She became one of the most successful artists in pop music history with classic hits such as '(You Make Me Feel Like) A Natural Woman', 'I Feel The Earth Move' and 'You've Got a Friend'. And now, the extraordinary story of Carole King has been immortalised into jukebox musical Beautiful: The Carole King Musical. Following successful runs in the US and UK, the critically acclaimed production based on King's life has made its way to Australia. The local run, produced by Michael Cassel, arrived at Sydney Lyric Theatre in September and has already received a "cavalcade of glowing reviews". Beautiful begins with King's early years as a teenage songwriter. It covers her time writing with husband Gerry Goffin for the likes of Aretha Franklin and The Drifters, and their playful rivalry with friends and writing partners, Barry Mann and Cynthia Weil. The show then charts her personal success as a solo artist in the 1970s, cementing her iconic status on a global scale. The Sydney production will run until the end of January 2018 before heading on to Melbourne, Brisbane and Adelaide. Playing at the Sydney Lyric Theatre at The Star, the musical also comes with several pre-theatre dining menus available from the likes of Balla (from $59) and BLACK Bar & Grill (from $79) where you can dig into burrata, pork terrine and barramundi and dine on oysters, gnocchi or angus fillet, respectively. Beautiful: The Carole King Musical runs until the end of January 2018 at Sydney Lyric Theatre, before heading to Melbourne, Brisbane and Adelaide. Tickets start at $60. Before the show in Sydney, you can book into pre-theatre dining at any of the restaurants at The Star, including Balla, BLACK Bar & Grill and Harvest Buffet, among others. Find out more about the dining packages here.
Here's one for the money: a huge Elvis Presley showcase, filled with around 300 artifacts owned by the King of Rock 'n' Roll himself, all on display in Australia. Come autumn 2022, you'll want to step into your blue suede shoes and take a trip to the Bendigo Art Gallery, which'll fill its walls and halls with Elvis' clothes, vehicles and other personal items. All those jumpsuits he was so famous for wearing? A selection will be on display. The only car from his movies that was actually his? That red convertible 1960 MG, from the film Blue Hawaii, is visiting Australia for the first time. The Bendigo Art Gallery will also showing some tender love to Elvis' military uniforms, first job application and wedding tuxedo — plus Priscilla Presley's wedding dress. Plenty of the items heading to regional Victoria rarely travel beyond Graceland — so yes, calling the exhibition is Elvis: Direct from Graceland is apt. It'll serve up this hunk of burning Elvis love between Saturday, March 19–Sunday, July 17 in an Australian exclusive, as curated in collaboration with the Graceland archives. "It is a great honour to work alongside the creative team at the Bendigo Art Gallery to bring this unprecedented, detailed and comprehensive look into Elvis' life and career to Australia," said Angie Marchese, Vice President Archives and Exhibits at Elvis Presley Enterprises. "While Elvis was never able to visit Australia himself, it brings us great pride at Graceland to know that his legacy and music lives on there. We look forward to sharing a glimpse into Elvis' life with the fans in Australia," Marchese continued. [caption id="attachment_829957" align="alignnone" width="1920"] Elvis Presley strolls the grounds of his Graceland estate, 1957. Photo by Michael Ochs. © EPE. Graceland and its marks are trademarks of EPE. All Rights Reserved. Elvis Presley™ © 2021 ABG EPE IP LLC.[/caption] Other featured objects include Elvis' 1976 Red Bicentennial Custom Harley Davidson, his first grade crayon box from school and other garments from his personal wardrobe — if you're wondering what else will get the exhibition shaking, rattling and rolling. Costumes from his film career, movie scripts, jewellery worn by him and even vintage Elvis-branded merchandise will all be on display as well. Elvis: Direct from Graceland will step through all the key periods in the rock 'n' roll icon's life, from his early Mississippi days through to his Vegas years — and also peer beyond the pompadour and sequins, exploring his interest in books, karate and horses, and all things Graceland. It's Bendigo Art Gallery's latest huge exhibition to focus on style icons, after previously showcasing Marilyn Monroe, Grace Kelly, Balenciaga and Mary Quant. When it comes to celebrating high-profile figures, it seems the venue can't help falling in love. Elvis: Direct From Graceland displays at the Bendigo Art Gallery from Saturday, March 19–Sunday, July 17, 2022. For further information or to buy tickets, head to the gallery's website. Top image: Elvis Presley in the 1968 NBC television special, Singer Presents... Elvis, later known as the 'Comeback Special'. Photograph: Fathom Events/CinEvents. © EPE. Graceland and its marks are trademarks of EPE. All Rights Reserved. Elvis Presley™ © 2021 ABG EPE IP LLC.
Last week, NASA announced that it would start rocketing into space from Australia. This week, the US National Aeronautics and Space Administration has revealed plans to allow tourists to not only soar beyond the earth, but spend time on the International Space Station. If you've ever wanted to hang out in an artificial satellite that's orbiting the planet — and you have spare piles of cash secreted away — your dreams might just be about to come true. Possibly commencing as early as 2020, private astronauts will be able to spend up to 30 days on the ISS, with two tourists allowed onboard at any one time. But before you go getting too excited, it'll come at a cost, obviously. Visitors will need to pay US$11,250 a day for use of life support and bathroom facilities, plus an extra $22,500 per day for food, air and medical supplies — and also fork out for the presumably ultra-expensive trip to actually get there. NASA won't be running an off-planet bed-and-breakfast, unsurprisingly, or a space public transport system. Rather, the move comes as part of a broader approach, with the ISS opening to commercial ventures in general — including private tourist outfits. The latter will be able to arrange the privately funded, dedicated commercial spaceflights for eager visitors, using NASA-developed US spacecraft. They'll also be responsible for flight crews, as well as ensuring that private astronauts meet the necessary medical and training requirements. https://twitter.com/NASA/status/1137000745922957313 Overall, NASA's statement talks of accelerating "a thriving commercial economy in low-earth orbit" — with businesses able to operate out of the station. While more than 50 companies are already involved with the ISS, their work is currently restricted to research and development; however that'll no longer be the case. Expect to keep hearing more about the agency's commercial efforts, given that there's another aim in store as well: landing the first woman and next man on the moon by 2024.
A trip to the cinema can brighten up the bleakest of days — and while it's a safe (and often enjoyable) choice to flock to the flicks you know have mass rave reviews, sometimes it's nice to get stuck into a film that hasn't garnered loud critical acclaim. Superheroes, franchises, sequels and remakes are all well and good, but there's a wealth of features gracing screens near you that don't always fall into those categories. They're the under-seen and often under-sung gems, and they're some of 2016's most rewarding, entertaining and engaging viewing. To help you catch up on a year's worth of great cinema, we're put together rundown of the ten 2016 best movies that box office figures tell us you probably missed. Have a few to catch up on? Don't worry — you can't spend all year purely watching films. Besides, that's what summer holidays are for. GREEN ROOM If you only see one movie featuring Patrick Stewart as a fascist heavy metal club owner, make it Jeremy Saulnier's follow-up to the criminally under-seen Blue Ruin. The actor also known as Jean-Luc Picard and Professor Xavier will send chills down your spine — but there's a just as impressive bunch of actors trying to fend him off. As the title suggests, much of Green Room takes place backstage, where Anton Yelchin, Arrested Development's Alia Shawkat and their band stumble across something they shouldn't have. Prepare to feel uneasy as you watch this violent, claustrophobic thriller. And prepare to appreciate Yelchin's many talents for one of the last times. SING STREET Lightning strikes not just twice but thrice for Irish filmmaker John Carney; with Once and Begin Again also on his resume, he's clearly on a roll. Sing Street is another music-focused outing, this time following a teenage band in the 1980s — and adolescent hopes and dreams have rarely been so charming. From the original songs you'll immediately have stuck in your head, to the loveable cast of Irish newcomers, Carney doesn't make a wrong move. We predict that, in years to come, this will join all the usual actual '80s efforts on your repeat-viewing list. TUNNEL Zombie effort Train to Busan wasn't the only ace action-oriented film South Korea gifted audiences this year. Tunnel might've received much less attention, but if you like watching tense disaster efforts, people trying to claw their way out a crumbled structure and/or bureaucratic bungling, then this is the movie for you. Sure, you probably think you've seen it all before — but thanks to A Hard Day director Kim Seong-hun, prepare yourself for one of the most well-rounded examples of the genre to grace cinema screens. Indeed, Tunnel succeeds on three fronts: making its life-or-death scenario feel urgent and immediate, fleshing out its characters and garnering a genuine emotional impact. MAGGIE'S PLAN Maggie's Plan isn't a sequel to Frances Ha by any means, but it is the next best thing. Writer/director Rebecca Miller guides Greta Gerwig through another idiosyncratic existence, this time as a single woman keen to jump into motherhood — and not at all concerned that she's not in a relationship. Gerwig once again shines in the kind of role she's made her own, with excellent support from Ethan Hawke, Julianne Moore, Maya Rudolph and Bill Hader. What makes the film truly stand out though, is its acceptance of life's ups and downs. You'll laugh, you'll smile, and you'll nod in agreement many, many times while watching. THE FITS Among its many, many merits, The Fits proves that bigger isn't always better. In fact, in her first fiction feature, writer/director Anna Rose Holmer makes the most of every one of the film's 72 minutes. Within such a brief running time, she packs in a beguiling narrative set in the world of drill dance, as 11-year-old Toni (first-timer Royalty Hightower, who puts in an astonishing performance) joins a local squad just as her teammates start mysteriously fainting. Both forms of movement are integral in the way Holmer tells her tale — in fact, The Fits is one of the best examples of blending style and story in recent years. CHASING ASYLUM Even when you're an Oscar and Emmy Award-winning producer, making a documentary about Australia's treatment of asylum seekers isn't easy. There's a sense of danger that just doesn't dissipate in Eva Orner's Chasing Asylum, whether you're getting a glimpse of the conditions experienced by refugees detained in offshore facilities, or following the efforts of staff to secretly capture the film's footage. And while Orner's viewpoint is never in doubt, it's supported by an illuminating array of interviews and context-providing background information. Still, the on-the-ground material speaks for itself, and makes Chasing Asylum must-see viewing. SHIN GODZILLA He's big, scaly and has been wreaking havoc on Japan since the 1950s — and now he's back. Yes, he's none other than Godzilla, and his latest big screen venture provides him with a welcome return to the monster movie fold. Forget the terrible 1998 effort starring Matthew Broderick, and the better but still less-than-stellar 2014 film, because this is how a modern Godzilla flick should be made. Nodding to the past and finding a new way forward, Shin Godzilla is a kaiju flick that knows how to balance size and spectacle with societal commentary and human drama. LOOKING FOR GRACE There's a fine line between ordinary and odd in Looking for Grace, but that applies to the situation its characters find themselves in, rather than the film. Indeed, in trying to explore that very idea, writer/director Sue Brooks offers up an offbeat but insightful take on dramatic family antics, as told across non-linear chapters. And, she has enlisted a fantastic cast to help relate the efforts of a runaway teenage girl, her distraught parents and the retired cop called in to assist. The Daughter's Odessa Young once again proves a star in the making, Richard Roxburgh is a delight and Radha Mitchell shows off her comic timing. HELLO, MY NAME IS DORIS After watching Hello, My Name Is Doris, wanting to grow up to become Sally Field's eponymous character is completely understandable. She might only be finding her way in the world at an advanced age and after the death of her mother, but Doris has something most people can only dream of: a genuine willingness to step outside of her comfort zone and try new things. That's why, as the film that bears her name charts her new affection for a much, much younger colleague (Max Greenfield), it never feels less than sweet and sensitive. Writer/director Michael Showalter also penned and starred in Wet Hot American Summer, which should give you an idea of the movie's slightly offbeat vibe. TRUMAN Reunited friends, an encroaching separation, a cute pet pooch that needs a new home — as far as tear-jerking clichés go, Truman appears to hit the jackpot. Of course, appearances can be deceiving, as proves the case here. One of the greatest skills in filmmaking and storytelling is making seemingly well-worn tales and components explore new depths, traverse different territory and earn their emotional response. In a quiet, gentle fashion, Cesc Gay's modest but moving musing on life and love, along with Ricardo Darín and Javier Cámara's finessed performances, manages to do just that.
One won't stop cracking wise. The other prefers to say as little as possible. Naturally, they're about to become the Marvel Cinematic Universe's favourite big-screen odd couple. The former: Deadpool, as played by Ryan Reynolds since 2009's X-Men Origins: Wolverine. The latter: Wolverine, the X-Men hero that's been synonymous with Hugh Jackman for almost a quarter-century. The movie: Deadpool 3, which'll hit cinemas in 2024. Jackman has already busted out the adamantium claws in nine movies, starting with 2000's X-Men and running through to 2017's Logan, which was poised as his swan song in the role. But when you've been playing a part for that long, in that many flicks, what's one more go-around? After a non-Wolverine gap spent starring in The Greatest Showman, The Front Runner, Bad Education and Reminiscence, Jackman is clearly ready to get hairy again. [caption id="attachment_611846" align="alignnone" width="1920"] Logan[/caption] The news came via a social media video hosted by Reynolds, who notes that Deadpool 3 has been in the works for a while now. "I've had to really search my soul on this one. His first appearance in the MCU obviously needs to feel special," said Reynolds. "We need to stay true to the character, find new depth, motivation, meaning. Every Deadpool needs to stand out and stand apart. It's been an incredible challenge that has forced me to reach down deep inside. And I... I have nothing. Yeah, just completely empty up here. And terrifying. But we did have one idea," he continues. View this post on Instagram A post shared by Hugh Jackman (@thehughjackman) "Hey, Hugh, you want to play Wolverine one more time?" Reynolds then asks, with Jackman strolling past in the background. "Yeah, sure, Ryan," Jackman replies. (And to answer a question you really should have instantly: yes, this announcement came with a throwback soundtrack, because that's the Deadpool way.) [caption id="attachment_611105" align="alignnone" width="1920"] Deadpool[/caption] The other huge news is that Deadpool 3 will form part of the Marvel Cinematic Universe, bringing both Deadpool and Wolverine into the ever-sprawling comic-to-screen realm that's been going since the first Iron Man flick and will likely never ever end. The two characters have always been Marvel characters, but because of rights issues behind the scenes, they've stayed in their own on-screen sagas. But when Disney (which owns Marvel) bought 20th Century Fox (which brought the X-Men and Deadpool movies to cinemas so far), those business issues disappeared. Deadpool 3 will arrive six years after 2018's Deadpool 2. It'll also mark a reunion in another way. Behind the lens: director Shawn Levy, reteaming with Reynolds after Free Guy and The Adam Project. It's clearly far too early for a trailer for Deadpool 3, but you can check out the Deadpool 2 and Logan trailers below in the interim: Deadpool 3 will release in cinemas Down Under on September 5, 2024.
