Summer in Sydney isn't really summer without catching some live music. But there is another truth that can get in the way of living out all your gig fantasies — and that's your budget. Between Christmas presents, end-of-year catch-ups and, you know, living, the ol' wallet takes a bit of a hit at this time of year. Good news, music lovers. For the second year in a row, Merivale is hosting See Sound, a summer-long festival of free (yes, free) gigs. Even better, every venue is also serving up $8 pints and $15 jugs of beer, thanks to See Sound partner Furphy. If you're hanging around the eastern suburbs, Coogee Pavilion Rooftop is where to go for funk and disco, and you can pop by the Royal Hotel in Bondi for rock 'n' roll. Meanwhile, inner west locals (and visitors) should make tracks to the Vic on the Park in Marrickville for indie and hip hop. Read on to find out what to expect.
According to Toronto-based Richard Smith, 'I have a laptop. It needs a case. So I make laptop sleeves.' Although a simple idea at heart, Richard's computer sleeves are nothing short of unique. Made from vintage sweaters and shirts, Computerwear repurposes unused and unappreciated clothing into suave, handmade laptop and iPad cases, transforming your gadget from an inanimate piece of technology into a proper gentleman. If you never leave home without your laptop or iPad, Computerwear will save your gear from the unwanted and unavoidable bumps and scratches of everyday life. Available on Richard's Etsy store, Finders&Keepers, the cases are machine-washable (unless otherwise noted) and dryer friendly, and make for a pretty dapper tech accessory at US$65.
Master sommelier Madeline Triffon describes Pinot Noir as 'sex in a glass', while winemaker Randy Ullom calls it 'the ultimate nirvana'. One of the most challenging grapes in the world of vinification, it's also one of the most surprising and rewarding. No wonder Bottle Shop Concepts — the good folk who brought Game of Rhones our way in June — are coming back to town with Pinot Palooza, an epic travelling wine festival celebrating all things Pinot Noir. For just one day, wine connoisseurs in Sydney, Melbourne and Brisbane will have the chance to sample more than 150 drops, direct from the Southern Hemisphere’s best producers. Think Ata Rangi, Yabby Lake, Bay of Fires, Rippon, Kooyong, Mount Difficulty — and that’s just the first few leaves on the vine. Whether you’re a newbie who wants to start with something light and inviting, or a Pinot pro ready for the biggest, most complex mouthful on the menu, there’ll be an abundance of selections at either end — and plenty along the spectrum, too. You’ll even be able to vote for your favourite and go in the draw to win some wine-driven prizes. If, at any point, you need to take a pause in your tasting adventures, you’ll be able to pop into the Alfa Romeo Lounge. There’ll be cosy places to sit and mull over your chosen Pinot, loads of food and the epic Burgundy Bar – a kind of Pinot Noir mecca where you’ll be able to sample bottles worth $150+ at affordable, by-the-glass prices. Expert sommeliers will also be on hand to help you make selections. What's more, those keen to fuel their brains (and not only their taste buds), can indulge in a 'Back Stage Pass'. It's a chance to partake in a master class with some of Australia's smartest wine educators and learn all about what's happening in Burgundy, France — Pinot Noir’s spiritual home. Pinot Palooza will hit Melbourne on Saturday, October 4 at St Kilda Town Hall, Sydney on Monday, October 6 at Carriageworks and Brisbane on Sunday, October 12 at Light Space. Tickets are $60, which includes tastings, a take-home Riedel 'Heart to Heart' Pinot Noir glass and the latest issue of Wine Companion magazine. You can buy tickets right here.
Does Bradley Cooper wish he worked in music, rather than cinema? If the Nightmare Alley and Guardians of the Galaxy Vol. 3 star's work as a director is any guide, perhaps. When he first jumped behind the camera just a few years back, it was for the latest take on A Star Is Born, in which he also cast himself as a rocker and sang with Lady Gaga. Now, he's following that up with Maestro, a biopic about famed American composer Leonard Bernstein. Yes, Cooper also plays the conductor, as well as helming — and co-writing the screenplay with Spotlight, The Post and First Man's Josh Singer. The focus isn't just on Bernstein's immense career, but also on his relationship with his Costa Rica-born actor wife Felicia Montealegre Cohn Bernstein. Slipping into the latter's shoes: Carey Mulligan (She Said). As the just-dropped first trailer for Maestro shows, audiences can look forward to Cooper picking up the baton, as well as a snapshot of all the acclaim that came Bernstein's way. There's certainly plenty to cover — seven Emmys, two Tonys, 16 Grammys, the music for West Side Story, and being considered one of the greatest conductors of all time all included. But scenes of the Bernstein making music magic aren't the main part of this first sneak peek. Instead, moments that navigate Leonard and Felicia's romance dance prominently through the teaser. Maestro hails from Netflix, with the film hitting the streaming service on December 20. Given that it's being poised as a prime awards contender for the 2024 Oscars, it'll also get a run in select cinemas from November 22, as the streaming platform tends to do with its starry end-of-year flicks. Before all of that, it'll premiere at the Venice International Film Festival in September. As well as Cooper and Mulligan, Maestro's cast includes Maya Hawke (Asteroid City), Matt Bomer (Magic Mike's Last Dance), Sarah Silverman (The Bob's Burgers Movie) and Michael Urie (Shrinking). And among the producers? Just a couple of folks who know a thing or two about grand, lavish filmmaking: Martin Scorsese (The Irishman) and Steven Spielberg (The Fabelmans). Check out the trailer for Maestro below: Maestro will release in select cinemas on November 22, and hit Netflix on December 20. Images: Jason McDonald/Netflix.
UPDATE, February 8, 2021: The White Tiger is available to stream via Netflix. Adapted from Aravind Adiga's 2008 Man Booker Prize-winning debut novel, The White Tiger shares an animal metaphor in its name. It works it into the story, obviously, and mentions it in dialogue as well. As a boy, after proudly demonstrating that his reading abilities eclipse those of his classmates in his poverty-stricken village, young Balram Halwai (Harshit Mahawar) is likened to the titular jungle cat by a teacher. He's "the rarest of animals that comes along once in a generation," he's told. That statement arrives within the movie's opening minutes and is meant to linger over the film, which it does. That said, another animal metaphor, also uttered early but pondering roosters and coops, truly cuts to this biting picture's core. Like poultry in a cage awaiting slaughter, India's poor are kept in their place as servants, explains Balram (Adarsh Gourav, Hostel Daze) as an adult. At the mercy of cruel and ruthless masters, the country's workers are well aware that they're being treated thoughtlessly at best, and watch on as everyone is stuck in an unending cycle of drudgery. But, ever-dutiful at every moment, they're unwilling to break free or even mildly defy their employers. That's the compliant life that Balram is supposed to lead, as he notes in the always-pacy, often-winking narration that drives this smart and savage thriller. Balram's existence does play out that way, too, at least for a time. He ingratiates his way into a driver position for Ashok (Bollywood star Rajkummar Rao) and Pinky (Baywatch's Priyanka Chopra Jonas), the American-educated son and New York-raised daughter-in-law of the rich landlord (Mahesh Manjrekar, Slumdog Millionaire) who owns his village and demands a third of all earnings from its residents. But The White Tiger starts with a car accident outside Delhi involving Balram, Ashok and Pinky, then unfurls in flashbacks from an unapologetic Balram in the future. As a result, it's immediately apparent that he won't always be kowtowing to those considered above him in his country's strict caste system. It's also instantly evident that his tale, as cheekily told via a letter penned to 2003–13 Chinese Premier Wen Jiabao, will take the audience on quite the wild journey. Balram's plan to work for the man who rules over his home stems from his burning ambition to enjoy a life far removed from his struggling childhood. So does his scheme to supplant the family's first driver, as well as his efforts to later forge his own path. When he is given the white tiger label as a kid, he is also advised that "any poor boy in any forgotten village can grow up to become Prime Minister of India". Politics isn't on his agenda, though. During his time with Ashok and Pinky, he starts thinking bigger. He doesn't just want to win "a million-rupee game show" either — the film's wink to fellow rags-to-riches saga Slumdog Millionaire. As viewers watch Balram evolve from an attentive servant to the self-made entrepreneur who unfurls the movie's twist-filled tale with a sense of mischievous glee — and a clear feeling of accomplishment, too — one truth haunts every moment: that the vast chasm between the wealthy and not-so has wide-reaching consequences, and not just those that the rich, powerful and blinkered foresee. The White Tiger's framing device is a little clumsy, and its overt, blackly comic observations about the well-off taking advantage of everyone they consider inferior definitely aren't new. Nonetheless, this is still a ferocious, compelling and entertaining film with something sharp and accurate to say, and an engaging way of conveying its central perspective. As long as the world remains beholden to the few at the expense of the many, eat the rich-style tales will never get old — Oscar-winner Parasite certainly felt anything but — and this one also skewers globalisation and its ramifications, especially as new technologies are supposed to be bringing everyone closer together. Thanks to 2005's Man Push Cart, 2007's Chop Shop and 2015's 99 Homes, Iranian American writer/director Ramin Bahrani is no stranger to street-level stories about everyday folks trying to survive and thrive under capitalism's boot, or to the twisted power dynamics that can ensue in society at large and in close quarters. Accordingly, he's a perfect fit for the material here. Whether he's focusing on a ponytailed, moustachioed Balram as he narrates away, or following the character from dusty shacks and crowded markets to the basements of Delhi's sky-high apartment blocks, Bahrani brings a constantly probing eye to Adiga's tale in both a storytelling and visual sense. (He's was also one of the author's college classmates.) Also ideal is Gourav, so much so that it's almost impossible to imagine the movie being as captivating without him, or as slick yet scathing. The actor is in excellent company, with Rao and Chopra Jonas each finding multiple layers in their characters' lives of privilege, and their eagerness to regard Balram as a friend while it suits — but, as a bright-eyed but still calculating young man trying to work his way up, and then as a cynical experienced hand who has seen much, endured more and knows how he wants the world to work, Gourav is electrifying. It's a performance that's bound to catapult him into other high-profile roles, and it's also the likeable and empathetic yet also hungry and slippery portrayal this rollercoaster ride of a story hinges upon. Or, to put it in Balram's words, Gourav plays his part as "straight and crooked, mocking and believing, sly and sincere, all at the same time", and it's never less than riveting. https://www.youtube.com/watch?v=35jJNyFuYKQ Top image: Tejinder Singh Khamkha/Netflix.
Australia has lost an icon, with news of Olivia Newton-John's death sadly announced on Tuesday, August 9. Across more than half a century in the entertainment industry, the British Australian singer and actor helped give the world everything from Grease to Xanadu — and songs such as 'I Honestly Love You' and 'Physical', too. There are plenty of ways to pay tribute to Newton-John. Singing 'You're the One That I Want' and 'Hopelessly Devoted to You' all day counts. Rewatching Grease for the billionth time does as well. And, so does getting 'Xanadu' or 'Magic' stuck in your head. Or, you can truly take the star's advice and get physical at Retrosweat's tribute sessions. The aerobics outfit is dedicating two sessions this week — its regular classes at 7pm on Tuesday, August 9 and at the same time on Thursday, August 11 — to the Aussie legend. Each one runs for 60 minutes, and dressing like you're stepping out of Newton-John's 'Physical' clip (or even wearing anything Grease or Xanadu-themed that doubles as workout attire) is recommended. Sydneysiders can head along at 242 Young Street in Waterloo on Tuesday — and 525 Crown Street in Surry Hills on Thursday. Fancy joining in at home or from outside of Sydney? Retrosweat livestreams its classes, including these two, if you join its Retrosweat Home Video service. In preparation for the classes — and just to bask in Newton-John's 80s-era glory — you can revisit the 'Physical' music video below:
What helps a formerly active person who has lost both their legs find the will to keep on living? It's rarely a guy like Ali (Matthias Schoenaerts), who fights in illegal bouts, hits his kid, kicks dogs, disrespects women, does dodgy things for cash and is all-round one of the least likeable characters to ever appear on screen. And yet the journey Stephanie (Marion Cotillard) goes on through him makes just enough sense to be believable — powerful, actually — in Jacques Audiard's feature film Rust and Bone. The film is quite a big departure from the source material, Canadian writer Craig Davidson's collection of short stories by the same name, and is in some ways even more brutal. Stephanie is an orca trainer at a Cote d'Azur equivalent of Sea World. One day, to the poetically dissonant backing of Katy Perry's 'Firework', a public performance goes wrong and Stephanie wakes in hospital to find her legs amputated. After weeks of depression, she calls Ali, a nightclub bouncer she met briefly before the accident and thought little of at the time. His company turns out to be relaxed and matter of fact; he does not handle her with kid gloves, and it's just what she needs to begin to figure out her new sense of self. When he starts out on his underground boxing career, she finds herself unexpectedly drawn in. Rust and Bone is an unsentimentally lyrical triumph, unexpected in every way from its narrative to its mise en scene. Cotillard is a sensation. Need it be said? This film about fighters packs a punch. We have 10 double passes to give away to see Rust and Bone. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. Read our full review of Rust and Bone here. https://youtube.com/watch?v=x3leZNzz6N8
"I do love this film." So advises Bob Odenkirk, exclaiming his fondness for Nobody 2 as soon as he starts chatting with Concrete Playground. As evident to everyone who sees the sequel to Nobody, that affection is already splashed across the screen. The same proved true in 2021, too, when the franchise's first movie initially gave its star a chance to switch up from leading one of TV's greatest-ever tragedies and series overall, aka Better Call Saul, with a jump into action mode. His task: playing Hutch Mansell, a seemingly ordinary suburban dad with a past that meant that he was never going to let gun-wielding thieves break into his home and upset his family life with his wife Becca (Connie Nielsen, Gladiator II) and their two children (Law & Order Toronto: Criminal Intent's Gage Munroe and Harland Manor's Paisley Cadorath) without making those responsible pay for it. The debut picture set Hutch against the Russian mafia, all to take care of his loved ones. That isn't Mr Show with Bob and David and Breaking Bad alum Odenkirk's IRL path at all, but elements of Nobody were indeed personal. The idea to begin with started with him in his prime Saul Goodman/Jimmy McGill/Gene Takovic days. And, as the Nobody 2 director Timo Tjahjanto (The Shadow Strays) explained back when the sequel's initial trailer dropped, "the first film is also sort of based on what happened to Bob in real life — the whole idea that he was confronting this thing that happened in his house, when somebody broke into his house. So he exorcised that sort of, I guess, trauma, by writing a script or writing a story." Four years later, with a movie that follows the Mansells on vacation to Plummerville — Hutch's dad David (Christopher Lloyd, Wednesday) included — this is still a action-flick saga with IRL connectioms for its lead. In his childhood, Odenkirk once went on a similar getaway. Again, the exact scenario that awaits Hutch isn't how its star's real life panned out; however, links to reality remain, including in exploring Plummerville's criminal element. Getting personal and relatable has always been baked into the Nobody films as well in a broader sense, given that both hone in on someone trying to do the best for their nearest and dearest. That's Hutch's emotional journey. Crucially for Nielsen, she tells us, the same applies to Becca. Nobody 2 kicks off pre-holiday, with Hutch working off his $30-million mob debt from the feature's predecessor, and barely spending time at home as a result. Becca isn't thrilled. Cue the trip, at Hutch's suggestion, to Plummerville's Wild Bill's Majestic Midway and Waterpark — a place with youthful memories for the film's protagonist. Of course, running afoul of the corrupt owner of the local theme park (John Ortiz, The Madness), a take-no-prisoners crime boss (Sharon Stone, The Flight Attendant) and underhanded law enforcement (with And Mrs' Colin Hanks as the sheriff) wasn't on anyone's dream vacation itinerary. Writing for Saturday Night Live, plus featuring in everything from Nebraska, Fargo, Little Women, Undone and Lucky Hank to The Bear and Glengarry Glen Ross on Broadway, are all on multiple Emmy-nominee Odenkirk's resume. Whether as Hutch in the Nobody films or as Jimmy-slash-Saul, he's been especially focused on bringing to life figures who refuse to get knocked down and stay down for over 15 years now, though — but that's a trait that he stresses he believes applies to everyone. Indeed, there's always a relatability-meets-wish fulfilment mix to Hutch, Becca and the situations they're in. Who can't relate to struggling with work-life balance, or their partner's lack thereof? Or a holiday not quite panning out the way you'd hoped and wanting to set that right? Or protecting those most important to you? Nobody 2 sees Nielsen on-trend in her own career. For the second time in less than a year, she's returning to a big-screen part. First came Lucilla in Gladiator II; now follows Becca. While both are formidable women, as she has played repeatedly across a career that started with screen roles in the 80s and also spans The Devil's Advocate, Rushmore, Brothers, Wonder Woman, Origin and plenty beyond, it is particularly satisfying and gratifying to portray someone who is meant to be an everywoman — as Hutch is an everyman — and who demonstrates that she too, like all women, can hold her own, she notes. Alongside digging into why Nobody 2 is personal, and its focus on family as well as everyday woes — amid and sometimes through the action setpieces — Odenkirk and Nielsen also chatted with us about the origins of all things Nobody, further fleshing out Becca's story in the sequel, tenacity and more. On Whether Odenkirk Was Keen to Find His Next Recurring Character Beyond Better Call Saul and Breaking Bad — and What He Was Looking For Bob: "I didn't really think on the grand scale that you've described to me. I was really thinking about how Better Call Saul, to my surprise, was pleasing people in countries around the world. I really was mystified initially that Better Call Saul played so well in Italy and Romania and Russia and even England — and everywhere. I actually asked a journalist in Europe 'how do you understand the show? Do you have lawyers like this?'. And they said 'well, we've seen a lot of American entertainment and we understand enough about American culture to understand who Saul is in his community, in his world'. And then I saw that it played in China, and it gave me the thought 'well, if I did an action film, that could play around the world, too' — because action is fairly simple and easy to follow. And the value or the kind of drive of the film is easy to relate to. So I asked my manager 'what about an action film?' — and I thought he'd laugh me off the phone, but he did not. He said 'I get what you're saying. That could work'." On Nielsen's Opportunity to Further Build and Flesh Out Becca Mansell in Nobody 2 Connie: "I think Bob is just such a generous writer. He just writes all these situations where the humanity of his wife is just so clear. There is a wisdom that he builds into Becca — and a zenness, like a knowingness, that I find so attractive about Becca. Becca is patient, but she's not long-suffering. The difference is huge. And she is critical but never blames, never uses blame. She holds him accountable for the sake of the family, for what's best for all of them, but not to control. So there's this wonderful way you can build a character, and I think that Bob just really writes that into Becca since day one. I remember the first time when I read the first script and the reason why I decided I wanted to do it, even though I knew that they wouldn't be developing Becca until the second installation — I just knew that I wanted to do it because there was this sensitive, beautiful scene of two people sleeping with a pillow in-between them. And they're both awake, and they just can't figure out how to how to ford that river between them. And I just thought that I've never seen that in an action movie, something as sensitive as that. And I just love that." On Nobody 2's Personal Ties for Odenkirk, as the First Nobody Also Sported Bob: "Nobody 2 is about a family going on vacation. When I was a kid, we went on two vacations: one to the Illinois State Fair and one to the Wisconsin Dells. And the Wisconsin Dells are just like Plummerville — or at least they were 35, well 45 years ago, when I went on vacation to them. They're mostly water-based. There's duck boats. There's a guy who owns all the attractions in town — just like Wyatt Martin, played by John Ortiz. Wisconsin is where Al Capone ran his booze through. He actually had a home there, in Lake Geneva, I believe. So all that stuff that The Barber [Colin Salmon, EastEnders] says to Hutch, 'used to be a bootlegging route' — that's true of this place where I used to go. All of that is true. The backroads of Wisconsin was where they ran alcohol up to Canada during prohibition, ran it out to the other states, ran it through to Wisconsin. So all that stuff is based on my memories of childhood — and also Derek Kolstad [John Wick], who wrote the movie, his memories. He grew up in Madison, Wisconsin, very close to the Wisconsin Dells. So yes, this movie too is connected to my personal experience." On Doing What's Best for Your Family Always Being at the Heart of the Nobody Films, Even as Action Movies Filled with Violence and Vengeance Connie: "It really is, and I think that that's what attracted me to the story — is that it always stays grounded in something real. There's a real family there, kids, and the real community as well. So I love it when you see writing that just makes the small things come alive, because they are the ones that we just inherently use to create reference points to who we are all the time, and I love that kind of writing." On What Appeals to Odenkirk About Playing Characters Who Refuse to Get Knocked Down and Stay Down, and Are Determined to Bounce Back Up However They Can Bob: "Well, you can say that they're special people or they're indefatigable spirits, but I actually think that's actually pretty common. Most people I know don't quit until they're forced to. They kind of just don't quit. People don't quit. Sometimes I think people are limited by what they imagine they'd be capable of. And that limits them more than their spirit of fighting. I think most people fight pretty hard." On What's Satisfying and Gratifying for Nielsen About Portraying Formidable But Also Relatable Women Connie: "I think the most important thing is really showing normal people trying to address the enormous difficulties of living. There's just so much stuff that's hard to do. Family is hard. Relationships are hard. Jobs are hard. And just showing that, I think, at the same time as you're also entertaining, I think that makes people feel like they're seen — that their lives make sense, because everybody is going through that. So I think I really respond to writing where I see a real human struggle, and I also see indicators for where it becomes meaningful — like, that struggle has meaning." Nobody 2 opened in cinemas Down Under on Thursday, August 14, 2025.
