Cider isn’t just a summer thirst quencher. Turn the stove on, throw in some spices and in just ten minutes you can wrap your gloves around a toasty hot beverage that makes mulled wine seem tame in flavour. Packed with fruits and spices like nutmeg, star anise, cloves and cinnamon, mulled cider gives your tastebuds a tasty kick on a cold winter night. INCREDIBLE MULLED CIDER by Jamie Oliver The recipe calls for clementines but if you can’t find them mandarins make a suitable alternative. It takes less than ten minutes for the flavours to infuse and the punch to warm up. Plus with oranges, clementines and pomegranate — you could even help stave off the dreaded winter cold... but that’s probably wishful thinking. SLOW COOKER HOT SPICED APPLE CIDER by mykitchentreaty.com Four spices, four hours. This recipe couldn’t be easier and the extra brewing time fills the cider with flavour and the kitchen with an inviting, spicy aroma. The fun bit is sticking the cloves in the whole oranges, which not only looks good enough for an Instagram snap, but could also ease the stress of a day that deserves nothing more than a glass of hot mulled cider. HOT BUTTERED APPLE CIDER by bonappetit.com Winter is no time for diets. That’s what we’ll tell ourselves as we’re stirring up all the butter and brown sugar that goes into this sinfully good recipe. It’s a time to add a little extra layer for warmth and what better way to do it than with this eye-rolling, tongue-out taste explosion in a mug. There’s a little lemon squeeze in her too for some subtle zest. Top Image: Dollar Photo Club
Next up at Firstdraft is Untold Stories, a group show from Berlin-based artists Jessica Ekomane, Jasmine Guffond and Silje Nes. Untold Stories examines the limits of human perception in relation to the technology shaping our modern environment. The three artists have backgrounds in sound installation, experimental sound and music (Nes releases music under both her own label, Noko Ana, and FatCat records — have a listen), along with a penchant for investigating the potential connections between sound, technology and politics. This new show indulges their interest in how phenomena like global wireless networks and the vibrational properties of subsonic sounds exist in an inaccessible space beyond our sensory range as humans, using generative experiments and sound installation to play with the idea of perception itself. A must-see for those who take their art experimental with a splash of nerd. While you're at First Draft, you can also check out Tyza Stewart's new show, Hey Remember When I Had a Rat-Tail. Image: Jessica Ekomane, Jasmine Guffond & Silje Nes, Untold Stories, courtesy the artists and Firstdraft
Listening to Moses Sumney is a distinctive and unique experience — like floating on a dark cloud with a silver lining, or teetering on a razor's edge between euphoria and melancholia. Armed with nothing but a guitar, a loop pedal and his ethereal pipes, Sumney creates a soft vortex of swirling melodies and rolling rhythms that seem to draw the audience into his world, and away from the corporeal. Fresh from a UK tour and a collaboration with The Cinematic Orchestra, Sumney is bringing his collection of soulful musings to Sydney Festival for a single night on Saturday, January 14. What's more, he'll be performing in St Stephen's Uniting Church on Macquarie Street. When every song is an experiment of the soul, you know this is one gig worth checking out. This is one of 15 next-level events to see at Sydney Festival. Check out the whole list.
Last winter, the NGV saw over 200 works from New York's famed MoMA and over summer it housed the Escher x Nendo: Between Two Worlds — an exhibition showcasing the works of both Dutch artist M.C. Escher and Japanese design studio Nendo. So, it had some big space to fill. Its 2019–20 summer blockbuster is Keith Haring | Jean-Michel Basquiat: Crossing Lines — yep, the NGV has succeeded in bringing yet another world-class exhibition to Australian shores. Similar to the Escher x Nendo and 2016's Andy Warhol | Ai Weiwei exhibition, this one showcases an intersection between the two artists' careers (which were hugely influential in the late-20th century art world) and lives (which were both prolific, and tragically short). The world-premiere retrospective is exclusive to Melbourne and delves into their radicalism, socio-political standings and distinctive imagery. Haring's iconic dancing figures and Basquiat's crown and head motifs can be found throughout the 300 works — which spans paintings, sculpture, objects, drawings, photographs, notebooks and pieces in public spaces. The exhibition will also house the artists' collaborations with some of the world's most-celebrated pop culture icons, including Andy Warhol, Grace Jones and Madonna. Images: Tom Ross.
Ivan Orkin is a self-described "Jewish kid from New Jersey", but he's really an innovative star chef. You may recognize him from that one noodle episode of The Mind of a Chef. If you don't, all you need to know is that David Chang is a huge fan of his soup noodles. The new-school ramen chef will be joined by Dan Hong (Mr Wong), Mitch Orr (ACME), Ben Sears and Eun Hee An (Moon Park), Federico Zanaletto (LuMi) and Pasi Petanen (Cafe Paci), who are all dishing up their own versions of ramen. If that's not enough, Sydney's resident cool guy Andrew Levins will be providing the tunes for your rave. This event is one of our top ten picks of Good Food Month 2015. Check out the other nine. Image: Dollar Photo Club.
Ronny Chieng’s a correspondent for The Daily Show, Josh Thomas's Please Like Me got nominated for an International Emmy, and Sam Simmons won the most prestigious accolade in live comedy, the Edinburgh Comedy Award. So it’s safe to say Australian comedy is gaining a formidable international reputation. Before hitting the big time though, each of these acts honed their skills live in bars, pubs, and comedy clubs across our wide brown land. And closer to home, local comedians are also experimenting, pushing boundaries, and putting on innovative work that might one day see them stepping out on to the world stage. Concrete Playground went to the coalface of comedy to bring you the ten best comedy rooms in Sydney you haven’t heard of yet. THE COMEDY LOUNGE Arguably the best weekly comedy room in Sydney, The Comedy Lounge at Surry Hills' Cafe Lounge is fast becoming a comedy institution. Having recently rung in their fourth birthday, Monday nights at The Comedy Lounge are always enjoyable, and for just $10 – or $8 if you're a penny-pinching student – we can see why. However, despite the consistent funnies being served up every Monday, it's Sunday nights that have recently been making a splash. On the Sabbath, Barry Award-nominated (that is, nominated for the best show at the Melbourne International Comedy Festival) comedian John Conway hosts John Conway Tonight, an absurd deconstruction of a late-night TV show done live. Joined by regular collaborators and comedy young guns, Sam Campbell, Aaron Chen and Will Erimya, and boasting guests like The Chaser's Craig Reucassel, there truly is no other show like it in Sydney. Oh, and best of all — it's free. If eccentric live pseudo-chat shows aren't your thing, stick to Mondays and you never know who might 'drop in'. Recent surprise appearances by Wil Anderson and Stephen K. Amos show that The Comedy Lounge is always worth checking out. WOLF COMEDY Wolf Comedy is a monthly room held on the last Thursday of every month at Chippendale's best-kept secret, Knox Street Bar. Run by up-and-coming comedians Shubha Sivasubramanian, Kara Schlegl and Bish Marzook, as well as Gruen writer and creator of SBS Comedy's Backburner, James Colley, the motto of this room is, simply, 'be excellent to each other'. What that means in practice is a fun, accepting room, committed to diversifying comedy (read: comedians who are not solely twenty-something white dudes), and encouraging new people to perform. If you're a comedy fan but think insult comedy is tedious machismo or you simply don't want to be picked on as an audience member, this is the room for you. However, before the neckbeards rise up and start chanting Political correctness has ruined comedy! Seth MacFarlane is a god!, don’t mistake pleasantness for dullness. This room is all killer, no filler, and tickets routinely sell out. COMEDY(ISH) The brainchild of comedian Rhys Nicholson and triple j host Kyran Wheatley, Comedy(ish) is a night for new comedy from experienced comedians. Every iconic joke you can think of started off as a lump of coal, only to be relentlessly polished and refined into the comedic diamond that gets the laughs. And this is the place to see it happen, and watch today's headliners writing tomorrow's punchlines. Also a decent bet for big name drop-ins; Reggie Watts stopped off unannounced at last month's show. FIRST TUESDAY COMEDY CLUB The second offering from the Rhys Nicholson, Kyran Wheatley team at Giant Dwarf, this is classic New York-style stand-up comedy: an opener, feature set, and world-class headliner, emceed each month by one of the nation's finest talents. You'll be hard pressed to find a higher quality selection of comedy anywhere in Australia — let alone Sydney. So get along on the first Tuesday of the month now, because this is going to be the next big thing. ROX COMEDY The Roxbury Hotel has been synonymous with Sydney comedy for decades. So when the pub was taken over by new management a few years back, news that comedy would no longer have its ancestral home in Glebe was met with dismay and despondence. But, luckily, the dark days are over, with the launch of Rox Comedy every Wednesday night. Run by Sydney comedy veteran Ray Badran and emerging talent Gerard McGeowan, each week this room boasts some of the best comedians in Australia. Having only launched a few months ago, this room is still hitting its stride — but expect big things. TENNIS IMPROV Improvised comedy is going through something of a renaissance in Sydney at the moment, with The Bear Pack regularly selling out 300+ seat venues and Tennis Improv still serving up some of the best long-form improvisational comedy this city has to offer. Formerly known as Full Body Contact No Love Tennis, the rebranded Tennis is back with a vengeance every second Tuesday at Glebe's Roxbury Hotel. It operates under the tutelage of the talented Kate Coates, Hayley Dinnison, and Fran Middleton. ENMORE COMEDY CLUB Inspired by the success of the Sydney Comedy Festival's late-night showcase, The Festival Club, Enmore Comedy Club adopts the same formula: $15 (or $10 if you buy online) for world-class comedy in an intimate venue. Held in the Enmore Theatre's newly refurbished wine bar every Tuesday, this night is run by the same crew behind The Comedy Store, which is widely-regarded as the best comedy room in Australia — if not the southern hemisphere. So expect top-shelf acts at bargain basement prices. EVELEIGH COMEDY Previously one of the best free weekly rooms in town, hotel management issues recently forced Eveleigh Comedy to scale back to a monthly show. However, what may have been lost in regularity will be more than made up for in quality. Hosted and produced by the prolific Daniel Muggleton on one Sunday night a month, this is always a laidback, super fun night. And if the gratis ticket price wasn't enough of an incentive, The Eveleigh Hotel is one of the inner west's hidden pub gems. GREEN LIGHTS COMEDY Never been game enough to set foot inside The Gaelic Club, the Surry Hills drinking hole of questionable repute opposite Central? Neither had we — that is, until Green Lights Comedy set up shop on the top-floor of the Irish pub on the last Friday of every month. Run by long-time friends and self-proclaimed 'adorable as ever MCs' Alexei Toliopoulos and Nikko Malyon, Green Lights has one of the best set-ups of any room in Sydney. To the right of the pokie-strewn façade, up some anonymous-looking stairs decorated with rugby league paraphernalia from a bygone era, past a table of possibly the last remaining (or certainly the oldest) card-carrying communists in Sydney, and through the green door, you'll find yourself in the little-known top bar of The Gaelic Club. Green Lights feels like stepping into someone's living room, and the hosts emulate this warmth perfectly. If you feel like seeing decent comedy in a friendly, homey setting over a dirt-cheap pint of Kilkenny, look no further. DRAGON FRIENDS As that sweaty, gamer dude with greasepaint dripping from his nose that you bumped into on the bus who was cosplaying Emperor Palpatine en route to Oz Comic-Con said: Let the nerd flow through you. Despite sounding like one of the most horrendous pick-up lines of all time, he had a point. Nerd culture is inescapable, and unless you want to look back on a life haunted by the zeitgeist, it's time to get on board. Dragon Friends is a Dungeons and Dragons game played live on stage by some of Sydney's best comedians. While that may sound niche, the kicker is that none of the comedians have played D&D — the cult tabletop fantasy role playing game — before. DM'd by Dave Harmon, the creator of Australia's largest real world zombie survival game, Zedtown, together with Story Club co-creator and regular Chaser collaborator, Ben Jenkins, are Dragon Friends. And it's silly, unashamedly nerdy, and utterly delightful. The core cast of comedians/D&D newbies is compromised of triple j presenter and Good Game Well Played host, Michael Hing, BuzzFeed Australia's Alex Lee, national Theatresports champion Simon Greiner, and one third of the Axis of Awesome, Benny Davis. Having just performed at PAX Australia in Melbourne — where they were joined on stage by Lawrence Leung and none other than Senator Scott Ludlam — Dragon Friends won't be little known for long. If this piques your interest, you can catch up on the adventure so far via their podcast. Finally, if all of those suggestions left you unphased, and you’re looking for raw, experimental, genre-bending (and occasionally shambolic) comedy, check out Idiot Box on campus at the University of Sydney's Hermman’s Bar. Images: From each venue, top image Giant Dwarf.
New local indie short film festival Freshflix is back for spring with more great films and food to ring in daylight savings. Created by budding entrepreneurs Jess Hamilton, Claudia Pickering and Laurs Guthrie, Freshflix started earlier this year in a backyard in Freshwater with the aim of showcasing local and international indie films, visual arts and live music. Head to the 4 Pines Brewery Truckbar in Brookvale on Saturday, October 15 to kick back to the blues beats of The Realmers, munch on Truckbars' signature pale ale pizza pies and, naturally, drink 4 Pines brews — not to mention watching a solid dose of some kickass new films. Highlights from their spring film selection lineup include Spill, a film about power dynamics in the marble collecting craze of West Meadows Primary School (or, you know, every suburban Australian primary school ever), Big City, a film about a Melbourne taxi driver and his passenger, and The Plover, a cartoon about a plover standing in the way of Henry Arthur Henry achieving his hopes and dreams — namely, jumping on Angie Primarano's trampoline. And if all that isn't enough to convince you, your Freshflix ticket even comes with a free zine by local artists and free popcorn. Sold. Can't make it to Brookvale? Don't worry, Freshflix will be coming to a secret Redfern warehouse on Friday night.
