Ever considered a quick jaunt to Sydney to experience Vivid? Now's the time to take the plunge. The epic light festival is back for its tenth birthday, and there's more to see and do this year than ever. With so much to fit in, it's often hard to know where to start and how to get off the well-beaten track. As always, there are the big lights dotting the harbour, but there are also heaps of hidden gems worth seeking out — down alleyways, against the water and even up in the air. With the help of our mates at Samsung, we've pulled together a list of some of the best works tucked away in and around The Rocks and Circular Quay. And once you find them, it'd be remiss not to snap a shot or two so you can take them home with you — especially if you have Samsung's new Galaxy S9 and S9+ phones, which allow you to take beautiful photos in the dark with its Super Low Light camera. Check out our Galaxy S9+ snaps taken by photographer Cole Bennetts, take note of his tips and make tracks to these hidden Vivid gems. CHRYSALIS — REIBY PLACE Just as a caterpillar in a cocoon needs the right conditions to emerge, so too does the butterfly within each of the illuminated shells in Chrysalis. The sound of the audience approaching causes the butterflies to stir, and as people get closer and their collective noise grows louder, the butterflies awaken. Finally, they spread their wings within their five neon homes and flit and flutter with the crowd's presence. Cole's tip: Avoid contributing to a newsfeed clogged with identical Vivid snaps by changing your perspective. Get down low or shoot from up high to make the picture more interesting. OASIS — ROYAL BOTANIC GARDEN Oasis is a shimmering, bioluminescent-inspired sea of light. Set in a corner of the Botanic Garden devoted to "lonely, frightened, lost and abused children who never knew the joy of a loving family", the work is dedicated to Australia's forgotten children — those raised in orphanages, children's homes and institutions. Playing on the relationship between light and water, courage and vulnerability, the seemingly floating lights move with nature but are always steadied by their underlying strength, returning them to their upright position. PARROT PARTY — ROYAL BOTANIC GARDEN Is it a flock of birds in the gardens? Or a clandestine party among the flora? Well, it's a bit of both, actually. The festive Parrot Party in the Botanic Garden bursts with colour and sound, that grows brighter and more jovial as people join in. Perched in a pavilion, the birds' song is modulated by the crowds who come and go. Made up of Kiwi kea parrots and Australian rainbow lorikeets — a nod to the close relationship between our two countries — the flock's song grows louder as the crowd draws in, bursting with a display of sweet calls and chatter. Cole's tip: Vivid has excitement at every turn. You don't want to miss the money shot, so keep your S9 at the ready. When you stumble across a hidden gem worth snapping, double-tap the power button to bring up the camera quickly. 555 NANOMETERS — KENDALL LANE Hanging above a historic laneway in The Rocks, 555 Nanometers' sheets of green light and integrated soundscape also draw people in with the sound and sights of Australian flora and fauna. Follow the noise of cicadas calling into the night, pulling you toward this canopy of light. The name of the installation is a reference to its yellow-green hue that specifically sits at colour spectrum 555 nanometers. The human eye is most sensitive to the colour and feels most at ease when looking at it. As you look up at the illuminated perforated sheets, you'll find yourself reminded of looking at light streaming through leaves on a bright summer's day. FUGU — THE ROCKS If watching David Attenborough's Blue Planet has taught us anything, it is that the goings-on in our oceans are both compelling and crucially important. Artists Amigo and Amigo depict this in their installation Fugu. It's a kinetic light sculpture in the form of a pufferfish, a peculiar critter that changes form for protection against predators. As audiences surround the spiky creature it comes to life, expanding, contracting and pulsating in glowing multi-colour. The piece represents the fragility of life under the surface and highlights the importance of conservation. As you explore and uncover the hidden gems of Vivid, get the best snap on the new Samsung Galaxy S9 and S9+, designed especially for low light. Images: Cole Bennetts.
783 million people in the world still lack access to clean water. Nearly 2.5 billion live without adequate sanitation. And it’s only going to get worse with continued climate change. So an Italian designer by the name of Arturo Vittori has come up with part of a solution: the WarkaWater tower. By harvesting water from the air, the 9 metre-high construction can collect more than 94 litres per day. Like many ingenious devices, it works incredibly simply. Stalks of bamboo or juncus are bound together to create a semi-rigid shell. Inside, a nylon and polypropylene mesh traps moisture. These form dewdrops and travel downwards, settling in a basin at the tower’s base. The design is inspired by the Warka tree, an Ethiopian native that bears figs and serves as a site for local meetings. Vittori invented the WarkaWater tower after a visit to north-eastern Ethiopia. “There, people live in a beautiful natural environment but often without running water, electricity, a toilet or a shower,” he tells Wired. Women and children walk for hours to collect water from ponds contaminated with human waste and full of worms. Not only does this mean serious exposure to disease and hard labour, it also means that children are kept from school. “WarkaWater is designed to provide clean water as well as ensure long-term environmental, financial and social sustainability,” Vittori explains. “Once locals have the necessary know-how, they will be able to teach other villages and communities to build the WarkaWater towers.” Four people can build one in a few days at a cost of US$550. All necessary materials are available locally. Vittori is intending on having two towers built in Ethiopia by 2015. In the meantime, he’s seeking out financial support for their expansion. Another water-harvesting invention was launched in Lima last year. Via Inhabitat.
It's always tough saying goodbye to old friends, especially when you've shared countless sweaty hours on the dance floor, bonding over epic tunes and pre-dawn parties. So it's with misty eyes that Melbourne bids farewell to iconic music destination The Mercat Basement, which this week shuts its doors to make way for the Queen Victoria Market's grand redevelopment plans. But after almost ten years, there's no way this underground institution is going out without a bang. Punters are invited to enjoy The Mercat's warm, bass-heavy embrace one last time, for its grand exit this Saturday, February 11. Kicking off at 10pm, expect appearances by some long-time Mercat mates, including Tornado Wallace, Francis Inferno Orchestra and Otologic. Unfortunately, there are zero pre-sale tickets on offer for this one, so if you're hoping for a final Mercat dance floor session, we recommend you start lining up early. Image: The Mercat / REUP.
You may have caught Zoe Coombs Marr on ABC2's Dirty Laundry Live or in post's bloody riff on death scenes, Oedipus Schmoedipus. Separate to her work with post, Coombs Marr's thing tends to be the timely topic of gender, and bending it. The "awkward sapphic high priestess of cool" (that's a description worth milking) confirms she's been dressing up as a dude (intermittently) all her life — like when she skipped schoolies to put on a drag musical. She's also won a Phillip Parsons Playwright Award and FBi SMAC Best on Stage in her time, which is pretty much as close as you get to having a quality guarantee. Catch her in Dave this week at Sydney's 107 Projects. There are lots of comedians named Dave, but none are quite like this one. Or maybe they all are. Ahead of the show, Zoe gave us the lowdown on dressing in drag (just like Anne Hathaway, Kristen Stewart and Brie Larsen have been perfecting). START EARLY Drag is a skill like any other. Just like violin, tennis, and passive aggression, the earlier you start, the more honed it'll be! Due to a natural aptitude*, I was lucky enough to get a headstart in childhood and the evidence is strewn through our family photo albums. While my sisters played it safe, as fairies, princesses and fairy princesses, I used these formative years to progress from standard beginner 'genie' 'magician' and 'groom' (to my sister), into more challenging impersonations of The BFG and The Hunchback of Notre Dame before graduating to experimental drag looks including 'Box of Sultanas with a moustache' and 'Tim Shore from the Demtel infomercials, but dead'. If you feel the chance has passed you by, why not take a leaf out of the Dance Moms handbook and live vicariously through your kids? This is particularly easy as all babies look like genderless potatoes. You can easily confuse everyone with the simplest acts, like dressing little Sally in blue or adorning baby Jake's head with one of those weird elastic bows that anxious heteros put on their bald infant girls to make sure that no one mistakes her for a boy. *lesbianism Images: Zoe's baby drag looks. BREASTS See also: Boozies, boobs, melons, honkers, jugs, bazookas, norks… I could go on. Once you move out of your genderless potato phase you're going to have to deal with these guys. If you're Hilary Swank or Gwyneth Paltrow, you'll just need a single crepe bandage, or to stand facing into a strong breeze. If you've got big knockers, like me, you'll probably try a number of uncomfortable and complicated methods involving: Tape - Gaffa tape can work in a pinch, but you need to wear a shirt under it and the shirt will be ruined. Bandages - Don't really work, because they either (a) move apart, creating a 'sausage coming out of its casing' effect or (b) crush your ribs, restrict your breathing and make you feel a little panicky. This is my theory as to why Gwyneth got so emotional at the Oscars. Sports bras - One forward, one back. never worked for me. Thanks for nothing wikihow. Glad wrap - Which works so well at first. Until the sweat comes… and more sweat… and then the rash. And other household items. Then, after all of the sore ribs, bruises, breathlessness and rashes, you'll give in and buy a binder online. Why didn't you do this ages ago, you idiot? And a tip: You will need a helper. As awkward as this may seem, it is nowhere near as awkward as trying to do this on your own in a dressing room. Especially if, like me, you tend to do this at all-male comedy nights where the dressing room is just a small gap behind a curtain next to the pub’s coolroom. FACIAL HAIR You have a couple of options here. If you’re planning on maintaining some sort of attractive aesthetic, or getting laid after your gig, you can just google 'Drag King Makeup' and follow their tips to creating a sexy contoured look. Think sharp edged eyebrows and pencil thin sculptured beards (aka "chinstrap" or "douche beard") that will make you look like a member of Backstreet Boys, circa 1998. However, I personally prefer to take the less popular route and glue hair clippings to my face, giving the effect of a lolly that's fallen on the floor. Glue them on with spirit glue. (Don’t make my mistakes. Remember water-soluble is easiest to get off unless you have the removal fluid. I once had to wash my face with nail polish remover.) You can source the clippings from a friend, partner, pet, or your own ponytail. The darker and coarser the better. Secretly I’ve always thought that pubic hair would be the best route, but have never been game enough to try. We all have to draw the line somewhere. Actually, now that I think of it, an actual beard would be the best, so if you know any hipster dudes whose Newtown microbrewery has failed and they have to shave to get a job in a bank, let me know. HEAD HAIR This is easy. If you have short hair, you're set! If you have long hair, you're also set: just sweep it into a low pony and you'll look like you work at Harvey Norman and sell stolen microphones on the side. Done. GENITALIA So now that you're covered in tape and hair, you'll need a penis too. I read somewhere that a small plastic bag of birdseed in the undies makes a great prosthe-dick. Or you can just go the tried and tested rolled-up sock route, which is what I do. Mainly because I generally forget this step until the last minute and as a result I perform about half my shows in only one sock. But whatever you use, you'll be tempted to make it too big. Rookie mistake. Hold back! One sock is fine. In fact, I like to imagine that Dave's penis is slightly smaller than average. The lack of confidence has to be made up in bravado and results in a far more realistic performance. After all that just whack on a graphic tee, a flannie, a pair of Rip Curl jeans and off you go. Remember, your guy is complex, if beer ads are anything to go by, he could be into football or cricket or larrikinism. Dave is on July 25-26 at 107 Projects before heading to Edinburgh. More info here.
Australia has a long and illustrious history of banning, restricting or causing an almighty fuss over perfectly reasonable things. The newest incident is the banning of American director Travis Mathews' film I Want Your Love, which was brought to national attention this week when James Franco filmed himself sitting on a sofa in a Hawaiian shirt, declared the banning as "really silly" and posted it to YouTube. I Want Your Love, which was due to screen at both Brisbane and Melbourne's Queer Film Festivals was rubber stamped with the letters RC — Refused Classification — by the Australian Classification Board. The reasons for the board's decision were the film's depictions of explicit gay male sex. But the film is not pornographic, or extreme. Mathews explains that he "sought to capture honest and intimate depictions of modern gay life with everyday men". A film gets given an RC rating if it depicts scenes "in such a way that they offend against the standards of morality, decency and propriety generally accepted by reasonable adults". Yet the Australian Classification Board can be wildly inconsistent in what they see as morally offensive. Last year, a documentary called Donkey Love screened at Sydney and Melbourne's Underground Film Festivals about the special love between Colombian men and their donkeys. Within the first five minutes, a man was having sex with a donkey. It wasn't refused classification. The board maintains that they don't censor, they classify. While this is true, it remains a fact that when the board gives a film, publication, or game an RC rating it cannot be distributed in Australia, effectively censoring it. In what follows, we walk you through some of the most infamous incidences of head-shaking and pearl-clutching in Australia's censorship history. Ern Malley In the 1940s, Sydney poets James McAuley and Harold Stewart wrote a series of poems and submitted them to the journal Angry Penguins under the name Ern Malley. The poems were written to embarrass the journal and 'prove' that modernist poetry was nonsensical. But in the meantime, the police had impounded editions of Angry Penguins and the poems, on the grounds that they were obscene. So commenced the most ridiculous obscenity trials Australia has ever seen. The police took issue with the poem Night Piece, for instance, because "apparently someone is shining a torch in the dark, visiting through the park gates. To my mind they were going there for some disapproved motive ... I have found that people who go into parks at night go there for immoral purposes." Lady Chatterley's Lover Many of the best pieces of 20th-century literature were banned in Australia, including — but by no means limited to — Ulysses, Portnoy's Complaint, Lolita, and everything ever written by Henry Miller, Jean Genet, and William S. Burroughs. One of the most infamous banned books was D.H. Lawrence's Lady Chatterley's Lover, which describes scenes of explicit sex and delights in its use of the word 'cunt', seen as likely to cause the good ladies of Mosman and Toorak to collapse in a faint. In fact, not only was Lady Chatterley's Lover banned, but the book about censoring the book, The Trial of Lady Chatterley's Lover, was also banned. Salò, or The 120 Days of Sodom In 1975 Italian filmmaker Pier Paolo Pasolini released Salò, a film inspired by the Marquis de Sade. Due to scenes of extreme sexual violence and sadism, the film was immediately banned in Australia, as well as many other countries. The cult arthouse film became a cause celebre for Australia's anti-censorship campaigners and was eventually deemed suitable for screening in 1993. Then, five years later, in the early years of the Howard government, the ban was reinstituted. It was only in 2010 that Salòwas given an R18+ classification and made available on DVD. Grand Theft Auto It was only at the start of 2013 that video games could be given an R18+ classification in Australia. Before, anything that exceeded MA15+ was automatically banned. Grand Theft Auto was continually subject to this problem. In 2002, Grand Theft Auto III was withdrawn because it allowed players to have virtual sex with virtual prostitutes, and then violently murder them. It was re-released when the ability to solicit sex was removed, but players were still perfectly free to violently murder prostitutes if they so wished. Explicit sex also caused the Vice City and San Andreas editions of the series to be withdrawn. Ken Park In 2003, Ken Park, an American arthouse film, was refused classification by the board. The film, which had been due to screen at that year's Sydney Film Festival, was banned because it portrayed real-life sex scenes involving characters that were supposed to be minors (the actors weren't actually minors). In defiance of the ban, Ken Park was given a public screening at Balmain Town Hall, but it was shut down by the police. Among those arrested was Margaret Pomeranz. They arrested Margaret Pomeranz. Need anything more be said? The Peaceful Pill Handbook In 2007 pro-euthanasia campaigners Philip Nitschke and Fiona Stewart published The Peaceful Pill Handbook, intended to give the elderly and seriously ill information about the legal and moral aspects of suicide as well as how-to instructions for painless and non-violent suicide methods. After an appeal by Right to Life, the book was pulled from the shelves. While The Peaceful Pill Handbook is available in other countries, there remains a ban on both importing and distributing the book in Australia. Bill Henson While Bill Henson's photography wasn't banned, the mainstream media gave it a red-hot go in 2008. The scandal occurred when the police shut down an exhibition at Sydney's Roslyn Oxley9 gallery after accusations that the images of young girls displayed in the exhibit were pornographic. Henson was cast as a paedophile by the likes of Miranda Devine and had Kevin Rudd declare the photographs "absolutely revolting". Despite the uproar, the Department of Public Prosecutions dropped the case after Henson's images were declared "mild and justified" and given a PG rating by the board, in one of the most sensible decisions they ever made. https://youtube.com/watch?v=-3rbDIsT4f0
One of the ideas at the heart of Squid Game — and fellow battle-to-the-death fare like The Hunger Games and The Running Man, too — is that people like to watch others risk their lives, and sometimes give them, while striving to survive deadly contests. While the competitions at the heart of shows and movies with these storylines are purely fictional, folks IRL do indeed love viewing them. Indeed, with its final season, Squid Game notched up a few big firsts for Netflix. If you couldn't wait to discover Seong Gi-hun's (Lee Jung-jae, The Acolyte) fate when the South Korean hit dropped its third and last batch of episodes on Friday, June 27, 2025, you had company. Netflix reports that the six-instalment season notched up 60.1-million views in just three days, breaking the record for such a short period. [caption id="attachment_1011923" align="alignnone" width="1920"] Squid Game S3 Cr. No Ju-han/Netflix © 2025[/caption] Squid Game season three also became the first Netflix show to reach number one in all countries that the streaming platform ranks in the week it premiered, and the only series to hit the service's most-popular list in its debut week. Less than seven days out from releasing, season three is placed ninth among Netflix's most-watched shows ever in languages other than English as well. While the series' final run served up surprises on-screen, its success among audiences isn't one of them. The exploits of Player 456 in a secret tournament that turns childhood games fatal with 45.6-billion won up for grabs has been a must-see, and embraced as such, since its beginnings. Season one proved such a smash that more episodes were locked in, as was IRL competition series Squid Game: The Challenge (without the death, of course). The latter has been picked up for a second season. The next question: will there be more on the fictional side of the franchise? It has been rumoured that David Fincher (The Killer) is keen on an English-language remake — although he is working on directing a different return, stepping into Once Upon a Time in Hollywood's realm to helm the Brad Pitt (F1)-starring follow-up to Quentin Tarantino's Oscar-winning picture, at present. Also, the season-three finale swiftly sparked thoughts of Squid Game finding a way to continue. With Entertainment Weekly, series creator Hwang Dong-hyuk recently mentioned a spinoff idea set between seasons one and two — and has floated similar concepts before — but nothing beyond a new round of Squid Game: The Challenge has been confirmed in in the Squid Game universe so far. Watch the trailer for Squid Game season three below: Squid Game streams via Netflix. Images: Netflix.
Coming via London's Victoria and Albert Museum, a new exhibition of garments by groundbreaking fashion designer Cristóbal Balenciaga has made its way to Australia. As well as being one of the most well-known fashion designers of the 20th century, the Basque-born couturier was also one of the most influential in changing and shaping modern fashion and haute couture. He was even once called "the master of us all" by Christian Dior. Showing exclusively in Victoria's Bendigo Art Gallery, Balenciaga: Shaping Fashion features more than 100 iconic pieces from the 50s and 60s as well as works by his protégés and contemporary designers continuing his legacy. It's a must-see if you're interested in not only the craftsmanship of fashion, but the history of it and how it can change societal standards and trends. Here, we've picked out five pieces you should seek out at the regional exhibition. [caption id="attachment_739079" align="alignnone" width="1920"] Imagine Pictures[/caption] DEFINING THE CLASSICS: THE TULIP DRESS Balenciaga retired unexpectedly in 1968 at age 74. In an interview with The Times in 1971, he's reported to have said: "When I was a young man I was told by a specialist that I could never pursue my chosen métier of couturier because I was far too delicate. Nobody knows what a tough métier it is, how gruelling the work is. Underneath all this luxury and glamour, the truth is, it's a dog's life!" This dress shows Balenciaga at the height of his craft. Playing with gravity and weightlessness, the tulip dress is one of the classic pieces of the collection. It also shows to using texture, light, structure and form to create the striking silhouettes for which the couturier is known. [caption id="attachment_739090" align="alignnone" width="1920"] Nick Veasey[/caption] MAKING FASHION PRACTICAL: AN X-RAY OF A DRESS The meticulous structural work undertaken for garments like those made by Balenciaga again highlights the work involved to produce his gowns. Balenciaga worked carefully to reduce the number of fastenings so women could dress easily and without assistance, making his gowns both beautiful and comfortable to wear. As Bendigo Art Gallery Curator Jessica Bridgfoot puts it, "the garment did the work for you." New forensic investigations reveal the couturier's hidden workings and processes. This includes a series of x-ray images by British photographer Nick Veasey. Veasey's x-ray photographs are presented in the exhibition alongside works made during a digital pattern making project with the London College of Fashion. [caption id="attachment_739092" align="alignnone" width="1920"] Lisa Fonssagrives-Penn wearing coat by Cristóbal Balenciaga, Paris, 1950. Photograph by Irving Penn © Condé Nast,Irving Penn Foundation[/caption] DITCHING THE WAISTLINE: THE COAT Balenciaga is credited as the designer who took women's fashion beyond an obsession with a tiny waistline. His sculptural contributions to fashion include the sack dress, babydoll and shirt-dress which all remain staples today. This influence can be seen in the work of contemporary designers like Comme des Garçons and Hussein Chalayan. Here, model Lisa Fonssagrives-Penn sits for photographer Irving Penn in a Balenciaga coat. Irvin Penn was Balenciaga's favoured photographer, and one of the only people the famously private designer allowed in to his workrooms and studios to document his collections. [caption id="attachment_719353" align="alignnone" width="1920"] Dovima with Sacha, cloche and suit by Balenciaga, Cafe des Deux Magots, Paris 1955 © The Richard Avedon Foundation[/caption] STICKING TO STRUCTURE AND TEXTURE: DOVIMA IN PARIS When Richard Avedon photographed Dovima in Paris in 1955, she was one of the world's most famous models. This photograph shows her in a cloche and suit by Balenciaga. Striking contrasts in colour and texture are complemented by the couturier's hallmark minimalist shapes, fastidious attention to colour, and structured outlines – the aesthetic that made him one of the most influential designers on modern fashion. [caption id="attachment_739103" align="alignnone" width="1920"] Imagine Pictures[/caption] A FASHION LEGACY: GHESQUIÈRE'S GREY CAPE An important part of the show examines the legacy that Balenciaga made on fashion — both in his own house and others. Balenciaga: Shaping Fashion includes works by other designers who worked to carry the Balenciaga label forward after its founder's retirement, including Nicolas Ghesquière. Ghesquière designed the grey cape — which was features in Vogue in 2006 — and was known for pairing voluminous, billowing shapes with tightly cut suits and pants. He is now creative director of the house of Louis Vuitton — so you may notice some similarities in the two labels' pieces. Balenciaga: Shaping Fashion is exclusive to Bendigo Art Gallery in Australia, and runs until November 10, 2019. Bendigo is a two-hour drive from Melbourne. Top image: Imagine Pictures.
