Casa Esquina is simply one of the best al fresco dining experiences that Balmain and the surrounding peninsula suburbs currently have on offer. The restaurant sprawls across multiple levels in the former Efendy site which has been completely reimagined with the beautiful front courtyard and its two camphor laurel trees as the showpiece of the street front. If you have the means to 'lunch', this is a pretty bloody good setting for it. Casa Esquina arrived in Balmain courtesy of the team behind two of Sydney's best Mexican restaurants — Tequila Mockingbird and Esteban — but this time the team turned their attention further south to Argentina as the inspiration for the food, wine and approach to hospitality. [caption id="attachment_942994" align="alignnone" width="1920"] The hanger steak with chimichurri[/caption] The menu from Head Chef Will Quartel is intended for sharing (although it definitely doesn't have to be) and the kitchen's huge open-flame Parrilla grill is the star of the show. As you'd expect from any Argentinian-inspired menu, beef is one of the lineup's heroes. The Tajima wagyu hanger steak is juicy, perfectly charred and is delicious with or without the accompanying chimichurri. You could go for the 1kg Angus 5+ribeye or an entire suckling pig (which you need to have ordered ahead of time) if you're dining with a group and really want to get the kitchen flexing with that Parrilla. But non-carnivores are catered for, with blackened mahi mahi or a whole grilled fish also coming off the grill in the main section of the menu and plenty of options in the sizeable 'entrada' section. Speaking of the starters, begin with Quartel's take on the classic vitello tonnato done with wagyu beef tongue pastrami instead of the traditional veal. Then get a selection of the empanadas (the kangaroo and maraschino cherry is far more approachable than it might read), the delicate raw kingfish served with a red piquillo pepper dressing, and the insanely good pork chicharrón. The drinks program comprises a generous selection of great cocktails (highly recommended are the 'I've Gochu Now!' and the 'In a Pickle'), as well as a strong wine list heavily featuring South American producers alongside ample Australian and New Zealand entries. [caption id="attachment_942993" align="alignnone" width="1920"] The 'In a Pickle' cocktail at Casa Esquina[/caption] The food and drinks are being done at a high level but what's going to bring you back to Casa Esquina is vibe. A genuinely delightful service team and the indoor-meets-outdoor architecture creates an atmosphere that is infectiously lively and fun. A cracking spot for a long group lunch or a buzzy weeknight date. Image credit: Steven Woodburn
So you've experienced another Sydney winter — not that it was even that cold; the weather was simply beautiful. But nevertheless, it's safe to say we're all ready to shed our layers and head outdoors for some quality time in the sun. Instead of sticking to your favourite beach or local park in the warmer Sydney days ahead, why not venture a little further afield into the countryside? Spanning ocean and desert, NSW boasts an abundance of local food, live music and breath-taking nature to take in. From the lush Hunter Valley vineyards to the dusty flats of Broken Hill, there are festivals and events for every taste. And it's all happening in spring, the season that isn't as hot or busy as summer. Do you need any more convincing? Without some planning, however, your next three months are going to look a little dull. To help you out, we've pulled off our winter mittens for good, and teamed up with Destination NSW to put together a handy list of top things to do with your entourage just in time for the sun to reveal its glorious face.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. SCREAM Twenty-six years ago, "do you like scary movies?" stopped being just an ordinary question. Posed by a wrong-number caller who happened to be a ghostface-masked killer with a fondness for kitchen knives, it was the snappiest and savviest line in one of the 90s' biggest horror films — a feature filled with snappy and savvy lines, too — and it's now one of cinema's iconic pieces of dialogue. It also perfectly summarised Scream's whole reason for being. The franchise-starting slasher flick didn't just like scary movies, though. It was one, plus a winking, nudging comedy, and it gleefully worshipped at the altar of all horror films that came before it. Wes Craven helmed plenty of those frightening features prior to Scream, so the A Nightmare on Elm Street and The Hills Have Eyes director was well-equipped to splash around love for the genre like his villain splashed around entrails — and to eagerly and happily satirise all of horror's well-known tropes in the stab-happy process. If you've seen the 1996 film or its three sequels till now, you've bathed in all that scary movie affection. You might've gleaned the horror basics from their rules and references; the OG film even had its characters watch Halloween and borrows the 70s classic's stellar score for key scenes. Geeking out over spooky cinema is the franchise's main personality trait, to the point that it has its own saga-within-a-saga, aka the Stab movies, and its fifth entry — also just called Scream — wouldn't dream of making that over. The famous question gets asked, obviously. Debates rage about the genre, enough other horror films are name-checked to fill a weekend-long movie marathon, cliches get skewered and dissected, and there's a Psycho-style shower scene. 'Elevated' horror standouts The Babadook, It Follows, The Witch and Hereditary earn a shoutout as well, but Scream itself just might be an elevator horror flick. It isn't set in one, but it crams in so much scary movie love that it always feels like it's stopping every few moments to let its nods and nerding-out disembark. In other words, you'd really best answer Scream's go-to query with the heartiest yes possible, and also like watching people keep nattering about all things horror. Taking over from Craven, who also directed 1997's Scream 2, 2000's Scream 3 and 2011's Scream 4 but died in 2015, Ready or Not's Matt Bettinelli-Olpin and Tyler Gillett task their next generation of slasher fodder with showing their devotion with all the subtlety of a masked murderer who can't stop taunting their prey. That'd be Ghostface, who terrorises today's Woodsboro high schoolers, because the fictional spot is up there with Sunnydale and Twin Peaks on the list of places that are flat-out hellish for teens. The same happened in Scream 4, but the first new attack by the saga's killer is designed to lure home someone who's left town. Sam Carpenter (Melissa Barrera, In the Heights) hightailed it the moment she was old enough, fleeing a family secret, but is beckoned back when her sister Tara (Jenna Ortega, You) receives the feature's opening "do you like scary movies?" call. Soon, bodies are piling up, Ghostface gives Woodsboro that grim sense of deja vu again, and Tara's friends — including the horror film-obsessed Mindy (Jasmin Savoy Brown, Yellowjackets), her twin Chad (Mason Gooding, Love, Victor), his girlfriend Liv (Sonia Ammar, Jappeloup), and other pals Wes (Dylan Minnette, 13 Reasons Why) and Amber (Mikey Madison, Better Things) — are trying to both survive while basically cycling through the OG feature again, complete with a crucial location, and sleuth out the culprit using their scary movie knowledge. Everyone's a suspect, including Sam herself and her out-of-towner boyfriend Richie (Jack Quaid, The Boys), and also the begrudging resident expert on this exact situation: ex-sheriff Dewey Riley (David Arquette, Spree). The latter is the reason that morning show host Gale Weathers (Courteney Cox, Cougar Town) and initial Ghostface target Sidney Prescott (Skyscraper) make the trip back to Woodsboro again as well. Read our full review. KING RICHARD In King Richard, Will Smith does more acting than expected with his back to the on-screen action. He does more acting in general — while the Ali and Concussion star can be a transformative performer, here he feels like he's overtly playing a part rather than disappearing into a role — but the way his eponymous figure handles his daughters' matches instantly stands out. Richard Williams is a tennis parent who despises the usual tennis parent histrionics. At the time the film is set, in the early 90s, he has also coached Venus (Saniyya Sidney, Fences) and Serena (Demi Singleton, Godfather of Harlem) since they were four years old, and penned a 78-page plan mapping out their futures before they were born. He's dedicated his life to their success; however, he's so restless when they're volleying and backhanding that he can't bring himself to watch. These scenes in King Richard are among Smith's best. He's anxious yet determined, and lives the feeling like he's breathing it, in some of the movie's least blatantly showy and most quietly complex scenes as well. The Williams family patriarch has wisdom for all occasions, forged from a tough childhood in America's south, plus the hard work and hustle of turning Venus and Serena into budding champions, so he'd likely have something to say about the insights gleaned here: that you can tell oh-so-much about a person when they're under pressure but nobody's watching. If he was actively imparting this lesson to his daughters — five of them, not just the two that now have 30 Grand Slam singles titles between them — and they didn't glean it, he'd make them watch again. When they see Cinderella in the film, that's exactly what happens. But his courtside demeanour is teachable anyway, recognising how all the preparation and effort in the world will still see you tested over and over. King Richard mostly lobs around smaller moments, though — still life-defining for the aforementioned trio, matriarch Oracene (Aunjanue Ellis, Lovecraft Country) and the rest of the Williams brood, but before Venus and Serena became women's tennis superstars. It unpacks the effort put in to even get them a game, set or match and be taken seriously in a sport that's whiter than the lines marking out its courts, and the chances, sacrifices and wins of their formative years. From cracked Compton courts and homemade hype videos to seizing every hard-earned opportunity: that's the tale that King Richard tells. But, despite making a clear effort to pose this as a family portrait rather than a dad biopic, it still shares an approach with Joe Bell, director Reinaldo Marcus Green's prior film. It bears one man's name, celebrates him first and makes him the centre of someone else's exceptional story. In screenwriter Zach Baylin's debut script, Richard's aim is simple: get Venus and Serena to racquet-swinging glory by any means. His DIY tapes are bait for a professional coach, but attracting one is easier said than done for a working-class Black family without country club connections facing America's inbuilt racism and class clashes, and tennis' snobbery — even if Richard knows his daughters will reach their goals. A turning point comes when, after strolling into a practice match between Pete Sampras and John McEnroe, Richard convinces renowned coach Paul Cohen (Tony Goldwyn, Scandal) to watch his kids play and take on Venus for free. While she's swiftly impressing on the junior circuit, her dad becomes concerned about her psychological and emotional wellbeing, so he next works his persuasive act on Florida-based coach Rick Macci (Jon Bernthal, The Many Saints of Newark) — with a strict no-competition rule. Read our full review. LIMBO Describing a dance and a state of uncertainty alike, limbo is one of those always-intriguing words. Many terms boast multiple meanings, but this one skirts two ends of the spectrum — the party-fuelled joy of a parade of people trying to pass under a bar while bending over backwards, and the malaise of being stuck waiting and not knowing. Both require a degree of flexibility, though, to either complete physical feats or weather the fickleness of life (or, in limbo's religious usage, of being caught in an oblivion between heaven and hell). It's no wonder then that British writer/director Ben Sharrock chose the word for his second feature, following 2015's Pikadero. His Limbo lingers in a realm where men are made to contort themselves, biding one's time anticipating a decision is the status quo and feeling like you've been left in a void is inescapable. The fancy footsteps here are of the jumping-through-hoops kind, as Limbo ponders a revelatory question: what happens when refugees are sent to a Scottish island to await the results of their asylum applications? There's zero doubting how telling the movie's moniker is; for Syrian musician Omar (Amir El-Masry, Star Wars: Episode IX — The Rise of Skywalker) and his fellow new arrivals to Scotland, there's little to do in this emptiness between the past and the future but wait, sit at the bus stop, check out the children's playground and loiter near the pay phone. That, and navigate the wide range of reactions from the locals, which veer from offensive to thoughtful. Everything about the situation demands that Omar and his companions make all the expected moves, but it also forces them to potter around in purgatory and stomach whatever is thrown at them to do so. In Omar's case, he's made the trip with an actual case — physically, that is, thanks to his prized possession. He's brought his grandfather's oud with him, which he rarely lets slip from his grasp, and so he feels its weight where he goes. It's a canny part of Limbo's script in two ways. Whatever they're fleeing in search of a better life, every refugee has a case to be welcomed into safer lands that they carry around with them, but Sharrock manifests the idea in a tangible sense. With Omar's musical dreams, which the beloved oud also represents, in limbo as well, the ever-present instrument additionally acts as a constant reminder of the sacrifices that asylum seekers make in leaving their homes, even when there's no other option, and the costs they pay when they're met with less-than-open arms, then left waiting for their new existence to begin. Just as the term limbo means so much, so does that oud — and so does the feature it's in. A film can be heartbreaking, tender, insightful and amusing all at once, and Limbo is indeed all of those things. It's both dreamlike and lived-in, too, a blend that suits its title and story — and also the mental and emotional state shared by Omar and his other asylum seekers as they eke out their hope and resilience day after unchanging day, all while roaming and roving around an island that may as well be another world. The Scottish landscape around them looks like it could grace a postcard, and Sharrock has cinematographer Nick Cooke (Make Up) box it into an almost-square frame to make it resemble vacation snaps. That choice of 1.33:1 aspect ratio also confines the movie's characters in another fashion, of course, offering a blatant visual flipside to the holiday-perfect splendour; being trapped anywhere is bleak, even if it appears picturesque. Read our full review. GOLD Gold's title doubles as an exclamation that Australian filmmakers might've made when Zac Efron decamped to our shores at the beginning of the pandemic. Only this outback-set thriller has put the High School Musical, Bad Neighbours and Baywatch star to work Down Under, however, and he definitely isn't in Hollywood anymore. Instead, he's stuck in "some time, some place, not far from now…", as all-caps text advises in the movie's opening moments. He's caught in a post-Mad Max-style dystopia, where sweltering heat, a visible lack of shelter, a cut-throat attitude, water rationing, and nothing but dirt and dust as far as the eye can see greets survivors navigating a rusty wasteland. But then his character, Man One, spots a glint, and all that glisters is indeed gold — and he must guard it while Man Two (Anthony Hayes, also the film's director) seeks out an excavator. Exactly who stays and who goes is the subject of heated discussion, but Gold is an economical movie, mirroring how its on-screen figures need to be careful about every move they make in such unforgiving surroundings. As a filmmaker, helming his first feature since 2008's Ten Empty, Hayes knows his star attraction — and he's also well-aware of the survivalist genre, and its history, that he's plonking Efron into. Almost every male actor has been in one such flick or so it can seem, whether Tom Hanks is talking to a volleyball in Castaway, Liam Neeson is communing with wolves in The Grey or Mads Mikkelsen is facing frosty climes in Arctic. Although Gold purposefully never names its setting, Australia's vast expanse is no stranger to testing its visitors, too, but Hayes' version slips in nicely alongside the likes of Wake in Fright, The Rover and Cargo, rather than rips them off. The reason such tales persist is pure human nature — we're always battling against the world around us, even if everyday folks are rarely in such extreme situations — and, on-screen, because of the performances they evoke. Efron isn't even the first import to get stranded in sunburnt country in 2022, after Jamie Dornan did the same in TV miniseries The Tourist, but he puts in a compellingly internalised performance. Man One's minutes, hours and days guarding an oversized nugget pass with sparing sips of H20, attempts to build a shelter and altercations with the locals, including of the two-legged, canine, insect and arachnid varieties, and the toll of all this time alone builds in Efron's eyes and posture. His face crackles from the sun, heat and muck, but his portrayal is as much about enduring as reacting, as both Efron and Hayes savvily recognise. Writing with costumer-turned-scribe Polly Smyth as well as directing solo, Hayes puts more than just survival on Gold's mind, though: when the titular yellow precious metal is involved, greed is rarely good. Here, staying alive at any cost is all about striking it rich at any cost, and also about the paranoia festering between two new acquaintances who've randomly stumbled upon a life-changing windfall — as heightened by the film's stark, harsh, post-apocalyptic setup. When a third person (Susie Porter, Ladies in Black) enters the scenario, Gold grimly lets its life-or-death and lucky break elements keep clashing, but also pairs Man One's desperation with the mental decline that blistering in the sun, being parched with thirst and starving with hunger all bring. Greed proves perilous in a plethora of ways in the film's frames, including inside its main character's head. Read our full review. THE 355 They're globe-hopping, ass-kicking, world-saving spies, but women: that's it, that's The 355. When those formidable ladies are played by a dream international cast of Jessica Chastain (Scenes From a Marriage), Lupita Nyong'o (Us), Penélope Cruz (Pain and Glory), Diane Kruger (In the Fade) and Fan Bingbing (I Am Not Madame Bovary), the tickets should sell themselves — and Chastain, who suggested the concept and produces, wasn't wrong for hoping that. Giving espionage moves the female-fronted spin that Bond and Mission: Impossible never have isn't just this action-thriller's quest alone, of course, and nothing has done so better than Atomic Blonde recently, but there's always room for more. What The 355 offers is an average affair, though, rather than a game-changer, even if it so evidently wants to do for its genre what Widows did for heist flicks. The film still starts with men, too, causing all the globe's problems — aka threatening to end life as we know it via a gadget that can let anyone hack anything online. One nefarious and bland mercenary (Jason Flemyng, Boiling Point) wants it, but the CIA's gung-ho Mason 'Mace' Browne (Chastain) and her partner Nick Fowler (Sebastian Stan, The Falcon and the Winter Soldier) head to Paris to get it from Colombian intelligence officer Luis Rojas (Édgar Ramírez, Jungle Cruise), who's gone rogue and is happy to sell; however, German operative Marie Schmidt (Kruger) is also on its trail. The French connection goes wrong, the two women get in each other's ways, but it's apparent — begrudgingly to both — that they're better off together. They need ex-MI6 cyber whiz Khadijah Adiyeme (Nyong'o) to help, while Colombian psychologist Graciela Rivera (Cruz) gets drawn in after making the trip to stop Luis going off the books. No stranger to covert affairs or formidable women after penning Mr and Mrs Smith, but helming only his second movie following the awful X-Men: Dark Phoenix, director/co-writer Simon Kinberg spreads the action across several continents — including a foot chase in Marrakesh and an auction in Shanghai, which is where Lin Mi Sheng (Fan) joins the story. Scripting with TV veteran Theresa Rebeck (Smash), his big setpieces all play with the film's gender focus, mostly dissecting how women are so often overlooked in various situations; the indifference given wait staff, the invisibility of women in male-dominated societies and the way they're meant to be pure eye candy at black-tie occasions all earn the movie's ire. But these sentiments, like everything else in the feature, are blatant and straightforward at best. The mood the movie vibes with: "James Bond never had to deal with real life," as Cruz is given the misfortune of uttering. The 355 should be better — with its dialogue, clearly; with its girl-power, girl-boss, girls-can-do-anything messaging; and at celebrating more than five women, or even showing them. (If you were going to pick five ladies to do the job, though, this casting is spot-on.) It could use a sense of style and charm beyond Nyong'o's suits and the gang's personality-matched auction outfits, and its over-edited action scenes put Kinsberg two for two with tanking a crucial part of his directorial efforts to-date. Women can star in mediocre action movies as well, however. That isn't meant to be the picture's big push for gender parity, but The 355 is also exactly what seemingly millions of bland men-led actioners have been serving up for decades upon decades. It packages it up in an Ocean's 8-meets-Bourne approach, or a more self-serious Charlie's Angels, but these run-of-the-mill flicks have long been everywhere, just without as much oestrogen. The Bond and Mission: Impossible franchises have their own, too. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on September 2, September 9, September 16, September 23 and September 30; October 7, October 14, October 21 and October 28; November 4, November 11, November 18 and November 25; December 2, December 9, December 16 and December 26; and January 1 and January 6. You can also read our full reviews of a heap of recent movies, such as Shang-Chi and the Legend of the Ten Rings, Summer of Soul (...Or, When the Revolution Could Not Be Televised), Streamline, Coming Home in the Dark, Pig, Big Deal, The Killing of Two Lovers, Nitram, Riders of Justice, The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth, The Worst Person in the World, Ghostbusters: Afterlife, House of Gucci, The King's Man and Red Rocket.
