Lunar New Year is famously a food-focused holiday. With celebrations traditionally stretching over about a two-week period, Lunar New Year dinner is one of the holiday's highlights. The dinner, which typically happens on the eve of Lunar New Year, is more accurately described as a feast — one where families gather, and the table teems with mouth-watering, home-cooked dishes. [caption id="attachment_987282" align="alignnone" width="1920"] Josh Mullins[/caption] We love a celebration at home centred around good food, so, in partnership with Oriental Merchant, we sought out expert advice from chef Jason Chan on what essentials to stock our pantries with for Lunar New Year and beyond. Not only is Chan the owner of Rice Kid, a newly opened pan-Asian restaurant inspired by the flavours of Southeast Asian cuisine, but he's also clocked up well over a decade as a chef in leading Chinese restaurants in Sydney. He snuck us into his pantry to show us exactly what he'll be cooking with come this Lunar New Year. Our best discovery? His go-to essentials aren't reserved exclusively for Lunar New Year — they're versatile ingredients that are just as invaluable for special celebrations as they are for midweek meals. [caption id="attachment_987274" align="alignnone" width="1920"] Josh Mullins[/caption] Surprisingly, Chan reveals that despite going all out on premium ingredients for Lunar New Year, he'll season them during the cooking process with everyday pantry staples. "Lunar New Year is more about the family gathering. You'll splurge and have things you don't normally have everyday, I think that's what makes it special. For our Lunar New Year feast, we usually have e-fu noodles, mudcrab, pipis — we go all out." On Capturing the Essence of Asian Cuisine The flavours of Asian cuisine though, are achieved with familiar products like "soy sauce, oyster sauce, sesame oil, Shaoxing [wine]." "Asian — Chinese — flavours [are] bold. I wouldn't use the word heavy, but it's flavoursome. It's every bite that you take. There's sweet, sour, bitter, salty, umami, you get the taste of all that." "I think that's what Asian cooking is all about, especially Chinese cooking, where there are so many different ingredients and so much variety [to choose between]. It's just packed with flavour." "In my pantry at the moment, I've got the Lee Kum Kee Panda Brand Oyster Sauce, the Lee Kum Kee Dark Soy Sauce, the Lee Kum Kee Premium Soy Sauce." [caption id="attachment_987275" align="alignnone" width="1920"] Josh Mullins[/caption] He also showed us his stash of Hakubaku noodles and Lee Kum Kee Chiu Chow Chilli Oil. "It's about what you can do with the ingredients out of the pantry to create something amazing," explains Chan. Some staples are genuine must-haves for Chan. "You can't cook without soy sauce, that's what I say. I think every household should have [it]." Meanwhile, others he believes are slept on. "I think oyster sauce is amazing ... it gives more body and more depth [to dishes]." [caption id="attachment_987280" align="alignnone" width="1920"] Josh Mullins[/caption] Ultimately though, it's not about a single ingredient. "It's more about how you incorporate everything together. I think every dish has a different element to it and every ingredient in our pantry, I think, works with a certain dish to enhance its flavour." On Making the Most of Pantry Essentials Chan says the special dishes of Lunar New Year can easily be translated into everyday dishes too." Let's say we did a lobster, for example, for Lunar New Year. How do you tone it down and still use all the pantry ingredients that you have? You choose a different protein. You might use fish, you might use prawns." The same applies to the e-fu Lunar New Year noodles he calls out. [caption id="attachment_987276" align="alignnone" width="1920"] Josh Mullins[/caption] "[You could substitute] egg noodles — thin egg noodles, thick egg noodles. If you're [feeling] brave, you can use ramen noodles, soba noodles, udon noodles. It's how far you want to explore, but they're all good." Experience the flavours of Lunar New Year everyday with Oriental Merchant authentic Asian ingredients.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?time_continue=4&v=87RIVAc6MJU&feature=emb_logo SYNCHRONIC Justin Benson and Aaron Moorhead made a significant splash in genre circles with 2014's horror-romance Spring and 2017's excellent cult thriller The Endless, but they aren't currently household names. If the duo keep writing and directing mind-bending sci-fi like Synchronic, though, they will be sooner rather than later. The pair actually appear destined to become better known via Marvel. They're slated to helm one of the MCU's many upcoming Disney+ TV series, the Oscar Isaac-starring Moon Knight, in fact. But, they've already worked their way up from the US$20,000 budget of their 2012 debut Resolution to making movies with Anthony Mackie and Jamie Dornan. Here, with Marvel's own Falcon and Fifty Shades of Grey's leading man, they play with time, relativity, fate and brain-altering substances. They ponder the shadows that the past leaves on the present, the way that progressing through life can feel far more like a stumble than following a clear path, and how confronting loss and death can reframe your perspective on living, too. Those temporal jumps and existential themes aren't new, of course, and neither is the film's steely look and feel, and its willingness to get dark. That's the thing about Benson and Moorhead, however: few filmmakers can twist familiar parts into such a distinctive, smart and engaging package in the same way, and with each and every one of their movies. Synchronic shares its title with a designer drug. In the film's vision of New Orleans, the hallucinogen can be bought in stores — and plenty of people are doing just that. Shift after shift, paramedics Steve Denube (Mackie) and Dennis Dannelly (Dornan) find themselves cleaning up the aftermath, as users keep overdosing, dying in unusual ways and getting injured in strange mishaps. And, these aren't your usual drug-fuelled incidents. One, involving a snakebite, happens in a hotel without even the slightest sign of slithering reptiles. That's enough to arouse the world-wearied Steve and Dennis' interest, and to give them something to talk about other than the former's attachment-free life and the latter's marriage. Then Dennis' teenage daughter Brianna (Ally Ioannides, Into the Badlands) goes missing, and the two EMTs are instantly keen to investigate any links that the popular pill might have to her disappearance. Cue a film that initially drips with tension, dread and intensity; uses every tool at its disposal to take viewers on a trippy journey; and grounds its surreal imagery and off-kilter atmosphere in genuine emotions. Each of Benson and Moorhead's four films so far are strikingly shot and astutely written, and rank among the best horror and sci-fi efforts of the past decade, but they're also as thoughtful and resonant as they are intelligent and ambitious — and that's an irresistible combination. Read our full review. https://www.youtube.com/watch?v=V5R46NgopPw&feature=emb_logo ANOTHER ROUND Even the most joyous days and nights spent sipping your favourite drink can have their memory tainted by a hangover. Imbibe too much, and there's a kicker just waiting to pulsate through your brain and punish your body when all that alcohol inevitably starts to wear off. For much of Another Round, four Copenhagen school teachers try to avoid this feeling. The film they're in doesn't, though. It lays bare the ups and downs of knocking back boozy beverages, and it also serves up a finale that's a sight to behold. Without sashaying into spoiler territory, the feature's last moments are a thing of sublime beauty. Some movies end in a WTF, "what were they thinking?" kind of way, but this Oscar-shortlisted Danish film comes to a conclusion with a big and bold showstopper that's also a piece of bittersweet perfection. The picture's highest-profile star, Mads Mikkelsen (Arctic), is involved. His pre-acting background as an acrobat and dancer comes in handy, too. Unsurprisingly, the substances that flow freely throughout the feature remain prominent. And, so does the canny and candid awareness that life's highs and lows just keep spilling, plus the just-as-shrewd understanding that the line between self-sabotage and self-release is as thin as a slice of lemon garnishing a cocktail. That's how Another Round wraps up, in one the many masterstrokes poured onto the screen by writer/director Thomas Vinterberg (Kursk)) and his co-scribe Tobias Lindholm (A War). The film's unforgettable finale also expertly capitalises upon a minor plot detail that viewers haven't realised had such significance until then, and that couldn't typify this excellent effort's layered approach any better. But, ending with a bang isn't the movie's only achievement. In fact, it's full of them. The picture's savvy choices start with its premise, which sees the quiet and reserved Martin (Mikkelsen) and his fellow educators Tommy (Thomas Bo Larsen, Veni Vidi Vici), Peter (Lars Ranthe, Warrior) and Nikolaj (Magnus Millang, The Commune) all decide to put an out-there theory to the test. Motivated by real-life Norwegian psychiatrist Finn Skårderud, they conduct an experiment that involves being permanently sauced. Skårderud has hypothesised that humans are born with a blood alcohol deficit of 0.05 percent, so, with some cajoling needed on Martin's part, the quartet work that idea into their daily lives. Ground rules are established, and the shots, sneaky sips and all-hours drinking swiftly begins — and so splashes a tragicomic look at coping with mundane lives and the realities of getting older in an extreme fashion that's frank, unflinching, and yet also warm and sometimes humorous. Read our full review. https://www.youtube.com/watch?v=LNkmnVd9wHM&feature=emb_logo ASSASSINS On February 13, 2017, at the Kuala Lumpur International Airport, a man was assassinated in broad daylight. While standing by the self check-in kiosks at around 9am, he was approached from behind by two women. After they each rubbed their hands across his face, he was dead within the hour. For a plethora of reasons, the attack garnered global news headlines. Such a brazen murder, carried out not only in public but also in full view of the Malaysian airport's security cameras, was always going to receive worldwide attention. The use of extremely deadly chemical weapon VX obviously demanded scrutiny — and so did the fact that the victim was Kim Jong-nam, the estranged elder half-brother of North Korean leader Kim Jong-un. But, despite the onslaught of newsprint, pixels and airtime devoted to the incident when it happened, the full details behind it took time to unfurl. As Assassins explores, those facts are fascinating, gripping and distressing in equal measure. Indeed, if a Hollywood screenwriter had cooked up the story at the centre of Ryan White's (The Keepers) meticulously documentary, they would've been told that it's too far-fetched. Not that the world needs any additional reminders, but real life really is far stranger than fiction here. Across 104 minutes that relay an unmistakably and inescapably wild tale in an edge-of-the-seat yet never sensationalistic fashion, White asks the question that was on everyone's lips four years ago: why? That query has many layers. It starts with wondering why two women in their 20s — one from Indonesia, the other from Vietnam — with no clear political affiliations would kill an exiled North Korean who was once expected to lead his nation. From there, it expands to contemplate why Malaysian law enforcement officers and prosecutors were so content to believe that culprits Siti Aisyah and Doan Thi Huong acted without any involvement from North Korea, and why a number of the latter country's citizens were interviewed, but then released and allowed to return home without facing any legal repercussions. Aisyah and Huong certainly weren't afforded the same treatment. Charged with Kim Jong-nam's murder, they were put through a long trial, and faced the death penalty if convicted. The pair, who didn't know each other beforehand, pled their innocence from the outset. Both women were adamant that they had each been hired to make prank videos for a YouTube show and, as far as they knew, their efforts in Kuala Lumpur were part of their latest production. Read our full review. https://www.youtube.com/watch?v=BZNN9AttdBQ LONG STORY SHORT The type of guy who is always too busy to both make plans and stick to them, Teddy (Rafe Spall, Just Mercy) has a slippery relationship with time. He never seems to have enough to commit to anything right now, including setting a date to marry to his girlfriend of four years and new fiancée Leanne (Zahra Newman, Neighbours). Ever the procrastinator, he's always saying that he'll do everything later, too. Then, after an odd cemetery run-in with a mysterious woman (Noni Hazelhurst, Ladies in Black) that results in his wedding occurring just weeks later, Teddy's life starts slipping away in an unexpected fashion. Everything is normal when he climbs into bed on his wedding night but, when wakes up, he realises that it's suddenly a year later. Leanne hasn't skipped the past 12 months with him, although she does think that he's acting strangely (and, that he's simply freaking out because he forgot their anniversary). Teddy's best friend Sam (Ronny Chieng, Crazy Rich Asians) also doesn't believe that anything is amiss with the calendar, but plenty has changed. When another year glides by a few minutes later, everything changes yet again. Now, Teddy's claims that he doesn't have enough time take on much greater urgency, as he tries to work out what's going on, how to stop it and how to save his disintegrating marriage in the process. Writing, directing and appearing on-screen as a psychiatrist who exacerbates Teddy's frustrations, House of Lies and Superstore actor Josh Lawson turns filmmaker again with Long Story Short. He's still sticking with comedy, as he did with The Little Death, his last effort behind the camera. He's still happy to sketch out his narratives via broad strokes, too, and to pile on implausible details as well. Here, he starts with the supposedly romantic idea that a man will kiss any woman who wears the same dress as his girlfriend. That mistaken situation inspires Teddy's meet-cute with Leanne, and somehow sparks their whole relationship. It's about as believable as the beachfront Sydney house the apparently ordinary couple buy as their first marital home — so, when Teddy starts jumping through time, that seems feasible in comparison. From there, Long Story Short packages the expected manchild and relationship cliches with familiar temporal-hopping tropes, and can't hide that fact by shouting out to Groundhog Day. Physically resembling his director more often than not, Spall plays rattled well enough. Newman does her best in a thinly written role that simply has Leanne reacting to Teddy's chaos. But being suddenly whisked through time and missing this flat movie wouldn't be a bad outcome for audiences, unless you're the type of viewer who loves Aussie flicks filled with all the usual tourist-courting visuals. https://www.youtube.com/watch?v=a4mxHlXBy_g THE PEOPLE UPSTAIRS A film like Spanish comedy The People Upstairs lives and dies on the strength of its performances. That's not a criticism of the movie's script; rather, it's recognition that its conversation-fuelled dramas and sudden, drastic twists and turns need the right actors to sell everything that unfurls across its brief 82-minute running time. Thankfully, writer/director Cesc Gay (A Gun in Each Hand, Truman) has amassed a top-notch cast. That's hardly surprising — he has worked with his male leads Javier Cámara (Narcos) and Alberto San Juan (Advantages of Travelling by Train) before, and his female leads Belén Cuesta (Money Heist) and Griselda Siciliani (Morir de Amor) boast considerable resumes. But, had any of the quartet missed even the slightest of beats, the whole film could've crumbled, and badly. As the long-married Julio and Ana, Cámara and Siciliani are asked to convey years of unhappiness that's long threatened to push the couple apart, but to still find enough of a spark in their wearied relationship to explain why they're still together (and not just via the smoke that radiates from their frequent arguments). As the upstairs-dwelling Salvo and Laura, San Juan and Cuesta are tasked with looser roles; however, they also have to roll with the punches when their characters keep shocking and surprising their downstairs neighbours. For Julio, the Friday night that attracts the movie's attention should just be an ordinary evening. Coming home from his music teaching gig, he has papers to grade and doesn't plan on doing much else. Alas, after mentioning in passing the day prior that she'd like to invite Salvo and Laura over, Ana has followed through — and they arrive not long after Julio walks in the door, notices the new rug and starts an argument. From there, The People Upstairs stays within Julio and Ana's apartment and follows their awkward get-together with Salvo and Laura. The latter pair notice the tension immediately, and they have very specific ideas about how to ease it. Plenty of comedies of manners have stepped into comparable terrain, to the point that dinner party movies have become their own subgenre, but Gay and his cast never let the situation feel too familiar. While the film makes the most of its nicely appointed set, which helps, how its stars deliver the lively content of Julio, Ana, Salvo and Laura's chats remains crucial. The movie's comedy, and the pondering of changing societal norms that's baked into it, wouldn't work otherwise. That's not to say that The People Upstairs always hits its targets; although short, some of its conversations become not only purposefully circular, but also repetitive. But when the tightly written script and the cast performing it all sparkle, so does the feature. https://www.youtube.com/watch?v=c85aXHth_uQ&feature=youtu.be UNSOUND In Unsound, Finn (feature first-timer Yiana Pandelis) and Noah (Reece Noi, When They See Us) meet by chance. When the latter wanders into the club for Sydneysiders with hearing impairments that the former runs in the city's northern beaches, a connection springs, although both enter the relationship with other things on their mind. Attendance at the neighbourhood centre has been waning, and the locals complain about Finn's weekly dance parties. Tucking his long hair up under a cap while he stands behind the DJ decks by night and helps children learn Auslan by day, Finn is also slowly taking steps to cement his identity as a transgender man. As for the British-accented Noah, he's just arrived in Australia after touring the UK with his pop singer mentor Moniqua (Christine Anu), and his mother Angela (Paula Duncan, Neighbours) has hardly given him a warm welcome. So, Unsound follows Finn and Noah's romance, but that's just one of the things the film is interested in. While both lead characters receive ample screen time, Finn's experiences as a person who is deaf and with his transition are frequently thrust to the fore. That's a welcome move — not because Noah's efforts to step out of his absent father's shadow, take his career seriously and cope with his often-dismissive mum don't deserve attention, but because inclusive movies about trans men and people who are hearing impaired are rarely this thoughtful (and rarely exist at all, really). Directed by TV veteran Ian Watson (Heartbreak High, Home and Away) and penned by Ally Burnham (Nice Package), Unsound might bring both 52 Tuesdays and Sound of Metal to mind, which are excellent movies to even remotely resemble; however, this small feature with big ambitions and a heartfelt impact is always its own film. Absent touristy Sydney shots that constantly remind you where it's set, and favouring a low-key, lived-in aesthetic instead, it dedicates its running time to plunging into Finn's life and portraying it authentically, a task that it doesn't lose sight of even for a minute. The texture and detail in Burnham's script, especially in fleshing out the movie's characters, isn't just admirable but essential. It's little wonder, then, that Pandelis always makes Finn feel as if he could walk off the screen — although the performer also deserves ample credit. Noi also more than does his part justice, in a well-cast film all-round (see also: scene-stealer Olivia Beasley as one of Finn's colleagues, and a grounded turn from The Boy From Oz star Todd McKenney as Finn's father). And, the use of sound to convey the joy that Finn and his friends feel at their Saturday night dance parties is one of the picture's many astutely calibrated touches. Unsound is currently screening in Melbourne cinemas, and will open in Sydney and Brisbane cinemas on March 18. https://www.youtube.com/watch?v=cb7iVXzGics&feature=youtu.be ESCAPE FROM EXTINCTION As well as introducing the world to Joe Exotic and his out-there story, Tiger King: Murder, Mayhem and Madness initiated many viewers into the horrors of roadside zoos and exotic animal menageries. Consider Escape From Extinction the counterpoint, then. Focusing on the other end of the zoo and aquarium industry — the professional, well-funded, properly run type — it sings the praises of establishments worldwide that have been doing their part to help save threatened and endangered species from disappearing. The figures, which the film quotes often (and repeats frequently, too), speak volumes. It's impossible not to be moved by the numbers of species already lost, others teetering on the brink, the dwindling populations left in some cases and, after successful conservation programs, the hard-earned upswings as well. But, it's also impossible not to see this feature as a prolonged advertisement, and an attempt to redress the criticism of keeping animals in captivity stoked by not just Tiger King, but animal activism in general, including high-profile campaigns to release creatures such as Keiko, the orca from the Free Willy films. American Humane produced the movie, so the latter is hardly surprising — but even if you didn't know that when you stepped into the cinema, you'd easily guess. With Helen Mirren's calm but no-nonsense voice providing its narration, Escape From Extinction largely operates in two modes: bigger-picture overviews and individual case studies. If you've delved into the ever-growing subgenre that is animal-focused environmental documentaries before (such as 2020's David Attenborough: A Life On Our Planet), you'll have heard many of the movie's main overall messages. If you've paid any attention to news coverage of recent disasters, including Australia's bushfires, you'll also be familiar with its top-level details. When first-time director Matthew R Brady gets specific, however, the film endeavours to find its own niche — and to pad it with its clear viewpoint at the same time. Accordingly, there's more than a little awkwardness to some segments, especially when you compare the section about sharks being unfairly maligned by popular culture (yes, Jaws gets a mention) and the black-and-white footage and sinister soundtrack used whenever activists are shown protesting. Of course, the fight to save animals from extinction is a worthy one. The view that many zoos play an important part is worth espousing, too. And the experts, wildlife veterinarians, scientists, zookeepers and other industry figures assembled as taking heads are all clearly passionate about their work and about conservation. But, as Escape From Extinction shows, a film can make a plethora of valid and important points and still clumsily and forcefully push an agenda at the same time. https://www.youtube.com/watch?v=UIxq3UCcJmw LOVE, WEDDINGS & OTHER DISASTERS Filmmaker Garry Marshall passed away in 2016, ending his career with three terrible movies focused around specific occasions: Valentine's Day, New Year's Eve and Mother's Day. As well as being awful, all three took star-studded ensemble casts, split them across separate but eventually interlinked vignettes, and told tales relating to the celebrations in each feature's title. While Marshall clearly didn't helm it, Love, Weddings & Disasters takes its cues from his aforementioned films. It's directed by Dennis Dugan, though, who otherwise has the Adam Sandler-starring Happy Gilmore, Big Daddy, I Now Pronounce You Chuck & Larry, You Don't Mess with the Zohan, Grown Ups and its sequel, Just Go With It and Jack and Jill on his resume. Sandler doesn't show up here, though, because he's made a decision far wiser than Jeremy Irons (Watchmen), Diane Keaton (Poms), Maggie Grace (Fear the Walking Dead) and Diego Boneta (Monster Hunter). Indeed, it's difficult to see what anyone appearing on-screen saw in Dugan's script, other than the filmmaker himself — who plays the obnoxious host of a TV dating show called Crash Couples that sees strangers literally chained together in an attempt to win $1 million. Yes, the clips involving the latter are as excruciating as they sound but, in fairness, so is everything else about this supremely unfunny and unromantic supposed rom-com. Putting the word 'disaster' in this movie's moniker couldn't be more apt. Nor could its opening scene, where the ultra-competitive Jessie (Grace) drops her soon-to-be ex-boyfriend while skydiving. She also crashes into a lakeside ceremony, with the footage going viral and earning her the nickname 'wedding trasher' — which is a problem given that she wants to work in the industry. Just eight days before a Boston mayoral candidate and his bride-to-be are due to get hitched, Jessie scores her big chance. Trying to play nicely with veteran Lawrence Philips (Irons) while planning the ceremony isn't easy, though, especially when he's preoccupied after being set up on a blind date with Sara (Keaton), a woman with a visual impairment. More of Love, Weddings & Other Disasters' bite-sized tales link in with these narratives from there, involving musicians, buskers, Crash Couples and tours of the city, and they're all just as cliched and thinly thought-out. That's one of the movie's problems, but it's also near-incoherently shot and edited, and looks as if all of its budget went to paying Irons and Keaton. It's hard to say they were worth the money, because he's just asked to be prim, proper and uptight, and she somehow agreed to play a woman who is blind and trips over all the time. That's Dugan's idea of prime romantic-comedy material, and it's enough to harden even the softest of hearts in dismay. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26; and January 1, January 7, January 14, January 21 and January 28; and February 4. You can also read our full reviews of a heap of recent movies, such as The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch and The Nest.
