Put the tablet away, the library is where it's at this summer. With the sun shining bright in January, State Library Victoria is inviting families to its Swanston Street forecourt for the free Library on the Lawn: Kids Festival. Made for keeping little ones' literacy on track during the summer break, this stacked event also features numerous on-site activities to level up their engagement. Presented across two three-day sessions — Tuesday, January 6–Thursday, January 8 and Tuesday, January 13–Thursday, January 15 — each day is crammed with kid-friendly fun. Think bubble dance parties, storytime sessions and parachute play. Plus, bean bags, sensory boxes, soft toys, jumbo puzzles and games add even more exciting elements to their encounter. At the same time, kids can score take-home craft showbags while families are welcome to roam the Library's reading rooms on a scavenger hunt. Meanwhile, the second set of dates also features the Under the Love Umbrella installation, where illustrations from popular children's books by Davina Bell and Allison Colpoys take over the Pauline Gandel Children's Quarter. With studies showing that kids who don't practice enough reading over the holiday break sometimes struggle when back in the classroom, State Library Victoria is doing its bit for young literary explorers this summer with this kids-focused edition of Library on the Lawn. Home to over 4000 books for children aged up to 12 years old, Australia's oldest public library is a kid-friendly haven for budding bookworms.
By now, the fact that almost every beloved TV show arises from the dead at some point is hardly new news. From Gossip Girl and Saved By the Bell to Twin Peaks and the upcoming Sex and the City small-screen sequel series, plenty of programs have been doing it. The next former hit set to make a comeback: Dexter. Yes, that means that television's mild-mannered blood-splatter expert by day, serial killer by night is returning — so if you didn't like how the original series wrapped up back in 2013, that's no longer the end of Dexter Morgan's (Michael C Hall, Shadowplay) story. Eight years have passed when Dexter: New Blood kicks off, just as they have for audiences. As the just-dropped first trailer for the revival demonstrates, Dexter is now living a quiet life in the small town of Iron Lake, New York, and trying to forgo his murderous urges. He's also going by the name Jim Lindsay, which nods to author Jeff Lindsay, who penned the series of novels the show was initially based on. But, as fans saw again and again in Dexter's original eight-season run, resisting picking up a knife isn't all that easy for the program's protagonist. In fact, the trailer features plenty of blades — and all within its namesake's vicinity. In the sneak peek — the first look we've been given of the upcoming ten-episode limited series — Dexter finds his old ways calling after his new hometown is rocked by unexpected events. US network Showtime, which'll air the series in the US, obviously wants to keep the bulk of the plot up its sleeves for now; however, Julia Jones (The Mandalorian), Alano Miller (Sylvie's Love), Johnny Sequoyah (Believe), Jack Alcott (The Good Lord Bird) and Clancy Brown (Promising Young Woman) are all joining the cast. And, Jennifer Carpenter (Dragged Across Concrete) is set to return as Dexter's sister Debra, as is John Lithgow (Perry Mason) as the Trinity Killer — presumably in flashbacks, given the characters' fates in the OG series. Australian viewers will be able to check out Dexter: New Blood via new streaming platform Paramount+, which launches locally on Wednesday, August 11. The new show itself doesn't start airing in the US until Sunday, November 7, and just when it'll hit Down Under hasn't been announced — but fingers crossed that it'll be around the same time. Check out the Dexter: New Blood trailer below: Dexter: New Blood is set to stream in Australia via new streaming platform Paramount+, which will launch on Wednesday, August 11. The new series will start airing in the US from Sunday, November 7; however, an exact stream date for Australia hasn't been announced as yet — we'll update you when it is.
When Matt Murdock (Charlie Cox, Kin) and Wilson Fisk (Vincent D'Onofrio, Dumb Money) first sit face to face in the debut episode of Daredevil: Born Again's initial season, they do something that neither has ever been fond of with the other: agree. Daredevil and Kingpin are no more, they both confirm, under threats going both ways should that statement ever stop proving accurate on either's part. Murdock has his legal career to focus on. Fisk is running for mayor of New York City. Murdock will hold Fisk to account, though, if he's anything but above board in his new role running the Big Apple — and Fisk, campaigning with a strong anti-vigilante message, will respond if Murdock slips into Daredevil's red costume again. Murdock and Fisk are back. With the characters dating back more than half a century, so is one of the comic-book realm's greatest rivalries. It's been a decade since the first streaming series to follow their battle on the small screen premiered and also seven years since it wrapped up, with Netflix's Daredevil spanning three seasons from 2015–2018. While that show wasn't part of the Marvel Cinematic Universe, its successor definitely is. Joining Disney+'s small-screen catalogue after WandaVision, The Falcon and the Winter Soldier, two seasons of Loki, Hawkeye, Moon Knight, Ms Marvel, She-Hulk: Attorney at Law, Secret Invasion, Echo and Agatha All Along, Daredevil: Born Again is a new beginning for its namesake and his nemesis, then, but it also honours its television past. Grey areas not only come with the territory in this fierce feud — they aptly apply to its latest TV date. Consider this a fresh start, yes, as well as a sequel. The MCU has been working towards bringing Daredevil and Kingpin's friction into the fold for a few years now, officially announcing Daredevil: Born Again in 2022 much to the delight of fans, then beginning to put that plan into action elsewhere across the franchise. So, viewers have already seen Murdock in Spider-Man: No Way Home and She-Hulk: Attorney at Law, Fisk in Hawkeye, and both in Echo. As those appearances have been popping up and piling up, giving the pair their own series again has journeyed along a winding path due to a creative overhaul partway through. Consider Daredevil: Born Again a show with history, too, in multiple ways in front of and behind the camera. Boasting a connection with Marvel's small-screen tales at Netflix courtesy of The Punisher (which sat alongside not just Daredevil, but Jessica Jones, Luke Cage, Iron Fist and The Defenders), screenwriter and TV producer Dario Scardapane joined Daredevil: Born Again during that shake-up, taking over the reins as showrunner. One of his key tasks: finding the right balance between continuing the story of the Netflix show and taking this new chapter for Murdock and Fisk in its own direction. He was certain that moving forward couldn't mean never looking backwards. He also felt strongly that two more beloved characters needed to be a part of the series. Karen Page (Deborah Ann Woll, Queen of the Ring) and Franklin 'Foggy' Nelson (Elden Henson, Killers of the Flower Moon) weren't originally featured in Daredevil: Born Again — and if that seems unthinkable, that was also the case for the Trauma, The Bridge and Jack Ryan alum now calling the shots. [caption id="attachment_994610" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney[/caption] Scardapane said he wouldn't take the gig without Karen and Foggy, in fact. "I'm a true Italian in form. I have a tendency to make bold statements that may or may not be 100-percent accurate," he tells Concrete Playground. "The thing is, when I went in and talked to them, those two characters had been missing from the original, the first iteration. And unfortunately, in having them referenced but not seeing them, there was something missing in terms of that bridge between seasons. And then I also think that one of the most-interesting characters in the Marvel world, that has not been given as much room to just rock, is Karen Page. I just think that's a fantastic character. I'm super interested in the relationship she has with Matt Murdock. I'm interested in that family of three that you see, and when there's a loss in the family, what happens. So it was, yeah, it was a little extreme to say 'I'm not going to take it unless I get to do this', but it seemed that it was absolutely integral to telling the tale and bringing us into this new version." "And we wanted to do it," notes Sana Amanat, one of Daredevil: Born Again's executive producer — and not only an MCU veteran thanks to Ms Marvel, but a comic-book editor who co-created Kamala Khan on the page. "I think we realised it as we were watching the material. We're like 'this feels like there's something missing'. The heart of the show was missing, and we were all just very simpatico," she advises. "Dario has this phrase, he says 'yes, and' a lot, which I love — because it makes for such a rich collaboration. We wanted the same thing for this project — very much so," Amanat continues. Adds Scardapane: "and it was funny, I think I wasn't there, but I think probably in that, when you had the opportunity to kind of stop, slow down and take a look, it must have felt like 'oh, somebody's missing'. Like there's an X-factor there." As Daredevil: Born Again's nine-episode first season keeps establishing, Daredevil's past ties couldn't remain more crucial to the series, even in a narrative that sees Murdock confront a new future — and, in what proves an engrossing character study not just of its eponymous figure but of his main adversary, in a show that faces the similarities between Daredevil and Kingpin, and how those commonalities drive their obsessions with each other regardless of whether either will admit it. We also chatted with Scardapane and Amanat about that dynamic, as well as how crucial Cox and D'Onofrio are individually and together, knowing what to build upon from Netflix's Daredevil, how working on The Punisher and Ms Marvel helped them prepare for Daredevil: Born Again, and more. On Finding the Right Balance Between Continuing the Story of the Netflix Show and Shaking Things Up Sana: "I think it was quite important, first of all, for us to pay respect to the material that was there before. We really believed in it and we really loved it. The challenge for us was making sure that it was familiar, yet it was charting a new course. We didn't want people to feel like they needed to watch everything — they needed to be able to step in at the first episode and know everything that you needed to know. And I have to say, really a lot of credit to obviously Dario and our writing team, and Justin and Aaron [directors Justin Benson and Aaron Moorhead, who also worked on Moon Knight and Loki], who told us everything you needed to know in those first 15 to 20 minutes. I think also visually, stylistically, again there is a lot of references pulled from the old show, but we tried to do something new and fresh also to make sure that New York felt real, and that there was also stylistic pops that took into account his sensory experience — Matt Murdock as someone who is blind with heightened senses. So that combination, I think, really made it feel like a Daredevil that was in its new course and new chapter, and hopefully it feels exciting and thrilling and bold for folks coming in. We hope that you guys really see the love that we put into it." Dario: "And then when I came in and saw what they had, it was like 'this stuff is really, really, really cool'." Sana: "Yeah." Dario: "But it needs a bridge. It needs something that takes you from the past, from the end of the Netflix show, into what we're doing now. And that was really a large portion of the job, in terms of giving audiences, — and fans like myself of the old show — a touchstone, and then taking them somewhere new." On How Crucial Charlie Cox and Vincent D'Onofrio Are — Not Just as Daredevil and Kingpin Individually, But in Bringing That Rivalry to the Screen Together Sana: "They're so absolutely pivotal. I feel like they are these mythological figures. They are larger than life. When you see them step on set as Daredevil and as Kingpin, you see the presence that Charlie and Vincent have and what they bring to these roles. So there's no other question for me — I mean, those are those characters. And that diner scene in itself, at the opening of 101, said everything that you needed to know about the entire series, about their prowess as actors — and through Dario's incredible writing, and Justin and Aaron's great, great directing. It's just an amazing combination." Dario: "And you were right when you say that the two of them together are more than the sum of their parts." Sana: "Yeah." Dario: "And that's what's so fun about working with and writing for two characters that have such a rich history. There's the history that the characters in the comic book have. Then there's the history that that Charlie and Vincent have, having done this now for about ten years. So when you get in a room to do a scene or write a scene for them, you have the weight and the joy of all that history, and these two actors who know it so well." Sana: "Yeah, it feels like the years of storytelling is building to an intense character drama about these two characters — and honestly, how similar they are. They might be different, but they're pretty similar, too." On Daredevil: Born Again Being a Character Study That Highlights the Commonalities Between Daredevil and Kingpin — and Why That Makes Them So Obsessed with Each Other Dario: "They're both carrying duality. That's what's funny. You have a character or person that is Matt Murdock and Daredevil. You have a person that is Kingpin and Fisk. And those are constantly interacting and constantly bouncing into each other, and bringing out the worst in each other at times. And this whole saga, for lack of a better word, this is what it's all about: this dance, this fight between Kingpin and Daredevil. What are the ripple effects it has into the world? What are what these two people's obsessive need to bang heads? What does it mean for everybody and everything in a city around them?" Sana and Dario, in unison: "It's hard to come to terms with your violent nature." Sana: "Truly, they both have a very complicated and similar relationship to violence, and that is something that is really intriguing to show." On Deciding Which Elements to Continue From the Netflix Series — and Where to Stand Apart Dario: "It's really funny — that's a great question, and there's kind of a litmus test for all of it. There's so many people. We're all bringing everything we can to being custodians of this character. When something's right, you literally feel it. And when something's off, you feel it. So in the same way, if I write something for Vincent that just doesn't feel right, he's like: 'hold on, try this'. And when we build a storyline that just doesn't feel on-story — we discarded a few for season two that just didn't feel like what we wanted to do. And the thing is, is that we've taken almost everything that was started over the course of those three seasons, because there's so much in those three seasons, and we've just put it into a context of seven, eight years later and a bigger conflict because Fisk is now, he's the system." Sana: "There's also just us as fans being like 'oh my god, we love this from the old show." Dario: "Gotta do it. Gotta do it." Sana: "We've got to do it. So that's our litmus test. Like Bullseye — you know, we love Bullseye." Dario: "You were like, very early on 'so, we've got to do a oner'. I was like 'yes, we do'. There was no, especially with the two of us, there's very little like 'oh, no, that's not the show'." Sana: "100 percent. We're usually on the same page, which is awesome." Dario: "Yeah." On What Scardapane Learned From Making The Punisher and Amanat From Ms Marvel That Helped with Daredevil: Born Again Dario: "Now wouldn't that be a team-up." Sana: "Oh my god, that'd be awesome. It's like The Last of Us — but yeah." Dario: "You go first." [caption id="attachment_994625" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney[/caption] Sana: "What did I draw on for this? I mean, ultimately the biggest thing for me — obviously the joy of filmmaking and creating and storytelling is just unmatched, and for me, I've been lucky enough to do it at Marvel for so long. It is about the people that you work with, making sure that they feel heard, that they feel like they're bringing their best — and that we're all creating the same thing together, we're all collectively building just this beautiful tapestry of a very hopefully powerful story. And to me that's the same in any genre that you work on. And if you're lucky enough to work with such great collaborators who can help you bring this vision to life, my job really is to help draw the best out of everyone we're working with to be able to tell the best story that we possibly can. And that is the delight, the delight of my job." [caption id="attachment_994626" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney[/caption] Dario: "The takeaway from The Punisher for me, really — and I will say I had two, for lack of a better word, two great teachers on that job in Jon Bernthal and Steve Lightfoot — was you're writing something that is incredibly dark, incredibly gritty and incredibly violent, but you're always trying to find the humanity inside it. And you're always — when you watch some of Steve's writing, and when you watch some of Jon, what he does with the character — you're always trying to find the heart. And I definitely brought that as best I can to Daredevil. In and amongst all the punching and broken bones and mayhem, you want to find the heart and soul of these characters. You want to really feel." Daredevil: Born Again streams via Disney+. Daredevil: Born Again stills: Giovanni Rufino, courtesy of Marvel Television. © 2024 MARVEL.
Melbourne's north has a new go-to for those wanting to make authentic Italian at home. Gnoccheria is a takeaway pasta shop with handmade gnocchi, as well as other pastas, lasagne, pizza bases and more. It's located in Coburg and run by the folk behind Take Me Home, which has been selling its wares to gourmet delis, supermarkets and local farmers markets (where they regularly sell out by 11am) for over ten years. With its new brick-and-mortar store, the team is making fresh gnocchi all day long. There are up to 20 different gnocchi flavours available at a time, spanning classics such as potato, three cheese and spinach and ricotta to varieties like truffle honey, saffron and burnt butter, and carrot and turmeric. Some even more left-of-centre flavours include pepperberry and parmesan, wild nettle and an activated charcoal number. The shop has all of the fixings for creating your very own Italian feast, too. Sauces, flavoured butters for gnocchi frying (think confit garlic, fennel and sage) and passata are all on offer — the latter is made using San Marzano tomatoes and basil from the family's organic Gippsland farm. Apart from all the gnocchi, there are other freshly made, organic pastas up for grabs, including pappardelle, cavatelli and orrechiette, as well as a whole heap of lasagne varieties. Expect Moroccan lamb, organic beef and pumpkin and sage, with gluten free and vegan options available, too. Pizza doughs, flours, oils and specialty salts also make the menu. And, if the gnocchi-making and huge display counter don't inspire you to make a hearty Italian dinner, the portrait of co-owner Felicity Giuliani's big Italian family tucking into a pasta feast will surely do the trick. Gnoccheria by Take Me Home is now open at 89B Harding Street, Coburg. Opening hours are Monday through Friday from 9am–5pm.
The espionage antics. The shaken-not-stirred martinis. The suits. The theme song. Think James Bond, and all four come to mind. Indeed, they've all played a part in the long-running franchise, which first started back in 1962 — and they're all now coming to the Sydney Opera House with a live score. Following in the footsteps of the Star Wars and Harry Potter films, Bond is bringing one of its spy instalments back to the big screen with help from the Sydney Symphony Orchestra. It's the first time in Australia that the franchise has been shown in this way, and it'll hit Sydney on Thursday, February 28 and Friday, March 1 in 2019. Audiences will relive Daniel Craig's 007 debut while hearing the music behind as they've never heard it before, all as part of Casino Royale in Concert. For those in need of a refresher on the 2006 flick, it takes the franchise back to the beginning of Bond's career. He's newly licensed to kill, and he's soon falling in love with Vesper Lynd (Eva Green) while trying to hunt down terrorist financier Le Chiffre (Mads Mikkelsen). Directed by Martin Campbell, it was a huge hit — the biggest Bond film, box office-wise, ever released at the time, a mantle that was later overtaken by 2012's Skyfall. As the film hops from the Bahamas, to Montenegro to Venice's Grand Canal, the SSO will perform composer David Arnold's music. Yes, the classic theme track that's served the franchise so well for more than half a century now also features. Casino Royale in Concert plays the Sydney Opera House on Thursday, February 28 and Friday, March 1 in 2019. For more information or to buy tickets, visit the SSO website.