Having a hard week? Need to get your chi sorted but also just really want a drink? Well, every Sunday you can do both — at a brewery. That's right, a brewery. Every Sunday morning, you can stretch and sip in Marrickville's Stockade Brew Co. Dubbed Beer 'n' Yoga, the guided class — held at 11am — is hosted by instructor Arabella Stevens and is aimed at a beginner to intermediate level. Fifteen bucks gets you a 60-minute yoga class followed by a free craft beer from the brewery's core range: Chop Shop Pale Ale, 8Bit IPA, Sesh Mid-Strength, Hop Slicer Grapefruit, Mr Fruju NEIPA or Duel Hoppy Lager. Brewery yoga is already a popular trend across the US craft beer scene, and Sydney has already hosted a couple of iterations of its own. The idea stems from the notion that yoga isn't about incense and austerity, but instead about finding a healthy balance in life. By 'balance', we don't mean practicing upward facing dog with a beer in one hand (although, kudos to you if you can manage that), but appreciating yoga and beer in quick succession. Bring your yoga mat, an open mind and be sure to pack your drinking hat, too.
Everyone loves having a big night, whether it's celebrating a friend's birthday, a cheeky date night indulging in one too many vinos or a low-key group dinner that escalated well into the AM. What's not so great? The day after — when you wake up with a splitting headache, parched throat and regrets on caving in to the pleas of "just one more". Lucky for you, we've compiled a list of life-saving meals to revive you to full health when you're feeling a little dusty. Best of all, you can get every one of these meals delivered to you via DoorDash so you won't have to drag yourself out of the house or out of your pyjamas. Go on, sink your teeth into a B&E roll and sip your morning coffee from the comfort of your own bed. We won't judge.
Sous chefs are regarded as the engine room of the kitchen, but despite their many responsibilities (including defining how dishes are presented and training staff), they often go under-acknowledged. But now they're getting their time. In an Australian first, sous chefs from some of Sydney's best restaurants are coming together for a special dinner series. Taking place at the old Marque space on Crown Street in Surry Hills, Sunday Sous Sessions will bring together chefs from Cirrus, .nel, Fratelli Paradiso and North Bondi Fish. Each will present a five-course degustation dinner every Sunday in September. "Often the unsung heroes, sous chefs are juggling everything from budgets, suppliers, menu creation and working with the team from preparation to service," said event founder Aaron Teece. "This is a chance to have the public experience and see firsthand what our sous chefs can do." Tickets are $165 a head, with a portion of all ticket sales donated to RUOK Day. Session 1 — Sunday, September 3 Andy Ashby from .nel Restaurant Session 2 — Sunday, September 10 Khanh Nguyen from Cirrus Session 3 — Sunday, September 17 Sam Young, Ex Ms G's & newly appointed for Fratelli Paradiso Session 4 — Sunday, September 24 Alex Farrow, North Bondi Fish
"I ran into her on computer camp"... was that in Bergen, Norway? The synth-driven duo with a slick devotion to red tracksuits are back with "the most extravagant single in history". Datarock's new single 'Catcher In The Rye' comes as a designer toy with a USB stick that features 110 tracks, 1500 photos taken at their shows across 33 countries, 20 music videos, and Never Say Die, a brand new hour-long concert film. Definitely extravagant, and a novel idea, if you think about it. Generally lumped in with fellow electro-rock revivalists LCD Soundsystem, Hot Chip and Klaxons, Datarock are the self-proclaimed peak of pop evolution. They deliver Devo-esque disco with post-punk licks, effortlessly traversing between four/four Groovebox rhythms and spacey melodies. They are festival favourites across North America, Europe, Asia and South America, as renowned for their onstage aerobics and uptempo performances as they are for their covetable tracksuits. Datarock are in Australia for Groovin the Moo but are bringing their shimmery sonic soundscapes to the Oxford Art Factory this Thursday. It'd be a smart idea to grab tickets and get a pair of wraparound Porsche sunglasses quick.
Since 1989, the Piscine Molitor – Paris’s most glamorous interwar swimming spot and namesake of Yann Martel’s fictional hero – has been dry as a bone. Where the world’s first bikini model strutted her stuff and Tarzan once served as lifeguard, graffiti artists have been busy tagging and ravers have been busy, well, raving. In fact, a 2001 dance party run by French collective Heretik saw a 5,000-strong crowd occupy the space. But as of Monday, the indoor pool has been re-filled and re-opened in yet another incarnation. It is now part of a luxury 124-room MGallery hotel, complete with gym, spa, restaurant and bar. And the privilege of visiting for a day comes at the whopping cost of €150 (about $220). Both the 33-metre pool and the 50-metre lido have received a somewhat controversial renovation. Of the original façade, designed by Lucien Pollet, only one small section remains. But the architect behind the changes, Jean Phillipe Nuel, defends them. "We tried to conserve the dialogue between past and present," he told The Guardian. "For example, in the lobby under the original two-metre high ceiling (now mirrored) is a Rolls Royce bought by Eric Cantona, tagged by the American graffiti artist JonOne." Nuel has also managed to preserve several distinguishing Art Deco features, including the mosaics, stained glass images of bathers, blue doors and green railings crucial to Pollet’s original vision: that the Piscine Molitor should resemble an ocean liner. All the fancying up is perhaps less in keeping with Martel’s artistic decisions. The long-surviving, spiritually explorative Pi received his name because his “honorary uncle”, Mamaji, had told his father: “If you want your son to have a clean soul, you must take him one day to swim in the Piscine Molitor”. No mention of an enormous bank account. Via The Guardian.
When news arrived that Brooklyn Nine-Nine is coming to an end after its upcoming eighth season, did it hit you a little harder because you've spent the past year binging and re-binging its latest batch of episodes? According to a rundown of Australia's most-rented and -bought video-on-demand titles from 2020, plenty of TV lovers spent the last chaotic year watching comedic cop antics. The show ranks second on the television list — and, across both film and TV, it has a heap of company. The Australian Home Entertainment Distributors Association (AHEDA) has released four top ten lists, all detailing exactly what Aussies were hiring and buying to watch online in 2020. Netflix did something similar late last year, when it reminded us all that we'd feasted our eyeballs on Cobra Kai, The Haunting of Bly Manor to Enola Holmes and Tiger King: Murder, Mayhem and Madness; however, this new rundown focuses on things you would've headed to digital purchase and rental stores to see (so, to services such as Google Play, YouTube Movies, Amazon Video, Apple TV, the Foxtel Store, Telstra Box Office and Fetch). With cinemas closed for months, a number of recent flicks then fast-tracked online, it's hardly surprising that movies that quickly jumped to digital proved popular. Jumanji: The Next Level topped the best-selling list, followed by Sonic the Hedgehog. Also now sitting in virtual movie collections around the country: Frozen 2, Joker, Star Wars: Episode IX — The Rise Of Skywalker, Bad Boys For Life, The Gentlemen, Bloodshot, Scoob! and Ford v Ferrari. https://www.youtube.com/watch?v=zyYgDtY2AMY Some of the above films also feature on the most-rented list, which Joker topped. Sonic the Hedgehog came in second again, with The Gentlemen, Jumanji: The Next Level and Gemini Man rounding out the top five. They were followed by 1917, Knives Out, Ford v Ferrari, Once Upon A Time in Hollywood and Hustlers. And, if you made an effort to support local fare while Australia's creative sector was affected by the pandemic, AHEDA has detailed which ten Aussie-produced movies received the most love. Ride Like a Girl came out on top, The Invisible Man took second spot and Miss Fisher and The Crypt of Tears nabbed third. Then came Danger Close: The Battle of Long Tan, 100% Wolf, Go!, Peter Rabbit, Black Water: Abyss, Carl Barron — Drinking with a Fork and The Nightingale. On the TV front, Brooklyn Nine-Nine's seventh season was only pipped by Outlander's fifth season. On the rest of the televisio list: The 100's seventh season, Vikings' sixth season, The Undoing, Supernatural's 15th season, Big Little Lies' second season, Game of Thrones' eighth season, Chernobyl and the first season of Succession. AHEDA also noted that the Game of Thrones, Lord of the Rings and Harry Potter franchises were popular (unsurprisingly), and that digital purchases and rentals soared in April and May (again, to the surprise of of no one) by between 29–55 percent. To rent or buy any of of the above titles online, head to services such as Google Play, YouTube Movies, Amazon Video, Apple TV, the Foxtel Store, Telstra Box Office and Fetch.
Blurring the lines between life and art, Ross Watson is getting a well-deserved party. An Anniversary celebrates his 15-year legacy with a gallery exhibition of some of his best hyperreal works. Running as a part of the Mardi Gras 2015 festival program, Watson's provocative creations will be showing at Waterloo's Depot Gallery for two weeks only. The Melburnian tackles issues of sexuality and self-expression in his signature playful style (without fear of ruffling a few feathers along the way). An international art-world favourite, Watson's dynamic, out-of-the-box efforts are what sets him apart, earning him the praise of Elton John and Stephen Fry, among others.
Dom Dolla just keeps making history. Back in December 2023, the Australian DJ and producer notched up a hefty achievement, playing his biggest-ever hometown show in Melbourne at the Sidney Myer Music Bowl. Then, come 2024, his national tour became the largest ever by an Australian electronic artist, selling 170,000-plus tickets in four cities. What does 2025 hold, then? Oh, only the Grammy-nominee doing his first-ever Aussie stadium show and biggest headline gig ever. He's played Coachella, Lollapalooza, Wildlands, Spilt Milk and more — including soldout Madison Square Garden gigs with over 30,000 attendees, plus Ultra Miami and EDC Las Vegas. When Europe's summer hits, he's doing a ten-week residency at Hï Ibiza. Then, on Saturday, December 20, 2025, Dom Dolla will head home in a massive way, headlining Sydney's Allianz Stadium. The three-time ARIA-winner (and 16-time ARIA-nominee) also has something else sizeable to add to his resume in 2025: with 'No Room for a Saint' featuring Nathan Nicholson, he's making his film soundtrack debut. The movie: the Brad Pitt (F1)-starring F1. Also this year, Dom Dolla has released two other tracks: 'Dreamin' featuring Daya and 'Forever' with Kid Cudi. On his 2024 Aussie tour, the venues weren't small, given that he played Melbourne's Flemington Racecourse, Sydney's Domain, Brisbane's Riverstage and Perth's Wellington Square. But making the leap to a headline stadium gig is no minor feat. Only the sole Allianz Stadium show has been announced, so if you're keen to head along and you're outside of the Harbour City, you'll also want to make travel plans. Dom Dolla is playing Allianz Stadium, Sydney on Saturday, December 20, 2025. You can sign up for ticket presales from 11am AEST on Monday, May 19, then buy presale tickets from the same time on Thursday, May 22, with general sales from 12pm on Friday, May 23. Head to Dom Dolla's website for more details. Images: shevindphoto / Beyond the Valley, Chloe Hall.