Picture this: you’re settled in for the night with your penne and personal tiramisu, pyjamas so fluffy it’s like wearing a cloud and none of your shitty housemates are home. You’ve got a tight lineup of trashy shows ready to go and a fat glass of wine in hand, but something is off — there’s not enough wine. There’s not enough wine in your glass, blood or on the television. There’s some wine on Masterchef, there’s demure wine on The Bachelor and there’s hardly any wine in Are You Smarter Than a 5th Grader. All that’s about to change with Baptism of Fire, a wine-making reality show that pairs amazingly with indulgent nights on the couch. Mojo Wine is once again bringing us Baptism of Fire, a reality web series that pits team of amateur winemakers against each other for the glory of the win (and $10,000 prize money). If you want to take it further than simply watching the wine be made, you can even make the wine yourself — Mojo is looking for entrants now, and the only catch is you can never have never been employed in winemaking (recreational wine drinking, however, is fine and recommended). The experience is fully paid for and, we would guess, involves a fair whack of delicious wine-tasting. The competition traverses the entire process that turns not-at-all fun grapes into a so-much-fun bottle of wine with a cute label. The six teams of two will design and market their wine and the winners receive the chance to take their brand further — what this literally means, we're not 100 percent, but it is an opportunity to drink wine for ‘educational’ purposes on a weeknight. Bring it on. To apply for Baptism of Fire, check out the website.
"Justice's '†' has just come out on Ed Banger Records and Daft Punk's Alive tour is coming to an end. Calvin Harris is singing 'Acceptable in the 80's' live on tour and Boys Noize releases 'Oi Oi Oi'. Sneaky Sound System is in the 25 Most Played playlist on your brightly coloured iPod Nano and you know all the words to 'The Salmon Dance'. The music videos for 'Destination Calabria' and 'My People' are on high rotation on Channel [V]." We're heading way, way, way back to 2007 (where the folks behind A Year in Dance know how to write a damn good time-travelling event description). If you're pining for the days of dancing around your lounge room to Friendly Fires and Cut Copy, guilty of cranking Bob Sinclar's frustratingly catchy singles in your car, or know how to pronounce the band name !!! this one's for you (it's Chk Chk Chk, remember). A giant party celebrating the music of the year 2007 is coming to the Metro. Niche, but bloody awesome. Here's what you'll be listening to: The Chemical Brothers, Justice, MSTRKRFT, Sneaky Sound System, Riot In Belgium, Calvin Harris, Boys Noize, Switch, LCD Soundsystem, Busy P, Uffie, GOOSE, Simian Mobile Disco, YELLE, Friendly Fires, Bloc Party, Digitalism, Panda Bear, Daft Punk, Shinichi Osawa, Les Petits Pilous, Chromeo, D.I.M, Danger, M.I.A, DJ Mehdi, Muscles, Bonde Do Role, Bob Sinclar, Grafton Primary, Yacht, Freemasons, !!!, Cut Copy, Bang Gang DJs, Van She Tech, Crookers, Crystal Castles, Operator Please, Scissor Sisters, The Klaxons, Fergie, Fall Out Boy, The Shins, The White Stripes, New Young Pony Club, Plain White Ts, Gossip, JoJo, Gym Class Heroes, Arctic Monkeys, Nelly Furtardo, MIKA, Dizzee Rascal, Bloc Party and more. Not convinced? REMEMBER THIS:
Puffy shirts and cereal bowls at the ready. It's been 17 years since Jerry Seinfeld shut the door to his New York apartment, but for just five days lucky New Yorkers can relive the finicky glory of Larry David's immortal sitcom. There's a Seinfeld pop-up museum opening for just five days in New York City, featuring a replica of Jerry's apartment 5A, the gang's favourite diner booth, a Festivus Pole, a host of original props and scripts, yada yada yada. Held at New York's Milk Studios in the Meatpacking District, the pop-up is a publicity stunt by Hulu — US users (or sneaky VPN-wielding fiends) can stream all 180 episodes of the series online from today. Actor Patrick Warburton (Elaine's boyfriend David Puddy) told the New York Daily News it was "like the Smithsonian of Seinfeld." Larry Thomas (who played the formidable Soup Nazi) instead said, "It’s like Disneyland for Seinfeld fans." We get the drift, schmoopies. Set around an eight season replica of Jerry's apartment, the museum is brimming with niche props only real fans would genuinely squeal over: Jerry's Superman figurine (lurking in the background of almost every single episode), George's Frogger arcade game, Bachman pretzels — "These pretzels are making me thirsty." You can sift through Jerry's VHS collection (featuring a copy of Pretty Woman), check out the Bryan Cranston-signed wall logo from the taping of the final episode, and there's even a couch where you can recreate George's highly erotic pose from 'The Package' episode. Of course, super fans have already picked out the one fatal flaw in Hulu's installation — Jerry's computer. Mashable pointed out that Jerry's beloved Apple computer has been traded for a dastardly retro PC. No dice. Eh, computer schmomputer, at least the Soup Nazi's endorsing it: The Seinfeld pop-up museum is open June 24–28 from 10 am–7pm at Milk Studios, 451 West 14th Street, NYC. Via New York Daily News and Gothamist. Images: Tod Seelie.
Where the heck were you in 2006? Were you waiting in line at the Abercrombie? Did you lovingly hand over ten bucks at the door, march triumphantly to the bar to order a vodka, coke and raspberry, elbow your way to the d-floor and throw shapes on the sticky, sticky carpet to Bloc Party? WE WERE THERE TOO. Maybe we made out on a terrible couch. It's been ten years since the early Abercrombie days, and the Purple Sneakers crew have evolved from a weekly throwdown to one of Sydney's most on-the-pulse music blogs (run by nationally touring DJs) and a sought-after management company. So, of course, they're throwing a big fuck-off party. This year, Purple Sneakers turns ten and to celebrate they're running a big party called 'Ten Years Of Taste' during Vivid Sydney with mates UNDR Ctrl and FBi Radio. On June 18, it'll take over The Lord Gladstone — where Purple Sneakers moved their weekly party back in the day after the Abercrombie shut down for a spell — and it's going to be free. FREE. Expect one heck of a rowdy shindig, as Purple Sneakers have invited their talented friends along — expect sets from up and comers like Tashka, Lastlings and World Champion; alongside heavy beats from Indian Summer, Stephane 1993 and Moonbase Commander. There'll be DJ sets from I OH YOU, Pilerats, Astral People, Motorik and their mates from the old Abercrombie days Linda Marigliano and Levins. Finally (and of course) Purple Sneakers DJs will be closing the night with an hour and a half 'retrospective' set. According to the crew, the set will be "looking back at all the bangers we've all partied, loved, celebrated and passed out to." Count. Us. In. Purple Sneakers' 10th Birthday Party is happening at The Lord Gladstone on June 18 for Vivid Sydney. Entry is free but you'll need to RSVP.
You haven't done life drawing until you've done it at a Victorian seance themed class. This spooky happening is taking place at 107 Projects in Redfern, and the focal point is, of course, a bunch of supernatural models in ghostly poses. Meanwhile, a witch doctor will be providing trans-dimensional connections, mystical music and live performance. And, anytime you need a refreshing beverage — or magical elixir — head to the bar. The class is hosted by Drawing Blood, who debuted their spell-binding life drawing concept earlier this year and have since been bringing otherworldly inspiration to Sydney's artists on a regular basis. Their mission is to help you inject some spirit into your art practice. So, grab your pencils and canvas, and enter another realm to conjure your very best drawing abilities. Image: Showtime.
Firstdraft presents SADISCO by Jane Polkinghorne and Ingrid Stiertzel — a work that in their words is "horrible and beautiful, bad and sad, groovy and ghastly, like disco, like Australia". Their first collaboration, SADISCO blends installation, performance and video to embrace the 'tragedy of disco' alongside the nostalgia and ridiculousness of the 1970s, which, to both artists, represented a time of exciting social transformation and possibility within Australian culture — an era sitting in stark contrast to the present day's increasingly regressive, 1950s vibe. Alongside the video installation, on Saturday, April 15 between 12–6pm, Polkinghorne is performing an endurance dance to Tina Turner's 'Nutbush City Limits' (crowd participation is strongly encouraged) and Stiertzel is merging roller-skating with karaoke out in the Firstdraft carpark. She'll attempt to re-perform the mysterious National Xanadu Dance Contest of 1980 on roller skates. If you bring your skates you will absolutely be challenged to a disco dance-off.
This article is part of our series on the diverse highlights of NZ's Canterbury region, from city to snow. To book your Lake Tekapo trip, visit the 100% Pure New Zealand website. If your mental picture of New Zealand is all lush greenery, snow-topped mountains, vast lakes and clear skies, then you'd most likely go nuts over Lake Tekapo. The place is the idealisation of pretty much everything associated with New Zealand by way of landscape: a small town surrounded by the Southern Alps and sitting on the bluest goddamn lake you've ever seen. The water in this lake is not to be understated — it's pure magic. It shimmers like it could clear your head, cure your ails and turn you into a mermaid all at the same time. Mermaids aside, Tekapo is must-see for travellers driving through the South Island (it's less than three hours from Christchurch and Queenstown), and it's an idyllic place to stay too. The lake's obvious potential for water sports and its proximity to the nearby Round Hill ski area makes it a popular destination all year round, but time your stay correctly (that is, outside of school holidays) and you'll find a small, quiet town with enough going on to keep it interesting. You could spend two days in Tekapo just gazing out over the lake, but this small township becomes an oasis in winter with plenty to eat, see, do and take in. Got two days in the area? Here's how you should spend it in Tekapo. DAY ONE Midday: Air Safaris flight Tekapo is halfway between Christchurch and Queenstown, so no matter where you're coming from on the South Island, you can make an early start and arrive before noon. If the weather's clear, the first thing you'll want to do is book yourself in for an Air Safaris flight. It's a little bit pricey, but if you can do it, it's amazing as all hell to see the landscape from the vantage point of a light plane. They'll fly you over Tekapo, through the Godley Valley and right over the top of the Southern Alps. Flights depart every hour and last for around 45 minutes. It is totally dependent on the weather, so it's best to book on the day when you know you'll be able to see more than a few feet in front of you. [caption id="attachment_227858" align="alignnone" width="1024"] andrewXu via Flickr[/caption] Afternoon: The Church of the Good Shepherd The best thing about the Mackenzie region is that it has so much salmon swimming through its canal system that it's super fresh pretty much wherever you get it. Grab some salmon sashimi to go from Kohan (unsurprisingly Tekapo's only Japanese restaurant) and head over the canal to the Church of the Good Shepherd. The church is tiny, and — with that backdrop — is highly Instagrammable. It's usually open for prayer and admiration during the day if you want to head inside (just eat your salmon beforehand). [caption id="attachment_227862" align="alignnone" width="1024"] andrewXu via Flickr[/caption] Evening: Stargazing at Mt John Light pollution is one of those things you don't notice until it's gone, and at Tekapo it's practically nonexistent. Due to its isolation and terrain the area has an unusually high number of clear days and, as part of the Aoraki Mackenzie International Dark Sky Reserve, the town is restricted in how much light they emit. You know what that means? You can see the stars! They're unusually bright from wherever you are in Tekapo, but the best vantage point is up at the Mt John Observatory. Access to Mt John is restricted at night, so you'll have to book a tour with Earth & Sky to get up there. On a clear night they'll point out what's up there and you'll get to look through their telescopes and pretty much geek out on astronomy. If you're really lucky, there might even be some Aurora Australis action. But, let me emphasise: really, really lucky. Night: Dinner at Rakinui Tekapo is primarily a tourist town, so there are a heap of places to stay. If you're looking for something that's fairly new, comfortable and not a hostel (it is only two nights, after all), Peppers Bluewater Resort ticks all the boxes and has some rooms that face right over the lake. If you're staying here, head to their restaurant, Rakinui, for a late post-stargazing dinner. Their homemade bread is incredible and they also have a regional tasting platter if you're keen to sample tastes of the Mackenzie region. DAY TWO Morning: Walk up Mount John A chilly morning walk might not sound like your idea of a holiday, but it will be once you get up the top of Mt John. So grab your gloves, scarf and beanie (as well as a walking trail map that you'll be able to find at your accommodation) and head outside. You can either drive to the walking track, which starts at Tekapo Springs, or just walk (it'll just add on an extra half an hour or so). From here you head up on a pretty steep track through the larch trees, which flattens out soon enough to take you around Mt John and up to the summit. On a clear morning the views are amazing — the water looks even bluer from up there and you can see all the way over the surrounding lakes and the Mackenzie Basin. This is definitely a spot where you can take an extended breather, contemplate nature, meditate etc. When you're done, you can take the same route back down (around 2 hours all up) or via the lake shore track, which is almost twice as long. Midday: Brunch at Run 77 After every good walk comes a good breakfast, which is precisely why Tekapo has Run 77. Those assuming a place like Lake Tekapo wouldn't be home to a quality cup of coffee will be pleasantly surprised, because Run 77 rocks it. The cafe doubles as a deli and food store, and dishes out a mean brunch by anyone's standards. Choose from things like their homemade muesli, fresh banana bread served with walnut jam and grilled banana and their eggs Benedict with local Aoraki hot smoked salmon. Plus, they have a cabinet full of scones, slices and muffins for your sweet tooth. Afternoon: Tekapo Springs Now you've walked uphill and had a big brunch, it's time to take off all your clothes. This might sound crazy (and it sort of is when there's snow on the ground), but sliding into the hot pools at Tekapo Springs is exactly what you never knew your body needed — you've just got to get from the change rooms and into the water in your bikini first. Sounds difficult, but what's waiting for you is three outdoor pools filled with toasty warm natural spring water at 36-40 degrees. So, don't worry, you won't be freezing your whatever off for very long. You can top this off with a skate on their outdoor ice rink, but we're more inclined to suggest a go in the sauna and possibly even a massage at their day spa. Actually, we insist on that last one. Evening: Dinner at Tin Plate After you emerge from the day spa in a daze at sunset, you probably won't be able to find you way home. Conveniently, Tekapo Springs offer a free shuttle service back into town on request, and they'll drop you wherever you like. For dinner and a glass of wine by the fire, slink into Tin Plate Kitchen & Bar. The newest addition to Tekapo's main drag, Tin Plate has only been open since the start of this year's ski season, doing pizza, pasta and piada — an Italian pita bread served open with toppings like chorizo and prawn or artichoke, capsicum and blue cheese. Wine is available by the carafe, Three Boys Pilsner is on tap and your bed is only a short walk away. That's the beauty of Tekapo.
