It's no surprise the humble banana is a lunchbox staple. After all, they pack in essential vitamins while being ripe to eat on their own or paired with myriad ingredients. What's more, this much-loved fruit can even score you a free workout this Wednesday, October 8, in celebration of National Banana Day. Made possible by Australian Bananas — the national peak body advocating for the potassium-packed powerhouses — the Banana Gym Pass returns for a second year following its 2024 debut. Just show a banana to the team at over 900 participating gyms nationwide to receive a free guest pass for the day. Featuring more than double the gyms included in the first year, the campaign has been embraced with open arms by boutique studios and massive chains like Virgin Active, Fitness First and Anytime Fitness. That means it's likely a nearby gym is ready to peel open its doors so you can get in a session — just check for a participating location. "Bananas have always been one of my go-to snacks," says Australian Bananas ambassador Tim Robards. "They're natural, easy to grab and full of the energy you need for a great workout, to chase after the kids, or just keep on top of a busy day. National Banana Day is a great reminder that looking after your body and keeping it fuelled doesn't have to be complicated."
If you're looking for a way to extend your summer this year, there is no better place to escape to than the Great Barrier Reef. From first-time snorkellers to diehard divers, everyone will find an experience off the shores of Tropical North Queensland to get pumped about. You can meet green turtles and manta rays, peep an abundance of mesmerising coral and give a little wave to Nemo in his natural habitat. So, consider this your sign to finally tick off this bucket list trip to witness the magic of the reef this autumn. [caption id="attachment_830381" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] GO DEEP INTO THE SEA WITH FIRST NATIONS GUIDES If your idea of a perfect day in the ocean is seeing beautiful reefs and getting an insightful connection to the sea, put Dreamtime Dive and Snorkel on your itinerary. Offering a unique experience, this local team will invite you to step into the Great Barrier Reef's Dreamtime. Visiting an array of reefs unique to Tropical North Queensland, you'll be accompanied by First Nations sea rangers who are passionate marine lovers, prioritising reef preservation and sustainable tourism. With Dreamtime, you'll spend the day snorkelling in some of the world's best reefs and learning about Aboriginal and Torres Strait Island traditions and cultural connections to the region. [caption id="attachment_829681" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] BLAST OFF TO VLASOFF CAY FOR AN EXCLUSIVE REEF ENCOUNTER An exclusive experience awaits with this lush trip to Vlasoff Cay — a jewel in the crown of the Great Barrier Reef. This sandy cay, with 360-degree views of the world famous reef, is also accessible via boat, but the luxe experience is from the air. To see the sights from above, book a full-day return helicopter trip with eco-certified reef lovers Nautilus Aviation. You'll get to spend hours with the sand between your toes, snorkelling and indulging in a gourmet picnic hamper as you drip-dry in the balmy tropical air. The cay is a popular destination, so take advantage of the off-peak months and beat the crowds. CHOOSE YOUR OWN ADVENTURE WITH AROONA LUXURY BOAT CHARTERS Grab eight of your closest mates and jump aboard Aroona for a totally luxurious reef experience. Whether you're exploring the reef on a day trip, or escaping the mainland for a seven-day soiree, Aroona Luxury Boat Charters is the choose-your-own-adventure experience of your dreams. Want a jam-packed escape featuring fishing and kite-surfing, or a calmer pace with snorkelling and sipping cocktails on the top deck? Thankfully, Aroona boasts flexibility and an abundance of options that is synonymous with the area. And there's no better way to watch tropical rainfall over the rainforest than from the deck as you cruise towards Fitzroy Island. [caption id="attachment_830344" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] SET SAIL TO GREEN ISLAND Green Island is the quintessential destination for the rainforest and ocean combo for which Tropical North Queensland is famous. As the name suggests, it's the only cay in the Great Barrier Reef that boasts a rainforest as well as pristine sands. Plus, Ocean Free is the only tour operator in Cairns that offers a personal sailing reef and island tour. Ocean Free provide a tour with an exclusive reef mooring at the island. Taking a highly personalised approach, Ocean Free lets you decide how to spend your day. Snorkel straight off the boat, try your hand at an introductory dive or spend the day exploring the island's rainforest. Then, return aboard Ocean Free to relax and marvel at Green Island over a smorgasbord lunch. EXPLORE THE REEF FROM TROPICAL ISLAND SHORES A day tour on the Frankland Islands Reef Cruises will take you to more places in one day than you could visit in a week anywhere else in the world. And, its tour features the shortest open water crossing to the reef in Cairns — ideal for those who are prone to seasickness. Start the day with a quick coach trip from Cairns through UNESCO World Heritage-listed rainforest mountains to the Mulgrave River. Here, the luxurious riverboat will carry you downriver and across the sea to your base at Normanby Island. Then the day is yours to explore this secluded National Park island. You can snorkel right off the beach or explore the reef and marine life a little further afield on a guided snorkel safari experience. Be sure to take a walk around the island with the tour's marine biologist who'll help you discover the diverse wildlife that flourishes in the island's rainforest and rock pools. [caption id="attachment_829683" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] STAY DRY AT CAIRNS AQUARIUM If it's childhood wonder and extensive marine knowledge you're after, then the Cairns Aquarium is ideal. Home to more than 16,000 specimens and ten different ecosystems, the aquarium is a window into the flora and fauna that call the Great Barrier Reef home — and it's only a stroll from the bustling Cairns Esplanade. Get inspired by daily ecosystem talks, animal presentations, live diver feeds and marine touch 'n' talk shows. Or, if a day of underwater wonder sets your stomach rumbling, head to the aquarium's Dundee's Restaurant to enjoy a delicious meal on the Daintree Deck and watch the warm tropical rain fall in an afternoon shower. [caption id="attachment_830353" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] CATCH COLOURFUL SEA CREATURES OFF THE COAST OF PORT DOUGLAS If you're a diehard snorkelling fan, jump onboard Calypso Reef Cruises for an unforgettable and environmentally friendly experience off the coast of Port Douglas. Relax on Calypso's dedicated snorkelling vessel, offering comfortable day beds and spacious decks, before popping on your gear and meeting some of the most exquisite marine life in the world. The vibrant coral gardens and diverse marine life at Opal Reef are visible within a couple of metres from the water surface making it accessible for most levels of swimming skill. The trickiest part will be keeping count of how many giant clams, stingrays, green turtles and clownfish you'll spot. SPLURGE ON A MULTI-DAY DIVING TRIP This multi-day live-aboard experience is the ideal ocean getaway for accredited open water divers. Offering three-, four- and seven-day trips, Spirit of Freedom will whisk you away to Cod Hole, Ribbon Reefs and Osprey Reef — some of the most impressive dive destinations in the world. Experience shark dives, sheer walls laced with soft corals, manta rays, and bright, abundant tropical reefs rich with biodiversity paired with hotel quality amenities and first-class meals on this lush escape. And, did we mention the boat's three decks you can relax on? They're perfect for an afternoon kip before heading out for a twilight dive. Ready to dive deep into the reef? For more information and to discover more about a holiday in Tropical North Queensland this autumn, visit the website. Top image: Tourism and Events Queensland
Football fans, Christmas has arrived — the soccer version that comes around twice every four years, that is. The Men's World Cup took place in 2022, and now it's time for the Women's World Cup from Thursday, July 20–Sunday, August 20, right here in Australia (and also New Zealand). If you're fond of the round ball, there's really not much that could improve the next month. Actually, one thing could make your Women's World Cup-watching and Matildas-barracking couch sessions even better. We have two words for you: free pizza. They're two of the best words that exist, especially when used together — and they describe exactly what Pizza Hut is offering Aussies during this year's tournament. In total, the fast food chain could hand out $2 million in pizzas. Exactly how many it'll dole out depends on one big thing: how many goals are scored across the entire competition. Pizza Hut will give away 200 pizzas to celebrate each and every single goal, and it'll also triple that number when it's Sam Kerr and the Matildas hitting the back of the net. That means you'll have multiple chances to grab a freebie. And, numbers-wise, all other teams scored 138 goals in the 2019 Women's World Cup, while Australia kicked eight — so if that's repeated, there'll be 32,400 free pizzas up for grabs this time. To score your 'za without spending a cent, you'll need to head to Pizza Hut's 'pizzas for goals' website at 4pm AEST each day, with the number up for grabs based on the previous day's matches. Unsurprisingly, you'll want to get in quick as it's a first in, first served affair. You can only enter once per day — and, if you win, you'll be sent a voucher code for a large pizza with a pan base. You'll be able to choose from super supreme, barbecue meatlovers, pepperoni lovers, Hawaiian and cheese lovers, and you'll need to redeem within 21 days of issue via a pick-up order. Also, you can't combine the voucher with other meal deals — but a free pizza is a free pizza. Pizza Hut will be giving away free pizzas from Friday, July 21–Monday, August 21 during the 2023 Women's World Cup. For further information, head to the chain's website.
When Andor begins, the new Disney+ series digs into the Star Wars franchise's past, tussling with its history. Starring Diego Luna (If Beale Street Could Talk) as its titular figure, the show is a two-season prequel to 2016 film Rogue One: A Star Wars Story, telling the tale before that tale. Luna reprises his role from the movie — a feature that was the first official Star Wars side story to reach cinemas, and unfurled the events that led to 1977's Star Wars: Episode IV — A New Hope. Yes, that makes Andor a prequel to a prequel. Yes, starting to stream its first season from Wednesday, September 21, it's also the latest example that this George Lucas-created realm will never stop sprawling across this, any or every galaxy. Long gone are the times when the space-opera saga's films were infrequent, and the main way to experience its ups and downs. A relic, too, is the idea that Star Wars is a rarity, or something that occurs every decade or so. And, absent is all traces of belief that huge sci-fi and fantasy hits won't take over every space they can, be it screens big or small, as Game of Thrones and The Lord of the Rings also have of late. That's a lot of baggage for Andor to carry — and shoulder it, it does. The result: a thrilling, confident and gloriously gritty addition to an on-screen world that viewers now either unquestioningly adore or feel like they've already seen every story ever from. An antidote to that second train of thought, Andor is a complex gem and a must-watch. With Star Wars fatigue in mind — five movies, five animated series and three prior live-action Disney+ shows have vied for wannabe Jedi and rebel eyeballs over the past decade alone, including Obi-Wan Kenobi already in 2022 — it's fitting that Andor's first moments actually recall another sci-fi franchise. Prepare to think about a different pop-culture favourite that dates back decades, recently made its own jump from cinemas to television screens and has its own debut live-action streaming series on the way, in fact. The Blade Runner aesthetic is as instantly recognisable as Star Wars' TIE Fighter roar, but Andor brings the former to the fore first, saving the latter for a few episodes down the track. That move makes a statement: there's more to Andor than being slavishly beholden to its own universe. Of course, when it arrived between Star Wars: Episode VII — The Force Awakens and Star Wars: Episode VIII — The Last Jedi, Rogue One also sent that message in its own spy-slash-heist flick way. It felt earthier and murkier, more urgent and complicated, and far more steeped in everyday reality — within its science-fiction confines, of course — and more concerned with the here and now of its specific narrative than the bigger saga picture. It was certainly and unshakeably bleaker, and felt like a departure from the usual template, as well as a welcome risk. The same proves true of Andor, which slips into its namesake's routine five years prior. The Galactic Empire reigns supreme, the Rebel Alliance is still forming and, when the series opens, Cassian is a wily thief living on the junkyard planet of Ferrix. The Blade Runner-esque sheen hovers over a different place, however: the industrial-heavy, corporate-controlled Morlana One, which couldn't be further under the boot of the Empire if it tried. As Monos-style flashbacks to Cassian's childhood aid in fleshing out, he's searching for his sister, but his latest investigatory trip results in a confrontation and the Preox-Morlana Authority on his trail. Back on Ferrix, he endeavours to hide with the help of his friend/presumed ex/mechanic/black-market dealer Bix Caleen (Adria Arjona, Morbius) and droid B2EMO (Dave Chapman, Star Wars: Episode IX — The Rise of Skywalker), while keeping his latest antics a secret from his adoptive mother Maarva (Fiona Shaw, Killing Eve). But, even after being told to drop the case, persistent Imperial Deputy Inspector Syril Karn (Kyle Soller, Poldark) and higher-ranking officer Dedra Meero (Denise Gough, Under the Banner of Heaven) aren't willing to give up. Also vital on-screen: Stellan Skarsgård (Dune) as the charismatic Luthen Rael, who Cassian first crosses paths with while trying to sell a still-packaged Imperial Starpath Unit (aka Andor's MacGuffin) to fund his getaway; and Genevieve O'Reilly (The Dry) as the returning Mon Mothma, a senator with a key part in the Rebel Alliance. Andor has a mission, after all: showing how Cassian evolves from pilfering whatever he can steal from Imperial ships, seeking out his lost sibling and eking out the only existence he can to discovering how he can fight the Empire, firstly; and also charting the beginnings of that rebellion, including how its pieces, people and planets come together in response to such a fraught political climate. If Morlana One plays like 'Blade Runner but make it Star Wars', Ferrix does the same with WALL-E. As the series progresses through its first three episodes (all of which debuted to kick off the show), plus the fourth episode that follows, it's easy to think of Fast and Furious and The Lord of the Rings at times, too. There's also a taut and intense spy-thriller vibe that's right out of creator Tony Gilroy's playbook, given that he has four Bourne screenplays to his name and helmed The Bourne Legacy before co-writing Rogue One. Crucially, though, Andor doesn't ever feel as if it's borrowing from elsewhere because it doesn't have its own strengths, sources of intrigue or direction. While its initial two instalments take their time, this series is too gripping, smart, meaty and fleshed out — and too bold and ambitious — for that. Also in 2022, Jurassic World Dominion showed how dire something can be when it stitches in elements from other movies (riffing on whole scenes, too) to make up for its own glaring lack of interest, but that's never Andor for a second. It helps that Andor has a magnificent cast, perhaps the best that Disney+ has assembled for its Star Wars series so far, even with The Mandalorian and Obi-Wan Kenobi already in its catalogue. Also assisting immensely: that its main talents relay a grounded yet impassioned story, as the plight of folks teaming up to stop nefarious influences that've turned their existence into a dystopian nightmare should be. That Luna is mesmerising, always weighty in the emotions he's conveying, and that the look of angst that's so often on his face speaks volumes about what it takes to strive to resist when the wrong forces are lingering (and they're firmly against you), couldn't be more important. And, that Andor knows the grim end that awaits — and knows that its audience knows it — is just as essential. Stepping backwards hasn't always worked for Star Wars, as Episode I — The Phantom Menace, Episode II — Attack of the Clones and Episode III — Revenge of the Sith demonstrated, but Andor isn't driven by easy nostalgia and connecting obvious dots. Rather, it interrogates and re-emphasises what the entire space fight has truly always been about anyway, and why it matters. Check out the trailer for Andor: Andor streams via Disney+ from Wednesday, September 21. Images: ©2022 Lucasfilm Ltd & TM. All Rights Reserved.
Adulting is a real struggle lately, with not much relief in sight. Go back to a time when your weekends weren't all grocery shopping, never-ending loads of laundry and trying to afford a cocktail and reconnect with your inner (or actual) child at The Funderdome. Rediscover your sense of fun at a place where there's absolutely no pressure to be the best (or even remotely good) at it all — with activities such as mini golf, karaoke and arcade games, the home of unprofessional sport is about letting loose and embarrassing yourself in front of family and friends while you're at it. Whether you're there with the little ones or there to throw down with your mates, there are a range of affordable individual and group packages for kids and adults alike. You can even get $150 worth of games for only $49 with the All-Access Pass for your kids these school holidays, which includes all 18 holes of mini golf, 30 minutes of karaoke and a children's meal. Delight the whole family and ditch the responsibilities for an afternoon with a few (if not all) of the unprofessional sports below. PLAYAS CRAZY GOLF The star of the show at The Funderdome — you actually have to walk through a series of illuminated stars to get there — is Playas Crazy Golf. Spread across two levels, the mini-golf course was designed in collaboration with leading London-based architectural designer Zachary Pulman. Choose to start off tame with nine holes or go big with the full 18. Putt-putt novices and pros alike will be challenged by holes like 'I'm Stumped,' 'The Punisher' and 'Loop-the-Loop.' Keeping in line with the retro Coney Island theme, some of the trickier holes require manoeuvring around props such as a carousel horse, foosball table and even a rotating ferris wheel. BOOM BOX KARAOKE If you'd rather challenge your vocal range than your hand-eye coordination, jump into one of the two karaoke rooms. Each 70s-themed room is spacious enough for a large group and equipped with lounge seats, a sizable screen, a small stage area and even disco balls twinkling overhead, so you'll truly feel like the star of the show. Don't worry; both rooms are private, so no one will overhear you belting out your best ABBA or Beyoncé. And with food and drinks available in your room, there's really no excuse not to hit that high note. ARCADE GAMES Go from gaming OGs to cutting-edge virtual reality experiences at The Funderdome's two arcades. Relive your childhood and introduce your kids to pre-Mario Brothers gaming heroes like PacMan, Donkey Kong and Space Invaders. Then, you can test your reflexes with classic arcade games, including claw machines, pinball and Ice Ball. If you'd rather ditch the joystick, the New School Arcade boasts all the latest in gaming. Joining VR experiences like King Kong and Jurassic Park, the newest arrival is The XD Dark Ride — a 4D virtual reality game for up to eight people with motion seats, wind, immersive sound and 3D visuals on a curved screen. You won't want to go back to a Nintendo after this. THE CLUBHOUSE Need a break to tally wins? The Clubhouse is the heart of The Funderdome. Huddle up in a booth for a drink and much-needed bite, catch your breath by the fireplace, get inspired by real athletes on the big screen or keep up your winning streak at activities such as giant Jenga and Connect Four, Atari pong, shuffleboard, foosball or air hockey. Make the next round of games a little more interesting — and that kid's birthday party more tolerable — with a wine, beer or cocktail at the fully licensed venue. The kitchen serves diner favourites such as corn dogs, mac and cheese balls, buffalo chicken tenders and onion rings. More substantial offerings include clubhouse sandwiches, woodfired pizzas and hot dogs. There are chicken tenders, fish and chips, toasties or cheese pizza for the little ones. And in case you need a sugar high to get through another round of mini golf, there are churros, a warm cookie skillet or chocolate brownie for dessert. After 8pm, The Funderdome becomes an 18+ venue. The Clubhouse slings drinks with a DJ spinning until midnight on Fridays. Find out more and book your spot at The Funderdome's website. The All-Access Pass can only be purchased in-venue from Saturday, September 16, to Sunday, October 1.
In an area saturated with choice, it's all polish and sophistication at Two Birds One Stone. If you've been to sister cafes Three Bags Full or Top Paddock — and, let's face it, if you're a true Melburnian you must've by now — be prepared to expect the same levels of effortless service that always make for a thoroughly pleasant experience. With a fit-out that features just the right amount of Scandinavian acumen, Two Birds One Stone blends seamlessly into its southside habitat. Placed at the bottom of an apartment block designed by Elenberg Fraser, it was always destined to be somewhat of a tasteful secret. Panelled wall features juxtapose intimate booths, providing literal light and shade — you'll feel airy and light upon entering, but turn a corner and you'll find yourself in a cosy corner instead. Accents of green succulents and on-trend hanging plants finish off a space that matches sleekness with just the right amount of personality. Five Senses provides the majority of beans of offer. Divided into white and black, in our city it's a good sign when a cafe is happy to offer quality, milky flat whites against more showy cold drips and pour overs. For this, Two Birds One Stone's menu contains a satisfying array of reliable breakfast fare and interesting lunchtime combinations, including a genuine housemade Bircher with poached pears, pistachio and cranberries ($11.50). If you're feeling more adventurous, the charred polenta, shiitake mushrooms, gorgonzola cream and asparagus ($17.50) brings pizazz to your midday meal. If you're looking for a quiet place for breakfast, Two Birds One Stone isn't the place to do it. Staff are skilled at weaving through the buzz with prompt friendliness and, come the weekend, be prepared for your name to hit the waiting list. Rest assured the wait is worthwhile; before you know it there'll be a coffee in your hand to sip and occupy your time. Now that's hitting two birds.
A group of ten popular Sydney and Melbourne venues and creatives are throwing big food-, art- and music-filled bashes in November with support from fashion juggernaut Adidas. The brand is currently celebrating creatives across the world as part of its new brand campaign that states: "We gave the world an original. You gave us a thousand back." The parties will run across three weeks this spring, with Baba's Place, Valentinas, the One Day crew, Mannequin Hands and Babekuhl all getting in on the action in Sydney. Babekuhl will kick things off on Saturday, November 4 with the Babekuhl Lab. The multimedia art hub will be popping up at 182 Redfern Street, Redfern between 6–10pm, showcasing the creative team's colourful works of art. The following week, Marrickville cafe Valentinas will be relaunching its Valentinas Nights program as part of the event series — and it's offering free food. There will be cheeseburgers on the house with a side of beef tallow fries and a post-dinner ice cream sundae from 5pm between Thursday, November 9–Saturday, November 11. Rounding out the Sydney activations are Baba's Place, Mannequin Hands and One Day Sundays. Baba's will be lighting up the midweek with a Wednesday night party on November 15. Head into Prim Haus in St Peters on Friday, November 17 or Saturday, November 18 for an exhibition and pop-up press-on nail salon from nail artist Mannequin Hands. And, on Sunday, November 19, the One Day crew will host a ten-year anniversary mini festival at The Factory Theatre, with a huge lineup of musicians and DJs taking over the courtyard from 1pm. Down in Melbourne, A1 Bakery, Haus of Dizzy, Good Sport Magazine, Migrant Coffee and XFLOS are the teams joining forces with Adidas for the citywide takeover. In Melbourne, A1 is kicking off the celebrations with free wraps at its Brunswick outpost on Sunday, November 5. Make a bee-line to Brunswick to grab a chicken or falafel wrap on the house between 10am–12pm. The following weekend, things are really being taken up a notch. Kick off your Saturday on November 11 with lifestyle portraits at Go Sport Magazine from 11am, followed by a community workshop and afternoon feast at XFLOS from 2pm, and a block party and barbecue at Migrant Coffee from 5pm. Rounding out all the fun is Haus of Dizzy, which will be celebrating Indigenous pride and community through an all-ages birthday party that will include markets, workshops, food and music on Sunday, November 12. If you want to give yourself the best chance of attending, make sure to RSVP to the events you're interested in ASAP. Adidas' takeovers are happening from Saturday, November 4–Sunday, November 19 in Sydney and Sunday, November 5–Sunday, November 12 in Melbourne. Head to the Adidas website for a breakdown of all of the events, and to RSVP.
