Maybe your house needs the kind of colour and flair that only art can bring. Perhaps you're keen on supporting artists. If the first applies, the second should as well. Whichever fits, one event has you covered without requiring you to bust your budget to enjoy art on your walls. Even better: Affordable Art Fair is doing the rounds of Australia's east coast again in 2025, including popping up for a four-day run in Sydney in spring. Everyone should be able to fill their home with art no matter their bank balance. That's the idea behind this event, and has been since 1999. Back in the 20th century, Affordable Art Fair initially popped up in London to share eye-catching pieces with the world at manageable prices, and then started spreading its art-for-all ethos around the world. Clearly Sydneysiders are fans, given that it's returning again in 2025. [caption id="attachment_866848" align="alignnone" width="1920"] Reed Photographic[/caption] This year, you'll be heading to Carriageworks from Thursday, November 6–Sunday, November 9. On offer: original artworks by the thousands, with prices starting from $100. If you do happen to be flush with cash, however, costs will max out at $10,000 per piece. Alongside London and its three Down Under host cities, Affordable Art Fair has brought its budget-friendly wares to Brussels, Hamburg, Stockholm, Amsterdam and Berlin in Europe; Singapore and Hong Kong in Asia; and New York and Austin in the US. Unsurprisingly, democratising art has been proving the hit as Affordable Art Fair notches up the years. Up to 2024 across its stops worldwide since 1999, the event had sold 568,000 artworks at a value of over AU$820 million.
Joining vinyl records and 8-track tapes on the dusty shelf of obsoleteness, CDs have fallen by the wayside. In 2011, the number of people in the US who downloaded their music had far surpassed that of people who bought physical albums. In an era when our grandchildren won't know what a Walkman is, what are we to do with our now-digitised CD collections? As it turns out, Amazon wants them. Beginning last week, Amazon launched alterations to its Trade-in Program, which allows customers to swap their old stuff for Amazon store credit. Amazon has previously accepted pre-loved items such as Kindles, textbooks, and DVDs in exchange for credit but hasn't accepted used CDs until now. The store credit can be used to buy new, downloadable albums, or any product from the site. We can't decide which we are more excited about: an extra buck or two, or forever banishing our questionable '90s music decisions.
It's hard to say which has gained greater mythical status: Blade Runner the film or Vangelis's enigmatic score. After a release process that consumed a dozen years, the soundtrack soared to the top of the charts quicker than a spinner could lift off. Rumours abounded that at least 20 different versions were in existence. Part of the mystery may be a reflection of the composer. We know that Vangelis's real name is Evangelos Odysseas Papathanassiou (the adoption of a pseudonym was clearly a smart career move), and we know of his extensive musical contributions, but he's protective of his work and rather shy when it comes to media interviews. A 2005 chat with the Telegraph was a rare exception. Twenty-six years after releasing the Blade Runner soundtrack, Vangelis granted the UK's Heritage Orchestra permission to perform it live. Southbank Centre's 2008 Meltdown Festival saw the global debut, and this month's appearance at Vivid LIVE is the Australian premiere. Note that a Blade Runner-inspired backdrop will accompany the music, but the event does not include a screening of the film. https://youtube.com/watch?v=RScZrvTebeA
If you've ever dreamed of constantly being the life of the party, then this creation by Joey Andolina will be right up your alley. Instead of the standard carrying of a boombox in the hand or over the shoulder, this boombox is attached to a vest and can be worn with ease. The vest features two motorcycle speakers which protrude from the shoulders. Furthermore, an 8” Boss Audio Bass900 subwoofer is located on the back of the vest for more bass power. The whole device is powered by a rechargable battery, and volume can be adjusted from the hip. Arriving just in time for summer, this vest boombox allows you to show off your fashion prowess while blasting European hardstyle relentlessly as you walk around the block. If you're serious about partying, you know you'll have to wear the sunglasses like the model in the above picture.
Last year, Newtown Festival brought thousands to the streets in celebration of the inner west's weird and wonderful culture. The festival returns to Camperdown Memorial Rest Park for its 39th year on Sunday, November 12 with the theme Home is Where the Heart is. This year, the expected entry donation will be $5, which will go directly to social change leaders, Newtown Neighbourhood Centre. You're free to donate more, of course — if you hand over a tenner, you'll get a free Newtown Festival water bottle. There'll be food stalls, markets, art — many, many dogs — and performers, including 16 local music acts picked by Aussie music legend and Newtown local Sarah Blasko, as well as La Toosh Tram & Stage's 'old-world' circus performers. Belt tunes to your heart's content with Heaps Gay's Closet Karaoke, and watch the best doggos win awards in the doggie dash and celebrity look-alike contest. A collective of Newtown's incredible food offerings under the name Newtown Locals will nourish you with an Australian barbecue for the day, including Bloodwood, Hartsyard, Fleetwood Macchiato. N2 Gelato, Young Henrys, Stinking Bishops and Mary's among numerous others. The Writer's Tent in partnership with Better Read Than Dead returns, hosting talks and seminars from a broad selection of Australian writers, including the team from The Betoota Advocate, Felicity Castagna and Jaclyn Moriarty. You'll also be able to take part in a Cornersmith pickling workshop.
First, Coachella excited music fans worldwide with its 2020 lineup, with Travis Scott, Frank Ocean and Rage Against the Machine topping the bill. Then, when COVID-19 started having an impact on gigs around the globe — and travel to gigs, too — the huge Californian fest postponed this year's event from April to October. Now, in a move that's hardly surprising, it's scrapping 2020's festival altogether. Instead, it'll aim to return in 2021 in its regular April time slot. Revealing the news, fest organisers announced that "Under the continuing health guidance of the County of Riverside, Coachella and Stagecoach 2020 will not take place this October as previously rescheduled". Just what'll happen with Coachella's much-anticipated 2020 lineup — and whether Scott, Ocean and RATM will feature next year — is yet to be advised, with the festival saying, "we look forward to sharing our new lineups and more information." The cancellation comes after Coachella's parent company, Anschutz Entertainment Group (AEG), told staff earlier this week that it'd be cutting back its workforce, including layoffs, furloughs and pay cuts, the Los Angeles Times reports. Coachella ticketholders will be able to use their passes for the 2021 festival and the company will be emailing information about refunds by Monday, June 15. https://www.instagram.com/p/CBT6AgsHdY5/?igshid=70jfi1nudmg Fallout from the coronavirus on this scale has been predicted for the music industry for months, with some experts forecasting that concerts, festivals and international touring won't return to normal until late 2021. Just this week, Australia's own Splendour in the Grass also canned its 2020 fest, after earlier announcing a move to October, just as Coachella had. Splendour will instead celebrate its 20th-anniversary event in July 2021. Of course, since Australia and New Zealand's international borders are currently firmly shut — and, if they reopen anytime soon, they only look likely to open to each other as part of an Australian–New Zealand travel bubble — music lovers from Down Under weren't going to be able to attend this year's Coachella anyway. If you had been preparing to to watch the always-popular livestream across the weekends of October 9–11 and 16–18, though, you'll need to cancel your plans. Or, you can check out the free YouTube documentary Coachella: 20 Years in the Desert, which does an entertaining — albeit highly official, and therefore highly celebratory — job of exploring the fest's origins, growth and success. The doco also includes some killer performance footage, highlighting performers who've graced the Indio stage over the past two decade, such as Jane's Addiction, Bjork, Daft Punk, Madonna, Amy Winehouse, Beyonce and Prince, plus Tupac in hologram form. Coachella will no longer take place in 2020, and is expected to return from April 9–11 and April 16–18, 2021. For further information, visit coachella.com.
Dust off your petticoat and get your doublets out of the attic, because London's historic Globe Theatre is popping up in Melbourne later this year — well, sort of. Pop-Up Globe is the world's first, full-scale replica of the historic theatre, which was built by Shakespeare's playing company and housed his greatest works. Melbourne's version will set up shop at the Sidney Myer Music Bowl from September 21 until November 12 this year. History buffs and Shakespeare enthusiasts alike will have the opportunity to soak in plays As You Like It, Henry V, Othello, Much Ado About Nothing, and a special performance titled Around the Globe in 60 Minutes, which details the theatre's colourful history (it famously burned down in 1613 and was reconstructed a year later). It will be the first time the Pop-Up Globe has travelled outside of Auckland. With the round, 900-seat, three-storey venue, no member of the audience will ever be more than 15 metres from the stage, and all performances will be conducted without the use of mics, just as it was in 1614. Also keeping with tradition, tickets will offer the "groundling" option – standing room only, directly in front of the stage for only $20 a pop. Organisers promise that Pop-Up Globe won't host 'dusty' versions of Shakespeare — rather, performances will be more like a party. Pop-Up Globe will be at Melbourne's Sidney Myer Music Bowl from September 21 till November 21, 2017. For more info and to buy tickets, visit popupglobe.com.au.
When a TV show comes to an end, it isn't always the end. Plenty of beloved favourites have returned after they've said farewell, from Twin Peaks and Veronica Mars through to the about-to-drop Party Down revival. But one series that looks like it's staying gone is Mindhunter, the absolute best true-crime effort that Netflix has ever created — and one that's been missing from our screens since 2019. In the platform's ongoing quest to keep our eyeballs glued to the small screen, it pumps out new original shows with frequency. There are now so many to choose from, you could easily watch nothing else. But, both as a true-crime series and a Netflix series in general, Mindhunter has always stood out from the crowd. Combine filmmaker David Fincher ( Gone Girl, Mank), non-fiction book Mindhunter: Inside the FBI's Elite Serial Crime Unit and a whole heap of real-life serial killer cases, and you get the greatest show the streamer has ever made. Naturally, after season one in 2017 and season two in 2019 — both of which were exceptional — viewers were keen for more of Mindhunter's look into the origins and operations of the FBI's Behavioural Science Unit. They're the folks who interview mass murderers to understand how they think, then use the learnings to help stop other killings, with the series drawing on its factual source material to dramatise the unit's beginnings. Alas, additional episodes haven't eventuated, with Netflix letting the cast's options expire in early 2020, and now David Fincher confirming that Mindhunter won't be getting a third season. "I'm very proud of the first two seasons. But it's a particularly expensive show and, in the eyes of Netflix, we haven't attracted a large-enough audience to justify such an investment," Fincher said in a new interview with French publication Le Journal du Dimanche (as per a translation). "I don't blame them, they took risks to launch the series, gave me the means to do as I dreamed Mank and they allowed me to venture on new paths with The Killer [Fincher's upcoming film, which'll hit the service before the year is out]." Mindhunter really does boast the kind of concept that easily could span on forever. The show's main characters are fictional, such as agents Holden Ford (Jonathan Groff, Knock at the Cabin) and Bill Tench (Holt McCallany, Nightmare Alley), plus psychologist Wendy Carr (Anna Torv, The Last of Us), but the details they're delving into aren't. Also real: notorious figures such as Ed Kemper (Cameron Britton, A Man Called Otto), David Berkowitz (Oliver Cooper, The Goldbergs) and Charles Manson (Damon Herriman, Nude Tuesday), to name a few. With a hefty lineup of killers and cases to cover — and still prove fascinating and gripping in this always-meticulously made show — season three wouldn't have lacked in inspiration. But hopes for a third season have long looked as paltry as Holden Ford's social etiquette, and just keep getting dimmer. Fincher has still been rather busy making other things for Netflix of late. That includes producing Love, Death and Robots, then directing Mank and now The Killer — which stars Michael Fassbender (X-Men: Dark Phoenix) alongside Tilda Swinton (Three Thousand Years of Longing), and sees Fincher return to his fondness for crime (see also: Seven, Zodiac). Check out the trailer for Mindhunter's second season below: Mindhunter's first and second seasons are available to stream via Netflix. Via Le Journal du Dimanche. Images: Merrick Morton/Netflix.
So many beers to sample, so little time. If you don't know too much about craft beers, this is where you'll want to be. Brewers like Doctors Orders and Pirate Life will be in store offering tastings of their best beers and you can have a chat to them about the amber liquid of the gods. This event is one of our top ten picks of Sydney Craft Beer Week. Check out the other nine.
Take a wild real-life story, turn it into a docuseries, then release it during a worldwide lockdown — and the result is one of Netflix's huge current hits. True-crime series Tiger King: Murder, Mayhem and Madness was always going to draw plenty of viewers, as you'd expect of a show that includes lions, tigers, eccentricity, polygamy and murder-for-hire. Indeed, the series has proven such a success that Netflix is now releasing a new special about all things Joe Exotic. The Tiger King and I will hit the streaming platform today, Sunday, April 12; however it's not merely another episode in this so-strange-it-must-be-true saga. Instead, it's an after-show special that features new interviews with many of the folks featured in the seven-part series' frames — not the incarcerated Exotic, but John Reinke, Joshua Dial, John Finlay, Saff, Erik Cowie, Rick Kirkman, and Jeff and Lauren Lowe. The one-off special is hosted by Joel McHale, who'll clearly be drawing on his time hosting pop culture show The Soup and Netflix's similar but short-lived The Joel McHale Show with Joel McHale more than his time on sitcom Community. McHale will chat with the aforementioned lineup of Tiger King figures about what has happened in their lives since the series. https://twitter.com/NetflixANZ/status/1248372365542604800 If Tiger King has somehow passed you by until now, the series focuses on mullet-wearing zoo owner Joe Exotic. Obviously that isn't the name that he was born with. But given Joe's love of big cats, line of work and over-sized personality, he obviously decided that the moniker fit. Between 1999–2016, he created and ran The Greater Wynnewood Exotic Animal Park in Oklahoma, which was home to hundreds of tigers, lions and other large felines. Joe also took his tiger show on the road and, because he just adored tigers so much, he literally sang about them as well. His first country music album was called I Saw a Tiger, because of course it was. He found time to run for Governor of the state and, in 2016, President of the US. He's fond of guns and just as fond of marrying more than one person at once. Oh, and the zookeeper tried to hire a hitman to get one of his rivals — Big Cat Rescue animal sanctuary's CEO Carole Baskin — killed. That's the jaw-dropping tale that Tiger King: Murder, Mayhem and Madness tells — and, soon, so will a new Kate McKinnon-starring TV drama that's set to recreate these events. Check out the trailer for Tiger King: Murder, Mayhem and Madness below: https://www.youtube.com/watch?v=acTdxsoa428 Tiger King: Murder, Mayhem and Madness is available to stream now on Netflix. The Tiger King and I will hit the streaming platform on Sunday, April 12, with new Netflix shows usually dropping at 5pm AEST. Top image: Netflix.