Straddling the late morning divide of breakfast and lunch, the linguist's nightmare that is 'brunch' is just about our favourite weekend activity. When we say brunch, we're not talking about your quick morning coffee; we're talking mountains of food, shareable plates and a healthy dose of pre-midday alcohol (cue the flowing of mimosas). So whether you're a traditionalist or prepared to give your tastebuds a workout and whether your preference is of the organic, health-conscious variety or the bacon-on-the-side-of-heart-disease variety, we have a brunch experience for just about every disposition. Muchos food porn awaits! The Carrington Where: 538 Bourke St, Surry Hills If you're looking for cocktails with breakfast, it's hard to go past one of our favourite haunts: the Spanglish mash-up of the Carrington. While other gastronomical institutions might offer brunch-goers modestly alcoholic beverages and watered-down champagne, the Carrington says screw your hangover and your sense of propriety with a full menu of beer, spirits and hair-raising cocktails. There are the standard Mimosas, but for the more ambitious amongst you we suggest trying out the Bacon Caesar (bacon-infused vodka, spices and clamato juice) or Single Mother (with red wine, Southern Comfort, nutmeg and ginger beer). The food itself is straight out of a Majorca cafe, with even the more traditional breakfast dishes given a Spanish twist. Think smoked paprika eggs benedict, Ibiza muesli or big breakfast with chorizo and rosti. Buenos dias! Jo & Willys Depot Where: 286 Campbell Pde, North Bondi As an increasingly cynical restauranteur, I have to expect that when it comes to beachside cafes, the quality of the view will always be directly disproportionate to the quality of the food. Thankfully, Jo & Willys Depot is an emphatic exception to this rule. Instead, the Depot has found what you might call a winning formula: a rough and ready decor, resembling something like a shabby-chic version of the Antiques Roadshow, panoramic views of Sydney's most iconic beach and an all-day breakfast menu to die for. Their approach to food is pretty simple. Keep the produce fresh and the ingredients organic and you can hardly go wrong. Their pancakes made from rice and tapioca flour are a particular local favourite while their homemade berry and banana muffins are melt-in-you-mouth spectacular. Two Peas Where: 198-206 St Johns Rd, Glebe Two Peas is the sort of uber-trendy cafe that Glebe seems to have coming out of its ears — but it also radiates the sort of homely vibe that turns its customers into regulars and friends. Two Peas is the love child of British chefs Nick Johnson and Tom Stoneham, who met while working for Jamie's Italian in Cambridge. The boys, it seems, learnt a thing or two from Jamie: (1) Produce should always be fresh and locally produced, (2) Banoffee muffins can solve all the world's problems and (3) The Brits always do it best. With a short but delightful menu of updated British staples such as poached eggs and baked beans on toast (made from fantastically spicy beans) and porridge with figs, Two Peas does English breakfast the way it should be done. Of course, it's not a British meal without a cold lager to wash it all down, and as such the drinks menu is chock-a-block full of local brews handpicked by the owners. At their suggestion I had a try of the Australian Brewery pale ale, which was positively crackling with refreshing, passionfruit-y goodness. The Grounds of Alexandria Where: Building 7A, 2 Huntley St, Alexandria It's no secret; we at Concrete Playground are pretty fond of the Grounds. There is something undeniably intoxicating about this repurposed Four'n Twenty Pie Factory, whether it's the blackboards advertising '25 hour breakfast' or the buzzing, bustling atmosphere of Alexandria's most sought-after brunch venue. Our meal of choice is the mountain of ocean trout stacked on toast with a light and tangy fennel and herb salad and a generous helping of scrambled eggs. While alcohol is available, you'd be remiss not to try one of their multi-award winning coffees from former world latte art champion Jack Hanna. They are as creamy, subtle and dazzling as you could possibly hope for. And always, always do they look as good as they taste. Somehow the Grounds continues to match its hype. Almond Bar Where: 379 Liverpool St, Darlinghurst One of the defining aspect for any good brunch is its shareability. Almond Bar understands this and Almond Bar nails it. This hotspot for Darlinghurst brunch-ers specialises in serving food by the truckload, with a veritable feast of big breakfasts, share plates and breakfast platters for you and your fellow diners to gorge on. The food however is not your typical eggs and bacon bonanza but instead specialises in Syrian cuisine in all its multiplicity of flavours. There are Middle Eastern omelettes; traditional ful, fatteh made from layers of crushed chickpeas, tahini, fried bread, yoghurt, pinenuts and almonds; and the (mandatory) baklava. Get your bookings in early because these breakfast mezze feasts only happen on the first Sunday of each month. Foley Lane Where: 371-373 Bourke St, Darlinghurst When the Friday night crowds have subsided and the hangover hits, there is no better place to grab a boozy brunch than Foley Lane. Try out their pork and potato hash topped with poached egg if you're looking for a hearty hangover cure, or if you're feeling a little more adventurous, then the roasted field mushroom with ricotta and eschalot dressing is to-die-for good. Foley Lane is first and foremost a bar and as such their breakfast cocktails are pretty red hot. Try out the Seasonal Margarita, enlivened with the zing of fresh plum, or the Morning Martini made from citrus vodka, apricot brandy and marmalade. Kazbah Where: 379 Darling St, Balmain Darlinghurst does not corner the market on Arabic brunches. Balmain's Kazbah are of the culinary school that says that bigger is always better with the sort of giant servings that will have any carnivore salivating. For groups of four or more, your best bet is one of the Kazbah's famous breakfast feasts, which features up to nine separate dishes, ranging from Middle Eastern treats such as lamb mince tagine to such devilishly sweet delights as chocolate and raspberry pancakes with butterscotch sauce and chocolate fudge ice cream. With the breakfast menu lasting until 3pm each weekend, there is no reason to feel guilty for trying out one of Kazbah's $14 breakfast cocktails. The Salty Dog made from vodka, lime and grapefruit is a particular specialty. Rainford Street Social Where: 500 Crown St, Surry Hills It was to the great distress of many Surry Hills locals when Rainford Street Social cut their breakfast menu. Thankfully, it's back and better than ever with super-chef Ben Orpwood’s unique take on classic brekky dishes like smoked salmon and truffled scrambled eggs and a pastrami and Emmental croissant melt. With meals named after such Rainford Street regulars as “Matty”, “Ben” and “Eddy”, it’s clear that this Crown Street favourite are not only “social” by name but also “social” by nature. Just ask any of the revellers that stack the restaurant on any given weekend. Orpwood is clearly a man after our own hearts with a propensity for hangover-curing cocktails such as the delightfully creamy “White Rabbit Shake” made from Jack Daniels and banana cream pie ice cream. Bondi Hardware Where: 39 Hall St, Bondi Beach 'Hardware' is an apt descriptor for this Bondi gem. With its exposed brick walls, cracking plaster and mishmash of pot plants, dining at Bondi Hardware is much like what I imagine dining in an interior designer's garage must feel like. While previously a hardware store, nowadays Bondi Hardware plays host to awesomely funky tunes, vibrant staff and the delectable Moroccan eggs with minted yoghurt and sourdough. You haven’t really been to Bondi Hardware until you've tried their infamous Bloody Mary. More a meal-in-a-glass than a mere cocktail, this brunch staple has been overhauled by the Bondi boys with spicy tomato, cucumber and beetroot juice mixed with a shot of tequila. Chiswick Where: 65 Ocean St, Woollahra The first thing that springs to mind about the Chiswick is its classiness. The floor-to-ceiling windows overlooking the postcard-ready gardens is like something out of a Victorian-era tea party (without any of the political connotations), while the menu has all the hallmarks of head chef Matt Moran. Even casual Masterchef fans could probably tell you that if its got the Moran signature, then this probably means you're looking at huge slabs of Moran family meat, with the chargrilled grass-fed beef or wood-roasted lamb perhaps the two most enticing numbers on the menu. This carnivorous lust is complemented by Chiswick's love of fresh herbs and vegetables, much of which is grown in the Chiswick gardens. Add to this the refreshing Cucumber Margarita and you have yourself one of eastern Sydney's hottest late brunch venues.
If there's one thing that puts Australia head and shoulders above the rest of the world when it comes to tourism, it's that you can enjoy every type of climate in one place. Enjoy shredding it on the ski slopes? You're sorted. Love sojourning balmy beaches in your speedos? No worries. Over 18-percent of the country is made up of desert, which also makes Australia one of the best places for the ultimate desert experience. From red sand dunes and dramatic sheer cliffs to wallabies around watering holes and ancient rock formations, the desert could not look any better than in Central Australia. So, we've teamed up with Tourism Central Australia to give you the ultimate desert itinerary in the Red Centre. Want to plan your very own adventure to the Red Centre? Take a look at our handy trip builder to start building your custom itinerary now.
One of the tastiest times of year is officially upon us thanks to an event that is dedicated to our favourite things — eating and drinking. Throughout May, loads of restaurants are serving up one-off menus, offering discounts on dishes and sharing culinary secrets for American Express delicious. Month Out. With so much on offer, it can be hard to decide where to go — that's where we come in. To help you find your ideal feast, we've scoured the program to bring you our top picks. From dumpling masterclasses to a progressive lunch at multiple venues, here are our picks for a delicious time this May.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Sydney is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to celebrate the landmark 40th anniversary of their iconic small cars, and in turn, help you celebrate the little things that bring that sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Sydney. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, chuckle over some live comedy for only $10, seek out authentic Vietnamese food in Cabramatta and practice sun salutations on a farm. Plus, we've got your future detours sorted for the next few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
With a snap of the fingers, the Marvel Cinematic Universe underwent a huge change back in Avengers: Infinity War, and its movies and TV shows have been dealing with the fallout ever since. But another snap might be coming — not within the ever-sprawling franchise's on-screen narratives, but thanks to a possible slowed-down pace when it comes to filling cinemas and streaming queues with Marvel's heroes. All Marvel all the time: that's seemed to be Disney's approach to building the MCU, and our eyeballs have been busy as a result. In 2021 and 2022 alone, seven films and eight television shows made their debuts, spanning everything from Black Widow, Eternals, Thor: Love and Thunder and Black Panther: Wakanda Forever through to WandaVision, Loki, Moon Knight and Ms Marvel. And, 2023 has already kicked off with Ant-Man and the Wasp: Quantumania, with Guardians of the Galaxy Vol. 3 to come in May. Disney is reportedly thinking about easing the flow of the Marvel Cinematic Universe, however, and also getting better at curating it. Multiple recent reports and interviews, including in The Hollywood Reporter and Entertainment Weekly, have spoken about releasing fewer movies and shows each year, as well as ensuring there's more space between them. "The pace at which we're putting out the Disney+ shows will change so they can each get a chance to shine," Marvel Studios President Kevin Feige told Entertainment Weekly. Just as Ant-Man and the Wasp: Quantumania hit cinemas last week, Marvel pushed back its third big-screen release for 2023, The Marvels, from July 28 to November 9. It teams up Captain Marvel (Brie Larson, Just Mercy), Ms Marvel (Iman Vellani) and WandaVision's Monica Rambeau (Teyonah Parris, Candyman), but viewers will now have to wait a few more months to see the end result. That's one of a few shifts that the MCU has put in place since unveiling its huge phase five and phase six plans in mid-2022, with other dates moving back as well. Now in its multiverse saga, with a big focus on Jonathan Majors (The Harder They Fall) as new big bad Kang the Conqueror, the Marvel Cinematic Universe has delayed the return of Blade — this time starring Moonlight and Green Book Oscar-winner Mahershala Ali — to September 5, 2024. It'll come after a new Captain America movie on May 2, 2024, called Captain America: New World Order, focusing on Sam Wilson (Anthony Mackie, The Falcon and the Winter Soldier) with the cape and shield, plus Thunderbolts on July 25, 2023. 2024 will also see the next Deadpool flick arrive on November 7 co-starring Hugh Jackman, with The Son actor returning to the role of Wolverine, and both Deadpool and Wolverine entering the MCU. From there, expect yet another Fantastic Four film, which'll now release on February 14, 2025 (with no cast yet announced), plus Avengers: The Kang Dynasty and Avengers: Secret Wars following on May 1, 2025 and April 30, 2026, respectively. While slight changes have already been made to the movie slate's dates, more may come in light of Feige's comments — and Disney CEO Bob Iger's own comments that the Mouse House must improve its curating skills with its content. And, the same may prove true of the MCU's small-screen lineup, none of which has set dates so far. 2023 is meant to see five shows arrive: the Samuel L Jackson-starring, Nick Fury-focused Secret Invasion, which was initially expected in autumn Down Under; Ironheart, which features the Dominique Thorne (Judas and the Black Messiah)-played character first seen in Black Panther: Wakanda Forever; season two of Loki; Hawkeye spinoff Echo; and witchy WandaVision spinoff Agatha: Coven of Chaos. But, it's now reported that only Secret Invasion and Loki are certain to hit this year. After that, a new 18-episode Daredevil series starring Charlie Cox (King of Thieves) and Vincent D'Onofrio (The Unforgivable), this time called Daredevil: Born Again, is on the schedule for 2024. These films and series are all still on their way — so, while you might not be watching quite as many new Marvel movies and TV shows over the next few years after all, they're still coming, just better spread out. Maybe this far in, more breaks from the Marvel Cinematic Universe will make the heart grow fonder, especially if you've been feeling a bit of MCU fatigue. For more information about Marvel's upcoming slate of films and TV shows, head to the company's website. Via The Hollywood Reporter and Entertainment Weekly. Top image: Photo by Jay Maidment. © 2022 Marvel. All images: courtesy of Marvel.
Having a meal delivered to your home was once the height of decadence, now it's practically an everyday choice because of the variety of cuisines and dishes on top of the unbeatable convenience. Happily, these days you can get spectacular eats sent piping hot to your casa as per our list below, delicious stuff you can eat in front of the TV without major inconvenience or skimping on flavour. Fire up a movie and start planning your meal. The only tricky part is deciding which to choose.
Facebook is swiftly becoming the radar of global activity, now obtaining the power to track not only people's social networking patterns but also their travel paths, their ages and even their political inclinations. With over 800 million active users the social networking site is rampant, with immense data processing required for the constant stream of check-ins, status updates and photo uploads. Data scientist at Facebook, Justin Moore, created these global maps as a captivating visual indicator of where and who the world's Facebook users are to make sense of some of the unique data. SEASONED TRAVELLERS WHO WANT TO MAKE IT KNOWN Forget the old maps of showing aeroplane's routes across the globe because we can now follow travel patterns through Facebook users' check-ins. This map uses check-ins at two far off locations as a way of tracing globe-trotting journeys. NYC HUSTLE AND BUSTLE Check-ins over several days in New York City alone reveal the heavier users are situated around more heavily trafficked commercial and tourist areas. Shouldn't you guys be working or studying or something? NEW VS. OLD The colour ranges of this dazzling map represent the ages of users, again through their check-ins on Facebook. The green zones constitute the older and more established Facebookers whilst the blue are the younger rookies. PRETTY POLITICAL Although what may look like some sort of beautiful and rare star constellation, this last image actually maps American users' political affiliation. Democrats are shown as blue and the Republicans are red. Better pick up your game Obama, the social world has spoken.
If you haven't attended SXSW Sydney yet, then you've missed on not one but two Down Under iterations of the annual massive music, technology, screen and gaming festival, which made the leap to the Harbour City in 2023, then returned in 2024. For the event's third year, organisers have announced a number changes, all designed to give more folks more reasons to head along. One: additional free programming. Another: more flexibility with ticketing. It was in late 2024 that SXSW Sydney confirmed that it'll be back in 2025, continuing to prove a highlight of not just the Harbour City's cultural calendar, but also Australia's. The dates for its third iteration: Monday, October 13–Sunday, October 19, 2025. There's still no lineup details as yet, but being able to attend more of the fest without paying a cent — and, for ticketed parts of the program, being able to buy single-day conference passes and single-session movie tickets — is great news. Free sessions have always been a component of SXSW Sydney, but adding more is always going to be a welcome move. Again, the specifics lineup-wise haven't been unveiled; however, the event has promised a significant expansion of its free programming, including in its brand and partner experiences, and its music showcases. On the fest's Sunday date this year, Darling Harbour will become a hub of family-friendly entertainment, in one new move. Fancy hitting up the Innovation Expo without bothering your wallet? That'll now be on offer on the Saturday. As for ticketing, the single-day conference pass will set you back $295 and get you access to more than 75 sessions. The full-week pass to the conference and festival starts at $495. Movie lovers, if you just want to see one flick, you can do so for $25. SXSW Sydney's festival wristbands will be back, though, giving access to either the screen, music or games showcases — and the early-bird price this year is $100. 2024's SXSW Sydney, the second-ever Down Under, featured 1400 conference sessions, 95 screenings, 315 performances and 150 games. It also hosted more than 92,000 unique visitors, with folks attending from 56 countries. In terms of total visits, the seven-day festival notched up 300,000 — including 190,000-plus people heading along to the 163 events as part of the free programming in Tumbalong Park. Whatever graces the bill in 2025, it'll follow on from Black Mirror's Charlie Brooker, Chance The Rapper, Future Today Institute founder and CEO Amy Webb and Nicole Kidman in 2023, plus The Kid LAROI, human rights lawyer Jennifer Robinson, author Johann Hari, The New Boy filmmaker Warwick Thornton, The Babadook composer Jed Kurzel, Grace Tame and Tim Minchin in 2024 — and heaps more. SXSW Sydney 2025 will run from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details. Images: Paul McMillan, Jess Gleeson, Jordan Kirk, Jaimi Joy, Brendon Thorne/Getty Images for SXSW and Nina Franova/Getty Images for SXSW Sydney.
Bringing more than a little adventurous spirit to all things cakes and pastries, much-loved bakery Black Star Pastry is up to its usual tricks again for Easter. More evolution than revolution this time around, they're replacing the traditional raisins and currents in hot cross buns with juicy dried blueberries. Combined with the signature spiced dough Black Star Pastry is known and loved for, this sweet and tangy burst brings a whole new element to this treasured holiday treat. Whether enjoyed fresh out of the oven or toasted with a spread of salted butter, it promises to elevate your Easter experience. Delving a little deeper into what makes this Easter creation extra special, these blueberry hot cross buns are crafted using 100% natural ingredients. Plus, a touch of lemon zest will increase the depth of flavour and create an even more fragrant, irresistible experience that makes this treat one to remember. Yet there's still one more detail that sets this beloved sweet aside from your usual hot cross bun. Each bun is topped with a crunchy biscuit crumb topping made with dairy-free butter, flour and blueberry puree, adding just the right amount of sweetness. Shaped like the traditional cross, the purple flair gives this timeless favourite a modern appeal. "Our new blueberry hot cross bun is all about bringing a fresh twist to an iconic favourite," says Black Star Pastry Executive Chef, Arnaud Vodounou. "The blend of sweet blueberries and our signature spiced dough is sure to surprise and delight our fans. We can't wait to share it with the community and make this Easter even sweeter." Available online and in-store until Monday, April 21, you're welcome to grab a single blueberry hot cross bun or stock up with a box of six or 12, depending on how many you anticipate wolfing down over the long weekend. You should also take note that Black Star Pastry is bringing back their classic frankincense glazed hot cross buns and chocolate hot cross buns for a limited run over Easter. Black Star Pastry's blueberry hot cross bun is available until Monday, April 21 at Sydney CBD, Rosebery, Newtown, Chatswood, Parramatta and Burwood locations. Head to the website for more information.
