Life is so busy these days, one can't help but wish some things would just sort themselves out. We have technological advancements and perhaps Google to thank for such laissez-faire attitudes. PumpTire's prototype for a self-inflating tyre appeals to the whinger in us but also proves to be an eco-friendly invention saving time, money and extraneous resources needed to pump a flat bicycle tyre. Components of the PumpTire includes a tyre, a detachable valve and inner tube. It can be used in conjunction with existing rim models and works as the cyclist rides their bike. According to founder of PumpTire Benjamin Krempel, it works "by using the rolling motion of the tyre to draw in air from the atmosphere". A hollow tube attached to the edge of the tire pushes air into the tyre. The tyre is even capable of sensing when the ideal air pressure is reached. PumpTire is currently promoting its invention on Kickstarter to raise funds for further engineering design, testing and purchasing tools and materials. https://youtube.com/watch?v=rMmZnzG9QqI [via PSFK]
Since Sally Rooney's Normal People first hit bookshelves in 2018, big things have followed. As well as becoming a bestseller, the Irish author's second novel was longlisted for the Man Booker Prize and won 2019's Book of the Year at the British Book Awards. The next step: bringing this tale of two teens and their complicated romance to the small screen, all courtesy of a new 12-part drama of the same name. In particularly excellent news for fans of the book, Normal People's TV adaptation is penned by Rooney herself — alongside fellow screenwriters Alice Birch (Succession) and Mark O'Rowe (Boy A). And, it boasts some other significant talent in the director's chair, too, with helming duties shared by Oscar-nominated filmmaker Lenny Abrahamson (Room) and BAFTA winner Hettie Macdonald (White Girl, Howard's End). Of course, it's the tale playing out on-screen that's the main attraction, as readers will already be aware — and as the just-dropped first teaser shows. Cold Feet's Daisy Edgar-Jones and newcomer Paul Mescal step into the shoes of the novel's Marianne and Connell, high school classmates in their west Ireland small town who weather all manner of ups and downs as they attend Dublin's Trinity College. At school, she was lonely and aloof, while he was outgoing and popular. At college a year later, their roles have reversed. That sets the scene for an intimate, complex love story — which will unravel in full when Normal People drops on Stan on Monday, April 27. Check out the teaser trailer below: https://www.youtube.com/watch?v=DDpWEA2rMB4&feature=youtu.be All 12 episodes of Normal People will be available to stream on Stan on Monday, April 27.
The Aussie love affair with Scandinavian-designed products is a long-running one. A certain megastore may steal the spotlight sometimes, but this sleek store (and its Mosman counterpart) is harbouring some of the best Nordic designs around. With a range that spans furniture, homewares, clothing and accessories, Nordic Fusion is the place to come when your home is crying out for some well-designed and stylish pieces. Expect to find popular labels like Marimekko, Pappelina and Klippan — plus, you'll get a glimpse of some of Scandinavia's top emerging design houses like Muuto and Menu. It also sells a large range of Nordic food and treats which, we're told, can add to the hygge vibe, too. We can just picture it now: snuggling up on the lounge under a cosy new Klippan blanket with a bowl of Ekströms chocolate pudding.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's 12 you can watch right now at home. IN THE HEIGHTS Lin-Manuel Miranda isn't the first lyricist to pen tunes so catchy that they get stuck in your head for years (yes, years), but his rhythmic tracks and thoughtful lines always stand out. Miranda's songs are melodic and snappy, as anyone who has seen Hamilton onstage or via streaming definitely knows. The multi-talented songwriter's lyrics also pinball around your brain because they resonate with such feeling — and because they're usually about something substantial. The musical that made his name before his date with US history, In the Heights echoes with affection for its eponymous Latinx New York neighbourhood. Now that it's reverberating through cinemas, its sentiments about community, culture, facing change and fighting prejudice all seem stronger, too. To watch the film's characters sing about their daily lives and deepest dreams in Washington Heights is to understand what it's like to feel as if you truly belong in your patch of the city, to navigate your everyday routine with high hopes shining in your heart, and to weather every blow that tries to take that turf and those wishes away. That's what great show tunes do, whisking the audience off on both a narrative and an emotional journey. Miranda sets his words to hip hop beats, but make no mistake: he writes barnstorming songs that are just as rousing and moving, and that've earned their place among the very best stage and screen ditties as a result. Watching In the Heights, it's hard not to think about all those stirring tracks that've graced previous musicals. That isn't a sign of derivation here, though. Directing with dazzling flair and a joyous mood, Crazy Rich Asians filmmaker Jon M Chu nods to cinema's lengthy love affair with musicals in all the right ways. His song-and-dance numbers are clearly influenced by fellow filmic fare, and yet they recall their predecessors only because they slide in so seamlessly alongside them. Take his staging of the tune '96000', for instance. It's about winning the lottery, after word filters around that bodega owner Usnavi (Anthony Ramos, a Hamilton alum) has sold a lucky ticket. Due to the sweltering summer heat, the whole neighbourhood is at the public pool, which is where Chu captures a colourful sea of performers expressing their feelings through exuberantly shot, staged and choreographed music and movement — and it's as touching and glorious as anything that's ever graced celluloid. Of course, $96,000 won't set anyone up for life, but it'd make an enormous difference to Usnavi, In the Heights' protagonist and narrator. It'd also help absolutely everyone he loves. As he explains long before anyone even hears about the winning ticket, or buys it, every Heights local has their own sueñitos — little dreams they're chasing, such as his determination to relocate to the Dominican Republic. And that's what this intoxicating, invigorating, impassioned and infectious captures with vibrant aplomb. In the Heights is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. A QUIET PLACE PART II When every noise you make could send savage aliens stalking, slashing and slaughtering your way, it's the waiting that gets you. When you're watching a nerve-rattling horror film about that exact scenario, the same sentiment remains relevant. In A Quiet Place, the Abbott family went into survival mode after vicious creatures invaded, hunted down every sound and dispensed with anyone that crossed their path. For the characters in and viewers of the 2018 hit alike, the experience couldn't have screamed louder with anxiety and anticipation. Evelyn and Lee (Wild Mountain Thyme's Emily Blunt and Detroit's John Krasinski) and their children Regan (Millicent Simmonds, Wonderstruck), Marcus (Noah Jupe, The Undoing) and Beau (Cade Woodward, Avengers: Endgame) all silently bided their time simply trying to stay safe and alive, but their continued existence lingered under a gut-wrenching shadow. The critters were still out there, listening for even a whisper. It was a matter of when, not if, they'd discern the slightest of noises and strike again. That type of waiting drips with tension and suspense, and also with the kind of inevitability that hovers over everyone alive. A certain bleak end awaits us all, a truth we routinely attempt to ignore; however, neither the Abbotts nor A Quiet Place's audience were allowed to forget that grim fact for even a moment. Initially slated to arrive in cinemas two years later, then delayed by the pandemic for 14 months, sequel A Quiet Place Part II isn't done with waiting. Written and directed once again by Krasinski, the film doesn't shy away from the stress and existential distress that marking time can bring, but it also tasks its characters with actively confronting life's inevitabilities. After an intense and impressive tone-setting opening flashback to the first day of the alien attack, when the Abbotts' sleepy hometown learns of humanity's new threat in the cruellest fashion, the storyline picks up where its predecessor left off. It's day 474 — the earlier film spent most of its duration around day 472 — and Evelyn, Regan, Marcus and the family's newborn are grappling with their losses. That said, they're also keenly aware that they can't stay in their Appalachian farmhouse any longer. After spotting smoke on the horizon and setting off in that direction, they reconnect with Emmett (Cillian Murphy, Peaky Blinders), an old friend who has been through his own traumas. Evelyn sees safety in numbers, but he's reluctant to help. Then Regan hears a looping radio transmission playing 'Beyond the Sea' and decides to track down its source — and a film that's less thrilling, potent and unsettling than its predecessor eventuates. A Quiet Place Part II is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. BLACK WIDOW Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up often. Since 2008, the Marvel Cinematic Universe has operated with the opposite aim — extending and expanding the series at every turn, delivering episodic instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing, in no small part because it needn't waste time setting up a Black Widow sequel. Instead, the pandemic-delayed movie spends its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Sporting an impressive cast that also includes Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Black Widow begins in 1995, in small-town Ohio. Here, Harbour and Weisz play Alexei and Melina, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse, at least. The film doesn't revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans for too long, however, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the action then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant and killing. There's an unmistakable air of Bourne and Bond to Black Widow from there, but this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates. With Australian filmmaker Cate Shortland (Somersault, Lore and Berlin Syndrome) in the director's chair, this welcome addition to the franchise spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. Black Widow is available to stream via Disney+ with Premium Access. Read our full review. MY NAME IS GULPILIL Lengthy is the list of Australian actors who've started their careers on home soil, then boosted their fame, acclaim and fortunes by heading abroad. Some have won Oscars. Others are global household names. One plays a pigtailed comic book villain in a big film franchise, while another dons a cape and wields a hammer in a competing blockbuster saga. David Gulpilil doesn't earn any of the above descriptions, and he isn't destined to. It wouldn't interest him, anyway. His is the face of Australian cinema, though, and has been for half a century. Since first gracing the silver screen in Nicolas Roeg's Walkabout, the Yolŋu man has gifted his infectious smile and the irrepressible glint in his eye to many of the nation's most important movies. Indeed, to peruse his filmography is to revel in Aussie cinema history. On his resume, 70s classics such as Mad Dog Morgan and The Last Wave sit alongside everything from Crocodile Dundee and Rabbit-Proof Fence to Australia, Goldstone and Cargo — as well as parts in both the first 1976 film adaptation of Storm Boy and its 2019 remake. The latest film to benefit from the Indigenous talent's presence: My Name Is Gulpilil. It might just be the last do to so, however. That sad truth has been baked into the documentary ever since its subject asked director Molly Reynolds and producer Rolf de Heer — two filmmakers that Gulpilil has collaborated with before, including on Another Country, Charlie's Country, Ten Canoes and The Tracker — to make something with him after he was diagnosed with stage-four lung cancer. That was back in 2017, when he was given just six months to live. Gulpilil has been proving that diagnosis wrong ever since. Cue this heartfelt portrait of an Australian icon like no other, which celebrates a star who'll never be matched, reminds viewers exactly why that's the case, but is never a mere easy, glossy tribute. Anyone could've combined snippets of Gulpilil's movies with talking heads singing his praises. In the future, someone probably will. But Reynolds is interested in truly spending time with Gulpilil, hearing his tale in his own words, and painting as complete a portrait of his life, work, dreams, regrets, spirit, culture and impact as possible. My Name Is Gulpilil is available to stream via ABC iView. Read our full review. VALERIE TAYLOR: PLAYING WITH SHARKS Steven Spielberg directed Jaws, the 1975 horror film that had everyone wondering if it was safe to go back into the water — and the movie that became Hollywood's first blockbuster, too — but he didn't shoot its underwater shark sequences. That task fell to Australian spearfisher and diver-turned-oceanographer and filmmaker Valerie Taylor and her husband Ron, who did so off the coast of Port Lincoln in South Australia. If it weren't for their efforts, the film mightn't have become the popular culture behemoth it is. When one of the animals the Taylors were filming lashed out at a metal cage that had held a stuntman mere moments before, the pair captured one of the picture's most nerve-rattling scenes by accident, in fact. And, before Peter Benchley's novel of the same name was even published, the duo was sent a copy of the book and asked if it would make a good feature (the answer: yes). Helping to make Jaws the phenomenon it is ranks among Valerie's many achievements, alongside surviving polio as a child, her scuba and spearfishing prowess, breaking boundaries by excelling in male-dominated fields in 60s, and the conservation activism that has drawn much of her focus in her later years. Linked to the latter, and also a feat that many can't manage: her willingness to confront her missteps and then do better. The apprehension that many folks feel when they're about to splash in the ocean? The deep-seated fear and even hatred of sharks, too? That's what Valerie regrets. Thanks to Jaws, being afraid of sharks is as natural to most people as breathing, and Valerie has spent decades wishing otherwise. That's the tale that Valerie Taylor: Playing with Sharks tells as it steps through her life and career. Taking a standard birth-to-now approach, the documentary has ample time for many of the aforementioned highlights, with Valerie herself either offering her memories via narration or popping up to talk viewers through her exploits. But two things linger above all else in this entertaining, engaging and insightful doco. Firstly, filmmaker Sally Aitken (David Stratton: A Cinematic Life) fills her feature with stunning archival footage that makes for astonishing and affecting viewing (Ron Taylor is credited first among the feature's five cinematographers). Secondly, this powerful film dives into the work that Valerie has spearheaded to try to redress the world's fright-driven perception of sharks. Like last year's David Attenborough: A Life on Our Planet, 2017's Jane Goodall documentary Jane and underwhelming 2021 Oscar-winner My Octopus Teacher, this is a movie about being profoundly changed by the natural world and all of its splendour. Valerie Taylor: Playing with Sharks is available to stream via Disney+. Read our full review. CRUELLA A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning Mad Max: Fury Road costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). In this intellectual property-extending exercise from I, Tonya director Craig Gillespie, she sports two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness — and she's also a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists with Jasper (Joel Fry, Yesterday) and Horace (Paul Walter Hauser, Songbird). She loves sewing the costumes required more than anything else, however. After years spent dreaming of knockout gowns, upmarket department stores and threads made by the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. Cruella is available to stream via Disney+ with Premium Access, Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. Martin Eden is available to stream via Google Play, YouTube Movies and iTunes. I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is available to stream via Google Play, YouTube Movies and iTunes. A FAMILY Just five letters are needed to turn A Family's title into the name of one of popular culture's most famous clans. The Addams crew aren't the subject of this Australian-produced, Ukraine-shot blend of comedy and drama, but it does delve into the creepy, kooky and mysterious anyway. The feature debut of director Jayden Stevens — who co-wrote the script with his cinematographer Tom Swinburn (Free of Thought) — the absurdist gem spends time with the stern-faced Emerson (first-timer Pavlo Lehenkyi). With none of his family around for unexplained reasons, he pays other Kiev locals to play their parts, staging dinners, Christmas parties and everyday occasions. They eat, chat and do normal family things, all for Emerson's camera. His actors (including Maksym Derbenyov as his brother and Larysa Hraminska as his mother) all need to stick to his script, though, or he'll offer them a surly reprimand. Olga (Liudmyla Zamidra), who has been cast as his sister, struggles the most with her role. She's also the member of this little faux family that Emerson is particularly drawn to. Her own home life with her mother Christina (Tetiana Kosianchuk) is far from rosy, with the pair suffering from her dad's absence, so eventually Olga decides that Emerson's role-play game might work there as well. A Family is a film of patient and precise frames, awkwardly amusing moments, and bitingly accurate insights into the ties that bind — whether of blood or otherwise. It's a movie that recognises the transactional and performative nature of many of life's exchanges, too, and ponders how much is real and fake in both big and seemingly inconsequential instances. To perfect all of the above, Stevens walks in Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer, The Favourite), Aki Kaurismäki (Le