Remember when Pizza Hut announced that monstrosity with whole cheeseburgers baked inside the crust and everyone thought our country was reaching a critical moment in the obesity epidemic? Well, good news! American burger chain Carl's Jr is coming to Australia. Well-known in the US for their total disregard of the health conscious, Carl's Jr is a bastion of oil-soaked gluttony that makes McDonald's look like a salad bar. Many of the burgers on their regular menu contain more than 1000 calories — more than double the content of a Big Mac — and suggestions of their move to Australia were last year met with comments from the Federal Health Department. Though the franchise already has 15 locations across New Zealand, Carl's Jr will be trialling its run across the Tasman with some isolated stores on the central coast of NSW and none in our capital cities. But, much like our well-balanced blood sugar levels, that won't last long. Currently looking for franchisees, Carl's Jr is reportedly aiming to open 300 Australian stores within the next 10-15 years. Of course, there's not much you can do about fast food like this. Even with the mandatory nutritional information printed on the side, if a dude wants to eat a heart attack in a bun, he'll eat one. C'est la vie. It's the corporation's marketing strategy which might cause bigger problems. Since they employed Paris Hilton to ineffectually wash this car in 2005, Carl's Jr's advertising has perpetuated some pretty heinous crimes against feminism. Their ads, which have featured the likes of Kim Kardashian and Heidi Klum, all operate on a somewhat basic mathematical level: sauce = jizz, burgers = vajayjay, dumb people's erections = profit. Prior to their launch in NZ, a similarly offensive Carl's Jr ad was actually banned from airing at all. So we're not hugely looking forward to what they come up with in Australia but understand it's a bit of a mixed bag. Carl's Jr Australia: great news for sex pests and very bad news for people with high cholesterol. Via Gizmodo.
It might sound like some sort of lunar identity crisis, but the rare super blue blood moon proved a pretty spectacular addition to last night's skies. Stargazers across Australia had prime position to view the celestial phenomenon, which hasn't occurred anywhere in the world in over 35 years. The event combined the first total lunar eclipse since 2015, with a blue moon, or the second full moon of the calendar month. Clouds might have made for sketchy viewing in some parts of the country, though, as always, social media is chock full of impressive snaps from folks lucky enough to catch the astronomical treat. Here are some of the best shots of 2018's blue blood moon from around the planet. A post shared by Ken Perkes Photography (@perkesken) on Jan 31, 2018 at 11:44am PST A post shared by Jenny Herron (@jenniferherronn) on Jan 31, 2018 at 9:15am PST A post shared by Justin DeLand (@aperture_of_the_soul) on Jan 31, 2018 at 1:15pm PST A post shared by +15⚓🌴🍀🌊 (@cristian_perrone) on Jan 31, 2018 at 1:24pm PST A post shared by Jeff Morris (@itwasthelight) on Jan 31, 2018 at 8:33am PST A post shared by Landscapes-Astro-Cityscapes (@bay.photography) on Jan 31, 2018 at 9:58am PST A post shared by Senai Senna (@sennarelax) on Jan 31, 2018 at 1:13pm PST A post shared by Carlos Sanchez (@officialcarlossanchez) on Jan 31, 2018 at 7:14am PST A post shared by Maria Heni (@henimaria) on Jan 31, 2018 at 5:38am PST A post shared by @harsha_taurus on Jan 31, 2018 at 2:41pm PST
Career-wise, the past decade has been kind to Australian filmmaker Warwick Thornton. It all started back in 2009, when he won the Cannes Film Festival's Camera d'Or — the award for best first feature — for the fantastic Samson and Delilah. Since then, he has explored ghost stories in The Dark Side, and opened the Sydney Film Festival with We Don't Need a Map, a documentary exploring the prominence of the Southern Cross in Australian culture. In 2017, he also directed one of the best, most blistering Australian westerns ever made, Sweet Country. And, more recently, he co-helmed the second six-part season of TV series Mystery Road — which premiered at this year's Berlin Film Festival before hitting screens Down Under. All that hustle and bustle has had an impact, however, as his next project explores. In The Beach, Thornton documents his own quest to step back from his busy life by living alone on an isolated stretch of sand by the shoreline — at Jilirr, on the Dampier Peninsula on the northwest coast of Western Australia. Thornton directs the exquisite-looking documentary, with his son — Robbie Hood and Finke: There and Back filmmaker Dylan River — shooting the entire series. As well as helming, Thornton obviously stars in the six-part series, too. And it's understandably a highly personal affair; "The Beach is one of the most important projects of my life. It's about my life. It is my life," the acclaimed director explains. Accordingly, when the documentary hits NITV, SBS and SBS On Demand on Friday, May 29 — airing on NITV and SBS simultaneously in one big block, and dropping on the broadcaster's streaming platform at the same time — it'll chronicle Thornton's efforts as he lives alone, endeavouring to follow in the footsteps of his ancestors, the Kaytetye people. Solely relying upon the land, he spends his days in scenic surroundings while hunting and gathering for food, with the docuseries observing unobtrusively as he attempts to transform his existence, connect to Country, and nourish both his body and spirit. As the just-released trailer shows, it makes for quite the striking viewing. And, given the current state of the world, immensely timely viewing too. Check out the trailer below: https://www.youtube.com/watch?v=qaMIcuVH83M All six episodes of The Beach will air on NITV and SBS on Friday, May 29, with the docuseries available to stream via SBS On Demand from the same time.
Summer might be over, but the New South Wales art world is already looking forward to the next, following the announcement of two major exhibitions to launch this October as part of the 2018–19 Sydney International Art Series. The Museum of Contemporary Art Australia will host an extensive retrospective by renowned South African photographer David Goldblatt, while the Art Gallery of New South Wales will feature artworks from Russia's State Hermitage Museum — considered to have one of the world's most important collections of modernist European paintings. Running until March 2019, David Goldblatt will dive deep into the life and work of one of recent history's most legendary photographers, covering a career of more than sixty years. Goldblatt is best known for his portrayal of South Africa's tumultuous history, especially surrounding apartheid. As the photographer's first major retrospective in the southern hemisphere, the exhibition will feature Goldblatt's most famous photo series, along with early vintage prints, never-before-seen footage from his personal collection and a new feature-length documentary. As MCA Director Elizabeth Ann Macgregor OBE explained, "visitors will discover an extraordinary artist whose documentary eye has not strayed from the complexities of his country of birth, but resonates with other global histories (including Australia's own) through narratives of race and racism, and industry and the land." David Goldblatt will run at the MCA from October 19, 2018, until March 3, 2019. Modern masters from the Hermitage is at the Art Gallery of New South Wales from October 13, 2018, until March 3, 2019. Image: David Goldblatt, A plot-holder, his wife and their eldest son at lunch, Wheatlands, Randfontein. September 1962 (3_4907), 1962. Image courtesy the artist and Goodman Gallery, Johannesburg © the artist.
Does a cocktail, meal or cup of coffee taste better when it's served up in stunning surroundings? It shouldn't, but interior design is still a pivotal part of the hospitality experience. So recognises the Australian Interior Design Awards, which also highlights spectacular decor in shops, workplaces, homes and public settings — and the annual gongs have just revealed 2024's shortlisted venues. Now in its 21st year, AIDA has found more than a few bars, restaurants, cafes, houses, offices, retailers and the like that it considers supremely stylish. This year's shortlist includes 222 projects from around the country (plus a few overseas that spring from local talent), which is a record for the awards. Not all of them are hospo joints, of course; however, the next time that you're keen to hang out in chic digs while you get sipping and eating, you'll have more than a few choices. And, the same goes for whenever the urge to browse and buy strikes, too. [caption id="attachment_949107" align="alignnone" width="1920"] The Wolf Dining and Bar, Brock Beazley[/caption] Hospitality design contenders include Capella, Longshore, Bar Besuto and Hanasuki in Sydney; Reine and La Rue, The Ritz-Carlton, The Lyall, Antara 128, Enoteca Boccaccio and Purple Pit in Melbourne; and The Wolf Dining and Bar and the revamped Gerard's in Brisbane. South Australia's Pinco Deli, Fugazzi Basement and Evergreen Cafe also made the cut, as did Ember Bath House, Lawson Flats, Canteen Pizza and Yiamas in Western Australia. In the retail design category, Dissh Bondi, Sydney's LeTAO and Gelato Messina Newtown are up against Melbourne's Pidapipó Laboratorio and G McBean Family Butcher, to name just a few places on the shortlist. And, the public design field includes UQ Brisbane City, Art Gallery of New South Wales' library and members lounge, and stage three of Geelong Arts Centre. [caption id="attachment_929402" align="alignnone" width="1920"] Capella Sydney, Timothy Kaye[/caption] The rundown goes on in all fields, which means that — as proves the case every year — there's no shortage of strikingly designed new, revamped and refurbished places demanding your attention around around the country. This year's winners will be announced in-person at a dinner the Sofitel Wentworth in Sydney on Friday, June 14. [caption id="attachment_922655" align="alignnone" width="1920"] Antara 128, Haydn Cattach[/caption] [caption id="attachment_905603" align="alignnone" width="1920"] Longshore, Jason Loucas[/caption] [caption id="attachment_927271" align="alignnone" width="1920"] Enoteca Boccaccio, Peter Clarke[/caption] [caption id="attachment_928198" align="alignnone" width="1920"] LeTAO[/caption] [caption id="attachment_949111" align="alignnone" width="1920"] Gelato Messina Newtown, Jack Fenby[/caption] For the full Australian Interior Design Awards 2024 shortlist, head to the AIDA website. Top image: Como Restaurant by Cieran Murphy.
Few things will ever be better than seeing Mads Mikkelsen get day drunk and dance around while swigging champagne in an Oscar-winning movie, which is one fantastic film experience that 2021 has already delivered. But the always-watchable actor is equally magnetic and exceptional in Riders of Justice, a revenge-driven comedy that's all about tackling your problems in a different and far less boozy fashion. In both features, he plays the type of man unlikely to express his feelings. Instead of Another Round's mild-mannered teacher who's so comfortably settled into his adult life that his family barely acknowledges he's there, here he's a dedicated solider who's more often away than home. Beneath his close-cropped hair and steely, bristly beard, he's stern, sullen and stoic, not to mention hot-tempered when he does betray what's bubbling inside, and he outwardly expects the same of everyone around him. Mikkelson excels at transformational performances, however. He's also an exquisite anchor in films that dare to take risks. The aforementioned Another Round and Riders of Justice make a great double on his resume, in fact, and they're both bold and glorious in their own ways. In, Riders of Justice, Mikkelson's Markus isn't just the strong, silent type from the feature's first frame to its last. No matter what part he's playing, the Danish star is gifted at conveying subtlety, which is ideal for Markus' slow realisation that he needs to be more open with his emotions. And, while Mikkelson is usually expertly cast in most entries on his resume — the misfire that is Chaos Walking being one rare exception — he's especially in his element in this genre-defying, trope-unpacking, constantly complex and unpredictable film. With a name that sounds like one of the many by-the-numbers action flicks Liam Neeson has starred in since Taken, Riders of Justice initially appears as if it'll take its no-nonsense central figure to an obvious place, and yet this ambitious, astute and entertaining movie both does and doesn't. After a train explosion taints his life with tragedy and leaves him the sole parent to traumatised teenager Mathilde (Andrea Heick Gadeberg, Pagten), Markus returns home from Afghanistan. Talking is her method of coping, or would be if he'd let her; he refuses counselling for them both, and opts not to discuss the incident in general, because clamming up has always been his PTSD-afflicted modus operandi. Then statistician Otto (Nikolaj Lie Kaas, The Keeper of Lost Causes), his colleague Lennart (Lars Brygmann, The Professor and the Madman) and the computer-savvy Emmenthaler (Nicolas Bro, The Kingdom) arrive at the grieving family's door. They're a trio of stereotypically studious outsiders to his stony-faced military man, but they come uttering a theory. Mathematically, they don't think that the events surrounding the accident add up, so they're convinced it wasn't just a case of pure misfortune — because it's just so unlikely to have occurred otherwise. The nervy Otto, who was on the train with Mathilde and her mother Emma (Anne Birgitte Lind, The Protector), has even started to narrow down possible culprits with his pals. Markus, with his action-not-words mindset, is swiftly eager for retribution, but again, this isn't like most films of its ilk. Writer/director Anders Thomas Jensen (Men & Chicken) and screenwriter Nikolaj Arcel (A Royal Affair) do take the movie to its blatant next destination, yet never in the routine and formulaic sense. Narratives about seeking justice often ride the expected rails on autopilot, getting from start to finish on the standard vengeance template's inherent momentum; this one questions and subverts every usual cliche, convention and motif along the way. Its chief tactic: putting characters first. Jensen and Arcel don't just twist and turn a recognisable setup for the sake of it, but ground every change and choice in the personalities and backstories of their protagonists. Accordingly, Markus isn't just taciturn because that's the kind of figure that always stalks around reprisal-centric flicks, Otto and Lennart aren't merely booksmart geeky sidekicks eager for attention, and Emmenthaler is keenly aware of how the world sees him, not only because of his fondness for technology but also due to his weight. Riders of Justice doesn't add flesh to its characters to neatly explain away their decisions, either, diving into the myriad of factors that push and pull people in various directions without them even knowing it. The term 'emotional intelligence' might be so overused in self-help speak that it now feels largely meaningless, but it genuinely applies to this attentive and layered film. With calm and control, Jensen and Arcel also take a darkly comedic approach to Riders of Justice's storyline, as plenty goes wrong on their retaliatory quest. While that's where the movie's anarchic plot developments come in, and its witty dialogue as well, the film never jeopardises its investment in its characters' depth. In one case in point, the four men decide to hide their plans from Mathilde. Needing a cover, Otto and his friends claim to be counsellors dispatched to help after all. "I've had over 4000 hours of therapy," exclaims Lennart, who is quick to both embrace the ruse and spit out the appropriate terminology — and this scenario not only speaks volumes about him, but leads the feature to keep unpacking what that means. Indeed, this is a picture with a thoughtful and tender core, particularly when it comes to men facing their troubles. It's also shrewdly aware that that's what its chosen genre is always about amidst the overblown violence, and purposefully opts for a different alternative. Action, thrills and confrontations still lurk in Riders of Justice, of course. Blood and brutality do as well, as does a definite body count. But, although convincingly shot and staged, these scenes are never the picture's reason for being, or its point. Riders of Justice packages hilarity with its payback, understanding and empathy with its bullet-riddled affrays, and morality and ethics with its showdowns. It's set at the end of the year, too, so it also counts as a screwball Christmas movie — and it uses the visual references that come with that merry period to underscore its musings on togetherness, redemption, and valuing what really matters most. Another movie it'd make a stellar double with: the Nicolas Cage-starring Pig, because this year has been great for star-led revenge crusades that delight, surprise and ruminate on much, much more than getting even.
Occupying a prime street-front spot in the heritage-listed Kings Arcade, Ruben's Deli brings the soul of a traditional New York deli to High Street, Armadale. The space channels the warmth and abundance of owner Amanda Ruben's Jewish upbringing via a bold mid-century design that plays off its Victorian bones — mosaic tiling, leadlight windows and all — to create a setting that's at once instantly familiar and full of character. Think The Marvelous Mrs. Maisel meets Marvellous Melbourne. Part deli, part sandwich bar and part bakery, the all-day spot offers everything from house-cured and smoked (and hand-sliced) fish to hefty bagels and sandwiches. Head Chef Tomasz Dul (ex-Baker Bleu, The Builders Arms, Bistro Vue) joined the team in winter 2025, bringing a fresh, seasonal approach to the kitchen. His additions include Friday challah baking and a rotating lineup of salads, veggies and winter-ready drinks, like hot maple matcha served with a cinnamon stick and a babka hot chocolate topped with whipped cream and toasted babka pieces. At the sandwich bar, you can pick up made-to-order stacks that range from the classics — like a reuben on marble rye loaded with house-smoked pastrami, or a cream cheese-schmeared bagel with your choice of cold smoked salmon, hot-honey hot-smoked salmon or cured ocean trout — to more inventive takes like an eggplant schnitzel challah roll layered with matbucha, tahini and pickle. There's a generous spread of options to take home, too, including slow-cooked beef ribs, brisket and trays of roasted veg ready to heat and serve, as well as a grab-and-go selection headlined by Ruben's signature chicken matzo ball soup. On the sweet side, Ruben's much-loved cinnamon babka scrolls now come in rotating seasonal flavours, like chocolate strawberry cream cheese and banana pecan caramel, while a daily selection of cookies, cakes and Jewish baked favourites, like rugelach and challah pudding, rounds things out.
