The incredible and heart-warming music doco Searching for Sugar Man, directed by Malik Bendjelloul, follows the mysterious story behind a '60s musician simply known as 'Rodriguez'. Likened to artists like Bob Dylan for his soulful melodies and powerful lyrics, the Mexico-born musician was relatively unknown in America. Sixto Rodriguez, who was discovered by celebrated music producers in a Detroit bar, sold only six copies of his record Cold Fact in the US. However, in South Africa - nearly 10 years after his record flopped at home - a bootleg copy of Cold Fact quickly became a hit, an anti-establishment anthem for a country suffering under apartheid regime. Rumoured to have committed suicide on stage, Rodriguez vanished without a trace, unaware of his affect on fans in South Africa. Decades later, two fans set out to find out what happened to the obscure artist whose music resonated with them as they were growing up in riotous South Africa. What they uncover is an extraordinary story that has has impressed critics and audiences worldwide, including winning Special Jury Prize and an audience award at Sundance Film Festival. Concrete Playground has ten double passes to giveaway to see Searching for Sugar Man, in cinemas now. To enter the competition, just subscribe to Concrete Playground (if you haven't already) then email your name and postal address to hello@concreteplayground.com.au
Australia's film and television industry can't help falling in love with the year's biggest homegrown movie, the director behind it, and the actors bringing to life one of the 20th century's music icons and his wife. At the 2022 Australian Academy of Cinema and Television Arts Awards, Baz Luhrmann's Elvis Presley biopic said "thank you, thank you very much" to a swag of gongs, winning 11 from 15 nominations. Yes, Elvis was truly in the building, and revelling in a hunk, a hunk of burning love. Back in October when the list of contenders was announced, Elvis was instantly the frontrunner, with the film maintaining Luhrmann's history of making flicks that earn AACTA's affection. Indeed, Australia's biggest movie and TV awards have also given Best Film to Strictly Ballroom and The Great Gatsby in the past, and showered all of the director's features with nominations. It comes as zero astonishment, then, that his take on the king of rock 'n' roll has come out on top this year. As well as Best Film, Elvis earned the Best Actor gong for Austin Butler for playing the man himself, the Best Supporting Actress prize for Olivia DeJonge for her role as Priscilla Presley and Best Director for Luhrmann. Also among its trophies: Best Cinematography, Best Costume Design, Best Editing, Best Production Design, Best Hair and Makeup, Best Visual Effects or Animation, and Best Sound. Elvis wasn't the only Aussie hit of the past year to win big, however, with Mystery Road: Origin collecting seven awards from 15 nominations in the television fields: for Best Drama Series, Best Lead Actor in a Drama (for Mark Coles Smith), Best Lead Actress in a Drama (Tuuli Narkle), Best Cinematography in Television, Best Direction in Drama or Comedy, Best Editing in Television and Best Sound in Television. In an impressive night for Australia's Indigenous actors, Coles Smith and Narkle were joined by Leah Purcell, who picked up Best Actress in the film fields for The Drover's Wife The Legend of Molly Johnson, plus Heartbreak High's Thomas Weatherall, the recipient of the Best Supporting Actor in a Drama gong back in the TV categories. Elsewhere among the contenders, River won best documentary; The Stranger's Sean Harris won Best Supporting Actor and writer/director Thomas M Wright nabbed Best Screenplay; A Stitch In Time won Best Indie Film; and Brooke Satchwell won Best Supporting Actress in a Drama for The Twelve. Across both film and TV, a heap of international names graced the acting nominations — a common AACTAs trend over the years — including Idris Elba and Tilda Swinton for Three Thousand Years of Longing, both Butler and Tom Hanks for Elvis, Harris for The Stranger, Jackie van Beek and Jemaine Clement for Nude Tuesday, Joanna Lumley for Falling for Figaro and Jamie Dornan for The Tourist — but only Butler and Harris emerged victorious. Elvis' domination in the film categories isn't a surprise for another reason: AACTA history. When the Aussie academy loves something, it goes all in, with Nitram 2021's big winner, Babyteeth picking up seven awards in 2020, The Nightingale receiving six the year before, Sweet Country doing the same the year before that and Lion nabbing 12 in 2017. (Thanks to the likes of Hacksaw Ridge, Mad Max: Fury Road, The Dressmaker, The Great Gatsby and The Sapphires before that, the trend goes on.) Here's a rundown of 2022's major AACTA nominations — and you can check out the full list on AACTA's website: AACTA WINNERS AND NOMINEES 2022: FILM AWARDS: BEST FILM Elvis — WINNER Here Out West Sissy The Drover's Wife The Legend of Molly Johnson The Stranger Three Thousand Years of Longing BEST INDIE FILM A Stitch In Time — WINNER Akoni Darklands Lonesome Pieces Smoke Between Trees BEST DIRECTION Baz Luhrmann, Elvis — WINNER Hannah Barlow and Kane Senes, Sissy Leah Purcell, The Drover's Wife The Legend of Molly Johnson Thomas M Wright, The Stranger George Miller, Three Thousand Years of Longing BEST LEAD ACTOR Austin Butler, Elvis — WINNER Rob Collins, The Drover's Wife The Legend of Molly Johnson Joel Edgerton, The Stranger Idris Elba, Three Thousand Years of Longing Damon Herriman, Nude Tuesday BEST LEAD ACTRESS Aisha Dee, Sissy Leah Purcell, The Drover's Wife The Legend of Molly Johnson — WINNER Julia Savage, Blaze Tilda Swinton, Three Thousand Years of Longing Jackie van Beek, Nude Tuesday BEST SUPPORTING ACTOR Simon Baker, Blaze Jemaine Clement, Nude Tuesday Malachi Dower-Roberts, The Drover's Wife The Legend of Molly Johnson Tom Hanks, Elvis Sean Harris, The Stranger — WINNER BEST SUPPORTING ACTRESS Jada Alberts, The Stranger Jessica De Gouw, The Drover's Wife The Legend of Molly Johnson Olivia DeJonge, Elvis — WINNER Joanna Lumley, Falling For Figaro Yael Stone, Blaze BEST SCREENPLAY Baz Luhrmann, Sam Bromell, Craig Pearce and Jeremy Doner, Elvis Jackie van Beek, Nude Tuesday Leah Purcell, The Drover's Wife The Legend of Molly Johnson Thomas M Wright, The Stranger — WINNER George Miller and Augusta Gore, Three Thousand Years of Longing BEST DOCUMENTARY Ablaze Clean Everybody's Oma Franklin Ithaka River — WINNER TELEVISION AWARDS: BEST DRAMA SERIES Bump Heartbreak High Love Me Mystery Road: Origin — WINNER The Tourist Wolf Like Me BEST TELEFEATURE OR MINISERIES Barons Savage River The Twelve — WINNER True Colours Underbelly: Vanishing Act BEST COMEDY PROGRAM Aftertaste Five Bedrooms Hard Quiz Shaun Micallef's Mad as Hell — WINNER Spicks and Specks Summer Love BEST LEAD ACTOR IN A TELEVISION DRAMA Mark Coles Smith, Mystery Road: Origin — WINNER Jamie Dornan, The Tourist James Majoos, Heartbreak High Sam Neill, The Twelve Hugo Weaving, Love Me BEST LEAD ACTRESS IN A TELEVISION DRAMA Isla Fisher, Wolf Like Me Claudia Karvan, Bump Kate Mulvany, The Twelve Tuuli Narkle, Mystery Road: Origin — WINNER Bojana Novakovic, Love Me BEST COMEDY PERFORMER Wayne Blair, Aftertaste Patrick Brammall, Summer Love Harriet Dyer, Summer Love Tom Gleeson, Hard Quiz — WINNER Charlie Pickering, The Weekly with Charlie Pickering Doris Younane, Five Bedrooms BEST SUPPORTING ACTOR IN A TELEVISION DRAMA Hayley McElhinney, Mystery Road: Origin Jacqueline McKenzie, Savage River Heather Mitchell, Love Me Brooke Satchwell, The Twelve — WINNER Magda Szubanski, After the Verdict BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA Steve Bisley, Mystery Road: Origin Brendan Cowell, The Twelve Daniel Henshall, Mystery Road: Origin Damon Herriman, The Tourist Thomas Weatherall, Heartbreak High — WINNER
Juniper has come a long way — from curing stomach pains and repelling snakes to burning sprigs to ward off the plague, and on to its most common use today in our beloved gin. To dig deep into the history of the botanical tipple, we spoke to master distiller Joanne Moore from Greenall's Gin (produced at England's oldest gin distillery — G&J Distillers) for advice on bluffing our way through junipers and genevers to get to the good stuff: gin. WHY DOES GIN HAVE AN EMOTIONAL REPUTATION? There are two sorts of people who drink gin: one, that after a touch grazing the lips, starts to bare their heart and soul and drags you into a D&M, and the latter, a shark-fresh-outta-water sort who can sink snooker balls like it ain't nobody's business. So what's the deal, Joanne? "I think this stems from the poor reputation of gin following the gin craze of the early 18th-century when there was no regulation around making it. The result was a lot of 'gins' of dubious quality being drunk, which was immortalised by William Hogarth's infamous painting of Gin Lane. There's nothing in gin that would make you cry any more than if you drank the same quantity of another product with the same alcohol level." [caption id="attachment_663983" align="alignnone" width="1920"] Letícia Almeida.[/caption] THE TASTE OF A GOOD GIN First up, genevers. We know this to be the drink that begat gin; the older Dutch spirit cousin you might say. But what else should bluffers know about gin to charm all their mates? "London dry gins, such as Greenall's original, are traditionally distilled white spirits, made from three building blocks: grain spirit (in Greenall's case, English wheat), botanicals and water. The only botanical we have to use to be legally defined as a gin is juniper berries, and for london dry, this should be the predominant aroma. "A good gin should have recognisable juniper notes — after all, that's what legally defines a gin — so, it should be dry, not overtly sweet, balanced and have a good soft mouthfeel. It shouldn't be too harsh or burning to the taste. "Much like wine tasting, gin tasting uses the same basic principles. Aerate your glass and nose the aromas, as your sense of smell signals to your brain what you are going to taste. There's no need to hold the spirit in your mouth like you do with wine though, just sip and enjoy," says Joanne. [caption id="attachment_638855" align="alignnone" width="1620"] Brook James.[/caption] A PERFECT TIME AND PLACE Like rosé to spring, red to winter and white to summer, is there a best time to drink gin? "That's a difficult one to answer as it all depends on the individual, how they feel and what sort of day they have had — do they want a long drink like a refreshing G&T, a cocktail or a short drink? For me, that's the real beauty behind gin. It's so versatile that you can drink it responsibly in lots of places," says Joanne. AN OPTIMAL VESSEL Now we know when we should be drinking gin, but what about how we should be drinking it? Are there certain vessels that are better than others? "It could be argued that for the optimum drinking experience, you need a glass with a narrow neck to allow the concentration of aromas to be appreciated. Plus, glass as a material is better suited than say, plastic, as it doesn't contain any elements that could potentially react with your spirit and leach into your drink." [caption id="attachment_663977" align="alignnone" width="1920"] Letícia Almeida.[/caption] HOW TO MAKE THE PERFECT G&T A classic gin and tonic can be traced back to when colonial Britain spread its tentacles across the world and the English encountered a whole range of new tropical diseases, including malaria. To try to combat the disease, troops in India were given rations of the very bitter cinchona bark, which contains quinine, a treatment for malaria. And from there, these wily soldiers mixed their rations with sugar, soda water and gin to make it more palatable. Now, when mates come over to celebrate being malaria free — or really for any occasion — we tend to go for a splash mighty enough to fill half a glass. What's the best way to mix up a good ol' G&T? "Gin is best served chilled with a good quality mixer and appropriate garnish to bring out the key flavours. For mixing a classic G&T with Greenall's gin, we recommend using some good quality tonic such as Fever Tree, lots of ice and a wedge of lime to bring out the rounded juniper notes, warm earthy spice and mature citrus notes of our Greenall's Original gin recipe. "It's also important to mix the gin and tonic to avoid layering flavours. Mixing allows the two to marry together and complement each other." WHAT'S TRENDING? Throughout gin's long life many trends have come and gone. There have been gins made with ants and seaweed, gins bottled with flecks of gold and turkey-flavoured gin (yes, really). Luckily, the latest trend is a bit more palatable (or, if we may, palette-able). While gin may traditionally be clear, that's no longer the hard-and-fast rule. And gin's colour of the moment is pink. Was it inspired by Regina George's midweek mantra? The millennial colour of the moment? A certain animated feline detective? We don't know. But we do know that it certainly adds an extra shade to your G&T. And, in the case of Greenall's Wild Berry gin, it tastes good too. This variation of the pink libation is made with natural blackberry and raspberry flavouring. As you'd expect, it has berry notes (on the nose and tongue) but the combination with juniper botanicals gives the drink a warming spice and slightly peppery after tones. [caption id="attachment_663980" align="alignnone" width="1920"] Letícia Almeida.[/caption] AND FINALLY, SHAKEN, STIRRED OR THROWN? The martini is the quintessential gin cocktail, a blend of gin and vermouth mixed to the drinker's exact specifications. But when you order a martini should you ask for it shaken, stirred or thrown? Many people will tell you there is a definitive answer, but the only difference is that the ice breaks into smaller chips and waters down the martini when you shake the cocktail. Joanne say, "too much ice doesn't dilute gin, but it does keep it chilled, dulling the effect of the alcohol in the mouth and making for a more pleasant drink." So tosh to them; drink it how you like, we say. Grab a bottle of Greenall's, throw that dry martini, aerate until it breaks into tiny droplets, serve in a chilled glass and don't let anyone tell you you're doing it wrong. Header image: Brook James.
