Following an impressive facelift, the century-old Quarrymans Hotel has reinvented itself as a destination for all things craft beer. With 32 types of craft beer on tap, you may wish to forgo your usual beverage in favour of one of its local brews. The tap list changes, but you can expect to find drop from Murray's, Mountain Goat, Matilda Bay, Rocks Brewing Company, Sydney Brewery, and James Squire to name a few. Daily specials like the $12 Monday schnitzels, $15 Tuesday steaks and $20 Thursday pasta attract a throng of loyal locals, and an array of share plates make the joint a good spot for group hangs and low-key birthday parties for those in-between years. Quarrymans also host monthly stand-up comedy nights and weekly Wednesday trivia. All in all, it's a lively Pyrmont establishment. Images: Kitti Smallbone
The crew behind the beloved pizza shop My Mother's Cousin is carving out a claim to be the go-to hospitality group for anything dough-related in Sydney's south. Not content with running one of the area's best pizzerias, the team is back with another standout venue in the form of Self Raised Bread Shoppe. Decked out in retro signage and awnings accompanied by a chequered lino floor and wood panelling, this welcoming cafe and bakery has just arrived on Jubilee Avenue in the Sydney suburb of Carlton. After perfecting the art of pizza dough at My Mother's Cousin, the team has brought their skills ten minutes further south to this bustling street just down from Jubilee Stadium. On the counter, you'll find a sizeable glass cabinet with that day's baked wares for sale. Expect kouign-amanns, croissants, filled doughnuts, tarts and cinnamon buns all ready to satisfy your carb-centric morning cravings. Those with less of a sweet tooth can opt for focaccia topped with tomato and ricotta, sausage rolls or a selection from the made-to-order sandwich menu. If you're heading in before 10.30am and on the hunt for something hot and hearty you have two choices. The first is the egg, cheese and potato hash on a milk bun with your choice of peppered ketchup or the specialty house sauce plus the optional addition of sausage — a perfect combo for a Sunday morning after a big night. The other option is your classic sourdough grilled cheese with mushroom as an optional added extra. From 10.30am until close, the sandwich selection expands to include mortadella, turkey, ham, and salami hoagies; tuna sandwiches loaded with dill, onion, cheese and pickles; a vegetarian delight that loads up ciabatta with artichoke, onion, rocket, parmesan and mayo; or a classic panko-crumbed schnitzel sambo on white bread. The final element of this hub for all things tasty is a four-door fridge and a set of shelves loaded up with deli good and refreshing drinks. Hot sauces, cold meats, sardines, olives, burrata, eggs, coffee beans and cans of iced tea — whatever you're on the hunt for, Self Raised is stocked up for your smallgoods needs. Self Raised Bread Shoppe is located at 45 Jubilee Avenue, Carlton. It's open 7am-2.30pm Wednesday–Saturday and 8am–2pm Sunday. Images: Melanie Colwell
More than two decades have passed since the original live-action Lord of the Rings film trilogy finished arriving in cinemas. Middle-earth hasn't been far from screens over that period, however. From 2012–2014, The Hobbit flicks also hit the big screen. Then, in 2022, long-awaited streaming series The Lord of the Rings: The Rings of Power debuted on Prime Video, and there's more of it on the way. Also in the works: new movie Lord of the Rings: The Hunt for Gollum. That's just a working title, so the moniker could change, but there is indeed a brand-new live-action LoTR film on its way. Warner Bros Discovery announced in 2023 that it was taking the hobbits, elves, dwarves and other creatures from the JRR Tolkien-created fantasy realm back to picture palaces with another series of movies — and this is the first to be locked in. Also confirmed by Warner Bros Discovery's CEO David Zaslav on the company's first-quarter earnings conference call on Thursday, May 9: that The Hunt for Gollum is set to drop in 2026. Yes, Andy Serkis (Andor) is back as Gollum. He'll also be directing, adding to a filmmaking resume that also boasts Breathe, Mowgli: Legend of the Jungle and Venom: Let There Be Carnage.includ Oscar-winner Peter Jackson (The Beatles: Get Back), who helmed all six past live-action flicks, is returning as well. He mightn't be helming, but he "will be involved every step of the way", said Zaslav — and so will his writing partners Fran Walsh and Philippa Boyens (Mortal Engines). The latter pair are penning the script, in fact. "It is an honour and a privilege to travel back to Middle-earth with our good friend and collaborator Andy Serkis, who has unfinished business with that stinker — Gollum!," said Jackson, Boyens and Walsh in a statement, as per The Hollywood Reporter. "Yesssss, Precious. The time has come once more to venture into the unknown with my dear friends, the extraordinary and incomparable guardians of Middle-earth Peter, Fran and Philippa," said Serkis. Of course LoTR was going to return to the movies. Star Wars did it. Jurassic Park and Indiana Jones, too. No blockbuster film franchise stays away from cinemas for too long these days. Making more Lord of the Rings pictures is a result of Warner Bros Discovery coming to an agreement with Swedish gaming and media company Embracer Group, which owns the intellectual property rights to The Lord of the Rings, The Hobbit and other Middle-earth-related literary works. As part of the new movie arrangement, the upcoming flicks are being produced by Warner Bros-owned production company New Line Cinema, which was behind the first two trios of hobbit-filled features. Obviously there's no sneak peek at Lord of the Rings: The Hunt for Gollum yet, but here are the trailers for The Fellowship of the Ring,The Two Towers and The Return of the King in the interim: Lord of the Rings: The Hunt for Gollum is set to release in 2026, but doesn't yet have an exact release date — we'll update you with more information when it's announced. Via The Hollywood Reporter / Variety.
Purrfect news, feline fans: everything a dapper doggo can do, a cute cat can as well. While that's an accurate statement in general, as anyone who has ever shared their life with both a pooch and a kitty will know, it's also the thinking behind Sydney's returning animal event. From the folks behind the Dog Lovers Festival comes the mouser equivalent: the Cat Lovers Festival. If you wear the 'crazy cat person' label as a badge of honour, stop to pat every moggie you meet while you're walking down the street or spend your all of your spare time watching cat videos (or all of the above), then you'll want to block out Saturday, August 24–Sunday, August 25 in your calendar. Expect Sydney Showground to come alive with the sounds of meows, and expect pussy lovers to come out in force. On the agenda: feline-focused education and celebration. Before you go thinking about adorable kitties wearing glasses and sitting at desks, or popping streamers and wearing party hats (awwwwwwwww), humans will be doing the learning and rejoicing. Really, what's more informative and exuberant than entering the Pat-A-Cat zone and getting cosy with cats of all shapes and sizes — and possibly taking one home with you? If that doesn't tickle your whiskers, expect to meet more than 200 kitties, hit up a cat supermarket, listen to talks about felines, watch cat shows, see a fabulous feline performance on the WHISKAS Stage and grab a bite to eat — or even a glass of bubbles at the Purrr-secco Bar. Just remember: there'll be plenty of mousers in the Cat Lovers Show house, so you'll need to leave your own moggie at home.
Erskineville's LGBTQIA+ haven The Imperial Hotel is doing it up big for Mardi Gras, boasting two straight weeks of parties, events and pop-ups. Coming up this Sunday, February 23 is a celebration of all things queer fashion when the Mardi Gras pop-up market takes over the main bar from noon–5pm. You'll be able to pick up everything you need — and so much more — for parade day on February 29. On the day, expect vintage and sparkly threads with a locally made, eco-friendly focus. A wide range of Aussie designers and LGBTQIA+ businesses will set up shop — you can nab swimwear from Frida Las Vegas, vintage dresses from The Crown Street Project, vegan beauty products from Sweet Cherry Soda and recycled plastic jewellery from Maraca Club. Plus, you'll find all-out festival wear from Nevada Clothing and handmade wooden accessories from Frank Wood. Alongside the market, there'll be a patch-making and embroidery workshop for beginners, which you can attend for a donation and by RSVPing to rowanyeomans@gmail.com. And from 1–5pm, the UK's Whitley Neill will be offering complimentary gin tastings in the Priscillas Glasshouse upstairs. Once you're all decked out, you can stick around for that night's downstairs Zodiac-themed dance party. For more details, check out the Imperial's full Mardi Gras program here. Top image: Trent van der Jagt
Oh springtime, we missed you. Chase away those winter blues and bring back the sunshine. With sunshine comes warm air and warm smiles, festivities and just a great vibe blooming like a bright flower across the city. The springtime is chockablock for Brisbane, especially if you're in town for some of September's several music festivals, aka the Brisbane Music Trail. This eclectic offering combines the strengths of BIGSOUND, Brisbane Festival, Sweet Relief! and Future Art. Quite the offering, no? It's set to be a hectic few weeks for festivalgoers, and you'll need to take breaks. When it comes to accommodation, you can nab a sweet deal of general entry to Sweet Relief! plus a luxury stay for two at Crystalbrook Vincent. Otherwise, we've done the legwork to pick apart the River City for the finest bars and restaurants to rest your feet and ears in between gigs this September.
Hosting your own craft beer-tasting event is a great way to discover the breadth and variety of the good stuff in a fun and highly convivial situation. Plus, you'll appreciate your casual Friday tipple more than ever. If you're a fan of the James Squire craft beer range, chances are you enjoy talking the ears off of your buds about your favourite type and why you think they should try them. Alternatively, you may be a devotee of one or two beers in the range and are now ready to explore a little further, with a mate or two coming along to keep you company on your journey. Either way, we've got all your home-hosted beer tasting ingredients right here. Friends Don't look at us like that. Obviously you're going to invite buds, this is a beer tasting. Four or five would be a good number for a tasting, this ain't a keg party. Food You don’t have to serve up a Michelin-starred degustation menu, but snacks provide the dual purpose of keeping alcohol levels lower and cleansing the palate between tastings. Make sure you don't choose food that could overshadow the taste of the beer. Having water on hand is also a good idea. Beer You could say this is somewhat a crucial element. You could go full throttle and sample the full range of nine James Squire craft beers and two James Squire Orchard Crush ciders or maybe you'd prefer to taste just a handful. Depending on which approach you choose, you could consider buying some of the beers (One Fifty Lashes Pale Ale, Nine Tales Amber Ale and The Chancer Golden Ale) in 568mL Friendship Pint format rather than six packs of the standard 345mL bottles. To keep costs down, you could suggest that each guest/participant/contestant/buddy ol' pal supplies one of the beers. Glasses The aim of the night is to taste rather than scull, meaning proper beer tasting glasses would be ideal. However, if you don't have any of these to hand (and since you don't live in James Squire Brewbar, that’s hardly surprising) any glass will do. You'll earn bonus craft beer cred points for having the 'right glass' for each style of beer (have a look over JS's Guide to Glassware Etiquette), but it's not the end of the world if you don't. Pour about three fingers worth into each glass, allowing the aroma to fill the rest of the space. Remember, the night is about tasting the beer, not simply drinking it and gettin' crunk. Materials You’ll need to provide pencils or pens, along with paper or notecards. If you’re a particularly efficient and overly-excited host, you could create a print a simple tasting score sheet with spaces for notes on appearance, aroma, flavour, mouth feel, overall impression and final total score. Guidelines Each beer should be judged in the same way, as follows: - On pouring, immediately sniff the beer to detect initial aromas. Write these down in the 'Aroma' section of the score sheet – e.g., 'nutty malt' or 'citrusy hops'. - Note the beer's appearance, particularly its colour (golden, copper, etc.), clarity (cloudy, clear, etc.) and head characteristic. - Taste the beer by taking a sip and keeping it in the mouth for a few seconds before swallowing. Note both the immediate finish and aftertaste, the malts and hops and the balance. - Assess the mouth feel — this includes body, carbonation level and alcoholic warmth. - Write down your overall impression and give a final score for each beer. For more detailed judging information, head over here. Now there's nothing left to do except begin the tasting — and enjoy. Image credits: *vlad* via photopin cc, oskay via photopin cc, nahlinse via photopin cc, Fixed in Silver via photopin cc.
A voodoo-inspired, jungle-walled cocktail bar that can tempt you from any dinner plans with popcorn and a glass (or several) of absinthe, Papa Gede's is owned, designed and run by a trio of seasoned hospos: husband-and-wife team Lara Dignam (ex-Red Lantern) and Michael Dhinse (ex-Grandma's), and their friend Joshua Ng (ex-Rover). The cocktail list is a generous mix of classics and signatures, including a Zombie that promises to resurrect the dead. Some bizarre names dominate the menu, like the titillating Centrefold (a golden glass of marigold vodka, passionfruit, lemon, cucumber and coconut water soda with a topping of 'champagne' jelly), or the hopefully not prophetic Double Demerits (a surprisingly sharp mix of cognac, triple sec, guava cryo-concentrate, lemon and pomegranate, finished with a dusting of toasted fennel seeds). The one thing that sets Papa Gede's apart from the rest of Sydney's small bar scene? Its range of international and homegrown absinthes. The proprietors welcome newcomers to the absinthe game. "What I really like about it is that absinthe has this really terrible reputation... [We are] giving people the opportunity to do it in a new fashion," says Dignam. The added theatre of the absinthe ritual — featuring ornate glassware, four-tapped absinthe fountains and burning sugar cubes — will elevate your post-work drinks to a whole new level. Although ostensibly a cocktail bar, including a selection of aged cocktails — matured for one month and stirred upon request — vinophiles aren't left behind, with a generous wine list featuring local and foreign drops. In the fridge, there is also a range of local brews to choose from. As a venue that worships at the altar of history's greatest party animal, Papa Gede — who also happens to be the embodiment of death, a fan of cheap cigars, apples, and top hats — it's little wonder that music is also a big deal here. Expect live music sets from top local blues, jazz, reggae, soul and R&B artists. Images: Cassandra Hannigan
The turn of the century was a helluva time. Excitement and a nervous anticipation of a potential apocalypse filled the air. If you, like me, weren't around to see it firsthand, there was concern that computing systems worldwide would flatline at the turn of the century as the dates became impossible to compute. Obviously, that didn't happen. We're still here and, for better or worse, so are the computers. The entire situation left quite a mark on our culture. Now, 23 years later, the notion of Y2K is on the rise once more. As our world once again gets a little bit scary, we need to make every day count and just be ourselves. These are the brands that are bringing Y2K back for... Y23K? We'll workshop the name. PIT VIPER If Y2K is about being unapologetically yourself, Pit Viper gets top marks. There's no piece of eyewear on the market quite as flashy as these beauties. In Pit Viper's own words: "Sunrise to sunset, reef breaks to ridgelines, holeshots to holy sh*t, we build the functional, fun-loving gear that is serious about taking things less seriously". It's hard for an Aussie not to recognise these flashy fluorescent designs, and when you take a spin on the website, you'll be teleported straight back to the 2000s. Once you've adjusted, take a tour through the product range; from the iconic polarised range of 'The Originals' (The 1993 or The Miami Nights) sunnies to the rounded, heavier-duty range of 'The Slammers', there's eyewear of every shape and colour on offer. Pit Viper extends its identity through goggles suitable for dirt and snow, clothes for your head, top and 'power bottom', and even rigs to help keep the glasses on your face. [caption id="attachment_924540" align="aligncenter" width="1920"] Oleg Shatilov via Unsplash[/caption] CHAOTIC THREADS While the cultural concept of Gen Z has really only grown in recent years, the generation was quite literally born in the Y2K era, between 1997 and 2012. We might not be able to remember it all physically, but thanks to the internet, its memory is well preserved. The style of Y2K is growing in popularity among Gen Z, and that harmony is plain to see with brands like Chaotic Threads. Chaotic Threads was founded in Melbourne and prides itself on sustainability and style in equal parts. Each piece is created from a single inspiration, meaning every design is limited-run. The upside is every bit of scrap fabric will be reused to create more accessorie. The product range is always shifting, so check the website or Instagram to see what's currently available. [caption id="attachment_924503" align="aligncenter" width="1920"] Lilli via iStock[/caption] ACTUAL ANGEL A similarly Gen Z-charged brand (which also happens to be based in Melbourne) is Actual Angel. You might take a shine to these pieces if you have ever had a goth phase. Every design is handmade, ranging from heavy gothic designs to mystical pieces that tread closer to the modern fairy core. Actual Angel's range spans gorgeous stellar earring designs, chokers of all textures and colours and even tote bags made from the likes of velour satin and lace designs. It's all whimsical, comfortable and, most importantly, it's handmade independently. Actual Angel can be found on Instagram, but you can find the entire product range on Depop. [caption id="attachment_924511" align="aligncenter" width="1920"] Ivan Martynov via iStock[/caption] THREADHEADS A marker of Y2K fashion is graphic design — as technology and pop culture evolved, the option to print customised designs onto clothing became more accessible. One of the most popular graphic tee brands right now is Threadheads. Quickly achieving viral status thanks to a satirical but stylish approach to designs, this is the ideal brand for anyone with a sense of humour. Design themes cover pop culture, gaming, 80s and 90s, parody, retro, anime and more. Threadheads also loves a collab, with official collections made with Rick and Morty, DC Comics, NASA, Seinfeld, Cobra Kai and others. A new addition to the catalogue is custom tees, a great gift for any lovers of bootleg designs. [caption id="attachment_924502" align="aligncenter" width="1920"] IC Productions via iStock[/caption] DIESEL Diesel predates Y2K, going back to the vintage days of 1978. But as many fashion labels move to the next new and exciting thing, Diesel reflects on all the wonder of the Y2K era with a product range that will take you back to the finest pop videos of the noughties. How so? Diesel's specialty denim line still reigns supreme, but a closer look through the catalogue will reveal the likes of tie-dyed belt bags, futuristic metallic tops, baby tees, frayed high tops and other icons of the era. Ranging across men and women, clothes, accessories, homewares and more, there has to be something for everyone in there. [caption id="attachment_922788" align="aligncenter" width="1920"] Millie Savage[/caption] MILLIE SAVAGE The final cornerstone of Y2K fashion for us to discuss is the statement jewellery pieces. Big and bright — there was nothing minimalist about these pieces. A brand that keeps that trend alive is Millie Savage. Yet another fashion label based in Melbourne (though now also boasting a Bali studio), Millie Savage is run by an all-female team of designers that specialises in precious gems, all ethically sourced. Millie Savage has a particular love of opals, mainly sourced from South Australia. Every product has the Millie Savage touch: namely, a lack of playing by the rules. It's especially visible in the one-off beauties collection, where no two pieces are alike in the slightest. Check out the designs across rings, necklaces, earrings, bracelets and more. For more information on Pit Viper or its products, visit the website.
