How many dumplings can you eat in one sitting? Would you like to find out? On three Saturdays in August, Old Town Hong Kong at Barangaroo is putting your stomach to the test by offering up bottomless servings of dim sum. Here's how it works at their Unlimited Dumpling Feast on August 12, 19 and 26: you arrive and you eat, with three 90-minute gorging windows available from 12.30pm, 5.45pm and 7.30pm. Devour as many siu mai and har gow (aka prawn dumplings) as you can, plus pan-fried vegetable dumplings and barbecue pork buns as well. And, while this is definitely a delicious dumpling-tastic meal, there'll also be selected mains on offer too. Your food-filled sitting will set you back $43, and booking in advance is recommended. Plus, because making your all-you-can-eat dumpling dreams come true is part of Barangaroo's month-long Eats on the Streets series, 10% of all ticket proceeds will be donated to OzHarvest.
Getting into the bottomless brunch game, Munich Brauhaus is embracing all-you-can-eat mid-morning meals in the appropriate fashion: German-style. That means pretzels, schnitzel, sauerkraut and apple strudel — and as much as you can handle for two hours — at the Bavarian-themed beer hall's new Das Brunch. Also on the menu at the monthly event: meat and cheese platters, plenty of bread with a traditional cheese spread called obazda, roast pork belly with onion and sage stuffing, hash browns, sausages, bacon, plus Munich-style slaw and potato salad from the salad bar. Leave room for käsespätzle, which is a creamy mac 'n' cheese-style dish that's rightfully considered a favourite back in its homeland. Dessert-wise, gingerbread men, black forest cake and blueberry cheesecake are also on offer, with the unlimited food spread costing $65 per person. Or, because brunch and booze go hand in hand, pair it with sparkling, rosé, house beer, wine and spirits for $99. Das Brunch runs monthly, kicking off from 11am on Sunday, March 22. Each smorgasbord will also be themed, with the first one taking inspiration from autumn — complete with flower crowns and floral displays.
The sweaty drum of summer is beating out the last days of spring, bringing with it an exciting line-up of live music and theatrical events. Ushering in the silly season is B Sharp's reimagining of A Midsummer Night's Dream, the Shakespeare that is a perennial summer favourite amongst al fresco theatre companies. Not one for the obvious, director Eamon Flack and his creative team are filling Belvoir Downstairs with a fresh production that renders the famous text down to its gorgeous essence. Beyond the fairies and immense trees lit with pinks and blues, is an ageless tale of chaos, innocence, debauchery, naivety and first love. A major issue when reworking a classic is the debate over what is essential to the text and what are dressings for a specific, contextualised audience. "[Shakespeare] was writing for a verbally literate audience so everything had to be said or it didn’t exist," says Flack, "We’re not like that today — we read image and subtext, we don’t like it when everything is spelt out." Midsummer is filled with especially thorny weeds, as it was written for a wedding and contains very personal in-jokes that would be completely lost on a modern audience. "Anything we couldn't hear in the heat of the moment, or anything that didn't further advance the action and meaning of our production we just got rid of," Flack notes, before adding: "It’s ok. Shakespeare was a theatre animal, he’d understand." What remains is a high energy, often chaotic performance that captures the spirit of Australian summers. "We [think that we] are a good and innocent people," says Flack, "therefore we deserve the pleasures of our lives, therefore we can have as much pleasure as we can get, therefore pain and excess matter less than pleasure, therefore we get wounded, therefore the world is our enemy, therefore we are good and innocent. It’s terribly naive, but it's also beautiful to watch unfold." It is in this unfolding that Shakespeare introduced two of the most famous farcical situations in English theatre: the four lovers led astray by fairy magic and Bottom, the greatest ham actor of his age, donning the image of a jackass and copulating with the Queen of the Fairies. As a creative twist, Bottom and Puck — the master craftsman of this mischief — are performed by the same actor, Charlie Garber, who moved from the Sydney fringe troika Pig Island to the mainstage with Gethsemane earlier this year. For Flack, Puck and Bottom represent the opposing styles of wisdom that drive the play: "the wisdom of chaos and cynicism and insight on the one hand, and the wisdom of normalisation and ordinariness and a Homer Simpson-like being absolutely yourself on the other." This pairing of opposites is joined by a number of equally cheeky cast doublings throughout the production. "It sets up this brilliant echo of the play's own theatrical playfulness," Flack muses, "[where] all those great Midsummer questions of identity and shadow, light/dark, day/night get played out directly." One of the challenges faced by Flack and his cast was how to present Midsummer without ignoring its place as one of the most watched and known of Shakespeare's plays. Flack's solution was "to take something else really familiar — the great pop love songs of the last few decades — and by putting the play and the songs together you necessarily need to reinvent them both." But it's not just pop songs that have been introduced into the mix; these love tunes are sung with the "self-directed try-hardiness" of that great summer pastime, karaoke. "There's great comedy in that idea," says Flack, "taking what is fundamentally an impossible performance task really seriously". The beauty of this honest comedy, springing not from fairyland but out of the efforts of normal, often naive, humans is further enhanced by the humble set design. Very humble, actually. "If you’re going to put it on in a small theatre you may as well make it really small – so we’ve built a stage in the downstairs space," says Flack, admitting that "I’ve been deeply unsatisfied by the aesthetic and spectacle of pretty much every [Midsummer] production I’ve ever seen." Rather than woo the audience with superhuman acrobatics and sumptuous costume design, Flack and designer Alistair Watts have taken this production back to its historical roots with a stage denuded of extravagance. "But," Flack cheekily suggests, "just because it’s a small theatre doesn’t rule out the potential for spectacle...". To win one of two double passes to A Midsummer Night's Dream, email your name and address to hello@concreteplayground.com.au <sp
Most of us take for granted the fact that we can chill in our living room listening to great music and chatting to friends. Just over a year ago, Mahli Cooper was the same. But then she had an accident that left her with a traumatic brain injury. Some 15 months later, Mahli is out of hospital and is living at home with her family where she can continue to get the kind of care she needs. Of course, the road to recovery is long and comes at a great cost, and so Mahli’s friends have gotten together to raise money for the Cooper Family and for the organisation Youngcare in order to ensure that Mahli can continue to receive the best care possible. This is where you come in: this Wednesday November 18, Mahli’s friends are hosting Mahli’s Living Room, a concert at Newtown favourite, The Vanguard. The night promises a cosy atmosphere of intimate crooning from UK group Passenger, Aria winner Katie Noonan and the critically acclaimed Boy & Bear and emerging Sydney band Serenik. Join Mahli in her adopted living room for the night, listen to some great tunes and help raise funds and awareness for Youthcare and Mahli Cooper. To find out more visit Mahli's Living Room.
Many of us find ourselves wanting to stay home a lot more during the winter months, but the rain and colder temps certainly don't stop our calendars from filling up with social events, do they? There's always a birthday, date night or long overdue catch up happening, so get out of those winter trackies and off the couch — it's time to eat something you haven't ordered from Deliveroo. And if you need even more reason to get off the couch, thanks to the Suncorp Platinum Credit Card*, you can earn points for every dollar you spend on everyday essentials like that birthday card you should probably get, that bouquet for their mum or the dinner you're about to plan. Read on and add these five cosy eateries with set menus to your list — bonus: each spot will cost you less than $100 a head.
James Turell, a Californian artist who has worked with light and perception as his media and subject matter since the 1960s, apparently studied perceptual psychology, mathematics, astronomy and geology at university before he moved into art history. He has recalled that during the lectures he was more enthralled by the illuminated dust particles in front the projectors than the images themselves, and when he finally saw real paintings by Rothko and other artists he deeply admired, he had felt disappointed that they lacked the luminosity they had as projected slides in the lecture halls. In 1966 Turrell rented out an old hotel in Santa Monica and turned it into his studio where he set about exploring light and the way it inhabits space. He started working with projected artificial light that was molded to give the illusion of mass and volume, and he made his first 'Structural Cuts' to the building's facade, abstracting external light from the city and the sun as pure geometric shapes. These led to Turrell's ongoing body of Skyspaces, where visitors look up at the wide blue yonder through a hole in the roof, and the enormous volume of the atmosphere appears to sit on the ceiling as a two dimensional image. The artist was evicted from the Mendota Hotel in 1974, losing not only his studio but a whole body of work. In the same year he received a Guggenheim grant for a new site-specific project that would develop many of the ideas initiated at the Mendota, but with a radically different scale and setting. According to Turrell legend, he spent the entire grant on airplane fuel and flew around the western United States on his own for seven months, looking for the perfect dormant volcano, finally settling on his 500,000-year-old Roden Crater. Part monumental land art, part naked eye observatory, the Rodan Crater has been an eagerly anticipated work in progress for over three decades, and still hasn't opened to the public. Meanwhile, however, a major new permanent Skyspace has just burst out of the earth at the National Gallery in Canberra, marking the first time Turrell has been commissioned in Australia. Set to open in spring, Within, without leads visitors to sit in a sparse domed room that forms a stage for diurnal celestial cycles, where we look at projected light in and of itself, rather than at what it illuminates.
