No, this isn't The Onion or an ad for Portlandia. It may be the most hipster headline we've written for some time, but the news is interesting all the same. In 2002, New York-based artist Peter Coffin began a project called Music For Plants. Exploring the idea that plants can hear and respond to different types of sounds, he enlisted the help of a bunch of famous musicians and got to recording music in greenhouses all over the world. Twelve years later, he's released the relaxing, flower child goodness unto all of the internet and it's safe to say your Sunday listening has got significantly more chilled. With special compositions performed by Sonic Youth, Ariel Pink, Mice Parade, Yoko Ono, and members of Animal Collective, the two volumes Coffin has released via Soundcloud are surprisingly star-studded. Though you may find a couple of them familiar — Ariel Pink's offering 'Passing the Petal 2 U' also appeared on their 2007 EP Scared Famous — the general audience for most tracks has so far consisted of ferns and flowers. Of course, this is something you can deduct from the general meandering, floaty, chillwave style of both volumes. Most tracks are characterised by birds quietly chirping alongside delicate guitar picking, slow-paced melody and, one happy occasion, a vibraphone makes an appearance. One wouldn't usually pick Sonic Youth for such a collection, but their instrumental track 'Creepers and Climbers' fits in well; the perfect choice for the alternative pot plant among the bunch. Coffin has released both volumes online as publicity for his recent installation in New York. With the goal of recording a third volume, artists such as Kelela, Ryuichi Sakamoto, and Teengirl Fantasy are currently bunkered down in a gallery greenhouse serenading more lucky foliage. Though we fully realise you are not a plant of any kind, we still recommend listening to the volumes below if you're after a weekend chill session. For optimum enjoyment, we suggest listening to the music while basking in the sun or being lightly sprinkled with a Spring rain. Though the music has not yet been tested on human brains, we're secretly holding out hope that it will somehow make us slightly taller. Via Pitchfork and Dazed Digital.
Fans of The Handmaid's Tale have had to wait longer than expected for its fourth season, with the dystopian series' next batch of episodes among the many things that were postponed due to the pandemic. But, come April, that delay will come to an end — and if you're wondering what's in store, another tense trailer has just dropped. This is the third time that viewers have gleaned a sneak peek at the show's next season, after a first teaser last year and a second glimpse last month. And yes, June (Elisabeth Moss) is still battling against Gilead after season three's cliffhanger ending. In fact, after everything that the oppressive regime has done to her and her loved ones — and the ways in which it has changed life for women in general — she's firmly out for justice and revenge. The new season will kick off Down Under on Thursday, April 29, airing weekly on SBS and streaming episodes via SBS On Demand in Australia and Neon in New Zealand. Based on the three trailers so far, you can expect your anxiety levels to ramp up several notches while you're watching. Of course, viewing The Handmaid's Tale has never been a stress-free experience. Given its storyline, that was always going to be absolutely impossible. Fans will be seeing where the show's narrative heads for some time to come, too, with a fifth season of The Handmaid's Tale green-lit before the fourth even airs. Toppling a totalitarian society that's taken over the former United States, tearing down its oppression of women under the guise of 'traditional values', and fighting for freedom and equality doesn't happen quickly, after all. Neither does exploring the tale initially started in Margaret Atwood's 1985 book via an award-winning TV series. Check out the latest season four trailer below: The fourth season of The Handmaid's Tale will hit start airing in Australia and New Zealand on Thursday, April 29 — on SBS TV, and to stream via SBS On Demand and Neon, with new episodes arriving weekly.
When you're up for an out-of-town adventure, head south to Bulli. The rockpool dates back to the 1930s and sits against the cliff on the headland with sandy beaches to either side. Waves breaking against the wall of this 50-metre seawater pool make it feel like you're doing laps at the edge of the world. When you're all swum out, explore the gorgeous seaside town of Bulli. Historic buildings include the Bulli Heritage Hotel, established in 1889. It's now a vibrant live music venue that also does a top pub feed. Or, go from the pool to Bulli Beach Cafe for cocktails and fresh seafood with an ocean view. [caption id="attachment_795671" align="alignnone" width="1920"] Dee Kramer via Destination NSW[/caption] Images: Destination NSW
A fire has broken out at the historic Mosman Rowers on Centenary Drive, with the incident starting in the fireplace on the building's second level. Emergency services were called to the site earlier this morning, with large plumes of smoke seen coming from the three-level harbourside building. Fire and Rescue NSW reported that several crews and trucks were on-site and have since controlled the blaze. The fire was was contained to the second floor, the newly opened Archie Bear cafe. According to Mosman Rowers, all staff and customers were evacuated and have been accounted for. No injuries have been recorded. https://www.instagram.com/p/Bvxh6lFg3Nk/ Mosman Rowers is one of the oldest sports clubs in Sydney, and, after falling into disrepair, had reopened just last month under the Bird & Bear Group. The club announced via its Facebook page that the venue would remain closed until further. Mosman Rowers is located at 3 Centenary Drive, Mosman, and will remain closed until further notice. Image: Mosman Girl.
In its entire concept, Sydney Opera House's All About Women has always pushed girls, ladies and women to the front. So, when the venue announced that the next version of its key feminist festival would feature riot grrrl pioneers Bikini Kill, it couldn't have been a more perfect way to start its lineup. That in-conversation event is just the beginning of the event's 2023 program, however, with the just-announced complete bill also going big on high-profile guests — such as child actor-turned-I'm Glad My Mom Died author Jennette McCurdy and human rights barrister Jennifer Robinson. Former iCarly star McCurdy will chat through her experiences, including growing up in the spotlight, finding her independence and the events that led to her New York Times best-selling memoir, in an Australian-exclusive conversation. After successfully representing Amber Heard in Johnny Depp's UK libel case, Robinson will feature in a panel called 'The War on Women', about fighting for both rights and lives, alongside Egyptian American journalist Mona Eltahawy, Pakistani author and journalist Fatima Bhutto, and Mununjali Yugambeh and South Sea Islander Professor Chelsea Watego. [caption id="attachment_885156" align="alignnone" width="1920"] Jennifer Robinson by Kate Peters[/caption] Running from Saturday, March 11—Monday, March 13, All About Women's 2023 festival marks its 11th, and sees the event held across three days for the first time ever — growing again after it only just expanded to two days in 2022, in fact. And, in another significant change for this year, the event's lineup is guided by four festival co-curators. Doing the honours: author, podcast presenter and gender equality advocate Jamila Rizvi; Gamilaroi academic and Tell Me Again author Dr Amy Thunig; feminist social commentator, novelist and writer Jane Caro AM; and Sydney Opera House's Head of Talks and Ideas Chip Rolley. Their full program includes 25 events featuring 60-plus international and Australian artists, thinkers, and storytellers, starting with an evening of storytelling, poetry, dance and music for the fest's Opening Night Gala, hosted by Clare Bowditch and featuring actor Eryn Jean Norvill (The Picture of Dorian Gray), "mother of African contemporary dance" Germaine Acogny, Iranian Australian singer and instrumentalist Gelareh Pour, and Fatima Bhutto. And, it also spans Cult Classic author Sloane Crosley chatting about modern dating with journalist Maddison Connaughton — and a romance and reality TV-focused discussion between Bachelorette Brooke Blurton, Just The Gist podcaster Rosie Waterland, and Gamilaroi and Torres Strait Islander writer and actor Nakkiah Lui. [caption id="attachment_885157" align="alignnone" width="1920"] Brooke Blurton by Jarrad Seng[/caption] In a session about neurodivergence in women and gender-diverse people, 2021 Australian of the Year Grace Tame, Heartbreak High's Chloe Hayden, and research psychologist and activist Dr Jac den Houting will talk with Thunig — and a panel examining trying to achieve justice in sexual abuse claims, and the trauma the process can bring, will feature sexual assault law reform advocate Saxon Mullins, criminal lawyer Katrina Marson, Yorta Yorta woman and survivor advocate Amanda Morgan, and lawyer and author Bri Lee. Or, attendees can look forward to Middle Eastern and Islamic Studies scholar Kylie Moore-Gilbert hosting a session on the women-led revolution in Iran, as joined by Pour, scholar and poet Dr Saba Vasefi, and author and journalist Shokoofeh Azar; plus a panel about the body positivity movement's struggles to be genuinely inclusive, featuring Wadjanbarra Yidinji, Jirrbal and African-American former model Sasha Kutabah Sarago, body love activist and podcaster April Hélène-Horton aka The Bodzilla, fashion editor and queer rights activist Deni Todorovič, disability rights campaigner Elly Desmarchelier, and comedian and broadcaster Tanya Hennessy. [caption id="attachment_844646" align="alignnone" width="1920"] Jacquie Manning[/caption] The list goes on, covering Clementine Ford exploring the history of demonising single women, a session on women's activism through a First Nations lens, diving into starting a family in a modern world, unpacking gendered emotions, and turning Eltahawy's FEMINIST GIANT newsletter into a panel. The Girlboss movement, making tough decisions, the shame often imposed on women and girls, leading movements, a Bikini Kill gig: they all get their time in focus, too. Just like in 2022, the festival will host its sessions in-person for Sydneysiders, and will also live-stream to viewers both around Australia and worldwide — which is ace news if you live outside of the Harbour City. [caption id="attachment_874299" align="alignnone" width="1920"] Debi Del Grande[/caption] All About Women 2023 will take place from Saturday, March 11—Monday, March 13 at the Sydney Opera House, with tickets on sale from 12pm AEDT on Thursday, January 19. Head to the festival's website for further details. Top image: Jennette McCurdy by Brian Kimskey.
UPDATE Monday, September 27: Guns N' Roses Australian and New Zealand tour has been postponed to November and December 2022. You can find all the details at the Guns N' Roses website. "Stadium rock is back!" pronounces the tour poster for the newly announced Guns N' Roses tour of Australia and New Zealand. The tour, scheduled for November 2021, is the first international stadium tour announcement since the start of the COVID-19 pandemic. The eight-stop tour will hit Sydney, Melbourne, Brisbane, Gold Coast, Adelaide and Perth, as well as Wellington and Dunedin, between Saturday, November 6, 2021 and Wednesday, November 24, 2021. The idea of stadium shows doesn't feel too far fetched after the latest State of Origin match was played in front of a full crowd following the rolling back of event restrictions in Queensland. New Zealand stadiums are also back to full capacity and Sydney is hosting a pair COVID-safe stadium gigs on Saturday, November 28 and Saturday, December 5. The biggest challenge to the tour going ahead will be Australian borders, which remain shut with no clear indication of when they may reopen. It's been a while between drinks for Guns N' Roses fans, with the rock band last touring Australia in 2017 on the Not in This Lifetime tour, the first tour to see founding members Axel Rose, Slash and Duff McKagan all take the stage together in over a decade. Following the tour, the band left fans hanging with Slash tweeting that the band would be back Down Under soon. Three years on and fans are waiting for a November Rain singalong in a packed stadium. https://www.youtube.com/watch?v=8SbUC-UaAxE GUNS N' ROSES AUSTRALIA AND NEW ZEALAND TOUR DATES 2021 Gold Coast – Saturday, November 6, Metricon Stadium Adelaide – Tuesday, November 9, Adelaide Oval Melbourne – Thursday, November 11, Melbourne Cricket Ground Sydney – Sunday, November 14, ANZ Stadium Wellington – Friday, November 19, Sky Stadium Dunedin – Sunday, November 21, Forsyth Barr Stadium Perth – Wednesday, November 24, Optus Stadium Members of Guns N' Roses Nightrain Club will have access to pre-sale tickets on Monday, November 23 from gunsnroses.com. General public tickets are on sale on Thursday, November 26 from Ticketek Australia and New Zealand. Image: Raph_PH via Flickr
Spent too much time staring at your same old furniture this winter? Wish you were relaxing somewhere coastal? Digging the desert oasis vibe? Here's one solution to all of the above: Kmart's latest homewares range. The department store's furniture drops have picked up cult followings, perhaps even more so in these steep cost-of-living times. Taking its cues from sandy locales, the August 2023 collection will only fuel that trend. When it comes to decking out your house with impressive but affordable items, Kmart has been giving IKEA a run for its money in recent years. Indeed, if you're already a convert, you probably know just how popular the department store gets whenever it drops a new range — or, you've likely seen everyone else's Instagram snaps that prove it. The current collection arrives on Thursday, July 27 with a mix of neutral tones and bursts of colour, cues taken from seashell and palm silhouettes, a heap of contrasting textures, and even coastal- and desert-themed items for pets. Expect it to fly off the shelves as always. With prices starting at $1.75 — for dinnerware, should the contents of your kitchen cupboards need a revamp — the August Living range in Australian and New Zealand stores is also about mixing and matching trends and styles. Yes, you can deck out your place like it's the beach and somewhere peppered with cacti all at once. Yes, you can do just that without stretching your budget as well. Covering items for the living, bedroom, bathroom and dining room, Kmart's current drop spans everything from oh-so-soft throws and salted caramel-scented candles through to globe-shaped lamps, timber bathroom furniture and several options for four-legged friends. The next time that your cat gets the urge to sharpen their claws, as all felines do, don't get them scratching on any old post. Direct your mouser towards a cactus-shaped version. And when your dog wants to get comfy, perhaps they'll sleep more soundly on a lush green bed. For humans, towels, crockery, wavy glasses, palm-print cushions, forest-hued quilt covers and shell-shaped bath mats are just some of the other items featured. You know how they say that change is as good as a holiday? It isn't, obviously, but swapping your home decor to the kinds of items that you might find on a getaway to the sea or desert should help lift the vibe at least. The August living range goes on sale online, in-store and via Kmart's app from Thursday, July 27 while stocks last. Kmart's August Living range goes on sale in Australia and New Zealand online, in-store and via the brand's app from Thursday, July 27 while stocks last.
