Tasmania might get a little dark and stormy throughout winter, but the occasional blustery conditions mean that there's an even greater focus on spending quality time with your favourite people. That good-natured spirit is particularly apparent in the state's selection of breweries — places that'll keep you and your loved ones warm and cosy, and immediately charm your souls. From waterfront industrial-chic breweries to farms that roll over the hillsides, Tasmania's brewhouses make the most of their wealth of ingredients by creating elegant drinks that travellers will want to keep sipping. So we've tracked down five perfect spots that will not only have you revelling in the winter climes but also enjoying some fantastic beers along the way. Embrace the wild weather and start planning your midwinter Tassie escape. [caption id="attachment_718803" align="alignnone" width="1920"] Chris Crerar.[/caption] SAINT JOHN CRAFT BEER Craft beer bars might seem a dime a dozen these days, but Saint John Craft Beer would enhance any city's beer drinking scene. And when it comes to finding a toasty spot to escape Launceston's wintery streets and enjoy a lively evening with friends, there's no better spot than here. The cooler months are the perfect time to pay Saint John a visit, with a number of stouts usually featuring among the bar's tap list — offering beer-lovers a chance to sample some devilishly dark brews from local, mainland and international producers. Plus, you'll find great burgers and snacks to match, all thanks to a permanent food van serving in the spacious rear outdoor section. [caption id="attachment_718802" align="alignnone" width="1920"] Hobart Brewing Co.[/caption] HOBART BREWING CO Inspired by Hobart's lengthy history of brewing, the Hobart Brewing Co set out to create a venue that welcomes beer obsessives with open arms while pouring a selection of spectacular drinks made on-site. And it's safe to say that it has achieved this goal, with the brewery ranking among Hobart's premier bars — and drawing visitors in from the cold in the droves. Set across the harbour from Salamanca Place, this industrial waterfront warehouse is an ace place to delve into a great selection of drinks, including a few nifty partnerships with other local brewers. Also on offer? Regular food trucks and live music, plus a fire pit to warm yourself by as you settle in for a few quality brews. [caption id="attachment_718485" align="aligncenter" width="1920"] Two Metre Tall.[/caption] TWO METRE TALL Take a 45-minute drive from Hobart and you'll arrive at the sprawling fields of the Two Metre Tall brewery. Tucked away in the Derwent Valley, this 580-hectare property produces some of the finest farmhouse ales and ciders anywhere in Tasmania, using a production process that combines mixed and wild fermentation — which gives its brews some truly spectacular flavours. Spread out across plenty of lawn, the brewery encourages you to bring your friends, your blankets (for both sitting and rugging up) and a well-stocked picnic basket. Park yourself by one of the many onsite barbecues (there are even woodfired options) and start cooking — it's an excellent way to keep warm and toasty, too. All you've gotta do next is grab a hand-pumped tipple to perfect your luncheon. [caption id="attachment_718801" align="alignnone" width="1920"] Bruny Island Cheese and Beer Co.[/caption] BRUNY ISLAND CHEESE AND BEER CO The Bruny Island Cheese Co has been around for years, specialising in artisan and small-batch cheeses. But when owner Nick Haddow met brewer Evan Hunter, they decided to combine their renowned talents. We're certainly glad that they did because the Bruny Island Cheese and Beer Co now provides visitors with quite the range of culinary pleasures — of the edible and drinkable kind. Made with Tasmanian-grown hops and grains from neighbouring farms on the island, the beers on offer here set a very high standard. Plus, each brew is created with a sustainable mindset. All wastage is recycled and put back into the farm, whether that be wastewater being treated then used as irrigation water or beer and cheese byproducts becoming feed for the pigs at a nearby farm. For a drop that'll warm you from the inside out, opt for the hearty whey stout, made with lactose from organic cow's milk whey leftover from cheesemaking. It's a sweet, textured beverage and pairs very well with a wedge of Saint: a ooey, gooey surface-ripened soft cheese. [caption id="attachment_717038" align="alignnone" width="1920"] Shambles Brewery.[/caption] SHAMBLES BREWERY Since opening in 2016, Shambles Brewery has become one of the best spots to get a beer on the North Hobart strip. This large-scale chic warehouse space has been transformed into a beer drinker's utopia, featuring everything you could want — from a huge open beer hall to a roaring fire pit to concrete table tennis tables that even withstand the chilliest of winter days. Serving Tasmanian wine, cider and spirits, the Shambles Brewery's line-up of beer packs quite the punch with an offering that includes experimental pale ales, American IPA and even a robust porter that has hints of chocolate and coffee. And as for the food, it's perfectly suited for winter; think 12-hour lamb ribs, six types of burger, brisket tacos and crispy fried chicken. Top image: Saint John Craft Beer by Chris Crerar.
Before you install that hot tub in your backyard, allow HotTug to welcome you to the future. A wood stove in the front of the boat heats the 2000 litres of water to a toasty temperature. You can rent the HutTug in two different versions, one with integrated electric motor of 2.4 KW and another with outboard engine. The office is located in The Netherlands, but don't panic: international rentals and sales (starting at around 9,000 Euros) are possible. HotTug is available in the standard black but is available in blue and red, too. All you have to do is find some friends, pick a colour and before you know it you'll be hanging out in water submerged in more water.
Heartbreak High obsessives, your time is now: the 90s favourite has been revived by Netflix, bringing a new generation of Hartley High dramas into your streaming queue. Let's be honest — if you loved the show since way back when, it's always been your time; however, now you can experience the ups and downs of the Aussie series' next batch of high schoolers. A fan since the OG run, and always wished you lived in the show when you were at school? Just discovered the homegrown classic via the new version? Either way, if you're in Sydney on Saturday, September 17–Sunday September 18, you can nab some free threads to look the part. Netflix loves launching its big titles with pop-ups, and this one's no different — joining its The Gray Man barber, Stranger Things rift and Squid Game doll over the past 12 months. One thing that this boasts that those others didn't? That free clothing, with 1000 pieces up for grabs all up. Head along and you too can look like you've just stepped out of class — at a school that doesn't have a uniform, aka most teenagers' dream. Netflix has badged the pop-up a 'uniform shop' to fit the theme, though, but the range includes local designers and keenly sought-after thrifted items. Sydneysiders and folks who happen to be in town for the weekend just need to make a trip to 520 King Street in Newtown, where the thrift shop will be handing out pieces by HoMie, Clothing The Gaps, Jody Just, Off White and more. It's a first come, first served affair, and there'll be 500 pieces on offer each day. So, as always with give aways, getting in early during the shop's 10am–6pm operating hours is recommended. Given that the new version of Heartbreak High decks out its characters in everything from bursts of colour to grunge 90s attire, expect a variety of styles on offer. And, expect free temporary tattoos, too, as well as a photographer capturing high school portraits. If you haven't started your new Heartbreak High binge yet — which revives the 1994–99 show, which itself was a spinoff from the Claudia Karvan- and Alex Dimitriades-starring 1993 movie The Heartbreak Kid, which adapted the 1987 play of the same name — it starts with an unexpected fight between best friends Amerie (Ayesha Madon, The Moth Effect) and Harper (Asher Yasbincek, How to Please a Woman), plus a sex map charting who's hooked up with hook among Hartley High's year 11 students. Yes, that map is part of the Newton pop-up's artwork. Find the Heartbreak High Uniform Shop at 520 King Street, Newtown, Sydney from 10am–6pm on Saturday, September 17–Sunday September 18. Heartbreak High is available to stream via Netflix — read our full review.
As the old proverb goes, "One can't be fully cool unless one's beers are cool, too." This never applies more than in summer, on a scorcher in the Australian sun (hey pool party season, nice to see you again). Now that it's the southern hemisphere's turn to hang out with old mate humidity, it's imperative you seize the hot season well-prepared. Nothing is more important in summer than protecting your health and comfort (tube of SPF 50+, blow-up paddling pool with built-in drink holders) and we believe the right esky is part and parcel to enjoying your holidays. We've compiled a couple of our favourites to make sure your hallowed bevvies stay cooler than being cool (ice cold). [caption id="attachment_650565" align="alignnone" width="1280"] Kmart[/caption] BASIC In our experience, a basic model esky can come from a scour of your local hard rubbish or your parents' garage. But if your street community fails you, you don't have to shell out a lot to make sure your drinks get to be treated real nice. KMART COOLER For a no-frills model with a chill price, head over to everyone's fave bargain hoedown showdown: Kmart. For quick beach trips, try this little eight-litre gem — it's tough, and if you're wanting a bigger buddy, it comes in a variety of sizes (up to 45-litres). This is as basic as it gets, can hold up to 12 cans and is factory-made — let's not pretend. Pros: Cheap! And its size won't take an arm and a leg to haul across the sand. Cons: Considering their base model electric fans sell out on the first hot day of the year, be prepared to fight with other bargain-hungry beery folks. Price: $19 for the eight-litre. WILLOW 35-LITRE WHEELIE COOLER Or, there's Willow's 35-litre Wheelie Cooler. Made by a company Australian-owned since 1887, you can buy local as well as landing an aesthetically pleasing esky (just check out the blue-green gradient on this baby). There are cup holders on the lid and a handle to pull it so you'll be cruising over most terrain with ease. Pros: Australian-made in sweet beachy colours. Cons: A little light on features. Price: $75 TECHNI ICE CLASSIC ICE BOX Techni Ice also has a good basic option, though the price point is higher — at $238, their swish, all-white Classic Ice Box will match any colour of beverage you might like to insert in its pristine interior. Pros: Dual seal so no leakage so colder drinks. Its drain plug can be made into a water dispenser. Cons: No wheels — at 80 litres it might be a tough slog to haul around. Price: $238 [caption id="attachment_607797" align="alignnone" width="1280"] Williams-Sonoma.[/caption] DESIGNER If you just want a pretty-lookin' box of coldness and aren't too worried about the ins and outs (or the ability to carry an esky long distances with ease), pick one of these aesthetically pleasing, highly impractical options. WILLIAMS-SONOMA RED VINTAGE COOLER Williams-Sonoma has a lovely option with their red vintage cooler. It's a super bright cherry red so you can't lose track of where your drinks are, and it'll feel like you're in a Coke ad from the '60s. Pros: It looks reeeeaaal nice, and it has a built in bottle opener. Cons: A lack of tech aspect might mean it's less effective in doing its job. Also heavy when full. Price: $75 KINCROME RETRO DRINKS COOLER Or, head over to Kincrome: their smallish, pink, retro-themed esky will become the envy of everyone at Golden Plains. Kind of resembling one of those fancy Smeg fridges, this guy pulls an A+ in the looks category. Pros: Bumpers on the corners for when you inevitably hit your shin on them on your beer run. Pink and cute and novelty like a Katy Perry song (prime pool party equipment). Cons: Only has a 17-litre capacity and a fairly thin handle for carrying which may be uncomfortable. Price: $120 [caption id="attachment_607800" align="alignnone" width="1280"] Super Esky, Kelly's.[/caption] DELUXE Well, you're in this for the long game — you don't mess around with keeping your drinks cold and your party guests happy. Check out some deluxe options for those taking this seriously. How about Tropical Ice Boxes 62-litre blitzer? TROPICAL ICE BOX This big guy is legit — he'll hold your ice in its original form for four to ten days before the slush starts to kick in. Also, there are rubber grips on the bottom to prevent slippage. Pros: Perfect for multiple-day festivals or camping trips, and they mostly come in very tropical orange. Cons: It is really very orange. Price: Around the $230 mark. COLEMAN 58-LITRE XTREME COOLER The Coleman 58-litre Xtreme Cooler does, hopefully, what it says on the label and cools your drinks extremely well. It can keep ice for up to 5 days at 32 degrees and has pretty comfortable handles (just as well, as it's a big one). Pros: Huge mountain bike-like wheels for all terrain. Cons: The colours aren't too exciting — esky confusion in a crowd may occur. Price: $210 SUPER ESKY If you're willing to spend the big bucks and want something that won't blend into all the other eskies at the barbecue, splash out on the Super Esky 52-litre. It's suave, white, and has built-in storage and cutting board facilities, as well as dual drains. Pros: It has all the trimmings and is super high-tech. Cons: Pretty pricey. Price: $450 [caption id="attachment_607776" align="alignnone" width="1280"] The Cricket Cooler.[/caption] NOVELTY To wind up our list, we present to you the category of, "Good lord, would you just look at what these people with lots of time on their hands have created." Creativity! Resourcefulness! Probable sub-par working value! Worth a gander anyway. THE 'CRICKET COOLER' Bunnings stock this marvel of Australian design, made in our cricket team colours and sporting a bottle opener, utility holder... and, built-in wicket. Pros: It's an Australian-made, hilariously great idea. Cons: Its cooling powers as an esky are perhaps not as effective when used as cricket stumps; it's not terribly well insulated. Price: $100 Need a hang to go with that esky? Check out our Summer Guide.
Dreaming about a different life is a staple of coming-of-age films, with many a movie focusing on uncertain children or unhappy teenagers wishing for an existence far removed from their own. It's also a part of Australian documentary In My Blood It Runs; however, ten-year-old Arrernte/Garrwa boy Dujuan Hoosan and his friends aren't yearning to step into someone else's shoes. Instead, even at their tender age, they can simply see how they're being treated by Australian society at large. In one early scene, Dujuan and a group of other kids stand on a hill outside the Hidden Valley Aboriginal Town Camp, in Alice Springs. "That's where all the rich men come from," one comments, peering down at the city. "How come this mob get clean houses and not us?" asks Dujuan. "I wish I was living on that side," voices another kid. The chatter goes on, especially about the golf course in clear view. As Dujuan and his friends talk, they all note how much nicer the area looks compared to their own. A healer who's skilled in administering bush medicine, hunts proficiently and speaks three languages, Dujuan is deeply tied to his heritage and culture. "I was born a little Aboriginal kid. That means I had a memory, a memory about Aboriginals. I just felt something, a memory, history — in my blood it runs," he explains. He doesn't want to leave that behind, but rather for all Indigenous Australians to be treated fairly and equally. Whether he's sitting through school lessons about the First Fleet or speaking about his great-grandmother's upbringing as part of the stolen generation, he's acutely aware of Australia's historical attitudes towards the country's Indigenous population, as well the enduring effects on First Nations peoples today. With insight, wisdom and determination beyond his years, Dujuan is just as cognisant of what all of the above can mean for himself and other Indigenous children, too. The fact that this bright, charming, passionate, socially engaged kid is considered a poor student, and earns the attention of both welfare services and the police, speaks volumes. In late 2019, after the film initially started screening at festivals both in Australia and worldwide, Dujuan spoke to the United Nations about Australia's approach to youth incarceration, particularly in the Northern Territory — but, before he can get to that point, In My Blood It Runs chronicles his everyday struggles, including balancing western and traditional education, and meeting white society's expectations of a young Indigenous boy. At one point, he's told by his aunt that being sent to juvenile prison means "you're only going to end up in two places: a jail cell or a coffin". As shot over nearly four years — and interwoven with reflections from Dujuan, his mother Megan, grandmothers Carol and Margaret, and father James, as well as informative archival materials — the result is a compellingly candid and expressive window into Dujuan's mindset, desires and experiences, as told by a skilled filmmaker committed to doing his story justice. It has been five years since Maya Newell gave Australia one of its most engaging and diverse slices of childhood life in the form of the applauded Gayby Baby, and this follow-up continues to ponder the country's next generation, their hopes, dreams and everyday existence, as well as the way that today's attitudes and policies may impact their future. Now available to watch via ABC iView, In My Blood It Runs is also an observational documentary not only featuring Dujuan as its subject, but made in collaboration with him, his family and his community. It doesn't just feel empathetic as a result, but intimate and authentic, too. Dujuan himself shoots some of its footage, Newell made films alongside Arrernte Elders and families for a decade before starting this project, and the Arrernte and Garrwa families depicted were all consulted during every stage of production. The end product is a must-see movie dedicated not only to painting an accurate portrait of Dujuan's experiences, but to showing how it epitomises Indigenous childhood in Australia. Check out the trailer below: https://vimeo.com/358942768#at=1 In My Blood It Runs is available to stream via ABC iView until August 4. Top image: Maya Newell.
