In this age of seemingly endless streaming platforms — with newcomers vying for your eyeballs every week, or so it seems — there's never a shortage of things to watch. New movies hit the likes of Netflix, Stan, Amazon Prime Video, Disney+, Apple TV+ and DocPlay all the time, as well as the plethora of other online viewing services, all ready to be watched and enjoyed by your ravenous eyeballs. With such an ongoing onslaught of content fighting for everyone's attention, it's easy to miss the highlights. Or, to put a new film in your queue, then keep watching Tiger King and completely forget all about it. To help, we round up the best streaming highlights each and every month. But, in case you've missed any of our movie picks, we've also compiled a list of the standout flicks we've recommended over the past year that are still available for you to stream — and are well worth your attention — this very moment. https://www.youtube.com/watch?v=vTfJp2Ts9X8 UNCUT GEMS The best film of 2020, based on Australian release dates, might only screen on Netflix on our shores. That might seem a big call, but the anxiety-dripping, riveting Uncut Gems is a stone-cold masterpiece, complete with one of the greatest performances of Adam Sandler's career (alongside Punch-Drunk Love and The Meyerowitz Stories (New and Selected)). Far, far removed from his Netflix comedies of late, the actor is all hustle and bustle as Jewish American diamond-district jeweller Howard Ratner. A compulsive gambler who is deeply in debt, about to get divorced and being shaken down by a loan shark (Eric Bogosian) he's related to by marriage, he's always trying to lure in high-profile clientele. When he comes into possession of a rare black opal — the uncut gem of the title — basketballer Kevin Garnett becomes interested, sparking a wild chain of events. Writer/directors Josh and Benny Safdie last worked their gritty, vivid and relentlessly tense magic with the Robert Pattinson-starring Good Time to exhilarating and mesmerising effect, and this uncompromisingly chaotic thriller and all-round exceptional character study is even better. Uncut Gems is available to stream via Netflix. https://www.youtube.com/watch?v=ul5GFfMAvtg THE REPORT One of 2019's late highlights is based on a US Senate Intelligence Committee report on CIA torture. No, that's not a sentence that comes up very often. Directed by Contagion, Side Effects and The Laundromat screenwriter Scott Z. Burns, The Report recreates the experiences of real-life Senate staffer Daniel Jones, who, from 2009–2015, delved into the scandalous treatment of terrorist suspects by America's key intelligence agency. It mightn't sound riveting on the page, but as Jones dives deeper into a dark part of recent American history, weathers hefty opposition and dedicates himself to ascertaining the truth, The Report makes for gripping viewing. Adam Driver serves up his latest stellar performance as the committed investigator and, while the film belongs to its star and its subject matter, Annette Bening, Jon Hamm, Michael C. Hall and Corey Stoll also leave an imprint. The Report is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=J9YEKRJ4TA4 I LOST MY BODY Forget the latest version of The Addams Family — the best movie to feature a detached hand scrambling around on its own five fingers is French animation I Lost My Body. A deserved winner of the Critics' Week Grand Prize at last year's Cannes Film Festival, Jérémy Clapin's rich and textured picture adapts a novel by Amelie screenwriter Guillaume Laurant's and intertwines two narrative threads. Imbued with a bittersweet mood, the film charts the efforts of pizza delivery pizza Naofel (Hakim Faris) to earn the attention of young librarian Gabrielle (Victoire Du Bois), while also following the exploits of the aforementioned autonomous appendage as it roams around town. The imagery, including visuals framed from the hand's perspective, is sumptuous. The emotional journey, complete with thrills, spills and ample melancholy, finds the balance between whimsical and weighty. Poetic, ruminative and entertaining, this is the best animated movie of the year. I Lost My Body is available to stream via Netflix. https://www.youtube.com/watch?v=Td0oBCWO_I4 THE ART OF SELF-DEFENSE Talk about perfect casting. If you're going to make a movie about a meek, mild-mannered accountant who spends the bulk of his time alone, doesn't fit in with his frat boy co-workers and is struggling to cope with being violently attacked — and you're making a black comedy that firmly and sharply skewers toxic masculinity, too — then you want Jesse Eisenberg as your lead. Drawing upon experience in the likes of The Social Network and the Zombieland films, he's pitch-perfect as the aforementioned Casey, including when he seems to find solace in the teachings and classes of a local karate dojo. Also starring Imogen Poots (Eisenberg's co-star in Vivarium), and written and directed by filmmaker Riley Stearns (Faults), this smart blend of satire, statement and thrills never makes the obvious choice; however it does drum up plenty of laughs. The Art of Self-Defense is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=1JLUn2DFW4w EL CAMINO: A BREAKING BAD MOVIE Six years after he was last seen driving off into the night, Jesse Pinkman (Aaron Paul) finally made a comeback. That's how long it was for Breaking Bad fans; however, for the character, absolutely no time passed. Picking up where the show's grim finale left off, El Camino: A Breaking Bad Movie explores what comes next for Walter White (Bryan Cranston)'s former meth-cooking partner. The cops are on his trail, but Skinny Pete (Charles Barker) and Badger (Matt Jones) are on hand to help. As Jesse tries to find a way forward, plenty of flashbacks also flesh out and reshape his story. While El Camino might be superfluous — Jesse didn't really need this lap of honour, and viewers didn't really need such a definitive conclusion — it's still an immense pleasure to return to the Breaking Bad realm, especially with series creator Vince Gilligan at the helm. Of course, Better Call Saul has been letting audiences do that since 2015, but every BB aficionado has a soft spot for Jesse, his love of saying "yo", and his fondness for science and magnets. El Camino: A Breaking Bad Movie is available to stream via Netflix. https://www.youtube.com/watch?v=iHBcWHY9lN4 ALWAYS BE MY MAYBE It's a little unfair to say that Always Be My Maybe is worth watching for Keanu Reeves. He's not the film's star, with those honours going to writers and comedians Ali Wong and Randall Park; however, he's an unmissable force of nature not only playing the man who could thwart the movie's central romance, but also playing a heightened, exaggerated, ultra sensual version of himself. Yes, it's as glorious as it sounds. Always Be My Maybe is never as entertainingly chaotic when Reeves isn't around, but it's a charming, topical rom-com from start to finish, albeit one that hits familiar genre beats. A little charisma goes a long way, however, and Wong and Park (and Reeves, obviously) have it in spades in a movie that also marks the film directorial debut of Don't Trust the Bitch in Apartment 23's Nahnatchka Khan. Always Be My Maybe is available to stream via Netflix. https://www.youtube.com/watch?v=HMfyueM-ZBQ TOGO As moving a dog-focused movie as you're ever likely to see, Togo tells an extraordinary true tale. You might've already heard of Balto, the sled dog who came to fame for running 53 miles in a snow storm to help fetch diphtheria anti-toxin for a small Alaskan town back in 1925. That canine is clearly a hero — but another Siberian Husky named Togo actually led the pack that ran the bulk of the distance, covering a huge 260 miles over ice and snow. So, this heartfelt and action-packed movie tells the latter's story. Starring Willem Dafoe as his owner Leonhard Seppala, it's endearing from start to finish. In earnest mode, Dafoe is typically excellent, while the cute pooch acting is first-rate as well. And while director Ericson Core did a terrible job of 2015's needless Point Break remake, he does exactly what he needs to here. Togo is available to stream via Disney+. https://www.youtube.com/watch?v=q57D6kF5B1k THE PERFECTION With Get Out and now The Perfection, Allison Williams appears to have an on-screen type, playing ambitious women who'll do whatever it takes to get what they want, including getting their hands dirty. But this Netflix horror film doesn't just throw the Girls star into familiar territory and ask her to follow in her own footsteps, even if that's how it initially seems. Williams plays cello prodigy Charlotte Willmore, who, after her career is cut short, befriends her replacement Lizzie (Logan Browning) during a trip to China. Where the narrative twists and turns from there is best discovered by watching, but filmmaker Richard Shepard has made a feistily immersive genre piece with thrills, body horror and a timely statement. The Perfection is available to stream via Netflix. https://www.youtube.com/watch?v=n5Vm_Awe3bw MINDING THE GAP When Free Solo took out this year's Academy Award for Best Documentary, it was a thoroughly deserving winner, as anyone who's sweated through the true rock-climbing tale can attest. If the trophy had been handed to Minding the Gap instead, however, the Oscars wouldn't have made a mistake. Directed by Bing Liu and also featuring the filmmaker on-screen, this intimate doco steps into the lives of three Illinois residents as they cope with life's stresses, endeavour to find solace in skateboarding, and wrestle with society's expectations of them as young men. While every kickflip and ollie looks and feels equally raw and astonishing, the action footage has nothing on the film's real rollercoaster ride: the film's three subjects and their stories of domestic and substance abuse, living on the margins, and trying to navigate both economic and racial oppression. Minding the Gap is available to stream via DocPlay. https://www.youtube.com/watch?v=NEoJuTRZDjk EARTHQUAKE BIRD After exploring the life of writer Sidonie-Gabrielle Colette in last year's Keira Knightley-starring biopic Colette, British writer/director Wash Westmoreland jumps from late 19th- and early 20th-century France to Tokyo circa 1989. That's where Swedish expat Lucy Fly (Alicia Vikander) lives, works and starts to date Japanese photographer Teiji (Naoki Kobayashi). And, with the film framed through a police interrogation, that's where she also becomes a suspect in a missing persons case that could also be a murder. Based on Susanna Jones' 2001 novel of the same name, Earthquake Bird charts the fallout after American Lily Bridges (Riley Keough) arrives in town, befriends Lucy and then disappears — after getting close to Teiji. The film takes its time to solve its central mystery, but that patient approach comes packaged with sumptuous visuals, appropriately contrasting portrayals by its female stars (Vikander is icy and restrained, Keough is lively and vibrant), and a considerable command over its slow-burn thrills and tension. Earthquake Bird is available to stream via Netflix. https://www.youtube.com/watch?v=zDQm70Q9hKI GUAVA ISLAND Last year, when Coachella hit, Donald Glover delivered audiences everywhere a treat — whether you were at the Californian festival or not. The artist also known as Childish Gambino teamed up with his Atlanta director Hiro Murai, his screenwriter brother Stephen Glover, Black Panther's Letitia Wright, Game of Thrones' Nonso Anozie and, oh, none other than Rihanna, for a new film called Guava Island. Filled with Glover's music (naturally), it premiered at a specially built theatre at the fest to tie in with Glover's headlining set, and it's also available to stream via Amazon's streaming platform. The thoughtful and delightful film follows Deni Maroon (Glover), a Cuban musician trying to put on a festival on the titular island, all while battling his tyrannical employer. Guava Island is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=WT4bnfULz2s THE KING Since he came to widespread fame in Call Me By Your Name, Timothée Chalamet has become cinematic royalty. In The King, he embraces that status. Stepping into both historical and Shakespearean territory, he plays Hal, aka King Henry V, in a slow-building but astute drama based on the Bard's Henriad plays. Perfectly content never to take 15th-century England's top job, Hal nonetheless finds himself donning the crown — and, thanks to a war with France, following in his father's (Ben Mendelsohn) footsteps in more ways than one. Directed by Australian filmmaker David Michod and co-written with his Animal Kingdom star Joel Edgerton, The King plays up the internal and external conflict, tones down the language and, when it comes to political manoeuvring, finds much to muse on. Michod and cinematographer Adam Arkapaw particularly revel in the film's battle scenes, while, cast-wise, the sight of Chalamet facing off against a long-haired, French-accented, almost-comedic Robert Pattinson is the stuff that the internet's dreams are made of. Edgerton, Sean Harris (Mission: Impossible – Fallout ), Thomasin McKenzie (Leave No Trace) and Lily-Rose Depp all also make an impact. The King is available to stream via Netflix.
In the spirit of celebrating inspirational ladies — and because it was such a massive hit in Melbourne — the Emerging Writers' Festival are bringing their storytelling event Amazing Babes to Sydney for a one-night celebration of women who inspire, either in a wordy way, or in a general good-human-being kind of way. Amazing Babes was originally inspired by the Amazing Babes book — Eliza Sarlos' "picture book for kids and adults". It's a compilation of stories about the lives of impressive, intelligent, game-changing women, from Audre Lorde to Tavi Gevinson. The Sydney event will feature a swoon-worthy lineup of super cool and talented Australian writers. The list includes poet and Penguin Plays Rough storyteller, Pip Smith; founder of Canberra literary collective Scissors Paper Pen and author of this (pretty incredible) essay about menstruation, Rosanna Stevens; and novelist and founding member of SWEATSHOP collective, Tamar Chnorhokian. On the night, they'll all be reading about an equally swoon-worthy batch of babes they admire. Can I get a hell yeah for sisterhood and solidarity? This event is running as part of the Emerging Writers' Festival Roadshow. Read more about that over here.
For a while there, it seemed like every hip hop tour to Australia was doomed to fail. Poor ticket sales, high-profile artists that don't show up, lazy and greedy managers and a general lack of any business savvy whatsoever have conspired to kill off a handful of festivals and some major tours in just the last year or two. But in the midst of all that, Rap City has not only gone ahead, it has thrived. Since its inception in 2010 the single-stage mini-festival has brought out some of the all-time greats of the game, from Ghostface Killah and DOOM to The Beatnuts and Masta Ace. This time around, Rap City will be headlined by none other than Talib Kweli, one of the most thoughtful, socially aware and lyrically gifted MCs around. His 1998 collaboration album with Mos Def — Mos Def and Talib Kweli Are Black Star — remains a masterpiece of politically and socially conscious hip hop, but over 15 years and half-a-dozen albums Kweli has proved time and again that he is one of the most gifted lyricists of his generation. With a new album, Prisoner of Conscious, recently released featuring Miguel, Curren$y, Kendrick Lamar, Marsha Ambrosius and Busta Rhymes, Kweli is sure to be at his energetic, eloquent best. Joining Kweli will be Homeboy Sandman, the rapidly rising star signed to Stones Throw Records (home to the likes of DOOM, Peanut Butter Wolf, Madlib, Australia's own Jonti and the late, great J Dilla). His praises as a lyricist and intellect have been sung by XXL, The Source, NPR, Rolling Stone and everyone in between, but his beats have a groove so good you almost don't notice that Homeboy's lyrics challenge almost every thought you have ever had. And if that weren't enough, these twin lyrical titans are being joined by Trademark 'Da Skydiver', the next big thing from the Jet Life Crew label — home to the likes of Curren$y, Smoke DZA and Sir Michael Rocks (formerly of The Cool Kids). With a handful of rapturously received mixtapes under his belt, Trademark is currently putting his finishing touches on his highly anticipated album Flamingo Barnes 2, which is due on the eve of his Australian Rap City tour. If anyone ever told you hip hop was dead, make sure you drag them along to Rap City and shut them up. MELBOURNE – Thursday October 3 @ The Hi-Fi PERTH – Friday October 4 @ Villa BRISBANE – Saturday October 5th @ The Hi-Fi SYDNEY – Sunday (Long Weekend) October 6 @ The Hi-Fi Tickets go on sale on Monday, 12 August, via Moshtix and OZTIX.
Bummed you didn't get a Splendour ticket? Angry you bought dozens of Splendour tickets so you could scalp them, and now find yourself holding hundreds of dollars' worth of paper after organisers shut down the re-sale facility over the weekend? Decided not to go this year, thinking you could totally see all the bands you wanted to see when they did their sideshows? Well whoever you are, it's time to whip out those diaries and start making plans — we found the mother of all emails in our inboxes this morning, bursting with sideshow goodness. Listed below are all the details you need for nine bands — electronica wunderkind James Blake, old Splendour favourites Cold War Kids, so-hot-right-now sister act HAIM, MS MR (described to me as "Florence + the Machine, plus Lana Del Rey, with some Kavinsky thrown in"), the R&B-ish indie of Mancunians Everything Everything, Next Big Thing Jake Bugg, LA noise merchants FIDLAR, fast-rising Poms Palma Violets and kings of Florida chill Surfer Blood. And those are just nine of the eleventy-billion bands (we counted!) announced on the full Splendour lineup just a couple of weeks ago. More shows will be announced for the other bands as we get closer to the date. (Though sadly not for The National, Mumford & Sons or TV on the Radio, who are playing their only Australian shows at the festival.) Full ticketing information is on the Secret Sounds website. JAMES BLAKE Fri 26 July – Astor Theatre, Perth Tues 30 July – Sydney Opera House, Sydney Wed 31 July – Palais Theatre, Melbourne Fri 2 Aug – Town Hall, Auckland www.jamesblakemusic.com COLD WAR KIDS Monday 29 July – Metro Theatre, Sydney Tuesday 30 July – The HiFi, Melbourne Thursday 1 August – The Gov, Adelaide Friday 2 August – Capitol, Perth www.coldwarkids.com HAIM Wed 24 July – The Hi-Fi, Sydney Thu 25 July – The Hi-Fi, Melbourne www.HAIMtheband.com MS MR Fri 26 July – The Metro, Sydney Mon 29 July – The Hi-Fi, Melbourne www.msmrsounds.com EVERYTHING EVERYTHING Fri 26 July – The Corner, Melbourne Sat 27 July – The Metro, Sydney www.everything-everything.co.uk JAKE BUGG Thurs 25 July – Oxford Arts Factory, Sydney Sun 28 July – The Corner, Melbourne www.jakebugg.com FIDLAR Mon 29 July – The Corner, Melbourne Wed 31 July – Oxford Arts Factory, Sydney Fri 2 August – Spinoff Festival, Adelaide Sat 3 August – The Bakery, Perth www.fidlarmusic.com PALMA VIOLETS Mon 29 July – Northcote Social Club, Melbourne Tues 30 July – Oxford Arts Factory, Sydney www.palmaviolets.co.uk SURFER BLOOD Wed 24 July – The Corner, Melbourne Fri 26 July – Oxford Arts Factory, Sydney www.surferblood.com
If you were planning to start your hot girl summer by catching Megan Thee Stallion's first-ever live shows in Australia, Festival X comes bearing bad news: the American rapper is no longer heading Down Under. Mere days out from the event's first 2022 stop, organisers have announced that the performer is no longer on the bill, and that she won't be replaced. "Due to unforeseen circumstances, Megan Thee Stallion will not be able to travel to Australia to perform at Festival X," the Festival X team advised in a statement. "Whilst our goal is to present the best experience for fans, despite our best efforts, it will not be possible to find a replacement at such short notice. However, with over 30 artists making up this year's line-up — including Calvin Harris, Don Toliver, Boys Noize, Green Velvet, Nina Kraviz and so many more — we are looking forward to catching you on the dancefloor for Festival X and officially kicking off summer 2022!" View this post on Instagram A post shared by Festival X (@festivalxworld) The lineup change comes after a chaotic few years for Festival X, which debuted back in 2019 with Calvin Harris leading the bill, but hasn't been able to return since until now due to the pandemic. The Scottish DJ headlines the 2022 fest again, joined by Don Toliver. Festival X has five stops in its sights between Saturday, November 26–Sunday, December 4, all huge outdoor gigs — playing Flemington Racecourse in Melbourne, Metricon Stadium on the Gold Coast, Bonython Park in Adelaide, Sydney Showground and Perth's Claremont Showground. Anyone with ticketing concerns due to Megan Thee Stallion's cancellation is advised to submit a request to Moshtix customer service before 5pm on Friday, November 25. Tickets are still available for all five Festival X dates around the country — and you can check out the current lineup below: FESTIVAL X 2022 LINEUP: Calvin Harris Don Toliver Boys Noize Green Velvet John Summit Luude MaRLo Nina Kraviz Sub Focus (DJ set and ID) Tchami Wilkinson (DJ set) Anna Lunoe Babyface Mal Badrapper Blastoyz Choomba Cosmic Gate Franky Rizardo Haliene Key4050 featuring John O'Callaghan and Bryan Kearney Laura King Len Faki Nifra Nora En Pure Prospa Sunset Bros Taglo Tyson O'Brien FESTIVAL X 2022 DATES: Saturday, November 26 — Flemington Racecourse, Melbourne Sunday, November 27 — Metricon Stadium, Gold Coast Friday, December 2 — Bonython Park, Adelaide Saturday, December 3 — Sydney Showground, Sydney Sunday, December 4 — Claremont Showground, Perth Festival X 2022 tours the country from Saturday, November 26–Sunday, December 4. For more information or to buy tickets, head to the festival website.