You don't become a first-generation winemaker without a passion for all things vino, which Simall's Simon Hall clearly possesses. Since 2013, he's been crafting locally made drops on the New South Wales South Coast. And, since early 2020, the company has been doing tastings and takeaway sales from its urban cellar door, The Wine Hub, in Wollongong. While Simall's range spans a number of labels, Take a Gander tops the list. It also has both a community focus and a community following. A regular feature at nearby markets and festivals, Take a Gander specialises in easy-drinking tipples, as you'd expect given the region — which is great news for lovers of shiraz cabernet, sauvignon blanc, rosé and pinot grigio. Located on Victoria Street, The Wine Hub also serves up wine by the glass, platters heavy on local produce and wine cocktails — because who says spirits drinkers get to have all the fun?
Firstdraft being all multi-chambered and exposed-concretey as it is, the art that goes on display there gets interesting inflections from the decor. Sometimes it's hard to predict how an artist's work will go in a particular space even when you've seen the art and the gallery before, but it nearly always bears consideration, and at the very least makes you look that much harder. This time around there's vomit-pink imperial-style decadent portraiture, collaboratively inspired but individually made sculptures-cum-machines-cum-found-objects, digital images mimicking the physics of apparent chance shaping the impact of nature on objects, and an evolving sound-field derived from and created in homage to space travel and Stanley Kubrick. Look at them on their own, look at them in the space, look at them compared to one another, look at all four shows and how Firstdraft holds them and how they make it look. (There won't be a quiz.) Image: Une Collection de Parties Décadents, Penelope Benton 2011
For one magnificent day, the Sydney Opera House is declaring itself an open book. No longer will its green rooms, secret nooks or stages be the exclusive domain of musicians, famous speakers and tech crew. Get down to Bennelong Point anytime between 9am and 3pm on October 18 for the Opera House Open Day, and you'll be able to wander around the entire beautiful building at your self-guided leisure. What's more, your visit won't only involve empty spaces. To keep you on your toes, the organisers have lined up a stack of surprises, unexpected performances and displays. Explore Opera Australia's set for Anything Goes in Joan Sutherland Theatre, check out an Australian Ballet exhibition in the rehearsal room and watch projections created by Bangarra Dance Theatre in the foyer. There'll also be opportunities to learn about the House's history — from the 1957 competition won by Danish architect Jorn Utzon that determined the building's extraordinary design to its opening in 1973 — and about plans for the future. Thousands of attendees are expected. Save yourself a spot by registering online in advance.
The launch of Sydney's light rail might be delayed, but despair not: you can climb aboard the Chandon S Tram instead. The pop-up bar will be rolling into North Sydney, ready to help you celebrate spring and the arrival of blooming flowers, baby lambs and balmy evenings. Your ticket to the beautifully restored vintage carriage comes in the form of a glass of Chandon S, purchased from The Greens bar for $15. Made with local grapes in the Yarra Valley, this warm weather-friendly aperitif is a rather delightful concoction of sparkling wine and handcrafted orange bitters. At The Greens, it'll be served in ideal form: on ice, with a twist of orange. Claim a window seat and you'll be instantly transported to some Parisian past life — but with views over Sydney Harbour. Once you've lingered over your Chandon S, the tram-dedicated wine list and food menu will be ready for your perusal. The pop-up bar plans on hanging around until mid-November, giving you ample time to enjoy both sundowners (Thursdays–Sundays from 4pm) and a weekend morning session (Saturdays and Sundays between 9–11.30am) — complete with a brekkie board for two with Chandon S mimosas for $55. You can also grab a bunch of mates and undertake a hijack. The Chandon S Tram Takeover package includes Chandon cocktails, share platters, lawn bowls and your very own private bar (price available upon request). It takes two years to make a single bottle of Chandon — thank goodness we don't need to wait that long between drinks (or for spring). For more information on the Chandon S pop-up visit The Greens website.
Established in 1996, the Redlands Konica Minolta Art Prize supports early to mid-career artists from both Australia and New Zealand. This year, guest curator Julie Rrap has selected 21 established artists to exhibit recent work. Each of these artists then chose an emerging artist to also present work in the show. There are three prizes: a $25,000 prize for the winning established artist, a $10,000 prize for the winning emerging artist, and a Viewers’ Choice Prize, which visitors to the exhibition may vote in. It’s a great selection, and the mix of works by emerging and established artists creates a fantastic dialogue. Because so many hands went into the selection of the pieces, there is something for all tastes. There are works in every conceivable medium: video, sculpture, painting, photography, installation — you name it, it’s on show. With so many artists participating, there is always going to be variation in the quality of works exhibited, but the standard is exceptionally high and pretty much all the works seem to sit somewhere between 'pretty great' and 'really freaking awesome'. It’s difficult to name just a few of the standout pieces because there were so many highlights, but Todd Robinson's He knows at any moment it may be lost in a vertical field is definitely one of the best entries. I couldn't tear myself away. The work features two balloons that sag, trying to fall to earth. The contradiction between such traditionally light, buoyant objects and these morose, depressed sacks was fantastic. Bridie Lunney's delicate installation Still After is also a must-see. Described in the catalog as being a 'performative response to architectural conditions' the work is comprised of a series of objects attached to, pushed against and placed in front of a wall. There is something terrifically Dada-esque about the relationship between all the objects in this piece. It's absolutely wonderful. I risked a hefty parking fine so I could go back for another look at the end of my visit. It’s a big exhibition, so leave yourself a ample time to see it all. And do yourself a favour — load up the parking machine before you go. Redlands Prize is open 10-4, Monday to Saturday. Image: TV Moore, MOON PLANK STILL LIFE.
This year, the World's 50 Best Restaurants awards will be held in Melbourne, and will see the globe's biggest culinary names descend on Australia to shed some light on what goes into creating the world's best dishes. But what about the food that gets left behind? Well, none other than the world's best chef Massimo Bottura will tackle the issue of food waste head-on when he teams up with a slew of local chefs and food waste charity OzHarvest for an exclusive degustation in Sydney on Sunday, April 2. Bottura — the super affable renowned chef behind Italy's Osteria Francescana, which was again named the number one restaurant in the world last year — will host the eye-opening event at OzHarvest's Alexandria headquarters. While he won't be cooking, he'll be joined by a hand-picked team of local chefs who will, including Rob Cockerill (Bennelong), Josh Niland (Saint Peter), Monty Koludrovic (Icebergs, The Dolphin), Clayton Wells (Automata) and James Viles (Biota). They'll plate up a fine dining feast made with food that's usually destined for the bin, matched to some top Aussie wines. The 130 lucky diners will enjoy sharp service led by Rockpool Dining Group's food and beverage director Jeremy Courmidas, the sommelier skills of Icebergs' James Hird, and a stunning setting designed by George Livissianis and decorated with works from some leading Australian artists. Plus, with everyone's time and all produce and products donated, all proceeds from the night will head straight to OzHarvest, as well as Bottura's Italian food waste non-profit Food for Soul. It's set to be a once-in-a-lifetime dining event, so, naturally, it comes with a once-in-a-lifetime price tag. Tickets will set you back a cool $1000.
You can't help but conjure up images of the romanticised '60s Woodstock era while listening to Richard In Your Mind. Putting forward a Beatles-ish pop sound swathed with psychedelic and krautrock rythyms, the Sydney five-piece have just released their newest album, Ponderosa via Rice Is Nice, the local record label boasting a host of Sydney talent such as Donny Benet and SPOD. RIYM's tunes are a fun and light-hearted affair, exploring overarching themes of things like nature, exploration and escapism — no doubt influenced by the band's hours spent in the Blue Mountains, where they recorded the tracks. To launch Ponderosa, Richard In Your Mind are playing a couple of intimate shows along the East Coast. It might not be the 1960s anymore, but these guys are definitely making sure the crazy psychedelia still lives on. And if you haven't seen the video for latest single 'Hammered in the Daytime', do yourself a favour and click the tab above. It's the family TV show we truly wish existed. https://youtube.com/watch?v=kMyxjFAyLMU
Dancing is back and two of the godfathers of Sydney's clubbing scene are reuniting to usher in a post-lockdown era of hot and heavy dance floors. Hoodrat and DoomY were two members of the iconic DJ roster Bang Gang back in the 2000s and the duo is getting back together to kick off the weekend with a night of classic tunes. Where are these two hitting the decks? Club 77, of course. One of Sydney's most storied nightclubs, Seventy Seven has played home to an endless amount of beloved and acclaimed local and international DJs over the years, including most of the Bang Gang's most memorable nights. So it's only fitting that Hoodrat and Doomy are coming back together to grace the decks of the hallowed club once again. "I grew up inside this dungeon really and this is my 55th re-re-re-incarnation," Doomy told Concrete Playground. "I came straight outta Terror Terror Terrigal and into the basement — the four walls of Hades, the dance floor of lava, fire and brimstone. I've seen bliss. I've seen packets on packets. I've seen Ajax protect the little Terrigal boy from some Cronulla sharks one night." When asked what we can expect from the night at Club 77, his answer is simple: "I live and party by all the five letter words. NNNRG. PARTY. FUNNY. SILLY. HORNY. So this party will embrace all the same values and maybe infuse some of them together into unified amalgamations of vibes." The reunion is going down from 8pm until close on Friday March 11. Tickets are $22. [caption id="attachment_845824" align="alignnone" width="1920"] Hoodrat and DoomY[/caption] Top images: Benjamin Weser
You know what’s better than other people’s weird obsessions? A whole slide-show night dedicated to perving at other peoples weird obsessions. Thanks to our social-media-soaked society, I dare say we've all developed a taste for such voyeuristic pursuits. But long before we had the facilities to upload visual snapshots of our most intimate moments with the click of a button, humankind has been interested in marking the moments that make up a life: We need only peek inside an ancient Egyptian tomb to discover our early obsession with the symbols and paraphernalia that denote the human experience. The humble hieroglyphic was simply a primitive Facebook status update. The Australian Centre for Photography will be providing the proverbial keyhole for a good old ogle at the curious obsessions of 12 Australian photographers. In a slide display of cats, cars and collectibles; empty shops and interrogation rooms; lost loves, self-love and love-for-sale; and an entire year's worth of breakfasts, lunches and dinners, Captured, Collected, Categorised embraces our strange need to express and examine life through visual and tangible symbols and in doing so exposes us all for the dirty pervs that we are. Image: this is what I ate by Patrick Boland.
