UPDATE: AUGUST 20, 2020 — Following backlash around the no-drive rule, the DHHS has updated its guidelines and, as of Thursday, August 20, Melburnians are able to drive within their five-kilometre bubble to exercise. To read the updated rules, head to the DHHS website. Many Melburnians have been actively sticking to the stage four rules when it comes to that allowed daily hour of exercise, limiting their movements to within five kilometres of home as the state tries to curb its COVID-19 cases. But a post this week by Victoria Police's bayside-focused social media pages has highlighted confusion around some of the new regulations, mainly about the question: are you allowed to drive to a park or beach within your five-kilometre radius to exercise? On its Eyewatch - Port Phillip Police Service Area Facebook page on Monday, August 17, Victoria Police answered the question with a firmly worded post, saying, "Driving to exercise — not permitted". It goes on to say: "It has come to our attention that there is some misunderstanding in relation to whether or not it is permitted, under Stage 4 restrictions, to drive to a park within 5km of your home for exercise. According to the Department of Health and Human Services, travelling in a vehicle to exercise is NOT permitted." https://www.facebook.com/eyewatchportphillip/photos/a.125432814799143/587837825225304/?type=3&theater But the reminder has sparked a heated response from the public, attracting over 4200 comments in the space of just a couple of days. Many commenters seemed to be discovering the rule for the first time, while others voiced their disapproval, saying it was "ridiculous" people could drive five kilometres to shop, but not for exercise. Some questioned the level of risk posed by someone journeying in their car, instead of walking on the footpath. Regardless of the debate, Victoria Police confirmed it is patrolling to ensure Melburnians follow the stage four directives. It's probably worth a reminder here that you can be slapped with a $1652 on-the-spot fine if you're caught flouting the restrictions. If you jump on to the DHHS' Q&A-style factsheet regarding exercise during stage four, you'll see its own clear-cut response to the question, "Can I drive to a park within 5km of home for exercise?" The answer: "No. Travelling in a vehicle to exercise is not permitted." As outlined by Victoria Police in the above post and repeated by DHHS, there is one exception to this rule: "If is not reasonably practicable to exercise without driving somewhere, e.g. for mobility or safety reasons." For more information about exercising during stage four, and the Victorian Government's advice for metro Melbourne and Mitchell Shire residents, head to the Victorian Department of Health and Human Services website. Image: Albert Park via Jessica Cross/Flickr.
The Baroque Room is one of the multiple venues located within The Carrington Hotel, the Blue Mountains institution on Katoomba Street. Soon, it will play host to Ngaiire. The singer is undoubtedly a creative force of nature, as well as the first Papua New Guinean to feature in Triple J's Hottest 100. Since her Australian Idol appearance back in 2004, Ngaiire has been working on her unique brand of R&B and neo soul, which has seen her tour alongside acts as diverse as Flume and Alicia Keys. Her live performances are renowned for their theatricality, attention-grabbing costumes and incredible vocals — it's no exaggeration to say the mountains won't know what's hit them this spring. If you're keen to head along, you best get in quick as her later performance has already sold out. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively.
Working from home has its perks, like more snacks on-hand and wearing your comfy clothes. By now though, wearing the same baggy tee and pyjama pants day-in, day-out might be growing a little old. Plus, as we move into cooler autumn days, a new cosy jumper and some non-threadbare trackies are pretty much essentials. Online shopping go-to The Iconic has put together a collection of its best loungewear and accessories, so you can upgrade your wardrobe without leaving the house. Because dressing up with nowhere to go is the new norm — and you might as well be comfy. For clothes, you'll find a bunch of Aussie labels all known for their super-comfy athleisure and loungewear. Camilla and Marc and its elevated streetwear label C&M currently have some super-warm knitwear and pullovers available via The Iconic, alongside wardrobe staples such as t-shirts, denim and tailored pants. Sustainable brand AERE has a bunch of flowy linen items for both men and women, including shorts, shirts and dresses. And menswear labels Staple Superior and Academy Brand have a range of hoodies, tees, chinos and track pants. If you're wanting to stock up your own balcony-gym or living room-yoga wardrobe (or another WFH outfit, if we're totally honest), you'll also find a bunch of fashionable activewear. Expect leggings, shorts, crops and more from local labels such as P.E. Nation, eco-conscious label Nimble, Jaggad and Cotton On Body, plus international brands Champion and Puma. And, if you've recently taken up running (or plan to), you can buy some running shoes here. You'll also find everything from slippers to sleek sneakers. Ultimate cosy shoe brand UGG has several styles of slippers, including some extra-fluffy yellow ones, as does Birkenstock. Sneaker-wise, there's an extensive selection of Veja and Puma designs, from simple white leather to multicoloured ones. Or, if you feel like walking around in a pair of stilletos for whatever reason, there are those, too. Best of all, The Iconic is giving Concrete Playground readers $30 off on all orders of $120 or more. All you have to do is head here then enter CPLOUNGE at checkout. The Iconic's loungewear range can be found here. For $30 off your order, enter CPLOUNGE at checkout (offer available until Sunday, April 26). FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Come hear the music play at the ninth annual Melbourne Cabaret Festival. Returning to Chapel Off Chapel in Prahran, this year's festival will feature 20 new shows from established and emerging cabaret performers across two weeks. The fun begins on Tuesday, June 19 with a opening night gala emceed by the festival's artistic director Dolly Diamond — tickets are $65 and get you a taste of six of the festival's standout shows. If you're looking to head to a few solo shows, you'll be spoilt for choice — there are up to ten shows on each day. Get a full rundown of The Beach Boys' Brian Wilson's music catalogue as performed by Drew Downing, see a James Bond cabaret, and hear the music of Twin Peaks performed in a haunting on-stage reimagining of the series. You can browse the full program here.
It's been 15 years since The Notebook made everyone fall in love with Ryan Gosling, Rachel McAdams and locking lips during a downpour, and the Nicholas Sparks-penned effort isn't done spreading its sappy brand of romance just yet. Soon, the book-turned-movie will make another leap, bringing its lovestruck drama to Broadway. As reported by Variety, the first bestseller from the author also responsible for A Walk to Remember, Dear John, The Last Song and The Lucky One is being turned into a stage musical. Expect singing in the rain, obviously, as well as crooned declarations of love in a rowboat. Expect a song-filled account of an heiress falling in love with a poor quarry worker, too. Producers Kevin McCollum and Kurt Deutsch — plus Sparks himself — are behind The Notebook's jump from tear-soaked pages to weep-inducing celluloid to a stage version that should probably just hand out tissues with every ticket. McCollum has earned Tony awards for In the Heights, Avenue Q and Rent, while Deutsch is the founder of both Sh-K-Boom and Ghostlight records, which both have a theatre and cast-recording focus. While a production timeline hasn't been announced (so don't go booking your New York flights just yet), the script and songs are being handled by Bekah Brunstetter and Ingrid Michaelson respectively. The former a writer and producer on TV show This Is Us, and the latter is best known for singles 'The Way I Am' and 'Girls Chase Boys'. It's way too early to talk about casting, but if Gosling can sing in La La Land, then you can start dreaming that he belt out a tune again. Of course, it's almost 100-percent guaranteed that that fantasy won't go any further than your head. If you've been keeping track, The Notebook's musical adaptation taps into a trend that just keeps growing, aka singing-and-dancing versions of beloved movies. In recent years, everything from Matilda, Charlie and the Chocolate Factory, Bring It On, Mean Girls and Clueless has made the leap to the stage, plus The Bodyguard, Amelie, Waitress, Muriel's Wedding and Moulin Rouge!. A stage version of The Devil Wears Prada is also in the works, as well as Empire Records, Mrs Doubtfire and Aussie classic Starstruck. Via Variety.
When lunar new year arrived earlier in February, the year of the tiger kicked into swing — but 2022 just might be the year of the red panda, too. Pixar's next animated flick about a girl who turns into a red panda, called Turning Red, hits streaming in March, and Taronga Zoo has just announced that it's now home to a couple more of the IRL critters. And if you'd like to spend your time checking out the latter right now, no matter the weather or where you live, the Sydney spot has also launched a red panda cub cam. The word you're looking for? Or the sound, to be more accurate? Yes, it's "awwwwwwwwwwwwwwwwww". The two cubs were born back on December 8 to mum Amala and dad Pabu, and don't yet have names, but you can now watch them from home whenever you like. Taronga's red panda cub cam is free, too, and features videos of the little cuties being born, plus weekly highlights showcasing what they've been up to. So, you can't live-stream them all day every day, but you can still get a huge dose of adorableness. The camera is currently trained on the cubs' purpose-built, soundproof nest box, where they've been living with Amala since birth. Expect to see plenty of mum as well, with Taronga's Carnivore Keeper Rebecca Baldwin advising that she's usually on hand looking after her little ones. "Amala is very attentive and nurturing. Through the monitoring of our CCTV cameras, we can see that she is constantly grooming and cleaning the cubs and is encouraging them to take their first wobbly steps within the security of their nest box," said Baldwin. "Whilst they are still small and weighing only a couple of hundred grams, the cubs are spending their time within the security of their nest box which makes for great viewing. They won't start to venture out under the cover of darkness until they're about 12 weeks old," said Baldwin. Taronga already lets you fill your time staring at capybaras, seals, meerkats, otters, sumatran tigers, lions and elephants, all without leaving your home, thanks to its online TV channel — but if it keeps adding cameras, we'll keep watching. Taronga Zoo Sydney and Taronga Western Plains Zoo Dubbo started their online streams in 2020 for obvious reasons, and also releases regular videos across its Facebook, Instagram and YouTube channels — and makes keeper talks and other clips available online as well. To watch Taronga Zoo's red panda cub cam, head to the zoo's website. To check out Taronga TV, head to the channel's website — or keep an eye on its videos on its Facebook, Instagram and YouTube pages.
