While face masks were first mandated in Melbourne back in mid-July, the NSW Government has only ever 'strongly recommended' its citizens to cover up. From midnight tonight, Saturday, January 2, however, that's all changing. In a bid to contain the current COVID-19 outbreak, which now encompasses clusters on the northern beaches, in Croydon and in western Sydney's Berala, the NSW Government is mandating the wearing of masks for some indoor settings across Greater Sydney. Sydneysiders, including those who live in Wollongong, the Central Coast and the Blue Mountains, must don a mask when they are shopping (at supermarkets, shopping centres and other retail stores); on public and shared transport; at indoor entertainment, such as cinemas and theatres; at places of worship; at hair and beauty salons; and using gaming services. They'll also be mandatory for all staff in hospitality venues and casinos. Children under 12 are exempt, but are encouraged to wear one where they can. If you refuse to do so, you'll risk being slapped with a $200 on-the-spot fine. While the public health order commences today, police won't start issuing fines until Monday, January 4. NSW recorded seven locally acquired cases of COVID-19 in the 24 hours to 8pm last night, with an additional 12 cases in... Posted by NSW Health on Friday, January 1, 2021 Compulsory mask wearing is not the only new restriction announced today for Greater Sydney, either. Gym classes will be reduced to 30 people; places of worship, weddings and funerals will be limited to 100 people, with one person per four square metres; outdoor performances and protests capped at 500; seated, ticketed and enclosed outdoor gatherings reduced to 2000; and nightclubs will not be permitted. These restrictions will come into effect at midnight tonight for all of Greater Sydney, including the southern half of the northern beaches, which has been under stay-at-home orders since Saturday, December 19. While the stay-at-home orders are ending tonight for the southern zone — south of Narrabeen Bridge and the Baha'i Temple — which will then have the same restrictions as the rest of Sydney, they will remain for the northern zone until Saturday, January 9. To find out more about the status of COVID-19 in NSW, head to the NSW Health website.
It's never too cold to party. At least, that's what the guys behind Snowtunes say. And for its third year, this Snowy Mountains music festival is coming back even bigger — twice the size actually. With the addition of a second night of festivities, the party people have also added a second stage so punters can enjoy live music at one and dance it out at the other, dedicated to EDM. And with our Snowy Mountains giveaway, you could be right there listening, dancing and partying with the snowy revellers. Who's expected to take to the stage at the festival? Plenty of Aussie-born talent, including L D R U, Gang of Youths, Nina Las Vegas, Mashd N Kutcher and Tigerlily, plus New Zealand-born singer-songwriter Mitch James and French DJ Klingande with some tunes from abroad. Mark your calendars and find some snow gear, because you could win a double pass to both days of Snowtunes on September 1 and 2, plus two nights accommodation in your own studio apartment. Enter your details below. [competition]631762[/competition] Image: Perisher Ski Resl.
New York is a very strange, very wonderful place. A city full of the quirky, the neurotic, and the downright weird, there is a place for everything and everyone in New York. That's why when I came across Rachael Morrison I was hardly surprised by her unorthodox performance art — in fact, I was completely spellbound. Morrison, a Senior Library Assistant at The Museum of Modern Art Library in New York, has launched a performance art project called 'Smelling the Books.' And yes, this is exactly what it sounds like. In early 2010, Morrison began her olfactory escapade, systematically smelling every book in the MoMA Library collection and documenting each new sensory experience in a ledger. Of the performance Morrison says her purpose is to "foster a discussion of the future of print media, the ways we read, methods of classification, and the way in which smell is entwined with memory." I love the smell of books. A book is like a lover — with each one you have a unique experience and with each you build a unique relationship, one that can't be re-fabricated by a computer or a kindle, no matter how hard you try. And that's why I'm asking you now, gentle reader, to join Morrison's crusade; pick up your favourite old classic or buy something new, curl up wherever you are with a cup of coffee, and nuzzle your nose between the pages. There has never been a better time than now to smell a book.
Sydney may be a delightful city in which one spends their time, but, let's face it, isn't it nice to get away too? Especially when you don't have to travel too far to get to something as rewarding as this year's High & Dry Festival.Only two hours north of Sydney on Aboriginal land this weekend is Australia's first festival run on 100% renewable energy (combination of solar, wind and bicycle power). Born from a makeshift, spontaneous event over New Year's Eve in 2007 when poor weather cancelled the Peats Ridge Festival, High & Dry returns to its own set of loyal fans and no doubt a whole bunch of new ones. And who wouldn't be a fan of a festival that boasts a focus on creative and performative arts and not just music. There'll be puppets, installations, markets and much, much more. That said, there's music too, with the likes of Entropic, The Barons of Tang and Combat Wombat treading the boards. They are but three of the one hundred acts programmed at this three-day event.There's bound to be an emphasis on sustainable community and intimate summertime magic this year at High & Dry.
Back in 2010, Ryan Gosling starred in a crime drama called All Good Things, playing a real estate heir suspected to be behind his wife's disappearance, as well as other murders. It isn't a highlight on his resume, but you'll see the feature very differently once you've watched six-part HBO docuseries The Jinx: The Life and Deaths of Robert Durst — because Gosling's character is based on Durst, and because filmmaker Andrew Jarecki directed both the movie and the series. True crime isn't a new genre, but The Jinx proved one of its big hitters when it was initially released in 2015. While it was originally airing, Durst was arrested on murder charges, with the criminal proceedings still ongoing to this day. Jarecki's series draws upon more than 20 hours of interviews with Durst, conducted over a number of years, and it'll drop you right into the middle of a twisty case. The minutiae is best experienced by watching, but the show's finale isn't easily forgotten.
Cinema has provided me with the basis of many of everyday fantasies, one of which is calorie-free ice cream. Despite being a largely superficial hollywood chick flick, one thing I found relatable in Roger Kumble's The Sweetest Thing was Christina's (Cameron Diaz) fantasy dream where she eats calorie-free ice cream and gets intimate with Mr Right. Now, bringing fantasy to reality is an American company, Vaportrim, which has invented a dessert-flavoured inhaler, proposing to aid weight-loss. Working with the sense of smell and taste, Vaportrim offers a means to satisfy a sweet tooth by making you feel full, and eat less. Through the process of inhaling smell, taste receptors send messages to your brain which release hormones that tell your body it's full. As Dr. Alan Hirsch of the Smell and Taste Treatment and Research Foundation puts it, "It’s all a matter of fooling the brain". Sticking to a strict diet regime can be difficult for those who desire to lose weight. With no calories and containing FDA-GRAS ingredients, even the most skeptical can rest assured that the product warrants little harm if inhaled. Coming in fourteen different flavours, including apple pie, milk chocolate and pina colada, Vaportrim sounds almost too good to be true. For those less inclined to follow weight loss gimmicks you might be interested to hear that the patent for Vaportrim is held by a man who owns the Adult Entertainment Broadcast Network, a pay-per-minute porno site. [Via Lost At E Minor]
His video collection is filled with 80s and 90s educational films. When we chat, he's staring at a Teddy Ruxpin doll. If anyone was destined to make Brigsby Bear, a delightful, insightful comedy about a fictional television show and its number one fan, it's Saturday Night Live star Kyle Mooney. With Mooney in the lead, his childhood pal Kevin Costello with him on co-screenwriting duties, and another of their friends, Dave McCary, in the directors chair, Brigsby Bear feels like it has been ripped not just from Mooney's mind, but from his heart. It's the most earnest and genuine film you could imagine about an adult discovering that his favourite show isn't quite what he thinks — one that isn't afraid to give nostalgia a hearty embrace while wading through dark terrain. It's also a perfect addition to a career that started with web sketches with his friends in comedy troupe Good Neighbour and segued into the most famous late night comedy show there is. Along the way, he's also racked up parts on Parks and Recreation, the US version of Wilfred and Hello Ladies. With Brigbsy Bear currently screening in Australian cinemas, we spoke with Mooney about turning his VHS obsession into a movie, getting the confidence to make the leap to film, and doing so with his best friends. ON FINDING INSPIRATION IN GREEK CINEMA AND 80s VHS TAPES "I don't know how it came to me — if I was just hanging around the house or in some sort of dream state or what, but I became really obsessed with this idea of a guy who watches a TV show that's being produced just for him," explains Mooney. "And I kept on thinking about that concept until eventually the story became not just that, but more about the world he explores after that, and outside of that." "There was a movie that came out a few years ago called Dogtooth. It has some similar qualities, with a family being raised in seclusion, so maybe that played a part. But generally I couldn't tell you where it came from, except from me being that obsessive myself, and watching these shows — I have a big VHS collection of kids shows, and I watch them over and over again." "It's mostly stuff that's made for kids, and mostly stuff from the 80s and 90s. I especially really like stuff that was released straight-to-video, and was produced regionally. And where there's maybe only 200 copies made. Educational films, religious videos, stuff like that. What I really like is when it has a low budget, and low production values, but you can tell that whoever's in charge of this thing is trying to do their best impression of Jim Henson or Walt Disney — and it's totally not working." https://www.youtube.com/watch?v=Sgs81IOU0m4 ON MAKING THE LEAP FROM SHORTS, TO SNL, TO HIS FIRST FEATURE FILM "I started working on videos with Dave, our director, in my early 20s — right out of college. And with every video you learn something. And then, after a few of them you start trying new things, and you add people to the crew, or maybe start to put a little more money into the production. So it was kind of a gradual build where the stakes rise a little more each time." "By the time we got SNL — I went there with Dave and with Beck Bennett, who's a cast member who is also in our movie — again, there is a little more pressure at it, but you get used to it. And now you're working with a huge celebrity host each week! And you do that for a few years, and it has been building so that, by the time we were on set last summer shooting the movie, I felt pretty prepared." ON MAKING A MOVIE WITH HIS CHILDHOOD BEST FRIENDS "We had all of these shared experiences. With Dave and I, like, there was this very specific kid who went to middle school with us. And I can just be like, 'Jim said this in science class in 1998', or whatever it is, and we can get a laugh out of it. And there's just a level of trust that's there, I think, when Dave is directing me. He knows what I'm capable of. We have the same sensibilities, pretty much." "So it's easy for me, and I think it relieves a lot of the pressure of working on something and not knowing how it is going to turn out. We're also all in it together — and we fail together and we succeed together. But yeah, certainly like having so much history and sharing a sensibility helped." "And I had enough fun on that set that I felt like, 'if this is all we get out of it, I feel pretty good'. Even if the movie didn't turn out well, I would've just considered it a rad summer where we got to work on something together. When we weren't shooting, we would hang out in our hotel rooms or get beers or sing karaoke. It was truly a wonderful crew and cast, and it's nice that what comes through on screen is true to what the experience was like." ON THE FILM'S EARNESTNESS AND OPTIMISM "We have so much genuine love for the things we were trying to recreate. The Brigsby show that's in the movie — I love children's entertainment, and we never wanted to poke fun. I think we always really wanted to pay tribute to it." "And also, the film's underlying theme of creativity, or storytelling, or finding something that you love — we never felt like we wanted to make fun of that. We just wanted to embrace it. We just really liked the idea of playing everything earnest and honest, and hoped the laughs would come along naturally along the way." https://www.youtube.com/watch?v=1MdrGM27yQ8 Read our Brigbsy Bear review.
Sprawling over volcanic hills and boasting not one, but two harbours, Auckland may be New Zealand's largest city, but it still offers hidden corners to get away, without having to hit the highway. With lush native rainforests and black sand beaches in the west, sheltered golden sand beaches in the east, and a cultural hub of a CBD packed with eclectic eateries, it's hard to find a dull moment Tāmaki Makaurau. Visiting is truly a rare experience — one moment, you're hiking through rugged bush, staring across stunning sea-views, and an hour later, you can be strolling through Auckland Art Gallery Toi o Tāmaki or having a cocktail at a lively inner-city bar. There really is something for everyone in this picturesque and culturally diverse city. So, whether you're travelling from across the pond in Australia, or you're a Kiwi yearning for a staycation, we've pulled together ten of the most unique stays for your next break. Recommended reads: The Best Places to Go Glamping in New Zealand The Best Places to Go Glamping in Australia The Most Unique Stays You Can Book Around New Zealand The Most Unique Stays with Breathtaking Views of New Zealand's South Island NZ Summer House, Riverhead This one bedroom pool house is situated on a equestrian lifestyle property 30 minutes from Auckland's CBD. Close to vineyards, award-winning restaurants, West Coast beaches and popular bush-walking spot Riverhead Forest, it's the perfect place to park up for a mix of adventure and relaxation. From $271 a night, sleeps two. Piha Hut, Piha This newly built one bedroom house is nestled amongst Nīkau palms in Piha, a seaside spot known for great surf, rugged scenery and nearby waterfalls. The sheltered deck looks onto Lion Rock, a volcanic monolith with Māori carvings and war memorials. From $118 a night, sleeps two. Piha Retreat, Auckland Designed by internationally acclaimed architect Chris Tate, this retreat house is perched amongst native rainforest and boasts some of the area's most epic views of Lion Rock. Watch the sun go down from the outdoor bath, while your companion cooks up dinner on the deck's barbecue. From $248 a night, sleeps four. NYC Style Loft, Auckland If you're after a chic urban stay a stone's throw to restaurants and bars abounds, this industrial warehouse style apartment may be your next city getaway spot. From $135 a night, sleeps four. Luxury Piha Escape, Piha This architecturally designed abode with sweeping sea views is perfectly positioned on Piha, Auckland's world famous surf beach. With two bedrooms, an open plan living room and a massive timber deck, it's a perfect oasis for a beach getaway with friends. From $769 a night, sleeps eight. Relaxing Coastal Retreat, Manukau Heads Live out your castaway dreams at this coastal cabin positioned on a small farm. If the driftwood fence isn't enough to get you excited, the outdoor bathtub, sea-views and close proximity to a winery and golf club just might. From $190 a night, sleeps two. Alfriston Stables, Alfriston Transformed from unused stables to a jaw-dropping industrial-style loft, this country escape has everything you need for rural R&R. Perched at the end of a tree-lined lane, with moody renovated interiors, a large swimming pool and a desk for your leisure. From $124 a night, sleeps two. Blackpool House, Waiheke Island This secluded home set amongst the magnificent Taraire trees is an architectural wonder. The spacious structure melds a contemporary sensibility with a retro interior that makes for a warm and inviting stay. Be sure to take full advantage of the naturally lit mezzanine library that looks out on Te Huruhi Bay. From $390 a night, sleeps two. Te Kouma Heights Glamping, Manaia Find luxury off the grid in this tent for two with endless ocean and farmland views. Enjoy fully equipped solar power, a king bed and two claw-foot outdoor tubs facing the glittering Coromandel Harbour. From $330 a night, sleeps two. Coastal Acres Escape, Āwhitu Journey through rolling green pastures and whites sans at this home on the Tasman sea. Just an hour and a half outside the Auckland CBD and tucked between towering dunes, your worries will was away in these double claw foot baths with perfect views for a sunset soak. From $207 a night, sleeps six. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Calling all nomads and avid campers: a Japanese company called DCW has designed a mobile pod home that will fit in a mini van and can be assembled on any terrain. The pod allows you to choose your own style of living while still being at one with nature, and can be placed on flat ground, steep hills or even turned into a kit houseboat if you feel like taking to the sea. The manufacturer has said it can be easily built "by two women" in half a day but may take a little longer to pull it down, possibly a whole day. Don't let its size fool you; this mobile house may look extremely tiny but it can sleep up to 3 people when you manoeuvre the sofa bed in the right way. The Mobile House Kit has yet to be given a price tag, but surely if you love the outdoors and want to experience nature in style then it will be worth breaking the budget for.
Water repulsion is all the rage at General Electric right now. New hydrophobic, durable coatings that repel liquid could increase energy efficiency across all kinds of machine-based industries. While this is a great advance for technology, a pleasant offshoot is beauty: cue mesmerising slo-mo video of glittering droplets, artfully scattering and dancing in unison. To develop a superhydrophobic coating, GE's chemists looked to nature's own superhydrophobicity and specifically the "lotus effect" — the way raindrops stay intact and roll off lotus leaves without adhering or soaking in, thanks to nanoscopic hairs on the leaf surface. If you could harness this water-repelling power of the lotus, what would you do with it? GE's wind turbines and other machinery adversely affected by ice and moisture build-up will benefit from the coating, and a path ahead is also clear for self-cleaning and anti-fouling materials. Below, watch as the cute, scruffy Slow Mo Guys wear lab coats and utter sweet nothings with their British accents, all while applying macro-lens scrutiny to liquids bouncing off a superhydrophobic coating. This bouncing (or "splooshing" as the guys eloquently put it) creates tumbling, flower-like formations that expand and retract. Marvel as they mess around with food dye, back-lighting and ferrous liquid. It's not unlike the famous Sony Bravia bouncy ball ad, enhanced by an emotional synth soundtrack and the shape-shifting elasticity of water. Via Gizmodo.
This June celebration of all things punani, foo foo and vagina has one message — love your lady parts! Philip Werner's photographic exhibition, 101 Vagina, and the Festival of the Vagina are en route to Redfern so "get your bits out, they're all fine" (if you watch the promo video that should make more sense). The exhibition is from Werner's coffee-table book of the same name, which features black-and-white stills of full-frontal vaginas and accompanying messages from the subjects. The show will be up for three days at 107 Projects in a bid to not only celebrate but redirect the plight of the forgotten vagina. Tied up in all kinds of taboos, mandatory porno airbrushing and a dramatic increase in labiaplasty, it sounds like the old girls could use a breath of fresh air. So feel free to giggle, scream or get naked (but don't say it came from me). 101 Vagina is also the centrepiece for an all-day vajayjay fest on Saturday, June 29. The Festival of the Vagina will unite educators, performers, artists, journalists and the rest of us with the noble goal of taking the shame out of vagina. Did I mention there is also a ukulele band called the Three Sisters Katoomba? Awesome. Check out the full line-up at the 101 Vagina website.