Khamsa Cafe fuses vegan eats with Middle Eastern flavours, courtesy of its Palestinian founder Sarah Shaweesh. Shaweesh — whose catering business has been supplying Sydney cafes with raw vegan cakes since 2015 — was born in Sydney but raised in Saudi Arabia, Malaysia and Jordan, and brought these influences to Khamsa Cafe. Located on the Erskineville end of King Street, the corner cafe boasts bi-fold doors and floor-to-ceiling windows, allowing for a seamless indoor-outdoor feel to the space [caption id="attachment_707085" align="alignnone" width="1920"] Sam Ali[/caption] Open seven days a week from 7am–3pm, the cafe offers both breakfast and lunch items, all infused with many Middle Eastern spices. All-day brekkie includes the Jerusalem bowl — a combination of cauliflower and quinoa with fattoush salad, baba ghanoush and hummus — and a massive Bedouin breakfast wrap that combines fried cauliflower, cucumber and tomato, all topped with tahini, pickles and garlic. Khamsa Cafe's main meals offer more traditional Middle Eastern fare, like the Kan Zamman Bowl with tzatziki, muhamarra, viudjara and fresh salad and the Hey Macarena with macaroni, garlic yoghurt, Palestinian spiced mint and pine nuts. For drinks, the highlight is the fragrant Arabic coffee with cardamom — a rare find in Sydney's inner west. There's also a healthy range of teas to select from including a matcha latte and a chai na'naa' with loose leaf black tea and fresh mint leaves. It's creative vegan fare that fits right in to its surrounds. [caption id="attachment_707088" align="alignnone" width="1920"] Sam Ali[/caption] Top images: Sam Ali, Commune Waterloo.
When Vivid Sydney kicks off winter, the city instantly gets brighter. And, come Friday, May 27–Sunday, June 18, the popular event might just beam a little stronger than usual — returning for the first time since 2019. Vivid Sydney's 2022 lineup certainly boasts plenty of highlights — and more than 200 events in total. Sticking with all that eye-catching light, to begin with, there'll be more than 50 luminous installations dazzling the city, including two particularly spectacular attractions by the water. The first, Sydney Infinity by Oracle Liquid, is a water sculpture in Darling Harbour that'll feature 12 80-metre-high water shoots, plus a Sydney-inspired soundtrack by DJ Peewee Ferris. And the second, at Walsh Bay, will see a 100-metre floating Light Walk pop up for folks to mosey along. Vivid Sydney will also host First Light, a Welcome to Country celebrating the Gadigal people and Country on Friday, May 27. And, Our Connected City by Mandylights will literally shine new light on the city's landmarks via 150 searchlights, which will illuminate the CBD with ribbons of light from the Sydney Opera House all the way to the northern pylon of the Sydney Harbour Bridge. [caption id="attachment_851810" align="alignnone" width="1920"] Dan Hong and Mike Eggert, Destination NSW[/caption] In something completely new for 2022, Vivid Sydney will throw its first-ever Vivid Sydney Dinner, taking place at Merivale's Ivy Ballroom and hosted by Justine Clarke. The lineup spans Ken Done, Julia Baird, the Vivid Sydney Brass Band, James Morrison, Ngaiire, Virginia Gay and Kate Monroe, plus food by chefs Dan Hong and Mike Eggert. On the talks part of the program, American filmmaker Aaron Sorkin is headed to Sydney to discuss the intersection of politics and drama, as seen so often in his work. Also among the big names getting chatty: musician, artist and actor Troye Sivan, who'll talk with Lillian Ahenkan (AKA Flex Mami); and US journalist Gretchen Carlson — one of Time Magazine's 100 Most Influential People (2017) — who successfully sued Fox founder and CEO Roger Ailes for sexual harassment and has since worked tirelessly to change legislation that silences the victims of sexual harassment. Meanwhile, Vivid Ideas Up Late will pop up at the Museum of Contemporary Art, the Australian Museum, the Powerhouse Museum and the National Maritime Museum, hosting free nights filled with talks, performances, fashion, music and food. Music-wise, Vivid Sydney is no slouch, either. For starters, Vivid Live at Sydney Opera House will feature Paul Kelly, Thelma Plum and Ash Naylor during a gig dubbed Time And Tide: Four Decades of Song; Sampa The Great's new show An Afro Future; and Berlin-based piano star Nils Frahm performing Music for Sydney. Over at the Carriageworks precinct, the all-female Japanese rock band Chai will be hitting the stage, as will Estonian rapper Tommy Cash. Baxter Dury is bringing a splash of London disco to the CBD, and rock 'n' roll meets psychedelia at Spiritualized's taking over Luna Park's Big Top. Vivid Sydney 2022 will run from Friday, May 27–Sunday, June 18. For further information and tickets, head to the event's website. Top images: Yarrkalpa — Hunting Ground (2021), by the Martu Artists and Curiious with soundtrack by Electric Fields and Martu Artists (inspired by Yarrkalpa — Always Walking Country, 2014), Destination NSW (first image); For Sydney With Love, by Ken Done on Customs House, Spinifex Group (fourth image); Future Natives, by Chris Daniel, Destination NSW (fifth image); Convergence, by Mandylights, Destination NSW (sixth image).
By now, most Melbourne (or Melbourne-visiting) food lovers have visited Chin Chin. And ever since we announced that the Flinders Lane Thai restaurant was coming to Sydney (way back in May 2015, by the way), Sydneysiders have been anticipating its arrival in the ground floor of Surry Hills' 100-year-old Griffiths Teas building. And now, two years on, we finally have an opening date: Monday, October 2. Yes, that's this coming Monday — the Labour Day public holiday. So, first things first: make a booking. Now, here's what to expect. Chin Chin Sydney is the first offshoot of the original, which opened in Melbourne's CBD back in 2011. While number two looks entirely different to its sister restaurant, it has employed many of the tried-and-tested formulas that has made it one of Melbourne's best. In addition to the 160-seat restaurant, Chin Chin Sydney will have its own GoGo Bar. Here, you'll be able to grab a drink while you wait for a table (and you will have to wait). In Melbourne, you can also order food off the extensive bar menu, so here's hoping this is carried through here. So what's on the menu? Well, if you've dined at Chin Chin in Melbourne you'll find many of Executive Chef Benjamin Cooper's familiar dishes here — like the pork roll-ups and the crispy barramundi and pork salad — with the addition of a few new ones courtesy of a custom-built charcoal pit and rotisserie. Expect some barbecued cauliflower with curry-spiced coconut cream and a rotisserie pork belly with fennel and some hot chilli sauce. Cocktails come from Michael Chiem (of PS40) and wine has been selected by an all-female wine team led by Jacqueline Turner. The team has also created a custom 4 Pines chilli lager for the restaurant. The whole thing has been put together by designer George Livissianis, who is responsible for the interiors of The Dolphin, The Paddington Inn and countless other Sydney venues. He's gone for a much softer look with blonde wood and duck feather-topped seats for the Sydney restaurant, which gets a lot of natural light. The signature Chin Chin neon rabbit ears have still found a place in the design though. The basement will house events space Chii Town. A new concept for Chin Chin, this area has three bookable spaces (for 12, 25 and 80 people) for special occasions. There's also the option to book the chef's table if you have a group of ten to 16 mates. For week one the restaurant will be open for dinner only, with lunch service starting the following week, on Monday, October 9. From there on in, it will be open from 11am till late, seven days a week. Chin Chin Sydney will open at 69 Commonwealth Street, Surry Hills on Monday, October 2. To make a booking, visit chinchinrestaurant.com.au.
It won't be the liquor that's making your head spin at Mexico's Biré Bitori. Designed by architectural firm Tall Arquitectos on behalf of chef Maria Andrea Payne, the proposed two-story bar and restaurant would stick out over the edge of a cliff near the Basaseachic Falls, the second highest waterfall in the country. And if that weren't enough to kick your vertigo into gear, the bar and dining area will feature a transparent glass floor, offering breathtaking/terrifying views of the canyon below. The bar and restaurant (and nausea-inducing glass floor) would be located on the first level, while upstairs patrons would find a panoramic observation platform and pool. No word on what the menu might look like, although given the incredible surroundings we can't imagine it would be all that cheap. The falls themselves are located in the Basaseachic Waterfalls National Park, around three and half hours drive west of Chihuahua in the country's north. Via Traveller.
Green Gourmet features a menu that reads like a vegan's heaven on earth. All dishes are entirely meat-free, dairy-free and (interestingly) free of onion and garlic as well. Green Gourmet buys into the ancient vegetarian practices of China and India, which tout vegetarianism as a means to rediscover ' universal love' and the pure character of man. Part of that practice is to eliminate all spicy-scented vegetables (including onion, garlic, leeks, spring onion and chives) which are believed to induce offensive reactions, from bad breath to lustfulness. Whether you are excited by Green Gourmet's adherence to these practices or thinking, 'Shit, the food will have no flavour', prepare to leave full and happy - and perhaps pleasantly surprised. Green Gourmet is family-owned and bases its business around creating nutritious food to benefit mind and body. The health vibes are apparent, making customers feel like they are cared about. And, don't worry, your tastebuds will be taken care of too. With one restaurant location in St. Leonards and a stall at the Sydney Vegan Market, Green Gourmet is clearly enjoying a regular crowd. Jump on this vegan bandwagon and stop in for some curry triangles and 'duck' spring rolls with hoisin sauce. If you prefer a spicy dish, we recommend the Sichuan style eggplant or cauliflower with sweet and spicy red vinegar glaze and sesame seeds. Make sure you save room for dessert, too.
Deck the halls and unpack the plastic tree. The festive season is well and truly upon us, and with it come some of the biggest films of the year. Along with the cricket and stampeding through shopping centres, going to the movies is one of our favourite Boxing Day traditions. After all, what better place to recover from your post-Christmas food coma than in a nice, dark, air-conditioned cinema? Of course, not all of the end of year titles measure up. That's why we're reporting in with our annual Boxing Day Battle Royale, to ensure that you get maximum bang for your Kris Kringle gift voucher buck. ST VINCENT See it if: you've always dreamed of having Bill Murray for a neighbour We give it: 4 stars A crotchety old man gets a new lease of life when he becomes the reluctant babysitter to the 12-year-old kid next door. Sounds pretty unbearable, until you factor in that the old man is played by Bill Murray. First time writer-director Theodore Melfi doesn't reinvent the wheel, but the film's formulaic plotting is offset by sharp dialogue and the natural comedic chemistry of its cast. Melissa McCarthy and Chris O'Dowd are standouts in supporting roles, while newcomer Jaeden Lieberher is a revelation. Unsurprisingly though it's Murray who steals the show, delivering the perfect mix of irritable wit and genuine emotion. Read our full review. MR TURNER See it if: you're an art lover We give it: 4 stars Grunting and wheezing, Timothy Spall gives one of the best performances of the year as famed British painter J.M.W. Turner, in this two-and-a-half hour biopic from writer-director Mike Leigh. Strictly for arthouse crowds, the film doesn't have much of a narrative through-line, but as a portrait of a lonely artist it's surprisingly compelling. The film also contains some absolutely gorgeous cinematography, the painterly quality achieved by director of photography Dick Pope seemingly inspired by the work of Turner himself. Read our full review. BIG HERO 6 See it if: you're babysitting, or just want to indulge your inner child We give it: 3.5 stars Disney's follow-up to the phenomenon that was Frozen is an adaptation of a Marvel comic book about a plucky teenaged inventor who joins forces with an inflatable robot named Baymax in order to bring down a supervillain who is terrorising the city. As animated superhero films go, it's not a patch on The Incredibles, but kids will gets a kick out of it, and there's some great physical comedy courtesy of the film's plus-size robotic co-star. Frankly, if Baymax toys aren't flying off the shelf come January, someone in the Disney merchandising department should be out of a job. Read our full review. THE WATER DIVINER See it if: you're a really big Russell Crowe fan We give it: 2.5 stars Russell Crowe's directorial debut follows a father searching for the bodies of his sons after they're killed in combat at Gallipoli. Given Australia's tendency to mythologise that particular battle, it's refreshing to see how measured Crowe is in his approach, presenting the Turkish perspective as well as our own. Unfortunately, on a more technical level, Rusty still has quite a lot to learn. Flat photography and harsh lighting makes the film look as though it was shot for community television, while the overly earnest dialogue likewise leaves a lot to be desired. Read our full review. THE HOBBIT: THE BATTLE OF THE FIVE ARMIES See it if: you really, truly can't be bothered reading the book We give it: 1.5 stars We've had mostly nice things to say about this series up until this point, but that all ends now. After beginning with a dragon-sized anti-climax, the final part of Peter Jackson's painful protracted Tolkien adaptation turns out to be exactly what we all feared it would be: 2 hours and 20 minutes of padding. Comprised of one long, generic battle sequence, it's difficult to think of a recent film in which you feel less invested in the outcome. It's a sad, flabby end to what will likely be remembered as one of the most pointless movie trilogies of all time. Read our full review. Also out on Boxing Day: family flick Night at the Museum: Secret of the Tomb.
