Since November 2024, 200,000 people have enjoyed an IRL Bluey experience in Brisbane, wandering through the immersive installation dedicated to the series in the city that the animated hit sprang from. That number is set to grow. Due to its unsurprising success, Bluey's World is sticking around the Queensland capital, extending its season until February 2026. On- and off-screen, Bluey is inseparable from Brissie. For its setting, the hit animated series takes inspiration from the Sunshine State spot. It also hails from a studio based in the River City. The Heeler home resembles Brisbane's Queenslanders, too. And back in 2022 when a replica of the Bluey house popped up temporarily, there was only one place for it. It always made sense, then, that stepping inside the famous show would happen in the exact right location. Announced in 2023, Bluey's World gets attendees walking around life-sized sets that recreate the beloved family-friendly staple. Yes, the Heeler house and yard are part of the setup — for real life. Yes, you can expect to hear "wackadoo!" more than once while you're there. Movie World might've badged itself as Hollywood on the Gold Coast, but it's no longer the only big tourist hotspot giving visitors to southeast Queensland — and locals as well — a chance to explore their on-screen favourites IRL. Sprawling across 4000 square metres, Bluey's World features the Heelers' living room, playroom, kitchen, backyard (poinciana tree included) and more. Alongside bringing the global TV sensation's sets into reality, it also boasts familiar interactive games such as Keepy Uppy and Magic Xylophone, plus other activities for both kids and adults. Haven't accompanied your own little ones, or your nieces and nephews, to Bluey's World yet? Perhaps you know that appreciating the adorable Aussie show about a family of blue heelers isn't just for children, but you still haven't made the trip. Either way, this addition to Northshore Pavilion in Northshore Brisbane is big — literally thanks to its sizeable floor plan. And yes, as seen in the series, you can arrive via CityCat, including right through until early next year. "The response to Bluey's World has been phenomenal. Seeing families laugh, play and explore the attraction firsthand has been incredibly rewarding. We set out to create a truly special experience, and it's wonderful to watch it become a must-visit Brisbane destination for fans of all ages," said Bluey's World Producer Andrew Kay. "We're so proud of the one-of-a-kind experience we've created, and with the season now extended, we can't wait to welcome even more fans to Bluey's World. Reaching 200,000 visitors in just a few months is a testament to the love and enthusiasm for Bluey. It's been amazing to see families from all over the world step into Bluey's home and immerse themselves in the Heeler family's adventures," added BBC Studios ANZ Head of Commercial Scott Modra. Visitors should plan to spend 70 minutes bounding through the experience — and will also find an indoor playground that nods to Bluey's Brisbane neighbourhood, plus spring rolls and pizza on offer at the cafe. There's a soundscape to match, plus a gift shop. Bluey's World is exclusive to Brisbane, making it a tourist attraction to fans not only locally and nationally but worldwide. Unsurprisingly, that's a big part of the push from both the Queensland Government and Brisbane City Council, who are supporting the BBC Studios- and HVK Productions-produced experience. Find Bluey's World at Northshore Pavilion, 281 MacArthur Avenue, Northshore Brisbane until February 2026 — head to the attraction's website for more information and tickets.
The National Gallery of Victoria has hosted some of Australia's biggest contemporary art exhibitions in recent memory. There was the Andy Warhol and Ai Weiwei blockbuster that paired the works of two of the most significant artists of the 20th and 21st centuries, the huge debut of the NGV Triennial late last year and, next week, the Melbourne gallery will unveil a collection of works from New York City's MoMA. But, in the coming years, all these exhibitions could be moved to a new location, as the Victorian Government has today announced plans for a brand new contemporary art gallery to be built nearby. This is a pretty big deal. The new gallery — dubbed NGV Contemporary (NGVC) — will be part of a major redevelopment of the Southbank arts precinct and, according to the Victorian Government, will be the biggest contemporary art gallery in the country. While it will be part of the NGV, it'll be a standalone gallery, and will be built around the corner on the site of the old Carlton & United Breweries building on Southbank Boulevard. It sounds like the NGV's permanent collection will stay at NGV International, while NGVC will focus purely on contemporary art and design. As well as the gallery itself, the redevelopment will also add 18,000 square metres of public space to the area, theatre upgrades and new facilities in an attempt to turn 1 City Road into Melbourne's arts hub. The State Government will invest $208 million for the first two years of the project — this will allow the NGV to start planning and raise philanthropic funds. Premier Daniel Andrews is calling the redevelopment a "once-in-a-generation" project, and thinks it will be a "game-changer" for the city. Once completed, we think it's safe to assume that the NGV will be able to pull even more big names for its blockbuster exhibitions.
Vivienne Walshe's poetic drama This Is Where We Live (winner of the 2012 Griffin Award) is set in a country town where nothing happens, a lonely place for a nubile, dyslexic, 'polio poor' girl who gets beaten at home. Chloe (Ava Torch) pairs up with the reclusive Chris (Yalin Ozucelik), who also has a crappy home life, involving relentless badgering from his pompous curmudgeon of a father. She rescues him from his self-doubt and he her from the taunts of the schoolyard 'skanks'. Walshe has captured the impulsiveness of adolescence without condescending to her subject matter. She uses rhythmic motifs like 'gravel, gravel crunch' to propel the actors through the schoolyard and beyond. Torch and Ozucelik succeed in maintaining a tight rhythm and through line amid the poetic meanderings from inner thought to memory to immediate dialogue. Walshe's writing is unashamedly pretty in parts, with lines like "laudable, audible, laughable love" standing out as consciously flowery prods. She happily uses rhyme in obvious places and the piece has a sense of humour about its form; this is not an attempt to emulate Martin Crimp. Thanks to the quality of the acting, these poetic bouquets are never too obtrusive. Francesca Smith has directed (or, pretentiously, "shepherded" according to the program notes), the piece with effective simplicity, but there are some jarring incursions of glitter and chairs. Chloe sprinkles glitter across the stage in a rapture, only to turn around and sweep it up. Chris sets down four chairs to signify a classroom that has already been established and then retrieves them sharpish. The Griffin's black wedge of a stage requires no adornment with these two capable actors treading its boards. Torch and Ozucelik get to show off their impressive acting chops in their transformations into other peripheral characters, as well as in the movement sequences, which support the story for the most part. In particular, Torch's abstracted rendering of the violence inflicted on her is excellent. Chloe explains that violence is bound to sexual attraction for her, it's part of her "white trash DNA" and the undoing of her innocent romance with Chris. Walshe threads this into the play casually and Torch embodies it with appropriate offhandedness, only wondering briefly, what happens to girls with this kind of attraction? In a story about teenagers, sexuality and violence, it's impressive that there's not even a whiff of paternalism present. Props to Walshe and the team for talking about teenagers as young humans, not aliens. Image by Peter Greig.
Is this filmmaking debut from infamously anonymous street artist Banksy a hoax? Does it matter? These two questions will undoubtedly colour your viewing of this suitably opaque 'documentary'. Banksy is certainly no stranger to controversy, so it should come as no surprise that the faceless man behind such stunts as the West Bank Wall or the painted elephant (or just look at his website's homepage) should fancy messing with the minds of his captive cinema audience. Without digressing into just how 'meta' Exit Through the Gift Shop is (considering the title alone could get you started), the story follows one affable French expat by the name of Thierry Guetta, the owner of a vintage clothing store in LA and budding filmmaker. Guetta's familial connection to Paris's famed street artist Invader leads the garrulous Frenchman down the dark alleys of street artists, where he befriends all manner of 'graffiti' luminaries including Shepard Fairey (the man behind Barack Obama's election poster) and, eventually, Banksy himself. What follows is an increasingly bizarre documentation and commodification of street art as Guetta moves from behind the camera to transform himself into Mr. Brainwash. It's an amusing, instructive and disturbing evolution and one that absolutely rubbishes the modern art movement in its wake. Narrated by Rhys Ifans (Notting Hill) with some pointedly witty (and surely scripted) soundbites from Banksy, (regardless of its agenda) this is a well-paced and sophisticated debut. Indeed, Exit Through the Gift Shop is a film that needs to be seen to be disbelieved. The film will be accompanied by a pop-up gallery and 'gift shop' at the Dendy Newtown, where you can see iconic works by Banksy, Shepard Fairey, Mr. Brainwash and other street artists — and possibly take home a token of your own. It is open daily from 1 to 9pm until June 24. https://youtube.com/watch?v=a0b90YppquE
Kings Cross is set to land a charming new bar rich in history and pouring vermouth on tap. Swinging its doors open on Friday, February 24, Vermuteria is the latest opening from Piccolo Bar's David Spanton. Spanton might just be Kings Cross' biggest fan. Not once but twice now, the Potts Point local has sprung into action when a beloved venue in The Cross has gone up for sale, turning longstanding spaces into vibrant new bars dedicated to their former custodians. The first was Piccolo, a tiny Roslyn Street institution that Spanton saved and rejuvenated in late 2021. Now, as first announced in January, he's back to save another much-loved spot, this time taking the reins at the former digs of Cafe Hernandez on Kings Cross Road. The 24-hour cafe had been operating on this leafy street for 50 years — with Spanton recounting visits from the likes of Frank Sinatra and Guns N' Roses over the years. It closed in September of last year when the Hernandez family decided to step away from the venue. Worried it would be turned into a fashion boutique or hairdresser, Spanton came to the rescue, purchasing the property and transforming it into a bar devoted to fortified wine, fittingly called Vermuteria. Much like Piccolo, Vermuteria showcases a small specialised drinks menu and a range of tasty snacks, with vermouth and sherry at the heart of the booze offering. "We're really excited to offer two different vermouth blends direct from the barrels which are positioned directly above the bar," says Spanton. "Guests can choose from our Euro sweet rosso blend and the Aussie pinot noir vermouth with the semi-dry bianco blend straight from the tap right alongside the icy-cold Estrella Damm draught." The scene is set as soon as you walk in, with barrels of vermouth scattered throughout the bar. And, if you prefer a cocktail, there's plenty to choose from utilising the bar's namesake ingredient. Choose between the likes of negronis, martinis, spritzes, white sangria and sherry cobblers. Prior to being Cafe Hernandez, the space also existed as a Polish deli throughout the 50s and 60s. Honouring this section of its history, the back of the venue has been converted into a mini deli boasting charcuterie from LP's Quality Meats, gildas, tinned seafood, cheese plates and hot dogs. "There's definitely a much more positive vibe going on in Kings Cross," Spanton told Concrete Playground. "I think that a lot of great venues are starting to open in the area and a lot of places are starting to get a lot busier. I think the customers are loving that there's a lot more going on. And, I think that Kings Cross and Potts Point have some of the best customers." Once again collaborating with Michael Delany (Cafe Freda's, Club 77, The Abercrombie and SHADES) on the design, the duo have breathed new life into the space. But fans of the original cafe can rest easy — the new fitout will maintain key elements of the former, including an original painting from earlier owner Paquita Sabrafen depicting the Count-Duke of Olivares, on which she has superimposed her husband's face. "People will be able to come in and feel a connection to what was Hernandez Cafe," Spanton tells Concrete Playground. "It's one of those iconic venues in Sydney that most people know about if they're from the Potts Point/Kings Cross area, where you could always go to Hernandez to get a coffee." Fans of Cafe Hernandez's coffee can also still get their fix. While the cafe has closed down, the Hernandez brand is still producing coffee beans which you can order online. Vermuteria will open at 60 Kings Cross Road, Kings Cross from Friday, February 24. It will initially be open from 4pm Thursday–Saturday. Images: Chris Pearce.
Wooden Shjips are a trance-rock quartet featuring a guy called Dusty, a guy called Ripley and a guy called Nash. The band as we know them today formed in 2006 yet draws on the sound of '60s and '70s bands like The Doors and electric Neil Young, and they all grew up on the East Coast of the United States yet devoted their latest album to the romanticism of the American West. But do you think Wooden Shjips care about things like time and space barriers? As if. Their maximum-volume psych transcends both those things to bring audiences a listening experience that is timelessly captivating, sort of like watching an ageing stoner rock his head back and forth in a smoky garage. Often equated to the Japanese phenomenon called maboroshi, which means something along the lines of “phantom” or “illusion”, these guys exist in a dream state of their own fabrication in which anything is possible. And after six years they have, consciously or unconsciously, developed a signature sound that powerfully fuses spaced-out desert rock with the groove-friendly timbre of 1970s boogie. Helping transform their Sydney audience in to a hypnotic state will be psychedelic shoegazers The Laurels, and the trippy synths of Daniel Stricker (Midnight Juggernauts) and Chris Ross’ (ex Wolfmother) new project DCM.