Bar Romantica's closure after many years serving late-night pizza and pasta was met with more than a few teary goodbyes. However, the good news is that Etta's acclaimed restaurateur, Hannah Green, has taken over the cherished Brunswick East space. And after months of anticipation, the wait is finally over, with Daphne now open. Bringing a similarly communal vibe, Green wants guests to feel like they're stepping into her home. To make everyone feel welcome, expect early-bird sittings, happy meals for the little ones, and weekly events where snacks and drinks flow until the early hours. Green says, "It's a restaurateur's answer to a pub. The mood is fun and easygoing, the food is highly delicious but not too fancy. Our rules are that my dad should be able to read and understand everything on the menu, and it should be as accessible for after-school snacks and casual catch-ups as it is for milestone celebrations and midnight martinis." Stepping inside, guests will encounter a venue divided into two distinct sections, with the front offering a dedicated bar space and casual counter service, primed for a walk-in feed or quick drink. In the back, the mood becomes a little more refined, featuring Green's signature elevated service and tables graced with crisp linen. Meanwhile, a semi-private dining room presents a fancy spot to celebrate a milestone with up to 30 of your closest pals. "This site has meant so much to Brunswick East over the years, and I feel incredibly fortunate to be its next custodian," says Green. "What I hope to create with Daphne is a welcoming space where everyone feels comfortable, and that isn't just for special occasions. Somewhere friends can drop in for an impromptu cocktail a couple of times a week, and parents can take the kids for an early meal before heading home for bathtime." In the kitchen, the main focus is a custom woodfire grill and oven, designed and built by Samuel Frarracio, aka The Brick Chef. This unique bit of kit will help respected Head Chef Diana Desensi — previously behind acclaimed spots like Montalto, Pt Leo Estate and Saint George — make the European-leaning plates shine even brighter, aided further with seasonal produce sourced from a bevy of local farms and friends. "I've admired Diana's food for years," says Green. "There's real heart and generosity in everything she puts on the plate. When I started dreaming up Daphne, she was the first person I thought of. She understands what it means to cook for a community." A concise menu of approachable snacks, such as grilled potato flatbread with mussels, and Bloody Mary tomatoes with pickles and olives, complements one glass after the next. Larger dishes include the likes of ricotta tortellini with artichoke and milk sauce, roast chicken with blistered grapes, pork cotoletta with 'Caesar' leaves, and a fresh Cobb salad. Shaped by childhood memories of family meals centred around what grew in the garden at home, Desensi's ethos is renowned for being nostalgic and highly seasonal. Diners can also expect daily tarts, cakes and crostatas to showcase the best farm-fresh fruit, served simply with a dollop of cream. As for the drinks, Sommelier Ashley Boburka (Etta, Rockpool Bar & Grill) has pulled together on-tap drops from Yarra Valley winemaker Dom Valentine. There's no shortage of choice as you're welcome to delve into Etta's 400-plus bottles — after all, it's just a couple of doors down. Sam Peasnell (Etta, Dom's Social Club) has also developed a curated cocktail program, with light spins on classic drinks. Get down on Monday evenings for Martini Club, complete with Nah-tinis for non-drinkers. Catering to 125 guests across the bar and restaurant, a cosy design led by IF Architecture will mix and match tactile materials, from walnut timber and stainless steel to glass brick and coffee-coloured upholstery. Fans of Bar Romantica will also instantly recognise the terrazzo floors, along with the custom-built sound system. Where Etta was Green's warmly sophisticated original, expect Daphne to bring a little more quirky fun to the local neighbourhood dining scene. Images: Kristoffer Paulsen and Ashley Ludkin.
Whether you're a first-time visitor or a local playing tourist, Sydney's energy is magnetic. It's not the kind of city you can tick off in one weekend — just when you think you've done it all, there's a surprise new basement bar to check out, a pop-up art show in a back alley gallery, or an up-and-coming chef serving a dish that'll knock your socks off. Sydney always delivers — and then some. If you're planning a weekend in the Harbour City, Marriott Bonvoy is offering 10% off your stay across six hotels — all you need to do is sign up to become a member (for free). It's also the perfect excuse to extend your stay. Haven't explored Sydney in a while? We've pulled together a hit list of new buzzy restaurants and bars, bathhouses, cultural experiences, and citywide sights to make your next visit one to remember. Sweat, Soak and Reset 1Remedy, Potts Point Following in the footsteps of European bathhouses, this sleek new sauna house in Potts Point is all about the ancient trifecta: sweat, plunge, reset. Founded by Dave Darvill, Dave Veksler and Tina Cha, 1Remedy is built for physical recovery and mental clarity. Think hot rock saunas, multiple temperature-controlled ice baths, ambient beats, an electrolyte bar, and even sauna hats to dial up the comfort. It's guided, stylish and social — designed for those who like their wellness with a bit of vibe. Soak, Alexandria Spanning 700 square metres, Soak isn't your average day spa. This chic communal bathhouse invites conversation and connection, not whispers and robe-shuffling. You'll find warm magnesium pools, infrared and dry cedarwood saunas, cold plunges and aromatic steam rooms. The best part? It's designed to be social — come with friends, soak as a crew, and leave feeling restored and recharged. AWAY Spa, Sydney CBD Tucked away inside one of Sydney's most dazzling hotels, the AWAY Spa at W Sydney is as luxe as you'd expect. Found in the heart of the CBD, this five-room sanctuary offers everything from facials and body scrubs to couples massages and mani-pedis. Designed for solo escapes or social sessions, it's the perfect prelude to checking in upstairs and making a full night of it — because nothing says self-care like a treatment followed by room service and a robe. Shop Shiny, New Designer Stores Monclear, Sydney CBD Modern French outerwear label Moncler has expanded its Sydney presence with a new flagship boutique at Westfield Sydney, flaunting a luxurious monochromatic fit-out. Designed by renowned Parisian studio Gilles & Boissier, the 313-square-metre space is awash with dramatic marble finishes and punctuated by striking sculptural accents. Equal parts fashion destination and architectural marvel, it's a must-visit for the style-savvy and design-curious alike. LOEWE, Sydney CBD Part art gallery, part fashion boutique, LOEWE's second Sydney store in the CBD is a visual and tactile experience. Designed by Jonathan Anderson and LOEWE's in-house team in Madrid, the space evokes the feel of an art collector's Mediterranean home, complete with glistening emerald and cobalt tiles, textured tapestries, and sculptural ceramics. It's an idyllic setting to shop for one of fashion's most coveted labels. Hot tip: Sydney's best designer shopping is just a short stroll from Sheraton Grand Sydney Hyde Park. [caption id="attachment_906009" align="alignnone" width="1920"] Art Gallery of New South Wales, Jenni Carter[/caption] Explore Inspiring Exhibitions and Performances Sydney Modern, The Domain One of Sydney's most significant recent cultural openings, the Art Gallery of NSW's Sydney Modern, is a must for any Sydney itinerary. While it opened just over a year ago, its ever-evolving program of globally renowned contemporary art means there's always a reason to return. Designed for art and architecture aficionados alike, it's also Australia's first-ever public art museum to earn a six-star green rating. Don't miss The Tank — a repurposed World War II naval bunker reimagined into a 2,200 sqm subterranean gallery space dedicated to large-scale immersive installations. Keen to stay locally? Check into the Sydney Harbour Marriott Hotel Circular Quay — just a short stroll from The Domain. 'Circle Mirror Transformation', Sydney Theatre Company Catch Circle Mirror Transformation, Pulitzer Prize-winner Annie Baker's acclaimed play at Sydney Theatre Company. Starring Aussie legends Rebecca Gibney and Cameron Daddo, the play tells the story of five strangers who sign up for an amateur acting class. What starts with awkward theatre games quickly unravels into something deeper — funny, raw, and painfully real. Directed by Dean Bryant (Dear Evan Hansen), this one-act gem playfully turns the ordinary into something quietly profound. Make a night of it with a stay at Pier One Sydney Harbour, only moments from the theatre. Phoenix, Chippendale Conceived by philanthropist and White Rabbit Gallery founder Judith Neilson, Phoenix Central Park is an architecturally striking, state-of-the-art performance space unlike anything else in Sydney. With a capacity of just 150, it delivers an intimate and immersive experience that breaks away from traditional theatre seating. Audiences spiral around the space, peering down on an eclectic lineup of performances spanning music, contemporary dance, spoken word and experimental sound. Tickets are free but allocated via an online ballot, adding a sense of exclusivity to this already elusive and enchanting venue. Head Outdoors And Soak Up The Sun Shark Beach, Neilson Park Sydney is brimming with glistening harbour beaches, but Shark Beach at Neilson Park might just take the cake as one of the city's most idyllic oases. Reopened in late 2024 after a three-year hiatus of seawall upgrades, this eastern suburbs gem boasts pristine parklands and a protected swimming area with calm water perfect for every level of swimmer. Nab a box of hot chips dusted with chicken salt from the newly revamped Kiosk, roll out a rug under the towering fig trees or hit the scenic Hermitage Walk that winds along the coastline back to the city. URBNSURF, Homebush Sure, Sydney has surf, but scoring a solid set, or even a spot on the sand, isn't always guaranteed. You might be circling for a park and bobbing around in your wetty for a while before the ultimate wave rolls in. URBNSURF, on the other hand, delivers perfect waves on demand. Set out west in Olympic Park, this high-tech surf park is a playground for surfers of all levels, offering consistent waves every single time. It's open seven days a week with eight types of surf lessons on offer, and is also home to RAFI — a coastal-inspired all-day restaurant with sweeping views of rolling, man-made swell. Dine and Dance 'Til Late Bar Freda's at The Abercrombie While Sydney's nightlife might have taken an unexpected hit a few years back (cheers to lockout laws and pandemics), it's bounced back bolder and better, thanks to a wave of hospitality heroes and community legends. Freda's at The Abercrombie is a shining example. Filling a gap in Sydney's late-night scene, Freda's serves a rotating menu of gourmet sandwiches, share plates, and pasta, all washed down with "fun drinks" like a fishbowl G&T, natty wines, and cold tinnies. And if you're partial to a dance floor? Freda's comes alive every Friday and Saturday night with DJs spinning tunes from 8pm 'til late. Ready to dance until dawn? Four Points by Sheraton Sydney at Central Park makes for a stylish base just around the corner. Book your Sydney escape before September 30 to access 10% off your stay and dining with Marriott Bonvoy. All you have to do is sign up as a member — and it's completely free. With access to exclusive member rates, your stay will also earn points towards free nights at over 30 hotel brands around the world. Find out more here. T&C's apply and vary by participating hotels including blackout dates, cancellation restrictions and more. Offer may not apply in properties not participating in the award and redemption of Marriott Bonvoy. By Elise Cullen
Been spending the first few months of 2020 pondering the future? Given the current state of affairs, that's only natural. This week, however, you might want to look to the skies as well — and feast your eyes on a luminous lunar sight. For folks located Down Under, Wednesday, April 8 is when you'll want to be peering upwards. That's when you'll see the second of 2020's super full moons, with this one named the 'super pink moon'. And while super full moons aren't particularly rare — two usually happen each year — after this, the next one isn't due to occur until April 2021. WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. As we all learned back in November 2016, a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. They're not all that uncommon — but because April 2020's supermoon is a full moon (and not a new moon), that's why it's called a super full moon. It's also a pink moon, too, which doesn't refer to its colour but to the time of year. In the northern hemisphere, April and spring go hand-in-hand — which means the April full moon usually arrives with the onset of the year's floral blooms, and with the first flowers from the pink-hued wild ground phlox specifically. Of course, it's currently autumn in the southern hemisphere, and the wild ground phlox are native to North America — but the name still sticks. WHEN CAN I SEE IT? If you're keen to catch a glimpse, you'll want to peek outside on Wednesday, April 8 — and while timeanddate.com notes that the super pink moon is expected to be at its peak at 12.35pm that day in Sydney, Melbourne and Brisbane, it's still worth looking up for. If you're eager to take some pictures — and see if you can outdo previous supermoon snaps — the ABC recommends directing your eyeballs upwards at around 11pm that night, which is when the super pink moon will be highest in the sky. WHERE CAN I SEE IT? Usually, when a spectacular moon beams down from above, we'd advise city-dwellers to get as far away from light pollution as possible to get the best view. That's not possible given the current COVID-19 restrictions in place, so you'd best take a gander from your backyard or balcony. Typically, clouds and showers are predicted for Wednesday along the east coast, which could present problems in terms of visibility. If you can't get a clear view, The Virtual Telescope Project will be live streaming the moon online from Rome on Wednesday, April 8, starting at 3am AEST, too. Via timeanddate.com / space.com / ABC. Image: Andrew C.
Japan has continued to grow in popularity as a holiday destination. A (relatively) short flight away, it offers nature, cities, unbeatable food, cultural experiences, and a famous public transport system that makes getting around a breeze. But if you want to see the real Japan, you need to explore its culture a little deeper. In collaboration with the Japan National Tourism Organization, we've selected eight traditional events that will allow you to dive head-first into the country's lesser-known regional culture. [caption id="attachment_916162" align="aligncenter" width="1920"] Mu Mu via iStock[/caption] Yuki Matsuri — Sapporo Snow Festival People may know Japan for its fantastic skiing, but fewer are up to speed with this fascinating winter festival, which showcases some of the most inventive culture that Sapporo has to offer. What began in 1950 as a festival with 50,000 attendees organised by a local high school in a park is now an eight-day artistic winter extravaganza that attracts over two million visitors every year. The February 2025 incarnation takes place across three separate sites and features snow sculptures from world-renowned artists, plus winter sports exhibitions and a range of family-friendly sub-zero activities. [caption id="attachment_972213" align="aligncenter" width="1920"] Japan National Tourism Organization[/caption] Kishiwada Danjiri Matsuri — Osaka Harvest Festival Danjiri matsuri are "float" or "cart-pulling" festivals that are held across Japan, and while the coastal town of Kishiwada may be small in stature, it hosts one of the largest such events in the whole country, all to kick off the harvest season. A tradition that dates back three centuries, crowds come from afar to witness teams pull their elaborately decorated danjiri festival floats — which can weigh up to four tons — through the city streets. This important historic festival is held every September in the quaint locale in southern Osaka Prefecture. [caption id="attachment_972214" align="aligncenter" width="1920"] RnDmS via iStock[/caption] Nada Kenka Matsuri — Dynamic Hyogo City Festival Nada Kenka Matsuri is a "fighting festival" where teams of local men carry intricately carved floats through Himeji City before smashing them into one another to assert dominance and claim the honour of a blessing at the local shrine. Over 100,000 people every year come to witness this traditional, not to mention dangerous, ritual. It's believed the winners will be blessed with a bountiful harvest. So, if you're keen to experience something that ties organised choreography, all-out carnage, and traditional beliefs together, head to Hyogo Prefecture in October — Nada Kenka Matsuri could be exactly what you're looking for. [caption id="attachment_972223" align="aligncenter" width="1920"] Subajogu via iStock[/caption] Eisa Matsuri — Okinawa Dance Festival Eisa is a form of folk dancing that originated in Okinawa and every year, the region pays homage to its heritage with this festival. Over three days, hundreds of thousands of visitors watch the people of Okinawa honour their ancestors and traditions. On the final day, spectators get the opportunity to join the eisa dancers in a celebratory denouement. As if that wasn't enough, there's a dramatic climax, during which a technicolour fireworks display closes out this unique part of Okinawa culture during summer. Chichibu Yomatsuri — Saitama Winter Night Festival You'll have realised by now that if the word "matsuri" is somewhere in the title, there will be a float parade involved. Chichibu Yomatsuri is no exception. This festival, held annually at the start of December, features floats on which kabuki (traditional Japanese dance theatre) is performed. What sets this apart from some of the other similarly-sized festivals is its two-and-a-half-hour fireworks display — a highlight for attendees enjoying the sights and sounds of the area. Don't forget to make the most of the musical performances and street food stalls that have been set up to mark the occasion. [caption id="attachment_972236" align="aligncenter" width="1920"] Grandspy707 via iStock[/caption] Usuki Takeyoi — Oita Bamboo Festival In case you're wondering what a bamboo festival might entail, the answer is over 20,000 bamboo lanterns lining the streets of eight different towns. This beautifully illuminated spectacle is held to retell the legend of Princess Hannya, who, legend says, needs the lights to light the path for her soul to return to its rightful place. Oita Prefecture is famous for its bamboo, so it's only natural that it's the material celebrated at Usuki Takeyoi. The lanterns are lit around sunset, providing a warm, otherworldly experience that has to be seen to be believed. [caption id="attachment_972241" align="aligncenter" width="1920"] RealdWorld8 via iStock[/caption] Nachi no Ogi Matsuri — Wakayama Shinto Festival Wakayama is home to a picturesque waterfall known for its beauty and tranquillity. However, once a year, the peace is shattered thanks to Nachi no Ogi Matsuri, a festival of fire where roaring flames and religious chanting combine. This is a sacred rite where heavy torches are carried along the staircase to the local shrine, transforming the waterfall into a thrilling collision of water and flame. It's held every year on July 14 and is a popular event, so make sure you arrive early to get a good vantage point for the festivities, which kick off at 2pm sharp. [caption id="attachment_972243" align="aligncenter" width="1920"] Kuremo via iStock[/caption] Oga no Namahage — Akita Demon Festival How did you spend NYE last year? Did you brave the eye-watering prices to go to an event in the city, or did you just spend it with friends? Whatever you did, chances are you didn't have an evening like the people of Oga. Every December 31, local men in demonic masks roam the streets, searching for young children to scare. The demons can be satiated with rice cakes and sake, before leaving the house with a blessing for the year ahead. No one is entirely sure where this tradition originated, but in 2018, UNESCO awarded it the classification of Intangible Cultural Heritage. It'll certainly be a New Year's you'll never forget. Discover more and start planning your trip to Japan at the Japan National Tourism Organization website.
King & Godfree, the historical Carlton grocery shop, is to enter a new era with plans just announced for three fresh, new venues to make their home in the iconic corner building site. The new venues will open over the coming summer and throughout 2026. The first of the three venues, slated to open in December, will see the space previously occupied by Agostino transformed into a casual and fun pizzeria. In time, the basement cellar will reopen as a late-night cocktail and music bar, and the much-loved deli will be reimagined as an all-day neighbourhood osteria and wine bar. That casual pizzeria, Garfield, set to open at the end of January 2026, is inspired by the pizzerias of Naples, Rome, and even Tokyo, which, if you haven't heard, is producing some of the best pizzas in the world. Named for an orange cat that wandered into the building site and helped himself to leftover pizza, Garfield is set to be just as playful, reimagining classic techniques with bold flavour pairings. With celebrated chef Karen Martini leading the charge, inventive offerings are set to include the likes of blended Italian staples (such as a Margherita x Marinara number) and modern takes on old favourites, such as Garfield's Hawaiian, featuring house-roasted leg ham, fermented pineapple, and barbecue sauce on a white base. "We've taken the essence of classic Italian pizzerias and reinvented it," says owner Jamie Valmorbida. And with Pidapipo next door, it's no surprise that dessert will feature rotating Pidapipo soft serve. Owner, Jamie Valmorbida (of Pidapipo and Johnny's Green Room) says, "Letting go of the deli wasn't easy, but it was time to move forward. What we're building still carries that same spirit — just in a new way. Our goal is to create venues that become part of Carlton's story for years to come." That the King & Godfree building is an integral part of Carlton's history is undeniable, with the original store dating back to 1884. Carlo Valmorbida, Jamie's grandfather, is said to have brought Italian staples such as olive oil, Parmesan cheese and pasta to the Carlton community, and was central to Melbourne's evolving hospitality landscape. [caption id="attachment_936276" align="alignnone" width="1920"] Johnny's Green Room, Arianna Leggiero[/caption] Valmorbida has gathered a stellar team around him to bring these new concepts to fruition. The same creative group returns from Johnny's Green Room, including Karen Martini (who has also been busy taking over the kitchen at Bar Carolina) as Culinary Director and Dion Hall, leading the design. Joel Penno, with over 30 years of experience in the industry at venues such as Chin Chin and Stokehouse, will serve as General Manager. Mark Glenn, with over 20 years of experience in acclaimed kitchens such as Dinner by Heston and Cumulus Inc., joins as the Executive Chef. "Building on the success of Johnny's Green Room, we're creating a family of hospitality venues that honour the site's heritage while looking to the future. This is about realising the King & Godfree building's vision and creating a true neighbourhood precinct — generous, welcoming, and connected to its history." Images: Griffin Simm. Garfield is slated to open at the end of January 2026. To keep up to date with further details, check out @garfield_pizzeria on Instagram. If you're craving a slice of pizza or a bowl of pasta in the meantime, check out the best Italian restaurants in Melbourne.
From web searches and browsers to email and document storage, Google has its fingers in plenty of different online pies. Many of its services have become such a part of our daily lives that we no longer give them much thought, but every now and then the company has fun with one of its platforms — bringing Pac-Man, Mario Kart and Where's Waldo? to Google Maps, for example. Earlier this year, in its latest entertaining attempt to direct everyone towards a specific product, Google brought back another retro title — combining Where in the World Is Carmen Sandiego? with Google Earth. Sparking immediate flashbacks to the best parts of primary school, the game sent users searching for the titular red-clad international thief as part of a jaunt called The Crown Jewels Caper. And now you can do so all over again, thanks to two new games: Tutankhamun's Mask and Recover the Keys to the Kremlin. As always, something valuable has been stolen and its your job to find it. After the first game, however, you're not hunting down Sandiego. Instead, you're working with the now-reformed ex-thief to solve cases. In Tutankhamun's Mask, you're tasked with tracking down master climber Le Chevre, who has stolen the titular artifact. And in Recover the Keys to the Kremlin, master origamist Paperstar is the target, absconding with another treasure. Anyone keen to play simply needs to head to the Google Earth app on Android or iOs, or visit the desktop version in chrome, and look for the Pegman icon. From there, it's time to start sleuthing — by hopping between countries, visiting landmarks, talking to locals and sorting through clues such as "I heard she exchanged all of her money for yen", "all I know is that he said he wanted to buy a bagel with a schmear" and "the person you were looking for was here, and she wanted a ton of olive oil". In the process, you'll put your world trivia knowledge to the test and get a hefty dose of nostalgia. Now that all three games have been released, that's it for the Carmen Sandiego-Google Earth collaboration. Of course, this trio of time-fillers aren't going anywhere, so you can spend as much time as you like playing gumshoe and reliving your childhood across the series. Or, there's always Netflix's Carmen Sandiego, a new animated series following the beloved character (as voiced by Gina Rodriguez). Check out trailers for both new games below, and visit Google Earth's Tutankhamun's Mask and Recover the Keys to the Kremlin entry points to start playing: https://www.youtube.com/watch?v=VwohVk2TyaQ https://www.youtube.com/watch?v=OLCAeVF39H4 Via Google Earth.