Unfortunately, it's not an unusual problem. You arrive at your destination, but your bag doesn't. For all the airline staff know, it could have been shuffled off to Zanzibar by now. Or maybe it never even left home. With 90,000 or so flights in the air every day, worldwide, its location could be anyone's guess. In an effort to decrease the frequency of the all-too-common mislaid luggage dilemma, British Airways, in conjunction with Densitron and UK-based creative agency Design Works, have come up with a digital solution. They're currently trialling electronic bag tags, which have the potential to replace the current paper-based system. After checking in, the ticket-holder can use a smartphone to send flight details to the tag (via an app). Then, rather than having to stand in lengthy queues, he or she can drop off his or her bag for scanning. Not only does the electronic bag tag promise to make the tracking of luggage easier, it also means more efficient check-in procedures. Plus, it's reusable. "[The e-tag] is more expensive, but ultimately it is re-usable — you would acquire and use it multiple times," Lewis Freeman, an industrial designer from Designworks told the BBC this week. "The life of the product is up to five years. I imagine the technology would move on faster than the tag would need replacing." If the tags prove to be successful, they'll be publicly available in 2014. [via Hypebeast]
If you're lucky enough to now be working from home, it probably means you have a little more time to make yourself breakfast in the morning. Instead of throwing a banana in your bag (never a good idea, really) or chugging a glass of Nippy's breakfast juice before running out the door, you can cook yourself some blueberry pancakes or scramble some eggs. Or, you can really take your brekkie to the next level with this new breakfast box. A collaboration between Australia's famous cultured butter maker Pepe Saya and arguably the country's best crumpets (don't @ us) Crumpets by Merna, the boxes are available for delivery to next-day delivery zones across NSW, Victoria and Queensland. Setting you back $35 a pop (plus a $20 flat rate for shipping), they come filled with a six-pack of golden crumpets, six 15-gram packets of Pepe Saya's lush butter, a pot of crème fraîche and a limited-edited, extremely lush topping. At the moment, you'll find boxes with lemon curd, strawberry jam, stewed rhubarb or Four Pillars marmalade, as well as chocolate crumpets, which the team describes describe as a cross between a crumpet and a chocolate brownie. But expect other flavours to drop regularly, too. If you're wondering just what exactly you'll be making with those ingredients, take a look at this: Yes, the mother of all breakfast crumpets. Hopefully this provides you with the motivation you need to roll out of bed and flip open your laptop on the couch. The new brekkie boxes are available to order on both the Pepe Saya and Crumpets by Merna websites, so, while you're there you can also tack on a six-pack of blueberry or vegan coconut crumpets ($15), perhaps, or a fancy butter knife. Plus, if you spend over $50 on either site, you'll get free shipping. Pepe Saya and Crumpets by Merna Breakfast Box is available for delivery in NSW, Victoria and Queensland. Order online via Pepe Saya or Crumpets by Merna.
Get ready for "the Super Bowl of stripping", Channing Tatum's latest excuse to get shirtless and the culmination of a franchise about male dancers chasing the American dream — and endeavouring to bring women pleasure — one scantily clad routine at a time. Magic Mike is back for another ride, and another stint onstage, too, courtesy of the the series' third and final flick Magic Mike's Last Dance. Initially confirmed back in November 2021, this threequel brings Tatum (The Lost City) as Mike Lane, the saga's consistent source of smooth, sultry and sweaty moves while wearing very little. As the just-dropped first trailer shows, this time around he's bartending to get by, and hiding that six-pack under the required garb, until he shows his latest love interest (Salma Hayek, House of Gucci) what he's really good at — and she convinces him to get back to what he loves. No, Ginuwine's 90s banger 'Pony' doesn't get another workout in Magic Mike's Last Dance's first sneak peek. Yes, there's another dose of art imitating life here, which has always been the Magic Mike franchise's remit. The initial 2012 hit took its cues from Tatum's own time stripping in Tampa, Florida before becoming a famous actor, and this flick nods to the fact that that movie and its 2015 sequel Magic Mike XXL spawned their own Tatum-produced live show. If you somehow missed the first movie a decade ago, it became one of 2012's most perceptive flicks. The Matthew McConaughey, Matt Bomer, Joe Manganiello and Alex Pettyfer-starring film unsurprisingly became a box-office success, too, with its combination of blue collar struggles and gyrating on-stage antics striking a chord to the tune of $167.2 million in takings. It was then followed by Magic Mike XXL, which did indeed manage to live up to its name — not merely by doubling down on what made the first movie such a success, but by also shrewdly recognising the power of the female gaze. Filmmaker Steven Soderbergh (Kimi, No Sudden Move) directed, shot and edited the initial movie, then just shot and edited the second; however, he's sitting back in the helmer's chair for Magic Mike's Last Dance. Also returning is screenwriter Reid Carolin, who has done the honours all the entire franchise so far. As for when you can see the Magic Mike series' last go-around, the bumping and grinding will arrive in cinemas Down Under in February. Savvily, it's timed just before Valentine's Day. Check out the first trailer for Magic Mike's Last Dance below: Magic Mike's Last Dance will release in cinemas Down Under on February 9, 2023.
Can't make it to Venice any time soon? Don't worry — a taste of the Italian city is coming to Australia. At the beginning of every year, the canal-heavy locale erupts into a colourful festival complete with elaborate costumes and masks. It's a tradition dating back to the 12th century, and it's making its first trip to our shores. The Carnevale Australia Masquerade Ball will brighten up The Peninsula at Docklands on February 11, 2017, asking attendees to don their fanciest threads and best facial covering in the name of the most appropriate theme imaginable in mid February: amore, or love. Indeed, the event certainly plans to share plenty of affection, and not just through its elaborate theming and food. The ball will also include a live silent auction, with proceeds going towards earthquake victims in the Italian village of Amatrice. If that sounds like your kind of shindig (and who doesn't want to dress up, party and pretend they're in Venice?), be prepared: masks are mandatory, and with tickets starting at $450, your masquerade fun doesn't come cheap. In good news for anyone that doesn't have that kind of spare cash, it's also a taster for things to come, with the ball acting as a launch event for Carnevale Australia's full two-week celebration, slated to be held in late October / early November 2017. The Carnevale Australia Masquerade Ball takes place on February 11, 2017 at The Peninsula, Docklands. For more information and to buy tickets, visit the event website and Facebook page. Image: L G.
It hasn't been the greatest couple of years for dining out at fancy restaurants. But, when it comes to the World's 50 Best restaurant awards, the show must go on. After a COVID-driven break last year, the prestigious awards have named their 2021 picks for the greatest restaurants in the world. Taking out this year's top spot was the newest incarnation of Denmark's Noma, led by renowned chef René Redzepi. While no Aussie venues claimed a position among 2021's 50 Best list, two Victorian restaurants secured spots in the 51–100 lineup. Dan Hunter's Brae placed 57th — up from its 2019 ranking of 101 — and Ben Shewry's Ripponlea fine diner Attica came in at number 97, shuffling slightly from its previous position at 84. Both have been regular contenders in the awards for the past few years. [caption id="attachment_616539" align="alignnone" width="1920"] Dan Hunter and Ben Shewry[/caption] The 2021 World's 50 Best awards were unveiled at a glitzy ceremony held overnight in Antwerp, with the 51–100 lineup announced a couple of weeks earlier, on September 23. Coming in second place was another famed Danish diner, Geranium, while Spain's Asador Etxebarri retained its 2019 title of third best restaurant in the world. If you're planning any future overseas adventures based entirely around food, you'll be interested to know that both the USA and Spain cleaned up in this year's rankings, each with six restaurants earning spots among the top 50. Running annually since 2002, the World's 50 Best awards are chosen by a panel of over 1000 culinary experts, guided by a strict voting procedure. They're now hosted by a different country each year, with Melbourne playing host city back in 2017. Check out the full list of The World's 50 Best award-winners for 2021 over here. Top Images: Colin Page, from the cookbook 'Brae: Recipes and stories from the restaurant'.
This is not your average boat cruise. Chefs on the Harbour: The Vivid Edition is altogether more unique and luxe than anything else out there. For this year's Vivid Sydney festival, a series of famous chefs will take turns running an opulent superyacht's kitchen, serving up unique culinary creations as they cruise around the iconic Sydney Harbour. Local food lovers are all invited to join the five-course degustation dinners aboard The Jackson. The events are each on a Saturday night. Take to the waters on May 27, June 3, June 10 or June 17 to try one of these totally unique dining experiences. Each evening sees a different chef run the pass, with Nelly Robinson, Khanh Ong and Mark Olive already locked in. The final chef to round out this star-studded lineup will be announced soon, too. Keep an eye on The Jackson website for announcements. Nelly Robinson is known for his avant-garde and often kooky degustation menus — prepare for unbridled creativity on his night. Khanh Ong is loved for his infectiously upbeat personality and contemporary Asian cooking. Ong's menu will celebrate family feels and vibrant Vietnamese flavours. And Mark Olive — also known as the Black Olive — is a famous Aboriginal Australian chef who champions native ingredients. Olive will excite tastebuds and educate diners with his own five-course degustation, explaining the nutritional and medicinal properties found in many of these culturally significant native Australian ingredients. Tickets cost $399 per person and include a 3.5-hour beverage package featuring a Belvedere cocktail upon arrival, Tyrell's wines, Young Henrys beer and a heap of non-alcoholic options. But Chefs on the Harbour: The Vivid Edition isn't only about spectacular food, drinks and views. As it is a part of Vivid Sydney, The Jackson crew has joint forces with Fernando Barraza, the Creative Director of Cirkus Bizurkus, to take it all to the next level. Prepare for light shows, art installations, roaming entertainers, red carpet violinists and so much more. If you love fine food, experiential art experiences and fabulous views, you best consider adding Chefs on the Harbour: The Vivid Edition to your list of must-book Vivid Sydney events. Head to The Jackson's website to purchase tickets to Chefs on the Harbour: The Vivid Edition before they sell out.
Heads up, Mother's Day is just one week away. Yep, you can pucker up on our tootsies later. But there's pressie planning afoot, and we've found quite the showstopper for your dear ol' Mumsie this year thanks to Gelato Messina. Never one to miss an opportunity to experiment with new ways to inhale gelato, Messina have been cooking up quite the delicate novelty dessert for Mum: a Italian-inspired chocolate box of gelato-filled nibbles. Each box comes with 12 handmade chocolate and gelato bon bons; best enjoyed with opera blaring in the background, with a strong, black cup of coffee and a shoulder massage. Go on, your mum put up with you through puberty, you owe her one massage. So which crazy tell-your-friends flavours have Messina come up with for their bitty bon bons? There's six in total, each more decadent than the last: blood peach sorbet with rosewater gel, roasted banana gelato with white chocolate ganache, mandarin puree with salted butter caramel gelato, hazelnut and coffee gelato with roasted hazelnuts, wild strawberry sorbet with pistachio praline and (wait for it) shiraz sorbet with dark chocolate ganache and popping candy. If you can find us something that says 'perfect Mother's Day gift' better than shiraz sorbet bon bons, we'll eat this empty bon bon box. The Messina chocolate and gelato bon bon boxes are going for $39 a box (with a cute little card), available to order from Monday, May 4. They're available for collection from May 8-10 from Darlinghurst, Miranda and Parramatta stores in Sydney, as well as the Fitzroy and Coolangatta stores.
Each summer, the Aunty team unleashes the Meredith Music Festival, with 2023's fest on its way in December with Kraftwerk, Caroline Polachek, Alvvays, Alex G and more. Each autumn, it's Golden Plains time at the same Victorian spot — and while the lineup isn't here yet, the ballot for tickets has just opened. Music lovers, 2024's pilgrimage to the Meredith Supernatural Amphitheatre to dance among the autumn leaves will take place from Saturday, March 9–Monday, March 11, 2024. So, mark those dates in your diaries ASAP. Then, go enter the just-launched ticket ballot right this second. This round of Golden Plains will mark the fest's sweet 16th — and if you're wondering what's in store, the Aunty team has provided an evocative description, as usual. "A sublime time in the greatest of outdoors. All singing, all dancing, all afloat in the primordial Sup'. Come as you fancy," the team advised. "Still waters run deep. Enhancement over advancement. Same size, same shape with no commercial sponsors, free range camping, BYO, the No D‑‑‑head Policy, and One Stage Fits All The Golden Treasures," the Aunty gang continued. The online ballot for Golden Plains 2024 will remain open until 10.16pm AEDT on Monday, October 16, which means that clicking ASAP is recommended. Catering to 12,000 punters each year across three days and two nights, the fest has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. And, like Meredith Music Festival, its sibling, Golden Plains is also known for the Aunty crew's star-studded bills. There's no signs of that lineup just yet, but watch this space — in past years, including in 2023 when Bikini Kill, Carly Rae Jepsen, Soul II Soul and Four Tet led the bill, it has been announced in October. Golden Plains will return to the Meredith Supernatural Amphitheatre from Saturday, March 9–Monday, March 11, 2024. Head to the festival's website for further details, or to enter the ballot before 10.16pm AEDT on Monday, October 16. Images: Benjamin Fletcher / Suzanne Phoenix / Theresa Harrison / Steve Benn.