In Zola, the swooshes and whistles have it: when a character utters a line of dialogue taken directly from the movie's famous 148-tweet source material, filmmaker Janicza Bravo pairs it with the right noise. That's one way that the second-time filmmaker tackles the formidable task that is adapting a lengthy social media thread into a feature. And she wasn't working with any old tweetstorm; when Aziah 'Zola' King let her fingers do the talking back in October 2015, it trended under the hashtag #TheStory. Charting a gal-pal getaway to Florida that swerved from exotic dancing to sex trafficking, crime and violence, King's Twitter thread had social media users hanging on its every word. Six years later, it remains an iconic piece of internet history — King deleted it swiftly, but nothing ever truly disappears in the online world. The challenge for Bravo in turning those posts into Zola: remaining true not only to King's rollercoaster ride of a tale, but also to the entire reason that everyone knows about it. Cue those telltale sounds, which keep Zola's origins firmly in viewers' minds. Cue a big swerve away from text on-screen, too, because a story this wild deserves an in-the-moment approach that plastering a phone screen across the big screen just can't evoke. And, cue a brilliant urination scene that instantly tells the world everything it needs to about the titular Detroit waitress (played by Taylour Paige, Ma Rainey's Black Bottom) and the fellow dancer, named Stefani here (Riley Keough, The Lodge), who invites her on the road trip to end all road trips. When it debuted at Sundance in 2020, Zola became one of the buzziest premieres of the festival. Due to the pandemic, it has taken more than 18 months for the movie to make it to Australian cinemas, but its candy-hued, neon-lit, dreamy-meets-dazzling glow hasn't dimmed. With Zola now showing locally, we chatted to Bravo about those tweets, getting the gig over James Franco and, yes, that glorious pissing scene. "YOU WANNA HEAR A STORY? IT'S KIND OF LONG, BUT IT'S FULL OF SUSPENSE." One tweet, 22 words, one helluva impact: that's how King's Twitter thread started. Its first two sentences couldn't set the scene better: "You wanna hear a story about how me and this bitch fell out? It's kind of long, but it's full of suspense." Bravo didn't read those words as they were tweeted but, when she did, she knew that she had to turn them into a film. "At this point, I hadn't even made a first movie, but I've decided this will be my second movie — and I'm glad I was right," she explains. "I'm not Twitter and I wasn't on Twitter — lucky me. It's just not for me. I think it's super valuable and there's a lot of deliciousness that I've gotten from that space, but overall it's not a vibe for me," Bravo notes. "So I read it on Twitter at the end of that day. It was up for about 24 hours before she deleted it. I didn't get to participate in the live experience, meaning I didn't get to see her writing and responding and the sort of subtweet thing that happens inside of it or the reposts. I didn't get to see all that. But I got to sit with it right after, and it was radical. I knew right away that it was going to be my second movie." THE TWEETSTORM THAT HAD HOLLYWOOD TALKING When a Twitter thread gets this much attention, everyone wants in. Bravo wasn't originally the only filmmaker inspired to bring King's story to the screen — didn't originally get the job. "I go after it right then. I'm nodding when I'm reading it, and I'm sending it to both my agent and my manager and saying that I want this," she says. "I don't know how Twitter IP works, but I really want to make this. They get back to me three days later and say there is a Rolling Stone article, and then there's her life rights, and that's an entry point into being able to have access to the story." "And so I go 'yes, put me in!'. To which they reply that of the five people going after it, three of them are studios and two of them are independently wealthy. And I was like, 'well, I have no cash, so I'm not making the shortlist'. Clearly, that isn't the end of the story. "I find out a year later, though, that Killer Films — that I'd made Lemon [Bravo's first feature] and a short film with — were one of the producers were on it. And, James Franco was directing it," Bravo advises. "So I just wrote them and was like, 'hey' — because I understand how things work, and sometimes a director is no longer on a project. I was like 'if for some reason James is not directing this, remember me, think of me'. Then I found out in the spring of 2017 from an actress who was friendly with him that he was no longer directing it, so I reached out to my reps again and was like 'I want this'. And then I got it." THE BIG QUESTION: HOW TO ADAPT 148 TWEETS INTO A MOVIE? Peppered with emojis and all-caps, King's tweets don't simply describe a wild ride — they take readers on one. Bringing them to the screen put Bravo in uncharted territory but, writing Zola's script with playwright Jeremy O Harris, she didn't see it that way. "A lot of people did. My producers did. It was like, 'how do you adapt this?'," she explains. "But I'm a child of theatre, and I saw it as adapting a long poem. It was adapting a short story. It was adapting a sonnet and making a whole world out of it." "And this, for me, I felt it had so much more in some ways. I printed the tweets, cut them out, put them into a first act, a second act, a third act… and not only was there the outline, but the dialogue was in the outline," Bravo notes. "For me. it felt pretty seamless." "I think the thing that becomes curious, that allowed myself some room to explore, is okay, so there's a road trip to Detroit to Florida, from home to Florida, that is a 19–20-hour drive. That's only one tweet. Now does that become one scene, or three scenes, or five scenes, and how do you tell the story of that drive? Multiple tweets can be in a scene, or some can just be standalone, or one can be five — and figuring out the math on that, that's a part of writing, that's part of drafting." ADDING DETAIL — AND THAT KILLER BATHROOM SCENE As evocative as #TheStory is to read — as gripping and addictive, too — it didn't cover everything that Bravo envisaged for the film. Enter the bathroom scene. "I would happily talk about it forever. It's one of my favourites in the film," Bravo says. "When I was auditioning for the movie, I had come to the table with a handful of things I wanted to try that were not in the film. And then when it came to writing, once I get it and I'm writing with Jeremy, one of our first assignments is what are the five things you definitely want to make sure arrive in this script, and what are these three ideas outside of the world that you want to bring to this?" "And for me, one of those ideas, I just really want this piss scene. I've been thinking about wanting to put something like this in my work for a while. And this is a film about this love story between these two women — this seduction that happens between these two women — how they fall in love and out of love, and I couldn't recall being able to have a window into a character like this without there being a good deal of dialogue to tell me who they were. So I had this idea about a bathroom scene in which you got to see the interior of each of those characters," Bravo explains. "The audience can always go back to that as to who is reliable or not reliable — or who's hydrated or not hydrated, basically. It's meant to be so much about who they are. How they treat themselves in the bathroom is how they move through the world. And I know it seems kind of small, but I thought it did that." Zola is now screening in Australian cinemas. Read our full review. Images: A24 Films.
The first WorldPride to ever be held in the southern hemisphere is upon us, boasting more than 300 shows, gigs, exhibitions and parties, and taking over Sydney across 17 days from Friday, February 17–Sunday, March 5. On the program: everything from art exhibitions and film festivals to dance parties and big-name international headliners, in one helluva jam-packed festival. We've pulled together a list of ten events popping up throughout the festival that feature once-in-a-lifetime lineups or celebrate LGBTQIA+ pride in their own unique way. From the long-awaited return of the annual Mardi Gras parade to its spiritual home through to multi-day party programs, these are the cream of the crop that will have you considering last-minute flights to Sydney. Explore our picks for the best WorldPride events this massive program has to offer. LIVE AND PROUD: SYDNEY WORLDPRIDE OPENING CONCERT Who else to open the Southern Hemisphere's first WorldPride than Australia's pop princess Kylie Minogue? Sydney shall be so lucky, with the iconic hitmaker taking to The Domain for a blockbuster concert kicking off the festivities on Friday, February 24. But, it doesn't end with Kylie. Live and Proud will also feature appearances from Charli XCX and Jessica Mauboy, with local legends Casey Donovan and Courtney Act on hosting duties. If you can't be there in person, the performance will be broadcast live nationwide on the ABC as well. [caption id="attachment_749877" align="alignnone" width="1920"] Jeffrey Feng[/caption] MARDI GRAS PARADE One of Sydney's biggest nights of the year is returning in a massive way in 2023. Not only is this Mardi Gras parade the event's 45th anniversary, as well as its return to Oxford Street, but it's also part of WorldPride. It's all happening on the streets of Darlinghurst on Saturday, February 25. The theme: gather, dream, amplify. All of the colourful floats and community groups the parade is known for will begin to march from 6pm, with the parade continuing until 11pm. Expect more than 12,500 marchers and 200 floats throughout the five-hour celebration of the LGBTQIA+ community. DOMAIN DANCE PARTY Two days after Kylie takes to The Domain, another megastar will arrive, with Kelly Rowland headlining DJ Dan Slater's Domain Dance Party. DJ Suri and DJ Isis Muretech will also be on the decks, but the big star is clearly the former Destiny's Child member, who'll work through tracks from across her career. Fancy getting sweaty on the dance floor with 10,000 people? That's what's on offer on Sunday, February 26, with Rowland, the DJ lineup, onstage dancers and surprise acts all providing good times. MARDI GRAS FAIR DAY Fair Day is traditionally one of the first events of Mardi Gras each year, but in 2023 it's going one better: happening on Sunday, February 19, it's also the first major event of WorldPride. Get ready for a family-friendly, pup-friendly, eco-glitter-friendly day in Camperdown's Victoria Park that's inclusive, relaxed and free. This year's Fair Day will feature a fancy dress competition for dogs, over 300 market stalls, pop-up bars, a main stage with leading queer performers in Australian music, plus the chance to shine brightly with your nearest and dearest chosen family. Highlights from the performance lineup include Eurovision champion Conchita Wurst, a Sissy Ball vogue showcase, The Buoys, Nana Miss Koori, Carla Wehbe, Jamaica Moana and Latifa Tee — plus pop-up bars from the likes of Archie Rose and Squealing Pig. RAINBOW REPUBLIC: SYDNEY WORLDPRIDE CLOSING CONCERT While we'd love the celebrations to continue year-round, nothing lasts forever, and WorldPride will be coming to an end on Sunday, March 5 — but not before one last pop-filled party. Wrapping things up will be Rainbow Republic, another hit parade in The Domain featuring German pop star Kim Petras. Joining the 'Unholy' and 'Coconuts' hitmaker is MUNA, G Flip, Peach PRC, Alter Boy, BVT and Vetta Borne. Keiynan Lonsdale (Love, Simon, The Flash, Eden) will also be performing and taking to the stage between acts on hosting duties. MARDI GRAS FILM FESTIVAL The annual Mardi Gras Film Festival returns with a bumper edition celebrating both WorldPride and its own 30th anniversary. Fans of queer cinema, rejoice: this annual Sydney film fest is screening 166 films at eight venues around the city, running from Wednesday, February 15–Thursday, March 2. MGFF highlights include All the Beauty and the Bloodshed, 2022's Venice Film Festival Golden Lion-winning documentary about queer artist Nan Goldin, her life and career, and her battle against the billionaire Sackler family — plus closing night's The Venus Effect, with the Danish movie about two young women in love enjoying its Aussie premiere. The full fest program includes 100-plus sessions in cinema, outdoors and on-demand, alongside panel discussions, workshops, networking events and parties. Plus, there's an online component showing 21 movies nationwide. [caption id="attachment_887917" align="alignnone" width="1920"] Alex Davies[/caption] DAY FOR NIGHT: THE PLEASURE ARC Festivalgoers should prepare their endurance for The Pleasure Arc, a 24-hour party packed with incredible talent set to immerse attendees in an extravagant queer utopia. Enjoy some of Australasia's best queer artists including House of Sle, House of Silky, Marcus Whale, Basjia Almaan and imbi during the opening weekend of the festival across Saturday, February 18–Sunday, February 19 at Carriageworks. In charge of keeping the tunes rolling during the overnight extravaganza will also be the Your Pleasure DJs, meaning there won't be a dull moment across the non-stop party. [caption id="attachment_887907" align="alignnone" width="1920"] Daniel Boud[/caption] MARRI MADUNG BUTBUT Also at Carriageworks is Marri Madung Butbut (Many Brave Hearts): Sydney WorldPride First Nations Gathering Space. This six-day program from Thursday, February 23–Tuesday, February 28 celebrates Indigenous LGBTQIA+ artists and communities. Kicking off the festivities is a free-to-attend opening night party, the Djarraba Disco, featuring some of Eora and Naarm's best performance artists lighting up the dance floor. From there, you can head along to 11 different free events and several ticketed pop-ups ranging from variety shows to heartfelt plays. "Marri Madung Butbut is a place where everyone is welcome to experience the rainbow heart of the oldest surviving culture on the planet," explains Festival Creative Director Ben Graetz. ALL THE SEX I'VE EVER HAD We've all heard of the saying "the older you are, the wiser you are" — and in this case it stands true. It is common knowledge that we can glean so much from our elders with their breadth of experience. So when it comes time to learn about experiences pertaining to love, romance and sex, who better to ask than the ones with the most expertise? Strap in — or on — for a wild ride, as All The Sex I've Ever Had returns to Sydney completely revamped for WorldPride. The Darlinghurst Production Company has teamed up with Canada's Mammalian Diving to bring an LGBTQIA+ edition of the hugely successful, 90-minute tell-all production back to Sydney. From Tuesday, February 21–Friday, February 24, plus a 5pm show on Sunday, February 26, you can draw upon the wisdom of queer local senior citizens at the Eternity Playhouse Theatre. You'll also experience the climaxes of truly raw storytelling as these generous elders recount some of the highest highs and lowest lows when it comes to dating, relationships and sexuality. THE ABERCROMBIE WORLDPRIDE PROGRAM Following years of lockouts and lockdowns, the dance floor has finally made an emphatic comeback in Sydney. Part of this return is the reopening of storied nightclub The Abercrombie, which is making full use of its 24-hour license and multiple dance floors for WorldPride by rolling out a stacked program of parties. Curated by DJ Kate Monroe and party-starter Xander Khoury, the program runs from Friday, February 17–Sunday, March 5, and enlists the help of party crews like Heaps Gay, Kerfew, Fur Ball and the Queer House Collective to bring together three weeks of packed dance floors, thumping bass and joyous energy. From full-venue takeovers and post-parade kick-ons raging until 8am to rooftop recovery brunches, this lineup has packed in as much dance music and good times to WorldPride as possible. The entire program features plenty of free events as well as a few ticketed nights — and all events are free for drag performers and First Nations attendees. Sydney WorldPride runs from Friday, February 17–Sunday, March 5 — for information, or for tickets, head to the event's website.
So you think your Prius is green? How about a car made from bamboo and rattan for a set of sustainable wheels? The Phoenix, unveiled at the "Imagination and Innovation" exhibition in Milan is an experimental vehicle from furniture designer Kenneth Cabonpue. The car borrows heavily from his furniture designs, which highlight natural materials, flowing lines and quality craftsmanship. The end product is a thing of bird-like beauty, with little resemblance to a vehicle churned out of a factory. An experimental design, the Phoenix is unlikely to make it on to the streets. Although it does use steel and carbon fibre in the frame, the display model has no engine although there is space for one. Perhaps putting a combustion engine in a largely wooden vehicle could end up with the Phoenix living up to its name. [via habitusliving]
The Murray River flows right through the heart of Tocumwal, and 24 riverside beaches within close proximity to town ensure you can make the most of every sunny day. With this stretch of Australia's longest river lined with shady red gums and native bushland, there's a quiet patch of shoreline with your name on it. Just a short drive from other stellar river beaches — like Tocumwal Beach, Apex Beach and Finley Beach — sits Bouchiers Beach. It's the perfect spot for swimming, kayaking and camping. Image: Emily Godfrey, Visit Victoria
Whether you're in full lockdown mode, are only leaving the house to buy groceries or still have to venture out regularly because you can't work from home, no one is moseying far in these COVID-19 times. Everyone wants to, though. That's just human nature. Even if you're a homebody whose idea of a perfect vacation is getting cosy on the couch with your partner and your streaming queue, we're betting you're currently craving something — anything — to look at beyond your own four walls. Being cooped up in the house and experiencing a hefty dose of wanderlust go hand-in-hand, unsurprisingly — and you can cope in two ways. If you're itching to travel the globe the second you're able to, you can spend all your new spare time planning the trips you'll take when you can finally leave isolation behind. Or, if you're happy to simply pretend that you're somewhere far, far away, you can enter the world of travel live streams. You've virtually toured museums, galleries and landmarks already. Now it's time to while away as many minutes, hours or days as you like staring at a live webcam feed that's capturing life in another country right at this moment. Maybe you want to see what's going on in some of the places you've already been to. Perhaps you're keen to view stunning sights that you've always wanted to visit. Either way, here are seven travel live streams that you can watch from your couch at this very instant. A hint: pop one on in the background while you're working from home, and your day will instantly seem brighter. Also, a word of warning: they're rather addictive. https://www.youtube.com/watch?v=CwriDd8STdI&feature=emb_logo THE NORTHERN LIGHTS, CHURCHILL, CANADA The northern lights, aka aurora borealis, are one of the world's great natural wonders — the type of phenomenon that you need to see with your own eyes to truly appreciate. Caused by solar winds, the lights beam an array of colours across the evening sky, emitting a show that luminous events like Vivid only wish they could emulate. And, for everyone who needs that kind of magic in their lives at the moment, they're being live-streamed via Explore.org's dedicated webcam. You'll obviously need to tune in at the right time; however the middle of the night in Churchill, Canada (where the camera is stationed) coincides with late afternoon Down Under. And, even when you can't glimpse the main attraction, you can still peer at a scenic sky above an expanse of snow, all on the other side of the world. https://www.youtube.com/watch?v=HpZAez2oYsA CANAL OF CANNAREGIO AND PONTE DELLE GUGLIE, VENICE, ITALY Perhaps it's the centuries-old architecture. Maybe it's the glistening water. Or, it could be the entire idea of a city built on a group of 118 small islands, all separated by canals and linked by bridges. Whichever one fits, Venice boasts a particular kind of magic — and, in good news, that remains the case if you're watching on via live stream. Peering at the Ponte delle Guglie over the Canal of Cannaregio, the webcam setup at Hotel Filù is one of the best. Also, while you're viewing, you'll be doing so from a camera inside a building that dates back to the 800s. Those interested in more of Venice's distinctive sights can choose from a range of other cams, too, including a rolling live feed that switches between various scenic vantages. SHIBUYA SCRAMBLE CROSSING, TOKYO, JAPAN It has been featured in everything from Lost in Translation to Fast and Furious: Tokyo Drift — and, during normal circumstances, it's one of the busiest places in one of the busiest cities in the world. That'd be Shibuya's famous scramble crossing, where hordes of people usually cross the intersection all day, everyday. Whether you've been to Tokyo plenty of times or you've always wanted to take a trip, this bustling site is on everyone's must-visit list. For now, though, you can simply watch. Shibuya Community News' web cam peers down at the four-way crossing non-stop, as the few folks who are still out and about in Tokyo go about their business. If you've ever walked across the road yourself, the sparse sight is quite surreal. If you haven't yet had the chance, get ready to start people-watching. https://www.youtube.com/watch?v=wnNrd-VjLsQ WAIMEA BAY, HAWAII, USA Who doesn't wish that, right about now, they were sunbathing on a beach with nothing but sunscreen, sand and the crash of the waves to worry about? We all know the feeling — and while Australia's beaches have been closing over the past few weeks, all in an effort to enforce the country's current social-distancing requirements, you can check out Hawaii's Waimea Bay instead. If you find looking at the surf and listening to the roar of the ocean soothing at the best of times, you'll undoubtedly feel the same in today's far-from-usual predicament. This is a live stream you'll want to turn the volume up for, too, so you can make the very most of every sound from the scenic O'ahu spot. THE EIFFEL TOWER, PARIS, FRANCE Live stream network Earthcam.com has access to cameras in a huge number of places; however there's nothing quite like staring at one of the world's most famous tourist attractions while you're sat on your couch. If you time your peek just right — aka, you have a look when it's evening in Paris but daytime Down Under — you'll see the Eiffel Tower lit up against the night sky, perhaps even with the moon in the background, too. And, if you'd like to see how the iconic structure looks at various times of the day and under different conditions, you can scroll through the site's extensive image gallery, checking out how the tower appeared over the past hours, days, weeks and months. YOSEMITE NATIONAL PARK, CALIFORNIA, USA There's no shortage of magnificent natural land formations to see in California's Yosemite National Park. While no one can lock their peepers on them in person at present, anyone eager to get a glimpse can still do so online. And, thanks to Yosemite Conservancy and the US National Park Service, there are multiple options — peering at multiple sights, too. If it's a live webcam feed you're after, then take a gander at Yosemite Falls, one of the world's tallest waterfalls. Watching water stream down from almost 740 metres up is quite the vision to behold. For those who'd rather peer at the Yosemite High Sierra, the Badger Ski Pass Area or Half Dome, or vicariously live out their Free Solo dreams at El Capitan, you can do so via static live images that refresh every 60 seconds. https://www.youtube.com/watch?v=4zUmDtZAd28&feature=emb_logo LOCH NESS, SCOTTISH HIGHLANDS, SCOTLAND You could spend your days in isolation learning a few new skills, catching up on a heap of movies, watching everything from theatre to opera, getting your sweat on and cooking up a storm. Or, you could keep your eyes peeled for a famous critter: the Loch Ness Monster. Thanks to the Nessie on the Net live stream, a webcam is trained at the body of water in the Scottish Highlands all day and night. If anyone is ever going to spot the creature — if it does even exist — now seems like the perfect time for it. You'll want to check out the stream when it's daytime in Scotland, otherwise you'll just see darkness. And, monster or no monster, the lake and the surrounding countryside still looks idyllic either way. Top image: Shibuya scramble crossing, Benh Lieu Song via Wikimedia Commons.