Finally, the wait is over. Erskineville's Imperial is back in action after an eight-month, $6 million makeover — set to be bigger, bolder and more colourful than ever before. And kicking off the first phase of the pub's relaunch is flamboyant bar and restaurant, Priscillas, rocking a clever, veggie-driven menu and a live 'drag & dine' entertainment offering. It'll help push the venue into its next era of life, building on that long-held reputation for great live shows and performances, while upping the ante in the food department. In the Priscillas kitchen, vegetables are the stars of the show, the menu heroing plant-based options like island-style coconut ceviche, and 'crabless crabcakes' made with spiced jackfruit and palm hearts. They'll sit alongside a handful of carnivore-friendly offerings, and a trio of paellas — vegetarian, pescetarian and meaty. Meanwhile, vibrant signature cocktails pay homage to some of the Imperial's most fabulous characters and a late-night Espresso Martini Club will be serving up the goods from 10pm each night. Following shortly, with a launch later this month, is late-night haunt The Basement — a space for drag shows, colourful performances, DJ tunes and a whole lotta dancing. Later in the year, the pub will add a top floor event space, cocktail lounge and LGBTIQ hub, and come early 2019, the adjoining building will play host to Australia's first same-sex wedding chapel. The Imperial will open at 5pm on Friday, March 2, to host a series of events and parties over Mardi Gras weekend, before Priscillas makes its official public debut on Monday, March 5. For more information, head to the website.
Get Ugged up, rugged up and ready to embrace all things chilly at the Bathurst Winter Festival. The two-week event runs from Saturday, July 6 to Sunday, July 21 and celebrates the magic of the colder months. Sure, summer's great, but there's something about cosying up with a hot chocolate or medium-bodied glass of red that just hits differently come July. Located three hours northwest of Sydney, the city of Bathurst will light up in a blaze of colour and light as interactive installations are projected onto the town's historic architecture. Head along to the Winter Playground where you can enjoy live music, comfort food, warm drinks, wine events, show rides and an outdoor ice skating rink. The events and activations are spread across Bathurst and much of the festival is free — including a huge food and drinks festival, a pet parade and more. Either way, it's a great excuse for a weekend away this winter. The Bathurst Winter Festival runs from Saturday, July 6 to Friday, July 21. For further details, head to the website.
Whether it's to decorate the walls of your home or give as a personalised gift, art is always fun to shop for. Hit up Hypmotive's flagship store in Marrickville for a unique range of locally made arts, crafts and DIY activities. Inside the bright and colourful store, you'll find a fun 27 Club-inspired take on Guess Who, delicate handmade ceramics, cute upcycled earrings and so much more. Oh, and did we mention the owners have two friendly rescue dogs that greet you on entry? The shop is artist-centric in every sense, hosting exhibitions, launches and regular talks — so you can support the makers while learning more about their creative process. What's more, Hypmotive hosts a program of workshops where you can unleash your own creative side, learning the art of kintsugi, watercolour painting, pottery and more.
Ninety years is an impressive milestone. To get that far, something's got to be built to last, withstanding everything from war to the whims of fashion. True icons need staying power to endure and earn their place in the hearts and lives of generations of Australians. In 2022, we're celebrating three golden oldies that are hitting this milestone and continue to shape important cultural slices of Australia, from influencing fashion to defining our identity and becoming an integral part of everyday life. At just shy of a century, these Australian icons are still going strong — and, frankly, it's hard to imagine life without them. R.M.WILLIAMS It started with a dream in the South Australian bush. A dream of providing stockmen with a hard-wearing, Australian-made pair of boots of lasting quality. In 1932, Reginald Murray Williams (ol' RM himself) handcrafted the unmistakable elastic-sided boot and changed outback fashion forever. The business quickly took off and in two short years RM opened a factory on Percy Street in Adelaide. People flocked to join his workshop and in 1970 the business expanded again to new digs on Frost Road. From a humble mail-order service to pride of place in city department stores and boutiques across the nation (and the globe), R.M.Williams demonstrated, to the world, the quality of Australian craftsmanship and design. A brand with staying power as strong as its leather, the boots are still crafted right here in Australia at the Adelaide workshop. Fashion trends have come and gone but the heart of the R.M.Williams style and craft remain. No other brand can take you straight from the paddock to the pavement in quite the same way. While the brand has expanded to the entire wardrobe, its soul remains grounded in its boots. To celebrate the success of reaching 90 years in the boot making business, R.M. Williams has released limited-edition Craftsman and Lady Yearling boots as well as Jerrawa belts with special 90th anniversary commemorative trims (and a neat little plaque) — so you can wear a piece of Australian history. SYDNEY HARBOUR BRIDGE It's hard to picture the Sydney Harbour view without this staggering feat of engineering across the water, facing off its equally admired younger icon, the Sydney Opera House. The Sydney Harbour Bridge took almost nine years to construct and the opening ceremony was famously interrupted by a sword-wielding disgruntled royalist on horseback. Ninety years later, it's still a sight to behold and one of the most photographed and instantly recognisable landmarks in the world. Sure it's grey, but that's got nothing to do with age — the colour is a specially mixed paint known as 'Bridge Grey' which is regularly splashed across the frame to give it a fresh coat. There's one for your next trivia night. The Bridge is more than a vital transport link. It's also been the focal point and spiritual heart of Sydney's New Year's Eve celebrations for almost 30 years. It's been the destination of joyous events and notable protests, including holding the Olympic rings and the Walk for Reconciliation within that same year — not to mention the Millennium fireworks featuring Arthur Stace's 'Eternity' blazing across it. Declared a Historic Civil Engineers Landmark in 1988, added to the Australian National Heritage List in 2007 and affectionately called 'The Coathanger', the Sydney Harbour Bridge remains a defining feature of Australian landmarks. AUSTRALIAN BROADCASTING CORPORATION The ABC — known as Aunty — is turning 90 and boy does she look great for her age. She's been a trusted voice in Australia since July 1, 1932, from reporting on wars, commentating cricket, covering elections or keeping us connected during environmental disasters. Starting out as a suite of radio stations broadcasting across the nation 11 hours a day, the ABC has seen us through the advent of television, digital media and now on-demand streaming, never missing a beat. That distinctive wavelength logo — chosen for the use of Lissajous vibration patterns in tuning equipment — was designed by Bill Kennard in 1965. Now, it's the symbol of our longest-running public broadcasting network. The ABC has been an integral part of life for generations of Aussies. Play School has moulded young minds since July 1966 and music has been discovered across Classic FM, Countdown, Rage and triple j. The ABC also has a long history of championing homegrown creators, writers and performers who have made world-class dramas like Cleverman and Mystery Road. From humble beginnings to more than 50 local and four national radio stations, a streaming service and a digital archive of radio, TV and media, the broadcaster has continued to evolve over time to ensure it keep Australians connected. To celebrate the 90th anniversary of the brand, R.M.Williams is giving away 90 pairs of limited edition boots. Learn more about the history of the iconic brand and visit the website.
Think exceptional wine regions and Bordeaux, the Napa Valley and Bilbao likely come to mind. Lausanne in Switzerland, Portugal's Porto, Mendoza in Argentina and Adelaide right here in Australia might as well. So should New Zealand's Hawke's Bay, your next must-visit destination for a vino getaway, with the Aotearoa locale just earning a massive honour: being named the 12th Great Wine Capital of the world. The global program celebrates spots responsible for top-notch drops, and it's a prestigious list. All of the above places have received Great Wine Capital status already, and so have Cape Town's Cape Winelands in South Africa, Mainz and the Rheinhessen wine region in Germany, Valparaíso Casablanca Valley in Chile and fair Verona in Italy. Joining the ranks isn't easy, involving a tough selection process that examines the region's winegrowing industry and vino tourism alongside its history, educational opportunities and more. Hawke's Bay has been recognised for its 200-plus vineyards, 125 wine producers and more than 30 cellar doors — and growing more than 40,000 tonnes of grapes in 2022 alone. The North Island region's variety of tourism experiences also boosted its fortunes, as well as its popularity with both NZ and international travellers. Visitors to the area can enjoy everything from bike tours between cellar doors and long vineyard lunches to picnics and picking parties, plus ample opportunities to pair a glass or bottle with something to eat. The worldwide kudos comes as Hawke's Bay continues to recover from Cyclone Gabrielle in February 2023, offering a much-needed piece of good news in a tough year. "Cyclone Gabrielle may have dealt us a blow, but this recognition shows that Hawke's Bay is still the top-quality wine destination it always was," said Hawke's Bay Tourism CEO Hamish Saxton, announcing the Great Wine Capital status. "Hawke's Bay's inclusion as one of just 12 Great Wine Capitals of the world is of regional and national significance. It is recognition that Hawke's Bay wines are among the world's best, and that our nation's wine growing industry, while still young, offers quality to rival the world's oldest," he continued. "We have long known that Hawke's Bay, as New Zealand's Food and Wine Country, stood out for its winemaking. This new achievement gives Hawke's Bay a unique positioning in New Zealand and the world. The climate, unique soils and the innovation of so many talented individuals, have come together to deliver an accolade the region wholeheartedly deserves. It is a true legacy for the region and will continue to deliver benefits to industry, education, business and tourism for the years to come." The Great Wine Capitals Global Network dates back to 1999, was unsurprisingly started in Bordeaux to showcase and support the very best wine-producing regions, including helping foster collaborations between them. Now that Hawke's Bay has gotten the nod — after first trying back in 2009 — it's Aotearoa's one and only inclusion, because each country can only grace the list with a single location. Find out more about the Great Wine Capitals of world over at the program's website. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Christopher Nolan's Oppenheimer keeps exploding through awards season, making a big impact at the 2024 Golden Globes and now leading the just-announced Oscar nominations. The Cillian Murphy-starring biopic of Robert Oppenheimer has picked up 13 nods from the Academy of Motion Picture Arts and Sciences, leading this year's contenders for Hollywood's night of nights. And yes, its Barbenheimer partner Barbie also earned a swag of recognition — but not in two pivotal categories. The Margot Robbie-led, Greta Gerwig-directed spin on the famous doll collected eight nominations; however, Robbie is absent in the Best Actress field, as is Gerwig among the helmers. As one of the movie's producers, Robbie is in the running for a Best Picture gong, though, while Gerwig and Noah Baumbach (Marriage Story) received a Best Adapted Screenplay nod. Barbie's other nominations include Best Supporting Actor for Ryan Gosling and Best Supporting Actress for America Ferrara, as well as two entries for Best Original Song. Falling in-between Oppenheimer and Barbie numbers-wise: Poor Things and Killers of the Flower Moon, the two films with the two most-likely Best Actress contenders. For the former, a glorious riff on Frankenstein that earned 11 nominations, Emma Stone could win her second Oscar after La La Land. For the latter, aka Martin Scorsese's latest masterpiece with ten nominations, Lily Gladstone is the first Indigenous American to be recognised in the field. Oppenheimer, Barbie, Poor Things and Killers of the Flower Moon are also among the ten movies competing for Best Motion Picture. Their company: American Fiction, Anatomy of a Fall, The Holdovers and Maestro, as well as Poor Things and The Zone of Interest. History was made in this category, too, with three female-directed films in contention for the first time ever. That said, only one woman is among the Best Director nominees, with Justine Triet following up her Cannes Film Festival Palme d'Or win with an Oscar nomination — competing against Nolan, Scorsese, Poor Things' Yorgos Lanthimos and The Zone of Interest's Jonathan Glazer. While deserving movies miss out among every list of awards nominations, 2024's Oscar highlights include both Anatomy of a Fall and The Zone of Interest earning so much attention beyond the Best International Feature Film field — which Anatomy of a Fall wasn't submitted for — complete with their shared star Sandra Hüller receiving a Best Actress nomination for the first. The Boy and the Heron's Best Animated Feature nod, El Conde's for Best Cinematography, Godzilla Minus One's for Best Visual Effects and The Wonderful Story of Henry Sugar in the Best Live-Action Short Film all also stand out. Among the notable omissions, Saltburn, Ferrari, Priscilla, All of Us Strangers and The Iron Claw didn't receive any love, May December missed all of the acting categories and Leonard DiCaprio wasn't included among Killers of the Flower Moon's picks. Who'll ultimately emerge victorious will be revealed on Monday, March 11, Australian and New Zealand time, with Jimmy Kimmel hosting. Here's the full list of nominations: Oscar Nominees 2024: Best Motion Picture American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest Best Director Anatomy of a Fall, Justine Triet Killers of the Flower Moon, Martin Scorsese Oppenheimer, Christopher Nolan Poor Things, Yorgos Lanthimos The Zone of Interest, Jonathan Glazer Performance by an Actress in a Leading Role Annette Bening, Nyad Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Carey Mulligan, Maestro Emma Stone, Poor Things Performance by an Actor in a Leading Role Bradley Cooper, Maestro Colman Domingo, Rustin Paul Giamatti, The Holdovers Cillian Murphy, Oppenheimer Jeffrey Wright, American Fiction Performance by an Actress in a Supporting Role Emily Blunt, Oppenheimer Danielle Brooks, The Color Purple America Ferrera, Barbie Jodie Foster, Nyad Da'Vine Joy Randolph, The Holdovers Performance by an Actor in a Supporting Role Sterling K Brown, American Fiction Robert De Niro, Killers of the Flower Moon Robert Downey Jr, Oppenheimer Ryan Gosling, Barbie Mark Ruffalo, Poor Things Best Original Screenplay Anatomy of a Fall, Justine Triet and Arthur Harari The Holdovers, David Hemingson Maestro, Bradley Cooper and Josh Singer May December, Samy Burch and Alex Mechanik Past Lives, Celine Song Best Adapted Screenplay American Fiction, Cord Jefferson Barbie, Greta Gerwig and Noah Baumbach Oppenheimer, Christopher Nolan Poor Things, Tony McNamara The Zone of Interest, Jonathan Glazer Best International Feature Film Io Capitano, Italy Perfect Days, Japan Society of the Snow, Spain The Teachers' Lounge, Germany The Zone of Interest, United Kingdom Best Animated Feature The Boy and the Heron Elemental Nimona Robot Dreams Spider-Man: Across the Spider-Verse Best Documentary Feature Bobi Wine: The People's President The Eternal Memory Four Daughters To Kill a Tiger 20 Days in Mariupol Best Original Score American Fiction, Laura Karpman Indiana Jones and the Dial of Destiny, John Williams Killers of the Flower Moon, Robbie Robertson Oppenheimer, Ludwig Göransson Poor Things, Jerskin Fendrix Best Original Song 'The Fire Inside', Flamin' Hot, Diane Warren 'I'm Just Ken', Barbie, Mark Ronson and Andrew Wyatt 'It Never Went Away', American Symphony, Jon Batiste and Dan Wilson 'Wahzhazhe (A Song For My People)', Killers of the Flower Moon, Scott George 'What Was I Made For?', Barbie, Billie Eilish and Finneas O'Connell Best Cinematography El Conde, Edward Lachman Killers of the Flower Moon, Rodrigo Prieto Maestro, Matthew Libatique Oppenheimer, Hoyte van Hoytema Poor Things, Robbie Ryan Best Film Editing Anatomy of a Fall, Laurent Sénéchal The Holdovers, Kevin Tent Killers of the Flower Moon, Thelma Schoonmaker Oppenheimer, Jennifer Lame Poor Things, Yorgos Mavropsaridis Best Production Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things Best Visual Effects The Creator Godzilla Minus One Guardians of the Galaxy Vol. 3 Mission: Impossible — Dead Reckoning Part One Napoleon Best Costume Design Barbie, Jacqueline Durran Killers of the Flower Moon, Jacqueline West Napoleon, Janty Yates and Dave Crossman Oppenheimer, Ellen Mirojnick Poor Things, Holly Waddington Best Makeup and Hairstyling Golda Maestro Oppenheimer Poor Things Society of the Snow Best Sound The Creator Maestro Mission: Impossible — Dead Reckoning Part One Oppenheimer The Zone of Interest Best Documentary Short Subject The ABCs of Book Banning The Barber of Little Rock Island in Between The Last Repair Shop Nǎi Nai & Wài Pó Best Animated Short Film Letter to a Pig Ninety-Five Senses Our Uniform Pachyderme WAR IS OVER! Inspired by the Music of John & Yoko Best Live-Action Short Film The After Invincible Knight of Fortune Red, White and Blue The Wonderful Story of Henry Sugar The 2024 Oscars will be announced on Monday, March 11, Australian and New Zealand time. For further details, head to the awards' website.
On top of psych-rocking out the Meredith Music Festival this past weekend, Brian Jonestown Massacre are setting off onto seven other dates around Australia this month, supported by The KVB. Since forming in San Francisco in 1988, BJM have recorded 12 studio albums and seven EPs. Starting out as shoegazers, it wasn't long before they started broadening their horizon, delving into blues, folk, Indian music and eventually, electronica. BJM's most recent offering is Aufheben, released in May last year and recorded in East Berlin. The title is a German word that holds a variety of meanings, including 'to lift up', 'to transcend' and 'to abolish'. Given BJM's haphazard history and numerous incarnations, it's pretty representative of their history. Middle Eastern-inspired instrumentation, Finnish vocals and Beatles-style shuffle rhythms all get a look in, but Pitchfork still describe the album as "the band's most consistent, welcoming and sonically lustrous album in years".
