The crew at Beyond Cinema are at again, bringing yet another of their immersive, movie-themed experiences to both Sydney and Melbourne. In the same vein as previous hits like that Mad Hatter-esque Botanic Gardens tea party and last year's Moulin Rouge! cabaret-style sing-along, it's set to be an indulgent, multi-sensory affair — this time dedicated to the Hugh Jackman-led smash-hit musical The Greatest Showman. While we know the event's happening this July at a couple of secret Sydney and Melbourne locations, most other details are been kept under wraps for now, in true Beyond Cinema form. But if past events are anything to go by, you can bank on a wildly imaginative evening, that blurs the lines between cinema and reality while giving those vocal chords a serious workout. This one promises to have you singing along to all the films award-winning hits, while witnessing impressive moves from acrobats, aerialists and more — just like PT Barnum would've orchestrated in the late 1800s. Circus-inspired dress-ups are, of course, encouraged, so you'd best start rewatching the flick for some costume ideas and song practice. [caption id="attachment_711479" align="alignnone" width="1920"] Beyond Cinema's Great Gatsby event.[/caption] Beyond Cinema's The Greatest Showman event will at a yet-to-be-revealed Sydney location on Saturday, July 13 and Melbourne spot on Saturday, July 27. You can sign up for more details at here.
One of the most acclaimed singer-songwriters of the 21st century, Chan Marshall — aka Cat Power — is no stranger to a cover. She's been transforming other people's work into something entirely Power-esque across her entire career, including honing the art on her 2000 album The Covers Record and 2008's Jukebox. In 2022, she again dropped a project devoted to reshaping songs originally sung by others with the aptly titled album Covers, unveiling versions of tracks by Frank Ocean, Nick Cave, Lana Del Rey and Iggy Pop. Now, Power has embarked on her most ambitious cover-based project yet, covering Bob Dylan's legendary 1996 Royal Albert Hall set in full in 2022 at the titular venue in London. Receiving rapturous praise, the show is a track-by-track recreation of a legendary set that Dylan performed on his first tour after polarising attendees at the Newport Folk Festival with his new electric sound. Sydney is lucky enough to be the second-ever city to see Power perform this set, with Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert coming to the Sydney Opera House as part of the Vivid Live program. Concrete Playground chatted with Marshall before she headed to Australia to discuss why this set is so important to her, the reaction to its debut in London and the new music she has on the way. ON WHY SHE CHOSE THIS PARTICULAR BOB DYLAN SET "I got an offer to play the Royal Albert Hall in London on Bonfire Night, Guy Fawkes Night... and I was like 'well if I play there, I only want to do Dylan's songs'. And that was just a no-brainer of which songs I would do. I felt pretty alone when I was young — when he was running around being a rockstar and stuff. I wasn't a rockstar, but just knowing that someone was kind of scuzzy, and writing his own shit and saying what he wanted to say and doing his own thing, that was that peer thing he gave people. He narrated and was able to articulate people's points of view during a time of mass confusion and that confusion is the thread of our social constructs." ON HEARING THE SET FOR THE FIRST TIME "It was the film, so it might have been [in] 91 — it was the film Don't Look Back... I just felt transported to this place that reminded me of just floating and thoughts and poetry and the absurd." ON THE TEAM SHE PULLED TOGETHER FOR THE SHOW "We had a rehearsal and I tried to figure out who would be best. Because it's really specific, the style of playing — the heartbeat of that is Bob's style — and on top of that, The Band and that movement of playing. Because I could say that it's a style but there was a certain feeling, I think, that was happening at the time. I asked my friend Henry Munson, he's playing with me. He's in Arsun's band, he has his own bands, too. But he was, no-brainer, going to be the Bob guitar. I had never heard the drummer play before or seen him play or met him, but I said 'well, tell me what kind of band he's in before I go jam with him' and [my friend] said 'oh, he's in a Grateful Dead cover band'. And I said 'okay perfect, he sounds great'. " ONE DEBUTING THE SET AT ROYAL ALBERT HALL "Oh my god. So, for me, I'm secondary to the nature of what's happening when I'm doing it — I feel secondary. My major concern is for the song itself. It's not psychological, it's like I have to do it justice. I don't know. I'm secondary, my physical being is secondary but the song is always the point of me doing what I'm doing. And, I can be very hard on myself but it's the only way that I can be. In the back of my mind, you know, my consciousness, my awake mind was like 'oh yeah, I'm fucking terrified'. I've never been inside that place. I used to walk around it. I used to stay at the Hotel Columbia across the park from there, you know, the rock 'n' roll hotel or whatever. And I'd always walk around that place. I'd never been inside, and to be able to play there, it was some kind of a magic gift or something. That's how it felt. It means something individually to me to do those songs in that venue 'cause of how much I loved Bob growing up." ON THURSTON MOORE'S REACTION TO THE LONDON SET "One thing was that, at the end, there were a bunch of friends there and Thurston Moore was in town and he said — he's gonna kill me — but he said 'Mr Tambourine Man' made him cry. Isn't that sweet?" ON THE MAGIC OF COVERING OTHER ARTISTS' WORK "I knew those songs already, as a little kid, so it was like — I don't want to say second nature because, as someone who's loved all kinds of music my whole life and different things besides music, it wasn't second nature to me — it was just familiar and just easy, because it was like being a kid and singing along. If I play Michael Jackson's song or something, play me the Thriller record, I'm going to sing backup on the whole fucking record with my own harmonies, because I've been singing that shit forever. And different singers bring different shade or colour, or smell or taste, to the same old song. And that's what speaks to a new generation or a new group of people, just different emulations of one song." ON HER CONNECTION TO THE SYDNEY OPERA HOUSE "I did a record of mine called Moon Pix. I think it was the 25th anniversary. [Editor's note: it was the 20th.] I did another Vivid fest, actually... I have the poster for all two of them. And I hope to get the poster for the third. The Moon Pix thing was really moving because I was alive, you know. I wasn't dead. I never thought I'd live this much and I was there and it was great and it was beautiful. I was with Mick [Turner, from Dirty Three] and Jim [White, also from Dirty Three] and we were, all three, alive. And it was beautiful, and it was real, and it was really nice." ON WHAT'S NEXT FOR CAT POWER "I'm going right back into the studio and doing my new record. There's a song called 'Brave Liar', I think it's the good one. Another home recording." Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert is coming to the Sydney Opera House for Vivid Live on Wednesday, May 31. Head to Sydney Opera House website for tickets and further details.
A staple of holiday dining tables the world over, the humble Christmas ham is too often sidelined as a one meal wonder. Add a slice or two of really good bread and suddenly a problem leftover transforms into a culinary masterpiece. Behold, the humble ham sandwich. After the festive rush is done and dusted, and the downtime between Christmas and New Years gets underway, let Abbott's Bakery's loaves do the heavy lifting when it comes to high adventure, low touch meals. Surf and Turf Sandwich While you may be off the clock and in relaxation mode in the days after Christmas, time waits for no crustacean and is definitely of the essence if you've got leftover prawns piled up from Christmas lunch. A surf and turf sandwich is an ingenious way of using up some of Christmas lunch's most perishable ingredients and comes together in less than 10 minutes with no cooking required. All you need to do is lay out a few slices of your favourite Abbott's Bakery bread, on which you'll spread on a tangy green pickle relish, before adding lettuce and whatever ham you have on hand — that can be store-bought slices or sliced off the last of the Christmas ham. Then top the bottom layer with another slice of bread, add tartare sauce, lay down some prawns and any extra tartare to taste. Finally, top with some more greens and a final slice of bread. Lunch is served and leftovers are given new life. Provolone and Ham Melt This provolone and ham melt makes the most of the mish mash of charcuterie board leftovers that litter kitchens throughout the holiday season. Combined with leftover ham and sandwiched between two slices of Abbott's Bakery Sourdough White, this is an inventive toastie that packs a flavour punch and can be made in 20 minutes or less. Start by spreading mayonnaise and mango chutney on two slices of Abbott's Bakery bread. On the slice with chutney, add shaved ham, pear slices, roasted peppers and provolone cheese before topping it with the other slice of bread. For the perfect golden brown crunch, brush both sides with melted butter and grill on a griddle until the cheese is oozy and melted. Classic Croque Madame A croque madame is one of those indulgent breakfasts that requires time more than skill. Difficult to throw together in a rush, but deceptively easy, this grilled cheese sandwich is a classic for a reason. This particular recipe comes together in just 20 minutes and starts with a fresh slice of Abbott's Bakery sourdough. Spread on some fruit paste and your favourite chutney, layer with ham and a mix of cheeses and top the filling with your second slice of bread. Then, heat half a tablespoon of butter and cook your sandwich in a frying pan for two minutes on each side with the lid covered. Remove your sandwich from the pan, add another half tablespoon of butter and fry an egg to place on top of the sandwich. Voila, breakfast — or lunch or any old meal in between when you're pottering around and feeling peckish — is ready. Ham, Brie and Spiced Mango Sandwich Summer means mangoes and this recipe demonstrates there's more than one way to skin a mango. This sandwich starts with the mango salsa which is acidic, spicy and sweet in equal measure. Once the salsa is ready, set it aside and spread butter and mustard on a slice of Abbott's Bakery Wholemeal bread. Then, layer lettuce, ham, brie and the salsa on the buttered bread before topping with microherbs and another slice. Plate it all up with a fresh wedge of lime. Ripping Two-Cheese and Ham Toastie The combination of flavours in this toastie call for a darker bread with a slightly more nutty, malty and earthy flavour. A mixture of sharp Dijon and sweet mustard pickle adds zing, while the blend of cheeses used — gruyere and colby — elevates this sanga into something special. Layer the spreads, cheese and ham between two slices of Abbott's Bakery Dark Rye bread, give them a grill in a fry pan for two minutes on each side. Then, remove them from the heat, add rocket for a fresh, peppery and ripping toastie to tuck into. Ham, Lettuce and Tomato Sandwich (HLT) Forget the BLT. Meet its Christmas cousin the HLT. Proving that there are countless ways to mix up what goes between two great white slices, the ham, lettuce and tomato sandwich is both a spin on a classic and fantastic in its own right. Ready in mere minutes, assemble this classic lunchtime feed by layering ham, sliced cheese, tomato and lettuce on Abbott's Bakery Rustic White bread that's been spread with mayo and mustard. Discover the full range of Abbott's Bakery bread and create your ideal sandwich.
Brush up on your spells, Potterheads. Specifically, get ready to shout "accio iPhone". As first announced back in 2017, the wizarding world of Harry Potter is coming to your mobile — and the powers-that-be have revealed when as part of a new teaser trailer. Some time in 2019, Potter fans be joining the Ministry of Magic, wielding their wands and trying to contain traces of wizardry throughout the muggle world, all within Harry Potter: Wizards Unite. What else it involves is being kept in a chamber of secrets, although the game website does explain that players will enlist in the new Statute of Secrecy Task Force, where they'll be required to "hone lightning fast wand reflexes", "sniff out the faintest whiff of magical disorder from afar" and be proficient in the "advanced casting of multiple spells". Basically, it's a Pokemon Go-style step into the Harry Potter universe, giving everyone another augmented reality mobile game to get addicted to. And, it's from Niantic, the developers behind said game, who have teamed up here with Warner Bros. Interactive Entertainment. When Harry Potter: Wizards Unite was first announced, Niantic noted that "players will learn spells, explore their real world neighbourhoods and cities to discover and fight legendary beasts and team up with others to take down powerful enemies" — in case you were wondering how it might emulate Pokemon Go. It also said the game "will leverage the full stack of the Niantic Platform while also providing an opportunity to pioneer all new technology and gameplay mechanics". That's about all we know for now — although you can check out the teaser below: It's up to you to protect the wizarding world. Enlist immediately for the Statute of Secrecy Task Force: https://t.co/b9UtoUA3gS #WizardsUnite pic.twitter.com/2NSlOpgj3W — Harry Potter: Wizards Unite (@HPWizardsUnite) November 14, 2018 For more information about the game, you can sign up for updates via www.harrypotterwizardsunite.com.
After eight seasons, a huge body count and an enormous wait for winter, Game of Thrones is coming to an end in 2019. But that doesn't mean saying goodbye to the world first created by author George R.R. Martin — not only thanks to the author's books, whenever The Winds of Winter eventually hits shelves, or even simply due to the planned prequel series. In addition, fans will soon be able to visit a heap of new GoT tourist attractions. After filming much of the show in Northern Ireland for the past decade, HBO has announced that it's teaming up with Tourism NI to open a number of sets and sites to the public for the first time. If you've ever dreamed about walking around Westeros, this will be your chance. Winterfell, Castle Black and King's Landing are among the iconic spots that'll feature in what's being called Game of Thrones Legacy. Visitors won't just see the ancestral home of House Stark, the headquarters of the Night's Watch or the capital of the seven kingdoms, but also view exhibitions complete with costumes, props, weapons and set decorations, plus art files, models and other production materials. There'll also be accompanying digital content and interactive materials, highlighting GoT's digital effects. Given that the show includes both dragons and wights, aka Martin's version of zombies, there's plenty to showcase. The project is still in an exploratory process, with full details still to be revealed, but a 2019 opening date has been slated. Seeing as though the show's final season will air next year, that timing is hardly surprising — you'll probably be able to find out whether Jon Snow really knows nothing, and then head to Northern Ireland to visit many of his haunts.
When the full trailer for Squid Game season three kicks off, the competitors hear words that are inevitable in this series: "the game will begin momentarily". But new rounds of the show's life-or-death contest aren't just starting this time around. This is the Netflix hit's third and final season, so these deadly matches are also coming to an end — with pleas, big reveals and truths, mazes, jumping rope and more. Squid Game is dropping its last batch of episodes on Friday, June 27, 2025 — and as the days count down until that huge streaming moment, Netflix has revealed its biggest sneak peek at what's to come yet. The complete trailer arrives just under a month after season three's teaser, which made it clear that it's set to play one last time, that Seong Gi-hun (Lee Jung-jae, The Acolyte) is back in the game, that the Front Man (Lee Byung-hun, The Magnificent Seven) makes a return, and that a huge gumball machine with red and blue balls pops up. Competitors in green tracksuits, pink guards signalling plenty that's ominous: they're all accounted for as well. After season two's cliffhanger, Player 456 isn't thrilled, either, in the latest sneak peek. "Why did you keep me alive?" is just one of the questions that he's seen and heard shouting. By now, everyone knows the Squid Game concept: in this award-winning series, trying to win 45.6 billion won means battling 455 other players to the death. Fans will also know that Player 456 went back in the game with new fellow competitors for company in season two, then found himself closer to the person pulling the strings than he knew. However his efforts pan out this time around, the show's last run will feature a finale written and directed by series creator Hwang Dong-hyuk. In Squid Game's second season, Gong Yoo (Train to Busan) also returned as the man in the suit, aka the person who got Gi-hun into the game in the first place — and so did Wi Ha-joon (Little Women) as detective Hwang Jun-ho. That said, a series about a deadly contest comes with a hefty bodycount, so new faces were always going to be essential. That's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all came in. If you've somehow missed all things Squid Game until now, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. As a result, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the full trailer for Squid Game season three below: Squid Game season three streams via Netflix from Friday, June 27, 2025. Season one and two are available to stream now. Images: Netflix.
Right near Paddington's well-known Five Ways junction, a vintage set of Swedish industrial windows give way to Saint Cloche, an independent art gallery championing contemporary Australian art and some of the best fresh creatives behind works worth investing in or simply observing in-person. Inside the space, concrete, glass metal and polished marble provide the ideal blank canvas for a number of exhibits, works and installations thoughtfully chosen by gallery founder and curator Kitty Clark. At any given time on display you'll find art from many disciplines and mediums, including painting, photography, ceramics and sculpture created by both up-and-coming and well-established artists — all in a non-intimidating setting that draws prospective collectors in and encourages aficionados to better connect with the work. Saint Cloche also exclusively represents an excellent lineup of local artists including Leanne Xiu Williams, Saxon Quinn and Evi O for any purchases of works or potential commissions, should you be in the market for a specific special something. The space is also available or functions, as well as hosting a number of artistic workshops throughout the year. Saint Cloche opening hours Wednesday to Saturday: 10am-5pm Sunday: 11am-4pm Monday and Tuesday: By appointment only Public Holidays: Closed For details of upcoming shows or to peruse works available for purchase visit the website. Images: Kitti Gould
Arcade Fire already established themselves long ago as pioneers in the realm of music video interactivity: 'We Used to Wait' used HTML5 and Google Maps to feature the viewer's own home in the video, and a flock of new windows popped open all over your screen as the song progressed, birds flying in each of them. 'Neon Bible' similarly tapped new technology to create a fresh way of experiencing the band's sounds. Now the band has shown it has the finger on the pulse once again, with a dazzling interactive video (one of two videos, actually) for their song 'Reflektor'. Between its groovy beat and whisperings in French, 'Reflektor' is already uber cool. But the video Just A Reflektor, filmed in Haiti, is next level: a short film whose visuals you can affect, just so long as you have three basics of the modern tech era: Google Chrome, a computer webcam and a tablet or smartphone. That's when the real magic begins. Director Vincent Morisset takes us on a journey with a beautiful young woman who switches between her world and ours. Dancers in motion-tracking costumes, gyroscopes and mixed video assets add to the technological melee. Depending on how close you wield your handheld device to the screen, and its tilt, you can watch the action unfold from a variety of viewpoints and both conceal and reveal what you're seeing via whacky kaleidoscopic tunnel vision. Presto: the theme of reflection is seamlessly woven into the multimedia experience, with light effects swimming over the screen at your command in ways that are totally mesmeric and super fun to play with. The team consciously aimed for a strong visual metaphor that would chime with the song's lyrics, as you can see in the behind the scenes video below. They've even made it possible for computer geeks to mess around with the code, which is downloadable from the Just A Reflektor Technology page. Via PSFK
A Turner Prize nominee, filmmaker and painter, British artist Tacita Dean is one of the biggest names in the contemporary art world. In a Sydney exclusive, you can experience the largest exhibition of Dean's work ever seen in the southern hemisphere at the Museum of Contemporary Art Australia until Sunday, March 3, 2024. [caption id="attachment_931792" align="alignnone" width="1920"] Tacita Dean, The Wreck of Hope, 2022, credit Zan Wimberley, Museum of Contemporary Art Australia, 2023, image courtesy the artist[/caption] Tacita Dean is part of the Sydney International Art Series this summer, which brings works by internationally renowned artists to museums in Sydney every year (and also includes a major Kandinsky retrospective and a comprehensive showcase of works by Louise Bourgeois). Curated by MCA Director Suzanne Cotter and Senior Curator of Exhibitions Jane Devery, the exhibition features new and recent works, including many previously never seen Down Under. Tacita Dean showcases the artist's diverse practice and artistic range, encompassing film, drawing, photography, printmaking and collage across themes such as chance, memory, history and time. Touching down from Paris for the first time in Australia is Dean's film installation Geography Biography, described by the artist as an 'accidental self-portrait.' This significant new work sits alongside monumental chalk drawings The Wreck of Hope and Chalk Fall, which delve into climate change and the fragility of our planet. Another notable highlight is a group of works that resulted from the artist's designs for The Dante Project — a collaboration with choreographer Wayne McGregor and composer Thomas Adès for The Royal Ballet in London. Central to this presentation is Paradise: a mesmerising 35mm Cinemascope film shown in the ballet's final act. [caption id="attachment_930082" align="alignnone" width="1920"] Tacita Dean, Paradise (film still), 2021, with music, Paradiso by Thomas Adès, 35mm colour anamorphic film, image courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York, Paris and Los Angeles, © the artist[/caption] Suzanne Cotter shares, "Tacita Dean is undoubtedly one of our greatest living artists and truly an artist that speaks to our contemporary moment. Aesthetically seductive and scintillating in its intelligence, her work is a profound and poetic response to the world as visual sensation and as a metaphor for time – a historical, geological and phenomenal – and the interconnectedness of people, places and things." Tickets are $25 for adults, $18 for concession and free for those 17 and under. Or, if you want to explore the expansive exhibition for free, hit up the MCA on Wednesday, January 31. The gallery is waiving the entry fee for everyone for this one day. Just head over to Circular Quay between 10am–5pm — no booking required. The exhibit was made possible with the support of the NSW Government through its tourism and major events agency, Destination NSW. Buy tickets and find out more at the MCA's website. Top images: Tacita Dean, The Wreck of Hope, 2022, credit Zan Wimberley, Museum of Contemporary Art Australia, 2023, image courtesy the artist; Tacita Dean, Geography Biography, 2023, Bourse de Commerce - Pinault Collection, 2023, image courtesy Pinault Collection, © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier, photograph credit: Aurélien Mole; Tacita Dean, Sakura (Jindai II), 2023, installation view, Museum of Contemporary Art Australia, 2023, image courtesy the artist and Frith Street Gallery, London © the artist, photograph credit: Zan Wimberley; Installation view, Tacita Dean, Museum of Contemporary Art Australia, 2023, image courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York, Paris and Los Angeles © the artist; Tacita Dean, Paradise (film still), 2021, with music, Paradiso by Thomas Adès, image courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York, Paris and Los Angeles, © the artist; Tacita Dean, Geography Biography, 2023, installation view, image courtesy Pinault Collection, © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier, photograph credit: Aurélien Mole
For years, Foxtel has been Australia's main source for HBO series, airing everything from Game of Thrones, Westworld and Succession to Chernobyl, Veep and Big Little Lies. And, if you weren't signed up to the pay TV service, that meant streaming your favourite shows via its online platforms — such as the now-defunct Presto and the currently available Foxtel Now. From Monday, May 25, Aussie TV fans will have another option: new streaming service Binge. While Foxtel Now isn't going anywhere, the Foxtel-run Binge works more like Netflix, Stan, Amazon Prime Video and their long list of competitors. So, rather than replicating Foxtel's channel packages via an online platform, requiring you to pick and choose different options depending on whether you're eager for sport, movies or drama, as Foxtel Now does, with Binge you'll pay a flat fee to gain access to everything. On the TV lineup: all of the aforementioned HBO programs, plus older faves such as The Sopranos, The Wire, Six Feet Under, Sex and the City and Girls. After HBO's new US streaming service HBO Max launches in the US on May 27, Binge will also feature scripted shows from the platform, such as the new Gossip Girl reboot. And, working with companies such as WarnerMedia, NBCU, FX, BBC and Sony, it'll boast plenty of other highlights — including classic comedies like Seinfeld, The Office, 30 Rock, Parks and Recreation; crime thrills thanks to Law & Order and NCIS; new releases like Breeders and Mrs America; documentaries such as Planet Earth; and competitive series including the Amy Poehler and Nick Offerman-hosted Making It. https://www.youtube.com/watch?v=NhWFiFfrbY0 Kicking off with more than 10,000 hours of content, Binge's catalogue will also feature a heap of movies — think flicks from the Fast and Furious, Jurassic Park, Mission: Impossible and DC Universe franchises; films from directors such as Steven Spielberg, Christopher Nolan, Martin Scorsese and Quentin Tarantino; and newcomers like the Hugh Jackman-starring Bad Education. And, if you're eager for recommendations — and not just from an algorithm — it'll include curated collections that'll steer you in different viewing directions. You can also select 'binge' or 'surprise me' options, which'll do the choosing for you. Price-wise, Binge will cost $10 per month for one SD screen, $14 per month for two HD screens and $18 per month for four HD screens, with a two-week free trial also available when it kicks off. Users will be able to access the service online, and via Android TV, Apple TV, Telstra TV, Chromecast, tablets and mobile devices. https://www.youtube.com/watch?v=MuB2VNA8MLQ&feature=youtu.be Binge launches on Monday, May 25. For further information — or to sign-up — visit the platform's website. Top image: Game of Thrones, Helen Sloan.