It's a region in the throes of political and cultural upheaval, but now you can get a nuanced glimpse inside the contemporary Arab world at the 2014 Arab Film Festival Australia. With documentaries, narratives and a selection of shorts from countries including Egypt, Jordan, Lebanon and Palestine, the films at this year's festival are connected by the theme of social change. A Jordanian-Palestinian co-production, opening night film When I Saw You transports audiences to Jordan in 1967, as the nation was faced by a sudden influx of Palestinian refugees. Also from Jordan comes May in the Summer, an indie dramedy about a young Arab-American woman returning to Amman from New York, to inform her family of her engagement. On a darker note, Lebanese documentary Scheherazade's Diary takes viewers inside the Baabda Women's Prison. Through dramatic therapy sessions organised by director Zeina Daccache, inmates recall harrowing personal tales of false imprisonment and domestic abuse. For the full program, visit the Arab Film Festival website. Image: May in the Summer. https://youtube.com/watch?v=tCHijjRwChs
This year's Celebrity Theatresports is embracing all things Spanish. It combines the talents of its more-famous guests with the skills of some Theatresports regulars, the regulars more versed in the event's everyday diet of improvisation and humour. The show promises to touch on the highs and lows of Spanish culture, while taking you on a tour of the highs and lows of comedy as well. Modern Spain is a nuanced collection of regions, alternately collaborating and jostling with the State for autonomy. At Celebrity Theatresports, Peter Fitzsimmons will bring the sense of Castillian decorum, Rockwiz host Julia Zemiro some breezy Valencian style, Monica Trapaga looks to be a nation of Catalan cool and Adam Spencer may be the evening's Basque Country — spouting intelligent and ground-breaking ideas, in a venerable language few outsiders can understand. If this federation of talent isn't enough, comedians Claire Hooper and the Umbilical Brothers will also be on hand. As if that's not enough the show raises money for the charity CanTeen, which helps young people keep a handle on their youth while dealing with cancer. Will this be a nation united? No one will know until the night.
It's a fact that some architectural firms use Lego to privately demonstrate building layout ideas. How adorable it is to imagine a room of dashing young architects tinkering with the colourful plastic blocks of their childhoods. But now Lego has launched a sophisticated, minimalist, all-white set of bricks that can help make you an architect yourself. Maybe you could you be the next Harry Seidler. This is no children's toy; part of the adults' mini-architecture line, the Lego Architecture Studio is for ages 16+. It's a great example of how the accoutrements of playtime can become a lifelong educational tool, aimed at aspiring architects, designers and construction enthusiasts. Apart from its 1210 bricks, in lieu of an instruction booklet it comes with the true bargain of the set — a 272-page illustrated book that puts forth the fundamentals of architectural design. Christopher Turner edited the book, which was written with architecture firms including KRADS, MAD, REX, SOM, Sou Fujimoto, Winy Maas, Safdie and Tham & Videgaard. There are exercises included that will help you, poised on your living room floor with plastic blocks in hand, grasp the notions of scale, surface, texture, density, modules, voids, repetition and more. Online reviews of the Studio are packed with squeals of delight from architecture students the world over. The set even comes with sorting trays for your bricks — how advanced is that? — so invest and let your dreams of yore live anew. A world of speculative Lego layouts in tasteful Modernist white awaits. Via Hyperallergic.
The first teaser trailer for science-fiction film Jupiter Ascending has hit the web, and it looks epic. It's the first original story from the Wachowskis since the Matrix trilogy, and judging by the trailer, it will showcase more of the cutting-edge visual effects that have become the benchmarks of their films. From the streets of Chicago to far-flung galaxies, Mila Kunis is a lowly janitor who, unbeknownst to her, may hold the key to the universe. On the brink of her assassination, a genetically engineered ex-military hunter (played by Channing Tatum) charges in, kicks arse and teaches her of her genetic destiny. The first glimpse of the film is packed with jaw-dropping visuals of intergalactic warfare. There's a dark, post-apocalyptic flavour to the cinematography, with otherworldly cityscapes, futuristic demons, fractured planets, plenty of thrilling gadgets and gravity-defying fight scenes. The film also sees the Wachowskis reunite with their longstanding collaborators, including Oscar-winning cinematographer John Toll, whom they worked with on Cloud Atlas. Unfortunately, we'll have to wait until July next year to see the film. But it will be interesting to see whether they can match the high standards they've set themselves.
Start practising your royal wave: it's time to bid farewell to The Crown. Netflix's hit regal drama is wrapping up with its upcoming sixth season, which now has both a release date and a first teaser trailer. If you're wondering when to get watching, you have two dates to put in your calendar. The Crown's final season is being split into two parts, with both arriving before 2023 is out. The first four episodes will stream from Tuesday, November 16, and then the second from Saturday, December 16. As well as saying goodbye to the series overall, viewers will also be moving on from The Crown's time in the 20th century in this sixth and final season. Although the just-dropped initial sneak peek is all about the past, permanence and legacy — Claire Foy (Women Talking) and Olivia Colman's (Heartstopper) versions of Queen Elizabeth II both feature, in fact — the hit show will embrace the 21st century in its latest run. Accordingly, The Crown will cover the early days of Prince William and Kate Middleton's relationship, and focus on the man currently second in line to the throne after Queen Elizabeth II's passing in 2022. Screen debutant Ed McVey takes on the role of Prince William, while newcomer Meg Bellamy is slipping into Middleton's shoes. The show's sixth season will follow the IRL pair's first meeting at university in St Andrew's, starting the story that's played out in plenty of headlines and a ridiculous amount of worldwide media coverage since 2001. While everything that's popped up in the series draws its details from history — dramatised history, of course, but still history — this next instalment is bound to feel even more familiar. Getting closer to our current time will do that. When The Crown began, it kicked off with Queen Elizabeth II's life from her marriage to Prince Philip back in 1947. The first season made its way to the mid-50s, the second season leapt into the 60s, and season three spanned all the way up to the late 70s. In season four, the royal family hit the 80s, while season five covered the 90s. Just like in season five, Downton Abbey, Maleficent and Paddington star Imelda Staunton dons the titular headwear in season six, while Game of Thrones and Tales from the Loop's Jonathan Pryce wears Prince Philip's shoes — and Princess Margaret is played by Staunton's Maleficent co-star and Phantom Thread Oscar-nominee Lesley Manville. Also, Australian Tenet, The Burnt Orange Heresy and Widows star Elizabeth Debicki returns as Princess Diana, with The Wire and The Pursuit of Love's Dominic West as Prince Charles. News around the show's fifth and sixth seasons has changed a few times over the past few years. At the beginning of 2020, Netflix announced that it would end the royal drama after its fifth season. Then, the streaming platform had a change of heart, revealing it would continue the series for a sixth season after all. Check out the first teaser trailer for The Crown season six below: The Crown's sixth season will hit Netflix in two parts, with the first four episodes streaming from Tuesday, November 16, and then the second from Saturday, December 16. Images: Alex Bailey / Keith Bernstein / Netflix.
Whilst Twitter likes to keep things short and sweet, Facebook has rocketed in the other direction - and users can now post status updates, messages and wall posts to over 60,000 characters long. Importantly, Facebook also highlight that this is roughly one ninth of a novel. I guess this may become useful if authors begin transcribing their works to their fans over Facebook in nine segments. In September 2011, Facebook upped it's character limit from 500 to 5,000. These numbers seem miniscule and rather pathetic with today's gargantuan 60,000 character limit. The possibilities are almost endless. So if you ever break up with your girlfriend, Facebook now allows you to spill all of your emotions in one long, complex status update. Hopefully 60,000 characters will be enough for you to say how you feel. [via Mashable]
It'll take more than a quick day trip to immerse yourself in this otherworldly temperate rainforest, but it's worth multiple return visits to experience every side of the ancient landscape that's part of the Gondwana Rainforests of Australia World Heritage Area. Take the six-kilometre Aeroplane Hill walking track to breathe the high country air among the subalpine woodlands and enjoy sightlines to the faraway coast, before settling in at the secluded Wombat Creek campground for a night under the stars. Take a dip in the reviving waters of the Allyn River at Ladies Well in the foothills of Barrington Tops, surrounded by mossy sun-warmed boulders, or spend a day paddling through white water and calm pools on the Barrington River. Image: Destination NSW
When Australia has just thrown one of the world's biggest LGBTQIA+ parties, what comes next? Incorporating hits from 2023's Sydney WorldPride into 2024's Sydney Gay and Lesbian Mardi Gras. For everyone who loved revelling on the sand at the fest's Bondi Beach Party, we come bearing excellent news: it'll be back next year for 15,000 attendees. Mardi Gras' full 2024 lineup spans 100-plus events across the Harbour City, taking place from Friday, February 16–Sunday, March 3. While 2023's iteration marked the 45th anniversary, don't go thinking that turning 46 isn't being taken just as seriously — all around the theme "our future". "For 45 years, the energy, vibrancy, and unity of Sydney Gay and Lesbian Mardi Gras has made it a globally significant event. And each year, our commitment to bringing forth an even more fabulous celebration grows," said Sydney Mardi Gras CEO Gil Beckwith. "In 2024, we embrace our roots and look forward with eager anticipation to our future. Our mission is clear: to echo the voices of our communities, to champion progress and instigate impactful change." "Beyond the individual events, and there are many, the 2024 festival underscores our commitment to inclusivity, unity and remembrance. The 2024 festival celebrates our past, our present and most crucially, the promising future we're building. Here's to another unforgettable Sydney Mardi Gras," continued Beckwith. As well as the return of Bondi Beach Party, Mardi Gras will also give Sydney WorldPride's Ultra Violet a second run, celebrating LGBTQIA+ women in an event that takes place as day turns to night at the National Art School. Similarly huge: a one-night-only special performance of musical & Juliet, which will occur just days after the production arrives for its Sydney season. Also on the lineup: the Welcome to Country via citywide event Festival First Light; floating venue Glass Island hosting trans and gender-diverse celebration Hot Trans Summer; and Diamond Dance, which will mark Pollys Club's 60th year. Or, there's talks and ideas series Queer Futures, the Marks Park Dawn Sunrise Service of Reflection to honour 70s- and 90s-era victims of homophobic and transphobic violence, two-week fringe fest Oxtravaganza in Darlinghurst and the boozy Darlo Big Drag Brunch. Yes, the parade is back — so mark Saturday, March 2 in your diary and prepare for a big night with 200-plus floats on Oxford Street. Plus, Mardi Gras' premium parade viewing areas will feature again to help the hundreds of thousands of folks heading along get a prime view of the 12,000-plus marchers. Throw in the also-returning Mardi Gras Film Festival, Progress Pride Flag Raising, Fair Day, Paradiso Pool Party, Kaftana Pool Party, Laugh Out Proud and Sissy Ball — and Queer Art After Hours as well — and Sydney will be jam-packed with things to do and ways to celebrate, as it is during every Mardi Gras. Other highlights include a dance party at ivy Pool Club, SEA LIFE Aquarium hosting drag storytime and a queer formal, with more events still to be announced as Mardi Gras gets closer. Sydney Gay and Lesbian Mardi Gras 2024 will run from Friday, February 16–Sunday, March 3, 2024. For more information, or for tickets, head to the event's website. Select images: Jeffrey Feng Photography, Lexy Potts
It has been a turbulent year for major music events, culminating in the last-minute cancellation of Bluesfest just last month. But some good news for music festivals and festival-goers in New South Wales has finally come through, with Wollongong's Yours and Owls set to become the first major music festival the state has seen since March of last year — and, less than three weeks out from the festival, the NSW Government has just granted it approval to allow dancing. Back in March this year, Yours and Owls was given the green light to hold the festival on Saturday, April 17 and Sunday, April 18. Shortly after that announcement, event organisers laid out their plan for a music festival in the COVID-era. The original idea was to have attendees split into four zones and seated surrounding two rotating stages, with each stage containing its own LED screen, bar, food stalls and amenities as well as a smaller stage for local bands. While the zones are staying, further consultation with the NSW Government after the recent rolling back of restrictions across the state has resulted in Yours and Owls being able to open up the dance floor. As part of its revised COVID-safe plan, the festival has also been moved from its spiritual home of Stuart Park and moved down the road to a larger site at Dalton Park in Fairy Meadow. The two-day festival will feature heavy hitters like What So Not, Tones and I, Hayden James and DMA's, as well as beloved Wollongong locals Hockey Dad — and an undercard spanning from Sydney dance-pop trio Haiku Hands to Melbourne punk group Slowly Slowly. DMA's, Hockey Dad and Tones and I's performances will serve as bookends to the state's festival drought in a way, after all three acts performed at one of NSW's last pre-pandemic festivals, Laneway 2020. If you've forgotten how to dance over the last 12 months, you can refresh your moves with Hayden James' video for 'Something About You' below. https://www.youtube.com/watch?v=_mVJJvx04_w Yours and Owls will take place on Saturday, April 17 and Sunday, April 18 at Dalton Park, Wollongong. Tickets are still available via Moshtix, starting at $129.95 for a one-day pass or $219.95 for the weekend. You can find the full lineup, plus info on the zones and the event's COVID-safe plan, on the festival's website.
