Massive screen, massive occasion, massive movies: that's the equation when IMAX Sydney reopens its doors after a seven-year absence. How do you relaunch one of the biggest cinema screens in the world, which measures 692 square metres and will start shimmering before film lovers' eyes again from Wednesday, October 11? With Avatar: The Way of Water, Barbenheimer and Taylor Swift's Eras concert tour flick. Trips to the pictures in Sydney are getting huge again, with the Darling Harbour venue reopening in its newly rebuilt form after closing down back in 2016. The entire building was demolished, and was originally meant to get its projectors running again in 2019, then in 2021; however, that clearly didn't happen. Giant things come to cinemagoers who wait, it seems. That screen really is large. It's not quite as big as IMAX Melbourne, which is the world's largest, but it's still mammoth. And, it sports a 1.43 picture ratio, which means giving viewers up to 40-percent more image. Cue more need for speed when Top Gun: Maverick graces the screen during the venue's opening week, more of Barbie's pink hues and Oppenheimer's tension (including in perfectly timed Barbenheimer doubles), more humans battling AI in The Creator, and more of one of the world's biggest pop stars onstage for Swifties to enjoy. The new IMAX Sydney's setup is also IMAX's most-advanced theatre experience so far, spanning 4K laser projection using a system with a new optical engine and custom-designed lenses. Thanks to a range of proprietary technology, viewers can expect the images to be brighter, too, with increased resolution, deeper contrast and the widest range of colours that IMAX has seen. As for the sound, that's being piped through a 12-channel setup. At a site run by EVT — the hospitality company behind Event Cinemas, Moonlight Cinema, the Skyline Drive-In and the State Theatre; the arrival of surround-screen viewing Down Under; a heap of bars and restaurants; QT Hotels, Rydges and other hotel chains; plus IMAX venues in Auckland and Queensgate in New Zealand, as well as IMAX Karlsruhe in Germany — moviegoers have four choices when it comes to seating. In addition to standard seats, you can get comfortable in a full recliner, cosy up with your plus one in a couples' recliner or go with a private box for up to four people. The latter is perched on an elevated platform, and comes with exclusive food and beverage options There's 430 seats in total, on par with the old venue. And, the range of bites and drinks overall has scored a revamp courtesy of a marketplace experience. Before your movie starts, you can kick back in the lounge — and, of course, IMAX Sydney sports a full-service bar. "The opening of IMAX Sydney showcases EVT's commitment to bringing world class entertainment experiences to Australia. With Laser by IMAX, our new seating options, and our food and beverage offering, we are setting a new benchmark for immersive cinema entertainment that captivates the senses," said EVT CEO Jane Hastings. "We are very excited to partner with EVT for our long-awaited opening of IMAX Sydney in Darling Harbour, which is historically one of our best performing locations globally and a cultural centre of this beautiful city," added IMAX CEO Rich Gelfond. "IMAX Sydney immediately joins the ranks of our flagship locations and, with its state-of-the-art IMAX technology, breathtaking design and Event Cinemas renowned cinema expertise, is a shining example of what the theatrical experience should aspire to." Future flicks set to hit IMAX Sydney's enormous screen include Martin Scorsese's Killers of the Flower Moon, Marvel Cinematic Universe entry The Marvels, The Hunger Games prequel The Ballad of Songbirds & Snakes, Napoleon, Wonka and Aquaman and the Lost Kingdom. And if you live outside of Sydney but are the kind of cinephile that can't pass up a trip to the movies when you're in a different city, IMAX Sydney is a new film-loving tourist destination, too. IMAX Sydney will reopen at Darling Harbour, 1/35 Wheat Road, Sydney, from Wednesday, October 11 — head to the cinema's website for tickets and further information.
Historic Carlton pub The Lincoln is best known for its progressive booze offering and its produce-driven pub feeds. Pull up a stool at the art deco bar and order yourself a pint of craft beer (or a Carlton Draught, naturally) from one of the 12 taps. For wine, expect an extensive list of small, interesting winemakers and, if you're more into the hard stuff, there's an array of spirits and liqueurs, too, with everything from amaro to mezcal and top-shelf whisky. In the warmer months, you can sit outside on the footpath; otherwise, the dining area with retro-style French posters makes for a good place to while away the hours. Coming out of the kitchen are dishes made with top-quality regional, sustainable and seasonal produce. They change regularly, but expect dishes like a traditional scotch egg, schnitty, pork sausages with mash and mushy peas and a 250-gram porterhouse with duck fat roast potatoes. For dessert, pick between a classic sticky date pudding with butterscotch sauce or all-so-French tarte tatin. But, if you're at The Limcoln on a Sunday, you won't want to miss out on the pub's weekly-changing $34 roast. One weekend you might find yourself getting acquainted with some roast porchetta starring braised leeks, apple sauce and gravy; while the next, it's all about the roast beef with spiced pumpkin and yorkshire pudding. Exterior images: Georgia Verrells Appears in: The Best Pubs in Melbourne for 2023
It isn't every day that you can peer up at the Melbourne sky and spot a family of giant hot-air balloon sculptures soaring above the city — but on Saturday, March 19, you can do just that. That's when Patricia Piccinini's Skywhalepapa will make its Melbourne debut, floating through the air alongside the artist's otherworldly Skywhale. Our advice: do look up. Dubbed Skywhales: Every Heart Sings, the distinctive works will take to the air from Yarra Bend's Corban Oval at 5am, then hover above the city. Get up early to see them launch or find a great vantage point to stare into the sky once they're up there — the choice is yours. If you're keen on the former, you'll need to register your interest for tickets, with the eye-catching event taking place as part of this year's MPavilion. [caption id="attachment_799292" align="alignnone" width="1920"] National Gallery of Australia[/caption] New to all things Skywhale and Skywhalepapa? Thirty-four-metres long, more than twice as big as a regular hot air balloon and ripped straight from Piccinini's inimitable mind, Skywhale might just be one of Australia's most recognisable recent pieces of art. It's a sight to see, and also the largest-scale example of the artist's ongoing fascination with the thin line that separates nature and technology — see also: her Flinders Street Station Ballroom exhibition — and in Skywhalepapa, it has finally met its match. The latter made its debut in 2021 thanks to the National Gallery of Australia in Canberra, but taking both billowing hot air balloons around the country was always the plan. Of course, the pandemic had something to say about that — Skywhalepapa was originally scheduled to premiere in 2020, in fact — but now the duo of sculptures will finally catch the breeze in Melbourne in just a few weeks. [caption id="attachment_799293" align="alignnone" width="1920"] National Gallery of Australia[/caption] Skywhalepapa is designed to form a family with Skywhale, and was originally commissioned as part of the NGA's Balnaves Contemporary Series. It took 3.6 kilometres of fabric to create the second bulbous sculpture, which also features nine baby Skywhales, safely tucked beneath their father's fins. Obviously, this isn't the kind of thing you see in the sky every day. You can also hear Piccinini chat about the Skywhales as part of the MTalks series — and read her children's book called Every Heart Sings as well — from 5.15pm on Thursday, March 10 at MPavilion. [caption id="attachment_799294" align="alignnone" width="1920"] National Gallery of Australia[/caption] Skywhales: Every Heart Sings will take to the air over Melbourne for MPavilion 2021–22 at 5am on Saturday, March 19 from Yarra Bend's Corban Oval. For more information or to register your interest for tickets, head to the MPavilion website.
Under current COVID-19 restrictions in Australia, you can't go on a holiday (locally or overseas). But, you can start dreaming. Bookmark this for when you can explore once again. Winding through the rugged expanse of Victoria's Wimmera Mallee region, lies the country's largest outdoor gallery, where the artworks are metres tall, and grace not walls, but towering grain silos. First dreamt up back in 2016, evolving from a small community art project, the now famed Silo Art Trail unfolds over 200 kilometres, where six large-scale works have transformed structures in Brim, Patchewollock, Lascelles, Rupanyup, Sheep Hills and Rosebery. The mural portraits, painted by a collective of artists in conjunction with Yarriambiack Shire Council and international street art agency Juddy Roller, capture the spirit and history of this unique corner of the world, each work offering a snapshot of its host town. If you're visiting the art trail from Melbourne, the closest silo is in Rupanyup — approximately 3.5-hours' drive from the CBD. From there, it'll take you just over two hours to reach the other end of the art trail in Patchewollock. That's the order we've listed the artworks here, but to design an alternate route, head to the Silo Art Trail website. [caption id="attachment_681273" align="alignnone" width="1920"] Nicole Reed[/caption] RUPANYUP, JULIA VOLCHKOVA When you reach Rupanyup, you'll spy a realistic pair of faces by Russian muralist Julia Volchkova, an homage to local youngsters Ebony Baker and Jordan Weidemann. Kitted out in their sports gear and looking bright-eyed and fearless, the characters are a nod to the region's younger generation and the realities of rural life for adolescents. Here, Volchkova has used monochrome tones to capture a spirit of strength, creating a lifelike mural similar to her large-scale works depicting locals across Southeast Asia. [caption id="attachment_681271" align="alignnone" width="1920"] Nicole Reed[/caption] SHEEP HILLS, ADNATE Shining a light on the region's indigenous history and community, the 80-year-old GrainCorp silos in Sheep Hills now boast a vibrant portrait of four locals — Wergaia Elder Uncle Ron Marks and Wotjobaluk Elder Aunty Regina Hood, alongside children Curtly McDonald and Savannah Marks — with a bold, dreamtime-inspired night sky as the background. The striking piece is the work of Melbourne artist Adnate, whose creative focus often lies in sharing the stories and cultures of Aboriginal Australians. Here, he has embraced the concept of customs and wisdom being passed down through the generations, and the strong ancestral bonds shared among the area's indigenous community. [caption id="attachment_681276" align="alignnone" width="1920"] Nicole Reed[/caption] BRIM, GUIDO VAN HELTEN The striking Guido van Helten mural in Brim is where it all began in 2016, spurring inspiration for the rest of the project after putting this sleepy town on the map. Melbourne-raised van Helten kicked things off strongly with his earthy-toned portrait of four farmers, all varying ages, themed around shifting ideas of community identity. The artist's work using translucent aerosol paints lends a faded, ghostlike quality to the characters, shaking the concept of time. [caption id="attachment_681274" align="alignnone" width="1920"] Nicole Reed[/caption] ROSEBERY, KAFF-EINE The latest addition to the Silo Art Trail is a captivating Rosebery mural by lawyer-turned-street artist Kaff-eine. She has set out to embrace the region's past, present and future, with a portrait of a young female sheep farmer, alongside one of a horseman bonding with his four-legged mate. Elements like cowboy boots, Akubra hat and oilskin vest aren't just an unmistakable nod to country life, but capture the strong sense of symbolism that is signature to much of Kaff-eine's work. [caption id="attachment_681275" align="alignnone" width="1920"] Nicole Reed[/caption] LASCELLES, RONE Meanwhile, over in Lascelles, there's a sense of quiet wisdom that emanates from the portrait of fourth-generation farming couple Geoff and Merrilyn Horman, wrapped around two decades-old grain silos. Captured by Melbourne's Rone in 2017, this one speaks to a people's deep, long-running connection to the land, with monochrome hues and water-blended paint creating a hazy, ghostly effect through the work. [caption id="attachment_681272" align="alignnone" width="1920"] Nicole Reed[/caption] PATCHEWOLLOCK, FINTAN MAGEE In Patchewollock, Fintan Magee's 2016 silo mural was inspired by a stay at the local pub, where he met his portrait subject, local farmer Nick "Noodle" Hulland. The colourful, 35-metre-tall piece is a fitting ode to the hard-working Aussie farming community and its rugged spirit. Hulland's shown gazing to the horizon wearing the classic faded flanny, sun-bleached hair and weathered face that so often go hand in hand with life on the land.
Motherhood is often framed as a beginning — the arrival of a child, the start of a new chapter. Increasingly, though, psychologists and writers describe it as something closer to transformation. The word for it is matrescence: the physical, emotional, and psychological transition into motherhood, a process many now compare to adolescence in its scale of physical impact on the body. For Steph Claire Smith and Laura Henshaw, the concept offers a language for a shift they were already experiencing. The Melbourne-based founders of wellness platform KIC have spent the past decade encouraging women to rethink their relationship with movement, food and self-worth. Now, both navigating early motherhood themselves — Steph for the second time, Laura for the first — that philosophy is evolving again. Not in theory, but in real time. Henshaw first encountered the concept while reading Lucy Jones's book Matrescence before the birth of her son Atlas. It was (deliberately) the only book she read in preparation for motherhood, but it proved to be an unexpectedly grounding one. "Matrescence is essentially the transition into motherhood and how it affects our mind, brain and body," she explains. "I read the book before Atlas was born, and it helped me understand what was happening scientifically — how our brains actually rewire when we become parents." View this post on Instagram A post shared by @kicbump That neurological shift, she says, reframed experiences that might otherwise have felt unsettling. Understanding the science behind motherhood didn't make the process simple, but it helped her contextualise the intensity of it. "One thing that really stuck with me was intrusive thoughts," she says. "I used to have anxiety earlier in life, and I was prepared for that to come back when I became a mum. But reading about how your brain becomes more protective of your child helped me understand why those thoughts can happen. I could separate that from myself and think, 'Okay, my brain is doing this because it's trying to protect my baby.'" The book also made something else clear: that motherhood is rarely the singular, all-encompassing identity people expect it to be. Instead, it tends to expand a person's sense of purpose rather than replace it. Before Atlas arrived, Henshaw says much of her identity was tied to her career. Building KIC alongside Smith had been the defining project of her adult life, and she worried that motherhood might fundamentally alter that drive. "I think for a long time my main purpose in life was my career," she says. "I'd come to terms with that being a really big part of my identity, and I was actually quite scared of losing it." Instead, she found that motherhood didn't displace that ambition so much as widen it. "I still feel like that career person," she says. "But my purpose has expanded. It now also includes caring for Atlas and loving him. And something I didn't expect was contentment — that feeling is something I realise I'd never really experienced before becoming a mum." For Smith, mum to son Harvey (four) and Billie (nine months),who has spoken candidly online and on the KICBump podcast about the realities of parenting, matrescence has also reshaped her relationship with movement. Before children, workouts followed the sort of structured routines familiar to many in the fitness world — longer sessions, consistent programming and clearly defined goals. "My routine just can't look how it used to," she says. "Some days it's a five- or ten-minute Pilates class on the mat while Harvey's watching Bluey and Billie's crawling around on the floor. That's just the reality of this stage of life." At other times, movement becomes something shared rather than solitary. Recently, she went for her first run with both children in tow — Billie in a pram, while Harvey rode alongside on his bike. It was less about performance than about proving something to herself. "I just needed to know it was possible," she says. "Of course it won't look like that every time, but being able to do it once felt really empowering." View this post on Instagram A post shared by Stephanie Miller (@stephclairesmith) The shift has also expanded her motivations. While she still values the physical benefits of exercise, she is increasingly aware of the example she is setting. "It's really important to me that Harvey grows up seeing movement as a normal part of life," she says. "I was very into sports growing up and it gave me so much confidence and connection with other people. You can't mould your children into who you want them to be, but I do hope my relationship with movement sparks that curiosity in him." Henshaw's own relationship with movement is entering a new chapter as well. A committed runner who completed the New York Marathon in 2024, she found that pregnancy temporarily erased the desire to run altogether. "While I was pregnant I would see people running and think, 'I must be allergic to running,'" she says, laughing. "I just couldn't imagine doing it." Now, twelve weeks postpartum, the urge is slowly returning. That process has become part of the inspiration behind KIC's newest program, Run for Joy, an eight-week running challenge developed in partnership with New Balance that encourages participants to focus less on pace or distance and more on reconnecting with the enjoyment of movement."I love that the challenge is centred around joy," she says. "That's really what I want to rediscover in my own running journey." View this post on Instagram A post shared by KIC | Health and wellness (@kic) Hers will begin with the program's postpartum pathway, a physio-designed training plan that builds safely from zero to three kilometres over eight weeks. "[KICRun Postpartum] is designed for returning to running after having a baby," she explains. "Your body goes through so many changes, so it's really important to ease back into it in a safe way." The logistics of fitting exercise into daily life now require a little more planning than they once did. "I can't just head out the door whenever I want anymore," she says. "My husband and I are actually writing out the schedule together so that time is protected. Otherwise it's very easy for the days to just go by." That negotiation between ambition and adaptability is something both founders recognise from another part of their lives as well. Building a business in their twenties meant navigating uncertainty, setbacks and the constant pressure of public scrutiny — experiences that Smith believes have unexpectedly prepared them for motherhood."There are similarities between leadership and being a founder and motherhood," she reflects. "You face challenges and hurdles that force you to build confidence and resilience. In that sense, the experience of growing a business has definitely helped." At the same time, motherhood has reshaped how she approaches leadership itself. The arrival of children has sharpened her empathy and expanded her understanding of the experiences people carry into work and life. "It's given me more compassion and curiosity about what people might be going through," she says. "I think having a child just opens your eyes to so many different perspectives." In many ways, the evolution mirrors the trajectory of KIC itself. What began in 2015 (named 'Keep It Cleaner' at the time) as a 'clean' eating recipe e-book has gradually expanded into a broader wellness ecosystem encompassing movement, mindfulness, sleep, mindset and community. The philosophy behind it has always been that wellbeing should feel supportive rather than prescriptive, something that adapts alongside the lives of the people using it. Motherhood, in that sense, represents simply another season in the same ongoing journey. Wellness is no longer about rigid routines or aesthetic outcomes but about flexibility, resilience and the freedom to redefine what strength looks like at different stages of life. For Smith and Henshaw, that season currently includes prams, nap schedules and the occasional Pilates session squeezed into a living-room floor between episodes of Bluey. Yet the underlying philosophy that built their business remains intact. Movement should feel joyful, ambition should coexist with compassion, and growth — whether in business, identity or motherhood — is rarely linear. Enrolments for the New Balance x KICRun challenge are now open via the KICApp, with the first session beginning on Monday, 9 March. For more on KIC, visit kicwellness.com. Images: Supplied
Brotherly musician duo and Australian indie legends Lime Cordiale have announced a new initiative that merges music with their passion for environmental conservation and climate action: Lime Green Festival. This new festival, which is headed to Adelaide's Point Malcom Reserve on Saturday, April 18, prioritises not only positive energy in music but also a positive impact on the environment. Organised in partnership with Chugg Music, Lime Green Festival is an experiment in live music, trialling a new model of music festival that doesn't just tick the box for environmental concerns, but puts climate action at the centre of the entire event. The festival will be 100% off the grid, delivering a quality day of live music and providing a community platform for audiences to engage and learn about the sustainable possibilities of live events in the years to come. [caption id="attachment_1065642" align="aligncenter" width="1920"] PASH[/caption] Joining Lime Cordiale on the lineup are Sunshine Coast-native folk rockers The Dreggs, Adelaide's own chart-topping pop star aleksiah and up-and-coming four-piece pop rockers PASH. Lime Cordiale have also put the word out seeking local talent, with spots on the lineup reserved for artists chosen by the duo themselves, triple j Unearthed and event sponsor City of Charles Sturt. Lime Cordiale, real names Oli and Louis Leimbach, said, "From the accelerating loss of polar ice to the devastating algal blooms currently choking the South Australian coast, it is impossible to ignore that our climate is at a breaking point. For the last five years, we've wrestled with a deep, personal dilemma as environmentalists: Is our touring contributing to the problem? Does it still make sense in a world that's hurting? Should we continue to tour at all?" "We've decided that the answer isn't to stop, but to change," the brothers add. "Live music is about the vital connection between people, and we believe that connection is exactly what we need to fuel a new way of doing things. Our aim is to stage the greenest music festival Australia has ever seen—rethinking everything from renewable stage power and transport to how we handle food and human waste." The brothers hope this new model of festivals can find success first in regional SA, then the rest of the country, encouraging Aussie music fans to attend the festival and take part in the experiment for a better future of gigs, saying "We aren't claiming to be perfect; we will make mistakes along the way, but we are trying. We're inviting you to be part of this experiment. Come and hear some incredible Aussie music, but also come to see what a different future looks like. Let's find out what we can achieve, together." Lime Green Festival will take over Adelaide's Point Malcom Reserve on Saturday, April 18. Tickets will go on sale at 9am (AEDT) on Friday, January 23rd. A presale will run from 9am (AEDT) on Wednesday, January 21st – sign up here.