The London Riots have left us all a bit gobsmacked. On the 6th of August in Tottenham in the North of London what started out as peaceful demonstration against a recent police shooting turned into something quite different and unexpected — an outbreak of violence and the destruction of cars and homes and local businesses. And then the looting began. Over the next two to three days copycat riots and looting broke out over London, most notably in Peckham, Clapham and Brixton and then around the country in Liverpool, Manchester and Birmingham resulting in five related deaths and the worst rioting the country has seen since the 1980s. As large parts of the city were shut down and boarded up, the rest of the world looked on in shock as footage and information streamed out via mainstream and social media. The mainstream media questioned the politicians, the police response and the rioters motivations. A YouTube video, which has received in excess of four millions hits, was uploaded of a Malaysian student, bleeding and distressed, being 'helped up' by the crowd around him only then to be mugged by his supposed 'helpers'. A Tumblr site, Photshoplooter, sprang up, providing some much needed humour in a time which is anything but funny. In the aftermath of the riots, as the public, the politicians and the newspapers debate everything from increasing police powers to the impact the government's recent austerity measures have had on young people, the good people of London (and yes, there are quite a few of them) have got down to the business of cleaning up and rebuilding. RiotCleanup started as a twitter account in the early hours of the 9th of August and by the morning it was a website helping to organise an army of volunteers who wanted to help with the clean up. Building on its success, two recent architecture students, Lee Wilshire and Nick Varney, have set up Riotrebuild, which is dedicated to connecting people who have been affected by the riots with professional architects, builders and handyman to assist them to rebuild their homes, business and communities.
Well, not really. But aggregated search data can be used to track some economic trends, and can do so better than official economics surveys. The logic behind it is pretty simple: what does the average person do when confronted by something new in their life? Google it, of course. By using Google Insights to measure search terms like 'real estate agent' or 'unemployment' it's possible to get an idea of how much activity there will be in the property market, or how many people might be signing up for benefits soon. The Bank of England is doing exactly that to supplement their official figures to gain a better picture of the UK economy. The search engine figures aren't 100% accurate, but they are available much faster than government reports. It's not the first time individual search activity has been aggregated and used to measure large-scale trends. Google Flu Trends uses the same idea: by measuring the frequency of searches for flu symptoms, they can measure levels of flu activity and report it much faster than hospital reported cases. In fact, Google could have spotted the 2009 swine flu outbreak... if they had been monitoring Mexico at the time. [via Guardian UK]
In a terrifying trailer for The Shadow King, Tom E. Lewis is hunted like an animal by a four-wheel-drive; its spotlights piercing the night. Just as the trailer draws upon the imagery of classic Australian cinema, this massive undertaking from Lewis and director Michael Kantor translates the story of Shakespeare’s King Lear into a theatrical retelling of Indigenous experience. A brief documentary on the background and process for the project sees Kantor outline how the framework of Shakespeare’s tragedy has shifted in their adaptation. “For millennia people have lived and existed with the land and on the land without claiming to own the land,” he says. “This story is about a man who believes he can own land, and therefore divides it, and give it to his three daughters.” The work will be performed in a combination of English, Kriol, and the performers’ own languages. “We’re taking Shakespeare’s story; not his words,” Kantor says. The ambition of the play and the scale of the production itself — with a large cast of Indigenous performers, as well as musician Bart Willoughby (Yothu Yindi) — makes this a difficult piece to overlook in the Melbourne Festival and beyond; it’s also set for seasons in Perth, Sydney, Adelaide and Brisbane.
A woman obsessed with the search for extraterrestrial life. A man lost in poetry as he faces illness and immanent death. A marriage in decay. Add a lesbian love affair and a touch of mid-life sexual awakening and you have Dorothy Porter’s Wild Surmise. The baroquely literary verse novel was a Miles Franklin contender in 2003 and this week sees the presentation of a staged version at the Malthouse. Jane Montgomery Griffiths adapted the script and also stars as the female protagonist, Alex, with Humphrey Bower as her estranged husband. This is her second production with Malthouse AD Marion Potts in the director’s chair, following from their successful collaboration on 2010’s Sappho... In Nine Fragments. With the script drawn from Porter’s verse, expect this to be a cerebral and evocative night of theatre, exploring space both outer and inner and most poignantly the space between us and our loved ones.
On the lookout for a dope new denim jacket? Or do want to be rid of that weird-looking lamp taking up space in the living room? Then, by golly, you're in luck. The Garage Sale Trail works with local council partners Australia wide to get as many trash-and-treasure troves happening on the same day as possible. Last year, over 7000 garages opened their doors to bargain hunters, and they're doing it for the fourth time on October 26. Aside from the retro goodies up for grabs, the Trail is all about sustainability. Instead of ending up in landfill, unwanted clutter becomes a fantastic find. So get that tight pair of sunnies for peanuts and help the environment at the same time. The Garage Sale Trail began humbly in Bondi in 2010 and is growing bigger every year, so register online to pick up some sweet new threads, make a quick buck from your old junk and hang out with the friendly folks in your hood.
In August 2023, Wicked will unleash its spin on The Wizard of Oz — and one of Broadway's biggest hits of the 21st century — upon Sydney, in what's set to be one of the Harbour City's theatre highlights of the year. But fans of faraway realms, yellow brick roads and toe-tapping songs in Melbourne can get their fix right here at home, all thanks to a new stage production of the show that started it all. This winter, from Thursday, June 29–Sunday, July 9, consider the Victorian capital's National Theatre somewhere over the rainbow. You'll be off to see the wizard there, too. There's never a bad time to pop on your ruby slippers, and hasn't been for the past 84 years since the page-to-screen hit first reached cinemas — including when theatre outfit Theatrical give The Wizard of Oz a whirl. More than 30 performers will tread the boards, led by Lyla Digrazia — a veteran of Theatrical's Freaky Friday — as Dorothy. Kael D'Alterio (Matilda) plays Scarecrow, Ashley Wilsnach (Spring Awakening) gets shiny as Tin Man and Leigh Roncon (Chicago) will seek courage as the Cowardly Lion. Also in key roles: Keyanna Burgher (Into the Woods) as the Wicked Witch, Isobel Smart (also Freaky Friday) as both Glinda the Good Witch and Aunt Em, and Jason Fabbri (Beauty and the Beast) stepping behind the curtain as the Wizard. As they act out the storyline for director Kim Anderson, audiences will also hear all of the tracks that everyone has stuck in their head forever, including Oscar-winner 'Over the Rainbow', 'We're Off to See the Wizard', 'Ding-Dong! The Witch Is Dead', 'If I Only Had a Brain' and 'The Merry Old Land of Oz'. But, this show isn't without changes, including moving the action forward in time. "The Wizard of Oz is a delightful classic, a musical I have directed once before. For this new production, we are shifting from the traditional look of the show, and making our female characters grounded and fiercely independent," said Anderson, announcing the production. "We will be setting the story in a time period not too far off into the future from our own. It's a bit steampunk; think of a cross between 1930s dustbowl and Jules Verne. The heartwarming story, loveable characters and iconic songs remain, woven into a new fantasy world." For those who've somehow missed the 1939 classic flick so far, it adapts the 1900 novel The Wonderful World of Oz by L Frank Baum. In The Wizard of Oz, Dorothy Gale (played by Judy Garland in the movie) and her little dog Toto are whisked off from her Kansas farm to the titular realm, where she needs to avoid the Wicked Witch of the West — and find the eponymous wizard to make it home. To locate the latter, a stroll down a certain golden path with the Tin Man, Scarecrow and Cowardly Lion is on the agenda. Check out the trailer for the film below: The Wizard of Oz plays Melbourne's National Theatre from Thursday, June 29–Sunday, July 9, with tickets on sale now.
Just like toilet paper, pasta and cans of tuna, tampons and pads in the time of COVID-19 are becoming increasingly hard to find on supermarket shelves. Which is a less-than-ideal situation to be in when that time of the month rolls around. And, sure, you may have heard about period-proof undies — and maybe even thought about making the switch for sustainability and economical reasons — but have you actually used them? No? Well, perhaps now is the time to give them a go. Since starting back in 2013, Australian label Modibodi has been shipping its colourful, comfy and functional undies to folk around the globe, with the aim of empowering them with a more eco-friendly option to tampons and pads — and, in the long run, it's lighter on the wallet. Plus, if you're self-isolating or trying to cut down your visits to the shop at the moment — kudos to you — then undies, which you can order online and delivered straight to your door, might be the way to go. Modibodi's undies use fabrics such as bamboo, merino wool and microfibres and have built-in absorbent, breathable (and stain- and odour-resistant) liners. After two years of testing, trialling and fine-tuning the designs with textile engineers and companies in Australia and the US, Modibodi became one of the world's go-to period-proof undies. The liners are about three-millimetres thick and can absorb anywhere between five and 20 millilitres (about four tampons' worth). So, while you're stuck at home, you can parade around in a pair of underwear — and not worry about any discomfort or leaks when wearing them. As these undies are designed to be thrown in your washing machine to be worn again and again, they're a far more sustainable solution than single-use items such as tampons, pads and liners, too. So, not only are they good for you, they're good for the planet. It doesn't hurt that it works out cheaper in the long run, too. They're designed for people of all ages, shapes and sizes, too, with more than ten different styles — from a classic brief cut to bikini, seamless, boyleg, boy short, high-waisted, maternity, swim, activewear and even vegan ones — in a range of colours. Plus, there are four different absorbency levels available: superlight, light-moderate, moderate-heavy and heavy-overnight. There are designs for pee, sweat and pregnancy, too. Prices start from $23.50 and there are packs of five, seven and ten, too, which will save you some pennies if you're looking to buy more than a couple of pairs. Modibodi is currently offering contactless delivery across Australia and New Zealand, with free shipping on orders over $100 AUD and NZD. If this is your first time buying them, you can score ten percent off when you sign up here. For more information on period-proof undies — and to buy yourself a pair (or few) — head to Modibodi's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
You've probably never seen anything like White Rabbit, Red Rabbit. Guess what? Neither have the actors. In this one-of-a-kind theatrical experiment, each night a different performer takes the stage having never seen the script, their only instruction beforehand to prepare an impression of an ostrich. Described by critics as everything from humorous to terrifying, it is the work of Iranian writer Nassim Soleimanpour. For years unable to leave his country — Soleimanpour was denied a passport for refusing national service — he created a play that needed no direction beyond what he could include in the script. The play has travelled the world and hopped languages since he wrote it in 2010. Soleimanpour himself only finally got to see it performed earlier this year. Now it's come to the Malthouse and an eclectic range of local performers — including actors, comedians and TV personalities — will take the plunge. It promises to be a journey deep down the proverbial rabbit hole.