Vampires can be slain by staking them in the heart. Werewolves aren't fond of silver bullets. But Taika Waititi and Jemaine Clement's addition to the undead world can't and won't be killed — not that anyone would want that outcome. First, What We Do in the Shadows jumped from a short film to a hilarious feature-length comedy. Next, it not only inspired an Emmy-nominated US television remake, but also New Zealand television spinoff Wellington Paranormal. And in the latter's case, following its first two exceptionally amusing seasons, it's returning to Australian screens for its six-episode third season this month. We've said it before, and we'll say it again: trust a mockumentary about the undead to keep coming back in new guises. The Cops-style spinoff follows police officers Karen O'Leary and Mike Minogue, who WWDITS fans might remember came knocking at the vampire share house's door. With the help of Sergeant Maaka (Maaka Pohatu), the cop duo keep trying to keep the city safe from supernatural happenings — including not only bloodsuckers and lycanthropes, but ghosts, aliens and more. Wellington Paranormal's third season once again explores the spate of paranormal phenomena popping up in the city, with a whole heap of new spooky occurrences attracting O'Leary, Minogue and Maaka's attention. And, as it keeps wandering through strange but funny and silly territory, it'll welcome another familiar face, with Rhys Darby set to reprise his What We Do In The Shadows role. Although he won't be appearing on-screen, Clement directed half of the new season's episodes, too. In Australia, Wellington Paranormal airs on SBS Viceland and streams via SBS On Demand, which'll remain the case again this year. Episodes will drop weekly on both the free-to-air channel and the online platform from Wednesday, February 24. For those following What We Do in the Shadows' continued evolution, Wellington Paranormal's success shouldn't come as a surprise. When the show was first revealed, Waititi described it as "Mulder and Scully but in a country where nothing happens" on Twitter, after all. Wellington Paranormal's third season starts screening on SBS Viceland and SBS On Demand from Wednesday, February 24.
A new year, a new swirl of rumours about new Apple updates and features. Basically, it's business as usual in 2017 so far. If you like sitting in darkened rooms to watch movies — and actually watching them, not just paying to use the latest big screen flick as a backdrop while you have a text message convo, check Facebook, scroll through Instagram pics of cute dogs, book a holiday, send an email, take a selfie or a sneaky pic of the film, swipe through Tindr, play Angry Birds or live tweet the movie in question — then the technology behemoth's reported new option isn't just another routine addition. It's an abomination. Behold 'theatre mode'. Or, start weeping over the fact that humanity has regressed to a state where we can't even last two hours without using the electronic devices we're all always glued to every other second of the day. As first tweeted by Melbourne's Sonny Dickson — who is known to be quite the prolific and accurate leaker of tidbits and updates from the company Steve Jobs built — Apple's new iOS 10.3 could allow you to select an option that's kind of like airplane mode for cinema-goers. You'd expect that theatre mode will mute all calls and sounds, and we can only guess that it will also dim the iPhone's screen in a new way that is supposedly less bright, glaring and intrusive to others who, you know, are happily watching a film. https://twitter.com/SonnyDickson/status/814931454828412929 Those in favour of the proposed new feature point out the fact that if people are going to use their phones in theatres anyway (and we all know that plenty do), then at least this will try to minimise the disruptive effect it has on everyone around them. Sure, that's one way of looking at it. The other is that Apple is normalising a type of behaviour some folks indulge in at the cost of everyone else's enjoyment. Seriously, we all love our phones, but two hours isn't that long. And wouldn't we all rather just soak in what we're watching, rather than half-view, half do a million other things? Indeed, there's a reason that the Alamo Drafthouse's anti-phone and talk PSAs have garnered worldwide attention, and not just because they're usually hilarious and have enlisted a heap of celebrities to help out: most movie-goers want to watch the film they've paid for without the distraction of the person next to them pawing at their iPhone during the flick. And let's face it, no matter how supposedly wondrous the new Apple feature is, dimming that aggravating neighbourly phone glow, if you're sitting even vaguely near someone engaged with their phone, you're undeniably still going to notice it. Some cinemas have already tried to head in the opposite direction, like American chain AMC, who revealed that they were open to hosting 'texting sessions' in April last year, only to backtrack after quite the predictable backlash. The idea of specific sections for phone-using patrons has also been floated. Sadly, each idea brings us closer to a time like this: when using your iPhone while you're in a theatre is perfectly acceptable. In case you're wondering, that list of in-cinema behaviour that we outlined at the beginning of this piece — they're just some of the antics that this writer has witnessed during a movie. If the phones most of the population own start actively encouraging their use while watching films in cinemas, expect more to follow. And we're not on board. Ed's note: Sarah Ward is one of Concrete Playground's senior film writers and weekend editor. Read her current reviews here, here and here because she watches the whole damn movie.
Hold the phone everybody, there's huge news a-brewin' in the Sydney art world. Three of Sydney's biggest cultural institutions – the Art Gallery of New South Wales, Carriageworks and the Museum of Contemporary Art – have just announced a major, citywide new exhibition showcasing Australian art. Yep, just like the OG Transformers, all banding together for the good of Sydney. Positioned as a counterpoint to the Biennale of Sydney (to occur in the off-years), The National: New Australia Art will run over six years with three editions presented in 2017, 2019 and 2021. The program is planned to run over the three spaces and activate an art corridor running between Redfern, The Domain and Circular Quay. There'll be a focus on the works of emerging, mid-career and established Aussie artists — in fact this will be the only large-scale, multi-venue exhibition series in Sydney focused solely on contemporary Australian art. It's straight-up huge news for Sydney. We've seen the effect citywide installations and cultural programs can have on this fine city of ours, just head along to the Biennale this weekend to see for yourself. And the sole focus on Australian artists, with no hat tip at all to international context, is sure to help us forge a contemporary art identity that genuinely resonates with everyday Aussies. "The National: New Australian Art will chart the rich diversity of contemporary practice featuring artists that work in dialogue with other disciplines including performance, dance, music and screen," says Carriageworks director Lisa Havilah. "The project will make a significant investment in Australian artists through the extensive commissioning of new work that reflects contemporary Australia and our place in the world." Curators for the 2017 edition of The National: New Australian Art are Anneke Jaspers, Curator Contemporary Art and Wayne Tunnicliffe, Head Curator Australian Art, AGNSW; Lisa Havilah, Director and Nina Miall, Curator, Carriageworks; and Blair French, Director, Curatorial & Digital, MCA. Okay team, break. We've only got 12 months to plan appropriately artsy outfits. The first installation of The National: New Australian Art will kick off on March 20, 2017 and run until June 18, 2017.
You're probably familiar with Jurassic Lounge, the beloved after-hours mainstay that transforms the iconic halls and arches of the Australian Museum into a bustling extravaganza year by year – and always with a different theme. Past themes have included Heroes, Halloween and Robots vs Dinosaurs. Now, in 2023, the Australian Museum will join Sydney WorldPride celebrations with Jurassic Lounge: Pride Edition, an evening of inclusive celebrations for all. If you're unfamiliar with Jurassic Lounge and the after-dark metamorphosis of the museum, here's a taste of what to expect. The galleries and exhibits you know and love will be transformed with lights, music and entertainment. The main stage will be hosted by queer nightlife fixture Aunty Jonny, keeping an upbeat playlist of tunes that have underscored the LGBTQIA+ community for decades, plus best-dressed awards and a choreographed dance hosted by Sydney Drag Royalty. [caption id="attachment_884900" align="aligncenter" width="1920"] Lyndal Irons[/caption] There'll be a celebration of all things queer science hosted by the legendary Dr Alice Motion and scientific minds from across the LQBTQIA+ world, comedy-trained scientists from Scary Strangers taking you through everything from a T. Rex Autopsy to the science of spider orgies. On top of that, you can join drop-in drawing classes, anatomically-complex games of pin the tail on the donkey, a silent disco and drag show in the Wild Planet gallery, and participate in a beginner's guide to scientific experimentation hosted by the hilarious Nat Caro and AM's Martha Johnson. Jurassic Lounge: Pride Edition is on Saturday, February 18, from 6.30pm to 10pm. Tickets are $36 per person for members and $45 for non-members. To purchase tickets and find out more about the event, head to the website. Images: Diabolique Photography and Sarah Wilson
There's really no such thing as normal during a pandemic — and if anyone ever needed a reminder of that fact, look no further than this week's changes to the trans-Tasman bubble. After pausing quarantine-free travel between Victoria and New Zealand for a month due to the former's current COVID-19 cluster, NZ allowed travel to resume just yesterday, Tuesday, June 22. Also happening yesterday: a new pause, this time on travel between New South Wales and NZ. When New Zealand Prime Minister Jacinda Ardern announced the two-way bubble between Australia and New Zealand back in April — allowing Australians to travel to NZ without quarantining upon arrival — she noted that it could and would be paused if and when outbreaks occur. And, that has happened multiple times now. This isn't the first time it has been put on hold with NSW, either, with the same thing occurring back in May during the state's last outbreak. At the moment, Sydney's Bondi cluster keeps growing, which is why the NZ Government has advised that it's stopping its arrangement with New South Wales for the time being. Late yesterday, the NZ Government advised that the quarantine-free travel between NZ and NSW was being suspended, effective from 11.59pm NZ time. "This decision follows a public health assessment today which determined that while the overall risk to public health in New Zealand currently remains low, there are still several unknowns," it announced in a statement. Initially, the pause will be in place for 72 hours, with the arrangement "under constant review". Since the announcement was made last night, it has been revealed that a positive COVID-19 case from Sydney travelled to Wellington on Friday, June 18, then returned to Sydney on Monday, June 21. Six locations of interest in Wellington have also been named. https://twitter.com/covid19nz/status/1407260150247825410 Whether you're a Sydneysider on holiday in NZ or a New Zealander who has recently returned from across the ditch, anyone now in NZ who has been at one of the locations of interest in Sydney is required to get tested, isolate and call NZ's Healthline on 0800 358 5453 to obtain further advice. And, if you're currently in Australia and you've been to one of the Sydney venues identified, you should not travel to NZ. To find out more about the status of COVID-19 in NSW, head to the NSW Health website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
There's never a bad time to be in Brisbane. Year-round sunshine, a booming cultural scene and plenty of excellent things to eat, drink, see and do make the river city one of the most exciting places in the country. We've teamed up with Hennessy and the W Hotel to give you the perfect reason to head there — or, if you're a Brisbane local, the perfect excuse for a staycation. You and a lucky plus one can escape to the sunny state with an overnight stay in a Marvellous Suite at the five-star W Brisbane. Set in the heart of the city on the banks of the Brisbane River, it's the perfect spot to soak up the best of the city thanks in no small part to the incredible views you'll get from your room. [caption id="attachment_831071" align="alignnone" width="1920"] Marriott International Hotel[/caption] Wake up in the laps of luxury and indulge in breakfast for two in the hotel's signature restaurant, Three Blue Ducks, before spending the day chilling out on the jazzy pool deck. Later, you can glam it up for an evening with Hennessy cocktails in the Living Room Bar (pictured above). That's a $1000 stay – and you won't have to pay a cent. To be in the running, enter your details below. [competition]831077[/competition]
He has been gamboling around the Melbourne indie scene for years with Crayon Fields, but it is Geoffrey O'Connor's debut solo effort, Vanity Is Forever, that has garnered most attention since its release in October. The album, full of sultry synthesisers and insinuating stories, has gotten a lot of people talking, and more than a couple of girls swooning. Now, Geoffrey O'Connor is bringing his polite heartbreaker brand of cool to Sydney. Concrete Playground spoke with O'Connor ahead of the launch of his new album, Vanity Is Forever, at Goodgod on Friday, November 18, and his summer shows at Laneway Festival 2012. How long did it take to piece together Vanity Is Forever? Three long, blissful years. How has making a solo album differed from what you've done before with Crayon Fields and Sly Hats? The preparation was a lot different. I guess when you are developing a song with a band you become focused on presenting it in a particular way. I had the freedom to re-record and re-work these songs many times, often discarding months of work. It's something you can't really do in a group situation. There are a lot of '80s pop sounds on the record. Was that a deliberate move or did the '80s influence just come naturally? It was more that I deliberately set out to make a very synthetic sounding record, which I guess is why certain aspects of it evoke the '80s. Even the acoustic instruments on the record - such as the acoustic guitar, string sections and drums - have all been treated in such a way that they sound a little otherworldly and synthetic. A lot of the songs on Vanity is Forever are very romantic and tell stories of complicated relationships. Are the songs inspired by personal experience or is it all just made up? They are all based on personal experience and observations. I love speculating about people's lives, especially their romantic lives - it's how I get my kicks. There is a slight fantasy element as well, but that is only to spice things up. When drawing from personal experience I omit certain details and exaggerate others to make out I'm a cooler guy, but there is still a strong resemblance between what happens on and off the record. What was it like touring with Jens Lekman this year? One of the best experiences of my life. A lot of fun. The touring crew were really interesting, cool people and I really enjoy long drives through the US. We watched Australian coming-of-age movies in the van which was funny - Puberty Blues, The Year My Voice Broke. All the shows were in incredible venues too - a synagogue, an 'ethical society', and a Masonic Hall in Hollywood Forever Cemetery. What are you looking forward to most about playing the Laneway Festivals this summer? I love playing festivals, especially outdoors - you can wear sunglasses on stage and pour water on gigantic drunk guys. I'm really looking forward to seeing EMA, The Drums, The Horrors and Anna Calvi too. Even missing bands due to laziness or chattiness can be a blast too. I get a real kick out of drinking backstage, knowing the faint rumble in the background is a band I'd otherwise sell my mother to see. The video for 'Whatever Leads Me To You' is amazing. What inspired the whole aesthetic and the goldfish in a cocktail glass, amongst other things? Thanks! The goldfish in a glass was inspired by when I went to an opening party for a bar and they had oyster cocktails - which seemed equally decadent and disgusting. I'm interested in the way extreme decadence can often involve flirting with something that can seem otherwise quite repulsive - so I thought I'd make my own little concoction. What can we expect from your Sydney show at Goodgod? More specifically, will you be wearing the sunglasses on stage, because I'm sure that would please everyone. Ha! It's not something I normally do, but if I come across some shades on the night I'll put them on for sure. It will be me, duelling synthesisers and a set of kaleidoscopic laser beams to keep us all in time. https://youtube.com/watch?v=0fztmXL9INY
Enjoying a brew on the beach is a tradition Australians understandably savour, but with the joy of knocking back a few cold ones on the sand comes the responsibility of not acting like an idiot. It's simple, really. With adhering to the latter part of the bargain proving too difficult in St Kilda over Christmas, the local city council has responded by contemplating a ban on beachside boozing. Approximately 5000 people gathered at the popular St Kilda foreshore on Christmas day, resulting in unruly behaviour through the afternoon and evening, 29 tonnes of rubbish and a clean-up bill of around $23,000, according to a statement released by the City of Port Phillip. As Mayor Bernadene Voss stated, "the sheer number of intoxicated people milling around in the area also resulted in Council having to close some roads, creating a traffic nightmare for residents returning home from visiting friends and relatives on Christmas Day." A ban planned over the New Year's Eve period had already been extended prior to the incident, running from December 26 to January 4, and was subsequently increased to continue until February 15. The area affected spans from Marina Reserve to West Beach, including the site of the Christmas day party. The council will next meet on February 7 to consider extending the ban further. "We will be looking at factors such as volumes of broken glass and feedback from groups including residents, visitors, traders and police to help us decide whether an alcohol ban is useful in helping us tackle the challenge of managing such a popular destination which attracts all age groups," explained Voss. Until a further decision is reached, visitors will still be able to enjoy a drink on other Port Phillip beaches — although drinking is prohibited in all public places in the council's region over NYE until 9am on January 2, and again from 5 pm on January 26 to 9 am on January 28. Via ABC.