Christmas brings with it many traditions, from party season as soon as Halloween is over through to turkey and prawns on the big occasion itself (and, obviously, carols, stockings, lights and decorations aplenty, too). The next day has its own routine as well — swapping feasts, drinks, presents and backyard cricket for hitting up your favourite picture palace, ready to gorge your way through the year's biggest movie-going moment. And yes, getting an air-conditioned escape from Australia's summer heat is quite the nice bonus. We're talking about Boxing Day, clearly — and, specifically, Boxing Day's annual haul of new films. 2022's lineup is a little smaller than past years because the hefty blue behemoth that is Avatar: The Way of Water opened in mid-December, but there's still plenty to watch. Wondering what's newly showing? Eager to learn what's truly worth your time, more importantly? We've viewed and reviewed the day's full slate of new titles, including an Oscar frontrunner, a savage satire of privilege, a Whitney Houston biopic and Antonio Banderas voicing a mischievous cat. Here's our rundown — happy viewing! THE BANSHEES OF INISHERIN In The Banshees of Inisherin, the rolling hills and clifftop fields look like they could stretch on forever, even on a fictional small island perched off the Irish mainland. For years, conversation between Padraic Súilleabháin (Colin Farrell, After Yang) and Colm Doherty (Brendan Gleeson, The Tragedy of Macbeth) has been similarly sprawling — and leisurely, too — especially during the pair's daily sojourn to the village pub for chats over pints. But when the latter calls time on their camaraderie suddenly, his demeanour turns brusque and his explanation, only given after much pestering, is curt. Uttered beneath a stern, no-nonsense stare by Gleeson to his In Bruges co-star Farrell, both reuniting with that darkly comic gem's writer/director Martin McDonagh for another black, contemplative and cracking comedy, Colm is as blunt as can be: "I just don't like you no more." In the elder character's defence, he wanted to ghost his pal without hurtful words. Making an Irish exit from a lifelong friendship is a wee bit difficult on a tiny isle, though, as Colm quickly realises. It's even trickier when the mate he's trying to put behind him is understandably upset and confused, there's been no signs of feud or fray beforehand, and anything beyond the norm echoes through the town faster than a folk ballad. So springs McDonagh's smallest-scale and tightest feature since initially leaping from the stage to the screen, and a wonderful companion piece to that first effort. Following the hitman-focused In Bruges, he's gone broader with Seven Psychopaths, then guided Frances McDormand and Sam Rockwell to Oscars with Three Billboards Outside Ebbing, Missouri, but he's at his best when his lens is trained at Farrell and Gleeson as they bicker in close confines. Read our full review. TRIANGLE OF SADNESS Ruben Östlund isn't interested in keeping his viewers comfortable, no matter how cushy their cinema chair. To watch the Swedish filmmaker's features is to feel yourself reacting — emotionally, always, and sometimes physically as well. It was true of 2014's phenomenal Force Majeure, aka as clever and cringe-inducing a portrait of marriage and masculinity as the 21st century has provided. With dropped jaws over a divisive piece of art within a divisive piece of art, it was true of 2018's The Square, the writer/director's first Cannes Film Festival Palme d'Or-winner, too. And, earning him that same prestigious prize again in 2022, it's also wholly accurate of Triangle of Sadness. Make a movie with a shape in its title, score one of the biggest filmmaking awards there is: that's been a nifty formula for Östlund of late. But even if he directs a flick called something like Hexagonal Dreaming soon, or anything else with a geometrical bent, and it too nabs that Cannes gong, beating Triangle of Sadness' vomit sequence is highly unlikely. To remind audiences that responding to films and life alike is an involuntary reflex, Östlund shows plenty of his characters doing just that — to existence, and to a choppy luxury cruise. It makes for simply unforgettable cinema, but it's also just one part of Triangle of Sadness and its sublimely shot unpacking of wealth, privilege and social hierarchies. Appearing to be coasting through perfection is an ongoing quest for Carl (Harris Dickinson, See How They Run) and Yaya (Charlbi Dean, Black Lightning), well-known models-slash-influencers, and the movie's focal point. When they take to the sea among the uber rich, they're still working the requisite angles (and snapping everything for Instagram from every angle). But then, under the captain's (Woody Harrelson, Venom: Let There Be Carnage) watch, being stranded on an island becomes their fate — and the way that Östlund satirically carves into the resulting chaos is equally hilarious and and astute, even when his film is both obvious and hardly subtle. Read our full review. WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY In the decade since her death in 2012, Whitney Houston has proven one of filmmaking's greatest loves of all. No fewer than five movies have told her tale, including documentaries Whitney: Can I Be Me and Whitney — and that's without including a feature about her daughter Bobbi Kristina, a miniseries focused on her ex-husband Bobby Brown and dramas clearly based on her story. All of that attention echoes for obvious reasons. Houston's mezzo-soprano voice, which earned her the nickname "The Voice", soared to stratospheric and literally breathtaking levels. Still holding the record for the most consecutive number-one singles on the Billboard Hot 100, which she took from The Beatles and the Bee Gees, her career zoomed skyward as well. That swift rise from New Jersey church choir member to one of the biggest bestselling music artists ever was matched by tabloid-fodder lows, however, and that tragic, gone-too-soon passing — and Whitney Houston: I Wanna Dance with Somebody charts it all. Taking its name from one of Houston's most exuberant singles isn't just music biopic 101 (see also: Bohemian Rhapsody, also penned by this film's screenwriter Anthony McCarten). Kasi Lemmons' (Harriet) feature follows the standard Wikipedia entry-like genre template, but the filmmaker wants those titular words to reflect how Whitney (Naomi Ackie, Master of None) just wanted to be herself, to be loved as such, and openly be with Robyn Crawford (Nafessa Williams, Black Lightning), the girlfriend-turned-creative director that her gospel singer mother Cissy Houston (Tamara Tunie, Cowboy Bebop) and stern father John (Clarke Peters, The Man Who Fell to Earth) disapprove of. Instead, after being signed to Arista Records at 19 by producer and executive Clive Davis (Stanley Tucci, The King's Man), Whitney becomes America's princess next door. Ackie turns in a commanding, multi-layered performance as the conflicted singer — even while lip-synching, with the movie smartly using Houston's own vocals — in a film that's impassioned, wisely filled with electrifying performance recreations, yet is happy to just hit every expected note. Read our full review. THE LOST KING When King Richard III was killed in battle in the 15th century, did anyone wonder about a public holiday? Given the era and its working conditions, likely not. There's also the hardly minor fact that the monarch was slain by the forces of Henry Tudor, who promptly became England's ruler, so downing tools for a day of mourning probably wasn't a priority. The world has a frame of reference for grieving a British sovereign, though, and recently. When Queen Elizabeth II died in September 2022, pomp and ceremony reigned supreme. Dramatising the discovery of Richard III's remains, The Lost King wasn't made with the queen's passing in mind. Actually, it world-premiered a day afterwards. But the Stephen Frears (Victoria & Abdul)-directed, Steve Coogan- and Jeff Pope (Philomena)-scripted drama benefits from audiences knowing what's done now when whoever wears the crown is farewelled. The Lost King isn't about chasing a parade, pageantry, and a day off work for the masses in Britain and further afield. Charting the true tale of Richard III's location and exhumation 527 years after he breathed his last breath, it follows a quest for recognition and respect. When the film opens, Philippa Langley (Sally Hawkins, The Phantom of the Open) wants it for herself, as a woman over 40 overlooked for a promotion at work in favour of a younger, less-experienced colleague — and as someone with a medical condition, myalgic encephalomyelitis/chronic fatigue syndrome, who's too easily dismissed due to her health. She's also newly separated from her husband John (Coogan, This Time with Alan Partridge), adding to her unappreciated feelings. It's no wonder that Richard III's plight catches her interest thanks to a production of Shakespeare's Richard III, aka one of the reasons that the king was long seen as a hunchbacked villain. More surprising: that the film about all of this, while engaging enough and featuring stellar work by Hawkins, doesn't seem to trust that its real-life story can hold its own. Read our full review. LYLE, LYLE CROCODILE The Paddington movies did it better. That's a general catch-all statement that can apply to almost anything, zero context required, and it's also the prevailing feeling while watching Lyle, Lyle, Crocodile. Instead of a marmalade-coveting bear, a singing crocodile is trying to win hearts — and the similarities don't stop there. The page-to-screen leap from a children's favourite? Tick. An adorable animal winding up in a family of humans who need its unique presence to make their lives complete, bring them together and show them what truly matters? Tick again. The strait-laced dad, creative mum, nasty neighbour and kindly kid? Keep ticking. Also present in both: the titular critter donning human clothing and craving fruity foods, warm colours aplenty, a vintage look and feel to interior spaces, a tense and traumatic capture, and an accomplished star having a whole lot of fun going big, broad and cartoonish (Javier Bardem here, and worlds away from The Good Boss, Dune or Everybody Knows). Bardem's playful turn as magician Hector P Valenti is the best thing about Lyle, Lyle, Crocodile, which is breezily watchable but so indebted to Paddington and its sequel — so desperate to be an American version of the charming English franchise — that orange conserve might as well be smeared across the lens. As directed by Office Christmas Party's Josh Gordon and Will Speck, and scripted by Johnny English Strikes Again's Will Davies (adapting from Bernard Waber's books), the film is also a musical, with the eponymous croc (voiced by Shawn Mendes) able to sing but not speak. Those forgettable songs pad out a slight story, after Valenti discovers Lyle, hopes to get famous as a double act and loses his New York City brownstone when his gambit fails. Then the new residents, the Primm family, find the reptile in the attic, son Josh (Winslow Fegley, Come Play) finds a friend and his parents (Hustlers' Constance Wu and Blonde's Scoot McNairy) find their own reasons to get snapped up in the critter's singing-and-dancing vibe — although Mr Grumps (Brett Gelman, Stranger Things) downstairs obviously lives up to his moniker. PUSS IN BOOTS: THE LAST WISH Since arriving in cinemas in 2001, Shrek has inspired three more ogre-centric flicks, a heap of shorts and TV specials, and a stage musical for the whole family. It's also the reason that green-hued burlesque shows exist, plus all manner of parties and raves — none of the last three of which are appropriate for kids, obviously. But beyond the Mike Myers (The Pentaverate)-voiced titular figure himself, only Puss in Boots has become solo big-screen fodder from among the franchise's array of characters. Like much in this series, the shoe-wearing feline hails from fairy tales, but the reason for its ongoing on-screen popularity is as simple as casting. Who doesn't want to see a kitty swashbuckler voiced by Antonio Banderas (Official Competition), basically making this a moggie Zorro? Based on the 2011 Puss in Boots' $555 million at the box office, that concept is irresistible to plenty of folks — hence, albeit 11 years later, sequel Puss in Boots: The Last Wish. Pairing the right talent to the right animated character doesn't instantly make movie magic, of course; however, The Last Wish, which literally has Puss seeking magic, is among the best films that the broader Shrek saga has conjured up so far. The eponymous cat begins the picture being his usual swaggering self and caring little for the consequences, including his own dwindling lives. One raucous incident sees him realise that he's died eight times already, though, and knowing this ninth go-around is his last according to feline lore suddenly fills him with existential woe. That's a thoughtful premise for an all-ages-friendly flick, and one that's never dampened by the film's plethora of fairy tale nods, high-energy vibe and usually amusing gags. So, Puss, Kitty Softpaws (Salma Hayek, House of Gucci) and their new canine companion Perro (Harvey Guillén, What We Do in the Shadows) attempt to find a famed wishing star that can make avoiding death a reality — but Goldilocks (Florence Pugh, The Wonder) and the three bears (Black Widow's Ray Winstone, Mothering Sunday's Olivia Colman and Our Flag Means Death's Samson Kayo) are also after it, as is a no longer 'little' Jack Horner (John Mulaney, Big Mouth).