Giving a bunch of flowers is such a simple act, but it's a small gesture that can make someone's day. Gift whoever you like a native bouquet until the end of September and you can also brighten a stranger's life, too. How? It's all thanks to a new initiative called Empower with Flowers that's taking its cues from Prime Video series The Lost Flowers of Alice Hart. In the page-to-screen Australian drama, every piece of Aussie flora means something. Each different type has its own significance, makes a statement and is part of a conversation, in fact. The show's characters use wattle, Sturt's desert pea and other local blooms to communicate, with their stems and petals saying what they can't or won't voice aloud. The series is also largely set at a farm that's a refuge for women escaping violent domestic situations — and they're dubbed flowers as well. All of the above feeds into Empower with Flowers, a collaboration between Australian plant delivery service Floraly — which delivers those adorable tiny living Christmas trees each festive season — and both Prime Video and Barnardos Australia. For every bouquet of native blooms purchased during the initiative, the latter receives $40 in donations to assist women escaping domestic and family violence. That cash comes from two sources, with Floraly donating $20 from every purchase and Prime Video matching every dollar. With the funds, Barnardos Australia will put it towards legal aid, counselling, safe houses and its other efforts to provide women in need. You've got the entire first month of spring, until Saturday, September 30, to make a purchase as part of Empower with Flowers. As well as the bouquet, whoever receives the blooms will also get an illustrated card that tells them all about the initiative. Depending on the size of the bunch that you order, free cookies and a copy of Holly Ringland's The Lost Flowers of Alice Hart book are also on offer — while stocks last, with some freebies already sold out in some states. Prices start at $65 for a posy — or you can pay $84 for a bouquet or $109 for a grand bouquet. "Powerful storytelling has the ability to bring to life the extraordinary impact that domestic and family violence has on childhoods. Barnardos are thrilled to be partnering with Prime Video and Floraly to honour Australian series The Lost Flowers of Alice Hart by supporting families to be safe and free of violence. A gift of Floraly natives can help us tell a new story about families that can recover and thrive," said Barnardos CEO Deirdre Cheers. Check out the trailer for The Lost Flowers of Alice Hart below: The Empower with Flowers initiative runs until Sunday, September 30. For more information or to buy a bouquet, head to the Floraly website. Read our review of The Lost Flowers of Alice Hart.
Picnics and barbecues in the park are an age-old way to pass the time when the weather is fine. There's just something that makes you feel footloose and fancy-free when you're surrounded by nature, some of your favourite people and piles and piles of food. With barbecue facilities, walking paths, playground equipment for the kids and even a sculpture ('Within Three Worlds'), Princes Park in Carlton North is a great option for the next time you want to fire up the grill and spend a few hours sinking beers in the sun. Assign someone to salad duty, make sure that the person on the tools actually knows how to barbecue and bob's your uncles (maybe he can cook?). And don't forget to pack a frisbee for some post-feed fun. Your doggo is also welcome here, too, and there are off-leash areas within the park to take them to so they don't miss out on the running around fun.
Did you know every time you leave the house your little dog's heart breaks in two? Well, it certainly feels like that. To stop feeling like an absent parent, it's time to start including your loveable fur baby in your weekend getaways. Fortunately for you, regional Victoria is just the place to make that happen with a throng of pup-friendly activities on offer. Make yourself the most popular owner at the dog park by planning a weekend trip to one of these great spots — from wild walking adventures to puppuccino-packed pampering, there's something for all puppers, great and small. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. Some of the places mentioned below may be operating differently due to COVID-19 restrictions. Please check the relevant websites before making any plans. TAKE YOUR HOUND ON A HIKE We all know dogs love nothing more than bones, pats, running about, sniffing and exploring; they're a bit like the Energizer Bunny, they could go on forever. So, when it comes to getting out of town and into the great outdoors, remember, it isn't all about you. Make sure to give your pup ample time to explore. We suggest spending the day traversing the amazing boulders and rock formations at the You Yangs — the scent of kangaroos and other wildlife will send Snowy absolutely loco. Climb Big Rock, have a picnic at Yellow Gum and lose yourself in this incredible park. If you're lucky, you might even spot a koala or echidna (which is why it's super important to keep your dog on a leash). Once you and pup are pooped, drive northwest through serene Stieglitz and up to Meredith for a bite to eat. Use the Moorabool Valley Taste Trail as your guide to a wonderful selection of local produce. Where? You Yangs Regional Park. How Far? One hour from Melbourne. DRINK LATTES AND PUPPUCCINOS IN BENDIGO Bendigo might just be the most dog-friendly town in Victoria — there are countless cafes, parks and trails all suitable for Spot, as well as some fabulous accommodation options where dogs aren't just allowed, they're loved. Set off early in the morning and arrive in time for brekkie or brunch at Percy and Percy, Bendigo Gallery Cafe or Old Green Bean. Then, take your pick from a scenic stroll around Rosalind Park — a leafy oasis in the heart of the CBD — or the Bendigo Botanic Gardens; if you're keen to push yourself and pup a little harder, try the O'Keefe Rail Trail or Bendigo Creek Trail. You can also pay a visit to Bendigo's off-leash dog park where, if you're there on a good day, you can pick up a human coffee for yourself and a doggy lamington and puppuccino for your pooch at the mobile Wally's Dog Cafe — it's like a food truck for your pup. If you or your pup tire of walking, jump on a tram, all trams are dog-friendly as long as your pooch is on a leash. Where? Bendigo. How Far? One hour and 45 minutes from Melbourne. HEAD FOR BUSHWALKS, BEERS AND BELLY RUBS Ferns, waterfalls, gumtrees and the songs of native birds make Toolangi State Forest the perfect dog (and human) oasis. Just 20 minutes' drive from Healesville, this forest is a worthwhile trip from Melbourne, and your dog is welcome at heel as long as it's on a leash. Tanglefoot Loop is a ten-kilometre loop hike which will take about two-to-three hours to complete. In the cooler months, your pup can run amok in the snow, and, in the warmer months, they can take a dip in the forest's dog-sized waterholes. After you've worked up a hunger, stop in for a bite at the Healesville Hotel. Every weekend, the Healesville fires up the barbie offering Texas-style barbecue chicken and slaw sangas — the weekend tradition is currently run in a socially distanced way in the establishment's laneway. Otherwise, Innocent Bystander allows dogs on the deck if there's room, and you can treat yourself to a moscato slushie while you pat your puppy. Where? Toolangi State Forest and Healesville. How Far? 1.5 hours from Melbourne. [caption id="attachment_773119" align="alignnone" width="1920"] Artem Beliaikin[/caption] GET SOME OUT-OF-TOWN POOCH PAMPERING If you're less about lengthy treks and more about the finer things in life, we've found the spot for you. Wagtime in Belgrave Heights lets you pamper your pup to the nth degree. You can relax and peruse some puppy products, gifts and homewares, while your woofer gets her nails done — it's win-win. Appointments range from a one-hour bath and blowdry to a two-hour full groom. Where? Belgrave Heights. How Far? An hour from Melbourne. [caption id="attachment_715572" align="alignnone" width="1920"] Visit Victoria; Josie Withers[/caption] SIP CRAFT BEERS ALONGSIDE YOUR FAVOURITE CANINE There's only one thing better than going on a trip out of town with your tail-wagger and that's getting together with all your friends and their dogs and doing a brewery tour. If you've ever taken Pongo to a brewery or pub, you know it's nothing but pats-ahoy. A relaxed atmosphere plus adorable dogs equals many happy people and a happy dog. If you're planning a brewery tour in regional Victoria, one of the best dog-friendly options has to be Bright Brewery — it even has an Instagram account called Dogs of Bright Brewery. Otherwise, Black Dog Brewery, Blackman's Brewery and Ocean Reach Brewing all allow dogs and have some tip-top beers to boot. Given Blackman's Brewery is located 500 metres from the beach in Torquay, you can also take your mate for a swim in the ocean to cap off the day. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions.
Beckett's a rare proposition indeed at the Melbourne Theatre Company — this Sam Strong-directed production of Endgame is only the company’s second foray into the Irish dramatist’s effortlessly bleak style since 1990's Waiting for Godot. The control Beckett’s estate wields over the production of his work might be to blame, especially in a modern era where directors can tend towards radical recontextualisation. But this production shows that these same limitations can just as easily be incredibly liberating. Visual artist Callum Morton's design for Endgame flourishes within these strictures. Confronted with the problem of a design with strict guidelines in the script, Morton opted for the interior of a kind of 'lighthouse'. It's one where the light has long since gone out; its keeper first replaced with machinery and those mechanisms in turn long rusted away. Morton's concrete slabs replace the fourth wall to become the curtain, and as they rise on the action there’s an implication of unsealing a tomb — one in which the audience, now part of the same space, are fellow inhabitants (and exhibits). The core of Beckett's play is made up of the interchanges between a blind, irascible, chair-bound man named Hamm (Colin Friels) and the servile Clov (Luke Mullins), bound by mutual flaws and reciprocities. Hamm is the only one who knows the combination to the larder, Clov can see, and walk. On paper, this is probably the strongest cast assembled for the company’s 2015 season; with Mullins and Friels joined by Rhys McConnochie and Julie Forsyth. These two are superb as Hamm’s parents, Nagg and Nell — his 'pregenitors' — now living inside barrels. One of Forsyth’s greatest strengths as a performer is that voice — somehow impossibly, completely ethereal but wielded with utter control — and she and McConnochie’s performances are superb, creating a kind of warm light that hints at the hopeful, redemptive possibilities of love; one which is extinguished just as quickly as their lids can be slammed shut. Mullins has an exacting level physical commitment to his role that is impressive but the approach risks planing away some of the delicate intricacies of the text, and many moments where volume substitutes for emotion. So too Friels embodies Hamm with a sort of ocker confidence that suits many moments well but doesn’t allow for a great deal of other depth. Although it’s a production that succeeds in capturing the blunt force trauma of codependency, there isn’t a great deal more subtlety operating beneath the surface. But being able to watch actors like Forsyth and McConnochie tackle the rigors of Beckett’s idiosyncratic language make this more than worthwhile.
It's no secret Melbourne is home to some of the top bars in the country — and some of the best are hidden in plain sight. The city is full of under-the-radar spots slinging bespoke cocktails from basement lounges and concealed speakeasies to rooftop watering holes, especially if you fancy an adventure to the southern end of town. Next time you find yourself in St Kilda and Southside, be sure to drop into one of these standout establishments for a glorious night of unconventional cocktails and bites. Whether you're after champagne and an opulent dinner, fairytale-themed drinks above the city, or just a chill beer in a leafy courtyard with your best furry mate, we've rounded up six inventive bars for your upcoming date or group gathering in South Melbourne, in partnership with St Kilda and Southside. Alex Squadrito Castlerose Hidden beneath South Melbourne cafe Clementine is Castlerose, a luxe supper club inspired by old-world Europe that somehow manages to be moody yet exceedingly playful. Sip champagne in vintage-style coupe glasses or opt for a classic cocktail with a twist, like the Sidecarriage with Calvados brandy, St Germain elderflower liqueur and lemon, or Ode to Jörg with Plymouth Sloe gin, lemon and Thai basil. If you're hungry, the luxe-European style menu includes a bougie confit duck cigar (delightfully served in a wooden cigar box alongside an ashtray of olive dust), plus the likes of lobster roll, steak tartare and seafood pie. And be sure to keep an eye out for the roving cheese cart, stacked with a rotating selection of local and imported wedges and wheels. Castlerose is located at 67 Palmerston Crescent, South Melbourne. Voodoo Lovechild Speakeasy This dimly-lit, vibey cocktail lounge brings the lively spirit of New Orleans to St Kilda, with live tunes every Thursday to Saturday and a broad drinks menu of classic and Southern-inspired cocktails. Pair a signature sazerac with a selection of soul food, such as a muffuletta sandwich, cornbread waffles with jalapeño maple butter and cajun fries. The weekly specials are equally comforting and layered with Southern warmth, operating on a schedule of jambalaya and beer on Wednesdays, Po' Boys subs on Thursdays and fried chicken and waffles on Fridays. Voodoo Lovechild Speakeasy is located at 143 Chapel Street, St Kilda. Ghost of Alfred Felton Venture up the stairs at beloved pub The Espy, and you'll find a cocktail bar dedicated to Alfred Fenton, an entrepreneur, chemist, philanthropist, art collector and late resident of the Espy. His ghost isn't actually part of the furniture, but his influence is plain to see. The venue boasts views of St Kilda Pier and is split into three areas, each paying homage to a period of Felton's life. Some small bites are available, mainly decadent cheese and charcuterie offerings, but it's the drinks that steal the show here. Feltons work in the medicinal industry as inspired a cocktail list that celebrates the 'un-ordinary' qualities of drinks — take the Garden of Secrets, made with Tanqueray Gin, St Germain Elderflower, lime, aloe vera, cucumber and botanical soda. There's also an extensive whisky list and some vintage champagnes that cost upwards of $500 (but are worth the investment). The Ghost of Alfred Fenton is located at 11 The Esplanade, St Kilda. Rosie's Follow the sounds of vinyl on Ormond Road in Elwood to find a welcoming outdoor courtyard surrounded by greenery and lit up with fairy lights. This is the newly opened Rosie's, which serves supreme vibes alongside simple cocktails, wines and beer behind Johnny's Coffee Roasters. Only open on Fridays and Saturdays, the casual bar is all about kicking back and enjoying good tunes. Most importantly, it's also dog-friendly, so you can bring along a pooch and expect to meet some furry friends while you enjoy your drinks. Craft cocktails are the go here, cocktails like the Elwood Fix with vodka, aperitivo, grapefruit and marmalade; Lemon Slice with limoncello, Licor 43, ginger and cream; or Morning Glory Fizz with Naked Malt whisky, absinthe, lemon, sugar and soda. Rosie's Bar is located at 157 Ormond Road, Elwood (behind Johnny's Coffee Roasters). Mirror Mirror Perched above the Clarendon Hotel, this rooftop bar is a dreamy spot to sip Snow White-inspired cocktails and snack on Asian-fusion bites while looking out across the city skyline. The aforementioned bites include skewers of king oyster mushroom, lemongrass chicken or beef rendang, or simple share plates of thick-cut chips with sesame mayo, Korean veggie pancakes or tofu karage. The drinks are concise but creative, with signature cocktails like the Poison Apple with apple rum, caramel and ginger; Sweet Dreams with raspberry and thyme vodka, Chambord, cranberry and toasted marshmallow; and The Huntsman with dark rum, passionfruit, lychee and pineapple. There's also some Australian wines available but beer buffs will have to seek their bevs elsewhere. Mirror Mirror is located at 3/209 Clarendon Street, South Melbourne. Lady Peacock You'll feel like you've stepped into Bridgerton at this quaint cocktail salon, which is decorated with glittering chandeliers, plush velvet lounges and gold-framed paintings. While you might not run into a dreamy Lord or Viscount here, there are plenty of charming cocktails and champagne on offer, like the peach martini or Lady Ambrosia, alongside nibbles and cheese. Visit during happy hour (5pm to 7pm on Fridays and 3pm to 7pm on weekends), and you'll be able to grab $10 house wines and bubbles or select cocktails for $18 with a personal charcuterie board on the side. Lady Peacock is located at 19 Fitzroy Street, St Kilda. Discover more to do at the What's On St Kilda and Southside website. Images: Alex Squadrito, Alex Drewnik, What's on St Kilda and Southside.
Sydney newcomer Wildflower Brewing and Blending is bringing things back to basics, creating barrel-aged, blended wild beers that focus on balance, approachability and natural ingredients. Owner Topher Boehm has an innate fascination with crafting and learning — his previous preoccupations include book binding and bespoke shoe-making, as well as, most recently, brewing at Batch Brewing Company. "When I got into brewing I loved working with the raw materials, but when I found out yeast was available everywhere I had a desire to take it one step further, to source more materials from Australia and what is naturally found around me," says Boehm. "This same beer could have been made 150 years ago." In this naturalist vein, Boehm cultivates wild yeast found in New South Wales and uses Australian malts and hops where possible. Though barrel aging, especially with wild yeast, can add a tart characteristic to the brews, Wildflower is not a sour beer facility. On the contrary, Boehm is focused on producing balanced, easy-drinking beers that are closer to farmhouse or saison-style ales than sours. Blending newly brewed beer with existing barrel-aged beer is what gives this balance between fresh and funky. In a Marrickville warehouse that's rumoured to have a once acted as a rivet factory for the Sydney Harbour Bridge, Wildflower's space is very bare bones and is clearly all about the French oak barrels, fifty of which currently line one wall. Boehm sourced these ex-wine barrels from Orange, working with such heavyweight wineries as De Salis, Ross Hill and Canobolas~Smith. The beer is initially contract brewed at Batch and then transported to the Wildflower barrels for blending. Wildflower's core range includes a Table Beer, the Gold Blend #1 and the Amber Blend #1. The Table Beer was inspired by the brewing culture Boehm experienced in France. "We would always have beer with lunch, and I love the idea of stopping during the day and having a table beer that is light and refreshing," he says. He is specifically fond of beers you can pair with food, and describes his gold and amber ales as white wine versus red wine for this purpose. "The most important thing for me is that people just enjoy the beer and don't over-analyse it," says Boehm. "I want the beer to be approachable and simple so it's just a nice brew to enjoy with friends and have a chat over without any pretension." The first Wildflower deliveries went out in mid-April, with venues including Automata, Bitter Phew and The Dolphin Hotel wine room, plus bottle shops including Oak Barrel, Bucket Boys and Paddington's Five Way Cellars, all snagging this batch. A few venues have already sold out, but if you missed out on this round, there will be more where that came from soon enough. Wildflower Brewing and Blending is located at 11-13 Brompton St, Marrickville. The tasting room will open to the public for Saturday tastings and takeaway in the near future, so keep an eye on their website for updates.
Fifty years, oh-so-many epic campaigns, and everything from movies to video games, too: that's the Dungeons & Dragons story. 2024 marks half a century since the tabletop roleplaying game first had its players rolling the dice and spinning fantasy tales, a milestone that's being celebrated Down Under with the Australasian premiere of Dungeons & Dragons' leap to the stage. Get excited about DUNGEONS & DRAGONS The Twenty-Sided Tavern. Normally a trip to the theatre means engaging via watching, not by playing a part; however, that fittingly isn't the DUNGEONS & DRAGONS The Twenty-Sided Tavern experience. Audience members don't simply view this version of the game — they also play along, choosing the characters and helping shape the story. Here's how it works, as Australians have been able to discover at the Sydney Opera House Studio since Sunday, December 15, 2024: when you take your seat, you're a key aspect of the show. Entering the Forgotten Realms, you also pick the experiences and other elements of the performance using Gamiotics software, with more than 30 playable characters, 34 backgrounds and 28 combat effects involved. Still on numbers, the production also features 40-plus custom character illustrations, 40 item cards and over 300 individual pieces of content. Five actors take to the stage to bring all of the above to life, including via games, combat, puzzles and riddles — and, because of DUNGEONS & DRAGONS The Twenty-Sided Tavern's interactive nature, they're not just performing the same roles each time. Shaking things up for the audience and the cast alike, this experience is never the same twice. Images: Daniel Boud.