King Street, that gloriously bustling stretch from St Peters through Newtown and beyond, has long been where it's happening in the inner west. But, it's no secret the Newtown end attracts most of the attention. The End of King, almost hidden from view if not for a couple of unassuming tables outside, is another reason why we should be exploring the less trodden paths in life. First things first: this place isn't mind-blowingly amazing, but it's always great to see a venue reinvent itself. Surrounded by retro furniture shops on one side and St Peters Station to the other, The End of King used to be known as the Tram Stop Diner. But apart from a few positive reviews online, that's about all it was known for. As 2014 became 2015, however, so too came more change: we're talking new look, new menu and, of course, new name. Previously no stunner, in comparison the fresh, pale green/blue-painted, wood-heavy fit-out is a mighty fine improvement. It's also big; organised via share tables (one fat, one thin), bar seating, a line of tables towards the rear and one very cute window spot of potted greenery, a fat hanging brass light and lots of sunlight to watch the world go by. There's also free Wi-Fi and a long, easy-incline wheelchair ramp too, which is always very nice to see. While a little rough around the edges compared to similar-style places (think Three Williams), from the cool new logo, bright smiles of the staff (the kind of staff that brings you water, sets down the menu and asks if you need a coffee all in one — my favourite) and the family-influenced philosophy printed at the top of every menu, you can tell thought has gone into the relaunch. Sipping on our Toby's Estate coffee that arrived promptly and prettily, we learn owner and chef Sal, along with brother Naggy and wife Munu, have been serving up South Nepalese inspired food to Sydneysiders for 15 years. Naturally, we ordered their grandma's original recipe aloo chop (sauteed and spiced potato cakes, $15.90) and the shakshuka ($16.90). The former are described as "the best hangover cure this side of the Irrawaddy". Crispy, carby (although not stodgy) and packing just the right amount of punch via rich, runny yolks of chilli-fried eggs, let's just say it lives up to its description. The winner of the two, hands down, was the shakshuka. It took longer to arrive, but when it did we paused just a little more: the golden eggs ($2 extra per egg) still-cooking in their rich red tomato ragu and succulent lamb kofta bath, sprinkled with vibrant green coriander, looked almost too good to eat (almost). That and it was bloody hot (as it should be). Thank heavens for the two slices of sourdough to mop up the juices: always the perfect end. While The End of King may not be perfect, it's at least ticking all the boxes when it comes to food, service and atmosphere. And really, after a morning of exploring a new part of town, what more could you ask for?
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. DOG One of the many 80s comedies on Tom Hanks' resume, Turner & Hooch has already been remade in 2021 as a low-stakes streaming series with nothing worth wagging one's tail about to show for it. Still, it gains a big-screen spiritual successor in Dog, Channing Tatum's return to cinemas after a five-year absence (other than a brief cameo in Free Guy, plus voice-acting work in Smallfoot and The Lego Movie 2: The Second Part). Sub out a police investigator saddled with a canine witness for an Army Ranger transporting a dead colleague's ex-working dog; swap Hanks' uptight everyman for Tatum's usual goofy meathead persona, obviously; and shoehorn in a portrait of America today that aims to appeal to absolutely everyone. The result: a good boy of a movie that Tatum co-directs, isn't without its likeable and affecting moments, but is also a dog's breakfast tonally. Like pouring kibble into a bowl for a hungry pooch each morning, Dog is dutiful with the basics: a man, a mutt, an odd-couple arrangement between seeming opposites with more in common than the human among them first thinks, and an emotional journey. Comedic hijinks ensue along the way, naturally, although Turner & Hooch didn't involve anyone getting cock-blocked from having a threesome with two tantric sex gurus by its four-legged scamp. Given that Tatum's Jackson Briggs needs to take Belgian Malinois Lulu 1500 miles from Montana to Arizona by car — she won't fly — Dog is also a road-trip film, complete with episodic antics involving weed farmers and fancy hotels at its pitstops. That's all so standard that it may as well be cinema's best friend, but this flick also reckons with combat-induced post-traumatic stress disorder of both the human and animal kind, and ideas of masculinity and strength attached to military service. When Dog introduces Briggs, he's working in fast food by necessity — think Breaking Bad's fate for Saul Goodman, with Tatum even channelling the same stoic demeanour — as he waits to get redeployed. All he wants is to head back on active duty, but his higher-ups need convincing after the brain injury he received on his last tour. But his direct superior (Luke Forbes, SWAT) throws him a bone: if Briggs escorts Lulu to their former squad member's funeral, after he drove himself into a tree at 120 miles per hour, he'll sign off on his re-enlistment. Lulu has also been changed by her service, so much so that this'll be her last hurrah; afterwards, Briggs is to return her to the nearest base where she'll be euthanised. Given that Dog is exactly the movie it seems to be, its ending is never in doubt. Accordingly, fretting about Lulu is pointless. The journey is the story, of course, so Tatum and co-director/screenwriter Reid Carolin — also making his helming debut, and reteaming with the former after penning Magic Mike and Magic Mike XXL (and the upcoming Magic Mike's Last Dance) — endeavour to make the small moments matter. That's a line of thinking on par with Briggs' readjustment to civilian life, and similarly howling through his burgeoning bond with Lulu past simply playing chauffeur. Yes, Dog is that obvious. An emotional throughline doesn't need to be novel to strike a chord, though, and this film yaps the message loud and clear. That said, it also trades more in concepts than in fleshed-out characters, making an already-broad story even broader. Read our full review. ANONYMOUS CLUB With her song and record titles — her lyrics as well — Courtney Barnett has long found the words to express how many people feel. It's a knack, talent and gift, and it's helped her rocket to Australian fame and global success within a decade of releasing her debut EP in 2012. As thoughtful and captivating documentary Anonymous Club shows, it's also something she's frequently asked about in interviews. But expressing those lines and the emotions behind them with a guitar and microphone as weapons, plus a riotous melody as armour, is different to sharing them quietly one on one. Directed by her long-time collaborator Danny Cohen, who has helmed a number of her music videos, Anonymous Club begins with this reality. Barnett can pour her heart, soul and observations about life's chaos into the tunes that've made her a household name, achieving something that few others can; when she's on the spot, however, she's as uncertain and awkward as the rest of us. Barnett's way with words and wordplay in her work, and her lack thereof elsewhere, thrums through Anonymous Club like a catchy riff. The subject doesn't fade, burrowing into the film as an earworm of a song inside a listener's head does, and feature first-timer Cohen doesn't want it to. His movie was shot over three years, starting in 2018, which places it between Barnett's second studio album and her third — and knowing that makes the phrases from their titles, and from her debut record also, echo with resonance throughout the doco. Anonymous Club could've been called Sometimes I Sit and Think, and Sometimes I Just Sit, like its subject's first album in 2015. Tell Me How You Really Feel from 2018 would've worked as well. And, yes, Things Take Time, Take Time would've been apt, too, concluding a line of thinking that the film invites anyway — ultimately finding its moniker in a Barnett track from 2014, before all those releases. Across two tours spanning Europe, the US and Asia, plus stints in Melbourne, Anonymous Club watches Barnett sit and think, and sometimes just sit. It tasks the singer/songwriter with telling how she really feels, and shows her realising the truth that things take time. All of the above is captured on glorious 16-millimetre film and, even within a mere 83 minutes, the backstage documentary is overwhelming comprised of these ruminative, reflective moments — of snatches of Barnett's life caught as she hops between rooms that aren't her own, be it stages or green rooms or hotels or homes she's housesitting. Her thoughts and feelings come via brief chatter in front of the lens (or, more accurately, with the unseen Cohen behind it, shooting with a camera customised to record synchronised sound), and from overlaid snippets of the audio diary he asked her to keep. That's a job she tussles with — more words, more on-the-spot candour rather than deliberated-over lyrics, more struggles — but she still stuck at it for the project's duration. Frank, earnest and honest, so much of what's uttered is as revelatory as everything that Barnett has sung over the years. She confides in the fly-on-the-wall film via her Dictaphone recordings; as a result, a highly poised, posed, image-conscious portrait, this isn't. "I don't know what the fuck I'm talking about anymore. I just feel like I'm going around in circles and digging myself a deeper hole," she says at one point, and many other statements have the same tone. Jumping from America to Japan to Germany and elsewhere, life on the road gets to her. Back in Australia, life without a fixed space to call her own after spending so long touring has a similar impact. "My heart is empty, my head is empty, the page is empty," she offers, another telling statement. "It feels like I'm being part of this scripted performance of what we think we're supposed to see on stage, and it just feels really pointless," she also advises. Read our full review. PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME Will they or won't they? Do they or don't they? Every time that romance and relationships are portrayed on-screen, at least one of these questions always echoes. In the entrancingly moody and astute Preparations to Be Together for an Unknown Period of Time, it's the latter. Whether Hungarian neurosurgeon Márta Vizy (Natasa Stork, Jupiter's Moon) and fellow doctor János (Viktor Bodó, Overnight) will end the film in each other's company still remains a pivotal part of the plot, but if there's ever been anything between them — or if it's all simply in Márta's head — is the far more pressing concern. She's a woman smitten, so much so that she's returned home from a prestigious job in the US just for him. But his behaviour could be called vague, rude or flat-out ghosting, if he even remembers that they've crossed paths before — and, if they ever actually have. Preparations to Be Together for an Unknown Period of Time first introduces Márta as she's unloading her János-sparked romantic woes upon her therapist. What could've been a standard rom-com or romantic drama setup soon twists into something far more alluring and intriguing, however. Indeed, as writer/director Lili Horvát (The Wednesday Child) ponders the role of memory in affairs of the heart, her film just keeps inspiring more trains of thought. How can we ever know how someone else really feels about us? How long will any romantic emotions last, and can they last? Is it ever truly possible to trust whoever our hearts fall or, or our hearts to begin with? And, can we genuinely believe those intense memories of love that implant themselves inside our brains, refuse to leave and inspire life-changing decisions — or is love too subjective, no matter how deep, real, shared and strong that it feels? These queries all spring from Márta's homecoming, after she meets János at a conference in New Jersey, then pledges to do so again a month later on a Budapest bridge. She shows, but he doesn't. Worse: when she tracks him down at his work afterwards, he says that he doesn't know her. While tinkering with memory is a familiar film and TV concept — see: everything from Memento and Eternal Sunshine of the Spotless Mind to Mulholland Drive and Severance — Preparations to Be Together for an Unknown Period of Time is interested in the emotional fallout from János' claims to have zero knowledge of Márta first and foremost. Confused, unsettled and still wholeheartedly infatuated, she just can't bring herself to return stateside, and also can't get János out of her mind in general. Scripted with empathy and precision by Horvát, and also shot and styled like a waking dream, Preparations to Be Together for an Unknown Period of Time isn't easily forgotten either, siding its viewers with Márta over János. This is a haunting and beautifully acted psychological drama that lays bare just how all-encompassing, obsessive, intoxicating and mind-melting love can feel, all as it plays with recollection and its ability to shape our perspectives. The tone is loaded but uncanny — sweet but uncertain, too — and Horvát has fun getting both emotional and cerebral while having her characters cut open brains. The latter happens literally and yes, there aren't many movies quite like this one. Cinema doesn't boast too many performances like the exceptional Stork's, either, which draws viewers into every feeling, question, and pang of both intense affection and shattering uncertainty that flows through Márta. Preparations to Be Together for an Unknown Period of Time opened in Melbourne from February 24, and screens in Sydney and Brisbane from March 17. IT SNOWS IN BENIDORM Forty-four years have passed since Timothy Spall first graced the silver screen — and what a gift he's given both cinema and television since. He won Cannes Best Actor prize for Mr Turner, earned five BAFTA nominations in five years between 1997–2002, popped up in lively Aussie crime flick Gettin' Square, stole every scene he was in in The Party and recently proved formidable in Spencer. He has everything from multiple Harry Potter movies to playing Winston Churchill in The King's Speech on his resume, too, and also routinely improves whatever he's in with his presence alone. In fact, he does exactly that with It Snows in Benidorm, which'd be a mere wisp of a film otherwise. Following a just-made-redundant bank employee to Spain, this meandering drama frequently mistakes mood for depth — and while Spall can't polish away its struggles, he's always the key reason to keep watching. A fan of the weather and little else, Spall's Peter Riordan has given decades of his life to his employer, and is so settled into the routine he's fashioned around his job that it's as natural and automatic to him as breathing. Accordingly, when he's unceremoniously let go, he finds it difficult to adjust. He's told that being freed from the monotony of his work is a gift, allowing him to retire early — so in that spirit, he heads off to the Mediterranean coast's tourist mecca to spend time with the brother he otherwise rarely talks to. But upon his arrival, Peter finds his sibling conspicuously absent. He still stays in his high-rise apartment, but what was meant to be a family reunion-style holiday now becomes a detective quest. Helping him is Alex (Sarita Choudhury, And Just Like That...), who worked with Peter's shady club-owning brother, might know more than she's letting on about his whereabouts, and also welcomes her new pal's tender companionship the more that they spend time together. Spall has spent his entire career being described by one well-meaning term: character actor. Here, he's centre stage in a character study instead. He's marvellous in the role — more so in the film's early scenes, where conveying both weight, importance, security and dreariness of Peter's lonely niche relies heavily upon his measured performance, but also whenever sharing moments with the always-luminous Choudhury as the complicated Alex. That said, as written and directed by Spanish filmmaker Isabel Coixet (Elisa & Marcela), It Snows in Benidorm proves as thin as the chance of an avalanche in its sunny setting. The script is more interested in contrivance than letting its characters' thoughts and feelings stew naturally, and revels in a ruminative tone that's ponderous rather than revelatory. It's a holiday photo of a complicated getaway given two hours of focus, in other words, and it's as flimsy as waving around a strip of negatives. Coixet helms with emotion rather than story in mind, to the detriment of both. There's such a concerted effort to make audiences share Peter's listlessness at home and his awakening abroad that every second feels forced, and the narrative's leaps and languishing never seem authentic. Thanks to Spall, the end result fares better than Coixet's last English-language effort, 2017's abysmal The Bookshop — but the director's latest can't reach the heights of 2003's My Life Without Me and 2008's Elegy. It Snows in Benidorm's reliance upon comedy rarely hits its marks either, other than when dwelling in the British expat-filled hellscape that is Benidorm's nightlife scene. Indeed, its lasting imprint is a 'what if?', because Pedro Almodóvar and his brother Agustín Almodóvar sit among the movie's producers. Being left wondering what wonders might result if Spall and Choudhury teamed up for the Parallel Mothers auteur isn't a ringing endorsement of their current project, though. DEADLY CUTS The Full Monty wasn't the first to do it, and it definitely hasn't been the last. But for the quarter century since that crowd-pleasing comedy became an enormous worldwide hit, British movies about underdogs banding together to save their livelihoods and communities have no longer been scrappy battlers themselves. Irish film Deadly Cuts is the latest, joining an ever-growing pile that also includes everything from Calendar Girls to Swimming with Men — and first-time feature writer/director Rachel Carey knows the formula she's playing with. Each such picture needs to be set in a distinctive world, follow a close-knit group, see them face an apparently insurmountable task and serve up a big public spectacle that promises redemption, and every step in that recipe is covered here. But a movie can stick to a clear template and still boast enough spirit to make even the creakiest of plot inclusions feel likely and entertaining enough, and that's this low-budget affair from start to finish. It does raise a smile that AhhHair, the glamorous hairdressing contest that Deadly Cuts' main characters want to enter and win, is all about innovation in its chosen form. The movie itself would never emerge victorious at such a competition, but it's filled with broad, blackly comic fun along the way, even if it boasts about as much subtlety as a mohawk. The setting: Piglington, Dublin, an as-yet-ungentrified corner of the Irish capital, where the titular salon is a mainstay. The aim: saving the shop from being torn down and replaced with shiny new apartments. The wholly predictable complications: the determination of corrupt local politician Darryl Flynn (Aidan McArdle, The Fall) to forge ahead with the development, which'll boost his bank account; and the suburb-scaring thugs led by the overbearing Deano (Ian Lloyd Anderson, Herself), who throw their weight around at every chance they get. While lead stylist Stacey (Ericka Roe, another Herself alum) has her heart set on AhhHair glory — a dream that her colleagues Gemma (Lauren Larkin, Love/Hate) and Chantelle (Shauna Higgins, Dating Amber) share — their boss Michelle (Angeline Ball, perhaps best known for The Commitments three decades back) is much less enthused. In another of the script's obligatory choices, the latter has a far-from-joyous history with the event and its head judge D'Logan Doyle (Louis Lovett, Moone Boy), and remains reluctant even when basking in the contest's fame and acclaim might be the only thing that'll keep her salon and Piglington itself going. Of course, movies like Deadly Cuts always find ways to get their characters to the big dance, especially when the odds are overwhelmingly stacked against them. Once there, their mission doesn't get easier. "You've got about as much chance as a dark brunette going to a platinum blonde in one step without her hair falling out," one rival spits at them. There's pluck to Stacey and her hair-snipping crew as they sharpen up their scissors, unfurl their curlers and do everything they must to whip up show-stopping styles to dye/die for — and yes, Deadly Cuts does take its name seriously. As a result, there's the same verve to the movie itself, which dips itself not only in the usual underdog formula, but in twisted OTT crime comedy as well. Patchiness comes with the territory, including in quick-fire gags that don't always land and lines of dialogue that are blunter than rusty clippers, but Carey's film still strives forth with ambition and confidence. Buoyed by game performances, it's the movie equivalent of rocking a by-the-book do and an outrageous hue at once, even if it's far better when it's skewing darker. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on November 4, November 11, November 18 and November 25; December 2, December 9, December 16 and December 26; January 1, January 6, January 13, January 20 and January 27; February 3, February 10, February 17 and February 24; and March 3 and March 10. You can also read our full reviews of a heap of recent movies, such as Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth, The Worst Person in the World, Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley, Belle, Parallel Mothers, The Eyes of Tammy Faye, Belfast, Here Out West, Jackass Forever, Benedetta, Drive My Car, Death on the Nile, C'mon C'mon, Flee, Uncharted, Quo Vadis, Aida?, Cyrano, Hive, Studio 666, The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow and The Souvenir: Part II.