Yearning to create pop music that has a little more depth than your standard dancefloor anthem is Sydney's Catcall. Catherine Kelleher, the woman behind the name, speaks to Kirstie Sequitin ahead of her debut album release and upcoming performance at Surrealism Up Late. How's The Warmer Side coming along? Yeah, it's good! We're kind of in the process of mixing it at the moment. There'll be a new single out in August, September hopefully. How long has that process been going for? It seems like you've been working on it for a while now. I put the EP out around 2008, and then I started writing for the album around the end of that year. Since then I've been kind of writing and recording and working on it. It's just taking a long time for the songs to develop to a point where we're all really happy with them, and then there was a lot of demoing done and a lot of songs disposed of. Then we had to work out how the record was going to be tied together and produced and recorded. All that kind of stuff just took a while to kind of grow into something strong, but now it's all kind of come together quickly in the last couple of months and it's at that point where we're just locking mixes off and whatnot. When it comes down to the writing process - I guess that was a while ago now - but do you focus on lyrics first or do you focus on the backing stuff first? I usually collaborate with people who start off by sending me either a simple thing with a bass line or some keys, and that inspires the vocal melody. They'll normally ask me, "What do you want to make?" and I usually tell them to make whatever they vibe. I don't like sending refs or anything saying "I want you to create me this!" It's not about creating the most interesting or exciting work; usually I just want the other person to do what they do best. They usually send me a beat or something and I'll write something over it and that'll always start with a vocal melody. From there the hardest part is basically just nutting out the lyrics and that's usually where all the time is spent, getting the lyrics perfect, because you need your meanings and you need to sing it and make sure it sounds good. Then we record and mix and get the production worked in. Do you have a specific vision in mind? I know that you said that you don't tell the collaborators what to do but do you have a template of how you want them to sound? Hm… not really - they've usually already heard something I've done. With Youth [Brisbane's Luke Foskey], he knew all of it, so he would just send me stuff. But with more recent collaborations in the past six months they do normally ask for refs and ask things like "What are you listening to at the moment?" and I'll say, "Oh, I'm really into Fleetwood Mac". But you can't get someone to truly create something that's like Fleetwood Mac, so I'll just tell them what I'm listening to, and send them stuff that I've already written and that usually forms what they'll do. Most of the time I just want them to do what they already do, and I collaborate with them because I've already heard their stuff. But they do always ask those kinds of questions like "What are you writing? Are you writing something slow or are you writing something fast?" because they want to know a point to start. Then I think, "Maybe we will go fast, maybe we'll go up-tempo" but usually I stop there because I want them to do what they do, because that's when the most exciting stuff happens. I've read that you have an emphasis on making things imperfect, can you elaborate on that? I don't want things to be necessarily perfect but just as strong as they can be, I guess. In terms of the quality of work, the show… I just want everything to have the best that I can bring it. I don't like the idea of putting something out there that's half-assed. Well, not half-assed but just something that feels like it's not finished, or complete, you know? Because I've already done that, I've put out work that's not complete, I've performed shows that have been really incomplete. Now this is my first record, and I'm going to start putting on a live show and playing regularly. I'm not a complete perfectionist but I just want everything to be the best that it can be. What it seems like to me is that you're trying to work on something that's a little more wholesome than other pop music that's coming out. Yeah, yeah, I want it to be substantial. I was at the APRA Awards the other day and I remember there were eight songwriters on one Katy Perry song and I was like, "That's why these records come out so quickly! There are eight people working on this!" It's like, there's a real formula with the production and it just feels really empty. I just want things to be soulful; I want people to connect with it and I don't think you can just do that if you do it without putting any thought or care into it. It takes a long time to write a really good record. It's so much harder than people assume. Pop records especially. I mean, good pop records. Not really forgettable, flimsy, soulless pop records. You've changed a lot in the past couple of years, how would you describe your developments? Your music style, how has that developed? I think I've become a better singer, a better vocalist, and that's opened up a lot more possibilities for me for what I can write. I've started paying more attention to song lyrics and what makes a really good song. Bry Jones and Toni Toni Lee, I think working with them has really helped me develop, and being open to criticism of what I'm doing and performances and writing. And spending a lot of time rewriting and looking at what I've done and thinking about what I've done and trying to make it better, rather than being satisfied with the first thing I put down, which is what I used to do. I used to be like "Yep, that's what we're going to do" and never edit myself or look back and think, "Hang on a second, there's so many different ways I can make this better". I think that has definitely made me a better songwriter and a better singer and a better performer all round. Catcall plays Surrealism Up Late at the Gallery of Modern Art on July 29. Thanks to GoMA we've got three double passes to give away - e-mail brisbane@concreteplayground.com.au with the subject line 'Water in my veins' by Monday July 25 for your chance to win.
Sydney's city centre has been overrun by birds — though they're not the usual kind. Rather, these dainty bronze bird statues gracing spots along Bridge and Grosvenor streets are part of the latest public work by acclaimed artist Tracey Emin. The Distance of Your Heart, which was commissioned by the City of Sydney back in 2014 and unveiled by Lord Mayor Clover Moore for the City Art collection yesterday, features over 60 of the handmade sculptures, carefully placed atop doorways, awnings and poles around the CBD. A birdbath inscribed with the work's title forms a centrepiece in Macquarie Place. Emin is perhaps best known for her work My Bed, which included items from her own bedroom, including dirty sheets, cigarette butts and condoms, but the message behind this work is much less controversial. It's about comfort — a kind of reflection on Australia's distance from the rest of the world and a little piece of hope for those who might be feeling homesick or detached. "Sydney is big but the birds are small, tiny, delicate, fragile — just like we are as human beings," Emin explained. "Sometimes we can feel lost and sad, but the sight of a bird can give us hope." The Lord Mayor said that "with its underlying concept of global migration and travel, this artwork will particularly resonate with the many Sydney residents born overseas and the millions of visitors who visit our shores each year". The Distance of Your Heart is a permanent addition to Sydney's collection of public art — you can find the birds on Bridge and Grosvenor streets in the CBD.
According to Goran Bregovic, what sets Balkan music apart is its propensity for insanity: "In other countries, just plain music is enough. In the Balkans, it's not only about the music – it has to be madness." In his sixty-two years, Bregovic has carried the gypsy craziness of his homeland to all four corners of the globe. After selling fifteen million albums as leader of Yugoslav rock band Bijelo dugme, he took to composing film scores. On this visit to Australia, his first since 2008, he'll be travelling with his Weddings and Funerals Orchestra, which he has described as "an unlikely mix of extremes". Featuring a string quartet, a six-piece male choir, five brass musicians, two Bulgarian vocalists and a drummer, the ensemble will play music from Bregovic's new album, Champagne for Gypsies, as well as some older material. https://youtube.com/watch?v=AKRCo3347fw
One of the top ways to treat yourself is to check into one of the most luxe hotels in Brisbane. At these joints, you get a little bit of everything (or even a whole lot of everything). You get fresh plush sheets (this may seem basic, but god, we all know how good this feels), room service you can eat in bed, pampering packages at spas, pools with epic views and just about anything else your lavish self desires. Brisbane is packed with five-star hotels and brilliant boutique stays that will help you live your best life. So check out our guide to the best hotels in Brisbane, perfect for those after a luxury staycation or out-of-town visitors needing a base for exploring the city. Recommended reads: The Best Glamping Sites Near Brisbane The Best Dog-Friendly Accommodations in Queensland The Best Day Spas in Brisbane
When it comes to first dates (or any social gatherings, for that matter) it's hard to beat Sydney's inner west. There's an array of restaurants that serve multicultural cuisine, plenty of dog-friendly courtyards and quintessential Aussie pubs to choose from, plus loads of lively venues to hit up as the sun sets and the night picks up the pace. Whether you're a music lover, a cocktail connoisseur or simply after an intimate spot for a late-night pash, we've teamed up with Inner West Council to compile the best of the west — especially when you're trying to impress. Wow your date with your local bar knowledge and keep the sparks flying well into the evening.
David Byrne started 2025 by singing and dancing with Robyn at Saturday Night Live's 50th-anniversary concert, then releasing the Saoirse Ronan (Blitz)-starring first-ever music video for 'Psycho Killer' 48 years after the song's debut. In 2026, he'll kick the year into gear by bringing his latest world tour Down Under in January. The iconic Talking Heads founder and frontman is hitting the road to support his latest record, September 2025 release Who Is the Sky?. In Australia and New Zealand, he's playing his first gigs since 2018, when he brought his American Utopia tour — which none other than Spike Lee (Da 5 Bloods) turned into a concert flick also called American Utopia, aka one of 2020's absolute best films — this way. In Sydney and thinking "this must be the place"? You're right: Byrne is venturing to the Harbour City, playing ICC Sydney Theatre on Wednesday, January 21, 2026. If you caught his American Utopia gigs or watched the film, you'll recognise some other familiar faces on the Who Is the Sky? tour. Byrne is taking to the stage with 13 musicians, singers and dancers, some of whom were part of the American Utopia band. Just like in those famous shows, his fellow performers will all be mobile throughout Byrne's latest set. Like tour, like album: Who Is the Sky? isn't just Byrne's first set of live gigs since American Utopia, but also his first record since that Grammy-winning release came out in 2018. Launching on Friday, September 5, 2025 — with first single 'Everybody Laughs' out now — the new album features St Vincent, Paramore's Hayley Williams, The Smile drummer Tom Skinner and American Utopia percussionist Mauro Refosco among its guests. Byrne has long been a must-see live performer — and there's long been filmic proof of that fact. Forty-two years ago this December, he made concert film history with Talking Heads when he walked out onto a Hollywood stage with a tape deck, pressed play and, while standing there solo, began to sing 'Psycho Killer'. Then-future The Silence of the Lambs Oscar-winner Jonathan Demme directed cameras his way, recording the results for Stop Making Sense. [caption id="attachment_1008708" align="alignnone" width="1920"] Shervin Lainez[/caption] Live images: Raph_PH via Flickr.
The big names on QAGOMA's 2025 program read like an art lover's dream dinner-party list: who wouldn't want to spend time with Olafur Eliasson, Yayoi Kusama, Archie Moore and Patricia Piccinini? Brisbanites and folks visiting from out of town can do just that with their artwork, at least, whether exploring an Australian-exclusive exhibition dedicated to the Icelandic Danish artist who once built an indoor riverbed inside the Gallery of Modern Art or seeing Indigenous Aussie talent Moore's history-making Venice Biennale Golden Lion-winning kith and kin. No strangers to the River City, Kusama and Piccinini will have pieces featured in a showcase called Wonderstruck. For locals, the 2025 lineup reads like a list of reasons to make regular dates with GOMA and Queensland Art Gallery. If you're elsewhere in Australia, consider it motivation to holiday in the Sunshine State several times. The year's program has already begun, of course, thanks to The 11th Asia Pacific Triennial of Contemporary Art. On display until the end of April, it boasts 500 works by 70 artists and collectives — and as each APT is when it fills QAGOMA every three years, it's a sight to behold. [caption id="attachment_992350" align="alignnone" width="1920"] Olafur Eliasson / Denmark b.1967 / Riverbed (installation view, GOMA) 2014 / Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps / Dimensions variable / Purchased 2021. The Josephine Ulrick and Win Schubert Charitable Trust Collection: The Josephine Ulrick and Win Schubert Charitable Trust, Queensland Art Gallery | Gallery of Modern Art / Collection: QAGOMA, Brisbane / © 2014 Olafur Eliasson / Photograph: N Harth © QAGOMA.[/caption]From December, Eliasson will help GOMA end 2025 — and then take 2026 almost to its midpoint — with an exhibition that'll explore three decades of his career complete with rocky landscapes, Lego cities and optical puzzles. Yes, the wonderfully immersive, aforementioned Riverbed will be back. So too will The Cubic Structural Evolution Project, which is where everyone's favourite toy bricks come in, getting gallery patrons playing with it all a part of the piece. Thanks to Beauty, visitors will see a rainbow in a veil of mist as well — and via Your Psychoacoustic Light Ensemble, audio waves will become visual. [caption id="attachment_992353" align="alignnone" width="1920"] Olafur Eliasson / Denmark b.1967 / Beauty 1993 / Installation view: Fondazione Palazzo Strozzi, Florence, Italy, 2022 / Spotlight, water, nozzles, wood, hose, pump / Dimensions variable / Courtesy: The artist; neugerriemschneider, Berlin; and Tanya Bonakdar Gallery, New York/Los Angeles / © 1993 Olafur Eliasson / Photograph: Ela Bialkowska, OKNOstudio.[/caption] "Olafur Eliasson's artworks suggest new ways of seeing and experiencing. His practice, spanning diverse installations and other works, invites reflection on our relationships — with ourselves, the environment, culture, and society," said QAGOMA Director Chris Saines "The exhibition will feature a range of artworks, many never before seen in Australia, and will include two new site-specific installations created especially for our expansive galleries." [caption id="attachment_950473" align="alignnone" width="1920"] Yayoi Kusama. The obliteration room 2002–present. Queensland Art Gallery | Gallery of Modern Art. © YAYOI KUSAMA[/caption] Between APT11 and Olafur Eliasson, Wonderstruck will take over GOMA from late June–early October — and as the name makes plain, this 100-plus-artwork collection from 70-plus artists is all about awe and wonder. The full list of pieces that'll be included hasn't yet been revealed, nor has the roster of talents involved, but the wearable sculptures of HEARD from Nick Cave (the American artist, not the Australian musician) will be among them. Also, get ready to pop stickers everywhere, because so will the return of Kusama's The Obliteration Room. From late September — a month later than initially announced — Moore's kith and Kin will make its Australian debut. When the First Nations artist earned Australia the top gong at the Olympics of the art world for the first time ever, he did so with an exhibition curated by QAGOMA's Ellie Buttrose, and with a date with Brisbane locked in for this year. Gifted to the galleries permanently, the piece didn't just make history with its Venice Biennale accolade. A hand-drawn genealogical chart that spans back 65,000 years, it also chronicles it. [caption id="attachment_951573" align="alignnone" width="1920"] Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.[/caption] Similarly on the way to South Brisbane before 2026 hits: marru | the unseen visible, which showcases works by Danie Mellor; Great and Small, heroing the role of animals in Aboriginal and Torres Strait Islander art and culture; and a dive into the space where devotional imagery and pop culture cross paths via The God of Small Things: Faith and Popular Culture, with oleographs by Raja Ravi Varma at its centre, but works by Natee Utarit and Isabel and Alfredo Aquilizan also featuring. Pieces by artists such as Kenneth Macqueen, Vida Lahey, William Bustard, Gwendolyn Grant, Joe Rootsey and Sidney Nolan will be a part of Under a Modern Sun: Art in Queensland 1930s–1950s. Tony Albert, Michael Cook, Brenda L Croft, Destiny Deacon, Fiona Foley, Genevieve Grieves, Tracey Moffat, Michael Riley, Darren Siwes, Leah King Smith and Christian Thompson are among the talents set to be in the spotlight via Snap Blak: Contemporary Aboriginal and Torres Strait Island Photography From the Collection. And Queensland's Pat Hoffie will display a range of works on paper in I have loved/I love/I will love. [caption id="attachment_992351" align="alignnone" width="1920"] Danie Mellor / Ngadjon-jii/Mamu peoples / Australia b.1971 / Dark star waterfall (still) 2023–24 / Digital projection / Courtesy: The artist / © Danie Mellor.[/caption] Queensland Art Gallery and Gallery of Modern Art 2025 Program Until Sunday, April 27, 2025 — The 11th Asia Pacific Triennial of Contemporary Art Saturday, March 15–Sunday, August 3, 2025 — Danie Mellor: marru | the unseen visible Saturday, June 21, 2025–Monday, May 3, 2027 — Great and Small Saturday, June 21, 2025 –Monday, October 5, 2026 — The God of Small Things: Faith and Popular Culture Saturday, June 28–Monday, October 6, 2025 — Wonderstruck Saturday, August 16, 2025–Monday, January 26, 2026 — Under a Modern Sun: Art in Queensland 1930s–1950s Saturday, August 30, 2025–Sunday, September 13, 2026 — Snap Blak: Contemporary Aboriginal and Torres Strait Island Photography From the Collection Saturday, August 30, 2025– Sunday, February 1, 2026 — Pat Hoffie: I have loved/I love/I will love Saturday, September 27, 2025–Sunday, October 18, 2026 — Archie Moore: kith and kin Saturday, September 27, 2025–Sunday, October 18, 2026 — Inscribing a Life Saturday, October 4, 2025–Sunday, March 1, 2026 — Contraptions Saturday, December 6, 2025–Sunday, July 12, 2026 — Olafur Eliasson [caption id="attachment_992352" align="alignnone" width="1920"] Michael Riley / Kamilaroi/Wiradjuri peoples / Australia 1960– 2004 / cloud (portfolio) (detail) 2000 / Inkjet print on banner paper / Ten sheets: various dimensions / Purchased 2002 / Collection: QAGOMA, Brisbane / © Michael Riley Estate.[/caption] [caption id="attachment_951569" align="alignnone" width="1920"] Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.[/caption] For more information about Queensland Art Gallery's 2025 exhibitions, plus Australian Cinémathèque's 2025 lineup — all of which will occur at Stanley Place, South Brisbane — visit the venue's website. Top image: Olafur Eliasson / Denmark b.1967 / Your psychoacoustic light ensemble (installation view, Tanya Bonakdar Gallery, New York, 2024) 2024 / Spotlight, glass lens, mirror foil, tripod, transducer, embedded computer system / Dimensions variable / Courtesy: The artist and Tanya Bonakdar Gallery, New York / © 2024 Olafur Eliasson / Photograph: Pierre Le Hors.