When he penned The Beach, the 90s-era must-read novel that became a Leonardo DiCaprio (Killers of the Flower Moon)-led movie and started his own working relationship with filmmaker Danny Boyle (Yesterday), Alex Garland told a tale of shattering the Thai holiday idyll. As his backpacker protagonist travelled to Asia, pure shores gleamed, but the supposedly utopian community on a hidden coastline that he sought, and found, was never destined to fulfil the promise of beyond-the-postcard perfection. Garland soon moved to screenwriting, kicking off the 28 Days Later franchise with Boyle and reteaming with the director on the also Cillian Murphy (Small Things Like These)-starring sci-fi gem Sunshine. Grim realities lurk in both, after an escaped virus sparks a zombie pandemic that shatters life as everyone knows it, and on a space mission to attempt to reignite the dying sun. Warfare, Garland's sixth project as a director himself, also has that familiar idea in its sights: that grasped-onto perceptions, facades and status quos always crumble or conceal horrors, or both, as driven by human nature. The same concept has proven a part of his other works as a filmmaker, starting with 2014's tech nightmare Ex Machina, then continuing through fellow movies Annihilation, Men and Civil War, plus TV series Devs — and before them, on screenplays for Never Let Me Go and Dredd. It's reasonable to expect Garland and Boyle's upcoming 28 Years Later, as well as its sequel 28 Years Later: The Bone Temple (written by Garland but helmed by The Marvels' Nia DaCosta), to continue the trend. Warfare is that idea put into action, however, by the feature's entire existence and purpose. Co-directed with former Navy SEAL and Iraq War veteran Ray Mendoza, drawing solely upon the latter's memories and those of his platoon during a 2006 mission in Ramadi, unfurling in real time and playing out as almost one entire hellish scene, it is as committed to depicting the nightmare reality of combat, and immersing its cast and audience in it, as is cinematically possible. The picture's singular focus and sensory saturation relies upon a valid assumption: no one is watching this in a vacuum, so no one needs the feature to spell out the context, let alone overtly express anything but total realism. The latter conveys everything anyway, and anything more vocally pointed would be beside the point. Warfare is "simply us accumulating memories, accumulating bits of information and trying to piece together what happened", Garland tells Concrete Playground. "The intention is to try to understand what happened in a sequence of events. There is no hero. There is no protagonist, because at different times different people are doing different things, and sometimes they're doing it concurrently." For D'Pharaoh Woon-A-Tai (Reservation Dogs), who portrays Mendoza as the film follows his unit on a surveillance mission surrounded by insurgents, it's pivotal that "we don't glorify anything, romanticise, make anything up. Almost all the words you hear in there are from actual memory. Everything is basically from memory," he shares. "The audience is an adult. This is not a film for children. It's a film for grownups, right? It's a film for people who live in the fucking world, right? And any adult who does not have an understanding of the Iraq War and why it happened and how it happened is an idiot. It is all available to them to find out. It's a huge global event, and if they have no historical and intellectual curiosity, that is on them. That's not on the film," Garland says, chatting about his second movie in a row, after Civil War, where the justified lack of an all-caps-style, shouting, hand-holding agenda has become a talking point, much to his frustration "I think that the concept behind that is so lazy, and it comes from a culture that we exist in at the moment where you are not allowed to offer something into the world unless you're making your private agenda clear. And I don't like that. I object to it. Because what it means is all information that is put out into the world is attached to an ideology, which means that either people are being reassured or they're feeling attacked. And some people like to be reassured and some people like to feel angry that they're being attacked, and it's juvenile, it's childish," Garland continues. "It's important: if you're going to understand something about how horrific war is, you need to be able to look at it and you need to be able to trust the information. And if we attached an agenda to it, it would make the information untrustworthy, and then we would have failed in our objective. It was the same dreary, whiny bullshit with Civil War as well, and I thought it was lazy, I thought it was unsophisticated and I thought it was dishonest. It was effectively people saying 'why aren't you agreeing with me?' — and that is the same [here]. That is what our polarised state is." For Warfare's cast, enlisting for the movie was as close to that — enlisting — as a film production can get. Before the cameras began rolling for the impressive lineup of Woon-A-Tai, Will Poulter (Death of a Unicorn), Cosmo Jarvis (The Alto Knights), Joseph Quinn (Gladiator II), Charles Melton (May December), Kit Connor (Heartstopper), Michael Gandolfini (Daredevil: Born Again), Noah Centineo (The Recruit) and more, they went through a Mendoza-led three-week boot camp. During that phase, the group spent every moment together, even when they weren't specifically training. Speaking with us, Woon-A-Tai and Poulter stress how crucial the bond that the actors formed during that experience was, for them and for the picture. Mendoza is equally as adamant. His dedication to authentically recreating what he went through, plus his fellow soldiers like Elliott Miller (who can't remember it due to the traumas of the incident, as viewers witness, and who Jarvis plays), couldn't be more apparent. Enforcing the hierarchies of their characters in the film, mirroring leadership positions and communication channels, shaving each other's heads: that was all built into the boot camp. "Quickly, I think it was very unique and very different on this set compared to others," explains Woon-A-Tai. "First and foremost, I haven't played a soldier prior. I haven't been on a set that had a war — a war set — before. So I'm new and I don't understand it. But what was different that I do acknowledge is that the position that Will Poulter here, and Charles Melton and Joseph Quinn, were in," he continues. "They knew our schedule, which is not common. If I wanted to know what we're shooting that day or when's lunch or et cetera, even to ask to use the restroom, I would go to Will. And that was set up perfectly by Ray and by Alex, and also these gentlemen right over here, who I just said before, who filled in those shoes very quickly, to keep that leadership position going on-screen and off-screen. And that was beautiful." Not its stars, not Garland, not Mendoza — who worked as the military advisor on Civil War, following technical advisor jobs on the likes of Lone Survivor, Jurassic World, Mile 22, The Outpost and The Terminal List — and not audiences: no one should quickly shake Warfare, its like-you're-there naturalism and its distressing-by-reality portrait of war after viewing. With Woon-A-Tai, Poulter and its two directors, we also unpacked that key preparation process, the film's long-take visual style, why its vision of battle stands out, human nature and physically demanding productions, among other subjects, including Civil War's potential premonitions. On the Importance of Warfare's Pre-Shoot Boot Camp in Cementing a Bond Among the Cast and Helping Them Respond Authentically to Such a Testing Experience On-Screen Will: "Absolutely pivotal and central to everything that we did. And the boot camp was really the environment that fostered those bonds and allowed us to develop very sincere, authentic and real relationships and understandings between each other. I think the boot camp really served two purposes as far as us being able to execute the objective of this project. First was the emotional side of things, and those bonds that I mentioned. And then, second I think was the development of a skill set to be able to put our best foot forward as far as accurately representing Navy SEALs. And as actors, we were under no illusions about the massive gulf between us and the real individuals who serve, and the women and men who operate at that level. But Ray is a fantastic instructor — both a great teacher and a great director — and so he really couldn't have put us in a in better stead to replicate seal culture to the best of our abilities." D'Pharaoh: "And plus, if we didn't prioritise working on this bond from the jump, you would honestly see a different result on-screen, I'm sure." Ray: "It was extremely important, actually. It was one of my three critical nodes of what I wanted to do, not only just for the practicality of what you mentioned, and as it contributed to the brotherhood and what we would eventually see on film or on the screen, but I just wanted them to experience something that they could take away for the rest of their lives as well. Just the concept of the team before self, what it means to sacrifice, the burden of leadership, identifying everyone's weaknesses and strengths, and how they can help each other, essentially. There's a concept that we're only as fast or as strong as our slowest or weakest person. And then, applying those principles, all that stuff is what they were using to draw on in regards to their performances, as you mentioned. So it was a super important. It was one of the things I focused on the most." Will: "I think the guys, obviously from the point of signing on, began to just engage in even more physical conditioning and whatnot to make sure that we're all showing up to boot camp in the best shape possible. But, really, I think what we all experienced — at the risk of speaking for anyone, but I feel like I can safely generalise in this by saying that I think physically and mentally, especially, it pushed us all further than we were even necessarily prepared for. And that was absolutely necessary. A fundamental part of the story is a response to things going wrong and loss, and the reaction to that. And it's typical of Navy SEAL training to analyse how people respond to duress, and how they respond to things going wrong, and what their reaction is to things being especially difficult, and that was integrated into the training. So regardless of what individual preparation we've done, the boot camp really became defined by how we'd respond to things that Ray knew would lead us to fail." On Woon-a-Tai's Task Portraying Mendoza — While Mendoza Was Co-Directing the Film D'Pharaoh: "Of course I have a sense of responsibility that I represent this man on-screen for countless of people to watch it. And but in all honesty, though, he had way more pressure on his shoulders than I could ever have. So I don't really want to sit here and tell you how much pressure I had because, yeah I did, but it was also very much a gift. The fact that I was the only one to have to have my guy be there every single day, I can't complain. And as much pressure as it was, I wouldn't have did it any other way or wanted to do it any other way. But really, Ray had way more pressure on his shoulders than I could have ever had. He's telling the story on behalf of his personal story and the people, their personal stories who were there, but also countless other veterans who served in multiple different wars who can relate to that exact same story. And sadly, maybe in Hollywood, the depiction of a lot of stereotypes in the military community that he was breaking down with this film." On How Garland and Mendoza Came to Reunite for Warfare After Civil War Alex: "We got to know each other during the shooting of Civil War. Ray was a military advisor, and the idea to work together in a really concrete way arrived in post-production with Civil War. Ray and I had stayed in touch. Ray had some project he was working on and we discussed it — and I was very interested in some of the sequences that Ray had choreographed, and some of the qualities of realism that Ray introduces because of his experience prior to working in the film industry. And so I approached him saying 'would you be interested in working together to make a real-time movie that attempted to be forensically accurate about combat and removed some of the tricks and devices of cinema?'." On the Cast's Experience Working with Co-Directors with Completely Different Backgrounds and Skill Sets Will: "It's very, very cool to see two very authoritative leaders practise the humility and self-awareness that is required to co-lead a project like this, while never stepping on each other's toes — and both, I suppose, leading in their own ways and based on their own areas of expertise. Alex will be the first to say that Ray naturally ought to lead on anything that related to the experience of being at war, and anything that we were doing, I would say, sort of from an emotional standpoint — and anything that pertained to operating like a SEAL. And then I think Ray would also readily admit that Alex took slightly more of a lead when it came to the camerawork and things that related to technical direction. And they were a brilliant complement to one another." On Using Long Takes, and the Pros and Cons of How One-Shot Scenes Can Immerse Audiences and Create an Unrelenting Sense of Tension Alex: "Right or wrong, that would be, in a way, for other people to decide. But what I would say is that me personally — this is just me — I find that, for example, scenes that are all shot in a oner, where there's no cuts, I find I start to think about the filmmaking more than what is happening on-screen. So I get detached from the characters. I get detached from the narrative. And I start thinking 'where are the secret cut points?' or 'how did they orchestrate this movement through the door or over the car?' or whatever it happens to be. So I find it distancing. And what I think is, while we're talking to each other now, at the moment I'm looking at the screen, so in a way that's a close-up — but sometimes I might look over here and then it's a wide. And actually the grammar of cinema, with edits between mids and close-ups and wides, is very like our experience walking down the street or talking to someone in a room. You're sat opposite someone in a restaurant, but then you see the waiter approach, it's turned from a close-up to a wide. You blink. There are these little sort of interruptions, which are very like edits. So for me, the most truthful version is actually the classical film version of moving between close-ups, mids and wides — whereas a oner, I find slightly artificial, and not how I experience the world, paradoxically." On the Difference in How Warfare Approaches the Depiction of War Compared to Other Films, How It Continues Activist Work and Why It Should Start Conversations Will: "I think one of the things that attracted me to this project was that it seeks to break with the conventions around how war is often depicted in Hollywood. I think the tendency within Hollywood when it comes to war is to mine warfare environments for entertainment. And a lot of the time in the depiction of war, American soldiers and British soldiers especially, their place in warfare environments and their actions are glorified and romanticised. And I was excited to be part of a project that sought to go against the grain in that respect, and really focus more on depicting the real-life events with a degree of objectivity that that rarely, rarely is seen in Hollywood. So that was a process that was too exciting to turn down. I think as a civilian, a lot of our understanding of war is based in these Hollywood recreations, and they don't necessarily optimise for truth and accuracy. So we stand to learn something potentially a bit new and a bit more truthful by watching a film like Warfare. And then also my hope is that veterans feel more accurately represented, and therefore at less risk of being misunderstood by the general public in respect of what they do and why they do it." D'Pharaoh: "So with this film, what I loved about it so much when I was reading the script and while we were shooting it is that we didn't romanticise anything. We didn't make anything up or make anything look cool. And one thing that I hope people will see with this is a sparked conversation on what happened in Iraq. I think that this is a film that doesn't have a bias. I feel like this film is more like a transcript. It just states what happened and that's it. And as audience members, we should leave the theatre talking about what happened over there — yeah, talking about what happened over there. So to answer your question about activism or et cetera, this a good part of that. I don't think I'm steering away from my activism at all. I think this is sparking conversation of what happened in Iraq. It's an important conversation to have. And to have a film that doesn't have a bias or doesn't make a stance, if you may, is a perfect example to have those conversations. Because we didn't glorify anything. We didn't make anything look cool. In my opinion and in my personal opinion only, it makes it seem like this film may not want people to join the military. I don't when I watched that movie." On How Mendoza Looks Back at the Iraq War with Everything That the World Knows About It Now, Including the Claims Used to Justify It Ray: "I think when I first heard, yeah, I mean I felt a little heartbroken about it for sure. Like, I did ask myself 'what was it all for?'. There's a lot of good we did there — besides the mission set of, like 'all right, we're a direct-action force, we get tasks given that we do missions'. But there's a lot of humanitarian effort when you coexist with the people of that country. There's a lot of good humanity. You see the full spectrum, of the worst side of humanity to the best side of humanity, on both sides. And we took a lot of autonomy to do, outside of the scope of our mission, to do as much good as we could. Because when you're there and you see people that are in need — there were people that were being oppressed, whether you agree with me or not; I was there and we saw it — and we helped a lot people. Didn't have to. It wasn't something that was passed down as a policy. We're occupying their country. We would go into these people's homes — and not there for them, but just using it as depicted in the movie, as a position to use, to observe or to operate out of, and you learn a lot about them. I'm not there to hurt them. It's just we're using the home for what we need it for. And so yeah, you just learn and you want to help where you can. And there's a lot of assets we have — or whether it's just providing water or colouring books, or aid stations for battered women or battered children or foster children. So there's a lot of good we did, and that's the only salvageable thing coming out of that. Even though ISIS came back in and took it over, there's a lot of good done there. I guess that's the only way I can really live with it." On What Garland Has Learned About Human Nature Through Interrogating It On-Screen and on the Page Across His Career Alex: "I would say that part one of the answer is in what Ray just said, which is that Ray is speaking from the point of view of someone who's seen a lot of combat, and spent a lot of time at war and involved in the military. But what you can hear is — I can hear, I'm sure you can hear — is a concern for compassion and a desire to have done something good, even amidst a dreadful, horrific situation. Ray said 'this is what I can salvage from this in order to live with it, is that some good was done'. And I think that one crucial part of the human condition is that most people have a desire for goodness. And I think the other part that I've observed is that we seem to all suffer from a kind of Alzheimer's-like dementia, where we are unable to remember things for very long. So important lessons can be learned. I was born in 1970. I thought there were some lessons that were learned from the Second World War that would never be forgotten, and now I'm 55 and many of them have clearly been forgotten. There were lessons learned from Vietnam that should never have been forgotten, and then they were forgotten. And there will be lessons learned from Iraq, should be remembered, have been forgotten. And so it goes on. So a good example for me right now is that you have the leader of the most-powerful democracy in the world rather casually talking about militarily owning their sovereign peaceful neighbour, as Greenland. To me, a world leader, particularly an American world leader, in the immediate memory space of some of these things, would simply never talk like that. You could only talk like that if you've forgotten many important lessons. So goodness and dementia would be my takeaway." On Whether Poulter Enjoys Taking on Parts in Physically Demanding Productions, with Warfare Joining The Revenant on His Resume Will: "I think I do. I've been very fortunate to have those opportunities first and foremost, so I'm grateful for them. That's, I suppose, the overbearing feeling around it. But where possible, I do like to expose myself to those sort of challenges — and comparable in the sense that I guess it definitely was a test from a mental and physical standpoint. And I think that, to a degree, I couldn't necessarily have done this had I not gone through certain challenges prior. But this is totally unique in respect of what a team-orientated and collectivist process it was, and that's what I'm most grateful for. I think that we all practise this idea that we were all a team before we were individuals, and the bonds that we formed are truly unlike anything else I've experienced. So that's what I'm most grateful with in respects of Warfare, and it's the feeling that I'm left with — and I imagine will be left with long after this film was released." On If Anything Else on Woon-A-Tai and Poulter's Resumes Helped Them Prepare for Warfare D'Pharoah: "No. This is such a completely different role for me, and the fact that I had Ray Mendoza there for me by my side throughout the whole process, it would have felt very disrespectful to do anything opposite of what he wanted." Will: "There was only one other role that comes to mind for me. I was involved in a sort of satirical film that was kind of a critique, I suppose, of war, and it was called War Machine. And I played a US Marine and took part in a boot camp. And that was certainly helpful as far as being able to predict, to some degree, how close we would all get over the process and what would be required of me in a leadership position. But also to echo D'Pharaoh's point, this film broke with convention in so many ways and was so unique that really, it sort of exists in a category of its own, both as an experience and as a film." On Whether Garland Feels Like Civil War Was a Premonition — and If It That Was the Sense While Making It Alex: "At the point of writing it, it felt to me like many people were having the concerns that were reflected in the script. At the point of making it, then January the 6th that happened, where American law-enforcement officers were attacked brutally, and the seat of government was attacked brutally by someone who was denying an electoral result. And now that person is floating, in a sort of mischievous but also serious way, about a third electoral term, which means changing the constitution. It's not exactly that it's changed — it's more that it hasn't changed. So all of these conditions existed back then and they still exist now. I think they probably have gotten more serious. I think they probably have gotten more dangerous. The strange thing for me is that the fever hasn't broken. That something as basic as wanting to stick up for Capitol law-enforcement officers is somehow not possible in these conditions. It's a very, very strange situation." Warfare opened in cinemas Down Under on Thursday, April 17, 2025. Images: Murray Close/A24.