Feel like you're in a weekend activity rut? Run out of ideas for your next mini break? While we adore lazy brunches and home movie nights, sometimes you need an injection of leisure time adrenaline to break into new worlds of fun. Happily, there are plenty of unusual adventure avenues to explore in New South Wales. Whether you're looking to ride camels into the sunset or fling yourself from extraordinary heights, we've found a bunch of NSW activities that will redefine your comfort zone.
Last week, Australia had its first ever drive-in concert. It took place in Sydney's Robyn Webster Sports Centre in Tempe on Thursday, May 21, with Australian Idol winner Casey Donovan as the headline act. It was free and — despite the midday time slot and the slightly off-kilter artist choice — it garnered a crowd. Drive-In Entertainment Australia's first concert was an example of how it plans to run its (many) future events. From July, the company hopes to host live music concerts for up to 600 people, in 300 cars, with plans to launch eight drive-in venues across NSW and Victoria. Depending on how successful the events are, more states may follow. So, how does it work? Much like a scene out of hit 70s film Grease — or any drive-in cinema, really — you drive in, park up and watch from your car. The sound will be broadcast by an FM radio to your car, with the option for the spectacle to be live streamed via Zoom, too. You won't be able to get out of your vehicle though, unless going to the bathroom. All ticketing will be contactless, as will any snack purchases, which will be delivered to your car from onsite food trucks. It's no secret Australia's music industry has been hit hard during the pandemic, with website I Lost My Gig reporting about $340 million in lost income since COVID-19 saw the cancellation and postponement of festivals and gigs nationwide. With Australia's proposed roadmap out of COVID-19 lockdown, mass gatherings of up to 100 will be permissible from July, which isn't a sustainable outlook for all facets of the industry. Despite Falls Festival 2020 announcing its plans to go ahead, a public health expert predicts music festivals may not be able to restart until September 2021. At least with drive-in concerts, larger live music events will be able to have a small revival — even if it means you must cut shapes in your car. Australia is not the first country to trial drive-in gigs, with one of the first happening in an LA carpark back in March and another in Aarhus, Denmark last month, which sold out in minutes according to Forbes. Drive-In Entertainment Australia plans to launch eight venues across NSW and Victoria, with other states to potentially follow. Entertainers, producers, agents and managers can register for a gig from Saturday, July 18 onwards. More information and contact details can be found on the website.
WOMADelaide is returning to Adelaide's Botanic Park/Tainmuntilla from Friday, March 6 to Monday, March 9, 2026 — and the festival's first lineup announcement has landed, featuring 49 artists from around the globe. Headlining the 29th edition are Yothu Yindi, Obongjayar and Marlon Williams, with a program that will span from Bhutan to the Kimberleys, Cuba to Ukraine, and far beyond. View this post on Instagram A post shared by WOMADelaide (@womadelaide) Yothu Yindi will celebrate 35 years of Tribal Voice, while London-based Nigerian artist Obongjayar — known for his feature on Fred again..'s hit 'adore u' — will bring his blend of Afro-funk to Adelaide. Marlon Williams will perform alongside Kapa Haka group Ngā Mātai Pūrua, and Indian-American artist Ganavya will showcase her fusion of spiritual jazz and South Asian classical music. Other highlights include 82-year-old First Nations gospel singer Kankawa Nagarra, Cuban Grammy-nominee and Buena Vista Social Club alumnus Roberto Fonseca, Palestinian DJ Sama' Abdulhadi (returning after seven years), and soul sensation Jalen Ngonda, fresh from his Glastonbury debut. The festival will also feature Australian exclusives, including Belgian choreographer Anne Teresa de Keersmaeker's groundbreaking Rosas danst Rosas, Ukrainian-Canadian project Daughters of Donbas, French electronic act Orange Blossom, and Bhutan's first-ever representatives, the Bhutan Balladeers. They join previously announced acts including Yolngu rapper and dancer Baker Boy, US singer-songwriter Iron & Wine, Irish folk group Beoga and Pacific Break winner Mantis from Vanuatu. Since its debut in 1992, WOMADelaide has become one of Australia's most beloved festivals, celebrating music, arts and dance from across the world. The 2026 event will also see the return of Taste the World, WoMarkets, KidZone, Planet Talks and The Sanctuary Restaurant, alongside Around the Park performances scattered throughout the site. "Few festivals in the world are able to showcase the breadth and diversity of music, arts and dance on such a large scale while appealing to all ages and tastes," says WOMADelaide Director Ian Scobie. "It's a glorious opportunity to discover new sounds and embrace artists you love." WOMADelaide 2026 will run from Friday, March 6 to Monday, March 9 at Botanic Park/Tainmuntilla in Adelaide. Head to the WOMADelaide website for tickets and the full lineup. Images: Supplied
You've had a bad day, you're feeling tense and stressed, you've received some news you wish you hadn't, or things just aren't looking as rosy as you'd hoped. We've all been there. In fact, we're all cycling through these exact scenarios at the moment — and being glued to your social media feed, TV or go-to news site 24/7 is probably taking its toll. As the old cliche goes, laughter is the best medicine. Really, actual medicine is always the best medicine. In response to COVID-19, preventative actions such as social-distancing also rank high on the list. But there's nothing wrong with needing an amusing, rib-tickling, gut-busting distraction from all the seemingly non-stop coronavirus updates at present — and we're here to help with ten sources of hilarity that'll help brighten your day, even if only momentarily. https://www.youtube.com/watch?v=-e-TYLdOIss LADY DYNAMITE With BoJack Horseman and Unbreakable Kimmy Schmidt on its slate, Netflix has become home to a number of episodic comedies that tackle mental health in a smart and thoughtful way — but Lady Dynamite just might be the most bizarre and playful of the bunch. Created by South Park alumni Pam Brady and Arrested Development's Mitch Hurwitz, it stars Maria Bamford as a version of herself, following her ups and downs as she endeavours to get her career back on track. That might sound like a standard sitcom setup, but Maria has just spent six months in treatment for bipolar disorder, and no one around her quite knows how to handle her return. Also featuring a standout performance by veteran comedian Fred Melamed as Maria's agent, and boasting appearances by everyone from Jenny Slate, Tig Notaro and Patton Oswalt to Judd Apatow, Andy Samberg and 'Weird Al' Yankovich, this is a comedy that swings big, dives deep, and knows how to be both delightfully loopy and astutely candid at the same time. Lady Dynamite's two seasons are both available to stream on Netflix. https://www.youtube.com/watch?v=K9veOumGnuU GARTH MARENGHI'S DARKPLACE Matt Berry crooning a slick 80s-style tune about romantic woes, complete with an awkward rap segment by Richard Ayoade. A TV medical drama where one of the doctors is an ex-warlock (Matthew Holness), another is occasionally psychic (Alice Lowe), and worrying about a hellmouth, mysterious cats, flying objects and extraterrestrial broccoli infections is all in a day's work. Behind-the-scenes commentary about said ultra low-budget series, with "author, dreamweaver, visionary, plus actor" Garth Marenghi (also Holness) and his publisher and publicist Dean Learner (also Ayoade) among the folks providing their thoughts. That's all part of six-part 2004 sitcom Garth Marenghi's Darkplace, which serves up the best three hours of TV comedy made this century. Filled with sublimely offbeat scenarios, off-kilter gags, witty wordplay and purposefully over-the-top performances, the weird and wonderful show has a cult following for a reason — and not just because The Mighty Boosh's Noel Fielding and Julian Barratt also show up. All six episodes of Garth Marenghi's Darkplace are available to stream on iTunes. https://www.youtube.com/watch?v=DhdrA9qz79o HOT ROD Sometimes, if you're Kevin Bacon, you're struggling with a dancing ban in a small town and you're starring in 1984's Footloose, you just need to punch-dance out some rage. And sometimes, if you're Andy Samberg in 2007 comedy Hot Rod, you just need to gallop into a wooded glen and do the same in a stellar parody of the 80s flick. Gleefully ridiculous even when it's not satirising decades-old dance flicks, Hot Rod has plenty of other highlights. Samberg's pre-Brooklyn Nine-Nine stint as the eponymous wannabe stuntman is one of them, as is the great supporting cast that also includes Danny McBride, Bill Hader, Isla Fisher and Deadwood's Ian McShane. Overall, though, it's the surreal and silly vibe of the whole film that shines brightest — which won't come as a surprise given that The Lonely Island, Samberg's comedy trio with Akiva Schaffer and Jorma Taccone (and the driving force behind Saturday Night Live's 'Dick in a Box', 'Lazy Sunday' and 'I'm On a Boat') are behind it. Oh, and the rousing scene soundtracked by John Farnham's 'You're the Voice' helps, too. Hot Rod is available to stream on Amazon Prime Video and Foxtel Now. https://www.youtube.com/watch?v=zrYB8hgyq4s MONSIEUR HULOT'S HOLIDAY, MON ONCLE AND PLAYTIME French filmmaker Jacques Tati only directed six feature-length films — all of which he wrote and starred in, too — but his body of work left an enormous imprint on comedic cinema. Offering a wry, subtle, irony-laced brand of physical comedy, he's rightfully considered one of the genre's best both in front of and behind the lens. In his breakout 1953 film Monsieur Hulot's Holiday, in which he introduces his eponymous (and clumsy) on-screen alter-ego, he takes visual satire to sublime lengths while pondering class differences. In his 1958 Best Foreign-language Film Oscar winner Mon Oncle, he unleashes his prowess while tasking his in-film surrogate with contemplating the rise of consumerism. And in his masterpiece Playtime, which took three years to make and features one of the most stunning sets ever seen on screen, he tackles a futuristic, highly industrialised Paris. All three are currently available to stream — and, once you've caught the Tati bug, so are his other three features Jour De Fete, Traffic and Parade. Monsieur Hulot's Holiday, Mon Oncle and Playtime are all available to stream on SBS On Demand. https://www.youtube.com/watch?v=5IZWeAwdJ-s PARKS AND RECREATION She's the government worker we all wish could be in charge of, well, absolutely everything — and she's the Indiana city of Pawnee's most devoted employee and biggest fan. We're talking, of course, about Leslie Knope, Amy Poehler's super passionate waffle-loving character in iconic sitcom Parks and Recreation. Willing to work hard in any situation and always ready to lean upon her friends and co-workers, Leslie knows how to handle almost anything. In one particular fifth-season episode of the Nick Offerman, Rashida Jones, Aziz Ansari, Chris Pratt, Aubrey Plaza, Adam Scott and Rob Lowe-costarring series, that also includes grappling with a pandemic. Created by The Office's Greg Daniels and Brooklyn Nine-Nine's Michael Schur, Parks and Recreation may have only come to the end of its seven-season run back in 2015, but the sitcom has been an instant classic from the get-go for one reason: focusing on relatable characters, the minutiae of their lives and the time working in local government, workplace-based comedy has never felt more kind-hearted, or — thanks to the show's penchant for letting its main players talk directly to the camera — so inclusive. All seven seasons of Parks and Recreation are available to stream on Stan. https://www.youtube.com/watch?v=YuCCtBleq6w THE MUPPET MOVIE AND THE MUPPETS It's impossible to watch The Muppets, Jim Henson's most famous creations, and not have a smile plastered across your face. Seeing the late, great puppeteer's furry characters talk, joke and get up to all kinds of sketch-style antics — witnessing Kermit the Frog and Miss Piggy's melodramatic romantic back-and-forth, Gonzo's zany stunts and the Swedish Chef's mumbling cooking segments, to name just a few — is warm, joyous and often absurdist fun, pure and simple. You can't really go wrong with whichever Muppets film or TV series you pick, and there's plenty to choose from; however two stand out from the crowd. Go old school with 1979's The Muppet Movie, where Kermit and the crew follow the stars in their eyes by trying to chase their Hollywood dreams. Or, join Jason Segel, Amy Adams and the usual felt-covered suspects as they attempt to save Muppet Theatre in 2011's delightful big-screen comedy-musical The Muppets. The Muppet Movie and The Muppets are available to stream on Disney+. https://www.youtube.com/watch?v=MYzFieit8dI THE MEYEROWITZ STORIES (NEW AND SELECTED) Before Noah Baumbach charted the end of a couple's wedded bliss in Netflix's heartbreaking Marriage Story, and before Adam Sandler tried dealing diamonds in the streaming platform's tense and glorious Uncut Gems, they paired up for another of the service's other great films in recent years. That'd be The Meyerowitz Stories (New and Selected), one of Baumbach's perceptive comedy-dramas about the ties, woes and dysfunctions that bind people together — in this case, a family of adult siblings (Sandler, Ben Stiller and Elizabeth Marvel), as well as the sculptor father (Dustin Hoffman) who still proves a considerable presence in their lives. As seen in the likes of Frances Ha, While We're Young and Mistress America, too, Baumbach's sense of humour is bittersweet, honest and insightful. It's also simultaneously loose and sharp, never feeling too tightly wound but never letting a clever moment pass by either. All of that is on display here, as are a winning range of performances, especially from Sandler, Stiller and Hoffman. The Meyerowitz Stories (New and Selected) is available to stream on Netflix. Images: Lady Dynamite, Doug Hyun/Netflix. The Meyerowitz Stories (New and Selected), Atsushi Nishijima/Netflix. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Bringing together some of the region's finest fare, the Margaret River Gourmet Escape presents a tantalising four-day festival of food, drink and merriment, all set in one of the most naturally beautiful areas imaginable. It's a packed program with over 100 boutique producers involved and highlights, including a star-studded chef's table, cooking masterclasses, coffee workshops and a buzzing village green featuring an array of local produce. Margaret River is often seen as a wine region. While that's not wrong, seeing it as just a destination for vineyard-hopping would massively underplay the charms of this picturesque spot for a multi-faceted summer holiday. Few regions of Australia are as rich in natural beauty and densely populated with world-class dining options. We've teamed up with Mazda3 to help you make the most of your trip to Gourmet Escape. Here are the best options for what to eat, what to do and where to stay during the feasting fest. [caption id="attachment_632002" align="alignnone" width="1920"] Elements Margaret River.[/caption] EAT AND DRINK If you're looking to make the most of Gourmet Escape, be sure to plan ahead — you'll find there are more than just a few fringe events and degustations you'll want to find. This year's all-star program corrals top chefs like Andrew McConnell (Supernormal, Supernormal Canteen, Cumulus Inc.), David Thompson (Long Chim), Guillaume Brahimi (Bistro Guillaume), Clayton Wells (Automata) and Paul Carmichael (Momofuku Seiobo). There is also the option to simply kick back in idyllic surrounds and sip some local tipples. Outside of the festival, Saturday mornings in Margaret River see the buzzing Margaret River Farmers' Market set up with dozens of stalls offering all kinds of local baked goods, fruits, vegetables, flowers, chocolates and wines. It's an ideal spot to stock up on supplies for a beach picnic, as is the gourmet deli located at Smiths Beach at Lamont's winery. This coastal favourite is also a great spot for a laidback brunch with an all-day menu split in two — offering brekkie eats like buttermilk pancakes and shakshuka or lunchtime bites like pork rillette and spaghettini with walnut sauce. [caption id="attachment_642075" align="alignnone" width="1920"] Margaret River Farmers' Market.[/caption] An iconic restaurant of the region, the acclaimed Cape Lodge's menu revolving around local produce attracts many to the area — everyone from Bill Clinton to Katy Perry has stopped off at this famed lakeside restaurant. On any given visit, you might find Western Australian options like marron from Donnybrook, mussels from Safety Bay or Exmouth prawns. And if you're after a more casual option, White Elephant Beach Café — who'll also be among the many local dining options in attendance at Gourmet Escape — is located ideally overlooking the boat ramp at Gnarabup beach and pumps out great coffee and classic all-day breakfast options like bircher muesli and smashed pumpkin on sourdough. [caption id="attachment_642073" align="alignnone" width="1920"] Peta Hopkins via Flickr.[/caption] DO Along with great eats, there's also plenty of entertainment on offer at Gourmet Escape. Matt Okine will do his food and comedy thing, DJ sets from the likes of Hugo Gruzman (Flight Facilities) and Triple J's Tom Tilley will be held throughout and locals San Cisco will headline the closing night party. So plan to have a boogie or two during your visit. Spending some time in the Leeuwin-Naturaliste National Park is also an absolute must. Named as a world biodiversity hotspot by the World Wildlife Foundation, the region's unusual climate and soil profile means it's home to a dazzling variety of colourful wildflowers, many of which are rarely seen elsewhere. Look out for the likes of blue grass lilies, spider orchids and crimson one-sided bottle brush. The very keen hikers may want to tackle the famous Cape to Cape Track, a 135-kilometre walk which hugs the coastline. For everyone else, there are many options to drop in on the track for much shorter walks. [caption id="attachment_642066" align="alignnone" width="1920"] Mammoth Cave.[/caption] The area is also notable for its limestone cliff and crystal caves. You can enter a network of caves at CaveWorks, just south of Margaret River. A narrow staircase leads you down into the most spectacular of the underground hollows, the giant Lake Cave, which includes an ethereal sunken forest. A rare example of an 'actively dripping' cave, it's like something taken from the pages of a fairytale. Further natural beauty is found in the region's string of stunning beaches, which include Hamelin's Bay, a photogenic stretch of white sand and blue-green water where stingrays weave their way through bathers. The popular Smiths Beach is another gorgeous part of the coastline, while Prevelly Beach, where Margaret River meets the ocean, is home to professional surfing events. STAY Riverglen Chalets offers a range of boutique accommodation options, with everything from studios to larger chalets for up to eight people. Best of all, it's set amongst seven acres of lush, green natural surrounds with a picturesque pond and towering gum trees. In a seemingly secluded location, the chalets are only a few minutes from town proper. Grab a breakfast hamper from the festival and head back to the chalets and start the day with an al fresco feast. Old Dairy Cottage is a quirky, character-filled option, proudly wearing its heritage as a pioneering district farm, but also including all the modern amenities. The light, airy accommodation is designed to make the most of the summer sun. Hilltop Studios also splits the difference between pastoral living and pure luxury; their designed accommodation comes with an award-winning chef on site and views of rolling hills and rugged countryside from your bathtub. For something entirely different, Conto offers a range of camping options alongside the winding coastline and peppermint woodland. Whether you're looking for a cheaper option or just like the idea of waking up to the sound of roaring waves, it's perfect a way to experience a truly spectacular part of the country. Margaret River Gourmet Escape 2017 takes place in the Margaret River region from November 16 to 19. Top image: Elements Margaret River. Personalise your next adventure via The Playmaker, driven by Mazda3.
When you've just given Australia the culinary experience we didn't know we needed — that'd be a luxe 11-course KFC degustation that definitely doesn't just involve slowly eating a big bucket of the Colonel's finest — what comes next? At Sydney fine-diner Nel, it's time for a bit of truth, beauty, freedom and love. Renowned for its creatively themed multi-course spreads before going fancy with chicky chicky fry fry (see also: its Christmas and Disney offerings), the restaurant is next taking its cues from Moulin Rouge! The Musical. The film-to-theatre production is about to dance its way into Sydney, kicking off at the end of May. So, if you're wondering what's inspired Nel's decadent feast, now you know. Designed as a pre-show option, it'll be available for lunch on Saturdays and Sundays in June and July. And yes, it's your spectacular spectacular reason to both see the musical and treat yo'self to a lavish meal. If you don't live in Sydney, it's also so exciting that you might want to stomp, cheer and head to the NSW capital. The world-first collaboration sees chef Nelly Robinson whip up a selection of dishes dripping with French nostalgia (no, not literally), including one dubbed 'Beauty', which is a savoury crème brulee. Or, there's also the 'Truth' steak tartare for a quintessential Parisian culinary option. Other dishes span Nel's take on pain au chocolat, beef bourguignon tarts, duck, French onion soup, beetroot with popcorn and opera cakes. "When creating this menu, I straight away saw the bohemian ideals aligned with our values, which is truth, beauty, freedom and love," said Robinson, explaining the new two-month-long menu. "I can't wait to showcase what we do. Come in, sit back and relax in my home. Then, go and enjoy yourself at the theatre." If you're ready to for your tastebuds to say "come what may", bookings are available now, with multiple sessions each Saturday and Sunday starting (at 11.30am, 11.45am, 12pm and 12.15pm). That'll set you back $145 per person, with four matching wines also available for an extra $75 each. Tickets to Moulin Rouge! The Musical aren't included in that price — and yes, this is definitely a treat yo'self kind of weekend lunch. Nel's 'Moulin Rouge! The Musical' degustation lunch is on offer on Saturdays and Sundays throughout June and July, at 75 Wentworth Avenue, Sydney. For more information or to book, head to the Nel website.