Given that The Simpsons Australia episode was more of a Fosters ad than anything else, it sounds clunky to claim 'beer is back Down Under'. When did it leave? So let's settle for the idea that brewers have lifted their socks in the wake of the return of cocktail culture. Hell, the Old Growler is pretty much a hops-filled speakeasy, beer festivals seem to be going off like fireworks on Guy Fawkes Day and home brewing is slowly being wrestled from the cold, dead hands of the river folk. Oh, and Coles now owns a microbrewery, Steamrail, that's exclusively stocked at their Liquorlands across the country. The times they are a-changing. But, with a flood in the market, where should you be directing your attention before the sun cuts back its working hours and we're all staring down those few unmentionable months of winter? Here is a list of (mostly) local beers you've probably glanced over on a menu but may not have taken the risk, forgone your beloved Coopers and forked over those extra $3 for a taste. Let's try them together. Robot Ninja Lager Rice lager is a great way to ease into the wonderful world of craft beer — fruity, light and round, this offering from the Victorian brewery Kooinda is inspired by Tokyo City and the proof is on the palate. Plus, it is something new. You can pretty much taste everything in this tipple (the website even claims a bubble-gum finish), but it is surprisingly smooth and a go-to on those hot afternoons. Though, be warned: this one masks its 4.6 percent booze content with a ricey backbone and shouldn't be treated lightly. For a more traditional rice lager, try out the Koshihikari Echigo Beer. Four Pines American Pale Ale Four Pines comes out of Manly, and offhand there is nothing in their range that isn't worth a look. The kolsch is an absolute winner, but their pale gets on here by virtue of its wide appeal. They use an unusual amount of hops in here, so expect a mouth-filling flavour, but the softness of the pine and bite of the grapefruit wrangle it in and make it a very versatile food match… Admittedly I'm thinking pub food here, but heck go with it. Murrays Angry Man If you are looking for something a little bit more familiar (yes I'm talking to all of you smashing-Sierra-Nevadas-like-its-going-out-of-fashion people) in a pale ale but still interested in broadening those horizons, try out the Murrays Angry Man. It's got a bit more punch and hop, aka bitterness, and will suit a blokier pallet — I swear I am not just running with their ridiculously awesome strong man versus kangaroo label here — but there is still plenty of complexity to the flavour. Keep a few in your fridge and order some unadvisedly hot Thai curry for your next Thursday in. Emerson's Pilsner New Zealand does do a few things well, and one of them is pilsner — in this case German pilsner. Emerson's is a well-balanced beer with a healthy smack of nectarine and then (which those of you easily overwhelmed by ales will appreciate) a long, dry finish that makes this one taste like… well... beer, essentially, which is nice. A clean, crisp mouth-wetter with a few surprising flavour notes to get your tongue wagging. Stone & Wood Jasper Ale It is still an ale, but its not going to blow your socks off with an overwhelming burst of vanilla or pineapple. The Jasper is a great crowd pleasingly thirst quencher, and it is sold in pints which is good news for everyone! Most people who identify as non-beer-likers are actually just not that into hops, but that doesn't mean you have to forgo the whole drink. Plenty of people enjoy peat free whisky, and in the same vein beers that let the malt sing and tone down the hops, like this one, will make a convert of you in no time. For the rest of us, true believers, this deep-red Jasper Ale kicks off fruity, finishes nutty and is very restrained on the carbonation front so it won't fill you up. Young Henrys Newtowner An Australian pale (i.e. they use Australian hops), this critter came out for the 150 years of Newtown celebrations and remains only available in the Inner West — which makes it the perfect excuse for a trip to King Street. Young Henrys is easily one of the most talked about local breweries and this English summer ale is a fair bit drier than their other regular pours, with a golden look and refreshing finish. Head over to The Courthouse for a long lunch with this one before summer's end. Murray's Moon Boy Golden Ale This is a beautifully gentle beer that should have spent all summer teamed up with your favourite pineapple-filled burger. It didn't did it? Do not mistake gentle for wishy-washy or tasteless; there is a lot of wheat in this baby, so expect a dry finish, and there is fruit there too. And if the option to drink a beer with a maroon-sweated, bespectacled werewolf man for a logo doesn't get you high-tailing it to the Trinity Bar on Crown Street, then I feel like I don't even know who you are anymore, man. Feral Brewing Hop Hog If this was 'Ten Beer Names to Appreciate Before the End of Summer', all of them would be from Feral Brewing. These WA beer freaks don't stop at making great beer, no, no; they then give them names like The Raging Flem, Runt and a whole selection of hogs. The Hop Hog is simply a great beer, but there is nothing simple about it: big on the hops, well balanced by malt, and somehow the whole room smells like pine when the top's off. Feral reminds us that some tastes can't be luck and someone, somewhere must know exactly what they are doing. Seriously, hop on a hog. Hargreaves Hill ESB Serious beer drinkers need only apply for this one, an Aussie twist on the Extra Special Bitter (this is normally an English speciality) that brought this Victorian brewery some serious international attention a few years ago. There are hops aplenty, a rich toffee-like malt and tropical wonders on the nose. Yes, I am an unabashed fan of this beer. If you're looking for a bit more oomph, pair it up with sherry casked single malt and sip away the next 45 minutes of your day. Sinha Stout Okay, so stouts aren't particularly summery, but they also aren't particularly Sri Lankan, which is where this mochaccino-worthy bevvy hails from, so go with it. First up, it is smooth (look at how this thing pours into a glass; it's like they've managed to bottle the voice of Laurence Fishburne), and then you sip it and suddenly you've gone to that place Irish Coffee promised but never delivered. It is 8 percent, but honestly, you don't even notice. Well, not while you're drinking it at least. Try this one out for a flavour kick at the end of your next dumpling session at Uncle Mings. Like anything, your appreciation of beer grows in direct proportion to the amount you pop in your gob, so get yourself off to an upcoming beer festival or check out the website of a brewery near you for the grand tour. Yes, it will smell like yeast. Yes, that is pretty much the smell of warm horse feed. Yes, you'll love it. Or else, we'll see you in the beer garden.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from September's haul. BRAND NEW STUFF YOU CAN WATCH FROM START TO FINISH NOW STARSTRUCK Living up to its splendid first date with audiences has never been a problem for Starstruck. When the Rose Matafeo (Baby Done)-starring BBC and HBO series first strode into streaming queues in 2021, its initial episode was an all-timer in the charming stakes, as was the show's entire six-instalment debut season. When Starstruck returned for a second run in 2022, its next go-around instantly proved as much of a smart, savvy and charismatic delight, too. Season three continues the trend, and keeps demonstrating that no romantic rendezvous, no matter how idyllic, can just keep repeating itself. Plot-wise, Starstruck has always had one couple at its centre: New Zealander-in-London Jessie (Matafeo) and British actor Tom (Nikesh Patel, Four Weddings and a Funeral). Frequently, however, they're not actually together, with the show charting the ins and outs of a complicated relationship that started with a New Year's Eve meet-cute and one-night stand. The hook from the get-go: that Tom is an A-list star, which Jessie doesn't know until after they've hooked up. So, Starstruck asks what it's like to live the Notting Hill life. In season three, it more accurately ponders what comes after that's been and gone. Season two might've finished with a scene right out of The Notebook, and with echoes of Bridget Jones' Diary as well, but its follow-up quickly establishes that Jessie and Tom didn't get their happy-ever-after ending — they're no longer together, and haven't been for some time. This return starts with a bold move, spending a few minutes zipping through Jessie and Tom's romance since season two via a heartbreaking montage. That choice is also deeply fitting for a show that's exceptional at endings. One of the best newcomers of its debut year and best returning series of its second, Starstruck's excellence is like a perfect bouquet, with vibrancy blooming everywhere — in Matafeo's lead performance, the show's ability to unpack a genre it clearly loves, its glorious nods to rom-coms past, and its astute insights into 2020s-era dating and life, to name a mere few. How its star, creator and co-writer wrapped up both season one and two was equally as sublime, though. So, season three goes all in on something cherished and blissful approaching its conclusion. Starstruck streams via ABC iView. Read our full review. FLORA AND SON No filmmaker believes in the power of music quite like John Carney. In Flora and Son, the Once, Begin Again and Sing Street writer/director again lets his favourite refrain echo, this time with an Irish single mother, her rebellious teenage boy and the American guitarist who she pays to give her lessons via zoom. The eponymous Flora (Eve Hewson, Bad Sisters) feels like she's never had an adulthood of her own after falling (swiftly, not slowly) pregnant at the age of 17 to musician Ian (Jack Reynor, The Peripheral) — whose big claim to fame is that his band once opened for Snow Patrol — then being a mum through their relationship highs and lows. When she salvages a thrown-out instrument for now-14-year-old Max (Orén Kinlan, Taken Down) but he doesn't want it, she decides to give it a try herself. It's an escape from simply getting by, arguing with Ian, coping with Max's run-ins with the law and young mother-style existential malaise. It could be a path to a new future, too. And, with her teen also into music — but hip hop, rap and EDM, or whatever will impress his crush (feature first-timer Alex Deegan) — it's a way to bring Flora and son closer together. Music is in Hewson's blood given that she's the daughter of Paul Hewson, aka U2's Bono, with the Behind Her Eyes and The Knick star well-cast — and magnetic, and also endlessly charismatic — as the forthright, sweary, just-trying-to-get-by Flora. There's both yearning and energy in her electrifyingly lived-in performance, and in the melodic and soulful tunes that her character pens with teacher Jeff (Joseph Gordon-Levitt, Poker Face) via video chats as they reflect upon their lives, loves, hopes and dreams via songwriting. Flora and Son boasts lovely performances all round, in fact. Kinlan is a dynamic find who deserves many more credits on his resume, Gordon-Levitt charms quietly and softly, and sparks fly when Carney gets the latter in the same space as Hewson through an easy but nice visual touch. The movie's moniker makes plain where its heart belongs, though, as Flora and Max learn not just about themselves but about their complicated bond with each other by making music. As always with this filmmaker's work, the original soundtrack is sublime. Also, the mood feels like a warm but clear-eyed hug. Flora and Son streams via Apple TV+ from Friday, September 29. SEX EDUCATION Before it introduced anxious teen sex counsellor Otis Milburn (Asa Butterfield, Flux Gourmet), his fellow-therapist mother Jean (Gillian Anderson, The Great), his ever-exuberant best friend Eric Effiong (Ncuti Gatwa, the next Doctor Who), and his whip-smart and rebellious crush Maeve Wiley (Emma Mackey, Emily), Sex Education's very-first episode started with trembling lights. With that debut back in January 2019, depictions of adolescent sexuality on-screen earned a welcome shake up as well. Horny high schoolers struggling with life, love and lust are such a pop culture staple that they inhabit their own genre, which this British series has always recognised. But when a show bursts onto streaming queues with a roll in the sheets that ends with a guy (Barbie's Connor Swindells as Adam Groff) faking an orgasm with his girlfriend (Living's Aimee-Lou Wood as Aimee Gibbs), it's clearly not interested in sticking with the usual tropes — and it wants its audience to know it. Candidly and enthusiastically subverting well-worn cliches about growing up and exploring all things carnal has always been Sex Education creator, lead writer and executive producer Laurie Nunn's focus in her first major project beyond the stage and shorts. It was true in that attention-grabbing premiere run, then 2020 and 2021's equally excellent second and third seasons, and now the show's big finish. Another key element right through to the series' fourth and final go-around, which caps off its tale with as much charm, heart, humour and maturity as ever: knowing that it's far more relatable to be open, honest, warm, authentic, inclusive and diverse than to just spill out the same old coming-of-age story. Here's a third factor that's also long been crucial to Sex Education: understanding that life doesn't begin or end with surging hormones. So, as change sweeps in — and goodbyes as well — this series couldn't be better placed to handle it. Otis is still as uncertain as always when season four kicks off. With his old school shuttered and snapped up by developers, he's forced into a new start, as well as a new bid to become the on-campus sex therapist, competing with existing student O (Thaddea Graham, Wreck). While Eric doesn't want them to be dubbed outsiders from the get-go, he fits in easily when he sees "all the gays everywhere", in his excited words. The fact that Maeve is at university in the US just after they've just come to terms with their feelings for each other was always going to hold Otis back, of course. The pair are finally more than friends, but also on different continents. Sex Education streams via Netflix. Read our full review. EL CONDE What if Augusto Pinochet didn't die in 2006? What if the Chilean general and dictator wasn't aged 91 at the time, either? What if his story started long before his official 1915 birthdate, in France prior to the French Revolution? What if he's been living for 250 years because he's a literal monster of the undead, draining and terrifying kind? Trust Chilean filmmaking great Pablo Larraín (Ema, Neruda, The Club, No, Post Mortem and Tony Manero) to ask these questions in El Conde, which translates as The Count and marks the latest exceptional effort in a career that just keeps serving up excellent movies. His satirical, sharp and gleefully unsubtle version of his homeland's most infamous leader was born Claude Pinoche (Clemente Rodríguez, Manchild), saw Marie Antoinette get beheaded and kept popping up to quell insurgencies before becoming Augusto Pinochet. Now holed up in a farm after faking his own death to avoid legal scrutiny — aka the consequences of being a brutal tyrant — the extremely elderly figure (Jaime Vadell, a Neruda, The Club, No and Post Mortem veteran) is also tired of eternal life. The idea at the heart of El Conde is a gem, with Larraín and his regular co-writer Guillermo Calderón plunging a stake into a despot while showing that the impact of authoritarianism rule stretches on forever (and winning the Venice International Film Festival's Best Screenplay Award this year for their efforts). The execution: just as sublime in a film that's both wryly and dynamically funny, and also a monochrome-shot visual marvel. A moment showing Pinoche licking the blood off the guillotine that's just decapitated Antoinette is instantly unforgettable. As Pinochet flies above Santiago in his cape and military attire in the thick of night, every Edward Lachman (The Velvet Underground)-lensed shot of The Count — as he likes to be called by his wife Lucia (Gloria Münchmeyer, 42 Days of Darkness), butler Fyodor (Alfredo Castro, The Settlers) and adult children — has just as much bite. El Conde's narrative sets its protagonist against an accountant and nun (Paula Luchsinger, Los Espookys) who digs through his crime and sins, and it's a delight that punctures. As seen in the also magnificent Jackie and Spencer, too, Larraín surveys the past like no one else. El Conde streams via Netflix. NO ONE WILL SAVE YOU Thanks to Justified, Short Term 12, Booksmart, Unbelievable and Dopesick, Kaitlyn Dever has already notched up plenty of acting highlights; however, No One Will Save You proves one of her best projects yet while only getting the actor to speak just a single line. Instead of using dialogue, this alien invasion flick tells its story without words — and also finds its emotion in Dever's expressive face and physicality. Her character: Mill River resident Brynn Adams, who has no one to talk to long before extra-terrestrials arrive. The local outcast due to a tragic incident from her past, and now living alone in her childhood home following her mother's death, Brynn fills her time by sewing clothes, making models of her unwelcoming small town like she's in Moon and penning letters to her best friend Maude. Then she's woken in the night by an intruder who isn't human, flits between fighting back and fleeing, and is forced into a battle for survival — striving to save her alienated existence in her cosy but lonely abode from grey-hued, long-limbed, telekinetic otherworldly interlopers with a penchant for mind control. With Spontaneous writer/director Brian Duffield's script matched by exacting A Quite Place-level sound design and The Witcher composer Joseph Trapanese's score, this close encounter of the unspoken kind is a visual feat, bouncing, bounding and dancing around Brynn's house and the Mill River community as aliens linger. Every single frame conveys a wealth of detail, as it needs to without chatter to fill in the gaps. Every look on Dever's face does the same, and every glance as well; this is a performance so fine-tuned that this would be a completely different film without her. Bringing the iconic 'Hush' episode of Buffy the Vampire Slayer to mind, No One Will Save you is smartly plotted, including in explaining why it sashays in silence. Just as crucially — and this time recalling everyone's favourite home-invasion film, aka Home Alone — it's fluidly and evocatively choreographed. There's also a touch of Nope in its depiction of eerie threats from space, plus a veer into Invasion of the Body Snatchers, all without ever feeling like No One Will Save is bluntly cribbing from elsewhere. The result: a new sci-fi/horror standout. No One Will Save You streams via Disney+. CASSANDRO The story of luchador Saúl Armendáriz comes to the screen in Cassandro, which takes its title from the American-born Mexican performer's ring name. As writer/director Roger Ross Williams (Life, Animated) works through with help from his charismatic star Gael García Bernal (Werewolf By Night), Armendáriz first came to wrestling in a mask — as an amateur living in El Paso but heading over the border to Juarez to get scrapping — then made a big switch to take on an exótico identity. That's where the openly gay competitor not only found himself, but also earned fame. He takes convincing, however, as this affectionate and thoughtful feature unpacks. Of course he wants to be able to express himself, bounce between the ropes with glamour and joy, carve out an accepting space and have crowds showering him with love. But exóticos have been traditionally positioned to lose. Dressed in drag, they've been used to show up the masculine strengths of their opponents. That homophobic situation isn't one that Armendáriz wants to embrace, but trainer Sabrina (Roberta Colindrez, A League of Their Own) thinks that he could make a difference, subvert the trend, stand out and become a better wrestler. Frequent documentarian Williams, who won an Academy Award for Best Documentary Short for Music by Prudence, knows a great story — and stellar talent. Cassandro has both, including Armendáriz's rise to become the 'Liberace of Lucha Libre', the many ups and downs on that path, his relationship with his mother Yocasta (Perla De La Rosa, Villa, itinerario de una pasión), and Bernal's layered performance in his shoes and spandex. There's both passion and heartbreak in the actor's portrayal — shyness as Saúl and blossoming confidence as Cassandro as well — in another of Bernal's big career highlights. Indeed, he puts in a tour-de-force effort as the film explores Armendáriz's devotion to his mum; his complicated feelings about his absent, disapproving dad (Robert Salas, Family Portrait); his secret liaisons and not-so-clandestine love for married fellow luchador Gerardo (Raúl Castillo, The Inspection); his flirtations with the assistant (Benito Antonio Martínez Ocasio aka Bad Bunny, Bullet Train) to his key promoter (Joaquín Cosio, Narcos: Mexico); and what it means to get a shot in the ring with icon silver-masked El Hijo del Santo (as himself). Cassandro streams via Prime Video. MIRACLE WORKERS: END TIMES The wrong Daniel Radcliffe-starring franchise is sprawling on forever. Sorry, Harry Potter diehards — it's Miracle Workers that should keep coming back. Of course, Radcliffe hasn't shown up in the Fantastic Beasts movies, and is highly unlikely to in the upcoming HBO Harry Potter TV series that's planning to step through each book again, devoting a season to every one of the series' tomes. His stint there is done and, now, his time with frequently hilarious television anthology comedy has also come to an end. How is the Guns Akimbo, The Lost City and Weird: The Al Yankovic star sending off only his second major small-screen role after 2012–13's A Young Doctor's Notebook & Other Stories? With a fourth season called Miracle Workers: End Times that's the Mad Max equivalent of season one's Good Omens-esque heavenly sci-fi (back in 2019), season two's medieval parody Dark Ages (in 2020) and season three's pioneer western Oregon Trail (in 2021). Yes, Radcliffe rocks leather while attempting to survive in a dystopian future wasteland. Yes, he's ace, as are his returning co-stars Steve Buscemi (Bupkis), Geraldine Viswanathan (The Beanie Bubble), Jon Bass (She-Hulk: Attorney at Law) and Karan Soni (Spider-Man: Across the Spider-Verse). As always, creator Simon Rich — who based the first season on his book What in God's Name and the second on short story Revolution — brings back his five key actors but shakes up everything else except Miracle Workers' sense of humour. New setting, new scenario, new era, new characters, new links between its main players: that's all on offer again, as is Radcliffe and Viswanathan's new on-screen guises being drawn together. Radcliffe plays Sid, a road warrior befitting the Australian flicks he's riffing on, and husband to Viswanathan's war lord Freya Exaltada. That's another of End Times' shifts: getting Radcliffe and Viswanathan to explore an established relationship rather than hop into classic rom-com territory. Sid and Freya are giving setting down in Boomtown instead of wreaking havoc in the postnuclear apocalyptic realm a try, with their war dog Scraps, played by Bass, at their feet. Buscemi shows up as Morris 'The Junkman' Rubinstein, who becomes Sid's new boss. Soni brings in The Terminator nods as killbot TI-90, aka Tai. And the jokes keep coming in a series that wraps up with one of its best runs. Miracle Workers streams via Stan. NEW SHORTS ARRIVING IN FULL BEFORE SEPTEMBER IS OUT THE WONDERFUL STORY OF HENRY SUGAR, THE SWAN, THE RATCATCHER AND POISON Fresh from stepping into a play as a live production in a TV show in Asteroid City, and also flicking through a magazine's various articles in The French Dispatch before that, Wes Anderson now gets an author sharing his writing in The Wonderful Story of Henry Sugar. The 39-minute short film features Ralph Fiennes (The Menu) as Roald Dahl, who did indeed pen the tale that gives this suitably symmetrically shot affair its name — the book it's in, too — with the account that he's spilling one of several in a film that enthusiastically makes Anderson's love of layers known in its playful structure as much as its faux set. So, Dahl chats. The eponymous Henry Sugar (Benedict Cumberbatch, Doctor Strange in the Multiverse of Madness) does as well. And, Dr Chatterjee (Dev Patel, The Green Knight) and his patient Imdad Khan (Ben Kingsley, Shang-Chi and the Legend of the Ten Rings) also have a natter. The stories within stories within stories (within stories) share the fact that Khan has learned to see without his eyes, Chatterjee couldn't be more fascinated and Sugar wants to learn the trick for himself — to help with his gambling pastime. In his three decades as a filmmaker, Anderson has only ever made both features and shorts with one of two people responsible for their ideas: himself, sometimes with Owen Wilson (Haunted Mansion), Noah Baumbach (White Noise), Jason Schwartzman (Spider-Man: Across the Spider-Verse) and/or Roman Coppola (Mozart in the Jungle) contributing; and Dahl. With the latter, first came Anderson's magnificent stop-motion Fantastic Mr Fox adaptation — and now The Wonderful Story of Henry Sugar sits among a series of four new shorts, all releasing before September is out, that are based on the author's work. This is still a dream match, with the director's beloved jewel and pastel colours, dollhouse-esque visuals, moving sets, love of centred framing and dialogue rhythm all proving a treat in this account of personal and spiritual growth. The cast is as divine on-screen as it sounds on paper, too, especially Cumberbatch and Patel. The next in the set, the 17-minute The Swan, pushes Rupert Friend (High Desert) to the fore in a darker tale about a bully. With The Ratcatcher and Poison arriving, too, the only quibble is with the decision to release all four shorts separately, rather than package them together as an anthology film. The Wonderful Story of Henry Sugar streams via Netflix, as is The Swan. The Ratcatcher arrives on Friday, September 29, followed by Poison on Saturday, September 30. Read our full review. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK THE CHANGELING It isn't by accident that watching The Changeling feels like being read to, rather than simply viewing streaming's latest book-to-TV adaptation. Landing from the pages of Victor LaValle's novel of the same name, this horror-fantasy series is obsessed with stories, telling tales and unpacking what humanity's favourite narratives say about our nature, including myths and yarns that date back centuries and longer. Printed tomes are crucial in its characters lives, fittingly. Libraries, bookstores, dusty boxes stacked with old volumes, beloved childhood texts, a rare signed version of To Kill a Mockingbird with a note from Harper Lee to lifelong friend Truman Capote: they all feature within the show's frames. Its protagonists Apollo Kagwa (LaKeith Stanfield, Haunted Mansion) and Emma Valentine (Clark Backo, Letterkenny), who fall in love and make a life together before its first episode is out, even work as a book dealer and a librarian. And, The Changeling also literally reads to its audience, because LaValle himself relays this adult fairytale, his dulcet tones speaking lyrical prose to provide a frequent guide In a show created and scripted by Venom, Venom: Let There Be Carnage, Fifty Shades of Grey and Saving Mr Banks screenwriter Kelly Marcel, there's nothing more potent and revealing than a story, after all — and The Changeling believes in the power of tales to capture, explain, transport, engage, caution and advise, too. Aptly, New Yorkers Apollo and Emma meet amid books, in the library where she works and he frequents. It takes convincing to get her to agree to go out with him, but that leads to marriage and a child. The Changeling's astute thematic layering includes Apollo's repeated attempts to wrangle that first yes out of Emma, however, setting up a train of thought that has many future stations. In-between early dates and domesticity, Emma also takes the trip of a lifetime to Brazil, where an old woman awaits by Lagoa do Abaeté. The locals warn the visitor to stay away but she's mesmerised. What happens between the two strangers sends the narrative hurtling, with the lakeside figure tying a red string around Emma's wrist, granting her three wishes, but advising that they'll only come true when the bracelet falls off by itself. The Changeling streams via Apple TV+. Read our full review. GEN V Instead of Gen V, you could call this spinoff The Boys Jnr and it'd fit — to a point. The superheroes are younger, with the series' eight-episode first season focusing on students attending Godolkin University, rather than adults. The minutiae of their lives is teen-centric, including dates and crushes, dorms and lectures, making new friends and peer pressure, and the like. Their worries largely aren't world-weary, been-there-seen-that, years-of-existential-malaise woes. There's nothing smaller about the hefty, hearty, utterly gleeful splashes of gore and violence — the guts and penises, too — in the latest show inspired by Garth Ennis and Darick Robertson's comic book, however. Prime Video's next dive into this satirical caped-crusader world after the OG series (which has dropped three seasons, with a fourth on the way) and the animated The Boys Presents: Diabolical stems from the 'We Gotta Go Now' storyline, and embraces making The Boys with younger characters but zero other tone and vibe changes. So springs an OTT coming-of-age tale that's gruesome, irreverent, subversive, funny and filled with bodily fluids. Set at the same time that The Boys' fourth season will take place when it hits, Gen V follows the blood-bending Marie Moreau (Jaz Sinclair, Chilling Adventures of Sabrina) as she scores an enrolment at Godolkin University that could change her life. Dwelling under the cloud of a past tragedy until now, her scholarship to the Vought-approved college is the ticket to her dreams, with becoming the first Black woman in The Seven her ultimate aim. As she rooms with Emma Meyer (Lizze Broadway, Based on a True Story), who can scale down her size — and meets the campus cool clique, including literally hot top pupil Luke 'Golden Boy' Riordan (Patrick Schwarzenegger, The Staircase), his persuasive girlfriend Cate Dunlap (Maddie Phillips, Teenage Bounty Hunters), the magnetic Andre Anderson (Chance Perdomo, also Chilling Adventures of Sabrina) and the gender-shifting Jordan Li (Never Have I Ever's London Thor and Shining Vale's Derek Luh) — all isn't exactly what it seems at her new school, though. While a few key cameos pop up, Gen V's focus is firmly on the franchise's newbies, their supe and uni experiences, and the mystery around them — and it's as entertaining as The Boys to watch. Gen V streams via Prime Video from Friday, September 29. Read our full review. SOLAR OPPOSITES It isn't the approach that Rick and Morty has taken, as the trailer for its upcoming seventh season shows, but Solar Opposites' method of handling its big casting change is genius. In its own sneak peek before its fourth season arrived, the other animated sitcom with Justin Roiland as a co-creator revealed how it was moving on after ties being cut due to domestic abuse allegations — and it was as glorious then as it is in full episodes. Enter Dan Stevens, star of everything from Downton Abbey, The Guest and Colossal to Legion, I'm Your Man and Gaslit, as the new source of Korvo's voice. He's using his British accent and sounds absolutely nothing like his predecessor as a result, but the change couldn't be easier to work in. When a show is about aliens living a life of mayhem on earth — chaos caused in no small part by their non-stop array sci-fi gadgets — anything can and does happen, including the lead Shlorpian out of its core quartet suddenly sporting new tones. That's the only shift that season four of Solar Opposites makes. Before the first new episode is out, with the series as anarchic and hilarious as ever, Stevens feels like he's always been in the role. Across an 11-episode run, Solar Opposites does what it has since 2020 — and well — following Korvo, his boyfriend Terry (Thomas Middleditch, Silicon Valley), and their replicants Jesse (Mary Mack, Kiff) and Yumyulack (Sean Giambrone, The Goldbergs) as they experience life among humans. This time around, that means getting jobs, which devolves into a fight to get a ping-pong table and a one-upping battle to impress a client; the crew's artificial intelligence AISHA (Tiffany Haddish, The Afterparty) giving online dating a go; bringing a dinosaur back to life just to get a pet; getting stuck among stock photos; and new birthday traditions. Smart, perceptive and sidesplittingly funny, Solar Opposites parodies the ridiculousness of human life from two angles, however — not just witnessing the Shlorpians grapple with adjusting, but also observing the society that evolves in the wall of Jesse and Yumyulack's bedroom thanks to the annoying folks that they've shrunk down for a range of petty slights. Cherie (Christina Hendricks, Good Girls) is there for serving the wrong food at Benihana, for instance, and is now caught up in a religious war, with the show's writers consistently finding an ideal balance between its two plot threads. Solar Opposites streams via Disney+. A RECENT-ISH TV GEM YOU MIGHT'VE MISSED LODGE 49 When Monarch: Legacy of Monsters starts streaming before 2023 is out, it'll see father and son Kurt Russell (Fast and Furious 9) and Wyatt Russell (Under the Banner of Heaven) co-star as older and younger versions of the same character. That's dream casting, although the younger of the pair already scored a stellar part with his first TV lead in Lodge 49. Debuting in the US in 2018, then ending with its second season in 2019 — due to low ratings, sadly — this Long Beach-set dramedy chases bliss. The potential solution for former surfer-turned-pool cleaner Sean 'Dud' Dudley (Russell): the titular place. It's the town's chapter of a worldwide fraternal order called the Order of the Lynx, complete with rituals, secrets, a lengthy history, and a motley crew of eclectic and eccentric characters. Among them are plumbing salesman Ernie Fontaine (Brent Jennings, All American), journalist Connie Clark (Linda Edmond, Only Murders in the Building) and her patrol officer husband Scott Miller (Eric Allan Kramer, CSI: Vegas), alchemy professor Blaise St John (David Pasquesi, White House Plumbers) and the lodge's Sovereign Protector Larry Loomis (Kenneth Walsh, The Kids in the Hall). The now-late Walsh's pre-Lodge 49 resume includes Twin Peaks — and, while nothing will ever match David Lynch's TV masterpiece, and also this series doesn't dare try, the two share a an embrace of being their own distinctive, idiosyncratic and surreal kinds of television shows. Here, the tone is lighter, but the always-optimistic Dud and Twin Peaks' Agent Dale Cooper don't lack in similarities as outsiders entering an insular world filled with unique personalities and odd happenings. Easygoing in tone, too, and also sunnily shot, Lodge 49 muses on what it means to seek happiness, how anyone can ever hope to find it, the search to fit in, what matters in a time of increasing disconnection, signs and omens, and the enduring value of friendship, especially when found in unlikely places. Russell is perfectly cast as the amiable Dud, but everything about this show, its quirks and its mysteries is wonderful. Two ten-episode seasons aren't enough, especially given how quickly loveable and bingeable those seasons prove. Lodge 49 streams via AMC+. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July and August this year. You can also check out our running list of standout must-stream shows from this year as well — and our best 15 new shows of 2023's first six months, top 15 returning shows over the same period and best 15 straight-to-streaming movies from January–June 2023, too. Top image: Netflix ©2023
America's Southern cuisine is the stuff of legend. After all, who hasn't devoured Southern fried chicken, dreamed of a crawfish boil or salivated over a decadent mac and cheese? Whether you want to sample the authentic version of familiar favourites or enliven your palate with new, never-before-tried flavours, we've partnered with Travel South USA to uncover a mix of the region's must-visit establishments and must-try dishes. From Memphis-style barbecue to a comforting porridge that's a specialty of the region, here's our guide on where to go and what to eat. Gumbo at Mr B's Bistro, Restaurant Rebirth: Louisiana Countless dishes in the South have reached legendary status both within the US and abroad — among which gumbo stands out as a must-try. Not only is gumbo Louisiana's official state dish, the flavours and ingredients are an iconic example of the state's cuisine, reflecting its cultural history and blending together French, Spanish, African and Caribbean flavours. It's a stew that has infinite iterations; it can feature seafood such as shrimp and crab, meats like duck, chicken or sausage, and although there is a traditional style to making gumbo, each bowl is unique to its maker with variations in seasonings, proteins and thickness, making it a dish to try at many different restaurants. Head to Mr B's Bistro for a gumbo that the locals love, made with fresh regional products, or Restaurant Rebirth for a Creole Cajun gumbo that's made with farm-to-table ingredients. West Indies Salad at Wentzell's Oyster House of Mobile: Mobile, Alabama The southern border of Alabama just happens to be the Gulf — which means one sure thing: mouth-watering, fresh seafood. A must-try dish of the state is the distinctive West Indies salad, which notably is made with ice cubes and ensures the salad tastes exactly as it should — fresh and light. The salad is a pride of Mobile, where it has been served since the 1940s, and calls for fresh crab meat, making it a local specialty that you'd be hard pressed to find anywhere else. Hot Brown at Brown Hotel: Louisville, Kentucky The South is often synonymous with comfort food and Kentucky's Hot Brown is one of the finest on offer. The open-faced sandwich is a Kentucky culinary classic, originating in the 1920s at the Brown Hotel in Louisville, where it has stood the test of time and continues to be a menu favourite a century later. It features layers of turkey and bacon on thick slices of bread smothered in a decadent Mornay sauce, before being baked to perfection. Barbecue at Charlie Vergos' Rendezvous: Tennessee Barbecuing in the South isn't just one or two dishes, it's a tradition with countless regional variations and quirks. So much so, neatly demarcating the different styles of barbecue from region to region is a tall order, but there are four major variants that come up again and again — of which Tennessee's Memphis-style barbecue is one. The Tennesseean variant often sees pork selected as the meat of choice, with a focus on ribs and shoulders. Memphis is brimming with barbecue joints featuring everything from hole-in-the-wall hidden gems to world-class dining experiences. Once you step into Tennessee, it will quickly become apparent why Memphis-style barbecue has ascended to one of the greats; it's a state where barbecue culture thrives with incredible, smoky morsels always just around the corner. Elsewhere in the state, there are tomato and vinegar-based sauces in the mountains, while Nashville blends all of the state's traditions into one big culinary melting pot. [caption id="attachment_990176" align="alignnone" width="1920"] Austin Walsh[/caption] Burnt Ends at Arthur Bryant's: Kansas City, Missouri When in Missouri, do as the Missourians do and try Kansas City-style barbecue, another one of the four major styles of 'cue in America. In Kansas City the local specialty is burnt ends, and for fans of tender, slow-cooked brisket, these bite-sized meaty morsels are a must. Served sans sauce typically as a side dish or part of a wider barbecue plate, they're the perfect crispy platform for the smoke to shine and take centre stage. Head to the longstanding restaurant Arthur Bryant's, where burnt ends originated, to try this local favourite for yourself — but get in early because they sell out on the regular. Of course, the dish is now a staple of the state so there are plenty of other restaurants to try your luck at and sample these delectable bites. Shrimp and Grits at Slightly North of Broad: Charleston, South Carolina Grits are one of the great culinary staples of the South — and they pair perfectly with the abundance of fresh seafood throughout the region. Head to the culinary hub of Charleston to sample a bowl of the most refined version of this uniquely creamy style of porridge made with maize. Look out specifically for shrimp and grits which may have originated in the South, but has since found favour through the country. Helmed by chef Frank Lee, who has long been a proponent of South Carolinian cuisine, Slightly North of Broad (affectionately known as SNOB by locals) is an excellent stop to try this quintessential recipe of the region. '1010 Cut' at 1010 Bridge Restaurant: Charleston, West Virginia West Virginia is unique for its cultural heritage which spans both the South and Appalachia. Combining the best of both worlds is 1010 Bridge Restaurant in West Virginia's capital city, Charleston. The cosy restaurant offers a menu that reflects Appalachian roots matched with low country influence, owned and operated by chef Paul Smith, a winner of the prestigious James Beard Award. On the menu, you'll find a wide variety of meticulously crafted dishes including lamb loin, gourmet seafood and the iconic '1010 Cut' dish of cast iron-seared steak and lobster mac and cheese. Steak at Doe's Eat Place: Greenville, Mississippi If you're making a stop in Mississippi on an empty stomach, chart a course to Doe's Eat Place for your next feast and to experience Southern hospitality firsthand. Stop by for generously-sized steaks, tamales and a welcoming, no-frills atmosphere. With a storied history as a family-run establishment, there's a sense of tradition and community that you'll immediately feel from when you first step foot through the restaurant's door all the way until you roll out of your seat and back to your car. Fresh Seafood at Salt Box Seafood Joint: Durham, North Carolina The menu changes with the seasons at North Carolina's Salt Box Seafood Joint. Owned and operated by chef Rickey Moore, a James Beard Foundation Award winner, the Durham restaurant celebrates local, fresh seafood with dishes that prove why the South's seafood is so remarkable. The one constant on the menu is the oysters, which are also found in many restaurants around the state, since North Carolina is home to a sustainable oyster farming industry. Find your next adventure in the South. Discover more unforgettable destinations and start planning your trip with Travel South USA.
Kendrick Lamar kicked off his four-city Australian DAMN. album tour on Tuesday, with a standout show in Perth. On top of the tour, which is also heading to Sydney, Melbourne and Adelaide, the acclaimed hip hop artist is also headlining a sold-out Splendour in the Grass later this month. If that wasn't enough Lamar-goodness for Aussie punters, the Pulitzer Prize-winning artist has just announced that he's bringing his coveted DAMN. Pop-Up stores down under, too. Damn. The first pop-up is happening in Melbourne right now, running from 11am to 7pm today and tomorrow on Brunswick Street. Sydney will get its chance to nab some of Lamar's limited-edition merch later this month on July 24 and 25. While details of what exactly will be stocked at the stores are extremely vague, the rapper's pop-up has already appeared in Europe and across the US, stocking vinyls, tees, caps and hoodies. You can take a look inside his NYC pop-up here. The rapper has also made surprise appearances at many of the pop-ups, so if you're keen to grab a closer-than-row-z sighting of Lamar we suggest heading along. If you are thinking of heading along, however, take this as a warning: there will be long lines. DAMN. Pop Up is open in Melbourne at Doomsday, 195A Brunswick Street, Fitzroy on Friday, July 13 and Saturday, July 14 from 11am–7pm. Sydney's pop-up will be located at Above The Clouds, 205 Oxford Street, Sydney on Tuesday, July 24 and Wednesday, July 25 from 11am–7pm. Kendrick Lamar is playing in Melbourne on July 13 and 14 and in Sydney on July 24 and 25. via Triple J
It's Hollywood's night of nights for television, it usually takes place in September and it has already announced its 2023 nominees. This year's Emmys look set to delay anointing a new round of winners, however, with word circling that the awards ceremony will be postponed due to the current film and TV industry strikes. Both Variety and The Hollywood Reporter are reporting that the 2023 Emmy Awards will ditch its scheduled date: the night of Monday, September 18 in the US, which is Tuesday, September 19. If the strikes are still ongoing, actors and writers won't be attending the ceremony — not the red carpet, nor the awards themselves — meaning that the bulk of the televised accolades wouldn't be able to be accepted by their recipients. Also, the shindig will look mighty empty. As per Variety, vendors have been told that the event will be postponed, with a new date yet to be confirmed. The Hollywood Reporter also advises that the rescheduled awards won't take place in September — and, in a best-case scenario, will be held off until the Alliance of Motion Picture and Television Producers comes to an agreement with SAG-AFTRA and the Writers Guild of America. TV lovers will have to wait a little longer, then, to find out which shows have been dubbed the past year's best by the voters in the Academy of Television Arts & Sciences — and how much they love HBO. The answer already: a whole heap. In 2023, the folks who decide which shows will score some Emmys love awarded a massive 74 nominations to three HBO series: Succession, The Last of Us and The White Lotus. TV's best case of family feud earned 27 nods, including for almost every actor who appeared in its fourth and final season in leading, supporting and guest roles. In the Best Actor category alone, Brian Cox, Jeremy Strong and Kieran Culkin are going head to head. The most spectacular game-to-screen adaptation yet nabbed 24, while vacation chaos brought about 23 nominations. The other show that racked up a comparable tally? Apple TV+'s Ted Lasso with 21 nods. Similarly in the running: everything from Andor, Better Call Saul, House of the Dragon and Yellowjackets (all in the drama fields) to Abbott Elementary, Barry, The Bear, Only Murders in the Building and Wednesday (the comedy categories), plus the likes of Beef, Daisy Jones & the Six and Fleishman Is in Trouble (limited series) as well. Hollywood talents are fighting against diminishing residual payments for performers, and to establish firm rules about the future use of artificial intelligence in the industry, among other improvements to working conditions. When they took action in mid-July, SAG-AFTRA's members joined their counterparts in the Writers Guild of America, who've been striking since May. The current strikes are affecting film releases, too, with Australian crime-thriller Force of Nature: The Dry 2 already ditching its planned August date with cinemas given that star Eric Bana a member of the striking SAG-AFTRA. It's also been rumoured that big blockbusters such as Dune: Part Two, Aquaman and The Lost Kingdom and The Colour Purple might also delay their releases, including until 2024; however, none have officially shifted their dates as yet. The 75th Emmy Awards are currently scheduled to take place on Tuesday, September 19, Australian time, but may be postponed — we'll update you if/when a new date is confirmed. Check out the list of 2023 nominations, and keep an eye on the Emmys' website for further details in the interim. Via Variety / The Hollywood Reporter.
Sometimes you just want to leave the city behind and get back to nature. Recharge and reconnect. Go off-road or underwater or deep into the outback. Where can you do it all? Western Australia's Coral Coast. On this stretch of coast, you'll find everything from wildflowers and wonderfully weird geological sights to beautifully preserved coral habitats. See vibrant underwater ecosystems to rival those on the tropical east coast and swim with gentle giants of the sea. Take road trips through storied landscapes of deep cultural significance, stand up high for sweeping vistas across ancient formations and hike, hike, hike to your heart's content. Stay on family-owned cattle stations with luxe amenities or simply set up your tent by the river for a truly rustic getaway. Whether you want a day trip from Perth (Boorloo) or a dedicated adventure north, underwater encounters or desert exploration, country home comforts or nights sleeping out under the stars, here's a few ways you can get in touch with nature during your Coral Coast trip. Get ready for a breath of fresh air — and a heavy dose of wonder and awe. [caption id="attachment_895302" align="alignnone" width="1920"] Tourism Western Australia[/caption] UNDERWATER WILDLIFE ENCOUNTERS The western beaches are world-class — and, if you head offshore (and underwater), you can get up close and personal with a really special place. Ningaloo Reef (Nyinggulu) is a healthy, vibrant reef that plays host to some incredible marine life. To meet them, head out by boat from Coral Bay or Exmouth (Warnangoora). The whale shark is the largest fish in the world and swims by between March and August. You'd be silly to miss taking a snorkel tour to join these gentle and beautiful giants in their home. In this part of the world, you're also well-placed to catch one of the huge manta rays soaring gracefully through the water. Around 30,000 humpbacks pass through the marine park between June and October, and you can set off on a boat tour for a closer look at the pods of these gargantuan guests. For a glimpse of a rare species, take a cruise to see the sea lions in Jurien Bay playing in the ocean and resting on their 'haul out' islands. [caption id="attachment_896070" align="alignnone" width="1920"] Lavender Patch at Ningaloo Reef, Coral Bay[/caption] CORAL VIEWING TOUR It may not be as well known as the Great Barrier Reef, but Ningaloo Marine Park is a thriving World Heritage-listed area — and the world's largest fringing coral reef. The Coral Coast has more than 200 coral varieties and more than 500 species of fish; joining them is an abundance of charismatic mammals and seabirds. For what lies beneath the sparkling blue waves, you can't beat a glass-bottom boat tour — some even include fish-feeding. The clear, shallow waters make it a cinch to view these underwater worlds teeming with marine life; you never know what you're going to spy gliding under the glass. You don't have to be a coral expert when you've got one on board talking you through it, and with passionate guides operating out of a roll call of local businesses — like this one-hour coral-filled trip with Ningaloo Glass Bottom Boat — you'll be schooled on all the ins and outs of the reef. Plus, many are eco-certified, so you know your guides love the reef and are dedicated to preserving it for future generations. [caption id="attachment_895352" align="alignnone" width="1920"] Tourism Western Australia[/caption] YAMAJI DRIVE TRAIL The Yamaji Drive Trail near Geraldton (Jambinu) is an epic 195-kilometre stretch of road where history, art and natural wonders are entwined. Featuring 14 significant Aboriginal sites, this experience takes its name from the word meaning 'human' or 'man' in the language of the Wajarri people. You'll traverse a diversity of landscapes in this patch of the world, from idyllic beaches, tree-lined rivers and red, red dirt to midden sites, meeting places and stellar wildflower-spotting places to wander. There's no need to keep yourself cooped up in the car: there are numerous walking trails through parks and reserves along the drive. See native quandong trees on the Warlgu trail, go bird-spotting along the Greenough River nature trail, and visit Ellendale Pool, watched over by Bimarra the serpent. Depending on how often you'd like to stop and explore, the whole trip can take between one and two days. Looking to break it up with a stay? We recommend Geraldton, Greenough or Mullewa as overnight pitstops. [caption id="attachment_895316" align="alignnone" width="1920"] Tourism Western Australia[/caption] NAMBUNG NATIONAL PARK Only a few hours' drive from Perth, Nambung National Park feels a world away from the shining city. Explore this mesmerising area via dedicated walks or drives through the desert. Visit the Pinnacles, the famous ancient limestone rock formations, standing stark in the sandy flats like some alien landscape. Take the boardwalk at Lake Thetis and learn all about the curious geology of the place — and the unique rock forms known as thrombolites. From August to October, the oceanside dune vegetation flowers beautifully, covering the sandy scenery in life and colour. The park also has beaches perfect for swimming, snorkelling and surfing from the white sands and blue waters of Kangaroo Point to Hangover Bay in Jurien Bay Marine Park and the rocky shoreline of Grey beach area (if you brought a fishing rod, this is the spot). Head to the Desert Discovery Centre to find out more about the history, significance and ecology of this fascinating park. [caption id="attachment_895310" align="alignnone" width="1920"] Tourism Western Australia[/caption] KALBARRI SKYWALK The Kalbarri Skywalk (Kaju Yatka) offers an unbeatable view of the 80-kilometre expanse of the Murchison River Gorge. Formed millions of years ago, the gorge is part of an ancient landscape replete with fossils and fascinating geology. The cantilevered platforms sit 100 metres above the gorge, making it feel like you're really floating in the sky. Look down or gaze out and take in the vast view of scrub, sand and stone below, with the river snaking through. There are a few more spectacular places to catch a sunset around here, too. If you want to get a bit closer, take a hiking track down to the gorge to catch the seasonal wildflowers blooming in the rugged terrain. Learn about the flora and fauna, the history of the place and of the Nanda Aboriginal people from sculptures and helpful signs. Stay a while and refresh yourself at the kiosk or set up a picnic at the table. You won't find a better lunchtime vista than this. CORAL COAST WILDFLOWER TRAIL Love wildflowers? Really love them? Then set off on this 11-day trail along a stretch of the Coral Coast in bloom. From late July to early October, this driving trail and its many points of interest burst into florals — with a few rare plant species to spot as well. Native wildflowers surround historical sites, tourist activities and places of cultural significance. Pick up a map and set out on an adventure. Each day on this road trip offers a new landscape, a different mix of wildflowers and wildlife, and a compact diversity of geological wonders, national parks and sweeping beaches. You can stop off in Carnarvon — the 'food bowl' — to sample delicious local produce while spotting the fuchsia dream parakeelya, delicate bluebells and seasonal everlastings. While you're on this adventure, you could opt to stay at Peron Homestead, relax in an artesian spa, explore 8 kilometres of walking trails in Mullewa, get amongst the gum trees, carpets of wildflowers and native scrub (and a few rare orchids) in Kalbarri National Park and visit historic buildings to discover the stories of the vibrant communities along the way. [caption id="attachment_895309" align="alignnone" width="1920"] Tourism Western Australia[/caption] OUTBACK STATION STAYS: BULLARA, QUOBBA, WOORAMEL Want the real outback experience? Stay at a working station and see it all firsthand. Bullara Station (Punurrba; pictured above) lies between Coral Bay and Exmouth, offering an authentic cattle station experience complete with friendly country hospitality. Stay in a self-contained cottage or shearers' lodge, or on a bush-camping site. Take coffee and scones in the wool shed garden, join your host and guests for special meal nights, stay for the yearly muster, or just wander, stargaze, fish and recharge. For an eco-certified option, head to Quobba Station instead. The Meecham family operates this 187,000-hectare station, which was established in 1898. You can stay in the original cottage outbuildings, including the blacksmith's workshop, stables or jackaroo quarters. You're close to the sea here, so make the most of fishing, whale watching and even snorkelling with turtles. The station campground at Wooramel River Retreat sits on the banks of the Wooramel River. It's a delightful balance between the rugged outdoors and home comforts, with a private campfire, naturally heated artesian bore baths, walking trails and a cafe and nightly dinners. The family-owned outback station backs onto a World Heritage area and splendid surrounds that are hard to beat if you're looking to partake in wildlife spotting. Whichever part of Western Australia beckons you over, Concrete Playground Trips is the ideal place to start planning. Ready to go? Head to the website. Top images: Tourism Western Australia (Exmouth Adventure Co; Quobba Station; Bullara Station Stay; Bullara Station Stay; Ningaloo Reef; Coral Bay; Kalbarri Skywalk; Exmouth Dive).
Uber, you sly geniuses. In a bold marketing move, Uber have launched UberKITTENS, a service with actually brings kittens to your office for 15 minutes of cuddles. Launching today around Australia in six locations (Sydney, Melbourne and Brisbane included), you'll be able to front up $40 and Uber will drive a rescue kitten to your home or office as part of an Australia-wide fundraiser. GET GOING. NOW. Uber posted on their blog today: "Following the huge success of UberKITTENS in the US, we were inundated with requests from riders and some amazing local shelters to bring it to our shores so we could share the kitten love and spread the word about the importance of finding much needed homes for our furry friends." How can has kitten? 1. Download the Uber app. 2. Request the 'KITTENS' option in the app TODAY between 12pm and 4pm within the Sydney/Melbourne/Brisbane CBD and surrounding suburbs. 3. If kittens are available, you will get to enjoy 15 minutes of furry cuteness delivered to your office, your sweetheart, or even your favourite cat lady. 4. Pro Tip: Demand for #UberKITTENS will be off the charts so please be patient in your quest for kitten playtime. All the funds go to the participating shelter and you can even adopt the little guy. Looks like cat lovers have a lot to celebrate after yesterday's announcement for Sydney's very first cat cafe. Via Mumbrella.