2021 marks 23 years since '...Baby One More Time' rocketed up Australia's charts, and made sure that everyone in the country knew who Britney Spears was. In the decades since, the singer has enjoyed a slew of other hits, thanks to everything from 'Sometimes', '(You Drive Me) Crazy' and 'Oops!... I Did It Again' to 'Toxic', 'Everytime' and 'If U Seek Amy'. Yes, you now have at least one of these songs stuck in your head (or, let's be honest, a medley of all them). This year also marks the arrival of a must-see documentary about the pop star, which Aussies have heard plenty about but have been unable to watch for the past month. Part of The New York Times Presents series that streams in the US via Hulu, Framing Britney Spears examines not only the singer's life since she was a child — going back to before her first hit single, and before her time on The All-New Mickey Mouse Club in the early 90s, too — but also the way she has been treated in the press, the fact that she has been under a conservatorship since 2008 and the #FreeBritney movement that's sprung up in response to the latter. Not by her own choice, Spears has been an almost-constant presence in the tabloid media for nearly quarter-century. The paparazzi has covered her every move and career with disturbing intensity, in fact. Everyone knows the details, because they've been plastered all over magazine front pages and internet headlines for years and years, to the point that they've been impossible to avoid. And, as this doco ponders, it's easy to join the dots between the relentless hounding by photographers, the endless mentions in gossip columns, the ridiculous way Americans reacted when she didn't meet their idea of what a 'girl next door'-style pop star should be, how she has been regarded by pop culture in general and how the US legal system has stripped away her right to control her own life for more than a decade. The film makes for important and grim viewing — and, although it premiered in the US in early February, Channel 9 just aired the Hulu doco this past week, and has also made it available on its online service, 9 Now. So, you can now spend 71 minutes stepping through a story that hasn't ended yet and doesn't wrap up happily in the movie, but is rightly sparking a reassessment of how female celebrities — and young women in the spotlight in particular — are treated, Spears included. Check out the Framing Britney Spears trailer below: https://www.youtube.com/watch?v=_GEa844LCoI Framing Britney Spears is now available to stream on 9 Now.
Just six months after opening his first solo venture, Jared Merlino (co-owner of Big Poppa's, Kittyhawk and Lobo Plantation) is already changing this up. Bartolo (FKA Caffe Bartolo) has just reopened with a new name, a new interior and a new menu to boot. As part of the all-day eatery's revamp, the venue now features a 13-seat bar space, which has launched alongside the approval of the bar's PSA licence — allowing punters to drink without having to order any food. When you visit, expect a sleek fit-out with walnut floorboards and high tables, along with a cocktail menu that spans spritzes ($15), classics ($14–20) and signatures ($22). The menu changes with the season and has been created by the group's lauded head bartender, Grazia Di Franco. At the moment, there's a Vermuttino spritz (vermouth, lemon myrtle and soda), the Rain cocktail (tequila, two types of vermouth, verjus and golden beetroot), the Merino Wool (sherry, cognac and vermouth with apple, almond milk and egg whites) and the Fireplace (Rinomato Aperitivo and Americano Bianco with plum, cacao and earl grey), which is served hot. Over at the dining room, Merlino wanted to serve up something that Crown Street didn't already offer. For that, he called in chef Teofilo Nobrega, who spent the past 13 years working at Potts Point's Fratelli Paradiso. When creating the food menu, Nobrega's aim was to create a lineup of dishes that you could happily spend 17 hours — how long the cafe's open for each day — eating. And, indeed, you can. For lunch and dinner, there are grilled lamb rump skewers with rosemary and garlic ($15), locally made burrata with white anchovy ($18), charred octopus with salsa verde and pickled onion ($23) and pan-fried Spanish mackerel with asparagus and celeriac puree, ($26). Pair these with one (or both of) the house-made pastas — at the moment, those include the tagliolini alla sorrentina with buffalo mozzarella ($21) and the duck ragu pappardelle ($31). And don't forget a serve of the veal and pork meatballs in tomato sugo ($15), which is made using a recipe from Merlino's nan. On weekends, head in for the regularly changing brunch specials, with house cocktails available from 8am — including the bloody mary, mandarin and prosecco mimosa, espresso-based Coffee Break and a campari and grapefruit concoction. For eats, enjoy the likes of brekkie meatballs with poached eggs and parmesan, or brioche French toast with apple and rhubarb compote and mascarpone. For weekday breakfast before heading into the office, the espresso bar is open from 7m till 3pm, at which you can grab Gabriel coffee and a pastry from Organic Bread Bar. Images: Kitti Gould Words by Samantha Teague and Marissa Ciampi
In Disney's non-stop quest to not only remake its animated hits, but to make them look as lifelike as possible, the Mouse House has already brought Dumbo, Aladdin and The Lion King back to our screens so far this year alone. But it's not done yet, with the company's new streaming platform set to welcome another high-profile do-over before the end 2019: a live-action version of Lady and the Tramp. To answer the question you've all been wondering, yes, it'll feature real spaghetti and meatballs. In all seriousness, the film does actually star real dogs — not photo-realistic canines cooked up by a special-effects team. The adorable pooches have still be given human voices, as the first trailer showed a few months back, with Tessa Thompson lending her tones to everyone's favourite pampered pupper and Justin Theroux doing the honours for her street-smart love interest. Playing an American cocker spaniel and a schnauzer, Thompson and Theroux aren't the only big-name talents going to the dogs. A Star Is Born's Sam Elliott gets gravelly as a bloodhound, Catastrophe's Ashley Jensen is a Scottish terrier, Avengers: Endgame's Benedict Wong voices a bulldog and Janelle Monae pops up as a pekingese. They're joined by a few cast members who are sticking with their two-legged forms, including Hearts Beat Loud's Kiersey Clemons, Me and Earl and the Dying Girl's Thomas Mann, and Community co-stars Yvette Nicole Brown and Ken Jeong. Story-wise, the film wags the same tale, as the upper middle-class Lady crosses paths with, eats pasta with and learns to appreciate the whole wide world with a downtown stray called Tramp. In the just-dropped second trailer, viewers can get a glimpse of more of their antics — and more of the other cute canines they interact with on their action-packed journey. Directed by The Lego Ninjago Movie's Charlie Bean and co-written by US indie filmmaker Andrew Bujalski (Computer Chess, Results, Support the Girls), Lady and the Tramp will sport a few changes when it drops on Disney+ upon the service's November launch, however. Monae is reworking 'The Siamese Cat Song' to remove the original's offensive connotations, and will also perform two new tunes for the soundtrack. Check out the latest trailer below: https://www.youtube.com/watch?v=P4NtWb4WX20 The live-action Lady and the Tramp remake will be available on Disney+ when it launches Down Under on November 19.
Bondi welcomes a new drinking, dining, and hang-out spot, just in time for the summer months, as Pavilion Social opens on level one of the Bondi Pavilion. When you need a break from the sand but don't want to go far, head upstairs to Pavilion Social, located right behind Bondi Beach, for ocean views, refreshing drinks, tasty bites and feel-good vibes. For sunny afternoons that turn into long, warm nights, Pavilion Social offers leisurely lunches, sunset drinks, relaxed dinners, live music and more, all with unmatched sweeping views of iconic Bondi Beach. The menu is snacky and straightforward, think bread and dips, freshly shucked oysters, prawns with cocktail sauce, marinated olives and kingfish crudo. Sea salt crisps with mortadella and peppers, or charcuterie with pickles, are the perfect accompaniment to a round of Bondi Breezers with vodka, pineapple, lime, agave and soda. If you're hungry after a big day in the surf, go for a prawn roll with yuzu koskō mayo, or a cheeseburger with sea salt fries. A range of frozen cocktails, such as the Coastline Marg, or the Peachy Frosé with rosé, peach liqueur and grapefruit soda, are sure to be the perfect antidote to a scorching summer's day. Images: Supplied.
It sure is no secret that Sydney's a pretty exxy place to call home. But here's some news to make you really start plotting that move interstate: a recent report on the cost of living has stuck it right up at number 10, above both New York and London. That's right, all your mates battling those killer Hackney rent prices now, apparently, have it better than you. As The Guardian reported this week, the Economist Intelligence Unit's 2018 study pushed our harbour city up four spots higher than in the same list last year, seeing it crack the top ten for the first time ever. This comes after another pice aggregation website Numbeo saw Sydney and Melbourne move up on its list too. The study compared prices across more than 150 products and services, looking at things like food, transport, utilities, clothing and rent in all the major cities. Singapore has again claimed the title of the world's most expensive city, followed by Paris, which jumped five points, and Zurich, which climbed one position. New York swapped last year's number nine ranking for a spot in 13th, while at number 30, London scored its lowest position in two decades — a fall the report's authors say has a lot to do with a little thing called Brexit. Via The Guardian.
The focus of yoga trends seems to be constantly changing — from beer yoga to hip hop yoga and rooftop yoga to farmside yoga, we thought we'd seen it all. Now, Dubai's Atlantis The Palm is bringing 'underwater' yoga onto the scene. Before you think about holding your breath while doing a submerged upward dog, the class isn't quite as complicated — or as cool — as it sounds. The yoga course is not held in the water, but instead it takes place inside a tank-like room called the Ambassador Lagoon. The Lagoon sits within the resort's Lost Chambers Aquarium, a 17-hectare openair marine habitat that boasts over 65,000 sea creatures within a massive maze of underwater corridors and passageways. The 250-plus salt and fresh water species include sharks, eels, rays and piranhas, as well as hundreds of exotic fish. That's a whole lot of marine life on call to sit audience to your meditation. The all-levels, 20-person class runs every Tuesday and Friday. Each ticket includes a yoga mat, bottle of water and valet parking, which we guess is what puts the price up at 120 Dirham (around $44 AUD). The lavishness of the course is no surprise coming from this 46-hectare luxury resort. Being in a darkened room surrounded by shimmering water and peacefully floating sea animals does sound quite relaxing, and, although there won't be any actual underwater feats involved, we don't think it would be quite as calming in practice anyway. Post-yoga, there's always the 18 million litres of fresh water which powers waterslides, river rides, tidal waves and pools to entertain yourself with. Underwater yoga is held at Atlantis, The Palm in Dubai. If you're heading there any time soon, visit their website for more information and bookings.
The team behind Circular Quay's new multi-level venue Hinchcliff House is set to open an all-day cafe, bakery and bistro called Bondi Promenade in the newly renovated Bondi Pavilion. Tenancy of the Shop Four site within the precinct was awarded to House Made Hospitality's Scott Brown, Justin Newton and Stephen Seckold. Waverley Council announced the list of dining and retail tenants for the soon-to-open precinct earlier this month. Bondi Promenade will serve coffee and freshly-baked goods to beachgoers while offering a casual bistro dining experience featuring charcoal seafood and vegetables, with something available "for everyone and at every price point", according to Brown. Light healthy breakfast options, pizza-style flatbreads and seasonal fruit gelatos designed for a summer's day are all planned for the venue's menu. Other tenants at the building include clothing brand Between the Flags, previous tenant Surfish Cafe and Glory Days Bondi, a sister venue of North Sydney's Glory Days from the owners of Glorietta and Woolpack Hotel. "The Bondi Pavilion is truly an iconic building and we're excited to be opening our doors here with Glory Days, with a design that is both fresh and respectful of this incredible heritage building," Glory Days' Aaron Crinis said. The restoration and conservation of Bondi Pavilion was first announced back in 2015 and is now set to be completed early next year with expansive refurbishments to the building and its existing rooms, plus a new grand entrance and new toilets, showers and change rooms. The full plan for the historic building includes several new cultural facilities alongside the improvements made on the building's facade and facilities, with the beachside spot set to feature a new art gallery, community radio station, pottery studio and a flexible cultural space. [caption id="attachment_810676" align="alignnone" width="1920"] Grana at Hinchcliff House[/caption] Bondi Pavilion is located at Queen Elizabeth Drive, Bondi Beach and is set to reopen early next year. You can stay up-to-date with the building's refurbishment at the Waverley Council's website.
A drug kingpin disappearing into a new life, clashing cousins, voting popes, a veteran actor trying to reclaim her career with the help of a mysterious liquid, Adrien Brody surviving history's horrors again, fierce tennis competitors: films about all of the above have earned Golden Globes in 2025. Stressed-out chefs, stand-up comedy greats, Japanese warriors, Gotham villains, determined detectives: TV shows about them are all also in the same category. And, they each have a heap of company. Held on Monday, January 6 Australian and New Zealand time, this year's Golden Globes ceremony started with host Nikki Glaser cracking gags about everything from Dune: Part Two's running time to Nicole Kidman making awards-nominated work to get away from Keith Urban's strumming and Adam Sandler pronouncing Timothée Chalamet's name. It then threw in excited shouts and enthusiastic speeches aplenty among the winners. Picking up the first award of the night — but not the only award for Emilia Pérez — Zoe Saldaña (Special Ops: Lioness) delivered both alone. Other highlights from the hijinks: Catherine O'Hara (The Wild Robot) and Seth Rogen (Mufasa: The Lion King), co-stars in upcoming streaming series The Studio, making up a whole lot of accolades for fake Canadian projects; The White Lotus favourite Jennifer Coolidge being Jennifer Coolidge; Emilia Pérez songwriter Camille calling the whole shebang "such an American experience"; and Vin Diesel (Fast X) starting his presenting stint with "hey Dwayne". And more standouts among the awards: gorgeous Latvian independent animation Flow taking out its category, in the first time that a movie from the nation has been at the Golden Globes; Kieran Culkin winning the supporting actor Succession battle for A Real Pain over Jeremy Strong for The Apprentice; Shogun's well-deserved swag of gongs; Demi Moore's touching sentiments about believing in your own value; A Different Man winner Sebastian Stan demanding that tough films still get made; and also Feranda Torres emerging victorious for I'm Still Here over Nicole Kidman (Babygirl), Pamela Anderson (The Last Showgirl), Angelina Jolie (Maria), Tilda Swinton (The Room Next Door) and Kate Winslet (Lee). Not every ace nominee could snag a statuette, of course. Not every worthy movie and TV series even made the roster of contenders. They're truths that everyone should remember at every awards ceremony. Still, the rundown of newly minted 2025 Golden Globe winners spans an array of deserving folks and projects — and comes in less than a fortnight before the Oscars joins in, announcing its nominees on Saturday, January 17 Down Under time. Will the Academy Awards follow in these footsteps? And the Emmys later in the year, too? What else received some love? Here's the full list of 2025's Golden Globe winners and nominees (and you can also check out our rundown of victorious films and TV shows to watch right now): 2025 Golden Globe Winners and Nominees Best Motion Picture — Drama The Brutalist — WINNER A Complete Unknown Conclave Dune: Part Two Nickel Boys September 5 Best Motion Picture — Musical or Comedy Anora Challengers Emilia Pérez — WINNER A Real Pain The Substance Wicked Best Motion Picture — Animated Flow — WINNER Inside Out 2 Memoir of a Snail Moana 2 Wallace & Gromit: Vengeance Most Fowl The Wild Robot Cinematic and Box Office Achievement Alien: Romulus Beetlejuice Beetlejuice Deadpool & Wolverine Gladiator II Inside Out 2 Twisters Wicked — WINNER The Wild Robot Best Motion Picture — Non-English Language All We Imagine as Light Emilia Pérez — WINNER The Girl with the Needle I'm Still Here The Seed of the Sacred Fig Vermiglio Best Performance by a Female Actor in a Motion Picture — Drama Pamela Anderson, The Last Showgirl Angelina Jolie, Maria Nicole Kidman, Babygirl Tilda Swinton, The Room Next Door Fernanda Torres, I'm Still Here — WINNER Kate Winslet, Lee Best Performance by a Male Actor in a Motion Picture — Drama Adrien Brody, The Brutalist — WINNER Timothée Chalamet, A Complete Unknown Daniel Craig, Queer Colman Domingo, Sing Sing Ralph Fiennes, Conclave Sebastian Stan, The Apprentice Best Performance by a Female Actor in a Motion Picture — Musical or Comedy Amy Adams, Nightbitch Cynthia Erivo, Wicked Karla Sofía Gascón, Emilia Pérez Mikey Madison, Anora Demi Moore, The Substance — WINNER Zendaya, Challengers Best Performance by a Male Actor in a Motion Picture — Musical or Comedy Jesse Eisenberg, A Real Pain Hugh Grant, Heretic Gabriel Labelle, Saturday Night Jesse Plemons, Kinds of Kindness Glen Powell, Hit Man Sebastian Stan, A Different Man — WINNER Best Performance by a Female Actor in a Supporting Role in Any Motion Picture Selena Gomez, Emilia Pérez Ariana Grande, Wicked Felicity Jones, The Brutalist Margaret Qualley, The Substance Isabella Rossellini, Conclave Zoe Saldaña, Emilia Pérez — WINNER Best Performance by a Male Actor in a Supporting Role in Any Motion Picture Yura Borisov, Anora Kieran Culkin, A Real Pain — WINNER Edward Norton, A Complete Unknown Guy Pearce, The Brutalist Jeremy Strong, The Apprentice Denzel Washington, Gladiator II Best Director — Motion Picture Jacques Audiard, Emilia Pérez Sean Baker, Anora Edward Berger, Conclave Brady Corbet, The Brutalist — WINNER Coralie Fargeat, The Substance Payal Kapadia, All We Imagine as Light Best Screenplay — Motion Picture Jacques Audiard, Emilia Pérez Sean Baker, Anora Brady Corbet, Mona Fastvold, The Brutalist Jesse Eisenberg, A Real Pain Coralie Fargeat, The Substance Peter Straughan, Conclave — WINNER Best Original Score — Motion Picture Volker Bertelmann, Conclave Daniel Blumberg, The Brutalist Kris Bowers, The Wild Robot Clément Ducol, Camille, Emilia Pérez Trent Reznor, Atticus Ross, Challengers — WINNER Hans Zimmer, Dune: Part Two Best Original Song — Motion Picture 'Beautiful That Way', Andrew Wyatt, Miley Cyrus, Lykke Zachrisson, The Last Showgirl 'Compress / Repress', Trent Reznor, Atticus Ross, Luca Guadagnino, Challengers 'El Mal', Clément Ducol, Camille, Jacques Audiard, Emilia Pérez — WINNER 'Forbidden Road', Robbie Williams, Freddy Wexler, Sacha Skarbek, Better Man 'Kiss The Sky', Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi, The Wild Robot 'Mi Camino', Clément Ducol, Camille, Emilia Pérez Best Television Series — Drama The Day of the Jackal The Diplomat Mr & Mrs Smith Shogun — WINNER Slow Horses Squid Game Best Television Series — Musical or Comedy Abbott Elementary The Bear The Gentlemen Hacks — WINNER Nobody Wants This Only Murders in the Building Best Television Limited Series, Anthology Series or Motion Picture Made for Television Baby Reindeer — WINNER Disclaimer Monsters: The Lyle and Erik Menendez Story The Penguin Ripley True Detective: Night Country Best Performance by a Female Actor in a Television Series — Drama Kathy Bates, Matlock Emma D'arcy, House of the Dragon Maya Erskine, Mr & Mrs Smith Keira Knightley, Black Doves Keri Russell, The Diplomat Anna Sawai, Shogun — WINNER Best Performance by a Male Actor in a Television Series — Drama Donald Glover, Mr & Mrs Smith Jake Gyllenhaal, Presumed Innocent Gary Oldman, Slow Horses Eddie Redmayne, The Day of the Jackal Hiroyuki Sanada, Shogun — WINNER Billy Bob Thornton, Landman Best Performance by a Female Actor in a Television Series — Musical or Comedy Kristen Bell, Nobody Wants This Quinta Brunson, Abbott Elementary Ayo Edebiri, The Bear Selena Gomez, Only Murders in the Building Kathryn Hahn, Agatha All Along Jean Smart, Hacks — WINNER Best Performance by a Male Actor in a Television Series — Musical or Comedy Adam Brody, Nobody Wants This Ted Danson, A Man on the Inside Steve Martin, Only Murders in the Building Jason Segel, Shrinking Martin Short, Only Murders in the Building Jeremy Allen White, The Bear — WINNER Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television Cate Blanchett, Disclaimer Jodie Foster, True Detective: Night Country — WINNER Cristin Milioti, The Penguin Sofía Vergara, Griselda Naomi Watts, Feud: Capote Vs. The Swans Kate Winslet, The Regime Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television Colin Farrell, The Penguin — WINNER Richard Gadd, Baby Reindeer Kevin Kline, Disclaimer Cooper Koch, Monsters: The Lyle and Erik Menendez Story Ewan McGregor, A Gentleman in Moscow Andrew Scott, Ripley Best Performance by a Female Actor in a Supporting Role on Television Liza Colón-Zayas, The Bear Hannah Einbinder, Hacks Dakota Fanning, Ripley Jessica Gunning, Baby Reindeer — WINNER Allison Janney, The Diplomat Kali Reis, True Detective: Night Country Best Performance by a Male Actor in a Supporting Role on Television Tadanobu Asano, Shogun — WINNER Javier Bardem, Monsters: The Lyle and Erik Menendez Story Harrison Ford, Shrinking Jack Lowden, Slow Horses Diego Luna, La Máquina Ebon Moss-Bachrach, The Bear Best Performance in Stand-Up Comedy on Television Jamie Foxx, Jamie Foxx: What Had Happened Was Nikki Glaser, Nikki Glaser: Someday You'll Die Seth Meyers, Seth Meyers: Dad Man Walking Adam Sandler, Adam Sandler: Love You Ali Wong, Ali Wong: Single Lady — WINNER Ramy Youssef, Ramy Youssef: More Feelings The 2025 Golden Globes were announced on Monday, January 6, Australian and New Zealand time. For further details, head to the awards' website.