Clocking in at an impressive 350 square metres and packed full of leafy green delights, Botanicah is pegged to be the Southside's biggest plant warehouse. And if you've got even a glimmer of the plant-buying bug, don't expect to leave here empty-handed. Best mates Harris Mashood and Bowen Walker have filled their space — a former plastic bag factory — with a covetable collection of greenery, pots and accessories. The range is always growing, too, with every piece sourced carefully from local nurseries and artisans. There's a little something here to suit just about every condition and watering habit imaginable, from those sun-loving outdoor plants to cute cacti and hard-to-kill indoor varieties. Fancy a foxtail fern for your bedroom? Maybe a melanthera to brighten up that balcony? Whatever you're vibing, a wander through this soothing green oasis is likely to unearth it. Along with buckets of inspiration, the team's also got your back with expert advice on how to help those new plant babies thrive. And plant sale events are a regular occurrence — stay tuned to the Facebook page for details. [caption id="attachment_775192" align="alignnone" width="1920"] Arianna Leggiero[/caption] Images: Arianna Leggiero
Filled to the brim with vibrant knick knacks, Homing Instincts is all about unique design and celebrating the strange — offering everything from eco-friendly reusable shopping bags and Frank Green cups, to the hilarious Blue Q sock range, planters and vases, and greeting cards designed by local artists. Of course, it helps that owner Jennie Lane is no stranger to retail. Having spent 30 years in the industry, Jennie knows what people want and her experience shows through the quality of the items displayed on Homing Instinct's shelves. You can also find Homing Instinct's at 204 Glenferrie Road, Malvern, 65 Puckle Street, Moonee Ponds, and 270 Yarra Street, Warrandyte.
Gelato Messina first introduced its cookie pies to the world in 2020, and tastebuds across Australia thanked them. Then, it kept bringing the OTT dessert back when we all needed an extra dose of sweetness across the year. In fact, the dessert fiends have been serving them up for more than 12 months now. Messina celebrated that one-year milestone back in April, of course — but it isn't done with cookie pies yet. Here's hoping that it never will be, because its latest version is certain to tempt plenty of tastebuds. Chocolate is involved, as it usually is, but Messina's new choc malt cheesecake cookie pie fills its choc malt cookie with vanilla malt cheesecake, then tops it with a choc malt crumble. With all that talk of chocolate and malt, it sounds a bit like it's taking a few cues from Milo. No, we're not complaining. Hang on, a cookie pie? If you're not familiar with the concept yet, it's a pie — obviously — but it's made of cookie dough. And it serves two–six people — or just you. You bake it yourself, too, so you get to enjoy that oh-so-amazing smell of freshly baked cookies wafting through your kitchen. This time, you'll enjoy the scent of vanilla and malt as well. The new pies will be available for preorder from 9am on Monday, June 7 — which is your chance to get yourself a piece of the pie. On its own, the indulgent birthday cake cookie pie will cost $25. But to sweeten the deal, the cult ice creamery has created a few bundle options, should you want some of its famed gelato atop it. For $35, you'll get the pie and a 500-millilitre tub, while with a one-litre tub or a 1.5-litre tub, it'll cost $41 and $45 respectively. The catch? You'll have to peel yourself off the couch and head to your local Messina store to pick up your order. They'll be available for collection between Friday, June 11–Sunday, June 13. Melburnians, ideally you'll be out of lockdown by then — but it's probably best to take note of your ten-kilometre bubble when ordering, just in case. You can preorder a Messina choc malt cheesecake cookie pie from Monday, June 7, to pick up from Friday, June 11–Sunday, June 13.
Phone or tablet? If that's a question that you've ever asked yourself, Samsung now has the answer. This week, the company unveiled the prototype for its new foldable smartphone, confirming one of the biggest rumours in the technology game. At the Samsung Developer Conference in San Francisco on November 7–8, the company revealed a device that's clearly still in development, but combines the best of both worlds when it comes to regular-sized touchscreen phones and their larger siblings, aka tablets. The handset boasts a new interface and display that enables it to both function as the former and fold out to become the latter — for those times when you just need a bigger screen, we guess. The interface is called One UI and is designed for one-handed use, anchoring the most relevant information to the bottom of the screen. As for the Infinity Flex Display, as well as being able to fold in the middle, it will also move whatever you're looking at from its smaller size to its larger size as you unfold the phone. In what might be one of the biggest drawcards, it'll support simultaneous app use when the larger display is used, thanks to functionality Samsung has dubbed Multi Active Window. Yes, this means that you can have three things open and active at the same time. Design-wise, the device uses one single screen that is foldable down the centre like a book, instead of flipping from the top like the clamshell handsets that have long defined the way we all think about flip phones. Other details are scarce — this was Samsung's first real teaser that the new foldable format is definitely in the works, rather than an actual product launch. It's not the first time that the company has mentioned the device. Speaking with CNBC earlier in the year, IT and mobile communications division CEO DJ Koh noted that more details would be revealed at SDC — although clearly we'll all have to keep waiting for in-depth specifications, and even information such as a name, release date and price. Contrary to how the device might seem at present, Koh also noted that it won't just be a tablet in a more compact form. Images: Samsung.
Located just a stone's throw from Footscray Park and the banks of the Maribyrnong River, this haven of green space offers a slice of tranquility away from the buzz of Melbourne's inner west. Over the past few years, the former quarry has been steadily transformed into a lush public open space complete with picnic areas, rolling green slopes and some top-notch views of the city skyline. But it's perhaps Quarry Park's mountain bike facilities that have earned it the strongest following of late, with a series of bike trails, a dedicated skills park and pump tracks for junior riders all completed in late 2019. A slew of other improvements and additions are also in the works including plans for a Korean War Memorial, which will honour the Australians who served in the Korean War from 1950–53.
Before real-life American politics started to resemble a farce, HBO's seven-season comedy Veep got there first — and gave the country a female Vice President before 2020's historic election results, too. Starring the always-exceptional Julia Louis-Dreyfus as Senator-turned-VP Selina Meyer, this quick-witted show parodies everything about US government, elections and politics. It was created by renowned Scottish satirist Armando Iannucci, who did the same thing in the UK with The Thick Of It, and it's both razor-sharp and sublimely hilarious. Veep is also impressively cast, with Louis-Dreyfus winning six consecutive Emmy Awards for her work, and her co-stars proving just as deserving of awards. Tony Hale might be best known for Arrested Development, but he's pitch-perfect as Selina's body man Gary. Also, when Hugh Laurie shows up, Veep manages to find a new level of comedy.
Melbourne will be stepping up its hotel game in the coming years, with Adina's new Pentridge Prison development, Bennetts Lane's proposed jazz-era hotel, and the upscale CBD outpost of Mornington Peninsula's Jackalope. And now the city's is set to welcome yet another luxury accommodation offering into the fold, as the internationally renowned St. Regis Hotels & Resorts makes its Aussie debut, with a 168-room hotel slated to open in 2022. The grand hotel will spread over ten floors of the yet-to-be-built, 33-storey Flinders Bank precinct, towering above the CBD on the corner of Spencer and Flinders Streets. And it's set to be a pretty swanky operation, sporting luxury interiors by famed design studio Chada and a cutting-edge building design by Melbourne's own Fender Katsalidis Architects. It will have an onsite wellness and fitness centre, too, complete with a spa, a salon and a 25-metre indoor pool, and the acclaimed St. Regis Butler Service will let guests customise every last detail of their stay. The hotel will also feature a bunch of upscale wining and dining options, including a specialty restaurant and the elegant St Regis Bar. For the uninitiated, the St Regis New York's King Cole Bar was the supposed birthplace of the Bloody Mary back in 1934 and the hotel brand has claimed the spicy cocktail as its signature sip ever since. Here, the bar will be whipping up a special Melbourne edition of the drink — we wonder just what that entails. The St Regis Melbourne has 40 hotels worldwide — including in New York, Mallorca and the Maldives — and is one of the Marriott International's brands. The parent company has announced more plans to open hotels Down Under, too, with the recent launch of the W Hotel in Brisbane and W Hotels also planned for Sydney and Melbourne. St Regis Melbourne is slated to open in the new Flinders Bank precinct in 2022.