It might seem like Melbourne's inner north has become overrun with breweries in recent years, but the beer-making traditions of Richmond, Abbotsford and Collingwood actually date back to the 1800s. But, it's safe to say, the beers have improved a lot, with innovative beer purveyors setting up shop in various ramshackle warehouses scattered over town. Strap on your walking shoes and plunge into Melbourne's immense beer culture. Visiting these five brewhouses is a beer lover's adventure so good you won't be going back to the standard swill anytime soon. FIRST, A FEW SIMPLE TIPS Start early —It's easy to lose track of time in a house full of beer. To fit all of these in, you'll need to get to the first brewery early. Go with a group — Sharing a beer with friends doesn't just spread the love for local craft brews but will also make the walking in-between go by far faster. Take advantage of tasting paddles — The most bang-for-your-buck option, paddles allow you to taste the brewery's range without going overboard. Schedule a brewery tour — There are few occasions in life when you get to see exactly where the product you're consuming is made. Take advantage of this moment. Pace yourself — Don't be a hero, you have a whole day of drinking ahead of you. This isn't a pub crawl for rowdy uni kids all wearing the same t-shirt. The breweries are community hangouts where friends gather to chill and grab a beer, best to keep that in mind. Eat, eat, eat — Drinking on an empty stomach leads to nothing but inevitable sadness; luckily, some of the breweries have food trucks parked outside or you can grab a bite to eat inside. Now, let's get walking. STARTING POINT: MOUNTAIN GOAT BREWERY & BAR The original brewery. The Mountain Goat Brewery is a fitting place to start this boozy walking tour as these guys have been around since 1997 — right back near the start of Australian craft beer. Emerging from Dave Bonighton and Cam Hines' backyard, it's now one of the industry's largest players and its dedication to the craft has stayed the same over the last 22 years. Featuring many old-favourite drops, the large-scale brick warehouse also has a novel selection on tap that you can only test out here. The North Street IPA is a fine choice with its fruity aroma and earthy hints, while the Fancy Pants Amber Ale makes for an easy-going drink — a good one to kick off the day's festivities. 80 North Street, Richmond. Open 5–10pm Wednesday, 5–11pm Friday, and 12–6pm Sunday. SECOND STOP: MOON DOG CRAFT BREWERY (15 MIN WALK) The casual brewery. Moon Dog may have recently announced some brand spanking new digs to open in Preston later in 2019, but for now its home remains on Duke Street, Abbotsford. Sink into the thrift store couches and get comfortable because there are a lot of great drinks to sample. The brewery might take on a pretty lo-fi appearance, but don't mistake it for a small-time operation. Moon Dog is already pumping out millions of litres of beer each year with more soon to come. There are ten taps on offer, pouring classics like Old Mate and Love Tap plus some seriously flavourful single kegs. Meanwhile, there's always free popcorn and a van serving woodfired pizza out the front. 17 Duke Street, Abbotsford. Open 4–11pm Wednesday to Friday, 12–11pm Saturday, and 12–8pm Sunday. [caption id="attachment_717784" align="alignnone" width="1920"] David Hyde Photography[/caption] THIRD STOP: STOMPING GROUND BREWING & BEER HALL (20 MIN WALK) The next-big-thing brewery. If Mountain Goat is responsible for helping launch craft brewing in Victoria, Stomping Ground is the crew pushing it forward. Having opened its massive Collingwood brewery and bar back in 2016, it's not uncommon to see the sprawling, 30-tap converted warehouse teeming every weekend. If the sun's shining, the beer garden is perfect with its semi-retractable roof, while there's a huge fireplace for those wintery Melbourne days. With so many beers on offer here, now is your chance to give a tasting paddle a try, with the Cicerone Selection ($26) featuring everything from tart goses to the smoky Hanging Rauch — a German-style smoked larger. 100 Gipps Street, Collingwood. Open 11.30am–late Sunday to Thursday and 11.30am–1am Friday and Saturday. FOURTH STOP: THE MILL BREWERY (15 MIN WALK) The relaxed brewery. Leave behind the powerhouse that is Stomping Ground and get yourself to a more intimate space at The Mill Brewery. This formerly dilapidated mechanic's workshop is one of the local residents' favourite haunts thanks to its chilled out atmosphere. Founder Mirek Aldridge is still very much a part of the everyday activities here and is always keen for a chat. Find yourself a spot at the solid red gum tables and sip a Jack D-licious — a golden ale with a slightly floral flavour at a very reasonable 4.8 per cent ABV. If you can still find a way to focus, there's also table tennis to test your hand-eye coordination. 40 Sackville Street, Collingwood. Open 4–10pm Wednesday to Thursday, 4–11pm Friday, 1–11pm Saturday, and 1–9pm Sunday. LAST STOP: FIXATION BREWING CO – THE INCUBATOR (5 MIN WALK) The obsessed brewery. If there's one thing that Fixation Brewing Co knows, it's IPA. That's because the entire brand is dedicated to making this specific type of beer as fresh and flavourful as possible. Fronted by experienced hop-head Tom Delmont, this place is Australia's only brewery bar that's dedicated to IPA so you can be sure that it delivers some serious quality. The namesake brew offers a hazy orange colour that comes loaded with fruity notes, while The Fix takes things up a notch with its punchy double IPA strength. Being the last stop on your potent brewery walking tour, let's hope you don't feel it too much tomorrow. 414 Smith Street, Collingwood. Open 4–10pm Wednesday to Thursday, 3–10pm Friday, 12–10pm Saturday, 1–7pm Sunday. Want more inner north breweries? Pace these six out. Top image: Stomping Ground
Yearning to get a taste of proper winter? White snow, sharp alpine air, rugging up in a big coat with a hot mug of something decadent? Or maybe you're restless and keen for a change of pace, whooshing down hills and through forests on skis, snowboards or even sleds. Well, you don't have to go far to make your ski-life dreams come true. Mt Hotham is Australia's highest alpine village and the best-kept secret of the snowfields. Just under five hours' drive from Melbourne, this tucked-away spot offers a winter wonderland of powdery slopes, vibrant après ski culture and magnificent natural beauty, with high mountain ranges and snow gum forests all around. By day, explore the vast trails of ski runs for every level, and get out on snowshoe tours and husky sled adventures. By night enjoy fondue and mulled wine under the stars or burgers, beer and DJ sets. Whatever way you holiday, there's a perfect escape waiting at Mt Hotham — we've planned a getaway that'll make you feel on top of the world. MORNING: BREAKFAST AT THE BIRD, THEN HIT THE SLOPES The early bird catches the cafe breaky. The Bird is an unfussy, rustic lodge-style spot. Located next to the Summit chairlift, it should be your first stop of the day before hitting the slopes. Start off with something hearty, like the Big Breaky Burger, scrambled tofu burrito or classic fry-up, or opt for something lighter like granola and yogurt or smashed avo on cornbread toast (it's not that far from Melbourne, after all). For something a bit different, warm up with an aromatic, mushroomy breakfast pho or a rich, comforting tagine with eggs. If you're peckish later, it's also open for lunch and light afternoon snacks — lemon and saffron arancini and gooey baked brie. The perfect après ski treat. Perk up with a hot espresso coffee or kick back with a selection of beers, wines and cider. HIT THE SUMMIT, THEN HEAD TO ROAD RUNNER OR HEAVENLY VALLEY Once you've fuelled up for your adventure, it's time to carve up the slopes. Mt Hotham's elevation provides a much more reliable powder and snowfall in the winter. If you are a novice snow bunny or just need to brush up on the basics, then the easy slopes of The Summit are the place to start. Whereas, Heavenly Valley offers some of the best moderate and advanced runs for those with a bit more skill who want to cut some serious tracks in the snow, swooping through gum tree terrain and making the most of the momentum on the slopes. For more black diamond runs, take the Road Runner chairlift to Beauchamps, Lower Sun Run, Lower Wendix and Upper Wendix. Head out early straight after breakfast so you have ample time and more space to yourself. AFTERNOON: LUNCH AT HOFF HUT, THEN PREPARE FOR SLEDDING Take the Heavenly Valley chairlift to the top of Black Snake and you'll find Hoff Hut, a charming stone-walled nook amidst some incredible mountain scenery. Built in 1949, this little piece of Mt Hotham history was transformed into a ski-in ski-out cafe in 2019. It's got everything you need to warm up and refuel after a morning on the slopes: hot, flaky pies and sausage rolls, wings hot from the outdoor BBQ smoker, comforting daily soup with buttered bread and its famous fresh jam doughnuts. Snuggle up to a hot chocolate, coffee or sweet mulled wine or relax with a cool beer. Sit on the outdoor deck to enjoy the view, gazing down the valley and watching the skiers whizz by. It's open 7 days a week, all snow season. STRAP IN FOR A HOWLING HUSKY SLED DOG TOUR Rug up and slide through a snow gum wonderland of the alpine bush in a genuine dogsled. Howling Husky Sled Dog Tours are more than just a cool way of getting around — each of the Siberian Huskies pulling you along your little adventure is full of personality, and so darn cute. They're trained for pulling freight, not racing, so it's a steady pace rather than an adrenaline ride. Choose from three tour types: The 30-minute Polar Paws Express is an easy little jaunt, while the Stumpy Tailed Trail takes 1 hour and 15 minutes along the looped trails of Hotham where you can head uphill and learn some local history — and maybe take a turn at driving the sled yourself. The Winter Dreams Family Tour is 2 hours and 15 minutes, where you learn commands for guiding the huskies, as well as a local history lesson. All three include the most important activity: husky-hugging time. Book ahead, it's obviously very popular. NIGHT: ENJOY PROPER APRÈS SKI AT MISS MARY'S The fun doesn't stop when the sun goes down. Downstairs at Hotham Central, you'll find Miss Mary's, a stylish and lively little spot open from 11.30am until late into the evening. But don't go expecting standard alpine fare: it's all Asian fusion. Snack on steamed gyoza, ika karaage and edamame with Szechuan salt, or go for something more substantial like tonkotsu ramen, chicken yakitori, ginger and sesame ceviche, Thai pumpkin and coconut curry or Vietnamese caramelised pork belly. It's all perfectly complemented by their signature cocktail list, featuring original riffs like the Vietnamese espresso martini, a Sünching bloody mary with gochujang and sriracha, pandan colada and yuzu mojito. Bright and flavourful, zesty and zingy — who says après ski fare has to be heavy? Plus, there are tap beers, a fridge of crafties and a solid Australian wine list. PARTY INTO THE MORNING AT JACK FROST Jack Frost is your ski-town party spot in Davenport Village, Mt Hotham, open daily from 4pm–1am. There's neon, a dancefloor, DJ sessions and $1 wings every day. What more could you want? Drinks. Well, there are beers, wines and a special High Country Negroni and famous Hot Buttered Whiskey — a take on a hot buttered rum, perfect after a day spent in the snow. When the hunger hits, there's an eclectic offering to suit every craving, from adobo jackfruit tacos with mezcal spiked slaw to a candied Satan bacon cheeseburger, spiced beef brisket with yuzu verde and whiskey pickled zucchini and, of course, chicken parma with a house-made Napoli sauce. Flavourful and filling. It's a place the locals love, where visitors are always welcome. ENJOY THE MOUNTAIN AIR AT ALPINE NATURE EXPERIENCE These eco-tours offer a snow experience unlike any other. For one, Alpine Nature Experience is the only place in Australia that can give you a night in a genuine snow igloo. Take a sunset snowshoe tour to the little purpose-built eco-village of snowdomes, igloos and hypedomes. Enjoy a dinner of French fondue in the firelight and rug up in blankets under the stars with homemade mulled wine. Sleep in the tranquillity of alpine nature, then wake to a hot breakfast and leave your splendid seclusion with a skidoo tour back to civilisation. Don't want to spend the night? Just take the evening tour, with a 3-course dinner in the communal tipi. Alpine Nature Experience offers other experiences throughout the season. Take a skidoo to a private hot tub in the snow, enjoy a feast of raclette cheese and watch the sunset in the hot tub with a bottle of bubbly. Or take a wine and cheese pairing course with a snowshoe tour. All this and more can be found in Mt Hotham, Australia's alpine wonderland. To find out more and start planning your trip, visit the website.
Dine-in cafe service sure didn't get much of a run in 2020. But while those doors were closed, Melbourne-born Only Hospitality Group came up with a winning formula for its next new venture — a COVID-friendly cafe concept heroing takeaway baked goods, loaves of fresh bread and coffee to-go. And so, Juliette Coffee & Bread was born, taking over a former jewellery shop in the heart of Malvern. New sibling to the group's many other cafe hits (including Fitzroy's Bentwood, Glovers Station in Elsternwick and Camberwell's My Other Brother), Juliette opened its doors in July, fast becoming a neighbourhood favourite for it's lockdown-friendly grab-and-go offering. Here, behind a cheery salmon-hued facade, you'll find a simple, yet considered lineup of house-made sourdough breads, pastries and baguette sandwiches, available to takeaway or to enjoy at one of the curbside tables. Signature treats including fruit danishes, almond croissants and Portuguese tarts fill the cabinets, along with the likes of Nutella-stuffed doughnuts and chunky chocolate peanut butter cookies. Drop by for a bacon and egg muffin, or maybe the pork, fennel and black sesame sausage roll. Or, try a sambo made on Juliette bread — popular options include a saucy eggplant parma baguette, and another teaming shaved pastrami with sauerkraut, cheese and Russian mayo. Only Hospitality's own Inglewood Coffee Roasters are taking care of the caffeinated side of things, with state-of-the-art Modbar machines gracing the counter. You can match your pain au chocolate with an espresso coffee from the Sunset BLVD house blend, a filter option, or something from the rotation of single origins. The concept has proved such a hit, that two more Juliette Coffee & Bread outposts have joined the original in recent months, launching in Hawthorn East and Ringwood East. And the family's set to expand even more, with Armadale and Camberwell slated to welcome their own iterations next week.
Booking a trip has changed significantly over the last few decades — just 40 years ago, the only way to book a flight, really, was through a travel agent. It wasn't until the early '90s that travellers could take the reins and actually book a ticket for themselves online. Thankfully, we have progressed. Gloriously. Travelling is only getting easier due to the evolution of highly useful, intuitive apps. These ten currently available apps will make your travels that much smoother. And the better news? None of them cost a cent. FOR HEALTH MATTERS: TRAVWELL Let's be real. Health is an easy thing to take for granted while travelling. Powered by the US Centres for Disease Control and Prevention, TravWell brings a great sense of calmness to travellers going overseas. We suggest downloading this well before departing. Users can select the destination they are travelling to, and the app will list which vaccines and medications to take. TravWell also has space to store photos and organise documents such as vaccine records. Plus, for every destination that the app covers, there are corresponding emergency services phone numbers on hand. FOR CONVERTING CASH: CURRENCY CONVERTER PLUS This app is one of the most popular out there, drawing over one million downloads worldwide. Currency Converter Plus hosts 191 currencies and regularly updates conversion rates. When you don't have access to Wi-Fi in that Moroccan souk or Beijing market, the app's ability to work offline definitely comes in handy. It can also convert currency to gold, silver and platinum, perfect if you're indulging in a cheeky jewellery shop during your stopover in Abu Dhabi or Dubai. The calculator function is what separates this app from the rest. Say your Vietnamese feast in Hanoi costs 200,000VND, and you have $5US dollars you want to use — enter both into the app and it will calculate and convert simultaneously, saving you the brainwork. FOR OFFLINE MAPS: MAPS.ME As much as we'd like to assume that our orientation skills are on point, sometimes we get it wrong. Really wrong. And you end up six kilometres away from your hotel, in the dodgy depths of a city with no idea how to get back. MAPS.ME, to the rescue. The app is trusted by over 65 million travellers, probably because it's usable offline. Simply download the map of the country or city you are visiting (when you have internet connection), and it's there for good. Within the app, users can search for restaurants, attractions, ATMs and public transport. We're not done. MAPS.ME also gives people the option to book accommodation through Booking.com. Alternatively, you can't go wrong with offline Google Maps. FOR EDITING HOLIDAY SNAPS: SNAPSEED There's an inordinate number of photo editing apps out there. A lifetime could be devoted looking for the best. Let us save you a little bit of that time. Snapseed, which was created by Google, is not only ridiculously easy to use, but also fun. It has 26 tools and editing features including the ability to adjust exposure, contrast, saturation, ambiance, fix skewed lines, alter perspectives, heal areas of a photo, add in text and throw on a filter. And when you're all finished playing around, Snapseed provides the option to upload to your edited masterpiece straight to Instagram. FOR CONQUERING LANGUAGE BARRIERS: GOOGLE TRANSLATE Speaking of Google (again), it's insanely hard to beat Google Translate at its game. The app offers the most languages out of any single translation engine out there — a mere 103. Now, translating words, phrases and sentences is one thing, but pronouncing them is another. Users can listen to translations before attempting and potentially embarrassing themselves. The app has evolved dramatically since its birth, now integrating a photo feature where you can hold your camera up to a text while Google magically translates it, given the font is readable. The fairy godmother of translators, we're naming it. FOR GROUP TRIPS: SPLITWISE Travelling with friends can get tricky money-wise, no matter how much you try to prevent it. Attempting to recall who shouted what at NYC's Please Don't Tell and how much that friend owes you for dinner at Hong Kong's Ho Lee Fook is too much to keep track of sometimes. Splitwise is a simple way to share bills, and keep track of what everyone has paid. Each person creates an account, and from there groups can be formed. Users then log in to see their balance, what is owed to them and what they owe to others. FOR AIRPORT RELAXATION: LOUNGEKEY LoungeKey is the ultimate airport lounge library. After entering an airport or city name into the app, a list of lounges on offer comes up. LoungeKey details exactly where lounges are located in an airport (don't laugh, some are harder to find that you would assume), what facilities are included, and provides photos, trading hours and prices. There is also a 'nearby' function for when you are absolutely exhausted and just want to pop into the closest lounge. FOR EXPERT RECOMMENDATIONS: GUIDES BY LONELY PLANET There's a lot of noise when it comes to travel guides and recommendations, but among all the madness is Lonely Planet — one of the most trustworthy and inspiring names out there. The Guides app incorporates advice from local experts, including must-see sights and essential tips for each location. There's also an offline maps function, language phrasebooks and a currency converter. It's an all-in-one app, currently covering 100 cities, with more to come. FOR CONNECTIVITY: FREE WI-FI FINDER If you don't fancy buying a sim card in every country you visit, and therefore heavily rely on finding a Wi-Fi connection, this one's a winner. Free Wi-Fi Finder promises exactly what's in its title —free Wi-Fi connection spots, with absolutely no charges. The app lists locations in over 50 countries. You can search by state and city, or locate the closest to wherever you find yourself at that point in time. The app also gives users the option to list Wi-Fi spots themselves and assist other travellers. People-powered, we like that. FOR FINDING THINGS TO DO: AIRBNB (FOR THE 'EXPERIENCES' FUNCTION) Airbnb continues its rampage of revolutionising the travel industry. The app hosts a plethora of affordable accommodation options — apartments, cabins, igloos and beyond — opening up a world of travel to those who were unable to access it before. In late 2016, the app took things up a notch, launching Airbnb 'experiences'. These are curated events, tours, classes and workshops created by local guides, inspiring people not just to travel to a place, but immerse themselves in it. Experiences span from two-day food tours in Seoul, three-day salsa camps in Havana or cocktail-making classes in San Francisco.
Australia's most prestigious portrait award is just around the corner, and its finalists have been announced today. Every year crowds speculate who will be awarded the coveted prize and, more often than not, the Archibald winner causes much-heated debate. From last year's five-time Archibald finalist Yvette Coppersmith's first win — for her vibrant, almost Cézanne-inspired Self portrait, after George Lambert — to Craig Ruddy's 2004 win with his sketch of Indigenous actor David Gulpilil, it's hard win to pick. All that's really assured is that it'll be a portrait of person by an Australian. Held at the Art Gallery of NSW every year, the Archibald runs in conjunction with the Wynne and Sulman Prizes — recognising the best landscape painting of Australian scenery, or figure sculpture and the best subject painting, genre painting or mural project, respectively. This year, running from May to September, the Archibald is sure to attract a massive crowd, with some exceptional artworks to feast your eyes upon. Vietnamese-Australian artist, actor and writer Anh Do has made the cut, as have Melbourne-based stencil artist Kirpy with his portrait of Paralympic champion Dylan Alcott, Carla Fletcher's cosmic work of Del Kathryn Baron and a hyperreal self-portrait of a pregnant Katherine Edney. Tessa MacKay has also taken out the coveted 2019 Archibald Packing Room Prize, chosen by the packing room tea, for her hyperreal portrait of actor David Wenham, called Through the Looking Glass (above). As there are so many outstanding portraits this year (as there are every year), it's impossible to know which of the 51 is going to take home the $100,000 prize. Regardless, here are some of our favourites — and some we think may have a good chance of winning. [caption id="attachment_719640" align="alignnone" width="1920"] Luke Cornish, Cato, Callie and Comet. Photo: AGNSW, Felicity Jenkins.[/caption] LUKE CORNISH — CATO, CALLIE AND COMET Prolific Australian street artist Luke Cornish has subdued his edge a bit for his portrait of Sue Cato — a media commentator and businesswoman as well as a board member of Carriageworks and a member of Sydney Contemporary's advisory council. Cornish initially wanted to paint her two dogs, Callie and Comet, but as per the Archibald rule, Cato was included and is the subject of Cato, Callie and Comet. In 2012, Cornish was the first street artist to ever be an Archibald finalist and he's back again with this accurate, and slightly moody, depiction of a powerful woman in the intimacy of her own living room. [caption id="attachment_719642" align="alignnone" width="1920"] Laura Jones, Nakkiah in her dressing room. Photo: AGNSW, Mim Stirling.[/caption] LAURA JONES — NAKKIAH IN HER DRESSING ROOM Sydney-based artist Laura Jones has made quite the name for herself in recent years, having exhibited in some of Sydney's top contemporary galleries as well as a past finalist in the Portia Geach Memorial Award, the Brett Whiteley Travelling Art Scholarship and the Doug Moran National Portrait Prize. Now, she is a finalist in Australia's biggest art award for the first time. Nakkiah in her dressing room is an intimate work of Nakkiah Lui, an Australian actress of Gamillaroi/Torres Strait Island background. The portrait depicts Lui's wit, strength and warmth and is a highly expressive piece for an Archibald first-timer. [caption id="attachment_719644" align="alignnone" width="1920"] Blak Douglas, White shells, black heart. Photo: AGNSW, Felicity Jenkins.[/caption] BLAK DOUGLAS —WHITE SHELLS, BLACK HEART Blak Douglas is no stranger to the Archibald, having been a finalist in 2015 and 2018, and also a finalist in this year's Wynne Prize for a collaborative work. So, the man means business, even though his works may seem somewhat simple at first glance. His portrait is of Esme Timbery (or as he refers to her, Aunty Esme) — one of the longest-practising Aboriginal artists. The two worked together back in 2000 for Eorascapes — an exhibition in the Sydney Opera House foyer for the Olympics. The colourful multimedia work is both venerate and familial, a testament to Blak Douglas and his personal-yet-political artistic practice. [caption id="attachment_719646" align="alignnone" width="1920"] Anh Do, Art and war.[/caption] ANH DO — ART AND WAR You may know Do for any number of reasons. The actor, writer, comedian and artist is an Australian household name and is no Archibald newbie. Having won the 2017 People's Choice award for his portrait of actor Jack Charles and a finalist back in 2014 for a portrait of his father, Do has now painted a fellow artist — George Gittoes. Gittoes has witnessed adversities in Somalia, Rwanda, Bosnia, and Afghanistan and is known for his raw, brusque depictions of human suffering (with glimmers of hope and resilience). Emanating Gittoes' grit, Art and War is a close-up portrait looking straight down the barrel into the eyes of someone who's seen much of the world. [caption id="attachment_719647" align="alignnone" width="1920"] Shane Bowden, Self-portrait sitting in a red chair, Avalon. Photo: AGNSW, Mim Stirling.[/caption] SHANE BOWDEN — SELF-PORTRAIT SITTING IN A RED CHAIR Shane Bowden's work may not look the most technically impressive but he sure doesn't hold back. His self-portrait errs on the grotesque, with demented lines, a disproportionate use of scale and muddled colours — it has an overall first-day-of-kindergarten appeal. Upon first glance that is. Having undergone heart surgery last year, Bowden has channelled this personal catastrophe into Self-portrait sitting in a red chair, Avalon. The neo-expressionist work represents the artist as both child and adult, distilling "all the emotion and confusion of the last 40 years as I tried to find my true self," as put by Bowden himself in his official Archibald statement. A finalist in the 2010 Archibald Prize with a collaborative work as well as a finalist in the Doug Moran National Portrait Prize in 2010 and 2011, Shane Bowden is not one to overlook. All of the Archibald, Wynne and Sulman Prize finalists will be on display at the Art Gallery of NSW from May 11–September 8. The Archibald finalists well then head to various galleries across regional NSW and Victoria. Top image: Tessa Mackay, Through the looking glass. Photo: AGNSW, Mim Stirling.