The nine to five can be tough. Sometimes there's just too much to do, and not enough time to do it — and sometimes you just struggle to put a sentence together without any typos. But before heading to the cafe next door for another short black, you might want to consider Silicon Valley's pick-me-up alternative: psychedelics. Yep, acid is the new caffeine. It's called 'microdosing' and apparently it's the new thing for overachieving, overworked Silicon Valley yo pros to partake in when they're having a bit of an off one. It involves taking about a tenth of the 'normal' dose of a psychedelic drug (usually LSD or mushrooms) which has an energising and insightful 'subperceptual' — rather than a tripping — effect on the body. And, according to this Rolling Stone article, it's helping them concentrate, and be more productive and creative at work. The concept itself isn't entirely new. Author of The Psychedelic Explorer's Guide James Fadiman introduced microdosing into the mainstream when speaking at a psychedelic research conference back in 2011. Since then, however, the practice has become more widespread, particularly with twenty-something professionals in the San Francisco area, according to Fadiman. Although the dose of the (illegal) drugs is minute, their effects are still hard to predict. So for now, perhaps stick to your single origin coffee beans and a selection of cat GIFs to get the creative juices flowing. Via Rolling Stone.
Film festival envy: it's a real thing. If you've spent the past week or so wishing that you were sitting in a darkened room in Austin, Texas, then you know what we're talking about. South by Southwest is fast becoming that other American film fest worth paying attention to at this time of year — if a potential indie hit or buzzy title isn't ready for Sundance, it'll likely turn up here. Indeed, the 2017 program featured more than 125 films on 13 screens over 9 days. Now that's some epic viewing. When you consider some of the movies that made the cut, you might agree. Edgar Wright's Ansel Elgort, Jon Hamm, Jamie Foxx and Kevin Spacey-starring Baby Driver made its debut at SXSW, as did the John Wick-meets-Lucy sounding Atomic Blonde with Charlize Theron. They're among the flicks we know we'll see in Australian cinemas, although we'll have to wait until August to do so. With the festival also highlighting a wealth of potential future cinematic classics, here's ten others we're hoping make it to Aussie screens too. SONG TO SONG Featuring an all-star cast that includes Ryan Gosling, Michael Fassbender, Rooney Mara, Natalie Portman, Cate Blanchett and Val Kilmer, put Song to Song in the safe bet category. Terrence Malick's movies usually find their way to Australia, even if they only make it to a handful of screens in a handful of capital cities like his last two features, To the Wonder and Knight of Cups. Here, the always divisive, suddenly prolific filmmaker behind Badlands and The Tree of Life tells a tale of two couples set against the Austin music scene, complete with appearances by Florence Welch, Patti Smith, Iggy Pop, The Black Lips, Tegan and Sara and more. As for whether he's balanced his usually gorgeous visuals with a meatier narrative, all signs point to no — but, love him or hate him, that's one of the things that has made his recent work absolutely unmissable. THE DISASTER ARTIST Oh hi, The Room fans. Now, before anyone starts throwing a football back and forth, add The Disaster Artist to your list of must-see movies in 2017. It's another movie certain to hurtle towards an Australian cinema soon, and to have spoons hurtled at it as a result. James Franco (who else?) not only stars as Tommy Wiseau in this behind-the-scenes look at the film everyone loves to not really love, but also directs a cast that features Dave Franco, Seth Rogen, Alison Brie, Sharon Stone, Jacki Weaver, Zac Efron, Bryan Cranston… the list goes on. If you lapped up Wiseau's so-bad-it's-still-bad flick, there's a very big chance that you'll do the same with this as well. MOST BEAUTIFUL ISLAND First things first: Most Beautiful Island won SXSW's narrative feature competition, an honour that the likes of Short Term 12 and Lena Dunham's Tiny Furniture previously achieved. The first feature from Spanish actress turned writer/director Ana Asensio, it follows one day in the life of Luciana — played by Asensio — as the immigrant to the US tries to make ends meet. Sounds timely, doesn't it? How could it not. With a game afoot, and the chasm between the privileged and the struggling part of the story, it also sounds like an intriguing thriller INFLAME Critic turned filmmaker Ceylan Ozgün Ozçelik makes her feature debut with a partly crowdfunded thriller that's both immersed in modern-day Turkey in its story and universal in its themes. Screening at SXSW after its Berlinale premiere, Inflame explores a subject the world has had to hear too much about of late, and often in all caps tweets. No prizes for guessing that we're talking about fake news. Here, a television news video editor is forced to tow the line when the powers-that-be decide that the station should no longer comment on politicians. To say that paranoia starts to set in is quite the understatement. SMALL TOWN CRIME If there's one thing that Small Town Crime boasts in spades, sight unseen, it's an interesting cast. Deadwood and Winter's Bone star John Hawkes plays an ex-cop turned unlikely detective when he comes across the body of a dead young woman, and he's joined by two-time Oscar nominee Octavia Spencer, plus Anthony Anderson, Robert Forster, Clifton Collins, Jr. and Michael Vartan. More Hawkes on screen is always a good thing. More Hawkes in the lead, even better. Writer/director siblings Eshom and Ian Nelms clearly agree, and you can bet their pulpy effort is all the better for it. [caption id="attachment_614358" align="alignnone" width="1920"] Noël Wells/Twitter.[/caption] MR ROOSEVELT Watched Saturday Night Live in recent years, or Netflix's Master of None? If so, you should recognise Noël Wells. As well as doing great things on screen, she's made the leap behind the camera, writing and directing the feature Mr Roosevelt. Actually, she stars too, playing a struggling comedian who returns to Austin after a loved one falls ill, and does what everyone does when they're forced to head back home: runs into an ex. Yes, films set in Austin are a trend at SXSW. And yes, the premise sounds familiar; however expect Wells to give everything some extra spark. FITS AND STARTS In 2015, Laura Terruso co-wrote the script for the endearing Hello, My Name Is Doris, which was actually based on her short film. With Fits and Starts, she takes on helming duties on her first feature — and, if you haven't already guessed it, providing ace up-and-comers with a platform for their debut efforts is something else that SXSW excels at. Story-wise, the movie follows a struggling writer and his much more successful wife as they attend a gathering at her publisher's home, with hijinks ensuing. It has been compared to Martin Scorsese's '80s comedy After Hours, which is great news indeed. GEMINI Sorry, Girls fans — Lola Kirke is fast becoming the family's standout screen talent, with Gemini the latest piece of evidence to support that inevitably controversial opinion. This neo-noir casts the Mozart in the Jungle star as a personal assistant to Zoe Kravitz's Hollywood celebrity, then plunges the two into the middle of a crime mystery, complete with John Cho as a detective. Sure, Los Angeles and seedy happenings seem to go hand-in-hand in film, but the combination seems to work. And, in this case, it seems primed to showcase Kirke's talents, with folks at SXSW well and truly singing her praises. DAVID LYNCH: THE ART LIFE With season three of Twin Peaks less than two months away from hitting our TV screens (yes, of course we're counting), there's never been a better time to delve into all things David Lynch. Let's grab some cherry pie, a cup of coffee and call it a damn fine time, actually, although this documentary isn't about his recent efforts. Instead, watch and listen as the filmmaker takes you on a tour of his upbringing, efforts to make Eraserhead 40 years ago, and artistic and musical output. Don't expect any answers — Lynch famously likes to let his work speak for itself, rather than speak about it — but do expect to spend an enjoyable time in the inimitable master auteur's company. I AM ANOTHER YOU After making this year's Academy Award shortlist for Best Documentary for her debut Hooligan Sparrow, Chinese filmmaker Nanfu Wang returns with I Am Another You. Meeting 22-year-old homeless man Dylan is just the beginning of her second effort, with the charming drifter taking her on a journey — not only through his life in Florida or his rejection of society's norms, but through that much-sought-after idyll known as the American dream. If it takes an outsider's eye to tell this tale then Wang has it, with her own experience as a newcomer to the US forming part of the package. Airing in SXSW's doco competition, the end result received special jury recognition for excellence in documentary storytelling.
With every innovative project, we're discovering more about crowdfunding's potential to change the world. Large-scale malaria prevention, ultra-accessible tech and ethically manufactured clothing have all inspired generous donations from the pockets of the people. Rather than waiting for cashed-up corporate giants to give us what we want when it comes to socially conscious products and services, we've been taking matters into our own hands. Now, not-for-profit organisation Immunity Project has turned to Crowdhoster for help in the development of a HIV/AIDS vaccine. Partnered with the Until There's a Cure Foundation and supported by Y Combinator, the venture has some heavyweight backing in its favour. Here's how the vaccine works: A team of Stanford, Harvard and MIT scientists has been studying 'controllers' — the 1 out of every 300 people who can catch HIV yet never develop full-blown AIDS. The virus stays in their system in an inactive state. To cut a long (and complex) story short, controllers are the way they are because the 'rifles' in their immune systems are able to accurately attack HIV's biological markers, rendering the virus dormant. Non-controllers have the 'rifles' but their targeting skills are amiss. Through advanced machine learning, the scientists have managed to reverse engineer the controller's biological processes. Over the past few years, a vaccine prototype has been developed and successfully tested in laboratories. The next step is to prove that it can immunise human blood. Enter crowdfunding. Once that's taken care of, Phase I clinical trials will begin with the FDA. First dosing is scheduled to happen in Africa in June 2015. And the even more excellent part? The vaccine will be distributed for free. In fact, the Immunity Project team is committed to saving lives in sub-Saharan Africa, where access to retroviral drugs just isn't financially viable. More than 35 million individuals worldwide live with HIV. Every single day, another 7,000 are infected and more than 4,000 die. Since 1983, almost 30 million people have been killed by AIDS. https://youtube.com/watch?v=V231hDemqeo Via PSFK.