Havre, The Other Side of Hope) and even the usually inimitable David Lynch's shoes. His feature is austere, deadpan and surreal all at once, and smart, amusing and savage at the same time as well. Indeed, if a bigger-name filmmaker had made this purposefully and probingly off-kilter picture, it would've likely proven a film festival darling around the globe. A Family did start its big-screen run at a fest, at the Melbourne International Film Festival back in 2019. Now reaching Australian cinemas after a year that's seen everyone either spend more time with or feel more physical distance from their nearest and dearest, it feels doubly potent. Every lingering image shot by Swinburn — and all of the pitch-perfect performances that he captures — speak loudly to the cycle of yearning and disconnection that comes with being alive, and that never stops being put under a microscope. A Family is available to stream via iTunes. THE CONJURING: THE DEVIL MADE ME DO IT Starting in 2013 with The Conjuring, expanding with 2014's Annabelle, and also including The Conjuring 2, both terrible and much better sequels to Annabelle, the dismal The Nun and the formulaic The Curse of the Weeping Woman, The Conjuring Universe now spans eight evil-fighting flicks — and they're all as straightforward as it gets when it comes to battling the nefarious. Circling around real-life paranormal investigators Ed and Lorraine Warren, the franchise posits that the supernatural exists, darkness preys upon the innocent and its central couple usually has the tools to combat everything untoward. That template remains firmly in place in The Conjuring: The Devil Made Me Do It. With director Michael Chaves (The Curse of the Weeping Woman) and screenwriter David Leslie Johnson-McGoldrick (Aquaman) doing the honours — taking their cues from James Wan, the Australian Saw and Insidious co-creator who helmed the first two Conjuring flicks — it once again serves up the usual bumps, jumps and scares that have haunted this franchise since day one. That said, the third Conjuring flick within the broader Conjuring realm does attempt a few changes. Rather than getting creeped out by haunted houses, it gets spooked by a kid and then a teenager who are both possessed. True to form, bone-shakingly horrific things can't simply occur without some kind of excuse and entity at play. The Warrens (Patrick Wilson, Aquaman, and Vera Farmiga, Godzilla: King of the Monsters) are first tasked with saving eight-year-old David Glatzel (Julian Hilliard, WandaVision) from a demon after his family moves to stereotypically sleepy Brookfield, Connecticut. Their efforts seem successful, even if Ed has a heart attack mid-exorcism, but the evil force they're fighting has really just jumped ship. Arne Johnson (Ruairi O'Connor, The Spanish Princess), the boyfriend of David's sister Debbie (Sarah Catherine Hook, NOS4A2), is quickly besieged by strange occurrences. He's soon also covered in blood after stabbing his landlord to Blondie's 'Call Me'. The death penalty beckons; however, the Warrens convince Arne's lawyer to plead not guilty by reason of demonic possession — the first time that ever happened in the US — and then commit to unearthing whatever paranormal details they can to save his life. The trailer for The Devil Made Me Do It teases legal thrills, but in a bait-and-switch way, because this film is barely concerned with Arne's court case. The true tale, which was previously dramatised in a 1983 TV movie starring Kevin Bacon, merely provides an easy setup for souped-up demonic antics and a routine, happily by-the-numbers, never remotely terrifying threequel. Indeed, the fact that more flicks will undoubtably still follow is the scariest thing about the film. The Conjuring: The Devil Made Me Do It is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE HITMAN'S WIFE'S BODYGUARD Someone involved with The Hitman's Wife's Bodyguard must really love paperwork; that's the only reason anyone could've given its script the go-ahead. Perhaps Australian filmmaker Patrick Hughes, who also directed 2017's The Hitman's Bodyguard, likes nothing more than keeping his documents in order. Maybe returning screenwriter Tom O'Connor (The Courier) falls into that category, or his debuting co-scribes Phillip and Brandon Murphy — they all made the subject the focus of their screenplay, after all. Whoever fits the bill, their attempt to force audiences to care about bodyguard licensing falls flat. So does the misguided idea that the certification someone might need to unleash their inner Kevin Costner would ever fuel an entire movie. Instead, what was already a needless sequel to a terrible action-comedy becomes even more of a dull and pointless slog, with this by-the-numbers follow-up showing zero signs that anyone spent more than a few seconds contemplating the story. A significant plot point here: that Michael Bryce (Ryan Reynolds, The Croods: A New Age) has lost his official tick of approval. He's no longer triple A-rated after a mishap in the line of duty, and he isn't coping well. To be fair, no one watching The Hitman's Wife's Bodyguard will handle that news swimmingly either, but only because they're made to hear about it over and over, all as Bryce rekindles his begrudging association with assassin Darius Kincaid (Samuel L Jackson, Spiral: From the Book of Saw) and the latter's con artist wife Sonia (Salma Hayek, Bliss). When Darius gets snatched up by nefarious folks during his belated honeymoon with Sonia, only Bryce can help — or so says the angry Mrs Kincaid. She interrupts the latter's vacation with swearing, shouting and shootouts, because that's the kind of feisty Mexican wife that Hayek plays. From there, Reynolds primarily complains, Hayek sticks with stereotypes and Jackson attempts to exude his usual brand of couldn't-care-less cool; however, even more than in Spiral: From the Book of Saw, he's on autopilot. As also seen in Jackson's last big-screen appearance, The Hitman's Wife's Bodyguard insists on reminding its audience about its stars' better movies. You don't cast both Hayek and Antonio Banderas (who plays a European tycoon plotting the world's demise) if you don't want to bring Desperado and Once Upon a Time in Mexico to mind (and Frida and even Spy Kids 3, too). Thinking about the pair's shared past highlights is far more enjoyable than enduring their current collaboration, unsurprisingly. Making fun of accents is considered the height of comedy here, women can only be hot-headed nags and manchild daddy issues get almost as much love as paperwork. The jokes aren't just scattershot; they're non-existent. The messy, incoherent and over-edited action scenes fare just as badly. None of the above is likely to save us from a third movie, though, which'll probably be called The Hitman's Wife's Baby's Bodyguard's Lost Birth Certificate. The Hitman's Wife's Bodyguard is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. FATALE Only 14 women have ever won more than one Academy Award for Best Actress, and Hilary Swank is one of them. When she earned the Oscars double for 1999's Boys Don't Cry and 2004's Million Dollar Baby, she beat both Meryl Streep and now three-time recipient Frances McDormand to the feat — but her career hasn't brought the coveted accolade her way again since. Fatale isn't going to change that recent trend. It hasn't earned Swank a Razzie either, but she could've easily been in the running. Playing a Los Angeles cop who has a one-night stand in Las Vegas with an ex-college basketball star turned high-profile player manager, then starts stalking her way through his life while also trying to intimidate her politician ex-husband into giving her back access to her young daughter, she has one mode here: stern-faced yet unbalanced. Even when her character, Detective Valerie Quinlan, is first seen flirting, Swank plays her as if something isn't quite right. That's accurate, plot-wise, but it robs Fatale of any semblance of tension it might've possessed. The film is meant to be an adultery-focused thriller in the Fatal Attraction mould — with even its title blatantly nodding that way — but it just ends up recycling tired, simplistic, overused cliches about unhinged women into a monotonous and unnecessarily convoluted package. Valerie and Derrick (Michael Ealy, Westworld) hit it off at a Vegas bar, then get physical; however, the next morning, he heads home to his wife Tracie (Damaris Lewis, BlacKkKlansman), who he actually suspects of being unfaithful herself. Before Derrick can meaningfully process either his infidelity or his fears about his crumbling marriage, his swanky home is broken into one night — and, because director Deon Taylor (Black and Blue) and screenwriter David Loughery (The Intruder) are content to hit every expected beat there is (and because they've seen every 80s and 90s erotic thriller ever made, too), Valerie is the investigating officer. Despite being woefully predictable from the outset, Fatale doesn't dare have fun with its cookie-cutter narrative. It doesn't evoke thrills, bring anything more than surface style or prove particularly sexy, and it never gets its audience invested in its obvious twists, one-note characters or rote dialogue. And, although having its badge-toting stalker use excessive force and exploit her power to target a person of colour could've been a choice that said something about America's current reckoning with law enforcement, race and police brutality, Fatale doesn't even contemplate anything other than clunky formula. Fatale is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May and June. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
When Spilt Milk announced that it wasn't taking place in 2024, instead delaying its next festivals until 2025, it looked like fans of the event were in for a hefty wait till they could next hear live tunes echo from its stages. But if you're in Newcastle, the Gold Coast or Perth — or can get there — that's no longer the case. Spilt Milk's regular fests remain postponed until next year; however, it's hitting up those three cities this November for a new gig series. Meet Spilt Milk House Party, aka the shindigs you throw when you're not throwing your regular shindig. If the tactic sounds familiar, that's because Yours and Owls is deploying it in 2024, too, calling it a pre-party instead. The idea is the same, though: get a bunch of acts to play at a smaller event, rather than the usual big festival rollout. For its version, Spilt Milk hasn't skimped on talent. In addition to his already-announced Australian tour, Troye Sivan leads the Spilt Milk House Party lineup. For company, he'll have Glass Animals, G Flip, Artemas and Sycco. The quintet have a date with usual Spilt Milk stops Perth and the Gold Coast, before also taking the event to Newcastle. While the fest proper normally takes place in Canberra — where it first started — and Ballarat as well, they're not getting their own House Party shows. [caption id="attachment_655626" align="alignnone" width="1920"] Anthony Smith[/caption] Given the smaller size, there's limited tickets available for the trio of parties, which will pop up at Kings Park Botanic Garden in Perth on Sunday, November 17; head to Broadwater Parklands on the Gold Coast on Saturday, November 23; and call Newcastle Entertainment Centre home on Sunday, November 24. When Spilt Milk cancelled its full fest experience for 2024, it did so because it "couldn't get you the Spilt Milk you deserve this year," it announced via social media. "Sooo imma dip for a bit and come back when I can make all ur dreams come true. i miss u xx," the statement continued. [caption id="attachment_967435" align="alignnone" width="1917"] F Fawkes via Wikimedia Commons[/caption] Spilt Milk House Party Lineup: Troye Sivan Glass Animals G Flip Artemas Sycco Spilt Milk House Party Dates: Sunday, November 17, 2024 — Kings Park Botanic Garden, Perth Saturday, November 23, 2024 — Broadwater Parklands, Gold Coast Sunday, November 24, 2024 — Newcastle Entertainment Centre, Newcastle Spilt Milk House Party will hit Perth, the Gold Coast and Newcastle in November 2024, with presale tickets available from 10am local time on Wednesday, September 11 and general sales from 10am local time on Friday, September 13. Head to the festival website for more details.
The Biennale of Sydney is known for its expansive displays of public art, from Ai Weiwei's 60-metre inflatable boat to last year's huge mirrored pavilion. When it returns in 2024 it will reach new heights, allowing art lovers to wander through one historic Sydney building for the first time in a century. The Inner West's White Bay Power Station will swing open its doors to Biennale-goers, granting the public its first chance to explore the heritage-listed building in more than 100 years. The power station has been in the lengthy process of being revitalised and transformed into an arts, culture and community hub as part of the Bay West precinct — and the contemporary art showcase will be the first event to utilise the huge Rozelle space. Artists breathing life into the space will be working within the 2024 theme Ten Thousand Suns. Heat, power, light, summer, joy, strength, the changing climate — all notions that spring to mind. This is what artists will be asked to ponder when creating their pieces for the citywide event. "We are thrilled to be hosting the first major event at White Bay Power Station," says Biennale of Sydney CEO Barbara Moore. "Admission is free. We are presenting some of the best contemporary art from around the world and across Australia, with a robust program of music and food, too, and we can't wait for you to experience it... In March, we swing the doors to White Bay Power Station wide open, and we can't wait for you to be part of it." Alongside the changes to the White Bay Power Station, the long-term plan for the Bay West precinct includes new employment spaces, 250 new homes with provisions for affordable housing and a new Metro station. Overall, the planned changes to the area are expected to create over four hectares of new public and open space. [caption id="attachment_804466" align="alignnone" width="1920"] Bays West precinct render[/caption] Running from Saturday, March 9–Monday, June 10, 2024 across Sydney, and free to attend as always — with the full list of venues yet to be revealed — the Biennale will feature works by artists such as William Yang, Tracey Moffatt, Serwah Attafuah, Kirtika Kain and Kaylene Whiskey among the homegrown contingent, as well as Sachiko Kazama from Japan, Francisco Toledo from Mexico and Malaysia's Anne Samat. In addition to ample art for attendees to experience, the 24th Biennale of Sydney will also feature a contemporary music lineup in partnership with Phoenix Central Park. The venue's curatorial skills will be taken to new locations beyond its stunning Chippendale site, responding to both Ten Thousand Suns as a theme and the works on display. [caption id="attachment_910497" align="alignnone" width="1920"] Creation of My Metaverse (Between this World and the Next) (2021). Serwah Attafuah. Digital 3D render, 3600 x 6000 px. Support: Sotheby's. Courtesy the artist © Serwah Attafuah.[/caption] The 24th Biennale of Sydney will run from Saturday, March 9–Monday, June 10, 2024 and will include exhibitions at the revitalised White Bay Power Station. Entry will be free, as always. We'll keep you posted on the whole artist lineup and exhibition program when they're announced. Top image: Adam .J.W.C.
If you've binged your way through The Afterparty already this year, and watched Death on the Nile as well, then you might be in the market for a new murder-mystery fix. Here's one puzzle that's easy to sleuth, because the answer is set to arrive via Disney+ — thanks to the return of instant 2021 favourite Only Murders in the Building. One of last year's surprises and delights — one of last year's best new shows, in fact — this gem weaves true-crime podcasting into the mix, too, all via a very funny murder-mystery comedy. And, thanks to the latest sneak peek at its second season, following other teasers and trailers back in March and May, Only Murders in the Building looks set to continue as it left off. We're never too far away from a new murder-mystery in some shape or form, of course, and Only Murders in the Building's new batch of episodes knows it, tasking its central trio of NYC neighbours-turned-sleuths (and true-crime podcasters) with investigating a second killing. This time, though, the three key residents of the fictional Arconia in New York are suspects, as well as subjects of a competing podcast. Only Murders in the Building focuses three New Yorkers: actor Charles-Haden Savage (Steve Martin, It's Complicated), theatre producer Oliver Putnam (Martin Short, Schmigadoon!) and the much-younger Mabel Mora (Selena Gomez, The Dead Don't Die). They're all addicted to a podcast hosted by the fictional Cinda Canning (Tina Fey, Girls5eva), and find themselves unexpectedly bonding over it, in fact. And, when someone turns up dead in their building, they decide that they can sleuth their way through the case by getting talking themselves. That's how the first season panned out. Now, in season two, Charles-Haden, Oliver and Mabel are weathering the fallout. Complicating their efforts are a trio of factors: their public implication in the death in question; that new podcast about them and this murder; and the suspicions of their neighbours, who think they're guilty. Exactly how that'll play out won't be unveiled until Tuesday, June 28, when Only Murders in the Building returns — but you don't need to be an amateur detective to know that it's bound to be both amusing and twisty. Whatever happens, both Cara Delevingne and Amy Schumer are involved, with the pair joining the cast as guest stars. And, as the new sneak peek shows, Fey is back as well. Check out the latest trailer for Only Murders in the Building season two below: Only Murders in the Building's second season will start streaming Down Under via Star on Disney+ on Tuesday, June 28. Read our full review of the show's first season. Images: Craig Blankenhorn/Hulu.
Blend in with the fashionable northern beaches locals with cult favourites like Faithfull the Brand and Assembly Label from Deesse Boutique, which is positioned in a prime corner spot on Avalon's main strip. Deesse sells all the stylish brands the Australian coastal suburbs are known for, so it can be hard to stop at just a couple of pieces. As well as beachy linens, you'll find Levi's jeans, Status Anxiety bags and wallets, and Temple of the Sun jewellery — not to mention all the Valley sunnies you'll be craving, and maybe a new bikini or two.