This may not be a revelation worthy of a David Attenborough doco, but after years of hotel sleuthing, boutique travel experts Mr & Mrs Smith tell us they have the check-in patterns of men and women down pat: he sizes up the entertainment system while she susses out the bathroom situation. Then, after flicking on remotes and getting a whiff of Aesop toiletries, both gather to scope the contents of the minibar. When those half serves of wine and teeny bottles of gin won’t do, we suggest checking into one of these stylish wine region stays, all within cork-popping distance of world-class vineyards. 1. MONA Pavilions, Hobart Where: 655 Main Road, Berriedale, Tasmania What: Pinot noir and aromatic whites It may be the head-scratching artworks in the museum that draw crowds to MONA, but this multi-tasking maverick has much to keep you entertained once the gallery shuts its oversized doors. Situated on the edge of Hobart’s Derwent River, MONA Pavilions mixes a serene setting with ultra-contemporary pavilions and original art from luminaries such as Arthur Boyd and Brett Whiteley. There’s also lip-smacking restaurant Source and a cellar door that offers tastings of Moo Brew beers and elegant Moorilla Estate wines, made using cool-climate grapes from Huon and Tamar Valley. Book through Smith and you’ll get a private cellar door tasting and a bottle of Muse Series wine. More info 2. Spicers Vineyards Estate, Hunter Valley Where: 555 Hermitage Road, Pokolbin, New South Wales What: Semillon and shiraz Just a two-hour drive north of Sydney, the Hunter Valley is the ultimate wine-lovers getaway. Give yourself an early mark on Friday afternoon to beat the throngs on the F3, then check into Spicers Vineyards Estate, an adults-only sanctuary set among shiraz and merlot vines. Pop open a bottle of the estate-grown wine (free if you’ve booked through Smith), before slipping into the double spa bath. After a wow-worthy dinner in the hotel’s restaurant Botanica, a country-chic space mere metres from your suite, nab a spot by the fireplace in the cosy communal lounge. The next day, after a fortifying breakfast in the dining room, let Spicers staff arrange a bespoke tasting tour to standouts such as Keith Tulloch, Tyrrell’s and Andrew Thomas. More info 3. The Louise, Barossa Valley Where: Seppeltsfield Road, Marananga, South Australia What: Shiraz and grenache The Barossa may be best known for its big, ballsy reds and Teutonic tendencies, but there’s refinement to be found in the vale, too. Boutique hotel the Louise is a case in point: 15 sleekly styled suites with spa baths and private courtyards, plus one of Australia’s finest regional restaurants, Appellation. Reception can help arrange cellar door visits to Penfolds, Henschke and other regional heavyweights – bring a high tolerance level for intellectual wine-speak as you taste the best Barossa drops (expect to hear ‘toasty’, ‘berry’, ‘liquorice’ and ‘tobacco’ used at least thrice daily). Smith bookings score a bottle of sparkling wine on arrival, the perfect pre-dinner pep-up. More info 4. Empire Retreat & Spa, Margaret River Where: Margaret River region. 1958 Caves Road, Yallingup, Western Australia What: Sem-sauv blancs and cabernet Housed in an old stone farmhouse among rows of chardonnay and cabernet vines, Empire Retreat & Spa is a soul-soothing sanctuary in the heart of Margaret River. There are 10 modern-rustic rooms located in and around the central lodge, ranging from contemporary Lodge Suites to Luxury Villas, which feature a sunken lounge area, spa bath and courtyard shower. Hop between Margaret River’s surf beaches and cellar doors, such as Moss Wood and Vasse Felix, then head back to Empire. Here, fireside couches beckon for a grazing plate and a glass of wine (you’ll nab a bottle on arrival if you book through Smith), and the decadent day spa delivers sigh-inducing treatments including the three-hour Opulence session. More info 5. North Bundaleer, Clare Valley Where: RM Williams Way, Jamestown, South Australia What: Riesling all the way There’s more than a lilting hint of Victorian luxe to North Bundaleer, a lavishly decorated homestead on a 400-acre sweep of farmland. This is a decadent, all-inclusive affair, with meals and drinks included in the room rate, including evening canapés, killer Clare Valley wines and an open bar. Oh yes. Lord it up in the Red Room Suite, home to a canopied four-posted, sitting room with open fire and a bath and shower in what was once the conservatory (how very Cluedo). Nearby, notable locals include Sevenhill, Crabtree and O’Leary Walker for refined riesling and elegant reds. If you need to work off all of that indulgence, climb to the top of Maslin Lookout for sublime sunset views. More info
Johnny Stimson is explaining through music what human men and human girls should do, The Swiss just want to connect and St. Lucia are ready to elevate your entire weekend. 1. 'HUMAN MAN' - JOHNNY STIMSON Johnny Stimson may not be a name many have heard of yet, but it won't stay that way for long if he keeps making melodies as catchy as this. 'Human Man' is groovy, there is no denying it, and the soulful vocals and hooks that Stimson lays down will have your toes tapping all weekend long. 2. 'WELL ABSOLUTELY' - BODY LANGUAGE This latest offering from Brooklyn outfit Body Language is feelgood music at its finest. The boisterous vocals and upbeat nature of this synth pop hit make it suitable for all occasions, and if this is anything to go by, be sure to keep an ear out for their upcoming album Grammar, due September 10. 3. 'CONNECT' - THE SWISS Adelaide duo The Swiss this week dropped the video for their party anthem 'Connect', and it accents the track perfectly. Every beat constructs the next step on the Japanese-animation-themed clip, and you can be sure that every beat will move your feet as soon as you hear it through the stereo. The best part is that you can download it here for free. 4. 'IMPOSSIBLE LIKE YOU' - HOLY HOLY 'Impossible Like You' is an example of excellently constructed modern rock and roll. The vintage '70s sound is perfect for a relaxing Sunday afternoon, as are the haunting vocals that add raw emotion to the newest single from Australian act Holy Holy. Just download it (another freebie), close your eyes and listen on repeat. 5. 'ELEVATE' - ST. LUCIA Whilst it may not be summer in this hemisphere, this track sure makes us wish that it was. This tropical pop number is a teaser of what to expect of St. Lucia's highly anticipated debut album, When the Night, due to drop in October this year. Whilst you may have to wait a few months for the full offering (and for summer), you can enjoy this track liberally in the meantime — just don't get too immersed and throw on your finest sun-inspired outfit only to catch a cold.
Jeez Frozen was a terrific film. Catchy tunes, loveable sidekicks, a woodsman hero and – at its heart – two sisterly princesses thrown into turmoil after one of them discovers her power to manipulate ice and flees to establish an unforgiving frozen kingdom in the north. Jeez The Huntsman: Winter War isn't a terrific film. No tunes, stilted sidekicks, a woodsman hero with a comically bad Scottish(?) accent and – at its heart – two sisterly princesses thrown into turmoil after one of them discovers her power to manipulate ice and flees to establish an unforgiving frozen kingdom in the north. Perhaps you could forgive the makers of The Huntsman for trying to leverage some of the success of the former. After all, it is the ninth highest grossing film of all time. But 'beautiful girl doing cool shit with chilly water' isn't enough to constitute an entire story. You still need, well, 'a story', and it's on that front where The Huntsman: Winter War really falls apart. It begins with Liam Neeson's voice telling us we're about to see a prequel to 2012's Snow White & The Huntsman. And Neeson – like the proverbial mirror on the wall – does not lie. But then, about half an hour in, The Huntsman: Winter War suddenly turns into a sequel, making this about as close as a film will ever come to possessing a literal 'plot twist'. Eventually deciding it's set after Snow White has vanquished the evil Ravenna (Charlize Theron), we find our Huntsman (Chris Hemsworth) moping about the South and mourning the loss of his wife (Jessica Chastain), before committing to foil the evil ice queen Freya (Emily Blunt) in her attempt to secure the famous mirror. The rest of the movie is little more than a collection of special effects, shaky fight scenes and a few funny lines from dwarf sidekicks Nick Frost and Rob Brydon. Theron, it must be said, lights up every scene she's in, reminding us that she is still absolutely the fairest and most interesting in the land. Alas, her screen time is also the most restricted, reducing her menacing smile and genuinely engaging relationship with her sister to mere bookends around an otherwise entirely dull affair. https://www.youtube.com/watch?v=_W65ndip7MM
What's better than eating a meal cooked up by the acclaimed chef behind the world's best restaurant? Enjoying his delicious fare... in the sky. Forget land — and forget planes, hot air balloons, or any other form of air-based transport that might've come to mind, too. This dangling dinner straps patrons into an all-in-one kitchen and table, hoists them into the air with a crane, and lets the dining fun begin. The aptly named Dinner in the Sky has been around since 2006; however, to mark its third year in Mexico, it enlisted Massimo Bottura of Osteria Francescana in Modena to help celebrate. The man behind the first Italian restaurant to be crowned the globe's number one eatery took 88 people 45 metres in the clouds over Teotihuacán to feast on a 90-minute meal on January 4 and 5, with dishes with names like "the crunchy part of the lasagne" and "oops I dropped the lemon cake" on offer. https://www.instagram.com/p/BO56cnyBf1P/?taken-by=milenayanes The concept has popped up, literally, in 45 countries so far, suspending folks over scenic sights in Monaco, Casablanca, Las Vegas, London, Paris, Sydney, Tokyo, Venice, Toronto and more for the ultimate meal with a view. The 2017 season will head from Mexico to Brussels, then around the United Kingdom and France, but it doesn't come cheap. Dinner with Bottura set patrons back US$2000 per head. Via: Design Boom / El Universal.
Resembling vintage photos from a bygone era, these time-aged Postcards from Above are actually aerial images taken from Google Maps and reworked by Hungarian art director, Akos Papp, ad agency at BBDO New York. Instead of just using Google Maps as a directory tool, Papp takes snaps of businesses, schools, shipping yards, airports and more, retouching them to look of a 1950s postcard. Papp was inspired by the idea of being able to show loved ones the various foreign places he has travelled using mesmerising aerial imagery, and creates a pleasant reminder of a way we once communicated. Here are 12 examples from Akos Papp's collection.
If you're looking for new activewear from a local brand, look no further than Active Truth, which is offering big promotion as part of the Boxing Day sales. The Aussie retailer is offering $50 off your shop when you spend over $200, or $100 off when you spend over $300. If you order now you'll also nab free express shipping, so you'll have your activewear at your doorstep and be ready to hit the gym in no time. Active Truth is accessible to gym-goers of all shapes and sizes, with a wide range of activewear from XS to 3XL, as well as a selection of active maternity wear and swimwear. The brand is also committed to sustainable business practices, including using locally sourced Merino wool. The promotion will run up until Wednesday, December 30. Jump onto the Active Truth website to browse the catalogue and score an end-of-year deal to help motivate you to stick to your 2021 fitness regime. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
There are some marketing ideas that are so bizarre, so outrageous and so goddamn random, they're bound to work. The beloved Sydney sinners at Poor Toms Gin are currently executing one such campaign, and it's proving to be very effective. Basically, if you call 1800 GINSUS, say "Forgive me Ginsus for I have sinned,", and proceed to confess your juiciest sins to a most-certainly-non-ordained figure, Ginsus, he will bestow both forgiveness and free gin upon you (#blessed). The best/worst confessions are being anonymously published on the 1800 GINSUS website, and the winners will pick up a bottle of Poor Toms limited edition strawberry gin. Plus, the biggest sinners are in with a chance to win the mantle of best confession and a $600 prize pack — which is probably a better prize than your local church is offering for your confessions. Makes perfect sense to us. Some of the things confessed are so mouthwatering they truly deserve a bottle of gin — even if it's just to wash away the shame. Confessions published so far include "I made out with my first cousin," "I rubbed one out at work", "I got mad at my friends for suggesting my boyfriend looked like my father (he did)", "I told my sister I was too drunk to help her move [house] but I was not drunk at all", and "I made out with someone on the grass and rolled in dog shit. We went back to his tent and had sex then I stole some of his clothes to replace my dog shit clothes”. If you've got a sin to get off your chest, this really is a win-win — all those shameful experiences you've be keeping secret can now be transferred into sweet gin... which may or may not fuel the creation of more shameful experiences and so on. It's the sweet, sinful circle of life. For your chance to win some Poor Toms gin, call 1800 GINSUS and start confessing. The hotline will be open until midnight Tuesday, December 15. For more info, visit the 1800GINSUS website.