Flacco is an angry alien, a spitting, frothing creature that is only barely contained within the human form of author, performer and illustrator, Paul Livingston. In contrast, Marty Murphy is a polite, soft-spoken illustrator and film-maker who also happens to be occupied by over twenty-five crackpot characters purloined from the world around him. Each is one half of Double Exposure, part of B Sharp's Comedy and Cabaret Season at Belvoir Downstairs this summer. Kicking off the evening is Happy and Clean, Murphy's surreal tale of becoming a B Grade film director, shooting turkey-inspired horror tales with the residents of his hometown. Murphy's style is pleasant and he slips from one character to the next like he's copped a few squirts of WD40. Moreso, he's well adept at miming the odd musical instrument, a skill that is played to surprising effect throughout his tale. In the second half, Flacco takes command of the audience in his manic style, grabbing at individual audience members with his words and (occasional) gesture. While Murhpy's piece is a linear narrative, Flacco's Beyond the Pale is a jolting mash of segments that he picks up and drops with maniacal aplomb. Despite his performance abilities, however, Flacco's piece does not carry the same sparkle as Murphy's. Having spent many years watching Flacco performing on television, I was disappointed to see that Beyond the Pale bears many similarities to his work throughout the 90s. Despite a few stale moments, Double Exposure is a quick and fun night out, and certainly a nice jolt of absurdity to cap off your day. We have 5 double passes to give away for Double Exposure on January 14 at 8.15pm. Just email your details to hello@concreteplayground.com.au with "Double Exposure" in the subject line for your chance to win.
The Museum of Contemporary Art Australia's super popular art workshop program is back. Inspired by the gallery's popular Sundown Sketch Club, these two-hour Wednesday evening sketching workshops are led by Sydney-based artist Will French, and take place throughout February, March and April. The classes will focus on still life, with participants using a range of fine art materials and getting a few tips from French along the way. The ever-changing installation will include a model alongside a sensory collection of cherries, roses and pomegranate. The evening will be capped off with nibbles, cheese, a glass of Champagne — either Ruinart brut or rosé — and a backdrop of Sydney Harbour. There'll also be an olfactory challenge each night, with the winner taking home a bottle of Ruinart. The first workshop will take place on Wednesday, February 21, with sessions following on February 28, March 14 & 28 and April 11, all running from 7–8.45pm. Tickets are $69 and beginners are welcome. Just make sure to book ahead as these events have sold out in the past.
Cute pooches and craft pints, both for a worthy cause — what better way to way to farewell that final weekend of winter? If it sounds like your kind of jam, you'll definitely want to get involved with Dog Appreciation Day at Rocks Brewing Company, this Sunday, August 26. A celebration of our four-legged mates and all they do for us, the event is out to raise awareness and much-needed funds for dog adoption, as well as support for local pet-focused charity Project Hope. Bring along your own pup to strut their stuff in the day's dog show, treat them to a pamper sesh at the grooming station and catch some live tunes together from 1pm. Then, you can hit the doggy rescue stand to learn all about pet adoption, and snap a few adorable pics at the Southern Cross Vet "kissing booth" for the chance to some pet-worthy prizes. Of course, at this venue, beer is a given — while the pooches are chowing down on homemade Bark Snacks made from spent brewing grain, humans can kick back with a few of the day's Karma Keg pints, pouring profits for Doggie Rescue.
It's a familiar tale: a pregnant girl and her boyfriend, still almost kids themselves, running away from home and family to escape punishment for their forbidden love. With not much knowledge, few skills and a fledgling dependence on each other, they attempt to learn what they're missing and raise their child in a harsh and unforgiving world. Here, however, the couple are four centuries into the future. The community that they have been forced to flee has retreated into the Australian desert, due to climate change, and has reverted to traditional Aboriginal practices in order to survive. In short, this play is an Aboriginal, post-apocalyptic Romeo and Juliet — with child. An unconventional storyline demands an unconventional form, which this production has done exceptionally well. In a blend of theatre, dance, video, shadow-making, object design and music, the fractured, imperfect and multidimensional culture which this couple shares is richly presented. Rather than being a random collection of media, this is a powerful and representative blend of contemporary Indigenous and mainstream cultural and artistic forms. Windmill and Big hART, the two companies involved in this project, have deeply engaged with two Indigenous communities in the Anangu Pitjantjatjara Yankunytjatjara (APY) lands, and it shows. The Aboriginal dances, songs, shadow-making and sand paintings are presented by both Aboriginal and non-Aboriginal performers with great skill and sensitivity. Don't let this make you take Nyuntu Ngali too seriously, however. Much of the performance will leave you unsure of whether to laugh or cry. The child is named Petrol, both literally for his addictive smell, and as a means of exploring whether it is really Aboriginal culture or contemporary white culture which is more obsessed with this black, liquid gold. Nyuntu Ngali is a rare find: a truly cross-cultural production which communicates and celebrates contemporary Indigenous culture as powerful, playful and multifaceted. The performers and those who have worked behind them are incredibly generous, and I'd suggest taking them up on their offer. Image by Tony Lewis.
A great trailer does two things: makes you want to run to the cinemas to see the film in question, and makes you hit replay on the preview itself the moment it's finished. Or, thanks to the rise of TV trailers, it inspires your next date with your couch. You'll want to get as comfy as possible to binge-watch the next season of your favourite show, after all. Indeed, in the US, plenty of folks have been lounging around on their sofas today — and watching trailers. When the Super Bowl rolls around each year, the US gets immersed in one of the country's favourite sports, American football fans around the world join in the fun, and so do movie buffs. With so many eyes glued to the screen during the game, it's a prime slot to premiere the latest film previews during the commercial breaks. The biggest match of the year meets the biggest flicks of the year, naturally. This year's batch certainly kept to the theme, particularly where new instalments of long-running series are involved. Want to catch your first glimpse of Solo: A Star Wars Story? The next Jurassic Park movie, aka Jurassic World: Forbidden Kingdom? Mission: Impossible — Fallout, the sixth title in the Tom Cruise-starring franchise? The latest Cloverfield effort, which will then start streaming on Netflix once the game is over? Keen on some superhero action with Avengers: Infinity War? They're all here. Also on the agenda: The Rock versus a tall building in Skyscraper (because why not?), and a sneak peek at the second season of Westworld (which now has a US release date — April 22). There's also the John Krasinski-directed apocalyptic thriller A Quiet Place, which he also features in opposite Emily Blunt, plus the new Krasinski-starring Jack Ryan TV series. Plus, another look at Jennifer Lawrence getting her spy game on in Red Sparrow and the Castle Rock clip we were all watching just a few days ago aired as well. Check out the full slate below, and add them to your viewing list. SOLO: A STAR WARS STORY https://www.youtube.com/watch?v=9Szts88zY4o In Australian cinemas May 24. JURASSIC WORLD: FALLEN KINGDOM https://www.youtube.com/watch?v=NooW_RbfdWI In Australian cinemas June 7. MISSION: IMPOSSIBLE — FALLOUT https://www.youtube.com/watch?v=wb49-oV0F78 In Australian cinemas August 2. SKYSCRAPER https://www.youtube.com/watch?v=THWBs0_khNs In Australian cinemas July 12. THE CLOVERFIELD PARADOX https://www.youtube.com/watch?v=8brYvhEg5Aw On Netflix today. AVENGERS: INFINITY WAR https://www.youtube.com/watch?v=pVxOVlm_lE8 In Australian cinemas April 25. WESTWORLD https://www.youtube.com/watch?v=qUmfriZoMw0 Australian airdate TBC A QUIET PLACE https://www.youtube.com/watch?v=P8Q6ma2sfJQ In Australian cinemas May 10. JACK RYAN https://www.youtube.com/watch?v=V69XYIRjKww On Amazon August 31. RED SPARROW https://www.youtube.com/watch?v=M9VqmPX8m2k In Australian cinemas March 1. CASTLE ROCK https://www.youtube.com/watch?v=fwmhiqUPa28 Australian airdate TBC.