What will start Together, then end with Splitsville? The annual midyear cinema celebration that is Sydney Film Festival in 2025. Title-wise, the event's opening and closing picks couldn't be more fitting for a fest that amasses movie lovers for 12 days to feast on as many flicks as they can, then gets everyone saying farewell until the next year. While Together was announced back in April, Splitsville has only just now joined the SFF program. Accordingly, when it comes time to say goodbye for 2025 on Sunday, June 15 — with the festival kicking off on Wednesday, June 4 — audiences will be catching the Australian premiere of a Dakota Johnson (Madame Web)-starring relationship comedy. Splitsville heads to the Harbour City direct from Cannes, where it debuted. Johnson plays Julie, who is in an open marriage with Paul (Michael Angelo Covino, Notice to Quit), news of which comes as a surprise to the film's protagonist Carey (Kyle Marvin, WeCrashed) when his own wife Ashley (Adria Arjona, Andor) asks for a divorce. Covino also directs, and co-wrote Splitsville with Marvin, reteaming after The Climb. Among its cast, Succession's Nicholas Braun and The Handmaid's Tale's O-T Fagbenle feature as well. The film's gala closing-night screening will span SFF's annual award ceremony, as is the case every year, anointing 2025's Sydney Film Prize winner, shorts award winners and other gongs. "We are delighted to close the 72nd Sydney Film Festival with the Australian Premiere of Splitsville. Michael Angelo Covino delivers a witty and well-crafted comedy with outstanding performances from a brilliant ensemble cast. We always want audiences to leave the cinema feeling like they've had a great time, so this is a joyous and fitting way to conclude this year's festival," said SFF Festival Director Nashen Moodley, announcing 2025's closing film. [caption id="attachment_938017" align="alignnone" width="1920"] Tim Levy[/caption] SFF's program for this year just keeps growing, after Vivid collaborations, including with music icon Warren Ellis, were revealed in March — and then a bunch of titles were announced at the beginning of April. After that came news of its Jafar Panahi retrospective, a prescient pick given that the Iranian filmmaker has since won the 2025 Palme D'or at Cannes, plus word of Together's opening-night slot. The bulk of the full program arrived to kick off May, followed by adding Free Solo filmmaker Jimmy Chin chatting about his work, DEATH STRANDING and Metal Gear Solid creator Hideo Kojima in-conversation with Mad Max and Furiosa director George Miller, and the Australian premiere of Ari Aster's Eddington. Sydney Film Festival 2025 takes place from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website.
One of the world's most iconic paintings is coming to Australia, as part of a cultural exchange with the Musee d'Orsay in Paris. Painted by James McNeill Whistler in 1871, Portrait of the artist's mother, otherwise known as Arrangement in grey and black no. 1 or more commonly as Whistler's Mother, will be displayed at the National Gallery of Victoria in Melbourne, forming the centrepiece of an exhibition about the painting's social and historical impact. "Alongside Da Vinci's Mona Lisa and Munch's The Scream sits Whistler's Portrait of the artist's mother as one of a handful of artworks which enjoy universal recognition and admiration," said NGV Director Tony Ellwood in a statement that accompanied the announcement. The exhibition will mark the first time the painting has travelled to Australia. In return, the NGV will loan the Musee d'Orsay Pierre Bonnard's 1900 work Siesta. The NGV exhibition, which will run from March 25 until June 19, will aim to explore Whistler's iconic work from a number of different perspectives, chronicling its initially poor reception at the Royal Academy in London, its rise in popularity over the subsequent decades, and its influence on countless prominent artists including many here in Australia. It will also delve into the life of both the artist and his mother, Anna, who is depicted in the painting. The gallery has produced a short film about the significance of the work, and will also present a number of related public programs including a floor talk series and an illustrated panel discussion. Just whatever you do, when you're visiting the exhibition... try not to sneeze. https://www.youtube.com/watch?v=rWqVoaYxgRs Whistler's Mother will be on display at the NGV from March 25 – June 19. For more information, go here. Updated: Thursday, March 24, 2016. Image: Brooke Holm.
Clearing out your wardrobe, sifting through your old clothing and making a pile to give to a new home rank among life's necessary but often overlooked tasks. It's also an easy process to get just partway through — pulling unloved shirts off their hangers and bagging up a heap of your old outfits to donate to charity, but then letting said bag sit in your hallway for months and months. Sound familiar? If you have the enthusiasm to gift your pre-loved clothing to a new home, but never quite get around to dropping off your old pieces for whatever reason, then you might be interested in The Iconic's new donation scheme. Called Giving Made Easy, it's an extension of the online retailer's free returns mechanism. Just print out a pre-paid shipping label from the company's website, pop it on a box or satchel filled with clothes that you're never going to wear again, then take it to an Australia Post box or office. Obviously, it still involves you actually moving your pile of unwanted clothes out of your house — but even if you never manage to make it to a Salvation Army or St Vincent's store or bin, you're never too far away from a post box. Once posted, your old threads will be sent to the Salvos to sell in their 330 shops across the country, which raise money to assist folks dealing with homelessness, addiction, domestic violence and emergency situations. To nab a label, you will need to have an active account with The Iconic. Once you've done that and printed out the label, you can stick it on any box or satchel you choose. And if you're a customer with one of the company's delivery satchels in your possession after your last order, you can also use that to send in your pre-loved pieces. The initiative is part of The Iconic's efforts to help reduce textile waste, with around 6000 kilograms of fabric and clothing ending up in Aussie landfill every ten minutes. As always when you're donating pre-worn clothes, pieces will need to be in good condition. If you'd happily give it to a friend as it is, then it's okay to give it to the Salvos. The charity is accepting dresses, tops, t-shirts, singlets, skirts, pants, shorts, jeans, coats, jackets, jumpsuits, playsuits, sweats, hoodies, jumpers, cardigans, suits, blazers, shirts, polos and activewear, as well as footwear and shoes. Used underwear, socks and hosiery won't be taken, nor anything that's damaged. To find out more about The Iconic's Giving Made Easy scheme — or to download a pre-paid shipping label — visit the online retailer's website. Top image: The Iconic.
Steam Mill Lane nabbed another good'un when Edition Coffee Roasters opened its second location in the foodie precinct this June. And it's a good thing, considering the recent announcement that the original will close in Darlinghurst location this October. Edition Haymarket has a similar minimalist vibe to the Darlinghurst digs, but is otherwise a stark departure from the original. Haymarket takes note from its surroundings and focuses on Japanese design to match its cuisine — it's meant to emulate a traditional Japanese-style farm house. While Darlinghurst was more bright and airy, Haymarket has a much darker colour palette with charred and exposed beams, a gray-blue concrete bar with stone tiles and textured walls. The seasonal menu carries across the cafe's signature Japanese-meets-Scandinavian flare, though this time it has a deeper focus on the former, thanks to Japanese-born head chef Shinichi Hasegawa (Bentley, Icebergs). There's a lot of Japanese representation in the team, actually. "I have a Japanese army over here," says owner Daniel Jackson. "[There's also] store manager Cana Terasawa, who has been in the coffee industry for years, [and] our head roaster Taku Kimura, who will be running the coffee section. We have scored some new up and coming chefs for the kitchen, too." Many of the Darlinghurst cafe's cult favourites have already made their way to Haymarket, including the famous soufflé pancake topped with berry compote. New dishes have a bit of a fine-dining lean — something not common in cafes — with the likes of grilled king prawns with shellfish butter and charred lemon. In case you haven't noticed, this team really likes to char veggies. More casual lunch dishes include the udon noodle bowl with pipis, egg yolk and XO sauce, pork katsu breakfast rolls and a Japanese twist on skagen (Swedish prawns on toast) with pepper prawns, apple, radish and yuzu on rye crisps. And you can, of course, expect the brand's top-notch cuppas all day, too. As for the the Darlinghurst closure, it's a bitter-sweet goodbye for patrons and owners alike. "With the lease coming up for renewal soon, it was the right time," says Jackson. "Of course we are sad to see it go. It's where Edition started. But its time to move on to bigger and better things." Images: Trent van der Jagt
Whether you missed out on a Splendour ticket or are gearing up to see your fave acts twice, you'd better be quick if you want to get your mitts on some sideshow tix. Splendour has made its final gig announcements and sales to the general public kick off at 9am sharp on Wednesday, 27 April. In other words, right now. All up, eleven official shows are planned, mainly in Sydney and Melbourne (but there are a few locked in for Adelaide and Perth too). You'll be able to catch James Blake, who exploded onto global stages at the wee age of 22 with he debut EP CMYK and is now working on his third album, Radio Silence. For some post-hardcore action, you'll want a spot booked for when Texan titans At The Drive-In hit town. It was 16 years ago that Relationship of Command was released and these gigs are the band's first since 2012. You might well want to spend some time at the arenas (Sydney Olympic Park and Hisense Arena) finding out why The 1975 is one of the world's most sought after acts. Their second album I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It surmounted its extraordinarily cheesy title to top the ARIA and iTunes charts and secured the band gigs all over the place, from Coachella to Glastonbury. Next up is Jake Bugg, who became the youngest ever bloke to enter the UK charts at number one back in 2012 when he was just 18 — and four years later, is three albums into his career, with On My One due for release on June 17. Just lately, he's been on the road with Mumford & Sons. For some super smooth electro anthems, go see London-based Jack Garratt. This is the kind of guy you want to take camping with you – not only can he sing (in an incredible falsetto), he can also write, record, produce and play several instruments. You'll want your whistling skills handy for this next one. Peter, Bjorn and John (they're a Swedish trio, if you hadn't guessed), are responsible for one of 2006's catchiest tunes, 'Young Folks' and, in April 2015, they made a come back with 'High Up (Take Me To The Top)'. And for an escape from today's ubiquitous pop and electro, save your money for Mark Lanegan. He's 50 years of age and has been involved in the recording of just as many albums, nine of which are studio solo creations. You might well know him better as the front man of '90s rockers Screaming Trees. He brings his epic, Nick Cave-esque baritone to penetrating lyrics and bluesy melodies. So hop to it. SPLENDOUR 2016 SIDESHOWS James Blake SYDNEY: Tuesday, July 26, Hordern Pavilion MELBOURNE: Wednesday, July 27, Margaret Court Arena At The Drive-In SYDNEY: Sunday, July 24, Enmore Theatre MELBOURNE: Friday, July 22, The Forum The 1975 SYDNEY: Saturday, July 23, Sydney Olympic Park MELBOURNE: Sunday, July 24, Hisense Arena Jake Bugg w/ Blossoms SYDNEY: Tuesday, July 26, State Theatre MELBOURNE: Wednesday, July 27, Palais Theatre Jack Garratt w/ Kacy Hill SYDNEY: Thursday, July 21, Metro Theatre MELBOURNE: Wednesday, July 20, 170 Russell Peter, Bjorn & John SYDNEY: Wednesday, July 20, Metro Theatre MELBOURNE: Thursday, July 21, The Corner Hotel Mark Lanegan Band SYDNEY: Saturday, July 23, Factory Theatre MELBOURNE: Friday, July 22, Croxton Bandroom Beach Slang / Spring King SYDNEY: Wednesday, July 20, Oxford Arts Factory MELBOURNE: Sunday, July 24, The Corner Hotel For the full list of sideshows and to book tickets, visit secretsoundstouring.com.
Of all the things that Kristen Stewart can teach us, what it's like to shout into the void — what we expect to happen, why we do it, and the simple fact that we do it — might be the most surprising. Welcome to Personal Shopper, a ghost film haunted several times over, and haunting in just as many ways. Reuniting Stewart with her Clouds of Sils Maria director Olivier Assayas, this is a movie that takes full advantage of the actress' minimalist acting style. The former Twilight star is known, and has often been lambasted, for seeming distant and fidgety in her on-screen interactions. But in an age when most people spend hours staring at their iPhones waiting for three grey iMessage dots to turn into a connection, aren't we all guilty of the same thing? Here, Stewart is well and truly one of us – distracted and disconnected, glued to her phone, waiting and wondering what comes next. Her character Maureen, a medium who works as the assistant to a celebrity starlet, spends much of the movie texting back and forth with a mysterious unknown number, answering probing questions and slowly revealing her secrets. At the same time, she tries to reach out to her recently deceased twin, who died of a congenital heart defect that she's afflicted with as well. With everything from the not-quite-vampire flick Irma Vep, to the complex crime biopic Carlos, to the melancholy student drama After May on his extensive resume, writer-director Assayas is a master filmmaker attuned to the subtleties and ambiguities of life. Still, no matter how well shot, paced and structured his latest film may be, it'd be a shadow of itself without its lead actress. Stewart is perfectly cast in a role that Assayas wrote specifically for her. Her relatable blend of awkwardness and yearning, as she tackles the existential malaise that spooks us all, is the main reason the movie works so well. Personal Shopper is a moody, enigmatic horror flick; a spine-chiller that unfolds one text at a time. But that's not all it is. It's also a recognisable portrait of how difficult it is to stomach mundane daily tasks when you're grieving, even when you're working in a seemingly glamorous job. It shows what everyday communication is really like, without resorting to cutesy ways of throwing text messages around the screen. Finally, it contrasts physical mortality with the eternal virtual realm. Blend all that together and you're left watching an immersive, intriguing film that demonstrates how modern life has become a conversation with ghosts of the digital variety. That's what a truly contemporary scarefest is really all about. https://www.youtube.com/watch?v=dSqMpkGOW9g
Your mates at Concrete Playground know how much you guys love Nutella. Sydney went nuts over those damn Tella Ball milkshakes, Melbourne eats so much of the stuff they caused a temporary nation-wide shortage back in 2015, and Australia lost its collective shit when, last year, a toaster-shaped Nutella food truck started rolling around the country. Long story short, the food truck will be hitting the road again this month, this time embarking on a road trip from Sydney to the Sunshine Coast. We figured you'd want to hear about it — especially since all the goodies on board will be free. Alistair Fogg, the man behind Sydney's Nighthawk Diner, must have had excess Nutella lying around, because he's once again devised the menu for the food truck. This time, he'll be drizzling Nutella on crumpets, pancakes, granola, bagels, egg waffles and, most interestingly, smashed sweet potato on brioche. And, yes, it's all free — although there is a limit of only one item per customer per day, unfortunately. The 12-stop road trip begins in Sydney's Henry Deane Plaza in Haymarket on Thursday, June 22, before heading to Manly Wharf on Friday, June 23 and Penrith's Tench Reserve on Saturday, June 24. From there the truck will head up to the Central Coast, through Newcastle, Coffs Harbour, Byron Bay and the Gold Coast before pulling up in Brisbane's Reddacliff Place on Monday, July 3. It will round out the trip in on the Sunshine Coast the day after. Find the complete list of dates, times and locations for the Nutella Road Trip at their website.
Nestled in amongst the shops and cafes of Marrickville Road, a small bar jostles with local patrons that spill out onto the pavement, while live local acts fill the air with music. Welcome to Gasoline Pony. A small bar setting the standard for the area, the Pony features an impressive selection of natural wines, cocktails and craft beer paired up with hearty bar food and live music. Couldn't get much better than that right? Wrong. It continues to impress with its smart, compact courtyard out the back of the busy main bar. Simple wooden furniture offers a chilled out, low-lit space to relax over a few drinks, before heading in to check out the bands. Perfect spot for a mid-week drink with friends and a great spot for a casual date. Images: supplied.