The festive season might be one of the happiest times of year for many, but there's no denying it can come with an all too heady financial hangover in the new year. And that's a shame because summer's most unmissable events do waggle a price tag. That's why we've teamed up with American Express, which offers a solution for Amex Credit Card card members to split a big cost into manageable sections. That's the idea behind Plan It® Instalments, a feature that allows you to split payments into instalments with no interest to be paid over 3, 6 or 12 months — T&Cs apply. But how can you use Plan It Instalments to live your best life? All over Australia's east coast, there are headline events you can secure a ticket to right now. [caption id="attachment_978661" align="aligncenter" width="1920"] Sydney Gay and Lesbian Mardi Gras Parade on March 2, 2023[/caption] Sydney The Harbour City rarely has a shortage of things to do. Many summer events take place in the prettiest (and busiest) parts of town, which only increase ticket prices. For a more relaxed but oh-so-luxurious alternative that's just as close to the water, a Sydney must-see is the Westpac OpenAir Cinema. With a program of indie films and blockbusters alike and food supplied by three on-site eateries from top Sydney chefs against a backdrop of the Sydney skyline and harbour, this isn't your average cinema experience. The pricing is worth it and easily broken down with Plan It Instalments. Finally, one of Sydney's biggest events returns in February to round out the season: Sydney Gay and Lesbian Mardi Gras Festival. This citywide celebration runs from Friday, February 14 to Sunday, March 2 and has a whole host of offerings. Sure, some events, like the main parade, are free — but many of Mardi Gras' most fun experiences are ticketed. Be it drag brunches, boat parties, concerts and more; you can secure a spot for yourself and any fellow partygoers today. [caption id="attachment_913351" align="aligncenter" width="1920"] Daniel Boud[/caption] Melbourne Down south in Melbourne, the offering is as stacked as ever in the heat of summer. Don't let the adverse weather stop you from having a good time. Melbourne is kicking off 2025 with a culture-heavy events program and Plan It Instalments will prevent the headline items from denting your savings when you need them. A truly fabulous event is at the top of the cards, TINA: The Tina Turner Story. The musical tells the story of an icon beloved by Australians and is so much more than just a biography. It's a toe-tapping dive into the life of the queen of rock 'n' roll and includes 20 of her most popular songs. Book using Plan It Instalments and get some seats before the show leaves Melbourne for good on Sunday, March 2. If you fancy heading further afield, up in Falls Creek is Feastival. Sure, this alpine town is generally a winter destination, but this three-day festival at the tail end of February will bring a new level of festivity outside of peak season. What's on the cards? Feasting (duh), comedy shows, paint and sips, pilates, heritage walks and a massive weekend of music featuring The Cat Empire, Budjerah, Azure Ryder and more. Make it a great getaway that goes steady via Plan It Instalments. Brisbane Up north in the River City, summer is the season of concerts. The regular summer offerings go on in force, but some of the hottest tickets in town are courtesy of artists stopping by on global tours. Then, on Tuesday, February 25, comes the long-awaited return of The Goo Goo Dolls to Australian shores. On their first visit in 20 years, they'll be joined by Thirsty Merc as they blow the roof off of the Brisbane Convention and Exhibition Centre with banging ballads like 'Iris', 'Slide', 'Just the Way You Are' and more. Finally, an icon among icons, Kylie Minogue, is playing two shows at the Brisbane Entertainment Centre as a part of the Tension Tour on Wednesday, February 26 and Thursday, February 27. Plan It Instalments is available for American Express Credit Card Holders for plans over $100. For more information, visit the website. Plan It Instalments Terms and Conditions: You can create an Instalment Plan as long as your account is in good standing. We may withdraw this offer, prevent you from creating any new Instalment Plans or cancel any of your existing Instalment Plan(s) at any time if your Card Account is overdue, or if you do not comply with your Card Conditions. The minimum Plan amount is AUD$100. We may also limit the amount that can be transferred to an Instalment Plan. You will be charged a Monthly Plan Fee for each Instalment Plan created. This fee will be charged each month your Instalment Plan is active and will be disclosed to you at the time of creating your Instalment Plan. Each Instalment Plan will begin from the date it is successfully created, as communicated to you in your Online Account. Payment of your first Monthly Instalment will be due in your next payment cycle. You may request to cancel your Instalment Plan(s) at any time through your Online Account or the Amex App. Any billed Monthly Plan Fees will remain payable, but no further Monthly Plan Fees will be billed after cancellation is effective. As cancellation can take 24-48 hours to process ("Processing Time"), you may be charged a further monthly plan fee after requesting cancellation if the Processing Time occurs on your payment date. View the full Plan It Instalments Terms and Conditions here. American Express Consumer Credit Cards are offered, issued and administered by American Express Australia Limited ABN 92 108 952 085, Australian Credit License No. 291313.
Family feuds are a deadly business in Bad Sisters, Apple TV+'s latest must-see. Just don't believe the first word in its title for a second. Starring, co-written and co-developed by Sharon Horgan, as Catastrophe was before it, this ten-part streaming series focuses on the Garvey girls, a quintet of Irish siblings who became bonded by more than blood when they were orphaned years earlier. Horgan's Eva took on the matriarch role and has doted on her siblings Grace (Anne-Marie Duff, Sex Education), Ursula (Eva Birthistle, The Last Kingdom), Bibi (Sarah Greene, Normal People) and Becka (Eve Hewson, Behind Her Eyes) ever since, even now that they range from their late twenties through to their forties. Used to doing whatever they must for each other, there's nothing bad about their sisterly devotion — but it just might include killing Grace's husband. A pitch-black comedy, a murder-mystery and a family drama all in one — an Irish riff on Big Little Lies, too, although it's actually adapted from Belgian TV's Clan from back in 2012 — Bad Sisters ponders two questions. Firstly, it wonders what lengths loyal siblings would truly go to to protect one of their own. Secondly, it contemplates what comeuppance women pushed to their limits will exact upon the source of their misery. Indeed, it's a darkly funny revenge fantasy as well, and a puzzle to compulsively sleuth along with. Do the Garveys get their wish? How will they try to make their dream a reality? Will their various murder plots work? What'll go wrong next? These queries also keep coming, and unfurling the answers makes for equally riveting, entertaining, empathetic and amusing viewing. Bad Sisters begins on the day of a funeral, farewelling John Paul Williams (Claes Bang, The Northman) after Grace makes sure that his erection won't be noticed first. Her dead husband has long been nicknamed 'The Prick' anyway, with his four sisters-in-law all thoroughly unimpressed, to say the least, about the toxic way he openly treated his dutiful wife. They're all sick of the underhanded abuse he also directed towards each of them, as well as anyone he didn't like, and the unearned air of superiority that always came with it. Calling him manipulative, callous, misogynistic, racist, narcissistic, spiteful, vicious, pitiless, ruthless, flat-out intolerable — they all fit. When a guest offers condolences at JP's wake, Eva's response is: "I'm just glad the suffering's over". When she's then asked if he was ill, she replies with a blunt and loaded "no". Relief lingers during JP's sendoff, but so does tension. Eva, Ursula, Bibi and Becka long wanted The Prick dead and, as flashbacks show, had been planning to bring about that very end. Complicating matters: two insurance agents, aka half-brothers Thomas (Brian Gleeson, Death of a Ladies' Man) and Matthew Claffin (Daryl McCormack, Good Luck to You, Leo Grande), who start nosing around as John Paul is being laid to rest. Their family-run outfit is meant to pay out on his life insurance policy, but it's a hefty amount of cash and will bankrupt the firm. And with Thomas' wife Theresa (Seána Kerslake, My Salinger Year) heavily pregnant and on bed rest, the Claffins already have their own share of family stresses. As brought to Apple TV+ by Horgan with United States of Tara, New Girl and 30 Rock's Brett Baer and Dave Finkel, Bad Sisters uses that insurance investigation to justify its jumps backwards — and it's a savvy tactic. In its weekly instalments, the series works through JP's awfulness and the Garveys' campaign of vengeance in two directions, contrasting the sisters' motivations in the months leading up to their brother-in-law's death with the aftermath. That said, exactly how Grace ends up a widow, who's responsible and which of the siblings knows what all drive the show's whodunnit angle, sharply and entertainingly so. Bad Sisters teases out the precise reasons that Eva, Ursula, Bibi and Becka can't stand JP, too, because The Prick's abysmal behaviour made enemies out of everyone around him over and over. Boasting a devilish setup is just one of Bad Sisters' drawcards. What a premise it is, though. The whole 'offing your arsehole brother-in-law' idea may seem obvious at the outset, but this is a series with both bite and warmth as it unpacks what happens when women don't have any other options but potentially breaking bad — and sticking together. The pervasive feeling: wish fulfilment and catharsis, as Grace's siblings attempt to make everyone's lives better, even if it requires one of the most drastic moves there is. Just as Horgan inhabits her part with fierce affection, as characters played by the This Way Up star tend to sport, the entire ten-episode run bubbles with unfailing determination. It's dedicated to seeing the horrors of coercive control and the harrowing ordeal that is life with someone like JP, but it's as devoted to maintaining hope in the Garveys' sense of sorority. Bad Sisters is also unflinching about perfecting the right balance between twisted, heartfelt, weighty, amusing, sincere and audacious — as resolute as it is about filling its frames with scenic Irish sights. The show's roster of writers and directors, which includes Dearbhla Walsh (Tales From the Loop), Rebecca Gatward (The Spanish Princess) and Josephine Bornebusch (Love Me) behind the lens, ensure four outcomes: lapping up every twist and turn; wishing you're a Garvey yourself; planning a getaway to Ireland; and feeling seen if you've ever been treated terribly by someone you love or even someone you know, be it a relative, friend, neighbour, boss, colleague or acquaintance of an acquaintance. There's no doubting the impact of Bad Sisters' on-screen talents in making it such an instantly addictive Irish delight, however. It isn't merely the central murder-mystery that lures viewers in — and the comic way the series cycles through the Garveys' schemes — but also the show's wonderful leading ladies. From Horgan through to Hewson, the eponymous sisters are exceptionally well-cast, with all five actors conveying the clan's strengths, flaws, differences, fights and camaraderie, including at an individual level and together. Duff is especially heartbreaking as the spouse who has convinced herself that her husband's exploitation and cruelty is normal, while the Bang ensures that the potently odious, easily despised JP is abhorrent on every level but never cartoonish. They're all ably supported by the charmingly bumbling Gleeson and just charmingly charming McCormack, who help reinforce that every family has its ups and downs — including when no one is contemplating homicide. Check out the trailer for Bad Sisters below: Bad Sisters streams via Apple TV+.
One moment, you're watching Diego Luna sit down two rows in front of you in a cinema that seats 1600 people. The next, you're spotting Maggie Gyllenhaal and Patrick Stewart on the street. That's life at the Berlinale, or Berlin International Film Festival, which took place from February 9 to 19 — and it matches all of that star power with a massive, jam-packed program of movies. In its 67th year, Berlinale had everything in its 400-title-plus program, and we mean everything. Want big, mainstream efforts such as T2 Transpotting and Logan? Indie Aussie flicks like Emo the Musical and Monsieur Mayonnaise? A sci-fi retrospective and the world premiere of the 3D version of that other T2 — that is, Terminator 2, not the Aussie tea company or Trainspotting sequel? Geoffrey Rush getting an award? Charlie Hunnam traipsing around the jungle? Two movies filled with famous faces arguing over a meal? A flick about utopian world without men? A 1993-set Spanish coming-of-age effort that makes an impact? Another great entry in Romania's new wave? Yes, the festival delivered on all of the above and then some. Yes, you already know that the list goes on. Of course, not everyone can be there to experience films galore, below freezing temperatures, mulled wine aplenty and a newfound pretzel addiction. Don't worry, that's where we come in. We went, we watched, and we're excited about all of the movies that'll hopefully make their way to Australia at festivals or in general release. In fact, we can't wait to watch these ten again. CALL ME BY YOUR NAME If this film sounds more than a little familiar, that's because we were already mighty excited about it when it screened at Sundance. Oh boy, did Luca Guadagnino's (A Bigger Splash) latest and best feature to date more than deliver. Let us put it this way: when you're watching a 17-year-old become infatuated with his father's handsome research assistant, played by Armie Hammer, you're feeling every single emotion he's feeling. And, you're falling head over heels for everything about this masterpiece as well. Call Me By Your Name is the kind of effort that couldn't be more seductive, from the sumptuous sights of its scenic Italian setting to the summertime heat — and sizzling sentiments to match — that radiate from the screen. Keep an eye on Timothée Chalamet, too, who plays the teenager in question. If this movie is any guide, he should become one of cinema's next big things. A FANTASTIC WOMAN A Fantastic Woman? Yes, this sensitive drama and Berlinale best screenplay winner places one front and centre. A fantastic film? You bet. After using a compassionate gaze to explore the world of an older lady trying to find happiness in Gloria, Chilean filmmaker Sebastián Lelio turns his attention to Marina (Daniela Vega), a waitress and singer whose life is thrown into disarray when tragedy strikes. The family of her much older lover are horrified, judging her transgender status rather than daring to let her into their lives — or let her mourn. The movie doesn't make the same mistake, in an effort that proves empathetic and engaging from start to finish, complete with an exceptional lead performance and one perfect song cue. THE OTHER SIDE OF HOPE No one makes films like Finnish filmmaker Aki Kaurismäki. Sure, that's true of many directors, however the balance of deadpan humour and heartfelt drama he cultivates time and again isn't an easy one, even if he makes it seem otherwise. In this year's Berlinale Best Director winner The Other Side of Hope, Kaurismäki tackles the subject of refugees in Europe as Syrian Khaled (Sherwan Haji) finds himself in Helsinki, applies to stay and is forced to pursue other options when he's hardly given a hearty welcome. The tale of an unhappy salesman turned unlikely restaurant owner intersects with Khaled's plight, and so does absurdity, but in the filmmaker's warm but insightful way. THE PARTY It all seems so simple: gather a group of excellent actors together, stick them in a few rooms, give their characters plenty to argue about and watch what happens. At its most basic, that's what The Party does over 71 entertaining, black-and-white-shot minutes — of course, it does more than that as well. The scenario sees Kristin Scott Thomas' Janet securing a plum political appointment, with her friends and family — played by Timothy Spall, Patricia Clarkson, Emily Mortimer, Cillian Murphy and more — all gathering around to celebrate. As something other than joy starts seeping through their get-together, writer/director Sally Potter crafts a lively and hilarious comedy filled with sparkling dialogue and intent on unpacking the political climate in Britain. ON BODY AND SOUL When On Body and Soul took home Berlinale's top award, the Golden Bear for Best Film, the Hungarian feature caught everyone by surprise. That's the beauty of film festivals, though — little turns out as expected, including a contemplative, surreal romantic drama set in a Budapest slaughterhouse. Writer/director Ildikó Enyedi takes her time to spin a tale of austere lives and vivid dreams, letting the emotion build at a slow and steady pace, as well as glimmers of humour. While it won't be for everyone, two things other than its accolade and its filmmaker make it stand out: just how it brings its absurd yet ultimately still relatable story to a close, and its corresponding performances. CASTING JONBENET Good news and bad news, everyone keen to watch the second full-length effort from Australian filmmaker Kitty Green. On the one hand, it's headed to Netflix in April. On the other, the film really does provide an astonishing viewing experience if you ever get the chance to see it in a cinema. As the name gives away, murdered six-year-old beauty pageant queen JonBenet Ramsay sits at the centre of this documentary — however, a regular true crime offering, this most certainly isn't. Instead, in an approach that results in disarmingly revealing insights about how we filter the events of the world through our own experiences, Green asks the people of Ramsay's home town of Boulder, Colorado to audition for a film about her case, then captures their responses. SPOOR Even if you don't know it, you're already familiar with the work of Polish filmmaking great Agnieszka Holland. Over the past decade or so, she has helmed episodes of everything from The Wire to The Killing to House of Cards — and while we can say that the flavour of all three can be glimpsed in her latest feature, Berlinale Silver Bear winner Spoor, don't go expecting something as straightforward or obvious as that may sound. A series of deaths, an investigation in an insular community and the political fallout provide the storyline for this moody and sometimes amusing feature that flits between mystery, thriller, black comedy and even fairy tale elements. Another Agnieszka also deserves acclaim, this time lead actress Agnieszka Mandat who puts in a more than memorable performance. I AM NOT YOUR NEGRO In I Am Not Your Negro, Samuel L. Jackson lends his voice to the words of American essayist James Baldwin. He does an outstanding job at capturing the tone and passion required, but it's the text itself, rather than the star uttering it, that's truly remarkable. Stepping through the state of race relations in the U.S. by focusing on the lives and deaths of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr., every syllable spoken couldn't be more perceptive — or, even though they were written decades ago, still relevant today. It's little wonder that the film was nominated for best documentary at this year's Oscars, with director Raoul Peck matching the verbal content with an illuminating compilation of footage from the '50s and '60s. ON THE BEACH AT NIGHT ALONE Last year, South Korean director Hong Sang-soo's two most recent films (Right Now, Wrong Then and Yourself and Yours) played at various Australian film festivals. Yes, he's prolific. Expect his latest, On the Beach at Night Alone, to pop up this year — and, amazingly, he has two other features due out in 2017. That might mean that he returns to the same themes of love, identity and fulfilment again and again, and plays with the same kinds of structural devices, but every one of his efforts has their delights. Here, one of them is the fact that he riffs on his own rumoured real-life circumstances, relaying a narrative about the fallout of an affair between an actress and a director. Another is the leading lady herself, Kim Min-hee, who both sits at the centre of his own scandal and puts in a revelatory, Berlinale best actress-winning turn. GOD'S OWN COUNTRY The words "Yorkshire-set Brokeback Mountain" have been bandied about with frequency regarding God's Own Country; however, thankfully they're accurate in the very best way. Set on a struggling farm, it's a film of sprawling landscapes and surging urges — with both weathering hardships but proving rich and resonant. Forced to take care of everything due to his father's ailing health, to say that scowling, constantly booze-soaked Johnny (Josh O'Connor) is frustrated is an understatement, but, slowly and tentatively, the arrival of handsome Romanian farm-hand Gheorghe (Alec Secareanu) helps brighten his unhappy days. First-time writer/director Francis Lee takes a raw, realistic approach to everything from the animals scenes to the feature's underlying emotions, with heart-swelling results.
