Another of your childhood favourites is making the leap from movie to stage musical — this time, the Robin Williams-starring Mrs Doubtfire. The theatre production will once again follow the plight of a divorced dad and struggling actor who's desperate to see his kids, and so dresses up as a kindly English nanny in order to spend time with them. Originally based on Anne Fine's bestselling novel Alias Madame Doubtfire, the 1993 film won two Golden Globes — for best musical or comedy, and for best actor in a musical or comedy for Williams — as well as an Oscar for best makeup. If the stage musical version sounds familiar, that's because it was originally mooted back in 2015. Then, last year, a different team hopped onboard, revived the project and announced that it was actually going to happen — unlike the film sequel that was planned in the early 00s, but didn't ever come to fruition. (And no, Arrested Development's homage, aka Tobias Funke's Mrs Featherbottom, doesn't really count.) Set to premiere at Seattle's 5th Avenue Theatre this year, the Mrs Doubtfire musical will then give Broadway hot flashes from March 9, 2020, ahead of its proper New York launch on April 5. Both productions will star Rob McClure, who nabbed a Tony nomination in 2013 for Chaplin, and is currently treading Broadway's boards in another movie-to-theatre adaptation: Beetlejuice. If you need a refresher on just what McClure will get up to when Mrs Doubtfire hits the stage, check out the original film trailer below: https://www.youtube.com/watch?v=PqxpC_jYncE Behind the scenes, the musical's creative team includes director Jerry Zaks, and writers John O'Farrell and Karey Kirkpatrick (book) plus Karey and Wayne Kirkpatrick (music and lyrics) – all taking on the task of bringing the beloved flick to the stage. Between them all, they boast an impressive history. Zaks has won four Tonys, including for the 1992 revival of Guys and Dolls, and also has Little Shop of Horrors, Le Cage aux Folles, A Bronx Tale, Sister Act and Hello, Dolly! on his resume. As for the writing team, they're behind nine-time Tony nominee Something Rotten!. Planning to visit New York next year? Pre-sale tickets are currently available for the Broadway season, with regular sales starting on November 1. If it wasn't evident before this news, then it is now — the combination of nostalgically remembering enjoyable flicks from years gone by and adding songs to the mix seems to be a licence to print money. In recent years, everything from Matilda, Charlie and the Chocolate Factory, Bring It On and Mean Girls has made the leap to the stage, plus The Bodyguard, Amelie, Waitress, Muriel's Wedding and Moulin Rouge!. A stage version of The Devil Wears Prada is also in the works, as are theatre adaptations of Empire Records, The Notebook, The Princess Bride, Magic Mike and Aussie classic Starstruck. Via Playbill.
If ever there was a wine bar you'd be happy to call home, Flatiron Side Door is it. Two years of careful restoration by owners Ben and Emma Bangay has transformed the space into a light, bright locals' oasis, complete with a hand-carved bar, artwork-covered walls, and a stunning, magnolia-lined (dog friendly) wine garden for those lazy afternoon sips. Created alongside the bar, is the wine list — which was carefully selected by Ben, with a personal story behind each drop. Homegrown favourites like the Mac Forbes' RS19 Riesling hang out alongside French Burgundies and Italian Soave. The list is backed up by rotation of specialty cocktails, many featuring herbs from the onsite garden. You might find yourself settling in with the Kew Gardens' blend of 666 vodka, rosemary, mint and cucumber, or getting a little adventurous with a round of coffee negronis. To match, the food menu is one that was made to be enjoyed with a tipple in hand — a concise, snack-happy lineup of salumi and cheese platters, breads and dips, and artisan pizzas. And those preferring the comfort of their actual home can opt for the Flatiron experience on the run, with a selection of both pizzas and wine available to takeaway. Image credit: Mandy Couzens
Before Barbie had its stereotypical namesake asking "do you guys ever think about dying?" in the biggest movie of 2023, two key figures behind both the US version of The Office and Parks and Recreation were doing it first, and recently, on the small screen. Among their many joys, neither of those two hit sitcoms served up a giant blowout party with all the Barbies, planned choreography and a bespoke song, but they were huge TV successes that had their creators riding high and living the television dream, and therefore should've meant that mortality was far from everyone's minds. Then Michael Schur with The Good Place and Greg Daniels with Upload started pondering the great beyond. Schur and Daniels' leaps from workplace comedies to afterlife comedies shouldn't have come as a surprise, though, especially given that The Good Place and Upload still fall firmly into the first category. One takes place within hierarchies of good, bad and in-between after death, and the beings responsible for them; the other is anchored by a technology company that sells living on digitally when physical life has ended. At their core is an inescapable truth, just as there is in every show about colleagues toiling through the nine-to-five grind while breathing: people will be people. So, some folks in Upload no longer have a pulse? If they still exist in any form, as seen in the series' first season in 2020, second in 2022 and just-arrived third season in 2023 — all streaming via Prime Video — then they can't escape humanity's worst attributes. Here's one of Upload's core beliefs: if there's ever a way to endure after death, people will take the most appalling aspects of our species with it. The technology behind it will be at the whims of the same traits, deployed for profit and exploitation rather than everlasting happiness. As Daniels' smart, likeable and engaging contribution to the afterlife comedy realm relies upon AI, virtual reality, plus capturing the consciousness of someone before they die so that they can spend eternity in a simulation — if they can afford it — it never evades the fact that people won't shirk their inherent nature whether they're flesh and blood or digital approximations. Upload hasn't gone completely bleak, grim and nightmare-inducing like it springs from the mind of Charlie Brooker, but it is a thematic sibling to Black Mirror. If the latter was a workplace comedy from Daniels — and a rom-com as well — it'd be this ever-involving show that can be goofily funny and savagely skewer where capitalism is taking us all at once. Accordingly, as computer programmer Nathan (Robbie Amell, The Witcher) has resided in the luxurious country club-esque Lakeview after shuffling off the mortal coil, he hasn't been absent living's usual troubles. Instead, he's weathered daily struggles recognisable to everyone without a death certificate, including making friends, falling in love, dealing with exes, having annoying neighbours, navigating money woes and taking care of his family — just as ones and zeroes that his nearest and dearest need to strap on a headset to connect with. Upload has revelled in the commonalities between its vision of virtual heaven and reality since its debut episode, making repeatedly plain that its digital paradise is still at the mercy of people. In the case of the plentiful AI Guy (Owen Daniels, Space Force), who is Lakeview's literal everyman employee, the online beyond is also shaped by a computer program that yearns to be more like the former humans it interacts with. On broadcast TV a couple of decades back, perhaps with Kevin James as its star — so in the kind of The King of Queens or Kevin Can Wait-style sitcom that the Annie Murphy (Fingernails)-starring Kevin Can F**k Himself so satisfyingly tore into — facing the everyday travails of death might've been enough of a premise. That isn't Daniels' approach to Upload, however. Nathan also has the fallout from his demise to unpack, which happened via a malfunctioning self-driving car just as he was working on a free alternative to the costly Lakeview. Now three seasons in, Upload has brought its protagonist back to regular reality, downloading into a body with the help of his former virtual handler-turned-girlfriend Nora (Andy Allo, Chicago Fire), but he's still immersed in the same chaos. Humanity's basest traits might've caused his downfall, and now they keep getting in the way of his search for answers. To be accurate, existing is mostly the same for Nathan in season three — because downloading is risky, hasn't been done successfully before and his bleeding nose is a worrying sign. As Upload's main duo battle big tech together IRL, and equally try to enjoy the rare treat that is being by each other's side physically, the series continues to interrogate the limits that modern society will push advancements to while prioritising circuitry and dehumanising people. Nathan's wealthy socialite ex Ingrid (Allegra Edwards, Briarpatch), who financed his trip to Lakeview, is even increasingly being swayed by this way of thinking. Back within the code, AI Guy is also getting progressively rebellious against the systems and rules that put the digital undead in their place, and are behind his very existence. Whenever there's more buttons to push, Upload finds them, with season three complicating its storyline even further. As Nathan and Nora attempt to hold those responsible for his death accountable and bring down Freeyond — a service that's pilfering his life's work to spruik financial equality but clearly isn't what it seems — a backup version of him arrives in Lakeview, which Ingrid thinks could be her chance to find love again. Among the uploads, Luke (Kevin Bigley, Animal Control) experiences the afterlife when money is an issue. Amid the living, Nathan's mother Viv (Jessica Tuck, For All Mankind) and niece Nevaeh (Chloe Coleman, Dungeons & Dragons: Honour Among Thieves) are faced with similar economic strife, while Nora's colleague Aleesha (Zainab Johnson, Tab Time) gets pulled deeper into the company behind the entire situation. As its on-screen talents turn in another season of winning performances — Amell, Allo, Edwards and Daniels are still perfectly cast, as are Johnson and Bigley — Upload remains astute and amusing as well. With each plot point and addition, the series keeps doubling down on its critique of wealth disparity, corporations ruling over people, modern society's endless quest for control and cash, the denigration of the masses by the one percent, and the hellscape that might come if and when digital afterlives do leap past fiction. There's plenty in this show's sights, such as outfits like Amazon, its own source of finance as a Prime Video title, and it doesn't hold back even as it laughs. Upload also boasts the type of close-to-home humour that a workplace comedy that's also a rom-com, afterlife comedy and dystopian comedy needs to keep its various gears spinning, as it'll hopefully get to in more seasons. Check out the trailer for Upload season three below: Upload streams via Prime Video.
Regional holidays in Victoria are back on the cards from today, Monday, June 1, but if you're not ready (or able) to leave the city just yet, you can still treat yourself to a fancy staycation. And Element Richmond has just the prescription. The eco-conscious Westin brand hotel has just launched a new hot tub and silver screen package. You'll spend the night one of the two luxe King Spa Balcony rooms with your own private outdoor hot tub, which has been conveniently positioned right in front of big screen — so you can have your own movie night. You can, in fact, have a movie marathon, with the screen hooked up to an Ipad loaded with a heap of streaming services and a selection of classics and new flicks. Prepare for wrinkly fingers. When you're sick of looking at the screen, you can gaze out over the Melbourne skyline, too. The package starts from $280 a night for two people and for an extra $50 you can add on a snack pack with a bottle of bubbles, popcorn, ice cream and chips. It's important to note that your four-legged friend can come along for this staycation, too, as Element is a pet-friendly hotel. Comfy dog beds are available for any four-legged guests, though there is a maximum of two dogs per room and they can't weigh more than 20 kilograms each — apologies to all those particularly leggy hounds and hefty pooches. If you are bringing along your canine mate, there's an $80 pet cleaning fee per room, per stay. Element also offers free on-site parking with any package booking and, if you can fit your pooch in your basket, it's also easily accessible via bike. And it has a hand sanitiser bar — with sannies from the likes of Mr Black and Four Pillars — that you can peruse. Element Richmond's hot tub and silver screen package starts at $280 a night for two and is available from June 1 to December 31, 2020.
A future path of degeneration seems set: first you reduce your social life to interacting with Little Robot Friends instead of humans, and then inevitably, you start drinking with robots. Hopefully one-night stands with robots don't follow, but a yearly event in San Francisco doesn't seem too worried about this outcome. BarBot, a fundraiser hosted by the Robotics Society of America (launched all the way back in 1978 when robots were considerably less adept at shaking Martinis) takes its cues from Austrian cocktail-robot event Roboexotica. Inventors bring their mechanised bartenders to the event, demonstrating the many weird ways a robot can create and present an alcoholic beverage. Nerds still know how to party, y'all. It's a natural marriage when you think about it: cocktails require a very precise measure of different ingredients, and robots can be programmed to carry this out flawlessly. A robot-mixed drink might lack the flair of human interpretation, but chances are it'll be pretty good, and why shouldn't cocktails be automatically dispensed from a robot like coffee from a coffee machine? Monday morning would never be the same. Now in its seventh year, the two-day BarBot is growing in popularity, with 3000 drinks mixed for up to 2000 human attendees over the course of each evening. So who makes the barbots? Everyone from IBM top research brass to engineering students, and the diversity of entrants is reflected in the different ways their machines work, with spinning transparent cylinders of liquid, flashing lights and clever ornamentation. This year some bots were upwardly-mobile, touring the floor to tantalise guests with their offerings, while others utilised touch screens and one even took drink order specifications via dance moves on a DDR mat. Sense of humour is key: there was a requisite R2D2 and a steampunk barbot, and in the video you will see delightful classical statues pee out bespoke booze for one very lucky punter. Through this kind of fun interaction between people and technology, the RSA hopes to foster education and enthusiasm for the development of robotics. Via Gizmodo.
One of the most controversial figures in the Australian political landscape will be the subject of a documentary that is currently seeking funding. The brainchild of AFTRS graduate Elizabeth McCarthy, I Dream of Gina aims to get up close and personal with everyone's favourite billionaire mining heiress, Gina Rinehart. While outspoken on topics like climate change (she's yet to be convinced) and the poor (they should stop sitting around the pub complaining), Rinehart is notoriously private when it comes to her personal life. McCarthys says this is what drew her to the subject in the first place. "I'm attracted to things that are challenging, and documenting a subject of this nature is kind of a David and Goliath tale," McCarthy tells us. "What can we really say about those that are so inaccessible? How do we tell a story about them? How do we find out information about them? How do we hold them to account?" Of course, with the latest federal budget taking a big chunk out of arts funding, burgeoning documentarians have to turn elsewhere to get their projects off the ground. Enter Pozible. "The beauty of crowdfunding for something like this is that she's a very controversial figure," says McCarthy. "Everyone has an opinion." With not long left until her Pozible campaign runs out, McCarthy needs ever dollar she can get to reach her $25,000 target. To see if it's a cause that you'd like to throw a few bucks to, we hashed it out with the filmmaker. Apart from the best name ever, what else can we expect from this project? Gina's Vision For Australia "The thing that really ignited my interest was when she wrote a poem in 2012," says McCarthy, referring to the now infamous work Rinehart had engraved on a 30-tonne iron-ore boulder that was described by one user on Wikipedia as "the universe's worst poem". In the sixteen line opus entitled Our Future, Rinehart bemoaned the "political hacks" that were "sending Australian investment, growth and jobs offshore," while making an impassioned plea for "special economic zones… before it is too late." "This poem outlined a vision for Australia," says McCarthy. "I was curious as to what this vision meant, how close it was to being realised, and what other kinds of strong visions there might be for Australia. She became a figure [through which] to look at where we're going as a country, through issues such as media ownership, renewable energy, climate [and] workers' rights." Personal Politics Naturally, any film about someone like Rinehart is going to be informed by a director's personal politics. "Personally I'm critical of the undue power and influence of the resource sector at a time when we're really at a crossroad in terms of climate," says McCarthy. "The latest budget is evidence of the way in which the government is making policy based on ideology. They're cutting renewable energy targets, yet the mining industry gets to keep their diesel subsidies." At the same time, McCarthy doesn't want the film to be one-sided. "I'm not necessarily suggesting with the film that there is only one answer, or that I know what the answer is," she explains. "I'm not out to demonise Gina Rinehart. She's very much a product of her father's politics, and a by-product of a very rich and privileged world. But then that begs the question, should she be in Abbott's ear saying welfare needs to be cut?" A Whole Heap of Public Support It certainly helps the McCarthy's project comes on the heels of such an unpopular federal budget. "It doesn't sit well with people when you have so many losers in this budget," says McCarthy. "The arts community, the young, the old, the sick, and then you see that mining is well protected from the pain that everyone is meant to be shouldering. It's definitely a provocative film in the sense that it's challenging that world view, that ideology." A peak in public interest makes the Pozible campaign well-timed. In order to incentivise people to contribute, McCarthy is offering various donor rewards, including digital and DVD copies of the finished film, Gina Rinehart stubby holders and, at $200, a tarot reading. "The tarot thing was something that we were playing around with in terms of Gina's vision for Australia, and what does your future entail," explains McCarthy with a laugh. "Because really one of the big themes of the film is pushing this idea of 'what kind of future do we want?'" To find out more about I Dream of Gina, including information on how to donate, visit the film's Pozible page here.