Everyone has a favourite kind of cocktail — and if yours is the good ol' trusty tipple that is the old fashioned, November is your time to shine. Every year, Woodford Reserve hosts Old Fashioned Week, which is about putting the brand's booze to work in a classic concoction. In 2023, it runs from Saturday, November 4–Saturday, November 18. Hailing from the alcohol label and showcasing one specific type of drink, the fest is popping up at more than 40 bars across Australia, including 15 in New South Wales. Even better: there's a complimentary Woodford Reserve old fashioned up for grabs for everyone. To claim your sip, you will need to head to the event's website, enter your details, then activate your voucher when you're in one of the participating watering holes. Your places to hit up: Chin Chin, Baxter Inn, Earl's Juke Joint and Fortunate Son, as well as Hickson House, Doss House, Shady Pines, Bancho, Tokyo Bird and Jolene's. The list also includes Duke of Clarence, Cardea, Pocket Terrigal, Stitch Bar and Jacksons on George. And, of course, whether you're drinking your free beverage or not, old fashioneds are firmly on the menu. Top image: Steve Woodburn.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've had a close-contact run-in. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's 15 you can watch right now at home. TITANE Eye roll-inducingly terrible bumper stickers be damned; no one honks if they're horny in Titane. Revving when aroused is more this petrol-doused body-horror film's style, spanning characters both flesh and chrome. When she's seen writhing in fishnets atop a flame-adorned vintage Cadillac, the stony-gazed Alexia (debutant Agathe Rousselle) is working. She's titillating a Fast and Furious-style car crowd with her sexed-up display, but the car model still seems to hum with every gyration. After wrapping up, murdering a grab-happy fan with the metal chopstick keeping her hair up and then showering off the gooey, gory evidence, she's soon purring rhythmically inside that gleaming vehicle. Yes, in a plot detail that spilled the instant Titane premiered at this year's Cannes Film Festival, where it won the prestigious Palme d'Or, this is the French car sex flick. How does someone fornicate with an automobile? In her sophomore effort after the also-phenomenal teen cannibal film Raw, writer/director Julia Ducournau isn't too interested in those specifics. Instead, she's more concerned with shrewdly linking mechanophilia with agency and control, particularly over one's feelings and body. Her narrative starts its drive in Alexia's childhood, then speeds forward to her time as a fugitive posing as a fire chief's (Vincent Lindon, At War) long-missing son — and proves not just the French car sex film, nor merely a car sex movie about a woman partly forged from titanium (and with a penchant for piercing her way through those who block her road), but a ferocious and unflinching thriller that's also beautiful, tender and compassionate. If Ducournau had made her script out of metal, she'd be moulding it in its molten form. If her feature was a car instead, it'd be that libidinous, fire-emblazoned Cadillac, which arrives with a bang, lures Alexia in and then lets loose. Titane is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. ZOLA It wasn't just a Twitter thread — it was the Twitter thread. Whether you read Aziah 'Zola' King's viral 148-post stripper saga live as it happened back in October 2015, stumbled across the details afterwards as the internet lost its mind or only heard about it via Zola's buzzy trailer, calling this stranger-than-fiction tale a wild ride will always be an understatement. Its instantly gripping opening words, as also used in Janicza Bravo's (Lemon) savvy, sharp, candy-hued tweet-to-screen adaptation, happen to capture the whole OMG, WTF and OTT vibe perfectly: "you wanna hear a story about how me and this bitch fell out? It's kind of long, but it's full of suspense." In the film, that phrase is uttered aloud by Zola's eponymous Detroit waitress (Taylour Paige, Ma Rainey's Black Bottom). The other person that Zola refers to in her initial statement is the cornrow-wearing, blaccent-sporting Stefani (Riley Keough, The Lodge), who she serves at work, then joins on a jaunt to Florida. They immediately hit it off, which is what inspires the invite to head south — a "hoe trip" is how Zola describes it — however, what's meant to be a girls' getaway for a stint of lucrative exotic dancing in Tampa soon gets messy. The drive is long, and Stefani's boyfriend Derreck (Nicholas Braun, Succession) quickly dampens the mood with his awkward, try-hard schtick. Then there's X (Colman Domingo, Candyman), who, while introduced as Stefani's roommate, is actually her pimp. Trafficking Zola into sex work is the real plan of this working holiday, she discovers, but she's ferociously adamant that she won't be "poppin' pussy for pennies". Zola is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE CARD COUNTER Another Paul Schrader film, another lonely man thrust under a magnifying glass as he wrestles with the world, his place in it and his sense of morality. The acclaimed filmmaker has filled the screen with such characters and stories for more than half a century — intense tales of men who would not take it anymore — as evidenced in his screenplays for Martin Scorsese's brilliant Taxi Driver and Bringing Out the Dead, and also in his own directorial efforts such as Light Sleeper and First Reformed. You can't accuse Schrader of always making the same movie, however, as much as his work repeatedly bets on the same ideas. Instead, his films feel like cards from the same deck. Each time he deals one out, it becomes part of its own hand, as gambling drama The Card Counter demonstrates with potency, smarts and a gripping search for salvation. The film's title refers to William Tell (Oscar Isaac, Scenes From a Marriage), who didn't ever plan to spend his days in casinos and his nights in motels. But during an eight-year military prison stint, he taught himself a new skill that he's been capitalising upon modestly now that he's back out in the world. Anchored not only by Schrader's reliably blistering probing, but also by Isaac's phenomenal performance — a portrayal that's quiet, slippery and weighty all at once — The Card Counter unpacks the storm brewing behind Tell's calm facade. His status quo is punctured by fellow gambler La Linda (Like a Boss' Tiffany Haddish, in a career-best performance), and also by the college-aged Cirk (Tye Sheridan, Voyagers) and his quest for revenge; however, as the movie delves into Tell's murky history, it also lays bare America's rot and emptiness. The Card Counter is available to stream via YouTube Movies, iTunes and Amazon Video. Read our full review. THE FRENCH DISPATCH Editors fictional and real may disagree — The French Dispatch of the Liberty, Kansas Evening Sun's Arthur Howitzer Jr (Bill Murray, On the Rocks) among them — but it's easy to use Wes Anderson's name as both an adjective and a verb. In a sentence that'd never get printed in his latest film's titular tome (and mightn't in The New Yorker, its inspiration, either), The French Dispatch is the most Wes Anderson movie Wes Anderson has ever Wes Andersoned. The immaculate symmetry that makes each frame a piece of art is present, naturally, as are gloriously offbeat performances. The equally dreamy and precise pastel- and jewel-hued colour palette, the who's who of a familiar cast list, the miniatures and animated interludes and split screens, the knack for physical comedy, and the mix of high artifice, heartfelt nostalgia and dripping whimsy, too. The writer/director knows what he loves, and also what he loves to splash across his films, and it's all accounted for in his tenth release. An ode to magazines, their heyday and their rockstar writers, The French Dispatch draws four of its five chapters from its eponymous publication, even badging them with page numbers. But this is also a tribute to everything Anderson holds The New Yorker to stand for, and holds dear — to everything he's obsessed over, internalised and absorbed into the signature filmmaking style that's given such an exuberant workout once again. One scene, involving two versions of murderer-turned-artist Moses Rosenthaler (Tony Revolori, The Grand Budapest Hotel and Benicio Del Toro, No Sudden Move), crystallises this so magnificently that it's among the best things Anderson has ever put on-screen. Also delightful: the picture's bookending story steps into Howitzer's offices in the fictional French town of Ennui-sur-Blasé, a dive into a student revolution and a police cuisine-turned-kidnapping story, all with a cast that also spans Tilda Swinton (Memoria), Owen Wilson (Loki), Timothée Chalamet (Dune), Adrien Brody (Succession), Frances McDormand (Nomadland), Léa Seydoux (No Time to Die), Jeffrey Wright (also No Time to Die), Elisabeth Moss (The Invisible Man), Saoirse Ronan (Ammonite), Edward Norton (Motherless Brooklyn), Willem Dafoe (Nightmare Alley) and Jason Schwartzman (Fargo). The French Dispatch is available to stream via Disney+. Read our full review. THE MATRIX RESURRECTIONS Hordes of imitators have spilled ones and zeros claiming otherwise, but the greatest move The Matrix franchise ever made wasn't actually bullet time. Even 22 years after Lana and Lilly Wachowski brought the saga's instant-classic first film to cinemas, its slow-motion action still wows, and yet they made another choice that's vastly more powerful. It wasn't the great pill divide — blue versus red, as dubiously co-opted by right-wing conspiracies since — or the other binaries at its core (good versus evil, freedom versus enslavement, analogue versus digital, humanity versus machines). It wasn't end-of-the-millennia philosophising about living lives online, the green-tinged cyberpunk aesthetic, or one of the era's best soundtracks, either. They're all glorious, as is knowing kung fu and exclaiming "whoa!", but The Matrix's unwavering belief in Keanu Reeves and Carrie-Anne Moss is far more spectacular. Lana goes solo on The Matrix Resurrections — helming her first-ever project without her sister in their entire career — but she still goes all in on Reeves and Moss. The fourth live-action film in the saga, and fifth overall counting The Animatrix, this new instalment doesn't initially give its key figures their familiar character names, however. Rather, it casts them as famous video game designer Thomas Anderson and motorcycle-loving mother-of-two Tiffany. One of those monikers is familiar, thanks to a surname drawled by Agent Smith back in 1999, and again in 2003 sequels The Matrix Reloaded and The Matrix Revolutions. But this version of Thomas Anderson only knows the agent from his own hit gaming trilogy (called The Matrix, naturally). And he doesn't really know Tiffany at all, instead admiring her from afar at Simulatte, their local coffee shop. The Matrix Resurrections is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. GOLD Gold's title doubles as an exclamation that Australian filmmakers might've made when Zac Efron decamped to our shores at the beginning of the pandemic. Only this outback-set thriller has put the High School Musical, Bad Neighbours and Baywatch star to work Down Under, however, and he definitely isn't in Hollywood anymore. Instead, he's stuck in "some time, some place, not far from now…", as all-caps text advises in the movie's opening moments. He's caught in a post-Mad Max-style dystopia, where sweltering heat, a visible lack of shelter, a cut-throat attitude, water rationing, and nothing but dirt and dust as far as the eye can see greets survivors navigating a rusty wasteland. But then his character, Man One, spots a glint, and all that glisters is indeed gold — and he must guard it while Man Two (Anthony Hayes, also the film's director) seeks out an excavator. Exactly who stays and who goes is the subject of heated discussion, but Gold is an economical movie, mirroring how its on-screen figures need to be careful about every move they make in such unforgiving surroundings. As a filmmaker, helming his first feature since 2008's Ten Empty, Hayes knows his star attraction — and he's also well-aware of the survivalist genre, and its history, that he's plonking Efron into. Almost every male actor has been in one such flick or so it can seem, whether Tom Hanks is talking to a volleyball in Castaway, Liam Neeson is communing with wolves in The Grey or Mads Mikkelsen is facing frosty climes in Arctic. Although Gold purposefully never names its setting, Australia's vast expanse is no stranger to testing its visitors, too, but Hayes' version slips in nicely alongside the likes of Wake in Fright, The Rover and Cargo, rather than rips them off. Gold is available to stream via Stan. Read our full review. THE 355 They're globe-hopping, ass-kicking, world-saving spies, but women: that's it, that's The 355. When those formidable ladies are played by a dream international cast of Jessica Chastain (Scenes From a Marriage), Lupita Nyong'o (Us), Penélope Cruz (Pain and Glory), Diane Kruger (In the Fade) and Fan Bingbing (I Am Not Madame Bovary), the tickets should sell themselves — and Chastain, who suggested the concept and produces, wasn't wrong for hoping that. Giving espionage moves the female-fronted spin that Bond and Mission: Impossible never have isn't just this action-thriller's quest alone, of course, and nothing has done so better than Atomic Blonde recently, but there's always room for more. What The 355 offers is an average affair, though, rather than a game-changer, even if director/co-writer Simon Kinberg so evidently wants to do for its genre what Widows did for heist flicks. The film still starts with men, too, causing all the globe's problems — aka threatening to end life as we know it via a gadget that can let anyone hack anything online. One nefarious and bland mercenary (Jason Flemyng, Boiling Point) wants it, but the CIA's gung-ho Mason 'Mace' Browne (Chastain) and her partner Nick Fowler (Sebastian Stan, The Falcon and the Winter Soldier) head to Paris to get it from Colombian intelligence officer Luis Rojas (Édgar Ramírez, Jungle Cruise), who's gone rogue and is happy to sell; however, German operative Marie Schmidt (Kruger) is also on its trail. The French connection goes wrong, the two women get in each other's ways, but it's apparent — begrudgingly to both — that they're better off together. They need ex-MI6 cyber whiz Khadijah Adiyeme (Nyong'o) to help, while Colombian psychologist Graciela Rivera (Cruz) gets drawn in after making the trip to stop Luis going off the books. The 355 is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. STRAY In gorgeous and glorious 2016 documentary Kedi, Istanbul's stray cats received their moment in the cinematic spotlight, and also expressed much about the Turkish city and its human inhabitants in the process. The result was perfect — purrfect, even — regardless of whether you're normally a feline fan. Indeed, it's the defining movie about mousers, and also about their relationship with both places and people (even trying to put the likes of Garfield, Cats, A Street Cat Named Bob and its sequel A Christmas Gift from Bob, some of cinema's other go-to kitties, in the same company is thoroughly pointless). With Stray, it's now their canine counterparts' time to shine, so animal-adoring film lovers can spread their love between cats and dogs equally. Where Kedi elicited purrs of elation, this dog-centric delight is a piece of tail-waggingly tender and thoughtful cinema, too. Istanbul isn't just an arbitrary choice of setting for this compassionate film; it has a 'no kill, no capture' law when it comes to the dogs roaming its streets, which is why there's more than 100,000 of them scampering around. That leaves documentarian Elizabeth Lo spoiled for choice, but she only spends time with a few of those woofers. They span street veterans Zeytin and Nazar, both of whom prowl the pavement as comfortably as they would someone's home, as well as puppy Kartal. As they sniff and scurry their way through their days, Lo stitches together a perceptive and textured portrait of their lives, of the city around them, and of the people who help and are helped by them — and, just like in Kedi (which she wasn't affiliated with at all), there's plenty of two-legged Istanbulites who prove forever changed by these canines' presence. Here, there's a group of young street-dwelling Syrian refugees that are especially touched by Zeytin, Nazar and Kartal as well. Stray is available to stream via Docplay. Read our full review. BLUE BAYOU Blue Bayou isn't Justin Chon's first film as an actor, writer, director or producer, but it's a fantastic showcase for his many talents nonetheless. It's also a deeply moving feature about a topical subject: America's immigration laws, which are complicated at best and draconian at worst. Worlds away from his time in all five Twilight flicks — because Kristen Stewart, Robert Pattinson and Anna Kendrick aren't the franchise's only breakout stars — Chon plays Antonio LeBlanc. While the Korean American tattoo artist has lived in Louisiana since being adopted as child, the name he was given upon his arrival in the US still sparks cognitive dissonance, as the job interview that opens the movie illustrates. It also doesn't stop both the casual and overt racism frequently directed his way, or the deportation proceedings that spring after he's accosted in a supermarket by New Orleans police officers. Helming and scripting as well as starring, Chon layers Antonio's situation with complexity from the outset. He's getting by, just, but his criminal record makes it difficult to secure more work — which he needs given his wife Kathy (Alicia Vikander, The Green Knight) is pregnant. He's a doting stepdad to her daughter Jessie (Sydney Kowalske, Doom Patrol), but her birth father Ace (Mark O'Brien, Marriage Story) is one of those aforementioned cops. Also, Ace has a bigoted partner, Denny (Emory Cohen, Flashback), who makes antagonising Antonio his daily mission. And, after that grocery store run-in, the latter discovers that his adoptive parents didn't ever complete the paperwork required to naturalise him as a US citizen. His life, his wife, his kids, that he has no ties to Korea: sadly, it all means nothing to the immigration system. Blue Bayou is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. LAST NIGHT IN SOHO Edgar Wright must own a killer record collection. Weaving the perfect playlists into his films has ranked high among the British writer/director's trademarks ever since he made such a horror-comedy splash with Shaun of the Dead, and his own love of music is frequently mirrored by his protagonists, too. This is the filmmaker who set a zombie-killing scene to Queen's 'Don't Stop Me Now', and had characters wield vinyl as weapons. He made zoning out the world via iPod — and teeing up exactly the right track for the right moment — a key trait of Baby Driver's eponymous getaway driver. Earlier in 2021, Wright also turned his avid fandom for Sparks into his delightful first documentary The Sparks Brothers, because wearing his love for his favourite songs on his sleeves infiltrates everything he makes. So, the fact that his second film of this year is about a giddy devotee of 60s tunes really doesn't come as the slightest surprise. Cilla Black, Petula Clark, Dusty Springfield: these are the kind of talents that Last Night in Soho's Eloise (Thomasin McKenzie, The Power of the Dog) can't get enough of, even though she's a Gen Z aspiring fashion designer; they're also the type of stars that aforementioned blonde bombshell Sandie (Anya Taylor-Joy, The Queen's Gambit) wants to follow onto London's stages. Last Night in Soho starts with its wannabe fashionista, who's first seen donning her own 60s-inspired designs in her Cornwall bedroom that's plastered with posters and pictures from the period, and also dancing to 'Peter & Gordon's 1964 track 'A World Without Love'. Soon, Eloise is off to college in the big and, hopefully, working towards the fashion world. Then she meets Sandie, but only in her dreams. Actually, as she slumbers, she becomes Sandie — and navigates her chiffon-adorned quest for stardom, her breathy 'Downtown' covers and her thorny relationship with slippery bar manager Jack (Matt Smith, Official Secrets). Last Night in Soho is available to stream via YouTube Movies, iTunes and Amazon Video. Read our full review. NEW ORDER If only one word could be used to describe New Order, that word would be relentless. If just two words could be deployed to sum up the purposefully provocative film by writer/director Michel Franco (April's Daughter), savage would get thrown in as well. Sharing zero in common with the band of the same name, this 2020 Venice Film Festival Grand Jury Prize-winner dreams up a dystopian future that's barely even one step removed from current reality. And, in dissecting class clashes, and also examining the growing discontent unsurprisingly swelling worldwide at the lavish lives indulged by the wealthy while so much of the world struggles, the mood and narrative are nothing less than brutal. Screens big and small have been filled with eat-the-rich stories of late — Parasite, Us, Candyman, Ready or Not, The White Lotus, Nine Perfect Strangers and Squid Game among them — but New Order is its own ravenous meal. The place: Mexico City. The setup: a wedding that goes undeniably wrong. As the ceremony gets underway at a compound-style residence that's jam-packed with the ultra-wealthy and ultra-corrupt, the chasm between the guests and the staff is glaring. Case in point: bride-to-be Marianne (Naian González Norvind, South