Oh bother indeed: Winnie-the-Pooh: Blood and Honey, the slasher take on AA Milne's honey-loving, walking-and-talking teddy bear, has gotten its sticky mitts on the award that no film wants to win. Each year for the past 44 years, the Golden Raspberry Awards has named the worst movie of the past 12 months. 2023's pick is this horror twist on a childhood favourite, which attracted gongs like flies to, yes, honey. Winnie-the-Pooh: Blood and Honey was nominated in five Razzie categories. It won all five. So, according to the accolades that recognise that not all movies are great, good or even particularly watchable, it's the Worst Picture of 2023, as well as the Worst Remake, Ripoff or Sequel. And, it's home to the Worst Director, Worst Screenplay and Worst Screen Couple — the latter for Pooh and Piglet "as blood-thirsty slasher/killers". The film won big at the Razzies in the same month that sequel Winnie-the-Pooh: Blood and Honey 2 will release in Australian cinemas, arriving on Thursday, March 28 — just over a year after the first film. The Razzies only gave gongs to four 2023 movies thanks to Winnie-the-Pooh: Blood and Honey sweeping every field that it was in. Expend4bles, which picked up the most nominations with seven, won both Worst Supporting Actor and Worst Supporting Actress. Sylvester Stallone received the former and Megan Fox the latter. Fox was a two-time winner herself, also collecting Worst Actress for Johnny & Clyde, which is about serial killers being chased by a demon after they try to rob a casino. Best Actor went to Jon Voight for Mercy, which has just as likely a premise: a battle against the Irish mafia when they take control of a hospital. Always timed to arrive in the leadup to the Oscars, which take place on Monday, March 11 in Australia and New Zealand, the Razzies chose this year's worst of the worst from a heap of other movies, with plenty of big-name flicks in contention but going home empty-handed — happily, presumably. They include The Exorcist: Believer, Meg 2: The Trench, Shazam! Fury of the Gods, Fast X, Magic Mike's Last Dance, Ant Man & the Wasp: Quantumania and Indiana Jones and The Dial of Destiny. The Razzies also give out the Razzie Redeemer Award, recognising someone who was nominated for one of its trophies in the past but is in a far better situation now. This year's winner is Fran Drescher, who was a nominee in 1998, and now the current SAG/AFTRA President. The accolades awarded her "for her brilliant shepherding of the actors' guild through a prolonged 2023 strike with a successful conclusion". Check out the full list of Razzie winners and nominees below: Golden Raspberry Winners and Nominees 2023: Worst Picture: The Exorcist: Believer Expend4bles Meg 2: The Trench Shazam! Fury of the Gods Winnie-the-Pooh: Blood and Honey — WINNER Worst Actor: Russell Crowe, The Pope's Exorcist Vin Diesel, Fast X Chris Evans, Ghosted Jason Statham, Meg 2: The Trench Jon Voight, Mercy — WINNER Worst Actress: Ana de Armas, Ghosted Megan Fox, Johnny & Clyde — WINNER Salma Hayek, Magic Mike's Last Dance Jennifer Lopez, The Mother Helen Mirren, Shazam! Fury of the Gods Worst Supporting Actor: Michael Douglas, Ant Man & the Wasp: Quantumania Mel Gibson, Confidential Informant Bill Murray, Ant Man & the Wasp: Quantumania Franco Nero (as The Pope), The Pope's Exorcist Sylvester Stallone, Expend4ables — WINNER Worst Supporting Actress: Kim Cattrall, About My Father Megan Fox, Expend4bles — WINNER Bai Ling, Johnny & Clyde Lucy Liu, Shazam! Fury of the Gods Mary Stuart Masterson, Five Nights at Freddy's Worst Screen Couple: Any two "merciless mercenaries", Expend4bles Any two money-grubbing investors who donated to the $400 million for remake rights to The Exorcist Ana de Armas and Chris Evans (who flunked screen chemistry), Ghosted Salma Hayek and Channing Tatum, Magic Mike's Last Dance Pooh and Piglet as blood-thirsty slasher/killers in Winnie-the-Pooh: Blood and Honey — WINNER Worst Director: Rhys Frake-Waterfield, Winnie-the-Pooh: Blood and Honey — WINNER David Gordon Green, The Exorcist: Believer Peyton Reed, Ant Man & the Wasp: Quantumania Scott Waugh, Expend4bles Ben Wheatley, Meg 2: The Trench Worst Remake, Ripoff or Sequel: Ant Man & The Wasp: Quantumania The Exorcist: Believer Expend4bles Indiana Jones and The Dial of Destiny Winnie-the-Pooh: Blood and Honey — WINNER Worst Screenplay: The Exorcist: Believer Expend4bles Indiana Jones and the Dial of Destiny Shazam! Fury of the Gods Winnie-the-Pooh: Blood & Honey — WINNER Razzie Redeemer Award: 1998 nominee and current SAG/AFTRA President Fran Drescher, for her brilliant shepherding of the actors' guild through a prolonged 2023 strike with a successful conclusion. The 2024 Golden Raspberry Awards were announced on Saturday, March 9, Australian and New Zealand time. For further details, head to the awards' website.
The first time that Will Smith was nominated for an Oscar, it was for dramatising Muhammad Ali's story in Ali. It's much, much, much too early to say if he'll get the nod for his latest stint as a sporting figure — no one has even seen his upcoming movie King Richard yet, after all — but Smith sure looks to be angling to add a few shiny trophies for his mantle. He plays someone familiar with watching other people pick up silverware, in fact, given that he's playing Richard Williams — father of superstar tennis champions Serena and Venus. As the name makes plain, King Richard is all about the dad behind the ace-swinging duo, and his role in raising them, nurturing their talents and establishing their careers. When the girls first start showing their skills in Compton as children, neither Serena nor Venus nor Richard have any idea where their path will head. Viewers obviously do, but consider this the story behind the well-known story. The tone: persistent, moving and inspirational, at least based on the just-dropped trailer for King Richard, ahead of its release Down Under in November. From the sneak peek, Smith plays Richard as determined, confident and hardworking. Told that he might have the next Michael Jordan on his hands, he replies that he actually has the next two. Directed by Reinaldo Marcus Green (Monsters and Men), the biopic thankfully sees Smith in a completely different mode to his last big-screen appearance — in the abysmal, terrible and grating Bad Boys for Life. In King Richard, he's joined by Saniyaa Sidney (Fences) and Demi Singleton (Godfather of Harlem) stars as Venus and Serena, plus Aunjanue Ellis (Lovecraft Country) as their mother Oracene 'Brandi' Williams. Also among the familiar faces: Jon Bernthal (Those Who Wish Me Dead) as coach Rick Macci and Tony Goldwyn (Scandal) as coach Paul Cohen. Check out the trailer below: King Richard will release in Australian cinemas on November 18. Photo Credit: Courtesy of Warner Bros. Pictures.
For the past five years, Josh Niland has been showcasing his seafood prowess to Sydneysiders, with the acclaimed chef first opening restaurant Saint Peter in 2016, then launching fishmonger Fish Butchery in 2018. Last year, he shared his recipes in The Whole Fish Cookbook, letting seafood fiends everywhere follow in his footsteps at home. And now that ocean-focused text has just picked up the prestigious James Beard Book of the Year Award. On Wednesday, May 27 in the US, Niland nabbed the coveted prize — which is considered the top culinary book award in America and worldwide. Handed out by the culinary-focused non-profit James Beard Foundation each year, the James Beard Awards recognise food-centric media across a number of categories, including chefs and restaurants, books, journalism and broadcast media. They also bestow prizes in fields such as restaurant design, leadership, humanitarian work and lifetime achievement. In receiving the Book of the Year Award, Niland became the first Australian to ever take out the prize. And, he scored a second honour as well, with The Whole Fish Cookbook also winning in the Restaurant and Professional field. Niland's debut cookbook, The Whole Fish Cookbook champions his culinary philosophy, with an ethical and sustainable approach to seafood paramount to his cooking. The book's recipes include cod liver pate on toast, fish cassoulet, roast fish bone marrow, and the chef's 'perfect' version of fish and chips. [caption id="attachment_771910" align="aligncenter" width="1920"] Rob Palmer[/caption] The Whole Fish Cookbook has been picking up praise and accolades since it was first published last September, with the James Beard Book of the Year Award joining a long list of gongs. It also received the Food Book Award at the 2019 André Simon Awards, was named illustrated book of the year at the 2020 Australian Book Industry Awards, earned photographer Rob Palmer the National Portrait Gallery's National Photographic Portrait Prize 2020 for one of his photos of Niland, and has been longlisted for the Australian Booksellers Association Booksellers' Choice Awards 2020. To peruse the full list of 2020 James Beard Award winners, visit the awards' website. For more information about The Whole Fish Cookbook, head to publisher Hardie Grant's website. Top images: Rob Palmer.
Hong Kong is almost close enough (an eight-hour plane trip) to justify a long weekend away. Doing it cheap isn't easy, and what would particularly be the point? As one of the world's most expensive cities, especially for hotels, it's all about bling. Eating out can be more affordable than the top end of Australian restaurants, with obviously superior Cantonese dining options, but drinking in the hipper bars will set you back $10 a beer. If you want cheap, go to Thailand. If you want style, go to Hong Kong. The main socialising districts are Hong Kong Island, traditionally where it's all happening, and Kowloon across the harbour, its less glamorous cousin, although that's changing. Italian and French dining is in vogue at the moment, with Caprice and Pierre the top-dollar and high-rise favourites. Further down the cheap food chain are the Canto picks. The Chairman and Fook Lam Moon offer traditional Chinese cooking with a modern flair, rejecting the MSG of the local diners. The owner of The Chairman, Danny Yip, owns three Chairman restaurants in Canberra and prides himself on an organic approach to crab and dumpling feasts. Spring Moon is an upmarket 1920s-style teahouse bang in the middle of a five-star hotel, with ornate surroundings. If you want more exclusive surroundings, Yard Bird does take bookings and is the hot new place to be seen by local celebrities. Drinking is synonymous with views of the harbour, with most bars perched on top of swish hotels. Among the most popular are Hutong, which is a faux traditional restaurant with an indoor mezzanine bar above the private dining rooms and red lanterns overlooking the skyscapers of Hong Kong Island. For outdoor boozing, head to Eyebar (level 30, 63 Nathan Rd, Tsim Sha Tsui, Kowloon) for a vertigo-inducing vista, Ozone, apparently the highest bar in the world, or Sugar in the East hotel. More down-to-earth reveling can be found at the Kee Club, a members-only den with private rooms decorated like libraries and it hosts open club nights on the weekend. It's near Lan Kwai Fong, the main drinking area for visiting drunkards, which is open to the early hours and home to all-night clubs. It's not particularly cheap, but Hong Kong does offer expensive memories.
It might seem like a lifetime ago, but it was only early 2020 that saw parts of regional Victoria devastated by record-breaking bushfires. As the local communities began to rebuild, we were encouraged to hit the road and support the small businesses that had been hit the hardest. But then, COVID-19 hit and any plans of a rural escape were immediately quashed. Which means it's been far too long since we've had the luxury of enjoying the incredible produce available in the Gippsland region. Travelling along the Great Alpine Road, you'll have the opportunity to indulge in old-fashioned country pies, hearty pub meals, freshly caught seafood and locally made beer and wine. After a long year mostly spent stuck inside, nothing has ever sounded so darn appealing. Here are eight spots you shouldn't miss. Some places mentioned may be operating differently due to restrictions related to COVID-19, so check websites before making any plans. [caption id="attachment_777962" align="alignnone" width="1920"] Rob Blackburn, Visit Victoria[/caption] NORTHERN GROUND, BAIRNSDALE It might be a relative newcomer to the Bairnsdale food scene but, since opening in 2018, Northern Ground has garnered plenty of attention. Chef and owner Rob Turner has done a stellar job of highlighting the lush local produce, and recognition has followed. While primarily a daytime cafe, Northern Ground also hosts the occasional dinner event, and also acts as a function space. The menu features local stars such as monPortarlington mussels, Maffra cheddar and Lindenow broccolini. The drinks list is similarly sourced, studded with wine and beer from nearby makers. For dessert, the bakery has your favourite country classics, like lemonade scones and carrot cake. [caption id="attachment_777956" align="alignnone" width="1920"] Rob Blackburn[/caption] LIGHTFOOT AND SONS WINES, CALULU As second-generation winemakers, the Lightfoot family has been active in the Gippsland Lakes District since 1995. This pristine wine region is known for producing excellent pinot noir and chardonnay varietals, and the Lightfoot cellar door is an unmissable opportunity to try the region's best. The winery has held five-star status in the Halliday Wine Companion for several years, so you're guaranteed a decent drop. The 45-minute wine tasting is just $9, and is available from Friday to Sunday, 11am–5pm. Alternatively, you can settle in for the Taste of Gippsland experience ($65 per person) to sample the Single Block wines alongside food from across the region. [caption id="attachment_795345" align="alignnone" width="1920"] Nicky Cawood[/caption] BULLANT BREWERY, BRUTHEN Just a 15-minute drive from Bairnsdale, you'll find the beloved Bullant Brewery tucked away in Bruthen. Resident beer lovers Neil and Lois Triggs established the brewery in 2011, using local hardwood timber to create a warm, welcoming venue. Keeping with the rustic theme, the Bullant is accented with corrugated iron walls and features a fully functional copper brewhouse. More than a dozen beers are brewed on-site, with seasonal beers rotated through regularly. This extensive beer range is paired alongside a regional-focused food menu, offering lunch from Wednesday to Sunday, and an additional dinner service on Friday and Saturday. For any non-beer drinkers in your group, there is a neat wine list of Gippsland's best varietals, plus some local ciders. [caption id="attachment_777954" align="alignnone" width="1920"] Visit Victoria[/caption] ENSAY WINERY, ENSAY Sustainable agriculture might be a buzz term in 2020, but the team at Ensay Winery has been eco-conscious since 1992. The yearly 20-tonne crops of shiraz, cabernet sauvignon, pinot noir, chardonnay and merlot are all picked, processed and produced onsite at the East Gippsland winery. Careful mulching and soil management have meant that Ensay Winery is classified as a dry land vineyard, meaning it is self-sustaining — it hasn't been watered since 1998. Grab a bottle of wine at the cellar door, then relax at the provided picnic tables, overlooking the rolling hills of the Tambo River Valley. [caption id="attachment_795346" align="alignnone" width="1920"] Destination Gippsland[/caption] ALBION HOTEL, SWIFTS CREEK Located directly on the Great Alpine Road, in Swifts Creek, this quintessential country pub is utterly charming. The sweet, unassuming brick building, complete with wine barrel flower planters and red tin roof, is filled with local sporting trophies and quirky embellishments. The kitchen turns out excellent pub classics such as steaks, parmas, calamari and fish 'n' chips, with the gourmet pies coming highly recommended by the regulars. This is the perfect pub for a long lunch, with a pool table, separate dining room and a beer garden to keep everyone entertained. [caption id="attachment_794939" align="alignnone" width="1920"] Destination Gippsland[/caption] NULLAMUNJIE OLIVE OIL, TONGIO High-quality olive oil is the cornerstone of any well-stocked kitchen, but it's easy to get in the habit of buying whatever's on special at the supermarket. The extra virgin olive oil from Nullamunjie will have you quickly converted; the flavour is smooth and fruity, with a slightly peppery and herbaceous element. The olive groves are found along the banks of the Tambo River, surrounded by the slopes of Mount Stawell. This year's harvest is sold out, but you can still try the goods at the on-site eatery, The Pressing Shed Cafe & Restaurant, which will be open from January 2, 2021 till April 4, 2021. The seasonal, swiftly rotating menu is overseen by owner Annie Paterson, who makes sure to include the award-winning olive oil in every dish. [caption id="attachment_794940" align="alignnone" width="1920"] Anne Morley[/caption] GOLDEN AGE HOTEL, OMEO After being rebuilt five times (and burning down twice) the current Golden Age Hotel has been serving locals since 1940. Omeo resident Hannah Richards proudly bought the pub in 2018, after previously working behind the bar as an employee for several years. Open daily for lunch and dinner, the Golden Age Hotel menu highlights wholesome country favourites like beef schnitzel and pumpkin soup. The upstairs accommodation features vintage styling such as painted iron bed frames and gathered curtains. After a peaceful night's sleep, wander across the road to the Crazy Cow Cafe & Bakery, where you will find handmade pies, cakes, sausage rolls and tarts. If you feel like you need to move after all that eating, mountain biking enthusiasts will have their pick of cycling tracks and bush trails to explore in and around Omeo. There's also a brand new pump and skills track to try out. [caption id="attachment_794941" align="alignnone" width="1920"] Anne Morley[/caption] THE BLUE DUCK INN, ANGLERS REST This sweet country pub is perched on the banks of a mountain stream, with six self-contained cabins available for longer visits. Guests can enjoy nearby bush walks, horse riding trails, four-wheel driving tracks and white water rafting adventures. From Wednesday to Sunday, The Blue Duck Inn restaurant opens for lunch and dinner, with the scotch fillet steak and meatballs both being marked as local favourites. After such a hectic year, The Blue Duck Inn is the perfect place to get off the grid and reconnect with nature. Find more spots to visit in Gippsland and start planning your trip here. Top image: Lightfoot and Sons Winery, Rob Blackburn
Did Hollywood have a disagreement with its past, get a fortune cookie predicting the future, feel an earthquake shudder, then wake up back in the 80s and 00s? Based on two new flicks heading to cinemas, yes, it must've. Because everything old is always new again in Tinseltown — a trend that's bringing Cruel Intentions, Twilight and Harry Potter back, too — both Freaky Friday and Beetlejuice are scoring sequels. Unlike those big-screen sagas and their upcoming TV versions, this pair of films is getting movie follow-ups — and they're set to feature members of their original casts as well. For Freaky Friday 2: Freak Harder (which won't be its actual name), that means reuniting Everything Everywhere All At Once Oscar-winner Jamie Lee Curtis with Lindsay Lohan (Falling for Christmas) two decades later. With Beetlejuice 2: Electric Boogaloo (again, not its actual name), Michael Keaton (Morbius) and Winona Ryder (Stranger Things) are back with the poltergeists. The Hollywood Reporter confirmed the Freaky Friday news, noting that Elyse Hollander will pen the script. Story details haven't been revealed, but body-swapping is bound to feature given that's what Freaky Friday has always been about. Drinking, dancing, getting angry that your mum won't let you go to your band's big audition, eating those enchanted cookies — perhaps that'll all get worked in as well. For this franchise, it all started with 1972 book by Mary Rodgers, then the 1976 Jodie Foster (The Mauritanian)-starring first movie adaptation, and also a 1995 remake with Gaby Hoffman (C'mon C'mon). After 2003's beloved Curtis- and Lohan-led take, horror flick Freaky gave the idea a spin in 2020. Freaky Friday 2 doesn't have a release date yet, but Beetlejuice 2 does: September 6, 2024 in the US. It'll continue the story started in Tim Burton's 1988 hit Beetlejuice, with Wednesday favourite Jenna Ortega playing the daughter of Ryder's Lydia Deetz. As Variety reports, Justin Theroux (White House Plumbers) is also among the cast. You don't need a Handbook for the Recently Deceased in your ghostly hands to get excited, but you might spend time with folks with one, which is what happened with the original flick's Barbara and Adam Maitland (GLOW's Geena Davis and Dr Death's Alec Baldwin). In the first film, viewers also saw what happened when that pair started to suspect that they're no longer alive, a new family moved into their house (including Schitt's Creek's Catherine O'Hara) and they decided they needed a 'bio-exorcist'. The Freaky Friday sequel doesn't yet have a release date, while Beetlejuice 2 will release in September 2024 — we'll keep you updated as more details are announced. Via The Hollywood Reporter / Variety.