Classified as a pandemic by the World Health Organisation (WHO) earlier this week, COVID-19 is clearly no laughing matter. And with the Australian Government announcing a ban on non-essential events and mass gatherings of more than 500 people from Monday, March 16 in an effort to reduce the coronavirus' spread across Australia, there'll be no giggling or guffawing at this year's now-cancelled Melbourne International Comedy Festival. "With great sadness we must announce that following the Prime Minister's statement about non-essential mass gatherings, the 2020 Melbourne International Comedy Festival will not go ahead," MICF organisers revealed in a statement. "Cancelling the Festival is heartbreaking but the only decision possible to support the community's efforts to slow the spread of coronavirus (COVID-19)." This year's festival was due to kick off on Wednesday, March 25, running through until Sunday, April 19 — with the likes of Mark Watson, Jason Byrne, the Lucas Brothers, Anne Edmonds, Adam Hills, Becky Lucas and Zoe Coombs Marr on the bill. https://www.facebook.com/melbournecomedy/photos/a.169679626410783/3062822803763103/?type=3&theater MICF is considered one of the largest three comedy festivals in the world, alongside Edinburgh Festival Fringe and Montreal's Just for Laughs Festival. First kicking off in 1977, it attracts more than 770,000 comedy-loving punters each year. Ticket holders will receive refunds, and will be notified about the next steps in the coming days. The Melbourne International Comedy Festival joins a growing list of cancelled events and closed venues, with large swathes of cinemas shutting in China, Iran, South Korea, Japan and across Europe, and theme parks doing the same in Asia, Europe and the US. We've also seen the cancellation of Texan music and film festival South by Southwest and postponement of Coachella. More locally, Tasmania's Dark Mofo, the Grand Prix in Melbourne and the Sydney Royal Easter Show have all been cancelled. The 2020 Melbourne International Comedy Festival will no longer take place from Wednesday, March 25–Sunday, April 19. For more information, visit the festival's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Sitting one level above Collins Street, Polepole is a slick little homage to Africa's eastern coastline. With the venue's name translating to 'slow', carnivores in search of some serious midweek indulgence will find a whole lot to love about Polepole, especially during Tuesday night's weekly all-you-can-meat extravaganza. From 5pm, you can rock your taste buds and stuff your belly with a smorgasbord of slow-cooked, African-style meat dishes and sides for the budget-friendly price of $39 per person. We're talking an endless array of melt-in-your-mouth ribs, vibrant salads and addictive harissa grilled corncobs – whatever you choose, Polepole's extensive menu brings the striking African coastline direct to Melbourne with an array of flavours that'll leave you wanting more. By Libby Curran and Hudson Brown.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But indeed, the beloved Aussie comedian gave the follow-up a red hot crack when she returned to the stand-up stage with her latest work, Douglas, named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas takes you on a "tour from the dog park to the renaissance and back". Gadsby took Douglas to stages across Australia and New Zealand in late 2019 and early 2020, and now, to the delight of house-bound people across the world, is bringing it to Netflix next month. Available to stream globally from Tuesday, May 26, the show will bring us all some much-needed comic relief. As Gadsby says: "mark it in your socially-distant calendars...then wash your hands". https://twitter.com/Hannahgadsby/status/1249668347693654019 Hannah Gadsby's 'Douglas' will be available to stream globally on Netflix from Tuesday, May 26.
It has been almost two years since a Marvel movie hit the big screen. If you're a fan of the Marvel Cinematic Universe, you've probably been feeling their absence. But, since the beginning of 2021, you've likely also been heading to Disney+ to check out a few new small-screen adventures. First came WandaVision, which focused on Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and Vision's (Paul Bettany) story after Avengers: Endgame. It added something different to the MCU, overtly aping classic sitcoms such as I Love Lucy, Family Ties and Malcolm in the Middle as it puzzled its way through Wanda and Vision's small-town life — and had everyone wondering why Vision was even walking and talking post-Endgame at all. Now, The Falcon and the Winter Soldier is also telling a story set after the last Avengers flick, this time with Anthony Mackie and Sebastian Stan's eponymous characters. Based on its first episode so far, it's much more conventional than WandaVision. It doesn't boast a fabulous performance by Parks and Recreation's Kathryn Hahn, either. But, it does explore the everyday existence of both Sam Wilson and Bucky Barnes, who'll team up over the rest of the show's six-episode season. It seems that plenty of people were keen to see what happened next for Wilson and Barnes, and to keep adding a new Marvel episode to their weekends after WandaVision wrapped up. Debuting last week, on Friday, March 19, The Falcon and the Winter Soldier's first episode has become Disney+'s most watched premiere ever. Although the streaming platform hasn't given any actual numbers — which tends to be the case when such services boast about their viewership, as Netflix has also demonstrated — it has announced that The Falcon and the Winter Soldier earned the feat between Friday and Sunday, and was also the most-watched title overall globally over the three days. That means that more folks took a look than when WandaVision premiered, and when Star Wars series The Mandalorian did too, although those shows sit second and third on Disney+'s list of biggest opening weekends. Over The Falcon and the Winter Soldier's remaining five episodes, the series will bring back Daniel Brühl as Baron Zemo and Emily VanCamp as Sharon Carter. As seen already, Wyatt Russell (The Good Lord Bird) is also joining the MCU as John Walker. And yes, the MCU's fourth phase will include more TV shows after this — such as Loki, which hits in June; Secret Invasion, starring Samuel L Jackson as Nick Fury; and a series set in Wakanda. For now, if you haven't viewed the first episode of The Falcon and the Winter Soldier already, you can check out the trailer below: https://www.youtube.com/watch?v=IWBsDaFWyTE The first episode of The Falcon and the Winter Soldier is available to stream now on Disney+, with new episodes added each Friday for the next five weeks. Top image: Marvel Studios 2021. All Rights Reserved.
Sometimes it's nice to get out of Melbourne. Rippon Lea is a hidden gem, boasting a grand estate, sweeping gardens and a vast lake — only seven kilometres out of the city. This winter, the magnificent heritage-listed Rippon Lea Estate is hosting a couple of exhibitions. One of them is Night Life, which utilises the National Trust of Australia's fashion collection to display the stunning history of Australian fashion from the 1920s and 1930s. The exhibition features over 50 gowns and accessories — many made locally in Victoria. The event takes place within the historic mansion, but why not arrive early to explore the grounds? It's an ideal spot for a picnic, and a classy way to round off the weekend.
Crisp air, clear skies, golden leaves. It's this trifecta of soul-nourishing pleasures that makes autumn the perfect time to escape Melbourne for a short break in the regional Victorian town of Echuca. Just two hours and 45 minutes' drive north, this romantic, riverside spot is best known for its nostalgic paddle steamers. And while a ride along the Murray in 19th-century style should be on everyone's bucket list, there's a whole lot more to explore. Think cycle paths dotted with cellar doors and gourmet food stops, canoe trails through the world's biggest red river gum forest, and antique train carriages transformed into beautiful accommodation. EAT AND DRINK Even though the drive is pretty easy, you'll no doubt be hankering after a coffee as soon as you roll in. So make your first stop The Black Pudding Cafe, which also does a mighty breakfast burrito, with cheesy scrambled eggs, bacon, hash brown, black beans and barbie sauce, alongside several other generous brekkies. Meanwhile, enjoy country chic at The Sweet Meadow, where you'll find Allpress Coffee and a 100 percent vegan menu, from banana and buckwheat pancakes to beautifully presented baked donuts. Find this plant-based health bar in a 1920s corner cottage that has been revamped with pink paint and an array of Instagram-worthy florals. Come lunchtime, Henry's Bridge Hotel is the place to go for hearty pub classics, including burgers, grill and fish 'n' chips. It's the oldest pub in town, having been built in 1859 by ex-convict Henry Hopwood, and scored a $1 million revamp in 2016. From there, move on to The Mill, another glammed-up historical spot, which started out in 1881 as a five-storey flour mill. These days, it's a restaurant and bar, dotted with lounges, vintage timber and magnificent chandeliers. Enjoy a quick craft beer or local wine, or stay a while for share plates based on local produce, such as slow-braised pork belly with parsnip puree, bok choy and star anise reduction. Another champion of local farmers is Junction, perched right on the confluence of the Murray and Campaspe Rivers. The architect-designed space offers a choice of atmospheres, from an outdoor terrace overlooking gardens to a warmly lit cocktail lounge. Wherever you are, linger over beautifully composed share plates — such as Wagyu beef carpaccio with wild mushrooms and daikon remoulade — and signature cocktails, like the Ultimate G&T (Four Pillars gin, bergamot bitters, tonic, rosemary and mango). Finally, for an indulgent Italian feast, there's Ceres, where chefs Simone Di Domizio and Amanda Santurbano serve up decadent dishes informed by years of training in traditional and fine dining restaurants across Europe. Waterfront wineries are a knockout feature of the Murray region. There are two within cooee of Echuca: Morrisons Winery, to which you can travel by paddle steamer, and Cape Horn Vineyard, which sits on a lovely hill between the Murray and Goulburn Rivers, affording dreamy views. Should you fancy arriving on horseback, give Billabong Ranch a buzz. DO A good way to get your bearings around Echuca is with some exploration on foot or by bicycle. To that end, the Echuca and Moama Recreation Trails carry you through an idyllic blend of river frontage, forest and historical town streets. Along the way, have a breather at St Anne's Cellar Door, where you can sample a bunch of light whites, big reds and fortified wines perfected over three generations of wine-making, as well as Echuca Farmhouse Cheese, for irresistible triple bries, blues, tasties and more. Once you've experienced Echuca on land, you'll want to see it from the water. The classic way to do this is via paddle steamer, but for a more active adventure, consider a canoe. Echuca Boat and Canoe Hire or River Country Adventours will sort you out with a vessel, from where you can spend an hour or two splashing about on the Murray or set off on a longer voyage, such as a multi-day canoeing-camping escapade through Barmah National Park, home to the world's biggest river red gum forest. Also nearby is Edward River, a quieter alternative to the Murray. To see the area from a local perspective, book an overnight tour with Southern Side Eco Tours, who'll take you to Barmah's most remote spots, cook you dinner over a crackling campfire and pop you into a luxury bell tent for a super-comfy sleep. SLEEP Houseboats of all kinds bob about on the Murray, waiting for weekend visitors. If you're with a group of luxury-loving pals, then go with Magic Murray Houseboats, whose vessels feature slick design, or Executive Houseboats, which have the mod cons. As many as 12 can sleep aboard these boats at once, with room for everyone in the queen rooms, around the dinner table and in the spa. Loads more boat hire possibilities, whatever your budget, can be found on the Visit Victoria website. Another left-of-field stay is The Carriages Vineyard, about 20 minutes' drive west of Echuca. Here, owners David and Lyndall Johnson have been planting grapevines since 1996 and, at the same time, turned four 1890s train carriages into a gorgeous three-bedroom sleepover. Think stunning polished timber, comfy armchairs and outdoor decks surrounded by vineyards. You can even indulge in a wine tasting without leaving your station. Back in town, there's the Cock 'n' Bull, which was built in 1876 on the banks of the Campaspe River. Take your pick of five self-contained apartments, from the retro Emmylou Suite to the light, airy Henry Charles Suite overlooking the water. Last but not least, to stay as close to the Murray as possible — and without spending a cent — pack your tent. There's a bunch of pretty beach campsites near Echuca. Betts Beach is the most rustic, being facility-free, while Christies Beach gives you toilets, barbies and picnic tables, and Wills Bend, toilets only. Alternatively, let someone else do all the hard work for you and go glamping at Talo Retreat, where you'll get to snooze in a Mongolian yurt with a skylight for stargazing, plus a private spa and balcony. For more ideas on how to spend your autumn getaway to Echuca and the Murray region, check out the Wander Victoria website.