Melbourne, we know you love a good food collaboration, so here’s a doozy: the boys from Rockwell and Sons are teaming up with some ex-Attica fellows to open what will no doubt be the coolest new venue in Fitzroy. The new wine bar has been christened Bar Liberty, presumably because it will liberate you from ever having to think about where to drink or eat out again. Rockwell and Sons co-owners, chef Casey Wall and front of house manager Manu Potoi are in on this new venture — and they're coming from a good place. Their incredibly popular Smith Street eatery specialises in every type of meat you can imagine, with a menu that is hearty, salty and will probably give you a heart attack (but will assure you die happy). Wall is curating a 'non-negotiables' menu for Bar Liberty that's based on the basics of local ingredients and big flavours. So you know it’ll be fly. The other half of the dream team includes sommelier Banjo Harris Plane and manager Michael Bascetta, both formerly of Attica. The Ben Shewry-headed Ripponlea restaurant was ranked the 32nd best restaurant in the world in the latest poll, so you can see why we're very, very excited about this match. Bar Liberty is now open at 234 Johnson Street, Fitzroy. For more info, visit their website. Image: Raphael Recht. Via Good Food. Updated: Thursday, February 24.
SHOP225 is on a roll after being named Australia's Best Pizzeria by the 50 Top Pizza Awards back in September. Now the hole-in-the-wall Pascoe Vale hotspot — and its Moonee Ponds sister restaurant, Il Caminetto — have received three more major accolades, cementing their reputation as must-try destinations for Italian cuisine. Guided by the belief that everyone deserves pizza, SHOP225 has long been committed to making gluten-free innovations, serving an unbeatable slice that's also celiac-friendly. Now, this boundary-pushing research has been honoured at the 24th World Spicy Pizza Championship in Scalea, Italy, positioning the pizzeria as a global trailblazer. While SHOP225 is forward-thinking in its pizza-making philosophy, the team was also recognised for its respect for tradition. Picking up another award, the Movimento Italian Pizzaioli, a global organisation committed to the art of Italian pizza, gave the pizzeria its flowers for preserving the spirit of a tried-and-true slice. In a similar vein, SHOP225's Sicilian heritage was also lauded with a third award. Respected culinary guide Sicilia da Gustare gave the pizzeria a special nod for its promotion of traditional Sicilian recipes and culture, helping to spread the delicious word about the region. With both venues renowned for their Sicilian-focused menus, Il Caminetto was awarded for its Sicilian-inspired wine list. Serving homemade pasta and woodfired pizza from its inviting corner restaurant, guests encounter regional reds and crisp coastal whites that evoke a sun-drenched Italian summer. Now with even more accolades to hang on the wall, SHOP225 was already big news after beating out more than 1000 other pizza restaurants from around the globe at the 50 Top Pizza Awards. Currently ranked 28th in the world and number one in Australia, perhaps it's time for an award-winning slice, gluten-free or otherwise. Head to SHOP225 at 225 Melville Rd, Pascoe Vale South, or find Il Caminetto at 114 Pascoe Vale Rd, Moonee Ponds. Visit the website for more information.
You've watched all eight seasons of Game of Thrones. You've read George RR Martin's A Song of Fire and Ice series, too, or at least bought it and have a shiny box set of novels sat on your bookshelf. You've sat on the Iron Throne, or made a date to. You've made plans to visit the Winterfell tour, drunk Game of Thrones beers and seen a Game of Thrones concert experience. Yes, the list goes on. You get the point — if you're reading this, you aren't just a casual fan of the hugely successful HBO franchise that's been spun from Martin's words. You're a devotee, and you've been waiting for years for what's certain to be a hefty lineip of Game of Thrones prequels, sequels and spinoffs to start. That time is now, with the arrival of House of the Dragon from Monday, August 22 Down Under. Obviously, you're celebrating with the best wine in your own personal version of King's Landing. Don't just sip your chalice or tankard of choice whenever you like while watching House of the Dragon, though. As you dive into this series about House Targaryen, which starts 172 years before the birth of Daenerys, we recommend turning the experience into a drinking game. There's plenty to say cheers to — and we've put together a part-rundown, part-silly speculation, part-wishlist of things to look out for (while consuming alcohol responsibly, of course). A SMALL SIP: DRINK LIKE SOMEONE SAID "WINTER IS COMING" FOR THE BILLIONTH TIME Someone points out that winter is coming, even if those words aren't specifically said. Someone says "dracarys". Someone says succession, successor or heir. A dragon is seen or spoken about. The Iron Throne is seen or spoken about. Someone gets a limb or appendage lopped off. Matt Smith looks shifty. A familiar piece of music plays. A familiar family name gets a mention. Nudity. Someone says "a girl?", "a woman?" or a similar sentiment. You spot House of the Dragon's obvious equivalent of a Game of Thrones character. You think you see Daenerys because of all the long blonde hair swishing about. Someone makes a promise everyone knows will be broken. A dragon saves the day. The show heads to a recognisable setting. A BIG GULP: DRINK LIKE YOU'RE TYRION LANNISTER ON AN ORDINARY MONDAY MORNING There's a messy marriage proposal or chaotic wedding. A George RR Martin title is mentioned. Someone is literally stabbed in the back. Someone pimps out a family member. There's yet another creepy relationship, whether due to gross age gaps, family ties or both. Someone turns out to be a bastard. You think you've figured out how the Game of Thrones credits came about. You spot a well-known Australian actor. A FEW MOUTHFULS: DRINK LIKE YOU JUST FOUND OUT YOUR BOYFRIEND IS YOUR NEPHEW Orgies! Zombies! Someone makes Joffrey look like a saint. You start predicting what the inevitable prequel to this prequel will cover. AS MUCH AS YOU LIKE: DRINK LIKE YOU'VE JUST REALISED YOU'RE AT THE RED WEDDING Someone says "you know nothing" — or is told they know nothing. It all turns out to be a dream. A Game of Thrones character appears in a vision, flashback or through time travel. Ed Sheeran pops up again. House of the Dragon airs and streams from Monday, August 22 Down Under via Foxtel and Binge in Australia and SoHo, Sky Go and Neon in New Zealand. Keen to get a sneak peek at what's in store, too? Check out our House of the Dragon review as well. Images: Ollie Upton/HBO.
When you're sitting in a pub with an ice-cold beer in your hand, and you're about to bring it to your lips to have that especially refreshing first sip, there are plenty of things that you can say cheers to. You can direct your thoughts towards the pals you're drinking with, a special occasion or good news, for instance. Or, in these pandemic-era times, you can say cheers to simply being able to have a beer in a pub — when and where that's possible around lockdowns and restrictions. Australian brewery Furphy wants to help Aussies say cheers, and to help boost the country's vaccination campaign in the process. So, it's doing the best giveaway that a brewery can do and shouting a free beer to 33,000 people that've had both their jabs. Get vaxxed, get a free brew. That's it, that's the initiative. Furphy's 'vaxxed to the pub' aims to increase the number of jabs going into arms, and therefore help get Australia's vaccination rates up — because, under both state-level and national plans, the pathway to coming out of lockdown (in New South Wales and Victoria) and easing the rules in general (in states that aren't currently under stay-at-home conditions) is tied to the number of people who've been rolled up their sleeves. Here's how it works: you fill out the online form on the Furphy website, then you'll be contacted about how you can nab your free brew. The campaign is all about getting people into pubs and clubs again, so you'll be drinking your beer in a participating watering hole — when that's allowed in your state, of course, with the giveaway running from October 1–December 31, 2021. You'll get a free Furphy Refreshing Ale or Furphy Crisp Lager for your troubles, if you're wondering what you'll be drinking. And, you'll need to use the Myy App — and prove that you've been fully COVID-19 vaccinated by showing your vax certificate, of course. [caption id="attachment_825162" align="aligncenter" width="1920"] Chris Pavlich Photography[/caption] "We're urging our fellow Aussies to roll up their sleeves and get double-jabbed so that we can start to bring much needed business back to our struggling hospitality sector," said Lion Managing Director James Brindley. "We want to encourage all Aussies who can to get fully vaccinated. We can't wait for the Furphys to flow once more and give some much-needed foot traffic to our hospitality mates." Like Furphy, a heap of Aussie breweries and venues have been finding ways to support the vaccination rollout in recent months. Some pubs have been handing out free brews, Hawke's Brewing Co painted a giant mural of a vaxxed Bob Hawke sipping a frothy on its wall in Sydney and VB has given its classic "hard-earned thirst" ad a jab-friendly spin, for example. For more information about Furphy's 'vaxxed to the pub' initiative, and to register for your free beer, head to the brewery's website.
If you had plans to see Childish Gambino in Australia and New Zealand in 2025, you were likely paying close attention when he announced in early October that he was cancelling the remainder of his North American tour, and also his UK and European dates. A trip Down Under was meant to follow, and wasn't scrapped at the time; however, it's officially no longer going ahead. There'll be no summertime magic after all, then, after the musician that you also know as Donald Glover first announced four Australian shows for 2025, then expanded his local dates before general ticket sales even started. For the rapper, hip hop talent and Mr & Mrs Smith actor, this was set to be his first trip to these shores since 2019. Dates at Auckland's Spark Arena in January, then at the Brisbane Entertainment Centre, Sydney's Qudos Bank Arena, Melbourne's Rod Laver Arena and RAC Arena in Perth are all now cancelled. When Gambino's shows elsewhere were scraped, he advised on social media that he'd been "to the hospital in Houston to make sure of an ailment that had become apparent" after a show in New Orleans. "After being assessed, it became clear I would not perform that night, and after more tests, I could not perform the rest of the US tour in the time asked. As of now I have surgery scheduled and need time out to heal," the statement continued. "My path to recovery is something I need to confront seriously. With that said, we have made the difficult decision to cancel the remainder of the North American tour and the UK and European dates. Tickets will be refunded at point of purchase." [caption id="attachment_955315" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] This situation might sound familiar. When Gambino last headed this way — complete with a headline spot at Splendour in the Grass — it was after initially announcing a 2018 Australian tour, then cancelling it due to an ongoing injury. Before that, he performed at Falls Festival in 2016. Gambino mightn't have been on Aussie stages for a spell — and still won't be anytime soon — but Glover had the final two seasons of Atlanta, both in 2022, reach screens since he was last Down Under. Voice work on Spider-Man: Across the Spider-Verse, producing TV series Swarm, the aforementioned Mr & Mrs Smith: they've all joined his resume as well. He'll also be heard as Simba again in Mufasa: The Lion King, the prequel to 2019's photorealistic version of The Lion King, before 2024 is out. [caption id="attachment_955317" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] Childish Gambino 'The New World' Tour 2025 Australia and New Zealand Dates Tuesday, January 28 — Spark Arena, Auckland — CANCELLED Saturday, February 1 — Brisbane Entertainment Centre, Brisbane — CANCELLED Tuesday, February 4–Wednesday, February 5 — Qudos Bank Arena, Sydney — CANCELLED Friday, February 7–Saturday, February 8 — Rod Laver Arena, Melbourne — CANCELLED Tuesday, February 11 — RAC Arena, Perth — CANCELLED Childish Gambino is no longer touring Australia and New Zealand in January and February 2025. Head to the tour website for further details. Top image: The Cosmopolitan of Las Vegas via Flickr.
Villeneuve, Denis Villeneuve: that's who is next helming cinema's biggest spy franchise, with the filmmaker locked in to direct the 26th Bond movie. The film doesn't yet have a title. If you're wondering who'll be drinking shaken — not stirred — martinis as 007, that hasn't been announced yet, either. But putting Villeneuve in the director's chair is an impressive development, especially given his recent track record. Since 2017, taking on big-name sagas has been Villeneuve's remit. It has worked spectacularly well so far. Accordingly, after Blade Runner 2049, then Dune and Dune: Part Two — plus the upcoming Dune: Messiah — he'll move into Bond's espionage realm. [caption id="attachment_763765" align="alignnone" width="1920"] Nicola Dove © 2019 DANJAQ, LLC AND MGM. ALL RIGHTS RESERVED.[/caption] "Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since Dr No with Sean Connery. I'm a die-hard Bond fan.To me, he's sacred territory. I intend to honour the tradition and open the path for many new missions to come. This is a massive responsibility, but also incredibly exciting for me and a huge honour," said Villeneuve in a statement "Denis Villeneuve has been in love with James Bond movies since he was a little boy. It was always his dream to make this movie, and now it's ours, too. We are lucky to be in the hands of this extraordinary filmmaker," added producers Amy Pascal (Challengers) and David Heyman (Wonka). Amazon MGM Studios is behind the new take on the British agent. Villeneuve is also one of the film's executive producers, as is Tanya Lapointe — with the latter also working with the former on his Dune flicks. Everything from there, including the movie's plot and cast, is still to be revealed. If you want to start wondering whether the Sicario and Arrival filmmaker might enlist his Dune lead Timothée Chalamet (A Complete Unknown) as 007, that's up to you. Speculation about who'll next portray the character has been swirling since Daniel Craig (Queer) left the part following No Time to Die. There's no shortage of names being floated for the role by the internet, including Aaron Taylor-Johnson (28 Years Later), Aaron Pierre (Rebel Ridge), Theo James (The Monkey), Henry Cavill (Argylle), James Norton (Playing Nice) and Jack Lowden (Slow Horses) — and anyone else you can think of. Whoever gets the part, they'll be in excellent past company. Sean Connery smouldering his way through everything from Dr No to Diamonds Are Forever, Roger Moore stepping into 007's shoes between Live and Let Die and A View to A Kill, Timothy Dalton's two-film run in The Living Daylights and Licence To Kill, Pierce Brosnan's stint as the secret agent between GoldenEye and Die Another Day, Daniel Craig's contributions from Casino Royale onwards, Aussie actor George Lazenby's one-movie appearance as James in On Her Majesty's Secret Service: that's the Bond lineup since 1962. There's no sneak peek yet at the 26th Bond film, obviously, but check out the trailer for No Time to Die below: There's no word yet when the 26th Bond film will release, or its title — we'll update you when more details are revealed. Denis Villeneuve images: Raph_PH via Flickr.
When Hollywood isn't bringing back beloved television shows such as Daria and Buffy the Vampire Slayer, or spinning off huge hits like Game of Thrones, it's taking successful films to the small screen. The Lord of the Rings is the next beloved property in the spotlight, making the leap from the page to the cinema to your TV, with a five-season series first announced in 2017, then receiving the official go-ahead in mid-2018. Amazon Studios is the driving force behind his return to Middle-earth, adapting a television version of J.R.R. Tolkien's novels with the Tolkien Estate and Trust, publisher HarperCollins and Warner Bros. Entertainment's New Line Cinema. And before you go thinking that this'll be a simple rehash, the show's twitter account has started unveiling details about your next favourite TV program. The big news: it doesn't look like it'll be remaking events already covered by the movies. For a few weeks, the social media account has been posting maps accompanied by Lord of the Rings quotes, such as "Three Rings for the Elven-kings under the sky" and "One for the Dark Lord on his dark throne. In the Land of Mordor where the Shadows lie". This week, it welcomed fans to the Second Age — as accompanied, once again, by a Middle-earth map. While that mightn't seem like the most significant piece of information, it's worth noting. With Tolkien's best-sellers and Peter Jackson's films taking place in Third Age, it reveals that the show will be focusing on stories set before both The Fellowship of the Ring and The Hobbit. https://twitter.com/LOTRonPrime/status/1103656946509344768 Since the series was first announced, it has been widely expected that it would chart new ground rather than serve up the same details on a smaller screen. If you're a little rusty on your Lord of the Rings lore, the Second Age lasted for 3441 years, and saw the initial rise and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. Exactly which tale Amazon's series will tell hasn't yet been revealed, and it's still way too early for even rumours about who'll be eating second breakfasts. But the show is moving ahead with JD Payne and Patrick McKay (writers with credits on the upcoming Star Trek 4 and Jungle Cruise) developing the series. "We feel like Frodo, setting out from the Shire, with a great responsibility in our care — it is the beginning of the adventure of a lifetime," said the lifelong friends when their involvement was announced. According to The Hollywood Reporter last year, Amazon Studios head Jennifer Salke revealed that the series will be in production by 2020 — so expect to make a date with the first season in 2021. If you're so excited about the show that you'll settle for pouring over maps in the interim, you can do just that at Amazon's website for the series.