Come 2022, Studio Ghibli's very own theme park will become the most adorable place on earth — but until then, a new Bangkok restaurant is competing for the ultra-cute crown. Called May's Garden House Restaurant, the eatery is not only named after My Neighbour Totoro's protagonist Mei, but also takes its cues from Studio Ghibli's bewitching movie. In fact, it's the first officially licensed restaurant dedicated to the beloved Japanese animation house and its enchanting films. The only other space that comes close is the onsite cafe at the existing Studio Ghibli museum outside of Tokyo; however, the only way to eat at the Japanese site is to nab a ticket to the museum itself, which has to be booked months in advance. [caption id="attachment_677216" align="aligncenter" width="1280"] May's Garden House Restaurant[/caption] In Sukhumvit in Bangkok, Ghibli lovers can enjoy a meal surrounded by Totoros, including a giant, huggable version by the entrance; and tuck into dishes, such as susuwatari-shaped balls in a matcha bath, lattes dusted by Totoro chocolate, mini Totoro steamed buns and a general array of other themed bites. May's Garden House Restaurant also serves up a selection of Thai cuisine, such as crispy chicken wings, soups, curries and fried rice with seafood, should you need something to go with your Catbus cake. Of course, even if you opt for a meal that doesn't immediately reference Ghibli, you'll find an appropriate trinket on your table. [caption id="attachment_677217" align="aligncenter" width="1280"] May's Garden House Restaurant[/caption] While at the Thai spot, you can also wander through the figurine-filled garden, sit beneath gorgeous stained-glass windows, look over the boat pool, peruse the library, walk through two halls and just get spirited away by the restaurant's assorted memorabilia. Or, you can spy two new, exclusive Ghibli-style characters — birds called Colko and Peeko, they were designed by Ghibli producer and co-founder Toshio Suzuki. He helped support the restaurant's creation after reportedly becoming fond of owner May Kanyada's chicken wings. Unsurprisingly, visitors are advised to reserve a table at least two weeks prior to their visit, with tucking into Totoro treats proving rather popular. For more information about May's Garden House Restaurant, visit the eatery's Facebook page or Instagram feed. Via SoraNews24. Images: May's Garden House Restaurant.
Bombay Sapphire's annual sit down dinner, Project Botanicals, is returning to Melbourne for another year, celebrating the obsessive and continual love affair that we all have with pairing food and gin. Held at Taxi Riverside in Federation Square, a $49 (plus booking fee) ticket will include a two hour dining session where you'll be served two dishes and two gin cocktails to match. The option to purchase more delicious gin cocktails outside the ticket price is there as well. Head chef of Taxi Riverside, Tony Twitchett, has specifically designed a menu that enhances and complements the ten botanicals in Bombay Sapphire gin. Expect creative combinations like tempura mussels with salt and vinegar sesame paired with a gin, ginger and cucumber cocktail, and fresh cocktails like the Lemon Collins, with lemon juice, sugar syrup and soda water. In its third year, Project Botanicals will feature a 'True Artistry' collaboration to engage all five of your senses in a gin tasting. International DJ duo Yolanda Be Cool have created a 'Songs to Drink Gin To' Spotify playlist, featuring a compilation of tracks sampling local sounds from the exotic locations where Bombay Sapphire source their ten botanicals. Along with that, Samantha Taylor, fragrance expert from The Powder Room, has created a gin-inspired perfume. The unisex fragrance is a blend of all ten botanicals in Bombay Sapphire gin – including orris from Italy and lemon peel from Spain. Project Botanicals runs for two weeks, from September 8 to 18. Tickets are available via Bombay Sapphire.
Even the most seasoned traveller can get a little homesick from time to time, particularly if you're bunking down in the great outdoors without the usual creature comforts. Enter the Bank luggage range by Marc Sadler, as designed for Fabbrica Pelletterie Milano. As well as spanning the usual array of suitcases, it also features three trunks that turn into your own office, bed and kitchen away from home. Encased in shiny aluminium exteriors, jet-setters will find fold-out mini rooms that take care of our basic needs: sleeping, cooking and, sadly, working. The 'bedstation' includes a wooden base with a thin folding mattress, while the 'workstation' contains a table, chair, storage draws and charging ports. As for the 'cookstation', which isn't yet available, it'll boast a hot plate, chopping table, storage for kitchenware, its own power and even a mini fridge. Unsurprisingly, nothing in the range comes cheap — expect to pay nearly AU$11,000 for the bed, around AU$7500 for the office and an estimated AU$10,000 for the kitchen. Still, if you're keen on taking a piece of home with you on your next trip, or close enough to it, it's an option. For more information, visit Marc Sadler's website or the Fabbrica Pelletterie Milano website. Via Travel + Leisure.
The dockless bike sharing phenomenon hasn't exactly proved a roaring success here in Australia, with rogue bikes clogging up footpaths, or winding up broken and abandoned in dangerous locations, and oBike withdrawing from Melbourne entirely. And still, yet another company is keen to give the concept a whirl locally — this time, featuring electric scooters. Aussie start-up Scootie has announced it'll launch a trial program of its ride share service in November this year, giving locals in Melbourne, Brisbane, Sydney and Perth the chance to be the first to road-test its fleet of electric scooters. Punters keen to get involved are invited to sign up now to Scootie's mailing list. Riffing on the scooter systems that have been going gang-busters over in the USA, the local company is still nailing down its technology, with plans to launch the pilot program in St Kilda, before rolling out across CBD areas. At this stage, riders will simply locate a scooter, scan and pay via the Scootie smartphone app, before jetting off on their two-wheeled adventure. According to Scootie spokesman Troy Taylor, details about specific scooter deposit zones and charging stations are yet to be confirmed, though there will be a bond taken to help deter people from damaging or abandoning the scooters. Trip costs are also in the process of being finalised, with Taylor suggesting they'll start at around 20-40 cents per minute. So, for example, a 40-minute journey would cost between $8 and $16. Scootie's trial program is slated to launch in November and run for several weeks. You can sign up to be a part of it here.
Hong Kong's T'ang Court restaurant has earned itself an impressive reputation, becoming a must-eat mainstay in the city's culinary scene, and also boasting three Michelin stars for seven consecutive years since 2016. For Australians keen to give its Cantonese menu a try, there's now another option — and it's easier than hopping on an international flight. Adding to T'ang Court's outposts overseas, The Langham hotel chain has opened an Aussie venue in its luxe new Gold Coast site. The Langham Gold Coast hotel itself launched back in June, after first revealing that it was in the works in May — and T'ang Court making the jump to southeast Queensland was announced then as well. But the restaurant was always set to launch later, in spring. It clearly took that opening date seriously, welcoming in patrons from Thursday, September 1. The fine-dining chain's name comes from the Tang Dynasty, with the restaurant taking a luxe approach to both its surroundings and its culinary spread. The decor pairs bold pops of colour with neutrals, including bespoke abstract art pieces by Australian Chinese artist Lindi Li. As for the food range, it spans perennial favourites and seasonal delicacies, including across both a la carte dishes and three set menus. A big drawcard at T'ang Court's first Australian location: a three-part tribute to Cantonese duck, which features duck pancakes with hoi sin sauce, duck buns with lychee and raspberry sauce (and caviar), and sliced duck breast and leg paired with with plum sauce. Or, the menu also includes sauteed pearl meat with ginger, shallots and Asian greens, plus spicy black tiger prawns with roasted garlic. "Our first Australian T'ang Court restaurant marks a significant leap forward for the local dining landscape. Authentic, traditional Cantonese fine dining is comparatively rare in Australia, so we're thrilled to bring this unique experience to life for locals and travellers, from other states and even internationally," said Howard Lam, Director of Chinese Cuisine for Langham Hospitality Group. "Diners at T'ang Court on the Gold Coast will be able to indulge in the same golden age Cantonese flavours that have earned T'ang Court at The Langham Hong Kong three Michelin stars and seen its many other award-winning sister restaurants across the world become highly-sought-after dining destinations." Located indoors on level three at The Langham, and seating 80, T'ang Court is serving lunch from 12–3pm and dinner from 5.30–11pm five days a week — operating from Wednesday–Sunday. If you're a keen to book in a visit from out of town, then stay the night afterwards, The Langham also boasts 339 rooms and suites, direct beachfront access, a pool bar you can swim up to while still staring at that ocean view, a number of other eateries and a wellness centre. Find T'ang Court at The Langham Gold Coast on level three, 38 Old Burleigh Road, Surfers Paradise — serving lunch from 12–3pm and dinner from 5.30–11pm from Wednesday–Sunday.
With Game of Thrones finishing its run a few months back, there's currently a huge fantasy-shaped hole in the TV and streaming landscape. Of course, the beloved show is set to go on thanks to its own prequel; however plenty of networks and platforms are trying their hands at the genre in the interim — and giving television buffs plenty to watch. Amazon is hoping to fill the gap with its forthcoming Lord of the Rings series, although it isn't due until 2021. HBO's next contender has just arrived this month, courtesy of its adaptation of His Dark Materials. And, while Netflix already has its Dark Crystal prequel, which launched back in August, it'll soon drop new series The Witcher as well. In fact, the Henry Cavill-starring show will arrive on Friday, December 20, just in time for some Christmas break binge-viewing. Even better — if you're super-keen for the new series, you now have two seasons to look forward to. As reported by Variety, Netflix seems confident that plenty of folks are eager to see Cavill sporting long blonde locks and fighting monsters, because it has already renewed the show for a second season before the first even drops. You will have to wait for the follow-up batch of eight episodes, though, as it's not slated to shoot until 2020 or hit the streamer until 2021. Perhaps it's the concept that has everyone excited. As seen in both the initial trailer and the recent second sneak peek, the witcher of the title is Geralt of Rivia (Cavill), a monster hunter who prefers to work — aka slay beasts — alone in a realm called The Continent. But life has other plans for the lone wolf, forcing him to cross paths with powerful sorceress Yennefer of Vengerberg (Anya Chalotra, Netflix's Wanderlust) and young princess Ciri (newcomer Freya Allan). The latter harbours a secret, because of course she does, with the series blending plenty of fantasy staples such as magic, royalty, fighting factions, battling hordes, fearsome creatures, a heap of sword-swinging and many a scenic location. After stepping into Superman's shoes and facing off against Tom Cruise in Mission: Impossible — Fallout, The Witcher marks Cavill's return to TV a decade after starring in regal period drama The Tudors. As well as Chalotra and Allan, it also features Jodhi May (Game of Thrones), MyAnna Buring (Kill List), Lars Mikkelsen (House of Cards) and Australian actor Eamon Farren (Twin Peaks). Behind-the-scenes, the show's eight-part first season is created, executive produced and co-scripted by Lauren Schmidt, who has everything from The West Wing, Parenthood and Power to Daredevil, The Defenders and The Umbrella Academy to her name. If the series' name sounds familiar, that's because The Witcher is based on the short stories and novels of writer Andrzej Sapkowski — and, as well as being turned into comics, it was adapted the video game series of the same name. A Polish film and TV show also reached screens back in the early 2000s, although they were poorly received. Check out the latest trailer for Netflix's The Witcher below: https://www.youtube.com/watch?v=ndl1W4ltcmg The Witcher will hit Netflix on Friday, December 20. Image: Katalin Vermes. Via Variety.
Five years after shutting up shop — and 95 years after originally opening — The Capitol Theatre is back in business. As initially announced in 2018, the historic spot has been turned into a multi-purpose space by owners RMIT, welcoming Melburnians through the doors once again from Monday, June 3. Visitors to the revamped theatre can expect a mix of old and new. Originally designed by Walter Burley Griffin and Marion Mahony Griffin (who also designed the city of Canberra), the same Chicago Gothic-style architecture remains, including eye-catching lighting design, the venue's standout foyers and detailed ceilings that'll make you look up. But the site's facilities have had an upgrade, with the 580-seat theatre now boasting surround sound, digital projection and a retractable cinema screen. A new 150-person salon space is also available for events and exhibitions and the lounge and foyer areas have enjoyed a makeover. And, yes, there's both a level-one coffee and candy bar and a second-floor wine bar. [caption id="attachment_724595" align="alignnone" width="1920"] Tatjiana Plitt[/caption] RMIT intends to use the landmark venue for more than just a cinema, too. There are plans for it to host everything from virtual reality to gaming and video art through to live theatre, talks, conferences and lectures. It will also play host to the Australian Centre for the Moving Image's programme, while the museum's Federation Square home undergoes its own transformation. You can read more about ACMI's multimillion-dollar renovation over here. Come Thursday, June 20, The Capitol will start up its projectors and kick off its film screenings with a series of ACMI films. Christening the space is Carlos Reygadas' new movie Our Time on June 20 and a Viva Varda retrospective — a celebration of trailblazing filmmaker Agnès Varda, who passed away earlier this year — running from June 21–30. With ACMI not expected to reopen until 2020, the screen museum will settle in to The Capitol for at least nine months. Find The Capitol at 113 Swanston Street, Melbourne. It will begin screenings from Thursday, June 20. To checkout the full lineup and buy tickets, head to the website. Images: Tatjiana Plitt.
It's been home to David Lynch's eerie filmscapes, Yayoi Kusama's infinity and obliteration rooms, Gary Carsley's projected jacarandas and Patricia Piccinini's forest of flowers that aren't quite flowers. Soon, it'll welcome a riverbed, a snowman and a suspended installation that visitors can climb through, too. Yes, Brisbane's Gallery of Modern Art loves an immersive installation — and it has more in store for 2020. Fancy wandering through a labyrinth of red and black wool? That's on next year's agenda. As part of its just-announced 2020 lineup, GOMA revealed it'll host Chiharu Shiota: The Soul Trembles, a showcase focusing on the Berlin-based Japanese artist and her work over the past quarter-century. In an Australian exclusive, the exhibition comes to Brisbane after recently premiering in Tokyo — and while it won't sit 53 storeys up or come with panoramic views of the city, like it did in Japan, Shiota's string-heavy installations are certain to garner more than a little attention. Fashioned from millions of strands, they resemble weaved, maze-like webs and take up entire rooms. The Soul Trembles is the largest-ever solo exhibition by the artist — and although GOMA hasn't revealed just how much of the Tokyo lineup is coming to Brisbane, art lovers can expect an array of sprawling installations, sculptures and video footage of Shiota's performances, as well as photographs and drawings. Highlighting her fascination with intangible concepts, such as memory, anxiety, dreams and silence, the ticketed display will run from June 27–October 5, 2020. [caption id="attachment_750700" align="aligncenter" width="1920"] Chiharu Shiota. b.1972, Kishiwada, Osaka Prefecture, Japan. Uncertain Journey (2016/2019). Courtesy: Blain | Southern, London/Berlin/New York. Installation view: Shiota Chiharu: The Soul Trembles, Mori. Art Museum, Tokyo, 2019. Image courtesy: Mori Art Museum, Tokyo. Photograph: Sunhi Mang.[/caption] After the already-announced Water, which launches this December, The Soul Trembles is the second huge exhibition set to deck GOMA's walls next year — but, as always, there's more to come. In tandem with the Shiota showcase, the gallery will also pay tribute to pioneering Queensland artist Gordon Bennett, hosting the first large-scale display of his work since 2007. And, just a stone's throw away, sibling venue Queensland Art Gallery has two big exhibitions slated for 2020. First, it'll feature a four-month showcase of Mavis Ngallametta's work, highlighting large-scale paintings by the Putch clan Elder. Then, spanning from late 2020 to early 2021, QAG will exhibit an almost five-month survey of documentary photography by acclaimed Queensland-born, Sydney-based photographer William Yang. QAGOMA 2020 PROGRAM: Water at GOMA — December 7, 2019–April 26, 2020. Mavis Ngallametta: Show Me the Way to Go Home at QAG — March 21–August 2, 2020. Chiharu Shiota: The Soul Trembles at GOMA — June 27–October 5, 2020. Unfinished Business: The Art of Gordon Bennett at GOMA — June 27–October 5, 2020. William Yang at QAG — September 19, 2020—February 7, 2021. Chiharu Shiota: The Soul Trembles displays at Brisbane's Gallery of Modern Art, Stanley Place, South Brisbane from June 27–October 5, 2020. For further details — or to find out more about the gallery's full 2020 slate — visit its website. Top image: Chiharu Shiota b.1972, Kishiwada, Osaka Prefecture, Japan. In Silence (2002/2019). Production support: Alcantara S.p.A. Installation view: Shiota Chiharu: The Soul Trembles, Mori Art Museum, Tokyo, 2019. Courtesy: Kenji Taki Gallery, Nagoya/Tokyo. Image courtesy: Mori Art Museum, Tokyo. Photograph: Sunhi Mang.
