapted for the Screen Helped Put Him on the Path to Making Television Himself Dennis: "I think it opened some doors for me in LA, in Hollywood. People knew who I was. But my desire was never to make movies — which is weird because I love movies. I'm a movie fanatic. But my desire, I started to realise — it was when I was doing Mr Mercedes with David Kelley that I realised 'wow, the form seems to feel just like writing a novel'. If you've got ten episodes and they're 50 minutes apiece, that's 500 pages. Most novels and manuscripts are somewhere between 400–500 pages. That felt natural. So it felt as if I understood, at an organic level, how to tell a story for television — where writing for the movies is much more like writing a short story." On the Appeal of Being a Part of a Series That Explores the Fine Line Between Arson Investigators and Arsonists Rafe: "It's an unusual subject matter. I don't think I've ever thought about the idea of arson investigation. I don't think it ever crossed my mind. But of course it's a thing. Now, it's an extraordinary story, based in some ways on a real case. And yeah, I was interested in that, the idea of it, but what really hooked me in was the complexity of the characters — was their moral ambiguity, was their richness, was how each character was so well-defined, and how each character went on a very succinct journey. And I was really excited to play Steven. I was really thrilled to have a conversation with Dennis Lehane about it. I was really flattered to be asked. It's really great when people that you respect ask you to be in stuff. I never get over that. I'm always really made-up and flattered when someone of his calibre would want me to be in one of his shows. So I was flattered into doing it." John: "First of all, Dennis Lehane is one of the great writers, true-crime writers of our time. So the series was so well-written, and you don't get great writing like this too often. So that was a gift in itself. And then this character he wrote for me is unbelievable. This crazy, broken loser, loveable loser, who nobody believes but he knows the truth. It's an incredible role to play. I was so excited to be a part of it." [caption id="attachment_1014837" align="alignnone" width="1920"] John Lamparski/Getty Images for Tribeca Festival[/caption] Anna: "The writing. It's always the writing — the writing, the writing. Dennis Lehane is, I think, exactly what the world needs right now. We have to examine the things that he is fearlessly willing to examine. The way he writes, he gives every character that he's creating space and advocacy. And he allows the audience to ask their own questions and to engage with the storytelling. He's never telling you what to think — and this is exactly what I sign up for as an actor." On Going From Black Bird to Taking Inspiration From the Firebug Podcast and John Orr's Story Dennis: "So the sort of missing piece there is a guy named Kary Antholis. So Kary Antholis was a producer with me on Black Bird. Kary was obsessed with the John Orr case and had created Firebug. So he was the producer and narrator and writer of Firebug. And he pitched me when we were in the final stages on Black Bird, and I listened to it, and I said 'well, I don't think I'm the guy to tell the story of John Orr's trial, or the fires in San Bernardino and Glendale in the 1980s. That's not really my jam. It's not what I want to do. But I love the pathology of this guy. I would love to base a character on him, on his pathology. I would like to create a guy who is just as delusional, who is just as in denial, who is an arson investigator chasing an arsonist who happens to be him, and writing a book about an arson investigator chasing an arsonist whose arsons are mirrors for the real arsons that only the real arsonists would know about. That's a story I want to tell. Everything else, I kind of want to throw out'. And he was like 'great'. And so that's what we did as our launching pad. And I went off and told this story, which is very different than the John Orr story." On Stepping Into a Series with Real Life as a Basis, Even If the True Story Is Being Fictionalised Greg: "I was familiar with the podcast. And certainly there are fire chiefs, some people in that storyline, that I guess maybe Harvey is based on, but he's an amalgamation of a maybe a few different people. Most of it was just in the script I felt like Dennis had really written. Like I say, I used the basis of that podcast, a great piece of source information — I suspect we'll be seeing a lot more podcasts as sources for shows, because they're so rich and they offer so much creative backdrop to work with. I felt like this, though, had all been put into a script. And I felt like all of the characters had a real journey. I liked the character he had asked me to play. I worked with the Dennis, of course, on Black Bird, so it was great to come back to the party again." On Egerton's Run of Portraying Morally Ambiguous, Playful Characters — and Being Great At It Taron: "The secret is, the truth is, he is me. That's the thing. When you're an actor, sometimes when actors talk about the lengths with which they go to become someone else, there's something I think is slightly disingenuous about it because — or not disingenuous, that's mean, that's sounds judgmental. My experience of being an actor is not that you become someone else, it's that you express yourself through the prism of a character that has traits that are different to you. It's still you. It's still Taron. It's still me. It's still Taron existing in a set of imaginary circumstances that are different from the ones that have characterised my own life. So Dave is — although I am not an arsonist, I am exercising the muscles of imagination to be a version of me in that situation. I think I have a few of those on the way over the next 18 months — a few morally, either ambiguous or bankrupt, characters. And for some reason I'm entering a phase in my life where those are the roles that I'm playing, and I'm really okay with it. It's interesting. I think as somebody who started their career playing more archetypically heroic roles, there's a real appeal in like fucking shit up a bit, you know?" On Fleshing Out Characters When There Isn't a Single Person in the Series That's Clearcut — and When Keeping Audiences Guessing About Almost Everyone Is Baked Into the Story John: "Oh, I love that. That's what I live for — these roles that are not black and white, that are really complex and you can sink your teeth into, that allow you to be the full spectrum of human life. Life doesn't present itself with villains and heroes. It's just very complex and grey — in the grey zone. I really enjoyed this character, because there was so much to do in terms of he thinks he's sexy, nobody believes him, he thinks he's right, everybody thinks he's wrong. I think it's a very relatable sort of character. So it was a lot of fun for me." Rafe: "I think that the first thing you need to work out is the character's intention, is what they want and how they go about getting it, without passing judgment on it. You can never really have your own personal view on the person that you're playing. You need to believe that they're doing what they think is right. And so Steven, my character, from the outside is obviously dubious at points. But he is able to justify everything he does in his own mind. Now, from an objective point of view, a lot of the things that he does are wrong. But he would be very good at telling you why you were wrong in thinking he was wrong. And he's someone that's used to getting what he wants. So all of this stuff that I'm talking about is the stuff that me, as an actor, hooks into. What does the character want? What does he need? How does he go about getting those things? What gets in the way of him achieving those objectives? All of those things are really playable. And when you've got writing as detailed, as rich as this, it makes that pretty easy. Then you get there on the day and you try and make it sound real. That's it. You try and make it sound real and like real people talking — which, as I say, is easier when the when the writing is as excellent as this." On Playing Someone Who Is Forced to Reckon with the Fact That a Person He Knows Is Completely Different to Who He Thought He Was Greg: "I don't think people want to see what they don't want to see. I think Harvey is, I don't think it's — I guess he could be naive, but I just think it's that human condition of not wanting to be surprised by a friend. It's too painful. It hurts to have someone you trust break that. So he's kind of the last man standing in this when it comes to his assessment of one particular character, but he comes around and gets on board, but it takes a minute." On Chlumsky Taking on Roles with a True-Crime Angle After Veep with Inventing Anna and Now Smoke Anna: "I will engage in true-crime as a genre if the story is good — and when the story is good, that's what matters to me. It's funny, but these roles have been really excellent journeys into the people who are having to engage with these kinds of things every single day. And I appreciate it. I appreciate getting to play them." On Exploring What Makes People Tick When They're Drawn to Things That Can Kill Them or Bring About Their Downfall, Especially When They're Far From Being Honest About Themselves Rafe: "That's a really good question. I think that bad people don't know they're bad people. They think they're good. I think everyone thinks they're good. And so it's interesting to work out, when you're playing a character, what he puts out into the world and how others perceive him, and the dichotomy between those two things. He makes mistakes, but I like him, and I think that that is always good. And I think I always like the characters that I play, even if they're bad people, because I'm inside them. It's difficult to talk about acting, really, because it's such a sort of slippery old thing — and ultimately it is the process of throwing a load of shit against the wall and seeing what sticks. And it's quite a private process. But sometimes it's really fun, and this was one of those cases — and I don't know why. I think it's to do with the people that I was working with. I think that's what it comes down to, is being surrounded by really clever people that make your job easier." On the Crucial Commitment to Using Practical Effects Wherever Possible — and Getting Performances That Are Truly Responding to the Fire as a Result Dennis: "We were adamant about that from the very beginning. The first production meeting, that was the topic: 'how do we make this?'. If they could do it in Backdraft before CGI existed, then the problem has to be how CGI is being employed, not how they used to do fire. So we came up with a fusion of practical fire, CGI fire, put them together. If you had the practical fire in a scene, then the CGI artist could go in there and know what he was matching to. There's a fire — match to that. With the opening scene in which the fireman, Dave Gudsen, is trapped in a fire and runs toward his own reflection — that opening sequence was shot with Taron using nothing but practical fire on what's called a burn stage. So I don't think Taron had to do much acting there. That was pretty much 'aaaaah' — I wasn't going on that stage. But later, in some of the other scenes where the fire was far less practical, the actors were just bringing it, man. They were just bringing it. And we were documenting it and then filling in those fires later." Taron: "It's interesting. I didn't anticipate, when I first read the scripts, that Dennis would elect to shoot the fire practically. And it's a really amazing sequence. I think he chose to do that because that moment, for Dave, the opening sequence of the show, it's more than just the turbulent moment from his past. It's a kind of existential moment where something happened for him that changed who he is, and even I don't fully understand what that was, but it's something to do with his relationship with himself. It's something to do with his own self-image. And I think the significance of that event meant that it needed to be particularly cinematic and almost visually poetic. And the fire looked stunning in that sequence. It really is quite beautiful to behold. And I'd argue that it's better executed than anything that could have been done with computer-generated imagery. So I really loved that sequence. In terms of preparation, you do a little bit of training with the breathing apparatus to make sure that you're safe and set to go in there — because you can't step on a set like that without a regulator, and all the crew are wearing them as well. But beyond the rehearsal we did, which was quite rigorous because it's a dangerous set, I didn't go and do any special firefighter training or anything." On How the Smoke Cast Reflects Upon Their Careers So Far and Their Paths to the Series Taron: "The life of an actor is strange for many reasons, but it's very strange to have a moving video chronology of your own life. And sometimes I'll put on the telly or put on Netflix, like things I've been in sometimes pop up on Netflix and I'm all of a sudden having, like I put on the telly and there's a bit of me at 24 — and I find it really weird. And it's quite creepy. Because in my head, I look the same as I did when I was 24. And then I see a bit of a clip of Kingsman and I'm like 'no, no, definitely not'. And it's weird. I don't get super-reflective about my career so far, and I feel just enormously grateful to still be working and really grateful to be playing leading roles — and to be working with the great people that I get the chance to work with. And I don't take any of it for granted, ever. I am such a fortunate individual. I'm really glad that I'm still being employed." Rafe: "It's one thing getting opportunities, I think, as young actors. And I think that we put a lot of stock in like 'the big break', the idea of that — and there's a lot of reverence of that. That's never really been the case in my career. Like, I've always just done, just kept going, and done one thing and another thing and keep getting asked to do things. It's all I've ever wanted, really, is just to sustain a career. Because that's the most-difficult thing, is sustaining — is to keep going and to keep employed in good work. It's really difficult. It's a really difficult thing. So I'm just very, very grateful that I get to do it, because I really like my job. I really, really like — I love acting. I love actors. My dad's an actor, grew up around them. I think it's both a very important and very silly thing to do, and I'm very grateful for those things." Greg: "It's funny, we [Kinnear and Spall] both played Atticus Finch [in To Kill a Mockingbird], so we've both been through the same path. Plus, Rafe's done a lot of comedy and a lot of drama. I have been able to have kind of done both of that as well, which is really great. I feel very fortunate to be able to do both. This, I feel like Harvey's got — there's a little humour and a little warmth with him, and there's a little drama mixed into it. Whatever's led me here, it's the right mix of stuff, because I find myself more often than not being real happy with whatever it is that I'm doing at the time. That's certainly the case of Smoke." Anna: "I just want to tell the truth and explore the human condition. And if I get to in beautiful text, then I feel like I'm engaging in the culture and I'm engaging in the world, that's really anything anybody can ask for. So I'm just very proud that I'm still getting to answer questions about a show that I still feel that way about. I'm that kind of actor who's always wanting to stretch in different in ways. It's what keeps me alive in the craft. So it always feels like a gift when I get to stretch something." John: "I love to be a part of things that really make you think deeper than most shows. I like to be in work that makes a statement, that tries to change the way the world is and makes it a better place. That's what I strive for. And hopefully I hit that mark more than not. I've had to fight for appropriate representation and appropriate roles that I felt should have came my way, or been offered to me, because I'm a Latin actor in America. And I've had to deal with quite a bit of racism in this country, even though we're such a huge — we've been here since the beginning, the first European language spoken in this country was Spanish, not English, but we're still the most aggressively excluded ethnic group in America, even though we're 20 percent of the population. So I've had to deal with a lot of a lot of that, and luckily I haven't given up, and have persevered. And I think my fanbase is what's helped me to stay strong and to continue. And luckily Dennis Lehane saw something in me for the role of Ezra, and I'm really thankful for that." Smoke streams via Apple TV+.
After Christmas 2020 saw Australians explore their own backyards, 2021's festive season will welcome the return of a familiar end-of-year tradition. If your summer break usually involves venturing overseas, that'll be back on the cards again as the nation reopens to international travel from November. And if you're still eager to enjoy the sunny, beachy weather, you'll be able to head to Fiji. On Monday, October 11, Fiji Prime Minister Frank Bainimarama announced that the Pacific nation will reopen its borders to Australian tourists, with quarantine-free visits restarting from Thursday, November 11. Australia is on a list of travel partner countries — which also includes New Zealand, the US, the UK, the United Arab Emirates, Canada, Qatar, Germany, Spain, France, the Republic of Korea, Singapore, Switzerland, Japan, and most Pacific Island countries and territories — that are being prioritised by Fiji due to their widespread vaccination status. There will still be protocols in place, however, so that's something you'll need to factor into your plans if you can now see a tropical holiday in your future. Firstly, there'll be a no jab, no fly policy, so you'll have to be double vaccinated with the Pfizer, Moderna, AstraZeneca or Johnson and Johnson vaccines. You'll also need to test negative to COVID-19 within three days of departure — and, you'll have to download the country's Care Fiji app to your phone when you arrive. After that, tourists will also need to spend their first two days in Fiji in their hotels. You'll be free to use the facilities and amenities, but you won't be able to mosey any further until you take another COVID-19 test 48 hours after arrival. Once that comes back negative, you'll then be able to visit spots deemed 'safe-travel areas'. While exactly where these regions will cover is still being worked out, the Fiji Prime Minister advised that "they will be large enough for tourists to enjoy the best of Fiji, but restrictive enough to protect areas with low vaccination coverage." The two-day hotel period is expected to relax as more Fijians become double vaccinated. In response to Fiji's announcement, Virgin Australia was quick to reveal that it'll restart its flights to Nadi from Thursday, December 16. It'll fly return from Sydney up to twice daily, return from Melbourne once a day and return from Brisbane three times a week — and, it's doing a sale on fares from $289 one-way. Virgin's Fiji flights will mark its first relaunched international routes, ahead of restarting its services from Australia to New Zealand and Bali sometime in 2022. For more information about Fiji's reopening plan, head to the Fiji Government's website. For further details about Virgin Australia's Fiji flight sale, head to the airline's website.
Good weather and good vibes are on the way, which means the adventure lovers are gearing up for sunshine escapades. If your gear is in dire need of a revamp, iconic sustainable lifestyle brand frank green is here with the solution of three prize packs now up for grabs. frank green aims to end single-use plastic waste by crafting stylish and functional solutions that are built to last. Each of the lucky winners will score two Ceramic Reusable Bottles (grip finish) with Grip Lids, two 3-in-1 Insulated Drink Holders and two Stainless Steel Bowls with Glass Lids. The one-litre Ceramic Reusable Bottle is made for adventures — in the wild and in the city — and for this prize pack, it comes with the newly launched easy-to-grab Grip Lid, which is compatible with all frank green cups and bottles. The bottles also have a durable powder coat for added grip — so no bottles slipping from sweaty hands here. If you want your cold drinks to stay cool or hot drinks to stay hot, the bottles are triple wall vacuum insulated to retain temperature. Plus, because the bottles have a ceramic lining inside, they don't take on any of the flavours of your beverages, whether it's tea, coffee, infused water or anything else. The 3-in-1 Insulated Drink Holder keeps your bevvy ice-cold for longer. You can use it as a stubby holder or a tumbler, or add the included splash-proof lid and stainless steel straw to use it as a next-level cold-brew cup while you are road-tripping to your next adventure. Keep yourself nourished on your adventures, and pack snacks or meals in plastic-free, reusable Stainless Steel Bowls with Glass Lid. They are airtight with a soft-touch silicone seal and lightweight enough to pack in your day pack or to use as your daily lunchbox — to the envy of the office. So, if you and a mate or your partner are keen on adventuring this summer, fill out the form below to be in with a shot of upgrading your gear. [competition]917837[/competition]
This month, The Lakes Festival celebrates its tenth birthday. The festival is designed in homage to the Central Coast's lakes, waterways and community with a stellar program of 30-plus events dotted along the coast. The majority of the program is free to enjoy, too. Each year, it brings a smack of music, colour and culture to the Central Coast. From November 7–16, we're all invited to head north and make the most of the lineup. The highlight of the festival takes place on Saturday, November 8 with Light Up the Lake. Headlined by Ruby Fields, she'll share the stage with Dear Sunday, Dizzy Days, Chloe Parché, and Elaskia. As the sun sets, the sky will erupt with fireworks to, as the name suggests, light up the lake. Away from the main stage, food trucks and local restaurants will be serving hungry festival goers between sets. Aside from great music, The Lakes Festival is about honouring the waterways through sustainability. Naturally, that means everyone's favourite gardener, Costa Georgiadis, will be making an appearance. You can catch him and Lottie Dalziel (NSW Young Australian of the Year) at the Sustainable Future Festival at The Entrance on Saturday, November 15. Over the ten days, make the trip north and you'll be able to experience everything from floating yoga to artisan markets. There's something for everyone at the festival—even Pelican Time. Join a free talk with local volunteers who rescue and care for the area's beloved pelicans. Or, join a cooking class and learn to cook with native ingredients like pepperberry and saltbush. Stop by The Entrance Artisan Markets for local artwork and homemade scones. Spend a day following the Soundscapes Story Trail throughout the Central Coast where local writers and creators have written stories with the coast as the muse. Drive up to Canton Beach for a day at Sea Food Fest and devour fresh prawns in the sunshine. You can even operate an underwater drone or rover to scope out underwater habitats in Tuggerah Lake. Or, head down to Avoca Beach and join a free surf lesson or group surf. Carve out some space in your November, The Lakes Festival is sounding like summer's place to be. Check out the full digital program here. Lead Image: The Lakes Festival
Did you miss out on the mid-year trip to Europe? You need not worry, because the team behind vibey Italian restaurant Marameo has announced their plans to bring an Athenian-inspired drinking and dining destination to Melbourne. Mark your calendars, Bar Sophia is set to open on Burke Road in Central Park village this November. Michael Badr of Marameo, who visits Greece often to see his wife Sophia's family, says "Athens has changed so much in the past decade, there's a real vibe to it right now… we're hoping to bring back a little of that energy and flavour, and create the kind of place we'd be proud to call our local." Inspired by an enviable two-month research trip to Greece, Executive Chef Nicholas Deligiannis (of Mid Air) will create seasonal menus using a central woodfire hearth. Baked sheep's curd with spinach and silverbeet might be served alongside charred squid with smoked red pepper , and charry whey flatbread with whipped cod roe. Larger plates are set to include the likes of Cretan-style braised lamb and orzo with saffron and Moreton Bay bugs. The new venue will consist of an intimate dining room, a 12-seat no-bookings bar, and a wine wall where locals can pick up a bottle to go. Badr hopes the space will be "familiar and welcoming—the kind of place you can swing by a few times a week and settle in however you like." Anthology Studio has designed the venue to help achieve this vision, with walnut timber, smoky mirrors, exposed brick, chocolate velvet and burgundy tones creating an inviting and comforting space. Taking the lead on all things wine is Steve Kimonides (the Rocket Society, Il Bacaro), whose extensive knowledge is built on a whopping 13,000kilometres of vineyard-hopping across Greece's mainland. The hefty wine list will feature wine varieties such as Saviatano, Assyrtiko and Xinomavro, and wine-based spirits served over ice or in a cocktail, such as grappa, ouzo and tsipouro. Images: Kristoffer Paulsen. Follow @barsophia.melbourne on Instagram to be the first to hear further details, or join the newsletter today.