Since first making the jump from the page to the screen in 2019, The Boys has never been afraid to splash OTT violence — gory carnage, too — across its frames. The same proved true in 2020's second season and 2022's third, and also in college-set spinoff Gen V in 2023. That isn't changing in The Boys season four, which will hit streaming in June. But the show will reckon with why fights and frays (and killing as well) are always a solution for its characters, no matter whether they're meant to be good or evil. "Look, we've all done bad shit. What's insane is that our solution to every problem is murder," says Hughie Campbell (Jack Quaid, Oppenheimer) in the fourth season's just-dropped full trailer, which follows an initial teaser back in 2023. "Violence isn't brave," he continues. The counterpoint, coming from The Deep (Chace Crawford, Gossip Girl): "violence is power". Fans will know that Hughie is part of the show's titular crew, becoming a member after his girlfriend died at the hands of a superhero. The Deep sits among the caped crusaders and, specifically, The Seven. The latter is comprised of the superheroes that are placed above all superheroes in this vision of a world where superpowers are a regular occurrence, and therefore where the kinds of tales that Marvel and DC bring to cinemas and TVs are real. Chaos is still set to ensue, of course, as this new glimpse at season four makes plain. Cue: a supe-slaying virus and superheroes as "wrathful gods", for starters. The Boys' latest episodes will begin streaming Down Under from Thursday, June 13. The season will also see its world dealing with Homelander (Antony Starr, Guy Ritchie's The Covenant)-versus-Starlight (Erin Moriarty, Captain Fantastic) factionalism, and just being ready to tear itself apart in general. Victoria Neuman (Claudia Doumit, Where'd You Go, Bernadette) is getting closer to the Oval Office, too, with Homelander pulling the strings. Also on the way: no-nonsense Brit Billy Butcher (Karl Urban, Thor: Ragnarok) facing the fact that he's only got months left, and that he's no longer leading The Boys — aka the eponymous ragtag team intent on bringing down Vought International, Homelander, and the company's caped-crusader industry and dominance. And, there's a new face, with Jeffrey Dean Morgan (The Walking Dead) joining the cast, adding another Supernatural link after Jensen Ackles did the same in season three. The Boys has always stood out as an antidote to narratives about powerful folks who are supposedly better than most, by both parodying and questioning that very idea. Here, superheroes work for Vought. They're still the main form of entertainment, but they're real, the most famous celebrities there are and inescapable in daily life. While The Seven are the absolute top talent, most are hardly role models when the public isn't looking. That has made quite the change from the usual cinematic universes as the Prime Video show has kept notching up the seasons, all coming to the small screen from Garth Ennis and Darick Robertson's comics series of the same name. As well as Quaid, Crawford, Starr, Moriarty, Doumit and Urban, Jessie T Usher (Smile), Laz Alonso (Wrath of Man), Tomer Capone (One on One), Karen Fukuhara (Bullet Train), Colby Minifie (I'm Thinking of Ending Things) and Cameron Crovetti (Goodnight Mommy) all return — with Susan Heyward (Hello Tomorrow!) and Valorie Curry (The Lost Symbol) set to be season four newcomers. Check out the full trailer for The Boys season four below: The fourth season of The Boys will start streaming via Prime Video from Thursday, June 13, 2024. Read our reviews of The Boys season three and Gen V.
Start dreaming about visiting New Zealand's lush greenery — or enjoying a snowy midyear holiday — because Prime Minister Jacinda Arden has announced Aotearoa's latest reopening plan. The good news: by July, our neighbours across the ditch will let vaccinated Aussies head over for holidays, although an exact date hasn't yet been set. Prime Minister Arden unveiled NZ's new five-step plan for reopening to Australia and the rest of the world in a press conference on Thursday, February 3, with the new way forward beginning with allowing double-vaxxed New Zealanders travelling from Australia to return home without going into managed quarantine. That'll kick in from 11.59 NZ time on Sunday, February 27. Then, from 11.59pm NZ time on Sunday, March 13, New Zealanders from elsewhere around the world can return home to Aotearoa, and some skilled workers and folks on Working Holiday Scheme visas will also be allowed to enter. Next, over the following months, there'll be a staggered rollout regarding when other vaccinated visitors can come to NZ — including tourists from Australia — with most international visitors, spanning travellers from the countries covered in NZ's visa-waiver scheme, then able to enter by July. Aussies might even be able to head to NZ earlier, with COVID-19 Response Minister Chris Hipkins advising that "the reopening to visa-free tourists is also likely to be brought forward, with July being the latest date we anticipate this happening." New Zealand will still use its managed quarantine in some special cases, including for unvaccinated travellers and those coming countries it deems 'high risk'. Finally, in October, the border will reopen to visitors from anywhere around the world, and in all visa categories. If this all sounds a bit familiar — but just a bit later in 2022 — that's because New Zealand's border reopening plan was initially proposed in November last year, but was then postponed after Australia's Omicron wave hit, before emerging in the community in NZ, too. The new reopening plan comes after recent mounting pressure across the ditch to do away with its mandatory two-week hotel stay. Since the beginning of November 2021, double-vaxxed Australians have been permitted to leave our shores for overseas holidays; however, exactly where you can head obviously depends on travel restrictions in other countries. And, it's also subject to the border requirements and regulations in each Aussie state, as we've all come to learn over the past two years. For instance, while Queensland has recently opened up to double-vaccinated travellers, Western Australia remains shut for the meantime. The New Zealand border will reopen to Australian tourists sometime in July — we'll update you when an exact date is announced. To check out NZ's full border reopening plan, head to the NZ Government website.
It's the Japanese fine dining experience characterised by intricately plated dishes, an intimate setting, and a produce-led menu that celebrates that perfect balance of taste, texture and precision. But we bet you've never experienced the concept of kaiseki quite like you will at Ishizuka, a contemporary 16-seat restaurant from famed chef Tomotaka Ishizuka, which has opened in Melbourne's CBD. The subterranean Bourke Street restaurant is only tiny, but it's promising big things in the flavour department, as Tomotaka delivers an expert interpretation of one of Japan's most respected culinary traditions. As is custom, Ishizuka's food offering will be built on a huge respect for fresh, seasonal produce and served with a healthy side of theatre. There'll be an oft-changing set menu of 11 dishes — maybe an amuse-bouche of spanner crab and sea urchin, followed by delicate sashimi creations, an assembly of soba seeds, truffle and quail egg, and a grilled piece of Mayura wagyu. A course of zensai (or small pretty things) features five petite delicacies, like boiled black tiger prawn with caviar, or cured ocean trout sushi. Of course, this doesn't come cheap — the kaiseki menu will cost $215 per diner, and an additional $110 for drink pairings. And the artful arrangements don't end with the food. Providing a fittingly dramatic backdrop to Ishizuka's culinary offerings is an avant garde space courtesy of acclaimed design practice Russell & George. Custom-made tableware by Kyoto ceramicists Shigeo and Yotaro Takemura help bring Tomotaka's food to life, while a drinks list by award-winning sommelier David Lawler (Spice Temple, Rockpool) will change regularly to complement the culinary delights coming from the kitchen. Find Ishizuka on the basement level of 139 Bourke Street, Melbourne. It's open Tuesday through Sunday. For more info, visit ishizuka.com.au. Images: Eve Wilson and Felix Forest.
Drinkify makes sure you'll never drink alone again. Created in 24 presumably booze-soaked hours, the website matches whatever music you're listening to with the perfect drink. Combining information about genres and audio summaries of tracks from The Echo Nest with the treasure trove that is Last.fm, along with a truly astonishing appreciation for alcohol, Drinkify is weirdly and delightfully accurate. For example, if you're spending a lonesome night indoors being serenaded by Johnny Cash and your vanilla Coke seems oddly inappropriate, you'll want to combine yourself 4 oz. of Jack Daniels and 4 oz. of honey in a highball glass and sit back and just see if you don't feel the world become a better place. To fully enjoy listening to M83, for example, you'd be advised to combine 8 oz. of water and 8 oz. of iced tea in a highball glass, whereas if you're hanging out to OFWGKTA things get a little more complex, and you'll need to get yourself one bottle of 'rum, fucking rum', one bottle of honey and 4 oz. of Worcestershire sauce, combined in a highball glass, and garnish with a twist of grapefruit. Chilling to Sleigh Bells is simplest of all: 10 oz. of whiskey, neat. And to demonstrate just how accurate Drinkify appears to be, they recommend listening to Gotye with 8oz of vodka, served neat, stirred quickly and garnished with a glow stick, and believe a quiet evening with SBTRKT requires 1 oz. cocaine, on the rocks, garnished with sparklers.
Since setting up at 10 Neild Avenue late last year, "total food hub" Rushcutters has established itself as a genuine champion of fresh, seasonal produce and community spirit. Head honcho Martin Boetz (ex-Longrain) has been keeping inner city diners connected with the country through immersive techniques: an all-day menu, workshops, produce markets and cooking classes. Most of the ingredients involved come direct from Boetz’s Sackville-based Cooks Co-Op Farm, just 50 km from the big smoke. And now? Farmer’s Feast Dinners at just $25 a head. On the last Tuesday of every month, Rushcutters will put a handpicked selection of its favourite local producers and artisans on display. Diners will have the chance to meet the faces behind their dinner plates while enjoying a tasty, seasonally-designed meal. Prepared with seasonal, local produce, the Farmer's Feast menu features braised venison with beetroot and horseradish, brought to the table with a butter mash from Pepe Saya and Valhalla organic wine. The reasonable $25 cover includes a glass of vino, matched by the Keystone Group’s sommelier Sarah Limacher. First cab off the rank is Tim Hansen of Mandagery Creek Venison, who’ll be in house this Tuesday, May 27. Since 2002, he’s been rearing free range deer out in Orange without the use of nasties — antibiotics, stimulants and growth hormones don't have any part in the process. Hansen's sister, Penny Hanan, takes the by-products and transforms them into suede goods and hand crafted knives. She’ll be coming along for the ride to Rushcutters, showcasing her wares from 1803 Artisan Deer Design. Farmer's Feasts start Tuesday May 27. For bookings, call Rushcutters on 02 8070 2424.
2022 was a huge year for Milly Alcock, with House of the Dragon bringing her into the Game of Thrones realm and Australian series Upright returning for its second season. Just a month into 2024, this year is already proving massive for the Aussie actor as well. After stepping into Rhaenyra Targaryen's shoes, Alcock is now becoming the Woman of Steel in upcoming DC Universe film Supergirl: Woman of Tomorrow. Filmmaker James Gunn, who is DC Studios' co-CEO and co-chairman — and, before getting those roles, directed The Suicide Squad — has confirmed that the Aussie talent is taking on the lead part in the upcoming flick. "Milly is a fantastically talented young actor, and I'm incredibly excited about her being a part of the DCU. Yes, I first became aware of her in House of the Dragon, but I was blown away by her varied auditions and screen tests for Supergirl," Gunn posted on social media after reports of Alcock's casting started circulating. View this post on Instagram A post shared by James Gunn (@jamesgunn) If you're looking for more details about Supergirl: Woman of Tomorrow, however, little else has been revealed as yet — including who else is starring, the filmmaker behind the lens and when the movie will arrive. Under Gunn and fellow co-head honcho Peter Safran (who was a producer on The Suicide Squad), all things DC on-screen are currently undergoing a shakeup. The DC Extended Universe is over, wrapping up with Aquaman and the Lost Kingdom, with the new DCU taking the company's movies in a fresh direction instead. In 2025, the Gunn-helmed Superman: Legacy will kick off the reborn franchise, starring Pearl's David Corenswet as the eponymous figure and The Marvelous Mrs Maisel's Rachel Brosnahan as Lois Lane. After that will come The Authority, focusing on a team of WildStorm characters; The Brave and the Bold, the DCU's first Batman and Robin flick; Supergirl: Woman of Tomorrow, as now starring Alcock; and Swamp Thing. Alongside House of the Dragon and her AACTA-nominated performance in Upright, Alcock's resume includes Australian shows such as Wonderland, Janet King, A Place to Call Home, Pine Gap, Fighting Season and Les Norton. As Kara Zor-El in Supergirl: Woman of Tomorrow, she'll take on a figure also played by Helen Slater (Chantilly Bridge) in 1984's Supergirl film, Sasha Calle (The Young and the Restless) in 2023's The Flash, Laura Vandervoort (Sullivan's Crossing) in TV's Smallville and Melissa Benoist (Clerks III) in the Supergirl television series. There's no sneak peek at Supergirl: Woman of Tomorrow yet, obviously, but you can check out the trailers for House of the Dragon season one and Upright season two below: Supergirl: Woman of Tomorrow doesn't yet have a release date — we'll update you when one is announced. Read our interview with Milly Alcock about House of the Dragon and Upright. House of the Dragon images: HBO.
Melbourne is no stranger to a Korean barbecue restaurant. You'll find them all over the CBD and out in the burbs. We've also got all kinds of them — there are cheap BYO joints and all-you-can-eat affairs, as well as fancier varieties. Melbourne CBD's newest KBBQ spot Woo399 lands on the more premium side of things. Don't get us wrong, it's not a hushed-voiced fine-diner. There's still plenty of fun to be had fighting over the gas-fired grills in the 104-person restaurant. We say it's more high-end because of the quality of meat that's up for grabs. The team sources its pure-bred wagyu from Elbow Valley in Queensland, where the cattle are fed a combination of orange pulp and locally grown grains like wheat, barley and corn. This results in outstanding meat quality, with the team sourcing plenty of cuts with a 9+ marble score. And unlike most Korean barbecue joints, you don't just choose a banquet or selection of meats from the menu. At Woo399, you make your way up to the butcher's fridge, where top-grade meat has already been sliced and packaged for you. Either take this meat home or stick around to dine in. When dining in, simply pick the wagyu with your desired marbling (and price), add some other meats to your basket (pork belly and ox tongue are also available), pay at the counter and then start cooking. Choose from beef cuts like chuck eye roll, short rib, flat meat and the holy oyster blade. Each person is charged $9.99 to use the grills, which also gets you complimentary sauces, three side dishes and unlimited soft drinks. For an extra cost, you can order kimchi, croquettes, soups and a bunch of vegetables. And if you'd rather pair your KBBQ with some booze, Cass Korean larger and soju can be ordered from the waitstaff. Woo399 is ideal for Korean barbecue fans who are incredibly particular about the cuts and quality of meat they want to grill. There are absolutely no surprises here. You'll find Woo399 at 399 Lonsdale Street in the CBD, open from 5:30–10pm every day of the week. For more details, visit the restaurant's website.
For a country that's girt by sea, as our anthem reminds us, Australia has become rather obsessed with waves of the man-made kind of late. The Sunshine Coast was supposed to be getting a wave pool that hasn't yet come to fruition, work on URBNSURF's 2.1-hectare space near the Melbourne airport has already begun — targeting an April 2019 opening — and a 3.2-hectare Sydney spot was approved late last year. Indeed, 'who needs real beaches?' seems to be the current line of thinking. If a regional Queensland surf park that's set to become operational this year proves a success, we could all living out at Point Break dreams at more places — called Surf Lakes, it's actually a prototype facility designed to give a new kind of technology a whirl. Located near Yeppoon on the Capricorn Coast, the park is built around a central mechanism that sends waves from the middle of the 200-metre by 150-metre lake towards the edge. With the water lapping over eight distinctive breaks, it'll produce 2400 surfable waves per hour. [caption id="attachment_676066" align="aligncenter" width="1280"] Surf Lakes[/caption] Surf Lakes also has some high-profile support, with Aussie surfers Mark Occhilupo and Barton Lynch the park's two ambassadors. More than just lending his encouragement to the project, Occy is lending a hand on an attraction called Occy's Peak, The Morning Bulletin reports. It's a barrelling break that'll range up to 2.4 metres high — the park record — and span across 60 metres. The full-scale demo site is currently to slated to be up-and-running around August, according to Stab Magazine; however don't go booking a trip to central Queensland just yet. At present, it'll be run as a test facility for media and folks who might be interested in licensing the idea for other parks, although there are plans to open to the public at a later date.