For the uninitiated, Artbank was formed in 1980 as a government visual arts support program and remains one of the largest collections of contemporary Australian art anywhere in the world. Both supporting Australia's visual artists and giving the public the opportunity to see (and loan) some of the best works this country has to offer, Artbank is the ideal way to get behind-the-scenes of Australia's art scene. Launching its brand new Collingwood premises with a massive one-day event, Artbank Open House presents 2000+ works in its stunning new purpose-built space designed by award-winning architecture practice Edition Office. Opening its doors on Saturday, March 24, the facility will also reveal a new large-scale work by artist Sam Songailo, plus there'll be tunes provided by DJ Tanzer, a free burger giveaway from Beatbox Kitchen and talks and tours to help you find your way around the massive warehouse art space. Read on to discover what's in store for the big opening. [caption id="attachment_661232" align="alignnone" width="1920"] Sam Songailo: Digital Wasteland.[/caption] ARTIST SAM SONGAILO'S LATEST INSTALLATION For those unfamiliar with Sam Songailo's immersive work, Artbank will remedy that. For years now, the artist has been creating large-scale wall paintings both in galleries and on the streets. His work takes on an almost alien appeal with the likes of Splendour in the Grass, Contemporary Art Centre of South Australia and Melbourne's ACCA just some of the places Songailo's work has been showcased. Artbank Open House will unveil another vast work with the community project space being transformed by Songailo's distinctive and evocative style. FREE BURGERS FROM BEATBOX KITCHEN Food trucks are a dime a dozen these days, but Beatbox Kitchen has remained as popular as ever since first hitting the streets in 2009. A regular at your favourite music festival and open-air events, they'll be setting up shop at the event and serving up delicious burgers and fries all day long. Their brand of fresh beef and mushroom burgers, plus a great selection of sauces is a pretty great way to take a timeout from exploring the huge collection of contemporary art. What's more, Artbank is giving away free Beatbox burgs, happening from midday until the burger supply runs out. TALKS AND TOURS FROM DESIGN LEADERS Having converted the Collingwood-based warehouse into a world-class event space, gallery and artist studio, local award-winning architecture practice Edition Office worked closely with Artbank to give the facility a top-notch design to match the art inside. Get in quick to be the first to visit Artbank's lively community project space, which has been transformed by Melbourne-based artist Sam Songailo in a mesmerising fashion. And throughout the day, you'll also get to hear from the likes of Artbank director Tony Stephens and senior curator Miriam Kelly, plus Edition Office directors Aaron Roberts and Kim Brigland. MORE THAN 2000 AMAZING ARTWORKS TO CHECK OUT Artbank has one of the largest collections of contemporary Australian art anywhere in the world, and for its debut Melbourne event, Artbank Open House will showcase more than 2000 pieces from some of Australia's most admired artists and emerging talents. As the gallery settles into its new digs and works on becoming a hub for local artists, this open house-style event is the ideal way to take a peek behind-the-scenes and get familiar with one of Australia's best art collections. The new facility aims to make it easy to engage with the art, focusing on the stories within the works rather than testing your art history knowledge. THE DAZZLING SOUNDS OF DJ TANZER Channelling the great pop divas of the past, DJ Tanzer's music would slot just as easily into the theme song for a James Bond movie as it does on hazy dance floors around Melbourne and Sydney. Born in rural New South Wales, raised in the impassioned setting of Rome and now a resident of Melbourne since 2016, the DJ has a reputation as an on-stage queen, which has rapidly grown with her repertoire of melodramatic songs detailing love and heartbreak. Tanzer, aka Hayley Foster, will be gracing Artbank Open House with her presence, putting on a thumping soundtrack of dark and seductive tunes throughout the open house. Artbank's one-of-a-kind facility is bound to make a splash in the Melbourne art world. Head to the opening event on Saturday, March 24 and keep up-to-date with the gallery by following #artbankau #artbankopenhouse.
South Yarra isn't short on good Japanese — Yakikami impressively barbecued its way onto the scene just last year, so if you want to open a successful omakase diner south of the river it needs to be bloody exceptional. Introducing Ōshan, a COVID passion project from Brazilian-born, ex-Nobu Ibiza Sushi Chef, Peterson Maia Machado Correia, and co-owner Vanessa Foderà. This isn't your standard Japanese fare. Imagine contemporary sushi steeped in tradition with a fiery Brazilian twist. This combo isn't actually as odd as it sounds. Japanese and South American cuisine has a long history of cross-pollination. If you've ever visited Lima in Peru, you'll know what we're talking about (the Chinese-Peruvian culinary collision is the inspiration behind popular Casa Chow in Brisbane). And Peterson's home town of Sao Paolo is actually home to the biggest Japanese community outside Japan. The result is fireworks on a plate. Four, six, eight or 10 courses of carefully prepared omakase, with flavour bombs exploding everywhere. Think sunomono with roasted sesame, Hokkaido scallops in orange sauce, Kingfish ceviche with sweet potato rice cups and spicy tempura hot rolls. "We want to take our guests on an intimate culinary food journey in a relaxed but beautiful setting," Foderà says. "We want them to feel like they are in our dining room.' "I love what I do and love to connect with my guests through the food I create," Chef Peterson adds. "Respecting tradition and honouring my heritage and experience is very important to me. The trust my customers have in me allows me to create a unique, individual experience every time. Every element, every dish is important and sharing my passion with my customers is an absolute honour". This is part of the secret at Ōshan. There are no set seating times and the menu changes with the seasons (or the whims of Peterson). Diners are encouraged to slow down and take their time. Chatting with your chef as he whips up salmon Kyuri Maki or delicate nigiri is all part of the experience. Omakase (which translates literally as "I leave it up to you") is Ōshan's specialty, but if you're in a rush during the week, they also offer a la carte dining during lunch. Perfect for that important business meeting. The restaurant itself is on the cosy side – there are only 15 spaces – but that's by design. Ōshan is about intimacy and connection. The idea is to stick around for a while, nurse a saké and shoot the breeze over some incredible food. For the best results, sit up the bar and watch Chef Peterson work his magic. Renowned saké specialist, Melissa Mills from Saké Connect, has curated a premium menu of saké, and there's even a five course pairing menu. You'll find Ōshan on Toorak Road in South Yarra, just down from trendy competition like Bar Carolina and France-Soir (a top contender in our list of the best restaurants in Melbourne). It's open from Wednesday through to Sunday, and hours vary. Check the website for all the details. Images: Supplied
Spoiler warning: this interview incudes specifics about The Survivors if you haven't watched the full series before reading. "Being new," Thom Green offers. "If it's fresh. If you haven't tackled it before. That's always a good drawcard, right?". "I really love a strong perspective in storytelling," adds Shannon Berry. "Good team, good filmmaker," pipes back in Green. "If it's someone you've always wanted to work with, whether that be a director or producer, a writer, an actor or an actress, that's always another good keyword or a key factor when picking a job," he furthers. And for Berry, too, " I think well-written". She continues: "I love reading scripts. Scripts are the baseline for everything, and I think when you get a script and it's just really good and you can really imagine everything, that's what's super exciting. It's reading a script and you go 'I cannot wait to see how this turns out' — or 'I cannot wait to be a part of it'." These are some of the pivotal elements that Green and Berry, co-stars in The Survivors, look for in a new project. With the six-part Netflix adaptation of Jane Harper's 2020 novel of the same name, they've ticked those boxes. Green comes to the series with a packed resume that already spans Beneath Hill 60, Dance Academy, Halo, Downriver, Eden, Of an Age, Ladies in Black, Exposure and Apple Cider Vinegar, to name just a few of his previous credits. Berry is an alum of Offspring, Romper Stomper, The Wilds, Foe, Winner, High Country, Fake, Watson and more. The pair have encountered all of these crucial aspects before, then, but bringing an adaptation of such an acclaimed author's work to the screen — a writer whose Aaron Falk books have proven huge hits on the big screen as The Dry and Force of Nature — was always going to stand out. In The Survivors, Green plays Sean Gilroy, one of two of characters who lost their older brothers to a tragedy 15 years prior. When Toby Gilroy and Finn Elliott attempted to rescue the latter's sibling Kieran (Charlie Vickers, The Lord of the Rings: The Rings of Power) from flooding coastal caves during a storm and didn't make it home, the scenic Tasmanian town of Evelyn Bay was forever changed. Kieran left quickly. Sean remained. Their respective parents — Damien Garvey (Nugget Is Dead?: A Christmas Story) and Robyn Malcolm (After the Party) portray Brian and Verity Elliott, Martin Sacks (Darby and Joan) is Julian Gilroy — are understandably still haunted by their grief a decade and a half later. As the anniversary of the incident approaches, Kieran comes home, his partner Mia Chang (Bridgerton season four's Yerin Ha), another ex-local, plus their new baby with him. The pain of a loss like this won't ever subside. The town's close-knit community hasn't been telling itself the full story, though. Everyone knows that someone else went missing on the same day that Toby and Finn drowned, but 14-year-old Gabby Birch's (Eloise Rothfield, How to Make Gravy) disappearance isn't treated in the same way. Berry plays recent arrival Bronte, who is staying with Gabby's sister Olivia (Jessica De Gouw, The Union), has become close with her fraying mother Trish (Catherine McClements, Apple Cider Vinegar) and is so furious that the teen's absence keeps being overlooked that she begins investigating it herself. With Kieran's return at its core, The Survivors charts the past lingering over and colliding with the present in multiple ways, then, including when there's another tragedy and the police start searching for a killer. [caption id="attachment_1008349" align="alignnone" width="1920"] Graham Denholm/Getty Images for Organic PR.[/caption] With George Mason (Black Snow), Miriama Smith (End of the Valley), Johnny Carr (Strange Creatures), Julian Weeks (Prosper) and Don Hany (Neighbours) also among the cast, Australia's newest Harper adaptation is filled with folks grappling with trauma, no matter where their tale starts or ends. Some have lived it for much of their lives. Others are determined to interrogate it. In their roles, Green and Berry are tasked with tackling the reality in different ways. Sean might appear externally laidback, but he's clearly deeply impacted by the events of 15 years ago. Bronte views Evelyn Bay, plus Gabby's disappearance and Finn and Toby's deaths, with outsider eyes — and, while making friends and settling in, even if only briefly, is driven to do what she can to redress a wrong. Being cast in The Survivors was an exciting prospect for both Green and Berry for an array of reasons — those key factors listed above and more. Green was already a fan of the book, while Berry revelled in the experience of reading it knowing that she'd be stepping into its tale. What does being part of a series like this mean to the two Australian talents? What did they initially see that they could bring to Sean and Bronte? When an intimate dynamic among a tightly bound community teeming with secrets and complicated family dynamics is so pivotal, how do you cultivate that with your co-stars? They're some of the other topics that we dug into with Green and Berry, alongside leaving an imprint in a limited time, the sense of responsibility that accompanies translating Harper's novel to the screen, the long-running appeal of murder-mysteries in Australia and more. On Being a Part of a Tasmania-Set Mystery Series About Tragedies Past and Present Colliding — and One That Adapts a Jane Harper Novel Shannon: "Well, this was my first time going to Tassie. I've never been to Tassie before. So it was amazing to come with the show. And I was just so excited to work with so many Aussie legends. And I've worked before with both Cherie Nowlan [The Irrational] and Ben Lucas [Nautilus], the directors, so it was really exciting to come back together with them again. And I think just it's really amazing to tell Australian stories and to film them here, and to show how beautiful our country is. Tasmania is just such a beautiful place, it kind of became a character within itself. And that's what I really loved about it." Thom: "I think for me, I loved the book. I absolutely adore the book. So that was a huge reason why I wanted to do it. Tasmania as well. I love Tasmania. And then it was the cast. It was the cast, and Cherie and I had worked together on Dance Academy so many years ago, and so that was also — there were so many factors on why I wanted to come do this. But I think that it was the book, mainly, because I was such a big fan. I was like 'I've got to be a part of this'." On Green and Berry's Starting Points with The Survivors on the Page — and Their Approaches to Helping Bring the Book to the Screen Thom: "I read it the year it came out — and then when I was cast in this, I didn't actually go back to the book. I knew the story, but I think I was actually drawing more from stuff I'd seen, to give it my own flavour. So that was building the wardrobe, and the hair and makeup, and you're building all that. So I didn't go back to the book. I didn't try to draw anything from that. I decided to take a step back and do my own thing, so hopefully it did it justice." Shannon: "I read the book. I had read The Dry previously, so I was familiar with her work. Love The Dry. But I had not read The Survivors until I found out that I was cast on the show. So that was super exciting. I think it's such a rare experience to read a book for the first time and see your character's name and go 'that's me' — which was just a really cool, really cute experience. And I'm a huge reader. I love to read. So it was just really special to read it and imagine myself in that world and imagine all the potential. And I think it's been absolutely amazing to watch it. It makes me giddy to think about." Thom: "Yeah, it's one of those things as well, like you can do jobs and sometimes the experiences can be less than glamorous — and this was actually so much fun. We all just got along so well as well, so it just makes it, you go into work each day enjoying it, and then you're wrapping for the day and everyone's hanging out with each other. And it reads on the screen." Shannon: "100 percent." Thom: "It always reads on screen." On Building the Show's Close-Knit Character Dynamic with the Rest of the Cast Shannon: "I feel they made it so easy. It got to the point where I knew I wasn't going to be working on it for a whole lot of time, and meeting you all, I then got very jealous that I wasn't going to be able to spend as much time with you guys [to Thom] as the rest of them — because everyone was just so lovely and so welcoming, and it very quickly really did feel like a family vibe. I always feel that when I step into Aussie spaces with Aussie cast and crew. Everyone's just absolutely the best. So I did feel quite jealous when all of my stuff was done and I had to leave you guys to your own devices." Thom: "I think a good indicator is that, what, it's been 14 months since we wrapped, and George Mason was Facetiming me yesterday from Perth, from his next job, to have a yarn. So that's just a good indicator of how well we all got along." [caption id="attachment_1008351" align="alignnone" width="1920"] Graham Denholm/Getty Images for Organic PR.[/caption] On What Green and Berry Were Excited to Bring to Sean and Bronte Thom: "I think that I felt very comfortable talking to Tony [Nowhere Boys, Glitch, Stateless, Clickbait and Fires' Ayres, who is behind The Survivors' streaming adaptation] and to Ben and to Cherie about the complexity of Sean. So that I felt I was able to bring — from my first take, I remember thinking 'I think I know how to do this'. And you kind of do your take and you sort of go 'well, this is what I think'. And Tony came back and said 'that's what we think as well'. So talking to Ben, there's so many layers. Everyone, every single character in this story, has layers. But I think that was what I felt — that's the part I'm quite happy with what I did, was that vulnerability and intelligence." Shannon: "I think with me, I really enjoyed relating to Bronte. We both moved out really young, moved across the country to a different place, and had to make our own friends and find our own way. So that was really exciting, reading the book, to relate to her in that way. And also talking with Cherie a lot about her art project, and she's so passionate about what she does, and I really relate to her in that sense as well. So it was really exciting to talk about her shared passions and how that drives her in this universe. And I just really related to that a lot. So that was super exciting, to remind me of my young days." Thom: "I'm going to say as well, but for Shannon, Shannon wasn't with us the entire time. So when an actor has to come on, and only come in to do a day or two, and then knock it out of the park and get on the plane and leave — that's a testament to Shannon." On the Task of Conveying the Impact of Trauma in Layered Performances Thom: "It takes a lot. You've got to really sit with the script for a while, I think. It sounds really morbid to think, but if you've dealt with it, you can draw from that — if you dealt with it your personal life. Some people don't like to do that. Some people do. I like to — I do sometimes. I feel like it helps. But I think it just takes a lot of time of sitting with the director and really fleshing out each layer, as I was previously mentioning — fleshing out each single layer and just building on top of it. So when you get on the set and you're setting up for the take and you look at the director, you go 'okay, now what do we need to remember? This, on top of this, on top of this, on top of this'. And then as long as you're thinking, it usually shows in your eyes and your body. That's how I approach it." Shannon: "Yeah, taking it with the instinct on the day. You've done all your research." Thom: "Yeah. Yeah. Exactly right. You're letting it go. How about you?" Shannon: "Yeah, I agree. I agree with everything that you said. Because a lot of Bronte exploring Evelyn Bay and this, she has this whole relationship with Trish that we never get to see in the show but is so prevalent and so alive throughout conversations — I think a lot of it was, yeah, sitting with the script and thinking a lot about 'what would those conversations have been like?' What would their relationship have been like?'. And having that in the back of my brain. So then, when I went in on the day thinking about where I had met these people before, even where I'd met Sean, when we meet each other, and thinking about how I met Ash [Mason's character] — I think it was just doing a lot of prep, and I write a lot of diaries for characters that I do sometimes. So I wrote a lot in Bronte's POV about where I met those people and what we had done together, and then coming in with that. And then just going on the day with instinct." Thom: "Then, I think on top of that as well, so if you've seen very strong series that deal with it and seeing what works — like what affects you when you watch it? What part of the show do you like? You know, in shows you might watch. So that's another visual to draw from, going 'okay, well that works on camera for that type of genre' — especially for this, the mystery, the murder-mystery genre in particular. You watch some of your favourites, there's too many titles to name right now, but watching what you enjoyed the most of that and going 'okay, can I use that? Can I take a little bit from that and a little bit from that, and put it all together in my little tool chest?'." On Leaving an Imprint and Making the Most of Your Character's Scenes When They're So Pivotal to the Narrative Shannon: "I think before doing the show, it reminded me a lot of Twin Peaks — it reminded me a lot of Laura Palmer. So I was privately calling myself the Laura Palmer of the show. But I think it was definitely a challenge to make sure that — I think the most important thing, for me rocking up, was making sure that I had a strong sense of self within her. And that I had a strong sense of who she was, what her dreams were and why she was there. And yeah, I think it was just made really easy by the fact meeting everyone and getting to work with you [to Thom] and getting to work with everyone, it was easy for her to feel fleshed out and like I belonged — which I think made it a whole lot easier." [caption id="attachment_1008350" align="alignnone" width="1920"] Graham Denholm/Getty Images for Organic PR.[/caption] On Expressing a Laidback Air, Alongside Pain and Vulnerability, in a Storyline That's Keeping Audiences Guessing Thom: "It's so difficult trying to, that balancing act. I still remember days on set with Cherie — and particularly with Cherie with her episodes, and going 'we need to do this again because of A, B and C', and then having to say 'well, we don't, we can't show our hand too early. We can't show this. We can't show that'. So trying to mask certain things. We're trying to throw a curveball. I kept saying to Cherie my biggest thing was trying to mask one aspect with another, and that was trying to help throw people off for the whole thing. But you're 100-percent right, just trying to convey that, it's really tricky. You really need to go through each episode and see where your character's come from, where they're going, and make sure you're following that line, that throughline, the entire way through. Otherwise, people who watch it will go 'that doesn't make sense. Why was this person doing this after doing this?'. I think in the end, I think we did pretty good. I think we did pretty good with keeping that balance. But it's hard to say, right? You watch something and you're like 'could have done this, could have done this'. It's very, very hard — I think, probably the hardest I've had to do that." On Whether Any Pressure Comes with Starring in an Adaptation of a Well-Loved Novel From an Author Whose Other Books Have Already Sparked Hit Films Thom: "I think so. Definitely. The Dry was so successful. And you've got Eric Bana — then you've got Force of Nature with Anna Torv. And then it's like, then you're like 'alright, now it's Shannon and Tom and The Survivors'." Shannon: "I think at the end of the day, you just want to make sure you're walking away, when you're doing the job and then also when you finally get to see it, that you have that feeling of doing it justice." Thom: "Yeah, you're right." Shannon: "And that you feel like you've done the best that you can." Thom: "Yeah, 100 percent." Shannon: "I think I'm really happy. Are you happy? [to Thom]" Thom: "I'm happy. But we had a good team. Like Tony, and Andy Walker [The Survivors' producer, Deadloch], were ... " Shannon: "Amazing." Thom: "I think at times, I don't know about you but for me, it only really dawns on me, I think, when someone like yourself [to Concrete Playground] raises that or brings that up. On set, it didn't feel like that. On set, it just felt like we were making a cool project with our friends and a cool crew. And then afterwards, you go 'oh yeah, shit, that's right. This is — yeah, we're in good company here'." On Why Murder-Mysteries Seem to Strike Such a Chord in Australia — Whether We're Making Them, Watching Them or Both Thom: "It's like when that time — was it like 2010? — when Nordic noir really blew up with Trapped. And I inhaled Trapped and Fortitude, all on SBS On Demand, and it was like then it exploded. And then The Bridge was also happening at the same time, and the American adaptation. And there was Broadchurch. So it was all happening elsewhere, and I think Aussies just flocked to it. As to say why, are we just perverse? Do we just want to watch it?" Shannon: "I think maybe also, I think Australia as an environment is so vast, and I think it's just such an excellent backdrop, too, to a lot of murder-mystery." Thom: "Yeah." Shannon: "Like you think of really good shows like Mystery Road, and there's all of that desert. We always just have such beautiful landscapes for such devastatingly twisted stories, which I think there's something to be said in that contrast." Thom: "I can't understand like the psyche, why we all love it — but I mean, I inhale them. I absolutely inhale them from everywhere, from each country. So I think now, it's like we've got some cracker series that are murder-mysteries, and I'm sure there's more to come. But as to saying why, like why we and devour them so much, I don't know. But hopefully people ... " Shannon: "Devour this one." Thom: " … devour this one the same." On What Green and Berry Make of Their Respective Paths to The Survivors Thom: "My foundation is coming from — I mean, my first job was a murder-mystery, actually, now that I'm remembering. It was actually a murder-mystery for Channel Ten back in the day. But for stuff like Dance Academy, I started with young-adult television, and then I think mine was quite diverse. I went from that to the Halo series for Microsoft in Canada. And it was like guns and aliens. And then it's Of an Age, this romantic, queer love story set in Melbourne. And now it's this murder mystery, which is so, at times, can be quite confronting. Diverse, I think, is the keyword there." Shannon: "I think I agree. It's been — I love working in Australia, and I'm so lucky to have done so many Australian things in my time. And yeah, I think I'm just really lucky to be able to sit here and say 'yeah, I'm an actor. I did it'. I'm from Perth originally, so it was always that feeling of isolation being in Perth and wanting to do acting. But I've just been really lucky. And I've been really lucky to do a lot of incredible things, meet so many incredible people. And then, yeah, getting to work with Cherie and Ben both on The Wilds, separate seasons, and coming back to work with them again, was just such a treat. I've just been really lucky. I think that's the main word, lucky. I'm so honoured to be able to do a lot of things in Australia and beyond." The Survivors streams via Netflix from Friday, June 6, 2025. Images: courtesy of Netflix © 2025.