A couple with a secret invite another couple over for dinner. It’s a familiar premise. But unlike Edward Albee’s Who’s Afraid of Virginia Woolf, Mr Kolpert has considerably more laughs. And although there's plenty of colour in the set design, this play is pitch black on the spectrum of dark comedies. Fledgling company pantsguys have been racking up some success lately. We've had the stress-ridden sixth formers of Punk Rock and even more recently the melancholic family saga, On the Shore of the Wide World; however, Mr Kolpert, by German playwright David Gieselmann, offers an opportunity to loosen things up a bit. Under the charismatic direction of James Dalton, this play is a pretty wild ride. In a no-frills apartment, Sarah (Claire Lovering) and Ralf (Tim Reuben) are expecting guests. As they hurriedly tidy up, their conversation is strung together of half-sentences and unfinished thoughts. Then Ralf blurts out to visitors Edith (Paige Gardiner) and Bastion (Garth Holcombe) that they have murdered a co-worker. Though immediately palmed off as a joke, the question of the possibly deceased accountant, Mr Kolpert, keeps cropping up. It’s a wry party game that doesn’t quite feel like a game. Indeed, the tension of the play is built around the confusion between confession and elaborate practical joke. Lovering and Rueben are a good match as the would-be killers. They oscillate between cool and collected and outrageously over-the-top. Holcombe is wonderful as the prickly architect, Bastion, and Gardiner is simply hilarious as his co-operative wife, Edith. Brimming with faux innocence and gawkiness, she is magnetic even when not delivering lines. Both these characters have a psychotic edge and undergo something of a role reversal as the play unfolds.There’s also a pizza delivery guy (Edan Lacey) that gets sucked into the action, lending a deadpan humour. I wondered why Ralf and Sarah allow their secret to hover so close to the surface. But then, as thrill-seekers, it becomes apparent that each character is yearning to “feel something again”. And murky motives become less of a problem as the play spirals into a taboo-busting Tarantino-esque blood bath. It is fast-paced and truly unpredictable. When it comes to staging, Mr Kolpert feels like an ambitious project, but it's realised through some creative choices. The set is splattered with fluro paint, and there’s UV lights, smoke and bubbles. Taking the dinner party disaster genre to new levels, Mr Kolpert will keep you on your toes. Although the performances of Gardiner and Holcombe really stand out, the physical comedy is a collective effort and given the constraints of the space, it’s probably as fluid as it can be. In any case, this entertaining play is like being stuck inside an absurd practical joke that just won't end.
Easter is one holiday that can lose its sheen pretty quickly. Usually once your parents decree you're "too old" for Easter egg hunts. But with the four-day break and eating-centred celebrations (because you fasted for the last six weeks for Lent, right?), there's plenty to get excited for, particularly with the nearby Anzac Day turning this into a ten-day holiday for many.* While some venues shut, others turn on the charm. Only the best have made it into this list, our Ultimate Easter Weekend Itinerary. See you at the Fish Markets, Aqua Egg Hunt and hot cross bun burger queue. *Did you notice that we didn't say egg-cited? That took all of our effort. Friday 5am: Easter Feastival at Sydney Fish Market Sydney Fish Market is the place to be if you want some fresh Good Friday seafood. Expect lots of Easter-themed activities and prepare for massive crowds, as this is the market's busiest day of the year. Make your best fish face and tag it #seafoodieeaster. You'll be immortalised in a printed Polaroid available for pick up at SFM's Tag-n-Print box. Sydney Fish Market is open from 5am to 5pm on Good Friday. 1pm: Seafood lunch at The Bucket List It’s all well and good to kick back on the long weekend with a few well-earned brews, but getting home unscathed is always a priority. With this in mind, the helpful crew at The Bucket List in Bondi, a premium location to enjoy the Good Friday fish fest, are offering a courtesy car to five locations around Bondi, as well as the closest public transport hubs, operating all weekend. Ride on. Shuttle available all day. Drop off points include Seven Ways Bondi, North Bondi Bus Terminal, Bondi Junction Bus Terminal, Waverly Council, and the corner of Fletcher St and Bondi Rd. 6.30pm: Cruise around at Shipfaced Sydney is sorely lacking in places to drink on Good Friday. Luckily, a floating festival is there to fill the void, featuring two floors of music. Cruise around the harbour on a boat whilst sipping on cocktails and listening to some tunes. An array of DJs will be on deck to provide music, including Doctor Dru, Touch Sensitive and Triple J's Lewi McKirdy. Boat departs from King Street Wharf at 6.30pm. Buy tickets here. Saturday 8am: The Grounds of Alexandria Easter Market Come Saturday, the Grounds of Alexandria will be filled with fresh foods and handmade crafts galore. Gather ingredients for Sunday brunch and watch little people search for eggs. Enjoy the live music while waiting for your chance to pose for a photo with the resident Easter Bunny. 2 Huntley Street, Alexandria. The Easter Market is open Saturday through Monday from 8am to 3pm. 12pm: Easter chocolate shopping Head to Four Friends Coffee Chocolate & Tea in Crows Next to find some more unique Easter gifts — their chocolate bunnies are organic, and they do a wicked range of vegan chocolate made with all-natural ingredients and super foods like goji berries, sunflower seeds, and nuts. Or take a trip to Banksmeadow for the Haverick Meats Saturday Store and stock your fridge for weekend festivities. They'll be hosting pop-ups from Little General Olive Oil, Fine French Food and Infinity Bakery. 5/29 Holtermann Street, Crows Nest. Four Friends is open on Saturday from 9am to 5pm 2pm: Record Store Day As the music industry gradually moves online, it’s becoming more and more important to recognise and celebrate our local record shops — those guys that have the rare vinyls, the T-shirts and the posters physically in the shop. So, on the third Saturday of April, check out your local guy. Expect crazy specials, in store appearances and live music to accompany your browsing. At Mojo Record Bar, expect special releases, 'hidden' giveaways, a chance to win an oil painting, free play on the jukebox, drink specials and guest DJs. Everywhere they're lucky enough to have a record store. 6pm: See Mikelangelo for free at Shady Pines The Shady Pines Saloon will be getting extra dirtied up this Saturday night, when the dapper crooner, 'Bull of the Balkans' and sometime Amanda Palmer ally Mikelangelo takes to the stage with his perfectly sculpted quiff and rich baritone to soothe the soul. Not that Shady Pines normally lacks for atmosphere, but on this night it may be at its peak. As part of the 'Two-Faced Weekender', Mikelangelo will also appear at Frankie's on Sunday with band. 256 Crown Street. Show starts at 6pm. Sunday 4pm: Aqua Egg Hunt Who says Easter egg hunts are just for kids? Watsons Bay Boutique Hotel is hosting an egg hunt unlike any other on Easter Sunday, with their inaugural aqua egg hunt for children and kids at heart alike. Suit up in your best snorkelling gear to find eggs littered on the sandy floor of Watsons Bay and win prizes like free seafood platters or a weekend stay at the hotel. They've got a whole weekend of festivities happening; this is just the pinnacle. 1 Military Road, Watsons Bay. Egg hunt starts at 4pm 9pm: Strictly Vinyl at Cliff Dive As the UNDER Ctrl crew have so delicately put it, before everybody in the world became a DJ, DJs used to spin records. In a collaboration with music bloggers Stoney Roads, the guys behind Not Another Boat Party are bringing a night of disc jockeys spinning their real-life actual discs to Cliff Dive. 16 Oxford Square, Darlinghurst. Show starts at 9pm. 10.30pm: The Rhythm of the Night at GoodGod It’s a fact universally acknowledged that we all miss the '90s. The style, the tunes, everything. So, if you’ve got ten bucks, head to GoodGod on Sunday night, where they’ll be cranking the very best that the '90s had to offer the music world . Radical. 55 Liverpool Street, Chinatown. Show starts at 9pm Monday 12pm: Recovery Brunch at the Beresford Hotel So, the long weekend was rough. There were drinks on Sunday night, which is just plain crazy. The only logical conclusion is to head to the pub for a brunch and a beer, and revel in the fact that work doesn’t start until Tuesday. To cater for this, the Beresford is hosting a recovery brunch to cure what ails you, which is probably a hangover. 354 Bourke Street, Surry Hills from noon to 5pm. 1pm: Hot Cross Bun Burger Reuben Hills What better way to spend your Monday off than enjoying some good food? If you're still in the Easter spirit grab lunch at Reuben Hills and munch down on the too-good-to-be-true Bugs Burger. It's a beef burger served with pineapple and pickled zucchini. The crowning glory, however, is the fact that it's sandwiched between a hot cross bun, making for an experience that's both sweet and savoury. 61 Albion Street, Surry Hill. Open Mondays from 7am to 4pm By the Concrete Playground team.
2024's working year might've only just begun, but it's already time to book in a big overseas holiday. Put in that leave request ASAP. Block out your calendar. Bust out your suitcase, too, and make sure your passport is up to date. Your destination: the Empire Polo Club in Indio, California, because Coachella is back for 2024 with a characteristically impressive roster of acts. Mark Friday, April 12–Sunday, April 14 and Friday, April April 19–Sunday, April 21 in your diaries — including if you you're just keen to check out the livestream. (Remember, Coachella was livestreaming its sets long before the pandemic.) The full bill is a jaw-dropper, as usual, with Lana Del Rey headlining the Friday nights, Tyler, The Creator doing the Saturday nights and Doja Cat on Sunday nights. Also, the reunited No Doubt are on the bill, but without a set day so far. Also hitting the stage: a stacked array of acts that also spans everyone from Blur, Ice Spice, J Balvin and Peso Pluma to Sabrina Carpenter, Grimes, Lil Yachty and Flight Facilities. Whether you're after new tunes, the biggest music names right now or dripping nostalgia, it's on offer at Coachella 2024. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: View this post on Instagram A post shared by Coachella (@coachella) For music lovers planning to watch along from home, Coachella will once again team up with YouTube to livestream the festival. That's no longer such a novelty in these pandemic times but, given the calibre of Coachella's lineup, it's still a mighty fine way to spend a weekend. For those eager to attend in-person, you can signup for access to tickets over at the festival's website — with pre-sales starting at 11am PT on Friday, January 19 (aka 5am AEST/6am AEDT on Saturday, January 20). At the time of writing, the festival advises that best bet for passes is the second weekend. Coachella 2024 runs from Friday, April 12–Sunday, April 14 and Friday, April April 19–Sunday, April 21 at the Empire Polo Club in Indio, California. Find out more information and register for tickets at coachella.com — with pre-sales starting at 11am PT on Friday, January 19 (aka 5am AEST/6am AEDT on Saturday, January 20). Top image: Casey via Wikimedia Commons.
Suitcases at the ready, eager travellers: your dream Japanese getaway is back on. After two-and-a-half years of border restrictions due to COVID-19, the nation will fully reopen to individual international tourists from Tuesday, October 11 — and you won't need to book a package through a travel agency, or abide by the country's pandemic-era visa restrictions, to enjoy your holiday. Prime Minister Fumio Kishida announced the news on Thursday, September 22 US time during a trip to New York, The Japan Times and Nikkei Asia reported. "We are a nation that has flourished through the free flow of people, goods and capital," the Japanese Prime Minister advised at a press conference at the New York Stock Exchange, as per Reuters. "COVID-19, of course, interrupted all of these benefits, but from October 11 Japan will relax border control measures to be on par with the US, as well as resume visa-free travel and individual travel," he said. That means that visitors to Japan will be able to make their own travel arrangements — a huge change to the current rules, even though requirements were only altered recently. Until May, the country was closed to international tourists. Then, the Japanese government started trialling in letting strictly controlled package tours, including with Australian tourists. Next, in early June, it broadened those entry requirements to allow in visitors from a heap of nations under the same rules. And, since early September, it has permitted travellers, including from Down Under, to make the journey even when they aren't on guided tours, as long as they have organised their flights and accommodation through a travel agency. From October 11, dropping the visa requirement applies to visitors from nations that weren't required to obtain tourist visas before the pandemic — including from Australia and New Zealand. So, in several ways, heading to Japan will return to the pre-COVID-19 status quo. Japan is also ditching its daily cap on international arrivals, which is currently set at 50,000, on the same date. The timing is fantastic for Studio Ghibli fans eager to make a date with the animation house's upcoming theme park — which opens on Tuesday, November 1. Desperate to hit up a Super Nintendo theme park, too? Always wanted to walk across Shibuya's famous scramble crossing? Keen to sing karaoke in a ferris wheel — or simply eat and drink your way around all the ramen joints and izakayas possible? This is supremely welcome news for you as well. Japan's new border rules will come into effect on Tuesday, October 11. For further details about visiting Japan and its border restrictions, head to the Government of Japan website. Via The Japan Times / Nikkei Asia / Reuters.
Have you ever wanted to send something suggestive in the mail, but thought a bag of penis-shaped gummy lollies was just a little too on the nose? In that case, we might have just the service for you. Inspired by everybody's (apparently) favourite vegetable emoji, Eggplants Express lets users mail an eggplant to anywhere in the country. You can send it anonymously, or with a personalised greeting scrawled right onto the aubergine itself. "It's real," founder Anthony Daniel tells Concrete Playground, when we call to inquire whether the whole thing is a sham. Apparently he had the idea after forgetting to arrange a gift for his girlfriend on their anniversary. "I didn't want it to be flowers again," explains Daniel. "We always joke about the eggplant emoji, which is how I came up with the idea of an anonymous eggplant." How, uh, romantic? Asked who he saw as the target audience for his service (which is very similar to Eggplant Mail in the US), Daniel admits it's probably best suited to folks who are in on the joke. "It's for people that understand the emoji," he says. "If I sent it to my father, he probably wouldn't get it." He also asks that you refrain from using their service to harass people (come to think of it, having an eggplant show up on your doorstep does seem vaguely ominous). Although Daniel sources his produce fresh from Sydney Markets in Flemington, a disclaimer on the website warns against actually eating them. Which brings up the bigger issue of food waste — is the joke worth wasting a fine bounty of perfectly-edible eggplants? We're not so sure. If we're going to receive an eggplant in the mail, we at least want to be able to eat it for dinner. For more information visit eggplantsexpress.com.au. Image: Lufa Farms via Wikimedia Commons.