Twisted true tales getting the TV treatment: that's 2022 in a nutshell. The trend isn't confined to this year alone, it won't go away once December 31 hits, and it isn't new or a passing fad; however, the list of crime dramas based on IRL events has just kept growing in recent months. From Pam & Tommy to Inventing Anna, and The Dropout through to The Girl From Plainville and The Staircase, one case after another has been filling streaming queues — and that's just to name a few such shows. Still, even with such a hefty roster reaching screens of late, Black Bird grabs attention. It also boasts an immediately compelling premise: the quest to get a serial killer to confess to his crimes to ensure that he'll never be released from prison. Now available to stream in full via Apple TV+, the six-episode miniseries focuses on Jimmy Keene (Taron Egerton, Rocketman), a former star high-school footballer turned drug dealer. A charmer — with women and in his illicit line of work alike — he's happy in his narcotics-financed life, even if facing hairy situations comes with the territory. But that all crumbles when he's arrested in a sting, and has zero chance of escaping jail time. Offered a plea bargain with the promise of a five-year sentence (four with parole) by prosecutor Edmund Beaumont (Robert Wisdom, Barry), he takes the deal on the advice of his former cop dad Big Jim (the late Ray Liotta, The Many Saints of Newark), but ends up getting ten anyway. Seven months afterwards, still fuming at Beaumont and worried about Big Jim's ailing health, Keene is given the opportunity to go free. The catch: as put to him by FBI agent Lauren McCauley (Sepideh Moafi, The Killing of Two Lovers), he needs to transfer to a different maximum-security prison out of state, where the most vicious and violent are held, and where hellish conditions await. While there, he'll have to befriend suspected kidnapper and murderer Larry Hall (Paul Walter Hauser, Cruella), an avid civil war reenactment attendee. Hall is accused of abducting, raping and killing up to 14 girls young teenage girls, possibly more, and Keene's job is to get him to reveal where he's buried his victims' bodies. The first instalment of Black Bird is unsurprisingly instantly gripping, charting Keene's downfall, the out-of-ordinary situation put to him and the police investigation into one Hall's suspected victims. When Jessica Roach (debutant Laney Stiebing) is found dead, Vermilion County sheriff's investigator Brian Miller (Greg Kinnear, Crisis) tracks the clues to the man considered a harmless weirdo by those who know him — and given that includes local law enforcement in Hall's own hometown, the cop's intuition is dismissed. The slow-spoken, sideburn-sporting person of interest, and grave-digger's son, also has a history of confessing to murders, then routinely recanting and proving unreliable. Accordingly, Hall is labelled an attention-seeking serial confessor, but Miller isn't convinced that's all there is to his story. Black Bird takes its tale from Keene's autobiographical novel In with the Devil: a Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption, making two things plain from the outset for those who don't know the tale. Clearly, he'll have to get to the point where there's a memoir to write — and he'll have to be alive to do so. But that doesn't make the series any less compelling, tense or chilling; in fact, the wild and riveting details just keep on coming in each episode. With Dennis Lehane, author of Gone Baby Gone, Mystic River and Shutter Island, as its behind-the-scenes driving force, Black Bird dives deep into its complicated scenario as Keene starts to truly realise that his own life and freedom aren't the most important things at stake. A prison drama, a catch-a-killer game of cat and mouse, a psychological thriller, a redemption journey: Black Bird ticks all of these boxes. As Keene strikes up a tentative friendship with the reluctant Hall, the series also features a sadistic guard (Joe Williamson, All Rise) extorting Keene for cash under threat of blowing his cover, plus a mafia old-timer (Tony Amendola, Father Stu) with his own veiled threats — and Miller and McCauley's continued investigations, especially after one of Hall's appeals is granted. It covers Hall's relationship with his handsome twin brother Gary (Jake McLaughlin, Quantico) as well, and Big Jim's guilt over failing to stop Jimmy ending up behind bars, which compounds his health woes. These all add emotion and detail, but if Lehane had solely focused Black Bird's grey-hued frames on its two central inmates, the series wouldn't have been any less powerful. At its core, this is an intense two-hander about two men laying bare their true natures in thorny, anxiety-dripping back and forths, and Keene learning the cost of getting his life back in the process. In a weighty acting showcase, the look on Egerton's face frequently says it all in; Keene will always have to live with what he discovers from Larry, with crimes like these impossible to forget. 2022 marks a decade since Egerton's first on-screen credit as a then-23 year old, and he's rarely been out of the cinematic spotlight since — but Black Bird is his most mature performance yet. The confidence that's so crucial to his work in the Kingsman movies dissipates the further that Keene is plunged into a nightmare. The adaptability that worked so well for Egerton as he hopped through Eddie the Eagle, Robin Hood and Rocketman also comes in handy. It's a multi-faceted turn, and it's fantastic. Black Bird is home to excellent performances all round, each one proving pivotal. Liotta makes a firm imprint as Big Jim, and is particularly heartbreaking to watch after the actor's sudden passing in May. Hauser's menacing efforts won't ever be forgotten, either — and ranks among the great on-screen serial killer portrayals. That too is a packed field, but from the sluggish, wheezy voice through to the distinctive casual-yet-taught body language, his time as Hall is that unnerving, that raw, and that eerily extraordinary. If you were to come across the actor in-character after watching the series, you'd want to run the other way. That, and feeling echoes of Mindhunter as well, couldn't be more of a compliment. Check out the trailer for Black Bird below: Black Bird streams via Apple TV+.
We're calling it: this summer is the summer of fresh and fruity cocktails in the backyard with as many mates as possible. Nothing is going to ruin the gin-filled summer we know we deserve — not even La Niña. To celebrate the warmer months, we've teamed up with Whitley Neill Gin to bring you five original cocktail recipes that go well beyond your usual G&T. For the uninitiated, Whitley Neill Gin produces handcrafted artisanal gin from the first gin distillery in London, dating back 200 years — and it's still the only gin distillery in London today. Of course, it's got a London Dry gin, but it's also known for its innovative flavoured gins which take cocktails to new heights. So dust off your cocktail shaker, make a spread of your favourite cheeses and call your mates for an afternoon sip session. [caption id="attachment_838645" align="alignnone" width="1920"] Paul Liddle[/caption] MELON PATCH Serves one If you like your cocktails packed with real fruit and with a slight herby twist, the Melon Patch will be right up your alley. This take on a classic G&T features the Whitley Neill Original London Dry Gin which, with its rich juniper notes, citrus and exotic botanicals, pairs well with the fresh watermelon chunks and mint. It's bound to be a winner after a long day at the beach, when your guests roll in sandy-footed and sun-kissed. Ingredients: 30ml Whitley Neill Original London Dry Gin 3 watermelon chunks 120ml Strangelove Coastal Tonic Water Basil Ice (crushed) Method: Add watermelon pieces and gin into the bottom of a tall glass. Add tonic water and top with crushed ice. Garnish with basil. [caption id="attachment_838646" align="alignnone" width="1920"] Paul Liddle[/caption] BRUNCH MARTINI Serves one Think martini, but fit for brunchtime. In this concoction, the grapefruit gin, tonic and lemon complement each other to make a perfectly sweet and zingy cocktail. And there's a dollop of marmalade, which is an interesting addition to impress your pals. Whether a hair-of-the-dog or a summery concoction to start a long lunch, this one will go down a treat. Ingredients: 30ml Whitley Neill Pink Grapefruit Gin 15ml pink grapefruit juice 15ml lemon juice 1 barspoon (or teaspoon) of marmalade 30ml Fever-Tree Aromatic Tonic Ice Method: Shake gin, both juices and marmalade together over ice. Add 30ml Fever-Tree Aromatic Tonic Water to shaker — but don't shake again. Then, simply strain into a cocktail glass. [caption id="attachment_838648" align="alignnone" width="1920"] Paul Liddle[/caption] POMME SPRITZ Serves one It's a universal truth that spritzes are the go-to balmy weather drink. This one features the Whitley Neill Quince Gin, which has a distinctive flavour that's a real winner. Pair that with a dash of cloudy apple juice and a good pour of prosecco for a fun, bubbly finish. Ingredients: 45ml Whitley Neill Quince Gin 60ml Strangelove pear soda 30ml cloudy apple juice 60ml prosecco 3 thin apple slices Cucumber ribbon Ice Method: Build all ingredients over ice in a highball or balloon glass, then garnish with green apple and cucumber. [caption id="attachment_838649" align="alignnone" width="1920"] Paul Liddle[/caption] CRIMSON COCO COOLER Group serve Serve a jug of this cooler on those sticky summer days when the only activity you can carry out without breaking a sweat is walking from pool to freezer. Refreshing coconut water and fizzy cranberry soda make it the perfect arvo cocktail. Plus, it's ridiculously easy to make — just chuck all the ingredients in a carafe with some ice, give it a quick stir and you're good to go. Ingredients: 120ml Whitley Neill Raspberry Gin 250ml Capi cranberry soda 360ml coconut water 30ml lime juice Raspberries (to garnish) Lemon (to garnish) Cucumber (to garnish) Mint (to garnish) Ice Method: Add gin, cranberry soda, coconut water and lime juice into a carafe and fill with ice. Stir to combine. Garnish with raspberries, lemon wheels, cucumber wheels and mint. [caption id="attachment_838650" align="alignnone" width="1920"] Paul Liddle[/caption] ALL SEASONS Group serve This is a drink for those who like their cocktails fresh, fizzy and sweet. It's also perfect when for when you've got your mates over and you need to look impressive while maintaining conversation and effortlessly whipping up a jug of something. If you really want to impress, make sure you have some edible flowers on hand to garnish. Ingredients: 180ml Whitley Neill Rhubarb and Ginger Gin 200ml mango nectar 300ml Strangelove mandarin soda 90ml lime juice Dehydrated citrus (to garnish) Edible flowers (to garnish) Ice Method: Combine gin, mango nectar, soda and lime juice in a carafe and top with ice. Garnish with dehydrated citrus and flowers, and serve. For more information on the innovative Whitley Neill gin range, head to the website. Top image: Paul Liddle
When it comes to buzzy capital cities, Australia has no shortage of options — but Sydney really does have it all. From cutting-edge underground bars and classic pub fare to historic sights and iconic performances, Sydney is a rich tapestry of creativity, culture, and natural splendour. It's hard to go wrong here, but a little insider intel can help you get it just right. If you're planning a weekend in the Harbour City, Marriott Bonvoy is offering 10% off your stay across six hotels—all you need to do is sign up to become a member (for free). It's also the perfect excuse to extend your stay. To play the role of your well-informed mate on the ground, we've curated a short list of reasons why Sydney is always worth checking into. Descend Into Sydney's Awesome Subterranean Bars When it comes to vibey watering holes, Sydney's list just keeps growing. But when the lights dim and the city starts to wind down, the real magic begins underground. Scattered across the CBD and its surrounding boroughs, these hidden gems require a little insider knowledge — knowing which alley to turn down and which door to knock on. From Mucho Group's Herbs Taverne and Swillhouse's swanky new Caterpillar Club, to The Gidley and Double Deuce Lounge, Sydney's subterranean bar scene is constantly evolving. Check out our full guide here. Check Into a Cosy Hotel Choosing the right hotel can make or break your Sydney stay. While there are plenty of options, it's the city centre's stunning skyline, harbour backdrop, and expansive parklands that set it apart—so you'll want a base that captures all that charm. Marriott Bonvoy's collection of premium hotels promises a memorable stay, plus, with 10% off it's the perfect time to plan a quick trip or extended getaway. From luxury stays like The W Sydney, Pier One Sydney Harbour and the Sheraton Grand Sydney Hyde Park to stylish, family-friendly options like the Sydney Harbour Marriott Hotel Circular Quay and Four Points By Sheraton Sydney in Central Park, you're spoilt for choice. Watch a Performance at The Sydney Opera House Sure, visiting the Opera House for a quick picture is a Sydney bucket list moment for locals and travellers alike — but catching a show inside? That's when the magic really takes place. Beyond the grandeur of the Concert Hall, this cultural icon also houses intimate spaces that host everything from indie gigs and theatre to symphonies and ballet. Visit in the coming months and you can expect atmospheric sets by the likes of early-thousands throwback Bachelor Girl, Lime Cordiale with the Sydney Symphony Orchestra, and The Australian Ballet — plus a post-show drink with a view that's hard to top. If you're looking to stay within walking distance of the Sydney Opera House, check into the Sydney Harbour Marriott Hotel Circular Quay for a stylish slice of convenience. Devour an Award-Winning Steak at Bistecca When it comes to must-try meals, few live up to the hype — but Bistecca delivers. Tucked down a CBD laneway, this moody, Tuscan-inspired spot has earned international acclaim, and a place on our list of Sydney's best steaks, for its signature bistecca alla Fiorentina, a thick-cut T-bone, prepared over ironbark and charcoal. You'll surrender your phone at the door, leaving you to focus solely on your steak, vino, and conversation. Equal parts speakeasy and Italian fine dining steakhouse, it's a must for meat lovers and experiential diners. Catch a Film at Sydney's Revamped IMAX Theatre After a seven-year hiatus, Sydney's IMAX theatre has roared back to life — and it's bigger and bolder than ever. Now home to the world's third-largest screen (a jaw-dropping 693 square metres), the high-tech space is tucked beneath the W Sydney and reserved for only the biggest blockbusters. Whether you're seeing Superman, F1 The Movie, or Fantastic Four, expect next-level visuals via a 4K laser projection, crystal-clear surround sound, and custom-designed lenses that'll make every explosion, car chase and close-up feel massive. Tickets are limited, so get in quick. Oh, and be sure to grab a pre-blockbuster cocktail at the W Sydney's rooftop bar, 29/30. Hook Into a Sunday Roast at The Lord Dudley When it comes to winter pub fare, few places are as beloved as The Lord Dudley in Woollahra. Established in 1895, this old-school charmer channels the ambience of a British country manor, with its open fireplaces, dark wooden interiors, and traditional English ales. The main event? It's legendary Sunday roast — chicken or pork — served with crispy roast potatoes, steamed greens, rich gravy, and a golden Yorkshire pudding. Just be warned: if it's cold outside, or there's a good game on, you might be fighting for a patch of carpet, let alone a table. Wander The Halls Of Sydney's Art Institutions Art galleries say a lot about a city — and if Sydney's gallery walls could talk, they'd speak of multiculturalism, a complex past and an enduring thirst for artistic ingenuity. The city is home to a broad stroke of galleries, and wandering through them on a chilly winter's day is the perfect antidote to a deep chill. From intimate spaces like China Heights, Roslyn Oxley9 Gallery, and White Rabbit Gallery to internationally revered institutions like the Art Gallery of NSW and the Museum of Contemporary Art Australia, there's something to suit every creative appetite. Hot tip: The Art Gallery of NSW stays open late every Wednesday for Art After Hours, an enticing lineup of talks, art, and music, while White Rabbit Gallery is just a stone's throw from Four Points By Sheraton Central Park. Rug Up And Cheer On Your Team At Accor Stadium Another true Sydney bucket list moment? Watching your ride-or-die team go head-to-head at one of the country's largest and loudest stadiums. Whether you're into rugby league, rugby union, AFL, soccer or cricket, Accor Stadium creates an electrifying atmosphere—especially when 83,000 fellow fans surround you. This winter, the stadium will host a string of rugby league finals, plus the third and final State of Origin showdown. It's an easy trip by public transport, but if you're feeling fancy, split a limo with a few mates—it can cost about the same as a cab. Or better yet, check into the Moxy Sydney Airport Hotel and stay in style just a short drive from the action. Book your Sydney escape before September 30 to access 10% off your stay and dining with Marriott Bonvoy. All you have to do is sign up as a member—and it's completely free. Book 10% off your stay and rediscover Sydney. T&C's apply and vary by participating hotels including blackout dates, cancellation restrictions and more. Offer may not apply in properties not participating in the award and redemption of Marriott Bonvoy. By Elise Cullen
Every year is a big year for movies, but 2023 is set to be downright explosive, all thanks to one of the most-anticipated films of the year. That feature: Christopher Nolan's latest, and his first flick since Tenet. It just explores a little thing called the atomic bomb, focusing on J Robert Oppenheimer. "They won't fear it until they understand it. And they won't understand it until they've used it," says the titular figure in the just-dropped full Oppenheimer trailer. Played by Nolan regular Cillian Murphy (see also: The Dark Knight, Inception, The Dark Knight Rises and Dunkirk), the "father of the atomic bomb" narrates the new sneak peek with plenty of such telling comments. Here's another: "I don't know if we can be trusted with such a weapon, but we have no choice". Yes, Nolan is going back to the Second World War again, focusing on the eponymous American physicist, aka the man who helped develop the first nuclear weapons as part of the Manhattan Project. Also earning the director's attention: the fact that Oppenheimer needed to risk destroying the world to save it. Charting his life, his part in birthing the atomic bomb and how it changed the world — and the fallout — should make for gripping viewing, although viewers will need to wait until July 20, 2023 Down Under to find out. The new trailer follows a brief teaser in mid-2022, and provides a bigger glimpse of what's in store. Oppenheimer's story also includes heading up Los Alamos Laboratory — and observing the Trinity Test, the first successful atomic bomb detonation in New Mexico on July 16, 1945 — as this latest bit of footage shows. Nolan is always in serious mode, but this is a solemn affair even by the Memento, Interstellar and Dark Knight trilogy filmmaker's standards. And, it looks like a spectacle, in no small part thanks to being shot in IMAX 65mm and 65mm large-format film photography, including sections in IMAX black and white analogue photography for the first time ever. Based on Kai Bird and Martin J Sherwin's Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the film boasts an all-star cast, including Emily Blunt as the physicist's wife, biologist and botanist Kitty (reteaming Blunt with Murphy after A Quiet Place Part II) — plus Matt Damon (The Last Duel) as General Leslie Groves Jr, director of the Manhattan Project; Robert Downey Jr (Dolittle) as Lewis Strauss, a founding commissioner of the US Atomic Energy Commission; and Florence Pugh (The Wonder) as psychiatrist Jean Tatlock. Also set to pop up: Josh Hartnett (Wrath of Man), Michael Angarano (Minx), Benny Safdie (Stars at Noon), Jack Quaid (The Boys), Rami Malek (No Time to Die) and Kenneth Branagh (Death on the Nile). Oh, and there's Dane DeHaan (The Staircase), Jason Clarke (Winning Time: The Rise of the Lakers Dynasty), Olivia Thirlby (Y: The Last Man), Alden Ehrenreich (Solo: A Star Wars Story) and Matthew Modine (Stranger Things) as well. Check out the full trailer for Oppenheimer below: Oppenheimer will release in cinemas Down Under on July 20, 2023. Images: © 2022 Universal Studios. All Rights Reserved.
The portions are huge in this ramen eatery tucked away in Chinatown's Eating World. Add to that the fact that the collagen-rich pork broth is produced by boiling over 100 kilograms of pork bones on a daily basis, and you have yourself a bowl of ramen quite unlike any you've had before, with a thick and salty broth that goes down surprisingly well. The menu is simple, with two of the dishes being rice-based and the rest being soup-based. Try the tonkotsu ramen, served with slices of pork and seaweed in the aforementioned broth, which is so thick, it's practically gravy. The simple ingredients mingle well with each other and result in a flavour which is unique yet classic. And combined with the low prices and generous portions, there are more than enough reasons for Gumshara to be a staple in the diets of many a penny-pincher. Just keep in mind that their menu is take out only, so don't try to plan a romantic sit-down evening there.