Hot on the heels of its Brisbane opening earlier this month, global hotel chain W Hotel has just announced that it'll be landing in Sydney's Darling Harbour in 2020. Set to become part of The Ribbon – a sleek new $730 million development designed by HASSEL architects and sitting on the former IMAX theatre site, which was demolished in late 2016 – W Sydney is promising, not just a hotel, but a luxury hideaway. As with every W Hotel, you can expect impeccably-designed futuristic spaces, eateries overseen by expert chefs, cocktails created by top-notch bartenders and collaborations with local artists, musicians and designers. One of W Sydney's drawcards — apart from its 593 rooms and suites spread across 25 storeys — will be a stunning pool deck, overlooking the water. Also in the plans are a signature spa, a ballroom and two bars, including a W Living Room with expansive glass walls and an extraordinary sound system. We don't know, quite yet, who'll be running the restaurant, but chances are it'll be some local legend, given that the Three Blue Ducks are in-house at W Brisbane. Sydney was previously home to a W Hotel on Woolloomooloo Wharf, but it was sold to the Taj Hotel Group in 2007, then again the Hind Group (the owners of Ovolo) in 2014. The new W Hotel is only one part of new The Ribbon development, which will also be home to serviced apartments, retail spaces and — potentially, most excitingly — a huge new IMAX theatre. W Sydney is slated to open in 2020 and will be Australia's third W Hotel, following Brisbane and Melbourne, which is also due to open in 2020. The brand is aiming to be 75-strong hotel worldwide within the next two years. W Hotel is a branch of Marriott International, the world's largest hotel group, which now owns 18 hotels across our nation.
First, Black Mirror's Twitter account broke a four-year silence back in April. Next, Charlie Brooker's dystopian sci-fi hit dropped a sneak peek at its next batch of technological nightmares — aka the first trailer for the show's long-awaited sixth season — and confirmed that the show would return sometime in June. Now, the Netflix series has unveiled more details about what's in store, including which new technological nightmares it'll be spinning. It might be a streaming smash, but that doesn't mean that satirising streaming is off the agenda. Indeed, one of season six's five episodes, Joan Is Awful, will focus on an average woman who discovers that a global streaming platform has adapted her life into a prestige TV drama. Playing her on-screen? Salma Hayek Pinault (Magic Mike's Last Dance). This instalment will be packed with familiar faces, too, including Annie Murphy (Kevin Can F**k Himself), Michael Cera (Life & Beth), Himesh Patel (Station Eleven), Rob Delaney (The Power) and Ben Barnes (Guillermo del Toro's Cabinet of Curiosities). Also on its way: Netflix seeing the darker side of nature documentaries — which, like biographical dramas, it's mighty fond of making itself. In upcoming Black Mirror instalment Loch Henry, a sleepy Scottish town welcomes in a young couple, who are keen to follow in David Attenborough's footsteps. Then they learn of a shocking local story, in an episode with Samuel Blenkin (The Witcher: Blood Origin), Myha'la Herrold (Bodies Bodies Bodies), Daniel Portman (Game of Thrones), John Hannah (The Last of Us) and Monica Dolan (Empire of Light) in its cast. Viewers looking forward to Aaron Paul's (Westworld) return to Black Mirror after first being involved in 2017 will been keen on Beyond the Sea, where it's an alternative 1969, two men are on a high-tech mission and dealing with a tragedy's big consequences, and Josh Hartnett (Operation Fortune: Ruse de Guerre), Kate Mara (Call Jane), Auden Thornton (This Is Us) and Rory Culkin (Swarm) co-star. In Mazey Day, the paparazzi hounds a troubled starlet who is coping with the aftermath of a hit-and-run, with Zazie Beetz (Atlanta), Clara Rugaard (I Am Mother) and Danny Ramirez (Stars at Noon) featuring. And in Demon 79, it's 1979 and a sales assistant in Northern England is informed that she has to commit terrible acts or a disaster will occur — with Anjana Vasan (Killing Eve), Paapa Essiedu (Men), Katherine Rose Morley (The Syndicate) and David Shields (Benediction) starring. Brooker has penned all five new chapters, co-writing Demon 79 with Bisha K Ali (Ms Marvel). This season is being teased as "the most unpredictable, unclassifiable and unexpected season yet", which is saying something given everything that Black Mirror has thrown at the screen in past seasons (and in choose-your-own-adventure-style movie Black Mirror: Bandersnatch). And yes, Brooker does have quite the challenge this time around: making something that manages to be even more dispiriting than reality over the past few years. That's increasingly been one of the show's dilemmas — and noting that something IRL feels just like Black Mirror has become one of the cliches of our times — but this'll be the mind-bending effort's first round of episodes following the pandemic. Check out the first trailer and latest teaser for Black Mirror's sixth season below: Black Mirror season six will stream via Netflix some time in June. We'll update you when an exact release date is announced. Images: Nick Wall/Daniel Escale, Netflix.
Next time you pour yourself a gin and tonic or start sipping a martini, you can say cheers to one of Australia's best-known architectural wonders in the process. With its latest release, Archie Rose Distilling Co is paying tribute to a building that's become an international symbol not only for its city, but for the whole country: the Sydney Opera House. There's plenty to celebrate when it comes to the Jørn Utzon-designed structure, so Archie Rose has whipped up two gins — or, in terms that suit its inspiration, two acts. Outside Gin nods to the Sydney Opera House's design, coastal location and the contrast of its man-made elements with nature, while Inside Gin is an ode to the acts and all-round creativity that've graced the venue's stages since 1973. Launching this month to mark the building's 46th birthday, the two tipples hero distinctive flavours. If you're keen on a heavy juniper taste with a mix of salty, sweet and citrus notes (aided by lemon-scented gum, South Australian yuzu, finger limes, white grapefruit, seablite and native seaweed), then you'll find it in the Outside Gin. For those who like their drinks fruity and summery — and with botanicals such as native thyme, Australian apricot, raspberry and strawberry gum — Inside Gin has you covered. Both are on sale now, individually for $99 each or as a gift-boxed pair for $179. And while their names don't mention the Sydney Opera House, their labels certainly do, with a stylised representation of the structure featuring on each 700ml bottle — against a sea-toned background for the Outside Gin, and contrasting against a dark mix of purple, red and black with the Inside Gin. Naturally, you'll also be able to sip the two spirits at the Sydney Opera House, with the venue's Opera Kitchen, Portside Sydney and theatre bars all slinging curated seasonal cocktails using both gins. Bennelong Restaurant is also stocking the duo, as are a selection of other bars and restaurants around Circular Quay. Archie Rose x Sydney Opera House Outside and Inside Gins are currently on sale.
What is it about treehouses that fire up even the most uninspired of imaginations? The promise of adventure, escape or retreat? Nobody ever really grows out of wanting a treehouse. The team at American based O2 Sustainabilty certainly haven't. They have dedicated their lives to designing and building some of the world's most innovative, beautiful and liveable treehouses — turning childhood dreams into adult spaces for work, rest and play. Based on geodesic design principles, these treehouses are both aesthetically pleasing and structurally sound, not to mention environmentally sensitive. Not only does the design of each treehouse take into account the growth and health of the 'host' tree, but they also insist on using only sustainable materials. And 5 percent of O2's profits from commercial builds are donated to local community and environmental groups. As part of their dedication to sustainable design, the 02 team have also built a series of luxury treehouse in eco-minded resorts around the world. So even if having your treehouse is out of the realm of possibility at the moment, you may want to think staying in one on your next holiday.
Chic, sleek and stylish alert: Australia's most stunning places to drink, eat, grab a coffee and spend a night away from home have just been named for 2023. Each year, the Eat Drink Design Awards shower some love — aka its annual hospitality design accolades — on Australia's most stunning bars, eateries and hotels. On this year's list are a heap of Sydney venues, plus spots in Melbourne and Adelaide as well. If soaking in gorgeous surroundings while you sip, snack and slumber is your ideal way of heading out of the house, then consider the awards' yearly picks a must-visit guide. At these spots — all of which were completed between July 1, 2022–June 30, 2023 — chefs, signature dishes, creative cocktails, stellar coffee and comfortable beds aren't the only attractions. [caption id="attachment_929397" align="alignnone" width="1920"] Beau and Dough, Romello Pereira[/caption] For restaurants, cafes and hotels, Sydney emerged victorious. In fact, the Harbour City is so stacked with beautiful and innovative places for a meal that two shared the restaurant category: Beau and Dough in Surry Hills and Kiln at Ace Hotel Sydney. The first was praised for "designing for two separate yet interconnected venues", while the second earned compliments because its "design plugs into current conversations about sustainability, collaboration and community". In the cafe field, S'wich Bondi in Bondi Beach got the nod. "This little gem is a brave circuit breaker; it's not your average pitstop cafe-sandwich bar. A beautifully crafted bespoke space that aesthetically delivers in spades, it manages to weave together urban chic and Bondi's laid-back, fashionable culture," said the 2023 Eat Drink Design Awards jury, which consisted of Good Food journalist Emma Breheny, Akin Atelier director Kevin Ho, Hassell associate Di Ritter, The Bentley Restaurant Group chef and owner Brent Savage, and Artichoke acting editor Amy Woodroffe. [caption id="attachment_929398" align="alignnone" width="1920"] S'wich Bondi, Claudia Smith[/caption] Over in the hotel category, Capella Sydney was singled out. "The jury members were all impressed by this example of adaptive reuse. What used to be a government building has been painstakingly restored such that the original property, once inaccessible to most people, has been given new life and opened up to the public," the statement about this pick noted. For the best bar design, lock in drinks in the South Australian capital, with Adelaide's Dolly in Unley winning the gong. This is a "tactile wine bar" and "boasts a distinctive and timeless ambiance", said the jury, which also called out the fact that "the project's creative vision revolved around transforming the existing space into an experiential haven for locals". Victorian venues took out the retail deign and identity design fields, with the former going to LeTAO in Melbourne and the latter to Kōri Ice Cream in Hawthorn. [caption id="attachment_929400" align="alignnone" width="1920"] Kōri Ice Cream, Architects EAT, Saville Coble[/caption] For the 2023 Hall of Fame Award, Sydney French restaurant Bistro Moncur in Woolhara, as designed by Tzannes, received recognition. As it does every year, this year's Eat Drink Design Awards also named commendations in various categories. Among the venues also getting some praise: Babylon Brisbane, the now-shuttered Butler in South Brisbane, Glory Days Bondi, Convoy in Moonee Ponds, Sydney's Hotel Morris and Bar Morris, Fitzroy's Pidapipó Laboratorio and Glenside's Kin Seafood. [caption id="attachment_929401" align="alignnone" width="1920"] Bistro Moncur[/caption] "There was a diverse aesthetic in this year's winners expressing a lot of individuality, suggesting clients have allowed their design teams to lean into strong concepts and narratives. Plenty of examples of ambitious interiors offer complete sensory experiences, drama and bespoke craftsmanship," said the jury. "The very high level of design execution and attention to detail deserves extra praise this year, given the social and economic climate these works have occurred within. The judges applauded those designs that took risks and tried something innovative; yet at the same time, they praised designs that spoke softly and will likely retain relevance for decades in an industry with a proclivity for impermanence." [caption id="attachment_929402" align="alignnone" width="1920"] Capella Sydney, Timothy Kaye[/caption] [caption id="attachment_924664" align="alignnone" width="1920"] Kiln, Anson Smart[/caption] [caption id="attachment_929403" align="alignnone" width="1920"] Dolly, Jonathan VDK[/caption] 2024 EAT DRINK DESIGN AWARDS WINNERS: Best Restaurant Design: Beau and Dough by Smart Design Studio (Surry Hills, NSW) and Kiln, Ace Hotel Sydney by Fiona Lynch Interior Design (Sydney, NSW) Best Cafe Design: S'wich Bondi by Studio Shand (Bondi Beach, NSW) Best Bar Design: Dolly by Genesin Studio (Unley, SA) Best Hotel Design: Capella Sydney by Bar Studio (Sydney, NSW) Best Retail Design: LeTAO by K Holland Architectural Interiors (Melbourne, VIC) Best Identity Design: Kōri Ice Cream by Principle Design (Hawthorn, VIC) For the full list of winners and commendations, head to the Eat Drink Design website. Top image: Kiln, Anson Smart.
It wasn't so long ago that most Australians only knew Wendy's for its insanely viral social media posts. However, since 2022, the American chain has begun to establish a significant presence on our shores. First launching in Surfers Paradise (unless you're counting a series of stores closed in the 1980s), the brand aims to open over 200 locations around Australia by 2034. Well, they've ticked another off the list, with a flagship Wendy's Brisbane restaurant touching down in the heart of the CBD. Serving as a major milestone in the company's national rollout, delivered in partnership with Flynn Group, this two-level themed location provides an extra special nod to the restaurant's bold design, nicknamed Haus of Wendy. Featuring more than enough space for 130 diners, an openair ground floor leads into an expansive lower level, with both decked out in contrasting bright red and blue decor that resonates with fun-loving energy and personality. Going beyond just a splash of paint, red celebrates Wendy's sass and spice, with the in-store experience seeing hand-painted murals set against bespoke wall panelling inspired by Wendy's famed braids. Meanwhile, blue speaks to Wendy's iconic Frosty, with this level featuring a bow wall crafted by local artist Rachel Burke and made from upcycled materials. Here, you'll also encounter a Frosty-inspired lounge area, complete with a photo booth. "This flagship represents everything the Wendy's brand stands for — fresh food and bold personality," said Corina Black, Chief Marketing Officer, Wendy's ANZ. "Brisbane's vibrant energy is a natural fit for Wendy, and we're proud to contribute to the city's reputation as a destination for food, culture and creativity." With the spread of Wendy's across the country just getting underway, this brand-new location remains one of the few spots in Australia where you can dine on the brand's signature dishes. Think classic doubles, Baconmators and spicy chicken sandwiches alongside Wendy's Frosty in chocolate or vanilla. Plus, super crunchy double hand-breaded chicken tenders and sea-salted fries with loaded options hit the mark for an on-the-go snack. "Wendy's has built its reputation on doing things differently, and this flagship takes that spirit to a new level," said Lauren Leahy, Chief Transformation Officer, Flynn Group. "We've taken Wendy's much-loved global brand and reimagined it for Australia. The new store brings that to life in a way that's both unmistakably Wendy's and uniquely Australian." Wendy's Brisbane launches on Wednesday, October 29, at 245 Albert Street, Brisbane, open daily from 9am–10pm. Head to the website for more information.