Forget simply watching a TV show, scoring yourself a new favourite, then perhaps buying some merchandise to show your love. For fans of ace new Australian rom-com sitcom Colin From Accounts, you can stream the series about two strangers who meet over a dog in the street, then get your own pet pooch a few beers. Cracking open a cold one with your canine companion is now on your summer agenda, with Binge teaming up with Melbourne-based brewery Hop Nation to release a brew solely for your four-legged friend. Called Colin's Pale Ale, the beer is actually a bone broth drop made from beef bones — and it's firmly for dogs, not for humans. That means that you'll need to grab your own tipple to sink with your pupper; however, if you get in quick enough, your pooch's tinnies won't cost you a thing. From 9am AEDT on Monday, December 12, Binge and Hop Nation are giving away free brews, which includes free delivery as well. If you and your dog are keen to get your paws on a four-pack, you'll need to head to the Hop Nation website. Understandably, getting in quicker than a canine can chase a tennis ball is recommended, because the Colin's Pale Ale freebies are only available while stocks last. You can thank Binge and Hop Nation for helping you solve a frequent dilemma experienced by every dog owner — because everything you can do, your canine always thinks it can as well. While humans know that's not always the case, it now will be when it comes to drinking brews during Australia's sultry summer. Clearly, Binge hopes that you and your pupper will enjoy a beverage while watching Colin From Accounts, which follows medical student Ashley (Harriet Dyer, The Invisible Man) and microbrewery owner Gordon (Patrick Brammall, Evil). After the latter gets distracted by the former one otherwise ordinary Sydney morning, he accidentally hits a stray dog with his car. As the pair get the pooch veterinary treatment, then commit to look after him — and, yes, name him Colin From Accounts — their already-chaotic lives start to intertwine. Check out the trailer for Colin From Accounts below: Binge and Hop Nation are giving away free four-packs of Colin's Pale Ale, a beer for dogs, from 9am AEDT on Monday, December 12 via the Hop Nation website. Colin From Accounts streams via Binge. Read our full review.
Swapping sketch comedy for horror movies has turned out pretty well for Jordan Peele so far. When the Key & Peele star made his first leap behind the camera, Oscar-winner Get Out was the excellent and unnerving end result — and the comedian turned writer/director isn't done terrifying cinema audiences just yet. To add a fright or two to your festive season, the first trailer for Peele's second directorial effort has arrived. If you scare easily, consider yourself warned. In Us, the filmmaker follows a family (Lupita Nyong'o, Winston Duke, Evan Alex and Shahadi Wright-Joseph) holidaying by the beach with friends (Elisabeth Moss and Tim Heidecker), which all sounds very normal. Then things go awry, in a flick that promises to make you feel just as uneasy about your own reflection as you felt about stirring cups of tea after Get Out. In preparation for her role, Peele tasked Nyong'o with watching a heap of classic horror movies — films such as The Shining, The Babadook, It Follows, The Birds, Funny Games, Martyrs, Let the Right One In, The Sixth Sense, Dead Again and A Tale of Two Sisters, Nyong'o told EW. If that list of creepy flicks doesn't give you an idea of what's in store in Us, then the suitably unsettling trailer will. https://www.youtube.com/watch?v=hNCmb-4oXJA Us releases in Australian cinemas on March 14, 2019.
A certain snappable chocolate bar has told us to 'take a break' for years, but if you happen to find yourself craving creamy, coated wafer fingers in Japan, 'sell your first-born to hunt down every flavour you can' works just as well. Yes, the nation is well-known for its many weird and wonderful varieties, most of which you won't find elsewhere (we've tried). Think Australia's first Kit Kat chocolatory and those salted chocolate, cookies and cream, and choc mint whirl Kit Kats on Aussie supermarket shelves are special? Not even close. What's a chocolate lover to do when they find themselves in the country that ramps Kit Kat appreciation up to eleven? Try them all, of course. It's a tastier alternative to catching all the Pokémon. Here's our flavour-by-flavour guide to all the varieties you should try when in Japan. Prepare to have your tastebuds blown. GREEN TEA It's the Kit Kat you have when you don't have time for a cuppa — or when you want to combine one habit with the other. It's also the light green addition to the chocolate fold that you'll find absolutely everywhere in Japan. And yes, as it melts in your mouth, you'll enjoy the unmistakable flavour of green tea. A word of warning: these are sold in every convenience store on every corner for a reason. Pace yourself. PUMPKIN If you happen to be in Japan at the right time of year (aka October), prepare to find another kind of Kit Kat lining the shelves. The packaging is tinged with orange, features witches and ghosts, and contains a Halloween-themed pumpkin surprise. And yes, that sweet smell that reaches your nostrils when you open the packet is indicative of the flavour. It's more coconut-leaning than pumpkin, really, but given that it's also an acquired taste, maybe that's a good thing. SHINSHU APPLE If there was any justice in the world, dark chocolate Kit Kats would sit on every store shelf next to the regular milk chocolate varieties. They don't, but Japan's special Shinshu apple flavour offers the next best thing — as long as you're keen on rich fruit-laced chocolate that retains the taste of both. Unsurprisingly, they emit a powerful scent of fake apple, but we're happy to report the taste is much more subtle. WA-ICHIGO If the pink chocolate doesn't give it away, then the aroma and taste will: this is Japan's popular strawberry flavour. Reminiscent of an extra sweet, very strong serving of strawberries and cream, this is one sweet treat you really will want to savour/eat again and again. You can buy them at the airport by the 68-piece boxful — the decadent purchase is highly recommended. HOKKAIDO MELON Hokkaido melons (that is, yubari melons that are available on the island of Hokkaido) are considered a delicacy. In Kit Kat form, they smell and taste like rockmelons — and those sensations somehow happen to be both strong and refreshing. This chocolate has a secret though, and it's a good one: it's also flavoured with mascarpone cheese. Yum. WASABI They had to do it, didn't they? Wasabi Kit Kats are the things that curious eaters' dreams are made of — and the kind of food mashup even those that aren't fond of the plant-based nose-burning paste that's commonly eaten with sushi will probably ponder trying. The good news: it takes a while for the taste to kick in, but once it does, you'll know about. You mightn't want to eat too many of these morsels at once, but you'll be happy enough to give them a second try. SAKURA MATCHA Ever wanted to know what cherry blossoms and matcha tea would taste like if they were smashed together, mixed with chocolate and poured over wafers? Primarily available in Japan in spring, the sakura matcha Kit Kats have you covered. If you've already scoffed some matcha ones, these ones will taste similar — but it has a stronger, floral-like aftertaste. YOKOHAMA STRAWBERRY CHEESECAKE Japan's Kit Kat powers that be clearly believe that you can make something great into something even better. Take the Yokohama strawberry cheesecake flavour, for example. If you want a creamier, slightly more subdued — but somehow even more mouthwatering — version of the wa-ichigo variety, this is the chocolate to stuff your suitcase full of. RUM RAISIN Everyone knows that one of the the best things about Christmas is rum balls. So how would you feel about savouring that delicious boozy taste all year-round in wafer-based chocolate form? Rum raisin Kit Kats are right up there with the best of them — and given that even the highly acquired tastes are delicious, that's high praise. It looks like a white chocolate Kit Kat, smells rummy, tastes rummy, and will make you think of many a drunken family get-together. SAKE How good is sake? It's great to drink, and it is so, so, so, so good as a Kit Kat flavour. The first thing you'll notice when you open your bottle-shaped box of chocolates is the uncanny aroma that really does trick your tastebuds into thinking that you're about to sip the real thing. If we could only eat one type of Kit Kat for the rest of our lives, we'd want it to be this one. Top image: Mira Pangkey via Flickr.
Whether it's opening a sprawling art museum, taking over a 400-year-old castle, turning old oil tanks into a digital waterfall, bringing waves of light to Melbourne or planning its first permanent European site, Teamlab's digital installations are never less than impressive. The term definitely applies to the interdisciplinary collective's latest venture, too. And if you find its work soothing, those feelings are bound to kick in with gusto when you're wandering around historic ruins and getting steamy in a sauna. In its latest dazzling permanent attraction, Teamlab has paired up with Japan's Mifuneyama Rakuen Park. If that sounds familiar, that's because the two have collaborated before. From July–November each year, an installation called Teamlab: A Forest Where Gods Live transforms the site into an interactive playground; however, if you'd like to check out the collective's wonders in the same area throughout the rest of the year, now you can. This time around, Teamlab has specifically joined forces with Mifuneyama Rakuen Hotel Rakan Bath — so you can head to the latter, then check out the former's works (or vice versa). It's calling the new venture Teamlab: Ruins and Heritage: Rinkan Spa and Tea Ceremony, and describes it as an "art and sauna experience within history and the forest", even though its projections within the tree-lined part of the site are only on offer for five months of the year. No matter when you head by — when international travel resumes, of course — you'll be able to head to Mifuneyama Rakuen Takeo's bath house ruins to see Teamlab efforts. Glowing, colour-changing lanterns have been on display since the new attraction opened in November 2020, and digital flowers have been blooming over the bathhouse walls since December. Visitors can also watch flowers, people and water particles dance across huge megaliths, and feel like they're wandering through a place where time has stopped in the process. Or, you can check out butterflies fluttering through underground ruins. There's also a tea house, Mifuneyama Rakuen Park's usual features — including carvings thought to date back 1300 years, Japan's seventh-largest tree and the stone gate to a castle — plus the spa facilities. Normally, some of these sites are only available to hotel guests; however, Teamlab is selling combo tickets to let patrons enjoy them as part of the new venture. To check out all of the above, you'll need to head to Kyushu, the third largest and most southern of Japan's islands. And, when you're next able to make overseas travel plans, you'll want to book your visit to Teamlab: Ruins and Heritage: Rinkan Spa and Tea Ceremony in advance. That's sound advice for every Teamlab venue anyway, but capacity for the Rakan Bath sessions is limited to ten men and ten women at a time. Teamlab: Ruins and Heritage: Rinkan Spa and Tea Ceremony is permanently on display at Mifuneyama Rakuen. Takeo City, Kyushu, Japan. For more information, visit the exhibition website. Images: teamLab.
Even under normal circumstances, heading to the UK to see a theatre show isn't in most folks' budgets. So, for years now, Britain's National Theatre has beamed its performances into cinemas around the world via a series called NT Live. Over the past 12 months, however, the theatre has adapted to the online realm — first putting a selection of recorded productions on its YouTube channel for everyone to view for free, and now launching its own streaming platform. Both initiatives have the same name — National Theatre at Home — but now, instead of waiting to see which play drops online each week, you can browse through a selection of shows whenever you like. The new streaming service does come with a fee, costing around AUD$18 (£9.98) per month or approximately AUD$184 (£99.98 per) year, but subscribers then have unlimited access. There's also a rental option, where you just pick whichever production you want to see and pay a one-off cost (from around AUD$13.50/£7.99) to watch within a 72-hour window. All of National Theatre at Home's catalogue consists of previously recorded productions — which means that you can get cosy on your lounge, put your feet up and pretend you're at the theatre watching some of the company's greatest hits. New shows are added monthly, with subscribers receiving early access to new additions, as well as behind-the-scenes glimpses. At the time of writing, theatre fans can choose between the first-ever National Theatre Live broadcast, Phèdre with Helen Mirren; William Shakespeare's Coriolanus, starring Tom Hiddleston; and a London-set modern update of Federico García Lorca's Yerma with Billie Piper. Other titles include Medea with I May Destroy You's Michaela Coel — plus Julie, an updating of the play Miss Julie, starring Vanessa Kirby. And some works, such as Mosquitoes with Olivia Colman and a new Nigerian-set version of Chekhov's Three Sisters, are being released for the first time. On the technical side of things, you can stream National Theatre at Home via any web browser, or using Apple products (with iOS and tvOS), Google (through Android and Android TV), Roku TV and Amazon Fire TV. National Theatre's back catalogue is rather hefty — and star-studded, too. Accordingly, here's hoping that some of the company's absolute masterpieces also make the jump to the National Theatre at Home streaming platform in the future. Fingers crossed that its stripped-back version of Mary Shelley's Frankenstein, as directed by Trainspotting and Yesterday's Danny Boyle, and starring Benedict Cumberbatch and Jonny Lee Miller, is one of them — or its production of A Streetcar Named Desire with none other than Gillian Anderson as Blanche DuBois, alongside Ben Foster and Vanessa Kirby. National Theatre at Home is now available online, with subscriptions costing around AUD$18 (£9.98) per month or approximately AUD$184 (£99.98 per) year. Top image: Coriolanus. Photo by Johan Persson.
Every three years, the Brisbane's Gallery of Modern Art (GOMA) and Queensland Art Gallery take stock of their place in the world. From their riverside stretch of South Brisbane, the neighbouring art institutions are keenly aware of the importance of celebrating not only the city's creativity, but that of the country and the Asia-Pacific region as well. That's exactly what the Asia Pacific Triennial of Contemporary Art is all about, and has been since 1993. The huge multi-gallery exhibition highlights the wealth of artistic treasures crafted in our own backyard — from the skyscrapers to the suburbs, the outback to the ocean, and the heart of Australia to the sprawl of neighbouring Asian cities. Marking its ninth event and running until April 28, 2019, the latest APT takes its task seriously. There's so much excellent art from the region to showcase, and so many talented artists as well. Indeed, the numbers paint one of the exhibition's biggest pictures, with the 9th Asia Pacific Triennial of Contemporary Art featuring more than 400 artworks by over 80 individuals, collectives and groups. If you're wondering which of APT9's pictures, paintings, sculptures, videos, installations and more that you should see at the free exhibition, we've singled out six must-sees. [caption id="attachment_700271" align="aligncenter" width="1920"] Gary Carsley 'Purple Reign'. APT9 Kids. GOMA 1.4. Installation view.[/caption] 'PURPLE REIGN' BY GARY CARSLEY Ignore GOMA's Children's Art Centre at your peril. The home of Yayoi Kusama's Obliteration Room every time that it comes to town, it's a space where art and interactivity combine for big and little kids alike. For APT9, it's overflowing with something that (basically) everyone loves: jacarandas. Most of Brisbane has just been blossoming with the distinctive purple flowers, but here they're taking over the walls. This piece is called Purple Reign for a reason (and not just to make a great Prince pun). As inspired by R Godfrey Rivers's painting Under the jacaranda 1903, visitors play with touch screens and video to explore the gorgeous blooms, which brighten up nearly every surface in the room. [caption id="attachment_700275" align="aligncenter" width="1920"] ALBAIQUNI Zico. Indonesia, b. 1987. When it Shook - The Earth stood Still (After Pirous) 2018. Oil on canvas. 200 x 120 cm. Courtesy: The artist and Yavuz Gallery.[/caption] THE WORK OF ZICO ALBAIQUNI In a huge exhibition designed to catch many an eye — both as a whole, and via its individual artworks — some of APT9's most vibrant pieces take art aficionados to Indonesia. More than that, they delve into the country's landscape and history — but not quite how you might expect. That's what artist Zico Albaiquni does, with exploring his country's traditions, its time under Dutch colonial rule and the state of the environment today all part of his practise. Working at the larger end of the scale, his paintings envelop viewers with their size, their scale and with their use of design, as well as with their almost forceful (and definitely attention-grabbing) use of colour. [caption id="attachment_700270" align="aligncenter" width="1920"] CAO Fei. Beijing, China b. 1978. Asia One 2018. HD video installation: 63:20 minutes, sound, colour, ed. 2/7 (edition TBC). Collection: Queensland Art Gallery.[/caption] 'ASIA ONE' AND '11.11' BY CAO FEI Every room holds a treasure at APT9, particularly the darkened corner of GOMA where Cao Fei's video works play on a loop. The Chinese artist is particularly interested in a topic that's beginning to monopolise cinematic pieces from the region: the changing way of life that's accompanying China's rapid modernisation. For both narrative effort Asia One and documentary 11.11, she steps inside the logistics hub of online retailer JD.com, exploring today's daily reality and pondering the intersection of humanity and technology in the future. And while the videos are worth watching alone, the exhibition's staging helps draw you in — you'll feel like you're in a warehouse rather than a gallery. [caption id="attachment_700273" align="aligncenter" width="1920"] "On the second day, Saturday, your three minutes..."Art Basel HK Encounter, 2017, performance/installation[/caption] 'ON THE SECOND SATURDAY, YOUR THREE MINUTES' BY JOYCE HO Need a rest, art lovers? Fancy sitting down and contemplating everything that you've seen? Thanks to Joyce Ho's addition to the exhibition, you'll find two lines of seats ready and waiting. This isn't about getting cosy, however, with the seats set up in separate spaces that resemble waiting rooms. There are no magazines or muted TVs here, but rather a mirrored window between the two chambers. Plonk yourself down on either side, and you'll spy both your reflection and the ghostly image of whoever happens to be sitting opposite, with the two combining in quite the striking and memorable fashion. [caption id="attachment_700267" align="aligncenter" width="1920"] Queensland Art Gallery | Gallery of Modern Art, GOMA, The 9th Asia and Pacific Triennial of Contemporary Art (APT9), Exhibition no. 2018.05.Organisation Queensland Art Gallery, Start date 24 November 2018. End date 28 April 2019. Installation view.[/caption] 'UNTITLED (GIRAN)' BY JONATHAN JONES Nearly 2000 sculptures comprise Australian artist Jonathan Jones' piece, which spans across an entire wall. It's the kind of artwork that stuns from afar, making you step back to appreciate its full glory, while simultaneously inviting you closer to investigate its exceptional detail. Curved in appearance and with feathers featuring prominently, it's designed to resemble birds flying on the wind, although each individual element is actually one of six different types of tool. Made with family and Wiradjuri community members from raw materials, and crafted in collaboration with elder Dr Uncle Stan Grant Snr, it instantly conveys the movement and change that comes with the breeze — and turning an already evocative static piece into an immersive installation, it's also accompanied by sounds of the wind, bird calls, breathing and the Wiradjuri language. [caption id="attachment_700272" align="aligncenter" width="1920"] Queensland Art Gallery | Gallery of Modern Art. QAG Watermall. The 9th Asia and Pacific Triennial of Contemporary Art (APT9). Exhibition no. 2018.05. Organisation Queensland Art Gallery. Start date 24 November 2018. End date 28 April 2019. Installation view.[/caption] 'MY FOREST IS NOT YOUR GARDEN' BY DONNA ONG AND ROBERT ZHAO RENHUI A sea of green above a pool of water sounds like everyone's ideal of blissful eye candy. At APT9, it's Donna One and Robert Zhao Renhui's contribution to the fold, as found in QAG's already peaceful and serene Watermall. Walk across the platform above the indoor pond, and plenty of plants await, although these aren't any old potted pieces. They're actually a mixed-media assemblage that makes a statement about the use of nature in both Chinese and European art, with each one littered with tiny animals. Plus, while you're wandering through this leafy part of the exhibition, you'll also be able to see Kawayan de Guia's bright wall of works — a mashup of pop culture images and references to Filipino politics — in front of it. The 9th Asia Pacific Triennial of Contemporary Art runs until April 28, 2019 at the Queensland Art Gallery and Gallery of Modern Art, South Brisbane. Top image: CAO Fei. Beijing, China b. 1978. Asia One 2018. HD video installation: 63:20 minutes, sound, colour, ed. 2/7 (edition TBC) Collection: Queensland Art Gallery.
International sportswear label Adidas continues its efforts to save the world's oceans, unveiling a new range of running kicks crafted ingeniously from recycled plastic pulled from the beach. It's the latest in a series of collaborations with environmental organisation Parley for the Oceans, with the two groups teaming up to reduce ocean plastic by transforming it into sports gear. Set to drop on April 16, the planet-friendly range features two slick new shoe designs — the UltraBOOST and UltraBOOST X — in variations for both guys and girls. The colour palette of deep blues and greens takes its cues from "the urban harbour", and an integrated NFC chip in the right sole lets you access learning experiences about plastic pollution with a few taps of your phone. But even better than looking and feeling good, each pair means that approximately 11 plastic bottles will prevented from reaching the ocean. This new line follows the success of Adidas' previous Parley collaborations, which sold over one million products in 2017 alone. This year, the two companies have their sights set on cracking the five million mark, which you have to agree is no small drop in the ocean. The UltraBOOST and UltraBOOST X will only be available for a limited time, though keep your eyes peeled for new and updated Adidas X Parley products dropping regularly throughout the year. Adidas has also committed to phasing out the use of newly-manufactured plastic in its products, and to supporting Parley in a range of research and development, innovation and education initiatives. Find the latest collaborative ocean plastic range online and instore.