The roof at New York's world famous Metropolitan Museum of Art is playing host to a most unusual dinner party. Created by prolific Argentinean artist Adrián Villar Rojas, The Theater of Disappearance consists of more than 100 characters and objects from the Met's incredible collection that have been digitally scanned and cast as sculptures, before being spread around the Iris and B Gerald Cantor Roof Garden. Made with 3D printers or through a computer-controlled milling process, the outdoor display mixes and matches artwork from all around the globe. Some figures sit around long white banquet tables, while others look out across the Manhattan skyline. Egypt's King Horemheb gives a piggyback ride to a woman in sneakers, who in turn holds Tutankhamun's head in her left hand. Plates and coins and goblets and even medieval armour lay strewn across the table. "I wanted to play with the doodles of culture," Rojas told The New York Times. Unhappy with what he sees as the sterile, constructed world of contemporary museums, he decided to imagine his own museum "without divisions, without geopolitics, totally horizontal." The Theater of Disappearance will be on display at The Met until October 29, weather permitting. Images via The Met on Twitter.
Stuff. I know I have too much of it. And storage? Far too little. This weekend I just finished reading What's Mine Is Yours, a book by Rachel Botsman and Roo Rogers advocating collaborative consumption. Basically, it talks about all the avenues through which people swap, share, barter, trade and rent on a massive scale with the help of communication technologies like the interwebs. I was left staggered by the sheer amount of stuff I own which spends most of its time in my possession gathering dust. How exciting, then, to stumble upon a solution to my problem both local and nation-wide in its reach. The Garage Sale Trail will be held on Sunday, April 10 this year in backyards, front yards and garages right across Australia. You can register your garage sale on the website, and on the day people can hop between garage sales in their local area. Pop in your post-code to check out what's near you. The pilot project held in Bondi last year attracted droves of people, emptied ATMs in the area and saw the equivalent of 15 shipping containers of goods exchanging hands. Sounds like a pretty sweet way to get sustainable. https://youtube.com/watch?v=AuOBz7FF7z4
Four decades back, and three as well, Clown in a Cornfield would've stood out on a video store's shelves. It would've proven an instant hot rental, in fact. The slasher film just has that kind of title. The immediately evocative name comes from the page, where this tale of a killer jester sparking bloody mayhem rather than big laughs in a rural Missouri community initially appeared courtesy of author Adam Cesare. Not just for its moniker, the book won the 2020 Bram Stoker Award for Best Young Adult Novel. Eli Craig, the director of Clown in a Cornfield as a film — and its and co-screenwriter with Carter Blanchard (G vs E) — is no stranger to terrific titles himself. He was initially interested in this as his third feature due to its name, because who wouldn't be? That tracks across his career, however; his first two movies also had marvellous monikers. Fifteen years ago, Craig's Tucker and Dale vs Evil started earning horror- and comedy-loving devotees, and now is deservedly considered a 21st-century classic. When Little Evil arrived in 2017, it also had a title that stood out. How much stock does Craig put in a great name for a movie? "I think a great title is what gets people's attention more than almost any marketing. And it's very fun to me to mashup a title in a way that feels provocative — like you say, and unique. And feels like it tells the story," he tells Concrete Playground. "But then when you go see the movie, it actually has a lot more depth and complexity than the title gives you. So for Tucker and Dale vs Evil, it seems kind of silly and goofy — and, of course, it is a very heightened comedy. But it also has these layers of things it's about, and that is much deeper than you would think." "And it's the same with Clown in a Cornfield," Craig continues. "I think once people see it, they'll be like 'oh, this is actually saying a lot of things. It's not just a goofy movie about a clown and a cornfield'." Clown in a Cornfield is definitely a flick about a clown and a cornfield. It makes good on that promise. It also pushes horror further to the fore than Craig's past features did. This is equally a slasher that uses that high-concept premise to dig into generational divides, economic uncertainty, and both capitalism and the American dream gone wrong, though. As it follows high schooler Quinn Maybrook (Katie Douglas, Ginny & Georgia) and her widower father (Aaron Abrams, Children Ruin Everything) to Kettle Springs, where the latter is about to be the new town doctor — and where the existing resident adults, such as Sheriff Dunne (Will Sasso, George & Mandy's First Marriage) and Mayor Arthur Hill (Kevin Durand, Kingdom of the Planet of the Apes), yearn for the locale's past, while teens such as Arthur's son Cole (Carson MacCormac, Shazam! Fury of the Gods) are looking forward instead — it has societal bite to go along with its blood and gore. In Clown in a Cornfield, the character that lives up to the movie's moniker is Frendo, the mascot for the local Baypen Factory, which once kept much of the town employed. Since the corn outfit closed down, its harlequin has become a symbol of happiness and prosperity corrupted, embodying everything that Kettle Springs has lost — and sparking that chasm between its authority figures and everyone of their age with the next generation. In both the picture's 90s-set opening and its present-day bulk, a slicing-and-dicing Frendo is hardly a pal, then. It's positively homicidal, with dispensing with Quinn and her peers its aim. Craig himself has a phobia of them — "I'm terrified of clowns," he shares — but these makeup-adorned figures have long been both jovial and creepy characters in pop culture. His isn't the first feature to play up their eerie side, of course, including in the last decade. IT and IT: Chapter Two became huge box-office hits in 2017 and 2019, and a TV prequel is on the way to HBO. The currently three-strong Terrifier franchise has been getting gruesome on-screen since 2018, with a fourth flick in development. Is making a movie about a murderous clown cathartic when you're already afraid of them? Our chat with Craig started there. Also covered: Clown in a Cornfield's clear love for other slasher and horror films, what goes into a great scary-flick kill, and how the gulf between the film's younger and older characters also provides inspiration for some of its humour, including a pitch-perfect moment with a rotary phone — plus why Douglas was the right choice for Quinn, and fleshing out Sasso and Durand's parts. What does the affection now held by horror-movie lovers for Tucker and Dale vs Evil 15 years on, even if it wasn't the success that Craig was expecting when it released, mean to him, too? That was part of our discussion as well. On Being Afraid of Clowns While Making a Movie About Murderous Jesters — and No, It Isn't Cathartic "I've always found them to be very duplicitous and very not-trustworthy. And I always thought it was kind of funny that clowns would go to kids' birthday parties. I find magicians kind of scary, too. And we once had a magician to my son's birthday, but we elected not to have a clown. But in my last film Little Evil, I had a scene with a clown that spontaneously combusted on fire, because the kid had superpowers — and I really was thinking 'I have to do more with these clowns because they are just naturally disconcerting'. You'd think that maybe I'd have less fear of clowns now, but it's actually the opposite. I think Frendo has surprised me at various publicity events already, where he sneaks up behind me — and I'm always the one that's like 'aah'. So I haven't gotten over my fear of clowns, but there is something quite magical and fun about them, too. So it's that mixture of fear and loathing." On Clown in a Cornfield's Societal Bite — aka Making a Killer Clown Flick About Generational Chasms, Capitalism Gone Wrong and Economic Uncertainty "That was in the book, and that's why I wanted to make the movie, because I was really surprised at what Adam Cesare was able to get at about this generational anger, I think — and this divide between a younger generation that's more progressive and maybe cares about the earth and cares about their future, and maybe an older generation that just feels like they're just harvesting the earth for their own greed. And I thought that frustration is just really apropos to our time. And also, I would say the thing that's so interesting about using a clown to tell that story is that originally clowns were like court jesters, and they were the only ones that were kind of allowed to tell truth to power and to tell the king what maybe was really up — but they had to do it with a sense of humour and satire. So this movie, in a way, it's fun because it has these layers of truth underneath it, and it's a clown telling that story to people. That isn't necessary to love the movie. You could love the movie and not really care about anything deeper. But I think through humour and entertainment is a lot of the ways we get some of our ideas that break through the walls to meet us. So that was quite fun to play with." On Balancing the Film's Evident Love for Slasher and Horror Greats That've Gone Before with Being Its Own Addition to the Genre "I just want to embrace all the movies I saw as a kid. I grew up in the 80s and early 90s, and watched everything from the Halloween movies, Friday the 13th, all of Freddy Krueger stuff — and I also loved the comedy-horror movies like Evil Dead 2. And so a lot of it, to me, just lives in like this bouillabaisse inside my brain, and I don't necessarily know when I'm picking a trope from this movie or that, but they kind of live there. And it's funny to watch other people pick them out and say 'oh, you did this here and this here'. I just kind of feel the tropes and I start writing them, and I don't necessarily pick them all out. The one thing is Jaws, I did play directly to Jaws in this movie, because that is probably my favourite horror movie that goes under the radar as not really being a horror movie — but it definitely is. It scared the pants off me." On What Makes a Memorable Slasher-Movie Kill for Craig — and How Easy or Difficult That Is to Achieve "Well, I think a lot about how to heighten it, how to make it just a little bit more than say — I always love the Scream movies, but I find that Ghostface with this knife gets a little repetitive, so I'm trying to come up with a new way for each kill to be just slightly different. And what are the tools this farmer-type Frendo the clown might use? And so you come up with pitchforks and chainsaws and axes and sledgehammers and all kinds of tools, and then you just try to heighten that and make it something people will grin at and laugh and cheer, and also be freaked out about, all at the same time." On Skewing More on the Horror Side of the Scale Than Comedy Compared to Craig's Previous Features "I did a real comedy-first horror with Tucker and Dale, and then I did almost just a comedy with horror elements with Little Evil. And I really wanted to dive back into horror and do kind of a hard-R, gritty in some ways, horror film — but with some levity because that's just the way I am. I'm not a really dark person — and I like humour in my stories. And I think there's just humour in the darkest parts of life." On Layering the Film with Comic Touches That Also Get to the Heart of Its Generational Clash "When you have the opportunity to nail a joke that also is just inherent in the theme, it really makes me smile. It makes me really excited when I'm sitting there writing and I go 'oh, oh, this is going to be really good' — because you're not breaking out of the story to make a joke. It's just very much within the context of the film. So it's really exciting when those present themselves. I don't feel like I'm making a joke. I feel like comes to me out of the ether. And it just presents itself to me, and then that's the opportunity to do it. There's a few points in this movie that grabbed the theme and make a joke out of it." On Knowing That Katie Douglas Was Clown in a Cornfield's Lead "You'd be surprised — I wanted to cast her before even auditioning her. I had watched a ton of her work. I saw that she had been working since she was about six years old, and she actually has a ton of work under her belt — and all of the stuff I saw from her from, like Ginny & Georgia and also this show called Pretty Hard Cases, and she did some Lifetime movies and she did some short films, and I literally went in and I watched them all. And I just always saw this sort of grounded, natural performance with the toughness and an edge to her, and sort of a sarcasm to her, that I felt just was Quinn. She auditioned for it, and completely nailed the audition. And I couldn't have been more blessed to have somebody that was so ready for being number one on the call sheet. She was so ready to lead this film. And she carried the film — and she does a fantastic job." On the Kind of Guidance That You Give Actors Like Will Sasso and Kevin Durand When They're Tasked with Fleshing Out Horror-Movie Characters That Could Be Cartoonish in Other Hands "I tell them kind of exactly what you just said. I wanted this character to be deeper, and we talk about what their motivations are. So usually they're not thinking about the characters being a villain — they're thinking about them being justified. So every good actor is always justifying their hatred or villainy for their character, and it make has to make sense to them. So anytime it doesn't make sense, we have to work on it. But those guys are so talented. They brought so much of themselves to the role. Will Sasso, as the sheriff, was just fantastic because he's threatening and creepy, but he's also just funny. He just brings a sense of humour and life to everything he does. And Kevin Durand, I don't think I could get an actor that could be this role without playing into something that we've seen before. He really created a new character. And that was really important that we weren't like the Joker or something. He was really, really his own — and very grounded and more gritty and real — character." On the Response to Tucker and Dale vs Evil 15 Years on — and What It Means for It to Be So Beloved as a Horror-Comedy Cult Classic "It actually means I'm not crazy. So when I first made that film, I just believed in it naively, like with all of my heart. And I thought 'well, this is just going to be the biggest hit since Evil Dead 2'. And it wasn't that way. It didn't come out as a big hit. I thought I was making the next Shaun of the Dead or Evil Dead 2 — and it went to some great film festivals, but then once we came out, it kind of disappeared for a while. And then over the years, people discovered it, and it truly became what I always believed it would be by now. And it's kind of validated my own feeling of art and my feeling of 'what entertains me should entertain other people'. Because I'm just ultimately trying to make a film that that I want to go see. And if people start telling me they don't like what I would want to go see, it becomes much harder to make a movie. And now I feel like 'wait a minute, maybe, maybe my sensibility is a sensibility a lot of other people share'. So that means a lot." Clown in a Cornfield released in cinemas Down Under on Thursday, May 8, 2025.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this months latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from October's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW THE GREEN KNIGHT Mesmerising and magnetic from its first moments till its last, The Green Knight is a moving musing on destiny, pride, virtue, choice, myths and sacrifice, all wrapped in a sublime spectacle. The medieval fantasy hums with haunting beauty and potency as it tells of Arthurian figure Gawain (Dev Patel, The Personal History of David Copperfield), nephew to the King (Sean Harris, Mission: Impossible — Fallout), and the only man who accepts a bold challenge when the eponymous figure (Ralph Ineson, Gunpowder Milkshake) — a mystical part-tree, part-knight — demands a duel one Christmas. The catch: whichever blows the eager-to-prove-himself Gawain inflicts on this towering interloper, he'll receive back in a year's time. So, when this initial altercation ends in a beheading (and with the Green Knight scooping up his noggin and riding off), Gawain faces a grim future. Twelve months later, that bargain inspires a quest, which The Green Knight treats as both a nightmare and a dream. There's an ethereal look and feel to every inch of this stunning movie, where the greenery is verdant, and the bloodshed and battlefield of skeletons just as prominent. Playing a man yearning for glory yet faced with life's stark realities, Patel is in career-best form — and the latter can also be said of writer/director/editor David Lowery. Every film he makes has proven a gem, from Ain't The Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and The Gun; however, The Green Knight is a startling and riveting feast of a feature that's as as contemplative as it is visionary. The Green Knight is available to stream via Amazon Prime Video. THE VELVET UNDERGROUND Excellent filmmakers helming exceptional documentaries about music icons just might be 2021's best movie trend. It isn't new — see: Martin Scorsese's filmography as just one example — but any year that delivers both Edgar Wright's The Sparks Brothers and Todd Haynes' The Velvet Underground is a great year indeed. Both docos are made by clear fans of the bands they celebrate. Both films find creative and engaging ways to approach a tried-and-tested on-screen formula, too. And, both movies will make fans out of newcomers, all while delighting existing devotees. They each have killer soundtracks as well, obviously. They're each tailored to suit their subjects, rather than leaning on the standard music bio-doc template. As a result, they each prove the kind of rich, in-depth and electrifying features that only these two directors could've made. With The Velvet Underground and Haynes, none of this comes as a surprise. As well as the astonishing Carol and the just-as-devastating Dark Waters, he has experimental short Superstar: The Karen Carpenter Story, glam-rock portrait Velvet Goldmine and the Bob Dylan-focused I'm Not There on his resume, after all. Here, he makes two perceptive choices: splitting his screen Andy Warhol-style to show both archival materials and new interviews simultaneously, and avoiding the allure of giving the late, great Lou Reed all his attention. The result is an inventive, impassioned and wide-ranging doco that charts the band's story and impact; captures the time, place and attitudes that gave rise to them; and proves as dazzling as The Velvet Underground themselves. The Velvet Underground is available to stream via Apple TV+. SPREADSHEET When Katherine Parkinson starred in The IT Crowd 15 years ago, she played a woman trying to exude a cool, calm and collected air, but constantly finding her life — and her new job in IT — hindering that aim. In Spreadsheet, her new sitcom role, Parkinson's latest character isn't attempting the same feat. Instead, freshly divorced Melbourne-based lawyer and mother-of-two Lauren has has accepted that her existence is now messy; however, having a spreadsheet to keep track of her revamped love life is meant to help. Embracing being single, and all the opportunities for casual hookups that apps now bring, she isn't looking for a relationship. She even has her colleague Alex (Rowan Witt, Adore) helping to maintain her fast-growing database of sexual options. But this clearly wouldn't be a comedy if her new status quo turned out smoothly and stress-free. As this new Australian sitcom knows and keenly relies upon, there's a breeziness to Parkinson's comic performances that hits both humorous and relatable notes. Indeed, the British actor is the key reason that Spreadsheet's eight-episode first season is so incredibly easy to binge. Whether Lauren is being introduced in the throes of pleasure in the car park outside the Palais Theatre, is getting intimate in a snake dungeon or sports an eye patch after