These days, many of us remember to grab our reusable coffee cup or water bottle before heading to our local cafe or gym. While there's lots more work to do, reducing our dependence on single-use items can only be a good thing. However, a new and improved collaboration between frozen yoghurt legends Yo-Chi and Melbourne-born reusable drinkware pioneer KeepCup is working to make reusables an increasingly ordinary part of our daily lives. Enter the Yo-Chi x KeepCup Icy Go Bowl. Strictly limited in numbers, this newfangled reusable creation is designed to keep cold things cold and hot things hot. Made from 90% recycled double-walled stainless steel for top-notch temperature performance, it also comes with a 50% recycled Tritan spill-proof vacuum seal lid that keeps your meal locked in. Plus, at 550 millilitres, you'll have plenty of space to pack in more froyo. What's more, the design is stackable, so keeping bowls neat in your kitchen cupboard or tucked away in your fridge is easy. BPA/BPS-free and non-toxic, you can also choose from four Yo-Chi-inspired colourways: Strawberry Mochi, Choccy, Acai and Black Sesame. For those familiar with KeepCup's Go Bowl Luxe, this special edition — exclusively available at Yo-Chi stores nationwide — is made just a little bit more special with Yo-Chi branding. Of course, having a reusable bowl that seamlessly slots into everyday life is a big part of the waste-free equation. But this collab goes a step further by incentivising you to make the most of it. Take it along to any Yo-Chi store around Australia to score ten percent off your order every time you use it. What's more, every purchase comes with a $10 Yo-Chi voucher, so you have the perfect excuse to take your new bowl for a test run with a sweet, frozen treat. "We know reusing a bowl isn't the most convenient thing in the world," says Yo-Chi Brand Director Oliver Allis. "But we're trying to make it as enticing as possible with ten percent discount every time you reuse, beautiful yet functional bowls, and even giving people a free $10 Yo-Chi voucher that they need to use with the Go Bowl, to help create that habit change." When you're done scooping up that last spoonful of froyo, you're also welcome to hand your bowl to a staff member to give a quick rinse, ensuring it's good as new for whatever on-the-go meal comes next. And you're helping Yo-Chi achieve its sustainability goals, now on a mission to elevate its reuse rate from one to three percent. "These are genuine attempts to make reusing at Yo-Chi as normal as reusing at a coffee shop," says Allis. The Yo-Chi x KeepCup Go Bowl Luxe is available for a limited time for $35 at Yo-Chi stores nationwide and via the online store. Head to the website for more information. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: Supplied.
Cult skincare fave The Ordinary is touching down in Bondi for the drop of its latest product, just in time for sunny spring. The Soothing Barrier and Support Serum features a knockout combo of vitamin B12, niacinamide, ceramides and gallic acid derivatives and is designed to repair and protect the skin barrier in as little as two hours. And the fun part? It's naturally pink. Stop in at Campbell Parade opposite Hall Street between 11am–4pm from this Friday, September 1 to Sunday, September 3 to learn about the product and get treated to a free soft-serve. You could also win one of 350 products — look for the pink sticker.
All hail the king of Korean barbecue buffets—a sprawling 500-square-metre restaurant on Sussex Street in Haymarket with space for 200 diners, 60 individual barbecue stations and private rooms for up to 30 guests. After struggling to meet customer demand at its original Chinatown outpost, Sydney chain Butchers Buffet has moved 20 metres down the road, opening not only its largest restaurant to date but also (it claims) the largest all-you-can-eat Korean barbecue buffet in the country. Butchers Buffet has enjoyed meteoric success since opening its first outlet in Eastwood in 2019. Booming popularity led to a string of new venues in Strathfield, Blacktown, Cabramatta and Chinatown. However, with overwhelming numbers of diners vying for a table in Haymarket, it seemed the only solution was to go big—really big. Open seven days a week, Butchers Buffer offers a choose-your-own-adventure dining experience. Guests chart their own culinary journey rather than following an existing menu, choosing from a diverse meat selection including bulgogi, soy-marinated scotch fillet, wagyu beef belly, spicy pork belly, beef ribs and more. There's also a hot food section where diners can get their fill of prepared dishes, including pork short ribs, house-made dumplings, potato noodles and, of course, Korean fried chicken. Visitors can wash down their meal with a wide range of beverages that include Korean beer, flavoured soju and ice teas. While the menu is primarily aimed at carnivores, the restaurant does cater to certain dietary preferences. Halal-friendly cuts of chicken and beef are available upon request, and seasonal additions keep the menu fresh for regular customers. But it's not just the food that has Sydneysiders flocking to Butchers Buffet. With slick, modern decor, neon lighting and a K-pop soundtrack, party vibes abound, making the chain an especially big hit with younger patrons. However, while the atmosphere of the restaurant may be contemporary, the philosophy behind the food, overseen by Executive Group Chef Joanne Lee, is all about the rich traditions of Korean dining culture. "Butchers Buffet ensures that only the freshest ingredients and quality meats are used," Lee explains. "Our meats and food selections have been carefully picked, freshly prepared, and deliciously made. Even our sauces are made daily in-store without any preservatives." Find the Chinatown branch of Butchers Buffet at Shop 8, 363 Sussex Street, Haymarket, open Sunday–Thursday, 4.30–10pm and Friday–Saturday, 4.30–11pm. Prices start at $36.99 per adult and $21.99 per child for lunch, and $46.99 per adult and $29.99 per child for dinner. Head to the venue's website for more details.
The brick-and-mortar retail experience is ever-evolving, with experiential design now key to getting customers through the door. Yet, where some stores are leaning into a space that feels more art gallery than clothing boutique, others like LÈ BAUS are carving out a direction that evokes something closer to your most in-the-know friend's lounge room. Relaunched in February, the menswear brand has called this converted garage tucked in the backstreets of Paddington home since 2024. With this reimagined hybrid space combining the worlds of fashion, coffee, vinyl and art, LÈ BAUS founder Bayan Fanaeyan sought to reflect what he considers the inherent link between fashion and culture. Contrasting warm timber finishes with stainless steel and marble accents, a pair of vintage Danish chairs act as the centrepiece for this lounge-like space. Then, a vinyl listening bar encourages guests to flick through a record collection and spin whatever tunes pique their interest. Meanwhile, a custom-built coffee bar serves Diggy Doos' locally roasted beans. Of course, the garments displayed — designed in Australia and made in Portugal by a family-owned manufacturer — are no afterthought. However, Fanaeyan, who previously worked in tailoring and made-to-measure at Oscar Hunt and Tom Ford, didn't intend for fashion to dominate the space. Instead, the idea behind this flagship store is to conjure an ambience that speaks to the same sensibilities that inform what hangs from the racks. "The garments are made slowly and intentionally, so the space needed to reflect that same pace," says Fanaeyan. "It's about encouraging people to take their time — whether that's choosing a record to enjoy, having a conversation, or trying something on without pressure." Given the brand's name, meaning 'clothing' in Farsi, Fanaeyan has also included subtle touches as a homage to his Iranian heritage, as well as LÈ BAUS's close friends. Between lingering over garments or placing the needle on a record, you'll encounter a side table from his grandmother's home, a Persian-inspired backgammon and checkers board gifted to his wife, and travel photography from pals that are more than a pretty picture. LÈ BAUS is open Wednesday–Saturday from 10am–5pm and Sunday from 11am–4pm at 3A Victoria Street, Paddington. Head to the website for more information. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: Ansom Smart.
The 2011 Parklife lineup was finally revealed this morning on Triple J. The festival, which reaches Australian shores in September, is headlined by Santigold, Gossip, Lykke Li, the Naked and Famous, Digitalism and the Streets. The lineup is heavy on female and also on dubstep artists with Magnetic Man, Joker & MC Nomad and Flux Pavillion all playing this year. The full lineup for Parklife 2011 is as follows: Gossip Lykke Li Santigold Death From Above 1979 Duck Sauce Katy B The Naked and Famous Crystal Fighters Example Digitalism Adrian Lux The Streets Simian Mobile Disco Magnetic Man Nero SebastiAn Diplo Mstrkrft Sebastien Tellier Little Dragon Gold Fields Mylo Wolfgang Carter Joker & MC Nomad Feed Me Tensnake Kimbra The Aston Shuffle Flux Pavillion Yacht Club DJs Harvard Bass Tickets go on sale 12pm Thursday June 30. For pre-sale click here. The various festival dates: Melbourne on Saturday, September 25 Perth on Sunday, September 26 Brisbane - Saturday, October 1 Sydney - Sunday, October 2 Adelaide - Monday, October 3 https://youtube.com/watch?v=i8QxOEFzAXo
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. ELVIS Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Australian filmmaker's Elvis, his first feature since 2013's The Great Gatsby, isn't short on chatter. It's even narrated by Tom Hanks (Finch) as Colonel Tom Parker, the carnival barker who thrust Presley to fame (and, as Luhrmann likes to say, the man who was never a Colonel, never a Tom and never a Parker). But this chronology of an icon's life is at its best when it's showing rather than telling. That's when it sparkles brighter than a rhinestone on all-white attire, and gleams with more shine than all the lights in Las Vegas. That's when Elvis is electrifying, due to its treasure trove of recreated concert scenes — where Austin Butler (Once Upon a Time in Hollywood) slides into Presley's blue suede shoes and lifetime's supply of jumpsuits like he's the man himself. Butler is that hypnotic as Presley. Elvis is his biggest role to-date after starting out on Hannah Montana, sliding through other TV shows including Sex and the City prequel The Carrie Diaries, and also featuring in Yoga Hosers and The Dead Don't Die — and he's exceptional. Thanks to his blistering on-stage performance, shaken hips and all, the movie's gig sequences feel like Elvis hasn't ever left the building. Close your eyes and you'll think you were listening to the real thing. (In some cases, you are: the film's songs span Butler's vocals, Presley's and sometimes a mix of both). And yet it's how the concert footage looks, feels, lives, breathes, and places viewers in those excited and seduced crowds that's Elvis' true gem. It's meant to make movie-goers understand what it was like to be there, and why Presley became such a sensation. Aided by dazzling cinematography, editing and just all-round visual choreography, these parts of the picture — of which there's many, understandably — leave audiences as all shook up as a 1950s teenager or 1970s Vegas visitor. Around such glorious centrepieces, Luhrmann constructs exactly the kind of Elvis extravaganza he was bound to. His film is big. It's bold. It's OTT. It's sprawling at two-and-a-half hours in length. It shimmers and swirls. It boasts flawless costume and production design by Catherine Martin, as his work does. It shows again that Luhrmann typically matches his now-instantly recognisable extroverted flair with his chosen subject (Australia aside). Balancing the writer/director's own style with the legend he's surveying can't have been easy, though, and it doesn't completely play out as slickly as Presley's greased-back pompadour. Elvis is never anything but engrossing, and it's a sight to behold. The one key element that doesn't gel as convincingly: using the scheming Parker as a narrator (unreliable, obviously) and framing device. It helps the movie unpack the smiling-but-cunning manager's outré role in Presley's life, but it's often just forceful, although so was Parker's presence in the star's career. In a script by Luhrmann, Sam Bromell (The Get Down), Craig Pearce (Strictly Ballroom, Romeo + Juliet, Moulin Rouge! and The Great Gatsby) and Jeremy Doner (TV's The Killing), the requisite details are covered. That includes the singer's birth in Tupelo, Mississippi, and extends through to his late-career Vegas residency — with plenty in the middle. His discovery by Parker, the impact upon his parents (Rake co-stars Helen Thomson and Richard Roxburgh), his relationship with Priscilla (Olivia DeJonge, The Staircase), Graceland, America's puritanical reaction to his gyrating pelvis, the issues of race baked into the response to him as an artist: they're all featured. Thematically, those last two points thrum throughout the entire movie. Elvis questions why any hint of sex was such a shock, and why it was so easy for a white man who drew his songs, style and dance moves from Black culture, via his upbringing, to be dubbed a scandal. Read our full review. NUDE TUESDAY In Nude Tuesday, you can take the unhappy couple out of their daily routine — and slip them out of their clothes in the process — but escaping to a mountainside commune, ditching the dacks, palling around with a goat and gleaning relationship advice from the author a book called The Toothy Vulva just can't solve all woes. What that list of absurd plot points and experiences can do is fill out a film that's gleefully silly, often side-splittingly funny, and also just as perceptive as it is playful. The basic premise behind this New Zealand sex comedy borrows from plenty of fellow movies and TV shows about stuck-in-a-rut folks seeking bliss and renewal, plus solutions to bland marriages, with a gorgeous change of scenery. But helping make Nude Tuesday such a winner is every offbeat choice that's used to tell that tale. Getting naked is only part of it, given that not a lick of any recognisable language is spoken throughout the entire feature — although plenty of words and sounds are audibly uttered. Nude Tuesday understands one key point, as everyone watching it will: that relationships are all about communication. The film is also well aware that so much about life is, too — and storytelling. Here, though, expressing emotions, connections and narrative details all boils down to gibberish and bodies. This amusing movie from writer/director Armağan Ballantyne (The Strength of Water) and