More than seven years in the making, Bondi Pavilion's massive transformation is finally complete, and the waterfront hub's retail and dining tenants are now swinging open their doors. Glory Days Bondi has already brought a big dose of waterfront brunch to the pavilion. Now House Made Hospitality, the team behind Circular Quay's luxurious multi-level venue Hinchcliff House, has also arrived with Promenade. Opening on Wednesday, March 8, this all-day cafe, restaurant and bar brings Lana's affection for ethically sourced seafood right to the beach, serving up picked mud crab and snapper curry to a dining room soundtracked by the sound of the waves crashing just outside. But, the menu expands far past just seafood, accommodating takeaway coffee, light snacks, quick drinks and lavish lunches, all within a breezy space that complements the new-look pavilion. There are several defined areas within Promenade. The kiosk is on hand for on-the-go morning coffee. Inside, there's a 67-person dining room perfect for a long lunch or celebratory dinner. If you want to soak in the sea breeze, you can nab a spot on the al fresco verandah. There's a 140-person walk-in-only terrace that's designed to accommodate quick and casual visits. Or, if you're after something a little more secluded, there are several private dining areas including 12-seat space The Grotto — which offers water views and a semi-private terrace. "The venue needed to be light and airy to complement the relaxed daytime vibes of the beach, but still cosy enough for an evening experience," says House Made Hospitality Director Scott Brown. "The other primary focus for us was ensuring Promenade Bondi Beach appealed to locals. We want it to be somewhere locals are proud of, they feel comfortable eating at regularly and want to show off to visiting friends and family." House Made Hospitality Culinary Director Stephen Seckold has pulled together the menu with the help of incoming Executive Chef Chris Benedet (Cirrus Dining, Yellow, Monopole, Rockpool), who will head up the kitchen from mid-March. Alongside the aforementioned mud crab and curry, there's toothfish skewers, wagyu rib eye, lamb shoulder, and a collection of pasta dishes such as squid-ink calamarata with pippies and XO jamon. There's plenty on offer for vegetarians too, with Turkish peppers paired with tarragon mayonnaise, potato galette with black garlic, charred zucchini, and roasted cauliflower all making appearances on the menu. Once Benedet arrives, diners can expect him to put his stamp on the offerings, making tweaks or adding some of his culinary favourites. The menu differs over at the expansive Front Yard, the more laidback 400-square-metre, 140-person outdoor dining area. Here, among the native plants and olive trees, you can order a nostalgic Sunnyboy Spritz made with strawberry, ginger, Aperol and white wine, alongside beachside classics like flatbread topped with garlic king pawns and crumbed fish burgers. The Apollonia negroni has also made its way over from Hinchcliff House and landed on the drinks list. It sits side by side with a collection of frozen cocktails for those hot summer days, as well as Bondi Brewing Co beers and an expansive wine list featuring a range of drops handpicked by the team as the House Made selections. Promenade Bondi Beach opens on Wednesday, March 8 at Shop 4, Bondi Pavilion, Queen Elizabeth Drive, Bondi Beach. The kiosk will open 7am–3pm Monday–Sunday, while the rest of the venue will be open 11.30am–11pm Wednesday–Saturday and 11.30am–10pm Sunday. Images: Jiwon Kim.
Five years after Sydney's lockout laws were introduced by Liberal Premier Barry O'Farrell, it could be a Liberal Government that finally winds them back. The Parliament of NSW has this morning released its extensive review of the city's nighttime economy — and it looks like it could be the final nail in the coffin for the lockout laws. The 126-page report makes 40 recommendations in total, most notably recommending that that the 2014 lockout laws be removed across the CBD, Darling Harbour, The Rocks, the top half of Surry Hills and Oxford Street with "appropriate urgency". The report says that the 1.30am lockout, bans on shots after midnight and the 3am closing time should all be lifted across licensed venues in this area. The Kings Cross precinct won't be as lucky, with the report citing that it "requires a specific, nuanced approach" as it's a high-density area with a "high risk" that violence would increase again if the laws are lifted. It does, however, recommend that the lockout laws be reviewed again in 12 months. The report also suggests that the sale of alcohol be extended until midnight Monday to Saturday (and 11pm on Sunday), extend the standard closing time of small bars until 2am a request for Transport for NSW look into 24-hour transport on weekends. [caption id="attachment_637655" align="alignnone" width="1920"] Frankies in the CBD, which would be affected by the lockout law change. Image: Katje Ford.[/caption] The parliamentary inquiry, which was first announced in May by Premier Gladys Berejiklian, was undertaken by a ten-member cross-party committee made up of politicians from both the upper and lower house, the NSW Government and cross-benchers. It considered close to 800 submissions from business owners and industry members including police, health, entertainment and live music stakeholders to make the reccommendations to the government. While they are all just recommendations at this stage, it looks likely that the legislative changes to the lockout laws will be entered into parliament by the NSW Government. Plans to scrap the lockout laws (in terms that seem to reflect this report) were announced earlier this month by the Premier herself, who told The Daily Telegraph that "Sydney is Australia's only global city and we need our night-life to reflect that." And if the Coalition is bringing the motion to relax the lockout laws, it's likely it will be successful — especially as the Shooters, Farmers and Fishers Party has already expressed its support for scrapping them. You can check out the major parties' views on live music and the lockouts in our pre-election wrap-up. The CBD's nightlife and live music scene has struggled under the stifling legislation — and has seen a reported 176 venues, including institutions like The Basement, close — the lifting of the lockout laws together with the City of Sydney's plans to introduce 24-hour trading to the CBD could mean big changes for the area. It won't change overnight, but the repeal of the lockout laws would allow Sydneysiders to head into CBD bars, pubs and nightclubs after 1.30am — and those same venues to remain open after 3am — while the City of Sydney is hoping to encourage the 24 hour trading of unlicensed CBD businesses. Now it's over to the NSW Government to make the next move. We'll update you when we have any new info. Top image: Kimberley Low.
With summer finally approaching, it's time to do some serious defrosting. Although you may not exactly jet off overseas to warm up on some European beach, you can spend a few days soaking up the balmy temperatures and idyllic coastline of Queensland's aptly named Sunshine Coast. Just two and a half hours north of Brisbane, the world-famous destination of Noosa and its surrounds are brimming with gorgeous beach houses and coastal retreats for those seeking sun and surf. Beach sessions, rainforest treks and breezy holiday vibes await. We've done the hard work for you and rounded up a list of the most beautiful coastal stays you can book in Noosa right now. Pick a favourite, pack those bathers and get ready to launch into summer with a blissful beach adventure. Recommended reads: The Best Dog-Friendly Stays in Queensland The Best Hotels in Brisbane The Best Glamping Sites in Queensland The Best Island Stays in Queensland Newly Furnished Apartment, Noosa Heads This breezy light-filled apartment sits just minutes from the heart of Noosa, and features a chic white colour palette and downstairs pool. From $300 a night, sleeps six. Kamala Villa, Noosa Heads Rocking a fresh, playful aesthetic and featuring a spacious entertainer's deck, this modern villa is an ideal setting for your next beachside escape. From $450 a night, sleeps six. Lush Noosa Heads Retreat, Noosa Heads Just a quick stroll off the beach, this luxury resort apartment makes for a chic couples' hideaway. Enjoy sundowners on the patio, overlooking lush rainforest. From $500 a night, sleeps two. Chic Coastal Escape, Noosa Heads A retro-inspired beach escape with loads of natural light and a sun-drenched patio for lounging — all just minutes from Hastings Street. From $250 a night, sleeps four. Fairshore Apartment 38, Noosa Heads Want to stay smack bang on Noosa beach? This freshly renovated apartment boasts close-up ocean views and an incredible beachfront pool. From $668 a night, sleeps two. Spectacular Penthouse, Noosa Heads You'll love this luxury holiday villa's sunny pool and deck area; however, nothing beats the rooftop terrace featuring panoramic ocean views. From $904 a night, sleeps six. Noosa Escape, Noosa Heads Soak up sparkling ocean views from this light-filled Noosa Heads apartment, while enjoying a primo balcony and an enviable location just a short walk from the beach. From $693 a night, sleeps four. Little Cove Family Beach House, Noosa Heads Spacious and stylish, this pet-friendly holiday home backs right onto a lush national park — and it's just a quick hop from Little Cove Beach. From $950 a night, sleeps eight. The Beach House, Noosa Heads Featuring a gorgeous pool, private tennis court and crisp coastal aesthetic, this leafy beach retreat was simply made for vacationing. From $1178 a night, sleeps eight. Little Cove Magic, Noosa Heads This light-flooded holiday apartment overlooks the ocean, while being handily located close to all the action — so you can split your days between beach, balcony and pool. From $788 a night, sleeps four. Acacia Villa, Noosa Heads Located just beyond the buzz of Hastings Street, this breezy townhouse makes for a supreme coastal retreat. Expect chic styling and tranquil leafy surrounds. From $580 a night, sleeps six. Poinciana House, Noosa Heads Between the beautifully appointed interiors, covetable location, and sun-drenched pool and deck, this blissful beach retreat is bound to impress. From $1093 a night, sleeps ten. Images: Courtesy of Airbnb FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
If you've ever had a coffee at Cuckoo Callay, a Middle Eastern brunch at Nour or a charcoal chicken feast at Henrietta, you'll find Lilymu familiar. There's pink neon on the walls, hibiscus in the cocktails and friendly staff on the floor. But, it's also markedly different to any of Ibby Moubadder and Jorge Farah's other restaurants. To start: it's not on Crown Street. In fact, it's on the other side of the city, in Parramatta Square. And it's not Middle Eastern. This time, the duo is, with the help of ex-Mr Wong chef Brendan Fong, serving up contemporary takes on Chinese and Southeast Asian dishes. As you'd expect from Fong, the dumpling are great. So good, we suggest ordering a round of the tom yum prawn dumplings swimming in bright refreshing soy, lime and chilli dressing as soon as you sit down. While you're ordering entrees, the crispy fried quail. This crispy golden bite-sied bird is bursting with enough flavour to put your favourite fried chicken joint to shame. [caption id="attachment_792832" align="alignnone" width="1920"] Black garlic mie goreng[/caption] Larger dishes continue with pipis in XO sauce (market price), beef cheek massaman with the requisite kipfler potatoes and roasted duck with Laos sausage. But the dish you've likely heard the most about (and seen pop-up regularly on the 'gram) is the mie goreng. Coming loaded with black garlic and bean sprouts, and topped with an egg yolk, it's rich and indulgent. It'll also leave you almost too full for dessert — almost. You can round out your meal with mascarpone parfait, coconut sorbet or one of the liquid desserts, including a Lilymu espresso martini and an affogato martini with vanilla ice cream. Those who prefer their cocktails slightly more savoury — and earlier on in the meal — will find solace in the spiced margarita or the sour plum negroni, made with Four Pillars' always-popular Bloody Shiraz Gin. [caption id="attachment_787138" align="alignnone" width="1920"] Nikki To[/caption] Images: Nikki To Updated Friday, March 31, 2023. Appears in: The Best Restaurants in Sydney The Best Degustations Under $100 in Sydney
Sydney's newest food and drink precinct, South Eveleigh, will showcase its impressive slate of restaurants, bars and community activities as part of the city's new winter arts and food festival, Sydney Solstice. The historic inner-city site has been transformed with a slate of exciting new hospitality gems, shops and a community garden. To celebrate, the South Eveleigh team are inviting you to experience everything as part of a two-day pop-up street party. Located just around the corner from Redfern Station, the South Eveleigh precinct will come to life with performances, art installations and music while the array of high-profile openings and local eateries sling delectable culinary options. Pop-up food stalls and bars will fill Locamotive Street from 5pm until close on Friday, June 18, and 11am until close on Saturday, June 19. On hand across the precinct will be Kylie Kwong's brand new lunch spot, Lucky Kwong, and Matt Whiley (Scout) and Maurice Terzini's (Icebergs Dining Room & Bar, Ciccia Bella) groundbreaking new sustainability-focused bar, Re, as well as RaRa Chan, Eat Fuh, Whitton, Steve Costi's Famous Fish, Fishbowl, Bekya, Pepper Seed Thai, Sushi Hon, North Sandwiches and Yoho Loco. While you're venturing around looking at the new eateries, you can head up to the South Eveleigh Community Rooftop Garden where Indigenous Australian cultural and landscape design firm, Jiwah, will be running workshops educating the public on native flora integral to the land's Indigenous heritage. Plus, a bunch of beloved Sydney musicians will be in attendance over the two days to perform as part of a pop-up street party. At the Locomotive Stage, you can see the likes of PNAU, Jono Ma of Jagwar Ma, Kota Banks and exciting young Korean rap crew 1300 take to the stage on Friday, alongside Genesis Owusu, Budjerah, Pricie and Royal Otis on the Saturday. The eclectic range of musicians will be performing inside a 139-year-old locomotive workshop that will be transformed into a live music venue. Over at the FBi Stage, a slew of local musicians, DJs and performers will all take to the stage. The lineup, curated by the Sydney community radio station, will include the likes of B Wise, Stevan, Andy Garvey, Madem3Empress and Maina Doe. [caption id="attachment_813577" align="alignnone" width="1920"] Re[/caption] Top image: Kitti Gould
Think about Byron Bay, and a quiet coastal town with stunning beaches is no longer the only thing that comes to mind. Hemsworths pop up, plus other celebrities. So does the New South Wales spot's stint backdropping TV shows. Fancy leaning into the locale's luxe side? Enter its first-ever five-star hotel, with Hotel Marvell opening its doors on Tuesday, August 1. It boasts Marvell in its name, but Marvel Cinematic Universe fans will have spotted the spelling difference. No, even with Chris Hemsworth virtually synonymous with Byron Bay of late, this new place to stay has nothing to do with superheroes. Instead, this new addition to Marvell Street features 24 rooms and suites, the town's first rooftop bar and pool, and onsite restaurant Bonito. Owners Scott Didier and Scott Emery have gone lavish, aiming to give holidaymakers a one-of-a-kind stay. "Hotel Marvell is designed to offer our guests an extraordinary experience like no other. From the exclusive rooftop bar and pool with breathtaking views to the Bonito restaurant showcasing the finest local ingredients, we have crafted a haven for those seeking refined luxury in Byron Bay," said Emery. "Our passion for Byron Bay and our belief in the potential of this incredible destination inspired us to create Hotel Marvell. We want to offer our guests an unparalleled experience that combines the beauty of the surroundings with the luxury of our accommodations," added Didier. The 24 spots to slumber include 16 hotel rooms, six suites and a pair of two-bedroom rooms, all equipped with private balconies. Guests will sleep on Bemboka & Eadie linens, hit up the mini bar stocked with locally sourced products, make coffee from their in-room Nespresso machine, and take in the Byron Bay vibe and surroundings. Keen on room service? That runs from 11am–8pm. For a dip, head to level three — and for a bite beyond your room, to Bonito, which features chef Minh Le (ex-Spicers Peak Lodge, The Byron at Byron, The Foraging Quail) at the helm. His menu heroes seafood and plant-based cuisine, as well as his own heritage. On offer: organic sourdough with house-cultured miso butter, oysters in a Japanese dressing and Hiromasa kingfish glazed with spiced soy sauce Harley Graham of Harley Graham Architects is responsible for the hotel's look, which skews tropical, warm and colourful — complete with plenty of greenery and a pedestrian laneway. Unsurprisingly, a night at Hotel Marvell doesn't come cheap, starting at $600 per night for a hotel room. If you're keen on a suite, that'll set you back at least $780. Find Hotel Marvell at 4 Marvell Street, Byron Bay from Tuesday, August 1 — head to the hotel's website for further details and to make a reservation. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
When you're after a truly special keepsake, this fine jeweller is the prime place to hit. Founded in 2015 by Russian-born, Sydney-based Alina Barlow, Alinka's pieces incorporate timeless diamonds with minimalistic-yet-playful designs, all made with 18-carat white, yellow and rose gold. Necklaces range from diamond-encrusted stars to simple diamond chains, while bracelets are embellished with evil eye motifs. You'll also find a classic tennis bracelets here, plus elegant rings, earrings and ear cuffs.