You never can predict what Thom Yorke will do next. He seems to be constantly popping up from out of nowhere yelling "Surprise! Look what I've done this time!" Dropping in to London radio station Rinse FM for a chat this week, he casually announced, and then proceeded to premiere, his new collaboration with electronic producers Burial & Four Tet. The Radiohead frontman has made a bit of a habit of announcing things last minute lately, what with the spontaneous release of King of Limbs last month. Yorke has been at the cutting edge of electronic music for a long while, and so coming together with Four Tet & Burial is an electro marriage made in heaven. The tracks are being released as a 12" split single, entitled 'Ego' and 'Mirror.' Fans didn't even have time to get themselves a copy before the official release date on March 21, with pre-orders inexplicably selling out before the announcement of its release. Thom Yorke has previously produced amazing work outside of Radiohead, with his chart-topping solo album Eraser, incredible collaborations with artists such as PJ Harvey, and 2010's launch of new band Atoms For Peace, alongside members of Red Hot Chilli Peppers and Forro In The Dark. This collaboration with Burial and Four Tet follows the trend, with the ethereal sounds and haunting vocals prompting something close to sensory overload. https://youtube.com/watch?v=MOwD67BIPMA [Via One Thirty BPM]
Victoria has fully reopened to the entire country, and Queensland, Tasmania and South Australia have all announced when they'll relax their border rules, too. Now, it's Western Australia's turn. Today, Friday, November 5, WA Premier Mark McGowan revealed that the state will start welcoming back travellers sometime early in 2022, once it hits the 90-percent double-vaccinated mark. That means that there's no exact reopening date right now, but McGowan said he expects it to occur sometime in late January or early February. Once WA hits the 80-percent double-dose threshold, the Premier will announce exactly when folks from other states will be able to head west again at that 90-percent mark. And, people travelling from overseas destinations, too — because the reopening will apply to both WA's domestic and international borders. There'll be different rules in place depending on where you're entering from, and other health measures such as wearing face masks in high-risk settings and requiring proof of vaccination at large events and nightclubs will also be put into effect statewide. Today we can announce Western Australia's Safe Transition Plan to ease our controlled border. It sets out an approach which will allow us to safely ease our border controls with other States and resume international travel - while limiting the impact of COVID when it reaches WA. pic.twitter.com/z8mSPlppsf — Mark McGowan (@MarkMcGowanMP) November 5, 2021 Now planning a trip to WA from elsewhere in Australia? You'll need to be double-vaccinated to enter, and also to get a negative PCR test result within 72 hours of departing. At first, there'll be tests upon arrival as well, but they will eventually be phased out. For those making the journey from an international location, there'll be no quarantine for double-vaxxed arrivals — and the same testing requirements will be in place for both domestic and overseas travellers. If you haven't had two jabs, you'll still need to go into hotel quarantine for 14 days. "The decision to target a 90-percent vaccination rate is based on extensive modelling which shows us the rates of community infections, hospitalisations and deaths are far lower if we make this change at 90-percent, when compared with an 80-percent target," said the Premier. And, while that 90-percent threshold will apply statewide, "if there are regional areas with low vaccination rates, then pending the health advice at the time, restrictions on travel within WA to protect these specific regions may need to be introduced," McGowan continued. [caption id="attachment_770353" align="alignnone" width="1920"] Tourism Western Australia[/caption] The just-announced plan will see WA reopen while having no COVID-19 in the state's community, too. "This plan sets out how WA will transition in a safe manner and provides a soft landing, with minimal impact on WA's unique way of life," said the Premier. "Transitioning with zero COVID in the community has never been done before and that's why our transition is unique and will require us to all work together." Western Australia has had a hard border and strict quarantine requirements in place for much of the pandemic, meaning that people who don't normally reside in WA have only been able to visit the state if they're classified as an exempt traveller, apply for a G2G Pass and, if approved, then self-isolate for 14 days. To find out more about the status of COVID-19 in Western Australia, and the state's corresponding restrictions, visit its online COVID-19 hub.
Stieg Persson is an Australian contemporary artist who has been exhibiting since the early '80s and who, most recently, had work in the celebrated Melbourne Now exhibition at the NGV. Born and raised in Melbourne, Persson has contributed to many local group exhibitions and is a regular exhibitor at the Anna Schwartz Gallery. His work is recognised for its abstraction, realism, romanticism and decorative complexities. Often they critique contemporary society and the contradictions of middle-class rebellion, in a playful and effervescent manner. This exhibition features canvases of abstract graffiti-like lines and curling patterns, resulting in almost floral images.
If you've been looking to keep your wardrobe choices as ethical as possible, then shopping local just got a little easier. Long-running fashion not-for-profit Ethical Clothing Australia (ECA) has launched a new online map that pinpoints all the Aussie stores featuring ECA-accredited brands on their racks. The new digital tool currently maps out over 300 accredited ethical retail destinations, allowing shoppers to easily hunt down ethically conscious fashion with just a few clicks on their smartphone or other device. In order to nab that all-important ECA accreditation, a business must be able to show that all workers involved in its manufacturing operations are being paid properly, working in safe conditions and receiving all the necessary legal entitlements. ECA conducts these audits looking deep into the whole manufacturing process, from design to dispatch. [caption id="attachment_800970" align="alignnone" width="1920"] Clothing the Gap[/caption] Some of the ethical businesses to have earned themselves a spot on the map include 53-year-old brand Cue, popular jeans label Nobody Denim and high-end designer favourite Manning Cartel. And Victoria especially looks to be flying the flag for conscious fashion, with 120 store mapped in that state alone, including The Social Studio, Vege Threads, Remuse Designs and the newly opened Clothing the Gap store. The new map comes as more and more Aussies are choosing to hunt down ethical producers when they shop. A recent ECA survey showed that a huge 70 percent of local textile, clothing, and footwear manufacturers reported their customers were asking more questions about the labour rights of their workers than ever before. On its website, the ECA also has a comprehensive directory listing all of its ethically accredited fashion businesses. To check out the ECA Digital Shopping Map, jump over to the website. Image:
Over the past few years, Melbourne's famed floating bar has become a summer staple — because soaking up the warm weather and sipping cocktails on the Yarra clearly go hand-in-hand. Thankfully, that won't change in 2020, with Arbory Afloat set to return once more. Arbory Afloat, which made its debut in 2015, is set to reclaim its prime position in front of on-shore sister venue Arbory Bar & Eatery on the Yarra from Monday, October 26, when it's expected metro Melbourne will move into step three of the roadmap and outdoor dining at restaurants and bars will be allowed. As part of its annual revamp, the temporary bar and restaurant is taking inspiration from beach houses in our own backyard, which means lush greenery, wicker furniture, lime-washed timber and lots of blues and greens. To complete the picture, the 69-metre floating venue has two bars, an upper deck and an undercover dining area — so plenty of space to social distance. And, if that's not enough, the onboard swimming pool will also be making a triumphant return. [caption id="attachment_754392" align="alignnone" width="1920"] Simon Shiff[/caption] Chef Nick Bennett has again designed the menu, which will be packed full of local ingredients and inspired by all things Mediterranean. And would it be a visit to the floating bar without cocktails? We think not. Luckily, there'll be plenty. As well as Four Pillars pink gin, there'll be craft beers, wine and six cocktails on tap. Despite the return of the bar, summer in Melbourne isn't going to be all business as usual. So, expect there to be limited capacities, bookings and plenty of ticketed, seated events. Arbory Afloat is set to open at Flinders Landing from Monday, October 26, with opening hours from 11am–1am daily. Images: Simon Shiff
Before Instagram there was Hipstamatic - an app for your iPhone that transformed your boring and ordinary 21st century photos into dreamy capsules from a bygone yesteryear with vignetting, light leaks and nostalgically ethereal shades and tints. Hipstamatic promised the 'look, feel, unpredictable beauty and fun of plastic toy cameras from the past' and now, in a bid to regain their popularity and get one up on Instagram, Hipstamatic is offering a new dimension to their faux-analogue photography experience: a digital disposable camera. No, they're not encouraging you to throw your iPhone in the bin each time you've shot a roll of 'film', but what they are doing - cheeky buggers - is hiding your photos from you until you have taken 24 shots. The intention behind the app is questionable. Does this really provide you with a new avenue to experience the fun and anticipation of when you were 12 and brought a chunky yellow Kodak for your geography excursion, when you were so enthralled by this novel device and so enamoured by the gentle clicking sound as you wound back the wheel, that when you finally picked up your prints you realised that half of your photos were pure white flash and the other half were of lizards tails and your friends' noses? Or is using Hipstamatic and the like really an analogous experience akin to that of playing around with a Holga or Diana? I remember the first time I discovered the world of toy cameras, and my heart exploded. One year and at least a dozen rolls of film later, I still have no idea how to use my little 135mm Holga, nor my Polaroid 300, nor my (nominally oxymoronic) reusable disposable. However, in my vain and valiant attempts to try, I have discovered new techniques, unearthed the aesthetic magnificence of accident, and had a hell of a lot of fun too. Hipstamatic could be seen to be taking the whole 'new-technology-that-looks-like-old-technology-but-without-the-inconveniences' mode too far, and in doing so it begs the question: does snapping away with your ol' Hipstamatic - changing lens, flash and film with the effortless swipe of a finger - have something to offer, something to genuinely fill that yearning in all of our hearts for our sun-drenched, sepia-toned childhoods? Or is it a facade wrapped in authenticity wrapped in a marketing facade? The sheer, paradoxical irony of having a 'digital disposable' camera suggests that perhaps in our quest to replicate bygone artifacts and sentiments, too much use has been made of synthetic and spurious techniques and tools for the end product to ever achieve the cultural authenticity that we crave. Perhaps we should concentrate, instead, on embracing the here and now - because, after all, in five or ten years we may well find ourselves looking back on our iPhones and our DSLRs while we shake our heads in nostalgia, ruing those days of focused, instant and digital photography. Either way, Hipstamatic's digital disposable is yours for only $1.99. Now, that is like the good old days.