Our antipodean cousin is officially recognised as a foremost composer with a career spanning seminal post-pop-punk band Blam Blam Blam; art experimentalists The Front Lawn; platinum-selling pop-rockers The Mutton Birds; and several film soundtracks.McGlashan was recently a guest musician at Neil Finn’s 7 Worlds Collide project and he had some added Finn-fun opening for Crowded House on their recent American tour. In July his second solo album, Marvellous Year, will be released to coincide with his first solo dates in Australia, including a special one-off concert as part of the Winter Wonderland series at the Opera House Studio.https://youtube.com/watch?v=Px9-fJJzYrI
A new cafe and bakery with a commitment to high-quality artisan goods has just opened in the former home of West Juliett. The longstanding Marrickville favourite closed down without warning in mid-2022 — but when one door closes another opens, with White Rabbit taking over the corner space on Llewellyn Street. This is the fourth outpost for White Rabbit, with its Marrickville iteration joining spots in Drummoyne, Double Bay and Kiaora Lane. The group of cafes looks to bring together top-quality local suppliers, helping to expand their reach. That's exactly what you'll find at the new Marrickville venue, with Sonoma Bakery's bread and baked goods, Goose Bakery's pastries, Pepe Saya butter and The Little Marionette coffee all featured on the menu. "I am a firm believer in using premium ingredients to craft meals from scratch," says Steven Fadda, who you'll find in charge of the four Sydney spots alongside co-owners Andrea Di Mango and Daniel Antouny. Outside of Sonoma's loaves and Goose's dark chocolate and sea salt cookies, there is a menu of hefty cafe classics. Highlights from the all-day breakfast menu include XO chilli scrambled eggs with mushrooms, fried shallots and sourdough; sweet corn and zucchini fritters topped with avocado salsa, halloumi, chickpea hummus and chilli oil; and a classic bangers and beans big brekkie, featuring braised cannellini beans, nduja, pork and fennel sausages, pork belly, potato, fried eggs and toast. Later in the day, you can turn your attention to the lunch menu which is headlined by a fresh tuna ceviche bowl packed with zucchini and carrot noodles, brown rice, avocado, edamame, wakame, oxheart tomato, white miso and ginger; and a loaded parmesan and herb-crumbed chicken sandwich on toasted Sonoma sourdough. The White Rabbit team has made the most of the building, keeping the bright white aesthetic of West Juliett while shaping the space into a takeaway bakery and 100-seat cafe with both indoor and al fresco dining. If you're looking to drop in to pick up a loaf of bread or a pastry, the bakery is open seven days a week, while the cafe is closed on Mondays. White Rabbit Marrickville is located at 30 Llewellyn Street, Marrickville. The bakery is open 7am–1pm Monday–Sunday and the cafe is open 7am–3pm Tuesday–Sunday.
Back in March, which feels like eons ago, the Australian Government announced a ban on non-essential gatherings of more than 500 people — leading to the cancellation of thousands of events across Australia. Everything from Vivid to Bluesfest was scrapped as the country's COVID-19 restrictions got progressively stricter. Thankfully, we're now on the other side, and restrictions everywhere are easing. In New South Wales, this means the state's events calendar is slowly filling up once more. One thousand gigs are happening as part of the State Government-run Great Southern Nights; stadiums can have up to 10,000 fans in the stands; and theatres, concert halls and cinemas have been given the go-ahead to host events of up to 1000 people. In the latest win for the state, the Government has this week announced that regional events of up to 5000 people will be allowed to happen this summer. In a statement released on Wednesday, November 4, Minister for Regional NSW and Deputy Premier John Barilaro said that regional towns can start planning shows for summer 2021, with the newly allowed large-scale events kicking off with the Bowral Show on Saturday, January 9. "This is really exciting news for regional communities because country shows play a vital role in promoting agriculture and injecting money into local economies," Barilaro said in the statement. "I encourage everyone from the city to get out there and immerse yourself in a country show and get a valuable insight into life in the bush." With regional shows given the go-ahead from early next year, you might be wondering about Sydney's version: the Sydney Royal Easter Show, which was one of the many events forced to cancel in 2020. There's no call just yet, but the NSW Government has advised that it is also working with the Royal Agricultural Society of NSW to explore options for next year. [caption id="attachment_710789" align="aligncenter" width="1920"] Sydney Royal Easter Show[/caption] Shows will be required to have social-distancing rules, controlled entry point and capacity limit of one person per four square metres. At the moment, the new rules only apply to regional shows and not other types of events, but it's an encouraging sign. Hopefully it's not too long until punters will be able to head along to a (COVID-safe) music festival. With last year's devastating bushfire season leading to the cancellation of many out-of-town festivals, it's been a long time between bush doofs. For more information about the status of COVID-19 in NSW and current restrictions, head to the NSW Health website. Top image: Sydney Royal Easter Show, Riley Durkin.
With the sheer number of popular 90s nights happening at the moment, the recent remake of childhood favourites like The Lion King and Aladdin, and the return of artists such as Usher, Janet Jackson, it was only a natural step for the biggest selling boy band — and the target of all your teenage affection — to make a return, too. Backstreet's back, alright. So, unroll your posters and dust-off that secret diary, and get ready to belt out the lyrics to 'Everybody (Backstreet's Back)', 'As Long As You Love Me' and 'I Want It That Way', when the famous five — AJ McLean, Brian Littrell, Nick Carter, Howie Dorough and Kevin Richardson — head to Australia in May 2020 for a very nostalgic arena tour. Hitting up stadiums in Brisbane, Sydney, Melbourne and Perth, the Backstreet Boys will also be performing songs off their just-released tenth album, DNA. It (surprisingly?) debuted as number one on the charts when it was released and features Grammy-nominated single 'Don't Go Breaking My Heart'. But, we know you'll most likely be there for the 90s and early 00s goodness. You've got nine whole months until they're here, so plenty of time to relearn the moves to 'Everybody' and rewatch many retro music videos. Here's one for you to start with: https://youtu.be/6M6samPEMpM BACKSTREET BOYS DNA WORLD TOUR 2020 DATES Brisbane — Brisbane Entertainment Centre, Wednesday, May 20 Sydney — Qudos Bank Arena, Friday, May 22 Melbourne — Rod Laver Arena, Tuesday, May 26 Perth — RAC Arena, Saturday, May 30 Backstreet Boys DNA World Tour pre-sale begins at 3pm on Tuesday, September 17 with general tickets go on sale at midday on Monday, September 23 via Live Nation.
Since opening in 2016, Restaurant Hubert has been a citywide favourite for Sydneysiders looking for a high-quality French meal or a fine dining experience in the CBD. But with everyone stuck in their homes, for the time being, fine dining is often traded for trackies and a Big Mac. Hubert is looking to change that, bringing the Restaurant Hubert experience into your home with its new takeaway menu Hubert À La Maison. Available for delivery across NSW and ACT Thursday–Sunday, the takeaway menu features selections from the Restaurant Hubert menu a la carte and accompanying French wines and beers. There are also two banquet menus. The first Le Petit Banquet for two includes pork terrine wrapped in pastry, roasted snails with XO butter, chicken fricassée, confit mushroom with peppercorn sauce, sautéed greens and creme caramel for dessert. The second vegetarian option swaps out the pork, chicken and snails for gnocchi and shitake in parmesan cream, Gruyere souffle and kimchi gratin. Both banquets require some work to heat them so you can enjoy them warm and fresh, but come with detailed instructions on everything you need to do to recreate the Restaurant Hubert experience. Browse the menu here.
When Repressed Records moved from Penrith to Newtown 16 years ago, they knew they were setting up shop in the right scene. Famous for its vast vinyl collection, the store specialises in independent Australian music and always has an interesting range of music from around the world you won't find in your run-of-the-mill music store. Biggest sellers include names like Royal Headache, Eddy Current Suppression Ring, Bed Wettin' and Total Control. Never heard of any of these bands? That's fine — the team behind Repressed are always happy to make recommendations to ease you into one of the most underrated music genres of all time. The store also stocks knick knacks like carry bags and books from local artists — and other niche things.
You've probably noticed times are tough for hospo venues, especially those of the live music variety. However, until the end of June, you can do them a small favour with the help of purpose-driven, non-alc beer brewing legends, Heaps Normal. When the time comes to replenish your non-alcoholic beer stocks at home, online customers have the option to send a free case of Heaps Normal to their favourite venue. No strings attached — your local watering hole just gets a free case of beer to sell at their pleasure. "Aussie hospo venues – particularly live music venues – have been doing it tough lately and we're keen to give back. We figured the best way to do that was to let our community decide where the good karma should flow," says Heaps Normal's Chief Brand Officer Tim Snape. This good deed might just be the right move for you as well. Rather than waking up with a splitting headache after a big night out, the brand's tasty brews won't leave you with a hangover that stretches long into next week. "All you need to do is purchase a case of Heaps Normal for yourself and let us know which local watering hole you want to shower with a little good Karma (Case). We'll even throw a handwritten love letter from you in there, too," says Snape. When you're ready to bank that karma, you're welcome to gift any case from Heaps Normal's core range, from the down-to-earth Another Lager to the newly released Third IPA. Then, it's just a matter of your choice arriving at your go-to venue's door, ready to satiate thirsty customers keen to sidestep tomorrow's agony. Heaps Normal's Karma Cases campaign runs until the end of June. Head to the website for more information.
These days, having actual cash in your wallet is a real rarity. But it's probably not something you'll need to worry about when picking up your next copy of The Big Issue, with many of the charity magazine's street vendors accepting cashless payments from today. This move into the digital economy means customers can now purchase an edition of the magazine using a debit or credit card. Two cashless options are being rolled out by vendors across the country, including regular tap-and-go, and via mobile payment app Beem It, which can receive instant payments. The Big Issue street vendors are able to choose whether they'll offer one or both of the card options, or simply stick with the previous cash system. The fortnightly magazine, which provides work opportunities for homeless or disadvantaged people, without access to mainstream jobs, has been operating in Australia since 1996. It's hoped the new digital payment offering will boost sales of the magazine, reaching more customers and helping those selling it to increase their profits, putting more money back into the pockets of disadvantaged Aussies. As always, each of the fortnightly editions will sell for $7, with half of that kept by the vendor. The newest edition — aptly titled 'Cashless Revolution' — hits the streets today. Vendor images: Nicole Reed.
From big pineapples to big melons to big lobsters, Australia is rather fond of a giant-sized statue. We're also the home of the big banana, big avocado, big bench and big guitar, as well as the big merino, big prawn and big potato. The big list of Big Things not only keeps going on, but has just scored a new addition, too — the Big Lollipop. To answer the obvious question: no, it isn't edible. Sorry to dash your Willy Wonka-style dreams. You will be able to stand beneath the new towering sweet and lick the real thing, however, because it happens to be located outside — where else? — a candy store. Just unveiled on Sunday, September 8 in Ravensthorpe in Western Australia — around 530 kilometres southeast of Perth, if you're planning your next road trip — the Big Lollipop stands next to the pink-hued Yummylicious Candy Shack. Owner Belinda McHarg came up with the idea two years back, as a way to help boost tourism when the local nickel mine closed down for the second time, and now this oversized candy has become a reality. Sure, everyone has seen a hefty edible lollipop before. When you were a kid, you probably convinced your parents to buy you one, couldn't get through it all, hid the rest under the couch and raced around the house in a sugar-fuelled high. We've all been there. This giant version definitely can't be eaten, and it really is giant, standing over seven metres tall (7.4 to be exact) and measuring four metres wide. It's also the world's largest freestanding lollipop, because if you're going to go big, you may as well go all the way. Painted a rainbow of colours, as plenty of smaller-sized lollipops tend to be, the Big Lollipop was launched to mark Yummylicious' third anniversary. The Big Lollipop is located outside the Yummylicious Candy Shack, 89 Morgans Street, Ravensthorpe, Western Australia. The store is open from 10am–5pm daily — for more information, visit the shop's Facebook page. Images: Dana Fairhead.
It's never too cold to party. At least, that's what the guys behind Snowtunes say. And for its third year, this Snowy Mountains music festival is coming back even bigger — twice the size actually. With the addition of a second night of festivities, the party people have also added a second stage so punters can enjoy live music at one and dance it out at the other, dedicated to EDM. Mark your calendars, snag some tickets and find some snow gear, because September 1 and 2 are fast approaching. Who's expected to take to the stage? There'll be plenty of Aussie-born talent to set your weekend's soundtrack after a day on the slopes, including L D R U, Gang of Youths, Nina Las Vegas, Mashd N Kutcher and Tigerlily. New Zealand-born singer-songwriter Mitch James and French DJ Klingande will bring some tunes from abroad into the mix, too. Really, it's a slam dunk of a lineup. And in between sets you'll be able to grab a drink at this year's Bag Jump Adventure Park, a VIP champagne bar, as Lake Jindabyne gets transformed into the ultimate party snow globe. Stay tuned for any updates and announcements on Snowtunes here.
First, the bad news: as much as fans of Kate McCartney and Kate McLennan's excellent Australian mystery series Deadloch want it to (and we do want it to), the first season of that stellar new show doesn't go on forever. Now, some news to help cope with that reality: come August, The Lost Flowers of Alice Hart will hit streaming to deliver another twisty Aussie affair. This one heads to the screen from the page, with Holly Ringland's 2018 novel getting the miniseries treatment. And, it features one helluva huge name leading the show. Alien and Ghostbusters legend Sigourney Weaver stars as June, the no-nonsense grandmother to the titular nine-year-old, in the seven-part drama — with the story kicking into gear when Alice loses her parents in suspicious circumstances. On the page and on Prime Video — where The Lost Flowers of Alice Hart will debut on Friday, August 4 — Alice moves to Thornfield flower farm after the life-changing tragedy, and starts to find solace among its wildflower blooms. But her new home is also the place where secrets about her family and their past start to blossom. Wondering about the show's mood? In both the initial teaser trailer back in June and the just-dropped new full trailer now, the series emphasises that it hails from the producers of Big Little Lies and Nine Perfect Strangers. Lambs of God's Sarah Lambert, Mustang FC's Kirsty Fisher and A League of Their Own's Kim Wilson penned the scripts, while Penguin Bloom's Glendyn Ivin directs every instalment. As well as Weaver as Alice's grandmother, The Lost Flowers of Alice Hart stars Alycia Debnam-Carey (Fear the Walking Dead) as its namesake, plus Ayla Browne (Nine Perfect Strangers) as the younger version. The cast from there is a who's who of homegrown talent, including fellow Nine Perfect Strangers alum Asher Keddie, Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Tilda Cobham-Hervey (Hotel Mumbai), Xavier Samuel (The Clearing) and Alexander England (Black Snow). In sneak peeks that highlight the complex decades-spanning drama surrounding the titular character, the swirling lies and simmering mistrust, fire, the Aussie backdrop and the big-name stars, Frankie Adams (The Expanse), Charlie Vickers (The Lord of the Rings: The Rings of Power) and Sebastián Zurita (How to Survive Being Single). Check out the full trailer for The Lost Flowers of Alice Hart below: The Lost Flowers of Alice Hart will start streaming via Prime Video from Friday, August 4.