Everybody loves food. The glorious stuff keeps us alive, after all. But our relationship with it is so much more than just one of sustenance. It's a deep love based on bold flavours and gastro-satisfaction — and it's a love so strong that we're willing to cross seas, hop on rickety buses and pay big money to travel far-flung countries just to get our hands on what could be the world's best sandwich, or the perfect cup of coffee. Culinary tourism is one of the top reasons people travel, and travelling for a food festival is one of the most hectic, informative and fun ways to immerse yourself in the city's food culture. So take a coffee break and scroll through some of the world's most delicious food festivals. They're events we reckon are worth dusting off the passport and busting out your custom chilli spoon for. And even if you can't make it to the actual event, it might at least give you an inspired idea of what to eat for dinner tonight. AUSTIN FOOD + WINE FESTIVAL, TEXAS, USA Austin has long been the culinary darling of the United States, and the glorious April feast that is the Austin Food + Wine Festival is the best way to find out why. As well as artisanal food and booze from a slew of local vendors, there's usually a fire pit, a taco showdown, interactive demonstrations, live music and meet and greets with America's top chefs. There's so much on you won't even be thinking about the exchange rate — just about how much you can fit in your tummy. When? Late April. COPENHAGEN COOKING, COPENHAGEN, DENMARK So we all know about Noma (especially after Rene Redzepi brought the restaurant to Sydney earlier this year), but do you know anything else about Danish cuisine? Probably not. But your one-way ticket to finding out is attending the Copenhagen Cooking food festival. This lovely little festival (which was in fact modelled in part on Melbourne Food and Wine Festival) will have you biking all over the small city to eat all the smørrebrød and skagen you possibly can. They also have a heap of good coffee and natural wine to try. The festival itself includes a wide range of events, from slow food dinners held in barns on the outskirts of town to cupping sessions and a long table outdoor feast that takes over a street in the city's Frederiksberg area. When? Late August. [caption id="attachment_594133" align="alignnone" width="1280"] Seth Lui via Singapore Food Festival[/caption] SINGAPORE FOOD FESTIVAL, SINGAPORE The entirely unique blend of cultural flavours (and price points) that is Singapore's cuisine jumps out at you like nobody's business at this annual celebration of eating as much as you deem safe. At the Singapore Food Fest, top chefs (many Michelin-starred) re-imagine classics in market stalls, and street vendors around town dish out every delicious colour of the foodie rainbow. This year they were even serving up something called laksagne — that's laksa-flavoured lasagne. Yep. When? Mid July. FOOD AND FUN FESTIVAL, REYKJAVIK, ICELAND With Iceland's relative proximity to the well-known food scene of Copenhagen (thanks to Noma) and the fact that it's on just about every traveller's bucket list, it's no surprise to see the culinary delights of Reykjavik becoming more and more popular. The most popular food event in the nation's capital, the Food and Fun Festival, sees restaurants across the city gather together to showcase Iceland's best home-grown produce over a few days in March. When? Early March. [caption id="attachment_594107" align="alignnone" width="1280"] Binder.donedat via Flickr.[/caption] PHUKET VEGETARIAN FESTIVAL, PHUKET, THAILAND Although it's already passed us by this year, the Phuket Vegetarian Festival is definitely worth marking down on your travel calendar. The festival is actually a religious one, and celebrates the Chinese community's belief that abstaining from meat and other stimulants during the ninth lunar month and praying to the Nine Emperor Gods for good health and peace of mind. It packs in ten days of intricate ceremonies — from fire walking to others too gruesome to mention — all while following a strict vego diet. Their mock meat game is strong and the food is stellar, with nature's produce being cooked with such skill that it'll probably never taste better. Remember this is a religious festival though, and if you attend you'll have to follow the festival's ten rules (no alcohol is one of them). When? Early October (but changes with the lunar calendar). L'APLEC DEL CARAGOL, LLEIDA, SPAIN Deep in the heart of Catalonia lies the city of Lleida — and every year in May, it plays host to up to 200,000 visitors for the annual gathering of snails. Essentially, it's a huge snail feast. The festival, named l'Aplec del Caragol, lays it on with parades, bands and whole mess of snails to consume. Last year, twelve tonnes were demolished across the weekend. When? Late May. WINE & FOOD FESTIVAL, CANCUN, MEXICO Legging it to a destination for food doesn't necessarily mean sticking with the local offerings, so why not treat yourself to a festival of pure world class gastronomy? Cancun's Wine & Food Festival is regularly hosted by some of the best chefs in the world, and it comes with the jaw dropping scenery of Caribbean in the background. Plus, you can snack on street tacos in-between events if you're still hungry. When? Early October. LE SALON DU CHOCOLAT, PARIS, FRANCE This one's pretty straight up and simple: a four-day chocolate festival in Paris. Le Salon du Chocolat sees hundreds of pastry chefs, chocolatiers and confectioners from all around the world descend on Paris for a whole long weekend's worth of take my money now. That's a bender to really get behind. When? Late October. Top image: Copenhagen Cooking.
Sydneysiders can now sip some of the world's best cocktails from 22 stories up thanks to the opening of a new cocktail bar inside the A by Adina Hotel. Dean & Nancy on 22 is the latest opening from the team behind Maybe Sammy, Sydney's award-winning cocktail bar previously named one of the top 50 bars in the world. The new Hunter Street spot plays on the idea of a hotel bar. Inventive cocktails in line with the theme include the Rolling A Double cocktail, combining Havana 3, pineapple shrub coconut water and rhum agricole, with a pair of dice. Roll a double on the dice and you'll receive a free champagne upgrade. Equally as unexpected is the coffee champagne, containing champagne, Mr Black, vodka and peach wine, as well as a house-made vanilla and coffee hand cream on the side. "Apply the cream to your hands and every time you sip the cocktail, you'll be treated to a waft of the scent," Dean & Nancy co-founder and Creative Director Andrea Gualdi says. "After we take the glass away the essence will remain and every time you use the cream, we hope you'll remember your time at Dean & Nancy and smile." Inside the hotel, a curved brass staircase leads you up to the venue where patrons are greeted by a panoramic view of the Sydney cityscape and a decadent 1950s-style hotel bar designed by architect George Livissianis. Livissianis has previously designed the likes of Chin Chin Sydney, The Dolphin Hotel and Maybe Sammy's other recent CBD venture, Sammy Junior. The 120-seat space is full of gold-veined marble tables accompanied by subdued black leather chairs. Each seat offers up show-stopping city views, so no-one has to cop the dud spot. As with both Maybe Sammy and Sammy Junior, snacking is encouraged at Dean & Nancy. In fact, on the menu created by Executive Chef Jane Strode (Bistrode, Rockpool, Langton's), you'll find a special selection of mini combos if you're looking for a light drink and bite to eat. Combine the mini martini with oyster nan jim, or mini adonis with rhubarb cheesecake. Larger meals are on hand, however, including a prawn risotto made with Meredith goats cheese and harissa made in-house. Dean & Nancy on 22 is located at Level 22, 2 Hunter Street, Sydney, 2000. It's open 4.30-midnight, Wednesday–Saturday. Bookings are available online, however bar stools are not reserved so walk-ins are available. Images: Steven Woodburn
Spend the day lazing about in one of Sydney's sweetest parks; Mardi Gras' Fair Day is back again for 2015. With gourmet food stalls, live music and comedy acts, this day-long celebration is sure to make your Sunday just a little more colourful. From 10am on February 22, join the expected 80,000 other attendees heading along to Chippendale's Victoria Park for a free excuse to get out and enjoy the sun. Everyone's covered, with fairground rides, on-stage entertainment and the festival's famous DoggyWood dog show. Round off the day by kicking on to King Street for the free After the Fair Party at the Newtown and Bank Hotels.
Stories about the world as humanity currently knows it ending, then those that remain endeavouring to cling to whatever life is left and make the most of it, aren't just stories of survival. As they fill screens big and small — be it in movies in the Mad Max and A Quiet Place franchises, or in TV shows like The Last of Us, Fallout, Station Eleven and Paradise, to name a mere few recent and diverse examples — they tell tales of needs, costs, threats, changes and choices. A sensation in the video-game domain since 2013, and as a HBO series from a decade later, The Last of Us knows that what it takes to endure, the price paid and the type of person that such an experience makes you all firmly beat at its heart. Adapted for television by Chernobyl's Craig Mazin, it's equally and just-as-acutely aware that the kind of new existence that should spring after apocalyptic horrors is as much its focus. There was no escaping those ideas in a TV smash that proved one of the best new shows of 2023 in its first season. There's no avoiding it in one of the biggest and most-anticipated small-screen returns of 2025, either (in a year that's been filled with huge comebacks so far, thanks also to Severance season two, the third seasons of The White Lotus and Yellowjackets, Hacks season four, plus Daredevil: Born Again as well). The Last of Us season two picks up five years after the events of season one, with Joel (Pedro Pascal, The Wild Robot) and Ellie (Bella Ramsey, Chicken Run: Dawn of the Nugget) engrained in the survivor community of Jackson, Wyoming — and with how to forge a path forward, and to create a better future for the younger generations navigating existence after the cordyceps infestation, as clear in its sights as a clicker spied through a rifle scope. For Gabriel Luna, season two is indeed a return. A star of Terminator: Dark Fate, True Detective, Agents of SHIELD, Matador and more before stepping into the shoes of Joel's younger brother Tommy, and seen in Fubar and heard in Secret Level since The Last of Us debuted its first season, he's back in a part that's stuck with him. "Even during hiatus, I never really felt completely removed from the flow of the story," he tells Concrete Playground. Accordingly, he's not new to pondering the show's depths, and also thinking about its true monsters — not clickers, aka the long-term infected after their exposure to the fungus that's largely wiped out the planet, but some of the people taking doing whatever is necessary to the extreme in the nightmarish situation that the likes of Joel, Ellie, Tommy and the latter's wife Maria (Rutina Wesley, Queen Sugar) have been weathering. As the second season unpacks Jackson's hard-earned new status quo — where post-pandemic normality is the aim, but guarded walls, patrol runs, trauma counselling, and other such security measures and coping tactics will never not be elements of the daily routine — Isabela Merced and Young Mazino are fresh to The Last of Us' realm. The former plays Dina and the latter is Jesse, both of whom will be familiar to anyone that's played The Last of Us Part II. Merced joins the series after 2024's Madame Web and Alien: Romulus, plus the movie adaptation of Dora the Explorer, featuring in Instant Family and Sicario: Day of the Soldado, and leading Nickelodeon TV series 100 Things to Do Before High School before that. Mazino's resume also spans back to 2013, as Merced's does, but he's best-known for Beef, which earned him an Emmy nomination for Outstanding Supporting Actor in a Limited or Anthology Series or Movie. [caption id="attachment_999544" align="alignnone" width="1920"] Scott Ehler, Max[/caption] As Dina and Jesse, Merced and Mazino find themselves thrust into season two's big schism, as Luna's Tommy also is. Gone is the surrogate father-daughter closeness that Joel and Ellie carved out in season one, with their relationship instead evolving into the frequent next step as children grow up: distance and rebellion, and a parent dismayed at their connection changing so drastically. Audiences know, of course, that's there's more to the tension between Joel and Ellie thanks to the events of the first season — thanks to decisions and actions that also link to fellow cast addition Kaitlyn Dever (Apple Cider Vinegar) as Abby. New faces (The Studio's Catherine O'Hara is another), both friends and foes; acrimony between a pair that earned their bond, and each other's trust, the hard way in season one; a love triangle; contemplating what type of community that Jackson wants to be; a quest for revenge; an early showdown with clickers: The Last of Us kicks off its seven-episode second season with all of the above. Before that even arrives, a third season was locked in, too. When Luna, Merced and Mazino travelled to Australia to help launch HBO's dedicated streaming platform Max Down Under — where you'll find The Last of Us season two streaming from Monday, April 14, dropping its instalments week by week — we chatted with the trio about where the new chapter takes the series, what excited Merced and Mazino about becoming a part of it, how Luna approached coming back, digging into those survivalist themes and facing down clickers, among other topics. On What Excited Merced and Mazino About Joining The Last of Us for Season Two — and the Unexpected Injuries That Came Along the Way Isabela: "Initially there's the pull of the massive, just enormous size of the show — and the amount of cast members, the amount of action scenes. That was the initial pull. And then with all of the writing, it's so deep and it's so much that you can chew on and really get yourself into and throw yourself into. I love how Craig writes his characters, so I was excited to just be one of those." Young: "Yeah, I second everything she just said. You can tell the writing's excellent in the first season, and so I was so excited to get to chew on those words. And it's fun. And the physicality of it, getting to do fun things like riding horses and shooting guns and running around fighting clickers." Isabela: "Oh that's right, you pulled a muscle." Young: "Yeah, yeah. My hamstring exploded in one scene and I think you can hear me going like 'aaaah' at the end of that — and I think they kept it in the episode, too. So good times, yeah." Gabriel: "I had almost pulled a quad, and then I remember, then I did pop my calf, I think. It's healed now." Young: "Yeah, you've got to warm up." Gabriel: "You've got to, but it's hard when it's so cold. I mean -20 degrees, it's hard to get warm." Young: "I'm just eating a sandwich on the steps of my trailer and they're like 'alright, you ready?' I'm like 'yeah'. And then next thing you know, I'm booking it like 15 times in a row." Isabela: "You're an athlete, too." On How Luna Approached Stepping Back Into Tommy's Shoes for the Second Time Gabriel: "Even during hiatus, I never really felt completely removed from the flow of the story. This just always — I just remained in contact with Craig and we'd talk a lot, and text about different things and ideas for the second season. And so even while off on other jobs, this job very much took up residence and has a lot of real estate in my heart and my mind, and I think about it a lot. So I went into it ready to get back to work. And I think some of that is being excited for what was to come. Knowing what happens in the second game as far as Tommy is concerned, it was all something that I had been champing at the bit to get back into anyway. We talked about all of our injuries, but just trying to stay as physically ready as I could, even though Craig was telling me 'you know what, you know you're 55 in this story, so you can't be in too good a shape'. I was like, 'well, that's where the acting will come in, because I don't want to die out there'. It was a lot, but I was, I felt, ready — and we were ready, and we got it done." On How Season Two's First Episode Sets the Scene for What's to Come Gabriel: "For Tommy, he is a new father. He's been forced to lock in — kind of a born to dilly-dally, forced-to-lock-in type of guy— but he's really taken on that role and those responsibilities willingly, with a lot of love and compassion for his family first, and then, of course, his community. So he's had to mature quite a bit. He and Maria have Benjamin [Ezra Benedict Agbonkhese, Snowpiercer], their son. And he's also a bit of the go-between and the mediator between a lot of elements of his family." Isabela: "[For Dina and Jesse] You kind of catch them in the middle of the love triangle. So yeah, you kind of feel that tension — and it's interesting because you leave the audience with a lot of questions, but they'll get answered." Young: "Yeah, you see the breadth of the aftermath of something that just happened, and we're stepping into this uncharted territory of what's to come." Isabela: "It was interesting as actors to sort of have to do that as a first scene together." Young: "Yeah, that's interesting — and it's clever, it's clever writing, too, to establish that so quickly, which I think people will see in the first episode." On Digging Into the Show's Themes, Including What It Means to Survive, What It Requires and Costs, and Building a New World Gabriel: "When preparing for the first season, I enlisted the help of my friend Jack Nevils, who trains army snipers, and he was our military consultant on Terminator: Dark Fate. And the one thing that he said to me very early in the process that stuck and resonated was 'you know, I've been in these places where when resources are low, people become monsters, and it happens very quickly — that descent happens swiftly'. And so it's kind of carrying that sense of the paranoia of a lot of the threats. The monsters are a known quantity; it's the people that you encounter, and their deception and their intentions and their designs, that you have to be wary of. I think I'm a very open person in my personal life, and very trusting and want to give people the benefit of the doubt, but I think within this world your senses are heightened and your awareness — I think it's important to open that awareness and to be able to clock the threats." Young: "I was just thinking, there's the world-building and the environment, but then I think it it's also important to look at the character. And I personally pull threads of very specific people that I know in my life, and kind of combine them to amalgamate into this character that I think would serve this story." Gabriel: "Yeah, and a good point — while they are the greatest threat, people, they're also the greatest resource. If you can find the right people and move together, yeah, that is how you survive." Young: "Community." On What Merced Draws Upon When Facing Clickers, Including in Season Two's First Big Showdown Accompanied by Bella Ramsey as Ellie Isabela: "That's kind of the first bit of clicker action we get in the series, is that — and I find it fascinating that I didn't know what to expect in the process, but I saw the clickers on that day for the first time, and the actors that are playing them are usually stunt people and they get them as close as possible to what you see on the show in the final result. So I got to see their real movements and their actions, and their general demeanour is so frightening, I think, because it's so unpredictable. They did a really good job choreographing them — and it's really, really fun. And as a fan of the game, just to see that in person, it's really cool. The Last of Us season two streams from Monday, April 14, 2025 Down Under, via Max in Australia and Neon in New Zealand. Read our review of the first season. Images: HBO.