In a perfect world, cinephiles from all around Australia would currently be converging upon Melbourne to attend the city's always jam-packed annual film festival. Going to MIFF is an experience. In its pre-pandemic form, the festival ran for 18 days every year, screened hundreds of movies, and had film buffs constantly hopping between the Forum, ACMI, Hoyts Central and whichever other venues happened to be in use at any given fest. It's an ordeal. It's glorious. It a movie-lover's dream. It's a way of life. It also now feels like a treasure from a completely different time. The Melbourne International Film Festival is still on the agenda for 2021, thankfully. It's quite a bit different to MIFFs gone by, though, and — at least according to current plans at the time of writing — to the fest's online-only version last year. Ideally, there'll still be an in-cinema experience after Melbourne's latest lockdown ends on Thursday, August 12; however, from Thursday, August 5, the fest is also playing more than 90 titles digitally (and nationally) via its new online platform MIFF Play. Accordingly, whether you're a locked-down Melbourne resident who's gearing up for the usual MIFF fun in a week's time, or you're a movie fan also in lockdown in Sydney or Brisbane, a heap of films from around the world are now available to stream. Some have done the rounds of prestigious international fests, and arrive with a reputation. Others you mightn't have heard of yet, and you definitely won't find streaming anywhere else. That's this year's MIFF, digital-style, and we've watched and reviewed ten standouts from the online program that you should pop on your must-see list. FRESHMAN YEAR A college-set rom-com about stumbling forward — literally and emotionally — Freshman Year sounds rather familiar on paper. Alex (Cooper Raiff, Madeline & Cooper) has moved to Los Angeles for school, has struggled through six months so far and is still finding it hard to fit in, especially with his constantly drunk roommate Sam (Logan Miller, Escape Room: Tournament of Champions). When he isn't eating alone, he's video-chatting with his mum (Amy Landecker, Bombshell) and younger sister (Olivia Scott Welch, Fear Street) in Dallas, and wishing he was there himself. Then, after a party at a frat house called "shit house" — which was also the movie's original title when it won the Grand Jury Prize for best narrative feature at the 2020 SXSW Film Festival — Alex connects with Maggie (Dylan Gelula, Unbreakable Kimmy Schmidt) over a night spent drinking, walking, talking, burying a dead pet turtle, spilling secrets and more. Raiff, who writes and directs as well as stars, has clearly seen Before Sunrise, Before Sunset and Before Midnight, plus Dazed and Confused. He's seen all the flicks they've inspired over the past couple of decades, too. Thankfully, the talented young filmmaker and actor crafts a romance-meets-coming-of-age film that's both laden with Gen Z specifics and steeped in universal emotions, as aided by his dreamlike visual eye and stellar performances — yes, from Raiff himself, and also from the always-excellent Gelula. LA VERÓNICA When Mariana Di Girólamo starred in the astonishing Ema, filmmaker Pablo Larraín didn't want to look away from her fierce and unflinching performance, and rarely did. With La Verónica, fellow Chilean director Leonardo Medel (Harem) goes one better — because only once throughout the entire feature does he let someone other than his star linger in the centre of his frame. Di Girólamo plays the titular character here, too, and she's an influencer married to a famous soccer star (Ariel Mateluna, Amanda). Vero spends her life putting herself in the middle of every image, including the daily snaps she poses for her by her pool with her model pals. Yes, she's that determined to always be the centre of attention. Accordingly, Medel uses one big and bold stylistic flourish to constantly remind viewers about what's important to his protagonist, what she seeks and how she goes about it — and it's just one of the movie's pitch-perfect touches. Also outstanding: Di Girólamo, of course, with her portrayal effortlessly conveying Vero's carefully manufactured facade, the at-any-cost drive always lurking underneath, and the way that a life spent courting the spotlight can both hide and augment a person's struggles and flaws. The script bubbles with smarts and insights, too, as the eponymous figure finds it hard to balance motherhood, a secret from her past, her jealousy over her husband and the need to notch up two million Instagram followers to become the face of a lipstick brand. BALLAD OF A WHITE COW During its in-cinema program, MIFF will screen There Is No Evil, the exceptional 2020 Berlinale Golden Bear winner that ponders the costs and weight of the Iranian justice system — and its penchant for the death penalty specifically. Also on the bill: A Hero, the latest movie from acclaimed Iranian director Asghar Farhadi, who is known for Oscar-winning domestic drama A Separation and other such thorny fare about the reality of life in his homeland. Helmed by filmmakers Behtash Sanaeeha and Maryam Moghaddam (The Invincible Diplomacy of Mr Naderi), and starring the latter, Ballad of a White Cow slides in seamlessly alongside the fest's other Iranian titles. It too explores the impact of executions, and also the unfair disadvantage at which the Middle Eastern nation places its female citizens. It's also moving, insightful, compelling, potent and excellent all-round. In a determined, resilient, often-silently heartbreaking performance, Moghaddam plays Mina, a Tehran resident struggling with the stigma of being a widow after her husband was killed by the state for a crime that he's now been posthumously found innocent. That's a wrong she isn't just willing to stomach, even as simple things like finding somewhere to live and caring for her young daughter keep proving all the more difficult because she's seen as a single woman. THE WITCHES OF THE ORIENT Even if the tail end of the 2020 Tokyo Olympic Games didn't coincide with the beginning of MIFF, The Witches of the Orient would be must-see viewing. The story it covers is just that engaging, fascinating and important. Back in 1964, when the Japanese capital last hosted the event, the country's women's volleyball team were one of the games' sensations. They didn't just win gold, beating the USSR to claim glory — the team of former textile factory workers managed to nab that coveted medal as part of a 258-game winning streak that lasted from 1960–1966. Fresh from serving up another sports snapshot with John McEnroe: In the Realm of Perfection, director Julien Faraut assembles the remaining living members of the squad to tell their tale. Starting with an anime sequence about enchanted women, and peppering in a large array of other animated clips that were actually inspired by the team's success (yes, volleyball anima is a thing), this is no ordinary sports documentary. With circling camerawork, Faraut turns roundtable chats over bento boxes into eye-catching clips. He weaves in archival footage with mesmerising and rhythmic flair, cuts to the heart of his interviewees' recollections while also surveying Japan today, and sets his footage and discussions to the likes of Portishead and K-Raw. One training montage is nothing short of hypnotic, and the big game itself is a masterclass in tension. COMING HOME IN THE DARK Peering across New Zealand's gorgeous landscape as far as the camera can see, Coming Home in the Dark starts with a recognisable setup. Hoaggie (Eric Thomson, The Furnace), Jill (Miriama McDowell, Waru), and their teenage sons Maika and Jordan (debutants Billy and Frankie Paratene) have hit the road from Wellington for a scenic trip — stops at quaint service stations, family photos with striking backdrops and cosy little picnics all included. It's during the latter that two men suddenly and unexpectedly cross their paths, and it's apparent immediately that the gun-toting Mandrake (Daniel Gillies, Occupation: Rainfall) and his offsider Tubs (Matthias Luafutu, Ghost in the Shell) aren't there to make friends. Adapting Owen Marshall's short story, first-time feature director James Ashcroft doesn't waste a second in jumping from an idyllic getaway to holiday horrors. He basks in NZ's vast natural splendours, then shows how isolating it can be when things go awry, too. And, he doesn't flinch at splashing bloodshed across the screen as his central family soon find their slice of happiness shattered forever. As a thriller, Coming Home in the Dark is tense, nerve-wracking and unrelenting; however, as masterfully handled by Ashcroft and his co-screenwriter Eli Kent (The Seagull), it finds an even deeper pool of terror in pondering the abuse of children in government-run facilities, the scars it leaves and, here, the retribution it inspires. An exacting genre piece and a weighty musing on trauma all in one — and a feature that's constantly shifting — this riveting film isn't easily forgotten. NINJABABY When Rakel (Kristine Kujath Thorp, Betrayed) learns that she's pregnant, it isn't exciting news. It's a shock that the aspiring artist isn't thrilled about, especially given that it'll require a drastic change to her usual drinking- and partying-heavy lifestyle. That's also how New Zealand comedy Baby Done started, but Norwegian gem Ninjababy boasts a particularly raucous sense of humour, an animated foetus — the titular infant — that talks to and slings plenty of savage comments at its mum-to-be, a guy with the unfortunate but also amusing nickname of Dick Jesus (Arthur Berning, Neste Sommer), and a look and feel that makes plain its graphic novel origins. As savvily adapted from Inga Sætre's Fallteknikk, its protagonist is fiercely her own person as well. Rakel completely refuses to fit anyone's idea of how a young expectant mother should act, or a woman in general for that matter, and steadfastly defies every expectation thrust her way at all steps along her maternal journey. Thorp turns in a raw, rich, resonant and relatable leading performance, all in a memorable movie that also earns those terms with gusto. And director Yngvild Sve Flikke (Women in Oversized Men's Shirts) doesn't so much find the right balance between crude and affecting as embrace the fact that those extremes, and everything in-between, should always be a part of any cinematic bundle that examines motherhood. SISTERS WITH TRANSISTORS As her stellar 2015 documentary Heart of a Dog demonstrated, the great Laurie Anderson should really narrate everything. Clearly, director Lisa Rovner feels the same way. Making her feature-length doco debut with Sisters with Transistors, she enlists the visual artist to talk through a history that's essential but also barely known: the history of women in electronic music. This thorough and illuminating ode to the female pioneers that have helped make the field what it is — including when it didn't even exist, and was met with derision — explores and celebrates ladies like Clara Rockmore, who was handy with a Theremin; Delia Derbyshire, who helped create the distinctive theme tune for Doctor Who; and Suzanne Ciani, the first solo female composer of a Hollywood film score. Also earning attention: Daphne Oram, Laurie Spiegel, Eliane Radigue and Pauline Oliveros, all legends in the field — and with achievements that include creating a technique to draw electronic sound, making a famed piece of musical composition software, and pushing the arena forward in leaps and bounds. Anderson's voice and an unsurprisingly magnificent soundtrack are paired with must-know details about iconic women that each deserve several movies devoted to them. Of course, we shouldn't need films like this to fill in ignored and overlooked gaps, but this a glorious and informative tribute. CELTS Every 90s kid that ever wanted or attended a Teenage Mutant Ninja Turtles-themed birthday party has an instant entry point into Serbian drama Celts. Everyone who has ever made their way to a friendly or family get-together, navigated heated conversations about the state of the world and felt a sense of malaise seething through the room is similarly well-primed for this striking film. In Belgrade in 1993, Minja (first-timer Katarina Dimic) is looking forward to celebrating turning eight by donning a homemade green costume and being showered in attention. It's an event that requires significant preparations on her unhappy mother Marijana (Dubravka Kovjanic, Underneath), doting taxi-driver father Otac (Stefan Trifunovic, The Living Man) and ever-present grandmother Saveta's (Olga Odanovic, Radio Mileva) parts, though. But the child-friendly festivities are just a backdrop for debut director Milica Tomović — because, as she charts the events of a single day in this bustling household, she explores not only the dynamics festering among the kids and the discontent infecting the adults, but also the effect that the political turmoil seeping through Yugoslavia at the time has upon everyone gathered. As a result, Celts delivers a relatable portrait of domestic chaos and a fictionalised snapshot of a particular moment in time, and in an engaging and textured fashion. WIFE OF A SPY As he's demonstrated in movies as varied as Journey to the Shore, Daguerreotype and Before We Vanish, Japanese filmmaker Kiyoshi Kurosawa makes features with patience — and with a mood that hangs around like an unforgettable memory. He jumps into both marital dramas and period-set wartime espionage antics with Wife of a Spy, and therefore into new territory for him, but his precise approach and affecting tone remains very much intact here. In fact, he won the Best Director prize at the 2020 Venice Film Festival for this sumptuously handsome and emotionally complicated effort. As this film about a wealthy silk merchant and his wife in 1940s Japan unfurls, it's easy to see why. From the painterly imagery to the potent performances — and including the layered script, as co-written with Ryūsuke Hamaguchi (Asako I and II) and Tadashi Nohara (Happy Hour) — every element is brought to the screen with meticulous care and impact in Kurosawa's hands. When Yusaku (Takahashi Issey, Romance Doll) visits Manchuria, Satoko (Aoi Yu, They Say Nothing Stays the Same) thinks it's just an ordinary business trip. But then she's visited at home in Kobe by her childhood friend Taiji (Higashide Masahiro, Before We Vanish), who tells her that her husband's jaunt abroad mightn't have been as straightforward as it sounds. A woman has turned up dead, Taiji has his suspicions, government secrets are involved and, soon, everything surrounding Satoko and Yusaku is under several shadows. DRY WINTER For Australian directors, the country's distinctive landscape is the gift that keeps on giving. A sizeable portion of our national cinematic output puts its blazing ochre hues to great use, and its sprawling outback expanses as well (see: everything from Wake in Fright and Walkabout to Mystery Road, The Rover, The Dressmaker and High Ground). Dry Winter isn't one of those movies, however. It makes the most of its rural backdrop, of course, but by roving over it with the same probing and naturalistic eye that it affords its listless characters. As first-time filmmaker Kyle Davis follows twenty-something couple Jake (debutant Andrew Phillips) and Kelly (fellow first-timer Courtney Kelly) as they go about their ordinary lives on the Eyre Peninsula, he sees the shades of browns that remain evident in every patch of dirt around them. In their routine, he spies the many shades of grey that have infused everything from the odd jobs they work to get by to their nights spent finding mundane ways to pass the time, too. An observational feature that ticks by at a leisurely pace, Dry Winter hones in on detail. It sees the repetition, the minutiae, and the sights and sounds — and lets them build an immersive story. This is a sublime portrait of not knowing what the future holds that makes its audience feel like they're there in the frame with its yearning protagonists, even across its brief 62-minute running time. The 2021 Melbourne International Film Festival runs from Thursday, August 5–Sunday, August 22 — screening online for the festival's entire duration via its streaming platform MIFF Play. Depending on the current lockdown, the festival is also aiming to play at a variety of venues around Melbourne from Thursday, August 12–Sunday, August 22. For further details, visit the MIFF website.
Who hasn't wanted to care less about all the things that really don't matter? Since long before self-help was even a book genre — since before there were books — humanity has been desperate to devote less of its attention to matters that simply aren't worth it. That's easier said than done, though, which is why there's so many texts about living your best life and forgetting pointless strife, including Mark Manson's 2016 hit The Subtle Art of Not Giving a F*ck. If giving less fucks is your ultimate goal — and it should be everyone's — then you've probably read The Subtle Art of Not Giving a F*ck. Or, you've heard at it at least. It was absolutely everywhere back when it first hit bookshelves, with people glued to it on buses, everyone's mates spouting its advice and more than 15-million copes sold. In early 2023, it's also going to be hitting screens. The tome dedicated to living more contented and grounded lives has been turned into a doco, with Manson himself featuring to lead the way. As the just-dropped sneak peek at the movie shows, he's on-hand to chat viewers through his brutally honest and raw but refreshing philosophy — and help you learn, if you haven't already, that it's wise to choose where to direct our fucks, what to give a crap about and what genuinely bloody matters. Couldn't be arsed reading the book? Clearly, this is the quicker way to soak in its contents, as shot in New Zealand during the pandemic. When NZ-based producer Matthew Metcalfe (Dawn Raid) came across the text — drawn to its bright cover, like plenty of folks have been — he was fascinated by its anti-self-help-book vibe, as well as its take on life's difficulties. Manson had been approached about adapting The Subtle Art of Not Giving a F*ck for the screen before, but Metcalfe got him interested in giving a fuck about his offer. If you're new to Manson's brand of advice, the book's chapter titles are as telling as its overall moniker, boasting names such as 'Don't Try', 'Happiness is a problem', 'You are not special', 'You are wrong about everything (But so am I)', 'The importance of saying no' and 'And then you die'. The appropriate mood comes through in the film version's trailer, with experienced commercials director Nathan Price behind the lens. No doubt timed for New Year's resolutions — especially if not giving a fuck is one of yours — the film debuts in Australia via digital and in New Zealand in cinemas on Wednesday, January 11, 2023. Check out the trailer for The Subtle Art of Not Giving a F*ck below: The Subtle Art of Not Giving a F*ck will be available to watch via digital download from Wednesday, January 11, 2023 in Australia, and in NZ cinemas on the same date — head to the film's website for further details.
It's been 14 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Thankfully, Laneway Festival has just confirmed it will be heading back to its collection of unconventional venues for another year, revealing its jam-packed 2019 lineup. Returning to Sydney next February, Laneway will raise a plastic cup to the middle of summer with one heck of a lineup. This year's eclectic program is headlined by two huge Aussie names: indie rock group Gang of Youths and acclaimed singer-songwriter Courtney Barnett. A few big artists are heading Down Under for the first time, too, including English R&B superstar Jorja Smith, neo-soul singer Rex Orange County and American rapper Denzel Curry. You'll also be able to get down to Camp Cope, Middle Kids and Mitski and sway along to Mansionair, What So Not and Skeggs. If you want to catch Jorja Smith and NYC rapper A Boogie Wit Da Hoodie, you'll have to head along to Laneway — they'll both be playing exclusively at the festival, with no sideshows. But, enough chit-chat — here's the full 2019 lineup. LANEWAY 2019 LINEUP Gang of Youths Courtney Barnett A Boogie Wit Da Hoodie (exclusive) Baker Boy Camp Cope Charlie Collins* Clairo Cosmo's Midnight Crooked Colours* Denzel Curry* DJDS G Flip Jon Hopkins Jorja Smith (exclusive) KIAN Mansionair Masego Methyl Ethel Middle Kids Mitski* Parquet Courts Ravyn Lenae Rex Orange County Ruby Fields Skeggs Smino What So Not Yellow Days *East Coast only Laneway Image: Anthony Smith.