Frustrated, complacent or intrigued with the current state of Sydney's nighttime culture, following the NSW Government's controversial lockouts? For the last few years, Sydney has become somewhat of a cornerstone of debate around nighttime economies, how they work, how they and what could be done differently. But it's not the only city in the world with a story to tell, regarding nighttime culture. So, this November, Sydney will play host to a brand new international event focused entirely on what happens in cities after dark. Global Cities After Dark is a one-day forum where delegates from around the world will come together to discuss the future of nighttime culture and economy. It's an ambitious, timely collaboration between the Electronic Music Conference and experienced night culture expert Mirik Milan, Night Mayor of Amsterdam, who was EMC's keynote speaker in Sydney in November 2016. Because it's a significantly broad and polarising topic, the event will see a broad range of stakeholders, including city planners, local and state governments, cultural organisations, and the creative community. Night culture presents its own unique constraints, with questions such as public safety, access, service provision, infrastructure and urban planning all ready for the unpacking at Global Cities After Dark. "Being a part of Global Cities After Dark is like a dream come true, because by sharing ideas for a safe and vibrant nightlife, it empowers bottom up initiatives after dark that contribute and strengthen creative cities around the world," said Milan. "It will be one of the most innovative forums from a city planning perspective because global thought leaders will gather in Sydney to discuss what strategies can be put in place for creating liveable inclusive cities with high quality of life and culture for everyone." There'll be surprise guests from Berlin, Long, Amsterdam, Seattle and Ibiza, announced in September. They'll be specialists from various fields that are essential to positive nighttime culture — creative industries, gastronomy, health and safety, mobility and public transport, legislation, urban planning, art and music. Furthermore, the forum will return every year in November for the next three years and tickets will be by invite only. Register your interest for Global Cities After Dark, November 28, here. Further information to be released in September. Until then, learn how to build a nightlife-friendly city with night mayor Mirik Milan.
Whether sprawling across a Tokyo warehouse, taking over a Japanese castle, turning old oil tanks into waterfalls or even popping up in Melbourne, the digital art made by creative collective Teamlab can make you feel like you're in another world. That's a sensation we could all use this year, even if visiting the group's overseas sites is currently off limits due to international travel restrictions. Enter Teamlab's latest project: the online-only Flowers Bombing Home. Like the bulk of Teamlab's work, Flowers Bombing Home is interactive; however, as its name suggests, art lovers can take part from their own couch. The collective is asking its audience to draw and colour-in pictures of geraniums, orchids, willowherbs, thistles and other flora — either on paper or on your phone — then take a photo and upload it to the group's site. Your pics will then be added to the bright, kaleidoscopic, constantly moving and evolving piece. That's the participatory part of the project. When it comes to watching — whether you've gotten arty first, or you just want to view the piece without breaking out your colouring pencils — you can head to Teamlab's YouTube channel. Flowers Bombing Home is live streaming constantly, joining together flowers created by folks all over the world. While viewing, you'll notice petals scattering, then coming together to form new images. Unsurprisingly given the sensory nature of its physical installations, Teamlab recommends viewing Flowers Bombing Home on your television set, "or as large a device as possible". The project will be available for the foreseeable future, too, with the collective advising that it "will bloom until the end of the coronavirus" — and that it'll also stick around afterwards "for people to remember this era". For more information about Teamlab's 'Flowers Bombing Home' — or to add your own drawing — visit the art collective's website. To watch the live-streamed artwork, head to its YouTube channel.
It's always a good time for bagels, and with newcomer Hank's bagelry landing on Beatty Avenue, there are even more reasons to indulge in a weekly holey treat. Hank's comes from the minds behind Armadale favourite Mammoth and Copycat bar and restaurant in Elsternwick, promising authentic New York-style bagels and other breezy takeaway options. "A piece of my heart lies in New York, and every time I'm there I find myself heading for one of the city's iconic bagel shops, which serve them up fresh from the oven with a range of delicious fillings. I wanted to have that same experience right here in Melbourne," says co-owner and co-founder Nick Beerens. There are five bagel options to choose from: plain, seeded, onion, challah and gluten-free. Hungry patrons can DIY with Nutella, cream cheese, peanut butter or housemade jam, but we recommend looking towards the loaded options. Classic salmon and cream cheese is done up with red onion, herbs and fresh beetroot, while the No 4 combines pastrami, sauerkraut, Russian dressing, pickles and swiss cheese. Other options run to the likes of grilled mortadella and provolone with mustard mayo and pickles, or a vegetarian harissa-roasted pumpkin topped with almond feta, hummus and rocket. Pickles and crisps, as well as crinkle-cut hot chips, are available as sides, while homemade cookies and loaded shakes in peanut butter and jelly, malteser or biscoff can be ordered to wash everything down. For coffee lovers, filter coffee is just $2 with any bagel purchase. Hank's is open at 13 Beatty Ave, Armadale, 6.30am–4pm Monday–Friday, 8am–3pm Saturday–Sunday. Images: Griffin Simm.
The adorable Finders Keepers Markets have been home to Melbourne's most creative and quirky designers for ten years now. Keeping with tradition, the independent hip-fest returns to its home at Carlton's Royal Exhibition Building for 2017, this time kicking off earlier than before on Friday at 5pm, so you have more time to shop and explore. The autumn/winter edition of the market will take place over three days this July — just in time for the snuggly season. The biannual, designer-centric, come-one-come-all mini-festival has managed to bridge the gap between local market and exclusive exhibition, creating a space for independent designers to engage with the wider community. You'll be able to nab some marvellous treats difficult to find anywhere else. From bespoke, handmade leather goods by the likes of Truso to unique stationery by new comers Darling Paper Co., Blackbrail Atelier's wearable art and all manner of cute and kooky knick-knacks — like the Merchants of Nonsense 'impractical goods for the modern aesthete' — every stall will be a unique shopping experience that combines innovative design with grassroots feel-goodery. And even if you're a Finders Keepers regular, you're sure to discover something new. As usual, there will be live music, a cafe and heaps of other Melburnians celebrating independent art and design. Feeling a little overwhelmed? Finders Keepers are aware this cornucopia of new design can be a little large to navigate. So, they've got their own app with interactive maps to help you find out more info about stallholders, a personal itinerary tool and notifications to keep you looped in to what's happening on the day. You can download the app from the App Store or on Google Play. Finders Keepers A/W 17 market hours: Friday, July 14: 5–10pm Saturday, July 15 : 10am–6pm Sunday, July 16: 10am–5pm Entry is $2 for adults, and free for kids under 12.
Every time you sing along to The Little Mermaid, you nod to Danish author Hans Christian Andersen. If you grew up reading The Little Match Girl, Thumbelina, The Emperor's New Clothes, The Princess and the Pea and The Ugly Duckling, you've been familiar with his work on the page, too. And, when Frozen became a huge cinema hit, it took inspiration from the writer's 1844 fairytale The Snow Queen. Basically, Andersen's stories have been a big part of everyone's childhoods — in recent decades and, in written form, for nearly two centuries. So, you've already spent plenty of time escaping into the author's narratives. Once the middle of 2021 rolls around (and once international travel starts returning to normal, of course), you can also wander through a brand new museum inspired by his fairytale world. Set to open in Odense in Denmark, which is where Anderson was born, HC Andersen's House has a hefty aim: to make visitors feel as if they've stepped right into his tales. That's the immersive dream at these types of venues, after all, as also seen in Disney's theme parks, the new Super Mario-themed amusement parks and Studio Ghibli's upcoming site as well. "We have to dive into the fairytales as the very first thing, because they are what everyone knows. The idea is not to retell the stories, but rather to communicate their familiarity and inspire further reading of Andersen," says Torben Grøngaard Jeppesen, the head of Odense City Museums. Accordingly, HC Andersen's House will reflect its inspiration however it can — in its architecture, in the imagery and sounds it puts on display, in the way it uses light throughout the venue, and in the experiences visitors can dive into while they're there. Across a 5600-square-metre site, that'll include a children's house and an underground museum, as well as a sprawling garden that, from the concept images, resembles a labyrinth. And, in a nod to The Little Mermaid, attendees will also be able to look up through a pool of water and peer at the people in the grounds above them. Japanese architect Kengo Kuma leads the design, fresh from his work on the Japan National Stadium for the Tokyo Olympics. For HC Andersen's House, "the idea behind the architectural design resembled Andersen's method, where a small world suddenly expands to a bigger universe," he explains. Odense is already home to a smaller site dedicated to Andersen, which'll be included in the new venue. When HC Andersen's House opens, it'll also incorporate the building where the author was born. HC Andersen's House will open at HC Andersen Haven 1, DK-5000, Odense sometime in the middle of 2021. For further details, head to the venue's website. Images: Kengo Kuma & Associates, Cornelius Vöge, MASU planning.
Enjoying dinner and a show is a time-honoured theatre-going tradition, but when winter arrives in the Harbour City in 2023, one menu item mightn't prove so popular. If you've seen Sweeney Todd: The Demon Barber of Fleet Street on the stage before, or caught the 2007 Tim Burton-directed movie adaptation, then you'll know which dish to avoid when it comes to the Sydney Opera House. In this Steven Sondheim-penned musical thriller, meat pies are packed with quite the unwanted ingredients. This murderous tale of slitting throats, then stuffing body parts into baked pastries will play the famed waterside venue from Saturday, July 22–Sunday, August 27, in a production by the Victorian Opera and New Zealand Opera. Sydneysiders have had to wait for their chance, with the show already unleashing its gothic story upon Melbourne, Perth and Adelaide, as well as touring New Zealand. Whether you're a local keen to spend time with music theatre's iconic villain and his partner-in-crime Mrs Lovett, or you're an interstate resident eager to see it again, expect a killer show. [caption id="attachment_899819" align="alignnone" width="1920"] Daniel Boud[/caption] As part of an 18-person cast, Ben Mingay is taking up the razor and polishing people off as the titular Sweeney, while Antoinette Halloran will join him as Lovett. The production also includes a nine-piece orchestra helping to perform classic tracks such as 'No Place Like London', 'The Ballad Of Sweeney' and the always-fitting 'The Worst Pies in London'. Current State Opera South Australia Artistic Director Stuart Maunder, who is destined for the same role at the Victorian Opera from October 2023, will direct this season of Sweeney Todd: The Demon Barber of Fleet Street. "We've wanted to bring this musical thriller to Sydney for a very long time, so premiering it at the Sydney Opera House is an experience every bit as thrilling as the musical itself," he advises. "There's no doubt that Sydneysiders will embrace this most theatrical tale of horror, which for all its blood and gore, tells a universal human story; revenge, obsession and lust, yes, but also of pain, yearning, even love." Sweeney Todd: The Demon Barber of Fleet Street doesn't just date back to the late, great Sondheim's Tony-winning Broadway and West End smash. Before that, it was a play in 1973 — and it had hit stages, screens and pages, prior, too. The homicidal barber first appeared in the 19th century, in 1846–47 penny dreadful serial The String of Pearls: A Romance, and has just kept slashing his way through popular culture since, novels, ballets, radio plays, comics and TV shows included. Sweeney Todd: The Demon Barber of Fleet Street plays Sydney Opera House's Drama Theatre from Saturday, July 22–Sunday, August 27. Head to the Sydney Opera House website for further details — and pre-sale tickets from 8am on Tuesday, May 9, then general sales from 9am on Friday, May 12. Production images: State Opera South Australia.