Lego has come a long way since I was a kid. For me, the brightly coloured plastic bricks didn't transcend their basic wall-building function much more than serving as useful things to throw at the cat when I wanted her to get off the bed. Over the years though, they've grown and expanded to include intricate Harry Potter, Star Wars and Ninja sets, as well as other more grown-up ranges for construction geeks everywhere. Now, as part of Lego's crazy-popular Architecture Series, in which there are already eleven projects, the Danish company is kicking off the month of March by launching their twelfth project, The Sydney Opera House. The series already features Ludwig Mies van der Rohe's iconic Farnsworth House and Frank Lloyd Wright's Guggenheim Museum, as well as Seattle's Space Needle and the Empire State Building, so the national landmark is in very distinguished company. Conceived and built by Danish architect Jørn Utzon, the Opera House opened in 1973 after winning a design competition sixteen years earlier in 1957. Not only is the Sydney Opera House the city's most distinctive landmark, but it's also one of the most innovative and applauded examples of modern architecture. Upon being awarded the Pritzker Prize in 2003, judges said "It is one of the great iconic buildings of the 20th century, an image of great beauty that has become known throughout the world – a symbol for not only a city, but a whole country and continent." The 270-piece model will be on sale this month, containing a step-by-step instruction guide for budding architectects, designers and engineers, as well as a full archival history and message on the Reconciliation Action Plan completed in consultation with Sydney Opera House. You can pick it up online from the Lego Store or buy locally at the Sydney Opera House shop. [Via Sydney Opera House]
Govindas is a bit of an odd one, yet it's a true Sydney institution. This Darlinghurst vegetarian restaurant also operates as a boutique cinema and a quiet space dedicated to yoga, chanting and 'uplifting the consciousness'. A proper evening at Govindas is a cinematic as well as culinary experience – and at $38.80 for dinner and a movie, it's one of the most whimsical and cost-effective date options on offer. The buffet features countless delights from India and beyond. Indulge in unlimited trips to the food table and sample all that the spread has to offer: no two nights are ever the same. You will find a few staples, including Indian dahl soup, vegetable curry, baked penne pasta, lentil pie, potato au gratin, cauliflower pakoras, potato wedges, rice and poppadoms. We love the scrumptious kofta balls in creamy tomato sauce and large veggie samosas. The movie room is upstairs and patrons are invited to kick off their shoes and recline on floor cushions, couches or tub chairs. There are generally five films to choose from each night, all at different times, and these tend to cover the current release art house range pretty solidly. Updated: August 2019. Image: Trent Van der jagt.
In 2020, Netflix's Enola Holmes asked a question: what if Sherlock Holmes had a teenage sister who was just as good at sleuthing as he is? Now, in 2021, the streaming platform has another query for fans of the famed detective: what if there was actually a team of teens who were tasked with solving his mysteries, all while Sherlock gets the credit? That latter train of thought provides the premise for The Irregulars, Netflix's next dalliance with the character created by Sir Arthur Conan Doyle. Set in Victorian London, the eight-part series meets its motley crew of adolescents as they're asked by Doctor Watson (Royce Pierreson, The Witcher) to work for Holmes (Henry Lloyd-Hughes, Killing Eve). As the just-dropped trailer shows, they're also enlisted for their new gig as the city and the world comes under threat from insidious supernatural forces — which only they can stop. Yes, it sounds like something that an algorithm would concoct (and probably has) after seeing how many people stream both Stranger Things and the multiple other iterations of Sherlock Holmes that have reached screens over the years. But at least part of the concept does tie back into Conan Doyle's work, with the Baker Street Irregulars even popping up in 1887's A Study in Scarlet, the first novel to feature Holmes and Watson. When the series hits Netflix on Friday, March 26, you'll be watching Thaddea Graham (The Letter for the King), Darci Shaw (Judy), Jojo Macari (Sex Education), Mckell David (The Gentlemen) and Harrison Osterfield (Catch 22) as Irregulars members Bea, Jessie, Billie, Spike and Leopold — and Clarke Peters (His Dark Materials) as The Linen Man. Check out the trailer below: https://www.youtube.com/watch?v=lTE5MAGpflw The Irregulars starts streaming via Netflix from Friday, March 26.
Thanks to the events of the past year, you've probably forgotten what an overseas holiday feels like — unless you've either already taken advantage of the newly opened trans-Tasman travel bubble with New Zealand, or you've made plans to hop across the ditch sometime soon. Don't go pulling out a map of the rest of the globe just yet, however, because the folks at Qantas and Jetstar have just announced a delay to their plans to start flying to other international destinations again. Initially, the airlines were hoping to begin soaring to a number of overseas spots in October. Qantas had outlined plans to recommence flights to 22 of its 25 international destinations — including London, Singapore and Los Angeles — while Jetstar was intending to resume trips to all of its 13 international routes by the same projected date. The Qantas Group, the company behind both carriers, has since updated that timeframe, announcing that it's now hoping to restart its international flights to places other than NZ in late December this year. The change follows recent forecasting by the Federal Government, which noted that Australia's borders wouldn't reopen to international travel until at least mid-2022 — as well as the fact that the nation's vaccine rollout hasn't been proceeding as quickly as originally advised. So, a lot still needs to go to plan for the two airlines to have you jetting off to foreign lands this summer. That's Qantas and Jetstar's current target date, though. It has been more than a year since the COVID-19 pandemic first forced Qantas and Jetstar to suspend international flights, which happened back in March 2020. There has been talk of other travel bubbles, however, including a possible one with Singapore — with Qantas Group saying that it remains "optimistic that additional bubbles will open once Australia's vaccine rollout is complete to countries who, by then, are in a similar position." The airlines will contact anyone who has already booked flights from October onwards, but notes that "recent levels of uncertainty meant international booking levels were relatively low." When overseas flights to spots other than NZ do resume, you might not be able to fly until you've received your jab, with Qantas CEO Alan Joyce previously stating the airline would only allow vaccinated passengers to travel on international flights. The airline is also currently trialling digital health pass apps, such as Common Pass and IATA Travel Pass, which contain information about a passenger's COVID-19 status, testing and vaccinations, on current international repatriation flights. Of course, even once international flights are up and running again, you can expect a much lower capacity than pre-COVID travel — Qantas previously said that it's not anticipating a full return to normality until 2024. To find out more about Qantas and Jetstar's international travel plans, visit the Qantas website.
Don Pedros by Vue Bar is bringing margaritas, moreish Mexican snacking and casual fiesta vibes to Bondi in a pop-up iteration of the tucked away Paddington eatery. This is the perfect spot for unpretentious group hangs. Brightly coloured decor and lively bar staff create an infectious sense of buzz — so too the selection of margaritas. After all, at a place called Don Pedros you have to expect tequila to be a major part of the experience. The essential Classic and Tommy's appear on the drinks list alongside more inventive takes like the Coconut version which adds coconut syrup into the classic recipe or the zesty Blood Orange & Grapefruit margarita with tequila resposado, blood orange liquor, agave and grapefruit juice. Can't touch tequila? The menu also boasts a generous selection of Mexican beer, from Tecate to Bohemia Clara. When it comes to the food, there's the requisite lineup of Tex Mex-style starters like nachos, jalapeño poppers and chipotle chicken wings, but the main area to focus your hunger and attention is on tacos. There are nine options, from crispy prawn to beef brisket and soft shell crab. You can order one at a time or roll up your sleeves, get a taco platter and build your own. With specials like $5 taco Tuesdays and a margarita happy hour on Fridays from 4pm-6pm with Classic margs going for just $10 each, there's a lot of loud and laidback fun to be had at Don Pedros by Vue Bar.
You may have already heard, indeed the internet has been speaking of nothing else, but Stereosonic will not be returning in 2016. They announced on Facebook that the festival will be back and bigger than ever in 2017 which, tbh, just sounds like a gentle breakup. Why would a beloved festival, a cornerstone event in the calendars of both gym bros and dinger slingers alike, clock out for a whole year? Organisers Totem Onelove say it's because they're committed to bringing fans the best festival experience possible. It may also be attributed to the tragic deaths of two patrons in 2015, or that the American company who own Totem Onelove, SFX, recently filed for bankruptcy. All hypotheticals, all 'could be's. It could be that the Year of the Monkey is just not their year. It could just be a sign of the times. Future Music was cancelled in early 2015 because it doesn't make "financial sense"; Soundwave soon followed due to poor ticket sales (although to be fair, their version of poor ticket sales was around 20k at $170 a pop – about $3.4 million revenue. And now Stereosonic has folded and the big three festival that defined the Aussie festival scene are done and dusted. The real shame here is without a big festival, and the big budgets they bring, there's one less drawcard to get the big acts out to Australia and put on sideshows. It's pretty good news for people who would rather bathe in urine than step foot into a gym-bro festival because at the same time, as you've probably noticed, boutique festivals are going boom — it's been a killer few years for the likes of Sugar Mountain, Secret Garden Festival, Strawberry Fields, Let Them Eat Cake, Inner Varnika, OfftheGrid, Dark Mofo and Meredith to name only a handful. In the place of the massive one-size-fits-all festival giants come hundreds of smaller, niche events. The democratisation of festival culture can only be a good thing right? See ya Stereo. You'll be missed, like the lost revenue from many, many Australian gym memberships this year. Image: Stereosonic.
Welcome to the Wasteland: a first look at the long-awaited Fallout TV adaptation is here, ahead of the streaming series' arrival on Prime Video in April 2024. Almost three decades after first hitting computers back in 1997 — and after three released sequels, a fourth on the way and seven spinoffs — the gaming franchise is getting a live-action take starring Ella Purnell (Yellowjackets), Walton Goggins (I'm a Virgo) and Kyle MacLachlan (Lucky Hank). HBO isn't behind this game-to-television series, unlike spectacular 2023 hit The Last of Us, but Prime Video is taking a similar approach by enlisting the creative forces behind one of the US premium cable network's past hits. Just as co-creator, executive producer, writer and director Craig Mazin made the leap from Chernobyl to a button-mashing favourite, so are Westworld creators Jonathan Nolan and Lisa Joy — who also executive produced Prime Video's own The Peripheral. Fans of the Fallout game will already know the show's setting: a post-apocalyptic future. The series takes place 200 years after everything went pear-shaped, with people living in luxe fallout shelters ever since. When some such folks leave their cosy confines, they find a hellscape filled with mutants, wild west vibes and plenty of violence. Purnell plays vault-dweller Lucy, while Twin Peaks great MacLachlan is her dad Overseer Hank, who — as his name suggests — oversees Vault 33. On the surface, Goggins is bounty hunter The Ghoul, who has a secret past — and Aaron Moten (Emancipation) also has a pivotal part as Brotherhood of Steel soldier Maximus. Expect to also see Moisés Arias (Samaritan), Sarita Choudhury (And Just Like That...), Michael Emerson (Evil), Leslie Uggams (Extrapolations), Frances Turner (The Boys), Dave Register (Heightened), Zach Cherry (Severance) and Johnny Pemberton (Weird: The Al Yankovic Story) on-screen as well — plus Rodrigo Luzzi (Dead Ringers), Annabel O'Hagan (Dear Edward) and Xelia Mendes-Jones (The Wheel of Time) — when this retrofuturistic dystopia starts hitting your streaming queue from Friday, April 12, 2024. As well as executive producing with Joy, Nolan directs the first three episodes. Geneva Robertson-Dworet (Captain Marvel) and Graham Wagner (Silicon Valley) are similarly among Fallout's executive producers, as well as the series' writers and co-showrunners. And yes, Bethesda Game Studios has a hand in finally bringing the games to the screen. There's no trailer for Fallout yet, but Prime Video have dropped a heap of pictures as an initial glimpse at what's to come — see above and below. Fallout will start streaming via Prime Video from Friday, April 12, 2024. Images: courtesy of Prime Video.