Instead of Gen V, you could call this spinoff The Boys Jnr and it'd fit in an array of ways. The superheroes are younger, with the series' eight-episode first season focusing on students attending Godolkin University, rather than adults who've been there, done that and are weathering the brutalities of life as grown caped crusaders. The minutiae of Gen V's characters' lives is firmly teen-centric as a result, including dates and crushes, dorms and lectures, making new friends and peer pressure, and the like. Obviously, their worries largely aren't of the world-weary, years-of-existential-malaise kind, but span making friends, scoring the right classes, wanting to be popular, breaking curfew, navigating social media, body image, sex positivity, morning-after regrets, dealing with overbearing parents and plotting out the future. There's nothing smaller about the hefty, hearty, utterly gleeful splashes of gore and violence, however — the eager amounts of guts and penises, too — in the latest show inspired by Garth Ennis and Darick Robertson's comic book. Streaming from Friday, September 29, Prime Video's next dive into this satirical superhero world is The Boys but in college, the same chaos, carnage and characteristic raucousness all included. Slotting into the Vought Cinematic Universe after the OG series (which has dropped three seasons, with a fourth on the way) and the animated The Boys Presents: Diabolical, Gen V stems from the 'We Gotta Go Now' storyline, sporting youthful leads but zero tone and vibe changes. So springs an OTT coming-of-age tale that's gruesome, irreverent, subversive, funny and, yes, filled with bodily fluids. Set at the same time that The Boys' fourth season will take place when it hits — its episodes have been filmed, but no release date has been locked in yet due to Hollywood's 2023 strikes — Gen V follows the blood-bending Marie Moreau (Jaz Sinclair, Chilling Adventures of Sabrina) as she scores a university place that could change everything that she knows. Stuck under the cloud of a past tragedy until now, her scholarship to the Vought-approved God U is the ticket to her dreams, with becoming the first Black woman in The Seven her ultimate aim. Her approach going in: putting her head down, working hard and securing a path beyond the facility that's been her home for much too long. She's warned what will occur if she doesn't succeed, with more time spent institutionalised the only other option that superhero organisation Vought foresees. Before Marie arrives at God U, Gen V begins with her backstory, plus with the reason that doing her best is so important. The show's developers Craig Rosenberg, Evan Goldberg and Eric Kripke, all The Boys alumni, also establish that their adolescent angle is as essential as caped crusaders and diving back into havoc caused by the corrupt mega-corporation that is Vought. When a young woman has Marie's distinctive powers, how do they manifest? When she reaches puberty and gets her first period. In opening moments set eight years earlier, just as A-Train (Jesse T Usher, Smile) is welcomed into Vought's top-tier superhero crew, there's a body count, emotional scars that Marie will never get over, and also an ultraviolet start to the series' exploration of compound V-dosed kids who were given the drug by their mums and dads to turn them into something special, only to be forced to live with the consequences. Accordingly, college's everyday trials and tribulations were never going to be the only challenges in store once Gen V steps foot on campus, and Marie with it; more follow. Academic disappointment comes early, when hotshot Crimefighting Department head Professor Rich Brinkerhoff (Clancy Brown, Ahsoka) won't let her into her dream course, but that soon seems like a minor woe. As Marie rooms with Emma Meyer (Lizze Broadway, Based on a True Story), who can scale down her size, fitting in doesn't come easily. And when she meets the resident cool clique, including literally hot number one-ranked pupil Luke 'Golden Boy' Riordan (Patrick Schwarzenegger, The Staircase), his persuasive girlfriend Cate Dunlap (Maddie Phillips, Teenage Bounty Hunters), the magnetic Andre Anderson (Chance Perdomo, also Chilling Adventures of Sabrina) and the gender-shifting Jordan Li (Never Have I Ever's London Thor and Shining Vale's Derek Luh), she swiftly discovers that everything at her new school isn't what it seems. There will be blood by the bucketload — even if Marie's powers weren't tied to it, this is a VCU entry — plus secrets, lies, class clashes and life-and-death stakes. And, in a show that also gives its characters a mystery to chase, there's also a creepy underground facility known as The Woods that Marie, Emma and their pals keep being drawn to. Gen V delivers a savvy balance of wild fun and perceptive smarts as well, in a series that plays like The Boys mixed with The Sex Lives of College Girls, Scooby Doo, Wednesday and Buffy the Vampire Slayer. Like the latter pair, it's highly cognisant that growing up is weird and hellish. It similarly knows how to use fantasy and horror — here, being a caped crusader at a sinister uni that specifically trains them, rather than the ultimate goth girl or vanquishing the undead while living on a hellmouth — to explore the many struggles that accompany facing maturity. While a few key cameos pop up from its predecessor, Gen V's is 100-percent focused on the franchise's newbies, their supe and uni experiences, and the shady happenings around them — which is a pivotal move. Indeed, that's what makes it a perfect The Boys spinoff, and never an easy facsimile, lazy wannabe or unsubtle reminder of what else exists in the broader saga. Gen V dwells in the same realm with the same atmosphere and same bite, but always dons its own personality, is committed to telling its own characters' tales and proves genuinely keen to broaden the Vought Cinematic Universe. Tearing into what's become the biggest type of on-screen stories right now is still the same mission, complete with blatant Marvel digs, yet it's done in a story that puts the ups and downs of being a teen in this situation first and foremost. It's no wonder, then, that Gen V is as entertaining as The Boys to watch. It's also no surprise that Marie and her classmates easily earn the same investment as Billy Butcher (Karl Urban, Thor: Ragnarok), Hughie (Jack Quaid, Oppenheimer), Frenchie (Tomer Capone, One on One), Kimiko (Karen Fukuhara, Bullet Train) Mother's Milk's (Laz Alonso, Wrath of Man), Starlight (Erin Moriarty, Captain Fantastic), Maeve (Dominique McElligott, The Last Tycoon) and company. Alongside confidence, strewn-around viscera and its sense of humour, casting remains one of this core franchise's talents, especially with Sinclair, Broadway, Perdomo, Thor and Luh. And any X-Men or The New Mutants comparisons? Just as The Boys knowingly smashed through its Avengers and Justice League commonalities, so does this new sharp, cynical and imaginative chip off the old block. Check out the trailer for Gen V below: Gen V streams via Prime Video from Friday, September 29.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=COrqRKMZ2KM&feature=emb_logo EMA Before 2021 comes to an end, Pablo Larraín will have given the world Spencer, a new biopic about Princess Diana featuring Kristen Stewart as the royal figure. Also on his hit list this year: Lisey's Story, a Julianne Moore-starring TV adaptation of a Stephen King book that has been scripted for the screen by the author himself. But with the release of Ema in Australian cinemas, he's already gifting viewers something exceptional. A new project by Larraín is always cause for excitement, and this drama about a reggaeton dancer's crumbling marriage, personal and professional curiosities, and determined quest to become a mother rewards that enthusiasm spectacularly. In fact, it's a stunning piece of cinema, and one that stands out even among the Chilean director's already impressive resume. He's the filmmaker behind stirring political drama No, exacting religious interrogation The Club, poetic biopic Neruda and the astonishing, Natalie Portman-starring Jackie — to name just a few of his movies — so that's no minor feat. For the first time in his career, Larraín peers at life in his homeland today, rather than in the past. And, with his now six-time cinematographer Sergio Armstrong (Tony Manero, Post Mortem), he gazes as intently as he can. Faces and bodies fill Ema's frames, a comment that's true of most movies; however, in both the probing patience it directs its protagonist's way and the kinetic fluidity of its dance sequences, this feature equally stares and surveys. Here, Larraín hones in on the dancer (Mariana Di Girólamo, Much Ado About Nothing) who gives the feature its name. After adopting a child with her choreographer partner Gastón (Gael García Bernal, Mozart in the Jungle), something other than domestic bliss has followed. Following a traumatic incident, and the just as stressful decision to relinquish their boy back to the state's custody, Ema is not only trying but struggling to cope in the aftermath. This isn't a situation she's simply willing to accept, though. Ema, the movie, is many things — and, most potently, it's a portrait of a woman who is willing to make whatever move she needs to, both on the dance floor and in life, to rally against an unforgiving world, grasp her idea of freedom and seize exactly what she wants. Di Girólamo is magnetic, whether she's dancing against a vivid backdrop, staring pensively at the camera or being soaked in neon light. Bernal, one of the director's regulars, perfects a thorny role that ties into the film's interrogation of Chile's class and cultural divides. And Larraín's skill as both a visual- and emotion-driven filmmaker is never in doubt. Indeed, this film's imagery isn't easily forgotten, and neither is its mood, ideas, inimitable protagonist, or stirring exploration of trauma, shock and their impact. Ema opens in Sydney and Melbourne cinemas on May 13, and in Brisbane on May 20. Read our full review. https://www.youtube.com/watch?v=sV6VNNjBkcE THOSE WHO WISH ME DEAD A smokejumper stationed to a Montana watchtower, plagued by past traumas and forced to help a teenage boy evade hired killers, Those Who Wish Me Dead's Hannah Faber actually first debuted on the page. Watching Angelina Jolie bring the whisky-swilling, no-nonsense, one of the boys-type figure to the screen, it's easy to assume otherwise. The part doesn't quite feel as if it was written specifically for the smouldering movie star, though. Rather, it seems like the kind of role that might've been penned with Liam Neeson or Denzel Washington in mind — see: this year's The Marksman for the former, and 2004's Man on Fire for the latter — then flipped, gender-wise, to gift Jolie a new star vehicle. On the one hand, let's be thankful that that's not how this character came about. Kudos to author Michael Koryta, who also co-writes the screenplay here based on his 2016 novel, for conjuring up Hannah to begin with. But on the other hand, it's never a great sign when a female protagonist plays like a grab bag of stock-standard macho hero traits, just dressed up in a shapelier guise. It has been six years since Jolie has stepped into a mere mortal's shoes — since 2015's By the Sea, which she wrote and directed — and she leaves no doubt that Hannah is flesh and blood. There's still an iciness to the firefighter, and she still has the actor's cheekbones and pout, but Maleficent, she isn't. She's bruised, internally, by a fire that got away and left a body count. After hanging out with her colleagues, parachuting out of cars and brooding in her tower, she's soon physically in harm's way as well. As Those Who Wish Me Dead's plot gets her to this juncture, it also cuts back and forth between forensic accountant Owen Casserly (Jake Weber, Midway) and his son Connor (Finn Little, Angel of Mine), plus assassins Patrick and Jack (The Great's Nicholas Hoult and Game of Thrones' Aiden Gillen). Thanks to a treasure trove of incriminating evidence against important people that no one was ever supposed to find, these two duos are on a collision course. When they do cross paths — while Owen is trying to take Connor to stay with Ethan (Jon Bernthal, The Peanut Butter Falcon), his brother-in-law, a sheriff's deputy and one of Hannah's colleagues — it also nudges the boy into the smokejumper's orbit. Read our full review. https://www.youtube.com/watch?v=nuINvoFAnng&t=3s SPIRAL: FROM THE BOOK OF SAW With Spiral: From the Book of Saw, what came first: the decision to call its protagonist Ezekiel, or the casting of Samuel L Jackson as said character's father? Either way, the film's creative team must've felt mighty pleased with themselves; getting the Pulp Fiction actor to utter the name that's been synonymous with his bible-quoting, Quentin Tarantino-penned monologue for more than a quarter-century doesn't happen by accident. What now four-time franchise director Darren Lynn Bousman (Saw II, Saw III and Saw IV) and Jigsaw screenwriters Josh Stolberg and Pete Goldfinger mightn't have realised, though, is just how clumsily this choice comes across. The Saw series has made almost a billion dollars at the worldwide box office, but now it's resorting to winking and nodding to one of its latest stars' past movies. Perhaps Bousman and company didn't notice because almost everything about Spiral feels that forced, awkward, clunky and badly thought-out. Jackson and Chris Rock might gift the long-running franchise a couple of high-profile new faces; however, this ostensible reboot is exactly as derivative as you'd expect of the ninth instalment in a 17-year-old shock- and gore-driven saga. Focusing on a wisecracking, gung-ho, about-to-be-divorced police detective known for exposing his dirty colleagues, Spiral tries to coil the series in a different direction, at least superficially — and pretends to have meaty matters on its mind. Ezekiel 'Zeke' Banks (Rock, The Witches) has been crusading for honesty, integrity, fairness and honour in law enforcement for years. Starting back when his now-retired dad Marcus (Jackson, Death to 2020) was the precinct's chief, he's been vilified by his peers for his efforts. When a killer appears to be targeting rotten cops, too, Zeke is desperate to lead the case. Initially, he just wants to avenge the death of the first victim, one of the only co-workers he called a friend, but he's soon trying to track down a murderer that seems to be following in franchise villain Jigsaw's footsteps. A lone wolf-type not by choice but necessity, Banks also happens to be saddled with a rookie partner (Max Minghella, The Handmaid's Tale) as he attempts to stop the bodies from piling up. Read our full review. https://www.youtube.com/watch?v=sBFvpz_Tlrs&feature=youtu.be THE MAN IN THE HAT Throughout his four-decade-plus career, Ciarán Hinds has appeared in everything from Excalibur and The Phantom of the Opera to There Will Be Blood and Harry Potter and the Deathly Hallows: Part 2 — and in Game of Thrones and First Man as well. But his expressive face never been put to as a great use as it is in The Man in the Hat, which tasks the Irish actor with staying silent for its duration, save for a rare word here and there. As the titular figure, he potters around France in a small Fiat 500. What might've been a leisurely journey just because (its purpose is never explained) becomes somewhat frantic when a car filled with five bald men starts following his every move. The headwear-donning protagonist witnesses them up to no good, drives off quickly and attempts to take the scenic route, but wherever he goes, his pursuers cross his path eventually. That doesn't stop either the eponymous man from whiling away the time on his travels, whether dropping into cafes, helping the people he meets along the way, seeing the sights, having a swim or flirting with a red dress-wearing, bike-riding woman (Sasha Hails, Quiz). Often, the man in the hat simply listens to his short-term companions, including a fellow lonely soul (Stephen Dillane, Mary Shelley) initially spending his time under a bridge and a biker (Maïwenn, DNA) at a makeshift campsite. Written and directed by Oscar-winning Shakespeare in Love composer Stephen Warbeck with TV travelogue veteran John-Paul Davidson (Stephen Fry in America, Brazil with Michael Palin), The Man in the Hat is undeniably slight. It's also doused in the same type of Gallic whimsy that made Amelie a delight to some and an utter chore for others. And, with its jaunty score, episodic antics, smatterings of slapstick, and gorgeous small-town and countryside backdrop, it can play like a fever dream you might have after eating too much cheese, pairing it with a few healthy glasses of wine, making European holiday plans and falling asleep watching great silent comedians from decades ago. None of the above is a bad thing, however, if you're on the film's wavelength. Indeed, surrendering to The Man in the Hat's charms — and appreciating its exacting staging and choreography — happens both quickly and easily. It wouldn't be the same feature without Hinds, though, who adds an enchanting wordless performance that owes a clear debt to Charlie Chaplin, Buster Keaton, Marcel Marceau and Jacques Tati, but is never an act of miming mimicry. https://www.youtube.com/watch?v=O-d92kJUisU CARMILLA Premiering at the Edinburgh International Film Festival back in 2019, Carmilla first reached the screen shortly after Portrait of a Lady on Fire made its maiden appearance at Cannes. It debuted more than 14 months before Ammonite, the other big lesbian period romance of the past two years. But this gothic novella adaptation will always be seen as the lesser of the three recent films. Inspired by Sheridan Le Fanu's 1872 text, Carmilla is indeed another tale of love, lust, repression and the roles that have been enforced upon women for far too long. It takes the restraint that its characters are tasked with displaying a little too firmly to heart, though. While handsomely shot with a keen eye for vivid detail, moody in tone from start to finish, and eagerly savaging society's judgement of female sexual awakening and of sapphic desire, its often feels stilted rather than filled with yearning — and frequently seems as if it's holding a little too much back. Also, although its source material is one of the first works of vampire fiction, hitting the page nearly three decades before Bram Stoker's Dracula, first-time solo writer/director Emily Harris doesn't heartily sink its teeth into that genre, either. There's absolutely nothing wrong with eschewing the supernatural, of course, but a few especially striking images aside, Carmilla's pulse rarely quickens. What this story of passion, seduction, persecution and flouting strict norms does unshakeably possess, however, is memorable and committed performances by its key female cast members — all of whom do their utmost at every turn. Hannah Rae (Fighting with My Family) plays Lara, the cooped-up, constantly lonely daughter of the distant Mr Bauer (Greg Wise, The Crown). When the film commences, she's giddy with excitement about the impending arrival of a fellow teen from a neighbouring town, who's set to join their household for a prolonged sojourn. It'll give her a much-needed reprieve from her stern governess, Miss Fontaine (Jessica Raine, Patrick Melrose), who usually dictates every aspect of her daily routine. The tutor is even determined to train her left-handed pupil to favour her other appendage, all in the name of curing her of her sins. But, when their planned visitor doesn't make the trip, mysterious newcomer Carmilla (Devrim Lingnau, Immortality) earns everyone's attention instead. A victim of a carriage accident with no memory of who she is or why she's in the area, she's like a beacon in the night to the curious and isolated Lara, even as Miss Fontaine endeavours to maintain a close watch. https://www.youtube.com/watch?v=-uiCkL26zfQ FINDING YOU When aspiring violinist Finley Sinclair (Rose Reid, The World We Make) meets acting superstar Beckett Rush (Jedidiah Goodacre, Chilling Adventures of Sabrina) by falling asleep on his shoulder during a flight from New York to Ireland, she definitely isn't just a girl standing in front of a boy asking him to love her. The college exchange student thinks the cinema world's biggest current heartthrob is arrogant, in fact, and likely wouldn't have given him another thought if they didn't end up staying at the same small-town bed and breakfast thanks to pure rom-com logic. No, Finding You doesn't try to hide its Notting Hill-esque concept. Based on the young adult novel There You'll Find Me, it's quite eager to nod in its fellow romantic comedy's direction — and towards as many of the genre's other cliches and tropes as it can find. Even its setting sticks to recent convention; however, it's never as grating and inane as the Scotland-set Then Came You, and doesn't feature a twist as ridiculous as Wild Mountain Thyme. Everything about Finley and Beckett's will-they, won't-they romance plays out as expected, though, other than one key factor. Writer/director Brian Baugh (I'm Not Ashamed) hasn't met a pointless plot development he doesn't need to work into his movie, it seems, so the path to true love here definitely doesn't run smooth. Finley heads to Ireland seeking a change of scenery and a new source of inspiration after failing a big audition, while Beckett makes the trip to shoot the latest instalment of a big blockbuster franchise he's no longer that interested in being in. As they work out their individual issues and inch closer together, the script also tasks her with becoming his acting coach, and sightseeing with him in an attempt to track down a cross sketched by her brother. She also learns a few musical tricks from the boozy town expert (Patrick Bergin, The South Westerlies), and gets caught up in a decades-long scandal surrounding an elderly and cantankerous woman (Vanessa Redgrave, Mrs Lowry and Son) she's assigned to visit for class — while Beckett battles with his manager dad (Tom Everett Scott, 13 Reasons Why) about his future, the tabloid attention and the fake love affair he's supposed to be in with his co-star (Katherine McNamara, The Stand). When Finding You lets its two leads simply spend time together, it benefits from their warm rapport. When it bundles in every complication it can think of, it veers from being blandly predictable to needlessly contrived and convoluted. For whatever misguided reason, Baugh favours the latter over the former, all served up with a soundtrack that couldn't be more stereotypical if it just repeated the word "Ireland" over and over again. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; and May 6. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down and The Perfect Candidate.
Oliver Show's 'Street Furniture' has been taking over the streets of Hamburg, Germany, creating utilitarian yet comfortable seating out of existing city structures. By wrapping and securing flexible drainage pipes around the downtown infrastructure, Show hopes to reclaim the city for the public. Not necessarily designed for aesthetic pleasure, Show's pieces gather their charm from their intentionally simple, low-maintenance design. “The interventionist and experimental approach to me is more important than the quest for a ‘perfect’ product,” says Show, who has earned a design award from the HFBK Leinemann Foundation for Education and the Arts for 'Street Furniture'. Each installation is ingeniously resourceful: low-cost and weather-resistant. They are all entirely user-friendly as well. Suddenly, a bridge is an armchair, and a bike rack is a sofa, each beckoning to Hamburg residents, urging them to sit down and stay a while. [via Architizer]
The Sydney Opera House is introducing an exciting addition to its myriad of renowned experiences. Joining one of Sydney's best restaurants in Bennelong, as well as the newly renovated Concert Hall, Opera Bar, House Canteen, the Utzon Room and a range of other tours, theatres and bars at the iconic harbourside venue, will be Midden by Mark Olive. Led by its namesake chef, this new restaurant will bring seasonal menus showcasing native ingredients to the space currently occupied by Portside. Midden by Mark Olive will open for lunch and dinner seven days a week, plus high tea on Wednesdays, Saturdays and Sundays from Tuesday, July 4 in the Sydney Opera House's Western Foyer. A proud Bundjalung man, Olive will pull from thousands of years of First Nations cooking to create the produce-driven Midden menu. Shell middens are areas defined by large collections of shells discarded from local residents eating crabs, oysters and other shellfish. Tubowgule, the traditional name for the area the Sydney Opera House now resides on, was once a midden of oysters pulled fresh from the neighbouring harbour. "Middens were vibrant communal spaces with food at their core," says Olive. "Opening a restaurant at the Sydney Opera House on Tubowgule, Gadigal country is a dream come true. I could not be prouder to follow in the pioneering footsteps of leading Indigenous Australians like Rhoda Roberts, Justine Saunders and Stephen Page, who have brought incredible First Nations storytelling to this place over the past 50 years." Expect to start your meal with Sydney rock oysters in a bush tomato and wattle-seed vinaigrette, and damper bread infused with native herbs and partnered with whipped eucalyptus butter. Other snacks and starters available at Midden include native thyme hummus; smoked kangaroo salad; lemon myrtle and pepperberry-cured salmon; and an Indigenous Australian platter featuring highlights from the grazing menu alongside regional cheeses, tandoori crocodile, marinated artichoke and Tasmanian mountain pepper leaf flatbread. If you're still hungry after making your way through your entrées, there are heftier mains on offer including smoked blue gum barramundi, black olive pappardelle, braised wallaby shanks served with sweet potato rosti, and seared pork belly infused with the flavours of river mint and bush honey. "The land on which the Opera House stands was a gathering place for ceremony and culture for thousands of years before the building itself was ever conceived, and I hope the menu we've created will give guests a real taste of that millennia-old history and maybe even inspire some to cook with our vibrant native ingredients at home too," Olive continued. Reservations for the new waterfront restaurant are open now. Midden by Mark Olive will open at the Sydney Opera House on Tuesday, July 4. It will be open 11.30am–2.30pm and 5–8.30pm Monday–Sunday, and will run high tea on Wednesdays, Saturdays and Sundays.