We have so much to thank the '70s for: P-Funk, The Clash, platform shoes, the advent of modern computing, and, most importantly, the terrarium. Back in the day, you would finish off whatever was in your favourite brandy snifter or plastic bottle, wrap it in your latest macrame creation, throw in a few ferns, and marvel at the fact that you suddenly had a portable piece of nature in your home. During the past few years, the terrarium has come back with a vengeance — and a sophistication with which it wasn't graced, traditionally. An expertly executed terrarium is now considered a work of high art, as demonstrated by the careers of New York's Paula Hayes and Melbourne's Clea Cregan. Even individuals putting together their own "ultimate, low-maintenance garden" at home can create a piece that'd make their mum proud. Whether you're a film buff who wants to see your favourite character immortalised in glass, a nature lover who wants to wear some greenery around your neck or are just looking to add a trendy touch to your home, you're sure to be inspired and surprised by the latest manifestations of the mighty terrarium. It's probably not a bad idea to take Don Burke's advice and keep your creation well-watered. The Hobbit Terrarium Recognise this door? Behind it, you'll find the home of one of fiction's favourite adventurers, Bilbo Baggins. The Hobbit terrarium miniaturises the already teeny-tiny world of Bag End, Hobbiton. The Beetlejuice Terrarium Yes, this really is what you think it is: a one-and-a-half inch model of Connecticut's spookiest house, built to scale. Made of wax, wire, paint and a hairbrush, it perches on a 'hill' of live, growing moss. If genius truly is patience, terrarium artist Rachel Bishop well might qualify. The Star Wars Terrarium Yoda's famous quip "Size matters not" takes on a new dimension here. The 900-year-old Jedi Master stands upon a hand-created 'landscape' surrounded by a glass globe just five inches in circumference. The Australian Open Terrarium CHARD asked Melbourne artist Clea Cregan to create this one for the Australian Open VIP Lounge. Cregan's Miniscapes can be found in all kinds of interesting places in Victoria's capital city. Forensics in the Flora Contemplating inviting friends over for How to Host a Mmurder? This terrarium could be the perfect conversation starter. Surreal Scenes Canadian costume designer Thyrza Segal fills her terrariums with Dali-esque visions. Polymer clay figures — half-human, half-flower — peer out from dreamily arranged, organic foliage. Terrarium in a Tear Drop New York artist Paula Hayes creates scenes of delicate beauty within glass that has been hand-blown into organic shapes. Last year, she installed a large terrarium at Lever House, New York City as part of an exhibition that explored the interaction of human beings with the natural environment. Terrarium in a Light Bulb Blown a light bulb and feeling guilty about throwing it away? Get out your tweezers and devise a world of your own imagining. A Living Necklace Seattle-based artist Courtney creates miniscule universes that you can take with you everywhere you go. Litill Terrariums New York-based artist Lauren Coleman uses succulents, sand and found objects to create unique terrariums of simple, elegant design.
If you live in Pyrmont or Glebe, you might have more water cruises in your future because the area is set to score its own on-demand ferry service. The NSW Government has announced that it will launch a six-month ferry trial to more directly link the Bays Precinct to the city. The new green ferry will be a 43-seat 12-metre-long MiniCat dubbed Me-Mel, the Gadigal name for 'eye' (and also the local indigenous name for Goat Island). While it will only be available on-demand, it will still follow a route, which will run from Barangaroo Wharf to Pyrmont's Pirrama Park, the Fish Markets and the Glebe side of Blackwattle Bay. While ferries already run between Barangaroo and Pyrmont Bay wharves, this ferry will provide another public transport option and a more direct route to Glebe — at the moment, commuters need to take one or two buses (or walk or catch a cab) to get home. View this post on Instagram This looks really promising. After years of campaigning for more public transport options by Glebe and Pyrmont residents, the NSW Government has announced a trial of on-demand ferries from Blackwattle Bay through to Barangaroo. We'll be watching the trial closely and if it proves successful, I'll advocate for the service to be expanded to other areas it could work, such as Woolloomooloo and Rushcutters Bay. When the trial begins, let me know what you think. A post shared by Clover Moore (@clovermoore) on Sep 27, 2019 at 5:30pm PDT Me-Mel will be run by Sydney Ferries operator Transdev, and will be available to order between 7am and 10pm on weekdays, and 8.30am and 7.30pm on the weekend. To book, you just need to download the Tranzer smartphone app. Alternatively, you can give them a call or visit one of the kiosks located at the wharves. And in good news — a ride on the ferry will work out the same as your standard Opal ferry fare — a single trip clocks in at $7.60 for adults and $3.80 for concession card holders. Which makes it a viable swap for your regular Uber ride home. Last December, Captain Cook Cruises launched its own private on-demand ferry to service the inner-east wharves — however, it has since stopped operation. The ferry is set to start running sometime in October. We'll let you know when services kick off.
Fair Day is traditionally one of the first events of Mardi Gras each year, but in 2023 it's going one better: it's also the first major event of Sydney WorldPride. Get ready for a family-friendly, pup-friendly, eco-glitter-friendly day in Victoria Park that's inclusive, relaxed and free. This year's Fair Day will feature a fancy dress competition for dogs, over 300 market stalls, pop-up bars, a main stage with leading queer performers in Australian music, plus the chance to shine brightly with your nearest and dearest chosen family. Highlights of the performance lineup include Eurovision champion Conchita Wurst, a Sissy Ball vogue showcase, The Buoys, Nana Miss Koori, Carla Wehbe, Jamaica Moana and Latifa Tee. Elsewhere around Fair Day, the First Nations Circle will celebrate LGBTQIA+SB Aboriginal and Torres Strait Islander communities, a live recording of the ABC's The Party Room will be talking politics, The Absolut Dancefloor will be serving up party-starting dance tunes, and the likes of Archie Rose, Little Creatures and Squealing Pig will be supplying refreshing drinks.
Russian photographer and world traveller Murad Osmann is asking his Twitter fans to #followmeto all the incredible, exotic places he and his girlfriend have been exploring across the globe. And his followers, plus millions of other people across the internet, are certainly having no trouble doing that: Osmann's photographic journey takes viewers on a trip of their own, which is stunning in more ways than one. Osmann's series depicts backgrounds of beautiful scenery from the most distinct and glorious cities, mountains, buildings, and even shopping centres around the world. The feature that sets his photographs apart from other scenic pictures, however, is the subject within each and every image: Osmann's girlfriend appears with her back to the lens in the centre of each frame, clasping her lover's hand and leading him to these various attractions — however, often due to her limited clothing, she herself may easily become the main attraction of the shot. The idea for the image series first began in Barcelona in 2011 when the photographer's girlfriend got fed up with him snapping every sight they saw and consequently tried to pull him away from the lens. Instead, this gave birth to the vast photo series that the loved-up couple have been working together on practically ever since. From his hometown Moscow to his study-town London, holiday spots such as San Sebastian and Disneyland, and even more mundane scenes such as riding an escalator or being pushed in a shopping trolley, take a look at these original and dazzling images that will be sure to make you want to travel the world with your loved one. Via Daily Mail. Rooftop Pool, Singapore Entering the Gates of Disneyland, California The Meadows of Austria The Rice Fields in Bali The Big Ben and House of Parliament, London The Lovebirds Fly High in a Hot Air Balloon San Sebastian, Spain The Kremlin and Red Square, Moscow The Back Streets of Venice Strolling through the Aisles of Ikea 10,000 Buddhas Monastery, Hong Kong Brandenburg Gate, Berlin
Craft brew lovers in Sydney's southwest, rejoice. The Ambarvale Hotel is bringing a whole heap of exciting beers to your neck of the woods for a one-day craft beer festival called the South West Beer Fest. Running from midday on Saturday, February 25, the festival will boast samples from 12 different local breweries for you to try. You're certain to find your new favourite brew with beers on offer courtesy of Capital Brewing Co, White Bay Brewing, Akasha Brewing Co, Sunday Road Brewing, Mountain Culture and locals Ambarvale Brewing Company among the different beermakers on show. The Ambarvale Hotel also underwent a bit of an upgrade during the pandemic, with the pub's new outdoor In The Gardens oasis set to play home to the beer festival. Entry is free and $35 token booklets will be available to purchase on the day, granting you access to a heap of beer samples. If you're always on the lookout for a good deal, you can nab your token booklet online before the event, too, and save $5.
It's true of every movie: how much you know going in can and does influence the viewing experience. Great films are still great films no matter your prior awareness of their twists, or even just the main premise, but how the audience takes that ride will morph and shift depending on what they're expecting will eventuate. Abigail is a case in point. Why that's so was revealed in its trailer, leaving almost no one sitting down to it in the dark about what's to come. But when the reveal arrives in Matt Bettinelli-Olpin and Tyler Gillett's fifth full-length directorial effort — and their first after bringing back Ghostface in 2022's Scream and 2023's Scream VI — it's a glorious moment. It's also treated in the flick as a big unveiling, and not just for the picture's characters, in what serves as an overt reminder of how divorced that marketing a movie is to making it. Abigail, aka the tween vampire ballerina film, is still an entertaining time irrespective of your starting knowledge, thankfully. It begins as a blend of a heist affair, horror mansion movie and whodunnit, with a kidnapping skilfully pulled off by a motley crew (is there any other type?), then with holing up in the mastermind's sprawling and eerie safe house with their 12-year-old captive, then with fingers being pointed and their charge toying with them. Bettinelli-Olpin and Gillett are slick with their opening, from breaking into a well-secured estate to avoiding surveillance cameras while speeding through the streets afterwards. They're playful, too, when corralling everyone in their next location — a setup that they've turned into an ace horror watch before in 2019's Ready or Not — and letting suspicions run wild. The six abductors here, as given nicknames Reservoir Dogs-style but with a Rat Pack spin, and told not to divulge their true identities or histories to each other: Joey (Melissa Barrera, Carmen), a recovering addict with medical skills; Frank (Dan Stevens, Godzilla x Kong: The New Empire), who has a background in law enforcement; Rickles (William Catlett, Constellation), an ex-marine; Sammy (Kathryn Newton, Ant-Man and the Wasp: Quantumania), the resident hacker; Peter (Kevin Durand, Pantheon), the dim-witted muscle; and Dean (Angus Cloud, Euphoria), the stoner wheelman. The middleman for their employer: the no-nonsense Lambert (Giancarlo Esposito, The Gentlemen). And the girl: Abigail (Alisha Weir, Wicked Little Letters), of course, who is the daughter of someone obscenely rich and powerful. She's just finished dance rehearsals, is still in her tutu, and proves the picture of scared and unsettled when she's snatched from her bedroom, drugged and blindfolded — until she isn't. Anyone that's seen Ready or Not will spot the commonalities with Abigail, even amid such hefty differences as well. Although this definitely isn't about a newlywed bride being hunted by her wealthy in-laws on her wedding night, it does trap its characters and the bulk of its action in a stately but isolated residence filled with secret hallways and rooms, and in a fight-to-the-death battle where it's evident from the outset that folks are going to get picked off one by one. There's also a strict timeline, and a red-splattered white dress. Abigail heroes a working-class female protagonist who's forced to grow into her role taking on the privileged, sports buckets full of affection for horror old and new, and winks to the past vigorously among its thoroughly modern irreverence. And, in inventive and eye-catching manners — captured this time by cinematographer Aaron Morton, who is having a great 2024 with this and The First Omen — it loves, loves, loves splashing around OTT violence. Radio Silence, the production company that doubles as a brand for Bettinelli-Olpin and Gillett, clearly know this terrain. Working with a script by Stephen Shields (The Hole in the Ground) and Guy Busick (back from Ready or Not, Scream and Scream VI), Abigail's helmers also know how to make the key storytelling move in frightening flicks, and all other types of tales, of ensuring that familiar elements feel fresh when viewers can spy oh-so-much that's recognisable. That's part of the fun of Abigail, including as it becomes a gleefully gory rendering of a Home Alone-esque caper with its namesake stalking the people holding her for a $50-million ransom: seeing how its pieces, drained from elsewhere as they may be, mix and pirouette anew. It's also why the feature's chief reveal should've stayed that way going in, because there's so much else that drinks from overflowing genre cups anyway, while dropping clues from the use of Tchaikovsky's Swan Lake onwards about what's in store. A tense crime-film atmosphere to kick off, Agatha Christie nods, quite the child adversary, deranged dances, getting drenched in blood again and again, a The Cabin in the Woods vibe: they're all in a day's work for the film's well-deployed cast, even if not every character runs deep. The screenplay gives its flesh to Joey and Abigail above everyone else, and Barrera — also reuniting with Bettinelli-Olpin and Gillett after their Scream flicks — and Matilda the Musical breakout Weir benefit. Stevens, Catlett, Newton, Durand, Cloud and Esposito might only be asked to hit one real note each in this predator-and-prey monster mash, but they commit to the task. It's a talent-trumps-material scenario, where this group were always going to give their figures more life on the screen than on the page — with Stevens especially having a ball, and Cloud's involvement dishing up a reminder of what the world lost when he passed away in 2023. Abigail isn't just any addition to the vampire fold (on-screen, it also knows what else slumbers in this jam-packed coffin). In 2023, Universal Pictures was similarly behind Renfield and Dracula: Voyage of the Demeter. Before 2024 is out, The Witch, The Lighthouse and The Northman's Robert Eggers will have his own Nosferatu flickering. Finding new ways to rework its Universal Classic Monsters characters and titles — plus the pictures that inspired them, such as unauthorised adaptations of Bram Stoker's Dracula — is one of the studio's current niches, which also applies to The Invisible Man, the upcoming Wolf Man and this. Abigail does it with flair, enthusiasm, humour and literal guts aplenty, and while biting heartily into maximalist flourishes. It might've tasted sweeter if its promotional campaign had been slyer and shyer, but sinking your teeth in remains bloody delicious.