a run-in with a cuckoo clock, Parkinson is a comedic whirlwind. In a series that approaches its 'sex in the suburbs' setup with smarts and insights, too, she's also surrounded by an impressive local cast that includes Witt, Stephen Curry (June Again), Katrina Milosevic (Wentworth) and Zahra Newman (Long Story Short). The first season of Spreadsheet is available to stream via Paramount+. THE DONUT KING The documentary that comes with an obvious serving suggestion — avoiding pastry cravings while watching is impossible — The Donut King chronicles the life of Cambodian American Ted Ngoy. In the mid-70s, the soldier-turned-refugee fled the Khmer Rouge for a new start in the US. Then, after being enticed by the smell wafting out of a Californian doughnut shop, he found owning his own the path to success. After beginning with one venue, Ngoy grew his empire. In the process, he even helped cement pink-hued doughnut boxes as the industry standard — the pop culture standard, too. Inhabiting a constant cinnamon cloud might've been bliss, and it certainly was the impetus behind Ngoy's rags-to-riches story; however, filmmaker Alice Gu covers much more than pastry highs in this incisive and thoughtful portrait of the American Dream. Not even the best job is ever 100-percent filled with glaze and sprinkles, including when making desserts is your daily trade. For Ngoy, becoming a doughnut kingpin was the result of hard work — not just his own, but his whole family's — as well as savvy choices. His business also helped set a path for fellow Cambodians, as well as fostering a sense of community, by sparking a run of expat-owned doughnut shops in California. Gu captures all of this lovingly, with a celebratory tone, and with a warm appreciation for Ngoy's achievements both in general and as an immigrant entrepreneur. That said, she doesn't shy away from the twists and turns that've complicated his path, and this story, along the way. The Donut King is available to stream via Docplay. THE GUILTY It's the remake that was always going to eventuate; the remake that was announced before the original Danish film even reached Australian cinemas, in fact. A high-concept thriller set in a police call centre and solely conveying its dramas via telephone conversations, The Guilty was instantly destined to get the Hollywood treatment — not only because it's predicated upon a commanding concept, but because the first time around made for exceptional, Oscar-shortlisted, outstandingly tense and gripping viewing. Thankfully, Netflix's take on the tale lives up to its predecessor. It's as suspenseful and taut, as economical and evocative, and as superbly acted. Twenty years after Donnie Darko made him a star, Jake Gyllenhaal's resume isn't short on highlights; however, The Guilty easily sits among them. Gyllenhaal (Spider-Man: Far From Home) plays LAPD officer Joe Baylor, who's been demoted to taking 911 calls after an on-the-job incident that'll see him in court the next day. His evening at work will prove just as stressful, after a woman called Emily (Riley Keough, Zola) advises that she's been kidnapped by her ex (Peter Sarsgaard, Interrogation), with their kids left home alone. Joe springs into action, and tries to get his colleagues to do the same. But as the excellent series Calls also demonstrated, words can tell viewers the whole story while keeping on-screen characters twisting. Reteaming with Gyllenhaal after Southpaw, filmmaker Antoine Fuqua directs this intense affair with that truth firmly in mind. The Guilty is available to stream via Netflix. A GLITCH IN THE MATRIX When a certain Sydney-shot, Keanu Reeves-starring sci-fi/action film did big box-office business 22 years ago, it did more than just start a huge movie franchise. The Matrix and its sequels also gave proponents of the simulation hypothesis — the idea that this life we all call our own is merely an artificial simulation, but we don't know it — an enormously successful pop culture touchstone. Examining that notion, as well as its connection to the series that shares part of its title, A Glitch in the Matrix couldn't arrive at a timelier moment. The concept is about to get another blockbuster billboard, after all, with The Matrix Resurrections just months away from release. What truly interests this documentary, however, isn't the answer to that reality-versus-simulation question, but all the reasons that might inspire someone to think that nothing about their experience is genuine. Documentarian Rodney Ascher likes delving into ambiguous and liminal spaces. With Room 237, he pondered conspiracy theories around The Shining. Next, he dedicated his sophomore effort The Nightmare to sleep paralysis. He's clearly fond of fascinating, mind-bending concepts, too, but there's always a shagginess to his films — a sense that the underlying ideas he clasps onto are far more compelling than actually charting the stories he selects on his chosen topic. A Glitch in the Matrix is no different, but it's also ambitious and engrossing as it mixes everything from animation and archival clips to interviews. A movie can be thought-provoking and also messy, of course, and still make for compelling viewing. A Glitch in the Matrix is available to stream via Docplay. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK SUCCESSION For fans of blistering TV shows about wealth, power, the vast chasm between the rich and everyone else, and the societal problems that fester due to such rampant inequality, 2021 has been a fantastic year. The White Lotus fit the bill, as did Squid Game, but Succession has always been in its own league. In the 'eat the rich' genre, the HBO drama sits at the top of the food chain as it chronicles the extremely lavish and influential lives of the Roy family. No series slings insults as brutally; no show channels feuding and backstabbing into such an insightful and gripping satire of the one percent, either. Finally back on our screens after a two-year gap between its second and third seasons, Succession doesn't just keep plying its astute and addictive battles and power struggles — following season two's big bombshell, it keeps diving deeper. The premise has remained the same since day one, with Logan Roy's (Brian Cox, Super Troopers 2) kids Kendall (Jeremy Strong, The Trial of the Chicago 7), Shiv (Sarah Snook, Pieces of a Woman), Roman (Kieran Culkin, No Sudden Move) and Connor (Alan Ruck, Gringo) vying to take over the family media empire. This brood's tenuous and tempestuous relationship only gets thornier with each episode, and its examination of their privileged lives — and what that bubble has done to them emotionally, psychologically and ideologically — only grows in season three. It becomes more addictive, too. There's no better show currently on TV, and no better source of witty dialogue. And there's no one turning in performances as layered as Strong, Cox, Snook, Culkin, J Smith-Cameron (Search Party), Matthew Macfadyen (The Assistant) and Nicholas Braun (Zola). The first two episodes of Succession's third season are available to stream via Binge, with new episodes dropping weekly. Read our full review. LOVE LIFE Mere minutes into Love Life's second season, a big query arises. With The Good Place's William Jackson Harper taking over from Anna Kendrick as the show's lead, it's an obvious question: what would Chidi Anagonye think? He'd recognise the indecision bubbling away inside Harper's new character, Manhattanite book editor Marcus Watkins. From a moral and ethical standpoint, he'd be less enamoured with Marcus' other choices, especially the flirtatious friendship that Love Life's new protagonist pursues with Mia (Jessica Williams, Booksmart) while still married to Emily (Maya Kazan, Love Is Love Is Love). Thankfully, it doesn't take long for Harper to settle into his new part, and for the ghost of Chidi to fade. The latter would still protest, of course, but Love Life sends the man behind him wading through a different pool of rom-com dilemmas. It's a delightful stroke of casting, in a series that has always hinged upon its audience's connection with its main character. Harper doesn't ever let his natural charm eclipse Marcus' flaws — Love Life doesn't trade in perfect protagonists or easy, clearcut romantic fantasies — and that balance adds both weight and depth to the show's second season. That said, the storylines here won't seem particularly different to Love Life's season-one viewers. This is a case of new lead, same city, similar romantic struggles. It isn't a spoiler to note that Marcus and Emily's marriage doesn't last long, or that the relationships that follow take him on quite the rollercoaster ride, but Harper instantly gets you hooked on the journey. The first three episodes of Love Life are available to stream via Stan, with new episodes dropping weekly. FOUNDATION If you've ever wondered whether good things truly do come to those who wait, as the old adage insists, let Foundation convince you. In the 90s, these Isaac Asimov-penned sci-fi stories were slated to become a film trilogy, but those plans faltered. In the late 00s, Independence Day's Roland Emmerich was onboard to direct a different movie adaptation — and thankfully that didn't eventuate either. It's hard to see how Foundation would've worked on the big screen, unless it fuelled a sizeable number of features. On the small screen, it still spins an immensely dense storyline, but it also has room to breathe. Stepping into a futuristic world on the precipice of ruin, this is a series that rewards patience. (If you've ever seen the Party Down episode that jokes about hard sci-fi, you'll know how seriously it takes its genre, too.) Created by screenwriters David S Goyer (Christopher Nolan's Batman trilogy) and Josh Friedman (the TV version of Snowpiercer), Foundation splashes its sizeable budget across the screen — all while reimagining Asimov's tales almost eight decades after they were written. Mathematics professor Hari Seldon (Jared Harris, Chernobyl) remains a key part, though, thanks to his prediction that the Galactic Empire will soon fall. That prophesy angers the three cloned versions of Emperor Cleon, especially Brother Day (Lee Pace, Captain Marvel), with his dismay sparking action just as Seldon's new protege Gaal Dornick (Lou Llobell, Voyagers) arrives. That's just Foundation's setup, too, and it's sci-fi catnip. The first six episodes of Foundation are available to stream via Apple TV+, with new episodes dropping weekly. A RECENT MUST-SEE YOU CAN (AND SHOULD) STREAM NOW THE OTHER TWO You're in your twenties, trying to make it in New York and struggling to chase your dreams. The only thing that's making you feel better is the knowledge that your sibling is doing the exact same thing. Then your kid brother comes up with a throwaway pop hit, adopts the stage name ChaseDreams and becomes a YouTube sensation — and suddenly you're related to the world's next Justin Bieber. That's the premise of sitcom The Other Two, which follows struggling actor Cary (Drew Tarver, Bless the Harts) and his ex-dancer sister Brooke (Helene York, Katy Keene) as they come to terms with their new situation. Yes, they're thrilled for their baby brother; however, they're also shocked, envious and desperate to get their own time in the spotlight. That's the other thing about having a famous sibling: riding their coattails isn't the same as making it yourself. The Other Two leans upon two things: its sense of humour and the way it interrogates the celeb game, and its casting. Both are as sharp as Chase's rise to stardom; Case Walker even got that part after becoming a Musical.ly sensation IRL. Tarver and York's back-and-forth is the series' anchor, however. Also excellent: Molly Shannon (The White Lotus), Ken Marino (Black Monday), Wanda Sykes (Breaking News in Yuba County) and Josh Segarra (The Moodys). Its second season hasn't arrived in Australia yet, but The Other Two's first ten episodes are hilarious, acerbic and perceptive, especially when it comes to today's celebrity-obsessed, influencer-heavy society. It's an instant classic (it was one of our best new shows of 2019, in fact), and it's instantly rewatchable. The first season of The Other Two is available to stream via Paramount+. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August and September this year — and our top straight-to-streaming movies and specials from 2021 so far, and our list of the best new TV shows released this year so far as well.
It's interesting, this current trend of people trying to couple extreme sports and Guinness-record setting adventuring with things like reducing carbon emissions and improving sustainable technology practices. The most recent addition to this group is a pair of German "extreme sportsmen," who made the decision to drive across Australia, from Albany to Sydney, in eighteen days in an electric car powered by a kite. The developers and pilots, Stefan Simmerer and Dirk Gion, collaborated with the industrial group Evonik to produce the Wind Explorer, a car made from lightweight composites and filled up with a bunch of lithium-ion batteries. When the batteries lose power, all they need to do to recharge is to connect them up to a portable wind-turbine - always easy to come across in the Australian desert. When wind turbines are hard to find they can erect their own, made of bamboo, or use their kites, which can reach speeds of 80 km/h. Their hope is that the project will inspire more sustainable technology innovation and more awareness about how self-sufficient environmentally friendly transportation can be. [Via PSFK]
There's been a big, fat question mark hanging over the future of The Midnight Shift, ever since Sydney group Universal Hotels snapped up the beloved gay bar for $12 million back in July. But now, it's been confirmed that the Oxford Street pub will be resurrected this October — with a three-day launch party, no less. But things will be a little different. For one, the new venue will be called Universal, with the new owners leaving the name to rest in peace. "Universal will be an evolution of the Midnight Shift, rather than a revolution," explained owner Jim Kospetas. He did, however, confirm that the group — which conducted an online survey to gauge what the community wanted them to do with the venue — plans to respect the "special role that it has played for the LGBTIQA+ community" and continue its and long-held legacy of inclusivity. While the full suite of Universal offerings is yet to be revealed, the jam-packed opening program — which lands on the October long weekend — should give you a pretty good hint of the fun to come. On Friday, September 28, catch a sneak preview of new monthly party FAB, featuring live performances, DJs and drag shows, while new weekly event Satori launches with a bang on Saturday, September 29, promising a healthy dose of creativity in all forms. And on Sunday, September 30, the entire venue's set to fire up for Heaps Gay Resurrection, with a lineup of the city's finest queer talent helping to simultaneously wrap up Sydney Fringe Festival and welcome Universal to the 'hood. In the past 18 months, Universal Hotels has not only bought The Midnight Shift, but Darlinghurst haunts The Brighton Hotel, Kinselas and The Oxford Hotel, too. These make up its already-large 11-venue stable, which also includes Civic Underground and Middlebar. It's clear that the group has big plans for the area — we just hope that it tries to keep Oxford Street's spirit alive, rather than trying to reinvent it. Universal will open on Friday, September 28 at 85-91 Oxford Street, Darlinghurst. We'll keep you updated on any more details or parties that are announced.
Springtime is about to bloom, and you can celebrate its return with a massive program of foodie events taking over the NSW South Coast from Milton for most of September. Running on weekends from Saturday, September 6–Sunday, September 28, there's a full program of 35 events to pick from. From food and drink to arts and crafts, you're spoiled for choice. Kick off at Barn on the Ridge, where ten local makers will host a long lunch on the opening Saturday from 12.30–3.30pm. From there, you can choose from the likes of a walking tour and wine tasting or a signature wine blending workshop at Cupitt's Estate; morning bushwalks guided by a local forager; local beverage showcases by the pool at Bannisters; and afternoon tea tours of the historic Airlie House. Other program entries include an exhibition launch at Our Gallery Milton; a four-course dinner collaboration between Dangerous Ales and the Milton Hotel; a still-life ceramics workshop; candle crafting at Black Wolf Candles; and a croissant masterclass with chef Alex Pautonnier. When the festival nears its end, don't miss the fire feast at Milk Haus, with live music and openair fire cooking over a four-course banquet, or the South Coast Craft Beer Festival, pouring refreshing tastes of local brews at the Milton Showground — both on Saturday, September 27. Tickets are already on sale for the entire program, and some events have already sold out, so don't wait too long to secure yours on the Meet the Makers website.
Sydney is blessed with a disproportionate amount of sunshine. Hence, one of the finest pleasures of any weekend is finding a beer garden where you can sit back, relax and soak up some vitamin D. Whether you're gazing at the harbour, watching waves roll in, or admiring the city skyline — there's no doubt that a good brew tastes even better with a view. We've partnered with Heineken to bring you some of the best bars in Sydney with outdoor areas and killer views perfect for whiling away a sunny day. Stop at any one of these al fresco beauties for a quick bevvie, be it the Newport's sprawling beer garden or Mrs Sippy's pint-sized courtyard in Double Bay, and you'll feel like you've taken a mini holiday. Each and every one serves Heineken 3, an easy drinking, mid-strength drop that's made for long, lazy afternoons in the sun.
You've just sat down on the couch with Aunty Donna's new $30 bottle of wine. You're done reading the Always Room for Christmas Pud picture book, however, and you've already watched Aunty Donna's Big Ol' House of Fun — aka one of 2020's best new shows — more times than you can count. What's a comedy fan left to do while they sip their $30 vino, other talk about it a heap? From sometime early in 2023, you can feast your eyes on new ABC sitcom Aunty Donna's Coffee Cafe. Morning brown, morning brown, this bit of news is better than a cup of morning brown — because Aunty Donna is heading back to your TV, and to the ABC, as initially announced earlier in 2022. Yes, Mark Samual Bonanno, Broden Kelly and Zachary Ruane are heading to Aunty, in a return of what just might be Aussie television's most fitting pairing. This isn't the first time that the two have joined forces, after all, with Aunty Donna's Fresh Blood hitting iView back in 2014. This time, though, Bonanno, Kelly and Ruane are starring in a Melbourne-set comedy. The premise: three best mates run a cafe in one of Melbourne's laneways. Their coffee-slinging establishment is trendy, but the stretch of pavement it's in on isn't. You can expect cups of morning brown to be served, clearly. Hopefully, the song about them will get a whirl. Will the cafe be open on Christmas and serve up a little bit of pud, too? You'll have to watch to find out. From the just-dropped sneak peek, which sees Bonanno, Kelly and Ruane chat through what's in store and also includes snippets of footage, Aunty Donna's absurd sense of humour is firmly intact. Sniffing pastries, wearing Batman costumes, donning crowns, jumping on counters, cults, and guest appearances by Miranda Tapsell (Christmas Ransom), Pia Miranda (Mustangs FC) and Richard Roxburgh (Elvis) — they're all included. "This is a heightened, ridiculous sitcom about three friends who are trying to run a cafe. They get up to bizarre adventures, and we really hope it's going to be the latest, greatest addition to Australia's incredible history or ridiculous, stupid comedies," Bonanno says in the clip. "We cannot wait to make you laugh on ABC and ABC iView early next year" adds Ruane, before cutting a clip of him in-character asking "how is this going to sit on a Wednesday night on ABC"? Exactly when the show hits hasn't been revealed, other than that early 2023 timeframe, but you can check out the first teaser for Aunty Donna's Coffee Cafe below: Aunty Donna's Coffee Cafe will hit ABC and ABC iView sometime in early 2023 — we'll update you when an exact release date is announced.