Everyone has one, or several: a TV show you just keep going back to no matter how many times you've seen it before. Whatever series that is for you, you're probably always at some stage of rewatching it — and when you finish it this time, you'll start working your way through it again because of course you will. These are our soul-replenishing comfort shows, and they usually share a few traits. Sitcoms are particularly easy to rewatch over and over. Comedies with not only a big sense of humour but also a big heart are, too. Is your go-to series filled with characters supporting each other, overcoming everyday obstacles and helping each other be their absolute best selves? Then that fits the bill as well. Basically, the shows we keep gravitating back towards are the ones Marie Kondo would approve of. Yes, they definitely spark joy, and do so again and again. Watching them feels like catching up with old friends, they always brighten your day and they're there for you when times are tough. Here are our ten picks for sitcoms that feel like the warmest of hug — and that you can stream right now. BROOKLYN NINE-NINE Long-running shows become a comforting part of our routines, giving us something to look forward to with each new episode — and in the case of supremely warm-hearted comedies, giving us all plenty of feel-good laughs as well. Brooklyn Nine-Nine is one such series. It came to an end in 2022 with its eighth season, but it'll always live on in streaming queues. Heart and laughs: that's been a noice, toit and cool cool cool formula for the Andy Samberg (Spider-Man: Across the Spider-Verse)-starring cop-focused sitcom over the years. "Title of your sex tape" jokes, Die Hard nods and Halloween heists have all worked well, too. And so have the multi-layered, always-supportive bonds between Jake Peralta (Samberg), his best friend and fellow detective Charles Boyle (Joe Lo Truglio, Monsters at Work), and their other colleagues Amy Santiago (Melissa Fumero, Velma), Rosa Diaz (Stephanie Beatriz, Twisted Metal), Terry Jeffords (Terry Crews, Craig of the Creek) and Raymond Holt (the late, great Andre Braugher, She Said) — and the bumbling but always-affable Hitchcock (Dirk Blocker, Doogie Kamealoha, MD) and Scully (Joel McKinnon Miller, Station 19). In its final season, as it geared up to say goodbye, Brooklyn Nine-Nine also found a smart and still amusing way to reckon with being a comedy about police officers in America today. Brooklyn Nine-Nine streams via Netflix. SCHITT'S CREEK The idea behind Schitt's Creek is immensely straightforward, and also incredibly obvious. If one of the obscenely wealthy families that monopolises all those trashy reality TV shows was suddenly forced to live without their money, like the rest of us, how would they cope? If you're thinking "not well", you're right. If you're certain that seeing the results would be amusing, you're on the money again. As envisaged by father-son duo — and the program's stars — Eugene (Human Resources) and Dan Levy (Sex Education), that's the scenario the Rose crew finds itself in, including moving to the titular town that it happens to own as a last resort. Yes, as the name gives away, they're in a sticky situation. The adjustment process isn't easy, but it is very, very funny, immensely feel-good and ridiculously quotable, and remained that way for the show's entire six-season run before wrapping up in 2020. And, although plenty of other credits on her resume have made this plain (such as Best in Show, A Mighty Wind, Waiting for Guffman and For Your Consideration, all also with Eugene Levy), the great Catherine O'Hara (Pain Hustlers) is an absolute comedy powerhouse as the Rose family matriarch. She deservedly has both an Emmy and a Golden Globe for her performance here — and for her glorious accent work — too. Also stellar: Annie Murphy (Fingernails) as socialite daughter Alexis. Schitt's Creek streams via Netflix. PARKS AND RECREATION She's the government worker we all wish could be in charge of, well, absolutely everything — and she's the fictional Indiana city of Pawnee's most devoted employee and biggest fan. We're talking, of course, about Leslie Knope, Amy Poehler's (Moxie) super-passionate, waffle-loving character in iconic sitcom Parks and Recreation. Willing to work hard in any situation and always ready to lean upon her friends and co-workers, Leslie knows how to handle almost anything. In one particular fifth-season episode of the Nick Offerman (Dumb Money)-, Rashida Jones (Silo)-, Aziz Ansari (Master of None)-, Chris Pratt (Guardians of the Galaxy Vol. 3)-, Aubrey Plaza (Scott Pilgrim Takes Off)-, Adam Scott (Party Down)- and Rob Lowe (Unstable)-costarring series, that also includes grappling with a pandemic. Created by The Office's Greg Daniels and Brooklyn Nine-Nine's Michael Schur, Parks and Recreation may have only come to the end of its seven-season run back in 2015, but the sitcom has been an instant classic from the get-go for one reason: focusing on relatable characters, the minutiae of their lives and the time working in local government, workplace-based comedy has never felt more kind-hearted, or — thanks to the show's penchant for letting its main players talk directly to the camera — so inclusive. Parks and Recreation streams via Stan and Binge. TED LASSO A sports-centric sitcom that was like a big warm hug from the get-go, Ted Lasso is a cheerleader for comedies that focus on nice and caring people doing nice and caring things. Like the other shows on this list, it celebrates folks supporting and being there for each other, and the bonds that spring between them — and not just to an entertaining but to a soul-replenishing degree. As played by Jason Sudeikis (Booksmart), the series' namesake is almost all positivity, almost all the time. And, he keeps that up in the face of quite the challenges. A small-time US college football coach, he scored an unlikely job as manager of British soccer team AFC Richmond in the show's first season, a job that came with struggles. Instantly, the ravenous media wrote him off. The club was also hardly doing its best, owner Rebecca (Hannah Waddingham, Hocus Pocus 2) had just taken over the organisation as part of her divorce settlement, and veteran champion Roy Kent (Brett Goldstein, Thor: Love and Thunder) and reigning hotshot Jamie Tartt (Phil Dunster, The Devil's Hour) refused to get along. Ted's upbeat attitude does wonders, though, in one of the best new sitcoms of the 2020s. You definitely don't need to love soccer or even sport to fall for this show's ongoing charms, to adore its heartwarming determination to value banding together and looking on the bright side, and to love its depiction of both male tenderness and supportive female friendships. Ted Lasso streams via Apple TV+. Read our full review of season two and season three, plus our interview with Brendan Hunt. WELLINGTON PARANORMAL Three of the best comedic actors on TV in recent years all starred in New Zealand-made sitcom Wellington Paranormal. Playing Officer O'Leary, Officer Minogue and Sergeant Maaka, Karen O'Leary (Red, White & Brass), Mike Minogue (My Life Is Murder) and Maaka Pohatu (Our Flag Means Death) spit out devastatingly hilarious deadpan line readings. They need to in this mockumentary series, which follows a squad of Wellington cops who investigate the supernatural — as the show's title so succinctly explains — but every episode across its four seasons demonstrated just how perfect these three actors are for their job. As the team tackle cases of the paranormal variety, they also often look into matters of the silly and always amusing kind as well, to delightful results. Whatever comes this crew's way, hearty laughs always ensue. A spinoff from Taika Waititi and Jemaine Clement's excellent 2014 movie What We Do in the Shadows — well, one of the film's spinoffs, given that the very funny US TV series also called What We Do in the Shadows also exists — Wellington Paranormal aces its concept again and again. It's basically a low-key, comedic, NZ-based version of The X-Files, it's glorious, and former NZ Prime Minster Jacinda Ardern's partner Clarke Gayford has even made an appearance. Also, it now boasts a companion podcast. Wellington Paranormal streams via SBS On Demand. LOS ESPOOKYS It took some time for the delight that is Los Espookys to initially reach Australian screens, arriving two years after it debuted in the US — and it'll take you less than six hours to binge its two seasons, which you'll likely do in no more than two sittings. This HBO comedy has proven both worth the wait and worth devouring as quickly as possible. The setup: horror aficionado Renaldo (Bernardo Velasco, Noise) wants to turn his obsession into his profession, so he starts staging eerie scenarios for paying customers. That involves enlisting his best friend Andrés (Julio Torres, Problemista), pal Úrsula (Cassandra Ciangherotti, Thursday's Widows) and the latter's sister Tati (Ana Fabrega, Father of the Bride) to help, and doing everything they can to get spooky. Torres and Fabrega co-created the show with Portlandia and Saturday Night Live's Fred Armisen, who also pops up as Renaldo's parking valet uncle. This mostly Spanish-language series only uses its biggest name sparingly, however, because its key cast members own every moment. Following the titular group's exploits as they attempt to ply their trade, and to weave it into their otherwise chaotic lives, Los Espookys always manages to be both sidesplittingly hilarious and so meticulous in its horror references that it's almost uncanny. There's also nothing on-screen quite like it. Los Espookys streams via Binge. OUR FLAG MEANS DEATH First dropping anchor with its debut season in 2022, and finding a mooring among the best new series that the year had to offer, Our Flag Means Death's premise has always glinted as brightly as its impressive cast (not just Uproar's Rhys Darby and Thor: Love and Thunder's Taika Waititi, but also Bloods' Samson Kayo, Creation Stories' Ewen Bremner, Bank of Dave's Joel Fry, Game of Thrones' Kristian Nairn, Hello Tomorrow!'s Matthew Maher, Loot's Nat Faxon, The Sex Lives of College Girls' Vico Ortiz and The Batman's Con O'Neill for starters). It follows Darby as self-styled 'gentleman pirate' Stede Bonnet. Born to a life of privilege, he felt that seafaring and swashbuckling was his calling, leaving his life on land behind to hop on a ship — details that all spring from reality. Creator David Jenkins (People of Earth) isn't interested in telling the exact IRL tale, however. Consider those basics merely Our Flag Means Death's departure point. On-screen, Stede gets caught up in both a workplace comedy and a boatmance. The first springs from his certainty that there has to be a nicer way to glide through a pirate existence, and the second from his blossoming feelings for feared marauder Edward Teach (Waititi), aka Blackbeard. So, Stede and Ed find love in a buccaneering place, but also feel splashes of uncertainty about what their relationship means. Life might prove choppy for Our Flag Means Death's characters, but there's always a sense of camaraderie about this series — and it's been sweet sailing for viewers across two seasons. Our Flag Means Death streams via Binge. Read our full review of season one and season two. THE OFFICE You're working. It's an ordinary day. You've been doing your usual tasks and, in a completely unremarkable incident, you happen to notice a stapler — whether you're in the office or doing the nine-to-five grind at home. If your first thought is "hmmm, I bet I could set that in a bowl of jelly", then you're obviously a fan of The Office. One of the rare instances where a TV remake is better than the original — it is based on the UK series of the same name, after all — this sitcom about paper company employees is far more amusing than it really has any right to be. In fact, it's downright side-splitting; it nails workplace relationships and minutiae in such a precise, knowing and relatable way that it sometimes feels uncanny (every office has a Creed, after all); and it's immensely easy to just keep rewatching. Of course, that's what you get when you round up Steve Carell (Asteroid City), John Krasinski (Tom Clancy's Jack Ryan), Jenna Fischer (Splitting Up Together), Rainn Wilson (Lessons in Chemistry), Mindy Kaling (The Morning Show), Ed Helms (Family Switch), Ellie Kemper (Happiness for Beginners) and Craig Robinson (Killing It) in the same show, and let all of them break out their comedic best. An Australian version is on the way, and there's talk of rebooting the OG, but there's no topping this cast. The Office streams via Stan, Prime Video and Binge. BOB'S BURGERS We've all grown up watching animated sitcoms about families, because The Flintstones, The Jetsons, The Simpsons, Family Guy, King of the Hill, American Dad and Rick and Morty all exist. Bob's Burgers has been on the list as well for over a decade now, and it does what plenty of its counterparts also do — focusing on a family and their usual ebbs and flows, mainly — while also finding a tone that's sweet, goofy, cute, funny and filled with top-notch food puns. An animated TV series can definitely make you feel hungry, as this show manages all the time. It also enjoys exploring the eclectic and eccentric personalities of the Belcher clan, including burger-cooking father Bob (voiced H Jon Benjamin, Wet Hot American Summer: Ten Years Later), his wife Linda (John Roberts, Gravity Falls), and children Tina (Dan Mintz, Adventure Time), Gene (Eugene Mirman, Aqua Teen Hunger Force) and Louise (Kristen Schaal, Flight of the Conchords). You do have to come to terms with the fact that Bob's voice is also Archer's voice — if you also watch fellow animated series Archer, that is — but you'll also get to enjoy the series' fabulous musical numbers, and the warmth that stems from more than just cooking up patties in a burger joint. Plus, the big-screen Bob's Burgers outing is also ace. Bob's Burgers streams via Disney+. THE GOOD PLACE Some shows are just so engaging and entertaining — so smart and heartfelt and hilarious all at the same time, too — that they just make you exclaim "holy forking shirtballs!" The Good Place achieves all of that, and easily. It's the show that found plenty of jokes around the kind of swearing you're forced to do in its titular spot, given that busting out the real versions of those words isn't really heaven's vibe. Because nothing in this life lasts forever, including beloved sitcoms about the afterlife stretching on into eternity, the existential comedy only ran for four seasons. They all followed the adventures of the very dead Eleanor (Kristen Bell, The People We Hate at the Wedding), Chidi (William Jackson Harper, Ant-Man and the Wasp: Quantumania), Tahani (Jameela Jamil, Poker Face) and Jason (Manny Jacinto, Top Gun: Maverick), plus demon Michael (Ted Danson, Mr Mayor) and "not a person" Janet (D'Arcy Carden, Barry), and they all kept throwing delightful surprises our way. One of the spectacular things about rewatching this clever, creative and side-splitting mix of humour, philosophy and people actively trying to embrace their best rather than worst impulses is picking up all the breadcrumbs left along the way — and its all-round warm and wise approach thanks to Parks and Recreation, The Office and Brooklyn Nine-Nine's Michael Schur (yes, him again), of course. The Good Place streams via Netflix.