Mountain) couldn't be more stressed when she's asked for money to help ex-employee Rolando's (Eligio Meléndez, La Civil) ailing wife, who also worked at the house, and plenty of her family members are dismissive, arrogant and flat-out rude about their former servant's plight. Then activists start making their presence known outside, as well as further afield in the city's streets — and interrupting the nuptials by storming the mansion, too. The military respond swiftly and brutally, sparing no one in their efforts to implement the movie's telling moniker. New Order is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. BEST SELLERS Best Sellers is the latest case of casting-by-internet, or so it seems, at least: pairing up Aubrey Plaza and Michael Caine smacks of a feverish film Twitter dream. They both turn in fine performances, too, with the former coming off career-best work in Black Bear to play independent publishing house editorial director Lucy Stanbridge, and the latter getting a meatier role than his last Christopher Nolan-directed bit-part (that'd be Tenet) as cantankerous writer Harris Shaw. Lucy needs a big bestseller to save the business, which she took over from her father. Harris has been typing out manuscripts for the five decades since his sole success, which made the elder Stanbridge, but hasn't submitted the one he's under contract for to the company. Enter Lucy's solution to her pressing problem, and one that the reclusive Harris only goes along with because he's short on cash. Knowing how Best Sellers will turn out is as easy as knowing which marks the always-likeable Plaza and Caine usually hit. Indeed, it's knowing why their team-up instantly sounds like a winner on paper, and obviously did to actor-turned-directing first-timer Lina Roessler and screenwriter Anthony Grieco — Plaza is acerbic, albeit in a slightly lighter mode than seen in her breakthrough Parks and Recreation role, while Caine relishes being a curmudgeonly, outdated drunk who yells "bullshite!" so much that it's soon a viral catchphrase. There's plenty to like about their scenes together, especially when sweetness seeps into the surrogate grandfather-granddaughter bond that develops while Lucy and Harris are on tour spruiking his new book anywhere and everywhere they can. In their solo moments, they both find rich notes of yearning and melancholy in their unlikely duo, too, cementing the film's tender but comic look at odd-couple kindred spirits. Best Sellers is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. DEAR EVAN HANSEN Dear Dear Evan Hansen: don't. If a movie could write itself a letter like the eponymous figure in this stage-to-screen musical does, that's all any missive would need to communicate. It could elaborate, of course. It could caution against emoting to the back row, given that cinema is a subtler medium than theatre. It could advise against its firmly not-a-teenager lead Ben Platt, who won one of the Broadway hit's six Tony Awards, but may as well be uttering "how do you do, fellow kids?" on the big screen. It could warn against director Stephen Chbosky, who has a history with disaffected youth thanks to The Perks of Being a Wallflower, shooting the bulk of the feature like it's still on a stage but with more close-ups. Mostly, though, any dispatch from any version of Dear Evan Hansen — treading the boards or flickering through a projector — should counsel against the coming-of-age tale's horrendously misguided milk-the-dead-guy narrative. A anxious, isolated and bullied teen who returns from summer break with a fractured arm, the titular Evan (Platt, The Politician) might be the last person to talk to Connor Murphy (Colton Ryan, one of the Broadway production's understudies). It isn't a pleasant chat, even if Connor signs Evan's cast — which no one else has or wants to. In the school library, Evan prints out a letter to himself as a therapy exercise, but Connor grabs it first, reads it, then gets furious because it mentions his sister Zoe (Kaitlyn Dever, Dopesick). Cue days spent fretting on Evan's part, wondering if he'll see the text splashed across social media. Instead, he's soon sitting with Cynthia Murphy (Amy Adams, The Woman in the Window) and her husband Larry (Danny Pino, Fatale), who inform him of Connor's suicide — and that they found Evan's 'Dear Evan Hansen' note on him, and they're sure it's their son's last words. Dear Evan Hansen is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE HATING GAME Misery loves company in the world of publishing industry-set toxic romance novels, which just keep coming — as do film adaptations of such books. After the Fifty Shades franchise fittingly came After movies, doubling down on idealising unhealthy relationships cast against a literary background. Now, as based on Sally Thorne's tome of the same name, The Hating Game follows the same broad concept as well as the same path from page to screen. For anyone who loves words, there's a sense of romance about the business of immortalising them in print, so perhaps that's why these tales keep plunging into the publishing realm. Or, if you're turning destructive ideas about love into fiction, maybe using the industry responsible as a backdrop just feels apt? As more keep arriving, including this dull affair from director Peter Hutchings (Then Came You) and screenwriter Christina Mengert (the filmmaker's co-scribe on The Last Keepers), it could simply be the easiest and laziest choice. Narrating The Hating Game, Lucy Hutton (Lucy Hale, Son of the South) is upfront about her disdain for Joshua Templeman (Austin Stowell, Swallow) from the outset. She hails from Gamin Publishing, home to weighty works that exemplify literature as an art form, while he comes from Bexley Books, purveyor of ghost-written sports autobiographies. Creativity meets commerce in this business marriage of convenience; however, since the two organisations joined forces, The Hating Game's chalk-and-cheese central pair have dedicated as much time to annoying each other as they have to their jobs. The dangling carrot that is a big promotion not only ups the stakes but sees Lucy and Josh ramp up their animosity, but then their bickering begets an unexpected kiss. Afterwards, she struggles with lusting after the enemy while still trying to beat him out for her dream position. The Hating Game is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. RESIDENT EVIL: WELCOME TO RACCOON CITY It's the franchise about zombies that just won't die. The series with a disdain for big corporations and the chaos they wreak that keeps pumping out more instalments, too. After six movies between 2002–16 that consistently proved a case of diminishing returns — and the original horror flick was hardly a masterpiece to begin with — welcoming viewers back to the Resident Evil realm smacks of simply trying to keep the whole saga going at any cost. Resident Evil: Welcome to Raccoon City does indeed extract a price from its audience, stretching their fondness for the video game-to-film franchise, their appetite for John Carpenter-inspired riffs and their penchant for overemphasised 90s nostalgia. Primarily set in 1998, and endeavouring to reboot the series without its previous star Milla Jovovich, it strenuously tests patience as well. After an orphanage stint filled with familiar Resident Evil figures — siblings Claire and Chris Redfield as kids, plus nefarious Umbrella Corporation scientist Dr William Birkin (Neal McDonough, Sonic the Hedgehog) — writer/director Johannes Roberts (47 Metres Down and 47 Metres Down: Uncaged) has Welcome to Raccoon City first get gory en route back to its titular town. The now-adult Claire (Kaya Scodelario, Crawl) hitches a ride with a trucker, who then hits a woman standing in the road. The victim still gets up afterwards, because unnaturally shuffling along after you've been killed comes with the territory. The walking dead are a new phenomenon in the desolate locale, however, following Umbrella's decision to shut up shop and leave the place a crumbling shell. Of course, the night that Claire arrives back to reunite with Chris (Robbie Amell, Upload), who's now a local cop, is the night that a virus zombifies Raccoon City's residents. Resident Evil: Welcome to Raccoon City is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
Every stunning shoreline deserves a beachfront destination like Gold Coast's iconic Burleigh Pavilion. Well, now the relaxed combination of casual cuisine, cocktails and uninterrupted coastal views is touching down on the Central Coast, with the Terrigal Pavilion set to open on Saturday, November 15. Don't assume this is some cheap imitation. Burleigh Pavilion owner Ben May is behind the project, teaming up again with fellow restaurateur and regular right-hand man Rob Domjen (The Joey Palm Beach) to launch a multi-level venue and soon-to-be dining and chill-out hub. Taking over the former Reef Restaurant and Cove Cafe, the finishing touches on a mega renovation are almost complete. Purchased by May back in 2023, when the doors finally swing open, the new-look venue will be home to three inviting spaces. On the upper level, the Terrigal Pavilion, aka The Pav, is the place for casual bites and vibrant drinks, featuring breezy floor-to-ceiling windows and uninterrupted ocean views. Inside or settled on a wraparound deck, sun-drenched arvos equal spritzes, margs and relaxed pub classics and woodfired pizzas. Next, The Tropic brings a Med-like vibe to the Cenny, serving modern takes on fresh seafood cuisine in a downstairs restaurant. Share plates span burrata and pesto, spaghetti vongole, goldband snapper, and wagyu with beef jus, while a 90-bottle wine list makes the Terrigal Pavilion ideal for casual hangs and big-deal celebrations. Rounding out the offering, The General Store is geared towards locals, serving top-notch coffee, smoothies, juices and baked goods from sunrise. Later in the day, the hole-in-the-wall spot will sling tasty takeaway options, from fish and chips to burgers and pizzas. Then, it's just a short stroll to the beachfront or grassy nook to dig in. "We feel so fortunate to have been given the opportunity to reinvigorate this beautiful site, and we hope it's somewhere the community will both feel proud of and want to enjoy," says Domjen. "With more than 300 locals joining our team, this is very much a place that's both by and for them. But we're also excited for more people to experience the magic that is the Central Coast." The Terrigal Pavilion opens on Saturday, November 15, at 2 Scenic Hwy, Terrigal. Head to the website for more information.
Booze delivery legend Jimmy Brings really came into its own during lockdown. Not only was it bringing drinks to homes within 30 minutes — allowing punters to have spontaneous lockdown sessions — it also delivered emergency rolls of toilet paper during that TP drought. Now, taking it up a notch, Jimmy Brings is offering you the chance to win six full months of free drinks for both you and your best mate. The prize is valued at a whopping $2000 and the competition has already begun, so best to get your entry in ASAP. To enter, simply post a pic of you (or you and your mate) enjoying a Jimmy Brings delivery on Instagram or Jimmy Brings' Facebook page, tagging @jimmybrings and #JBVibeCheck. The photo must include Jimmy's face, whether it's a delivery box, bag, magnet or internet cutout — anything will do. You can enter as many times as you want, too. The pic with the best 'vibes' will then win six months of loot, along with undying love from one very lucky friend. Jimmy Brings has been a go-to for its range of wine, beer and spirits since way back in 2011. It delivers organic drops, wine bundles and party packs, plus mixers and other extras — like chocolates, bags of crisps, Panadol and Berocca — to homes across Sydney, Melbourne, Brisbane, Perth, Adelaide, the Gold Coast and Sunshine Coast. And, if you're you're still avoiding that midweek bottle shop run, the online bottle-o delivers seven days per week until late. So, go ahead, get your order in and get snapping. The Vibe Check comp will run from Friday, July 17 until 11.59pm on Sunday, August 16. Anyone from NSW, Vic, Qld, WA, ACT or SA can enter. For more information and for full terms and conditions, head to the website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
The dining room at Icebergs undeniably has one of the best views in Sydney. But the blissful Bondi views usually come at a pretty steep cost, considering that, for the best seats in the house, you have to fork out for a lavish feed in the two-hatted fine dining restaurant. But this summer, you can soak up that scenery without burning through too much of the budget (and with better views than at the bar) at a returning pop-up on the Icebergs Terrace. The bar — which is a collaboration with Ketel One Botanical — first took over the space last summer. Now that the season is officially upon us for another year, it's back. Once again, the Bondi venue's outdoor area has been transformed into a lush, flower-filled oasis that serves cocktails and snacks from the Icebergs bar. Like last year, the terrace is also sporting a verdant fitout designed by local landscape architects and horticulturalists Secret Gardens. They've decked out the place with stacks of native Australian flora — in case you need something to look at other than those primo views of Bondi Beach. As the name suggests, the cocktail list is based around Ketel One Botanical, a low-alcohol vodka that's been distilled with botanicals and infused with fruit essences. It's available in three flavours — grapefruit and rose, peach and orange blossom, and a crisp cucumber and mint — and is being served with Santa Vittoria soda ($14 each). Or, you can opt for a mixed vodka cocktail, including an espresso variety ($18). Otherwise, there are a few wines, a couple of beers and two ready-to-drink cocktails on the menu, too. To match the botanically-driven boozing, a selection of bites from the Icebergs menu will make their way outside. You can stay light with oysters ($6.50); opt for prosciutto, wasabi melon and cucumber ($28); or go all in with a toastie ($22) or the Icebergs burger ($22). Drinks are pouring from 12–8pm Friday–Sunday all summer. Find the Icebergs Terrace x Ketel One Botanical pop-up bar at Icebergs, 1 Notts Avenue, Bondi Beach. It's open from 12–8pm Friday–Sunday all summer.
From sets of plastic cutlery in their own little wrappers to countless scraps of disposable packaging, plane rides usually equate to a veritable tidal wave of plastic waste. But that could soon change, with the world's first jet-age passenger flights completely free of single-use plastics trialled at the end of 2018. And, the airline behind it has committed to becoming the world's first plastics-free carrier within the next 12 months. Kicking off on December 26, the trials saw Portuguese charter airline Hi Fly make four of its usual trips between Lisbon and Natal, Brazil, but this time there was one very big difference — not one single-use plastic item was on board the Airbus A330-200. Around 700 passengers were involved in the history-making journeys, making return flights between home and holiday destinations. With an estimated 100,000 commercial flights jetting off around the world each day, the airline industry is a massive contributor to the earth's plastic waste woes. According to Hi Fly's principal sustainability partner, the Mirpuri Foundation, the plastic-free trials prevented a huge 350 kilograms of harmful single-use materials from making their way to landfill. They also provided an opportunity to roadtest a variety of plastic-alternative products that have been in development by environmental experts. Think soft drink bottles, single-serve butter pots, sickness bags, food dishes, toothbrushes, cutlery, and salt and pepper shakers made from bamboo, paper and compostable substances.
Escape to the crisp country air of Orange this winter and rug up in one of the region's top accommodation spots. From charming cottages and elegant hotels to rustic homesteads and unique cabins, there's a warm and welcoming abode to suit every taste and budget. With a range of gourmet food and wine experiences to indulge in, plus stunning natural scenery to explore, Orange is the perfect destination for a winter getaway. There are sparkles of conversation too, as visitors congregate around festival bonfires, restaurant fireplaces and cellar door barbecues — the warmth and spirit of Orange take over the wintry evenings. Together with Orange360, we've curated a list of the cosiest winter getaways from which you can explore the region. Stay warm and toasty while enjoying a sip of your favourite cool-climate vino with our selection of top winter escapes in Orange. So pack your bags, grab your winter coat, and head inland for a memorable escape in this charming New South Wales region.
Whether you dread that early morning alarm or jump out of bed excited for each day, chances are you need (and deserve) a break — because everyone does every now and again. We understand annual leave is precious and it can be easy to fall into the trap of packing your itinerary full of non-stop adventures. But there's no shame in the relaxation game if that's what you're really craving. So we've gone on a hunt for the top experiences around New South Wales that'll leave you feeling refreshed and rejuvenated — from quick (but effective) outdoor yoga classes to multi-day rainforest retreats.
While Friday night drinks are a pretty top choice, sometimes a little libation earlier in the week is called for. Thankfully, Barangaroo's West Hotel Sydney is giving you plenty of reasons to switch up your plans to Thursdays instead — whether it's after-work drinks, a catch-up with mates or a date. Every Thursday up until Easter, the hotel's in-house bar Solander will be moving the party outside for something they're calling Jungle Bar. Head out to the openair atrium, decked out with green foliage and festoon lights, where you can tuck into some snacks straight off the barbecue — think charred king prawns, lamb chops and kangaroo sliders — for six bucks each. Plus, the pop-up bar will be slinging four specialty spritzes. For $14, choose from the aptly named Herbal, Lavender or Berry spritz or opt for the bar's namesake Solander spritz. And, if you're looking to bust out some dance moves, there'll be a DJ spinning tunes from 4pm till late. [caption id="attachment_725950" align="alignnone" width="1920"] West Hotel Sydney, Curio Collection by Hilton[/caption]
Truffle season is now in full swing, and Madame Truffles has returned with its best pop-up shop yet. This time around, it's taking over Handpicked Cellar Door for three straight months — from June 13 — and it features flaming cheese wheel pasta, truffle ice cream and a free weekly happy hour. The star of the show is the truffle pasta, mixed in a flaming cheese wheel and topped with fresh shavings of the fancy fungi. It's portioned for two people at $70 a pop ($35 per person, minimum two people), so make sure to bring a mate along. Another truffle-filled treat on offer is a wine flight of Handpicked's finest paired with truffle-topped cheese and charcuterie ($59 all up). There will also be a free truffle happy hour every Sunday at 2pm, with space for only six people per session. Those lucky few will get a mini masterclass — along with plenty of tastings, of course — but booking is essential. Keep an eye on the website to snag your spot. For a full on masterclass, head along on July 18 when Madame Truffles herself will host a course on both Australian and European truffles. She'll explain all the ins and outs, from farming and storing to handling and preparation. A wine tasting, truffle pasta sample and gift pack will all be included in the $95 ticket price. The shop will also sell heaps of truffle items to take home, including truffle ravioli and truffle ice-cream, plus truffle butter, truffle honey and truffle salt. The pop-up will run every Thursday through Sunday from 11am–9pm, so there's plenty of time to get your hands on all of it. Images: Nastia Gladushchenko.
In order to empower at-risk children, Spanish organisation Aid to Children and Adolescents at Risk Foundation has launched an anti-abuse advertising campaign embedded with a secret message. When the average adult views the bus stop billboard, they will only perceive a disheartened boy with the words "Sometimes, child abuse is only visible to the child suffering it." However, when viewed from below the height of the average 10-year-old, the boy's face appears bruised and the text now reads, "If somebody hurts you, phone us and we'll help you," alongside the number for their anti-abuse helpline. This feat of eye magic is achieved through a lenticular top layer, which displays different images at varying angles. While it is chilling to ponder that ANAR is targeting children travelling with their abusers, it is also inspiring that such innovation is stemming from the non-profit sector. And, thus, that the campaign aims to empower children, rather than sell them hamburgers or new phones. However, some fear that this will trigger new advertising strategies aiming to sell from the waist down — targeting kids into asking for specific brands upon seeing messages their parents have missed. As Gizmodo's Andrew Liszewski asks, "how long will it be before toy companies start doing to the same thing to hawk their products directly at kids?" (We give them three months.) It's still not as much of a worry as the Minority-Report-esque interactive billboards that IBM are reportedly developing. Apparently they could scream out our kid's name to tell them they could use a Guinness. Eeek.