Alright chinas, we need to have a rabbit and pork about Guy Ritchie's new $175 million rattle and clank buster: Kin Arfur: Jackanory of the Drum and Fife – an altogether pony and trap reimagining of the classic weep and wail that's light on the brass tacks, sore on the mince pies and pretty much tom tit. If you struggled to understand that, consider it our version of the "you must be this tall to get on the ride" sign for Guy Ritchie's calamitous take on the famous Arthurian tale. As with every Ritchie flick (see: Snatch, RocknRolla and Sherlock Holmes, among others), cockney banter flies thick and fast between Arthur's merry band of streetwise vagabonds, all of whom sport names like Goose-fat Bill, Wet Stick, Back Lack and Chinese George. Unlike Ritchie's previous outings, however, there's little wit or charm to back up the slang. Instead, we're given in King Arthur: Legend of the Sword a CGI-heavy romp that moves at such a frantic and disjointed pace that simply keeping up with the story feels like a greater test of character and strength than actually pulling Excalibur from the stone. Worse still, there's nothing new about any of it. Between the giant elephants (Return of the King), the 'bullet-time' slow motion (The Matrix) and an enormous killer snake (Harry Potter), it's all far too much like a video game we've played many times before and know exactly how to beat. There are, at least, a few notable highlights. Charlie Hunnam and Jude Law both put in commendable performances as Arthur and his evil uncle Vortigern, with Law in particular ensnaring the eye for every second he's on screen. Villainy suits the actor, whose charm and cheekiness take on a decidedly darker turn when given the right material with which to play. There's also a neat little twist on the sword/stone component itself, which – at least for a time – raises King Arthur: Legend of the Sword to a level worthy of its storied subject matter. Unfortunately, there's far too much style and not nearly enough substance to hold the film's loose narrative threads together. Snap cuts and fancy editing helped put Guy Ritchie on the map, but in King Arthur: Legend of the Sword there's no duck and diving the fact that it's all gone proper pete and tong. https://www.youtube.com/watch?v=jIM4-HLtUM0
You've heard about the awesomeness of nap desks. But what about a whole nap bar? In a move that has us turning green with envy, French furniture company Smarin recently held a pop-up in a Dubai warehouse where visitors could stop in for a much needed snooze. Part of the Art Dubai and Design Days Dubai events, the temporary installation featured various foam lounge chairs of different shapes and sizes, along with pillows, herbal teas, essential oils and woolen ponchos. The space was lit by circular lamps that would switch on and off at five-second intervals in a manner designed to resemble slow, relaxed breathing. "I had the idea for the Nap Bar because when I'm walking in big cities, sometimes I take a break with a coffee but actually I need more of a real break," Smarin founder Stephanie Marin told Dezeen. Now before you quit your job and book a flight to the UAE, you should know that the nap bar pop-up actually finished up last week. Hopefully some clever entrepreneur was paying attention, because there is definitely a market for this kind of thing here in Australia. But until that becomes a reality (Virgin Active's sleep pods are a little too clinical for us), check out our list of creative ways to nap on the job. And now if you'll excuse us, all this typing has worn us out. Via Dezeen.
Are you the kind of person who starts plotting your next meal before you've even finished the last? Love eating more than anything else? Well, you can get right to the guts of our global food obsession when culinary legend Nigella Lawson returns to Aussie shores for her new show, An Evening with Nigella Lawson. One of the most successful food writers of all time, cooking up more than ten million book sales worldwide with her 11 culinary bibles, Lawson was in the country last December for a series of talks discussing the concept of food and its link to pleasure, creativity and belonging, and now she's back — direct from London's West End. An Evening with Nigella Lawson is a new show where the celebrity chef shares her own culinary story, live on stage. The show has been floated as interactive and intimate. Culinary questions will be taken from the audience, while Nigella shares her thoughts about the role food plays in life, plus what she is eating and cooking. Before becoming a household name, Nigella worked as a book reviewer and restaurant critic, going on to become the deputy literary editor of The Sunday Times. She is responsible for numerous award-winning books, including How to Eat, How to Be a Domestic Goddess, Nigella Bites and At My Table. AN EVENING WITH NIGELLA LAWSON 2019 DATES Perth — Riverside Theatre, January 29 Sydney — Sydney Opera House, February 2 Canberra — Royal Theatre, February 4 Melbourne — Hamer Hall, February 9 Brisbane — QPAC Concert Hall, February 10 An Evening with Nigella Lawson tickets go on sale Monday, October 29. You can signup to be notified when they're released here.
At the beginning of July, when Greater Sydney's lockdown had been hanging around for a few weeks, Taronga Zoo did everyone a solid by releasing videos of its latest wombat joey. Even if you weren't under stay-at-home conditions then — because you don't live in the area — the footage was heartwarmingly cute. Thankfully, the zoo has more where that came from. This time around, you can take a peek at another baby animal: a koala joey named Humphrey. He's just over 12 months old, he's only been out of his mother Willow's pouch since he was around six months old — because that's what koala's do — and yes, he's as endearing as you'd expect. He's just as fluffy as well. In the video, which was captured by one of Taronga's koala keepers, Humphrey is keen to climb, eat and cuddle. His little eyes light up with curiosity as he scurries about, too. When he entered the world in 2020, Humphrey was the first koala joey born at Taronga Zoo in over a year — so he's obviously been able to garner plenty of attention. That's enough words about this loveable little critter, because we all know that you're here to get a glimpse. Check out Taronga Zoo's footage below: [video width="1920" height="1080" mp4="https://cdn.concreteplayground.com/content/uploads/2021/07/Taronga-Media-Alert-Humphrey-the-koala-joey.mp4"][/video] Taronga has also been spoiling animal lovers with cuteness via its online television station, which was initially established by in 2020, and it is back now for obvious reasons. It's also releasing regular videos across its Facebook, Instagram and YouTube channels, and making keeper talks and other clips available online as well. Taronga Zoo is currently closed during Sydney's lockdown, but you can check out more videos of its cute animals via its online Taronga TV channel.
Australian summers aren't known for their mild temperatures, but the past three months have been especially toasty. Sydney experienced a record-tying hot spell to kick off 2018. Melbourne endured its hottest day in five years, and then went and almost immediately smashed that top temperature by surviving its hottest day in ten years. A mid-January heatwave rolled across the country, hitting scorching maximums, while the entire first month of the year was deemed Australia's hottest ever. If you've been feeling particularly hot and steamy, there's a good reason — all of the above instances of sweltering weather helped lead to the nation's warmest summer on record. The period from December to February also earned that label in New South Wales, Victoria, Western Australia and the Northern Territory, while Tasmania and South Australia persisted through their second-hottest summers ever. In Queensland, it was the state's fourth-warmest summer. Both mean and maximum temperatures for the season were exceeded by significant margins, with each reaching nearly one degree higher than the past record, which was set over the summer of 2012–13. Even minimum temperatures soared, with New South Wales hitting its highest on record for summer away from the northeast and far west — and parts of southern inland Queensland, and central northern and eastern Victoria, doing so as well. Here's how maximums looked across the country: [caption id="attachment_710118" align="aligncenter" width="680"] Bureau of Meteorology[/caption] The findings were announced in the Bureau of Meteorology's official summer summary, which also notes that Greater Sydney's daytime temperatures were generally one to three degrees warmer than normal, that Greater Melbourne's maximums were between 1.5–2.5 degrees warmer than the long-term summer average, and that Brisbane experienced a record run of 46 days at or above 30 degrees, spanning from 10 January to 24 February. In short, your three months of seeking solace in beaches, pools and air-conditioning were completely justified. According to Bureau climatologist Dr Lynette Bettio, "the heat we saw this summer was unprecedented". And as for reprieves from above, "rainfall was also well below average for many places, apart from areas in northern Queensland". Summer might now be over; however that doesn't mean that it's time to pull out your jumpers — most of Australia is forecast to score a hotter-than-average autumn. How hot? For mainland Australian residents, there's an 80 percent chance you'll experience autumn temperatures that are a whole lot warmer than the median. Don't go packing away your pedestal fan just yet either. Image: Tourism and Events Queensland
Outgrowing his first location in Fitzroy is something Andrew McConnell (Cumulus Inc., Supernormal) didn't expect to happen so quickly — but, after just two years, the acclaimed chef and restaurateur is set to open a second store, this time in St. Kilda. Along with co-owner and butcher Troy Wheeler, McConnell will bring his fancy meats, trademark club sandwiches and snags to the south. The pair will set up shop in the historic Gruner's, a butcher and deli with over 60 years of tradition. In a classic Australian immigrant tale, founders Endre and Rose Gruner arrived in Melbourne from Budapest in 1957, looking to establish a new life and opportunities for their children. Fellow Hungarians were said to have come from all over Melbourne to not only buy familiar food, but also to speak in their native tongue, and the shop still holds cultural significance for the area. "A long-standing business like Gruner's has been an integral piece of Melbourne food history," McConnell says. "Troy and I are thrilled to be part of continuing this tradition." With an old-meets-new philosophy, Meatsmith's Barkly Street location will inherit some of Gruner's most-loved recipes, with Hungarian, Polish and European smallgoods taking their spot next to Meatsmith's classics; including dry-aged beef, the Cumulus Inc. lamb shoulder and foie gras parfait. Architects Herbert & Mason (who fashioned the Fitzroy interior) will team up with award-winning, minimalist interior designer Fiona Lynch to ensure the new fitout is in line with the Meatsmith brand and feel — think clean lines and lots of white marble. The new store will open in August, with an exact date still to be confirmed. For those itching for a Meatsmith fix in the meantime, the original location has just kicked off a bi-monthly ode to the world's best food regions, starting with a celebration of Italy for the month of July. Meatsmith St Kilda is set to open in August at 227A Barkly St, St. Kilda.