Comedian Kyle Ayers was enjoying the view from the rooftop of his New York City apartment one day with some neighbours when a couple in the midst of a heated squabble suddenly appeared. So what did Ayers do? Politely look the other way and mind his own business? Of course not. Like any good social (media) Samaritan, he whipped out his smartphone and started tweeting about the whole ordeal. His series of live-tweets of the couple's retorts caused quite a buzz in the Twittersphere and was traceable by the fitting tag, #roofbreakup. He started the sequence on Saturday evening, saying "A couple is breaking up on my roof right now. I was just trying to enjoy the view. Now I will live tweet the breakup." Rapidly reporting the exchange between 'guy' and 'girl' (who we later learnt was named Rachel), Ayers captured their dislikes of friends, questions of moving in together and accusations of infidelity. Highlights include: "Say something else about my fucking wardrobe" -guy #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 "I'm not looking for marriage, just what's right below marriage" -girl #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 "Your roommates are fucking assholes" -guy #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 "You think I'm immature? Calling people immature is immature!" -guy #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 "Do you love me?" -girl (OH BOY HERE WE GO, PEOPLE) #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 "My roommates are always like 'wheres your boyfriend?' And I'm like 'hmm' and stuff." -girl #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 This guy is four cigs deep right now. #roofbreakup #teamrachel — Kyle Ayers (@kyleayers) November 17, 2013 "I don't think we need to talk about this up here with some random guy over there." -guy (uh oh, I'm that guy over here) #roofbreak — Kyle Ayers (@kyleayers) November 17, 2013 "He's just sitting on his fucking phone he doesn't care (talking about me). Answer my question." -girl (hahahahahahaha) #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 and the royal cherry on top: "Are we getting pizza or what? I don't mean to change the subject but are we?" -guy #roofbreakup — Kyle Ayers (@kyleayers) November 17, 2013 The guy, who was furiously chain-smoking the entire time, finally declared "I'm not talking about love on a roof in Brooklyn." Clearly, this is the 21st century's adaptation of Clark Gable's famous retort, "Frankly, my dear, I don't give a damn." How debonair. Read the full #roofbreakup tweets on Storify. Via Huffington Post.
After an epic ticketing hack spoiled everything for hyperventilating punters on release day, Splendour in the Grass has rectified the situation with a fresh batch of tickets. Initially released in early May, Splendour tickets found themselves both the target of more festival-seekers than ever in Splendour history and hackers who charged said ticket buyers thousands in sneaky fees. Attempting to put smiles back on the dials of festivalgoers and shareholders alike, Splendour and North Byron Parklands applied for a capacity increase of 2500 tickets. Prompting high fives Australia-wide, the Department of Planning and Environment have approved the increase. The new load of tickets will go on sale at 9am AEST on Thursday, June 12 via Moshtix. Splendour are releasing a mixture of three-day, single-day and camping tickets. If you miss out on this predictably chaotic bid for tickets, Splendour's Re-sale facility allows ticketholders who bail on Byron plans to offload their ticket to anyone who missed out. The Re-sale will be open through Moshtix from 9am AEST Monday, June 16. Splendour is pleading with punters to avoid buying through online auction sites or dodgy-looking creeps outside the front gate. Your name and DOB will be printed on your ticket. The Splendour in the Grass lineup and more details are over here.
UPDATE, July 6, 2021: Antarctica Flights will also be flying out of Canberra this year, departing on November 7. For further details, head to the Antarctica Flights website. Seeing the South Pole is a bucket-list dream at the best of times, and even more so in these pandemic-afflicted times. But, if you have a bit of spare cash to burn, it's actually achievable — including while Australia's borders remain mostly closed to international travel. Eager to head overseas just for one day? Then you'd best get in quick to score a seat on the upcoming Antarctica flights out of Australia. As it has in previous years, sightseeing group Antarctica Flights is taking bookings for a series of rare, sky-high charter tours. And if you're wondering how the day trips can go ahead during COVID-19, that's because they're classified as domestic flights. You won't even need to take your passport with you. Departing Perth (November 14, 2021), Adelaide (November 21, 2021), Brisbane (November 28, 2021), Melbourne (December 5, 2021 and February 6, 2022) and Sydney (December 31, 2021 and February 13, 2022), these flights will cruise above the dazzling Antarctica Treaty area for around four hours. Each flight path is carefully chosen to maximise viewing from both sides of the plane and to ensure the best views should the weather turn nasty, while some passengers will rotate seats to allow everyone an equal shot at the spectacular scenery below. Travelling on a Qantas 787 Dreamliner, the whole trip clocks in at around 12.5 hours — depending on your departure city — during which you'll hear from expert Antarctic explorers, talking about the polar environment and its fascinating history. All that, while enjoying some better-than-average Qantas plane food, full bar service and, in the lead-up to the views, a spot of in-flight entertainment — classic flick Happy Feet, or some Antarctic docos, of course. As expected, this kind of plane trip doesn't come cheap — you're looking at $1199 to be seated without direct access to a window. Other options, including Standard Economy Class ($2199), Superior Economy Class ($3199) and Premium Economy Class ($3999) involve seat rotations throughout the flight, so passengers can spend time both close to the window and further away. Of course, you and your favourite travel buddy could drop $7999 each on Business Class Deluxe tickets to have a window seat and the one next to it all to yourselves for the entire flight. Regardless of which type of seat you fork out for, COVID-19 safety measures will be in effect — including temperature testing and pre-flight health and safety forms; providing disposable masks, sanitiser and disinfectant wipes; enhanced cleaning procedures; and not selling all seats in Economy Class. Antarctica Flights' 2021–22 season is open for bookings now, with flights out of Perth, Adelaide, Brisbane, Melbourne and Sydney between November 14, 2021–February 13, 2022. Images: Antarctica Flights
The next level of the global transport economy is fast approaching — even Down Under. First, there was news that Melbourne could be one of the first cities to test Uber's flying cars, then came the announcement of the proposed Hyperloop Transport System, which would get you from Sydney to Melbourne, or Brisbane to Sydney, in just 37 minutes. Sure, these are still a relatively distant dream, but one such technological advance is much closer than you may think — an Uber-like service with driverless electric cars, courtesy of Tesla. At a conference earlier this week, Tesla founder Elon Musk announced that the company is planning to roll out a massive fleet of one million self-driving 'robotaxis' as early as next year. These autonomous vehicles are planned to hit roads in the US by mid-2020 — regulatory approvals pending, of course. If all goes to Musk's plan, here's how it'll work: the app will function much the way all ride-sharing apps do — except the car will drive itself. The existing Tesla app will be fitted with a 'summon' option, where you'll be able to order the closest robotaxi from its stored location, and it'll drive itself over to pick you up. [caption id="attachment_718225" align="alignnone" width="1920"] Tesla ride-sharing app[/caption] Plus, some Telsa owners will be able to add their own car to the service, with the options to limit sharing to friends, co-workers or social media contacts. In areas where not enough share vehicles are available, Tesla will release a dedicated fleet to ensure short wait times. But what does this mean for Australia? According to the ABC, Australian transport ministers plan to have a regulation for commercial self-driving vehicles in place by next year — a neatly timed goal with Musk's ambitious roll out. So, depending on which way next month's election swings, we could soon be riding in cars with no-one at the wheel. If you're really interested, a four-hour livestream of the Tesla conference, in which Musk discusses the ride-sharing service, is available to watch here. Tesla is aiming to put one million self-driving 'robotaxis' on US roads by mid-next year, depending on regulatory approvals. In Australia, regulations for commercial autonomous vehicles are set to be in place by next year.
Just seven months in, 2021 has already been a big year for Marvel. Not one, not two, but three streaming series have hit Disney+, and Black Widow is currently both streaming and in cinemas. More silver-screen releases are coming before the year is out, too, courtesy of both Shang-Chi and the Legend of the Ten Rings and Eternals. Also big news right now, although it won't actually come to fruition in 2021: a second season of Loki. The third of Marvel's Disney+ series for this year to focus on characters from the sprawling Marvel Cinematic Universe, this show about the franchise's favourite trickster instantly stood out from its sibling programs. Having Tom Hiddleston (Avengers: Endgame) step back into the God of Mischief's shoes will do that, of course. With WandaVision, Marvel gave the world a nodding, winking sitcom that morphed into an engaging but still quite standard entry in its ever-growing on-screen realm. With The Falcon and the Winter Soldier, it opted for an odd couple action-thriller that hit every mark it needed to, but rarely more. But, across its six-episode first season — which just wrapped up yesterday, Wednesday, July 14 — Loki has proven far more willing to toy with its premise and have fun with its central character. It's now going to do exactly that during a second season as well. News of Loki's second batch of episodes was dropped in the credits for its latest episode, thanks to a stamp that says "Loki will return in season two". That's all the information that's been revealed so far — but if you're a fan of the figure, Hiddleston or both, it's a welcome development. Across its first season, Loki's charms didn't solely radiate from its leading man. He's as charismatically wily as ever (as he's always been in his scene-stealing big-screen appearances in the Thor and Avengers films), but this series has also been helped immensely by its aforementioned playfulness, and also by the great cast surrounding its star. Teaming up duos is obviously currently Marvel's thing, but Loki pairs its eponymous trickster with a time cop played by Owen Wilson (Bliss), gets them palling around in buddy cop-meets-science fiction territory, and also throws in Sophia Di Martino (Yesterday) as a character that's best discovered by watching. The setup: thanks to his previous actions with the Tesseract, Loki finds himself in a bit of trouble. The TVA — that'd be the Time Variance Authority — is on his case, which is where Wilson's Mobius M Mobius comes in. But, that's just where the show starts. Here, viewers came for the usual Hiddleston mischievousness, and stayed for everything this quickly involving series built around him — all while charting what happens when Loki is forced to face the consequences of his past actions. The new season of Loki, whenever it arrives, will join the long list of other upcoming shows that are in the works at Disney+. That includes Ms. Marvel, Hawkeye, She-Hulk, Moon Knight, Secret Invasion (about Samuel L Jackson's Nick Fury), Iron Heart, Armour Wars, I Am Groot, a Guardians of the Galaxy Holiday Special and a series set in Wakanda. Check out the full trailer for Loki's first season below: https://www.youtube.com/watch?v=SUwwdj6AlBA The first season of Loki is available to stream via Disney+ now. Exactly when the second season will arrive is yet to be announced — we'll update you with more details when they come to hand. Top image: ©Marvel Studios 2021. All Rights Reserved.
It's no overstatement to describe Neil Perry — the restaurateur, chef and revered doyen of Australian cooking — as an icon. Now, however, it's official. On Thursday, June 6, Perry was announced as the winner of the Woodford Reserve Icon Award at a glitzy ceremony in Las Vegas for The World's 50 Best Restaurant Awards 2024, one of the culinary scene's most prestigious gongs. The achievement, which is voted for by an international panel of 1080 industry experts, recognises an outstanding contribution to the hospitality industry that's deemed worthy of global notice. "Throughout my career, I've been incredibly lucky to work with some of the finest hospitality professionals in the world, doing what I love and creating memorable experiences for people to enjoy," said Perry of his accomplishment. "I hope this award inspires everyone in our industry to keep going and to never give up." View this post on Instagram A post shared by Neil Perry (@chefneilperry) For more than four decades, Perry has been a guiding light of Sydney's restaurant scene. Cutting his teeth in some of the city's top kitchens, including Sails in Rose Bay, he first made his mark in 1986 when he launched the Blue Water Grill in Bondi. However, it was his next major venture — and arguably his most famous — that would catapult him to global stardom. Opened in 1989, Rockpool quickly asserted itself as not only one of Sydney's top fine-diners, but also one of the nation's — and in 2002, it was ranked the fourth best place to eat on the planet by The World's 50 Best Restaurant Awards. Today it has grown to be a cherished brand, with sister venues in Perth and Melbourne. Despite Perry stepping down as the group's Culinary Director in 2020, it continues his storied legacy, ranking as the eighth best steak restaurant in the world in May 2024. [caption id="attachment_960466" align="alignnone" width="1920"] Kitti Gould[/caption] One of Perry's defining traits is his ability to project his love and understanding of food through many cultural lenses. From Asian to Italian and even burgers and aeroplane food, Perry's menus are a fusion of top-tier produce and craftsmanship with an accessible attitude and a belief that cooking doesn't need to be gastronomically pretentious to be exceptional. Take, for example, his most recent venture Margaret, a deeply personal "neighbourhood restaurant" named for Perry's deceased mother. Despite its humble billing, the judging panel noted that at Margaret, diners experience "a veteran bringing together his love of super-fresh seafood and Asian flavours to outstanding effect". It also currently ranked as the third best steak restaurant in the world. Since opening Margaret in 2021, Perry has extended his presence on Double Bay's Guilfoyle Avenue to the Baker Bleu bakery next door, and he has two more venues preparing to open in the area in late August: Asian-inspired diner Song Bird and cocktail bar Bobby's. [caption id="attachment_961054" align="alignnone" width="1920"] Petrina Tinslay[/caption] The only other Australian to be recognised by this year's The 50 Best Restaurants Awards was Josh Niland, whose revolutionary low-to-no waste seafood diner Saint Peter placed 98th on the 100-venue longlist. Perry is one of Australia's most-decorated chefs, having earned more Good Food Chef's Hats (Australia's answer to Michelin stars) than any other individual in the country, as well as numerous other accolades. However, this latest laurel makes the point most definitively: if you're someone with even a glancing interest in eating well, you need to experience a dish crafted by Perry at least once in your life. [caption id="attachment_961135" align="alignnone" width="1920"] Petrina Tinslay[/caption] For the full rundown of The World's 50 Best Restaurants Awards 2024, head to the list's website. Top image: Petrina Tinslay.
For Australian music fans, Triple J's Hottest 100 is the most important event of the calendar year — followed closely by the date Splendour in the Grass tickets go on sale. With so much at stake music-wise, nominating yourself as host for the Hottest 100 party — and deciding what to serve — can be a daunting task. So, we've teamed up with BWS to ensure you snag a sausage that pairs perfectly with your Hottest 100 picks — a banger for your banger, if you will. Plus, if you share a snap of your snags to Instagram (post or story) and tag BWS, the company will donate $1 for every sausage in the picture to GIVIT. How good. So, before you head to the shops to get the supplies, hit this list to make sure you select savoury cylinders that are as tasty as your favourite tunes. 'GET MY OUT' BY KING STINGRAY Fans of this track by King Stingray are likely to have found themselves in one of two circumstances in 2021: a seemingly unending lockdown in one of our major cities or in a garbage job that they were ready to give the middle finger to. In our opinion, lovers of a song called 'Get Me Out' deserve a snag that'll set them free. If that's you, we can't go past the free-range frankfurters from Paddock to Plate. 'HERTZ' BY AMYL AND THE SNIFFERS The high-octane energy of Amyl and the Sniffers requires a snag that'll live up to the band's turbo reputation and gets the job done without too much fuss. And, since we're matching it with a title that measures frequency, we believe quantity is important, too. Our pick for Sniffers fans is a value pack of snags that are a staple at all good sharehouse barbecues and Bunnings sausage sizzles — the 1.8 kilomgram value pack of thin snags from Woolies. These bangers have been proven to satisfy the masses and feel almost as good as fanging down a highway in a Hertz hire car. 'MAREA (WE'VE LOST DANCING)' BY FRED AGAIN.. AND THE BLESSED MADONNA If you voted for 'Marea (We've Lost Dancing)', there's a good chance you're the person at a party who dominates the dancefloor. Considering you'll be spending most of the day hurling your flesh prison all over the backyard, we recommend taking your snags in small doses to avoid tasting them twice. A 16-pack of chicken chipolatas are an ideal bite-size snag that you could probably woof down in one go if you really tried. Plus, given there are so many in the pack, you'll have plenty of fuel to sustain your dancing all the way to number one. 'LIE TO ME AGAIN' BY THE BUOYS If you're someone who wants to be lied to, a pack of the plant-based snags with the adjective 'beefy' in the title seem like the kind of misleading sausage that you'd be into. Unreal Co's six-pack of vegetarian beefy brats are perfect for people who want to feel hoodwinked by a sausage. Go on, gaslight yourself with this irresistible snag. It'll be just like when the person this song reminds you of did it, right? 'KIM' BY TKAY MAIDZA (FEATURING BABY TATE) A track that brings as much heat as 'Kim' by Tkay Maidza and Baby Tate calls for a snag that is as hot and spicy as the song itself. Our solution? The smoked chilli snags from Suzy Spoon's Vegetarian Butcher. These vegan sausages are both super delicious and pack a punch, much like the song in question. Big fan of chilli dogs? These are a quality meat-free alternative with a chorizo-like flavour for an added kick. 'GOLD CHAINS' BY GENESIS OWUSU Fans of Genesis Owusu aren't your run-of-the-mill music lovers. They boast a superior sonic palate and we suspect that this elite taste exists when it comes to the humble snag, too. Lovers of an award-winning artist will want an award-winning snag. And, if Kel Knight has taught us anything, winning sausage competitions is serious business. Our go-to is The Gourmet Sausage Company's award-winning artisanal pork and fennel bangers. 'STAY' BY THE KID LAROI AND JUSTIN BIEBER Voted for a collaboration this huge in the Hottest 100? You'll be needing a snag that has a minimum of three main ingredients in it for the countdown. There are plenty of combination sausages to choose from however we're of the firm belief that it's the chicken, feta and spinach variety that pairs perfectly with this sad banger. It's salty, smooth and surprisingly good — much like the Bieber x Laroi collaboration itself. 'DRIVERS LICENCE' BY OLIVIA RODRIGO So you spent 2021 rinsing Olivia Rodrigo's debut album Sour? Us too. And while we simply adored immersing in the rich teenage angst of the record, a track from an album with a title this tangy needs a sweeter snag to balance things out. We recommend a pack of honey-flavoured beef sausages. And if that's a touch too sugary for you, load them up with onions to ensure you get that all-important cathartic cry while slicing them up and belting out this tune. Want to support a good cause while you enjoy your bangers? Upload a snap of your snags to Instagram (post or story), tag @bws_au and use the hashtag #snagadonation to ensure a $1 for every sausage in the shot is donated to GIVIT. Just make sure your Instagram profile is set to public for your entry to be counted. For more information, visit the website. Images: Elliott Kramer.