In just a few years time, the Academy Awards will notch up a century of celebrating the best movies to grace the silver screen each year. How will the acclaimed accolades build up to that point? In 2024, at the 96th ceremony, probably with a whole lot of love sent Oppenheimer's way. The J Robert Oppenheimer biopic earned the most nominations of any film from the past year. Don't be surprised if it takes home the most trophies as well, including for Christopher Nolan, Cillian Murphy and Robert Downey Jr. We won't be come Monday, March 11, Down Under time. While winning an Oscar — or a swag of them — over other flicks doesn't mean that there aren't masterpieces among the fellow nominees, or among pictures that didn't even make the cut as well, Oppenheimer is a worthy favourite in a range of 2024 Oscar fields. What will it collect? What will it nab that another film should instead? Who else might win, and what? Can't they just give both Emma Stone and Lily Gladstone Best Actress Oscars? That's all part of our predictions. As we did in 2022 and 2023, we've watched everything — many of which you can too in both Australia and New Zealand right now — and done some assessing and prognosticating. Here are the results, aka the movies and folks likely to shortly be able to add "Oscar-winner" to their posters and resumes in 15 key categories. Best Motion Picture The nominees: American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest Should win: Poor Things Could win: Poor Things Will win: Oppenheimer Barbenheimer was a phenomenon before either Oppenheimer or Barbie even reached cinemas in 2023, with both arriving on the same day to create a memorable pop-culture moment. They shared a release date, and the same wave of attention — but only one can win Best Motion Picture at the Oscars. That one: Oppenheimer. Christopher Nolan's biopic of J Robert Oppenheimer is a mind-blower, and one of 2023's absolute best films. It has some stunning company in this category, however, most of which would also make excellent picks for the Academy's big gong: Anatomy of a Fall, Killers of the Flower Moon, Past Lives and The Zone of Interest, for instance. Then there's Poor Things, which is pure jaw-on-the-floor viewing, and its own unique creation at every turn. It deserves to win. It could achieve the feat. Even if it misses out to Oppenheimer, it'll still be the standout feature of the past 12 months. Best Director The nominees: Justine Triet, Anatomy of a Fall Martin Scorsese, Killers of the Flower Moon Christopher Nolan, Oppenheimer Yorgos Lanthimos, Poor Things Jonathan Glazer, The Zone of Interest Should win: Christopher Nolan, Oppenheimer Could win: Yorgos Lanthimos, Poor Things Will win: Christopher Nolan, Oppenheimer Despite his stunning resume, Christopher Nolan has only been nominated for the Best Director Oscar once before, for Dunkirk. If Greta Gerwig had secured a nod for Barbie, they would've faced off again; the first time, Guillermo del Toro deservedly won for The Shape of Water. Everyone knows that the Academy completely overlooked Gerwig this year — but this is Nolan's year anyway. Don't discount Yorgos Lanthimos for Poor Things, though. This is also his second nomination, after The Favourite — and again (see: Best Motion Picture above), there's nothing like his riff on Frankenstein. Nolan and Lanthimos' fellow nominees are equally at the top of their games with their latest work, so there's no bad choice here if Justine Triet becomes just the fourth woman to win this category, Martin Scorsese collects just his second directing Oscar or Jonathan Glazer nabs his first. Best Performance by an Actress in a Leading Role The nominees: Annette Bening, Nyad Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Carey Mulligan, Maestro Emma Stone, Poor Things Should win: Emma Stone, Poor Things Could win: Lily Gladstone, Killers of the Flower Moon Will win: Emma Stone, Poor Things Give Emma Stone an Oscar for her line reading of "I must go punch that baby!" alone. Of course, that's not the only reason that she should win the Best Performance by an Actress in a Leading Role category for a second time — the first was for La La Land — but it's emblematic of the commitment that she gives her work in Poor Things. Her delivery, her physicality, her constant ability to surprise: now that's a performance. If only two actors could share this field, though. With heartbreaking subtlety as well as searing defiance, Lily Gladstone is exquisite in Killers of the Flower Moon — and if she wins, which she may well, it'll be wonderful. Her speech will also be the highlight of the night. She's also already the first Native American woman to receive a nomination in this field, and will keep making history if she ends up with a statuette in her hands. Best Performance by an Actor in a Leading Role The nominees: Bradley Cooper, Maestro Colman Domingo, Rustin Paul Giamatti, The Holdovers Cillian Murphy, Oppenheimer Jeffrey Wright, American Fiction Should win: Cillian Murphy, Oppenheimer Could win: NA — Cillian Murphy will win for Oppenheimer Will win: Cillian Murphy, Oppenheimer "Dearest Cillian. Finally a chance to see you lead... Love, Chris." That's how Cillian Murphy's script for Oppenheimer came — and although this isn't the Irish talent's first-ever leading part, Christopher Nolan pushing him to the fore of his latest film will garner him an Oscar. It's remarkable casting, even given that Murphy is never less than excellent in anything that he's in, back to and preceding when 28 Days Later first thrust him to broader attention. If anyone else has their name read out, it'll be a massive shock. That's not criticism of Murphy's fellow nominees, though. Bradley Cooper directs himself to a career-best portrayal in Maestro, while none of Rustin, The Holdovers or American Fiction would be the movies they are without Colman Domingo, Paul Giamatti and Jeffrey Wright, respectively. Best Performance by an Actress in a Supporting Role The nominees: Emily Blunt, Oppenheimer Danielle Brooks, The Color Purple America Ferrera, Barbie Jodie Foster, Nyad Da'Vine Joy Randolph, The Holdovers Should win: Da'Vine Joy Randolph, The Holdovers Could win: NA — Da'Vine Joy Randolph will win for The Holdovers Will win: Da'Vine Joy Randolph, The Holdovers Not all award-winners keep their accolades on a mantle; however, Da'Vine Joy Randolph's must be getting crowded — or wherever else she puts the trophies that she's been collecting for her soulful turn in The Holdovers. She won at the BAFTAs, Critics Choice Awards, Golden Globes, Satellite Awards, Film Independent Spirit Awards, National Board of Review and Screen Actors Guild, plus thanks to an extremely hefty list of other critics' associations. She won't leave the Oscars empty-handed. As with Best Actor, this is a category where there's no shortage of deserving nominees, but still one certain winner. If someone else does cause an upset, Jodie Foster being rewarded for her efforts in Nyad would see her win for just her second nomination in this field — she's received the Best Actress prize twice for The Accused and The Silence of the Lambs — a whopping 47 years after her first for Martin Scorsese's Taxi Driver. Best Performance by an Actor in a Supporting Role The nominees: Sterling K Brown, American Fiction Robert De Niro, Killers of the Flower Moon Robert Downey Jr, Oppenheimer Ryan Gosling, Barbie Mark Ruffalo, Poor Things Should win: Ryan Gosling, Barbie Could win: Ryan Gosling, Barbie Will win: Robert Downey Jr, Oppenheimer There's no walking out of Oppenheimer without thinking that Robert Downey Jr is going to win an Oscar for playing AEC commissioner Lewis Strauss. And no, he won't just emerge victorious because he's not playing Iron Man, although it's such a treat to see him in such a weighty part (and outside of the Marvel Cinematic Universe) again. That said, if you did the Barbenheimer double on the same day (Barbie then Oppenheimer is the best order), then you would've walked out of Barbie thinking that Ryan Gosling should get the Best Supporting Actor prize, too. Winning for comedy is significantly difficult at the Oscars, but his Ken almost stole Barbie from Margot Robbie. Whatever the outcome, Gosling will sing 'I'm Just Ken' at the ceremony, so he'll be up on stage at least once. Best Original Screenplay The nominees: Anatomy of a Fall, Justine Triet and Arthur Harari The Holdovers, David Hemingson Maestro, Bradley Cooper and Josh Singer May December, Samy Burch and Alex Mechanik Past Lives, Celine Song Should win: Past Lives, Celine Song Could win: Past Lives, Celine Song Will win: Anatomy of a Fall, Justine Triet and Arthur Harari That Celine Song's Past Lives only received two Oscar nominations is near unfathomable. That it might go home without any awards is as well. Song missed out in the Best Director field, but the Academy does like to use its screenwriting awards to redress wrongs elsewhere — Quentin Tarantino and Jordan Peele both have wins here, for instance. It's for the same reason that Justine Triet and Arthur Harari will likely win for Anatomy of a Fall, especially given that France didn't put the film forward for Best International Feature, so it couldn't have been nominated and obviously can't win there. It's worth noting that May December's sole Oscar recognition is in this category, and that that's a ridiculous oversight, so an award for it would also be stellar. Best Adapted Screenplay The nominees: American Fiction, Cord Jefferson Barbie, Greta Gerwig and Noah Baumbach Oppenheimer, Christopher Nolan Poor Things, Tony McNamara The Zone of Interest, Jonathan Glazer Should win: Poor Things, Tony McNamara Could win: Barbie, Greta Gerwig and Noah Baumbach Will win: Oppenheimer, Christopher Nolan As noted in the Best Original Screenplay category, winners for putting pen to paper — or fingers to the keyboard — often let the Academy throw some love towards movies largely ignored elsewhere. Consequently, if Greta Gerwig and Noah Baumbach score victory for Barbie, that trend just might hold up again (although Barbie is particularly in with a great chance in Best Costume Design and Best Production Design). If Barbie loses, expect Oppenheimer to top it — again. Anything could succeed in this field, though, because Poor Things, The Zone of Interest and American Fiction all also boast cracking scripts. Poor Things isn't just a marvel; it's as bold as any movie could ever dream of. Australian screenwriter Tony McNamara did get nominated for The Favourite, too. Best International Feature The nominees: Io Capitano, Italy Perfect Days, Japan Society of the Snow, Spain The Teachers' Lounge, Germany The Zone of Interest, United Kingdom Should win: Perfect Days, Japan Could win: Society of the Snow, Spain Will win: The Zone of Interest, United Kingdom Finding a viewing experience that's more sublime, soulful and thoughtful than Perfect Days — not just among the nominees for Best International Feature, but in general — is a near-impossible task. Watching the Tokyo-set Japanese contender about a toilet cleaner, which is directed by German filmmaker Wim Wenders (Submergence), is as life-changing as cinema gets. A British film set in Germany and told in German, The Zone of Interest is unforgettable in a completely different way given that it is set during the Holocaust among a family living next door to Auschwitz. It's also exceptional — and an worthy recipient of this award. Indeed, there's no wrong pick, which means that Society of the Snow could sneak in for also telling a harrowing real-life tale. Best Animated Feature The nominees: The Boy and the Heron Elemental Nimona Robot Dreams Spider-Man: Across the Spider-Verse Should win: The Boy and the Heron Could win: The Boy and the Heron Will win: Spider-Man: Across the Spider-Verse 2018's Spider-Man: Into the Spider-Verse won an Academy Award in this very category. Among the American films that've made it to the final five in 2024, sequel Spider-Man: Across the Spider-Verse is the pick of the bunch — and another spectacular achievement for the medium of animation. Twice now, watching the Spider-Verse movies means realising how live-action takes on superheroes will never be able to relay the full story. If Spider-Man: Across the Spider-Verse wins, that'll be an ace outcome. Going past Hayao Miyazaki's comeback The Boy and the Heron would be downright audacious at the same time, however. With his first film since 2013's The Wind Rises, the master Studio Ghibli co-founder adds one of his best movies yet to his resume. It's imaginative, heartfelt, smart, breathtaking and awe-inspiring — and that's just the beginning. Best Documentary Feature The nominees: Bobi Wine: The People's President The Eternal Memory Four Daughters To Kill a Tiger 20 Days in Mariupol Should win: 20 Days in Mariupol Could win: NA — 20 Days in Mariupol will win Will win: 20 Days in Mariupol For two years in a row, the Best Documentary Feature field will likely offer a damning indictment of Russia with its winner. Navalny did just that in 2023, with the film must-see viewing then and even more so since Vladimir Putin opponent Alexei Navalny's recent death in incarceration. With 20 Days in Mariupol, the invasion of Ukraine is in the spotlight. This is a movie that can't be unseen, nor forgotten. An on-the-ground exploration of the first 20 days of the war in the titular city, including in hospitals where victims of bombings and shellings are sent, this is as essential as documentary filmmaking gets. Fighting for freedom is also at the heart of Bobi Wine: The People's President, which could earn some love — and battling for justice similarly drives the also-excellent To Kill a Tiger. Best Original Score The nominees: American Fiction, Laura Karpman Indiana Jones and the Dial of Destiny, John Williams Killers of the Flower Moon, Robbie Robertson Oppenheimer, Ludwig Göransson Poor Things, Jerskin Fendrix Should win: Poor Things, Jerskin Fendrix Could win: Poor Things, Jerskin Fendrix Will win: Oppenheimer, Ludwig Göransson Ludwig Göransson knows what it's like to win an Oscar thanks to Black Panther. Soon, the Swedish composer will probably know what it's like to win two. As the greatest scores do, his work on Oppenheimer turns it into the film that it needs to be but wouldn't without such influentual music — which, seeing how astounding everything else is about the movie, isn't a minor achievement. Jerskin Fendrix's tunes for Poor Things do all of that with such distinctiveness, while also feeling so deeply perfect for the feature, that it would come as a surprise to no one if he was somehow composing from within its frames. Giving this award to Robbie Robertson, who does wondrous work for Killers of the Flower Moon, would also be a touching posthumous tribute to The Band musician and regular Martin Scorsese collaborator. Best Original Song The nominees: 'The Fire Inside', Flamin' Hot, Diane Warren 'I'm Just Ken', Barbie, Mark Ronson and Andrew Wyatt 'It Never Went Away', American Symphony, Jon Batiste and Dan Wilson 'Wahzhazhe (A Song For My People)', Killers of the Flower Moon, Scott George 'What Was I Made For?', Barbie, Billie Eilish and Finneas O'Connell Should win: 'I'm Just Ken', Barbie, Mark Ronson and Andrew Wyatt Could win: 'I'm Just Ken', Barbie, Mark Ronson and Andrew Wyatt Will win: 'What Was I Made For?', Barbie, Billie Eilish and Finneas O'Connell First, the obvious observation: Best Original Song is Barbie's to lose. Bringing the eponymous doll to the screen notched up two of the five nominees in this category, and is almost certain to win for one of them — after they're both performed live, with Ryan Gosling singing 'I'm Just Ken', of course, and Billie Eilish belting out 'What Was I Made For?'. Expect Eilish and her brother Finneas O'Connell to take home the trophy, which'll be the pair's second Oscar thanks to 'No Time to Die' from, yes, No Time to Die. Mark Ronson and Andrew Wyatt's catchy dive into Ken's soul keeps getting stuck in the world's heads due to more than just its melody, though. And if there's a non-Barbie upset, it might come from Jon Batiste and Dan Wilson's 'It Never Went Away' from American Symphony. Best Cinematography The nominees: El Conde, Edward Lachman Killers of the Flower Moon, Rodrigo Prieto Maestro, Matthew Libatique Oppenheimer, Hoyte van Hoytema Poor Things, Robbie Ryan Should win: Oppenheimer, Hoyte van Hoytema Could win: Poor Things, Robbie Ryan Will win: Oppenheimer, Hoyte van Hoytema Again and again throughout 2024's Oscar contenders, the fields often come down to two prime candidates: Oppenheimer and Poor Things. Either winning in most categories is a magnificent outcome; when movies this superb are competing against each other, there's no such thing as a losing flick — just one that gets the trophy and one that doesn't. Hoyte van Hoytema and Robbie Ryan's lensing for this pair of pictures is exquisite in different ways; stark and precise for the former, dreamy and inventive for the latter. Oppenheimer emerged with the prize at this year's American Society of Cinematographers Awards, though, which can be a reliable guide. Don't discount Rodrigo Prieto for Killers of the Flower Moon, even if he should've been nominated for Barbie as well. Best Film Editing The nominees: Anatomy of a Fall, Laurent Sénéchal The Holdovers, Kevin Tent Killers of the Flower Moon, Thelma Schoonmaker Oppenheimer, Jennifer Lame Poor Things, Yorgos Mavropsaridis Should win: Oppenheimer, Jennifer Lame Could win: Poor Things, Yorgos Mavropsaridis Will win: Oppenheimer, Jennifer Lame It's happening again: Oppenheimer and Poor Things leading the pack, that is — and likely Oppenheimer winning. Just as with Best Cinematography, there's form for Christopher Nolan's film getting the nod over Yorgos Lanthimos' flick thanks to other accolades. Oppenheimer's Jennifer Lame won at the American Cinema Editors Eddie Awards, for instance. Thelma Schoonmaker is an editing icon, however; this is her eighth Oscar nomination for a Martin Scorsese movie, a run that spans wins for The Aviator and The Departed. And editing is so pivotal to Anatomy of a Fall in telling its story — over every other contender in this field, actually — that Laurent Sénéchal's chances can't be ruled out. The 2024 Oscars will be announced on Monday, March 11, Australian and New Zealand time. For further details, head to the awards' website. Wondering where to watch this year's Oscar contenders? We've put together a rundown for both Australia and New Zealand.
If you love mezcal and Mexican fare, you need to add the high-end Oaxacan restaurant and artisanal mezcal bar Santa Catarina to your list. At this laneway locale, lit by soft lamps and natural light through its large streetside window, you'll find an outrageous collection of mezcal — with some expressions so rare you'd even struggle to find them in Mexico. The cosy booths feature tiling that evokes traditional Oaxacan interior design and velvety seats. Traditional woven plates adorn the walls to give the chic eatery a more relaxed feel. This is elevated further with live music every Saturday night. For $49 per person for a starter, main and side, the Fixe Lunch Menu includes guacamole, crispy squid, roasted chicken breast with coloradito mole and black angus flank steak with chimichurri. Dinner time offers more deliciousness with the extensive a la carte menu. There's a raw bar offering ceviche and fresh oysters, five types of taco, four iterations of traditional moles and a range of share plates, including lamb shoulder barbacoa, smoked duck breast and charred prawns. There are also two set menus if you want to avoid making decisions and instead focus on making your way through the six margarita styles.
If it's been a while between visits to Chippendale, you may notice a few changes next time you drive up Regent Street. A strip of colourful brick-fronted townhouses has been demolished to make way for the multibillion-dollar Sydney Metro project, cabbie favourite Michael's Malaysian & Chinese Restaurant is gone and, in its place, a bright red neon sign has appeared. The sign belongs to Manny's, a matchstick-sized diner, whose pizza by the slice and juicy philly cheesesteaks are sure to be a hit with punters leaving Freda's and The Lord Gladstone in the wee hours. Run by Evan Hansimikali, who also owns the attached petrol station, Manny's opens from 6.30am on weekdays, for coffee and B&E rolls, all the way through to 2am on Fridays and Saturdays. So, if you do stumble out of one of the aforementioned establishments after witching hour, you'll be able to grab a $5 slice of thin-crust New York-style pizza topped with double-smoked leg ham and artichoke, perhaps, or cabanossi and pepperoni. Vegan night owls are catered for, too, with about 40 percent of the menu meat- and dairy-free. Their late-night slice of choice might be topped with vegan cheese, potato and rosemary, instead. With only three seats, Manny's is more of a takeaway joint, and it knows this. A delivery service is in the works, it's setting up a happy hour deal with Freda's and it's primed for meals on-the-run, able to turn out a cheesesteak in a minute. And those cheesesteaks sound like they're more than worth the 60-second wait. To replicate the popular PA sangas, Hansimikali has hoagie-like rolls — a cross between baguettes and panini, he says— custom-made for him by Sydney's Fuel Bakery. Then, there's the all-important meat. "We use grass-fed scotch fillet steak," says Hansimikali. "We thinly slice it and throw it on the hot plate. It's so thin it falls apart in your mouth." After that, the rolls are loaded with American cheese, lettuce, tomato and mayo. Some are also topped with meatball sauce and provolone, others eggplant and green peppers. They're not traditional, but Manny's isn't following any rulebook too closely. While the food is predominantly Italo-American, you'll also find Greek influences scattered throughout. One cheesesteak comes topped with tzatziki, you'll spot a hot dog with black olives and feta, and you can order fries covered in chilli and garlicky yoghurt. Cabbies might no longer be lining up for the Regent Street restaurant, but it looks like Ubers and personal cars will be soon, with plans for one of the petrol station lanes to be converted into a 'drive-thru'. Next time you're looking for fast meal beyond the Golden Arches, Manny's may be your answer.