Money can't buy you love, as four mop-topped Brits first sang 59 years ago, but it can buy you tickets to see the music legend who wrote one of the catchiest pop tracks ever released — and co-performed it — play it live in Australia. When Paul McCartney heads Down Under this spring, he'll have a wealth of material to choose from. One of his favourite openers: 'Can't Buy Me Love'. Hitting our shores for the first time since 2017 on his Got Back tour, McCartney will work through a massive catalogue of hits from his time in The Beatles, Wings and also across his solo career on a six-city stint around the country. Arenas and stadiums will welcome Sir Paul, starting at the Adelaide Entertainment Centre on Wednesday, October 18, then heading to Melbourne's Marvel Stadium, Newcastle's McDonald Jones Stadium and Allianz Stadium in Sydney before the month is out. Then, to kick off November, McCartney will take over Brisbane's Suncorp Stadium and finally Heritage Bank Stadium on the Gold Coast. This tour will mark the Beatles icon's first-ever Newcastle and Gold Coast shows, and also commemorate almost six decades since the band that helped McCartney make history famously toured Australia in 1964 amid a wave of Beatlemania. In Adelaide all of those years back, it's estimated that 350,000 people lined the streets to get a glimpse of the group, packing the stretch between the airport and Town Hall. McCartney's Got Back setlist has featured everything from 'Hey Jude', 'Let It Be' and 'Ob-La-Di, Ob-La-Da' to 'Love Me Do', 'Blackbird' and 'Got to Get You Into My Life' from The Beatles across its stops so far. Yes, 'Get Back' gets a whirl. Wings tunes 'Live and Let Die', 'Band on the Run', 'Letting Go' and 'Junior's Farm' usually pop up, too, as does McCartney's own 'Maybe I'm Amazed'. The Got Back tour kicked off in the US in February 2022, wrapping up last year's run with a massive Glastonbury set. McCartney now brings his usual band — keyboardist Paul 'Wix' Wickens, bassist and guitarist Brian Ray, fellow guitarist Rusty Anderson and drummer Abe Laboriel Jr — our way after picking up a Helpmann Award for Best International Contemporary Concert for his last visit. PAUL McCARTNEY 'GOT BACK' TOUR 2023 DATES: Wednesday, October 18 — Adelaide Entertainment Centre, Adelaide Saturday, October 21 — Marvel Stadium, Melbourne Tuesday, October 24 — McDonald Jones Stadium, Newcastle Friday, October 27–Saturday, October 28 — Allianz Stadium, Sydney Wednesday, November 1 — Suncorp Stadium, Brisbane Saturday, November 4 — Heritage Bank Stadium, Gold Coast Paul McCartney tours Australia in October and November 2023, with Telstra Plus members pre-sale tickets from Thursday, August 3, Frontier members pre-sale ticketing available from Wednesday, August 9 and general tickets from Friday, August 11 — all at staggered times. Head to the tour website for further details. Images: MPL Communications.
Thanks to its extremely photogenic Strawberry Watermelon Cake, Black Star Pastry's fame has spread far and wide beyond the two cities — Sydney and Melbourne — that the Australian bakery has called home over the past decade and a half. It currently only has stores in the New South Wales capital, but dessert lovers everywhere from the Gold Coast and Perth to New Zealand and Singapore can enjoy its two latest creations for the first time ever. Yes, Black Star Pastry is going both national and international. Black Star Pastry is spreading its wares thanks to a new collaboration — and February is indeed the right time for dream team-ups. For a month from Friday, February 14, 2025, the bakery is joining forces with QT Hotels to whip up an exclusive menu. If you're thinking that the two specials on offer really should have a romantic theme given when they're arriving, you're 100-percent right. Whether you're celebrating Valentine's Day or just keen on a super-indulgent treat until Friday, March 14, you can tuck into either The Love Bomb or The Ghost — or both. As their names make plain, these dishes do take their cues from aspects of the modern dating game. Prefer to enjoy one or two solo? No one's stopping you from doing that, either. With The Love Bomb, you'll be sending your tastebuds to chocolate heaven. The dish starts with chocolate financier as a bed, then features chocolate crèmeux and levels of chocolate sponge — with every layer coated in chocolate mousse ganache. On top: red streusel and raspberry chocolate shards. Opt for The Ghost and you'll be feasting on a tiered treat boasting sponge cake, what's been dubbed a "crunchy surprise", vanilla mousse, strawberry and raspberry compote, chocolate truffle garnish and milk-coconut coating. Each costs AU$18, comes with a love letter to keep nodding to the romance angle, and is on QT's limited-time Eat Your Heart Out menu at every QT Hotels & Resorts signature dining restaurant — and via its room service. So, that not only means that you can head to the Sydney, Bondi and Melbourne venues, but also to QT's Gold Coast, Perth, Newcastle, Canberra, Auckland, Wellington, Queenstown and Singapore locations. You have Black Star's Group Head Pastry Chef Arnaud Vodounou and QT Gold Coast Head Pastry Chef Daniel King to thank for the dishes. "The key for both Arnaud and I when creating the cakes was for it to feel like a true collaboration of brands and flavours. The V-Day cakes play on the subtle nods of flair we are known for at QT along with our use of premium ingredients, whilst creatively spinning a signature Black Star Pastry masterpiece to do things a little bit differently," said King. "We can't wait for Australians across the country and our international friends in New Zealand and Singapore to experience our indulgent and delicious creations, many for the very first time," added Vodounou. QT Hotels x Black Star Pastry: Eat Your Heart Out is available from Friday, February 14–Friday, March 14, 2025 at all QT locations — head to the hotel's website for more details.
You've likely caught a flick at the cinema there (indoors and out) or maybe even sipped beers in the courtyard of its newest resident, BrewDog. But come autumn, Melburnians will have a brand-new — and somewhat eerie — reason to visit Coburg's historic bluestone Pentridge Prison precinct. From Wednesday, March 1, the prison itself will be throwing open the doors and kicking off daily guided tours, diving deep into the heritage-listed site's dark past. There'll be two 90-minute experiences running, touring B-Division and H-Division (also known as Hell Division), both delivered in collaboration with the National Trust Victoria and award-winning creative tech company Art Processors. The latter's work has featured at the likes of Mona, the Australian Sports Museum and the Sydney Opera House. Visitors are in for an intriguing humanised history fix, with immersive audio elements and voiceovers by the likes of the late Uncle Jack Charles, a former inmate, and celebrated Indigenous Australian actress and director Rachael Maza. You'll hear first-hand accounts of time spent within the walls of the prison since it opened in 1851, encountering plenty of grisly truths and out-there history along the way — including the questionable treatment of its First Nations prisoners. Both tours will kick off exploring the multimedia exhibition in the former Warders' Residence, before heading off on a guided jaunt where the site's notorious history is brought to life via original scores, true stories and engaging installations. You'll have the chance to see the prison's panopticon, known as the 'airing yards', and to wander through the original cells of B-Division. And, if you're ok with getting a little darker, you can tour the somewhat grimmer high-security unit of H-Division, with its observation cells and breaking yards. "The National Trust Victoria believes that for too long, these stories have been shrouded in mystery and although the past is confronting, it is crucial that we do not forget the realities of those who were incarcerated, and we respectfully learn and share their truths," says Simon Ambrose, CEO National Trust Victoria. Pentridge Prison Tours will launch daily from Wednesday, March 1 at Pentridge Prison, Coburg. Tickets are available online from Thursday, February 23.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from May's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW GIRLS5EVA First, a word of warning: the hit song that brought fictional late 90s/early 00s girl group Girls5eva to fame is such an earworm, you'll be singing it to yourself for weeks after you binge through the sitcom that bears their name. That's to be expected given that Jeff Richmond, the composer behind 30 Rock and Unbreakable Kimmy Schmidt's equally catchy and comedic tunes, is one of the talents behind it. Tina Fey and Robert Carlock produce the series, too, so you what type of humour you're in for. Starring Sara Bareilles (Broadway's Waitress), Busy Philipps (I Feel Pretty), Renée Elise Goldsberry (Hamilton) and the great Paula Pell (AP Bio), Girls5eva follows four members of the eponymous band two decades after their heyday. Their initial success didn't last, and life has left the now-fortysomething women at different junctures. Then a rapper samples their hit, they're asked to reunite for a one-night backing spot on The Tonight Show, and they contemplate getting back together to give music another shot. As well as being exceptionally well-cast and immensely funny, the series is also bitingly perceptive about stardom, the entertainment industry and the way that women beyond their twenties are treated. Also, when Fey inevitably pops up, she does so as a dream version of Dolly Parton — and it's as glorious as it sounds. The first season of Girls5eva is available to stream via Stan. THE UNDERGROUND RAILROAD Two words: Barry Jenkins. Where the Oscar-nominated Moonlight director goes, viewers should always follow. That proved the case with 2018's If Beale Street Could Talk, and it's definitely accurate regarding The Underground Railroad, the phenomenal new ten-part series that features Jenkins behind the camera of each and every episode. As the name makes plain, the historical drama uses the real-life Underground Railroad — the routes and houses that helped enslaved Black Americans escape to freedom — as its basis. Here, though, drawing on the past isn't as straightforward as it initially sounds. Adapting Colson Whitehead's Pulitzer Prize-winning novel of the same moniker, the series dives deeply into the experiences of people endeavouring to flee slavery, while also adopting magic-realism when it comes to taking a literal approach to its railroad concept. That combination couldn't work better in Jenkins' hands as he follows Cora (Thuso Mbedu, Shuga), a woman forced into servitude on a plantation overseen by Terrance Randall (Benjamin Walker, Jessica Jones). As always proves the case in the filmmaker's work, every frame is a thing of beauty, every second heaves with emotion, and every glance, stare, word and exchange is loaded with a thorough examination of race relations in America. If something else this affecting reaches streaming queues in 2021, it'll be a phenomenal year for audiences. The Underground Railroad is available to stream via Amazon Prime Video. LOS ESPOOKYS It has taken almost two years for the delight that is Los Espookys to reach Australian screens — and it'll take you less than three hours to binge its six-episode first season. This HBO comedy is both worth the wait and worth devouring as quickly as possible, though. The setup: horror aficionado Renaldo (Bernardo Velasco, Museo) wants to turn his obsession into his profession, so he starts staging eerie scenarios for paying customers, enlisting his best friend Andrés (Julio Torres, Shrill), pal Úrsula (Cassandra Ciangherotti, Ready to Mingle) and the latter's sister Tati (Ana Fabrega, At Home with Amy Sedaris) to help. Torres and Fabrega co-created the show with Portlandia and Saturday Night Live's Fred Armisen, who also pops up as Renaldo's parking valet uncle. This mostly Spanish-language series only uses its biggest name sparingly, however, because its key cast members own every moment. Following the titular group's exploits as they attempt to ply their trade, and to weave it into their otherwise chaotic lives, Los Espookys always manages to be both sidesplittingly hilarious and so meticulous in its horror references that it's almost uncanny. There's nothing on-screen quite like it and, thankfully, it has already been renewed for a second season. The first season of Los Espookys is available to stream via Binge. OXYGEN When Elizabeth Hansen (Mélanie Laurent, 6 Underground) awakens in a cryogenic chamber, she doesn't know who she is, where she is or why she's there. She's strapped in via an array of invasive tubes and restrictive belts, the pod's oxygen levels are rapidly depleting and, in trying to work out what's going on and how to survive, she only has the unit's artificial intelligence program, called MILO (voiced by Sound of Metal's Mathieu Amalric), on hand. That's how Oxygen starts, taking cues from everything from Buried to Locke. But each engaging single-setting, talk-driven thriller lives or dies on the strength of its story, dialogue and cast, all of which hit their marks here. It helps having Laurent at the film's centre, as tends to happen when the French Inglourious Basterds star is pushed into the spotlight. Also pivotal: director Alexandre Aja's horror background, which includes the remake of The Hills Have Eyes and 2019's Crawl. As he demonstrated with the latter, he's particularly skilled at not merely working with familiar tropes and conventions, but at getting the most out of them. Accordingly, even as Oxygen nods to a wealth of one-location and survival flicks — and a hefty number of closed-in sci-fi movies as well — it still grippingly wrings every ounce of tension it can out of its nightmarish scenario. Oxygen is available to stream via Netflix. AMERICAN UTOPIA On paper, American Utopia's concept doesn't just sound excellent — it sounds flat-out superb, stunning and spectacular. A new David Byrne concert film, capturing his acclaimed American Utopia Broadway production, as directed by Spike Lee? Sign the world up, and now. In the most welcome news of the past year, the execution matches the idea in this instant masterpiece (and wonderful companion piece to 1984's Stop Making Sense). It'd be hard to go wrong with all of the above ingredients, but the second of Lee's two 2020 films (after Da 5 Bloods) makes viewers feel like they're in the room with Byrne and his band and dancers like all concert movies strive to but few achieve in such engaging a fashion. Every shot here is designed with this one aim in mind and it shows, because giving audiences the full American Utopia experience is something worth striving for. Byrne sings, working through both solo and Talking Heads hits. He waxes lyrical in his charming and accessible way, pondering the eponymous concept with an open and wise perspective. And he has staged, planned and choreographed the entire performance to a painstaking degree — from the inviting grey colour scheme and the open stage surrounded by glimmering chainmail curtains to the entire lack of cords and wires tethering himself and his colleagues down. American Utopia is available to stream via Binge and Amazon Prime Video. Read our full review. MADE FOR LOVE When author Alissa Nutting penned Made for Love, no one needed to think too hard about her source of inspiration. Now bringing its tale to the small screen courtesy of the series of the same name, her story ponders one of the possible next steps in our technology-saturated lives. Hazel Green-Gogol (Cristin Milioti, Palm Springs) seems to live a lavishly and happily with her tech billionaire husband Byron (Billy Magnussen, Aladdin). They haven't left his company's desert campus in the entire ten years they've been married, in fact. The site is designed to cater for their every desire and whim, so they shouldn't need to go anywhere else — or that's how Byron views things, at least. Then his next big idea looks set to become a reality, and Hazel decides that she can't keep up the charade. She certainly doesn't want to be implanted with a chip that'll allow Byron to see through her eyes, access her feelings and always know where she is, and she's willing to take drastic actions to escape his hold over her life. Bringing the plot to the screen herself, Nutting favours a darkly comedic and sharply satirical vibe as she follows Hazel's quest for freedom, with Made for Love filled with blisteringly accurate insights into the tech-dependence that's become a regular part of 21st century existence. That said, the series wouldn't be the gem it is without Milioti, as well as Ray Romano (The Irishman) in a scene-stealing supporting part as Hazel's father. Made for Love is available to stream via Stan. AND TOMORROW THE ENTIRE WORLD Submitted as Germany's entry for Best International Feature at this year's Oscars, And Tomorrow the Entire World mightn't have ultimately earned a nomination or the prized gong itself, but it's still a compelling and confronting — and timely — film. And, an impassioned one as well, with filmmaker Julia von Heinz (I'm Off Then) leaving zero doubt about her feelings on the re-emergence of right-wing extremist views in general, and specifically in a country that'll never escape the shadow of the Holocaust. University law student Luisa (Mala Emde, Shadowplay) swiftly shares her director's horror and anger. Brought up in comfortable middle-class surroundings, and in a family where taking a weekend hunting trip is commonplace, she has her eyes opened at school when she joins an anti-fascist group. They're soon doing whatever it takes to combat hate-filled ideologies, including letting their actions speak louder than words; however, the stakes are raised when they endeavour to thwart an upcoming attack. Aesthetically, von Heinz opts for edge-of-your seat immersion. Feeling like you're in Luisa's shoes as she steps into a topical conflict is part of the experience, as is feeling her struggles as she grapples with the reality of counteracting abhorrent views by violent means. Emde is exceptional in the lead role, pulsating with urgency in even the quietest of scenes — as does everything in the film. And Tomorrow the Entire World is available to stream via Netflix. RETURNING SHOWS TO CHECK OUT WEEK BY WEEK MYTHIC QUEST When its first season arrived back in 2020, it took a while for Mythic Quest to find its groove. Once it did, though, the sitcom shone — and brightly. Co-created by It's Always Sunny in Philadelphia's Rob McElhenney and Charlie Day, and starring the former as a visionary video game developer, Mythic Quest follows the daily ins and outs around the studio behind the eponymous massively multiplayer online role-playing game. McElhenney's Ian Grimm is drunk on his own ego, lead engineer Poppy Li (Charlotte Nicdao, Content) barely manages to cope, their executive producer (David Hornsby, Good Girls) is a ball of neuroses, and finance head (Danny Pudi, Community) couldn't be more ruthless in general or less interested in the people he works with. Mythic Quest doesn't break the workplace sitcom mould, or reshape it. Still, as it navigates its chosen industry, calls out its insular nature and examines its other issues, it's as smart and entertaining as the genre's recent classics such as The Office and Parks and Recreation. And, picking up where its pandemic special left off, the show's second season proves just as sharp and funny, including while exploring the struggles women in gaming face in a big way. The second season of Mythic Quest is dropping new episodes each week via Apple TV+. CLASSICS TO WATCH AND REWATCH ROUND THE TWIST Sometimes, you're eager to spend your spare hours binging your way through serious dramas. At other times, only clever comedies will do. But, there also comes a time when you just want to feel nostalgic — including by revisiting the local TV show that absolutely every Aussie kid watched in the 90s and 00s, and more than once. For two seasons between 1990–93, then another two from 2000–01, Round the Twist adapted Paul Jennings' popular books into an offbeat fantasy series. If you were the right age, it was must-see TV. It's the source of plenty of lighthouse obsessions, given that's where the Twist family lived. And, it's also a show that knew how to balance humour, strangeness and scares. Yes, the latter two seasons of Round the Twist really aren't as great as the first two, but we're betting they're still baked into your childhood memories anyway. And, we're certain that you'll now have the show's theme tune stuck in your head for at least the rest of the day, which is where it'll likely stay until after you've finished binging the series on Netflix (and probably for plenty of time afterwards as well). All four seasons of Round the Twist are available to stream via Netflix. A HEAP OF CLASSIC AUSTRALIAN FILMS When Netflix launched in Australia, it took three years for the huge streaming behemoth to produce Tidelands, its first original Aussie series. Another three years later, the nation's creatives are still calling for it and other streamers to invest heavily in local productions — including via content quotas that would legislate its obligation to plunge part of the profits it earns from Australian subscribers back into the Aussie film and TV industry. That battle is ongoing. For now, though, Netflix has added a hefty batch of local films to its catalogue. The lineup is eclectic because Australian cinema is eclectic, but you can start with Two Hands, follow it up with BMX Bandits, then check out Dating the Enemy (and watch Heath Ledger, Rose Byrne, Nicole Kidman, Claudia Karvan and Guy Pearce in the process). Or, you could plunge into Dark City's twists, hit the beach with Puberty Blues, and see Toni Collette and Rachel Griffiths co-star in Cosi, not Muriel's Wedding. Just as My Name Is Gulpilil reaches cinemas, you can also stream your way through the actor's standout roles in Walkabout (the Indigenous icon's first feature from 50 years ago) and The Tracker (which won him an AFI Award for Best Actor). Check out Netflix's Australian range via the streaming platform. Top image: The Underground Railroad.
Storytelling is as old as time. It's how we share experiences, knowledge and memories. Non-profit organisation The Moth is dedicated to sharing personal stories and celebrating the art of telling them. The New York-based initiative hosts over 500 live open-mic events across the globe each year, with people — from notable literary and cultural personalities to your average Joe — getting up on stage to tell their stories. In 2008, The Moth brought its communal open mic events Down Under and this year, on Monday, August 5, Melbourne will hear some of the best stories of the city about animals — from ridiculous stories about road kill to warm and fuzzy anecdotes on man's best friend to thrilling tales of run-ins with scaly, furry or feathered creatures in the wild. Brandishing their weapons of word and wit, the storytellers will compete for the top gong at Howler in Brunswick . You'll hear five-minute stories on the animal kingdom that are both tightly crafted and masterfully told. Come for stories that inspire, provoke, sadden and enlighten, told by some of Melbourne's best. Or, if you consider yourself a wordsmith, you can drop your name in the bag to be selected at random, then grab the mic, hit the stage and tell your five-minute tale. The Moth StorySLAM: Animals will take place at Howler on Monday, August 5. Doors open at 7pm, with stories beginning at 7.30pm. Tickets for this event are available on Thursday, July 18 at 3pm and can be purchased here.
For seven decades, Japanese artist Yayoi Kusama has been brightening up galleries around the globe with her dot-filled art work — and bringing smiles to art lover's faces in the process. Come October 1, she'll not only be doing just that; she'll also have her own museum dedicated to her lively geometric designs. Expect circles galore, colour aplenty and pumpkins. Slated to open in Tokyo's Shinjuku, the new facility will become a permanent celebration and showcase of the 88-year-old's inimitable pieces, spreading the vibrant joy across five storeys. According to The Japanese Times, the Yayoi Kusama Museum will feature a collection of her art, including her immersive installations, plus documents and related material. Launching with the inaugural exhibition Creation is a Solitary Pursuit, Love is What Brings You Closer to Art from October 1, 2017 to February 25, 2018, it will host two per year, as well as regular lectures. In what's proving to be a great time to surround yourself with Kusama's art, the news comes in the lead up to her next Australian exhibition, Yayoi Kusama: Life is the Heart of a Rainbow, which heads to Brisbane for four months from November. Kusama fanatics (aka everyone) in the vicinity of Japan rather than Brissie can snap up advance tickets to the Tokyo museum from August 28, for a cost of 1000 yen (around AUD$11). The site will run year-round, opening Thursday to Sunday across a series of staggered entry times. Via The Japan Times. Image: Yayoi Kusama in front of Life is the Heart of a Rainbow (2017) ©YAYOI KUSAMA, Courtesy of Ota Fine Arts, Tokyo/Singapore, Victoria Miro, London, David Zwirner, New York
Across November, New South Wales is hosting 1000 gigs at more than 300 venues, all thanks to the State Government-run Great Southern Nights. The event is helping to restart the state's live music scene after this year's lockdowns and restrictions, and it has just gained a huge new addition — especially in terms of crowd size. While you might've already filled your calendar with smaller shows both in Sydney and across the rest of NSW, make room for The Great Southern Nights series, which'll take place on Saturday, November 28 and Saturday, December 5. Not only will the two gigs hit up Qudos Bank Arena — marking the first big indoor arena shows in Australia since the beginning of the pandemic — but they'll host just over 5000 punters at each gig. That's just a fraction of the venue's 21,000 total capacity, but it still covers a hefty number of music lovers in a year that's been mostly devoid of listening to live tunes en masse. It'll all be held in a COVID-19-safe manner, of course — and, across the two shows, it's expected that crowd numbers will near 12,000 in total. As for the lineup, the first evening will see Ocean Alley, Jack River, Ruby Fields and Jack Botts doing their thing on stage — while the second gig will feature Bernard Fanning, Matt Corby and Merci Mercy. The Great Southern Nights series will take place as NSW's events calendar is slowly filling up, and as venues are being given the go-ahead to welcome in bigger crowds. The state's outdoor stadiums can have up to 10,000 fans in the stands; theatres, concert halls and cinemas can host events of up to 1000 people, and country shows of up to 5000 people will be allowed to happen this summer. The Great Southern Nights takes place on Saturday, November 28 and Saturday, December 5 at Qudos Bank Arena. For more information, or to buy tickets — from 10am ADST on Monday, November 9 for the first gig and at the same time on Tuesday, November 10 for the second — head to the Ticketek website. Top image: Ocean Alley, Neegzistuoja via Wikimedia Commons.