Just when you finally upgraded to the Spotify premium package, Apple announces they're bringing iTunes Radio to Australia. In its first international release after a wildly successful run in the US, this goliath music streaming platform is throwing its hat in the ring against already popular services such as Pandora and Spotify. Boasting a wealth of scientific algorithms to curate personalised listening streams, Apple are basically asking you to, please, for the love of God, start using your iTunes again. The main drawcard Apple has here is its huge catalogue. No longer will the infuriating words 'artist not found' pop up under your search bar; iTunes has pretty much everyone on board. There are over 100 stations programmed including both basic genre offerings ('Dance Radio', 'Pop Hits Radio') as well as specific artist streams (the universal: 'Beatles Radio', the good: 'Yeah Yeah Yeahs Radio', and the meh: 'Bruno Mars Radio'). But, as Apple said in a statement yesterday, "The more you use iTunes Radio and iTunes, the more it knows what you like to listen to and the more personalised your experience becomes." That being said, the service still doesn't have the capacity for music on-demand that Spotify offers. Once you skip tracks, iTunes will take note and avoid that genre of music, but ultimately playlists are curated for you according to what's already in your music library. Like its competitors, the service is free with interspliced ads between tracks, with the option of upgrading. An annual subscription will set you back $34.99, as compared to $39 with Pandora or $11.99 per month with Spotify (although that also includes the capability to download music and listen offline). Also, you can guarantee that every track you listen to will have that guilt-inducing 'buy' button hovering right next to it. While many will stick to their current platforms, it's comforting to see a major player like Apple get on board with such services. At the very least, it's an acknowledgement that our listening habits have changed — a step in the right direction for an industry that's been failing for far too long. iTunes Radio was made available to Australians on February 11. You can access it via your iTunes account.
Most years, the arrival of winter heralds more than just colder weather for Sydney's cinephiles. When June hits, so too does the Sydney Film Festival, unleashing hundreds of movies upon the city's cinemas. By now, we all well and truly know that little has been normal about the past 12 months, so SFF has been adjusting with the times. In 2020, it cancelled its physical event completely, opting for a virtual-only festival instead. This year, it's planning to come back as an in-person fest; however, it'll be doing so a bit later than normal. Movie buffs, you'd best block out the last couple of weeks of August in your diary, because that's when SFF will be starting up the projectors. The 2021 event will now take place from Wednesday, August 18–Sunday, August 29, so you'll be ending winter by running between cinemas and watching as many films as you can, rather than beginning it that way. While Sydney's COVID-19 case numbers have remained under control for the past month or so — on Sunday, February 14, New South Wales marked 28 consecutive days without any locally acquired cases, in fact — that hasn't been the situation overseas. Accordingly, it's hardly business as usual at big international festivals such as Berlinale and Cannes. After completely cancelling last year, the latter has postponed its 2021 dates from May to July. SFF typically programs a number of brand new titles straight from Cannes, so moving to the end of August allows it to keep accessing the kind of big-name flicks that'll premiere at the French event. If you're the type of cinephile who pays attention to Australia's nationwide festival scene — and travels interstate to keep getting your movie fix — you might've noticed that SFF's new dates overlap with the Melbourne International Film Festival's regular August timing. MIFF also hopped online in 2020, and has announced August 5–22 as its 2021 dates. Whether that'll change, or if diehard film fans will find themselves picking which fest to attend (or zipping from one to the other), is obviously yet to be seen. The 2021 Sydney Film Festival is now scheduled to take place from Wednesday, August 18–Sunday, August 29. For further details, head to the festival's website.
Nestled up a set of stairs overlooking Surry Hills' Bourke Street, you'll now find the light-filled hair studio that's home to Marc & Maxwell. It's the work of internationally trained duo Sabrina Maxwell and Marc Armstrong, who together boast over three decades of senior salon experience as colourists and stylists. The boutique salon offers the full spectrum of cutting, blow-drying, colouring and treatment services, with cuts for women starting from $120 and for men from $95 — each including a full personalised consultation. Touches of polished concrete and exposed brick lend an urban chic feel, and soaring French windows offer the sort of natural light and leafy outlook you might expect if you were sitting in a treehouse. Here, you're invited to reconnect with your best self (and your best-ever hair), in a setting that's stylish, yet relaxed and unfussy. [caption id="attachment_816058" align="alignnone" width="1920"] Owners Sabrina Maxwell and Marc Armstrong.[/caption]
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your text trip. In this instalment, we take you to Queensland's very own Mount Cotton, where Sanctuary by Sirromet have set up a series of accommodations right by their own vineyard. WHAT'S SO SPECIAL? Stay at a rural winery in your own glamping 'tent' surrounded by Australian wildlife. You'll spend your days exploring the area with a full glass of wine in hand. THE ROOMS Sanctuary by Sirromet has a few accommodation options – with the tented pavilions being some of their best. Each of the pavilions looks over the large lagoon surrounded in gum trees, with wild wallabies roaming its banks. It's a proper Australiana paradise. The rooms are all open plan, where the bedroom and lounge lead onto a private deck. Grab a few bottles from the winery and really relax up here. Bathrooms are also more hotel than tent with proper tiled walls and modern plumbing that is nothing like the campsite drop toilets you might have encountered on previous adventures. You won't be roughing it here. You're connected to nature (helped with large windows on all sides of the pavilion) without losing any of your creature comforts. FOOD AND DRINK You're also spoilt for choice when it comes to food and drink options. First off, you're on a winery – so you'll have to do a cheeky wine tasting or two. And be sure to add a behind-the-scenes tour to see how the Sirromet Winery team creates their award-winning Granite Belt wines. There are also three separate restaurants at Sanctuary by Sirromet. The Cellar Door is your casual light lunch spot and Lurleen's opens for special events (weddings and big birthday bashes). Thirdly, the Tuscan Terrace restaurant is something altogether flashier. Spend a long afternoon on the 75-metre timber deck or under the shade of the fig trees, eating great Italian dishes paired with emerging Italian wines as the Moreton Bay sea breeze rushes through the property. But that ain't all. These guys even make up special picnic hampers for those wanting to find their own hidden paradise on the grounds — we highly recommend the lavender-covered paddock . Just watch out for the wallabies! THE LOCAL AREA When staying here, you'll feel as if you're in the middle of nowhere – but you're actually not far from Brisbane. Either head into Brisbane to experience everything this northern Australian city has to offer or run away to even more remote parts of the area. Take a chopper or ferry over to Moreton Island and North Stradbroke Island, the second and third largest sand islands in the world – where you can even feed wild dolphins. The stunning beaches, snorkelling spots and native wildlife all make these destinations two of Australia's best islands to visit. Don't miss them while you're in the region. [caption id="attachment_869501" align="alignnone" width="1920"] Tourism Australia[/caption] THE EXTRAS This winery offers over 10 different wine tasting experiences. Just pick your fave and let the wine experts do the rest. You can take an in-depth tour and learn a little about their wine making process or just spend the whole day trying different varieties of local and imported wines, while snacking on cheese and charcuterie boards. You can even schedule your trip around one of their live music events. They host a series of large and small gigs on their grounds throughout the year. If you are super keen to get away and ready to book a winery getaway now, we have worked with Sanctuary by Sirromet to create the ultimate glamping experience (including a few nights stay, sunset dinner and bottles on bottles of complimentary wine). Feeling inspired to book a getaway unlike anything else out there? Only through Concrete Playground Trips, our new travel booking platform, can you now purchase holidays specially curated by our writers and editors. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips at destinations all over the world.
In Frances Ha, Greta Gerwig became the on-screen embodiment of a predicament most twenty-somethings can relate to: knowing what you don't want out of life, rather than what you do. In Mistress America, she offered a different side of failing to achieve your dreams, this time from a slightly older perspective. Now, in Maggie's Plan, she grapples with the fact that you can't control everything, no matter how hard you try. Consider it the next phase in her ongoing examination of the idiosyncrasies of quarter-life malaise. Written and directed by Rebecca Miller (The Private Lives of Pippa Lee) based on an unpublished novel by Karen Rinaldi, the film explores two schemes hatched by the eponymous Maggie (Gerwig), a college careers advisor whose life is...well...a bit of a mess. When the film opens, she's telling her married best pal Tony (Bill Hader) about her intention to become a mother using sperm donated by their high school classmate turned pickle entrepreneur Guy (Travis Fimmel). Cut forward three years and she instead has a daughter with John (Ethan Hawke), an anthropology professor and aspiring novelist who's struggling to cut ties with his imposing ex-wife Georgette (Julianne Moore). Although it may certainly sound like one, to simply call Maggie's Plan a romantic comedy doesn't quite do the film justice. While the situations the characters find themselves in are by no means unique, there's a level of intricacy to all the major players that ensures Miller's screenplay feels as authentic as it does amusing. When Maggie tries to muster a polite response to Guy's offer to help her get pregnant "the old-fashioned way", for example, her awkwardness feels ripped from reality. That's the gift that both Gerwig and Miller bring — an understanding of how to convey life's ups and downs in a way that's equally playful and relatable. The two prove as an apt a pair as Gerwig and Frances Ha filmmaker Noah Baumbach, — yet they're not the feature's only standouts. Adopting a severe Danish accent that she takes time to settle into, Moore proves both hilarious and surprisingly sympathetic. Of course, with its jaunty jazz score and New York setting, Maggie's Plan can't escape the shadow of other, similar films gone by. It's not only Baumbach that springs to mind, but Woody Allen — though any resemblance is likely by design. Miller has crafted a movie knowingly comprised of familiar parts, but cleverly filled with astute reflections that tell the tale from a fresh perspective. https://www.youtube.com/watch?v=nAoEoWrOe8g
Ippudo, the beloved international Japanese ramen chain, has opened a new Sydney restaurant in World Square. World Square will sit alongside Ippudo's other noodle-slinging outputs in Sydney's CBD, Circular Quay, Chippendale and North Ryde. The latest Ippudo restaurant, like all 277 locations worldwide, is made to resemble both an izakaya (Japanese-style pub) and a traditional ramen house. It's been the same since Ippudo opened its first ramen joint in Japan in 1985. Its famous bowls of ramen take centre stage — the classic shiromaru ($19), a Hakata-style ramen with juicy pork loin, crunchy bean sprouts and silky black mushrooms is the speciality that put Ippudo on the map — but there are stacks of a la carte dishes designed to be eaten like tapas too. Grab some beers, wine or sake after work (or during a long boozy lunch) and nosh on a bunch of Japanese classics that are made for sharing. First off, there are the bao buns ($6.50) — fluffy clouds of dough filled with either fried chicken, prawn katsu, BBQ pork or braised pork. Get a bunch of these for the table and add a few gyoza ($11) and Takoyaki octopus balls ($10) for good measure. Ippudo is one of our favourite ramen houses in Sydney, so we are stoked to see yet another spot open up in World Square. Tuck a napkin into your shirt and slurp up these ramen noodles with great abandon. Images: Leigh Griffiths
Tim Minchin's “wee secret” is out of the bag. Yesterday, he confessed via blog that a stage production of Groundhog Day is in progress. Yes, Groundhog Day. As in the 1993 classic film written by Danny Rubin, directed by Harold Ramis and synonymous with actor Bill Murray, who plays a grumpy, self-centred weatherman doomed to live the same day over and over. And over. With Minchin on board, it’s bound to be a musical affair. He’s conjuring up the songs and lyrics, Rubin is writing the book and Matthew Warchus is in the director’s chair. Rather than producing a carbon copy of the film, they’re going to do it their own way. “It would be impossible to try to translate the style and tone of the movie to stage," Minchin writes, "and even if it were possible, it wouldn't interest me." We can expect a work that’s “both instantly recognisable and utterly different”. He’s planning on introducing elements of darkness and complexity whilst maintaining the film’s joy, comedy and romance. Five or so years ago, Stephen Sondheim was toying with Groundhog Day’s theatrical potential. He’s since shelved the idea but has expressed full support for Minchin et al’s ambition. Minchin and Warchus have previously proven themselves as a winning team. Since 2010, their musical Matilda has sold out London’s West End and New York’s Broadway, picking up a Grammy nomination and Tony Awards along the way.