While Sydney's beaches are hard to beat, the coasts, both north and south of the city, are home to some breathtaking stretches of ocean. And, if you're looking for something other than your usual beach outing, those coasts are also home to heaps of ocean pools. Sheltered or battered by waves, lap pools or true swimming holes, hidden behind cliffs or right on the beach — our coast has it all. Here's our list of the best ocean pools near Sydney, all of which are free to the public and open all year round. Recommended reads: The Best Ocean Pools in Sydney The Best Natural Springs in NSW The Best Coastal Walks in Sydney The Best Beach Camping Sites in NSW [caption id="attachment_755793" align="alignnone" width="1920"] Destination NSW[/caption] THE BLUE POOL, BERMAGUI Located about a five-hour drive south of Sydney, The Blue Pool at Bermagui will require you to book an overnight stay — but the road trip will be well worth it. This Sapphire Coast gem is set on a sheer cliff that juts out into the ocean and is the ideal spot to watch the sunset in warmer months. It's located just off Pacific Drive and is equipped with recently built showers, toilets and changing rooms. The rock pool often boasts impossibly clear blue waters and is a favourite among snorkellers. Apart from the concrete and railed steps down to the pool, this bath really feels like it's part of the ocean. From September–November, you'll find the space teaming with whale watchers, who sit along the viewing platform for unbridled coastal views, too. [caption id="attachment_755795" align="alignnone" width="1920"] Russell Street via Flickr[/caption] COALCLIFF ROCK POOL, SOUTH COAST Created in the 1920s, the Coalcliff Rock Pool is tucked away on the coast of Leeder Park, set on the southern tip of Coalcliff Beach. The pool is a go-to for local swimmers all year round, but you can expect it to be a little busier (and warmer) during the summer months. The secluded swimming spot also offers panoramic views across the South Pacific. Up at Leeder Park, there are picnic areas, walking tracks, shower facilities and free parking, too. Or, if you're keen to traverse by foot, you can also walk along the incredibly idyllic Sea Cliff Bridge. Then, jump in your car — or on the train, there are stations at both Coalcliff and Coledale — and head to the Coledale Rock Pool. The two-in-one trek is easily doable as a day trip from Sydney. COLEDALE ROCK POOL, SOUTH COAST The vast rocky landscape down at Coledale Beach gives the spot a real 'edge of the word' vibe — so much so that its deeply carved rock pool just looks like part of the landscape at high tide. A closer look toward the beach's southern end reveals a large lap pool that runs off directly into the expansive ocean beyond. The pool offers both a shallow and deep end, which means it's ideal whether you're looking for a casual place to cool off or are a serious swimmer wanting to do laps. It's also a quick 1.5-hour train from Sydney and within walking distance of the station, with changing rooms and showers available at the top before you head down to the rocks. [caption id="attachment_755789" align="alignnone" width="1920"] Destination NSW[/caption] BOGEY HOLE, NEWCASTLE Newcastle's Commandant's Baths is one of NSW's oldest human-made ocean baths. The heritage-listed ocean pool was cut into the sandstone rocks by convict labour in 1819 — yes, a whopping 200 years ago — and is now called the Bogey Hole, which comes from the Dharawal word meaning 'to bathe'. The 1.5-metre deep pool is set within a base of cliffs near Shepherds Hill and can get seriously rocked by waves spilling over from the ocean, so beware if you're expecting a more relaxed swim. But, for those looking for a little adventure, it's a must see — and it's worth the drive up to Newcastle, which is home to many great swimming spots (we'll get to the others in a second). THE ENTRANCE OCEAN BATHS, CENTRAL COAST The Central Coast is home to its own heritage-listed ocean pool dubbed The Entrance, and it includes a 50-metre, seven lane Olympic-sized lap pool — plus a separate 22-metre pool for more casual swimming and a wading pool to boot. Constructed in the mid-1950s along Ocean Parade, it replaced an earlier iteration called Roberts' Pool, with the aim to bring the baths closer to the Entrance Beach shoreline. As with the others, it's free of charge and open to the public year round. It also boasts heaps of nearby amenities and a kiosk for post-swim bites. The Entrance Ocean Baths is the only ocean pools in the Central Coast region, too. [caption id="attachment_755791" align="alignnone" width="1920"] Destination NSW[/caption] NEWCASTLE OCEAN BATHS, NEWCASTLE The Newcastle Ocean Baths particularly stands out because of its art deco-style pavilion and striking water's-edge setting, sat high above the rocky coast. It's arguably the most popular ocean lap pool in the area, but it's big so you (hopefully) won't be kicked in the head with a flipper while swimming around. It's also situated just next to the Merewether Baths, and both pools are open all year round. Built back in 1922 and 1935, the baths are both heading towards the big 1-0-0 and the City of Newcastle is seeking expressions of interest to redevelop both pavilions, so you may see some major changes to the pools down the track. [caption id="attachment_755788" align="alignnone" width="1920"] Andrew Gregory for Destination NSW[/caption] WHALE BEACH ROCKPOOL, NORTHERN BEACHES Located at the southern end of Whale Beach, this 25-metre-long rock pool fills at high tide. It's the less crowded southern cousin to Palm Beach, so you'll have much more space for splashing about. Its stone walls give the pool a green tint typical of chlorinated swimming pools, but rest assured it's all natural ocean water here. A swim at this rock pool also offers unrestricted views out across the South Pacific. Once you've finished your swim, head to the barbecue area for lunch. Then be sure to take the short 15-minute stroll to the Careel Head Lookout for more stunning views before you head off. Top image: Newcastle Ocean Baths by Destination NSW.
Remember when discovering new music meant listening to mix tapes? Like, actual cassettes? And how you couldn’t even find out the name of the song you liked most because WebFerret didn’t account for the fact that you had misheard the lyrics? A lot of romanticism surrounds the idea of obsolete technology, but you have to admit that the idea of merely pressing a button on your iPhone to figure out what you’re listening to is an attractive proposition. Rdio recently threw parties in Sydney, Brisbane and Melbourne to celebrate the unlimited social music service coming to our shores. Spotify has been a lot slower to sort itself out, despite declaring it would reveal Australian launch plans in late March. In the meantime, here are eight cool music discovery apps you can access right now. 1. RDIO Rdio has been the redeemer, saviour and friend of everyone who can’t access Spotify, Pandora or Grooveshark because of annoying “Not Available in Your Country” screens. If you already know what you’re looking for simply search by name, add it to your collection or add it to a playlist. If the artist isn’t too touchy about the idea of free music you can also sync songs and albums to your iPhone and listen to them even when, God forbid, you’re without Internet. Rdio also lets you “follow” users whose tastes you admire and pick their brains/music collections. Free, also available on Android. 2. TUNEIN RADIO There’s a reason smartphones don’t come with a built-in radio, and that reason is TuneIn. With over 50,000 stations and 120,000 shows for you to choose from, TuneIn allows you to search both local FM and overseas stations as far away as Antarctica (at the moment the South Pole is all about folk music). The app will also scan your music library and make radio station recommendations accordingly, and tracks your data usage so you can monitor your addiction to Radio Kishi Wada closely. Free, also available on Android. 3. SHAZAM ENCORE Simply press a button, hold your iPhone up to a source of music and the 9th most downloaded app of all time tells you what’s playing. iTunes recommends you use it during American Idol to get the song lists, but other options include discovering new music in Shazam Friends & Charts, finding more tracks by tagged artists and using it in conjunction with TuneIn Radio. $6.49, also available on Android. 4. SOUNDHOUND Got an extra dollar and a knack for emitting continuous droning sounds? Upgrade to SoundHound and you can identify songs by humming them. $7.49, also available on Android. 5. SONGKICK Let it scan your music library and reveal the touring dates of all your favourite artists, or plug in your geographical region and scroll through a calendar of all the live shows in your city. There’s nothing like seeing a live gig to get you amped about a new band. Free. 6. DISCOVR MUSIC If you’ve always wanted to be one of those people who discovers cool new bands but just really can’t be bothered, Discovr is for you. Just type in the name of any artist you like and the app will give you a whole bunch of similar ones in the form of a nice-looking web. Double-click to find out more about a particular artist, or keep expanding your web until Neon Indian connects with The Electric Prunes. $1.99, also available on Android. 7. POCKET HIPSTER It’s probably no longer cool since everyone found out about it, but it’s still hilarious. If you’ve ever had a friend who raked through your music collection before mocking it and making suggestions about how to make it cooler, you’ll have some idea of how it works. Bonus points for spot-on animations, snarky quips and the way it lets you pretend their suggestions aren’t cool at all before sneaking over to iTunes to download them. Free. 8. CHOMPIN Browse through genres and listen to suggestions, and “chomp” things you like. Chomping a track saves it to your phone so you can listen to it whenever, and lets you tell your friends when you’ve found something worthy — sort of like Pocket Hipster in reverse. Free, also available on Android.
Heartbreak High obsessives, your time is now: the 90s favourite has been revived by Netflix, bringing a new generation of Hartley High dramas into your streaming queue. Let's be honest — if you loved the show since way back when, it's always been your time; however, now you can experience the ups and downs of the Aussie series' next batch of high schoolers. A fan since the OG run, and always wished you lived in the show when you were at school? Just discovered the homegrown classic via the new version? Either way, if you're in Sydney on Saturday, September 17–Sunday September 18, you can nab some free threads to look the part. Netflix loves launching its big titles with pop-ups, and this one's no different — joining its The Gray Man barber, Stranger Things rift and Squid Game doll over the past 12 months. One thing that this boasts that those others didn't? That free clothing, with 1000 pieces up for grabs all up. Head along and you too can look like you've just stepped out of class — at a school that doesn't have a uniform, aka most teenagers' dream. Netflix has badged the pop-up a 'uniform shop' to fit the theme, though, but the range includes local designers and keenly sought-after thrifted items. Sydneysiders and folks who happen to be in town for the weekend just need to make a trip to 520 King Street in Newtown, where the thrift shop will be handing out pieces by HoMie, Clothing The Gaps, Jody Just, Off White and more. It's a first come, first served affair, and there'll be 500 pieces on offer each day. So, as always with give aways, getting in early during the shop's 10am–6pm operating hours is recommended. Given that the new version of Heartbreak High decks out its characters in everything from bursts of colour to grunge 90s attire, expect a variety of styles on offer. And, expect free temporary tattoos, too, as well as a photographer capturing high school portraits. If you haven't started your new Heartbreak High binge yet — which revives the 1994–99 show, which itself was a spinoff from the Claudia Karvan- and Alex Dimitriades-starring 1993 movie The Heartbreak Kid, which adapted the 1987 play of the same name — it starts with an unexpected fight between best friends Amerie (Ayesha Madon, The Moth Effect) and Harper (Asher Yasbincek, How to Please a Woman), plus a sex map charting who's hooked up with hook among Hartley High's year 11 students. Yes, that map is part of the Newton pop-up's artwork. Find the Heartbreak High Uniform Shop at 520 King Street, Newtown, Sydney from 10am–6pm on Saturday, September 17–Sunday September 18. Heartbreak High is available to stream via Netflix — read our full review.
Back in 1981, when Raiders of the Lost Ark made archaeologist Indiana Jones one of the biggest big-screen characters there is, it did so with fantastic casting. Harrison Ford added a new George Lucas-created franchise to his name after Star Wars and a hit was born — one that's still going a whopping 42 years later, including 39 years since Indiana Jones and the Temple of Doom gave it a sequel, 34 years since Indiana Jones and the Last Crusade initially seemed to wrap things up and 15 years after Indiana Jones and the Crystal Skull got things going again. The latest Indy entry: Indiana Jones and the Dial of Destiny, which arrives in cinemas this June. As well as bringing back its legendary star fresh from proving a cantankerous delight in streaming comedy Shrinking — yes, he dons the famous hat once more, in what's been dubbed his final appearance in the role — the new flick also makes a few fresh stellar casting moves. Getting Fleabag favourite Phoebe Waller-Bridge onboard is clearly one of them. Indiana Jones and the Dial of Destiny heads back to the 60s, and uses the Space Race between the US and the Soviet Union as a backdrop. And, as both the movie's initial teaser back in 2022, its sneak peek during the Super Bowl and now its just-dropped full trailer all show, Indiana Jones has his goddaughter in tow — with Waller-Bridge's Helena enjoying plenty of bantering, naturally, with the saga's namesake. Wondering what else is in store? In addition to Ford, Dr Henry Walton 'Indiana' Jones Jr's famous headwear and that whip — two different looks at Ford, actually, including Indy in the film's present day and Indy in the past, with the movie using digital de-ageing technology — there are Nazis to battle and the famous John Williams-composed theme soundtracking the action as well. Story-wise, the also supremely well-cast Mads Mikkelsen (Fantastic Beasts: The Secrets of Dumbledore) leads a group of Nazis trying to use The Dial of Destiny's titular trinket to change the past and claim power — a gadget that Helena has her own plans for in the name of capitalism. The archaeologist's latest outing brings in a few changes to the series, with Steven Spielberg (The Fabelmans) out of the director's chair for the first time ever, handing over the reins to Logan and Ford v Ferrari's James Mangold. And, Lucas doesn't have a part in the script, either, with Mangold co-scripting with Ford v Ferrari's Jez Butterworth and John-Henry Butterworth. On-screen, John Rhys-Davies returns as as Sallah, too, while Antonio Banderas (Official Competition), Thomas Kretschmann (Das Boot), Toby Jones (The English) and Boyd Holbrook (The Sandman) join the on-screen talent alongside Shaunette Renee Wilson (Black Panther), Oliver Richters (The King's Man) and Ethann Isidore (Mortel). And yes, if it's a big blockbuster franchise, it stars Harrison Ford, and it debuted in the 70s or 80s, then it's always coming back to the screen — as Star Wars: Episode VII — The Force Awakens and its sequels have, as well as Blade Runner 2049. Check out the full trailer for Indiana Jones and the Dial of Destiny below: Indiana Jones and the Dial of Destiny releases in cinemas Down Under on June 29, 2023. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.
It's impossible to be stressed when there's cute puppies around, which is as good a motto as any to live by. Are you the kind of person who gets tense rushing around airports, even if you've checked in early and you're heading off on your dream holiday — or you've just landed for a relaxing getaway? Here's something that'll help: for one day only at Sydney Airport, you can add spending time with tiny guide dogs to your trip. Guide Dogs NSW/ACT has dubbed its pop-up a puppy cafe, and sipping a cuppa while patting labrador puppies Aero, Pax, Kingsford, Syd and Amelia is on the agenda. You'll need to make a date with Café Veloce at airport's Domestic Terminal 2 on Thursday, January 18, however, and be around between 10–11.30am and 12.30–2pm. If anything is worth dropping your bags off well in advance of your flight or hanging around after disembarking, it's this. Tickets cost $15 for adults, and are only available at the door. Expect to have company — who wouldn't want to add some adorable Guide Dogs pups, which've been named the 'airport litter', to their airport visit? Attendees will also be surrounded by Therapy Dogs as well as the five Guide Dogs pups, and get a free coffee as part of the entry fee For Sydneysiders who aren't jetting anywhere anytime soon, you can still drop by, but you will need to go through airport security to get to the cafe. "For one day only, we are thrilled to open up our Guide Dog cafe in Sydney Airport where ticket holders can meet the gorgeous airport litter and learn about the wonderful work of Guide Dogs," said Guide Dogs NSW/ACT Puppy Development Advisor Sabrina Gabrielle "This day is all about highlighting the brilliant work that Guide Dogs does, raising awareness for our community and celebrating our wonderful Christmas appeal partnership with Sydney Airport." "It takes over two years and costs $50,000 to breed, raise and train each life-changing Guide Dog, including the pups we'll have at our cafe. Through this event we want to recognise the crucial role all of our dogs play in helping Australians living with low vision and blindness lead a life without limits." The Guide Dogs pop-up puppy cafe will be at Café Veloce in Sydney Airport's Domestic Terminal 2, Keith Smith Ave, Mascot, on Thursday, January 18 — with sessions from 10–11.30am and 12.30–2pm. You can buy tickets from $15 on the door. For more information about Guide Dogs Australia, head to the organisation's website.
Instragram has launched their first official account dedicated to music and musicians. The new, internally-run @music account will post on a variety of music-related content, and feature profiles of emerging and established musicians from all around the world. The move marks an interesting new direction for the photo-sharing service, which for the first time appears to be actively cultivating a community based on the specific interests of its users. Operated by Instagram music editor Alex Suskind, the newly-minted account will post six times a week, with content divided between a series of designated hashtags. #LocallySourced will shine the spotlight on unsigned acts, #DoubleTrack will cover musician’s interests outside of music, and #15SecondLessons will feature video tutorials on "everything from riffs to drumbeats". Posts so far include brief interviews with social media-fiend DJ Questlove and up-and-coming Japanese rock band Tricot. The account will also feature the work of music photographers, album illustrators, instrument makers and fans. An official music account does seem like a good fit for the service, with many of its most popular accounts belonging to famous musicians. According to a statement by Instagram founder and CEO Kevin Systrom, "For the past four years, we have become the home for artists big and small — a place where people across the musical spectrum come to share stories, reveal their creativity and connect directly with fans." Assuming the account is successful — and 27,000 followers in less than a day suggests that it might be — it could potentially open the door for a whole range of official channels covering things like food, movies, fashion and of course, cat photos. It also seems like a smart way for the service to attract targeted advertising — although according to coverage at TechCrunch, there are currently no plans to include ads in the @music account.