Sydney WorldPride is now upon us and the Mardi Gras Parade is this weekend. If you've left your preparation to the last minute, we've enlisted the expertise of living legend Carlotta — a trans icon and cabaret performer who knows a thing or two about getting ready for a show. Carlotta is currently featured in a special Sydney WorldPride installation in the QVB which pays tribute to queer Australians who have made significant contributions to the LGBTQIA+ community. The QVB is temporarily rebranding from the Queen Victoria Building to reflect each of these contemporary queens with a set of fabulous portraits by photographer Dream Syndicator (pictured above). Carlotta is one of the queens in focus, along with queer activist Ken Davis (a member of the original Mardi Gras 78ers), Indigenous drag queen Felicia Foxx, Independent MP Alex Greenwich and Janine Middleton who, together, co-chaired Australian Equality and successfully fought for and helped achieve marriage equality in Australia. Fashion and costume has always played a role in self-expression for queer communities, and when it comes to dressing up Mardi Gras is one of the biggest nights of the year. So Carlotta shared a few tips for any Pride newcomers looking for a bit of a steer. Carlotta, what's the best way to mentally prepare for Pride? It's three weeks of (what seems to be) non-stop parties, so how does one survive? "To prepare for Pride you need to be organised, wear something you're comfortable in (for Carlotta this would now be wearing flat shoes) and make sure you're drinking lots of water." If you were going to Mardi Gras what would you be wearing? "If I were to be going to the celebrations I would be wearing a Camilla Kaftan because it's bright and colourful but also loose, flowy and comfortable. I'd also be wearing flat shoes because my feet are suffering now and I can't wear high heels like I used to." Where are some of the best places in Sydney to stock up on looks for Pride? For me it would be Camilla or House of Priscilla on Oxford Street (it has always been the best place). [caption id="attachment_892528" align="alignnone" width="1920"] Inside of House of Priscilla[/caption] How do you differentiate your day-to-day style versus your on-stage style? - Is your on-stage self an extension of your day-to-day or is it a completely new persona? "My day-to-day persona and on-stage persona are two completely different aspects. Day-to-day I wear more loose and flowy clothing, and on stage I'm more extravagant with lots of sequins and feathers." How do you think fashion plays a role within the queer community in general? Fashion plays a role in the queer community but all the fashion choices and styles are completely different. People can wear what they want to wear and that's what it's all about. What have been your favourite Mardi Gras/Pride looks to date? I've always loved everything I've worn. My favourite look I've ever done is when I did Priscilla Queen Of The Desert — I wore a big white coat and feather collar. Why do you think dressing up is such an important aspect of Pride? It's the excitement of the celebrations in the community. Everyone gets to me themselves and uses their outfits as self expression. For more inspiration for how to make the most of this once-in-a-lifetime celebration head to our events guide on the best of Sydney WorldPride.
Maybe names like Nicolas Jaar and Lindstrøm make you go all fangirl, or maybe you'd rather party on after a show instead of ruminate on it, or maybe you just want to experience what exactly a Hot Dub Time Machine is. If any of the above sound enticing, Paradiso is where you'll be spending a lot of time during the tail end of January. The pop-up takes its name from the iconic Amsterdam rock venue, and it sits in the 125ish-year-old Town Hall. But aside from one detour in a time machine, the vibes are geared towards Sydney circa now. An expertly curated selection of DJs host post-headliner dance parties until 2am, and if it's a school night, the free-entry Paradiso Bar on the terrace is a prime spot for an after-work/pre-show drink. Light hot meals are available there, too. It all kicks off on January 18 at 8pm with special event Dance from Rokia Traore, who's sold out her Spiegeltent and City Recital Hall shows. Entry is always free after 11.30pm, so check the program to see which post-show acts are worth scheduling in a hangover for. Image: Osaka Monaurail
Film festival lineups are only ever truly complete when the event is over for the year, because new movies and sessions can join the program right up until the curtains fall. 2025's Sydney Film Festival runs in June, for instance, and unveiled the bulk of its its roster to start May — but it still keeps expanding, including by scoring the Australian premiere of Ari Aster's Eddington. Fresh from announcing that DEATH STRANDING and Metal Gear Solid creator Hideo Kojima has joined the 2025 program to get chatting with Mad Max and Furiosa director George Miller, SFF has now revealed that one of this year's most-anticipated movies — that wasn't already on its bill — is also heading to the Harbour City across Wednesday, June 4–Sunday, June 15. Eddington joins the fest's straight-from-Cannes contingent, with the news coming just days after the film debuted at the prestigious French festival. "With Eddington, Ari Aster turns his razor-sharp gaze to the fractured heart of America, and perhaps the world, in a film that is provocative, urgent and completely gripping. This is a compelling work that speaks to the chaos and contradictions of our times — and one that will spark passionate conversation," said SFF Festival Director Nashen Moodley, announcing the movie's addition to SFF's 2025 program. "We are delighted to present its Australian premiere at Sydney Film Festival and offer Sydneysiders the chance to be some of the very first people in the world outside of Cannes to see this incendiary film." Arriving two years after Aster first stressed out Joaquin Phoenix in Beau Is Afraid, Eddington has more tension and chaos in store for the Oscar-winning actor. The pair reunite for a trip back to 2020, to the early days of the COVID-19 pandemic, and to the movie's eponymous New Mexico location as it attempts to cope with the abrupt change to life as its citizens know it. Phoenix (Joker: Folie à Deux) portrays the small town's sheriff — with Emma Stone (Kinds of Kindness ) as his wife, Pedro Pascal (The Last of Us) as the loyal mayor and Austin Butler (The Bikeriders) as the charismatic Vernon Jefferson Peak. The storyline: putting Joe and the mayor on a collision course, which unsurprisingly causes ripples throughout Eddington, in a tale that's set to see townsfolk clash in a period that we all know couldn't have been more heightened. Aster is back cultivating unease, then, as he did so expertly in Hereditary in 2018, then Midsommar in 2019, then Beau Is Afraid in 2023. If you can't see Eddington at SFF, it releases in Australian cinemas on Thursday, July 24 — the same day as the also Pascal-starring Fantastic Four: First Steps. Check out the trailer for Eddington below: Sydney Film Festival 2025 takes place from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website.
Saturday morning at Bronte Road Bistro is what happens when a classically trained chef starts making eggs for the hungover masses. It's a classic bistro doing cafe brekkies well and without fuss, with head chef Matt Barnett matching morning classics with Bloody Marys and champagne mimosas from 9am onwards. The bistro is an expressly bacon-and-egg-roll-free zone. Sydney's brekkie of the moment is baked eggs, and in the Bronte Road version, rich yolks spill out into a beautifully seasoned tomato mess. It's finished with a dollop of yogurt and a burst of mint and spring onions, and scooped up with a serious slab of woodfired bread. It takes a cheffy kind of confidence to present a pile of cavolo nero, goat's cheese and pan-fried mushrooms on bruschetta with little apart from a drizzle of olive oil and smattering of thyme. Barnett pulls it off by relying on fresh produce. It's the kind of food made by people who do things simply and properly. Spicy, meaty beans with labne and dukkah and scrambled eggs with walnut toast also look tempting. The sides go beyond the usual cafe cliches — pork belly hash sounds ridiculously good, but we opt for a vegetarian salad of crisp cabbage, sharp creamy Persian feta, sweet peas and zingy mint. Like everything else, it smacks of balance and consideration, and the bistro dining room shares a similar lack of adornment. The drinks menu also goes above and beyond. There's a hard ginger beer and Grey Goose with fresh-pressed apple juice — a little creative menu planning goes a long way. BRB makes a bold, strong latte, but the di Gabriela Earl Grey will satisfy tea drinkers usually chronically neglected in coffee-obsessed Sydney — there is not a soggy teabag in sight. An apple, pear and rhubarb crumble makes a lazy brunch special — which could be Bronte Road Bistro's credo. Smart service and a sunny location seals the deal. A friendly, solid Sunday morning option. The restaurant is also open for dinner from Tuesday to Saturday, 6-10pm.
Few Sydney addresses carry the same depth of dining history as 134A Glebe Point Road. The cavernous sandstone grotto beneath the heritage-listed house became a cornerstone of the city's dining landscape in the late 1980s when it opened as Darling Mills — the Adey family's pioneering farm-to-table restaurant that helped shape Sydney's modern food culture before shuttering in 2003. Since then, the space has lived several lives, first as an Indian restaurant and, more recently, as moody Parisian-inspired brasserie and cocktail lounge Beckett's. But come February 2026, it'll be reborn once again as Darling Glebe. The upcoming venue will unfold across five distinct spaces, anchored by a martini bar that pours until midnight and a chef's table offering a French-leaning omakase experience. Original convict-chipped sandstone walls, vaulted ceilings and the weighty tables fashioned from a single native coachwood tree will remain, grounding the room firmly in its past even as the concept takes cues from French brasseries, New York's buzzy dining rooms and London polish. [caption id="attachment_1056420" align="alignnone" width="1920"] David Li Photography[/caption] These influences are no accident. Leading the revival is globetrotting chef and restaurateur Jeff Schroeter, a Riverina native whose CV spans The Savoy in London, Manhattan's Royalton Hotel, and Sydney institutions Bistro Moncur and Bayswater Brasserie, as well as cooking for high-profile figures including Queen Elizabeth II and Madonna. Over the course of his career, Schroeter has built a reputation for technical confidence and an instinctive feel for the room. Darling Glebe also marks a personal return for Schroeter, who previously co-founded Beckett's on the same site (the restaurant recently relocated to Spice Alley), before selling his stake to pursue other projects. When the space became available again, he jumped at the chance to help write its next chapter. [caption id="attachment_1056413" align="alignnone" width="1920"] David Li Photography[/caption] "This space is an heirloom to Sydney diners," Schroeter says. "It's always been one-of-a-kind, and we're proud to be its new custodians. We want to honour it for what it is — a culinary icon of the city's hospitality industry — and in doing so, welcome back those who loved it then, and invite a new generation to fall in love with its spirit now." Alongside the main dining room and martini bar, Darling Glebe will be home to a private chef's table where Schroeter will personally serve a French omakase menu, plus an intimate private dining room and an underground wine cellar for larger events. He's also assembled a top-shelf team, with two-time Diageo World Class Australian Bartender of the Year Charlie Ainsbury overseeing the drinks program and Sarah Biswas (Odd Culture Group, Restaurant Hubert, Banksii) stepping in as venue manager. [caption id="attachment_1056414" align="alignnone" width="1920"] David Li Photography[/caption] In a nod to the site's origins, Schroeter plans to source produce from the Adey family's still-thriving Darling Mills Farm and revisit elements from their decades-old recipe book, reinterpreting dishes that once put the venue on the map. As for the broader menu, details remain under wraps — and may continue to be that way even once Darling Glebe opens. "The room has always told me what it wants me to serve," says Schroeter. "I'm just here to listen." [caption id="attachment_1056415" align="alignnone" width="1920"] David Li Photography[/caption] [caption id="attachment_1056417" align="alignnone" width="1920"] David Li Photography[/caption] [caption id="attachment_1056418" align="alignnone" width="1920"] David Li Photography[/caption] [caption id="attachment_1056419" align="alignnone" width="1920"] David Li Photography[/caption] [caption id="attachment_1056421" align="alignnone" width="1920"] David Li Photography[/caption] Darling Glebe will open in February 2026 at 134A Glebe Point Road, Glebe, with dinner service from Wednesday to Sunday and Friday lunches to follow. For more information and first access to reservations, head to the venue's website.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=dQKaZS9bK5U BLACKBIRD Helming an English-language remake of 2014 Danish film Silent Heart, director Roger Michel realises a crucial fact: if you're going to amass a cast that includes Kate Winslet (Ammonite), Mia Wasikowska (Judy & Punch), Sam Neill (Rams), Lindsay Duncan (Made in Italy), Rainn Wilson (The Meg) and Susan Sarandon (The Jesus Rolls), you need to give every single actor something weighty to do. So, working with a script written by Christian Torpe (TV's The Mist), as the original feature also did, the Notting Hill, Le Week-End and My Cousin Rachel filmmaker ensures that his high-profile cast members all get their time in the spotlight in the dialogue-heavy Blackbird. Their lesser-known co-stars Anson Boon (1917) and Bex Taylor-Klaus (13 Reasons Why) are similarly given their moments. As an ensemble effort, this illness-driven family reunion drama makes the most of its on-screen talent — and that remains the primarily by-the-numbers movie's biggest achievement as it endeavours to balance its weepie premise with its increasingly heated war of words. Playing characters who have been brought together in immensely difficult circumstances, and who each weather a predictable grab-bag of troubles once they're all in the same place for a weekend, Blackbird's lineup does always stress its work (no one here is overly subtle here), but they also help breathe feeling into a feature that'd be a far lesser affair without them. Winslet's high-strung angst, Wasikowska's baked-in melancholy and Neill's calm facade come in particularly handy, with the trio playing Jennifer, Anna and Paul — the chalk-and-cheese daughters and doting husband of the ailing Lily (Sarandon). Along with Jennifer's spouse Michael (Wilson) and son Jonathan (Boon), Anna's girlfriend Chris (Taylor-Klaus) and Lily's lifelong best friend Liz (Duncan), they've all gathered for one last hurrah. Terminally ill with a degenerative condition and unwilling to endure the worsening effects that are still certain to come, Lily wants to spend a few days farewelling her nearest and dearest at the well-appointed family home. Whether relatives come together for Christmas or for teary goodbyes (both of which apply here in their own ways), films about the concept never miss an opportunity to let sparks fly. With such heightened emotions whirring around during Lily's last days, that's forcefully, noticeably the case here. Blackbird makes the astute point that everyone has pain and secrets, even when they're facing the loss of a loved one, but that observation has become well-worn by the movie's many predecessors. Also routine is the movie's magazine-style visual sheen. If it wasn't for the sharp performances, watching this sometimes-moving picture would largely feel like simply looking at famous faces workshop trauma in a scenic letting. The feature's visuals are meant to isolate its characters against their eye-catching setting, but often it just loiters rather than meaningfully lingers. https://www.youtube.com/watch?v=wqoyVcrX_lA BOSS LEVEL Being a fan of time loop films can sometimes feel like being stuck in one yourself, especially when the genre's overly derivative entries reach screens. At their best, movies about repeating the same events over and over again call attention to life's small joys, its pervasive chaos or a combination of both. At their worst, such flicks use the concept as an empty gimmick to prop up an otherwise flimsy narrative. Boss Level veers in both directions at times. There's a cannily cathartic bent to the onslaught of destruction that comes its protagonist's way every time he awakens, all thanks to a horde of bloodthirsty assassins intent on ending his existence. Like Groundhog Day's Phil Connors at his most nihilistic, the film embraces the fact that life is carnage, literalising the idea as action movies do. But, as directed by Joe Carnahan (The Grey, The A-Team) and co-written by the filmmaker with Chris and Eddie Borey (Open Grave), Boss Level also attempts to paper over a slight narrative with rhythmically choreographed punches, bullets, swords and stunts, plus greeting card-level life lessons. It's exactly as straightforward as it sounds, and as standard. And, even for viewers unacquainted with Source Code, Edge of Tomorrow, the Happy Death Day franchise and Palm Springs, the film always feels as if it's following in better footsteps, including via sci-fi decor that could've stepped right out of Stargate and fight scenes that've taken inspiration from the John Wick series. Indeed, the movie's titular reference to video games isn't its only overt nod elsewhere. An ex-special forces soldier who now counts drowning his sorrows and bedding women he meets in bars as his main pastimes, Roy Pulver (Frank Grillo, Jiu Jitsu) has endured the same day 139 times when Boss Level begins. Through pithy narration, he explains the ins and outs of his new routine, where a flying blade acts like an alarm clock each and every morning, and the murderous foes just keep coming from there. Although yet to ascertain why he's been forced into this brutal cycle, Roy is beginning to suspect that it's linked to his ex-wife Jemma Wells (Naomi Watts, Penguin Bloom), who oversees a shadowy project for a sinister corporation led by the ominous Colonel Clive Ventor (Mel Gibson, Fatman). Roy and Jemma have a teenage son (debutant Rio Grillo) together, which complicates matters — because the former has hardly been a doting dad, adding to his regrets; and because the video game-loving kid also gives him something to lose. Like the most formulaic of side scrollers, Boss Level's highlights stem from its action scenes, rather than any story that's meant to fill in the gaps around them. That said, all those frenetic fists, kicks and weapons are helped by the elder Grillo, who has long screamed for more big-screen attention. Indeed, in a cast that also includes Michelle Yeoh (Last Christmas) and Ken Jeong (Occupation: Rainfall), he's the only one that isn't just aping what the movie does more often than not and simply going through the motions. https://www.youtube.com/watch?time_continue=95&v=sf2EzBQiTr8&feature=emb_logo BILLIE EILISH: THE WORLD'S A LITTLE BLURRY When documentaries such as Amy and Kurt Cobain: Montage of Heck peered into the private lives of their very public central figures, they also gave rise to a clear realisation: without treasure troves of home videos and personal materials, all prophetically recorded and kept by their subjects and their loved ones long before they were stars, these films simply could not be made. That'll remain true of movies that look back at famous faces from times gone by (as seen in the recent Zappa), but Billie Eilish: The World's a Little Blurry definitely doesn't give off the same sensation. For today's top talents, the notion that it's lucky such footage even exists to give rise to a documentary has become out of date. It's now a given that almost anyone with even a sniff of fame — let alone musicians who've won five Grammys, topped Triple J's Hottest 100, notched up a number one album and single, and sung a Bond theme, all while still in their teens — will have recorded every aspect of their existence. And, it's also just a fact of life that such a tendency won't have begun with their ascending popularity. Accordingly, The World's a Little Blurry does indeed have a wealth of material at its disposal, but this latest addition to the ever-growing pop star documentary genre doesn't feel like a revelation, a peek behind the facade, or a rare candid look at someone usually seen through music videos, concerts and formal interviews. That's the other thing about celebrities today: their social media feeds already give fans a window into their worlds, and even helped catapult them to success, so the documentaries that inevitably follow can come across as more of the same. Starting with the recording of When We All Fall Asleep, Where Do We Go? — which, yes, happened in her brother Finneas O'Connell's bedroom — The World's a Little Blurry perfectly fits the now-recognisable musician doco mould. From the moment that 'Bad Guy' became the ubiquitous track of 2019, a movie about Eilish was always bound to find its way to audiences, and to play out as this RJ Cutler (The September Issue, Belushi)-directed effort does. Raw, frank, relatable, accessible and even playful, the film adopts the same tone that's become synonymous with pop star Twitter and Instagram feeds. With Eilish's record label among the feature's producers, it's as rubber-stamped and carefully constructed as celebrity social media accounts are as well. That doesn't make The World's a Little Blurry any less engaging, or strip away the power of watching Eilish be herself for 140 minutes, but viewers are always seeing the sanctioned warts-and-all version of the documentary's point of focus (and, when she feels like it, the hamming-it-up-for-the-cameras version as well). Even just spanning a couple of years, the feature nonetheless provides a thorough snapshot of its subject's life, including her dislike of songwriting, the process of finishing the album, multiple tours, her Coachella set and the Grammys, plus her around-the-house behaviour, her rapport with her brother and parents, her romantic ups and downs, and her quest to get her drivers license. What resonates strongest, however, is one of the other influences behind the film's existence. Eilish's well-known love of Justin Bieber provides the movie's most illuminating thread, especially seeing the former start sobbing when she meets the latter. She was a big fan of Justin Bieber: Never Say Never, too, as her mother explains — and now, she has a matching movie. Billie Eilish: The World's a Little Blurry is currently screening in select cinemas, and is also available to stream via Apple TV+. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26; and January 1, January 7, January 14, January 21 and January 28; February 4, February 11 and February 18. You can also read our full reviews of a heap of recent movies, such as The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters and The Little Things.