This article is sponsored by our partners, the Sydney Festival. Penny-pinched and pauperised after Christmas? Planning on pawning your little sister’s pet pooch for a ticket to Dido and Aeneas? Fear not. Front-row seats to an underwater opera might be out of reach, but we can show you how to get the best out of Sydney Festival — even if you’re heading into 2014 as down-and-out as the Environment Portfolio. Of the 104 events on this year's program, 21 are free. First off, what better way to reduce your stress level to that of your bank balance but via mega outdoor concerts? Summer Sounds in the Domain on Saturday, January 11, will see the return of Hot Dub Time Machine, a 45-minute-long, carbon-neutral dance-video-lights-party covering 60 years of music history, mashed up by Sydney DJ Tom Loud and powered by the crowd. Following that, Chaka Khan will be demonstrating why, 35 years later, she’s still every woman. Just up the road, the Sydney Festival Village (aka Hyde Park) will host the Rekorderlig Gazebo Friday to Sunday evenings and the Village Bandstand Thursday to Sunday nights. Think left-of-field live performers, like the Crusty Suitcase Band and the Gramophone Man, in addition to specialist DJs, including Matt Vaughan, Gonzo ‘The Mad’ Peruvian and Marcus King. Records will be spinning until 2am on weekend nights. Between dance floor sessions, you can rest your body while feeding your mind with free art. If inflatables float your boat, there’s the Australian premiere of Sacrilege — a bouncy, blow-up version of Stonehenge created by UK artist Jeremy Deller. (Yes, you can actually jump on it.) And if the Rubber Duck was one of your 2013 festival faves, find out how it’s fared after 12 months of absence by heading to Parramatta. While you’re there, pop into the Town Hall to see another Kaldor Public Art special — Project 28. It's a trio of works from Slovakian artist Roman Ondak, one of which is Swap — a highlight of 13 Rooms, held at Pier 2/3 in April last year. Humour, poetry and audience participation are promised. Meanwhile, Carriagewoks will play temporary home to French artist Christian Boltanski’s first major installation in Australia. Titled Chance, it’s a vast, complex work inviting viewers to ‘explore the idea that all human life is the result of chance’. For another monumental experience, which the Huffington Post has described as ‘a feat of impossible architecture’, weave your way through Darling Harbour to see Merchant’s Store, a ‘perspective-skewing’ interactive installation by Argentinian artist Leandro Erlich. Finally, if there is a ticketed event on the program that you’d trade your granny to see, you can try your luck at Tix for Next to Nix. Located in the Festival Village, it’s a last-minute ticket booth that will open daily between midday and 2.30pm, selling $25 tickets for all shows scheduled for the following 24 hours. To maximise your chances of nabbing a seat, we suggest you roll up as early as possible. Want more Sydney Festival events? Check out our top ten picks of the festival.
Whether you're after a tipple to balance out the onslaught of silly season boozing, or you're simply keen for a boost of gut health, kombucha is set to be a staple sip this summer. And you can learn how to master the art of crafting this fermented tea-based drink yourself, at a hands-on workshop, coming up at the Royal Botanic Garden. Hosted in The Calyx building on Saturday, January 19 the class is helmed by fermentation expert and founder of the Cultured Artisans Gillian Kozicki. She'll dive deep into the world of fermenting, showing students how to make and maintain their own tasty kombucha at home, even using produce and ingredients harvested from the surrounding gardens. As well as being guided through the ins and outs of kombucha crafting, you'll get to taste a variety of different blends for future inspiration and score your own SCOBI (the culture needed for brewing a batch of the drink) — all setting you well on your way to having an endless supply of homemade 'buch this summer. While you're at the RBG, check out the killer Plants with Bite exhibition, made up of more than 25,000 carnivorous plants.
If you're looking for a new swimming adventure by don't feel like searching for far-flung swimming holes, swing by the Ian Thorpe Aquatic Centre on Saturday, February 2. For one fun and floaty day, you'll be able to try every pool and a bunch of fitness classes without paying a cent. The 50-metre lap pool is not the only pool here — there's also a spa, a smaller leisure pool and another one for water-based fitness sessions and therapies. There's also a sauna and steam room, as well as a gym included in the $40 million centre's facilities. Plus, exercise classes — from aqua aerobics, yoga and pilates to boxing and cycling — take place daily. During open day, expect DJs, roaming musicians, giant inflatables, snacks and other shenanigans. If you're unfamiliar with the centre, take a tour. Maybe you'll want to make it your local place for laps.
Albert Hammond Jr., guitarist for The Strokes, is on the road again. But, this time, he's headlining in Australia as a solo act for the first time ever. On top of appearing at Mountain Sounds Festival on Saturday, February 20, he'll be passing through Adelaide, Brisbane, Sydney and Melbourne for his first ever headline tour. Hammond Jr.'s third solo album, Momentary Masters was released in July 2015 to critical acclaim. Five years had passed since his previous work, ¿Cómo Te Llama? and seven since his debut, Yours to Keep. Snap up tickets to his only Sydney show at the Oxford Arts Factory this Friday, February 19.
First it was breakfast for dinner, and now street food and sour beers are under the spotlight at Leichhardt small bar Golden Gully. The venue's monthly plant-based degustation dinner will return with a new focus on Tuesday, May 7. In the kitchen, Gully head chef Emma Evans will serve up Asian-inspired street eats. Think kimchi doughnuts with fermented chilli and lime sauce, mushroom bao topped with house-made pickled vegetables and creamy hoisin, and cauliflower satay skewers served with a coconut and coriander slaw. Meanwhile, beer reps from Batch and Yulli's Brews will be in the house, pouring two sour brews a piece and chatting with punters about them. Each ticket comes with six beer tokens, redeemable for a middy each. All of that food and booze is included in the $50 ticket price. To book, sittings are available from 7pm, head here — and remember, space is limited. Images: Trent van der Jagt.
Feel like you need to restock all the culture credits you lost while you were cooped up at home? Thankfully, the MCA's much-loved after-dark program, MCA Late, is returning, so you can get your culture fix on Friday evenings once again. And the best part? It's free. The MCA is staying open on Fridays till 9pm for evenings filled with incredible art, curated music, tasty drinks and more. You can stroll through the Museum's free exhibitions, enjoy a sunset drink at the MCA Cafe overlooking the sparkling harbour or nab a ticket to the Doug Aitken exhibition after hours. You can also catch the likes of Sydney hip hop artist and producer Bernie van Tiel, breakdancing crew ABA, Gagidal man and board member of the Metropolitan Local Aboriginal Lands Council Uncle Ray Davison, and a whole bunch more. There'll be pop-up performances from poets, musicians and artists throughout the weekly event, so make sure you keep an eye out as you make your way through the Museum. Across the first three Fridays in November, you can catch sets from local DJs Bocconcini and Jun Wan in the FBi Radio-backed music series Sounds on the Terrace. Want to get creative? Unleash your artistic potential in the Sundown Sketch Club. [caption id="attachment_831294" align="alignnone" width="1920"] Sundown Sketch Club, MCA Late, 2021, photographer: Jordan Munns.[/caption] Ready to filll up your culture cup? MCA Late takes place from 5–9pm every Friday till December 17. For more information, head to the MCA website. Top image: Maina Doe, MCA Late: Sounds on the Terrace presented in collaboration with FBi Radio, 2021, photographer: Jordan Munns
Conceived in Toowoomba, Bizoo is a zine that has served to inspire the youth of regional communities, invigorating a creative spirit that goes beyond the dreary townscape of churches, nursing homes and terrible nightclubs. After five years of steadfast commitment to supporting the little guy, Bizoo is calling it a day. As a final farewell, the creators are releasing a book titled Bizoo: the best, the worst and the trash that never made it. They're also hosting a series of national launch events and sweet skills workshops. The Sydney party will take place at the Rizzeria's pop-up space in The Rocks. Breaking the mould of stale book launches, there will be live music from acoustic performer Isaac Graham, an exhibition of past Bizoo covers, and a panel discussing the DIY ethics that have mobilised zines, festivals, music and other creative initiatives to voice the unspoken. Punters can also get a copy of the retrospective book for free. Commemorating a legendary zine that went up against the big street press, it traces the history of the publication and is crammed with stacks of music news, interviews, gig photography as well as plenty of art and design.