Since arriving in Potts Point in 2013, Harajuku Gyoza has always kept things simple: gyoza and beer. Now, the Japanese eatery is opening a new eatery and craft brewery in Darling Harbour next week. Harajuku Gyoza Beer Stadium will throw open its doors on Friday, November 9. As the name suggests, it's a behemoth. The harbourside spot will feature 'stadium'-style stepped seating as well as booths, a mezzanine level and outdoor spots. Expect a Harajuku aesthetic with lots of the brand's signature red. It'll be the second 'stadium' in Australia — one opened on the Gold Coast in mid-2017. Beer is the feature here. On walking in, you'll notice four massive beer tanks behind the bar. Each 1200-litre vessel will hold one of six Japanese drops brewed on-site under the watchful eye of Yoyogi, a Japanese brewery that's been operating in Australia in 2015 and in Kyoto, Japan, for over a century. Joining them at the taps will be another six brews, bringing the total available at any one time to 12. Meanwhile, the menu will be the selfsame one that's been attracting ravenous hordes to Potts Point. Among the dishes are nine types of gyoza, fried chicken, chicken ramen and salmon sashimi poke. The venue's signature desserts will feature, too, including its raindrop cake and salted caramel and Nutella gyoza. The Beer Stadium will join a raft of other small breweries nearby, including the neighbouring All Hands Brewing and James Squire brewhouse at the Overseas Passenger Terminal. Harajuku Gyoza Beer Stadium will open at Darling Harbour next Friday, November 9.
When you spend 12 days hopping between Sydney's cinemas trying to watch as many movies as possible, you learn a few things. You learn that some films demand a second viewing, that Twilight stars keep making ace post-vampire-romance choices, and that there's a whole heap of people that are really rather fond of chickens. You also learn that simply watching tourists walk around can be both heartbreaking and revealing, that some Netflix flicks demand the big screen treatment, and that the Australian film industry should have a new multicultural hit on its hand. And, you realise that Sydney Film Festival is the best time of year for the city's movie lovers — but, you already knew that, didn't you? Our film critics Sarah Ward and Tom Clift discovered all of the above at this year's SFF, and, now they've emerged from their massive movie marathon, they've shared the results. Whittling down their huge viewing lists to these 12 standouts, here's what they loved, were surprised by and utterly embraced the strangeness of — that is, the best, weirdest and most unexpected films of the 2017 Sydney Film Festival. BEST: https://www.youtube.com/watch?v=iT9m2huUTgA ALI'S WEDDING If there's any justice, the delightful Ali's Wedding will be one of the breakout hits of 2017. Inspired by the disastrous arranged marriage of screenwriter and lead actor Osamah Sami, the film, which has been billed as Australia's first Muslim rom-com, follows a young man who must navigate the expectations of his religious community after falling in love with a woman other than his betrothed. Shot in and around Melbourne, the movie is at once a vital portrait of life in multicultural Australia, a deeply moving love story, and one of the funniest local productions of the past few years. It's in cinemas in August. Tell your friends. — Tom Clift https://www.youtube.com/watch?v=AVyGCxHZ_Ko GOOD TIME Folks, thank the film gods for Twilight. Do it. Without it, we wouldn't have two of today's most talented actors making such interesting — and excellent — projects. SFF 2016 might've been all about Kristen Stewart, but SFF 2014 guest Robert Pattinson jumps back into the festival's spotlight with Good Time. The fast-paced flick mightn't offer a good time for his character, a low-level crim running around New York trying to rustle up some cash to get his brother out of jail after a bank robbery, but it's a mighty good time for audiences. Directing duo Josh and Ben Safdie (the latter of which also stars as Pattinson's brother) ramp up the energy and tension, shoot with gritty vividness, and bring Jennifer Jason Leigh and Captain Phillips Oscar nominee Barkhad Abdi along for the ride. And then there's the pulsating score — trust us, Oneohtrix Point Never won the soundtrack award at this year's Cannes Film Festival for a damn good reason. — Sarah Ward https://www.youtube.com/watch?v=A95a94CVxlg THE BEGUILED With The Beguiled, Sofia Coppola won a directing gong at Cannes, making her the first woman in more than 50 years to do so. After viewing the film at this year's Sydney Film Festival, it's easy to understand why. An immaculately shot Southern gothic thriller, the movie takes place in an all-girls boarding school during the dying days of the American Civil War, where life is suddenly thrown into turmoil by the arrival of a wounded Yankee soldier. Seething with sexual tension, and surprisingly funny, The Beguiled also benefits from an absolutely stellar cast, with Nicole Kidman, Kirsten Dunst, Elle Fanning and Colin Farrell all operating at the top of their game. — TC https://www.youtube.com/watch?v=ui92Scs8Mns A GHOST STORY A Ghost Story is always going to be known as that film where Casey Affleck stands around underneath a sheet. And, that description is apt. Reuniting this year's Manchester by the Sea best actor Oscar winner with his Ain't Them Bodies Saints co-star Rooney Mara and writer/director David Lowery (also of Pete's Dragon), he does just that after his character is killed — but, if you didn't think it'd make for one of the best movies of the year so far, think again. Moody and minimalistic (as a costume anyone could make gives away), the film breathes new (after)life into the idea of haunted houses in a thoughtful and emotion-filled manner. As Affleck's ghost lurks, the movie offers up an astute understanding of how mourning and memories linger over time, and remain forever intertwined with certain places. — SW https://www.youtube.com/watch?v=SgDhpy9Z-NM A FANTASTIC WOMAN A Fantastic Woman? Yes, this sensitive drama places one front and centre. A fantastic film? You bet. After using a compassionate gaze to explore the world of an older lady trying to find happiness in Gloria, Chilean filmmaker Sebastián Lelio turns his attention to Marina (Daniela Vega), a waitress and singer whose life is thrown into disarray when tragedy strikes. The family of her much older lover is horrified, judging her transgender status rather than daring to let her into their lives — or let her mourn. The movie doesn't make the same mistake, in an effort that proves empathetic and engaging from start to finish, complete with an exceptional lead performance and one perfect song cue. — SW CALL ME BY YOUR NAME We were mighty excited about Call Me By Your Name when it screened at Sundance, we loved it at the Berlinale, and we still love it now. Oh boy, does Luca Guadagnino's (A Bigger Splash) latest and best feature to date more than deliver. Let us put it this way: when you're watching a 17-year-old become infatuated with his father's handsome research assistant, played by Armie Hammer, you're feeling every single emotion he's feeling. And, you're falling head over heels for everything about this masterpiece as well. Call Me By Your Name is the kind of effort that couldn't be more seductive, from the sumptuous sights of its scenic Italian setting to the summertime heat — and sizzling sentiments to match — that radiate from the screen. Keep an eye on Timothée Chalamet, too, who plays the teenager in question. If this movie is any guide, he should become one of cinema's next big things. — SW WEIRDEST https://www.youtube.com/watch?v=ojoVppEADyU OKJA Very few filmmakers would even conceive of a movie as unusual as Okja. And perhaps only South Korea's Bong Joon-ho, who previously helmed Snowpiercer, would be able to pull it off. A Netflix production about a precocious little girl who must save her hippopotamus-sized 'super pig' from a nefarious multinational, the film is a scathing corporate satire wrapped up in a rollicking adventure — and despite outward appearances, it is definitely not suitable for children. Tilda Swinton, Paul Dano and Jake Gyllenhaal lead an impressive English-speaking cast, but the real star is South Korean newcomer Ahn Seo-hyeon, as well as the flawless special effects that bring her enormous friend to life. As strangely wonderful as it is wonderfully strange, Okja is well worth your attention when it hits Netflix at the end of June. — TC https://www.youtube.com/watch?v=nw3fHdL_D68 THE SQUARE Sometimes, films prove odd purely due to the way they approach their topic. Sometimes, it's the little things — having Elisabeth Moss' character share her apartment with a chimpanzee — for example. This year's Cannes Film Festival Palme d'Or winner, The Square does both, as well as litter its frames with performance art that's both intentionally staged and organically shows how the boundaries between life and theatricality can all-too-easily blur. At face value, it's a satire of the creative world, but everything about the society surrounding contemporary art galleries comes under the microscope in what proves a dense and disarming effort. Director Ruben Östlund last made audiences squirm with relationship drama Force Majeure, and he's up to his brilliant tricks again here, as aided by a standout lead performance by Danish actor Claes Bang. — SW https://www.youtube.com/watch?v=wjA7irNL-no CHICKEN PEOPLE Who would have guessed that one of the year's most emotional movies would be set in the high stakes world of competitive chicken rearing? Directed by Nicole Lucas Haimes, Chicken People chronicles a year in the life of three diehard chicken breeders as they prepare their best birds for the prestigious Ohio National Poultry Show. Like the best documentaries about obsessive individuals, the film is funny without ever making fun of its subjects. By the time the end credits roll, you'll be a chicken person too. — TC MOST UNEXPECTED https://www.youtube.com/watch?v=TSv99sd_A5o AUSTERLITZ On paper, Austerlitz sounds oh-so-simple. Filmmaker Sergei Loznitsa places his camera at certain spots throughout two former German concentration camps, lets it roll, and records tourists as they walk through the sites. He doesn't offer move his frame to follow or zoom in on anyone, provide explanatory voiceover or intertitles, or direct the audience's attention in any way. That means you're forced to peer and probe, and to see and scrutinise, as these visitors wander through places known for such horrific atrocities while wearing "Cool Story Bro" shirts and staring at their mobile phones. Prepare to draw plenty of conclusions about and insights into human nature from their ordinary exploits, including many that you won't expect. — SW BETTER WATCH OUT Picket fences, a blonde babysitter and a psychotic killer: on paper Better Watch Out sounds like the most stereotypical slasher movie imaginable. And for most of its first act, it is. But just when you think you've seen it all before, the film pivots wildly and suddenly all bets are off. Mixing genuine scares with knowing black humour — not to mention some pretty spot on commentary about how young men and boys are conditioned to think about women — this US-Australia co-production from writer-director Chris Peckover is one of the best meta horror films we've seen in quite some time. — TC https://www.youtube.com/watch?v=w0xDZy8ejTk BRIGSBY BEAR There's a reason that Brigsby Bear made SFF's top five audience favourites this year — and it's not just because, having voted Ali's Wedding and Call Me By Your Name into the top two spots, festival attendees clearly have great taste. Rarely has a movie been so endearingly earnest without ever overplaying its hand, or devolving into triteness or schmaltz, particularly one that toys around with such a been-there, seen-that, still-living-it topic as pop culture obsession. Following a grown man still attached to his favourite TV show for reasons best discovered by watching, the film from Saturday Night Live writer/director Dave McCary and performer Kyle Mooney will make you want to give it the biggest hug possible. Mark Hamill, Claire Danes, Greg Kinnear and Andy Samberg also pop up, but Mooney and his furry best friend well and truly steal the show. — SW By Sarah Ward and Tom Clift.
Coffee is a complicated game. You need to source the right beans, grind them correctly, filter them for the specified time, perhaps froth the milk to that just-right temp and you need some pure-ass water. That's because coffee is 98 percent H2O, so some average water will mean your coffee will taste average — which is a damn shame if you've shelled out for some luxe Panama Geisha beans. Specialty coffee cafes are all over this and filter their water extensively, but baby home baristas aren't so diligent. So, to ensure they don't waste those beans on sub-par water, some genius has created a type of purified water specifically for making coffee. It's called Aquiem, and it's labelled its product as 'enhanced water'. While that sounds like total wank, it's essentially water that's been distilled to take all the extra stuff out of it. Then, a blend of good minerals that are supposedly meant to enhance the flavour of coffee are added back in. Then they're packaged and sold for a couple of dollars a pop. "What you definitely do not want is to have things like zinc and lead, fluoride, chlorine and large amounts of calcium in the water. All of that effects the taste of the coffee," co-founder Rob Vidacovich told Daily Coffee News. "What does have a favourable effect on coffee are things like magnesium, potassium, and a certain right blend of calcium." The whole idea is to allow non-pro baristas to make the most of their beans and drink a damn good cup of coffee every time. The Louisiana-based company has been working on the product for six years, but officially launched at the start of this year. Aquiem is currently sold in retailers in the state, but can be ordered online. Via Daily Coffee News.
Reign is ringing in World Chardonnay Day with a spectacular Chardy Party on Friday, May 24. The evening event will see 15 esteemed wine producers set up a tasting trail at the venue, along with an oyster station, lavish grazing tables, engaging masterclasses and live music. It doesn't stop there — all Trippas White Group venues will offer Chardonnay flights and a tempting 49 percent discount on select bottles throughout the week leading up to World Chardonnay Day on Thursday, May 23. Led by Trippas White Group sommeliers Louella Mathews and Luigi Celiento, the Chardy Party will feature renowned producers like Handpicked Wines and House of Arras. Guests will be able to engage with winery representatives, sample an array of wines and feast on freshly shucked Sydney Rock Oysters courtesy of East 33 at the oyster and Chablis station. Tickets for this exclusive soirée start at $89. VIP tickets are priced at $109, which comes with a masterclass with House of Arras, a tasting of Handpicked's acclaimed 2022 Wombat Creek Yarra Valley Chardonnay and a Plumm sensory experience.
Your summer harbourside dining adventures have just jumped up a notch. Pier One Sydney has officially announced that The Gantry Restaurant and Bar will open in mid-December. And, by way of appetiser, they've released a handful of images, allowing you to take a sneaky peek before the real thing swings into action. Holding fast to The Rocks' heritage charm, The Gantry simultaneously takes on a modern vibe. Think plenty of wood, including polished floorboards; mellow blues and off-whites; and floor-to-ceiling glass windows, maximising water views. The design references Pier One's original structures, which played an important role in connecting North Sydney with the CBD, way back before the Sydney Harbour Bridge existed. "The Gantry will be an incomparable indoor and outdoor restaurant and bar," says owner Robert Magid. "It will blend contemporary design with the noble features of its past. As the signature restaurant of Australia’s inaugural Autograph Collection hotel, we look forward to offering guests an unsurpassed dining and drinking experience combined with the finest views Sydney has to offer." It should be noted, too, that The Gantry is in a brilliant spot for arts lovers, with the Sydney Theatre Company, Bangarra Dance Theatre and Sydney Dance Company just a few hundred metres away. As far as the menu goes, you can expect fresh, seasonal produce, delivered with a rustic touch and an interactive element. You'll be able watch much of the cooking up close, with a chef's table to be located in the dining room, and the main kitchen to be of the large, open variety. Plus, if you're ordering seafood, you’ll be invited to choose your own dinner at a dedicated bar. The Gantry Restaurant and Bar will open at Pier One in mid-December. Image credit: Jarrad Seng.
Everybody on deck at Sydney's most glamorous floating venue for a New Year's extravaganza. After finally opening to the public after months of delays, Seadeck is gearing up for a big year next year – and what better way to start the next 365 days on the right foot than with the mother of all blowouts on Sydney Harbour? Sydney's hyped-up party ship is throwing their very first public NYE event. For a cool $595, ticketholders can enjoy astounding views of the New Year's fireworks while kicking back and enjoying the various amenities on board. With multiple decks, palm trees and cast iron fittings, it doesn't get much swankier than this – and that's to say nothing of the booze and roaming canapés. Live entertainment on the night (and into the early hours of 2017) will come courtesy of Kaz James, Kate Elsworth, Marc Jarvin and Jungle Snake.
Contemporary artist Justene Williams is known for her ambitious pieces — her 2014 work, Santa Was a Psychopomp, involved constructing a giant snow dome from a range of materials — but the new work, She Conjured the Clouds, might be her most daring project yet. The world premiere work, taking place at Campbelltown Art Centre, is part of Sydney Festival and each 40-minute session is part live-performance, part installation. As you watch, you'll follow two children on an adventure to meet swamp creatures and ghost bats in a tactile world where you can eat parts of the scenery. Williams brings to life a series of characters that communicate through sonic costumes, from a gang of native motorbike frogs to a ball of fairy floss. She's not the only person to perform. Yellow Wiggle Emma Watkins, who has extraordinary skills in AUSLAN, is the work's choreographer and one of the team of performers, which includes Deaf dancer Elvin Lam. She Conjured the Clouds has been designed for audiences of all ages and abilities, including those in the Deaf and hard of hearing communities. The work also features video animation, recorded and live music, costumes, dance, aerial performance, sculptural objects and the smell and taste of popcorn. Plus, there will be an audio description performance, a tactile tour and a relaxed performance, all on Friday, January 17. Images: Rafaela Pandolfini; Justene Williams, She Conjured the Clouds, 2020.