Tokyo Tina has been holding its own on chaotic Chapel Street for many years now. The subtle entrance, signed only by graphics, is a nice hint at what's to come when you enter. A busy yet well-designed space that is both intriguing and welcoming at once. Located on the vibrant Windsor end of Chapel Street, Tokyo Tina is an energetic and modern Japanese restaurant, serving consistently top-quality food from its kitchen. It's one of the original venues from the renowned Commune hospitality group, which, along with venues like Hanoi Hannah, has stood the test of time in an area that has been subject to many openings and closings over the years. With rhythmic beats of disco and soul, a dimly lit space, and a stellar lineup of cocktails and drinks, it's an easy choice for a vibey night out with a group or a memorable first date. In line with its good-times offering, Tokyo Tina also features a private dining room with its own karaoke machine, which is an ideal spot for some footloose and fancy-free fun. Speaking of good times, next time the group chat is looking for something to do on the weekend, head in for Bingo Academy held on Saturday lunchtime, hosted by Drag Queen Valerie Hex. The $79 deal scores you bottomless booze, bingo, four plates of food, plus complimentary kimchi rice and edamame for the table. Situated on the vibrant Windsor-end of Chapel Street, Tokyo Tina serves up modern Japanese cuisine in a fun and energetic space. Another venue from the celebrated hospitality group Commune, Tokyo Tina invites guests to enjoy the good times, good vibes, and good food on offer. rhythmic beats of disco and soul, soundtracked by a rotating lineup of DJs selecting tunes, while conversation, laughter and shots will continue to spill well into the night. The fresh and vibrant menu includes a few staple items that have been around as long as regulars can remember, such as the crispy corn fritters with sansho mayo, the salmon tartare with yuzu and sesame crackers, and the miso-baked cauliflower with edamame. You may find options like an open spicy tuna roll, a sweet potato bao with tonkatsu sauce, or a hearty bowl of mixed mushroom udon with shiitake dashi broth. Vibrant cocktails such as a lychee spritz with umeshu and plum bitters, a cucumber yuzu sour, or a Toki Highball with whisky, lemon, orange and orgeat syrup are not only a lip-puckering addition to the meal, but also ensure that the karaoke session is boosted by plenty of liquid confidence. Images:
Shannon Martinez and Mo Wyse have been the talk of the town since Smith & Daughters opened in early 2014. It's come as no surprise then, that in the opening weeks of their spin-off vegan New York-style delicatessen — aptly named Smith & Deli — there were lines around the block to sample their latest creations. Brimming with baked goods, freshly made sandwiches and all the ingredients you could possibly need to be your own vegan Masterchef, the deli has all of Fitzroy stopping to take a look. Although it was busy the weekday lunchtime we visited, it was also very civilised, with a system in place that allows you to order your sandwiches first so they can be made up as you wait in line to pay. The staff are super helpful when it comes to asking for a recommendation and are extremely friendly, giving this delicatessen overall good vibes. The adorable hand-painted signs — particularly the one that reads 'thank you for being a friend' above the threshold — don't hurt its friendly neighbourhood feel either. Full disclosure: this reviewer is not so knowledgeable in the ways of vegan cuisine, and as a carnivore, was intrigued to sample the elements individually as well as all together. So, those vegan sandwiches. The Little Havana ($15) — which makes just like a typical Cuban sanga except it's inexplicably vegan — is filled with ham, roast turkey, mozzarella, cheddar, pickles and mojo dressing. Filling and delicious, the flavours work together is a somewhat beautiful harmony. The Parmageddon ($14) is absolutely perfect when you need something hot on a cold winter's day. With a chicken parma, Napoli sauce, pesto and mozzarella inside, it comes toasted on a crunchy roll. Wash those down with a coffee, either black or with non-dairy milk, and you'll have enough fuel in your tank to help you power on long past lunchtime. As we waited for our sandwiches to be made, we could not tear our eyes away from their mouthwatering baked goods; from Twix tarts to challah sticky buns, it all looks (and tastes) sensational. Didn't think a vegan vanilla slice was possible? Neither did we, but it turns out it's possible, alright — and downright amazing. The custard is soft and sweet, the pastry flaky and the icing sticky. Exactly what we were after. It's undeniable that Smith & Deli appeals to a broad audience — and it's not just vegans and vegetarians who are looking for inventive meals. It's a welcoming environment for those who are potentially looking to make a switch to veganism, or are at least curious enough to give a mock meat Reuben sandwich a try. So visit Smith & Deli and open your eyes to the possibilities of vegan cuisine. Photos by Nicole Goodwin. Appears in: Where to Find the best Sandwiches in Melbourne for 2023
Back in 2018, Australia scored the kind of festival we were always bound to, and to love: The Drop, a music fest that sets up its song-filled stages beside the country's iconic surfing spots. And if that still sounds like your idea of quite the big — and sandy — day out, you'd best get ready to surf the festival wave again, with the event returning in 2022 and 2023. In 2022, The Drop will stage a two-date run in New South Wales, hitting up Bondi Beach and Coffs Harbour in October. This marks the first time that the fest has made its way to Bondi, so expect it to be huge. On the bill at both 2022 shows: Tones and I, Matt Corby and Dune Rats, as well as Cub Sport, Gretta Ray, Shag Rock, TOWNS and Hallie. They'll head to Sydney's most famous beach on Saturday, October 15, then back it up the following week, on Saturday, October 22, at Park Beach Reserve in Coffs Harbour. [caption id="attachment_753215" align="alignnone" width="1920"] Walk Wild Studio[/caption] Fans in Queensland, Victoria and Western Australia, where The Drop has played before, will need to wait until next year to get their sun, surf, sand and song fix. The 2023 lineup hasn't been revealed, but dates have announced. Whether the event will do what it usually does and follow the Aussie leg of the World Surf League (WSL) Championship Tour hasn't been confirmed yet either, but fingers crossed. Stops are locked in for Coolangatta, Torquay and Busselton, though, plus a return to NSW thanks to the Newcastle show. And pairing music not only with sandy settings, but with surfing contests, has always been a big part of The Drop. If you have tickets to previous The Drop fest that didn't go ahead due to the pandemic, you now have a few options — to either roll them over to the new festivals in each location (where they're returning), switch to Bondi or Coffs Harbour instead, or obtain a refund. [caption id="attachment_753214" align="aligncenter" width="1920"] Ian Laidlaw[/caption] THE DROP FESTIVAL 2022 DATES Saturday, October 15 — Bondi Beach, Bondi, New South Wales Saturday, October 22 — Park Beach Reserve, Coffs Harbour, New South Wales THE DROP FESTIVAL 2022 LINEUP Tones And I Matt Corby Dune Rats Cub Sport Gretta Ray Shag Rock TOWNS Hallie THE DROP FESTIVAL 2023 DATES Saturday, January 21_Sunday, January 22 — Queen Elizabeth Park, Coolangatta, Queensland Tuesday, March 28 — Empire Park, Newcastle, New South Wales Saturday, April 8 — Torquay Common, Torquay, Victoria Saturday, April 15 — TBC, Busselton, Western Australia Saturday, May 13 — Queen Elizabeth Park, Coolangatta, Queensland The Drop will return for two 2022 festivals in New South Wales in October. Ticket pre-sales start at 9am on Tuesday, August 9, with general sales from 9am on Wednesday, August 10. For more information, visit the festival's website. The Drop's 2023 lineup will be announced closer to its 2023 dates — we'll update you when details come to hand. Images: Ian Laidlaw / Miranda Stokkel.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 12 that you can watch right now at home. Anatomy of a Fall A calypso instrumental cover of 50 Cent's 'P.I.M.P.' isn't the only thing that Anatomy of a Fall's audience won't be able to dislodge from their heads after watching 2023's deserving Cannes Film Festival Palme d'Or-winner. A film that's thorny, knotty and defiantly unwilling to give any easy answers, this legal, psychological and emotional thriller about a woman on trial for her husband's death is unshakeable in as many ways as someone can have doubts about another person: so, a myriad. The scenario conjured up by writer/director Justine Triet (Sibyl) is haunting, asking not only if her protagonist committed murder, as the on-screen investigation and courtroom proceedings interrogate, but digging into what it means to be forced to choose between whether someone did the worst or is innocent — or if either matters. While the Gallic legal system provides the backdrop for much of the movie, the real person doing the real picking isn't there in a professional capacity, or on a jury. Rather, it's the 11-year-old boy who loved his dad, finds him lying in the snow with a head injury outside their French Alps home on an otherwise ordinary day, then becomes the key witness in his mum's case. Also impossible to forget: the performances that are so crucial in telling this tale of marital and parental bonds, especially from one of German's current best actors and the up-and-coming French talent playing her son. With her similarly astonishing portrayal in The Zone of Interest, Toni Erdmann and I'm Your Man's Sandra Hüller is two for two in movies that initially debuted in 2023; here, she steps into the icy and complicated Sandra Voyter's shoes with the same kind of surgical precision that Triet applies to unpacking the character's home life. As Daniel, who couldn't be more conflicted about the nightmare situation he's been thrust into, Milo Machado Graner (Alex Hugo) is a revelation — frequently via his expressive face and posture alone. If Scenes From a Marriage met Kramer vs Kramer, plus 1959's Anatomy of a Murder that patently influences Anatomy of a Fall's name, this would be the gripping end result — as fittingly written by Triet with her IRL partner Arthur Harari (Onoda: 10,000 Nights in the Jungle). Anatomy of a Fall streams via YouTube Movies, iTunes and Prime Video. Read our full review. Poor Things Richly striking feats of cinema by Yorgos Lanthimos aren't scarce. Sublime performances by Emma Stone are hardly infrequent. Screen takes on Mary Shelley's Frankenstein couldn't be more constant. For Lanthimos, see: Dogtooth and Alps in the Greek Weird Wave filmmaker's native language, plus The Lobster, The Killing of a Sacred Deer and The Favourite since he started helming movies in English. With Stone, examples abound in her Best Actress Oscar for La La Land, supporting nominations before and after for Birdman or (The Unexpected Virtue of Ignorance) and Lanthimos' aforementioned regal satire, and twin 2024 Golden Globe nods for their latest collaboration as well as TV's The Curse. And as for the best gothic-horror story there is, not to mention one of the most influential sci-fi stories ever, the evidence is everywhere from traditional adaptations to debts owed as widely as The Rocky Horror Show and M3GAN. Combining the three results in a rarity, however: a jewel of a pastel-, jewel- and bodily fluid-toned feminist Frankenstein-esque fairy tale that's a stunning creation, as zapped to life with Lanthimos' inimitable flair, a mischievous air, Stone at her most extraordinary and empowerment blazing like a lightning bolt. With cascading black hair, an inquisitive stare, incessant frankness and jolting physical mannerisms, Poor Things' star is Bella Baxter in this adaptation of Alasdair Grey's award-winning 1992 novel by Australian screenwriter Tony McNamara (The Great). Among the reasons that the movie and its lead portrayal are so singular: as a character with a woman's body revived with a baby's brain, Stone plays someone from infancy to adulthood, all with the astonishingly exact mindset and mannerisms to match, and while making every move, choice and feeling as organic as birth, living and death. In this fantastical steampunk vision of Victorian-era Europe, London-based Scottish doctor Godwin Baxter (Willem Dafoe, Asteroid City) is Bella's maker. Even if she didn't call him God, he's been playing it. But curiosity, the quest for agency and independence, horniness and a lust for adventure all beckon his creation on a radical, rebellious, gorgeously rendered, gloriously funny and generously insightful odyssey. So, Godwin tries to marry Bella off to medical student Max McCandles (Ramy Youssef, Ramy), only for her to discover masturbation and sex, and run off to the continent with caddish lawyer Duncan Wedderburn (Mark Ruffalo, She-Hulk: Attorney at Law). Poor Things streams via Disney+, YouTube Movies, iTunes and Prime Video. Read our full review. Priscilla Yearning to be one of the women in Sofia Coppola's films is futile, but for a single reason only: whether she's telling of teenage sisters, a wife left to her own devices in Tokyo, France's most-famous queen, the daughter of a Hollywood actor, Los Angeles high schoolers who want to rob, the staff and students at a girls school in the American Civil War, a Manhattanite worried that her husband is being unfaithful or Priscilla Presley, as the writer/director has across eight movies to-date, no one better plunges viewers into her female characters' hearts and heads. To watch the filmmaker's span of features from The Virgin Suicides to Priscilla is to feel as its figures do, and deeply. The second-generation helmer is an impressionistic great, colouring her flicks as much with emotions and mood as actual hues — not that there's any shortage of lush and dreamy shades, as intricately tied to her on-screen women's inner states, swirling through her meticulous frames. Call it the "can't help falling" effect, then: as a quarter-century of Coppola's films have graced screens, audiences can't help falling into them like they're in the middle of each themselves. That's still accurate with Priscilla, which arrives so soon after Elvis that no one could've forgotten that the lives of the king of rock 'n' roll and his bride have flickered through cinemas recently. Baz Luhrmann made his Presley movie in Australia with an American (Austin Butler, Once Upon a Time in Hollywood) as Elvis and an Aussie (Olivia DeJonge, The Staircase) as Priscilla. Coppola crafted hers in North America with a Brisbanite (Jacob Elordi, Saltburn) in blue-suede shoes and a Tennessee-born talent (Cailee Spaeny, Mare of Easttown) adopting the Presley surname. The two features are mirror images in a hunk of burning ways, including their his-and-hers titles; whose viewpoint they align with; and conveying what it was like to adore Elvis among the masses, plus why he sparked that fervour, compared to expressing the experience of being the girl that he fell for, married, sincerely loved but kept in a gilded cage into she strove to fly free. Priscilla streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Cailee Spaeny. All of Us Strangers As Fleabag knew, and also Sherlock as well, Andrew Scott has the type of empathetic face that makes people want to keep talking to him. Playing the hot priest in Phoebe Waller-Bridge's (Indiana Jones and the Dial of Destiny) acclaimed comedy, he was the ultimate listener. Even as the Moriarty to Benedict Cumberbatch's (The Wonderful Story of Henry Sugar) Holmes, and with a game always afoot, conversation flowed. All of Us Strangers puts this innate air — this sensation that to be in Scott's company is to want to unburden yourself to his welcoming ears — at its tender and feverishly beating heart, this time with Paul Mescal (Foe) as one of his discussion partners. Dreamy and contemplative, haunting and heartfelt, and also delicate and devastating, the fifth film by Weekend and 45 Years writer/director Andrew Haigh, which is his first since 2017's Lean on Pete, is stunningly cast with Scott in seeing-is-feeling mode as its isolated screenwriter protagonist alone. That Scott is joined by Mescal, Claire Foy (Women Talking) and Jamie Bell (Shining Girls) gives All of Us Strangers one of the finest four-hander casts in recent memory. Awards bodies clearly agree, with nods going around for everyone (alongside wins for Best Film and Best Director, the British Independent Film Awards gave all four of the feature's core cast members nominations, with Mescal scoring the Best Supporting Performance trophy, for instance). Haigh isn't merely preternaturally talented at picking the exact right actors to play his on-screen figures, but it's one of his most-crucial skills, as every performance in his latest shattering picture demonstrates. It comes as no surprise that Scott, Mescal, Foy and Bell are all excellent. It's similarly hardly unexpected that Haigh has made another movie that cuts so emotionally deep that viewers will feel as if they've been within its frames. Combine these stars with this filmmaker, though, and a feature that was always likely to combine its exceptional parts into a perfect sum is somehow even more affecting and astonishing. All of Us Strangers streams via YouTube Movies, iTunes and Prime Video. Read our full review. Drive-Away Dolls No one might've thought of Joel and Ethan Coen as yin and yang if they hadn't started making movies separately. Since 2018's The Ballad of Buster Scruggs, their latest feature together as sibling filmmakers, the elder of the Coen brothers went with Shakespearean intensity by directing 2021's The Tragedy of Macbeth on his lonesome — while Ethan now opts for goofy, loose and hilariously sidesplitting silliness with Drive-Away Dolls. The pair aren't done collaborating, with a horror flick reportedly in the works next. But their break from being an Oscar-winning team has gifted audiences two treats in completely different fashions. For the younger brother, he's swapped in his wife Tricia Cooke, editor of The Big Lebowski, O Brother, Where Art Thou? and The Man Who Wasn't There, on a picture that couldn't slide more smoothly onto his resume alongside the madcap antics that the Coens combined are known for. Indeed, spying shades of the first of those two features that Cooke spliced in Drive-Away Dolls, plus Raising Arizona, Fargo and Burn After Reading as well, is both easy and delightful. As a duo, the Coen brothers haven't ever followed two women through lesbian bars, makeout parties and plenty of horniness between the sheets, though, amid wall dildos and other nods to intimate appendages, even if plenty about the Ethan-directed, Cooke-edited Drive-Away Dolls — which both Ethan and Cooke co-wrote — is classic Coens. There's the road-trip angle, conspiracy mayhem, blundering criminals in hot pursuit of Jamie (Margaret Qualley, Poor Things) and Marian (Geraldine Viswanathan, Cat Person), dumb men (those crooks again) in cars and just quirky characters all round. There's the anarchic chases, witty yet philosophical banter and highly sought-after briefcase at the centre of the plot, too. And, there's the fact that this is a comedic caper, its love of slapstick and that a wealth of well-known faces pop up as the zany antics snowball. The Joel-and-Ethan team hasn't made a film as sapphic as this, either, however, or one that's a 90s-set nod to, riff on, and parody of 60s- and 70s-era sexploitation raucousness. Drive-Away Dolls streams via Prime Video. Read our full review, and our interview with Ethan Coen and Tricia Cooke. May December A line about not having enough hot dogs might be one of its first, but the Julianne Moore (Sharper)-, Natalie Portman (Thor: Love and Thunder)- and Charles Melton (Riverdale)-starring May December is a movie of mirrors and butterflies. In the literal sense, director Todd Haynes wastes few chances to put either in his frames. The Velvet Goldmine, Carol and Dark Waters filmmaker doesn't shy away from symbolism, knowing two truths that stare back at his audience from his latest masterpiece: that what we see when we peer at ourselves in a looking glass isn't what the rest of the world observes, and that life's journey is always one of transformation. Inspired by the real-life Mary Kay Letourneau scandal, May December probes both of these facts as intently as anyone scrutinising their own reflection. Haynes asks viewers to do the same. Unpacking appearance and perception, and also their construction and performance, gazes from this potently thorny — and downright potent — film. That not all metamorphoses end with a beautiful flutter flickers through just as strongly. May December's basis springs from events that received ample press attention in the 90s: schoolteacher Letourneau's sexual relationship with her sixth-grade student Vili Fualaau. She was 34, he was 12. First-time screenwriter Samy Burch changes names and details in her Oscar-nominated script — for Best Original Screenplay, which is somehow the film's only nod by the Academy — but there's no doubting that it takes its cues from this case of grooming, which saw Letourneau arrested, give birth to the couple's two daughters in prison, then the pair eventually marry. 2000 TV movie All-American Girl: The Mary Kay Letourneau Story used the recreation route; however, that was never going to be a Haynes-helmed feature's approach. The comic mention of hot dogs isn't indicative of May December's overall vibe, either: this a savvily piercing film that sees the agonising impact upon the situation's victim, the story its perpetrator has spun around herself, and the relentless, ravenous way that people's lives and tragedies are consumed by the media and public. May December streams via YouTube Movies, iTunes and Prime Video. Read our full review. Mean Girls On years ending in four in even-numbered decades, we watch new Mean Girls films. So goes the 21st century so far, as the hit 2004 teen comedy about high-school hierarchies returns to the big screen in 2024 as a musical, after breaking out the singing and dancing onstage first. Just like donning pink every Wednesday because Regina George (Reneé Rapp, The Sex Lives of College Girls) demands it, there's a dutifulness about the repeat Mean Girls. Tina Fey, writing the script for the third time — basing her first on Rosalind Wiseman's 2002 non-fiction book Queen Bees and Wannabes — seems to fear the consequences for breaking the rules, too. Cue a Mean Girls movie musical that truly plays out as those four words lead viewers to expect: largely the same down to most lines and jokes, just with songs. Anyone looking at the longer running time in advance and chalking up the jump from 97 to 112 minutes to the tunes is 100-percent spot on. The latest Mean Girls also resembles protagonist Cady Heron (Angourie Rice, The Last Thing He Told Me): eager to fit into its new surroundings after being perfectly happy and comfortable elsewhere. That causes some awkwardness, sometimes trying to break the mould, but largely assimilating. Penning her first film script since the OG Mean Girls was her very first, 30 Rock, Unbreakable Kimmy Schmidt and Mr Mayor creator Fey revises details and gags that were always going to need revising. Social media, the internet and mobile phones are all worked in, necessarily so, as is sex positivity. Mean Girls 2024 is primarily dedicated to making Mean Girls 2024 happen, though; here as well, it's exactly as those three words have audiences anticipating. Scrap the songs and choreography (other than the Winter Talent Show performances, of course), and directors Samantha Jayne and Arturo Perez (Quarter Life Poetry: Poems for the Young, Broke & Hangry) would've just remade the first film two decades later. Mean Girls streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Angourie Rice. Force of Nature: The Dry 2 "Nature holds us all to account" is one of Force of Nature: The Dry 2's trailer-friendly lines. Even for those who didn't see the film's sneak peeks in the months between its arrival and the feature's release — a period stretched by Hollywood's 2023 strikes, pushing the picture's date with cinemas from August to February 2024 — it sounds primed for promo snippets when it's uttered in the movie itself. But this Australian detective franchise has earned the right to occasionally be that blunt and loaded with telling importance in its dialogue. And, it makes it work. In 2021's The Dry and here, in a flick that could've been called The Wet thanks to its drenched forest setting, the Aaron Falk saga uses its surroundings to mirror its emotional landscape. Nature holds its characters to account not just in a narrative sense, but by reflecting what they're feeling with astute specificity — so much so that the parched Victorian wheatbelt in the initial movie and the saturated greenery in Force of Nature are as much extensions of the series' on-screen figures as they are stunning backdrops. Chief among this page-to-film realm's players is Falk, the federal police officer that Eric Bana and his Blueback director Robert Connolly treat like terrain to trek through and traverse. His stare has its own cliffs and gorges. His life upholding the law and beyond has its peaks and valleys as well. In The Dry, it was evident that the yellowed, drought-stricken fields that monopolised the frame said plenty about how much Falk and everyone around him was holding back. In Force of Nature, all the damp of the fictional Giralang mountains — Victoria's Otways, Dandenong Ranges and Yarra Valley IRL — speaks volumes about what's streaming through the movie's characters inside. Cinematography is one of this franchise's strengths, and that Andrew Commis (Nude Tuesday) lenses the second picture's location just as evocatively and meticulously as Stefan Duscio (Shantaram) did the first is crucial: these features make their audience see every detail that envelops Falk and company, and therefore constantly spy the parallels between their environs and their inner turmoil. Force of Nature: The Dry 2 streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Eric Bana and Robert Connolly. Argylle For the past decade, spy films have been Matthew Vaughn's caper, thanks to Kingsman: The Secret Service, Kingsman: The Golden Circle and The King's Man until now. With Argylle, he's still being playful with a genre that he clearly loves but isn't precious about, and he's also approaching espionage antics from another angle. 80s action-adventure comedy Romancing the Stone, which isn't about secret intelligence operatives, is one of this page-to-screen effort's blatant inspirations. Something that both do have at their centres: writers caught up in scenarios that would usually only happen on paper. 2022's The Lost City took the same route — but Argylle throws in a touch of North by Northwest, and also gets meta about its own origins. And no, Taylor Swift didn't write the source material. For his eighth feature, which hits 20 years after he made his directorial debut with the Daniel Craig (Glass Onion: A Knives Out Mystery)-starring Layer Cake, Vaughn adapts the novel that gives Argylle its name; however, the specifics aren't quite that simple. The IRL title was only published as the flick hits cinemas, starting a franchise on the shelf. That said, the film — which is similarly aiming to begin a series — jumps to a later as-yet-unreleased book. Those tomes are credited to Elly Conway, which is the name of the movie version of Argylle's protagonist. In the feature, Elly (Bryce Dallas Howard, Jurassic World Dominion) is also an author who has written a saga about spies. Back in reality, who she really is has sparked a frenzy, hence the theories that she could be one of the world's biggest pop stars amid a massive world tour and a huge concert film. Again, despite Swifties' dreams, that speculation needs to be shaken off. Argylle streams via YouTube Movies and Prime Video. Read our full review, and our interview with Matthew Vaughn. The Color Purple For most, there isn't much in Alice Walker's Pulitzer Prize-winning 1982 novel The Color Purple that screams for the musical spin. Broadway still came calling. On the page, this tale always featured a jazz and blues singer as a key character. When it initially reached the screen in 1985 with Steven Spielberg (The Fabelmans) directing, it also worked in an anthem that earned an Oscar nomination and has been much-covered since; Quincy Jones composed the film's score and produced the movie. But if the idea of lavish song-and-dance numbers peppered throughout such a bleak account of incest, rape, domestic abuse, racism, injustice, violence and poverty feels like hitting a wrong note, claims otherwise keep springing. First arrived 2005's Tony-winning stage adaptation, then 2015's also-awarded revival. Now, joining the ranks of books that became movies, then musicals, then musical movies just like the new Mean Girls, a second feature brings Walker's story to cinemas — this time with belted-out ballads and toe-tapping tunes. With each take, The Color Purple's narrative has predominantly remained the same as when it first hit bookshelves, crushing woe, infuriating prejudice and rampant inequity included. Musicals don't have to be cheery, but how does so much brutality give rise to anything but mournful songs? The answer here: by leaning into the rural Georgia-set tale's embrace of hope, resilience and self-discovery. Ghanaian director Blitz Bazawule follows up co-helming Beyoncé's Black Is King by heroing empowerment and emancipation in his version of The Color Purple — and while the film that results can't completely avoid an awkward tonal balance, it's easy to see the meaning behind its striving for a brighter outlook. When what its characters go through as Black women in America's south in the early 20th century is so unsparing, welcoming wherever light can pierce the gloom is a human reaction, and how Celie (American Idol-winner Fantasia Barrino in her feature film debut) copes. The Color Purple streams via YouTube Movies, iTunes and Prime Video. Read our full review. Madame Web When a spider spins a web, the strands are designed to trap prey for the eight-legged arachnid to consume. Madame Web tries to do something similar. The fourth live-action film in Sony's Spider-Man Universe, it attempts to create a movie meal by capturing bits and pieces from anywhere and everywhere. There's Spidey nods, of course, variations on the "with great power comes great responsibility" line and more than one Spidey-like figure included. Introducing a new superhero to the screen, it's an origin story, complete with a tragic past to unfurl. Set in 2003 but with ample 90s tunes in the soundtrack, it endeavours to get retro as well. In its best touch, Madame Web winks at star Dakota Johnson's (Cha Cha Real Smooth) Hollywood family history, with a pigeon bringing The Birds, as led by her grandmother Tippi Hedren (The Ghost and the Whale), to mind. And, catching inspiration just like flies, the film also strives to be a serial-killer thriller. Look out, though. Here's hoping that spiders have more luck snaring a feast than Sony has in swinging Madame Web into its not-MCU franchise. They're not officially counted as part of the saga, and they're both exceptional unlike this, but the studio's animated Spider-Man: Into the Spider-Verse and Spider-Man: Across the Spider-Verse also help explain Madame Web's existence and approach. In trying to carve out a Spidey space around the Peter Parker version of the webslinger, who is now part of the Marvel Cinematic Universe, Sony has been throwing everything it can at the screen. In the Spider-Verse flicks, that means a kaleidoscope of spider-folk, plus dazzling visuals and creative storytelling to match, demonstrating that people in suits isn't the best way to tell caped-crusader tales in cinema. In the SSU, focusing on a heap of peripheral Spidey figures is instead the tactic — and it's as piecemeal as it sounds. Madame Web streams via YouTube Movies and Prime Video. Read our full review. Next Goal Wins American Samoa's 31–0 loss to Australia in 2001 wasn't the biggest-ever defeat in football history, but it set the world record for the largest trouncing in an international match. It's also the scoreline behind an impassioned quest to achieve something that the US territory in the South Pacific Ocean had never done before in soccer: kick a goal. And, it's the starting point for a documentary and a comedy both called Next Goal Wins, with the first arriving in 2014 and the second now Taika Waititi's eighth feature. Each charts the squad's attempt to qualify for the 2014 FIFA World Cup, and each tells an underdog tale. One strikes charmingly and winningly, the other keeps deserving red cards — and it's Waititi's long-delayed flick, which was initially filmed before the pandemic, underwent reshoots in 2021, then finally premiered at the 2023 Toronto International Film Festival, that shouldn't be on the pitch. Since leaping from New Zealand indies Eagle vs Shark, Boy, What We Do in the Shadows and Hunt for the Wilderpeople to the Marvel Cinematic Universe, Waititi might've won an Oscar for Jojo Rabbit; however, his best post-Thor: Ragnarok work has been on the small screen. Neither Jojo Rabbit nor Thor: Love and Thunder reached the filmmaker's past heights, but the hilarious US TV spinoff of What We Do in the Shadows, sublime Indigenous American dramedy Reservation Dogs and heartwarming pirate rom-com Our Flag Means Death have all proven gems. The current underwhelming cinema streak continues with the Michael Fassbender (The Killer)-led Next Goal Wins, which is as forceful as his last non-MCU picture in wanting to be a quirky, silly and sweet crowd-pleaser, and as clumsy, awkward and thinly sketched. While new takes on already-covered stories never mean that the originals are binned, sending viewers sprinting towards Mike Brett and Steve Jamison's (On the Morning You Wake (to the End of the World)) iteration of Next Goal Wins can't have been Waititi's intention. Next Goal Wins streams via YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January and February 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows.