The Makers and Shakers Market will visit Melbourne at the end of April, bringing with it the whole kit and caboodle of bespoke ceramics, homewares and jewellery (as well as tasty food to rejuvenate you when you get the oh-no-I-just-spent-all-my-money sweats). Kick things off at 10am with a coffee, spend a few hours browsing, and then chow down on a toastie or a gourmet pie. The market gives space to local makers to sell their handmade wares, with everything from resin rings to tomato chutney to be found. Stallholders this time round include botanical-themed resin wares by Nanna Woo, vegan treats by Von's Vegan Bakehouse, dreamy pastel ceramics from Alison Willoughby and crochet goodness from Full Tilt Nanna. And that's just the crust of the pie — there are many more to choose from when you take a full bite. Images: Alana Dimou.
Another day, another streaming platform. While there's a service for everything these days — Disney flicks, documentaries, Aussie movies, films recommended by Drive director Nicolas Winding Refn and, soon, British television (just to name a couple) — the just-launched Quibi comes with a few twists. We hope you like glueing your eyes to your phone and watching everything in ten-minute chunks, because that's what's on offer with this newcomer. It's all in the title, really, with Quibi shortened from 'quick bites'. Whether you're checking out a new version of Punk'd hosted by Chance the Rapper, seeing Chrissy Teigen preside over small claims cases in the Judge Judy-style Chrissy's Court or getting immersed in a Reese Witherspoon-narrated documentary series about females in natural history, you'll be doing so in small portions. And, you'll be watching on your mobile device of choice, because that's the only place the Quibi app is available. https://www.youtube.com/watch?v=3awKJu7EN6I Created by ex-Disney chairman and DreamWorks cofounder Jeffrey Katzenberg, and led by former eBay president and CEO Meg Whitman, Quibi has been in the works since 2018 — and earning ample attention thanks to its huge stash of cash (reportedly raising $1.75 billion to spend on content), as well as its hefty array of stars and shows (including an upcoming remake of How to Lose a Guy in 10 Days). But the service's arrival in Australia actually came as a surprise, with the platform touting a US launch on April 6, then becoming available Down Under on the same date. That means Aussie viewers can now catch everything from dramas and comedies to news and reality TV in bite-sized chunks, with instalments maxing out at ten minutes but most running shorter (between five and eight minutes). Also on Quibi's lineup are 'movies in chapters', which are exactly what they sounds like — films broken down into episodic segments to fit the platform's whole concept. Launching with a sizeable range titles — with an ultimate aim of hitting 175 different shows and 7000 episodes in its first year — Quibi highlights include mockumentary Nikki Fre$h, which follows Nicole Richie's efforts to become a wellness-focused rapper; cooking competition show Dishmantled, where host and Unbreakable Kimmy Schmidt star Tituss Burgess shoots food at two culinary industry figures, then forces them to try to recreate the dish in question; and Lena Waithe-hosted documentary series You Ain't Got These, about sneaker culture. From the 'movies in chapters' lineup, there's also Flipped, starring Will Forte and It's Always Sunny in Philadelphia's Kaitlin Olson as a down-on-their-luck couple desperate to host their own TV renovation series; Most Dangerous Game, the latest twist on the humans-hunting-humans idea, this time with Christoph Waltz and Liam Hemsworth; and Survive, which casts Game of Thrones' Sophie Turner as a suicidal patient suddenly forced to fight for her life after a plane crash. https://www.youtube.com/watch?v=Q3IRvX9UaIk&feature=emb_logo If you're wondering about watching all of the above on your phone, Quibi is designed to play in full-screen no matter whether your handset is vertical or horizontal — with the image automatically changing as you move your device around. And if you're thinking "clearly this is targeted for people watching on the go, such as on the train to work", you're spot-on. Thanks to COVID-19, of course, that's not how folks will be using the service for the near future, though. That makes Quibi a Netflix-meets-YouTube streaming platform with plenty of things to watch, but a flimsy gimmick — or a poorly timed one, at least. Whether anyone wants to get their TV and movie fix on their phone while they're cooped up at home is one of the questions the service currently faces. The other is the lack of communal viewing, because no one wants to crowd around one handset to watch a show or film with their significant other. https://www.youtube.com/watch?v=nKPuomRV5C8 Still, Quibi is betting that audiences will be interested anyway, with more big-name titles in the works. Serving up car-based stunts, Elba vs Block will see Idris Elba face off against professional rally driver Ken Block. And expect lots of cuteness in Barkitecture, which'll see the construction of OTT houses — for dogs. In the remake category, a new version of late 90s sports flick Varsity Blues is on the slate, as is a revival of comedy series Reno 911, as well as a Kiefer Sutherland-starring take on 60s TV series and 90s movie The Fugitive. Sci-fi movie Code 8 is getting a Quibi spinoff, starring Robbie and Stephen Amell, while Japanese horror manga Tomie is being adapted for the platform. And even Steven Spielberg is jumping on the bandwagon, courtesy of horror series Spielberg's After Dark. For further details about Quibi, visit the streaming platform's website. To download the Quibi app, head to the App Store or GooglePlay — with a 90-day free trial currently available, and subscriptions costing AU$12.99 per month afterwards. Top images: Survive and Barkitecture
At last, the gluten free gods have answered your prayers. The Gohil family — whose coeliac-friendly products have been gracing local supermarket shelves for 20 years — are making lives even easier, launching the country's first dedicated gluten free, ready-cooked meal delivery service. Just like the recently launched Freshara is doing for Australia's vegan contingent, The Gluten Free Meal Co is opening up the meal delivery game to a whole new group of foodies, with a collection of nourishing, ready-prepared dishes endorsed by Coeliac Australia. They've also done away with the whole subscription caper. Instead, users simply order by selecting from the lineup of $9.90 single-serve meals on The Gluten Free Meal Co's online menu. And, while there's a minimum spend of $65 for each order, you will score free delivery Australia-wide. All meals are whipped up in a state-of-the-art facility and undergo external gluten testing before arriving at your doorstep — although by the looks of that menu, they're designed to tempt taste buds just as much as any gluten-filled goodies. We're talking global-inspired main dishes like crumbed fish fillets and a country-style chicken pie, a solid range of vegetarian meals, and even a dessert selection featuring sweet treats like chocolate profiteroles. "The gluten free community deserves the same privilege of eating a wide variety of high-quality, nourishing food as everyone else," said Pran and Jitesh Gohil. "We're so excited that we can look after everyone with this fantastic range of delicious mains, finger foods and desserts that are indistinguishable from dishes everyone enjoys." For more information about The Gluten Free Meal Co visit www.gfmeals.com.au.
"Never go back" should be the default mantra for any movie studio with a surprise hit on its books. Rare as it is to bottle lightning once, capturing it a second time is nigh on impossible – which is why the list of memorable sequels is usually countable on just one pair of hands. 2012's Jack Reacher was a better than expected offering from Paramount, combining top-notch action with a few well placed comedic beats. Unfortunately, it's part of a million-book series by author Lee Child, meaning that the moment it did decent business, a follow-up was all but inevitable.. Jack Reacher: Never Go Back sees Tom Cruise again assume the role of the celebrated soldier turned drifter with the habit of getting in trouble. This time around he finds himself coming to the aid of an army officer accused of espionage (played by How I Met Your Mother's Cobie Smulders). Everyone seems to want her dead, so the pair need to figure out who's behind the apparent setup before they're both executed by dogged assassins. An alternate name for the movie would be Cobie Smulders Gets To Run Alongside Tom Cruise: A Lot, because that constitutes a significant part of both the plot and the action. There are a couple of key problems with this film. Firstly, Cruise plays Reacher with preposterous amounts of simmering menace, something that proves entirely unnecessary given the character is already so ridiculously calm and capable against any number of threats. In the original movie they got the balance right – at times, Cruise even playfully gave advice to the people he was fighting. But here he just glares and threatens before beating everyone up, thereby robbing the film's action scenes of any personality. Apologists will say that's how Reacher is written, but even in the books he shows moments of dry wit amidst the bitterness. Secondly, there's very little here by way of interesting plot. It ultimately feels like a double episode of NCIS, only with even less action or intrigue. Add to that the frequent schmaltz, particularly between Reacher and a young girl whose life he saves, and you end up with a dull, predictable and corny piece of cinema that rolls back all the good work of its predecessor. https://www.youtube.com/watch?v=aoCP_JHzBUM
J-horror fans, rejoice: Australia's Japanese Film Festival is back for 2023, and it boasts a couple of highlights for lovers of scary cinema. If you're a fan of Japan's contribution to frightening flicks, then The Forbidden Play is your first must-see. Behind the lens is Hideo Nakata, the director of 1998's iconic Ringu, aka the movie that helped spark a global obsession (and the American spinoffs, too). This time, the filmmaker tells of a son wanting to bring his mother back to life, so much so that he keeps chanting a resurrection spell that awakens something evil. This year's JFF isn't just about unsettling titles, but it does also feature Immersion, which hails from Ju-On: The Grudge director Takashi Shimizu (who also helmed the first US remake starring Sarah Michelle Gellar). In his latest effort, he's playing with grudges again, as well as traditional Japanese superstitions, virtual reality and a secluded island — which is never a good setting for a horror film. In Melbourne, the 2023 festival arrives in October and November — and in two parts. One of the delightful aspects about this film festival is its two-pronged approach, giving both recent and retrospective titles their own time to shine. So, new releases will get a spin at The Kino and Palace Balwyn from Monday, October 23–Sunday, October 29, then classics at ACMI from Thursday, November 2–Sunday, November 5. Officially opening the event for 2023: We're Broke, My Lord!, a character-driven story about an unexpected inheritance from director Tetsu Maeda (And So the Baton Is Passed). From there, audiences can also look forward to the aforementioned to J-horror pictures; the animated Gold Kingdom and Water Kingdom; Citizen Kitano's tribute to actor, comedian and filmmaker Takeshi Kitano (Outrage Coda); and Yokaipedia, which is about three boys on a monster-filled quest. Fellow standouts include Yudo: The Way of the Bath, a comedy about bathhouse rituals; romance We Made a Beautiful Bouquet; Natchan's Little Secret, where three drag queens head to a funeral; and Single8, with director Kazuya Konaka's paying tribute to filmmaking before the digital era. And, in the special series — aka the fest's retrospective thread — post-war Japanese cinema figure Kо̄ Nakahira is in the spotlight. JFF will screen 1956's Juvenile Jungle and Milkman Frankie, 1957's Temptation, 1962's Danger's Where The Money Is!, and 1963's Mud Spattered Purity, as well as Flora on the Sand, Only on Mondays and The Hunter's Diary from 1964, plus 1965's The Black Gambler. Top image: © 2023 IMMERSION Production Committee.