writer/star Jackie van Beek (The Breaker Upperers) does indeed strip down its performers in its last third, living up to its name, but it saddles them with conveying almost everything about their characters via body language before that. Each piece of dialogue spoken echoes in unintelligible nonsense, using completely made-up and wholly improvised terms. Even covers of 'Road to Nowhere' and 'Islands in the Stream' do as well. And while subtitled in English by British comedian Julia Davis (Camping), that text was penned after shooting, in one of the film's other purposefully farcical twists. The result is patently ridiculous, and marvellously so — and hilariously. It's such a clever touch, making a movie about marital disharmony and the communication breakdown baked within that's so reliant upon reading tone and posture, as couples on the prowl for the tiniest of micro-aggressions frequently hone in on. Initially, the feature needs a few scenes to settle into its unfamiliar vernacular, which takes cues from The Muppets' Swedish Chef in its cadence. Via an opening map, which situates the story on the fictional pacific island of Zǿbftąņ, Nude Tuesday's language also resembles an IKEA catalogue. But once Ballantyne, van Beek and the latter's co-stars find their groove — with a literally bloody attempt to make adult nappies sexy, a supermarket tantrum involving tossed cans and a tense anniversary dinner — everything, including the movie's chosen tongue, clicks into place. Van Beek and Australian The Tourist actor Damon Herriman play Nude Tuesday's central pair, Laura and Bruno. In the first but not last example of just how compellingly they use their physicality, the talented lead twosome paints a picture of relatable malaise from their introductory moments together. Laura and Bruno are bogged down in a dull cycle that revolves around working at jobs neither loves — she spruiks those mature-age diapers, he sells bathroom fixtures — then trudging home exhausted and exasperated to deal with their kids, and later crumbling into bed knowing they're going to repeat it all the next day. Sex doesn't factor in, and neither is content with that, but resolving their troubles themselves is out of reach. Then, they're gifted a getaway to ẄØnÐĘULÄ to assist. But this woodland getaway, run by charismatic and lustful sex guru Bjorg Rassmussen (Jemaine Clement, I Used to Go Here), wants its new guests to expose all in multiple ways. Read our full review. LOST ILLUSIONS Stop us when Lost Illusions no longer sounds familiar. You won't; it won't, either. Stop us when its 19th century-set and -penned narrative no longer feels so relevant to life today that you can easily spot parts of it all around you. Again, that won't happen. When the handsome and involving French drama begins, its protagonist knows what he wants to do with his days, and also who he loves. Quickly, however, he learns that taking a big leap doesn't always pan out if you don't hail from wealth. He makes another jump anyway, out of necessity. He gives a new line of work a try, finds new friends and gets immersed in a different world. Alas, appearances just keep meaning everything in his job, and in society in general. Indeed, rare is the person who doesn't get swept up, who dares to swim against the flow, or who realises they might be sinking rather than floating. The person weathering all of the above is Lucien Chardon (Benjamin Voisin, Summer of 85), who'd prefer to be known as Lucien de Rubempré — his mother's aristocratic maiden name. It's 1821, and he's a poet and printer's assistant in the province of Angoulême when the film begins. He's also having an affair with married socialite Louise de Bargeton (Cécile de France, The French Dispatch), following her to Paris, but their bliss is soon shattered. That's why he gives journalism a try after meeting the equally ambitious Etienne Lousteau (Vincent Lacoste, Irma Vep), then taking up the offer of a tabloid gig after failing to get his poetry published. Lucien climbs up the ranks quickly, both in the scathing newspaper business — where literary criticism is literally cash for comment — and in the right Parisian circles. But even when he doesn't realise it, his new life weighs him down heavily. Lost Illusions spins a giddy tale, but not a happy one. It can't do the latter; exactly why is right there in the title. As a film, it unfurls as a ravishing and intoxicating drama that's deeply funny, moving and astute — one that's clearly the product of very particular set of skills. No, Liam Neeson's recent on-screen resume doesn't factor into it, not for a second. Instead, it takes an immensely special talent to spin a story like this, where every moment is so perceptive and each piece of minutiae echoes so resoundingly. The prowess behind this seven-time César Award-winner belongs to three people: acclaimed novelist Honoré de Balzac, who wrote the three-part Illusions perdues almost 200 years ago; filmmaker Xavier Giannoli (Marguerite), who so entrancingly adapts and directs; and Jacques Fieschi (Lovers), who co-scripts with the latter. There's more to Lucien's story — pages upon pages more, where his tale began; 149 minutes in total, as his ups and downs now play out on the screen. When Louise decides that he doesn't fit in, with help from the scheming Marquise d'Espard (Jeanne Balibar, Memoria), spite rains his way. When Etienne introduces him to the realities of the media at the era, and with relish, he's brought into a dizzying whirlwind of corruption, arrogance, fame, power, money and influence. When Lucien starts buying into everything he's sold about the whys and hows of his new profession, and the spoils that come with it, Lost Illusions couldn't be more of a cautionary tale. Everything has a price: the glowing words he gleefully types, the nasty takedowns of other people's rivals and the entire act of spending his days doing such bidding for the highest fee. Read our full review. MINIONS: THE RISE OF GRU What's yellow, round, inescapably silly and also just flat-out inescapable? Since 2010, when the first Despicable Me film reached screens, Minions have been the answer. The golden-hued, nonsense-babbling critters were designed as the ultimate sidekicks. They've remained henchman to malevolent figures in all five of their movie outings so far, and in the 15 shorts that've also kept telling their tale. But, as much as super-villain Gru (Steve Carrell, Space Force) would disagree — he'd be immensely insulted at the idea, in fact — Minions have long been the true drawcards. Children haven't been spotted carrying around and obsessing over Gru toys in the same number. The saga's key evil-doer doesn't have people spouting the same gibberish, either. And his likeness hasn't become as ubiquitous as Santa, although Minions aren't considered a gift by everyone. At their best, these lemon-coloured creatures are today's equivalent of slapstick silent film stars. At their worst, they're calculatingly cute vehicles for selling merchandise and movie tickets. In Minions: The Rise of Gru, Kevin, Stuart, Bob, Otto and company (all voiced by Pierre Coffin, also the director of the three Despicable Me features so far, as well as the first Minions) fall somewhere in the middle. Their Minion mayhem is the most entertaining and well-developed part of the flick, but it's also pushed to the side. There's a reason that this isn't just called Minions 2 — and another that it hasn't been badged Despicable Me: The Rise of Gru. The Minion name gets wallets opening and young audiences excited, the Rise of Gru reflects the main focus of the story, and anyone who's older than ten can see the strings being pulled at the corporate level. Gru's offsiders are present and cause plenty of chaos, but whether he gets to live out his nefarious boyhood dreams is director Kyle Balda (Despicable Me 3), co-helmers Brad Ableson (Legends of Chamberlain Heights) and Jonathan del Val (The Secret Life of Pets 2), and screenwriter Matthew Fogel's (The Lego Movie 2) chief concern. His ultimate wish: to become one of the Vicious 6, the big supervillain team of 1976, when Gru is 11. That sinister crew happens to have an opening after some infighting and double-crossing among Belle Bottom (Taraji P Henson, Empire), Jean Clawed (Jean-Claude Van Damme, Haters), Nun-Chuck (Lucy Lawless, My Life Is Murder), Svengeance (Dolph Lundgren, Aquaman), Stronghold (Danny Trejo, The Legend of La Llarona) and Wild Knuckles (Alan Arkin, The Kominsky Method). Accordingly, when Gru receives an invite to audition, he's as thrilled as a criminal mastermind-in-training can be. The Minions are hired as Gru's assistants and, after his tryout for the big leagues ends in him stealing the Vicious 6's prized possession, quickly spark the usual Minion antics. Of course they lose the pivotal object. Of course the Vicious 6 come looking for it. Of course the Minions do everything from learning kung fu (from Master Chow, voiced by Everything Everywhere All At Once's Michelle Yeoh) to virtually destroying San Francisco. There's more calculation than inspiration behind their havoc, however; rather than Charlie Chaplin and Buster Keaton-esque heights, their slapstick hijinks feel as structured and obvious as the film's nods to a wealth of genres (martial arts, spy, road trip, blaxploitation and more) and its hefty list of blatant era-appropriate needle drops ('Funkytown', 'Fly Like an Eagle', 'Born to Be Alive' and the like). It also plays like colour and movement around Gru, rather than the central attraction viewers want it to be. Also, something can't be surreal if it's so thoroughly expected, as the bulk of Minions: The Rise of Gru is. It isn't clever enough to be gloriously ridiculous, either. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on March 3, March 10, March 17, March 24 and March 31; April 7, April 14, April 21 and April 28; and May 5, May 12, May 19 and May 26; and June 2, June 9 and June 16. You can also read our full reviews of a heap of recent movies, such as The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow, The Souvenir: Part II, Dog, Anonymous Club, X, River, Nowhere Special, RRR, Morbius, The Duke, Sonic the Hedgehog 2, Fantastic Beasts and the Secrets of Dumbledore, Ambulance, Memoria, The Lost City, Everything Everywhere All At Once, Happening, The Good Boss, The Unbearable Weight of Massive Talent, The Northman, Ithaka, After Yang, Downton Abbey: A New Era, Wheel of Fortune and Fantasy, Petite Maman, The Drover's Wife The Legend of Molly Johnson, Doctor Strange in the Multiverse of Madness, Firestarter, Operation Mincemeat, To Chiara, This Much I Know to Be True, The Innocents, Top Gun: Maverick, The Bob's Burgers Movie, Ablaze, Hatching, Mothering Sunday, Jurassic World Dominion, A Hero, Benediction, Lightyear and Men.
Bringing some of the world's most beloved (and chaotic) reality stars to our shores for the first time, Australia's debut Hayu FanFest has now revealed a legendary lineup. Marking the streamer's tenth anniversary, this inaugural event is set to be completely OTT, with diehard reality TV fans getting up close and personal to the stars. Making the trip to Sydney are Real Housewives headline-makers Cynthia Bailey, Meredith Marks, Juliet Mayhew, Dorinda Medley and Alexia Nepola. Meanwhile, this huge showcase also features fan-favourites from other much-loved reality series, including Below Deck Down Under's Captain Jason Chambers and Southern Charm's Craig Conover and Shep Rose. Taking place on Saturday, August 15, at Sydney's Hordern Pavilion, now is the perfect time to load up the sprinter van — or the superyacht — with all your reality TV-obsessed friends. That's because pre-sale tickets are available from 12pm on Tuesday, May 12, while general public sales begin at 12pm on Thursday, May 14. View this post on Instagram As for what fans can expect, the main event will feature on-stage panel discussions, interviews and meet-and-greets with all your favourite viral personalities, along with photo ops, brand activations and exclusive merch. Plus, Real Housewives' Dorinda and Meredith will take over the stage to perform two scene-stealing DJ sets. "Our Aussie fans show us love every day, and we're beyond excited to bring them the FanFest magic in Sydney — a full-throttle, high-energy celebration packed with big moments, big personalities and the reality stars they are obsessed with," says Hayu SVP Marketing, Olga Puzanova. With Hayu FanFest's full agenda set to be announced in the coming months, this debut event is the best place to celebrate all the moments, memes and one-liners, featuring a wall-to-wall experience made for drama-packed fun and community-driven vibes alongside each show's biggest fans. Hayu FanFest takes place at the Hodern Pavilion on Saturday, August 15. Pre-sale tickets are available from 12pm on Tuesday, May 12, while general public tickets go on sale from 12pm on Thursday, May 14. Head to the website for more information. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: Supplied.
Australia is home to some incredible music festivals, with Laneway, Bluesfest, Splendour, Groovin' the Moo and Dark Mofo bringing some of the world's best acts to our shores each year. But live music isn't the only excuse to head out of town. Australia is also home to heaps of out-there festivals set in rural and random locations, celebrating everything from spuds and watermelon to Mary Poppins and the Nutbush. Looking for an out-of-the-ordinary getaway? Here's our pick of the top ten weird and wonderful festivals to track down around the country.
Compared to the likes of Sydney, Melbourne and Brisbane, the Central Coast may not come to mind as a specialty coffee destination. Yet, away from the city crowds, close to the water and without the urban dwellers, are a number of local cafes serving freshly roasted brews in a sustainable and ethical manner. The best Central Coast cafes have not only brought the community together through a shared interest in specialty coffee and honest food, some have even helped revitalise certain parts of the coast.
Perusing the menu at Mentmore & Morley, one thing is very clear: the team behind this Rosebery eatery know its cafe fare. The menu is an expert curation of top morning meals; think ricotta pancakes, dukkha eggs and bacon and egg rolls. It's also punctuated with some left-of-field additions like bolognese mince on toast served with a poached egg and parmesan. What's more, it's gone full-steam on the classic brunch offering with a lengthy list of drinks. There are the obvious teas, coffees and juices, plus a most welcome addition of cocktails, wines and beers if you're so inclined. With a neutral palette, the fit-out is sleek, accented by indoor greenery and bold copper hanging lights. All in all, the cafe offers a fresh take on familiar territory, which is likely to see you want to visit again and again. Images: Kitti Gould.