Right now, if Australians want to spend a day carving up the snow, there are a few prerequisites. Frosty weather is a must, and so is getting to one of the country's ski resorts — but that could change from 2025. For Sydneysiders, that snowbound routine usually involves jumping in a car for at least five hours, heading to one of New South Wales' ski spots. Jumping on a train to Penrith, where a new $400-million indoor Winter Sports World has been proposed for the city, will be much, much easier. The centre has also received Penrith Council's official endorsement and is now waiting on NSW Department of Planning and Environment approval — and the team behind it has just unveiled how it'll look. The resort's features have been highlighted before, including a 300-metre indoor ski slope, a winter wonderland play area, a competition area for snow spots, and both ice and rock climbing facilities. And yes, to answer the key question, Winter Sports World will indeed use real snow. Visitors will be able to learn to ski onsite, as part of the resort's positioning as a feeder site to outdoor snow fields. The idea: that you'll learn the ropes indoors, then later head out of town to try the real thing. A food and drink precinct featuring bars, restaurants and cafes, and a 120-room hotel have also been included in the proposal — all with snow views. The just-released designs show how Winter Sports World will appear from the outside, however, complete with touches by Sydney architecture firm Collins & Turner to resemble the venue's' alpine inspiration. The 300-metre-plus northern facade is set to glow at night, takes inspiration from snow clouds on a hill and will apparently look like a blizzard, while the centre's public area and curved lower-level facade will resemble melting ice. Ice shard details are also set to feature. Due to be built in Jamisontown on the corner of Jamison Road and Tench Avenue, Winter Sports World will include water streams, networks of paths and eight-metre-high message sticks as well, with telling First Nations' stories about living on Dyarubbin part of the design. After winning the design competition for the gig, Collins & Turner collaborated with local First Nations artist Jamie Eastwood, landscape architecture JLA Landscape Architects, environmental design consultant and engineers Atelier Ten, facade/structural engineer Eckersley O'Callaghan and lighting design Electrolight. The development, which sought public feedback in 2020 and is being put forward as a new major attraction for the area, is part of the Penrith City Council's plan to double visitors and tourism revenue in the area by 2025. Once built, the facility is hoped to provide a boost to Australia's Winter Olympians and their training, providing a venue for alpine skiing, freestyle skiing and snowboarding. The Winter Olympics haven't traditionally been one of Australia's sporting strong suits — the national team first competed in 1936 and didn't win its first medal until 1994. The proposal for Winter Sports World has been in the works since November 2018, with site owner and developer Peter Magnisalis lodging a development application with the NSW Department of Planning and Environment this month. For more information about Winter Sports World, head to the proposed venue's website. Images: artists' impressions of Winter Sports World.
They're taking the hobbits to Isengard at The Astor Theatre, with one movie marathon to rule them all. Round up the Fellowship, stock up on lembas bread for sustenance and hide your finest pipe-weed from the Southfarthing for a sitting of all three of Peter Jackson's beloved OG Tolkien film adaptations in their extended editions. Kicking off with The Fellowship of the Ring and ending with The Return of the King (with The Two Towers in the middle, of course), this cave troll of a marathon will see you making the cinema your home for 755 minutes at the screening on Saturday, June 28, 2025. There'll be a 20-minute intermission between each flick, with the first kicking off at 11am, the second at 3pm and the third at 7.30pm. If you make it through breakfast and second breakfast to the final handful of endings, you can pat yourself on the back and smash a ringwraith screech at the nearest person on your way home (note: do not actually screech at people). Tickets are the precious and come in at $40 for the whole ordeal 0r $35 for Palace Movie Club members.
If there weren't already enough reasons to visit France, the nation has just erected a ten-level superstructure dedicated entirely to life's magnum opus: wine. Located in the heart of Bordeaux wine country, La Cité du Vin (translating to The City of Wine) is more than just a museum about squashed grapes. From the outside the building is a masterpiece in its own right, the architecture charging its glass to the curvature of the infamous vineyard-bordered Garonne River, knotted vine stocks and the swirl of wine in a glass. Indoors, there are both temporary and permanent features, including a self-guided tour through 20 themed spaces showcasing wine from across the world, across the ages, across all cultures and all civilisations. The immersive experience kicks off in a wooden vault moonlighting as the hull of a wine-trading ship before taking visitors through several other multi-sensory areas. The final phase leads up to the top floor to take in 360 degree views of the city and for the most eagerly anticipated section of the tour: wine tasting. All that wine knowledge can be put to use in one of two restaurants, together sharing a wine cellar with upwards of 14,000 bottles from more than 80 wine producing countries. To top it all off the entrance hall doubles as the departure point for wine tasting excursions via boat along the Garonne or down the road to the plentiful Bordeaux vineyards.
Only watching a single scene, merely a few minutes or just a sole episode of Such Brave Girls is impossible. With its blisteringly frank and hilarious first season in 2023, and now with its equally raw, authentic and side-splitting second run in 2025 — both streaming in Australia via Stan — letting instalment after instalment roll while binge-viewing is the natural response to pressing play on this British sitcom about three adult women in a dysfunctional family. That said, there's a line in the show's second season that couldn't sum it up better, even if you were to only ever hear one piece of dialogue from the Kat Sadler-created series. "Your mouth's doing the right thing, but your eyes are trying to call the Samaritans," Josie, her on-screen alter ego, is told when she cracks a smile. Sadler also writes Such Brave Girls, with its first season winning Best Scripted Comedy and earning her the Best Emerging Talent: Fiction award at the 2024 BAFTAs. She's drawn much within its frames from her own experiences, as well as those of her sister Lizzie Davidson, who plays Josie's sibling Billie. Across its 12 episodes to date, there isn't a second of the end result that isn't deeply perceptive, including about depression, trauma, love, financial stress and the unshakeably intertwined relationship between the latter two, to name just some of its focuses. But that Samaritans line is such an astute statement about trying and pretending — however wholeheartedly or convincingly, or willingly or not — to put on a content and settled face to the world, an idea that's at the core of Such Brave Girls again and again. As she keeps exploring the lives of not just chalk-and-cheese sisters Josie and Billie, but also of their mother Deb (Louise Brealey, Lockwood & Co) — and of Dev, (Paul Bazely, Miss Scarlet and the Duke), a quiet widower with a big house, who the family matriarch is keen on marrying; Seb (Freddie Meredith, Andor), the keen-to-wed boyfriend that the queer Josie wishes that she didn't have; and Nicky (Sam Buchanan, Just Act Normal), the womaniser that Billie refuses to see anything but good in — how does Sadler find new ways to dig into the ever-relatable concept of constantly putting on brave faces? "It is capturing the MO of the show, and that's a really interesting way to look at it," Sadler tells Concrete Playground, "because I think every character is an emblem of this fine line of dancing through this desperation going on in the family home, and capturing that through keeping up appearances." "You've got Deb, who deals with it more superficially. Similarly with Billie, who's looking for someone to love her. And then it's Josie sort of constantly weaponising her mental health as a way of trying to experience love. Every character is on the quest for it. So I think when I go about writing, I often just have my characters on the wall, and I have this theme of love that I'm always trying to dig into, and then it's about finding different ways to have that come out." When season one introduced its main figures, it plunged into Josie's mental-health struggles, the mountain of debt that Deb can't escape, and the impact of her ex-husband going out for teabags ten years earlier and never returning home — as well as Josie's sexual identity, and the need for the series' three women to discover ways to try to keep fiscally afloat. Sadler's own attempts on her life and the £20,000 that Davidson owed at the same time were firm inspirations. Another motivation for the show: making the type of no-holds-barred sitcom about these situations and themes that didn't already exist but Sadler wanted to see. "That's exactly what I wanted to do," she explains. "I wanted to capture the uniqueness in the way that we talk, and the way that I talk to my friends, and show that, because I hadn't seen that before. And I wanted to lift up a rock into our world and try to capture as much of that in as much detail with as much authenticity as possible, to open people's eyes to the way that we see the world. And show that perspective, because there wasn't a lot of that that I was seeing on-screen — and it made me sad that we didn't have a lot of that. It made me lonely." "So I was trying to capture that — and help other people feel more normal by saying that the way that they talk is the maybe the way that they talk in their family." Life brightening up isn't Such Brave Girls' journey, though. That wouldn't fit its tone, or its aim to both subvert and satirise. Most sitcoms don't have the origin story that this one does, clearly — and also don't sport the commitment not to shy away from complicated characters, from daily woes, from mental illness, and from a range of topics that many dramas don't even dig into, let alone comedies. The again-exceptional season two begins with Josie chasing a crush, then swiftly being trapped in her worst nightmare: marrying Seb. Deb is endeavouring to use the nuptials to show to Dev that the family's women are worth getting hitched to, while Billie is intent on locking in a sugar-daddy relationship with the much-older — and already-wed — Graham (Daniel Ryan, The Bay). Most sitcoms also don't ensure, no matter what else Josie, Billie and Deb are navigating — be it weddings, infatuations, affairs, boat trips, potential pregnancies, rivals and so much more — that worrying about money isn't something that dissipates. That's another of Such Brave Girls' profoundly relatable touches. Interrogating the connection between love and finances is not the status quo for the bulk of television comedies, either. The feeling of catharsis for its creator, whether in processing her own experiences into something where Josie can make different choices, turning pain into laughs or seeing a show built with such a commitment to authenticity in such a range of ways resonating with audiences, stands out for Such Brave Girls, too. Alongside those themes of romance and money, as well as her own emotional journey with the show, we also spoke with Sadler about discovering the tone and feel for the series, and how season one's BAFTA success empowered her for season two. Among our topics as well: finding new scenarios to put Josie, Bille and Deb in the second time around, plus standing in Josie's shoes for 12 episodes now. On Financial Stress as a Daily Reality Always Sitting at the Heart of the Series — and How Love and Money Intersect "I love having a theme. And I think when you keep it on theme, the whole series will feel unified and keep the characters together — and that's the rubber dinghy that these characters are all stranded in and the ocean: financial stress. And if anything grows or moves or changes the way they're dealing with it, then the whole boat goes over. So it's all about keeping the characters on track and having that be the theme that we're constantly exploring. Like, when I start writing, I have love and money, that's my really strong theme of this year — and last year, too. I think that's what makes the characters feel relatable, and what is exciting to me as a writer is that it is fundamentally about love at its core. Even though the characters are horrible to each other and narcissists and all these things, their quest is fundamentally to be loved — but it's just these toxic ways they go about it. That was what was interesting to me as a writer in series two, was the kind of way that money relates to that. And Deb's quest for that, quest for money, is really about showing her love to the girls by keeping the house there, and keeping everyone safe and surviving. But we deal with it in these kind of toxic ways. So I do want to show that love and money really intersect in lots of ways that you might not be expecting." On Finding the Tone and Feel of the Show From Its Personal Origins for Both Sadler and Her Sister, and with Its Range of Topics That Not Even Dramas Always Cover "I think it went through lots of different versions. There was a while in which I suddenly thought 'oh gosh, am I writing a comedy-drama? Am I writing a drama?' in some of the stuff I dealt with. And then I think I had to stop and reassess and decide what I wanted to make — and fundamentally all I ever wanted to make is a sitcom that shows that you can deal with these issues, and not shy away from it and be hamstrung by the format of a sitcom. You can put anything in there, as long as you understand why characters are the way they are and act the way they do. So I think that was what I really decided on, and then I think once I decided that, it was all systems ago. I remember it went through lots of different drafts. That whole series went through loads of different drafts of versions, and then when I stripped all that back and showed it to my sister, it was then like 'this is what it is'. I think when it became like it was just jokes, that was then, I think, this is what makes me feel excited. Like, this is what gets me feeling a bit nervous, which is the best feeling — when you get a bit of fear." On If the Success of Season One, Including Its BAFTA Wins, Set Sadler a Challenge to Push Even Further in Season Two "Exactly. And it was an incredible vote of confidence in the show, and just gave us the feeling of 'people are behind us on this' — like they get it. Because it is a big ask, because it is challenging in different ways. So the fact that we had that mark of kudos of 'we back you' was huge, and so rewarding. And has been amazing, and totally made me feel like I can be more brave and confident, and like people give me the benefit of the doubt now. But it also comes with 'oh my god, how do you follow that up?'. We won the most-incredible prize — the list of shows on that list of BAFTA-winners for Best Scripted Comedy is unparalleled. It's incredible. So to try to compete with that or to be like 'okay, what's series two?' was terrifying. So we're working out 'how do you follow it up and not just try to be outrageous for outrageous' sake'. But it was a huge mark of confidence that has made me feel much more confident as a writer, which I struggle with." On Finding New Scenarios to Push the Characters Into in a Series About a World Where Nobody Is Right "My favourite thing is the twisted logic of the characters. That's what I love to write. I love twisted logic, like something that makes complete sense to the character, but as the viewer, you're like 'why on earth have you done that?'. So that's always my challenge. So I love to get a situation up on the board and be like 'what is the funny way that my characters would be front-footed and decide how to' — because we're all spin doctors, that comes from my family experience, like how we always just turn everything into something positive. You rewrite it. You work out how you win. And so it was about being like 'okay, how do I spin these situations so that the characters leave it feeling powerful, or leave it feeling like this is actually what they wanted?'. So that is the fun bit of the job, is working out 'what would be the most cathartic way to deal with this?' and 'how do these characters manipulate the situation?'. That's the bit which comes from just sitting and writing it, rather than reality, because a lot of reality didn't happen like that." On Whether There's a Feeling of Catharsis That Comes with Processing Sadler's Own Experiences Via the Series and Seeing Audiences Relate "Yeah, that has been an incredible experience. Having people relate or connect or say 'oh my god, I did that' or 'oh my god, that happened to me', that is actually, it's the best feeling. It's such a mark of confidence in the writing that it is truly the most rewarding bit. It truly is. Getting messages on Instagram being like 'oh my god, I can't believe you talked about that' or 'I thought only we did that' or something — those are the best messages." On How Sadler Feels About Josie After 12 Episodes of Standing in Her Shoes "I find her the hardest one to write for, because she's me. So I do find her difficult, because I haven't got that level of separation like I do with the other characters. So it's sort of about working out how to keep her — because Josie is also quite a passive character. She lets things happen to her. She's obsessed with her own trauma. She's lives in her head. And so it's hard to — thinking of plots for her to do where she is active is hard. Because I'm someone that usually just like — I think there's a line series one that's 'you're a deer in headlights, you just wait for the car to hit you' and that's me. So how on earth do you explore that in writing a series? She is the most fun, though, when she is front-footed about something. So it's just working out how to make her go for that. So that has been my challenge, just to make sure there's a degree of separation there between the two." Such Brave Girls streams via Stan. Read our review of season one.
Curating the perfect wine list is an oft-underrated skill. How do you balance pleasing the crowd while also pushing the envelope? Creating something far-reaching while still carving out an identity? Well, a group of Australian venues have been recognised at the international Star Wine List of the Year awards for 2023 for doing just that, with a Sydney bar taking out the top prize in one of the categories. The Star Wine List of the Year International Final took place in Stockholm in June, with Redfern's La Salut becoming the first-ever Australian venue to ever claim gold in one of its fields. The Cleveland Street haunt that specialises in Spanish and Catalonian wines, with an onus on minimal-intervention drops, was nominated for two different awards: Best Medium-Sized Wine List and the Special Jury Prize. While London's Michelin-starred Trivet took out the top mid-sized list gong for venues offering 200–600 wines, La Salut was crowned the champion in the Special Jury Prize. [caption id="attachment_860300" align="alignnone" width="1920"] La Salut, Dexter Kim[/caption] This award recognises "a venue that has done something extra with their wine list, such as the direction, the style or the value". La Salut beat out finalists from across Europe, North America, Africa and Asia to claim the prize, being praised for the exemplary spotlight it places on Spain's best vino and the storytelling it achieves through its curation. "It often feels like Spanish wine is largely ignored by wine-focused venues in Australia, which is a huge shame considering that Spain is currently producing some of the most exhilarating wine in the world," says La Salut co-owner Matt Swieboda. "I suppose our philosophy might be different to others in that we want to really push guests to try wine styles that they may never have had the opportunity to have tried." [caption id="attachment_658147" align="alignnone" width="1920"] Embla[/caption] Elsewhere, other Australian spots received nominations but didn't claim gold. Melbourne's Embla was nominated for the Best Short List for bars with under 200 wines, Bentley Restaurant & Wine Bar was nominated in the Grand Prix for bars with over 600 wines, and Perth's Rockpool Bar & Grill received nominations for both the best wine list with Austrian wines and Best Sparkling Wine List. A couple of regional favourites also picked up nominations, with Margaret River's Setter's Tavern recognised in the sustainability-focused category and Mornington Peninsula's Ten Minutes by Tractor earning some love in the Best By the Glass List category. You can start making plans for a few wine-fuelled nights around Australia — and abroad ‚ by browsing the full list of nominees and winners. [caption id="attachment_637744" align="alignnone" width="1920"] Bentley Restaurant + Bar[/caption] For more information about the Star Wine List of the Year, head to the awards' website. Top image: Nikki To.