If comedy is all about timing, then Aunty Donna have it — not just onstage. In 2020, Aunty Donna's Big Ol' House of Fun was the hysterical sketch-comedy series that the world needed, with the six-episode show satirising sharehouse living dropping at the ideal moment. While the Australian jokesters' Netflix hit wasn't just hilarious because it arrived when everyone had been spending more time than anyone dreamed at home thanks to the early days of the pandemic, the ridiculousness it found in domesticity was as inspired as it was sidesplittingly absurd. Three years later, heading out is well and truly back, as are Aunty Donna on-screen. Their target in Aunty Donna's Coffee Cafe, which streams in full on ABC iView from Wednesday, April 12 and airs weekly on ABC TV: cafe culture. When we were all staring at our own four walls for months, Mark Samual Bonanno, Broden Kelly and Zachary Ruane helped us to laugh about it — talking dishwashers, tea parties with the Queen of England, silly wi-fi names, Weird Al Yankovic and 'Morning Brown' sing-alongs included. Now, with stay-at-home orders relegated to the past, they've returned to make fun of one of the simplest reasons to go out that there is. During lockdowns and restrictions, how folks were allowed to patronise their local cafe, or not, was a frequent topic of conversation. It was also a bellwether for how strict the rules were at any given junction. Grabbing a cuppa is such an ordinary and everyday task, so much so that it was taken for granted until it was no longer an easy part of our routines. Unsurprisingly, now that caffeine fixes are back and brewing, Aunty Donna finds much to parody. With fellow group members Sam Lingham (a co-writer here), Max Miller (the show's director) and Tom Zahariou (its composer), Aunty Donna's well-known trio of faces set their new six-parter in the most obvious place they can: a Melbourne cafe called Morning Brown. The track itself doesn't get a spin, however, and neither does fellow fan favourite 'Everything's a Drum'. Indeed, the show's central piece of naming is its most expected move. As demonstrated in episodes that turn the cafe into a courtroom, ponder whether Broden might still be a child and riff on Australian Prime Minister Harold Holt's 1967 disappearance, nothing else about Aunty Donna's Coffee Cafe earns that description. Pinballing in any and every direction possible has always been one of the Aussie comedy troupe's biggest talents, with their latest series deeply steeped — riotously, eclectically and entertainingly, too — in that approach. Anything can happen in this Mark-, Broden- and Zach-owned coffee house, and does, just as everything could and did when they were sharing a home on-screen. Of course, anything can occur when Aunty Donna are involved anyway — they recently played corpses revived from the dead in Dungeons & Dragons: Honour Among Thieves, and also released Aunty Donna's $30 bottle of wine and the Always Room for Christmas Pud picture book, after all. So, although Aunty Donna's Coffee Cafe embraces its its sitcom packaging more heartily than Aunty Donna's Big Ol' House of Fun did, its main setting remains a backdrop and a launchpad for as many random skits as they can dish up. When that court takes over, for instance, Richard Roxburgh (Elvis) plays Rake, even though that's not his Rake character's name. In another episode, stanning Gardening Australia and skewering unreliable streaming services get ample attention, complete with jokes at ABC iView's expense. Elsewhere, bucks parties earn their own lampoon. So does the Is It Cake? trend, working in hospitality, shoddy landlords — a particularly timely topic during a cost-of-living crisis — and the nightmare that is dealing with real estate agents when you're a tenant. Gaming bars, kidulting, food reviews, restaurant theming: they're all thrown in as well. If it stems from the culinary and hospo world, Aunty Donna have likely touched upon it. In fact, Aunty Donna's Coffee Cafe's debut episode begins with a pitch-perfect summary of cafe trends of late. The show's overall setup sees Mark, Broden and Zach desperate to make their laneway haunt a success, and determined not to let their lack of skills and experience get in the way. So, they survey all the current gimmicks, including axe-throwing, hurling abuse, selling vinyl and only serving cereal. They learn of spaces that devote their menus to popcorn and show a movie while it's consumed, and of spots to nab free books as you sip (and yes, the fact that these are just cinemas and libraries is the point). Playing fictionalised and heightened versions of themselves, Mark, Broden and Zach have a teenage employee, Stephanie (Gaby Seow, Young Rock), who is interviewed in the first instalment — which gives Aunty Donna's Coffee Cafe's plenty of material about outlandish bosses. Sally-Anne (Sally-Anne Upton, Neighbours) is the resident chaotic landlord, while Michelle (Michelle Brasier, Why Are You Like This) is the kind of devoted customer that Morning Brown wants more of. With its key cast established, this is a workplace comedy, like everything from The Office, Parks and Recreation and 30 Rock to Party Down, Scrubs and Cheers before it. Swapping slinging beer and spirits for lattes and blueberry muffins, and keeping things on the lighter side of anarchic — although a recess skit gets dark, fast — Aunty Donna's Coffee Cafe resembles an Australian spin on long-running absurdist great It's Always Sunny in Philadelphia, too. It's Always Sunny in Philadelphia has aired 15 seasons now, becoming the longest-running American TV comedy, and also has at least three more to come. That's a feat achieved in no small part thanks to its ability to keep pouring out the most out-there, OTT, nonsense situations it can, and boasting the gamest of casts. Across their television slate, Aunty Donna share the same traits. They might be notching up their screentime across different shows, but they're having just as wild, uproarious, farcical and astute a time. So is the company that Mark, Broden and Zach keep here, spanning not only a committed Roxburgh, but also Miranda Tapsell (Christmas Ransom), Looking for Alibrandi's Pia Miranda making tomato day jokes, and everyone from Shaun Micallef and Tony Martin to Melanie Bracewell, Nazeem Hussain, Steven Oliver and Sam Pang. When Aunty Donna's Big Ol' House of Fun became one of 2020's best new shows, no one watched it a mere once. Aunty Donna's Coffee Cafe demands the same response, with its gags flying so thick and fast that laughing at one joke or bit of banter usually means drowning out the next with your own chuckles. In any skit-heavy series, it's impossible to ensure that every single moment lands, but Aunty Donna's shows come I Think You Should Leave with Tim Robinson-level close. Maybe don't watch it on your phone in your local cafe, though — no matter how trendy it is, if it's in a laneway, whether it's open till 5pm, if there's a criminal trial going on inside or ghosts are haunting the place. Check out the trailer for Aunty Donna's Coffee Cafe below: Aunty Donna's Coffee Cafe streams via ABC iView, and also screens weekly on the ABC at 9pm from Wednesday, April 12. Images: Richard Lowe / Jackson Flinter / ABC.
Winter is here, meaning it's time to embrace all the stodgy carbs. And what better way to do that than with Eat Pierogi Make Love's bottomless pierogi deal? Every Monday night from now until the end of August, you can score two hours of unlimited Polish dumplings for a mere $39. There's no chance you'll be leaving hungry — trust us, you can get through a whole lot of pierogis in two hours. You'll be rotating through five different flavour combos throughout the night. On the menu, you'll find dumplings stuffed with potato and twaróg cheese, pan-fried mushroom and sauerkraut, beef and vegetables, smoked Polish sausage and cheese, and jalapeño, potato and vegan cheese. These bad boys will come out hot and fast, and are paired with sour cream and dill. And they're best paired with a cold beer, bottle of wine or cheeky shot of vodka. We can think of few better ways to spend a cold Monday night than at Eat Pierogi Make Love. Although, unlike the name suggests, we doubt you'll be up for making love after feasting on platefuls of dumplings. We expect dinner will be followed by a long TV bingeing session on the couch with lots of deep, slow breathing.
If you've got a hard earned thirst for some spiffy beer merch, the folks at Victoria Bitter have you covered — and that's been the case for a couple of years. Hankering not just for any old branded VB gear for your wardrobe, but for a retro knitted Christmas sweater? Then you'll be pleased to discover that the famed Carlton & United Breweries beer has just added a new woolly piece to its range. Called the Very Best Christmas Sweater, VB's new jumper looks exactly like you'd want a festive VB piece of apparel to look — and yes, it comes covered with stubbies and snowflakes. Naturally, it makes great use of the brand's red, green and white colour scheme, too. Indeed, the beer's logo has really just been screaming for the Christmas treatment. If you're eager to celebrate Christmas in July by sinking a few brews, you now have the perfect outfit for it. That said, only 500 will be available to purchase. The first 100 have already sold out after going on sale this week, but 400 more will be up for grabs — for $80 each — sometime in the week commencing July 13. Keep an eye on VB's 'Big Cold gear' website for further details. [caption id="attachment_775621" align="aligncenter" width="1920"] Victoria Bitter[/caption] Also on offer: the rest of the brand's retro-styled collection, which nods firmly to the brew's lengthy history quenching the thirst of hardworking Aussies. There are crewneck jumpers, t-shirts, hoodies, beanies and caps, all emblazoned with that instantly recognisable logo. Alongside all the clothes, you'll also find VB jigsaw puzzles — plus glasses, water bottles, coolers, speakers, bar mats and even fridges. Victoria Bitter's 'Big Cold Gear' line is available for purchase online, including its Very Best Christmas Sweater. Top image: Victoria Bitter
Eye-catching and thought-provoking art has once again descended upon Sydney's coastline, with the 23rd Sculpture by the Sea exhibition kicking off today. Stretching along two kilometres from Bondi to Tamarama Beach, you'll find 111 sculptures from 19 countries. The exhibition is free, and you can catch it from October 24 through November 10. This year, you'll find sculptures by ten Czech and Slovak artists marking the 30th anniversary of the Velvet Revolution, a series of protests that led to the fall of communism in what was then Czechoslovakia, and the collaborative Succah by the Sea, which sets out to re-imagine the Jewish Festival of Succot. You'll also be able to hear directly from the artists every Saturday and Sunday. Among the 100-plus incredible installations, and the 450,000 people expected to visit the spectacle over the 18-day exhibition, it can be tricky to know where to look. And, considering this might be the last year Sculpture by the Sea is held in Bondi, it would be tragic if you missed any of the best pieces. Here are our pick for this year's highlights. [caption id="attachment_747672" align="alignnone" width="1920"] Trent van der Jagt[/caption] WANG KAIFANG: THE STATUE OF MAD LIBERTY Made of 24-karat gold (and copper and stainless steel, but that's not quite as fancy), Chinese artist Wang Kaifang's The Statue of Mad Liberty reflects the chaotic nature of the modern world. The distorted figure represents the way freedom fills us with joy, before the panic sets in. It is meant to encompass all that goes into society, humanity, science and art. The swirling gold piece sits well among the artist's numerous previous works — Kaifang is considered one of China's most influential cross-disciplinary artists, and while his portfolio covers everything from architecture and fashion, through to painting and photography, shimmering metallics and abstract shapes are recurring motifs. [caption id="attachment_747796" align="alignnone" width="1920"] Trent van der Jagt[/caption] ANGELA FEMIA, CAROLYN HUNTER, PAULINE PLUMB AND CRISTINA HARRIS: OUT OF REACH This is an artwork you could easily miss or dismiss as part of the scenery on a particularly bright day, but we think it's one you should keep an eye out for. A team of four local artists — all graduates of the Sydney College of the Arts and regular collaborators — is responsible for these quaint ceramic houses, nestled among the rocks alongside the trail. The tiny white homes of all different shapes and sizes were inspired by the current nationwide angst about the unattainability of the Australian Dream — something a lot of millennials can certainly relate to. Artists Angela Femia, Carolyn Hunter, Pauline Plumb and Cristina Harris created Out of Reach as a playful take on the pursuit of that white picket fence. [caption id="attachment_747676" align="alignnone" width="1920"] Trent van der Jagt[/caption] JOEL ADLER: VIEWFINDER Emerging Sydney designer Joel Adler wants you to look a little closer at the undercurrents and the impacts of constantly demanding more. From its spot on a cliff by Marks Park, Viewfinder reflects the whirling waves below using a toughened double-sided glass mirror, like a periscope. The weighted sculpture is made from weathered steel, creating a rather aesthetically pleasing contrast between the rust orange of the structure and the ocean blue beyond. The sculpture allows you to see parts of the waves below that you can't usually see from the path, which the artist hopes will make you consider the possibilities created by new perspectives and how we view our relationship with the land. [caption id="attachment_747679" align="alignnone" width="1920"] Trent van der Jagt[/caption] JIAO XINGTAO: YELLOW AND GREEN Another installation that hits close to home is Jiao Xingtao's two-piece Yellow (2015) and Green (2012). While these sculptures are made from painted fibreglass, its easy to see why his work is known for being hyperrealistic — the tears, scrunches and ripples of discarded packaging are carefully replicated. Even for art novices, the screwed up packets of Wrigley's Doublemint and Juicy Fruit gum are a clear commentary on waste and consumerism. If you want to check out more of his work, Xingtao is currently exhibiting as part of White Rabbit Gallery's tenth birthday retrospective Then — here are our picks for that one, too. [caption id="attachment_747680" align="alignnone" width="1920"] Trent van der Jagt[/caption] LUKÁŠ RITTSTEIN AND BARBORA SLAPETOVA: BIRD OF PARADISE A large steel bird, bright and vibrant, emerges from a car in a symbol of purity and an optimistic outlook for the future, from Czech artists Lukáš Rittstein and Barbora Slapetova. A melding of the technological and the natural world, Bird of Paradise and its brights colours are meant to make you want to dance, love and search for something new. This striking piece is part of a showcase of ten Czech and Slovak artists exhibiting at this year's event, in honour of the 30 years that have passed since the Velvet Revolution (known as the Gentle Revolution to the Slovaks), which saw the end of more than four decades of totalitarian communist oppression of Czechoslovakia. [caption id="attachment_747764" align="alignnone" width="1920"] Clyde Yee[/caption] MORGAN JONES: THE SUN ALSO RISES New Zealand sculptor Morgan Jones is the recipient of the $70,000 Aqualand Sculpture Award for his piece The Sun Also Rises — so it's kind of a big deal. Made from weathering steel, the work is representative of the circular inevitability of our existence, designed to restate its rhythms. In that vein, Jones has referenced a quote from the book of Ecclesiastes, one of the books of the Old Testament, for the sculpture's title: "The sun also rises, and the sun goes down. And hastens to the place where it arose." It seems fitting to take it all in as the sun rises over the sea. Sculpture by the Sea runs until November 10. For more info, visit sculpturebythesea.com. Top images: Trent van der Jagt.
The average person spends eight hours a day looking at a screen. That's not just your laptop or television set but also the time you spend on your phone. Observe the number of people thumbing their smart phones on the evening bus, and it's easy to believe that a lot of people exceed that average eight hours on a regular basis. Now, instead of waxing poetical about how grim this is, and imploring you to run into the streets, pick wildflowers, and dance barefoot (all thoroughly recommended pursuits), it might be better to think about how to get the most out of your time spent with a screen. Because a lot of the time we read, and look, at crap: think of the number of times you’ve heard about Kate Middleton's boobs in the past couple of weeks, or watched a Gangnam Style parody (you know you have). Last year, Eli Pariser gave a TED talk in which he pointed out that web companies like Facebook and Twitter, in trying to tailor their services to you and your tastes, end up blocking out the information they think you don't want to know about. That means you get trapped inside what he calls a 'filter bubble'. If Facebook knows you're passionately involved in campaigning for gay marriage, for instance, you won't get information that's going to expose you to other arguments in your news feed. By the same token, if Facebook thinks you only want to hear about pop culture, you're not going to end up hearing much about asylum seekers. This means that, ultimately, because we never get information that challenges our worldviews, we end up in a bubble in which we hear the same messages and information over and over again. Unless we go looking elsewhere. These are the tips we discovered while trying to get out of our media ghetto and into the bright lights of the big media city. Tidy up your RSS feed and bookmarks If you use Google Reader, go through and see how many of those subscriptions add value to your life. Balance out what you get from The Sartorialist by subscribing to The Huffington Post, Jezebel, or McSweeney's. Thinking about spreading out your information — so it's not all stories from America — is also a good way to go: you want to know what’s happening around the corner as much as you want to know what’s happening in New York this weekend. (As people who keep an eye on what's happening locally, we unabashedly recommend subscribing to us.) Buy a newspaper or a magazine One of the best things about these old-fashioned things is that, while you can skim and skip pieces, what's inside them is curated by an editor. They also offer work that people have been paid to write, and that often produces more interesting and well-researched content. Aside from your average copy of the Sydney Morning Herald or the Age, and high-brow magazines like the Monthly and the New Yorker, magazines like Fantastic Man or The Gentlewoman offer quality journalism mixed in with the pretty pictures. Mag Nation is a good place to browse. Explore Filtering Services Filtering services like Prismatic and Bottlenose collate information from your social media activity and provide you with a unique and personal newsfeed. These things are great because they expand your horizons beyond just giving you what you want to hear. The top stories in my Prismatic feed, for instance, cover the US presidential election, architecture inspired by mathematics, and (I don't know what this says about me) a guide to the top 10 hipster neighbourhoods in the US. None of which I would have stumbled across all on my lonesome. Monitor Yourself Setting limits about how long you spend on networks is really important. You can leave Facebook or Twitter open all day, but that doesn't mean life will get any more interesting. Set rules for yourself about how long you're prepared to sit monitoring a feed. Wired has a pretty awesome graphic showing how you might spread out your screen time, but I would also recommend going for a walk or baking a cake to give your square-eyes a rest. Broaden Your Horizons We’re long past the days when social media meant Facebook alone. It's not uncommon now to meet somebody who would never dream of having a Facebook account but will actively encourage you to follow them on Tumblr, Twitter, and Instagram at once. Different mediums offer different things. Checking out sites like Pinterest and Reddit might broaden your horizons in ways you've never thought of before. Explore Overlaps Sometimes the lowbrow and the highbrow blend together in a beautiful dance. Superficial stories can blend in with serious issues. The most recent example of this is Chris Brown's new tattoo. While everyone can marvel over its similarity to that beaten-to-a-pulp image of Rhianna, it provokes more serious discussions about domestic violence and might elevate your thinking about the subject beyond the initial "oh no he didn't!". Upworthy Eli Pariser, the same guy who gave the aforementioned TED Talk, has since started a site designed to make important and compelling things as viral as videos of people planking. Designed to give you the tools and knowledge to make yourself a better and more aware human being, Upworthy is still in it's early stages but definitely worth checking out.