It has been a couple of years since The Jungle Collective first started taking over Australian warehouses and slinging plenty of plants, all thanks to its huge sales in Melbourne, Brisbane and Sydney. These leafy excuses to fill your home with greenery always have always happened in the inner north, but this time it's heading to the southeast suburbs. On the weekend of April 27–28, the collective will head to Mentone. It will fill a warehouse with over 150 varieties of green babies — including everything from fiddle leafs and monsteras to giant birds of paradise and rubber trees, as well as many ferns and hanging plants. You'll also be able to shop for designer pots, get expert advice from the horticulturalists onsite, listen to jungle tunes and even nab a $5 discount if you wear jungle-themed attire. It's all happening at 10 Balcome Road, Mentone, with two-hour sessions held at 8am, 10am, 11am, 12pm and 2pm on Saturday and Sunday. While entry is free, you'll need to secure a ticket to head along — they'll be available from midday on Monday, April 22.
Two quintessential Aussie summertime treats are coming together in delicious harmony this week — and if you're quick, you can taste-test the clever fusion for free. The gelato maestros at Messina have teamed up with celebrated wine label Brown Brothers to create a limited-edition prosecco rosé gelato. The icy-cool creation features all the vibrant watermelon and strawberry notes of Brown Brothers' signature prosecco rosé, mixed with bellini-inspired elements like blood peach and lychee cream to form a cooling, creamy gelato blend that's primed for a balmy summer's day. And, since the gelato itself has no alcohol content, it's a treat that everyone can enjoy. But like most Messina creations, this beauty is here for a good time, not a long time. If you're keen to get your mitts on the rosé gelato, you'll find complimentary scoops being handed out at Cleve Gardens in St Kilda West; only between 1–4pm this Friday, January 21.
Eleven years ago, the biggest small-screen fantasy series of the 21st century so far told us that winter is coming. It repeated it over and over again across its eight-season run, in fact. Now, in a different fantasy franchise's longest trailer yet, darkness is coming. And yes, The Lord of the Rings: The Rings of Power does look like it's taking a few cues from Game of Thrones. On the page, JRR Tolkien's saga obviously got there first — but in your streaming queues, it's following George RR Martin's equally beloved series. Actually, that's the case in two ways, given that Prime Video's new Lord of the Rings show will arrive a couple of weeks after Game of Thrones prequel House of the Dragon. There's plenty of room in everyone's lives for both — and now viewers as keen as a hobbit for second breakfast can enjoy their lengthiest look yet at Prime Video's small-screen jaunt through Middle-earth. That not only includes the faces that anchor the series, which covers elves, dwarves and harfoots, aka hobbit ancestors, but also the places. This time, New Zealand's natural splendours stand in for the Elven realms of Lindon and Eregion, the Dwarven realm Khazad-dûm, the Southlands, the Northernmost Wastes, the Sundering Seas and the island kingdom of Númenór. It's now been 21 years since the first of The Lord of the Rings movies had everyone rushing to cinemas, obsessing over hobbits and elves, and saying "precious" too many times. Come September, this time at home, get ready for much of the above to happen all over again. After five years of talking about it, Prime Video's new series The Lord of the Rings: The Rings of Power is mere months away from reaching eyeballs — and the new sneak peek has an epic feel about it. If you're not up to date on The Rings of Power, it features a young Galadriel (Morfydd Clark, Saint Maud) and a young Elrond (Robert Aramayo, The King's Man). As seen in the show's first and second trailers, as well as this new one, it's also set to include elves catching arrows, humans stuck on rafts on stormy seas, cave trolls, raging fires and orc battles. Amazon first announced the show back in 2017, gave it the official go-ahead in mid-2018 and set a premiere date of Friday, September 2, 2022 back in 2021. In-between, it confirmed that it wouldn't just remake Peter Jackson's movies. Rather, the series spends time in Middle-earth's Second Age, bringing that era from the LOTR realm to the screen for the very first time. According to show's official synopsis, The Rings of Power will follow "the heroic legends of the fabled Second Age of Middle-earth's history," with the action set thousands of years before the novels and movies we've all read and watched. The series will also "take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien's pen threatened to cover all the world in darkness." If you're a little rusty on your LOTR lore, the Second Age lasted for 3441 years, and saw the initial rise and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. Naturally, you can expect Sauron to feature in the new show, and to give its main figures some trouble. "Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," the official synopsis continues. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone," it also advises. In terms of stars, The Rings of Power features an unsurprisingly large cast — and some impressive talent behind the scenes. Among the other actors traversing Middle-earth are Ismael Cruz Córdova (The Undoing) as Arondir, Nazanin Boniadi (Bombshell) as Bronwyn, Owain Arthur (A Confession) as Prince Durin IV, Charlie Vickers (Palm Beach) as Halbrand and Sophia Nomvete (The Tempest) as Princess Disa. There's also Tom Budge (Judy & Punch), Joseph Mawle (Game of Thrones), Cynthia Addai-Robinson (The Accountant), Maxim Baldry (Years and Years), Peter Mullan (Westworld), Benjamin Walker (The Underground Railroad) and comedian Lenny Henry. And, the series is being overseen by showrunners and executive producers JD Payne and Patrick McKay, while filmmaker JA Bayona (A Monster Calls, Jurassic World: Fallen Kingdom) directs the first two episodes. Check out the latest The Rings of Power trailer below: The Lord of the Rings: The Rings of Power will be available to stream via Prime Video from Friday, September 2, 2022. Images: Matt Grace / Ben Rothstein.
Do we really need another movie about male mid-life malaise? The answer, obviously, is no. Still, don't discount the partially crowd-funded Anomalisa on account of its seemingly familiar storyline. Springing from the mind of Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind writer Charlie Kaufman, who also co-directs with stop-motion specialist Duke Johnson, this animated effort is far from commonplace. Kaufman's latest sad-sack protagonist is author Michael Stone (voiced by David Thewlis). In Cincinnati overnight to speak about his latest book at a customer service convention, he's lonely and restless, not even raising a smile when he calls home to talk to his wife and young son. Instead, he meets up with an ex-girlfriend, an interaction that unsurprisingly ends badly. Everyone he encounters seems the same, until he comes across visiting call centre worker Lisa (voiced by Jennifer Jason Leigh). She looks and sounds different to everyone else. In a sea of blandness, she stands out. As they spend an evening together, Michael realises why: Lisa is an anomaly. Yes, there's some titular trickery at work, though there's much more than that to this perceptive, precisely paced feature. Stylised touches of the classic Kaufman kind — everyone other than Michael and Lisa is stripped of their individuality because they're all voiced by actor Tom Noonan, for example — amplify an atmosphere that's both mundane and surreal. However, what shines brightest is Anomalisa's haunting understanding of the frailties and anxieties that linger inside all of us, whether we're following our usual routines, falling in love when we're not supposed to, witnessing romantic bliss turn sour, or simply stewing over our unhappy place in the world. There's something about animation that, in the right hands, can get to the heart of such existential, universal angst — and that's not just one of Kaufman's specific skills, as the astute and affecting works of Don Hertzfeldt also show. Perhaps it's a product of forcing viewers to emphasise with figures rather than actors. Perhaps it's the act of focusing on emotions over appearances. Perhaps it's the ability to splash even the strangest thoughts and feelings across the screen. Perhaps it's all of the above. Certainly, the vocal work of the mournful Thewlis, radiant Leigh and versatile Noonan deserves ample credit in Anomalisa's case, particularly given its dialogue-heavy nature (a remnant of the material's origins as a play that wasn't initially intended to make the leap to cinema). One of the movie's main pleasures stems from listening to Thewlis and Leigh talk, whether Michael and Lisa are sharing stories about their lives or awkwardly engaging in puppet sex. In fact, their fluid tones help achieve Kaufman's ultimate aim: making the audience forget they're not actually watching real people. There's nothing strained or tiring, or remotely ordinary, about that.
No other structure encapsulates Geelong's journey from an industrial powerhouse to a forward-thinking metropolis quite like the Geelong Library and Heritage Centre. Known locally as 'The Dome' and spanning eight levels in the thick of the city, the building is far more than just a library — it's become a vibrant gathering space for locals to meet, especially thanks to its ground-floor cafe that opens out onto the adjacent Johnston Park. The building also houses meeting and event spaces, cutting-edge information technology services, an exhibition space, an entire floor dedicated to children and young people and the climate-controlled Heritage Centre, Victoria's biggest regional collection of public and private records. Events are a major part of the program here, too, with a year-round calendar of online and in-person workshops and lectures for readers and writers of all ages.