Fans of the Portuguese tart need to make tracks to Clovelly, where Tuga Pastry is turning out arguably the tastiest pastel de nata our city has to offer. Owner Diogo Ferreira resurrected his father Agostinho's (who was a pastry chef in northern Portugal) recipe back in 2016 when he opened his first cafe, Village on Cloey. Then, when space opened up three doors down, Ferreira expanded his business and opened this bustling weekend bakery. Here, you'll catch Ferreira's mother Lucia in the kitchen, hand pressing the dough for each and every Portuguese tart that goes in the oven. You can watch the entire process in the bakery, then taste the finished product fresh from the oven. The buttery pastry shell is filled with gooey egg custard that's perfectly caramelised on top and dusted with cinnamon. If you're not hungry yet, just take a look at this: [caption id="attachment_762031" align="alignnone" width="1920"] Kitti Gould[/caption] Apart from the pastel de nata, which is available every day, the Tuga menu is constantly changing. Other favourites include tart de feijao (almond tart), pau de daus (coconut brioche) and bola de berlim (sugar coated donuts). Diogo is also whipping up non-Portuguese treats, like croissants, quiches and sausage rolls. Plus, gorgeous cakes in flavours like coffee and hazelnut, carrot and pineapple, and passion fruit and yoghurt. Tuga is looking to expand in the near future, too, so keep on eye on this space. Images Kitti Gould
Low and Lofty's doesn't pretend to be anything other than what it is: a destination for down and dirty good times. This no-nonsense spot is a riot of colour, music and kitschy Americana which is reflected in the food and drinks menu. The name of the game here is fried Texan-style finger food — think popcorn shrimp, hot wings, smoked BBQ ribs and poutine potato gems (deep-fried, bite-sized potato bites lathered in melted cheese, pulled beef brisket and gravy). There are a couple of salads on the menu, but then you'd be missing the point. The drinks inspiration shifts to the Caribbean, with rum the star of the drinks menu. Expect bottles from all over the Caribbean as well as more unusual selections from Australia, New Zealand, United Kingdom, Italy and France. The fun travels through to the cocktail menu, where the approach to ingredients is 'more is more'. Grab a cup and start your weekend off on a bright note. Images: JSR Visuals
Friends, it's time to pay fealty to the king of all food groups: pizza — that divine fusion of carbs, cheese and yummy toppings that's impossible not to love and will rarely let you down. In Sydney, pizza comes in many forms, from mammoth New York-style slices to authentically blistered Neapolitan pies. Here is our pick of the very best pizzerias the Harbour City has to offer. Image: 170 Grammi, Trent van der Jagt Recommended reads: The Best Italian Restaurants in Sydney The Mexican Restaurants in Sydney The Best Steak in Sydney The Best Burgers in Sydney
Let’s get this out of the way early: As pretty much every article ever written of The Tallest Man on Earth will tell you, no, folk troubadour Kristian Matsson is not particularly tall, and no, he doesn't make any secret out of channeling his hero, Dylan. But you wouldn’t call Mattson derivative. As anyone who has ever seen this not-so-tall man live will tell you, Matsson has become known for coming on stage alone with just an acoustic guitar, and blowing everyone away with his charisma and stage presence. Two years after he last played in Sydney to sold out audiences at the Factory Theatre, Mattson returns to play the Opera House. It’s a great chance to get a taste of songs off the back of his latest offering, There’s No Leaving Now, a home recorded album which explores different territory to his last two releases. To his intricate guitar work he’s added layers of woodwinds, drums and songs that explore more grounded, relaxed territory. The stage might be bigger, and the arrangements more complex, but Mattson’s reputation as a performer will remain. If you’re a seasoned fan, chances are you’re already salivating over the chance to see Mattson again. If you’re not, chances are he’ll win you over with his honest, humble performance that has charmed audiences the world over.
Sydney has really stepped up its art game this year. In addition to increased investment in some of our most beloved galleries, the city has secured exhibitions by some of the most influential artists of their generation from home and abroad across the next few months. From prizes celebrating Australia's best contemporary art to retrospectives from the masters, there's something for everyone whether you're a studied aficionado or a casual fan. Each of the following exhibitions is worthy of an article in itself, but let's start with a little taster. We've teamed up with Destination NSW to give you the lowdown on the seven of the most anticipated exhibitions to have on your radar.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are ten that you can watch right now at home. BARBIE No one plays with a Barbie too hard when the Mattel product is fresh out of the box. As that new doll smell lingers, and the toy's synthetic limbs gleam and locks glisten, so does a child's sense of wonder. The more that the world-famous mass-produced figurine is trotted through DreamHouses, slipped into convertibles and decked out in different outfits, though — then given non-standard makeovers — the more that playing with the plastic fashion model becomes fantastical. Like globally beloved item, like live-action movie bearing its name. Barbie, the film, starts with glowing aesthetic perfection. It's almost instantly a pink-hued paradise for the eyes, and it's also a cleverly funny flick from its 2001: A Space Odyssey-riffing outset. The longer that it continues, however, the harder and wilder that Lady Bird and Little Women director Greta Gerwig goes, as does her Babylon and Amsterdam star lead-slash-producer Margot Robbie as Barbie. In Barbie's Barbie Land, life is utopian. Robbie's Stereotypical Barbie and her fellow dolls (including The Gray Man's Ryan Gosling as Stereotypical Ken) genuinely believe that their rosy beachside suburban excellence is infectious, too. And, they're certain that this female-championing realm — and the Barbies being female champions of all skills, talents and appearances — has changed the real world inhabited by humans. But there's a Weird Barbie living in a misshapen abode. While she isn't Barbie's villain, not for a second, her nonconformist look and attitude says everything about Barbie at its most delightful. Sporting cropped hair, a scribbled-on face and legs akimbo, she's brought to life by Saturday Night Live great Kate McKinnon having a blast, and explained as the outcome of a kid somewhere playing too eagerly. Meet Gerwig's spirit animal; when she lets Weird Barbie's vibe rain down like a shower of glitter, covering everything and everyone in sight both in Barbie Land and in reality, the always-intelligent, amusing and dazzling Barbie is at its brightest and most brilliant. Barbie is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. TALK TO ME An embalmed hand can't click its fingers, not even when it's the spirit-conducing appendage at the heart of Talk to Me. This is an absolute finger snap of a horror film, however, and a fist pump of a debut by Australian twins Danny and Michael Philippou. As RackaRacka, the Adelaide-born pair have racked up six-million-plus subscribers on YouTube via viral comedy, horror and action combos. As feature filmmakers, they're just as energetic, eager and assured, not to mention intense about giving their all. Talk to Me opens with a party that's soon blighted by both a stabbing and a suicide. It segues swiftly into a Sia sing-along, then the violent loss of one half of the Aussie coat of arms. A breakout hit at the 2023 Sundance Film Festival, where it sparked a distribution bidding war won by indie favourite A24, it's constantly clicking, snapping and ensuring that viewers are paying attention — with terror-inducing imagery, a savvy sense of humour, both nerve and the keenness to unnerve, and a helluva scary-movie premise that's exceptionally well-executed. The picture's outstretched mitt is the Philippous' Ouija board. That withered and scribbled-on paw is also a wildly unconventional way to get high. In a screenplay penned by Danny with fellow first-timer Bill Hinzman, but based on Bluey and Content executive producer Daley Pearson's short-film concept — yes, that Bluey — shaking hands with the distinctive meat hook is a party trick and dare as well. When the living are palm to palm with this dead duke, in flows a conjuring. A candle is lit, "talk to me" must be uttered, then "I let you in". Once heads are kicking back and the voices start, no one should grasp on for more than 90 seconds, as Hayley (Zoe Terakes, Nine Perfect Strangers) and Joss (Chris Alosio, Millie Lies Low) explain. But, as she navigates the anniversary of her mother's death, Mia (Sophie Wilde, The Portable Door) is up for going as far as she can. Here, being consumed by sinister spirits, not consuming booze, is an escape. That, and filming whatever twisted chaos happens when you connect with the otherworldly. It isn't all fun and frights and games, though; when her best friend Jade's (Alexandra Jensen, Joe vs Carole) 14-year-old brother Riley (Joe Bird, First Day) takes part, traumatic consequences spring. Talk to Me is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Danny Philippou. THE NEW BOY Warwick Thornton, Cate Blanchett, Deborah Mailman, Nick Cave and Warren Ellis: name a better Australian quintet. The director of Samson & Delilah and Sweet Country, the two-time Oscar-winner and recent Tár tour de force, the local screen mainstay, and the Bad Seeds bandmates and seasoned film composers all combine not for the ultimate Aussie dinner party, but for The New Boy. None are debuting in their jobs. All are exceptional. They're each made better, however, by the luminous and entrancing Aswan Reid. As well as playing the titular part, the 11-year-old first-time actor lives it among such a wealth of acclaimed and experienced talent — and he's such a find in such excellent company, while saying little in words but everything in every other way, that Thornton's third fictional feature owes him as much of a debt as its applauded and awarded household names. There's a spark to Reid from the moment that he's first spied grappling with outback law enforcement under blazing rays as Cave and Ellis' (This Much I Know to Be True) latest rousing score plays. His sun-bleached hair couldn't be more fitting, or symbolic, but it's the confident way in which he holds himself as New Boy, plus the determined look on his face, that sears. Wily and wiry, the feature's eponymous figure is toppled by a boomerang, then bagged up and transported to the remote Catholic orphanage doted on by Sister Eileen (Blanchett, Nightmare Alley) in the 1940s. The cop doing the escorting notes that the kid is a bolter, but the nun is just as fast in her kindness. She sees what Thornton wants his audience to see: a boy that beams with his presence and through his sense of self, even though he's been snatched up, taken from his Country and forced into a Christian institution against his will. Sister Eileen is as drawn to him as the movie, but — and not just due to the red wine she likes sipping and the subterfuge she's keeping up about the resident father's absence — she isn't as certain about what to do. The New Boy is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Warwick Thornton. RED WHITE & BRASS Watch Red, White & Brass and you'll never see the pre-game or half-time entertainment at a big sporting match the same way again. Of course, if Rihanna, or Beyoncé with Destiny's Child, or a heap of hip hop and rap legends are taking to the stage at the Super Bowl, you won't question it — but if there's a community band on the turf, you might start wondering when they first picked up their instruments, why and if it was only four weeks ago to make it to this very gig. Are they just out there because they were that desperate to see their team play? And, because they missed out on expensive and instantly sold-out tickets? Were they so eager, in fact, that they bluffed their way into a gig by claiming to already be a musical group, then had to speedily do anything and everything to learn how to get melodic, and obviously not embarrass themselves, in a passion-fuelled whirlwind of pretence and practice? A band solely forming to score access to a rugby game sounds like pure screenwriting confection. Often enough, though, when tales like that make it to the silver screen, it's because they're so wild that they can only be true. Such is the case with Red, White & Brass' premise, as it notes at the outset, with co-writer Halaifonua (Nua) Finau scripting the story with first-time feature director Damon Fepulea'i from his very own experiences. Back in 2011, New Zealand hosted the Rugby World Cup, which was a source of particular excitement to Aotearoa's Tongan population, and especially to avid aficionados at a Wellington church. The kind of fans that were showing their devotion by decking out their homes in the Tongan flag top to bottom, hitching the red-and-white cloth to every free space on their cars and carrying around the symbol on their phone cases, they were determined to see Tonga play France in their own home city, and willing to whatever it takes to do so — wholesomely, in the type of underdog story about fervour, ingenuity, self-belief and luck that engagingly makes for an easy and warm-hearted cinema crowd-pleaser. Red, White & Brass is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with John-Paul Foliaki and Damon Fepulea'i. CARMEN Breaking down a classic tale best known as an opera, rebuilding it as a lovers-on-the-run drama set across the US–Mexico border and making every moment burst with emotion, Benjamin Millepied's Carmen is a movie that moves. While its director is a feature debutant, his background as a dancer and choreographer — he did both on Black Swan, the latter on Vox Lux as well, then designed the latest Dune films' sandwalk — perhaps means that the former New York City Ballet principal and Paris Opera Ballet Director of Dance was fated to helm rhythmic, fluid and rousing cinema. His loose take on Georges Bizet's singing-driven show and Prosper Mérimée's novella before it, plus Alexander Pushkin's poem The Gypsies that the first is thought to be based on, is evocative and sensual. It's sumptuous and a swirl of feelings, too, as aided in no small part by its penchant for dance. And, it pirouettes with swoon-inducing strength with help from its stunningly cast leads: Scream queen and In the Heights star Melissa Barrera, plus Normal People breakout and Aftersun Oscar-nominee Paul Mescal. When Mescal earned the world's attention in streaming's initial Sally Rooney adaptation, he had viewers dreaming of fleeing somewhere — Ireland or anywhere — with him. Carmen's namesake (Barrera) absconds first, then has PTSD-afflicted Marine Aidan (Mescal) join her attempt to escape to Los Angeles. Carmen runs after her mother Zilah (flamenco dancer Marina Tamayo) greets the cartel with thunderous footwork, but can't stave off their violence. Aidan enters the story once Carmen is smuggled stateside, where he's a reluctant volunteer border guard in Texas alongside the trigger-happy Mike (Benedict Hardie, The Drover's Wife The Legend of Molly Johnson). As the picture's central pair soon hurtle towards California, to Zilah's lifelong friend Masilda's (Rossy de Palma, Parallel Mothers) bar, they try to fly to whatever safety and security they can find. That may be fleeting, however, and might also be in each other's arms. Carmen is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Benjamin Millepied. HOW TO BLOW UP A PIPELINE Every story is built upon cause and effect. One thing happens, then another as a result, and so a narrative springs. Inspired by Andreas Malm's non-fiction book of the same name, How to Blow Up a Pipeline isn't just strung together by causality — it's firmly, actively and overtly about starting points, consequences and the connections between. Here's one source for this impassioned tale about determined and drastic environmental activism: the warming world. Here's an originator for that, too: fossil fuels, humanity's reliance upon them and the profits reaped from that status quo. Now, a few outcomes: pollution, catastrophic weather changes, terminal illnesses, stolen and seized land, corporate interests prioritised over ecological necessities, and a growing group that's driven to act because existence is at stake. Turning a text subtitled Learning to Fight in a World on Fire into a fictional feature, How to Blow Up a Pipeline joins all of the above, stressing links like it is looping string from pin to pin, and clue to clue, on a detective's corkboard. In his second feature after 2018's smart and effective camgirl horror Cam, writer/director Daniel Goldhaber isn't trying to be subtle about what dovetails in where. With co-screenwriters Jordan Sjol (a story editor on Cam) and Ariela Barer (also one of How to Blow Up a Pipeline's stars), he isn't attempting to rein in the film's agenda or complexity. This movie tells the tale that's right there in its name, as eight people from across America congregate in Texas' west with a plan — an octet of folks who mostly would've remained loosely connected, some strangers and others lovers and friends, if they weren't desperate to send a message that genuinely garners attention. Goldhaber's latest is explosive in its potency and thrills, and startling in its urgency, as it focuses on a decision of last resort, the preparation and the individual rationales before that. How to blow up hedging bets on-screen? That's also this tightly wound, instantly gripping, always rage-dripping picture. How to Blow Up a Pipeline is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SISU Lean, mean and a Nazi-killing machine: that's Sisu and its handy-with-a-hunting-knife (and pickaxe) protagonist alike. This stunningly choreographed Finnish action film's title doesn't have a literal equivalent in English, but writer/director Jalmari Helander's (Rare Exports: A Christmas Tale) latest effort means stoic, tenacious, resolute, brave and gritty all in that four-letter term; again, both the movie and the man at its centre fit the description. Former soldier Aatami Korpi (Jorma Tommila, also Rare Exports: A Christmas Tale) has one aim. After he strikes gold and plenty of it in Lapland's far reaches, he's keen to cash in. For someone who has already lost everyone and everything to World War II, that requires transporting his haul; however, the year is 1944 and German troops still lurk even as the combat winds down. Accordingly, getting those gleaming nuggets from the wilderness to a bank means facing a greedy and unrelenting platoon led by Helldorf (Aksel Hennie, The Cloverfield Paradox), who can spy a payday and an exit strategy for himself. Before anything yellow shimmers, Nazi-filled tanks are sighted, a single shot is fired or a blow swung, Sisu explains its moniker as "a white-knuckled form of courage and unimaginable determination". Text on-screen also advises that "sisu manifests itself when all hope is lost." As a film, Sisu may as well be shorthand for John Wick meets Inglourious Basterds meets Django, the iconic 1966 spaghetti western that Quentin Tarantino riffed on with Django Unchained, too — plus all of that meets the work of legendary spaghetti western director Sergio Leone as well. The carnage is that balletic. The Nazi offings are that brutal, roguish and inventive. And valuing deeds over dialogue as a lone figure dispatches with nefarious forces against an unforgiving landscape, and no matter what they throw at him, is firmly the setup. Sisu is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. INDIANA JONES AND THE DIAL OF DESTINY Old hat, new whip. No, that isn't Dr Henry Walton 'Indiana' Jones' shopping list, but a description of Indiana Jones and the Dial of Destiny. While the fifth film about the eponymous archaeologist is as familiar as Indy films come, it's kept somewhat snapping by the returning Harrison Ford's on-screen partnership with Fleabag's Phoebe Waller-Bridge. When this 15-years-later sequel to 2008's Indiana Jones and the Kingdom of the Crystal Skull begins — swinging into cinemas after 1981's Raiders of the Lost Ark, 1984's Indiana Jones and the Temple of Doom