So the saying goes, life imitates art. But in times of political and economic upheaval, perhaps the art we turn to isn't a mirror — it's a doorway. In 2025, Australians aren't just listening to music that reflects the world around them, but the worlds they'd rather escape to. Dance floors have become places of release, bass drops a kind of collective exhale, and the 2025 ARIA Award nominations tell the story: we're craving movement, connection and joy. According to Spotify editor Marty Doyle, this year's ARIA nominees capture that cultural shift — one that's driven not just by hooks and beat drops, but by a distinctly Australian sense of optimism. Dance and electronic music now dominate both the charts and the cultural conversation, with acts like Dom Dolla, RÜFÜS DU SOL and record-breaking nominee Ninajirachi leading the charge. Together, they represent a generation of artists who have turned isolation into innovation, transforming post-pandemic energy into something deeply communal — and distinctly global. [caption id="attachment_1005091" align="alignnone" width="1920"] Dom Dolla performing on his recent tour.[/caption] "The dominance of Australian dance music is undeniable and a true testament to the amazing work our artists are doing," Doyle says. "There were one billion export streams of Australian dance music in March 2025 alone, which is an amazing result." Those billion streams aren't just happening at home. Australian artists are setting the global tempo, taking sweaty club tracks and festival anthems far beyond local shores. "Artists like Fisher, RÜFÜS DU SOL and Dom Dolla are some of our biggest exports," Doyle says, "and they're helping pave new roads for more Australian artists to come behind them." That international reach now extends to Ninajirachi, whose eight nominations — the most ever for a female electronic artist — mark a new benchmark for women in dance music. "It's incredibly exciting to see Ninajirachi lead the charge," Doyle adds. "It's an achievement that should be celebrated." [caption id="attachment_1035191" align="alignnone" width="1920"] DJ Nina Wilson performs as Ninajirachi during Lollapalooza 2023.[/caption] The Sound of Escapism If dance and electronic music are thriving, it's not just about BPMs — it's about emotion. In uncertain times, Australians are finding joy, connection and escape on the dance floor. "It's impossible to pinpoint one reason," Doyle says of the genre's surge. "But COVID definitely accelerated our appetite for dance music." When lockdowns shut clubs, cancelled festivals and erased social connection, music filled the gap. "The idea of dancing in a sweaty club together or even being outside at a festival became one of our biggest aspirations," Doyle says. "When we were finally able to get outside again, there was an explosion of enthusiasm. People were partying like it was their last night on earth." That post-pandemic energy, Doyle argues, hasn't faded — it's evolved. "Amidst an unsettling and shifting geopolitical world, Aussie artists have managed to not only address complex issues within their music, but they've also found solace in making it fun," he says. "It's a testament to our resilience, optimism, sense of humour and shared values as Australians." In other words: when the world feels heavy, Australians dance. [caption id="attachment_913128" align="alignnone" width="1920"] Home-grown EDM favourites RÜFÜS DU SOL performing live.[/caption] From Lockdown Loops to Global Stages The pandemic didn't just reignite audiences' desire to dance — it reshaped how artists created. "COVID provided a chance for artists to retreat into their home studios and create some of their most profound work," Doyle says. Fred again.. is perhaps the most famous example, but the ripple effect was global — and local. Aussie duo Shouse turned their track 'Love Tonight' into an international anthem of resistance during lockdowns, soundtracking balcony singalongs across Europe. "There are so many stories like this that have contributed to the acceleration of dance music over the last few years," Doyle says. That creative spark continues. Spotify's data shows that dance and electronic streaming in Australia now spans every part of the day — from morning workouts to study playlists and nights out. "Electronic music is made up of various sub-genres, and new ones are constantly being invented and mashed together," Doyle explains. "It's fertile ground for innovation and discovery." And increasingly, that experimentation is paying off on the charts. "We're seeing electronic music cross over into mainstream and end up on the ARIA Charts," Doyle adds. "That curiosity among Australian listeners is helping drive the rise of the genre." [caption id="attachment_1035190" align="alignnone" width="1920"] Marty Doyle— Editorial Lead, Spotify AU/NZ[/caption] Beyond the Beat While electronic and dance dominate the conversation, other genres are thriving too. "Indie and guitar-based music is also booming," Doyle says. "Australia has always punched above its weight in this space." Spotify data backs it up: Australian indie exports have surged 94 percent since 2021, while indie pop isn't far behind, up 86 percent in the same period. It's evidence that our music scene isn't defined by one sound — it's an ecosystem of artists pushing boundaries across styles. Looking ahead, Spotify's editors don't expect the momentum to slow. "There's no evidence to suggest this growth will drastically change," Doyle says. "But we're also seeing exciting early signs in local country and post-punk." [caption id="attachment_1014087" align="alignnone" width="1920"] Melbourne's Electronic and EDM A3 Festival, returning later this year.[/caption] A New Era of Australian Sound If there's one takeaway from the 2025 ARIA nominations, it's that Australian music is entering a new era — one powered by diversity, innovation and fearless experimentation. "While you'll see some familiar names among the nominees," Doyle says, "it's amazing to see a record-breaking number of first-time and independent artists in the mix too. It proves there's a never-ending pipeline of incredible new talent that Australian audiences are embracing." From massive export numbers to global festival stages, Australian artists and producers aren't just making people move — they're exporting a feeling. And right now, that feeling sounds a lot like hope. Find out more about 2025's Aria Award nominees and cast your votes now. Images: Supplied | Getty Images
In Red, White and Blue, one of the five films in the Small Axe anthology, the force isn't with Star Wars' John Boyega. The police force, that is — although his character, Leroy Logan, gives up his job as a research scientist to fulfil his dream of becoming a cop. Logan wants to make a difference, and to drive change from within. He's committed to his task, even going through with his plan to enlist with London's Metropolitan Police after his father (Steve Toussaint, Doctor Who) is harassed and beaten by local officers because they can, and because they don't like the colour of his skin. But, while Logan excels at training and is quickly chosen to front a diversity campaign, British law enforcement in the early 80s wasn't welcoming to a Black man. Playing Logan — a real-life figure, like many within Small Axe — Boyega's eyes simmer with the intensity of someone who knows they're actively defying everything around them at each and every moment. Viewers can't help noticing this determined and resolute stare, just as they can't escape the Star Wars reference included by Hunger, Shame, 12 Years a Slave and Widows filmmaker Steve McQueen and his co-scribe Courttia Newland either. Red, White and Blue is the third film in the series, however, so its audience has already spied this particular gaze several times over. Boyega and the character of Logan only appear in one movie, but the same look blazes across many of the faces seen across the entire 60s, 70s and 80s-set anthology, which places London's West Indian community firmly at its centre. In Mangrove, that same fervent expression is evident far and wide as the film tells an infuriating true tale about a police campaign to target a Caribbean restaurant in Notting Hill. When the Trinidad-born Frank Crichlow (Shaun Parkes, Lost in Space) opens the titular establishment, he wants to give his community a taste of home and a place to gather, but the cops quickly make their presence known. After protests about heavy-handed and racially targeted policing, nine activists — known as the Mangrove Nine, and including Black Panther leader Altheia Jones-LeCointe (played by Black Panther's Letitia Wright) — are arrested for inciting a riot. Co-scripting with Trespass Against Us and Tomb Raider writer Alastair Siddons, McQueen turns this heated situation into a gripping movie of two expertly crafted halves, with the first detailing the events from 1968 leading up to the trial, and the second showing how the defendants are treated while they're fighting for their freedom. [caption id="attachment_789616" align="aligncenter" width="1920"] Mangrove[/caption] Of course, every Small Axe film is about that same fight, just in different manners. McQueen wants everyone watching to see the toll such a battle takes, especially when it has to be waged day in, day out — and the images in his work, as has proven the case across his filmography, are repeatedly concerned with people trying to navigate stress, then internalising all the pain the external world throws their way. Oscar-nominated for 12 Years a Slave, he's a master at conveying that pain and tension, often by peering intimately and empathetically at his characters. That's a skill that can't be underestimated, and that few filmmakers possess in quite the same way. Indeed, it's one of the reasons that McQueen's features always stand out. Lovers Rock, the second Small Axe entry, overflows with faces and bodies — at a West London house party in 1980, where Martha (debutant Amarah-Jae St. Aubyn) and Franklyn (Micheal Ward, The Old Guard) cross paths. As the genre of reggae that shares the film's name echoes through the soundtrack, this pair of strangers lock eyes and more, with the film lovingly and tenderly showing Black Londoners just being themselves. Martha and Franklyn swoon over each other, and the movie swoons with them, its warm and sensual visuals helping to spin the only wholly fictional entry in the anthology. This tale is perhaps the most crucial part of the set, even though it departs tonally from its fellow features; the happiness snatched and shared by its two central characters feels all the more affecting and important when contextualised against the unwelcoming city around them. [caption id="attachment_797060" align="aligncenter" width="1920"] Lovers Rock[/caption] Small Axe's fourth and fifth films don't leave any doubt that simply existing is often a political act for people of colour, and that trying to counter engrained discrimination and oppression is an ongoing effort. In Alex Wheatle, the series jumps into the life of the award-winning writer of the same name (as played by Ted Lasso's Asad-Shareef Muhammad as an eight-year-old, then by first-timer Sheyi Cole), who spends the bulk of his childhood in institutionalised care. When he later finds a place where he feels like he belongs, he's subsequently imprisoned during the Brixton Uprising of 1981. Unsurprisingly, Education also explores a character's formative years, using fictional figures to tell a story drawn from reality. Twelve-year-old Kingsley (Kenyah Sandy, Jingle Jangle: A Christmas Journey) is singled out at his school, told he's underperforming and that he's being sent to another for kids with special needs — as part of an unofficial segregation policy his mother Agnes (Sharlene Whyte, We Hunt Together) learns is far too commonly applied to West Indian children. Before this anthology, McQueen hadn't directed a bad movie. That isn't changing now. Here, he gifts viewers a quintet of films that are as exceptional as anything he's ever made — and as potent, impassioned and probing as well. There's no weak link here, only stunning, stirring, standout cinema that tells blistering tales about Black London residents doing everything it takes to resist their racist treatment and live their lives. Every feature is sumptuously shot, too, thanks to the awards-worthy work of cinematographer Shabier Kirchner (Bull), which transports viewers into the five movies so vividly it's like you've been whisked back in person. McQueen's soundtrack choices also add yet another layer, including the pitch-perfect use of Janet Kay's 'Silly Games' in what might be the series' best sequence — as well Al Green's cover of the Bee Gees' 'How Can You Mend a Broken Heart' that cuts deep, as everything about Small Axe does by design. https://www.youtube.com/watch?v=vcqItifbNUA&feature=youtu.be All five Small Axe films are available to stream via Binge. Top image: Red, White and Blue.
The Sofitel Melbourne has been around for decades but it never feels old. Its home, Collins Place, was built in 1981, and the original hotel was taken over by the Sofitel team in 1996. Since then, they have renovated over and over again to maintain their place as one of the best hotels in Melbourne. But their latest 2022 renovation is their most impressive. They spent $15 million to transform each of the 360 rooms into luxe, uniquely designed accommodations (and it took 18 months to do it all). The end product is a thoroughly modern, tastefully appointed luxury hotel in the heart of Melbourne's CBD. Each room has that classic Sofitel French flair paired with all the latest tech. They've even got tablets in each room, making it so much easier to order room service, request any newspaper you like or reach out to their concierge who can help you explore the city. Dining options are also beyond decent — with their famous afternoon tea experiences continuing post refurbishments. But you can't talk about the Sofitel without mentioning the views. You see all of Melbourne's main landmarks from here — from the Arts Centre Spire and the NGV to Flinders Street Station and Fed Square. You can even see Luna Park on a clear day. Appears in: The Best Hotels in Melbourne
Calling all Baby Yoda fans: the cutest little Jedi in a galaxy far, far away will be back on your screens come autumn. After streaming its second season back in 2020, The Mandalorian has been absent for a couple of years — and its adorable Grogu with it — but that'll finally change come Wednesday, March 1. As part of a spate of big announcements at Brazil Comic Con, including dropping trailers for Indiana Jones and the Dial of Destiny and Guardians of the Galaxy Vol. 3, Disney has revealed the pivotal news that Star Wars devotees have been waiting for. With Andor wrapping up its first season, Disney+ viewers currently have a gap in their streaming schedules, but only for a couple of months. If you've somehow missed it before now, the Emmy-nominated show follows the titular bounty hunter (Pedro Pascal, The Unbearable Weight of Massive Talent); however, it's his encounter with a fuzzy little creature first known as The Child, affectionately named Baby Yoda by everyone watching, and officially called Grogu, that's always had everyone talking. So, it comes as zero surprise that one of the Star Wars universe's best-ever double acts keeps being pushed into the spotlight — including when The Mandalorian dropped its first season-three trailer a few months back. That sneak peek confirmed Din Djarin and Grogu's big reunion, picking up where The Book of Boba Fett left off. But the events of the pair's past streaming adventures have consequences, including seeing The Mandalorian disowned by his fellow Mandalorians. It wouldn't be a Star Wars series if everyone got along — the 'wars' part is right there in the franchise name, after all. Accordingly, the first teaser nods to the obligatory battles, as well as the fallout when its namesake doesn't actually have that title any more. Oh, and plenty of Grogu, naturally. The Mandalorian and Grogu return March 1 only on @DisneyPlus. pic.twitter.com/h0NrVMIT4V — The Mandalorian (@themandalorian) December 1, 2022 Yes, the Star Wars universe certainly does sprawl far and wide these days, both within its tales and in its many different movies, shows, books and games. When this one first arrived in 2019, it started its story five years after Star Wars: Episode VI — Return of the Jedi. Also on offer across its run so far: a cast that's included everyone from Giancarlo Esposito (Better Call Saul), Carl Weathers (Toy Story 4), Taika Waititi and iconic filmmaker Werner Herzog through to Timothy Olyphant (Once Upon a Time in Hollywood), Rosario Dawson (DMZ), Katee Sackhoff (Another Life) and Temuera Morrison as Boba Fett. Check out the first trailer for The Mandalorian season three below: The Mandalorian's third season will hit Disney+ on Wednesday, March 1. Images: ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.