The Supernatural Amphitheatre may have banned Native American headdresses, but they'll soon have to make an unexpected exception — Golden Plains 2015 will feature the Village People. That's right, it's been nearly 40 years since the height of their fame, but the Village People are still coercing you to stay at the YMCA. Get ready to raise your cowboy boot. The full lineup which has just been released is nothing if not diverse. The Village People are proving disco isn't dead, your emotional teenage heartthrob Conor Oberst will be there bringing the indie rock, classic local tunes will be had with Something For Kate, even seminal Australian punk legends Radio Birdman will be in attendance. As always, the local lineup is strong. Off the back of her first national headline tour, Courtney Barnett will be the perfect soundtrack to your afternoon chill session. You can expect some unsavoury antics while watching The Bennies, and local favourites like Twerps, Banoffee, and Milwaukee Banks will also be hitting the stage. Aside from your Bright Eyed boyfriend and the Village People, other international acts include Swedish folk duo First Aid Kit and Pavement follow-up project Stephen Malkmus and The Jicks. As always, you'll have to enter the ballot if you want in on this glorious gathering. The festival will run from March 7-9 and tickets will be $328.80+bf. It's the same festival you know and love — no dickheads, no need to hide your goon sacks, no problems. The second-draw ballot closes on 9pm on Tuesday, October 21. Welcome to the sounds of your summer. Full lineup: Aldous Harding Banoffee Black Vanilla Bombino Conor Oberst Courtney Barnett Dj Shadow & Cut Chemist Felice Brothers First Aid Kit Graveyard Hits La Pocock Milwaukee Banks Neneh Cherry With Rocketnumbernine+ Nick Waterhouse Oblivions Parquet Courts Radio Birdman (featuring Rob Younger, Deniz Tek, Pip Hoyle, Jim Dickson, Dave Kettley, Nik Rieth) Sharon Van Etten Sleep D Soil & “Pimp” Sessions Something For Kate Stephen Malkmus And The Jicks The Bennies The Meanies Theo Parrish Total Giovanni Twerps Village People
Gertrude Street go-to Rocco's Bologna Discoteca is heading south of the river this month to throw pop-up parties at two of Melbourne's best-loved wine bars, Toorak Cellars and The Alps. For the one-day-only events, Rocco's will take over the kitchens of these cherished locations and prepare its famous meatball sub and melanzane parmigiana focaccia. You'll be able to pair your sandwich with a selection from each of the venues' considered wine lists. The takeover at Toorak Cellars will happen on Sunday, May 19, while those wanting to head to The Alps will have to wait until Sunday, May 26. Both events kick off at midday, and will continue until sold out.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and start that no-guarantees creative career you've always had in the back of your mind? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. From a very young age, we're all asked the question "What do you want to be when you grow up?" We're told to pick one path, one profession, to neatly label the rest of your life. Our responses change as we grow up, from astronaut to engineer, princess to PR, and for Sydney-based Cole Bennetts, from Penguin Boy to renowned photographer taking the Prime Minister's portrait. You can read the interview over here. Want to experience a little bit of 'Sine Metu' yourself? Cole's being a total legend and helping us give away the chance to be a photographed like the biggest names in the music business. Cole will work with you and a lucky friend to create a unique shoot for your own use, be it the ultimate profile pic or your next step to stardom — so you can see for yourself what happens when bold humans take big creative chances with big payoffs. Enter here to win.
From global behemoth Netflix to the arthouse, indie and documentary-focused Kanopy, picking a streaming platform can take as much time as actually picking something to watch on a streaming platform. The latest to enter the market has quite the point of difference, however — and not just because it's free. If viewing the likes of Bronson, Drive, Only God Forgives and The Neon Demon has you on the same wavelength as filmmaker Nicolas Winding Refn, then you're in luck — the Danish writer/director is launching his own streaming service. Called byNWR.com, it's currently in beta testing before opening to the public at a later date this month, with the site dubbing itself "an unadulterated expressway for the arts". A venture in conjunction with existing platform Mubi as well as the Harvard Film Archive, byNWR.com will highlight a restored cult classic each month that's picked by a guest editor, The Guardian reports. Each film will be supported by content themed around the chosen flick, such as essays, videos, photos and music. And if you're wondering just what titles will be on offer, Refn detailed the first four, as well as his reasons for highlighting them. They're not the type of movies that you're likely to have watched and rewatched endlessly, or even seen on a big or small screen recently, including 1961 thriller Night Tide starring Dennis Hopper, 1965 horror effort The Nest of the Cuckoo Birds, 1974's The Burning Hell and 1967's Hot Thrills and Warm Chills. "I hope my site will inspire people to see the world a different way," the filmmaker outlined in his piece for The Guardian, while also writing about something fans of Refn's own work will be more than familiar with — pushing people out of their comfort zones. If Refn's choices sound like the kind of thing you would like to see in a cinema, Little White Lies also reports that the streaming site will be accompanied by special screenings around the globe. Via The Guardian.
As the weather continues to defrost, southside summer pop-up The Exchange Beach Club is returning for another bout of drinks by the sea. Kicking off Saturday, November 6, it'll once again bring private cabanas, umbrellaed outdoor seating, day beds, refreshments and entertainment right onto the sand of Port Melbourne beach. You can enjoy boozy beverages from the container bar — think, beer, seltzer, wine, Four Pillars spritz cocktails on tap and more — while kicking back by the bay. There are mini esky packs to keep your drinks cool, and happy hour specials every Monday to Wednesday. Meanwhile, the kitchen's slinging beachy bites like fish and chips, avocado salad bowls, wagyu burgers, and kewpie-laced lobster and prawn rolls. There'll be ice cream sandwiches for when those sweet cravings hit, plus juices and mocktails for those keeping it fresh. Need more motivation? On Tuesdays, the pop-up's doing $2 oysters and $9 passionfruit caprioskas (4–5pm), while a $60 bottomless boozy brunch runs from 10–12pm every Sunday. And on Saturday mornings, the KX Pilates brunch will help you ease into the weekend with a beachside exercise session followed by beats and eats ($40). Private cabanas are available to book for up to four people. Oh, and pups are welcome as well, with water bowls and free dog treats provided, along with the odd giveaway. The beach bar will be settling in from November 6–January 30. Catch it from 4–10pm Monday–Wednesday (expanding to 12–10pm Monday–Wednesday from December 13), 12–10pm Thursday–Friday and 10am–10pm Saturday–Sunday.
Theatrical masterpiece This Is Our Youth will undergo another celebrity makeover when the play hits the Sydney Opera House this March. Michael Cera will lead the cast in an unconventional departure from his high-profile role in television series Arrested Development and films such as Juno and Superbad. He will be joined by Golden Globe nominee Kieran Culkin and AFI Award winning actress Emily Barclay. Having directed the world premiere of This Is Our Youth in 1996 and sophomore season in 1998, Mark Brokaw returns to the director role in his debut Australian showcase. The script was written by Kenneth Lonergan, who went on to pen Gangs of New York. This Is Our Youth follows a tumultuous day in the lives of three New Yorkers in 1982, and explores their contemplations and sense of confinement in the Big Apple. Painting a bittersweet image of a discontent generation lost in a society undergoing rapid change, the play takes Australian audiences to a time and place that may not be so different from our everyday lives. Although it explores American society in the Reagan-era, the play's sheer bluntness and honesty has garnered worldwide appeal and acclaim. Its popularity with theatre enthusiasts has been reflected in stars such as Matt Damon, Colin Hanks and Jake Gyllenhaal all playing roles in previous seasons. The Australian performance is set to uphold the play's celebrated status. This Is Our Youth will run from March 14-25, 2012 at the Sydney Opera House. Tickets are available from February 10.
Melbourne has its fair share of arts and culture events — but none of them are quite like Vivid. Sydney's annual festival, which takes over the city's CBD in a flurry of vibrant light installations, live music, talks and design, is one everyone should experience at least once in their life. So, we want to help you get there. We've teamed up with the folks from The Streets of Barangaroo to give away a pretty amazing trip for two up to Sydney during the big event, featuring luxe dinners, shopping sprees and more — because if you're going to do Vivid, you should do it in style. As the lucky winner, you and a mate will be flown from Melbourne to Sydney on Friday, May 31 and return Sunday, June 2, courtesy of Flight Centre Barangaroo. For the duration of your stint, you'll be set up at West Hotel, Curio Collection by Hilton, located in the heart of the CBD. But the treats don't end there — you'll enjoy immersive dinner at 12-Micron on Friday and brunch at Wild Sage on Saturday. Prepare to then be whisked away on a harbour cruise that night to soak up Vivid's famous light projections in all their sparkling splendour. Oh, and you'll be frocked up for the occasion, too. You'll enjoy a luxury shopping experience at David Jones Barangaroo, including a glass of Veuve Clicquot on arrival, one-hour personal styling session, a beauty consultation and mini makeup application, plus a $500 David Jones gift card to spend instore on the day. For your chance to be dazzled by the world's largest outdoor art gallery in style, enter your details below. [competition]718939[/competition]
For one week each September, Brisbane becomes Australia's live music capital — even if a Melbourne survey generally claims otherwise. When BIGSOUND hits the city, it seems like every venue in Fortitude Valley is packed to the rafters with bands, industry folks and music-loving punters, all enjoying the latest and greatest the country's music scene has to offer. And given this year's newly announced lineup, expect that to be the case once again. Unveiling its first 75 acts for 2018, BIGSOUND will play host to a stacked pack of musos, spanning everything from pop, electronic, rock and rap to metal, hip hop and folk. Topping the bill so far are the likes of The Chats, Eliott, Cable Ties, Asha Jefferies and yú yī, plus the return of previous BIGSOUND favourites such as Blank Realm, Olympia, Gabriella Cohen and Oh Pep! More than 70 other acts will be announced closer to the event; however the current list joins a host of previously revealed speakers — including Virginia Grohl, mother of Dave Grohl, and record label executive turned indie company CEO Mardi Caught. Previous BIGSOUNDs have showcased everyone from Gang of Youths, Flume, Tash Sultana and Courtney Barnett to San Cisco, Violent Soho, Methyl Ethel and The Jungle Giants, so their program is usually a very reliable bellwether of current and up-and-coming talent. Here's the full lineup of music acts so far: A Swayze & The Ghosts Adrian Eagle Alice Skye ARSE Arteries Asha Jefferies Bin Juice Blank Realm Bugs Butterfingers Cable Ties Cast Down CLYPSO Cry Club CXLOE DEAN FOREVER Dreller Eat Your Heart Out Eilish Gilligan Eliott Elizabeth Ella Hooper Emma Anglesey Estère Gabriella Cohen Genesis Owusu Georgia Mulligan Good Doogs GRAACE Gravemind Greta Stanley Hachiku Hazlett Hobsons Bay Coast Guard Imogen Clark James Wright Trio JEFFE KAIIT Kaitlin Keegan Kian Kota Banks Kult Kyss Kwame MANE Miss June Moaning Lisa MOOKHI Oh Pep! Olympia Paces Pink Matter Pool Shop Rachel Maria Cox RAT!hammock Riley Pearce Ruby Gilbert Samsaruh Sleep Talk Slowly Slowly Stevie Jean Sumner Sunscreen sweater curse SŸDE T$oko Tape/Off The Chats The Merindas TOTTY Triple One Two People Tyne-James Organ Voiid Wax Chattels yú yī BIGSOUND 2018 runs from September 4–7 at various venues around Fortitude Valley, Brisbane. For further details or to buy tickets, visit bigsound.org.au. To discover what to do, see, eat and drink while visiting Brissie for the annual event, check out our weekender's guide to Brisbane during BIGSOUND.