While Budapest is praised for its "courteous drivers", Savannah, Georgia for its "animated guides in seersucker suits" and Cambodia's Siem Reap for its "resiliency and kindness", Auckland and Melbourne have taken out the top spot as the two friendliest cities in the world. Run as a Reader's Choice award by Condé Nast Traveller and focused on how a visitor feels in each city, the Friendliest and Unfriendliest City in the World poll asks readers to submit reviews of each city with a focus on the overall warm fuzzies generated by their experience. "Everything from location (no one likes an airport city) and political perception (everyone watches the news) to size and basic language barriers can make a destination unattractive to tourists and be a factor in their evaluation of a place's 'friendliness'." Praised as a "friendly bunch" with a "wonderful sense of humour", Melbourne was awarded the friendly blue ribbon for being "one of the classiest cities in the world", boasting an "abundance of parks and fabulous public art." CN also gave high-fives to Melbourne's food, nightlife and hotels. Tied for the top spot, Auckland's residents were given big ups. "The people are friendly, and their humour and view on life is something to aspire to attain." Positioned as the "ideal starting place" to see New Zealand, Auckland was given the thumbs up for being a "clean, youthful, adventurous, beautiful city," and was praised for its "clear air," "fresh food," and "amazing culture." Although Brisbane and Wellington didn't make it in the top ten, Sydney came in at number five; tied with Dublin. Sydney was praised for being super friendly ("They’re always so helpful, and they love Americans!") and its ever-applauded nosh: "Sydney is also home to the best food in the world. Don’t visit without stopping by at the spectacular Quay for Chef Peter Gilmore’s nature-inspired cuisine." Here's the list of amicable cities, double numbers are ties. THE FRIENDLIEST CITIES IN THE WORLD: 1. Auckland, New Zealand 1. Melbourne, Australia 3. Victoria, BC, Canada 4. Charleston, South Carolina, USA 5. Dublin, Ireland 5. Sydney, Australia 7. Siem Reap, Cambodia 8. Cape Town, South Africa 9. Savannah, Georgia, USA 9. Seville, Spain 11. Budapest, Hungary 11. Salzburg, Austria But what of the jerks? The Unfriendliest Cities in the World side of things is a little hairier, with no Australian or New Zealand cities making the cut. Up high. Nassau in the Bahamas was dissed for feeling "unsafe... and mundane," while Morocco's Monte Carlo was called "conspicuous consumption at its worst," and "just too rich for my blood." Beijing got a bad wrap for being a "smoggy, crowded city," while Marseilles (one of three French cities in the top five) was flagged for pickpockets and Johannesburg took out the top unfriendly spot as "a city of crime and contrasts." THE UNFRIENDLIEST CITIES IN THE WORLD: 1. Johannesburg, South Africa 2. Cannes, France 3. Moscow, Russia 4. Paris, France 5. Marseille, France 6. Beijing, China 7. Frankfurt, Germany 8. Milan, Italy 9. Monte Carlo, Monaco 10. Nassau, Bahamas Via Condé Nast Traveller.
Brazil certainly seems to have it going on at the moment. Not only are they in possession of the world's 8th largest economy and have come out of the GFC relatively unscathed, they are also playing host to the 2014 World Cup and the Olympics in 2016. Brazil is shaping up to be the place to be (or at least watch on TV) over the next few years. And if the winning design of the Rio 2016 Olympic Park Urban Masterplan is anything to go by, it looks like it is going to be quite an attractive place to be as well. Announced last week by the Brazillian Municipal Olympic Company and the Brazil Architects Institute, the Olympic Park's winning design by British firm AECOM combines both utility and aesthetics, providing a strong vision for the games, but perhaps more importantly, a strong vision for how the space can be strategically and sustainably used after the Olympics. Inspired by Brazil's rainforests and unique flora and fauna, the winning design consists of five villages, parks, sporting facilities and exceptional transport facilities. It also works with and protects the environmental features of the area, in particular a local lagoon. Brazilians have always had a reputation for knowing how to throw a damn good party. And with these designs they''ll have another great place to do it too. https://youtube.com/watch?v=JdLRuwczjwc
iAustralia's COVID-19 vaccination rollout has been unfurling at a snail's pace, and amid much confusion — especially regarding which jabs are available to Aussies under 40. They're not the only dilemmas when it comes to getting vaxed, however. Actually being able to access the vaccine is a big issue, obviously, but getting to and from appointments might also be causing you troubles if you don't drive and aren't too keen on catching public transport. To help make travelling to vaccination appointments easier, ridesharing service DiDi is offering discounted rides to hubs and clinics, and to GPs giving the jab — and back as well. The special will give you up to $10 off both trips, with each person getting access to two discounted fares. The discount is available in all areas that DiDi operates in, which includes plenty of places. Sydney, Melbourne, Brisbane, Perth, Adelaide and Canberra are all on the list, as are Cairns, Coffs Harbour, Geelong, both the Gold and Sunshine coasts, Newcastle, Ballarat, Bendigo, Townsville, Toowoomba and Wollongong. Also included: Bunbury, Bundaberg, Busselton, the Central Coast, Gladstone — Tannum Sands, Hervey Bay, Mackay, Port Macquarie, Rockhampton, Shepparton and Wagga Wagga. All up, DiDi is committing $1 million to the scheme, which'll equate to around 100,000 trips. Folks eager to take advantage of the discounted program — which the company is calling DiDi Vaccinate — just need to jump onto the company's app and complete a short questionnaire to get access. "The recent lockdowns across the country, particularly in Sydney, has shown that Australia's vaccination rollout needs to kick up a gear to avoid future snap lockdowns occurring," said DiDi Australia spokesperson Dan Jordan in a statement. "We're happy to be able to play our part in supporting the vaccination drive as we are aware that not everyone has easy access to a vaccination hub, so we're trying to make the process as easy as possible to support Australia's full recovery from the pandemic." DiDi Chuxing launched in China in 2012 and has quickly become a huge player in the global ridesharing game — it has since bought out Uber's Chinese operations and has stakes in numerous companies, including Ola, Taxify, Lyft and Grab. To get your two discounted DiDi Vaccinate trips, download the service's app (for iOS or Android).
After such a long wait, it's only fitting that Australia's first batch of legalised same-sex marriages be celebrated with a healthy dose of fanfare. So on January 9 — the first day that Aussie same-sex couples can formally tie the knot — Sydney Festival will play host to a massive communal wedding reception, celebrating a huge moment in Australian history. And, it's free. Setting up in the Meriton Festival Village in Hyde Park from 6-8pm, the Love Is Love Wedding Reception will be a far cry from your average wedding, featuring the likes of karaoke carousel, JOF's 10-minute dance parties and even a hot pink swimming pool. After you take a dip and belt out some of your own tunes, Sydney DJ Charlie Villas will have guests breaking a sweat on the dance floor as he spins classic wedding bangers well into the night. Of course, you can't have a wedding without some celebratory cake, so some of Sydney's best-loved dessert maestros have been busy creating their own bespoke wedding cake designs for the event. While supplies last, there'll be a five-tier rainbow pavlova from Black Star, a limited-edition salted caramel and fior di latte creation from Messina, and an epic vegan cake from My Little Panda Kitchen's Annabelle McMillan. Those rocking fabulous wedding get-ups can enjoy free glasses of Piper-Heidsieck Champagne to match, though it's first in, best dressed for both the cake and the bubbly. Celebrate the Love Is Love Wedding Reception at Hyde Park North (entry via Central Ave Walkway) from 6-8pm on Tuesday, January 9.
Kevin Spacey finally had his moment in the Cranston-less sun, Billy Bob Thornton nabbed gold for his terrifying, terrifying role in Fargo, Boyhood quite rightly cleaned up, Keira Knightley wore a dress it took 30 people to make and Emma Stone and Lorde wore pants to make every fashion magazine have a social media kitten about. PANTS?! EGADS. But apart from the red carpet scrutiny and award-giving, here are the bits from that made the 72nd Golden Globes worth it, having just wrapped up at the Beverly Hilton Hotel in Los Angeles. When Tina Fey and Amy Poehler Fired a Bill Cosby Joke Straight Off the Bat "We're gonna make it a party... what are they going to do fire us?" Cahmaaaahhhn, it's their third year presenting, all bets were off. When The New Yorker's Bob Eckstein Started Live Drawing the Event Even though no one really understood them, classic New Yorker. Check them out here. When Ricky Gervais Couldn't Help But Insult the Whole Audience (Again) "I wouldn't want to insult any of you rich, beautiful, overprivileged celebrities." Then does. When Prince Popped In Presenting this year's Best Original Song to John Legend and Common for 'Glory' from Selma, the legend himself dropped by with one of his fluffiest fros yet. When Everyone Freaked Out Over Jared Leto's Braid HuffPost called him 'a rockstar, award-winning actor and apparently, hairsyle maven'. FFS. When Benedict Cumberbatch Photobombed Meryl Streep and Margaret Cho Taken by Michael Keaton. Too good. When Kevin Spacey Dropped an F-Bomb Accepting Best Actor in a TV Drama "This is just the beginning of my revenge... I cannot believe I fucking won." When Kristen Wiig and Bill Hader Didn't Nail a De Niro Impersonation Remained flawless in everyone's eyes. When Wes Anderson Accepted his Globe for Best Picture (Comedy/Musical) in a Purple Velvet Bow Tie "Wes Anderson is here tonight for the movie Grand Budapest Hotel. Per usual, Wes arrived on a bike made of antique tuba parts." — Amy Poehler. When You Didn't See Any of This Because You Were Working or Eating or Something, Anything Happy Globes y'all. Forward march to the Oscars. Image credit: justingaynor via photopin cc.
You've already heard us extol the virtues of the Sailors Club. And if you've been waiting for the opportune moment to act upon our giddy praises, this long weekend could be your time to dine. Introducing the Sunday Club (yes, a club within a club; the Russian Doll of clubs), Rose Bay's answer to your typical Sunday roast. It also answers all those classic Sunday afternoon questions you did not even realise you possessed. For example, 'Do I enjoy absolute views of the Rose Bay Marina after a big weekend?' You do. 'Do I wish to sacrifice a large percentage of my income to enjoy said views?' You don't. 'Is there a way to satisfy both desires simultaneously?' Most definitely. From 3pm each Sunday, enjoy pulled pork sandwiches accompanied by a glass of Hills Cider for an economical $15. Want your meal to reflect your aquatic surroundings? Then slurp down half a dozen oysters and a glass of Laurent-Perrier for $25. Whether you're looking to sunbake on the Sailors Club deck or recline in the lounge bar, the Sunday Club is the ultimate way to farewell the long weekend.
For six weeks at the end of 2023, cinema will join sun, surf and sand as one of the best things to enjoy at Bondi Beach. From mid-November, Sunset Cinema is heading to the iconic Sydney spot, setting up shop at Bondi Pavilion. There'll be movies under the stars. There'll be bean bags to sit on. There'll be a bar serving boozy beverages, food trucks dishing up bites and popcorn — of course — as a snack option, too. Sunset Cinema is no stranger to Sydney. Over the summer of 2022–23, it screened flicks in St Ives and also North Sydney, with a season at the latter also on the itinerary again from January 2024. Getting its projectors whirring at Bondi Pavilion is a brand-new addition to its lineup, however, and an exciting one — with exactly what you'll be watching still to be announced. Film lovers will be heading to Dolphin Court for their al fresco flick fix from Thursday, November 16–Saturday, December 23, with Sunset Cinema screening from Monday–Saturday. If the lineup is anything like the openair cinema's past Sydney runs, attendees can expect recent box-office hits, new arrivals on the big screen, festive flicks leading into Christmas and retro favourites. On the bill last season: everything from Top Gun: Maverick, Black Panther: Wakanda Forever, Strange World, Don't Worry Darling, The Menu and Everything Everywhere All At Once to Elf, Love Actually, Home Alone and The Nightmare Before Christmas. "We are excited to bring our unique brand of entertainment to the Bondi community this summer," said Sunset Cinema's General Manager Brad Garth, announcing the Bondi Beach season. "The Sunset Cinema movie experience is all about delivering quality entertainment that everyone can enjoy. We can't wait to launch the perfect summer event at Australia's most iconic beach." Sunset Cinema will take its openair flicks to seven locations across Australia's east coast over the summer of 2023–24, including Wollongong, Canberra, Brisbane and Melbourne. At all stops around the country, BYO picnics are encouraged; however, the event is fully licensed, which means alcohol can only be purchased onsite. And if you don't pack enough snacks, that's where the hot food options, plus plenty of the requisite movie treats like chips, chocolates, lollies and popcorn, come in. Sunset Cinema will hit Dolphin Court, Bondi Pavilion, Queen Elizabeth Drive, Bondi Beach from Thursday, November 16–Saturday, December 23 — screening from Monday–Saturday. Head to the Sunset Cinema website for further details. Top image: Bondi Pavilion.