The Newport's executive chef, Sebastien Lutaud, has fried escargot alongside France's Oliver Elzer, prepared sashimi with Tetsuya Wakuda and headed up Felix Bar and Bistro. Now, he's bringing his 25 years of gun hospitality experience to Sydney's northern beaches. "From the minute The Newport was described to me, I thought it was going to be an amazing project," says Lutaud. "It's a one-of-a-kind in Sydney, if not Australia — an amazing venue in an amazing spot." One of the most anticipated openings of the year so far (and last year), the freshly revamped Newport has a strong focus on food. But don't expect a single service counter or a straightforward menu at this renovated pub. Instead, expect to feel a bit like you're walking through a permanent food festival. Lutaud designed the menu with input from some of Merivale's other key chefs, so you'll notice some familiar imports — and a similar stall-type layout to the Coogee Pavilion's foreshore fest. "There are little stalls and outlets, selling different types of food," says Lutaud. "So, for example, we've got Vinnie's pizzas, from Coogee [Pavilion]. We've got a burger shack, where we do six different burgers and five different salads." Given The Newport's Pittwater location, there's also a spot dedicated to fish and chips. "But I wouldn't call it your classic fish and chips, where everything's deep-fried," says Lutaud. "We do have the classic version, but we've also dishes like grilled Clarence River octopus and pan-fried snapper with simple salad." If you're travelling with mates or family and want to share, you'll be heading to The Kiosk, for small and large platters. "We have a French rotisserie, where we're doing chicken and Rangers Valley brisket and hot-smoked whole salmon, which we'll serve with rolls, salads and nice sauces. There's also a seafood section, with fresh oysters, cooked prawns and a crab omelette, with Vietnamese herbs and dressing." As for ordering, you'll have two options. The first is the old-fashioned method of heading to the stall, putting in your request and grabbing a buzzer. The second is downloading an app and doing it all from the comfort of your bar stool. The only catch is that the app is still in development – at this stage, it's good for pizzas, and other stalls will be added with time. The Newport opens on Friday, March 25. Learn a little more about the rest of the revamp here.
Giving two cents to your younger, wide-eyed, keen-for-life-lessons self is a luxury only those with Time Turners or Deloreans can afford. So the next best thing is asking those (a little) older and (a lot) wiser for their mad tips on how to be a bonafide boss. From directing one of Australia's best festivals to producing next-level electronica, from shooting Arcade Fire to handpicking and delivering the best music in Australia and the world right to your eardrums, these five Aussie folks have already kicked major goals in their respective creative industries. So we tugged their ears, made 'em give up the goods and lay some sweet advice on us. Disclaimer: This editor knows these five humans and is lucky to, hence why they dished out such excellent advice. [caption id="attachment_564974" align="alignnone" width="1280"] Image: Tim Da Rin.[/caption] CLARE DOWNES, SECRET GARDEN FESTIVAL DIRECTOR Some people plod on through this little ol' life of ours settling for mundane thrills and spills. But folks like Clare Downes, festival director for NSW's Secret Garden Festival, are different. They've managed to find some unfathomable way to create a career out of unpretentious, unbridled, balls-to-the-wall fun. Founding Secret Garden and running it for eight glorious years on her family's property just outside Sydney, Clare's successfully created a made-by-mates-for-mates event that gets bigger — but not a skerrick less genuine — every year. Did you go to uni/TAFE? If you did, what did you study? I did. I went to uni and studied communications journalism. What's the most random job you've had? I helped organise an elephant polo tournament in Sri Lanka. What are your top three tunes for getting shit done? I can't listen to music when I really, really need to focus. I put on my noise cancelling headphones and don't come up for air for hours. If you weren't doing what you're doing now, what'd be your alter ego job? Unicorn wrangler counts. Ha. I would love to advise on sustainable tourism, particularly in Asia. I might still do that ya know? I have many more years of living to go I hope. What advice would you give your 21-year-old-self? You're here for a good time, not a long time. So don't let fear drive any decision. Grit and kindness goes a long way in the workforce. So don't worry so much if you're not the top of the class. Don't feel like you have to wear heels, just 'cause everyone else is. RICH LUCANO, PHONDUPE Bit of a night owl with a love for crisp, atmospheric, hip hop-infused, Nicholas Jaar-meets-TV on the Radio-like electronica? You're in good company with Rich Lucano. NYC and Sydney-based, Rich is one half of Phondupe with Nathan Chan. The pair produce pretty damn unpindownable beats — check out the duo's Greenhouse EP and The Ecstasy Of single series to know what we're talking about. What's the most random job you've had? One time... I was hired to dress up in a penguin costume and cruise around the city in a hummer with four fellow penguins, cranking hip hop and drawing attention by any means possible. What are your top three tunes for getting shit done? Right now... Al Dobson Jr — 'Malful (Nebetia)' Alex Seidel — 'Quinn' OKE — 'Sundews' But I'm a big believer in a good disco breakfast. If you weren't doing what you're doing now, what'd be your alter ego job? I'd be a pizza chef that yelled at anyone who asked for a chicken topping. What advice would you give your 21-year-old-self? - Quit your band and pick up a drum machine - Learn how to DJ asap. - If you have an empty wallet and a bunch of ticket stubs, you're doing the right thing. - Listen to as much international radio as you can. - This fluoro phase will be over soon, don't worry. - Please stop wearing Rabens. Your poor feet. - Get a photo of you shaking Kanye's hand. No one will ever believe that happened. - Buy some bitcoins. - Eat more pizza. - You don't know shit but everything's going to be great. [caption id="attachment_564976" align="alignnone" width="1280"] Image: FBi Radio.[/caption] STEPHEN GOODHEW, FBi RADIO MUSIC DIRECTOR Looking for new music? How about the best new tunes out there? How about the best new Australian music? Stephen Goodhew knows his shit, ask him for tips. Go on. FBi Radio's insanely knowledgable music director steers the beloved Sydney radio station and its listeners toward damn good tunes every day — 50 percent Australian music, half of that coming from Sydney. Epic job. You can listen to Stephen present 'The Playlist' every week. Did you go to uni/TAFE? If you did, what did you study? Yeah, I went to uni, but it was done pretty half-assed. I did a three year degree over six years, just doing one or two subjects a semester. The reason being was so that I could focus on extracurricular activities (i.e my band), which was great, but also meant that I came away feeling pretty 'meh' about the whole uni experience. I studied a Bachelor of Media at Macquarie University, but here's the thing; you don't actually need a degree to do a lot of jobs in media. Don't get me wrong, it certainly helps to have on your resume, but most people I know who land jobs do so based on their work experience. I would definitely recommend doing as many internships/volunteer positions as you can while you're studying, even if it means your degree takes a little longer. What are your top three tunes for getting shit done? Deafheaven — 'Dream House': Straight up, I challenge you to listen to this song and not feel compelled to run up a mountain or swim Bass Strait. If you're looking for something of a productivity sprint, this is the song. Steve Reich — 'Music for 18 Musicians': This is the track for the medium pace long-haul. It has this wonderful hypnotic quality about it that I find helps me focus, while it's constant momentum keeps me pushing forward. The fact that it's 61 minutes in length also helps set something of a time-goal as well. Todd Terje — 'Delorean Dynamite': Whenever this song plays all I can think is that I'm creating a real life '80s style montage of inspiration and by god I better not mess it up. Great motivator. A+. What's the most random job you've had? I've never done anything super random like helping rhinos breed for the sake of conservation, but I did used to work in a tea store for a number of years, which was a slightly weird segue into alternative radio, but there you go. If you weren't doing what you're doing now, what'd be your alter ego job? I'm fascinated by people and their motivations. Chances are if we've ever had a conversation that's lasted longer than five minutes, I've probably tried to work out your Myers-Briggs personality type. So with that in mind, I'd probably say, psychologist. I guess that's probably not quite as exciting as I'd like it to sound, but it sure beats a hard day in the field helping endangered herbivores procreate. What advice would you give your 21-year-old-self? People are generally more worried about what you think of them than the other way around. Act with a quiet confidence, don't be afraid to put yourself out there and you'll be amazed at the opportunities that come your way. BRIDIE CONNELLAN, UNIVERSAL MUSIC MARKETING DIRECTOR If you've listened to Kendrick Lamar, Dr Dre, The Weeknd, Lorde, Disclosure, Jarryd James or The Preatures, chances are Bridie's had a hand in your Spotify playlist. Universal Music's Marketing Director switched course from journalism and writing for Rolling Stone, kicking goals for Sydney's TITLE store as Creative Director before moving to Universal and invading Sydney with Disclosure face paste-ups citywide. Did you go to uni/TAFE? If you did, what did you study? The brain the brain the centre of the chain. I studied a Bachelor of Arts (Media & Communications) at the University Of Sydney — biggest bunch of badasses all trying to out-do each other on cultural capital and debating Bourdieu's relevance. Occasionally we learnt things about 'the media' but mostly we drank wine and stayed in the media lab until 4am wrestling with Final Cut Pro. But seriously it was the realest. Four huge years of digging into the theoretical side make everything I do now have so much more cultural relevance to me, and I made some of the best friends of my life there. Go study kids. What are your top three tunes for getting shit done? R.L. Grime — 'Scylla': 'Cause you feel heaps good saving the world. Kanye West — 'Black Skinhead': I keep it 300, like the Romans. Gang of Youth — 'Magnolia': Play it LOUD, and imagine your mates cheering you on. What's the most random job you've had? I was Khloe Kardashian's 'Talent Escort' for the MTV Music Awards. Yeah I'm not gonna explain that further. If you weren't doing what you're doing now, what'd be your alter ego job? I'm a sucker for existential theory and questioning the shit out of everything so I'd be a white-haired monochrome-wardrobed philosophy academic probably halfway through my next book on the flaws of Descartes which will probably remain unfinished. Because #being. What advice would you give your 21-year-old-self? Stop wearing that Franz Ferdinand t-shirt, they're not very good. [caption id="attachment_564979" align="alignnone" width="1280"] Image: Hazal Alkic.[/caption] YAYA STEMPLER, PHOTOGRAPHER AND FBi RADIO PRESENTER If you've seen an impossibly epic photograph of [insert musician here] and [insert Australian music event here], it's likely Yaya Stempler snapped it. The Israel-raised, Sydney-based photographer shoots some of Australia's best music photography — she's responsible for making the likes of Blur, Arcade Fire, D'Angelo, Tame Impala, Childish Gambino, deadmau5, Phoenix and more look damn good. Keen to chat about the tunes as well as shoot them, Yaya's also a presenter on Sydney's FBi Radio. Did you go to uni/TAFE? If you did, what did you study? I studied screen media and broadcasting at St Leonard's TAFE and a fine art degree majoring in photomedia at COFA. What are your top three tunes for getting shit done? David Bowie — 'Suffragette City' Santigold — 'L.E.S Artistes' Clams Casino — 'Treetop' What's the most random job you've had? I was a fire juggler once in Mexico. If you weren't doing what you're doing now, what'd be your alter ego job? Definitely an orangutan whisperer. What advice would you give your 21-year-old-self? Don't doubt your abilities, trust your instincts, think before you speak and drink lots of water. Top image: Tim Da Rin.