Whether it's been six weeks, six months or six years, there's nothing quite like a romantic getaway to add a sense of excitement to a relationship. And now's the perfect time to explore even more of what our fine country has to offer for your next romantic escape. Canberra definitely fills the brief for a romantic getaway — and it's certainly much closer (and more affordable) than Paris. You and your plus one can enjoy stunning views from both the ground and the sky, plus luxe dinners and unique experiences that you may be able to tell the grandkids about one day. Here are five experiences you can have in and around the city that'll help you woo your boo. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
Record label Future Classic is turning 20 years in the business, and to celebrate, it's taking over one of Sydney's most prominent venues for one hell of a party. From small beginnings in the club scene to representing huge names in both Australia and the United States, there's plenty the label has to toast to. Spanning three stages at City Recital Hall on Friday, February 27th, the celebration will consist of hours of music, dancing, and discovery, honouring the label's two decades of fostering community, innovation, and creativity. The event is 18+. From its early days of throwing underground club nights, Future Classic has grown into an international powerhouse. Now home to a record label, management, publishing, and events team with headquarters in both Sydney and Los Angeles, they've been instrumental in the careers of acts including Flume, Chet Faker, SOPHIE, G Flip, Flight Facilities, Hayden James, Sycco, Wafia, Ta-ku, and more. They've released hundreds of records, amassed billions of streams, and earned multiple ARIA and Grammy Awards, all while remaining Australian-owned and independently run. The one-night-only show will bring together some of the label's most beloved artists for an unforgettable birthday celebration. ARIA-nominated singer-songwriter Emma Louise will deliver a rare and spellbinding performance, while Brisbane singer-songwriter and producer Sycco will appear with her slew of hits. And Italo-disco maestro Touch Sensitive will recruit his full live band for a career-spanning performance, including his recent album In Paradise. [caption id="attachment_1044374" align="aligncenter" width="1920"] Cybele Malinowski[/caption] Also taking the stage will be Chilean selector Paula Tape, Atlanta-based DJ and producer Nikki Nair, local hero Panama, the lush creations of Tentendo, and a customary appearance from Future Classic DJs. Plus, expect some very special surprise guests B2B during the night. Future Classic have also launched a special archival website, giving music lovers a chance to take a trip down memory lane, while we await the celebrations in the new year. Check it out here. General tickets are on sale now, get yours here.
If spending more time indoors this winter has you craving all things sweet and comforting, that's understandable. As the world keeps reacting to the COVID-19 pandemic more than a year later, pining for sugar and whatever makes your tastebuds happy is a completely natural response. Enter San Churro's new range of winter snack packs, which are all about pairing its eponymous dish with other dessert favourites. Last year, the nationwide chain has launched a retro-influenced range of churro snack packs. This year, it's adapting the concept to include tried-and-tested sweet treats. So, each kit combines churros — aka long, thin, fried-dough pastries — with something else that'll get your mouth watering. Think: apple pies and s'mores. Each pack comes with mini churros, whichever other dessert is in the spotlight, and your choice of drizzled white, dark or milk chocolate. The apple pie version also includes vanilla ice cream, while the s'mores kit has both cookie butter s'mores and toasted marshmallows. There's a third variety, focusing on jam doughnuts, too — but, given their similarity to churros, they come solo, in balls, then topped with strawberry coulis, vanilla custard and strawberries. The new packs are available in-store now, including for takeaway; however, they're just part of the chain's new winter menu. It's also serving up hot chocolate bombs, but you have to consume them onsite — so, for now, Sydneysiders and Melburnians can't enjoy them during lockdown. What's a hot chocolate bomb? It's a ball of chocolate that comes filled with marshmallows, mini Oreos, or cocoa cereal and Milo. Again, you can choose between white, dark or milk chocolate — and then you pour hot milk over the top and get sipping. San Churro operates 13 stores in New South Wales, nine in Victoria and ten in Queensland, as well as 14 in Western Australia and three in South Australia. San Churro's new winter snack packs are available now. For further information, visit the chain's website.
Last year, you ate copious amounts of burgers, and to balance it out, bunches and bunches of kale. Your beer got craftier than ever before. You wanted to know more about where your food came from, so you chatted to farmers and ate locally-sourced produce. Instead of extensive menus overloaded with choice, you opted for simpler, cleaner and more expertly-prepared dishes. You kept food trucks doing the rounds. You learnt more about Korean cuisine. And you decided that food tastes better when you share it. So, what's in store for 2015? We're expecting sustainability and seasonality taken to extremes, with hearty broths and micro-seasonal menus; the decline of kale; the rise of roots; veggie-fuelled desserts; cheaper lobster; more restaurant swaps; and epic, multi-sensory dining experiences, thanks to the wonders of neurogastronomy. Here are eight trends to look out for. VEGETABLES IN DESSERTS If only your mama had thought of this when she was struggling to get those Brussels sprouts down your recalcitrant, pint-sized throat. Pretending that vegetables aren't vegetables at all, but actually dessert, is one surefire way to crank up your five-a-day tally. In countries like Vietnam, where beans, lotus root and the like frequently feature in sweet treats, this isn't a new thing. But we're only just getting on the healthy yet tasty dessert bandwagon. Parsnip's been the main contender in Australia so far, thanks to Three Blue Ducks' chocolate with smoked parsnip and Four in Hand's parsnip ice cream with matching chips. RESTAURANT AND BAR SWAPS It seems that chefs and restaurateurs the world over are growing increasingly restless. Rather than keeping their gastronomical discoveries to their local clientele, they're keen to share them across regions and even hemispheres via swaps. Thousands of Melbournians got lucky (or greedy) when Heston Blumenthal announced he'd be bringing his Fat Duck to town, while Denmark's Noma has just opened its doors in Tokyo for a two-month stint. The trend is picking up at bar level too, with the Rook and Black Pearl doing an exchange in May last year. BROTH The more finite the Earth's resources are starting to look, the less we want to waste. In ancient times, when frugality was a necessity rather than an eco-conscious choice, the humble broth was master. Concocted out of animal bones and veggie scraps, it turned mere leftovers into a comfort food feast. Today, broth is the logical extension of our continual move towards sustainable food production. What's more, only Thai restaurants can compete when it comes to names. A restaurant in Melbourne has already jumped on the inevitable: Brothl, while in New York, there’s Brodo. Bring on the broth in 2015. AFFORDABLE LOBSTER After years of exclusivity, the lobster is at last stepping off its high horse and coming down to the street. Heading up the new egalitarian approach in Sydney is Burger Liquor Lobster, which has popped up for summer in both Paddo and Manly, waving $15 lobster rolls and lobster popcorn in front of our seafood-craving faces. The crustacean is getting affordable in London, too, where new trendy hangout Burger and Lobster is selling 2000 lobsters per day across six shopfronts. HATTED CHEFS OPENING CASUAL DINERS This trend, which comes direct from Paris, represents the latest in the growth of premium dining in a casual atmosphere. Hatted chefs are expanding beyond their illustrious premises into bistros, where they're making high-end gastronomy accessible to a mid-range crowd. In late 2013, the team behind the Bentley and the Monopole opened an eatery in Potts Point’s once-bohemian Yellow House. Then, last year, chef Mark Best of Marque brought his cooking to (more of) the people with the opening of Pei Modern in both Sydney and Melbourne. MICROSEASONAL MENUS 'Seasonal produce' and 'paddock-to-plate philosophy’ are the well-established catch-cries of many an Australian eatery. It looks like they’ll be taken even further in 2015 with a trend towards microseasonal menus. These promise fresher and more interesting cuisine than ever before, with dishes changing not with each shift of the earth's axis, but with every passing day. The alterations are ever-so-slight and subtle, and entirely dependent on available ingredients. Sydney’s Q Dining is getting in early. UGLY ROOT VEGGIES Kale's been more ubiquitous than cuts to the arts over the past year or so. But we’re not sure how much longer it's going to fare, given the rise and rise of ugly root vegetables. We're not talking about the good old potato, but its numerous more exotic-sounding and tasting (if not especially good-looking) cousins. As mentioned, parsnips have been sneaking their way into dessert menus, but then there's the likes of celery root and kohlrabi. Sydney's Yellow is already onto it, with a dish made up of beef tartare, kohlrabi, smoked curd and rye featuring on their tasting menu. The good news is that you, too can get started — pick up your own ugly veggies at Harris Farm for half-price. NEUROGASTRONOMY Did you know that on average, a pink strawberry dessert tastes ten percent less sweet on a black plate than it does on a white one? Or that, if you drink a single malt whisky while surrounded by real grass and birdsong, it tastes more herbaceous? Try it, on the other hand, around red lighting and curved furniture and it'll seem sweeter. Starting to get what 'neurogastronomy' means? We now have scientific proof that all of our senses — rather than our tastebuds alone — influence how we perceive flavour. A professor at Oxford University by the name of Charles Spence is obsessed with studying this phenomenon. Spence and a bunch of fellow experts have been developing an intense multisensory dining experience, which combines textures, colours, aromas and temperatures, having previously worked with the likes of Ferran Adrià and Heston Blumenthal. Image credits: Speed Bump Kitchen, jane boles via photopin cc
If you've done your dash with the dalgona coffee and all those failed attempts at sourdough, here's a little culinary project that might just revive your kitchen-weary soul. The minds over at global sauce company Heinz have released recipes for a series of unconventional ice creams — dubbed Creamz — starring some of the brand's most iconic condiments. Yep, mayo ice cream is a thing and it can be on the menu at your house this weekend. Over on its UK website, Heinz is now selling a range of ice cream-making kits, filled with all the ingredients and equipment needed to whip up a batch of these frozen 'Creamz', crafted on the likes of its salad cream and barbecue sauce. Unfortunately, the DIY packs are only available to UK locals, but the recipes themselves are free to download from anywhere in the world. Basically, all you'll need to do is stock up on milk, double cream and sweetened condensed milk, grab an extra bottle of your favourite Heinz condiment, and jump in the kitchen to give those crafty folk at Messina a run for their money. You can have a crack at variations like the Ketchup Creamz — which apparently works a treat topped with meringue and raspberry coulis — and a mayo-infused edition they reckon pairs well with apple and blackberry compote. Or perhaps the barbecue sauce number is more your speed, garnished with some maple syrup and crispy bacon bits. Wherever your sauce obsession lies, we recommend you clear some space in your freezer — things are about to get a little crazy. You can find all five of Heinz's Creamz recipes over at the website.
So you thought you'd be cool with giving Parklife a miss this time around? Well if FOMO is already kicking in hard with a week or so still to go we've got a solution, and it doesn't involve drowning your sorrows in beer and lying to everyone that you really just want to stay home and relax anyway. That's right, thanks to Grill'd Healthy Burgers we here at Concrete Playground are giving away two VIP double passes to the first chapter of summer's already-way-above-average music festival calendar. In case you missed it when we almost wet ourselves over the first line-up back in June this means you'll be enjoying tunes from the likes of The Presets, Passion Pit, Justice, Tame Impala and breakthrough beatmaker Flume, with plenty more equally exciting acts permeating Centennial Park with musical goodness. It's so fully sick that even the Bondi Hipsters have put their usual weekend plans on hold to join the bill. And since it's not a spring weekend without something chargrilled and delicious, Grill'd will be giving you each a voucher you can swap for a nice fresh burger at their on-site Airstream trailer. For a chance to win, make sure you're subscribed to Concrete Playground then email your name, postal address and preferred city to hello@concreteplayground.com.au by 5pm Wednesday 26th September. What you're getting: 2 double VIP passes to Parklife in the city of your choice ($384 value) 2 Grill'd Burger vouchers ($25 value) Parklife 2012 Dates: Parklife Brisbane | Saturday 29th September at Riverstage and Botanic Gardens Parklife Sydney | Sunday 30th September at Centennial Park Parklife Perth | Monday 1st October at Wellington Square Parklife Melbourne | Saturday 6th October at Sidney Myer Music Bowl and Kings Domain Parklife Adelaide | Sunday 7th October at Botanic Park, Botanic Gardens of Adelaide
In a normal year, Sydney's annual Italian Film Festival gives cinephiles a chance to venture to Europe from the comfort of their cinema seats. In 2020, it's doing the same — but for everyone desperate to soak in some scenic sights well beyond their own four walls, that mission feels especially resonant. Cue an impressive array of films that'll whisk you off to the other side of the planet, as screening at Palace Norton Street, Palace Verona, Chauvel Cinemas and Palace Central from Tuesday, September 29–Sunday, October 18. With Bad Tales, viewers will head to a southern suburb of Rome during a tense summer. Via psychological drama Feel Your Memories, a trip to 90s-era Naples is in order. And thanks to the latest live-action version of Pinocchio — IFF's opening night film, and the latest feature by Gomorrah and Dogman's Matteo Garrone — seeing the country through the eyes of a sentient wooden puppet is also on the agenda. The festival's other highlights include Martin Eden, which nabbed The Old Guard's Luca Marinelli the Best Actor prize at the 2019 Venice Film Festival; crime drama The Traitor, which won big at Italy's version of the Oscars this year; and a 20th anniversary screening of Giuseppe Tornatore's romantic tragedy Malèna, starring Monica Bellucci. Or, you can opt for a rom-com with 7 Hours to Win Your Heart, jump into a holiday comedy via I Hate Summer and get immersed in a legal drama with Ordinary Justice. https://www.youtube.com/watch?v=66f3BFtAmZA The 2020 Italian Film Festival screens at Palace Norton Street, Palace Verona, Chauvel Cinemas and Palace Central from Tuesday, September 29–Sunday, October 18.