The 40th parallel is much more than simply a line of latitude spanning the distance of America from East to West; and Bruce Myren's photographs of it are much more than just photos. The line N 40° 00' 00'' bisects the country from New Jersey's shore crossing through Pennsylvania, Ohio, Indiana, Illinois, Missouri, over the border between Nebraska and Kansas, following on past Colorado, Utah, Nevada and finally finishing in California. Myren is not only capturing the stunning surroundings of these landscapes, but is trying to understand and portray the "human desire to create systems and then locate ourselves within them". The fortieth parallel north is a tool for measurement, as well as acting as the baseline for creating homesteads and townships, functioning as a useful marker during Western settlement. The project began as a fairly small and basic undertaking, using maps to identify the areas because GPS's were not widely available during that time. However, as geographical technology began to grow and develop, so too did Myren's photo series. Using an 8 x 10 Deardoff camera and colour transparency film, Myren produced panoramas by snapping three shots moving from left to right then adding them together during editing. The photographer is aiming to take a landscape panorama shot at every longitudinal point along the line, adding up to a total of 52 locations and images, spaced roughly 53 miles apart from each other. So far he has captured 28 stunning images of these locations. Here are 10 of the inspired images from his series, aimed to make you "consider the history of landscape photography, American development , but most importantly [your] own relationship to place." N 40° 00' o0'' W 109° 00' 00", Rangely, Colorado, 2000 N 40° 00' 00" W 108° 00' 00", Meeker, Colorado, 2000 N 40° 00' 00" W 101° 00' 00", Ludell, Kansas, 2011 N 40° 00' 00" W 98° 00' 00", Webber, Kansas, 2007 N 40° 00' 00" W 97° 00' 00", Hollenberg, Kansas, 2007 N 40° 00' 00" W 95° 00' 00", Fillmore, Missouri, 2007 N 40° 00' 00" W 93° 00' 00", Winigan, Missouri, 2011 N 40° 00' 00" W 81° 00' 00", Belmont, Ohio, 1999 N 40° 00' 00" W 76° 00' 00", Gap, Pennsylvania, 1999 N 40° 00' 00" W 74° 03' 32", Normandy Beach, New Jersey, 1998
UPDATE, May 28, 2021: Free Solo is available to stream via Disney+, Google Play and YouTube Movies. Soaring 900 metres tall, its craggy edges and sheer surfaces jutting into the sky, El Capitan is one of earth's monsters. A granite cliff in Yosemite National Park, it's a formidable sight, striking fear into the heart of anyone averse to heights, making even the steadiest on their feet feel shaky, and casting a long shadow over the world below. To stand at the bottom of the mammoth monolith is to stand at the base of a giant. To scale its heights is to ascend into the heavens. But you don't need to have experienced El Cap's eye-catching expanse in person to feel its inescapable power. Even on the big screen, the glorious rock formation is staggering — and it gets plenty of screen time in Free Solo. In a film that can't stop looking at El Cap, Alex Honnold does more than stare at the cliff's lofty size and gaze at its vertical terrain. A professional climber with 20 years experience and the centre of this stellar documentary, he's determined to scamper up the intimidating structure. He's not the first to scale the sheet of rock, but he is the first to do so without any ropes or support — and, just to make the deed even more difficult, he does it alone. That's free soloing. While the outcome of his attempt is now common knowledge, Free Solo steps through the process from start to finish, chronicling his setbacks and successes in a methodical manner. From contending that the climb is just too scary, to training through an injury that'd make anyone else quit, to facing his girlfriend Sanni's fretful feelings about his death-defying dream, the movie delves deep into Honnold's quest. The latest high-altitude, high-stakes picture from Meru filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin — and a newly minuted Oscar nominee for this year's best doco prize — Free Solo is the tale of a cliff, a climber, and the latter's desire to conquer the former. But it's the story of humanity's yearning to explore, interrogate and brush up against our environment as well. Charting Honnold's unwavering commitment to his task, it's also an account of his preference for hanging precariously above the world instead of planting his feet firmly on the ground. The film shows how the possibility of dying can't deter someone so dedicated from pursuing their passion, and that the thrill of a seemingly impossible challenge is as intoxicating as any drug. This nerve-wracking movie also details the intense preparation and planning required not just to make such a climb, but to capture it on camera. And, it examines the toll of documenting Honnold's feat, pondering whether the picture immortalises history or jeopardises his life. In short, Free Solo has as many angles as El Cap's ledges and crevices, however Honnold is the film's own towering presence. Vasarhelyi and Chin can't claim to lay bare their subject's psyche — he's a man of action more than talk — but they can and do reveal plenty about the wiry thirty-something. The documentary acts as a coming-of-age narrative of sorts, tracking Honnold's transformation from living in a van, eating slapped-together dinners out of a frying pan and dedicating every waking minute to climbing, to buying a house, finding room for someone else in his life, and experiencing the ups and downs of being in a serious relationship. And yet, it's never more revelatory than when it's simply staring at his face while he's gripping a slab of granite, his precariously placed fingertips the only things keeping him from plummeting down a nearly one-kilometre drop. Of course, that's not to say that Free Solo doesn't boast plenty of other spectacular sights. Seeing Honnold suspended against his surroundings will stick with audiences long after watching, as will the stunning Yosemite scenery. Indeed, the exceptional footage compiled by Vasarhelyi, Chin and their dedicated team (all mostly climbers themselves) proves nothing short of a technical and visual marvel, as edited to precision by veteran Bob Eisenhardt. But the calm, focused, assured gleam in Honnold's eye still says more than any other image can — and more than words as well. As counter-intuitive as it may seem, every second that the film spends on his zen-like expression paints a picture of pure intensity and exhilaration. What's more astonishing, dazzling and ultimately life-affirming than witnessing someone so relaxed and confident in the face of such extreme danger? What's more tense and thrilling, too? Butterflies in the stomach, fidgeting fingers and a near-unshakeable case of the jitters all spring from Free Solo as well, with the movie hitting several nerves. It's never easy to accept one's mortality. In fact, it's the hardest thing we're ever tasked with doing during our time alive, even when we're just sitting in a cinema watching someone else put their existence on the line. That's the crux of this equally insightful and scary documentary, which serves up more suspense than most horror flicks. As well as chronicling an awe-inspiring story, every frame of Free Solo offers a palpable, visceral reminder of life's enormous risks and immense rewards — and to the filmmakers' credit, you're all but certain to feel the impact in your constantly sweaty palms. https://www.youtube.com/watch?v=7XhsuT0xctI
Coffin Flop fans, rejoice — we don't yet know if world's wildest supremely fictional TV series will make a new appearance when I Think You Should Leave with Tim Robinson returns for season three, but something else just as absurd and wonderful will either way. Will Corncob TV earn another mention? How awkward will this Netflix sketch comedy's namesake get? Which examples of the absolute worst behaviour will it satirise? Do you need to slop up some steaks while watching? How slicked-back is your hair right now? Expect to answer all of this and more on Tuesday, May 30. Baby, baby, baby, that's when one of the best comedies currently being made will return with six new episodes, as led by Detroiters star Tim Robinson. His surreal comic stylings have already gifted viewers hot dog suits, Garfield houses, tense plane encounters and babies who know you used to be a piece shit, and he has plenty more in store as the just-dropped trailer for the third season teases. I Think You Should Leave with Tim Robinson first arrived in 2019 when, on one otherwise normal day, folks sat down on the couch, switched on their televisions, started scrolling through Netflix and came across an instant cult-hit comedy. The best sketch comedy of that year, and one of the best TV shows in general, too, the series' first season was ridiculously easily to binge — and flat-out ridiculous. You don't even need two hours to get through all six episodes but, once you're done, you'll wish that it went for at least twice as long. When season two arrived in 2021, it was just as phenomenal. OTT, hilarious, finding gags about a secret excuse to help men explain away pee stains on their pants, plus quite the loud and lurid shirt, and then a daggy hat — that's this series. Absolutely no one excavates, explores and satirises social discomfort with the gusto, commitment and left-of-centre viewpoint of Robinson, with his skits diving headfirst into excruciating situations, dwelling there and letting them fester. It's no wonder that the former Saturday Night Live comic has a hit on his hands. Just try looking away from his flexible facial expressions alone. That proves the case in the sneak peek, which is filled with multiple fake game shows, adult babies, fedoras, crying and Robinson at his silliest, and will already get you cringing as it's 100-percent designed to do. In season three, Robinson will again be joined by Will Forte (Weird: The Al Yankovic Story), plus everyone from Jason Schwartzman (I Love That for You) and Fred Armisen (Barry) to Ayo Edebiri (The Bear) and Tim Meadows (Poker Face). Sam Richardson (The Afterparty) is also back, once again giving Detroiters devotees a glorious reunion. The series also boasts some big names off-screen, with The Lonely Island (aka Brooklyn Nine-Nine's Andy Samberg and his regular comedy partners Akiva Schaffer and Jorma Taccone) its executive producers. Check out the trailer for I Think You Should Leave with Tim Robinson season three below: I Think You Should Leave with Tim Robinson's third season will be available to stream via Netflix from Tuesday, May 30. Images: Terence Patrick, Netflix.
Brooklyn Boy Bagels holds the self-proclaimed (and widely agreed upon) title as Sydney's "real-deal NYC bagels". After years of farmers markets and pop-up stores — from a six-seater cafe in Matraville and a kitchen in Marrickville to a Darlinghurst store and its recently closed cafe in Circular Quay's huge Gateway Sydney dining precinct — this Sydney bagel-slinger has settled on a permanent home in Marrickville. When COVID-19 restrictions first came into place, the shop began offering home-delivery to a bunch of Sydney suburbs. Then, it converted the parking lot of its existing wholesale bakery on Marrickville's Carrington Road to a drive-thru — so you could pick up freshly baked (and boiled) goods without leaving your car. Now, with restrictions rolled back, the bakery also functions as a cafe. The Inner West outpost offers plain, rainbow, onion, blueberry, sesame, gluten free and pumpkin versions of the humble boiled bread, as well as its famed everything bagel. Of course, you'll need some schmear, which Brooklyn Boy Bagels is selling by the bucketful. The 285-millilitre tubs of cream cheese include plain, jalapeño, lox with capers, garlic and chive flavours and a vegan almond 'cream cheese' one. Nutella, raspberry jam and peanut butter are also available, as are toppings such as lox and pastrami. While you'll definitely want the bagels, you'll also find sourdough, challah, loaves of rye, chocolate chip and sea salt cookies and a NY pushcart-style pretzel on the menu, plus takeaway coffee from local specialty coffee roasters The Little Marrionette. Appears in: Where to Find the Best Bagels in Sydney for 2023
When Colin From Accounts arrived for its first season in 2022 with a nipple flash, a dog and strangers committing to take care of a cute injured animal together after a meet-cute, it also began with a "will they, won't they?" story. Ashley (Harriet Dyer, The Invisible Man) and Gordon (Patrick Brammall, Evil) crossed paths in the street in Sydney when she gave him a random peek, then he was distracted behind the wheel. Thanks to the titular pet, the pair were soon intricately involved in each other's lives — and, as they endeavoured to work out what that actually meant, sift through their feelings for one another and navigate the respective chaos that fills everyone's existence anyway, a delightful small-screen Australian rom-com (and one of that year's best new TV shows) was the end result. In season two, which streams weekly on Binge from Thursday, May 30, the series picks up after the duo gave Colin From Accounts to new owners at the end of the show's debut batch of episodes, then immediately regretted the decision. A couple of things are different from the outset: after moving in together, Gordon and Ashley are on a quest to get their pup back and they'll stop at almost nothing for their family to be reunited; also, this award-winning series is now in "should've they or should've they not?" territory about its central romance. (Moving from an all-at-once release to week-by-week instalments is another change for viewers.) Falling in love is easy. Being in the honeymoon period, whether or not you've tied the knot — Colin From Accounts' protagonists haven't — is clearcut, too. Taking a relationship further means peeling away the rosy and glowing surface, however, which is where the series follows its medical student and Inner West microbrewery owner in its second season. A television romantic-comedy with longevity can't be solely fuelled by fluttering hearts and butterflies in stomachs, especially one that's as dedicated to eschewing saccharine cliches as this. Colin From Accounts isn't afraid to be sweet, but a not-insignificant amount of its charm comes from feeling lived in as Ash and Gordon's romance keeps developing. Same show, but with a few new tricks: that's season two, then. Like relationship, like series: when it comes to diving deeper than the first season, that also fits. There has always been a spark between Colin From Accounts' lead characters, or else it wouldn't have made it to air in the first place, but the program's return digs into the reality that taking the next step for any couple is a dance through love's equivalent of dog mess on an otherwise pristine lawn. No matter how well you plot out a clear path, how flexible and adaptable you are to obstacles, and how determined you are to evade the crap, no one can avoid dirty shoes 100-percent of the time. As season two sees Ash and Gordon confronting the everyday details of intertwining their lives, it also has them tackling a range of relatable questions again. This round inspires plenty, in fact. Is there more than just chemistry between them? How much do shared interests count? Does a lack of commonalities cast a shadow, and their age gap as well? Will their routines knit together easily enough? Can they weather setbacks and roadblocks, unpack historical baggage and make space for a new way forward? How will their respective dating histories colour the first real serious relationship that they've each been in? Also, as they continue getting to know each other better — warts and all, and through secrets and surprises — will they still feel the same way? Ash and Gordon have another query to face at the outset of this new set of chapters: without Colin binding them together, who are they are a twosome? The first new instalment starts with a happy park playdate and all seeming being well, until it's revealed that the dog's former guardians are just pestering his new ones (Bump's Sam Cotton and Home and Away's Sophie Bloom), who'd really like them to go bark up another tree. From there, unexpected news, meeting family members, former flames and more await, all with their own tests. Plus, Ash's best friend Megan (Emma Harvie, In Limbo) and Gordon's counterpart Chiara (Genevieve Hegney, In Our Blood) are using the couple's home as a love nest while embarking upon an affair, while brewery employee Brett (Michael Logo, High Country) is being pushed out of home by his parents. Creators, writers and stars Dyer and Brammall keep performing their parts to perfection; given that they're married IRL and no strangers to working side by side (see: the also-excellent No Activity, which ran for two seasons between 2015–18), the charisma between them isn't hard to maintain. Neither is the naturalism in their portrayals, but they're not just playing themselves. As scribes, Dyer and Brammall are also particularly gifted with dialogue, ensuring that everything that the show's characters are saying always feels authentic. Sometimes the banter is amusing, sometimes it's heartfelt, and it can be acerbic and insightful, too — and all of the above combined — but it never sounds like something that works fine on the page yet no one would ever utter aloud. When it initially bolted out of the gate, Colin From Accounts was a fast homegrown hit, then had audiences overseas swooning as well. A series this genuinely funny, heartfelt and honest, and that manages to be light yet weighty and grounded, was always going to earn affection — and the same remains true in season two. Again, Dyer and Brammall have crafted a gem that bounces by with help from its directors (the returning Trent O'Donnell and Madeleine Dyer do the honours once more in season two, plus Summer Love's Robyn Butler and Wayne Hope), and that plays like hanging out with old friends. And yes, in lead, supporting and guest roles alike, casting is another of its treats — including with new additions such as Celeste Barber (Wellmania), Justin Rosniak (Wolf Like Me) and Aunty Donna's Broden Kelly (Aunty Donna's Coffee Cafe) this time around. Check out the trailer for Colin From Accounts season two below: Colin From Accounts season two streams via Binge from Thursday, May 30, 2024. Images: Lisa Tomasetti / Joel Pratley.
When the beginning of 2023 rolls around, Australian and New Zealand fans of a certain former boy band star-turned-Coachella headliner will be heading in one direction: to your nearest stadium to see Harry Styles finally bring his latest tour Down Under. Just days after he wowed crowds in California and online with his first Coachella set — sequinned jumpsuit, Shania Twain duets and all — the ex-One Direction member turned solo music superstar has locked in February and March 2023 dates in Perth, Melbourne, the Gold Coast, Sydney and Auckland. Venue-wise, the Grammy Award-winning, Dunkirk and Eternals co-starring talent is going big — so you'll be singing along to 'Watermelon Sugar', 'As It Was', 'Adore You' and 'Sign of the Times' at arenas. And, attendees will also be listening to UK duo Wet Leg, who've scored the supporting slot. Styles was originally headed our way in November 2020; however, we all know how that panned out and why those shows didn't eventuate. That delay will mean that he won't just have two albums to play, but three, with Styles' third solo studio Harry's House set to release in May 2022. If you're keen for tickets, they'll go on sale via Ticketmaster on Wednesday, April 27, with times varying per city. Or, if you had tickets last time, there's a past purchaser window from Thursday, April 21–Sunday, April 24, plus My Ticketmaster and Live Nation pre-sales from Tuesday, April 26. HARRY STYLES LOVE ON TOUR 2023 AUSTRALIAN AND NEW ZEALAND TOUR DATES: Monday, February 20 – HBF Park, Perth Friday, February 24 – Marvel Stadium, Melbourne Tuesday, February 28 – Metricon Stadium, Gold Coast Friday, March 3 – Accor Stadium, Sydney Tuesday, March 7 – Mt Smart Stadium, Auckland Harry Styles will tour Australia and New Zealand in February and March 2022. For further information or to buy tickets, head to the Live Nation website. Top image: Erin McCormack via Flickr.