Melbourne, we have a date. After many days of anticipation — and a delay as the state raced to contain an outbreak in the northern suburbs — Premier Daniel Andrews has today, Monday, October 26, announced exactly when metropolitan Melbourne's hospitality venues will be able to reopen for dine-in: 11.59pm on Tuesday, October 27. As part of this third step a few other restrictions will ease, too, including the scrapping of the four reasons to leave home; allowing the reopening of all retail; the reopening of beauty, personal and tattooing services; outdoor non-contact spot for adults can recommence; outdoor entertainment venues can host visitors; and weddings can increase to ten and funerals to 20. Outdoor gatherings will remain at ten, but they no longer need to be restricted to two households. In terms of hospitality venues, there'll be a maximum of 20 seated patrons indoors — with a limit of ten per space — and 50 people outdoors with one person per two square metres. Today's announcement did not include details on in-home visits, but the Premier said further details on these restrictions will be announced tomorrow. Some of the rules that aren't changing tomorrow: the 25-kilometre travel limit and the hard border between metro Melbourne and regional Victoria. That's part of another step, which will be taking place on Sunday, November 8. https://twitter.com/VicGovDHHS/status/1320474981877325830 From this November date, the 25-kilometre limit is set to be scrapped and the metro/regional border will go — "the state will be one again" as the Premier said. In metro Melbourne, gyms and fitness studios will be allowed to reopen — with a maximum of 20 people per space — hospitality venues will move to 40 people indoors and 70 outside, and religious gatherings will move to 20 people indoors and 50 outdoors. Indoor pools will also be allowed to open. The announcement comes as Victoria records zero new cases of COVID-19 for the first time since early June — 139 days ago. While the reopening of venues was paused while the government waited for the results of more than 1000 tests from the northern suburb, all of them came back negative. It's all positive news today, but the Premier warns that "it is not over". "This virus is not going away. It is going to continue to be a feature of our lives, it is going to be a feature of our lives every day until a vaccine turns up," the Premier said. " These are big steps. We have all given a lot, I'm so proud and impressed and humbled by the contribution that so many Victorian families have made, so many Victorian businesses have made, if this is to mean something we have to take our COVID-19 responsibilities to stay safe, and stay open, to stay safe and stay connected, we have to take those responsibility seriously." The steps announced by the Premier today are part of a the Victorian Government's previously announced five-step roadmap to a COVID-normal, with the Premier saying the state is on track to reach the final step (COVID-normal) by Christmas. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website — and for further details about Victoria's steps for reopening, head to the roadmap itself. Top image: Julia Sansone
Hot on the heels of its Brisbane opening earlier this month, global hotel chain W Hotel has just announced that it'll be landing in Sydney's Darling Harbour in 2020. Set to become part of The Ribbon – a sleek new $730 million development designed by HASSEL architects and sitting on the former IMAX theatre site, which was demolished in late 2016 – W Sydney is promising, not just a hotel, but a luxury hideaway. As with every W Hotel, you can expect impeccably-designed futuristic spaces, eateries overseen by expert chefs, cocktails created by top-notch bartenders and collaborations with local artists, musicians and designers. One of W Sydney's drawcards — apart from its 593 rooms and suites spread across 25 storeys — will be a stunning pool deck, overlooking the water. Also in the plans are a signature spa, a ballroom and two bars, including a W Living Room with expansive glass walls and an extraordinary sound system. We don't know, quite yet, who'll be running the restaurant, but chances are it'll be some local legend, given that the Three Blue Ducks are in-house at W Brisbane. Sydney was previously home to a W Hotel on Woolloomooloo Wharf, but it was sold to the Taj Hotel Group in 2007, then again the Hind Group (the owners of Ovolo) in 2014. The new W Hotel is only one part of new The Ribbon development, which will also be home to serviced apartments, retail spaces and — potentially, most excitingly — a huge new IMAX theatre. W Sydney is slated to open in 2020 and will be Australia's third W Hotel, following Brisbane and Melbourne, which is also due to open in 2020. The brand is aiming to be 75-strong hotel worldwide within the next two years. W Hotel is a branch of Marriott International, the world's largest hotel group, which now owns 18 hotels across our nation.
For a week each year, the town of Maryborough honours one of its most famous former residents: Pamela Lyndon Travers, the author of the Mary Poppins books. The week-long Mary Poppins Festival celebrates Travers and her works with unusual activities that bring her beloved characters to life. Think chimney sweep challenges, kite flying competitions, costume parades and, of course, the Great Nanny Race, during which 20th century-dressed 'English nannies' push prams to the finish line. The festival kicks off with a steampunk afternoon tea and a good old fashioned street party, and culminates a week later in a community day in the park, complete with carnival rides, roving performers, sidewalk artists, workshops, activities and a grand parade. Next year's festivities will take place in July, leaving plenty of time to plan your trip to the Fraser Coast region — complete with a visit to Fraser Island and a dip in the pristine waters of Hervey Bay. We'll let you know when the exact dates are confirmed.
Next time a Sydney staycation or holiday is on the cards, you can forget all about the pesky task of finding a decent pet-sitter. Instead, that fur-kid of yours is allowed along for the ride — if you opt for a stay in one of The Old Clare Hotel's newly pet-friendly suites. Having scored a complete revamp back in 2015, the heritage-listed Chippendale lodgings has now broadened its clientele to include those of the four-legged variety. As of Monday, January 13, two of the hotel's suites — the Kent and Abercrombie — are completely pet-friendly. On request, they come decked out with extras like handmade pet bowls crafted by Motion Ceramics, Fuzz-Yard plush toys and a miniature retro-style lounge for your pet's sleeping and relaxing. For guests on the go, there's a pet directory listing animal-friendly bars and eateries, and handy dog-walking and dog-sitting services available through the hotel. And your furry mate can even get in on the all-important room service action, with a complimentary menu of in-room pet dining options. They'll find treats like Yummi roo bites for cats and Savourlife beef-flavoured dog biscuits, and dry and wet food, all available 24/7. Up to two pets are allowed per room and while the the offering is aimed primarily at dogs and cats, the Old Clare is also open to other critters — get in touch to see if your pet gecko, guinea pig or bunny is welcome along. Having your four-legged friend along on your getaway does come at a bit of a price, with the extra room charge clocking in at $100 per pet. That's on top of your suite's best available rate, so if you've got your doggo in tow, expect to pay starting from around $300 per night total for a stay in the Kent room and around $370 for the Abercrombie. Find The Old Clare Hotel at 1 Kensington Street, Chippendale. To book your pet-friendly stay, contact the reservations team on reservations@theoldclarehotel.com.au or call (02) 8277 8277.
At some point in the near future, when television production returns to normal, Taika Waititi will be writing, directing and executive producing two new animated Netflix series based on Roald Dahl's Charlie and the Chocolate Factory. Yep, if you were wondering what the Jojo Rabbit Oscar-winner is up to next, they're a couple of things on his slate. Right now, though, he's turning his attention to another Dahl favourite — and enlisting plenty of pals. Across ten episodes, James and the Giant Peach with Taika and Friends sees Waititi team up with a whole heap of famous talent to narrate the beloved book. If you've ever wanted to hear the Boy, What We Do in the Shadows and Hunt for the Wilderpeople read to you, then here's your chance. If you've always wondered what would happen if his Thor: Ragnarok stars Chris Hemsworth, Tessa Thompson and Cate Blanchett voiced James and the Giant Peach characters too, well, that's on the agenda as well. Also lending their voices: Liam Hemsworth, Jojo Rabbit's Roman Griffin Davis and Archie Yates, plus other big names such as Meryl Streep, Benedict Cumberbatch, Cara Delevingne, Mindy Kaling, Lupita Nyong'o, Billy Porter, Gordon Ramsay, Eddie Redmayne, Ryan Reynolds and Olivia Wilde. Four episodes are currently available via YouTube, with new instalments added each three times a week — at 3am on Tuesdays, Thursdays and Saturdays in Australia, and at 5am in New Zealand. And if you're wondering why, the aim is raise funds for COVID-19 impacted charities, especially those helping seriously ill children and medical workers in vulnerable areas of the world. https://www.youtube.com/watch?v=EJNSg_oMrOQ
Dubai is truly the land of structural opportunity, the Hollywood of the architectural world. There seems to be no limit to what can be built in Dubai, and while they've spent the last few decades ranging upwards with more and more outlandishly tall towers — Dubai Civil Defence is even training a fleet of jet-packed fire fighters to respond to the crazy heights — they now have set their sights on the magical realm of under the sea. Dubai's first partially underwater villa, named The Floating Seahorse, has just been completed in the Heart of Europe, a cluster of luxury man-made islands just a few miles off the shore. The lower level of the three-storey structure is completely submerged so you can literally sleep with the fishes (in a non-life threatening kind of way). The house also features a man-made reef to encourage the growth and protect marine life in the area, with a special focus on their namesake, the seahorse. The villa is one of 42 being built in the area, all of which have apparently been sold for a cool $2.7 million clams. If you missed out, we suggest turning the heater up to humid and grabbing a copy of the Sims 3: Island Paradise expansion — it's basically the same thing but for a fraction of the price. While the villas are astounding, they're not altogether surprising because we, the collective consciousness of the Internet, have recently been going bananas for everything submerged. The Airbnb room literally inside an aquarium shark tank, Africa's first underwater hotel and Subsix in the Maldives — a sunken restaurant with 360 degree views of the surrounding marine life — all point towards an interest in watery accommodation. Something Sebastian the crab said must have really gotten into our brains because we all want to be under the sea (ideally with a hot crustacean band). And now we can. Via Travel + Leisure.
Flipping through a newspaper, feeling the flimsy paper in your hands and finding your fingerprints smudged with ink might by a dying ritual; however The Wall Street Journal is hoping that people still want to take the time to sit, peruse and consume the news at a leisurely pace. Instead of hanging out at a cafe rifling through physical pages, readers can now enter an architect-designed virtual New York apartment to get their news fix thanks to the publication's just-launched VR news app. WSJ VR is the newspaper's new virtual reality app for Google's Daydream platform, ushering news junkies into a different kind of reading experience. Now available to download via Google Play, it allows users to view a wall filled with a live feed of breaking news, watch interactive 360-degree videos and see a visualisation of real-time market data, all in swanky digs designed by architecture firm Michaelis Boyd. Interactive storytelling is the WSJ's main focus, particularly allowing "the Journal's reporters and editors to take readers and viewers of our journalism anywhere in the world," said Andy Regal, WSJ's Global Head of Video, in a statement. Whether that's something anyone actually wants is yet to be seen, but it's certainly quite different to scrolling through newsfeeds on a smartphone screen. Users can do more than read, watch and see the news while they're using the app; they can also engage with the space — which is based on a mix of the firm's real-life residential projects — on a 360-degree axis. Accordingly, even if you're not keen on staying up-to-date on global events and financial developments in the most immersive way possible, the app also offers views of the New York City skyline — and it's cheaper than a plane ticket. Via Dezeen.