Thanks to Sydney's year-round calendar of events, big nights out look a little different these days. This month, instead of squeezing into a bar, we're headed for the stands — because from March 1–21, Sydney becomes centre stage for the AFC Women's Asian Cup Australia 2026™, welcoming the region's best women's football teams to Stadium Australia and Western Sydney Stadium for three weeks of world-class action. As the premier women's football competition in Asia, the tournament brings powerhouse national teams — including Australia, China PR, DPR Korea, India and more — to two of Sydney's biggest arenas. Expect electric atmosphere, high-tempo matches and edge-of-your-seat finishes as players leave it all on the pitch for national glory — all dialled up to 11 when you're there in person. [caption id="attachment_1077381" align="alignnone" width="1920"] Football Australia, Photo by Misch Bocska | MB Photomedia[/caption] Sydney hosts an incredible run of fixtures across both venues, from early group-stage clashes to blockbuster knockout matches — including the showpiece Final at Stadium Australia. Mark your calendar for Australia's International Women's Day clash against Korea Republic at 8pm on Sunday, March 8; two quarter-finals on March 14 and 15; a semi-final on March 18; and the final on Saturday, March 21. With most matches taking place at night, you'll have plenty of chances to shake up your after-dark routine and catch some of the world's brightest footballing talent up close. For local fans, it's a rare opportunity to catch the Matildas in action on home soil, with star players Sam Kerr and Mary Fowler returning after long-term injury layoffs. Under new coach Joe Montemurro, the Aussies enter as one of the favourites — and will be looking to the home crowd to help lift the AFC Women's Asia Cup title for the first time since 2010. [caption id="attachment_1077384" align="alignnone" width="1920"] AFC Photo Library[/caption] Whether it's a night out with family or mates — or even a different kind of date night — this is the kind of event that feels bigger than 90 minutes of football. The women's game is in the midst of a generational rise, and this tournament is where the next breakout star or the next iconic goal could unfold live in front of you. Add affordable ticket options — with prices starting at $20 for adults and $10 for kids — and a festival-like stadium atmosphere, and your next night out is sorted. [caption id="attachment_1077530" align="alignnone" width="1920"] AFC Photo Library[/caption] The AFC Women's Asian Cup Australia 2026™ takes place between March 1–21 at Stadium Australia and Western Sydney Stadium. For the full Sydney fixture and to get your tickets, head to the ticketing website.
Ready to hit the open road? If you're looking to add a dose of wacky charm to your next road trip, follow the lead of our readers who've shared some excellent suggestions for offbeat attractions that'll have you chuckling all the way to your destination. From oversized critters to weird sculptures, here's our guide to the lame (but legendary) stops you won't want to miss — as recommended by you — as well as the nearest The Bottle-O so you can stock up on bevs for a winner of a weekend. [caption id="attachment_697951" align="alignnone" width="1920"] Wikimedia Commons[/caption] The Big Merino, Goulburn NSW No surprise, one of Australia's best famed big things is first on our list: the Big Merino in Goulburn, NSW. This colossal concrete ram stands tall and proud, paying homage to Australia's wool industry and is a favourite for our reader Anita: "It's a baa-rilliant photo op you need for your Insta feed." If you're on a road trip from Sydney to Canberra over the long weekend, you've got no excuses not to pull over for a quick photo opp with this absolute unit. And before you park up at your accommodation in Canberra, swing by The Bottle-O to grab some tinnies and snacks to celebrate your arrival. Closest The Bottle-O: Mitchell [caption id="attachment_944023" align="alignnone" width="1920"] Australia Rock, David Burke[/caption] Australia Rock, Narooma NSW Are you planning a coastal road trip in NSW for an upcoming long weekend? Head to the coastal town of Narooma and you'll come across the iconic Australia Rock, a natural formation that looks a lot like the outline of this fair country. "Australia Rock in Narooma is an excellent road trip attraction," says reader Ned. "There's also loads of seals or seal lions on the rocks below. Perfect spot to stretch your legs when driving down to Bermagui, where I'll be heading this long weekend!" Stop in at The Bottle-O on the way down so you have ice cold brews to enjoy with your epic coastal views. Closest The Bottle-O: Ulladulla [caption id="attachment_944024" align="alignnone" width="1920"] SapiTerbang via Canva[/caption] Jacob's Ladder, Ben Lomond National Park TAS Feeling brave? Love a driving challenge? How about a seriously steep zig-zagging road that makes a dramatic ascent to a plateau? Make your way to Jacob's Ladder in Ben Lomond National Park for some serious adrenaline-pumping action. "Jacob's Ladder is iconic", says reader Greg. "It's well worth the trip from Launceston." Grab a few cold ones from The Bottle-O in Launceston to celebrate your driving victory after you return safely to your accommodation. Cheers to that. Closest The Bottle-O: Launceston Penguin, TAS No, we're not talking about the cute and cuddly kind – we're talking about the town of Penguin in Tasmania. Tassie has a fun habit of naming its towns and villages ridiculous names — we're looking at you Nowhere Else, Break-Me-Neck Hill, Doo Town, etc. But Penguin really takes the biscuit. "We always make a pit stop in Penguin to snap a pic with the giant penguin statue, and if it's late in the day, you could spot some local fairy penguins making their way to the water," says Penguin-town enthusiast and reader Laura. Grab a meat pie from the local bakery and enjoy a picnic by the beach with some beverages from The Bottle-O in town. Closest The Bottle-O: Penguin [caption id="attachment_944026" align="alignnone" width="1920"] The Big Pineapple, Alpha via Flickr[/caption] The Big Pineapple, Woombye QLD Planning an escape to Noosa Heads or up to Rainbow Beach for the long weekend? Hop on the Bruce Highway and make a stop at the endearingly retro Big Pineapple in Woombye, not far from Nambour. This fruity landmark is a true Aussie icon, and our readers reckon it's worth the detour for the cheesy photo op alone. "Of the Big Things in Oz, it's definitely my top choice for a road trip detour," says reader Aidan. There's even a heritage-listed Pineapple Train through the sugar cane there, which might just be the most Queensland thing in existence. Closest The Bottle-O: Maroochydore [caption id="attachment_944027" align="alignnone" width="1920"] Pete Jones via Flickr[/caption] Tin Horse Highway, Kulin WA If the outback is calling you this long weekend, you'd be hard-pressed to find a more lame (with all due respect) but still legendary road trip detour than the Tin Horse Highway in Kulin, WA. This stretch of road is lined with homemade tin horses, each more ridiculous than the last. "The tin horses get more amazing the further your drive because the locals have been one-upping each other for decades," says reader Scott. "There's a slide made of tin horses, a horse riding a horse, and so much more." What started as a lark is now a fully-fledged competition with prize money, bragging rights and more tin horses. Now there are over 60 horses out there to discover. Take in a stretch, then you can debate your favourites when you pitch up at your campsite over a cold one from The Bottle-O. Closest The Bottle-O: Byford [caption id="attachment_944028" align="alignnone" width="1920"] David Burke[/caption] The Giant Koala, Dadswell's Bridge VIC If you're travelling around The Grampians for the long weekend, you'd be doing yourself a disservice if you didn't head south to Dadswell's Bridge and pay your respects to the Giant Koala. Towering over the surrounding countryside, this oversized marsupial is a legendary and ever so slightly cursed sight for any road tripper. "Nothing can prepare for looking into those wild red eyes," says reader Kate. "it reaches into your soul. Best Big Thing. No contest". Recover from the soul-piercing eyes as you relax as the sun sets over the mountains at your campsite with a much-needed bev from The Bottle-O. Closest The Bottle-O: Sebastopol [caption id="attachment_944029" align="alignnone" width="1920"] GrainCorp Silos at Sheep Hills, Artist Adnate, Credit Aaron Powell[/caption] Silo Art Trail, VIC We received a lot of recommendations for Silo Art, from the cockatoo-clad silo on Kangaroo Island to Newdegate in WA. But one state copped more recommendations than any other and that is Victoria. Whichever direction you head from Melbourne, you'll have plenty of silos to add to your roadside attraction list. "I love the Silo Art Movement. I've knocked off ten around Melbs and I'll be heading further into regional VIC to check off a few more this long weekend," says reader Michelle. And don't forget to pick up some drinks at The Bottle-O to enjoy while admiring your snaps when you reach your accommodation. Closest The Bottle-O: Doreen Wherever the road leads you on your weekend adventuring, find your nearest The Bottle-O and stock up on some standout bevs. Ready to start planning? Head to the website. Top image: David Burke
Located on Bourke Street, Bottega is one of your best Italian options if you're roaming around the CBD. The soft leather seatings and comfortable vibe make it perfect for a romantic dinner or a few lunchtime drinks. Their three course lunch and pre-theatre special is a steal at just $55 per person. Sharing options include freshly shucked oysters and slow cooked pork and ham croquettes, while standout mains include house-made pappardelle with goat ragu; pan-seared snapper with zucchini flowers, roast truss tomato, prawns and aioli; and porcini and ricotta cannelloni with parmigiano reggiano, braised radicchio treviso and smoked mozzarella.
When it comes to organising a nice meal out, there is a lot to consider. And while Melbourne is a treasure trove of restaurants with mouthwatering food, it's important to acknowledge there's usually more to it than just filling your stomach. The surroundings matter, too. Forget the design cliches you're sick of — think checkered tablecloths at an Italian joint and the much-overdone Scandi chic styling. It's time to level up the ambience of your restaurant game and we know just the place — or, should we say places. Together with Melbourne's ridesharing app DiDi, we've narrowed down five restaurants around Melbourne that provide a feast for the eyes as much as one for your taste buds. Read on to discover spots that boast velvet green booths edged in gold trimming, a pastel pink wonderland that would make Barbie rethink her dream home design, and brutalist architecture combined with video artworks.
For a month in 2026, The Phantom of the Opera will be there, on a floating stage on top of Sydney Harbour. Each year, Australia's most-stunning performance venue welcomes a big-name Opera Australia show to unleash its wonders with a spectacular backdrop. Just like in 2022, 2026's production involves the music of the night echoing over the ocean. The extremely popular Handa Opera on Sydney Harbour has repeated titles before, but there's a particular reason for Andrew Lloyd Webber's The Phantom of the Opera haunting its scenic setup again so soon. 2026 also marks the stage musical's global 40th anniversary. There's phenomenal ways to commemorate a milestone and the there's this. When it takes to Handa Opera on Sydney Harbour's picturesque waterfront digs at Mrs Macquaries Point for 2026 — across Friday, March 27–Sunday, April 26 — this run of The Phantom of the Opera will kick off a worldwide program of events planned for the year to celebrate four decades of the show. The production will also increase the huge audience numbers that've spent time with The Phantom and Christine, given that it has already been seen by 160-million-plus people in 205 cities across 58 territories across its lifespan so far. Simon Phillips, who recently helped bring Round the Twist from the screen to the stage, initially directed the 2022 Handa season — and is back for 2026, too. Also a highlight: the eye-catching production design that includes a giant chandelier. "We're honoured to be playing such a prominent role in the 40th-anniversary global celebrations for this iconic musical, in the same year that OA is marking its own significant milestone with its 70th anniversary," said Opera Australia Acting CEO Simon Militano. "Our spectacular staging of The Phantom of the Opera, with its magical setting on Sydney Harbour, and the sweeping gothic romance and unforgettable music, all combines to create a fantastic showcase of OA's artistic excellence, and an event not to be missed." As always, included in the new The Phantom of the Opera Handa Opera on Sydney Harbour experience is not just the show on the overwater stage, but also fireworks each evening, dazzling Sydney skyline views and hitting up pop-up dining spots that are constructed onsite each year. The Phantom of the Opera at Handa Opera on Sydney Harbour will run from Friday, March 27–Sunday, April 26, 2026 — with tickets via Opera Australia subscription packages available from Tuesday, August 5, 2025; single-performance presales on offer from Tuesday, August 26, 2025; and general tickets available from Tuesday, September 2, 2026. Images: Handa Opera on Sydney Harbour's 2022 production of The Phantom of the Opera © Prudence Upton / Hamilton Lund.
Byron Bay might steal the headlines, but we'll let you in on a secret: neighbouring Brunswick Heads, just a 15-minute drive north of Byron, provides the truly serene beach holiday you've always dreamed about. Thanks to its location on the Brunswick River and among mangrove forests, this welcoming coastal community is teeming with spots for stellar scuba diving, hiking and dining. If you're ready to hit up the Northern Rivers, we've teamed up with Wild Turkey to present an alluring selection of activities that ensure your visit is simply unbeatable. Whether you prefer wildlife encounters or hanging out in celebrated restaurants, Brunswick Heads has both in spades. [caption id="attachment_745641" align="alignnone" width="1920"] Centophobia (Flickr)[/caption] GO WHALE SPOTTING The next whale-watching season is coming up fast, and Brunswick Heads provides the ideal spot to catch these majestic creatures cruising northbound from May to July. The team at Blue Bay Whale Watching has been leading on-water expeditions since 2011, meaning an incredible sighting of a majestic humpback whale or two is almost guaranteed. Each adventure only takes ten passengers on board the Bay Warrior, an 8.5-metre catamaran with 360-degree views of the ocean. There's plenty of shelter if the weather unexpectedly turns, too, so there are indoor and outdoor vantage points for you and your crew to get a glimpse of these magnificent creatures up close. [caption id="attachment_702566" align="alignnone" width="1920"] Sebastian Pena Lambarri (Unsplash)[/caption] TAKE A DIVE A visit to this part of the world would not be complete without experiencing the striking underwater world that exists off the coast of Brunswick Heads. Julian Rocks is widely recognised as one of the region's premier dive sites, with this craggy outcrop providing several moorings that make reaching this location a relatively straightforward affair. There are suitable spots here for divers of all experience levels, meaning just about anyone can explore the surrounding waters frequented by manta rays, leopard sharks, and yes, the occasional great white, too. While this subtropical oasis certainly isn't for the faint-hearted, diving at one of Australia's top scuba locations will give you plenty of stories to tell. [caption id="attachment_805448" align="alignnone" width="1920"] Sam Forson (Pexels)[/caption] PADDLEBOARD AT TORAKINA BEACH Torakina Beach should be your number one choice for stand-up paddleboarding. Set at the mouth of the Brunswick River, this sheltered paradise sees barely a ripple for waves, so pushing yourself along the crystal-clear waters is relatively hassle-free. You're also well within touching distance of Brunswick Heads, with the community's thriving cafe scene just a five-minute walk away for a post-paddle refuel. Want to keep it a bit more rustic? With picnic areas, barbecues and showers spread throughout the surrounding bushland, Torakina Beach is a truly dreamy spot for a day in the sun. [caption id="attachment_844191" align="alignnone" width="1920"] Mia (Flickr)[/caption] TAKE A GUIDED KAYAK TOUR Brunswick Heads and its surrounds are renowned for kayaking — the series of creeks and tributaries ensures you can get up close with lush landscapes and native wildlife. If you're looking for an expert to give you the inside word, there's no shortage of guided kayaking tours available to book. Byron Bay Eco Cruises provides a comprehensive three-hour tour where you'll take part in a river cruise that delves deep into a rainforest before loading into kayaks to scout out local wildlife (with binoculars provided, too). Finally, there's the chance to stand-up paddleboard amid the Brunswick River's serene environment. [caption id="attachment_844211" align="alignnone" width="1920"] Christy Gallois (Flickr)[/caption] EXPERIENCE A LOCAL RITE OF PASSAGE It seems like every small town has a slightly hazardous rite of passage that provides endless stories — both good and bad. In Brunswick Heads, this initiation involves making the leap from the South Beach Road Bridge into Simpson's Creek about four metres below. With the creek providing a wonderful swimming spot at high tide, dozens of people, young and old, test their mettle on a hot summer's day. There's every reason to get involved, but do take caution if you decide to take the leap from this 85-year-old wooden bridge. DISCOVER BRUNSWICK HEADS' DINING SCENE Don't assume the pinnacle of Brunswick Heads' dining starts and finishes with fish and chips on the beach (though we would absolutely recommend doing this). The town has a growing reputation for fine-dining institutions that will knock your proverbial socks off. Fleet (pictured above) is one such venue, but with seating for only 14 guests, you'll have to book early to sample its award-winning hyper-local tasting menu. La Casita is another stellar example of the region's booming culinary scene. The team here works alongside the region's top makers and producers to create its mouth-watering dishes, which feature hearty Mexican flavours that put many city-centric options to shame. Plus, the boozy cocktails ensure you depart with an extra bounce in your step. [caption id="attachment_844194" align="alignnone" width="1920"] Elliot Kramer[/caption] TAKE A HIKE AND PICNIC IN THE RAINFOREST There are so many incredible vistas to enjoy throughout the Northern Rivers region, but you don't have to bust a gut to experience some of the best. The easygoing North Head walking track, located on the edge of town in the Brunswick Heads Nature Reserve, is a 30-minute trail guiding you through the coastal rainforest. As you break through the canopy and look down upon the Brunswick River, you'll find several spots perfect for unfurling a picnic rug and basket. Once you're back on your feet, the trail leads you through fascinating wildlife habitats and eventually out to the ocean beach. Find out more about Wild Turkey's Discovery Series at the website. Top image: Graham Cook (Flickr)
It's not like you ever need much of an excuse to flee the city for a couple of days filled with top-notch wine, regional eats and entertainment. But hey, that's exactly what's calling you to jump in the car and head a few hours northwest of the city this weekend. Long-running flavour fest Grampians Grape Escape returns to Halls Gap Recreation Reserve from Friday, May 5–Sunday, May 7, dishing up yet another jam-packed program to mark its 30th instalment. Your tastebuds are certainly in for a treat as you spend your days sampling hundreds of local craft beers, ciders and wines, and sinking your teeth into a huge array of food stalls slinging everything from wood-fired pizza to paella. [caption id="attachment_711262" align="alignnone" width="1920"] Tony Evans[/caption] You can pick up some new skills at one of the weekend's many masterclasses, and learn culinary secrets at cooking demos led by the likes of Miguel Maestre, Khanh Ong and toastie king Tim Bone. Vino-obsessed comic Merrick Watts will also be hitting the stage for a wine-tasting-meets-comedy-gig. There'll be loads of live tunes to groove to across all three days, plus market stalls brimming with artisan wares. You can even round up some mates and dig your toes in at a grape-stomping competition for the chance to win a helicopter picnic flight or wine tour. Admission costs vary depending on which day(s) you'd like to visit, starting from $50 online. Bus transfers and local glamping options are also available. Making a weekend of it? Here's a lineup of gorgeous Airbnbs you can book in the Grampians region right now.