Classic flicks just keep making the leap to the stage, turning their big-screen tales into song-filled musical adaptations in the process. From 9 to 5 and Muriel's Wedding to Moulin Rouge! and Shrek, a hefty number of beloved movies have done just that — and now Adam Sandler's smash-hit film The Wedding Singer has joined them. The Wedding Singer: The Musical Comedy was originally due to hit Sydney in July last year but, as we all know, the pandemic got in the way. Now, it's bringing its tunes to town, playing the State Theatre from Wednesday, January 5–Sunday, January 23. If you've seen the movie, then you'll know what you're in for — with The Wedding Singer: The Musical Comedy delivering an all-singing, all-dancing stage show based on the hilarious 90s flick. And it's from the same crew that propelled it to sell-out success on Broadway and across the UK, including the writer of the original movie, Tim Herlihy. This one will yank you right into The Wedding Singer's 80s world of big hair and classic wedding bangers, thanks to a toe-tapping score that's sure to prompt a few hearty crowd singalongs. It retells the story of party-loving wedding singer and wannabe rock star Robbie Hart, who's left stranded at the altar at his own nuptials. Heartbroken, he sets out to destroy every other wedding he's a part of, until a chance encounter with a waitress: Drew Barrymore's character Julia. Now, he just has to win over the girl... and somehow put a stop to her own upcoming marriage along the way.
It might've taken three years, but Netflix has finally produced its first original Aussie series. Shot entirely in Queensland, and providing fuel for late 2018 binge-watch sessions, Tidelands is a supernatural crime drama series about a fictional fishing village, dubbed Orphelin Bay, with strange inhabitants: a group of dangerous half-Sirens, half-humans called 'Tidelanders'. Cal McTeer (Charlotte Best), a young women who returns to the small village after a stint in jail, discovers the body of a local fisherman and must navigate the town's drug smuggling history while also investigating the Tidelanders, who are led by Adrielle Cuthburt (Elsa Pataky). After revealing its first sneak peek teaser back in October, the series now has a full official trailer: https://www.youtube.com/watch?v=MhsjoQLKaiY&feature=youtu.be Eight episodes, each running for 50 minutes, have been made by Brisbane's Emmy Award-Winning production company Hoodlum Entertainment. And Tidelands won't just gift Australian users with a new favourite series, with the show set to land in all 190 countries that Netflix is available in. Thinking you've seen plenty of Aussie stuff on Netflix already? You're not wrong, however, there's a difference between throwing old sitcoms and standup specials into a range inexplicably overflowing with new Adam Sandler movies, and actually funding brand new Australian material. Last year, it was announced that they'd join forces with the ABC to co-produce a second season of Glitch, which showed them dipping a toe in the water — but now they're completely diving in. Tidelands will join the platform's hefty stable of original series, which started back in 2013 with House of Cards, and just keeps growing (Orange Is the New Black, The Get Down, The OA, Wet Hot American Summer, Master of None, Unbreakable Kimmy Schmidt, Dear White People, BoJack Horseman, four Marvel series with one more to come — the list goes on). Given the premise, here's hoping it'll be the next Stranger Things, and not the new Hemlock Grove. Tidelands will be available globally on Netflix from December 14, 2018.
For the next two months, visitors to MoMA PS1 in New York's Queens best start looking up. The gallery has just installed its latest installation, Lumen, which turns the venue's courtyard into a environmentally responsive, colour-changing wonderland. Designed by Jenny Sabin Studio, winning The Museum of Modern Art and MoMA PS1's annual Young Architects Program, and on display until September 4, Lumen consists of cellular canopies made from textiles that react to conditions around them: light and heat, namely. As the environment changes — aka the weather gets gloomy, or day turns to night — so do the hues emitted by its digitally knitted fibres. If you've ever wondered what the '90s Hypercolor fad would look like if it was strung across the sky, this dreamy interactive piece provides the answer. So, how does it work? Well, those fibres are solar-active and photo-luminescent. Almost a million metres of them have been turned into 250 hanging tubular structures, and paired with 100 robotically woven recycled spool stools, as well as a misting system that responds to visitors' proximity. The aim is to use insights and theories from biology, materials science, mathematics and engineering to create an adaptive piece of micro-climate-like architecture that behaves like an organism. As Sabin describes, "by night, Lumen is knitted light, bathing visitors in a responsive glow of photo-luminescence; by day, Lumen offers succor from the summer heat, immersing participants in delicious ground clouds of cooling mist." She continues: "Lumen is a feminine form that offers luminous interiorities, informal networks, social fabrics, and fibrous assemblages that are pliable, transformative, and playful." Via: Inhabitat. Images: Lumen by Jenny Sabin Studio for the Museum of Modern Art and MoMA PS1's Young Architects Program 2017. Courtesy MoMA PS1. Photo by Pablo Enriquez.
American artist Nina Katchadourian has what could aptly be described as a bit of a book fetish. Having spent the last 20 years trawling through libraries and personal collections across the globe in search of books that she can organise into meaningful stacks of "spine poetry", it seems fair to describe the artist as a fully fledged bibliophile. The Sorted Books project has been a labour of love for Katchadourian, who has now amassed over 130 stacks of books, displaying them as either the physical cluster or as photographs. The resulting poetry is at times quirky, sometimes thought-provoking, often laugh-out-loud funny and even touchingly poignant. For the artist the hope was that each stack would represent the unique character of the collections they were drawn from. Katchadourian writes that "the clusters from each sorting aim to examine that particular library's focus, idiosyncrasies, and inconsistencies — a cross-section of that library's holdings." Beyond this, it is the inspiration Katachadourian gains from the books she finds that has meant this project remains ongoing and unfinished, whether this be the aesthetic beauty of the covers, the highly tactile nature of well-loved literature or simply an enduring passion for the written word. Have a look at some of our favourite clusters below or head to Amazon to get your hands on your own photograph.
If eating at one of the world's best restaurants — and Copenhagen's most acclaimed — has long been on your bucket list, achieving that feat now has a time limit, with René Redzepi's Noma announcing that it's closing its doors. It isn't saying farewell forever, thankfully, but it is ending its current operations, transforming instead into a test kitchen and food laboratory. Redzepi's globally renowned, three-Michelin-starred, five-time World's Best list-topping eatery has shut up shop in the past, back in 2016, before reemerging in 2017 as Noma 2.0. Redzepi and his team have already badged the venue's next phase 3.0, and it'll kick off in 2025 — after Noma's present setup says goodbye in 2024. "Winter 2024 will be the last season of Noma as we know it. We are beginning a new chapter; Noma 3.0," said Redzepi in a statement on the restaurant's website and social media channels. "In 2025, our restaurant is transforming into a giant lab — a pioneering test kitchen dedicated to the work of food innovation and the development of new flavours, one that will share the fruits of our efforts more widely than ever before," Redzepi continues. "Serving guests will still be a part of who we are, but being a restaurant will no longer define us. Instead, much of our time will be spent on exploring new projects and developing many more ideas and products." View this post on Instagram A post shared by noma (@nomacph) If you can manage to nab a highly coveted reservation between now and Noma's 2024 closure, you'll experience the restaurant's last days in its 2.0 guise. After that, it will host pop-ups as part of being a food lab, and will also do a season in Copenhagen. Travelling the globe to share its cuisine has long been a part of Noma's remit anyway, complete with an upcoming ten-week residency in Kyoto from March–May 2023. In the past, the eatery has done the same in Tokyo, Down Under in Sydney as well, and in Tulum, Mexico. "In this next phase, we will continue to travel and search for new ways to share our work. Is there somewhere we must go in the world to learn? Then we will do a Noma pop-up. And when we've gathered enough new ideas and flavors, we will do a season in Copenhagen," added Redzepi. "Our goal is to create a lasting organisation dedicated to groundbreaking work in food, but also to redefine the foundation for a restaurant team, a place where you can learn, you can take risks, and you can grow!" Noma 2.0 will close at Refshalevej 96, 1432 Copenhagen K, in 2024, during winter in Europe, before relaunching in 2025 as a test kitchen and food lab. Head to the restaurant's website for reservations. Top image: Amy Tang.
Not once but twice now, a new sneak peek at The Flight Attendant's second season has hit and dropped some deliciously pointed dialogue along with it. Back in March, when the initial teaser for the show's next batch of episodes arrived, it had Kaley Cuoco's Cassie Bowden exclaiming "I'm still a flight attendant, and I've been making better choices." Now, in season two's just-released full trailer, she's told "you seem very put together." Of course, everything that surrounds those lines of dialogue in both sneak peeks so far immediately contradicts what's uttered — because The Flight Attendant wouldn't be the show it is if chaos wasn't on the itinerary. And this time around, the country-hopping thriller has a new way to dial up the twists. When Cassie escapes into her mind to reflect upon everything that life is throwing her way, which is a lot, she's confronted with multiple versions of herself. Four Cassies — and four Cuocos, too — are better than one, clearly. If you're wondering exactly how that'll play out, you don't have to wait long — with The Flight Attendant's second season arriving in Australia via Binge on Thursday, April 21, and in New Zealand thanks to Neon on Friday, April 22. Obviously, as anyone who quickly found themselves addicted to the extremely watchable series the first time, expecting Cassie to settle into a normal, average, uneventful and calm life is highly unrealistic. In season two, she has indeed moved on from the dramas we all watched back in 2020, though — and moved to Los Angeles, and also started attending Alcoholics Anonymous meetings. That said, Cassie has picked up a part-time job as well, which happens to see her moonlighting for the CIA. And, as this second trailer shows, that new gig comes with consequences. While Cassie is doing great things at both of her jobs — booze-free things, helpfully — it seems that someone else is trying to pass themselves off as her while she's working her side hustle overseas. Cue more globe-trotting intrigue, taking the show to both Berlin and Reykjavik. Cue more of Cassie's inner monologues as well, which is where those four different versions come in. Also new: cast members Mo McRae (Big Little Lies), Callie Hernandez (Under the Silver Lake), JJ Soria (Gentefied), Alanna Ubach (Euphoria), Cheryl Hines (Curb Your Enthusiasm), Jessie Ennis (Mythic Quest), Mae Martin (Feel Good), Margaret Cho (Awkwafina Is Nora from Queens), Santiago Cabrera (Ema), Sharon Stone (Ratched) and Shohreh Aghdashloo (The Expanse). They'll join Golden Globe- and Emmy-nominee Cuoco, obviously, plus returning co-stars Zosia Mamet (Girls), Griffin Matthews (Dear White People), Deniz Akdeniz (The High Note) and Rosie Perez (The Last Thing He Wanted). And if you're coming to this small-screen adaptation of Chris Bohjalian's 2018 novel of the same name with fresh eyes, the first season unravelled quite the tale — starting high in the sky, bouncing around the globe and delivering a hectic murder-mystery. Filled with sudden revelations and reversals, featuring multiple points of interest playing out across a split-screen setup, and also sporting cliffhangers to end every episode, the slick, swift-moving series knew exactly the kind of story it was telling and went for broke. Check out the full trailer for The Flight Attendant's second season below: The Flight Attendant's second season will be available to stream via Binge in Australia from Thursday, April 21 — and is headed to Neon in New Zealand on Friday, April 22. Read our full review of season one. Images: Jennifer Rose Clasen/HBO Max.
Booking a trip has changed significantly over the last few decades — just 40 years ago, the only way to book a flight, really, was through a travel agent. It wasn't until the early '90s that travellers could take the reins and actually book a ticket for themselves online. Thankfully, we have progressed. Gloriously. Travelling is only getting easier due to the evolution of highly useful, intuitive apps. These ten currently available apps will make your travels that much smoother. And the better news? None of them cost a cent. FOR HEALTH MATTERS: TRAVWELL Let's be real. Health is an easy thing to take for granted while travelling. Powered by the US Centres for Disease Control and Prevention, TravWell brings a great sense of calmness to travellers going overseas. We suggest downloading this well before departing. Users can select the destination they are travelling to, and the app will list which vaccines and medications to take. TravWell also has space to store photos and organise documents such as vaccine records. Plus, for every destination that the app covers, there are corresponding emergency services phone numbers on hand. FOR CONVERTING CASH: CURRENCY CONVERTER PLUS This app is one of the most popular out there, drawing over one million downloads worldwide. Currency Converter Plus hosts 191 currencies and regularly updates conversion rates. When you don't have access to Wi-Fi in that Moroccan souk or Beijing market, the app's ability to work offline definitely comes in handy. It can also convert currency to gold, silver and platinum, perfect if you're indulging in a cheeky jewellery shop during your stopover in Abu Dhabi or Dubai. The calculator function is what separates this app from the rest. Say your Vietnamese feast in Hanoi costs 200,000VND, and you have $5US dollars you want to use — enter both into the app and it will calculate and convert simultaneously, saving you the brainwork. FOR OFFLINE MAPS: MAPS.ME As much as we'd like to assume that our orientation skills are on point, sometimes we get it wrong. Really wrong. And you end up six kilometres away from your hotel, in the dodgy depths of a city with no idea how to get back. MAPS.ME, to the rescue. The app is trusted by over 65 million travellers, probably because it's usable offline. Simply download the map of the country or city you are visiting (when you have internet connection), and it's there for good. Within the app, users can search for restaurants, attractions, ATMs and public transport. We're not done. MAPS.ME also gives people the option to book accommodation through Booking.com. Alternatively, you can't go wrong with offline Google Maps. FOR EDITING HOLIDAY SNAPS: SNAPSEED There's an inordinate number of photo editing apps out there. A lifetime could be devoted looking for the best. Let us save you a little bit of that time. Snapseed, which was created by Google, is not only ridiculously easy to use, but also fun. It has 26 tools and editing features including the ability to adjust exposure, contrast, saturation, ambiance, fix skewed lines, alter perspectives, heal areas of a photo, add in text and throw on a filter. And when you're all finished playing around, Snapseed provides the option to upload to your edited masterpiece straight to Instagram. FOR CONQUERING LANGUAGE BARRIERS: GOOGLE TRANSLATE Speaking of Google (again), it's insanely hard to beat Google Translate at its game. The app offers the most languages out of any single translation engine out there — a mere 103. Now, translating words, phrases and sentences is one thing, but pronouncing them is another. Users can listen to translations before attempting and potentially embarrassing themselves. The app has evolved dramatically since its birth, now integrating a photo feature where you can hold your camera up to a text while Google magically translates it, given the font is readable. The fairy godmother of translators, we're naming it. FOR GROUP TRIPS: SPLITWISE Travelling with friends can get tricky money-wise, no matter how much you try to prevent it. Attempting to recall who shouted what at NYC's Please Don't Tell and how much that friend owes you for dinner at Hong Kong's Ho Lee Fook is too much to keep track of sometimes. Splitwise is a simple way to share bills, and keep track of what everyone has paid. Each person creates an account, and from there groups can be formed. Users then log in to see their balance, what is owed to them and what they owe to others. FOR AIRPORT RELAXATION: LOUNGEKEY LoungeKey is the ultimate airport lounge library. After entering an airport or city name into the app, a list of lounges on offer comes up. LoungeKey details exactly where lounges are located in an airport (don't laugh, some are harder to find that you would assume), what facilities are included, and provides photos, trading hours and prices. There is also a 'nearby' function for when you are absolutely exhausted and just want to pop into the closest lounge. FOR EXPERT RECOMMENDATIONS: GUIDES BY LONELY PLANET There's a lot of noise when it comes to travel guides and recommendations, but among all the madness is Lonely Planet — one of the most trustworthy and inspiring names out there. The Guides app incorporates advice from local experts, including must-see sights and essential tips for each location. There's also an offline maps function, language phrasebooks and a currency converter. It's an all-in-one app, currently covering 100 cities, with more to come. FOR CONNECTIVITY: FREE WI-FI FINDER If you don't fancy buying a sim card in every country you visit, and therefore heavily rely on finding a Wi-Fi connection, this one's a winner. Free Wi-Fi Finder promises exactly what's in its title —free Wi-Fi connection spots, with absolutely no charges. The app lists locations in over 50 countries. You can search by state and city, or locate the closest to wherever you find yourself at that point in time. The app also gives users the option to list Wi-Fi spots themselves and assist other travellers. People-powered, we like that. FOR FINDING THINGS TO DO: AIRBNB (FOR THE 'EXPERIENCES' FUNCTION) Airbnb continues its rampage of revolutionising the travel industry. The app hosts a plethora of affordable accommodation options — apartments, cabins, igloos and beyond — opening up a world of travel to those who were unable to access it before. In late 2016, the app took things up a notch, launching Airbnb 'experiences'. These are curated events, tours, classes and workshops created by local guides, inspiring people not just to travel to a place, but immerse themselves in it. Experiences span from two-day food tours in Seoul, three-day salsa camps in Havana or cocktail-making classes in San Francisco.