After the disrupted and predominantly domestic-only ski seasons in 2020 and 2021, thrill-seekers from both sides of the ditch could be hitting New Zealand's pristine slopes from as early as June. That means it's less than 70 days until some of our major fields, including Coronet Peak and The Remarkables in Queenstown and Canterbury's Mount Hutt, are up and running for winter. If you're making the trip across the ditch, you're in luck: there's plenty set for this season, including new trails and night-skiing events. Mount Hutt is set to be the first to open from Friday, June 10 until Sunday, October 16. It will be open seven days a week, with capacity on the mountain having increased thanks to the last year's recently opened Nor'west Express eight-seat chairlift. With a ride time of only two minutes, the lift has the capacity to carry up to 3000 skiers per hour. It also features a loading carpet to assist those who are new to using chairlifts. The field's full moon skiing event will also return on Saturday, June 11. [caption id="attachment_849337" align="alignnone" width="1920"] NZSki[/caption] Coronet Peak will be open from Friday, June 17 right through until Sunday, September 25. The ski field plans to operate its popular after-hours night skiing nights every Wednesday and Friday from June 22 onwards. The 48th dog derby is also on the cards. Fellow Queenstown favourite The Remarkables will be open every day of the week from Saturday, June 18 through to Sunday, October 16. The mountain's Sugar Bowl development includes two recently opened trails and a new snowmaking system, which means better snow coverage on the Serpentine side of the mountain. [caption id="attachment_849335" align="alignnone" width="1920"] NZSki[/caption] Cardrona Alpine Resort's Olympic-sized superpipe will be open from Saturday, June 11 until Sunday, October 16. The ski field also added another chairlift to its network last year, which opened up a new major section of skiable terrain on the southern face. Sibling ski field Treble Cone is scheduled to open from Saturday, June 25 until Sunday, September 25, and for cross-country skiers and snow-shoers, Cardrona's Snow Farm is intending to open for the 2022 winter from mid-June — dates are yet to be confirmed. The largest ski area in the nation, Mt Ruapehu, is preparing to open its Happy Valley (Thursday, June 23), Turoa (Saturday, July 9) and Whakapapa (Friday, July 8) fields, too, which will give skiers and snowboarders access to the mountain's natural pipes, steep chutes and a vertical drop of 722 metres. The alpine village says the opening will be subject to snow conditions. With the borders set to open, quarantine-free, to Australian tourists from Tuesday, April 12, this ski season will definitely see a rise in visitor numbers across all the country's fields. Tourists will be required to test negative for COVID-19 with a PCR or RAT before leaving for New Zealand, then provide negative tests on day one and day five of their stay. If you need a refresher on the rules, check out the Government's COVID-19 website. All ski field 2022 season plans are dependent on snow conditions, as well as COVID-19 guidelines and expectations set out by the New Zealand Government. Images: NZSki.
Were you planning on spending the long weekend wrapped in a blanket cocoon with a season of Keeping Up with the Kardashians and a packet of Malteser mini eggs? Well, even if you weren't, here's a good enough reason to do just that: an all-reality TV streaming service is launching in Australia on Tuesday, March 22. hayu is the latest subscription video on-demand service to launch in Australia, and it's essentially Netflix but purely for reality TV. The service is part of NBCUniversal International, and will pull from their massive back catalogue of content to offer full 'box sets' of over 3000 episodes of shows like the Kardashians, Real Housewives and Made in Chelsea. Most new episodes will be available on the same day as their US release, and the platform will allow you to share snippets (i.e. Kardashian quotes) directly to your Facebook, Instagram or Twitter. It's either your worst nightmare or a vision of heaven you never thought would be socially realised. "We're excited to be unveiling March 22 as the launch date for hayu in Australia," said NBCUniversal's Jay McNamara, EVP Strategy Development and Analysis. "Curated by reality experts for reality fans, hayu is fully integrated with news feeds and social media and, uniquely, its next-generation functionality will enable Australian fans to share some of the content they love." Binge watchers of reality TV will be ecstatic (if not just secretly) over this news. As for all the haters.. hayu will launch on Tuesday, March 22. You'll be able to get a 30-day free trial, with the subscription costing $5.99 per month thereafter. For more info, visit hayu.com.
Muogamarra Nature Reserve, a hidden oasis of native wildflowers located near Cowan, is closed to the public for most of the year in order to protect its fragile ecosystem and its First Nations cultural heritage. But every now and then, it opens for everyone to enjoy for a limited time. That time is about to arrive for 2024, with the reserve welcoming guests for six weeks from Saturday, August 17–Sunday, September 22. The reserve is a thing of beauty, playing home to more than 900 species of native wildflowers that fill the area with a sea of vibrant colours when they bloom. Waratahs, angophoras, old-man banksias, pink boronias and native orchids — they're all here among the site's expansive bushlands and rainforests. [caption id="attachment_962237" align="alignnone" width="1920"] J Spencer[/caption] You can also catch a glimpse of First Nations rock engravings, and take in expansive views of Hawkesbury River, Berowra Creek, Bar Island, Milson Island and Spectacle Island. If this all sounds right up your alley, you've got a couple of options when planning a trip to Muogamarra Nature Reserve. You can book one of four different guided tours led by experienced NSW National Parks and Wildlife Service (NPWS) volunteers, who will take you through the reserve, teaching you about the floral wonders surrounding you. [caption id="attachment_962239" align="alignnone" width="1920"] Pan Goldie[/caption] The tours each cover different sections of the park, and range from three to ten kilometres of walking. Or, if you want to tackle the reserve by yourself, you can also reserve a time slot for a self-guided tour. Slots for both are limited, so the NPWS is encouraging anyone keen to explore the wildflower haven to get in quick. Each of the four guided tours and the self-guided tours are available to book at different dates and times. Head to the NSW National Parks website to see the selected dates and to make a booking. [caption id="attachment_962236" align="alignnone" width="1920"] J Spencer[/caption] Muogamarra Nature Reserve is located three kilometres north of Cowan Station, on the western side of the Pacific Highway. It will reopen to the public for 2024 across selected dates between Saturday, August 17–Sunday, September 22. Head to the NSW National Parks and Wildlife Service website for more details. Top image: J Spencer.
It falls to us all at one time or another, to bust a better than average move, usually in relative privacy, and then to wonder at the injustice of a universe that neither recognises nor subsidises our rhythmic genius. This March, as host of the 2018 Keir Choreographic Award and Public Program, Carriageworks will be offering kitchen-dancers a chance to up their game, as well as showcasing the work of choreographers who are at the forefront of contemporary physical performance in Australia. From 15–17, four of Australia's best choreographers will be vying for the Keir Choreographic Award, a $30,000 prize recognising innovation and experimentation in movement-based art. There are currently eight artists in the running, all heavy hitters, half of whom will be culled during a semi-final in Melbourne — Amrita Hepi, Melanie Lane, Bhenji Ra, Nana Bilus, Luke George, Lillian Steiner, Prue Lang and Branch Nebula. The chosen four will present their 20-minute performances at Carriageworks over three nights, before the prize is announced by the jury. For a week or so either side of the competition, the Keir Public Program will offer a series of discussions, workshops and seminars to help emerging artists and enthusiastic movers reconceptualise their approach to physical performance and expression. A number of international artists will be in this mix, with US choreographer and improviser Ishmael Houston-Jones running a workshop entitled Black Dance, and Hungarian choreographer and performer Eszter Salamon leading a choreographic lab at Critical Path, a centre for dance development. None of this is to suggest your weekend dabbing sessions need to change in the slightest. But for those of you who harbour dreams of performing for a non-cat audience, this is a great opportunity to expand your repertoire and see the pros in full flight.
So you've got your hot little hands on the Sydney Festival 2020 program and you're experiencing a whirlwind of emotions, from do-I-need-sleep-in-January? to #overwhelmed. There's so much good stuff to choose from — including more than 70 new and diverse events — so where do you start? What you need is a friendly hand on your shoulder to point you in the direction of this year's festival highlights. Good news, we've done the hard yards to bring you a list of the 11 events you should circle with a highlighter and spend your hard-earned cash on to ensure you don't experience festival FOMO come January 8–26.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from August's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW PREY No stranger to voicing iconic lines, Arnold Schwarzenegger uttered one of his best-known phrases yet 35 years ago, in a franchise that's still going today. "If it bleeds, we can kill it" has been quoted frequently ever since — even by champion AFL coaches — and it's no spoiler to mention that it pops up again in the latest Predator film Prey. Trotting out that piece of dialogue won't surprise anyone, but this fine-tuned action-thriller should. It's one of the saga's best entries, serving up a lean, taut and thoughtful kill-or-be-killed battle set in the Comanche Nation 300 years ago. The Predator series hasn't been big on highlights over the years — Predator 2 is forgettable to put it nicely, 2010's Predators is effective, 2018's The Predator favoured its throwback vibes above all else, and the two terrible Alien vs Predator cross-over films are best left forgotten — however Prey not only breathes new life into it, but paves a welcome path for more. (Bring on a Prey sequel ASAP.) The overall premise remains the same, with the franchise's ruthless, brutal and technologically advanced alien species using earth as its hunting ground as the series has already established — and showing zero concern about leaving a body count. Trained healer Naru (Amber Midthunder, The Ice Road) is the first to notice that something is awry this time, spotting the predator's spaceship in the sky and taking it as a sign to follow her dream to become a hunter herself. Alas, that isn't the done thing. In fact, she's spent her entire life being told that she can't be like her brother Taabe (first-timer Dakota Beavers), and should focus on her assigned role instead. Now, even with an extra-terrestrial foe wreaking havoc, she's still dismissed at every turn. Midthunder plays Naru as a fierce, determined, persistent and resourceful force to be reckoned with, while writer/director Dan Trachtenberg — co-scripting with Jack Ryan's Patrick Aison — gives all things Predator the taut focus, canny shift and fresh feel he also gave the Cloverfield saga with 10 Cloverfield Lane. Prey streams via Disney+. THE BEAR First, an important piece of advice: eating either before or while watching The Bear is highly recommended, and near close to essential. Now, two more crucial slices of wisdom: prepare to feel stressed throughout every second of this riveting, always-tense, and exceptionally written and acted culinary series, and also to want to tuck into The Original Beef of Chicagoland's famous sandwiches immediately. The eatery is purely fictional, but its signature dish looks phenomenal. Most of what's cooked up in Carmen 'Carmy' Berzatto's (Jeremy Allen White, Shameless) kitchen does. But he has taken over the family business following his brother's suicide, arriving back home after wowing the world in fine dining's top restaurants, and nothing is easy. Well, coveting The Bear's edible wares is across the show's eight-episode first season — but making them, keeping the shop afloat, coping with grief and ensuring that the diner's staff work harmoniously is a pressure cooker of chaos. That anxious mood is inescapable from the outset; the best way to start any meal is just to bite right in, and The Bear's creator Christopher Storer (who also directs five episodes, and has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) takes the same approach. He also throws all of his ingredients together with precision — the balance of drama and comedy, the relentlessness that marks every second in The Original Beef's kitchen, and the non-stop mouthing off by Richie, aka Cousin, aka Carmy's brother's best friend (Ebon Moss-Bachrach, The Dropout), all included. Carmy has bills to pay, debts to settle, eerie dreams and sleepwalking episodes to navigate, new sous chef Sydney (Ayo Edebiri, Dickinson) mixing up the place and long-standing employees (such as Hap and Leonard's Lionel Boyce, In Treatment's Liza Colón-Zayas and Fargo's Edwin Lee Gibson) to keep happy. Every glimpse at the resulting hustle and bustle is as gripping as it is appetising — and yes, binging is inevitable. The Bear streams via Disney+. A LEAGUE OF THEIR OWN The year: 1943. The place: America. The sport: baseball. Misty faces: apparently not allowed. Yes, there's no crying in baseball, again — and yes, after proving a hit on the big screen back in 1992, A League of Their Own is back as an eight-part streaming remake with those rules about waterworks still intact. That said, in both versions, there definitely are tears in the sport. Someone proclaims there shouldn't be, although Tom Hanks doesn't do the honours the time around. And, when it arrives in Prime Video's series, that line isn't code for the entire perspective that A League of Their Own is rallying against: that the bat-swinging pastime isn't for women anyway. The new show's characters are still forced to deal with that abhorrent view, though, and the same storyline and same societal journey slides through the show's frames, too. But Broad City's Abbi Jacobson, who leads, co-writes and co-created this A League of Their Own, helps ensure that this fictional look at the All-American Girls Professional Baseball League broadens its playing field. Obviously much is familiar about this movie-to-TV do-over, including following a small-town star catcher (Jacobson's Carson Shaw) chasing her lifelong dream while her husband serves in the Second World War, a ragtag group of other women living their fantasies as well, a world that sees them as a joke and a male manager (Nick Offerman, The Resort) who used to be a major star but is only in this gig to restart his own career. Also included here: the tale of Max Chapman (Chanté Adams, Voyagers), an immensely talented pitcher who isn't allowed to audition, let alone play, due to her race. Another warm-hearted sports comedy results — and in what proves a worthy extra innings, there's never any doubt that the new series is firmly a 2022 creation. A League of Their Own's gorgeous ladies of baseball span an impressive cast, too, with standouts D'Arcy Carden (The Good Place), Melanie Field (The Alienist) and Roberta Colindrez (Vida) hitting it out of the park. A League of Their Own streams via Prime Video. Read our full review. GLORIOUS During his seven seasons on HBO's slinky supernatural drama True Blood, and in his 223 episodes on Home and Away before that, Ryan Kwanten navigated any actor's fair share of wild scenarios — and soapy and melodramatic, obviously. In Glorious, he's firmly in out-there territory, but as a troubled man conversing about life, love, loss, loyalty, the universe, gods, men, women and plenty more in a dank and grimy rest-stop bathroom. So far, so straightforward. Unexpected connections and cathartic chats can happen in all manner of places with all manner of people, after all. But Wes, Kwanten's character, is conversing with a glory hole. There's a powerful deity behind it, but all that Glorious' protagonist and the audience see is glowing neon light emanating from the circle between cubicles, and a pulsating orb of flesh hanging below the stall walls. Filmmaker Rebekah McKendry (Psycho Granny), plus screenwriters David Ian McKendry (All the Creatures Were Stirring), Joshua Hull (Chopping Block) and Todd Rigney (Headless), aren't shy about their Lovecraftian nods; not thinking about the sci-fi author's brand of cosmic horror and its focus on unfathomable terrors is impossible. Indeed, this'd make a fine double with Color Out of Space — a sincere compliment given that phantasmagorical delight is adapted from the author's words, while this feels like it should've been. Aided by cinematographer David Matthews (Jakob's Wife), McKendry cements the film's clear tribute via its aesthetic and atmosphere, with vibrant pink hues contrasting with the grotty bathroom, and the claustrophobic setting doing the same with the vastness emanating from Ghat, Wes' talkative new acquaintance. That JK Simmons (Spider-Man: No Way Home) lends his distinctive tones to the movie's pivotal voice does much to set the mood, understandably, but Kwanten's layered performance, a twisty narrative and an inspiredly OTT premise executed with flair also make Glorious memorable. Glorious streams via Shudder. THE SANDMAN Fantasy fans who are also TV fans, rejoice — the Game of Thrones realm is back (see below), The Lord of the Rings is about to hop over to the small screen as well, and Neil Gaiman's The Sandman has also been turned into a streaming series. With all three, one word probably comes to mind: finally. But while lovers of Westerosi power struggles and battles against Sauron have already had something to watch at least, The Sandman first played out in comic books between 1989–1996 and, despite efforts otherwise, that's where it has remained until now. Entertaining things come to those who wait, though, even if the first season of Netflix's adaption does take its time to kick into gear. Perhaps that's apt, especially given how the titular figure, the Robert Smith-esque Dream King (Tom Sturridge, Irma Vep) — who is also known as both Dream and Morpheus — spends much of the first episode. British aristocrat and occultist Roderick Burgess (Charles Dance, The King's Man) attempts to lure in Death (Kirby Howell-Baptiste, Hacks) instead, in an effort to bring his son back to life. Disappointed with obtaining the wrong captive, he imprisons Dream for more than a century. That incarceration has consequences, with Dream's kingdom bearing the brunt, and his powers unsurprisingly suffering (yes, cue the season's main storyline). Again, The Sandman doesn't completely click from its first frame; however, while it's putting its pieces together, it cements its dark, otherworldly and suitably gothic mood — and has quite the cast to play with. Because every TV show has to have multiple links to Game of Thrones, Gwendoline Christie (Flux Gourmet) plays Lucifer, memorably so. Elsewhere, Boyd Holbrook (The Predator) swaggers around as The Corinthian, Vivienne Acheampong (The Witches) is a delight as Dream's offsider Lucienne, Jenna Coleman (The Serpent) makes the most of her gender-swapped Constantine (yes, like the Keanu Reeves-starring film) and the always-reliable David Thewlis (Landscapers) leaves an imprint as Burgess' son. And when The Sandman works, whether at a performance or an episode level or more broadly, it is indeed a fantasy aficionado's dream. The Sandman streams via Netflix. THIRTEEN LIVES Hollywood couldn't have scripted the 2018 Tham Luang cave rescue better if it tried. As monopolised the news at the time and keeps fascinating filmmakers since, the situation started when 12 pre-teen and teenage soccer players and their 25-year-old coach went into the cave system in Chiang Rai Province in northern Thailand, heavy monsoonal rains caused flooding, and it was widely feared that the stranded team wouldn't be recovered. Thankfully, there was a happy ending — although it took nine days until divers even confirmed they were alive, another nine to both work out the logistics of extracting them safely and follow through, and other lives were lost in the process. The Tham Luang caves can be cavernous, but that just means more room for more water in the wet season. And saying that its tunnels are narrow and difficult to navigate, even for the best of the best below the water, is an understatement. All of the above shines through in the rousing Thirteen Lives, a survivalist and procedural drama starring Colin Farrell (After Yang) and Viggo Mortensen (Crimes of the Future) as cave divers John Volanthen and Richard Stanton, plus Joel Edgerton (Obi-Wan Kenobi) as Australian anaesthetist Richard Harris. For viewers who've seen the two other recent movies about the same situation, stellar documentary The Rescue and subpar docudrama The Cave, the details will be familiar — and how well the film's three biggest names portray their IRL counterparts will stand out as well. Tension drips through this take on the tale, with director Ron Howard (Hillbilly Elegy) enlisting claustrophobic cinematography and sound design to edge-of-your-seat effect. That said, cataloguing an extraordinary extraction job done under dangerous circumstances is Thirteen Lives' main aim. In a film committed to letting the dramatised events themselves set the emotional tone, surveying the contributions