Man, these guys are slaying alternative rock in Australia right now — and for all the right reasons. After a bout of intense national touring with Groovin The Moo and an unforgettable One Night Stand set earlier this year, it's clear that Australian audiences can't seem to get enough of these four guys from Mansfield, Queensland. Violent Soho's latest album, Hungry Ghost, was welcomed with open arms last year by those looking to thrash around in damp mosh pits. With anthemic tracks such as 'Covered in Chrome', 'In the Aisle' and 'Saramona Said', this headliner gig is sure to be an epic evening of sweaty enthusiasm. Over a whopping 14-date national tour (plus Splendour), Violent Soho will be joined by brothers-in-arms The Smith Street Band and Luca Brasi for various shows — either way, it's going to be well worth rocking up for the support band ahead of the main event. Just don't wear precious threads and make sure you come to Manning Bar ready to burl out a gravelly singalong. https://youtube.com/watch?v=RN9NC4iQcsA
It's safe to say that 2020 has been a strange and surreal year. In fact, as we all know, that's quite the understatement. Prefer to get your weird and wonderful fix watching the big screen, rather than reading the news? That's perfectly acceptable — and that's what Monster Fest is all about. Returning to Event Cinemas George Street from Thursday, October 29–Sunday, November 8, this fest is all about out-there cinema. In 2020, it's even taking on an apocalyptic theme. That means that film fans can expect flicks about dystopian scenarios; however, it'll also be serving up a selection of the latest and greatest genre and horror movies in general. If you're only going to add two films to your must-see list, make them Possessor and Synchronic. The former is the latest vivid and engrossing sci-fi/horror mind-bender from Brandon Cronenberg, son of iconic filmmaker David Cronenberg, and it stars Andrea Riseborough (Mandy) and Christopher Abbott (Vox Lux) in a thriller about corporate espionage via mind control. As for the latter, it's the stellar new movie from The Endless duo Justin Benson and Aaron Moorehead, and features Anthony Mackie (Avengers: Endgame) and Jamie Dornan (Fifty Shades of Grey) as paramedics who keep being called out to cases involving a trippy, reality-shifting new drug. Also on the bill: documentary Leap of Faith: William Friedkin on The Exorcist, which features the legendary director talking about his big horror hit; Occupation: Rainfall, the world-premiering sequel to Australian sci-fi film Occupation; and new 4K restorations of retro favourites Total Recall and Event Horizon. The list goes on, and this year's fest comes with a difference: nothing in its program screens against each other, so you can head along to absolutely everything if you're super keen. https://www.youtube.com/watch?v=fl_kzTQvPVw
It's not often that you can take your date to the movies in Sydney without it costing you an arm and a leg — well that might be a slight exaggeration, but it's not far off. That's why we're giving away 20 double passes to a preview screening of what's anticipated to be one of the funniest films of the year: Brittany Runs a Marathon. Brittany's a party-goer, underachiever, lover of bad boys and... a potential marathon runner. Sound improbable? It is. But that's exactly the point of Brittany Runs a Marathon, an Amazon original comedy film that's coming out at the end of October. Her turning point comes when she asks a doctor for medication to manage ADHD, but, instead, she gets told to 'get healthy'. So begins her mission to run the New York City Marathon — one block at a time. Writer and director Paul Downs Colaizzo took inspiration for his debut flick from real-life best friend, Brittany O'Neill, played by Jillian Bell (22 Jump Street, Workaholics). The film also stars Michaela Watkins (Wanderlust, Transparent and SNL) and Lil Rel Howery (Get Out, Birdbox) alongside Utkarsh Ambudkar, Micah Stock, and Alice Lee. So, expect to laugh — a lot. Should you get your mitts on a double pass, you and your date/mate will be catching this hilarious film on the big screen at Dendy Opera Quays, on Tuesday, October 29 at 6.30pm. Who doesn't love a free night at the flicks? https://www.youtube.com/watch?v=NsHlvgTG1iI If you're keen to nab some free movie tickets — which you obviously are — enter you details below to be in the running. [competition]745456[/competition] Brittany Runs a Marathon will be showing in cinemas from Thursday, October 31 and on Amazon Prime Video from Friday, November 15.
Every now and again, a bunch of musicians meet and it's like they've played together in some other time or some other place. That's exactly how things felt for American folk singers Sara Watkins, Sarah Jarosz and Aoife O'Donovan, who performed as a trio for the first time in 2014. All were already established artists, with multiple Grammy Awards between them. Fast-forward four years and the trio is known all over the world as I'm With Her. In February 2018, debut album See You Around propelled a tour across Europe and the US, with its mix of contemporary folk, gospel and country-influenced tunes. Come April, the trio is gracing Byron Bay's Bluesfest with their ethereal harmonies. But if you can't manage a jaunt up north, their performances will be prefaced by a sideshow here in Sydney. You can catch them on Tuesday, April 16 at City Recital Hall. Tickets for I'm With Her start at $40 for under-30s and can be purchased here. Co-presented with Bluesfest Touring.
We've been preaching about it a lot, but Kensington Street continues to up its game — even after the main part of the renovation was completed last year. Gone are the run-down facades; blitzed with a bitta glam and restored to their former glory, they're now home to some of the hottest new eateries in Sydney, including Jason Atherton's Kensington Street Social, Automata, Silvereye and The Old Clare. The latest, however, is Bar Chinois, an Asian-French fusion bar housed in an old terrace that's jumped right to the top of our 'places to try' list. Chinois — which means Chinese in French — refers to the noir-esque Asian style adopted by Europeans in the 18th century. And while Chinese and French cuisine may seem like odd bedfellows, the folk at Bar Chinois have blended the best elements from both cultures: the bold flavours of Asian cuisine, cheese and a very French, very comprehensive drinks menu. Manning the kitchen is chef Nalinil Nonkham, who has created a mouth-watering menu with hero dishes like the sticky pork belly baguette and the croque monsieur with smoked ham, gruyere cheese, béchamel and cauliflower pickle. Also on the menu will be some salt cod croquettes with wasabi béarnaise, Tokyo crepes with enoki and shiitake mushroom, cream cheese and chive, and kimchi pomme frites topped with Gruyere cheese. And because it's not a genuinely French experience unless you're little buzzed, you'll be able to wash it all down with a chic teapot cocktail (try the Coco Chanel, a blend of coconut tequila, passionfruit, lime, apple and lemon sorbet) or breakfast bubbly (that's just regular champagne at breakfast, FYI). So allons-y, amis affames — let's see what this newbie got. Bar Chinois is located at 16 Kensington Street, Chippendale and is open noon till late Monday to Friday and 9am to 10pm on Sundays. For more info, visit their Facebook page.
Riverside Theatres is hosting two of the most powerful Aussie voices in music — L-FRESH The LION and BARKAA — as part of Great Southern Nights. Never failing to captivate crowds, L-FRESH will take the stage for what's sure to be a heart-filled display of the hip hop heroics he's known for. Drawing heavily on his Sikh and Punjabi roots, the creative force will go deep into his album South West (2020) and share how his experiences growing up in south west Sydney influenced the record. You'll also get to catch fellow western Sydney artist BARKAA take the stage, performing tracks from her debut EP Blak Matriarchy (2021). The proud Malyangapa-Barkindji woman will pour her love, admiration and respect of Blak women — as well as her advocacy for positive change for all First Nations peoples — into her performance at the Parramatta venue. Expect lyrical self-expression, hard-hitting vocals and charismatic energy from the all-in artist you need to see live. Keen to see these incredible artists perform in Parramatta? Catch L-FRESH The LION and BARKAA for one night only at Riverside Theatres on Friday, April 8. For more information, visit the website. Images: Luke Currie Richardson (BARKAA)
A summit for songs! Well, they deserve one, don’t they? What kind of dull viewing would our lives make without a soundtrack? What kind of shrunken, lifeless sod would love look like without a tune if, as declared by Shakespeare, music be its food? What is Christmas without jingle bells? What is heartbreak without Jeff Buckley? What is morning television without Lady Gaga? Wet dough, that’s what. The food of love must be baked, shared and celebrated, and this month it will be — at a three-day conference held in its honour. Song Summit is set to be one of Vivid festival's finest moments. It is a grand-scale meeting of music-minded revellers with a common agenda: to share, create, enjoy and explore Sydney’s dynamic landscape of sound. A playground for all sorts of industry folk including music creators, managers, publishers and technicians, Song Summit will provide the ultimate networking opportunity for anyone looking to learn from their peers and extend a few branches within the industry. For Song Summit delegates, the Music Market will be the central meeting ground — a hub of activity that grants access to fresh-out-of-the-oven music industry products and services. Punctuating the action-packed days will be Song Summit Live, a nightly lineup of music performances seasoned with some of the best raw talent. For three-day delegates, the performances are free; the rest of us can purchase tickets separately for each night. So if music be the food of your love, leave your iPod at home and head down to Darling Harbour for a banquet of sound.
Waking up daily and not really knowing 'how to live'? Yep, we're kicking off Friday with some sweet, sweet deep thinking. Often we don't have the answer to this ourselves, so we look to the advice of others to get the glorious tips. And who better than writers, authors, novelists, essayists, journalists, critics and experts to clue our meandering minds in? Taking the theme of 'how to live?' this year, Sydney Writers' Festival has announced its 2015 program lineup. This year, Sydney Writers' Festival has booked more than 400 Australian and 45 international writers to appear, chat and have a few drinks with us in the festival lounge from May 18 - 24. Kicking off the SWF with the opening address is The Reluctant Fundamentalist novelist and acclaimed essayist Mohsin Hamid, author of the book NPR can't stop talking about (H is for Hawk) Helen Macdonald (who'll give the closing address). British actor Alan Cumming is coming (couldn't help myself), who's released novels and opinion pieces over the years — most recently his candid autobiography Not My Father's Son. Fellow British actor David Walliams will be here, who's drummed up quite the Roald Dahlian children's book career after Little Britain. The world's biggest selling author for the last 13 years and inventor of Detective Alex Cross — yep, James Patterson will be here. Then there's crime writer Michael Connelly, journalist Nick Davies (who uncovered the hacking scandal), and the one you can blame for the term 'Generation X', Douglas Coupland. Local legend and 2014 Man Booker Prize winner, Richard Flanagan, is on the bill, along with Miles Franklin Award-winning writer Evie Wyld. Two former Prime Ministers, Julia Gillard and John Howard, and former Queensland Premier turned Sydneysider Anna Bligh are locked in. Podcaster Starlee Kine will be here, alongside happiness expert Paul Dolan and happiness advocate Leigh Ann Henion, war correspondents Christina Lamb and Åsne Seierstad, celebrity critic Daniel Mendelsohn. Medically assessing how to live will be doctors who write, Atul Gawande and Norman Doidge and mortician Caitlin Doughty. Novelists aplenty this year with renowned writers like Amy Bloom, Micheal Frayn, Ben Okri, David Mitchell, Anthony Horowitz, Emily St John Mandel, Jonathan Lethem, debut novelists Zia Haider Rahman and Mitchell S Jackson, and Australia’s bestselling authors Kate Grenville, David Malouf, Liane Moriarty, Graeme Simsion, Helen Garner, Robert Dessaix, Joan London, Steve Toltz, Sonya Hartnett, Nick Earls, Don Watson and Brooke Davis all leaving their pages for a second to come chat.