For Trishia Mariano, hosting has never been about perfection. It's about intention — how a space feels, how people connect, and the quiet power of gathering around a thoughtfully set table. The founder of Mesa Collections didn't come to tableware through design school or a formal interiors background. In fact, by day she works as a growth analyst, immersed in data and numbers. But during the long, isolating months of COVID lockdowns — as she approached her 30s and found herself craving connection — Trishia returned to something far more instinctive: cooking for others, inviting people in, and creating a sense of belonging through food. "I was bored, honestly," she says, laughing. "But more than that, I really missed community." @trishiamariano join my dinner party or our group chat? https://mesacollections.com.au/pages/eatwithus #sydney #dinnerwithstrangers #sydneydinnerwithstrangers #hosting ♬ original sound - Ally Rendall That longing led her to an experiment she called Dinner With Strangers: intimate supper clubs hosted in her Sydney apartment, where guests — often complete strangers — gathered around a shared table. What began with eight people quickly grew to dinners of 20, with Trishia collaborating with chefs and culinary creatives to bring each night to life. Some evenings were curated and structured; others were deliberately casual. One dinner ended with guests presenting their own work or interests to the group — terrifying, she admits, but transformative. "It wasn't really about the aesthetics," she says. "It was about creating an atmosphere where people felt comfortable enough to open up." Those dinners — now well documented on TikTok — didn't just shape Mesa Collection as a brand. They helped Trishia articulate what hosting meant to her, and why it felt so deeply personal. @trishiamarianoPart 4 | Launching a new product Photoshoot and all the preps behind it. Honestly, this was the tiring part but SO worth it. Doing this all with my FT job was brutal. I slept at 2am and woke up at 6am to start the day. I ended up hiring a super lovely shoot assistant very last minute and honestly that's one of the best decisions I've made in building this business. Networking is a big learning for me in this journey. The opportunities it opens for you are sometimes so surprising. See you in part 5!♬ sweet nothing sped up - kacey ✧.* Raised in a Filipino household where someone was always cooking and the door was always open, hosting was never framed as an event — it was simply how life happened. That cultural instinct runs through Mesa Collections today, from the ruffled edges of its linens to the emphasis on pieces that feel lived-in rather than precious. "Food and hosting are so intrinsic to my heritage," she explains. "When I design for Mesa, I always go back to that — my grandma sewing, the textures she used, the colours she put on the table." Designing a Table That Feels Like an Invitation When Trishia designs a tablescape — whether for a Mesa shoot or one of her own dinners — she starts long before guests arrive. Ideally, the table is set the day before. Not for Instagram, but for intention. "It makes people feel expected," she says. "Like you've been waiting for them." Her process is methodical but intuitive. She often follows a loose 60–30–10 rule: 60 percent of the table anchored in a primary colour or texture (often a linen tablecloth), 30 percent in a complementary tone, and 10 percent reserved for contrast — silver cutlery, ceramic plates or an unexpected pop of colour. Layering matters. A tablecloth first, then placemats if the surface needs grounding. Plates and cutlery come next, with centrepieces added last, once the mood is already set. She prefers to see the table "breathe" before placing anything in the middle. And despite the rise of elaborate, overflowing tables online, Trishia is firm on one thing: restraint. "A centrepiece should be a conversation starter, not an obstacle," she says. "You still need space for food and for people to move." Some of her favourite centrepieces have been deeply personal — framed childhood photos at her own birthday dinner, or bowls of seasonal produce instead of florals. Fruit and vegetables, she notes, have become a defining tablescape trend, adding texture, colour and a sense of abundance without feeling wasteful. View this post on Instagram A post shared by mesa collections (@mesa.collections) What's Worth Investing In — And What to Thrift Mesa Collections was built with longevity in mind, and Trishia is clear about where to invest versus where to experiment. If there's one category she believes is worth spending on, it's cutlery. Good silverware, she says, lasts forever — and often becomes the kind of object that's passed down. "Cutlery is used every day. It's tactile. It's something you'll have for decades." Linens, too, are worth choosing carefully. Mesa's ruffled tablecloths and placemats are designed to age well — crinkling gracefully rather than demanding constant upkeep. Trend-led elements, on the other hand, are better thrifted: mismatched ceramics, vintage plates, heirloom serving spoons, candleholders collected slowly over time. "It's about mix and match," she says. "That's where personality comes in." That philosophy extends to how Mesa operates as a business. Many of its pieces are available to rent as well as buy — allowing customers to try before committing, and reinforcing the idea that tablescaping should be accessible, not intimidating. The Art of The Perfect Host For Trishia, a good host isn't defined by what's on the table — but by how people feel when they leave. "The goal is that they want to come back," she says simply. That means removing pressure wherever possible. Not cooking everything yourself. Letting people contribute. Choosing comfort over formality. The most memorable dinner she's ever hosted? The very first Dinner With Strangers — a potluck. "Everyone shared why they made what they made," she recalls. "It took the focus off me and made it about everyone else." It's a lesson she's carried into Mesa Collections: hosting as an act of care rather than performance. Beautiful objects can elevate a moment, but they're never the point. "Sometimes what people remember most is a conversation that happened out of nowhere," she says. View this post on Instagram A post shared by mesa collections (@mesa.collections) Building a Brand Around Gathering Today, Mesa Collections exists not just as a product line but as a growing community — with Trishia hosting founder dinners, summer lunches and collaborative events that blur the line between brand and lived experience. A recent lunch at Northcote wine bar Samuel Pepys saw Mesa linens transform the courtyard into something relaxed, layered and distinctly hers. "I didn't create Mesa just to sell things," she says. "I really love the community that's forming around it." In many ways, Mesa is a continuation of those early dinners — a way to give others the tools to host with confidence, warmth and a sense of self. Not perfect tables, but meaningful ones. Because, as Trishia has learned, the table is rarely just a table. It's where people arrive as strangers — and often leave as something more. Explore Mesa Collections products via the website, and find out more about the next Founders Dinners via Trishia's TikTok. Images: Supplied
Amidst the Qantas Centre, TNT head office and other similarly industrial commercial buildings, on the decidedly less cool (read: south) side of the city, lies a graffitied beacon of hope for the workers and residents that share the suburb of Mascot. For one thing, it's the first wine bar in the area. But it's also attracting a devoted daytime crowd for the Mediterranean-inspired menu, De Gabriel coffee and the contagious energy of owner, Elizabeth Woods (don't get her started on the coffee; she's what you'd describe as 'passionate'). On a corner site, it enjoys great exposure on the intersection of two main roads just up from the train station. The configuration is awkward but Woods and designer UI Building Studio have used it to create three different zones, each with its own feel — from the people-watching front counter to the restaurant-style banquette seating along the length of the venue and the relaxing bar/lounge area at the back (with balcony). It was nearly two years in the making but it's been a labour of love, with Woods' personality stamped all over it (and recorded in her blog). The small venue is made bright and inviting with a minimal materials palette — concrete and plywood punctuated by graffiti art by Alex Lehours, whose work Woods spotted at the Outpost exhibition on Cockatoo Island in 2011. We go after work to see it in its wine bar state and it's pretty packed. We start with one of the specials, prawn and corn fritters ($10), which is unusual and interesting, as are the grilled chorizo chips with spiced apple puree ($8.50). The Renegades Plate — an easy share option with grilled bread, tzatziki, tomato chutney and diced egg mayonnaise ($12) — is a winner when you pile some of each into a mouthful. The Mojito ($11) is well balanced and the 2010 Mandala Pinot Noir from Yarra Valley ($10 glass) just okay, but the winner is the 2010 Sons of Eden, Kennedy GSM from the Barossa Valley ($8 glass). Something that sets The Renegades apart is the forward-thinking focus on technology. They have an engaging social media voice and have just launched an app (Woods' husband was formerly in the IT industry). The app allows mobile ordering — perfect for an office worker who's running late. Simply choose from the menu, pay on credit or put it on your tab, and it's ready for pick up when you get off the train. Pretty neat. Renegade: An outlaw; a rebel. They definitely got the name right.
For those who haven't escaped to Europe during Australia's cooler months, North Bondi Fish is giving Sydney locals something to feel good about while all their mates are sipping Aperol spritzes in Italy. A twist on the Bondi eatery's bottomless brunches, Disco Yum Cha will run every Saturday and Sunday from Sunday, July 5–Sunday, August 3, from 11am–3pm. Guests can expect a fresh, seafood-heavy menu curated by Group Executive Chef Hamish Ingham and Head Chef David Coumont. The yum cha-style set menu perfectly balances Asian flavours with Aussie influences and is designed for sharing. Think prawn toast with sweet chilli, scallop wontons in Sichuan oil, and barramundi with ginger and shallot. Menu options include a small set menu for $65 per person, or a larger option for $89 per person. To keep you quenched, enjoy bottomless beer and wine for $30 per person, or add cocktail jugs to make it $60 per person. Yum cha-inspired cocktails are available à la carte, such as the Mucha Macha with gin, strawberry bitters, mint and matcha soda, or the Marg Yum Cha, which is part margarita, part wild card, with tequila, mandarin and black sesame. Around midday — once you've settled into the perfect spot and are kicking back with uninterrupted views of Bondi Beach — disco DJs will take the stage to take the party up a notch. Bookings for Disco Yum Cha are essential. Visit the Disco Yum Cha website to lock in your spot. Images: Alana Dimou.
It feels like just yesterday that the US-based masters of all things sauce and wings broke new ground in Sydney. You might remember the TikToks, lines going around the block for almost six months, as hundreds of hungry patrons visited to get their hands on the Australian debut of Wingstop. Well, history is about to repeat itself, this time on the other end of town in Penrith. Wingstop's second Australian store is opening in the west, after fans across the city cried out for their suburb to be home to store number two, but Sydney's outer west was outspoken in its demand. Steve Kehl, Country Manager of Wingstop Australia, said, "From the moment we opened Kings Cross, Penrith became one of the most requested locations in the country." "Western Sydney told us loud and clear that they wanted Wingstop, and we've listened. The community energy out here is unmatched, we cannot wait to bring the flavour to Penrith, and then to the rest of Australia as we continue our plans for over 110+ locations across the country." Opening soon, there'll be an opening day extravaganza, just like that fateful day in Kings Cross back in May. The first ten visitors in the door will get free wings for a year, plus exclusive merch for the first 50 and free wings on the day for the first 300. As the day goes on, DJs will keep the energy up alongside giveaways and more exclusive merch, so don't skimp on an afternoon or after-dark visit. At the end of the day, though, we're all here for the wings, so what's actually going to be on the menu? It's poultry aplenty, with classic and boneless wings and tenders available in packs ranging from three to 50. They're tossed with one of twelve sauces: Lemon Pepper, Hickory Smoked BBQ, Hawaiian, Garlic Parmesan, Louisiana Rub, Spicy Korean Q, Mild, Hot Honey Rub, Cajun, OG, Mango Habanero and Atomic. Get them with a side of signature seasoned fries (with seven choices of seasoning), house-made cheese or ranch dips, or cajun-spiced corn. Add on a cold drink or even a chocolate brownie to help the wings go down. If you don't make it on the day, keep your eyes peeled for future in-store events or for where store number three will open. Wingstop Penrith can be found at 565 High Street, Penrith, 2750, open from 11am until late daily. For more information, visit the Wingstop website or social media pages.
Until the end of August, you can snag a free cheeseburger with every drink valued $10 or higher purchased at Will's, the pint-sized beachfront bar at the Coogee Pavillion. And these aren't just any burgers. This Oklahoma-style sandwich stars a Coppertree Farms wagyu beef patty on a cream cheese bun, finished with pickles and mustard. As Sydney barrels towards the warmer spring months, beach weather is tantalisingly close. So why not break your winter beach embargo early, enjoy a bracing dip at Wylie's Baths or a paddle in the surf before heading to Will's for a beverage and burger bargain? The offer is valid Wednesday–Sunday, midday–9pm, or until the supply of burgers is exhausted – so we suggest you plan a lunchtime visit to avoid disappointment.
Merivale is expanding faster than our belts can handle. On Good Friday, Justin Hemmes' heaving hospitality empire cut the red ribbon on the newest member of the Merivale family: the Newport Arms Hotel. Or rather, The Newport. A Northern move for the city-dominant group after opening J&M's whisky bar, the revamped Ivy Pool and The Paddington in the last few months, alongside renovations for the Queen Vic Hotel, Merivale's acquisition of the Pittwater hotel is a bold decision for Hemmes. A landmark property of the Northern Beaches since 1880, the Newport Arms has now officially reopened as The Newport. Design-wise, there's been some hectic landscaping that's been done on Australia's largest outdoor waterfront beer garden — all by landscaper Daniel Baffsky. According to Merivale, the grounds are "a sprawling estate that evokes a sense of nostalgia" with flowering shrubs, jacarandas, wild cacti, succulents, Chinese elms, plane trees, crape myrtles and date palms. The actual Newport building draws on influences from Montauk, The Hamptons and Mediterranean and has been designed by Kelvin Ho and Emilie Delalande (Akin Creative), stylist Amanda Talbot and Justin and Bettina Hemmes. In classic Merivale-style, there's multiple, eclectic, themed spaces to drink and dine in (and take in that view), with natural stone paving, locally-made furniture and plenty of marble. The Newport also features a 'vintage gymnasium' with badminton, exercise bikes that can charge mobile phones (!) ping pong tables, a giant magnetic scrabble board, outdoor petanque and concrete table tennis courts. Food-wise, expect a range of different unique noshing experiences, with executive chef Sebastien Lutaud behind the wheel. Lutaud has fried escargot alongside France's Oliver Elzer, prepared sashimi with Tetsuya Wakuda and headed up Felix Bar and Bistro. Now, he's bringing his 25 years of gun hospitality experience to Sydney's northern beaches. "From the minute The Newport was described to me, I thought it was going to be an amazing project," says Lutaud. "It's a one-of-a-kind in Sydney, if not Australia — an amazing venue in an amazing spot." The Newport has a strong focus on food. But don't expect a single service counter or a straightforward menu at this renovated pub. Instead, expect to feel a bit like you're walking through a permanent food festival. Lutaud designed the menu with input from some of Merivale's other key chefs, so you'll notice some familiar imports — and a similar stall-type layout to the Coogee Pavilion's foreshore fest. "There are little stalls and outlets, selling different types of food," says Lutaud. "So, for example, we've got Vinnie's [Merivale pizza guru Vincenzo Biondini] pizzas, from Coogee. We've got a burger shack, where we do six different burgers and five different salads." There's also a cafe filled with Australian meats like smoked brisket, barbeque chicken and hot-smoked salmon, seasonal salads, smoothies, gelato and coffee by Merivale's favourite Sydney roasters, Will & Co. Given The Newport's Pittwater location, there's also a spot dedicated to fish and chips. "But I wouldn't call it your classic fish and chips, where everything's deep-fried," says Lutaud. "We do have the classic version, but we've also dishes like grilled Clarence River octopus and pan-fried snapper with simple salad." If you're travelling with mates or family and want to share, you'll be heading to The Kiosk, for small and large platters. "We have a French rotisserie, where we're doing chicken and Rangers Valley brisket and hot-smoked whole salmon, which we'll serve with rolls, salads and nice sauces. There's also a seafood section, with fresh oysters, cooked prawns and a crab omelette, with Vietnamese herbs and dressing." As for ordering, you'll have two options. The first is the old-fashioned method of heading to the stall, putting in your request and grabbing a buzzer. The second is downloading an app and doing it all from the comfort of your bar stool. The only catch is that the app is still in development – at this stage, it's good for pizzas, and other stalls will be added with time. Live music is also a huge focus at The Newport, with an expansive alfresco deck custom built to showcase local talent, seven days a week. Sunday Sundown, Merivale's free live music series, will kick things off, with indie duo Gypsy & The Cat on April 3, Tasmanian singer songwriter Asta on April 10 and Sydney synth-pop trio Mansionair on April 17. The Newport is now open at 2 Kalinya Street, Newport. By Shannon Connellan and Jasmine Crittenden. Images: Bodhi Liggett.
Summer is fast approaching, and for many this means a total review of your wardrobe. Trenchcoats and scarves are being boxed in your garage, whilst singlets and sunnies are making a comeback as the days grow hotter and longer. Here we've compiled a list of stores around Sydney that will help you look the part in the coming months. From high-end pieces to straight streetwear, there's bound to be at least one store that caters to your tastes. TOPS 7Camicie With over 300 stores in 30 countries, Italian business 7Camicie has only recently found its way to Sydney. Housed in a modest store in Paddington, their button-up shirts are not for the faint-hearted. The designs feature vibrant colours and loud designs, which are often contrasted with more subtle cuffs and collars. Other shirts also have multiple collars, patterned inner lining and an abundance of buttons, which make them a little less formal. You might be surprised that each shirt has so many different intricacies. Wear one of these and you’re guaranteed to turn heads. Address: 446 Oxford St, Paddington Phone: (02) 9331 0088 Visit website Incu Incu has long been hipster heaven in Australia, and their diverse range of niche brands has made the store a staple with the cultured demographic. Of particular note is growing Australian brand Vanishing Elephant, whose checked and vintage print shirts are great for this summer. Their pocket tees and singlets will also be suitable for a day outing, coming in a handful of brighter colours. More conventional shirts from A.P.C and Oliver Spencer can also be found at Incu. Throw one of these on before you hop on your fixie bike. Address: Shop 19-20, 500 George St, Sydney (The Galeries) and 256 Oxford Street, Paddington Phone: (02) 9283 7622 and (02) 9331 6070 Visit website Bassike It’s always essential that you stock up on a handful of plains for summer. This is exactly what you'll find at Bassike - nothing outrageous, but some high-quality, dependable tees and singlets that are easy to piece together an outfit with. When it’s not blank, simple stripes and patterns are on offer. However, the unorthodox cuts and details add some subtle spark to these basics. These pieces of clothing may not seem like the most exciting things to spend your money on, but it’s often the case that less is more. Plus, it’s unlikely that anything you pick up here will be going out of fashion soon. Address: 26 Glenmore Rd, Paddington, 11 Macmilan Court, Avalon and 803 Military Road, Mosman Phone: (02) 9360 3606 Visit website BOTTOMS Above The Clouds Above the Clouds is relatively new on the Sydney streetwear scene, but the wonderfully modern boutique has already made a huge name for itself. The store is named after a Gangstarr song, so you know it’s going to be good. Above the Clouds stocks boardshorts from Sydney-based brand Venroy. With clean, bold designs and an above-the-knee cut, these comfy casuals are a slick addition to any wardrobe. Above the Clouds also sold A.T.G. leopard print boardshorts last summer, and this season features some other pieces which are just as daring. Keep an eye out for some exciting Above the Clouds collaborations in the near future. Address: Shop 2, 256 Crown St, Darlinghurst Phone: (02) 9356 4404 Visit website Alfie's Alfie's is a great store if you're looking for something snazzy without being overdressed. Located just a short drive from the CBD, they stock classic brands such as Lacoste and Fred Perry, but some smaller companies too. Among these is Melbourne-based Mr. Simple, who have an excellent range of chino shorts at a modest price. They're avaliable in everything from royal blue to mustard, and easy to either dress up or dress down. Their long chinos come in a slim fit, and look great when pinrolled for the subtle ankle-flashing that's proven popular. Address: 264 Darling St, Balmain Phone: (02) 9555 5222 Visit website Topshop/Topman Okay, so Topshop hasn’t actually opened yet, but the UK giant has secured a prime location in the CBD and is set to open before Christmas. Whilst it is better known for catering to females, male counterpart Topman offers plenty of options for guys seeking to keep it smart. A quick browse on their online store reveals chino shorts, twill shorts and dress shorts in an assortment of styles. Coloured denim is also available for the braver fashionistas who want to match the summer weather with an equally bright pair of slacks. Here’s hoping that the online range will be replicated in Sydney, and at a reasonable price. Address: Former Gowings Building, Corner Market and George Streets, Sydney (Opening Christmas 2011). FOOTWEAR Footage Footage used to deal heavily with Nike Air Max and runners, but the store has primarily focused on the higher end of streetwear in recent years. Here you’ll find a nice collection of the classics from Vans, Sperry and Converse, plus some cuts you’ll have trouble finding anywhere else. Lace these up and throw on some Mr. Simple chino shorts for a crisp look that’s hard to fault. Every once in awhile Footage will still stock a pair of Nikes to please all the street veterans and homies out there. You might come for the shoes, but don’t be surprised if you leave with a whole outfit. Address: 13C Burton St, Darlinghurst Phone: (02) 9332 1337 Visit website Spring Court Spring Court offers some suave options for those seeking footwear with particular craftsmanship and quality. Having started in 1936, this vintage French manufacturer has been making shoes longer than most people have been alive. Mid-cut canvas sneakers offer a nice casual alternative to mainstream brands, and are apparently made of Egyptian cotton. Fancy. Leather and suede products from Schmoove will add plenty of class to your outfit, and are available in tan and lighter shades for a summer feel. Roll up those skinny jeans even further, as these European shoes are guaranteed to steal the spotlight. Address: 113A Commonwealth St, Surry Hills Phone: (02) 9281 6687 Visit website Espionage/Sneakerology Espionage has been a cornerstone of the Sydney sneaker scene for years, and not without good reason. Their collection of Nikes reigns supreme in this city, and you’ll find yourself at least one pair of runners that are too nice to ever run in. It also hosts a collection of Adidas, Puma and Reebok items, which will undoubtedly please the older generation of sneakerheads. Colourful and extra-wide shoelaces are also available for those replicating that retro b-boy look. The epic window display at their newest store, Sneakerology, will brighten up your shopping experience. Cop a pair of kicks and buy a subtly matching cap for a sneaky colour code. Espionage Address: Shop 2, 22-26 Goulburn St, Sydney Espionage Phone: (02) 9264 9704 Visit website Sneakerology Address: Level 1, Shop 1020, 188 Pitt St, Sydney (Westfield) Sneakerology Phone: (02) 8072 8889 Visit website ACCESSORIES Capsule Capsule carries a load of accessories, from belts to snapbacks and even a few surprises. This includes Navajo print socks, which should be worn with shorts and pulled all the way up for that grandpa swagger. If you want to keep trendy but don’t have the dough, sunglasses from Vans go for just under $20. Capsule also stocks watches from O’Clock, which have silicone bands that stretch and slip onto the wrist like bangles. These are super cheap and extra bands can be bought individually of the watch face. This makes them a convenient choice when you want to switch colours depending on your mood and outfit. Address: Shop 1001B, Level 1, 188 Pitt St, Sydney (Westfield) Phone: (02) 8246 9124 Visit website Tuchuzy Nothing screams summer in Sydney more than Bondi, and cult boutique Tuchuzy is synonymous with the suburb’s fashion circuit. Tucked away just minutes from the world famous beach, Tuchuzy now has a store just for men. Wewood offers wooden watches in a range of earthy shades, and the company plants one tree for every watch sold. Look savvy and be an environmental superhero at the same time. Long cross necklaces from Stolen Girlfriends Club work perfectly when draped over basic tees, and their studded gold rings are suitable for those seeking bling with a little more edge. Aviators and wayfarers from Oliver Peoples are a fresh take on these classic styles. Address: 90 Gould St, Bondi Beach Phone: (02) 9365 5371 Visit website Halfsleeve Halfsleeve has an impressive range of headwear that offers a piece for everyone to enjoy. Caps from streetwear favourites Mishka and Only NY are a regular feature, whilst vintage NBA snapbacks also pop up every once in awhile. Three new Halfsleeve snapbacks will also drop in November to accompany their own line of baseball and pocket tees. For something a little more understated, five-panel and camp caps from Coal and New York Hat Co. use simple designs with a tight, snug fit. Also available is a collection of 9five and Waiting for the Sun sunglasses in plastic and wooden frames, which are fashionable and easy on the wallet. Address: Shop 3, 133 Goulburn St, Surry Hills Phone: (02) 8021 0869 Visit website