Kensington's beloved Doutta Galla Hotel has finally reopened, almost a year after it closed for major renovations. The Doot, as locals and regulars affectionately refer to it, has new owners, a fresh look and big plans ahead for the future. The Doot first opened its doors back in 1889, just down the road from Flemington Racecourse, and has remained a vital community spot for the Inner North — for families, footy fans, and racegoers alike — for over a century. During its time, it has held various names, including the Flemington Inn and the Geebung Polo Club, but at its heart, and for locals, it has always been known as The Doot. Now, The Doot reopens under the stewardship of the Kickon Group and a team of dedicated investors. Run by Craig Shearer and newly appointed Pub Partner Ben Lougoon, the Kickon Group operate lively venues such as The Terminus Hotel, The Continental and Pincho Disco. The group of passionate investors includes former AFL players Luke Hodge and Andrew Walker, and Vikings actor Travis Fimmel. Craig Shearer, CEO of Kickon Group, says, "The Doutta Galla has always been about more than beer and food. It's about connection, celebration, and the energy of the community. This relaunch isn't just about reopening a pub, it's about bringing a Melbourne icon back to life." The various levels of the pub have undergone a significant facelift as part of the renovation. On the ground level, a bar is located alongside a restaurant serving classic pub fare with a focus on steak. The upper levels have been transformed from hotel rooms to a series of event spaces. Whether you pop in for happy hour (from 4 to 7pm, Monday to Friday) for $7 wines and handles, and $12 cocktails, settle in for $20 parma day on Wednesdays, get a group together for trivia, stop by to watch the game or catch some live music, you're in for an easy-going, good time at The Doot. While many things have changed, much remains the same. The recognisable red doors remain as a nod to the pub's legacy. And most importantly, The Doot continues to serve as a hive of the community, providing a meeting place for connection, celebration, and late-night good times (the pub boasts a 3am licence). Images: Supplied.
Charles Entertainment Cheese is heading Down Under, ready to delight kids, families and Australian adults who've always wanted the Chuck E Cheese experience. Adding to the growing list of US food chains that have already brought or are set to bring their wares to our shores — such as Taco Bell, Wahlburgers, Five Guys and Wendy's — the American restaurant-slash-entertainment centre brand has announced plans for Aussie eateries. Where and when is yet to be revealed, but the children's birthday-party go-to is indeed coming. Royale Hospitality Group has signed a master franchise partnership for Australia's Chuck E Cheese venture, adding to a stable that also includes Outback Jack's and Milky Lane. It'll help extend the brand as it closes in on five decades of existence — launching in 1977 — and as Asia and Europe also become a global focus. On offer: the place to eat slices, play games and watch animatronics that's been parodied in the likes of Five Nights at Freddy's and Willy's Wonderland, but obviously without the horror. And yes, that spans the company's characters. Yes, Charles Entertainment Cheese is Chuck E Cheese's mouse mascot's full name. "We are thrilled to bring the magic of Chuck E Cheese to Australia and to collaborate with the Royale Hospitality Group, a partner that shares our commitment to delivering exceptional family experiences," said Chuck E Cheese International Chief Operating Officer Mario Centola, announcing the Aussie expansion. "We look forward to crafting the Chuck E Cheese brand for the Australian market. This is a momentous step towards establishing Chuck E Cheese as the premier destination for families seeking an unparalleled kid-centric entertainment and dining experience," added Royale Hospitality Managing Director Ray Strauss. "I am thrilled, along with my dedicated team, to embark on this exciting journey, taking Chuck E Cheese to the next level throughout all of Australia." Your nieces and nephews, who we're betting you'll want to take to Chuck E Cheese when it opens locally, will also be thrilled. Chuck E Cheese is set to open in Australia, but exactly when and where hasn't yet been revealed — keep an eye on the chain's website, and we'll update you with more details when they're announced.
It has been more than 60 years since Godzilla first rampaged through the streets of Tokyo, with the city enduring nearly 30 repeat visits in the decades since — across the giant monster's many on-screen excursions, that is. Until the end of January, he's not the only pop culture commodity striking the Japanese capital. Space Invaders, the game, is descending upon the city in the best possible way: in giant form, 52 stories above the ground, on the windows of the Tokyo City View observatory. As part of the Roppongi Hills spot's current interactive games exhibit, celebrating the 40th anniversary of the popular arcade title, visitors can participate in a ten-person sky-high game while looking out over the city. Called Space Invaders Gigamax, it really does follow through on all of those elements. The game is projected onto the observatory's seven-metre by 15-metre window surface, which means those pesky attackers look like they're raining down on the buildings below. https://www.instagram.com/p/Bd5NGpXHmJc/?taken-by=tokyocityview One of the best spots in Tokyo to gaze out over its sprawling sights — and see its glistening lights — Tokyo City View is no stranger to adding pop culture fun to its scenic views, having hosted a Studio Ghibli exhibition that included an illuminated airship from Laputa: Castle in the Sky, as well as as a Gamera-focused showcase that served up burgers shaped like the famous kaiju and Godzilla competitor. Space Invaders Gigamax is accompanied by Bahamut Disco featuring Space Invaders, where participants shoot down invaders attacking to a beat, and NOBORINVADERS, which involves climbing up a wall to whack the attackers. For more information, visit the Tokyo City View website.
It's impossible to be tense when there are cute puppies around, which is as good a motto as any to live by. Are you the kind of person who gets stressed going about your regular routine, even if there's a public holiday the next day? Here's something that'll help: for one day only in Melbourne, you can add spending time with tiny guide dogs to your agenda. Guide Dogs Victoria has dubbed its pop-up a pup-up, and sipping a cuppa while patting labrador puppies is the aim of the morning. You'll need to make a date with Studley Grounds Cafe in Kew on Wednesday, April 24, however, and be around from 10.30am–12pm. If anything is worth rearranging your coffee break for to head somewhere other than your local, it's this. Tickets cost $30 for adults and are available online in advance. Expect to have company — who wouldn't want to add some adorable Guide Dogs pups, as well as ambassador Guide Dogs, to an otherwise ordinary Wednesday? The one-day-only, one-session-only event is in honour of International Guide Dog Day, and your attendance will help the cause, with all proceeds going to Guide Dogs Victoria's support programs. Alongside the puppy meet-and-greet session — cuddles included — there'll be a photo booth for snaps, a chance to watch the pups in training and a competition that'll let you aim to name a Guide Dog. The occasion will also be reflected in the decor and the menu items on offer. And, this isn't just about getting everyone saying "awwwww" to pooches. To inform attendees about the importance of the Guide Dogs program, there's also a panel and discussion on the itinerary. Find the Guide Dogs Victoria pop-up puppy cafe at Studley Grounds Cafe, 121 Studley Park Road, Kew on Wednesday, April 24, 2024 — running from 10.30am–12pm. For tickets, head to the event's website.
Update, Thursday, July 19: Due to overwhelming demand at pre-sale, the Opera House has just announced that Wu-Tang Clan will be performing two more shows this December. The extra shows will take place on Monday, December 10 and Tuesday, December 11. Tickets for all four shows go on sale to the general public at 9am, Thursday, July 19 — so now you have double the chance of snagging a ticket. If you're a hip hop buff, the phrase "Enter the 36 Chambers" probably gets you excited for a particular East Coast US rap group. After much speculation, caused by mysterious social media posts and posters plastered around the country, it has been confirmed that Wu-Tang Clan is coming Down Under. Time to prepare your dollar dollar bills — the group will be hitting Aussie soil this December, playing two exclusive shows at the Sydney Opera House on Saturday, December 8 and Sunday, December 9. The last time the group came to Australia was back in 2016, and this time they'll only be hitting up Sydney. The shows will coincide with the 25th anniversary of Enter the Wu-Tang (36 Chamber), which features hit tracks 'C.R.E.A.M.', 'Wu-Tang Clan Ain't Nuthing ta Fuck Wit' and 'Protect Ya Neck'. All nine members — RZA, Method Man, Ghostface Killah, Raekwon, U-God, Masta Killa, Inspectah Deck, GZA and Cappadonna — will perform the acclaimed album in full for the first time in Australia. Earlier this month it was announced that Kendrick Lamar was bringing his much-hyped 'DAMN.' pop-up to Australia, and we can only hope Wu-Tang Clan follows suit, bringing its 'Wu-Tang: The Saga Continues' Pop-Up Down Under, too. Wu-Tang Clan 'Enter the Wu-Tang (36 Chamber)' 25th Anniversary shows will take place in the Sydney Opera House Concert Hall on Saturday, December 8 and Sunday, December 9. Tickets go on sale at 9am, Thursday, July 19. Pre-sale tickets go on sale at 9am, Wednesday, July 19 and to get access you'll need to sign up to the Opera House newsletter. Image: Danny Hastings
Shimmering glacial lakes, stunning wildflower meadows, enchanting snow gum forests and mountainous vistas that seem to go on forever — the Snowy Mountains is home to some of the most varied and magical scenery in Australia. And there's so much more to see outside of the chilly season. Spring, summer and autumn are ideal for exploring freely, unhindered by snow, ice and bitter winds. Whether you're a coffee cruiser who likes your hikes short and easy or a hardcore adventurer keen to conquer as many peaks as possible in a day, here are five spectacular hiking trails in the Snowy Mountains that you really should try before Jack Frost comes around again. MT KOSCIUSZKO SUMMIT WALK This exhilarating walk carries you to the highest point in Australia: the summit of Mount Kosciuszko, 2228 metres above sea level. Its eighteen kilometres start at Charlotte's Pass, then follow the Old Summit Road, surrounding you with epic views of the Australian Alps and the Bogong Peaks Wilderness much of the way. Stop by the Snowy River for a picnic, spend a moment in the Seaman's Hut (built in 1929) and leave yourself plenty of time to wander among wildflowers, rock formations and snow gums. For a more challenging adventure, take the alternative Main Range Walk, a 22-kilometre loop that passes some stunning glacial lakes. If you're looking for less of a challenge (but equally stunning valley views) take the Express Chairlift — it's a scenic 15-minute, two-kilometre ride from Thredbo almost all the way to Mount K. NICHOLS GORGE WALKING TRACK You'll need a torch to make the most of this wondrous, seven-kilometre loop. That's because within 500 metres of setting out, you'll come across Cooleman Cave — and it's pitch black inside. The next section — dotted with ancient fossils of brachiopods and sea lilies — journeys along Cave Creek before traversing plains covered in snow grass and backdropped by the rugged Gurrangorambla Range and Tom O'Rourkes Peak. Along the way, expect to pass numerous views of breathtaking Nichols Gorge, and look out for wedge-tailed eagles soaring overhead. The track starts at Blue Waterholes Campground in the High Plains area of Kosciuszko National Park. Fair warning: you'll be tempted to sleep over and visit Clarke Gorge the following day so plan ahead. DEAD HORSE GAP WALKING TRACK This spectacular five-kilometre track transports you 600 metres above Thredbo Valley and across part of the Australian Alps Walking Trail, a 655-kilometre adventure that crosses the country's highest peaks. Start at either end: Dead Horse Gap on the Alpine Way or at the top of the Kosciuszko Express chairlift in Thredbo. Whichever you choose, you'll spend your time immersed in snow gum forests, alpine heath and meadows dotted with native herbs, all the while surrounded by dramatic Ramshead Range. Alternatively, walk from Thredbo Village through the golf course and onto the Thredbo River Track. THREDBO VALLEY TRAIL While Dead Horse Gap Track puts you above Thredbo Valley, this 17-kilometre one-way trail allows you to explore its depths. What's more, it's shared, so you can jump on a bike for something different. Your escapade begins at Thredbo Village, follows Thredbo River and crisscrosses at several points via suspension bridges. Snow gum forests and tall mountain gum woods interweave with open grasslands, and if you're especially observant, you might spot a 400-year-old mountain plum pine or two. There is the option to catch your own lunch, so try your luck at catching a fish along the way. The trail ends at Bullocks Hut, but you can continue to Lake Crackenback Resort or shorten your adventure by using an access point, such as Thredbo Diggings Campground or Ngarigo Campground. [caption id="attachment_661587" align="aligncenter" width="1920"] Tourism Snowy Mountains[/caption] YARRANGOBILLY CAVES WALK Most people associate Yarrangobilly Caves with strolls into dark caverns and along meandering rivers, but this two-kilometre walk gives you quite the opposite: grand, head-clearing views. Strap up your boots at Glory Hole carpark, from where you should follow the road leading into Yarrangobilly Valley, before turning off at the Bluff Lookout sign. Just 150 metres later, you'll find yourself staring out over Yarrangobilly Caves House, backdropped by dramatic limestone formations and wilderness. Do note that the trail gets steep in places, so you'll need some fitness, willpower and water on your side. The good news is that the return trip is an easy 500 metres, all downhill and ending up at a picnic area with free electric barbies. Discover all that the Snowy Mountains has to offer outside of winter months, from jam-packed adventures to culinary excursions and so much more.
The black parade is coming back to Australia — finally. After their last attempt to head to our shores was thwarted due to the pandemic, the reunited My Chemical Romance is set to tour along the country's east coast in 2022. Hopefully the second time will prove the charm for Gerard Way and co, and for music lovers eager to grab their eyeliner, don every black piece of clothing in their wardrobe, relive their angsty emo teenage years and let out three cheers. The new tour will mark ten years since MCR last came to our shores for the 2012 Big Day Out — and comes after the US group went their separate ways in 2013, then reformed in 2019. Fans will be pleased to know that MCR are headlining their own shows on this tour, too, rather than leading a festival bill as they were slated to do in 2020. First, they'll play the Brisbane Entertainment Centre on Monday, March 14, before hitting up Rod Laver Arena in Melbourne a few days later on Thursday, March 17. Then, they'll wrap things up on Saturday, March 19 at Sydney's Qudos Bank Arena. Back in late 2019, when MCR announced that they were literally getting the band back together, they sold out their first reunion gig in Los Angeles quick smart — so expect tickets to their Australian gigs to prove mighty popular, especially after last year's cancelled tour. The group has been trying to take its new show on the road ever since that big announcement, but, thanks to the pandemic, that has obviously proven much trickier than anticipated. https://www.youtube.com/watch?v=RRKJiM9Njr8 MY CHEMICAL ROMANCE 2022 AUSTRALIAN TOUR: Monday, March 14 — Brisbane Entertainment Centre, Brisbane Thursday, March 17 — Rod Laver Arena, Melbourne Saturday, March 19 — Qudos Bank Arena, Sydney My Chemical Romance will tour Australia's east coast in March 2022. For further information — and for pre-sale tickets from 11am on Wednesday, May 26, and general tickets from 12pm on Thursday, May 27 — head to the tour website. Top image: My Chemical Romance performing by NBSTwo via Flickr.
Over the past 47 years, in this very galaxy, how much Star Wars merchandise has been collected? Not even a Jedi could probably give a definitive number. Making its Australian premiere, The Fans Strike Back: Exhibition doesn't answer that question either, but it is giving fans of the space-opera franchise a glimpse at a hefty range of Star Wars memorabilia — one of the planet's largest private collections of replicas, in fact. The force is strong here, and so is love for everything in the George Lucas-created big- and small-screen saga. Soaring into Melbourne from Saturday, November 23, 2024, and then set to tour the country afterwards, The Fans Strike Back: Exhibition features Star Wars starships, lightsabers, droids, creatures and even battles. An entire section is about the dark side, with Sith obviously starring heavily, while another is called The Jedi Temple. Some pieces are life-sized. Others are detailed models. Either way, Star Wars will surround attendees everywhere they look. This isn't an official showcase, however, with only private works featured. The Fans Strike Back: Exhibition finally heads Down Under after past stops in New York and Los Angeles in the US, and also London, Madrid and Paris in Europe. After Melbourne, it's displaying at The District Docklands.
When the director and lead of one of 2021's best Norwegian films — and best movies from anywhere that year — joined forces again, of course the Scandinavian Film Festival needed to get the resulting picture on its program. Accordingly, Sentimental Value from The Worst Person in the World filmmaker Joachim Trier, once more starring Renate Reinsve (Presumed Innocent), is one of the big highlights at 2025's Australian showcase of cinema from the Nordic region. Stellan Skarsgård (Andor) and Elle Fanning (A Complete Unknown) also feature, and the results won this year's Cannes Grand Prix (the award below the Palme d'Or). At the Scandinavian Film Festival, Sentimental Value is getting the centrepiece treatment. Movies from Norway, Sweden, Denmark, Finland and Iceland are always in the drawcard at this Aussie fest — so a Norwegian spy drama to kick things off in 2025, then an Icelandic black comedy to wrap things up, are both on the itinerary. This year's national tour will hit Melbourne across Friday, July 11–Sunday, August 3 at Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Palace Penny Lane, The Kino, Pentridge Cinema and The Astor Theatre. Launching the fest: Number 24, the latest from The Burning Sea and The Quake director John Andreas Andersen, recounting a true espionage tale from World War II. The aptly named Grand Finale comes in at the other end, spinning a Reykjavik-set story about a struggling chamber orchestra's efforts to endure. Alongside Sentimental Value, Quisling: The Final Days is another of the festival's big-name titles, this time from The King's Choice and Utoya: July 22's Erik Poppe, with the trial of its controversial namesake head of state the film's focus. Cannes favourites, blasts from the past, laughter-inducing fare: they're all on the lineup, then. Add watching Björk's daughter in her first feature role, multiple dates with Danish actor Trine Dyrholm (The Girl with the Needle) and celebrating the 25th anniversary of a Swedish romantic-comedy to the list, too. The first comes courtesy of The Mountain, a coming-of-age and road-trip flick starring Ísadóra Bjarkardóttir Barney. Dyrholm pops up in both the healthcare-centric Second Victims and the David Dencik (Other People's Money)-co-starring Beginnings. And Jalla! Jalla! is marking its quarter-century milestone. Audiences keen to spend Australia's winter feasting their eyes on colder climes from the other side of the world can also look forward to the Faroe Islands-set The Last Paradise on Earth and heading into an Icelandic seafood restaurant with Odd Fish. Nikolaj Lie Kaas (Riders of Justice) leads Way Home, about a Danish father endeavouring to save his loved ones. With heist effort The Quiet Ones, Denmark's biggest-ever robbery makes its way to the screen. Finnish relationship dramedy Sudden Bursts of Emotions, the nation's great Heikki Kinnunen playing 'The Grump' in Long Good Thursday, three siblings returning to the house they grew up in in Everything Must Go, the couch-surfing antics of Live a Little, the beer-brewing sisters of 100 Litres of Gold, My Father's Daughter's focus on a Sámi teenager: add them to your Scandinavian Film Festival list as well.