It looks like the Powerhouse Museum might be packing its boxes. The State Government announced today that the biggest branch of the Museum of Applied Arts and Sciences will indeed be moved to Parramatta if the government is re-elected on March 28. In a media statement, NSW Premier Mike Baird and Deputy Premier Troy Grant detailed plans to funnel more than $30 million toward developing a planned 'arts and culture precinct' in Western Sydney, a project set to take four years and confirmed following months of discussion about a potential Powerhouse move. "We want to extend Sydney’s cultural ribbon to Western Sydney so we will invest $10 million to relocate the Powerhouse Museum to Parramatta," said Baird. "This will be the first time one of the State’s five major cultural institutions will be entirely located in Western Sydney." Moving the whole Powerhouse to Parramatta will predictably take a third of the precinct funds — $10 million is being put toward transporting the museum from Ultimo. "The $10 million will be used to develop a business case for the Museum’s relocation to ensure it remains the interactive and vibrant place enjoyed by children and families," says Baird. Moving the entire Powerhouse across Sydney — collection, equipment, furniture — is indeed a costly exercise; it's not exactly a one-trip deal. Another $800,000 has been allocated to setting up a 'resident company' at Parramatta's Riverside Theatre, and $7.5 million has been pledged to vaguely "support artists and organisations based in Western Sydney by creating more opportunities for practicing and emerging artists". Baird also stated the profits from the "urban renewal" (read: land sale) of the Ultimo site will go directly to the new Parramatta museum. When the proposal to move the Powerhouse was first announced, it met with mixed reviews, including scepticism from Rose Hiscock, the museum director herself. Whether this move will really transform the Powerhouse into the "world’s leading museum of science and design" or whether this an easy way for the Liberal Party to win over some all-important western Sydney votes, the plans have some serious pros and cons. Ultimo itself could use development as an arts precinct, and the Powerhouse released its own 2020 strategy this year, citing its current location, proximity to Sydney’s tourist centre, educational institutions and start-ups as vital to its future plans. On the other hand, as the Sydney Morning Herald pointed out, one in ten Australians and almost a third of NSW's population live in Western Sydney — though the West only enjoys 5.5 per cent of the state government's arts budget, according to the Building Western Sydney's Cultural Arts Economy report. This Deloite report, commissioned by Western Sydney local councils, controversially suggests moving the Australian Film, Television and Radio School (AFTRS) and the National Arts School to Western Sydney too — seeing as there's no major state cultural institution in the West. With State elections set for March 28, let the furious pub debates begin. Should the Powerhouse move to Parramatta? Or could a Questacon-like offshoot could be the better option? Weigh up the pros and cons with our feature over here.
Electra is a strong contender in that favourite of reality entertainment: Ancient Greece's Most Depressing Families. MinusOneSister focuses for once on the fact that these are kids trapped in a cycle of love, hate, murder andrevenge. And what simultaneously astounding and average children they are: Electra (Kate Cheel), full of panache and paranoia; Chrysothemis (Contessa Treffone), the diplomat/doormat; abandoned Orestes (Liam Nunan), the avenger; and Iphigenia (Lucy Heffernan), who's off to die before she's probably even developed hips. It's no wonder the story continually grips writers with its blood-soaked fingers and ends up on stage. "They fuck you up, your mum and dad," wrote Philip Larkin, and they do it ad infinitum. Most of the time when adults try to speak from the perspective of children, the result is twee at best. Anna Barnes' script is an exception — written exactly in the cascading fashion a 14-year-old would describe to you Sophocles' Electra. It is captivating writing, which won the STC's Patrick White Playwrights' Award in 2013. Luke Rogers' direction and staging, and the preparedness of the quartet of performers, seals the success of this world-premiere production. The turns of phrase are unpretentious and unexpected, inasmuch as they manage to completely bullseye the story's core with innocence that other renditions lack. MinusOneSister really nails the way kids manage to deal with death and loss (the "there, but nots"), the way kids see through adult euphemisms, and the way poor Orestes needs to prove himself to his three big sisters, so they'll finally see him as more than "a human cat to dress up". The design, by Georgia Hopkins, is effective, with a sense of timelessness. Electra, Iphigenia, Chrysothemis and Orestes exist in a whitewashed limbo. They are the last remnants of the Agamemnon family's deceased estate. Fittingly, Sian James-Holland's lighting is cool and alienating. LCD lights on the floor recreate the quintessential childhood experience of trying to peek into the grown-up world from the crack under your door. Cheel, Heffernan, and Treffone form a very strong sisterly collective, at times appropriately sidelining their brother, the "baby CEO". Each of the sisters is gifted a strong, nuanced monologue by Barnes, to convey their leaps between contemporary dilemmas and ancient plot points. MinusOneSister really had me thinking about the difference of age when childhood trauma hits. When their dad died, Chrysothemis was a little girl, but Elektra an adolescent. Was it just chance that Electra never forgave Mum? Probably not. MinusOneSister is a beautiful take on teenage reality. The proficiency of its writing, direction and ensemble acting amount to an enjoyable new reflection of the Electra story.
Kittyhawk — the much-anticipated second project from The Lobo Plantation team – has (finally!) opened to the public. That's right, since Tuesday, June 27, Sydneysiders have been exploring a 120-strong rye whiskey collection at a grand, 12-metre-long bar and tucking into Parisian street food, while surrounded by WWII paraphernalia at the Macquarie Street end of town. "It's inspired by the Liberation of Paris," says Jared Merlino, the bar's director and co-owner. "On August 25, 1944, Paris was freed from oppression by American and French soldiers. It must have been a jovial and joyous time." As such, interior designers AZBcreative have worked both French and American ideas into the 175-capacity venue. "You can see the French influence in the beautiful front bar, the marble mosaics, the brass tabletops and the balloon-backed chairs," Merlino explains. Meanwhile, the WWII aesthetic comes in the form of propaganda posters, a massive artwork featuring flying Kittyhawks and army green banquettes. The room is made up of various spaces, including an area resembling an "officers' lounge" and a raised section with a balustrade. The bar, which is being run by Lobo's Paige Aubort, holds up to 900 spirits. The focus is on rye, with about 120 drops available at the moment and another 300 or so still to be added. There's a healthy rum selection too (after all, the Lobo folks know their rum) and a 16-strong cocktail list, all wrapped up in an illustrated menu that cleverly resembles a warplane mechanic's manual. In the kitchen you'll find legendary Scottish chef Jason Wright. Creator of the best steak in Edinburgh, he's since run his own fish restaurant and, at Kittyhawk, has put together a Parisian street food menu. "The dishes have been going down a treat," Merlino says. "They're traditional, but with a bar-friendly twist." Snacks from the menu include mussel vol-au-vents, duck Scotch eggs and onion soup sticks. Kittyhawk is now open at 16 Phillip Lane, Sydney. They're open Monday to Thursday 3pm till midnight, and Friday and Saturday 3pm till 2am. For more info, visit kittyhawk.com.au.
On Sunday, September 10, Sydney staged for a huge public rally through the city streets, flying rainbow flags (and dogs) to demand marriage equality and campaign for a 'Yes' vote. Support group Community Action Against Homophobia, who ran the rally, urged Australians to campaign for a 'Yes' postal vote. With the majority of Australians (a whopping two-thirds) supporting marriage equality, the rally was expectedly stacked — in all, organisers have estimated that a massive 30-40,000 people rocked up to show their support for all LGBTI+ Australians. The rally marked the first weekend after the High Court decided to uphold the government's (unnecessary, expensive and undeniably hurtful) postal plebiscite. Postal ballots will be sent out this week.
If you're ready to share a deep, dark, dirty secret that you've been harbouring your entire life, there's only one way to do it: on a stage, in front of a crowd. Well, that's the idea behind Confession Booth, anyway. After three years of dishing the dirt at Giant Dwarf and World Bar, Sydney's most debauched storytelling night has found a permanent home at Goodgod Small Club. Confession Booth sees writers, musos, actors, comedians and all-round creative types spill the beans on their most embarrassing, outrageous and top-secret moments — all facilitated by ever charming hosts A.H. Cayley and Matt Roden. Spilling their guts on April 29 will be triple j's Lewis Hobba, actor and playwright Nakkiah Lui (ABC's Black Comedy, Belvoir's Kill the Messenger), award-winning author of the forthcoming novel Lion Attack! Oliver Mol, writer and queer activist Annaliese Constable, Cameron James (Jekyll x James, triple j's Chatback). Previous confessors include Brendan Cowell, Tracey Spicer, Sarah Blasko, Osher Günsberg (Andrew G), Yumi Stynes, Benjamin Law, Nahji Chu, Rhys Muldoon, Gen Fricker, Catcall, Rainbow Chan, Marcus Whale, Michael Hing, Levins, SPOD, Nick Coyle and more. But it's not just a passive sharefest. If you've got a story you're dying to share, you can divulge during the audience confession segment — dig deep enough and you might find yourself carrying home a prize (probably booze and a significant weight off your shoulders). By Jasmine Crittenden and Shannon Connellan.
Glebe's long-standing Mexican haunt is known for its cheap tacos and glowing wall of tequilas. Using fresh, seasonally available produce and imported spices and sauces that are usually only found in Mexico or the US, the taco menu is well-researched and constantly changes. For $16, you get two fresh, soft corn tortillas, which you can fill with either panko-crumbed prawns, jackfruit with black beans, beef brisket, grilled chicken or mango and avocado. As the name suggests, sizzling plates of fajitas are also hugely popular here. Build your own little burritos or soft-shelled tacos with a whole assortment of fillings and sauces. Pair it with a tequila or mezcal flight, and you're in for a good night without breaking the bank. Flying Fajita Sistas is home to cheap, cheerful and damn tasty food. It's a no-brainer for groups seeking a big feed in Glebe.
Since launching in the US in January, female friend-matching app hey! VINA has been the talk of BFF-seeking ladies everywhere. For anyone that's tried to boost their girl gang with people they meet at parties, work, cafes and the like, but found the process a little awkward (i.e. everyone), it's the gift that keeps on giving. Now, the popular service is finally going global — albeit with some surprising assistance. Where does the app that's been called "Tinder for girlfriends" get support to expand its remit? From Tinder, it seems. The two entities have teamed up to help more gals look for more pals in more places. With more than 17,000 cities on hey! VINA's waitlist, the demand is certainly there. In fact, the service tallied up over 100,000 users in its first two weeks of operation alone. That's the good news: Aussies, you can now get paired up with fabulous potential friends based on your preferences, location and existing networks of mutual connections (via Facebook), then swipe your way to the perfect pal. Whether you've recently moved away from your besties, or have just found life taking you in different directions, hey! VINA is here to help you make some new mates. Of course, with the app endeavouring to help ladies forge long-lasting platonic bonds, it's okay to raise your eyebrows at their new partnership with a company known for facilitating romantic hook-ups of the much, much, much briefer kind. VINA is adamant that, while they both share a mission to connect people around the world, the two organisation's services remain separate, and that hey! VINA will remain a women-only non-dating social connection platform. Their updated FAQs spell this out, and are clearly designed to assuage any fears that the app will become Tinder 2.0. As for Tinder themselves, their investment and mentorship falls in line with other recent developments aimed to expand their remit — and their status as a go-to app for meeting others. Though trialled in Australia first, Tinder Social launched worldwide in July as a way for different groups of friends to cross paths. And just this month, they joined forces with Spotify to bring music tastes into the matching and swiping process. Image via Dollar Photo Club.
Japan’s beloved illustrator, director and Studio Ghibli co-founder Hayao Miyazaki is once again helping us believe in the good of humanity with his latest passion project. Miyazaki is building a park on Kume Island, in the Okinawa Prefecture, a park intended to preserve and celebrate nature and remind children that, to quote Miyazaki himself, “It’s good to be alive.” Pass the tissues please ;_;. The park, which is scheduled for completion in 2018, will inhabit 10,000 square metres of pristine forest and Miyazaki has donated $2.5 million towards the project. Although he is often touted as the Walt Disney of Japan, their parks couldn’t be more dissimilar. Miyazaki’s park will have room for just 30 guests, which leaves a whole lot of space for running through the woods and recreating iconic scenes from Princess Mononoke. And construction and development will be centred around using only local building techniques, resources and labour so you know, it’s the exact opposite of a soulless Disney theme park (and far removed from the beautifully depressing Banksy kind). Here's the plan for Miyazaki's pristine nature park: Perhaps you'll find a few little trolls in the woods: Or little kodama doing their thing: Or a casual forest spirit, hangin': Miyazaki has always been an unwavering social critic, picking apart the wrongs of society in both his films and his public commentary. The countless allegories for environmentalism in his films are not lost on the audience but unlike many celebrity crusaders, he can often be found quietly doing the hard yards as well. Earlier this year he ran a mass public clean-up of the Fuchi no Mori forest, which he saved from development 20 years earlier with a $2.56 million dollar donation, and which is believed to have inspired the setting of My Neighbour Totoro. In the 2013 documentary The Kingdom of Dreams and Madness he told documentarian Mami Sunada of walking to work every day with a rubbish bag in hand to clean up the streets and spending his weekend in gumboots, cleaning up the local river. He might actually be the river spirit from Spirited Away. So, now we all have a few new items to add to the bucket list, including ‘clean rivers’, ‘visit Kume’ and ‘become modern day version of Princess Mononoke’. All are now possible. Via Good Magazine.