Few actors have splashed into Hollywood like Maria Bakalova. Few actors have had Sacha Baron Cohen completely change their lives, too. Jump back to 2020 and the Bulgarian talent was 24, working since she was 12, but a fresh face internationally. Then, mere months into 2021, she was the Oscar-nominated breakout star of Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan — for playing Borat's teenage daughter Tutar Sagdiyev with fierce comic commitment that upstaged everyone around her, even Baron Cohen. How do you follow up that kind of whirlwind? For Bakalova, the challenge is seeking out interesting approaches, "because at the end of the day, all of the scripts, all of the stories have been written back in the day," she tells Concrete Playground from a hotel room in New York. "It's only the way that this production company, this director of photography, this filmmaker are going to share the story that's the difference between stories that have been the same over and over and over," Bakalova notes. Cue Bodies Bodies Bodies. Bakalova is spot on; there's much that's familiar about the latest horror gem from audience-darling studio A24. It brings together a group of wealthy twentysomethings in an empty mansion, where a party naturally ensues. It strands them with an encroaching hurricane, but that's the whole reason they're drinking tequila by the pool anyway. As the Halina Reijn (Instinct)-directed film's name makes plain, there are soon bodies, bodies, bodies, starting when the gang play the Mafia- and Werewolf-style game that also shares the movie's moniker. Avoiding becoming the next victim, pointing fingers among themselves while looking for the culprit, working through their Gen Z baggage: if you've seen a slasher flick, a whodunnit or Euphoria, you've seen plenty of Bodies Bodies Bodies' components before. Bodies Bodies Bodies isn't the film that audiences expect from there, though. It's savage, hilarious, playful, twisty, raucous and chaotic all at once — and it makes the utmost of a cast that enlists Bakalova as Bee, the quiet, working-class girlfriend to Amandla Stenberg's (Dear Evan Hansen) Sophie, and the outsider in the group of rich kids played by Pete Davidson (The Suicide Squad), Rachel Sennott (Shiva Baby), Chase Sui Wonders (Generation) and Myha'la Herrold (Industry). It's another movie-stealing performance and, with Bodies Bodies Bodies opening in Australian cinemas on September 15, Bakalova chatted us through fangirling over A24, seeking out a character far removed from Tutar and, yes, playing Bodies Bodies Bodies with her costars. ON DECIDING WHAT TO DO AFTER BORAT SUBSEQUENT MOVIEFILM "To be honest, I believe that most of the actors I like and most of the people that I look up to — I have been acting for a while, because I started when I was 12, it's been 14 years so far — most of the people that I admire in their work have always wanted to have longevity. That's pretty relevant to me as well. So that's why I always try to find something that is different than what I did before, something that is completely the opposite of my last character. Reading the script of Bodies Bodies Bodies and seeing that there is a character like Bee — somebody that is exactly the opposite of Tutar in Borat, the role that took me to America and made people somehow relate to me and root for the character — was challenging and interesting to approach and try to work on. Because she has nothing in common with Tutar, and she has nothing in common with myself. And I wanted to work with A24 as well — a lot. I love most of their movies, if not all of them. I believe they're all of them, but to not sound like a creeper, I will say most of them. Plus, I loved Halina's work. She's also a theatrically trained actress, as I am, and I was interested to work with her. I always like to work with women in charge, because every time you see a movie that has been led by a woman, there is this specific sensitivity that somehow triggers you in a different way. So with this script, with Halina in charge, with all of these female characters involved, I was excited to explore what's happening." ON GETTING DRAWN INTO BODIES BODIES BODIES' TWISTS "I was very happy to read a script where people are speaking the way that we're speaking. Bee is not the most outspoken person in the script, but the dialogue itself is just beautifully written, so all my respect towards Sarah DeLappe [Bodies Bodies Bodies' screenwriter]. You see these people, you hear them, you feel them. You see a real person in front of you. So I was excited while I was reading it, and I was questioning myself: 'Who is it? Who is it? You have to know! You have to feel it! You have to sense it!'. And at the end of the script when I get to the point that, 'oh my god, it's this!'. It's quite relevant to the decade that we live in, because we're all a little bit manipulated by some of the tools that we have access to. And we often forget to communicate, and just sit down and discuss what's happening — 'who are you, why are we friends, why are we a couple, what are we doing now?'. You just jump and judge and start blaming each other because the trust doesn't exist and you're not honest with each other. I was very thrilled by the script and the twist at the end, because that's what's the most exciting part of every single script that you're reading — you cannot wait to get to the end and see how this mystery will be solved." ON PLAYING THE OUTSIDER OF THE GROUP — AND FINDING AUTHENTICITY "I respect Bee's decisions — some of her decisions… She's way smarter than people think she is, and way stronger than their perception of her. The only similarity between me and Bee is that we're both from different countries, but that can be universal as well, because every one of us has felt sometimes where you're in a place and around people that you do not really know, do not really relate to, and you try to belong. So as much as she's similar to people like me, like Halina, as newcomers to this new big beautiful country dreamland, it's also a universal feeling of the desire to belong somewhere with someone. The process of Bodies Bodies Bodies has been really interesting because we got to work, to experiment, to think, and then shoot for a very quick period of time — and work with one location and a lot of settings, a lot of physical blocking. That's difficult for a theatrical play, which of course came from Halina and her desire to make this as authentically as possible — and with as long takes as possible. And Jasper Wolf, our director of photography, has just been a dream because he was following every single movement and every single decision we make in the moment. He captured things that haven't been written, haven't been rehearsed, they just happen in this moment, because Halina never said — not never, but a lot of times — she didn't say cut or stop, and we just kept going." ON PLAYING BODIES BODIES BODIES WITH THE CAST OF BODIES BODIES BODIES "We were shooting in this humongous, tremendous villa in the middle of Chappaqua [in upstate New York] in the woods, and we were staying at this very scary hotel around Chappaqua. Every single night, we wanted to spend time together rehearsing — and just hold hands and tell each other that we're worth it, we're loved and we're good, we're not bad people, because we were traumatised by the movie we were shooting somehow, and by the horrible people that we had to play. One of the nights we wanted to play Bodies Bodies Bodies, or as we call it, Mafia or Werewolf. And if was very interesting. I think it made us more into the game. And it was one of the first nights we were together, so it was interesting to explore what happens there." ON HOW LIFE HAS CHANGED SINCE BORAT SUBSEQUENT MOVIEFILM "It became more bicoastal, universal. I've been working like crazy ever since I was a child, and trying to do as many things as possible — if they're good quality — but I just want to keep working, it makes me happy. It makes me happy to have the chance to portray all of these different people and try to think like them. And maybe somehow, it makes me understand people more, because I have to read the lines of this character, create their backstory and believe them. When you get the chance to explore different characters and their reasons, you are not so judgemental when you meet people in real life. That's why I'm passionate about acting and working. But the biggest change is that I hope people will pay more attention to people from my region of the world, people like me, people who haven't been in the spotlight yet and haven't been given a chance." Bodies Bodies Bodies screens in Australian cinemas from September 15. Read our full review. Images:Erik Chakeen / Gwen Capistran / The cast and crew of Bodies Bodies Bodies / A24.
Halloween is fast approaching, and the spooky season isn't always suitable for all ages. Good thing the Halloween Family Fest is made for the real little ones, with three days of kid-friendly scares and sweet treats at the Entertainment Quarter. Keep things classic and lead the little ones along the trick-or-treat trail, buckets in hand. There's no raisins or apples here, only the good stuff. Keep the costume at hand for the Monster Mash Disco, sure to be a kid-friendly graveyard smash, and the costume contest. Or for some low-key family time, introduce them to the Hollywood Halloween classic, Ghostbusters, at the outdoor cinema. The kids can get hands-on with some appropriately spooky creatures at the Critter Corner Reptile show, work off some energy on the rides in the Little Spooks Carnival or get their bounce on, Halloween style, inside the inflatable area, Monsteropolis and the Giant Pumpkin Bounce. It's all within the Entertainment Quarter, in an equally spooky and safe setting. Tickets start at $10, with the Trick or Treat Trail coming in at $15 extra. To bulk costs and be efficient, grab a 2-hour unlimited rider pass for $45 per head or the family treat pack (entry plus trick or treat) for $50. The Halloween Family Fest runs from Friday, October 31 to Sunday, November 2. For more information or to get tickets, visit the website.
If all you want for Christmas is a trip further than your own backyard — or city — Virgin's latest sale is here to help. Jumping in on all the Black Friday and Cyber Monday discounts set to tempt your wallet over the next few days, the airline is slinging 700,000 cheap flights for both domestic and international destinations. So, whether you're keen to see your mates interstate or head overseas on a holiday, you've got options. Among the domestic routes, one-way fares start at $49 — which'll get you from Sydney to Ballina, from Melbourne to Hobart, or from Adelaide to either Hobart or Launceston, for instance. Other sale flights include Brisbane–Launceston from $59, Sydney–Maroochydore from $65 and Melbourne–Gold Coast from $79. And if you're wondering when you'll need to travel, you can book trips between January 1–March 30, 2022. Internationally, return fares cover getaways to either Bali or Fiji — including from Sydney (from $509 to Bali and $459 to Fiji), Melbourne ($479 and $489) and Brisbane ($489). They're available for travel between March 27–June 23, 2022, with Virgin Australia set to resume its short-haul international services in the coming months, starting with Fiji flights from December 16. As always when it comes to flight sales, you'll need to get in quick. They went on sale today, Friday, November 26; however, they're only available until midnight AEST on Monday, November 29 or sold out, whichever arrives first. Only some fares cover seat selection and checked baggage, however, with the airline announcing back in August that it is now splitting its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights also became mandatory in Australia in January. And, depending on where you're travelling to and from — both domestically and internationally — you'll obviously need to check border restrictions and any entry requirements. Virgin's Black Friday and Cyber Monday sale runs from today, Friday, November 26–Monday, November 29 — or until sold out. Find out more about current Australian border rules via the Australian Government's Health Direct website and its Smart Traveller website.
Gold Class is for suckers. Its tagline is "the same blockbuster movie that's showing everywhere, but more expensive." And in fine print: "food not included in the price *evil laugher*." Brown Class is the antithesis of Gold Class, so it must be good. The film club that sounds like a depraved sex act focuses on the gems film distribution forgot and flicks with cult appeal. The Perth-based group organises both cinema events and (legal!) downloads. Now they're expanding out to Sydney and Melbourne with a mini film festival that celebrates the '90s with its signature themes of video games, basketball, skateboarding, hiphop, wrestling and graffiti. Check out Doin' It in the Park (2012), a doco about the influential pick-up basketball scene in New York; Ecstasy of Order: The Tetris Masters, which chronicles the various characters who quest for level 30; and How to Sell a Banksy (2012), an interesting companion piece to Exit Through the Gift Shop. In Sydney, the films will screen at occasional microcinemas the Red Rattler, the Factory Theatre, and the AV Union, Leichhardt. https://youtube.com/watch?v=_zf8X-Nzm44
For residents of Australia and New Zealand, taking an overseas holiday hasn't really been on the agenda for much of the pandemic due to strict international border controls in both countries. Since April, however, the trans-Tasman bubble has let Aussies take a getaway in NZ and vice versa, all without having to go through quarantine upon arrival. But, with COVID-19 cases growing across Australia again, and the Greater Sydney area and all of both Victoria and South Australia currently in lockdown, NZ has just suspended the arrangement. Announced today, Friday, July 23, by NZ Prime Minister Jacinda Ardern, the pause applies to quarantine-free travel to and from all Aussie states and territories. This isn't the first time that the bubble has been put on hold with all of Australia, with the same thing happening at the end of June. It has been paused with individual Aussie states before, too, as is currently the case with New South Wales, Victoria and South Australia. This time, though, the nationwide suspension will stay in place for at least the next eight weeks. The pause will come into effect from 11.59pm NZT / 9.59pm AEST today for Australians entering NZ. For New Zealanders heading home, managed return flights will run for the next seven days; however, to get on one, you'll need proof of a negative pre-departure test. And, if you've been in NSW, you will still have to go into managed quarantine for 14 days. Folks who've been in Victoria must self-isolate upon return, and also have a negative Day 3 test. "There are now multiple outbreaks, and in differing stages of containment, that have forced three states into lockdown. The health risk to New Zealanders from these cases is increasing," Prime Minister Ardern said. "We've always said that our response would evolve as the virus evolved. This is not a decision we have taken lightly, but it is the right decision to keep New Zealanders safe." https://twitter.com/covid19nz/status/1418393858795196419 When NZ Prime Minister Jacinda Ardern first announced the two-way bubble between Australia and New Zealand back in April, she noted that it could and would be paused if and when outbreaks occur — so none of the suspensions so far, including this one, are surprising. The NZ Government advised that this current pause "will give Australia time to manage its current outbreaks, while giving New Zealand health officials the time to monitor the situation, assess travel developments in other countries and consider different quarantine-free travel settings while ensuring New Zealanders are safe." To find out more about the status of COVID-19 in Australia, head to the Australian Government Department of Health's website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
Mercedes-Benz drivers will soon be able to send text messages, listen to music, change radio channels and update their status on social networks right from the front seat of their car. The company recently announced that they will be integrating Apple’s Siri interface into the electronics systems in their vehicles, allowing drivers to access their iPhone apps using voice commands alone. Mercedes-Benz is the first carmaker to use Apple’s Siri voice command technology in their vehicles. The program, to be known as Drive Kit Plus, will translate the iPhone’s screen onto the in-car system screen, and will come with popular apps such as Twitter, Facebook and Aupeo Personal Radio pre-installed. The new in-car feature will launch next month at the 2012 Geneva auto show. [via PSFK]
If you're reading this article, you almost certainly know about food and craft beer matching and you may know about locations and craft beer matching, but have you heard of (or tried) books and craft beer matching? There are a number of elements to this growing trend. In the US, for example, book bars are becoming part of the urban landscape. Operating on the same principle as book cafes, only with craft beer instead of coffee, these establishments have a strong craft element. The books stocked are often non-mainstream, much like the beers served to accompany them. Elsewhere in North America — Canada, to be precise — beer and book clubs are being formed "for those who like to read a good book, drink a good beer, and maybe combine the two once in a while". Meeting at various pubs within a certain area, these gatherings bring a craft beer twist to the traditional book club. And then, of course, there’s the internet — where all manner of unlikely combinations get together. You'll find blogs about the right beer to drink while following the adventures of your favourite comic book hero, or about craft beers to match to certain authors. But in sites like Book and Beer, you'll also find recommendations for a particular beer to enjoy with a particular book. (For the record, the author — Jason Hensel, a writer, musician and comedian living in Dallas — reckons American Gods by Neil Gaiman is best enjoyed with a glass of James Squire Jack of Spades Porter.) So which book (or series of books) is best suited to the various beers in the James Squire craft beer range? Get reading and sipping this summer, there's Kerouac-paired beers afoot. F. Scott Fitzgerald: The Great Gatsby "It’s a great advantage not to drink among hard drinking people." Pair with James Squire The Chancer Golden Ale. Joseph Heller: Catch-22 "He knew everything there was to know about literature, except how to enjoy it." Pair with James Squire Jack of Spades Porter. Ian Fleming: The James Bond series "You only live twice: Once when you're born. And once when you look death in the face." Pair with James Squire Four 'Wives' Pilsener. J.R.R. Tolkien: The Lord of the Rings "Ho! Ho! Ho! to the bottle I go, to heal my heart and drown my woe." Pair with James Squire Nine Tales Amber Ale. Fyodor Dostoyevsky: Crime and Punishment "The darker the night, the brighter the stars." Pair with James Squire One Fifty Lashes Pale Ale. Alexandre Dumas: The Count of Monte Cristo "All human wisdom is contained in these two words: wait and hope." Pair with James Squire Stowaway IPA. Jack Kerouac: On the Road "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars." Pair with James Squire Orchard Crush Cider. Ian Rankin: The Inspector Rebus series "Rebus drank his coffee and felt his head spin. He was feeling like the detective in a cheap thriller, and wished that he could turn to the last page and stop all his confusion, all the death and the madness and the spinning in his ears." Pair with James Squire The Constable Copper Ale. Ali Baba and the 40 Thieves "Open Sesame!" Pair with James Squire Hop Thief American-style Pale Ale. Jon Cleary: The Sundowners "Do me a favour, will you? If you're gonna be a drover, look like a drover. Get rid of that silly flaming hat." Pair with James Squire Sundown Australian Lager (what else?).