Do call it a comeback: in 2023, beloved TV shows dropped new seasons everywhere. Whether you're a fan of thoughtful dramedies about Indigenous American teenagers, savage family feuds or culinary chaos, this year delivered another serving — and of vampire sharehouse antics, British spies, and angels and demons palling around as well. Some of the above series not only waved hello again, but also goodbye forever after releasing their latest episodes. Others among the year's absolute best returning series have at least one more round in their future. Either way, 2023 hasn't been short of tried-and-tested gems that've kept proving why that's the case again. When the year reached its halfway point, we named and celebrated the top already-obsessed-over TV shows of the year so far. Now that 2023 is saying farewell itself, we've surveyed the entire past 12 months of small-screen efforts. Here's the results: the best 15 returning television shows of the year, and one helluva list of recommendations for finally seeing what everyone's been talking about or spending time with an old favourite. RESERVATION DOGS There's only one thing wrong with the third season of Reservation Dogs: now that it's over, the show has come to an end. There's a skill in knowing when something's time has come, but this teen-centric comedy about restless Indigenous North American adolescents is so rich in stories, perspectives and minutiae — and so resonant as well — that it feels like more and more could (and should) just keep following. Ending Reservation Dogs with this ten-episode run is also an example of the series taking its own message to heart, however. As co-created, executive produced and written by Sterlin Harjo (Mekko) and Taika Waititi (Thor: Love and Thunder) — the former as its guiding force — Reservation Dogs knows that little lasts. It hangs out with its characters as they learn about life's transience at every moment, whether they're chasing their dreams of leaving the reservation that they've always called home or they're grappling with loss. So, of course the series is moving on. In the process, its farewell season proved even more moving and thoughtful than ever, even after its debut year delivered one of the best new TV shows of 2021 and its second spin served up one of the best returning shows of 2022. The last time that viewers saw the Rez Dogs — the OG quartet of Bear (D'Pharaoh Woon-A-Tai, Beans), Elora (Devery Jacobs, Rutherford Falls), Willie Jack (Paulina Alexis, Ghostbusters: Afterlife) and Cheese (Lane Factor, The Fabelmans), plus Jackie (Elva Guerra, Dark Winds), the somewhat-reluctant newcomer to the group — they had finally made the trip to California that they'd been working towards their entire lives. Season three picks up with the crew still far away from home, and still journeying even when they do return. Elora considers both her past and her future. Bear goes wandering on his own, including through several revelatory encounters. Harjo still isn't afraid to veer away from his leads along the way, whether sliding into history to explore myths, traditions or horrors inflicted upon Indigenous children. Reservation Dogs finds a story, be it big or small, for everyone within its frames. Bear, Elora, Willie Jack and Cheese especially will be deeply missed, but Woon-A-Tai, Jacobs, Alexis and Factor shouldn't ever be far from screens after this exceptional breakthrough. Reservation Dogs streams via Binge. Read our full review. SUCCESSION Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, Scott Pilgrim Takes Off), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure needed to wrap up. The latter was always stubborn. Proud, too, of what he'd achieved and the power it's brought. And whenever Logan seemed nearly ready to leave the business behind, he held on. If he's challenged or threatened, as happened again and again in the Emmy-winning series, he fixed his grasp even tighter. Succession was always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it had never been about finales quite the way it was in its stunning fourth season. This time, there was ticking clock not just for the show's characters, but for the stellar series itself, given that this is its last go-around — and didn't it make the most of it. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this went out at the height of its greatness, complete with unhappy birthday parties, big business deals, plenty of scheming and backstabbing, and both Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) and family cousin Greg (Nicholas Braun, Cat Person) in vintage form — plus an early shock, at least two of the best episodes of any show that've ever aired on television, one of the worst drinks, a phenomenal acting masterclass, a The Sopranos-level final shot and the reality that money really can't buy happiness. Succession streams via Binge. Read our full review. BARRY Since HBO first introduced the world to Barry Berkman, the contract killer played and co-created by Saturday Night Live great Bill Hader wanted to be something other than a gun for hire. An ex-military sniper, he was always skilled at his highly illicit post-service line of work; however, moving on from that past was a bubbling dream even before he found his way to a Los Angeles acting class while on a job. Barry laid bare its namesake's biggest wish in its 2018 premiere episode. Then, it kept unpacking his pursuit of a life less lethal across the show's Emmy-winning first and second seasons, plus its even-more-astounding third season in 2022. Season four, the series' final outing, was no anomaly, but it also realised that wanting to be someone different and genuinely overcoming your worst impulses aren't the same. Barry grappled with this fact since the beginning, of course, with the grim truth beating at the show's heart whether it's at its most darkly comedic, action-packed or dramatic — and, given that its namesake was surrounded by people who similarly yearn for an alternative to their current lot in life, yet also can't shake their most damaging behaviour, it did so beyond its antihero protagonist. Are Barry, his girlfriend Sally Reid (Sarah Goldberg, The Night House), acting teacher Gene Cousineau (Henry Winkler, Black Adam), handler Monroe Fuches (Stephen Root, Succession) and Chechen gangster NoHo Hank (Anthony Carrigan, Bill & Ted Face the Music) all that different from who they were when Barry started? Have they processed their troubles? Have they stopped taking out their struggles not just on themselves, but on those around them? Hader and his fellow Barry co-creator Alec Berg (Silicon Valley, Curb Your Enthusiasm) kept asking those questions in season four to marvellous results, including after making a massive jump, and right up to the jaw-dropping yet pitch-perfect finale. Barry being Barry, posing such queries and seeing its central figures for who they are was an ambitious, thrilling and risk-taking ride. When season three ended, it was with Barry behind bars, which is where he was when the show's new go-around kicked off. He wasn't coping, unsurprisingly, hallucinating Sally running lines in the prison yard and rejecting a guard's attempt to tell him that he's not a bad person. With the latter, there's a moment of clarity about what he's done and who he is, but Barry's key players have rarely been that honest with themselves for long. Barry streams via Binge. Read our full review. THE BEAR The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. The Bear season two streams via Disney+. Read our full review. THE OTHER TWO Swapping Saturday Night Live for an entertainment-parodying sitcom worked swimmingly for Tina Fey. Since 2019, it also went hilariously for Chris Kelly and Sarah Schneider. Not just former SNL writers but the veteran sketch comedy's ex-head writers, Kelly and Schneider gave the world their own 30 Rock with the sharp, smart and sidesplitting The Other Two. Their angle: focusing on the adult siblings of a Justin Bieber-style teen popstar who've always had their own showbiz aspirations — he's an actor, she was a ballerina — who then find themselves the overlooked children of a momager-turned-daytime television host as well. Cary (Drew Tarver, History of the World: Part II) and Brooke (Heléne York, Katy Keene) Dubek were happy for Chase (Case Walker, Monster High: The Movie). And when their mother Pat (Molly Shannon, I Love That for You) gets her own time in the spotlight, becoming Oprah-level famous, they were equally thrilled for her. But ChaseDreams, their little brother's stage name, was always a constant reminder that their own ambitions keep being outshone. In a first season that proved one of the best new shows of 2019, a second season in 2021 that was just as much of a delight and now a stellar third go-around, Cary and Brooke were never above getting petty and messy about being the titular pair. In season three, however, they didn't just hang around with stars in their eyes and resentment in their hearts. How did they cope? They spent the past few years constantly comparing themselves to Chase, then to Pat, but then they were successful on their own — and still in a shambles, and completely unable to change their engrained thinking. Forget the whole "the grass is always greener" adage. No matter if they were faking it or making it, nothing was ever perfectly verdant for this pair or anyone in their orbit. Still, as Brooke wondered whether her dream manager gig is trivial after living through a pandemic, she started contemplating if she should be doing more meaningful work like her fashion designer-turned-nurse boyfriend Lance (Josh Segarra, The Big Door Prize). And with Cary's big breaks never quite panning out as planned, he got envious of his fellow-actor BFF Curtis (Brandon Scott Jones, Ghosts). The Other Two streams via Binge. Read our full review. PARTY DOWN Sometimes, dreams do come true. More often than not, they don't. The bulk of life is what dwells in-between, as we all cope with the inescapable truth that we won't get everything that we've ever fantasised about, and we mightn't even score more than just a few things we want. This is the space that Party Down has always made its own, asking "are we having fun yet?" about life's disappointments while focusing on Los Angeles-based hopefuls played by Adam Scott (Severance), Ken Marino (The Other Two), Ryan Hansen (A Million Little Things), Martin Starr (Guillermo del Toro's Cabinet of Curiosities) and more. They'd all rather be doing something other than being cater waiters at an array of California functions, and most have stars in their eyes. In the cult comedy's first two seasons back in 2009–10, the majority of its characters had their sights set on show business, slinging hors d'oeuvres while trying to make acting, screenwriting or comedy happen. Bringing most of the original gang back together — including Jane Lynch (Only Murders in the Building) and Megan Mullally (Dicks: The Musical) — Party Down keeps its shindig-by-shindig setup in its 13-years-later third season. Across its first 20 instalments as well as its new six, each episode sends the titular crew to a different soirée. This time, setting the scene for what's still one of the all-time comedy greats in its latest go-around, the opening get-together is thrown by one of their own. Kyle Bradway (Hansen) has just scored the lead part in a massive superhero franchise, and he's celebrating. Ex-actor Henry Pollard (Scott) is among the attendees, as are now-heiress Constance Carmell (Lynch) and perennial stage mum Lydia Dunfree (Mullally). Hard sci-fi obsessive Roman DeBeers (Starr) and the eager-to-please Ron Donald (Marino) are present as well, in a catering capacity. By the time episode two hits, then the rest of the season, more of the above will be donning pastel pink bow ties, the series keeps unpacking what it means to dream but never succeed, and the cast — especially Scott and the ever-committed Marino — are in their element. Party Down streams via Stan. Read our full review of season three. YELLOWJACKETS For Shauna (Melanie Lynskey, The Last of Us), Natalie (Juliette Lewis, Welcome to Chippendales), Taissa (Tawny Cypress, Billions), Misty (Christina Ricci, Wednesday), Lottie (Simone Kessell, Muru) and Van (Lauren Ambrose, Servant), 1996 will always be the year that their plane plunged into the Canadian wilderness, stranding them for 19 tough months — as season one of 2021–2022 standout Yellowjackets grippingly established. As teenagers (as played by The Kid Detective's Sophie Nélisse, The Boogeyman's Sophie Thatcher, Scream VI's Jasmin Savoy, Shameless' Samantha Hanratty, Mad Max: Fury Road's Courtney Eaton and Santa Clarita Diet's Liv Hewson), they were members of the show's titular high-school soccer squad, travelling from their New Jersey home town to Seattle for a national tournament, when the worst eventuated. Cue Lost-meets-Lord of the Flies with an Alive twist, as that first season was understandably pegged. All isn't always what it seems as Shauna and company endeavour to endure in the elements. Also, tearing into each other occurs more than just metaphorically. Plus, literally sinking one's teeth in was teased and flirted with since episode one, too. But Yellowjackets will always be about what it means to face something so difficult that it forever colours and changes who you are — and constantly leaves a reminder of who you might've been. So, when Yellowjackets ended its first season, it was with as many questions as answers. Naturally, it tore into season two in the same way. In the present, mere days have elapsed — and Shauna and her husband Jeff (Warren Kole, Shades of Blue) are trying to avoid drawing any attention over the disappearance of Shauna's artist lover Adam (Peter Gadiot, Queen of the South). Tai has been elected as a state senator, but her nocturnal activities have seen her wife Simone (Rukiya Bernard, Van Helsing) move out with their son Sammy (Aiden Stoxx, Supergirl). Thanks to purple-wearing kidnappers, Nat has been spirited off, leaving Misty desperate to find her — even enlisting fellow citizen detective Walter (Elijah Wood, Come to Daddy) to help. And, in the past, winter is setting in, making searching for food and staying warm an immense feat. Yellowjackets streams via Paramount+. Read our full review, and our interview with Melanie Lynskey. I THINK YOU SHOULD LEAVE WITH TIM ROBINSON Eat-the-rich stories are delicious, and also everywhere; however, Succession, Triangle of Sadness and the like aren't the only on-screen sources of terrible but terribly entertaining people. I Think You Should Leave with Tim Robinson has been filling streaming queues with assholes since 2019, as usually played by the eponymous Detroiters star, and long may it continue. In season three, the show takes its premise literally in the most ridiculous and unexpected way, so much so that no one could ever dream of predicting what happens. That's still the sketch comedy's not-so-secret power. Each of its skits is about someone being the worst in some manner, doubling down on being the worst and refusing to admit that they're the worst (or that they're wrong) — and while everyone around them might wish that they'd leave, they're never going to, and nothing ever ends smoothly. In a show that's previously worked in hot dog costumes and reality TV series about bodies dropping out of coffins to hilarious effect, anything can genuinely happen to its gallery of the insufferable. In fact, the more absurd and anarchic that I Think You Should Leave with Tim Robinson gets, the better. No description can do I Think You Should Leave with Tim Robinson's sketches justice, and almost every one is a comedic marvel, as again delivered in six 15-minute episodes in the series' third run. The usual complaint applies: for a show about people overstaying their welcome, the program itself flies by too quickly, always leaving viewers wanting more. Everything from dog doors and designated drivers to HR training and street parking is in Robinson's sights this time, and people who won't stop talking about their kids, wedding photos and group-think party behaviour as well. Game shows get parodied again and again, an I Think You Should Leave staple, and gloriously. More often than in past seasons, Robinson lets his guest stars play the asshole, too, including the returning Will Forte (Weird: The Al Yankovic Story), regular Sam Richardson (The Afterparty), and perennial pop-ups Fred Armisen (Barry) and Tim Meadows (Poker Face). And when Jason Schwartzman (The Hunger Games: The Ballad of Songbirds & Snakes) and Ayo Edebiri (The Bear) drop in, they're also on the pitch-perfect wavelength. I Think You Should Leave with Tim Robinson streams via Netflix. Read our full review. WHAT WE DO IN THE SHADOWS Following in Taika Waititi and Jemaine Clement's footsteps isn't easy, but someone had to do it when What We Do in the Shadows made the leap from the big screen to the small. New format, new location, new vampires, same setup: that's the formula behind this film-to-TV series, which has notched up five seasons so far. Thankfully for audiences, Matt Berry (Toast of London and Toast of Tinseltown), Natasia Demetriou (Eurovision Song Contest: The Story of Fire Saga) and Kayvan Novak (Cruella) were enlisted as the show's three key bloodsuckers in this US spinoff from the New Zealand mockumentary, all in roles that they each seem born for. The trio play three-century-old British aristocrat Laszlo, his 500-year-old creator and partner Nadja and early Ottoman Empire warrior Nandor, respectively, who share an abode and the afterlife in Staten Island. In cinemas, the film already proved that the concept works to sidesplitting effect. Vampire housemates, they're just like us — except when they're busting out their fangs, flying, avoiding daylight, sleeping in coffins, feuding with other supernatural creatures and leaving a body count, that is. On TV, What We Do in the Shadows illustrates that there's not only ample life left in palling around with the undead, but that there's no limit to the gloriously ridiculous hijinks that these no-longer-living creatures can get up to. It was true as a movie and it's still true as a television show: What We Do in the Shadows sparkles not just due to its premise, but when its characters and cast are both as right as a luminous full moon on a cloudless night. This lineup of actors couldn't be more perfect or comedically gifted, as season five constantly demonstrates via everything from mall trips, political campaigns, pride parades and speed dating to trying to discover why Nandor's long-suffering and ever-dutiful familiar Guillermo (Harvey Guillén, Werewolves Within) hasn't quite started chomping on necks despite being bitten himself. Berry's over-enunciation alone is the best in the business, as is his ability to play confident and cocky. His line readings are exquisite, and also piercingly funny. While that was all a given thanks to his Toast franchise, Year of the Rabbit, The IT Crowd, Snuff Box, The Mighty Boosh and Garth Marenghi's Darkplace history, What We Do in the Shadows is a group effort. Demetriou and Novak keep finding new ways to twist Nadja and Nandor's eccentricities in fresh directions; their characters have felt lived-in since season one, but they're still capable of growth and change. What We Do in the Shadows streams via Binge. Read our full review. SLOW HORSES In gleaming news for streaming viewers, Mick Herron's Slough House novel series boasts 12 entries so far. In an also ace development, several more of the British author's books have links to the world of veteran espionage agent Jackson Lamb. That thankfully means that Slow Horses, the small-screen spy thriller based on Herron's work, has plenty more stories to draw upon in its future. It's now up to its third season as a TV series, and long may its forward path continue. Apple TV+ has clearly felt the same way since the program debuted in April 2022. In June the same year, the platform renewed Slow Horses for a third and fourth season before its second had even aired. That next chapter arrived that December and didn't disappoint. Neither does the latest batch of six episodes, this time taking its cues from Herron's Real Tigers — after season one used the novel Slow Horses as its basis, and season two did the same with Dead Lions — in charting the ins and outs of MI5's least-favourite department. Slough House is where the service rejects who can't be fired but aren't trusted to be proper operatives are sent, with Lamb (Gary Oldman, Oppenheimer) its happily cantankerous, slovenly, seedy and shambolic head honcho. Each season, Lamb and his team of losers, misfits and boozers — Mick Jagger's slinky ear worm of a theme tune's words — find themselves immersed in another messy case that everyone above them wishes they weren't. That said, Slow Horses isn't a formulaic procedural. Sharply written, directed and acted, and also immensely wryly funny, it's instead one of the best spy series to grace television, including in a new go-around that starts with two intelligence officers (Babylon's Katherine Waterston and Gangs of London's Ṣọpẹ́ Dìrísù) in Istanbul. When the fallout from this season's opening events touches Lamb and his spooks, they're soon thrust into a game of cat-and-mouse that revolves around secret documents and sees one of their own, the forever-loyal Catherine Standish (Saskia Reeves, Creation Stories), get abducted. The talented River Cartwright (Jack Lowden, The Gold) again endeavours to show why being banished to Slough House for a training mistake was MI5's error, while his boss' boss Diana Taverner (Kristin Scott Thomas, Rebecca) reliably has her own agenda. Slow Horses streams via Apple TV+. Read our full review. I HATE SUZIE TOO Watching I Hate Suzie Too isn't easy. Watching I Hate Suzie, the show's first season, wasn't either back in 2020. A warts-and-all dance through the chaotic life, emotions and mind of a celebrity, both instalments of this compelling British series have spun as far away from the glitz and glamour of being famous as possible. Capturing carefully constructed social-media content to sell the fiction of stardom's perfection is part of the story, as it has to be three decades into the 21st century; however, consider this show from Succession writer Lucy Prebble and actor/singer/co-creator Billie Piper, and its blood pressure-raising tension and stress, the anti-Instagram. The unfiltered focus: teen pop sensation-turned-actor Suzie Pickles, as played with a canny sense of knowing by Piper given that the 'Honey to the Bee' and Penny Dreadful talent has charted the same course. That said, the show's IRL star hasn't been the subject of a traumatic phone hack that exposed sensitive photos from an extramarital affair to the public, turning her existence and career upside down, as Suzie was in season one. Forget The Idol — this is the best show about being a famous singer that you can watch right now. In I Hate Suzie Too, plenty has changed for the series' namesake over a six-month period. She's no longer with her professor husband Cob (Daniel Ings, Sex Education), and is battling for custody of their young son Frank (debutant Matthew Jordan-Caws), who is deaf — and her manager and lifelong friend Naomi (Leila Farzad, Avenue 5) is off the books, replaced by the no-nonsense Sian (Anastasia Hille, A Spy Among Friends). Also, in a new chance to win back fans, Suzie has returned to reality TV after it helped thrust her into the spotlight as a child star to begin with. Dance Crazee Xmas is exactly what it sounds like, and sees her compete against soccer heroes (Blake Harrison, The Inbetweeners), musicians (Douglas Hodge, The Great) and more. But when I Hate Suzie Too kicks off with a ferocious, clearly cathartic solo dance in sad-clown getup, the viewers aren't charmed. Well, Dance Crazee Xmas' audience, that is — because anyone watching I Hate Suzie Too is in for another stunner that's fearless, audacious, honest, dripping with anxiety, staggering in its intensity, absolutely heart-wrenching and always unflinching. I Hate Suzie Too streams via Stan. Read our full review. JUSTIFIED: CITY PRIMEVAL The man knows how to rock a hat: Timothy Olyphant (Full Circle), that is. He knows how to play a determined lawman with a piercing stare and an unassailable sense of honour, too, and television has been all the better