Arden V Arden is typical of The Hayloft Project’s approach to making theatre; bold, inventive, and prone to adaptation. In the hands of this company, the little-known Elizabethan work Arden of Faversham finds a strangely compelling resonance in a modern retelling which fractures between updated language and original text. The story is fairly straightforward: an unhappy wife convinces her lover to help kill her husband. Involving other conspirators in their plan only makes things worse, with a series of bungled murders punctuating a work that comfortably straddles tragedy and farce. Writer and director Benedict Hardie manages to draw on the company’s signature style of heightened naturalism and stark design without relaxing into familiarity. However, it’s an approach that juggles a lot of balls in the air, and not all land smoothly. In particular, the care that’s taken to flesh out each character in a large ensemble cast slows the pace in the first act significantly, even if it allows for some great moments from figures that could otherwise become tangential, especially true for the characters played by Tom Dent and Paul Blenheim. But it’s these kinds of decisions which make Arden V Arden so enjoyable. In the final scene, for example, James Deeth carries out a final direct address to the audience: a choice that foregrounds the artifice and threatens to completely deflate any satisfying tension. However, it's also evidence of the production's unpredictability, a quality that elevates the show far above a stock standard Shakespearean performance. Whenever the plot’s plausibility looks set to buckle under the strain of translation from Elizabethan England to modern day Perth, it’s Emily Tomlins’ utter commitment as the wife of Arden that papers over any cracks — especially in the closing stages, where she has to sell her character’s headlong reversal from certainty into unstable remorse. It's the combination of these individual performances, the cohesion of a talented ensemble, and the effectiveness of an effortlessly cool design that cap off a production filled with rich surprises, and allows Arden's story of betrayal to ring true in 2013. Unfortunately, Arden V Arden is Hayloft’s final show here before Hardie relocates the company to Sydney, although they're sure to return on tour. The success of this last Melbourne premiere might be a bittersweet reminder of their importance to the city's independent theatre scene, but don’t miss a chance to say farewell. Image: Sarah Walker.
When the Victorian Government last year announced a huge new citywide arts festival was set to launch in winter 2020, they didn't expect it to fall in the middle of a global pandemic. As that is what happened, though, the new annual festival — merging Melbourne International Arts Festival and arts all-nighter White Night — will not go ahead this year, with the inaugural festival now set to take over Melbourne in 2021. Called Rising, it'll kick off on the May 26 full moon and run until June 6, 2021, encouraging the audience to "celebrate the night with a surge of art, music and ceremony in the heart of the city". Pulling the strings are co-Artistic Directors Gideon Obarzanek and Hannah Fox, who are both practising artists and former Artistic Associates of Melbourne Festival. Fox was also the Creative Director at Tasmania's winter festival Dark Mofo, while Obarzanek founded dance company Chunky Move and was a resident artist at the Sydney Theatre Company. [caption id="attachment_770990" align="alignnone" width="1920"] Chinatown at night courtesy of the City of Melbourne[/caption] As this year's festival cannot go ahead, Fox and Obarzanek have instead announced a $2 million fund for local artists to create shows, exhibitions and events for 2021's program. And the duo are encouraging ideas that are as boundary-pushing as possible. "Rather than prescribing specific outcomes, we are seeking ideas that are ambitious, unusual and that could only happen in a festival context," explained Obarzanek in a statement. "Whether these respond to the times or reach beyond them, we invite ideas that are radical and critical; ideas that are absurd and bombastic; ideas that are contemplative and philosophical; and ideas that are celebratory and unifying." Victorian artists have until Monday, June 8 to submit their idea and bid for a piece of the $2 million pie, via a 300-word or two-minute video proposal. While details about this year's festival — and next year's program — are fairly under wraps for now, The Age reported leaks suggesting the 2020 lineup would've included transforming Chinatown "into a 'sensory wonderland' of lighting, video art and music, open late into the night" and a 400-metre light installation on the Yarra River. Rising is set to support Victoria's tourism and hospitality industries in the quieter months and, no doubt, provide a Melbourne equivalent to Sydney's popular Vivid festival, Rising will take place in Melbourne from May 26–June 6 2021. Top image: 'A Purple Poem for Miami' by Judy Chicago.
Vivid Sydney today let loose their second major program announcement with their plans for Vivid Creative Sydney 2011. Creative Sydney will run from 30 May to 12 June, with over 50 global and local creative leaders coming together to explore the power of creative industries to transform society. And like everything else under the Vivid banner, it aims to bring the best of the world's ideas to Sydney and inspire the hell out of you. This year Creative Sydney is expanding to include more free sessions and for the first time a presence at the Opera House. The program includes short and snappy show and tell presentations, in-depth conversation sessions, and creative futures, where artists and entrepreneurs present their vision of the ideas that will shape society in the future. Over the next week the full range of live music showcases, debates, film screenings and parties will be unveiled, but already the lineup of speakers looks pretty awesome. Key speakers include Matthew Stinchcomb, EU director of Etsy, and will mark Etsy's first official engagement with their third largest market, and Fabian Rigall, founder of Future Shorts and Secret Cinema. Also lined up are Murray Bell and Andrew Johnstone, the founders of the internationally successful Semi-Permanent conferences, swimwear brand We Are Handsome and Ben Briand, winner of the Cannes Young Director Award and Best Narrative Video at the 2010 Vimeo Awards. Registration for the events opens 9am on Monday 2 May, and it's recommended you get in quickly with over 15,000 people expected to attend.
Memories don't just dwell in the mind — they also linger in places. Gazing at a piece of furniture may inspire recollections of younger, wilder days, just as playing a particular record in a specific room can conjure up visions of times gone by. In Aquarius, as retired music critic Clara (Sônia Braga) battles to save her seaside apartment from developers, this is what she's fighting for. Her home, where she raised her three now-grown children, is more than simply a lucrative piece of real estate in an area undergoing gentrification. As she's reminded with every glance, it's where her life has unfolded. Understanding that sentiment is easy in Kleber Mendonça Filho's second fictional film. Or, to be more accurate, the Brazilian writer-director makes it look easy. Named after the structure at its centre, Aquarius starts with a flashback to the 1980s, ensuring that viewers will already appreciate just what Clara's home means to her once developers come calling. "This is a generous offer," she's told when her doorbell rings in the present. But you can't put a price on what Clara has, and what she wants to hold on to. Before long, they begin to push harder, and even her kids start chiming in. Still, our protagonist remains unfazed, embracing her quest to save her very own castle. In truth, Clara's fight for her right to live where she wants is tied to and heightened by several other factors. Focusing on a beloved, rough-around-the-edges building that's being cast aside for supposedly bigger and better things, the film's statement on the current climate of upheaval in Brazil is inescapable. And then there's Clara herself: an older woman who refuses to be ignored or bulled by a younger generation that thinks they know better, or to behave in a more 'age-appropriate' way. In short, Clara is a force to be reckoned with – and that goes more than double for the magnetic actor portraying her. Spying parallels between Aquarius' protagonist and its main place of interest aren't hard, and nor are they meant to be. But what would have likely been clumsy and clichéd in most other hands proves complex and nuanced here, largely thanks to Filho's leading lady. A stock-standard crank well past her prime Braga's character most definitely is not. After spending much of her recent career popping up in American TV shows such as Luke Cage, Alias and Sex and the City, the veteran actress couldn't be more commanding, whether Clara is flirting with the young lifeguard across the street, dancing in her living room to Queen's 'Fat Bottomed Girls' or reminding her nemesis at the construction company that she won't be pushed around. The movie might be given room to grow and breathe over the course of 142 minutes, but Braga ensures that her performance is memorable from the outset. From the steely glint in her eye to the confident swagger in her walk, she makes Clara the passionate and determined 65-year-old everyone wants to grow up to become. https://www.youtube.com/watch?v=0Zln78CcFkA
It has been 12 years since RuPaul's Drag Race first premiered in the US, and its mission to unearth the next drag superstars shows no signs of stopping. Currently, the original series is airing its thirteenth season, while international versions also exist in the UK — also hosted by RuPaul — plus Thailand, Holland, Chile and Canada. Next, it's finally making the leap to Australia and New Zealand. RuPaul's Drag Race already airs locally, but, in exciting news, it's now it's being made here as well — courtesy of the aptly titled RuPaul's Drag Race Down Under. Announced back in January, the eight-part series will focus on Aussie and NZ drag queens battling for supremacy, and will air on Stan in Australia and TVNZ OnDemand in New Zealand sometime later in 2021. And, while not all overseas iterations of Drag Race are hosted by RuPaul, RuPaul's Drag Race Down Under definitely will be. RuPaul will also take on judging duties with show veteran Michelle Visage and Australian comedian Rhys Nicholson. If you're wondering just who'll be competing, too, that was unveiled on Saturday, March 6 during the 2021 Sydney Gay and Lesbian Mardi Gras. Ten contenders will strut their stuff for drag supremacy, spanning seven Australians and three New Zealanders. So, prepare to see plenty of Art Simone from Geelong, Melbourne's Karen from Finance, and Sydney's Coco Jumbo, Etecetera Etcetera and Maxi Shield. Newcastle's Jojo Zaho and Perth's Scarlet Adams round out the Aussie queens, while Auckland's Kita Mean, Anita Wigl'it and Elektra Shock comprise the NZ contingent. Fans already know the format, which features fashion challenges, workroom dramas and lip sync battles aplenty. If you're a newcomer to all things Drag Race, you'll watch these Australian and NZ competitors work through a series of contests to emerge victorious, and join the likes of US contenders Jinkx Monsoon, Sasha Velour and Sharon Needles in being crowned the series' winner. Check about the RuPaul's Drag Race Down Under cast reveal video below. https://www.youtube.com/watch?v=oSLPdMi0b8U RuPaul's Drag Race Down Under will hit Stan and TVNZ OnDemand sometime later in 2021 — we'll update you with an air date once further details are announced. Top image: RuPaul's Drag Race.
2021 marks 40 years since author Thomas Harris first introduced the world to Hannibal Lecter in his 1981 novel Red Dragon. It's the 35th anniversary of the character initially making the leap to the screen in 1986 movie Manhunter, too. But it was the Oscar-winning 1991 film adaptation of 1988 book The Silence of the Lambs that made the character a pop culture mainstay — and helped ensure that big and small screen versions of Harris' work were never far from view for long. In cinemas, 2001's Hannibal and 2007's Hannibal Rising each adapted Harris' books of the same name. 2002's Red Dragon gave audiences another movie based on that novel, too. And, on television, 2013–5 series Hannibal also focused on the psychiatrist and cannibalistic serial killer. Across all of the above, Lecter has remained the constant — as played by Succession's Brian Cox originally, then earning Anthony Hopkins an Academy Award, then portrayed by French actor Gaspard Ulliel (It's Only the End of the World) and Danish star Mads Mikkelsen (Arctic). Next in the franchise: TV series Clarice, which starts airing in Australia from Friday, February 12 via streaming platform Stan, and just dropped its first full trailer. The new show continues the saga's fondness for titles that share their name with a character and, obviously, pushes someone other than Lecter to the fore. Clarice Starling was a student at the FBI Academy when she was sent to interview Lecter, and it changed her career — with Clarice picking up her story in 1993, a year after the events of The Silence of the Lambs, as she returns to the field. While Jodie Foster nabbed an Oscar for the role, and Julianne Moore stepped into Starling's shoes in Hannibal, this time the character is played by Australian actor Rebecca Breeds (Blue Water High, Home and Away, Pretty Little Liars, The Originals). She'll portray Starling as the FBI agent faces new cases and confronts her own past — and she'll be joined on-screen by co-stars Michael Cudlitz (The Walking Dead), Lucca de Oliveira (SEAL Team), Kal Penn (House), Nick Sandow (Orange Is the New Black), Devyn Tyler (The Purge), Jayne Atkinson (Criminal Minds) and newcomer Marnee Carpenter. Check out the trailer below: https://www.youtube.com/watch?v=agjDfPTfMTY&feature=youtu.be Clarice starts streaming via Stan on Friday, February 12, dropping new episodes weekly. Top image: Brooke Palmer ©2020 CBS Broadcasting Inc.