Laneway Festival has revealed its full 2026 lineup, marking a milestone 21st anniversary edition of the beloved summer series. Returning next February, the festival will expand its route across Australia and New Zealand, adding three new venues to the circuit. Fans can expect another year of sold-out crowds after the 2025 festival drew over 200,000 attendees across main dates and a further 40,000 at sideshows. "It's incredible to be celebrating 21 years of Laneway. What began as a little street party in a Melbourne laneway has grown into a summer ritual across Australia and New Zealand," festival co-founders Danny Rogers and Jerome Borazio said. "Every year we're blown away by the response from the artists, fans, and community that make Laneway so special — 2026 is about honouring that history while looking to the future." See the full lineup below. View this post on Instagram A post shared by Laneway Festival (@lanewayfest) Laneway 2026 will run from February 5–15, with shows confirmed for Auckland, the Gold Coast, Sydney, Melbourne, Adelaide and Perth. Tickets and more information are available now from the Laneway Festival website.
There's something uniquely satisfying about successfully growing your own produce. Keeping a living thing alive for a prolonged period of time? Achievement! Keeping a living thing alive that, in turn, helps keep you alive? Well, that's circularity at its peak. For a novice green thumb, kicking off a gardening endeavour can be intimidating. As with any living thing, the responsibility of nurturing and growing it can unleash your neuroses — particularly if you've ever been defeated by a pot of cursed basil. Luckily, Lee Sullivan is here to help. Sullivan is the green thumb behind Urban Veggie Patch — an ever-blooming Instagram blog where she documents her incredibly bountiful garden. And while the size of her carrot harvest suggests a lifetime of gardening nous (or the fictional effects of gamma radiation), it's been less than six years that she's been planting and eating homegrown organic produce. "I started gardening shortly after the birth of my first child," Sullivan told Concrete Playground. "I became very interested in health and sustainability and, after some research, decided that the best way to live a more sustainable life, to truly know what was on the food we were eating and where it was grown, was to grow it in our own backyard. So we set up a garden." "At the same time, I was experiencing mild postnatal depression and, unexpectedly, growing and gardening helped me to heal from that. Growing my own food has been a truly beautiful journey for me and has become one of my greatest passions... It's also incredibly beneficial to my mental health and I love that it has created a space for me to relax and recharge." Sullivan shared with us some of her top gardening tips for anyone looking to grow their own fruits, veggies and edible plants, as part of our partnership with VegKit. So ready your patch of earth and prepare to get your hands dirty — while you get your mind clear. [caption id="attachment_840173" align="alignnone" width="1920"] Jonathan Hanna (Unsplash)[/caption] PLACEMENT IS CRUCIAL "Placement is one of the crucial elements that you need to get right if you want to have a thriving garden. Your vegetables need SUN! When deciding on the location of your garden you want to pick somewhere that gets at least six hours of direct sunlight a day. Basically, find the sunniest spot in your yard and put your vegetable garden there. The more sun your vegetables can get the better." [caption id="attachment_840175" align="alignnone" width="1920"] Markus Spiske (Unsplash)[/caption] START SMALL "A big mistake people make when starting their own vegetable garden is biting off more than they can chew. At the beginning, your garden needs to be small and manageable. Statistics show that many people who attempt to grow their own food give up because of failure [editor's note: that cursed basil!], so you want to do everything you can to ensure your own success! But also remember that failure is just an opportunity to learn and do things differently next time! So, when planning your garden, don't go overboard with the size. By all means create it so that you can keep adding to it, but start small." "I started my garden with five 90-centimetre x 60-centimetre raised garden beds. When I realised how much I loved growing my own food I added eight more. In my opinion, a garden bed that is five-metres x three-metres is ideal and will easily allow you to grow enough vegetables for your family while keeping things at a manageable level." [caption id="attachment_840184" align="alignnone" width="1920"] Artem Podrez (Pexels)[/caption] APARTMENT LIVING? ADAPT ACCORDINGLY. "If you are limited with space there are still lots of things you can grow and lots of ways to increase your growing potential. When we started our first garden, we were living in a townhouse with a 40-square-metre cement courtyard, so I definitely know what it's like to not have a huge amount of space. I can confidently say that you can grow something no matter how much space you have." "Pots on a balcony or windowsill are an excellent option for people who don't have a yard. Herbs and micro herbs will do particularly well in a sunny indoor spot. If you have a small garden, vertical gardens, trellises or arches are also great as they can help to add more growing area by growing up rather than out." PLANT SEASONALLY AND GROW WHAT YOU LOVE TO EAT "Choosing productive plants that are easy to grow is a great option for first-time gardeners. It is also important to be aware of growing seasons and what grows well in your climate at any given point in time. It may seem obvious, but plant what you eat. Think about the things you buy most at the supermarket and plant those. Growing what your family loves to eat is an excellent place to start." [caption id="attachment_840186" align="alignnone" width="1920"] Sandie Clarke (Unsplash)[/caption] SOIL QUALITY MAKES A DIFFERENCE "The soil you use in your garden beds will have a direct effect on whether your vegetables thrive. It can be tempting to go and buy cheap bags of soil to save money but please don't. Buying good quality soil full of organic matter is an investment into the future of your garden." [caption id="attachment_840209" align="alignnone" width="1920"] Karolina Grabowska (Pexels)[/caption] ENJOY THE JOURNEY AND DON'T LET FAILURE DISCOURAGE YOU "One thing I can guarantee is that you will fail — we all do. Failure in gardening is a huge part of the learning process so don't be discouraged when something doesn't work. Look at it as one step closer to mastering that particular vegetable. I still have vegetables [that] I struggle to get results on years down the track. Gardening is a lifelong journey of discovery and should be enjoyed! Spend time just being in your garden, enjoying nature and appreciating the little things." If you're a major plant enthusiast, find out what some top Australian chefs love about plant-based eating or try our picks of the best date spots with plant-based menus in Sydney, Melbourne and Brisbane. To discover even more plant-based dining and recipe inspiration, head to the VegKit website. Top image provided by Lee Sullivan.
Acclaimed the world over — and named the World's Best Gin Producer for two years running to prove it — Australian's Four Pillars has built up quite the following in boozy circles. Since 2013, the Yarra Valley-based distillery has given Aussie gin lovers plenty of covetable drops to drink, including via famed tipples such as its beloved Rare Dry Gin and bloody great Bloody Shiraz Gin. Even if you don't sip the hard stuff, you've heard of Four Pillars. You've also got a mate with a gin shrine filled with Four Pillars bottles, because everyone does. But now, thanks to the distillery's latest range, folks who don't indulge in alcohol can taste what all the fuss is about — and anyone who is having a break from cocktails for whatever reason can keep knocking back the brand's beverages. Meet Bandwagon, Four Pillars' new booze-free line, which'll arrive for hangover-free drinks at the end of June. Those two popular tipples mentioned above, Rare Dry Gin and Bloody Shiraz Gin, have been given the sans-alcohol treatment — after the distillery spent two years getting everything just right. With Bandwagon Dry, the Four Pillars team started with the same ten botanicals that make up the Rare Dry Gin. Those flavours are extracted in a different way for this boozeless version, though, with the oils and flavours from juniper, lemon myrtle, coriander seed and the like gathered using steam distillation. And, each is distilled separately in order to control the flavour contribution and the quality. They're then mixed together with a water base, and combined with steamed and vacuumed fresh chilli to give the not-quite-gin the heat that comes with alcohol — and with a natural fructose from plants for weight. As for Bloody Bandwagon, it starts with Bandwagon Dry. Bloody Shiraz Gin is made with a base of Rare Dry Gin, too, so that process is replicated — but without alcohol. Then, the clear Bandwagon Dry liquid is mixed with shiraz juice, which is crafted with shiraz grapes that haven't been fermented (so, no booze). Basically, forget soft drinks — you only need to drink these booze-free spirits from now on. When the Bandwagon range hits shelves just in time for Dry July, you'll find it at the Four Pillars Healesville Distillery and Surry Hills Laboratory, as well as from BoozeBud, Coles Local, Dan Murphy's, IGA, Liquorland and Sans Drinks. You'll also be able to pick up just Bandwagon Dry at First Choice Liquor, Vintage Cellars and Woolworths. Wondering how to drink both tipples? Four Pillars co-founder and distiller Cameron Mackenzie recommends using "around 60 millilitres of Bandwagon Dry with 100 millilitres of of your favourite tonic. As ever, use plenty of ice and an orange slice as a garnish." For Bloody Bandwagon, Mackenzie says "this is a unique, purple, and slightly sweet alcohol-free spirit that you can use just as you would your Bloody Shiraz Gin. Combine 60 millilitres of Bloody Bandwagon with 100 millilitres of tonic or soda and you'll have yourself a deliciously grown-up, booze-free drink." It's also advised to use a bit more of the Bandwagon drinks with your mixers to help highlight the flavour. And no, Mackenzie didn't initially think a decade back that this is something that Four Pillars would ever whip up. "When we launched in 2013, never in our wildest dreams did we think we would make a non-alcoholic product. But as we've grown older and wiser, booze is not always your go-to and you a need quality alternative. Enter Bandwagon," he said. Four Pillars' Bandwagon Dry and Bloody Bandwagon will be available to buy from the end of June at the Four Pillars Healesville Distillery and Surry Hills Laboratory, as well as from BoozeBud, Coles Local, Dan Murphy's, IGA, Liquorland and Sans Drinks. You'll also be able to pick up Bandwagon Dry at First Choice Liquor, Vintage Cellars and Woolworths.
Launched during VAMFF last week in Melbourne, Bared Footwear's collaboration with artist Carla McRae is one to slip your tootsies into immediately. The limited edition sneaker collaboration is a first for Victorian footwear label, kicking off the first of many, or so we're told. Suffice to say, these are some sneaks to freak over. Capturing the carefree spirit of McRae's playful illustrations and street murals, the Pintail shoe brings to life McRae's iconic female character, who appears in many of her works. We're keen to take a walk in these chunky soled shoes with swirling embroidery and metallic details — also apparently imbued with extreme comfort factor. After all, Bared was founded by Victorian podiatrist Anna Baird with the design ethos of creating modern, wearable shoes, so you know these shoes will treat your feet well. For the collaboration launch, Carla McRae painted one of her cheery, colour-blocked murals out the back of the Bared store in Armadale — the perfect backdrop for these sweet, minimal kicks that come in white with rose gold, and black with silver. The Carla McCrae x Bared Footwear Pintail shoe is available now for $229 from the Bared website.
Not content with launching a Ritz-Carlton on the Gold Coast in 2026, the Marriott International hotel chain is bringing another of its luxe accommodation labels to the Glitter Strip: St Regis, which'll open its first-ever Australian outpost in Budds Beach in Surfers Paradise. Holidaymakers will need to wait until 2027 to soak in the brand's lavish surroundings; however, there'll be plenty to enjoy, all as part of the under-development $1.7-billion La Pélago resort and precinct. La Pélago won't be small, sprawling over 12,000 square metres, and including 5500-plus square metres of dining and drinking options, as well as shops. St Regis Gold Coast Resort won't be modest itself, featuring 185 guest rooms and suites, each with either ocean or hinterland views. Also set to feature at the new St Regis: a sky bar, pool bar and lounge, a specialty restaurant, the chain's signature St Regis Bar and a spa, turning every stay into an excuse to kick back with a drink — while looking at stunning vistas, over a splash, with a meal or before chasing your bliss. Sporting the brand's usual focus on glamour — complete with its bespoke butler service — the Gold Coast's St Regis resort will take over one of La Pélago's towers, and comes in collaboration with property development company Gurner and investment house Wingate. It's set to be the first tower to open, in fact, and joins a list of 55-plus fellow St Regis hotels and resorts worldwide since the chain's first site opened in New York in 1904. You might've heard of its Big Apple venue, and the St Regis New York King Cole Bar, thanks to a well-known tipple. It was the supposed birthplace of the bloody mary back in 1934, with the hotel brand unsurprising touting the spicy cocktail as its signature sip since then. Do genuinely expect to feel on top of the world at the St Regis Gold Coast; as part of the La Pélago design plans, all of the hotel's rooms and amenities, including the bar and restaurant, will sit above the rest of the towers in the precinct. The St Regis building itself will be 50-percent taller than any other surrounding tower, in fact. That means arriving at the porte cochère entrance, then making your way up to the second — and main — hotel lobby on level 42. "This signing for the St Regis brand in Australia is momentous for Marriott International, and a wonderful advancement for the Gold Coast. The St Regis name promises a vanguard spirit steeped in history and tradition, and is synonymous with global luxury," said Richard Crawford, Vice President Hotel Development, Australia, New Zealand and Pacific for Marriott International, announcing the news. "The St Regis Hotel brand redefined luxury when it first opened its doors in New York over 100 years ago and as such we are incredibly selective when choosing the right locations and developments to launch new St Regis Hotel sites, that are befitting of the strict requirements and expectations of the brand," Crawford continued. St Regis was initially due to make its Aussie debut in Melbourne, as announced back in 2018; however, that plan hasn't come to fruition. When the chain's Gold Coast hotel opens, it's expected to be Marriott International's fourth site in the Queensland city thanks to the existing JW Marriott Gold Coast Resort and Spa, and theSheraton Grand Mirage Resort Gold Coast, plus the aforementioned Ritz-Carlton Gold Coast. Start dreaming about those swanky 2027 vacations now. The St Regis Gold Coast Resort will open at the new La Pélago precinct, 112 Ferny Avenue, Surfers Paradise sometime in 2027 — we'll update you with further details when they're announced. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
For most folks, starring in one of the best new shows of 2022 so far would be the highlight of their resume for the year. But, of course, most folks aren't Taika Waititi. After getting streaming viewers swooning over warm-hearted pirate comedy Our Flag Means Death, he's about to unleash a little movie called Thor: Love and Thunder upon cinemas. And, based on the just-dropped first teaser trailer for his second contribution to the Marvel Cinematic Universe as a director, the goofy vibes, old-school rock tunes and delight that is Chris Hemsworth firmly in comedic mode are all back this time around. In fact, if you watched Thor: Ragnarok, laughed along heartily, lapped up the looser mood and instantly wanted more of Waititi's take on the MCU, you're in luck — because he also co-wrote the script for Thor: Love and Thunder with Jennifer Kaytin Robinson (Sweet/Vicious). In the trailer, that results in a comic look at Thor (Hemsworth, Extraction) dealing with the aftermath of Avengers: Endgame by reassessing his future and opting for retirement. But, if that was all there was to the story, it wouldn't be a Marvel movie. As shot in Australia, Thor: Love and Thunder sees its namesake come up against Gorr the God Butcher (Christian Bale, Ford v Ferrari), a galactic killer with a world-changing plan: eradicating the gods. So, Thor has to give up his search for inner peace, and call upon help from King Valkyrie (Tessa Thompson, Passing) and Korg (Waititi, doing triple duty) — and his ex-girlfriend Jane Foster (Natalie Portman, Vox Lux), who is now in possession of Mjolnir. Thor: Love and Thunder marks Portman's return to the MCU after appearing in the first Thor flick back in 2011, but sitting out the rest. Given the path her character has taken, it's easy to see why she's back. As set to the sounds of Guns 'N Roses' 'Sweet Child 'O Mine', the trailer makes the most of her new ownership of the god of thunder's magical hammer — understandably. Also popping up in the initial sneak peek for the fourth Thor flick: the Guardians of the Galaxy crew (as played and/or voiced by Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Bradley Cooper and Vin Diesel), and a lightning-bolt wielding figure who it's safe to expect is Russell Crowe (Unhinged) as Zeus. When it hits cinemas Down Under on Thursday, July 7, following Doctor Strange in the Multiverse of Madness in early May, Thor: Love and Thunder will mark the 29th MCU movie overall. And, it mightn't be the last big-screen release Waititi has for us this year, either, with his documentary-to-feature adaptation of soccer story Next Goal Wins also in the pipeline. Check out the teaser trailer for Thor: Love and Thunder below: Thor: Love and Thunder opens in cinemas Down Under on Thursday, July 7.
So. Your iPhone 6 keeps dying at 28 percent battery, apps have started quitting unexpectedly and the home button has just stopped working. It must be time for the new iPhone to come out. Just as iPhones everywhere start living our their convenient two-year life expectancies, Apple announced the details of the brand new iPhone 7 (and iPhone 7 Plus) in San Francisco overnight. Design-wise, it looks pretty much the same; the new model is the same size and shape and the home button hasn't disappeared (although it isn't clicky anymore) — the biggest change to the look is that it comes in some v sleek new colours (like "piano jet black"). Oh, and it'll have two cameras and be water resistant. Of course, Apple is calling this the best bloody phone they've ever invented. In their words it has the "best performance and battery life ever" (well, you'd hope so), "immersive" speakers (how immersive) and "the most powerful chip ever" that will make it twice as fast as the iPhone 6. But enough with the brand speak. Here's seven details about the new iPhone 7 in dot point form that you can use for prime water cooler convo at work today. THERE WILL BE NO HEADPHONE JACK — WE REPEAT, NO JACK FOR HEADPHONES But you knew this was gonna happen already and have mourned the fact that you will ever have headphones on you at all because you will surely lose these wireless ones immediately. Apple's new-age headphones are called AirPods and they'll connect with all your Apple devices wirelessly. Siri will also live inside them, so you'll also be able to talk to them and get her to do stuff without touching your phone. Apparently they'll last up to five hours. IT WILL HAVE NOT ONE, BUT TWO REAR-FACING CAMERAS Why on Earth do you need that? To shoot a photo for one of those 'shot on my iPhone' billboards, of course. The iPhone Plus will be both a wide-angle and telephoto lens, and supposedly the phone will take a photo will both of them, and then allow you to choose your depth of field when editing, which is pretty cool. The regular iPhone 7 has had a bit of an upgrade too with a larger ƒ/1.8 aperture, which should make those sexy low-light photos a little more hi-res. IT WILL COME IN NEW FIERCELY-NAMED COLOURS LIKE PIANO JET BLACK In what seems way overdue, Apple are finally doing an all-black iPhone. Both matte black and a shiny piano jet black options will join silver, gold and rose gold. IT'S GONNA BE WATER RESISTANT Your long history of seeing off your iPhone in a death bed of rice may be over. The new model will be the first iPhone to be splash, water and dust resistant. THE HOME BUTTON LIVES! Sorta. Everyone thought the home button was going to be tossed out on this model — and while it still looks the same, the button isn't going to be clicky anymore. It'll be more of a touch situation (i.e. non-clicky). Apparently it'll still feel like it clicks though. YOU'RE GONNA HAVE HEAPS MORE STORAGE Everything can stay. Those cats at Apple have very generously doubled the storage so that the phones will be available in 32GB, 128GB and 256GB. Because 16GB was a crock anyway and we all know it. YOU'LL BE ABLE TO PLAY SUPER MARIO Even if you're not planning on upgrading your phone, just make sure you update to iOS 10 when it's released on September 13. According to The Verge Nintendo will release a new Super Mario Run — and it will only be available on iOS. The iPhone 7 will be available from September 16, and keen beans can pre-order from September 9 here.
Talk about going out on top: Sky Safari, a mainstay of Sydney's Taronga Zoo since 1987, is saying farewell. The sky-high cable car — the Harbour City's only cable car, in fact — has been a beloved part of a trip to the animal-filled tourist attraction for a huge 35 years. But, once February 2023 arrives, it's retiring in its current guise. That means that Sydney locals and visitors alike have until Tuesday, January 31 to go for a last spin, which includes views of the Sydney Harbour, peering down at Taronga's Asian elephants as they play and attempting to see squirrel monkeys. But, hopefully, this is just a goodbye-for-now situation, with an upgrade already planned — pending final approval. View this post on Instagram A post shared by Taronga Zoo (@tarongazoo) "The current Sky Safari is an ageing asset and has reached the end of its workable life with Taronga," explained the zoo's team announcing the news. "Plans are underway for an exciting new experience. While we are in early stages of planning, the revitalised Sky Safari will feature additional larger and accessible gondolas, extend along an expanded route, and provide greater access to the zoo for guests of all ages and abilities," the statement continues. [caption id="attachment_830238" align="alignnone" width="1920"] Destination NSW[/caption] Last upgraded in 2000, and even carrying the Olympic Torch for the Sydney Olympics that same year, the Sky Safari has carried more than 20 million passengers over its lifetime, helping ferry zoo-goers around the 28-hectare site. In its absence, there'll be extra buses in holiday and peak periods to move patrons to Taronga's top entrance. When 2025 hits, that's when the new Sky Safari is aiming to start operating, as part of a major investment by the New South Wales Government that'll also help future-proof it as much as possible — and Taronga itself. Announced back in April 2022, Sky Safari 2.0 is set to gain more gondolas than the 21 currently used, and larger and more accessible ones at that. At the moment, it can't accommodate guests in bigger wheelchairs, which is something that's set to be addressed The revamped Sky Safari will also head along an expanded route, complete with new terminals. That'll connect to fellow upgrades that are in the works at the Taronga Zoo Wharf — and, thanks to those extra gondolas, increase Sky Safari's daily capacity. And, Taronga visitors will also gain additional ways to view the venue's inhabitants from a lofty perch. At the time of writing, the makeover proposal is still in the planning stage, and accepting community feedback. Ideally, a development application will be lodged in 2023, with construction starting before the year is out. Taronga Zoo's Sky Safari will take its last ride in its current form on Tuesday, January 31, 2023. Head to the zoo's website for further details, and for bookings before the end of the month.