Great renewal news for fans of Mabel Mora (Selena Gomez, The Dead Don't Die), Oliver Putnam (Martin Short, Schmigadoon!) and Charles-Haden Savage (Steve Martin, It's Complicated) usually means bad news for the folks that the trio know on-screen. Only Murders in the Building viewers get more episodes, but that means more deaths within the hit murder-mystery comedy's narrative. That's exactly the case right now, with the series just wrapping up its Paul Rudd (Ant-Man and the Wasp: Quantumania)- and Meryl Streep (Don't Look Up)-guest starring third season, then revealing that there's more in store — with the show locked in for season four. More instalments, more killings and more amusing antics are all on the way, then, for the series that first got Gomez, Short and Martin sleuthing in 2021's season one (aka one of the best new shows of that year), then followed it up with 2022's season two (aka one of the best returning shows of that year, too) before arriving for its third go-around in 2023. Details of when the series will return, who else will pop up and the like haven't yet been announced, but expect to spend more time in Only Murders in the Building's world. The show started with three residents of the same New York apartment building crossing paths after a murder in their building — hence the title — then bonding over true-crime podcasts. Next, they did what everyone that's jumped on that bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way. In the show's second season, another death needed investigating. That time, it was someone the main trio were all known not to be that fond of, so suspicions kept pointing in their direction. Indeed, every season, another death has given aspiring artist Mabel, Broadway producer Oliver and actor Charles-Haden another case to dive into. In season three, that involved looking into who caused Ben Glenroy (Rudd) to shuffle off this mortal coil at the opening night of Oliver's latest show. "Is this really happening again?" asked the theatre figure in the first teaser trailer for season three. "Yes, yes it is" was the answer from Only Murders in the Building's audience then — and still now. "The trio's journey is far from over," US streaming platform Hulu, which produces the show, announced on social media. There's no sneak peek at season four as yet, but you can check out the full trailer for Only Murders in the Building season three below: Only Murders in the Building's streams Down Under via Star on Disney+. Read our full reviews of season one, season two and season three. Images: Hulu.
Some films are made for the critics. Other films are made for the fans. But some films are made for a third audience: specifically, 13-year-old boys with mild-to-severe concussion. Transformers: The Last Knight falls into that latter category. Michael Bay's latest robot rumble is a two and a half hour special-effects fiasco in which so much happens. So much...and yet nothing at all. The film begins in the Dark Ages, with King Arthur and his knights facing imminent defeat at the hands of the Saxons until a Transformer helpfully intervenes and saves the day. Later, we learn that they also hung out with Da Vinci, inspired Tesla and turned the tide against the Nazis. In fact, there's so much revisionist Hasbro history going on in this movie you genuinely expect to learn Jesus didn't turn water into wine – he transformed it (cue robotic morphing sound effect). Transformers: The Last Knight is something of a paradox, in that it's simultaneously one of the dumbest and most needlessly complicated stories ever told. The short version is that there's a super-weapon hidden on Earth that everybody, both human and alien, is desperate to get their hands on. The longer version involves Merlin, British noble lineage, a Transformers deity, robot-hunting humans, robot-saving humans and, for some reason, John Turturro playing basketball in Havana. This is a film that assumes nobody outside of England knows London isn't a five minute drive from Oxford. It's a film that begins in Chicago, then has its characters commute – only minutes later – to a Native American reserve in the desert. And in that desert, there's a tiny one-street shanty town that inexplicably boasts a 20-storey hotel. It's a film that says things like "the object is growing three metres a day" then, just two lines later, "it's growing exponentially". It's a film where nobody bats an eyelid at an alien robot t-rex, but if you believe in the possibility of magic well then you're obviously a crazy person. Perhaps worst of all, it's a film that has Sir Anthony Hopkins deliver the line "what a bitchin' car she is!" Perhaps it's too much to expect that the fifth film in a franchise based on a children's toy line would offer anything more than the cinematic version of kids slamming their action figures together whilst yelling 'Blam! Ka-Pow! Pew Pew Pew!' And yet, the original Transformers found a way. Its characters had clearly defined motivations and its story was broadly comprehensible. By part five, however, the humans have been reduced to caricatures, while the Transformers exist only to destroy things and mumble the occasional rap lyric. As a showreel for the extraordinary capabilities of special effects departments, Transformers: The Last Knight is great. On every other front it's an abysmal waste of time. https://www.youtube.com/watch?v=AntcyqJ6brc
Everyone's favourite non-alcoholic beer brand Heaps Normal is throwing a massive one-day music festival at The Great Club in Marrickville. Pulling together a stacked lineup of local talent, an exciting food and drink roster and a range of extra-curricular activities, the all-day event is offering something for everybody. The genre-bending lineup is headed up by hip hop supergroup 1300, alongside singer-songwriters Babitha and Annie Hamilton, rapper Ziggy Ramo, and punk and DIY rockers Gee Tee, Loose Fit and Research Reatorc Corp. Also on the lineup: Alex Cross, CK & the 45s, Germ Donor, JEP, Maanyung, Solo Career and Tired Girl, plus DJ sets from Body Type and Heartsville. P&V's Mike Bennie has been enlisted to curate the drinks menu. The festival encourages patrons to have fun their own way, with both alcoholic and non-alcoholic drinks on offer including some of Bennie's favourite mid- to low-strength wines and plenty of Heaps Normal, of course. The drinks list will be accompanied by food from Rosso Antico. Outside of the music, there will be film screenings, illustration workshops from Luke John Matthew Arnold, flash tattoos from Tattoo Rosies, a mullet station and an embroidery station. NORMFEST will be taking over The Great Club from 3pm until midnight on Saturday, December 10. Tickets are $20 pre-sale or $25 on the door if the festival hasn't sold out. There are free tickets available for First Nations attendees if you email marketing@heapsnormal.com.
It has been eight months since The Handmaid's Tale dropped its first teaser for its upcoming fourth season, which, like plenty of other things over the last year, was postponed. Over that time, it was also announced that the dystopian series would bless our screens for even longer, with a fifth season green-lit before the fourth even airs. But fans keen to actually step back into the show's story, rather than just hear news about it, have been hanging out to do exactly that for quite some time. Thankfully, that delay is about to come to an end, with a US release date just announced for the next batch of episodes. The Handmaid's Tale will start its fourth season in America on April 28 — and while just when it'll air Down Under hasn't been revealed, you shouldn't expect that there'll be much of a wait. Hulu, the platform that airs The Handmaid's Tale in the US, has also just dropped a new trailer for the fourth season, so you can get another glimpse of what's about to hit. In its opening moments, the tense score and images of empty streets are accompanied by a radio broadcast‚ with the resistance in full swing. And yes, the show's protagonist, June (Elisabeth Moss), is still battling against Gilead after season three's cliffhanger ending. Toppling a totalitarian society that's taken over the former United States, tearing down its oppression of women under the guise of 'traditional values', and fighting for freedom and equality doesn't happen quickly, after all. If you're wondering what else in store in the award-winning adaptation of Margaret Atwood's 1985, June's quest isn't likely to be easy — because everything in this series comes with risks and challenges. Check out the latest season four trailer below: https://www.youtube.com/watch?v=pmcWPOH4Yqw The fourth season of The Handmaid's Tale will hit US screens from April 28, and it's likely it'll start airing on SBS in Australia around the same time. We'll update you with further details when they're announced.
Many of us who grew up in Sydney were lucky enough to spend our summers down on the south coast. We'd head down for a camping holiday or weekend escape and no trip was complete without a stop in at Pilgrims for its super-tasty burgers and nourishing dishes. Now, Sydneysiders don't have to travel quite as far to get their fix, because the beloved coastal cafe has just opened in Bronte. First set up in Milton in 1980, Pilgrims is now a five-branch mini-chain. There's of course the OG cafe and the most recent Bronte one, plus a Pilgrims in Huskisson, Corrimal and Cronulla. The opening of the second Sydney location marks Pilgrims' 40th birthday. The reason Pilgrims does so well is that it takes simple vegetarian staples and makes them tastier than you thought possible, then hands them to you in generous serves. For breakfast, you can choose from from acai bowls, avo on Iggy's sourdough toast, haloumi stacks and smoothies. Then, for lunch, its famed veggie burgers — think chilli jam and haloumi, curried lentil patties and mixed grain patties — are a must. On Fridays and Saturdays from 5–9pm, you'll find the menu changes a little, with a Mexican feast on offer. Burritos, tacos, nachos and bowls all come stuffed and topped with the likes of beans, spiced potato, cheese and generous dollops of guac. Cocktails, wine and beers are on offer, too. Whether you pick up your food or dine in, you'll be able to catch a glimpse of the bright, airy interior, designed by local architect firm Lane & Grove. Featuring white-washed walls, wicker chairs, light timber benches and lots of greenery, the space echoes the coastal Sydney location, as well as pays homage to the south coast.
Pushing ladies to the front has always been All About Women's focus, ever since the Sydney Opera House's key feminist festival first took to the stage back in 2013. In 2023, however, it's doing just that with an in-conversation event that couldn't be more perfect: Bikini Kill Speaks, featuring the seminal riot grrrl pioneers — aka Kathleen Hanna, Tobi Vail and Kathi Wilcox — chatting through their music, activism and why their message remains as relevant as ever after three decades. Hanna, Vail and Wilcox's session comes while Bikini Kill are in the country for their first Australian shows in more than 25 years, including stops at Mona Foma and Golden Plains, plus other solo dates around the country — Sydney Opera House among them. In fact, in addition to the in-conversation session, that gig will close out All About Women's 2023 event. [caption id="attachment_875442" align="alignnone" width="1920"] Debi Del Grande[/caption] When All About Women takes place in March, it'll run over three days — from Saturday, March 11—Monday, March 13 — growing again after it only just expanded to two days in 2022. In another big change, it'll be guided by four festival co-curators for the first time ever. Doing the honours: author, podcast presenter and gender equality advocate Jamila Rizvi; Gamilaroi academic and Tell Me Again author Dr Amy Thunig; feminist social commentator, novelist and writer Jane Caro AM; and Sydney Opera House's Head of Talks and Ideas Chip Rolley. The rest of All About Women's 2023 lineup hasn't yet been unveiled, but audiences can expect a range of international and Australian artists, thinkers and storytellers on the bill — exploring a broad variety of topics relevant to gender, justice and equality via panels, conversations, workshops and performances — when the full details drop on Tuesday, January 17, 2023. [caption id="attachment_837695" align="alignnone" width="1920"] Prudence Upton[/caption] "All About Women is unparalleled in its ability to attract audiences from across the country, with a passion for debates and discussions about gender. The festival always delivers a healthy dose of levity alongside its signature significant local and international conversations," said All About Women festival co-curator Jamila Rizvi. "Striking that balance between impact and frivolity is what my programming style is all about. To say that it is a privilege to co-curate the festival in 2023 is an understatement!" [caption id="attachment_837698" align="alignnone" width="1920"] Jacquie Manning[/caption] In 2022, while the festival went ahead in-person for Sydneysiders, it also live-streamed to viewers both around Australia and worldwide. Whether that'll be the case again in 2023 hasn't yet been revealed, but if you live outside of the Harbour City, cross your fingers. All About Women 2023 will take place from Saturday, March 11—Monday, March 13 at the Sydney Opera House. The full program will release on Tuesday, January 17, 2023 — check back here then for further details. Tickets for Bikini Kill Speaks go on sale at 9am AEDT on Friday, December 2, with Sydney Opera House Insiders presales from 9am AEDT on Tuesday, November 29 and What's on presales from 9am AEDT on Wednesday, November 30. Top image: Debi Del Grande.