Excellent casting doesn't guarantee an excellent movie, but it can get you booking tickets ASAP. And All of Us Strangers might just have the best lead duo there is right now, pairing the internet's boyfriends Paul Mescal (Aftersun) and Andrew Scott (Fleabag). Just as exceptional: the film marks the latest from Weekend's Andrew Haigh, who both writes and directs. Any of those three talents alone is cause for excitement. Mescal has had the world swooning since Normal People, scored an Oscar nomination this year for Aftersun, then danced spectacularly in the desert in Carmen. Scott has proven a must-watch in everything from Jimmy's Hall and Pride to Sherlock and Black Mirror. And, as well as one of the best queer romances ever made in Weekend, Haigh also worked on TV series Looking, and has 45 Years, Lean on Pete and The North Water on his resume. With All of Us Strangers, the trio tell the story of Adam (Scott) and his neighbour Harry (Mescal), who fall in love as the film's just-dropped trailer shows. Their relationship sparks as Adam is peering back to his past, to when his parents passed away when he was 12. Then comes ghosts, perhaps — because, heading back to the town he grew up, Adam's mum and dad seem to still be alive. In a feature that adapts Taichi Yamada's 1987 novel Strangers — and a movie with a stacked roster of talent all round — Claire Foy (Women Talking) and Jamie Bell (Shining Girls) join Scott and Mescal on-screen are as Adam's mother and father. And the mood around them, based on the sneak peek, which is soundtracked by the Pet Shop Boys' version of 'Always on My Mind'? Mysterious and yearning. After premiering at the 2023 Telluride Film Festival, All of Us Strangers is set to hit cinemas Down Under on Thursday, January 18, 2024 — so there's one of your first must-see movies for next year. If you're in Brisbane, you can catch it in October and November first thanks to the 2023 Brisbane International Film Festival. Check out the trailer for All of Us Strangers below: All of Us Strangers will release in cinemas Down Under on Thursday, January 18, 2024. Images: courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
Now streaming on Disney+, Moon Knight arrives as the latest chapter in a seemingly non-stop franchise that's near monopolised popular culture over the past decade and a half. The newest episodic series to join the Marvel Cinematic Universe, it adds yet another tale to the saga's ever-expanding web of superhero stories — this time focusing on a character first seen on the page back in the 70s; hardly as well-known as the likes of Iron Man, the Hulk, Captain America, Thor and Captain Marvel; and otherwise wholly unseen in the MCU so far. Moon Knight also starts unfurling as the latest instalment in another trend. For the second time in less than a year, Oscar Isaac stars in a must-see streaming series. In cinemas in-between, he's also added Dune and The Card Counter to his resume, too, because the compulsively watchable actor pinballs between projects vast and intimate — and between blockbusters and character-driven pieces. His two most recent small-screen projects couldn't demonstrate that chasm better, although Moon Knight has more in common with 2021's Scenes From a Marriage than it might initially seem. Or, to be accurate, it boasts one very specific and important shared trait: it wouldn't be what it is without Isaac's magnetic performance. Make that performances. The setup: in this six-episode miniseries, Isaac plays Steven Grant and Marc Spector. They're one and the same due to a case of dissociative identity disorder, although this is news to mild-mannered British gift-shop employee Steven. Usually, he wishes that he could lead tours at work, obsesses over studying Egyptian history and, thanks to a sleeping disorder, chains himself to his bed at night. But as gaps in his days lead him to learn, he is also American mercenary Marc Spector — or, to be exact, vice versa. Complicating matters further, he's the on-earth conduit for the Egyptian moon god Khonshu (voiced by Mythic Quest's F Murray Abraham) as well. Already struggling with being able to tell the difference between being awake and asleep, Steven's role as the moon god's offsider is a source of stress, unsurprisingly — especially with shadowy cult-like figure Arthur Harrow (Ethan Hawke, The Good Lord Bird) hanging around. Character-wise, the Steven/Marc combo swiftly proves as complex as the MCU has delivered so far in Moon Knight's first four episodes, as deepened even further during a continent-hopping mystery-adventure that has him doing Khonshu's bidding. That's where Harrow comes in, complete with unfinished business with the moon god and big plans of his own. Archaeologist Layla El-Faouly (May Calamawy, Ramy) also adds another layer, sporting ties to Marc's past that Steven is initially unaware of, and sparking a patch of romantic rivalry. Even within franchise confines, Isaac is mesmerising playing duelling dual personalities in Moon Knight, turning in the kind of portrayal that the MCU has been lacking. It isn't known as an actor's showcase, which is why even this far in — 27 movies and now six Disney+ series — the sprawling saga's standout performances make a splash bigger than throwing mjölnir into an ocean. It's what made Tom Hiddleston a hit in his big-screen outings, and also in fellow streaming show Loki. Also on the small screen, the greater texture served up by Elizabeth Olsen and Paul Bettany, and the scene-stealing perfection of Kathryn Hahn as well, ensured that WandaVision left an imprint, too. Isaac bests them all; while Marvel's knack for casting has long been one of its superpowers — even with simply entertaining rather than necessarily meaty performances resulting — it flexes those talents magnificently in Moon Knight. Indeed, it's as shrewd a casting move as has been made to-date in this pop-culture behemoth. The fact that Moon Knight also tasks Isaac with playing someone that film and TV fans aren't already acquainted with is also pivotal. Welcomely, the Marvel formula feels fresher here. The series still spins an origin story, and will undoubtedly tie into the broader narrative to come. It also often falls back on a template between daring to be stranger and weirder. And yet, by branching off with a previously unseen protagonist, this is the first MCU Disney+ series that doesn't feel like homework. That isn't a slight upon WandaVision, The Falcon and the Winter Soldier, Loki and Hawkeye, but recognition that reaching in new directions reaps considerable rewards. Moon Knight doesn't lack in star power, of course — there's a reason that Isaac is rarely seen suited up with his face covered, Hawke is also fantastic, and they bounce off of each other compellingly — but it hasn't enlisted its big-name MCU newcomers to merely go through the by-the-numbers motions. Similarly leaving an impression: having Egyptian filmmaker Mohamed Diab (Clash) direct four episodes, and getting American sci-fi/horror wunderkinds Justin Benson and Aaron Moorhead (Synchronic, The Endless, Archive 81) to helm the other two. Both help ensure that Moon Knight's biggest thrills come from its best asset, especially given that he's doing double duty in a Dr Jekyll and Mr Hyde-style premise — and the scenes where Steven and Marc bicker with each other about who gets to control their shared body (which happens via reflective surfaces such as mirrors and puddles, and are shot with not just flair but boldness), are the show's clear highlights. The Indiana Jones nods, and the swings in The Mummy's direction, are clunkier, but the end product is still easily the most intriguing small-screen Marvel effort so far. Actually, when Moon Knight does ultimately end up overtly linking into the MCU in its final two episodes — and if it smoothes itself down in the process — that'll feel like a let down. Check out the trailer for Moon Knight below: The first episode of Moon Knight is available to stream via Disney+, with new instalments dropping weekly. Images: courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.
Every autumn, a the Eta Aquarid meteor shower sets the sky ablaze. It might not be as famous as Halley's Comet, but the Eta Aquarids are actually a distant relation — the bits and pieces you see flying around were on Halley's path a really, really long time ago. And, rather than only being visible every 75 years (the next Halley's Comet sighting is in 2061), you can catch the Eta Aquarids annually. This year, the shower will be at its most spectacular this weekend — here's how to catch a glimpse. WHEN TO SEE IT The shower will reach a peak in the early morning of Saturday, May 6, but will still be able to be seen for the another day or two. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am. At that time, you'll be in the running to see as many as 30 meteors every 60 minutes. Each will be moving at about 225,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. WHERE TO SEE IT Being in the southern hemisphere, we get some of the best views in the world. So, if you're living in the city, it could be time for a last minute trip to a clear-skied camping spot. The trick is to get as far away from light pollution as possible. For Sydneysiders who don't mind a long drive, this could mean a trip to the Far South Coast. We reckon Picnic Point campsite in Mimosa Rocks National Park might be a winner. Or, if that sounds too far away, Booderee National Park in Jervis Bay is pretty light-free. Alternatively, head west — after all, you'd be hard pressed to find better views than at The Dish, just outside of Parkes. Melburnians might consider a journey to Wilsons Promontory or along the Great Ocean Road, as far as Killarney Beach. For somewhere closer, there's Heathcote, which is just an hour from the city, but is an excellent vantage point. For a real escape, head to Snake Valley in the Central West, where there's hardly a light in sight. For a quick trip out of Brisbane, try Lake Moogerah, Lake Wivenhoe or Lake Somerset, which are all rather dark, considering their proximity to the city. If you have a bit more time, head two-and-a-half hours west to Leyburn, which has come of the busiest skies in Queensland, or eight hours west to the tiny town of Charleville in the outback. HOW TO SEE IT The shower's name comes from the star from which they appear to come, Eta Aquarii, which is part of the Aquarius constellation. So that's what you'll be looking for in the sky. To locate Eta Aquarii, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also have a table that shows the direction and altitude of the Eta Aquarids. They've been updating this daily. Apart from that, wear warm clothes, take snacks and be patient. Happy stargazing.
No one's denying a meat pie and a box of chips hit hard at the footy. But that doesn't mean you can't indulge in something a little more refined from time to time. Enter Stoke-Grill, the latest addition to the Premium Members Dining offering within the Medallion Club at Marvel Stadium. Guided by the same team behind beachy dining institutions Stokehouse and Stokehouse Pasta & Bar, expect bold flavours and premium produce as you catch the game. Centred on flame-kissed cuts and fresh seafood, the menu resonates with the heat of the grill, designed to pair perfectly with the stadium's prime-time energy. Even budding grill masters who usually fire up the barbecue in the backyard for the big game will have to admit the grill-led cuisine at Stoke-Grill rises above their efforts on the tongs. With a host of signature dishes to explore, Stoke-Grill's concept focuses on bringing the surf to the turf of Marvel Stadium. "Creating a concept specifically for Marvel Stadium has been inspiring. Around the world, stadiums are delivering world-class, premium dining experiences, so we're excited to be a part of that at Marvel, and to deliver a dining experience that matches the excitement of what's happening out on the field," says Stokehouse Precinct Executive Chef Jason Staudt. Highlights include a 300-gram whole prime rib roast with smoked bone marrow and salsa verde; seared John Dory with leek top mustard and caviar butter sauce; a 500-gram grain-fed bone-in dry-aged sirloin; and half or whole southern rock lobster tail served with chilli and lime butter. Plus, the sides take a soaring grab above the usual footy fare, with shoestring fries paired with tarragon aioli, and triple-cooked potatoes matched with burnt oregano. The smaller plates hit the mark too, with Stoke-Grill bringing match-winning dishes from Stokehouse to the stadium, including its iconic saltbush and vinegar potato cake; mixed crudo, tuna, kingfish, market fish with olive and marjoram dressing; and a spanner crab dog with lime and coconut. Before the siren sounds, dig into crowd-pleasing desserts like the Stokey date pudding, served with vanilla ice cream and butterscotch. "Stokehouse is one of Melbourne's foremost dining institutions and is synonymous with premium fine dining — making it right at home within the Medallion Club. We couldn't be happier to welcome the team to Marvel Stadium, collaborating with us to create a memorable dining experience in Stoke-Grill that I know our members, guests and partners will love," says Scott Fitzgerald, General Manager of Marvel Stadium. Stoke-Grill is now open at Marvel Stadium's Medallion Club. Head to the website for more information. Images: Arianna Leggiero
If it's all in a name, then the new Clifton Hill cafe, Open House, says all you need to know about this warm and welcoming spot. At the heart of this cosy space is a focus on community and creating an inviting space for all. Open House is a dream brought to life for India Anderson and Diego Leon, who have always wanted to build "their own little corner of Melbourne…to welcome everybody." They've taken all they learnt from their many years working together at Heartattack and Vine, backed with the support of investor Nathen Doyle, and created a cafe that is both deeply personal to them and inclusive to all. India brings her warmth to the space by ensuring everyone is looked after and taken care of. Her personality is evident even on the walls — she created the wallpaper from original art from vintage wallpaper. Diego's domain is the kitchen, where he draws inspiration from his travels and Colombian heritage to craft high-quality, yet simple and accessible dishes. As part of their welcoming and inclusive ethos, he wants everyone to find something they love to eat, regardless of any dietary needs. The menu is concise — Diego wants to focus on quality rather than quantity. On toast, choose between folded eggs with pickles, braised mushrooms with goat's cheese, or avocado with nori and tahini cream. The miso egg sandwich with Japanese pickles has quickly become a house favourite, alongside the roast chicken version with sesame mayo and cabbage. If you're skipping the bread, consider a braised beef brisket bowl with bok choy and rice, zucchini fritters with couscous and harissa, or smoked trout with pickled ginger and miso mayo. Open House is quickly becoming a community hub for the neighbourhood, with its laidback atmosphere and sunlit space, and this is just the start. The team are working to get their liquor license approved, which will then enable them to open for service on weekend evenings, with plans for comforting classics such as burgers and lasagne. Come one, come all, from early morning coffees to last drinks, make yourself at home at Open House. Images: Supplied.
Halloween is over, so it's officially that time of year: time to get Mariah Carey's 'All I Want for Christmas Is You' stuck in your head for two months straight. That's been a Christmas tradition since 1994, when the upbeat ditty became everyone's go-to seasonal soundtrack — and it has only grown in popularity since. Back in 2019, the track even topped the US charts. It didn't achieve that feat back when it was initially released, making it the song that has taken the longest journey ever to the top spot. And yes, the end of the year was obviously filled with plenty of festive cheer before Carey released the song, but no one can now remember Christmas without it. Last year, the singer actually gave us all another holiday staple, too, thanks to Apple TV+'s Mariah Carey's Magical Christmas Special. What's better than just listening to 'All I Want for Christmas Is You' on repeat? Watching the pop queen sing it, obviously. If you were planning to rewatch the 2020 special again this year, that's understandable — but Carey has another gift for us. As Apple TV+ has just announced, she's teaming up with the streaming platform again on Mariah's Christmas: The Magic Continues. Another Christmas, another Mariah Christmas special. Yes, that's the present we all need in 2021. While Carey has re-recorded 'All I Want for Christmas Is You' several times, and already has several holiday albums to her name, this new special will coincide with her new festive single 'Fall in Love at Christmas'. It's a collaboration with Khalid and Kirk Franklin, and they'll all be performing it on Mariah's Christmas: The Magic Continues. As for what else the special has in store, that'll be unwrapped sometime in December. If that's now all you want from the rest of 2021, Mariah's Christmas: The Magic Continues hasn't been given an exact release date yet — but obviously it'll arrive at the right time of year. There's no trailer for the special as yet either; however, because we already know you're humming it to yourself, you can check out the music video for 'All I Want for Christmas Is You' below: Mariah's Christmas: The Magic Continues will hit Apple TV+ sometime this December — we'll update you with an exact date when it's announced.
In 2022, Australian movie lovers felt a need for speed. The nation's cinemagoers flocked to see yellow-hued offsiders spouting gibberish, too, plus oh-so-many superheroes. We also adored rock 'n' roll icons, wizarding backstories and rampaging dinosaurs. Yes, Top Gun: Maverick, Minions: The Rise of Gru, Thor: Love and Thunder, The Batman and Doctor Strange in the Multiverse of Madness all sit atop of the Aussie box office for the year at the time of writing, followed by Jurassic World Dominion, Elvis, Black Panther: Wakanda Forever, Spider-Man: No Way Home and Fantastic Beasts: The Secrets of Dumbledore. Your memory isn't failing you: Spider-Man: No Way Home did first hit screens in 2021, and was the top-grossing movie in Australia in 2021. It proved such a box-office smash, though, that it's one of 2022's best money-earners as well. Expect Avatar: The Way of Water to do something similar this year — it's already storming up the list. Indeed, expect it to crack the top ten easily by the time that New Year's Eve hits. So, they're the massive flicks that everyone saw over the past 12 months, with the literal receipts to prove it. If you only went to the pictures to see huge titles, however, you missed an array of other delights that are well and truly worth your time and attention. As we do every year — and have since 2014 (see also: 2015, 2016, 2017, 2018, 2019, 2020 and 2021) — we've rounded up a list of top-notch films that released in Aussie cinemas in 2022 but didn't rack up fat stacks of cinema takings. Here are our 15 picks that you need to catch up on ASAP. BLAZE In the name of its protagonist, and the pain and fury that threatens to parch her 12-year-old existence, Del Kathryn Barton's first feature scorches and sears. It burns in its own moniker, too, and in the blistering alarm it sounds against an appalling status quo: that experiencing, witnessing and living with the aftermath of violence against women is all too common, heartbreakingly so, including in Australia where one woman a week on average is killed by her current or former partner. Blaze has a perfect title, with the two-time Archibald Prize-winning artist behind it crafting a movie that's alight with anger, that flares with sorrow, and that's so astutely and empathetically observed, styled and acted that it chars. Indeed, it's frequently hard to pick which aspect of the film singes more: the story about surviving what should be unknown horrors for a girl who isn't even yet a teen, the wondrously tactile and immersive way in which Blaze brings its namesake's inner world to the screen, or the stunning performance by young actor Julia Savage (Mr Inbetween) in its central part. There are imagined dragons in Blaze, but Game of Thrones or House of the Dragon, this isn't — although Jake (Josh Lawson, Mortal Kombat), who Blaze spots in an alleyway with Hannah (Yael Stone, Blacklight), has his lawyer (Heather Mitchell, Bosch & Rockit) claim that his accuser knows nothing. With the attack occurring mere minutes into the movie, Barton dedicates the feature's bulk to how her lead character copes, or doesn't. Being questioned about what she saw in court is just one way that the world tries to reduce her to ashes, but the embers of her hurt and determination don't and won't die. Blaze's father Luke (Simon Baker, High Ground), a single parent, understandably worries about the impact of everything blasting his daughter's way. As she retreats then acts out, cycling between both and bobbing in-between, those fears are well-founded. Blaze is a coming-age-film — a robbing-of-innocence movie as well — but it's also a firm message that there's no easy or ideal response to something as awful as its titular figure observes. Blaze is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. YOU WON'T BE ALONE Sometimes, a comparison is so obvious that it simply has to be uttered and acknowledged. That's the case with You Won't Be Alone, the first feature from Macedonian Australian writer/director Goran Stolevski, who also helmed MIFF's 2022 opening-night pick Of an Age. His debut film's lyrical visuals, especially of nature, instantly bringing the famously poetic aesthetics favoured by Terrence Malick (The Tree of Life, A Hidden Life) to mind. Its musings on the nature of life, and human nature as well, easily do the same. Set centuries back, lingering in villages wracked by superstition and exploring a myth about a witch, You Won't Be Alone conjures up thoughts of Robert Eggers' The Witch as well. Indeed, if Malick had directed that recent favourite, the end product might've come close to this entrancing effort. Consider Stolevski's feature the result of dreams conjured up with those two touchstones in his head, though, rather than an imitator. The place: Macedonia. The time: the 19th century. The focus: a baby chosen by the Wolf-Eateress (Anamaria Marinca, The Old Guard) to be her offsider. The feared figure has the ability to select and transform one protege, but she agrees to let her pick reach the age of 16 first. Nevena (Sara Klimoska, Black Sun) lives those formative years in a cave, in an attempt to stave off her fate. When the Wolf-Eateress comes calling, her initiation into the world — the world of humans, and of her physically and emotionally scarred mentor — is jarring. With Noomi Rapace (Lamb), Alice Englert (The Power of the Dog) and Carloto Cotta (The Tsugua Diaries) also among the cast, You Won't Be Alone turns Nevena's experiences of life, love, loss, desire, pain, envy and power into a haunting and thoughtful gothic horror fable. To say that it's bewitching is obvious, too, but also accurate. You Won't Be Alone is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. FULL TIME At the 2021 Venice International Film Festival, French actor Laure Calamy won the Best Actress award in the event's Horizons strand — and mere minutes into Full Time, it's easy to see why. The Antoinette in the Cévennes and Call My Agent! star is phenomenal in this portrait of a single mother's hectic routine, with writer/director Eric Gravel (Crash Test Aglaé) charting the ups and downs of his protagonist's professional and personal situation like he's making a thriller. In fact, he is. Julie Roy, the feature's focus, is stretched to breaking point, and every moment of every day seems to bring a new source of stress. For starters, her job overseeing the cleaning at a five-star Parisian hotel is both chaotic and constantly throwing up challenges, she's put all her hopes on a new gig in market research but getting time off for the interview is easier said than done, and the French capital is in the middle of a transport strike that makes commuting in and out from the outskirts basically impossible. Also adding to Julie's troubles: the childcare arrangement she has in place with a neighbour, having any energy to spend meaningful time with her children at the end of her busy days, trying to get financial support out of her absent