If you've stepped foot outside recently, you'll probably have noticed Sydney has scored a bevvy of new neon-green arrivals. First appearing in early November, the distinctive vehicles of US-born bike share company Lime has now taken over the city. You might be thinking it's a strange time to be rolling out yet another bike share service in Sydney, and you're not wrong. A swag of international share bike companies like Reddy Go and oBike launched in Australia, but had a rough time gaining traction locally, as councils crack down on dumping and vandalism issues spurred by the new dockless systems. But strict laws and stories of ill-fated predecessors don't appear to have deterred Lime, which has this week launched a fleet of its Lime-E electric-assist bicycles across Sydney. These work much the same as others we've seen — you locate a nearby bike using the Lime app, unlock it by scanning a QR code or entering an ID, cruise to your destination, then park and lock the bike safely out of the way. The difference between other dockless bikes and Lime-E, is its lithium battery, which the company says allows users to ride up to 14.8 mph (23.8kmh) without breaking a sweat — even when venturing uphill. The bikes' batteries (which last for about 80 kilometres) will be supposedly monitored and replaced regularly by the company, and can be checked by tapping the Lime-E icon on the app. Each of the vehicles is also equipped with a sensor, which can tell the operators its location, elevation and even orientation — a feature which may or may not help curb bike dumping. In Sydney, it'll cost you $1 to unlock a Lime-E and 30 cents per minute for your ride. The Californian company's perhaps best known for its dockless electric scooters, which first hit the streets of Auckland and Christchurch last month. A week-long trial of the two-wheeled vehicles is also underway on campus, at Monash University in Clayton, Melbourne. The scooters are gaining popularity across the globe, with even Uber signing up as a strategic partner. Unfortunately, given that NSW road safety laws currently state that "powered foot scooters and skateboards cannot be registered and can only be used on private land", it doesn't look like we'll be seeing a Sydney launch of Lime's e-scooters anytime soon. While we don't have high hopes for the success of this new bike sharing service, we do hope it's better monitored, and the neon green bikes don't end up clogging footpaths, parks and waterways, like the others did. The Lime App is available to download now via the app store.
This glorious spring sunshine conjures a few images in our heads: luxurious seafood feasts, walks by the water and tableaus of a certain European coastline. Well, flights to Italy are still a bit steep, but you don't need to travel around the world to get at least a few of these itches scratched — just head to Ovolo Woolloomooloo. Housed inside the heritage-listed Finger Wharf, this boutique hotel offers an appropriately la dolce vita-themed getaway well within the Sydney CBD, and the on-site eatery Bar Woolloomooloo is levelling it up with a spring-themed high tea offering: Dolce & Mare. [caption id="attachment_1029312" align="aligncenter" width="1920"] Ethan Smart[/caption] The name translates to sweet and sea, a nice summary of what you'll find served on the tower, which in classic high tea form is a mix of sweet and savoury. On the savoury side, there's mini lobster rolls with caviar, swordfish croquettes, a rockmelon gazpacho and caprese sliders — then for sweets, a limencello ricotta cake, mixed berry zabaglione, snowball tiramisu and of course: scones with jam and cream. [caption id="attachment_1029311" align="aligncenter" width="1920"] Ethan Smart[/caption] For beverages, the tea in high tea comes from Blak Brews, a First Nations-owned tea company that uses native ingredients in all its blends. For something a bit stronger, you can opt for three tea-themed cocktails or an optional add-on glass of Prosecco or Veuve. Should you choose to book a seat, the luxurious feast starts at $89 per head, available at 12, 2 and 4pm every Thursday to Saturday. For more information on Dolce & Mare or to make a booking, visit the Bar Woolloomooloo website.
Prepare yourself, folks — this year, Australia's launching into summer with the help of a huge new music festival. The brainchild of industry big guns Onelove (Stereosonic), Live Nation (Splendour in the Grass, Falls Festival) and Hardware (Piknic Electronik, Babylon), Festival X will shoot onto the scene from Friday, November 29, touring Brisbane, Sydney and Melbourne. The large-scale music party is pulling no punches when it comes to its debut lineup, headlined by international heavyweights including Scottish DJ Calvin Harris, the Grammy-nominated Armin van Buuren, Steve Aoki and our own Alison Wonderland. Spanning multiple stages, it's set to deliver a world-class serve of hip hop, pop and electronica. US rapper Lil Pump will make his own Aussie debut, joined on the all-star bill by the likes of British DJ duo CamelPhat, Ohio-based rapper Trippie Redd, Denmark's Kölsch and German techno king Paul Kalkbrenner. Meanwhile, there'll be plenty flying the flag for the local scene, with sets from favourites including bass and dubstep star Godlands, Australian-raised trance DJ MaRLo, Sydney act Sunset Bros and singer-songwriter Thandi Phoenix. The inaugural Festival X tour is set to hit Brisbane Showgrounds on Friday, November 29, Sydney Showgrounds on Saturday, November 30, and Melbourne Showgrounds on Sunday, December 1. Presale tickets are up for grabs from 1pm on Wednesday, July 31, with general tickets on sale from noon on Thursday, August 1. Top image: Stereosonic
After putting on a spectacular footballing show as the host of the 2023 FIFA Women's World Cup — and the Matildas making history in the process — Australia will next roll out the green carpet for the 2026 Women's Asian Cup. The Asian Football Federation has given the Aussie bid for the event the go-ahead, meaning that the country will host two major women's soccer tournaments in the space of just three years. Get ready for a sea of green and gold again. Australia has welcomed the Women's Asian Cup to our shores before, back in 2006, with the tournament taking place in Adelaide. In 2026, you'll be able to check out the football action in New South Wales, Queensland and Western Australia. All three states were put forward as locations during the bidding process. And yes, that means that the tournament won't head to other parts of the nation — so there'll be no games in either Victoria or South Australia, notably. Twelve countries will compete in the 2026 Women's Asian Cup — including Australia, of course, with the hosts automatically qualifying. So, the Matildas will get another moment to shine on home soil in a major contest. China will also compete, defending their title from the last edition in 2022, which took place in India. The Tillies were knocked out in the quarter finals — and were runners up in 2014 and 2018. Back in 2010, we won the competition, our only time as champions so far. "Securing the AFC Women's Asian Cup is a testament to our nation's dedication to football. It is not only a victory for the sport but for every Australian, offering significant economic and cultural benefits," said Anter Isaac, Chairman of Football Australia, about hosting the 2026 tournament in a statement. "We are profoundly honoured to host the 2026 edition of the AFC Women's Asian Cup™. This decision reflects the global football community's confidence in our capability to deliver outstanding events. Following the resounding success of last year's FIFA Women's World Cup™, we are eager to create another tournament that celebrates women's football and inspires a new generation," added James Johnson, CEO of Football Australia. Exactly when the in 2026 the Women's Asian Cup will take place hasn't been locked in as yet, so you can't mark your calendar just yet. The Matildas next play in Australia at the end of May and beginning of June, hosting two games against China in the lead-up to the 2024 Paris Olympics. At the latter, in July and August, they're in the same group as Germany, Zambia and the US. During the team's next Aussie leg, goalkeeper Mackenzie Arnold and Mackenzie Arnold and coach Tony Gustavsson will also hit the stage at Vivid Sydney 2024 to talk all things Tillies. [caption id="attachment_912895" align="alignnone" width="1920"] Matildas: The World at Our Feet[/caption] The 2026 AFC Women's Asian Cup hasn't yet announced its exact dates — we'll update you when they're revealed. Head to the AFC website for more details in the interim. Images: Tiffany Williams / Football Australia.
For the first time since it launched in 2000, World Pride is heading to the Southern Hemisphere. And it's not just heading anywhere — the world's largest LGBTQI+ celebration is coming to Sydney. Taking over the city's streets, bars, clubs, galleries and theatres between February and March 2023, the World Pride event will coincide with the 45th Sydney Gay and Lesbian Mardi Gras. The decision to host the international pride celebration in Sydney was announced overnight with members of InterPride — the organisers of World Pride — voting between Sydney, Montreal (Canada) and Houston (Texas). The Aussie state capital came out on top with a whopping 60 percent of the votes. Of the host city, World Pride Committee Chair Robyn Kennedy said, "InterPride has recognised how far Sydney Gay and Lesbian Mardi Gras has come since 1978, and now the world will march with us down Oxford Street to celebrate our community and support our region." Sydney Gay and Lesbian Mardi Gras celebrated its 40th anniversary in 2018 and this year hosted over 100 parties, shows, and late-night shindigs for the annual event. The State Government usually relaxes the lockout laws in the surrounding areas for the local Mardi Gras, but in 2023 they could be gone altogether in the CBD and on Oxford Street. Premier Gladys Berejiklian has announced plans to repeal the lockout laws in those areas by the end 2019 — they will, however, remain in place in Kings Cross for now. We'll keep our fingers crossed that they'll be wound back by 2023 there, too. https://www.instagram.com/p/B31TjkcD0qZ/?igshid=x6c9d4q0ay1w As the Sydney World Pride will be also be the first in the Asia Pacific, it's expected that the celebration will also have a focus on communities and cultures from across the region. In Sydney's bid for the event, organisers said: "it's an opportunity to focus the world's attention on LGBTQI rights, communities and culture in our Asia-Pacific Region. Many of our closest neighbouring countries do not have the same level of equality and human rights as we do." While Australia finally passed a marriage equality bill in late 2017, the same rights do not exist in many countries in the surrounding region — in fact, same-sex relations are still illegal in some Asia-Pacific countries. The 2023 World Pride will help raise awareness about these issues and help fight for equality for LGBTQI+ people across the region. For the Sydney event, expect, also, the biggest, most fabulous celebration of pride the city has ever seen, with parades, parties, and more to take over the city. It's expected 25–40 percent more than the usual 1.2 million Mardi Gras visitors will be heading to Sydney for the 2023 event — so it's going to be big, loud and colourful. World Pride 2023 will take place across Sydney in February and March. Top image: Jeffrey Feng
Currently showing at The Art Gallery of New South Wales (AGNSW) is Australian Symbolism: The art of dreams, the first major exhibition devoted to exploring the impact that the Symbolists had on Australian art in the closing decades of the 19th century. Symbolism was an art movement that took the mystical and mythological as its content: from the figure of the femme fatale, as in Bertram Mackennal’s brilliant bronze Circe (1892-3), to the iconic nymphs of Sydney Long’s dusk dances, in Pan (1898) and Spirit of the Plains (1897). This small collection of paintings, sculpture and ceramics is an accessible entry into the period and as such is perfect for the lunch-time drop in. All the usual suspects are present – Charles Conder, Arthur Streeton, Rupert Bunny, Tom Roberts - although it is interesting to sight works by these artists (generally considered to be Impressionists) during their brief affairs with Symbolism. Streeton’s The Flight of Summer (c1890) is of particular interest as a stark departure from what we understand of Streeton’s work: a cigarette lies in the grass, the smoke leading our eyes to an emerging or departing female figure at the top centre of the board. Vibrant red berries are scattered across the panel - in content and colour this is a work nothing like Streeton’s realist landscapes. The Flight of Summer is an important work though, not so much for its aesthetic, but more so for the history its holds. The painting was only recently discovered and unravelled the incredible strands of a love affair between Streeton and a woman called Florry. Here, symbolism was an important tool for Streeton as the mythological and ethereal nature of the painting allowed Streeton to disguise his emotional turmoil. An act he could not easily carry out under the limitations of realist landscape painting. Australian Symbolism is a gateway to a number of stories like Streeton's and, if only for this, the exhibition provides us with a rare view of some of the lesser known works of our most known artists.
What's better than watching a heap of top Australian talent sit around and talk about music? Watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind ABC TV show Spicks and Specks, which took a few cues from the UK's Never Mind the Buzzcocks, pit Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and it will be again in 2021. As fans will know, Spicks and Specks just keeps coming back; however, that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Adam Hills, Myf Warhurst and Alan Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20, which you've probably been watching your way through over thee past year. When 2021 hits, the Spicks and Specks story will take another turn by bringing back the program in its regular format — and for a full season, too. Just when it'll kick off hasn't been announced, and neither has any of the show's new guests, but you can add playing along from your couch to your plans for next year. https://twitter.com/MyfWarhurst/status/1331444351625433088 In the interim, the program will drop the last of its recent batch of specials on at 7.40pm AEST on Sunday, December 20 — focusing on all the tracks, bangers, one hit wonders and more that released between 2010–2019. Spicks and Specks will return to ABC TV at a yet-to-be-revealed 2021 date, and for a regular full season. The show's 10s Special will air on ABC TV on Sunday, December 20 at 7.40pm — and its Ausmusic Special, 90s Special and 00s Special are all currently available to stream via ABC iView.
Sometimes, Guillermo del Toro dallies with vampires. Sometimes, he saunters into haunted houses, creepy carnivals and eerie orphanages instead. Encounters with kaiju and romances with amphibious creatures also dot his filmography, as do untraditional superheroes and twisted fairytale realms. With all of the above, across a career spanning three decades now, the director has thoroughly proven himself an avid collector. You don't amass a resume like his without actively endeavouring to curate an on-screen compendium — with his movies stuffed full of ideas, themes, motifs and images that just keep fascinating the acclaimed filmmaker. So far, the proof has beamed into cinemas for movie-goers to revel in, starting with Cronos and most recently gifting the world Nightmare Alley. From film to film, del Toro delves into gothic horror staples. He splashes around haunting tales over and over, and works through his obsession with horror's — and life's — go-to contrasts (think: light and dark, pleasure and pain, and the macabre and the magical). He has an Oscar or his troubles for directing The Shape of Water, and he isn't done adding big-screen features to sit beside two Hellboy flicks, Mimic, Blade II, The Devil's Backbone, Pan's Labyrinth, Pacific Rim and Crimson Peak yet. But, now streaming via Netflix, new TV horror anthology Guillermo del Toro's Cabinet of Curiosities is a natural fit for someone so eager to collect and dissect the unsettling, unnerving, mysterious and curious. The first season of the series starts as other iconic anthologies have: with its central figure offering a mood-setting introduction to the stories to come. Alfred Hitchcock did it in the 50s and 60s. Rod Serling and Jordan Peele have done the same with different versions of The Twilight Zone. Now, it's del Toro's turn. His addition to the fold shares its name with his own 2013 book, which collates notes on and sketches for his films till then, details about unfinished projects, and observations by peers such as James Cameron and Neil Gaiman — and, fittingly, sports an introduction entitled "the world as cabinet". With this show, though, del Toro assembles anew rather than surveys his past. Also, he has filmmakers such as The Babadook and The Nightingale's Jennifer Kent, Mandy's Panos Cosmatos, A Girl Walks Home Alone at Night and Mona Lisa and the Blood Moon's Ana Lily Amirpour, and Cube's Vincenzo Natali on hand, with eight directors helming an episode apiece in this must-see collection. Sometimes, Cabinet of Curiosities gets grim and cautionary. At other times, it's stomach-churningly gory and grotesque, particularly if you're not fond of rats, guts or pondering your own mortality. It can sport soulful restraint, unleash a stunning display of phantasmagoria and delight in being off-kilter. No matter what mode it's in, it always heads back to the past, giving the show's eight-episode initial run a timeworn feel. That vibe also flows through in del Toro's intros, where he announces each instalment beside the titular structure. Given wooden form and resembling a multi-level mansion, it's always matched with a corresponding handcrafted piece that represents the episode to come. There he is, collecting again — and inviting his audience to collect these lovingly assembled narratives, and their thrills and chills, along with him. Cabinet of Curiosities' debut chapter hails from the only director without their own past horror flick to their name. As a cinematographer, however, Guillermo Navarro has lensed six of del Toro's features, plus the likes of From Dusk Till Dawn, Jackie Brown, two Night at the Museum movies and two Twilight films, too. Navarro gets the series off to a promising start with Lot 36, about a right wing-sympathising veteran (Tim Blake Nelson, Nightmare Alley) who purchases storage units to hawk their contents when their owners default on payment. His latest acquisition comes from someone with a shady past, bringing nerve-rattling repercussions. In the process, this stylishly shot 90s-set affair ruminates on xenophobia, and the world views that find comfort — and power — in being horrific and discriminatory. Next, the show's two most grisly episodes follow: Natali's Graveyard Rats and David Prior's (The Empty Man) The Autopsy. The first adapts Henry Kuttner's 1936 short story, follows a cemetery caretaker (David Hewlett, Clarice) who robs coffins as a side hustle, and has him fighting rodents in an underground labyrinth for his spoils — and the result is stressful and squirmy. The second also springs from the page, from Michael Shea in 1987, and plunges deep into viscera and entrails. Mythic Quest and Moon Knight's F Murray Abraham is the coroner doing the splicing, but what he discovers among the victims of a mine explosion spans well beyond squishy internal organs. There are no disappointing drawers in Cabinet of Curiosities; the tone varies, but del Toro and his colleagues are committed to contemplating what scares us and why. So, while Amirpour's The Outside is noticeably lighter than its counterparts, squeezing out a satirical, The Stuff-esque, Christmas-set satire on consumerism, conformity and beauty, the Kate Micucci (Clerks III), Martin Starr (Spider-Man: No Way Home) and Dan Stevens (I'm Your Man)-starring chapter is as sinister and disquieting as the rest of the series. Cabinet of Curiosities next gets Lovecraftian with two takes on the author's stories: Pickman's Model and Dreams in the Witch House. One sees The Vigil and Firestarter's Keith Thomas explore art's function as a mirror, the other has original Twilight director Catherine Hardwicke spirit Harry Potter's Rupert Grint into a dance with ghosts, and they both drip with unease in their respective ways. Cabinet of Curiosities does save two of its shiniest treasures until last, however — and what gleaming treasures they are. Wishing that both had graced the silver screen and stretched out to feature length is an instant reaction. No one is currently making movies like either the aforementioned Cosmatos or Kent, who go to completely opposite extremes with their stellar anthology instalments. The former's The Viewing, focusing on four 70s-era celebrities summoned by a rich eccentric (RoboCop's Peter Weller) for a night of drugs, conversation and staring at a secret discovery, is a wild, dazzling, synth-scored trip in the best possible way. As for The Murmuring by Australia's own Kent, it reunites her with The Babadook's Essie Davis for another stirring and striking haunted-house tale about grief and motherhood, this time working with a story by del Toro himself. Check out the trailer for Guillermo del Toro's Cabinet of Curiosities below: Guillermo del Toro's Cabinet of Curiosities is available to stream via Netflix.