It's inevitable that once crowdsourcing platforms like Uber, Airbnb and Foodora began to take off, everyone would try to get on the source. Introducing the latest likeminded business, WelcomeOver, a platform for crowdsourcing dinner parties. This may sound a little strange, but think of it as a friend-food-fun-finding website that turns your dining room into a super exclusive restaurant. Co-founder Johan Schberg got the idea for WelcomeOver while travelling in Indonesia. "I saw a similar platform while travelling in Indonesia and thought that it would resonate perfectly with an Australian audience with our love of food and openness to new experiences. Trust is a core ingredient to the success of the product and if you look at how Australians have embraced platforms like Uber and AirbnB, where trust is also fundamental to success, we thought this would be a perfect market." At present WelcomeOver is focusing on Sydney, with ambitions to expand to Melbourne and Canberra before long. It's a pretty simple premise: the host (generally amateur chefs or hardcore foodies) will put together a menu, then set a time and a price per head and other users can opt into the event. Like most crowdsourcing ideas, the user rates their experience after the fact. The system runs on the joint pillars of trust and reputation, however, still faces the same questions about user safety that plague platforms like Uber and Airbnb — everything from online financial protection to physically putting yourself in the hands of someone you don't know. Home events have been a pretty top socialising choice for Sydneysiders since the introduction of the controversial lockout laws that have been hampering the city's nightlife. Schberg says the project isn't a direct response to the lockouts, but they don't agree with the laws either. "We believe a desperate measure like the lockout laws should only be the very last resort after all other options to provide adequate safety have been tried and proven unsuccessful," he says. "Besides, just a few months prior to the lockout laws, the very same government announced Sydney to be the safest city in the world, so how dangerous was it, really? Looking on the bright side, we are happy that you are still allowed to throw a dinner party at your home in Sydney, and through the WelcomeOver platform there is always a dinner party nearby where you and your friends are invited." There's no doubt though that the restrictive laws have forced party-goers to seek out other ways to have fun and allowed platforms like WelcomeOver to find their niche. And if that means more dinner parties options every weekend, we're so down. Check out WelcomeOver's website for more info. Top image: Krzysztof Puszczyński.
Planning on heading away over the Easter break? You better get your skates on, because the best places are filling up fast. Luckily Airbnb have got plenty of cool and quirky listings for people in need of a holiday. Whether you're organising a group getaway or want something a little more intimate, here are ten awesome spots we reckon are worth a look. DRIVABLE FROM SYDNEY BYRON'S BRAE, POSSUM CREEK Located roughly twenty minutes inland from Byron Bay, this massive property boasts spectacular views, a pool and pool house, five bedrooms, two kitchens and a firepit. It's not cheap, but damn is it pretty. RIVER SHACK, BAR POINT A great spot for an adventurous couple, this luxurious cabin on the Hawkesbury River can only be accessed by boat! Once you're on solid ground you'll find comfortable accommodation including a bedroom, kitchen and indoor/outdoor living space, complete with outdoor fire and two-person hammock. BUSH PARADISE, MT TOMAH Gaze through enormous floor to ceiling windows at the breathtaking beauty of the Blue Mountains. This stylish cabin on the edge of the national park includes a spacious living area, fully equipped kitchen, and even has its own resident peacock, named George. DRIVEABLE FROM MELBOURNE W-CLASS TRAM, LAURISTON An hour drive from Melbourne, this rustic cottage backs onto Lauriston forest and comes complete with its own tiki bar, undercover BBQ area and W-Class tram. That's right, a tram, one that has been carefully converted into its own separate two-bedroom unit. Between that, the main house and a vintage caravan, there's room here for up to nine people. BINAH GUESTHOUSE, GLENBURN This charming two bedroom guesthouse in Glenburn, Victoria sells itself as the perfect bush retreat. The private deck provides you with uninhibited views of the natural landscape, before you venture out to explore the neighbouring Yarra Valley. YARINGA, KENNETT RIVER Why choose between visiting the beach and the bush when you can do both? This three bedroom holiday house on the Great Ocean Road sits on stilts on the edge of a eucalyptus forest, with views overlooking the ocean. DRIVEABLE FROM BRISBANE ESCAPE TO THE COUNTRY, FERNVALE With 360 degree views of the secluded Brisbane Valley, this five bedroom property in Fernvale seems like the ultimate place to relax. Laze about in either one of the two sun lounges, or go for a paddle in the heated outdoor pool. If you're in a more recreational mood, you can also go fishing in the nearby Brisbane River. COUNTRY CREEK RETREAT, COOROY This one bedroom house surrounded by rainforest and rolling hills looks absolutely gorgeous. Enjoy a cookout under the stars, or go hang with platypus and turtles at the nearby billabong. BRIGHTON KITE SHED, BRIGHTON Spacious and modern, this studio apartment in Brighton is located right by the seaside, and just twenty minutes from the centre of Brisbane. It's also only a quick walk to Sandgate village, replete with shops, restaurants and cafes. NEEDS A FLIGHT PRIVATE RIVER VALLEY SUITE, UBUD For those of you with a bit more disposable income, why not try jetting off to Bali. Located around thirty minutes out of Denpasar, this luxury retreat is 200m from the beach and includes a plunge pool, private outdoor bathtub, four post queen bed and an in-house chef. Don't act like you're not tempted. NZ ARCHITECT'S HOLIDAY HOME, WAIHEKE ISLAND This ultra-modern lodging on Waiheke Island near Auckland was recently shortlisted for the NZ Home of the Year Award. After snooping around the Airbnb listing, it's certainly not hard to see why. If it weren't for all the surrounding foliage, you'd think you were holidaying in the not too distant future. THE BOOT, TASMAN, NEW ZEALAND Why bother visiting the Lord of the Rings set when you can spend your entire holiday living in a fairy tale? Describing this one bedroom lodging seems a little bit redundant. You're not blind. It's a boot. You shouldn't need us to tell you why that's awesome.
Sometimes it can feel like making solid female friends is tougher than getting a Tinder date. Much tougher. Women often feel the pressure of social conditioning that encourages them to compete for male attention and view other women as threats. In this sort of landscape, it can be pretty intimidating to approach a fly girly at a party and say “I dig your vibe, let’s get a coffee sometime and validate the living shit out of each other”. Enter hey! VINA, an app created by developers VINA out of California, which is being touted as Tinder for girlfriends. The app matches you up with likely friends based on your preferences, location and existing networks of mutual connections (via Facebook), letting you swipe your way to the perfect pal. It’s a genius idea and women all over the world have been psyched for hey! VINA to kick off in their city. In fact, the VINA team can barely keep up with demand and have had a crazy few weeks trying to roll it out to all the women who want it. There’s a waitlist! And of course, the app is available for use by all women and everybody who identifies as female. But why is the app necessary and so incredibly popular? Olivia Poole, VINA co-founder and CEO alongside CTO Jen Aprahamian, says that strong female friendships are everything. Literally, everything. "Studies show that relationships are more successful when women have a strong circle of female friends, and we're in an era professionally where it's important for women to think like the "boys club" and support one another and push each other forward in our careers. There's the old saying that you're the sum of the five people you spend the most time with, so it's important to surround yourself with women that you admire and inspire you to be the best version of yourself." Poole says the overwhelming response may have something to do with the rise of the girl gang over the last few years and the prominence of non-competitive female friendships and #squadgoals, as demonstrated by girl-gang queen herself, Taylor Swift. Or it may be that more woman are finding themselves isolated from their friendship groups as life changes, such as moving cities and having babies start, to take a toll. "Our social circles are always in flux, and it's important to invest time in building new relationships with new friends on consistent basis," says Poole "Everything great that's ever happened in my life has generally come through my network of friends." Poole adds that Australia is definitely on their radar for hey! VINA. The best way to get the app out here faster is to sign up and get on the waitlist, which you can do over here. In the meantime, check out the VINA's air-punchy girl-power app Ladybrag, where women celebrate the little victories. Image via Dollar Photo Club.
It's been a big few months for gadgets. In September Apple released the iPhone 7 and, just last week, Google released their first ever fully-Google phone, the Pixel. The new MacBook Pro went on sale today after an early morning our-time launch by Apple in California — and devotees are very, very excited. Thinner, shinier and way more powerful than previous iterations, the computer will retail for between $2199 and $2999 depending on which of the three models you're after (more on that in a second). It's probably not the sort of cash you blow willy-nilly, so before you make any impulse buys — and, yes, we realise the temptation is strong and the online store is right there — we've taken a gander at the specs and broken down Apple's new laptop into five key talking points. IT'S WAY THINNER 17 percent thinner, to be precise. The new MacBook Pro is available in two screen sizes: 13-inch and 15-inch. They come in at 14.9 and 15.5 millimetres, respectively. Thinner also means lighter, with a weight of 1.37 and 1.8 kilograms (also respectively). The accepted wisdom is that these bad boys will replace the MacBook Air, may it rest in peace. THE KEYBOARD HAS A NEW LED TOUCHSCREEN BAR The coolest addition to the new MacBook Pro is the organic LED function bar that replaces the standard keys for controlling volume, brightness and so on. The so-called Touch Bar (proper noun) can do all those things, but can also be customised depending on what you're doing at the time. So for example, if you're using the internet, the Touch Bar can display your favourites or open tabs. It can even be used as an emoji keyboard — what a brave new world this is. The Touch Bar is available on both 13-inch and 15-inch models, although there is also a cheaper 13-inch variant without it. YOU CAN LOG IN USING YOUR FINGERPRINT One of the additional upsides of the Touch Bar is that it enables Touch ID. Located on the power button (makes sense), the sensor lets users log into their MacBook using their fingerprint, just as the they can with their iPhone. The sensor also works with Apple Pay, making it that much easier to splurge on more Apple products in the future. THE TRACKPAD IS ENORMOUS AND USES ELECTROMAGNETIC TECHNOLOGY The new MacBook Pro trackpad seems the same as ever, but don't let yourself be deceived. Rather than actually depressing when a user pushes down, electromagnets within the track pad shift to create that clicking sensation, meaning the pad itself doesn't physically give at all. Sorcery! It's also nearly twice as large as one previous MacBook Pros. THE USB AND CHARGE PORTS HAVE ALL BEEN REPLACED The downside of making your laptop so much thinner is that you don't have room for all the fancy holes. Gone is the standard USB and MagSafe charging ports, replaced by four identical Thunderbolt 3 powered USB-C ports. The ports are incredibly versatile, and can be used for power, USB, HDMI and more. Good idea, but it promises to be a bit of a pain in the short term, with adapters required for all your current devices, including your brand spanking new iPhone 7. Typical. The new MacBook Pro is available from today, Friday, October 28. For more info, visit apple.com/macbook-pro.
There's no missing the iconic Sirius building, with its Brutalist, box-like design standing tall by the Sydney Harbour Bridge. Alas, despite public rallies and crowdfunding campaigns to save the building, and even court intervention against the New South Wales government's plan to sell it off, it was put up for sale in December. For the city, that means farewelling the distinctive structure as we know it. What Sirius' future holds is uncertain — though, sadly, it's likely to be bought by developers, and then demolished to make room for new apartments — but on Saturday, January 13 Sydneysiders were invited to take one last wander through the building as it currently stands before it closes next month. Sirius architect Tao Gofers, aka the man behind the design, lead us through the 79-unit tower, up to the top floor still inhabited by the final remaining resident, 91-year-old Myra Demetriou. It was a historic chance to take a last tour of a historic site, which not only proves an important part of 70s history and a great example of Brutalist architecture, but has also provided public housing for decades — allowing people on low incomes to live in the centre of this expensive city and enjoy harbour views. Images: Kimberley Low. Words: Jasmine Crittenden.
If playing with sweet fluffy kitties while sipping a latte isn't enough to ease these stressful times, Catmosphere is taking it to the next level this holiday season. The geniuses behind the space-themed cat cafe are bringing you cat yoga — every Thursday from 5-6pm, you can spend an hour in the cat room and indulge in the furriest yoga class yet. For a mere $25, participants get 45 minutes of yoga and 15 minutes of cat cuddle time. Forget downward facing dog — poses to expect include the cat/meow and child's purr. The class caters to all experience levels, especially those who want their yoga session interrupted by the curious 'Castronauts' — rescues from the Sydney area who'd love to interrupt your zen with loud, adorable purring. Check the website for the next available booking. And meet the cats before you go. Catmosphere is located at 66 Foveaux Street, Surry Hills. For more information, opening hours visit the website. Image: Andy Fraser.