beyond the now well-known faces, the context behind their efforts and the impact within the community — for the boys' families, and politically — also gets Howard's attention. Thirteen Lives streams via Prime Video. RETURNING GEMS WITH FULL NEW SEASONS TO BINGE SOLAR OPPOSITES Justin Roiland has one of the most recognisable voices on television right now, especially if you're a Rick and Morty fan. While you're watching Solar Opposites, though, you won't just be thinking about that beloved animated hit and its schwifty dimension-hopping antics — or even counting down the days till it returns, which is soon, while dipping whichever food you like in Szechuan sauce. You'll be too busy laughing, getting drawn into this also-Roiland co-created gem, and trying not to miss anything in its joke-a-second comic onslaught. Solar Opposites and Rick and Morty share more than a little in common, of course, including aliens, strangeness descending upon a suburban family, sci-fi antics, a raucous sense of humour and the fact that literally anything can happen. But while Rick and Morty is basically the new, far-more-anarchic Back to the Future, Solar Opposites has big Third Rock From the Sun vibes — and Futurama, too, if instead of jumping to the year 3000, it followed a ragtag group of extra-terrestrials residing on earth. Roiland voices Korvo Solar-Opposites, the team leader on a mission to terraform this blue marble to replace his exploded Planet Shlorp. But first, his family is trying to make the best of life right here exactly as it is — well, with plenty of science-fiction gadgetry to keep things interesting. Hijinks ensue, involving Korvo, his partner Terry (Thomas Middleditch, Silicon Valley), and the younger Yumyulack (Sean Giambrone, The Goldbergs) and Jesse (stand-up comedian Mary Mack), as well as their cute alien infant Pupa. There's also Aisha (Tiffany Haddish, The Unbearable Weight of Massive Talent), the artificial intelligence onboard their spaceship, plus a wall filled with shrunk-down people (thanks to those sci-fi toys) who've started their own society in Yumyulack and Jesse's bedroom. Now three seasons in, Solar Opposites has perfected the ideal balance between fish-out-of-water alien shenanigans and those increasingly poignant miniature human interludes (complete with Mad Men's Christina Hendricks and This Is Us' Sterling K Brown helping voice the latter) — and it's just as ace as Roiland's better-known hit. Solar Opposites streams via Disney+. BREEDERS You don't need to have children of your own, plan to soon or ever think you will to keenly relate to Breeders. Now in its third season, the British comedy about a London family understands one inescapable truth about life: that chaos is an unavoidable constant, and much of that chaos springs from people being people. Based on an idea by star Martin Freeman (and partly derived from his own experiences), this series explores that notion in a microcosm, and without the rosy hues that usually tint sitcoms about parenting. Indeed, you could be forgiven for thinking that the Sherlock, The Hobbit, Fargo and The Office actor has been through more than a few ups and downs as a father — and he will have, because everyone who has kids does — due to Breeders' refreshing frankness. His character's frustrations, and his inability to remain calm while facing mayhem, mess, mania and everything in-between, also proves not just welcomely honest and hilarious, but vicariously cathartic. That often-anguished man is Paul Worsley, dad to Luke (Alex Eastwood, Creeped Out) and Ava (Eve Prenelle, To Olivia) — and partner to Ally (Daisy Haggard, Back to Life). No, none of those relationships are perfect. The same applies to his status as a son to the set-in-their-ways Jim (Alun Armstrong, Sherwood) and Jackie (Joanna Bacon, Benediction), with Breeders examining family ties in multiple directions. The chaos deepens each season, with this batch of episodes opening with Paul staying elsewhere because his presence, and his quick-to-anger temper, are exacerbating Luke's anxiety. Rippling consequences spread throughout the characteristically astute, smartly written, well-performed and cannily amusing new season, as Paul makes a new friend (Sally Phillips, How to Please a Woman), but doesn't tell Ally; the latter adjusts to his absence; Ava tussles with faith, friends and her future; and Jim and Jackie show that even lifetime-long relationships still have their secrets and struggles. Breeders streams via Disney+. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK BAD SISTERS Bad Sisters begins on the day of an Irish funeral, farewelling John Paul Williams (Claes Bang, The Northman) — after his widow, Grace (Anne-Marie Duff, Sex Education), makes sure that the corpse's erection won't be noticed first. He's long been nicknamed 'The Prick' anyway, with his four sisters-in-law all thoroughly unimpressed about the toxic way he treated his wife. In flashbacks, they joke about saving her by getting murderous, and exactly why is made plain as well. Bonded by more than blood after their parents died, the Garvey girls are used to sticking together, with the eldest, Eva (Sharon Horgan, The Unbearable Weight of Massive Talent), stepping in as the maternal influence over Grace, Ursula (Eva Birthistle, The Last Kingdom), Bibi (Sarah Greene, Normal People) and Becka (Eve Hewson, Behind Her Eyes). She's fierce about it, too, as characters played by the Catastrophe and This Way Up star tend to be. When a guest offers condolences at John Paul's wake, Eva's response is "I'm just glad the suffering's over" — and when she's then asked if he was ill, she replies with a blunt and loaded "no". If this scenario sounds familiar, that's because Belgian TV's Clan got there first back in 2012, which means that Bad Sisters joins the ever-growing list of series that largely exist to make the leap into English. That isn't a criticism of the end result here, though, which proves itself a winner early. Also part of both shows: two insurance agents, aka half-brothers Thomas (Brian Gleeson, Death of a Ladies' Man) and Matthew Claffin (Daryl McCormack, Good Luck to You, Leo Grande) here. Their family-run outfit is meant to pay out on John Paul's life insurance policy, but it's a hefty amount of cash and will bankrupt the firm, which is why Thomas starts asking questions. It seems an obvious setup, but this is a series with both bite and warmth. Brought to the screen by Horgan, Bad Sisters finds both the pitch-black comedy and the drama in its whole 'offing your arsehole brother-in-law' premise, and the tension and banter as well — and the sense of sorority between its quintet of main ladies, too. Bad Sisters streams via Apple TV+. RESERVATION DOGS One of the best new TV shows of 2021 is back for a second season — and it quickly proves one of the best returning shows of 2022, too. That series: the gloriously heartfelt and perceptive Reservation Dogs, which may riff on a Quentin Tarantino movie with its moniker, and also started with a heist when it first hit the screen, but proves dedicated to diving deep into what it's like to be an Indigenous North American teenager today. Bear (D'Pharaoh Woon-A-Tai, Beans), Elora (Devery Jacobs, Rutherford Falls), Willie Jack (Paulina Alexis, Ghostbusters: Afterlife) and Cheese (debutant Lane Factor) are those restless Oklahoma adolescents, and they've shared a California dream since the show began. But when the first season wrapped up with a tornado, as well as a figurative storm of hard truths and buried feelings, the gang's relocation fantasy didn't play out as expected. The lure of family and culture remained strong, as did holding onto a past that's brought happiness as well as pain (getting a fresh start after losing a friend is a big motivation for their escape plan). That said, Elora still attempts to go anyway. In season two, the more things change, the more they stay the same — until they don't. For Bear, Willie Jack and Cheese, staying on the reservation requires facing life on the reservation. For Elora, being on the road with enemy-turned-travelling companion Jackie (Elva Guerra, Dark Winds) gets tumultuous. Made with such an evident commitment to minutiae, and to feeling lived-in at every moments, Reservation Dogs spins both its episodic stories and its long-running coming-of-age arcs, themes and emotions into something wonderful again and again. Co-creator/executive producer/writer Sterlin Harjo (Mekko) deserves all the kudos that can be showered his way, and so does Taika Waititi as one of the series' fellow creators, executive producers and writers. There are many reasons to be thankful for the New Zealand filmmaker as his resume keeps attesting (including fellow recent sitcom Our Flag Means Death); however, using his fame to help bring this insightful gift into the world is one of them. Reservation Dogs streams via Binge. HOUSE OF THE DRAGON In its very first moments, House of the Dragon's opening episode delivers exactly what its name promises: here be dragons indeed. Within ten minutes, the Iron Throne, that sprawling metal seat that all of Westeros loves fighting about, also makes its initial appearance. By the time the 20-minute mark arrives, bloody violence of the appendage-, limb- and head-lopping kind fills the show's frames as well. And, before the debut instalment of this Game of Thrones prequel about House Targaryen's history even hits its halfway mark, a brothel scene with nudity and sex is sighted, too. Between all of the above, the usual GoT family dramas, squabbles over successors and power struggles pop up. Of course they do. House of the Dragon was always going to check all of the above boxes. None of this can constitute spoilers, either, because none of it can come as a surprise. Game of Thrones' fame and influence have become that pervasive, as have its hallmarks and trademarks. Everyone knows what GoT is known for, even if you've somehow never seen this page-to-screen franchise yet or read the George RR Martin-penned books that it's based on. After green-lighting a different prequel to pilot stage, scrapping it, then picking this one to run with instead — and also making plans to bring novella series Tales of Dunk and Egg to TV, working on an animated GoT show, exploring other potential prequels and forging ahead a Jon Snow-focused sequel series — House of the Dragon is the first Game of Thrones successor to arrive in streaming queues, and it doesn't mess with a formula that HBO doesn't consider broken. Its focus: the Targaryen crew 172 years before the birth of Daenerys and her whole dragon-flying, nephew-dating, power-seeking story. Cue silky silver locks aplenty, including cascading from King Viserys I's (Paddy Considine, The Third Day) head as he takes to the Iron Throne over his cousin Princess Rhaenys (Eve Best, Nurse Jackie). She had a better claim to the spiky chair, but gets passed over because she's a woman. Years later, the same scenario springs up over whether the king's dragon-riding daughter Princess Rhaenyra (Upright's Milly Alcock, then Mothering Sunday's Emma D'Arcy) becomes his heir, or the future son he's desperate to have, or his headstrong and shady younger brother Prince Daemon (Matt Smith, Morbius). House of the Dragon streams via Binge. Read our full review. SHE-HULK: ATTORNEY AT LAW What do 90s lawyer comedies, recent TV sensations, Captain America's sex life and the fact that it isn't easy being green all have in common? The Marvel Cinematic Universe's latest streaming series. What gives Tatiana Maslany (Orphan Black) a worthy comic showcase, sees Marvel's ever-sprawling franchise make a rare admission that The Incredible Hulk exists, and gifts Sorcerer Supreme Wong (Benedict Wong, Doctor Strange and the Multiverse of Madness) a hilarious new buddy dynamic, too? Yes, the MCU's likeable She-Hulk: Attorney at Law, which proves savvy, self-aware, silly and satirical all at once. What refuses take itself too seriously, knows it's in busy territory, and winkingly responds to the world that's helped it even come to fruition? This Kat Coiro (Marry Me) and Anu Valia (And Just Like That...)-directed show, too, which just keeps ticking a long list of boxes. She-Hulk: Attorney at Law is astute and amusing, skewers popular culture's obsession with superheroes, and unpacks the way society treats women — superpowered and otherwise. And where its immediate small-screen predecessor, Ms Marvel, loved the MCU more than its audience ever will, this playful sitcom about Marvel's emerald-hued lawyer sees plenty about the ever-expanding on-screen saga to parody. Jennifer Walters (Maslany) starts out the show as a Deputy District Attorney — and also a hulk. In flashbacks, head writer Jessica Gao (Rick and Morty) gets the obvious question out of the way, aka "how did Jen end up aping Bruce Banner?". In that jump backwards, Jen heads on a road trip with her cousin (Mark Ruffalo, Dark Waters), ends up in a car accident, gets splashed with his gamma-radiated blood and wakes up sharing his traits. Smart Hulk hops into action, training Jen in the ways of being giant and grass-coloured whenever her emotions bubble up, although that's what being a woman today entails anyway. With new powers comes an upended life, however, as well as a new job juggling cases covering everything from Emil Blonsky/the Abomination's (Tim Roth, Sundown) past misdeeds to Asgardian elves and wily magicians. This series has as much in common with Ally McBeal and Fleabag as it does with its fellow spandex-clad cohort, and it's all the better for it, striking an entertaining, perceptive and well-cast balance between the obligatory caped crusader nods and spinning a lawyer comedy about a caped crusader. She-Hulk: Attorney at Law streams via Disney+. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June and July this year. You can also check out our running list of standout must-stream 2022 shows so far as well — and our best 15 new shows from the first half of this year, top 15 returning shows and best 15 straight-to-streaming movies. Top image: Photo by David Bukach. © 2022 20th Century Studios. All Rights Reserved.
2019 is nowhere near over, but it has already been a standout year for South Korean cinema. Not only is Bong Joon-ho's Parasite one of the best films of the year — and one of the most talked about — but it earned the Asian nation its first Palme d'Or from the Cannes Film Festival. No wonder director Bong was greeted by a crowd at the airport when he arrived back from the south of France after the glitzy event. Parasite is also one of the movies on this year's Korean Film Festival in Australia lineup; however the smash hit isn't the only great flick on offer between Thursday, August 22 and Saturday, August 31. If you're keen to dive deep into the exciting and eclectic films produced by the country — which celebrates 100 years in the movie business this year — then you're in the right spot. Screening at Dendy Opera Quays, this year's KOFFIA features everything from blockbusters to indies, dramas to comedies, and not only brand new movies, but recent favourites you might've missed elsewhere. Step into the action-infused political thrills of Take Point, about a plot to abduct North Korea's supreme leader; catch cop flick The Gangster, the Cop, the Devil before it's remade in the US; head back in time with period zombie effort Rampart; and enjoy Hong Sang-soo's latest melancholic drama, Hotel by the River. Or, you can laugh at body-swap comedy The Dude in Me, revel in Korean War tap-dance musical Swing Kids, giggle at the undead with The Odd Family: Zombie on Sale and see the lighter side of law and order with Extreme Job. While you're feasting your eyes on all of the above, you'll also help commemorate KOFFIA's huge 10th year. In Sydney only, the festival will also add a few days at the end for something both timely and special. One Bong Joon-ho movie isn't enough, so KOFFIA is screening a retrospective of his films from Sunday, September 1 to Tuesday, September 3.
Sydney's go-to spot for pork-fuelled splendour, Swine & Co., are taking cues from Don Draper et al, launching a brand new night set to transport Sydneysiders to Manhattan's Upper East Side circa 1960. Wednesday night at Swine Bar is now known as Swine Royale, inviting you to dapper up and indulge in a game or two of blackjack, Mad Men-inspired cocktails and all those celebrated savoury eats you've travelled across the city for — including those infamous house pork crackling chips. With the last-of-the-last Mad Men — part two of season seven, CAHMAAHHHHN — on the way for 2014, general Mad Men buzz (and inevitable costume party themes) is about to enjoy one last hurrah at Swine & Co. Head chef Michael Box has created a special Swine Royale menu theme, while shiny new bar manager David Lloyd has used the MM team's favourite spirits as a starting point to inspire a stunning range of cocktails available only on Wednesdays. Try an R&R (Rittenhouse, Amaro Averna, Licor 43 espresso and agave), a Breakaway (chilli and basil-infused 42 Below, tomato, Worcestershire, fresh horseradish and lemon) and more classy specimens, all $18 each. Fresh out of coin to try more of Lloyd's elixirs? A few rounds of blackjack on the art deco mezzanine level, beside the Champagne bar, could win you free drinks. That's worth brushing up for. Swine and Co.'s Royal Nights launch from November 19 through to December 17. Find the Swine Bar housed in the former Bank of New South Wales; 16 O'Connell Street, Sydney.
Dragging yourself off the couch on a Sunday isn't always easy, but you'll feel a little more inspired with Since I Left You's Slow Sundays. Having launched earlier this year, the dog-friendly event series celebrates the simple joys of a lazy Sunday. Expect hands-on workshops, market stalls, rejuvenating food and drinks, and an ambient soundtrack to lift your end of the week. You might not have guessed that a CBD bar would be the perfect space for an event like this, but the team at SILY is all about making the most of their picturesque courtyard. With a towering mural, twinkly lights and a regular program of live music, the space makes for an ideal hidey-hole to escape the buzz of the city. Coming up on Sunday, March 30 at 1pm, the second edition of Slow Sundays is all about the simple joy of crafting. Thanks to the crafting expertise of Handy with Scissors, you'll be able to get hands-on with collage and card-making, watercolour painting, embroidery, tin embossing, basic leatherwork and more. It wouldn't be a booking at SILY without a dose of live music, so your crafternoon adventure will be soundtracked by a setlist of appropriately lazy Sunday-themed tunes by Closed Circuits DJs. And, perhaps most importantly, your ticket includes a complimentary welcome margarita, which ought to help get your creative juices flowing if nothing else. No matter if you're a DIY newbie or a total craftaholic, you're welcome to come along and explore your artistic side at your own pace.
Earlier this year, Australia's caffeinated booze expert Mr Black gave fans of alcohol and coffee the premixed beverage they definitely wanted, with the company's bottled coffee negroni marking its first-ever pre-batched cocktail. Now, it's adding another tipple to the range, and it's another big hitter: the cold brew old fashioned, or cold fashioned. Yes, there's a time for coffee and there's a time for cocktails — but, sometimes, there's a time in the day when you want both and you don't want to do any of the mixing yourself. The cold fashioned is made with Mr Black coffee liqueur, rye whiskey and bitters, and you can expect both coffee and chocolate flavours to come through, as well as a bit of spice. Each bottle is going for $49 and can be used to make five cocktails (yes, that's a very reasonably $9.80 a drink). To make said cocktail, you just need to pour 100 millilitres of the sweet stuff into a glass over ice and garnish with a citrus twist — if you want to get a little fancy. It's the third new product that the Mr Black team has released during lockdown, with the company also launching a hand sanitiser in late March. As well as selling thousands (and thousands) of bottles to the public, the team donated hundreds to front-line medical workers, not-for-profits, testing clinics and medical centres. To get your hands on a bottle of cold fashioned, which, knowing Mr Black's track record, will sell out fast, head over to the Mr Black website. It's currently offering free shopping on all orders over $80. Mr Black's cold fashioned is on sale now for $49. Top image: Guy Davies.
For 73 years now, since the film first danced into cinemas in June 1952, there's never been a bad time to see the musical delight that is Singin' in the Rain on the big screen. Head to the Randwick Ritz's session at 2pm on Sunday, September 7, 2025, however, and you'll be doing more than revelling in movie magic and playing tribute to an all-time classic. The Gene Kelly-, Debbie Reynolds- and Donald O'Connor-starring Singin' in the Rain was David Stratton's favourite film. Accordingly, at a session presented by Sydney Film Festival — where Stratton was the Director between 1966–83 — the iconic flick is getting a spin to honour one of its biggest fans, as well as a glorious figure in Australian film culture, after his death in August 2025. Heading along means being a part of this ode to Stratton, and also trying not to tap your toes to the movie's musical numbers such as 'Good Morning', 'Make 'Em Laugh', 'Gotta Dance' and, of course, the titular 'Singin' in the Rain'. If you've somehow missed the 1920s-set film so far, Singin' in the Rain charts a story of romance and stardom, as silent film star Don Lockwood (Kelly) tries to adjust to the age of talking pictures, and aspiring actress Kathy Selden (Reynolds) tries to make her big break. It was actually crafted around a heap of existing songs, such the eponymous track, 'Make 'Em Laugh' and 'Good Morning'. Outside of the cinema, you can also check out Stratton and Margaret Pomeranz's star on the Australian Film Walk of Fame.