As both The Dry and Force of Nature: The Dry 2 demonstrated, Jane Harper's mysteries feel right at home on-screen. After the Australian author's first two Aaron Falk books made the leap to cinemas starring Eric Bana (Memoir of a Snail), and proved hits, of course more adaptations of her work were set to follow. The Survivors is next — first announced between The Dry and Force of Nature reaching picture palaces, heading to Netflix as a six-part limited series, and now officially joining your streaming queue at the beginning of June. The Survivors isn't linked to either Falk tale, so he isn't part of the narrative. Instead, the Tasmanian-set story follows families still coping with the loss caused by a massive storm in their seaside town 15 years earlier. Filmed in Tassie, too, it follows the aftermath of two people drowning and a girl going missing in Evelyn Bay, as the just-dropped trailer teases — and as viewers can watch in full from Friday, June 6, 2025. Tragedy isn't just in this coastal town's past, however. An incident like that is never forgotten. So, when a young woman's body is found on the beach, old wounds are unsurprisingly reopened. The series is pitched as both a murder-mystery and a family drama, and the sneak peek features elements of both. Cast-wise, The Lord of the Rings: The Rings of Power's Charlie Vickers and Bridgerton season four's Yerin Ha play couple Kieran Elliott and Mia Chang, who return to their hometown. Also featuring: Damien Garvey (Nugget Is Dead?: A Christmas Story), Catherine McClements (Apple Cider Vinegar), Martin Sacks (Darby and Joan) and Robyn Malcolm (After the Party), plus Jessica De Gouw (The Union), Thom Green (Exposure), George Mason (Black Snow) and Shannon Berry (Fake). Filmmaker Tony Ayres is behind The Survivors' streaming adaptation, adding to fellow TV series Nowhere Boys, Glitch, Stateless, Clickbait and Fires on his resume — and Cherie Nowlan (The Irrational) both directs and executive produces, Ben C Lucas (Nautilus) also does the former and Harper the latter. The Survivors joins Netflix's slowly growing slate of Australian shows, which it has been growing since Tidelands became the first local production three years after the streaming service officially launched Down Under. Among the others: Heartbreak High, Wellmania, Boy Swallows Universe, Territory and Apple Cider Vinegar. Check out the trailer for The Survivors below: The Survivors streams via Netflix from Friday, June 6.
The Abbotsford Anglers are a lousy, Saturday morning, suburban cricket team, led by Ted (Stephen Curry), a sweet but kinda hopeless guy who lives in a mate's garage and works at a sports store. When his best mate, Rick (Brendan Cowell), announces his plans to marry and have children (which, to the boyish Ted, amounts to no less than treason), Ted can see his beloved cricket team will be overtaken by nappies, wives and all the other dreadful trappings of manhood. Oblivious to the inevitable fact that the times and the nature of his friendships are a-changing, Ted leads his D-grade team into the depths of India for a tour of glorified park cricket. It's here that tensions arise, friendships are frayed, life lessons are learned and Ted must finally man up, grow up and fondly leave his teenage dreams behind. Underlying all the beer and bravado, Save Your Legs! is about mateship and coming of age, with an affectionate portrait of everyday Aussie battlers that puts it in the same cinematic bracket as The Castle and Kenny. Cowell and Curry give endearing performances as man-boys who are forcefully and finally shoved out of adolescence and into adulthood at the ripe old age of thirty-five. As a lighthearted, nostalgia-drenched film, Save Your Legs! hits a six. Courtesy of Madman Entertainment, we have 15 complimentary in-season passes to give away to Save Your Legs, in cinemas February 28. To be in the running, subscribe to our newsletter (if you haven't already) and then email hello@concreteplayground.com.au with your name and address. You can read our full review here.
Brothers-in-law Frank Bressi and Peter Mastro took out a place in the 2012 Melbourne Salami Festa — and the rest was history. They opened their first Saluministi salumi bar in North Melbourne in 2015, and a bit of expansion and many signature porchetta panino later, the pair now has two stores, in Docklands and the CBD. Paying homage to the duo's shared heritage, Saluministi is all about celebrating proper Italian flavours, renowned for its stand-out offering of made-to-order panino and tramezzino (an Italian white bread sandwich). Come breakfast, the fillings might run to pork and fennel sausage with scrambled egg and peperonata ($11), or tomato with a fried egg, asiago and Sicilian oregano ($9). That legendary porchetta number is a clear favourite for lunch breakers, loaded with free-range slow-roasted pork, artichoke paste, rocket and Pecorino Romano DOP ($14). Though there are plenty more tempting options among the rest of the panini crew — like one teaming mortadella with stracciatella and green olives ($11.50); another starring baked eggplant lasagne ($14); and the fried calamari with lemon tartare and salsa verde ($13.50). Stay on theme and match your pick with an espresso, an Italian soda or the 'caffe freddo' ice coffee ($5.50). Appears in: Where to Find the Best Sandwiches in Melbourne for 2023
Post-pandemic, the remote work dream was simple: ditch the commute, work in pyjamas, maybe squeeze in a midday run or load of washing. But after a few years, it turns out working completely from home isn't all it's cracked up to be. It can be lonely, hard to switch off and, let's be honest, not always that productive. In fact, while 77% of employees say hybrid work improves their work-life balance, many also report the downsides: lack of social collaboration and feeling of disconnection between colleagues. It's no wonder coworking spaces are becoming more popular, and why small business owners and freelancers are trading in the dining table for a more functional, flexible setup. Enter: Servcorp. With 22 coworking spaces across Australia and Aotearoa, Servcorp blends the best of both worlds. The flexibility of working remotely, with the structure, community and premium amenities of a traditional office. The difference? You're not locked into a lease, stuck in a cubicle, or battling your cat for desk space. The Downside of Remote Work Remote work has its perks, but without structure, it's easy to spiral. One minute you're answering emails in bed, the next you haven't spoken to another human in three days. Add in the unreliable internet, lack of proper meeting rooms and the temptation of TikTok breaks, and suddenly "flexibility" starts feeling more like chaos. Coworking spaces fix that. You still get control over your schedule and the option to work from home when it makes sense for you, but you also gain a work environment that's purpose-built for productivity, collaboration and getting the job done. Work Life Balance That's Actually Balanced The biggest coworking myth? That it's just a room full of people on laptops not talking to each other. At Servcorp, it's designed to be the opposite. The spaces are intentionally built to support collaboration and real work-life balance, where you have a clean, quiet space to work and catch up with colleagues, and then can leave it all behind when you walk out the door. Servcorp's coworking packages include access to high-end meeting rooms, breakout spaces, premium espresso machines, and helpful reception teams to make the work day feel fun and restore home as a place you can actually relax in. More Just Than a Desk One thing that sets Servcorp apart is its top-tier infrastructure. You'll get fast, secure internet (the kind that doesn't crash mid-meeting), an in-house IT team that knows what they're doing, and a dedicated support crew to ensure everything runs smoothly. In other words, it's a workspace you can trust to back you up, whether presenting to a new client, launching your brand, or just trying to make it through Monday. A Community You'll Want to Be a Part Of Freelancers, solo founders and remote teams often say the same thing: it's hard to network when you're isolated at home. At a coworking space, you're automatically plugged into a community of like-minded people. There are regular networking events, shared lounges to casually chat with new people, and a built-in support system that doesn't feel forced or awkward. Collaboration is best when it happens organically: over coffee, in the lift, or while trying to work out how the printer works (some things never change). No Long-Term Lock Ins Whether you need a desk once a week, a few times a month, or Monday to Friday, Servcorp's flexible coworking and virtual office packages have you covered. It's ideal for growing businesses, startups and hybrid teams who want access to a professional space without the hassle and overheads of a traditional lease — plus, enjoy your first month free with no deposit. You can even choose your location — from a city-view suite in Melbourne's Collins Street to a harbourside spot in Circular Quay, or central locations in Brisbane, Adelaide, Perth and more. So if you are looking to level up your work life this new financial year, it might be time to retire the dining table. Servcorp gives you the facilities, community and freedom to take your work setup to the next level, without sacrificing the flexibility you've come to love. Servcorp has 22 premium coworking spaces across Australia and Aotearoa. Explore flexible packages and find your closest location on the Servcorp website. By Elise Cullen Images supplied by Servcorp
Punt Road Wines has established a new outpost in the Yarra Valley, opening a cellar door adjacent to the region's popular Meletos restaurant. The purpose-built venue, set between the vines and orchards, boasts sweeping views of the surrounds and gives day-trippers another reason to head to the Yarra Valley. The new cellar door, centred around a winery barrel hall, will showcase the quality of the vineyards through different immersive experiences. There will be behind-the-scenes winery visits, curated wine flights, and intimate tastings of limited-release and museum wines. The new cellar door will cement the estate, which includes the Meletos restaurant, The Farmhouse accommodation and the Il Massaggio Day Spa, as a must-visit destination in the Yarra Valley, as visitors can experience many of the region's highlights in one convenient location. And with Meletos about to welcome a new head chef, Maxwell Parlas (who knows a thing or two about the area, having spent time in the hatted Tarrawarra Estate kitchen nearby), guests will be welcomed with a fresh approach to dining. This venture honours the legacy of the site, which was once home to pioneering Yarra Valley vineyard, St Hubert's Winery, in its original iteration in the late 1800s. It now returns to its roots, as the Punt Road Wine owners, the Napoleone family, have been growing fruit in the area since 1948. Images: Supplied.
If you like your spirits dark and your booze collection could use a top-up, then we know an excellent Aussie choice to add to that shopping list. Melbourne distiller The Gospel just cleaned up in the 2023 International Wine & Spirit Competition (IWSC) earlier this week. The Brunswick-based producer took out a gold medal in the prestigious awards, earning a score of 96 points from the judges for its signature Straight Rye Whiskey. That impressive effort resulted in the sip being the highest-awarded Aussie whiskey in the entire competition. But wait, there's more. The Gospel's score also saw it become the equal second highest ranked rye whisky in the world. Not too shabby for a small distillery located in the backstreets of Melbourne's inner north. Judges described the drop as being "decadent and complex", noting: "the palate is harmonious and well-balanced, leading to a memorable finish." And it wasn't the only Gospel creation that impressed, with the team's Solera Rye Whiskey nabbing its own silver medal at the awards. This year's IWSC pulled more than 4100 entries from across the world, with more than 250 expert judges tasked with sipping, critiquing and awarding them. Thought to be Australia's only dedicated rye whiskey distillery, The Gospel crafts its booze using unmalted rye from just one farmer, who's located in South Australia's Murray Mallee region. It's helmed by Ian Thorn, the first maker in Australia to score Master Distiller accreditation. If you're keen to sample more of the distillery's work, The Gospel's also just dropped a new limited-edition cacao husk liqueur for Easter, made in collaboration with the chocolate masters at Mork. The Gospel Straight Rye Whiskey is available to buy from the website, as well as at select bottle shops across Australia.
From high speed car chases across the post-apocalyptic outback to heartbreaking tales of love and loss, 2015 was a pretty great year for Australian cinema. Films like Mad Max and The Dressmaker hit it big at the box-office, while Holding the Man and Last Cab to Darwin had people reaching for their handkerchiefs. Throw in a couple of strong documentaries in the form of Gayby Baby and That Sugar Film, along with crowd-pleasing family fare like Oddball and Paper Planes, and it seems like local audiences are finally coming around to the idea that movies made in Australia can be every bit as good as those made overseas. Of course, in order to keep up that positive perception, the local film industry needs to keep making great films. Luckily, it looks like they're up to the challenge. We've already given you our list of our most anticipated international efforts, but now, here are the ten Australian films you need to see in 2016. https://www.youtube.com/watch?v=pSse2RIapEA THE DAUGHTER The debut film from theatre director Simon Stone (adapted from his own critically acclaimed stage play), The Daughter arrives in cinemas following great reviews at a number of local and international film festivals last year. A reworking of Henrik Ibsen's The Wild Duck, this nuanced family drama concerns a man, played by Paul Schneider, who returns to the small logging town where he grew up, only to uncover a secret that could tear the lives of his friends and family apart. With Geoffrey Rush, Ewen Leslie, Miranda Otto and Sam Neill, it might have the best cast of any Australian film this year. The Daughter is due in cinemas on March 17. https://www.youtube.com/watch?v=Dn2vfS6bbK0 SHERPA Anyone who saw Everest might think they have an idea of what it's like to climb the world's tallest mountain. But as this eye-opening documentary from filmmaker Jennifer Peedom reveals, you only know a fraction of the story. Sherpa shows the efforts of the native mountain guides, who risk life and limb in order to get foreign visitors to the summit. Over the course of a season, tension begins to brew between the locals, the tourists and the companies that facilitate the climbs, before finally boiling over in the wake of a deadly avalanche. A powerful, troubling film — it's of the best things we caught at last year's Sydney Film Festival, and an absolute must see in 2016. Sherpa is due in cinemas on March 24. DOWN UNDER A comedy about the Cronulla race riots? It's safe to say Down Under could either be brilliant or a total disaster. Director Abe Forsythe appears to be deliberately courting controversy — not that there's anything wrong with that, per se. With racism and Islamophobia still major issues in this country, a dark comedy that tears into good old Aussie jingoism could be exactly what the doctor ordered. Of course, satire is a tricky thing — and easy to muck up. Guess we'll just have to wait and see. Down Under is due in cinemas on August 4. 2:22 Between Predestination, The Infinite Man and the recent remake of Patrick, it's been a good few years for homegrown science fiction. Continuing this trend (we hope) is Paul Currie's 2:22, an American-Australian co-production in which a man is forced to relive the same day over and over, always ending when the clock hits — you guessed it — 2.22pm. Game of Thrones actor Michiel Huisman stars alongside Australia's own Teresa Palmer. Imagine Groundhog Day remade as a psychological thriller, and you'd be roughly on the right track. 2:22 is due in cinemas in 2016. https://www.youtube.com/watch?v=-98kUEnkxHM DOWNRIVER Writer-director Grant Scicluna's feature film debut was one of the most buzzed about local films at last year's Melbourne Film Festival. Reef Ireland (Puberty Blues) plays James, a young man recently released from prison after serving time for his involvement in the drowning of a small boy. Looking for redemption, James sets out to recover the boy's body, only to find himself in danger when it becomes clear that his accomplices would rather the past remain buried. Downriver looks grim and compelling in equal measure, and could well mark the emergence of a promising new Australian film talent. Downriver is due in cinemas in 2016. THE FAMILY This upcoming documentary, from director Rosie Jones, promises to pull back the curtain on Australia's most notorious cult. For three decades between the 1960s and 1990s, Anne Hamilton-Byrne led a group of devoted followers as the head of a sect known as The Family. Controlling her disciples, including a host of "adopted" children, through a mix of physical abuse and mind-altering drugs, Hamilton-Byrne convinced cult members she was the reincarnation of Jesus, before their compound was eventually raided by police. It's a story made all the more troubling for having taken place in our own backyard. The Family is due in cinemas in 2016. GOLDSTONE Actor Aaron Pedersen and filmmaker Ivan Sen are reuniting for a sequel/spin-off to their masterful outback thriller Mystery Road. Pederson returns as Indigenous detective Jay Swan, who finds himself in the eponymous town of Goldstone while investigating a missing persons case, only to find himself caught up in a web of crime and corruption. He'll be joined in front of the camera by two-time Oscar nominee Jacki Weaver, veteran Indigenous actors David Gulpilil and Tom E. Lewis, and Hong Kong martial arts star Cheng Pei-pei. If it's half as good as Mystery Road it'll be a contender for best film of the year. Goldstone is due in cinemas in 2016. JASPER JONES The new film from Bran Nue Dae director Rachel Perkins, Jasper Jones is an adaptation of Craig Silvey's award winning novel, described by at least one reviewer as Australia's To Kill a Mockingbird. Set in the fictional WA town of Corrigan in the mid 1960s, the film tells the story of 13-year-old Charlie Bucktin who befriends the eponymous Jasper Jones, a half-white, half-indigenous boy from the wrong side of the tracks. Toni Collette, Hugo Weaving and Dan Wyllie are set to co-star, although it's the younger cast members who will ultimately make or break the film. Jasper Jones is due in cinemas in 2016. LION Adapted from Hobart man Saroo Brierley's best-selling memoir, Lion stars Dev Patel as a young man who was adopted by an Australian couple (Nicole Kidman and David Wenham) as a child, who travels to India to try and track down his biological family. Rooney Mara co-stars, along with a number of high-profile Indian actors, giving this cross-cultural drama a real shot at international success. The film marks director Garth Davis' first feature film, following on from strong work on Top of the Lake. Lion is due in cinemas in 2016. NEST We've got two words for anyone who thinks Australian films are serious and boring: giant bloody spiders. Okay, so that's technically three words, but you get what we're trying to say. A Chinese-Australian co-production directed by Kimble Rendall — the same guy behind the wonderfully schlocky sharks in a supermarket movie Bait — this 3D creature feature stars Kellan Lutz, Kelsey Grammar, Shane Jacobson and Li Bingbing as a group of scientists who become lost in a labyrinth full of enormous, man-eating funnel web spiders. Leave your scaredy-cat friends at home. Nest is due in cinemas in 2016.