It's been more than 18 months since the world first got a glimpse of Dev Patel going medieval, all thanks to the initial sneak peek at The Green Knight. The action/fantasy-thriller sees him mess with Arthurian legend, swing around a mighty sword and giant axe, and head somewhere completely different after filming two of his last four movies in Australia (Lion and Hotel Mumbai) — and also stepping into a Dickens classic set in Victorian England (The Personal History of David Copperfield). A second trailer for The Green Knight dropped earlier this year, and the movie released in the US in July; however, if you're an Aussie fan of Patel, medieval thrillers or both, you're currently still waiting to see the dark and ominous-looking film. Thankfully, that delay is about to come to an end, with the movie set to stream locally via Amazon Prime Video from Thursday, October 28. Based on the 14th-century poem Sir Gawain and the Green Knight, the film casts Patel as Sir Gawain. Nephew to King Arthur (Sean Harris, Mission: Impossible — Fallout), he's a knight of the Round Table and fearsome warrior. The character has popped up in plenty of tales, but here, he's forced to confront the giant green-skinned titular figure in an eerie showdown. As the poem explains, the Green Knight dares any other knight to strike him with an axe, but only if they'll then receive a return blow exactly one year and one day later. Based on all of the movie's trailers so far, this adaptation looks to be sticking to that story rather closely — and the end result also looks more than a little moody, brooding and creepy. Patel is in great company, too, with The Green Knight also starring Alicia Vikander (Earthquake Bird), Joel Edgerton (Boy Erased) and Barry Keoghan (Calm with Horses). Games of Thrones' Kate Dickie pops up as Guinevere, while her co-star Ralph Ineson — who is also known from the Harry Potter flicks, The Witch, Gunpowder Milkshake and the UK version of The Office — plays the Green Knight. Originally set to release in 2020 until the pandemic hit, The Green Knight is the latest movie by impressive and always eclectic writer/director David Lowery. His filmography spans everything from Ain't Them Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and the Gun — and The Green Knight isn't like anything on his resume so far. Check out the trailer below: The Green Knight will be available to stream in Australia via Amazon Prime Video from Thursday, October 28.
It doesn't matter what the weather holds for Suzie Sakamoto: with her husband and son missing when Apple TV+'s Sunny begins, the series' titular term can't apply to her days. An American in Kyoto (Rashida Jones, Silo), she's filled with grief over the potential loss of her Japanese family, anxiously awaiting any news that her spouse Masa (Hidetoshi Nishijima, Drive My Car) and their boy Zen (debutant Fares Belkheir) might've survived a plane crash. She'd prefer to do nothing except sit at home in case word comes; however, that's not considered to be mourning in the right way according to custom and also isn't appeasing her mother-in-law (Judy Ongg, Kaseifu no Mitazono). When Suzie soon has a robot for company, an unexpected gift from Masa, dwelling in her sorrow doesn't appear to be what he'd want in his absence, either. In this ten-part series, which adapts Colin O'Sullivan's 2018 novel The Dark Manual for the small screen and starts streaming from Wednesday, July 10, 2024, the technology that's quickly immersed in Suzie's existence is a homebot. The artificial-intelligence domestic helpers are everywhere in this near-future vision of Japan, aiding their humans with chores, organising tasks and plenty more — everywhere other than the Sakamoto house with its firmly anti-robot perspective, that is. Amid asking why her husband has not only sent the eponymous Sunny her way, but also why it's customised specifically to her, questions unsurprisingly spring about his true line of work. Has Suzie been married to a secret roboticist, rather than someone who designs refrigerators? What link does his job have with his disappearance? How does someone cope in such an already-traumatic situation when the person that they're possibly grieving mightn't be who they've said they are? Often with a science fiction twist, Apple TV+ can't get enough of mysteries. Approaching five years since the platform launched in late 2019, that truth is as engrained as the service's fondness for big-name talent, including across Severance, The Big Door Prize, Hello Tomorrow!, Silo, Monarch: Legacy of Monsters, Constellation, Sugar and Dark Matter. Thankfully, there's no content-factory feel to this lineup of shows, or to the streamer's catalogue in general, which is one of the best on offer in the online fight for eyeballs. Sunny's closest equivalent hails from beyond the brand, bringing Charlie Brooker's Channel 4-started, now Netflix-made Black Mirror to mind, but even then it's far more interested in its characters than their relationship to technology. That said, that people and how they use tech remain the real enemy, not gadgets and advancements themselves, hums at the core of both series. Indeed, Sunny proposes a radical path forward for Suzie, especially at a time IRL when generative AI has been making its presence known, and rarely for the better. Creator, showrunner and executive producer Katie Robbins (The Affair) takes her human protagonist down a route where the program's namesake, which matches a WALL-E vibe and emoji-leaning face with the cheerful voice of Barry, I Love That for You, Quarantine and Emma Approved's Joanna Sotomura, is perhaps the only thing that can be trusted. There's no shortage of other flesh-and-blood characters around Suzie, with some kindly and others patently nefarious. Bartender Mixxy (singer/songwriter Annie the Clumsy, Miss Osaka) falls into the first category. The platinum-blonde Hime (You, 9 Border), who seems to have a history with Masa, sits in the second camp. But with her world constantly being turned upside down and her usual confidante in Masa gone, technophobe Suzie might only be able to put her faith in the machine that's now ceaselessly by her side. A show such as Sunny, which is a comedy, drama, thriller and slice of dystopia all in one — alongside an odd-couple buddy pairing, plus a series with multiple puzzles, a stack of technology-driven and existential questions, and a probing of the human condition — needs two things beyond its compelling narrative. If viewers couldn't feel the confidence infused in this delicate mix of components, the show would crumble like circuitry haphazardly jammed together. If audiences couldn't sense the ambition to do far more than join dots as well, Sunny would similarly fail to compute. Not just thanks to its penchant for cliffhangers, this is a mystery with more always on the way, and one that adores teasing out its intricacies in a lived-in world that no other series can call home. That's assurance. That's initiative. Diving in is like strolling through Tokyo: there's always a new lane to mosey down, whether in the pursuit of solving the storyline or unpacking Suzie. The Dark Manual of O'Sullivan's moniker pops up as a hacker guide to customising homebots. Here, the plot also thickens. Still, as the yakuza feature, flashbacks tease out Suzie and Masa's meet-cute, the latter's time as a hikikomori — the portion of the Japanese population who choose to actively withdraw from society — is weaved in and surveillance is ever-present, Sunny never lets the avalanche of developments and threads that keep fuelling its tale become its sole or even main attraction. As penned by a seven-strong writing team led by Robbins with backgrounds on Bunheads, The Staircase, Apples Never Fall, Hit-Monkey, Tiny Beautiful Things and more, this is gripping and addictive viewing. It's a show to sleuth along with. Its retrofuturistic look and Saul Bass-esque opening credits are worth returning for again and again. Nonetheless, Sunny wouldn't connect if didn't value the personal and the human angle of being cast adrift from everything that you relied upon with no certainty about where to turn. Aided by being played by Jones, who so expertly married optimism and cynicism as Parks and Recreation's Ann Perkins — as she had to as the midpoint between Leslie Knope and Chris Traeger versus Ron Swanson and April Ludgate — Suzie is a character of unflagging determination crashing against mourning and anguish. She yearns with hope, as everyone does, for a lost loved one to re-emerge. She couches everything, including that longing, in sarcasm. That she journeyed to Japan to escape past woes, her lack of friends beyond her family and her alienation by refusing to learn the language all help construct a complex portrait. Also assisting: even simple moments, like swigging wine on the toilet. It isn't a secret that bounding through chaos is more relatable when the external tangle that greets a character reflects their inner jumble, as Jones anchors at the heart of her performance. The Boston Public, The Office, Celeste & Jesse Forever, Angie Tribeca and On the Rocks star in never-better territory, in fact, as she must've spotted the potential for; she's also among Sunny's executive producers. New TV arrivals of mid-2024 are now two for two when robot companions are involved. Fantasmas is the other. They're also two for two in world-building and production design that plunges viewers into screen spaces that resemble nothing else, which is no small feat for Sunny with Japan as its setting. Another commonality: not merely making audiences grateful that the non-stop flow of new streaming series can keep delivering programs this unique, but sparking a hunger for more to come. That's the sunny side of more TV begetting more TV and then more still, because a heaving crowd is always made up of individuals. Few new streaming arrivals of late are as distinctive as Fantasmas and Sunny, though. Check out the trailer for Sunny below: Sunny streams via Apple TV+ from Wednesday, July 10, 2024.
Recently, a wave of international hotel chains have been choosing Melbourne as the first spot to drop their luxury accommodations in Australia — Lanson Place and The StandardX. And the latest to join the fold is 1 Hotels, which is preparing to open a luxury hotel at the newly revitalised Northbank Precinct in May 2025. Located right on the Yarra River, the pet-friendly hotel will be home to 277 guest rooms and 114 hotel-branded residences, a slew of drinking and dining destinations, a resident-only rooftop and a lavish day spa. The level-five spa will have a large sauna, steam room, jacuzzi and swimming pool, plus its own gym with in-house trainers. As with 1 Hotels in London, Hollywood and New York, this Melbourne site will include swathes of reclaimed and recycled materials as well as stacks of plants and other natural elements. All in all, you'll find over 2000 plants scattered throughout 1 Hotel Melbourne, plus there'll be direct access to a 3500-square-metre riverside park. This park is part of the new Seafarers Rest precinct, which sits within the broader Northbank Precinct. This oft-forgotten wedge of land between Flinders Street and the river — located opposite Southbank and accessed via the Seafarers Bridge — is preparing for a massive glow-up. And 1 Hotel will be one of its main attractions. 1 Hotel Melbourne is slated to open in May 2025, and will be found at 9 Maritime Place, Melbourne. For more information, you can check out the hotel's website.