If there's ever been a reason to jump out of bed early on a Saturday morning (or stay up until daybreak after a big night out), it's seeing cosmic history made before your very eyes. The longest lunar eclipse of the 21st century delivered just that when it put on its sky-high show from 3.14am AEST — with the partial eclipse starting at 4.24am, the total eclipse at 5.30am and maximum eclipse occurring at 6.21am. For anyone that missed the event — and the news in the lead-up — this lengthy event lasted 103 minutes in the total eclipse phase, a duration that won't be seen again until the 2100s. It was also the last total lunar eclipse of any length that is visible from Australia again until May 2021. And, thanks to sunlight that was filtered and refracted by the earth's atmosphere, the moon also turned a blood-red share as well. So, in addition to spying a total lunar eclipse and a full moon, sky-gazers also saw a blood moon as well. Last but by no means least, Mars was also seen twinkling in the sky right next to the moon, with the planet at its closest position to earth in 15 years. As always, social media is packed full of stellar photo from those who saw and snapped the astronomical event — so whether you saw it with your own eyes or blissfully slept through it, here are some of the best shots of the lunar eclipse from around the planet. https://www.instagram.com/p/Blv7VuFHds_/?taken-by=seathebreezee https://www.instagram.com/p/Blv6W6klmLn/?taken-by=bodrumlayasa https://www.instagram.com/p/BlwBF0PHUUk/?taken-by=dorpell https://www.instagram.com/p/BlwBAQRlHpR/?taken-by=imikov https://www.instagram.com/p/BlwFT2cntgc/?tagged=lunareclipse2018 https://www.instagram.com/p/Blv4yWnBsC7/?taken-by=daves_snippets https://www.instagram.com/p/Blv2RLhnqqB/?taken-by=evrensongun https://www.instagram.com/p/BlwEgD1H6jO/?taken-by=matthias.hangst https://www.instagram.com/p/BlwHTeTn207/?taken-by=mel_weber_photography https://www.instagram.com/p/BlwFhjXH5K1/?taken-by=milkyway_scientists
When Sydney's first Harry Potter-themed boozy brunches were announced, the city couldn't say "accio butterbeer" fast enough, with the first two stints selling out quickly. Due to massive muggle demand, a third round of feasts is now occurring on July 21 and 22 — across four sessions, spanning both brunch and dinner. Camperdown's MacLaurin Hall is the location that'll be turned into the Great Hall for the occasion, complete with an enchanted meal (Pixie Puffs, please), bottomless butterbeer (obviously), 'magic' potions (aka cocktails, we're assuming) and other wizard-themed beverages. There'll also be quidditch, a couple of sorting ceremonies and wand lessons — and Harry Potter characters mingling with attendees, if that's your idea of some perfect HP fun. Tickets are currently on sale, but they're not likely to stay that way for long, even though you'll need a bag full of galleons to head along. At $231 per head, you'll be hoping for a Yule Ball-type experience. Find more information about The Wizard's Brunch here. Tickets for the July 21 and 22 Sydney events are currently on sale.
Forget taking the hobbits to Isengard. In March 2023, Airbnb wants to take you to Hobbiton instead. In news that's better than second breakfast, more precious than a certain glimmering piece of jewellery, and worth journeying there and back again for, you can live your best Lord of the Rings-loving life on the New Zealand sets where the original LOTR film trilogy and The Hobbit movies were shot — and slumber like one of Middle-earth's shortest residents on the very property as well. You shall pass — and enjoy the enchanting place's first-ever overnight stays — but only if you're lucky enough to score an Airbnb booking. 2022 marks a decade since the first of The Hobbit flicks, An Unexpected Journey, hit cinemas, if you're wondering why the accommodation-sharing platform is now offering the one vacation to rule them all. Actually, there are three different two-night stays available, all in 2023: from March 2–4, March 9–11, and March 16–18. To nab one, you'll have to try to make a booking at 8am AEDT / 7am AEST / 10am NZDT on Wednesday, December 14 via the Airbnb website. And, you'll need to pay the hobbit-sized fee of AU$10 per night, to further pay tribute to The Hobbit films' tenth anniversary. This once-in-a-lifetime stay will take you and up to three friends to the set, which includes both Hobbiton and The Shire, that helped make such entrancing movie magic in Peter Jackson's flicks. That means you'll be trekking to New Zealand's Waikato region, and to a 2500-acre working farm owned by Russell Alexander. Seeing why the iconic director and his crew realised it had to be their on-screen backdrop instantly comes with the territory. While walking in Bilbo Baggins' footsteps, you'll score a private tour of the Hobbiton Movie Set's 44 hobbit holes, The Millhouse and The Green Dragon Inn, as well as a range of other sites inspired by JRR Tolkien's books. Get ready to spend a heap of time in those locations, too, courtesy of your own personal hobbit hole, a writing nook at The Millhouse, and an evening banquet at The Green Dragon Inn complete with beef and ale stew, whole roast chickens, freshly baked breads and plenty of ale. And yes, second breakfast and elevenses will be served each day. "For more than two decades, we've welcomed millions of passionate fans to Hobbiton Movie Set, but never before has anyone had the opportunity to spend a night in Middle-earth," said Alexander said, announcing the stay. "I am delighted to share the beauty of my family's farm and pleased to be hosting this iconic location on Airbnb for fans from around the world." One big caveat: while the stay itself will only cost you AU$10 per night, you will be responsible for your transport to and from Auckland, flights and all. From there, a round-trip drive to the set is included, covering the two-hour journey between the airport and Hobbiton. Also, whether you're a hobbit, elf, wizard or Sauron — ideally not the latter — you'll need to have a verified Airbnb profile, a history of positive reviews and be aged over 18. Hobbiton joins Airbnb's growing list of movie and TV-inspired getaways, including the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage just in 2022 alone. For more information about the Hobbiton listing on Airbnb, or to apply to book at 8am AEDT / 7am AEST / 10am NZDT on Wednesday, December 14, head to the Airbnb website. Images: Larnie Nicolson.
For a lot of us, 2020 so far has involved a whole heap less travel than we'd usually like. With devastating bushfires raging across the country, many had to forego our annual summer trips and stay at home. Then, COVID-19 hit Australia, resulting in nationwide restrictions on travel. To say we have a bit of wanderlust would be an understatement. Last week, on. Friday, May 8, the Australian Government announced its three-step roadmap out of COVID-19 lockdown, with talks of interstate and possibly trans-Tasman travel happening before the end of July. Finally, we can start thinking about leaving our four walls and dreaming of our next trip away. While we can't jet off to Europe or make our way through Southeast Asia yet, we'll soon be able to explore our own backyard — from its pristine coastline, lush bushland, snowy mountains and expansive plains. And, to help inspire your post-iso plans, Tourism Australia is launching an online program of virtual travel experiences and entertainment. Best of all, it's completely free. Dubbed Live from Aus, the program will run from Saturday, May 16 to Sunday, May 17 via its YouTube channel and Facebook page. It'll feature everything from Phillip Island's penguins to underwater reef tours at the Great Barrier Reef, music by First Nations artists with Uluru as its backdrop, Mona's Spectra light show, an Australian wine tour with Adelaide Hills' Unico Zelo, a cheesemaking session with Jo Barrett and Matt Stone, and sunrise yoga at Byron Bay. All up, expect a taste for Australia's natural beauty, food, music, wildlife and culture. [caption id="attachment_769947" align="alignnone" width="1920"] Sunrise Yoga with Elements of Byron Bay, courtesy of Tourism Australia[/caption] Other highlights include a disco party with The Wiggles, an exploration of Indigenous Australian ingredients with famed chef and MasterChef Australia judge Jock Zonfrillo, tours of Australia's greatest golf greens, pub trivia, a coffee making tutorial with Ona Coffee, a tour of Kangaroo Island, a night at the Opera House and Dreamtime stories with Darren 'Capes' Capewell. You can check out the full program and times here. Live from Aus will kick off at 7am AEST on Saturday, May 16 till Sunday, May 17. You can tune in for free via Facebook or its website. Images: Underwater Reef Tour at the Great Barrier Reef, Uluru Sunset Session with First Nations music curated by Sounds Australia, Penguin Parade Bedtime Stories from Phillip Island and Kangaroo Island Tour with Craig Wickham — all courtesy of Tourism Australia.
A museum celebrating the LGBTQIA+ community and educating visitors on the community's history is set to open in Sydney, after being granted nearly $300,000 worth of funding from the City of Sydney. The announcement came from the city council and Lord Mayor Clover Moore on International Day Against Homophobia, Biphobia, Intersexism and Transphobia. The proposed museum will be set up on Oxford Street by local not-for-profit Qtopia Sydney, an organisation designed to empower and support the LGBTQIA+ community. Led by Patrons The Hon Michael Kirby AC CMG and Ita Buttrose AC OBE, the organisation promises to showcase exhibitions on the AIDS/HIV pandemic, marriage equality, the different communities that LGBTQIA+ represents, how the queer community has shaped society and celebrate storytellers in the queer community. "Qtopia Sydney's proposed museum aims to provide a safe and inclusive space for the public to celebrate, remember and learn more about the rich history of Sydney's LGBTIQA+ community," City of Sydney Lord Mayor Clover Moore said. The City of Sydney funding comes in the lead-up to WorldPride 2023 which is set be held in Sydney next year. Last month, the city council announced five priority areas it would be working on to celebrate the LGBTQIA+ community and protect its history as the global event approaches. [caption id="attachment_828652" align="alignnone" width="1920"] Sydney Gay and Lesbian Mardi Gras 2021[/caption] The five-part innovation includes recognising historic places, increasing queer communities' visibility, sustaining Oxford Street, ensuring support programs and safe spaces, and increasing LGBTQIA+ cultural places like this museum. "We are ready to stand as a proud, new, celebratory, amazing museum, ready to welcome the world for WorldPride 2023, and the community before and after," Qtopia Sydney CEO Greg Fisher said. "We're ready to succeed and to be a meaningful part of Council's important Oxford Street precinct rejuvenation initiative." WorldPride 2023 will feature over 200 events ranging from arts and theatre through to sport and parties on top of Sydney's existing annual Gay and Lesbian Mardi Gras festival. WorldPride 2023 will take place from Friday, February 17 until Sunday, March 5 2023. You can stay up to date with the LGBTQIA+ museum at Qtopia Sydney's website.
UPDATE: July 13, 2020: The Goldfinch is available to stream via Netflix, Foxtel Now, Google Play, YouTube and iTunes. A best-selling, Pulitzer Prize-winning novel. A filmmaker fresh from directing another literary adaptation to three Oscar nominations. A cast of high-profile faces spanning Nicole Kidman, Jeffrey Wright (Westworld), Finn Wolfhard (Stranger Things) and Ansel Elgort (Baby Driver). Regardless of whether screenwriter Peter Straughan counts as a strength or a weakness — he scripted the excellent recent version of Tinker Tailor Soldier Spy, but was also responsible for the horrendous The Snowman — The Goldfinch definitely doesn't lack in pedigree. Alas, as based on Donna Tartt's 2013 book and directed by John Crowley (Brooklyn), the result is a curious film. It's easy to see how this neo-Dickensian coming-of-age tale about a traumatised teen, an explosion, a stolen painting and the chaos that follows could enthral on the page; however it's just as easy to remain distanced from it on the big screen. When viewers first meet Theo Decker (Elgort), he's a suave, drug-addicted twentysomething in Amsterdam. How he got there, why he's so stressed and strung out, and why he's muttering about an artwork called The Goldfinch are all soon relayed via flashbacks. At the age of 13, Theo (Oakes Fegley, Pete's Dragon) visits the Metropolitan Museum of Art with his mother, survives a bombing that claims her life, and leaves with a ring he's asked to return to an antiques dealer (Wright) — as well as the famed 1654 piece by Carel Fabritius that gives the movie its name. When he's happily bunking down with the wealthy family of one of his private school classmates, and hoping that their matriarch (Nicole Kidman) will adopt him, Theo hides the stolen painting. As he's struggling through a strained Las Vegas reunion with his compulsive gambler dad (Luke Wilson) and bartender girlfriend (Sarah Paulson), the portrait haunts him. And, after he's all grown up, back in New York and trading in antiques himself, the picture remains out of sight but never out of Theo's mind. While The Goldfinch takes its moniker from the beloved masterpiece and tasks its protagonist with fixating on it, the priceless artwork means more here as a symbol than as an object. A knowledge of art history will help audience members, but the film does eventually explain the painting's fascinating background, its parallels with Theo's journey, and why it represents the enduring nature of beauty in shaping both individual and collective memories. That said, on a narrative level, the piece is hardly crucial — especially given the hectic wave of unlikely events that keep befalling Theo both as an adolescent and as an adult. Indeed, as their lead character befriends a rebellious Ukrainian (Wolfhard), obsesses over a flame-haired fellow survivor (Ashley Cummings), reignites old acquaintances and gets immersed in shady dealings on opposite sides of the world, Crowley and Straughan can't be accused of skimping on plot. Story-wise, there's rarely an empty moment. What the feature lacks, however, is the space to truly value anything of importance — and space to appreciate why its namesake is so emotionally and thematically pivotal. Much of The Goldfinch's troubles stem from its on-screen structure, which, ditching the novel's linear timeline, flits back and forth between the younger and older Theo. While it's an expressive choice, designed to convey the adrift and uncertain inner state plaguing its central figure, it largely plays as needlessly convoluted. As a result, the movie feels simultaneously laborious, rushed and distracted across its 2.5-hour running time — like it's packing as much as possible onto its large canvas in a purposeful, painstaking way, then devoting its time to watching paint dry rather than soaking in the details. In the film's visuals and performances, there's still something to relish. It helps immensely that The Goldfinch has enlisted one of the best cinematographers in the business, with Roger Deakins as talented at making his peach and gold-tinted frames resemble great art as he was at navigating a neon-hued futuristic world (and winning an Academy Award, too) in Blade Runner 2049. Fine-tuned portrayals by Kidman, Wright and Fegley also assist, although Elgort comes across as opaque rather than conflicted, Wolfhard is blighted by his cartoonish accent, and Wilson and Paulson seem like they've stepped in from another movie entirely. What ultimately lingers, though, is an unfortunate comparison. It's an obvious one, as happens whenever a movie calls attention to a far superior work, and it doesn't serve Crowley's film well. It never escapes attention that Fabritius' painting depicts a creature capable of flying high, but firmly stuck in place — a feat that, despite seemingly boasting all the right elements, The Goldfinch mirrors in all the wrong ways. https://www.youtube.com/watch?v=f_nRqgk1HgM
MCA's tradition of after-hours schmoozing with art, music and glass of wine in hand, ARTBAR, is back for another year. They're always a fun way to spend a Friday night, thanks to the rotating cast of curators who continuously find fresh, eclectic ways for audiences to interact with what's on show. Artist Tom Polo fills the January 30 edition with an evening promising all manner of jokes, gags and lols — including a TV Tunes Dance-Off and stand-up from Dayne Rathbone. As a visual comedian of sorts, Polo's work frequently draws from vignettes of the everyday, whether its collaging hilarious tidbits from eavesdropped public transport exchanges or his paintings of abstract portraiture. Speaking of portraits, for an extra $10, visitors can also view MCA's latest exhibition on American painter Chuck Close.