The Northcote Social Club is a veteran of the Melbourne music scene, and like many classic venues of yore, it's had a few little facelifts over the years. Gone is the faded glory of an ageing Aussie pub — though the interior has retained its old-school warmth with polished floorboards and wooden accents, elegant lighting and young, heart-leafed philodendrons curling up sparse metal grates. There's still ample seating for eating, drinking and people-watching available in the front bar and deck, while the gig room is still as large and magnificent as always. Some things may never change, but the menu is not one of them. Northcote Social Club has done what we wish all venues would do, which is ensure the face-stuffing-before-the-cab-ride portion of the evening can happen right after the band finishes without the fuss of leaving the building. Share a bunch of mezzes with your mates — olives, housemade dips and croquettes — before jumping on the extensive burger and sandwich train. Alternatively, get around pub classics like steak and chips, parmas, sausages and mash and a heap of vegetarian and vegan friendly options. Deals also abound at Northcote Social Club —as they should at any good Melbourne pub. Monday nights are cosmo and parma nights. Wednesdays are for pies and pots. Thursdays are all about steaks. And the Sunday roasts are some of the top in town — best paired with a few rounds of Bloody Marys. This haunt still focuses on hosting great live gigs, but it's no longer the only reason to visit. You can easily visit Northcote Social Club for food and booze only, and be a very happy camper. Appears in: The Best Pubs in Melbourne for 2023
Move over, every cooking show ever made — and every hotel-based reality TV series as well. If there's ever been an ideal setting for any culinary feat or holiday highlights, it's Castello di Ugento in the southern tip of Puglia in Italy. It's not every day that you get to stay in a 1000-year-old castle that was once a Norman fortress and a lavish 17th century palace, let alone cook up a storm in one, but that's just what the site now offers. After its latest revamp, Castello di Ugento now boasts welcoming a luxe place to stay thanks to a nine-suite boutique hotel, a 1000-square-metre museum wing with restored frescoes, and an extensive culinary centre as well. It's the latter that should entice foodies from around the world, playing permanent host to an Italian cookery school in the castle's old storehouse. State-of-the-art equipment sits inside ancient, lovingly restored walls, with classes offered year-round — on an educational basis for students from the Culinary Institute of America as part of a semester abroad, and for hotel guests. House chef Odette Fada, other well-known chefs and local nonnas all impart their wisdom, spanning cutting-edge techniques and traditional, generations-old family recipes alike. Proving the type of place dreams are made of — because we all fantasise about spending warm Italian summers cooking, lazing about in luxury and roaming through scenic greenery, don't we? — the castle also features a working 17th-century kitchen garden, complete with over 100 kinds of herbs, fruit trees and vegetables, as well as event facilities. In the near future, visitors will also be able to enjoy wine tastings in a 500-year-old cisterna, or spend the night at a nearby restored farmhouse, which has its own pool, tennis court and fruit garden on site. For more information, visit the Castello di Ugento website. Images: Castello di Ugento.
For its latest celebration of both movies and music, Melbourne Symphony Orchestra is going back ... to one of the best films of the 80s and one of the best time travel films in general. Hop on your skateboard or in your DeLorean, then head to Hamer Hall (at less than 88 miles per hour, of course). For three days in October, the venue is hosting another classic flick brought back to the big screen while the feature's score gets MSO's live orchestral treatment: Back to the Future. It's enough to make you exclaim "great Scott!", which is actually something you'll probably be doing once you're there — especially given that the 1985 film's original score by Alan Silvestri (Pinocchio) is gaining some extra music. Around 20 minutes of new tunes by Silvestri himself have been added to the lineup only for these shows. So, no matter how many puffy vest and self-lacing shoes you own (or wish you did), you'll be experience something that you haven't while previously watching the Michael J Fox (The Good Fight)-starring hit. MSO is busting out the flux capacitor for three gigs across Wednesday, October 23–Friday, October 25, 2024, each starting at 7.30pm, with Benjamin Northey conducting. The Back to the Future in Concert screenings join the orchestra's lineup alongside already-announced sessions of The Man From Snowy River in August, Home Alone in December and Star Wars: Episode VII — The Force Awakens in May 2025. If you've been living in 1955 or 1855 and are somehow new to all things Back to the Future, the Oscar-winning film — for Best Sound Effects Editing — follows high-schooler Marty McFly (Fox) when he hops back 30 years from the mid-80s to the mid-50s. His journey into the past comes courtesy of a time-travelling version of the most-famous gull-winged vehicle that now exists in pop culture, which is the creation of scientist Doc Brown (Christopher Lloyd, Hacks). But returning home to his own time, and doing so without causing chaos with the space-time continuum — including with younger versions of his parents — isn't straightforward. Fox was already a star when the OG Back to the Future initially hit cinemas thanks to Family Ties but, as 2023 documentary Still: A Michael J Fox Movie stepped through, the Robert Zemeckis (The Witches)-directed movie took his fame up a level. Then 1989's Back to the Future Part II and 1990's Back to the Future Part III swiftly followed. Silvestri mightn't have nabbed an Academy Award nomination or win for his Back to the Future score; however, he picked up two for a couple of other Zemeckis-helmed features: Forrest Gump and The Polar Express. Check out the trailer for Back to the Future below: Back to the Future in Concert will take place between Wednesday, October 23–Friday, October 25, 2024 at Hamer Hall, Arts Centre Melbourne, 100 St Kilda Road, Southbank. Tickets are on sale from 10am on Thursday, July 4 — head to the Melbourne Symphony Orchestra website for more details.
Melbourne's skyline is now a little bit greener, following the launch of a new rooftop garden set atop East Melbourne's Treasure Theatre building. The design is a case study for the Green Our Rooftop project, which aims to drastically increase the green infrastructure in our city by 2050. A $2.5 million partnership between the City of Melbourne, the Victorian Government and Melbourne Water, the Treasury Place proof-of-concept hopes to inspire developers, businesses and private owners alike to adopt green spaces citywide. The rooftop garden was designed with low-maintenance, hard-to-kill and climate-resilient plants in mind; think succulents, herbs and native grasses. The space also provides a haven for bees, birds and other urban fauna, as well as reduces energy costs by cooling the building and minimising stormwater runoff. The Green Our Rooftop project highlights the potential of Melbourne's unused rooftops to transform the cityscape by showcasing a retrofit design on an existing building. The program also plans to attract more green spaces on private properties, with owners encouraged to apply for City of Melbourne's matched-funding grants via the Urban Forest Fund. Following the announcement of the project in May 2019, the rooftop underwent several years of planning, research and design before launching in February 2025. As part of the planning, the government worked with industry practitioners and researchers to undergo a thorough assessment of planting mixes, green roof systems, planting installation methods and maintenance inputs. The Treasury Place namesake will be monitored by University of Melbourne researchers, in order to form a better understanding of the most effective methods for designing and building cost-effective, impactful green rooftops going forward. "With massive greening and cooling potential, we hope the Green Our Rooftop project will lay the groundwork for retrofitting existing buildings and integrating green roofs into new developments – following the success seen in cities like New York, Singapore and Munich," says Lord Mayor Nick Reece. The Green Our Rooftop garden is now open at 1 Treasury Place, East Melbourne. For more information, visit the City of Melbourne website. Images: City of Melbourne.
Just when you thought drowsy Sunday afternoon grill-ups couldn’t possibly get any more deliciously lazy, Lynx comes up with a voice-activated barbecue, aka Smart Grill. That’s right, all you have to do now is kick back on your banana lounge and tell the barbie how you want your steak done. Well, that’s a slight exaggeration. But the MyChef interface promises to take a whole chunk of guesswork out of the process. No more black-on-the-outside-scary-pink-on-the-inside culinary disasters. Instead, the system links you to an online database providing all the information necessary for grilling perfection. Simply answer a couple of questions and MyChef advises you on the big decisions — when to turn, when to season and when to call it. At this stage, you'll have to stop resting on your laurels and do some flipping, salting and peppering, but the voice-controlled system does have the power to take care of other major jobs, such as getting the burners to optimum temperature. Plus, MyChef can keep you informed of developments via text messages and audiovisual cues through the companion app, so you can hang out by the pool, mix some cocktails and see to your guests without having to worry about messing up the steaks. And, just in case you indulge in one too many mojitos, misplace your phone and forget all about your feast, there’s an automatic safety shutdown mechanism. Having previewed at this year’s Consumer Electronics Show, Smart Grill is currently in prototype stage. Lynx is hoping to have it on the market next year. ViaGizmag.
When the first motion pictures flickered across the big screen 120-plus years ago, audiences were reportedly scared. The line between truth, embellishment and fiction has become muddled over time, but the idea viewers were astonished and startled when they watched the Lumière brothers' famous The Arrival of a Train at La Ciotat Station makes one hell of an urban legend. That was back in 1896. As we know all these years later, cinema hasn't stopped causing bumps and jumps since. The world's first horror film is thought to have released the same year — Georges Méliès' three-minute short called The House of the Devil — and plenty of folks have taken his lead afterwards. Today, that means horror's on-screen cup truly runneth over. Thanks to streaming, a wealth of unnerving flicks linger at everyone's fingertips. If you prefer celebrating Halloween by dimming the lights, popping some corn and getting cosy on the couch for a marathon of unsettling movies, we've put together ten classic recommendations — from creepy vampire films that are almost a century old to more modern must-sees. https://www.youtube.com/watch?v=4hQ40cI5C0E NEAR DARK Before she took Keanu Reeves surfing in Point Break, tasked Jeremy Renner with defusing bombs in The Hurt Locker and dramatised the international manhunt for Osama bin Laden in Zero Dark Thirty — and before she became the first woman to win the Best Director Oscar, too — Kathryn Bigelow sunk her teeth into the vampire genre. Near Dark, her 1987 sophomore film, takes elements of the western genre, throws in a clan of roving bloodsuckers and lets atmospheric horror thrills ensue. Bigelow's work has always been lean but weighty, and her dance with the fanged undead is no different. In fact, it's a flat-out vamp classic. Near Dark is available to stream on SBS On Demand. https://www.youtube.com/watch?v=pX5SG_2n4sM TWIN PEAKS: FIRE WALK WITH ME As 2017's Twin Peaks revival proved, no one conjures up unsettling imagery quite like David Lynch. He's been thrusting eerie visuals out into the world since 1977's Eraserhead — but if you like your Lynchian unease with some damn fine coffee and a slice of cherry pie, there's nothing better than 1992's Twin Peaks: Fire Walk With Me. Set in the lead-up to Laura Palmer's (Sheryl Lee) death, the prequel flick burrows deep into the sinister forces at play. It's a movie of sheer dread, even though viewers know what's going to happen. As only he can, Lynch steeps every frame in the pain, terror and suffering of his doomed protagonist, all while baking in his usual surrealist touches. No wonder it lingers long after watching, like the two seasons of Twin Peaks before it and the belated third season that followed 25 years later. Twin Peaks: Fire Walk With Me is available to stream on Stan. https://www.youtube.com/watch?v=jyW5YXDcIGs THE EXORCIST Back in 1973, the horror genre was possessed — and it has never truly recovered. That's not a criticism; The Exorcist is a landmark piece of spine-tingling cinema, with William Friedkin's film leaving a heavy imprint on everything that's followed. It even became the first horror flick to score an Oscar nomination for Best Picture, a feat that's still much more rare than it should be. When a movie spends the bulk of its time with a 12-year-old girl (Linda Blair) whose body has been overtaken by a demon, as well as with the two priests (Max von Sydow and Jason Miller) trying to cast the devil out and save her soul, it's going to make an impact. The fact that the film was based on a William Peter Blatty novel inspired by real-life exorcisms also helped, as did Friedkin's handling of Blatty's script, which gives the supernatural details a raw, visceral feel. The Exorcist is available to stream on Netflix. https://www.youtube.com/watch?v=V-daIHTY4NQ BUFFY THE VAMPIRE SLAYER How funky is your chicken? How loose is your goose? And, to keep the questions going, how well do you remember the original Buffy? Before Sarah Michelle Gellar stepped into her shoes in the cult TV show, everyone's favourite vampire slayer shouted the above cheers, took guidance from Donald Sutherland, battled Rutger Hauer and romanced Luke Perry in the 1992 big-screen comedy. The Joss Whedon-scripted flick still takes its premise seriously, but there's a looser vibe to the movie than the television series. And a thoroughly early 90s vibe, as well. While you're enjoying the undead-killing antics, keep an eye out for everyone from Hilary Swank to Thomas Jane and Ben Affleck among the cast, too. Buffy the Vampire Slayer is available to stream on Foxtel Now. https://www.youtube.com/watch?v=NmvQ_ii42mc HALLOWEEN This time last year, the latest Halloween film hit cinemas. In 2020 and 2021, sequels Halloween Kills and then Halloween Ends will reach the big-screen in late October. But, when it comes to the absolutely best franchise for this time of year, 2019 is unfortunately an anomaly. While Michael Myers isn't terrorising a theatre near you at this very moment, John Carpenter's original 1979 flick is always worth revisiting — in the slasher-thriller realm, it's an utter masterclass. From Jamie Lee Curtis' pitch-perfect performance as formidable babysitter Laurie Strode, to the pervasive air of unease looming over suburbia and Carpenter's own exceptionally unnerving score, the original Halloween is both supremely scary and sublime. Halloween is available to stream from the Apple Store. https://www.youtube.com/watch?v=TJew_11l6n8 HOUSEBOUND Scaring cinemagoers while simultaneously making them laugh isn't as easy as it might sound. Plenty of films call themselves horror-comedies, but they're usually just comedies with horror theming — and they're about as sinister as clown without makeup. While 2014 New Zealand picture Housebound falls into the tried-and-tested sub-genre that is haunted house flicks, writer/director Gerard Johnstone finds the ideal balance between spooks and giggles, all by following a small-time criminal placed on house arrest. Kylie (Morgana O'Reilly) would rather be anywhere but stuck at home for eight months with her mother (Rima Te Wiata); however she soon discovers that they have company in a movie that serves up jumps and chuckles in tandem. Housebound is available to stream on SBS On Demand and Tubi. https://www.youtube.com/watch?v=4NOipA99GxY NOSFERATU It's the best Dracula film that doesn't actually mention the word "Dracula". In fact, when FW Murnau adapted Bram Stoker's gothic classic in 1922 without getting permission to do so, a court ordered that the movie be destroyed. Thankfully, a few prints survived, which is how we can still soak in the wonders of Nosferatu. Even with a few changes (the famed bloodsucker is now called Count Orlock, for example) the story lures viewers in, but it's not just the plot that's captivating. As proves the case with all German Expressionist cinema from the 1920s, it's how the tale is told in a visual sense that makes an enormous impact. Also significant today, almost a century later, is how free Nosferatu is from everything that's since become a vampire cliche — with the film cutting to the heart of Stoker's disquieting narrative instead. Nosferatu is available to stream on Tubi. https://www.youtube.com/watch?v=pyWuHv2-Abk TRAIN TO BUSAN Forget Snakes on a Plane — if you want to see what happens when something scary is let loose in a confined space, but you don't want to cringe the whole time, opt for zombies on a train instead. Yeon Sang-ho's instant classic doesn't use the obvious moniker; however this frenetic thrill ride definitely fits the description. It's far, far better than that simplistic outline might seem to suggest, though. As well as forcing a father (Gong Yoo) and daughter (Kim Su-an) to fend off the shuffling hordes while they're in mid-transit, and fleshing its protagonists out more than most zombie flicks manage, Train to Busan also paints a probing picture of modern-day South Korean society. It's part of a franchise, too, with animated prequel Seoul Station exploring another aspect of the outbreak, and a sequel is also in the works. Train to Busan is available to stream on Netflix. https://www.youtube.com/watch?v=kWin2LZkvrA THE CRAFT Is a horror classic really a horror classic if it hasn't spawned a remake? In The Craft's case, no one will need to ponder this question for much longer. A new version is currently in the works, but that doesn't mean that the 90s original is going anywhere — and if you like your retro horror fun packaged with teen goth witches, then you'll always want to go back to where it all began. Starring Neve Campbell, Robin Tunney, Fairuza Balk and Rachel True, the 1996 hit charts the fallout when a group of high-schoolers start messing around with the occult and using it to rule the school. It owes a significant debt to Heathers, just with added witches, but The Craft still casts its own enjoyable spell. The Craft is available to stream on on Google Play. https://www.youtube.com/watch?v=g7hLdktC_jY THE STUFF If you ever come across a gooey substance on the ground, don't eat it. Things don't turn out well when this exact scenario happens in 1985 satirical horror/sci-fi The Stuff — especially after the titular substance is sold in supermarkets, marketed as being calorie-free and starts a huge food craze. Where it goes from there is best discovered by watching, but don't expect anything in the way of subtlety or realism. Larry Cohen sits in the director's chair, and this is the kind of playful horror fun that the prolific B-movie filmmaker was known for. Everyone needs their spooks with a dose of silliness now and then, after all. The Stuff is available to stream on Amazon Prime Video.
As a generation, we've watched the internet emerge from its fledgling beginnings to its modern state, where nearly a third of Earth's population is logged on. In mere decades, the internet has gone from nonexistent to a necessity. We are a population obsessed. And then came Facebook. The ever-expanding social network debuted in 2004, turning us all into Facebook-stalkers and using up any free time we had left. It's hard to remember the internet before Facebook, let alone any of the computer technology of yesteryear. Squirrel Monkey's video tutorial, which imagines Facebook if it had been designed in the 1990s, will bring you right back to the horrendous colour graphics and primitive Windows versions of the technology's start. The video, a humourous how-to, takes a new user through the nuances of "the Facebook". The concept of Facebook, set against the simplistic '90s graphics, suddenly seems very ridiculous. And perhaps that is just the point. The subsequent videos, which imagine Twitter in the '80s and Draw Something as an old PC game, similarly put social media into perspective, reminding us not to take our status updates and tweets all too seriously. https://youtube.com/watch?v=xrYRH3PYYT0 [via Flavorwire]