One Playground Merrylands is the Sydney wellness brand's first foray into the city's mighty west — and its largest and most ambitious studio to date. Spanning 3000 square metres across two levels of Merryland's Mason & Main mixed-use precinct, this expansive health hub brings together high-performance training, boutique group classes and luxe recovery facilities, all under one beautifully designed roof. The gym floor alone covers 1500 square metres and features over 100 top-tier machines, including Technogym cardio equipment, custom Gym80 strength rigs and stainless steel Watson dumbbells. There's also a dedicated Comfort Zone for quieter, more mindful strength training, perfect for beginners or anyone after a more relaxed session. Members also have access to a weekly schedule of over 300 classes, which take place across the gym's six purpose-built studios. There's something for every fitness personality, from high-intensity boxing and interval training to grounding yoga and pilates in the calming Space studio. Semi-private coaching and reformer pilates are also on offer — as is a resort-style recovery area fitted with infrared and traditional saunas. One Playground locations showcase both form and function, and its Merrylands studio is no different. Inspired by the luxury of Dubai and Morocco, One Playground Merrylands swaps harsh gym lighting for terracotta-rendered walls, micro-cement floors and arched windows that frame the 5.5-metre-high ceilings.
A taste of the Northern Beaches' wholesome living comes to the inner east in the form of organic cafe COOH. A bigger sister to the original venue in Curl Curl, the larger space in Alexandria affords expansions in both the menu and trading hours. The venue is open for breakfast, lunch and dinner, with tasty, colourful ingredients a mainstay throughout. Vegans are well-catered for here with the tree nut vegan cheese board a popular lunch choice. In fact, most dietary requirements are carefully considered here — all menu items call out potentially problematic inclusions including egg, gluten and nuts. Even the coriander-averse diners are covered. Mediterranean flavours make appearances throughout each sitting, but none more so than dinner; moussaka croquettes, saganaki and prawns with a tomato ouzo sauce are some of the starters designed to share. Beverage-wise, expect quality coffee (roasted at the Curl Curl venue) and a selection of organic teas and smoothies for the breakfast service. Later in the day, the bar serves up Four Pines and Young Henrys and a strong selection of organic and boutique wines.
On the corner of Oxford and Crown Street sits an unassuming cafe. At first glance, it looks like the kind of place serving up second-rate coffees to undiscerning commuters. But, look closer and you'll find not all is what it seems. Single O batch filter. Katsu sandos on fluffy white bread. Scrambled eggs topped with edamame and yuzu mayo. Sydney, meet Sandoitchi. Located in a section of Darlinghurst noticeably lacking good coffee, especially since the closure of Edition, Sandoitchi is pairing quality cups of joe with Japanese-inflected fare worth trekking up Oxford Street on your lunch break for. If you do make said trek, let us make a suggestion: order one of the many katsu sandos on offer. Sydney isn't short on good versions of this humble Japanese sandwich, but this one's a particularly good, and slightly untraditional, take. Served with all the standards — crustless white bread, a hunk of panko-crusted patty of your choice — spanning from classic chicken to premium wagyu and bone marrow with cabbage and sweet and sour miso mayo — the classic pork katsu sando also arrives piled high with pickled carrot, American cheese and nori. Those looking to bypass the bread can order their katsu as a poké bowl, with brown rice, miso corn and shiitake topped with either pork or chicken katsu. Or, if you're searching for something meat-free, order the eggplant katsu salad bowl. For dessert options — or if you're feeling fruity — the strawberry sando is an absolute classic. Chefs Sam Lawrie and Pureephat "Bhass" Kraikangwan, and Saowanit "Ying" Boonrod originally opened the cafe while spreading their time out between the Oxford Stree favourite and CBD Thai restaurant Long Chim, keeping themselves awake during their double shifts with a steady supply of Single O Paradox (Sandoitchi's house-blend for milk coffee) and cold brews spaced out between shots of fresh ginger, carrot and orange juice. Or, possibly fuelled by Sandoitchi's hot chocolates made with 70-percent dark chocolate from Melbourne's Mörk. Either way, the trio has drummed up enough energy, skill and charm to create a cafe that's a far cry from the humdrum corner store it first appears. Images: Trent van der Jagt. Appears in: The Best Cafes in Sydney The Best Japanese Restaurants in Sydney
Entertaining things come in small packages in the Marvel Cinematic Universe, at least where Paul Rudd playing Ant-Man is concerned. The character's two solo big-screen outings have wavered between charming and familiar, but whenever the ageless star himself pops up — and wherever, given that he hasn't just been confined to his own franchise within the franchise — he's always proven a treat. So, of course a third Ant-Man movie is on its way, because who doesn't want to give the world more Paul Rudd more often? The MCU clearly does, and that new film is Ant-Man and The Wasp: Quantumania, which will buzz into cinemas in February 2023. This time, the MCU's insect-sized superheroes — yes, including both Scott Lang aka Ant-Man (Rudd, Ghostbusters: Afterlife) and Hope van Dyne aka The Wasp (Evangeline Lily, Crisis) — are thrust into a secret universe beneath the one they already know and inhabit, and also face a new enemy. The chaotic space? The quantum realm, hence the Quantumania part of the upcoming movie's title. The adversary? Kang the Conqueror, as played by Lovecraft Country and The Harder They Fall's Jonathan Majors. And yes, both pop up in the just-dropped first trailer for Ant-Man and The Wasp: Quantumania, as do the return of Hope's parents Janet van Dyne (Michelle Pfeiffer, French Exit) and Hank Pym (Michael Douglas, The Kominsky Method), plus Scott's now-older daughter Cassie (Kathryn Newton, Freaky). Viewers of 2015's Ant-Man and 2018's Ant-Man and the Wasp will know that Janet spent decades stuck in the quantum realm, so it's unsurprising that she's a key part of the new glimpse at Ant-Man and The Wasp: Quantumania. But, she hasn't told her family and friends everything about the place — as the film is set to explore. The trailer also throws in plenty of goofiness, because that exact vibe helped make the Ant-Man movies stand out in the ever-sprawling MCU. Here, there's an amusing case of mistaken identity to start off this Ant-Man and The Wasp: Quantumania sneak peek. The film marks the 31st film in Marvel's on-screen universe, and the first in its fifth phase — arriving after 2022's already-released Doctor Strange and the Multiverse of Madness and Thor: Love and Thunder, plus the upcoming: Black Panther: Wakanda Forever. Check out the first Ant-Man and The Wasp: Quantumania trailer below: Ant-Man and The Wasp: Quantumania hits cinemas Down Under on February 16, 2023.
What's better than giving a new TV show a whirl, enjoying it immensely and realising that it's one of the best new series of the year so far? Learning that it's coming back for a second season. Ideally, that happens to all of our favourites — but for now, it's definitely on the agenda for new Apple TV+ sitcom Loot. The streaming platform has confirmed that the show, which both stars and is executive produced by Maya Rudolph, will get a second run after its ten-episode first season wraps up. The latter is dropping episodes weekly now, and just when season two will hit hasn't been revealed. Apple TV+ does tend to like a yearly schedule, though — Physical season one arrived last year, and season two last month, for instance — so cross your fingers that Loot will be back to add some workplace-set laughs to your streaming queue within 12 months. If you haven't yet made a viewing date with the immensely funny satire, it does two things at once: slots into the workplace comedy genre alongside everything from The Office and Parks and Recreation to 30 Rock, and joins the list of recent shows that haven't had much sympathy for the ultra rich (see White Lotus, Succession, Squid Game and Killing It). The focus: Molly Novak (Rudolph, Big Mouth), who discovers that her billionaire husband John (Adam Scott, Severance) is cheating on her, becomes a billionaire herself in the divorce settlement, and starts partying around the globe. (She also inhabits the kind of house that doesn't look real, but genuinely is — Loot is partly filmed in one of America's biggest private homes, an enormous mansion that has 21 bedrooms, five pools, a bowling alley and a cinema). Drinking away her days in different countries only lasts for a short spell, though, with Molly's new routine getting a shakeup when she gets a call from Sofia Salinas (Michaela Jaé Rodriguez, Pose), the head of the foundation that bears her name. Soon, she's actually showing up to try to help out rather than merely splashing her cash about. Given that she hasn't worked for two decades, things get chaotic. Joining the always-excellent Rudolph on-screen: the aforementioned Rodriguez, Joel Kim Booster (Fire Island), Ron Funches (AP Bio), Nat Faxon, Our Flag Means Death), Stephanie Styles (Bombshell) and Meagen Fay (Dopesick). Clearly, Loot is a parody. It digs into all that wealth, the folks who have it and the bubbles that surround them. It also knows that handing out a tiny portion of a fortune to great causes is the absolute bare minimum that the one percent can do. And, it's definitely aware of the type of hijinks that can spring in any working environment. Loot's creators Alan Yang and Matt Hubbard are well versed in workplace comedies, sharing Parks and Recreation on their resumes — while Hubbard has written for 30 Rock and Superstore as well. Check out the trailer for Loot below: Loot's second season doesn't yet have a release date, but its first is available to stream via Apple TV+. Read our full review of season one.
Just like Lego, dodgem cars and games arcades, no one ever grows out of Easter eggs. Sure, once you're no longer a kid, you know that they're an expensive way to eat chocolate. You know that regular old blocks of the stuff are sold in the same supermarkets at the same time, too. But, when the world becomes obsessed with oval-shaped sweet treats each year, a familiar feeling kicks in. Your tastebuds still want what they want — and they want something round and chocolatey. In 2021, Mr Black has a new option to tempt your sweet tooth: dark chocolate Easter eggs filled with coffee liqueur caramel. Yes, they're the ideal option if you don't want to choose between a boozy beverage and chocolate — and you'd prefer to eat your dessert, not sip it. Hand-painted and measuring just over six centimetres tall, the Mr Black Easter eggs are a collaboration with chocolatier Meltdown Artisan, and cost $20 each. Both Mr Black and Meltdown Artisan are selling them. Usually, the latter's eggs sell out, so getting in quickly is recommended. If you decide to pick up some of Mr Black's coffee liqueur at the same time — or its bottled coffee negroni or old fashioned — you can also score a free egg if you spend over $50. The coffee liqueur-filled Easter eggs are available for $20 from both Mr Black and Meltdown Artisan.
New year, new adventures. It's time to start planning trips to hidden beaches while summer's still kicking, city breaks during quieter months of the year, and regional desert getaways when the temperature drops down south. And we get the "I'll put off travelling around Australia till I'm older" mentality. But enough of that. There's so much greatness in our own backyard that we shouldn't keep pushing local trips further down the line of must-visit places. So, read on to find a few Aussie destinations that should be added to your 2023 travel bucket list. Then go ahead and book a few trips before the opportunity passes. TASMANIA [caption id="attachment_883574" align="alignnone" width="1920"] Zachary Ferguson (Unsplash)[/caption] BRUNY ISLAND Tassie's Bruny Island feels totally remote but it's a short ferry ride from the coast and, including driving time, is just 50-minutes from Hobart. The beauty of this proximity to the city is that, despite all the rugged wilderness, you can still find luxury accommodation, amazing food and all kinds of local produce (think fine cheese and whisky). But consider Bruny Island a destination for when nature is calling. You'll find white wallabies at Inala Nature Reserve, windswept headlands at Cape Bruny Lighthouse and head-clearing watery views at Cloudy Bay. A trip to Bruny Island should be an essential addition to any Tasmanian vacation along the state's south-eastern coast. If you're a serious gourmand, you can experience all the island's finest delights in style with a gourmet tasting and sightseeing day trip from Hobart which includes award-winning cheeses, premium wines and beer, freshly shucked oysters, handcrafted fudge and mead, local honey and a lunch at Pennicott's beachside restaurant with sweeping views of Adventure Bay. Book it now at Concrete Playground Trips. [caption id="attachment_728931" align="alignnone" width="1920"] Lisa Kuilenburg, Tourism Tasmania[/caption] BAY OF FIRES This region is ripe for exploring and one of the most photogenic regions in Tassie. There are hiking trails through bushland full of native Australian wildlife as well as pristine white sand beaches with orange-hued granite boulders that the Bay of Fires is renowned for. Come any time of year to enjoy the area, staying for a few days at one of our favourite glamping sites in Australia or simply pass through while road tripping around Tasmania's North East region. [caption id="attachment_718786" align="alignnone" width="1920"] Tourism Australia and Graham Freeman[/caption] HOBART Hobart is booming. Increasingly, Australian travellers and international folk are taking the trip down south to Tasmania's seaside city. The city's brilliant food scene (which has totally transformed in the past ten years) draws visitors, as well as the city's singular cultural institution MONA. This museum is home to world-class art and installations from owner/mastermind David Walsh's private collection of works that are anything but stuffy. The art is served alongside a fabulous selection of locally-focused food and wine. And then there is the Mona Foma music and arts festival. The dates of this year's festival are Friday, February 17–Sunday, February 19, 2023 in Launceston, then the weekend of Friday, February 24–Sunday, February 26, 2023 in Hobart, and both weekends boast cracking lineups. If you haven't secured your tickets, you can still book one of our exclusive Mona Foma travel packages which includes Posh Pit ferry pass to the museum, tickets to see Peaches return to the Mona stage on Friday, 24 February, plus two nights in a luxe hotel. VICTORIA [caption id="attachment_883577" align="alignnone" width="1920"] Weyne Yew (Unsplash)[/caption] THE WYE RIVER Victoria's Great Ocean Road is always worth travelling down — but finding places to stop for a few nights can be a much harder task. The classics of Torquay, Lorne and Apollo Bay are always great options, but we prefer the sleepier town of Wye River. The small regional town has its own beachside caravan park, an absolute stunner of a general store as well as plenty of beaches for surfing and swimming. Get away from the crowds down here. If you're keen to explore this area in style, book our Great Ocean Road road-tripping holiday here (which includes car rental and accommodation so all you need to do is get behind the wheel and enjoy the iconic views). [caption id="attachment_755967" align="alignnone" width="1920"] Mark Watson and Visit Victoria[/caption] WILSON'S PROMONTORY No matter how popular Wilson's Prom gets, you can always find your own private cove or headland. Either stay at a nearby town and then drive to a beach or hiking trail or get even further off the beaten path by camping, taking your time to go on long treks that'll distance you from the hustle of metropolitan civilisation. It's hard to find more stunning surrounds in Victoria, let alone Australia. You have tree-covered mountains that roll down to small coastal inlets where you can truly escape the outside world. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] BALLARAT This regional Victorian city was booming back in the Gold Rush era and has recently had another renaissance of sorts — brilliant restaurants, bars, galleries and hotels are the new gold. These treasures, paired with its proximity to Melbourne (it's about an hour and a half drive or train ride away), help make Ballarat an even greater travel destination for 2023. QUEENSLAND [caption id="attachment_874908" align="alignnone" width="1920"] Guillaume Marques (Unsplash)[/caption] THE WHITSUNDAYS This may just be Australia's most up-market national park in the country. Luxury adult's only resorts and eco retreats are scattered all over the Whitsunday islands. This tropical paradise is where the rich and famous go to treat themselves to exclusive trips around the Great Barrier Reef and beyond. But you don't have to break the bank to enjoy these waters and beaches — so much of the area is considered a national park so you can go camping right up on many of the shorelines. Whitsunday Island, Hook Island and Henning Island all have campsites for those who want to properly get in touch with nature. Just make sure you book your campsite ahead of time because numbers are capped. If you are into a more luxurious stay, you can currently get 20% off the ultimate Whitsundays experience (think sunset sailing, scenic flights and a luxury resort stay) on this exclusive trip which you can book now. [caption id="attachment_876264" align="alignnone" width="1920"] Simon Maisch (Unsplash)[/caption] MUNGA THIRRI NATIONAL PARK Now off to somewhere entirely more remote. Munga Thirri is country that belongs to the Wangkangurru and Yarluyandi people, formerly known as the Simpson Desert National Park. It is the largest national park in Queensland and is also one of the toughest to explore. This is proper Australian outback territory. You'll see sand dunes stretching for kilometres (rising as high as 90 metres) and experience some of the best stargazing in your life. But, if you're not an experienced outback traveller without a decent haul of gear it can be a challenging area for camping. So, in light of that, if you lack the more hardcore camping chops it's best to book stay somewhere like The Birdsville Hotel which will organise tours into the desert. They'll take you on scenic flights, show you epic 4WD tracks and help you organise other local adventures. Just be aware that Munga Thirri is closed for a decent chunk of time in summer due to extreme heat — so be sure to check out the park's opening times on the Queensland national parks website. NEW SOUTH WALES [caption id="attachment_771536" align="alignnone" width="1920"] Destination NSW[/caption] NEWCASTLE Newcastle has undergone a huge cultural transformation in the past 15 years. Sydney's sister city hasn't always been a getaway destination, but we have been won over by its newfound charm. It has terrific beaches, an impressive street art scene that rivals Melbourne (well, don't say this around Melburnians), microbreweries, galleries, small bars, cafes aplenty and several good boutique hotels including a flashy new QT that opened in mid-2022. It really deserves to be added to your 2023 Australia travel bucket list. [caption id="attachment_773788" align="alignnone" width="1920"] Tom Archer, Destination NSW[/caption] LORD HOWE ISLAND Just 11 kilometres long and two kilometres wide, Lord Howe, is fully explorable within a few days. And thanks to visitor limits (only 400 people are permitted at any one time), it's one of Australia's best islands to visit when you want to get off the mainland. Prepare to have these long beaches, idyllic diving sites and rugged terrain all to yourselves. It's also just a short two-hour flight east of Sydney or, if you have the means, you can access the island by your personal yacht. [caption id="attachment_882177" align="alignnone" width="1920"] Courtesy of Novotel Wollongong Northbeach[/caption] WOLLONGONG You'll find some of the most stunning beaches along this part of the south coast including Bulli and Austinmer. But this isn't your average sleepy beach town. The city of Wollongong has undergone its own transformation over the past few years, becoming a hub for great food and drink and cultural activities. After a day of swimming or hiking, either hit up the Illawarra Performing Arts Centre or the Wollongong Art Gallery before dining at some of the excellent restaurants in the area. This little city has a lot going for it. This year, Wollongong will also host the For The Love music festival on Sunday, February 24 with headliners Charli XCX and Duke Dumont. Concrete Playground has teamed up For The Love on curated one-of-a-kind VIP packages for those wanting the ultimate experience. Book your package here — it includes two VIP festival tickets, two nights stay at Novotel Wollongong Northbeach, a Grey Goose gift pack in your hotel room and late check-out so you can sleep in after the party. [caption id="attachment_883578" align="alignnone" width="1920"] Jake Charles (Unsplash)[/caption] BYRON BAY Byron Bay is a classic Australian travel destination, much loved for its bohemian beach culture and world class yoga and wellness retreats scattered about the region. Nature lovers can also go sea kayaking around some of the most breathtaking beaches or hike within the national parks. And the foodies must experience Byron Bay's diverse grassroots drinking and dining scene that is growing impressively every year. And who knows, you might just run into one of the Hemsworth brothers while you're there. Book a four-day wellness holiday for under $400 through Concrete Playground Trips here (including accommodation, yoga classes and two seperate sea kayaking and snorkelling tours). WESTERN AUSTRALIA [caption id="attachment_683983" align="alignnone" width="1920"] Tourism Western Australia[/caption] ROTTNEST ISLAND If you want to take a selfie with a quokka then Rottnest Island is the only place to do it. These amusing little mounds of joy wander all over the island, ready for locals to respectfully stop for a snap. But that's not the only reason to visit this Australian island, located just a short 90-minute ferry ride from Perth. Come to these parts for pristinely kept beaches, shallow shores that are perfect for snorkelling in and plenty of great places to stay for a range of budgets (from high-end hotels to well-appointed campsites). A trip to Rottnest Island is a must for anyone making their way to Perth for a few days. If you're wanting to get the most out of your next jaunt to Perth, book our five-day Perth holiday here (including your accommodation, a day trip to Rottnest Island and visit to the Pinnacles). [caption id="attachment_883580" align="alignnone" width="1920"] Isabelle Truong (Unsplash)[/caption] THE KIMBERLEY This remote region in Western Australia is one of Australia's most impressive natural landscapes. It's known for its abundance of local wildlife that roams the rugged mountain ranges, dramatic gorges with hidden swimming holes and the semi-arid desert planes. It's a Tourism Australia ad everywhere you go. It's also one of the best places to visit when you want to keep the summer dream alive — boasting wonderfully warm weather throughout the colder months of the year. [caption id="attachment_807814" align="alignnone" width="1920"] Sal Salis, Tourism Western Australia[/caption] NINGALOO REEF Fun fact: Ningaloo Reef is the only large reef in the world that you can access right off the shore. Unlike the Great Barrier Reef, you don't need to book a spot on a large boat that takes you out to the reef with a bunch of other tourists. Here, you simply park by the beach and get straight to snorkelling around vibrant coral gardens, dolphins, turtles and manta rays. You'll find the UNESCO heritage-listed wonder 1,200 kilometres north of Perth, from where it runs north along the coast for 260 kilometres, between North West Cape and Red Bluff. Pick a point to explore on your own or hit up local guides who will show you the best parts. SOUTH AUSTRALIA [caption id="attachment_664008" align="alignnone" width="1920"] John Kruger[/caption] ADELAIDE HILLS South Australia is famous for its many wine regions that pump out case after case of spectacular vino. You've got McLaren Vale, the Barossa and Clare Valley, but we are all about the Adelaide Hills in 2023. First off, this is one of the easiest wine regions to reach — located just a 30-minute drive away from the centre of Adelaide. It's also home to some of our favourite cellar doors. We suggest you start in Woodside, where you'll find stunning cellar doors from Bird in Hand, Petaluma, Barristers Block and Golding Wines. And while you're there, don't miss Lost in a Forest which serves up woodfired pizzas and natural wine from local label Ochota Barrels in a 130-year-old church. Get the most out of your trip to this region by booking our Adelaide Hills escape here including two nights' accommodation, transport around local wineries, daily yoga classes and most of your meals. [caption id="attachment_883581" align="alignnone" width="1920"] Michael Skopal (Unsplash)[/caption] WILPENA POUND Wilpena Pound is the holy grail of the Flinders Ranges National Park, characterised by its dramatic rocky mountains. The entire region is vast and truly remote, located about a five-hour drive from Adelaide. But don't let the distance scare you off. There's much to see and do here. Go on 4WD treks through the bush, take scenic flights over the mountain ranges and go on guided hikes to see some of the best-preserved Aboriginal rock art while learning of the local Adnyamathanha people's rich history. [caption id="attachment_883583" align="alignnone" width="1920"] Luisa Denu (Unsplash)[/caption] EYRE PENINSULA This coastal region in South Australia is foolishly overlooked by both Aussies and international travellers. It is the state's own version of Victoria's Great Ocean Road, and it might just give that famous stretch of coast a run for its money. Head to Eyre Peninsula to swim with dolphins and sea lions or simply relax on long sand beaches backed by rugged cliffs as you look out for passing whales. Dreamy stuff. Then you can hit up any of the local townships to try Eyre Peninsula's legendary oysters and freshly caught seafood or head inland to do some winery hopping. You'll quickly discover why it's one of our favourite stretches of coast in Australia. NORTHERN TERRITORY [caption id="attachment_826027" align="alignnone" width="1920"] Tourism NT[/caption] KAKADU NATIONAL PARK Kakadu is an unmissable Australian travel destination, but its perceived remoteness seems to put a lot of travellers off. Don't let it. Kakadu is only a three-hour drive from Darwin and it's well and truly worth the journey. Once you're there, you have an enormous natural playground to explore and some genuinely life-changing scenery and experiences ahead of you. We recommend hiring a 4WD with a pop-top tent or camper for the week and see where the road takes you. Organise an itinerary to hidden swimming holes and incredible rainwater waterfalls, epic mountain ranges or local wildlife sanctuaries and cultural experiences with the local Indigenous people to learn the ancient history and dreaming stories of the area. [caption id="attachment_883588" align="alignnone" width="1920"] Banubanu, Tourism Australia[/caption] BREMER ISLAND Run away to the Northern Territory's fairly unknown Bremer Island for a super chill tropical island holiday. It's well and truly off the beaten path, so you'll be away from the crowds, surrounded only by well-preserved wilderness. There aren't many places to stay on the island, but we are big fans of Banubanu Beach Retreat — a glamping site located right on the water. Spend your days kayaking along the coast or snorkelling in the warm waters before eating some fresh-caught seafood. It's a really laid-back place to visit, away from the crowds and influencers. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top images: Sal Salis on Ningaloo Reef
