Jonathan Boulet
The Sydneysider has ditched the label, beard and folk sound for Gubba.
Overview
Since we last heard from Jonathan Boulet, he's shaved off his beard, parted ways with Modular Recordings and swapped his electronica-dashed folk for rock. The Sydneysider also spent a year living in Berlin, where he recorded new studio album Gubba, released on July 18. "The new music will be described as post-pop, punk rock, chocolate-chip sludge, crust pop, rock pop, pop cock and cock stop in the rock blot bop," he explains in the promo video, "but it is neither of those things. For our children's sake, we shall henceforth categorise this music as rock."
Gubba is Boulet's third release, following 2009's self-titled debut and 2012's We Keep the Beat, Found the Sound, See the Need, Start the Heart. For those familiar with his bass contributions to power violence band Snakeface, the album's driving guitars and distorted vocals might not come as too much of a surprise, but they're certainly a dramatic deviation from previous solo work.
"I've always been a fan of trying to surprise people or get a reaction out of them," Boulet told the SMH. "I don't feel that my musical ventures are unpredictable, but there are lots of roads you can take and sometimes it's easier to take one road over another and sometimes you're presented with a new road you haven't had access to, and that's definitely more inviting."
In August, he'll be hitting Melbourne's Northcote Social Club on Friday 15, Adelaide's Pirie and Co. on Saturday 16, Sydney's Goodgod Small Club on Thursday 21 and Brisbane's Black Bear Lodge on Thursday 28.
Information
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