Next time you crack open a can of BrewDog's Punk IPA, you might find yourself motivated to welcome a new four-legged addition into your family. Teaming up with Animal Welfare League Queensland, the Scottish brewery has brought its Street Dog initiative to Australia — profiling adorable dogs that are currently available for adoption across its cans. If you're the type of person that pats every pooch you see, and takes a daily walk past the local dog park just so you can get a glimpse of those adorable canines and their little faces, then you're also the kind of person who'd love to see pictures of puppers while you're sinking a brew. The photos adorn select Punk IPA packs, which have been badged 'Street Dog'. And yes, if you fall in love with the little fluffball staring back at you from the can, you can give it a home. By picking up a few Street Dog brews — which are on offer in eight- and 16-packs — you'll also be helping doggos in need another way. BrewDog is also donating all of the profits from sales of the beer to Animal Welfare League Queensland. And, although it's brewed at the company's Australian base in Brisbane, it's only making the beer available via its new online store, so everyone nationwide can stare at these canine cuties over their next cold one. Street Dog actually started in the UK earlier this year, as inspired by comedian Ricky Gervais. The comedian tweeted about his genuine fondness for Punk IPA, while also noting that businesses in general were better off giving their money to charities than paying for celebrity endorsements — and, taking his words to heart, BrewDog decided to start supporting homeless dogs, a cause that Gervais has been vocal about. Cue BrewDog cans covered with photos of dogs, which, when they launched in Britain, helped all of the pups featured on the tinnies to find homes. If you're wondering about the timing of bringing the Street Dog initiative to Australia, it's designed to help give the profiled pooches a permanent home before Christmas hits. The 375-millilitre cans will be available to purchase online until sold out. BrewDog's Street Dog limited-edition version of its Punk IPA beer is available to buy as an eight-pack for $40 and a 16-pack for $70.
Only idiots pre-judge films. Trailers are increasingly so misleading that the only true test of a movie is when the lights dim and the titles roll. And yes, idiots pre-judged this film. From the moment it was announced, so-called fanboys declared the female-led Ghostbusters a piece of feminist propaganda – helpfully allowing us to identify precisely who to unfollow on social media. The next level of premature opposition came from those who watched the trailers and deduced that this was to be the unfunniest film of all time. OF. ALL. TIME. If there was to be any merit given to the Ghostbusters pre-haters, it came in the form of the scepticism over reboots in general. The original Ghostbusters was made in 1984, yet there's little beyond the giant hair of Harold Ramis and Sigourney Weaver to make it feel dated – a factor that contributes heavily to its re-watchability. Again, though, the same could be said for Tim Burton's Batman (1989), which only sixteen years later would be spectacularly reimagined by Christopher Nolan in Batman Begins. The key word, of course, is 'reboot', which – unlike remakes – have licence to edit the story, characters and setting of the original for a whole new audience. Paul Feig's Ghostbusters is unreservedly a reboot. Indeed, it bears so little resemblance to the first film that comparisons are, by and large, pointless. Beyond the theme song, name and general busting of ghosts, this is a new film for a new generation, led by four comedic heavyweights in their absolute prime. Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones are a powerhouse ensemble, embodying four distinctly new and wonderfully defined characters. Wiig's uptight academic with a zero-point flirtation game bounces perfectly off McCarthy's acerbic renegade scientist, while McKinnon's genius inventor is so absurdly odd that only Jones's streetwise Patty could keep the balance in check. They're a courageous and capable collection of heroes supported by an amusing turn from Chris Hemsworth as the team's air-head secretary. The only time gender is ever even touched upon is in a nod to those internet fanboys, with Wiig reading aloud a YouTube comment that declares "ain't no bitches gonna hunt no ghosts". To suggest that this film's shortcomings have anything to do with its leads being women is so plainly dim as to not even warrant comment. After all, let's remember that just five years ago Feig, Wiig and McCarthy delivered the funniest film of the year in Bridesmaids. No, where Ghostbusters unfortunately falls short is in its story – and it's here that comparisons to the original are unavoidable. The original Ghostbusters was a deceptively complex story masquerading as a simple one, with multiple vignettes that not just cleverly, but critically, came together at the film's climactic crisis point. EPA intervention, an overloaded containment unit, bureaucratic interference and the seemingly-irrelevant lives of several apartment dwelling strangers all suddenly merged with both the Ghostbusters' own story and the ever-growing menace from the opening scene in a spectacular (and genuinely spooky) explosion of paranormal activity. By contrast, Feig's Ghostbusters is a disappointingly simple film striving ever so hard to seem more complex. Everything that happens on the supernatural front is the result of a single, poorly-defined human villain whose motivations for bringing about the apocalypse are nothing more than that he was bullied as a child. Compare that with Dan Aykroyd and Ernie Hudson in the original film as they considered, with genuine trepidation, the possibility that Judgment Day was truly upon them. Their fear became ours, and that combination of bona fide supernatural horror with outstanding humour was what made it one of the most successful and enduring comedies of all time. That's what's so noticeably absent in this reboot: the laughs aren't nearly as frequent as you'd expect, and the scary stuff simply isn't. Yes, there are some spectacularly funny moments, with Jones's debut outing as a Ghostbuster during a metal concert being the standout. Still, for a cast of this calibre, you're right to expect more. As for the ghosts, they scarcely feature until the effects-laden finale, one that's over as quickly as it begins. All in all, this is not a film that's going to destroy your childhood like so many clairvoyant haters suggested. Sadly, it's not quite a home-run either. The film's greatest strength, by far, is its cast. The four leads compliment each other magnificently and there's no scene-stealing; each has her moment in the spotlight, yet knows when to let the others shine. The post-credits scene, too, offers a tantalising hint at what the sequel might concern itself with. Here's hoping it happens sooner rather than later. Feig's Ghostbusters is not a particularly memorable film, but it's an excellent step in the right direction and an exciting glimpse of what might come next. https://www.youtube.com/watch?v=w3ugHP-yZXw
When the eighth season of Game of Thrones finished its run in 2019, bringing the highly popular series to a conclusion, everyone knew that it wasn't really the end. The world created by George RR Martin will live on in his books, whenever the author finally publishes the long-awaited next instalment of his A Song of Ice and Fire series. And, because HBO likes both ratings and advertising dollars, the US cable network will keep the GoT-related TV shows going as well. Like residents of Westeros hoping that summer (or at least autumn) will last for ever, HBO isn't ready to let go of its highly successful commodity. Before GoT even finished, there had been plenty of chatter about what it'll do next, in fact. First, HBO announced that it was considering five different prequel ideas. It then green-lit one to pilot stage, scrapped it and later decided to adapt Martin's House Targaryen-focused Fire & Blood for the small screen instead. Now, the channel is reportedly in the early development phase for another GoT-related series also stemming from Martin's books. This time around, novella series Tales of Dunk and Egg looks set to get the TV treatment, Variety reports — with HBO still eager to keep building upon GoT's massive success, as the network is likely to be for the near future. The project is in the very early stages, however, so there's no word yet on who'll be involved either on- or off-screen. If it does come to fruition, Tales of Dunk and Egg will draw upon three novellas published so far: 1998's The Hedge Knight, 2003's The Sworn Sword and 2010's The Mystery Knight. Set around 90 years before the events of GoT, all three focus on the titular characters. Dunk will eventually become the future Lord Commander of the Kingsguard, Ser Duncan the Tall, while Egg is the future king Aegon V Targaryen — and both earn a mention in the A Song of Ice and Fire novels. As happened with the first proposed GoT prequel — as mentioned above — the fact that HBO is pondering making a new Westeros-set show doesn't mean that it'll end up making it to screens. Still, if you've been missing the chaos of the franchise's fictional world (and could use a return visit as a distraction from the real world), it's welcome news. Until any of the prequels actually drop, you can always rewatch the original — which is streaming in Australia via Binge — or revisit a trailer from its eighth and final season below: https://www.youtube.com/watch?v=kuLUyJdRvSU Via Variety.
Sydney's Opera Bar and Daisy's Milkbar are coming together to create an Aussie milk bar — popping up for only three days over the Easter long weekend. A small section of the harbourside bar will be converted into an old school milk bar, complete with pastel booths, giant gum ball machines and vintage accessories. The nostalgic pop-up will sell drinks reminiscent of everyone's childhood favourites — but here they'll have boozy twists. You'll find alcoholic Cottee's cordial, spiked Milo milkshakes and the Pavlova Colada — it's part dessert, part cocktail and made with Bacardi, pineapple, lime, coconut, passionfruit and meringue. For those left with spare pocket change, you can use it to purchase old school snacks like fairy bread, chocolate crackles and lamingtons. If you prefer savoury treats, look to the classic milk bar burger or the deli plates of Jatz, olives, cheese and cabanossi. The pop-up will also be running a host of nostalgic activities, including a lolly guessing competition, arcade games, board game tournaments and lucky dips.
We had a feeling this might happen. Off the back of an appearance at an already sold-out Splendour in the Grass, Kendrick Lamar will also headline six Australian shows in support of his fourth album DAMN.. Lamar is one of the most critically acclaimed and successful hip hop artists of our generation. The Compton rapper most recently became the first ever artist to take out the prestigious Pulitzer Prize for contemporary music. He's also the beholder of 12 Grammys, has clocked up more than six million album sales worldwide, and was named one of the 100 most influential people in the world by TIME Magazine. Lamar will return to our shores for Splendour on the weekend of July 20–22 and six headline shows: one in Perth on July 10, two in Melbourne on July 13 and 14, one in Adelaide on July 15 and two in Sydney on July 24 and 25. Having recently taken the DAMN. tour across the UK and Europe, set lists included his extensive catalogue, including good kid, m.A.A.d city (2012), To Pimp A Butterfly (2015) and his most recent effort DAMN..
There's no such thing as just another Quentin Tarantino film. Since he came to fame with Reservoir Dogs, the writer and director has continually toyed with dialogue-heavy, non-linear tales of crime and violence. And while there are stylistic elements that make a Tarantino film a Tarantino film, everything from Pulp Fiction to Death Proof has brought something different to the cinema. Take The Hateful Eight, for example. In his latest and eighth movie, the filmmaker delves back into the western genre (as he did with 2012's Django Unchained), he re-teams with Samuel L. Jackson, Kurt Russell, Tim Roth, Michael Madsen and Walton Goggins, and riffs on the scenario of Reservoir Dogs. But he also does much more than that. In its story, The Hateful Eight follows the fallout that ensues when eight treacherous characters are forced into close quarters. But it's the film's presentation that's perhaps even more interesting. For one, it revives the format of Ultra Panavision 70 — last used in 1966. It also brings back a form of movie-going rarely encountered these days, screening with an overture and intermission. That's the experience Sydney and Melbourne audiences have been gifted with this last week, via some advance 70mm sessions prior to the feature's national digital release on Thursday, January 21. Indeed, there's much to talk about when it comes to The Hateful Eight — and visiting Australia to promote the film, Tarantino did plenty. He spoke with Concrete Playground about what he has to offer one of his favourite genres, making The Hateful Eight an event, and watching audiences react to a different style of cinema. Among other topics, of course. ON MAKING WESTERNS "I've always been a big, big fan of the genre. And I think a lot of modern directors who have done westerns — like Walter Hill or somebody — before they actually got a chance to do a western, they kept flirting with the genre in modern terms to some degree or another. I mean, there's this whole aspect that Kill Bill: Vol 2 has a spaghetti western vibe, and I truly wanted Inglourious Basterds to almost have a spaghetti western feel — but with World War II iconography as opposed to western iconography. So, with Django Unchained I got my first chance at it, and I just really love the genre. And I wasn't done with it. It's kind of that simple: I wasn't done with it. And I also think it's a really good fit for me. I think as far as characters are concerned and the way violence works in my movies, it works out very good for a western." ON WHAT HE HAS TO OFFER THE GENRE "I think, in today's world, if I'm going to be able to call myself a western director and put my movies on the shelf with somebody like Anthony Mann or Budd Boetticher or Peckinpah, then I think you need to do at least three westerns. I mean, if it was the '50s, it'd be eight — but at least three westerns. And the fact that both movies deal with race in America at that time — two different times, but very close to each other — and also kind of do a vague mirror reflection on race in America today at the same time, I believe that's actually something I have to offer to the genre. That conversation is really something that hasn't been had that much in westerns — it's almost like that conversation has been avoided in westerns. And that's one of the things I think I have to offer to it." ON HIS DECISION TO SHOOT IN 70MM "One of the selfish reasons [I'm shooting in 70mm] is that I'm rather distressed at how digital projection has taken over to such a degree. I'm not really worried about shooting in digital because I'll always shoot in film — but I think something has been lost. I'm not saying that there's really anything wrong with digital projection, but I think something is lost if film projection is eradicated. And one of the benefits of shooting in 70mm is it's a little expensive. So, if a studio is going to pay to do that, they're going to at least make a token effort to make sure it gets shown in 70mm in certain cinemas. And that was a big calling card to do this. But also, I did like the idea of making this movie an event — to actually have a visual look first. And also, [I liked] the idea that I was going to be filming in this weather, and filming the weather was a big part of what we were doing. We were going for a big look. As dense as the material is, as bleak as the material is, and as dialogue heavy as the film is, there is an emphasis on the visual aspect of it." ON BRINGING BACK REAL CINEMA-GOING "It's actually kind of funny because, watching the film with audiences, there is this thing about the overture: [people think] "what is this?" I always like to sit in the middle of the cinema so I can really watch the people who are sitting in front of me, and the heads and the shoulders down the line. And you see their shoulders kind of relax as that overture goes on, as they settle into their seat and settle into the experience that they're going to have. And then there was this aspect — I think the first time I screened the film with a big audience — when the intermission happens, and it's like, "okay, what are we going to do?", and "okay, I guess I'm going to go take a pee or go have a smoke". But there is also that aspect of what you want to happen — they're talking about the movie. Apparently the toilets are abuzz, like "wow, did you just see what happened? I wonder what's going to happen next". You know, that kind of excitement about talking about the film. But also, I do like intermissions if it seems appropriate, because I think that they can be used for dramatic purpose. And I think that's the case in The Hateful Eight — that it has a dramatic moment when it happens, and there's a kind of sigh." ON THE HATEFUL EIGHT AS A WESTERN VERSION OF RESERVOIR DOGS "Having made movies now for over twenty years, there was a full circle kind of aspect with [The Hateful Eight] of me almost coming back to the start. And maybe even closing the circle. And the next couple of movies, who knows what they could be, because the circle is kind of closed and it opens up another chapter for me. I don't even know what that chapter is — but that's actually kind of exciting. But the idea of a western Reservoir Dogs was a little bit in my head as I was writing it, because I actually think that kind of pressure cooker situation could work really well in a western. There have been a few westerns that are really set-bound. One of my favourite westerns is Rio Bravo, and that really takes place between the saloon and the jailhouse — and I've always thought that Rio Bravo would be a really good play." The Hateful Eight is currently screening in Australian cinemas in limited 70mm locations, with the film's digital release opening around the country on January 21. Read our review.
UPDATE, APRIL 4: Due to concerns around the coronavirus, Candyman will no longer release on its initially scheduled date of Thursday, June 11, 2020, with the film now hitting cinemas on September 24, 2020. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. For nearly three decades, horror movie lovers have fallen into two categories: those who've dared to say the word 'candyman' five times while staring into a mirror, and those who haven't. That's the kind of impact this spooky supernatural franchise has had over the years, with the film about a fictional urban legend almost becoming an urban legend itself. To the joy of slumber party-throwing teens everywhere, the 1992 original sparked follow-ups in 1995 and 1999 — and, thanks to a new 21-years-later third sequel, that's no longer the end of the story. Given that everything old just keeps coming back again, and that 90s nostalgia is the gift that keeps on giving, another Candyman flick was always going to happen eventually. If you're still a little wary — despite its cult status, the initial movie is hardly a masterpiece, and Candyman: Farewell to the Flesh and Candyman: Day of the Dead won the series absolutely zero new fans — Candyman circa 2020 has a few tricks up its sleeves. Firstly, it's produced and co-written by Jordan Peele, who adds another frightfest to his resume alongside Get Out and Us. Secondly, it's directed by Nia DaCosta, whose Tessa Thompson-starring 2018 film Little Woods deserved more attention. And last but by no means least, it features the OG Candyman, Tony Todd, among its cast. As the just-dropped first trailer shows, the new flick focuses on an artist called Anthony McCoy (Aquaman and Watchmen's Yahya Abdul-Mateen II), who decides to start exploring the Candyman legend through his art. His girlfriend Brianna (If Beale Street Could Talk's Teyonah Parris) thinks the story is just that, but, as bad luck would have it, the bee-covered figure starts wreaking havoc again. That's what happens when folks say his name while looking at their own reflection, after all. For Candyman aficionados, Anthony's own name should ring a bell — he's the son of one of the first film's main characters, which might explain just why he's so obsessed with the eponymous ghoul. That said, while he might think he knows what he's getting himself into, the movie's first sneak peek leaves no doubt that Candyman still knows how to unsettle and unnerve. Check out the trailer below: https://www.youtube.com/watch?v=tlwzuZ9kOQU After being delayed from its original release date of June 11, 2020, Candyman will now open in Australian cinemas on September 24, 2020.
If you, like The Who, think you've played every pinball machine there is to play, you'd be dead wrong. This December Sydney's Belvoir St Theatre is bringing you a '70s-inspired pop-up arcade heaven to slake the lust of any pinball wizard. Belvoir's Downstairs Theatre will be transformed into the ultimate basement games room, complete with an original NES (Nintendo Entertainment System) and a bar to quench the thirst that can only come with intense gaming. The beers will be provided by Coopers at $6 a pop, and local lads Poor Toms Gin will be slinging a deliciously retro punch for $10. The Bumper Bar pop-up will run from December 2 right up until Christmas Eve to coincide with Belvoir's last show of the year, Girl Asleep. On top of that, the cash you drop will go to the theatre's Arts Access Program, which provides theatre tickets to students who may not be able to access them otherwise. Then bucks gets you entry to the bar and unlimited gaming, so get those supple wrists working — there's pinball to be played. Belvoir's Bumper Bar will run from December 2-24 in their Downstairs Theatre at Belvoir Street, Surry Hills. For more info visit belvoir.com.au. Image: Wayne Patrick Finn via Wikimedia Commons.