Set within the walls of the old Sebel Townhouse — once the beating heart of Australia's music industry — Divino Osteria brings a slice of homely Italian charm to Elizabeth Bay. Owner Anthony Alafaci has reimagined the storied space as a welcoming neighbourhood eatery that's all about warm, attentive service and traditional southern Italian flavours. Sicilian-born Head Chef Andrea Di Stefano has crafted a menu that showcases honest, home-style recipes prepared with finesse. Expect handmade pasta, stone-baked pizza from a hand-built brick oven, oversized ravioli filled with wagyu sirloin, and slow-cooked sauces that carry generations of flavour. Dishes like the signature costoletta d'agnello (a herb-crusted lamb cutlet with beetroot puree and potato terrine) speak to a chef who isn't afraid to break from tradition. To drink, you'll find a thoughtful list of sustainable wines from Italy, Australia, France and New Zealand. The cocktail list mirrors the food menu in that you'll find both traditional classics, like limoncello spritz, alongside reimagined classics, like the Aperol margarita or the mango-infused amaretto sour. Whether you're coming in for a slow Sunday lunch or a lively midweek dinner, Divino Osteria welcomes you to enjoy good food and good company, the southern Italian way. Images: Guy Davies.
American singer-songwriter Tom Krell (aka How to Dress Well) once described his sound as a convergence of Mariah Carey and Elliott Smith. It's that juncture of emo-acoustic and twinkly sentimental balladry that's led to Krell's music being labelled as 'lo-fi R&B'. Certainly in his older records, that came through. But with 2014 album "What is This Heart?" Krell's moving away from those early roots, towards something more musically diverse. (That said, the chorus of 'Precious Love' is decisively reminiscent of an early '00s R&B ballad, and it's great.) Krell picked his stage name semi-randomly from the spine of an old book he bought from a used bookstore ten years ago — justifying it by pointing out that we don't generally choose our names. True. That preoccupation with the uber real is reflected in his music. His lyrics are at times so personal they're almost uncomfortable, but then he turns it all weirdly in on itself with alien synth sounds and a falsetto that's painfully otherworldly — like, as one YouTube commenter put it so aptly, the ghosts of dead R&B singers come back to sing in empty bathroom stalls. Take this cover of Janet Jackson's 'Again'. Without a ukulele in sight, it's a refreshing antidote to the tired trend of white singers doing twee covers of the work of black musicians. We caught up with the super well-articulated, notoriously candid Krell ahead of his appearance at Sydney Festival, Melbourne's Sugar Mountain Festival and Brisbane's Australia Day Eve at the Brightside to chat about his newest album, the nature of quotation, embracing your influences, and creating intense, muscular live shows that are all about presence. Earlier this year you released your newest album, "What is This Heart?" which you recorded in Berlin with Rodaidh McDonald. What was the recording process like? It was cool. I came in with what could have been a finished record and then Rodaidh really helped me go through it. I'd have a guitar recorded and he would ask me, "What do you want this guitar to sound like?" and I'd say, "I want it to sound really close to the strings, and really raw-sounding." We'd re-record it and he'd help me dial in the details of the details. He's a really helpful engineer. [embed]https://www.youtube.com/watch?v=IwRr2YyQD80[/embed] Making this album, were you influenced by anything in particular? How do you deal with your influences? A million things. For every song there's a whole handful of influences. I really do live through my influences. A lot of people I know write, and then listen to music separately. When they're writing they want to have this control, they worry that what they're making sounds too much like something else. I kind of have the opposite approach. While I'm working, if I hit on something that sounds like something else, I'll go listen to the song and try to figure out what it was in that song that so moved me that it snuck its way into my creative process. A lot of people have anxiety over influence, but I just really find it super inspiring. Let's talk about the title, "What is This Heart?". It's in quotation marks — what effect do they have for you? Quotation is a weird thing. On the one hand, it's about attributing something to someone. It's illegal to misquote someone because we really care, for some reason, about the things we say when they're in quotes. I started thinking a lot about that. An album is sort of like a long quote from me: this is what I want to say, and what I'm willing to have said in my name. Quotes also put things in scenes. Suddenly it's not just text on a piece of cardboard, but maybe it came out of someone's mouth. These things were stirring for me when I was writing. When I look back, what kinds of things do I want to have attributed to me? What kinds of things do I want people to say that I said? When I was writing lyrics for the record I also constantly found that I would think of something that someone said to me. A lot of the lyrics are made up of different kinds of quotes — things that I said that I wish I hadn't said, things that I overheard, things that I said that I didn't know the full consequences of. There's a lot going on with quotation in general. Talking about your lyrics, a lot of them seem deeply personal, or like they're really heavy with emotion. Does something compel you to write that kind of music? I suppose so. I don't think that they're personal in the sense of the coffee shop confessional. There are people who write much more directly personal things than I do. I would say that if they're personal, they're indirectly personal. The way I write, it is quite emotional. I guess I'm interested in the emotional life of people in general, which is another way of saying I'm interested in the way people live. Not in what people say when you ask them, "Hey, how was your day?" They'll tell they went to the library, they went to work, they went to the coffee shop, or whatever. But what I'm interested in in people and the self is not that story, but more the way it feels to actually live a life, the actual experience of life. That's the emotional part of life. So you went to the grocery store? Why, when you were walking down the aisle of the grocery store, did you think of your mother ageing and feel an intense pang of guilt? That's the kind of stuff that I'm interested in. Actual life. [embed]https://www.youtube.com/watch?v=ZTkGTfsMRYE[/embed] How would you explain the progression to this album from your previous albums? Especially because Love Remains, your first album, was very raw and stripped back — how did you move towards something more produced? Weirdly, I think of this newest record as the least produced. On Love Remains every single sound is filtered and changed to the point of being something really weird. It's full of little weird, suspended-in-time sound sculpture things. But for some of the stuff on this new record I just opened the microphone and sang right into it. There's acoustic guitar on Love Remains, but there's no way anybody other than me could ever pick it out because it just sounds like a weird wash indistinguishable from some of the other sounds. That's something I was actively trying to do because I wanted to make a specific record. Each record is a different response to a different time in my life. I don't really know what's next in terms of how to produce the next record, but it felt important for me on this record to do something with that real life thing I was just talking about. I wanted the music to have a realistic quality to it. So you're coming to Australia for Sydney Festival. In the past you've said that, rather than being like dance parties, you think of your shows as being more like a theatre performances. What's a How to Dress Well show like? I still don't think of what we do as a dance party, because it just isn't. But there are moments like that. The thing for me with the live show now is that I want it to be extremely physical and really obvious that there's a person present in front of you, doing this quite demanding performance. Another thing I was motivated by on this record was having really intense dynamic shifts. Having one moment be really quiet so you can sort of hear yourself breathing while you're listening and then another moment being so loud and muscular and intense that it knocks you back on your heels. That's a tough thing to do on a record. It's a much easier thing to do live because you can literally blast someone's head off and then very quickly go to something really quiet and subtle. I really do think we have the best show I've seen right now. I don’t think I know anybody else who plays a better concert than us, right now, which is cool. I really am super extremely proud of what we're doing live. It's super musical, really funny and fun, and really sad and touching. There are tender moments, and aggressive moments. It covers all the ground I really love in music and live music and live art. We have a really beautiful visual presentation as well that's weirdly connected with my motions. When I move quickly the visuals move. It's really cool. We've worked really hard on it. It's kind of the shit. See How to Dress Well as part of Sydney Festival's FBi Radio series at The Aurora on January 23, at Sugar Mountain Festival on January 24, or at The Brightside's Australia Day Eve on January 25. "What is This Heart?" is out now via Domino.
The plastic rings that hold six packs together are both genius and hazardous. On the one hand, they're really bloody handy when you're carting six tinnies to a barbecue — have you ever tried to hold six loose cans of beer? — but on the other, they have a devastating impact on marine wildlife when they become waste. To combat the effects these pesky pieces of plastic have on the environment, a Florida brewery has developed a type of biodegradable six-pack ring that can actually be eaten by the animals they usually pose a risk to. After seeing the effect plastic has on marine animals like birds and turtles, Saltwater Brewery — a small brewery in Delray Beach, Florida — teamed up with New York advertising agency We Believers to redesign their packaging to make it more environmentally friendly. What they came up with was a biodegradable version of the plastic rings made of the wheat and barley that's left over after brewing. They claim that it's the first 100 per cent biodegradable, compostable and edible packaging in the beer industry. The first batch of rings were made using a 3D printer, and the brewery aims to produce 400,000 per month to cover their current production. It's a great move that we hope bigger breweries take on. Now to tackle aluminium cans... Via Creativity.
It is instinctive for human beings to question what the future could hold and and will look like. But just like most aspects of our lives, buildings of the future are incredibly difficult to predict. Here are some of the most mind-boggling futuristic building designs which are in the planning stage or already under construction. New Orleans Arcology Habitat In an attempt to revamp both the aesthetics and economy of New Orleans in the face of the terrible destruction of 2005's Hurricane Katrina, an incredibly modernistic Arcology Habitat has been proposed. The design includes hotels, condos, commercial property and casinos all floating on the surface of a water basin between the Mississippi River and the CBD. Spaceport America Spaceport America is now in its initial stages of development in New Mexico and has already seen a series of flights launched from its lunar pads last year. This sleek construction is set to be the first commercial spaceport the world has ever seen and would unlock the potential to allow anyone to enjoy the wonders of space. Shimizu Mega-City Pyramid This enormous construction proposed for Tokyo would be 14 times higher than the ancient Great Pyramid of Giza, and would house an incredible 750,000 people. Designed as a solution to the over-population issue in Japan, this design is on hold until super-strong lightweight materials appear in the future. Kingdom Tower This enormous skyscraper has been approved for construction in the Saudi Arabian city of Jeddah at the preliminary cost of $4.6 billion as part of the proposed Kingdom City to be located along the Red Sea. If completed according to plan, the tower will not only become the tallest building in the world, but also the only on the planet to exceed a height of 1 kilometre. Kuwait Airport A new terminal is undergoing construction at Kuwait International Airport this year, set to be completed by 2016. The reconstruction, designed as a three point star, should increase the passenger handling capacity from 7 million to 13 million in the first phase. Trio Vertical Garden French designer and botanist, Patrick Blanc, is starting a revolution with his amazing designs of vertical gardens. His projects started in Sydney in 2009 by embedding 4,500 seedlings into a recycled felt surface, creating a contemporary artwork that is both environmentally friendly and aesthetically pleasing. Taiwan Tower Sou Fujimoto was the winner of the Taiwan Tower International Competition with his interpretation of 'Primitive Future'. The 300 metre tower is inspired by the Taiwanese banyan tree and is designed to be a model of green architecture for future generations. Keret House Instead of just discounting the space of an 133 centimetre alleyway between two houses in Warsaw, architect Jakub Szczesny saw the possibility for an ingenious house. Designed as a creative workspace for Israeli writer, Etgar Keret, the hermitage would range from 72-122cm in width with remote control stairs and boat-inspired water and sewage systems. Project Utopia Floating Island After numerous references to floating civilisations in literature comes finally an inventive floating island design more like an oil rig than a yacht. The volume of the Project Utopia would be equivalent to a present-day cruise liner, measuring more than 100 metres across and including more than 11 decks.
Mona has never shirked attention. Tasmania's Museum of Old and New Art has welcomed it, in fact, whether it's bringing in 80 tonnes of sand, is allowing music fans listen to the sole copy of Wu-Tang Clan's Once Upon a Time in Shaolin or is part of a TV show about potentially eating Australia's invasive animal species — and that's just in the past year. Also part of the venue's story over the past 12 months or so: the legal proceedings around Ladies Lounge, the feminist installation created by artist and curator Kirsha Kaechele, which was taken to court due to an anti-discrimination complaint. Two big developments impacted Ladies Lounge in 2024: first, in April, the Tasmanian Civil and Administrative Tribunal ruled that it must start letting men enter; then, a September decision by the state's Supreme Court upheld Mona's appeal, permitting it to reopen for women only to continue to make its statement about the lack of opportunity historically offered to ladies by such spaces. Kaechele did indeed relaunch the installation, but only briefly, while flagging that it could go on tour. So, after ending its run at its original home in January 2025, Ladies Lounge is now headed to the Gold Coast. Each year, the coastal Sunshine State spot turns over much of the city to Bleach*, its annual arts festival. This year, Ladies Lounge is on its lineup. This is the first time that it will pop up beyond Mona, and therefore also beyond Tasmania, with the Gold Coast's HOTA, Home of the Arts playing host to the feminist space. "Yes, some boys may be allowed in for domestic arts lessons and reparations," the fest advises. Bleach* 2025 runs from Thursday, July 31–Sunday, August 10, also covering music, opera, drama, food and more, all at festival hubs a HOTA, Kurrawa Park and Emerald Lakes. It has more big art names attached, too. Australian visual artist Michael Zavros is the festival's guest Artistic Director for the year, curating a program that spans 100-plus events. Among them, Patricia Piccinini's Skywhale and Skywhalepapa are on the lineup, and will float through the Gold Coast's skies. That's how Bleach* will kick off at sunrise on its first 2025 day. "It's such a thrill to come on board as guest Artistic Director and launch Bleach* 2025. We've been shaping this festival for some time now, and it's incredibly rewarding to see the program come to life and finally share it with our audiences," said Zavros, announcing this year's bill. "We've dreamed big this year — pushing for bold, ambitious moments — and it's exciting to see those ideas realised in such powerful ways. Bleach* continues to play a vital role in the Gold Coast's arts and culture scene, and this year's program is a true reflection of the city's creative spirit and growing artistic ambition." Among the festival's three world premieres of works created on the Gold Coast, plus five Queensland premieres and plenty of other must-sees, other highlights include opera, classical music and dancing horses taking over Kurrawa Beach; artist Jeff Koons getting chatting at an exclusive in-conversation event; and Selve's new album Breaking Into Heaven performed in full with lasers, Karul Projects dancers and the Australian Session Orchestra outdoors at HOTA. Or, there's also Drum As You Are, a family-friendly Nirvana tribute — one of the iconic band's albums is called Bleach, after all — that'll feature both professional and community drummers. Unsurprisingly given that he's steering this year's festival, you can also see Zavros' Drowned Mercedes, the sculpture that was first unveiled in Brisbane in 2023 and, yes, features a 1990s Mercedes-Benz SL convertible filled with water. Zavros is also taking part in life-drawing sessions, Melissa Spratt and Tal Fitzpatrick are teaming up to showcase how textiles can be comforting in public space, and Josh Cohen's Radiohead for Solo Piano II will be in the spotlight. Bleach* 2025 runs from Thursday, July 31–Sunday, August 10 at various locations around the Gold Coast. For further information, head to the festival website.