Enter one of Yayoi Kusama's infinity rooms, including the Japanese icon's brand-new Infinity Mirrored Room–My Heart is Filled to the Brim with Sparkling Light at the National Gallery of Victoria, and it appears as if the artist's work goes on forever. A great exhibition dedicated to Kusama evokes the same sensation. Accordingly, when you're not staring at a seemingly endless celestial universe while enjoying a world-premiere piece from the talent that's been unveiled for the first time ever in Melbourne, you'll still feel as if Kusama's touches are everywhere around you. Simply titled Yayoi Kusama, NGV International's big summer 2024–25 showcase features 200 works, so there really is enough Kusama art to envelop attendees in dots, mirrors, balls, tentacles, pumpkins, flowers, rainbow hues and her other beloved flourishes. With ten immersive installations, the exhibition breaks the world record for the number of such pieces by the artist assembled in one spot. The showcase is also the largest-ever Kusama retrospective that Australia has ever seen. Open since Sunday, December 15, 2024 and running until Monday, April 21, 2025, Yayoi Kusama has taken over the St Kilda Road gallery's entire ground floor with a childhood-to-now survey of its subject's creative output. With the artist reaching 95 years of age in March 2024, there's eight decades of art on display. Some pieces have never been seen Down Under until now. Some are sourced from private collections, and others from Kusama's own personal stash. In advance of the exhibition's launch, Melbourne welcomed Kusama's five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court. Outside the gallery, Kusama's Ascension of Polka Dots on the Trees wrapped the trunks of more than 60 trees in pink-and-white polka-dotted material before Yayoi Kusama opened its doors, too. Now comes the chance to explore the complete showcase, which is also one of the most-comprehensive retrospectives devoted to the artist to be staged globally. Forget booking in a trip to Kusama's Tokyo museum for the next few months, then — all that Melburnians need to do is stay local, and Australians elsewhere just need to head to the Victorian capital. Other highlights include NGV International's glass waterwall going pink, but with black rather than white dots; Kusama's new version of Narcissus Garden, which dates back to 1966 and features 1400 30-centimetre-diameter silver balls this time around, sitting in front of the waterwall and in parts of Federation Court; and the yellow-and-black spheres of Dots Obsession hanging over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Flower Obsession is another participatory piece, returning from the 2017 NGV Triennial. Again, you're asked to add to the work. Here, red flowers are applied to a domestic space — and again, obliterating it is the mission. If you adore the artist's way with mirrors, you'll want to see 2016's Chandelier of Grief, which features baroque-style chandelier spinning within a hexagon of mirrors; 2013's Love Is Calling, where tentacles in different colours spring from both the floor and the ceiling; and 2017's The Spirits of the Pumpkins Descended into the Heavens, which gets viewers peering at glowing pumpkins as far as the eye can see through a small peephole. In Invisible Life, convex mirrors line a twisting and multi-hued corridor. With its six-metre-tall tendrils — which are covered in polka dots, naturally — the yellow-and-black The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe from 2019 is striking without using a looking glass (or several), and makes its Australian premiere. Prefer flowers instead? Set within a dotted space, All My Love for the Tulips, I Pray Forever from 2013 sees a trio of giant tulips loom over audiences. Overall, Yayoi Kusama steps through the artist's 80-plus years of making art via a thematic chronology. While a number of pieces hail from her childhood, others are far more recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they all appear. Any chance to see Yayoi Kusama's work in Australia is huge news, and reason to make a date — including travel plans, if needed. Here's another drawcard: the NGV has also added Friday-night parties to the mix, kicking off on Friday, December 20, 2024 for some pre-Christmas fun, then running for 18 weeks until Friday, April 18, 2025. Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne until Monday, April 21, 2025 — and NGV Friday Nights: Yayoi Kusama runs each Friday night from 6–10pm between Friday, December 20, 2024–Friday, April 18, 2025. Head to the NGV website for more details and tickets. Images: Visitors and artworks in the Yayoi Kusama exhibition at NGV International, Melbourne until 21 April 2025. © YAYOI KUSAMA. Photos: Danielle Castano, Sean Fennessy, Tobias Titz and Kate Shannassy.
When it comes to idyllic harbourside suburbs, it's hard to look past Sydney's beautiful Rose Bay. Only seven kilometres from the city, the neighbourhood sports an array of top-notch cafes, stylish watering holes and plenty of independent bakeries, grocers, homeware shops and bottle shops to enjoy. Here, there are loads of opportunities to lend the community and small businesses in the area a helping hand. To help you make the most of your time in the area, we've teamed up with American Express to design your go-to guide of venues to browse in and around Rose Bay. Grab a bite with mates, restock your liquor cabinet or prepare an excellent dinner party by shopping small with just a tap of your Amex Card.
In the whimsical 2001 film that bears her name, Parisian waitress Amélie Poulain (Audrey Tautou) decides to devote her life to bringing happiness to others in the quirkiest, sweetest, most charming ways possible. The results earned the Jean-Pierre Jeunet-directed effort five Oscar nominations, a slew of other awards and box office success around the world, and turned the movie into everyone's favourite French flick. We know you've seen it more than once. Now, Amélie is back — and the folks behind her latest incarnation clearly want to keep following in her footsteps by spreading joy wherever they can. No, they aren't returning prized childhood possessions, helping people find romance or taking a garden gnome around the world. However, given that they've adapted the beloved film into a stage musical, they're still achieving that aim. The song-filled theatre production will make its way to Broadway in April 2017, with previews the month prior, following its world premiere in Berkeley, California back in 2015, and another run in Los Angeles this December. Hamilton's Tony-nominated Phillipa Soo will jump from one hot hit to what's sure to be another to play the titular role alongside a cast of veteran performers, as directed by Tony-winning Who's Afraid of Virginia Woolf? helmer Pam MacKinnon. Amélie joins everything from Moulin Rouge to The Bodyguard in making the leap from the screen to the stage — and into must-see theatre lists as well. Just as it's a good time to be a film-loving TV watcher with the likes of Eternal Sunshine of the Spotless Mind and What We Do in the Shadows making their way to television, it is also an excellent to be a movie-obsessed musical attendee. Groundhog Day, Matilda, Singin' in the Rain, Heathers and Carrie have all also received the singing, dancing theatre treatment after all, just to name a few, with musicals of True Blood and SpongeBob SquarePants also slated in the near future. Via Variety.
Earlier this year, Scotland's BrewDog created the world's first craft beer hotel at its US base. Of course, if you're keen to head to Ohio for a boozy holiday, you'll need to get there somehow. Enter the world's first craft beer airline, which the beer fiends have aptly named BrewDog Airlines — and yes, it's all about drinking craft brews at 30,000 feet. In fact, BrewDog has also created its own beer that tastes better at a flying altitude. If you hop on board its airline, you'll be among the first to try it out. Cathay Pacific did something similar back in 2017, launching a bottled beer that was made to taste as great in the air as it does on the ground — but that's not the only brew-focused flourish on BrewDog Airlines. Boarding a Boeing 767, passengers will also enjoy a spot of beer tasting, tuck into a BrewDog-inspired menu that's paired with matching beers, watch the brewery's BrewDog Network — its own streaming platform — and receive a branded eye mask and blanket. More brews will be served during the flight, obviously. And, once the plane lands, you're in for a tour of BrewDog's Columbus facility, as well as a brewery-hopping day trip to Cincinnati. You can also stay at The DogHouse, the brewery's hotel, for an extra fee. If you're keen to take the trip, it's only flying from the UK to America on February 21, 2019, then making the return leg on February 25, 2019. You'll also need to be of BrewDog's Equity Punks, which is what it calls its shareholders — and pay £1,250 per person (or £2,250 for two people sharing a room). That said, the brewery is also giving away ten spots, if you're feeling lucky. With BrewDog also opening an Australian base in Brisbane in 2019 — albeit without a hotel — here's hoping it brings this idea with it. Image: BrewDog.
To everyone who'd read The Dry, or even simply heard about its following and success from a devotee who had, turning Jane Harper's debut novel into a movie seemed like one of the easiest decisions that Australia's film industry could make. More than that, it appeared certain to create that holy grail of Aussie pictures: a guaranteed and widespread homegrown hit. The response to the feature, which reached cinemas Down Under to start off 2021, proved that belief true. Robert Connolly helmed it into the top 15 Australian movies at the Australian box office of all time, on the back of over $20 million in receipts. But ask the Balibo, The Bank and Paper Planes filmmaker if he also thought that it'd have everyone across the country flocking to the silver screen, then ensure that Harper's second Aaron Falk story Force of Nature could get the film treatment, and he's not as definitive as you might expect he should be. The reason: timing. Releasing on January 1, 2021 meant that The Dry released as the COVID-19 pandemic entered its second year, after cinemas had spent a large portion of the past 12 months out of action and when capacity restrictions were a reality. "We actually weren't sure what was going to practically happen, because it came out as the pandemic was easing off and cinemas had been closed for months," Connolly tells Concrete Playground. "I remember some of the early screenings of The Dry, the cinemas were only allowed to be half capacity," he continues. "Fifty percent, yeah," Eric Bana, aka Connolly's Aaron Falk, also recalls. "My friends in exhibition, some of them were saying 'we're going to go under, we won't be here in a year'. And so we had a great hope for cinema, and a passion about cinema and exhibition, but not really any idea that it would open up so well," Connolly explains. "We were very proud of the film at that point and had really enjoyed making it, and had finished the film. And we were excited to show audiences. But I think that we'd have to be absolutely delighted that cinema has not only survived but is starting to thrive again. It's amazing talking to exhibitors at the moment, they're all saying that whereas last year there was one big blockbuster, this year there's about ten different films that are playing, and they're enjoying the fact that audiences are coming in to see different films. They might not be packed like a blockbuster, but there's a habit that's reemerging of people going to the movies, which is great for us all." Force of Nature: The Dry 2 — as The Dry's cinematic followup has been rebadged to ensure that audiences make the connection — hits the big screen with two in-built audiences, then. Folks who obsessed over Harper's Falk tales on the page and those who've only known the federal agent via film, with The Castle, Chopper, Munich, The Time Traveller's Wife and Hanna's Bana in the part, have already been packing theatres before the movie's official release on Thursday, February 8 thanks to weekends of advanced screenings. The first camp share something in common with Connolly and Bana: loving The Dry as a book first. Indeed, it was the strength of the material that got them both interested, and saw a new Aussie franchise come to life in cinemas. This saga has more than a few drawcards, too, from the page-to-screen narratives, its filmmaker and star to the strength of its supporting casts, the fact that it's an Australian whodunnit series and its broader look at the nation's landscape beyond the outback's red earth. Where The Dry was set in the Victorian wheatbelt, trading ochre for yellow as far as the eye can see, Force of Nature stays in the same state but treks through lush, sprawling, inhospitably dense, vibrantly green mountainous forests. Falk isn't visiting his home town this time. He's firmly in professional mode, on a case that's sparked another. With fellow federal police officer Carmen Cooper (Jacqueline McKenzie, Ruby's Choice), he's been working to turn Alice Russell (Anna Torv, The Last of Us) into a whistleblower against her employer, only for her to disappear on a corporate hiking retreat. Falk is desperate to find her alive — but getting to the bottom of what happened, both from her bosses Jill (Deborra-Lee Furness, Blessed) and Daniel Bailey (Richard Roxburgh, Prosper), and from her colleagues (Homeland's Robin McLeavy, Mortal Kombat's Sisi Stringer and Strife's Lucy Ansell), is hardly straightforward. That the spot where Alice has gone missing is also personal for Falk further complicates matters. Harper hasn't only written two novels about the determined detective. A third also sits on bookshelves around the country — and whether Exiles might also flicker across the screen was part of our chat with Connolly and Bana. We also asked the long-term friends, who worked together on Blueback in-between The Dry and Force of Nature, about their introduction to Aaron Falk, how Bana steps into his shoes, why the character and the tales he's in resonate so strongly, the stunning surroundings each film has taken them to, and the who's who of Aussie talent among the rest of the casts. [caption id="attachment_796115" align="alignnone" width="1920"] The Dry[/caption] On First Discovering Jane Harper's Books, and Aaron Falk — and Wanting to Bring Them to the Cinema Robert: "It's interesting. Bruna Papandrea [The Dry and Force of Nature: The Dry 2's producer], who's a very long-term friend of ours, sent me the book and said 'oh, do you think there's a film in this? Would you be interested? It's incredible'. We work together, share an office, and I literally read it that night. Came in the next day, had a chat with Bruna and said 'I think it's amazing'. Then I sat down with Eric for our morning coffee and said 'god, I read this book The Dry'. And he's like 'I read it too, do you want to do it?'. It was so easy. It was one of those effortless gatherings of friends to make a film. And we never imagined that we'd be making a followup film and taking the story of Aaron Falk further. Embarking on The Dry at that point was just incredible adventure, really." Eric: "Yeah, both just fans of the book originally, and then it all just went from there." On What Appealed to Bana About Stepping Into Aaron Falk's Shoes Eric: "I love great dialogue, and when I read The Dry, I wasn't thinking about myself at all. I was also just so taken in by Jane's depiction of the landscape. And as an Australian who who loves travelling through small country towns, I just felt like finally someone gets it — finally someone's nailed it. This is Australia. And then the way the characters were introduced and evolved, and some of the scenes between Aaron and Gretchen [played by Andor and Ahsoka's Genevieve O'Reilly in the film] — I remember reading and thinking 'if they turn this into a film, these scenes would be just incredible. These things would just be incredible to play'. And that voice started in my head of like 'great, that would be a great character. This would make a great film'. And then you just sort of park it. It was given to me by my wife, who reads every adaptation I've ever been in. And then it came up between Rob and I. So I just thought it was beautifully written. I was drawn to the dialogue. I thought it had a wonderful sense of place and had great potential." On Why the World of The Dry, Force of Nature and Aaron Falk Resonates So Strongly with Audiences Eric: "We don't have a lot of whodunnits in Australia. The Brits do it really, really well. I think they engage an audience in a different way to a traditional drama. Australians love heavy, dark drama, clearly. Character-driven stuff. So in some ways, it feeds that beast. But at the same time, I think it appeals to the ego of the audience who want to figure out something. You want to feel smart. And Jane lays these little, little traps, and Rob lays these little misdirections, and you have to be engaged. There's no leaving the cinema for five minutes when you're watching one of these kinds of films. So, I think that's part of the appeal. I really do. And they're extremely visual. The location is such a major character, it inhabits the drama and infects the drama in both stories. I think that makes them unique." [caption id="attachment_796110" align="alignnone" width="1920"] The Dry[/caption] Robert: "Landscape is a potent thing in cinema. The success of streaming has thrown down the gauntlet to filmmakers now that we have to make films that are bigger and more epic, and that demand to be seen in the cinema. And so my last three films — The Dry, Blueback, Force of Nature — have all shot on large-format cameras, and we've got big music and big sound design. I'm trying to lift the experience of the cinema so that it can be all-consuming. Because I definitely feel in the books. I love the way that they place character in landscape. The landscape in Force of Nature is very different to The Dry, but they're both films that are all-consuming about place, a sense of place." On Expanding the Cinematic Depiction of Australia's Landscape Beyond the Outback's Red Earth Robert: "I am fascinated by the different parts of this country, and by landscape. And so I think the films I'm making are a bit of a jigsaw puzzle of portraits of different parts of Australia. I love going somewhere and then investigating it with the film. So in Force of Nature, I loved going into this subtropical ancient forest that people have never filmed in, with the camera and with the actors, and with this incredible story that Jane Harper had created, and investigating it with the camera — and then taking that to the audience. I think having grown up in the Blue Mountains and grown up in the bush, I do completely agree with you about showing things differently. Like for me, I had never seen a film about the Australian bush that really transported me into the bush I knew, that I'd been out in as a kid and got lost in and had adventures in. So I brought very much my own ambition to kind of make a love letter to the Australian bush in some ways as well, and to show it in a way that maybe no one had really done before in an equivalent way." On How Bana Prepared to Bring Aaron Falk to the Screen for the Second Time Eric: "It felt like a cheat. I mean, I've never been able to reprise a role before. I had this huge leg up and like 'I've been this guy already'. There's a little less work required. Then it was a case of, well, 'where's he at now and how much time has passed?'. This is more about policing. So The Dry was like he was in his own personal time, not as a police officer, and gets lured into elements of this potential crime that had occurred — and then is suddenly being taken down the path of investigator. Here, it's pure policing, 100-percent policing, him in his natural element. And that leads him into a personal investigation of himself and where he's at in his life, and what does policing mean. What does it mean to ask things of informants? And what are the moral ethics of that? And how does that clash with where he's at? Much to my shock, he's actually quite an experienced older officer in his early-to-mid 50s. There's a nice pension waiting for Aaron. So it's quite a different approach, because he is the vet in his professional environment, which was much different to The Dry." On Balancing the Professional and Personal Parts of Aaron Falk's Story, Helped by the Collaborative Approach to Making the Films Eric: "I think it comes down to what the material is asking of me and of the audience. And conversations that Rob and I will have about what this scene is potentially going say about Aaron, and how can we expand on that when Richard Roxburgh's character and Aaron come together, and what changes we can make to to enhance that. A lot of it is evolving when you're in the film as well, and that's why it's great having that collaborative approach, and that things aren't just locked in that — we can move, and we have the luxury because we've worked together and we're friends, we can navigate that stuff really easily." Robert: "It's a really interesting evolution, probably, in my approach to directing. There's one approach where you turn up on the day and you know what you want, and you've got a plan and a structure to get it. And there's another one, which is to turn up and work and collaborate with people that you have a great creative dynamic with, and use the day to explore the material and discover things in it. It took me a while. My earlier films, I was more anxious, probably, and they were a bit tighter because I was. But as I've got deeper into my career, I've wanted to almost call action and not quite know what's going to happen, be surprised by it. And create a situation, particularly with those five women lost in the bush, take them into a remote place, make it an incredibly tough location — they're out there — and then create situations where the camera is capturing a very real, visceral dynamic between them. So that's probably a great passion of mine — and Eric's right, we've been on the set exploring the scene. It's an evolution that happens on the page. I remember someone said that a script is written three times: on the page, during the shoot and in the edit. So when you have best screenplay awards, what are you judging? Are you judging the script on the page at the beginning, or the script you had at the end of the shoot, or the one at the end of the edit?" On Building Such Spectacular Australian Casts Around Bana as Aaron Falk Robert: "I think I've been very lucky across my career. My wife Jane Norris, one of Australia's leading casting directors, she has helped Eric and I on both these films with the casting. And she very much has an aesthetic, a casting aesthetic, which is that a film can be bedded down with a big actor like Eric playing a big character like Aaron Falk, but that Australian audiences also like seeing some of our great actors we haven't seen for a while — like Deborra-Lee Furness, Jacqueline McKenzie. In The Dry, someone like John Polson [who hadn't acted since 2000's Mission: Impossible II]. But she's always really big on new talent. She said Australians love it. She said 'let's go back to Muriel's Wedding and how we all felt seeing Toni Colette and Rachel Griffiths for the first time, who went on to become massive actors'. She's big on making sure you are championing new talent in the in the aesthetic of the ensemble, which is where The Dry had those great young actors who've gone on to have massive careers. And in this, Sissy Stringer and Lucy Ansell, playing Bree and Beth, have brought this absolute energy. So I think that that combination of experience and new talent, it's just so dynamic. It feels dynamic on set, doesn't it?" Eric: "Yeah, absolutely. Yeah, it definitely does. It was amazing. I mean, we were always really excited by the premise. It was one of the reasons we wanted to make this film. We kept talking about how amazing it would be to have five incredible actors in those roles, and that was going to really carry the the the story. Then Jane's first suggestion was was Deborra-Lee Furness, who's a very old friend of both of ours that we've known for a long time. And we just saw 'oh my god, if we can get her to say yes, we're on our way'. And she did, thankfully. And so it was amazing. They were incredible to work with, all of them. And just sitting in the edit and watching all those scenes — because as the actor, you're not always there on the day — just watching what the women were doing because they were so well-written, but then they were elevating everything and it was just so exciting." Robert: Anna Torv, I mean, we both loved her from Mindhunter. And it's similar, it's like 'do you think she'll do it?'. The excitement of casting is palpable, like when Eric and I — because Eric is producing partner on this as well and across everything creatively — and so as a team, we're all deciding on someone, and then arguing the case to them of why they must do our film." On Potentially Following Up The Dry and Force of Nature with Exiles Eric: "I really can't answer it. We never spoke about Force of Nature whilst we were making The Dry. It was never a conversation, and same with this one. We just wanted to make the best film we could, and for Australian public who gave us that opportunity by championing The Dry to the extent they did. So yeah, there is a third book there. It's Thursday, we're going to try and get through Friday, then Saturday, and then next week — and we just hope this film does well. And then we'll sit down and work out what to do next." Force of Nature: The Dry 2 releases in Australian and New Zealand cinemas on Thursday, February 8, 2024. Read our review of The Dry and Force of Nature: The Dry 2. Images: Narelle Portanier.