Some of the most wonderful sentences ever written include two glorious words: Nicolas Cage. Usually when the actor's name comes up, it's because he has a new film in the works — or sometimes a TV show — that makes another weird, wild and wonderful addition to an on-screen resume like no other. Already in 2023, he's added his first-ever western to the list. And, he's playing Dracula in Renfield, which might be the only time ever the iconic star has ever sucked. We could keep naming past highlights, such as stepping into his own shoes in 2022's The Unbearable Weight of Massive Talent and crooning Elvis songs for David Lynch's Wild at Heart, or we could jump straight into the next instant must-see project that might feature the one and only Cage: The Surfer. Just announced at this year's Cannes Film Festival, as reported by The Hollywood Reporter, this sadly isn't the only Point Break remake that needs to be made. Like that flick, however — the Keanu Reeves-starring 90s original, not the terrible 2015 do-over — The Surfer has an Aussie connection. Cage looks set to play an Australian expat returning home from America and getting in a beach battle with a local gang of wave riders. An Aussie-set surfing thriller starring Cage? Sold. [caption id="attachment_901586" align="alignnone" width="1920"] Moritz Barcelona via Wikimedia Commons[/caption] Cage's titular character makes the trip Down Under after years in the US, only to get humiliated by other surfers in front of his teenage son. Cue a turf war, plus Cage's protagonist refusing to leave the beach. Cue the stakes escalating and the movie's namesake having his sanity tested, too. The film is set to shoot in Australia from September 2023, with director Lorcan Finnegan (Vivarium) helming, working with a script by screenwriter Thomas Martin. There's no word yet who might co-star with Cage, but you'd expect every Australian actor ever to be lining up to be involved. [caption id="attachment_901587" align="alignnone" width="1920"] Guillaume Paumier via Wikimedia Commons[/caption] Fresh from directing The Dry, Blueback and the upcoming Force of Nature: The Dry 2, Robert Connolly is one of The Surfer's producers, boosting its Aussie ties. Given that Cage's character will have been in America for years, that might help the movie get around needing him to bust out an Aussie accent — but who doesn't want to see the man who has proven a comedic genius for the Coen brothers, dabbled with Marvel in two different ways despite never appearing in the Marvel Cinematic Universe, wordlessly fought demonic animatronics, swapped faces with John Travolta, gotten speedy before the Fast and Furious saga existed, taken to the skies with criminals and acted opposite himself in Adaptation give it a try anyway? There's no release date for The Surfer yet, either, or trailer obviously, but checking out Cage's exceptional work in Mandy is always recommended while you're waiting for his next films: The Surfer doesn't yet have a release date — we'll update you when more details are announced. Via The Hollywood Reporter. Top image: Gerald Geronimo via Wikimedia Commons.
At the heart of Japanese hospitality there seems to be something so culturally inherent that, when you come face to face with it, you just can't grasp what 'it' is. The gracious interactions, the gentle presence — the exchange of goods using both hands. It's meticulous, considered and downright beautiful. Ocha has been bringing a slice of this generosity to Melbourne for over 15 years and, with it, has built a name synonymous with some of the best Japanese fare in town. Recognised as a one-hat restaurant for thirteen years by The Age Good Food Guide, Ocha focuses on a traditional Japanese offering with a contemporary twist. With the height of popularity forcing them out of their old digs in Kew (now home to Ora) the restaurant sits within the Bee Hive Hotel building in Hawthorn. For all good reasons the space is larger, with chic shimmering curtains creating private dining areas, while the white fit out brings a sense of modernity. Despite more tables bookings are still essential. Ocha's menu runs as a homage to shared dining. Traditional techniques are combined with sublime imaginative touches to make for a truly memorable meal. Don't be surprised if your sushi (starting from $16.50 for eight pieces) arrives at your table like it's been turned inside out or upside down. This playfulness extends to crowd favourites including the beef tataki ($18.50) and vegetable tempura ($22), with the gyoza ($15) finishing off a list of delectably light dishes. This aesthetic sensibility is what separates Ocha from the crowd; Japanese cuisine demands high quality ingredients and scrupulous attention to detail. For this, Ocha remains acutely serious, culturally relevant and as contemporary as ever. The restaurant also runs a ten-course degustation menu ($120 per person) on the last Monday of every month. For more casual occasions, little sister Ocha2Go (at 64 Burwood Road, Hawthorn) offers the full Ocha experience within Japanese canteen surrounds. Ocha offers a fine dining experience that is both lively and unforgettable. Handled with absolute ease of control but nowhere close to resting on its laurels, Ocha will impress with its finesse and modernity. Elegant Japanese fare never looked so good.
He was one of the youngest cast members in Saturday Night Live's history. During his eight-season run on the iconic US sketch-comedy series, he riffed on his own life aplenty, then did the same in The King of Staten Island on the big screen, plus in streaming series Bupkis. If you've caught Pete Davidson's comedy specials, you'll know that the same applies when he's onstage, too — which Australian audiences can witness live in September and October 2025. Davidson has just locked in an Aussie leg on his latest stand-up tour, playing three cities: Perth, Melbourne and Sydney. The whirlwind trip will see him perform three gigs three nights in a row, kicking off at Riverside Theatre in the Western Australian capital on Monday, September 29. Next stop: Palais Theatre in Victoria's counterpart on Tuesday, September 30, then Enmore Theatre in the Harbour City on Wednesday, October 1. [caption id="attachment_776175" align="alignnone" width="1920"] The King of Staten Island © 2020 UNIVERSAL STUDIOS. All Rights Reserved.[/caption] Beyond SNL and otherwise fictionalising his own experiences in cinemas and on TV — and beyond his Pete Davidson: SMD, Pete Davidson: Alive From New York and Pete Davidson: Turbo Fonzarelli specials as well — Davidson has rarely been far from screens over the past decade. Brooklyn Nine-Nine, Trainwreck, Big Time Adolescence, The Suicide Squad, Bodies Bodies Bodies, Guardians of the Galaxy Vol. 3, Fast X, Dumb Money: they're all on his resume. Davidson's Aussie dates come just after his latest film, heist comedy The Pickup co-starring Eddie Murphy (Beverly Hills Cop: Axel F), drops on Prime Video in early August. [caption id="attachment_897860" align="alignnone" width="1920"] Bupkis, Heidi Gutman/Peacock[/caption] He also has the Australian-shot Wizards!, which is directed by Animal Kingdom's David Michôd and co-stars Orlando Bloom (Deep Cover) on its way to the screen. Similarly in the works for Davidson: How to Rob a Bank, the latest film from Atomic Blonde, Bullet Train and The Fall Guy director David Leitch, which will release in 2026. Pete Davidson 2025 Australian Tour Dates Monday, September 29 — Riverside Theatre, Perth Tuesday, September 30 — Palais Theatre, Melbourne Wednesday, October 1 — Enmore Theatre, Sydney Pete Davidson is touring Australia in September and October 2025, with presale tickets available from 10am local time on Thursday, July 31 and general tickets from 10am on Friday, August 1. Head to the tour website for more details.
The growing obsession with games on Facebook is no secret. Whether it's Jetman, Family Feud or Bejeweled, more and more people are losing hours of time racking up points in a desperate attempt to get the highest score of the week. All of this effort just to be awarded Facebook credits, the magical online currency whose power only extends as far as allowing us to 'buy' entry to new levels of our favourite games or silly virtual prizes. But do these invisible dollars have the potential to be more? PSFK thought so, so they went to their experts to find if the possibility was realistic. Giuseppe Riva explains that for digital currency, the factors of exclusivity and exchange apply. In order for Facebook credits to become a real-world currency, we would have to be unable to use our current money to purchase features of a digital experience. The credits would also have to have an exchange value with other currencies throughout the world with a verified transfer system outside of Facebook. Expert Jason Madhosingh had doubts about using Facebook credits as real currency as well, since virtual goods do not have as much real-world value as tangible ones. He said consumers are less likely to be reeled in to use credits as cash unless the revenue share is favourable. So for now, it doesn't seem like Facebook credits are the currency of the future. I guess we will just have to continue using our precious prizes to unlock episodes of Family Feud and buy virtual cows for Farmville.
It seems we can't get enough Robo-Cop inspired tech. The robot exoskeleton that confers superhuman strength is already out there, and now circuit-laden contact lenses are being developed to beam augmented reality straight to your retina. Researchers at the University of Washington have developed lenses embedded with semi-transparent electronics, which most pundits report as an internet accessible contact lens. The reality, at this stage, is much more modest. So far the team have been able to put an 8 x 8 pixel array on a contact lens, and tested it on rabbits for twenty minutes — think Robo-Rabbit playing a quick game of checkers, rather than Minority Report. This article by the lead researcher Babak A Parviz discusses the difficulties with developing an augmented reality contact lens, but shows that we already have the technology to overcome most of the hurdles. The only question is getting it small enough, and safe enough, to fit on 1.5 square centimetres of polymer that sits on your eye. The piece also suggests uses for the tech other than web surfing — being in constant contact with fluids, it would be an ideal place for sensors to monitor health metrics like glucose levels. Being able to bat your eyelids and check your email might still be a pipe-dream, but perhaps we're not so far from having a health bar in the corner of the 'screen' reminding us when to have our next check up. https://youtube.com/watch?v=h1SlPUkC6Fc [via PSFK]
Sydney-based designer Jeremy Saunders has built a career out of transforming films into evocative and arrestingly beautiful movie posters. In the last 10 years, he has produced the key artwork for such modern classics as George Clooney's Good Night and Good Luck, the Che Guevara biopic The Motorcycle Diaries, and Heath Ledger's heroin-fuelled love story Candy. Now Saunders has turned his hand to his own artwork, redesigning posters for films of his own choosing. First up is the poster series LYNCHED, based on the stylish and darkly mysterious world of director and cult legend David Lynch. By focusing on key objects in Lynch's films, such as the dismembered ear in Blue Velvet or the videotape in Lost Highway, Saunders has created a series of beautifully minimalist posters illustrating the bizarre details in Lynch's works that have made his filmography so iconic and enduring. Saunders told us that while he was inspired by the distinctive 'Lynch style', the motivation to create the posters came from a sudden artistic impulse. "Over the last few years the rise of the 'minimalist redesign' for existing movies has become more and more prevalent around the web," he says. "I'd always been a bit snooty about it, I think, because designing something that nods to a pre-existing understanding of a film is completely oppositional to the much harder task of creating a desire for something no-one's familiar with yet. "So I'd avoided doing them. Plus, you know, I was kind of busy with making movie posters as my day job. But one afternoon I was watching Lost Highway and the image came to me, and over the course of the next day I created the artworks." Have a look below to see all the posters from LYNCHED and check out Saunders website if you'd like to get your hands on your own movie poster.