Calling all dancing queens – it's time to dust off those tambourines and head to the annual Trundle ABBA Festival. Australia's only festival dedicated to the Swedish supergroup, the Trundle ABBA Festival is the perfect opportunity to pay homage to Agnetha, Björn, Benny and Anni-Frid and the endless good times their pop tunes bring. Tribute band Björn Again will make you think you're watching the real deal, when they put on an outstanding performance of all your favourite ABBA hits while dressed to the nines in glitzy '70s ABBA-inspired attire. Rhonda Burchmore and Lara Mulcahy, who played best friends in the Australian stage production of Mamma Mia!, will also be putting on a show – a hilarious tale of their childhoods growing up as diehard ABBA fans, interspersed with ABBA hits.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from March's haul. Brand-New Stuff You Can Watch From Start to Finish Now Girls5eva One of the funniest TV comedies of the 2020s is back with its third season, and as hilarious as ever. So what are you waiting five? If that question doesn't make any sense, then you clearly haven't yet experienced the wonder that is Girls5eva. It starts with a numerical pun-heavy earworm of a theme tune that no one should ever skip, then bounces along just as catchily and sidesplittingly in every second afterwards. A move to Netflix for season three — after streaming its first and second seasons via Peacock in the US and Stan in Australia — might just see the Tina Fey-executive produced music-industry sitcom switch from being one of the best shows that not enough people are watching to everyone's latest can't-stop-rewatching comedy obsession. In other words, this a series about a comeback and, thanks to its swap to the biggest player in the streaming game, now it's making a comeback itself. If it becomes a Netflix smash, here's hoping that it'll be famous at least one more time. Two years have passed for longterm fans since Girls5eva last checked in with Dawn Solano (Sara Bareilles, Broadway's Waitress), Wickie Roy (Renée Elise Goldsberry, She-Hulk: Attorney at Law, and also a Hamilton Tony-winner), Summer Dutkowsky (Busy Philipps, Mean Girls) and Gloria McManus (Paula Pell, Big Mouth), but the gap and the change of platforms haven't changed this gem. Consider the switch of streamer in the same way that Dawn and the gang are approaching their leap back into their girl group after two decades: as an all-in, go-hard-or-go-home, whatever-it-takes relaunch. Now firmly reunited, the surviving members of Girls5eva have taken to the road. So far, however, their big Returnity tour has been happy in Fort Worth. In the Texan city, their track 'Tap Into Your Fort Worth' keeps drawing in crowds, even if that's all that concertgoers want to hear. Also, the Marriott Suitelettes for Divorced Dads has become their home away from home, but resident diva Wickie isn't content just playing one place. Always dreaming huge, massive and stratospheric, she sets the band's sights on Radio City Music Hall, booking them in for a gig at a fee of $500,000. Cue a six-month timeline to sell it out — a feat made trickier by the fact that the show is on Thanksgiving — or risk ruin. Girls5eva streams via Netflix. Read our full review. 20 Days in Mariupol Incompatible with life. No one should ever want to hear those three devastating words. No one who is told one of the most distressing phrases there is ever has them uttered their way in positive circumstances, either. Accordingly, when they're spoken by a doctor in 2024 Oscar-winner 20 Days in Mariupol, they're deeply shattering. So is everything in this on-the-ground portrait of the first 20 days in the Ukrainian port city as Russia began its invasion, with the bleak reality of living in a war zone documented in harrowing detail. Located less than 60 kilometres from the border, Mariupol quickly segues from ordinary life to an apocalyptic scene — and this film refuses to look away. Much of its time is spent in and around hospitals, which see an influx of patients injured and killed by the combat, and also become targets as well. Many of in 20 Days in Mariupol's faces are the afflicted, the medics tending to them in horrendous circumstances, and the loves ones that are understandably inconsolable. Too many of the carnage's victims are children and babies, with their parents crushed and heartbroken in the aftermath; sometimes, they're pregnant women. Directed by Pulitzer Prize-winning journalist Mstyslav Chernov, and narrated by him with the grimness and soberness that can be this movie's only tone, 20 Days in Mariupol even existing is an achievement. What it depicts — what it immerses viewers in with urgency, from shelled hospitals, basements-turned-bomb shelters and more of the city destroyed day after day to families torn apart, looting, struggling to find food and bodies of the dead taken to mass graves — needs to be viewed as widely as possible, and constantly. His footage has also featured in news reports, but it can and must never be forgotten. Doctors mid-surgery demand that Chernov's camera is pointed their way, and that he shows the world the travesties taking place. The Ukrainian reporter, who has also covered Donbas, flight MH17, Syria and the Battle of Mosul for the Associated Press, does exactly that. He's doing more than ensuring that everyone bears witness, though; he makes certain that there's no way to watch 20 Days in Mariupol, which shows the vast civilian impact and casualties, and see anything but ordinary people suffering, or to feel anything other than shock, anger and horror. 20 Days in Mariupol streams via DocPlay. STEVE! (martin) a documentary in 2 pieces To do justice to Steve Martin's life, career and impact requires more than just one movie. So, the engagingly and entertainingly in-depth, intimate, affectionate and informative STEVE! (martin) a documentary in 2 pieces explores the comedian and actor's existence in a pair of parts. The first is subtitled 'Then', honing in on his childhood and early stand-up days. The second, aka 'Now', jumps in when he made the leap to movies in the late 70s, which is where The Jerk, Pennies From Heaven, Planes, Trains and Automobiles, Dirty Rotten Scoundrels, Parenthood and LA Story comes in — and, of course, includes his tours with his ¡Three Amigos! co-star Martin Short, as well as their murder-mystery-comedy TV hit Only Murders in the Building. The initial half gets Martin narrating, sharing reflections personal and professional as accompanied by archival footage aplenty (and ample tapes of his stints in front of audience). The latter section treats him as an interviewee, with his wife Anne Stringfield, Short, Jerry Seinfeld (who has had Martin as a guest on Comedians in Cars Getting Coffee) and Tina Fey (who also co-starred with Martin in Baby Mama) among the talking heads. Behind it all is documentarian Morgan Neville, an Oscar-winner for 20 Feet From Stardom, as well as a filmmaker who is clearly taking his stylistic cues from his subject. That's noticeable in STEVE! (martin) a documentary in 2 pieces' moniker, for starters — it throws caution to the winds of grammar and title formats just as Martin has to comedy rules, as the two-part film makes plain again and again. No matter how well-acquainted you are with Martin, insights flow freely in this fascinating way to spend three hours surveying the ways that he's made people laugh over decades upon decades, beginning with doing magic tricks and working at Disneyland on his school holidays in the 50s. Revelations bound through about Martin as a person, too; more than once, he notes that his life has felt as if it has played out backwards, and not just because he only first became a father in his 60s. Clips of his stand-up act, and the response to it in the 60s and 70s, are gold. Hanging out with the man who originally was only going to create Only Murders in the Building, not star in it, when he's bantering with Short are as well. STEVE! (martin) a documentary in 2 pieces streams via Apple TV+. Spaceman Should astronaut become a dictionary-certified synonym for melancholy? Cinema believes so. Its latest case in point comes via Spaceman, where life temporarily lived above and beyond the earth replaces gravity with loneliness and disconnection for Jakub Prochazka (Adam Sandler, You Are So Not Invited to My Bat Mitzvah). He's six months into a solo trip past Jupiter to investigate an eerie phenomenon in the heavens when this adaptation of Jaroslav Kalfař's 2017 sci-fi novel Spaceman of Bohemia kicks off. His quest is both time-sensitive and celebrated. South Korea is in close pursuit, he's frequently being told by Peter (Kunal Nayyar, Night Court), his contact at ground control — and Commissioner Tuma (Isabella Rossellini, Cat Person) happily keeps dialling him in for PR opportunities. As he soars through a strangely purple sky, however, endeavouring to fulfil his mission while pleading for maintenance approval on his crumbling ship, all that's really on his mind is his wife Lenka (Carey Mulligan, Maestro). Pregnant and left at home alone, she's no longer taking his fast-as-light-speed phone calls. Then Hanus (Paul Dano, Mr & Mrs Smith) scurries in beside Jakub, demanding attention — as a giant spider in space is always going to. For the best part of a decade now, seeing a live-action movie starring Sandler has meant heading to Netflix. In Australia, even Uncut Gems, his greatest-ever performance, arrived via the streaming platform. Alongside The Meyerowitz Stories (New and Selected) and Hustle, add Spaceman to the list of such features that give their star worthy parts and would've made welcome cinema releases. It isn't new news that Sandler is an excellent actor in dramatic and/or weightier roles, or that his career is more than the Billy Madison and Happy Gilmore-style comedies that he first became known for. Spaceman director Johan Renck (Chernobyl) has cast him expertly, in fact, in this tale of isolation, arrested development, otherworldly arachnids and amorous entanglements. Sending Sandler on an Ad Astra-, First Man- and Solaris-esque trip proves contemplative and empathetic — and, amid spider's-eye flashbacks to his complicated childhood in the Czech Republic, time spent with Lenka on the ground and floating around the film's claustrophobic main setting, also brimming with raw and resonant emotion. Spaceman streams via Netflix. The Completely Made-Up Adventures of Dick Turpin Who needs facts when you can have a ball with irreverently riffing on history? It worked for Blackadder, then with The Great and Our Flag Means Death, and now does the same for The Completely Made-Up Adventures of Dick Turpin. It was evident from the concept when it was announced, and the trailer afterwards as well: this series is firmly in the same mode as the pirate comedy that gave streaming two wonderfully funny and heartfelt seasons, then was cancelled. The similarities don't stop being apparent now that Noel Fielding's latest stint of silliness is here with its six-instalment first season. Accordingly, viewers looking for something to help with their Our Flag Means Death heartbreak have somewhere to turn. Everyone who loves The Mighty Boosh's Fielding when he's getting surreal — something that his The Great British Bake Off hosting gig can't quite offer, even with his outfits — is also catered for. Awaiting in The Completely Made-Up Adventures of Dick Turpin is an entertaining jaunt that's exactly what anyone should expect given its premise, star, his fondness for whimsy and flamboyant outfits, plus Britain's love of parodying its own past. Fielding co-writes and executive produces, alongside leading — and his brother Michael is among the fellow The Mighty Boosh alum on-screen. Dick jokes abound, because who could pass up the opportunity given its protagonist? A who's who of English comedy also features. The year is 1735. The place is the UK, obviously. The subject is a real-life highwayman. If Dick Turpin isn't familiar, he's the son of a butcher, he was his father's apprentice, but then took on a different career as part of the Essex gang. In reality, he was executed by hanging at the age of 33. In The Completely Made-Up Adventures of Dick Turpin, standing on the gallows provides the opening. From there, the series steps through his time as a thief after being a vegan pacifist didn't gel with the family business. The key things that Dick takes with him when he leaves home, when his father John (Mark Heap, Significant Other) quickly replaces him with his cousin Benny (Michael Fielding, Merry Little Batman): eye-catching purple boots and a sewing machine. Soon enough, he has a crew by his side — and an instantly amusing revisionist history about Britain's equivalent of Ned Kelly is the result. The Completely Made-Up Adventures of Dick Turpin streams via Apple TV+. Read our full review. 3 Body Problem How do you follow up Game of Thrones? So asks one of the biggest questions in pop culture over the past decade. HBO's hit adaptation of George RR Martin's A Song of Ice and Fire series ended five years ago, but the network behind it, the TV industry in general, and everyone involved in it on- and off-screen has been grappling with that query since the series became a worldwide smash. For the cable station that made it, more Game of Thrones shows is the answer, aka House of the Dragon, the upcoming A Knight of the Seven Kingdoms: The Hedge Knight and other floated spinoffs. For Hollywood, leaning in on fantasy franchises has been a solution. And for David Benioff and DB Weiss, the showrunners on the Westeros-set phenomenon, bringing another complex book saga to the small screen is the chosen path. Those novels: Liu Cixin's Remembrance of Earth's Past trilogy, which arrives as 3 Body Problem, with 2008 book The Three-Body Problem as the basis for its eight-episode first season. Invasions, feuds, jumping timelines, a hefty cast of characters: they're all still in place. So are John Bradley (Marry Me), Liam Cunningham (Dracula: Voyage of the Demeter) and Jonathan Pryce (Slow Horses) among the cast, answering the "what comes next?" question for three Game of Thrones actors. Also, that composer Ramin Djawadi (Jack Ryan) is on music duties again isn't difficult to notice. With 3 Body Problem, which sees Benioff and Weiss team up with True Blood and The Terror's Alexander Woo to bring Cixin's text to the screen, sprawling high fantasy gives away to time- and space-hopping hard sci-fi, however. The danger to global stability still springs from a battle for supremacy, but one where countdowns start dancing in front of some people's eyes, particle accelerators stop functioning properly, other folks can't be seen in security footage, scientists seem to be killing themselves and aliens linger. The series begins with a physics professor being beaten to death in front of a crowd containing his daughter during the Chinese Cultural Revolution. Then, it flits to London today to watch the entire sky wink, gleaming helmets spirit whoever dons them into a complicated and intricate virtual-reality game, and what lurks beyond the earth — and who — play a significant part. 3 Body Problem streams via Netflix. Read our full review. Road House It's a brave actor who tries to follow in Patrick Swayze's footsteps. The late, great star was one of a kind, other than the fact that the 80s and 90s screamed out for him to team up with Kurt Russell on-screen. But folks persist in attempting to take his lead, including Diego Luna (Andor) in the also Swayze-starring Dirty Dancing prequel Dirty Dancing: Havana Nights, Édgar Ramírez (Dr Death) in the terrible 2015 Point Break remake and now Jake Gyllenhaal (Guy Ritchie's The Covenant) in Road House, another do-over of a Swayze hit. Gyllenhaal fares best in a film that isn't its predecessor in a swathe of ways — there's less sleaze to the titular establishment, and in general; less heat to its central romance; less zen about its protagonist; and no throats being ripped out — but is aided immensely by its key casting. No one needed a Road House remake, let alone one where its cooler is a former UFC fighter who has fallen on troubled times in and out of the octagon. Surely no one wanted to witness a strutting Conor McGregor make his acting debut, and so gratingly, as one of the new Road House's villains. But Gyllenhaal leaning into eccentricity as Dalton works a charm. The plot remains largely the same, albeit shifted to Florida, which sees director Doug Liman (Chaos Walking) also take a few stylistic cues from Miami Vice. In the eponymous venue, Dalton — Elwood, not James — is recruited to take over security by Frankie (Jessica Williams, Shrinking), with her bar suffering from a violence problem. Thugs keep smashing up the place, and patrons. Also, bouncers are constantly leaving the job. There's a cool, calm and collected air to Dalton's quest to clean up the joint, which contrasts with his inner turmoil. Soon, though, he's being threatened in an attempt to run him out of town. Daniela Melchior (Fast X) co-stars as the doctor that becomes his love interest, Billy Magnussen (Lift) as the drug-peddling nepo-baby baddie with designs on The Road House's land, Arturo Castro (The Vince Staples Show) as a motorcycle-gang henchman who genuinely appreciates Dalton's approach and Hannah Love Lanier (Special Ops: Lioness) as a bookshop-running teenager, but Road House circa 2024 is Gyllenhaal's show. This isn't the first attempt to capitalise upon the original Road House's success — even if it was nominated for five Razzies — thanks to 2006's Road House 2. Being better than that is a low bar, but this Road House clears it. Road House streams via Prime Video. Apples Never Fall On the page and on the screen, audiences know what's in store when Sydney-born and -based author Liane Moriarty's name is attached to a book or TV series. Domestic disharmony within comfortable communities fuels her tales, as do twisty mystery storylines. When they hit streaming, the shows adapted from her novels add in starry casts as well. Indeed, after Big Little Lies and Nine Perfect Strangers, it might come as a shock that Nicole Kidman (Expats) is nowhere to be found in the seven-episode Apples Never Fall. The Australian actor will be back in another version of Moriarty's tomes, also with a three-word title, with The Last Anniversary currently in the works. Fresh from an Oscar nomination for Nyad, Annette Bening is no mere stand-in right now. Also, where Kidman has co-starred with Reese Witherspoon (The Morning Show), Laura Dern (The Son) and Alexander Skarsgård (Mr & Mrs Smith), and also Melissa McCarthy (The Little Mermaid), Michael Shannon (The Flash) and Luke Evans (Good Grief), Bening is joined by Sam Neill (The Twelve), Alison Brie (Somebody I Used to Know) and Jake Lacy (A Friend of the Family). If Lacy's involvement brings The White Lotus to mind, he's again at home playing affluent and arrogant — but no one is on holiday in Apples Never Fall. Rather, in West Palm Beach, the tennis-obsessed Delaney family finds their well-off existence shattered when matriarch Joy (Bening) goes missing, leaving just a banged-up and blood-splattered bicycle, a strewn-about basket of apples and her mobile phone behind. Her adult children (Lacy, Brie, Thai Cave Rescue's Conor Merrigan Turner and The Speedway Murders' Essie Randles) are worried, while husband Stan (Neill) first advises that his spouse is merely ill, a choice that does nothing to stop suspicion rocketing his way. In addition to charting the search for Joy, the Queensland-shot Apples Never Fall bounces through ample backstory. After its introductory instalment, each episode focuses on one of the family; across them all, the timeline is split into "then" and "now". It soon becomes apparent that the doting Joy and determined Stan were talented players, then established the Delaney Tennis Academy when his aspirations were cruelled by injury, and she sidelined hers to support him and have their kids. Another person looms large over the narrative, too: Savannah (Georgia Flood, Blacklight), who graces the Delaneys' doorstep in its flashbacks, fleeing from domestic abuse — or so she claims. Apples Never Fall streams via Binge. Read our full review. Breeders Sitcoms about raising a family are almost as common as sitcoms in general, with the antics of being married with children up there with workplace shenanigans as one of the genre's go-to setups. Thanks to the OG UK version of The Office, Martin Freeman knows more than a little about employment-focused TV comedies. Courtesy of The Thick of It and Veep, actor-turned-director Chris Addison and writer Simon Blackwell also fall into that category. But Breeders, which the trio created and thrusts them into the world of mining parenting for laughs, isn't your standard take on its concept. As became immediately evident when the British series began in 2020, and remains the case now that it's wrapping up with its current fourth season — which aired overseas in 2023 but is only hitting Down Under in 2024 — this show does't subscribe to the rosy notion that being a mother or a father (or a son or daughter, or grandmother or grandfather) equals loveable chaos. There's love, of course. There's even more chaos. But there's also clear eyes, plus bleakness; again, this is largely helmed and scripted by alumni of two of the best, sharpest and most-candid political satires of the 21st century, and always feels as such. Season four begins with a time jump, with Breeders' overall path tracking Paul Worsley (Freeman, Secret Invasion) and Ally Grant's (Daisy Haggard, Boat Story) journey from when their two kids were very young — including babies, via flashbacks — to their teenage and young-adult years now. Consequently, five years on in the narrative from season three, another set of actors play Luke (Oscar Kennedy, Wreck) and Ava (debutant Zoë Athena) in this farewell run as the first is moving in with his girlfriend and the second explores her own love life, as well as grappling with the inescapable reality that her elder brother's ups and downs have always monopolised her family's attention. Paul and Ally also have the ailing health of Paul's parents Jim (Alun Armstrong, Tom Jones) and Jackie (Joanna Bacon, Benediction) to manage, in addition to the ebbs and flows of their own often-fraught relationship, plus just dealing with getting through the days, weeks, months and years in general (Ally turning 50 is one of this season's plot points). That this all sounds like standard life is part of the point; watching