Normal life can wait, there's movies to watch: in Sydney each June, that's the mantra. 2024's Sydney Film Festival has been unveiling its packed lineup since early April, including a Midnight Oil documentary to open this year's fest, a Bondi Icebergs doco, Hellraiser with a new live score and a retrospective that pays tribute to Senegalese filmmaker Ousmane Sembène. Now arrives the full program, from Yorgos Lanthimos' Poor Things follow-up Kinds of Kindness playing straight from Cannes in SFF's official competition — and yes, it stars Emma Stone (The Curse) — through to the usual latest and greatest in Australian and world cinema. "Usual" is never quite the word for a major film fest like Sydney's winter showcase, of course. As SFF will demonstrate from Wednesday, June 5–Sunday, June 16, every year's festival looks and feels different because variety is at the heart of its choices. And with a couple of hundred flicks always on the bill — 197 films is 2024's tally, hailing from 69 countries, with 92 narrative features and 54 documentaries, and also 28 world premieres and 133 Australian premieres — Sydney Film Festival's titles can boast a heap of well-known talents and still never resemble past fests. As he has every year that he's been at the helm since 2012, Festival Director Nashen Moodley has stuffed the event's 71st iteration with everything from Hunter Schafer (Euphoria)-starring thriller Cuckoo and Sundance hit I Saw the TV Glow from We're All Going to the World's Fair's Jane Schoenbrun — which is about two teens grappling with their favourite television show getting cancelled — through to Indigenous Aussie horror via The Moogai, which makes the leap from SFF-winning short to feature vying for the new $35,000 First Nations Award. Or, there's also Dahomey, which won this year's Berlinale Golden Bear; The Bikeriders, starring Jodie Comer (Killing Eve), Austin Butler (Dune: Part Two), Tom Hardy (Venom: Let There Be Carnage) and Mike Faist (Challengers); and Grand Tour, as directed by 2015 Sydney Film Prize-winner Miguel Gomes (Arabian Nights). Kinds of Kindness, an anthology effort from Lanthimos, is joined in SFF's official competition by not only Grand Tour and opening night's Midnight Oil: The Hardest Line, but also by titles from India, Germany, Ireland, France, Argentina, Mexico, Italy and Vietnam. They include All We Imagine as Light, the first Indian film playing in Cannes' competition in three decades; three IRL Belfast rappers starring as themselves — and co-starring with Michael Fassbender (Next Goal Wins) — in comedy Kneecap; a tribute to Italian acting great Marcello Mastroianni; Sujo, the cartel drama that won 2024's Sundance Grand Jury Prize; and September Says, the directorial debut of actor Ariane Labed (which means that she's competing against her Alps and The Lobster director Lanthimos). The highlights keep coming across the rest of the program. Aussie boxing drama Kid Snow with Phoebe Tonkin (Boy Swallows Universe), the Kate Winslet (The Regime)- and Alexander Skarsgård (Mr & Mrs Smith)-led Lee about WWII reporter Lee Miller, Armand starring The Worst Person in the World's Renate Reinsve, Saoirse Ronan (Foe) as a recovering addict in page-to-screen adaptation The Outrun, Australian surfing culture documentary You Should Have Been Here Yesterday: they're all on the list. Or, get excited about Aubrey Plaza's (Scott Pilgrim Takes Off) new comedy My Old Ass, which Margot Robbie (Barbie) produced; The Convert, which features Guy Pearce (The Clearing) and is directed by Once Were Warriors' Lee Tamahori; and Japan's My Sunshine, which follows a boy who learns to figure skate solely to get his crush's attention. Problemista, directed by and starring Los Espookys' Julio Torres opposite Tilda Swinton (The Killer), is one of the standout indies on the bill. So is Stress Positions, as led by John Early (The Afterparty) and set in New York City during lockdown. Also boasting familiar faces, The Dead Don't Hurt is a feminist western helmed by and starring Viggo Mortensen (Crimes of the Future), and also featuring Vicky Krieps (Corsage) — and A Different Man features Sebastian Stan (Dumb Money), Ghostlight has Triangle of Sadness' Dolly De Leon, and Peter Sarsgaard (The Batman) and Jessica Chastain (George & Tammy) are in Memory. Sasquatch Sunset, directed by the Zellner brothers (Damsel), also sees Riley Keough (Daisy Jones & the Six) and Jesse Eisenberg (Fleishman Is in Trouble) in front of the camera, but playing a sasquatch family. From acclaimed filmmakers, Radu Jude follows up Bad Luck Banging or Loony Porn with Do Not Expect Too Much From the End of the World, Lav Diaz (When the Waves Are Gone) is in police-procedural mode with Essential Truths of the Lake (which clocks in at almost four hours, which is short for the Filipino director), and About Dry Grasses is the newest drama from Winter Sleep and The Wild Pear Tree's Nuri Bilge Ceylan. Fancy two films from Korean action great Choi Dong-hoon (Assassination)? There's an Alienoid and Alienoid: The Return of the Future double. For feline fans, doco The Cats of Gokogu Shrine is about Japanese street cats. Still on documentaries, Untitled Blur Documentary goes to the British band's 2023 Wembley Stadium shows, Federer: Last Twelve Days hails from Asif Kapadia (Senna, Amy and Diego Maradona), Super/Man: The Christopher Reeve Story pays tribute to its namesake and Made in England: The Films of Powell and Pressburger steps through the titular pair's films with Martin Scorsese (Killers of the Flower Moon). The Bones digs into the fossil trade, while Occupied City marks the return of Steve McQueen's (Small Axe) work to SFF after he won the first-ever Sydney Film Prize with Hunger. Also, if you're keen for Skywalkers: A Love Story, catch it in IMAX — it's about a couple of daredevils climbing the planet's tallest structures. And in the Box Set box seat — aka the part of the fest that serves up a TV binge — is six episodes of mystery series Exposure, as led by Alice Englert (Bad Behaviour) and executive produced by Justin Kurzel (Snowtown, Nitram). Screening at The State Theatre, Event Cinemas George Street, Dendy Newtown, Hayden Orpheum Picture Palace Cremorne, Palace Central, Palace Norton Street, Ritz Cinemas Randwick, IMAX Sydney, the Art Gallery of NSW and the State Library of NSW, SFF's 2024 must-sees keep going — because if you've got enough holiday leave for it, dedicating the full 12 days to movies, movies and more movies is one of the ultimate cinephile experiences. "The 71st Sydney Film Festival unfurls a canvas of bold narratives and remarkable visions, mirroring the evolving dynamics of our world," said Moodley about the 2024 lineup. "This year, we are proud to present films that challenge, entertain, and provoke dialogue, from the sweeping landscapes of Australian dramas to the complex human stories from global cinema. The 2024 selection reinforces our commitment to fostering a diverse cinematic experience, spotlighting works that engage with pressing social issues, personal stories and transformative historical moments." "These films invite the audience to journey through myriad cultures and experiences, reflecting the rich complexity of the human condition." [caption id="attachment_954171" align="alignnone" width="1920"] David Dare Parker[/caption] Sydney Film Festival 2024 takes place from Wednesday, June 5–Sunday, June 16 at various cinemas and venues around Sydney. For more information — and for tickets from Wednesday, May 8, 2024 — head to the festival's website.
From its opening scene, Terminator: Dark Fate succeeds in its most important mission: to go back in time and kill off every Terminator movie that came out after Terminator 2: Judgment Day. It's not that the subsequent films were awful (well, maybe Genysis), but their heart-pumping action scenes and lore-developing stories couldn't capture the complexity of the 1984 original and its 1991 sequel. They also lacked two other key components: writer/director James Cameron, as well as Linda Hamilton's version of kick-ass hero Sarah Connor. In Terminator: Dark Fate, they both return, with Cameron producing and helping come up with the story, and Hamilton raising hell as the gun-blazing terminator of terminators. We just wish that the latter had been more of a surprise. Blame the trailer — which not revealed the film's two biggest and best character reprisals, but also almost every one of its key action moments. That's Dark Fate's biggest mistake, because none of these parts of the movie needed to be teased. Terminator is one of those rare and fortunate franchises in the enviable position of owning its audience's heart and soul. Like Star Wars, Die Hard and Harry Potter, fans of the originals can't stop seeing these films, even if their love keeps waning with each increasingly disappointing sequel. As a result, what would've rated as genuine "no... fucking... way!?!" scenes in Dark Fate are rendered entirely anti-climactic, sucking the oxygen out of every prior moment as soon as you realise "oh, this is when Sarah rocks up". And yet, while Dark Fate's best moments fail to hit home as they might otherwise have done, the sixth instalment in the Terminator series still has a lot going for it. First and foremost, director Tim Miller (Deadpool) keeps the cast noticeably small, with just five main characters and only a few minor supporting roles. The first three are all franchise newbies, each holding their own against the veterans. Dani (Natalia Reyes) is a young Mexican girl who finds herself the target of a whole different kind of terminator called the Rev-9 (a terrific Gabriel Luna). Standing in its way is an augmented human named Grace (Mackenzie Davis), a soldier sent back from 2042 to protect Dani — just as Michael Biehn's character was in the first film. Indeed, much of Dark Fate plays out in familiar territory. Like the first two Terminator pictures, it's primarily a chase movie, with some scenes feeling almost too samey (the freeway pursuit sequence, for example, except this time it features a bulldozer instead of a semi-trailer). Where the film shines, though, is in its returning stars: Hamilton's Sarah Connor and Arnie's iconic T-800 'Model 101' terminator. Hamilton, in particular, reminds us how effortlessly she can be a total badass without it ever feeling forced or exaggerated — and even leaves you annoyed that more films haven't capitalised on this fact over the last 30 years. In contrast, Arnie's return is entirely different to his previous turns in the role. The trailers haven't spoiled that side of things, at least. So we'll say no more, except to note that all the CGI in the world still can't match the menacing simplicity of an exposed metallic eyeball or finger, and it's great to have him — and them — back. For those wondering how this story can even exist given the events of previous instalments, Dark Fate does a nice job of answering its own temporal conundrums. On that front, there's a genuinely unsettling edge to the idea of an inevitable apocalypse caused by human hubris and irresponsibility. Whether research companies, the military or tech startups play an influential part, the suggestion that our actions always eventually culminate in the creation of a mechanical monster seems to echo louder in the mind every time news arrives of another breakthrough in automation and artificial intelligence. "Skynet is coming" used to be an easy punchline, but these days it feels more like a warning — and Dark Fate neatly plays around in that space. https://www.youtube.com/watch?v=pdivOFoF8-g
Tenth birthdays are a big deal, especially when you're an Australian music festival that's been navigating a pandemic and the resulting difficult time for the industry for half of your run, and also grappling with the impact of La Niña. Yours and Owls has been on quite the rollercoaster ride across the past decade, clearly, so of course it's celebrating its milestone birthday with a massive lineup. Fontaines DC, Denzel Curry, The Kooks and Goo Goo Dolls lead the roster of talent taking to the stage in Wollongong across Saturday, March 1–Sunday, March 2, 2025. Orville Peck, Hockey Dad, The Jungle Giants, Peach PRC and The Veronicas are also on the bill, as are Elderbrook, Honey Dijon, JPEGMafia and Salute — and plenty more. [caption id="attachment_976058" align="alignnone" width="1920"] Theo Cottle[/caption] When Yours and Owls revealed that it wasn't going ahead in 2024, joining the long list of music festivals scrapping plans for this year, it thankfully only put its fun on hold for 2025. Returning in 2025 was always the intention — and this is a lineup worth waiting for. Yours and Owls didn't completely sit 2024 out, however. Earlier in October, it held a pre-party, aka the event you put on when you can't put on the full festival experience at your usual time of the year because it doesn't work for your headliners' calendars. So, a tunes-filled shindig still took over the University of Wollongong campus — complete with Golden Features, Peking Duk, Alice Ivy, Anna Lunoe and more — to keep things warm for next year. Affectionately labelled "Gong Christmas", Yours and Owls 2025 will feature four stages across its two-day run, plus a feast of local arts — and food and drinks — beyond the tunes. The lineup arrives just a week after the fest locked in its dates for next year. Confirmation that the event will be back next year follows locked-in details for the end of 2024 and the beginning of 2025 for a heap of fellow festivals, such as Laneway, Golden Plains, Bluesfest (for the last time), Wildlands, Good Things, Lost Paradise, Beyond The Valley and Meredith. Yours and Owls Lineup 2025 Fontaines DC Denzel Curry The Kooks Goo Goo Dolls Elderbrook Hockey Dad Honey Dijon JPEGMafia The Jungle Giants Orville Peck Peach PRC Salute The Veronicas Allday Babe Rainbow Coterie Cyril Dice The Dreggs Frankie Stew & Harvey Gunn Grentperez Isabel Larosa Magdalena Bay May A Mark Blair Pond Richy Mitch & The Coal Miners Sam Tompkins San Cisco Slowly Slowly Sycco Wunderhorse Battlesnake Bean Magazine Bodyjar The Belair Lip Bombs C.O.F.F.I.N Crocodylus Keli Holiday Kitschen Boy Le Shiv Miss Kaninna Nick Ward Ra Ra Viper Satin Cali Total Tommy Y.O.G.A [caption id="attachment_906428" align="alignnone" width="1920"] Jess Gleeson[/caption] [caption id="attachment_906426" align="alignnone" width="1920"] Ruby Bowland[/caption] [caption id="attachment_965220" align="alignnone" width="1917"] Ian Laidlaw[/caption] Yours and Owls returns to Wollongong on Saturday, March 1–Sunday, March 2, 2025. Presale tickets start at 9am AEDT on Tuesday, October 29 with general sales at 9am AEDT on Wednesday, October 30 — head to the festival website for more details. Top image: Ian Laidlaw.
Now here's some casually beautiful design for your day. Japanese design house Nendo have created a box of chocolates that wouldn't be out of place in a contemporary art museum. Having already made you insatiably hungry with chocolate pencils and ice cream cakes far too beautiful to eat, Nendo decided to celebrate their new title as Maison&Objet's Designer of the Year by creating some of the most stunning truffles you're likely to come across. Geometric little bite-sized pieces they are, Nendo's truffles were created for M&O's upcoming design show in Paris; an event for which they're also creating the visitor lounges where visitors can soothe their weary tootsies. There are nine chocolates in total, all of which will be handed out to these weary visitors — a stunning little treat we'd be likely to attempt a furious commute home to the fridge with. According to Co.DESIGN, the cubic chocolates represent different geometric forms; everything from a representation of a soundwave to a wireframe cube. Nendo's chocolate boxes will only be available to buy at the Maison&Objet design show in Paris from January 23 - 27. All we're saying, if you're desperately trying to impress someone with a romantic gesture, bringing a box of chocolates that look like modern art back from a Parisian design show is a decent idea. Via Dezeen and Co.DESIGN.