ex and planning a birthday party. All of this might sound mundane, and like the kind of thing that plenty of people deal with every day — and that's partly the point. Full Time hones in on the rush, hustle and bustle to show how fraught this vision of normality is. Every shot by cinematographer Victor Seguin (Gagarine) ripples with tension, and the rhythm amplified by editor Mathilde Van de Moortel (Mustang) is nothing short of relentless. Gravel truly sees Julie, her stresses and the fact that she's at her wits' end, and the marvellous Calamy plays the part like she's living it. Full Time is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WHEEL OF FORTUNE AND FANTASY One of two films by Japanese filmmaker Ryûsuke Hamaguchi that hit Australian cinemas this year — the other, Drive My Car, was an Oscar hit — Wheel of Fortune and Fantasy gives three tales about romance, desire and fate a spin. These three stories all muse on chance, choice, identity and echoes as well, and focus on complex women reacting to the vagaries of life and everyday relationships. Coincidence plays a role in each of the trio, too, and commonalities ebb and flow between each dialogue-heavy narrative. In other words, this is a smart, astute and savvily layered triptych from the director behind Happy Hour and Asako I and II, as brought to the screen with excellent performances, a canny knack for domestic drama and piercing long shots in each and ever chapter. In the first part, model Meiko (Kotone Furukawa, 21st Century Girl) discovers that her best friend Tsugumi (Hyunri, Wife of a Spy) has just started seeing her ex-boyfriend Kazuaki (Ayumu Nakajima, Saturday Fiction), and grapples with her complicated feelings while pondering what could eventuate. Next, college student Nao (Katsuki Mori, Sea Opening) is enlisted to seduce Professor Sagawa (Kiyohiko Shibukawa, Tezuka's Barbara) as part of a revenge plan by her lover Sasaki (Shouma Kai, Signal 100). Finally, in a world where the internet has been eradicated due to a virus, Natsuko (Fusako Urabe, Voices in the Wind) and Nana (Aoba Kawai, Marriage with a Large Age Gap) cross paths — thinking that they went to school together decades ago. Wheel of Fortune and Fantasy isn't currently available to stream. Read our full review. COMPARTMENT NO. 6 Handheld camerawork can be a gimmick. It can be distracting, too. When imagery seems restless for no particular reason other than making the audience restless, it drags down entire films. But at its best, roving, jittery and jumpy frames provide one of the clearest windows there is into the souls that inhabit the silver screen in 90-minute blocks or so, and also prove a wonderful way of conveying how they feel in the world. That's how Compartment No. 6's cinematography plays, and it couldn't be a more crucial move; this is a deeply thoughtful movie about two people who are genuinely restless themselves, after all. Finnish director Juho Kuosmanen (The Happiest Day in the Life of Olli Mäki) wants what all of the most perceptive filmmakers do — to ensure his viewers feel like they know his characters as well as they know themselves — and in his latest cinematic delight, he knows how to get it. How Kuosmanen evokes that sense of intimacy and understanding visually is just one of Compartment No. 6's highlights, but it's worthy of a train full of praise. With the helmer's returning director of photography Jani-Petteri Passi behind the lens, the film gets close to Finnish student Laura (Seidi Haarla, Force of Habit) and Russian miner Ljoha (Yuriy Borisov, The Red Ghost). It peers intently but unobtrusively their way, like an attentive lifelong friend. It jostles gently with the locomotive that the movie's central pair meets on, and where they spend the bulk of their time together. It ebbs and flows like it's breathing with them. It rarely ventures far from their faces in such cramped, stark, 90s-era Russian surroundings, lingering with them, carefully observing them, and genuinely spying how they react and cope in big and small moments alike. Pivotally — and at every moment as well — this Before Sunrise-esque gem truly pays attention to, appreciates and understands its key duo. Compartment No. 6 isn't currently available to stream. Read our full review. C'MON C'MON The last time that Joaquin Phoenix appeared in cinemas before 2022, he played an overlooked and unheard man. "You don't listen, do you?" Arthur Fleck asked his social worker, and the entirety of Joker — and of Phoenix's magnetic Oscar-winning performance as the Batman foe in the 2019 film, too — provided the obvious answer. Returning to screens in a feature that couldn't be more different to his last, Phoenix now plays a professional listener. A radio journalist and podcaster who'd slide in seamlessly alongside Ira Glass on America's NPR, Johnny's niche is chatting with children. Travelling around the country from his New York base, C'mon C'mon's protagonist seeks thoughts about life, hopes, dreams, the future and the world in general, but never in a Kids Say the Darndest Things-type fashion. As Phoenix's sensitive, pensive gaze conveys under the tender guidance of Beginners and 20th Century Women filmmaker Mike Mills, Johnny truly and gratefully hears what his young interviewees utter. Phoenix is all gentle care, quiet understanding and rippling melancholy as Johnny. All naturalism and attentiveness as well, he's also firmly at his best, no matter what's inscribed on his Academy Award. Here, Phoenix is as phenomenal as he was in his career highlight to-date, aka the exceptional You Were Never Really Here, in a part that again has his character pushed out of his comfort zone by a child. C'mon C'mon's Johnny spends his days talking with kids, but that doesn't mean he's equipped to look after his nine-year-old nephew Jesse (Woody Norman, The War of the Worlds) in Los Angeles when his sister Viv (Gaby Hoffmann, Transparent) needs to assist her husband Paul (Scoot McNairy, A Quiet Place Part II) with his mental health. Johnny and Viv haven't spoken since their mother died a year earlier, and Johnny has previously overstepped when it comes to Paul — with the siblings' relationship so precarious that he barely knows Jesse — but volunteering to help is his immediate reflex. C'mon C'mon is available to stream via Binge, Paramount+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FLEE When Flee won the World Cinema Documentary Grand Jury Prize at the 2021 Sundance Film Festival, it collected its first accolade. The wrenchingly affecting animated documentary hasn't stopped notching up deserving acclaim since. A spate of other gongs have come its way, in fact, including a history-making trifecta of nominations for Best International Feature, Best Documentary and Best Animated Feature at this year's Oscars, becoming the first picture to ever earn nods in all three categories at once. Gleaning why this moving and compassionate movie keeps garnering awards and attention isn't difficult. Pairing animation with factual storytelling is still rare enough that it stands out, but that blend alone isn't what makes Flee special. Writer/director Jonas Poher Rasmussen (What He Did) has created one of the best instances of the combination yet — a feature that could only have the impact it does by spilling its contents in such a way, like Ari Folman's Waltz with Bashir before it — however, it's the tale he shares and the care with which he tells it that makes this something unshakeably exceptional. Rasmussen's subject is Amin Nawabi, an Afghan refugee using a pseudonym. As his story fills Flee's frames, it's also plain to see why it can only be told through animation. Indeed, the film doesn't cover an easy plight — or a unique one, sadly — but Rasmussen renders every detail not just with eye-catching imagery, but with visuals that flow with empathy at every moment. The filmmaker's protagonist is a friend of his and has been for decades, and yet no one, not even the director himself, had ever previously heard him step through the events that the movie chronicles. Amin is now in his 40s, but he was once a kid in war-torn Kabul, then a teenager seeking asylum in Copenhagen. His life to-date has cast him in other roles in other countries, too, on his journey to house-hunting with his boyfriend as he chats through the ups and downs for his pal. Flee is available to stream via DocPlay, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEMORIA When Memoria begins, it echoes with a thud that's not only booming and instantly arresting — a clamour that'd make anyone stop and listen — but is also deeply haunting. It arrives with a noise that, if the movie's opening scene was a viral clip rather than part of Thai filmmaker Apichatpong Weerasethakul's spectacular Cannes Jury Prize-winning feature, it'd be tweeted around with a familiar message: sound on. The racket wakes up Jessica Holland (Tilda Swinton, Three Thousand Years of Longing) in the night, and it's soon all that she can think about; like character, like film. It's a din that she later describes as "a big ball of concrete that falls into a metal well which is surrounded by seawater"; however, that doesn't help her work out what it is, where it's coming from or why it's reverberating. The other question that starts to brood: is she the only one who can hear it? So springs a feature that's all about listening, and truly understands that while movies are innately visual — they're moving pictures, hence the term — no one should forget the audio that's gone with it for nearly a century now. Watching Weerasethakul's work has always engaged the ears intently, with the writer/director behind the Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives and just-as-lyrical Cemetery of Splendour crafting cinema that genuinely values all that the filmic format can offer. Enjoying Memoria intuitively serves up a reminder of how crucial sound can be to that experience, emphasising the cavernous chasm between pictures that live and breathe such a truth and those that could simply be pictures. Of course, feasting on Weerasethakul's films has also always been about appreciating not only cinema in all its wonders, but as an inimitable art form. Like the noise that lingers in his protagonist's brain here, his movies aren't easily forgotten. Memoria is available to stream via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BELLE When Beauty and the Beast typically graces the screen, it doesn't involve a rose-haired singer decked out in a matching flowing dress while singing heart-melting tunes atop a floating skywhale mounted with speakers. It doesn't dance into the metaverse, either. Anime-meets-Patricia Piccinini-meets-cyberspace in Belle, and previous filmed versions of the famed French fairytale must now wish that they could've been so inventive. Disney's animated and live-action duo, aka the 1991 musical hit that's been a guest of childhood viewing ever since and its 2017 Emma Watson-starring remake, didn't even fantasise about dreaming about being so imaginative — but Japanese writer/director Mamoru Hosoda (Mirai) also eagerly takes their lead. His movie about a long-locked social-media princess with a heart of gold and a hulking creature decried by the masses based on appearances is firmly a film for now, but it's also a tale as old as time and one unafraid to build upon the Mouse House's iterations. At first, there is no Belle. Instead, Hosoda's feature has rural high-schooler Suzu (debutant Kaho Nakamura) call her avatar Bell because that's what her name means in Japanese. That online character lives in a virtual-reality world that uses body-sharing technology to base its figures on the real-life people behind them, but Suzu is shy and accustomed to being ignored by her classmates — other than her only pal Hiroka (Lilas Ikuta of music duo Yoasobi) — so she also uploads a photo of the far-more-popular Ruka (Tina Tamashiro, Hell Girl). The social-media platform's biometrics still seize upon Suzu's own melodic singing voice, however. And so, in a space that opines in its slogan that "you can't start over in reality, but you can start over in U", she croons. Quickly, she amasses an audience among the service's five-billion users, but then one of her performances is interrupted by the brooding Dragon (Takeru Satoh, the Rurouni Kenshin films), and her fans then point digital pitchforks in his direction. Belle is available to stream via Binge, Google Play, iTunes and Prime Video. Read our full review. ALL QUIET ON THE WESTERN FRONT War makes meat, disposable labour and easy sacrifices of us all. In battles for power, as they always are, bodies are used to take territory, threaten enemies and shed blood to legitimise a cause. On the ground, whether in muddy trenches or streaming across mine-strewn fields, war sees the masses rather than the individuals, too — but All Quiet on the Western Front has always been a heartbreaking retort to and clear-eyed reality check for that horrific truth. Penned in 1928 by German World War I veteran Erich Maria Remarque, initially adapted for the screen by Hollywood in 1930 and then turned into a US TV movie in 1979, the staunchly anti-war story now gets its first adaptation in its native tongue. Combat's agonies echo no matter the language giving them voice, but Edward Berger's new film is a stunning, gripping and moving piece of cinema. Helming and scripting — the latter with feature first-timers Lesley Paterson and Ian Stokell — All My Loving director Berger starts All Quiet on the Western Front with a remarkable sequence. The film will come to settle on 17-year-old Paul Bäumer (astonishing debutant Felix Kammerer) and his ordeal after naively enlisting in 1917, thinking with his mates that they'd be marching on Paris within weeks, but it begins with a different young soldier, Heinrich Gerber (Jakob Schmidt, Babylon Berlin), in the eponymous region. He's thrust into the action in no man's land and the inevitable happens. Then, stained with blood and pierced by bullets, his uniform is stripped from his body, sent to a military laundry, mended and passed on. The recipient: the eager Paul, who notices the past wearer's name on the label and buys the excuse that it just didn't fit him. No one dares waste a scrap of clothing — only the flesh that dons it, and the existences its owners don't want to lose. All Quiet on the Western Front is available to stream via Netflix. Read our full review. HIT THE ROAD How fitting it is that a film about family — about the ties that bind, and when those links are threatened not by choice but via unwanted circumstances — hails from an impressive lineage itself. How apt it is that Hit the Road explores the extent that ordinary Iranians find themselves going to escape the nation's oppressive authorities, too, given that the filmmaker behind it is Panah Panahi, son of acclaimed auteur Jafar Panahi. The latter's run-ins with the country's regime have been well-documented. The elder Panahi, director of Closed Curtain, Tehran Taxi and more, has been both imprisoned and banned from making movies over the past two decades, and was detained again in July 2022 for enquiring about the legal situation surrounding There Is No Evil helmer Mohammad Rasoulof. None of that directly comes through in Hit the Road's story, not for a moment, but the younger Panahi's directorial debut is firmly made with a clear shadow lingering over it. As penned by the fledgling filmmaker as well, Hit the Road's narrative is simple and also devastatingly layered; in its frames, two starkly different views of life in Iran are apparent. What frames they are, as lensed by Ballad of a White Cow cinematographer Amin Jafari — with every sequence a stunner, but three in particular, late in the piece and involving fraught exchanges, nighttime stories and heartbreaking goodbyes, among the most mesmerising images committed to celluloid in recent years. Those pictures tell of a mother (Pantea Panahiha, Rhino), a father (Mohammad Hassan Madjooni, Pig), their adult son (first-timer Amin Simiar) and their six-year-old boy (scene-stealer Rayan Sarlak, Gol be khodi), all unnamed, who say they're en route to take their eldest to get married. But the journey is a tense one, even as the youngest among them chatters, sings, does ordinary childhood things and finds magic in his cross-country road trip, all with zero knowledge of what eats at the rest of his family. Hit the Road is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. QUO VADIS, AIDA? Films about war are films about wide-ranging terror and horror: battles that changed lives, deaths that reshaped nations, political fights that altered the course of history and the like. But they're also movies about people first, foremost and forever: folks whose everyday existence was perpetually shattered, including those lost and others left to endure when hostilities cease. Quo Vadis, Aida? is firmly a feature about both aspects of war. It homes in on one town, Srebrenica, in July 1995 during the 1992–95 Bosnian War, but it sees devastation and a human toll so intimate and vast in tandem that heartbreak is the only natural response. A survivor of the war herself, writer/director Jasmila Žbanić (Love Island, For Those Who Can Tell No Tales) knows that combat and conflict happens to ordinary men and women, that each casualty is a life cut short and that every grief-stricken relative who remains will never forget their magic ordeal — and she ensures that no one who watches Quo Vadis, Aida? can forget the Srebrenica massacre, or the fact that 8372 civilians were killed, either. A teacher-turned-interpreter, the eponymous Aida Selmanagic (Jasna Đuričić, My Morning Laughter) is Žbanić's eyes and ears within the demilitarised safe zone established by Dutch UN peacekeepers. The film doesn't adopt her exact point of view aesthetically — we see Aida, and plenty; Quo Vadis, Aida? wouldn't be the same without the tenacity and insistence that radiates from her posture and gaze — but it lives, breathes, feels, roves and yearns as she does. Aida has a mother's and wife's motivations above all else, however: she wants her husband Nihad (Izudin Barjović, Father), a school principal, to be with her and to be safe, and the same for their sons Hamdija (Boris Ler, Full Moon) and Sejo (Dino Barjović, Sin), obviously. It's a mission to even get them in the base, especially with so many other refugees pleading to be allowed in outside. But Aida hustles, including getting Nihad sent to negotiations with Serbian General Ratko Mladić (Boris Isaković, Last Christmas) as a town representative. And as the General's brash, cocky, swaggering troops start escorting out the base's inhabitants and putting them onto buses depending upon their gender following those talks, Aida makes every desperate move she can to save her family. Quo Vadis, Aida? is available to stream via Binge, Google Play, YouTube Movies and iTunes. Read our full review. LOST ILLUSIONS Stop us when Lost Illusions no longer sounds familiar. You won't; it won't, either. Stop us when its 19th century-set and -penned narrative — written by acclaimed novelist Honoré de Balzac almost 200 years ago, and brought to the screen now by filmmaker Xavier Giannoli (Marguerite) — no longer feels so relevant to life today that you can easily spot parts of it all around you. Again, that won't happen. When the handsome and involving French drama begins, its protagonist knows what he wants to do with his days, and also who he loves. Quickly, however, he learns that taking a big leap doesn't always pan out if you don't hail from wealth. He makes another jump anyway, out of necessity. He gives a new line of work a try, finds new friends and gets immersed in a different world. Alas, appearances just keep meaning everything in his job, and in society in general. Indeed, rare is the person who doesn't get swept up, who dares to swim against the flow, or who realises they might be sinking rather than floating. The person weathering all of the above is Lucien Chardon (Benjamin Voisin, Summer of 85), who'd prefer to be known as Lucien de Rubempré — his mother's aristocratic maiden name. It's 1821, and he's a poet and printer's assistant in the province of Angoulême when the film begins. He's also having an affair with married socialite Louise de Bargeton (Cécile de France, The French Dispatch), following her to Paris, but their bliss is soon shattered. That's why he gives journalism a try after meeting the equally ambitious Etienne Lousteau (Vincent Lacoste, Irma Vep), then taking up the offer of a tabloid gig after failing to get his poetry published. Lucien climbs up the ranks quickly, both in the scathing newspaper business — where literary criticism is literally cash for comment — and in the right Parisian circles. But even when he doesn't realise it, his new life weighs him down heavily. Lost Illusions is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. LIMBO What happens when a group of refugees are sent to await the results of their asylum applications on a Scottish island? That's the question that Limbo ponders. There's no doubting why this second feature from writer/director Ben Sharrock (Pikadero) has been given its moniker; for Syrian musician Omar (Amir El-Masry, Star Wars: Episode IX — The Rise of Skywalker) and his fellow new arrivals to Scotland, there's not much to do in this void between the past and the future but wait, sit at the bus stop, check out the children's playground and loiter near the pay phone. That, and navigate the wide range of reactions from the locals — veering from offensive to thoughtful — and, in Omar's case, feel the weight of his prized possession. He's brought his grandfather's oud with him, which he rarely let go of, but his own musical dreams are in limbo as well. A film can be heartbreaking, tender, insightful and amusing all at once, and Limbo is indeed all of those things. It's both dreamlike and lived-in, too, a blend that suits its title and story — and also the mental and emotional state shared by Omar and his fellow asylum seekers as they bide their time on an island that feels like another world. A movie can be both heavy and light simultaneously as well, which is another of Limbo's strengths. Sharrock sees both seriousness and levity in his narrative, his characters and their plights, and recognises the nightmarish and the beautiful in tandem. The latter especially applies to the feature's haunting cinematography, which lenses a landscape that keeps Omar pals physically in limbo with a probing eye. Limbo is available to stream via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. CYRANO Love can spring quickly, igniting sparks instantly. Or, it can build gradually and gracefully, including over a lifetime. It can be swift and bold like a lightning strike, too, or it can linger, evolve and swell like a gentle breeze. In the sumptuous confines of Cyrano, the newest period piece from Joe Wright (Pride & Prejudice, Atonement and Anna Karenina), all of the above happens. The latest adaptation of Edmond Rostand's 1897 play Cyrano de Bergerac, this time as a musical via playwright Erica Schmidt's own song-filled on-stage version, lends its attention to two men who've fallen for the plucky Roxanne (Haley Bennett, Hillbilly Elegy) in opposite ways. Charming soldier Christian de Neuvillette (Kelvin Harrison Jr, The Trial of the Chicago 7) gets the fast-and-infatuated experience, while the movie's namesake (Peter Dinklage, I Care a Lot), a poet also handy in battle, has ached for his childhood pal for as long as he can remember. Roxanne's two suitors make a chalk-and-cheese pair, with their contrasting approaches to matters of the heart — specifically, to winning her heart and helping ensure that she doesn't have to marry the rich and ruthless De Guiche (Ben Mendelsohn, The Outsider) to secure her future — driving much of Cyrano's drama. Also present and accounted for, as all takes on the tale have included (see also: 80s rom-com Roxanne with Steve Martin, the Gérard Depardieu-starring Cyrano de Bergerac, 90s rom-com The Truth About Cats & Dogs with Uma Thurman and Janeane Garofalo, plus recent Netflix teen flicks Sierra Burgess Is a Loser and The Half of It): insecurities about appearance, a way with words and a ghostwriting gambit. Short in stature given Dinklage's casting, Cyrano can't even dream that Roxanne could love him. But he wants her to be happy above all else and knows that she's smitten with Christian, so he secretly lends his romantic rival his letter-penning abilities to help woo her by lyrical prose. Cyrano is available to stream via Prime Video, Google Play, YouTube Movies and iTunes. Read our full review.
