Overview
When it comes to art exhibitions, second chances aren't common. A big-name showcase may display at several places around the world, but it doesn't often hit the same venue twice. French Impressionism is an exception, then, returning to the National Gallery of Victoria in Melbourne in 2025 after initially gracing the institution's walls in 2021.
When it was first announced for that debut Australian run, French Impressionism was set to be a blockbuster exhibition — and with 100-plus works featuring, including by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Mary Cassatt and more, it's easy to understand why. But 2021 wasn't an ordinary year, like 2020 before it. Accordingly, when this showcase of masterpieces on loan from Boston's renowned Museum of Fine Arts opened Down Under, it was forced to close shortly afterwards due to the pandemic.
Cue another season in this part of the world four years later, thankfully, with French Impressionism back at NGV International from Friday, June 6–Sunday, October 5, 2025. This is one of the largest collections of the eponymous art movement to ever make its way to Australia, complete with works that've never been seen here before.
Claude Monet, French, 1840–1926, Water lilies, 1905, oil on canvas, 89.5 x 100.3 cm, Museum of Fine Arts, Boston Gift of Edward Jackson Holmes Photography © Museum of Fine Arts, Boston. All Rights Reserved.
Again part of the Melbourne Winter Masterpieces exhibition series, French Impressionism isn't short on gems, especially given the array of artists with pieces on display, which also includes Camille Pissarro and Berthe Morisot. But one certain must-see is the presentation of 16 Monet pieces in one gallery, all in a curved display to close out the showcase — and focusing of his scenes of nature in Argenteuil, the Normandy coast and the Mediterranean coast, as well as his Giverny garden. In total, there's 19 Monet works in French Impressionism from the Museum of Fine Arts' collection (Water Lilies among them), and that still leaves the US gallery almost as many to display in Boston.
Another section digs into early works by Monet and his predecessors, such as Eugène Boudin — and Renoir and Pissarro's careers also get the in-depth treatment. As the exhibition charts French impressionism's path across the late-19th century, visitors will enjoy three never-before-seen-in-Australia pieces, with Victorine Meurent's Self-portrait one of them. Ten-plus Degas works, as well as two pieces that were part of the very first exhibition of French Impressionism that took place in 1874, also feature.
If you made it along to the showcase's first trip Down Under, you will notice changes, with the exhibition design reimagined for its latest presentation.
Camille Pissarro, French (born in the Danish West Indies), 1830–1903, Spring pasture, 1889, oil on canvas, 60 x 73.7 cm, Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts, Photography © Museum of Fine Arts, Boston. All Rights Reserved.
Top image: excerpt of Camille Pissarro, French (born in the Danish West Indies), 1830–1903, Spring pasture, 1889, oil on canvas, 60 x 73.7 cm, Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts, Photography © Museum of Fine Arts, Boston. All Rights Reserved.