and 1989's Indiana Jones and the Last Crusade, too — Indy's trademark fedora and strip of leather have already enjoyed ample action. So has the George Lucas-created franchise's basic storyline. If you've seen one Indy outing in the past 42 years, you've seen the underlying mechanics of every other Indy outing. And yet, watching Ford flashing his crooked smile again, plus his bantering with Waller-Bridge, is almost enough to keep this new instalment from Logan and Ford v Ferrari filmmaker James Mangold whirring. Across the quintet of Indy flicks — a number contractually locked in at the outset, even if it took almost half a century to notch them all up — a trinket always needs recovering. Whether it's a relic, stone, cup, carving or, as here, a device by Ancient Greek mathematician, philosopher and inventor Archimedes that might facilitate time travel, nefarious forces (typically Nazis) always want said item as well. Also, only antics that've influenced the likes of Tomb Raider, National Treasure and Jungle Cruise can ensure that whatever whatsit is at the heart of whichever picture stays out of the wrong hands. The object in question falls into those mitts at some point, of course. Indy goes globetrotting and cave diving to save it, and skeletons and creepy-crawlies tend to get in his way. Reliably, he has female company. Frequently, there's a young offsider tagging along. A constant: the whole escapade bounding to the tune of John Williams' rousing theme, which is now acoustically synonymous with adventure. Indiana Jones and the Dial of Destiny is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE BOOGEYMAN Teenagers are savage in The Boogeyman, specifically to Yellowjackets standout Sophie Thatcher, but none of them literally take a bite. Grief helps usher a stalking dark force to a distraught family's door; however, that malevolent presence obviously doesn't share The Babadook's moniker. What can and can't be seen haunts this dimly lit film from Host and Dashcam director Rob Savage, and yet this isn't Bird Box, which co-star Vivien Lyra Blair also appeared in. And a distressed man visits a psychiatrist to talk about his own losses, especially the otherworldly monster who he claims preyed upon his children, just as in Stephen King's 1973 short story also called The Boogeyman — but while this The Boogeyman is based on that The Boogeyman, which then made it into the author's 1978 Night Shift collection that gave rise to a packed closet full of fellow movie adaptations including Children of the Corn, Graveyard Shift and The Lawnmower Man, this flick uses the horror maestro's words as a mere beginning. On the page and the screen alike, Lester Billings (David Dastmalchian, Boston Strangler) seeks therapist Will Harper's (Chris Messina, Air) assistance, reclining on his couch to relay a tragic tale. As the new patient talks, he isn't just shaken and shellshocked — he's a shadow of a person. He's perturbed by what loiters where light doesn't reach, in fact, and by what he's certain has been lurking in his own home. Here, he couldn't be more adamant that "the thing that comes for your kids when you're not paying attention" did come for his. And, the film Lester has chosen his audience carefully, because Will's wife recently died in a car accident, leaving his daughters Sadie (Thatcher) and Sawyer (Blair) still struggling to cope. On the day of this fateful session, the two girls have just returned to school for the first time, only for Sadie to sneak back when her so-called friends cruelly can't manage any sympathy. The Boogeyman is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEG 2: THE TRENCH Jaws, but bigger. Jurassic Park but sharks. Like a prehistoric underwater predator scooping up a heap of beachgoers in one hefty mouthful, describing what The Meg and its sequel Meg 2: The Trench are each aiming to be is easy. Ridiculous big-screen fun that sets Jason Statham (Fast X) against multiple megalodons, his scowl as shiny as their razor-sharp teeth: they're the type of waters that this creature-feature franchise also wants to paddle in. Since debuting in cinemas in 2018, all things The Meg have always had a seriousness problem, however. They're at their best when they're also at their silliest, but they're rarely as entertainingly ludicrous as they're desperate to be. This five-years-later follow-up might task Statham with shooting harpoons while riding a jet ski at a tourist-trap holiday destination called Fun Island — and also busting out the line "see ya later, chum", which lands with such a sense of self-satisfaction that it feels like the entire reason that the movie even exists — but such gleeful preposterousness is about as common as a herbivore with a meg's massive chompers. Again based on one of author Steve Alten's books — he's penned seven so far, so more flicks are likely — Meg 2: The Trench doesn't just want to ape the Jurassic series. It does exactly that overtly and unsubtly from the outset, but this film is also happy to brazenly treat multiple movies from a few decades back as fuel for its choppy antics. When the feature starts, it's 65 million years ago, dinosaurs demonstrate the cretaceous period's food chain, then a megalodon shows who's boss from the water. Obviously, life will find a way to bring some of this sequence's non-meg critters into the present day. Next comes a dive in The Abyss' slipstream, before embracing being a Jaws clone again — even shouting out to Jaws 2 in dialogue — but with a Piranha vibe. Before it's all over, Meg 2: The Trench also flails in Mega Shark Versus Giant Octopus' direction, just with a visibly larger budget. Meg 2: The Trench is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June, July and August, too. You can also peruse our best new films, new TV shows, returning TV shows and straight-to-streaming movies of 2023 so far
Peruse the Tim Tam section of an Australian supermarket and more than just the classic version of the chocolate biscuits await. Arnott's has even done Gelato Messina-inspired Tim Tams in the past. So, adding a new flavour to sit alongside current specials like coconut cream, Murray River salted caramel, and butterscotch and cream isn't a surprise — but turning an April Fool's joke into a real bikkie is a first. It was back in 2023, on the day that no news can be trusted, that Arnott's revealed a Jatz-inspired Tim Tam for when you can't choose between crackers and chocolate biscuits. It was a prank then, but the brand's customers didn't want to to remain just a gag. So, Tim Tam inspired by Jatz will hit Coles around Australia from late April. View this post on Instagram A post shared by Tim Tam (@timtam) "Following the overwhelming number of comments and requests, we knew we had to bring Tim Tam inspired by Jatz to the shelf and make it available for every Aussie to enjoy," said Tim Tam Marketing Manager Rebecca Chan. One important caveat, though: Tim Tam inspired by Jatz don't actually include any Jatz, but feature their salty taste — and have "cracker notes", Arnott's advises. A packet will set you back $5 when they reach the shelves. Also, more surprising flavours might be in store across the year, with Tim Tams turning 60 in 2024. In the future, you might want to pay attention to Arnott's April Fool's Day jokes to come, too, in case they actually sound like something you'd like — and become a reality a year later. Tim Tam inspired by Jatz will hit Coles supermarkets around Australia from late April 2024. Head to the Arnott's website for more details.
First, murder-mysteries kept filling streaming queues. Now, while that's still happening, everyone second whodunnit is a comedy as well. It worked for Only Murders in the Building, which will drop its third season this year. It's a treat in new Australian series Deadloch. And it also went down smoothly in the first season of Apple TV+'s The Afterparty, which is also about to release new episodes. Back when The Afterparty was picked up for another run in 2022, it was announced that season two would focus on Detective Danner (Tiffany Haddish, The Card Counter), given that the first season already wrapped up its self-contained stint of sleuthing. But she isn't the only character making a comeback with Aniq (Sam Richardson, I Think You Should Leave with Tim Robinson) and Zoe (Zoe Chao, Party Down) also returning. As the just-dropped trailer shows, the couple attend a wedding, the groom Edgar (Zach Woods, Avenue 5) ends up dead, and questions start being asked — including of the bride Grace (Poppy Liu, Dead Ringers), who is Zoe's sister. While season one also featured Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk), Jamie Demetriou (The Great) and John Early (Search Party), this new case will bring in Elizabeth Perkins (Barry), Paul Walter Hauser (Bupkis), Anna Konkle (PEN15), Jack Whitehall (Jungle Cruise), Vivian Wu (Irma Vep), John Cho (Cowboy Bebop) and Ken Jeong (Community) when it starts streaming from Wednesday, July 12. To get to the bottom of the case, Danner and Aniq team up to interrogate all the guests, which sees the show cycle through a range of film genres as it tells each person's tale. "Hit me with that Aniq rom-com sequel," demands Danner — and, with season two spanning ten episodes, that'll only be the beginning. Wes Anderson flicks, period romances and black-and-white gumshoe noirs all get a look-in in the sneak peek. Of course, while the settings change, and the motley crew of figures involved as well, plenty of whodunnits share the same premise. Take a ragtag group of folks, pop them all in the same spot, kill one off and then start asking questions — that's it, that's the formula. It works for board game Cluedo, it worked for Agatha Christie and her lengthy list of Hercule Poirot novels and stories, and it's also been behind everything from the Knives Out movies and The Translators to See How They Run and more in the past few years. So, letting The Afterparty have another run at it should be easy for creators Chris Miller and Phil Lord (The Lego Movie). Indeed, if season two lives up to the first season, viewers can look forward to another batch of episodes that twist in its their own directions, tell their tale with flair and approach the show's overall idea with a savvy sense of humour. Check out the trailer for season two of The Afterparty below: Season two of The Afterparty will stream via Apple TV+ from Wednesday, July 12. Read our full review of season one.
VJing on now-defunct pay TV music channel Channel [V], then hosting Australian Idol, The Bachelor franchise and The Masked Singer: they're dream gigs. So is appearing as yourself on Neighbours and Offspring, narrating Bondi Rescue, popping up on everything from Thank God You're Here to Have You Been Paying Attention?, running successful podcasts and writing a book. Since getting his start in radio in Brisbane, Osher Günsberg has ticked off all of the above and more for over two decades, and has rarely been far from the spotlight — but he's also always wanted to make fun of the news live in front of an audience. That show now exists, complete with the requisite tongue-twister name: NTNNNN: Night Time News Network Nightly News with Osher Günsberg. "It's an old joke, but it works," Günsberg tells Concrete Playground, his enthusiasm evident over the phone. "How many Ns can you make it? I think The Chaser had four and I wanted to get more than that, so I've gone with five Ns." Premiering in January and playing Marrickville's Factory Theatre in Sydney until Friday, February 17, then set for a debut Victorian stint at Malthouse's Beckett Theatre from Thursday, March 30–Sunday, April 9 as part of the Melbourne International Comedy Festival, NTNNNN is a fully improvised live satire of the news of the day. The show's targets don't stop with whatever's earning attention before each gig, however, also parodying the entire news industry plus Günsberg's stardom. "It's just such a ripe field to plough. It deserves fun being poked at it," Günsberg notes. "Essentially, it's a news show. It's like the six o'clock news or the late news, the 10.30 news. And it's the headlines of the day, with my intrepid NTNNNN news team out in the field — on stage," he continues. "It's completely unpredictable. It's news in the way you've never seen it before. It completely takes the piss out of what people want to cling to in times of uncertainty, which is someone being super sure on television — whether it be a leader or a news anchor or someone who's paid to do long-form editorials late at night on television. We have commercial breaks, because you've always got to have commercial breaks. And if you've never been in a TV studio for a filming, the commercial breaks are a very strange time. People at home are watching ads, but you in the studio are still there, and all the TV people are still in the room. So that actually happens." The end result: Günsberg in a comedic role that he doesn't usually get to slip into, and one that's worlds away from hosting The Bachelors and the like. He's also hoping that it's a step towards making NTNNNN an on-screen reality, as he explained in a chat about the onstage show, his own fame, his need to always give 100 percent and the best advice he's ever been given. "I've always wanted to host a live satirical news show. I'm going the long way about it, but yeah, absolutely, would I want to see this on TV one day? For sure. By the time that it gets there, will what we call television exist? Who knows. I'm only interested in building things that scale, so I'm going to see how far I can take it." ON MAKING HIS LIVE SATIRICAL NEWS SHOW DREAMS COME TRUE "I've always wanted to host a satirical news show since I was a kid. I've always felt that satire, particularly satire of news and current events, was as valuable in the public discourse as a really solid, well-researched editorial or a really great newspaper article that exposes something. I think satire has the ability to expose stuff that is usually shrouded in solemnity, for example the solemnity of office. 'Ooh, we can't say that, that person's very important' — but look what they've done, you know? When you use satire, you can break out of that stuff and look at things from a different angle. So I've always wanted to host a show like that, and I've had a few chances here and there — I've done a stint on a panel once or twice. And I guess I figured out that no one was going to walk down my front path knock on my door and say 'hey, we've got this great television show, can you come and host it?'. It was going to be up to me to create it, so that's what I've done. It's the news show that I've always wanted to host — it just isn't on television at the moment. But it plays with all of the language of television and television news, which is ridiculous. It's a product just like any of the TV shows that I make, and it deserves to have a bit of fun poked at it as well. So that's the show we've made." ON WHY MAKING FUN OF THE NEWS IS SO FUN — AND IMPORTANT "I think as the news becomes more and more of a product, in that it's a business — whether it's a website or a newspaper or a radio station, or a television network or program on a television network, essentially that's a product — it needs to rate. It needs to be able to justify the expense of it being created, so hopefully it brings in more money than it costs to make. There are ways to get that to rate. There are ways to get eyeballs onto your content, and it doesn't matter what's in the news — the way the news is framed is to try to push those numbers, which is also worth having a crack at. Those are the laughs that we find, I think: the laughs of just the ridiculousness of how the news is told, and the ridiculousness of the way the systems and the people who are in charge of those systems play the news against itself from one publication or one network to another. There's a way that you'll get quoted on one particular network and then the very same press conference will have a completely different soundbite, because that is the lens through which those networks view the situation. I think it is in exposing those moments and having fun with that, those are where the laughs are. So it doesn't matter what's in the news cycle, there's always something funny — there's always something to laugh at." ON TAKING THE PISS OUT OF HIMSELF AS WELL "I've been working in TV for nearly 25 years. It's ridiculous that I'm even still on air, so I think it's important — most of this is me taking the piss out of myself as well. I think I'm this ridiculous character on television, and I really enjoy taking the piss out of the way that I do some of the jobs that I do on television. I know I'm very good at them, but that's not everything about me. So it's funny for me to take the piss out of the person I become when I do those jobs — I think it's quite funny for me to have a crack at him, too. There's a lot to work with. I think there's this mystical idea of a person on television. I enjoy busting the bubble of what people think life is like when you have a job like the job that I have. Because there's only one person who's actually really living the mega mega mega mega dream, and that's the man who's the smartest with his money than any of us — that's bloody Larry Emdur. Me, I'm paycheque to paycheque, and I think that's hilarious — and well-worth making fun of. I was in television before the global financial crisis, and maybe there was a time when I was getting paid that kind of money. But, that was also a time when I was drinking very heavily, and I was doing really dumb stuff, so all that money's gone. And they don't pay that kind of money anymore, so it's pretty funny. I am going do whatever job people want me to. I have kids and a mortgage. I'm in the business of topping up my super and making sure I pay off my mortgage. I'm making sandwiches after this. I've got two podcasts going on, I'm trying to get this live show happening — I've got not enough room on my stove, there's that many irons in the fire." ON THE PATH TO NTNNNN "I'm nearly 50, and what you want in life changes over time. When I was working in radio at B105 in Brisbane, what I wanted in radio is certainly not what I want in radio now. Through this show, am I exorcising that need to question authority or challenge the status quo that I just adored watching people on television do when I was a kid? Yeah! I think that's important. Systems should be challenged, status quos should be challenged, because that's how you refine them. There's always 'ooh, you can't say that about the Prime Minister' — but you can. And it's useful when you do, if you do it in the right way. I'm thrilled to be calling back to that 14-year-old watching TV at night in Brisbane, feeling he was being naughty hearing someone say something about the leader of the country that he in his heart felt was also true. ON THE BEST PIECE OF ADVICE HE'S EVER RECEIVED "I lived in America for about ten years, and my manager was an absolute legend of the game over there, a bloke by the name of John Ferriter — a really big bigwig. I was so lucky to get in with him, and he's the one who told me that only you know how hard you've worked to make your dreams come true. He's right. Because you can tell everyone around you, 'oh, I didn't get into that course' or 'oh, I didn't get the job' or 'oh, he doesn't want to go out with me'. And people will go, 'yeah, no problem, moving on'. But you're the only one that knows 'did I actually pick up the phone enough times, did I put the work in, did I study hard enough, did I train hard enough?'. You're the only one that knows that, and you're going to have to be okay with that. That means that whether you're going for a job on television, or you're going for a job at the coffee shop down the road, or you're studying for your grade ten exams or your grade 12 exams, or you're trying to pass your apprenticeship certificate, or you're going for uni — or you're trying to meet someone and convince someone to fall in love with you, or you're trying to date somebody — only you will lie in bed at night knowing how much effort you actually put in. For someone like me, I am no good if I haven't put in everything. So I'm pretty stuck, I've got to do it as hard as I can, because I can't rest if I don't." NTNNNN: Night Time News Network Nightly News with Osher Günsberg plays Marrickville's Factory Theatre in Sydney until Friday, February 17, and will then head to Malthouse's Beckett Theatre from Thursday, March 30–Sunday, April 9 as part of the Melbourne International Comedy Festival.