All the best things in the world are associated with the underground: Velvet, Dostoyevsky's Notes, truffles, London commuters and David Bowie's man fanny (as glorified in Labyrinth).Sadly, Sydney seemed without its own troglodyte cultural scene, what with our pretty harbour and Opera House sucking all the attention to the World Above the Dirt, and it's a safe assumption that a steady flow of metaphoric moles never came to our shores for fear of scorching their subterranean vision.Well, fear us no longer Underlings, because the Sydney Underground Film Festival returns for its third year, with reel upon reel of gnome-made shorts and features representing all the great genres of international film festivals: political thriller, odorama, animal porn, foreign language drama and retrospective documentary.For those unable to find accommodation during the festival, grab a cheap 4-day festival pass, and live in the Factory Theatre*, or make do with affordable day passes and session tickets. Whatever your budget, any festival that has had its official site removed by The Man is worthy of support!* You will probably be thrown out and left to die if you actually attempt this.Thanks to the Sydney Underground Film Festival we have 10 double passes to give away for WHITE LIGHTNIN’ (a “white-trash hillybilly nightmareâ€) on Sunday 13 September at 8:30pm. Just email your name, address and phone number to kath@suff.com.au with the word “WHITE†in the subject line.https://youtube.com/watch?v=7QvpBO-W5OM
If you love ordering falafel when you're out but haven't had the confidence to make it yourself, Above Par's CBD venue is offering some help during Good Food Month, all thanks to a falafel-making masterclass. Chef Efe Topuzlu will take you under his wing to teach you how to make the Clarence Street spot's sesame seed-topped falafel from scratch — and, afterwards, you'll sit down to enjoy a four-course Middle Eastern feast full of favourites from the Above Par menu. Following the class, you'll be treated to puffy bread with spiced olives and pickles for an entree. You'll then get the chance to dig into some falafel yourself, paired with babaganoush and lahmacun. The mains in your post-masterclass meal will feature chicken shish, lamb kofta and fattoush, before a pistachio baklava is served for dessert. The masterclass and subsequent meal will set you back $79 per person, with sessions from 6pm on three consecutive Fridays: January 14, 21 and 28.
When it comes to film and TV depictions of a certain European country shaped like a boot, as well as its island offshoot, one topic has proven unavoidable. That'd be the mafia, known as the Cosa Nostra in Sicily, and responsible for many a movie cliche about folks of Italian descent. And that's what filmmaker and comedian Pierfrancesco Diliberto, or Pif, wants to call to attention to. Leaping from his homeland's television screens to making his feature writing and directing debut, Pif plays Arturo, a life-long Palermo resident who can't escape the city's criminal underbelly. In fact, he owes his conception to a gunfight on his parents' wedding night, and the first word he ever uttered was mafia. Of course, growing up in the 1970s and 1980s when Toto Riina (Antonio Alveario) bombed, shot and otherwise disposed of his law-abiding enemies and similarly insidious rivals alike, Arturo's connection with gangland antics doesn't end there. As a boy (Alex Bisconti), mob activities constantly interfere with his obsession with his pretty classmate, Flora (Ginevra Antona). As an adult, trying to carve out a career on television while still chasing the girl of his dreams (Cristiana Capotondi), his efforts are shaped by continued violence and corruption. The film's title comes from the reassurance his father offers to soothe Arturo's childhood worries about increasing bloodshed and rising body counts; however, The Mafia Only Kills In Summer isn't as flippant as that line and the movie's romantic comedy leanings may indicate. Humour may be Pif's primary form of expression, but there's never any doubt that he's cultivating laughs from dramatic circumstances for a variety of reasons: as a coping mechanism, as recognition of the commonplace nature of crime at the time, to bring the mob bosses and those who aided their reign of terror down a few pegs, and as a way to subvert the usual Italian stereotypes. The task he sets himself, starring, helming and co-scripting as he does, is considerable — and sometimes, it does seem too much for one person to bear. What the warmly shot The Mafia Only Kills In Summer boasts in earnest intentions and intelligent satire, it sometimes lacks in its mix of tones and plots. Some sections charm, the coming-of-age focus of the first half for example. Others feel too easy, such as the eventual conclusion. And in an attempt to include as many instances of actual gang-caused carnage as possible, much is crammed in and skimmed over. Having ample ambition and being feverishly passionate about getting its many points across isn't a bad thing, though, and even when the film is a bit too clumsy or relies too heavily on convenience, the strength of its message shines through. Well, that, and the likeable lead's unlikely love letter to his real-life birthplace and his resilient compatriots. No, this isn't your usual Italian mafia movie.
Surry Hills' late-night haunt Goros is celebrating its reopening in true Japanese izakaya fashion: a week-long party and dumplings for pocket change . From Tuesday, July 14 until Saturday, July 18, the Surry Hills bar will be serving up $1 chicken, pork and vegetarian dumplings — yes, every day — alongside free karaoke, boozy bubble tea and live DJs on the weekend. If you're happy to splash out a little more, you can also try dishes off its new menu, which include the likes of yakitori, wagyu burgers, and chicken karaage. On the drinks side of things, there are sake bombs, canned shochu highballs and that aforementioned bubble tea cocktail. Called Ice T Bubble T, it's made using gin, sour yuzu, blackberry and blueberry popping pearls. With current COVID-19 restrictions, there are limits on capacity, so bookings are highly recommended for both the restaurant and one of the three (free) karaoke rooms. You can make a reservation over here. Goros is open from 5pm–midnight Tuesday–Thursday and 5pm–2am Friday–Saturday.
After launching Merivale at Home last month, offering 'almost-ready' meals from Mr Wong, Fred's and Bert's, Merivale is giving Sydneysiders what they really want: food that is piping hot and ready to eat straight away. So, you can now bite into a expertly folded dim sum, crispy porchetta and giant chicken pie as soon as you walk through the door. The Merivale restaurants offering the meals — wine, beer and cocktails — to-go are Mr Wong, The Paddington and its adjoining The Chicken Shop, and Coogee Pavilion and its in-house pizza joint Vinnie's. They join Bondi's Totti's, which launched its own ready-to-eat takeaway meals back in late March. You can either pick up the meals or have them dropped (gently) on your doorstep, with Merivale offering delivery to homes within a ten-kilometre radius of the restaurants. As the delivery service is operated entirely by Merivale employees, it's a win-win — you don't have to leave the couch and people are getting some work in these tough times. What exactly can you get to eat from these popular spots? Let us tell you. Mr Wong has platters of its famed dumplings, peking duck pancakes and typhoon shelter-style crab fried rice, while The Paddington is packing up containers of giant chicken pies, roast porchetta, rotisserie chickens and family meals. Coogee Pav has its usual selection of pizza, pasta, burgers, polenta chips, Nutella calzone and much more. For both pick up and delivery, preorders are available from 12pm every day. Delivery is from 5–9pm every night, plus from 12–3pm on weekends. The news comes with the NSW Government's relaxing of restrictions, too, so you can now have two people over for a dinner party — and you don't have to cook. Merivale's new takeaway menus are now available for pick up and delivery from Mr Wong, The Paddington, Coogee Pavilion and Totti's. To check out the menus and to preorder, head here. Home delivery will be available from Wednesday, May 6.