When your name is Kate, you make a series with a heap of other Kates — "I think there was nine of us working on the show," Kate Box advises — and the streaming hit with all that Kate energy is the brainchild of Australian comedy queens Kate McCartney and Kate McLennan, accidentally punning on Deadloch's creators, aka The Kates, is probably inevitable. Ask Box about getting started on the award-winning mystery-comedy's upcoming second season, as Concrete Playground did, and the Rake, Wentworth, Stateless and Boy Swallows Universe star drops the perfect response: "I can't wait to get cracking on it". "Oh my god, they've taken over my body," she laughs about referencing one of the TV series before Deadloch that helped cement McCartney and McLennan's status as comedy greats, as sharp and smart satirists, and as creators of the very best comic television that viewers could ask for. Unlike morning TV spoof Get Krack!n, however, or cooking show sendup The Katering Show before it, McCartney and McLennan left the acting to others on Deadloch. Earlier in 2024, Box deservedly won an AACTA Award for Best Acting in a Comedy for co-leading the series as small-town cop Dulcie Collins. She's also rightly up for a Logie for Best Actress in a Comedy. The character of Dulcie is one half of Deadloch's lead double act, and also one part of a TV cop show staple: the odd couple. The Senior Sergeant was once a Sydney homicide detective, then moved south with her vet wife Cath (Alicia Gardiner, The Clearing), finding more solace in the routine and rules of the job than in a quieter Tasmanian life. Donning sandals and Hawaiian shirts, loving swearing as much as Dulcie loves structure, and incapable of containing her emotions for a moment, Eddie Redcliffe arrives from the Darwin Major Crimes division to complete the series' key duo. As the new colleagues investigate why the bodies of dead men have started piling up in the show's titular town, cue pairing Box with The Breaker Upperers, Baby Done and Our Flag Means Death's Madeleine Sami, and giving the small screen an instant-favourite chalk-and-cheese twosome. Imagining anyone else as either Dulcie or Eddie is impossible, but Box was initially in line to play the latter role. When the project came the Offspring, The Daughter and Fucking Adelaide alum's way, that's what she first auditioned for. Envisaging anything about Deadloch's first season differing from the eight excellent episodes that hit Prime Video in 2023 is equally inconceivable; however, knowing what might've been sparked some on-set fun. "I mean, I gave Mads quite a lot of shit when we'd get to the scenes that we were shooting that I'd done in my audition scene," Box explains. "I was like 'ohh, are you going to do it like that? Yeah, I wouldn't have when I was doing it'." It doesn't come as a surprise for a second that Deadloch's first season was a delight to make; as it charted Dulcie and Eddie's investigations, expertly parodied its genre, made a killer feminist statement, and always proved both a hilarious watch and a gripping crime series, the end product certainly was a joy to watch. It might've taken its streaming home a full year to greenlight more episodes of a show that The Kates originally gave the working title Funny Broadchurch, but that a second season is on the way is similarly understandable — and eagerly anticipated. As set up at the end of season one, Deadloch's return will take Dulcie and Eddie to Darwin, looking into the death of Eddie's former partner — plus beyond when more bodies pile up again. We not only chatted with Box about what she's excited about the second time around, but also the response to the show so far, why it has resonated with viewers, working with The Kates, auditioning for both Dulcie and Eddie, how she prepares for stepping into former's shoes not once but twice, what gets her interested in a project and more. On the Enormous Response to the First Season of Deadloch "Obviously it's been so wonderful. It's a project that I feel so deeply proud to be a part of. There's this really wanky thing, I suppose, in the industry where you're like 'don't say it was like a family' — but it really was. It felt like an incredible bunch of artists who all really were looking out for each other and looking out for this incredible new life that would be Deadloch. I think that everybody who worked on it had such great passion for it — and when you see something that you love reach so many people and have the response that it did, it's a pretty great feeling." On Why Deadloch Has Struck Such a Chord with Viewers "It's so funny, isn't it — you never know what's going to stick, really. But I think The Kates write such brilliant characters, they write such tight plots and their voices are so incredibly unique. I think watching Deadloch was that beautiful feeling of danger and surprise, because all of this feels very new — but also of real safety in trusting that the show was going to deliver the goods in terms of great characters and great politics. And once you got into the show and you got used to the fact that it was a fairly new genre — in the way that it was trying to balance these very dark topics with this very wild humour — I think there's that feeling of joy that you get in watching something that is so unique, that is really universal, that you're witnessing something new and wonderful. The Kates just managed to bring that genre to the world in such a smart and generous and joyful way." On How Box Reacted When a New Project by The Kates Came Her Way "I auditioned for Eddie, so when I got sent the first script or the first scene, that was to put down a tape for Eddie. And I read that character — and I'd been a bit madly in love with The Kates for a while now, and had watched their work and had always found them to be exceptional — and then I read this character and I was like 'who is this woman? This is a role that I don't see come across my iPad very often'. I was kind of gobsmacked by that. And I spent the first week preparing Eddie and just having the most-amazing time doing that. It was one of those things I was so excited to go into the audition for and just put the tape down. I just really wanted to play in that world. That's a really good sign, because it doesn't feel like it's a job interview — it feels like an opportunity to just relish a very cool human. Then, before I sent the tapes in, they said 'oh, can you also put something down for Dulcie?'. I'd grown so in love with Eddie and I hadn't read much of Dulcie's material, and then they sent the stuff through for Dulcie and I was like 'well, this is a different hat to put on' — and I had to really recalibrate how I imagined living in that world. Obviously Eddie and Dulcie approach the world in very, very different ways. But it was actually such a great start to being a part of Deadloch, because I got to inhabit the the madness and the straightness of what they were trying to create with this dynamic. It was really wonderful." On Working with Madeleine Sami as Eddie "I think nobody else could play Eddie except Mads. She's the perfect fit for that sandal, and so I was standing opposite her and just watching this cyclonic force of comedy — and Eddie had such big kid emotions and Dulcie is an incredibly restrained adult. Watching Mads was just a comedy masterclass, and my task was to try to stick to the words on the page and to the crime that needed to be solved, and just manage this whirlwind of madness around me. It was just fun. It was very, very fun — and really hard to keep my shit together in a lot of scenes." On How Box Approaches Playing Dulcie "If you look at who Dulcie fell in love with, they're not a buttoned-up, repressed, tight-lipped human. Dulcie's love for Cath speaks volumes in the kind of energy that Dulcie may thrive off internally as well. So while there's all this kind of madness around her, I think her love for Cath indicates that she is drawn to the parts of her that she can't access, which is that chaos and big emotion. And so I think in playing Dulcie, I was always really wary of giving her this massive internal life of responses. I would look at a scene and imagine the screaming and shouting and tantrum-throwing that Dulcie would be doing internally, and then shut the lid on that and play the professional, straight, repressed version of that — which was a really fun task. I think that the chaos of the show and the brilliance of the show is that it is able to hold this incredibly dark and serious storyline, and tackle some pretty rough and intense and vulnerable issues, but it also does it in a way that is wildly funny and absurd. And so finding that balance within Dulcie of somebody who can feel all this stuff but hold everything in felt like the right match for the piece." On the Preparation Process for Stepping Into Dulcie's Shoes the First Time Around "Because the script is so extraordinary, so much of your information is handed to you because The Kates are so specific and so excellent. I chatted to a few folks in the police force, a few women in the police force, and had discussions with them about what it was like working in a pretty dick-swinging environment. And I just watched the way in which they would talk about it. Often the women that I met had taken on a lot of the mannerisms of what you would imagine that really heavy testosterone environment is like. That was really interesting to watch, because I thought 'I don't think Dulcie's gone that way'. I think Dulcie doesn't play the game in that way. I think what she does is she follows the rules, and she does that hopefully to the point where she can't be thrown off or criticised because she's done everything by the book. So I chatted to quite a few yeah folks in the police force. And I rewatched Broadchurch, because that was such an amazing inspiration for it. And I tried to just get incredibly precise in my note-keeping, which is very different to me. Like me, Kate, my notes are chaotic. My brain is a bit messy. I'm not a particularly ordered person. And so as I was preparing for Deadloch, I tried very hard to keep really neat notebooks and to have little codes as to what certain things in the scripts would refer to. I tried to get into the mind of someone with that much precision. Unfortunately it didn't stay. And I'm a big fan of writing personal history for characters, so I have notebooks filled with imagined events that had happened to Dulcie in her life, like the first time she met Cath and the day of their wedding, and when she graduated from the police academy — all that kind of stuff. I journaled." On Returning to the Character Again for Season Two "I feel like I've got access to so many of Dulcie's memories because I wrote them down, but otherwise I may have forgotten. You know when you're moving house and you open that box of letters and photos and you're like 'oh my god, that!'? I feel like I've got Dulcie's box of letters and photos in my desk drawer, all ready to pull out and get going again." On What Box Is Most Looking Forward to with Deadloch's Second Season "I cannot wait to be in Darwin. I spent primary school in Darwin, and I've gone back there quite a lot in my life, and I love it. So I'm really looking forward to spending some time up north in the heat. And hopefully as we get closer to wet season, watching those clouds roll in and waiting for that rain to break at the end of the day. I'm looking forward to all of those things that the place dishes up so beautifully, the sunsets and the markets. So I'm looking forward to the lifestyle — not that I'll get out much because I'll be on set all the time. And obviously just being around Mads and Alicia and Nina [Oyama, Utopia] and The Kates again. I just adore them as humans. They are really good mates, and people that I feel really joyous around and really lucky to be in their company, so I'm looking forward to being in their orbit again." On What Gets Box Excited About a New Role at This Stage of Her Career "I think I'm at a point in my life where the greatest joy is the people that I'm working with. I get really excited about having opportunities to work with people who I love and whose work I find thrilling and challenging and smart. I think I get most excited about collaboration, to be honest. I get excited about building humans alongside other people who have great insight into humanity, and into how folks think and feel and walk through the world. The good thing about being at this point in my career is I feel like I'm able to come into conversations much earlier on than I was when I was younger. I feel like when I was younger, I'd enter projects at the final stage of everything and not trust my voice enough, either, to be able to help fill out those characters through conversation with the writers and the directors. So I think what I love now most is that I trust myself a lot more. I have some excellent relationships with artists who I admire wildly, and that collaborating with those people feels like a real two-way street rather than me getting a script and just trying to give somebody what I think that they want. The inventiveness that comes with working now, I find really thrilling." Deadloch streams via Prime Video, with no release date announced as yet for season two. Read our review of season one, and our interview with Kate McCartney and Kate McLennan. Deadloch images: Bradley Patrick / Prime Video.
The best part of a trip to the hair salon is often the wash. For ten glorious minutes, the hairdresser works the shampoo and other potions into your scalp and melts all the week's worries (and clogged follicles) until the outside world feels very far away. And if you're lucky, they'll throw in a head and neck massage too. Imagine that stretching out over a full hour — no wonder Japanese head spas are having a moment. While luxe salons and day spas in Australia have incorporated fun scalp treatments into their repertoire, head spas dedicated to the must-try Japanese ritual are few and far between. With a full suite of scalp-focused treatments incorporating age-old Japanese techniques, Sydney-born Tokyo Headspa is one of them. It's founded by Nozomi Oshima, who first opened shop at Salon Lane, a Lower North Shore warehouse turned co-working hub for hair and beauty professionals. From there, she teamed up with Salon Lane founders Lance Kalish and Jared Keen to grow the brand. Today, it's got five standalone salons across Sydney and Brisbane — and has just opened a flagship Melbourne spa in Armadale last week. Think of Tokyo Headspa as the closest thing to a head spa in Japan, where Oshima lived in her teenage years. Having reaped the benefits first-hand, she knew that they would appeal to Aussies chasing wellness experiences and set about replicating the experience. "After every session, my hair felt impossibly soft and my mind deeply relaxed," she says. On High Street, the shop's zen-inspired interior of natural timbers and earthy textures begins to calm the mind before any treatment begins. Guests slip into their pick of traditional Japanese yukatas before being guided into treatment rooms named after well-loved suburbs in Tokyo, where even the treatment beds are imported directly from Nippon. Treatments incorporate products from cult Japanese haircare label Beets, which are available for purchase. At the end of your self-care sesh, there's no rush. Slowly sip on herbal tea in the lounge areas or at a DIY hairstyling bar that's equipped with all the tools you need for a blow-out. The idea is that your scalp leaves in better spirits than when it came in, so all seven treatments start with a scalp health check. Each treatment combines different techniques to reach whatever you need at the moment. Facial reflexology and upper body massages unknot all the tension you've been carrying, while the trending waterfall-like head baths lull your mind into tranquillity (or even a nap) as gentle streams of warm water crown your forehead. If you want lusher and healthier locks, there's something designed for you, too. And if you really want to treat yourself, the 2.5-hour Amaterasu option combines all of the above, plus a detoxifying kombucha treatment and sea salt scrub to reset the scalp. Images: Dan Castano
Campus diners aren't what they used to be — at least not if Residence at the Potter has anything to say about it. Located at The University of Melbourne's Potter Museum, Residence is a flexible, ever-evolving hospitality space designed to welcome everyone from students and faculty during the day to in-the-know foodies looking for a late supper. By day, the airy 60-seat space trades as a relaxed, sun-washed cafe serving up coffee and daily-baked treats — come nightfall, it transforms into a quietly elegant full-service restaurant. You can expect a strong focus on local and seasonal produce, thoughtful cooking, and a warm, welcoming atmosphere whenever you go. [caption id="attachment_1009817" align="alignnone" width="1920"] Hayden Dib[/caption] Residence's after-dark offer operates on a rotating chef-in-residence model, whereby a different head chef will be appointed every 12 months to oversee a new concept. The inaugural iteration is Cherrywood, helmed by Robbie Noble (ex-Vue de Monde), whose seasonally rotating menu is an ode to the nostalgic flavours he grew up with in the north of England, confidently delivered with refined technique and locally sourced produce. Behind it all is a dream team of Melbourne hospo heavyweights. Co-founders Nathen Doyle and Cameron Earl's (pictured below) collective CV includes stints at Heartattack and Vine, Sunhands, Carlton Wine Room, Embla and ST. ALi. They've enlisted a cadre of collaborators to help bring Residence to life, including Harrison Maw (ex-Embla) for wine list advisory, Jasper Avent (ex-Embla, Town Mouse, Daylesford's Lake House) as Executive Chef and award-winning Collingwood-based collective Studio Co & Co for the venue's design. Campus cafeterias truly never looked (or tasted) this good. [caption id="attachment_1009815" align="alignnone" width="1920"] Hayden Dib[/caption]
There are 8222 islands within Australia's watery borders. You could spend your entire life hopping from one Aussie island to another and never quite make them all (well, unless you're very, very quick). So, we thought we'd save you some time by teaming up with Jim Beam and handpicking 12 of the best islands in Australia. That should at least get you started. Next time you start imagining you and your best mates on a white-sanded beach with quokkas close by, sea lions in the distance and your desks a few hundred kilometres away, these are the spots to catch a boat, plane, or ferry to. Remember: an adventure like this is best enjoyed together. Right? Recommended reads: The Best Glamping Sites in Australia The Best Beaches in Australia The Best Dog-Friendly Hotels in Australia [caption id="attachment_688591" align="alignnone" width="1920"] Coral Coast Tourism[/caption] Abrolhos Islands, Western Australia The Houtman Abrolhos isn't just an island, it's an archipelago. 122 isles make up the marvel, more or less clustered in three groups across 100 kilometres. They lie 60 kilometres off the Coral Coast, west of Geraldton, which is four hours north of Perth. Lose yourself snorkelling or diving among colourful coral, spotting Australian sea lions and looking out for more than 90 species of seabirds, including majestic white-breasted sea eagles. For mind-blowing views, jump aboard a scenic flight and see the best Australian island from a bird's eye view. [caption id="attachment_688571" align="alignnone" width="1920"] Paul Ewart for Tourism and Events Queensland[/caption] North Stradbroke Island, Queensland Located 25 minutes by ferry off the Queensland coast, Stradbroke Island is an easy day trip from Brisbane. It's the second biggest sand island in the world after K'gari (more on that Australian island later). For swimming in gentle waves, head to idyllic Cylinder Beach; for wilder surf, make your destination the 38-kilometre-long Main Beach. Overnight stays include beach camping, as well as an array of cottages, hotels and B&Bs. Just north of Straddie is Moreton Island, a wonderland of long beaches, clear lakes and a national park. Consider sleeping over at Tangalooma, an eco-friendly resort where you can hand-feed wild dolphins and swim around a shipwreck. [caption id="attachment_773788" align="alignnone" width="1920"] Tom Archer, Destination NSW[/caption] Lord Howe Island, New South Wales Just 11 kilometres long and two kilometres wide, Lord Howe, a two-hour flight east of Sydney, is explorable within a few days. Whenever you travel on this top Australian island, you won't have to fear tourist crowds: only 400 visitors are permitted at any one time and the population is just 382. Prepare to have pretty beaches, spectacular diving sites and rugged terrain all to yourself. Among the best adventures are the Mount Gower Trail, a steep, eight-hour trek that carries you 875 metres above sea level, and Erscott's Hole, a natural wonder where you can snorkel among staghorn coral, bluefish and double-headed wrasse. With all this natural beauty, it's easy to see why it made our list of the best islands in Australia and best overall places to visit in Australia. [caption id="attachment_770035" align="alignnone" width="1920"] Tourism Australia[/caption] Bruny Island, Tasmania Bruny feels completely remote, yet it's just a 20-minute ferry ride from the coast and, with driving time added, 50 minutes from Hobart. The beauty of this proximity to the city is that, despite all the wilderness, you can find some top nosh: for fish and chips head to Jetty Cafe; for pub grub swing by Hotel Bruny; for cheese visit Bruny Island Cheese Company; and for a tipple, there's the Bruny Island House of Whisky. Meanwhile, nature lovers will find white wallabies at Inala Nature Reserve, windswept headlands at Cape Bruny Lighthouse and head-clearing watery views at Cloudy Bay. [caption id="attachment_688568" align="alignnone" width="1920"] Khy Orchard for Tourism and Events Queensland[/caption] Magnetic Island, Queensland There are hundreds of islands in the Great Barrier Reef area, offering everything from secluded campsites to five-star luxury resorts. But, for convenience, outdoor adventures and, most importantly, koala spotting, Magnetic Island is hard to go past — found just 20 minutes from Townsville. Get active with sea kayaking tours and yoga classes, get artsy at beachside markets and galleries or relax at stunning beaches like Horseshoe Bay. If you're keen to venture further, jump aboard a Great Barrier Reef snorkelling, diving or sightseeing tour. [caption id="attachment_688400" align="alignnone" width="1920"] Isaac Forman for SA Tourism Commission[/caption] Kangaroo Island, South Australia With a whopping 509 kilometres of coastline, Kangaroo Island could have you exploring for weeks. To get there, take a 45-minute ferry ride from Cape Jervis, on the Fleurieu Peninsula — around 100 kilometres south of Adelaide. Then gear up to share your holiday with sea lions, fur seals, little penguins, echidnas, koalas and, you guessed it, kangaroos. The Australian island is a haven for creatures who've struggled to survive elsewhere, especially local sea lions, who were hunted to the brink of extinction in the 19th and 20th centuries. There are numerous national parks and conservation areas, and the almost 5000-strong population is big on food and wine. You also can't talk about this Aussie island without mentioning the spectacular beaches — our favourite being the one and only Stoke's Bay. [caption id="attachment_874908" align="alignnone" width="1920"] Guillaume Marques (Unsplash)[/caption] The Whitsundays, Queensland In total, The Whitsundays is made up of 74 islands. It's hard to choose the best, especially as each depends on what kind of holiday you're after. You can go camping on the famous Whitehaven Beach on Whitsunday Island, live it up at The InterContinental Resort on Hayman Island or even escape to an adults-only oasis like Elysian Retreat on Long Island — one of the best adults-only accommodations in The Whitsundays. From any of these small islands in Australia, you can easily get to the Great Barrier Reef and countless other stunning natural landscapes. This region is also one of Australia's national parks, so it will continue to be preserved for many years to come — even if the reef itself does die off. [caption id="attachment_683983" align="alignnone" width="1920"] Tourism Western Australia[/caption] Rottnest Island, Western Australia Rottnest Island is a 90-minute ferry ride from Barrack Street Jetty, Perth, or 25 minutes from Fremantle. Like Kangaroo Island, Rottnest has given a big dose of much-needed love to Australia's wild creatures, particularly quokkas, which now number 12,000 or so. Dedicate some time to spotting them (though please don't go touching, patting or feeding) before visiting pristine beaches, such as The Basin, where you'll find an underwater playground, and Little Parakeet Bay, backdropped by striking rock formations. The best way to explore the Aussie island is by bike, but we are also big fans of getting on a sea kayak for the arvo as well. Prefer to stay here longer than a day? We recommend spending a few nights in Discovery Rottnest Island's luxe glamping tents by the beach. Phillip Island, Victoria Phillip Island's biggest drawcard is its penguin parade. Every night, at sunset, the island's resident little penguins return to their terrestrial homes, having spent the day out and about fishing. Beyond wildlife watching, go wine and craft beer tasting, bliss out with a massage or spa treatment or conquer a trail on foot, such as the Cape Woolamai Walk, which traverses dramatic clifftops along Phillip's southernmost point. Follow the links for suggestions on where to eat and drink and the best outdoor activities on Phillip Island. Unlike most of the other Australian islands on this list, you can reach this one by road: it's around 90 minutes' drive south of Melbourne, making it one of the most accessible islands in Australia. [caption id="attachment_911608" align="alignnone" width="1920"] Courtesy of Kingfisher Bay Resort[/caption] K'gari (Fraser Island), Queensland World Heritage-listed K'gari (Fraser Island) is the biggest sand island in the world. There are 184,000 hectares of the stuff, made up of 72 colours and mostly in the form of magnificent dunes, much of which are covered in rainforest. If you've time on your hands, take on the Great Walk, an eight-day epic that visits many of K'gari's 100 freshwater lakes. If not, jump aboard a 4WD and cruise along 75 Mile Beach (one of our favourite adventure experiences in Australia), take a dip at Champagne Pools along the way and pay a visit to awe-inspiring Boorangoora(Lake McKenzie), a perched lake made up of rainwater and soft silica sand. [caption id="attachment_688583" align="alignnone" width="1920"] Andrew Wilson for Tourism Tasmania[/caption] King Island, Tasmania You might have no idea where King Island is, but may have seen its cheese at the supermarket. King Island Dairy's decadent triple cream brie is an Aussie gourmet staple. But it's far from the only treat you'll be sampling in this lush place, which lies in the Bass Strait, halfway between Victoria and Tassie. Count, too, on super-fresh seafood, flavourful beef and a cornucopia of produce from local growers. When you're finished feasting, stroll along the white sands of Disappointment Bay, visit a 7000-year-old calcified forest and go horse riding by the sea. This under-the-radar travel destination is undoubtedly one of the best islands in Australia. [caption id="attachment_856441" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Bribie Island, Queensland Bribie Island isn't that far from Brisbane (a little over one and a half hours), but is a haven for local wildlife. That's because this Australian island is home to the Pumicestone Passage, a protected marine park where you'll find dugongs, turtles, dolphins and a diverse range of birdlife. All the classic Aussie land animals will be found all over the island, too. And, of course, the beaches are just stupidly beautiful. Whether you're a local or tourist, this island offers all the quintessential Australian sites you must see. Like Jim Beam, surfing and other outdoor adventures are all about bringing people together, so get out there this summer and find your tribe in the great outdoors. Top images: K'gari Island, courtesy of Kingfisher Bay Resort.