for it for nearing two decades. Pop culture's revival culture has benefited as well — first with HBO's 2004–06 western masterpiece Deadwood returning as 2019's Deadwood: The Movie, and now with 2010–15's US Marshal drama Justified making a comeback as miniseries Justified: City Primeval. Olyphant was perfect in both the first time around, and proves the same the second. Indeed, Deadwood: The Movie's only problem was that it was just a made-for-TV film, not a another season; Justified: City Primeval's sole issue is that it spans only eight episodes, and that a next date with the Stetson-wearing Raylan Givens hasn't yet been locked in. This continuation of Justified's initial six seasons arrives eight years after the show ended for viewers, but also finds Raylan with a 15-year-old daughter. And it's with Willa (Vivian Olyphant, Timothy Olyphant's real-life offspring) that he's hitting the road when a couple of criminals reroute their plans. Now based in Miami, Florida rather than Justified's Harlan, Kentucky, Raylan is meant to be taking Willa to camp, only to be forced to detour to Detroit, Michigan to testify. It isn't a brief stop, after the Deputy US Marshal makes the wrong impression on Judge Alvin Guy (Keith David, Nope), then is personally requested to investigate an assassination attempt against the same jurist — teaming up with local detectives who are adamant about Detroit's particular ways, including Maureen Downey (Marin Ireland, The Boogeyman), Norbert Beryl (Norbert Leo Butz, The Girl From Plainville) and Wendell Robinson (Victor Williams, The Righteous Gemstones). You can take Raylan out of rural America and into the Motor City, as Justified: City Primeval does, but even with silver hair atop his calm glare he's still Raylan. So, he'll always stride around like a lone gunslinger who has seen it all, will confront anything, and is perennially valiant and resolute — and silently exasperated about humanity's worst impulses, too — as Justified: City Primeval welcomes. New location, passing years, the responsibilities of fatherhood, more and more lowlife crooks (including Boyd Holbrook, Indiana Jones and the Dial of Destiny): they haven't changed this character, and audiences wouldn't have wanted that to happen. Justified: City Primeval streams via Disney+. Read our full review. GOOD OMENS Since 2019, witnessing David Tennant utter the word "angel" has been one of the small screen's great delights. Playing the roguish demon Crowley in Good Omens, the Scottish Doctor Who and Broadchurch star sometimes says it as an insult, occasionally with weary apathy and even with exasperation. Usually simmering no matter his mood, however, is affection for the person that he's always talking about: book-loving and bookshop-owning heavenly messenger Aziraphale (Michael Sheen, Quiz). With just one term and two syllables, Tennant tells a story about the show's central odd-couple duo, who've each been assigned to oversee earth by their bosses — Crowley's from below, Aziraphale's from above — and also conveys their complicated camaraderie. So, also since 2019, watching Tennant and Sheen pair up on-screen has been supremely divine. Good Omens, which hails from Terry Pratchett and Neil Gaiman's award- and fan-winning 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, was always going to be about Aziraphale and Crowley. And yet, including in its second season, it's always been a better series because it's specifically about Sheen as the former and Tennant as the latter. In this long-awaited return, neither Aziraphale nor Crowley are beloved by their higher-ups or lower-downs thanks to their thwarting-the-apocalypse actions. Season one saw them face their biggest test yet after they started observing humans since biblical times — the always-foretold birth of the antichrist and, 11 years later, cosmic forces rolling towards snuffing out the planet's people to start again — and saving the world wasn't what their leaders wanted. One fussing over his store and remaining reluctant to sell any of its tomes, the other continuing to swagger around like Bill Nighy as a rule-breaking rockstar, Aziraphale nor Crowley have each carved out a comfortable new status quo, though, until a naked man walking through London with nothing but a cardboard box comes trundling along. He can't recall it, but that birthday suit-wearing interloper is the archangel Gabriel (Jon Hamm, Fargo). He knows he's there for a reason and that it isn't good, but possesses zero memory otherwise. And, in the worst news for Aziraphale and Crowley, he has both heaven and hell desperate to find him — which is just the beginning of season two's delightful journey. Good Omens streams via Prime Video. Read our full review. ONLY MURDERS IN THE BUILDING Corpses and killings don't normally herald joy on-screen, even in pop culture's current murder-mystery comedy wave, but Only Murders in the Building isn't just another amusing whodunnit. There's a particular warmth to this series. In each of its three seasons to-date, the New York-set show has unleashed amateur gumshoes upon a shock death, with its key trio sifting through clues and podcasting the details. Along the way, it has also kept telling a winning story about second chances and finding the folks who understand you. Only Murders in the Building's ten-episode third season relays that tale again, expanding its portraits of artist Mabel Mora (Selena Gomez, The Dead Don't Die), theatre director Oliver Putnam (Martin Short, Schmigadoon!) and veteran actor Charles-Haden Savage (Steve Martin, It's Complicated) — and of their friendship. Once more, it embraces the power of chemistry, both within its narrative and for audiences. That isn't new; when the show debuted in 2021, it felt like the murder-mystery comedy genre's version of a cosy embrace because its three leads were so perfectly cast and their odd-throuple characters so full of sparks. While Mabel, Oliver and Charles wouldn't be a trio if it wasn't for a building evacuation, a murder and a love of true-crime podcasts, their connection isn't merely fuelled by chatting about the murders in their building, with crossing each other's paths changing their respective lives. There's a death in season three's initial episode — it first occurred in season two's dying moments, to be precise — and, of course, ample sleuthing and talking about it follows. The victim: Ben Glenroy (Paul Rudd, Ant-Man and the Wasp: Quantumania), a silver-screen star best-known for playing a zoologist who fights crime by turning into a snake in the blockbuster CoBro franchise. (Yes, if those movies weren't just Only Murders in the Building's Ant-Man gag, existed IRL and starred Rudd, they'd be a hit.) But Only Murders in the Building's latest run also opens with Mabel, Oliver and Charles in places that they wouldn't be if they were solo. Largely, that applies emotionally: Mabel is more grounded and open, and now thinking about the future more than the past; Oliver has faced his career fears, resurrecting his showbiz bug with a new show; and Charles is less misanthropic and more willing to take new chances. They're also frequently in a different location physically thanks to Oliver's comeback production Death Rattle (which is where Meryl Streep fits in). No, the series isn't now called Only Murders in the Building and on Broadway. Only Murders in the Building streams via Star on Disney+. Read our full review. FARGO This is a true story: in 2014, Hollywood decided to take on a task that was destined to either go as smoothly as sliding on ice or prove as misguided as having a woodchipper sitting around. Revisiting Fargo was a bold move even in pop culture's remake-, reboot- and reimagining-worshipping times, because why say "you betcha" to trying to make crime-comedy perfection twice? The Coen brothers' 1996 film isn't just any movie. It's a two-time Oscar-winner, BAFTA and Cannes' Best Director pick of its year, and one of the most beloved and original examples of its genre in the last three decades. But in-between credits on Bones, The Unusuals and My Generation, then creating the comic book-inspired Legion, writer, director and producer Noah Hawley started a project he's now synonymous with, and that's still going strong five seasons in. What keeps springing is always a twisty tale set in America's midwest, as filled with everyday folks in knotty binds, complicated family ties, crooks both bumbling and determined trying to cash in, and intrepid cops investigating leads that others wouldn't. Hawley's stroke of genius: driving back into Fargo terrain by making an anthology series built upon similar pieces, but always finding new tales about greed, power, murder and snowy landscapes to tell. Hawley's Fargo adores the Coenverse overall, enthusiastically scouring it for riches like it's the TV-making embodiment of Kumiko, the Treasure Hunter's namesake. That film hailed from Damsel's David Zellner instead, and took cues from the urban legend surrounding the purported Fargo ties to the IRL death of Japanese office worker Takako Konishi; however, wanting the contents of the Coen brothers' brains to become your reality is clearly a common thread. Of course, for most of the fictional figures who've walked through the small-screen Fargo's frames, they'd like anything but caper chaos. Scandia, Minnesota housewife Dot Lyon (Juno Temple, Ted Lasso) is one of them in season five. North Dakota sheriff, preacher and rancher Roy Tillman (Jon Hamm, Good Omens) isn't as averse to a commotion if he's the one causing it. Minnesota deputy Indira Olmstead (Richa Moorjani, Never Have I Ever) and North Dakota state trooper Witt Farr (Lamorne Morris, Woke) just want to get to the bottom of the series' new stint of sometimes-madcap and sometimes-violent mayhem. Fargo streams via SBS On Demand. Read our full review. Looking for more viewing highlights? We also rounded up the 15 best new TV series of 2023, as well as 15 excellent new TV shows of 2023 that you might've missed — plus the 15 top films, another 15 exceptional flicks that hardly anyone saw in cinemas this year and the 15 best straight-to-streaming movies of the year as well. And, we've kept a running list of must-stream TV from across the year, complete with full reviews. Also, you can check out our regular rundown of film and TV streaming recommendations, which is updated monthly.
Tucked at the southern end of Cronulla Plaza, Fred's Providore is a local go-to for cafe fare, premium groceries and cuts from its in-house butchery. The space is bright and handsome, with dark timber, brass, fluted glass and exposed brick lending it a distinctly European feel. It's the kind of spot you could duck into for a wedge or two from the gourmet cheese display, or comfortably linger with a pick from the all-day brunch or loaded focaccia menus. Come nightfall, things take a decidedly intimate turn with Fred's After Hours, a moody bistro and wine bar that sees the lights dim and the wine poured generously. Those same timber and brass accents glow warmer in soft golden light, while the exposed brick takes on a softly dramatic edge. The fluted glass, etched with gold leaf, adds to the after-dark shimmer, and makes a fitting backdrop for caviar crumpets, dry-aged steaks and 16 wines by the glass. The menu — available from Thursday to Sunday — puts an elevated spin on the wine bar model. Yes, you'll find anchovy gildas and tuna crudo bites — and, naturally, house-baked focaccia — but also brioche lobster rolls and Black Pearl Oscietra caviar served with mini crumpets. Larger plates showcase the butchery's premium produce, like grass-fed steak tartare with 24-month parmesan and focaccia, MB9+ wagyu skewers and a rotating butcher's cut — for opening, it's a one-kilogram, dry-aged bistecca cooked on a hibachi and served on the bone. Behind the bar, sommelier Jeff Beresford has assembled a tight list that roams through Australia, New Zealand, France and Italy, with a pair of champagnes — Pol Roger and Ruinart, no less — available by the glass. Cocktails are equally considered, from the reimagined passionfruit martini served with a prosecco palate cleanser, to classic serves that can all be paired with a caviar-topped crisp. [caption id="attachment_1018893" align="alignnone" width="1920"] Jarryd Biviano[/caption] Top images: Jarryd Biviano.
Newtown's 28-seat no fuss cafe One Another has garnered quite the following since opening in March 2019. Its casual 'non-trendy' vibes are matched by an accessible menu that locals can't seem to get enough of — the place is packed most weekends. "We want it to be a place with quality food where everyone can find something to eat, but without slavishly following trends," says co-owner and chef Louis Spangaro-McAllan, who jokes he's cooked at over 40 cafes in Sydney. He's joined by Mitchell Antman, who has made the rounds through some of the best cafes in the city, including Fleetwood Macchiato, Cornersmith and Sample Coffee — which now supplies the coffee for One Another. The duo has been through the ringer trying to open this joint, having first shown interest in the building back in early 2016. Both owners live nearby, and saw this as an opportunity to open a quiet neighbourhood spot on the back streets of Newtown, tucked away from bustling King Street. Though the cafe's '$20-and-under' menu has received much press, it is by no means a mantra at One Another. "We're lucky enough to have Mr. Shane Roberts as our veg merchant, which allows us to get away with serving a vegetable-heavy menu without compromising quality, and this has kept the price point below $20 so far," says Spangaro-McAllan. "But this is by no means our mission statement and I'm sure at some point there will be dishes over $20." At the moment, that menu includes regularly changing weekend specials. Take the wild asparagus — it's pan-roasted in miso butter and tarragon oil, paired with crispy potatoes and a poached egg, then sprinkled with pretty purple chive flowers. Other specialties include the burrata with cavolo nero salsa and chickpea pangritata, and the lamb sausage with roasted dutch carrots, black barley and a poached egg. The cafe's signature hot-smoked ocean trout can become a protein accompaniment to any dish — the gents recommend adding it to the potato croquettes with charred brussels sprouts, capers and anchovy dressing. Staples that have stood the test of the cafe's (short) time include bacon and egg rolls, silken tofu rolls and smashed avo on toast, topped with granny smith apples, pickled ginger and coriander. Simple comfort dishes like the cheese and pickle sandwich also makes the cut. One Another's version is stuffed with melted maffra cheddar and swiss cheese, piled high with bread and butter pickles and schmeared in house mustard. The attractive tables, chairs and stools have been lovingly made from recycled Australian hardwood, sourced from old warehouses down the coast. Images: Kimberley Low.
Right in the middle of Oxford Street, the Paddington Berkelouw bookstore reigns supreme as a drawcard for booklovers of all types. There are three storeys of new, secondhand and rare books ready for you to lose yourself in — and the best part is there's a cafe and wine bar upstairs, so that you can settle in for a hot chocolate and cosy up with a new book for hours on end. Aside from the latest Max Porter or Oyinkan Braithwaite fiction, the store has an extensive kids' book section when you're in need of a smart gift for new parents, plus there's a cabinet of curious face masks, body lotions and candles for last-minute self care or that rushed birthday gift. There's also a wall of locally crafted cards, a counter of indie magazines and every recent hardback you'd expect from a leading bookstore. Images: Destination NSW.
Independent skate shop UPS is your go-to for everything skate related. That includes limited-edition shoes, streetwear, hardware and, of course, some of the best boards you can find on Aussie shores. It's all sourced from top local and international brands, including Vans, DC Shoes, Butter Goods, Passport and Converse. The shop is owned and run by skaters, too, so you know you're getting expert buyers and staff that know their stuff. To browse the UPS collection, you don't even need to leave the house thanks to its online store — and it'll ship directly to your doorstep.
Wander into the National Art School between November 3 – 12 and you'll be treated to an exhibition showcasing a diverse range of works from this year's Masters of Fine Art graduates. Featuring a range of mediums including sculpture, drawing, ceramics, printmaking, photomedia and painting, the postgraduate show is always a great opportunity to get familiar with new artists and catch emerging talent while they're still just that. Budding investors take note: artworks will be available for sale so have your chequebooks at the ready. Artists on show include figurative painter and 2016 Archibald Prize finalist India Mark, Turkish-born postmodern portraitist Murat Urlali, visceral sculptor Samantha Stephenson, and Aly Indermühle, whose large scale and intimate light works were featured in this year's VIVID Sydney. The school is also holding a special evening on Thursday November 2 to mark the opening, with music from FBi DJS, food, pop-up bars and an open invitation to have a nose around the artist studios. Image: Samantha Stephenson Communion of Space 2016 painted steel, 2017
In 1954, Rear Window was the highest-grossing film in American cinemas, the first Godzilla movie rampaged across the big screen, and On the Waterfront won best picture at both the Oscars and the Golden Globes. And, in our neck of the woods, the first Sydney Film Festival was held. 65 fests and more than 9000 flicks later, and SFF is still going strong as it celebrates its latest milestone — with its usual excellent array of international cinema, of course. While the full 2018 SFF program won't be released until May 9, the festival's powers-that-be have revealed the first 26 films that you should start pencilling into your diary. Come June 6 to 17, you'll be watching everything from this year's top Sundance winner, The Miseducation of Cameron Post, to the absolutely exceptional festival circuit hit Foxtrot, from Israeli director Samuel Maoz. And, you'll be clamouring to see Oscar-nominated animated effort The Breadwinner, from the same Irish studio behind gorgeous SFF 2014 favourite Song of the Sea; the Martin Freeman-starring Ghost Stories, which features the star as a professor investigating paranormal activity; and Westwood: Punk, Icon, Activist, a documentary profile of the British fashion designer and activist. https://www.youtube.com/watch?v=NTHQhMW5iIE Other early standouts include the Rachel McAdams and Rachel Weisz-starring Disobedience, the newest film from A Fantastic Woman director Sebastián Lelio; American Animals, which is based on the true tale of four friends trying to steal the world's most expensive book; and psychosexual S&M thriller Piercing, featuring Aussie actress Mia Wasikowska and Girls' Christopher Abbott. In addition, the acclaimed Leave No Trace marks the latest feature from Winter's Bone helmer Debra Granik, while this year's best foreign-language Academy Award nominee The Insult relates a fiery court battle between a Lebanese Christian man and a Palestinian refugee. There's also Berlinale Silver Bear winner Mug, a touching Polish satire about a man who has a face transplant (and a flick that has nothing to do with Nicolas Cage, John Travolta and Face/Off). Among the documentaries, Cold Blooded: The Clutter Family Murders delves into the horrific small-town killings that formed the basis of Truman Capote's iconic true-crime novel In Cold Blood (as well as the film of the same name), with the Paradise Lost trilogy's Joe Berlinger in the director's chair. For something completely different — and completely adorable, no doubt — Pick of the Litter charts the lives of five puppies training to become guide dogs. Also on the bill: Genesis 2.0, about hunters in the New Siberian Islands in the Arctic Ocean searching for tusks of extinct mammoths; Chef Flynn, which focuses on 19-year-old culinary whiz kid Flynn McGarry; and RocKabul, with Aussie journalist Travis Beard meeting Afghanistan's first and only metal band. https://www.youtube.com/watch?v=emta2b1N6m8 On the local front, West of Sunshine leads the charge, with the Melbourne-shot debut of Aussie filmmaker Jason Raftopoulos making its Australian debut after premiering at the Venice Film Festival last year. Then there's Jessica Leski's Kickstarter-funded I Used to be Normal: A Boyband Fangirl Story, which interviews fans of One Direction, The Beatles, Take That and the Backstreet Boys. Plus, SFF will also screen a brand-new digital restoration of Gillian Armstrong's 1979 classic My Brilliant Career. The just-announced titles join the previously revealed SFF 2018 retrospective, which will once again be curated by David Stratton, and will focus on ten films from Finnish director Aki Kaurismäki. Plus, as well as offering a sneak peek of the full lineup, SFF have also advised just where you'll be seeing this year's movies. For the second year running, the fest has added a new location, with Hoyts Entertainment Quarter joining returning venues The State Theatre, Dendy Opera Quays, Dendy Newtown, Event Cinemas George Street, Art Gallery of NSW, the Hayden Orpheum Picture Palace Cremorne, Randwick Ritz and Casula Powerhouse Arts Centre. The EQ site will screen a specially selected family lineup, plus SFF's Screenability strand, which highlights the works of screen practitioners with disability. The 2018 Sydney Film Festival will run from June 6 to 17. Check out their currently announced titles by heading to the festival website. The full program will be released on May 9.
One of Melbourne's most celebrated restaurants has arrived in Sydney. Victor Liong's two-hatted Lee Ho Fook is now open at The Porter House Hotel on Castelreagh Street, marking the first Sydney dining room for the chef who helped redefine modern Chinese cuisine in Australia. Since opening in Melbourne in 2013, Lee Ho Fook has become known for Liong's distinctive blend of classical European technique and the depth, diversity and soul of Chinese cooking. The Sydney edition carries that same spirit in a handsome setting of exposed brick, dark-stained hardwood floors and ambient neon that nods to its Melbourne roots. [caption id="attachment_1037786" align="alignnone" width="1920"] Nikki To[/caption] The menu reads like a love letter to Chinese regionality, interpreted with Liong's signature restraint. Expect starters like prawn toast topped with Tasmanian sea urchin and a standout crispy eggplant with spiced red vinegar, alongside larger plates such as kung pao Skull Island prawns and Yunnan-style murray cod with chilli cumin spice, garlic and chilli oil. A grill selection turns out proteins cooked over charcoal and served with bibb lettuce, seaweed, Dongbei short-grain rice and house condiments. It's all underpinned by seasonal Australian produce and executed by Head Chef Brad Guest, whose CV includes stints with Martin Benn, Neil Perry and Clare Smyth. The drinks program mirrors the kitchen's mix of precision and playfulness. Sommelier Louella Mathews curates an expansive wine list spanning Australian and European varietals from both emerging and established growers, while the cocktail list leans inventive, from a chilli crisp-spiked margarita to the delightful Sydney Vesper, a mix of Archie Rose vodka and gin, lemon and aniseed myrtles and Hunter Valley semillon. [caption id="attachment_1037785" align="alignnone" width="1920"] Parker Blain[/caption] Two thoughtful pairing options are also available: a global wine journey with drops from the Yarra Valley to Burgundy, and a tea pairing by Arthur Tong of TeaCraft, spotlighting handcrafted brews like blood orange-infused jasmine made in-house, milky oolong from Taiwan and Japanese genmaicha, all designed to complement the menu's layered flavours. The opening also marks a homecoming for Liong, who grew up in Sydney before making the move south — he now plans to divide his time between both cities. It's something of a family affair, too, with Liong's sister Nance Liong (ex-Momofuku Seiobo, Fred's, King Clarence) overseeing day-to-day operations as restaurant manager, bringing warmth and polish to match the food. [caption id="attachment_1037783" align="alignnone" width="1920"] Buffet Digital[/caption] Top images: Nikki To.
Aakash Nihalani takes the stationery store to town. Creating 3D images on two-dimensional surfaces, the New York-based artist uses an unlikely medium to create his street art — tape. Immediately identifiable by his signature style of bright, bold lines, look-twice illusions and meticulous repetition, Nihalani conjures movement by playing with your expectations. Hailing from Little India, Jackson Heights in Queens, the artist grew up in Jersey and returned to NYC around 2004 to dive headfirst into art school. Now, Nihalani's works are highly recognised from NYC to Vienna — he's even done a residency at the De Kooning estate in the Hamptons. Nihalani's work is created using cardboard, tape and a whole bunch of accuracy. Not one to shy away from experimenting with materials, Nihalani found his magic thread by chance. "I stumbled upon using tape by accident," he told Design Boom. "I was using a painter’s roll to attach some screen prints to the wall for a student exhibition. There was a pedestal in the space that was casting a cubic shadow on the floor that matched the shapes I was using in my prints, so I outlined the shadow with the tape. It all made sense in that moment." Dotted around NYC, the perspective-warping works range from epic installations like Platforms, Drop and Dominos, attached to concrete walls and best posed in front of; to the most recent shirt-attached Landline series (which would be unbelievably cred-prompting worn to a party as a pair). Budding artists, looks like it might be time you ditched Eckersley's for Officeworks. Via Lost at E Minor and Design Boom. Images from the artist's website, Eye Scream Sunday.