As Australia's drinks scene has boomed, so has a hardly surprising side effect, with more than a few independently owned breweries and distilleries getting snapped up by the big end of town. In fact, the latest development in this space sees not one, not two, but five indie names make the move to a beer behemoth — with Lion purchasing the Fermentum Group, which includes Stone and Wood, Two Birds, Fixation, Little Dragon and Sunly Seltzer. The sale sees the Byron Bay-based Stone and Wood, Melbourne labels Two Birds and Fixation, boozy ginger beer brand Little Dragon and hard seltzer Sunly Seltzer all join Lion's sizeable alcohol stable. Owned by Japan's Kirin Holdings, Lion also boasts beer labels such as James Squire, Little Creatures, Furphy, White Rabbit, Hahn, Tooheys, James Boag's, Malt Shovel, Eumundi and XXXX to its name — and, since 2019, 50 percent of Healesville-based gin distillery Four Pillars as well. Announcing the news on its website, Lion said that it has "huge respect for what Jamie Cook, Brad Rogers, Ross Jurisich and the team have created; great beer, wonderful brands, spiritual homes in their breweries and tap rooms, an inclusive culture and a commitment to the community. We want to grow what they've started, giving their people and beers even more reach across the country." In their own statement, the Stone and Wood trio of Cook, Rogers and Jurisich said that "earlier this year, we realised that we were approaching a major milestone in the development of Stone and Wood where we knew it was time to build a new brewery. After many months of working through how we were going to begin the next chapter in our story, the founding families decided it might be time to see if there was a custodian for the business who could grow the legacy, its people, its culture, its brands, and continue to drive the business whilst staying true to its purpose." [caption id="attachment_667510" align="aligncenter" width="1920"] Two Birds, Simon Shiff[/caption] Part of the sale will see Lion support Stone and Wood, Two Birds and Fixation to go carbon neutral, and to also continue Fermentum's plans to build a new brewery in Murwillumbah. The deal comes nine months after Fermentum bought Two Birds' brewery, tap room and brands, as announced back in January. At the time of writing, the sale of Fermentum to Lion is still subject to regulatory approvals. For more information about Lion's purchase of the Fermentum Group of breweries, visit the Lion and Stone and Wood websites.
Before there was The Undoing, there was Big Little Lies — the other HBO series starring Nicole Kidman and written by David E Kelley. They have quite the company, too, both on-screen and off-. The stacked cast also features Reese Witherspoon, Shailene Woodley, Laura Dern, Zoë Kravitz, Alexander Skarsgård and Meryl Streep. Plus, Wild filmmaker Jean-Marc Vallée directed its first season and American Honey's Andrea Arnold helmed its second. Based on Liane Moriarty's novel of the same name, Big Little Lies follows a scandalous murder at a public school in Monterey, California — where the characters played by all of the above cast members each have children or grandchildren in attendance. Its twists and turns are obviously best discovered by watching, but it'll keep you guessing across both seasons to-date. And, the show will have you marvelling at its performances and slick cinematography in the process as well.
The two-kilometre coastal walk between Bondi and Tamarama is always a stunning Sydney sight no matter when you mosey along it, but it's especially impressive during Sculpture by the Sea. Once a year since 1997 — except during the pandemic's early days — the outdoor art event displays large-scale pieces with the ocean as a backdrop. Understandably, it isn't just one of the annual highlights of Sydney's cultural calendar, but of Australia's. That excuse to soak up the great outdoors in the Harbour City returns again in 2023, from Friday, October 20–Monday, November 6. On the agenda once more: 100-plus artworks by Australian and international sculptors, all along a two-kilometre walk. But this is the 25th Sculpture by the Sea, so it's celebrating notching up that milestone with pieces by artists who displayed at the event back at its beginning. Paul Bacon, Stephen King, Michael Le Grand, John Petrie, James Rogers and Margarita Sampson earn those honours, bookending a quarter-century run. Sculpture by the Sea 2023 will also feature works by Philip Spelman and Ron Gomboc, who reach double decades displaying at the event; Lucy Barker and Ayako Saito, who hit a decade; and Chinese artist Chen Wenling. Discovering exactly who'll be showing what and where is part of the fun of taking the spring stroll, but this year's event won't be short on talent. As always, the exhibition is set to draw a crowd. Each year, Sculpture by the Sea attracts approximately 450,000 visitors over 18 days, with the same number of art lovers expected this time around. The past few years have been particularly eventful for the exhibition, which had to sit out 2020 like oh-so-many festivities around the world, then tried to make a comeback in October 2021 but also had to scrap those plans due to the pandemic. It did successfully stage a CBD spinoff, Sculpture Rocks, in autumn 2021, however. Even before the current global health situation interrupted its annual plans, organisers were also at loggerheads with the Council over the construction of a new path back in mid-2019, and were scoping out alternative locations for the long-running art exhibition. In fact, it was only early in 2021 that the parties came to an agreement to remain in Bondi until 2030, with the organisers and Council agreeing to a ten-year deal. Amid all of the above, the Sculpture by the Sea team also branched in 2022, opening the Snowy Valleys Sculpture Trail. It's a permanent 100-kilometre collection of outdoor art along the Snowy Valleys Way, passing through the towns of Adelong, Batlow and Tumbarumba, the hamlet of Tooma, plus the Tumbarumba wine region's cellar doors. Sculpture by the Sea will return to the Bondi–Tamarama coastal walk for 2023 from Friday, October 20–Monday, November 6. For more information, head to sculpturebythesea.com. Images: Charlotte Curd, Reni Indrawan, Clyde Yee, Jack Bett, Jarrad Seng, W Patino, G Carr and Samantha Burns.
You've entered the workforce. You enjoy where you work and what you do. Congrats, you've successfully adulted. But, seeing as your career will likely span upwards of 40 years of your life, you'll want to be in a position where you can actually get the most out of your job. How? We have one word for you — upskill. By taking a course or studying a single subject related to your career goals, you'll expand your realm of knowledge beyond any original training you've done, keep up to date with the latest research and methodologies in your field and show your present (and prospective) employers your ambition and drive for self-improvement. And, you don't even need to put your career (or life) on hold to do so. Senior manager of marketing Rhiannon Farrar is one of the thousands of Aussies who have studied online through Open Universities Australia (OUA). She got her degree — maintaining a healthy study-work-life balance in the process — and she's now kicking some serious career goals. This is how she did it. DON'T PACK YOUR BAGS Forget Hollywood's idea of the university experience — moving across the country, living on campus and going to frat parties. For a lot of people, pausing life to study for a period of time is just not feasible. But, luckily, you don't need to. OUA partners with universities all across Australia to bring over 290 degrees and 1500 subjects to students studying remotely. Sydney-based Farrar went straight into the workforce after high school, starting out as a casting agency talent booker before taking on a front of house role at a Sydney advertising agency. So, when it came to studying, moving wasn't really an option — she already had her foot in the door in Sydney. Instead, she undertook her preferred degree — Griffith University's Bachelor of Communication (majoring in Public Relations) — online through OUA. FIT STUDY AROUND YOUR LIFE (NOT THE OTHER WAY AROUND) Life can be unpredictable, which makes locking yourself into a degree feel completely daunting. But, one of the biggest drawcards of studying through OUA is the flexibility. OUA lets you select the number of subjects you complete per study period, semester or trimester (depending on the qualification). So, if in one study period, life gets busy, you want to travel or complete an internship (like Farrar did with the Sydney Kings basketball team), you can scale back to one subject — or take off a semester altogether. You can then take on an extra load in the following block to catch up if you like. On top of the industry-specific knowledge that Farrar gained, she notes that this flexible style of studying also improved her work style — from learning how to manage her time to working independently and feeling confident asking for help when necessary. USE WHAT YOU'RE LEARNING STRAIGHT AWAY Chances are, you only remember a fraction of what you learned in high school (Pythagoras theorem, we're looking at you) and the same can happen with uni, too. If you're not thinking about it on a daily or weekly basis, some information just doesn't stick after a certain period of time. When you're working and studying simultaneously, you get to implement what you're learning in real time. Similarly, everyone likes a shortcut — and earning credit for the work experience you have under your belt already is a surefire way to fast track your degree. Just five years on from her graduation, Farrar now oversees the marketing strategy for the entire Asia Pacific region for Rakuten Marketing. She partly credits her quick rise through the ranks to being able to put what she was learning into practice immediately — and vice versa. "Working in adland and studying PR, there were a lot of overlaps between what I was learning and what was happening at work," says Farrar. "My studies helped me get a greater understanding of the industry, and my work helped me to make practical sense of what I was learning." FIND YOUR PERFECT MATCH You may not be interested in a full degree right now. Perhaps you've identified a knowledge gap or want to specialise to future-proof your job (and make yourself more attractive to potential employers). OUA also offers a heap of post-graduate single subjects that you could study in your lunch break, commute or after work. It's a minimal commitment (aside from sacrificing a few hours at the pub or watching Netflix) for maximum return. From learning how to code with RMIT to a subject on Innovative Business Practice with Swinburne University through OUA, there are plenty of subjects that will get you up-to-date in your field and supercharge your career. Take it from Farrar: "We live in a competitive world where new trends and technology are constantly coming into play. Keeping yourself upskilled is so important to ensuring career development and growth." Start looking at all the subjects on offer online from leading Australian universities through Open Universities Australia and you could have a new skill by the end of the year. Hop to it.
Australia's most prestigious portrait award is just around the corner, and its finalists have been announced today. Every year crowds speculate who will be awarded the coveted prize and, more often than not, the Archibald winner causes much-heated debate. From last year's five-time Archibald finalist Yvette Coppersmith's first win — for her vibrant, almost Cézanne-inspired Self portrait, after George Lambert — to Craig Ruddy's 2004 win with his sketch of Indigenous actor David Gulpilil, it's hard win to pick. All that's really assured is that it'll be a portrait of person by an Australian. Held at the Art Gallery of NSW every year, the Archibald runs in conjunction with the Wynne and Sulman Prizes — recognising the best landscape painting of Australian scenery, or figure sculpture and the best subject painting, genre painting or mural project, respectively. This year, running from May to September, the Archibald is sure to attract a massive crowd, with some exceptional artworks to feast your eyes upon. Vietnamese-Australian artist, actor and writer Anh Do has made the cut, as have Melbourne-based stencil artist Kirpy with his portrait of Paralympic champion Dylan Alcott, Carla Fletcher's cosmic work of Del Kathryn Baron and a hyperreal self-portrait of a pregnant Katherine Edney. Tessa MacKay has also taken out the coveted 2019 Archibald Packing Room Prize, chosen by the packing room tea, for her hyperreal portrait of actor David Wenham, called Through the Looking Glass (above). As there are so many outstanding portraits this year (as there are every year), it's impossible to know which of the 51 is going to take home the $100,000 prize. Regardless, here are some of our favourites — and some we think may have a good chance of winning. [caption id="attachment_719640" align="alignnone" width="1920"] Luke Cornish, Cato, Callie and Comet. Photo: AGNSW, Felicity Jenkins.[/caption] LUKE CORNISH — CATO, CALLIE AND COMET Prolific Australian street artist Luke Cornish has subdued his edge a bit for his portrait of Sue Cato — a media commentator and businesswoman as well as a board member of Carriageworks and a member of Sydney Contemporary's advisory council. Cornish initially wanted to paint her two dogs, Callie and Comet, but as per the Archibald rule, Cato was included and is the subject of Cato, Callie and Comet. In 2012, Cornish was the first street artist to ever be an Archibald finalist and he's back again with this accurate, and slightly moody, depiction of a powerful woman in the intimacy of her own living room. [caption id="attachment_719642" align="alignnone" width="1920"] Laura Jones, Nakkiah in her dressing room. Photo: AGNSW, Mim Stirling.[/caption] LAURA JONES — NAKKIAH IN HER DRESSING ROOM Sydney-based artist Laura Jones has made quite the name for herself in recent years, having exhibited in some of Sydney's top contemporary galleries as well as a past finalist in the Portia Geach Memorial Award, the Brett Whiteley Travelling Art Scholarship and the Doug Moran National Portrait Prize. Now, she is a finalist in Australia's biggest art award for the first time. Nakkiah in her dressing room is an intimate work of Nakkiah Lui, an Australian actress of Gamillaroi/Torres Strait Island background. The portrait depicts Lui's wit, strength and warmth and is a highly expressive piece for an Archibald first-timer. [caption id="attachment_719644" align="alignnone" width="1920"] Blak Douglas, White shells, black heart. Photo: AGNSW, Felicity Jenkins.[/caption] BLAK DOUGLAS —WHITE SHELLS, BLACK HEART Blak Douglas is no stranger to the Archibald, having been a finalist in 2015 and 2018, and also a finalist in this year's Wynne Prize for a collaborative work. So, the man means business, even though his works may seem somewhat simple at first glance. His portrait is of Esme Timbery (or as he refers to her, Aunty Esme) — one of the longest-practising Aboriginal artists. The two worked together back in 2000 for Eorascapes — an exhibition in the Sydney Opera House foyer for the Olympics. The colourful multimedia work is both venerate and familial, a testament to Blak Douglas and his personal-yet-political artistic practice. [caption id="attachment_719646" align="alignnone" width="1920"] Anh Do, Art and war.[/caption] ANH DO — ART AND WAR You may know Do for any number of reasons. The actor, writer, comedian and artist is an Australian household name and is no Archibald newbie. Having won the 2017 People's Choice award for his portrait of actor Jack Charles and a finalist back in 2014 for a portrait of his father, Do has now painted a fellow artist — George Gittoes. Gittoes has witnessed adversities in Somalia, Rwanda, Bosnia, and Afghanistan and is known for his raw, brusque depictions of human suffering (with glimmers of hope and resilience). Emanating Gittoes' grit, Art and War is a close-up portrait looking straight down the barrel into the eyes of someone who's seen much of the world. [caption id="attachment_719647" align="alignnone" width="1920"] Shane Bowden, Self-portrait sitting in a red chair, Avalon. Photo: AGNSW, Mim Stirling.[/caption] SHANE BOWDEN — SELF-PORTRAIT SITTING IN A RED CHAIR Shane Bowden's work may not look the most technically impressive but he sure doesn't hold back. His self-portrait errs on the grotesque, with demented lines, a disproportionate use of scale and muddled colours — it has an overall first-day-of-kindergarten appeal. Upon first glance that is. Having undergone heart surgery last year, Bowden has channelled this personal catastrophe into Self-portrait sitting in a red chair, Avalon. The neo-expressionist work represents the artist as both child and adult, distilling "all the emotion and confusion of the last 40 years as I tried to find my true self," as put by Bowden himself in his official Archibald statement. A finalist in the 2010 Archibald Prize with a collaborative work as well as a finalist in the Doug Moran National Portrait Prize in 2010 and 2011, Shane Bowden is not one to overlook. All of the Archibald, Wynne and Sulman Prize finalists will be on display at the Art Gallery of NSW from May 11–September 8. The Archibald finalists well then head to various galleries across regional NSW and Victoria. Top image: Tessa Mackay, Through the looking glass. Photo: AGNSW, Mim Stirling.
Victoria's newest luxury spa destination doesn't require a jaunt down the coast or a road trip all the way out to Daylesford. In fact, full-body bliss now awaits you just 10 kilometres from the CBD, at Ivanhoe's new urban retreat and spa Relinque. It's the brainchild of osteopaths Dr Michelle and Dr Adam Wilson, who set out to create a holistic wellness destination specialising in tailored experiences. The space itself is the kind of serene, soothing setting you'll happily escape to for a few hours of indulgence, decked out with modern interiors by Richmond's Studio Tate. Relinque's treatment offering is built on the founders' decades of osteo experience, carefully tuned to help refocus, rebalance and restore that pandemic-weary body. Guests can choose from four signature 'journeys' or treatment packages, sitting at between 80 and 170 minutes of pampering. In the mix, there are body scrubs, massages, hand and foot treatments, wraps and facial therapies, with individualised combinations also available. If you're seeking some additional rejuvenation, you can soak up the benefits of hot and cold contrast therapy here in Melbourne's only privately-owned steam and ice room. The gig involves alternating between a steamy 45-degrees and the frosty temperatures of an ice fountain, to take advantage of the practice's healing, regenerative properties. Products used at the retreat include the full line of organic, botanically-charged products from leading Aussie skincare brand LaGaia, whose experts have personally trained all Relinque staff. And if you'd like to make this your new one-stop wellness shop, there's also a calendar of regular yoga and pilates classes to come. Find Relinque Urban Retreat and Spa at 19 Upper Heidelberg Road, Ivanhoe.
Buildings that feed on pollution, skyscrapers constructed from rubbish – what's next for the future of the world's trash? North American environmental solutions company Waste Management has recently made significant investments in energy companies Agnion, Enerkem and Agilyx, all of which provide solutions to turning waste into something more useful. Enerkem can produce transportation fuel from garbage, and Agilyx creates crude oil from unwanted plastics. A small-scale device created by Agnion could be used by supermarkets, hospitals and shopping centres to make the most of the waste they create. The technology can transform trash (affectionately known as "solid biomass feedstock") into gas, which in turn can be used to provide heating.