Kick start your day at this bright and breezy coffee and smoothie purveyor, located inside Kiaora Place. The menu here extends far beyond a plain latte, offering your standard coffees made with Allpress coffee beans alongside bulletproof coffees (a long black with grass-fed butter and XCT oil) and matcha lattes. You'll also find a heap of cold-pressed juices and an extensive smoothie menu, where fruits and greens are blended up with nutrient-dense superfoods like ashwagandha, blue spirulina, astragalus root, maca and lion's mane mushrooms. If you're hungry, you can also grab a sandwich, toastie, acai bowl or a burrito bowl.
Since November 2024, 200,000 people have enjoyed an IRL Bluey experience in Brisbane, wandering through the immersive installation dedicated to the series in the city that the animated hit sprang from. That number is set to grow. Due to its unsurprising success, Bluey's World is sticking around the Queensland capital, extending its season until February 2026. On- and off-screen, Bluey is inseparable from Brissie. For its setting, the hit animated series takes inspiration from the Sunshine State spot. It also hails from a studio based in the River City. The Heeler home resembles Brisbane's Queenslanders, too. And back in 2022 when a replica of the Bluey house popped up temporarily, there was only one place for it. It always made sense, then, that stepping inside the famous show would happen in the exact right location. Announced in 2023, Bluey's World gets attendees walking around life-sized sets that recreate the beloved family-friendly staple. Yes, the Heeler house and yard are part of the setup — for real life. Yes, you can expect to hear "wackadoo!" more than once while you're there. Movie World might've badged itself as Hollywood on the Gold Coast, but it's no longer the only big tourist hotspot giving visitors to southeast Queensland — and locals as well — a chance to explore their on-screen favourites IRL. Sprawling across 4000 square metres, Bluey's World features the Heelers' living room, playroom, kitchen, backyard (poinciana tree included) and more. Alongside bringing the global TV sensation's sets into reality, it also boasts familiar interactive games such as Keepy Uppy and Magic Xylophone, plus other activities for both kids and adults. Haven't accompanied your own little ones, or your nieces and nephews, to Bluey's World yet? Perhaps you know that appreciating the adorable Aussie show about a family of blue heelers isn't just for children, but you still haven't made the trip. Either way, this addition to Northshore Pavilion in Northshore Brisbane is big — literally thanks to its sizeable floor plan. And yes, as seen in the series, you can arrive via CityCat, including right through until early next year. "The response to Bluey's World has been phenomenal. Seeing families laugh, play and explore the attraction firsthand has been incredibly rewarding. We set out to create a truly special experience, and it's wonderful to watch it become a must-visit Brisbane destination for fans of all ages," said Bluey's World Producer Andrew Kay. "We're so proud of the one-of-a-kind experience we've created, and with the season now extended, we can't wait to welcome even more fans to Bluey's World. Reaching 200,000 visitors in just a few months is a testament to the love and enthusiasm for Bluey. It's been amazing to see families from all over the world step into Bluey's home and immerse themselves in the Heeler family's adventures," added BBC Studios ANZ Head of Commercial Scott Modra. Visitors should plan to spend 70 minutes bounding through the experience — and will also find an indoor playground that nods to Bluey's Brisbane neighbourhood, plus spring rolls and pizza on offer at the cafe. There's a soundscape to match, plus a gift shop. Bluey's World is exclusive to Brisbane, making it a tourist attraction to fans not only locally and nationally but worldwide. Unsurprisingly, that's a big part of the push from both the Queensland Government and Brisbane City Council, who are supporting the BBC Studios- and HVK Productions-produced experience. Find Bluey's World at Northshore Pavilion, 281 MacArthur Avenue, Northshore Brisbane until February 2026 — head to the attraction's website for more information and tickets.
The National Gallery of Victoria has hosted some of Australia's biggest contemporary art exhibitions in recent memory. There was the Andy Warhol and Ai Weiwei blockbuster that paired the works of two of the most significant artists of the 20th and 21st centuries, the huge debut of the NGV Triennial late last year and, next week, the Melbourne gallery will unveil a collection of works from New York City's MoMA. But, in the coming years, all these exhibitions could be moved to a new location, as the Victorian Government has today announced plans for a brand new contemporary art gallery to be built nearby. This is a pretty big deal. The new gallery — dubbed NGV Contemporary (NGVC) — will be part of a major redevelopment of the Southbank arts precinct and, according to the Victorian Government, will be the biggest contemporary art gallery in the country. While it will be part of the NGV, it'll be a standalone gallery, and will be built around the corner on the site of the old Carlton & United Breweries building on Southbank Boulevard. It sounds like the NGV's permanent collection will stay at NGV International, while NGVC will focus purely on contemporary art and design. As well as the gallery itself, the redevelopment will also add 18,000 square metres of public space to the area, theatre upgrades and new facilities in an attempt to turn 1 City Road into Melbourne's arts hub. The State Government will invest $208 million for the first two years of the project — this will allow the NGV to start planning and raise philanthropic funds. Premier Daniel Andrews is calling the redevelopment a "once-in-a-generation" project, and thinks it will be a "game-changer" for the city. Once completed, we think it's safe to assume that the NGV will be able to pull even more big names for its blockbuster exhibitions.
Vivienne Walshe's poetic drama This Is Where We Live (winner of the 2012 Griffin Award) is set in a country town where nothing happens, a lonely place for a nubile, dyslexic, 'polio poor' girl who gets beaten at home. Chloe (Ava Torch) pairs up with the reclusive Chris (Yalin Ozucelik), who also has a crappy home life, involving relentless badgering from his pompous curmudgeon of a father. She rescues him from his self-doubt and he her from the taunts of the schoolyard 'skanks'. Walshe has captured the impulsiveness of adolescence without condescending to her subject matter. She uses rhythmic motifs like 'gravel, gravel crunch' to propel the actors through the schoolyard and beyond. Torch and Ozucelik succeed in maintaining a tight rhythm and through line amid the poetic meanderings from inner thought to memory to immediate dialogue. Walshe's writing is unashamedly pretty in parts, with lines like "laudable, audible, laughable love" standing out as consciously flowery prods. She happily uses rhyme in obvious places and the piece has a sense of humour about its form; this is not an attempt to emulate Martin Crimp. Thanks to the quality of the acting, these poetic bouquets are never too obtrusive. Francesca Smith has directed (or, pretentiously, "shepherded" according to the program notes), the piece with effective simplicity, but there are some jarring incursions of glitter and chairs. Chloe sprinkles glitter across the stage in a rapture, only to turn around and sweep it up. Chris sets down four chairs to signify a classroom that has already been established and then retrieves them sharpish. The Griffin's black wedge of a stage requires no adornment with these two capable actors treading its boards. Torch and Ozucelik get to show off their impressive acting chops in their transformations into other peripheral characters, as well as in the movement sequences, which support the story for the most part. In particular, Torch's abstracted rendering of the violence inflicted on her is excellent. Chloe explains that violence is bound to sexual attraction for her, it's part of her "white trash DNA" and the undoing of her innocent romance with Chris. Walshe threads this into the play casually and Torch embodies it with appropriate offhandedness, only wondering briefly, what happens to girls with this kind of attraction? In a story about teenagers, sexuality and violence, it's impressive that there's not even a whiff of paternalism present. Props to Walshe and the team for talking about teenagers as young humans, not aliens. Image by Peter Greig.
Is this filmmaking debut from infamously anonymous street artist Banksy a hoax? Does it matter? These two questions will undoubtedly colour your viewing of this suitably opaque 'documentary'. Banksy is certainly no stranger to controversy, so it should come as no surprise that the faceless man behind such stunts as the West Bank Wall or the painted elephant (or just look at his website's homepage) should fancy messing with the minds of his captive cinema audience. Without digressing into just how 'meta' Exit Through the Gift Shop is (considering the title alone could get you started), the story follows one affable French expat by the name of Thierry Guetta, the owner of a vintage clothing store in LA and budding filmmaker. Guetta's familial connection to Paris's famed street artist Invader leads the garrulous Frenchman down the dark alleys of street artists, where he befriends all manner of 'graffiti' luminaries including Shepard Fairey (the man behind Barack Obama's election poster) and, eventually, Banksy himself. What follows is an increasingly bizarre documentation and commodification of street art as Guetta moves from behind the camera to transform himself into Mr. Brainwash. It's an amusing, instructive and disturbing evolution and one that absolutely rubbishes the modern art movement in its wake. Narrated by Rhys Ifans (Notting Hill) with some pointedly witty (and surely scripted) soundbites from Banksy, (regardless of its agenda) this is a well-paced and sophisticated debut. Indeed, Exit Through the Gift Shop is a film that needs to be seen to be disbelieved. The film will be accompanied by a pop-up gallery and 'gift shop' at the Dendy Newtown, where you can see iconic works by Banksy, Shepard Fairey, Mr. Brainwash and other street artists — and possibly take home a token of your own. It is open daily from 1 to 9pm until June 24. https://youtube.com/watch?v=a0b90YppquE
Kings Cross is set to land a charming new bar rich in history and pouring vermouth on tap. Swinging its doors open on Friday, February 24, Vermuteria is the latest opening from Piccolo Bar's David Spanton. Spanton might just be Kings Cross' biggest fan. Not once but twice now, the Potts Point local has sprung into action when a beloved venue in The Cross has gone up for sale, turning longstanding spaces into vibrant new bars dedicated to their former custodians. The first was Piccolo, a tiny Roslyn Street institution that Spanton saved and rejuvenated in late 2021. Now, as first announced in January, he's back to save another much-loved spot, this time taking the reins at the former digs of Cafe Hernandez on Kings Cross Road. The 24-hour cafe had been operating on this leafy street for 50 years — with Spanton recounting visits from the likes of Frank Sinatra and Guns N' Roses over the years. It closed in September of last year when the Hernandez family decided to step away from the venue. Worried it would be turned into a fashion boutique or hairdresser, Spanton came to the rescue, purchasing the property and transforming it into a bar devoted to fortified wine, fittingly called Vermuteria. Much like Piccolo, Vermuteria showcases a small specialised drinks menu and a range of tasty snacks, with vermouth and sherry at the heart of the booze offering. "We're really excited to offer two different vermouth blends direct from the barrels which are positioned directly above the bar," says Spanton. "Guests can choose from our Euro sweet rosso blend and the Aussie pinot noir vermouth with the semi-dry bianco blend straight from the tap right alongside the icy-cold Estrella Damm draught." The scene is set as soon as you walk in, with barrels of vermouth scattered throughout the bar. And, if you prefer a cocktail, there's plenty to choose from utilising the bar's namesake ingredient. Choose between the likes of negronis, martinis, spritzes, white sangria and sherry cobblers. Prior to being Cafe Hernandez, the space also existed as a Polish deli throughout the 50s and 60s. Honouring this section of its history, the back of the venue has been converted into a mini deli boasting charcuterie from LP's Quality Meats, gildas, tinned seafood, cheese plates and hot dogs. "There's definitely a much more positive vibe going on in Kings Cross," Spanton told Concrete Playground. "I think that a lot of great venues are starting to open in the area and a lot of places are starting to get a lot busier. I think the customers are loving that there's a lot more going on. And, I think that Kings Cross and Potts Point have some of the best customers." Once again collaborating with Michael Delany (Cafe Freda's, Club 77, The Abercrombie and SHADES) on the design, the duo have breathed new life into the space. But fans of the original cafe can rest easy — the new fitout will maintain key elements of the former, including an original painting from earlier owner Paquita Sabrafen depicting the Count-Duke of Olivares, on which she has superimposed her husband's face. "People will be able to come in and feel a connection to what was Hernandez Cafe," Spanton tells Concrete Playground. "It's one of those iconic venues in Sydney that most people know about if they're from the Potts Point/Kings Cross area, where you could always go to Hernandez to get a coffee." Fans of Cafe Hernandez's coffee can also still get their fix. While the cafe has closed down, the Hernandez brand is still producing coffee beans which you can order online. Vermuteria will open at 60 Kings Cross Road, Kings Cross from Friday, February 24. It will initially be open from 4pm Thursday–Saturday. Images: Chris Pearce.
Wooden Shjips are a trance-rock quartet featuring a guy called Dusty, a guy called Ripley and a guy called Nash. The band as we know them today formed in 2006 yet draws on the sound of '60s and '70s bands like The Doors and electric Neil Young, and they all grew up on the East Coast of the United States yet devoted their latest album to the romanticism of the American West. But do you think Wooden Shjips care about things like time and space barriers? As if. Their maximum-volume psych transcends both those things to bring audiences a listening experience that is timelessly captivating, sort of like watching an ageing stoner rock his head back and forth in a smoky garage. Often equated to the Japanese phenomenon called maboroshi, which means something along the lines of “phantom” or “illusion”, these guys exist in a dream state of their own fabrication in which anything is possible. And after six years they have, consciously or unconsciously, developed a signature sound that powerfully fuses spaced-out desert rock with the groove-friendly timbre of 1970s boogie. Helping transform their Sydney audience in to a hypnotic state will be psychedelic shoegazers The Laurels, and the trippy synths of Daniel Stricker (Midnight Juggernauts) and Chris Ross’ (ex Wolfmother) new project DCM.
Yearning to create pop music that has a little more depth than your standard dancefloor anthem is Sydney's Catcall. Catherine Kelleher, the woman behind the name, speaks to Kirstie Sequitin ahead of her debut album release and upcoming performance at Surrealism Up Late. How's The Warmer Side coming along? Yeah, it's good! We're kind of in the process of mixing it at the moment. There'll be a new single out in August, September hopefully. How long has that process been going for? It seems like you've been working on it for a while now. I put the EP out around 2008, and then I started writing for the album around the end of that year. Since then I've been kind of writing and recording and working on it. It's just taking a long time for the songs to develop to a point where we're all really happy with them, and then there was a lot of demoing done and a lot of songs disposed of. Then we had to work out how the record was going to be tied together and produced and recorded. All that kind of stuff just took a while to kind of grow into something strong, but now it's all kind of come together quickly in the last couple of months and it's at that point where we're just locking mixes off and whatnot. When it comes down to the writing process - I guess that was a while ago now - but do you focus on lyrics first or do you focus on the backing stuff first? I usually collaborate with people who start off by sending me either a simple thing with a bass line or some keys, and that inspires the vocal melody. They'll normally ask me, "What do you want to make?" and I usually tell them to make whatever they vibe. I don't like sending refs or anything saying "I want you to create me this!" It's not about creating the most interesting or exciting work; usually I just want the other person to do what they do best. They usually send me a beat or something and I'll write something over it and that'll always start with a vocal melody. From there the hardest part is basically just nutting out the lyrics and that's usually where all the time is spent, getting the lyrics perfect, because you need your meanings and you need to sing it and make sure it sounds good. Then we record and mix and get the production worked in. Do you have a specific vision in mind? I know that you said that you don't tell the collaborators what to do but do you have a template of how you want them to sound? Hm… not really - they've usually already heard something I've done. With Youth [Brisbane's Luke Foskey], he knew all of it, so he would just send me stuff. But with more recent collaborations in the past six months they do normally ask for refs and ask things like "What are you listening to at the moment?" and I'll say, "Oh, I'm really into Fleetwood Mac". But you can't get someone to truly create something that's like Fleetwood Mac, so I'll just tell them what I'm listening to, and send them stuff that I've already written and that usually forms what they'll do. Most of the time I just want them to do what they already do, and I collaborate with them because I've already heard their stuff. But they do always ask those kinds of questions like "What are you writing? Are you writing something slow or are you writing something fast?" because they want to know a point to start. Then I think, "Maybe we will go fast, maybe we'll go up-tempo" but usually I stop there because I want them to do what they do, because that's when the most exciting stuff happens. I've read that you have an emphasis on making things imperfect, can you elaborate on that? I don't want things to be necessarily perfect but just as strong as they can be, I guess. In terms of the quality of work, the show… I just want everything to have the best that I can bring it. I don't like the idea of putting something out there that's half-assed. Well, not half-assed but just something that feels like it's not finished, or complete, you know? Because I've already done that, I've put out work that's not complete, I've performed shows that have been really incomplete. Now this is my first record, and I'm going to start putting on a live show and playing regularly. I'm not a complete perfectionist but I just want everything to be the best that it can be. What it seems like to me is that you're trying to work on something that's a little more wholesome than other pop music that's coming out. Yeah, yeah, I want it to be substantial. I was at the APRA Awards the other day and I remember there were eight songwriters on one Katy Perry song and I was like, "That's why these records come out so quickly! There are eight people working on this!" It's like, there's a real formula with the production and it just feels really empty. I just want things to be soulful; I want people to connect with it and I don't think you can just do that if you do it without putting any thought or care into it. It takes a long time to write a really good record. It's so much harder than people assume. Pop records especially. I mean, good pop records. Not really forgettable, flimsy, soulless pop records. You've changed a lot in the past couple of years, how would you describe your developments? Your music style, how has that developed? I think I've become a better singer, a better vocalist, and that's opened up a lot more possibilities for me for what I can write. I've started paying more attention to song lyrics and what makes a really good song. Bry Jones and Toni Toni Lee, I think working with them has really helped me develop, and being open to criticism of what I'm doing and performances and writing. And spending a lot of time rewriting and looking at what I've done and thinking about what I've done and trying to make it better, rather than being satisfied with the first thing I put down, which is what I used to do. I used to be like "Yep, that's what we're going to do" and never edit myself or look back and think, "Hang on a second, there's so many different ways I can make this better". I think that has definitely made me a better songwriter and a better singer and a better performer all round. Catcall plays Surrealism Up Late at the Gallery of Modern Art on July 29. Thanks to GoMA we've got three double passes to give away - e-mail brisbane@concreteplayground.com.au with the subject line 'Water in my veins' by Monday July 25 for your chance to win.