Summer might officially be over, but that by no means means you have to head straight home after work. In fact, Armorica, a French brasserie in Surry Hills (and sibling of Franca, Potts Point) is suggesting you do just the opposite. The restaurant is luring you to hang around town with a happy hour deal that's hard to refuse. Between 4pm–6pm, with just $6 in your hand, you can indulge in a glass of rosé, a beer or a serving of charcuterie. This excellent deal has been on offer for a little while – and Armorica has just announced it won't be going anywhere soon. So many people have been getting on the bandwagon, it doesn't make sense to stop. After 6pm, you might, of course, be tempted to stick around to try a little more of the menu. Standouts include the seafood tower layered with fresh oysters and grilled prawns, the slow-cooked duck rigatoni, and the whole chicken served with chicken skin and thyme-infused gravy. You'll have no trouble finding a perfect match in the 400-strong wine menu.
A vibrant celebration of international food and culture has taken over the quaint suburb of Sefton. Spicetown — a hub of night markets dedicated to showcasing local talent — has arrived as an extension of the popular Burwood Chinatown night markets, aiming to provide go-to stomping grounds for the surrounding community from 4pm to 10pm every Thursday to Sunday. Just a short walk from Sefton Station is this vibrant market, lit up by twinkling fairy lights and enveloped with the tempting aromas of sizzling skewers, sugarcane and sweet treats. Reviving a space at 66 Clapham Road, this weekly fair boasts over 25 stalls dedicated to beloved local businesses and their decadent delights. Immerse yourself in the plethora of cuisines available, from Afghani, Indian, Chinese and Turkish street food to Sudanese dishes, Lebanese falafel wraps and Japanese sweet potato-starring desserts. During your exploration of its many offerings, you'll discover the likes of the famed Tanghulu crew — a kaak station and refreshing bubble tea among the array of food and drink selections taking up residence at Spicetown. Even local businesses like Sugar House Waffles, Dressydates and Lokmades, as well as familiar faces from the Burwood Chinatown markets like Skewer House, have secured a spot on the weekly food lineup. Following its extravagant Lunar New Year festivities, Spicetown will continue to celebrate the suburb's rich culture and enticing bites on offer — and there are still a few more exciting vendors that are yet to make an appearance. Leading the exciting additions of the upcoming food offerings that'll set up shop shortly include a stall slinging bowls of laksa and fragrant Indonesian dishes and the viral dessert brand Kurepu Crepes, which will join the food lineup at the end of February.
Get your dancing shoes on Sydney, because one big ol' glittery party series is headed our way. The ivy's new LGBTQI+ club night, POOF DOOF, has partnered up with Absolut Vodka to turn it all the way up for Mardi Gras this year. Expect to get down to anthems by the likes of Gloria Gaynor, Madonna, Pet Shop Boys and Cher, 'cos this party is here, loud and (very) queer with pre-Mardi Gras raves, from February 15–29. Having taken up residency at the Merivale precinct back in November 2019, the legendary Melbourne-bred party has since thrown some of the best blowouts citywide — and it's primed to get even better now that the CBD lockout laws have been lifted. The parties will take over the courtyard, terrace and den with an all-out rave each Saturday from 10.30pm. Dance well into the night with house and techno pumping on the main dance floor. Or, you can vogue in the side room — dubbed Snap Crackle Pop — which will be blasting queer pop anthems all night. The Mardi Gras series will kick off with We Are Stardust on Saturday, February 15, with DJs Unknown Associates headlining, plus a lineup of more DJs and drag queens. On February 22, you can enter into the queer stratosphere at Planet POOF DOOF — an intergalactic Mardi Gras welcome party. Come Friday, February 28, there'll be the Big Gay Pool Party taking over the ivy's Pool Club. And, for its final stint on Saturday, February 29, POOF DOOF's Mardi Gras series will close out with a massive Mardi Gras Parade After Party. Tickets for each night start from $25 and are on sale now. Pre-purchase online and you'll receive a 'rainbow hour' wristband upon arrival, which will get you a one-hour drinks package from 10.20–11.30pm — so get on it.
Fancy an art experience that extends beyond looking at works on a wall? Then prepare to be impressed by Melbourne's new 3000-square-metre, 11-metre-high immersive digital art gallery. Originally set to open in late 2020, then postponed till autumn 2021, and now finally set to launch when the first day of spring hits — so, Wednesday, September 1 — The Lume will make its home permanently at the Melbourne Convention and Exhibition Centre (MCEC). The big drawcard: projections of some of the world's most celebrated artworks, which will be splashed across various surfaces. Those luminous displays will be backed by powerful musical soundtracks, too, and even complemented by aromas. The inaugural exhibition at The Lume will celebrate the works and life of Vincent van Gogh. So, you'll be able to walk through artworks like The Starry Night and Sunflowers while listening to a classical music score. If you were lucky enough to make it up to Sydney last year for Van Gogh Alive, expect something very similar. The project is the brainchild of Melbourne-based Grande Experiences, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 130 cities across the world — and is taking Van Gogh Alive around Australia this year, too. The company also owns and operates Rome's Museo Leonardo da Vinci. The Lume will open at the Melbourne Convention and Exhibition Centre on Wednesday, September 1. General public tickets go on sale at 12pm on Thursday, June 3 — with wait list pre-sales from Monday, May 31.
If your mid-week after-work drinks routine is starting to get a little stale, spice things up this month at the Art Gallery of NSW's series of free after-work drop-in workshops, taking place as part of its Masters of Modern Art from the Hermitage exhibition. Running from 5.30–8.30pm on Wednesdays in November, this Art After Hours series is the perfect way to banish the hump day blues, feed your creative side and experience first hand the colours, lines and shapes that defined the modernist art movement. You can Paste with Picasso on November 14, where you'll create your very own cubist collage inspired by Picasso himself. If a needle and thread is more your thing, Sew with Sonia on November 21 invites you to sew, stitch or weave with textiles and paper, inspired by the vibrant geometric designs of Sonia Delaunay. Or head along to Make with Matisse on November 28 and create a brightly coloured, fantastical landscape à la Henri using a variety of collage techniques. While you get crafty, DJ Kali (Picnic) will be providing a soundtrack of disco and soul to get the creative juices flowing. Novices are welcome and materials are provided, so all you need to do is grab a drink, enjoy the music and get crafty. Maybe you'll even be able to turn one of your creations into a Christmas present — but if not, check out A Very European Christmas at the gallery on Wednesday, December 12, where you can enjoy drinks and live music, shop for a unique gift and take part in a festive art-making workshop. Modern Makers Workshops will take place on November 14, 21 and 28 from 5.30pm. No bookings are required.
Mardi Gras-goers were rocking cowboy hats long before they became the go-to accessory for hen's parties and festival fits. So it's only fitting that a few Stetsons and leather chaps would be busted out for WorldPride at Sydney's other longtime advocate for cowboy attire, Shady Pines Saloon. The low-lit Darlinghurst dive bar is hosting a series of free Pride parties each Wednesday throughout the festivities with its usual world-beating cocktails and stellar whiskey menu, free bowls of peanuts and a stacked entertainment lineup. Some of the names across the program include cowboy drag king Kazier, circus performer MissTaken Identity, Big Thick Energy's burlesque goddess Demon Derriere, as well as Gabe Woods, Billie Burnout, Diva Attenbra and Mr Benjamin Butterfly. Since we're talking Shady Pines here, naturally there'll be the mandatory presence of live country music performed across the three weeks. Plus, there's a recommended dress code that Shady Pines describes as 'Ruff n' Ready Redneck' and those who observe will be treated to a bowl of free peanuts. Entry is free, and as always, the bar is walk-in only so you'll want to arrive promptly if you're after a table. If there's a certain performer you want to catch, you can head to the Swillhouse website where each week's lineup is laid out.
There's never been a show on TV quite like Kevin Can F**k Himself — or on streaming, where the series is now available in Australia via Amazon Prime Video. But, there have sadly been far too many programs over the years that resemble one half of this clever and cutting dark comedy. Even if you aren't a fan of the fare this newcomer riffs on, you know the type. For too long, screens have been littered with sitcoms about families, and about specific kinds of couples and their kids. Accordingly, a different one probably springs to mind for each of us. You might've started thinking about Home Improvement, or Everybody Loves Raymond — or, thanks to Kevin Can F**k Himself's title, you could've just remembered all the shows starring Kevin James. Kevin Can F**k Himself's moniker does indeed conjure up the words many of us have thought to ourselves after stumbling across awful sitcoms led by James. Here, Kevin McRoberts (Eric Petersen, Sydney to the Max) is the obnoxious manchild of a husband, while Allison (Annie Murphy, Schitt's Creek) is his put-upon wife — and whenever they're together, generally at home, she's clearly in a sitcom. The lights glow brightly, her house resembles every other cosy abode in similar shows about comparable characters, and multiple cameras capture their lives. Also, canned laughter chuckles whenever something apparently amusing (but usually just cringeworthy) occurs. And, that source of terrible humour tends to be Kevin, who skates through his days with the arrogance and obliviousness of a white thirty-something man who has always been told he can do no wrong. Helping to reinforce that mindset, he always has his ever dimwitted best pal and neighbour Neil (Alex Bonifer, Superstore) by his side, gushing over his every move. Also frequently hovering around: Neil's one-of-the-guys sister Patty (Mary Hollis Inboden, The Righteous Gemstones) and Kevin's own ever-present dad (Brian Howe, Chicago Fire). We've all seen this setup before, and Kevin Can F**k Himself's creator Valerie Armstrong — who also worked on the excellent, underrated, cancelled-too-soon Lodge 49 — definitely knows it. She isn't trying to recreate these abysmal sitcoms for fun, though. Instead, she knows that Allison and the women who've been in her place are devastatingly miserable, and she's determined to give them their time in the spotlight and explore what happens when they're not supporting player to a man they don't even want to be with. That's where the twist comes in, and it's oh-so-savvily handled. (It's also laid bare in the show's first episode, because it's that important to the series' premise.) So, whenever Kevin Can F**k Himself's leading lady is blissfully free of her horrible hubby, her life becomes a premium cable drama. Murkier tones and a much more realistic vibe kick in, just one camera films her struggles, and no one is giggling. Also, Allison starts trying to do something about her soul-crushing marriage. The visual and tonal contrast between the show's two halves is big, stark and obvious. It hits you over the head. It's meant to. On paper, the creative decisions behind Kevin Can F**k Himself stem from a high-concept gimmick, and purposefully so — but the show's central idea is also exceptionally smart. This series needs to be as blatant as it is in contrasting Allison's time with Kevin with her experiences whenever he's not around. It needs to make flagrant moves to illustrate how the world still sees marriages like theirs as bright and inviting, even when Allison endures a grim struggle. Subtlety isn't usually the best way to make a statement, after all, and that applies when you're calling out how an entire genre of TV has long treated women; that its instantly recognisable toxic tropes have become not just accepted, but imitated; and that real-life relationships based on this dynamic aren't healthy or happy. These notions bubble away throughout Kevin Can F**k Himself, including when over-lit scenes of Allison putting up with Kevin segue into dark-hued shots as soon as she's out of his presence. Usually, the change kicks in because she's walked into the kitchen and left him on the couch with his pals, or she's gone to work while he gets up to standard sitcom-style hijinks; however, Allison is desperate to make a permanent change. The series follows not just her efforts to leave Kevin, but her quest to ensure that she'll be free of him forever. You could say that she breaks bad, but she's doing good — just for herself for once. Allison's path forward is messy, naturally, and only gets more chaotic the more she commits to achieving her Kevin-free new life. Her high-school crush Sam (Raymond Lee, Made for Love) moves back to town, too, while Patty becomes an unexpected ally. Soon, the two women have a police detective (Candice Coke, Indemnity) snooping around their lives as well. Everything Allison faces could've easily fuelled a drama that didn't include sitcom-savaging segments, but the show is all the better for embracing its gimmickry. It pulls back the curtain on the glossy way that its protagonist's existence is presented to the world, exposes the reality and finds ample ways to interrogate why this sitcom fantasy has proliferated for so long. Thanks to weighty key performances by Murphy and Inboden, it also dives deep into the internalised miseries that women who've been caught in the orbit of men like Kevin keep navigating — and, episode by episode, it grows and fleshes out the pair's complicated friendship as well, and unpacks the "cool girl" archetype Patty initially represents. In the process, amidst all of its layers and switches, Kevin Can F**k Himself quickly becomes one of the best new shows of 2021. Thankfully, it has already been renewed for a second season, too, so more of its incisive charms and astute social commentary — and Murphy and Inboden's stellar work — awaits. Check out the trailer for Kevin Can F**k Himself below: The first four episodes of Kevin Can F**k Himself's first season are available to stream via Amazon Prime Video, with new episodes dropping weekly. Images: Jojo Whilden/AMC.
Those hobbits will go on. In JRR Tolkien's pages, they went on perilous Middle-earth adventures. On screens big and small for decades so far (and into the future, with more TV episodes and movies on the way), they've trekked, ate second breakfasts and attempted to project precious jewellery. Onstage in Australia in 2025, they'll also be marking an eleventy-first birthday, receiving a gold ring, taking a quest to Mordor and attempting to fight evil, all in The Lord of the Rings — A Musical Tale. Dating back to 2006, just after the original live-action movie trilogy, this stage musical was revived in the UK in 2023, opened in the US in July 2024 and will hit New Zealand this November. After that, it'll then take the hobbits to Australia from January 2025. First stop: Sydney's State Theatre. The Market Street venue will host the only Aussie season announced so far, kicking off on Tuesday, January 7, with how long it'll be playing yet to be revealed. Lord of the Rings fans elsewhere across the country, take note, too: you might need to go there and back again to discover what happens when Middle-earth gets melodic. Your guides for the show are the hobbits, of course, as Frodo and company celebrate Bilbo Baggins, then depart The Shire upon a life-changing journey. Thanks to Tolkien, what occurs from there has enthralled audiences for 70 years now, with The Fellowship of the Ring and The Two Towers initially hitting bookshelves in 1954. There's been no shortage of ways to indulge your Lord of the Rings love since Peter Jackson's features — including his Hobbit trilogy — helped fan the flames of pop culture's affection for Frodo, Samwise, Pippin, Merry and the franchise's many non-underground-dwelling characters. Cinema marathons, visiting the Hobbiton movie set, staying there overnight, hitting up pop-up hobbit houses, sipping hobbit-themed beer: they've all been on the agenda. Only The Lord of the Rings — A Musical Tale is combining all things LoTR with tunes and dancing, however, in a show that sports a book and lyrics by from Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Matilda the Musical, Groundhog Day the Musical), plus original music by Slumdog Millionaire Oscar-winner AR Rahman, folk band Värttinä from Finland and Matilda the Musical alum Christopher Nightingale. The Lord of the Rings — A Musical Tale will make its Australian premiere at the State Theatre, 49 Market Street, Sydney, from Tuesday, January 7, 2025. Head to the production's website for further details and to sign up for the ticket waitlist. Images: Liz Lauren.
UPDATE: DECEMBER 16, 2019 — Since publication of this article, the doughnut supplier has changed. Complimentary doughnuts will now come courtesy of Woofy's, not Donut Papi. Want to get your hot little hands on a doughnut...for free? Then read on and clear your schedule for this Thursday, December 19. Japanese retailer Uniqlo is opening its eighth NSW store in Castle Towers, and Woofy's is joining in the fun by giving away a heap of its holey baked goods. When the doors open at 10am on Thursday, complimentary doughnuts will be handed out to the first people through the door. If you're at the centre to battle through the last of your Christmas shopping, the baked treat will hopefully give you the energy to do so. The grand opening festivities also involve freebies of the sartorial variety. On launch day, Uniqlo Castle Towers will have special offers on a swag of men's, women's and kids' clothes, while the first 500 customers who spend over $100 in store will each score a free Uniqlo cooler bag (perfect for all those summer picnics). The new outpost will also play host to the complete range of Uniqlo's LifeWear apparel.