You don't often get a story about Melbourne City Council being really cool. But from this Wednesday, October 1 the council has agreed to change the name of the city's much-loved ACDC Lane to AC/DC Lane, an important distinction made to appease the iconic rock gods and their devoted fans. This move comes on the exact ten year anniversary of the street's initial name change. And, of course, laneway locals Cherry Bar are having a big party to celebrate. Observant Melbournians may remember that this has kind of happened before. In 2004, street artist Knifey installed a cheeky street sign over the original that not only included the soon-to-be-official slash, but an actual lightning bolt in trademark council blue. Unsurprisingly, this was stolen by a diehard fan soon after. Now, the artist (Jayszun Vanderwerff) is working with Melbourne City to officially re-install the sign. "Melbourne City Council has demonstrated time and again its commitment to showcase both the city’s laneways, and the street art that brings so many to visit the City of Melbourne," Knifey said. "They have seen the benefit of encouraging legal street art in the city, and have been incredibly supportive of this project." Of course, this is a win for all fans of both rock and grammar, but it's also a victory for Cherry Bar. The venue owners James Young and Patrick Donovan were the driving force behind the initial name change. Now they're holding a big party to celebrate its official completion as well as the recently implemented Agent of Change principle that transferred soundproofing responsibilities from live music venues to surrounding properties. Head down to Cherry on Wednesday, October 1 to raise a glass to this new era of grammatically correct, noisy, thunderstruck bliss. The beers are on them from 6pm-3am. Via Beat and Blabbermouth.
We all joke about pulling a 'don't you know who I am' card on a joint, but when Big Time rockers pull it on a tiny, tiny Seattle cafe there's some dramatic head-shaking to attend to. After finishing a gig this weekend in Seattle, Rage Against the Machine's guitarist Tom Morello attempted to skip the queue at Seattle's 5 Point Cafe — to no avail. According to Grub Street, 5 Point was at capacity when the Rage legend waltzed up to the front of the line and demanded entrance, after the cafe team "who's told bigger rock stars than him no," gave him the ol' hell no. Like any self-respecting, hospitality-burned celeb, Morello decided to get on his 4am Twitter soapbox. Having long supported worker's rights and wage raises, Morello thought now was the perfect, out-of-context time to drop this rant: Five Point restaurant in Seattle is the WORST. Super rude & anti-worker. Shittiest doorman in the Northwest. Prick. Spread the word. — Tom Morello (@tmorello) September 27, 2014 After his early-morning "so, ner" went rampaging online for a spell, restaurant owner David Meinert didn't let the guitarist have the last say, taking to Facebook with a response to the "tweet from our pal": "For the record Tom Morello — The 5 Point is totally pro-worker. We try to pay more than any other small restaurant, and on top of the higher pay, we offer health insurance, paid sick days, paid time off, retirement and profit share. Sorry if you had an issue with our staff, but typically our staff is awesome, and when they are not, it's usually a reflection of the customer. Act like a prick = get treated like a prick. "I have to say, your attacking a small business without knowing anything about it, or addressing your problem with them directly before you go on a public rant, pretty much sucks. Just lost a ton of respect for you, and I've been a fan for years, both of your work in Rage and your work for workers rights since. "PS — rock stars don't get special treatment at The 5 Point. We couldn't give less of a shit. Sorry. "And PSS — I'm the owner of the 5 Point and have worked to raise the minimum wage in Seattle and support the same nationally, worked to get paid sick days law in Seattle, and am supporting a City sponsored retirement plan for employees of small businesses. I hope you do the same for your employees on the road..." "PSSS — turns out he and his crew didn't get let in as the place was at capacity and there was a line. No one was being let in. According to our doorman who I totally trust, Tom and his crew were all totally rude. Quote from the door guys "I knew who he was, we had no room, his whole party was being rude. He wanted a special room in the back. Clearly had no ideas what it is like inside. I've told bigger rock stars than him no." Since his kneejerk reaction, Morello had time to come up with some kind of 'forgiveness' — with conditions. Willing to forgive the Seattle Evil (Egg) Empire 5 Points Cafe doorman powertrip if good guy owner D Meinert fully embraces #15Now min wage — Tom Morello (@tmorello) September 29, 2014 Meinert has somewhat relented and offered this on Facebook an hour ago: "Hey all, about this Tom Morello thing... I think Tom was in the wrong, and his tweet was offensive and pissed us off, BUT, Tom stands up for workers and uses his fame for some very good causes, almost always for those most in need. Yes he's very rich, yes he was on a big corporate record label. But every other interaction I've had with him has been cool. I would far rather people be enraged about the issues Tom is trying to bring up than wish Tom ill. So if you want to get pissed, be pissed that companies like iHop or Darden are spending millions to fight raising the minimum wage, and are supporting politicians who want to oppress women, minorities and workers, in order to get higher corporate profits. If everyone spent as much time posting about these issues as they have about Tom, we'd all be better off." Pancake Gate update: Luv&respect the workers.Glad to sit down w/owner next time in Sea, happy about his commitment to pay raise for workers — Tom Morello (@tmorello) September 30, 2014 So Morello's put his manners back in and Meinert's smoothed things over. And we can absolutely get behind Morello's famously Damn The Man activism, any day of the week. Perhaps next time ranting about workers' rights and equality is best done when you're not rock-starring your way past a queue? Via Grub Street and Stereogum.
Whether you've got aspirations to become a social media star or simply want to level up your creativity behind the camera, Creator Summit: Powered by Fujifilm has got you covered. Taking over The Timber Yard in Port Melbourne on Saturday, May 9, 2026, this leading creator and photography festival presents a curated program of creative experiences, featuring hands-on encounters for both camera-curious creators and seasoned professionals. Spanning a stacked lineup, headlining the debut Melbourne event are viral podcasters Toni Lodge and Ryan Jon, hosts of the Toni and Ryan Podcast, who'll open the day with a keynote on building genuine communities that show up beyond the algorithm. Then, renowned travel photographer Jord Hammond will delve into how he traded the influencer economy for a purpose-led career, while The Daily Aus co-founders Zara Seidler and Sam Koslowski will unpack how they built a scroll-stopping modern newsroom. In addition, the Fujifilm Creator Summit also features 20 talks, workshops and panels, with guests invited to roam each interactive space to tailor their experience. For instance, catch multi-hyphenate creator Tara Chandra discussing longevity and diversification, acclaimed surf photographer Russell Ord reflecting on risk and instinct and Dr Michael Coyne sharing the best stories from a career spent shooting around the globe for National Geographic, TIME and The New York Times. Meanwhile, Coeur Visual founder Laz Smith will lead 'Hit Record Live', an interactive session where guests take control of the camera to capture a live music video, complete with a band, lights and on-the-spot direction. Plus, admired portrait photographer Leslie Liu hosts 'Cafe de Paris', a stylised Parisian café set where fashion, portraiture and performance collide. For sports obsessives, award-winning action and motorsport photographer Andrew Hall will present 'Freeze the Moment', a session focused on mastering speed, movement and action photography. "Whether it's developing a signature photography style, honing your visual artistry, or mastering the algorithm to turn culture into a viral moment, Creator Summit is about celebrating visual storytelling in all its forms, and our lineup for the 2026 event reflects this, featuring incredible talent from the likes of viral podcast sensations Toni and Ryan to Jord Hammond," says Fujifilm General Manager Shaun Mah. With everyone's favourite visual discovery platform, Pinterest, joining the lineup, there's also the chance to get up to speed on the latest content creation tech. Fujifilm will invite guests to get their hands on the latest Fujifilm X Series, GFX Series, and FUJINON gear. At the same time, a dedicated partner hub will feature interactive demos and workshops from leading creative brands like ALPAKA, BenQ, Adobe and Leofoto.
It's happening again: every now and then, Jetstar gives travellers a mighty fine reason to head to Japan (if the country's long list of existing drawcards, including its food scene, teamLab's digital art gallery and Studio Ghibli's very own theme park, to name a mere few, aren't enough already). When the Australian airline drops discounted fares to Tokyo and Osaka, they get snapped up quickly, too. If a getaway to either city is exactly what you need before 2025 is out, then, take note. The Australian airline usually has a sale of some description on offer at any given time; however, this one is only about discounted fares to Japan. This isn't among the carrier's return-for-free sales, but prices start at $249 one-way, still nabbing you a considerable bargain. Whichever of Tokyo and Osaka that you decide to fly into, Jetstar's new special will take you there while being nicer to your bank balance. The sale kicks off at 12pm AEST on Monday, May 19, 2025 for Club Jetstar members and at 12am on Tuesday, May 20, 2025 otherwise. Then, you've got until 11.59pm AEDT on Friday, May 23, 2025 to book, unless the discounted flights are sold out earlier. This round of bargain fares covers direct flights from Cairns, Brisbane and Sydney, plus connecting flights out of Melbourne (Tullamarine) and Adelaide. The cheapest price will get you from Cairns to Osaka, while Cairns to Tokyo costs $279. Brisbane fares start at $309 to Osaka and $429 to Tokyo, while Sydney's are $339 and $394 to the same cities. Melbourne's prices are $377 and $407, and you'll pay $394 and $424 from Adelaide. While travel dates vary, early October through to mid-December 2025 is among them. The normal Jetstar caveat applies, of course, as well as the standard advice to pack light: as is usually the case with airline, checked baggage is not included. Jetstar's Japan sale kicks off at 12pm AEST on Monday, May 19, 2025 for Club Jetstar members and at 12am on Tuesday, May 20, 2025 otherwise, running until 11.59pm AEDT on Friday, May 23, 2025 — unless it's sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
While you may think that the sandwich market is oversaturated, it seems that Melburnians can't get enough of the craze, with a new contender just opening in Prahran. Fannys Sannys is bringing chef-driven technique, generous fillings and premium coffee to Commercial Road. Chef Doug Keyte has the resume of someone you'd expect to find in the kitchen of one of Melbourne's fine diners, not behind the counter at a sandwich shop. With stints at the likes of Grill Americano and Hellenika on the Gold Coast, Fannys Sannys is Keyte's first solo venture in the hospitality industry. Keyte employs high-end kitchen techniques and leans on flavours and ingredients that chefs themselves crave on their days off to create hearty, no-nonsense sandwiches. Assembled with care and discipline, the stacked sangas include the likes of the Cheeky Bean with smoked beef cheek and barbecue beans, the Mac Daddy with a five-cheese mac and cheese filling, and the Porky Pig with porchetta, dijonnaise and salsa verde. The Krispy Green with fried John Dory, shaved fennel and green goddess sauce, has quickly become a local favourite. The new sandwich joint is also the only venue in Melbourne serving the beloved Brisbane coffee brand, Fonzie Abbott. About the new shop, Keyte says, "Take the ingredients and care you'd expect in a high-end kitchen, and put them between two pieces of bread. No shortcuts, no gimmicks — just proper food done right." Images: Supplied.
When you think of Brighton, you probably think of beach boxes, sunbathing and ice cream sangas, but this seaside suburb is so much more than just a summertime destination. Located alongside the beautiful bay in Melbourne's southeast, Brighton is a haven of local stores offering some of the city's best wares. Regardless of the season, there's always something to do. We've teamed up with American Express to encourage you to shop small and support local businesses. Below, you'll find ten shops and eateries that are helping make Brighton great. As a bonus, all of these businesses accept your American Express Card, so no need to worry about keeping coins in your boardshorts.
The nicest thing about A Minor Place is its location off the main drag. Sitting unassumingly on Albion Street, in what seems like just another cute Brunswick weatherboard house, the cafe is quiet in its surroundings but busy inside — filled with coffee and brunch seekers. Behind the espresso machine, you'll find baristas whipping up flat whites with coffee from Fitzroy-based roastery Industry Beans, while the drinks menu also covers kombucha, organic juices, smoothies, "thicc" shakes and the "fun stuff" — think espresso martinis and bloody marys. As well as the best fried haloumi you're likely to find on the northside, A Minor Place is responsible for a pretty bumper smashed avo ($16.5, plus $3 to add some of that haloumi), a sunny outside deck, and a comfy indoors that's just like being in your own house. As a bonus, with free wifi, plenty of power points and caffeine at your fingertips, this cafe is a pretty good spot for students and freelancers to take their laptops for a productive day of getting things done. Image: Visit Victoria.
Despite St Edmonds' garish exterior brickwork, entering the inner sanctum just off Greville Street, Prahran, is the complete opposite. Quiet, refined and welcoming, St Edmonds handles their space with an unassuming surety, especially in an age where new cafes pop up wherever there is room for a coffee machine. For a diner, there is nothing better than feeling at ease in your experience and knowing you'll be at liberty to let your mind wander or get caught up in conversation. Sit across the bar to inhale the selection of pastries ($5-6) on offer, or at one of the spacious tables. Either way, you'll be granted a slice of undisturbed privacy amongst fellow diners. Service is consistent and friendly, if unremarkable. The upside? Regardless of how long you spend seated you will remain undisturbed, such is the genuine, relaxed presence of St Edmonds. If you just want to dine in the presence of good company, this is certainly the place to do it. With an offering that expands to all-day eating, St Edmonds' menu is comprised of a cleverly created selection of enticing flavour combinations. The souffled omelette with smoked tomato, jamon serrano, basil and goats curd ($18) satisfies any salty cravings on hand, and in the opposite direction, the ricotta and honey pancakes with toasted pistachios, strawberry and pomegranate ($17, add bacon $20) is a decadently sweet choice. For something lighter, the seasonal fruits with honey and orange blossom ($11) finishes off a well-rounded brunch. Serves are generous and well proportioned, with a very clear emphasis on sourcing the freshest produce. Come later in the week and things become livelier; Thursday night is St Edmonds' famous burger night, and Happy Hour from 4-7pm every Thursday and Friday also provides a nice selection of vodka, wine, champagne and schooners ($5). St Edmonds is a reliable, unassuming edition to an area littered with dining options. A solid offering makes it the ideal place to while away a few wasted hours, although the enticing menu does permit just the right amount of fancy for a particular special occasion. Sleek and affable, let the food do the talking.