Fusing thousands of EDM lovers, raveheads waiting for the bass to drop and a formidable amount of hot sauce can't possibly go wrong right? Face-melting dance and tastebud-destroying chili will combine their unlikely party powers for the first ever Electronic Sriracha Festival in San Jose, California. There'd better be some solid water stations in the production budget. Staking a spicy claim over San Jose's St. James Park on August 30, the hot sauce-inspired festival is making David Tran's beloved Sriracha rooster the poster boy for build ups, bass drops and breakdowns. Taking over two city blocks, three stages of electronic music, four bars and 120 sriracha-infused dishes, ESF is keeping food at $6 and the amps to 11. Seems it's all about endorphins, with EDM generating the same rush as a mouthful of hot sauce (the secret's in the capsaicin). Seems the moment before the bass drops parallels the waiting game before the Sriracha heat seeps in. Goes without saying, punters to both types of caps[aicin]-fuelled adventures do often display the same facial reaction: Could be one of the most unlikely Nailed It festivals yet, more innovative than your regular phone company sponsor with only corporate tents and handouts to add to the vibe. Sriracha held their first food-focused festival in LA last year, seems the team want to take things next level. The line-up will be released Monday, July 21 at 9am. Via Grub Street.
UPDATE, March 15, 2021: Skate Kitchen is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Skate Kitchen begins with a board, a banged-up pelvis and blood gushing down a leg. But stacking it once isn't going to keep Camille (Rachelle Vinberg) from shredding, grinding and nosesliding. Nor are stitches in her nether regions, or her mother's (Elizabeth Rodriguez) insistence that she give up her hobby. Instead, the film takes Camille gliding from the parks and pavements of Long Island to the streets of Manhattan, where a gang of girls skate like the city is their playground. They're the Skate Kitchen of Skate Kitchen. An all-female collective, they air, ollie and amble around town. They hang out, smoke joints, and shoot the breeze about anything and everything. They snap and record their tricks and kickflips, immortalising their antics on Instagram. And when they welcome Camille into the fold, it changes everything for the reserved, quiet 18-year-old. Early in what proves a laidback but layered movie, filmmaker Crystal Moselle captures Skate Kitchen's leisurely vibe and the effect it has on her picture's teenage protagonist. The irrepressibly catchy beats of Junior Senior's 'Move Your Feet' take over the soundtrack as the girls walk, dance and skate their way through New York City, and Camille couldn't look happier. As well as sending the film's frames freewheeling along with the group, cinematographer Shabier Kirchner cloaks his images in a warm glow — the kind that exists in your mind when you're simply content, regardless of what your eyes actually see. It's an ethereal sequence, and yet it's also grounded in naturalism. Sunny, carefree, comforting, vibrant: that's just how being part of Skate Kitchen feels. That's how watching Skate Kitchen feels as well, although Moselle's isn't a rosy coming-of-age portrait devoid of drama. Narrative-wise, the movie charts the push-and-pull that characterises Camille's life — first between the freedom of skating and the scolding of her overprotective mum, then between friends and family, and later between her new buddies and the wannabe photographer Devon (a flame-haired Jaden Smith) who they try to warn her away from. And, while the film marks Moselle's first fictional movie, Skate Kitchen itself is real. The endlessly fascinating Vinberg is one of its crew members. So is the scene-stealing Nina Moran, who plays the joker of the gang, as well as the affectionate Ardelia Lovelace, who becomes Camille's closest friend. Here, art both imitates life and does its utmost best to represent it accurately — even when sometimes packaged with a visual sheen that'd do Sofia Coppola proud. It's unmistakably rare to see a film featuring such authentic and candid conversations between teen girls. Such a diverse yet nuanced female group, spanning different races, sexualities and personalities, is hardly regular screen fodder either. And that's before noting the obvious: that depicting young women as skateboarders, letting them carve out a place in a male-dominated domain, and spending time with them just kicking around is so uncommon that it's almost revolutionary. Indeed, that's exactly why the movie's dreamy aesthetic is such a fitting choice. Until now, a film set in this world — that's intent on fighting back against gendered expectations, and that seems so achingly real — was basically a dream. Moselle knows a thing or two about stepping into an overlooked or undiscovered realm and revealing it to the masses. In 2015, her documentary The Wolfpack was a festival circuit hit, centring on seven home-schooled New York siblings — six boys and their sister — who were virtually forbidden to leave the house by their strict father. To experience the outside world, the factual flick's subjects escaped into movies, which they not only devoured on DVD but re-enacted and re-staged in an elaborate fashion. Skate Kitchen is The Wolfpack's fictionalised female-focused counterpart in many ways, and it also sees Moselle take her doco's core idea to the next level. There, cinema helped a sheltered family feel like they existed. Here, skateboarding does just that for a lonely soul, while the overall film will provide the same sensation for anyone who has ever been a teenage girl. https://www.youtube.com/watch?v=1VTFLvLtdYw
They're the pieces of plastic no one can leave home without — if you want to catch a bus, train, tram or ferry. Sydney has Opal, Melbourne has Myki and Brisbane has the Go Card, aka the main way to pay for public transport in today's increasingly cash-less society. For now, that is. News Corp's Sydney, Melbourne and Brisbane papers are all reporting the looming end of the current ticketing cards, in favour of smartphone, smartwatch and tap-and-go bank card payments. It's one of those obvious leaps in technology that was always going to happen at some point soon. If there's a more convenient, contactless way to pay that don't rely upon everyone remembering to stuff yet another card into their wallet, then it's hardly surprising that the New South Wales, Victorian and Queensland governments are looking into it. In Sydney, a trial began on the Manly ferry last year, with patrons tapping their Mastercards instead. It's expected to expand to other forms of transport according to The Daily Telegraph, although it's worth noting that Opal multi-trip benefits don't apply to other payment systems. Melburnians can expect to scan on with a credit or debit card in trials due to start this year, focusing on Routes 11, 86 or 96, The Sunday Herald Sun notes. And in Brisbane, The Sunday Mail reports that a trial will commence either later in 2018 or sometime in early 2019, starting with the Airtrain. Moving away from dedicated transport cards — or adding other payment options — will make things easier for tourists and travellers, who shouldn't have to buy a new piece of plastic just to catch a bus or train (or pay extra for a paper ticket if they don't) when they're visiting. Ensuring the new system remains accessible for anyone that doesn't have a smartphone, smartwatch or bank card remains a concern, however. And, there'll always need to be a backup option in case someone forgets their phone, watch or wallet. Via The Sunday Mail / The Sunday Herald Sun / The Daily Telegraph. Images: Beau Giles / Binayak Dasgupta / Andrew Thomas.
We know that we can't grow outwards forever. So coming up with new and better ways of growing upwards is high on the global architectural agenda. That's why, for nine years now, eVolo magazine has been running an international skyscraper competition. Designers from all over the world are invited to come up with groundbreaking visions for vertical living. This year, 525 entries were submitted from 43 nations. Here's what came out on top. First Prize: Vernacular Versatility Designed by Yong Ju Lee, this skyscraper can be built without a single nail. It's based on the Hakon, a traditional Korean housing style known for its curved wooden roofing, which is adjustable according to sunlight intensity. So far, it has only been applied to single-storey buildings, but contemporary software modelling is enabling the exploration of multi-storey possibilities. Second Prize: Car and Shell Skyscraper: Or Marinetti's Monster Envisioned by US-based creatives Mark Talbot and Daniel Markiewicz, the Car and Shell is a city in the sky, planned with Detroit in mind. All the elements of a regular suburb (footpaths, streets and constructions) are contained in a single cube. Third Prize: Propagate Skyscraper: Carbon Dioxide Structure Goodbye, construction team. The Propagate grows all by itself. It's made of hypothetical materials that are able to absorb carbon dioxide and transform it into, well, architectural extensions. Definitely the ultimate in sustainability. Honourable Mention: The Seawer This underwater UFO doesn't house people, but it does capture trash floating in the ocean and recycle it. Honourable Mention: Sand Babel These part underground, part aboveground solar-powered towers present a new way of living in eco-friendly comfort (and style) in the desert. Honourable Mention: Climatology Tower Not only is it the best terrarium ever, the Climatology Tower functions as a research centre where the focus is on healing our sickly environment through the analysis of microclimates and urban meteorology. Honourable Mention: Launchspire It might look like the set for the next Star Wars remake, but the Launchspire is actually an "electromagnetic vertical accelerator to eliminate the hydrocarbon dependency of aircraft during takeoff".
"Darling it's better down where it's wetter," Disney's animated hit The Little Mermaid told us; however, the Mouse House also thinks that life is pretty great on top of the water. For nearly a quarter-century, the huge entertainment company has been taking fans of its ever-growing array of pop culture wares on themed vacations, all thanks to its Disney Cruise Line. Alas, setting sail from Australia and Aotearoa hasn't been a possibility — until now. Come October 2023, Disney Cruise Line will head Down Under for the first time ever, running Disney-themed holiday cruises from Sydney, Melbourne, Brisbane and Auckland. And yes, given that Disney own plenty of huge franchises, that means these stints at sea are Marvel, Pixar and Star Wars-themed as well. The Mouse House's first 'Magic at Sea' Australian and NZ cruises will depart from October 28, 2023, with the season running through till February 2024. On offer: sailings for two, three, four, five and six nights — your pick — where you'll watch live musical shows, see Disney characters everywhere you look and eat in spaces decked out like Disney movies. Those musicals include a Frozen show; another production dedicated to the company's old-school favourites like Peter Pan, Pinocchio, Cinderella and Aladdin; and a Golden Mickeys performance, which is obviously all about Mickey Mouse. Or, there's a Mickey party set to DJ beats, nightly fireworks and a pirate shindig on the vessel's deck. While not every show and party is available on all cruises — especially the two-night option — the entertainment also includes Mickey, Minnie, Goofy, Pluto, Moana, Tiana, Cinderella, Woody, Jessie and more wandering around the ship. And, Chewbacca, Rey, Spider-Man, Captain Marvel and Thor as well, if you like hanging out around folks in costumes. The dining setup rotates, so each day of the cruise takes you to a different location with a different theme. One day, you'll hit up the Animator's Palate, which focuses on bringing Disney characters to life — including getting patrons to draw their own characters — and on the next, you'll get munching in a restaurant inspired by The Princess and the Frog, and serving up New Orleans-inspired dishes. Or, there's also Triton's, which offers an under the sea theme given it's named after Ariel's father, and serves four-course French and American suppers. For folks travelling with young Disney devotees, there's also a whole range of activities just for kids — but adults without littlies in tow are definitely catered for, complete with a dedicated pool for travellers aged 18 and over, an adults-only cafe, the Crown & Fin pub, cocktail bar Signals, Italian eatery Palo, and a day spa and salon. Dates for Disney Cruise Line's first trips from Australia and New Zealand vary per city of departure, as do prices, but you can expect to enter this whole new ocean-faring world from $720 per person for two nights in a double-occupancy room from Sydney, $546 from Melbourne and $755 from Brisbane, and $760 per person for three nights in a double-occupancy room from Auckland. And, room-wise, there's ten different types to choose from — some with private verandahs, and some with ocean views through portholes. Disney Cruise Line's 'Magic at Sea' cruises will sail from Sydney, Melbourne, Brisbane and Auckland between October 2023–February 2024, with bookings open from 8am AEST / 11am NZDT on Thursday, September 29, 2022. For more information, head to the cruise line's website. Images: Matt Stroshane / Kent Phillips.