Across from the Seymour Centre and hidden just out of view from the hustle of Cleveland Street is a real quacker of a pub. Yeah, you'd be a goose not to duck into The Duck Inn Pub & Kitchen — and everyone would be crying fowl if these avian puns continued, so here is where they'll end. Situated on Rose Street in Chippendale, The Duck Inn's a pub with a distinctly un-pub-like feel. You'll find no pokie machines, no punters fixated on the dogs on TV. Instead, it looks and feels more like going to a friend's place that you're a little bit jealous of, with cosy couches and reading lamps, a cardboard deer head on the wall and a bunch of well-worn books and board games (Uno tournaments every quarter, trivia every Monday). Despite its shiny new interior, The Duck's still a pub where being a pub matters the most — the pub grub. The Classic Oz Beef Burger with shoestring fries ($18) is an updated classic that was our highlight of the menu. The fish pie topped with mashed potato (also $18) ties in well with winter nights. If you're still feeling chilly after eating, the buttered rum ($10 mug) goes down a warm, buttery, cinnamon-y treat. It's hard to deny the warmth and homely comfort of The Duck. Between the whitewashed walls and leafy beer garden, it's the perfect watering hole for friends, family or first dates. The perfect Duck sitting? Sunday afternoon drinks that turn into dinner with a side of Jenga.
AMENDMENT: JANUARY 8, 2020 — Since publication of this story, it has come to Concrete Playground's attention that United Cinemas is taking over the Opera Quays site. The below text has been updated to reflect this information. In big news for Sydney cinephiles — especially those who like seeing films at a harbourside cinema — the projectors at Opera Quays are about to change hands. After 20 years operating in the prime CBD location, Dendy Cinemas will will close the curtains on its Circular Quay venue in February as the site undergoes a total refurbishment. In a statement, the Australian chain announced that its lease at Opera Quays had not been renewed, forcing the site to shut its doors. Those keen to head to the basement-level picture palace for a last movie at the cinema as it is will have until Wednesday, February 26 to visit. Dendy's other Sydney cinema in Newtown isn't affected by the closure, and will continue screening films in its King Street digs. https://www.facebook.com/DendyCinemasOperaQuays/posts/2834490089905734?__xts__[0]=68.ARAQZ9XFKCmHpC_3LnUxB1seu-lmvpZzVhoWPu9jCbtUgdWcc9Ld1ULn02g_qNaDG_IVNSYdeC7teFttekKMiUu8ElQ2N8JIbKXr3KtPNQvOWbqwfIePb67JBqpHVBwbz1qBixfioaCxSgYgtrvr4gARrRh7o577G9ArDy4bp5taGY96EHR1_j3rqYLQOkhJ7zBX1shYSN7fykmym9rfaTaXz6gxNIOsntBVgYG67TrKM81BXzrg-F7-vTJtKr7BvO3iihVebMhyVuna3xENz3geKY2tn-YCmTnYSnEakB1BBijf0zmDI9zP6a8D3sKOmsBCbDMP9fQ-r0ikAcS7POjPfw&__tn__=-R It's not all bad news, though — the three-cinema complex will be taken over by United Cinemas, which currently runs three venues on the northern beaches as well as a few others across the country. In a Facebook post earlier this year, the group announced it will be completely refurbishing the site, promising a "grand lux" cinema experience. Opera Quays currently plays host to a number of Sydney's film festivals — including the annual Sydney Film Festival each June and the Korean Film Festival in Australia in August — but it remains to be seen if it will continue to do so under new ownership. Circular Quay has been undergoing quite the facelift in recent years. A huge dining precinct opened back in 2016, while another is slated to launch late this year — and a new public square has also been mooted. Find Dendy Opera Quays at Shop 9, 2 East Circular Quay, Sydney until Wednesday, February 26. From February 27, it will operate as United Cinemas Opera Quays.
Don't let La Niña ruin your summer. Do you know where it rains all the time? England. And do you know what the Brits do well? Garden parties. We've teamed up with Whitley Neill Gin to help you transform your outdoor space into a charming, verdant oasis that, despite not featuring Keira Knightly in that green dress or Colin Firth emerging from a fountain, will have you living out your British country manor dreams in excellent taste and style. [caption id="attachment_839393" align="alignnone" width="1920"] Paul Liddle[/caption] THE SET-UP No matter what space you're working with, you'll want to include plenty of beautiful blooms. Check out your local florist for English varieties such as peonies, lavender and delphiniums. Arrange them in rustic vases — these can be easily sourced from your neighbourhood op-shop. Next up, set up a long table — a tressell will do — and cover it with a crisp linen tablecloth. Have some fun practicing your calligraphy (and playing guest matchmaker) with some old-timey seating placeholders. When it comes to napkins and tableware, opt for softer pastel shades — try using the flowers for colour palette inspo. And, if you've got the space to hang them, add some decorative bunting, which can be found at most party stores. Or if you're up for a crafternoon, make your own. [caption id="attachment_839389" align="alignnone" width="1920"] Paul Liddle[/caption] THE FOOD Start off with finger sandwiches. They're dead easy to make and can be adjusted to suit all dietary requirements — plus, they look super cute. We'd recommend keeping it simple and classic with chicken, curried egg, and, of course, cucumber. For something a little more substantial to complement the refreshing botanicals of Whitley Neill London Dry Gin, serve delicious barbecue pork buns with coleslaw or rare roast beef with horseradish potato salad. And for something sweet to finish, go old-school with a classic like eton mess, jam roly-poly or scones with jam and cream. Opted for the latter? Sit back and watch the all-important debate as to which goes first — the jam or cream — ensue. [caption id="attachment_839379" align="alignnone" width="1920"] Paul Liddle[/caption] THE DRINKS With eight generations of gin distilling to its name, and a range of 15 100-percent grain-distilled gins with a wide spectrum of flavours, it should come as no surprise that Whitley Neill has some cracking recipes when it comes to booze. Give the Johnny's Ritual Gin and Tonic a whirl and dress it with a wedge of lime or orange and sprig of rosemary. Or, make use of one of the more out-there flavours and knock up a jug of the Queen's High Tea using the Whitley Neill Rhubarb and Ginger Gin, topped up with a dash of prosecco and ginger ale. The tartness of the rhubarb mixes beautifully with the warming ginger for a full-bodied, yet refreshing, summer cocktail. THE FUN It's time to ditch the beer pong (or Goon of Fortune) for more sophisticated games. If you've got the space, why not give badminton a try? Or go full Alice in Wonderland and opt for croquet — but please refrain from using actual flamingos. Chances are you or one of your mates will have a boules or quoits set knocking about, so make good use of it. You'll be surprised how much fun you'll have. For more information on Whitley Neill's innovative gin range, head to the website. Top image: Paul Liddle
Lottie, a buzzy new rooftop Mexican-leaning restaurant and mezcaleria, is set to open in early 2025 at The EVE. It will be the second venue at the luxury boutique stay created by hospitality mavens Liquid & Larder, the dining group behind top Sydney haunts Bistecca, The Gidley and The Rover, and the hotel's exclusive food and beverage partner. Located next to the leafy rooftop pool, Lottie is a lush urban oasis designed by George Livissianis with landscaping by Daniel Baffsky. The striking decor blends textured terracotta terrazzo, pink travertine, plush banquettes and colourful planting to create a lush retreat worthy of a tropical resort, despite being just a stone's throw from the CBD. The 107-seat dining terrace includes an eye-catching marble bar (with 27 seats for walk-ins), an open kitchen and a semi-private dining area for up to 28 guests. Overlooking the suburban streets of Surry Hills and Redfern, this al fresco dining space also features a retractable roof for year-round dining, rain or shine. On the plate, Lottie offers a fusion of culinary finesse with the rustic charm of Mexican street food, including house-made tortillas prepared on an imported tortilla press, alongside more refined main dishes and stellar signature cocktails. Executive Chef Pip Pratt and Group Bars Manager Ben Ingall have crafted a menu with dishes reaching gourmet heights far beyond those of your local high-street burrito joint. Expect delicate flavours like raw scallop with celery and apple, prawn aguachile, and a murray cod pibil baked in banana leaves. There are also some intriguing riffs on international dishes with a Mexican tilt, such as a classic beef tartare prepared as a tostada with sea urchin and a dry-aged beef chop served with burnt pepper and salsa picante. Behind the bar, the drinks menu, curated by Sommelier Kyle Poole, spotlights a rare selection of agave spirits, including tequilas, mezcal, sotol and raicilla. Guests can also enjoy seasonal cocktails and, unsurprisingly, three styles of margarita, perfect for a refreshing sip and dip by the pool or a sundowner before dinner, complemented by a thoughtfully curated wine list. Liquid & Larder co-founder, James Bradey, said of The EVE's new rooftop diner: "With only a small number of elevated Mexican restaurants in Australia, we have taken on the task of creating something exceptional at Lottie. Having recently spent time in Los Angeles, we were inspired by how LA approaches Mexican cuisine in a modern way and realised it was time to champion a cuisine that is commonly misrepresented in Australia. "We are excited to show Sydney what contemporary Mexican looks like to us in an unparalleled setting where you can escape the world below, soak up the heady scent of white copal mayan incense floating through the breeze, and transport yourself to where you'd rather be." Lottie opens at The EVE on Saturday, January 20 2025. Visit the Lottie website to make a booking.
Prepare yourself, folks — this year, Australia's launching into summer with the help of a huge new music festival. The brainchild of industry big guns Onelove (Stereosonic), Live Nation (Splendour in the Grass, Falls Festival) and Hardware (Piknic Electronik, Babylon), Festival X will shoot onto the scene from Friday, November 29, touring Brisbane, Sydney and Melbourne. The large-scale music party is pulling no punches when it comes to its debut lineup, headlined by international heavyweights including Scottish DJ Calvin Harris, the Grammy-nominated Armin van Buuren, Steve Aoki and our own Alison Wonderland. Spanning multiple stages, it's set to deliver a world-class serve of hip hop, pop and electronica. US rapper Lil Pump will make his own Aussie debut, joined on the all-star bill by the likes of British DJ duo CamelPhat, Ohio-based rapper Trippie Redd, Denmark's Kölsch and German techno king Paul Kalkbrenner. Meanwhile, there'll be plenty flying the flag for the local scene, with sets from favourites including bass and dubstep star Godlands, Australian-raised trance DJ MaRLo, Sydney act Sunset Bros and singer-songwriter Thandi Phoenix. The inaugural Festival X tour is set to hit Brisbane Showgrounds on Friday, November 29, Sydney Showgrounds on Saturday, November 30, and Melbourne Showgrounds on Sunday, December 1. Presale tickets are up for grabs from 1pm on Wednesday, July 31, with general tickets on sale from noon on Thursday, August 1. Top image: Stereosonic
This Miranda-based butcher puts an emphasis on provenance and transparency, to help support Australian livestock farmers. Along with showcasing meats, it also showcases specialty farms, including the Gourmet Goat Lady, Bergalia Beef, Camden Valley Veal, Canowindra Farm Chicken, Maremma Free Range Ducks and Leadoux Turkey. To this end, you can find beautiful hunks of veal osso bucco, free-range butterflied chickens and marbled wagyu rump cap. It also has a great selection of bottled goods, including Truff Hot Sauce, McLure's Pickles, Malfroy Gold Honey, and Old Bones smoked garlic chilli sauce. Image: Leigh Griffiths
There's something uniquely fascinating about watching an actor play against type. Whether it's comedian Adam Sandler as a lonely introvert in Punch-Drunk Love, or perennial leading man Leonardo DiCaprio as a sadistic slave owner in Django Unchained, it's often the performances that challenge our perception of an actor that end up being their most memorable. The most recent example of this phenomenon comes courtesy of Jeremy Saulnier's Green Room, a viciously violent thriller starring veteran actor Patrick Stewart as the leader of a gang of murderous neo-Nazis. To call it the most unsettling performance of his career doesn't come close to doing it justice. Suffice it to say, you'll never think about Captain Picard in quite the same way again. Against the white supremacists Saulnier pits struggling punk band The Ain't Rights, whose members include Fright Night's Anton Yelchin and Arrested Development's Alia Shawkat. With money and petrol both in perilously low supply, the group takes a gig at a remote skinhead bar in Oregon, a decision that they may not live to regret. Their cover of the Dead Kennedys song 'Nazi Punks Fuck Off' doesn't exactly get the warmest of receptions, but that's nothing compared to what's in store for them after they find a freshly murdered corpse in the green room following the show. It's the worst possible case of being in the wrong place at the wrong time, and with club owner Darcy Banker (Stewart) intent on eliminating all witnesses, the band soon find themselves fighting for their lives. What follows is an exercise in excruciating tension in which the odds of a happy ending seem to diminish with every scene. Green Room is not for audiences with faint hearts or weak stomachs, with Saulnier executing some of the most gruesome, shocking and genuinely upsetting violence we've seen on the big screen in quite some time. Still, it's the moments in between the carnage that are the movies' most effective. Rarely has a film captured the terror of imminent bloodshed with this kind of frenzied, animalistic intensity – and for that, credit must go not just to Saulnier, but also to his cast. Playing scared isn't always the easiest thing to do, as the bad acting in countless horror films can attest. But Yelchin and Shawkat, along with their bandmates Callum Turner and Joe Cole, are never anything less than 100 per cent convincing. Their work also makes Stewart that much more frightening by comparison. There's something utterly chilling about the way he keeps his cool, coordinating his troupe of loyal thugs even as the body count rises. Whether or not Saulnier intended the film to have contemporary political undertones, it's hard not to read something into the way in which Banker so brazenly exploits his followers, inciting violence through rhetoric while keeping his own hands (mostly) clean. Either way, it's a phenomenal turn by the actor, and well worth the price of a ticket on its own. https://www.youtube.com/watch?v=IDpRB0XmbDw
Kendrick Lamar kicked off his four-city Australian DAMN. album tour on Tuesday, with a standout show in Perth. On top of the tour, which is also heading to Sydney, Melbourne and Adelaide, the acclaimed hip hop artist is also headlining a sold-out Splendour in the Grass later this month. If that wasn't enough Lamar-goodness for Aussie punters, the Pulitzer Prize-winning artist has just announced that he's bringing his coveted DAMN. Pop-Up stores down under, too. Damn. The first pop-up is happening in Melbourne right now, running from 11am to 7pm today and tomorrow on Brunswick Street. Sydney will get its chance to nab some of Lamar's limited-edition merch later this month on July 24 and 25. While details of what exactly will be stocked at the stores are extremely vague, the rapper's pop-up has already appeared in Europe and across the US, stocking vinyls, tees, caps and hoodies. You can take a look inside his NYC pop-up here. The rapper has also made surprise appearances at many of the pop-ups, so if you're keen to grab a closer-than-row-z sighting of Lamar we suggest heading along. If you are thinking of heading along, however, take this as a warning: there will be long lines. DAMN. Pop Up is open in Melbourne at Doomsday, 195A Brunswick Street, Fitzroy on Friday, July 13 and Saturday, July 14 from 11am–7pm. Sydney's pop-up will be located at Above The Clouds, 205 Oxford Street, Sydney on Tuesday, July 24 and Wednesday, July 25 from 11am–7pm. Kendrick Lamar is playing in Melbourne on July 13 and 14 and in Sydney on July 24 and 25. via Triple J
Come on Barbie fans, let's go party — under the stars, in costume, while watching the biggest movie of 2023 and not thinking about dying. Moonlight Cinema is returning for 2023–24, with its November–December lineup celebrating Greta Gerwig and Margot Robbie's pink-hued big-screen comedy. The openair cinema season is throwing Barbie-themed shindigs where wearing pink, rose or similar shades is encouraged while watching the film beneath the evening sky. That's just one of the highlights of this summer's (and late spring and early autumn's) date with Moonlight Cinema, which kicks off in Sydney on Thursday, November 23, 2023 and runs till Sunday, March 24, 2024 in Centennial Parklands. Also worth getting excited about: festive flicks ('tis the season), nostalgic sessions of Jurassic Park and The Mighty Ducks, The Hunger Games prequel Ballad of Songbirds & Snakes and Sydney-shot Sydney Sweeney (Euphoria)-starring rom-com Anyone But You. If nothing says Christmas to you like catching a festive film under the heavens, ideally while kicking back on bean beds and eating a picnic, then you're in luck as usual. When the beloved Australian outdoor movie-viewing setup returns, it'll again show some of the merriest pictures that it can find. On the list: Love Actually, National Lampoon's Christmas Vacation, Die Hard, Home Alone, How the Grinch Stole Christmas and Elf — so, the usual selection, not that these jolly pictures ever get old. Movie lovers can also look forward to seeing preview screenings of Taika Waititi's Next Goal Wins, plus the Natalie Portman- (Thor: Love and Thunder) and Julianne Moore (Sharper)-led May December. Throw in the animated Trolls Band Together, plus everything from The Little Mermaid, The Creator, Joy Ride and Asteroid City to No Hard Feelings, A Haunting in Venice, Dumb Money and Teenage Mutant Ninja Turtles: Mutant Mayhem, and there's already a heap of titles on the bill. If you're wondering what else Moonlight will screen across its full season, it now drops its program month by month. The films and the setting are just two parts of the Moonlight Cinema experience. Also on offer: an official Aperol spritz bar, which is new for 2023–24. Nosh-wise, the event will again let you BYO movie snacks and drinks, but the unorganised can enjoy a plethora of bites to eat onsite while reclining on bean beds. A beauty cart will be handing out samples, too. And, dogs are welcome — there's even special doggo bean beds, and a snack menu for pooches.