Back in 2019, the thought of spending August in Melbourne doing anything other than sitting in a darkened room watching movie after movie would've sounded like flat-out cinephile blasphemy. Thankfully, after two pandemic-affected years that put Melbourne International Film Festival's in-person plans on hold not once but twice, that idea won't be a reality in 2022. Yes, the city's major cinema celebration is back in its best guise this year — and it'll have you making grooves in your favourite ACMI, The Capitol, Forum, Hoyts Melbourne Central, IMAX, Kino Cinema and Cinema Nova seats for most of the month. You'd better stock up on healthy mid-film snacks now, given you'll soon have a massive 371 features, shorts and extended-reality titles to watch. You'd best start training for all that time spent sitting down, too. Hitting cinemas for the first time in three years after pivoting online in 2020 and 2021 out of lockdown-fuelled necessity, MIFF is returning to Melbourne's picture palaces with a bang between Thursday, August 4–Sunday, August 21. That's already been obvious since back in June, when the fest unveiled its first 33 flicks for this year, its 70th event — and now that the full 2022 lineup has dropped, it keeps proving accurate. Among the just-announced new highlights, MIFF will boast the Australian premiere of The Stranger, a true-crime thriller starring Joel Edgerton (Obi-Wan Kenobi) and Sean Harris (Spencer), as directed by Acute Misfortune's Thomas M Wright; the local debut of Aftersun, another straight-from-Cannes pick led by Normal People's Paul Mescal; a big session of Three Thousand Years of Longing, the Tilda Swinton (Memoria)- and Idris Elba (The Harder They Fall)-starring latest from Mad Max: Fury Road's George Miller; and also David Cronenberg's Crimes of the Future, the iconic filmmaker's first feature since 2014's Maps to the Stars. Also massive: the Aussie premiere of documentary Moonage Daydream. As the title instantly makes plain to fans of David Bowie, it's all about the music icon, with Cobain: Montage of Heck and Jane filmmaker Brett Morgen creating a collage that steps through the singer's life using restored and never-before-seen footage. Or, there's also Decision to Leave, a noir romance that saw Korean filmmaker Park Chan-wook (Stoker, Oldboy) win Cannes' Best Director gong — and documentaries by Ethan Coen (The Ballad of Buster Scruggs), making his solo directing debut by surveying Jerry Lee Lewis; and Luca Guadagnino (Call Me by Your Name), about shoe designer Salvatore Ferragamo. In 2022, MIFF is debuting a new competition, too, which'll boast a $140,000 Best Film Award. Called Bright Horizons, it'll feature 11 movies vying for the prize — including the aforementioned The Stranger and Aftersun, Mexican drug trade drama Robe of Gems, cyber-musical Neptune Frost, Sundance Special Jury Award-winner Leonor Will Never Die, and Aussie filmmaker Alena Lodkina's (Strange Colours) second feature Petrol. The list of MIFF highlights also covers Palme d'Or winner Triangle of Sadness, which satirises the mega rich, is directed by Force Majeure's Ruben Östlund, and marks his second Palme win after The Square; and Broker, the latest from acclaimed Japanese filmmaker Hirokazu Kore-eda, who won the Palme d'Or back in 2018 with the sublime Shoplifters. This time, the latter has made a movie in Korea — his first Korean-language film, in fact, starring Parasite's Song Kang-ho, who won Cannes' Best Actor Award — with Broker again exploring the ties that bind and the connections of family. Other Cannes award-recipients in MIFF's program include joint Cannes Grand Prix-winner Stars at Noon, which sees Claire Denis (High Life) direct Margaret Qualley (Maid) and Joe Alwyn (Conversations with Friends) in an erotic espionage tale; Tori and Lokita, which nabbed the Cannes 75th Anniversary Prize for Jean-Pierre and Luc Dardenne (Two Days, One Night); Holy Spider, an Iran-set true-crime serial killer thriller by Ali Abbasi (Border), and the recipient of Cannes' Best Actress Award for star Zar Amir Ebrahimi (Tehran Taboo). And, the lineup of must-sees also spans Blaze, a mix of live-action, puppetry and animation directed by acclaimed Aussie artist Del Kathryn Barton; Mass, which follows the aftermath of a school shooting; Australia's own Seriously Red, a SXSW hit about a Dolly Parton impersonator; and One Fine Morning, from acclaimed French filmmaker Mia Hansen-Løve (Bergman Island). Or, there's Shadow by theatre company Back to Back; War Pony, which scored Zola actor-turned-filmmaker Riley Keough and co-director Gina Gammell Cannes' Camera d'Or; and Marcel the Shell with Shoes On, the stop-motion comedy based on the shorts and books of the same name, which screens just before Jenny Slate hits town for Melbourne Writers Festival. MIFF's genre selection is always a treat, and 2022 is no different. That's where you'll find standouts such as Bodies Bodies Bodies, the A24 horror-comedy starring Rachel Sennott, Amandla Stenberg and Pete Davidson; Canberra-shot social media-skewering delight Sissy; and Something in the Dirt, the latest mind-bender directed by and starring Justin Benson and Aaron Moorhead (The Endless). The fest is also dedicating its filmmaker retrospectives to Hungarian auteur Márta Mészáros and French-Bosnian writer/director Lucile Hadžihalilović — and, obviously, all of the above and more joins the heap of already-announced flicks, such as opening night's coming-of-age feature Of an Age, a Hear My Eyes session of Chopper, the Aubrey Plaza (Best Sellers)-starring thriller Emily the Criminal, and horror-comedy Mona Lisa and the Blood Moon from A Girl Walks Home Alone at Night's Ana Lily Amirpour. Also, in fabulous news both for Melburnians and for movie buffs interstate, MIFF will still keep its online program in 2022 — an unsurprising move given that in 2020, when it first made the leap to streaming the fest in a big way, it enjoyed its biggest audience ever. This year, MIFF Play will be available from Thursday, August 11–Sunday, August 28, making the festival run for almost a month in-person and digitally, and will show 105 features and shorts. And, during its in-cinema stint, MIFF is going suburban, too, with sessions at Melbourne cinemas The Astor, Lido, Pentridge and Sun Theatre from Friday, August 12–Sunday, August 21 as well. It'll also hit up regional Victorian venues in Bairnsdale, Bendigo, Bright, Castlemaine, Echuca, Geelong, Mildura,Sorrento and Warrnambool during the same dates. The 2022 Melbourne International Film Festival runs from Thursday, August 4–Sunday, August 28 at a variety of venues around Melbourne and Victoria, and online. For further details, including tickets from Friday, July 15 — and MIFF member pre-sales on Wednesday, July 13–Thursday, July 14 — visit the MIFF website.
For the first time ever, the Art Gallery of New South Wales brings to Sydney masterpieces from the golden age of Dutch painting — a culturally confident, powerful era when the art of painting flourished. It was during this time that artists including Rembrandt van Rijn and Johannes Vermeer produced vivid works depicting the world around them, with subjects ranging from intense portraits and dramatic seascapes to tranquil scenes of domestic life and careful studies of fruit and flowers. Exclusive to Sydney, the exhibition features 76 artworks sourced from Amsterdam's Rijksmuseum, including seven pivotal paintings and 16 etchings by Rembrandt presented in a room dedicated solely to the celebrated artist. The exhibition also brings a rare and celebrated piece by Vermeer, Woman reading a letter (1663). Jacob van Ruisdael, recognised as one of the most important landscapists of the era, and Jan Davidsz de Heem, the revered flower painter, also take their place among many other masters of this golden age. Meticulously painted, these artworks remain as vital and fresh as they were 400 years ago. What's more, to celebrate the launch of the exhibition — and help reduce the strain the return of summer puts on your wallet — we're giving away ten double passes to the exhibition so you can enter the world of rich paintings and celebrated works for yourself. To enter, see details below. [competition]641676[/competition]
Over the past year, seltzers have gone from a hot new trend to a standard section of any bar or bottle shop's drinks repertoire. Brands including White Claw, Smirnoff, Fellr, Moon Dog and Island Fever have all either tried their hand at the carbonated drink or popped up in Australia with their already-popular drink. Fellr is celebrating the seltzer love that's swept the nation with Australia's first pop-up hard seltzer bar in the Royal Botanic Gardens from Saturday, October 9. The seltzer-only bar will feature Fellr's dry and lime, lime and soda, watermelon and passionfruit seltzers, as well as a new range of cocktail seltzers which are making their way onto bottle shop shelves the same day the pop-up bar launches. You can visit from 10am–7.30pm Thursday–Sunday throughout summer and spring. On top of sipping seltzers in the sun, the pop-up will also be putting on events as Sydney begins to reopen. Starting from Saturday, October 24, you can catch a monthly music series at the bar that Fellr are putting on in collaboration with dance music, art and party agency Fruit Bowl.
Travelling sure has its perks — sightseeing, cultural experiences and new landscapes among them — but we'd argue that the best part is sampling all the local food. And while we'd all like to get on a plane every time we started craving some specific food, that's not very affordable or at all convenient. To combat that, we have food precincts — so you can eat your way around the world without walking more than a few footsteps. Sydney's newest is Eat Street at Western Sydney's West HQ. On top of a new gym, pool, hotel and bowling alley, this dining spot has pulled some top chefs so you can hop across the pond to New Zealand with a Kiwi-inspired burger or go further afield to Naples with a slice of pizza without leaving — or going further than — Sydney's west. Keep this on-hand for the next time you're craving French pastries or a hot Thai curry. USA: STEAK & CO If you're a meat lover, Steak & Co is the spot for you. Under the reign of renowned English Australian chef Sean Connelly (The Morrison Bar & Oyster Room), the restaurant is one of the sleeker options in the dining precinct. So, it's perfect for anything — from a first date, casual catch-ups and dinner with the in-laws. The steakhouse boasts six different steaks, so you can have your cut of beef exactly to your liking. There are also lamb, pork chops and a selection of seafood, including everyone's favourite: the prawn cocktail. ITALY: PIZZAPERTA MANFREDI Those that were fans of Stefano Manfredi's PizzAperta Manfredi in Pyrmont will be happy to know that the restaurant has been resurrected at West HQ. Think traditional Napoli-style woodfired pizza — and plenty of it. These aren't just any slices of pie, either. Here, the dough is leavened for a minimum 24 hours for a slow fermentation process, then topped with simple, fresh ingredients. While the menu changes seasonally, you can expect fresh options like prosciutto with buffalo mozzarella, and prawn with zucchini and mint, or richer slices topped with fennel sausage and lamb belly. Plus, salads, salumi and classic Italian desserts. THAILAND: NEW TOWN THAI STREET FOOD Sure, Thailand has stunning islands, misty mountains and bustling city streets. But most people will agree when we say it's the street food that makes Aussies flock there. If you're craving authentic East Asian eats, then head to New Town Thai Street Food. The food is designed to be shared, so you can order a plethora of dishes and taste a bit of everything. Think rich flavours, aromatic scents and plenty of zest and freshness in dishes like satay chicken, noodles and duck salad. Your gluten-free and vego mates will be taken care of, too. And, just like the streets of Bangkok, this spot is vibrant, loud and fun. NEW ZEALAND: CHUR BURGER Chur Burger took Surry Hills by storm years ago. Then it opened more stores in Sydney and Melbourne — and now Rooty Hill. So it's safe to say these burgers are good. Chur combines the softest buns, the juiciest meats, relishes and pickles to create some downright tasty burgers. The grilled beef and cheese is at the top of the menu for a reason. But the signature lamb burger is worth a look-in, too. If you're vegetarian, grab the meat-free option with a spiced chickpea fritter, grated beetroot and honey labne. Then, add a side of chips and an alcoholic milkshake. CHINA: CHU RESTAURANT Woolloomooloo's award-winning China Doll has been serving Sydneysiders fine Chinese fare for a while now. And, after opening China Lane in the CBD, the team will soon be bringing delectable dumplings to a 200-seat 1940s Shanghai-inspired restaurant in late-2019. Although heavily influenced by Chinese cuisine, Chu Restaurant is a modern take on traditional dishes from China, Hong Kong, Japan and, more widely, Southeast Asia. The menu features dishes from our pan-Asian neighbours that are jam-packed with flavour, including dumplings, locally sourced seafood and roast Chinese meats. The wine list is pretty impressive, too. West HQ's new dining precinct, Eat Street, is located in Western Sydney. To celebrate the launch, West HQ is giving you the chance to win one of five holidays worth $15,000 to a destination inspired by West HQ cuisine — Thailand, Italy, New Zealand, China or New York. For more information and to enter, visit the West HQ website. Image: New Town Thai Street Food.
In the middle of Pyrmont, beyond The Star and behind Blackwattle Bay, you'll find family-run Pioik Bakery. Inside? Breads, cakes, meringues, pastries, tarts and any other baked good you can think of. The Harris Street bakehouse and cafe is a local favourite, with the large shopfront window brightening up the exposed brick interior. Sit at the wooden communal table for a coffee and you'll feel like you're in someone's home in an instant. But, you're coming here for the food, so we'll skip right ahead. Pioik started off with the mission to create simple, great food. There are flatbreads topped with veggies and egg sandwiches alongside sweet treats like flaky croissants, cinnamon scrolls and orange cake. The bread alone is worth the visit. First up, there's Epooro (The King) which is two kilograms of organic whole wheat dough. The Aftonf is a classic sourdough, Kemo is a dark rye style, there's a fruit loaf dubbed Owtah and The Etyoo has five grains: organic sprouted rye grain, fermented whole oats, whole spelt, freekeh and pearl barley. Plus, there are baguettes, focaccia and gluten free loaves. Appears in: The Best Bakeries in Sydney for 2023
Sure, hiring out a dedicated function space can be fine, but if you're looking to host a party that stands out from the rest, you want a space that has the buzzing atmosphere and the high-quality food and bevs you're after too — not just the capacity limit. That's why, if you really want an exceptional party, we wholeheartedly recommend that you opt for one of the standout bars and restaurants in this city — one with the good vibes and stellar menu built in. At one of the following joints, all the hard work is done for you. You simply need to pick the one that best aligns with your party needs. Whether you want to party in the ocean breeze, dance under a disco ball with a stellar cocktail in hand, sit down to a fine meal or have a party with everyone you know, we've got the spot for you.