The Ironmen of Cooking are here. Here. Reppin' Australia's '90s love for the glorious, glorious competitive Japanese cooking show, two of the original Iron Chefs have landed in Melbourne for an epic cooking battle, one the public can eat for a cheeky $380 per person. Could be a publicity stunt for Iron Chef Australia, which was cancelled at the end of its first season in 2010. Could be (is) a KIRIN thing. Could just be a hair-brained jaunt from the Japanese TV crew. Either way, Kitchen Stadium has been left behind for Melbourne's RACV City Club this week. Over two nights on February 14 and 15, the mighty Iron Chef Hiroyuki Sakai (reppin' all things French cuisine, winner of 70 ICs) and Iron Chef Masahiko Kobe (the Don of Italian Iron Chef cooking, but winner of only 16 ICs) will take the stage with the son of Iron Chef Kenichi Chen (the once-master of IC Chinese cooking and winner of 66 ICs), banding together to cook up one monster of an Iron Chef feast. The theme ingredient? Australian local produce. Yep, it's more vague than river eel, summer corn or Alaskan king crab, but they're keeping it geographically-themed. Held over two sittings, the Iron Chefs will be chopping, mincing and frying up seven courses. According to Good Food, the menu's main focus will be pretty seafood heavy — spanner crab, ocean trout — alongside local duck. Paired with sake and Aussie wines by executive sommelier Masahiko Iga, the seven-course dinner is already well sold out — even with that $380pp price tag. It's not clear whether the legendary commentator Yukio Hattori (or his straight-up boss Canadian dub counterpart Scott Morris) will be in attendance to point out every last heroic detail, or whether the immortal, ever-dramatic host Takeshi Kaga will be there to kick off the proceedings. If you're wondering whether your face will end up on Japanese TV, it probably will — the Iron Chefs have brought an entire Japanese media entourage with them, as the battle will be televised. While tickets for the event have indeed sold out, you can peruse this list of every last Iron Chef ingredient ever featured or watch this SEA CUCUMBER BATTLE: Via Malay Mail and Good Food.
Kickass fish and chips will no longer be out of reach for inner city dwellers. North Bondi's celebrated fish and chippery, Bondi's Best, is set to join the Barangaroo lineup. One of North Bondi's local gems, a beloved alternative to the half-hearted seafood takeaway joints of Campbell Parade, Bondi's Best is close to locking in a contract with the CBD waterfront development, according to Good Food. BB will join already confirmed Barangaresident Matt Moran, amongst the epic food and drink precinct planned for the area. Barangaroo marks the third chapter for Bondi's Best, after owner-chef Joel Best opened a second eatery on Bondi foodie strip Hall Street. Snuggled beside Maurice Terzini's Da Orazio Pizza + Porchetta, A Tavola and China Diner, Bondi's Best opened its TomMarkHenry-designed doors just one month ago to lazy, lazy cheers from the South Bondi community. While the Barangaroo/BB residency has not been signed on the dotted line, we can expect confirmation pretty soon. We're predicting the menu will stem from the existing Bondi's Best slam dunks — nothing about beer battered hoki and chips with tartare needs improving. Via Good Food.
You've gotta love it when people solve problems that you didn't even know you had. At the moment, you're probably just wearing regular shoes that anyone could buy in any old store. Soon, you could be stepping out in electronic sneakers, complete with inbuilt flexible LED screens and eight embedded sensors for maximum personalisation. Yep, you'll never don the same kicks as someone else ever again if New York-based fashion-tech startup Vixole has their way (or, you'll actually wear the exact same shoes, but no one will be able to tell). The company is currently running a crowdfunding campaign for what they're calling "the world's first customizable mid-top E-sneakers", with three different models available. So how do they work? Well, whether you select the basic, the plus or the OLED, you'll be able to deck out your Vixole Matrix shoes with thousands of designs, animations and even photos via your smartphone — or "design, code, or remix your sneaker", as Vixole puts it. Each item of footwear features a LED screen built into its surface and wrapped around the back of the shoe, and is then covered by composite half transparency material to make it waterproof and even capable of withstanding snow, apparently. You'll be able to strut your stuff in them for eight hours before they'll need recharging on a wireless pad for two hours to power back up. Then there's the plus model, which has been dubbed "the shoe from the future". Motion sensors collect data about your movements and change the design of your shoes accordingly, while sound sensors do the same by interacting with whatever music you might be playing. They even include a sensor that can communicate with other Matrix wearers, exchanging contact details just by touching the tips of your sneakers. And, they'll link up with your phone to act as a navigation tool (vibrating on either your left or right shoe to let you know which way to go), or notify you when you're getting a call (again, by vibrating). The limited-edition OLED version does all of this, and boasts a high-resolution colour display, rather than a monochrome one. In the rapidly evolving age of wearable technology, smart sneakers might just be the next big thing. If you're keen on pairing some with your Snapchat snap-taking specs, solar-powered clothes, vibrating leggings and VISA payment rings, you can pre-order a pair via Indiegogo from US$225 (and yes, they ship worldwide). The manufacturing process is slated to start in January 2017, with the shoes delivered from June. Via Digital Trends.
Everybody's favourite spiced rum, Sailor Jerry, and the music legends at Yours and Owls are teaming up this August and September for Jerry Can & A Van—the no-rules, all-heart live music tour—to celebrate the return of WAAX and their new single "Ur A Rat". After a three-year hiatus, WAAX lead vocalist, Maz De Vita, will be making a fierce comeback, taking their raw and energetic new music to the masses on this short but heady string of East Coast gigs. As a long-time supporter of live Aussie music and tattoo culture, Sailor Jerry will unite the two by rolling out celebrity tattoo artist Lauren Winzer exclusively for the Sydney event to give WAAX fans the chance to wear the tour on their sleeve. "This tour is about reclaiming WAAX in the most raw, honest way possible, and teaming up with Lauren felt like the perfect fit — we're both driven by creativity, connection, and strong female energy," Maz De Vita explained. Kicking off in WAAX's hometown of Brisbane at The Brightside on Friday, August 29, the Jerry Can & A Van tour will make its way down to the University of Canberra (Friday, September 5) and UTS Underground in Sydney (Saturday, September 6), before finishing up at Howler in Melbourne (Thursday, September 11) and Pelly Bar in Frankston (Friday, September 12). Expect an unapologetic night of new WAAX energy, flash tattoos, and signature Sailor Jerry serves. Tickets for Jerry Can & A Van featuring WAAX and Lauren Winzer are available here. For more information and tour updates, visit the Sailor Jerry Website. By Elise Cullen
When it comes to succulent pieces of poultry, Australia boasts plenty, but you know what they say: you can't get too much of a good thing. Trying to help make that case is newcomer 4Fingers, the Singaporean fried chicken favourite that's just brought their crispy chook to our shores. Setting up their first two stores in Melbourne's Bourke Street and at Brisbane's new food precinct at Westfield Chermside (and another set to open on Albert Street in Brisbane soon), 4Fingers is all about farm-to-fork free-range chicken served up in their signature crispy style. It's hand-brushed and prepared to order in wingettes, drumettes and legs. Sure, that's what other greasy chook place offers, but why mess with a winning formula? If you're eager for something different, it's 4Fingers' extra bits and pieces that might motivate you to hop on in. Fancy a katsu sandwich with daily-fermented kimchi coleslaw, crispy chicken chops or chicken, garlic and button mushrooms on an artisanal charcoal bun? You do now. Wings and legs with rice, a selection of seafood and three types of salad are also on the menu. 4Fingers is now open at 189-191 Bourke Street, Melbourne and at Westside Chermside, corner Gympie and Hamilton Streets, Chermside in Brisbane. Another store is set to open at 108 Albert Street, Brisbane soon. For more information, keep an eye on their website and Facebook page. Updates: July 3, 2017.
A modern, local riff on the hawker market concept, District 8 is Cabra-Vale Diggers' 600-seat food precinct, promising your tastebuds a trip down the Mekong River, without the flight to Southeast Asia. Here, a diverse lineup of restaurants and food stations delivers authentic flavours from across Vietnam, Thailand, China, Laos, Cambodia and Myanmar. You can drop in for a classic Malaysian-style seafood laksa, dive into a big bowl of Hanoi-worthy pho, carb-load on some Asian baked goods, or round up the crew for a proper dim sum feast. The $9.99 weekday specials also includes some pretty tasty dishes, including Monday's char siu pork and a barbecue Cantonese duck each Thursdays. Meanwhile, loud and lively Chinese restaurant Horizon is a favourite for its daily yum cha offering, as well as the hefty selection of fresh seafood tempting the dinner crowd each night. To match District 8's real-deal culinary offering, expect a fitout that wholly embraces those Southeast Asian roots throughout, from the wall of authentic maneki neko 'waving cats', to the thousands of red timber squares, hanging Chinese-style from the ceiling. If you're well practised in the art of devouring tasty Asian fare, you'll want to catch District 8's annual pho challenge. If you conquer the super-sized 2.2 kilogram bowl ($35) of meat, aromatic broth, rice noodles, bean sprouts and other additions solo in less than 30 minutes, you'll score a $50 District 8 voucher. Keep an eye on this space for dates.
First opened in 1999, Brass Monkey has made a name for itself as the venue to catch live music in Cronulla. Over its more than two decades of operation, it has played host to live music acts from all over the world. Although the genre selection tends to favour jazz, it is not unlikely to find musicians turning out blues, roots, funk, pop, indie and world music on the stage, too. The old-world charm of this venue will transport you back to another era, with its mood lighting, velvet stage curtains, red leather booth seating and wood-panelled bar. If you've got an event to plan and a long guest list, the team at Brass Monkey can look after up to 140 people with tailored packages available to suit. And, they even offer the entire venue as an exclusive hire. Although music venues aren't typically known for their food offerings, the menu here is solid, taking its cues from Mediterranean home-style cooking.
Mud, moss and murky waters mightn't sound like dream Airbnb features, but they couldn't be more exciting if you're a fan of pop culture's favourite solitude-loving ogre. To celebrate Halloween with a fairy tale theme, the accommodation booking platform has added a unique Scottish Highlands stay that'll turn you green with envy if you don't score the reservation — and have you spending the weekend at Shrek's Swamp IRL if you do. Hey now, this is the nostalgic all-star of Airbnb listings, aka a recreation of a spot straight out of the Shrek movies. And the host? Donkey, although it's unlikely that that means that either Eddie Murphy or a domesticated equine will be there to greet you. Here's what is definitely included: two nights for up to three guests in a stumpy structure that goes rustic inside and out, all for free. You'll enjoy a parfait, fireside stories, waffles in the morning, "earwax candlelight" to set the mood (the listing's words, not ours), and having the whole place to yourselves behind the "danger" and "stay out" signs. Oh, and absolutely no torches and pitchforks. Whether onions are included hasn't been revealed. "Shrek's Swamp is lovely. Just beautiful. The perfect place to entertain guests," said Donkey, announcing the stay (well, said Airbnb giving the statement the appropriate themed spin). "You know what I like about it? Everything. The overgrown landscaping, the modest interiors, the nice boulders, all of it. I can't wait for guests to experience this muddy slice of paradise for themselves." If you're keen, you'll need to try to nab the booking at 4am AEDT / 3am AEST / 6am NZDT on Saturday, October 14 — and, if your wish comes true, you'll be off for a stay across the weekend of Friday, October 27–Sunday, October 29. As always, whoever gets the reservation is responsible for their own travel, including if they have to get to and from Scotland. This listing is also helping a good cause, with Airbnb making a one-off donation to the HopScotch Children's Charity, which helps vulnerable and disadvantaged children in Scotland, as part of the Shrek's Swamp promotion. Somebody once told us that the platform loves offering up once-in-a-lifetime spots to slumber, as its recent history shows. In the past, it has had nights at Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill, Gwyneth Paltrow's Montecito abode, Hobbiton, the Bluey house, the Paris theatre that inspired The Phantom of the Opera and the Scooby-Doo Mystery Machine up for grabs. Also on the list: The Godfather mansion, the South Korean estate where BTS filmed In the Soop, Japan's World Heritage-listed Suganuma Village and the House of Sunny studio. Last Halloween, it similarly went with a movie theme, listing the Sanderson sisters' Hocus Pocus cottage. For more information about the Shrek's Swamp stay on Airbnb, or to book at 4am AEDT / 3am AEST / 6am NZDT on Saturday, October 14 for a stay across Friday, October 27–Sunday, October 29, head to the Airbnb website. Images: Alix McIntosh. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Nineties kids, Disney fans and everyone who's ever cried over a lion cub that just couldn't wait to be king, it's time to climb onto a rock and yell your lungs out. The circle of life has struck again, and The Lion King is back. It's in live-action form this time around, and the first full trailer for the new movie has just dropped. Releasing in July, the film will once again tell the tale of Simba, who's set to take over the pride from his father Mufasa, only for his malicious uncle Scar to get in the way. You know where it goes from there — and you'll be hearing the voices of Donald Glover as Simba, Beyoncé Knowles-Carter as his childhood pal Nala, and James Earl Jones as his dad. Yes, the latter is reprising his role from the original film. Other big names attached include Chiwetel Ejiofor as Scar, John Oliver as Zazu, and Billy Eichner and Seth Rogen as Timon and Pumbaa. Elton John is back working on the soundtrack with Tim Rice, as they both did on the first film. They'll reportedly have some help from Beyoncé, naturally, while The Jungle Book's Jon Favreau is in the director's chair for the entire production. If you're anxious about how it might turn out, it's worth taking Timon and Pumbaa's advice at this early stage — although this initial look should help get rid of your worries for the rest of your days. Now, grab the tissues and watch the trailer: https://www.youtube.com/watch?v=7TavVZMewpY The Lion King hits Australian cinemas on July 17, 2019.
Hands up if you're guilty of repurchasing that same wine or six-pack every time you head to the bottle-o. The bigger chain stores are pretty reliable for restocking our old favourites, but if you're keen to branch out and discover some new drops by local producers, you may need to look a little further. So, we've created this Sydney bottle shop and boutique cellar guide to shine a light on some of the city's more specialised liquor stores — the ones that are passionate about new and innovative production methods, ingredients and flavours. Whether you're heading to a friend's place for dinner, joining a house party or eating out at one of your favourite BYO-friendly restaurants, these bottle shops are packed to the brim with excellent natural wines, quirky craft beers and specialty liquors. From family-owned and decades-old joints to new up-and-comers, these Sydney booze retailers will help you impress your mates on a night out (or in).