Imagine flying to a mysterious and remote spot in the middle of the ocean, and not only enjoying the incredibly scenic surroundings, but also getting to live out your wildest dreams. From the late 70s until the mid 80s, that was the premise of TV series Fantasy Island — and while the fantasies came with a price, the show definitely didn't fall into the horror genre. Thanks to prolific producer Jason Blum, now that premise comes with bumps, jumps, thrills and scares. Already remade for television in the late 90s, Fantasy Island is getting another do-over — for the big screen, and as a horror movie. The setup is the same, with folks zipping into an idyllic locale ready to live out their fantasy of choice. The cost, though, now lingers firmly in nightmarish territory. Yes, it's basically a case of turning everyone's mum's advice — "be careful what you wish for" — into a scary movie set in luxurious surroundings. And, yes, it jumps on the eerie island trend that Netflix series The I-Land also leaned into a few months back. The original series was famous for the character of Mr. Roarke (Ricardo Montalban), who was in charge of making guests's dreams come true — as well as his diminutive assistant Tattoo (Hervé Villechaize). Based on the just-released trailer for the remake, it seems that only Roarke has made the leap to the movie. Here, he's played by Michael Peña (Ant-Man and the Wasp). Cast-wise, Fantasy Island circa 2020 also features Maggie Q (Designated Survivor), Lucy Hale (Pretty Little Liars), Austin Stowell (12 Strong), Portia Doubleday (Mr Robot), Jimmy O. Yang (Crazy Rich Asians), Ryan Hansen (Veronica Mars) and Michael Rooker (Guardians of the Galaxy Vol. 2) — and behind the camera, Jeff Wadlow (Kick-Ass 2) is in the director's chair. The filmmaker has played in high-concept horror territory before with 2018's Truth or Dare, although that didn't turn out so well. If you're a fan of unsettling flicks with a clear-cut gimmick, cross your fingers that history doesn't repeat itself. Check out the trailer below: https://www.youtube.com/watch?v=5QVk_lcMyx4&feature=youtu.be Fantasy Island releases in Australian cinemas on February 13, 2020.
Three little letters. That's all it took back in the day, to kickstart a bonafide mad chat with a perfect stranger. And now you'll be able to dredge up those three simple little alphabet members again, wielding all the power and responsibility of sending those feelers into the cybersphere. We're talkin' A/S/L. Anonymous chatrooms are about to ignite the heyday flame once again in Australia, with the launch of Facebook's new anonymous chat app, Rooms. Having launched in the US in October, the stand alone app takes cues from the IRC-type chatrooms, message boards and forums of internet beginnings. Available only on Apple devices, users can create 'rooms' to chat with other users on any topic of their choice, from baking recipes to The Hunger Games (and probably everything sordid and el rauncho in between). "Pick a topic, customize the look and feel, choose a different nickname for each room you're in and share your room with others," says the app rundown. "Rooms is perfect for the things you love and interests that makes you unique." Don't worry, your Facebook profile isn't your user profile; you can use a pseudonym (you can even use different ones for each room). Invites go through direct message invitations or public recommendations. Once you download the app, you're prompted to screenshot a QR code to see your first room. After you let the app access your photos, you're prompted to join the 'recommended rooms' picked by the Rooms team: anything from Chihuahua Lovers to Cross Stitch Room, God Talk to Depression Support. Alongside the predictable anime, TV show and music rooms, you'll find rooms for people with diabetes, ceramics and pottery lovers, trailrunning enthusiasts, rabbit parents, electric car owners. Screenshot the invite (QR code) and post to be let into the room — you'll have to wait for a moderator to approve you. Most rooms are image based, kind of like an Instagram feed-based forum. The app could be seen as an attempt to nab traffic from Reddit, already well-known and established as the current platform for this type of niche discussion. But the key to Rooms (heh) seems to be the anonymity factor, one bound to be compromised by creepy idiots at one point or another. Few reviews have been posted since the app's October release, but some have been pretty negative — one reviewer called it a "social media Burn Book". "I'm sure the creators of this app have good intentions," wrote user KSully54. "I live in Washington where a room was made to allow naked pictures or screen grabs to be posted. Without consent of the poor people who are just ridiculed and bullied. By our peers no less. hysteria has begun in my gay community which is essentially a social media Burn Book. It's incredibly sad." Via SMH. Image: Chapendra via photopin cc.
Think back to science class at school — chances are you either loved or hated it. Either way, science is much more than Bunsen burners and memorising geological terms from a scrappy textbook — it's about the human body, space, technology and how we live in and interact with the world. With that in mind, Sydney Science Festival is determined to indulge or rekindle your interest in science, with a diverse lineup of the world's best researchers, hands-on workshops, exhibitions and events to suit science fans of all ages. The festival returns for its fourth year in August, featuring more than 200 events across 90 Sydney venues — that's a sizeable wealth of knowledge and expertise. Some of the headline speakers include leading astronomers Lisa Harvey-Smith and Kirsten Banks and Artificial Intelligence experts Ellen Broad and Toby Walsh. Sydney Science Festival explores some of the most fascinating issues facing the globe today in an accessible and engaging format. The program begins at the Powerhouse Museum on Thursday, August 9 with the free after-hours event MAASLive Lates: Science, which offers guests hands-on experiences dissecting botanical species and the opportunity to chat to the experts. You will also get a first look at the new exhibition Human Non-Human, featuring commissions from four artists that consider the past and future human experience through the lens of food, work, sex and belief. Also on the schedule, proving science doesn't always need to be serious, comedian and public health practitioner Alanta Colley will share her cheeky parable on parasites in Parasite Lost. Keynote speeches, interactive family-friendly activities, groundbreaking documentaries and a chance to get a glimpse into the future of A.I. and intelligent machines fill out the remainder of the program. With an entire cosmos of events to choose from, the festival has produced a range of helpful itineraries to make your decision a little bit easier. The Sydney Science Festival is part of National Science Week, which runs from August 7 to August 19. The festival is led by the Museum of Applied Arts and Sciences (MAAS) and the Australian Museum, in partnership with Inspiring Australia. For the full event program and tickets, head to the website. We're also giving away ten double passes to the Festival's keynote presentation by Lisa Harvey-Smith. To enter, see details below. [competition]679130[/competition]
Excellent news, marshmallows. In fact, if you're a Veronica Mars fan, this past year just keeps delivering. First, we found out that the beloved series was coming back for a fourth season. Then, not one, not two, but three teasers and trailers showed us just what kind of sleuthing fun we were in for. Now, Australian streaming platform Stan has announced that it'll become Ms Mars' new home for the fictional private eye's upcoming run of episodes. This news isn't minor — until now, just when and where Aussie were going to be able to watch Veronica Mars' fourth season was unknown. And if you've got a long-enough memory, and can recall how poorly the original first three seasons were treated by local TV back in the mid 2000s, you might've been worried. With the show launching on Friday, July 26 in the US, it'll hit Stan here on Saturday, July 27 — at the same time, thanks to the time difference. In America, it appears that all eight new episodes are dropping at once, so expect that to be the case here as well. Story-wise, the fourth season sees Veronica (Kristen Bell) back in her hometown of Neptune, still in the P.I. game with her dad Keith (Enrico Colantoni) and still solving mysteries. This time, a series of bombings and a shady ex-con turned businessman (JK Simmons) are on her radar. As well as plenty of twists and turns to follow, expect a heap of other familiar faces in the form of Jason Dohring as Veronica's on-again, off-again love interest Logan, Percy Daggs III as her bestie Wallace and Ryan Hansen as her sleazy ex-classmate Dick. Check out the full trailer, from US network Hulu, below: https://www.youtube.com/watch?v=pt0QuaQ0huk Veronica Mars will hit Stan on Saturday, July 27, with an exact launch time yet-to-be announced. We'll update you when it is.
The year was 2005. The album: Hold Your Colour. That's when Pendulum hit the big time, and also why. The Perth-born drum-and-bass group not only became a homegrown sensation with their debut record and its tracks 'Slam', 'Tarantula' and 'Fasten Your Seatbelts', but made it into the UK Top 40 Singles Chart as well. Now, the year is 2023. Almost two decades after that breakout album, the Perth-born electronic favourites have just announced their latest Down Under tour. Five stops, two countries, plenty of echoing arenas: that's what's in store when Pendulum play Australia and New Zealand in October. This'll be the first time that the band has performed across either country since 2021, with dates booked in Auckland, Melbourne, Perth, Brisbane and Sydney. At each show, Pendulum won't just be giving Hold Your Colour's tunes a whirl, but also songs from 2008's In Silico and 2010's Immersion. Expect to hear new single 'Halo' featuring Bullet for My Valentine singer Matt Tuck get a spin, too. Currently comprised of Rob Swire, Gareth McGrillien, Peredur ap Gwynedd and KJ Sawka, Pendulum heads home with experience playing huge overseas festivals such as Glastonbury, Creamfields, Coachella, Rock Am Ring, Reading and Leeds, and also recently headlining Ultra Miami. The band went on hiatus from early 2012, with Swire and McGrillien focusing on side project Knife Party, before starting to reunite in 2015. Joining Pendulum on their latest Aussie and Aotearoa tour: fellow Perth-bred drum and bass talent ShockOne, aka Karl Thomas. PENDULUM 2023 AUSTRALIA AND NEW ZEALAND TOUR: Friday, October 6 — Spark Arena, Auckland Saturday, October 7 — John Cain Arena, Melbourne Sunday, October 8 — RAC Arena, Perth Thursday, October 12 — Riverstage, Brisbane Friday, October 13 — Hordern Pavilion, Sydney Pendulum is touring Australia and New Zealand in October 2023 — head to the tour website for pre-sale tickets from Friday, August 4 (at 11am local time for Australian shows and 1pm NZST for Auckland), or from 11am local time on Monday, August 7 for general sales. Images: Luke Dyson.
The British Film Festival might only be six years old, but this year's event comes with a considerable sense of history. It's there in the fest's opening night film, Collette, which stars Keira Knightley as 19th-century French novelist Sidonie-Gabrielle Colette. It's evident in a four-movie tribute that'll blow the bloody cinema doors off, showcasing the work and career of Michael Caine. And, it's obvious in closing night's Stan & Ollie, with Steve Coogan and John C. Reilly as one of cinema's greatest double acts: British comedian Stan Laurel and his American counterpart Oliver Hardy. Dramatic true tales about Oscar Wilde, Virginia Woolf and Wolfgang Amadeus Mozart all keep the theme going, as do real-life spy thriller Red Joan with Judi Dench and the Idris Elba-directed, 70s and 80s-set Jamaican gangster movie Yardie. There's also a retrospective dedicated to Brit flicks from the swinging sixties, plus Peterloo — the latest effort from seven-time Oscar nominated writer/director Mike Leigh, which focuses on a working-class demonstration in Manchester in 1819. Screening at Sydney's Palace Norton Street, Palace Central, Palace Verona and Chauvel Cinema between Tuesday, October 23 and Wednesday, November 14 (with a few extra days always tacked on at the end to replay the most popular titles), the 2018 BFF boasts plenty of other highlights — and genres and stars as well. Catch a Scottish Christmas-themed teen-zombie-musical-comedy courtesy of Anna and the Apocalypse, and watch Rob Brydon go synchronised swimming (yes, really) in Swimming with Men. Or, see Star Wars' Daisy Ridley, Harry Potter's Tom Felton and Clive Owen take on Shakespeare in Ophelia, a reworking of Hamlet.
Usually when Cirque du Soleil hits cities around the world, it has audiences rolling up to its big top to see stunning acrobatic feats. But with the Montreal-based circus company's latest show, which also marks a pioneering display for the organisation, viewers will be hitting up arenas instead — because CRYSTAL takes place on ice. Cirque du Soleil's first-ever ice show, CRYSTAL still features all the trapeze, juggling, aerial acrobatics and more that fans have seen and loved across the company's past 41 productions — seven traditional circus acts, in fact, including banquine and hand balancing — but then adds a frosty surface rather than its usual stage setup. And, it includes figure skating and extreme skating into the spectacle as well, two disciplines that've never been featured in a Cirque du Soleil production before now. Even better: CRYSTAL will make its debut Down Under in 2023, kicking off in — when else? — winter. Sydneysiders, get ready for frosty wonders from Thursday, August 3–Sunday, August 13 at Qudos Bank Arena. This'll mark Cirque du Soleil's first visit since KURIOS: Cabinet of Curiosities in 2019 and 2020, although that production's run was interrupted by the pandemic. Also part of CRYSTAL, and another Cirque du Soleil first: remastered pop songs, including Beyoncé's 'Halo', U2's 'Beautiful Day', Nina Simone's 'Sinnerman' and Sia's 'Chandelier', in the company's only touring show so far to use such tracks. CRYSTAL has been doing the rounds worldwide since 2017, with more than 1.8-million people in 115 cities in 12 countries checking it out over the past five years. The all-ages show takes its name from the production's protagonist, who acts as the audience's guide as she follows her destiny to become herself.
While Chinese art might conjure up images from centuries past for a lot of us, the White Rabbit collection maintains a focus on contemporary Chinese art created during this century. The collection rotates throughout the year, consistently bringing in new explorations into modern art in China. Beyond the art, White Rabbit also runs its own teahouse, serving up specialities in all types of Chinese tea. The warming teas sit alongside a selection of snacks, including a plate of handmade dumplings. A trip to the White Rabbit immerses you in contemporary and traditional Chinese culture, all without the cost of a plane ticket.
If you're a long-term fan of Veronica Mars, you can be forgiven for taking an 'I'll believe it when I see it' attitude to news of the show's resurrection. It eventually worked for the Veronica Mars movie, however, and it also seems to be working for the series' small-screen comeback, with a teaser dropping for the long-awaited fourth season. Veronica Mars initially lasted three seasons across 2004–2007, then set a crowdfunding record to get a film off the ground in 2014, and even spawned two novels and a web series spin-off after that. Now, as confirmed in September last year, an eight-episode revival is slated to hit television screens in 2019. The teenage private eye drama is getting a similar treatment to Twin Peaks — it's a revival featuring original cast members, rather than a new effort that remakes the same concept with different folks and starts all over again with its narrative. And yes, crucially, Ms Mars herself is back, with Kristen Bell resuming the role that brought her to fame. Bell is also the star of Veronica Mars' first fourth-season sneak peek, with her character sat at her desk and listing everything that's in store during spring break in her home town of Neptune — "drunks, derelicts, flashers, frat boys, sorority vomit, pickpockets, bottomless drinks and topless dancers" all included. Crucially, the teaser also delivers an important piece of information: a US air date of July 26. https://twitter.com/veronicamars/status/1116744093646905344 Hulu, the streaming platform that turned The Handmaid's Tale into the phenomenon that it is, is behind the new season. As reported by Variety last year, Veronica Mars creator and writer Rob Thomas (no, not that one) has also returned — and is executive producing and writing the first episode. Bell also executive produces alongside Diane Ruggiero-Wright and Dan Etheridge, who were both involved in the original seasons and film. The new season will see Neptune's favourite blonde-haired, pint-sized sleuth again solving mysteries in the seaside town. This time, she has been hired by the parents of a dead spring breaker to investigate a string of murders and is drawn into a power struggle between the town's wealthy elite and its working class. Familiar faces such as Enrico Colantoni, Percy Daggs III, Jason Dohring, Ryan Hansen, Francis Capra and Max Greenfield are all returning, along with new inclusions such as Patton Oswalt, Clifton Collins Jr and Bell's The Good Place co-star Kirby Howell-Baptiste. There's no word yet on whether any other big names have been signed on for the show — or if any of Veronica's other ex-boyfriends will re-emerge — but, given that the original show featured appearances from Amanda Seyfried, Arrested Development's Alia Shawkat and Michael Cera, Buffy's Alyson Hannigan and Charisma Carpenter, Thor: Ragnarok's Tessa Thompson and more, you can probably expect a few familiar faces to pop up. With Hulu airing the revival, we're not sure when Veronica Mars 2.0 will be hitting Aussie and NZ TV screens — or where it'll air. Here's hoping it won't take long to head down under. We'll update you as soon as we know more.