This article is sponsored by our partner lastminute.com.au. Dreaming of a trip to New York? Win NYE in NYC for you and a lucky friend thanks to lastminute.com.au. Stay in the centre of the action. To make the most of your NYC stay, choose digs that are slap bang in the middle of the Manhattan action. Affinia Manhattan is a good mid-priced option or if you're in the market for something special on the Upper East Side The Surrey is fabulous. For all NYC accom check out lastminute.com.au's range here. If you like a spectacle, tap the costume and burlesque scene. Prohibition-era fashion and Gatsbyesque entertainment is the flavour of the decade in NYC, and you can easily get a hit of it by attending one of the regular parties hosted by Dances of Vice, Wit's End or the weekly Floating Kabarette at Galapagos in Brooklyn. Twice a year, Governors Island (a free five-minute ferry ride from lower Manhattan) comes alive with the Jazz Age Lawn Party hosted by Michael Arenella and his Dreamland Orchestra. Between Charlestons, you're likely to spot (and be spotted by) photographers like the Sartorialist, Bill Cunningham and many other notables in dapper ensembles (Baz Luhrmann was spotted by a friend last year). A visit to some legendary sources of thrift shopping like Brooklyn Flea, Beacon's Closet and Housing Works will be necessary for your costume. And just for fun. Nowhere does speakeasies like Manhattan. Enter Chinatown's creepiest alley, Doyers Street, and listen for the sound of music behind a pile of trashcans; that’s Apotheke. Concealed deep in a hotdog shop lurks the luxe cocktail bar Please Don't Tell. And you'd easily miss Little Branch but for the line of chic folk loitering outside its low-key entrance on a Saturday night. Dress me up! New York's H & M, Anthropologie, Madewell and Urban Outfitters megastores are fabulous, but blogs are a great resource if you want to get off the beaten track of clothes shopping. Racked and Refinery29 give a heads-up on designer sample sales as well as new store openings and events like the Manhattan Vintage Clothing Show. The East Village, LES and Williamsburg have great boutiques if you like unique, offbeat pieces. Need vintage glasses to complete your Woody Allen vibe? Moscot and Fabulous Fanny's will have just the ones for you. Crafty? Visit M & J Trimmings for sequins and studs galore. People are the key. New York is all about community. As the world's gathering-point, it attracts a very receptive sort of crowd. So make friends at bars. Get on OKCupid and talk to people. You might get invited to a party or find out about something cool happening just round the corner. It doesn't really matter where you end up, because everything that happens in NYC makes for a good story. Prepare to walk. And walk and walk. NYC is truly a pedestrian city, which is fantastic because it puts you in the thick of the action. At the risk of sounding like a grandma, make sure you have sturdy and comfortable shoes. Buy a wallet-sized subway map at a bodega and venture underground — the subway has some of the best buskers in the world, from Mariachi bands to break dancers to elderly beat poets. Brunch! On the weekend, brunch is an NYC institution. The Spotted Pig, Hundred Acres, Kittichai and every trendy restaurant up and down the Westside have special brunch menus, often with bottomless cocktails ahoy, so you can sag out into the sunlight afterward, happy as a clam. Casually go see high-profile musicians play for cheap. Check the line-up at Bowery Ballroom, Le Poisson Rouge and the Rockwood. Midnight diner meals are compulsory. Try Veselka, Seinfeld's Tom's or Katz' Delicatessen. Drunk? Order Disco Fries. Harness the power of social media. From tuning into the Facebook feeds of your NYC-based friends, or friends of friends, to searching Twitter hashtags like #bestofnyc to simply liking a fan page about regular events like the incredible storytelling series The Moth, there's infinite platforms to give you info on what’s happening right now. Walk the High Line and explore its surrounds. On the top of the Standard Hotel you'll find Le Bain, a bar with one of the best views in town plus bartenders dressed as tennis pros, circular pink waterbeds, astroturf and Nutella crepes. It's also a hop from the Chelsea gallery district and many designer flagship stores. If this list doesn't satisfy you, there's always tips from SNL's Stefon.
This article was written on Yuggera Country. If you'd like to send a physical letter that acknowledges that fact, now you can. Since the end of August this year, Gomeroi woman Rachael McPhail has been leading a campaign to get Australia Post to recognise First Nations place names — and this week, coinciding with NAIDOC Week, the government enterprise has released guidelines on how you can include traditional names when you're addressing letters and parcels. As McPhail outlined in the first post from her @place_names_in_addresses Instagram account on August 31, "every area in this country had an original place name, prior to being given its colonial town/city name, and I believe that it's important to acknowledge this". She explained that she had started including traditional place names when filling in her address in online orders, and noted that it's a small gesture with a meaningful impact. "Adding in the nation or country that you are on is something easy that all Aussies can do to be more inclusive of our Indigenous history. I would love for @auspost to make the original place name a standard part of address information in Australia, the same as your house number and postcode," she commented. Now, Australia Post have announced that Aussies can follow McPhail's lead — and advised how folks should go about it so that your mail is sorted properly by its electronic letter sorting technology. Whether you're including a traditional place name in the address field or the sender field, or both, you should write it directly underneath the recipient or sender's name. Then, below that, you should then include the street address, town or suburb. View this post on Instagram A post shared by Australia Post (@auspost) Following this format will ensure that the mailed item is delivered correctly, and without delay, all while acknowledging Australia's traditional owners. If you're now wondering where to find the appropriate First Nations place name — either for your own address, or for whoever you'd like to send a letter or package to — Australia Post recommends visiting the Australian Institute of Aboriginal and Torres Strait Islander Studies' map of Indigenous Australia on its website, Aboriginal and Torres Strait Islander Land Councils, or Cultural Centres in your local area. Speaking to the ABC about Australia Post's guidelines, McPhail said that she is also campaigning for a "comprehensive and accurate database of traditional place names that you can cross reference with post codes, but has been verified by elders in all the communities around Australia". For more information about Australia Post's addressing guidelines, visit its website. For further details about the campaign to get First Nations place names recognised by Australia Post, head to its Instagram feed.
Even if plans for a globe-trotting overseas holiday aren't in the cards for you this year, there's an easy fix for your travel blues, and it's located just three hours south of Sydney in the picturesque South Coast region of Shoalhaven. With white sandy beaches and a breezy pace of life, this coastal stretch makes for a dream getaway destination, whenever you need a timeout from big city living. And it's brimming with beautiful stays located by the water, befitting your next, much-deserved break. We've done the hard work for you and rounded up 12 of the most blissful coastal escapes you can book in Shoalhaven. Choose a winner, pack that swimsuit and get set for a hard-earned beachside getaway. Recommended reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Bayview Magnificent, Mollymook Beach This cheery coastal getaway boasts its own backyard pool and space for the whole gang. Plus, a top-notch deck, overlooking North Mollymook Beach. From $270 a night, sleeps 12. Escape at Shady Acres, Narrawallee Soak up the serenity at this self-contained coastal retreat, featuring thoughtful modern touches, private sunny backyard and a primo location close to Narrawallee Beach. From $446 a night, sleeps eight. Drop In, Bendalong Break from reality with a stay at this gorgeously updated 50s beach cottage, rocking a suite of luxurious features, plus firepit and outdoor tub. From $392 a night, sleeps two. Banniester Head Cottage, Mollymook Beach A breezy modern cottage, boasting absolute ocean frontage. Unwind in style, with luxe furnishings, epic views and an in-ground pool overlooking the water. From $750 a night, sleeps four. Atra, Callala Beach This is the kind of stunning beachfront home you'll never want to leave. Enjoy luxurious, group-friendly spaces, dedicated media room and private beach access. From $1553 a night, sleeps 12. Barefoot, Callala Beach A luxe, modern riff on the classic beach house, with open-plan living spaces spilling right out onto private lawn and sandy shoreline. From $900 a night, sleeps four. Izba, Callala Bay Revel in your own Mediterranean-inspired paradise right on Callala Bay. This one's a lofty pad with dreamy outlook, luxury features and absolute water frontage. From $867 a night, sleeps nine. Gorgeous Beachside Cottage, Vincentia With its stylish fit-out and peaceful setting amongst sandy shoreline and natural bushland, this beachside bungalow makes for an idyllic couples' coast escape. From $229 a night, sleeps two. Cloud Nine Luxury Villa, Vincentia This architectural stunner boasts an incredible outlook over Jervis Bay, with luxurious interiors to match. Expect high-end features and a stunning deck for soaking up those views. From $690 a night, sleeps six. The River Retreat, Sussex Inlet A pet-friendly holiday paradise, set right on the river's edge. This one's got a breezy indoor-outdoor set-up with sunny waterfront lawn and its own private jetty. From $632 a night, sleeps six. The Old Bottleshop, Currarong If you're after irresistible ocean views, direct beach access and a bright, modern pad to unwind in, this is it. Pool table and roomy verandahs, included. From $814 a night, sleeps eight. Prince Edward Escape, Culburra Beach Metres from the sand, with newly renovated interiors, an enviable outdoor set-up and a separate studio apartment, this chic coastal cottage is a summer holiday dream. From $665 a night, sleeps eight. Top image: Atra FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
In many female-led industries, the word empowerment gets thrown around as a synonym for all manner of things — confidence, success, and supposed investment in the futures of women. It appears in campaign copy, in limited-edition packaging and in International Women's Day collateral, til it's an abstract, pulpy mess that ends up meaning very little at all. But for Lisa Keenan, empowerment is not a slogan. It is a structural question: "In the gender equality space, it is all about power — or the absence of it," she says. "So who has it, and who needs it?" Keenan is MECCA's first (and maybe only) Chief Purpose Officer. She sits on the leadership team, shaping decisions about how one of Australia's most influential retail brands integrates gender equality into its core business model. But long before her foray into beauty, Keenan's life and career were shaped by the concept of power. She was born in Zimbabwe and spent part of her childhood in South Africa during a period of enormous political transition. Growing up in the shadow of entrenched inequality — and later, in the uneasy shift toward post-apartheid reform — meant power was never abstract. It quite literally shaped who moved freely, who spoke loudly, and who was silenced. [caption id="attachment_1080748" align="alignnone" width="1920"] MECCA's Chief Purpose Officer, Lisa Keenan[/caption] "You live in the world that is constructed for you, and often you don't see what you don't see," she reflects. As a child, the structures around her were ambient rather than explicit. It was only later, with distance, that she began to understand how deeply those environments had impacted her. Even without naming it, she was observing how authority is distributed and how systems resist or respond to change. While she initially trained as an accountant, it quickly became clear that numbers were not what interested her most — it was influence. After moving to London, Keenan began working in corporate communications before founding her own consultancy. Corporate affairs gave her something accounting did not: access. It offered a window into boardrooms and decision-making rooms, into how companies rationalised strategy and how reputational risk could force operational change. When asked how she ended up in corporate affairs, Keenan admits she was drawn to complexity. "I've worked in tobacco, I've worked in gambling, I've worked in booze — I've done it all," she says. When questioned about her penchant for 'sin stock' (as she puts it), Keenan explains that systems rarely change from the outside. "The people who have that strong bent to do better in society often start with places that feel broken," she says. "You have to be in it. And sometimes that can be uncomfortable." Inside, she focused on integrity, helping organisations "say what they mean and do what they say," and influencing decisions before they required damage control. It was less about spin and more about substance; change, in her view, is achieved through participation. [caption id="attachment_1080750" align="alignnone" width="1920"] MECCA Founder Lisa Horgan (left), Remedii Founder Angie Poller (middle), Lisa Keenan (right)[/caption] Keenan had been working with Australian beauty retailer, MECCA, for a number of years as a consultant when the opportunity to join the business in a more permanent capacity presented itself. As the company was approaching its 25-year milestone, Keenan and founder Jo Horgan began reflecting on the next chapter. The philanthropic arm — named M-POWER (get it) — then focused primarily on girls' secondary education and had already supported 10,000 young women through school. It was meaningful work, but Keenan saw an opportunity to go further — something bolder and more embedded in MECCA's DNA. What followed was the evolution of M-POWER into a fully integrated, long-term commitment to gender equality; the growth of M-POWER as a philanthropic endeavour to match the kind of ambition that Jo had when building the original MECCA brand. In 2026, almost every MECCA team member knows about M-POWER, and nearly half of all (five million) customers are aware of the brand's purpose. Around a third of Australian beauty shoppers now see MECCA as a force driving positive social change — not just simply selling products to women, but actively advocating for them. View this post on Instagram A post shared by MECCA M-POWER (@meccampower) M-POWER, according to MECCA.com, "...curates and empowers a collective of social change makers working towards a world in which gender doesn't limit anyone's rights, freedoms or opportunities." The projects undertaken span health, education and arts and culture — areas that are aligned to the business, but also intentionally systemic. The organisation works with more than 20 not-for-profits and is one of the few corporate funders providing unrestricted, long-term funding. "We back leaders," Keenan says. "We get behind them in terms of skill building and capability building because we want them to have impact long after we're not funding them anymore." One partnership particularly close to her is with The Man Cave, which works with boys to redefine masculinity through respect and emotional literacy. In a country grappling with gendered violence, the approach is preventative rather than reactive. "We're thinking about Australia's domestic and family violence crisis differently," she says. "How do we bring men into this conversation constructively and in a non-judgemental way?" In its 11-year history, The Man Cave has reached 100,000 boys. Of those who attend, 91 percent say they want to be men who treat others with care and respect, and 84 percent report feeling empowered to build healthy relationships."When you think about the knock-on effects of investing in young men early in life — and what that could mean for my daughter, who's 17 — I feel really proud of that," she says. View this post on Instagram A post shared by National Gallery of Victoria (@ngvmelbourne) If empowerment is about power imbalance, then redistribution begins with culture. The arts, too, form part of that long game. Through its partnership with the National Gallery of Victoria, MECCA funds the Women in Design Commission, now in its fifth year. The globally unique commission supports mid-career female artists, architects and designers to create major works for the NGV's permanent collection. The 2026 commission is 'Bamboo Theatre' by Chinese architect Xu Tiantian, an architectural-scale installation that draws on the landscape, material knowledge and building traditions of Songyang County. "[The Women in Design Commission] has given each of those women this massive step up in their careers," Keenan says. "It's usually the biggest work they will ever do."Beyond visibility, it addresses a legacy imbalance in permanent collections worldwide, where women remain underrepresented. Three of the four commissioned designers have explicitly centred women's experiences in their installations, embedding gender equality within cultural storytelling itself. "That's legacy building," Keenan says. "Once the new [The Fox NGV Contemporary] opens, those works will live there permanently. Last year, MECCA also launched the MECCA Archive — an evolving digital record of women's stories told through the lens of beauty. In a world of fleeting feeds, it seeks to preserve what is often lost. "Women's voices represent less than one percent of recorded history," Keenan says. "So how do we change that?" The Archive invites authors, brand partners, team members and customers to contribute to a living record. It has already revealed gaps in representation, particularly for First Nations and migrant women. "It's about piecing together what the history of women might look like if told through this lens," she explains. "And that's going to be an ongoing project." When asked what empowerment truly means — stripped of buzzwords — Keenan is deliberate. "I'm going to say something a bit controversial," she laughs. "When we were articulating our purpose at MECCA, we chose the word 'embolden' for the business as a whole. Empowerment in the gender equality space is about power imbalances; it's about who has it and who doesn't." From her perspective, empowerment is not a thing you do, so much as a foundation that you build from. "It's about agency," she says. "It's about the ability to make choices about your body, about your life partner, about your career that are yours to make and are not imposed upon you." Emboldening follows empowerment. Confidence follows agency — "If you are empowered, you are able to be emboldened." If she could change one thing tomorrow in Australian culture to improve systemic gender inequality? "It would be to do more to encourage boys and men to embody values of respect," she says. "How do you turn the trajectory away from power being imposed to power being shared?" For Keenan, this ethos goes beyond the boardroom and starts with her most personal project of all, raising her 14-year-old son. "He gets so bored of me talking about this stuff," she says. "It's one of the most important roles I will ever play," she says. "Raising a great boy, a great man." In an industry often accused of selling confidence as a product, Keenan's work reframes beauty as a platform. Five million customers, six and a half thousand team members, 95 percent of whom are women — scale, when harnessed thoughtfully, becomes influence. "It's about building a movement," she says. The M-POWER movement (and, consequently, the MECCA movement) is one built on infrastructure, commitment and the clear-eyed interrogation of power itself — who holds it, who lacks it and how we can rebalance the scales. Find out more about MECCA's M-POWER initiative and read about the MECCA x NGV Women in Design Commission 2026. Images: Supplied