Breeders is like looking in a mirror, especially in its unvarnished and relatable all-you-can-do-is-laugh perspective. Freeman's knack for swearing will be especially missed. Breeders streams via Disney+. New and Returning Shows to Check Out Week by Week Palm Royale More things in life should remind the world about Barb and Star Go to Vista Del Mar, 2021's wonderfully goofy (and just wonderful) Florida-set comedy starring Kristen Wiig (MacGruber) and Annie Mumolo (Barbie), plus Jamie Dornan (The Tourist) singing to seagulls. The also Wiig-led Palm Royale is one such prompt. Thankfully, watching the page-to-screen dramedy doesn't cause audiences to wish that they were just viewing Barb and Star, though. The two share the same US state as a locale, too, alongside bright colour schemes, a bouncy pace and a willingness to get silly, especially with sea life, but Palm Royale engages all on its own. Adapting Juliet McDaniel's Mr & Mrs American Pie for the small screen, this 60s-set effort also knows how to make gleaming use of its best asset: Saturday Night Live, Bridesmaids and Ghostbusters alum Wiig. In its ten-episode first season, the show's storyline centres on Maxine Simmons. A former beauty-pageant queen out of Chattanooga, Tennessee, she thinks nothing of scaling the wall to the titular country club, then breezing about like she's meant to be there — sipping grasshoppers and endeavouring to eavesdrop her way into a social-climbing friendship with Palm Beach's high-society set — and Wiig sells every second of the character's twist-filled journey. Even better: she heartily and entertainingly conveys the everywoman aspects of someone who has yearning for a better life as her main motivation, and isn't willing to settle for anything less than she thinks that she deserves, even in hardly relatable circumstances. There's no doubting that Maxine is both an underdog and an outsider in the milieu that she so frenziedly covets. When she's not swanning around poolside, idolising self-appointed bigwig Evelyn Rollins (Allison Janney, The Creator) and ambassador's wife Dinah Donahue (Leslie Bibb, About My Father) among the regulars — their clique spans widow Mary Jones Davidsoul (Julia Duffy, Christmas with the Campbells) and mobster spouse Raquel Kimberly-Maco (Claudia Ferri, Arlette) — and ordering her cocktail of choice from bartender Robert (Ricky Martin, American Crime Story), she's staying in a far-from-glamorous motel. Funding for her quest to fit in with the rich and gossip-column famous comes via pawning jewellery owned by her pilot husband Douglas'(Josh Lucas, Yellowstone) comatose aunt Norma Dellacorte (Carol Burnett, Better Call Saul), the plastics and mouthwash heiress who ruled the scene until suffering an embolism. Palm Royale streams via Apple TV+. Read our full review. High Country The role of Andie Whitford, the lead part in High Country, was written for Leah Purcell. It's easy to understand why. There's a quiet resolve to the character — a been-there-seen-that air to weathering tumult, too — that's long been a part of the Indigenous Australian star's acting toolkit across a three-decade career that started in 90s TV shows such as GP, Police Rescue and Water Rats, and has recently added The Lost Flowers of Alice Hart and Shayda to her resume (plus much in-between). Andie is a seasoned police detective who takes a job back in uniform overseeing the town of Broken Ridge, which is located in the mountainous Victorian region that gives the mystery series its name. A big reason for the move: stability and work-life balance, aka relocating for the sake of her personal life with spouse Helen (Sara Wiseman, Under the Vines) and daughter Kirra (Pez Warner, making her TV debut). An existence-resetting tree change is meant to be on the cards, then. But her arrival, especially being installed as the new police chief, doesn't earn the sunniest of welcomes. Then there's the missing-person cases that swiftly start piling up, some old, some new, some previously explained by pointing fingers in specific directions. High Country's framework, down to its character types, is easily recognisable. Creators Marcia Gardner and John Ridley, who worked with Purcell on Wentworth, know what everyone does: that a great story can make any whodunnit-driven procedural feel different. So, also part of the series are Andie's retiring predecessor (Ian McElhinney, The Boys in the Boat), who is fixated on a past disappearance; the former teacher (Henry Nixon, The PM's Daughter) he's certain is responsible, who has become the town outcast; a local ranger (Aaron Pedersen, Jack Irish), one of the few other Indigenous faces in town; the financially challenged proprietor (Linda Cropper, How to Stay Married) of a haven for artists; cop colleagues of varying help and loyalty (Romance at the Vineyard's Matt Domingo and Wyrmwood: Apocalypse's Luke McKenzie); and rabble-rousing siblings (Boy Swallows Universe's Nathaniel Dean and The Clearing's Jamie Timony). Crucially, where the show takes them always feels like its own journey. This might also be the second Aussie effort in two months to use this part of the country as a backdrop, following Force of Nature: The Dry 2, but High Country is similarly no mere rehash there. High Country streams via Binge. The Regime After past wins for Mildred Pierce and Mare of Easttown, Kate Winslet might just add another Emmy to her mantle for The Regime. When the British actor turns her attention to TV for HBO, she unveils spectacular performances — something that she does everywhere anyway (see also: the 30-year-old Heavenly Creatures, 20-year-old Eternal Sunshine of the Spotless Mind and more-recent Ammonite, for instance), but this working relationship has been going particularly well for her. Winslet's latest small-screen stint for the US network takes her into the realm of satire, and to a Central European country under authoritarian rule. Nothing for the nation's current leadership is quite going to plan, though. This is a place where Chancellor Elena Vernham singing 'If You Leave Me Now' to open an official dinner, keeping her deceased father in a glass coffin, and overhauling the palace that she calls home due to fears of moisture and black mould are all everyday occurrences. Each of the above happens in The Regime's first episode, as does hiring a soldier linked to a scandal involving the deaths of protestors at a cobalt mine — with his new gig initially requiring him to monitor the air quality in every room that the Chancellor enters. Winslet (Avatar: The Way of Water) is mesmerising as Vernham, who takes her cues from a range of IRL world leaders — it's easy to glean which — in a show that's as captivating as its lead performance. She has excellent company, too, spanning the always-ace Matthias Schoenaerts (Amsterdam) as said military man-turned-Vernham's new advisor, Andrea Riseborough (To Leslie) as her regular offsider, plus everyone from Hugh Grant (Wonka) to Martha Plimpton (A Town Called Malice) popping up and making the most of their supporting parts. The Regime's creator Will Tracy wrote The Menu and also episodes of Succession, so he has experience being scathing; his time on the staff of Last Week Tonight with John Oliver also shows its influence. If he'd been watching Armando Iannucci's The Death of Stalin while dreaming up this (including nabbing Riseborough from the cast), that wouldn't come as a surprise, either. With Stephen Frears (The Lost King) and Jessica Hobbs (The Crown) behind the camera, The Regime is a probingly directed effort as well as it works through its six chapters. The Regime streams via Binge. Need a few more streaming recommendations? Check out our picks from January and February this year, and also from January, February, March, April, May, June, July, August, September, October, November and December 2023. You can also check out our running list of standout must-stream shows from last year as well — and our best 15 new shows of 2023, 15 newcomers you might've missed, top 15 returning shows of the year, 15 best films, 15 top movies you likely didn't see, 15 best straight-to-streaming flicks and 30 movies worth catching up on over the summer.
Canberra will be filled with all things art, architecture and design between Wednesday, November 2–Sunday, November 20 as Design Canberra makes its grand return with hundreds of events and activations. The festival will present a wide-ranging program across its 19 days, spanning public art, exhibitions, symposiums, workshops, studio tours and a food festival. The symposiums will kick off early with talks centred around public art on Sunday, October 29. From there, there will be a series of discussions on Canberra's role in the worlds of design and art on Friday, November 4, followed by 'Transforming Canberra' on Saturday, November 5, which will explore the future of the city with keynote appearances from Elizabeth Farrelly, author of Killing Sydney, and Canberra Museum and Gallery Senior Curator Virginia Rigney. If you're looking for an immersive hands-on experience at the festival, head to the open studios and workshops. A range of acclaimed Canberra-based artists ranging from glass blowers and cabinetmakers to ceramicists will be opening their personal studios to the public, demonstrating the processes that go into their artistry, and giving the public a sneak peek into what they're currently working on. As for the workshops, there will be both adult- and kid-focused classes, with sessions focusing on the likes of stitch meditation, spoon carving, zine-making and a special multi-day kids workshop based on designing the future of Canberra. A public art trail has popped up around the city. Wander through the City West until Sunday, November 20 and you'll discover an array of free outdoor artworks from six local craftspeople. These artworks range from huge pieces that have overtaken buildings to intimate works hidden among trees. Architecture fans, head out on one of the festival's architecture tours, or some of the most stunning and innovative houses in Canberra with the open homes program. Design Canberra has also come together with The Forage to add a bustling food festival and drink to the festivities. On Saturday, November 5, The Forage Food Festival will be bringing together 20 local vendors including Let's Do Yum Cha, Super Bao, Hungry Brown Cow Burgers, Canberra Distillery and a roving sangria cart from Skeehan Brothers Sangria Cart from 2–7pm in Civic Square. If all of this wasn't enough, there will be a heap more tours, talks, exhibitions and competitions popping up, as well as a festival hub shop selling works from artists involved and a limited-edition grapefruit Designer Gin made by Canberra Distillery. If you're from out of town and you're looking for an excuse to head to the nation's capital, luxury inner-city hotel A by Adina is offering 15-percent off all bookings during the festival. The stunning accommodation is located right among the action and boasts in-room cocktails from Maybe Sammy, two gyms and ARC — one of Canberra's best cafes — in its lobby.
UPDATE, APRIL 4: Disney has announced a new release date for Mulan, with the film now hitting cinemas on July 23, 2020. UPDATE, MARCH 13: Due to concerns around the coronavirus, Disney has announced that Mulan will no longer release on its initially scheduled date of Thursday, March 26, 2020. At present, a new release date has not been announced — we'll update you when one has been revealed. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. In Chinese history, the legend of Hua Mulan dates back to the sixth century. At the movies, the formidable female warrior first fought her way across the big screen in a 1927 silent film. The character has been no stranger to the page, stage or cinema over the past 92 years, but many folks know the tale thanks to Disney's 1998 animated musical. Now, as it has done with everything from Alice in Wonderland to The Jungle Book to Aladdin, the Mouse House is turning the story into its latest live-action remake. Once again, Mulan (played by Chinese American actor Liu Yifei) will evolve from dutiful daughter to kick-ass combatant, all to protect her family in a time of war. She's originally due to be married off to a husband chosen by a matchmaker, until the Emperor of China issues a decree stating that one man per household must serve the Imperial Army as it endeavours to fend off northern invaders. To save her ailing ex-soldier father from having to fight, Mulan disguises herself as a man, takes on the name Hua Jun and becomes an icon. Forget rousing tunes or a talking dragon voiced by Eddie Murphy. This time, the tale hits the screen without a singing and smart-talking sidekick, but with plenty of sword-swinging, arrow-flinging antics — as both its first teaser and just-dropped full trailer show. In New Zealand director Niki Caro's (Whale Rider, The Zookeeper's Wife) hands, this version of the story goes heavy on the action and empowerment, as shown in the spectacularly choreographed scenes seen so far. As well as Liu (whose resume includes The Forbidden Kingdom and The Assassins), the new Mulan features Jet Li as the Chinese Emperor, Gong Li as a witch, Donnie Yen as the protagonist's mentor, Jason Scott Lee as a villainous army leader, and Yoson An (The Meg, Mortal Engines) as her fellow fighter and love interest. The film hits cinemas next year — check out the first full trailer below: https://www.youtube.com/watch?v=KK8FHdFluOQ After being delayed from its original release date of March 28, 2020, Mulan will now open in Australian cinemas on July 23, 2020. Image: © 2019 Disney Enterprises, Inc.
Gelato Messina is bringing gourmet to the freezer aisle this month. The gelato mega brand has teamed up with Peters Drumstick to go mainstream — bringing its beloved gelato to supermarkets and convenience stores all over the country. Sure, you've eaten many-a-Drumstick in your day, with the brand launching in Australia all the way back in 1963 — whether it was a childhood favourite or now your late-night go-to, it's a long-standing ice cream staple. But now with the Sydney-based gelateria on board, the humble Drumstick cone of your youth has been spruced up — the Messina way. The new cones feature four classic Messina flavour combos, which were initially created in its Rosebery HQ, before being mass produced in Peters' Drumstick factory. Flavours include mango and salted coconut, made with Aussie produce and topped with mango sauce and coconut flakes; vanilla bean and peanut praline, topped with dark chocolate; roasted hazelnut gelato, made using imported Italian nuts; and, of course, dulce de leche, topped with caramel sauce and chocolate-coated biscuits. All four flavours are available at Coles, Woolworths and independent groceries across Australia. Each comes in pop art-style boxes of four, priced at $9.99 per box. As far as convenience stores and petrol stations go, only the mango and salted coconut and roasted hazelnut flavours are up for grabs as single cones for $4.90 a pop. The collab is limited though, so if you want 'em, come and get 'em. Gelato Messina X Peters Drumstick collaboration ice creams are available at supermarkets, petrol stations and convenience stores for a limited time.
Broke fans of the Rockpool wagyu burger, things are about to get accessible. Neil Perry and the Rockpool Group are bringing a burger joint to the Sydney CBD. Snuggled into a top spot within World Square, Perry's brand new burgtastic venture will count dumpling heavyweights Din Tai Fung as neighbours. Fully licensed for 100 hungry punters with takeaway options on offer, Burger Project will open from lunchtime on Friday, October 31 — with the hope to expand to Melbourne, Brisbane, Perth and Dubai in the future. Perry's new endeavour follows in the footsteps of Justin North's Charlie & Co. chain launched four years ago, as well as two-hatter Warren Turnbull's closure of Assiette to open Surry Hills' Chur Burger. Hinged around the success of Perry's celebrated $24 wagyu beef burger, Burger Project will apparently see a similar design to Rockpool without the hefty price tag (Perry apparently hopes to keep things as close to $10 as he can with housemade next-best-thing patties). Architect Grant Cheyne is on board to bring Perry's new centrally-located open kitchen layout to fruition. Predictably, Perry's won't be any ol' dry-pattied 'wiches, these are Perry-style burgs. Perry told Good Food he wanted to make a "people’s burger... high quality, accessible and affordable,". Patties will be made onsite from 36-month old Gape Grim beef, feature Schulz bacon from the Barossa Valley and the ever-indulgent gruyere chese. Importantly, the famous Rockpool Zuni pickle won't be featuring on the burgers, but Perry has promised a shiny new pickle for the newbie. Burger Project will also give the Perry treatment to American classics like housemade chorizo dogs, chicken wings, milkshakes and sodas. They'll also be serving those unfalteringly genius side legends: shaker fries. Yep, they'll come with All The Seasonings including Szechuan pepper and a spot of chilli. "We’ve designed it so you’ll be able to dine in and relax, with music and a drink, or simply grab a burger and eat it on the go," Perry says. CBD burgers never looked so fancy and possibly affordable. Burger Project is at Shop 11.06, World Square, 644 George Street, Sydney. It's open daily, 11am – 10pm, from Friday, October 31. Via Good Food and Business Insider. Images by Rockpool Group and Andy Drewitt.
It has been more than a month since Australia's cinema screens stopped flickering, with the nation's picture palaces closing due to social-distancing requirements to help stop the spread of COVID-19. And while movie buffs can still get their film fix online — via the usual streaming options, as well as the big bunch of recent big-screen releases fast-tracked to digital — your tastebuds are probably hankering for some cinema-level snacks to go with your at-home-viewing. Thanks to Hoyts and UberEats, you can now get the cinema chain's popcorn and choc tops delivered to your door. On offer: four sizes of regular salted popcorn, five flavours of gourmet popcorn (including nacho and sea salt caramel) and five types of choc tops (vanilla, boysenberry, mint, cookies and cream, and salted caramel). You can also order a selection of chips, confectionary and drinks. And, if you really want to come as close as you can to recreating the out-of-the-house movie-going experience, you can get your snacks in combos. Three kinds are available, so you'd best decide whether you'd like Malteasers with your popcorn and choc top — and if you're planning to share. For a limited time, Hoyts is also giving away free choc tops — albeit with other purchases, so you will have to splash out some cash. Buy any salted or gourmet popcorn, and you'll score a choc top as well. Or, spend more than $30 in total, and you'll also nab a choc top for free. Delivery is available between 2–9.30pm each day, and you will need to live within the delivery zone of one of Hoyts' 34 physical sites in New South Wales, Victoria, Queensland, Western Australia, South Australia and the Australian Capital Territory. Hoyts' snack range is available via UberEats, with free choc tops on offer for a limited time with any salted or gourmet popcorn purchase, or any order over $30. To order, head to UberEats.
As if the first announcement wasn't kickass enough, OutsideIn have announced the second part of their festival lineup. Locked in to be held over three levels at Manning Bar in the University of Sydney, the boutique music festival cooked up by Sydney touring and management agency Astral People and record label Yes Please returns for its third instalment on Saturday, November 29. Forecast to sell out like its 2012 and 2013 events, OutsideIn will spread its super solid lineup over three stages. Joining an already solid lineup featuring '90s US hip-hop legends The Pharcyde, Sydney's beloved electronic trio Seekae, Germany's Pantha Du Prince, America's Giraffage and Melbourne duo Client Liaison is legendary Chicago house DJ/producer Roy Davis Jr and US R&B/housemaster Brenmar, alongside Melbourne’s Noise In My Head, Adelaide’s Late Nite Tuff Guy, and Sydney's own Collarbones, Chris Barker and Basenji. With a host of both local and international artists yet to be announced, OutsideIn is back for another year of beats-you-may-have-missed and downright shindigging. OUTSIDEIN 2014 SECOND LINEUP ANNOUNCEMENT: Roy Davis Jr (US) Basenji Brenmar (US) Late Nite Tuff Guy Collarbones Noise in My Head Chris Barker FULL 2014 LINEUP: The Pharcyde (US) Seekae Pantha Du Prince (GER) Giraffage (US) Roy Davis Jr (US) Client Liaison Basenji Brenmar (US) HNNY (SWE) DJ SPINN (US) Tornado Wallace Collarbones Late Nite Tuff Guy Wookie (UK) Rome Fortune (US) Fishing Jubilee (US) Guerre Black Vanilla Retiree Sui Zhen Noise In My Head Preacha Andy Webb Moriarty Ariane Chris Barker OutsideIn is happening at Manning Bar, University of Sydney on November 29. General admission is $80 +bf. All tickets are available through Oztix. Photo credit: Voena.co
Providing fodder for all your half-drawn theories about parallel universes and/or that feeling you have that there are other yous out there (products of that time you could have sent that text and didn't, or the time you accidentally dropped that plate and smashed it, but probably could have caught it if you'd wanted to), a new production presented by Darlinghurst Theatre Company, Constellations, tells a story about the infinite possibilities of one relationship across infinite universes. The play, by young British playwright Nick Payne, opened in London in 2012 and will premiere on Broadway next January, starring your teenage heartthrob Jake Gyllenhaal. In the Sydney production, Sam O'Sullivan is Roland the beekeeper and Emma Palmer is Marianne the physicist — a convergence of occupations almost too whimsical to handle. Starting from the moment the couple meet at a barbecue and detailing particular moments in their ensuing relationship, with outcomes dependent on anything from their previous relationships to the way they phrased that last thing they said, this is one for those who like their boy-meets-girl with a side of multiverse theory. Constellations is on from August 13 to September 17 at the Eternity Playhouse. Thanks to the Darlinghurst Theatre Company, we have two double passes to give away to the preview performance on Sunday, August 10, at 5pm. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with your name and address.