Whenever a public holiday with a religious history rolls around, it means different things to different people. Easter is one of them — a four-day period filled with bunnies for some, oh-so-many chocolate eggs for most, and a relaxing break from work for many. That makes finding the perfect Easter viewing a bit trickier than most occasions. Unlike Christmas movies, paschal flicks haven't become their own category. Unlike Halloween and horror films, there's not an existing genre to tap into, either. And, when a movie has clearly been made with Easter in mind, it tends to fall into one of two camps: religious-themed epics and rabbit-filled, kid-focused family fare. If you're keen to mark the occasion through cinema — and eager to find something to watch while you're binge-eating all of those hot cross buns — don't worry. No, you don't have to settle for the obvious. Instead, fill your long weekend with everything from Timothée Chalamet as a young Willy Wonka and Keanu Reeves as humanity's saviour to Jordan Peele's take on bunnies, all thanks to our 16 classic and eclectic Easter streaming options. Donnie Darko The creepiest rabbit in cinema belongs to one movie: Richard Kelly's (The Box) 2001 sci-fi thriller Donnie Darko. Once you've met Frank, as the eponymous teenager (Jake Gyllenhaal, Road House) does while he's sleepwalking one night, then you can be forgiven for feeling more than a little unnerved. Making quite the bold, striking and memorable filmmaking debut, Kelly's film saddles Donnie with plenty of other worries, too. Doomsday visions, wormholes and time loops; hosting a Halloween party; general adolescent angst — they're all included. So is Patrick Swayze (whose footsteps Gyllenhaal follows in in the Road House remake) as an unsettling motivational speaker, Maggie Gyllenhaal (The Deuce) playing her real-life brother's on-screen sister, and a mind-bending movie that proves both ominous and dreamy all at once (and boasts a great 80s-themed soundtrack). Donnie Darko streams via Stan, YouTube Movies, iTunes and Prime Video. Willy Wonka and the Chocolate Factory and Wonka In 2023, the world was gifted a new sweet treat. Casting Bones and All, Call Me By Your Name, Dune and A Complete Unknown favourite Timothée Chalamet as a young Willy Wonka in a film directed by Paddington and Paddington 2's Paul King was always going to get the film-loving world's attention. Wonka thankfully proved a delight, too. Your best Easter viewing, then? Pairing it with the original Willy Wonka and the Chocolate Factory, which is also still a gem. It's a magical ticket of a book-to-screen adaptation, thanks in no small part to the inimitable Gene Wilder. We all know the tale by now, which follows a poverty-stricken child who wins a chocolate contest and gets a super-exclusive tour of the eponymous figure's sweets-making outfit, and it keeps standing the test of time for great reason. Willy Wonka and the Chocolate Factory streams via Binge, YouTube Movies, iTunes and Prime Video. Wonka streams via Netflix, Binge, YouTube Movies, iTunes and Prime Video. Read our full review. Who Framed Roger Rabbit It's the part live-action, part animated film that's really not for kids, and it's still a delight more than three decades later. Who Framed Roger Rabbit steps back to 1947, plays with both neo-noir and comedy, and creates a world where humans and cartoons — or Toons as they're called — co-exist. A who's who of Hollywood's late-80s best and brightest were all considered for the part of private detective Eddie Valiant (Indiana Jones and the Dial of Destiny's Harrison Ford, Ghostbusters: Frozen Empire's Bill Murray and Candy Cane Lane's Eddie Murphy among them), but Bob Hoskins is pitch-perfect in the role. Also working a charm is the film's dark but funny tone, its exceptional special effects, and the reteaming of Robert Zemeckis (Pinocchio) and Christopher Lloyd (The Mandalorian) after Back to the Future. Oh, and the fact that this always-entertaining PI tale is basically an oddball take on all-time classic Chinatown. Who Framed Roger Rabbit streams via Disney+, YouTube Movies, iTunes and Prime Video. The Matrix, The Matrix Reloaded, The Matrix Revolutions and The Matrix Resurrections In one of the biggest sci-fi franchises of the past two decades, one man is chosen to save humanity, with the anointed hero navigating difficult trials and tribulations in the process. While the original trilogy of The Matrix, The Matrix Reloaded and The Matrix Revolutions are all jam-packed with futuristic imagery and dystopian drama, writer/director siblings Lana and Lilly Wachowski (Sense8) spin a story that's also laden with spiritual symbolism — so much so that a religion called Matrixism even popped up. Obviously, who wouldn't want to worship Keanu Reeves (John Wick: Chapter 4) as Neo? These movies did the first time around, and repeated the feat with Lana Wachowski's solo effort The Matrix Resurrections as well. The middle two flicks are nowhere near as impressive and entertaining as the first or latest, but The Matrix franchise always makes for thrilling piece of science fiction. The Matrix, The Matrix Reloaded and The Matrix Revolutions stream via Stan, Prime Video, YouTube Movies and iTunes. The Matrix Resurrections streams via Stan, YouTube Movies, iTunes and Prime Video. Read our full review. Us As a director using genre to lay bare society's oppressive ills — and to entertain audiences with audacious and ambitious horror stories in the process — Jordan Peele is three for three on the big screen. Nope was a 2022 standout. Before that, back in 2017, Get Out felt like a breath of fresh air with its smart and savage tale of racial alienation. And, that feeling coursed through 2019's Us, too, a film that simultaneously splashes in the same thematic pool and rides its own narrative wave. Focusing on a family of four, a summer vacation to Santa Cruz and sinister lookalikes who start stalking their every move, Peele finds a new way to ponder America's divisive reality both historically and at present, all while making an immensely unnerving addition to an already unsettling genre: the doppelgänger movie. Playing dual roles, Lupita Nyong'o (A Quiet Place: Day One) puts in a phenomenal performance as the matriarch doing whatever it takes to fight for both her family and her freedom, while many of the film's meticulously crafted visuals — and plethora of rabbits — are pure nightmare fodder. Us streams via Netflix, Binge, Paramount+, YouTube Movies, iTunes and Prime Video. Read our full review. Cool Hand Luke "Nobody can eat 50 eggs", Lucas Jackson (the late, great Paul Newman) is told in 1967 prison drama Cool Hand Luke. If that sounds like a challenge you're willing to take up, you're in good company. Naturally, you're currently thinking about chocolate eggs; however, Newman's famous character endeavours to eat 50 of the real deal. Even locked up in a Florida chain gang for vandalising parking metres, that's the kind of rule-breaking, authority-defying guy he is. Nominated for four Oscars and winning one (for Best Supporting Actor for George Kennedy), this is one of cinema's anti-establishment standouts, tracking the penal system's repeated attempts to put Luke in his place, and his continued determination to flout every restriction that's thrown at him. Cool Hand Luke is also layered with religious symbolism in its narrative and in its imagery — as you'd expect in a tale of a man repeatedly persecuted for remaining faithful to his true nature. Cool Hand Luke streams via SBS On Demand, Max, YouTube Movies, iTunes and Prime Video. Con Air Whatever occasion happens to be upon us, there's a Nicolas Cage movie for it. The Family Man and Trapped in Paradise are set around Christmas, for example; Moonstruck and Wild at Heart are pitch-perfect Valentine's Day viewing; and you can choose from the likes of Mandy, Vampire's Kiss and Color Out of Space at Halloween. For Easter, Con Air fits the bill. It is the movie that has Cage exclaim "put the bunny back in the box," after all. Here, he plays a former army ranger-turned-paroled convict who's trying to head home when his prison flight is hijacked by fellow criminals. And it's particularly apt viewing after Cage played Cage in meta comedy The Unbearable Weight of Massive Talent recently, and Con Air played a pivotal part in it. Con Air streams via Disney+, YouTube Movies, iTunes and Prime Video. Easter Parade Judy Garland, Fred Astaire, Easter, and a dazzling array of singing and dancing? Blend them all together, and that's Easter Parade. A huge box-office hit upon its initial 1948 release, this lively musical understandably makes the most of its stars — who act, croon and show off their fancy footwork opposite each other in their only cinematic collaboration. Astaire plays Broadway hotshot Don Hewes, who's far from happy when his dance partner breaks off their pairing. Emotionally wounded, he vows he'll catapult the next dancer he meets to fame. That'd be Garland's Hannah Brown, although the path to success (and to romance) is hardly straightforward. As Easter Parade charts the ups and downs of Don and Hannah's new arrangement, though, it's obviously absolutely overflowing with show-stopping song-and-dance numbers. Easter Parade streams via Max, YouTube Movies, iTunes and Prime Video. Wallace & Gromit: The Curse of the Were-Rabbit Aardman has enjoyed an enviable track record over the stop-motion animation studio's 50-year career, as well as its two-plus decades making movies. But while the OG Chicken Run is great and the delightful Shaun the Sheep flicks aren't just for kids, Wallace and Gromit hold a soft spot in everyone's hearts. That makes their first full-length movie outing Wallace & Gromit: The Curse of the Were-Rabbit extra special. Parodying monster movies, including old-school Hammer horror films, it tasks a certain cheese fiend and his canine sidekick with trying to rid a village suddenly plagued by bunnies. An Oscar-winner for Best Animated Feature, the result is an amusing, offbeat and energetic adventure with clever sight gags, an eccentric vibe, an array of intelligently used pop culture references, and guest voice work from Helena Bonham Carter (One Life) and Ralph Fiennes (The Wonderful Story of Henry Sugar). Wallace & Gromit: The Curse of the Were-Rabbit streams via Binge, YouTube Movies, iTunes and Prime Video. Celia Australian cinema is filled with stellar classic titles — films that engage, enthral, say something about our country and showcase the depth of our filmmaking talent. Sadly, the almost-forgotten Celia isn't cited among such company enough, although it deserves to be celebrated as one of the best features that we've ever had to offer. Set in 1957, its tale is dark, ominous and oh-so-telling as it blends small-town prejudices with fearful childhood imaginings. Written and directed by Ann Turner, the film focuses on an unhappy, grieving nine-year-old school girl (Rebecca Smart, Skin Deep) surrounded by a community that's paranoid about communists and unwelcoming to pet rabbits. Yes, there's that Easter-appropriate link — and this is kind of coming-of-age horror effort Australia rarely makes. Celia streams via Brollie, YouTube Movies and iTunes. The Last Temptation of Christ If you're going to watch one serious film about the obvious religious figure this Easter, make it Martin Scorsese's (Killers of the Flower Moon) The Last Temptation of Christ. Faith is one of the great veteran filmmaker's favourite themes and, here, he tackles it with his trademark smarts and depth, all while presenting Jesus not as a revered icon but as a person. Willem Dafoe (Nosferatu) plays the Judean carpenter in the spotlight, turning in one of his reliably fantastic performances. Also popping up among the cast: Harvey Keitel (Paradox Effect), Barbara Hershey (Beacon 23), and Twin Peaks alumni Harry Dean Stanton and David Bowie. Like many a movie that's dared to take a provocative approach to this tale, the 1988 film earned protests, censorship and bans when it originally hit cinemas — and nabbed Scorsese an Academy Award nomination for Best Director as well. The Last Temptation of Christ streams via YouTube Movies, iTunes and Prime Video. Monty Python's Life of Brian When famed comedy troupe Monty Python turned their attention to religion, they didn't take the obvious route. Instead, their satirical comedy follows Brian Cohen (Graham Chapman), a Jewish man who happens to be born on Christmas right next door to Jesus, and gets mistaken for his neighbour as a result. As one well-known line of dialogue has told us all for decades, "he's not the Messiah — he's a very naughty boy". Eventually, he'll be trying to look on the bright side of life as well. Written by the whole group, and starring them as well, Monty Python's Life of Brian is the silliest, most irreverent biblical-related flick you're ever likely to see. Unsurprisingly, when it was released back in 1979, it was accused of blasphemy. Monty Python's Life of Brian streams via SBS On Demand, YouTube Movies and Prime Video.
For the second time in 2024, Hollywood's TV talents have spent a night celebrating the best and brightest shows to hit the small screen, plus the folks that make our television and streaming favourites happen. If you love awards ceremonies, or just the reminder about what to watch that they always offer, this is a busier year than usual — because there's been not just one round of Emmys, but two. Back in January, the Emmys first took place for 2024 after the 2023 event was postponed from its usual September timing during Hollywood's writers' and actors' strikes. So, now that September is here for 2024, there's another Emmys — the ones that were always due to happen at this part of the calendar. Already worked your way through the winning shows from earlier in the year? Get ready for your next batch. Here's nine shows that've just received shiny trophies that you should watch, be it for the first or the fifth time. (We've also run through the full list of nominees and winners, too.) The Bear The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. Emmys Won: Lead Actor in a Comedy Series (Jeremy Allen White), Supporting Actor in a Comedy Series (Ebon Moss-Bachrach), Supporting Actress in a Actor in a Comedy Series (Liza Colón-Zayas) and Directing for a Comedy Series (Christopher Storer, The Bear). Where to watch it: The Bear streams via Disney+. Read our full review of The Bear season two. Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. It's been two years since the HBO comedy last dropped new episodes, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returns better than ever in season three as it charts Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland , everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Emmys Won: Outstanding Comedy Series, Lead Actress in a Comedy Series (Jean Smart) and Writing for a Comedy Series (Lucia Aniello, Paul W Downs and Jen Statsky). Where to watch it: Hacks streams via Stan. Read our full review of Hacks season three. Baby Reindeer A person walking into a bar. The words "sent from my iPhone". A comedian pouring their experiences into a one-performer play. A twisty true-crime tale making the leap to the screen. All four either feature in, inspired or describe Baby Reindeer. All four are inescapably familiar, too, but the same can't be said about this seven-part Netflix series. Written by and starring Scottish comedian Richard Gadd, and also based on his real-life experiences, this is a bleak, brave, revelatory, devastating and unforgettable psychological thriller. It does indeed begin with someone stepping inside a pub — and while Gadd plays a comedian on-screen as well, don't go waiting for a punchline. When Martha (Jessica Gunning, The Outlaws) enters The Heart in Camden, London in 2015, Donny Dunn (Gadd, Wedding Season) is behind the counter. "I felt sorry for her. That's the first feeling I felt," the latter explains via voiceover. Perched awkwardly on a stool at the bar, Martha is whimpering to herself. She says that she can't afford to buy a drink, even a cup of tea. Donny takes pity, offering her one for free — and her face instantly lights up. That's the fateful moment, one of sorrow met with kindness, that ignites Baby Reindeer's narrative and changes Donny's life. After that warm beverage, The Heart instantly has a new regular. Sipping Diet Cokes from then on (still on the house), Martha is full of stories about all of the high-profile people that she knows and her high-flying lawyer job. But despite insisting that she's constantly busy, she's also always at the bar when Donny is at work, sticking around for his whole shifts. She chats incessantly about herself, folks that he doesn't know and while directing compliments Donny's way. He's in his twenties, she's in her early forties — and he can see that she's smitten, letting her flirt. He notices her laugh. He likes the attention, not to mention getting his ego stroked. While he doesn't reciprocate her feelings, he's friendly. She isn't just an infatuated fantasist, however; she's chillingly obsessed to an unstable degree. She finds his email address, then starts messaging him non-stop when she's not nattering at his workplace. (IRL, Gadd received more than 40,000 emails.) Emmys Won: Outstanding Limited or Anthology Series, Lead Actor in a Limited or Anthology Series or Movie (Richard Gadd), Supporting Actress in a Limited or Anthology Series or Movie (Jessica Gunning) and Writing for a Limited or Anthology Series or Movie (Richard Gadd). Where to watch it: Baby Reindeer streams via Netflix. Read our full review. Ripley Boasting The Night Of's Steven Zaillian as its sole writer and director — joining a list of credits that includes penning Martin Scorsese's Gangs of New York and The Irishman, and also winning an Oscar for Schindler's List — the latest exquisite jump into the Ripley realm doesn't splash around black-and-white hues as a mere stylistic preference. In this new adaptation of Patricia Highsmith's 1955 book, the setting is still coastal Italy at its most picturesque, and therefore a place that most would want to revel in visually; Anthony Minghella, The Talented Mr Ripley's director a quarter-century back, did so with an intoxicating glow. For Zaillian, however, stripping away the warm rays and beaches and hair, blue seas and skies, and tanned skin as well, ensures that all that glitters is never gold or even just golden in tone as he spends time with Tom Ripley (Andrew Scott, All of Us Strangers). There's never even a glint of a hint of a travelogue aesthetic, with viewers confronted with the starkness of Tom's choices and actions — he is a conman and worse, after all — plus the shadows that he persists in lurking in and the impossibility of ever grasping everything that he desires in full colour. On the page and on the screen both before and now, the overarching story remains the same, though, in this new definitive take on the character. It's the early 60s rather than the late 50s in Ripley, but Tom is in New York, running fake debt-collection schemes and clinging to the edges of high-society circles, when he's made a proposal that he was never going to refuse. Herbert Greenleaf (filmmaker Kenneth Lonergan, who has also acted in his own three features You Can Count on Me, Margaret and Manchester by the Sea) enlists him to sail to Europe to reunite with a friend, the shipping magnate's son Dickie (Johnny Flynn, One Life). As a paid gig, Tom is to convince the business heir to finally return home. But Dickie has no intention of giving up his Mediterranean leisure as he lackadaisically pursues painting — and more passionately spends his time with girlfriend Marge Sherwood (Dakota Fanning, The Perfect Couple) — to join the family business. Emmys Won: Directing for a Limited or Anthology Series or Movie (Steven Zaillian). Where to watch it: Ripley streams via Netflix. Read our full review. Fargo This is a true story: in 2014, Hollywood decided to take on a task that was destined to either go as smoothly as sliding on ice or prove as misguided as having a woodchipper sitting around. Revisiting Fargo was a bold move even in pop culture's remake-, reboot- and reimagining-worshipping times, because why say "you betcha" to trying to make crime-comedy perfection twice? The Coen brothers' 1996 film isn't just any movie. It's a two-time Oscar-winner, BAFTA and Cannes' Best Director pick of its year, and one of the most beloved and original examples of its genre in the last three decades. But in-between credits on Bones, The Unusuals and My Generation, then creating the comic book-inspired Legion, writer, director and producer Noah Hawley started a project he's now synonymous with, and that's still going strong five seasons in. What keeps springing is always a twisty tale set in America's midwest, as filled with everyday folks in knotty binds, complicated family ties, crooks both bumbling and determined trying to cash in, and intrepid cops investigating leads that others wouldn't. Hawley's stroke of genius: driving back into Fargo terrain by making an anthology series built upon similar pieces, but always finding new tales about greed, power, murder and snowy landscapes to tell. Hawley's Fargo adores the Coenverse overall, enthusiastically scouring it for riches like it's the TV-making embodiment of Kumiko, the Treasure Hunter's namesake. That film hailed from Damsel's David Zellner instead, and took cues from the urban legend surrounding the purported Fargo ties to the IRL death of Japanese office worker Takako Konishi; however, wanting the contents of the Coen brothers' brains to become your reality is clearly a common thread. Of course, for most of the fictional figures who've walked through the small-screen Fargo's frames, they'd like anything but caper chaos. Scandia, Minnesota housewife Dot Lyon (Juno Temple, Ted Lasso) is one of them in season five. North Dakota sheriff, preacher and rancher Roy Tillman (Jon Hamm, Good Omens) isn't as averse to a commotion if he's the one causing it. Minnesota deputy Indira Olmstead (Richa Moorjani, Never Have I Ever) and North Dakota state trooper Witt Farr (Lamorne Morris, Woke) just want to get to the bottom of the series' new stint of sometimes-madcap and sometimes-violent mayhem. Emmys Won: Supporting Actor in a Limited or Anthology Series or Movie (Lamorne Morris). Where to watch it: Fargo streams via SBS On Demand. Read our full review of Fargo season five. Shōgun Casting Hiroyuki Sanada (John Wick: Chapter 4), Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as its three leads is one of Shōgun's masterstrokes. The new ten-part adaptation of James Clavell's 1975 novel — following a first version in 1980 that featured Japanese icon and frequent Akira Kurosawa collaborator Toshiro Mifune — makes plenty of other excellent moves, but this is still pivotal. Disney+'s richly detailed samurai series knows how to thrust its viewers into a deeply textured world from the outset, making having three complex performances at its centre an essential anchoring tactic. Sanada plays Lord Yoshii Toranaga, who is among the political candidates vying to take control of the country. Jarvis is John Blackthorne, a British sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman who is also tasked with translating. Each character's tale encompasses much more than those descriptions, of course, and the portrayals that bring them to the screen make that plain from the moment they're each first seen. As Game of Thrones and Succession both were, famously so, Shōgun is another drama that's all about fighting for supremacy. Like just the former, too, it's another sweeping epic series as well. Although it's impossible not to see those links, knowing that both battling over who'll seize power and stepping into sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. The scale is grand, and yet it doesn't skimp on intimacy, either. The minutiae is meticulous, demanding that attention is paid to everything at all times. Gore is no stranger from the get-go. Opening in the 17th century, the series finds Japan in crisis mode, Toranaga facing enemies and Blackthorne among the first Englishmen that've made it to the nation — much to the alarm of Japan's sole European inhabitants from Portugal. Getting drawn in, including by the performances, is instantaneous. Shōgun proves powerful and engrossing immediately, and lavish and precisely made as well, with creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) doing a spectacular job of bringing it to streaming queues. Emmys Won: Outstanding Drama Series, Lead Actor in a Drama Series (Hiroyuki Sanada), Lead Actress in a Drama Series (Anna Sawai) and Directing for a Drama Series (Frederick EO Toye). Where to watch it: Shōgun streams via Disney+. Read our full review. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. Emmys Won: Lead Actress in a Limited or Anthology Series or Movie (Jodie Foster). Where to watch it: True Detective: Night Country streams via Binge. Read our full review. Slow Horses In gleaming news for streaming viewers, Mick Herron's Slough House novel series boasts 12 entries so far. In an also ace development, several more of the British author's books have links to the world of veteran espionage agent Jackson Lamb. That thankfully means that Slow Horses, the small-screen spy thriller based on Herron's work, has plenty more stories to draw upon in its future. It's now up to its third season as a TV series, and long may its forward path continue. Apple TV+ has clearly felt the same way since the program debuted in April 2022. In June the same year, the platform renewed Slow Horses for a third and fourth season before its second had even aired. That next chapter arrived that December and didn't disappoint. Neither does the latest batch of six episodes, this time taking its cues from Herron's Real Tigers — after season one used the novel Slow Horses as its basis, and season two did the same with Dead Lions — in charting the ins and outs of MI5's least-favourite department. Slough House is where the service rejects who can't be fired but aren't trusted to be proper operatives are sent, with Lamb (Gary Oldman, Oppenheimer) its happily cantankerous, slovenly, seedy and shambolic head honcho. Each season, Lamb and his team of losers, misfits and boozers — Mick Jagger's slinky ear worm of a theme tune's words — find themselves immersed in another messy case that everyone above them wishes they weren't. That said, Slow Horses isn't a formulaic procedural. Sharply written, directed and acted, and also immensely wryly funny, it's instead one of the best spy series to grace television, including in a new go-around that starts with two intelligence officers (Babylon's Katherine Waterston and Gangs of London's Ṣọpẹ́ Dìrísù) in Istanbul. When the fallout from this season's opening events touches Lamb and his spooks, they're soon thrust into a game of cat-and-mouse that revolves around secret documents and sees one of their own, the forever-loyal Catherine Standish (Saskia Reeves, Creation Stories), get abducted. The talented River Cartwright (Jack Lowden, The Gold) again endeavours to show why being banished to Slough House for a training mistake was MI5's error, while his boss' boss Diana Taverner (Kristin Scott Thomas, Rebecca) reliably has her own agenda. Emmys Won: Writing for a Drama Series (Will Smith, Slow Horses). Where to watch it: Slow Horses streams via Apple TV+. Read our full review. The Crown It's the season that originally wasn't going to happen, telling the story that's still ongoing IRL, and wrapping up a seven-year run for a star-studded regal drama that's proven a royal hit. But, thankfully, it did — with The Crown coming to an end with a sixth go-around split into two parts. The focus for the Peter Morgan (The Queen)-created show's final episodes: the relationship between Princess Diana (Elizabeth Debicki, MaXXXine) and Dodi Fayed (Khalid Abdalla, Moon Knight), including the tragic events of their trip to Paris; the changing attitudes towards the British monarchy, and Queen Elizabeth II (Imelda Staunton, Downton Abbey: A New Era) entering her ninth decade; what his mother's advancing years meant for Prince Charles (Dominic West, The Pursuit of Love); Princess Margaret's (Lesley Manville, Mrs Harris Goes to Paris) stroke and lifestyle changes; and Prince William (Ed McVey) going back to Eton, then attending St Andrew's University and forming a crush on Kate Middleton (Meg Bellamy). When The Crown began, it kicked off with Queen Elizabeth II's life from her marriage to Prince Philip back in 1947. The first season made its way to the mid-50s, the second season leapt into the 60s, and season three spanned all the way up to the late 70s. In season four, the royal family hit the 80s, while season five hopped to the 90s. News around the show's fifth and sixth seasons changed a few times, including Netflix announcing that it would end the royal drama after its fifth season, only to have a change of heart and proceed for a sixth season after all. While there was always going to come a time to say goodbye, especially given that this is a IRL tale without an end, it's hard to see how the show would've fit in everything it needed if it hadn't delivered its sixth batch of episodes — and, among everything else viewers can be glad for Debicki's excellent performance. Emmys Won: Supporting Actress in a Actor in a Drama Series (Elizabeth Debicki). Where to watch it: The Crown streams via Netflix.