Here's an easy recipe for a movie, and a TV show as well: take a bunch of famous faces, throw them into the same space, knock off one of their characters and let a couple of them get sleuthing, pointing the finger at everyone else. It worked for Knives Out, gloriously so. It's made Only Murders in the Building a treat across not one but two seasons. And while it hasn't really hit the mark in recent Agatha Christie adaptations Murder on the Orient Express and Death on the Nile — especially the later — the same setup remains intact in both flicks. The next film to give the premise a whirl is new whodunnit See How They Run, which definitely has the star-studded cast part taken care of. As seen in the just-dropped trailer, Sam Rockwell (Richard Jewell) plays veteran detective Inspector Stoppard, while Saoirse Ronan (The French Dispatch) steps into the shoes of enthusiastic newcomer Constable Stalker. And, the case they're tasked with looking into also brings Adrien Brody (Succession), Ruth Wilson (His Dark Materials), Reece Shearsmith (Venom: Let There Be Carnage), Harris Dickinson (The Souvenir: Part II), Shirley Henderson (Stan & Ollie) and David Oyelowo (Chaos Walking) into the mix — and more. Set in 1950s London, and in the West End to be precise, the movie follows the aftermath of a big-name death — a Hollywood director who was set to turn a smash-hit play into a film. Cue Stoppard and Stalker entering the sometimes-glamorous, sometimes-unseemly theatre world, trying to work out who's the killer. Slated to hit cinemas at the end of September, the flick hails from first-time feature director Tom George (TV's Defending the Guilty and This Country), with Mark Chappell (Flaked and The Increasingly Poor Decisions of Todd Margaret) on scripting duties. Then mood: jaunty. The tone: comic. Yes, it's firmly murder-mystery comedy. That's another regular part of the whodunnit equation, of course — turning a shock death and the investigation that follows into an amusing picture, that is. Check out the trailer for See How They Run below: See How They Run opens in cinemas Down under on September 29. Images: Parisa Taghizadeh. © 2021 20th Century Studios All Rights Reserved.
Summer in Sydney isn't really summer without catching some live music. But there is another truth that can get in the way of living out all your gig fantasies — and that's your budget. Between Christmas presents, end-of-year catch-ups and, you know, living, the ol' wallet takes a bit of a hit at this time of year. Good news, music lovers. For the second year in a row, Merivale is hosting See Sound, a summer-long festival of free (yes, free) gigs. Even better, every venue is also serving up $8 pints and $15 jugs of beer, thanks to See Sound partner Furphy. If you're hanging around the eastern suburbs, Coogee Pavilion Rooftop is where to go for funk and disco, and you can pop by the Royal Hotel in Bondi for rock 'n' roll. Meanwhile, inner west locals (and visitors) should make tracks to the Vic on the Park in Marrickville for indie and hip hop. Read on to find out what to expect.
Nestled among the Coast Mountains, Whistler is a magical township located a couple of hours' drive north of Vancouver, Canada. The snow-laden village is best known for the mighty Whistler Blackcomb, which is by far and away the biggest ski resort in North America, made up of two majestic peaks joined by the PEAK 2 PEAK Gondola, the highest and longest cablecar of its kind in the world. Should you be planning a trip to this wintry wonderland, you'd be remiss not to involve some outdoorsy adventures, including a few days' skiing or boarding some of the world's most beautiful runs. Beyond carving and shredding your way down Whistler's mountains, however, there are bucket loads of other escapades to be had, from dog sledding in the stunning old growth forest of the Callaghan Valley and snowshoeing around ghost towns to ice skating on frozen lakes and ice fishing in secret water holes. There's plenty of adventure to be had in Whistler, so start planning your trip with our guide to the village's best outdoor winter activities. [caption id="attachment_630393" align="alignnone" width="1920"] Tourism Whistler/Eric Berger.[/caption] SKIING AND SNOWBOARDING WHISTLER BLACKCOMB At Whistler Blackcomb, you'll find 200 official runs, which means you can ski for days without covering the same ground twice. Plus, with over 8,000 acres of skiable terrain, Whistler and Blackcomb mountains offer something for every level and style of skier and rider. If you're a beginner, you're in luck, as 35% of Whistler Blackcomb's trails (covering almost 3,000 acres) have your name on them — the most beautiful being Burnt Stew Trail in the Symphony Zone on Whistler Mountain, which winds gently through open bowls and alpine forest. For intermediate skiers, 7th Heaven offers a suitably challenging terrain, with loads of trees and stunning panoramas. And if you're an expert on the slopes, then head to Couloir Extreme, rated as one of the planet's most terrifying (and thrilling) runs. There's also plenty of terrain accessible from the Peak Chair at the top of Whistler. Something to mention about skiing at Whistler Blackcomb is that the pedestrian-only Whistler Village is nestled right at the base of Whistler and Blackcomb, meaning runs feed right into the village centre off both mountains. The transition from shredding and carving to après-ski is a total breeze — especially with the many après joints loved by visitors and locals alike. CROSS-COUNTRY SKIING Lost Lake doesn't just sound like something out of a C.S. Lewis novel, it looks like it, too. You'll find this magical spot 15 minutes' walk from Whistler Village, so when you feel like a break from downhill thrills, and are ready to move at a slower, more exploratory pace, take a cross-country glide. If you're after some exploration further afield from Whistler Village, then head to the extensive cross-country skiing trails out in the Callaghan Valley. The area offers picturesque, natural surrounds, and the Ski Callaghan Nordic centre is just a short shuttle ride from the heart of Whistler. [caption id="attachment_629729" align="alignnone" width="1920"] Tourism Whistler/JustaJeskova.[/caption] WALKING THE VALLEY TRAIL You might think of hiking as more of a summer sport, but the Valley Trail makes trekking through Whistler's natural surrounds possible all year round. This 40-kilometre network dedicated to walkers is paved, cleared of snow, car-free and provides a connection between the area's many villages, lakes and parks. How you go about experiencing it is your call. With plenty of walks to choose from, you can take in many amazing mountain vistas, discover a forest of giant cedars and even check out a few local craft breweries on the way. [caption id="attachment_630888" align="alignnone" width="1920"] Scandinave Spa.[/caption] SOAKING IN STEAMY OUTDOOR HOT POOLS After a day in subzero temperatures, there's no better way to wind down than with a dip in a hot pool. On the periphery of Whistler's Lost Lake Park forest, nestled among spruce and cedar trees, you'll find Scandinave Spa. Here you can hang out in a eucalyptus steam bath and Finnish sauna before plunging into a Nordic waterfall, then recovering in Hammock Haven. Any iciness left in your bones from a day in the snow will surely melt away. The spa also offers massages, plus has a cafe onsite just in case you need a little pick me up. WINTER ZIP LINING Yep, flying through the air at 100 kilometres per hour, 200 metres above the ground, in sub-zero temperatures is absolutely doable in Whistler; in fact, there's a stack of zip line tours to choose from. Go with Superfly, and you'll catch a 4WD up Rainbow Mountain, before taking off on a 1.3-kilometre long ride that spans deep valleys and old growth forests. Look to Ziptrek for several options, categorised according to adrenaline hit. For newbies, there's the Bear Tour, which covers five zip lines joined by treetop bridges, while hardened thrill seekers have the Mammoth Tour, which takes in ten zip lines, suspension bridges, boardwalks and trails. ICE CLIMBING BLACKCOMB MOUNTAIN Whether you're new to ice climbing or quite accustomed to hanging off of a glacier, suspended by just an axe, there's a frozen vertical trek for you in Whistler. Novices get an introduction to climbing techniques and a safety pep talk before starting, while the more experienced are able to choose from a variety of routes, according to their ability. Both multi-pitch and multi-day tours are available, plus, at Blackcomb you can begin with a lift ride, conquer a couple hours of ice climbing, then ski back to base. Tour companies include Mountain Skills Academy and Coast Mountain Guides. DOG SLEDDING SNOWY TERRAINS If you're keen to explore, but don't want to do all the work yourself, enlist a pack of huskies and a sled, then kick back like a Snow Queen and relax. Canadians have been getting around this way for more than four thousand years now, and there are a few tour operators that'll show you how, including Canadian Wilderness Adventures and Blackcomb Dogsled. Both will take you on a journey into Callaghan Valley, a wonderland of old growth forest and lakes just fifteen minutes south of Whistler. If the surrounds look familiar, that's probably because you saw them during the 2010 Winter Olympics. [caption id="attachment_631261" align="alignnone" width="1920"] Pemberton Fish Finder.[/caption] ICE FISHING You haven't tasted fish until you've tasted it straight from the ice. On a Whistler ice fishing tour, your guide will pick you up, drive you to a remote alpine lake, frozen river or secret water hole, and take you through the tricky process of nabbing a bite. There'll be plenty of sitting about and admiring the scenery to be done, which also gives you a good chunk of time to learn more about the millennia-old art of ice fishing and how to improve your skills. Tours usually include transport and gear. [caption id="attachment_631259" align="alignnone" width="1920"] Tourism Whistler/Mike Crane.[/caption] ICE SKATING Smack bang in the middle of Whistler Village is a free, outdoor ice skating rink. All you need are your skates or six bucks to hire a pair — and if you're a beginner, maybe a push bar (or a friend's hand) to help you along. For a more exotic experience, head to a skate-able local lake, and maybe even pick up a game of hockey. Popular options are Alta Lake, with one square kilometre of ice to glide across, backdropped by mountain views, and to the north, the larger Green Lake at double the size of Alta. Lake ice skating runs informally only, so you'll need to take care safety-wise and bring your own pair of skates. Plan an adventure into the great Canadian outdoors and discover all Whistler has to offer here. Lead image: Tourism Whistler/David McColm.
According to Toronto-based Richard Smith, 'I have a laptop. It needs a case. So I make laptop sleeves.' Although a simple idea at heart, Richard's computer sleeves are nothing short of unique. Made from vintage sweaters and shirts, Computerwear repurposes unused and unappreciated clothing into suave, handmade laptop and iPad cases, transforming your gadget from an inanimate piece of technology into a proper gentleman. If you never leave home without your laptop or iPad, Computerwear will save your gear from the unwanted and unavoidable bumps and scratches of everyday life. Available on Richard's Etsy store, Finders&Keepers, the cases are machine-washable (unless otherwise noted) and dryer friendly, and make for a pretty dapper tech accessory at US$65.
Master sommelier Madeline Triffon describes Pinot Noir as 'sex in a glass', while winemaker Randy Ullom calls it 'the ultimate nirvana'. One of the most challenging grapes in the world of vinification, it's also one of the most surprising and rewarding. No wonder Bottle Shop Concepts — the good folk who brought Game of Rhones our way in June — are coming back to town with Pinot Palooza, an epic travelling wine festival celebrating all things Pinot Noir. For just one day, wine connoisseurs in Sydney, Melbourne and Brisbane will have the chance to sample more than 150 drops, direct from the Southern Hemisphere’s best producers. Think Ata Rangi, Yabby Lake, Bay of Fires, Rippon, Kooyong, Mount Difficulty — and that’s just the first few leaves on the vine. Whether you’re a newbie who wants to start with something light and inviting, or a Pinot pro ready for the biggest, most complex mouthful on the menu, there’ll be an abundance of selections at either end — and plenty along the spectrum, too. You’ll even be able to vote for your favourite and go in the draw to win some wine-driven prizes. If, at any point, you need to take a pause in your tasting adventures, you’ll be able to pop into the Alfa Romeo Lounge. There’ll be cosy places to sit and mull over your chosen Pinot, loads of food and the epic Burgundy Bar – a kind of Pinot Noir mecca where you’ll be able to sample bottles worth $150+ at affordable, by-the-glass prices. Expert sommeliers will also be on hand to help you make selections. What's more, those keen to fuel their brains (and not only their taste buds), can indulge in a 'Back Stage Pass'. It's a chance to partake in a master class with some of Australia's smartest wine educators and learn all about what's happening in Burgundy, France — Pinot Noir’s spiritual home. Pinot Palooza will hit Melbourne on Saturday, October 4 at St Kilda Town Hall, Sydney on Monday, October 6 at Carriageworks and Brisbane on Sunday, October 12 at Light Space. Tickets are $60, which includes tastings, a take-home Riedel 'Heart to Heart' Pinot Noir glass and the latest issue of Wine Companion magazine. You can buy tickets right here.
Does Bradley Cooper wish he worked in music, rather than cinema? If the Nightmare Alley and Guardians of the Galaxy Vol. 3 star's work as a director is any guide, perhaps. When he first jumped behind the camera just a few years back, it was for the latest take on A Star Is Born, in which he also cast himself as a rocker and sang with Lady Gaga. Now, he's following that up with Maestro, a biopic about famed American composer Leonard Bernstein. Yes, Cooper also plays the conductor, as well as helming — and co-writing the screenplay with Spotlight, The Post and First Man's Josh Singer. The focus isn't just on Bernstein's immense career, but also on his relationship with his Costa Rica-born actor wife Felicia Montealegre Cohn Bernstein. Slipping into the latter's shoes: Carey Mulligan (She Said). As the just-dropped first trailer for Maestro shows, audiences can look forward to Cooper picking up the baton, as well as a snapshot of all the acclaim that came Bernstein's way. There's certainly plenty to cover — seven Emmys, two Tonys, 16 Grammys, the music for West Side Story, and being considered one of the greatest conductors of all time all included. But scenes of the Bernstein making music magic aren't the main part of this first sneak peek. Instead, moments that navigate Leonard and Felicia's romance dance prominently through the teaser. Maestro hails from Netflix, with the film hitting the streaming service on December 20. Given that it's being poised as a prime awards contender for the 2024 Oscars, it'll also get a run in select cinemas from November 22, as the streaming platform tends to do with its starry end-of-year flicks. Before all of that, it'll premiere at the Venice International Film Festival in September. As well as Cooper and Mulligan, Maestro's cast includes Maya Hawke (Asteroid City), Matt Bomer (Magic Mike's Last Dance), Sarah Silverman (The Bob's Burgers Movie) and Michael Urie (Shrinking). And among the producers? Just a couple of folks who know a thing or two about grand, lavish filmmaking: Martin Scorsese (The Irishman) and Steven Spielberg (The Fabelmans). Check out the trailer for Maestro below: Maestro will release in select cinemas on November 22, and hit Netflix on December 20. Images: Jason McDonald/Netflix.