Ever since the day that humans discovered how great smashed, fermented grapes taste, people have been struggling with wine stains. Abstaining from drinking red when you're wearing white might be a sensible-enough workaround, but it's not ideal, really. Don't worry, an Amsterdam-based company has invented a solution. Behold what Labfresh is calling "the next generation in shirts" — and if it does what it is supposed to, then it'll certainly live up to the hype. The crisp white items of clothing are stain, odour and wrinkle resistant thanks to sustainable cotton fibres made with water, oil and bacteria-repellent technology, as well as breathable and fast-drying. That means that as well as staying free from red splotches and other marks, it'll smell fresh if you need to wear it more than once. If that sounds like just the kind of thing you need when you're having an after-work tipple, then you're not alone. Since starting a Kickstarter campaign at the beginning of January, they've met and surpassed their funding target several times over. In fact, at the time of writing, they're just €382 away from quadrupling their original ask. Given that plenty of others have been dabbling in the area and making similar claims for a few years now, that's quite the response. The shirts are available in slim and regular fit, are expected to ship to customers around the world by April, and have been tested with ketchup, Sriracha sauce, red wine and olive oil too. A matching tie is also available in five colours to complete the stain-free look. Via MUNCHIES.
For many — perhaps for most — Microsoft Excel is a necessary means to an end, whether you're using it at work, home or both. The act of spreadsheeting doesn't inspire strong feelings, then, let alone an abundance of affection, no matter the contents being entered into cells. As Australian documentary Spreadsheet Champions illustrates, that attitude isn't anywhere in sight among the competitors demonstrating their skills at the Excel component at the annual Microsoft Office Specialist World Championships. Each year, students aged between 13–22 hit the keyboards in Orlando, Florida, all hoping to be crowned the best on the planet at using software that has been a data-calculating and -computing go-to since its 1985 debut — so, for four decades now. If your first response to even hearing about the Microsoft Office Specialist World Championships — which also has separate competitions for Microsoft Word and Microsoft PowerPoint, too — is "does that actually exist?", then you're in good company. "I just thought 'what? Is that real? Who are these people?'," Melbourne-based Australian filmmaker Kristina Kraskov explains to Concrete Playground. "Always, when you have a little spark of an idea, if you immediately have 100 questions it's usually got a strong story. So I just go about trying to answer all those questions. 'Who are these people? Why do they try so hard? What does this mean? What does this involve?'," she continues. "It was a new world," Kraskov says. That's her preferred domain as a director. Kraskov's past shorts span the likes of Heavy Haulage Girls, about women driving road trains; The King of Frankston, with a sneaker-loving local legend in the Melbourne suburb at its centre; Party in the Back, focusing on entrants at Mulletfest Australia in Kurri Kurri in New South Wales; and Suburban Legends, with obscure local celebrities in the spotlight. "I'm always intrigued into new worlds and what things mean to people," she advises. Kraskov knows that others are having the same reaction to initially discovering that there's a world championships for Excel. That helped the film get made. "I was much less experienced than I am now, but every time I pitched the project, people were always having also a million questions — very intrigued. So we always had that initial response from people, which was great," she shares. Equally excellent: that Spreadsheet Champions had its world premiere at SXSW in Austin in March 2025, then played HotDocs Film Festival in Canada, before debuting at home at the Melbourne International Film Festival. "I didn't know if it was real, that we'd got in," notes Kraskov about SXSW. "I had to check the official announcement and the website and make sure that it was true. And it was. And being there was really amazing. It's a huge, prestigious festival and we'd never had the film play in front of an audience. So there's a lot of things that you really hope work and hit home, and they did, and people were laughing and crying, and telling us how much they love spreadsheets or technology. It was just a really good experience." Spreadsheet Champions is a doco that sparks reactions. Some hails from Excel diehards, some from others. "There's a lot of forums and it's almost like a cult online about people that are obsessed with Excel. But it is other people coming as well and it's a good mix," says the filmmaker. At screenings, "people will say 'I'm obsessed with spreadsheets, it gives meaning to my whole life, people don't understand me' — or they'll say 'I thought this film would be boring, my friend wanted me to come, I loved it'. It's kind of one or the other." The film follows six talented young Excel users: Mason from the US, Australian teen Braydon, Guatemala's Carmina, Nam from Vietnam, Greek entrant Alkmini and Cameroon's De La Paix. To even get to Floria, they first have to top the Excel field in their own countries. Once at the software's pinnacle competition-wise, they then need to sit an exam that covers their use of the tool, including creatively and in problem-solving, plus their knowledge of not just its functionality and formulas but its history. Charting her subjects' progress, Kraskov captures what Excel and the Microsoft Office Specialist World Championships means to each, their distinctive journeys there, and the experience — and tension, and pressure — of the contest, creating a riveting viewing experience. MIFF isn't just a festival with Spreadsheet Champions in its program. Pivotally, the event's Premiere Fund helped support the film. Kraskov advises that that "was a big game-changer for us. It is really hard to make documentaries in Australia, and the producer Anna [Charalambous, Ellis Park] and I, we were first-timers for features. So it was good support to have early on, and once you have some support, it is easier to have others. I've always loved MIFF as a festival. I always got the program and circled all of the unusual documentaries. So it just feels really huge that MIFF supported me in making my own, and now it's in the program and everyone's going to go see it." What do you learn making a doco like this? "I think you just learn to be open, and to question everything you know all the time. You just keep gathering other people's knowledge, comparing with your life and experience, and just keep evolving — keep listening and watching. That's the main thing," Kraskov reflects. And yes, as for what comes next, "someone suggested a three-picture deal with Word and PowerPoint. I'm not opposed to that. There's a lot of unusual competitions in the world," she furthers. "But there's also a lot of great stories. I'm definitely just going to keep going and keep telling these kinds of stories." Included in our conversation as well: everything from Kraskov's own starting point with Excel going in, getting the documentary's subjects onboard and restraints around accessing the test to celebrating unique passions, details that unite the movie's six competitors and the appeal of highly specific factual films. On Spreadsheet Champions' Appeal to Excel Devotees — and to Those Not Fond of the Program, Too "We realised very early on that Excel has a billion users worldwide — and not all of them, a lot of people do hate Excel, but many of them are very, very, very passionate about it. And hence some of them going to the lengths that they do to be in competition. So we knew that that Excel fanbase was out there, but it's great to have Excel fans and people who don't like Excel all enjoying the film." View this post on Instagram A post shared by Kristina Kraskov (@kristinakraskov) On Kraskov's Own Starting Point with Excel Before Making the Film "I used Excel in a very basic way. Producers use it a lot and are pretty passionate about it in filmmaking, but that's as far as I went. But I quickly discovered how much it means to people — how it organises their life and chaos — and I was just enthralled in those people and why it meant so much to them. When people ask me if good at Excel, I just say that 'the commentators at the Olympics, they're not going to win the gold medal, but they can appreciate it and tell the story'. So I feel like that's my role." On Choosing Just to Focus on Excel, Not Word and PowerPoint, for Spreadsheet Champions "I did think about them, but often if you just pay attention, a story will present itself to you. So that's what happened. I was just doing a lot of research and I thought 'what would they do in the Word and PowerPoint programs?'. But very much the Excel competitors and competition itself had this reputation of being the hard one. 'These are the hardcore people. You don't mess with them. This test is really punishing.' It had this real atmosphere and reputation around it that made me think that that's where the story is." On Finding Spreadsheet Champions' Six Contenders "It was a really difficult casting process, because they qualify at their national championships at all different times. So basically, we just — whoever qualified in their country and wanted to talk, we would go out on a Zoom interview with them And we were looking for very different home environments, personalities, strengths and weaknesses. We had a few countries that usually do well, and some countries who have never got a medal before — but most importantly, it was the competitors themselves and just making sure they're very different from one another. So we have some who are what you would imagine, and what you come for to see this film, maybe like Mason. But then you have others who surprise you. And I think who we think of as computer people, geeks and nerds, it's not really the same anymore. These teenagers are something different. So we just wanted them to be really different from each other." On Getting the Documentary's Subjects Onboard "A few of them are underage, so we had to proceed with caution and always be talking to their parents or teachers as well, and just be really upfront with our intentions and what the film was going to be about at its core — because it would have been really unusual for them as well. But once we got to know them, after a couple of sessions it really wasn't difficult, what we proposed, what we wanted to do. And I think in some way, the competitors themselves and their support networks knew this was something really special outside of this world no one else really cares about. So it's an opportunity for all of us, really." On the Feeling in the Room at the Microsoft Office Specialist World Championships "The air is really thick with stress and tension. It's very palpable, and operating the camera and thinking about what we have to do, it was really difficult. I was holding my breath at points, trying not to disrupt them. And you can just hear furious keys and mouses. And I think it's described in the film that once it's over it, that noise re-enters the world and there's a big sigh of relief. It's a really unique environment, definitely — a first with something like that for me. But the mood after the test was over, you can see it on their faces, it was quite harrowing experience for all of them, really, but at least it was over and you could breathe." On Working Around the Limited Access Allowed to the Excel Test Itself, Given That Its Contents Are Kept Secret "I guess it was about giving a context to the scale of the difficulty, and introducing the aspects that they're looking for. We worked really closely with Bing [who oversees the Excel championship] once we had gained his trust. So that did take a long time, because he didn't care about the film at all. I mean, he's happy now, but at the time he said 'I've got a job to do. It's finding the best, keeping it secure, so I don't really care about this'. But once we met him and built that trust, then we could work with him. So some of the things that you do see during the test are real questions that he allowed us to use that won't be reused. And what they do in the creative section is real as well. But for us, it was a really fine balance of the story of the emotion and the competition, and telling people how difficult it is, with the story of Excel and those intricate details themselves. And it is hard to make a film like that for everyone. The Excel lovers and haters are not going to agree with that. But in the end, I think it's a really important story — and for me, the focus was always the competitors' journeys, and Excel is the vessel to tell." On How to Get the Right Balance Between Providing Context to the Competition, the History of Excel, the Event Itself and the Contenders' Journeys "I think just working with the creative team, and just making sure that everything kept you engaged. There's so many engaging parts to this story, and obviously some parts of Excel can get a little bit dry. We watched the test sequence a lot, and it was probably one of the more difficult sequences of the whole film to edit — so just making sure that when we showed fresh people, there was always a response, an emotional response, something that they learned. But yeah, it was tough, but audiences have been responding really well and I'm really grateful." On Whether It Was Difficult to Find the Best Visual Approach for a Film That Often Jumps Between Talking Heads and People at Computers "Yeah, absolutely. That was a question we got asked a lot: 'wouldn't it be boring? Won't you just be watching kids on-screen?'. So we had to just make sure that there was a lot of actuality in it as well. I love observational documentaries — vérité is my favourite genre. So you see that there's some real moments where the camera is just following what's happening, and you're very real in there. So it's just a matter of balancing everything out, I think. And then using your other — if you can't have crazy footage running around, then what else can you use? So working with our composer and our sound design to make sure that there's still that tension and audiences are still really engaged." On What Kraskov Observes Unites Spreadsheet Champions' Subjects "I would say there's two things that they all have in common. That is, firstly, that they are kind of born with — not a completely mathematical, logical brain, but numbers are a very natural language to them more so than words. So they all have an affinity at very young ages for mathematics, and it makes a lot of sense to them. And they were always all very, very exceptional at it. And the second thing that I was very surprised about, I thought that we would have a lot of different kinds of parents — I have very strict immigrant parents, I thought we would have some of that kind of 'you better win or you're in trouble', but it wasn't really the case. All of the parental support that the students had was a mixture — consistent but they really knew their kids well and really supported them, and they were all very nice but firm in their own ways. And that's what they all had, I think, that helped them. They had their natural skill, but they had people in their corner as well, noticing them and encouraging them." On the Film Being a Celebration of Unique Passions and Going All in on What's Important to You "That was always the main message for me. I think I love a subject that's very unusual, and it might draw you in and people might go 'who are these weirdos?', but through that you really learn to appreciate people who ho have different skills and have different passions. And that's pretty much what all my films are about, is just finding people who are uniquely themselves, finding out what that means and living their life accordingly." On If Making a Film About People Being So Dedicated and Passionate About Something Is Inspiring "Absolutely. The shoot itself was gruelling. We were going to a different country every week, different time zones. If you're not shooting, you're on a plane and that's about it. So I was exhausted, but everyone I met and spoke to was so inspiring. And even just to learn a country's philosophy towards something like this, being so completely different to our own — everyone we met really fuelled us to keep going and to just have the energy to tell the story, because it was so incredible." On How Kraskov's Short Films Helped Lead Her to Spreadsheet Champions "I had this idea before I'd done a lot of the work that I've done, and lots of things like COVID got in the way. But my other work that I've had creative control over has always followed a similar line of discovering new worlds and what people living differently can teach us about ourselves, I suppose. And then, just getting to interview people and follow them throughout their lives, you just get to hear people boil down their life philosophy to you on a weekly basis — and that's such an amazing thing. And I think it's helped me be really open to stories and possibilities. It's a really cool job to do." On Why Documentaries About Highly Specific Topics Appeal to Audiences "I think these documentaries are so powerful because everyone can identify with an underdog. No matter who you are, you've felt like you didn't belong and you want somewhere to belong. And so just finding people who so unashamedly try so hard at what they love — and if that thing that they love isn't recognised by the people, it doesn't stop them — I think people just really resonate with that, and that's a good thing." Spreadsheet Champions screens at the 2025 Melbourne International Film Festival. MIFF 2025 runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, visit the MIFF website.
Hugos Manly is quite possibly the perfect spot to bunk down of a warm evening for a Pimms Cooler ($36 jug). With uninterrupted views of the ferries pulling into the wharf, this place has become popular amongst both locals and city dwellers alike. Try the salmon pizza – smoked salmon with mascarpone, caviar, capers, watercress and chives ($28) – and celebrate a setting sun.
If travelling is synonymous with getting into a good book or, whenever you walk into a bookshop, you get this strange feeling to curl up on the shelves and go to sleep, you need to book a flight to Tokyo and reserve yourself sleeping shelf at Book and Bed hostel. The hostel describes themselves as an "accommodation bookshop", which is exactly what it sounds like. It's no five-star deal here; at Book and Bed, the commodity is words, rather than luxury. It is budget accommodation after all, and for around $50 AUD a night, they're offering you the chance to sleep surrounded by stories, the smell of printed pages and the sound of other hostellers greedily flipping through their own books in their bed each night. Sounds much more chill than your usual hostel, where most people are doing anything but book-reading. The hostel is designed has been designed as a lounge-like bookshop, so you can pick out a book and read it in the lobby, or take it back to bed with you for some horizontal action. And if you're thinking that the beds are just out the back somewhere, you're wrong — the beds are actually built into the bookshelves. Yep, you'll be sleeping where the books sleep. Needless to say, this makes for a bit of a pod-like situation, so don't come expecting room to move. It's all about reading. And nodding off to sleep mid-chapter every night. Book and Bed Tokyo is located in the Toshima-ku ward, and is close to Ikebukuro Station. For more information, visit their website. Via PSFK.