Closer to the classic British pub than most, The Napier Hotel is a winner all year round — but it's the warm fire that makes this an excellent choice in the winter months. Pull up a pew at one of the big communal tables and settle in for a cosy night out with mates. Alternatively, grab a stool at the bar and chat with some Fitzroy characters or head to the covered terrace with industrial outdoor heaters. Get on the beers, making your way through the lengthy local draught options or get a glass of something nice from the surprisingly well curated list of wines. The pub grub is also a big win at The Napier. Try a bunch of kangaroo options – either in steak form, chucked in a salad or added to the classic chicken parma — or opt for the crispy swordfish tacos and the spaghetti marina that's stacked with fresh seafood. The Napier Hotel is well worn-in and tends to be full of more locals compared to other Fitzroy pubs — thanks to its small size and location down one of the side streets. Image credit: Rexness via Flickr Appears in: The Best Pubs in Melbourne for 2023
Open Gardens Victoria is celebrating its tenth anniversary by inviting you to a hand-picked selection of off-the-radar landscapes — from Emerald's dramatic two-acre cactus garden and sweeping hilltop views at Telopea to the airy wildflower paddocks and hydrangea-lined pool garden at Little Steading on the Mornington Peninsula. This September, these exclusive gardens (that normally stay hidden behind private gates) will welcome visitors for just one magical weekend each. This year's lineup takes you from the coastal backroads of the Bellarine Peninsula to the rolling hills of the Macedon Ranges, with each property offering a unique horticultural escape. Visitors can expect self-guided tours, expert talks, plant sales and the odd food truck or coffee cart — perfect for picnics on the lawn, photo ops in golden light and time to linger with fellow plant lovers. In Banyule, Farm Raiser & Bellfield Community Garden turns urban plots into a celebration of sustainability, complete with veggie patches, pizza ovens and pop-up workshops. Over in the Yarra Valley, Ridgefield's 500-strong rose collection and on-site perfumery create a fragrant haven, while Bentwood's handmade rock walls and flower paddocks offer panoramic views of the Kinglake Ranges. Little Steading on the Mornington Peninsula brings hydrangea-lined pool gardens and wildflower meadows to life, and Gherang Gardenalia in the Surf Coast Hinterland pairs native plantings with salvaged garden art — plus CWA-fresh scones. These special openings are part of Open Gardens Victoria's tenth anniversary, with a handful of crowd-favourite gardens from the festival's early days also returning for one-time-only visits. Every ticket sold supports community grants and mental-health initiatives across the state; once each garden's weekend passes, the gates close again — so don't miss your opportunity to explore these hidden landscapes. Check out the full Open Gardens Victoria lineup and start planning your spring weekends. Images: supplied by Open Gardens Victoria
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from January's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW ARCHIVE 81 Australian Malignant, The Conjuring and Saw filmmaker James Wan doesn't direct any episodes of Netflix's new sci-fi/horror series Archive 81, but he does lend his executive producing skills to the podcast-to-screen show — and it's easy to see why. The immediately creepy found-footage effort slots in seamlessly among the fright-inducing fare that's helped make his career, all while taking its time to dole out its scares, shocks and eeriness. It's also plain to see why Resolution, The Endless and Synchronic directors Justin Benson and Aaron Moorhead helm two episodes, too, thanks to their already-demonstrated affection for mind-bending, genre-twisting tales that play with space and time. That pedigree alone makes Archive 81 a must-see for movie buffs, and so does the fact that the series also doubles a love letter to everything strange and out-there that's ever been captured on celluloid. Usually devoting his time to unearthing lost gems or just trawling through old video tapes looking for recorded treasure, film archivist Dan Turner (Mamoudou Athie, Black Box) gets an unexpectedly lucrative job offer: restoring Hi8 footage shot by college student Melody Pendras (Dina Shihabi, Altered Carbon) back in 1994. He has to agree to live in a remote compound, under video surveillance, to take the gig — and he'll be sifting through material that Melody filmed in the Visser, an odd New York apartment building where she was looking for her mother but started to notice otherworldly things afoot. Much of the thrill of the impeccably made Archive 81 stems from its multi-layered mysteries, including what's actually happening back in the 90s, the real motives behind Dan's well-paying position and why the two time periods seem to start bleeding together. Developed, produced and mostly penned by The Boys alum Rebecca Sonnenshine, it makes for tense, trippy and often daring viewing, even when things get a tad silly in the supernatural department. The first season of Archive 81 is available to stream via Netflix. THE TOURIST If making TV shows and movies bubbles down to a formula, it doesn't take much to glean how The Tourist came about. Starring Jamie Dornan as a man caught up in a mystery in Australia's sprawling outback, this six-part series jumps on several popular trends — saddling a famous face with battling the Aussie elements chief among them (see also: the film Gold, which plonks Zac Efron amid the nation's dusty, yellow-hued expanse). Dornan's trip Down Under also plunges into a familiar thriller setup, with memory loss playing a key role. Memento famously did it. The Flight Attendant did as well. Combine the two, throw in all that striking scenery that constantly defines Australia on-screen, and that's the template beneath this well-greased, cleverly plotted, easy-to-binge newcomer. Adding another TV role to his resume alongside The Fall, Death and Nightingales, New Worlds and Once Upon a Time — and another part to his eclectic filmography, given that he's been in the vastly dissimilar Synchronic and Wild Mountain Thyme in the past year, and looks set to get an Oscar nomination for Belfast — Dornan plays an Irish traveller in Australia. The character's name doesn't matter at first, when he's using the bathroom at a petrol station in the middle of nowhere. But after he's run off the road by a steamrolling long-haul truck, he desperately wishes he could remember his own moniker, plus everything else about his past. Local Constable Helen Chalmers (Danielle Macdonald, French Exit) takes a shine to him anyway; however, piecing together his history is far from straightforward. His other immediate questions: why is he in the middle of Australia, why does a bomb go off in his vicinity and why is he getting calls from a man trapped in an underground barrel? The Tourist is available to stream via Stan. Read our full review. THE HOUSE Not to be confused with well-cast but decidedly unfunny Will Ferrell and Amy Poehler-starring comedy of the same name, The House dedicates its weird and wonderful stop-motion animated frames to three tales all set in the same abode. In the anthology film's first chapter, a poverty-stricken family mocked by richer relatives luck into a deal with an architect, which results in the movie's central dwelling being built — and its new inhabitants getting more than they bargained for. In the second part, a developer, who also happens to be a rat, finalises his renovations and readies the place for sale; however, two odd prospective buyers won't leave after the first viewing. And in the third section, the home towers above an apocalyptic future flooded with water, with its owner, a cat, struggling with her fellow feline tenants. Each of The House's films-within-a-film hail from a different creative team, boast different voice casts and splash around their own aesthetics — and they're all a delight. The constants: the titular structure, the fabric-style look to the animation (even as each director comes up with their own take) that makes you want to reach out and touch it, and mix of creativity and emotion in its dark-skewing stories. This is a movie that questions the comfortable mindset that bricks and mortar are expected to bring, and where where just trying to get by is recognised as the struggle it is in a variety of wild and inventive ways. And as for that vocal talent, Matthew Goode (The King's Man), Mia Goth (Emma.), Helena Bonham Carter (The Crown), Susan Wokoma (Truth Seekers) and Pulp frontman Jarvis Cocker all do ace work. The House is available to stream via Netflix. THE TENDER BAR Playing Batman has rarely been about smiles and laughs, but spending time in the cape and the cowl was particularly grim for Ben Affleck. He wasn't the best Bruce Wayne or Dark Knight, and he couldn't have looked more miserable. He hasn't seemed to have had a great time on-screen for a while, in fact, other than his OTT recent performance in The Last Duel. He's a charismatic dream in The Tender Bar, though, with coming-of-age drama enlisting him as the supportive uncle and surrogate dad to the film's lead character and still giving him top billing. With the Sad Affleck memes and the chaos frequently surrounding his personal life, it can be easy to forget how charming an actor the elder Affleck brother can be — and this is also his best performance since 2014's Gone Girl, and by far. That uncle, Charlie, tends bar and helps his sister (Lily Rabe, The Undoing) bring up her son JR (debutant Daniel Ranieri) given that the boy's radio DJ dad (Max Martini, The Purge) is happily and drunkenly mostly absent from their lives. It's the self-taught Charlie that sparks JR's desire to become a writer, too, with The Tender Bar based on real-life novelist and journalist JR Moehringer's memoir. There's much that's familiar about the overall narrative, but George Clooney — in filmmaker mode, but without also appearing on-screen as he did with The Midnight Sky — recognises that a comfortable story told well, and with warmth, affection and thoughtfulness, can still strike a chord. The performances he gets out of Affleck, the engaging young Ranieri, plus Tye Sheridan (The Card Counter) as the college-aged JR, also help considerably, as do the moments between the former and his two main co-stars that firmly fit the film's title: tender. The Tender Bar is available to stream via Amazon Prime Video. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK THE AFTERPARTY Only Murders in the Building isn't the only new comic murder-mystery series worth streaming from the past few months. Joining it is The Afterparty, which also sports a killer cast — this time Sam Richardson (Detroiters), Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk) and Tiffany Haddish (The Card Counter) — and a savvy spin on an oft-used gimmick. Rather than skewering true-crime podcasting, this quickly addictive comedy from writer/director Christopher Miller (The Lego Movie) toys with the reality that every tale differs depending on the perspective. Whodunnits always hinge upon that fact, and Miller has also clearly seen iconic Japanese film Rashomon. And, considering that its big murder takes place after a school function, there's a touch of Big Little Lies at play, too. With his directing partner Phil Lord, Miller has made a career out of getting smart and funny with familiar parts, however, and that doesn't change here. The setup: at the afterparty following his 15-year high-school reunion, obnoxious autotune-abusing pop star Xavier (Franco) winds up dead on the rocks beneath his lavish mansion. Enter the determined Detective Danner (Haddish), who starts grilling his former classmates one by one to find out who's responsible. Her interrogations start with the sensible Aniq (the always-great Richardson), who was hoping to finally make a move on his schoolyard crush Zoe (Chao) — and after his version of events, Danner hears from Zoe's macho ex Brett (Barinholtz) in The Afterparty's second episode, then from Aniq's best bud Yasper (Schwartz, riffing on Parks and Recreation's Jean-Ralphio without being quite as ridiculous). The cast is top-notch, the writing is clever, there's much fun to be had with its genre- and perspective-bending premise, and the throwaway gags are simply glorious. The first three episodes of The Afterparty are available to stream via Apple TV+, with new instalments dropping weekly. PEACEMAKER Simply being better than its terrible predecessor couldn't make The Suicide Squad a great movie; however, the DC Extended Universe is still betting big on James Gunn's over-the-top vision for its supervillains. Yes, just like Marvel, the comic-book company has its own sprawling big-screen franchise filled with interconnected films — and now, thanks to spinoff streaming series Peacemaker, that caped crusader-focused world also extends to the small screen, too. John Cena (Fast and Furious 9) returns as the titular character, and feels more comfortable in the role this time around. Gunn is back as the show's creator, writer and main director, helming all but three of the first season's eight episodes. And the tone is still devil-may-care with irreverence and flair, aka the filmmaker's usual mode, complete with rampant helpings of raunch and gore. If you loved The Suicide Squad, this is all clearly great news. Even better: if you weren't fussed overly or at all about Gunn's sequel-slash-do-over and now understandably approach the idea of a TV offshoot with caution, Peacemaker still proves plenty of fun. It follows its central figure after the events of the film, where he's spared from going back to prison by being dragged into another black-ops government squad on a super-secret mission — and while Gunn isn't doing anything new here, he's found a better balance for his brash and raucous approach in this entertaining series than in the flick that preceded it. Casting the radiant Danielle Brooks (Orange Is the New Black) as one of the agents overseeing the egotistical, frequently dancing, often half-naked, always-comic Peacemaker is also a masterstroke. The first five episodes of Peacemaker's first season are available to stream via Binge, with new instalments dropping weekly. SERVANT Ted Lasso is the Apple TV+ series that's been scoring all the praise and love for the past few years, and rightfully so — but the platform's M Night Shyamalan-produced Servant is also one of its winners. Perched at the complete opposite end of the spectrum to the warm-hearted soccer comedy, this eerie horror effort spends the bulk of its time in a well-appointed Philadelphia brownstone where TV news reporter Dorothy Turner (Lauren Ambrose, The X-Files) and her chef husband Sean (Toby Kebbell, Bloodshot) appear the picture of wealthy happiness, complete with a newborn son, Jericho, to fulfil their perfect family portrait. But as 18-year-old nanny Leanne Grayson (Nell Tiger Free, Too Old to Die Young) quickly learned in Servant's first season, there's nothing normal about their baby — which, after the tot's death, has been replaced by a lookalike doll to calm the otherwise-catatonic Dorothy's grief. That's how the series began back in 2019, with its second season deepening its mysteries — and Leanne's place with the Turners, even as her own unconventional background with cult ties keeps bringing up questions. With the just-started third season, the household is once again attempting to pretend that everything is normal and to also keep Dorothy unaware of the real Jericho's fate, even with a flesh-and-blood infant now back in her arms. But in a slowly paced series that's perfected its unsettling and insidious tone from episode one, serves up a clever blend of atmospheric and claustrophobic thrills mixed with gripping performances, makes exceptional use of its setting and also features Rupert Grint in his best post-Harry Potter role yet, there's always more engrossing twists to rock the status quo. The first two episodes of Servant's third season are available to stream via Apple TV+, with new instalments dropping weekly. EXCELLENT FILMS FROM THE PAST FEW YEARS TO CATCH UP ON BLACK BEAR Aubrey Plaza's resume isn't short on highlights, but Black Bear sits right at the top alongside her instantly iconic turn as Parks and Recreation's April Ludgate and her also-excellent performance in Ingrid Goes West. She does deadpan like few other actors currently working, and can convey more with her eyes and otherwise expressionless face than most of her colleagues can with their entire bodies — but she's asked to use every acting tool in her arsenal in this two-part affair. She always plays a woman called Allison, but her character is initially introduced as a former actress-turned-filmmaker decamping to a scenic lake house in upstate New York's Adirondack Mountains, with getting some writing done (and finding the inspiration to do so) her aim. She's easily distracted by her hosts, though, with Gabe (Christopher Abbott, Possessor) showing Allison a little too much attention amid his bickering with his pregnant partner Blair (Sarah Gadon, True Detective). In the movie's second half, everything changes, including all that the audience knows about the characters, their jobs and their relationships with each other. Now the film takes place in the same spot, but in the middle of a movie shoot that's proving as chaotic as the initial Allison's attempt at a relaxing stay. Helming his third feature, writer/director Lawrence Michael Levine (Wild Canaries) leans heavily upon his cast — especially Plaza; Allison is told she's hard to read, and that's a key part to the twisty narrative — but he's also trusted himself with an astute, insightful and playful deconstruction of art and authenticity. There are no weak links at any moment, including in the feature's seesawing between dark comedy and dramatic thrills, and the distinctive aesthetic he applies to the film's two parts. Plaza is astonishing, unsurprisingly, but Abbott and Gadon are similarly impressive in a movie that isn't easily forgotten. Black Bear is available to stream via Netflix. THE RIDER The past two years have been nothing short of spectacular for filmmaker Chloé Zhao. She directed the best feature of 2020, aka Nomadland, then became only the second woman ever — and first woman of colour — to win the Best Director Oscar. And, mere months after achieving that historic feat, she gave the Marvel Cinematic Universe its most ambitious movie yet (and its most gorgeously and naturalistically shot) courtesy of Eternals. But the writer/director's career didn't start here, and also didn't start being phenomenal with Nomadland. A hit on the festival circuit in 2017 and 2018 (the latter in Australia), The Rider wasn't her first excellent film either (that'd be 2015's Songs My Brothers Taught Me), but the empathetic modern-day take on the western genre instantly cemented her as a talent to watch In this rodeo drama, Brady Blackburn (real-life cowboy Brady Jandreau, playing a version of himself) just wants to hop back onto a horse. He's also a gifted trainer, and this line of work is what he's compelled to do. Watching him struggle with life without his only passion makes for soulful and heart-wrenching viewing, as Brady wades through the aftermath of an in-ring incident that almost killed him. Shot with lyrical images that find tenderness in the story, suffering and situation, The Rider proves a case of art imitating life after Jandreau went through the same scenario himself after meeting Zhao back in 2015 — and she turns the results into a feature that's partly a specific character study and partly a universal tale of chasing and losing a dream, then trying to come out of the other side. Also starring members of Jandreau's family, and told with devastating intimacy, the end result boasts a heart as big as America's sweeping plains. The Rider is available to stream via SBS On Demand. A BELOVED SITCOM TO BINGE — AND CHECK OUT ITS NEW SEASON IT'S ALWAYS SUNNY IN PHILADELPHIA Since 2005, one sitcom has devoted 162 episodes to the world's worst bar owners, spanning their attempts to run a watering hole, their constant bickering with each other and everything else that life has thrown their way. That show is It's Always Sunny in Philadelphia, of course. As well as now being the longest-running live-action sitcom ever made, it's a gem filled with the devious, darkly amusing and downright odd antics of the Paddy's Pub gang. Those pals — as played by Charlie Day (Pacific Rim: Uprising), Glenn Howerton (AP Bio), Rob McElhenney (Mythic Quest), Kaitlin Olson (Hacks) and Danny DeVito (Jumanji: The Next Level) — usually fail at everything they attempt, and the show never pretends otherwise. Indeed, with a nihilistic and irreverent sense of humour that's all its own, it's one of the least sensible yet also savagely smart shows currently airing. Season 15, which is now on Disney+ alongside the 14 seasons before it — bringing its eight-episode run our way quite swiftly after it aired in America in December last year — sees Charlie, Dennis, Mac, Dee and Frank keep doing what they've always done, and keep pouring out comedy gold in the process. It's the show's first season since COVID-19, so it finds ways to work the pandemic into its always-outrageous setups. Given the American political landscape since 2019, when the previous season aired, It's Always Sunny has much to mine there as well. And, a trip to Ireland, aka hallowed ground for the longterm owners of an Irish pub, also fills half of its episodes. Even this far in, the show never stops surprising, pushing every boundary it can and being sidesplittingly hilarious — and long may it continue, with another three seasons already greenlit. All 15 seasons to-date of It's Always Sunny in Philadelphia are available to stream via Disney+. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December last year — and our top new TV shows of 2021, best new television series from this year that you might've missed and top straight-to-streaming films and specials as well. Top image: Quantrell D Colbert/Netflix.
Travelling overseas ranks right up there on everyone's bucket list, but the actual travelling part is far from fun. No one loves spending more than a couple of hours on a plane, and no one loves taking multiple flights to get to their destination either. But if you could choose between hopping over to your destination in one leg, or getting a break from being cramped and uncomfortable in the air, which would you opt for? Thanks to advances in aircraft development, ensuring that today's planes are more fuel-efficient over hefty distances, airlines are increasingly making non-stop long-range flights a reality. After Qantas introduced its 17-hour-plus Perth-to-London route earlier this year, Singapore Airlines will be unleashing the world's longest non-stop commercial flight in October: from Singapore to New York over 18 hours and 45 minutes. First announced by the airline in 2015 and confirmed a few months back, the route will be made possible thanks to the new Ultra Long Range version of the Airbus A350 XWB aircraft, which completed its first successful test flight in April. Singapore Airlines now have the world's first Airbus A350-900ULR in its possession, and it'll take off on October 11, with seven more set to be brought into operation shortly afterwards. The planes can travel up to 16,000 kilometres (or 8,700 nautical miles) without refuelling — or, for over 20 hours non-stop — which makes the 15,322-kilometre trip between Singapore and New York possible. They also feature higher ceilings, larger windows, a wider body, as well as quieter cabins and lighting that's designed to reduce jetlag. It's not the first time that the airline has flown direct to the US, with Singapore-to-Newark, New Jersey flights in operation until 2013. The world's current longest route without stopovers runs from Doha to Auckland in around 18 hours, travelling 14,529 kilometres on a Boeing 777-200LR, followed by the Perth-to-London leg. Qantas is keen to beat both the current and the impending record-holders, though, last year announcing plans to fly direct from Australia's east coast to both London and New York by 2022 — and this year advising that their plans are on track, with the airline comfortable that plane manufacturers will create a vehicle that can handle the 20-hour and 20-minute, 16,983-kilometre stint between Sydney and London.
D.O.C has played a significant role in developing Melbourne's contemporary Italian dining scene ever since it opened its first Carlton site in 1997. It blends warm and friendly old-school Italian hospitality with modern interiors and less-than-traditional cooking techniques and flavours — creating a roadmap for other Melbourne Italian restaurants to follow. D.O.C. has since spread across Melbourne with sites in Southbank and Mornington Peninsula, as well as a location in Sydney's Surry Hills. Most recently, the crew opened its doors at their newest restaurant on The Esplanade in St Kilda. D.O.C St Kilda has set up shop across from Alfred Square and looks out over St Kilda Beach, making it a mighty fine spot for spritz sipping and sunset viewings. The 100-seat restaurant has a heap of outdoor seating, plus a few covetable seats by the open kitchen. Guests can catch some D.O.C favourites found across all the group's sites, including classic pizzas, veal and pork lasagna, and boozy tiramisu (one of the best in town). And as this is a seaside venture, Head Chef Luca Quadri and Group Executive Chef Tom Jones-Davies have added a stack of St Kilda-exclusive seafood dishes to the offerings. Expect to find a grilled fish of the day, a platter of lightly fried fish and seafood fritti, a vongole bucatini, and a regular rotation of seasonal pizzas — with seafood currently gracing one. The campanelle pasta served with duck and Montenegro ragu is another exclusive dish for those wanting to pass on the pesce. D.O.C Director Michael Costanzo says that "the menu represents a glimpse into dining in Italy's present day. I hope guests are ready to enjoy a modern take on classic Italian hospitality." Beachgoers can also easily pop in to nab some of the daily house-made gelatos that include flavours like balsamic and grilled peach, and Frangelico and hazelnut. D.O.C St Kilda is the seventh notch in the group's restaurant belt and the very first with seaside views. You can find D.O.C St Kilda at 14–16 The Esplanade, St Kilda, open 5pm–late from Monday to Thursday and 12pm–late from Friday to Sunday. For more information, head to the restaurant's website. Images: Pete Dillon
For years, Foxtel has been Australia's main source for HBO series, airing everything from Game of Thrones, Westworld and Succession to Chernobyl, Veep and Big Little Lies. And, if you weren't signed up to the pay TV service, that meant streaming your favourite shows via its online platforms — such as the now-defunct Presto and the currently available Foxtel Now. From Monday, May 25, Aussie TV fans will have another option: new streaming service Binge. While Foxtel Now isn't going anywhere, the Foxtel-run Binge works more like Netflix, Stan, Amazon Prime Video and their long list of competitors. So, rather than replicating Foxtel's channel packages via an online platform, requiring you to pick and choose different options depending on whether you're eager for sport, movies or drama, as Foxtel Now does, with Binge you'll pay a flat fee to gain access to everything. On the TV lineup: all of the aforementioned HBO programs, plus older faves such as The Sopranos, The Wire, Six Feet Under, Sex and the City and Girls. After HBO's new US streaming service HBO Max launches in the US on May 27, Binge will also feature scripted shows from the platform, such as the new Gossip Girl reboot. And, working with companies such as WarnerMedia, NBCU, FX, BBC and Sony, it'll boast plenty of other highlights — including classic comedies like Seinfeld, The Office, 30 Rock, Parks and Recreation; crime thrills thanks to Law & Order and NCIS; new releases like Breeders and Mrs America; documentaries such as Planet Earth; and competitive series including the Amy Poehler and Nick Offerman-hosted Making It. https://www.youtube.com/watch?v=NhWFiFfrbY0 Kicking off with more than 10,000 hours of content, Binge's catalogue will also feature a heap of movies — think flicks from the Fast and Furious, Jurassic Park, Mission: Impossible and DC Universe franchises; films from directors such as Steven Spielberg, Christopher Nolan, Martin Scorsese and Quentin Tarantino; and newcomers like the Hugh Jackman-starring Bad Education. And, if you're eager for recommendations — and not just from an algorithm — it'll include curated collections that'll steer you in different viewing directions. You can also select 'binge' or 'surprise me' options, which'll do the choosing for you. Price-wise, Binge will cost $10 per month for one SD screen, $14 per month for two HD screens and $18 per month for four HD screens, with a two-week free trial also available when it kicks off. Users will be able to access the service online, and via Android TV, Apple TV, Telstra TV, Chromecast, tablets and mobile devices. https://www.youtube.com/watch?v=MuB2VNA8MLQ&feature=youtu.be Binge launches on Monday, May 25. For further information — or to sign-up — visit the platform's website. Top image: Game of Thrones, Helen Sloan.