Sophisticated two-storey cafe Norman has made its home in the heart of South Yarra, decked out in a vision of marble, brushed brass and warm timber joinery. With its breezy blue tones and abundance of greenery, the Toorak Road venue is something of an oasis, with space for 100 diners inside and more within the sunny, white-fenced openair seating area on Cunningham Street. With owners Andrew Simmonds (The Wolf Windsor) and Paul Lange at the helm, and Matt Boylan (Fourth Chapter) heading up the kitchen, it's promising a mix of creative fare and modern cafe classics to tempt all palates. [caption id="attachment_798704" align="alignnone" width="1920"] Simon Shiff[/caption] The all-day breakfast menu might see you feasting on familiar favourites like an acai bowl ($17), the chilli scramble on brioche ($18), and french toast teamed with caramelised banana and a cherry glaze ($22). Or, shake things up with the likes of zucchini and corn waffles ($21), and coyo-topped crumpets finished with hibiscus-poached pear ($16). Lunchtime offers up another mixed bag of treats, starring plates like the char siu bao ($22), popcorn cauliflower tacos served with kimchi mayo ($19), and a loaded vegan buddha bowl ($18). To match, there's coffee by Coburg North roasters Inglewood, and a lineup of smoothies and shakes (all $9) that runs from the virtuous (a green smoothie) to the decadent (we're talking a creamy chocolate thickshake). Otherwise, embrace the summer vibes and hit the bar cart by the front door for something boozy — it's slinging spritzes, seasonal cocktails and ice-cold Peroni cans to suit those balmy afternoons. Images: Simon Shiff
The spirit of janchi — the traditional Korean feast shared during life's most meaningful milestones, from birthdays to graduations and job promotions — is alive and well at Dodam, a homely and heartfelt restaurant in East Brunswick Village. Co-founded by Jacky Kim, Jin Jung and Mars Kim, the 48-seat venue invites diners into an intimate, detail-rich space designed to evoke, per Jacky, "a small journey to Korea right here in Brunswick East". Built on the belief that a joy shared is a joy doubled, Dodam is rooted in community. Jacky and Jin — a Korean language teacher and seasoned chef, respectively — began dreaming up the concept after they moved into one of the upstairs apartments. A chance conversation with one of the building's security guards led them to pitch their idea for a modern Korean restaurant, which was quickly embraced by the property management. The husband and wife enlisted longtime friend and fellow chef Mars Kim, and together, they've created a restaurant that's both deeply personal and proudly traditional, with a menu that pays homage to home-cooked Korean meals. As such, craftsmanship and comfort are the heart of the menu. Dodam's signature Korean Meat Feast is built for sharing, a choose-your-own-adventure of grilled and braised meats like soy-marinated short ribs, spicy pork hock or grilled pork belly served with ssamjang, fresh veggies and homemade banchan. You'll also find handmade mandu (both meat and veg), a delicately wrapped bibimbap folded inside an egg crepe and soolsang, a tapas-style spread of small seasonal dishes served in custom-made plates shaped like a traditional makgeolli bottle. A fluffy mango bingsu crowned with sweet fruit and snow-like shaved ice rounds out the menu with a refreshing finish. The same level of care extends to the drinks. Dodam brews its own makgeolli in-house for up to ten days — the mix is hand-stirred every 12 hours for the first two days to foster healthy fermentation and to elevate its natural sweetness and light fizz. The interiors, designed by Remmus Architecture, blend traditional Korean motifs with personal touches. Moon jars, handcrafted plates, mother-of-pearl inlay and bojagi patchworks share space with walls hand-painted by Jin and Mars, creating a cosy and casual dining room that feels like a little pocket of Seoul in the heart of the inner north. Images: Stephanie Bailly.
Melbourne's skyline is now a little bit greener, following the launch of a new rooftop garden set atop East Melbourne's Treasure Theatre building. The design is a case study for the Green Our Rooftop project, which aims to drastically increase the green infrastructure in our city by 2050. A $2.5 million partnership between the City of Melbourne, the Victorian Government and Melbourne Water, the Treasury Place proof-of-concept hopes to inspire developers, businesses and private owners alike to adopt green spaces citywide. The rooftop garden was designed with low-maintenance, hard-to-kill and climate-resilient plants in mind; think succulents, herbs and native grasses. The space also provides a haven for bees, birds and other urban fauna, as well as reduces energy costs by cooling the building and minimising stormwater runoff. The Green Our Rooftop project highlights the potential of Melbourne's unused rooftops to transform the cityscape by showcasing a retrofit design on an existing building. The program also plans to attract more green spaces on private properties, with owners encouraged to apply for City of Melbourne's matched-funding grants via the Urban Forest Fund. Following the announcement of the project in May 2019, the rooftop underwent several years of planning, research and design before launching in February 2025. As part of the planning, the government worked with industry practitioners and researchers to undergo a thorough assessment of planting mixes, green roof systems, planting installation methods and maintenance inputs. The Treasury Place namesake will be monitored by University of Melbourne researchers, in order to form a better understanding of the most effective methods for designing and building cost-effective, impactful green rooftops going forward. "With massive greening and cooling potential, we hope the Green Our Rooftop project will lay the groundwork for retrofitting existing buildings and integrating green roofs into new developments – following the success seen in cities like New York, Singapore and Munich," says Lord Mayor Nick Reece. The Green Our Rooftop garden is now open at 1 Treasury Place, East Melbourne. For more information, visit the City of Melbourne website. Images: City of Melbourne.
Already a go-to for budget-friendly groceries, snow gear and whatever other specials that it can rustle up, ALDI is now bringing its discounted prices to your wardrobe. Selling clothes isn't new for the chain, as everyone who regularly trawls its middle aisles will be well-aware; however, for the first time ever, the brand is releasing its own ALDI streetwear collection. And yes, everything comes cheap — under $20 cheap, in fact. We all know someone that's bought a fridge, bed or TV at ALDI. You might even be that person. Now, everyone can know folks — or be them — that rock an ALDI-branded hoodie, track pants, slides, sneakers, socks or beanie. The list of items on offer in the new collection, which is called ALDImania, also includes sweatshirts, t-shirts, bucket hats and caps. For some pieces, there's also multiple colours available, with grey, navy and white the range's base hues. In total, there's 23 items made from sustainably sourced or recycled materials, with compact umbrellas and double-walled insulated mugs helping round out the collection. The socks have the lowest price, coming in at $4.99 no matter which of four styles you choose from. And the dearest item is the sneakers, which cost $19.99. In-between those maximums and minimums, fleecy hoodies will set you back $14.99, slides and beanies $7.99 each, and tees $8.99. From top to bottom — excluding underwear — you could deck yourself out in ALDI gear for less than $50. You'll only find the ALDImania collection in ALDI stores from Saturday, April 13. Given how popular the chain's usual specials are, expect the range to get snapped up quickly. "We have been offering our shoppers high-quality, affordable loungewear for years, but this is the first time we've brought our own brand of leisurewear to the middle aisles," said Belinda Grice, ALDI Australia's Buying Director for ALDImania. ALDI's streetwear range will hit the chain's supermarkets around Australia from Saturday, April 13. Visit the ALDI website for more details.
When New Farm Cinemas, The Elizabeth Picture Theatre, Red Hill Cinemas, Dendy Coorparoo, Reading Newmarket and Reading Jindalee all opened their doors in Brisbane within a few of years, it was a movie buff's dream. If you love heading to the flicks, you can never have too many places to get your big-screen fix. Those sites, and the River City's other places to catch a film, are about to get company, however — and an Australian-premiere experience. Whether Angelika Film Centre will host any Australian premieres is yet to be revealed, but opening in Brisbane in mid-2023 marks the first Aussie site — and the first outside of the US — for the brand. If you're not familiar with the name, it started in Soho in New York City in September 1989, and has grown to nine American locations since. Next stop for its projectors: the Sunshine State's film-loving capital. Reading Cinemas Group is behind the fresh addition to Brisbane's cinema scene, which has been in the works since 2017, but now sports the Angelika ties. It will make its home across two storeys at Woolloongabba's South/City/SQ. Filmgoers can look forward to an eight-screen, 400-seat cinema complex, which will span 2500 square metres. For those pre-movie drinks — or post-picture chats — Angelika Film Centre will also feature an elevated alfresco bar area, as inspired by the chain's OG Big Apple site, with views over the precinct. Film-wise, the venue will screen arthouse, independent and international films, plus releases from major Hollywood studios — but more specialised movies rather than big guaranteed blockbusters. Think: newly minted Oscar-winner Everything Everywhere All At Once if the cinema had been open in 2022, for instance. Snacks-wise, as well as cocktails from the bar, the Angelika will serve up popcorn and boast a lolly station. Fancy something a bit more substantial during your movie? There'll also be a luxe in-theatre service that'll include light food and drink options brought to you as whatever you're watching plays. "We are very excited to launch our first International Angelika Film Centre location in the heart of the amazing South/City/SQ precinct," said Mark Douglas, Managing Director of the Reading Cinemas Group for Australia and New Zealand. "The Angelika at South/City/SQ will deliver a diverse slate of films, in a world-class cinema environment. With plush recliner seats in every screen, the very latest in digital projection and sound, along with our fantastic Highline Terrace Bar and Soho Lounge auditoriums, Woolloongabba is set to be the place to see a movie in Brisbane." South/City/SQ — or South City Square, if you prefer — just keeps expanding, filling over 12,000 square metres of retail, lifestyle, wellness and hospitality space (which sits alongside 5000 square metres of green space, too). Already, the precinct includes Italian bar and eatery Sasso, Chinese Peruvian joint Casa Chow, Palm Springs-inspired gin-pouring garden bar Purple Palm, and European-influenced wine bar and wine shop South City Wine. And, it's set to welcome two-level brewpub The Wright House , which also features a with a Mad Men-inspired chophouse, in September. [caption id="attachment_893537" align="alignnone" width="1920"] Markus Ravik[/caption] Angelika Film Centre will open at South/City/SQ, 148 Logan Road, Woolloongabba, sometime in mid-2023 — we'll update you with an exact launch date when one is announced.
With autumn clearly here, you may be tempted to knock off work, race straight home and get cosy on the couch. But Richmond's Baby Pizza is giving you reason to do otherwise. Throughout April and May, they're inviting you to join them after the office with Aperol hour every day from 4–6pm. On offer are cocktails for $9.50, wine for $7.50 and beer for $6.50. The drinks list includes Aperol Spritz, Fragola Spritz, Agrumato Fizz, Brokenwood Rosato and Peroni Rossa. While you're sipping away, do consider sampling one of Baby Pizza's 11 varieties of pizza – be it the Funghi with with portobello mushrooms, porcini, buffalo taleggio, fior di latte and truffle cream, or the San Daniele Prosciutto with San Marzano tomatoes, rocket, reggiano and fior di latte. You're welcome to secure your table by making a booking (make it a booth if you can), or take your chances and walk in. Either way, you can count on a warm welcome.
Mirror Mirror cocktail bar has been plonked atop South Melbourne's Clarendon Hotel, boasting some pretty damn good views across the city's skyline. The makeover comes from the crew behind Goldilocks Rooftop Bar, House of Correction and Lost Boys Bar and is loosely inspired by the classic tale of Snow White. Signature cocktails are named after some of the story's characters, with the Evil Witch Spritz sounding devilishly good. It comes with crème de violette, Campari, lemon juice, Four Pillars gin and a few good splashes of prosecco. A tidy list of mostly Aussie wines is also available for those not wanting to spend a whole day in the sun drinking cocktails. Unlike the drinks at this new rooftop cocktail bar, the food menu is not themed. Expect Asian-fusion eats that span small plates like sesame prawn toast, veggie dumplings and satay skewers, as well as larger dishes like the wagyu steak and a pan-grilled barramundi covered in a Thai-style chilli dressing. Mirror Mirror is definitely slanted towards the luxury end of Melbourne's rooftop bar scene, with beer and parmas nowhere to be seen on the menu. But if that's the vibe you're after, you can always check out nearby haunts like The Montague, Golden Gate Hotel and Westside Aleworks after a few spritzes up at Mirror Mirror.
Even if plans for a globe-trotting overseas holiday aren't in the cards for you this year, there's an easy fix for your travel blues, and it's located just three hours south of Sydney in the picturesque South Coast region of Shoalhaven. With white sandy beaches and a breezy pace of life, this coastal stretch makes for a dream getaway destination, whenever you need a timeout from big city living. And it's brimming with beautiful stays located by the water, befitting your next, much-deserved break. We've done the hard work for you and rounded up 12 of the most blissful coastal escapes you can book in Shoalhaven. Choose a winner, pack that swimsuit and get set for a hard-earned beachside getaway. Recommended reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Bayview Magnificent, Mollymook Beach This cheery coastal getaway boasts its own backyard pool and space for the whole gang. Plus, a top-notch deck, overlooking North Mollymook Beach. From $270 a night, sleeps 12. Escape at Shady Acres, Narrawallee Soak up the serenity at this self-contained coastal retreat, featuring thoughtful modern touches, private sunny backyard and a primo location close to Narrawallee Beach. From $446 a night, sleeps eight. Drop In, Bendalong Break from reality with a stay at this gorgeously updated 50s beach cottage, rocking a suite of luxurious features, plus firepit and outdoor tub. From $392 a night, sleeps two. Banniester Head Cottage, Mollymook Beach A breezy modern cottage, boasting absolute ocean frontage. Unwind in style, with luxe furnishings, epic views and an in-ground pool overlooking the water. From $750 a night, sleeps four. Atra, Callala Beach This is the kind of stunning beachfront home you'll never want to leave. Enjoy luxurious, group-friendly spaces, dedicated media room and private beach access. From $1553 a night, sleeps 12. Barefoot, Callala Beach A luxe, modern riff on the classic beach house, with open-plan living spaces spilling right out onto private lawn and sandy shoreline. From $900 a night, sleeps four. Izba, Callala Bay Revel in your own Mediterranean-inspired paradise right on Callala Bay. This one's a lofty pad with dreamy outlook, luxury features and absolute water frontage. From $867 a night, sleeps nine. Gorgeous Beachside Cottage, Vincentia With its stylish fit-out and peaceful setting amongst sandy shoreline and natural bushland, this beachside bungalow makes for an idyllic couples' coast escape. From $229 a night, sleeps two. Cloud Nine Luxury Villa, Vincentia This architectural stunner boasts an incredible outlook over Jervis Bay, with luxurious interiors to match. Expect high-end features and a stunning deck for soaking up those views. From $690 a night, sleeps six. The River Retreat, Sussex Inlet A pet-friendly holiday paradise, set right on the river's edge. This one's got a breezy indoor-outdoor set-up with sunny waterfront lawn and its own private jetty. From $632 a night, sleeps six. The Old Bottleshop, Currarong If you're after irresistible ocean views, direct beach access and a bright, modern pad to unwind in, this is it. Pool table and roomy verandahs, included. From $814 a night, sleeps eight. Prince Edward Escape, Culburra Beach Metres from the sand, with newly renovated interiors, an enviable outdoor set-up and a separate studio apartment, this chic coastal cottage is a summer holiday dream. From $665 a night, sleeps eight. Top image: Atra FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
When the latest lockdown first came into effect, Melburnians were only allowed to shop and exercise within five kilometres of their home. Then, when stay-at-home conditions entered their second week, that distance was extended to ten kilometres. Now, from 11.59pm on Thursday, June 10, lockdown is ending. New rules will be in place, though — and the distance you can travel from your house is ramping up to 25 kilometres. People living in metropolitan Melbourne will be able to travel within the larger distance for any reason they like, too — so not just for exercise and shopping. You no longer need to adhere to the two-hour time limit, either; however, you still cannot enter regional Victoria. Hankering to go on a four-hour run or have a lengthy picnic session? Soon, you can. Those picnics can also get a little bigger as well, without outdoor gatherings of up to ten people allowed. These rules are set to stay in place for at least a week, which means you have seven days to get reacquainted with whatever is within 25 kilometres of your home. There are a few easy ways to check out your household's government-approved travel radius, but none have proved quite as popular as KM From Home — a website that originally launched in Ireland back in March 2020, when that country introduced its own travel restrictions. Melburnians jumped on board in August 2020, too, with creator Dave Bolger tweeting at that time that over 225,000 Aussies had checked the site in 24 hours. The online map is free and easy to use — simply centre it to your address, select a 25-kilometre radius and you'll see a big red or blue bubble encompassing the zone you're free to travel in under the Victorian Government's new rules. https://twitter.com/davebolger/status/1290012131702628353 You'll find other radius apps out there as well, including the likes of Map Developers and The Age's tool. Alternatively, if you've got a Garmin watch, you can download this range warning and it'll alert you when you're closing in on a certain distance from your run's starting point. Want to check a specific cafe or shopping centre to see if it falls in your 25-kilometre zone? There's a function on the Google Maps app that allows you to measure a distance as the crow flies. Simply touch and hold the location on the map until the red pin appears, then scroll down and click 'measure distance' below the venue's details. That'll tell you how exactly how far the address is from your starting point. Victoria's latest round of eased restrictions come into effect at 11.59pm on Thursday, June 10. For more information about the status of COVID-19 in Victoria, head to the Department of Health website. Top image: Km From Home