A bottle shop, craft beer pub and beer garden all in one — and did we mention the food trucks? Thornbury stalwart Carwyn Cellars has been a Northside favourite for over a decade, and it's not hard to see why. Stop by this High Street hangout to browse a wide yet thoughtful selection of craft beer, wine and spirits. Beers range from locally made labels to hard-to-find and globally renowned ales, while the wine room features a constantly evolving selection of vintages tasted and handpicked by staff. The venue also doubles as a great spot to sit down over a frothie or two with mates, thanks to a rotating 28-tap craft selection and cosy, astroturfed beer garden. If you're after something a little stiffer, the back bar boasts over 300 whiskies, gins and more, while the wine list changes daily. You can enjoy your drink with a bite from the in-house food truck, which hosts an evolving roster of local chefs regularly. Carwyn Cellars also has a subscription service, which allows you to discover the ever-expanding local and international craft liquor landscape via curated booze packs categorised by frequency and your choice of booze. Images: Kim Jane
Long before humans could soar into space, they could only dream about it. Queensland Museum's new NASA exhibition — an Australian premiere — celebrates both the experience and the idea of space travel. While much of NASA – A Human Adventure features suits, parachutes, equipment and even empty food containers that've actually left the earth, the stellar showcase also pays tribute to the imaginative minds that've inspired every rocket scientist, engineer and astronaut. Visitors not only enter the exhibition via a dome that honours Jules Verne, HG Wells and company, but can also spy their names in the biographies of important figures that are plastered across the South Bank building's walls. It's easy to understand how one influenced the other — how mere ideas motivated eager adventurers to push boundaries, achieve the seemingly impossible and fly beyond this planet we all call home. Indeed, NASA – A Human Adventure has the same effect. Feasting your eyes on this array of more than 250 historically significant items, getting up close to replicas of famous spacecraft, and hearing Neil Armstrong's iconic "one small step for man, one giant leap for mankind" speech while wandering through the exhibition, plenty of wannabe astronauts — and those who thought they'd stopped dreaming of such things years ago — will leave with visions of rocketing to the moon themselves. And with 2019 marking half a century since man first set foot on the moon, the timing of this exhibition couldn't be better. It will only be hitting Brisbane, so if you're not a local, you might want to schedule in a trip to the city before October. When you get there, these five standout pieces can't be missed — from space shuttles to space vodka (yes, really). A JUPITER NOSECONE One of NASA – A Human Adventure's first's first big pieces shows signs of wear and tear, and that's to be expected. You don't fly into space, crash into the sea and escape unscathed — even if you're part of a rocket. Visibly worn on the outside, filled with gadgetry inside, this hefty item draws a crowd; however, the story behind the Jupiter program's involvement in space flight is just as fascinating. While the PGM-19 Jupiter was originally designed as a nuclear-tipped missile, the nosecones were instrumental when it came to discovering how manned spaceflights might re-enter the earth's atmosphere. In 1958 and 1959, they were also used to test biological flights in low orbits, using both mice and monkeys. LUNAR ROVERS First, the bad news: two types of lunar rover drove across the moon's surface in the 60s and 70s, and they're all still there. Now, the good news: NASA – A Human Adventure has the next best thing: life-sized replicas. Visitors will first spot Lunokhod 1, the Soviets' first moon walker (that's the literal translation). It looks a little bit like a giant Wall-E, was launched in 1970 and stopped transmitting back to earth in 1971. Then you'll mosey on over to the Apollo Lunar Roving Vehicle, the moon buggies used by the Americans on the Apollo 15, 16 and 17 missions. Yes, it's supposed to look like a dune buggy. Yes, the chairs look like deckchairs. No, you can't hop into it. SPACESUITS Reaching for the stars requires a wardrobe to match, although an astronaut's attire is functional rather than fashionable. Still, staring at real-life spacesuits never loses its intrigue — especially when some of them have actually been into space. NASA – A Human Adventure features six pieces, including a US Air Force high-altitude pressure suit, plus items from all of its missions from Mercury to Apollo. The highlight: a version of the suit, helmet and gloves that were used during the moon landing, including a cutaway piece that shows just how much protective material is needed (and hints at some of the practicalities of being suited up, as everyone has always wondered). MERCURY, GEMINI AND APOLLO CRAFTS NASA's jaunts into space all started with Project Mercury, which aimed to send a human into orbit and then return them safely. And while NASA – A Human Adventure doesn't feature a real Mercury spacecraft, taking a gander at a life-size replica does spark a definite realisation: for something that was sent into space, it's rather tiny. With Project Gemini, the second human spaceflight program, the capsule is noticeably bigger (although, as this replica makes plain, it still wouldn't suit anyone who isn't fond of small spaces). Finally, exhibition attendees can also peer at full-scale models of the Apollo Lunar Module Crew Cain and the Apollo Command Module — all while walking beneath the enormous (and space-flown) orange-and-white parachute that was used in 1972's Apollo 16 mission. THE SPACE SHUTTLE Ever wanted to climb aboard the space shuttle — that is, the world's first reusable spacecraft, which was used to transport cargo into space from the 1980 to 2011? Now that it has been retired after 135 missions, you can't; however you can ascend Queensland Museum's stairs to make a peek at this towering replica. Windows allow attendees to view the cockpit, its console its many, many buttons, although sadly you can't take a seat or press anything yourself. And in good news for anyone with accessibility requirements, there's also a lift that'll take you up to the top level (and folks on crutches or in a wheelchair will also nab a view that no one else gets to see). NASA – A Human Adventure is currently showing at Brisbane's Queensland Museum until October 8, 2019. Tickets cost $18–21 and can be booked online here.
If you thought the concept of Christmas gin was cool, you might be pretty excited about this: a Melbourne-born small-batch gin infused with cannabis has just hit the shelves. Distilled in Healesville by The Cannabis Co, local makers of all things cannabis-infused, The Myrcene Hemp Gin is made using one of the main essential oils, or 'terpenes', found in cannabis plants, called myrcene. It's supposedly the world's first cannabis gin made with tyrene. Also found in hops, this little guy can apparently help ease symptoms of inflammation and chronic pain, and is responsible for producing some of those joyful and euphoric effects associated with cannabis. All Cannabis Co products are currently free of psychoactive substances, but, as the company pushes for the legalisation of recreational marijuana use in Australia, it hopes to release products — like gin — with CBD and THC (cannabinoids) in the future. Terpenes, like myrcene, are also known for their specific aromas and flavours, and, in The Myrcene, works a little bit like the botanicals in regular gin. The result is a sip that balances the earthy and the fruity. According to the makers, it has aromas of bubblegum, pine forest, lavender and sage, with hints of cloves and woody spice flavours on the tongue. And it works a treat alongside some tonic and fresh lemon, or a sprig of rosemary. The creators of The Myrcene stepped back in time for their inspiration, looking to the gin-makers of 17th century Britain. Word is, small distillers would often flavour their creations by distilling resins from terpenes they found in the forest. All of The Cannabis Co's hemp products are certified organic and grown here in Australia. The first batch (aptly named batch 420) has already sold out, but if you're keen to get some cannabis gin in your life, you can sign up for pre-sales of the next batch through Alchemy. First image: Letícia Almeida
Sometimes, he's played by an over-the-top Robert Downey Jr. As TV fans know, sometimes a curmudgeonly Benedict Cumberbatch does the honours. Ian McKellen has even taken the job, as has Will Ferrell. In fact, on the big and small screens for over a century, a lengthy list of actors have stepped into Sherlock Holmes' shoes and worn his deerstalker cap. But Netflix's new film isn't really about the famed sleuth — instead, it's about his sister. As brought to the screen by Stranger Things' Millie Bobby Brown, Enola Holmes is the family's youngest sibling. Naturally, she has a mystery to solve — she is a Holmes, after all. When her mother (Helena Bonham Carter) goes missing on the morning of Enola's 16th birthday, it's up to the teenager to find out where she has gone and why. Her brothers, Sherlock (Henry Cavill) and Mycroft (Sam Claflin), aren't too pleased, though. They're not very happy with her demeanour either, and would rather send her to a finishing school to learn how to become a 'proper' young lady. As the just-dropped full trailer for Enola Holmes shows, yes, Enola does say "the game is afoot". She also becomes caught up in quite the adventure, as based on Nancy Springer's young adult book series. This is a period-set version of the Holmes story, too, not a modernised one — so expect to see Enola flit around 1880s England when the movie hits Netflix on September 23. In addition to Brown, The Crown's Bonham Carter, The Witcher's Cavill and The Nightingale's Claflin, the film also stars Medici's Louis Partridge as a young runaway Lord who crosses Enola's path. Behind the camera, Fleabag and Ramy's Harry Bradbeer directs — with the filmmaker earning an Emmy in 2019 for the former. Check out the trailer below: https://www.youtube.com/watch?v=1d0Zf9sXlHk Enola Holmes hits Netflix on September 23. Image: Alex Bailey.
Celebrate the diversity that makes our city one of the best in the world with Cultural Diversity Week kicking off on Saturday, March 21. Over nine days, community-led events will showcase the dynamic, vibrant cultures that make up Melbourne's social fabric. Proudly led by the Victorian Multicultural Commission, Cultural Diversity Week offers organisations, communities, workplaces and individuals the opportunity to host events celebrating their cultures. This year's theme, "Culture connects us all", aims to promote unification and togetherness. Major events taking place across the festival include the U-NITE Multicultural Round hosted by Melbourne Victory at AAMI Park, the African Film Fest at Cinema Nova, and the Moving Feast in Bendigo. Be immersed in the talents of refugee and asylum seeker youth at the Harmony Day Block Party at the River Nile School, and celebrate 50 years of contributions by the Vietnamese community at the Immigration Museum. Join VMConnect now to register a public event and access the full program. The event will culminate at the massive Victorian Multicultural Festival 2026 held at Grazeland between March 27th and 29th. Grazeland will be transformed into a vibrant hub, featuring world-class performances and cuisines to savour from around the globe. More than 50 vendors will showcase a range of international delicacies — an opportunity not to be missed. Images: Supplied. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
From Tex-Mex eateries to underground mezcal bars, Melbourne has no shortage of Mexican spots. This temple of tacos and tequila, however, has opened in a historically Italian area: Carlton. Setting up shop on Drummond Street, Taquito is small. But small is the name of the game here — literally. "Taquita means little taco, but in an affectionate way," says owner and manager Alex Villareal. "It's a term of endearment." While Taquito's name and space are small, its food is big on flavour. Out the back of the quaint restaurant, you'll find an outdoor area filled with chilli plants and other spices — which, naturally, feature throughout their menu. "We have habanero and cayenne chillies that have been used in our drinks and salsas," says Villereal. "And the big nopal cactus in the dining room is looking like it will have a couple of prickly pears soon, too, which we'll use in our menu". Most menu elements are also prepared in-house, including the tortillas, which is a bit of a rarity in Australia. "Back home in Mexico you could always tell if a taqueria or a restaurant was good because its tortillas were fresh and handmade," says Villereal. "But it is one of the things we miss most about Mexico." According to Villereal, handmade tortillas help elevate the flavour and texture of the fillings. At Taquita, the corn flatbreads are hand-pressed and cooked on a custom charcoal grill, then topped with the likes of fire-roasted, peppery pumpkin matched with velvety avocado and tri-tip steak with fiery salsa and a heaping of rich cheese. You can match them with corn chips (also made in-house) drizzled in hot cheddar, chilli and peppers and radish, sorrel and whipped tofu dip. Still hungry? Look to the bar's cinnamon churros. They arrive with hot chocolate atole (a maize-based drink or dipping sauce), which will (most likely) be downed as quickly as a shot of tequila — another thing that Taquito brings to the table. Alongside a selection of wines and craft beers, Taquito has a lengthy lineup of tequila and mezcal, which feature in all five of its signature cocktails. Order the High Ball — with Trombo tequila, ginger, lemon and plum — if you're looking for something refreshing, or the charred jalapeño-spiked tommy's margarita if you want something with more of a kick. The bar itself has a homely feel — you'll be eating and drinking surrounded by cacti and Mexican trinkets — a vibe Villareal wanted to capture not just in the design, but also in the home-style food and drinks. "I'm originally from Mexico City and have been living in Melbourne for over twelve years," says Villareal. "I have always wanted to find a place that represented Mexican cuisine with food that reminded me of home." Villereal also has big plans for the future of Taquito, too — he's hoping to add on a small brewery, a bottle shop full of Mexican specialities and a margarita on tap. Images: Julia Sansone.
In 2022, Australian movie lovers felt a need for speed. The nation's cinemagoers flocked to see yellow-hued offsiders spouting gibberish, too, plus oh-so-many superheroes. We also adored rock 'n' roll icons, wizarding backstories and rampaging dinosaurs. Yes, Top Gun: Maverick, Minions: The Rise of Gru, Thor: Love and Thunder, The Batman and Doctor Strange in the Multiverse of Madness all sit atop of the Aussie box office for the year at the time of writing, followed by Jurassic World Dominion, Elvis, Black Panther: Wakanda Forever, Spider-Man: No Way Home and Fantastic Beasts: The Secrets of Dumbledore. Your memory isn't failing you: Spider-Man: No Way Home did first hit screens in 2021, and was the top-grossing movie in Australia in 2021. It proved such a box-office smash, though, that it's one of 2022's best money-earners as well. Expect Avatar: The Way of Water to do something similar this year — it's already storming up the list. Indeed, expect it to crack the top ten easily by the time that New Year's Eve hits. So, they're the massive flicks that everyone saw over the past 12 months, with the literal receipts to prove it. If you only went to the pictures to see huge titles, however, you missed an array of other delights that are well and truly worth your time and attention. As we do every year — and have since 2014 (see also: 2015, 2016, 2017, 2018, 2019, 2020 and 2021) — we've rounded up a list of top-notch films that released in Aussie cinemas in 2022 but didn't rack up fat stacks of cinema takings. Here are our 15 picks that you need to catch up on ASAP. BLAZE In the name of its protagonist, and the pain and fury that threatens to parch her 12-year-old existence, Del Kathryn Barton's first feature scorches and sears. It burns in its own moniker, too, and in the blistering alarm it sounds against an appalling status quo: that experiencing, witnessing and living with the aftermath of violence against women is all too common, heartbreakingly so, including in Australia where one woman a week on average is killed by her current or former partner. Blaze has a perfect title, with the two-time Archibald Prize-winning artist behind it crafting a movie that's alight with anger, that flares with sorrow, and that's so astutely and empathetically observed, styled and acted that it chars. Indeed, it's frequently hard to pick which aspect of the film singes more: the story about surviving what should be unknown horrors for a girl who isn't even yet a teen, the wondrously tactile and immersive way in which Blaze brings its namesake's inner world to the screen, or the stunning performance by young actor Julia Savage (Mr Inbetween) in its central part. There are imagined dragons in Blaze, but Game of Thrones or House of the Dragon, this isn't — although Jake (Josh Lawson, Mortal Kombat), who Blaze spots in an alleyway with Hannah (Yael Stone, Blacklight), has his lawyer (Heather Mitchell, Bosch & Rockit) claim that his accuser knows nothing. With the attack occurring mere minutes into the movie, Barton dedicates the feature's bulk to how her lead character copes, or doesn't. Being questioned about what she saw in court is just one way that the world tries to reduce her to ashes, but the embers of her hurt and determination don't and won't die. Blaze's father Luke (Simon Baker, High Ground), a single parent, understandably worries about the impact of everything blasting his daughter's way. As she retreats then acts out, cycling between both and bobbing in-between, those fears are well-founded. Blaze is a coming-age-film — a robbing-of-innocence movie as well — but it's also a firm message that there's no easy or ideal response to something as awful as its titular figure observes. Blaze is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. YOU WON'T BE ALONE Sometimes, a comparison is so obvious that it simply has to be uttered and acknowledged. That's the case with You Won't Be Alone, the first feature from Macedonian Australian writer/director Goran Stolevski, who also helmed MIFF's 2022 opening-night pick Of an Age. His debut film's lyrical visuals, especially of nature, instantly bringing the famously poetic aesthetics favoured by Terrence Malick (The Tree of Life, A Hidden Life) to mind. Its musings on the nature of life, and human nature as well, easily do the same. Set centuries back, lingering in villages wracked by superstition and exploring a myth about a witch, You Won't Be Alone conjures up thoughts of Robert Eggers' The Witch as well. Indeed, if Malick had directed that recent favourite, the end product might've come close to this entrancing effort. Consider Stolevski's feature the result of dreams conjured up with those two touchstones in his head, though, rather than an imitator. The place: Macedonia. The time: the 19th century. The focus: a baby chosen by the Wolf-Eateress (Anamaria Marinca, The Old Guard) to be her offsider. The feared figure has the ability to select and transform one protege, but she agrees to let her pick reach the age of 16 first. Nevena (Sara Klimoska, Black Sun) lives those formative years in a cave, in an attempt to stave off her fate. When the Wolf-Eateress comes calling, her initiation into the world — the world of humans, and of her physically and emotionally scarred mentor — is jarring. With Noomi Rapace (Lamb), Alice Englert (The Power of the Dog) and Carloto Cotta (The Tsugua Diaries) also among the cast, You Won't Be Alone turns Nevena's experiences of life, love, loss, desire, pain, envy and power into a haunting and thoughtful gothic horror fable. To say that it's bewitching is obvious, too, but also accurate. You Won't Be Alone is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. FULL TIME At the 2021 Venice International Film Festival, French actor Laure Calamy won the Best Actress award in the event's Horizons strand — and mere minutes into Full Time, it's easy to see why. The Antoinette in the Cévennes and Call My Agent! star is phenomenal in this portrait of a single mother's hectic routine, with writer/director Eric Gravel (Crash Test Aglaé) charting the ups and downs of his protagonist's professional and personal situation like he's making a thriller. In fact, he is. Julie Roy, the feature's focus, is stretched to breaking point, and every moment of every day seems to bring a new source of stress. For starters, her job overseeing the cleaning at a five-star Parisian hotel is both chaotic and constantly throwing up challenges, she's put all her hopes on a new gig in market research but getting time off for the interview is easier said than done, and the French capital is in the middle of a transport strike that makes commuting in and out from the outskirts basically impossible. Also adding to Julie's troubles: the childcare arrangement she has in place with a neighbour, having any energy to spend meaningful time with her children at the end of her busy days, trying to get financial support out of her absent ex and planning a birthday party. All of this might sound mundane, and like the kind of thing that plenty of people deal with every day — and that's partly the point. Full Time hones in on the rush, hustle and bustle to show how fraught this vision of normality is. Every shot by cinematographer Victor Seguin (Gagarine) ripples with tension, and the rhythm amplified by editor Mathilde Van de Moortel (Mustang) is nothing short of relentless. Gravel truly sees Julie, her stresses and the fact that she's at her wits' end, and the marvellous Calamy plays the part like she's living it. Full Time is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WHEEL OF FORTUNE AND FANTASY One of two films by Japanese filmmaker Ryûsuke Hamaguchi that hit Australian cinemas this year — the other, Drive My Car, was an Oscar hit — Wheel of Fortune and Fantasy gives three tales about romance, desire and fate a spin. These three stories all muse on chance, choice, identity and echoes as well, and focus on complex women reacting to the vagaries of life and everyday relationships. Coincidence plays a role in each of the trio, too, and commonalities ebb and flow between each dialogue-heavy narrative. In other words, this is a smart, astute and savvily layered triptych from the director behind Happy Hour and Asako I and II, as brought to the screen with excellent performances, a canny knack for domestic drama and piercing long shots in each and ever chapter. In the first part, model Meiko (Kotone Furukawa, 21st Century Girl) discovers that her best friend Tsugumi (Hyunri, Wife of a Spy) has just started seeing her ex-boyfriend Kazuaki (Ayumu Nakajima, Saturday Fiction), and grapples with her complicated feelings while pondering what could eventuate. Next, college student Nao (Katsuki Mori, Sea Opening) is enlisted to seduce Professor Sagawa (Kiyohiko Shibukawa, Tezuka's Barbara) as part of a revenge plan by her lover Sasaki (Shouma Kai, Signal 100). Finally, in a world where the internet has been eradicated due to a virus, Natsuko (Fusako Urabe, Voices in the Wind) and Nana (Aoba Kawai, Marriage with a Large Age Gap) cross paths — thinking that they went to school together decades ago. Wheel of Fortune and Fantasy isn't currently available to stream. Read our full review. COMPARTMENT NO. 6 Handheld camerawork can be a gimmick. It can be distracting, too. When imagery seems restless for no particular reason other than making the audience restless, it drags down entire films. But at its best, roving, jittery and jumpy frames provide one of the clearest windows there is into the souls that inhabit the silver screen in 90-minute blocks or so, and also prove a wonderful way of conveying how they feel in the world. That's how Compartment No. 6's cinematography plays, and it couldn't be a more crucial move; this is a deeply thoughtful movie about two people who are genuinely restless themselves, after all. Finnish director Juho Kuosmanen (The Happiest Day in the Life of Olli Mäki) wants what all of the most perceptive filmmakers do — to ensure his viewers feel like they know his characters as well as they know themselves — and in his latest cinematic delight, he knows how to get it. How Kuosmanen evokes that sense of intimacy and understanding visually is just one of Compartment No. 6's highlights, but it's worthy of a train full of praise. With the helmer's returning director of photography Jani-Petteri Passi behind the lens, the film gets close to Finnish student Laura (Seidi Haarla, Force of Habit) and Russian miner Ljoha (Yuriy Borisov, The Red Ghost). It peers intently but unobtrusively their way, like an attentive lifelong friend. It jostles gently with the locomotive that the movie's central pair meets on, and where they spend the bulk of their time together. It ebbs and flows like it's breathing with them. It rarely ventures far from their faces in such cramped, stark, 90s-era Russian surroundings, lingering with them, carefully observing them, and genuinely spying how they react and cope in big and small moments alike. Pivotally — and at every moment as well — this Before Sunrise-esque gem truly pays attention to, appreciates and understands its key duo. Compartment No. 6 isn't currently available to stream. Read our full review. C'MON C'MON The last time that Joaquin Phoenix appeared in cinemas before 2022, he played an overlooked and unheard man. "You don't listen, do you?" Arthur Fleck asked his social worker, and the entirety of Joker — and of Phoenix's magnetic Oscar-winning performance as the Batman foe in the 2019 film, too — provided the obvious answer. Returning to screens in a feature that couldn't be more different to his last, Phoenix now plays a professional listener. A radio journalist and podcaster who'd slide in seamlessly alongside Ira Glass on America's NPR, Johnny's niche is chatting with children. Travelling around the country from his New York base, C'mon C'mon's protagonist seeks thoughts about life, hopes, dreams, the future and the world in general, but never in a Kids Say the Darndest Things-type fashion. As Phoenix's sensitive, pensive gaze conveys under the tender guidance of Beginners and 20th Century Women filmmaker Mike Mills, Johnny truly and gratefully hears what his young interviewees utter. Phoenix is all gentle care, quiet understanding and rippling melancholy as Johnny. All naturalism and attentiveness as well, he's also firmly at his best, no matter what's inscribed on his Academy Award. Here, Phoenix is as phenomenal as he was in his career highlight to-date, aka the exceptional You Were Never Really Here, in a part that again has his character pushed out of his comfort zone by a child. C'mon C'mon's Johnny spends his days talking with kids, but that doesn't mean he's equipped to look after his nine-year-old nephew Jesse (Woody Norman, The War of the Worlds) in Los Angeles when his sister Viv (Gaby Hoffmann, Transparent) needs to assist her husband Paul (Scoot McNairy, A Quiet Place Part II) with his mental health. Johnny and Viv haven't spoken since their mother died a year earlier, and Johnny has previously overstepped when it comes to Paul — with the siblings' relationship so precarious that he barely knows Jesse — but volunteering to help is his