Vietnam is a traveller's absolute dream. From bustling and sensory-captivating city life to beautiful beaches, rivers and expanses of rice fields. It's a country rich in experiences for every type of traveller – including those on a budget. Knowing that the must-do and "eh, you can skip it" experiences are key to planning any vacay, so to save your precious time, we've collated five must-do experiences to help you make the most of your time in this Southeast Asian gem. It's a special country with a rich culture and warm people — so get out your map and start planning. Or, if you want the plans made for you, check out this amazing eight-day experience that'll give you a taste of some of the best sights of Vietnam as you unlock your love for the country. STARTING FROM THE TOP… THE ANCIENT TEMPLES OF HANOI Let's start with a little geography, shall we? Vietnam is located on the easternmost side of Southeast Asia, which means it has a long and lovely coastline. At the top of this coastline (well, it's a little in from the coastline) sits its capital city, Hanoi. Hanoi is more of a 'river city', sitting in the Red River Delta, and you may recognise its beauty and cityscape from films like The Quiet American. With colonial footprints of China and France, the city's architecture, food and religious sites are influenced by multiple cultures. However, the country's dominant religion is Buddhism, with ancient temples like the One Pillar Pagoda, built in 1049, and Trấn Quốc Pagoda — Hanoi's oldest temple, which is over 1500 years old. Both spiritual attractions represent a rich part of Vietnamese culture. At both temples, you can learn about cultural practices, including the significance of incense and monks. OVERNIGHT CRUISE ON HALONG BAY When it's time to make your way south from Hanoi, there is no better way to travel than cruising along Halong Bay. A drive-thru to the Red River Delta and out to the coastline will take you by the beautiful layered rice paddy fields, where you can see farmers taking part in the ancient farming tradition. Then, hop aboard a Junk Boat, the name anglicised from the Malay adjong, which means ship or vessel. As these boats glide across the water, you can witness Vietnam's exquisite coastline and rock formations, enjoying the mod cons of contemporary holiday luxury alongside the experience of centuries-old aquatic travel. HOI AN, AN ANCIENT TOWN If ancient towns and canals are your thing, look no further than Hoi An. Along the central coast of Vietnam, this beautiful city enjoys the best of coast and canal life. Its architecture is splendid to the eye, with a colourful mix of French colonial style blended with Chinese shophouses and Vietnamese tube houses. Get lost in the history of the place as you explore on foot or by bike, and learn why it's a UNESCO World Heritage-protected site. BẾN THÀNH MARKET IN HO CHI MINH CITY Known as "the soul and symbol of Saigon", Bến Thành Market operates from early morning into the evening. With over 1500 stalls, there are endless selections of artisanal edible goods to take with you, as well as beautiful art and ceramic products. Taste the best of local cuisine at stalls selling traditional Vietnamese meals like pho and banh mi. It's a must to rub shoulders with the locals as they go about their day and to experience an institution that's stood the test of time for over a century. MEKONG DELTA BOAT RIDE In Southern Vietnam, you'll experience part of the Mekong Delta, which is a network of rivers that flow through Cambodia, China, Myanmar, Thailand and the Himalayas. Bến Tre boat rides are a wonderful educational adventure. You can travel down the coconut canal and learn about the many creative ways coconuts are used, as well as experience local hand-made mat weaving and more. Immerse yourself in cultural traditions and beautiful scenery and get to truly understand the unique crafts of the Mekong locals. There are so many incredible experiences you can have in Vietnam, and these five are just the beginning. Find out more in this curated eight-day experience that'll show you the best the country has to offer. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world.
Given how 2020 has turned out, we can all be forgiven for hoping that next year is much, much brighter. In Sydney, that'll happen literally. After cancelling its 2020 festival due to COVID-19, Vivid has announced that it'll make a comeback in 2021, returning with another jam-packed lineup of light installations, live music and interesting discussions. When Vivid re-emerges next year, it'll do so with one big change: a later time slot. Usually, the luminous fest's events and city-wide glow mark the end of autumn and the beginning of winter; however, in 2021, it'll run from August 6–28 instead. Whether you're a Sydneysider in desperate need of a bit more light in your life, or you're located elsewhere and contemplating local 2021 holidays — seeing that Australia's international border is likely to stay closed for some time — you can now look forward to a late-winter feast of projections, tunes and talks. Exactly what the program will hold hasn't yet been announced, with the lineup usually unveiled a few months before the event. [caption id="attachment_761801" align="aligncenter" width="1920"] Jordan Munns[/caption] If it had gone ahead in 2020, this year's Vivid was set to be headlined by US neo-soul singer and poet Jill Scott. The festival cancelled before it released its full lineup of gigs, installations, light shows and other cultural events. As well as a change of date, it's sensible to expect that moving around Vivid might look a little different in 2021, too. The event hasn't announced anything along those lines but, in 2019, it attracted more than two million attendees. That's quite the crowd in general, and even more so in these pandemic-afflicted times. In terms of restrictions, New South Wales has been easing them, though — including announcing just this week that outdoor music gigs will be able to host up to 500 people from Friday, October 16, and that outdoor venues can double their capacity to one person per two square metres. Vivid Live 2021 will take place from August 6–28, 2021. For more information, visit the event's website. Top image: Yaya Stempler.
The place: earth in the near future. The situation: a frozen planet chilling at a frosty -119 degrees celsius, as caused by humanity's attempts to combat climate change. The only solution: a constantly hurtling 1001-car train that plays host to the world's only remaining people. But, instead of banding together on the speeding locomotive, the residents of Snowpiercer have transported society's class structure into the carriages of their new home. That's the story that drives Snowpiercer — on both the big screen and on TV. First came Bong Joon-ho's 2013 film, which marked the acclaimed South Korean writer/director's first English-language film, and one of the movies that brought him to broader fame before Netflix's Okja and 2019's Cannes Palme d'Or-winning and Oscar-winning Parasite. Then, unsurprisingly, came a US-made television series, which was first announced back in 2016, and then finally started speeding across screens — including Down Under, where it's available via Netflix — from May 2020. In both forms, Snowpiercer boasts a smart, immersive and all-too-timely concept — and unpacks its underlying idea in a thrilling and involving manner. While the TV version isn't as stellar as Bong's film (because, honestly, how could it be?), it takes the same dystopian concept, heightens the suspense and drama, and serves up both a class warfare-fuelled survivalist thriller and a murder-mystery. Think constant twists, reveals and reversals, cliffhangers at the end of almost every scene, and a 'Murder on the Snowpiercer Express' kind of vibe. Indeed, it's very addictive — and, ahead of its season two premiere on Tuesday, January 26 on Netflix, the streaming platform has dropped the full trailer for the show's next batch of episodes Once again, Hamilton's Tony Award-winning Daveed Diggs leads the charge, playing an ex-detective who has spent seven years in the tail end of the train and is dedicated to overthrowing the status quo to achieve equality for all. Also aboard is Jennifer Connelly as the engine's all-seeing, ever-present head of hospitality, with the likes of Frances Ha's Mickey Sumner, Slender Man's Annalise Basso and The Americans' Alison Wright all part of Snowpiercer's new world order as well. And, as first teased last year, Snowpiercer's existing cast are all facing a significant change in the second season. They're about to meet a new adversary, as played by none other than Game of Thrones' Sean Bean. Just how long he'll survive in his latest role is something you can start pondering right now. Watch the full Snowpiercer season two trailer below: https://www.youtube.com/watch?v=0yZatBxIqVk Snowpiercer's second season will hit Netflix Down Under from Tuesday, January 26 — dropping new episodes weekly. Top image: David Bukach.
2020. It's a year so difficult to summarise that even the Oxford Dictionary couldn't decide on a single word of the year. Another brand is looking forward with similar indecisiveness, with Pantone's colour experts this week, on Friday, December 11, announcing not one but two hues as the 2021 Colour of the Year. Ultimate Gray (Pantone 17-5104) and the vibrant yellow Illuminating (13-0647) are the two colours that Pantone has chosen for the new year, describing them as "practical and rock solid" and conveying "strength and positivity". When paired together, they're designed to convey "a message of happiness supported by fortitude" — and to be "aspirational and give us hope". Yes, they're meant to get everyone looking up in 2021— something that hasn't been much of a factor in 2020. Pantone noted that optimism was a driving force behind the choices. "We need to feel that everything is going to get brighter — this is essential to the human spirit." Expect to see these hues popping up around the place when the new year hits, with Pantone suggesting how they can be used in fashion and accessories, home decor, design and beauty. Folks with greying hair are clearly ahead of the trend. If you suddenly have beachy images in your head, too, that's actually by design. Pantone notes that Ultimate Gray is emblematic of "the colours of pebbles on the beach, and natural elements whose weathered appearance highlights an ability to stand the test of time". As for Illuminating, it's described as "a warming yellow shade imbued with solar power". This year's colour of the year, Classic Blue, also evoked a beach theme. The year before, Pantone went with Living Coral, while 2018's colour was Ultra Violet and 2017's was Greenery. To find out more about Ultimate Gray and Illuminating — and to check out all the previous Colours of the Year — head to the Pantone website.
Squid Game is finally returning for season two, and Heartbreak High as well. A new take on Tom Ripley is also on the way. They aren't the only things that you'll be watching on Netflix in 2024. As it does to begin every year, the streaming platform has unveiled a teaser video for the TV shows — returning and new — and movies that'll be added to its catalogue over the coming 11 months, while also dropping a heap of details. Get ready for plenty of time spent glued to the small screen. The sheer number of series and films that the service releases each year is always massive (see: 2022's and 2023's lists of features). 2024 is set to be no different. Starting with episodic fare, more Bridgerton will arrive in May, season three of hilarious girl group comedy Girls5eva is due in March and That '90s Show will be back by midyear. Also among the returning shows: Mo, Heartstopper, The Diplomat, Emily in Paris, Monsters, The Night Agent, Outer Banks, Sweet Tooth, Cobra Kai, Drive to Survive, Unstable and The Umbrella Academy. [caption id="attachment_938940" align="alignnone" width="1920"] Emily V Aragones/Netflix © 2023[/caption] More than a few of Netflix's new series additions in 2024 have been announced previously, but that doesn't make them any less exciting. Sci-fi thriller 3 Body Problem brings the book of the same name to the screen; Avatar: The Last Airbender turns the beloved animated effort into live-action; and The Gentlemen takes its cues from the Guy Ritchie movie of the same name — with Theo James (The White Lotus), Kaya Scodelario (The King's Daughter), Vinnie Jones (Bullet Proof) and Giancarlo Esposito (Better Call Saul) among the cast, and Ritchie producing. That said, you mightn't have already heard about Black Doves, starring Keira Knightley (Boston Strangler) as the spy wife of a UK politician; Eric, with Benedict Cumberbatch (The Wonderful Story of Henry Sugar) as a father searching for his missing nine-year-old son; or No Good Deed, about two families trying to buy the same house, and with Lisa Kudrow (Space Force), Ray Romano (Bupkis), Linda Cardellini (Dead to Me), Luke Wilson (Fingernails), Teyonah Parris (The Marvels) and Abbi Jacobson (A League of Their Own) starring. The Perfect Couple is Nicole Kidman's (Expats) next small-screen stint and Terminator: The Anime Series battles Skynet in animation. The Good Place's Ted Danson and Mike Schur are also reteaming on a new comedy series that's based on the Oscar-nominated documentary The Mole Agent, Gabriel García Márquez's iconic novel One Hundred Years of Solitude is scoring an adaptation, and Senna dramatises Ayrton Senna's life. Movie fans, there's no shortage of highlights for you, too — including Spaceman, Damsel, Unfrosted: The Pop-Tart Story and Hit Man. The first sees filmmaker Johan Renck (Chernobyl) take Adam Sandler (Leo) to space, while the second riffs on fairy tale and fantasy stories with Millie Bobby Brown (Stranger Things) in the lead. As for the third, it marks Jerry Seinfeld's film directorial debut, and tells exactly the tale that its title makes plain. And the fourth is Richard Linklater's (Apollo 10 1/2: A Space Age Childhood) latest, with Glen Powell (Anyone But You) co-writing and starring. From there, on a roster that goes on — as its television counterpart also does — His Three Daughters boasts spectacular casting thanks to Carrie Coon (The Gilded Age), Elizabeth Olsen (Love & Death) and Natasha Lyonne (Poker Face); Japanese animation The Imaginary hails from Studio Ponoc (Mary and the Witch's Flower); Irish Wish and Our Little Secret both feature Lindsay Lohan (Mean Girls); and the Thomasin McKenzie (Totally Completely Fine)-, James Norton (Happy Valley)- and Bill Nighy (Role Play)-starring Joy is about the world's first test-tube baby. [caption id="attachment_938943" align="alignnone" width="1920"] John P. Johnson / Netflix © 2024.[/caption] The Beverley Hills Cop franchise returns in the new Eddie Murphy (Candy Cane Lane)-starring instalment that's aptly subtitled Axel F; Atlas pits Jennifer Lopez (The Mother) against AI, and Back in Action sees Jamie Foxx (The Burial) and Cameron Diaz (in her first film since 2014's Annie) as married spies brought back into the espionage fold. A Family Affair has Joey King (Bullet Train) playing a woman who works for a movie star (Zac Efron, The Iron Claw), Laura Dern (The Son) is a novelist who has an affair with a younger man (Liam Hemsworth, Land of Bad) in Lonely Planet, and Saving Bikini Bottom: The Sandy Cheeks Movie joins the SpongeBob SquarePants world. Or, there's Scoop, which goes behind the scenes on Prince Andrew's Newsnight interview, and features Gillian Anderson (Sex Education), Keeley Hawes (Orphan Black: Echo), Billie Piper (I Hate Suzie) and Rufus Sewell (The Diplomat); Shirley, the Regina King (The Harder They Fall)-led flick about the first Black congresswoman; That Christmas, a family-friendly festive effort based on the books by Love Actually filmmaker Richard Curtis; and Thelma the Unicorn, by directors Jared Hess (Napoleon Dynamite) and Lynn Wang (Unikitty!). Anna Kendrick (Scott Pilgrim Takes Off) helms and leads Woman of the Hour, about an aspiring actor and a serial killer; French fare Family Hour werewolves battles werewolves; Spanish horror hit The Platform gets a sequel; and South Korea's Uprising is produced and co-written by Decision to Leave's Park Chan-wook. We hope your couch is comfy — because you're going to be spending quite a bit of time on it. Check out Netflix's trailer for its 2024 slate below: New movies and TV shows will hit Netflix throughout 2024 — head to the streaming platform for its current catalogue. Top image:
If you're starting to pencil in some strategic long weekends and well-deserved trips this year, here's one to add to the mix: Sheraton Grand Mirage Resort in Port Douglas has just launched a Bali-inspired floating breakfast. Designed for a loved-up pair or two partners-in-crime, this luxurious floating breakfast is available exclusively for guests staying as part of the Sheraton's Float Into Paradise accommodation package, which includes a three-night stay in a Mirage Studio Garden View Room. The menu runs to the likes of smashed avocado with perfectly poached eggs, charred sourdough and kale with whipped feta and seeds. A vegan-friendly scrambled tofu is paired with avo and tomato bruschetta, or a climate-appropriate coconut acai bowl is made with an almond-milk base and loaded with yoghurt, banana, macadamia and goji berries. If you take a more flexible approach when it comes to holiday nutrition, look towards the indulgent part of the menu. You can expect a three-cheese and tomato sourdough toastie, fresh banana bread or a brekkie burger with hash brown, smoked bacon, cheese and a fried egg. [caption id="attachment_888044" align="alignnone" width="1920"] Image: Ellen Seah[/caption] The crowning jewel of the floating breakfast menu is a succulent half-lobster, served stuffed with creamy scrambled eggs, chives and garlic Turkish bread. Fresh fruit, yoghurt, pastries, a pair of coffees and juice are also included. The Sheraton Grand Mirage Resort itself boasts over two hectares of sparkling saltwater pools in Tropical North Queensland, meaning you can spend more time lounging by the water and less time travelling. Lagoons on-site include spots with sandy beaches, as well as serene private cabanas nestled on the waterfront. The five-star resort is also home to 147 hectares of lush tropical gardens, an 18-hole golf course and seven restaurants and bars on-site. In particular, the hatted Harrisons headed up by Spencer Patrick is a must-visit as one of Port Douglas' best restaurants. [caption id="attachment_888046" align="alignnone" width="1920"] Image: Sunset Sessions[/caption] While the pool (and poolside) food and cocktails will keep you plenty busy, the hotel also runs Sunday sunset sessions complete with tapas and live tunes, or you can head along to a monthly rum masterclass. If you are keen to venture further during your stay, there are a variety of eco-friendly and sustainable tour options you can book. Locally-run Back Country Bliss runs swimmable tours through the Daintree Rainforest, which includes a snorkel and float tour of Mossman Gorge. Sailaway is a family business running half-day and full-day charters to Great Barrier Reef, including the Low Isles and Mackay Coral Cay on the Outer Reef. Finally, Four Mile Beach adventures with a twist can be booked with locally-operated Port Douglas Segway Tours. You can book the Sheraton Grand Mirage Resort floating breakfast via the hotel website. It is available until December 18, 2023. If you want to extend your Queensland getaway, check out our curated Whitsundays packages on CP Trips which includes a four-day stay, snorkel and sail adventure with a day cruise.
Located in the heart of Melbourne on the west end of Flinders Lane, Quincy Melbourne's 241 rooms are full of colour and bold patterned soft furnishings — aimed at bringing the essence of Southeast Asia to Melbourne. Offering standard, deluxe and club rooms, all boast luxe inclusions such as free wifi, an espresso coffee machine, premium tea selection, a pillow menu (yes, that's a thing), Kevin Murphy bathroom amenities and Samsung 55" TVs that include Chromecast and free on-demand movies at no extra cost. All these features help cement Quincy as one of Melbourne's finest hotels. That and the views. The entire hotel is tall but slim, so many rooms have corner views down Flinders Lane, King Street and across the Yarra. The floor-to-ceiling windows take full advantage of this, letting you sit back in your bed and marvel at the city as it transitions from day to night. The Quincy Hotel also offers up three separate dining venues. First off, there's Salted Egg. This restaurant offers up modern Southeast Asian dishes that are meant to challenge — expect the unexpected. Next up is The Q. It's a reimagined rooftop club lounge made to relax in during the day, before becoming an energetic bar at night. And lastly, they have SingSong which is a place of bubble tea and Melbourne blends of coffee in the morning, and an evening of Asian-inspired spritzes and bite size treats. It's a fairly low-key spot to hang in when staying at Quincy. Appears in: The Best Hotels in Melbourne
You can see Oprah, and you can see Oprah, and you can see Oprah: Oprah Winfrey has announced a December 2025 trip Down Under, including bringing her latest in-conversation events to Melbourne. At Plenary, Melbourne Convention and Exhibition Centre on Thursday, December 11, you'll be able to see the famed talk-show host get chatting — in an intimate session rather than on TV, where The Oprah Winfrey Show ran for 25 years. This is Winfrey's first jaunt this way in a decade — and that tour sold out, so expect this one to be popular as well. Authenticity and resilience will be among the topics of conversation, in what's designed to be an inspirational natter. [caption id="attachment_1015691" align="alignnone" width="1920"] Disney/Eric McCandless[/caption] "One of the things I have always enjoyed is sitting down for real, honest, enlightening conversations, and this experience is all about that," said Winfrey, announcing the tour. "The energy, warmth and spirit I feel in Australia and New Zealand have stayed with me, and returning will be an opportunity to reconnect, reflect, and be reinspired — together. I look forward to sharing stories, ideas, and meaningful connection about what's possible in our lives moving forward."
Few cocktails have the staying power of the negroni. It's bitter, bold and perfectly balanced. Made with equal parts Campari, gin, and vermouth, the apéritif is a fixture on many Melbourne menus. While some bartenders swear by keeping it classic, in true Melbourne style, there are several spin-offs across the city that shake up the Italian icon. This September marks Negroni Month. It's four weeks of national celebrations (because there's no negroni without Campari), featuring rooftop parties, bar takeovers, and negroni-obsessed menus. From a $105 tableside service to the stalwart served in CBD restaurants, ahead of Negroni Month, we've rounded up the city's best negronis. Above Board Above Board Hidden one floor above Smith Street, this tiny cocktail bar has earned numerous awards and accolades, including Concrete Playground's Best Bars in Melbourne in 2023. It's no surprise then that its negroni is a must-try. The intimate 12-seater bar offers an elevated experience and world-class service. Its classic negroni is poured with precision and served in solid glassware with a giant ice cube to create a perfectly cool cocktail. [caption id="attachment_936276" align="alignleft" width="1920"] Johnny's Green Room[/caption] Johnny's Green Room Described as a southern twist on the Italian icon, the Arancia Rossa Negroni at Johnny's Green Room is worth the hype. Crafted with blood orange gin and Campari, this negroni is perfect for sipping on a spring afternoon as you watch the sun set over the city. On Sunday, September 14, Johnny's Green Room is hosting a Negroni Month event titled 'Johnny's Sunday Service' where you can dance to Kuzco, who'll be spinning decks, enjoy food by chef Mischa Tropp (of The Toddy Shop) and peruse the Campari-inspired menu. [caption id="attachment_819113" align="alignleft" width="1920"] Tom Blachford[/caption] Society Lounge Chris Lucas' Society Lounge bar on Collins Street sports timeless and dramatic aesthetics. The theatre doesn't just stop at the interiors. Society Lounge bar is home to one of Melbourne's most decadent negronis: the Vintage Bianco Negroni. Featuring 1960s Campari cordial, 19502 Suze, 1970s Gordons Dry Gin and Carpano Bianco, this negroni is made tableside and will set you back $105. The reason for the high price tag is the use of a rare (and now discontinued) raspberry distillate liqueur. If you're a negroni fan, it's a must-try bucket list experience. [caption id="attachment_921864" align="alignleft" width="1920"] Frederic[/caption] Fred's Bar Cremorne's Frederic is all about French classics, but head next door to Fred's Bar, and you'll find an Italian negroni—the ultimate after-work pick-me-up. The team rotate the menu seasonally, but you can guarantee that whether summer or winter-inspired, the negroni will be strong and stiff. Crafted with Campari and gin, Fred's negroni is the perfect apéritif to sip alone at the bar or with friends on the sunshine-drenched footpath. [caption id="attachment_854879" align="alignleft" width="1920"] Heartbreaker[/caption] Heartbreaker If you love a strong and bitter Campari, this is the bar for you. American-style dive bar Heartbreaker serves rock 'n'roll energy until late into the night (or, morning). This high-octane energy is felt in its drinks menu. Heartbreaker has four pre-batched cocktails to choose from, one of which is the negroni. Don't let the 'pre-batched' label scare you off though. The cocktails are still packing a punch and don't compromise taste for time. [caption id="attachment_1020308" align="alignleft" width="1920"] Grossi Florentino[/caption] Grossi Florentino This Italian institution is a 'must try' for negroni lovers. Made with Barolo Chinato, Malfy gin and Campari, the house negroni at Bourke Street stalwart, Grossi Florentino, is sure to scratch your bitter-loving itch. The restaurant has been setting the standard for Italian dining in Melbourne for close to a century, which means that the timeless menu pairs perfectly with a classic apéritif. [caption id="attachment_1019843" align="alignleft" width="1920"] Black Pearl[/caption] Black Pearl A Fitzroy favourite, Black Pearl is a bartender's bar. This means they can make a mean negroni. The Merri Negroni is mixed with Campari, gin, Americano vermouth and curacao, creating a cocktail that doesn't disappoint. For Negroni Month, the team is flexing their bartending skills with a curated negroni menu that pushes the classic's boundaries while keeping Campari front and centre. Head to the Brunswick Street bar this September to try it for yourself. [caption id="attachment_1020309" align="alignleft" width="1920"] Code Black Coffee[/caption] Code Black Flinders Lane What's a Melbourne recommendation without some coffee? At Code Black in Flinders Lane, they serve a negroni with a caffeinated twist. Aptly named the Coffee Negroni, it features coffee-infused Campari (yes, it's a thing), gin, and vermouth. If you love beans and bitters, this Melbourne cafe should go to the top of your list this Negroni Month. Whether you're a hardcore bitters lover or are dabbling in the Italian apéritif, Negroni Month is your excuse to round up the crew and cheers to the classic cocktail. See which Melbourne venues are serving curated negroni menus this September here. Please remember to drinkwise.