Sydney's city centre has been overrun by birds — though they're not the usual kind. Rather, these dainty bronze bird statues gracing spots along Bridge and Grosvenor streets are part of the latest public work by acclaimed artist Tracey Emin. The Distance of Your Heart, which was commissioned by the City of Sydney back in 2014 and unveiled by Lord Mayor Clover Moore for the City Art collection yesterday, features over 60 of the handmade sculptures, carefully placed atop doorways, awnings and poles around the CBD. A birdbath inscribed with the work's title forms a centrepiece in Macquarie Place. Emin is perhaps best known for her work My Bed, which included items from her own bedroom, including dirty sheets, cigarette butts and condoms, but the message behind this work is much less controversial. It's about comfort — a kind of reflection on Australia's distance from the rest of the world and a little piece of hope for those who might be feeling homesick or detached. "Sydney is big but the birds are small, tiny, delicate, fragile — just like we are as human beings," Emin explained. "Sometimes we can feel lost and sad, but the sight of a bird can give us hope." The Lord Mayor said that "with its underlying concept of global migration and travel, this artwork will particularly resonate with the many Sydney residents born overseas and the millions of visitors who visit our shores each year". The Distance of Your Heart is a permanent addition to Sydney's collection of public art — you can find the birds on Bridge and Grosvenor streets in the CBD.
According to Goran Bregovic, what sets Balkan music apart is its propensity for insanity: "In other countries, just plain music is enough. In the Balkans, it's not only about the music – it has to be madness." In his sixty-two years, Bregovic has carried the gypsy craziness of his homeland to all four corners of the globe. After selling fifteen million albums as leader of Yugoslav rock band Bijelo dugme, he took to composing film scores. On this visit to Australia, his first since 2008, he'll be travelling with his Weddings and Funerals Orchestra, which he has described as "an unlikely mix of extremes". Featuring a string quartet, a six-piece male choir, five brass musicians, two Bulgarian vocalists and a drummer, the ensemble will play music from Bregovic's new album, Champagne for Gypsies, as well as some older material. https://youtube.com/watch?v=AKRCo3347fw
One of the top ways to treat yourself is to check into one of the most luxe hotels in Brisbane. At these joints, you get a little bit of everything (or even a whole lot of everything). You get fresh plush sheets (this may seem basic, but god, we all know how good this feels), room service you can eat in bed, pampering packages at spas, pools with epic views and just about anything else your lavish self desires. Brisbane is packed with five-star hotels and brilliant boutique stays that will help you live your best life. So check out our guide to the best hotels in Brisbane, perfect for those after a luxury staycation or out-of-town visitors needing a base for exploring the city. Recommended reads: The Best Glamping Sites Near Brisbane The Best Dog-Friendly Accommodations in Queensland The Best Day Spas in Brisbane
When it comes to first dates (or any social gatherings, for that matter) it's hard to beat Sydney's inner west. There's an array of restaurants that serve multicultural cuisine, plenty of dog-friendly courtyards and quintessential Aussie pubs to choose from, plus loads of lively venues to hit up as the sun sets and the night picks up the pace. Whether you're a music lover, a cocktail connoisseur or simply after an intimate spot for a late-night pash, we've teamed up with Inner West Council to compile the best of the west — especially when you're trying to impress. Wow your date with your local bar knowledge and keep the sparks flying well into the evening.
David Byrne started 2025 by singing and dancing with Robyn at Saturday Night Live's 50th-anniversary concert, then releasing the Saoirse Ronan (Blitz)-starring first-ever music video for 'Psycho Killer' 48 years after the song's debut. In 2026, he'll kick the year into gear by bringing his latest world tour Down Under in January. The iconic Talking Heads founder and frontman is hitting the road to support his latest record, September 2025 release Who Is the Sky?. In Australia and New Zealand, he's playing his first gigs since 2018, when he brought his American Utopia tour — which none other than Spike Lee (Da 5 Bloods) turned into a concert flick also called American Utopia, aka one of 2020's absolute best films — this way. In Sydney and thinking "this must be the place"? You're right: Byrne is venturing to the Harbour City, playing ICC Sydney Theatre on Wednesday, January 21, 2026. If you caught his American Utopia gigs or watched the film, you'll recognise some other familiar faces on the Who Is the Sky? tour. Byrne is taking to the stage with 13 musicians, singers and dancers, some of whom were part of the American Utopia band. Just like in those famous shows, his fellow performers will all be mobile throughout Byrne's latest set. Like tour, like album: Who Is the Sky? isn't just Byrne's first set of live gigs since American Utopia, but also his first record since that Grammy-winning release came out in 2018. Launching on Friday, September 5, 2025 — with first single 'Everybody Laughs' out now — the new album features St Vincent, Paramore's Hayley Williams, The Smile drummer Tom Skinner and American Utopia percussionist Mauro Refosco among its guests. Byrne has long been a must-see live performer — and there's long been filmic proof of that fact. Forty-two years ago this December, he made concert film history with Talking Heads when he walked out onto a Hollywood stage with a tape deck, pressed play and, while standing there solo, began to sing 'Psycho Killer'. Then-future The Silence of the Lambs Oscar-winner Jonathan Demme directed cameras his way, recording the results for Stop Making Sense. [caption id="attachment_1008708" align="alignnone" width="1920"] Shervin Lainez[/caption] Live images: Raph_PH via Flickr.
The big names on QAGOMA's 2025 program read like an art lover's dream dinner-party list: who wouldn't want to spend time with Olafur Eliasson, Yayoi Kusama, Archie Moore and Patricia Piccinini? Brisbanites and folks visiting from out of town can do just that with their artwork, at least, whether exploring an Australian-exclusive exhibition dedicated to the Icelandic Danish artist who once built an indoor riverbed inside the Gallery of Modern Art or seeing Indigenous Aussie talent Moore's history-making Venice Biennale Golden Lion-winning kith and kin. No strangers to the River City, Kusama and Piccinini will have pieces featured in a showcase called Wonderstruck. For locals, the 2025 lineup reads like a list of reasons to make regular dates with GOMA and Queensland Art Gallery. If you're elsewhere in Australia, consider it motivation to holiday in the Sunshine State several times. The year's program has already begun, of course, thanks to The 11th Asia Pacific Triennial of Contemporary Art. On display until the end of April, it boasts 500 works by 70 artists and collectives — and as each APT is when it fills QAGOMA every three years, it's a sight to behold. [caption id="attachment_992350" align="alignnone" width="1920"] Olafur Eliasson / Denmark b.1967 / Riverbed (installation view, GOMA) 2014 / Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps / Dimensions variable / Purchased 2021. The Josephine Ulrick and Win Schubert Charitable Trust Collection: The Josephine Ulrick and Win Schubert Charitable Trust, Queensland Art Gallery | Gallery of Modern Art / Collection: QAGOMA, Brisbane / © 2014 Olafur Eliasson / Photograph: N Harth © QAGOMA.[/caption]From December, Eliasson will help GOMA end 2025 — and then take 2026 almost to its midpoint — with an exhibition that'll explore three decades of his career complete with rocky landscapes, Lego cities and optical puzzles. Yes, the wonderfully immersive, aforementioned Riverbed will be back. So too will The Cubic Structural Evolution Project, which is where everyone's favourite toy bricks come in, getting gallery patrons playing with it all a part of the piece. Thanks to Beauty, visitors will see a rainbow in a veil of mist as well — and via Your Psychoacoustic Light Ensemble, audio waves will become visual. [caption id="attachment_992353" align="alignnone" width="1920"] Olafur Eliasson / Denmark b.1967 / Beauty 1993 / Installation view: Fondazione Palazzo Strozzi, Florence, Italy, 2022 / Spotlight, water, nozzles, wood, hose, pump / Dimensions variable / Courtesy: The artist; neugerriemschneider, Berlin; and Tanya Bonakdar Gallery, New York/Los Angeles / © 1993 Olafur Eliasson / Photograph: Ela Bialkowska, OKNOstudio.[/caption] "Olafur Eliasson's artworks suggest new ways of seeing and experiencing. His practice, spanning diverse installations and other works, invites reflection on our relationships — with ourselves, the environment, culture, and society," said QAGOMA Director Chris Saines "The exhibition will feature a range of artworks, many never before seen in Australia, and will include two new site-specific installations created especially for our expansive galleries." [caption id="attachment_950473" align="alignnone" width="1920"] Yayoi Kusama. The obliteration room 2002–present. Queensland Art Gallery | Gallery of Modern Art. © YAYOI KUSAMA[/caption] Between APT11 and Olafur Eliasson, Wonderstruck will take over GOMA from late June–early October — and as the name makes plain, this 100-plus-artwork collection from 70-plus artists is all about awe and wonder. The full list of pieces that'll be included hasn't yet been revealed, nor has the roster of talents involved, but the wearable sculptures of HEARD from Nick Cave (the American artist, not the Australian musician) will be among them. Also, get ready to pop stickers everywhere, because so will the return of Kusama's The Obliteration Room. From late September — a month later than initially announced — Moore's kith and Kin will make its Australian debut. When the First Nations artist earned Australia the top gong at the Olympics of the art world for the first time ever, he did so with an exhibition curated by QAGOMA's Ellie Buttrose, and with a date with Brisbane locked in for this year. Gifted to the galleries permanently, the piece didn't just make history with its Venice Biennale accolade. A hand-drawn genealogical chart that spans back 65,000 years, it also chronicles it. [caption id="attachment_951573" align="alignnone" width="1920"] Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.[/caption] Similarly on the way to South Brisbane before 2026 hits: marru | the unseen visible, which showcases works by Danie Mellor; Great and Small, heroing the role of animals in Aboriginal and Torres Strait Islander art and culture; and a dive into the space where devotional imagery and pop culture cross paths via The God of Small Things: Faith and Popular Culture, with oleographs by Raja Ravi Varma at its centre, but works by Natee Utarit and Isabel and Alfredo Aquilizan also featuring. Pieces by artists such as Kenneth Macqueen, Vida Lahey, William Bustard, Gwendolyn Grant, Joe Rootsey and Sidney Nolan will be a part of Under a Modern Sun: Art in Queensland 1930s–1950s. Tony Albert, Michael Cook, Brenda L Croft, Destiny Deacon, Fiona Foley, Genevieve Grieves, Tracey Moffat, Michael Riley, Darren Siwes, Leah King Smith and Christian Thompson are among the talents set to be in the spotlight via Snap Blak: Contemporary Aboriginal and Torres Strait Island Photography From the Collection. And Queensland's Pat Hoffie will display a range of works on paper in I have loved/I love/I will love. [caption id="attachment_992351" align="alignnone" width="1920"] Danie Mellor / Ngadjon-jii/Mamu peoples / Australia b.1971 / Dark star waterfall (still) 2023–24 / Digital projection / Courtesy: The artist / © Danie Mellor.[/caption] Queensland Art Gallery and Gallery of Modern Art 2025 Program Until Sunday, April 27, 2025 — The 11th Asia Pacific Triennial of Contemporary Art Saturday, March 15–Sunday, August 3, 2025 — Danie Mellor: marru | the unseen visible Saturday, June 21, 2025–Monday, May 3, 2027 — Great and Small Saturday, June 21, 2025 –Monday, October 5, 2026 — The God of Small Things: Faith and Popular Culture Saturday, June 28–Monday, October 6, 2025 — Wonderstruck Saturday, August 16, 2025–Monday, January 26, 2026 — Under a Modern Sun: Art in Queensland 1930s–1950s Saturday, August 30, 2025–Sunday, September 13, 2026 — Snap Blak: Contemporary Aboriginal and Torres Strait Island Photography From the Collection Saturday, August 30, 2025– Sunday, February 1, 2026 — Pat Hoffie: I have loved/I love/I will love Saturday, September 27, 2025–Sunday, October 18, 2026 — Archie Moore: kith and kin Saturday, September 27, 2025–Sunday, October 18, 2026 — Inscribing a Life Saturday, October 4, 2025–Sunday, March 1, 2026 — Contraptions Saturday, December 6, 2025–Sunday, July 12, 2026 — Olafur Eliasson [caption id="attachment_992352" align="alignnone" width="1920"] Michael Riley / Kamilaroi/Wiradjuri peoples / Australia 1960– 2004 / cloud (portfolio) (detail) 2000 / Inkjet print on banner paper / Ten sheets: various dimensions / Purchased 2002 / Collection: QAGOMA, Brisbane / © Michael Riley Estate.[/caption] [caption id="attachment_951569" align="alignnone" width="1920"] Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.[/caption] For more information about Queensland Art Gallery's 2025 exhibitions, plus Australian Cinémathèque's 2025 lineup — all of which will occur at Stanley Place, South Brisbane — visit the venue's website. Top image: Olafur Eliasson / Denmark b.1967 / Your psychoacoustic light ensemble (installation view, Tanya Bonakdar Gallery, New York, 2024) 2024 / Spotlight, glass lens, mirror foil, tripod, transducer, embedded computer system / Dimensions variable / Courtesy: The artist and Tanya Bonakdar Gallery, New York / © 2024 Olafur Eliasson / Photograph: Pierre Le Hors.