As plant-based eating gains momentum worldwide, the quality and abundance of choice rises with it. And Melbourne's ever-evolving culinary scene means that the city is brimming with some of the finest plant-based food you can find. We've teamed up with Vegkit to round up some of Melbourne's best spots to tuck into quality plant-based brunch plates. [caption id="attachment_830492" align="alignnone" width="1920"] Hugh Davies[/caption] POWER PLANT, TEMPLESTOWE Whether it's a seat in the relaxed, plant-filled outdoor courtyard overlooking the greens of the local bowlo or a table in the expansive dining room, visiting this aptly named Templestowe haunt is always a good idea. The all-day menu features a great selection of plant-based breakfast and lunch dishes that will please even the fussiest of eaters, with daily pastries, cakes and sandwiches also available to grab and go. The dishes here are inventive takes on classic cafe staples — think scrambled tofu tossed with mushrooms, zucchini, spinach and pesto or 'notella' choc chip waffles featuring a house-made hazelnut spread and coconut ice cream. MATCHA MYLKBAR, ST KILDA Puns, pancakes and plant-based fried 'chicken' — there's plenty to love about this buzzy St Kilda spot. The impressively extensive menu at Matcha Mylkbar is as much a feast for the eyes as it is for the stomach, with signature dishes like a fried 'chicken' burger served in a bright green matcha-infused bun (the dish is also not-so-subtle nod to fact that KFC opened next door). Other items on the fully plant-based menu include vegan 'eggs' (which you can pimp out with a bunch of decadent sides like truffle-roasted mushrooms, turmeric scrambled tofu or fried cauliflower), wholefood bowls and a wordplay-heavy list of acai bowls and smoothies — it's hard to say no to an Almond Schwarzenegger or I Once Was Blind But Now Acai. There's also a dedicated pancake menu with a range of sweet and savoury options that taste as good as they look. For the full experience, pair your meal with one of the cafe's signature matcha drinks, or venture further with a mushroom and date, blue algae or spiced beetroot latte. Matcha Mylkbar is open daily for takeaway via its website and for delivery via Uber Eats. [caption id="attachment_710001" align="alignnone" width="1920"] Kate Shanasy[/caption] SISTER OF SOUL, RICHMOND There really is something for everyone at this breezy Swan Street spot. The all-day menu draws on culinary influences from all over the globe and offers a range of dishes to cater to all palates. Starters include pumpkin, cabbage and zucchini okonomiyaki and polenta chips with cauliflower purée and cashew parmesan, while mains range from a hearty black dhal with cumin poppadoms to a crumbed tempeh burger served on a bright beetroot brioche bun. Throw in some local beers, an Aussie-dominated wine list and fun vegan-friendly cocktails, and this might just be your new go-to. Sister of Soul is open daily for takeaway via its website and delivery via Uber Eats. SMITH & DELI, FITZROY Under the steady hand of Shannon Martinez — the legendary chef behind Fitzroy's Smith & Daughters and South Yarra's Lona Misa — this Moor Street deli slings vegan sambos, baked goods and provisions to suit all tastes. It can be hard to narrow it down with such a vast selection on offer, but the charmingly titled two-hander Club Sandwiches Not Seals, with plant-based turkey, bacon, lettuce, tomato, cheddar and mayo, is a great place to start if you're a first timer. Plant-based croissants, cakes and doughnuts are also available, as is a range of frozen meals. Martinez recently announced that Smith & Deli will be moving into larger premises with sister venue Smith & Daughter, so watch for that when it opens in Collingwood later this year. In the meantime, the powerhouse chef is also busy working on a vegan mortadella that we can't wait to try when it's unveiled to the world. Smith & Deli is open from Tuesday to Sunday for takeaway and delivery via its website. [caption id="attachment_829210" align="alignnone" width="1920"] Charlotte May (Pexels)[/caption] MONK BODHI DHARMA, BALACLAVA In the back of a small car park in a Balaclava side street, a brick shed covered in graffiti gives way to this vibey cafe with a focus on coffee and tea that's complemented by a tidy plant-based menu. Breakfast here is a great way to kickstart your day, particularly if you're partial to a brekkie in hotcake form — try the zucchini and mint hotcakes with beetroot relish and pickled cucumber, or for something sweet, go for the buckwheat banana pancakes topped with dulce de leche ice cream, maple syrup and banana chips. Drinks-wise, the range of single-estate coffees is roasted in-house and served in biodegradable cups to go, while the house-made chai — which is such a big deal that it has its own Instagram page — can be finished with your choice of soy, oat or homemade organic almond milk. There's also a seasonal range of tea and house-made hot chocolate, perfect for pairing with a pastry — the baked goods selection changes daily and everything is prepared in house. Monk Bodhi Dharma is open daily for takeaway. PARTICLE CAFE, AVONDALE HEIGHTS This cute neighbourhood cafe serves a great range of approachable plant-based dishes in a welcoming, homely atmosphere. And what this Avondale Heights spot might lack in size, it more than makes up for when it comes to flavour. Meat-free toasties and burgers with inventive takes on classic fillings are winners here — and the appropriately named VIP Burger, stacked with shiitake mushrooms, lettuce, tomato, cucumber, pineapple, 'cheese' sauce, smoky sauce, jalapeños and rice paper 'bacon' might just be enough to make you question the need to eat a meat burger again. The colourful smoothies, packed with fresh ingredients, are another flavour-packed highlight — try the Sunset Blush with raspberry, mango, dates, turmeric, ginger and cinnamon. Particle Cafe is open daily for takeaway and delivery via Uber Eats. SEROTONIN EATERY, BURNLEY As its name suggests, this bright and airy Burnley eatery is all about achieving happiness through food. Its approach to this lofty goal? A thoughtful menu boasting creative plates and excellent coffee. The menu offers dishes with names like Positive Pancakes and Medicinal Waffles — the latter is a Mexican-style corn waffle topped with heirloom tomatoes, turmeric popcorn, fresh local herbs and house-made chipotle sauce. Almost every dish here is entirely plant-based, and most have a gluten-free option too. Also on the menu is a cracking range of smoothies — designed, according to the menu, as 'a day spa for your gut' — as well as organic, colourful desserts that are all but guaranteed to put a smile on your dial. Serotonin Eatery is open daily for takeaway and delivery via its website. MOON RABBIT, PRESTON This welcoming Preston social enterprise cafe demonstrates its ethos of 'little cafe, big heart' through its commitment to sustainability, community and delicious food. An initiative of the non-profit Bridge Darebin, Moon Rabbit provides opportunities for young adults with additional learning needs through its High Street cafe and roving food truck. On the mostly plant-based menu, you'll find dishes that champion seasonal and local produce — try the blue corn tacos with organic black beans, salsa, avo and chipotle mayo. Nothing goes to waste here, with any ingredients that cannot be used turned into compost for local gardens. Moon Rabbit is open for takeaway from Monday to Friday. The Moon Rabbit food truck is trading at Mayer Park, Tuesday to Friday from 8am to 2pm. For more plant-based dining and recipe inspo, head to the Vegkit website.
There's no denying the appeal of Victoria's High Country for foodies and outdoorsy types, but what about history and culture buffs? As it turns out, the northeastern region is an all-rounder destination — and, yes, that covers art, too. There are museums, studios and cultural landmarks dotted across these mountainous plains, showcasing the rich heritage and creative outlook of the region. Here, you'll find everything from bushranger folklore and Olympic alpine history to galleries with an emphasis on Indigenous artworks and art displayed on grain silos. Don't know where to start? With the help from the folks at Victoria's High Country, we've it narrowed down to six top-notch arty spots, so you can get straight to it. [caption id="attachment_806386" align="alignnone" width="1920"] Visit Victoria / Robert Blackburn[/caption] BENALLA ART GALLERY For your first art-fuelled adventure, head west of Wangaratta to the small rural town of Benalla on the edge of the Broken River. Situated among lush botanical gardens, the Benalla Art Gallery is one of the best regional art spaces in Victoria. Its collection covers Australian art dating back to the early 19th century with an emphasis on traditional and contemporary Indigenous art, including works by Albert Namatjira, Destiny Deacon, Gordon Bennett and Emily Kame Kngwarreye. On display, expect to see paintings — on bark and on canvas — as well as weaving, textiles, printmaking, sculpture and photomedia. Once you're done admiring the exhibitions, take some time to enjoy coffee and cake in the cafe overlooking Lake Benalla. Time your visit right and you might be able to attend one of the gallery's workshops or talks, too. [caption id="attachment_806456" align="alignnone" width="1920"] Artist Tim Bowtell; photo by Delta Charlie Images[/caption] ST JAMES SILO ART Part of Australia's largest outdoor gallery, the northeastern section of The Silo Art Trail stretches from Benalla to the Winton Wetlands. There are several noteworthy murals that have been created through the project but, if you can only visit one, we'd suggest the silo in St James. Built in the mid-1900s, the silos in St James were constructed for the bulk bushels of wheat originally delivered to the site via horse and cart. Artist Tim Bowtell has skillfully depicted this motif on the silos' exteriors, along with a painting of local Sir George Coles, founder of the Coles supermarkets. Stop to marvel at the sheer scale of the artwork, while also appreciating the agricultural history of the area. [caption id="attachment_806377" align="alignnone" width="1920"] Visit Victoria / Peter Dunphy[/caption] CRAIG'S HUT If you like to combine your cultural appreciation with the great outdoors then Craig's Hut, located on Mount Stirling, is the perfect landmark for you. Built for the set of The Man From Snowy River back in the 80s and then reconstructed in 2008 after bushfires destroyed it two years prior, the log cabin serves as both a piece of Australian film history and a way station for hikers and cross-country skiers. To reach it, you can either tackle the 19-kilometre track from Telephone Box Junction Car Park or drive up to Circuit Road Picnic Area and walk a shorter (but still very steep) 1.6 kilometres to the cattleman's hut. If you have a car suitable for off-roading, you can head on the 4WD track. No matter how you get there, you'll find the breathtaking view is more than worth the effort. [caption id="attachment_806371" align="alignnone" width="1920"] Visit Victoria / Peter Dunphy[/caption] NED KELLY GUIDED WALKING TOUR As one of the preserved 19th-century gold mining towns, Beechworth has a history worth knowing. For example, did you know Ned Kelly — one of the country's most well-known outlaws — won a bare-knuckle boxing match in Beechworth that lasted 20 rounds? Well, now you do — and you can learn much more about the infamous bushranger and his connection to the town on a Ned Kelly Guided Walking Tour. Starting from the visitor centre at 1.15pm every day, the tour will talk you through many of the trials, tales and tribulations of Ned Kelly, his gang and what they got up to in town, including at the old courthouse and the site where the aforementioned boxing match took place. Afterward, if you're still keen on learning more about some of the area's colourful past, pay a visit to the Beechworth Historic and Cultural Precinct and the Old Beechworth Gaol. [caption id="attachment_807489" align="alignnone" width="1920"] Mark Ashkanasy[/caption] THE NATIONAL ALPINE MUSEUM OF AUSTRALIA Mount Buller's National Alpine Museum of Australia (NAMA) was established to preserve and display the rich cultural and environmental heritage of the country's alpine regions. Starting out with just 60 donated items, its collection now houses over 15,000 objects and materials that reveal the region's cattle, mining and timber history. It also looks into the fast-paced action of snow sports in Australia that goes beyond Olympic glossings. With objects from the late-19th century through to the present, NAMA's collection also tells many of the unsung stories and achievements of alpine personalities. TONY PRIDHAM FINE ART GALLERY If you have any interest in ornithology then you may already know of Tony Pridham. But for those left wondering, he's Australia's leading bird artist — and lauded Aussie artist Sidney Nolan's grand-nephew — so, a trip to his gallery is worth the 15-minute drive from Mansfield. Pridham's work hangs in galleries all over the world and his realist and hyperrealist artworks come from careful observation of wildlife in Australia, Africa, Europe and the USA. The Tony Pridham Fine Art Gallery exhibits limited-edition prints, sketches and original oil paintings and you might even catch the artist there while sitting behind his easel amid the gallery's gardens. Discover more and plan your next arty adventure at Victoria's High Country. Top image: Benalla Art Gallery, Visit Victoria / Robert Blackburn
Chocolate gelato works deliciously when you can't choose between chocolate and ice cream. When Easter hits, however, that won't do the trick. Hankering for a chocolate egg, because it's the time of year for it, but also want something creamy and frosty? That's where Gelato Messina's gelato-filled chocolate eggs usually come in. In 2023, the dessert chain whipped up packs with three eggs inside. This year, it's giving everyone the treat that we all coveted when we were kids: a hefty-sized egg. This one is even better than the foil-wrapped supermarket versions, of course, because it comes filled with Messina's gelato. The chain's 2024 Easter offering weighs a kilogram and is designed to serve six (but if you're keen to keep it to yourself, we understand). The shell is made of milk chocolate, which is then painted in bright Messina brand colours. Inside, as made at Messina HQ in Marrickville, is a wealth of flavours and textures. Milo gelato is one of the chain's tastiest varieties, and you'll find it inside this Easter egg. You'll also find Milo mousse as well. Among the other layers, the treat includes Oreo crumble and Oreo cookie chunks, plus malted vanilla chantilly. Finally, there's both hazelnut praline and a hazelnut caramel centre, too. Messina's 2024 Easter eggs can only be ordered online on Monday, March 11 for collection over Easter — of course — between Thursday, March 28–Sunday, March 31. Messina now opens its orders at various times for various places, so you'll want to hop online at 12pm AEDT for Queensland, South Australian, Western Australian and Australian Capital Territory stores; 12.15pm AEDT for Victorian shops; and at either 12.30pm, 12.45pm or 1pm AEDT depending on where you are in New South Wales. Gelato Messina's 2024 gelato Easter eggs are available to order from Monday, March 11 for pick up between Thursday, March 28–Sunday, March 31 — head to the Messina website for further details.
Leading Aussie winemaker Handpicked uses grapes sourced from across the Mornington Peninsula, Yarra Valley, Barossa Valley, Tasmania and more to create its diverse stable of drops. But, its most recent project has made a home right in the heart of the city: a glam cellar door located within the new 80 Collins precinct. It's a grand affair, too, with three floors encompassing a premium cheese, charcuterie and wine bar, as well as a retail space complete with 'tasting pods' and an experience room. Open daily for breakfast through to those after-dinner vino sessions, the cellar door has fare for any time of the day, but also works as an elegant tasting bar where you can dig into Handpicked's varied portfolio of sustainably-made wines. Inside, celebrated architectural and interior design firm Design Office has created a stately space that's heavy on the American oak and filled with locally made and designed furniture pieces. If wine is on the agenda, you can sample some of Handpicked's latest and greatest with a tailored wine tasting or wine flight, or one of the expert-led wine workshops that'll be taking over the experience room on the regular. And, with an extensive range of both regional and single-vineyard wines, there's a drop here for just about everyone, whether you're enjoying in or picking up something for home. [caption id="attachment_803633" align="alignnone" width="1920"] Nastia Gladushchenko[/caption] Like the vinous delights, the food offering boasts a strong focus on regionality, headlined by a cheese selection to impress even the most avid of dairy fiends. Expect everything from Tassie's Pyengana clothbound cheddar, to a truffle-infused brillat-savarin out of Burgundy. The charcuterie situation is also one to write home about, with a global array of cured meats available sliced to order, alongside additions like cornichons, olives and quince paste. Lunchtimes and snacking sessions call for a mix-and-match spread of the gourmet deli goodies; maybe some Ortiz anchovy fillets and Espinaler canned mussels served with artisan sourdough, or olive bread slices topped with combinations like scorched heirloom tomato, buffalo yoghurt and basil. Drop by for breakfast and you'll find small-batch Merna crumpets finished with the likes of lemon curd and crème fraîche, or smoked trout with Meredith goat's cheese and Beechworth honey. And if you want to get really fancy, pre-order yourself something from the impressive caviar selection to level-up that after-work wine tasting session. The Handpicked Cellar Door joins other high-profile 80 Collins Street residents including Alejandro Saravia's Farmer's Daughters and the soon-to-open Chris Lucas, Martin Benn and Vicki Wild venture, Society. Find Handpicked Cellar Door at 80 Collins Street, corner Pink Alley and Benson Walk. It's open from 8am weekdays and from 11am on weekends. Images: Tony Mott and Nastia Gladushchenko
Usually when we all encounter fog, it's hanging there in the sky, misting things up and reducing visibility. But when London-based, world-renowned food artists and multi-sensory design studio Bompas & Parr head Down Under for their first-ever Australian sensory installation, the fog will be considerably different. This mist will be fruit-flavoured, for starters, and it'll be edible. If you're intrigued by weird, wonderful, creative and inventive experiments with food — and with the senses in general — then Bompas & Parr's name should be familiar. Sam Bompas and Harry Parr first garnered attention with their jellies, and then whipped up a 200-course dinner party, unleashed an edible fireworks display, barbecued using real molten lava and served up anatomical whisky tastings. Also on their resume: bespoke cocktails based on your DNA, a feast where diners had to kill their own meal and non-melting icy poles. Yes, tastebud-friendly mist mist fits right in. [caption id="attachment_851679" align="alignnone" width="1920"] Ann Charlott Ommedal[/caption] We've all heard of pea soup fog, of course — but no, that won't be what you're tasting at Bunjil Place in Narre Warren in Melbourne. Rather, the consumable mist will form part of a flavoured fruit weather installation, and will swirl around oversized food sculptures laid out in a garden. And, there'll be three different varieties seeping through the air each and every day. The aim: to unleash some 'fruit weather' upon the Victorian capital, and to highlight the City of Casey's food heritage. When you're not thinking about horror movies like The Fog and The Mist, you're bound to be contemplating food while you're wandering around these giant versions of it, all with mist seeping out of the bottom. Well, we expect so at least, given that the flavoured fog is a world-first. Everyone keen to experience this hopefully delicious haze will find it lurking around Bunjil Place thanks to a free event called Casey Cornucopia, which'll run from June 24–July 17. Over that 24-day period, there'll be tours explaining how the garden installation came about, too — because it is really is the kind of thing that'll leave you with questions — plus parties, dinners and art. You'll also be able to hit up a food hub that brings together local farmers, growers, artisans, sustainability gurus and artists for a series of daily talks, demonstrations, samples and workshops. Casey Cornucopia will pop up at Bunjil Place, 2 Patrick NE Dr, Narre Warren, Victoria, from June 24–July 17. Images: supplied by Bunjil Place and Bompas & Parr.
Grammy-nominated New York duo Sofi Tukker have announced they'll be bringing their genre-blurring tunes to Aussie shores, set to take the stage in Sydney and Melbourne next month. Since releasing their debut EP, Soft Animals, early last year, Sophie Hawley-Weld and Tucker Halpern have garnered fans worldwide, snapping up chart spots in more than 20 countries and landing festivals across Europe and North America. The pair's dance-worthy beats draw inspiration from all corners of the globe, resulting in a layering of sound unlike any you've heard before. And the Sofi Tukker live show promises to be every bit as spectacular, starring the duo's own unique instrument, called 'The Book Tree'. Expect a six-foot-tall 'creature', decked out in foliage and hardcover books, each tome engineered to create a different sound when drummed, to compliment that blissful melange of guitar, bass, and bongos. Sofi Tukker plays at Sydney's Oxford Art Factory on February 17 and Melbourne's Howler on February 18. Tickets are available from Moshtix from January 12.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we go to the luxe Anchorage Port Stephens hotel and spa overlooking the picturesque Nelson Bay. If Anchorage Port Stephens looks like your ideal summer vacay destination then head to Concrete Playground Trips, where you'll find our latest travel deal – including a night's stay at this boutique hotel, an epic buffet breakfast and a couple of complimentary cocktails on arrival. WHAT'S SO SPECIAL? This Hamptons-style hotel is the pinnacle of luxury waterside accommodation boasting rooms with uninterrupted sea views, a fine dining restaurant and a glamorous spa experience. It's made for out-of-towners who are looking to spoil themselves silly for a weekend away. THE ROOMS Room options abound at Anchorage Port Stephens. The classic Anchorage Room gives you most of the best bits, including a private balcony looking out over the marina and all the essential amenities – king-sized bed, large ensuite bathroom, aircon and your own coffee machine. You can also upgrade your stay by booking the large Family Room, the glam Master Suite or one of the separate lofts with bay windows that perfectly frame the gorgeous views. FOOD AND DRINK When staying here, you've got to dine at one of Anchorage's seafood-focused restaurants — both of which have won multiple hospitality awards. The Galley Kitchen is where you go for sophisticated all-day dining options that include seafood feasts, a special sparkling wine breakfast and a traditional afternoon tea. Either sit inside or dine by the pool terrace. And if you want to truly treat yourself, get dressed up for dinner at The Wild Herring. Locally sourced and sustainably fished seafood is presented in a myriad of inventive ways thanks to Executive Chef Michael Jenkins. The culinary experience is one of sophisticated fine dining, so it's recommended that guests travelling with children don't bring the kids along. [caption id="attachment_885378" align="alignnone" width="1920"] James Dorevski (Unsplash)[/caption] THE LOCAL AREA Port Stephens is just a two-and-a-half-hour drive from Sydney but, once you're there, it feels worlds away. Wander through town to browse the selection of charming boutiques or get in touch with nature by exploring the coastal bushland of Tomaree National Park and the clear blue waters. You'll also find several wineries and breweries in the area, so if you're up for sampling the local goods just head to the Anchorage Port Stephens concierge to organise an exclusive tour. THE EXTRAS If total rejuvenation is what you're after, a trip to the hotel's Spa Luca is on the cards. The spa has treatment rooms for singles and couples where you can experience massages, scrubs, wraps, facials and immersive ritual healings — the menu of treatment options is extensive. You'll also find a lavish whirlpool and steam room alongside a private relaxation room to help you stay in the calm bubble for as long as possible. Head to the Concrete Playground Trips website to book a lavish stay at at Anchorage Port Stephens.