For too long the precious black liquid that keeps your brain afloat during 8am meetings on Monday has gotten all the attention. But what about the intricately designed disposable cup? It's easy to forget about (let alone give any sustained attention to) the vessel of cardboard that carries that lovingly brewed coffee to our lips — but we'd be pretty lost without it. Coffee Cups of the World is an unabashed display of one man's beautiful takeaway coffee journey across the world documented on Tumblr and Instagram. "I want people to look at the coffee cups and be conscious of them," New Zealand professional food photographer Henry Hargreaves told Cool Hunting. "The to-go cup is the best piece of advertising for coffee shops, but not everyone gives it enough attention." Until now, that is. Hargreaves (who you might know for his eerie food photography series of death row inmates' last meals) has collected coffee cups from cafes in Europe, the United States, Australia and New Zealand. He has even enlisted a friend from South Africa to send him a bunch and — great news — is now encouraging the public to do the same. See more of Hargreaves's work at the Coffee Cups of the World Tumblr and on his online portfolio. Via Cool Hunting
Feeling a fraction frazzled? A bit bamboozled? A touch touchy? Every now and again, you've got to step out of the action and into some downtime. And here to give you a helping hand are the good folk at independent Australian company The Downtime Agenda. Started by entrepreneur Julie Haslam, The Downtime Agenda aims to help everyday folks actually take time for themselves — when was the last time you did? Really did? By enabling Aussies to maximise their valuable downtime and actively relaxing, Haslam intends to boost mindfulness and wellbeing with a range of deliverable products, gifts and services — "a place dedicated to the things we do when we're not doing things". To get you started on your high quality R&R quest, in partnership with TDA, we're giving away a whole lot of free time. The big prize up for grabs is a weekend camping experience for two people. Another great independent Australian startup, CampNow is a local service made for people who dream about camping, but never seem to find the time or the gear. To make it easy, the team turns up on your doorstep with everything you need — from air mattresses and pillows to head torches and first aid kits. So, you end up with a weekend of camping delivered, without the hassles of storage and cleaning. You can also ask CampNow to show you the way to secret camp spots. Two runners up will score $100 vouchers to spend at The Downtime Agenda. These can be used to enjoy one of TDA's relaxing experiences, including massages, meditation classes, yoga sessions, men's grooming, pizza-making master classes, stays in Thredbo and more. [competition]613765[/competition]
On another one of these hot sticky days that keep exhausting us Sydney-siders, we traipse down to the dimly-lit people-packed Brown Sugar. A café-by-day, a bistro-by-night, our 7.30pm table will be for the latter fare. Sitting on Bondi's Curlewis Street it is a perfect spot for a post-dip bite. However, the chances of one stumbling across a free table are slim. We are thankful Brown Sugar takes bookings. In an attempt to relieve myself from the stifling heat I order the special of beetroot cured ocean trout with green tahini, baby radish and fresh herbs. The beetroot curing makes the ocean trout taste more earth than ocean, yet it is sweet and refreshing. For the main I go down the other path, for with all the rich exotic possibilities on the menu, how can one simply graze on the light things. The duck confit is served atop an orzo pilaf with dates and fresh figs. There are bitter bites of preserved lemon and crunches of almonds sprinkled throughout the rice shaped grains of pasta. Huge bunches of green rest upon it, leaving me to not-so-elegantly fight my way through the coriander stalks. During the meal we have befriended our neighbours - an inevitability considering our close proximity. When it comes time to leave I politely ask them to reshuffle their wine glasses – it is the only way I can leave my seat. I have an inkling that the entry was not so challenging, but, even if the succulent duck was the cause of the increased difficulty, there is no doubt that it was worth every mouthful.
If you’re in the mood to dance why not take your gyrations on a perambulatory tour of Sydney while you’re at it? discoDtours, as the capitalisation of the ‘D’ might suggest, transform the streets of Sydney into your very own dancefloor. Running tours during Fair Day, and through The Rocks and Surry Hills, discoDtours will provide you with your own headphones, some Hawaiian leis for good measure, and then, after a brief warm up, you will be unleashed on the unsuspecting city. The Mardi Gras Parade eve dress up drag queen tour sounds like a particular highlight. Saturday, Feb 21, 2pm — Victoria Park, Camperdown (Fair Day) Sunday, Feb 28, 6.30pm — Cadmans Cottage, George Street, The Rocks Wednesday, Mar 2 and Friday, Mar 4, 6.30pm — The Beresford Hotel, Surry Hills
Edge of Tomorrow tells the story of a cocky, unlikeable man trapped in an inescapable temporal loop where he must relive the same day over and over again. From the trailer alone it was clear this new film by director Doug Liman (The Bourne Identity) had borrowed heavily from 1993's outstanding live-die-repeat karmic comedy Groundhog Day. The only questions were: how much, and how well? Over the past 20 years, a number of attempts have been made to match the Groundhog Day formula, with Source Code and Deja Vu perhaps the most on point, while Looper — though not specifically a 'repetition' film — offered the most refreshing perspective on what it called "that time travel crap [that] just fries your brain like an egg". In Edge of Tomorrow, the allusions to Ramis' film are at their most pronounced, yet — thankfully — they are also perhaps at their best. Tom Cruise, putting in his best performance in years, plays the spineless advertising exec turned military spin-doctor Will Cage, who's railroaded by his commander (Brendan Gleeson) and dispatched to the western front as a regular grunt on the eve of a major military offensive. The enemy is an alien species whose arrival, objective and anatomy most closely resemble those of the bugs in Starship Troopers. As the waves of troop carriers, aircraft and boats swarm across the English Channel towards France, it's hard not to think the timing of this film's release wasn't just a little bit strategic given this week's 70th anniversary of D-Day, yet it neither grates nor bears any significance to the wider implications of the compelling plot once Cruise dies and begins his seemingly endless loop. Edge of Tomorrow was written by Hiroshi Sakurazaka, whose background in IT and video games unmistakably impacted on both the visuals and narrative. For one thing, the soldiers resemble something between human Mech-Warriors and Titan Convertibles, yet it's in the nature of the temporal loop that the gaming analogy is most apposite. Every time Cage dies, he immediately restarts from the same time and place. It is, in effect, his 'save point', and — just as in gaming — he uses both the pain and knowledge from his previous deaths to extend the time before his next one in order to beat the eventual 'Boss'. In Groundhog Day, the main character taught himself piano. In Edge of Tomorrow, it's martial arts and weaponry. In Groundhog Day, he got to know a woman in order to sleep with her. Here, it's to keep her alive. That woman is Rita Vrataski (Emily Blunt), a war hero and propaganda darling whose nickname is either 'The Hero of Verdun' or 'Full Metal Bitch' depending on whether she's there to hear it or not. Blunt is spectacular in the role, playing an entirely plausible warrior without having to resort to hackneyed tough-talking or turning her body into a giant muscle in a sports bra. She's less a love interest than she is a trainer, motivator and ally, and the partnership is a delight to watch. Funny, suspenseful and terrifically imaginative, Edge of Tomorrow is a thinking-person's action film that will surely stand as one of 2014's best blockbusters. https://youtube.com/watch?v=vw61gCe2oqI
When discount airlines started soaring into business, they made air travel both easier and much more affordable, drastically shaking up the aviation game. Now that you can routinely fly from Sydney to Melbourne for less than the cost of a degustation dinner, conquering longer flights, reducing the environmental impact and offering niche services have become the industry's new sources of inspiration. Think direct Australia-to-London journeys, trips fuelled by mustard seeds, and now an airline dedicated to art events. Launched by Chinese-American performer Qinmin Liu, Angelhaha Airline "promises to only fly to art," as its website explains. Its first flight will take off on December 6, travelling from New York to Miami for the latter's Art Basel event; however the artist and choreographer has further one-way trips planned for jaunts between Beijing and Hong Kong in March, London and Venice in May, and Berlin and Paris in October, among others. Each coincides with an exhibition, art month, art fair or something similar. In total, 25 flights are currently listed on the airline's website, though The Guardian reports that they don't come cheap. Tickets aren't available at present — although you can sign up to be notified when the next flight opens for bookings — but the maiden voyage, on a private plane taking nine passengers, is setting back travellers between $2,700-$3,500. https://www.instagram.com/p/BbmyuFdHKeH/?taken-by=qinmin_liu In addition to its specific destinations, Angelhaha also aims to turn flying through the sky into a happier experience. "Angelhaha will do everything to provide the happiest moment and environment to human beings," the website states. Just how it will achieve that task is yet to be revealed, but if France can start an airline for millennials, and Europe a service that only heads to ski fields, then the world can have a joy-spreading, art-loving carrier as well. Via The Guardian.
Kate Grenville's 2005 novel, The Secret River, is the arresting story of William Thornhill, an English convict sent to Australia for the term of his natural life in 1806. The life he makes for himself and his family on the Hawkesbury River after his subsequent pardon is an example of clumsy and ultimately brutal 'settling' of Aboriginal land. Andrew Bovell's adaptation for the stage matches Grenville's novel with full force, and Neil Armfield's direction delivers a powerful blow to the gut. The story has been given its proper weight and significance in all elements of the production. Set designer Stephen Curtis has transformed the main stage at Sydney Theatre Company into a bush setting — a majestic, dusty-white swathe of canvas tumbles from the ceiling, evoking paperbarks or cliff faces. Eucalyptus foliage frames the space and a live fire crackles away throughout. Iain Grandage's music is a faithful support to the narrative such that it's an emotionally charged production. Music that follows storyline like a film score in theatre can be emotionally manipulative, but in this case the music is owned by all members of the cast, with Trevor Jamieson regularly picking up the guitar to accompany Grandage on the piano and others assisting with percussion. Grandage's arrangement of an English folk song overlapping a traditional Aboriginal tune, sung by the entire cast, is superb. The importance of this story cannot be overemphasised. On the one hand, it is a historical account of a tragic event, but on the other it's a crucial conversation with a persistently painful present. Armfield quotes actor Ursula Yovich in his programme notes from her letter to him about the generational damage caused by events such as the murders in this story: “The trauma is so deep that we believe in our own worthlessness." This large cast brings the tragedy to the stage with humanity and extraordinary courage. Jeremy Sims's characterisation of the vile Smasher Sullivan is brave for its extreme ugliness. Similarly, Daniel Henshall playing convict Dan and Matthew Sunderland as Sagitty both portray a confronting level of unthinking callousness. In contrast to this trio is the young Thornhill family, who for the most part try to live by some sort of morals. Thornhill’s characterisation by Nathaniel Dean is one of a decent man who can't quite command his own mind. Anita Hegh as his wife, Sal, is rough and warm, a smart woman counting down the days till her return to England. Their initially cordial but confused relationship with "those that are there" in the end gives way to violence. Roy Gordon as the elder, Yalamundi, is a dignified, gentle presence, as is Ethel-Anne Gundy playing Buryia. Last seen in The Sapphires, Miranda Tapsell is a versatile and captivating performer. Bruce Spence as a kangaroo is magnificent. The couple embodying reason and sense in this story are Thomas Blackwood (Colin Moody) and Dulla Djin (Ursula Yovich). Blackwood's advice is always, "give a little; take a little." In a potent moment, Yovich playing Dulla Djin responds to Thornhill's offer of a gift by saying calmly, "you could leave our place, William Thornhill." Yovich also performs as Dhirrumbin, the narrator. She is a gentle and steadfast witness, observing scenes at a knowing distance. STC has put a lot into this production, and it shows. Each aspect is carefully executed to form a moving whole. On opening night it fittingly received a standing ovation. This is the sort of epic theatre that can shape national identity. Photo by Heidrun Lohr.