Everyone has one, or several: a TV show you just keep going back to no matter how many times you've seen it before. Whatever series that is for you, you're probably always at some stage of rewatching it — and when you finish it this time, you'll start working your way through it again because of course you will. These are our soul-replenishing comfort shows, and they usually share a few traits. Sitcoms are particularly easy to rewatch over and over. Comedies with not only a big sense of humour but also a big heart are, too. Is your go-to series filled with characters supporting each other, overcoming everyday obstacles and helping each other be their absolute best selves? Then that fits the bill as well. Basically, the shows we keep gravitating back towards are the ones Marie Kondo would approve of. Yes, they definitely spark joy, and do so again and again. Watching them feels like catching up with old friends, they always brighten your day and they're there for you when times are tough. Here are our ten picks for sitcoms that feel like the warmest of hug — and that you can stream right now. BROOKLYN NINE-NINE Long-running shows become a comforting part of our routines, giving us something to look forward to with each new episode — and in the case of supremely warm-hearted comedies, giving us all plenty of feel-good laughs as well. Brooklyn Nine-Nine is one such series. It came to an end in 2022 with its eighth season, but it'll always live on in streaming queues. Heart and laughs: that's been a noice, toit and cool cool cool formula for the Andy Samberg (Spider-Man: Across the Spider-Verse)-starring cop-focused sitcom over the years. "Title of your sex tape" jokes, Die Hard nods and Halloween heists have all worked well, too. And so have the multi-layered, always-supportive bonds between Jake Peralta (Samberg), his best friend and fellow detective Charles Boyle (Joe Lo Truglio, Monsters at Work), and their other colleagues Amy Santiago (Melissa Fumero, Velma), Rosa Diaz (Stephanie Beatriz, Twisted Metal), Terry Jeffords (Terry Crews, Craig of the Creek) and Raymond Holt (the late, great Andre Braugher, She Said) — and the bumbling but always-affable Hitchcock (Dirk Blocker, Doogie Kamealoha, MD) and Scully (Joel McKinnon Miller, Station 19). In its final season, as it geared up to say goodbye, Brooklyn Nine-Nine also found a smart and still amusing way to reckon with being a comedy about police officers in America today. Brooklyn Nine-Nine streams via Netflix. SCHITT'S CREEK The idea behind Schitt's Creek is immensely straightforward, and also incredibly obvious. If one of the obscenely wealthy families that monopolises all those trashy reality TV shows was suddenly forced to live without their money, like the rest of us, how would they cope? If you're thinking "not well", you're right. If you're certain that seeing the results would be amusing, you're on the money again. As envisaged by father-son duo — and the program's stars — Eugene (Human Resources) and Dan Levy (Sex Education), that's the scenario the Rose crew finds itself in, including moving to the titular town that it happens to own as a last resort. Yes, as the name gives away, they're in a sticky situation. The adjustment process isn't easy, but it is very, very funny, immensely feel-good and ridiculously quotable, and remained that way for the show's entire six-season run before wrapping up in 2020. And, although plenty of other credits on her resume have made this plain (such as Best in Show, A Mighty Wind, Waiting for Guffman and For Your Consideration, all also with Eugene Levy), the great Catherine O'Hara (Pain Hustlers) is an absolute comedy powerhouse as the Rose family matriarch. She deservedly has both an Emmy and a Golden Globe for her performance here — and for her glorious accent work — too. Also stellar: Annie Murphy (Fingernails) as socialite daughter Alexis. Schitt's Creek streams via Netflix. PARKS AND RECREATION She's the government worker we all wish could be in charge of, well, absolutely everything — and she's the fictional Indiana city of Pawnee's most devoted employee and biggest fan. We're talking, of course, about Leslie Knope, Amy Poehler's (Moxie) super-passionate, waffle-loving character in iconic sitcom Parks and Recreation. Willing to work hard in any situation and always ready to lean upon her friends and co-workers, Leslie knows how to handle almost anything. In one particular fifth-season episode of the Nick Offerman (Dumb Money)-, Rashida Jones (Silo)-, Aziz Ansari (Master of None)-, Chris Pratt (Guardians of the Galaxy Vol. 3)-, Aubrey Plaza (Scott Pilgrim Takes Off)-, Adam Scott (Party Down)- and Rob Lowe (Unstable)-costarring series, that also includes grappling with a pandemic. Created by The Office's Greg Daniels and Brooklyn Nine-Nine's Michael Schur, Parks and Recreation may have only come to the end of its seven-season run back in 2015, but the sitcom has been an instant classic from the get-go for one reason: focusing on relatable characters, the minutiae of their lives and the time working in local government, workplace-based comedy has never felt more kind-hearted, or — thanks to the show's penchant for letting its main players talk directly to the camera — so inclusive. Parks and Recreation streams via Stan and Binge. TED LASSO A sports-centric sitcom that was like a big warm hug from the get-go, Ted Lasso is a cheerleader for comedies that focus on nice and caring people doing nice and caring things. Like the other shows on this list, it celebrates folks supporting and being there for each other, and the bonds that spring between them — and not just to an entertaining but to a soul-replenishing degree. As played by Jason Sudeikis (Booksmart), the series' namesake is almost all positivity, almost all the time. And, he keeps that up in the face of quite the challenges. A small-time US college football coach, he scored an unlikely job as manager of British soccer team AFC Richmond in the show's first season, a job that came with struggles. Instantly, the ravenous media wrote him off. The club was also hardly doing its best, owner Rebecca (Hannah Waddingham, Hocus Pocus 2) had just taken over the organisation as part of her divorce settlement, and veteran champion Roy Kent (Brett Goldstein, Thor: Love and Thunder) and reigning hotshot Jamie Tartt (Phil Dunster, The Devil's Hour) refused to get along. Ted's upbeat attitude does wonders, though, in one of the best new sitcoms of the 2020s. You definitely don't need to love soccer or even sport to fall for this show's ongoing charms, to adore its heartwarming determination to value banding together and looking on the bright side, and to love its depiction of both male tenderness and supportive female friendships. Ted Lasso streams via Apple TV+. Read our full review of season two and season three, plus our interview with Brendan Hunt. WELLINGTON PARANORMAL Three of the best comedic actors on TV in recent years all starred in New Zealand-made sitcom Wellington Paranormal. Playing Officer O'Leary, Officer Minogue and Sergeant Maaka, Karen O'Leary (Red, White & Brass), Mike Minogue (My Life Is Murder) and Maaka Pohatu (Our Flag Means Death) spit out devastatingly hilarious deadpan line readings. They need to in this mockumentary series, which follows a squad of Wellington cops who investigate the supernatural — as the show's title so succinctly explains — but every episode across its four seasons demonstrated just how perfect these three actors are for their job. As the team tackle cases of the paranormal variety, they also often look into matters of the silly and always amusing kind as well, to delightful results. Whatever comes this crew's way, hearty laughs always ensue. A spinoff from Taika Waititi and Jemaine Clement's excellent 2014 movie What We Do in the Shadows — well, one of the film's spinoffs, given that the very funny US TV series also called What We Do in the Shadows also exists — Wellington Paranormal aces its concept again and again. It's basically a low-key, comedic, NZ-based version of The X-Files, it's glorious, and former NZ Prime Minster Jacinda Ardern's partner Clarke Gayford has even made an appearance. Also, it now boasts a companion podcast. Wellington Paranormal streams via SBS On Demand. LOS ESPOOKYS It took some time for the delight that is Los Espookys to initially reach Australian screens, arriving two years after it debuted in the US — and it'll take you less than six hours to binge its two seasons, which you'll likely do in no more than two sittings. This HBO comedy has proven both worth the wait and worth devouring as quickly as possible. The setup: horror aficionado Renaldo (Bernardo Velasco, Noise) wants to turn his obsession into his profession, so he starts staging eerie scenarios for paying customers. That involves enlisting his best friend Andrés (Julio Torres, Problemista), pal Úrsula (Cassandra Ciangherotti, Thursday's Widows) and the latter's sister Tati (Ana Fabrega, Father of the Bride) to help, and doing everything they can to get spooky. Torres and Fabrega co-created the show with Portlandia and Saturday Night Live's Fred Armisen, who also pops up as Renaldo's parking valet uncle. This mostly Spanish-language series only uses its biggest name sparingly, however, because its key cast members own every moment. Following the titular group's exploits as they attempt to ply their trade, and to weave it into their otherwise chaotic lives, Los Espookys always manages to be both sidesplittingly hilarious and so meticulous in its horror references that it's almost uncanny. There's also nothing on-screen quite like it. Los Espookys streams via Binge. OUR FLAG MEANS DEATH First dropping anchor with its debut season in 2022, and finding a mooring among the best new series that the year had to offer, Our Flag Means Death's premise has always glinted as brightly as its impressive cast (not just Uproar's Rhys Darby and Thor: Love and Thunder's Taika Waititi, but also Bloods' Samson Kayo, Creation Stories' Ewen Bremner, Bank of Dave's Joel Fry, Game of Thrones' Kristian Nairn, Hello Tomorrow!'s Matthew Maher, Loot's Nat Faxon, The Sex Lives of College Girls' Vico Ortiz and The Batman's Con O'Neill for starters). It follows Darby as self-styled 'gentleman pirate' Stede Bonnet. Born to a life of privilege, he felt that seafaring and swashbuckling was his calling, leaving his life on land behind to hop on a ship — details that all spring from reality. Creator David Jenkins (People of Earth) isn't interested in telling the exact IRL tale, however. Consider those basics merely Our Flag Means Death's departure point. On-screen, Stede gets caught up in both a workplace comedy and a boatmance. The first springs from his certainty that there has to be a nicer way to glide through a pirate existence, and the second from his blossoming feelings for feared marauder Edward Teach (Waititi), aka Blackbeard. So, Stede and Ed find love in a buccaneering place, but also feel splashes of uncertainty about what their relationship means. Life might prove choppy for Our Flag Means Death's characters, but there's always a sense of camaraderie about this series — and it's been sweet sailing for viewers across two seasons. Our Flag Means Death streams via Binge. Read our full review of season one and season two. THE OFFICE You're working. It's an ordinary day. You've been doing your usual tasks and, in a completely unremarkable incident, you happen to notice a stapler — whether you're in the office or doing the nine-to-five grind at home. If your first thought is "hmmm, I bet I could set that in a bowl of jelly", then you're obviously a fan of The Office. One of the rare instances where a TV remake is better than the original — it is based on the UK series of the same name, after all — this sitcom about paper company employees is far more amusing than it really has any right to be. In fact, it's downright side-splitting; it nails workplace relationships and minutiae in such a precise, knowing and relatable way that it sometimes feels uncanny (every office has a Creed, after all); and it's immensely easy to just keep rewatching. Of course, that's what you get when you round up Steve Carell (Asteroid City), John Krasinski (Tom Clancy's Jack Ryan), Jenna Fischer (Splitting Up Together), Rainn Wilson (Lessons in Chemistry), Mindy Kaling (The Morning Show), Ed Helms (Family Switch), Ellie Kemper (Happiness for Beginners) and Craig Robinson (Killing It) in the same show, and let all of them break out their comedic best. An Australian version is on the way, and there's talk of rebooting the OG, but there's no topping this cast. The Office streams via Stan, Prime Video and Binge. BOB'S BURGERS We've all grown up watching animated sitcoms about families, because The Flintstones, The Jetsons, The Simpsons, Family Guy, King of the Hill, American Dad and Rick and Morty all exist. Bob's Burgers has been on the list as well for over a decade now, and it does what plenty of its counterparts also do — focusing on a family and their usual ebbs and flows, mainly — while also finding a tone that's sweet, goofy, cute, funny and filled with top-notch food puns. An animated TV series can definitely make you feel hungry, as this show manages all the time. It also enjoys exploring the eclectic and eccentric personalities of the Belcher clan, including burger-cooking father Bob (voiced H Jon Benjamin, Wet Hot American Summer: Ten Years Later), his wife Linda (John Roberts, Gravity Falls), and children Tina (Dan Mintz, Adventure Time), Gene (Eugene Mirman, Aqua Teen Hunger Force) and Louise (Kristen Schaal, Flight of the Conchords). You do have to come to terms with the fact that Bob's voice is also Archer's voice — if you also watch fellow animated series Archer, that is — but you'll also get to enjoy the series' fabulous musical numbers, and the warmth that stems from more than just cooking up patties in a burger joint. Plus, the big-screen Bob's Burgers outing is also ace. Bob's Burgers streams via Disney+. THE GOOD PLACE Some shows are just so engaging and entertaining — so smart and heartfelt and hilarious all at the same time, too — that they just make you exclaim "holy forking shirtballs!" The Good Place achieves all of that, and easily. It's the show that found plenty of jokes around the kind of swearing you're forced to do in its titular spot, given that busting out the real versions of those words isn't really heaven's vibe. Because nothing in this life lasts forever, including beloved sitcoms about the afterlife stretching on into eternity, the existential comedy only ran for four seasons. They all followed the adventures of the very dead Eleanor (Kristen Bell, The People We Hate at the Wedding), Chidi (William Jackson Harper, Ant-Man and the Wasp: Quantumania), Tahani (Jameela Jamil, Poker Face) and Jason (Manny Jacinto, Top Gun: Maverick), plus demon Michael (Ted Danson, Mr Mayor) and "not a person" Janet (D'Arcy Carden, Barry), and they all kept throwing delightful surprises our way. One of the spectacular things about rewatching this clever, creative and side-splitting mix of humour, philosophy and people actively trying to embrace their best rather than worst impulses is picking up all the breadcrumbs left along the way — and its all-round warm and wise approach thanks to Parks and Recreation, The Office and Brooklyn Nine-Nine's Michael Schur (yes, him again), of course. The Good Place streams via Netflix.
It's been more than 18 months since the world first got a glimpse of Dev Patel going medieval, all thanks to the initial sneak peek at The Green Knight. The action/fantasy-thriller sees him mess with Arthurian legend, swing around a mighty sword and giant axe, and head somewhere completely different after filming two of his last four movies in Australia (Lion and Hotel Mumbai) — and also stepping into a Dickens classic set in Victorian England (The Personal History of David Copperfield). A second trailer for The Green Knight dropped earlier this year, and the movie released in the US in July; however, if you're an Aussie fan of Patel, medieval thrillers or both, you're currently still waiting to see the dark and ominous-looking film. Thankfully, that delay is about to come to an end, with the movie set to stream locally via Amazon Prime Video from Thursday, October 28. Based on the 14th-century poem Sir Gawain and the Green Knight, the film casts Patel as Sir Gawain. Nephew to King Arthur (Sean Harris, Mission: Impossible — Fallout), he's a knight of the Round Table and fearsome warrior. The character has popped up in plenty of tales, but here, he's forced to confront the giant green-skinned titular figure in an eerie showdown. As the poem explains, the Green Knight dares any other knight to strike him with an axe, but only if they'll then receive a return blow exactly one year and one day later. Based on all of the movie's trailers so far, this adaptation looks to be sticking to that story rather closely — and the end result also looks more than a little moody, brooding and creepy. Patel is in great company, too, with The Green Knight also starring Alicia Vikander (Earthquake Bird), Joel Edgerton (Boy Erased) and Barry Keoghan (Calm with Horses). Games of Thrones' Kate Dickie pops up as Guinevere, while her co-star Ralph Ineson — who is also known from the Harry Potter flicks, The Witch, Gunpowder Milkshake and the UK version of The Office — plays the Green Knight. Originally set to release in 2020 until the pandemic hit, The Green Knight is the latest movie by impressive and always eclectic writer/director David Lowery. His filmography spans everything from Ain't Them Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and the Gun — and The Green Knight isn't like anything on his resume so far. Check out the trailer below: The Green Knight will be available to stream in Australia via Amazon Prime Video from Thursday, October 28.