Since the first sign was erected promoting a tasty cola, we have had a love/hate relationship with the ubiquitous advertising monsters. Where we were once outraged at subliminal advertising, now we enjoy analysing the topic on a weekly basis. But how much do we really know about the influencing power of advertising? Morgan Spurlock is going to find out. The documentary filmmaker has noticed that all the supersized Hollywood blockbusters like Iron Man and Transformers are made so successful by being paired with the biggest brands using brand integration. So in an effort to create the first 'docbuster', Spurlock is selling the entire 90 minutes of his latest film, and taking us on his journey. For most of the film Spurlock straddles the line between 'selling-out' and making us laugh so hard we won't notice the money he's making in the process. But the tag line of the film assures us he's "not selling out, but buying-in". To do this he teams up with a number of companies that amazingly trust they won't come up second best in an area ripe for criticism, and it is reassuring to know that Spurlock is making this whole process transparent. As opposed to the sneaky tactics of subliminal advertising or product placement, it is remarkably comforting to be warned and indeed thrust toward all the paid features in this film. Along the way he is joined by experts (Noam Chomsky, Ralph Nader), directors (Quentin Tarantino, Peter Berg, JJ Abrams) and musicians (OK Go) for an in-depth look at modern advertising, all while trying to sell his new-found 'love' of pomegranate juice. The film relies on Spurlock's wit and ability to poke fun at the industry he is buying into. It leads to some genuine laugh-out-loud moments yet eventually fails to deliver any sort of conclusions. Everybody knows about product placement, so what more does Spurlock tell us? Well, not a lot. Ultimately, he acknowledges that unless you would like to live a hermit existence or move to Sao Paulo there is little we can do about the constant amount of advertising we are exposed to daily. We may be stuck with it, but at least now we can have a good laugh at the situation, thanks to Morgan Spurlock. Morgan Spurlock will appear at a special screening of POM Wonderful Presents: The Greatest Movie Ever Sold complete with Q&A on Tuesday, August 2, 2011, at 6.45pm. The movie opens nationwide on August 11. https://youtube.com/watch?v=T4Ng2P3zxfM
Black suits, black shades, futuristic weaponry and plenty of aliens: the Men in Black are back. Because film franchises never die — they just get revamped/remade/rebooted/reimagined — the sci-fi series is releasing its fourth instalment. It's a spin-off, and it features a brand new cast. In Men in Black: International, Thor Ragnarok co-stars Chris Hemsworth and Tessa Thompson step into the outfits originally made famous by Will Smith and Tommy Lee Jones. The Aussie star plays Agent H, while Thompson plays agent M, a newcomer who nabs a job after tracking down the secretive organisation. Helping them with their London-based efforts are Emma Thompson and Liam Neeson, who are also donning the requisite attire. Two (unrelated) Thompsons are better than one, clearly, and, when it comes to Neeson, why not? Directed by Straight Outta Compton and The Fate of the Furious' F. Gary Gray, Men in Black: International arrives 22 years after the original flick (and the original theme tune that you now have stuck in your head). It follows the new agents as they not only try to keep watch over the world, but attempt to track down a mole inside the Men in Black. If it wipes the franchise's rather average Men in Black II and Men in Black III out of our memories, it'll achieve something. Men in Black: International opens in Australian cinemas on June 13, 2019 — check out the trailer below. https://www.youtube.com/watch?v=gexS_FVXdhk&feature=youtu.be
If you've got meaty cravings for the delectable dishes of the southern states of the United States of America, then make your way to Roast Republic in the heart of Sydney's CBD. Family-style servings are the name of the game at this joint. The menu is brimming with classic Americana dishes like fried chicken, Mississippi shrimp (no prawns here), Carolina barbecue pork skewers, seafood gumbo, Philly cheesesteaks, and the hero share boards featuring dry-rubbed, slow-cooked and glazed lamb cutlets, pork chops and beef short ribs, grilled elote (corn) and house sauces. Dessert is equally American-themed, with peach cobbler, pecan pie and "American as Apple Pie" fried apple pie gracing the menu. The drinks list has something for everyone. There are plenty of wine options from across Australia, an extensive spirits collection — in particular, bourbon from all the big names — and specialised cocktails and mocktails designed to pair nicely with the American fare on offer. Images: Chris Manos
If you were one of the many (46,000 to be exact) people on the waiting list for London's pop-up nude restaurant The Bunyadi earlier this year, then you'll be stoked with the news that Spain is set to open its own nude restaurant — only this one will be permanent. Yep, there'll be nude meals all year-round at Innato Tenerife, which will be located on the largest of the Canary Islands, Tenerife. According to The Local, the restaurateur behind the concept Tony de Leonardis was inspired by the London pop-up and will have a similar no clothes, no phones policy. Unfortunately that doesn't mean no wallets though — you'll have to pay a hefty price of €70 for the privilege, which includes an all-inclusive buffet. Perhaps most interesting is the table situation — the waitstaff won't just bring your food, they'll stick around so you can eat it off them too. Yum? Apparently they will be wearing loin cloths and vine leaves though. For modesty. Apart from that weird feature, the setting sounds rather nice. Innato will be located in candle-lit private gardens in the town of San Isidro, with room for 44 to dine among fruit trees. Sounds very Garden of Eden. It will open on January 20 next year — here's the Facebook event if perchance you're naked and in town. Via The Local.
When the middle of October hits, celebrating Japan by actually heading to the country will be back on the agenda, with the Asian nation's strict border rules finally relaxing. Can't make the trip ASAP? Fancy getting your Japanese thrills in a cinema instead — or until you can hop on a plane? Then Australia's annual touring Japanese Film Festival has timed its return well. As it does every year, this year's JFF has compiled a selection of must-see recent and retro Japanese movies, and will take its lineup to Canberra, Perth, Brisbane, Melbourne and Sydney. There's two parts, both coming to all locations except Western Australia: a classics series, showing iconic films on 35mm; and a rundown the latest and greatest flicks the country has to offer. When it does the rounds between Saturday, November 5–Wednesday, December 14, the 2022 fest will open with historical drama Dreaming of the Meridian Arc, which hops between present-day Japan and the Edo period to tell the tale behind the man who completed the first-ever map of Japan. Also a huge highlight: the retro season's focus on filmmaker Mikio Naruse, with 1954's Sound of the Mountain, 1960's When a Woman Ascends the Stairs and 1964's Yearning on the bill — and showing for free. Back to the recent titles (and the paid part of the program), standouts include psychological thriller Lesson in Murder, which starts when a college student gets a letter from a serial killer on death row; drama In the Wake, about the victims of the Great East Japan Earthquake in 2011; and the animated Blue Thermal, with the world of competitive gliding soaring onto the screen. Anime Supremacy! is unsurprisingly focused on characters who live and breath anime production; Baby Assassins gives battling the yakuza (and being hitmen) a kawaii spin, and culinary documentary The Pursuit of Perfection follows top Tokyo chefs Takemasa Shinohara (Ginza Shinohara), Natsuko Shōji (Été), Yōsuke Suga (Sugalabo) and Takaaki Sugita (Sushi Sugita). JAPANESE FILM FESTIVAL 2022 DATES: Canberra: Special series: November 5–6 at NFSA Latest releases: November 16–20 at Palace Electric Perth: Latest releases: November 21–27 at Palace Raine Square Brisbane: Special series: Friday, November 11–Sunday, November 20 at QAGOMA Latest releases: Wednesday, November 23–Sunday, November 27 at Palace Barracks Melbourne: Latest releases: Wednesday, November 30–Sunday, December 4 at The Kino Special series: Friday, December 2–Sunday, December 4 at ACMI Sydney: Latest releases: Wednesday, December 7–Sunday, December 11 at Palace Central, Palace Norton Street and Palace Verona Special series: Monday, December 12–Wednesday, December 14 at The Chauvel The 2022 Japanese Film Festival tours Australia between Saturday, November 5–Wednesday, December 14. For more information and to buy tickets, visit the festival website. Images: Baby Assassins Film Partners / Blue Thermal Film Partners / AOI Pro/TY Limited.
Danny Harley, the alternative electronic producer and performer better known as The Kite String Tangle, has just released his debut EP Vessel, which debuted at #8 on the ARIA charts and #2 on the iTunes charts. That's not a bad effort for your first solo release, not bad at all. TKST rampaged onto the Australian music scene last year with 'Given The Chance', which landed an impressive place at #19 on last year's Hottest 100. Second single 'Arcadia' — a tale of a relationship that is trying to go back to 'the way things were' with little success — was met with an overwhelmingly positive response. With his ethereal electronic sound and subtle but emotional lyrics, Harley creates a world that we're more than happy to get lost in. As of this week, Harley embarks on a massive national tour; with most of his shows sold out already. We had a chat with the super talented young man about songwriting, his musical influences and his favourite track from Vessel. Your music bas been described as emotionally-driven pop music. What comes first, the lyrics or the beats? Definitely the beats. I guess people wouldn't really expect that but it feels so natural to me to write beats and melodies on synths before writing lyrics. Lyrics almost always come last, which is kind of strange. You have been touring incessantly this year, where do you write music? At home or on the road? Pretty much wherever I can really. I try to write as often as I can on my laptop, which is obviously pretty portable so you can write in hotel rooms or at soundchecks. Whenever I get a big stint at home I try to translate those to the studio and fill them out a bit. That's probably another reason why I write beats first. Your EP debuted at #2 on the iTunes charts, and #8 on the ARIA charts, congrats! How do you feel? It's pretty awesome! I didn't really know what to expect, I haven't had a release like this. I had done one song and it gradually built over six months, so for this it was more like 'Today's the day!' I mean, it's just absurd; I didn't know that could happen. Before now you were in the band Pigeon, but before that, how did you get your start in music? I started playing bass in a band when I was twelve and we lived in the UK. We did Green Day covers and played songs, just generally being rad. I've pretty much been trying to do music ever since. https://youtube.com/watch?v=oMP-X1USOFE 'Given the Chance' was a hugely popular debut, was that reaffirming for you and your musical direction? Yes and no. I didn't exactly know what it was about it that people liked. I troubled myself with that for a little while, then I decided that I don't need to know that; I should just write music I like — if they like it, they like it. It's one of those weird things, it's unpredictable. Previously I had been in high energy bands, and then this one was my chill zone musically. Everything I write is more chilled out down-tempo stuff. In that respect, then yeah, for sure it was reaffirming that it was the right direction. Vessel is an extremely strong, considered EP. Any tracks that you are particularly fond/proud of? There's a track called 'What If' — it's actually one that I did start off with the melody and lyrics first, which I never do. Three months later I translated it into a song that was more stylistically appropriate for the project. It's one that has stuck with me and I still like it now, which usually means it has a bit of longevity. I'm waiting to see what other people think. It's probably more like what the album will sound like as well. Wait, have you already started working on your album? You just released your EP! I know! (laughs). I kind of finished the EP two months ago. I figured the sooner I get started on the album the more songs I'll have to choose from and it can be the best that it can possibly be. You're the triple threat, singer, songwriter and producer. Any plans for collaboration in the future? Yeah for sure, I love collaborating. I think it's really cool because you end up with something you wouldn't have if you were doing it on your own, even if you tried really hard. I'm always open to writing with other artists if it's the right fit, and I'm definitely teeing up a few right now, I want to approach it like 'If it's good, it's good.' Then we'll work out what we'll use it for. You do some cracking remixes, How do you chose what to remix? One or two that I've done I chose the song, and then I've done three or four because people approached me asking if I'll do it. I said 'Hells yeah. I'll do it!' I haven't done a remix in a while and I'm trying to make it more of a thing that I do, but I'll balance it with my original output. I don't want to release too many and I want to choose the right people to work with and to remix. You did a fantastic playlist for Indie Shuffle 'Music for people with feelings'. Would you include those artists as musical influences? Yes, all of those people are hugely influential on my music. I'm a big fan of all of them. For that playlist I tried to throw in a few Australian ones as well. I'm definitely influenced by the beatsy kind of dudes like Bonobo, Jamie XX, Four Tet and John Hopkins. Then from a songwriting point of view I love The xx, London Grammar, James Blake, SBTRKT; they're very song-based, less beatsy and have a really strong foundation of a song — good lyrics, good melody. Finally you're about to embark on a huge national tour next week, what are you plans for the rest of the year? At the end of the tour, which wraps up around September 20, we're just locking in USA tour dates and then hopefully UK tour dates shortly after that. Around mid-November I'll come back here; I have a DJ set in Fiji, then it's writing album time after that. The Kite String Tangle Tour Dates: Sep 6 — The Corner Hotel, Melbourne (SOLD OUT) Sep 7 —The Corner Hotel, Melbourne (SOLD OUT) Sep 12 —Manning Bar, Sydney (SOLD OUT) Sep 17 — Telstra Spiegeltent, Brisbane (SOLD OUT) Sep 18 —Telstra Spiegeltent, Brisbane (SOLD OUT)
If summer always leaves you reminiscing about the balmy school holidays of your youth, you're going to be all about the latest line of frosty creations from Gelatissimo. The gelato chain is throwing back hard and digging up plenty of fond memories with its newly launched Aussie Favourites range — a trio of flavours that includes chocolate crackle, fairy bread and Weet-Bix with honey and banana. They're scooping now at all Gelatissimo stores nationwide, up for grabs until the end of January 2020. Sure to transport you straight back to some childhood birthday party, the fairy bread flavour pays homage to a true Aussie icon. Expect buttery vanilla gelato — made with real butter, mind you — scattered with 100s and 1000s, and crunchy pieces of lightly toasted fairy bread. Cleverly blurring that line between breakfast and dessert, the Weet-Bix concoction is another riff on a favourite, though one you're probably less inclined to scoff a bowl of before netball practice. It teams real Weet-Bix chunks with creamy banana gelato and a splash of Australian wildflower honey. And the nostalgia runs extra deep with the chocolate crackle creation, a sweet tribute to one of the most recognisable party treats in all of Australian history. It boasts rich chocolate gelato infused with chunks of real chocolate crackle, crafted just like Mum used to make, with rice puffs, cocoa powder, desiccated coconut and plenty of chocolate sauce. Of course, Gelatissimo's no stranger to dreaming up wild and innovative new creations. In the past year alone, the brand's launched a dog-friendly peanut butter gelato, a boozy frosé sorbet and even a frozen take on the iconic Bundaberg Ginger Beer. Gelatissimo's Aussie Favourites range is available from all stores nationwide, from Friday, November 29, until the end of January.