When a musician announces a big Australian and New Zealand leg of their world tour, then postpones just two weeks out, then doesn't set new dates, you can be forgiven for wondering if they'll be making it Down Under at all. In the case of Abel 'The Weeknd' Tesfaye, the answer is no for now. His Aussie and NZ trip has been cancelled for the moment, with ticketholders to receive refunds. The artist was due to hit the stage across both countries in November and December 2023, but rescheduled at the beginning of November without revealing when he'd arrive instead. Since then, there's been no news until now. If you have a ticket, you'll get your funds back in full automatically via whichever method you used to pay. "The Weeknd After Hours Til Dawn Tour for Australia and New Zealand is still in process of being rescheduled," says the statement on the Ticketek website, leaving hope that the tour might be announced again in the future. "Whilst we continue to work through the rescheduling process with the artist, tickets for the existing 2023 tour will be cancelled. All purchased tickets will receive a full refund," the message continues. Back in November, Australia and Aotearoa was advised that the postponement was "due to unforeseen circumstances", in an announcement credited as a statement from The Weeknd to his fans. "New dates will be announced next year and current tickets will be valid for the new shows," said the message at the time. "Refunds will be available for those unable to attend the new dates. Deeply disappointed but can't wait to be there with you!" it went on. The Canadian singer-songwriter and The Idol star was due to play two shows at Brisbane's Suncorp Stadium, then head to Sydney for three gigs at Accor Stadium. After that, he had four shows locked in for Marvel Stadium in Melbourne — and then it was meant to Eden Park in Auckland's turn. An arena spectacular, The Weeknd's global tour has notched up soldout shows far and wide when it has been taking place. In the UK, The Weekend saw 160,000 folks head to London Stadium across two nights, smashing the venue's attendance record. And in Milan, he became the first artist to sell out the Ippodromo La Maura for two nights. Those feats are just the beginning. In Paris, the 'Starboy', 'I Feel It Coming', 'Can't Feel My Face', 'The Hills' and 'Blinding Lights' artist scored Stade de France's biggest sales this year — and in Nice, the 70,000 tickets sold across his two shows are the most in the city's history. The reason for the whole tour, other than just because, was to celebrate The Weeknd's 2020 record After Hours and its 2022 followup Dawn FM. Obviously, he has been playing tracks from 2013's Kiss Land, 2015's Beauty Behind the Madness and 2016's Starboy as well. The Weeknd's 'After Hours Til Dawn Tour' 2023 — Cancelled Dates: Monday, November 20–Tuesday, November 21 — Suncorp Stadium, Brisbane Friday, November 24–Saturday, November 25 + Monday, November 27 — Accor Stadium, Sydney Friday, December 1–Saturday, December 2 + Monday, December 4–Tuesday, December 5 — Marvel Stadium, Melbourne Friday, December 8–Saturday, December 9 — Eden Park, Auckland The Weeknd is no longer touring Australia and New Zealand. The shows have been cancelled, with refunds set to be issued — head to the tour ticketing website for more information.
One tells of a woman seeking passion instead of a loveless marriage. The other follows star-crossed lovers held back by their respective families' long-simmering feud. Beloved on the page, and rarely far away from a screen or stage, they're two of the most famous stories of the past few centuries. And, both Anna Karenina and Romeo and Juliet are among the big highlights of the Australian Ballet's just-announced 2022 season. Anna Karenina will kick off the Australian Ballet's year with stints in Melbourne (from February 25–March 9) and Sydney (April 5–23). Here, in a co-production with the Joffrey Ballet that had its world premiere in Chicago in 2019 and then debuted locally in Adelaide this year, Leo Tolstoy's masterpiece comes alive with ex-Bolshoi Ballet dancer Yuri Possokhov's choreography. The story remains the same, with its eponymous figure seeking happiness but finding ruin — but you can expect quite the sweeping and sensuous production. Dancing with the Bard, the Australian Ballet's version of Romeo and Juliet will then close out its 2022, with Shakespeare's most famous duo also taking to the stage in Melbourne (October 7–18) and Sydney (December 1–21). Clearly, there's nothing like bookending a year with two stone-cold classics. John Cranko's production has been regular in the company's repertoire ever since it premiered back in 1974, in fact, and will again turn medieval Verona into a sumptuous onstage realm — all set to a score by Sergei Prokofiev that dates back to 1935. [caption id="attachment_830095" align="alignnone" width="1920"] Pierre Toussaint[/caption] Both Anna Karenina and Romeo and Juliet were originally meant to be highlights of the Australian Ballet's 2021 season, but we all know how this year has turned out. Also in the same camp: Harlequinade, a comedy by Marius Petipa, who choreographed Swan Lake and The Sleeping Beauty. It'll bring its story of young lovers Harlequin and Columbine to Melbourne only (from June 17–25). As well as this rescheduled trio, plenty of other highlights will pirouettes across the stage, including Kunstkamer, which was created at Nederlands Dans Theater and has never before been performed by another company; and triple bill Instruments of Dance, which includes a nine-part ballet designed for 25 dancers and set to a score by Sufjan Stevens. And, there's also Counterpointe, which'll take its focus on ballet's extremes to Adelaide only — plus a regional program that'll tour Tasmania, Victoria, New South Wales and the Northern Territory. [caption id="attachment_830092" align="alignnone" width="1920"] Pierre Toussaint[/caption] THE AUSTRALIAN BALLET 2022 SEASON: Anna Karenina: February 25–March 29 at Arts Centre Melbourne; April 5–23 at the Sydney Opera House. Kunstkamer: April 29–May 15 at the Sydney Opera House; June 3–11 at Arts Centre Melbourne. Harlequinade: June 17–25 at Arts Centre Melbourne. Counterpointe: July 7–13 at Adelaide Festival Centre. Instruments of Dance: September 23–October 1 at Arts Centre Melbourne; November 10–26 at the Sydney Opera House. Romeo and Juliet: October 7–18 at Arts Centre Melbourne; December 1–21 at the Sydney Opera House. Season packages for the Australian Ballet's 2022 Sydney and Melbourne performances go on sale from 12.01am on Wednesday, October 27. For further details, head to the Australian Ballet website. Top image: Simon Eeles.
We say it every year. We'll say it again this year. On Halloween, there's nothing like watching the exceptional slasher flick that is the OG Halloween, aka one of iconic filmmaker John Carpenter's masterpieces, as well as the movie that helped make Jamie Lee Curtis a star. But when October 31 rolls around — and spooky season in general — there are more flicks to binge at home, including new releases from 2023. So, for your next scary movie-fuelled stint of sofa time, we've picked ten horror movies that'd make a killer streaming marathon — and are all available to watch on subscription-based platforms right now. In this bag of tricks: standout Mexican and Chilean fare, an entry in an ace new slasher franchise, inventive examples of the genre that play with the form and, of course, an evil doll. They're all treats, too. HUESERA: THE BONE WOMAN The sound of cracking knuckles is one of humanity's most anxiety-inducing. The noise of clicking bones elsewhere? That's even worse. Both help provide Huesera: The Bone Woman's soundtrack — and set the mood for a deeply tense slow-burner that plunges into maternal paranoia like a Mexican riff on Rosemary's Baby, the horror subgenre's perennial all-timer, while also interrogating the reality that bringing children into the world isn't a dream for every woman no matter how much society expects otherwise. Valeria (Natalia Solián, Red Shoes) is thrilled to be pregnant, a state that hasn't come easily. After resorting to praying at a shrine of Our Lady of Guadalupe in desperation, neither she nor partner Raúl (Alfonso Dosal, Narcos: Mexico) could be happier, even if her sister Vero (Sonia Couoh, 40 Years Young) caustically comments that she's never seemed that interested in motherhood before. Then, two things shake up her hard-fought situation: a surprise run-in with Octavia (Mayra Batalla, Everything Will Be Fine), the ex-girlfriend she once planned to live a completely different life with; and constant glimpses of a slithering woman whose unnatural body movements echo and unsettle. Filmmaker Michelle Garza Cervera (TV series Marea alta) makes her fictional narrative debut with Huesera: The Bone Woman, directing and also writing with first-timer Abia Castillo — and she makes a powerfully chilling and haunting body-horror effort about hopes, dreams, regrets and the torment of being forced into a future that you don't truly foresee as your own. Every aspect of the film, especially Nur Rubio Sherwell's (Don't Blame Karma!) exacting cinematography, reinforces how trapped that Valeria feels even if she can't admit it to herself, and how much that attempting to be the woman Raúl and her family want is eating away at her soul. Solián is fantastic at navigating this journey, including whether the movie is leaning into drama or terror at any given moment. You don't need expressive eyes to be a horror heroine, but she boasts them; she possesses a scream queen's lungs, too. Unsurprisingly, Cervera won the Nora Ephron Award for best female filmmaker at the 2022 Tribeca Film Festival for this instantly memorable nightmare. Huesera: The Bone Woman streams via Shudder. EL CONDE What if Augusto Pinochet didn't die in 2006? What if the Chilean general and dictator wasn't aged 91 at the time, either? What if his story started long before his official 1915 birthdate, in France prior to the French Revolution? What if he's been living for 250 years because he's a literal monster of the undead, draining and terrifying kind? Trust Chilean filmmaking great Pablo Larraín (Ema, Neruda, The Club, No, Post Mortem and Tony Manero) to ask these questions in El Conde, which translates as The Count and marks the latest exceptional effort in a career that just keeps serving up excellent movies. His satirical, sharp and gleefully unsubtle version of his homeland's most infamous leader was born Claude Pinoche (Clemente Rodríguez, Manchild), saw Marie Antoinette get beheaded and kept popping up to quell insurgencies before becoming Augusto Pinochet. Now holed up in a farm after faking his own death to avoid legal scrutiny — aka the consequences of being a brutal tyrant — the extremely elderly figure (Jaime Vadell, a Neruda, The Club, No and Post Mortem veteran) is also tired of eternal life. The idea at the heart of El Conde is a gem, with Larraín and his regular co-writer Guillermo Calderón plunging a stake into a despot while showing that the impact of authoritarianism rule stretches on forever (and winning the Venice International Film Festival's Best Screenplay Award this year for their efforts). The execution: just as sublime in a film that's both wryly and dynamically funny, and also a monochrome-shot visual marvel. A moment showing Pinoche licking the blood off the guillotine that's just decapitated Antoinette is instantly unforgettable. As Pinochet flies above Santiago in his cape and military attire in the thick of night, every Edward Lachman (The Velvet Underground)-lensed shot of The Count — as he likes to be called by his wife Lucia (Gloria Münchmeyer, 42 Days of Darkness), butler Fyodor (Alfredo Castro, The Settlers) and adult children — has just as much bite. El Conde's narrative sets its protagonist against an accountant and nun (Paula Luchsinger, Los Espookys) who digs through his crime and sins, and it's a delight that punctures. As seen in the also magnificent Jackie and Spencer, too, Larraín surveys the past like no one else. El Conde streams via Netflix. PEARL 70s-era porn, but make it a slasher flick: when Ti West's X marked the big-screen spot in 2022, that's one of the tricks it pulled. The playful, smart and gory horror standout also arrived with an extra spurt of good news, with West debuting it as part of a trilogy. 30s- and 40s-period technicolour, plus 50s musicals and melodramas, but splatter them with kills, genre thrills and ample blood spills: that's what the filmmaker behind cult favourites The House of the Devil and The Innkeepers now serves up with X prequel Pearl. Shot back to back with its predecessor, sharing mesmerising star Mia Goth (Emma), and co-written by her and West — penned during their two-week COVID-19 quarantine period getting into New Zealand to make the initial movie, in fact — it's a gleaming companion piece. It's also a savvy deepening and recontextualising of a must-see scary-movie franchise that's as much about desire, dreams and determination as notching up deaths. In one of her X roles, Goth was magnetic as aspiring adult-film actor Maxine Minx, a part she'll reprise in the trilogy's upcoming third instalment MaXXXine. As she proved first up and does again in Pearl, she plays nascent, yearning, shrewd and resolute with not just potency, but with a pivotal clash between fortitude and vulnerability; when one of Goth's youthful X Universe characters says that they're special or have the X factor, they do so with an astute blend of certainty, good ol' fashioned wishing and hoping, and naked self-convincing. This second effort's namesake, who Goth also brought to the screen in her elder years in X, wants to make it in the pictures, too. Looking to dance on her feet instead of horizontally, stardom is an escape (again), but Pearl's cruel mother Ruth (Tandi Wright, Creamerie), a religiously devout immigrant from Germany turned bitter from looking after her ailing husband (Mathew Sunderland, The Stranger), laughs at the idea. Pearl is available to stream via Netflix and Binge. Read our full review. SKINAMARINK Age may instil nocturnal bravery in most of us, stopping the flinching and wincing at things that routinely go bump, thump and jump in the night in our ordinary homes, but the childhood feeling of lying awake in the dark with shadows, shapes and strange sounds haunting an eerie void never seeps from memory. Close your eyes, cast your mind back, and the unsettling and uncertain sensation can easily spring again — that's how engrained it is. Or, with your peepers wide open, you could just watch new micro-budget Canadian horror movie Skinamarink. First-time feature filmmaker Kyle Edward Ball has even made this breakout hit, which cost just $15,000 to produce, in the house he grew up in. His characters: two kids, four-year-old Kevin (debutant