After a long, hot day, what better way to cool down than by sipping a chilled drink with the sound of waves crashing in the background. And if you find yourself in Bondi, you can do just that at The Pacific Club. The sleek all-day eatery opened in August 2018, and its chic design, featuring handcrafted Indian tiles and marble finishes, and views overlooking the promenade make it the perfect spot to enjoy a tipple or two. Giving you an extra reason to visit this spring is the arrival of an outdoor pop-up bar devoted to the mighty Chandon S. Get there between 4–6pm and settle in to the designated seating to try Chandon S at happy hour prices — just $8 a glass. This summery drop is a blend of sparkling wine and orange bitters — an aromatic combination of blood and navel oranges, fresh ginger, gentian root, vanilla pods, cinnamon quills and cardamom. Whether you spend your afternoon lazing about on the sand or strolling all the way to Bronte and back, be sure to leave yourself enough time for a cheeky sundowner. The Chandon Spritz Bar will be running every day between 4–6pm at The Pacific Club until Monday, December 3. No booking required.
When Ron's Upstairs opened on Redfern Street last year, the team left the space — which was previously occupied by longstanding Thai restaurant Pron Prohm — largely untouched. The panelled walls, the carpeted stairs and the (albeit altered) original sign out the front remain. The decision to keep these flourishes is a reminder that Redfern has changed rapidly in the last five years. Where dining options were limited to takeaway joints, there is now a rooftop bar, a corner wine bar and a ramen joint with a line snaking out the door. While some small bars like Arcadia Liquors and The Dock have been around for a while now, plenty of Redfern's restaurants and bars are brand spanking new. Here are the places worth checking out for dinner or a drink. Extra points to those that support the local arts community and erase the suburb's history altogether — even if it's just by keeping the sign out the front.
Family feuds are a deadly business in Bad Sisters, Apple TV+'s latest must-see. Just don't believe the first word in its title for a second. Starring, co-written and co-developed by Sharon Horgan, as Catastrophe was before it, this ten-part streaming series focuses on the Garvey girls, a quintet of Irish siblings who became bonded by more than blood when they were orphaned years earlier. Horgan's Eva took on the matriarch role and has doted on her siblings Grace (Anne-Marie Duff, Sex Education), Ursula (Eva Birthistle, The Last Kingdom), Bibi (Sarah Greene, Normal People) and Becka (Eve Hewson, Behind Her Eyes) ever since, even now that they range from their late twenties through to their forties. Used to doing whatever they must for each other, there's nothing bad about their sisterly devotion — but it just might include killing Grace's husband. A pitch-black comedy, a murder-mystery and a family drama all in one — an Irish riff on Big Little Lies, too, although it's actually adapted from Belgian TV's Clan from back in 2012 — Bad Sisters ponders two questions. Firstly, it wonders what lengths loyal siblings would truly go to to protect one of their own. Secondly, it contemplates what comeuppance women pushed to their limits will exact upon the source of their misery. Indeed, it's a darkly funny revenge fantasy as well, and a puzzle to compulsively sleuth along with. Do the Garveys get their wish? How will they try to make their dream a reality? Will their various murder plots work? What'll go wrong next? These queries also keep coming, and unfurling the answers makes for equally riveting, entertaining, empathetic and amusing viewing. Bad Sisters begins on the day of a funeral, farewelling John Paul Williams (Claes Bang, The Northman) after Grace makes sure that his erection won't be noticed first. Her dead husband has long been nicknamed 'The Prick' anyway, with his four sisters-in-law all thoroughly unimpressed, to say the least, about the toxic way he openly treated his dutiful wife. They're all sick of the underhanded abuse he also directed towards each of them, as well as anyone he didn't like, and the unearned air of superiority that always came with it. Calling him manipulative, callous, misogynistic, racist, narcissistic, spiteful, vicious, pitiless, ruthless, flat-out intolerable — they all fit. When a guest offers condolences at JP's wake, Eva's response is: "I'm just glad the suffering's over". When she's then asked if he was ill, she replies with a blunt and loaded "no". Relief lingers during JP's sendoff, but so does tension. Eva, Ursula, Bibi and Becka long wanted The Prick dead and, as flashbacks show, had been planning to bring about that very end. Complicating matters: two insurance agents, aka half-brothers Thomas (Brian Gleeson, Death of a Ladies' Man) and Matthew Claffin (Daryl McCormack, Good Luck to You, Leo Grande), who start nosing around as John Paul is being laid to rest. Their family-run outfit is meant to pay out on his life insurance policy, but it's a hefty amount of cash and will bankrupt the firm. And with Thomas' wife Theresa (Seána Kerslake, My Salinger Year) heavily pregnant and on bed rest, the Claffins already have their own share of family stresses. As brought to Apple TV+ by Horgan with United States of Tara, New Girl and 30 Rock's Brett Baer and Dave Finkel, Bad Sisters uses that insurance investigation to justify its jumps backwards — and it's a savvy tactic. In its weekly instalments, the series works through JP's awfulness and the Garveys' campaign of vengeance in two directions, contrasting the sisters' motivations in the months leading up to their brother-in-law's death with the aftermath. That said, exactly how Grace ends up a widow, who's responsible and which of the siblings knows what all drive the show's whodunnit angle, sharply and entertainingly so. Bad Sisters teases out the precise reasons that Eva, Ursula, Bibi and Becka can't stand JP, too, because The Prick's abysmal behaviour made enemies out of everyone around him over and over. Boasting a devilish setup is just one of Bad Sisters' drawcards. What a premise it is, though. The whole 'offing your arsehole brother-in-law' idea may seem obvious at the outset, but this is a series with both bite and warmth as it unpacks what happens when women don't have any other options but potentially breaking bad — and sticking together. The pervasive feeling: wish fulfilment and catharsis, as Grace's siblings attempt to make everyone's lives better, even if it requires one of the most drastic moves there is. Just as Horgan inhabits her part with fierce affection, as characters played by the This Way Up star tend to sport, the entire ten-episode run bubbles with unfailing determination. It's dedicated to seeing the horrors of coercive control and the harrowing ordeal that is life with someone like JP, but it's as devoted to maintaining hope in the Garveys' sense of sorority. Bad Sisters is also unflinching about perfecting the right balance between twisted, heartfelt, weighty, amusing, sincere and audacious — as resolute as it is about filling its frames with scenic Irish sights. The show's roster of writers and directors, which includes Dearbhla Walsh (Tales From the Loop), Rebecca Gatward (The Spanish Princess) and Josephine Bornebusch (Love Me) behind the lens, ensure four outcomes: lapping up every twist and turn; wishing you're a Garvey yourself; planning a getaway to Ireland; and feeling seen if you've ever been treated terribly by someone you love or even someone you know, be it a relative, friend, neighbour, boss, colleague or acquaintance of an acquaintance. There's no doubting the impact of Bad Sisters' on-screen talents in making it such an instantly addictive Irish delight, however. It isn't merely the central murder-mystery that lures viewers in — and the comic way the series cycles through the Garveys' schemes — but also the show's wonderful leading ladies. From Horgan through to Hewson, the eponymous sisters are exceptionally well-cast, with all five actors conveying the clan's strengths, flaws, differences, fights and camaraderie, including at an individual level and together. Duff is especially heartbreaking as the spouse who has convinced herself that her husband's exploitation and cruelty is normal, while the Bang ensures that the potently odious, easily despised JP is abhorrent on every level but never cartoonish. They're all ably supported by the charmingly bumbling Gleeson and just charmingly charming McCormack, who help reinforce that every family has its ups and downs — including when no one is contemplating homicide. Check out the trailer for Bad Sisters below: Bad Sisters streams via Apple TV+.
When you think about getting some culture, your first thought might be to dust off the ol' passport and hop on an eyeball-drying flight across the globe. But with tens of thousands of years of rich and complex Indigenous history in Central Australia, it's high time we appreciate the culture present in our own country. We've teamed up with Tourism Central Australia to highlight ten of the most soulful experiences the majestic Red Centre has to offer, from dot-painting against a backdrop of sheer red cliffs to candid conversations with First Nations artists. Want to plan your very own adventure to the Red Centre? Take a look at our handy trip builder to start building your custom itinerary now.
Set along Newtown's Enmore Road and open for dinner daily, this joint is serving up some of Sydney's most authentic Korean fried chicken. The shop has become known around the city for its signature dish, served in four styles: original, sweet chilli, soy garlic and 'spicy bomb'. It's best to pair your fried chicken with a traditional bibimbap, which is a rice bowl topped with a whole heap of veggies, including radish kimchi, bean sprouts, carrots and shiitake mushroom, and is a refreshing accompaniment to the deep fried main attraction. Other more westernised sides here include fries, seafood pancakes and mozzarella cheese on a sizzling plater. Wash it all down with local beers from Young Henrys and Batch or, for something a little more traditional, there are Korean beers and soju on offer. You can also BYO wine for a small price per bottle You'll find Flying Tong in our list of the best fried chicken in Sydney. Check out the full list here. Appears in: The Best Fried Chicken in Sydney for 2023
UPDATE: Originally scheduled for Saturday, November 25, 2023, Hot Jazz Picnic has been postponed until Saturday, February 10, 2024. Gather any jazz fans in your life to join you for the debut of Sydney's latest live music offering — Hot Jazz Picnic. Picture a spread of vibey musicians playing throughout the afternoon, attendees dressed in vibrant summer outfits and a wide range of luxe food and drink options, all with the backdrop of Sydney Harbour. That's the essence of Hot Jazz Picnic, which comes to Lyne Park in Rose Bay on Saturday, February 10, 2024, from 12pm—8pm. The jazz comes to play with Harry James Angus, Dan Barnett Big Band with special guest Emma Pask, Katie Thorne, The Vampires, Brekky Boy, Kate Wadey, The Morrisons, Ruby Jackson, all hosted by comedy duo Sketchshe. [caption id="attachment_926238" align="aligncenter" width="1920"] Anton Rehrl[/caption] Spread out across the park and enjoy the jazz alongside lawn games, a gin garden, a pop-up bar from Pommery Champagne and an artisanal food market. On the food front, look for Mary's, Sonoma Bakery, Ta Ta Ta pizza, Rock Oyster Depot, Tuckerbox and the famous Mapo Gelato truck on site. To up the luxury, pre-purchase a premium (and exclusive) 'Keep Picnic' pack from Business and Pleasure, or book VIP tickets to access the Pommery Champagne bar and bar-to-blanket food and drink service throughout the day. And perhaps most importantly, the dress code is 'colour-block chic', and the best dressed get some extra goodies to take home. Hot Jazz Picnic comes to Lyne Park on Saturday, February 10, 2024, from 12pm to 8pm. The event is supported by Create NSW and Woollahra Council, and $1 from every ticket goes to support OzHarvest. Kids under 12 come free. For more information and to book tickets, visit the website.
It's hard to believe but it's somehow already that time of year when blokes start sporting some pretty silly facial hair looks. It's a fun time, but it's also for a very important cause. Movember is the leading men's health charity that raises funds for mental health, suicide prevention, prostate cancer and testicular cancer. And after everything this year has thrown at us, these all-too-common health issues deserve more attention than ever. It's super easy to get involved: just register via the website or app, start collecting donations from your friends and family and then just... stop shaving your top lip on October 31. But to really ensure the new mo makes an impact and your donors get the biggest bang for their buck, you need to start with a clean slate. So, we've put together a list of top-notch barbershops around Sydney where you can get a quality wet shave in preparation for your month of mo growing. We're talking hot towels, cut throat razors and super fancy skincare products — the whole shebang. Update: Due to COVID-19 restrictions, some businesses mentioned may be operating differently. Check websites before making any plans.
Before Batman squared off against Superman and the Avengers started fighting amongst themselves, another group of not-so-average folks brought their battles to the big screen. Since 2000, the X-Men franchise has charted the many clashes and intermittent truces of Professor Charles Xavier, his friend-turned-nemesis Magneto, and their respective groups of disagreeing mutants. Sixteen years later, they've graced nine films, including the original trilogy, two Wolverine spin-offs, two other excursions into the characters' backstories and this year's smash hit Deadpool. With such a sizeable history, of course their latest conflict seems familiar. But it also feels every inch its own. Indeed, there has always been a specific vibe to the X-Men movies: outcast-oriented dramas mixed with bombastic action, while always retaining a distinctive emotional core. Director Bryan Singer is at the helm of his fourth instalment, while writer Simon Kinberg is back for script number three. It should therefore come as no surprise that the '80s-set X-Men: Apocalypse once again charts outsiders looking to find their place in a makeshift mutant family. Ten years after the main events of X-Men: Days of Future Past, Professor X (James McAvoy) yet again locks horns with Magneto (Michael Fassbender), with the recently unearthed Apocalypse (Oscar Isaac) — an ancient, god-like being considered the first-ever mutant — the cause of their latest conflict. The former is intent on stopping the new threat, re-teaming with CIA agent Moira Mactaggert (Rose Byrne) and later shape-shifting mutant Mystique (Jennifer Lawrence). The latter, in the wake of his own personal tragedy, once again embraces his destructive streak and sides with the fresh force of global devastation. With teenage incarnations of Nightcrawler (Kodi Smit-McPhee), Jean Grey (Sophie Turner) and Cyclops (Tye Sheridan) also featured, X-Men: Apocalypse doesn't lack in subplots, characters or attempts to set up future sequels. Nor does it miss any opportunity to thrust a CGI-heavy fray to the fore, or to sprinkle in a few much-needed doses of humour – particularly when returning favourite Quicksilver (Evan Peters) is involved. Instead, the one thing absent is the added element the film so obviously strives for: a heightened sense of grandeur. Conveying the personal stakes motivating the main players may not be an easy feat in such a busy effort, yet it's something the movie achieves in a touching manner. Dialling up the gravity of the entire situation proves far less simple or successful. Sadly, the titular villain is the main culprit weighing the feature down. If X-Men: Apocalypse shines whenever the usual suspects share screen time, it lags when the newfound enemy starts making big speeches. In stark contrast to the actor's typical output, poor Oscar Isaac is barely allowed to make a mark, with his makeup and digitally altered voice sapping his natural charisma. Thankfully McAvoy and Fassbender continue their stellar form across their trio of prequel films, while Peters once again threatens to steal the show. When you're watching them, you're in vintage X-Men territory, even if the movie desperately wants to be something more.
Every year, Refugee Week sees thousands of refugee-inspired events take place around the world, to raise awareness of refugees' experiences and celebrate their contributions to society. Taking over Australia from Sunday, June 16 to Saturday, June 22, the 2019 festival is offering a myriad of film screenings, feasts, gigs, art exhibitions, theatre shows and more. The theme is #withrefugees and, more specifically, "share a meal, share a story". While Randwick's Ritz Cinema's free screening of Ai Wei Wei's documentary Human Flow has already sold out, you can still combine arts and immigration by heading along to Gymea's Hazlehurst Regional Gallery at 6.30pm on Wednesday, June 19 to see Robyn Hughan's documentary Journey Beyond Fear. Meanwhile, in the city, Lower Town Hall will host Stronger Together on Thursday, June 20, featuring talks from Kumi Naidoo, Secretary General, Amnesty International; Dr Graham Thom, Refugee Coordinator, Amnesty International Australia; Frances Rush, CEO, Asylum Seekers Centre; and Clover Moore, Lord Mayor City of Sydney. And, if you want to learn to weave a tapestry rug like an Afghani master artist does, book your free spot at Finding Your Feet, a series of workshops happening at the Australian National Maritime Museum. They're being held at 10am and 12.30pm every day from Monday, June 17 to Friday, June 21. In Australia, Refugee Week is coordinated by the Refugee Council. Image: Human Flow.
Since the craft beer boom of the 2010s, there's been no shortage of brews to test out in watering holes across the country. Whether you like your tinnie with a pineapple tasting note or prefer a smooth lager brewed just down the road, local craft beer remains a hugely popular subset of the hospitality industry. As a result, suburbs outside the inner-city enclaves of Fitzroy and Brunswick are building their own breweries and craft-beer-loving communities. Smiley Brewing Co. is the first microbrewery and taproom in the Melbourne suburb of Pakenham. It was founded in 2023 by partners Trent and Kylie Butcher and is located in a modern warehouse on one of Pakenham's industrial estates. The ingredients in their brews are sourced locally whenever possible, and they serve a core range of up to seven award-winning beers alongside cocktails, wine, and a rotation of delicious food trucks. Given that Trent and Kylie are in the thick of Melbourne's brewery operations, we spoke with Trent to learn more about the flavours and habits that are shaping the craft beer landscape in 2026. Crisp Lagers Are Back Over the past decade, we've seen a myriad of wild and wacky craft beers flood the market. According to Trent, however, people are now gravitating towards the classics: the humble lager. "We have an Australian lager, which is always extremely popular and usually our biggest mover." This popularity was reflected in Smiley Breweries' seasonal sip over the summer: the Mexican Cerveza, AKA Mexican lager. "Australia tends to follow the patterns of what happens in the US," says Trent. "Crisper lager-style beers are tending to be more popular." These beers prioritise refreshment over intensity, proving that perhaps people are trying to get back to the simple things in life. Hazy Still Isn't Going Anywhere Known for its juicy, tropical flavour profile and velvety mouthfeel, Hazy beers (like Indian Pale Ales) are still high up on breweries' lists. "Hazy beers tend to do well, and they have for a couple of years. We have a hazy pale ale, which is a big seller. It alternates between that and the draught beer as to what's the biggest mover for the month," Trent divulges. Sober Curiosity Is On The Rise One of the biggest shifts in the craft beer space isn't about flavours but how people are drinking. "Mid-strength, lower ABV [alcohol by volume] options are popular," shares Trent. "Not everybody's out to drink to get drunk as such." Instead, drinkers are opting for moderation, without sacrificing taste. And a good craft beer, Trent says, is something that you want to go back for more of. "It's something that you can sit and drink and comfortably have a few beers and not feel like you've had too much or that the beer itself is too heavy or too complex." What's Next? As the weather cools down (and we move away from Mexican Lagers), what's on the menu for Smiley Brewing Co and other local breweries? "Moving into autumn, we're just about to brew an amber ale, which is a popular autumn beer," says Trent. "And then as we move into the cooler months, we'll go for more of the darker beers like stouts." Smiley Brewing Co. has become a pub and community gathering spot, giving locals access to great Australian craft beers. Across the board, there's clearly a desire to focus on beer that people know and love, not just the novelty chocolate and lime craft brews of yesteryear. If the last decade of craft beer was about pushing the limits, in 2026, brewers are pulling back just a fraction to meet drinkers where they are.
Starting out as a delicatessen, Paddington Alimentari quickly grew into a busy Italian cafe for locals and lucky out-of-towners to visit. With its dark grey shop front, you might not notice this popular spot on William Street, but it's definitely worth sniffing out. The glass counter is filled with freshly baked fare — from fluffy quiches to croissants and stuffed baguettes. If you have time to sit down, order a bowl of pasta or a fresh salad and dine outside. And just like any good Italian delicatessen, it also has display case filled to the brim with cheese, ham and a range of olives — so you can make your very own charcuterie board at home.
Celebrating female runners around the globe, the Nike After Dark Tour is returning to Sydney, with the harbour city again scoring one of seven legs on this international nighttime running series. Launched in 2025 to foster a sense of community and self-expression, the event brought together over 7,000 athletes, regardless of ability, for the debut half-marathon. Now, Nike is running it back in 2026, once more hosting a long run around Sydney. With the precise date and course still to be revealed, just know that this tour invites runners of all backgrounds to show up for themselves, push boundaries and celebrate the collective power of Sydney's women running community. Last year's event started at Rozelle Parklands and finished at Tumbalong Park, featuring stunning views every step of the way. Yet this experience is more than just a 21.1-kilometre run under the stars. A pre-run expotique, complete with a personalised bra fitting, panel discussions and mobility sessions, ensured each athlete arrived at the start line ready to perform at their best. Designed to extend far beyond the traditional race format, each stop on the Nike After Dark Tour includes immersive pre- and post-race experiences that inspire movement, confidence and community. Then, finishing up long after the sun has set, the upbeat atmosphere carries over into the after-party, teeming with live music and rejuvenating food and drink. After your race is run, there's a good chance you'll be looking ahead to the next event on the calendar. With the other stops on this global experience including Shanghai, Mexico City, London, Los Angeles, Manila and Mumbai, each features a one-of-a-kind experience where women's running culture is celebrated in an entirely new way. "I had the privilege of being part of the inaugural Nike After Dark Tour last year in Sydney, Mexico City and Los Angeles," says Nike Pacific Run Coach Lydia O'Donnell. "The tour brought together more than 50,000 runners across seven races on five continents, with nearly half signing up because they were inspired by a series that is built for women — something I'll always be proud to be part of." The Nike After Dark Tour is happening throughout 2026, with Sydney race dates and course information yet to be revealed. Head to the website for more information. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
With so many incredible stays opening every year, it takes a surprising amount of work to stay on top of the very best new hotels. Having just published its 20th edition, Travel + Leisure's 'It List' is a helpful starting point, with 100 outstanding properties from around the globe making the final cut, giving you a head start on planning your next luxe getaway. But don't think you have to jet-set overseas to experience the world's best accommodation. In 2026, four Australian stays placed on the list, spanning creative inner-city hotels to far-flung island escapes. If the latter sounds more appealing, The Sundays demands your attention, offering a truly luxe retreat on Hamilton Island amid the Great Barrier Reef. Think sunrise yoga and award-winning dining — guided by Josh and Julie Niland, no less — overlooking the Coral Sea. [caption id="attachment_1095744" align="alignnone" width="1920"] The Sundays, Hamilton Island. Credit: Supplied.[/caption] Yet this headline-grabbing destination wasn't the only new stay to land itself a sought-after recommendation. Back amongst the inner-city action, 1 Hotel Melbourne is housed inside (and on top of) the heritage-listed Goods Shed No.5, the last of the unrenovated 1800s goods sheds that once made up Melbourne's busiest port. Nature-led in design, this waterfront property is also home to From Here by Mike — chef Mike McEnearney's produce-driven, low-waste fine diner. In Sydney, staying in town has likely never been so good, with 25 Hours The Olympia making Travel + Leisure's list. Years in the making, the wait was worth it when the doors finally opened, with the Paddington hotel's eclectic design paying tribute to the halcyon days of cinema, inspired by the grand theatres that once stood on the same site. Meanwhile, four standout food and drink venues, organised by culinary director Mitch Orr, help shape an unforgettable visit. [caption id="attachment_1013302" align="alignnone" width="1920"] 1 Hotels Melbourne, Docklands. Credit: Mikkel Vang.[/caption] Edging back towards the tropics, Mondrian Gold Coast marked the global chain's first Australian property, finding a sun-drenched home in Burleigh Heads. Featuring 208 rooms, suites, beach houses and residences, this sprawling hotel invites guests to relish the idyllic scenery, then head to its assortment of food and beverage venues, spanning the Italian summer vibes of LiTO, the elevated coastal cuisine of Haven and the cocktail-forward Haven Pool Club. Across the ditch, two of New Zealand's recent hotel launches also received special nods. While Taupo's Huka Lodge opened in 1924, an expansive $22-million renovation has taken the property to a whole new level of luxury. Then, in Queenstown, Roki Collection offers an opulent stay perched on the edge of Lake Wakatipu, featuring 15 suites that provide sweeping glacier and alpine views — with the price to match. [caption id="attachment_1069491" align="alignnone" width="1920"] 25hours Hotel The Olympia. Credit: Justin Nicholas.[/caption] [caption id="attachment_1063390" align="alignnone" width="1920"] Mondrian Gold Coast. Credit: Mietta Eve.[/caption] For more information, head to the website. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Top image: The Sundays, Hamilton Island.