At two of the world's most-prestigious film festivals, prizes are awarded to the best queer movies on the lineup. Not all cinephiles can attend Cannes and Berlinale, so Australia's Mardi Gras Film Festival is bringing LGBTQIA+ flicks from both 2024 fests Down Under in 2025. Romania's Three Kilometres to the End of the World won the Queer Palm. The Istanbul-set Crossing took home the Teddy Jury Prize in Berlin. They're both highlights of the just-announced MGFF program, which has a date with Sydney cinemas in February — and boasts a roster of almost 150 flicks. The movie-loving component of the Sydney Gay and Lesbian Mardi Gras, MGFF wants audiences to enjoy its feast of LGBTQIA+ films on the big screen if they can. The bulk of the lineup will hit picture palaces across Thursday, February 13–Thursday, February 27, at venues including Event Cinemas George Street and Hurstville, Dendy Newtown, Ritz Cinemas Randwick, the State Library of NSW and The Rocks Laneway Cinema. For those who can't make it in-person, there's also a small-screen component, streaming a selection of titles on-demand nationwide from Friday, February 28–Monday, March 10. If you're hitting up movie theatres, award-winners aren't Mardi Gras Film Festival's only drawcards. On opening night, coming-of-age tale Young Hearts will start the proceedings with a story of romance in rural Belgium, while French standout Somewhere in Love is doing the honours to close out the physical event. In-between, viewers have 72 sessions to choose from, complete with the world premiere of In Ashes from Denmark-based filmmaker Ludvig C Poulsen; South Korea's Love in the Big City; the Alan Cumming (Schmigadoon!)-starring Drive Back Home; and Ponyboi, which features Australian actor and The White Lotus favourite Murray Bartlett (The Last of Us). Or, catch Any Other Way: The Jackie Shane Story, which tells of its namesake's tale from her 50s Nashville success through to disappearing from the public for four decades; Aussie effort Heart of a Man, about a closeted Indigenous boxer; period drama Lilies Not for Me with Fionn O'Shea (Masters of the Air) and Robert Aramayo (The Lord of the Rings: The Rings of Power; Duino, a semi-autobiographical effort about an Argentinian filmmaker working on a movie about his first love; and the Venus Xtravaganza-focused I'm Your Venus, which is a must for fans of Paris Is Burning. That's just a taste of the program, which spans Aussie festive slasher Carnage for Christmas, Nina Hoss (Tár) in Foreign Language, a documentary about Ani De Franco, Brazilian drama Streets of Gloria and more, too. Blasts from the past come courtesy of a free screening of The Birdcage, plus a 20th-anniversary session of Imagine Me & You (featuring Lena Headey long before Game of Thrones), with both showing under the stars. If you'd like to don a habit, croon tunes in a cinema or both, Sister Act is getting the sing-along treatment. And from the 70s, Scarecrow in a Garden of Cucumbers — which is one of the first-ever trans-led feature films — is making its Sydney premiere. Cabaret is also on the bill, a fitting choice given that documentary Liza: A Truly Terrific Absolutely True Story is on the lineup as well — gifting Liza Minnelli obsessives a double feature. Movie buffs eager to check out the online program from their couch can look forward to the aforementioned Drive Back Home and Heart of the Man; a doco about activist Sally Gearhart; Unusually Normal's factual portrait of a family that includes two lesbian grandmothers, four lesbian mothers and one lesbian granddaughter; and a blend of fiction and reality with 2024 Sundance Special Jury Award-winner Desire Lines, among other titles. A number of shorts programs will be available to stream, too, with packages devoted to Asia Pacific, transgender and gender diverse, queer horror, queer documentaries, sapphic and more. Black Doves' Ben Whishaw pops up in one of the gay shorts, while Hacks' Megan Stalter appears in one of the films in the comedy lineup. 2025's MGFF marks Festival Director Lisa Rose's last at the helm. "The film industry has changed dramatically throughout my time with Queer Screen. The volume of LGBTQIA+ content we see, as well as how and where we see it, continues to evolve," she notes. "Yet the sense of belonging that comes when the lights dim and a room full of queer people experience a queer story together remains a constant. Even when a film has the audience divided, the feeling of community that envelops us is unifying." Queer Screen's 32nd Mardi Gras Film Festival 2025 runs from Thursday, February 13–Thursday, February 27 at venues around Sydney — and online nationally from Friday, February 28–Monday, March 10. For more information, visit the festival's website.
Another day, another new Netflix show. This time, the streaming platform seems to be taking its cues from one of 2018's big-screen surprises. Two women met, became friends despite having very little in common, helped each other with their daily lives and then found themselves immersed in something murky in A Simple Favour — and now they're doing the same in TV series Dead to Me. Arriving in early May, the new ten-episode show stars Christina Applegate and Linda Cardellini, with the former playing a just-widowed woman trying to cope with losing her husband in a hit-and-run incident, and the latter popping up as a positive-thinking free spirit. They cross paths at a grief counselling session, and it's a definite odd-couple situation — which isn't helped by more than a few surprises. A dark comedy with plenty of twists, as based on the just-dropped first trailer, Dead to Me also features James Marsden among its cast, with the show created by 2 Broke Girls writer Liz Feldman. The series marks Applegate's first lead TV role since 2011-12 sitcom Up All Night, while it's a return to Netflix for Cardellini, who starred on the streaming platform's drama Bloodline — and also featured in A Simple Favour. Check out the first trailer below: https://www.youtube.com/watch?v=BwYBw1raC2o Dead to Me hits Netflix on May 3. Images: Saeed Adyani / Netflix.
It's mid-August, so you should probably start getting your New Year's Eve plans in order. Victorian NYE festival Beyond the Valley has just announced the lineup for their celebrated four-day festival in Lardner, Victoria and it's pretty bloody good, so could be a solid option. Just four festivals old, the Victorian festival is still pretty fresh on the New Year's circuit, starting out in 2014. Despite this, they've managed to secure a rather colossal lineup, featuring charismatic rap headliner Schoolboy Q, Sydney electro legends The Presets, falsetto-flaunting folk favourite Matt Corby, UK grime gem Stormzy, East London 'wonky funk' singer Nao and 21-year-old Channel Islands-born producer Mura Masa. Beyond the Valley takes over Lardner Park, Warragul, Victoria from December 28 to January 1. Anyway, here's what you came for. BEYOND THE VALLEY 2017 LINEUP: Schoolboy Q The Presets Matt Corby Stormzy Mura Masa Stephan Bodzin (live) Little Dragon 2MNANY DJs (DJ Set) Adana Twins Âme (live) Amy Shark Andhim The Belligerents B.Traits Crooked Colours Cub Sport Cut Copy Dean Lewis DMAs Dom Dolla FKJ GL George Maple Harvey Sutherland & Bermuda Hayden James Hot Dub Time Machine Ivan Ooze Jack River Lastlings Late Nite Tuff Guy Marek Hemmann Meg Mac NAO Patrick Topping Pleasurekraft The Preatures Princess Nokia Ruby Fields Sampa The Great San Cisco Skegss Beyond the Valley is happening December 28 to January 1 at Lardner Park, Warragul, Victoria. Presale tickets on sale Wednesday, August 16, with general tickets on sale Thursday. August 24, from www.beyondthevalley.com.au. Images: Beyond the Valley.
Dream musical double alert: this winter in Australia, you can make a theatre date to see both Hamilton and In the Heights. Sydney is hosting the only Aussie return season for Lin-Manuel Miranda's second big Tony Award-winning show from late July — and now it's also welcoming his debut smash, too. Sydney Opera House will turn into New York City's Washington Heights for a six-week season of In the Heights, also kicking off the same month. Initially staged in 2005, then leaping to off-Broadway in 2007, then playing Broadway from 2008–11 (which is where it nabbed those 13 Tony nominations and four wins), Miranda's first stage sensation spends its time with Usnavi, a bodega owner from the Dominican Republic who dreams of going back — and who also sports a crush on Vanessa, who aspires to move out of the neighbourhood. Miranda himself originated the role of Usnavi, scoring a Tony nomination for his efforts. In Australia this winter, Ryan Gonzalez (Moulin Rouge! The Musical) will step into the part. When the show's Sydney Opera House run spans Saturday, July 20–Sunday, August 25, fellow Moulin Rouge! The Musical alum Olivia Vásquez will play Vanessa. Alongside Gonzalez, she'll be joined by Richard Valdez (All Together Now — The 100) as the Piragua Guy — another character that Miranda has brought to life personally, this time in the 2021 film version of In the Heights. On the stage and on-screen, the production not only follows Usnavi and Vanessa's connection, and their respective hopes for the future, but also the residents of Washington Heights, their family ties across multiple generations and their friendships. And the soundtrack — which helped In the Heights win Best Musical and Best Original Score Tonys — as well as the vibe and mood bring together salsa, soul, rap, hip hip, merengue and street dance. "In the Heights is an uplifting musical that celebrates collective joy in a truly genuine and spirited way. Community, culture, connection and colour explode on-stage in a vibrant setting, as we are enveloped into the lives of characters holding fast to their history and creating new traditions," said Sydney Opera House Head of Contemporary Performance Ebony Bott, announcing the season. If you're keen to watch the movie — or rewatch — in the interim, it stars Anthony Ramos (Dumb Money) as Usnavi and Melissa Barrera (Abigail) as Vanessa, as well as Leslie Grace (In the Summers), Corey Hawkins (The Color Purple), Jimmy Smits (Obi-Wan Kenobi), Stephanie Beatriz (Twisted Metal) and Olga Merediz (Somebody I Used to Know). Check out the trailer for the film below: In the Heights will play Sydney Opera House's Drama Theatre from Saturday, July 20–Sunday, August 25, 2024, with ticket presales from 9am on Tuesday, May 7 and general sales from 9am on Friday, May 10 — head to the venue's website for more details. Images: Daniel Boud.
After introducing its cookie pies to the world last month, followed by serving up an OTT red velvet one, Gelato Messina is bringing the decadent dessert back for a third round with the OG chocolate chip flavour. Hang on, a cookie pie? Yes, it's a pie, but a pie made of cookie dough. And it serves two–six people — or just you. You bake it yourself, too, so you get to enjoy that oh-so-amazing smell of freshly baked cookies wafting through your kitchen. These pies are now available for preorder — so if you missed out last time, here's your chance to get yourself a piece of the pie. On its own, the indulgent choc chip pie will cost $20. But to sweeten the deal, the cult ice creamery has created a few bundle options, should you want some of its famed gelato atop it. For $28, you'll get the pie and a 500-millilitre tub, while with a one-litre tub or a 1.5-litre tub, it'll cost $34 and $39 respectively. The catch? You'll have to peel yourself off the couch and head to your local Messina store to get one. You can place your preorder now via Bopple, with pick up times available between Thursday, May 14 and Sunday, May 17. You can preorder a Messina cookie pie via Bopple to pick up from all NSW, Vic and Queensland Gelato Messina stores (except The Star) from May 14–17.
One of the best presents that Australians received in 2023 came from the Matildas, who had a record-breaking 2023 FIFA Women's World Cup on the field and on-screen, and are also the reason that Matilda was named the country's word of the year. Australia's national women's soccer team isn't done giving us gifts yet, however. To see out 2023, the squad is taking on Canada in two friendlies, gifting fans two more chances to watch, don green and gold, and celebrate Alanna Kennedy, Ellie Carpenter, Steph Catley, Caitlin Foord, Mary Fowler and company. Mark these dates and times in your diaries: Saturday, December 2 at 2pm AEDT / 1pm AEST / 11am AWST; and Wednesday, December 6 at 1.30pm AEDT / 12.30pm AEST / 10.30am AWST. Both games are taking place in Canada, but they're timed around lunchtime Down Under — which is particularly handy for the Saturday game, and will level up your lunchtime on Wednesday. This is only the second set of matches that the Tillies have played since making the Women's World Cup semi-finals, Australia's best-ever result for either the men's or women's soccer teams. Back in October and November, the Matildas returned home for Olympic qualifiers against Iran, The Philippines and Chinese Taipei in Perth, wining all three. A few familiar faces won't be taking to the turf for the Canada matches, with both Sam Kerr and Mackenzie Arnold injured and unable to play. But Kennedy, Carpenter, Catley, Foord and Fowler are all in the 23-person squad, as are Kyra Cooney-Cross, Katrina Gorry, Hayley Raso, Emily van Egmond and Tameka Yallop. The last time that the Matildas played Canada was in the Women's World Cup group stage, where they won 4–0 thanks to two goals to Raso, and one apiece to Fowler and Catley. To watch the friendlies in Australia, 10Play and Paramount+ are your destinations — plus Network 10 on regular TV. After this, the Tillies will face off against Uzbekistan in February 2024 in the next stage of Olympic qualifiers, playing two games. If you're in Sydney, you can also see Arnold, Fowler and Kennedy doing a live fan stadium event on Thursday, December 21. THE MATILDAS VS CANADA FRIENDLIES: Saturday, December 2 — 2pm AEDT / 1pm AEST / 11am AWST Wednesday, December 6 — 1.30pm AEDT / 12.30pm AEST / 10.30am AWST The Matildas' friendlies against in Canada take place on Saturday, December 2 and Wednesday, December 6 — and you can watch via 10Play and Paramount+. Images: Tiff Williams / Little Blinky via Wikimedia Commons.
Wes Anderson is partial to a few things. Bill Murray. Primary colours. Owen Wilson. Folk music. Natalie Portman's bottom. And overhead shots, to name but a few. Here, all of the auteur's beautifully crafted bird's eye views have been compiled into one stylish montage, featuring scenes from films including The Royal Tenenbaums, The Darjeeling Limited and The Life Aquatic with Steve Zissou. [Via Best Week Ever]
Goodbye Shiv Roy, hello Dorian Gray — plus every other character in Oscar Wilde's gothic-literature masterpiece. That's Sarah Snook's current path. The Australian Succession star is swapping the hit HBO drama, which wrapped up forever with its just-aired four season, with a stage date with the sinister portrait that lets its subject stay young and beautiful. And, she's playing every single role in the production. On the page, The Picture of Dorian Gray is exceptional, as well as astute and unnerving, as it follows the selling of its namesake's soul in order to keep indulging every corporeal whim, urge and desire. There's a reason that it just keeps getting adapted for the screen and in theatres, after all. But there's never been a version like Sydney Theatre Company's The Picture of Dorian Gray, which is the iteration that Snook will star in — in the UK's West End. [caption id="attachment_896386" align="alignnone" width="1920"] HBO[/caption] This news is two huge announcements in one: Snook's return to the London stage after debut in the 2016 production of The Master Builder, and this Aussie reworking of Oscar Wilde's classic making its UK premiere. With its high-profile star, The Picture of Dorian Gray is headed to The Theatre Royal Haymarket, with a season from Tuesday, January 23–Saturday, April 13, 2024 locked in. Premiering in Sydney 2020, this take on the tale uses video and theatre to get its star playing 26 characters. In Australian runs, Eryn Jean Norvill has done the honours, and brilliantly, with Snook following in the actor's footsteps abroad. "I am elated to return to the London stage in such an astonishing piece of theatre," said Snook. "From Oscar Wilde's remarkable original text to Kip Williams' stunning adaptation, this story of morality, innocence, narcissism and consequence is going to be thrilling to recreate for a new audience. I can't wait." Williams, who adapted Wilde's text into the phenomenal production and also directs, is heading to the UK as well. "In creating a new piece of theatre like The Picture of Dorian Gray, you always hope to have the opportunity to share it with a wider audience. I am so excited for theatre lovers in London to experience our show, and am thrilled to have the extraordinary Sarah Snook bringing to life the many characters of Oscar Wilde's remarkable story." [caption id="attachment_856346" align="alignnone" width="1920"] Dan Boud[/caption] Taking the show to London is part of a partnership between STC and Michael Cassel Group, which is all about sharing the former's works around the globe. A similar path — from Australia to the UK, but originating from the Griffin Theatre Company — has worked out spectacularly for Prima Facie, with the British production starring Killing Eve's Jodie Comer winning Best New Play and Best Actress at the 2023 Laurence Olivier Awards. On-screen, Snook will next be seen in straight-to-streaming films Run Rabbit Run and The Beanie Bubble. Check out a trailer for STC's Australian seasons of The Picture of Dorian Gray starring Norville below: The Picture of Dorian Gray will play The Theatre Royal Haymarket, 18 Suffolk Street, London from Tuesday, January 23–Saturday, April 13, 2024 — for more information and tickets, head to the venue's website. Top image: Alexi Lubomirski.