When Australian audiences embrace our own films, we tend to do it in a very big way. Last year, Lion had viewers everywhere in tears. In the years prior, we were turning out in droves for The Dressmaker and Mad Max: Fury Road. And, even when local efforts aren't setting the box office alight, our homegrown flicks are still tearing up cinema screens with a showcase of Aussie talent. The Babadook, Snowtown, Mystery Road, Goldstone, Tracks, These Final Hours, 52 Tuesdays, Holding the Man, Sherpa, Hounds of Love, Jasper Jones, Ali's Wedding — they're just some of the ace Australian films that've reached theatres in recent years. In 2018, they'll be joined by these ten movies you need to put on your viewing list. https://www.youtube.com/watch?v=sYKBG1znk4A SWEET COUNTRY An Australian western set during the late 1920s in the Northern Territory, Sweet Country boasts plenty of well-known talent, including Bryan Brown, Sam Neill, Matt Day and Ewen Leslie. It's the director behind the movie that should grab your attention, however, with his long-awaited second fictional feature absolutely essential viewing. In an impassioned race-relations drama that finds the struggles of the past painfully still relevant to Australia in the present, Samson & Delilah's Warwick Thornton crafts a searing piece of cinema about an Aboriginal stockman, a cruel station owner and the fallout when they cross paths. Make no mistake, it'll be gathering a heap of shiny trophies when Aussie awards season rolls around at the end of 2018. In cinemas January 25. https://www.youtube.com/watch?v=SMrhANU1-X4 CARGO He's already played Tim from The Office, Bilbo Baggins and John Watson — and now, Martin Freeman takes on the guise of a father trying to save his baby during the apocalypse. Based on Ben Howling and Yolanda Ramke's Tropfest short of the same name, the South Australian-made film plunges into dystopian sci-fi territory amidst Australia's sparse landscape, and takes locals such as Susie Porter, Anthony Hayes and David Gulpilil along for the ride. Oh, and for added thrills in what proves an involving, gorgeously shot, environmentally and Indigenously-minded addition to a well-worn genre, there's zombies as well. A hit at last year's Adelaide Film Festival, it's destined for Aussie cinemas and Netflix. Release date TBC. https://www.youtube.com/watch?v=qNndmppBgwM HAVE YOU SEEN THE LISTERS? There's only one way to respond to the question posed by the title of Aussie documentary Have You Seen the Listers? The answer, of course, is yes. If you've walked along a city street in Brisbane, Sydney or Melbourne, you've seen Anthony Lister's work at least once, even if you didn't realise it. Directed by All This Mayhem's Eddie Martin — with the same flair for an engaging story told with insight and authenticity — the film charts his graffiti and art career, and the about-face he faced in Brissie when the council that once paid him to paint decided to take him to court for vandalism. Compelling and moving in equal measure, and candidly personal too, it's a portrait of chasing a dream, finding success and then coming down the other side. In cinemas April 5. https://www.youtube.com/watch?v=hY8KFlOm7qo BREATH Returning to Australia's film industry after nearly two decades, Simon Baker doesn't just feature in Breath, the adaptation of Tim Winton's best-seller of the same name. He also ventures behind the camera, making his directorial debut. In both guises, he impresses — particularly, as the feature's guiding force, in coaxing illuminating performances out of standout young stars Samson Coulter and Ben Spence. In a visually, emotionally and tonally assured effort, the pair play surf-obsessed teens who come to idolise Baker's ageing ex-professional wave-rider, and grow close to his retired skier wife (Elizabeth Debicki). In cinemas May 3. [caption id="attachment_653802" align="aligncenter" width="1920"] Jennifer Kent's The Babadook[/caption] THE NIGHTINGALE Don't worry, Jennifer Kent's second feature won't have you peering under beds, being scared to look in cupboards and thinking twice about pop-up books. Instead, The Babadook director is trading one kind of thrills for another, this time telling the tale of a young woman in Tasmania in the early 19th century. A quest for revenge drives the narrative, with Game of Thrones actress Aisling Franciosi, Their Finest's Sam Claflin, and Aussies Ewen Leslie and Damon Herriman helping to bring it to life. When Franciosi's 21-year-old convict witnesses the death of her family by soldiers, her vengeance begins, as does her journey through the wilderness with an Aboriginal tracker. Release date TBC. https://www.youtube.com/watch?v=_u4P4Isv6Zk 1% If Sons of Anarchy was made in Perth, it might look like 1%. Diving into the depths of warring motorcycle gangs, and exploring both internal and external turf wars, it has all of the familiar elements: gritty aesthetics, violent altercations, power struggles, a clash of generations and the club's second-in-charge facing off against his veteran leader all included. And yet, with Ryan Corr and Matt Nable both putting in memorable performances, and Abbey Lee and Aaron Pedersen also among the cast, the debut feature from Stephen McCallum rides its own trail through the brutal bikie genre. Nable also wrote the script, while the film itself started doing the rounds of international festivals late last year. In cinemas August 30. HOTEL MUMBAI In 2008, Mumbai's Taj Mahal Palace Hotel was attacked by terrorists. At least 167 people killed. Making his first feature, Australian writer/director Anthony Maras recreates the horrific incident, which understandably proved harrowing for locals and tourists alike. And, he's doing so with a familiar face to Aussie cinemagoers, with Dev Patel helping lead a noteworthy international cast after doing such a stellar job in 2017 hit Lion. Also on screen: Red Dog: True Blue's Jason Isaacs, 52 Tuesdays' Tilda Cobham-Hervey and Call Me By Your Name's Armie Hammer. In cinemas November 22. [caption id="attachment_585206" align="aligncenter" width="1280"] Filmmaker Abe Forsythe[/caption] LITTLE MONSTERS After attacking the Cronulla riots with a sense of humour that made clear the stupidity of racist thinking and hateful actions, Abe Forsythe has a zombie comedy in his sights for his next film. Yes, Aussie filmmakers really are loving the undead this year. Called Little Monsters, it follows a musician who agrees to chaperone his nephew's school excursion, the kindergarten teacher he falls for in the process, a kid's TV entertainer who forms the third part of their love triangle, and the shuffling, brain-eating masses trying to munch on the children. Down Under's Alexander England stars opposite 12 Years a Slave Oscar winner Lupita Nyong'o and Beauty and the Beast's Josh Gad. Release date TBC. [caption id="attachment_653812" align="aligncenter" width="1920"] Undertow[/caption] UNDERTOW Slated to debut at this year's Melbourne International Film Festival as part of the fest's Premiere Fund, Undertow tussles with grief and obsession as a mourning woman begins to stress about her husband's connection with a pregnant teenager. Namechecking Black Swan and Wish You Were Here as influences on its crowdfunding page, the film is clearly stepping into the psychological thriller realm. Actress-turned-debut feature filmmaker Miranda Nation both writes and directs, and Laura Gordon (Joe Cinque's Consolation), Josh Helman (Wayward Pines) and Olivia de Jonge (Better Watch Out) star. Release date TBC. [caption id="attachment_653809" align="aligncenter" width="1280"] Slam[/caption] SLAM An Australian-made and -set effort by Indian-born filmmaker Partho Sen-Gupta (Sunrise), Slam wades into complex — and all-too-topical — territory. When Ameena (Danielle Horvat), a young hijab-wearing Aussie of Palestinian origin, disappears after attending a slam poetry night, the media is quick to paint her as something more than a missing person. For her brother Ricky (Adam Bakri) and mother Rana (Darina Al Joundi), it's an expectedly tense time filled with easy labels and suspicions. Complicating matters is the personal struggle of the police inspector assigned to the case (Rachel Blake), who has just returned to work after losing her soldier son. Release date TBC.
Australian musicians, wish you could play for more people, more often? People with houses — or rooms or sheds or backyards — wish you could see more music, more often, and closer to home? Bingo. A new online start-up platform by the name of Parlour Gigs is making your wishes come true. That’s the both of you. And indie acts like Thelma Plum, Grand Salvo and Caitlin Harnett are already taking advantage of it. Here’s how it works. (Hint, if you use Airbnb already, you’ll have some idea). Musicians, jump on the site, hit the 'I want to play' button and fill out the form. People with houses, jump on the site, hit the 'I want to host' button and fill out a form. If the Parlour folks are happy with your superior form-filling skills (i.e. you sound pretty talented or your place looks music-friendly), they’ll hook the two of you up. Tickets are then sold to the general public via the Parlour website. The man behind the initiative is Matt Walters, a singer-songwriter from Melbourne. "[Parlour's] not dissimilar to the Airbnb model; cutting out the middlemen and allowing people to negotiate and stage gigs where they like,” he told Tone Deaf. "From being signed to a major label, to touring with some incredible international artists, I've certainly experienced all the ups and downs the music business has to offer. "But for some time now, I’ve felt a change coming on. Of course, with the traditional music model well and truly behind us, there is more emphasis than ever on playing live... For most musicians — especially those up and coming — it's hardly worth it. The experience of playing a great show can be a reward unto itself, but at the end of the day artists, like all working people, need to get paid for their work." Get started on Parlour over here. Via Tone Deaf. Images: Parlour.
A few weeks ago, Merivale announced eight new venues that will seriously raise Sydney's food and drink game (Danielle Alvarez at Fred's, Eric Koh at The Queen Victoria, a spruced-up Ivy Pool Club, a Merivale-style chicken shop and Ben Greeno at The Paddington? Yes, please). Let's add to those venues J&M — a plush new whisky bar in the Angel Hotel. Opening on November 11, the bar draws on its glamorous past as the former site of the iconic House of Merivale and it shows in the interiors. Think rich green velvets, sleek brown leathers and copper accents. It also wouldn't be a whisky bar without the prerequisite chesterfield lounges. Merivale is going all out with this one; J&M boasts a specially imported drinks trolley, named 'The Sidecar' (a collaboration between Moore & Giles and acclaimed barman Jim Meehan) and a long glass bar. J&M is a tribute to the late John Hemmes and his wife Merivale, so it only seems fitting that it would be located where their empire began. Initially launching as a Chivas Regal 18 showcase, J&M wants you to have a "unique, sensory whisky experience". In a clever nod to the empire's roots as a fashion label, the bar's bespoke haberdashery cabinets will be filled with the ingredients that make up Chivas 18. Settle into one of the comfy lounges and enjoy personal trolley service, or sit at the bar to get a side of whisky knowledge with your drink. J&M has an upper hand compared to other bars in that it will stock exclusive whiskies that you can't buy anywhere else in the country. If straight whisky isn't your thing, you can try one of their specially-crafted cocktails with fun names like the 'Blood and Marie' (Chivas Regal 18yo, Cynar, Cherry Heering, Antica Formula, pink grapefruit and cherry dust) and the 'POPSCOF'(buttered popcorn washed Chivas Regal 18yo, salted caramel syrup, bitters and Himalayan salt). A short menu will also be available if you need some nibbles with your drink. J&M is a welcome addition to the city's bar scene and your chance to savour a slice of Sydney history and some world-class whiskies. J&M will be located on Level 2 of the Angel Hotel, 125 Pitt St, Sydney and will open on November 11.
After collaborating with The Flaming Lips' Wayne Coyne, nabbing a Coachella spot and spinning her way to international success over the past year, Sydney's Alison Wonderland is embarking on her second tour of industrial warehouse parties. Wonderland Warehouse Project 2.0 is set to hit the road nationwide from late May, the highly anticipated sequel to her wildly successful 2014 tour of the same name. Armed with a fresh set of tracks from debut album RUN, Wonderland will be popping up in secret locations across the country for what's pinned to be some seriously huge shows. Bringing electronica out of the clubs and into a string of mystery warehouses, this powerhouse Sydney DJ is going to run some rather unconventional, mega-scale dancefloors. Set to make her first appearance at Coachella in the States in April, off the back of casually working with Wayne Coyne for her latest record, Wonderland appears to have quite the 2015 in store. After last year's sell-out tour, get in quick to secure your spot at these epic warehouse shindigs. Last release ickets are now $55, but will sell quicker than you can fall down a rabbit hole.
Renowned Sydney establishment The Grounds of Alexandria, which has been teasing us with for years with hints of expanding, is finally opening a second location in the Galeries on George Street in late 2015/early 2016. Although the primary instinct of most popular venues is to expand like a startled puffer fish, the Grounds of Alexandria have held off on doing so for years. Co-director Ramzey Choker told Good Food that The Grounds are foremost about creating memorable experiences, which explains why they've kept the focus on making the current location as magical and social media-friendly as it can be. And it’s certainly worked. The Grounds have made their mark as a bonafide Wonka factory/fairy garden for Instagram-happy adults; a suburban grotto that spans an acre and includes a coffee research and education facility, artisan bakery, florist and permaculture garden complete with a petting zoo (want to pat a pony with your morning coffee? See you there). There are also plans to expand the original Grounds to include a cider room, meat shop, children’s cinema and wood chopping area to accommodate literally all of your old-timey nostalgic needs. Choker said that the new venue isn’t aiming to mimic the Huntley Street gardens but to create a space and experience that is unique to the CBD location. Fingers crossed for another petting zoo. Via Good Food.
That Banksy. Who knows what he’s going to do next, or where she’s going to pop up, or how they stay so tricksy? In the latest unofficial edition of 'where in the world is Banksy?', the answer is Gaza. Yes, the art world’s chief enigma has visited the conflict-ravaged strip of coastline — and he’s made a video to prove it. Exit Through the Gift Shop this isn’t, though it does share the same sense of humour. Banksy’s Gaza clip might just be the darkest tourism video you’ve ever seen. With the plight of the 1.8 million Palestinians who call Gaza home clearly on his mind, Banksy walks through the streets — unseen by the camera, of course — to show the daily reality of its miles upon miles of rubble. “Make this the year YOU discover a new destination,” he tells us, before surveying the dismal sights well off the beaten track. Typical advertising catch-phrases — such as “nestled in an exclusive setting” and “plenty of scope for refurbishment” — pop up over footage of crumbling buildings. The sad facts follow, telling in no uncertain terms what life is like for Gaza residents. It’s a bleak picture. The video also features other evidence of his time there, or what may be his gloomiest residency in history. New Banksy artworks litter the bomb-damaged strip, as first seen on his Instagram account two days ago, followed by his website this morning. Yes, he’s been spray-painting up a storm all over the place, making a statement with street art. His murals call attention not only to the situation but to the disinterest displayed by most of the world in response. One, an image of a cute cat, perhaps says it all. Or maybe the accompanying text on his website does: “A local man came up and said 'Please — what does this mean?' I explained I wanted to highlight the destruction in Gaza by posting photos on my website — but on the internet people only look at pictures of kittens.”