As Australia grieves the loss of some of our favourite music festivals — plagued by fatally low ticket sales (see Harvest and Homebake) — Laneway has come out the other end of the tunnel and found the light. Its killer lineup has a taste for everyone, and while The Jezabels, Cloud Control, Haim, Lorde and Unknown Mortal Orchestra have committed to playing St. Jeromes Laneway exclusively, a few crowd-pleasing sideshows have today been announced. Among the announced sideshows is American R&B boy Autre Ne Veut for his first Aussie visit, along with London trio Daughter and Scottish trio Chvrches, who cemented a huge Aussie fan base with their recent sell-out tour and will this time be supported by Sydney producer Elizabeth Rose. Also joining the list is Sydney duo Jagwar Ma, with support from fellow Laneway alumni and Sydney boy Jonti. London punk chicks Savages will be supported by Sydney muso Kirin J Callinan for what'll undoubtedly be some unpredictable shows. British singer/songwriter and teen King Krule incorporates elements of jazz, dubstep and hip-hop in his tunes. Support for his over 18 shows are to be announced, while Scottish indie rock band Frightened Rabbit will also have Sydney and Melbourne shows across January and February. Autre Ne Veut Tickets on sale now through Handsome Tours. Melbourne Tuesday February 4 - Northcote Social Club Sydney Wednesday February 5 - Oxford Art Factory Daughter Tickets via Ticketek. For pre-sales sign up at Heavenly Sounds. Sydney Tuesday February 4 - St Stephen's Uniting Church Melbourne Monday February 10 - St Michael's Uniting Church Chvrches Tickets from the Laneway Festival website. Melbourne Wednesday January 29 - Forum Theatre Sydney Tuesday February 4 - Metro Theatre Jagwar Ma Melbourne Thursday January 16 - The Hi-Fi Sydney Friday January 17 - Metro Theatre Savages Tickets from the Laneway Festival website. Melbourne Thursday January 30 - The Hi-Fi Sydney Wednesday February 5 - Metro Theatre King Krule Tickets from the Laneway Festival website. Melbourne Tuesday January 28 - The Corner Hotel Sydney Tuesday February 4 - Oxford Art Factory Frightened Rabbit Tickets from the Laneway Festival website. Melbourne Wednesday February 5 - The Palace Sydney Thursday February 6 - Metro Theatre Top image: Daughter photographed by Stacey Hatfield.
Open at Melbourne Holocaust Museum from Tuesday, November 17, 2024 until Sunday, March 30, 2025, Underground: The Hidden Archive of the Warsaw Ghetto displays rare artefacts from the Hidden Archive of the Warsaw Ghetto from the Jewish Historical Institute in Warsaw, Poland. The artefacts on display have never been seen before in the Southern Hemisphere. During the Holocaust, historian Emanuel Ringelblum, who was imprisoned in the Warsaw Ghetto, enlisted a group of academics, journalists, and activists to create a secret archive. Over a two-year period, they created a comprehensive archive that chronicled life and death in the ghetto. The archive was secretly buried within the ghetto. After the war, miraculously, a portion of the archive was retrieved from underneath the rubble where the ghetto once stood. The full archive consists of over 35,000 documents, and right here in Melbourne, you can see 12 key documents and one of the metal boxes they were carried in. The exhibition offers a rare insight into the personal experiences of those incarcerated within the ghetto – showcasing items such as drawings, posters, letters, songs, poems, plays, and even lolly wrappers. The exhibition also offers a uniquely Melbourne perspective with artefacts and first-hand accounts from survivors who immigrated to Melbourne after the war. More than 8,000 Polish-born Holocaust survivors immigrated to Australia within the first decade after WWII. Most settled in Melbourne, including approximately 2,000 from Warsaw. This exhibition is unlike many—you will be immersed in this harrowing but intimate attempt to tell the story of the Holocaust from the perspective of its victims. A series of public programs including behind-the-scenes tours, lectures and film screenings also launched alongside the exhibition and can be booked via the museum's website. Opening hours are Tuesday, Wednesday, Thursday, Friday and Sunday 10am to 5pm. Book your tickets here. Images: Supplied.
It's the season that originally wasn't going to happen, telling the story that's still ongoing IRL, wrapping up a seven-year run for a star-studded regal drama that's proven a royal hit. On Thursday, December 14, The Crown will come to an end with the final six episodes in its sixth and last go-around. The focus in the just-dropped trailer for this big wave goodbye: the changing attitudes towards the British monarchy and what Queen Elizabeth II (Imelda Staunton, Downton Abbey: A New Era) sacrificed when she became a sovereign. The Peter Morgan (The Queen)-created show's farewell began in mid-November, with the release of the first four episodes of season six. Accordingly, this final run also began by paying plenty of attention to the relationship between Princess Diana (Elizabeth Debicki, Guardians of the Galaxy Vol. 3) and Dodi Fayed (Khalid Abdalla, Moon Knight), including the tragic events of their trip to Paris. Now, the remainder of the season keeps exploring the aftermath to take the award-winning series to its conclusion. On the way: Prince William (Ed McVey) going back to Eton, then attending St Andrew's University and forming a crush on Kate Middleton (Meg Bellamy). The Crown's last hurrah will also include Princess Margaret's (Lesley Manville, Mrs Harris Goes to Paris) stroke and lifestyle changes, and the Queen entering her ninth decade, as well as what that means for Prince Charles (Dominic West, The Pursuit of Love). Stepping into William and Kate's shoes, McVey and Bellamy are both screen debutants playing a couple whose tale has never been away from the headlines — and digging into the part of this narrative that even those with zero interest in the royal family know from such incessant coverage. Season six's cast also includes Luther Ford (short Dream Between) as Prince Harry, Olivia Williams (The Father) as Camilla Parker Bowles, Jonathan Pryce (Slow Horses) as Prince Philip, Claudia Harrison (Delicious) as Princess Anne and Bertie Carvel (Dagliesh) as Tony Blair. When The Crown began, it kicked off with Queen Elizabeth II's life from her marriage to Prince Philip back in 1947. The first season made its way to the mid-50s, the second season leapt into the 60s, and season three spanned all the way up to the late 70s. In season four, the royal family hit the 80s, while season five hopped to the 90s. News around the show's fifth and sixth seasons has changed a few times over the past few years. At the beginning of 2020, Netflix announced that it would end the royal drama after its fifth season. Then, the streaming platform had a change of heart, revealing it would continue the series for a sixth season after all. Check out the trailer for the second part of The Crown season six below: The second part of The Crown's sixth season will hit Netflix on Thursday, December 14. Images: Daniel Escale, Netflix / Leftbank.
In every generation, a slayer is born — and a new show about them, apparently. It's the reboot that was always bound to happen, with Buffy the Vampire Slayer set to head back to television. Wannabe vampire vanquishers, get your stakes ready. Twenty-one years after the last TV version first aired, the new take will both follow in its footsteps and add something fresh to the concept — think fighting bloodsuckers and demons, of course, plus using Buffy's supernatural calling as a metaphor for broader societal issues, but in contemporary times and with a diverse cast. While the show is still in writing stage, the role of Buffy herself is being written for a black actress according to The Hollywood Reporter. Writer Monica Owusu-Breen has been charged with the task of penning the reboot, with assistance from original writer Joss Whedon — who'll also serve as an executive producer. It's a reunion for the two, after they worked together on Marvel TV series Agents of S.H.I.E.L.D. Owusu-Breen also has credits on everything from Charmed and Alias to Lost and Fringe on her resume. As for which members of the Scooby gang will be back, which vamps will make a reappearance, if it'll be set on Sunnydale's hellmouth, if a stuffy English librarian will be involved and whether there'll be a musical episode, it's still very early days — while the project is moving ahead, it doesn't yet have a TV network or streaming platform attached. And, if you're thinking that Buffy doesn't really need rebooting, remember that Whedon's Sarah Michelle Gellar-starring seven-season series originally remade the 1992 movie of the same name. Via The Hollywood Reporter.
Rural Australia becomes a place of horror in Wake in Fright. John Grant, a young teacher on a bonded placement to the back of nowhere, is trying to return to Sydney for his holidays but finds himself stranded in a mining town where he becomes drawn into a nightmare spiral of boozing, gambling and competitive machismo that begins to erode his very sense of self. The savagely satirical 1961 novel by Kenneth Cook is perhaps best known for its film adaptation, which saw a revival in cinemas in recent years after its long-lost negatives were discovered. This stage version was produced by students at La Trobe University shortly after and, unlike John Grant, they got out of town in a big way. After playing at the Festival of Australian Student Theatre in 2010, they were invited to tour the show to Britain as part of the cultural program attending last year’s Olympics, an honour given to only a handful of non-British acts. Clearly they were doing something right. You can find out what when this repeat season of the show, featuring a mostly new cast, opens at La Mama. Just don't bet your tram fare home on a two-up game.