Ever wanted to live out a David Lynch film? Probably not, but in September this year people will be given the chance to, sort of. Film auteur, coffee roaster and meteorologist David Lynch has announced that he will be designing a Parisian nightclub based on a fictional venue in his 2001 hit film, Mulholland Drive. Club Silencio, located on the Rue Montmartre, will feature an interior designed by Lynch that reportedly includes a concert hall, cinema, library and restaurant. Famous for the sinister and surreal tone of his films, Lynch said to the New York Times, "I enjoy how architecture and design create mood." Hopefully only the atmosphere of his films will be replicated in the club, and not so much of the psychotic murders. https://youtube.com/watch?v=96R9MG0DxLc [Via Contact Music]
Courtney Barnett has amassed a far-reaching international fanbase thanks to her endlessly laidback and relatable brand of indie-folk. With three solo albums, a Kurt Vile collaborative LP, a nomination for Best New Artist at the Grammys and spots on just about every major music festival across the globe, Barnett is set to make a triumphant return to Sydney stages in support of her most assured album to date, Things Take Time, Take Time. You can catch Courtney and her band on stage at the newly renovated Enmore Theatre as part of Great Southern Nights on Friday, March 25, with support from Wergaia and Wemba Wemba singer-songwriter Alice Skye, who's 2021 album I Feel Better But I Don't Feel Good arrived with all the charm and honesty of Barnett's music. If you're looking to make March an even more Courtney Barnett-filled month, there's also a documentary on her called Anonymous Club, playing at Palace and Ritz Cinemas across NSW. The film follows Courtney on tour for three years between the release of her second and third album, providing intensely personal insight into her inner monologue and mental health through an audio diary she kept at the time. https://www.youtube.com/watch?v=NUXvlpS0TvE Great Southern Nights is facilitating a heap of gigs across Sydney and regional NSW, ranging from icons like Jimmy Barnes popping up in western Sydney or Archie Roach performing in Wagga Wagga, through to emerging acts like hyped young R&B singer Liyah Knight headlining a night of local music and DJs at Zetland's 107 Projects. You can find the full program at the Great Southern Nights website.
The Museum of Contemporary Art's first ARTBAR - a night of drinks, DJs, performance art, karaoke and much more - kicks off at 7pm this Friday, May 25, and Concrete Playground has tickets to giveaway. Tickling your late night gallery fancy, Friday's ARTBAR will include Sydney-based photographer and video artist Justene Williams, whose Crutch Dance television installation (pictured) is currently on display at the MCA. Held on the same day at Vivid Sydney's opening night, guests of the first ARTBAR will have the double pleasure of experiencing the priceless views of Sydney Opera House ablaze with light projection from URBANSCREEN. Plus, music from DJs Charlie Chux (Abercrombie), Perfect Snatch (Gay Bash, Shameless), Touch Sensitive (Van She) and Tyson Koh (Loose Joints FBI & Clambake). And if that wasn't enough, there will be karaoke 'with consequences' and hot shaves on the night. No ARTBAR event will be the same, so take a look at the event details on the MCA website. Concrete Playground has tickets to giveaway for the first ever ARTBAR on Friday, May 25. To be in for a chance to win tickets, make sure you are subscribed to Concrete Playground then email your name and address to hello@concreteplayground.com.au.
Outback adventures don't come much more unusual than a visit to Lightning Ridge. Situated close to the Queensland border in the northwestern NSW hinterland, this rural locale is renowned for its unique black opal mines that attracted fortune-seekers from far and wide in the early 20th century. As well as exploring dinosaur fossil dig sites, ancient bore baths and quirky museums, you'll come away with many stories to tell after a visit to Lightning Ridge. In partnership with Wild Turkey, we've handpicked everything you need to explore during your visit to this slightly weird and very wonderful place. [caption id="attachment_843112" align="alignnone" width="1920"] John (Flickr)[/caption] FOSSICK FOR OPALS The history of opal mining in Lightning Ridge dates back to the 1880s, when miners discovered valuable gemstones hidden beneath the earth's surface. You can get a thorough education on these mineral-like creations at The Big Opal – the first opal mine licensed to open to the public. While there are stunning handcrafted pieces to admire in the gallery, taking a tour underground provides a more immersive perspective. With this place operating as a working mine for much of the year, wandering the sandstone tunnels offers a glimpse into this century-old treasure trove. You can even try your hand at fossicking while you're there, too. [caption id="attachment_843231" align="alignnone" width="1920"] James de Mers (Pixabay)[/caption] DIG FOR DINOSAUR FOSSILS If digging for bling isn't your thing, how about searching for dinosaur fossils? At the Australian Opal Centre, visitors are welcome to register for Lightning Ridge Fossil Digs, which gives you the chance to discover opalised fossils buried for over 100 million years. With the next dig scheduled for August 2022, you can sign up for six days of adventure alongside some of Australia's leading palaeontologists and researchers. Previous excavations here have resulted in several world-first discoveries, so your trip might just make history. [caption id="attachment_843233" align="alignnone" width="1920"] Ester Westerveld (Flickr)[/caption] DISCOVER THE WORLD OF CACTI Lightning Ridge's arid outback climate makes it the perfect spot for Bevan's Cactus Nursery, one of the largest of its kind in the southern hemisphere. Founded in 1966, the nursery is home to approximately 2500 cacti varieties of all shapes and sizes, with the oldest plant nearly 150 years old. Head along to view the incredible species on display — just watch where you put your hands. Bevan's Cactus Nursery is also home to a supremely rare collection of opals, including speckled black, crystal and white gems that are bound to catch your attention. [caption id="attachment_844634" align="alignnone" width="1920"] Dillon Seitchik-Reardon / Places We Swim[/caption] RELAX IN AN OUTDOOR BATH Lightning Ridge's surrounding landscape is undoubtedly dry, but you won't notice when you slide into the Artesian Bore Baths. Situated on the outskirts of town, these openair and naturally heated thermal pools provide the ideal spot to rest and recuperate after a long day in the sweltering sun. The Great Artesian Basin — Australia's largest freshwater resource — heats these rejuvenating watering holes from deep underground, helping them maintain a temperature of 40 to 50 degrees. Free to access and open 22 hours a day, this therapeutic experience is a far cry from your average inner-city wellness spa. VISIT AN UNDERGROUND ART GALLERY It seems like much of what makes Lightning Ridge special takes place underground. Chambers of the Black Hand is another unique landmark, a sprawling opal cave featuring tableaux hand-carved into the sandstone walls. Produced by artist and opal miner Ron Canlin, this incredible artistic endeavour was started in 1996. Today, the subterranean lair is adorned with figures carved into the mine walls with a small pick-axe and a butter knife. You can explore themed sections dedicated to native animals, dinosaurs and pop culture references like Lord of the Rings. There's also an underground shop where you can purchase opals directly from the source. COMPLETE THE CAR DOOR TOURS The outer reaches of Lightning Ridge are home to a collection of fascinating landmarks and landscapes, with the self-guided Car Door Tours ensuring you journey to the very best. Just follow the green, blue, red and yellow wreckage lining the roads that leave town in all directions. You'll reach the Opal Mine Adventure on the Blue Car Door Tour, while the Red Car Door Tour swings by Ridge Castle – an offbeat mining camp with panoramic countryside views. These trips range from 10 to 45 minutes of drive time, making them perfect for a quick cruise. Even if you don't take yourself on a tour, you'll become familiar with the car doors pretty quickly — they function as de facto street signs in Lightning Ridge. [caption id="attachment_843236" align="alignnone" width="1920"] John (Flickr)[/caption] EXPLORE LIGHTNING RIDGE'S QUIRKY MUSEUMS, GALLERIES AND MONUMENTS Lightning Ridge might be best known for its enduring opal mining history, but the community's collection of bizarre museums is definitely a close second. Bottle House Museum is one such structure, constructed from 5800 bottles and featuring a wide variety of curiosities for sale inside. A short drive away, the Astronomers Monument is another kooky landmark dedicated to scientists like Copernicus, while the colourful Beer Can House does what it says on the proverbial tinnie. If you love off-the-wall antiques and unusual souvenirs, don't miss the Kangaroo Hill Complex. Perhaps the most emblematic of the town's unusual art spaces is Amigo's Castle. This 15-metre-tall structure, based on Italian ruins, was hand-built with ironstone boulders in the 1980s, and is home to a small gallery, underground cellars, a corner turret and no roof, while the grounds surrounding the castle contain all sorts of tongue-in-cheek oddities. [caption id="attachment_843109" align="alignnone" width="1920"] John (Flickr)[/caption] If you're unable to resist the charms of Lightning Ridge and need to take a piece home with you, head to the more traditional — but no less colourful — John Murray Art Gallery, the exclusive home for works by the celebrated eponymous artist. Murray's works showcase the beauty and the character of the Australian outback with wit and whimsy. Stop into the gallery to see Murray's photorealistic works up close, and exit via the gift shop where you can pick up original paintings, prints, cards and souvenirs. Murray is also the creative mind behind Lightning Ridge's newest mascot, Stanley the Emu. Unveiled in 2013, Stanley is an 18-metre-tall steel emu made primarily from VW Beetle bonnets and doors, and is an unmissable sight that greets visitors just 10 kilometres out of town. Find out more about Wild Turkey's Discovery Series at the website. Top image: Craig Gibson (Flickr)
Is your aesthetic still stuck in the greys and blues of winter? Well, you should hotfoot it to Precinct 75 — its upcoming design market will help you transition into summer. On Saturday, December 14, the market takes over the St Peters creative precinct to celebrate local independent labels. Both Precinct 75 tenants and guests will be there, including vintage furniture specialists Water Tiger, homewares heaven In Artisan and Sibella Court's The Society. The event is pairing up with the local foodies and farmers markets to keep you fed, including dumplings, bao, pastries and Pepita's vegan ice cream van. St Peter stalwarts Rice Pantry, Sample Roasters and Willie the Boatman Brewery will be serving up their goodies as well. Plus, with free entry for you, your mates and the pooch — yes, pets are welcome — you'll have plenty of money to spend on some new wares. The market will run from 9am until 4pm. Images: Lucy Alcorn.
Across four seasons of Stranger Things so far, entering a rift to the Upside Down hasn't transported anyone Down Under. But jumping into the hit Netflix series' world keeps proving a reality in Australia — first via one of those portals popping up in Bondi back in 2022, and next courtesy of Stranger Things: The Experience, which has just locked in its Aussie debut at Luna Park Sydney as part of Vivid's just-unveiled 2025 program. Luna Park Sydney and immersive experiences based on Netflix shows keep going hand in hand of late; since the end of 2024, the Harbour City tourist attraction has been hosting Squid Game: The Experience, letting small-screen fans dive into another streaming smash. At the time of writing, playing Red Light, Green Light with Young-hee in Luna Park's big top is on the agenda until late April. Stranger Things: The Experience will run from Friday, May 23–Saturday, June 14. The must-attend event falls into the Ideas portion of Vivid's lineup. Get ready to visit 1986 — and also Hawkins, Indiana, of course — in what promises to be an interactive stint of Stranger Things-loving fun. Locations from the show are part of the setup, as is a supernatural mystery. And yes, you can expect to feel nostalgic, even if you don't have your own memories of the 80s because you hadn't been born yet. Stranger Things: The Experience isn't just about visiting recreations of settings that you've seen while watching Eleven (Millie Bobby Brown, The Electric State) and the gang. The installation features its own storyline, where playing along means trying to save Hawkins from yet another threat. And yes, you will take a trip to the Upside Down. You'll also be able to drink themed cocktails. Based on its time in other cities, Demogorgons and/or Vecna might await, too, along with Christmas lights, Scoops Ahoy and Surfer Boy Pizza. The experience initially opened in New York in 2022, and has enjoyed dates with Los Angeles, San Francisco, Atlanta, Seattle, Toronto, London, Paris and São Paulo since, with a Rio de Janeiro stint also on the way. "The rift is open and we're excited that our Stranger Things fans will get to jump into the magic once more," said Greg Lombardo, Head of Experiences at Netflix, back when the New York iteration launched. "This time they will take on the challenges themselves and work alongside Eleven, Mike, and the rest of the gang to fight the evil monsters plaguing Hawkins. As Dustin would say, you always say we should never stop being curious, to always open any curiosity door we find," Lombardo continued. Hanging out for new Stranger Things back in your Netflix queue? That's due to happen in 2025, when the show's fifth and final series arrives — although there's no exact release date as yet. Stranger Things: The Experience arrives at Luna Park Sydney, 1 Olympic Drive, Milsons Point from Friday, May 23. For more information, head to the Vivid Sydney website. Vivid Sydney 2025 runs from Friday, May 23–Saturday, June 14 across Sydney. Head to the festival website for further information. Images: Netflix.
Australians, it's time to roll up your sleeves — because the nation's slow-moving COVID-19 vaccine scheme has just been given a crucial boost. In a newly announced change, all Australian adults of any age can now get the AstraZeneca jab. All you need to do is go to your GP and specifically request the AZ vaccine. Prime Minister Scott Morrison revealed the news during a late-night press conference yesterday, Monday, June 28, in which he addressed several aspects of the country's vaccine rollout. Specifically, he announced a new no-fault indemnity scheme for general practitioners who administer COVID-19 vaccines, so they're covered if their patients have any adverse reactions. Australia's current health advice notes that the AZ vaccine is preferred for folks over the age of 60, and that anyone younger should have the Pfizer vaccine; however, if you're below that cutoff and would still like the AZ jab, your doctor can now give it to you. "This relates to encouraging Australians to go and chat to their GP about their vaccination, and to have their vaccination administered," said the Prime Minister. "The advice does not preclude persons under 60 from getting the AstraZeneca vaccine, and so if you wish to get the AstraZeneca vaccine, then we would encourage you to go and have that discussion with your GP," he explained. "We are also providing the indemnity scheme for those general practitioners so they can actively engage with you and you can make the best decision for your health." While that part of the Prime Minister's press conference didn't mention age limits, he was specifically asked about under 40s, and confirmed that any Aussie adult of any age can now go to their GP to get the AZ shot. "If they wish to go and speak to their doctor and have access to the AstraZeneca vaccine, they can do so," he said. That's welcome news for everyone under 40 that's keen to get jabbed, but hasn't been able to due to Australia's staged vaccine rollout. Until last night, adults aged between 16–39 weren't eligible to get vaccinated unless they fell into a number of specific categories. You had to either be of Aboriginal and Torres Strait Islander descent; work in quarantine, border or healthcare roles; work or live in an aged care or disability facility; work in a critical and high-risk job such as defence, fire, police, emergency services and meat processing; have an underlying medical condition or significant disability; or participate in the NDIS, or care for someone who does. Aussies under 40 who'd prefer the Pfizer vaccine will still need to fall into one of the aforementioned groups. Since Thursday, June 17, the Australian Technical Advisory Group on Immunisation has recommended the use of AstraZeneca vaccine in people aged over 60 only due to the risk of rare blood clotting disorders that've been linked to the vaccine when given to younger folks. That change followed an early recommendation back in April, which noted the AstraZeneca vaccine wasn't preferred for anyone under 50. But anyone of any age, including those under 60, can now still get the AZ jab — after making an informed decision by talking to their doctor. For further information about Australia's vaccine rollout, head to the Australian Department of Health website.
After serving up slices at festivals and events in Queensland, and and building a cult following through standout pop-ups at Marrickville's Grifter Brewing Co and The Dolphin Hotel, Sydney duo The Pizza Bros have opened their first permanent location inside a beloved Inner West pub. You'll now find the Bros' beloved leopard-spotted rounds on the rooftop of the historic Erskineville stalwart The Imperial. A bustling LGBTQIA+ nightlife hub famous for its appearance in The Adventures of Priscilla, Queen of the Desert, The Imperial was recently taken over by Universal Hotels, the hospitality team behind Newtown Hotel, Universal, Oxford Hotel and Civic Hotel. While not much has changed so far since the acquisition, the arrival of The Pizza Bros marks the first shift in offerings since the changing of hands. "The Pizza Bros are not just pizza makers; they're a cultural phenomenon," said CEO of Universal Hotels Harris Kospetas. "The Imperial Hotel has always been a place where innovation meets tradition, and we're excited to infuse fresh energy into this beloved space. We have some exciting changes in the works that will undoubtedly resonate with the community." Anyone who's visited the pop-up at Grifter will know the duo specialise in perfectly chewy woodfired pizza reminiscent of other Sydney favourites like Bella Brutta and Gigis — both of which the Bros previously worked at. The menu across the pop-up and this new kitchen focuses on combining Italian staples with quality local produce. Take the Waterworld, which pairs a house-made fermented chilli sauce with fior di latte, Faros Seafood garlic prawns and pancetta. There's also a luxe take on a meatlovers featuring LP's salami cotto and Whole Beast Butchery salsicce — and The Mago Picasso, which keeps it simple with fior di latte, pomodoro sugo, confit garlic and basil. But, what would good toppings be worth without a great canvas? The Pizza Bros give special focus to their in-house dough, using several fermentation processes to create each base. The result is both tasty and aesthetically pleasing — so pleasing that it's racked up hundreds of thousands of views across TikTok and Instagram. The Imperial is walk-in friendly, but if you want to make a booking for the rooftop, you can at the pub's website. The Imperial is located at 35 Erskineville Road, Erksineville. You'll find The Pizza Bros on the rooftop Wednesday–Sunday.
This year hasn't been easy for anyone, but it has been extra tough for folks in Melbourne. The city's residents went into lockdown earlier in 2020, when the rest of the country shut down — and, when cases in the state started to increase again mid-year, they endured new Melbourne-specific stay-at-home restrictions that have only been easing since mid-September. From tonight — at 11.59pm on Tuesday, October 27, to be specific — Melburnians will be allowed to drink brews at bars, pubs and restaurants again. Understandably, the city's residents and venues are rather excited about that development. But if you're located in the rest of Australia and you'd like to help make this development as cheery as possible, you can help out by shouting a Victorian a drink. If you're located in Victorian or even Melbourne and you want to spread the love to everyone else who just navigated the past few months, that's on the cards too. If you'd like to send this link to your interstate friends to nudge them in the right direction, that's obviously an option as well. When it comes to donating, anyone can take part in the #ShoutAVicADrink campaign started by The Otter's Promise in Armadale. It's really as simple as it sounds. Via the craft beer bar and bottle shop's website, you can pledge $10, which'll be used to to buy a random Victorian a drink at the bar. You can choose to donate more than $10, of course, which'll be used for multiple drinks. And it will be random, based on whoever is in the bar — and no, you can't specify who your shout goes to. If you're a Melburnian who lives within 25 kilometres of The Otter's Promise, obviously that's as good a reason as any to stop by when it reopens from midday on Thursday, October 29. The venue is hoping that other Melbourne joints will join the campaign, too, turning #ShoutAVicADrink into a city-wide campaign. To shout a Victorian a drink, head to The Otter's Promise's website. To visit The Otter's Promise, head to 1219 High Street, Armadale from midday on Thursday, October 29.