A staple of holiday dining tables the world over, the humble Christmas ham is too often sidelined as a one meal wonder. Add a slice or two of really good bread and suddenly a problem leftover transforms into a culinary masterpiece. Behold, the humble ham sandwich. After the festive rush is done and dusted, and the downtime between Christmas and New Years gets underway, let Abbott's Bakery's loaves do the heavy lifting when it comes to high adventure, low touch meals. Surf and Turf Sandwich While you may be off the clock and in relaxation mode in the days after Christmas, time waits for no crustacean and is definitely of the essence if you've got leftover prawns piled up from Christmas lunch. A surf and turf sandwich is an ingenious way of using up some of Christmas lunch's most perishable ingredients and comes together in less than 10 minutes with no cooking required. All you need to do is lay out a few slices of your favourite Abbott's Bakery bread, on which you'll spread on a tangy green pickle relish, before adding lettuce and whatever ham you have on hand — that can be store-bought slices or sliced off the last of the Christmas ham. Then top the bottom layer with another slice of bread, add tartare sauce, lay down some prawns and any extra tartare to taste. Finally, top with some more greens and a final slice of bread. Lunch is served and leftovers are given new life. Provolone and Ham Melt This provolone and ham melt makes the most of the mish mash of charcuterie board leftovers that litter kitchens throughout the holiday season. Combined with leftover ham and sandwiched between two slices of Abbott's Bakery Sourdough White, this is an inventive toastie that packs a flavour punch and can be made in 20 minutes or less. Start by spreading mayonnaise and mango chutney on two slices of Abbott's Bakery bread. On the slice with chutney, add shaved ham, pear slices, roasted peppers and provolone cheese before topping it with the other slice of bread. For the perfect golden brown crunch, brush both sides with melted butter and grill on a griddle until the cheese is oozy and melted. Classic Croque Madame A croque madame is one of those indulgent breakfasts that requires time more than skill. Difficult to throw together in a rush, but deceptively easy, this grilled cheese sandwich is a classic for a reason. This particular recipe comes together in just 20 minutes and starts with a fresh slice of Abbott's Bakery sourdough. Spread on some fruit paste and your favourite chutney, layer with ham and a mix of cheeses and top the filling with your second slice of bread. Then, heat half a tablespoon of butter and cook your sandwich in a frying pan for two minutes on each side with the lid covered. Remove your sandwich from the pan, add another half tablespoon of butter and fry an egg to place on top of the sandwich. Voila, breakfast — or lunch or any old meal in between when you're pottering around and feeling peckish — is ready. Ham, Brie and Spiced Mango Sandwich Summer means mangoes and this recipe demonstrates there's more than one way to skin a mango. This sandwich starts with the mango salsa which is acidic, spicy and sweet in equal measure. Once the salsa is ready, set it aside and spread butter and mustard on a slice of Abbott's Bakery Wholemeal bread. Then, layer lettuce, ham, brie and the salsa on the buttered bread before topping with microherbs and another slice. Plate it all up with a fresh wedge of lime. Ripping Two-Cheese and Ham Toastie The combination of flavours in this toastie call for a darker bread with a slightly more nutty, malty and earthy flavour. A mixture of sharp Dijon and sweet mustard pickle adds zing, while the blend of cheeses used — gruyere and colby — elevates this sanga into something special. Layer the spreads, cheese and ham between two slices of Abbott's Bakery Dark Rye bread, give them a grill in a fry pan for two minutes on each side. Then, remove them from the heat, add rocket for a fresh, peppery and ripping toastie to tuck into. Ham, Lettuce and Tomato Sandwich (HLT) Forget the BLT. Meet its Christmas cousin the HLT. Proving that there are countless ways to mix up what goes between two great white slices, the ham, lettuce and tomato sandwich is both a spin on a classic and fantastic in its own right. Ready in mere minutes, assemble this classic lunchtime feed by layering ham, sliced cheese, tomato and lettuce on Abbott's Bakery Rustic White bread that's been spread with mayo and mustard. Discover the full range of Abbott's Bakery bread and create your ideal sandwich.
Having already been more successful in one career than most of us will, let's face it, ever be at any, Tavi Gevinson is about to extend her foray into a second: acting. The 17-year-old Rookie editor-in-chief is set to make her Broadway stage debut later this year in Kenneth Lonergan's comedy-drama This Is Our Youth alongside Michael Cera and Kieran Culkin. Cera and Culkin have played the same roles in a previous production, which played at the Sydney Opera House in 2012, when audiences flocked to see whether Cera could break the George Michael mould (a goal he finally achieved slapping Rihanna's bottom in This Is the End). The play falls firmly into the 'bored, disaffected New York youth' genre, elevated by its Reagan-era setting and a caper with cocaine and toy collection. After writing it in 1996, Lonergan went on to script Gangs of New York. Gevinson will play the character of Jessica Goldman — appropriately enough, a 17-year-old student of fashion. She's a character full of nervousness but also curiosity and hunger for experience. "I guess Jessica is often played by people who are older and have more distance from that time," Gevinson told the Chicago Tribune. "But I am living it. I really am cocksure of all my opinions, and I really do feel anxious when challenged. My issue, I think, will be having to zoom out of what I actually am experiencing." Everything Happens So Much http://t.co/ccZDEmufQf — Tavi Gevinson (@tavitulle) April 9, 2014 This production of the play will be directed by Anna D. Shapiro, the Tony Award winner who directed the super-famous August: Osage County for Steppenwolf Theatre Company. It will make its premiere at Steppenwolf's Chicago theatre before moving to Broadway in September. Gevinson, who also had a role in the 2013 film Enough Said, will miss her last couple of weeks of high school in order to appear in the play. A genius move if ever there was one.
On Steve Zahn's 2020s-era resume, there's no place like Maui resorts and buried silos that house 10,000 souls across 144 underground levels. The actor has been calling both home, or home away from home, in two of the best television series of this decade. In the process, he's also been giving some of the finest performances of his career. An Outstanding Supporting Actor in a Limited or Anthology Series or Movie Emmy nomination came his way for The White Lotus, an accolade won by his co-star Murray Bartlett (The Last of Us). More awards attention deserves to arrive now that Zahn is among the cast of Apple TV+'s page-to-screen sci-fi dystopian thriller series Silo in its second season. The Minnesota-born and -raised actor has been a screen mainstay since the 90s, when he starred in one of the defining movies of the period: alongside Winona Ryder (Stranger Things), Ethan Hawke (Leave the World Behind), Ben Stiller (Nutcrackers) and Janeane Garofalo (The Apology), he was part of Reality Bites' core quintet. From there, everything from That Thing You Do! and Out of Sight to You've Got Mail and an episode of Friends followed before the 00s even hit — and his Independent Spirit Award-winning performance in Happy, Texas as well. Zahn has since voiced a Stuart Little character, acted for Werner Herzog in Rescue Dawn and played Bad Ape in War for the Planet of the Apes, alongside parts in Riding in Cars with Boys, Dallas Buyers Club, Treme and plenty more. [caption id="attachment_984317" align="alignnone" width="1920"] Mario Perez/HBO[/caption] In The White Lotus, he portrayed a husband (to Dear Edward's Connie Britton) and dad (to Immaculate's Sydney Sweeney and Gladiator II's Fred Hechinger) endeavouring to escape his worries in Hawaii. One such concern: his character's health. Joining Silo sees Zahn go from one extreme to another, then. Instead of opting for the tried-and-tested route of a vacation to avoid your everyday life — not that that ever works out well in The White Lotus, either in the Zahn-starring first season in 2021 or the anthology series' second in 2022 — he's now locked in with his woes. Zahn's Solo dwells in a new setting for the show: Silo 17, where Juliette Nichols (Rebecca Ferguson, Dune: Part Two) ventures after leaving her own. As streaming via Apple TV+ since mid-November 2024, dropping its ten-episode season weekly, Silo opens its second run with a glimpse of how life can go awry drastically and devastatingly when human existence is confined beneath the earth. That's been one of the series' throughlines overall anyway, but the situation in Silo 17 has left Solo alone behind a locked door after a revolution cleared out his fellow residents. He's wary of newcomers, unsurprisingly, but Solo is also curious about the world beyond his vault and empathetic to Juliette's need for help. After the events of season one cast her outside the only walls that she'd ever called home, she's eager to return back to her own silo to stop Silo 17's fate repeating there. So unfurls a season split across two places, and hopping between the aftermath of Juliette being sent out to clean — as being forced outside a silo is dubbed in the series' parlance — and her and Solo's efforts in the other bunker. In one of season two's locations, rebellion festers among the masses. In the other, two people attempt to survive. Chatting with Concrete Playground, Zahn compares his portion of Silo to a play. Since its 2023 debut, this has always been a TV must-see that feels the intimacy of creating societies beneath the ground, but that sensation earns a new dimension when it's just Solo and Juliette in Silo 17. How did Zahn approach portraying someone who is rediscovering what it's like to have company after being on his lonesome, and is clearly traumatised by his experiences while also eager to do the right thing by assisting Juliette? What was he excited about digging into as Solo? And what make he make of his jump from The White Lotus' beaches to Silo's subterranean levels? We talked with Zahn about the above, and also about how shooting their scenes in order helped him and Ferguson build their characters' rapport organically, what excites him about new projects more than three decades into his career and more. On Going From Playing Someone Trying to Escape Their Worries on Holiday in The White Lotus to a Man Locked in with His Traumas in Silo "Lately I've been lucky enough to do the extremes. And this character is definitely — the world is extreme but also the character. I've never played anything quite like this. And it was it was daunting, but it was also quite simple. I think because of Rebecca and the story, I really love it. It's daunting to play a character like this. It's hard. Day one is really difficult, because you're so self-conscious, right, when you play characters like that. Day one of playing Bad Ape in War for the Planet of the Apes was unbelievably hard, because that character that you establish goes to the end, whether it's good or bad, compelling or not. So you just hope your instincts are right. And you get addicted to playing people like this. I'm a proud character actor, put it that way." On Zahn's First Take on Solo in Silo, and What He Was Excited About Bringing to the Character "I found his childlike vulnerability to be fascinating, and I thought that was something that spoke to me and that I could tap into. That was compelling to me. I loved the story under a microscope, compared to the rest of the story. In season two, you've got chaos happening in volume, and then in this world you have water dripping and quiet and calm. And those two worlds together are insane." On Portraying Someone Who Is Dutiful to His Task to Protect His Vault, But Also Curious About the World — and Lonely and Yearning to Connect "It was a constant balancing act. There are times when he's a child — kids wear their emotions on their sleeves, they don't know the boundaries, they haven't learned all these things that we learn from other people. So at times he can be very scary, almost violent, and then in the next breath it turns on a dime and he can be this kid again. So you don't know how he's going to act in any certain situation. I felt like, and Rebecca and I felt like, we were doing a play — like we are doing some Beckett or some Pinter play in the West End. And every day we just got to explore these two individuals. And we shot it into order, which was actually really unique. We had a controlled environment. We had all these sets. And it was just her and I. So we could actually go in order. So the first week of shooting, you didn't see me. It was just really unique. It just doesn't happen." On How Filming in Order Helped Zahn Unpack Solo and Juliette's Relationship with Rebecca Ferguson Basically in Real Time "It absolutely helps, especially when it's incremental like this. It's these tiny steps that they take towards each other — and away from each other, depending. Honestly, if we had to shoot this out of order, it would have been really difficult to track all that. We would have had to spend a lot of time talking about that, where we didn't have to because it was a natural progression. We learned to trust each other as human beings, as actors, at the same time — it paralleled our characters, which was interesting. And so we could actually live in moments and let them breathe, and let that story evolve on its own. And so dialogue changed and intention changed, because of what we were doing, which is really cool. It happened. So much of the time you feel preoccupied with what you're doing that you don't live freely in moments. And when you're an actor and you get lost in a moment, that's the goal. I mean, I always joke like 'god, we were almost acting'. Which is a real compliment to the show, because it's rare when you're really just acting and everything else goes away. Usually it's in a play that you're doing. You get lost in that. This is all heavy actor shit, but you know, it was really fun, man. It was really fun." [caption id="attachment_984315" align="alignnone" width="1920"] Mario Perez/HBO[/caption] On What Gets Zahn Excited About a New Project After More Than Three Decades On-Screen "Story. Being a part of a really cool story. That's what, day one, that's what compelled me. Being in a really good play was awesome, that people liked. And then character and all that stuff, but for me it's the story. And I've been lucky enough to be approached by people that are good storytellers. I've been able to work with so many great, amazing people. And now Graham Yost [Silo's creator], he's a legend. And I worked with him a long time ago on From the Earth to the Moon back in the 90s. It's funny, when I'm walking around, I think of myself as 25. And it's weird to be the guy that people are calling 'sir' on set. It's weird. It's weird, it's bizarre, getting older. Because it's not a bank. We don't have that kind of hierarchy in our business. If I'm working with a 15-year-old, they're my peer. Fred on White Lotus, he's the same age as my son, we're like pals — because we did a show together." Silo streams via Apple TV+. Read our review of season one.
If Vegie Bar is the king of Brunswick Street, then Rice Queen is, well, queen. Occupying a space in a fiercely competitive Fitzroy block that houses two of Melbourne's cult vegetarian venues — the aforementioned Vegie Bar and Yong Green Food — the overt Oriental restaurant and bar has still managed to become one of the strip's reliable fixtures since they made the move from Smith Street two years ago. Everyone has a place within the monarchy. The nicest thing about Rice Queen is the space; it's so big you could almost see the horizon on the bar if it wasn't for the hanging red lanterns disrupting your view. The beauty of the large open room allows for tables to be generously spaced, creating intimacy no matter whether you sit at a bar table, on a lounge, in the formal dining space or the outdoor alcove. The fit out is oriented toward Oriental kitsch, yet it remains sleek with a comfortably quiet noise level and attentive table service. Seven spice Korean Fried Chicken wings ($10 for five pieces, $17 for ten) are hot and peppery, but not fiery enough to kill your taste buds; the fried outer is thin and crisp — and gluten free! — giving way to juicy, juicy chicken. Hands are necessary, napkins are provided. The caramelised pork bites, twice cooked pork belly served with green nam jim, crispy shallots and garlic chips ($13), are just as good and can be eaten with chopsticks if you'd prefer. Balance out the meat with a serve of tofu san choy bau ($9) and maybe some sesame gyoza crisps with white miso tahini smoky eggplant sauce ($8). The menu lends itself to both snacks and larger meals, but your best bet is to order a drink and a few plates to share (especially when the pad Thai edges towards $20). As the front section of the venue doubles as a standalone bar, dropping in for just a drink is fine too. A selection of sake works perfectly with a snack (ask the bar staff for a recommendation) and a variety of local wines and Asian bottled beers are great if you don't feel like a cocktail. Otherwise, go for the Barberry (Cuervo Tradicional tequila, Mandarine Liqueur, housemade jam, fresh lemon and rhubarb bitters; $14) or the Dark Negroni (Mount Gay XO rum, vermouth, amaro and orange bitters; $17). It's these drinks, the class bartenders and attention to detail that separates Rice Queen from its neighbouring eateries. It may not be the heir to the throne, but this place is royalty too.
Chances are that you've sipped a few brews within the historic Pentridge Prison precinct since Scotland's BrewDog opened the doors to its first Melbourne venue there in November. Well, now you've got an excuse to return to the heritage Coburg site for a spot of wine appreciation, with the launch of its newest drinking destination Olivine. Opening on Friday, April 14, this elegant wine bar marks the latest phase of the precinct's multimillion-dollar redevelopment, having carved out a chic home within the one-time cells of the prison's B Division. Boasting room for 100, Olivine is a dapper affair, complete with its own walk-in cellar door. The iconic bluestone walls lend a moodiness to the space, while a plush fitout by CHADA pulls together pops of turquoise and gold with deep green marble and a splash of velvet. Primed to be a serious wine-sipping destination, it's pouring a lineup of more than 500 bottles assembled by celebrated sommelier Liinaa Berry. The hard-copy list, dubbed The Book of Wine, is a hefty tome that's split handily into chapters, broken up by watercolour illustrations by local artist Elizabeth Nicholls. Olivine's vinous curation spans old-world and new-world styles alike, paying equal respect to emerging talent and established legends, and tripping right across the globe in the process. You'll find small-batch gems, unearth unsung heroes and get acquainted with some stellar international drops. And you'd best be prepared to walk away with some fresh knowledge and a few stories, too. Meanwhile, the bar's pouring a strong crop of craft spirits and a range of signature cocktails to round out the boozy fun. Olivine's food menu ensures some high-quality grazing to match your tipple of choice, running to plates like chicken liver parfait with brown butter tuille, pork fritters sided with a ravigote dressing, and tins of caviar served with smoked cream cheese. Scallop tarts are finished with dried tomato and dotted with a yuzu emulsion, while taramasalata and salmon roe accompany the potato rosti. And of course, you can bank on plenty of expert guidance when it comes to nailing that food and wine pairing. Find Olivine at 1 Pentridge Boulevard, Coburg, from Friday April 14. It'll open daily from 4pm–late.
Uber drivers may want to start thinking about a change of career. The ridesharing giant, whose relationship with its drivers has been turbulent in recent times, may soon reach the point where it no longer has any need for them at all. After all, why spend millions settling lawsuits when you can get the cars to operate themselves? That seems to be the thinking as the company rolled out its first fleet of self-driving cars in the U.S. today. After beginning testing back in May, the fleet of modified Ford Fusion Hybrids, complete with roof-mounted cameras, radar and Uber branding, took its first official outing streets of Pittsburgh on Wednesday — beating other tech companies to the punch. At the moment Uber is still sending a safety driver along in the driver's seat, so they can intervene if anything goes awry. The idea is that eventually those safety drivers won't be needed anymore — but, safety, y'know? "This pilot is a big step forward," said the company via a statement on their website. "Real-world testing is critical to the success of this technology. And creating a viable alternative to individual car ownership is important to the future of cities." They hope that driverless technology will, eventually, help to lower the number of traffic accidents, cut congestion and free up parking space in our cities. At the moment the self-driving cars are only available to "loyal" Pittsburgh Uber riders — if one of the cars is available when they request an uberX, that's what they'll get. That's all well and good, but will these self driving cars be offering their passengers complimentary mints? Where are we on that technology, exactly? By Tom Clift and Lauren Vadnjal.
Who isn't going to see Avengers: Age of Ultron? Since 2008, almost everyone has watched at least one movie in the Marvel Cinematic Universe, this being the 11th. It's the TV approach to film, with an episode or two released each year. By now, we've all consumed enough to get hooked on superhero shenanigans. Such a history might seem like a blessing, sending audiences to cinemas; however, it can also be a curse. Viewers know what Marvel excellence looks like; they've seen it, and they've laughed and cried along. They also know when a comic book adaptation doesn't make the grade. And, in good but not great efforts, they can spot the formula at work, see when a film is stuffed with a few too many characters, and recognise when it feels like it's going through the motions. That's where Avengers: Age of Ultron lands, a by-the-numbers outing not without its issues, but still enjoyable. Everyone's favourite gang of better-than-average folks is back, and this time they're responsible for their new worst enemy. That'd be the titular addition to the fold, a program with artificial intelligence created by Tony Stark (Robert Downey Jr) and Bruce Banner (Mark Ruffalo) in the name of world peace. Alas, after taking robotic form, Ultron (voiced by James Spader) has different ideas about how to protect the planet. Basically, it's the Frankenstein narrative, as the creation turns against its creator and the uncaring masses. It's not an original story, but it remains intriguing, exploring Iron Man, the Hulk, Captain America (Chris Evans), Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) coming to terms with the reality of their powers, roles and ability to play god — and Thor (Chris Hemsworth), too, even though he genuinely is one. Joss Whedon being Joss Whedon, the returning writer/director dresses it all up with more than a few complications — think ideological clashes and romantic subplots — plus comic touches. He's simply doing what he does, as fans of his television shows like Buffy and Firefly will recognise. He crafts scenes of spectacular chaos and continent-hopping carnage thankfully given time to play out, and wraps up the standard set-pieces and fight sequences in pithy quips. Yes, you've seen and heard much of it before, and yes, the film can never quite shake that feeling. Instead, flitting from one drama to the next and giving everyone their moment, it relies upon the fact that you already know and love the characters, the actors and their camaraderie. While spending time with the bulk of the bunch and spotting other familiar faces is hardly a chore, veering off in different directions is certainly welcome, particularly when twins Pietro and Wanda Maximoff (Aaron Taylor-Johnson and Elizabeth Olsen) — aka Quicksilver and the Scarlet Witch — join the fold. That's where the entertaining yet never game-changing effort shines brightest, actually: in setting up the next offerings in a long list of Marvel movies, including two Avengers sequels already slated for 2018 and 2019 respectively. Age of Ultron may not be the best instalment so far, and you'll walk out well aware that what you just watched was only the latest chapter, but you're still enthused for things to come. Next stop: Ant-Man.
Australia is no stranger to boasting venues on worldwide best bar and restaurant lists. In 2021, four local favourites were named among the 50 best in the world, while two Melbourne spots landed on the longlist for the best restaurants across the globe. Now, another beloved eatery Down Under can now claim to be among the upper echelon of its respective field, with Sydney's Firedoor making an appearance in the top ten of the World's 101 Best Steak Restaurants rankings for 2022. The renowned Surry Hills spot took out third place, being beaten out by Buenos Aires' Parrilla Don Julio at number two and London's Hawksmoor in first. Anyone with a trip to the US planned for the near future should take note, with Keens in New York and Gibsons Italia in Chicago rounding out the top five. Cut in Beverly Hills came sixth, while Bavette's Steak House in Las Vegas was named in seventh place. And, while Carcasse in Koksijde in Belgium sits in eighth spot and El Capricho in Spain's Jiménez de Jamuz ranked ninth, Nick and Stef's Steakhouse in Los Angeles wrapped up the top ten. Other Australian steak houses could be found further down the list. Narrowly missing the top ten, Rockpool Bar and Grill came in at number 12, while fellow Sydney spots Chophouse and Kingsleys clocked in at numbers 17 and 34 respectively. [caption id="attachment_695230" align="alignnone" width="1920"] Chophouse[/caption] Still on the local front, while Sydney dominated the top half of the list with four entries, those Harbour City spots weren't the only local venues to make an appearance. Three Melbourne restaurants also placed — Butcher & Vine (#77), Macelleria (#90) and Entrecote (#97). And across the ditch, Auckland's Jervois Steak House popped up at number 65 on the list. Firedoor is the creation of British-born chef Lennox Hastie, who possesses a string of Michelin stars. All the meats on the restaurant's menu are wood-fired and paired with seasonal and locally sourced produce. Reservations at the inner-city spot are notoriously hard to score, opening three months in advance and often snatched up quickly after they become available. If you want to secure a table, you'll have to head online at midday on the first Wednesday of each month. For the full rundown of the World's 101 Best Steak Restaurants, head to the list's website. Top image: Nikki To
Few things can pull Melbourne diners quite like a kitchen manned by much-loved chef Tom Sarafian. The former Bar Saracen Head Chef has achieved cult status, lending his prowess with modern Middle Eastern flavours to countless sell-out guest chef series and kitchen residencies. And now, after a popular stint back in March, it's Cumulus Inc's turn to host once again. Sarafian returns to the Flinders Lane restaurant from Wednesday, August 3–Sunday, August 14, serving up a special dinner menu (Wednesday to Saturday), plus a barbecued Sunday lunch offering. By night, you'll enjoy a shared feast for $85 per person, starring dishes like kibbeh, Murray cod shish kebabs cooked over charcoal, barbecued lamb fatteh with tomato-braised chickpeas and tahini yoghurt, and a lemon, saffron and yoghurt cake. Add-ons might include Sarafian's famed hummus elevated with spanner crab and king prawns. Bookings are encouraged, though there'll be limited spots for walk-ins from 5pm each night. Then, on Sunday, August 7 and 14, lunch takes centre stage, with a sumptuous seafood spread clocking in at $120. Book a table to enjoy bites like anchovy tabbouleh, scallops with toum and sumac, seafood fougasse (a Provencal-style bread) and a sayadiyeh (a Lebanese fish and rice dish) done with Murray cod. The Cumulus Inc team will be heading up the matching drinks list, pouring wines from Armenia and Georgia, plus cocktails and an arak service. Images: Ben Moynihan
At first glance, Kieran Stewart's new work looks pretty open to interpretation. Its motley collection of colours and silky sheen may remind you of a quilt your grandmother once made, or maybe a pair of particularly gaudy tracksuit pants you owned in the '80s or '90s. Maybe it reminds you of primary school and the gleeful parachute game kindergarteners would play on the oval during PE. This would be a good guess, because the technicolour contraption at Blindside is in fact a homemade parachute — the most dangerous thing you can possibly make in craft class. Stewart made the parachute himself after a great deal of research and correspondence with professionals. Compiling his responses into an essay ('Parachute'), it's clear the main overwhelming consensus was confusion and dread. But that doesn't impede the work's happier side. Parachutes are objects which convey salvation, hope and second chances. We often work hard for these things, it's just unfortunate they require such a large leap of faith. To hear more, head along to the artist's talk at 3pm Friday, March 21.