Across most of Australia, no one expects to feel particularly warm in June. Even in Brisbane, the temperature always starts to dip before midyear hits. But, just days into winter 2021, the frostiest part of the calendar is making sure that Aussies along the east coast definitely feel the cold — so rugging up is recommended for the next week. The country's southeast is expected to be especially chilly, as you might have already started to realise if you're located in Sydney or Melbourne. The Bureau of Meteorology advises that icy air has been heading up from the Southern Ocean, and it's bringing rain, wind and snow with it. In New South Wales, that means cold, wet and windy conditions for most of the state from Tuesday, June 8, plus snow in sections of the northern and central Tablelands — and alpine areas — on Wednesday, June 9 and Thursday, June 10. In Melbourne, don't expect temperatures higher than 13 degrees on Tuesday and Wednesday, or above 16 degrees until Sunday, June 13. https://twitter.com/BOM_au/status/1401658919659917317 Discussing the colder conditions on Sunday, June 6, BOM meteorologist Sarah Scully said that "there is a very strong cold front that's forecast to move across southeastern Australia across Monday and Tuesday" — and "on and beyond that cold front, we're forecasting widespread showers, small hail and isolated thunderstorms." The cold front is expected to move east through NSW and Victoria on Monday and Tuesday. Also on Tuesday, snow is expected to drop to low levels "through parts of Tasmania, Victoria and alpine areas of NSW." From Tuesday night onwards, a complex low pressure area is forecast to develop over the southern part of NSW, then move off the east coast and intensify — bringing a band of rain across the eastern seaboard. That's anticipated to stretch right up from Tasmania to southeast Queensland. "It's a very cold pool of air, so there's the potential for small hail and thunderstorms as well, and showers, and also snow down to low levels," said Scully. https://twitter.com/BOM_Vic/status/1401701952052994054 So, Sydneysiders, get ready for minimums as low as eight degrees, showers from late Tuesday until Friday, June 11, and a maximum of 15 degrees on Thursday, June 10. In Melbourne, as well as the low top temps mentioned above, the minimum will hit six degrees on Wednesday, and showers are forecast from Tuesday–Thursday. Damaging winds are also expected in southern and alpine regions. Brisbane has been feeling chillier than usual for a few days, thanks to a cool change that was forecast last week. Back when winter started, BOM noted that there was "an outside chance" that the Granite Belt could get snow this week — but Brisbane is in for eight-degree minimums regardless from Thursday–Sunday, and a maximum of just 18 degrees on Thursday as well. https://twitter.com/BOM_Qld/status/1399558171740442627 Of course, while these are BOM's forecasts as issued up until today, Monday, June 7, conditions may change — so keep an eye on the Bureau's website for the most up-to-date information. For latest weather forecasts, head to the Bureau of Meteorology website.
Tis the season to hit up some top-notch festivals with your mates. The sun is shining, the drinks are on ice, and you've managed to get the whole crew together to seize the day — the local beer garden just won't cut it. There's plenty to do this summer, so with the help of Sunglass Hut, we've picked seven Melbourne festivals where you and all your mates can make the most of long, hot days and balmy nights. Sip gin on a boat, sample festival-exclusive beers at Abbotsford Convent, get down to local and international musos and say goodbye to the season at an arty warehouse party.
You can expect a musical celebration for all the senses, when the annual Darebin Music Feast kicks off its 2018 season this Thursday, October 18. The festival's ringing in its 22nd edition with a whopping 120 parties, gigs and industry events, showcasing venues all across this vibrant pocket of Melbourne's north. Unfolding across ten jam-packed days, the program launches with a Darebin Arts Centre opening party brimming with girl power. You'll catch a screening of powerful film Her Sound, Her Story, exploring the experiences of women in the Australia music industry, before settling in for an evening of art and music, headlined by legendary ladies Alice Skye, Girl Zone and Jesswar. Family-friendly daytime gig Sonic aGender: Shake the Tree descends on the Thornbury Bowls Club on October 21, dishing up sounds from the likes of The Pink Tiles and Ally Boom Boom & The Cool Bananas, along with an old-school sausage sizzle and meat tray raffles. An Aboriginal and Torres Strait Islander music showcase hits the Northcote Town Hall on October 27, with a lineup that includes Bricky B, Maylene Slater Burns, Drmngnow and more, while on October 19, Jen Cloher delivers a keynote focused on ideas of gender, songwriting and wall breaking. And this year's Feast Films series celebrates some of music's most extraordinary women, as the Thornbury Picture House shines the spotlight on iconic female-centric flicks like The Punk Singer, PATTI CAKE$ and 20 Feet from Stardom. Images: Thornbury Picture House, Nicole Cleary.
They call it Tina — The Tina Turner Musical, oh Tina — The Tina Turner Musical — and it's finally coming to Australia. After premiering in London back in 2018, this stage ode to the music icon that's had Aussies dancing to 'Nutbush City Limits' for decades is making its way Down Under, locking in its first local stint in Sydney from May 2023. No, it isn't taking to the stage in a church house, gin house, school house or outhouse — or on highway number 19, either. But Tina — The Tina Turner Musical will obviously have Theatre Royal Sydney enjoying Turner's greatest hits in one massive show. The list of musical numbers includes 'Nutbush City Limits', naturally, as well as everything from 'River Deep, Mountain High' and 'Proud Mary' through to 'Private Dancer' and 'What's Love Got to Do with It?'. Tina — The Tina Turner Musical will open on Thursday, May 4, 2023, heading our way after also playing Hamburg, on Broadway, and in Utrecht and Madrid — and touring North America in 2022. Penned by Tony Award-nominee and Pulitzer Prize-winner Katori Hall, plus Frank Ketelaar and Kees Prins, and directed by fellow Tony-nominee Phyllida Lloyd, Tina — The Tina Turner Musical clearly has quite the story to tell. The show steps through Turner's life and fame, including growing up in Nutbush, Tennessee, the hard work that led to her career, all of those aforementioned hits, her 12 Grammy Awards, her volatile time with Ike Turner and her huge solo success. If you're a fan, Turner herself summed it up — yes, it's simply the best. Images: Daniel Boud.
If you've ever been caught at a tram stop without a way to top-up your Myki, just wait until the Victorian Government launches its impending 'Mobile Myki' trial. If introduced, it might mean you can ditch your card altogether and — instead of walking an inconvenient distance to a ticketing machine or just risking the fine — use an app to manage your Myki. So how will it work? The technology will use a custom-built app that integrates seamlessly with existing Myki card readers and ticket barriers, for travel on trams, trains and buses across the state. If it gets the tick of approval, passengers will soon be able to check their Myki balance and top up their account on the go, using their phone instead of a physical card. When testing kicks off in the coming months, it'll see Victoria become one of the first spots in the world to trial mobile ticketing technology across multiple transport modes on an entire public transport network, without incorporating any new infrastructure or equipment. The announcement comes just a couple of months after Transport for NSW enabled contactless card payments on Sydney's Opal system for the first time. A group of industry-based testers will put the new Myki technology through its paces first, before a wider public trial launches later in the year. Testing will continue until early 2019, with physical Myki cards to remain in use both during the trial and afterwards.
Last November Jim Finn, of Art vs Science fame, launched his solo project Vydamo with the single 'Gonna Make It', a user-friendly, catchy little anthem of a hit that almost fooled me into thinking the New Radicals had finally followed up their '90s one-hit wonder 'Get What You Give'. But this is real music that is real fun or, as Richard Kingsmill of triple j puts it, this guy (and this music) is "extremely likeable". Vydamo will kick off his first tour this Friday, April 19, when he plays to Sydneysiders at OAF before heading south for a Saturday at the Toff in Melbourne. Next weekend Brisbane will get their taste of Jim Finn solo and live at Alhambra on April 27. Art vs. Science first got our attention in 2008 with the call-and-response dance number 'Flippers'. The dynamic little three-piece have been on the up ever since, and with their most comprehensive tour of the States coming up in June, it could well be worth your while to catch their frontman doing his thing before it starts costing you $200 a pop. We have three double passes to Vydamo gigs in Sydney, Melbourne and Brisbane to give away. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. https://youtube.com/watch?v=weZwxAv9j4I
Marco Delgado and Nadine Fuchs are two extremely svelte performers whose brand of erotic dance-comedy is moist with ambiguity. Watching footage of their past work it’s clear they're out to mock the seriousness of their own artform, recognising that humour’s often the first emotion sacrificed on the altar of contemporary dance. At the same time their shows never appear like simple pisstakes of high art — it’s the tension between their obvious talent and their playful approach that’s characterised Delgado Fuchs’ work in the past. Arriving from their native Europe (where Delgado worked as a stripper in Brussels while training as a dancer), they’re hosted in Melbourne by Australia’s leading experimental dance venue, Dancehouse.
Skip the airfare but enjoy the party: that's the wallet-friendly outcome when Don't Let Daddy Know makes its Australian debut this summer. First held in Ibiza in 2012, the dance music festival has spread to 20 countries around the world since, including events in the UK, Hong Kong, Japan, Mexico, Brazil, India, Belgium and The Netherlands. Now, it has just announced its first trip Down Under. Next stops: Sydney, Melbourne and Brisbane. DLDK will hit Australia's east coast in January 2024, on a three-stop tour over one big weekend. The tunes will start at Qudos Bank Arena on Friday, January 12, then take over Sidney Myer Music Bowl on Saturday, January 13, before hitting up Eatons Hill Outdoors on Sunday, January 14. While getting everyone feeling like they're on an island in the Mediterranean Sea isn't an easy task, DLDK will be letting its tunes take care of the vibe. Enter a lineup featuring AFROJACK, Timmy Trumpet, MORTEN and Sub Zero Project, as well as RESTRICTED, Dimatik and Bobby Neon. So, that means dancing to 'Take Over Control', 'Freaks', 'Domestic', 'Darkest Hour' and more, at a festival that's dedicated to pairing well-known dance music names with up and comers. Australia keeps welcoming local stints for well-known overseas fests and parties, after This Never Happened Presents made its first Aussie visit this winter, and also Palm Tree Music Festival in autumn. DON'T LET DADDY KNOW 2024 AUSTRALIAN DATES: Friday, January 12 — Qudos Bank Arena, Sydney Saturday, January 13 — Sidney Myer Music Bowl, Melbourne Sunday, January 14 — Eatons Hill Outdoors, Brisbane DON'T LET DADDY KNOW 2024 AUSTRALIAN LINEUP: AFROJACK Timmy Trumpet MORTEN Sub Zero Project RESTRICTED Bobby Neon Dimatik Don't Let Daddy Know will tour Australia in January 2024. Ticket pre sales start from 12pm local time on Wednesday, October 11, with general sales from 12pm local time on Tuesday, October 17 — head to the festival's website for further details.