Weather: crisp. Pretzels: everywhere. Cinemas: packed to the brim. Yes, that's the Berlin International Film Festival. And while plenty of chatter about sickness filtered through the fest's landmark 70th year — and plenty of grim looks at anyone who dared to cough between February 20–March 1, too — the 2020 event marked its massive anniversary in its usual star-studded, movie-filled style. Among the highlights: Willem Dafoe's moustache beaming its gloriousness from the red carpet, while the actor promoted the most divisive film of the festival; Indigenous Australian storytelling thrust into the spotlight multiple times, showcasing standouts from both the big and small screens; and a Golden Bear winner from an Iranian director, who was banned from filmmaking and unable to leave the country to attend the festival. This year's event also commemorated a 100-year-old masterpiece via an immersive exhibition, celebrated Helen Mirren's momentous career by giving her an award, and invited plenty of filmmakers to pair up and chat about their careers — including Crouching Tiger, Hidden Dragon's Ang Lee and Shoplifters' Hirokazu Kore-eda. That's what happened on the ground. If you couldn't be there, don't worry — Berlinale's massive film program will keep spreading its delights over the coming months. After spending 11 days in Berlin's cinemas (and eating the city's schnitzels and spatzle, of course), we've picked ten movies to look out for. Fingers crossed they make it to a screen Down Under sooner rather than later. https://www.youtube.com/watch?v=SRUWVT87mt8 FIRST COW Every time Kelly Reichardt steps behind the camera, something astonishing happens, as everything from Wendy and Lucy to Certain Women has shown. So the fact that First Cow ranks among the writer/director's best work is no small feat indeed. Stepping back to 19th-century America, Reichardt spins the story of a cook (John Magaro) and a Chinese entrepreneur (Orion Lee). Two outcasts among the fur-trapper community, they spark up a friendship — and, once the Chief Factor (Toby Jones) ships in the region's highly coveted first cow, they pair starts an illicit but highly profitable business making delicious biscuits using milk stolen direct from the animal in the dark of night. As always in Reichardt's features, there's such empathy, sensitivity and tenderness to this magnificently told tale, which continues the filmmaker's thoughtful exploration of characters on the margins, as well as her ongoing interrogation of the American dream. https://vimeo.com/391958174 GUNDA Move over Babe, Piglet and Porky — cinema has a new porcine star. Or several to be exact; however other than the eponymous sow, they're not given names in Gunda. Indeed, not a word is spoken in the latest engrossing, meditative and moving documentary from Aquarela's Victor Kossakovsky. Instead, the observational film devotes its black-and-white frames to watching its main subject give birth, care for her squealing and inquisitive little ones, roll around in the mud and simply go about her life. Of course, viewers know that these cute critters are living on a farm, that the piglets are destined to become meat, and that their story won't end happily. Interspersed with brief glimpses of cows and chickens — two other animals bred for human consumption — this film screams its abhorrence of eating flesh through its stunningly intimate imagery. And to the surprise of no one who saw his Golden Globes and Oscars speeches, Joaquin Phoenix is one of the doco's executive producers. https://www.youtube.com/watch?v=mBcY5-QzqTU THE WOMAN WHO RAN Alcohol. Conversation. A scene-stealing cat. Combine all three, and South Korean great Hong Sang-soo is firmly in his element. The booze flows freely as Gamhee (Hong regular Kim Min-hee, a 2017 Berlinale Best Actress winner for On the Beach at Night Alone) enjoys her first time away from her husband in five years, visiting friends around Seoul while he's off on a business trip. In the prolific director's typical fashion, much of The Woman Who Ran unfurls as his characters simply chat — about lives, hopes, dreams, problems and, with a pesky neighbour in the movie's funniest moment, about feeding stray felines. Hong's penchant for long, patient takes, playful repetition and echoes, and expertly timed crash-zooms are all used to winning effect, in a film that slots perfectly into his busy oeuvre (he's made 23 movies since 1996) and yet always feels distinctively insightful. Also, and we can't stress it enough, look out for one helluva kitty. https://www.youtube.com/watch?v=El4-2zrNppA UNDINE For the second time in as many films, German writer/director Christian Petzold teams up with rising talents Paula Beer and Franz Rogowski — but you could never accuse the filmmaker of doing the same thing twice. Back in 2018, the trio turned Transit into a war-torn romance that mused on conflict's lingering scars, while here, they're reinventing a German myth about a water spirit who can only turn human through love. Undine (Beer, this year's Silver Bear winner for Best Actress) is a historian who guides museum tours about Berlin's origins. When her boyfriend Johannes (Jacob Matschenz) breaks up with her suddenly, she warns him that she'll have to kill him. Then she meets industrial diver Christoph (Rogowski), but even as their love blossoms, her previous relationship isn't easily overcome. Petzold is no stranger to pondering the impact of the past on the present (see also: Barbara and Phoenix); however in the enchanting, beguiling, beautifully shot Undine, he's at his most haunting. https://www.youtube.com/watch?v=hjw_QTKr2rc NEVER RARELY SOMETIMES ALWAYS The third film from talented American writer/director Eliza Hittman (It Felt Like Love, Beach Rats), Never Rarely Sometimes Always took home Berlinale's Silver Bear Grand Jury Prize — the festival's second most prestigious award — but it would've been a more than worthy overall winner. First premiering at Sundance, where it also nabbed a jury prize, this a heart-wrenching gut-punch of a movie that's about an ordinary teenager in an everyday situation, while simultaneously focused on a crucial topic. When small-town Pennsylvanian 17-year-old Autumn (Sidney Flanigan) discovers that she's pregnant, she only really has one option. She's certain her family (including Sharon Van Etten as her mother) won't help, and the local women's clinic advocates having the baby, so with her cousin Skylar (Talia Ryder) she hops on a bus to New York. Their experiences in the Big Apple are tense and devastating, as is this potent, compassionate and naturalistic entire film. [caption id="attachment_763961" align="aligncenter" width="1920"] Mughal Mowgli Ltd, BBC[/caption] MOGUL MOWGLI Riz Ahmed not only stars in but also cowrites Mogul Mowgli — and given that he's playing a British Pakistani rapper, and the Four Lions and Rogue One actor also happens to be British Pakistani rapper himself, this incisive drama understandably feels personal. It's also electrifying from the moment when, early in the film, Ahmed's character Zed takes the stage and unleashes his politically charged lyrics about his experiences to a responsive audience. Zed is on the cusp of stardom but, just as he secures his next big opportunity in a supporting slot on a lucrative European tour, his health unexpectedly begins to fail him. Exploring the fallout, including the professional disappointment, Zed's struggles with his cultural heritage upon his return home to London and the tough reality of facing a shattering diagnosis, writer/director Bassam Tariq makes an exceptional debut, crafting a film that's as bold, dynamic and probing as its central performance. [caption id="attachment_763958" align="aligncenter" width="1920"] Caroline Fauvet[/caption] JUMBO In Portrait of a Lady on Fire, one of the best films of 2019, Noémie Merlant played an 18th-century artist who fell in love with the betrothed woman she's commissioned to paint. In the neon-hued, loosely based-on-a-true-story Jumbo, she's once again falling head over heels — this time for an amusement park ride. Her character, fairground worker Jeanne, is shy to the point of being teased by everyone around her. While her mother (Emmanuelle Bercot) doesn't fall into that category, she does repeatedly try to push her out of her comfort zone, including setting her up with the park's new boss (Bastien Bouillon). But in Belgium-born, France-based writer/director Zoé Wittock's debut feature, nothing makes Jeanne feel the way that Jumbo, the theme park's new ride, does. It's a quirky, even whimsical concept, but both Merlant and Wittock treat Jeanne's love affair with sensitivity and enthusiasm — two traits the character isn't accustomed to receiving elsewhere. https://www.youtube.com/watch?v=HgyisKVoFzY THERE IS NO EVIL The death penalty casts a dark shadow over There Is No Evil, an anthology film that explores capital punishment and its impacts. Across four segments, writer/director Mohammad Rasoulof charts the ripples that state-sanctioned killing has upon Iranian society — via a stressed husband and father (Ehsan Mirhosseini), a conscript (Kaveh Ahangar) who can't fathom ending someone's life, a soldier (Mohammad Valizadegan) whose compliance causes personal issues and a physician (Mohammad Seddighimehr) unable to practise his trade. While some sections hit their mark more firmly and decisively than others (the film's introduction sets a high bar), this year's Golden Bear winner has a lingering cumulative effect as it ponders the threats and freedoms of life under an oppressive regime. Rasoulof has actually been banned from filmmaking in Iran, restricted from leaving the country and sentenced to prison, all for examining the reality of his homeland — and, after 2013's Manuscripts Don't Burn and 2017's A Man of Integrity, There Is No Evil continues the trend. [caption id="attachment_763954" align="aligncenter" width="1920"] Michael Kotschi/Flare Film[/caption] ONE OF THESE DAYS After turning in an astonishingly raw and powerful performance in 2017's A Prayer Before Dawn, British actor Joe Cole does so again in US-set drama One of These Days — albeit in completely different circumstances. In a nuanced and naturalistic performance, he plays Kyle, a small-town Texan department store employee who's overjoyed when he wins the chance to compete in the local car dealership's annual 'Hands on a Hardbody' contest. If he can outlast his fellow competitors by placing his hand on a truck for longer than anyone else, he'll drive off with the vehicle he's certain will change not only his life, but that of his wife (Callie Hernandez) and their baby. Also starring True Blood's Carrie Preston as the marketing guru in charge of running and promoting the contest, One of These Days doesn't hold back in exploring the toxic cycle that sees the struggling and desperate chase wealth at any cost, with German writer/director Bastian Günther helming a clear-eyed but immensely empathetic film. https://www.youtube.com/watch?v=ARNPF52AZAQ HIGH GROUND A high-profile Australian cast and an acclaimed local director traipse through the country's colonial past in High Ground — and while that description applies to a growing number of Aussie films (Sweet Country and The Nightingale, just to name two recent examples), it'll never get old. Indeed, while Stephen Maxwell Johnson's (Yolngu Boy) frontier western feels like a natural addition to this growing genre, it also makes its own imprint. The setup: on what's supposed to be a routine expedition, almost an entire Indigenous tribe is wiped out by northern Australian police. Their leader, ex-World War I sniper Travis (Simon Baker), isn't responsible for the carnage, but it weighs heavily on him in the aftermath. In this gorgeously shot, deeply contemplative drama, that especially proves the case twelve years later — when Travis is enlisted by his superior (Jack Thompson) and his ex-partner (Callan Mulvey) to track down one of its revenge-seeking survivors, all while accompanied by the boy-turned-tracker (Jacob Junior Nayinggul) who also lived through the slaughter. Images: First Cow © Allyson Riggs/A24; Gunda © Egil Håskjold Larsen/Sant & Usant; The Woman Who Ran © Jeonwonsa Film Co. Production; Undine © Christian Schulz/Schramm Film; Never Rarely Sometimes Always © 2019 courtesy of Focus Features; Mogul Mowgli © Mughal Mowgli Ltd, BBC; Jumbo © Caroline Fauvet; There Is No Evil © Cosmopol Film; One of These Days © Michael Kotschi/Flare Film; High Ground © Sarah Enticknap/High Ground Picture.
It's a fine line you walk writing magic realist plays. You want to stay in the blazing fires of poignancy, but one stumble away lies the empty desert of twee. Playwright Lally Katz has quite consistently been scorching, adding grunt to whimsy for some dozen years and 20 works. Best known in Sydney for the moving play she purpose-built for Robyn Nevin, Neighbourhood Watch, as well as this year's energetic un-commission Stories I Want to Tell You in Person, her work is surreally plotted yet emotionally resonant — and always, always original. There was a chance her recent play, Return to Earth wouldn't make the grade, however, after its initial Melbourne Theatre Company outing became one of the most panned plays of last year. And that's where things get interesting. Because that show was derided for its hollow cuteness, but there's no trace of it in this Sydney production, directed by Paige Rattray with local indie company Arthur. Their Return to Earth is an odd but balanced little world beautifully riven with melancholy. It follows what happens when the missing Alice (The Sapphires' Shari Sebbens) returns to her family in small-town Tathra. Her lost years are a mystery no one will directly address, and the new Alice acts completely disconnected from reality and social convention — she has to relearn how to chew, treat houseguests, everything. She even, it turns out, has her own name wrong. In these difficult circumstances, some embrace her with enthusiasm, while others are slower to accept. Her mother (Wendy Strehlow) and father (Laurence Coy) are enthusiastic to the point of alienating, and the effect is only heightened by their American accents. Her brother, Tom (Ben Barber), and former best friend, Jeanie (Catherine Terracini), have rather less patience with the guileless prodigal daughter, while the new friendship offered by Theo (Yure Covich) is a welcoming blank slate. However, it's Ben's seven-year-old daughter, Catta (Scarlett Waters), to whom Alice is perhaps most strongly tied. The implication, from the title on down, is that Alice has been in outer space. More likely is the metaphor that Alice is a traveller with irrepressibly itchy feet that cannot be soothed in sleepy Tathra. As strong as her inability to feel bound to her kin is her need for adventure. It causes ache on all sides. This is not unlike the story of every Doctor Who companion, but given a far deeper reading. A lot rests with Sebbens' performance as Alice, and she's excellent. Wide-eyed but not overly childish, Sebbens makes it easy for us to empathise with and care about what could easily be an ethereal character. She has a great supporting cast around her, and special mention must go to young Waters, who comes off as the coolest kid around. This is a team that can make barnacles growing on backs and sing-alongs to 'Eternal Flame' seem if not natural, then at least not confected. The piece is served well by Tom Hogan's subtle, echoing sound design, which wraps innocent moments in a gauze of darkness. There's an indecisiveness to the set design — the first half of the play is spent filling the blank stage with a clutter of bright objects, which are then cleared and replaced with a solid, realistic dining table for the second half — but it's also not intrusive. The ultimate reward is that, for something abstract, Return to Earth just feels so real.
One weekend of Coachella 2024 might be over, complete with lively sets and plenty of special guests, but this Californian music festival doesn't just run once each year. First, it throws its huge party in Indio across three days. Then, the next week, it backs it up to do it all over again. And for those playing along at home, that means that you have another chance to hit up the YouTube livestream. Wondering who is playing when? That's where set times for Coachella's second weekend come in. There aren't many changes from the first weekend's bill — but you will find Kid Cudi joining the lineup this time around. [caption id="attachment_950213" align="alignnone" width="1920"] petercruise via Flickr[/caption] In the headline spots as with weekend one: Lana Del Rey, Tyler, The Creator, Doja Cat and No Doubt. Coachella's second 2024 run spans across Friday, April 19–Sunday, April 21 — which is Saturday, April 20–Monday, April 22 Down Under. Among the highlights on Saturday in Australia and NZ: Del Rey, Justice, Peso Pluma, Lil Uzi Vert, Sabrina Carpenter, Deftones, Suki Waterhouse, Peggy Gou and Tinashe. The list goes on, of course. View this post on Instagram A post shared by Coachella (@coachella) On Sunday Down Under, get excited about Tyler, The Creator, No Doubt, Blur, Ice Spice, Jon Batiste, Sublime, Dom Dolla, Grimes, Orbital, Oneohtrix Point Never and RAYE — and more, obviously. And, come Monday for Aussies and New Zealanders, Doja Cat, Kid Cudi, J Balvin, Lil Yachty, Kruangbin, Reneé Rapp, Flight Facilities and DJ Seinfeld are on the bill, plus a heap of others. [caption id="attachment_936351" align="alignnone" width="1920"] Casey via Wikimedia Commons[/caption] Spotted a dreaded set clash? This year, for the first time ever, you can livestream multiple stages at once. How many? Four in total. Each year, Coachella and YouTube join forces to beam the massive music fest around the world, which is no longer such a novelty in these pandemic-era times — but being able to fill your screen with a quartet of Coachella sets at the same time definitely is. YouTube's multiview concert experience is enjoying its debut in the music space, and globally, at Coachella. This year, the service is capturing six different stages, as it did in 2023 for the first time ever — with Sonora on the list for the first weekend and Yuma now up on the second. [caption id="attachment_951352" align="alignnone" width="1920"] Jaime Rivera via Wikimedia Commons[/caption] That said, while you can feast your eyes on four stages simultaneously, you'll only be able to hear one, so you will still need to pick a favourite in any given timeslot. Bookmark Coachella's YouTube channel ASAP — or hit it up below: Coachella 2024's second weekend runs from Friday, April 19–Sunday, April 21 — which is Saturday, April 20–Monday, April 22 Down Under — at the Empire Polo Club in Indio, California, and livestreams via YouTube across the same dates. Top image: demxx via Flickr.