From crunchy leaves to crackling fires, there are so many things to love about winter. And one of the best is the annual harvest. As the weather cools, farmers head to their orchards, wine makers to their vineyards and chefs to their kitchen gardens to reap the delicious rewards of an entire year's work. This year, if you'd like to get in on the action, plan a trip to the Central Coast. Over the June long weekend, the region will host the Harvest Festival. It's an epic celebration of local produce — and the mountains, valleys and waterways that nurture it. With scores of gatherings on the program — from property open days and tours to farmers' markets — you'll get to choose your own adventure. Glenworth Valley Outdoor Adventure will host a food and wine festival across both days of the festival, while Dooralong Hall will host a country-focused market filled with stalls, exhibits, craft and workshops. Meanwhile, make tracks to Yarramalong for a masterclass in edible flowers ($25) or to Kulnura to try your hand at orange picking ($25 per group) or take part in a citrus juice factory tour at Eastcoast Beverages (free). You can also head to Mangrove Mountain for alpaca patting on a working farm, to Somersby for pecan picking with The Pecan Lady and to The Springs restaurant in Peats Ridge for cocktails inspired by the Australian bush. And these are just the tip of the iceberg. Harvest Festival will take place across Saturday, June 8 and Sunday, June 9. To see the full program, head over here. There'll also be a free shuttle service running between various event hubs. Check out the route here.
It's time to kick off your boots and relegate cardigans to the back of the cupboard: summer is almost upon us. When it comes to sunshiny good times, we're kind of experts here in the land of Oz. From coastal escapades and balmy starlit parties to adventures through our epic and varied landscapes, we've got plenty of awe-striking experiences to discover when the weather is fine. Many of these splendid excursions are best enjoyed with a rejuvenating tipple. So, if you're after a fresh beverage to colour your summer, why not check out the flavourful range from new-to-the-scene Mosey Fruity Beer. These zippy brews provide the refreshment of a poolside beer enlivened with fruity, tropical tang. To spruce up these three classic summer experiences, just add a few cans to your bar fridge or moveable feast. GRAB YOUR MATES FOR A PARK HANG AND CHEESE BOARD It's safe to say that, after the last few years, we appreciate picnics in the park and group hangs like never before. Whether you're chilling with your best mates every other day or are in dire need of a catch-up, a romp around the park in the sunshine is sure to boost the communal serotonin. If you want to elevate it to a fancy affair, delegate menu items to construct an epic picnic. Naturally, you'll need cheese — from crumbling fetas to sharp cheddar, nut-based vegan delights and explosive blobs of burrata, a well-appointed cheese board is a luxury that can be enjoyed by the masses. Make sure each member of the picnic party adds to the spread. You'll want to tick off cured meats, pickled veg, fresh fruits, nuts and every chip and dip imaginable. And of course, there are the drinks. Locate a glorious patch of grass where booze consumption is allowed and load up your portable mini bar — making sure to add a blueberry Mosey Fruity Beer to the collection. It imbues the classic crispness of a lager with the summer-fresh essence of ripe blueberries for a flavour combination that'll sit happily in any picnic mix. If you prefer your picnics with some background beats, Mosey's got you sorted with a bop-heavy playlist ready to go. GET THE FAM TOGETHER FOR A POOLSIDE BARBECUE As the days grow longer and the breezes warmer, Aussie families naturally congregate by the barbecue for practice runs before the big Christmas bash. While we aren't all blessed with a sparkling backyard pool, there's surely a distant aunt or pretty-much-family-at-this-point friend with a chlorinated or salty oasis for you to dive bomb. So, don your cossies, dig the noodle out of storage and stock your chilly bins ready for an epic family get together. Fun is the aim, so be sure to come ready for a few rowdy matches of backyard cricket, an ultimate frisbee sesh and competition-heavy shoulder wars in the pool. These festive occasions with the cousins you haven't seen in yonks inevitably involve impressive chargrilled feasts. The lime Mosey Fruity Beer is the perfect complement to rich cuts of lamb, stacks of potato bake and the essential pavlova finisher. Any beer bitterness is stripped away, so you can enjoy the citrusy hit of lime alongside the warming palate a crisp lager is known for. The brew is just as well paired with a plate of fresh prawns — what more could you ask of a family feast under the summer sun? And in case you're lacking in the tunes department, Mosey has a premixed playlist that will keep the vibes high. END THE WORK WEEK WITH BEVVIES AND A VIEW On struggle street as you limp towards Friday afternoon after a massive week of work? Hold onto the promise of knock-off drinks with the work gang. We all know how demoralising it can be when you're stuck toiling away while the weather is blissful, especially if you take a peek at the 'gram and see folks of leisure surfing waves or soaking up the sunshine in luxe holiday destinations. But, rest assured, your time will come. Start the weekend early with celebratory Friday arvo drinks and snacks. You'll want to seek out the most scenic spot for your well-deserved session to eke the most out of the fading afternoon light. If your office has a balcony — or you work somewhere with a slick bar area or cute garden — stake out your chill-out station. Then, pass around a few cans of passionfruit Mosey Fruity Beer to get things started. It's an easy-drinking brew with a summery sweetness that'll delight drinkers of all sorts, regardless of whether you're into sessionable lagers or extravagant cocktails. Match this sweet refreshment with some salty good times in the form of fried chicken or a simple-yet-crowd-pleasing bag of chippies — and an equally punchy playlist. C'mon, you've earned it. Armed with a four-pack of Mosey Fruity Beers, you'll be ready to make summer yours. To find out more about the juicy bevs, head to the website. Images: Chester Newling
Czech designer Kristyna Pojerova's latest creation ticks all the boxes - it's convenient, portable, aesthetically appealing, and it's green, too. Harmoniously combining simplicity with beauty, practicality with ethicality, her portable glasshouse is the dream of any inner-city or spatially-challenged dweller with a green thumb, finely tuned tastebuds and no backyard. It is a glass structure with four small holes for air as well as a large hole in the middle for easy access that is mounted onto a lightbulb and uses the excess heat to create a fertile and natural microclimate within it for growing herbs. Not only is it practical and eco-friendly, but it lends a homely atmosphere to your kitchen - a modern version of flowers-in-a-jam-jar-on-the-window-sill, if you will. Going to a dinner party and panicking about what to take? Why not take your portable herb garden. It's a culinary novelty and a segue into discussions regarding Eastern European design and innovation all in one. Do you often worry that your kitchen does not exude an ethos? These hanging herbs will add an element of environmental consciousness in a creative and thoughtful manner. Enraged about the recent passing of the Carbon Tax? Ensure that your electricity bills at least contribute towards your garden as well as your cravings for coriander. Utility aside, the glasshouse reminds me of designs such as these Icelandic moss rings and similar micro gardening products, which are quite beautiful, albeit ironic, in the way they try to bring us back to nature by bringing an instrumentalised microcosm of nature to us. This glasshouse has the same aroma of sweetness and nostalgia as does making your own strawberry jam from scratch, or knitting a scarf for winter. And while Pojerova states "all this is basically about making use of the otherwise useless waste heat of the (light) bulb", for all its practically and ecological benefits, this grandma element seems to me to be its true allure.
The fight to keep Sydney's Sirius building is far from over. On Thursday, November 3, the Millers Point Community Association launched a legal challenge against the NSW Government. And it's being paid for by crowdfunding — to the tune of $50,000 provided by 600 citizens. Now, that's some serious people power, right there. The building, which was designed by architect Tao Gofers, is not only an important part of '70s history and a great example of Brutalist architecture, but also public housing. For years and years it has helped to even the score in this expensive, property-obsessed city of ours, by allowing people on low incomes to live in the centre, with harbour views. But back in September, the NSW Liberal Government under Premier Mike Baird floated plans to smash Sirius up and replace it with luxury apartments. A big public rally ensued, in which 1500 people — including the likes of Anthony Albanese, Tim 'Rosso' Ross and Lord Mayor Clover Moore — attended and the CFMEU, in collaboration with Unions NSW, coordinated a green ban. This latest challenge calls on the NSW Minister for Environment and Heritage Mark Speakman to appear in the Land and Environment Court. His and the Government's wrong-doing? Their refusal to list Sirius on the State Heritage register, despite the unanimous advice of the Heritage Council. "This building is a symbol of community values that still exist — values like inclusion and respect for diversity," said Anthony Albanese MP. "Such values are still important to millions of Australians who take pride in living in a nation that cares about all of its citizens, not just those with big bank balances." Lord Mayor Clover Moore pointed out that the Minister's decision sets a "dangerous" precedent. If the challenge is successful, it could "create a valuable new precedent that will confirm the objectives of heritage legislation and discourage the government from acting this way again". The action is just one element in the Save Our Sirius campaign. In addition to the rally and the green ban, twenty ambassadors have been appointed to support the heritage listing of Sirius and the maintenance of social housing in The Rocks. The legal action is currently in progress. Images: Katherine Lu.
Watching the first trailer for Alien: Romulus, can anyone hear you scream? The answer to that question depends on where you are and who you're with, of course — we're presuming that you're not in space — but the sneak peek itself firmly wants to unsettle. There's an eerie derelict space station, screaming, blood and plenty of facehuggers in this initial look. Behind the lens, albeit producing rather than directing, Ridley Scott (Napoleon) is also involved. Alien: Romulus is the seventh Alien film, and the ninth including the Alien vs Predator movies, and will arrive in August just over seven years since Alien: Covenant. While Scott originated the space-thriller saga back in 1979, then returned to it with 2012's Prometheus and 2017's Alien: Covenant, now Evil Dead, Don't Breathe and The Girl in the Spider's Web filmmaker Fede Álvarez is on helming duties. Based on the debut glimpse at the flick, however, there's no doubting that he's taking his cues from Scott's work. The setup: when space colonisers go a-scavenging through an abandoned space station, they get more than they bargained for. Given Álvarez's background in horror, it comes as no surprise that he's tapping into the genre for his Alien effort, just as Scott did with his. Álvarez also wrote the screenplay, reteaming with Rodo Sayagues, who he worked with on Evil Dead and Don't Breathe — and who directed Don't Breathe 2. Priscilla's Cailee Spaeny leads the group of folks doing battle with vicious extra-terrestrials, starring alongside David Jonsson (Rye Lane), Archie Renaux (Shadow and Bone), Isabela Merced (Madame Web), Spike Fearn (Aftersun) and feature first-timer Aileen Wu. Separate to Alien: Romulus, the Alien franchise is also expanding to TV, with a new series from Fargo's Noah Hawley in the works, as set three decades before the events of the first film. Featuring Sydney Chandler (Don't Worry Darling), Alex Lawther (Andor), Essie Davis (One Day) and Timothy Olyphant (Justified: City Primeval), it isn't expected until 2025. Still, with all things Alien set to stalk across both the big and small screens, staying away from this saga isn't in anyone's futures. Check out the first teaser trailer for Alien: Romulus below: Alien: Romulus releases in cinemas Down Under on Thursday, August 15, 2024.
Andy Warhol, Marilyn Monroe, The Mighty Boosh, Frida Kahlo: they're just some of the faces that've graced exhibitions around Australia in 2023. The next to join them is Amy Winehouse, in a showcase that's doing what documentary Amy also dedicated some of its frames to: stepping back a couple of decades to the beginning of the 'Back to Black' and 'Rehab' singer's career. When Winehouse was 19, photographer Charles Moriarty was requested by a friend to take some snaps of the then-unknown talent. They're the images that Amy, Before Frank will display. More than 30 will feature — and if you're wondering where the exhibition's name comes from, it references Winehouse's debut album Frank, with the photos covered hailing from before that record dropped. When Winehouse was in front of his lens, Irish photographer Moriarty didn't know what'd follow for the performer — the fame and success, nor her passing in 2011. The session clearly worked out well because Moriarty also shot the cover art for Frank, and became friends with the singer. "It's time for people to know the girl I knew; Amy before the fame, Amy before Frank" said Moriarty about his exhibition, which heads to Australia for a two-city tour this spring. To check out Amy, Before Frank, fans will need to head to Sydney's M2 Gallery from Wednesday, October 18–Sunday, October 22 or Melbourne's @14 Gallery from Wednesday, November 1–Sunday, November 5. That timing couldn't be more perfect, given that Frank — which includes the singles 'Stronger Than Me', 'Take the Box' and 'In My Bed' — released two decades ago in October. Moriarty is coming to Australia with the exhibition, chatting in both Sydney (on Saturday, October 21) and Melbourne (on Saturday, November 4) about his work and Winehouse. AMY, BEFORE FRANK AUSTRALIAN DATES: Wednesday, October 18–Sunday, October 22 — M2 Gallery, 4/450 Elizabeth Street, Surry Hills, Sydney Wednesday, November 1–Sunday, November 5 — @14 Gallery, 14 Langridge Street, Collingwood, Melbourne Amy, Before Frank will display in Sydney in October 2023 and Melbourne in November 2023 — head to the exhibition website for further details. Images: Charles Moriarty.
It has been just over six months since Amazon finally launched in Australia, promising an array of goods delivered quickly and affordably, as shipped from Melbourne. But you're probably still making purchases from the company's US and UK sites, aren't you? Given that Amazon's Aussie range and prices don't quite match its overseas counterparts, that's understandable. But, come July 1, that'll no longer be an option. In emails sent out to customers today, Amazon advised that purchases from its international platforms will no longer be shipped to Australian addresses once the new financial year hits. The new policy is the result of an upcoming change to the country's GST laws, with the standard goods and services tax of 10 percent set to be applied to all online overseas purchases. At the moment, GST only applies to transactions over $1000. "We have taken this step to provide our customers with continued access to [our] international selection and allow us to remain compliant with the law which requires us to collect and remit GST on products sold on Amazon sites that are shipped from overseas," advised Amazon in its correspondence to customers. Anyone in Australia trying to purchase from Amazon US, UK or elsewhere will have the option of buying from a new Amazon Global Store, launched today, which will apparently "provide customers with continued access to [Amazon's] international selection". Still, it won't quite be the same. The Guardian reports that the Amazon Global Store currently has around four million items, which isn't even one percent of the range available in the US. And while Amazon states that more than 60 million products are currently available on its Australian site, if you're a seasoned online shopper, you've probably come across more than a few gaps. Or, you've found the same goods on sale to Aussie customers for a much steeper price, even taking exchange rates and international shipping into account. Given that the ban applies to all Australian addresses, we're sorry to say that sneaking around the block with a VPN won't work. Using a shipping forwarding service — where orders are initially sent to an overseas address, then forwarded on to Australia (for an extra fee) — will be an option though. If you're worried that this could change online shopping in Australia, you're not alone. With the change in GST laws and Amazon's precedent, it seems inevitable that other online retailers will follow in the global retailer's footsteps.