When TERROR NULLIUS roared across screens in 2018, it remixed, repurposed and recontextualised Australian cinema and television's familiar sights and sounds with the nation's political reality, all to create a pointed portrait of the country today. The ochre-hued terrain, the famous faces, BMX Bandits-era Nicole Kidman, the Mad Max franchise's road warriors, Skippy the Bush Kangaroo, Olivia Newton-John in her Grease leathers and the Rage intro — that and more was spliced into "a political revenge fable that takes the form of an eco-horror," as artist duo Soda Jerk describes it. Also featured: footage from 1988's bicentennial celebrations, snippets of Tony Abbott's speeches and examples of Mel Gibson at his abhorrent off-screen worst, to name a mere few of the film's melange of clips and sources. The result was not only a stunning piece of political art, but one of Australia's best movies of the past decade. It's also exactly what Soda Jerk do — and spectacularly — in their sample-based brand of filmmaking. Where TERROR NULLIUS traversed home soil, the pair's five-years-later next effort Hello Dankness turns its attention stateside. Co-commissioned by the Adelaide Film Festival and Samstag Museum of Art, it too is an experience that makes its audience see a wealth of recognisable imagery with fresh eyes, surveying glimpses of American suburbia to carve into the carnival that is America's political landscape-slash-hellscape between 2016–21. Ambition clearly isn't a problem for TERROR NULLIUS or Hello Dankness. Using hundreds of sources, with Hello Dankness featuring more than 300 film and TV clips, plus around 250 audio grabs, having an impact isn't a struggle, either. The former was called "unAustralian" by one of its funding bodies, ridiculously so. The latter enjoyed its international premiere at the 2023 Berlinale and just won the Best Narrative Feature Award at this year's Atlanta Film Festival. It "feels like some kind of stoned fever dream," Soda Jerk note of the movie's success so far. Next, Hello Dankness has stops at Dark Mofo and the Sydney Film Festival in June. This time, Soda Jerk have made what they dub "a suburban stoner musical rendered in the form of a cybernetic Greek tragedy". Here, everything from The Burbs and Wayne's World to Barb and Star Go to Vista Del Mar and The Social Network dance together — plus American Beauty, Friday, Napoleon Dynamite, This Is the End, Euphoria and PEN15 as well — alongside reminders of America's fake news-, conspiracy-, meme-, pandemic and culture war-ravaged society. That's where Donald Trump's Access Hollywood tape and Kendall Jenner's Pepsi ad come in, too. The soundtrack: songs from Cats, Les Misérables, Annie and The Phantom of the Opera, as everyone's favourite movies get the second life that no one other than Soda Jerk could've ever dreamed of to unpack a deeply polarised country and period. "There is no right way to inhabit the film," explains Soda Jerk, chatting with Concrete Playground about the movie's inspirations, ideas and process ahead of Hello Dankness' upcoming Aussie screenings. "There are many lulz to be had, but it's also an unsettling and weirdo ride. We've been genuinely floored by the kind of psyched enthusiasms it has received so far. Some of the screenings have been wild, almost grindhouse vibes," the pair continue. "But we're equally fond of one online hater who wrote that there are some things you should never have to see in your lifetime: one is how chicken nuggets are made and the other is Hello Dankness." ON DECIDING TO MAKE HELLO DANKNESS AFTER TERROR NULLIUS "Hello Dankness emerged in 2016 from a feeling of disbelief at the surrealness of US politics that was palpable at that time. There were Democrats eating babies, pedophiles communicating in pizza code and presidential pee-pee tapes. Conspiracies like these have always existed in the skanky corners of the derp web, but now they were circulating on boomer media sites like Facebook, Fox News and CNN. It was as though all the soberness had been sucked from reality and we had emerged into a stoned new world. So Hello Dankness really evolved as an attempt to document this sense of unreality, the raw feeling of it, and also what it might obscure or reveal about the shifting power contours of this moment. So we began Hello Dankness in 2016 and continued to research it concurrently throughout the two years we were making TERROR NULLIUS. When we wrapped TERROR NULLIUS in early 2018, we shifted to developing Hello Dankness as our sole focus. We spent four years working with ridiculous intensity on Hello Dankness from 2018 to late 2022. The adjacency of the two projects no doubt played a role in shaping their confluences and differences. While each is distinct in tone and genre, they're both national fables that offer a rogue account of political history." ON USING SUBURBIA TO PROBE AND SATIRISE AMERICA'S POLITICAL LANDSCAPE "Initially, we didn't know what form Hello Dankness would take — at one time, it was a cypherpunk political thriller based around Total Recall and 90s anime; at another time, it played out in the dystopian parallel universe of Back to the Future. But these kinds of sci-fi frameworks seemed to betray the sense of perverse ordinariness that also characterised the experience of the period 2016–21. For while so much of the pandemic was deeply upending and unprecedented, it's also true that we mostly experienced it from the numbingly familiar vista of our homes. So, accounting for this domesticity felt important, and this is what initially drew us away from sci-fi world-building and towards the imaginary of American suburbia. But we were also interested in placing the trad mythos of the suburbs under pressure, of thinking about the ways that this collective space has been reconfigured by the internet into increasingly privatised worlds and niche belief systems." ON THE PROCESS BEHIND HELLO DANKNESS — AND FINDING ALL THOSE SAMPLES "We don't work in a linear way; throughout our process we're constantly shifting between scripting, editing and sampling, depending on what's needed at any particular moment. It's a difficult process to untangle, and plays out differently for each project. With Hello Dankness, we had the added challenge that we were attempting to capture the contemporary moment as the ground kept shifting beneath us. From the outset, we knew we wanted to cover the period of the Trump presidency — but as history got sucked into a pandemic sinkhole in 2020 we had to scramble to fold in new events as they unfurled around us. We've been torrent freaks since Pirate Bay was a baby, so we've amassed a formidable archive over the past 20 years of our practice. This personal stash is usually the starting point for our research, and then we begin to target specific trajectories that we want to pursue in more depth. We're high-key obsessive about it, so if we're doing a deep dive into netsploitation flicks, we'll attempt to track down absolutely every source that's available. But sometimes the best samples emerge from happy accidents, so we try to leave room for looseness, too. There is definitely something contingent and compulsive about sampling, like there is with gambling. So much wasted time among sudden staggering windfalls. We're always out there in the trenches, digging for infinitively obscure and unlikely things we might not have seen before. Somehow though, the core samples that end up making their way into the project are usually ones we have a history with. We're like some kind of homing pigeon in that sense, always finding our way back to what we're already intimate with. We just can't seem to fight it." ON MAKING A STONER MUSICAL — AND ALSO A GREEK TRAGEDY "Stoner films and musicals made sense because they are genres that traffic in strange contortions of the everyday. Early iterations of the project also leaned heavily into the janky aesthetics of online culture and led us down many k-holes into YouTube Poop, shitcore music and advanced meme magic. Some of that still remains, but as we progressed the post-internet affectations became less literal and more encrypted. We also had an ongoing fixation with Greek tragedy that ended up shaping our conception of the characters as myths and masks." ON THE ESSENTIAL CLIPS THAT HAD TO BE IN HELLO DANKNESS "Often, the things we fall hardest for are the documentary artefacts. They're really at the centre of the way we work, and what we're trying to do, which is a kind of a contorted historiography in a sense. So with Hello Dankness, these artefacts included things like Alex Jones' InfoWars rants, Trump's Access Hollywood tape and Mark Zuckerberg's Harvard commencement speech. The Pepsi commercial was also very pivotal for us as a kind of muse for the whole project. Then there are the sources that are released while we're working on the film, that can be pretty special too. This was the case with Euphoria and PEN15 — they knocked us over in a good way." ON UNPACKING POLITICS THROUGH POP-CULTURE SAMPLES "What interests us is the idea of politics as a form of memetics, the way political messaging has begun to operate through a logic of virality and contagion. As a reality TV star, Trump's intuition for transforming reality into a compelling spectacle is undeniable. But there is also a quality to Trump that exceeds the image logic of TV. Obama's cool demeanour and deft oration connect him to the era of television, whereas Trump's scattershot presence is more suited to the virology of the internet. Trump is both shitposter and shitpost personified. We think of him as the first meme to hold office in the White House." ON TERROR NULIUS BEING CALLED "UNAUSTRALIAN" — AND THE NEED FOR FILMS LIKE IT AND HELLO DANKNESS "We've been thinking a lot about the kind of cultural shifts that have occurred since all that happened with TERROR NULLIUS. It seems pretty clear that both artists and institutions have become even more risk-averse than they were back in 2018. The spectre of social media retribution hangs like a fearsome cloud over cultural production and we feel that this has had a narrowing effect on the kind of work that's being made. It's also been gutting to witness the hideous creep of political art into content production and corporate brand collaboration. More than ever, we feel that artists need to remain committed to making difficult work, work that is pro-complexity. If political art doesn't make people uncomfortable then it's not a protest, it's a parade." Soda Jerk's Hello Dankness screens at Dark Mofo and Sydney Film Festival in June 2023 — we'll update you with future screenings around Australia and New Zealand when they're announced.
Want a New Year's Eve party without fighting the CBD gridlock? Melbourne's suburbs are turning it on this year with rooftop fireworks, beachfront dance floors, free-flowing drinks and parties that go well past midnight. Loyalty program, The Pass, is hosting a number of New Year's Eve celebrations outside of the CBD to send off 2025 in style. From a Fitzroy rooftop to a beachside bash, here's where you and your mates can celebrate. The Espy Kick off 2026 at St Kilda's iconic Hotel Esplanade. Settle in with a four-hour drinks package featuring tap beer, cider, house bubbles, wine and soft drinks, plus roaming canapés and grazing bites to keep you going all night. For $160 per person, you'll also get access to Chromeo's live DJ countdown set in The Gersh, the electro-funk duo behind Jealous (I Ain't With It) and Fancy Footwork will lead you into 2026 in style. DJs and entertainment will fill every corner of the venue, bringing in the New Year in true Espy fashion. Plus, Mya Tiger and Louey's Bar & Restaurant are offering additional packages if you're looking to level up your night. Buy your tickets at The Espy's website. [caption id="attachment_1049171" align="alignleft" width="1920"] Village Belle[/caption] Village Belle If you're looking for another beachside party, fellow St Kilda pub, the Village Belle, is ringing in 2026 with a night of celebrations. For $135 per person, you'll be on the receiving end of four hours of bottomless drinks and roaming canpés that kick off from 7pm. Live bands and DJs will keep the energy high, and you can expect a packed dance floor. Tables are first in, best dressed, so be sure to head down to the Village Belle early to make the most of the night. Secure your tickets at the Village Belle's website. [caption id="attachment_1049170" align="alignleft" width="1920"] Harlow[/caption] Harlow You don't have to be lined up on the Yarra River to watch the city's fireworks. Richmond pub, Harlow, is farewelling 2025 with sweeping views of the city fireworks at midnight. You can enjoy the New Year's Eve rooftop party with a four-hour drinks package and roaming canapés from 7pm. Early bird tickets start from $100 per person. If you're looking for something more casual, Harlow's Basement will be home to DJs until late. Book your tickets at Harlow's website. [caption id="attachment_1003848" align="alignleft" width="1920"] Public House[/caption] Public House Richmond's multi-level party palace is back with another New Year's Eve bash. Public House's party kicks off at 7.30pm with bottomless tap beer, house wine, and roaming canapés. DJs will be on deck to spin tunes right up until 2am. Want to level up the night? For only $10 more, you can purchase VIP rooftop tickets for front-row access to the CBD's fireworks, as well as having basic spirits included in your four-hour package. Balcony tickets start from $95, with Rooftop VIP tickets coming in at $105. Find your tickets at Public House's website. [caption id="attachment_1049181" align="alignleft" width="1920"] Fargo and Co[/caption] Fargo and Co Housed in the former State Bank, this historic building is home to another Richmond party this New Year's Eve. From 7–11pm, Fargo and Co will be pouring drinks, serving roaming canapés and hosting DJs to get the dance floor pumping. First-release tickets start at $79, but if you want to start early, Fargo and Co are open from 2–6 pm for walk-ins and casual bookings to get you NYE-ready. Grab your spot at Fargo and Co's website. [caption id="attachment_750545" align="alignleft" width="1920"] Provincial Hotel[/caption] Provincial Hotel Looking for a northside haunt? The Provincial Hotel in Fitzroy is hosting a rooftop party this New Year's Eve. From 7–11pm there'll be four hours of selected cocktails, beer, wine, spirits, and even an oyster station. Roaming canapés and a churro chocolate fountain will help you to send off 2025 in style. DJs will spin tracks from 7pm, and a roaming saxophonist will soundtrack the evening's festivities. Enjoy views of the city skyline on the rooftop and get ready to ring in 2026. Early bird tickets start from $159, with first and second release increasing by $10. Book your tickets at the Provincial Hotel's website. [caption id="attachment_1049167" align="alignleft" width="1920"] Anglers Tavern[/caption] Anglers Tavern Party into 2026 at Anglers Tavern's all-white dress-up New Year's Eve party on the Maribyrnong River. Expect a high-energy night with exclusive upstairs access, nonstop DJs spinning R&B, house and party anthems, fire performers, roaming dancers and prime views of the 10pm and midnight waterfront fireworks. Select tickets include three hours of bottomless drinks and premium roaming canapés. Dress in white, arrive ready to party, and celebrate the end of 2025. Book your tickets at Eventbrite. [caption id="attachment_1049166" align="alignleft" width="1920"] West Beach Pavilion[/caption] West Beach Pavilion West Beach Pavilion is seeing off 2025 with a beachside celebration. The venue will ease into the afternoon as usual, but from early evening, the focus shifts to new cabana experiences made for sunset and fireworks. From 6pm, guests can book a Sunset Cabana Package — a two-hour session ($200) that includes a bottle of rosé, white, red or sparkling. Later, a NYE Cabana Package offers an 8.30–9pm arrival and guarantees your cabana through midnight, with grazing platters and a bottle of wine included ($300). Those seeking a more relaxed experience can opt for free table bookings at 6pm, 8pm, or 10pm. After 9pm, the Pavilion switches to guestlist-only entry. It's free to sign up, but spots are limited. Expect DJ sets, cocktails and beachside access for the fireworks. Book your sunset spot at West Beach Pavilion's website. [caption id="attachment_854105" align="alignleft" width="1920"] College Lawn Hotel[/caption] College Lawn Hotel Kick-start 2026 at the College Lawn in Prahran. This daytime party kicks off from 2pm with a complimentary glass of bubbles and a three-hour beverage package. You can indulge in a bottomless barbecue feast in the beer garden before ringing in the New Year at midnight. The afternoon event starts at $100 per person. Book your tickets at the College Lawn Hotel's website. For more information on The Pass and other venues, head to the website.
The season for openair dance floors is almost upon us — and Melbourne's Boiler Room x Sugar Mountain fest has just unveiled a bumper lineup for its impending 2023 instalment to get you in the mood for all the balmy shape-throwing sessions to come. The party is set to return to the Seaworks Maritime Precinct on Saturday, January 21, with its legendary 360-degree stage in tow, as always. And gracing it this time around will be a roll-call of dance music legends from both near and far, with the bill headlined by Detroit's underground vinyl star DJ Bone and Catalan DJ John Talabot. Of course, with the likes of Boiler Room and Sugar Mountain in charge, you know the fun's not ending there. Also heading along to soundtrack the day's moves: Canadian DJ Darwin (aka Fallon MacWilliams), along with Melbourne's own Roza Terenzi and Colette, Gunai/Kurnai & Yorta Yorta artist DJ PGZ, and envelope-pushing Egyptian-Australian producer Moktar. The one-stage event promises to have you moving from early afternoon until the wee hours, making the most of its spacious waterfront home in Williamstown. You can nab early bird tickets to the festival from 2pm on Thursday, November 17. But be warned — if this month's sold-out November party Boiler Room: Melbourne (Naarm) is anything to go by, those tickets won't be sticking around for long. [caption id="attachment_878333" align="alignnone" width="1920"] Mushroom Creative House[/caption] BOILER ROOM x SUGAR MOUNTAIN 2023 LINEUP: Colette Darwin DJ Bone DJ PGZ John Talabot Moktar Roza Terenzi [caption id="attachment_878339" align="alignnone" width="1920"] DJ Bone[/caption] [caption id="attachment_878340" align="alignnone" width="1920"] Colette[/caption] Boiler Room x Sugar Mountain is happening at Seaworks Maritime Precinct on Saturday, January 22, 2023. Tickets go on sale online at 2pm AEDT on Thursday, November 17. Top Images: Ryan Achilles and Mushroom Creative House
Almost three decades ago, before he had the world saying "thank you, thank you very much" to Elvis, before he explored the birth of American hiphop in Netflix's The Get Down, and before gave The Great Gatsby a spin and made Moulin Rouge! spectacular (spectacular), too, Baz Luhrmann achieved two not-too-insignificant things with his film version of Romeo + Juliet. Not only did the Australian director's vibrant take on the classic tragedy completely change the way everyone thinks about Shakespeare adaptations — it also delivered one of the killer soundtracks of the 90s, and one that many a movie has tried and failed to top since. The track list speaks for itself, really, featuring everything Garbage's '#1 Crush' to The Cardigans' 'Lovefool' to Radiohead's 'Talk Show Host'. Everclear, Butthole Surfers, Des'ree and Quindon Tarver's 'Everybody's Free (To Feel Good)' also pop up, with Luhrmann turning the greatest love story ever told into the greatest soundtrack ever sold. If you were around and of a certain age back in 1996, you definitely owned a copy. You probably still do. Even if you weren't loving it before the turn of the century, you should now as well. It's no wonder, then, that not just the picture but the tunes keep being celebrated as Romeo + Juliet nears its 30th anniversary in 2026. In London for more than a decade, concert screenings of the movie with a live choir and band have been wowing audiences and selling out. More than half-a-million filmgoers have attended. Now, Baz Luhrmann's Romeo + Juliet: A Cinematic Experience is finally coming to Australia. Young hearts run free to The Astor Theatre in Melbourne, which is playing host to the Australian debut of this live experience from Tuesday, September 23–Sunday, September 28, 2025. New sessions have already been added due to demand, and there's no word yet if the shows will make their way to other Australian cities. "Audiences really feel like they're stepping into Verona as we don the theatre for a multisensory experience," said Dominic Davies, CEO of the UK's Backyard Cinema, which created the experience. "After sellout performances in London, we are thrilled that Sony Music Australia is bringing this production Down Under for the first time." "The Astor Theatre is such an iconic Melbourne venue and will provide a majestic backdrop for the immersive performance — it will be an experience like no other," added Sony Music Australia and New Zealand Chair and CEO Vanessa Picken. "The show has done incredibly well in London for a long time. We're really looking forward to adding a local slant with a well-known narrator to be announced soon." Baz Luhrmann's Romeo + Juliet: A Cinematic Experience runs at The Astor Theatre, 1 Chapel Street, St Kilda, from Tuesday, September 23–Sunday, September 28, 2025 — head to Ticketek for more details and tickets. Images: Andrew Ogilvy Photography.
Melbourne Central's famed giant cone top looks pretty impressive from below... but just imagine the view from above. Well, soon enough, that might not be such a stretch of the imagination, as the centre reveals plans for a huge transformation, including the addition of a sprawling rooftop garden and cultural hub. Following the announcement of Melbourne Central's new ten-storey office tower Frame and the opening of its boutique food and drink precinct Ella, comes news the centre is planning a total reinvention by 2021. If it gets the go-ahead from council, it'll be the site's biggest transformation in twenty years. Under the most recent proposal, the crowning glory of the new-look Melbourne Central will be a 2000-square-metre open-air rooftop complete with large-scale art installation, hawker-style food stalls and a series of 'experiential spaces'. The vision for the rooftop shows plenty of greenery, along with sweeping views of the city skyline. Two new retail levels would be also added, while the existing Drewery Place will be revived with a new cafe and tower access. It's all set to be imagined by ARM Architecture, the same studio behind the original build. If you're getting deja vu, that's probably because this is just the latest in a string of new public rooftop spaces currently in the works. A 2000-square-metre rooftop urban farm is being built at the Burwood Brickworks site, Melbourne Skyfarm is set to grace the rooftop of a carpark within the Seafarers Place precinct, and a smaller urban farm helmed by Pastuso chef-owner Alejandro Saravia will also be featured atop the new 80 Collins development. If the proposed Melbourne Central designs get the tick of approval from Melbourne City Council, construction would kick off early next year, with completion slated for 2021.