The Esplanade Hotel Queenscliff has officially reopened with a fresh feel, a reimagined look, and a new name, following a major renovation. The venue embodies the true character of a coastal pub with warm timber decor and an inviting atmosphere for locals, visitors, families and kids. The pub, previously called the Queenscliff Brewhouse, was established in 1879, and has been an integral part of the Queenscliff community ever since. As part of this community engagement, the team spent time with locals to understand what they considered important about the venue. Turns out that locals felt strongly about the original name being reinstated, so what was going to be dubbed The Bellarine Hotel, became The Esplanade Hotel Queenscliff, once again. This is just a small example of how the pub pays respect to the community and its history. ''We are so excited to have reopened the doors of this beautiful pub," says venue manager Mitch Kovacic, "Our local legend has gotten a new lease on life, and we know our locals will love it — the buzz in the area has been awesome in the lead up to today." The extensive transformation included a revamp of the beer garden — with native landscaping, picnic-style tables and umbrellas — and of the kids' play area, making the pub even more family-friendly than it was before. Of course, the sports bar with TV screen-lined walls, a pool table and a fireplace is the ultimate spot to catch all the rowdy game-day action. The seasonal menu showcases fresh produce and pub classics. There's a chicken (or eggplant) parma, classic cheeseburger (or a plant-based version), schnitzels, fish and chips, steak with Diane sauce and seafood pasta. There are also harissa lamb skewers, crab and corn croquettes, spring gnocchi and tomato salad with peach and pickled onions. Check out the considerate kids' and seniors' menus too. To celebrate the reopening of the beloved pub, The Esplanade Hotel Queenscliff will play host to Locals Weekend, from Friday, tenth, to Sunday, October 12. The huge weekend kicks off with a free first drink, followed by live music, charity raffles, giveaways and kids' entertainment. Images: Supplied.
In Australia, January means warmth, more warmth and heading to the movies to watch Oscar contenders to escape it. In Park City, Utah, it means snow, a celebration of cinema started by none other than Robert Redford, and the first big international film festival of the year. Yes, the Sundance Film Festival has just played its slate of 2017 flicks — or, as we like to look at it, the titles that will hopefully be heating up Aussie big screens in the near future. Last year, number one on our Sundance wish list was Hunt for the Wilderpeople. Thankfully, that turned out to be pretty majestical. Plenty of our other 2016 picks have shown up at local festivals around the place too, such as Werner Herzog talking about the internet in Lo and Behold, Reveries of the Connected World; singing Polish mermaids in The Lure; and Kristen Stewart, Laura Dern and Michelle Williams at their best in Certain Women. And, speaking of Williams, her Oscar-nominated performance in Manchester by the Sea from last year's choices is about to open in Australian cinemas. Enough looking backwards, though — 2017's lineup delivers a massive new list of movies to get in front of your eyeballs. First, the good news: from Sundance's latest batch, plenty are already coming our way. To name a few, they include US Dramatic competition winner I Don't Feel At Home in This World Anymore, which will drop on Netflix worldwide in February; Berlin Syndrome, the third feature from Australian Somersault and Lore director Cate Shortland, which is already slated for an April cinema release; and all-female horror anthology XX, which Monster Fest is championing. Plus, Netflix strikes again with documentary Casting JonBenet from Aussie filmmaker Kitty Green, environmental doco and audience award favourite Chasing Coral, and anorexia drama To the Bone by former Buffy writer turned UnREAL showrunner Marti Noxon. As for the rest? Here's the ten we're crossing our fingers and toes to see in our local cinemas (and a few others as well). CALL ME BY YOUR NAME Most actors wouldn't want to walk in the footsteps of the inimitable Tilda Swinton and Ralph Fiennes, but that's just what Armie Hammer does in the film that became the talk of the fest, Call Me By Your Name. Set in 1983, the queer coming-of-age drama is the latest effort from Italian I Am Love and A Bigger Splash director Luca Guadagnino, which virtually guarantees how good its summery images will look. Bound to be more powerful than that, though, is the underlying tale of desire, as well as the accompanying performances. Also watch out for: Mudbound, which delves into the stories of two families in America's south post-World War II with an all-star cast of Carey Mulligan, Jason Clarke, Mary J. Blige, Garrett Hedlund, Jonathan Banks and Jason Mitchell. THE BIG SICK If you've watched Silicon Valley or Portlandia (or caught 2016 flicks Mike and Dave Need Wedding Dates or Central Intelligence), you'll recognise Kumail Nanjiani — though his list of credits runs much longer than that. In fact, with his wife Emily V. Gordon, he has added feature film screenwriter to his resume with The Big Sick, and turned their own culture-clash dating story into an amusing and insightful film in the process. Michael Showalter of Wet Hot American Summer fame directs, with the pair re-teaming after Nanjiani featured in his last ace movie, My Name is Doris. Also watch out for: Aubrey Plaza in everything, always — or, specifically, in Ingrid Goes West. Here, her titular character befriends an Instagram lifestyle guru played by Elizabeth Olsen, because that's a thing. Next-generation actors O'Shea Jackson Jr. (who played his dad, Ice Cube, in Straight Outta Compton) and Wyatt Russell (son of Kurt) also star. LANDLINE There have been plenty of comedies about pregnancy, but when Obvious Child took on the topic back in 2014, it showed the world what a frank, funny, empathetic and earnest look at unexpectedly discovering you're expecting could turn out — and helped show just how great a talent Jenny Slate is in the process. Three years later, the actress reunites with writer/director Gillian Robespierre for a trip to the '90s. Yes, it's set at a time when people chatted on the phones that you couldn't take with you, and it makes for a darkly amusing effort that's certain to bring the same honesty and hilarity to exploring family troubles. Also watch out for: Jenny Slate again, this time in The Polka King opposite Jack Black. They play husband and wife, with the former scamming his way to a polka music empire. Jason Schwartzman and Australia's own Jacki Weaver are among the cast. BEACH RATS Pay attention to the name Eliza Hittman. She received the US Dramatic comp's best director prize, and if her sophomore feature is anything like her moody, evocative debut It Felt Like Love, she's a certain talent to watch. In Beach Rats, the filmmaker charts the efforts of Brooklyn teen Frankie to brighten up a thoroughly unhappy summer — and explore his own wants and needs — when he simultaneously starts hooking up with guys at a beachside cruising spot and dating a young woman. Also watch out for: After featuring in 2015 flick People Places Things, The Daily Show's Jessica Williams once again joins forces with writer/director Jim Strouse in The Incredible Jessica James, this time taking the lead as an aspiring playwright who forges a new bond to cope with a breakup. I DREAM IN ANOTHER LANGUAGE Talk may be the focus of the Mexican-set I Dream in Another Language — getting the two last native speakers of a dying language to speak after a 50-year feud, to be exact — however this thoughtful love story says just as much with images as it does with words. Think deeply-felt cinematic poetry that leans towards the lyrical, patient style of filmmaker favoured by Apichatpong Weerasethakul (the director behind Uncle Boonmee Who Can Recall His Past Lives and Cemetery of Splendour). Also watch out for: Carpinteros (Woodpeckers), an engrossing romance that introduces viewers to a world they've probably never thought of and a form of communication they likely haven't heard of — neighbouring prisons in the Dominican Republic and the form of sign language their inmates use to communicate. A GHOST STORY Don't you just love secret films? We're talking about the type that just spring up out of nowhere, made without anyone knowing. A Ghost Story fell into that camp when it first made headlines in November, and the talent involved with the movie makes it all the more exciting. After working together on 2013's Ain't Them Bodies Saints, director Dave Lowery (Pete's Dragon) re-teams with Rooney Mara and likely future best actor Oscar winner Casey Affleck (for Manchester by the Sea) to examine death and grief — and, yes, the spiritual presence you're expecting based on the title. Also watch out for: With Jon Hamm and Tim Robbins among the cast, Marjorie Prime similarly broods over mortality, focusing on the last days of an 86-year-old — spent with a computerised version of her dearly departed hubby. STEP They don't just give any old film a Special Jury Award for inspirational filmmaking, the gong Step took out in Sundance's US Documentary field. Treading the same turf that 2016 festival hit The Fits made its own with such style and skill, the doco follows three high-schoolers trying to chase their step dance team dreams. Expect more than just the usual formula as first-time director Amanda Lipitz peers inside the Baltimore Leadership School for Young Women, the ladies striving for a better future and the crowd-pleasing journey that results. Also watch out for: Tokyo Idols, which joins the growing ranks of factual efforts trying to understand just what makes Japanese girl bands, pop music, its stars and their fans tick. PATTI CAKE$ Does the road to rhyme-slinging rap success start in New Jersey? And is the rags-to-riches path paved with assistance from a goth-metal muso named Basterd? For the wannabe hip hop artist who calls herself both Killer P and Patti Cake$, it just might be. For Aussie actress Danielle McDonald, the energetic underdog effort that shares Patti's name could also be her stepping stone to broader acclaim — and, for music video director turned first-time feature helmer Geremy Jasper, his as well. Also watch out for: Roxanne Roxanne, a biopic about a big hip hop beef known as the Roxanne wars — aka a series of songs answering the last, with 14-year-old emcee Roxanne Shanté in the middle. Playing Shanté, newcomer Chanté Adams won a Special Jury Award for Breakthrough Performance. AXOLOTL OVERKILL And the prize for best title goes to…actually, German drama Axolotl Overkill won a jury award for cinematography in the World Dramatic comp, but it'd have a fair shot if the other contest was a real thing. The feature debut of writer/director Helene Hegemann is based on her own semi-autobiographical novel, which she wrote when she was 17. Not only does it take the coming-of-age genre into partying and nightlife territory — which, yes, you've seen before — but the stylistic exploration of teen excess promises to traverse contemplative and surreal terrain as well. Also watch out for: A fellow contender in the great name stakes, Don't Swallow My Heart, Alligator Girl! brings professional and non-professional actors together to tell a fairytale-like story of teenage love, colonial oppression and gang struggles in three languages. 78/52 Every film festival has one: a movie that cinephiles just won't be able to contain their excitement about. 78/52 takes the honours at this year's Sundance, with its moniker referring to the number of setups and edits it took to film the most iconic shower scene in cinema history. Alfred Hitchcock and Psycho fans will be in their element as the doco breaks down this famous sequence, and explores just how it changed filmmaking as we know it. And, the likes of Guillermo del Toro, Bret Easton Ellis, Karyn Kusama Eli Roth and Peter Bogdanovich are all on hand to help. Also watch out for: The Nile Hilton Incident, a Cairo-set corrupt cop flick charting an investigation into a murdered singer — and the film that took out the Grand Jury Prize in the World Cinema Dramatic competition.
There's nothing quite as tranquil as a lake. There's something about the still water that forces your brain to relax — regardless of how wired you've been or for how long. Australia's massive open plains and long mountain ranges create plenty of space for lakes to form, from Western Australia's brilliant pink watery delights to Queensland's tropical swimming holes to the endless expanse of Kati Thanda–Lake Eyre. Been feeling a bit frazzled lately? It could be time to hit the road and spend a day or two beside one of these natural beauties. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. Under current COVID-19 restrictions in Australia, there are restrictions on where you can go on holiday. Bookmark this for when you can explore once again. [caption id="attachment_741619" align="alignnone" width="1920"] Tourism Western Australia[/caption] HUTT LAGOON, WESTERN AUSTRALIA If you like your pink gin, flowers and homewares, you need to visit Hutt Lagoon. It's quite remote, being located on the Coral Coast, around 515 kilometres north of Perth, between Port Gregory and Kalbarri. If you're visiting on a road trip, you'll get the best views along Port Gregory Road. But do be tempted to see it from the air on a scenic flight. Hutt Lagoon's pink is always changing, with the most stunning shades usually on show at sunset. The lake gets its colour from dunaliella salina, which is an algae that produces caroteinoid. [caption id="attachment_741600" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] LAKE MCKENZIE, QUEENSLAND In sore need of some sand and sun? Make tracks to Fraser Island in Queensland, to visit Lake McKenzie. This natural phenomenon is a perched lake — that is, a special kind of lake that contains rainwater. And rainwater only. Unlike most other lakes, it's sealed off from groundwater and isn't connected with any streams or rivers. On top of that, the sand in and around Lake Mckenzie is made entirely of silica. All this means it's unbelievably clear, whether you're taking a dip or enjoying the views from the shore. [caption id="attachment_741605" align="alignnone" width="1920"] Destination NSW[/caption] LAKE MUNGO, NEW SOUTH WALES Strictly speaking, Lake Mungo isn't a lake. But, it was one tens of thousands of years ago. And it's still one of the most important places to see in Australia because it's where the oldest human remains were found, being those of Mungo Man and Mungo Lady, who lived at least 40,000 years ago. If you're up for a road trip, take the 70-kilometre Mungo Track. There are also plenty of walking trails, including the ten-kilometre Zanci Pastoral Heritage Loop and a bunch of short strolls to lookouts and significant spots. [caption id="attachment_741602" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] LAKE EACHAM, QUEENSLAND Around 1400 kilometres north of Brisbane lies Crater Lakes National Park and, within it, you'll find Lake Eacham. This dreamy spot — formed by a volcanic crater — is encircled completely with rainforest. Spend your time in whatever way suits you, be it swimming, fishing, hiking, picnicking or jumping in a kayak (but note that motorboats aren't allowed). Both Lake Eacham and the forest in its vicinity are part of the World Heritage-listed Wet Tropics of Queensland, which means they're protected so tread with care. [caption id="attachment_690974" align="alignnone" width="1920"] Jason Charles Hill via Tourism Tasmania[/caption] LAKE ST CLAIR, TASMANIA Lake St Clair — found in the southern section of Cradle Mountain-Lake St Clair National Park in Tassie — took two million years to form, via slow-moving glaciers. Of all the freshwater lakes in Australia, it's the deepest, at 160 metres. There are many ways to experience this watery wonder, from short walks to multi-day camping expeditions. If you like a little luxury with your wilderness experience, then a stay at Pumphouse Point or Lake St Clair Lodge might be the way to go. [caption id="attachment_741599" align="alignnone" width="1920"] Robert Blackburn via Visit Victoria[/caption] LAKE EILDON, VICTORIA Lake Eildon's claim to fame is the town of Bonnie Doon, where you'll find the Kerrigans' holiday home from 1997 film The Castle. These days, it's listed on Airbnb, so you can experience "the serenity" for yourself. But what's less known about Lake Eildon is its epic size. With 515 kilometres of shoreline, the lake is so big that it holds six times the water of Sydney Harbour. You won't run out of territory to explore, whether you spend your time kayaking around Eildon's many inlets or stick to picnicking on land. [caption id="attachment_741635" align="alignnone" width="1920"] Ockert le Roux via South Australian Tourism Commission[/caption] BLUE LAKE, SOUTH AUSTRALIA Maybe Blue Lake should be called Blues Lake. That's because it changes colour. Visit between March and November, and you'll see a deep, dark, wintry blue. Change your schedule to sometime between November and March, and you'll be met with a striking turquoise. Either way, the best way to experience it is on foot via the 3.6-kilometre walking track that follows the shore. You can also go underground on an aquifer tour. Blue Lake is just outside of Mount Gambier, in South Australia's southeast, right near the state's border with Victoria. [caption id="attachment_741624" align="alignnone" width="1920"] Jeffrey Drewitz via Destination NSW[/caption] BLUE LAKE, NEW SOUTH WALES One of the loveliest spots on the walk to the summit of Mount Kosciuszko is Blue Lake. It's a cirque lake, which means it was formed by glacial erosion during the Ice Age around 10,000 years ago. Though you can't tell when you're standing on the shore, Blue Lake is a whopping 28 metres deep. Plus, it contains the freshest water on the Australian mainland. Both the lake and the 320 hectares surrounding it were recognised as a Ramsar site in 1996, so they're protected under the Ramsar Convention on wetlands. [caption id="attachment_741634" align="alignnone" width="1920"] South Australian Tourism Commission[/caption] KATI THANDA-LAKE EYRE, SOUTH AUSTRALIA This extraordinary natural wonder is the most famous lake on this list for a few reasons. First up, it's the biggest lake in the country — at 9,500 square kilometres. Secondly, it's home to the lowest point on the Australian mainland, at 15 metres below sea level. Thirdly, when it's full of water, it's as salty as the sea. So don't arrive thirsty. Also, if you're keen to see the lake at its most dazzling, check on water levels before hitting the road. It's dry a lot of the time, with a large amount of water arriving just once every eight years. In fact, during the past 150 years, Kati Thanda-Lake Eyre has filled to capacity on only three occasions. [caption id="attachment_741617" align="alignnone" width="1920"] Tourism Western Australia[/caption] LAKE HILLIER, WESTERN AUSTRALIA Another of Western Australia's pink watery sights is Lake Hillier. When we say this lake is pink, we really mean it. We're not talking pale pastel, either — we're talking bright, brilliant, lollipop pink. And what makes the colour even more dramatic is Lake Hillier's location on Middle Island, where it's separated by a narrow strip of land from the deep blue of the Southern Ocean. To get there, you first need to get to Esperance, on Western Australia's southern coast, then catch a boat or plane. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Image: Hutt Lagoon via Tourism Western Australia. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
It's taken a little longer than expected, but René Redzepi's world-renowned Noma finally has a return date and is about to start taking bookings. After shutting the doors of its two-Michelin star Copenhagen restaurant early this year, the acclaimed chef was due to reopen it next month in new digs, until construction hit a wall — literally, an ancient stone wall found buried below the building site. Now with things back on track — and fresh from auctioning off their old furniture and fixtures — lunch and dinner reservations to Noma 2.0 will open from 4pm November 16. That's at 2am next Friday, November 17 if you're on Australian east coast daylight saving time, with bookings taken for visits between February 15 and April 29 next year. This will mark the first of the 40-seater's three annual menus, as the restaurant moves to strengthen its focus on seasonality. These first, cooler winter months will feature a celebration of Scandinavian seafood across each meticulous dish, followed by a vegetable season starring produce from the on-site urban garden, and a game and forest season which runs from early fall through to January 2019. Of course, it doesn't come cheap — the degustation menu clocks in at DKK 2,250 per head (currently about AUD $460) and you'll need to prepay when you book. Noma's highlighted this 12 percent price hike as a way of giving their staff a better quality of life. That said, the restaurant's also reserving 10 percent of its seats each night for students with a valid student ID, who can jump on a waiting list to enjoy the menu for just DKK 1,000 (AUD $205). Noma's booking link is set to go live at 2am next Friday, November 17 AEDT. In the meantime, check out the reservation guidelines here.
First he brought the entirety of his Berkshire restaurant The Fat Duck to Melbourne for a residency, in which seats went for $525 each (plus wine). Then it was Dinner by Heston, which, while not as exorbitant, still costs a pretty penny (a starter of savoury porridge goes for $36). But now, in UK celeb chef Heston Blumenthal's latest Melbourne project, he'll be opening a series of one-night-only pop-up restaurants for a considerably affordable price — that is, $0. Yes, free. As in, no money will be changing hands, and no credit card details are required. The Hidden Heston pop-ups are part of MasterChef machine's Heston Week — and while they will no doubt involve nervous contestants fumbling over intricate and ridiculous dishes, they'll nonetheless be extremely exclusive events. So be prepared to earn yourself a place at the table. There will be four pop-ups in total, each running for one service only in a "top-secret" location in Melbourne that will only be announced before the doors open. Punters will have to keep an eye on MasterChef's Facebook, Instagram and Twitter accounts for clues, and enter online to receive an invitation. According to MasterChef, each restaurant will offer a "completely different dining experience", and the lucky winners will get "an experience they will remember forever". So, fingers at the ready — this is your chance to get a slice of the meat fruit pie without forking out a whole month's rent. The Hidden Heston pop-ups will be coming to Melbourne in March. For more info, keep checking the MasterChef Facebook page.
A blazing red neon sign is your first view of Lucy Liu, not Charlie's Angel, but one of Melbourne's most popular laneway eateries for great food and vibes in the heart of the city. Effectively sandwiched between Flinders, Russell and Collins streets, you've got no shortage of dining options in this area. You'd be kicking yourself if you passed her by. Once inside, the space is open and warm, with a design choice that never fails: an open kitchen. Time your booking or walk in at the right moment, and you could end up sitting with a view straight into it. Lucy's just turned 10, with much of the original kitchen team still a part of the family, so these veterans have every teaspoon and presentation detail locked down. What's on the menu? There's a healthy offering of bites, buns, plates both small and large and set menu banquets. A few suggestions: caramelised tofu betel leaf with pineapple and chilli or Pacific oysters with ponzu and Lucy's Sriracha to start. Follow that with a plate of kingfish sashimi with green nan jim, coconut and Thai basil (an original menu item) or fried chicken ribs with sour plum salt, lemon and kewpie. Go big with Lucy's softshell crab jianbing or a roast pork bun with house-made kimchi and sriracha mayo — or go full-feast and order another OG: drunken chicken with Shao Xing Wine and green onion dressing or a hefty slice of market fish. The banquet menus, ranging from $58pp to $78pp, give you a taste of all the hits in five or seven plates (vegan alternatives are available). The drinks menu is just as colourful and tasty to wash down all those treats. With nine specialty cocktails to choose from, plus half-strength cocktails or cocktails to share, so you're catered for whether you're planning on driving home or not. Wine comes by the glass, and Lucy has a few of her own bottles on offer, with an impressive lineup of local and imported beers and spirits to round it out.
Second Wife is sleek and beautiful in its fitout, with an industrial style and a big portrait of, supposedly, the wife in question on one wall. The cafe is the owners Semir Elamazi and Reiji Honour's second venture as a team, which has inspired the name and also means the pair already know what they are doing, and it shows. You'll find touches on the menu inspired by both Elamazi's Middle Eastern background, and Honour's Japanese heritage. There's a focus on healthy, vibrant dishes, and everything is halal. For breakfast, try the okonomiyaki or Moroccan eggs, or for lunch, get around a bowl made your way — select a base, some toppings, a sauce and a protein. Images: Tracey Ah-kee.