Fists fly in Polite Society. Feet as well. When the latter aren't suspended in mid-air attempting to execute stunning kung-fu stunts, they just might be busting out their best Bollywood dance moves. Words are screamed and shouted, often between sisters Ria (Priya Kansara, Bridgerton) and Lena Khan (Ritu Arya, The Umbrella Academy), who are thick as thieves until they suddenly aren't. Schoolyard fights rumble like they've spilled straight out an action movie, which budding stuntperson Ria dreams of being in. Showdowns with Lena's future mother-in-law Raheela Shah (Nimra Bucha, Ms Marvel) could've burst from a Quentin Tarantino film. Espionage missions are undertaken by high schoolers, as are heists at a spectacular Muslim wedding in a lavish London mansion. Lena scoffs down a whole roast chicken on a public footpath like it's the only thing she's ever eaten. Ria and Lena free themselves from their angst by letting loose in their living room to The Chemical Brothers' dance-floor filler 'Free Yourself'. And being a dutiful member of her community is the absolute worst fate that could await an ass-kicking British Pakistani teenage girl. In other words, a little bit of everything happens in Polite Society, the anarchic and eye-popping debut feature from We Are Lady Parts creator Nida Manzoor. That includes nods to Jackie Chan movies and The Matrix, plus Bond-style antics and Ennio Morricone-esque music drops. Add in riffs on Get Out, Crouching Tiger, Hidden Dragon-inspired wuxia, video-game flourishes, musical dance numbers, and nudges in Jane Austen and Crazy Rich Asians author Kevin Kwan's directions. Scott Pilgrim vs the World and Kill Bill leave imprints. When it examines intergenerational pressure, so do Everything Everywhere All At Once and Turning Red. Whatever this high-energy charmer throws at the screen, it always serves the narrative. It also showcases Manzoor's lively and bold filmmaking eye. But more importantly, Polite Society is the spin-kicking whirlwind it is because that's what it feels like to be a schoolgirl training in martial arts, yearning to pack a literal punch, desperate to become anything but what society demands and tired of being dictated to — and saddled with cultural expectations but determined to propel along one's own path in general, too. At school, Ria is told that she should go into medicine. Other than her best friends Clara (Seraphina Beh, Top Boy) and Alba (Ella Bruccoleri, Call the Midwife), her classmates mock her stunt-performer ambitions. Bully Kovacs (movie debutant Shona Babayemi) even gets brawling over them. Ria's parents Fatima and Rafe (We Are Lady Parts alumni Shobu Kapoor and Jeff Mirza) advocate for a more practical life goal, not just for her but for aspiring artist Lena. And yet, Ria is certain that she's going to make stunts her career, so much so that there's only two other things she believes in as passionately. She has zero doubts that Lena is meant to be a great painter, ignoring the fact that she's just dropped out of art school. Then, when a surprise invite to the Shahs' Eid soirée sees Lena start dating Raheela's doctor son Salim (Akshay Khanna, Chloe), the most lusted-after bachelor in their family's social circle, and get engaged amid plans to move to Singapore, Ria couldn't be more convinced that the whole situation is 100-percent shady. When We Are Lady Parts hit TV screens in 2021, it did so with a clear understanding of complicated sisterly relationships. Focused on all-female, all-Muslim punk rockers, the gem introduced the titular Lady Parts with quite the track: 'Ain't No One Gonna Honour Kill My Sister But Me'. In Polite Society, the film's central sibling feud gets physical — when Ria and Lena throw down in one frenetic fray, "Khan vs Khan" is emblazoned across the frame like this is Street Fighter — and, whether they're flinging limbs or hugging it out, their clash is complex. Battling sisters is a nice shorthand for one of writer/director Manzoor's key messages, stressing that there's no such thing as just one type of Muslim woman. Ria and Lena couldn't be closer before Salim's charisma splinters their bond, but even they don't know everything that each other is, wants, hopes for or fantasies about. There's no one straightforward description for Polite Society either, with its kaleidoscope of genres, bouncing between capers, coming-of-age journey, comic tone, sibling celebration and arranged-marriage satire — and its Bend It Like Beckham-influenced narrative, swapping soccer for stunts. As it bounds through Ria's world, as well as her fears about not realising her only dream and losing Lena to a conventional existence, it manages to sprinkle in horror and science fiction. Manzoor also pays loving tribute to Ria's passion not only by staging dazzling stunts, but by having her protagonist idolise real-life stunt professional Eunice Huthart. The British ex-Gladiators star sports a resume that boasts GoldenEye, The Fifth Element, Titanic, 28 Days Later, Children of Men, Maleficent, Justice League and Eternals, as well as Star Wars, Harry Potter, Fast and Furious, Terminator, Pirates of the Caribbean and Tomb Raider titles, and Polite Society finds room to wink at many of them. Ensuring that the style of a film so utterly suits its story isn't easy, and nor is having every aspect of a movie's look and feel epitomise the statement it's making — then also doing both in a way that makes it plain that no other approach could've done the flick justice. That's a feat that Manzoor smashes, and repeatedly, with equally dynamic help from cinematographer Ashley Connor (Night Sky), editor Robbie Morrison (Starstruck), inspired sound effects and a thumping global soundtrack. The camerawork has as much of a spring in its step as Ria, as does Polite Society's happily hectic pace, vibrant use of colour and everything that echoes from the cinema speakers. All movies should be acts of immersion, but rare are the films that so deeply plunge their audience into their lead character's head and heart with everything it can, let alone so committedly, creatively, convincingly and compellingly. Rare are the on-screen finds like Kansara, too, who is as expressive and exuberant as the picture she's in. Polite Society doesn't idealise Ria at any moment — a film so devoted to shattering stereotypes and destroying any possibility of Muslim women being seen as a monoculture was never going to avoid her impulsiveness and hot-headedness — instead giving Kansara ample room to have a helluva lot of fun in her fleshed-out main part. She's playful, enterprising and heartfelt while operating at a mile-a-minute speed. She isn't afraid to make big leaps and stay spirited from the get-go, and to both unpack and lean into Ria's main-character syndrome. She's also a winning blend of pluck and spark in a roundhouse kick of a joyously entertaining flick that makes every single jab and strike matter.
With the weather warming up, we've started thinking about long summer days lazing at the beach with mates — with a delicious drink in hand, of course. And this year, selecting your go-to summer seltzer just got a whole lot easier. Meet Sunny Eddy — Australia's first gin seltzer. Hailing from the northern beaches of Sydney, this refreshing new drink comes in three delicious flavours including a cool lime and cucumber; a crisp pink apple; and zesty blood orange and grapefruit. To celebrate a summer of balmy evenings kicking back with friends, we're giving away a summer's supply of this tasty tipple to a lucky CP reader. That means you could be getting three cases of Sunny Eddy (one of each flavour) delivered to your door once a month from November till February. You'll also score a Wandering Sol picnic rug and cooler bag so you can take your Sunny Eddy supplies on outdoor summer adventures with ease. That's a prize pack valued at over $1000 — on us. All you have to do is dob in an Eddy that you know and tell us why they're the epitome of sunshine. A sunny Eddy — get it? Probably a good call to share your summer haul with that little ray of sunshine too, right? Want to have your fridge stocked with Sunny Eddy all summer long? You can. To be in the running, tell us in 25 words or less about an awesome, sunny Eddy you know and what they do that brings sunshine to your life. For more information on Sunny Eddy, or to order your own supply, visit the website. [competition]826265[/competition]
It's time to get your freak on because the spooky season is officially in full swing. To celebrate, Hordern Pavilion is hosting a massive inclusive horror party, with multiple beloved Sydney venues transforming over the weekend as part of the festivities. Whether you're after a scare, a thrill or to hit the dance floor, this two-day bash is returning to cater to everything you'd imagine for a party-filled fright night. If you want to get the party started early, Oxford House will don a new look on Friday, October 27. The venue will be rebranded as HORRORHOUSE and will be pumping tunes and festive frights all night as an immersive "concept hotel" experience. Then, on Saturday, October 28, Halloween fiends can hit up Hordern Pavilion from 6pm for the main event. The stacked lineup features performances from famed drag stars including Brooke Lynn Hytes (Canada's Drag Race), plus Kween Kong and Hannah Conda (runner-ups on RuPaul's Drag Race Down Under). There will also be makeup stations where professional artists will transform patrons with creepy makeovers — and for those who want to be fully immersed in the spirit of Halloween, there's a nightmare-fuelled Scare Zone. What exactly awaits you in the zone is a mystery, but Horrorween promises you'll come away spooked. Those in attendance will also find spaces to dance the night away with a lineup of queer international DJ talent spinning tracks — including Ben Bakson, GSP and Caca Werneck, alongside a bunch of local DJs. Finally, an Oxford Street favourite and a popular Darling Habour spot are throwing a pair of after-parties. Starting at 11pm on Saturday, October 28, Universal is giving you the opportunity to party from the pitch-black night through to the witching hour and beyond with its club night Déjàvu, rebranded as Déjàboo. Or, you can opt to hit up waterfront favourite HOME, for its Morning Gory (a spin on its Morning Glory events). Head to the Horrorween Festival website to grab your tickets for this ghoulish celebration and for further details on the citywide festivities.