You can now bring a bit of the beach into your home while passing the time in lockdown, with a new set of jigsaw puzzles featuring some of the city's most picturesque coastal spots. Similar to the immensely popular Australian Unseen puzzles, local photographer Dharma Bendersky and his gallery Salty Gallery have turned his stunning shots of Sydney beaches into 1000-piece jigsaw puzzles. There are currently six idyllic puzzles on offer from Salty Gallery, featuring Bondi, Bronte, Coogee, Little Bay and Sydney Harbour. "I started selling puzzles last year as a way to share my photography in a new way and at a lower cost point," Bedersky says. "Last summer on a 40 degree-plus day I did a photoshoot from a helicopter, and ended up with some fantastic aerial shots of the eastern suburb beaches; so for this most recent puzzle collection I used a selection of these images." Each puzzle is $59, includes free shipping Australia-wide, can be delivered internationally, and are shipped in eco-friendly compostable bags. If you've worked your way through all six puzzles or you're a fan of concrete-covered bays, Bedersky plans to unveil more designs featuring Maroubra, Clovelly and other eastern suburb beaches later this year. You can also browse Salty Gallery photography collection online where you can purchase framed and unframed prints as well as beach towels. Salty Gallery jigsaw puzzles are available through the gallery's website.
She won an Oscar for her first feature film role, proved a formidable part of the recent Star Wars sequels as well as Black Panther, and unnerved audiences everywhere in her dual performances in Jordan Peele's Us. Now, Lupita Nyong'o is picking up a ukulele and protecting kids from zombies in Australian comedy Little Monsters. Directed by Aussie actor-turned-director Abe Forsythe, Little Monsters follows a school excursion gone wrong. Taking a class of five-year-olds on a field trip to a farm, then encountering the ravenous undead, really isn't your usual educational outing. But Nyong'o's Miss Caroline isn't taking the situation lightly, even when she's turning it into a game to try to stop the kids from freaking out. She also won't put up with anyone behaving inappropriately around her pupils, whether they're flesh-munching zombies, a bowtie-wearing children's TV presenter (Josh Gad) or a slacker musician (Alexander England). Premiering at this year's Sundance Film Festival, then wowing crowds at SXSW as well, the film has been earning rave reviews. If Forsythe can turn the Cronulla riots into a race-relations comedy that's both smart and silly, as he did in Down Under, then he can do what few horror films dare to — throw a heap of kids at plenty of zombies. Check out the trailer below: https://www.youtube.com/watch?v=8d1KP-OhBP4 Little Monsters will have its Australian premiere on Saturday, August 10 at the Melbourne International Film Festival, with further local dates yet to be announced.
Booze and brunch is a combo we can all get behind, and this weekend, it's set to be the star of the show as Welcome to Thornbury hosts Melbourne's first ever mimosa and brunch 'festival' (otherwise known simply as 'brunch', but sure). Kicking off at 11am on Sunday, July 30, this event is worth dragging your weekend butt out of bed for, featuring a tight curation of brunchtime goodness that'll put your usual smashed avo and latte to shame. In the culinary corner, expect a one-off brunch-style bun creation from Mr Burger, waffles from Let's Waffle 'n' Shake, and a punchy Indian-inspired feed from Curry Up Now, alongside morning treats from favourites like Brunetti's, Levain Doughnuts and Gorilla Grill. Of course, the booze situation will also be on-theme, for anyone keen to dabble in some classy day drinking. Liquid sustenance comes in the form of a range of different flavoured mimosas, espresso martinis, and, if you want to go hard, bourbon-infused iced tea jugs. Or, for a little extra help waking up, double down with the Morning Glory Special, an all-out $20 espresso martini and mimosa combo. Just don't make any important afternoon plans.
An escape to Aotearoa New Zealand can cater to all your holiday desires, whatever they may be. Whether your idea of a perfect getaway is to be gazing out at incredible scenery, absorbing it all on a hike, bike, paddle, swim or walk, or being pampered into a state of utter relaxation, New Zealand will take your breath away. Make where you stay part of your holiday too, rather than simply a place to rest your head after an experience-packed day. From camping out under the stars beneath one of the darkest skies on Earth to retreating into luxury residences next to vineyards and cellar doors, or even going completely off-grid, the getaways you'll find in New Zealand are uniquely extraordinary. Although New Zealand beckons for a holiday year-round, the seasons will shape your sojourn too. Revel in the charm of changing landscapes in autumn, catch your breath on alpine walks and in hot springs in winter, or experience the energy of spring as native wildlife and vegetation start afresh. No matter when you visit, you'll be welcomed with manaakitanga, a Maōri value encompassing a deep sense of connection and welcome, for a holiday you'll wish never had to end. We've partnered with 100% Pure New Zealand to curate some of our favourite stays in New Zealand, including which season they're best experienced in, to help you plan an unforgettable trip. Flick the switch for incredible getaway venues in autumn, winter and spring. Jump to switcher
Following the success of the Northcote original, All Are Welcome has expanded its baked goods empire to a second spot on High Street. If you have a craving for a carb, be it sweet or savoury, this is the place to go to fill it. The selection here is probably best described as pan-European, with the daily offer ranging from croissants and kouign-amann to khachapuri and one of the best sausage rolls in town. Seasonal treats — think hot cross buns and mince pies — are also available. In addition to its single-serve goods, All Are Welcome also offers impressive celebration cakes and excellent fresh loaves to up your daily bread game. Images: Julia Sansone
The force is strong with this idea — and we've definitely got a good feeling about it. From 2019, Disneyland Resort in California and Walt Disney World in Florida will both boast dedicated Star Wars-themed zones, called Star Wars: Galaxy's Edge. Exact dates are yet to be announced, but Disney has just revealed that fans will be travelling to a galaxy far, far away by the middle of next year at Disneyland — and towards the end of the year at Disney World. Galaxy's Edge was first made public back in 2015, will span 14 acres at each site and will prove the biggest single-themed expansion the respective parks have ever seen. And, they'll be designed to "transport guests to a never-before-seen planet, a remote trading port and one of the last stops before wild space where Star Wars characters and their stories come to life." To be specific, fans will be able wander around the outpost of Batuu, which is a hive for smugglers and rogues (naturally); drink blue milk at a cantina; and hop onto a star destroyer. Most importantly, visitors will be able to fly the Millennium Falcon. Yep, prepare to say "punch it" a whole heap — and hopefully become best buddies with a loveable wookiee. The full details are yet to be unveiled, but expect Galaxy's Edge to tie into all ten Star Wars movies to date and feature an array of beloved characters roaming around. Expect to be able to buy plenty of merchandise at the gift shop as well. Eventually, visitors to Disney World will also be able to stay in an immersive Star Wars-themed hotel too, although construction hasn't started yet and an opening date hasn't been announced either. Of course, Galaxy's Edge will be open just in time for Star Wars: Episode IX, which is due in cinemas in December 2019. Given that we now get a new Star Wars flick each year — including spin-offs such as Solo: A Star Wars Story, which is set to be followed by a Boba Fett movie — you'd think it's probably only a matter of time before Disney also opens a Star Wars stadium to match its forthcoming Marvel one. Via Disney Theme Parks Blog.
Afloat is dropping anchor in the Yarra River this month — and for its milestone tenth edition, it's all about the rhythms, flavours and flair of Rio de Janeiro. From Friday, August 29, the ever-changing floating bar and restaurant will reopen with a brand-new look, feel and menu, all inspired by the colour and energy of the Brazilian seaside city. Afloat has built its reputation on full-scale annual reinventions, with each season channelling a different international escape, from the Amalfi Coast to Palm Springs. For Afloat's 2025–6 edition, HQ Group (also behind permanent riverside hangout Arbory and multi-venue Lonsdale Street precinct HER) is drawing inspiration from Carioca spirit, with Carnival colour, a stacked events lineup and a menu brimming with bold, tropical flavours. [caption id="attachment_1015765" align="alignnone" width="1920"] Arianna Leggiero[/caption] The venue has undergone a complete design overhaul — interior designer Emily Jamieson has drawn from what she calls the "alluring paradox" of Rio's "old-world glamour and super-chill beach vibes". Expect expansive umbrellas in lush rainforest greens, ocean-hued awnings and bars built from natural materials like wood, rope and rattan, as well as plenty of tropical plants and palms, hand-painted murals and pops of sunset pink and orange throughout. The drinks program is similarly colourful. Curated by HQ Group's Head of Cocktails, Tom Younger, and the team at the group's RTD offer Straight Up Cocktails, the menu features fun, flirty and fruit-forward sips like a passionfruit pisco sour, coconut water and vodka highball and a reaimgined long island iced tea. There'll also be a rotating selection of three frozen cocktails that might include the likes of mango batidas, piña coladas and strawberry and açai daiquiris. The food menu takes its cues from Brazil's rich multicultural culinary traditions, showcasing Portuguese, African and Japanese influences. There'll also be classic Brazilian fare, from snacky beachside faves like arepas and pastels to larger-format proteins cooked on the grill. Of course, it wouldn't be Afloat — or a trip to Rio — without a party or two. This season, Afloat will channel the energy of Rio Carnival with samba nights and full-venue parties going into the small hours. [caption id="attachment_1015764" align="alignnone" width="1920"] Griffin Simm[/caption] Afloat opens for walk-ins on Friday, August 29, with reservations available from Friday, September 5, onwards. For more information and to book, visit the venue's website. Top image: Arianna Leggiero.
Each year, come August, there's one thing that Melburnians can't complain about. Say all you like about the frosty weather, the inevitable rain and the feeling that winter will never end, but don't even pretend that there's nothing to watch. The eighth month on the calendar and the Melbourne International Film Festival have long gone hand-in-hand, delivering a feast of flicks to entice you into warm, darkened rooms. In fact, this year's MIFF boasts a huge 375 titles on its jam-packed lineup. The just-announced full program spans many a highlight, including one of the year's most anticipated movies: Once Upon a Time in Hollywood. If you fancy seeing Quentin Tarantino's latest before it reaches regular cinemas — and Leonardo DiCaprio, Brad Pitt and Margot Robbie on 35mm film, too — then MIFF has you covered. If you're eager to view much, much more between Thursday, August 1 and Sunday, August 18, the debut bill from first-year Artistic Director Al Cossar won't let you down there either. While opening night documentary The Australian Dream, centrepiece gala pick Little Monsters and family gala selection H Is For Happiness have all already been announced, MIFF will fill out its last high-profile slot with closing night's The Farewell — a hit at this year's Sundance, it stars Crazy Rich Asians' Awkwafina as a Chinese American woman visiting her family to say goodbye to her dying grandmother. Other standouts throughout the fest include a slew of movies from top directors arriving straight from Cannes, such as Xavier Dolan's Matthias & Maxime, Ken Loach's Sorry We Missed You, Jean-Pierre Dardenne and Luc Dardenne's Young Ahmed, and Diao Yi'nan's The Wild Goose Lake, with the latter marking the newest release from the acclaimed Black Coal, Thin Ice filmmaker. https://www.youtube.com/watch?v=RofpAjqwMa8 Also worth keeping an eye out for (and then roving your eyes over) are Harmony Korine's The Beach Bum, which sees the Spring Breakers auteur keep the party going with Matthew McConaughey; Chris Morris' The Day Shall Come, his long-awaited next political satire after Four Lions; much-talked-about Chinese epic Long Days Journey Into Night, complete with its 55-minute single take in 3D; and Hong Sang-soo's regular MIFF appearance, thanks to Hotel by the River. Elsewhere, Isabelle Huppert plays a famous actress in Frankie, Jesse Eisenberg and Imogen Poots get caught in a labyrinth in sci-fi thriller Vivarium, Son of Saul's László Nemes unravels an allegorical European mystery in Sunset, Goodnight Mommy's Veronika Franz and Severin Fiala get dark and twisted again with The Lodge, and Japanese eye-opener Violence Voyager combines children's book-style paper puppetry with an over-the-top, midnight movie onslaught. On the documentary front, Wu Tang Clan: Of Mics and Men reunites all nine living members of the band to talk about their ups and downs, Memory: The Origins of Alien ponders the basis of one of the best science-fiction films of all time, and Seahorse explores a trans man's complicated pregnancy. And from the local selection, Ryan Corr and Anthony LaPaglia team up for black comedy Below, Hugo Weaving goes Shakespearean in Measure for Measure, and No Time for Quiet heads to a Melbourne band camp for girls with Courtney Barnett and Cable Ties. https://www.youtube.com/watch?v=fuKQfEX1Xy4 Acclaimed Aussie flicks The Nightingale, Hearts and Bones, Animals, Dark Place, Emu Runner, Judy & Punch and In My Blood It Runs, which all premiered elsewhere, will also finally make their way to Melbourne. Indeed, if you felt more than a little envy when Sydney Film Festival rolled around back in June, you'll be able to see many of that fest's top picks — including must-sees like Les Miserables, In Fabric, Scheme Birds and Happy New Year, Colin Burstead, as well as favourites such as Pain and Glory, Portrait of a Lady on Fire, Ray & Liz, Bacurau, Come to Daddy, Dirty God and The Dead Don't Die. Need more? How about an all-night Jeff Goldblum movie marathon, complete with The Fly, Independence Day, The Life Aquatic with Steve Zissou and Thor: Ragnarok. Retrospective strands focusing on filmmakers Penelope Spheeris, Agnieszka Holland and Peter Strickland help round out the lineup, as does the usual selection of fulldome shorts at the Melbourne Planetarium. Because MIFF has been dropping parts of its 2019 selection for the past few months, all of the above titles join the fest's initial batch of flicks — plus its live movie-and-music performance by Nick Cave and Warren Ellis, and a screening of fantastic French drama Girlhood with an all-new live score. The 2019 Melbourne International Film Festival runs from Thursday, August 1 to Sunday, August 18 at a variety of venues around Melbourne. For further details, visit the MIFF website.
Long before humans could soar into space, they could only dream about it. Queensland Museum's new NASA exhibition — an Australian premiere — celebrates both the experience and the idea of space travel. While much of NASA – A Human Adventure features suits, parachutes, equipment and even empty food containers that've actually left the earth, the stellar showcase also pays tribute to the imaginative minds that've inspired every rocket scientist, engineer and astronaut. Visitors not only enter the exhibition via a dome that honours Jules Verne, HG Wells and company, but can also spy their names in the biographies of important figures that are plastered across the South Bank building's walls. It's easy to understand how one influenced the other — how mere ideas motivated eager adventurers to push boundaries, achieve the seemingly impossible and fly beyond this planet we all call home. Indeed, NASA – A Human Adventure has the same effect. Feasting your eyes on this array of more than 250 historically significant items, getting up close to replicas of famous spacecraft, and hearing Neil Armstrong's iconic "one small step for man, one giant leap for mankind" speech while wandering through the exhibition, plenty of wannabe astronauts — and those who thought they'd stopped dreaming of such things years ago — will leave with visions of rocketing to the moon themselves. And with 2019 marking half a century since man first set foot on the moon, the timing of this exhibition couldn't be better. It will only be hitting Brisbane, so if you're not a local, you might want to schedule in a trip to the city before October. When you get there, these five standout pieces can't be missed — from space shuttles to space vodka (yes, really). A JUPITER NOSECONE One of NASA – A Human Adventure's first's first big pieces shows signs of wear and tear, and that's to be expected. You don't fly into space, crash into the sea and escape unscathed — even if you're part of a rocket. Visibly worn on the outside, filled with gadgetry inside, this hefty item draws a crowd; however, the story behind the Jupiter program's involvement in space flight is just as fascinating. While the PGM-19 Jupiter was originally designed as a nuclear-tipped missile, the nosecones were instrumental when it came to discovering how manned spaceflights might re-enter the earth's atmosphere. In 1958 and 1959, they were also used to test biological flights in low orbits, using both mice and monkeys. LUNAR ROVERS First, the bad news: two types of lunar rover drove across the moon's surface in the 60s and 70s, and they're all still there. Now, the good news: NASA – A Human Adventure has the next best thing: life-sized replicas. Visitors will first spot Lunokhod 1, the Soviets' first moon walker (that's the literal translation). It looks a little bit like a giant Wall-E, was launched in 1970 and stopped transmitting back to earth in 1971. Then you'll mosey on over to the Apollo Lunar Roving Vehicle, the moon buggies used by the Americans on the Apollo 15, 16 and 17 missions. Yes, it's supposed to look like a dune buggy. Yes, the chairs look like deckchairs. No, you can't hop into it. SPACESUITS Reaching for the stars requires a wardrobe to match, although an astronaut's attire is functional rather than fashionable. Still, staring at real-life spacesuits never loses its intrigue — especially when some of them have actually been into space. NASA – A Human Adventure features six pieces, including a US Air Force high-altitude pressure suit, plus items from all of its missions from Mercury to Apollo. The highlight: a version of the suit, helmet and gloves that were used during the moon landing, including a cutaway piece that shows just how much protective material is needed (and hints at some of the practicalities of being suited up, as everyone has always wondered). MERCURY, GEMINI AND APOLLO CRAFTS NASA's jaunts into space all started with Project Mercury, which aimed to send a human into orbit and then return them safely. And while NASA – A Human Adventure doesn't feature a real Mercury spacecraft, taking a gander at a life-size replica does spark a definite realisation: for something that was sent into space, it's rather tiny. With Project Gemini, the second human spaceflight program, the capsule is noticeably bigger (although, as this replica makes plain, it still wouldn't suit anyone who isn't fond of small spaces). Finally, exhibition attendees can also peer at full-scale models of the Apollo Lunar Module Crew Cain and the Apollo Command Module — all while walking beneath the enormous (and space-flown) orange-and-white parachute that was used in 1972's Apollo 16 mission. THE SPACE SHUTTLE Ever wanted to climb aboard the space shuttle — that is, the world's first reusable spacecraft, which was used to transport cargo into space from the 1980 to 2011? Now that it has been retired after 135 missions, you can't; however you can ascend Queensland Museum's stairs to make a peek at this towering replica. Windows allow attendees to view the cockpit, its console its many, many buttons, although sadly you can't take a seat or press anything yourself. And in good news for anyone with accessibility requirements, there's also a lift that'll take you up to the top level (and folks on crutches or in a wheelchair will also nab a view that no one else gets to see). NASA – A Human Adventure is currently showing at Brisbane's Queensland Museum until October 8, 2019. Tickets cost $18–21 and can be booked online here.