From moving road trip dramas and joyous concert documentaries to passionate anthologies and wondrous animation, plenty of excellent films reached screens large and small throughout 2020. Indeed, the past 12 months have been filled with cinematic delights — even when we've been watching them at home while movie theatres were closed — but, sadly, they can't all be great. Each year delivers its fair share of exceptional and awful movies, of course. And, both the best and the worst of the bunch can all score awards. The Oscars and the Golden Globes rank among the accolades that recognise the former, while the Golden Raspberries devotes its attention to the other end of the spectrum — and it has just revealed its latest contenders. Leading the pack among the 41st Razzie Award nominations are Polish erotic drama 365 Days, which nabbed six nods and became the awards' first-ever contender in a language other than English; and Dolittle, the Robert Downey Jr-starring remake that hit cinemas before the pandemic, and was also recognised in six categories. Also scoring more nominations than any movie would like: the horror version of Fantasy Island, which picked up five; the terrible Sia-directed Music, which notched up four; Netflix drama Hillbilly Elegy, with three; and Netflix comedies Hubie Halloween and The Wrong Missy, also with three each. None of these nominees are surprising in the least, although some films deserve their nods in a different way. Take Borat Subsequent Moviefilm, for instance — which is smart, funny and savage, and definitely not terrible, but scored two nominations for Rudy Giuliani (for worst supporting actor, and for worst screen combo with Maria Bakalova). Other movies vying for the Razzies include Wonder Woman 1984 (for worst supporting actress, and worst prequel, remake, rip-off or sequel), The Very Excellent Mr Dundee (for worst supporting actor), Call of the Wild (for worst screen combo, between Harrison Ford and that totally fake-looking CGI dog) and The Witches (for worst actress). Reflecting the past year's general chaos, the Razzies are also handing out a special trophy to the 2020 overall, naming it 'the worst calendar year ever'. https://www.youtube.com/watch?v=DFgnHhMLNJE The 2020 Razzie Award winners will be announced on Sunday, April 25, Australian and New Zealand time. Check out the full list of nominees below: GOLDEN RASPBERRY NOMINEES 2020: WORST PICTURE 365 Days Absolute Proof Dolittle Fantasy Island Music WORST ACTOR Robert Downey Jr, Dolittle Mike Lindell, Absolute Proof Michele Morrone, 365 Days Adam Sandler, Hubie Halloween David Spade, The Wrong Missy WORST ACTRESS Anne Hathaway, The Last Thing He Wanted and The Witches Katie Holmes, Brahms: The Boy II and The Secret: Dare to Dream Kate Hudson, Music Lauren Lapkus, The Wrong Missy Anna-Maria Sieklucka, 365 Days WORST SUPPORTING ACTOR Chevy Chase, The Very Excellent Mr Dundee Rudy Giuliani (as himself), Borat Subsequent Moviefilm Shia LeBeouf, The Tax Collector Arnold Schwarzenegger, Iron Mask Bruce Willis, Breach, Hard Kill and Survive the Night WORST SUPPORTING ACTRESS Glenn Close, Hillbilly Elegy Lucy Hale, Fantasy Island Maggie Q, Fantasy Island Kristen Wiig, Wonder Woman 1984 Maddie Ziegler, Music WORST SCREEN COMBO Maria Bakalova and Rudy Giuliani, Borat Subsequent Moviefilm Robert Downey Jr and his utterly unconvincing Welsh accent, Dolittle Harrison Ford and that totally fake-looking CGI dog, Call of the Wild Lauren Lapkus and David Spade, The Wrong Missy Adam Sandler and his grating simpleton voice, Hubie Halloween WORST DIRECTOR Charles Band, All three Barbie and Kendra movies Barbara Bialowas and Tomasz Mandes, 365 Days Stephen Gaghan, Dolittle Ron Howard, Hillbilly Elegy Sia, Music WORST PREQUEL, REMAKE, RIP-OFF or SEQUEL 365 Days Dolittle Fantasy Island Hubie Halloween Wonder Woman 1984 WORST SCREENPLAY 365 Days All three Barbie and Kendra movies Dolittle Fantasy Island Hillbilly Elegy
Trust a mockumentary about the undead to keep coming back in new guises. Taika Waititi and Jemaine Clement's What We Do in the Shadows first came to light as a short film in 2005, then made its way to cinemas in rib-tickling feature-length form in 2014, and currently has both a werewolf-focused sequel and a US television remake in the works. As first announced back in 2016, it's also getting a Cops-style TV spinoff named Wellington Paranormal — and SBS has just announced that it will air on Australian TV later this month. The first two episodes of the much-anticipated series will air on SBS Viceland (and be available on SBS On Demand) on Tuesday, July 31, with episodes airing weekly after that. We don't even have to wait too much longer than New Zealand audiences, either — it will air on TVNZ tonight. If you haven't watched the trailer, here's a little background info. Wellington Paranormal doesn't spend more time with everyone's favourite Wellington-dwelling bloodsuckers, even though Waititi and Clement conceived the six-part series. Instead, it follows police officers Karen O'Leary and Mike Minogue, who WWDITS fans might remember came knocking at the vampire share house's door. With the help of Sergeant Maaka (Maaka Pohatu), the cop duo will keep trying to keep the city safe from supernatural happenings — and we're sure viewers will keep watching. When Wellington Paranormal's existence was first revealed, Waititi described the show as "Mulder & Scully but in a country where nothing happens" on Twitter, should you need any more reason to get excited. https://www.youtube.com/watch?time_continue=2&v=WRO2QfESbEI
It brought Stephenie Meyer's vampire romance saga to the big screen. It helped make Kristen Stewart and Robert Pattinson superstars. Indeed, for its two biggest names, it saw KStew go soaring to everything from Clouds of Sils Maria and Personal Shopper to Charlie's Angels, Crimes of the Future and Spencer — earning an Oscar nomination for the latter — and RPatz going from The Rover and Good Time to High Life, Tenet and The Batman. And, now, The Twilight Saga is making a comeback. The undead don't die, after all, and neither does much in the pop-culture realm. No big movie franchise ever says goodbye these days, with making the leap to the small screen one sticky trend at the moment. The Marvel Cinematic Universe did it, as has the rival DC Extended Universe. The Star Wars realm took the jump, too. So did The Lord of the Rings, and Harry Potter, IT and The Conjuring series are also on their way. There's also a John Wick show in the works — and yes, the list goes on. With Twilight, Lionsgate Television is in early development on a small-screen version, as per The Hollywood Reporter. That said, it apparently hasn't yet been decided whether this'll be a spinoff from the OG books and the movies that initially brought them to the screen, or if it'll take the remake route like HBO's new Harry Potter show is set to. Either way, given their careers right now — see: all those films mentioned above — it's probably safe to say that Stewart and Pattinson won't be involved. Of course, there's zero word on casting for Twilight's television iteration so far, with only writer and producer Sinead Daly (The Get Down, Dirty John, Raised by Wolves, The Walking Dead: World Beyond and Tell Me Lies) named as being involved and Meyer also expected to have some input. Exactly when the Twilight TV series will arrive, and where it'll air or stream, similarly hasn't been revealed. Forgotten what the five vamp films cover? They start with teenager Bella Swan (Stewart) moving to the small town of Forks, Washington, where she meets and falls in love with vampire Edward Cullen (Pattinson). This romance between a human and a vampire isn't particularly straightforward, otherwise there wouldn't be four books and five movies devoted to it. In cinemas, Twilight also starred everyone from Taylor Lautner (Cuckoo), Anna Kendrick (Alice, Darling) and Dakota Fanning (The First Lady) to Michael Sheen (Good Omens), Rami Malek (Amsterdam) and Bryce Dallas Howard (Jurassic World Dominion). There's no sneak peek at the Twilight TV show yet, understandably, but as well as the original Twilight trailer above, plus the New Moon trailer, you can watch Eclipse and two Breaking Dawn trailers below: The TV version of Twilight doesn't yet have a release date — we'll update you when one is announced. Via The Hollywood Reporter.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Samabe Bali Suites & Villas in Nusa Dua. We've also teamed up with this luxe spot to offer readers a 40% discount on their stay when they book through Concrete Playground Trips. We've even included a bunch of extra travel experiences, helping you really elevate your Bali holiday game. WHAT'S SO SPECIAL? Even though Bali's Nusa Dua can get busy — people flock here for the famous long white sandy beaches — this clifftop accommodation feels far away from the crowds and gives visitors access to quieter shores. The uninterrupted sea views, all-inclusive elements and ultra-luxurious villas also make this a standout place to stay. THE ROOMS As it says in the name, there are two kinds of accommodations here: suites and villas. Each of the large suites can sleep 4–5 people and most come with their own private plunge pool looking out over the beach. Expect to also find large dining and living rooms, bathrooms with free-standing tubs and queen- or king-sized beds. Then, there are the villas. These bad boys are huge and incredibly opulent. They come with much larger living and dining spaces, pools (either overlooking the courtyard or ocean) and lush gardens. All rooms are traditionally Balinese in design but have all the most modern amenities and plush furnishings. FOOD AND DRINK Samabe Bali Suites & Villas has four restaurants and bars on the premises and also offers a series of bespoke romantic dining experiences. First off, the Rempah-Rempah Restaurant is where you head for an extravagant buffet breakfast every morning (included in the price of your stay). You'll be offered classic brekkie options alongside lavish inclusions like seared wagyu beef, foie gras and all kinds of seafood. Japanese and Korean breakfast set menus are also available for those wanting to change things up. The Te.Ja.Co Lounge and Bar is where most people grab their complimentary afternoon tea and pre-dinner drinks. The Ring of Fire Pool Bar is what you'd expect from most lavish poolside drinking dens. Tuck into a bunch of light bites as you make your way down the long list of fun cocktails, beers and wines. The team isn't reinventing the wheel here — just doing the classics well. Lastly, there's the Crystal Blue Ocean Grill. This openair thatched-roof style dining spot overlooks the Indian Ocean and the main pool area. It's pretty big on the surf and turf life — tuck into all manners of freshly caught seafood or get your steak on with a bunch of different cuts available. [caption id="attachment_896022" align="alignnone" width="1920"] Sven Piek (Unsplash)[/caption] THE LOCAL AREA If you're seeking sun and sandy shores, then Bali's Nusa Dua is the place to be. The main strip in town is filled with sun-soaked bars and restaurants as well as a bunch of boutique stores and market stalls. But the biggest drawcard of this area is the beaches. They are next-level gorgeous. And plentiful. Either rent out a sun lounger at the beach (located at the foot of the resort's cliff) and spend your days dipping in and out of the clear blue waters and chilling with a good book or go on an adventure with heaps of water sports available to travellers. And if you're looking to take your Bali holiday to the next level, check out these nine local trips and tours that you can book through Concrete Playground Trips. THE EXTRAS Samabe Bali Suites & Villas has extras galore. You can engage full luxury holiday mode by getting your own personal butler for your entire stay. Or, try booking one of its special romantic experiences (honeymooners are clearly the target audience for these). There are also a bunch of signature activities — think Balinese cooking classes, catamaran picnics, camel rides, outdoor theatre nights and private yoga classes. And if you book our four-night stay at Samabe Bali Suites & Villas, you'll get access to a heap of extras. This includes a unique Indonesian Rijstafel dinner, two in-room massages, complimentary fruit and face masks by the pool, daily beach yoga and a heap of all-inclusive offerings. Plus, the whole trip is 40% off. That means you save over $2500. If you're seeking to extend your summer by going on a luxury island getaway, be sure to check out this exclusive deal. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
When Victoria's March long weekend arrives each year, festivalgoers have two reasons to head out of town — or head to the state from interstate — for a few days of tunes. Both are beloved parts of the cultural calendar. Both are such a hit that you need to enter a ballot to get tickets. And just as Golden Plains has already done, Pitch Music & Arts is announcing it 2025 details. Everyone should make the trip to the Grampians at least once, and here's as ace an excuse to do so as any: the return of the much-loved camping festival, which will host its eighth edition, taking over Moyston again. There's no lineup just yet — it drops on Tuesday, November 19, 2024 — but the 2025 dates have been locked in. The long-running celebration unleashes its fun across the Grampian Plains, with next years' festivities happening from Friday, March 7–Tuesday, March 11. Not only will its three stages play host to a sparkling lineup of local and international musical talent, as always, but the tunes will be backed by a hefty program of interactive art and installations. Basically, no matter who makes it onto the bill, attendees are in for a very big, very busy four days. Joy Orbison's 'flight fm' and 'better' have been used in teaser videos for 2025's fest so far, so that could be a lineup hint. 2024's roster featured Gerd Janson, I Hate Models, Job Jobse, Spray, XCLUB, Bambonou, Chippy Nonstop, Narciss, Mac Declos, Sedef Adasï and Hasvat Informant, among others, if you're wondering which type of electronic acts that Pitch usually welcomes. The ticket ballot is currently open — and is a necessity after the last three festivals all sold out — ahead of the program reveal; however, you can get excited now about a bigger Pitch One stage, Pitch Black getting a revamp and the Resident Advisor stage's red orb being part of the fun again. In between all the dance-floor sessions and arty things, festivalgoers will again be able to make themselves at home in the Pitch Pavilion, which is where yoga classes, meditation and sound baths usually help patrons unwind. The local-focused Club Serra will be new in 2025, championing homegrown talent. Pitch Music & Arts will return to Moyston from Friday, March 7–Tuesday, March 11, 2025. Head to the festival's website for further details, or to enter the ballot. The lineup will drop on Tuesday, November 19, 2024, with tickets sale details announced then as well. Top Images: Duncographic, William Hamilton Coates, Max Roux and Ashlea Caygill.
Outdoor music festivals aren't solely synonymous with summer, but one event takes its winter setup to great heights in more ways than one. At Snow Machine, the weather won't just be a bit cooler. Wearing a jumper won't do, either. This is both a chance to enjoy live tunes and a ski trip — and it's returning to Queenstown in 2024. It's the hottest festival for the colder months, packed with five snow-filled days of music and adventure at two mountain-topping ski resorts. On the just-dropped lineup for this year sits a reliable list of must-see names, including Peking Duk, The Rubens, Angus & Julia Stone, Bag Raiders and Cub Sport, who all help to give Snow Machine's winter wonderland a thumping soundtrack. After launching in Japan in 2020 (and returning there this year), the festival was actually supposed to make its arrival in Aotearoa in September 2021 but was cancelled due to the pandemic. It finally debuted in September 2022, then returned in 2023. Next, it makes a comeback from Tuesday, September 3–Sunday, September 8, 2024. Attendees will be treated to action-packed days on the slopes, après ski events on both Coronet Peak and The Remarkables, and a hefty roster of talent against the idyllic backdrop of New Zealand's adventure capital. Also dropping in to share the stage will be Atomic Blonde, Danny Clayton, Jimi The Kween, Lee Mvthews and Matt Corby — and also Montell2099, Old Mervs, Sachi, SHOUSE, Sin & Brook, Snakehips, Teenage Dads, The Knocks and the Poof Doof Ski Club. Other than the wintry backdrop, one of the things that sets Snow Machine apart from other music fests is being able to book your entire getaway with your ticket. Packages span both five and seven nights of accommodation, and include access to all three evenings at the main arena, plus a five-day ski pass. If you'd rather make your own way or pass on the skiing, there are ticket-only options — and VIP packages if you really want to do it in style. Festival goers are also encouraged to immerse themselves in the adventure capital by adding on heli-skiing, jet boating, bungy jumping, canyon swinging and skydiving — and that's on top of Snow Machine's huge welcome party and other festivities. Another annual highlight: the Polar Bare, which endeavours to set a world record for the most amount of people heading down the slopes their swimwear. Snow Machine 2024 Lineup: Angus & Julia Stone Atomic Blonde Bag Raiders Cub Sport Danny Clayton Jimi The Kween Lee Mvthews Matt Corby Montell2099 Old Mervs Peking Duk Poof Doof Ski Club Sachi SHOUSE Sin & Brook Snakehips Teenage Dads The Knocks The Rubens Tom Tilley and Hugo Gruzman present First Base Snow Machine 2024 takes place from Tuesday, September 3–Sunday, September 8 in Queenstown, New Zealand. Presale tickets go on sale on from 12pm AEDT / 11am AEST / 2pm NZDT on Thursday, February 22, with general tickets available from 12pm AEDT / 11am AEST / 2pm NZDT on Friday, February 23. For more information, visit the festival's website. Images: Daniel Hildebrand/Pat Stevenson/Ben Lang. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Passion. Vulnerability. Determination. This is what Mia Thompson offers when asked what's needed to make a career out of dance. The full-time artist speaks from a position of experience, having had both feet planted in the world of dance since childhood. "I started dancing when I was 4," Thompson shares. "I wouldn't say I was a superstar — just running around in a cute little tutu thinking everything's great. I have six sisters, so I think it was a way to get us into a controlled space together that was also artistic. It's in our family's blood to be artistic." Embarking on any creative journey is difficult — embarking on one as your 9–5 that satisfies your inherent creativity and enables you to share your craft with the world is especially so. With the support of LG SIGNATURE — a proud partner of Sydney Dance Company and supporter of the wider arts community — we had a chat with Thompson, exploring her travels to the world's stages, her current position with Sydney Dance Company and what it takes to be a full-time dancer. [caption id="attachment_866757" align="alignnone" width="1920"] Pedro Greig[/caption] "I THOUGHT WHAT YOU DID WITH DANCE WAS TEACH" Not fussy on her favourite style, Thompson fell in love with all forms of dance. Ballet, jazz, modern, hip-hop — for Thompson, it was a joy to just be moving. In high school, after watching an older sister perform, she realised that the world of dance extended further than the classes she was in. "I thought what you did with dance was teach," she laughs. "I saw the Queensland Ballet do The Sleeping Beauty and I was like, 'They're getting paid to do that?! I want to do that!'" After finishing high school, Thompson joined Queensland Ballet's professional program. "I did one year but the director didn't really like me — he thought I was only doing it 'cos my sister was. I was told it'd be unlikely that I'd get a contract with them, and that I could stay and get my training or find another program with a segue into another company." A heavy blow, but a blessing in the end. Because, what's vital to flourishing in the world of professional movement art? "A school or teacher that supports you as an individual. You can go to the top school in Europe, but it might not be the top school for you. If they don't understand you, they're not going to give you the most that you can get out of yourself as an artist. I was so headstrong on getting a ballet career, so being in a contemporary [dance] company now, maybe Queensland Ballet could see something I couldn't." Following her training in Queensland, Thompson went westwards with a successful audition for WAAPA. Living away from home for the first time, evolving as a dancer and starting friendships, the tingle for travel set in. Thompson secured a spot in the Scottish Ballet where, in 2018, she was promoted to first dancer. [caption id="attachment_865975" align="alignnone" width="1920"] Rimbaud Patron[/caption] LANDING ON HOME SOIL While at the Scottish Ballet, she met her future fiancé. "He wanted to do contemporary and I told him about Sydney Dance Company. We were just friends at this point, and I was like 'You should go'." He auditioned, got in and the pair got together, giving long-distance love a go for a year. In the audience of a Sydney Dance Company production — and seeing the new-found articulation in her partner's body — Thompson had a revelation: "With ballet, you're striving for perfection. Watching the [Sydney Dance Company] dancers — the way they moved and the understanding they had for their body — there was nothing that I could relate to. I wanted that, I wanted to be able to speak on behalf of myself and my body." Dance is a notoriously cutthroat industry. There's limited spots, stiff competition and a relatively short career span. "You have no idea how many dancers, even in Europe, are just desperate to get into Sydney Dance Company. We are the leading contemporary dance company in Australia, even in the world. Young artists leaving school are just so keen to get in, they want to know everything about you, it's like we're celebrities. It's very easy to forget — I remember myself at that age, dancers would walk past and my jaw would drop. Even before I auditioned, that was me looking at the company." The chance to audition arose and she took it. She got the longed-for call and high-tailed it Down Under, finishing her time with the Scottish Ballet as Cinderella. As Thompson speaks, she radiates an almost palpable enthusiasm for her vocation. Sydney Dance Company's stellar reputation is one that has not only been earned, but continues to be a work in progress. "If we're not performing, a typical day starts at 9.30am and ends at 6pm. You rehearse repertoire or create new work, explore ways of moving. You can have your steps, but every day I see dancers in the mirror or talking to each other trying to find new ways to develop it. It literally never stops growing, which is beautiful in itself." [caption id="attachment_866753" align="alignnone" width="1920"] Pedro Greig[/caption] "IT'S FLOW STATE" When seated behind a desk, it's difficult to imagine a work life dedicated to exploring and executing movement. Beyond perfecting shape after shape, there's a bottomless list of to-dos. "After a show," Thompson shares, "you'll see most of the dancers in a cubicle, with our feet shoved in an ice bucket to cool." Plus, there's warm-up classes, prehab/rehab (to safeguard those hardworking bodies), rehearsals, feedback sessions and self-review videos, collaboration, hair and makeup, stage direction and spacial notes. The end result? Expertly controlled dancers commanding the stage, allowing audiences to connect and feel something. When asked what it feels like to perform on stage, Thompson's eyes widen and she lifts her chin. "When I dance I feel a great sense of freedom and release," she smiles. "It's like I'm in a trance. There's no better feeling than feeling completely lost on stage, surrounded by your colleagues. Working with them but also feeling completely alone in this world. It's my happiness, it's my sadness, it's my expressive therapy. It's flow state." Defining what it takes to be a full-time dancer is so subjective that it's no simple task. But, when you reflect on Thompson's persistence and determination, her desire to understand her body and to collaborate on stage, and the palpable energy and emotion that buzzes around her when she speaks about dancing, it's clear that it's not just a job. "Some days can feel like work," Mia finishes. "But the minute you step out on stage, you just get lost in it." A supporter of the wider arts community, LG SIGNATURE is a proud partner of Sydney Dance Company. Head to the website to learn more about the partnership. Top image: Pedro Greig
Illuminated by pyramids and backdropped by an enormous chameleonic moon, the Opera House Concert Hall stage was transformed into some enigmatic extraterrestrial woodland last week. James Vincent McMorrow emerged from the shadows like a creature born of such a setting — bearded like a werewolf yet singing at a pitch to touch the lower rungs of heaven. The Irishman's stories of "harrow winds", "desolate love" and hearts like "unending tombs" are those of a man who’s spent long periods in cold, lonely places. Over the course of sixteen or so songs, McMorrow mixes up tunes from his folksy breakthough album Early in the Morning (2010) with those from recent release Post Tropical (2014). One minute he’s yearning his way though 'Glacier', filled out by mellifluous harmonies; the next McMorrow’s dropped an octave or two (as you do) and picked up the drum sticks to power through a rousing version of 'We Don’t Eat'. Although the sophomore album represented a significant departure from the first, the structural soundness of the songwriting on both makes for a seamless live show. McMorrow's band creates an even more intense dynamic than that captured on his albums, delivering mournful clarinet solos, drum beats that range from tribal to all-out rock and ethereal counter melodies. McMorrow doesn’t speak until he’s at least five songs in. Not because he’s deliberately reserved — but because he’s overwhelmed and nervous. "This is crazy, just crazy," he mutters, referring to the fact that he’s playing to a packed-out Opera House. Towards the end of the set, McMorrow introduces a song by explaining his last New Year’s Eve; when excited messages flooded his inbox informing him that he was sound-tracking Sydney’s midnight fireworks. What the organisers might not have known at the time is that they were inadvertently facilitating two of McMorrow’s teenage ambitions. "If I hadn’t become a musician," he confesses, "I would have loved to have worked with explosives." He then launches into his famously fragile, solo version of 'Higher Love'. Support came in the form of Airling, moniker of Brisbane-based artist Hannah Shepherd. Her gorgeous vocals glided over some ultra-smooth grooves and lush electronic arrangements. Images by Prudence Upton.