Ever wanted to build your own community? And no, I don't mean spending every waking hour on The Sims renovating your virtual dream house. This big idea, straight from TED2011, could empower humans everywhere with the essential tools to create civilisations, DIY-style. TED fellow Marcin Jakubowski has identified 50 machines critical to our modern way of life — everything from tractors to ovens to brick-making machines. Determined to re-design these machines to be modular, long-lasting and made of local recyclable materials, Jakubowski began Open Source Ecology, a project uniting a community of farmers, engineers and supporters hell-bent on developing an open-source 'Global Village Construction Set'. In essence, it's a suite of machines that are essential for setting up any civilisation. The best bit? Machinery is made up of interchangeable life-sized LEGO-like parts, and has the potential to democratise industrial production and enhance supply chains to be more environmentally sustainable. Jabukowski says the Global Village Construction Set "lowers the barriers to entry into farming, building, and manufacturing and can be seen as a life-size lego-like set of modular tools that can create entire economies." https://youtube.com/watch?v=CD1EWGQDUTQ [Via GOOD]
Knowing when to take the one-and-done route isn't pop culture's forte, as too many movie franchises and TV shows extending beyond their best days keep showing. The Tourist falls into the opposite category: initially planned as a once-off with its six-episode first season in 2022, the Australian-international co-production has found a way to return. The catalyst for that comeback isn't just the show's initial success, but teaming up stars Jamie Dornan (A Haunting in Venice) and Danielle Macdonald (French Exit) for a second time because it worked so swimmingly to begin with. Indeed, when The Tourist swiftly earned its season-two renewal, it was hardly a twist. Some on-screen collaborations simply demand more opportunities to keep shining, and Dornan with Macdonald is one of them. Same cast, new location, similar-enough scenario: that's the approach in this also six-episode run, as streaming on Stan in Australia and TVNZ+ in New Zealand since Tuesday, January 2. In season one, Dornan's Elliot Stanley awoke in the Aussie outback with zero memory and his life in danger. When it ended, he'd uncovered who he was, complete with a distressing criminal past, but was on the path to starting anew with Helen Chambers (Macdonald), the constable who helped him get to the bottom of his mystery. Screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) switch part of their initial setup in season two, moving the story to Elliot's homeland and turning Helen into the tourist. Remaining is the lack of recollection about the former's history, even as he actively goes looking for it. The travelling life has been far kinder to Elliot in the gap between seasons, with The Tourist first rejoining him and Helen on a train in southeast Asia. While not married, they're firmly in the honeymoon phase of their relationship. But the now ex-cop has a revelation for her boyfriend: he's received a letter from one of his childhood pals who wants to meet back home. Quickly, off to the Emerald Isle the show's main duo go. Trying to shave off his bushy holiday beard in a public toilet leads to Elliot being kidnapped, plus Helen playing investigator again. As he attempts to flee his captors (Outlander's Diarmaid Murtagh, Inspektor Jury: Der Tod des Harlekins' Nessa Matthews and The Miracle Club's Mark McKenn), she seeks help from local Detective Sergeant Ruairi Slater (Conor MacNeill, Operation Fortune: Ruse de Guerre), but any dreams that The Tourist's globe-hopping couple had about happy reunions or relaxing Irish getaways are sent packing fast. Disturbing discoveries; feuding families led by the equally formidable Frank McDonnell (Francis Magee, Then You Run) and Niamh Cassidy (Olwen Fouéré, The Northman); Helen's grating ex Ethan (Greg Larsen, Aunty Donna's Coffee Cafe) hopping on a plane to Ireland in an effort to win her back, even as he's supposedly dealing with his oozing toxicity: they're all key factors in The Tourist's second season. So is doing plot-wise what the series' namesakes often embrace, aka veering here, there and everywhere. The obvious point of comparison has always been the Coen brothers and, in particular, Fargo. Its TV adaptation is currently working through its fifth season, and also hurtles through comic crime chaos as a madcap caper with thoughtful leads. Both have that anything-can-happen feel, and live up to it in their narratives. You betcha both are also well-cast. As Elliot endeavours to evade his abductors, Helen searches and worries, and frays going back decades are pushed to the fore, the Williams' brothers aren't afraid of tonal and storytelling swerves, or of jam-packing a tale that's taut and tense but also regularly amusing. Directors Fergus O'Brien (Happy Valley), Lisa Mulcahy (Lies We Tell) and Kate Dolan (Kin) don't shy away from stressing season two's setting, either. As also served their season-one counterparts Daniel Nettheim (who made the excellent 2011 Australian film The Hunter) and Chris Sweeney (Liar) well, the helming trio take their visual cues from their surroundings — with coolly bleached hues suiting someone with nothing to grasp onto in the show's initial run, and verdant sights lingering now that Elliot can't stop being confronted by his densely overflowing past. So follows car and foot chases among rolling hills, a Saw-esque stint, escaping an island, hanging off cliffs, Helen witnessing a murder, unearthed secrets and others that should be buried, escalating violence, and several folks wanting Elliot to reckon with events and choices that he can't recall, all dropping at a breakneck pace that makes binging the series as rapidly as possible the natural reaction. The Tourist is gleefully written to be moreish, yet never manipulatively so. The only misstep: giving Ethan such a prominent part again. In its jump to the other side of the world, bringing Helen's jilted former fiancé back feels like an attempt to ensure that there's more than one Aussie actor popping up — because it certainly isn't a plot necessity. There's no doubting that The Tourist prefers the rollicking over the realistic in everything that it throws Elliot and Helen's ways; however, Dornan and Macdonald are up to the job. He finds the subtleties and vulnerabilities in a man learning who he is more literally than most, and she gives Helen the perfect balance of kindness and determination. Together and with charisma to burn, they're clearly a pair to build a series around, as the Williams siblings have done twice now. Whether laced with laughs or overtly courting them, comedy suits Dornan — see: Barb and Star Go to Vista Del Mar — but he brings as much dramatic nuance and depth to the role as he did in fellow recent highlights Belfast and Synchronic. If The Tourist will end with just two stamps on its passport is yet to be announced. Its driving forces patently hope otherwise, setting up a third season that hasn't yet been greenlit in season two's final moments, and showing that they're keen to keep shaking up their overarching narrative by always leaping in new directions. Regardless of whether more comes to fruition, Dornan and Macdonald have a highlight on their resumes, while viewers have a compellingly entertaining thriller-meets-dramedy that not only made the most of its arrival, but does the same with its 2024 return. Check out the trailer for second season of The Tourist below: The Tourist season streams via Stan in Australia and TVNZ+ in New Zealand. Read our review of season one.
After 11 years as our accommodation go-to, Airbnb is now trying its hand at playing travel agent. The booking platform has just launched Airbnb Adventures, a series of all-inclusive, multi-day adventures available around the globe. The experiences act as a one-stop-shop for your next trip, with accommodation, meals and activities all part of the tours. Over 200 of these adventures are already up on the site. You can take a nine-day trek through the Amazon for around $270 per night, a five-day trip through the Oman desert for $300 per night or go on a culinary kayaking trip through Swedish islands for $360 per night. There's also a seven-day accessible experience on Easter Island, an overnight campsite on a cliffside in Colorado, island hopping around the Galapagos and, for something closer to home, an adventure around New Zealand subtropical islands, too. Prices range from a reasonable overnight trip for $115 all the way up to a rather exy 10-day trek for $7200. On average, the adventure packages cost around $850 for a three-dayer. The new platform, while having a different name, is part of Airbnb Experiences: the app's existing range of locally hosted events, such as cooking classes and hikes. And it runs in a similar way, as in all 'adventures' are 100 percent hosted and planned by locals — Airbnb is simply the mediator between the two. Each adventure is also kept quite small and set at groups of 12 max. To launch the new platform, Airbnb is offering an around the world in 80 days adventure to eight travellers for just $7214 per person, which comes down to about $90 per night. The trip will leave from London on September 1 and bring travellers through 18 countries across six continents — including to Bhutan, Iceland, Egypt, Romania, Japan and Ecuador. Bookings for this one will be available on June 20 and it'll likely book out in a minute, so you best get yourself prepped if you want a spot on this trip. Airbnb Adventures are now live and can be booked through the website or via the Airbnb app (available for Android and iPhones). Images: Tara Rice, Mason Trinca, Ryan Tuttle, Oivind Haug
First, you watch Rings. Then, your interest in the franchise quickly dies. That's what happens when someone unleashes a video no one really wants to see, right? If the Ring series has taught us anything, it's that unpleasant content always sparks a nasty end — and that's exactly what happens here. In a way, the saga's own rules explain why these movies keep coming, except for the fact that creating a copy is supposed to stop something bad from happening. In this case, it just makes things even worse. Odds are, you should already have some idea as to what this movie is about. Maybe you saw Naomi Watts in 2002's The Ring and its lacklustre 2005 sequel. Maybe you're familiar with the (superior) Japanese original from 1998, Ringu, and the numerous spinoffs that followed on from that. Perhaps you're even aware of the Korean remake The Ring Virus or the recent crossover with The Grudge franchise Sadako vs. Kayako. Point is, the premise remains much the same in every single one: unsuspecting folks press play on a creepy video tape, a phone call delivers a seven-day deadline, and the long-haired Samara (now played by Bonnie Morgan) starts wreaking havoc once time runs out. Finding a VCR at a flea market, college professor Gabriel (Johnny Galecki) and his student Skye (Aimee Teegarden) are the latest to let the unhinged ghost loose, turning it into a research project about the existence of the soul. Freshman Holt (Alex Roe) gets himself caught up in the mess, and is soon counting down the days as well. Enter his worried hometown girlfriend, Julia (Matilda Lutz), who decides to get to the bottom of the whole unsettling business. Wait, didn't the first two American Ring flicks involve a feisty female trying to thwart death by investigating Samara's background? Yes, yes they did. Doing the same thing over and over is what horror sequels are usually about, so the fact that this F. Javier Gutiérrez-directed effort retraces the same path is hardly a surprise. Indeed, there's basically nothing surprising about this film, other than Vincent D'Onofrio showing up to deliver some exposition. When you're trying to elicit scares, that's a problem. Cue the same tape and the same journey, shot in a style that makes the entire movie look like a digital copy of better material. A video-within-a-video of extra spooky visuals taunt Julia and company, and an expanded backstory tries to explain Samara's actions even further, but both just typify the filmmakers' underlying "more is better" line of thinking, and neither device manages to amp up the scares or the intrigue. Nor does updating the concept for the modern day. Seeing Samara on in-flight screens and smartphones, and watching people duplicate files rather than tapes, still ultimately smacks of more of the same. Even more infuriating is the fact that Rings is blatantly setting the scene for more unwanted chapters. That means that the 102-minute revisit isn't just a routine rehash — it's filler designed to work up a frenzy for something that might never actually get made. Keeping audiences hanging for future fare rather than bothering to really entertain them this time around might be common in an era of endless, interconnected superhero movies, but here, it's a bigger drag than Samara's limp locks.
If you're in Ashfield on Sunday morning and catch the enchanting scent of jam-filled doughnuts or cheese and potato dumplings, you're probably close by the Polish Club. Not-for-profit Polish cultural organisation PolArt is hosting a Pierogi & Paczki Party at the Ashfield Polish Club on Sunday, March 28. The takeaway food market comes in the lead-up to Wielkanoc, the Polish Easter Sunday. On the menu will be paczki, Polish doughnuts filled with plum jam that are consumed by the millions in Poland in the lead up to Easter, and Polish dumplings called pierogi that will be available with cheese and potato, cabbage and mushroom, pork and sweet cheese fillings. Limited stock will be available on the day, so it's recommended that you preorder if you don't want to miss out. To do so, email your order to info@polartsydney.com.au or head to the Polish Club website for more details. The market is raising funds for the upcoming PolArt Sydney Festival, a ten-day celebration of Polish culture that's scheduled for 2022. The festival the largest and longest-running of its kind outside of Poland. If you stick around after the market, from 3pm you can see the Polish Folkloric Ensemble Syrenka perform for the final time at the Ashfield Polish Club before it closes for renovations. [caption id="attachment_804172" align="alignnone" width="1920"] Renata Brak[/caption] Pierogi & Paczki Party runs from 10am–2pm. Top image: Dana Douglas
Since 1999, Longrain has been serving up interesting, modern takes on Thai fare. But now, the Commonwealth Street digs is about to close its doors, with owner Sam Christie announcing this morning that the team will not renew the lease on the site when it ends on Sunday, June 30. When the restaurant first opened, the food it was serving, under then-chef Martin Boetz, was trailblazing for the area — an area better known for its bustling Oxford Street nightclubs than fine-diners. That has since changed, with Surry Hills now a hub of wine bars and restaurants, offering everything from modern Burmese to lively Indian and Sri Lankan hoppers. Commonwealth Street alone is now filled with places to eat, too, with Chin Chin — another modern Thai restaurant — and Poly, by the Ester crew, both opening in the past two years. Christie has not yet commented on whether this had any weight on his decision to close Longrain. [caption id="attachment_625427" align="alignnone" width="1920"] Nikki To.[/caption] Longrain has outposts in both Melbourne and Tokyo, and the Surry Hills closure doesn't mean the end for Sydney, either. Christie has revealed that he's currently looking at other locations around the city to reopen the restaurant. "Leaving Surry Hills gives us an opportunity to explore other sites for Longrain Sydney," said Christie in a statement. If you haven't visited the restaurant yet, or want to go back once more — for one more betel leaf — you still have time. Christie has announced that it'll be service as usual until the restaurant closes on June 30. "We really look forward to welcoming everyone back into the warehouse to dine and enjoy this beautiful space for the last time," said Christie. Find Longrain at 85 Commonwealth Street, Surry Hills until June 30. It will be service as usual until then, with dinner running every night of the week as well as lunch on Fridays. Top image: Nikki To.