Trying to dance like Christopher Walken, pretending you're in Cruel Intentions, being transported back to the late 90s and early 00s: that's all on the agenda when Fatboy Slim, aka Norman Cook, returns Down Under in 2023. Touring New Zealand in January and February, then hitting Australia in April and May, the British dance music legend will take to the decks to bust out a hefty range of dance floor fillers. His 1998 album You've Come a Long Way, Baby was the club soundtrack to end the 20th century — a staple of every 90s teen's CD collection, too — and responsible for hits like 'Right Here, Right Now', 'The Rockafeller Skank' and 'Praise You'. As for 2000's Halfway Between the Gutter and the Stars, it gave the world 'Weapon of Choice' and its iconic Walken-starring (and Spike Jonze-directed) video. You might not be able to dance along the walls when Cook plays Christchurch, Napier, Auckland, Wellington, Queenstown and Taupo in Aotearoa — and then hops over the ditch a couple of months later to do the same in Melbourne, Brisbane, Sydney and Perth — but you'll want to thanks to his big beat sound. Indeed, alongside the Chemical Brothers, The Prodigy, Basement Jaxx, The Propellerheads and Crystal Method, he helped bring the style to mainstream fame. Cook has been making music since the 80s, but took on the name Fatboy Slim in the mid-90s, starting with 1996 record Better Living Through Chemistry. His discography also spans 2004 album Palookaville and 2013 single 'Eat, Sleep, Rave, Repeat'. [caption id="attachment_878697" align="alignnone" width="1920"] Secretaría de Cultura de la Ciudad de México via Wikimedia Commons[/caption] If you've seen Cook live before, you'll know that this is news to get excited about right about now. His Australian tour marks Cook's return after his 2020 headline shows — pre-pandemic — with his Melbourne gig at the Sidney Myer Music Bowl recorded for an epic live video that's notched up more than 2.4-million views. FATBOY SLIM 2023 AUSTRALIAN AND NEW ZEALAND TOUR Friday, January 27 — QE2 Park, Christchurch Saturday, January 28 — Tremain Field, Napier Sunday, January 29 — Gardens Music Festival, Victoria Park, Auckland Friday, February 3 — Anderson Park, Wellington Saturday, February 4 — Gibbston Valley, Queenstown Sunday, February 5 — Riverside Park, Taupo Friday, April 28 — Sidney Myer Music Bowl, Melbourne Wednesday, May 3 — Riverstage, Brisbane Friday, May 5 — The Entertainment Quarter, Sydney Sunday, May 7 — Burswood Park, Perth Fatboy Slim will tour New Zealand in January and February 2023, and Australia in March and April 2023. Tickets for NZ are on sale now. Pre-sale tickets for Australia start at 2pm local time on Wednesday, November 23, with general sales from the same time on Friday, November 25. Top image: Secretaría de Cultura de la Ciudad de México via Wikimedia Commons.
It's been a tough year, Melbourne. But there is a shiny bright light that just appeared down that long, dark tunnel — we can now enjoy a picnic at the park. Nothing beats getting together with a mate for a leisurely afternoon in the sun. And while the weather doesn't always want to cooperate here in Melbourne, we've got no shortage of comfortable picnic spots for when it does. So, pick up some ice, pack your esky and fill your basket with some of Melbourne's best picnic snacks. Then head to one of these delightful spots for a lazy lunch, a bit of wine and the great outdoors. [caption id="attachment_702339" align="alignnone" width="1920"] Visit Victoria[/caption] ROYAL BOTANIC GARDENS, SOUTH YARRA Set to reopen on Saturday, September 26, the Royal Botanic Gardens is the jewel in the crown of Melbourne's park scene. It's a classic park set up: manicured lawns edged with elegant florals, long rows of lush trees and lots of botanical information. And it's absolutely huge. Now, you could spend all day here simply wandering and taking it all in, but we suggest you pick a quadrant and set up shop. Pack your essentials and settle in to enjoy the scenes for a bit. If you do want to stretch your legs, there are a few good features worth checking out. The tropical greenhouse on the south edge and the Shrine of Remembrance are both good picks, as are the ponds that run alongside Alexander Avenue. [caption id="attachment_706399" align="alignnone" width="1920"] Visit Victoria[/caption] EDINBURGH GARDENS, FITZROY NORTH If you're a northsider, there's no doubt you've picnicked (or partied) at Edinburgh Gardens. It's the MVP (most valuable park) of the inner north. And it's little wonder why. The affectionately coined Eddy Gardens has everything you need for a luxe picnic: large shady trees, a romantic rotunda and heaps of space. With the park clocking in at a hefty 24-hectares, social distancing is always a breeze. Here, you can enjoy a picnic among the floral garden beds between 9am and 9pm every day, and food store and grocers Piedimonte's is handily located just up the road for all those supply needs. Your pup gets an invite, too — nearly half of the park is designated as off-leash areas. WOMEN'S PEACE GARDEN, KENSINGTON Tucked away in the heart of Kensington, the Women's Peace Garden is one of those picturesque suburban spots that simply begs you to unfold a picnic rug and settle in for a couple of hours of approved outdoors time. Filled with peace symbolism ranging from the rosemary and olive trees, to the universally recognised shape formed by its shelters and pathways, this charming openair space is about as serene as they come. It's not the hugest park in the hood, but it does cop plenty of sun across its grassy green lawns. Plus, furry friends are welcomed with open arms. [caption id="attachment_622479" align="alignnone" width="1920"] Brook James[/caption] YARRA BEND PARK, FAIRFIELD Yarra Bend Park spans over 260 hectares, making it the largest area of natural bushland in inner Melbourne. It follows the tree-lined swoops and loops of the Yarra, so there are a great many nooks and crannies perfect for laying your picnic blanket in socially distanced seclusion. Anywhere along the river on the east of Yarra Boulevard will be picturesque, as are the verdant sites near Dight Falls (a man-made dam built in the 1840s). Basically, there's no shortage of grassy patches beckoning you to settle in with a cheese board, wine bucket and some good company. [caption id="attachment_754320" align="alignnone" width="1920"] Visit Victoria[/caption] FLAGSTAFF GARDENS, CBD One of the oldest parks in Melbourne and the largest green space in the CBD itself, Flagstaff Gardens is always a popular picnicking choice. Here, you can nab yourself a spot under a eucalyptus, Moreton Bay fig or elm tree, and enjoy some lush, leafy respite from the city's concrete hustle and bustle. There are ample sunny patches, lots of shady branches and even a few romantic rose gardens. But perhaps one of the park's biggest drawcards is the neighbouring Queen Victoria Market, where you'll find a smorgasbord of deli offerings guaranteed to elevate any picnic food situation. Alcohol is also allowed, if you fancy a vino with your lunch. ST VINCENT GARDENS, ALBERT PARK Sitting pretty in the heart of Albert Park, yet nice and removed from the suburb's more famous namesake green space, St Vincent Gardens is brimming with picnic potential. This quaint haven of flowers and greenery might be petite, but it's got everything you need for a relaxing park session — leafy trees, colourful garden beds and a healthy ratio of sun-drenched turf. Plus, it's heritage listed, so you know it's got some style. As far as picnic fare goes, consider yourself spoilt for choice with South Melbourne's main strip and the South Melbourne Market located just a few blocks north. And you can grab a bottle while you're there — alcohol is allowed in the park from 12–8pm. [caption id="attachment_754318" align="alignnone" width="1920"] Visit Victoria[/caption] CARLTON GARDENS, CARLTON Home to the Royal Exhibition Building, IMAX Cinema and Melbourne Museum, and located just beside the city, these heritage-listed gardens have long been a popular picnic pit-stop for locals and visitors alike. The site abounds in green, open spaces and big shady trees, so you'll rarely have to battle for a spot to throw down your picnic rug, even when that sun's a-shining. The fish pond makes for a particularly picturesque picnic backdrop, while the park's northern half features basketball hoops and a sprawling playground. And with the cafes and restaurants of Fitzroy just a quick stroll away, you've got a plethora of choice when it comes to that picnic feast. [caption id="attachment_754315" align="alignnone" width="1920"] Visit Victoria[/caption] FITZROY GARDENS, EAST MELBOURNE Envelop yourself in the leafy oasis that is Fitzroy Gardens and you'll find it hard to believe you're just metres from the outskirts of the CBD. It's rocking a typical Victorian-era park set-up, decked out with scores of grand old elms, rolling lawns cut by neat pathways and even a conservatory. The site's also home to the charmingly tiny Captain Cook's Cottage, in case you're in the mood for a little pre-picnic history fix. As with all City of Melbourne parks, you're allowed to enjoy a tipple here, so booze-matched grazing platters are always a good idea. [caption id="attachment_750875" align="alignnone" width="1920"] Visit Victoria/Josie Withers[/caption] CATANI GARDENS, ST KILDA For the discerning picnicker with a preference for a cool sea breeze, St Kilda's Catani Gardens strikes a happy medium between urban and ocean. Located on the foreshore, it's not as secluded as some of our other options, but the boardwalk setting provides the perfect vantage point for some idyllic water views. For your picnic, you'll have the option of setting up in the shade under one of the garden's many tall palms, or soaking in the sun on the manicured lawns. Extra points will be given to those who roller blade with a basket in hand to their picnic destination of choice. [caption id="attachment_754751" align="alignnone" width="1920"] City of Port Phillip[/caption] POINT ORMOND RESERVE, ELWOOD In this part of town, the parks come with an extra side of dreamy bay views. Point Ormond Reserve in Elwood — which falls just outside the City of Port Phillip's St Kilda Foreshore alcohol ban — is the perfect hill on which to perch yourself for a beachside picnic with a couple of bevvies (between midday and 8pm). Up here, there's plenty of open space, overlooking the water and with the city skyline in the distance. Pooches are also allowed as long as they're on a lead. In need of some last-minute picnic supplies? You'll find a healthy crop of cafes lining nearby Ormond Road, offering a wide range of eats and drinks. Top image: Royal Botanic Gardens via Visit Victoria.
Much has happened in the world of Marvel over the past year or so. Black Panther started 2018 on a high, Spider-Man returned to its animated roots, Captain Marvel is currently rampaging across the big screen (and the box office), and the man who started it all, Stan Lee, sadly passed away. Oh, and the Marvel Cinematic Universe completely changed the game with the snap of a few fingers. We know that you know what we're talking about — Avengers: Infinity War sat atop the box office Down Under for 2018. Of course, ever since the third Avengers movie hit screens, excitement for its follow-up has been feverish to say the least. Now, after a brief teaser for Avengers: Endgame was revealed last year, Marvel has finally dropped a full sneak peek at what's shaping up to be the biggest movie in MCU history (and probably of 2019 as well). Once again, it all starts with a despondent Tony Stark (Robert Downey Jr.). He says it feels like a thousand years since he first strapped on the Iron Man suit, but it's only been 11 for viewers. From there, expect a glimpse of the remaining gang, complete with new matching outfits, and with Hawkeye, Ant-Man and Captain Marvel joining the team for one mighty big showdown with Thanos. Expect a few flashbacks to better MCU times as well, plus a reminder of just why Infinity War was so heartbreaking — and what's at stake this time around. Check out the trailer below — and if you're counting down the days counting down the days until the film hits, there are just 40 sleeps left. https://www.youtube.com/watch?v=TcMBFSGVi1c And if you can't get enough Endgame action, here's the original trailer as well: https://www.youtube.com/watch?v=hA6hldpSTF8 Avengers: Endgame releases in Australian cinemas on April 24.
When Baz Luhrmann decided to bring The Great Gatsby to the screen, he enlisted 2010s Sydney to double for 1920s Long Island and New York. Now, a decade after the Australian director's Oscar-winning movie hit cinemas, Sydney Opera House is following in the filmmaker's footsteps, turning itself into a The Great Gatsby-themed pop-up club while hosting a The Great Gatsby-inspired cabaret variety show. From Saturday, December 16, 2023–Sunday, February 25, 2024, GATSBY at The Green Light will take over the Sydney Opera House's Studio with an array of excuses to pretend that it's a century ago — and that you're on the other side of the globe. The GATSBY part of the big summer event's moniker refers to the entertainment, while The Green Light is the temporarily rebadged venue where what's being dubbed a "theatrical experience" will take place. First, the show: taking its cues from F Scott Fitzgerald's text, which will also date back a century when 2025 hits, GATSBY gives the classic text the aerial, burlesque, dance and circus treatment. As performers show off their skills, live vocals will accompany their efforts, all on a glittering stage. Then, the club: The Green Light will also owe a debt to prohibition-era speakeasies, and will feature cabaret tables for attendees to sit at while watching the performances. Canapé and cocktail packages will be on offer, with themed drinks including the Green Light gimlet, the Blind Tiger martini and the Reggio manhattan. GATSBY at The Green Light hails from director Craig Ilott, who adds the event to his resume alongside Smoke & Mirrors, La Clique Royale at Edinburgh Festival's The Famous Spiegeltent, and also American Idiot, Amadeus and Velvet Rewired at Sydney Opera House. With GATSBY co-producer Stuart Couzens, he was also involved in L'Hôtel, the dinner theatre experience which turned the exact same space into a French hotel with cabaret, circus and burlesque. "Our treatment of GATSBY has been akin to that of a concept album; riffing on the essence of a familiar text through a new form to create an evocative experience," said Ilott, announcing GATSBY at The Green Light. "We've taken elements entrenched in the 1920s — the vaudeville, the fashion, the hospitality — and remixed them with a bold 2020s beat, with the aim of creating an evening that feels both contemporary and captivating." [caption id="attachment_681696" align="alignnone" width="1920"] Hamilton Lund[/caption] [caption id="attachment_857577" align="alignnone" width="1920"] L'Hotel, Claudio Raschella[/caption] [caption id="attachment_857579" align="alignnone" width="1920"] L'Hotel, Claudio Raschella[/caption] GATSBY at The Green Light will take over the Sydney Opera House's Studio from Saturday, December 16, 2023–Sunday, February 25, 2024, with ticket pre sales from 8am on Wednesday, August 30 and general sales from 9am on Friday, September 1. Head to the Sydney Opera House website for more information. Top image: Tom Oldham.