Lucas Paul) and six-year-old Kaylee (fellow newcomer Dali Rose Tetreault), who wake up deep into the evening. The emotion he's trading in: pure primal dread, because to view this digitally shot but immensely grainy-looking flick is to be plunged back to a time when nightmares lingered the instant that the light switched off. Skinamarink does indeed jump backwards, meeting Kevin and Kaylee in 1995 when they can't find their dad (Ross Paul, Moby Dick) or mum (Jaime Hill, Give and Take) after waking. But, befitting a movie that's an immersive collage of distressing and disquieting images and noises from the get-go, it also pulsates with an air of being trapped in time. It takes its name from a nonsense nursery-rhyme song from 1910, then includes cartoons from the 1930s on Kevin and Kaylee's television to brighten up the night's relentless darkness. In its exacting, hissing sound design especially, it brings David Lynch's 1977 debut Eraserhead to mind. And the influence of 1999's The Blair Witch Project and the 2007-born Paranormal Activity franchise is just as evident, although Skinamarink is far more ambient, experimental and experiential. Ball has evolved from crafting YouTube shorts inspired by online commenters' worst dreams to this: his own creepypasta. Skinamarink is available to stream via Shudder and AMC+. Read our full review. NO ONE WILL SAVE YOU Thanks to Justified, Short Term 12, Booksmart, Unbelievable and Dopesick, Kaitlyn Dever has already notched up plenty of acting highlights; however, No One Will Save You proves one of her best projects yet while only getting the actor to speak just a single line. Instead of using dialogue, this alien invasion flick tells its story without words — and also finds its emotion in Dever's expressive face and physicality. Her character: Mill River resident Brynn Adams, who has no one to talk to long before extra-terrestrials arrive. The local outcast due to a tragic incident from her past, and now living alone in her childhood home following her mother's death, Brynn fills her time by sewing clothes, making models of her unwelcoming small town like she's in Moon and penning letters to her best friend Maude. Then she's woken in the night by an intruder who isn't human, flits between fighting back and fleeing, and is forced into a battle for survival — striving to save her alienated existence in her cosy but lonely abode from grey-hued, long-limbed, telekinetic otherworldly interlopers with a penchant for mind control. With Spontaneous writer/director Brian Duffield's script matched by exacting A Quite Place-level sound design and The Witcher composer Joseph Trapanese's score, this close encounter of the unspoken kind is a visual feat, bouncing, bounding and dancing around Brynn's house and the Mill River community as aliens linger. Every single frame conveys a wealth of detail, as it needs to without chatter to fill in the gaps. Every look on Dever's face does the same, and every glance as well; this is a performance so fine-tuned that this would be a completely different film without her. Bringing the iconic 'Hush' episode of Buffy the Vampire Slayer to mind, No One Will Save you is smartly plotted, including in explaining why it sashays in silence. Just as crucially — and this time recalling everyone's favourite home-invasion film, aka Home Alone — it's fluidly and evocatively choreographed. There's also a touch of Nope in its depiction of eerie threats from space, plus a veer into Invasion of the Body Snatchers, all without ever feeling like No One Will Save is bluntly cribbing from elsewhere. The result: a new sci-fi/horror standout. No One Will Save You streams via Disney+. TOTALLY KILLER Kiernan Shipka has long said goodbye to Mad Men's Sally Draper, including by starring in Chilling Adventures of Sabrina. After her dalliance with witchcraft, she's still sticking with horror in Totally Killer, but in a mix of slasher tropes and a Back to the Future-borrowing premise. There's a body count and a time machine — and 80s fashions aplenty, because where else does a 2023 movie head to when it's venturing into the past? Also present and accounted for: a tale about a high schooler living in a small town cursed by a past serial killer, which brings some Halloween and Scream nods, plus Mean Girls and Heathers-esque teen savagery. And, yes, John Hughes flicks also get some love, complete with shoutouts to Sixteen Candles, The Breakfast Club and Pretty in Pink star Molly Ringwald. Totally Killer doesn't skimp on knowingly and winkingly mashing up its many influences, clearly, or on enjoying itself while doing so. The end result is a heap of fun, as hailing from Always Be My Maybe's Nahnatchka Khan behind the lens, along with screenwriters David Matalon (The Clearing), Sasha Perl-Raver (Let's Get Married) and Jen D'Angelo (Hocus Pocus 2). Shipka plays Vernon resident Jamie Hughes, who has spent her whole life being told to be careful about everything by her overprotective parents Pam (Julie Bowen, Modern Family) and Blake (Lochlyn Munro, Creepshow) after an October turned deadly back when they were her age. Unsurprisingly, she isn't happy about it. The reason for their caution: in 1987, three 16-year-old girls were murdered in the lead up to Halloween, with the culprit badged the Sweet 16 Killer — and infamy ensuing for Jamie's otherwise ordinary hometown. Pam is still obsessed with finding the murderer decades later, but her daughter only gets involved after a new tragedy. This Jason Blum (The Exorcist: Believer)-produced flick then needs to conjure up a blast in the past to try to fix what happened then to stop the new deaths from occurring. Always knowing that it's a comedy as much as a slasher film (as seen in its bright hues, heard in its snappy dialogue and conveyed in its committed performances), Totally Killer leans into everything about its Frankenstein's monster-style assemblage of pieces, bringing its setup to entertaining life. Totally Killer streams via Prime Video. THEY CLONED TYRONE Jordan Peele's Get Out and Us would already make a killer triple feature with Boots Riley's Sorry to Bother You. For a smart and savvy marathon of science fiction-leaning films about race in America by Black filmmakers, now add Juel Taylor's They Cloned Tyrone. The Creed II screenwriter turns first-time feature director with this dystopian movie that slides in alongside Groundhog Day, Moon, The Cabin in the Woods, A Clockwork Orange, Invasion of the Body Snatchers and They Live, too — but is never derivative, not for a second, including in its 70s-style Blaxploitation-esque aesthetic that nods to Shaft and Superfly as well. Exactly what drug dealer Fontaine (John Boyega, The Woman King), pimp Slick Charles (Jamie Foxx, Spider-Man: No Way Home) and sex worker Yo-Yo (Teyonah Parris, Candyman) find in their neighbourhood is right there in the film's name. The how, the why, the specifics around both, the sense of humour that goes with all of the above, the savage satire: Taylor and co-writer Tony Rettenmaier perfect the details. Ignore the fact that they both collaborated on the script for the awful Space Jam: A New Legacy, other than considering the excellent They Cloned Tyrone as a far smarter, darker and deeper exploration of exploitation when the powers that be see other people as merely a means to an end. On an ordinary day — and amid vintage-looking threads and hairstyles, and also thoroughly modern shoutouts to SpongeBob SquarePants, Kevin Bacon, Barack Obama, Nancy Drew and bitcoin — Fontaine wakes up, has little cash and doesn't win on an instant scratch-it. He chats to his mother through her bedroom door, tries to collect a debt from Slick Charles and, as Yo-Yo witnesses, is shot. Then he's back in his bed, none the wiser about what just happened, zero wounds to be seen, and going through the same cycle again. When the trio realise that coming back from the dead isn't just a case of déjà vu, they team up to investigate, discovering one helluva conspiracy that helps Taylor's film make a powerful statement. They Cloned Tyrone's lead trio amply assists, too, especially the ever-ace Boyega. Like Sorry to Bother You especially, this is a comedy set within a nightmarish scenario, and the Attack the Block, Star Wars and Small Axe alum perfects both the humour and the horror. One plucky and persistent, the other oozing charm and rocking fur-heavy coats, Parris and Foxx lean into the hijinks as the central threesome go all Scooby-Doo. There isn't just a man in a mask here, however, in this astute and inventive standout. They Cloned Tyrone streams via Netflix. M3GAN Book in a date with 2 M3GAN 2 Furious now: even if it doesn't take that name, which it won't, a sequel to 2023's first guaranteed horror hit will come. Said follow-up also won't be called M3GAN 2: Electric Boogaloo, but that title would fit based on the first flick's TikTok-worthy dance sequence alone. Meme-starting fancy footwork is just one of the titular doll's skills. Earnestly singing 'Titanium' like this is Pitch Perfect, tickling the ivories with 80s classic 'Toy Soldiers', making these moments some of M3GAN's funniest: they're feats the robot achieves like it's designed to, too. Although unafraid to take wild tonal swings, and mining the established comedy-horror talents of New Zealand filmmaker Gerard Johnstone (Housebound) and screenwriter Akela Cooper (Malignant) as well, this killer-plaything flick does feel highly programmed itself, however. It's winking, knowing, silly, satirical, slick and highly engineered all at once, overtly pushing buttons and demanding a response — and, thankfully, mostly earning it. Those Child's Play-meets-Annabelle-meets-The Terminator-meets-HAL 9000 thoughts that M3GAN's basic concept instantly brings to mind? They all prove true. The eponymous droid — a Model 3 Generative Android, to be specific — is a four-foot-tall artificially intelligent doll that takes the task of protecting pre-teen Cady (Violet McGraw, Black Widow) from emotional and physical harm deadly seriously, creeping out and/or causing carnage against everyone who gets in its way. Those Frankenstein-esque sparks, exploring what happens when humanity (or Girls and Get Out's Allison Williams here, as Cady's roboticist aunt Gemma) plays god by creating life? They're just as evident, as relevant to the digital age Ex Machina-style. M3GAN is more formulaic than it should be, though, and also never as thoughtful as it wants to be, but prolific horror figures Jason Blum and James Wan produce a film that's almost always entertaining. M3GAN is available to stream via Binge and Netflix. Read our full review. THE BOOGEYMAN Teenagers are savage in The Boogeyman, specifically to Yellowjackets standout Sophie Thatcher, but none of them literally take a bite. Grief helps usher a stalking dark force to a distraught family's door; however, that malevolent presence obviously doesn't share The Babadook's moniker. What can and can't be seen haunts this dimly lit film from Host and Dashcam director Rob Savage, and yet this isn't Bird Box, which co-star Vivien Lyra Blair also appeared in. And a distressed man visits a psychiatrist to talk about his own losses, especially the otherworldly monster who he claims preyed upon his children, just as in Stephen King's 1973 short story also called The Boogeyman — but while this The Boogeyman is based on that The Boogeyman, which then made it into the author's 1978 Night Shift collection that gave rise to a packed closet full of fellow movie adaptations including Children of the Corn, Graveyard Shift and The Lawnmower Man, this flick uses the horror maestro's words as a mere beginning. On the page and the screen alike, Lester Billings (David Dastmalchian, Boston Strangler) seeks therapist Will Harper's (Chris Messina, Air) assistance, reclining on his couch to relay a tragic tale. As the new patient talks, he isn't just shaken and shellshocked — he's a shadow of a person. He's perturbed by what loiters where light doesn't reach, in fact, and by what he's certain has been lurking in his own home. Here, he couldn't be more adamant that "the thing that comes for your kids when you're not paying attention" did come for his. And, the film Lester has chosen his audience carefully, because Will's wife recently died in a car accident, leaving his daughters Sadie (Thatcher) and Sawyer (Blair) still struggling to cope. On the day of this fateful session, the two girls have just returned to school for the first time, only for Sadie to sneak back when her so-called friends cruelly can't manage any sympathy. The Boogeyman is available to stream via Disney+. Read our full review. KNOCK AT THE CABIN Does M Night Shyamalan hate holidays? The twist-loving writer/director's Knock at the Cabin comes hot on the heels of 2021's Old, swapping beach nightmares for woodland terrors. He isn't the only source of on-screen chaos in vacation locations — see also: Triangle of Sadness' Ruben Östlund, plus oh-so-many past horror movies, and TV's The White Lotus and The Resort as well — but making two flicks in a row with that setup is a pattern. For decades since The Sixth Sense made him the Oscar-nominated king of high-concept premises with shock reveals, Shyamalan explored the idea that everything isn't what it seems in our daily lives. Lately, however, he's been finding insidiousness lingering beyond the regular routine, in picturesque spots, when nothing but relaxation is meant to flow. A holiday can't fix all or any ills, he keeps asserting, including in this engaging adaptation of Paul Tremblay's 2018 novel The Cabin at the End of the World. For Eric (Jonathan Groff, The Matrix Resurrections), Andrew (Ben Aldridge, Pennyworth) and their seven-year-old daughter Wen (debutant Kristen Cui), a getaway isn't meant to solve much but a yearning for family time in the forest — and thinking about anyone but themselves while Eric and Andrew don robes, and Wen catches pet grasshoppers, isn't on their agenda. Alas, their rural Pennsylvanian idyll shatters swiftly when the soft-spoken but brawny Leonard (Dave Bautista, Glass Onion: A Knives Out Mystery) emerges from the trees. He says he wants to be Wen's friend, but he also advises that he's on an important mission. He notes that his task involves the friendly girl and her dads, giving them a hard choice yet also no choice at all. The schoolteacher has colleagues, too: agitated ex-con Redmond (Rupert Grint, Servant), patient nurse Sabrina (Nikki Amuka-Bird, Avenue 5) and nurturing cook Adriane (Abby Quinn, I'm Thinking of Ending Things), all brandishing weapons fashioned from garden tools. Knock at the Cabin is available to stream via Netflix and Binge. Read our full review. Looking for more things to watch? Check out our monthly streaming roundup, as well as our rundown of recent cinema releases that've been fast-tracked to digital home entertainment of late.