Have you ever been interested in web development, or creating effective user interfaces and designs? Now's your chance to get a jumpstart on your dream career if so, because Concrete Playground has partnered with General Assembly to offer you the chance to receive a $3,000 scholarship to one of their upcoming courses in Sydney or Melbourne. The courses on offer include Front-End Web Development, which teaches you to design websites while learning the ins and outs of programming in HTML, CSS and JavaScript, and User Experience Design, enabling you to express online design ideas through sitemaps, userflows, and wireframes. If it sounds like something that interests you, click here to apply. Entries are due by Thursday, December 20 at 5pm.
HER is here. The HQ Group (the hospitality crew behind Arbory and Arbory Afloat) has set up residence at 270 Lonsdale Street to introduce five storeys of drinking, dining and deftly-designed good times to the neighbourhood. On the ground level is HER Bar, where you're invited to disappear into the gorgeously sleek fit-out at any time, day or night. Yes, this is a bar that also does breakfast. The morning menu is short but clever, offering wholesome options like granola with poached stone fruit or avocado cashew cream and broad bean pesto on sourdough, alongside the less virtuous poached lobster omelette with soft herbs and gruyère. And the breakfast service at HER comes with its own drinks menu. This is a bar, after all. Try an Aperol Sour on tap or the signature HER French 75 made with MGC gin, HER Marionette blood orange and hibiscus. But dinner is when you can really pull the ripcord. The menu, designed by Arbory's Executive Chef, Nick Bennett and Head Chef, Josh Rudd, is described as "French-inspired" and it sure stands pretty true as a tribute to Parisian bistro culture. Escargots à la Bourguignonne and sourdough, a great-looking duck frites with aged duck breast, herb jus and fries, and a cheeseburger with raclette, pickles, Dijon mayonnaise and Julienne Fries give you a sample of the snack-or-stay-all-night approach to the food. As Nick Bennett explains it: "The food at HER BAR is simple and accessible — European fare with a French lean but delivered with a modern lens... The menu is made to snack, share or settle in for the long haul, at any time of the day." The drinks program brings a similar mix of classic meets contemporary, with an any-time-of-the-day cocktail list curated by HQ Group's General Manager, Tom Byrne, and wine program from Marcus Ellis (formerly of Melbourne Wine Room and Mr Wolf) that mixes French and Italian makers with an eclectic lineup of local Australian wines. Big night out, working lunch or buzzy breakfast? HER Bar is hoping to help you do it all. HER Bar is open for business at 270 Lonsdale Street in Melbourne's CBD. You'll find HER Bar on the ground floor of HER.
In 2021, the Golden Globes are taking place more than a month later than usual. The awards are also staging a different kind of ceremony than normal, with hosts Tina Fey and Amy Poehler steering the show from separate cities, and Zoom certain to feature heavily. Still, the first big event of this year's film and television awards season definitely knows how to get everyone talking — about its achievements and inclusions, as well as its snubs. The nominations for the 2021 Golden Globes were announced in the early hours of Thursday, February 4, Australian and New Zealand time, and they made history. For the first time ever, three women were nominated for Best Director, with Nomadland's Chloe Zhao, One Night in Miami's Regina King and Promising Young Woman's Emerald Fennell all getting a nod. If you're wondering how monumental this is, the Globes has never nominated more than one woman in the category in a single year, and it has only given out seven nominations to female filmmakers — yes, in total — in its 77-year history before now. David Fincher's Mank picked up the most amount of nods in the film categories, with six, but other highlights include Chadwick Boseman's nod for Best Actor in a Motion Picture — Drama for Ma Rainey's Black Bottom, Riz Ahmed's nomination in the same category for Sound of Metal, the filmed version of Hamilton picking up two nods in the comedy fields (including Lin-Manuel Miranda's nomination for Best Actor in a Motion Picture — Comedy), and Sacha Baron Cohen getting a look for both Borat Subsequent Moviefilm (in the Best Actor in a Motion Picture — Comedy category) and The Trial of the Chicago 7 (Best Supporting Actor). Borat's breakout star Maria Bakalova also earned a nomination (for Best Actress in a Motion Picture — Comedy), too, becoming the first Bulgarian actor to do so. https://www.youtube.com/watch?v=0Rsa4U8mqkw The Globes also recognise TV, which is good news for the likes of Unorthodox, The Great and The Mandalorian, all of which received some love. There's a big omission in 2021's nods, however, with Michaela Coel's exceptional I May Destroy You — the best new show of 2020 hands down — absolutely nowhere to be seen. Instead, The Crown came out on top with six nominations, and everything from Normal People and Small Axe to Lovecraft Country and The Flight Attendant earned some attention. Aussie actors Nicole Kidman and Cate Blanchett also scored nods in the television fields, thanks to The Undoing and Mrs America. Every list of nominees for every awards ceremony has gaps, of course, and I May Destroy You isn't alone in missing out at this year's Globes. In the movie fields, Spike Lee's Da 5 Bloods was also completely overlooked — as was Zendaya's performance in Malcolm & Marie and the entire cast of Minari. In the TV categories , the Globes didn't sink its teeth into What We Do in the Shadows at all, and barely paid Better Call Saul any attention either. If you're wondering who else is actually up for an award, though, you'll find the full list of nominees below. And, as for who'll emerge victorious, that'll be announced on Monday, March 1 Australian and New Zealand time. GOLDEN GLOBE NOMINEES 2021: BEST MOTION PICTURE — DRAMA The Father Mank Nomadland Promising Young Woman The Trial of the Chicago 7 BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — DRAMA Carey Mulligan — Promising Young Woman Frances McDormand — Nomadland Vanessa Kirby — Pieces of a Woman Viola Davis — Ma Rainey's Black Bottom Andra Day — The United States vs Billie Holiday BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA Riz Ahmed — Sound of Metal Chadwick Boseman — Ma Rainey's Black Bottom Anthony Hopkins — The Father Gary Oldman — Mank Tahar Rahim — The Mauritanian BEST MOTION PICTURE — MUSICAL OR COMEDY Borat Subsequent Moviefilm Hamilton Music Palm Springs The Prom BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY Maria Bakalova — Borat Subsequent Moviefilm Kate Hudson — Music Michelle Pfeiffer — French Exit Rosamund Pike — I Care a Lot Anya Taylor-Joy — Emma BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Sacha Baron Cohen — Borat Subsequent Moviefilm James Corden — The Prom Lin-Manuel Miranda — Hamilton Dev Patel — The Personal History of David Copperfield Andy Samberg — Palm Springs BEST MOTION PICTURE — ANIMATED The Croods: A New Age Onward Over the Moon Soul Wolfwalkers BEST MOTION PICTURE — FOREIGN LANGUAGE Another Round La Llorona The Life Ahead Minari Two of Us BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE Jodie Foster — The Mauritanian Olivia Colman — The Father Glenn Close — Hillbilly Elegy Amanda Seyfried — Mank Helena Zengel — News of the World BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Sacha Baron Cohen — The Trial of the Chicago 7 Daniel Kaluuya — Judas and the Black Messiah Jared Leto — The Little Things Bill Murray — On the Rocks Leslie Odom, Jr — One Night in Miami BEST DIRECTOR — MOTION PICTURE David Fincher — Mank Regina King — One Night in Miami Aaron Sorkin — The Trial of the Chicago 7 Chloe Zhao — Nomadland Emerald Fennell — Promising Young Woman BEST SCREENPLAY — MOTION PICTURE The Father Mank Nomadland Promising Young Woman The Trial of the Chicago 7 BEST ORIGINAL SCORE — MOTION PICTURE The Midnight Sky Tenet News of the World Mank Soul BEST ORIGINAL SONG — MOTION PICTURE 'Fight for You' — Judas and the Black Messiah 'Io Si' — The Life Ahead 'Speak Now' — One Night in Miami 'Hear My Voice' — The Trial of the Chicago 7 'Tigress & Tweed' — The US v Billie Holiday BEST TELEVISION SERIES — DRAMA Ratched Ozark The Crown Lovecraft Country The Mandalorian BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — DRAMA Emma Corrin — The Crown Olivia Colman — The Crown Jodie Comer — Killing Eve Laura Linney — Ozark Sarah Paulson — Ratched BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — DRAMA Jason Bateman — Ozark Josh O'Connor — The Crown Bob Odenkirk — Better Call Saul Al Pacino — Hunters Matthew Rhys — Perry Mason BEST TELEVISION SERIES — MUSICAL OR COMEDY Emily in Paris The Flight Attendant Schitt's Creek The Great Ted Lasso BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — MUSICAL OR COMEDY Lily Collins — Emily in Paris Kaley Cuoco — The Flight Attendant Elle Fanning — The Great Catherine O'Hara — Schitt's Creek Jane Levy — Zoey's Extraordinary Playlist BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Don Cheadle — Black Monday Nicholas Hoult — The Great Eugene Levy — Schitt's Creek Jason Sudeikis — Ted Lasso Ramy Youssef — Ramy BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Normal People The Queen's Gambit Small Axe The Undoing Unorthodox BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Cate Blanchett — Mrs America Daisy Edgar-Jones — Normal People Shira Haas — Unorthodox Nicole Kidman — The Undoing Anya Taylor-Joy — The Queen's Gambit BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Bryan Cranston — Your Honor Jeff Daniels — The Comey Rule Hugh Grant — The Undoing Ethan Hawke — The Good Lord Bird Mark Ruffalo — I Know This Much Is True BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Cynthia Nixon — Ratched Gillian Anderson — The Crown Helena Bonham Carter — The Crown Julia Garner — Ozark Annie Murphy — Schitt's Creek BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TV John Boyega — Small Axe Brendan Gleeson — The Comey Rule Dan Levy — Schitt's Creek Jim Parsons — Hollywood Donald Sutherland — The Undoing The 2021 Golden Globes take place on Monday, March 1 Australian and New Zealand time. For further details, head to the awards' website. Top image: The Crown, Des Willie/Netflix.
If there's one thing that director Damien Chazelle has made plain across his filmmaking career, it's that he loves jazz. His 2009 debut Guy and Madeline on a Park Bench focused on a jazz trumpeter. In his breakout 2014 drama Whiplash, he switched to a jazz drumming student. And with 2016's La La Land, he won the Best Director Oscar for his Los Angeles-set romance about an aspiring actress and a struggling jazz pianist. Chazelle couldn't quite give 2018's Neil Armstrong biopic First Man a jazz spin but, making the leap to television for the first time, he's back in familiar territory with upcoming Netflix series The Eddy. Taking its title from a fictional Parisian jazz club, it follows the ex-New Yorker who co-owns the establishment — who, before he moved to France from the US, was a celebrated jazz pianist, obviously. As well as trying to keep the club running, Elliot Udo (Moonlight's André Holland) manages The Eddy's house band, which is led by his on-again, off-again girlfriend Maja (Cold War's Joanna Kulig). And, just as he's trying to work through dramas with his business partner Farid (Mary Magdalene's Tahar Rahim), his daughter Julie (The Hate U Give's Amandla Stenberg) arrives to live with him out of the blue. Given the premise, expect jazz music to feature heavily, with six-time Grammy Award-winner Glen Ballard — a co-writer and producing of Alanis Morissette's Jagged Little Pill — responsible for the show's soundtrack. An eight-part limited series, The Eddy hits Netflix in early May — and while it seems like classic Chazelle, he directs the first two episodes, with the rest of the show helmed by Divines' Houda Benyamina, Rock the Casbah's Laïla Marrakchi and Six Feet Under's Alan Poul. Check out the first teaser trailer below: https://www.youtube.com/watch?v=c-9XFyZv7ks The Eddy will be available to stream on Netflix from Friday, May 8. Top image: Lou Faulon.
If Colin From Accounts won you over as quickly as a cute dog in the street when it first arrived in 2022 — when it became one of that year's best new TV shows in the process — then you've probably been hanging out for the Aussie rom-com sitcom's second season. The show was unsurprisingly renewed in 2023, and now has an official return date: Thursday, May 30. When it debuted, Colin From Accounts had everyone bingeing their way through this tale of an awkward but memorable meet-cute, which began when a medical student and a microbrewery owner crossed paths in Sydney, ended up with an injured dog between them, then went from strangers to pet co-owners almost instantly. This time, however, the series will be dropping its episodes weekly on Binge instead of in one batch. If you're new to the show, which won Best Narrative Comedy Series at the 2024 AACTAs and a trio of Logies — Most Outstanding Comedy Program, Most Outstanding Actor and Most Outstanding Actress — in 2023, it's the latest collaboration between real-life couple and No Activity stars Harriet Dyer (The Invisible Man) and Patrick Brammall (Evil). Story-wise, the first season of Colin From Accounts charted what happened after Brammall's Gordon was distracted by Dyer's Ashley one otherwise ordinary morning, then accidentally hit a stray dog with his car. The pair took the pooch to receive veterinary treatment, then committed to look after him — and, yes, named him Colin From Accounts — causing their already-messy lives to intertwine. In season two, Ashley and Gordon are living together, which brings its own chaos — including the quest to get Colin From Accounts back from his new owners. A heap of fresh faces are joining the series for its second date, such as Celeste Barber (Wellmania), Virginia Gay (Mother and Son), Justin Rosniak (Wolf Like Me), Lynne Porteous (Frayed) and John Howard (Bump). Season two of Colin From Accounts doesn't yet have a sneak peek, but you can check out the trailer for season one below: Colin From Accounts season two will stream via Binge from Thursday, May 30, 2024. Read our review of season one. Images: Lisa Tomasetti.
Move over tea with the Queen — the coffee in London has improved so much over the last few years even Lizzy would ask for a flat white over an English breakfast. We sacrificed the money we were saving for a house deposit to taste coffee all over the city, and here are five coffee shops worth hunting down while you're in town. [caption id="attachment_622923" align="alignnone" width="1920"] Levent Ali via Flickr.[/caption] MONMOUTH COFFEE, COVENT GARDEN Monmouth is the grand old dame of London coffee, and has been pumping out caffeine since 1978. And even though Monmouth likes to keep things fresh with an ever-changing selection of house-roasted beans, some things will never change, like the house blend, the queues and the fact that Monmouth makes the best coffee in Old Blighty. We've heard good things about the filter, but we only tried the flat white, because, well, why change when you're onto a good thing? Queen Lizzy gets it. [caption id="attachment_622924" align="alignnone" width="1920"] The Espresso Room via Instagram.[/caption] THE ESPRESSO ROOM, BLOOMSBURY The Espresso Room is so small it could double as Harry Potter's cupboard under the stairs, so it's a good thing you don't need much space to pump out great coffee (as the Japanese know). This Bloomsbury coffee shop is unsurprisingly known for its espresso, but for our money (too much of our money, to be honest — coffee here is more expensive than home), the flat white is where the magic is. Not too milky, not too strong — it's the best thing this side of getting a letter from Hogwarts. [caption id="attachment_622927" align="alignnone" width="1920"] Bex Walton via Flickr.[/caption] KAFFEINE, FITZROVIA You'll need coffee after spending time on London's most insane shopping artery, Oxford Street. Luckily Kaffeine is just a street or two behind the insanity, serving up damn fine coffee in a damn fine looking coffee shop. This is the place to go if you want a taste of classic Australian espresso-based coffee in London; you won't find American- and Scandi- style filter here. You can even grab an Anzac biccie to snack on if you're feeling seriously homesick. TIMBERYARD, SEVEN DIALS Timberyard is buzzing at all opening hours, and not just because of the free Wi-Fi — the coffee here, although although on the expensive side of things, hits the spot. The flat white is strong, flavoursome, with just the right kick of calcium. Grab a seat — try for one of the hotly contested window spots — and the staff will bring your coffee over on a wooden chopping board (because timber yard, geddit?). You'll want to stay for coffee number two. Your tastebuds will thank you, even if your wallet does not. ALLPRESS, SHOREDITCH You go to Kaffeine for a taste of Australia, but for a taste of New Zealand, head straight to one of Allpress Espresso's two cafes in Shoreditch. Founded in Auckland, Allpress is swiftly taking over the world, with cafes in Australia, Japan and London. And you can taste exactly why: their coffee is one of the best, wherever in the world you find it. The Shoreditch cafe has the antipodeon design look down-pat, with white walls and exposed pale timber. The espresso-based coffee, which uses Allpress roasted beans, is delicious, of course.
For fans of anime film director Hayao Miyazaki, the good news is that his new film, The Wind Rises, will be released in Australian cinemas next year. The bad news is, he's confirmed that this will be his last full-length feature film. Miyazaki's animation career has spanned over 50 years, but he's best known for the studio he co-founded, Studio Ghibli, and its films Spirited Away, Howl's Moving Castle and Ponyo — dreamy, whimsical movies that are a lot more progressive than the average Disney number, addressing things like feminism, environmentalism and pacifism. The Wind Rises is a semi-fictional biopic about aeroplane designer Jiro Horikoshi, who designed the A6M Zero (a deadly aircraft used in World War II) but started out as a young boy who dreamed of making and flying beautiful planes. Set in pre-war Japan, the film depicts events including the Depression, the Great Kanto Earthquake of 1923, the tuberculosis epidemic and Japan's role in WWII. It's attracted a lot of controversy in Japan, having been released in the middle of a nationwide debate about the Japanese government's proposed changes to the military. Despite this, The Wind Rises has still been at the top of the Japanese box office for seven consecutive weeks and has been getting some pretty good reviews. Miyazaki announced his retirement from feature animation in a media statement on Friday, 6 September. He said that while he will continue working in other capacities, he will not direct another full-length film — and that includes scripting and supervising as well as the pen-to-paper animation Studio Ghibli painstakingly produces. The latest film took five years to finish, and at that rate, the anime legend says, "the studio can't survive." The Wind Rises will be released in Australia and New Zealand by Madman Entertainment in 2014.
Rummaging through your cupboards can be an invigorating exercise, unearthing and breathing new life into old gems. In one of the most high-fiveworthy collaborations in recent memory, Future Classic and le coq sportif have paired up for their own big ol' throwback project. The Sydney-based electronic label home to Flume and the French-founded sportswear company have joined forces to release a collection of remixes and reissues from the archives. Dubbed 'The Reissue Project', the double-sided project sees both parties bring their mad skills to the table. Delving deep into the back catalogues, le coq sportif have designed a collection of garments exclusively for Future Classic. Looking particularly to the '80s and '90s chapters of le coq history, the team have created six brand new designs that hope to fuse le coq aesthetic with the beats-loving clubs of now — think drop crotch trackies, reversible jackets, bucket hats, fleecy sweaters and good old fashioned t-shirts. Best part? Glow in the dark details, FO' CLUBBIN'. The team have also made exclusive varsity jackets for Future Classic artists, not for sale but still fly. In return, Future Classic have dug into their own back catalogue to reissue some older bangers, revamped with some pretty damn excellent remixes and reworks by Chicago legend Derrick Carter, Sydney's acid house master DJ HMC, NYC beatsmaster Jaques Renault, French young gun Pyramid and UK 'resident producer' of Wolf Music, Greymatter. Touch Sensitive's 2006 track 'Body Stop' has been worked over, alongside Luke Million, Stick Figures, Peret Mako and the gold nugget-like 'Possum', the first tune Flume ever put on triple j Unearthed. The physical collaboration element between the two comes from the unique codes paired with each le coq sportif piece; if you buy a piece you can download the Reissue Project tracks to strut down the street with for free. But because both sides are legends, they're letting you listen in anyway — you'll be able to stream the tracks from Soundcloud and www.thereissueproject.com from Thursday, August 14 at 10am AEST. Here's the sweet threads, you can run from the gym to the clurb without changing a thing: The LCS x FC Reissue Project is available in le coq sportif stores, selected Glue Stores nationally and online from 14 August. Want to customise your own le coq sportif threads in the meantime? Stroll to The Rocks over here. https://youtube.com/watch?v=FBh7PVr0p9Y