Every year is a good year for movies. Every year delivers must-see highlights, flat-out masterpieces and films so good that they become your instant favourites. The flicks change — the names, stars and plots, too — but there's simply no such thing as a bad year for cinema. Because so many titles get released each year, there's always going to be a big batch of gems brightening up the big screen. There'll be terrible movies as well, but that just comes with the territory. 2021 is only halfway through, and it's already a good year for movies. It's a great, excellent and downright stellar year, in fact. Plenty of the films that've made their way to cinemas across the past six months came out last year overseas, but that doesn't matter — a fantastic movie remains just that no matter when it reaches viewers. Some of this year's cinematic highlights so far have already won shiny trophies for their efforts. Others just might in the future. Either way, here's the 12 overwhelming exceptional films that've proven 2021's best already. If you haven't seen them all, consider this your must-watch list for before the year is out. PROMISING YOUNG WOMAN Promising Young Woman would've made an excellent episode or season of Veronica Mars. That's meant as the highest compliment to both the bubblegum-hued take on the rape-revenge genre and the cult-status private detective series. Writer/director Emerald Fennell clearly isn't blind to the parallels between the two, even casting Veronica Mars stars Max Greenfield (New Girl) and Chris Lowell (GLOW) in her feature debut. Don't go thinking the Killing Eve season two showrunner and The Crown actor is simply following in other footsteps, though. At every moment, the brilliant and blistering Promising Young Woman vibrates with too much anger, energy and insight to merely be a copycat of something else. It's a film made with the savviest of choices, and provocative and downright fearless ones as well, in everything from its soundtrack to its weaponised pastel, peppy and popping Instagram-friendly imagery. You don't include Italian quartet Archimia's orchestral version of Britney Spears' 'Toxic', Paris Hilton's 'Stars Are Blind' and an abundance of vibrant surface sheen in a movie about a woman waging war on the culture of sexual assault without trying to make a statement — and Fennell succeeds again and again. She has also made the smart decision to cast Carey Mulligan, and to draw upon the acclaimed actor's near-peerless ability to express complex internalised turmoil. Mulligan's fierce lead performance scorches, sears and resounds with such burning truth, and so does the feature she's in as a result. When Mulligan's character, Cassie Thomas, is introduced, she's inebriated and alone at a nightclub, her clothing riding up as she slouches in her seat. Three men discuss women over beverages by the bar, and notice Cassie while talking, with one commenting, "they put themselves in danger, girls like that". No woman brings sexual assault upon themselves, with this whole intelligent and astute revenge-thriller rebuffing the bro-ish bar guy's early observation in every way possible, and meting out punishment to those who think similarly. As viewers see in the film's opening sequence, Cassie is offered help by one of the chatting guys, Jerry (The OC's Adam Brody), who is concerned she could be taken advantage of by men who aren't as nice as him — but then takes her home, makes sexual advances, and learns that the medical school dropout-turned-coffee shop employee he's trying to bed has a lesson for him. Colour-coded names and tallies scrawled in a notebook illustrate this isn't a first for Cassie. The script drip-feeds details about its protagonist's motivations for her ritualistic actions; however, the specifics aren't hard to guess. Cassie's central vigilante quest is forced to adapt after she hears news about someone from her past, and the movie takes her to bold places, boasting a relentlessness that mirrors the persistence of grief and pain after trauma. Promising Young Woman never lets its protagonist's rage subside, proving furious from start to finish — and sharing that feeling even in the film's most overt setups and obvious scenes (which are also some of its most entertaining) is a foregone conclusion. Read our full review. FIRST COW Gone are the days when every image that flickered across the screen did so within an almost square-shaped frame. That time has long passed, in fact, with widescreen formats replacing the 1.375:1 Academy aspect ratio that once was standard in cinemas, and its 4:3 television counterpart. So, when a director today fits their visuals into a much tighter space than the now-expansive norm, it's an intentional choice. They're not just nodding to the past, even if their film takes place in times gone by. With First Cow, for instance, Kelly Reichardt unfurls a story set in 19th-century America, but she's also honing her audience's focus. The Meek's Cutoff, Night Moves and Certain Women filmmaker wants those guiding their eyeballs towards this exquisite movie to truly survey everything that it peers at. She wants them to see its central characters — chef Otis 'Cookie' Figowitz (John Magaro, Overlord) and Chinese entrepreneur King-Lu (Orion Lee, Zack Snyder's Justice League) — and to realise that neither are ever afforded such attention by the others in their fictional midst. Thoughtfully exploring the existence of figures on the margins has long been Reichardt's remit, as River of Grass, Old Joy and Wendy and Lucy have shown as well, but she forces First Cow's viewers to be more than just passive observers in this process. There's much to take in throughout this magnificently told tale, which heads to Oregon as most of Reichardt's movies have. In its own quiet, closely observed, deeply affectionate and warm-hearted fashion, First Cow is a heist movie, although the filmmaker's gentle and insightful spin on the usually slick and twist-filled genre bucks every convention there is. Initially, after watching an industrial barge power down a river, First Cow follows a woman (Alia Shawkat, Search Party) and her dog as they discover a couple of skeletons nearby. Then, jumping back two centuries and seeing another boat on the same waterway, it meets Cookie as he's searching for food. Whatever he finds, or doesn't, the fur-trapper team he works with never has a kind word to spare. But then Cookie stumbles across King-Lu one night, helps him evade the Russians on his tail, and the seeds of friendship are sown. When the duo next crosses paths, they spend an alcohol-addled night sharing their respective ideas for the future. Those ambitious visions get a helping hand after the Chief Factor (Toby Jones, Jurassic Park: Fallen Kingdom) ships in the region's highly coveted first cow, with Cookie and King-Lu secretly milking the animal in the dark of night, then using the stolen liquid to make highly sought-after — and highly profitable — oily cakes. Read our full review. EMA Before 2021 comes to an end, Pablo Larraín will have given the world Spencer, a new biopic about Princess Diana featuring Kristen Stewart as the royal figure. Also on his hit list this year: the just-released Lisey's Story, a Julianne Moore-starring TV adaptation of a Stephen King book that has been scripted for the screen by the author himself. But with Ema, he's already gifted viewers something exceptional — and something that'll be hard to beat. A new project by Larraín is always cause for excitement, and this drama about a reggaeton dancer's crumbling marriage, personal and professional curiosities, and determined quest to become a mother rewards that enthusiasm spectacularly. In fact, it's a stunning piece of cinema, and one that stands out even among the Chilean director's already impressive resume. He's the filmmaker behind stirring political drama No, exacting religious interrogation The Club, poetic biopic Neruda and the astonishing, Natalie Portman-starring Jackie — to name just a few of his movies — so that's no minor feat. For the first time in his career, Larraín peers at life in his homeland today, rather than in the past. And, with his now six-time cinematographer Sergio Armstrong (Tony Manero, Post Mortem), he gazes as intently as he can. Faces and bodies fill Ema's frames, a comment that's true of most movies; however, in both the probing patience it directs its protagonist's way and the kinetic fluidity of its dance sequences, this feature equally stares and surveys. Here, Larraín hones in on the dancer (Mariana Di Girólamo, Much Ado About Nothing) who gives the feature its name. After adopting a child with her choreographer partner Gastón (Gael García Bernal, Mozart in the Jungle), something other than domestic bliss has followed. Following a traumatic incident, and the just as stressful decision to relinquish their boy back to the state's custody, Ema is not only trying but struggling to cope in the aftermath. This isn't a situation she's simply willing to accept, though. Ema, the movie, is many things — and, most potently, it's a portrait of a woman who is willing to make whatever move she needs to, both on the dance floor and in life, to rally against an unforgiving world, grasp her idea of freedom and seize exactly what she wants. Di Girólamo is magnetic, whether she's dancing against a vivid backdrop, staring pensively at the camera or being soaked in neon light. Bernal, one of the director's regulars, perfects a thorny role that ties into the film's interrogation of Chile's class and cultural divides. And Larraín's skill as both a visual- and emotion-driven filmmaker is never in doubt. Indeed, this film's imagery isn't easily forgotten, and neither is its mood, ideas, inimitable protagonist, or stirring exploration of trauma, shock and their impact. Read our full review. MINARI Although they can frequently seem straightforward, films about the American dream aren't simply about chasing success. The circumstances and details change, but they're often movies about finding a place to call home as well. Such a quest isn't always as literal as it sounds, of course. While houses can signify achievement, feeling like you truly belong somewhere — and that you're comfortable enough to set your sights on lofty goals and ambitions that require considerable risks and sacrifices — transcends even the flashiest or cosiest combination of bricks and mortar. Partly drawn from writer/director Lee Isaac Chung's (Abigail Harm) own childhood, Minari understands this. It knows that seeking a space to make one's own is crucial, and that it motivates many big moves to and within the US. So, following a Korean American couple who relocate to rural Arkansas in the 80s with hopes of securing a brighter future for their children, this delicately observed and deeply felt feature doesn't separate the Yi family's attempts to set up a farm from their efforts to feel like they're exactly where they should be. The result is a precise, vivid, moving, and beautifully performed and observed film told with honest and tender emotion — so much so that it was always bound to be equally universal and unique. When Jacob Yi (Steven Yeun, Burning) introduces his wife Monica (Yeri Han, My Unfamiliar Family), pre-teen daughter Anne (first-timer Noel Cho) and seven-year-old son David (fellow newcomer Alan S Kim) to their new 50-acre plot, he's beaming with pride. He's bought them "the best dirt in America," he says. It might only span a trailer, a field and a creek, but he's certain that it will revolutionise their lives. Although both Jacob and Monica still spend their days in a chicken sexing factory to pay the bills, Jacob is confident his agrarian dream will reap rewards. The path he's chosen isn't a glossy fantasy, though. From trying to work out where best to build a well to provide water for his crops, to endeavouring to convince stores to buy his wares, Jacob weathers more than his fare share of struggles. Monica's worries about their isolation, and about money, also weigh heavily, as she'd rather live in a larger city as part of the Korean diaspora. Also joining their daily woes in a movie that eschews overt conflicts for everyday dramas: Anne and David's attempts to fit in, the latter's heart murmur and the change that sweeps through the family when Monica's mother Soonja (Youn Yuh-jung, Sense8) comes to live with them. Read our full review. GUNDA Move over Babe, Piglet, Porky and Peppa. Thanks to monochrome-hued documentary Gunda, cinema has a brand new porcine star. Or several, to be exact; however, other than the eponymous sow, none of the attention-grabbing pigs in this movie are given names. If that feels jarring, that's because it breaks from film and television's usual treatment of animals. Typically on-screen, we see and understand the zoological beings we share this planet with as only humans can, filtering them through our own experience, perception and needs. We regard them as companions who become our trustiest and most reliable friends; as creatures who play important roles in our lives emotionally, physically and functionally; as anthropomorphised critters with feelings and traits so much like ours that it seems uncanny; and as worthy targets of deep observation or study. We almost never just let them be, though. Whether they're four-legged, furry, feathered or scaly, animals that grace screens big and small rarely allowed to exist free from our two-legged interference — or from our emotions, expectations or gaze. Gunda isn't like any other movie you've seen about all creatures great and small, but it can't ignore the shadow that humanity casts over its titular figure, her piglets, and the one-legged chicken and paired-off cows it also watches, either. It's shot on working farms, so it really doesn't have that luxury. Still, surveying these critters and their lives without narration or explanation, this quickly involving, supremely moving and deeply haunting feature is happy to let the minutiae of these creatures' existence say everything that it needs to. The delights and devastation alike are in the details, and the entire movie is filled with both. Filmmaker Victor Kossakovsky (Aquarela) looks on as Gunda's namesake gives birth, and as her offspring crawl hungrily towards her before they've even properly realised that they're now breathing. His film keeps peering their way as they squeal, explore and grow, and as they display their inquisitive, curious and sometimes mischievous personalities, too. Sometimes, this little family rolls around in the mud. At other times, they simply sleep, or Gunda takes the opportunity to enjoy some shut-eye while her piglets play. Whatever they're doing, and whenever and where, these pigs just going about their business, which the feature takes in frame by frame. In one of the documentary's interludes away from its porcine points of focus, the aforementioned chook hops about. Whether logs or twigs are involved, it too is just navigating its ordinary days. In the second of the movie's glimpses elsewhere, cattle trot and stand, and their routine couldn't seem more commonplace as well. Read our full review. ANOTHER ROUND Even the most joyous days and nights spent sipping your favourite drink can have their memory tainted by a hangover. Imbibe too much, and there's a kicker just waiting to pulsate through your brain and punish your body when all that alcohol inevitably starts to wear off. For much of Another Round, four Copenhagen school teachers try to avoid this feeling. The film they're in doesn't, though. It lays bare the ups and downs of knocking back boozy beverages, and it also serves up a finale that's a sight to behold. Without sashaying into spoiler territory, the feature's last moments are a thing of sublime beauty. Some movies end in a WTF, "what were they thinking?" kind of way, but this Oscar-winning Danish film comes to a conclusion with a big and bold showstopper that's also a piece of bittersweet perfection. The picture's highest-profile star, Mads Mikkelsen (Arctic), is involved. His pre-acting background as an acrobat and dancer comes in handy, too. Unsurprisingly, the substances that flow freely throughout the feature remain prominent. And, so does the canny and candid awareness that life's highs and lows just keep spilling, plus the just-as-shrewd understanding that the line between self-sabotage and self-release is as thin as a slice of lemon garnishing a cocktail. That's how Another Round wraps up, in one the many masterstrokes poured onto the screen by writer/director Thomas Vinterberg (Kursk) and his co-scribe Tobias Lindholm (A War). The film's unforgettable finale also expertly capitalises upon a minor plot detail that viewers haven't realised had such significance until then, and that couldn't typify this excellent effort's layered approach any better. But, ending with a bang isn't the movie's only achievement. In fact, it's full of them. The picture's savvy choices start with its premise, which sees the quiet and reserved Martin (Mikkelsen) and his fellow educators Tommy (Thomas Bo Larsen, Veni Vidi Vici), Peter (Lars Ranthe, Warrior) and Nikolaj (Magnus Millang, The Commune) all decide to put an out-there theory to the test. Motivated by real-life Norwegian psychiatrist Finn Skårderud, they conduct an experiment that involves being permanently sauced. Skårderud has hypothesised that humans are born with a blood alcohol deficit of 0.05 percent, so, with some cajoling needed on Martin's part, the quartet work that idea into their daily lives. Ground rules are established, and the shots, sneaky sips and all-hours drinking swiftly begins — and so splashes a tragicomic look at coping with mundane lives and the realities of getting older in an extreme fashion that's frank, unflinching, and yet also warm and sometimes humorous. Read our full review. COLLECTIVE We can only hope that one day, likely in a far distant future, documentaries will stop doubling as horror films. That time hasn't arrived yet — and as Collective demonstrates, cinema's factual genre can chill viewers to the bone more effectively than most jump- and bump-based fare. Nominated for Best Documentary Feature and Best International Feature at the 2021 Academy Awards (only the second time that's ever happened, after last year's Honeyland), this gripping and gut-wrenching Romanian doco starts with a terrible tragedy. On October 30, 2015, a fire broke out at a metal gig in Bucharest, at a club called Colectiv. Twenty-seven people died in the blaze, and 180 people were injured as they tried to escape via the site's lone exit; however, that's just the beginning of the movie's tale. In the four months afterwards, as burn victims were treated in the country's public hospitals, 37 more passed away. When journalist Cătălin Tolontan and his team at The Sports Gazette started investigating the fire's aftermath and the mounting casualty list, they uncovered not only widespread failures throughout Romania's health system, but also engrained corruption as well. This truly is nightmare fuel; if people can't trust hospitals to act in their patients' best interest after such a sizeable disaster, one of the fundamental tenets of modern society completely collapses. Early in Collective, director, writer, cinematographer and editor Alexander Nanau (Toto and His Sisters) shows the flames, as seen from inside the club. When the blaze sparks from the show's pyrotechnics, hardcore band Goodbye to Gravity has just finished singing about corruption. "Fuck all your wicked corruption! It's been there since our inception but we couldn't see," the group's singer growls — and no, you can't make this up. It's a difficult moment to watch, but this is a film filled with unflinching sights, and with a viscerally unsettling story that demands attention. Nanau occasionally spends time with the bereaved and angry parents of victims of the fire, even bookending the documentary with one man's distress over the "communication error" that contributed to his son's death. The filmmaker charts a photo shoot with Tedy Ursuleanu, a survivor visibly scarred by her ordeal, too. And yet, taking an observational approach free from narration and interviews, and with only the scantest use of text on-screen, Collective's filmmaker lets much of what's said rustle up the majority of the movie's ghastliest inclusions. Read our full review. THE NEST Before watching The Nest, you mightn't have imagined Jude Law playing Mad Men's Don Draper. He didn't, of course. But this new 80s-set psychological thriller about a corroding marriage brings that idea to mind, because it too follows a man who spends his days selling a dream, thinks he can talk and charm his way into anything, and may have unleashed his biggest spin upon himself. More often than not, Law's character here has used his charisma to get whatever he wants, and to evade whichever sticky personal and professional situations he's plunged himself into. Indeed, stock trader Rory O'Hara slides easily into Law's list of suave on-screen roles, alongside the likes of The Talented Mr Ripley and Alfie. But there's also a tinge of desperation to his arrogance, as the actor showcased well in miniseries The Third Day. A Brit who relocated to New York and married horse trainer Allison (Carrie Coon, Widows), Rory looks the picture of Reagan-era affluence but, when he suddenly wants to return to London to chase new work opportunities, the cracks in his facade start widening. As directed with a heightened sense of dread by Martha Marcy May Marlene filmmaker Sean Durkin, The Nest busts open those fractures, with Allison, her teenage daughter Sam (Oona Roche, Morning Wars) and her son Ben (Charlie Shotwell, The Nightingale) all weathering the repercussions. While it's obvious from the outset that trouble is afoot, Durkin isn't in any rush to unleash The Nest's full nightmare. He wants his viewers to linger in it, because his characters must. Allison is forced to live with the knowledge that little is right, but the way she chain-smokes hurriedly illustrates that she also knows how far her fortunes could fall. Every move Rory makes is driven by his need to paint a gleaming portrait of himself, and he knows that it's a reverse Dorian Gray situation: the shinier and flashier he makes everything