When 2019's The Farewell won Awkwafina a Golden Globe for Best Actress — Musical or Comedy, it did so for a nuanced and affecting performance that dwelled in the space between putting on a happy face for the world and confronting what you're truly feeling inside. Following a China-born, New York-raised woman upon her return home to see her dying grandmother, the film used its semi-autobiographical scenario as fuel for an incisive and thoughtful character study. Writer/director Lulu Wang's feature spread further, however, as a broader portrait about the ties and lies that bind families, plus the societal and cultural surroundings that enforce expectations and dictate choices. Adapting Janice YK Lee's 2016 novel The Expatriates, Wang's first major stint behind the lens since The Farewell starts streaming via Prime Video from Friday, January 26. Dubbed Expats as a miniseries, the six-parter marks a shift in location to Hong Kong and a splinter in focus to three protagonists, but its guiding force — with Wang creating the show, executive producing, helming all six episodes and writing two — is still plunging deep into bonds of blood, deceptions amid close relationships, grappling with grief and tragedy, and being caught between how one is meant to carry on and inescapable inner emotions. It too sees not only people but also its chosen place. It's a haunting series and, albeit not literally in the horror sense, a series about women haunted. As Margaret Woo, an American landscape architect who has relocated to Hong Kong for her husband Clarke's (Brian Tee, Chicago Med) job, Nicole Kidman (Aquaman and the Lost Kingdom) is in familiar territory. In Big Little Lies, The Undoing and Nine Perfect Strangers, all fellow small-screen efforts that she also executive produced, she similarly played characters tormented: by a horrific husband, a murder case and loss, respectively. She's well-experienced at stepping into the shoes of women bearing anguish and heartbreak while living privileged existences as well, and at sporting the masks demanded when there's a status quo to uphold. But Kidman isn't one to turn in the same traumatised performance again and again, even if she's repeatedly drawn to such roles. Here, Margaret's seesawing between relentlessly soldiering on and being unable to flee her desperation says everything about someone who is rarely able to admit the truth of her feelings even to herself. The year is 2014, and the Woos aren't new Hong Kong arrivals — but their past 12 months have been under a shadow ever since their youngest son Gus (debutant Connor James) went missing. No one is coping, including elder children Daisy (Tiana Gowen, True Love Blooms) and Philip (Bodhi del Rosario, 9-1-1). But while Margaret refuses to give up hope of finding her three-year-old boy, there are still lives to lead and, to help start Expats, a 50th birthday party for Clarke to host. In the lift at The Peak, the towering symbol of wealth inhabited by plenty who give the show its title, she's also insistent that her friend, downstairs neighbour and fellow American Hilary Starr (Sarayu Blue, A Million Miles Away) attend the shindig. The frostiness that fills the elevator also stems from Gus' disappearance, and accusations made against Hilary's recovering-alcoholic husband David (Jack Huston, Anne Rice's Mayfair Witches). Unpacking Hilary's plight provides the second of Expat's interconnected character studies, as the successful businesswoman treads water in a marriage where going through the motions is among the few shared traits remaining. Despite their quest to start a family, she's started secretly taking birth control again. Hilary and David do still boast something else in common, though: an inability to shake their hurt at each other over secrets, reactions and never believing that they're on the same page. Frequently dressed in tan- and beige-hued jumpsuits, Blue plays her part with no less potency than Kidman, but with softer edges. At her extremes, Hilary is deliberate rather than steely and quietly fragile instead of achingly frenzied. Completing Expats' triangle is Mercy (Ji-young Yoo, The Sky Is Everywhere), a Korean American in her twenties working gig-economy jobs, residing in far-more-ordinary digs and happiest about Hong Kong's distance from her mother. With the friends that she's collected in her time in the city, she flits in and out. On her catering assignments, she weaves around well-to-do crowds. She feels like an outsider in multiple ways, and is also convinced that she's cursed. It's Mercy's narration that kicks off the series, talking about the people who unwittingly spark life-changing tragedies, plus the world's quick-to-forget attitudes towards their guilt and agony — voiceover that not only assists in connecting the narrative's web-like strands, but expresses vulnerability and pain that Yoo's shattering performance is always endeavouring to plaster over with anything that the character can even fleetingly grasp onto. Every city is home to a mourning mother with other kids to try to put on a brave face for, women stuck in fraying marriages and restless young souls keen to discover who they want to be. Every place has an expat community of folks who've relocated for love, employment and fresh chances, some or none of which might've worked out nicely. Every town includes those who can't move away even after they've weathered the worst that their life has thrown at them in their adopted spot. Every locale is inhabited by some who don't feel like they quite belong, but are also certain that they'd feel the same even if they retraced their steps. As probingly and naturalistically lensed by Wang's returning The Farewell cinematographer Anna Franquesa-Solano, and as purposefully set in a year where protests took to the streets against China's role in the special administrative region's elections, Hong Kong isn't just any city to Expats, however. Wang also spends time with two Filipino women who work as live-in helpers away from their own families, the Woos' nanny Essie (Ruby Ruiz, In His Mother's Eyes) and the Starrs' housekeeper Puri (first-timer Amelyn Pardenilla). They're regular presences in Expats' first four episodes, then get pushed to the fore in its movie-length fifth episode, alongside local students (including Sparks' Bonde Sham as Charly) among the Umbrella Movement who are fighting for better futures. The series sees their hopes, wants, dreams and disappointments, too. It stares unflinchingly at the chasm between their Hong Kong and the one navigated by wealthy transplants. Crucially, this drama puts comfortable existences, woes and all, into stark context. A different series could've been made with Essie, Puri, Charly and company firmly at the centre — but in this tale of three Americans adrift with their sorrows, where and the reality that surrounds them is equally as important as how and why. Check out the trailer for Expats below: Expats streams via Prime Video from Friday, January 26.
When telling the tale of a five-year-old Indian boy separated from everyone and everything he knows (and the man who later tries to piece together his past), names are important. In Lion, Saroo Brierley is both the child and adult in question, with the movie recounting his real-life experiences trying to return to his mother Kamla and his brother Guddu, and then being adopted by Australians Sue and John Brierley. Newcomer Sunny Pawar and English actor Dev Patel play Saroo at different stages of his life, the latter with as spot-on an Australian accent as you're likely to hear. Nicole Kidman, David Wenham and Rooney Mara help round out the high-profile cast. Yes, there's names aplenty here. One that's crucial in bringing Saroo's plight to the cinema — based on his memoir, and as covered by TV's 60 Minutes — is Garth Davis. In fact, expect to hear his name more often, particularly as Lion keeps receiving acclaim. Davis was recently nominated for two Directors Guild of America awards, while the film snagged six Oscar nods, including for Best Picture, Best Supporting Actor (Patel) and Best Supporting Actress (Kidman). Plus, his next movie is certain to attract even more interest: reuniting with Mara, and also starring Joaquin Phoenix, Chiwetel Ejiofor and Aussie Ryan Corr, you'll instantly know the story at the centre of Mary Magdalene. For a first-time filmmaker previously best known for co-directing the first season of Top of the Lake with Jane Campion, it has been quite the journey to becoming one of the hottest names in Australian cinema. With Lion making its way to local screens, we chatted with Davis about taking on such a powerful story, finding excellent leads and how travelling to India to follow in Saroo's footsteps shaped the movie. ON TAKING ON SAROO'S STORY "The story itself is just an extraordinary tale. It is hard to believe it is true. And you read this story, and you can't help but be moved by it. I mean, it's incredible. But I could also sense something moving under the story, that was quite spiritual and quite special, and I think that's what really lured me into making the film. And when I started to meet the real-life people in the story, like Sue and Saroo and all his Indian family, I realised that there was such an immense love that all the characters held — and I suddenly realised it was this love that I think engineered the miracle that the story has." ON DOING JUSTICE TO SUCH A POWERFUL TRUE TALE "There's a big responsibility in telling a true story. So all you can do really is spend time with everybody and try to understand their stories as deeply and emotionally as possible. So that's what I did — I basically almost immediately went to India, coincidentally at the time that Sue was meeting Saroo's birth mother Kamla. It was such an incredible meeting, so I just tried to immerse myself in their lives as much as possible, hear their stories, hear them talk about things. I think that's a really important process to go through so you can kind of dimensionalise their story. Because a lot of people take their story, and it makes a great article or a great paragraph or a great conversation — but to turn it into a movie, you've got to go a lot deeper. And you need to really get behind it to understand it." ON HOW TRAVELLING TO INDIA AND FOLLOWING IN SAROO'S FOOTSTEPS HELPED SHAPE THE FILM "It's very simple. It's very subtle and kind of existential. Things like, for me, when I stand in that village, I try to imagine myself as a child: where would I play? What would my world feel like? What are the sounds? What's the nature like? I go wandering off into the paddocks. I spent a lot of time just sitting at the dam, the dam that is featured in the film and in the story, just watching a new generation of children. Seeing how they play, how the women do the washing, seeing the trains passing by. So I just immersed myself in that world, as a director and as an artist. And then carrying that through, like when I got to Kolkata, I didn't quite realise how powerful that was. Like imagining my kids — because I've got three kids — imagining them just being dropped off in this chaotic planet, it's like another planet really. And just trying to imagine how they'd survive. Again, I would be in Saroo's shoes, just going, "okay where would I stay? What would I do?" and I'd walk around, and eventually I stumbled across real homeless children sleeping out in the subways and in some of those forgotten paddocks that sit across the way from the train station, and the reality of it really struck me — just how important and how powerful it was going to be as a film, and as an experience with an audience." ON LION'S STRUCTURE, AND SPENDING THE FIRST HALF OF THE MOVIE FOCUSED ON A FIVE-YEAR-OLD "It's not a story of a guy who starts to remember something. It's not that kind of story. He remembers everything — he's just lost, and he's never had any hope of finding home so he's had to move on and accept his fate. And find gratitude in what's happened to him ultimately, because he's survived all the perils. So it didn't seem like it was that kind of movie where he's remembering things and putting things together. I don't know, we just felt it was more powerful in that kind of snowball effect. People can become very complacent with their own worlds, you know? I think I was very interested in that idea that anybody in the street could have an amazing story. So if the audience steps into the shoes of a young boy who they almost take on as their own because he's so beautiful — and the family, despite their poverty, are very loving — I think he's a very accessible character. And then you basically go on a journey with him. Then, suddenly you leap forward 20 years and he's like an everyday Aussie guy, and he's got a charm and he's got a great life, and he's just a really healthy, happy-go-lucky guy, but he's sitting on this enormous past that you wouldn't see until you scratch the surface. So I think that was kind of interesting for me." ON FINDING THE RIGHT ACTORS TO PLAY SAROO "We did an extensive casting. We cast in three cities, we went for about four to five months. We looked at thousands of children and we shortlisted that to a few hundred. It was a lot of hard work, and we stumbled across Sunny one day, in all of his glory and character. He was the one — it was a bullseye. When you're dealing with someone so young, you need to make sure you cast someone who covers at least more than half of the characteristics of your character. So, in their natural state, in their natural being, you've kind of got Saroo. And then you can move from there. But it is very hard to have someone go against their nature for most of the movie, so we had to find someone who had a quality and a characteristic, and a light and a sense of instinct that matched Saroo. And little Sunny had all of that. And then we just had to basically encourage him and train him and teach him how to act, and how to feel safe in front of the camera, and learn some techniques. And eventually he started to do some full-blown acting — it was amazing. Dev Patel is one of those rare people, very very rare people, if you get to meet him you'll never forget him. He's just a beautiful light, there's a light about him — and I felt that this movie is full of that. And so I think his spirit is wonderful, and also he was the best actor by far. So it was again an amazing combination of things. That's the reason why he's playing Saroo and the reason why he's so fantastic in the film." Lion opened in Australian cinemas on January 19, 2017. Read our review. Images: Mark Rogers.
First, Spilt Milk gave music lovers and festival fans in Canberra, Ballarat and southeast Queensland the news they'd been hoping for: in November and December this year, the beloved music, art and food fest will finally return. Now, the event has unleashed unleashed its impressive lineup, aka exactly who you'll be dancing to. Leading the charge: Flume, Stormzy and The Wombats. Homegrown hitmaker Flume nabs one of the headliner slots fresh from playing Coachella, while UK grime pioneer Stormzy adds Spilt Milk to his upcoming — and rescheduled — Down Under tour. The latter also proves true of British indie rockers The Wombats, who keep proving a hit on our shores — with 15 slots in Triple J's Hottest 100 over the years to prove it. Also on the bill: Ninajirachi, FISHER, G Flip,Genesis Owusu, Mallrat, Spacey Jane, A.GIRL and PEACH PRC, among others — and, from the art lineup, a heap of talent from long-running Spilt Milk partners Studio A. Also, because this fest is also about food, there'll be bites to eat from Alongside, Firepop, Black Bear BBQ, 1800 Lasagne and more. Originally only held in Canberra, then expanding to Ballarat, and now heading to the Gold Coast as well, the fest will hit up its ACT home on Saturday, November 26 at Exhibition Park, then regional Victoria on Saturday, December 3 at Victoria Park, before wrapping things up on Sunday, December 4 at Doug Jennings Park in the Sunshine State. The multi-city one-dayer has cemented its spot as a must-attend event for a heap of reasons — and tickets have sold out in under 30 minutes every year, including in a record nine minutes one year. So, expect this to be one of the most anticipated returns of 2022. SPILT MILK 2022 DATES: Saturday, November 26 — Exhibition Park, Canberra Saturday, December 3 — Victoria Park, Ballarat Sunday, December 4 — Doug Jennings Park, Gold Coast SPILT MILK 2022 LINEUP: A.GIRL Beddy Rays Billy Xane Fisher Flume G Flip Genesis Owusu Hayden James King Stingray Kobie Dee Latifa Tee Little Fritter Mallrat Mansionair Ninajarachi PEACH PRC Spacey Jane Stand Atlantic Stormzy Telenova The Wombats Toro Y Moi (Canberra only) YNG Martyr Young Franco 1300 Also in Canberra: Brittany De Marco and Kaylee Harmer Jack Burton and Clique Miroji Sesame Girl Shaka J Tekido Waxlily Also in Ballarat: Coastal Jam DJs Gangz Lashes Mason Flint Sweat Dreams DJs Also on the Gold Coast: Friends of Friends Jynx House DJs Saint Lane Siala WIIGZ Food: Firepop Black Bear Bbq Birdman Burger Head 1800 Lasagne and more Art by Studio A: Emily Crockford Greg Sindel Katrina Brennan Jaycee Kim Meagan Pelham Thom Roberts Spilt Milk will hit Canberra, Ballarat and the Gold Coast in November and December 2022. Pre-sale tickets go on sale from Tuesday, May 3 and general sales from Thursday, May 5. Head to the festival website for more info and to register for pre-sales. Images: Jordan Munns and Billy Zammit.
Toastiesmith is the most recent addition to the Maker's Dozen food court within The Exchange building. It's a sanga-themed cafe offering up 12 different varieties, including roast beef, pork katsu and grilled fish, all topped with an egg omelette. Drinks include coffees, smoothies and house-made sodas. [caption id="attachment_782079" align="alignnone" width="1920"] Kera Wong[/caption] Images: Kera Wong
As wonderful as Auckland is, the secret to experiencing New Zealand like a local is to head north and leave the city — a Northland road trip is an Aucklander's rite of passage. It's the best way to enjoy a patch of New Zealand that's long flown under the radar and autumn is the best time to do it. Adorned with stunning coastlines that are sensational year-round, the Far North is where you'll find an abundance of some of the nation's freshest seafood, enjoyed not too far from the source, and the Waitangi Treaty Grounds, where Aotearoa New Zealand as it exists today was born. [caption id="attachment_607571" align="alignnone" width="1280"] Alec McCutcheon[/caption] Eat Parua Bay Tavern She's a fair drive up to the tip of the North Island. The length of the journey gives you a decent excuse to stop for a while and enjoy a refreshment or two, served with fresh seafood and a ten out of ten ocean view. Parua Bay Tavern looks like a typical country pub, until you look out the back. An expansive deck covered in picnic tables sits before a rolling lawn that goes right down to the beautiful calm waters of Parua Bay — one of Whangarei Head's most picturesque spots. Ake Ake Vineyard Restaurant Forget to stock up on vinos for your journey north? A tad peckish from all the driving? Kill two birds with one stone at Ake Ake Vineyard Restaurant. Sit amongst the vines on a subtropical Northland night and treat yourself to an organic wine made on sight and a beautiful meal made with seasonal, local produce. You can't go wrong with the market fish or the pork belly if you're struggling to choose. Mangonui Fish Shop If you've tripped up to Northland and you didn't go to the Mangonui Fish Shop, your roadie doesn't even count. This place is a Northland institution serving fresh fish and chips right out over the water, in one of Northland's most quaint little historic towns. It's a tad expensive (we're talking $16.50 for a piece of snapper), so if you're on a budget pop down to Fresh and Tasty Takeaways. They're set in the Mangonui Pub (the northernmost pub in NZ) and serve fish almost as good as the fish shop at half the price. On the other hand, if you're not big on fish and chips, the Thai joint down the road does a top notch curry. Stay Tutukaka On the road to the Far North, a stay in one of the beautiful little beachside settlements around Whangarei is a must. Our favourite has to be Tutukaka, one of the most idyllic coastal locations in the country, complete with postcard-worthy white sand beaches, world-class diving spots and seriously good surf beaches. Take in the region's incredible views by staying at Canopy Camping Escapes, where the luxury tent set up blends creature comforts with proximity to nature. If you're after a wave make sure you head out to Sandy Bay — this spot looks like something straight out of a surf movie, and if you head up in autumn, or even late in summer, you may just get the beach all to yourself. [caption id="attachment_986117" align="alignnone" width="1920"] Camilla Rutherford[/caption] Culture Waitangi Treaty Grounds It's not an overstatement to say the Waitangi Treaty Grounds are Aotearoa New Zealand's most important historical site. It's the location where the Treaty of Waitangi, the nation's founding document, was signed all those years ago in 1840. Brush up on the history and stories of how New Zealand, as it has come to exist today, all began. [caption id="attachment_986619" align="alignnone" width="1920"] Miles Holden[/caption] Coast Puwheke Few beaches in Northland are so easy to access, yet so utterly untouched and pristine. Bring the 4x4, drive down a pothole-infested gravel road wide enough for one car and park on the dunes, or drive down the beach if you're feeling super adventurous. Climb over the rocks on the right of the beach to explore a cave that occasionally fills out with massive bats. If that's not for you, come on the right day and head to the left end of the beach — the surf's often stellar. The local secret is that if you time your trip well and head up anytime that's not high summer, you're in with a good chance of being the only one on this rugged white sand beach located along the Karikari Peninsula. Kai Iwi Lakes Just out of Dargaville you'll find a freshwater lake, surrounded by bone-white beaches and grassy campgrounds, that's truly a local secret. It's easy to spend a few days up here, barbecuing by the lake, enjoying the views over the uber-clear, light blue waters and perhaps swimming out to one of many pontoons to indulge in a bomb or two. The water is super shallow so you'll be pleasantly surprised at how warm it gets during summer. Matai Bay Surrounded by open fields, Māori land, and blooming Pōhutukawa trees, Matai Bay looks like something lifted straight off a cheesy postcard. It's a small golden sand cove, before a crystal blue harbour dotted with rocky islands. For a slice of the bay to yourself, hang a left under the boat ramp and walk to the far end of the beach. Otherwise if you're seeking a thrill, whack your way through the bush covering the hill on the right end of the beach and you'll find a stone ledge a few metres high that serves as a perfect diving board. Find your very own Aotearoa New Zealand here.