Since launching four years ago, Sydney Contemporary has really made itself a major part of Sydney's arts calendar. After a great event last year, the art fair and exhibition will return to Carriageworks this week with a lineup is so jam-packed that it's bursting at the finely-designed seams. The lineup is chock-full with performances, talks and parties (including one hosted by us) that celebrate both homegrown and international art. But the main drawcard is the exhibition at Carriageworks that this year features major installations by Jean Debuffet, Ash Keating, Ronnie van Hout and none other than Patricia Piccinini. She'll take over the Elston Room with The Field, which has been developed from its time at Brisbane's Gallery of Modern Art. Definitely worth a walk-through. Other notable installations include Abdul Abdullah's imposing tapestry portraits, a collection of modern clay figures by the Girringun Aboriginal Art Centre and Hossein Ghaemi's exploration of the psyche of cats. There's performance art, too, with Taipei-born Parisian artist River Lin cleansing people of their 'imperfections', vanishing art act Emily Parsons-Lord and sonic impulse explorer Michaela Davis. The whole thing kicks off with an opening bash tomorrow night, but we've got an early look at the exhibition. Take a peek and then head into Carriageworks to see it for yourself — the exhibition will be open from 12–5pm on Thursday, 12–8pm on Friday, and 11am–6pm on Saturday and Sunday. [caption id="attachment_688209" align="alignnone" width="1920"] Patricia Piccinini: The Field[/caption] [caption id="attachment_688205" align="alignnone" width="1920"] Abdul Abdullah: Call me by my name[/caption] [caption id="attachment_688206" align="alignnone" width="1920"] Girringun Aboriginal Art Centre[/caption] [caption id="attachment_688207" align="alignnone" width="1920"] Jean Debuffet: L'Incivil[/caption] [caption id="attachment_688203" align="alignnone" width="1920"] Hossein Ghaemi: Jumbuck Pishi[/caption] Sydney Contemporary runs from September 13–16 at Carriageworks. Tickets to the exhibition are $25 — visit the event website to buy them. Images: Jacquie Manning.
Sydney went a little wild late last year when Sydney City Council announced it was seeking tenders for mobile food traders. The tenders were received, the food judged, and the 10 trucks chosen. And then we waited. But wait no more; one of the first trucks off the rank is Eat Art Truck, manned by Stuart McGill and Brenton Balicki from Tetsuya's and Quay respectively. They will be vending their wares for the first time this Wednesday, May 23, at Queen's Square from 6pm (corner of Macquarie St and St James Rd). The truck will be sporting a changeable canvas of street art, with Phibs featuring as the first artist. Grab one of their pulled pork buns or some karaage prawns before heading over to the Art Gallery of NSW for more art at their Wednesday Art After Hours series.
A modern, local riff on the hawker market concept, District 8 is Cabra-Vale Diggers' 600-seat food precinct, promising your tastebuds a trip down the Mekong River, without the flight to Southeast Asia. Here, a diverse lineup of restaurants and food stations delivers authentic flavours from across Vietnam, Thailand, China, Laos, Cambodia and Myanmar. You can drop in for a classic Malaysian-style seafood laksa, carb-load on some Asian baked goods or dive into a mammoth 2.8-kilogram bowl of pho for $35. Yep, you'll definitely need your stretchy pants for this one. Only available once a year, for the eatery's annual Man vs Pho competition, it's made from 750 grams of noodles, 600 grams of beef, 1050 grams of stock, 360 grams of bean sprouts and 45 grams of Thai basil. You can share it between friends and fam, but if you're well practised in the art of devouring tasty Asian fare, you've also got the chance to win big. Between July 2 and August 28, conquer the super-sized bowl solo in less than 30 minutes and you'll score a $50 District 8 voucher and a t-shirt. If you're one of the ten fastest people to finish it, you'll also qualify for the grand final of the competition, which will be help on September 5. Here the main prize is a huge $3000 travel voucher. Best bring your appetite though — this mega bowl's the equivalent to three regular-sized phos, and last year's winner finished it in 5.35 minutes.
Sydney's two-week celebration of LGBTQIA+ pride is back. Whether you're planning one big blowout at the parade or keen to check out many of the goings about town, one thing's for certain — fun has descended on Sydney. To help you get into gear, we're giving you the chance to wine and dine with two of your mates, plus catch a dazzling night of drag — all on us. Should you be one of the three lucky winners, you'll cop front row seats for you and two friends to one of Broadway Sydney's Mardi Gras shows in the week leading up to the parade (February 24–29). Take your pick from a queer-themed bingo night dubbed Bingay Bingo on Tuesday, February 25; a series of show tunes-inspired skits on Wednesday, February 26; or a drag show of epic proportions on Thursday, February 27, starring Minnie Cooper, Hannah Conda and Decoda Secret and hosted by Tora Hymen. To top things off, we're throwing in a $200 voucher to spend on a pre-show feed and cheeky round of cocktails or bottle of bubbles at one of Broadway's restaurants, including Din Tai Fung, Grill'd, Mamak's Village, Zeus Street Greek, Burger Project and more. Or, you could skip the preamble and head straight to the gig, then splash the cash on a shopping spree later. See details below to enter. [competition]761176[/competition]
It's with a seemingly devil-may-care attitude that A Bigger Splash indulges in the dreams of many, as Tilda Swinton channels her rock star-like essence into actually playing one, and Ralph Fiennes writhes, dances, swims and just generally throws about all of his charms. With Matthias Schoenaerts and Dakota Johnson, they form a smouldering quartet holidaying on an island off of the coast of Italy, eating, drinking, partying and enjoying the kind of sun-drenched, picturesque vacation most can only fantasise about. Of course, situations that appear relaxed and people who come across as carefree rarely remain that way under scrutiny. In loosely remaking the 1969 Italian-French film La Piscine for his English-language debut, director Luca Guadagnino (I Am Love) teams with writer David Kajganich (True Story) to present a picture of ostensible bliss, then breaks down its many moving parts. Swinton's singing superstar Marianne Lane is recovering from a vocal injury that has left her speaking only in whispers, with her cameraman boyfriend Paul (Schoenaerts) keeping her company. Enter Fiennes' Harry Hawkes, Marianne's ex-producer, ex-lover and whirlwind of a friend who has shared in many of her personal and professional ups and downs. His arrival is unexpected, as is the fact that he has his newly discovered adult daughter Penelope (Johnson) in tow. The movie flirts with a dark, devious tone, teasing the desire-fuelled tension that simmers between the four characters, particularly in light of Marianne and Harry's shared past, as well as the obvious attraction Penelope quickly harbours towards Paul. Still, there's little that's surprising in A Bigger Splash. The best movies manage to present insights into human behaviour that feel inevitable, relatable and still revelatory, which the movie manages at times. Yet it's equally as fond of simply luxuriating in the company of its characters, and in their lush backdrop, as it is dissecting their relationships. With cinematographer Yorick Le Saux (Clouds of Sils Maria) ensuring every image looks like it could have been lifted from a postcard or glossy magazine spread, and the main cast as ablaze as the visuals, the feature's affection for both is understandable. The combination of Swinton and Fiennes proves mesmerizing — and while the always-enigmatic former is in her element in a largely non-verbal role, it is the latter that steals the show. If ever an actor could capture the all-round force-of-nature that is Harry, it's Fiennes. That Schoenaerts and Johnson seem somewhat subdued in his shadow is more a reflection of his prominence than of their individual performances. Accordingly, A Bigger Splash is a film filled with standout, cast-fuelled moments that dare you to try to peel your eyes away: Harry letting loose to the Rolling Stones' aptly titled 'Emotional Rescue', the glimpses of Marianne's past glories, and the glances shared between Penelope and Paul chief among them. It's also a feature in which the triumphs linger, overpowering the less effective aspects, though never quite erasing them. Given the importance of music to the four main players, the end result comes to resemble an album that can't find the right balance between its smash hits and its non-single tracks, but keeps you listening over and over again regardless.
So, Odd Future Wolf Gang Kill Them All. They're commonly known as 'Odd Future' or their acronym, which not only looks like some kind of ultra-new internet abbreviation but doubles as an onomatopoeic rendering of many people's reactions to their lyrics. They have a tumblr, where they release music and videos. People are freaking out about them. A loose affiliation of skaters, filmmakers and rappers they say number somewhere in the sixties, Odd Future's break into public consciousness has come about through viral spread of the music and videos they put up for free and a media frenzy that's seen everyone from Pitchfork and NME to The Village Voice and The Poetry Foundation and The New Yorker finding them irresistibly coverable. It's not a simple case of Next Big Thingness, though: odd Future are almost as likely to be called the beginning of the end. Their lyrics (Rap Genius provides a good repository of these with fan interpretations) are, um, not exactly not problematic: the rhymes of group founder Tyler the Creator (19) and the mysteriously absent Earl Sweatshirt (16 and theorised to be at a reform school in Samoa) and the rest of the Gang are remarkable for their disaffectedness. Not a verse goes by without some kind hypersexualised ultraviolence and/or aggression based on race or sexual orientation, but it doesn't seem to mean that much to them. This is cartoon stuff, like they're trying to see what images they can conjure, and they're not paying any attention to whether or not it's okay to say it — it's authenticity above all else. And whether or not it's fair (and it sure has helped them get big) Odd Future are being judged as a new generation, not on whether they're good creatively but if they're okay human beings. Image: Brook Bobbins, Village Voice
Hands up if you've ever stopped dead on a dance floor after one too many Jager bombs, and quietly pondered the hidden meaning in a badly remixed Britney Spears track and how such lyrical genius could be so grossly underrated. Not lately? Then allow yourself to be schooled in the profundity of pop by musical masters Frisky and Mannish. After pouncing onto the world stage from relative obscurity in 2008 with a mission to re-educate the world as to the plethora of possibilities hidden within such seemingly innocuous hits as Come On Eileen and Thriller the pair have performed to packed houses in New York, Berlin and Leicester Square Theatre in London. The comedy duo will be mashing up and re-working 50 years of pop with their twisted brand of contemporary cabaret at Sydney's Opera House from February. https://youtube.com/watch?v=JzLVAbInQjs