immediate reflex. C'mon C'mon is available to stream via Binge, Paramount+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FLEE When Flee won the World Cinema Documentary Grand Jury Prize at the 2021 Sundance Film Festival, it collected its first accolade. The wrenchingly affecting animated documentary hasn't stopped notching up deserving acclaim since. A spate of other gongs have come its way, in fact, including a history-making trifecta of nominations for Best International Feature, Best Documentary and Best Animated Feature at this year's Oscars, becoming the first picture to ever earn nods in all three categories at once. Gleaning why this moving and compassionate movie keeps garnering awards and attention isn't difficult. Pairing animation with factual storytelling is still rare enough that it stands out, but that blend alone isn't what makes Flee special. Writer/director Jonas Poher Rasmussen (What He Did) has created one of the best instances of the combination yet — a feature that could only have the impact it does by spilling its contents in such a way, like Ari Folman's Waltz with Bashir before it — however, it's the tale he shares and the care with which he tells it that makes this something unshakeably exceptional. Rasmussen's subject is Amin Nawabi, an Afghan refugee using a pseudonym. As his story fills Flee's frames, it's also plain to see why it can only be told through animation. Indeed, the film doesn't cover an easy plight — or a unique one, sadly — but Rasmussen renders every detail not just with eye-catching imagery, but with visuals that flow with empathy at every moment. The filmmaker's protagonist is a friend of his and has been for decades, and yet no one, not even the director himself, had ever previously heard him step through the events that the movie chronicles. Amin is now in his 40s, but he was once a kid in war-torn Kabul, then a teenager seeking asylum in Copenhagen. His life to-date has cast him in other roles in other countries, too, on his journey to house-hunting with his boyfriend as he chats through the ups and downs for his pal. Flee is available to stream via DocPlay, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEMORIA When Memoria begins, it echoes with a thud that's not only booming and instantly arresting — a clamour that'd make anyone stop and listen — but is also deeply haunting. It arrives with a noise that, if the movie's opening scene was a viral clip rather than part of Thai filmmaker Apichatpong Weerasethakul's spectacular Cannes Jury Prize-winning feature, it'd be tweeted around with a familiar message: sound on. The racket wakes up Jessica Holland (Tilda Swinton, Three Thousand Years of Longing) in the night, and it's soon all that she can think about; like character, like film. It's a din that she later describes as "a big ball of concrete that falls into a metal well which is surrounded by seawater"; however, that doesn't help her work out what it is, where it's coming from or why it's reverberating. The other question that starts to brood: is she the only one who can hear it? So springs a feature that's all about listening, and truly understands that while movies are innately visual — they're moving pictures, hence the term — no one should forget the audio that's gone with it for nearly a century now. Watching Weerasethakul's work has always engaged the ears intently, with the writer/director behind the Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives and just-as-lyrical Cemetery of Splendour crafting cinema that genuinely values all that the filmic format can offer. Enjoying Memoria intuitively serves up a reminder of how crucial sound can be to that experience, emphasising the cavernous chasm between pictures that live and breathe such a truth and those that could simply be pictures. Of course, feasting on Weerasethakul's films has also always been about appreciating not only cinema in all its wonders, but as an inimitable art form. Like the noise that lingers in his protagonist's brain here, his movies aren't easily forgotten. Memoria is available to stream via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BELLE When Beauty and the Beast typically graces the screen, it doesn't involve a rose-haired singer decked out in a matching flowing dress while singing heart-melting tunes atop a floating skywhale mounted with speakers. It doesn't dance into the metaverse, either. Anime-meets-Patricia Piccinini-meets-cyberspace in Belle, and previous filmed versions of the famed French fairytale must now wish that they could've been so inventive. Disney's animated and live-action duo, aka the 1991 musical hit that's been a guest of childhood viewing ever since and its 2017 Emma Watson-starring remake, didn't even fantasise about dreaming about being so imaginative — but Japanese writer/director Mamoru Hosoda (Mirai) also eagerly takes their lead. His movie about a long-locked social-media princess with a heart of gold and a hulking creature decried by the masses based on appearances is firmly a film for now, but it's also a tale as old as time and one unafraid to build upon the Mouse House's iterations. At first, there is no Belle. Instead, Hosoda's feature has rural high-schooler Suzu (debutant Kaho Nakamura) call her avatar Bell because that's what her name means in Japanese. That online character lives in a virtual-reality world that uses body-sharing technology to base its figures on the real-life people behind them, but Suzu is shy and accustomed to being ignored by her classmates — other than her only pal Hiroka (Lilas Ikuta of music duo Yoasobi) — so she also uploads a photo of the far-more-popular Ruka (Tina Tamashiro, Hell Girl). The social-media platform's biometrics still seize upon Suzu's own melodic singing voice, however. And so, in a space that opines in its slogan that "you can't start over in reality, but you can start over in U", she croons. Quickly, she amasses an audience among the service's five-billion users, but then one of her performances is interrupted by the brooding Dragon (Takeru Satoh, the Rurouni Kenshin films), and her fans then point digital pitchforks in his direction. Belle is available to stream via Binge, Google Play, iTunes and Prime Video. Read our full review. ALL QUIET ON THE WESTERN FRONT War makes meat, disposable labour and easy sacrifices of us all. In battles for power, as they always are, bodies are used to take territory, threaten enemies and shed blood to legitimise a cause. On the ground, whether in muddy trenches or streaming across mine-strewn fields, war sees the masses rather than the individuals, too — but All Quiet on the Western Front has always been a heartbreaking retort to and clear-eyed reality check for that horrific truth. Penned in 1928 by German World War I veteran Erich Maria Remarque, initially adapted for the screen by Hollywood in 1930 and then turned into a US TV movie in 1979, the staunchly anti-war story now gets its first adaptation in its native tongue. Combat's agonies echo no matter the language giving them voice, but Edward Berger's new film is a stunning, gripping and moving piece of cinema. Helming and scripting — the latter with feature first-timers Lesley Paterson and Ian Stokell — All My Loving director Berger starts All Quiet on the Western Front with a remarkable sequence. The film will come to settle on 17-year-old Paul Bäumer (astonishing debutant Felix Kammerer) and his ordeal after naively enlisting in 1917, thinking with his mates that they'd be marching on Paris within weeks, but it begins with a different young soldier, Heinrich Gerber (Jakob Schmidt, Babylon Berlin), in the eponymous region. He's thrust into the action in no man's land and the inevitable happens. Then, stained with blood and pierced by bullets, his uniform is stripped from his body, sent to a military laundry, mended and passed on. The recipient: the eager Paul, who notices the past wearer's name on the label and buys the excuse that it just didn't fit him. No one dares waste a scrap of clothing — only the flesh that dons it, and the existences its owners don't want to lose. All Quiet on the Western Front is available to stream via Netflix. Read our full review. HIT THE ROAD How fitting it is that a film about family — about the ties that bind, and when those links are threatened not by choice but via unwanted circumstances — hails from an impressive lineage itself. How apt it is that Hit the Road explores the extent that ordinary Iranians find themselves going to escape the nation's oppressive authorities, too, given that the filmmaker behind it is Panah Panahi, son of acclaimed auteur Jafar Panahi. The latter's run-ins with the country's regime have been well-documented. The elder Panahi, director of Closed Curtain, Tehran Taxi and more, has been both imprisoned and banned from making movies over the past two decades, and was detained again in July 2022 for enquiring about the legal situation surrounding There Is No Evil helmer Mohammad Rasoulof. None of that directly comes through in Hit the Road's story, not for a moment, but the younger Panahi's directorial debut is firmly made with a clear shadow lingering over it. As penned by the fledgling filmmaker as well, Hit the Road's narrative is simple and also devastatingly layered; in its frames, two starkly different views of life in Iran are apparent. What frames they are, as lensed by Ballad of a White Cow cinematographer Amin Jafari — with every sequence a stunner, but three in particular, late in the piece and involving fraught exchanges, nighttime stories and heartbreaking goodbyes, among the most mesmerising images committed to celluloid in recent years. Those pictures tell of a mother (Pantea Panahiha, Rhino), a father (Mohammad Hassan Madjooni, Pig), their adult son (first-timer Amin Simiar) and their six-year-old boy (scene-stealer Rayan Sarlak, Gol be khodi), all unnamed, who say they're en route to take their eldest to get married. But the journey is a tense one, even as the youngest among them chatters, sings, does ordinary childhood things and finds magic in his cross-country road trip, all with zero knowledge of what eats at the rest of his family. Hit the Road is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. QUO VADIS, AIDA? Films about war are films about wide-ranging terror and horror: battles that changed lives, deaths that reshaped nations, political fights that altered the course of history and the like. But they're also movies about people first, foremost and forever: folks whose everyday existence was perpetually shattered, including those lost and others left to endure when hostilities cease. Quo Vadis, Aida? is firmly a feature about both aspects of war. It homes in on one town, Srebrenica, in July 1995 during the 1992–95 Bosnian War, but it sees devastation and a human toll so intimate and vast in tandem that heartbreak is the only natural response. A survivor of the war herself, writer/director Jasmila Žbanić (Love Island, For Those Who Can Tell No Tales) knows that combat and conflict happens to ordinary men and women, that each casualty is a life cut short and that every grief-stricken relative who remains will never forget their magic ordeal — and she ensures that no one who watches Quo Vadis, Aida? can forget the Srebrenica massacre, or the fact that 8372 civilians were killed, either. A teacher-turned-interpreter, the eponymous Aida Selmanagic (Jasna Đuričić, My Morning Laughter) is Žbanić's eyes and ears within the demilitarised safe zone established by Dutch UN peacekeepers. The film doesn't adopt her exact point of view aesthetically — we see Aida, and plenty; Quo Vadis, Aida? wouldn't be the same without the tenacity and insistence that radiates from her posture and gaze — but it lives, breathes, feels, roves and yearns as she does. Aida has a mother's and wife's motivations above all else, however: she wants her husband Nihad (Izudin Barjović, Father), a school principal, to be with her and to be safe, and the same for their sons Hamdija (Boris Ler, Full Moon) and Sejo (Dino Barjović, Sin), obviously. It's a mission to even get them in the base, especially with so many other refugees pleading to be allowed in outside. But Aida hustles, including getting Nihad sent to negotiations with Serbian General Ratko Mladić (Boris Isaković, Last Christmas) as a town representative. And as the General's brash, cocky, swaggering troops start escorting out the base's inhabitants and putting them onto buses depending upon their gender following those talks, Aida makes every desperate move she can to save her family. Quo Vadis, Aida? is available to stream via Binge, Google Play, YouTube Movies and iTunes. Read our full review. LOST ILLUSIONS Stop us when Lost Illusions no longer sounds familiar. You won't; it won't, either. Stop us when its 19th century-set and -penned narrative — written by acclaimed novelist Honoré de Balzac almost 200 years ago, and brought to the screen now by filmmaker Xavier Giannoli (Marguerite) — no longer feels so relevant to life today that you can easily spot parts of it all around you. Again, that won't happen. When the handsome and involving French drama begins, its protagonist knows what he wants to do with his days, and also who he loves. Quickly, however, he learns that taking a big leap doesn't always pan out if you don't hail from wealth. He makes another jump anyway, out of necessity. He gives a new line of work a try, finds new friends and gets immersed in a different world. Alas, appearances just keep meaning everything in his job, and in society in general. Indeed, rare is the person who doesn't get swept up, who dares to swim against the flow, or who realises they might be sinking rather than floating. The person weathering all of the above is Lucien Chardon (Benjamin Voisin, Summer of 85), who'd prefer to be known as Lucien de Rubempré — his mother's aristocratic maiden name. It's 1821, and he's a poet and printer's assistant in the province of Angoulême when the film begins. He's also having an affair with married socialite Louise de Bargeton (Cécile de France, The French Dispatch), following her to Paris, but their bliss is soon shattered. That's why he gives journalism a try after meeting the equally ambitious Etienne Lousteau (Vincent Lacoste, Irma Vep), then taking up the offer of a tabloid gig after failing to get his poetry published. Lucien climbs up the ranks quickly, both in the scathing newspaper business — where literary criticism is literally cash for comment — and in the right Parisian circles. But even when he doesn't realise it, his new life weighs him down heavily. Lost Illusions is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. LIMBO What happens when a group of refugees are sent to await the results of their asylum applications on a Scottish island? That's the question that Limbo ponders. There's no doubting why this second feature from writer/director Ben Sharrock (Pikadero) has been given its moniker; for Syrian musician Omar (Amir El-Masry, Star Wars: Episode IX — The Rise of Skywalker) and his fellow new arrivals to Scotland, there's not much to do in this void between the past and the future but wait, sit at the bus stop, check out the children's playground and loiter near the pay phone. That, and navigate the wide range of reactions from the locals — veering from offensive to thoughtful — and, in Omar's case, feel the weight of his prized possession. He's brought his grandfather's oud with him, which he rarely let go of, but his own musical dreams are in limbo as well. A film can be heartbreaking, tender, insightful and amusing all at once, and Limbo is indeed all of those things. It's both dreamlike and lived-in, too, a blend that suits its title and story — and also the mental and emotional state shared by Omar and his fellow asylum seekers as they bide their time on an island that feels like another world. A movie can be both heavy and light simultaneously as well, which is another of Limbo's strengths. Sharrock sees both seriousness and levity in his narrative, his characters and their plights, and recognises the nightmarish and the beautiful in tandem. The latter especially applies to the feature's haunting cinematography, which lenses a landscape that keeps Omar pals physically in limbo with a probing eye. Limbo is available to stream via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. CYRANO Love can spring quickly, igniting sparks instantly. Or, it can build gradually and gracefully, including over a lifetime. It can be swift and bold like a lightning strike, too, or it can linger, evolve and swell like a gentle breeze. In the sumptuous confines of Cyrano, the newest period piece from Joe Wright (Pride & Prejudice, Atonement and Anna Karenina), all of the above happens. The latest adaptation of Edmond Rostand's 1897 play Cyrano de Bergerac, this time as a musical via playwright Erica Schmidt's own song-filled on-stage version, lends its attention to two men who've fallen for the plucky Roxanne (Haley Bennett, Hillbilly Elegy) in opposite ways. Charming soldier Christian de Neuvillette (Kelvin Harrison Jr, The Trial of the Chicago 7) gets the fast-and-infatuated experience, while the movie's namesake (Peter Dinklage, I Care a Lot), a poet also handy in battle, has ached for his childhood pal for as long as he can remember. Roxanne's two suitors make a chalk-and-cheese pair, with their contrasting approaches to matters of the heart — specifically, to winning her heart and helping ensure that she doesn't have to marry the rich and ruthless De Guiche (Ben Mendelsohn, The Outsider) to secure her future — driving much of Cyrano's drama. Also present and accounted for, as all takes on the tale have included (see also: 80s rom-com Roxanne with Steve Martin, the Gérard Depardieu-starring Cyrano de Bergerac, 90s rom-com The Truth About Cats & Dogs with Uma Thurman and Janeane Garofalo, plus recent Netflix teen flicks Sierra Burgess Is a Loser and The Half of It): insecurities about appearance, a way with words and a ghostwriting gambit. Short in stature given Dinklage's casting, Cyrano can't even dream that Roxanne could love him. But he wants her to be happy above all else and knows that she's smitten with Christian, so he secretly lends his romantic rival his letter-penning abilities to help woo her by lyrical prose. Cyrano is available to stream via Prime Video, Google Play, YouTube Movies and iTunes. Read our full review.
Behind a sleek black facade in Geelong, you'll discover one of Victoria's most acclaimed regional restaurants, Igni. Here, chef and owner Aaron Turner (also the guy behind Hot Chicken Project around the corner), is fearless in pushing the culinary envelope, as he champions the best of the region's small, bespoke producers. No two visits promise the same experience, thanks to an oft-changing menu directed by whatever top farm-fresh haul Turner gets his hands on each day. This is where the term 'produce-driven' is taken to a whole new level. Offered via a six-course dining journey, the fare, like the space, is a celebration of simplicity, where serious technique is showcased with minimal fluff and fanfare. Prepare to be wowed by some revelatory flavour combinations, as everyday ingredients are driven to mind-blowing new heights. To match, you'll find a brief but diverse rotation of wines, with expertly curated pairing menus available with your degustation. Well worth the drive (or the train journey) to Geelong.
If you need proof that a lot can change in a decade, look no further than DMA's. From writing indie tunes in a rundown Newtown flat to conquering the world's biggest stages, the band is officially returning home for a nostalgic one-off Sydney show. Held at The Metro Theatre on Friday, March 27, this special 10th anniversary performance celebrates where bandmates Johnny Took, Matt Mason and Tommy O'Dell's journey really began — the release of their debut album, Hills End. Performing the album in full, DMA's are also making this show an unforgettable experience for diehard fans. That means you can expect tracks they've never previously played live, alongside a selection of fan favourites from across their acclaimed catalogue. Coinciding with the release of the Hills End 10th Anniversary Edition, featuring previously unreleased original demos, you have the perfect excuse to jam to 'Delete', 'Lay Down' and 'Step Up The Morphine' while reminiscing about where you were and what you were doing ten years ago. Pre-sale tickets are available from 10am on Wednesday, February 4 to 9am on Thursday, February 5, or until allocation is exhausted. If you miss out, general public tickets are on sale from 10am on Thursday, February 5. Head to the website for more information. Top image: Mclean Stephenson.
Chapel Street is now home to the Victorian flagship cafe of Campos — the Australian International Coffee Awards' reigning Champion Australian Coffee Roaster for two years running. The Sydney-born brand marked its 21st anniversary year by opening this stylish Melbourne outpost, which celebrates primo coffee alongside a host of talented local creatives. Lining the walls of the two-storey cafe, you'll find a rotation of local artworks, while Melbourne's own Pot Dispensary are behind the custom cups that prettily house your long blacks and lattes. The space itself is abundant in warm hues, retro curves and timber panelling, executed by design studio Guru Projects and offering an elegant nod to the Euro espresso bars of yesteryear. Venture upstairs to find a fresh white- and green-accented room used to host coffee training sessions and cupping events. As with its Brisbane and Sydney flagships, Campos' extensive range of caffeinated wares is front and centre here in South Yarra. The OG Superior Blend features alongside rare Geisha varieties and the newly-launched Lab Series, which stars a curation of limited-release single origin sips. Home-based coffee drinkers are also in expert hands, with a handpicked retail selection of brewing and grinding equipment on the shelves. As for the food, you can settle in with a lineup of sandwiches, pastries and other sweet treats courtesy of Glen Iris' AM Bakehouse, while vegan food business Mahadeva's Kitchen has a range of plant-based goodies to choose from, too. Images: Jana Langhorst
The inner city of Melbourne is a grid-block full of hidden bars, world-class coffee, and gem-filled laneways. Walk just a few hundred metres down the street, and you'll continuously find yourself discovering something new—a new boutique, cafe or atmosphere. In the heart of the Victorian capital sits Flinders Lane. Known for its laneways and creative energy, Flinders Lane is a bustling thoroughfare of a central neighbourhood. Look a little closer, though, and you can find the best of the city. [caption id="attachment_1036058" align="alignleft" width="1920"] Hotel Indigo Melbourne on Flinders[/caption] Hotel Indigo Melbourne on Flinders is for the curious traveller wanting to be located in the beating heart of Melbourne. The boutique accommodation is filled with nods to the glamorous and history-filled neighbourhood. The hotel's chic styling is an ode to the legendary photographer Helmut Newton, who owned a studio on Flinders Lane in 1946. Find creative inspiration in your hotel room before immersing yourself in the culture-rich neighbourhood. Whether you're looking for some staycation inspiration or you're planning a weekend trip to Melbourne, here's what to add to your Flinders Lane itinerary. [caption id="attachment_709565" align="alignleft" width="1920"] Dukes Coffee Roasters[/caption] Inner City Coffee You can't start a morning in Melbourne without coffee, and Flinders Lane has it in droves. Dukes Coffee House is an institution that serves strong specialty coffee. The hole-in-the-wall cafe has only a couple of seats available, but soak up the buzzing New York City-style atmosphere as you wait for a takeaway. Across the street is Elio's Place. The new bistro opens day-to-night with a classic Melbourne cappuccino on offer for your early morning caffeine fix. Finally, you can't go past a trip to Brunetti Oro on Flinders Lane. The recently-renovated cafe serves the finest Italian cakes, pastries and, of course, coffee. Brunetti Oro also offers brunch if you want some hearty food before your day of exploring on foot. [caption id="attachment_708841" align="alignleft" width="1920"] RetroStar[/caption] Vintage Shopping While the inner north suburbs of Fitzroy and Brunswick often get crowned the pinnacle of Melbourne's vintage shopping, Flinders Lane is also a treasure trove of unique second-hand pieces. In the Nicholas Building (yes, the one from Courtney Barnett's Elevator Operator), you'll find Vintage Sole. Twenty years ago, Vintage Sole began by repairing and selling cowboy boots. Now, they have three stores across Melbourne that sell curated vintage pieces. On the first floor of the same building, you'll also find RetroStar Vintage Clothing. It's Australia's largest vintage store, so you're sure to find a fashionable souvenir. [caption id="attachment_667741" align="alignleft" width="1920"] Kuwaii[/caption] Shop the Boutiques As well as its vintage stores, Flinders Lane is famed for its edgy and independent boutiques. Flinders Lane was once the city's fashion capital with fashion houses, designers and rag traders all congregating in the neighbourhood. 'The Lane', as it was known by the end of the 20th century, was an Australian institution due to it clothing and textiles trades. Now, you can still see the remnants of the lane's history with stores like Alpha 60, Up There, and Kuwaii all operating from the famous Melbourne laneway. Wander through the boutiques and heritage buildings to soak up the city's fashion history. [caption id="attachment_959616" align="alignleft" width="1920"] Bistrot Bisou[/caption] Foodie Laneways Splintering off Flinders Lane is Degraves Street. The pedestrian precinct is what most tourists would think of when they hear 'Melbourne laneway'. Dotted with cafes and restaurants, there are several places to grab a quick bite or a hearty meal before you get on with exploring the neighbourhood. Enjoy fresh Japanese food at Onigiri, authentic Italian gelato at Pidapipo, and people watch at The Quarter. If you're looking for a foodie experience in the heart of Flinders Lane, consider a wander to Bistrot Bisou. It's a Melbourne twist on classic French cuisine, designed by acclaimed chef Luke Mangan, that's perfect for a casual long lunch or a romantic date night. [caption id="attachment_1036057" align="alignleft" width="1920"] Hotel Indigo Melbourne on Flinders[/caption] In the Heart of the Action Hotel Indigo Melbourne on Flinders is truly situated in the heart of the action. With its character-filled interior designs and nods to the charming (yet culturally rich) inner city neighbourhood, the hotel is a launchpad for your urban adventure. Enjoy the plush beds, city views, and rest and recharge before heading back out into Melbourne's bustling Flinders Lane precinct. Want to stay in the thick of it? Find out more about Hotel Indigo Melbourne on Flinders here. Lead image: Hotel Indigo Melbourne on Flinders
Every seasoned party-goer knows the good times really start after midnight — and the late-night kick ons are the key ingredient. Nights out on the town always get to a point where you need to take charge and make a decision, a bold call on where to go to keep the good times rolling. This decision is the difference between a night you'll never forget and a night you can't be bothered to remember. You want a place that not only stays open late, but serves cold beers and boasts a great bar menu so you can do your late-night snacking in-house. It's a big call, but don't worry — we've got this. To help you out, we've teamed up with our mates at Heineken to find Melbourne's best venues for guaranteed good times into the wee hours of the morn.