Rather than a wasted day of woe, Sundays are meant for nourishment. For homecooked meals, meaningful chats and creative beverages. Over the weekend, Concrete Playground and Secret Garden — keen weekenders and lovers of good food, new friends and general tomfoolery — teamed up to create the ultimate Sunday fortress of fun: Cubby House. Taking over the stunning Strickland House, the very first instalment of Cubby House saw a temporary haven created purely for punters to reclaim the weekend. We feasted on braised Mirrool Creek lamb and fire baked whole cauliflower salad from Raven's Eye, had one too many Bloody Marys from the Golden Age bar, marvelled at Tracey Spicer talking sex robots, listened to Omar Musa school us on Rendra, tackled the heavier parts of the news with Tom Tilley and the Guardian journos, had our shoes polished, learnt how to do a cryptic crossword, played croquet on the lawn, and had our socks harmonised off by All Our Exes Live in Texas. Here's to reclaiming Sundays! Images: Samantha Hawker and Andy Fraser.
Say hello to one of the newest kids on the burgeoning Redfern coffee scene: Bean & Berry. Despite only being open for three months, their following is growing quickly, which is impressive when you think about how notoriously loyal coffee drinkers are to their favourite shop. With beans provided by Marrickville's Leftfield Coffee, you'll have the chance to try a blend you probably haven't before. Bean & Berry wants you to "come and visit the family", and there's no doubt about how homey it all feels. Black piping runs across the walls and holds up shelves containing an eclectic collection of old books and flowers. Carefully arranged bags of coffee frame the huge vintage Peters ice cream logo that hangs behind the counter. Bare light globes hang from ropes from the ceiling, all of it adding to the rustic vibe. Take a seat by the huge bay windows and watch the people of Redfern stroll by as you sip on a fragrant flat white. If the warm tones of all the wood isn't enough for you, order a bowl of Mum's Winter Stew ($16.90). The slow-cooked scotch fillet in red wine and tomato sauce is like a rich, warm hug for your soul. Another staple of the current menu is the soup of the day ($8.90), which is scrawled on a small chalkboard on the counter. Expect the likes of ham and lentil or meatball and yoghurt soup with mint. For those who want at least one meat-free meal today, Chicks on Toast (slow cooked chickpeas in tomato sauce, served on toast, $12.90) is an excellent start to a cold morning. Then there's the bircher muesli ($9.90). Slivers of tart apple are a great contrast to the overall creaminess and sweetness. The sprinkling of crushed pistachios and almonds on top add a welcome crunch. It's filling and definitely won't weigh you down. If, for some unknown reason, you don't feel like a coffee, Bean & Berry have an assortment of teas, milkshakes and smoothies on offer. The Snickers milkshake ($6.90) is the star attraction here. Locals know all about this little cafe on the corner of Pitt and Redfern Streets, and it's time that you do too. With its friendly staff, good coffee and simple, delicious fare, Bean & Berry may even end up as your second home. Images: Bodhi Liggett.
Sydney Festival is back from Thursday, January 5–Sunday, January 29 with a massive 2023 lineup, so clear your diaries because summer is going to be very, very busy. The huge citywide fest's second year under Artistic Director Olivia Ansell boasts 748 performances across 54 venues, including more than 100 unique events — 26 of which won't cost attendees a thing. And, there's 18 world premieres and 14 Australian exclusives. If you're looking to get your dose of art, theatre and live music without breaking the bank, we've rounded up eight of the festival's best events that you can nab tickets for less than $50. There's highly anticipated immersive art exhibitions, colourful takeovers of Carriageworks, hidden gig series and a free moonlight symphony to discover across the next few weeks.
By the time your Dad has a drawer full of stubby holders and enough socks to start a side hustle, buying a present gets a lot harder. But the truth is, most dads don't want more stuff. What they really want is time with you — doing something fun and making memories. This year, skip the guesswork and give your Dad an epic adventure you'll both enjoy. Whether he's a rev head, an outdoorsman, or just up for something new, these adrenaline-packed Sydney experiences are designed to do together. Here's how to plan an unforgettable Father's Day with zero stress and maximum fun. Go Full Throttle at Eastern Creek There's something super satisfying about watching your old man climb into a V8 supercar like he's lining up for Bathurst. At Eastern Creek Raceway in West Sydney, Adrenaline's V8 Race Car Drive Experience lets him do exactly that. And better yet, you can join him. You'll both suit up, get briefed by the real race car instructors, then hit the track for six laps behind the wheel, pushing the limit on one of Australia's top circuits. It's fast, loud and you'll be swapping stories about it for years. Book a V8 race car drive experience here. Go on a Rally Driving Adventure If you want to take your Dad's race car dreams up a notch, you can go to Colo Heights or Hunter Valley for a Rally Driving Experience that takes you off the tarmac and onto Sydney's best dirt rally driving course. He'll take the wheel of an Australian Rally Championship car for 16 laps with expert coaching, navigating through hairpin turns and muddy straights, followed by one hot lap in the passenger seat where a pro driver shows him how it's really done. It's a fast track way to take him back to his glory days. Book a rally driving experience here. Test Your Aim with Clay Target Shooting Not every dad wants to throw himself into the driver's seat. So, for something a little less intense, but still wildly satisfying, take him out to Cecil Park to try his hand at Clay Target Shooting with live ammo. Set in an open air shooting range, this precision sport is equal parts meditative and competitive, and something you can both have fun doing together. Even if neither of you have held a shotgun before, Olympic gold medalist Suzy Balogh will get you set up and hitting targets in no time. It's a great bonding moment (and a bit of healthy competition never hurts). Book clay target shooting here. Refuel at Fried Brother's Mt Druitt After you've hit your last target or finished on the rally track, take your dad to Fried Brothers in Sydney's West. This no-fuss food truck is famous for its delicious fried chicken tenders, sloppy beef burgers, and house-made sauces. It's not a fancy Father's Day meal, sure, but he will love it. Ideal for a post-adventure debrief. Spend a Day on the Water with a Fishing Charter Adventure Ever thought about taking your dad out for a day on the water? Book Adrenaline's Sydney Fishing Charter in Freshwater and you'll spend the morning floating along the Nepean and Warragamba Rivers casting lines, catching up and soaking in the view. Whether he's a seasoned fisherman or you're just keen for a new way to hang out, it's a more laid-back option that still feels like a special day out. Plus, the experience includes snacks and drinks, so Father's Day lunch is sorted too. Book a fishing charter here. Start the Day at The Grumpy Baker Vaucluse If you're kicking things off early, take your dad to The Grumpy Baker in Vaucluse for a coffee, pastry and one of their signature housemade pies or sausage rolls. Just a few minutes from some of Sydney's best coastal views, it's the perfect pre-adventure pit stop. You can grab a seat outside, soak up the morning sun and map out the day ahead. See Sydney From a Helicopter Sure, you've probably shown your dad your favourite restaurants, parks and pubs. But have you shown him the view from 1000 feet? A Sydney Harbour Helicopter Flight is one of those experiences that never gets old. Taking off from Mascot, you'll fly past iconic landmarks like the Sydney Opera House and Bondi Beach in a 20 minute private or shared helicopter. It's definitely a "wow" moment to experience together, even if you've lived here your whole life. Book a scenic helicopter flight here. End on a High at Bistecca Want to wrap up the day with something a little more refined? Book a table at Bistecca in the CBD. This moody, underground steakhouse is famous for two things: perfectly charred bistecca alla Fiorentina, and the fact that your phone gets locked in a box as soon as you walk in. It's an intentional move, so you can switch off and share a proper dinner without distractions. If your Dad's the kind who rarely puts his phone down (or maybe that's you), this is the kind of meal that brings you back to the moment. You don't need gadgets or online shopping to make your dad happy this year. Just pick something fun you actually want to do, and bring him along for the ride. Whether it's rally driving, clay shooting or flying over the Harbour, it's the laughs and shared adventure that'll mean the most. Book dad an adventure with Adrenaline — five-year validity, instant delivery and memories made together. By Jacque Kennedy
In 2022, two big fantasy shows, both part of existing hit franchises, arrived in short succession. First came Game of Thrones prequel House of the Dragon. Then, The Lord of the Rings: The Rings of Power jumped into Middle-earth's history. In 2024, the pair are each returning, both in winter. And in the lead up, they've each dropped trailers on the same day. House of the Dragon's new sneak peek at its second season is the latest of several. For The Lord of the Rings: The Rings of Power, however, this is the first glimpse at the show's next batch of episodes. The latter has also revealed its comeback date: Thursday, August 29, 2024, which is when Prime Video will take the elves, dwarves, orcs, wizards and harfoots to your streaming queue again. Set in the fantasy realm conjured by up JRR Tolkien — as The Hobbit movie adaptations and OG live-action Lord of the Rings films were — and telling a tale in Middle-earth's Second Age, The Lord of the Rings: The Rings of Power boasts familiar names among its key figures. In season one, a young Galadriel (Morfydd Clark, Saint Maud) had a mission to hunt the enemy, after her brother gave his life doing the same. She saw fighting for fate and destiny as the work as something greater. A young Elrond (Robert Aramayo, The King's Man) was part of that journey, and the big bad who needed staving off was Sauron (Charlie Vickers, The Lost Flowers of Alice Hart). With the show charting how the rings were forged, Sauron's rise and the impact across Middle-earth, season two brings the latter back after he was cast out by Galadriel. So, it's a battle between good and ascending evil, then, as the Dark Lord keeps pushing his shadowy influence — and sporting a different appearance. Also, more rings will be created. Prince Durin IV (Owain Arthur , Coffee Wars), Arondir (Ismael Cruz Córdova, Guillermo del Toro's Cabinet of Curiosities) and Celebrimbor (Charles Edwards, Under the Vines) are among the returning characters on the Prime Video hit, which was unsurprisingly huge when season one debut, attracting more than 100-million viewers. The platform first announced the show back in 2017, then gave it the official go-ahead in mid-2018 — so if it feels like this series has been hovering around for several ages even though it only has one season so far, that's why. If you're a little rusty on your LOTR lore, the Second Age lasted for 3441 years, and saw the initial emergence and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. The Rings of Power remains separate to the big-screen Lord of the Rings revival that was first announced in 2023 and now has new movie Lord of the Rings: The Hunt for Gollum in the works. If you're a LoTR fan, there's no such thing as too much for this franchise, though — like breakfast for hobbits. Check out the first teaser trailer for The Lord of the Rings: The Rings of Power season two below: The Lord of the Rings: The Rings of Power season two will be available to stream via Prime Video from Thursday, August 29, 2024. Read our review of season one.
"It's just kind of odd that we live in a culture that tells us we need to be better all the time," says playwright Declan Greene. "We're living in that weird suburbia that was always satirised in the nineties as Betty Crocker and white picket fences except now we want holidays in Morocco, anal sex on tap and spray tans." As its spicy name would imply, Greene's Eight Gigabytes of Hardcore Pornography takes place in a world of squeamish vulnerability. Past the barrage of cat videos and poker tournaments, Greene tackles the world of online dating, exploring the potential to craft a fictional identity in a daunting virtual marketplace. It is this sticky junction between self-improvement and a human tendency to confabulate that is the premise of Greene's newest project. "We're always reaching for an illusion just beyond our fingertips," he says. "I'm interested in exploring that shame and guilt of not having access to that." Greene is largely known as the co-founder of Sisters Grimm (Summertime in the Garden of Eden, Little Mercy), a queer theatre company producing melodramatic genre mash-ups, brimming with tacky extravagance and hilarious antics. Whilst still delving into comedies and scrutinising the limits of theatre, his solo practice is perhaps more "sombre in tone." Brought to life by director Lee Lewis, Eight Gigabytes of Hardcore Pornography revolves around a disillusioned middle-aged couple (Andrea Gibbs and Steve Rodgers) who forge their relationship online. In navigating through the pitfalls of cyberspace and the unhappy truths of their realities, Greene aims to balance bleak humour with vulnerability, commenting "these are two people who have been very deeply conditioned to believe that they have to be much better than what they are." With this play, Greene is also interested in exploring our changing relationship with language and its different domains. "If you examine what a play is on a mechanical basis, it's live text, [which is] relevant to our lives in a way that it's never been before. For example, if you scroll back through your iPhone, you'll see a history of every bit of communication you've had with a person. You have literally a script for your relationship that goes back years." In capturing these raw threads that make up the meat of relationships, Greene is tapping into the potential of digital vernacular and reshaping it to fit into a theatrical context. Dispensing with social etiquette, this bold and intimate production aims to excavate the messiness, discomfort and humiliation of relationships as they unfold online and offline. According to Greene, this notion of uncompromising reality has been a guiding principle throughout rehearsals. "One thing Lee said a little while ago that's really stuck with me is that so often theatre is about escapism and that's what people are looking for," he says. "But for her, what's unique about this show is that we're trying to do the opposite. Instead of giving them an out, we're trying to make people focus back in on their lives." Eight Gigabytes of Hardcore Pornography plays at the Griffin Theatre Company's SBW Stables from May 2 to June 14. To book tickets, head to the Griffin website. https://youtube.com/watch?v=bPnS-KjwjQ4
Finally you can pay for your daily soy latte with a picture of David Bowie's face. If you're in the London suburb of Brixton and have a couple of Brixton Pounds on you, that is. To mark the anniversary of the UK's first urban local currency, Brixton has issued a new edition of notes featuring some famous ex-Brixton residents, including the infamous face of glam-rock. A Ziggy-era picture of Bowie now graces the £10 note, while former Chicago Bulls basketball player Luol Deng and WWII lady-spy Violette Szabo appear on the £5 and £20 note respectively. The Brixton pounds were launched in 2009 as a way to support independent business and encourage local trade and production. The Brixton pounds don't replace regular British pounds, rather they work alongside them, much in the same way Scottish pounds do. Brixton is a notoriously volatile area of South London - one night I walked in the wrong direction and ended up there, only realising once all the street lights had been blacked out and a gentleman enquired as to how much I was charging for my 'time'. The Brixton pounds are an effort to improve perceptions of the area (perpetuated by people such as myself) and ensure that local businesses can keep afloat in the face of recession and competition from big chain stores, while working to reduce the area's carbon footprint. It's actually a fantastic strategy, and one that's worked well in several towns around the UK. Now that they've put David Bowie on a valid form of currency, you can bet that Brixton's going to be doing a whole lot more business, because at the end of the day it's just not as exciting buying groceries with a picture of the Queen than it is with Ziggy Stardust. [Via PSFK]
Love it or hate it, tipping culture has steadily crept into Aussie restaurants, bars and cafes. And despite growing cost-of-living pressures, you might be surprised to learn that more of us are tipping more of the time. In fact, the average tip across the nation has increased 25 percent year-on-year, now reaching $25.20. Yet some tippers are a little more generous than others, with a recent Zeller report finding that one state stands out as the stingiest in the country. That'd be New South Wales, with the average tip just $16.90. Contrast that with Victoria — where the average tip is $39.50 — and the data starts to paint a somewhat unfavourable picture. It's unlikely people from NSW are uniquely penny-pinching, so what might have caused this chasm in generosity? According to Josh McNicol, Director of Growth at Zeller, several factors must be considered. "The potential for financial pressure to dampen tipping enthusiasm, especially in costly cities like Sydney, is a logical outcome where diners feel tight budgets outweigh tipping impulse," he says. McNicol also suggests subtle differences in hospo cultures could exist, with those in Melbourne more open to honouring stellar service. He explains: "Victoria, particularly Melbourne, has long enjoyed living in the heart of Australia's dining and hospitality sector. There's an ingrained culture where diners want to reward great service, and now smarter payment technology makes it simpler for diners to leave a tip if they choose to do so." South Australia is also highlighted in the data. The average tip has increased 64 percent, with Adelaide posting a 180 percent year-on-year increase. And for those keen to split the bill — only 2.9 percent of restaurant transactions nationally involve a split, representing a 25 percent decline. That suggests fewer big group outings — or perhaps more of us have generous friends. Whether you're a tipper or not, check out our cheat sheet to the best restaurants and bars in Sydney or discover 20 top spots in Melbourne for a cheap eat.
You oughta know, Alanis Morissette is heading Down Under. The famed 90s singer will perform in Sydney and Melbourne as part of her world tour celebrating the 25th anniversary of her chart-topping 95 album Jagged Little Pill. So, get ready to sing along to 'Ironic', 'You Oughta Know' and 'All I Really Want' at Sydney's Qudos Bank Arena on Melbourne's Rod Laver Arena on April 11 and April 15, respectively. If you're keen and willing to make the trek to Byron Bay, you can also catch Morissette there for Bluesfest, where she'll be singing alongside the likes of Patti Smith, Dave Matthews Band, Crowded House and Lenny Kravitz. Back at her two stadium shows, the 90s icon will be supported by Australia's own Julia Stone. Stone has released two solo albums, with a third due out later this year, and four together with her brother Angus, including Down the Way, which won Album of the Year at the 2010 ARIA Awards. Morissette's own collection of music awards is hefty, and includes seven Grammys and 12 Juno Awards. While her 95 album Jagged Little Pill is the most critically acclaimed, the Canadian singer has released eight albums and is set to drop her highly anticipated ninth, Such Pretty Forks in the Road, in May. In the meantime, though, hype yourself up for the Aussie tour by belting out the following banger: https://www.youtube.com/watch?v=Jne9t8sHpUc ALANIS MORISSETTE 2020 AUSTRALIAN DATES Saturday, April 11 — Sydney, Qudos Bank Arena Wednesday, April 15 — Melbourne, Rod Laver Arena Alanis Morissette pre-sales begin at 2pm on Tuesday, February 4 with general sale kicking off at 10am on Friday, February 7 via livenation.com.