When you've spent close to a metric fucktonne of time writing, developing and recording the individual songs of an album, sometimes you'd like people to stop and appreciate each morsel. Ahead of the release of their highly-anticipated debut album For the Company, Sydney folk trio Little May invited 11 of their favourite local artists to do just that, to create an artwork of any medium, inspired by the 11 tracks of the album. It's a highly unique way to launch an album, culminating in an exhibition dubbed #ArtForTheCompany and set to coincide with the release of the album on October 9. Set to run Friday, October 2 to Sunday, October 4, the exhibition will take over the newly opened Goodspace, upstairs at the Lord Gladstone Hotel in Chippendale. Music-wise, you'll be able to settle into little listening pods to hear Little May's album in full ahead of its official release date, while checking out each track's inspired artwork. Little May, or Liz Drummond, Hannah Field and Annie Hamilton, have seen visual art as integral to their band — all the artwork for the album and the band's promo material has been designed by Hamilton herself. So with aesthetics aplenty planned for the exhibition, this is a pretty perfect way for the three Sydneysiders to launch their debut effort into public ears, with all senses covered. So who are Little May's chosen artists? The exhibition will feature work from acclaimed photographers Mclean Stephenson and Prue Stent, Sydney-based muralist Mulga, fashion label Serpent & The Swan, illustrator Georgia Hill, Ears, Honey Long, Antwerpen, Emily Ellis, Furry Little Peach and Luschia Porter. Check out Luschia Porter's Little May-inspired creation is this pretty, pretty video: We’re so lucky to have the incredibly talented Luschia Porter - Illustration + Object Design amongst a bunch of our favourite local artists contributing to our #artfothecompany exhibition. Lusch visually interpreted our song ‘Cicadas’ and we can’t wait to see the finished product at Goodspace from next Friday <3 Posted by Little May on Wednesday, September 23, 2015 #ArtForTheCompany runs October 2 to 4 at Goodspace, above the Lord Gladstone Hotel, Chippendale. Little May's debut album For The Company is out October 9 via Dew Process and Universal Music Australia.
While many venues are gunning for the #minimalist look nowadays (you know the one — white walls, polished concrete floors, industrial fittings and a deconstructed menu), we're delighted to report that the recently relaunched tavern The New Britannia remains faithful to its historic bones, daggy pizza joint roots and underworld ancestors. A cornucopia of odds and ends, locally-sourced dark timber and dim tavern lighting, The New Britannia pulls together elements from its previous life as a working class Sydney pub — including a few ghost stories, ask the owners. Seriously, they had to burn sage in the space after a few spooky occurrences — the pub's apparently seen more than one murder in its day, and according to the South Sydney Herald, it's the pub where corrupt cop Roger 'Dodger' Rogerson had a cheeky beer in 1981 before shooting Sydney underworld boss Warren Lanfranchi nearby in Dangar Place. Now at peace with the undead, the bar's new custodians are the young and hungry bespoke hospitality collective the Idle Group. They've built up a reputation around their other venues, the Neighbourhood in Bondi and Henrietta Supper Club, and are delivering the goods at The New Britannia too. The site previously housed the beloved but undeniably daggy Millennium Bar Pizzeria and the kitchen fitout remains, so the menu is packed with pizza options (tip: most of them are weird). Try the 'Uncle Randy's Big Brisket Delight' — brisket bolognese with mozzarella — part pizza, part pasta, all delicious. Another other menu highlight worth your time is the burgers. 'The Dodger' burger (named after our aforementioned dodgy mate Rodger 'Dodger' Rogerson) is the hero of the menu and made with a juicy beef pattie, American cheese, iceberg lettuce, onions and pickles. And get this, the bar menu also offers a chip butty (remember those? They're back!) made with white bread stuffed with crunchy beer battered chips, house butter and tomato sauce served with pickles. Sweet carby Jesus. If that doesn't pique your interest, we're really not sure what will. The New Britannia has an unpretentious, blue collar vibe and a reasonable menu that could smother the hunger of even the filthiest miner, dragging a pick back from a day of heaving ho, and we couldn't be happier (or hungrier). The New Britannia is now open at 103 Cleveland Street, Darlington. Open Monday to Saturday 12pm-12am and Sunday 5pm-12am.
A midnight feast, a sensory degustation and a fancy schmancy picnic catered by some of the hottest chefs in town are among the highlights of this year's spectacular Good Food Month program. Taking over Sydney for the whole month of October, this annual culinary cavalcade will once again see the city transformed into the foodie equivalent of Valhalla, with parties, sit-down dinners and everything in-between to satisfying your most extravagant cravings. This year they're packing as much as they can into every one of the 31 days in October. And while a heap of the big ticket events — such as the Golden Century midnight feast — have already sold out, there's still a heap you can still sneak in to. Clear your calendar and start fasting now.
No cruise ship festival fun for you, Australia. Sea N Beats, the event set to be Australia’s first ever music festival at sea, was supposed to set sail March 5-8, 2016. But this morning, the crew announced the cancellation of the event, due to "challenges that could not be overcome". Posted on their website and Facebook this morning, the organisers said: "Australia’s first cruise ship Festival, Sea ‘N Beats, announces with regret the cancellation of their March 5-8, 2016 event. Whilst every possibility in the hope of proceeding with Australia’s first cruise ship festival has been looked at, ultimately all parties involved concluded that conducting a music festival at sea comes with challenges that could not be overcome." "The risk factors surrounding the event were ultimately assessed by all parties involved as too great to continue. Whilst every potential avenue to save Sea N Beats was exhausted, ultimately we have been left with no option but to cancel." All ticket buyers have been individually contacted via email and full refunds will be issued. At this stage, Sea N Beats will not be looking at another departure date for the cruise. Set to boast seven stages and a huge pool deck, Sea N Beats was set to be one huge enterprise, with the likes of Alison Wonderland, Peking Duk, Allday, SAFIA, Wave Racer, Cyril Hahn, Tkay Maidza, Hayden James and more on the lineup. Tickets also included entry to an exclusive mystery island festival on an exclusive mystery island, somewhere off the exclusive mystery Queensland coast. Looks like the anchor will stay put on Australia's first answer to S.S. Coachella. By Shannon Connellan and Jessica Surman. Image: Sea N Beats.
While long, lazy lunches enjoyed over hours can be lovely sometimes (and at other times, downright necessary), our busy schedules don't often allow for it. But now, loyalists to Sydney institution Nomad can get their fix with the launch of their new sandwich menu. As an extension of their express lunch menu, which quietly launched in July, owner Rebecca Yazbek and head chef Jacqui Challinor decided sangas were a natural progression: after all, they already bake their own bread and make their own charcuterie in-house. "We know people's schedules are busier than ever before. We want to accommodate those in need a of a short, sharp lunch and who need to be back in the office within the hour," says Yazbek. At $15 a pop, the sandwiches are produce-lead with Mediterranean influences: think crumbed smoked ham hock terrine with pickles and horseradish mayo on a brioche bun, as well as salted crispy eggplant, goats curd and pecorino also on brioche. Sounds like a Nomad version of The Dolphin's $12 'Proper Sandwiches' menu but slightly more upmarket. If a quick, seated bite is more your style, the express lunch condenses the best Nomad has to offer into a one-hour experience. A starter to share, such as zucchini flowers, followed by a choice between wood roasted market fish with sweet and sour eggplant, or steak with chargrilled baby cabbage will set you back $40. Nomad's sandwiches and express lunch menu are available Wednesday – Friday from 12–2.30pm. Bookings are encouraged and walk-ins accepted. Find Nomad at 16 Foster Street, Surry Hills
Less than two months into 2017, and the best film to reach Australian cinemas so far is a queer tale of identity, masculinity and longing. Don't just take our word for it — take the Oscars', too, where Moonlight will hopefully pick up many of the eight awards its nominated for. That's just the beginning of what's shaping up to be a fantastic year in LGBTIQ film, and if there's ever an event that makes that clear for Sydney residents, it's the annual Mardi Gras Film Festival. The cinema-focused offshoot of Sydney's inclusive celebration is back from February 15 to March 2, and positively bursting with must-see, must-talk-about flicks, including Moonlight, plus our picks of the program. TOMCAT The 2017 Berlin Film Festival is currently brightening up Germany with the latest and greatest in cinema — and, while it might take a few months or more for the hits of this year's fest to make it to Australian shores, one of 2016's standouts is flying the flag at the Mardi Gras film festival. Winning the Teddy Award for its tale of Vienna love disrupted unexpectedly, Tomcat explores just how a seemingly idyllic life can suddenly unravel. And, while the movie is about many things — the psychology of relationships, most prominently — a cat certainly does feature. WOMEN WHO KILL If you hosted a podcast about murders, it probably wouldn't be long until you started experience a rather predictable side effect: seeing evidence of homicidal tendencies in the people you meet in everyday life. If it sounds like the premise to a paranoia-laced horror-comedy, well, that's because it is. From writer/director and star Ingrid Jungermann, and also featuring A Girl Walks Home Alone at Night's Sheila Vand, Women Who Kill finds mystery, thrills and amusement in romantic suspicions of the both heightened and relatable kind. OUT OF IRAQ Just last year, Australian filmmaker Eva Orner endeavoured to expose the reality of Australia's offshore treatment of refugees to the world with Chasing Asylum, a documentary big on both detail and revelations. Now, she's ready to unleash her follow-up. Out of Iraq is something completely different, telling a love story between two Iraqi soldiers — however, this 13-years-in-the-making effort shares one thing with its predecessor. No, it's not the act of hopping between countries, although the film's four-nation tour definitely does that. Instead, prepare for a doco that might seem small in scope, but proves huge in its impact. BAD GIRL New town, new home, new mates — none of the above screams moody thriller, but audiences shouldn't let this Australian newcomer lull them into a false sense of security. Sure, Bad Girl seems as though it is charting familiar territory — and as its troubled teen protagonist Amy (Sara West) moves to the rural house her adoptive parents want her to call home, and makes a local pal in Chloe (Samara Weaving), it does so often. Still, even though charting the darker side of friendship is similarly commonplace on screen, this Aussie effort boasts more than enough twists and insights to retain attention. KING COBRA We've mentioned many, many times that no film festival program seems to be complete without an appearance by James Franco, but it just keeps proving true. In King Cobra, the never-far-from-a-camera actor jumps into a gay porn biopic about a gay porn scandal. If that's not enough to inspire intrigue, then the rest of the cast should help, with Franco joined by Christian Slater, Alicia Silverstone and Molly Ringwald — aka quite a few '80s and '90s icons all in one movie. Mardi Gras Film Festival runs February 15 to March 2 in various Sydney cinemas. More info here.
Ivanov is a gem. It’s as if Eamon Flack (the production's adaptor/director as well as Belvoir’s new artistic director) has picked up the encyclopaedia of Australian adaptations of European classics and is waving it above his head, proclaiming, “this is how you do an adaptation!” He’s struck gold with this attempt to cut and stitch a Chekhovian original and create an astute social criticism for our country, in our time. He even divulges his secret: “Comedy is tragedy sped up.” The rolling pace of Ivanov is one of its greatest achievements — astoundingly so, when you consider the play revolves around a 35-year-old male's existential crisis. If the purpose of adapting a classic is indeed to resuscitate it — ensure it’s fit for consumption for a new generation of viewers (who have a lot more tugging at their consciousness than the associated woes of the end of Russian imperialism, believe it or not) — then Ivanov is beautifully executed. To be honest, I didn’t know much at all about the play from the outset, except that it was Chekhov’s first completed script and audiences did not quite know what to make of it at its 1887 premiere. An accomplished and playful cast deliver Flack’s writing, which is piercing and clever. Shabelsky (John Bell), Lebedev (John Howard) and Borkin (Fayssal Bazzi) appropriate the ‘money talk’ of Chekhov’s original into discussions about Germany and Greece in the EU bailout saga, and Zinaida (Helen Thomson) and Babakina (Blazey Best) speculate about Chinese investment. Babakina is cast as a Rinehart-esque character, a desperately lonely widow who has learned the hard way money doesn’t keep you warm at night. Ivanov (Ewen Leslie), Sasha (Airlie Dodds), Anna (Zahra Newman), Lvov (Yalin Ozucelik) and Gabriella (Mel Dyer, who ‘acts’ her stage manager job with great understatement and irreverence) complete the ensemble. Thomson, in her nouveau-riche-bogan white jumpsuit is simply joyous to watch. Bell seems completely comfortable as the misbehaving uncle, chuckling at his own jokes and making you fall in love with him despite yourself. Ivanov shouts a stark wake-up call for Australian society, in a very hilarious way. Chekhov/Flack address issues ranging from xenophobia to sustainability, from mental illness to the follies of love. It's all fused in the titular character, performed masterfully by Leslie, who elicits your strong reaction (annoyance?) at his self-obsessed ways. However, the complexity and honesty of Leslie’s portrayal makes it impossible to judge this 'Nick Johnson' – isn’t he just the human mirror for our own crises, as benefactors of first-world prosperity? Ivanov chronicles the complaints of the inheritance class, bemoaning country life and the changes to society (migrant doctors, religious diversity, etc). The set for the first act is lovely, as is the unceremonious way it’s disassembled — the lone spindly tree trying to hang on to life, while its peers have all been removed for the spacious wooden decking. The sky has been painted onto the walls — the expanse of existentialist musings. Running at 2 hours 40 minutes, Ivanov is a full-night venture, but there's pleasure with every minute that passes. A great adaptation — bravo! And if you buy the program, you'll be traveling home with some lovely new writing. Images: Brett Boardman.