Cinemas and choc tops go together like movies and superheroes — these days, you can't have one without the other. But if you don't eat animal products, pairing a frosty (and readily available) dessert with your film-going isn't usually on the menu. Until now. Much to the delight of vegan cinephiles, Event Cinemas has launched a new vegan ice cream range. In Sydney and Brisbane, the chain is now slinging two flavours of vegan choc tops from its snack provider Parlour Lane. Instead of dairy, these cones are filled with coconut-based ice cream that's been handmade by Aussie dairy-free producer Over The Moo. There will be two flavours to choose from — chocolate and salted caramel — that are both topped with vegan chocolate. The choc tops are $6.50 for the moment, and are only available at selected sites — so NSW residents should make a movie date with the big screens at Bondi Junction, Glendale, Miranda, George Street, Macquarie and Tuggerah, while Queenslanders should head to Chermside, Pacific Fair, Robina and Kawana. If you're fond of cruelty-free, dairy-free ice cream, you can add these to the growing list of vegan dessert options. Just this year, vegan Magnums, Cornettos and Weis Bars, plus four new dairy-free Ben & Jerry's tubs, hit supermarket and convenience store freezers. Lord of the Fries also added to its vegan lineup, expanding from meat-free burgers, hot dogs and yes, fries, to include a new range of vegan ice cream sandwiches. Now we just need a gluten-free option and all the dietary requirements of cinema-goers will be covered. Parlour Lane's vegan choc tops are now available for $6.50 at Event Cinemas Bondi Junction, Glendale, Miranda, George Street, Macquarie and Tuggerah in New South Wales, and at Chermside, Pacific Fair, Robina and Kawana in Queensland.
When you've won over one of television's most cynical characters with a serenade, what comes next? Taking the tunes on the road. During his time on beloved and hilarious Emmy-winning sitcom Schitt's Creek, Noah Reid did far more than sing Tina Turner's 'The Best' to Dan Levy's David Rose, of course. When he joined the show from season three onwards as Patrick Brewer, he helped bring balance to the Rose family's fish-out-of-water antics, and became one half of its big love story. But the series kept finding ways to get Reid singing, including having Patrick star in the comedy's version of Cabaret — and now he'll be taking to the microphone Down Under. Off-screen, Reid is indeed a musician, releasing his first album Songs From a Broken Chair back in 2016 before joining Schitt's Creek. Since then, he's dropped two follow-ups: 2020's Gemini and 2022's Adjustments. Next, he's bringing his live gigs to Australia for the first time ever. Yes, 'The Best' usually features on his setlists overseas. Beyond that, the Canadian actor and musician will be playing tracks from across all three of his records when he heads Down Under this spring. Reid will kick off his tour in Sydney, before hitting Brisbane and Melbourne on the east coast, then venturing west for a show in Perth. "Music has always been a space where I get to control my creative output in a way that I don't in my acting career. Acting is really creative and there's definitely artistry to it but I don't thank that just because you're an actor, you're automatically an artist. I've worked really hard for years to create these records," said Reid, announcing his Australian tour. "People might know me more widely as an actor, but music is a space where I've loved working for years, and I'm really excited to finally be able to share my music with people in Australia. It feels like a long time coming!" Reid continued. Since Schitt's Creek, Reid has popped up on sci-fi western Outer Range — and also has past appearances on Degrassi: The Next Generation, Alphas and House of Lies on his pre-Schitt's Creek resume. NOAH REID EVERYTHING IS FINE 2023 AUSTRALIAN TOUR: Friday, September 29 — The Enmore, Sydney Saturday, September 30 — Eatons Hill Hotel, Brisbane Monday, October 2 — The Forum, Melbourne Tuesday, October 3 — The Astor, Perth Noah Reid tours Australia in September and October 2023. For more information, and for tickets from 10am on Monday, May 1, head to the tour website.
It was in the early 2000s that Melbourne-born jazz/funk band The Cat Empire exploded onto the world stage with its international sound layered with Australian charm. They wasted no time shooting to the tops of the charts with tracks like 'Hello', 'Days Like These' and 'How to Explain'. In 2024, they proved they'd still got it with a debut orchestral tour, partnering up with orchestras like the Sydney Symphony Orchestra to bring a new layer to their sound. In 2026 — the people chant for more, because they'll be doing it again on the 2026 Encore Orchestra Tour. Front and centre on that tour is a return to the Sydney Opera House, where they'll once again join forces with SSO for a three-night run in the legendary concert hall. They'll also be recording a new album during the shows, Live at the Sydney Opera House. Reimagining The Cat Empire's catalogue to a scale only achievable with an orchestra, these shows blend the band's sound with expanded symphonic arrangements by long-time collaborator Roscoe James Irwin. With hints of Afro-Cuban, Brazilian, flamenco and global influences, it's the kind of concert experience that reminds you that, as Double J said, "The Cat Empire aren't so much a band, they're a live music institution." Reviewing the 2024 concert, Sydney Arts Guide wrote, "Such musical cooperation from such a range of expert, experienced performers made this concert a special collaboration in which the fluid, accomplished Sydney Symphony Orchestra plus the Sydney Opera House became accessible to even more music lovers than usual." In its review, Scenestr said, "Sydneysiders and those travelling abroad and interstate who attended the show were in for an exemplary night with an ensemble of musicians alongside a conductor and arranger, as well as audio and lighting technicians (all world-class) who made the evening's spectacle enriching and enthralling." Want to sample the sounds before you commit to a ticket? You can listen to the newly released single 'Bulls - Live at Sydney Opera House', recorded during the 2024 concerts and released to celebrate the tenth anniversary of the original single. The Cat Empire '2026 Orchestral Encore Tour' will run from September 5–6. Tickets go on sale at 10am local time on Thursday, March 19. Get yours on the Sydney Symphony Orchestra website. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: supplied
Don't quite have enough dosh to afford a tropical island getaway this summer? Do not fear, for you no longer need to travel far for your secluded island experience. Dubbed a "Papua New Guinean dancehall", The Cliff Dive is the tiki bar with a difference, with distinctive flavours from East Timor and PNG complete with authentic, hand-turned wooden artefacts, novelty cocktails and a sunken dance floor. It was conceived by Jeremy Blackmore and Alex Dowd (of Tio's fame), two fellas who can't seem to help but get it oh so right. This time they have built the bar up with their bare hands. And the result is certainly worth their efforts. Pass by kitsch neon graphics and down the darkened stairwell to reach what is a tropical oasis: a hub of beats, beards and novelty-sized tiki mugs. Previous home of The Gaff, Cliff Dive is Oxford Street's new kid on the block, within spitting distance of most of Sydney's bar scene, as well as just about every other happening Sydney scene. And the vibe is electric. DJs are scheduled most nights of the week and the dance floor begs for inappropriate, early morning grinding. Although at first glance the drinks menu may appear somewhat basic (and perhaps a little exxy for those on a tighter budget), there really is something for everyone on offer at the two functioning Dive bars. Cocktails, starting from $10, are unique tiki concoctions with a very serious rum focus. For $10 there's a Mojito, but more interesting is the Pandang – a sweet hit of rum, fresh apple juice and pandan syrup, which lingers long after each sip. Probably the most notable Cliff Dive bev is the Supa Colada ($17 for rum, coconut cream, coconut sugar syrup and pineapple juice). It's a few dollars extra, which becomes ever more acceptable as the night kicks on. For the tinnie lover comes an impressive range of beers — affordable options like Tiger ($8) and SP Lager ($6) from PNG to fit the theme, as well as pricier imports, such as Yo Ho Black Porter from Japan ($12). There's food too (as if things could get any better). Bite-size barbeque pork buns (two for $8) come from the pan-Asian kitchen behind the main bar and run all night long (cue Lionel Richie sporting a lei). With the only real drawback being its already epic popularity (seriously, come on a Friday or Saturday night and expect a line curling right around Oxford Square) the only danger in this dive is how much fun you're going to have. And perhaps the size of your hangover the next day. Appears in: Sydney's Best Underground Bars for 2023
CBD business lunch stalwart de Vine was an outmoded Market Street spot that you could easily walk by without ever noticing its presence. Then in 2023, in its 21st year of trade, the wine bar and restaurant underwent a million-dollar renovation and an overhaul thanks to restaurateur brother duo, Anthony and Julian Izzillo. The swanky interior, divided up between front bar seating and moody restaurant out back, features exposed brick, a curving granite bar, champagne-tinted mirrors and green velvet banquette seating. The look is very 'big city style', but the warm, personable hospitality is akin to a small neighbourhood restaurant. Anthony is usually front of house, while Julian leads the drinks program — which includes a showstopping selection of Amaro all on show a brass wall display. The wine offering is equally impressive with some 500 bottles available from the cellar, with a focus on artisan wines primarily from the wine regions of Italy, with a more tightly curated edit from the rest of the world. Head Chef Timothy Fisher *previously of Michelin-starred Osteria Lucio in Dublin) has created a reassuring menu of classical Italian dishes executed without fault (vitello tonnato, polpette and zucchini flowers), excellent house made pastas including a signature risotto with king prawn and Balmain bug, and stand-out mains like pork cotoletta. Then, once the plates have been cleared, if amaro is your pleasure, just sit back and let Julian pick a match for your palate or treat yourself to a tasting flight. If you've still got room, the tiramisu is worth your attention.
Each autumn, cinephiles across Australia score a super-sized French treat: a feast of flicks hitting the big screen, all thanks to the Alliance Française French Film Festival. In 2025, the festival broke attendance records. For its 37th run in 2026, the festival is stepping up to go even bigger. On the program, expect pictures that span the full depth of French filmmaking. The festival's complete offering is in the dozens, but if you're short on time and ticket funds, several headline titles have been announced as the standout entries you'll be able to watch in cinemas across the country come March and April. [caption id="attachment_1060633" align="aligncenter" width="1920"] The Stranger, François Ozon[/caption] Leading the pack is The Stranger, a new drama from director François Ozon (Swimming Pool, 8 Women) that adapts a novella by Albert Camus into a black and white tale of a young expatriate charged with murder in 1930s French-colonised Algeria. Then there's a more heart-warming entry, What is Love? from director Fabien Gorgeart (Diane Has the Right Shape) that explores the complexities of love and new beginnings through a couple that must prove to the church that their marriage is fit for annulment. Then there's the bilingual Coutures, directed by Alice Winocour and starring Angelina Jolie, which follows the intersecting, rebellious paths of three women on opposite sides of the runway as they seek solidarity during Paris Fashion Week. [caption id="attachment_1060631" align="aligncenter" width="1920"] DOG 51, Cédric Jimenez[/caption] Amélie Bonnin's Leave One Day is a feature film adaptation of her award-winning short film of the same name, where a promising Paris chef and restaurateur-to-be has to drop everything and return to her small hometown to help her ailing father. Science fiction fans should bookmark DOG 51, where director Cédric Jimenez has envisioned a murder conspiracy set in a dystopian Paris divided by social classes and ruled by an AI program. The Party's Over! from Antony Cordier dives into social issues in a more grounded present-day setting, with a dispute between two parties threatening to upend the beginning of a young corporate lawyer before it even begins. [caption id="attachment_1060632" align="aligncenter" width="1920"] Jean Valjean, Eric Besnard[/caption] And finally, a supplement to one of the most famous works of French literature, Les Misérables, is Jean Valjean. Stripping back the musical element, this film from Eric Besnard focuses on the origins of the tale's protagonist and the crucial decision that defines his future. [embed]https://youtu.be/D3I_B6Qf__4?si=-kHUvAF7Kwdw5ACo[/embed] The 2026 Alliance Française French Film Festival will run in various theatres in Melbourne, Sydney, Brisbane, Canberra, Perth and Adelaide from Tuesday, March 3 to Sunday, April 26. Tickets go on sale on Thursday, February 5, visit the website for tickets to screenings at your nearest theatre and the full program. Lead image: 'Coutures' by Alice Winocour
Arriving in a flurry of new openings for the Sydney CBD in the closing days of 2023, King Clarence marks the Sydney return of acclaimed chef Khanh Nguyen who's teamed up with the award-winning hospo crew Bentley Dining Group (the team behind Monopole, Cirrus and, of course, Bentley Restaurant + Bar). It's a case of the prodigal son returning home, Nguyen rejoined the group after cutting his teeth at the team's restaurants early in his career before moving down to Melbourne to open his wonderful restaurant Aru. The expansive venture celebrates Chinese, Japanese and Korean cuisine in a 100-seat space that co-owner Brent Savage describes as "fun, loud, and busy". The menu is designed around the kitchen's custom-built barbecue and live seafood tanks. Impressive highlights pulled from the tanks or placed on the grill include the signature grilled rock lobster, 14-day aged duck, whole roasted pork belly ssam and grilled miso eggplant. Choose your poison and pair it with a cucumber salad and spanner crab fried rice. Or, order a selection of lighter dishes, including the signature fish finger bao, woodfired edamame, lime and nori scallops, pork and prawn dumplings, and Spencer Gulf kingfish collar. Hate to choose? Never fear, there's a pair of set menus available for $95–154, depending on how extravagant you pictured your night. The next-level Signatures Menu runs through plenty of the above items, plus oysters, beef tartare, chicken liver skewers and coffee parfait for dessert. Matching the ambition of the King Clarence menu is the drinks on offer, especially the vino. Polly Mackarel, former Head Sommelier at Cirrus, is curating and guiding you through a wine list that's equal parts approachable and comprehensive. There are more than 40 drops available by the glass and plenty of bottles on offer for $100, with the list placing particular focus on rieslings, chardonnay and medium-bodied reds. Those looking to impress can even dip into the Bentley Wine Vault for a rare drop if the budget allows. This is one to get on your new restaurant hit list ASAP.
One mention of Queenstown and you'll likely think of bungee jumping, snow sports and picturesque landscapes in every possible direction. There's so much more to New Zealand's adventure capital if you're not in the market for an obvious head-first adrenaline rush and queuing all day for an Instagram-famous burger. Think backcountry cycle trails, irresistible tacos, bustling weekend markets and endless volumes of wine. This is your less obvious guide to Queenstown. EAT & DRINK A gothic portrait of Bill Murray takes pride of place above the fireplace at Yonder. The homage is the perfect example of the eccentric vibe you can expect from the eatery, which comes from Sydney's World Bar collaborators Steve Ward and Gary Livesey. Found in Queenstown's historic 1882 McNeill's Cottage, the space opened its doors last year and has since developed a reputation as the destination for generous share plates and great cocktails. As you enter the contemporary all-day eatery, you'll stumble across a cabinet stacked with mouthwatering treats like sticky date loaf, blueberry cheesecake and chocolate brownie. For a point of difference, pair your treat with a pitch black charcoal latte. Those who decide to eat in will have the option of kicking off their day or healing last night's wounds with the perfect early morning combo of a bacon butty, fries and bloody mary. After dark, the menu turns into a sharing affair with items like fall-apart brisket — an accompanying stack of white bread take pride of place on most tables. We can also vouch for the half chicken and ancient grain salad (much focus has been put on gluten and vegan dietary requirements). The fluorescently lit back bar is the place to continue your dining adventure — especially on weekends when live music kicks off. Our pick from the cocktail list? The Seven Year Sour, a tarty mix of rum, blood orange, citrus and lager. For something on the run, Taco Medic is the place to grab a bite and make some new friends in the process. The taco joint originally started as a food truck, though has since evolved into a permanent taco nook down the end of hospitality laneway Stafford Street. While there's an option to order at the pop-up window, we recommend heading inside and waiting for your order at the bar. Here you can wait with a frozen margarita in hand and watch the action unfold as the staff hand-roll corn tortillas and chips. The Bajaman is a must; it arrives with fried market fish, creamy jalapeño sauce, tomato salsa and lime to squeeze. For a special occasion, the stunning lakeside boutique Hotel St Moritz boasts award-winning restaurant Lombardi. Overlooking Lake Wakatipu, a table in the restaurant allows you to sit back and enjoy your meal while spying everything from paragliders to shark-shaped jet boats and the historic Earnslaw Steamship floating by in a plume of smoke. Take it from us, splashing out on three courses is recommended. Start your experience with either seared scallops, manuka-smoked lamb tenderloins or the soup of the day before going large on the signature Fiordland venison loin or the duo of lamb. Elsewhere, there's an entire wood-fire menu featuring lasagne and a selection of pizzas. If room for dessert is limited, try one of the unique dessert cocktails — flavours include Toblerone, tiramisu and cremé brûlée. And if the cocktails become too much, there's always a room downstairs. If relaxing with a wine in hand is more your style, there's always the option of exploring wine country in your own time by car (with a sober driver, that is). Gibbston Valley is home to more than 75 wineries and cellar doors — some even home to Central Otago's oldest vines. The cooler climate and changes in elevation also provide some interesting drops for your tasting pleasure. For great wine and a picturesque setting, drop by Chard Farm. A visit to the family-owned winery in the Kawarau Gorge will lead you up a windy dirt road that was once part of the main coach link between Queenstown and Cromwell — just don't look over the edge of the precarious cliff. The vineyard sits at the top and specialises in single vineyard Pinot Noir — most which welcome descriptions like juicy, pure and crisp. We couldn't get enough of the incredibly fresh 2015 Pinot Gris. Tastings are complimentary though donations are gratefully accepted. Across the road is Penegrine, which feels more like steeping into the futuristic wine-tasting lab. Here, tastings are also complimentary and come with the option of choosing particular vintages or leaving your destiny in the hands or the host. Further down the road you'll come across the Gibbston Tavern — a watering hole where you can sample local wines, Southland beer and wood-fired pizza. SEE & DO If you're around on the weekend, an unmissable destination is the Remarkables Market. Sitting just a ten-minute drive from the city, the Frankton market is where you'll find proper locals stopping by for a caffeine hit or lounging about on the grass. Shopping-wise, you can pick up everything from chopping boards crafted out of French wine barrels to the famous Gibbston cheese, handcrafted jewellery and mega rocking chairs that come covered in cow hide and animal furs (good luck with getting these ones home). Self-proclaimed 'meat preachers' Zamora are one of the most in-demand stallholders at the market. From the smoking grill comes sausages on a stick and the renowned pork belly sandwich — the perfect combination of crispy pork and puffy bread loaded with coleslaw and creamy aioli. We suggest grabbing a spot at one of the communal tables and finishing off the experience with one of Plantera's vegan sweets. Around the Basin is a cycle company offering both self-guided and supported tours along the Gibbston wine trail and backcountry. The Arrowtown to Queenstown tour is exactly that: a 35 kilometre ride from the historic gold mining village back to the city. After shuttling from headquarters in Queenstown, you'll be left to make your way back at your own pace — peddling along the Arrow River Trail toward the Twin Rivers Trail, along the Kawarau and Shotover Rivers to the shores of Lake Wakatipu and onward to Queenstown Bay. The trail is recommend as a full-day ride, which allows time for exploring, photo opportunities, café stops and, in this instance, getting lost in suburbia. It took roughly five hours to cycle the trail of isolated country roads and dirt tracks, across swing bridges and through pine forests. And if you'd prefer not to work the legs, Around the Basin also has the option of electric bikes. Hikes are a popular pastime in Queenstown and there's something for every skill level, from easy one-hour strolls to three-day high country treks. Let's start with the former: Queenstown Gardens offer an escape from the hustle of the city. Make your way through perfectly manicured gardens, past frisbee golf grounds, beneath the pine forest canopy and to the headland for a brilliant photo opportunity. Found at the base of the Arrow River, Tobins Track is a one-hour return walk that climbs to the Crown Terrace. While your legs may be screaming, the summit will welcome you with glorious views across the Wakatipu basin. For something excruciatingly hard, skip the gondola queue and take the trail by foot. GETTING THERE Queenstown has a fully functioning international airport so flying direct from across foreign waters is no problem at all. The airport is approximately ten minutes from the city centre and buses run to all major hotels every 15 minutes. Top image: Omer Faruk Bekdemir (Unsplash)