seem to anyone who'll listen, the more he rots inside. Durkin doesn't just rely upon an exacting pace and a festering mood of gloom, though. Reuniting with cinematographer Mátyás Erdély (Son of Saul) after 2013 miniseries Southcliffe, he gives every second of The Nest an eerie look — whether staying a few beats longer than normal on its opening shot, lensing vast rooms to emphasise their emptiness, repeatedly peering at the film's characters through glass or breaking out the most gradual of zooms. All that tension and unease conveys not only Rory and Allison's domestic discontent, but also the false promises of chasing capitalism-driven fantasies. And, with Coon as essential as Law and Durkin, it drives an excellent thriller that knows how how gut-wrenching it feels to realise that the life you don't even love is a sham. Read our full review. SYNCHRONIC Justin Benson and Aaron Moorhead made a significant splash in genre circles with 2014's horror-romance Spring and 2017's excellent cult thriller The Endless, but they aren't currently household names. If the duo keep writing and directing mind-bending sci-fi like Synchronic, though, they will be sooner rather than later. The pair actually appear destined to become better known via Marvel. They're slated to helm one of the MCU's many upcoming Disney+ TV series, the Oscar Isaac-starring Moon Knight, in fact. But, they've already worked their way up from the US$20,000 budget of their 2012 debut Resolution to making movies with Anthony Mackie and Jamie Dornan. Here, with Marvel's own Falcon and Fifty Shades of Grey's leading man, they play with time, relativity, fate and brain-altering substances. They ponder the shadows that the past leaves on the present, the way that progressing through life can feel far more like a stumble than following a clear path, and how confronting loss and death can reframe your perspective on living, too. Those temporal jumps and existential themes aren't new, of course, and neither is the film's steely look and feel, and its willingness to get dark. That's the thing about Benson and Moorhead, however: few filmmakers can twist familiar parts into such a distinctive, smart and engaging package in the same way, and with each and every one of their movies. Synchronic shares its title with a designer drug. In the film's vision of New Orleans, the hallucinogen can be bought in stores — and plenty of people are doing just that. Shift after shift, paramedics Steve Denube (Mackie) and Dennis Dannelly (Dornan) find themselves cleaning up the aftermath, as users keep overdosing, dying in unusual ways and getting injured in strange mishaps. And, these aren't your usual drug-fuelled incidents. One, involving a snakebite, happens in a hotel without even the slightest sign of slithering reptiles. That's enough to arouse the world-wearied Steve and Dennis' interest, and to give them something to talk about other than the former's attachment-free life and the latter's marriage. Then Dennis' teenage daughter Brianna (Ally Ioannides, Into the Badlands) goes missing, and the two EMTs are instantly keen to investigate any links that the popular pill might have to her disappearance. Cue a film that initially drips with tension, dread and intensity; uses every tool at its disposal to take viewers on a trippy journey; and grounds its surreal imagery and off-kilter atmosphere in genuine emotions. Each of Benson and Moorhead's four films so far are strikingly shot and astutely written, and rank among the best horror and sci-fi efforts of the past decade, but they're also as thoughtful and resonant as they are intelligent and ambitious — and that's an irresistible combination. Read our full review. THE FATHER Forgetting, fixating, flailing, fraying: that's The Father. Anthony's (Anthony Hopkins, Westworld) life is unravelling, with his daughter Anne (Olivia Colman, The Crown) springing the sudden news that she's about to move to Paris, and now insistent that he needs a new carer to replace the last home helper he's just scared off. He also can't find his watch, and time seems to jump suddenly. On some days, he has just trundled out of bed to greet the morning when Anne advises that dinner, not breakfast, is being served. When he brings up her French relocation again, she frostily and dismissively denies any knowledge. Sometimes another man (Mark Gatiss, Dracula) stalks around Anthony's London apartment, calling himself Anne's husband. Sometimes the flat isn't his own at all and, on occasion, both Anne (Olivia Williams, Victoria and Abdul) and her partner (Rufus Sewell, Judy) look completely different. Intermittently, Anthony either charms or spits cruel words at Laura (Imogen Poots, Black Christmas), the latest aide hired to oversee his days. She reminds him of another daughter, one he's sure he had — and preferred — but hasn't heard from for years. When he mentions his other offspring, however, everyone else goes silent. More than once, Anthony suspects that someone has pilfered his beloved timepiece, which just keeps disappearing. Largely, The Father remains housebound. For the bulk of its 97 minutes, it focuses on the cardigan-wearing Anthony as he roams around the space he calls home. But this is a chaotic film, despite its visual polish, and that mess, confusion and upheaval is entirely by design. All the shifting and changing — big and small details alike, and faces and places, too — speak to the reason Anne keeps telling Anthony they need another set of hands around the house. His memory isn't what it used to be. In fact, it's getting much worse than that. Anthony knows that there's something funny going on, which is how he describes it when his sense of what's happening twists and morphs without warning, and The Father's audience are being immersed in that truth. Anthony has dementia, with conveying precisely how that feels for him the main aim of this six-time Oscar-nominated stage-to-screen adaptation. As overwhelming as The Father can be as it wades through Anthony and Anne's lives, its unflinching and unsparing approach is anchored in kindness and compassion, which novelist and playwright turned first-time director Florian Zeller has brought to the screen in a stunning fashion from Le Père, his own play. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. IN THE HEIGHTS Lin-Manuel Miranda isn't the first lyricist to pen tunes so catchy that they get stuck in your head for years (yes, years), but his rhythmic tracks and thoughtful lines always stand out. Miranda's songs are melodic and snappy, as anyone who has seen Hamilton onstage or via streaming definitely knows. The multi-talented songwriter's lyrics also pinball around your brain because they resonate with such feeling — and because they're usually about something substantial. The musical that made his name before his date with US history, In the Heights echoes with affection for its eponymous Latinx New York neighbourhood. Now that it's reverberating through cinemas, its sentiments about community, culture, facing change and fighting prejudice all seem stronger, too. To watch the film's characters sing about their daily lives and deepest dreams in Washington Heights is to understand what it's like to feel as if you truly belong in your patch of the city, to navigate your everyday routine with high hopes shining in your heart, and to weather every blow that tries to take that turf and those wishes away. That's what great show tunes do, whisking the audience off on both a narrative and an emotional journey. Miranda sets his words to hip hop beats, but make no mistake: he writes barnstorming songs that are just as rousing and moving, and that've earned their place among the very best stage and screen ditties as a result. Watching In the Heights, it's hard not to think about all those stirring tracks that've graced previous musicals. That isn't a sign of derivation here, though. Directing with dazzling flair and a joyous mood, Crazy Rich Asians filmmaker Jon M Chu nods to cinema's lengthy love affair with musicals in all the right ways. His song-and-dance numbers are clearly influenced by fellow filmic fare, and yet they recall their predecessors only because they slide in so seamlessly alongside them. Take his staging of '96000', for instance. It's about winning the lottery, after word filters around that bodega owner Usnavi (Anthony Ramos, a Hamilton alum) has sold a lucky ticket. Due to the sweltering summer heat, the whole neighbourhood is at the public pool, which is where Chu captures a colourful sea of performers expressing their feelings through exuberantly shot, staged and choreographed music and movement — and it's as touching and glorious as anything that's ever graced celluloid. Of course, $96,000 won't set anyone up for life, but it'd make an enormous difference to Usnavi, In the Heights' protagonist and narrator. It'd also help absolutely everyone he loves. As he explains long before anyone even hears about the winning ticket, or buys it, every Heights local has their own sueñitos — little dreams they're chasing, such as his determination to relocate to the Dominican Republic. And that's what this intoxicating, invigorating, impassioned and infectious captures with vibrant aplomb. Read our full review.
Remember UNO — it's lotsa fun, it's number one? Well, this hugely popular card game that never seems to go out of vogue is levelling things up with a playful activation that's sweeping across the country. Presented in collaboration with hospo jugganauts Australian Venue Co., now your chance to get social with your pals in a much-loved pub near you. Fresh from a Vegas Residency and activations across the UK, the UNO Social Club has kicked off in Brisbane at Riverland. Running until Thursday, February 5, visitors will encounter a UNO-themed extravaganza by the waterfront, combining special gameplay nights, long-weekend celebrations, themed cocktails, free UNO decks and heaps more. "UNO has been part of Australian homes for generations and that familiarity is what makes this experience special," says Paul Faulkner, Senior Vice President and Managing Director of Mattel Asia Pacific. "Our Social Clubs will give people a fun, welcoming place to meet up, enjoy the atmosphere of a well-loved pub and share a game that brings people together — we can't wait to see how Aussie fans embrace the unique experience." While Brisbane is the first stop on this national tour, you'll soon be invited to shout UNO or pull off the reverse of the century in Melbourne at Hotel Esplanade or Sydney at Bungalow8. Bringing a little friendly competition to your summer sessions, get ready to embrace the nostalgia at UNO Social Club. Just make sure you and your mates agree on the rules before the game gets started. "UNO Social Clubs have been thriving across the United States, from the Las Vegas launch to pop- ups in New York, Chicago and UK – we have seen how strongly people connect with the UNO experience and are thrilled to kick off the Australian tour at Brisbane's Riverland," says Faulkner. UNO Social Club is happening now at Riverland in Brisbane, with the Hotel Esplanade in Melbourne and Bungalow8 in Sydney soon to follow. Head to the website for more information.
Filling the void left behind by the closure of Torino Aperitivo — a charming, Italian-inspired aperitivo bar tucked down Driver Lane — the venue has relaunched with a fresh identity. Reimagined as Baby Driver, this soulful laneway nook is now spinning 70s jazz, deep funk and rare groove vinyl deep into the night. Launched by Liquid Living, the award-winning team behind much-loved venues, Beneath Driver Lane and the now-closed Rum Diary Bar, this fresh spot is defined by old-school sounds, international wines and low-intervention cocktails. And with a 100-person capacity, it strikes the ideal balance between intimacy and energy. "2024 was the toughest year I've seen in hospitality," says founder Hamish Goonetilleke. "Venues were closing, and everyone was feeling the pressure. But it was also a time to get creative. That's where Baby Driver came from — a desire to innovate, to bring music and good times back to the centre." Set upstairs from Beneath Driver Lane, expect Baby Driver to serve as the original's funkier sibling. Replacing the whisky and blues with wine-soaked grooves, the party kicks off at golden hour and runs until the early morning. For those getting down, there's also a fresh spin on food, with a series of rotating kitchen takeovers offering bold culinary collabs throughout the year. Taking charge of the first takeover is Lady T — Cremorne's favourite Latin street-food spot. Bringing fiery flavours from Colombia, Brazil and Peru to the CBD, you can score a bite from Thursday–Saturday. "This has been in the works for a while," says Goonetilleke. "Lady T's food matches our vibe perfectly — vibrant, loud, and totally unique. She's the first of many collaborators who'll keep our food offering as fresh and dynamic as the music." Yet there are even more highlights to consider. Held daily from 4pm–6pm, Golden Hour features specials like $8 tap beer and wine alongside $15 negronis and espresso martinis. For those keen to go all out, check out the Dinner & A Show set menu for $75 per person, featuring the chef's selection at Baby Driver and reserved seating for a live blues performance downstairs at Beneath Driver Lane. Baby Driver is open Wednesday–Thursday from 4pm–12am and Friday–Saturday from 4pm–1am at 2 Driver Lane, Melbourne. Head to the website for more information.
Great Southern Nights has just dropped its lineup for 2026, confirming the return of the multi-city festival of Aussie-made music for its fifth run, and showcasing a list of huge names and a mix of genres that will bring it to life in 2026. If you've never paid it any mind before, a TLDR: where most venues pick one venue to roll with, GSN picks hundreds. Hundred of venues calls for hundreds of gigs, and 2026 will see over 300 performances take place on stages from the South Coast up through Sydney, out as far west as Dubbo and all the way up to Byron Bay, from Friday, May 1 to Sunday, May 17. The lineup is just as expansive, too, bringing legends and rising stars alike together across the state. [caption id="attachment_1070441" align="aligncenter" width="1920"] Jesse Thompson[/caption] First up is a 2026 GSN first: Live Fest. The curated, single-day event is first taking place in Dubbo, featuring country and folk icons Paul Kelly, Missy Higgins and Kasey Chambers, indie rockers The Cruel Sea, funk legends The Cat Empire and rising genre-defying songwriter Jess Hitchcock. Then the fun heads to Tamworth with indie pop and local rock talent like Jet, The Living End, Kita Alexander, Thelma Plum and Lime Cordiale. For the rest of the statewide program, well, you can imagine there's plenty of artists to pick from. Some of the standout names are Jessica Mauboy, Peking Duk, Genesis Owusu, Ball Park Music, The Whitlams, Playlunch, Jack River, Meg Mac, Young Franco, Gordi, Keli Holiday, The Grogans, WILSN and many, many more. [caption id="attachment_1070442" align="aligncenter" width="1920"] Matt Jelonek[/caption] Great Southern Nights is organised in part by Destination NSW and ARIA, helping to drive visitation to cities across the state, instead of just piling crowds into the same Sydney venues and regional fields year after year. Minister for Jobs and Tourism Steve Kamper said, "Great Southern Nights shows the power of live music to bring people together and create energy in communities right across NSW. When you see local venues buzzing and artists performing in towns big and small, you really feel the impact these experiences have beyond the stage". [caption id="attachment_1070443" align="aligncenter" width="1920"] Georgi Griffiths for Destination NSW[/caption] CEO of ARIA Annabelle Herd added, "Great Southern Nights is about connecting audiences of all ages across NSW with the unique joy of great live music and showing up for the places that support it. Bringing iconic artists to multiple regions across NSW creates big, shared moments for local communities, friends, and families". Visit the Great Southern Nights website to browse the full program and start planning your trip to any one of the participating cities.
Tasmania is famous for its heritage-listed wilderness, exquisite pinot noir, epic art festivals and, of course, the Museum of Old and New Art (MONA). But, are you sure you know everything there is to know about the little island off the big island — also known as the Apple Isle? Beyond the magnificent snow-capped mountains, wild rivers, wineries and landmarks, there's a stack of unexpected adventures to be had — and Tassie's wintry sights make them all the more special. Are you aware that Tassie is home to a museum devoted to poo or a farm devoted to sea horses? Or that there's a village that's precisely like one you'd find in Switzerland? Strap in and get yourself to Tassie this winter. There's a whole slew of curiosities to discover. [caption id="attachment_718931" align="alignnone" width="1920"] Whisky tasting at Old Kempton Distillery by Samuel Shelley.[/caption] IMBIBE AT A WEEK-LONG FESTIVAL DEDICATED TO WHISKY Every August, in the dark depths of winter, Tasmanians warm themselves up during Tasmanian Whisky Week. Running from August 12-18 this year, the celebration of local drops takes over the entire state with tours, tastings and special events, like film screenings, cocktail parties and chef feasts — all whisky-inspired, of course. Among the highlights are bus tours of Tasmania's remote distilleries, a progressive dinner across four of Hobart's top restaurants, a whisky-fuelled twilight sail down the River Derwent and Shene Estate's 200th birthday party. Check out the rest of the program over here. [caption id="attachment_722067" align="alignnone" width="1920"] Aurora Australis from Strahan by Dietmar Kahles.[/caption] SEE THE SOUTHERN LIGHTS Stargazers, great news — there's no need to travel all the way to Iceland or Norway if you're keen to view one of the sky's technicolour ballets. Australia has our own, and Tassie is the best place to see it. The Aurora Australis, aka the Southern Lights, might not get as much press as its northern counterpart but it certainly is just as beautiful. There's no telling when the stunning spectrum of light is likely to appear, but your safest bet is to head as far south as possible. There's also a handy Facebook group that reports on possible activity, so it's a good idea to keep an eye on that, too. [caption id="attachment_718929" align="alignnone" width="1920"] Tourism Tasmania and Graham Freeman.[/caption] FOLLOW AN UNDERGROUND RIVER (AND SEEK OUT GLOW WORMS) Deep in Mole Creek Karst National Park in Tasmania's central north are more than 300 limestone caves, caverns and sinkholes. However, just two are easily accessible, one of which being the Marakoopa Cave, an underground world of stalactites, stalagmites, crystals, serene pools, babbling rivers — and the biggest glow worm population found in a publicly accessible cave in Australia. Also, look out for the Tasmanian cave spider, a special type of creepy crawly that's learned to live without light. Tours of the cave go for 45 minutes and depart several times a day. [caption id="attachment_717924" align="alignnone" width="1920"] Seahorse World.[/caption] VISIT A SEAHORSE FARM You'd have to spend a lot of time snorkelling to get up-close to a seahorse. But, at Beauty Point on Tassie's north coast, there's Seahorse World, a farm where you can meet loads without even getting wet. From big-bellied ones to bright orange pacific seahorses (also known as giant seahorses), you'll wander through the mysterious Cave of the Seahorse, find out how such a farm operates and stroll through the Wonders of the Southern Ocean Aquarium. While here, you can also catch a glimpse of teeny-tiny baby seahorses — which are about the size of a thumbnail — and hold a fully grown one in the palm of your hand. [caption id="attachment_722075" align="alignnone" width="1920"] Thalia Haven.[/caption] TAKE THE MOST SCENIC BATH OF YOUR LIFE This tub takes scenic bathing to a whole new level. Perched on a private deck at Thalia Haven, it overlooks incredible views of Great Oyster Bay on Tasmania's charming east coast. Even in the nippy winter air, not much can beat soaking in a bubble bath with such views and a glass of wine in hand. Sink into the steaming depths of this tub and lose yourself in a dreamy sunrise or, by night, endless stars. To try it out, you'll need to book a stay at Thalia Haven, an ancient stone dwelling set on 130 acres of woodland on its own private peninsula — with its own private beach. There's room for up to eight guests, so you can take a bunch of friends with you, too. [caption id="attachment_717921" align="alignnone" width="1920"] Grindelwald Swiss Village.[/caption] STROLL THROUGH A SWISS VILLAGE Head to this magical spot and you could easily believe that you're in Switzerland — particularly when you're in the depths of Tassie winter. Found within Tamar Valley Resort, Grindelwald village, built in the 1980s, is a replica of a Swiss original — think enchanting houses with oversized eaves, window shutters and bright flower boxes. In between admiring the uber-kitsch town, its architecture and manicured gardens, warm up in the chocolate cafe where you can feast on handmade truffles, or take a stroll around the village's sparkling lakes and take in the crisp country air. This wonderland lies a 20 minutes' drive northwest of Launceston and is the perfect pitstop before heading to Tamar Valley's many vineyards. [caption id="attachment_717910" align="alignnone" width="1920"] Pooseum.[/caption] TALK FREELY ABOUT POO AT A POOSEUM Anything you've ever thought, questioned or wanted to say about poo is fair game at the Pooseum, "where talking about poo is not taboo". You'll find this paean to the mighty number two in Richmond, a village 30 minutes' drive northeast of Hobart. The exhibition covers poo of all shapes, sizes and types. And you're bound to discover a few things that'll come in handy at your next trivia night — from the poo cheese that Sardinians consider a delicacy to the rising popularity of poo facials in Australia. Top image: Shene Estate by Samuel Shelley.