Turning real-life post-September 11 events into a moving and heartwarming musical mightn't seem like an easy feat, but it looks that way when you're watching Come From Away. Dramatising an exceptional story, the production has made that very task an enormous success on Broadway and London's West End, and won Tony and Olivier awards for its efforts. It's also proven a hit already around Australia. Now, audiences in Melbourne and Sydney are set to get another chance to dive into this kind-hearted story — for the third time in the Victorian capital, and the second in New South Wales. As part of its ongoing tour of Australia, Come From Away is heading back to both cities before the year is out. If you aren't familiar with the musical's plot or the actual events that inspired it, it really does tell quite the astonishing tale. In the week after the September 11 attacks in 2001, 38 planes were unexpectedly ordered to land in the small Canadian town of Gander, in the province of Newfoundland. Part of Operation Yellow Ribbon — which diverted civilian air traffic to Canada en masse following the attacks — the move saw around 7000 air travellers grounded in the tiny spot, almost doubling its population. Usually, the town is home to just under 12,000 residents. To create Come From Away, writers and composers Irene Sankoff and David Hein spent hundreds of hours interviewing thousands of locals and passengers, using their experiences to drive the narrative — and, in many cases, using their real names in the show as well. The result is a musical not just about people coming from away (the term that Newfoundlanders use to refer to folks not born on the island), but coming together, all at a time when tensions were running high worldwide. Since being workshopped in 2012, having a run in Ontario in 2013, then officially premiering in San Diego in 2015, Come From Away has become a global smash hit. After opening on Broadway in 2017, it was still running before the theatre district closed due to COVID-19. The musical wowed crowds in the West End, too — and, when it first opened in Melbourne in July 2019, it became the Comedy Theatre's most successful musical in the venue's nine-decade history. Along the way, the show has picked up a Tony Award for best direction of a musical, six other nominations, and four Olivier Awards out of nine nominations. The local production features an impressive cast, spanning Kyle Brown, Zoe Gertz, Manon Gunderson-Briggs, Douglas Hansell, Kat Harrison, Joe Kosky, Phillip Lowe, Joseph Naim, Sarah Nairne, Natalie O'Donnell, Emma Powell and David Silvestri — as well as Kaya Byrne, Jeremy Carver-James, Noni McCallum, Michael Lee Porter, Alana Tranter and Jasmine Vaughns Come From Away also already has a Gold Coast season locked in for July. COME FROM AWAY 2022 AUSTRALIAN TOUR Gold Coast: Thursday, July 7—Sunday, July 31 at HOTA, Home of the Arts — with tickets on-sale now. Melbourne: From August 27, Comedy Theatre — with tickets on-sale from June 6. Sydney: From November 5, Theatre Royal — with tickets on-sale from June 14. https://www.youtube.com/watch?v=-zmvy1p2FOE&feature=emb_title Come From Away continues to tour Australia throughout 2022. For further information — or to buy tickets — visit the musical's website. Images: Jeff Busby.
Whether you went for work, leisure or something in-between, if you've recently travelled to the Perth metropolitan area and Peel region in Western Australia, you were probably happy to venture further than your own city. But with the WA capital currently experiencing a three-day lockdown in response to a new COVID-19 case, state governments around the country are implementing new conditions on travel and crossing interstate borders. The situation varies state by state; however, it's the type of thing that has been happening after new cases and subsequent lockdowns of late. It last occurred in March, when Brisbane went into its most recent set of stay-at-home conditions. In New South Wales, a COVID-19 concerns notice has been issued by NSW Health, applying to the the Perth metropolitan area and Peel region from 12.01am today, Saturday, April 24. Anyone coming to NSW who has been in an affected area either on or after that time has to fill out a self-declaration form either before or upon entering the state. If you have been in either region since Saturday, April 17 and you're now in NSW, you're asked to look at a list of exposure sites issued by the WA Government. If you visited them within the time frames identified, you'll beed to follow the actions outlined and also contact NSW Health immediately. It's a lengthy list, spanning shopping centres, restaurants and an aquatic centre, all between Saturday, April 17–Friday, April 23 so far. https://twitter.com/NSWHealth/status/1385504424487882754 In Victoria, a number of changes are now in effect. With WA's lockdown coming in response to a Victorian man who tested positive upon his return to Melbourne after spending 14 days in hotel quarantine in Perth, the Victorian Government has listed both Qantas flight QF778 from Perth to Melbourne on Wednesday, April 21 and Melbourne Airport's Terminal 1 between 7–7.30pm on Wednesday, April 21 as new exposure sights. Folks who were on the plane must get tested for COVID-19 immediately, then self-isolate for 14 days regardless of their initial test result, while anyone at the terminal during that timeframe must also get tested for COVID-19 immediately and self-isolate until a negative result is received. Plus, anyone who has returned from WA recently is also asked to look at a list of exposure sites issued by the WA Government and, if you visited them within the time frames identified, to contact the Victorian Department of Health immediately. Melburnians can also keep an eye on the local list of exposure sites at the Victorian Government Department of Health website — as it may change if more sites are identified. Regarding the Victorian border, the state has classified the Perth metropolitan area and Peel region in Western Australia as red zones under its traffic light border system, which means that non-Victorian residents can't enter the state without an exception, permit or exemption. Also, anyone currently in Victoria who has been in the metro Perth or Peel region between Saturday, April 17–Friday, April 23, other than to transit through either, is required to isolate, get tested within 72 hours and stay isolated until receiving a negative result. https://twitter.com/VicGovDH/status/1385555025590509568 For Queensland, anyone who has been in the Perth or Peel regions on or since Saturday, April 17 and entered the Sunshine State before 11.59pm on Friday, April 23 is required to get tested as soon as possible and self-isolate. They'll also be under the same lockdown conditions that are currently in place in Perth until 2am AEST on Tuesday, April 27. Plus, those coming to Queensland after midnight last night who have been in the same parts of WA since Saturday, April 17 are only allowed to enter under an exemption, unless they're a Queensland resident. Either way, they now have to go into hotel quarantine for up to 14 days. https://twitter.com/qldhealthnews/status/1385569595784790017 South Australia requires anyone who has been in the Perth or Peel regions on or since Saturday, April 17 to get tested and quarantine until getting a negative result. Only returning SA residents, genuine relocations and domestic violence victims are allowed to SA from the two areas from 12.01am Saturday, April 24, and must now get tested and go into self-quarantine. In the Australian Capital Territory, non-ACT residents wishing to travel over from the Perth or Peel regions — who've been there since Saturday, April 17 — now need an approved exemption from ACT Health. You'll also have to quarantine until 2am AEST on Tuesday, April 27. For residents coming back from the two regions, you'll need to complete an online declaration form before leaving, and then to also stay home until the same time. Tasmania won't allow entry from folks who've been to the Perth or Peel regions within 14 days of their arrival, except for people deemed essential travellers — and then you'll need to quarantine for 14 days. If you've been there, arrived in Tasmania since Saturday, April 17 and attended one of the exposure sites listed by the WA Government, you need to self-isolate and contact Tasmania's Public Health Hotline. The Northern Territory now requires testing for anyone who has been to been to the Perth or Peel regions since Saturday, April 17, but only if they went to one of the exposure sites listed by the WA Government. You'll also need to quarantine until you get a negative result. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
It's called Ghostbusters, not franchisebusters — so, four decades after the initial supernatural comedy flick in the series proved a huge hit, of course the saga is still tackling ghouls on the big screen. There was a 27-year pause between 1989's Ghostbusters II and 2016's women-led, excellent and wrongly maligned Paul Feig-helmed Ghostbusters, but then came 2021's Ghostbusters: Afterlife. Next up: its sequel Ghostbusters: Frozen Empire. As both the initial teaser back in 2023 and the just-dropped full trailer show, familiar faces are everywhere in the fifth Ghostbusters movie — and from past features both recent and classic. Paul Rudd, Carrie Coon, McKenna Grace, Finn Wolfhard, Bill Murray, Dan Aykroyd, Ernie Hudson: they're all back, teaming up to take on an ancient force that's trying to unleash a second Ice Age. Rudd (Only Murders in the Building) returns as Gary Grooberson, while Coon (The Gilded Age), McKenna Grace (Crater) and Finn Wolfhard (Stranger Things) are back as Callie, Phoebe and Trevor Spengler. Yes, they're the daughter and grandchildren of the late Harold Ramis' Egon Spengler, who became initiated in the family business when they inherited his old farmhouse in Afterlife. Ghostbusters: Frozen Empire reverses the last flick's swap, which centred around that eerie abode. So, rather than unfurling in Oklahoma, it returns the series to New York. There, summer is proceeding as normal until an unseasonable chill kicks in. The reason for the plummeting temperatures isn't any old blast of cooler weather, either, which is where the Ghostbusters come in. Also in Ghostbusters: Frozen Empire's cast: Kumail Nanjiani (Welcome to Chippendales), Patton Oswalt (What We Do in the Shadows), Celeste O'Connor (A Good Person) and Logan Kim (The Walking Dead: Dead City), alongside OGs Murray (Ant-Man and the Wasp: Quantumania), Aykroyd (Zombie Town) and Hudson (Quantum Leap), plus Annie Potts (Young Sheldon). A certain firehouse pops up as well, as does Slimer, an army of ghosts, possessed possessions, rising supernatural attacks and a new paranormal research centre. The latest film sees Gil Kenan (A Boy Called Christmas) directing. After helming Ghostbusters: Afterlife, Jason Reitman (Tully, The Front Runner) — who is the son of Ivan Reitman, who directed the first two movies — co-writes the script this time around. Check out the full trailer for Ghostbusters: Frozen Empire below: Ghostbusters: Frozen Empire opens in cinemas Down Under on Thursday, March 21, 2024.
The history of street photography is generating more interest than ever, now that street style blogs influence high-end brands, everyone has a spy camera (read: iPhone), and documentaries like Bill Cunningham: New York have charmed DSLRs into the hands of the populace. But what about when it wasn't just about fashion, but about documenting a moment in cultural history? A new look at the origins of the movement, Everybody Street, gathers a group of seminal New York-based street photographers to examine the method and motivation behind this most candid and telling style of documenting the human race. Street photography takes balls. Imagine approaching a total stranger, even a pretty rough-looking one, to ask for their picture — as Brandon Stanton of Humans of New York (with almost a million followers on Facebook) does dozens of times every day. Henri Cartier-Bresson similarly knew how to be bold and keep in the thick of the action, and that's why his opus includes so many arresting images of the major events of the 20th century. Nowadays the rising generation of street photographers in New York, including Le 21-eme, I'm Koo and An Unknown Quantity keep busy chasing down Soho's trendsetters. Everybody Street, on the other hand, asks veteran photographers Bruce Davidson, Elliott Erwitt, Jill Freedman, Bruce Gilden, Joel Meyerowitz, Rebecca Lepkoff, Mary Ellen Mark, Jeff Mermelstein, Clayton Patterson, Ricky Powell, Jamel Shabazz, Martha Cooper, Jeff Mermelstein, Max Kozloff and Luc Sante all about how they managed to transgress social boundaries to capture iconic images of their milieu. Jamel Shabazz alone is a phenomenal force in the street photography scene, whose chronicling of the '80s hiphop style movement can be seen in the influential monographs Back in the Days and A Time Before Crack. Shabazz — a former corrections officer with a photographer father — used street photography to perform a type of social work: mainly capturing images of African Americans, he helped to spread pride and self-confidence among young men and women who were at risk of getting mixed up in crack culture. By reminding them they were worth being photographed and admired, and taking the opportunity to talk with them about their lives and share his experiences as a corrections officer, Shabazz hoped to steer people away from drugs and crime. In Everybody Street, documentarian Cheryl Dunn honours Shabazz's story and those of other snap-happy New York street-crawlers who dared to step in and chronicle what was happening every day on the street, and make a difference along the way. Everybody Street will be making its world premiere at the Hot Docs International Film Festival in Canada. Further distribution is TBC. Images by Jamel Shabazz. More on his website.
A new Parisian hotel designed by French artist Matali Crasset is offering travellers a completely new hotel experience. Recently opened in the trendy Rue Chardonne area, Hi-Matic Hotel is entirely internet-based and has no traditional staff. Guests are given a unique code when they make an online reservation and that code gives them access to the building. Once inside, guests are able to check in and pay for their stay on computers (that then dispense their room keys). If they become hungry or bored, guests are able to purchase organic foods, books, music and playful objects from vending machines located in the hotel. The aim of the Hi-Matic is to create a new type of hotel - something unique and luxurious but also practical and accessible. The spaces within the hotel are bright and futuristic, with eco-friendly materials such as organic paint being used throughout. The design is simple but striking and effective. All this does not come without a price, however, with rooms starting at AUD$180 a night. [Via Design Boom]
The impending consequences of the earth's dwindling water supply are no mystery. The question that we all need answered, however, is how to replenish it. French physicist Jérôme Kasparian, may have a solution with his new seeding condensation method. 'Laser-assisted water condensation' is a water-collecting technique which employs powerful lasers. At the flip of a switch, a laser pulse carries trillions of watts of energy into the atmosphere, removing electrons from atmospheric molecules. The removal of electrons creates charged particles, which form water droplets as more and more water molecules accumulate and stick to the original particle. Kasparian's method seems a good alternative to other current precipitation-inducing techniques, which are expensive, risky, and environmentally damaging. It isn't a magical cure-all to drought and drinking water shortages, but it is definitely a step in the right direction. https://youtube.com/watch?v=5yjHZr_gn18 [via Mother Board]