The next stage of The Streets of Barangaroo has been revealed, and it's definitely the most delicious part yet. Opening today is the anticipated Wulugul Pop-Up: a collection of the country's most hyped food and drink venues along the Barangaroo waterfront. If you like fried chicken, gin cocktails and dancing in the rain, you will be very happy here. Five vendors from both Sydney and wider Australia have been chosen to christen the space. Melbourne's Belles Hot Chicken was announced as a resident earlier this month, as were roti masters Mamak, RivaReno Gelato and Darlinghurst's Edition Coffee Rosters. Gin and It — a gin bar from the guys at The Barber Shop — is the latest announcement; they'll be pre-bottling their gin cocktails daily for quick and easy consumption at the waterfront space. The pop-up currently sticks out as a bit of a rose amongst the thorns, hidden on the other side of the construction site that is the new, in-progress harbourside precinct, dubbed The Streets of Barangaroo. It's been designed by Melbourne's Foolscap Studio, and makes use of many a recycled cardboard tube and native plant. The space has the capacity for almost 500 people, and it's all undercover with plenty of seating. Dancing in the rain is still entirely feasible though. The pop-up is sticking around for a while, pencilled in for nine months while other vendors — such as Matt Moran's three-level salad bowl-shaped restaurant and the much-anticipated Noma Australia pop-up — set up shop and the surrounding tenants move in. By late 2016, there's expected to be 80 permanent dining and retail outlets in the precinct. Until then though, the Wulugul Pop-Up will have a lot going on, with talks and discussions, food festivals and live music planned for the coming months. By all accounts, it looks like it will be a good place to be — especially when the sun sets over Pyrmont and bathes everything in a golden glow. Yeah, we recommend getting there when that happens. The Wulugul Pop-Up opens today at Wulugul Walk in The Streets of Barangaroo precinct. It will be open 11am - 11pm, seven days a week. For more information, visit thestreetsofbarangaroo.com.au
Just-opened Potts Point restaurant Impromptu Dining is promising to deliver anything but an improvised experience. With an artfully curated space, an eclectic and affordable menu and an accomplished head chef, this Potts Point restaurant hits the trifecta of great dining. Plus, claiming a respect for and celebration of fresh produce, Impromptu has vowed to continue to work closely with the farmers and producers who have been with them from the beginning once they establish their new roots. Squared away in Llankelly Place, Impromptu takes that great Australian produce and transforms it to create an innovative, fine-dining experience without the extra burden on your back pocket, with nothing on the menu exceeding $30. Featuring local produce ranging from 'tempura warrigals' (after some googling, we discovered that this is deep-fried dingo) to Jack's Creek scotch fillet steak with charred cos, pearl onions and miso butter, their range of dishes showcase modern Australian cuisine with Japanese influences. And, because dessert is always worth a mention, the stand-out from the sweets table would undoubtedly be the cinnamon puftaloons with caramelised pineapple, smoked golden syrup and creme anglaise — simply because a 'cinnamon puftaloon' must be some kind of Elizabethan pant (it's actually a fried scone-like pastry). The drinks menu is also a veritable tasting plate of Australian wines and beers, with well over seventy-five percent of the boozy options ranging from the coasts of Western Australia to the grapes of Victoria, and everything in between. Not to be outdone by the ambiance and the menu itself, owner and head chef Daniel Backhouse has cut his teeth with some of Sydney's best chefs, including Serge Dansereau of The Bathers' Pavilion and Matt Kemp at The Gazebo and Boiler House. Find Impromptu Dining at Llankelly Place, Potts Point. Visit their website and Facebook page for more information.
Word on the street is that Thursday nights are the new Friday nights. Don't believe us? Just ask Little Cooler, the rock-and-rap-inspired dive bar from the Maybe Group, now host to CTRL ROOM — a free-entry series of DJs spinning tunes from 8pm to 1am, every Thursday. Curated by E1 Collective, the weekly series promotes the diverse and upcoming talents in the DJ world, mixing everything from R&B, hip hop, funk and afrobeat to Latin rhythms and house on the decks. The rotating roster will feature a mix of resident and guest artists — keep an eye on the bar's socials to check out each week's lineup. In addition to pregaming for your weekend, pregame for the night itself with happy hour specials from 6–7pm on Wednesdays and Thursdays. Weekend happy hours run from 7–8pm, and 'Hospo Hour' is daily from 12–1am for those just knocking off (or kicking on). Little Cooler's red neon-lit bar and newly extended opening hours (1am during the week; 3am on weekends) make it the perfect place for music heads and hospo crews alike. Expect good tunes, strong drinks, and the kind of energy that keeps you dancing 'til close. CTRL Room will take place at Little Cooler every Thursday night from 8pm to 1am, entry is free. Visit the Instagram page for more details and weekly lineups.
It isn't often you come across a band name that doubles as an appropriate review of the band's jaw-dropping performance. Thankfully, Holy Fuck are proudly flying the flag of that exclusive group and are about to plant it in Australia, as they are set to embark on a national tour to accompany their upcoming Groovin' the Moo appearances. The Canadian outfit is gracing our shores for the first time since 2011 and any readers who stood in awe at one of those shows will know that these are tickets not to be missed. Set lists are foregone as the band opt instead to thrive off their audience. Waves of energy cascade over the crowd, imbibing revellers with dancing urges that will continue for days as they relive the brilliance. Never has blaspheming and swearing been this fun, so grab yourself a ticket. https://youtube.com/watch?v=S2Y7TAtoAFk
Last summer might only just be behind us, but it's never too early to start making plans for the next one — and for the festival fun that comes with it. Indeed, when the toasty weather returns at the end of 2022, it'll also herald another comeback, with music, art and food festival Spilt Milk locking in three events for this year. Originally only held in Canberra, then expanding to Ballarat, and now heading to Queensland as well — to the Gold Coast to be specific — the beloved event will return in November and December. First stop: its ACT home, of course, on Saturday, November 26 at Exhibition Park. It'll hit up regional Victoria next, on Saturday, December 3 at Victoria Park, before wrapping things up on Sunday, December 4 at Doug Jennings Park in the Sunshine State. The multi-city one-dayer has cemented its spot as a must-attend event for a heap of reasons — and tickets have sold out in under 30 minutes every year, including in a record nine minutes one year, to prove it. So, expect this to be one of the most anticipated returns of 2022, whoever is on the lineup. That bill won't be announced until Thursday, April 28; however, in the past, Spilt Milk has played host to Khalid, CHVRCHES, Juice Wrld, Channel Tres, BENEE, Lorde, Gang of Youth, Dom Dolla, Tones & I and more. This year, it's promising "a mega line-up with some of the most in-demand names on the scene". Start your guesses now, folks. Whoever tops the lineup — and whoever else helps fill the fest's stages — that musical roster will have impressive company, because the rest of the program always spans visual art, tasty eats and pop-up bars. Again, the details haven't yet been revealed, but it's worth blocking out your calendar now. SPILT MILK 2022 DATES: Saturday, November 26 — Exhibition Park, Canberra Saturday, December 3 — Victoria Park, Ballarat Sunday, December 4 — Doug Jennings Park, Gold Coast Spilt Milk will hit Canberra, Ballarat and the Gold Coast in November and December 2022. The full lineup will be announced on Thursday, April 28 — head back here then for further details — with pre-sale tickets go on sale from Tuesday, May 3 and general sales from Thursday, May 5. Head to the festival website for more info and to register for pre-sales. Images: Jordan Munns and Billy Zammit.
Mary's monthly hospo party is back for 2019. Jump in the Fire sees Australia's best chefs and sommeliers put their mark on the Mary's brand with one-off food and wine pairings. It all goes down on the last Monday of each month — coinciding with the start of the weekend for many industry workers, but open to one and all. This year's event series kicks off on January 28, when renowned vegan chef Shannon Martinez of Melbourne's Smith & Daughters and Smith & Deli is in the house. She'll be slinging a range of vegan treats from the Mary's kitchen, including a meat-free version of the oh-so popular Mary's burger, vegan fried 'chicken', mash and plant-based gravy and rueben-loaded fries. For drinks, Liz Carey from Wine & Food Solutions will be pouring rare minimal intervention drops from around the world. Some of these special bottles include a pét-nat from Germany, a small-batch red blend from Catalunya and a biodynamic white from Austria. And, of course, there will be raucous tunes blasting, curated by local musicians and mates. To give you a sense of the vibe, the song 'Jump in the Fire' is a track off of Metallica's first album Kill 'Em All — a go-to at the venue. The monthly event remains free of charge, but remember it's a small joint, so get in early to nab a table for your crew.
Truffle season is nearly upon us and Sydney's top eateries are reminding us why every dish should have (at least) a touch of this luxe ingredient. From truffle-topped pasta and waffle fries to truffle-infused dumplings and gelato, you can find this decadent fungus all over the city this winter. There's even a few venues going all out with truffle degustation dinners, too. With so many tasty options to choose from, we've narrowed down the list to set your truffle priorities straight. Sweet or savoury, you won't be disappointed with these six dishes — they'll make you forget all about that winter chill. TRUFFLE EGG SANDO, DEVON CAFE At its locations in Surry Hills, Barangaroo and North Sydney, Devon Cafe is serving up a dedicated truffle menu this season. While the exact dishes vary from place to place, one item that caught the attention of our taste buds is the truffle egg sando ($20). Combining fluffy white bread, omelette, mushroom pâté and shaved truffle, this is a tasty a twist on a Japanese classic. It'll be available at both Barangaroo and North Sydney shops from June 2 through to the end of August. If you're keen on something sweet to end the meal, try the cafe's truffle sundae ($23) — truffle-infused soft serve, honey and sea salt, served in a waffle cone or cup and topped with frosted corn flakes and more fresh truffle. TRUFFLE AND FOIE GRAS GELATO, GELATO MESSINA HQ July is the perfect time to check out Gelato Messina's Creative Department — the gelato fiend is adding truffles to all of its dishes for a ten-day series of eight-course gelato degustation dinners. Head chef Remi Talbot has sourced elite perigord black truffles from nearby Parkesbourne Produce farm. Expect brioche and foie gras gelato with black truffle sauce; pistachio and black truffle gelato with matcha and white chocolate fudge; and grilled kumquat sorbet with koji cream, wattleseed and black truffle. Paired with each is an equally creative non-alcoholic drink, like the lemon myrtle and macadamia bubble tea, or the pineapple, white soy and shiitake sparkling. The degustation will only be available in Sydney from July 4–13 and tickets are $160 per person. These dinners are known to sell out remarkably quickly — with only eight seats per night — so grab yours here. BLACK TRUFFLE XIAO LONG BAO, NEW SHANGHAI New Shanghai is celebrating all things truffle across its Westfield Sydney, Chatswood and Ashfield venues with a dedicated menu of Chinese favourites — all given a truffle twist, of course. We're most excited to try the black truffle xiao long bao ($12.9 for four), which arrive in jet black dumpling wrappers. Think of that soup dumpling taste you know and love, then taken to the next level with that distinct truffle flavour. Other special menu items on the list include truffle and mushroom wonton soup ($14.9), black truffle pot stickers ($16.9 for five) and truffle fried rice $19.9). We reckon you should aim for truffle overload and order the lot. It's available from the start of June until the end of truffle season. FOUR-COURSE TRUFFLE FEAST, FRATELLI FRESH This winter, Fratelli Fresh will showcase the decadent fungus with a series of four-course truffle feasts. The tasting menu will cost you a pretty reasonable $69 per person and includes the likes of truffled potato veloute, ricotta agnolotti in a truffle butter and parmesan sauce and wagyu rump with truffle mash and braised leeks. Finish off with a particularly tasty sounding truffle-infused tiramisu. The truffle-fueled dinner will hit Fratelli Fresh Bridge Street on June 17, Westfield on June 18, Crows Nest on June 19 and Alexandria on June 20, starting at 6.30pm each night. To book, head here. [caption id="attachment_723666" align="alignnone" width="1920"] Kimberley Low[/caption] TRUFFLE WAFFLE FRIES, THREE WILLIAMS One signature truffle dish that can be found throughout eateries this season is truffle fries. And Three Williams is putting its own spin on the popular menu item, using waffle fries as the base and topping them with a gooey three-cheese sauce, fresh truffle and chives ($22). It's part of the Redfern cafe's dedicated truffle menu, which also features truffle peking duck with angel hair pasta in a ginger-infused cream sauce ($38), truffle mac and cheese-stuffed croissant with jamon and poached egg ($35) and an especially decadent brioche french toast with truffle ice cream, gold feuilletine and chocolate brownie ($29). The new menu will launch on Saturday, June 1. [caption id="attachment_723663" align="alignnone" width="1920"] Nikki To[/caption] TRUFFLE-TOPPED HAM HOCK CARBONARA, OTTO SYDNEY Returning for its second year, Otto Sydney will again offer a special truffle service throughout the winter season. This means guests can add freshly shaved truffle to any dish on the menu. The kitchen staff will finish off your dish tableside— or, if you're really lucky, head chef Richard Ptacnik will come out himself to adorn your dish with truffle. Pictured above is the ham hock carbonara, lovingly topped with big ole' shaving of this delectable stuff. But you don't have to stop there. Truffle-topped beef tartare with horseradish and capers? Yum. Potato gnocchi with braised lamb shoulder and shaved truffle? Done. A non-traditional seared scallops with this black fungus? Go for it. The restaurant is expecting to start offering truffles mid-June and price will depend on the market. Last year, truffle service was $25 for five whole grams of the stuff. Top images: Truffle sundae, Devon; Truffle french toast and pasta, Three Williams by Kimberley Low.
Groceries in a hurry: that's Milkrun's whole gambit, helping Sydneysiders to get thousands of essential items brought to their doors within ten minutes of ordering (and freeing you from a supermarket trip, too). It might've saved your bacon once or twice, including by actually bringing you bacon — and now it can literally save your butt as well. If you've ever found yourself in a situation where going commando is the only option, but not by choice — because you've forgotten to pop clean underwear in your gym bag, for instance — then Milkrun's decision to add dacks to its range will be welcome news. The delivery app has teamed up with sustainable lifestyle brand Boody to offer undies in a hurry, sticking to its ten-minute timeframe and helping you out in a big way when your current skivvies just won't cut it. We can all think of plenty of situations where this'll come in supremely handy: after big nights out, when you're going straight from work to a party and don't have the right underclothes, and if you're staycationing and didn't pack enough, for example. Maybe you wore an uncomfy pair, perhaps you're keen on an impromptu dip but don't have swimmers, or you could feel like pretending you're a superhero. Whatever the situation, now there's a solution. A number of different styles are available, starting with Boody's classic bikini ($14.95) and everyday boxers ($24.95) — and also including bras, trunks, briefs and socks. Stepped in a puddle on a rainy day? The new range solves that problem, too. If you're new to Boody, it launched back in 2011, and heroes sustainable fabrics and manufacturing — making its wares with fabrics such as bamboo and lyocell. And if you're new to Milkrun, it makes its deliveries via electric bicycles across Sydney's CBD and surrounding suburbs — and now stops you getting your knickers in a twist in multiple ways. To order Boody's undies delivered to you within ten minutes, head to the Milkrun website.
Bluesfest has lifted the lid on its second artist announcement for 2018, adding 16 more names to the already hefty lineup. Heading this latest stampede is Senegalese artist Youssou N'dour, who will be bringing his 20-piece band to the five-day Easter long weekend festival just outside of Byron Bay. If the name isn't ringing any bells, you'll probably be familiar with this '90s classic. Other artists joining the lineup include greatest hit-bearers Jackson Browne and Seal, Bluesfest regular Michael Franti, and British band Gomez will return to the fest for their first tour in six years. They'll place alongside two huge headliners: Lionel Richie and Led Zeppelin's Robert Plant, who will play with his band The Sensational Space Shifters. Plant's performance at Blues will mark 50 years since he first performed with Led Zeppelin, so the gravity of the performance is sure to be pretty huge. Other acts taking to the stage Tyagarah Tea Tree Farm over the weekend include Aussies Tash Sultana and John Butler Trio, Swedish duo First Aid Kit and what will be a captivating set by José González. Bluesfest returnees Joe Louis Walker, Dumpstaphunk and Eric Gales are on there too. Anyway, here's the full lineup. Better start making Easter plans — and deciding what to eat — because tickets are already on sale. BLUESFEST 2018 LINEUP SECOND ANNOUNCEMENT Youssou N'dour Seal Michael Franti & Spearhead Jackson Browne Jason Isbell and the 400 Unit Gomez Rag 'n' Bone Man The Original Blues Brothers Band Jimmy Cliff The Wailers Benjamin Booker Hurray for the Riff Raff Canned Heat Walter Trout André Cymone The Teskey Brothers FIRST ANNOUNCEMENT Robert Plant and The Sensational Space Shifters Lionel Richie The John Butler Trio Tash Sultana The New Power Generation Chic Featuring Nile Rodgers First Aid Kit Jose Gonzalez Morcheeba Gov't Mule Lukas Nelson & Promise of the Real The California Honeydrops Eric Gales Bobby Rush Dumpstaphunk Joe Louis Walker Rick Estrin & The Nightcats Bluesfest 2017 will run March 29 to April 2 at Tyagarah Tea Tree Farm, Byron Bay. More details and ticket info here. Image: Andy Fraser.
It has been 13 years since Planet Earth, the 11-part documentary series that combined stunning high-definition images of this place we all call home with David Attenborough's inimitable narration. It has been three years since Planet Earth II, the show's six-part sequel, did the same too. A third program, Planet Earth III, is slated to join them in 2022 — but you don't need to wait that long for your next Attenborough-voiced nature doco fix. Four years in the making, Netflix's Our Planet will help fill the gap. Releasing in April, it isn't related to BBC's Planet shows — which also include The Blue Planet and Frozen Planet — but it does still feature Attenborough's informative tones. Across eight episodes, the iconic broadcaster and natural historian will talk viewers through the planet's remaining wilderness areas and their animal inhabitants. The series is made in partnership with the World Wildlife Fund, so expect to see plenty of astonishing and majestic critters. And we do mean plenty. Our Planet was filmed in 50 countries across all the continents of the world, heading everywhere from the remote Arctic wilderness to the South American jungles — and to sprawling African landscapes and the depths of the ocean, as well. In total, it took 600 crew members to shot the series, who helped capture a plethora of never-before-filmed sites over more than 3500 filming days. It's also filmed in ultra high-definition at 4K resolution, so should your TV support it, you'll be in for quite the detailed glimpse at the natural world. Check out the full trailer below: Our Planet starts streaming on Netflix on April 5. Image: (c) Ben Macdonald/Silverback Films.