There's a certain NSW coastal town that's caught the attention of travel-deprived Aussies this spring. Maybe it's the primo surf beaches and plethora of restaurants and bars. Maybe it's the fact that both NSW and Queensland residents can currently visit without quarantining. Or maybe it's the Zac Efron sightings. Whatever the reason, Byron Bay is, more than even, the place to be. You can join the fun and visit the celebrated beachside spot for zero dollars. Yep, fashion retailer Surf Stitch and Aussie seltzer brand Delvi are giving away a luxury holiday to Byron Bay. And to enter, you just need to sling 'em your deets over here. No 25-words-or-less-answers, just your name and contact info. Pretty darn easy. If you're chosen, you'll get two return flights from anywhere in Australia, two nights of luxury accommodation, a fridge full of Delvi seltzer — because, it's set to be the summer of seltzers, after all — two $1000 Surf Stitch vouchers and an ultimate beach pack for two. A runner up prize of a 'summer worth of seltzers' will also be given out. Nothing to sniff at. Don't win and still want to visit? We've rounded up 20 of our favourite Byron Bay getaways for couples and groups. Enter the Surf Stitch x Delvi competition to win a free trip to Byron Bay here. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Ginuwine's 90s banger 'Pony' is about to get another workout — because Magic Mike, the Channing Tatum-starring franchise about male strippers chasing the American dream one shirtless dance at a time, is heading back to screens. That's great news for Ginuwine's royalties, and even better news for fans of the savvy — and sweaty, and scantily-clad — movie saga, which has also spawned its own Tatum-produced live show. And, yes, Tatum will be returning in Magic Mike's Last Dance as the eponymous Mike Lane. Well world, looks like Mike Lane's tapping back in. @hbomax pic.twitter.com/V9Ce62n710 — Channing Tatum (@channingtatum) November 29, 2021 If you somehow missed the 2012 hit, it saw Tatum turn his own background as a stripper in Tampa, Florida into one of that year's most perceptive flicks. The Matthew McConaughey, Matt Bomer, Joe Manganiello and Alex Pettyfer-starring film unsurprisingly became a box-office hit, too, with its combination of blue collar struggles and gyrating on-stage antics striking a chord to the tune of $167.2 million in takings. It was then followed by 2015's Magic Mike XXL, which did indeed manage to live up to its name — not merely by doubling down on what made the first movie such a success, but by also shrewdly recognising the power of the female gaze. Filmmaker Steven Soderbergh (Logan Lucky, Unsane) directed, shot and edited the initial movie, then just shot and edited the second; however, he's sitting back in the helmer's chair for Magic Mike's Last Dance. Also returning is screenwriter Reid Carolin, who has done the honours all the entire franchise so far. As for what it's about, Tatum's tweet announcing the movie didn't provide any details other than the fact that Mike is tapping back in — and, thanks to the film's title, that this is his final outing. Exactly when you'll be able to see the feature hasn't yet been revealed either, but it's heading to HBO Max, the cable network's streaming platform, in the US when it does surface. There's no word yet on where and when the bumping and grinding will appear Down Under. Also, there's clearly no sneak peek for Magic Mike's Last Dance so far, either, but here's the original film's trailer to get you in the mood: Exactly when Magic Mike's Last Dance will release — and where it'll be available Down Under — hasn't yet been revealed. We'll update you with more details when they come to hand.
It's only early days, but unassuming Fitzroy North newbie Good Times is already pulling queues. And it's not hard to see why. The laidback St George's Road eatery is doing a bang-up job of living up to its name, with cheerful, honest dishes and a comfy, home-spun vibe ticking all the right boxes for northside's savvy dining set. For Bryce Ritchie — who started Good Times along with fellow hospitality veterans and mates Sean McMeekin, Colin Mala and Jeremy Hines — it's all about keeping things simple and, most importantly, fun. The venue is only open Friday to Sunday and it has zero in the way of a website or social media channels. The space has been stripped right back, too, courtesy of the boys' own fast handiwork. [caption id="attachment_706155" align="alignnone" width="1920"] Kate Shanasy[/caption] It's lit by candles stuffed into bottles, while butcher's paper-covered tables and glasses filled with golf pencils inspire diners to unleash some creativity instead of whipping out their phones. The soundtrack's delightfully eclectic and, on chillier nights, you'll even find small bonfires warming up the back courtyard, with randoms getting acquainted over free marshmallows. From the kitchen comes a cheerfully simple, produce-focused offering, where pasta is the star of the show. You might tuck into a classic puttanesca or carbonara, or perhaps a bowl of fresh pipis tossed in white wine and herbs. A vegan ratatouille on rice is already proving a firm favourite, while platters of charcuterie, fruit and cheese are ideal for after-work drop-ins. [caption id="attachment_706136" align="alignnone" width="1920"] Kate Shanasy[/caption] Best of all, these good times are also easy on the wallet — you'll always find at least one $9 pasta in the mix, alongside $9 negronis, $9 craft beers and $9 carafes of wine. In fact, most of the menu clocks in at just a few bucks more than that, which is a good thing, considering this is the kind of place that'll have you coming back again and again. Find Good Times at 214 St Georges Road, Fitzroy North from 3pm–late, Friday–Sunday. Images: Kate Shanasy</em
Head interstate to see a big show, or cross your fingers that it comes to Melbourne? When it comes to huge theatre productions, that's the regular dilemma. Thankfully, the musicals and plays that don't premiere on our turf tend to make their way here eventually — and, just like Hamilton, West End and Broadway hit Girl From the North Country is one of them. For Bob Dylan fans, that name will be familiar. It's the title of one of the legendary folk singer's 1963 songs — a tune that features in this musical, naturally. Indeed, the entire show uses Dylan's tracks, including everything from 'Like a Rolling Stone' and 'Hurricane' to 'Slow Train' and 'I Want You', all weaved throughout a story of American life during the Great Depression. Girl From the North Country will make its Australian premiere at the 2022 Sydney Festival; however, to save you the trip north, it's coming to Melbourne as well from April. So, block out Friday, April 29 in your diary, as that's when its season will get started at the Comedy Theatre. Story-wise, the musical is set in a guesthouse in the US state of Minnesota in 1934. The narrative revolves around owner Nick, who is deeply in debt; his wife Elizabeth, whose mind is fraying; and their pregnant daughter Marianne — as well as a bible-slinging preacher and a boxer endeavouring to make a comeback. Overseas, Girl From the North Country has enjoyed sell-out seasons since it first debuted in London in 2017 — heading from The Old Vic to West End, next leaping to the US for an off-Broadway run, and then hitting up Toronto, returning to West End and premiering on Broadway before the pandemic in early 2022. Locally, the debut Aussie season will star Lisa McCune (The King and I, South Pacific), Zahra Newman (The Book of Mormon, Wentworth), Terence Crawford (Escape From Pretoria, 1984) and Helen Dallimore (Wicked, Legally Blonde). Girl From the North Country will open at the Comedy Theatre, 240 Exhibition Street, Melbourne from Friday, April 29, 2022. For further information or to buy tickets from Wednesday, December 15, head to the musical's Australian website.
With cafe pedigrees taking over Melbourne, this new addition comes from one of the best. Building on the success of Coin Laundry and Station Street Trading Co., the team behind Tall Timber has brought a slice of hinterland idyll to a bustling Prahran. Be welcomed by the expansive front room, draped in winter's sun and rustic white decor. Little pots of herbs and preserves highlight your way, snaking along the side of the cafe to reveal a sheltered courtyard; the outdoor seating complements this charming feeling of home. Such a raw, effortless atmosphere makes the hospitality at Tall Timber easygoing, with the service unassuming, attentive and friendly without being pushed to a fault. This sleepy feeling is accented by a menu that is produce focused and inviting. Featuring a host of favourites that shine through careful attention to the little details, the serves are assured to impress. Although a simple concept, the breaky board (one poached egg on sourdough, house cereal with natural yogurt, poached fruit and an OJ cleanser; $16) hits the spot perfectly for both the indecisive and the eager. Such an idea is all too often missing from cafe offerings, but Tall Timber knows how to please. Likewise, the lumberjack's fry up ($19.50) is a hearty selection of breakfast necessities. Coffee is additionally reliable and handled with expertise ($3.50-4.50). From Niccolo, and soon to be roasted in-house, its consistency is sure to only get better. Complement this with a careful selection of sweets ($4-4.50) on display on the crisp cake counter. For its first weekend, Tall Timber exceeded the pressure of expectant crowds to deliver a charming, leisurely experience. It's a local that has the potential to entertain and impress your dearest of friends, while also being a reliable choice for a comfortable, solo retreat. With the team already working together as smooth as a lumberjack's axe, Tall Timber is a standout.
Finally you can pay for your daily soy latte with a picture of David Bowie's face. If you're in the London suburb of Brixton and have a couple of Brixton Pounds on you, that is. To mark the anniversary of the UK's first urban local currency, Brixton has issued a new edition of notes featuring some famous ex-Brixton residents, including the infamous face of glam-rock. A Ziggy-era picture of Bowie now graces the £10 note, while former Chicago Bulls basketball player Luol Deng and WWII lady-spy Violette Szabo appear on the £5 and £20 note respectively. The Brixton pounds were launched in 2009 as a way to support independent business and encourage local trade and production. The Brixton pounds don't replace regular British pounds, rather they work alongside them, much in the same way Scottish pounds do. Brixton is a notoriously volatile area of South London - one night I walked in the wrong direction and ended up there, only realising once all the street lights had been blacked out and a gentleman enquired as to how much I was charging for my 'time'. The Brixton pounds are an effort to improve perceptions of the area (perpetuated by people such as myself) and ensure that local businesses can keep afloat in the face of recession and competition from big chain stores, while working to reduce the area's carbon footprint. It's actually a fantastic strategy, and one that's worked well in several towns around the UK. Now that they've put David Bowie on a valid form of currency, you can bet that Brixton's going to be doing a whole lot more business, because at the end of the day it's just not as exciting buying groceries with a picture of the Queen than it is with Ziggy Stardust. [Via PSFK]
We rang in the year of the ox (goodbye year of the rat, go sleep it off) on February 12, but the festivities are continuing throughout the month. And what's the best way to partake in the celebration? We've got it right here and it'll make you happier than a hungry bullock. Dumpling master Din Tai Fung is offering new limited edition 'Masked Ox Buns', and they are some the cutest dumplings we've ever seen. Just look at them. Din Tai Fung is famous for its dumplings and is known to release beautiful and novelty dumplings for special occasions (check out these adorable little monkey buns from 2016 and pig bao from 2019). The ox buns are filled with a sweet filling of molten chocolate, which oozes out when you squeeze them. And, in line with the times, they're decked out with little masks — because of course they are. The ox buns are available at Din Tai Fung restaurants and food court outlets in Sydney, so you'll want to hit up its World Square, Westfield Chatswood, Westfield Miranda, Westfield Sydney, Broadway Shopping Centre, Gateway Sydney, The Star, Greenwood Plaza and MLC Centre venues. In great news for Melburnians under lockdown, they're also available for delivery via Deliveroo — and in the chain's big frozen Lunar New Year hampers, which you can get brought to your door. The only problem we can foresee with the cute Din Tai Fung dish? Eating those sweet little pig faces may be hard… but we'll probably manage it. Masked Ox Buns are available for $8.80 for two at Din Tai Fung's World Square, Westfield Chatswood, Westfield Miranda, Westfield Sydney, Broadway Shopping Centre, Gateway Sydney, The Star, Greenwood Plaza and MLC Centre stores. They're also available via Deliveroo — and, in Melbourne, in the chain's frozen Lunar New Year hampers, which cost $98 .
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you inside the Trixie Motel. Here, the world-famous drag queen, Trixie Mattel, has transformed an old Palm Springs motel into a queer paradise full of colour and character. WHAT'S SO SPECIAL? This newly renovated Californian motel is the brainchild of a world famous US drag queen, and is just as bright and fun as you can imagine. THE ROOMS You will overdose on sensory inputs, no matter what room you stay in. 'Calming', is not a word used to describe the design of these rooms. Every Trixie Motel room is bursting with candy colours and loud patterns (more is most definitely more). What else would you expect from a drag queen motel in sunny Palm Springs? Like Trixie Mattel, the owner and famous Drag Race queen, the entire facility is 60s and 70s flower power themed. You'll feel like Malibu Barbie, as you spend the days roaming from your room to the outdoor pool. This place is extra extra — and why should it be anything else? FOOD AND DRINK The Trixie Motel has a little on-site cafe and bar which serves up creative snacks and small bites alongside plenty of speciality cocktails and beverages. It's mostly stuff you can enjoy while sitting around the pink and white tiled pool area – but they do provide private dinners too. They just need to be pre-booked and can be served in most places on the property. Alternatively, head to the fabulous selection of local restaurants throughout Palm Springs. THE LOCAL AREA Palm Springs is a classic Californian destination, located about 100 miles east of Los Angeles in the Coachella Valley (yes, Coachella is hosted nearby). This desert city is known for its hot springs, golf courses, palm tree-lined streets and perpetually good weather — It's also been a favourite destination for Hollywood stars since the 1930s. Most come here to experience the resort spa lifestyle. But this area has also developed into a real culture hub. Check out the Palm Springs Art Museum, McCallum Theatre and Palm Springs Design Centre in between taking hikes around the local national parks and shopping at the countless boutique stores. Or do none of this, just spending the whole day sitting by the pool, sipping on cocktails. The choice is all yours. [caption id="attachment_869215" align="aligncenter" width="1920"] Ian M Jones (Unsplash)[/caption] THE EXTRAS While staying here, you can even go online and watch the reality tv show, Trixie Motel, which takes you through the property's renovation process. See how the famous drag queen, Trixie Mattel, and partner, David Silver, created the Trixie Motel – you'll appreciate your stay here even more. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Having recently returned from a spot of European travel-on-a-shoestring, I think I can hyperbolically decree that the Sleepbox may well be one of the greatest things I have ever seen. Sleepbox, designed by the Arch Group, does essentially what it says on the tin: it's a pod wide enough for a bed and a drop-down desk. This means that the days of sleeping on rows of metal chairs while clutching your belongings for dear life or sitting slumped over coffee-flavoured hot water in an airport food court may well be behind us. The first Sleepbox has recently been installed in Moscow's Sheremetyevo Airport, and can be rented out from half an hour to many hours. Kitted out with an LED reading light, WiFi and electrical outlets for you to charge your phone or get your ironing done or whatever it is you need to do, the pods also come with a mechanism which automatically changes the linen once each guest checks out. Which means there is less chance you will have to come into close contact with the bodily odours of others before you have to sit wedged beside them for fourteen hours in a flying tin can. Arch Group is proposing Sleepbox as a contemporary staple of urban life, with plans to set them up in other airports, railway stations. large shopping spaces, and even on the streets in warm climates. Genius. https://youtube.com/watch?v=3qxnqy37KPc [Via PSFK]
The Kynd Butcher is still open for takeaway. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. In an unlikely twist, meat is off the menu at this neighbourhood Ascot Vale butchery. In fact, you won't find any animal products at all. Rather, Union Road newcomer The Kynd Butcher embraces a cruelty-free stance — it's Melbourne's first-ever all-vegan butcher shop. The brainchild of locals Matthew Sipala and Amanda Lethlean, the store specialises in plant-based meat alternatives that'll put a firm stop to that vegan FOMO. Expect wholefood burger patties made with mushroom, brown rice and seaweed; meat-free mince from the Alternative Meat Co; vegan snags and sticks of Vegami's plant-based salami — alongside colourful, house-made mixed mushroom kebabs. Vegan cheese company Damona makes an appearance with creations like a mountain pepper pate or chilli-infused pepperjack, and there's an assortment of cheeses, condiments and antipasto goodies to keep any kind of entertainer happy. You can even curb your kitchen time thanks to Kynd's ready-made salads to-go. Throw in a selection of plant-based pantry goods, a range of snacks and an Instagram filled with helpful recipes, and you've got a total haven for the cruelty-free food lover.