Cookie beer hall, eating house and disco is a flamboyant venue full of chatter and laughter that serves up classic Thai dishes and innovative cocktails. While the main bar and restaurant is rambunctious with noise — laughter, clashing cutlery and clinking glassware — the secretive back bar is mellow and conducive to a late night liaison any night of the week. The small dishes include a tom yum going soup with prawns, mushrooms and lemongrass chilli while vegetarians can enjoy sweet potatoes with coconut cigars, orange and chilli sauce or garlic and chive dumplings. The medium plates feature fried snapper with bok choy, tamarind and crispy shallots as well as a crispy fish salad with green papaya, peanut and found dry shrimp. For something larger try the deep friend five spice chicken with sweet chilli sauce and home-made pickles or the seafood platter of snapper, calamari, mussels and king prawns in a red curry. There's something to please everyone on the drinks menu here (it's more appropriately described as an encyclopaedia volume), whether it be beer, wine or cocktails. This makes Cookie ideal for those occasions when you're unsure of your company's tastes. The seasonal cocktails include the 'D for Dangerous', a mix of Rittenhouse Rye, Hennesy and Yellow Chartreuse, designed to kick start the night in style. The wine list is huge and there'll be help to guide you through it. Being one of those must-see venues for Melbourne tourists, it's unlikely you'll run into any regular mates here — unless of course they're on sneaky dates, too. Appears in: The Best Thai Restaurants in Melbourne for 2023
Think about Byron Bay, and a quiet coastal town with stunning beaches is no longer the only thing that comes to mind. Hemsworths pop up, plus other celebrities. So does the New South Wales spot's stint backdropping TV shows. Fancy leaning into the locale's luxe side? Enter its first-ever five-star hotel, with Hotel Marvell opening its doors on Tuesday, August 1. It boasts Marvell in its name, but Marvel Cinematic Universe fans will have spotted the spelling difference. No, even with Chris Hemsworth virtually synonymous with Byron Bay of late, this new place to stay has nothing to do with superheroes. Instead, this new addition to Marvell Street features 24 rooms and suites, the town's first rooftop bar and pool, and onsite restaurant Bonito. Owners Scott Didier and Scott Emery have gone lavish, aiming to give holidaymakers a one-of-a-kind stay. "Hotel Marvell is designed to offer our guests an extraordinary experience like no other. From the exclusive rooftop bar and pool with breathtaking views to the Bonito restaurant showcasing the finest local ingredients, we have crafted a haven for those seeking refined luxury in Byron Bay," said Emery. "Our passion for Byron Bay and our belief in the potential of this incredible destination inspired us to create Hotel Marvell. We want to offer our guests an unparalleled experience that combines the beauty of the surroundings with the luxury of our accommodations," added Didier. The 24 spots to slumber include 16 hotel rooms, six suites and a pair of two-bedroom rooms, all equipped with private balconies. Guests will sleep on Bemboka & Eadie linens, hit up the mini bar stocked with locally sourced products, make coffee from their in-room Nespresso machine, and take in the Byron Bay vibe and surroundings. Keen on room service? That runs from 11am–8pm. For a dip, head to level three — and for a bite beyond your room, to Bonito, which features chef Minh Le (ex-Spicers Peak Lodge, The Byron at Byron, The Foraging Quail) at the helm. His menu heroes seafood and plant-based cuisine, as well as his own heritage. On offer: organic sourdough with house-cultured miso butter, oysters in a Japanese dressing and Hiromasa kingfish glazed with spiced soy sauce Harley Graham of Harley Graham Architects is responsible for the hotel's look, which skews tropical, warm and colourful — complete with plenty of greenery and a pedestrian laneway. Unsurprisingly, a night at Hotel Marvell doesn't come cheap, starting at $600 per night for a hotel room. If you're keen on a suite, that'll set you back at least $780. Find Hotel Marvell at 4 Marvell Street, Byron Bay from Tuesday, August 1 — head to the hotel's website for further details and to make a reservation. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
The title doesn't lie: when Fleishman Is in Trouble begins, its namesake is indeed struggling. He's also perfectly cast. If you're going to get an actor to play an anxious and unravelling recently divorced man in his forties who's trying to navigate the new status quo that is sharing custody of his kids, having a high-powered ex, and being initiated into the world of dating apps and casual hookups, Jesse Eisenberg is the person to recruit. If his Zombieland character lived happily ever after until he didn't, or his Vivarium character was trapped into a different type of domestic maze, this page-to-screen series would be the end result. That's just Fleishman Is in Trouble's first stroke of genius casting, however, with the Disney+ miniseries supremely smart and astute in choosing its on-screen talent. Arriving at the end of 2022 to become one of that year's best new shows, the eight-part drama has Eisenberg play Toby, a well-regarded hepatologist who is passionate about helping people through medicine. But for over a decade until the summer of 2016, when Fleishman Is in Trouble is set, he's been made to feel inferior about this work. As copious flashbacks illustrate, he's the odd one out among the Upper East Side crowd his theatre talent agent wife — now former — Rachel (Claire Danes, The Essex Serpent) favours because being in the healing business hasn't made him rich enough. She sported the same attitude as well, until she dropped their kids Hannah (Meara Mahoney Gross, Don't Look Up) and Solly (Maxim Swinton, Raymond & Ray) off at Toby's place in the middle of the night without warning, said she was going to a yoga retreat and stopped answering his calls. [caption id="attachment_887795" align="alignnone" width="1920"] Linda Kallerus, FX[/caption] Written to sound like a profile — something that journalist, author and screenwriter Taffy Brodesser-Akner knows well, and has the awards to prove it — Fleishman Is in Trouble chronicles Toby's present woes while reflecting upon his past. It's a messy and relatable story, regardless of whether you've ever suddenly become a full-time single dad working a high-stakes job you're devoted to in a cashed-up world you resent. Fleishman Is in Trouble is a mystery, too, as Toby, his friends and the show's viewers ponder the central question: what's happened to Rachel? That query hangs in almost every word that Eisenberg speaks, but it's also shaped by Toby's perspective. He wants to know where his ex has disappeared to and why she has upended his life, but he's far less interested in how the breakdown of their marriage has affected her, if she's in trouble and how that has contributed to his current dilemma. As narrated by the ever-shrewd Lizzy Caplan (Eisenberg's Now You See Me 2 co-star) as Toby's old college pal-turned-writer and now stay-at-home-mum Libby — one of two old friends, alongside Adam Brody as Seth (no, not The OC character) — Fleishman Is in Trouble dives into the minutiae that makes Toby's new existence such a swirling sea of uncertainty. It's detailed. It's specific. The directing team, which includes Jonathan Dayton and Valerie Faris (Battle of the Sexes) behind the lens of three episodes, Alice Wu (The Half of It) helming one, and Shari Springer Berman and Robert Pulcini (Things Heard & Seen) doing the honours on four, is never short on visual ways to reinforce how Toby's life has been flipped upside down. But at the same time, while honing in on the Fleishman family's situation and troubles, the series also ensures all that detail paints a universal portrait. [caption id="attachment_887796" align="alignnone" width="1920"] Linda Kallerus, FX[/caption] This is a show about discovering that more of your time is gone than you'd realised, and that your youthful hopes have faded and your looming future has receded. It's a series about the push and pull of being an adult, too — from dating, marriage, divorce and parenting to studying, the nine-to-five grind and that fabled work-life balance — that bears down on us all. It's a drama about the cumulative effect of our daily reality, plus the demands and expectations that come with it, whether or not we've started to feel the ebbs, flows and pressure. Everything from class inequality and constant social hustling to the roles that women are forced to play around men earns the show's attention in the process, as layered through a miniseries that's evocatively shot — and, again, meticulously cast. Brodesser-Akner and the Fleishman Is in Trouble team — which also includes Michael Goldbach (On Becoming a God in Central Florida) penning one episode to her seven — have an extra tool at their disposal: capitalising upon the baggage viewers bring to their stars. Why does Eisenberg seem such an apt choice from the get-go? Because he could've wandered off the set of countless other projects and into this one, slipping into Toby's shoes like he's always been wearing them. His casting acts as shorthand, signalling what to anticipate if you've ever seen him frayed and fraught on-screen. (The waxing lyrical about social media, as surrounding an actor who was Oscar-nominated for The Social Network, is as comic as it's meant to be.) [caption id="attachment_887793" align="alignnone" width="1920"] Matthias Clamer, FX[/caption] With Homeland her best-known role of the past decade-plus, Danes' involvement has the same impact from the outset; when Toby describes or remembers Rachel, offering up an image of a woman who is driven, determined, career- rather than motherhood-focused and desperate to succeed at all costs, it feels like an instant fit. His recollection bakes in those traits even in their romance's earliest days, just softer and waiting to solidify. Again, why is this the case? Why is it so easy to accept that Rachel is this clearly defined, and that Toby's take is accurate? Fleishman Is in Trouble wants that question to linger, because how willingly its audience jumps onboard with Toby's perspectives on himself, Rachel and their relationship is as much its focus, and as important, as Rachel's whereabouts. Watching Fleishman Is in Trouble evolve, getting sharper and deeper the more its viewpoint spreads and expands, is one of this exceptional series' many rewards. Watching Eisenberg and Danes unpack the type of personality traits they've frequently portrayed on-screen, the people who boast them, and the stereotypes, judgements, sympathies and hostilities they spark, is both thrilling and mesmerising — and while Eisenberg is excellent, Danes is phenomenal, especially as the show spends more time with Rachel and her struggles. Her masterful casting and the performance that follows cuts to the heart of Fleishman Is in Trouble's commentary on how women are treated if they focus on their professions or don't, or on motherhood or not, or make any move expected of them or rally against those dictated confines. And the fact that My So-Called Life alum Danes, Freaks and Geeks' Caplan and The OC's Brody are so tied to such seminal teen shows from several decades back? Well I guess this is growing up, Fleishman Is in Trouble posits. Check out the trailer for Fleishman Is in Trouble below: Fleishman Is in Trouble streams via Disney+. Top image: JoJo Wilden, FX.
Looking to get more active in 2026? Now you have a convenient list of breathtaking tracks to explore on foot, as go-to hiking and biking app AllTrails has revealed the top-rated one-hour hikes and day trips within touching distance of Melbourne. According to the data, Australians are loving the great outdoors more than ever, with users on our shores navigating over 28 million kilometres in 2025. That's nearly three times the distance logged during the previous 12 months. [caption id="attachment_691799" align="alignnone" width="1920"] Brook James[/caption] Topping the list of one-hour loop trails outside Melbourne is the 3.9-kilometre Ker-Bur-Rer Walk. Situated near Mount Martha on the Mornington Peninsula, this easygoing trek pairs gentle hills with stellar views and wildlife encounters, from wallabies to emus. Other highly rated walks were Doncaster's Ruffey Lake Park Circuit, the Albert Park Loop and the Parkdale Beach Walk. Primed for laidback strolls in a convenient location, it's no surprise these walks are considered some of Melbourne's most popular. If you're keen for a little more adventure, the list of top-rated day trips looks further afield. At number one, Berwick's Pinetree Walk offers relaxed hiking amid the Wilson Botanic Park, while the Queenscliff Beach via Point Lonsdale Beach provides dazzling views of Port Phillip Bay. As for Australia's top-rated hikes overall, a trip to Cradle Mountain-Lake St Clair National Park in Tasmania is required to reach AllTrail's best. That'd be the loop trail spanning Crater Lake, Marions Lookout, Lake Lilla, Dove Lake, with each vista more stunning than the last. Keen for more hikes? Check out Ten of the Best Walks in and Around Melbourne, or head to AllTrails for more information.
If bliss to you means peering at infinite reflections in lit-up mirror rooms, wading through brightly coloured ball pits and having pillow fights — plus hanging out in digital forests, watching tales told via shadows and hopping over musical tiles, too — then prepare to beam with joy when Dopamine Land arrives Down Under. The latest multi-sensory experience that's hitting Australia, it's being pitched as an interactive museum. Inside, you'll find themed spaces that you can mosey through, engage with their contents and, ideally, bask in nothing but pure happiness. With a name like Dopamine Land, it's immediately clear that contentment, glee, merriment and exuberance is the aim of the game here. So is evoking those feel-good sensations through nostalgia, because this is another kidulting activity — it's all-ages-friendly as well — and it's making its Aussie debut in Brisbane from Tuesday, May 28, 2024. Brisbanites, and anyone keen for a Sunshine State trip to revel in more than the sun's glow, can look forward to wandering around Dopamine Land at Uptown in the River City's Queen Street Mall. Locals know that the site was previously the Myer Centre — and, decades back, was home to a dragon-themed rollercoaster. So, it's a fitting venue to get everyone channeling their inner child, unleashing their imagination and, yes, hitting each other with cushions. Heading this way direct from London, the experience combines optical illusions, engaging soundscapes and more across its ten themed rooms. The ball pit is self-explanatory, but also takes its cues from Miami in the 80s, complete with a pina colada scent, an electro soundtrack and LED lights that pulse to mirror waves. The pillow-fight space also doesn't need much explaining; however, the decor is inspired by marshmallows and boxes of lollies, Mexican wrestling is also an influence and you can win the pillow-fighting championship. Fancy seeing stories play out via shadows? There's a room for that featuring a big top-style roof. If you try your hand at the musical tiles — well, your feet, to be more accurate — you'll create a melody as you jump around, with the lights changing as you go as well. And if getting as serene as possible is your aim, head to the Keep Calm Forest, which artificially recreates a woodland via LED trees, mirrors and sounds to match. There's even a room dedicated to the autonomous sensory meridian response, or ASMR, which goes big on projections and animations by Australian digital artist Cassie Troughton.
Good news gaming fiends: Melbourne's first hotel games-inspired room is now available for you to live out all your gamer dreams. View Melbourne has created a 35-square-metre room that's custom-made for gaming, providing guests with everything they need for the ultimate game night. It's essentially a fully loaded paradise for gamers and, yes, it's as good as it sounds. The PC corner includes an MSI MEG Trident X2 computer, dual 27-inch 170Hz Esports gaming monitors, a full Elgato streaming setup and a game library that boasts an extensive collection that's continuously updated. The setup also includes an Xbox controller, MSI gaming headset, mouse, keyboard and a Logitech speaker system. Meanwhile, the couch and main television are perfectly set up for all kinds of console gaming, from intense solo sessions to epic four-player parties. The main machine is a Nintendo Switch hooked up to a 55-inch Samsung TV complete with Apple TV, accompanied by four Nintendo Switch pro controllers. On the games front, all the Nintendo faves are available, including the big Mario titles, Super Smash Bros. Ultimate, Pokémon: Let's Go Pikachu and The Legend of Zelda: Tears of the Kingdom. Plus, guests also have access to a huge catalogue of NES, Super NES, Game Boy, Game Boy Colour, Game Boy Advance, Sega Genesis and Nintendo 64 games, all of which are available to play via the Switch. Now, let's talk perks. The room comes with bottomless popcorn, which you'll make in the room yourself; a whole fridge filled with energy drinks, soft drinks, beer and wine; various spirits; and a fully stocked snack bar with an array of gamer faves (yes, even Cheetos). The popcorn is complimentary, but you'll pay for everything else that you eat and drink. The room is full of gamer memorabilia without feeling crowded, and the customisable RGB lighting adds a cool touch (don't worry, you can turn it off if it isn't your thing). Up to five people can stay in the room, so it's the perfect space for epic Mario Party sessions. The setup includes a king bed which can transform into two singles, a sofa bed, and the option to add a portable bed. The room is inclusive for two guests, with each additional adult costing $40 per night. Kids under 12 stay free if they're using existing bedding. For those looking to stream, the high-speed internet and Elgato gear, and even a ring light are there for a seamless experience. And if you're in Melbourne for business, the PC corner doubles as a workspace. In short, the room is a cool blend of nice hotel amenities and a gamer's dream setup, offering a fresh, fun way to stay in Melbourne if you're visiting — or a dream staycation if you just want to live out your 12-year-old kid fantasy. Find View Melbourne at 562 St Kilda Road, Melbourne — and head to the View Melbourne website for bookings.