UPDATE, February 8, 2021: The White Tiger is available to stream via Netflix. Adapted from Aravind Adiga's 2008 Man Booker Prize-winning debut novel, The White Tiger shares an animal metaphor in its name. It works it into the story, obviously, and mentions it in dialogue as well. As a boy, after proudly demonstrating that his reading abilities eclipse those of his classmates in his poverty-stricken village, young Balram Halwai (Harshit Mahawar) is likened to the titular jungle cat by a teacher. He's "the rarest of animals that comes along once in a generation," he's told. That statement arrives within the movie's opening minutes and is meant to linger over the film, which it does. That said, another animal metaphor, also uttered early but pondering roosters and coops, truly cuts to this biting picture's core. Like poultry in a cage awaiting slaughter, India's poor are kept in their place as servants, explains Balram (Adarsh Gourav, Hostel Daze) as an adult. At the mercy of cruel and ruthless masters, the country's workers are well aware that they're being treated thoughtlessly at best, and watch on as everyone is stuck in an unending cycle of drudgery. But, ever-dutiful at every moment, they're unwilling to break free or even mildly defy their employers. That's the compliant life that Balram is supposed to lead, as he notes in the always-pacy, often-winking narration that drives this smart and savage thriller. Balram's existence does play out that way, too, at least for a time. He ingratiates his way into a driver position for Ashok (Bollywood star Rajkummar Rao) and Pinky (Baywatch's Priyanka Chopra Jonas), the American-educated son and New York-raised daughter-in-law of the rich landlord (Mahesh Manjrekar, Slumdog Millionaire) who owns his village and demands a third of all earnings from its residents. But The White Tiger starts with a car accident outside Delhi involving Balram, Ashok and Pinky, then unfurls in flashbacks from an unapologetic Balram in the future. As a result, it's immediately apparent that he won't always be kowtowing to those considered above him in his country's strict caste system. It's also instantly evident that his tale, as cheekily told via a letter penned to 2003–13 Chinese Premier Wen Jiabao, will take the audience on quite the wild journey. Balram's plan to work for the man who rules over his home stems from his burning ambition to enjoy a life far removed from his struggling childhood. So does his scheme to supplant the family's first driver, as well as his efforts to later forge his own path. When he is given the white tiger label as a kid, he is also advised that "any poor boy in any forgotten village can grow up to become Prime Minister of India". Politics isn't on his agenda, though. During his time with Ashok and Pinky, he starts thinking bigger. He doesn't just want to win "a million-rupee game show" either — the film's wink to fellow rags-to-riches saga Slumdog Millionaire. As viewers watch Balram evolve from an attentive servant to the self-made entrepreneur who unfurls the movie's twist-filled tale with a sense of mischievous glee — and a clear feeling of accomplishment, too — one truth haunts every moment: that the vast chasm between the wealthy and not-so has wide-reaching consequences, and not just those that the rich, powerful and blinkered foresee. The White Tiger's framing device is a little clumsy, and its overt, blackly comic observations about the well-off taking advantage of everyone they consider inferior definitely aren't new. Nonetheless, this is still a ferocious, compelling and entertaining film with something sharp and accurate to say, and an engaging way of conveying its central perspective. As long as the world remains beholden to the few at the expense of the many, eat the rich-style tales will never get old — Oscar-winner Parasite certainly felt anything but — and this one also skewers globalisation and its ramifications, especially as new technologies are supposed to be bringing everyone closer together. Thanks to 2005's Man Push Cart, 2007's Chop Shop and 2015's 99 Homes, Iranian American writer/director Ramin Bahrani is no stranger to street-level stories about everyday folks trying to survive and thrive under capitalism's boot, or to the twisted power dynamics that can ensue in society at large and in close quarters. Accordingly, he's a perfect fit for the material here. Whether he's focusing on a ponytailed, moustachioed Balram as he narrates away, or following the character from dusty shacks and crowded markets to the basements of Delhi's sky-high apartment blocks, Bahrani brings a constantly probing eye to Adiga's tale in both a storytelling and visual sense. (He's was also one of the author's college classmates.) Also ideal is Gourav, so much so that it's almost impossible to imagine the movie being as captivating without him, or as slick yet scathing. The actor is in excellent company, with Rao and Chopra Jonas each finding multiple layers in their characters' lives of privilege, and their eagerness to regard Balram as a friend while it suits — but, as a bright-eyed but still calculating young man trying to work his way up, and then as a cynical experienced hand who has seen much, endured more and knows how he wants the world to work, Gourav is electrifying. It's a performance that's bound to catapult him into other high-profile roles, and it's also the likeable and empathetic yet also hungry and slippery portrayal this rollercoaster ride of a story hinges upon. Or, to put it in Balram's words, Gourav plays his part as "straight and crooked, mocking and believing, sly and sincere, all at the same time", and it's never less than riveting. https://www.youtube.com/watch?v=35jJNyFuYKQ Top image: Tejinder Singh Khamkha/Netflix.
Australia has lost an icon, with news of Olivia Newton-John's death sadly announced on Tuesday, August 9. Across more than half a century in the entertainment industry, the British Australian singer and actor helped give the world everything from Grease to Xanadu — and songs such as 'I Honestly Love You' and 'Physical', too. There are plenty of ways to pay tribute to Newton-John. Singing 'You're the One That I Want' and 'Hopelessly Devoted to You' all day counts. Rewatching Grease for the billionth time does as well. And, so does getting 'Xanadu' or 'Magic' stuck in your head. Or, you can truly take the star's advice and get physical at Retrosweat's tribute sessions. The aerobics outfit is dedicating two sessions this week — its regular classes at 7pm on Tuesday, August 9 and at the same time on Thursday, August 11 — to the Aussie legend. Each one runs for 60 minutes, and dressing like you're stepping out of Newton-John's 'Physical' clip (or even wearing anything Grease or Xanadu-themed that doubles as workout attire) is recommended. Sydneysiders can head along at 242 Young Street in Waterloo on Tuesday — and 525 Crown Street in Surry Hills on Thursday. Fancy joining in at home or from outside of Sydney? Retrosweat livestreams its classes, including these two, if you join its Retrosweat Home Video service. In preparation for the classes — and just to bask in Newton-John's 80s-era glory — you can revisit the 'Physical' music video below:
What helps a formerly active person who has lost both their legs find the will to keep on living? It's rarely a guy like Ali (Matthias Schoenaerts), who fights in illegal bouts, hits his kid, kicks dogs, disrespects women, does dodgy things for cash and is all-round one of the least likeable characters to ever appear on screen. And yet the journey Stephanie (Marion Cotillard) goes on through him makes just enough sense to be believable — powerful, actually — in Jacques Audiard's feature film Rust and Bone. The film is quite a big departure from the source material, Canadian writer Craig Davidson's collection of short stories by the same name, and is in some ways even more brutal. Stephanie is an orca trainer at a Cote d'Azur equivalent of Sea World. One day, to the poetically dissonant backing of Katy Perry's 'Firework', a public performance goes wrong and Stephanie wakes in hospital to find her legs amputated. After weeks of depression, she calls Ali, a nightclub bouncer she met briefly before the accident and thought little of at the time. His company turns out to be relaxed and matter of fact; he does not handle her with kid gloves, and it's just what she needs to begin to figure out her new sense of self. When he starts out on his underground boxing career, she finds herself unexpectedly drawn in. Rust and Bone is an unsentimentally lyrical triumph, unexpected in every way from its narrative to its mise en scene. Cotillard is a sensation. Need it be said? This film about fighters packs a punch. We have 10 double passes to give away to see Rust and Bone. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. Read our full review of Rust and Bone here. https://youtube.com/watch?v=x3leZNzz6N8
"I do love this film." So advises Bob Odenkirk, exclaiming his fondness for Nobody 2 as soon as he starts chatting with Concrete Playground. As evident to everyone who sees the sequel to Nobody, that affection is already splashed across the screen. The same proved true in 2021, too, when the franchise's first movie initially gave its star a chance to switch up from leading one of TV's greatest-ever tragedies and series overall, aka Better Call Saul, with a jump into action mode. His task: playing Hutch Mansell, a seemingly ordinary suburban dad with a past that meant that he was never going to let gun-wielding thieves break into his home and upset his family life with his wife Becca (Connie Nielsen, Gladiator II) and their two children (Law & Order Toronto: Criminal Intent's Gage Munroe and Harland Manor's Paisley Cadorath) without making those responsible pay for it. The debut picture set Hutch against the Russian mafia, all to take care of his loved ones. That isn't Mr Show with Bob and David and Breaking Bad alum Odenkirk's IRL path at all, but elements of Nobody were indeed personal. The idea to begin with started with him in his prime Saul Goodman/Jimmy McGill/Gene Takovic days. And, as the Nobody 2 director Timo Tjahjanto (The Shadow Strays) explained back when the sequel's initial trailer dropped, "the first film is also sort of based on what happened to Bob in real life — the whole idea that he was confronting this thing that happened in his house, when somebody broke into his house. So he exorcised that sort of, I guess, trauma, by writing a script or writing a story." Four years later, with a movie that follows the Mansells on vacation to Plummerville — Hutch's dad David (Christopher Lloyd, Wednesday) included — this is still a action-flick saga with IRL connectioms for its lead. In his childhood, Odenkirk once went on a similar getaway. Again, the exact scenario that awaits Hutch isn't how its star's real life panned out; however, links to reality remain, including in exploring Plummerville's criminal element. Getting personal and relatable has always been baked into the Nobody films as well in a broader sense, given that both hone in on someone trying to do the best for their nearest and dearest. That's Hutch's emotional journey. Crucially for Nielsen, she tells us, the same applies to Becca. Nobody 2 kicks off pre-holiday, with Hutch working off his $30-million mob debt from the feature's predecessor, and barely spending time at home as a result. Becca isn't thrilled. Cue the trip, at Hutch's suggestion, to Plummerville's Wild Bill's Majestic Midway and Waterpark — a place with youthful memories for the film's protagonist. Of course, running afoul of the corrupt owner of the local theme park (John Ortiz, The Madness), a take-no-prisoners crime boss (Sharon Stone, The Flight Attendant) and underhanded law enforcement (with And Mrs' Colin Hanks as the sheriff) wasn't on anyone's dream vacation itinerary. Writing for Saturday Night Live, plus featuring in everything from Nebraska, Fargo, Little Women, Undone and Lucky Hank to The Bear and Glengarry Glen Ross on Broadway, are all on multiple Emmy-nominee Odenkirk's resume. Whether as Hutch in the Nobody films or as Jimmy-slash-Saul, he's been especially focused on bringing to life figures who refuse to get knocked down and stay down for over 15 years now, though — but that's a trait that he stresses he believes applies to everyone. Indeed, there's always a relatability-meets-wish fulfilment mix to Hutch, Becca and the situations they're in. Who can't relate to struggling with work-life balance, or their partner's lack thereof? Or a holiday not quite panning out the way you'd hoped and wanting to set that right? Or protecting those most important to you? Nobody 2 sees Nielsen on-trend in her own career. For the second time in less than a year, she's returning to a big-screen part. First came Lucilla in Gladiator II; now follows Becca. While both are formidable women, as she has played repeatedly across a career that started with screen roles in the 80s and also spans The Devil's Advocate, Rushmore, Brothers, Wonder Woman, Origin and plenty beyond, it is particularly satisfying and gratifying to portray someone who is meant to be an everywoman — as Hutch is an everyman — and who demonstrates that she too, like all women, can hold her own, she notes. Alongside digging into why Nobody 2 is personal, and its focus on family as well as everyday woes — amid and sometimes through the action setpieces — Odenkirk and Nielsen also chatted with us about the origins of all things Nobody, further fleshing out Becca's story in the sequel, tenacity and more. On Whether Odenkirk Was Keen to Find His Next Recurring Character Beyond Better Call Saul and Breaking Bad — and What He Was Looking For Bob: "I didn't really think on the grand scale that you've described to me. I was really thinking about how Better Call Saul, to my surprise, was pleasing people in countries around the world. I really was mystified initially that Better Call Saul played so well in Italy and Romania and Russia and even England — and everywhere. I actually asked a journalist in Europe 'how do you understand the show? Do you have lawyers like this?'. And they said 'well, we've seen a lot of American entertainment and we understand enough about American culture to understand who Saul is in his community, in his world'. And then I saw that it played in China, and it gave me the thought 'well, if I did an action film, that could play around the world, too' — because action is fairly simple and easy to follow. And the value or the kind of drive of the film is easy to relate to. So I asked my manager 'what about an action film?' — and I thought he'd laugh me off the phone, but he did not. He said 'I get what you're saying. That could work'." On Nielsen's Opportunity to Further Build and Flesh Out Becca Mansell in Nobody 2 Connie: "I think Bob is just such a generous writer. He just writes all these situations where the humanity of his wife is just so clear. There is a wisdom that he builds into Becca — and a zenness, like a knowingness, that I find so attractive about Becca. Becca is patient, but she's not long-suffering. The difference is huge. And she is critical but never blames, never uses blame. She holds him accountable for the sake of the family, for what's best for all of them, but not to control. So there's this wonderful way you can build a character, and I think that Bob just really writes that into Becca since day one. I remember the first time when I read the first script and the reason why I decided I wanted to do it, even though I knew that they wouldn't be developing Becca until the second installation — I just knew that I wanted to do it because there was this sensitive, beautiful scene of two people sleeping with a pillow in-between them. And they're both awake, and they just can't figure out how to how to ford that river between them. And I just thought that I've never seen that in an action movie, something as sensitive as that. And I just love that." On Nobody 2's Personal Ties for Odenkirk, as the First Nobody Also Sported Bob: "Nobody 2 is about a family going on vacation. When I was a kid, we went on two vacations: one to the Illinois State Fair and one to the Wisconsin Dells. And the Wisconsin Dells are just like Plummerville — or at least they were 35, well 45 years ago, when I went on vacation to them. They're mostly water-based. There's duck boats. There's a guy who owns all the attractions in town — just like Wyatt Martin, played by John Ortiz. Wisconsin is where Al Capone ran his booze through. He actually had a home there, in Lake Geneva, I believe. So all that stuff that The Barber [Colin Salmon, EastEnders] says to Hutch, 'used to be a bootlegging route' — that's true of this place where I used to go. All of that is true. The backroads of Wisconsin was where they ran alcohol up to Canada during prohibition, ran it out to the other states, ran it through to Wisconsin. So all that stuff is based on my memories of childhood — and also Derek Kolstad [John Wick], who wrote the movie, his memories. He grew up in Madison, Wisconsin, very close to the Wisconsin Dells. So yes, this movie too is connected to my personal experience." On Doing What's Best for Your Family Always Being at the Heart of the Nobody Films, Even as Action Movies Filled with Violence and Vengeance Connie: "It really is, and I think that that's what attracted me to the story — is that it always stays grounded in something real. There's a real family there, kids, and the real community as well. So I love it when you see writing that just makes the small things come alive, because they are the ones that we just inherently use to create reference points to who we are all the time, and I love that kind of writing." On What Appeals to Odenkirk About Playing Characters Who Refuse to Get Knocked Down and Stay Down, and Are Determined to Bounce Back Up However They Can Bob: "Well, you can say that they're special people or they're indefatigable spirits, but I actually think that's actually pretty common. Most people I know don't quit until they're forced to. They kind of just don't quit. People don't quit. Sometimes I think people are limited by what they imagine they'd be capable of. And that limits them more than their spirit of fighting. I think most people fight pretty hard." On What's Satisfying and Gratifying for Nielsen About Portraying Formidable But Also Relatable Women Connie: "I think the most important thing is really showing normal people trying to address the enormous difficulties of living. There's just so much stuff that's hard to do. Family is hard. Relationships are hard. Jobs are hard. And just showing that, I think, at the same time as you're also entertaining, I think that makes people feel like they're seen — that their lives make sense, because everybody is going through that. So I think I really respond to writing where I see a real human struggle, and I also see indicators for where it becomes meaningful — like, that struggle has meaning." Nobody 2 opened in cinemas Down Under on Thursday, August 14, 2025.