If your last holiday seems like a distant memory and you're yearning to get away from the bustle of city living, a new arrival to Aotearoa's tourism scene is set to provide some much-needed peace and quiet. Australian startup Unyoked was founded by twins Cam and Chris Grant back in 2016, as an off-the-grid experience bringing you the convenience and comforts of four solid walls, alongside the adventure, spontaneity and closeness-to-nature of camping. Since then, it's been a raging success, with a number of compact cabins located around NSW, Victoria and Queensland catering to burnt out city slickers looking for some R&R in remote — and sometimes pretty rugged — areas. It's all in the name of wellness: Cam and Chris believe spending time in the wild is beneficial to the body, mind and soul. The company's ethos is about total immersion in nature — something New Zealand has a lot of, making it a fairly natural fit as their next country to conquer. Launching next month, the company's first New Zealand cabins will be dotted around some of the country's most stunning and remote spots, including the tropical bush of the Bay of Islands, the rugged west coast of the North Island and around stunning Port Waikato coastline. The exact locations are still under wraps — and you'll be waiting to find out as Unyoked often only reveals the address of where you're headed until it's basically time to depart. It's all part of the adventure. You might choose to take yourself on a working retreat and let the fresh air and beautiful scenery spark inspiration — or leave the laptop at home and instead get around to finally reading that book. How you spend your time off the grid is up to you. And don't worry, it's not total Man Vs Wild vibes. There will be plenty of creature comforts to help elevate your time away. Unyoked promises they're working with some truly excellent local brands to prepare for the launch, including Raglan Roast coffee, McLeod's Brewery, J.M.R & Co, Webster's tea and Sleepyhead beds. That hints that there will at least be a good cuppa, a few brews and a damn comfy spot to lay your head during your getaway. Unyoked joins a host of other small hideaway-type booking accompanies including international juggernaut Airbnb, and local glamping specialists Canopy Camping. But the founders see it less as a site to nab accommodation, and more as a fully immersive experience beneficial to wellbeing. They say they hope users will treat a stay in nature as they do a fitness routine or meditation app. And to be honest, if our search for wellness sees us choosing between waking in New Zealand's breathtaking surroundings or sweating it out in a hot gym — we know which one we're choosing every time. Unyoked will launch its first New Zealand accommodation options in July 2022. For more information, head to the company's social media pages or the official website.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 13 that you can watch right now at home. Civil War Civil War is not a relaxing film, either for its characters or viewers, but writer/director Alex Garland (Men) does give Kirsten Dunst (The Power of the Dog) a moment to lie down among the flowers. She isn't alone among this stunning movie's stars on her stomach on a property filled with Christmas decorations en route from New York to Washington DC. Also, with shots being fired back and forth, no one is in de-stressing mode. For viewers of Dunst's collaborations with Sofia Coppola, however — a filmmaker that her Civil War co-star Cailee Spaeny just played Priscilla Presley for in Priscilla — the sight of her face beside grass and blooms was always going to recall The Virgin Suicides. Twenty-five years have now passed since that feature, which Garland nods to as a handy piece of intertextual shorthand. As the camera's focus shifts between nature and people, there's not even a tiny instant of bliss among this sorrow, nor will there ever be, as there was the last time that Dunst was framed in a comparable fashion. Instead, Civil War tasks its lead with stepping into the shoes of a seasoned war photographer in the middle of the violent US schism that gives the movie its name (and, with January 6, 2021 so fresh in everyone's memories, into events that could very well be happening in a version of right now). The US President (Nick Offerman, Origin) is into his third term after refusing to leave office, and the fallout is both polarising and immense. Think: bombed cities, suicide attackers, death squads, torture, lynchings, ambushes, snipers, shuttering the FBI, California and Texas inexplicably forming an alliance to fight back, Florida making its own faction, journalists killed on sight, refugee camps, deserted highways, checkpoints, resistance fighters, mass graves and, amid the rampant anarchy, existence as America currently knows it clearly obliterated. (Asking "what kind of American are you?" barely seems a stretch, though.) The front line is in Charlottesville, but Dunst's Lee Smith is destined for the White House with Reuters reporter Joel (Wagner Moura, Mr & Mrs Smith), where they're hoping to evade the lethal anti-media sentiment to secure an interview with the leader who has torn the country apart. Civil War streams via YouTube Movies, iTunes and Prime Video. Read our full review. Monkey Man Dev Patel means business in Monkey Man, both on- and off-screen. Starring in the ferocious vengeance-dripping action-thriller, he plays Kid, a man on a mission to punish the powers that be in Yatana (a fictional Indian city inspired by Mumbai) for their injustices, and specifically for the death of his mother Neela (Adithi Kalkunte, who Patel worked with on Hotel Mumbai) when he was a boy. As the film's director, producer and co-writer, he isn't holding back either, especially in adding something to his resume that no other project has offered in his almost two decades as an actor since Skins marked his on-camera debut. Dev Patel: action star has an excellent ring to it. So does Dev Patel: action filmmaker. Both labels don't merely sound great with Monkey Man; this is a frenetic and thrilling flick, and also a layered one that marries its expertly choreographed carnage with a statement. In the post-John Wick action-movie realm, it might seem as if every actor is doing features about formidable lone forces taking on their enemies. Patel initially began working on Monkey Man over ten years ago, which is when Keanu Reeves (The Matrix Resurrections) first went avenging, but his film still acknowledges what its viewers will almost-inevitably ponder by giving John Wick a shoutout. Thinking about the Charlize Theron (Fast X)-led Atomic Blonde and Bob Odenkirk (The Bear)-starring Nobody is understandable while watching, too — but it's The Raid and Oldboy, plus the decades of Asian action onslaughts and revenge-filled Korean efforts around them, that should stick firmest in everyone's mind. All directors are product of their influences; however, Patel achieves the rare feat of openly adoring his inspirations while filtering them through his exact vision to fashion a picture that's always 100-percent his own (and 100-percent excellent). Monkey Man streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Dev Patel. Love Lies Bleeding In Love Lies Bleeding, a craggy ravine just outside a dusty New Mexico town beckons, ready to swallow sordid secrets in the dark of the desert's starry night. Tumbling into it, a car explodes in flames partway through the movie, exactly as the person pushing it in wants it to. There's the experience of watching Rose Glass' sophomore film emblazoned across the feature's very frames. After the expertly unsettling Saint Maud, the British writer/director returns with a second psychological horror, this time starring Kristen Stewart in the latest of her exceptionally chosen post-Twilight roles (see: Crimes of the Future, Spencer, Happiest Season, Lizzie, Personal Shopper, Certain Women and Clouds of Sils Maria). An 80s-set queer and sensual tale of love, lust, blood and violence, Love Lies Bleeding is as inkily alluring as the gorge that's pivotal to its plot, and as fiery as the inferno that swells from the canyon's depths. This neon-lit, synth-scored neo-noir thriller scorches, too — and burns so brightly that there's no escaping its glow. When the words "you have to see it to believe it" also grace Love Lies Bleeding — diving into gyms and in the bodybuilding world, it's no stranger to motivational statements such as "no pain no gain", "destiny is a decision" and "the body achieves what the mind believes" — they help sum up this wild cinematic ride as well. Glass co-scripts here with Weronika Tofilska (they each previously penned and helmed segments of 2015's A Moment in Horror), but her features feel like the result of specific, singular and searing visions that aren't afraid to swerve and veer boldly and committedly to weave their stories and leave an imprint. Accordingly, Love Lies Bleeding is indeed a romance, a crime flick and a revenge quest. It's about lovers on the run (Ant-Man and the Wasp: Quantumania's Katy O'Brian pairs with Stewart) and intergenerational griminess. It rages against the machine. It's erotic, a road trip and unashamedly pulpy. It also takes the concept of strong female leads to a place that nothing else has, and you do need to witness it to fathom it. Love Lies Bleeding streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Rose Glass. Late Night with the Devil If David Dastmalchian ever tires of acting, which will hopefully never happen, he'd make an entrancing late-night television host. He even has the audition tape for it: Late Night with the Devil. Of course, the star who earned his first movie credit on The Dark Knight, and has stood out in Blade Runner 2049, The Suicide Squad, Dune and the third season of Twin Peaks — plus Boston Strangler, The Boogeyman, Oppenheimer and Dracula: Voyage of the Demeter all in 2023 alone, alongside Ant-Man and the Wasp: Quantumania — might be hoping for a less eerie and unsettling gig IRL. Dastmalchian is a fan of horror anchors, writing an article for Fangoria about them. Here, putting in a helluva can't-look-away performance, he plays one. That said, the namesake of Night Owls with Jack Delroy isn't meant to fit the mould so unnervingly, nor is the series that he's on. Delroy is a Johnny Carson rival — and, because Australian filmmakers Cameron and Colin Cairnes (100 Bloody Acres, Scare Campaign) write and direct Late Night with the Devil, he's also a Don Lane-type talent — who isn't afraid of embracing the supernatural on his live talk show. On Halloween in 1977, airing his usual special episode for the occasion, he decides to attempt to arrest the flagging ratings of what was once a smash by booking four attention-grabbing guests. What occurs when Delroy, who is grieving the loss of his actor wife Madeleine Piper (Georgina Haig, NCIS Sydney) a year earlier, shares the stage with not only a famous skeptic and a psychic, but also with a parapsychologist and a girl who is reportedly possessed? That might sound like the setup for a joke, but it's this new Aussie horror gem's captivating premise. Late Night with the Devil streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Colin and Cameron Cairnes. Godzilla x Kong: The New Empire Godzilla is finally an Oscar-winner. It's about time. But the septuagenarian reptile didn't score Hollywood's top trophy for curling up in the Colosseum for a snooze, rocking electric-pink spikes, thundering into Hollow Earth — the world literally within our world where titans spring from — and teaming up with King Kong to take on a rival giant ape that rides an ice-breathing kaiju and uses a skeletal spine as a rope. Japan's exceptional Godzilla Minus One, which took home 2024's Academy Award for Best Visual Effects, wasn't that kind of monster movie. Godzilla x Kong: The New Empire, which hails from the American-made Monsterverse, definitely is. Arriving shortly after one of its titular figures received such a coveted filmmaking accolade (and also after the US franchise's ace streaming series Monarch: Legacy of Monsters), this sequel to 2021's Godzilla vs Kong is patently from the goofily entertaining rather than deeply meaningful brand of Godzilla flicks. Yes, there's room for both. It might seem a hard job to follow up one of the best-ever takes on the nuclear-powered creature with an action-adventure-fantasy monster mash that also features a Hawaiian shirt-wearing veterinarian (Dan Stevens, Welcome to Chippendale) dropping in via helicopter to do dental work on King Kong, the return of the Monsterverse's resident conspiracy-theorist podcaster (Brian Tyree Henry, Atlanta), a complicated mother-daughter dynamic (via Rebecca Hall, Resurrection, and Kaylee Hottle, Magnum PI) and a mini Kong called Suko — plus, in its very first minutes, several other animals being ripped apart by Godzilla and Kong. When he took on the gig of helming pictures in this franchise, however, You're Next, The Guest, Blair Witch and Death Note filmmaker Adam Wingard chose fun chaos. His two entries so far aren't dreaming of competing for thoughtfulness with the movies coming out of the country that created Godzilla. Rather, they're made with affection for that entire legacy, and also Kong's, which dates back even further to 1933. Getting audiences relishing the spectacle of this saga is the clear aim, then — and Wingard's attempts put exactly that in their sights above all else. Godzilla x Kong: The New Empire streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Rebecca Hall, Dan Stevens, Brian Tyree Henry, Kaylee Hottle and Adam Wingard. Abigail Abigail, aka the tween vampire ballerina film that unveiled that premise in its trailer, is still an entertaining time irrespective of your starting knowledge, thankfully. Matt Bettinelli-Olpin and Tyler Gillett's fifth full-length directorial effort — and their first after bringing back Ghostface in 2022's Scream and 2023's Scream VI — begins as a blend of a heist affair, horror mansion movie and whodunnit. It kicks off with a kidnapping skilfully pulled off by a motley crew (is there any other type?), then with holing up in the mastermind's sprawling and eerie safe house with their 12-year-old captive, then with fingers being pointed and their charge toying with them. Bettinelli-Olpin and Gillett are slick with their opening, from breaking into a well-secured estate to avoiding surveillance cameras while speeding through the streets afterwards. They're playful, too, when corralling everyone in their next location — a setup that they've turned into an ace horror watch before in 2019's Ready or Not — and letting suspicions run wild. The six abductors here, as given nicknames Reservoir Dogs-style but with a Rat Pack spin, and told not to divulge their true identities or histories to each other: Joey (Melissa Barrera, Carmen), a recovering addict with medical skills; Frank (Dan Stevens, Godzilla x Kong: The New Empire), who has a background in law enforcement; Rickles (William Catlett, Constellation), an ex-marine; Sammy (Kathryn Newton, Ant-Man and the Wasp: Quantumania), the resident hacker; Peter (Kevin Durand, Pantheon), the dim-witted muscle; and Dean (Angus Cloud, Euphoria), the stoner wheelman. The middleman for their employer: the no-nonsense Lambert (Giancarlo Esposito, The Gentlemen). And the girl: Abigail (Alisha Weir, Wicked Little Letters), of course, who is the daughter of someone obscenely rich and powerful. She's just finished dance rehearsals, is still in her tutu, and proves the picture of scared and unsettled when she's snatched from her bedroom, drugged and blindfolded — until she isn't. Abigail streams via YouTube Movies, iTunes and Prime Video. Read our full review. Wicked Little Letters Whether it's via a post or tweet or message, in a comment or status update, thanks to a Notes app screenshot or in an email, mean words aren't hard to share two decades into the 21st century. Click a few buttons, slide your finger across a touchscreen, then vitriol can be directed virtually instantaneously worldwide. Countless people — too many, all sticklers for unpleasantness — do just that. Such behaviour has almost become a reflex. A century ago, however, spewing nastiness by text required far more effort. Someone had to put ink to paper, commit their hatred to physical form in their own handwriting, tuck it into an envelope, pay for postage, then await the mail service to deliver their malice. Wicked Little Letters isn't an ode to that dedication, but there's no avoiding that sending offensive missives in its 1920s setting was a concerted, determined act — and also that no one could claim just seconds later that they were hacked. Times change, and technology with it, but people don't: that's another way of looking at this British dramedy, which is indeed based on a true tale. Director Thea Sharrock (The One and Only Ivan) and screenwriter Jonny Sweet (Gap Year) know that there's a quaintness about the chapter of history that they're bringing to the screen, but not to the attitudes behind the incident. In Sussex by the sea on the English Channel, spiteful dispatches scandalised a town, with the situation dubbed "the Littlehampton libels". In Wicked Little Letters' account, Edith (Olivia Colman, Wonka) keeps receiving notes that overuse vulgar terms, and the God-fearing spinster, who lives with her strict father (Timothy Spall, The Heist Before Christmas) and dutiful mother (Gemma Jones, Emily), is certain that she knows the source. Living next door, Rose Gooding (Jessie Buckley, Fingernails) is an Irish single mother to Nancy (Alisha Weir, Roald Dahl's Matilda the Musical), has Bill (Malachi Kirby, My Name Is Leon) as her live-in boyfriend, and is fond of a drink at the pub and of sharing her opinion. The two neighbours are as chalk and cheese as women of the time could get, but were once friendly. When Edith blames Rose, the latter's pleas that she's innocent — and that she'd just tell the former her grievances to her face, not send them anonymously — fall on deaf ears among most of the resident police. Wicked Little Letters streams via YouTube Movies. Read our full review. Humanist Vampire Seeking Consenting Suicidal Person What if a vampire didn't want to feed on humans? When it happens in Interview with the Vampire, rats are the solution. In Humanist Vampire Seeking Consenting Suicidal Person, Sasha (Sara Montpetit, White Dog) gets her sustenance from pouches of blood instead, but her family — father (Steve Laplante, The Nature of Love), mother (Sophie Cadieux, Chouchou), aunt (Marie Brassard, Viking) and cousin Denise (Noémie O'Farrell, District 31') — are increasingly concerned once more than half a century passes and she keeps avoiding biting necks. Sasha still looks like a goth teenager, yet she's 68, so her relatives believe that it's well past time for her to embrace an inescapable aspect of being a bloodsucker. What if she didn't have to, though? The potential solution in the delightful first feature by director Ariane Louis-Seize, who co-writes with Christine Doyon (Germain s'éteint), is right there in this 2023 Venice International Film Festival award-winner's title. With What We Do in the Shadows, both on the big and small screens, the idea that vamps are just like the living when it comes to sharing houses has gushed with laughs. Swap out flatmates for adolescence — including pesky parents trying to cramp a teen's style — and that's Louis-Seize's approach in this French-language Canadian effort. As much as Humanist Vampire Seeking Consenting Suicidal Person brings fellow undead fare to mind, however, and more beyond, the Québécois picture is an entrancing slurp of vampire and other genres on its own merits. There's an Only Lovers Left Alive-style yearning and A Girl Walks Home Alone at Night-esque elegance to the film. Beetlejuice and The Hunger bubble up, too, as do Under the Skin, Ginger Snaps and The Craft as well. But comparable to how drinking from someone doesn't transform you into them — at least according to a century-plus of bloodsucking tales on the page, in cinemas and on TV — nodding at influences doesn't turn this coming-of-age horror-comedy into its predecessors. Humanist Vampire Seeking Consenting Suicidal Person streams via iTunes. Read our full review. You'll Never Find Me When The Rocky Horror Picture Show starts with just-engaged couple Brad Majors and Janet Weiss knocking on a stranger's door on a dark and rainy night, with the pair hoping to find both shelter from the elements and assistance, no one could predict what awaits inside. There isn't much that connects the stage-to-screen cult musical-comedy hit from nearly 50 years back with expertly tense and atmospheric Australian horror film You'll Never Find Me, but that basic setup gets a spin — and a wild ride is again the end result. Also, if you're the type to take life tips from pop culture, a familiar piece of advice proves true once more. Even the most casual of filmgoers know that little that's good ever comes from an unexpected thump on someone's house, regardless of whether you're doing the banging or hearing it from the other side. Knock at the Cabin, Knock Knock, The Strangers: they all back this idea up, too, and the list goes on. In You'll Never Find Me — which Indianna Bell and Josiah Allen write, direct and produce as their first feature — the weather is indeed violently stormy and the evening is inescapably black when a young woman (Jordan Cowan, Krystal Klairvoyant) taps on the caravan that Patrick (Brendan Rock, The Stranger) calls home. They're both tentative, anxious and unsettled. She asks for help, he obliges, but suspicion lingers in the air as heavily as the sound of thunder and the wail of wind. The thick blanket of distrust doesn't fray as they talk, either, with the new arrival — named only The Visitor in the feature's credits — claiming that she fell asleep on the beach, hence her presence on her host's doorstep at 2am. But Patrick keeps finding holes in her story. She's also doubtful about his claims that he doesn't have a phone that she could use, public facilities are too far away for her to get to without him driving her to it and they'll need to wait until the rain subsides to depart. You'll Never Find Me streams via YouTube Movies, iTunes and Prime Video. Ghostbusters: Frozen Empire There's nothing strange in Ghostbusters: Frozen Empire, even with the spirits of sewer dragons, Slimer and pre-Sumerian demons all lurking about. There's nothing unusual about the movie's neighbourhood, either, with the supernatural comedy franchise revisiting New York after Ghostbusters: Afterlife's detour to Oklahoma. No surprises are found among the characters, mixing OG faces from 1984's Ghostbusters and its 1989 sequel Ghostbusters II with cast members from the saga's last flick (and still sadly pretending that 2016's excellent female-led Ghostbusters didn't happen). But something unexpected does occur in this fifth film to ask "who ya gonna call?", this time directed by Gil Kenan (A Boy Called Christmas) with Jason Reitman (The Front Runner), Afterlife's helmer and the son of the first two films' Ivan Reitman (Draft Day), scripting: its love of nostalgia is as strong as in Afterlife; however, Frozen Empire is welcomely absent its immediate predecessor's needy force. That said, simply being better than Afterlife is a low hurdle to clear. It's also what Frozen Empire achieves and little more. Kenan ain't afraid of a by-the-numbers script that stitches together references to the franchise's past and as many characters as can be jam-packed in. Frozen Empire begins with Callie (Carrie Coon, The Gilded Age), her teen kids Trevor (Finn Wolfhard, Stranger Things) and Phoebe (McKenna Grace, Crater), and their former science teacher Gary (Paul Rudd, Only Murders in the Building) all in Ecto-1, in hot pursuit of an otherworldly wraith in Manhattan — and the fact that Callie parents, Gary yearns to be seen as a parent and Trevor reminds everyone that he's 18 now sets the scene for their parts moving forward. So does Phoebe taking charge, but Kenan and Reitman only make half an effort to push her to the fore. When Phoebe links up with Dan Aykroyd's (Zombie Town) Ray Stantz, who now runs a store that buys possessed possessions, the Ghostbusters saga gets its best path forward so far with this cast. And yet, possibly scared of the ridiculous backlash to Kate McKinnon (Barbie), Kristen Wiig (Palm Royale), Melissa McCarthy (The Little Mermaid) and Leslie Jones (Our Flag Means Death) in jumpsuits almost a decade back, Frozen Empire largely pads itself out with filler to stop Phoebe always being the main point of focus. Ghostbusters: Frozen Empire streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Great Escaper Two British acting icons enjoy their last on-screen hurrah in The Great Escaper, which is reason enough to see the based-on-a-true-story drama about a World War II veteran making a run for it. At the age of 90, Michael Caine announced that playing 89-year-old Bernard Jordan would be his last role in a film career that dates back to 1950. Glenda Jackson only returned to acting in 2015, after decades in politics since the 90s, then passed away after lending her talents to Bernard's wife Irene. The film they're in doesn't always match their efforts, with William Ivory's (Isolation Stories) script happy to hit the obvious notes, and forcefully — and director Oliver Parker just as content to do the same, as he also was on Johnny English Reborn, Dad's Army and Swimming with Men. Still, as it tells a spirited tale, it unsurprisingly does so with far more weight beyond its formula — as real as its events are — with Caine (Best Sellers) and Jackson (Mothering Sunday) in the lead parts. Normally when a movie links to the Second World War and involves fleeing, it's a period-set flick, but not this one. Jordan's stint of absconding came in June 2014, when he took his leave from his East Sussex nursing home without informing anyone to travel to Normandy for the 70th-anniversary D-Day commemorations. That makes The Great Escaper a breaking-out adventure of a unique kind — and Caine and Jackson, the latter as the spouse following her absent husband's antics from afar, are an excellent pair who bring gravitas to their roles whether they're sharing the frame or their characters are in different countries. The flashbacks to their younger years (featuring The Lord of the Rings: The Rings of Power's Will Fletcher and Bad Education's Laura Marcus) are less compelling. There's also little in the way of subtlety to the film's old-fashioned telling. But this story also proves affecting in pondering how war heroes are celebrated, then forgotten as they age, and also the human toll of every conflict long after it has been waged. The Great Escaper streams via YouTube Movies, iTunes and Prime Video. Baghead Sit in a chair. Embrace the otherworldly. Whether you're ready for it or not — physically and emotionally alike — bear witness to the dead being summoned. Speak to those who are no longer in the land of the living. Perhaps, while you're chatting, get caught in a dialogue with something nefarious as well. Talk to Me used this setup to audience-wowing and award-winning effect. Now comes Baghead, which stems from a short film that pre-dates 2023's big Australian-made horror hit, and was shot before Michael and Danny Philippou's A24-distributed flick played cinemas, but still brings it to mind instantly. Audiences can be haunted by what they've seen before, especially in a busy, ever-growing genre where almost everything is haunted anyway and few pictures feel genuinely new. Here, as first-time feature filmmaker Alberto Corredor adapts his own applauded short (which has nothing to do with the mumblecore effort starring Greta Gerwig before she was directing Lady Bird, Little Women and Barbie), there's no shaking how Talk to Me gnaws at Baghead. The director and screenwriters Christina Pamies (another debutant) and Bryce McGuire (Night Swim) make grief their theme, and with commitment; the pain of loss colours the movie as much as its shadowy imagery. But, despite boasting two dedicated performances, Corredor's Baghead is routine again and again. At The Queen's Head in Berlin, Owen Lark (Peter Mullan, The Lord of the Rings: The Rings of Power) oversees a ramshackle four-centuries-old pub where customers aren't there for the drinks. The basement is the big drawcard for those in the know, with the being that resides in it, in a hole in a brick wall, luring punters in the door. Everyone who arrives with cash and a plea for help is in mourning. When Neil (Jeremy Irvine, Benediction) makes an entrance, he knows exactly what he wants. Baghead begins not with Owen letting his latest patron meet the entity that shares the movie's title, though, but with him endeavouring to vanquish it. If he was successful, there'd be no film from there. Because he isn't, his estranged daughter Iris (Freya Allan, Kingdom of the Planet of the Apes) is summoned to the German city by a solicitor (Ned Dennehy, The Peripheral), becoming the watering hole's next owner. Baghead streams via YouTube Movies. Read our full review, and our interview with Freya Allan. Kung Fu Panda 4 What happens when you've scored your dream job, especially when getting everything that you've ever wanted has meant navigating a lengthy and challenging quest — and when you've always been an underdog (well, an underpanda to be precise)? So asks Kung Fu Panda 4, posing that question to Po (Jack Black, The Super Mario Bros Movie), the black-and-white mammal whose journey to becoming a martial-arts master has sat at the heart of this franchise since 2008. Po loves being the Dragon Warrior, even when 2011's Kung Fu Panda 2 and 2016's Kung Fu Panda 3 have thrown ups and downs his way. In the movie series' fourth big-screen entry, however, Shifu (Dustin Hoffman, Sam & Kate) advises that it's time to start thinking about his successor in the post, as Po should be moving up the ranks to take on the job of the Valley of Peace's Spiritual Leader. One big problem: the panda isn't thrilled. Another: he doesn't love any of the candidates. There's also The Chameleon (Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes), a sorceress, to deal with — potentially with the help of thieving fox Zhen (Awkwafina, IF). Black's voice has always done plenty of heavy lifting in the Kung Fu Panda flicks, alongside the general concept — a panda as a kung fu whiz — and the slapstick silliness that comes to the screen with it. None of that changes in Kung Fu Panda 4, and no one involved appears to want it to. Also still a constant: the reliance upon well-known names lending their vocals to the movie's menagerie (Argylle's Bryan Cranston, Gremlins: Secrets of the Mogwai's James Hong, John Wick: Chapter 4's Ian McShane and Dumb Money's Seth Rogen have been here before; Everything Everywhere All At Once Oscar-winner Ke Huy Quan and Unfrosted's Ronny Chieng are among the newcomers). The visuals remain vivid, but the story is in a rush to ping pong to the next sight gag or excuse to get the film's cast bantering. As directed Mike Mitchell (The Lego Movie 2: The Second Part) and Stephanie Stine (She-Ra and the Princesses of Power), the film bounces, leaps, kicks and rolls along merrily enough, though — just — for younger audiences. Kung Fu Panda 4 streams via YouTube Movies, iTunes and Prime Video. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March and April 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows.
After holding a 24-hour strike on Tuesday this week, Melbourne bus drivers with transport outfit CDC Victoria will again strike today — Friday, July 13 — during the particularly busy hours of 2pm and 6pm, as part of their negotiations with the Transport Workers Union, leaving many routes delayed or just not running at all. The main areas to bear the brunt of the strike are the city's west, inner east and southeast. Services running in Ballarat and Geelong will also be impacted. While industrial action is only scheduled to run for four hours, CDC is advising it could impact services up to an hour before and after the scheduled strike. Commuters are advised to organise alternative transport — or defer their travel — but should expect crowing on alternative transport, such as trains and trams. Public Transport Victoria has assured that metropolitan and regional trains, trams and bus services not operated by CDC will be running as normal, with the company saying it is working to maximise the number of alternative services available for passengers. These are the metropolitan bus routes affected. For more details, impacted Ballarat and Geelong routes and updates, check the Public Transport Victoria website. 150 151 153 160 161 166 167 170 180 181 190 191 192 406 407 408 409 410 411 412 414 415 417 418 419 421 423 424 425 439 441 443 461 494 495 496 497 498 601 605 606 612 623 624 625 626 630 900 Route 400 will not be affected. To keep up-to-date with service times, visit the PTV and CDC Victoria websites. Image: CDC Victoria.