Fire up the group chat to get your mates together at one of Sydney's parks this summer, where you can cook up a grilled feast and laze the day away in the sun. In Sydney, we're lucky to have an abundance of parklands, many of which have public barbecues and waterside views. And, in some cases, you can also crack open a cold one to enjoy with your barbecue. Together with Jim Beam, we've compiled a list of ideal barbecue spots where you can also bring your own drinks. [caption id="attachment_731570" align="alignnone" width="1920"] Alexandria Velovotee; Flickr[/caption] SYDNEY PARK Whether you want to explore this park on two wheels, with your four-legged friends or flying solo, Sydney Park is a dynamic patch of parklands to settle in to for a day of adventures. It's home to a winding cycling track where young and old can stretch their legs. There's also plenty of off-leash areas for pooches, and a paddling pool designed especially for dogs. Once you've pedaled and run around, locate one of the several barbecue spots in the park and enjoy a fast feast. Afterwards, take a stroll around the wetlands or check out the public artworks located throughout the park. If you're bringing booze to the park, make sure you're all packed up by 6pm, which is the cut off time for drinking alcohol in Sydney Park. LANE COVE NATIONAL PARK This sprawling national parkland is home to calm rivers, boat sheds, an abundance of native trees and plenty of barbecue areas. Perched between the suburbs of Lane Cove, North Ryde, Chatswood, Macquarie Park and Linfield, Lane Cove National Park is a good place for an al fresco feed thanks to the sheer number of different gas and wood barbecues. Many of these areas — including Carter Creek, Cottonwood Glen, Commandment Rock, Haynes Flat and Casuarina Point — are available to pre-book for a fee, so you can guarantee a grill. There are also plenty of parking areas available. As it's a national park, it's also home to an abundance of wildlife, so just be sure to guard your food supplies from cheeky kookaburras and curious brush turkeys. [caption id="attachment_793721" align="alignnone" width="1920"] James Horan; Destination NSW[/caption] MORT BAY PARK Built in 1854, this historic park served as Australia's first large-scale dry dock. These days, Mort Bay Park is home to sweeping green areas, basketball courts and water views stretching out to the city skyline. There is plenty of on-street parking here, and the quaint Balmain Ferry Wharf is also worth checking out. You'll find several barbecues, prime for grilling and enjoying a feast with your mates. You can drink alcohol here, so long as it's in responsible quantities and you leave any glass at home. DAVIDSON PARK This Forestville parkland is the perfect spot to sizzle up some snags with family and friends against the backdrop of Middle Harbour Creek. Located within Garigal National Park, Davidson Park also has access to a range of easy walks, including the Lyrebird track, which includes strolling along the banks of Carroll Creek and a stepping stone crossing. It also has a boat ramp and canoe access points, so you can take to the water after your barbecue. Make sure you're packed up and out of the park before 8pm and take all rubbish with you. [caption id="attachment_753757" align="alignnone" width="1920"] James Horan via Destination NSW[/caption] PIRRAMA PARK This harbourside park is a hit with folks of all ages, thanks to its expansive playgrounds, fitness stations and excellent views. Pirrama Park is ideal for settling in for a long day with family and friends. There are two separate barbecue areas with four electric barbecues each, meaning it's usually pretty easy to secure one. It's closest to the Light Rail stops John Street Square and The Star, and you can pick up food at Pyrmont's cafes and supermarkets. Along with the City of Sydney's other timed alcohol areas, you can drink here until 10pm and not before 10am. [caption id="attachment_781770" align="alignnone" width="1920"] James Horan via Destination NSW[/caption] BLACKWATTLE BAY Along Glebe's foreshore you'll find open space overlooking the ANZAC Bridge, the Fish Markets and Rozelle Bay. The 1.8-hectare spot has several separate green patches and a walking track linking everything together. As Tramsheds is also located minutes away, you can shop for your barbecue feast and then hop on over to one of the public barbecues with your supplies. You can drink alcohol here until 10pm, which means it's perfect for a golden-hour picnic. Top image: James Horan; Destination NSW
Summer is over and it's rainy outside, but it's no time to despair. Instead, it's time to eat ramen. While we're strong advocates of eating ramen all year round, we think there's nothing better than slurping down a bowl of hot, spicy noodle soup when it's cold and drizzly outside. Potts Point's Japanese diner Cho Cho San agrees, and to commemorate the start of peak ramen-eating season, it's serving up a limited-edition porky bowl of ramen for one week only. Swing by any night between Monday, March 16 and Friday, March 20 and you'll get to eat try its double pork shoyu ramen. Made with 14-hour double pork dashi and black pepper shoyu, Balangalow pork loin and fresh noodles, the ramen is garnished with pork XO, a soft soy egg, wood ear mushrooms, chilli oil, bean sprouts and green shallots. If that's not quite enough toppings for you, you can add on more eggs, nori, grilled pork and miso corn, too, for a few extra coins. Available from 5–6.30pm nightly (or until it sells out), the ramen will set you back $30 — and that includes a drink. Choose from a Stone & Wood green coast lager, a seasonal chu-hai (a shochu highball) or a junmai sake. The ramen is available for walk-ins only, so get in early. Cho Cho San's limited-edition ramen is available from 5–6.30pm. Top image: Nikki To
Stay tuned. More info is on its way.
As 2025's Sydney Film Festival announced at its closing-night gala, if you caught Jafar Panahi's It Was Just an Accident at this year's fest, then you saw the latest winner of the Sydney Film Prize. If you sat down to Songs Inside, Floodland and Wilfred Buck, you also watched 2025's recipients of the event's Documentary Australia Award, Sustainable Future Award and First Nations Award. There's more accolades where they came from, too — this time decided not by juries, but by festivalgoers. If you voted in SFF's 2025 Audience Awards at the fest's highest-selling year in its history, then you had a hand in selecting the picks for Australian feature, Australian documentary, international feature and international documentary — plus their runners up. Over 23,000 votes were received across the four fields, with the winners showcasing the breadth of flicks on offer at this year's festival. Aussie animation Lesbian Space Princess — which features The Pitt's Shabana Azeez among its voice cast — added the Best Australian Narrative Feature Audience Award to its growing haul, after collecting the Teddy Award at this year's Berlin International Film Festival. Its counterpart in the international field: All That's Left of You, about a Palestinian family in the occupied West Bank. In the documentary categories The Raftsmen and Prime Minister took out the top prizes, the first for chronicling an effort to cross the Pacific Ocean in 1973 and the second for a portrait of Jacinda Ardern. "These four films are powerful examples of the fantastically diverse kinds of storytelling that move, inspire and connect with audiences," said Sydney Film Festival Director Nashen Moodley. "Leela Varghese and Emma Hough Hobbs' Lesbian Space Princess is a singular achievement in animated cinema. This wildly imaginative feature is hilarious, heartfelt and unapologetically out there — and our audiences adored it." "The Raftsmen is a gripping and meditative exploration of adventure and human endurance. Chadden Hunter's evocative storytelling, blending archival 16mm footage with survivor testimony, brings to life one of the great oceanic journeys in modern history." "Cherien Dabis' All That's Left of You is sweeping in scope and deeply personal in its portrayal of love, loss and legacy. Tracing seven decades of Palestinian history through one family's experience, it is an emotionally resonant and beautifully crafted film that left Sydney audiences spellbound," Moodley continued. "Finally, Prime Minister offers a rare and deeply human look behind the scenes of political leadership. With unprecedented access, this nuanced portrait of Jacinda Ardern captures a leader navigating major global and national crises with empathy and resolve — clearly something that resonated with audiences in these times." Dark comedy Birthright, Sundance Audience Award-winner DJ Ahmet, the World Porridge Making Championship-focused The Golden Spurtle and Sundance Documentary Grand Jury Prize recipient Cutting Through Rocks all claimed the runner-up spots. Sydney Film Festival Audience Award Winners Australian Feature Winner: Lesbian Space Princess Runner up: Birthright Australian Documentary Winner: The Raftsmen Runner up: The Golden Spurtle International Feature Winner: All That's Left of You Runner up: DJ Ahmet International Documentary Winner: Prime Minister Runner up: Cutting Through Rocks Sydney Film Festival 2025 ran from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. The fest is screening via Sydney Film Festival's 2025 Back By Popular Demand bonus screenings at Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick until Friday, June 20. For more information and tickets, head to the festival's website.
Francis Bacon (not the painter) once wrote, "The joys of parents are secret, and so are their griefs and fears: they cannot utter the one, nor they will not utter the other." In Unholy Ghosts (written by Campion Decent and directed by Kim Hardwick), a son does his best to extract exactly these utterances from his ailing parents as he, and they, get to grips with the pointy end of mortality. The play, which stems heavily from Decent’s own experiences, comprises a number of scattered reminiscences related by Son (James Lugton) as he recalls certain conversations with his ageing parents, Mother (Anna Volska), a retired actress who continues to revel in the dramatic, and Father (Robert Alexander), an irascible ex-salesman with no shortage of bitterness. Although the story is not strictly linear, there is never any doubt as to the direction in which we are headed; the play begins with Son’s recitation of synonyms for nothingness — “abyss, void, chasm, hole” — and it is a list he repeats at various points throughout the play. Despite allusions to hospitals and nursing homes, the stage is hidden under plush crimson carpet, overlooked by a dilapidated chest of flower-patterned drawers. It is the landscape of a fading memory, sparse and ebbing. The lighting is for the most part warm and realistic, but a subtle cold glow upstage illuminates a constant mist, the fug of history through which Son is backtracking, perhaps. Although described by Decent as a ‘navigation of loss’, Unholy Ghosts also traverses some very funny territory. The characters have obviously been written with a great deal of affection, and they are treated the same way by the actors inhabiting them. Volska is all class and wit as Mother, whilst Alexander’s skinflint Father seems to have been working his whole life to attain the status of perfect curmudgeon. Lugton runs between the two, an apt foil for both, his fondness often outweighed by sheer exasperation. The ending is quite odd and not entirely convincing. A fantasy reconciliation in the afterlife and a hurried celebration of extant family undermines a great deal of the excellent character work that preceded it. There is an obvious need to step back from the void at some stage, but this jarred considerably. Ultimately, though, Unholy Ghosts is a well-acted exploration of family and grief, an unflinching portrait of two flawed individuals who continue to charm and frustrate despite having shuffled off this mortal coil.
Watching any film by Apichatpong Weerasethakul, it's easy to pick that the Thai director is also a visual artist, even if you didn't already know going in. In every one of his features to play in cinemas, including his Palme d'Or-winner Uncle Boonmee Who Can Recall His Past Lives, Asia Pacific Screen Awards Best Film recipient Cemetery of Splendour and the Tilda Swinton (The Room Next Door)-starring Cannes Jury Prize awardee Memoria, peering deeply is rewarded. So is soaking in imagery that no other filmmaker could conjure up, as well as being immersed in his movies at a patient, reflective pace. The above films, a trio from among Weerasethakul's four most-recent releases, all had dates with the big screen in Australia — but A Conversation with the Sun (Afterimage), his next creation, isn't heading to a picture palace. Instead, the acclaimed director has crafted the cinematic installation especially for the Museum of Contemporary Art Australia in Sydney. [caption id="attachment_1013104" align="alignnone" width="1920"] Apichatpong Weerasethakul in collaboration with DuckUnit, A Conversation with the Sun (installation), 2022, installation view, BANGKOK CITYCITY GALLERY, Bangkok, Thailand, 2022, image courtesy the artist and BANGKOK CITYCITY GALLERY, photograph: Miti Ruangkritya.[/caption] 2025 marks a decade and a half since Uncle Boonmee Who Can Recall His Past Lives collected one of the world's most-prestigious film prizes thanks to its 2010 Cannes victory. This is also the year that A Conversation with the Sun (Afterimage) will grace the MCA, displaying from Thursday, August 14, 2025–Sunday, February 8, 2026. Musing on cinema and its emotional impact, fittingly, as well as memory, making images and time's passing, the large-scale work is a collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid, who hail from Bangkok-based collective DuckUnit. Inspired by pondering the sun while walking in nature, featuring video diaries projected onto floating fabric, and designed to provide a dream-like experience that appears to fade and return thanks to the curtain, it will take over a five-by-16-metre space in the MCA Macgregor Gallery. [caption id="attachment_1013105" align="alignnone" width="1920"] Chayaporn Maneesutham[/caption] Weerasethakul calls the piece "a meditation". The same word applies to every one of his movies — the also Cannes-awarded Blissfully Yours and Tropical Malady, plus the Venice-premiering Syndromes and a Century as well. "A Conversation with the Sun (Afterimage) is a meditation on light, urging us to observe the impermanence of images as they shift, dissolve and reappear. The work explores the nature of projection and perception. Surfaces shift, and meanings transform. The projectors serve as both light sources and vehicles of memory, evoking sunlight, cinema and the passage of time," explains the filmmaker. [caption id="attachment_1013103" align="alignnone" width="1920"] Apichatpong Weerasethakul in collaboration with DuckUnit, A Conversation with the Sun (installation), 2022, installation view, How to Hold Your Breath – 2024 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2024, image courtesy of the artist, photograph: Apichatpong Weerasethakul.[/caption] "Apichatpong Weerasethakul is one of the world's most-innovative artists working at the intersection of visual art, moving image and cinema. It is a privilege to be presenting his new collaborative work that has been made especially for the Museum of Contemporary Art Australia. It is an exciting moment for Sydney and our visitors," said Jane Devery, MCA Australia Senior Curator, Exhibitions. Weerasethakul will also be part of an Artist in Conversation session at MCA Australia on Saturday, August 16, 2025, while a range of his short films from between 2007–24 will screen at the venue on Saturday, October 25, 2025. [caption id="attachment_1013101" align="alignnone" width="1920"] Apichatpong Weerasethakul in collaboration with DuckUnit, A Conversation with the Sun (installation), 2022, installation view, How to Hold Your Breath – 2024 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2024, image courtesy of the artist, photograph: Apichatpong Weerasethakul.[/caption] A Conversation with the Sun (Afterimage): Apichatpong Weerasethakul in collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid displays at the Museum of Contemporary Art Australia (MCA Australia), 140 George Street, The Rocks, Sydney, from Thursday, August 14, 2025–Sunday, February 8, 2026. Head to the venue website for more details. Top image: Apichatpong Weerasethakul in collaboration with DuckUnit, A Conversation with the Sun (installation), 2022, installation view, How to Hold Your Breath – 2024 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2024, image courtesy of the artist, photograph: Apichatpong Weerasethakul.
One of Sydney's most visually and sonically impressive venues, the City Recital Hall is always looking to complement its stunning acoustics with an equally exciting program. While its bread and butter are orchestral performances, the venue will often go on a streak of booking more contemporary performers, pushing the boundaries of the type of music you might expect to see in such a classy environment. That's exactly the case with the hall's new contemporary music series 02 | 23, which is not only pulling together a diverse group of musicians ranging from hip hop legends to upcoming singer-songwriters, but will also include the venue's first-ever standing gigs. Following the installation of removable seating in the hall, the inner-city music hub can now accommodate general-admission standing gigs for those that need to move their feet when they're catching live music. [caption id="attachment_764363" align="alignnone" width="1920"] Keith Saunders[/caption] The three performances that will claim the title of the prestigious venue's first standing shows come from three very different musical worlds. On Thursday, June 8, you can catch French disco pioneer Cerrone bringing the inaugural dance floor to the hall. The next night, Friday, June 9, one of the most influential hip hop duos in the history of the genre, The Pharcyde, will be taking to the stage with Masta Ace and Marco Polo in support. And, on Saturday, June 10, local legends Rolling Blackouts Coastal Fever will be arriving with their signature indie-rock tunes. They'll all be joining an eclectic cast of characters on the 02 | 23 program that runs throughout June. The lineup includes breathtaking Icelandic folk singer Ásgeir, breakout Nigerian pop musician Obongjayar, plus Cash Savage and The Last Drinks, Ichiko Aoba, Laura Jean, Yazmin Lacey and Amanda Brown. If you're looking to grab a bite to eat after the show, you're also in luck, with the hall sitting directly next to one of the best restaurants in Sydney, Ragazzi. Top image: Destination NSW.