Do you ever watch Jeopardy! or Who Wants to Be a Millionaire? and think "I could do that"? Or, maybe you and your mates are guns at pub trivia and you've been waiting for an excuse to go head to head. Well, Sydney's new Quiz Room is here to facilitate just that. The interactive trivia room has opened on Sydney's George Street in the same complex as Virtual Room Sydney and Escape Hunt. There are three colourful quiz rooms on offer, each fitted out to look like a classic game-show set and each with six podiums. Groups of up to 18 can rent out a room, where they'll pitted against each other in bouts of trivia. There are two game modes on offer. The first is a classic general-knowledge quiz that covers a variety of topics and comes equipped with several game modes, as well as in-game trump cards and surprises. The second is for all the music lovers out there. The Music Quiz runs through three rounds of a name-that-tune-style game, with each round serving up new twists and turns. You can choose your preferred musical era (anywhere between the 50s and the 2020s) but, generally, the game is kept pretty broad. If you and your friends were always reaching for the video game Buzz growing up, this is your chance to relive those memories — or you can book a room for a team-building exercise at work. There's also a family-friendly version of the general quiz adapted for kids aged eight to 12. Each Quiz Room booking includes two 30-minute games. Groups of four can book for $45 per person, with the per-head price going down as groups get bigger. And, special reservations can be made for workplaces, hen's parties, birthdays and large events, including catering, drinks and use of the level-seven rooftop. Find Quiz Room Sydney at Level 6, 393 George Street, Sydney — open 10am–10pm Monday–Sunday.
Given the Fast and Furious franchise's title, you'd think that driving speedily and passionately is what this big-budget film series is all about. Chaotic and OTT car antics play a hefty part, as the 2001 original, its seven sequels to-date and its 2019 spin-off have all shown via a constant onslaught of hectic stunts. But if there's one thing that this Vin Diesel-starring and -produced saga loves just as much as vehicular mayhem, it's family. Over the years, Diesel's Dominic Toretto has extended the term 'family' to include not only his girlfriend-turned-wife Letty (Michelle Rodriguez), his sister Mia (Jordana Brewster), her husband Brian (the late Paul Walker) and their various offspring, but their extended motley crew of fast-driving pals as well. Dom talks about family rather often, usually over a few Coronas with said friends and family. The gang has even faced off against a family of adversaries, courtesy of brothers Owen and Deckard Shaw (Luke Evans and Jason Statham), and their mother Magdalene (Helen Mirren). So, when it comes to Fast and Furious 9, it's unsurprising that the franchise is leaning heavily on one of its favourite concepts. Obviously eye-catching, jaw-dropping stunts also feature — complete with a rocket car (yes, really) — but somehow, the saga hasn't expended all family-related options just yet. As both the initial trailer back in early 2020 and the long-awaited, just-dropped second trailer for the delayed flick reveals, the villain this time is John Cena, who joins the series as Dom's younger brother Jakob. When the film hits cinemas in June after being postponed for more than a year due to the pandemic, don't expect a happy sibling reunion. This flick's outlandish set pieces will pit Dom and the crew against Jakob, who has teamed up with returning criminal mastermind Cypher (Charlize Theron). Basically, they could've called this film Fast and Furious: More Stunts and More Family, which is exactly what both trailers so far serve up. Of course, that's what's made this franchise a huge box-office success for two decades now — and those action scenes, while typically defying logic, physics and gravity, are always expertly, astonishingly and entertainingly choreographed. As well as Diesel, Rodriguez, Brewster, Cena, Theron and Mirren, Fast and Furious 9 also stars franchise mainstays Tyrese Gibson and Ludacris, plus Game of Thrones' Nathalie Emmanuel (who joined the series back in 2015's Furious 7 and is now considered part of Dom's family). And, it features the highly anticipated return of Sung Kang as Han, which is quite the narrative development if you've been following every quarter mile this series has ever sped across. After a two-film absence, the movie also marks the return of The Fast and the Furious: Tokyo Drift, Fast & Furious, Fast Five and Fast & Furious 6 director Justin Lin. Check out the new trailer for F9 below: https://www.youtube.com/watch?v=xzVw9QTBKJk Fast and Furious 9 releases in Australian cinemas on Thursday, June 17. Image: 2021 Universal Studios. All Rights Reserved.
The art form of graffiti, one of the four sacred pillars of hip hop culture, has suffered a blow this week after Long Island City's epic aerosol art landmark, 5Pointz, the cathedral of cool, was whitewashed overnight. Who are the culprits that would destroy such a monument? Who would dare to deface creative defacement? None other than the building owners themselves, Jerry and David Wolkoff (which I choose to misread as Walkoff, as in, "It's a walk-off"). Also known as the Institute of Higher Burning, 5Pointz has for years drawn graffiti artists and appreciative crowds to Long Island City, and it's in good company, MoMA's PS1 being the other creative landmark in the area. 5Pointz curator Meres One had plans to turn the site into a museum and educational space, which certainly would have been both fitting and awesome, but those plans were dashed by the owners' envisioned residential redevelopment. The Wolkoffs have big plans for the site, hoping to erect a double high-rise apartment complex serving young New Yorkers and empty nesters. Is it another case of irreplaceable cultural riches sacrificed on the altar of corporate greed? Probably, although the Wolkoffs do pledge (via Twitter, anyway) large walls available for future graffiti art. In an ironic twist, the graffiti artists who painted 5Pointz did so with permits, but the whitewashing ninja attack was carried out completely sans permit. Thus, traditionally legal and illegal forms of public mark-making appear to have swapped places in this particular case. After months of local 5Pointz loyalists striving to get the building complex listed as a landmark in a last-ditch attempt to save it from being demolished, its fate now seems sealed. What is perplexing to everyone is why the Wolkoffs had to go and stealthily paint over the artwork, using police protection, in the small hours of the morning, rather than allow it to meet its end with dignity. It takes a sufficiently large and unguarded canvas, and a big creative community, to make something like 5Pointz. Hopefully its ilk can exist again. Check out the full report and all the devastating photographs at Hyperallergic. Below: 5Pointz in happier days.
The Bellarine Peninsula is set to welcome a stunning new hilltop retreat, opening just in time for that post-winter coastal escape you've already been plotting. Boasting a majestic piece of Point Lonsdale real estate, complete with 360-degree views of the bay, Lon Retreat and Spa is the latest incarnation of luxury accomodation Lonsdale Views. It opened its doors in October, following a huge, 18-month transformation of the 200-acre family-owned property. The luxury retreat features seven sanctuary-like suites, each one decked out differently to mirror a particular aspect of the surrounding landscape. Expect earthy, natural tones throughout, with most of the furniture, ceramics, artwork and lighting sourced or crafted locally. As well as the plush rooms, Lon boasts its own private beach access, a guest lounge with an open fire and views across the ocean, a private art gallery showcasing local works, and an indoor heated pool fed by mineral water. In the spa, you'll also find an OTT eight-jet shower. Outside the retreat, you'll find nature walks spread all across the property, if some fresh air and leg stretching is on the agenda. And, while there's no restaurant on site, guests can still indulge in a swag of local goodies, thanks to the honesty bar and a 'Makers and Growers Pantry', showing off top Bellarine produce. Room rates at Lon Retreat and Spa will start at around $360 per night, with a two-night minimum stay. The price includes access to the pool and a hamper full of breakfast treats courtesy of Annie's Kitchen in nearby Barwon Heads. Lon Retreat and Spa wis now open at 25 Gill Road, Point Lonsdale — an hour-and-a-half's drive from Melbourne's CBD. Images: Nikole Ramsay Photography. Updated: November 2, 2018.
In the just-dropped full season-three Only Murders in the Building trailer, Mabel Mora (Selena Gomez, The Dead Don't Die) asks Oliver Putnam (Martin Short, Schmigadoon!) and Charles-Haden Savage (Steve Martin, It's Complicated) a key question: "who are we without a homicide?". When you're characters in a murder-mystery comedy who make a podcast about murders in your building, death comes with the territory. So does chatting about it — and both are covered in this latest and lengthiest sneak peek at the show's new batch of episodes. This time, it's actor Ben Glenroy (Paul Rudd, Ant-Man and the Wasp: Quantumania) who has shuffled off this mortal coil — and at opening night of theatre producer Putnam's latest Broadway show. Of course Mora, Putnam and Savage are going to get sleuthing again, as they did with past murders in season one (aka one of the best new shows of 2021) and season two (one of the best returning shows of 2022). And of course scrambling to save Putnam's career is also part of the storyline. Season three stars not only Gomez, Martin, Short and the ageless Rudd, but also the one and only Meryl Streep (Don't Look Up) as it add another bit of murder, a new mystery to solve and plenty of laughs to the winter streaming lineup. The show returns on Tuesday, August 8 with its main trio spending plenty of time on Broadway trying to work out who is responsible for Gilroy's death, and why, with help from Streep as his co-star Loretta Durkin. "Is this really happening again?" asked Putnam in the first teaser trailer for the new batch of episodes. Yes, yes it is. So is the series fondness for big-name guest stars, as viewers will know from both season one and two. Tina Fey (Girls5eva) has been a significant presence, Sting and Amy Schumer have played themselves, and Cara Delevingne (Carnival Row) has also popped up. If you're yet to experience Only Murders in the Building's charms, it follows its central odd trio after they bond over two things: listening to a Serial-style podcast hosted by the show's own version of Sarah Koenig, aka Cinda Canning (Fey); and a death in their luxe abode. Of course, they did what everyone that's jumped on the true-crime bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way. In the show's second go-around, another death needed investigating. That time, it was someone the main trio were all known not to be that fond of, so suspicions kept pointing in their direction. Check out the full trailer for Only Murders in the Building season three below: Only Murders in the Building's third season will start streaming Down Under via Star on Disney+ from Tuesday, August 8. Season one and two are currently streaming. Read our full review of season two — and of the show's first season, too.
More than four years in the making, Central Station's $955-million transformation is set to partially open later this year. To mark the first stages of the new station and platforms opening in late-2022, the NSW Government has provided some insight into what we can expect, including the installation of the Southern Hemisphere's largest escalators. There are a total of 42 sets of escalators currently being installed, amounting to 955-metres of new automated walkways for tired workers. Each set is made up of three 45-metre-long escalators forming 135-metre long structures. While three sets of escalators have been built inside the new Metro stations, the majority will be incorporated into the new Central Walk underground concourse. 19-metres wide and 80-metres long, the new Central Walk runs below platforms 16 to 23 of the station, connecting the new metro lines to existing train and light rail platforms. Other elements of the station's transformation include the aforementioned Metro platforms that will be incorporated into the new Sydney Metro City and Southwest Metro lines, and the bright 330-tonne Northern Concourse canopy which you can currently see if you make a trip to the inner-city transport hub. "This city-shaping work is an extraordinary engineering and construction accomplishment," NSW Premier Dominic Perrottet said. "We're delivering this Metro rail station below the surface at Central while existing train services continue above." Unlike the NSW Government's last major public transport project, the Light Rail, Central Station's revamp is on track to open in line with the 2022 date proposed when construction began back in 2018. Following the opening of the first section, the Sydney Metro City and Southwest metro lines are on track to be operational in 2024. From 2024, the new train lines are expected to shorten travel time between Central and Martin Place to 4 minutes, Victoria Cross Station to 9 minutes and Chatswood Station to 15 minutes. Head to the NSW Government website to stay up-to-date with the Sydney Metro and Central Station renovations.
If you find that your temptation to play World of Warcraft greatly outweighs any need to talk to friends, eat food or breathe fresh air, you may be suffering from an addiction to the internet. And now the detrimental effects of spending hours online may be solidified in the American Psychiatric Association's "Diagnostic and Statistical Manual of Mental Disorders," a widely-cited guide for medical practitioners and others in the field. There are proposals for internet addiction to be classified as a substance-related disorder in the manual, which is due to be published again in mid-2013. This proposal is hardly surprising, given that a recent survey of 250 people in the journal Psychological Studies found that people had a greater urge to check Facebook than have a cigarette or alcoholic beverage. So how can we do we classify somebody as a certified internet addict? Many of us use the internet for hours on end, either for leisure or employment purposes. Dr. Jerald L. Block stated in the American Journal of Psychiatry that symptoms include "excessive use... withdrawal... and negative repercussions, including arguments, lying, poor achievement, social isolation, and fatigue." Oh no. Sounds like me on weekdays. If internet addiction is indeed classified as a mental illness, it will be interesting to see how this affects the community at large. Will more people begin to blame their crimes and failures on the crippling need to get a fix of Facebook? If so, how will the legal system respond to this new-found mental illness? Furthermore, it will be interesting to see how one gets cured of internet addiction. Maybe a healthy dose of television will do the trick.