The best breakfasts in Sydney are as diverse as the city they're served in. Sure, you'll find Vegemite on toast and every conceivable iteration of smashed avocado on the menu at these Sydney breakfast spots, but with this list we've endeavoured to look beyond the obvious and expand your culinary horizons for The Most Important Meal Of The Day. After a breakfast burrito? We have you covered. Japanese-style brunches? They're well represented here. Hungover and desperate for bacon and bloody Marys? Let us take care of you in your hour of need. We even have a few healthy options where the sugar and fat might be left out, but flavour and fun still reign supreme. And the best breakfast in Sydney isn't necessarily found in a cafe — although many are. You'll also uncover some of the best early-morning treats in bakeries, bagel shops and delis. We have all bases covered in this guide. Read on to see where you'll next be fuelling up before work or relaxing during a long, lazy Sunday morning with mates. Without further ado: here are our picks of the best breakfasts in Sydney. Recommended reads: The Best Cafes in Sydney The Best Weekday Breakfast Spots in Sydney's CBD The Best Coffee Shops in Sydney's CBD The Best Bottomless Brunches in Sydney
When you've been sipping on blue milk, how ready will you be to battle the Galactic Empire? Will tucking into green burgers and dessert space stations get you fuelled to rebel against oppression? There's only one way to find out the answers to these questions: by visiting the brand-new Star Wars Galactic Cafe, an Australian-first eatery that's now open at Melbourne Museum. After the Victorian venue became the top spot right now, in this very galaxy, to see Star Wars come to life via Lego courtesy of the world-premiering Lego Star Wars: The Exhibition — and the only place to check out life-sized recreations of the space saga's locations, characters, duels and moments as made out of eight-million-plus plastic bricks, in fact — the same site has welcomed another Aussie debut. As first announced back in May, never before has an official Star Wars cafe popped up Down Under. This one is only here for a limited season. Yes, blue milk is definitely on offer, because it wouldn't be a Star Wars-themed spot for a snack and a sip without it. You can enjoy it chilled or as part of a slushie. And the source of that all-important hue? Butterfly pea flower powder. The cafe's full food and drink range features other dishes and selections inspired by the franchise — and while there's no green milk or fish eggs, green-hued burgs and a Death Star by chocolate sweet treat are ready to tempt your tastebuds. Fittingly, the bites and drinks have names like Canto Bight Burger, Naboo Garden Vermicelli, Outer Rim Chicken Katsu and Tatooine Sunset. Also on offer: a Chewie gingerbread cookie that adorably resembles its namesake. A range of kids meal packs are available, too, with monikers such as Endo Explorer (featuring chicken nuggets) and Padawan Power (with a hummus and salad sandwich). Open since Saturday, June 7, 2025, the Star Wars Galactic Cafe is the result of Australian-first collaboration between Museums Victoria, Disney and Lucasfilm. The decor matches the menu, with the pop-up delivering an immersive eating and drinking experience beyond what you're consuming by taking you to a Corellian Star Cruiser to get feasting. If this sounds like the kind of spot that'll be popular, that's because it already is — so bookings are encouraged, with walk-in availability limited. As for the Aussie-exclusive exhibition that goes with it and opened back in May, it's the largest collection of life-sized Lego Star Wars models ever assembled and the biggest touring Lego showcase ever. The Millennium Falcon, Emperor Palpatine's throne flanked by two Royal Guards, a stormtrooper helmet, Luke Skywalker and Darth Vader facing off, and the Mandalorian and Moff Gideon: they're all featured in Lego Star Wars: The Exhibition, which hails from Ryan McNaught aka Brickman. Find the Star Wars Galactic Cafe at Melbourne Museum, 11 Nicholson Street, Carlton, operating from 10.30am–3.30pm daily for a limited season. Head to the museum's website for bookings and more details. Lego Star Wars: The Exhibition runs until Monday, January 26, 2026 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the exhibition's website for tickets and more details. Images: Carmen Zammit, courtesy of Museums Victoria.
Just a few years ago, US sports didn't resonate much with Australians. After all, we're already footy, AFL and cricket tragics. Yet the biggest day on America's calendar — sporting or otherwise — is now pulling in record viewers on our shores, with 2.6 million of us tuning into last year's broadcast. Whether you're a diehard pigskin fan, need something to chat about around the watercooler, or just care about the half-time show — reggaetón superstar Bad Bunny is headlining — there's no shortage of venues getting behind Super Bowl LX in 2026. That means tailgate parties, all-American food and drink, and merch giveaways before, during and after the NFL's championship game. Keen to watch? Live and direct from Santa Clara, California, the New England Patriots take on the Seattle Seahawks, with a massive global audience watching all the tackles and touchdowns. Kick-off is set for 10.30am on Monday, February 9, so tell the boss you're feeling crook, and catch all the action on the jumbotron at your nearest local listed below. CENTRAL Untied – Barangaroo The Sporting Globe King Street Wharf – Sydney Jacksons on George – Sydney Cargo – Sydney Bungalow8 – Sydney Darling Pavilion – Sydney The Glenmore Hotel – The Rocks The Squires Landing – The Rocks NORTH Dee Why Hotel – Dee Why Hotel Steyne – Manly The Old Commodore Hotel – McMahons Point The Mona Vale Hotel – Mona Vale The Buena – Mosman The Rag & Famish – North Sydney EAST Coogee Bay Hotel – Coogee The Strand Hotel – Darlinghurst Taphouse Sydney – Darlinghurst The Golden Sheaf – Double Bay Paddo Inn – Paddington Kings Cross Hotel – Potts Point The Light Brigade – Woollahra Kingsleys Woolloomooloo – Woolloomooloo SOUTH Camelia Grove Hotel – Alexandria BrewDog South Eveleigh – Eveleigh The Clock Hotel – Surry Hills Forrester's – Surry Hills WEST The Erko – Erskineville Brooklyn Boy Bagels – Marrickville The Marlborough Hotel – Newtown The Albion – Parramatta Public House Petersham – Petersham The Woodstock – Rooty Hill Super Bowl LX takes place from 10.30am on Monday, February 9, with pre-match coverage starting from 9am via ESPN on Foxtel, Kayo and Disney+.
Organic and sustainable ingredients are carefully curated to create a Scandinavian-inspired menu at Funkis Köket, which mirrors the calming rustic yet minimalist aesthetic of this Paddington haunt. Straddling the line between cafe and garden, this eatery offers a wide range of tasty, nutritious items. Grab Skagen-inspired salmon consisting of creme fraiche, smoked salmon, dill, and mayo — all whipped together — alongside lemon-soaked zucchini slices and freshly toasted sourdough bread. We also love to add a cheeky poached egg to this affair to make that extra bit brunchy. Seasonal granola, avocado on toast and simple eggs on toast are also featured on the short but sweet breakfast menu at Funkis. And if you're in a rush, look no further than its freshly baked cardamom buns. They're some of the best in Sydney. Love all the plates and bowls your breakfast is served in, too? Check out its adjoining homewares store to take some home with you. Here, you'll also find women's clothing, handmade kitchen utensils, and plenty of textiles, accessories and books. It's all very well curated and worth a browse after hitting up the Funkis cafe — or while you wait for your coffee. Images: Cassandra Hannagan Appears in: Where to Find the Best Breakfast in Sydney
Since 2021, the sights, sounds and flavours of Middle Eastern markets have had a Sydney home at Shaffa, sister to the Oxford Street eatery Caness. Akin to a great stall within those markets, it's slightly off the beaten path, tucked in a laneway and surrounded by heritage buildings. The 60-seat interior blends history and theatricality, with sandstone walls, a ten-metre glass ceiling and an openair atrium that all work in tandem to lend a dramatic backdrop to the dishes and dining experience. Inside the bar room, a tile and marble bar, backlit by a mix of natural and installed lighting, showcases a refreshing selection of drinks that work for lunch, dinner and late-night drinks alike. Said selection includes beers, arak and a truly global wine list, plus cocktails like a negroni with charred grapefruit and cardamom gin and Shaffa's signature martini, made with olive leaf Four Pillars gin, extra dry vermouth, orange curacao and verjus. On the food front, the à la carte and set menus take Australian produce and elevate it with flavours sourced from throughout the Levantine corridor. Signature dishes include the beetroot-lentil kibbeh niyah, focaccia with za'atar, burnt eggplant labneh, cauliflower made with garlic labneh, crispy kale and ras-el-shaffa, marinated black onyx flank steak and a traditional chicken shawarma skewer. In addition to its lunch and dinner offerings, Shaffa also offers bottomless weekend long lunches every Saturday and Sunday from 12–2.30pm. From $79 per person, you can get starters and mains like focaccia, burnt eggplant labneh, ceviche, and lamb shank. Wash it all down with a $37 or $47 per person drinks package, with 90-minutes of drinks like free-flowing margaritas and beers. It's bottomless, but curated for foodies and connoisseurs. Images: Nick De Lorenzo
Fancy a little Parisian charm without leaving Sydney? Pioneering hidden bar Door Knock launched their new concept earlier this year, pairing a French-inspired neighbourhood bar with the vibe of an underground speakeasy. Both the venue's decor and culinary offerings underwent a significant transformation — dark, sultry and subterranean, the glow-up certainly lives up to its European inspiration. Still hidden behind an unassuming entrance with nothing but a polished brass pineapple doorknocker to let you know you're in the right place, don't expect the Nordic decor that came before once you get inside. Now, the space has been adorned with vintage French mirrors, herringbone panelling, marble tables, leather seating and dimly lit lampshades. For those who've wandered Paris' streets, there's a good chance you've stumbled in somewhere similar. The menu is also rejuvenated to suit Door Knock's new mood. Led by Head Chef Joe Slakey, dishes are designed for sharing and are likely to change with the seasons. The wine offering has also been rejigged, with an expanded menu highlighting drops from France, Italy and Australia. Signature cocktails evolve based on the bartenders' "current obsessions" but may include the likes of the Bullfighter with tequila, mezcal, apricot, lime and coconut cream. "We're not trying to be a high-end restaurant, we've created an accessible and affordable menu, while not sacrificing on big, bold flavours," says owner John Grace. "It was important for us to pay homage to Door Knock's history, while also ushering in a new era, one which allows you to step off from Pitt St and into another world." Door Knock has introduced a new, invitingly affordable lunch special, commencing on Thursday, October 9. Once you've found the hidden bar, you'll be rewarded with one of Slakey's mains and a glass of wine for just $25. Rotating weekly, choose between scotch fillet, crispy pork belly, crab cakes and beef sliders. The lunch special is available from noon to 3pm on Thursday and Friday. Images: Trent van der Jagt.
Those who are familiar with Japanese tachinomi (standing bars) will be thrilled to know that Crows Nest's Tachinomi YP is the real deal. These tiny bars, loaded with toys and trinkets are commonplace in many Japanese cities and famed for offering simple, delicious food within a small space that transforms into a raucous party as the night goes on. By day YP keeps things focussed and simple, serving hearty bowls of tonkotsu ramen — and that's it. After dark though, expect a lengthy chat with the bartender over a Japanese draught beer with Asahi, Asahi Black and Orion lager all available. As a pint-sized place, it gets packed pretty quickly, so get in early to secure a seat. Otherwise, Japanese curry and bento boxes are available for takeaway and you can get tinnies to-go, too. Image: Mel Koutchavlis
The bourbon maestros at Woodford Reserve are inviting Aussies to raise their glass to a cocktail classic as Old Fashioned Week returns with a generous twist this November (and we're not talking about the garnish). Extending the celebrations from seven days to an entire month, Woodford Reserve is offering complimentary cocktails at its participating bars nationwide so lovers of Kentucky's finest dram can enjoy an expertly crafted drink without worrying about their wallet. Sydneysiders will be able to enjoy a free Old Fashioned with an iconic view at Bennelong at the Sydney Opera House or the historic rooftop at Hotel Palisade. The celebrations don't stop with a quick cocktail. Woodford Reserve will be bringing in international expertise in the form of Master Distiller Elizabeth McCall. During her visit, she will lead a series of bourbon masterclasses, offering bartenders and enthusiasts alike the chance to learn from her insights on the art of distilling and how Woodford Reserve has been crafted to be the perfect bourbon for an Old Fashioned. "We're thrilled to be bringing Old Fashioned Week back to Australia once again this year," says Richard Dredge, Woodford Reserve Senior Brand Manager at Brown-Forman. "And this time, we're making it even bigger and better than ever."
If you've ever wanted to give one of Queensland's most famous walks, The Scenic Rim, a proper go but lack the gear, constitution or team to make the 60-kilometre trip — now you can do it without having to (literally) sweat the burden of carrying your accommodation and provisions on your back. Thanks to this new luxurious package, you can strap on your boots and set out for each daily leg sans guide, tent and tiresome dehydrated meals, instead retiring to nightly eco-friendly farmhouse and cabin stays that come with professionally made food, a soft bed and a hot shower. Designed for groups of capable hikers who want to dial up the luxury on the famed walk, which is a mere 90-minute drive from Brisbane, this new offer is reminiscent of the lodge-to-lodge style of walk that's available on similarly famous routes worldwide, but these are no dingy shacks, the Scenic Rim wants you to rest comfortably. Three accommodations are included in the journey. Mt Mistake Farmhouse boasts a sprawling lawn and hillside view outside, with a rustic feel and private amenities for every traveller inside. The Amphitheatre Eco Camp among the gumtrees comes with showers and toilets, king beds, private balconies, views of the National Park and a communal dining room to discuss a trail well-walked. And the Timber Getters Eco Camp puts you within reach of the forest for your final night, secluded enough for comfort but still within reach of working plumbing and chef-prepared meals. Founder Jude Turner said the new offering tailors to the experienced hiker who still fancies some of the comforts of home, saying, "Until now, we haven't had an offering for experienced hikers who want to walk independently but don't want to carry tents, food and overnight gear." "This experience completes our overall offering," Turner adds, "opening up the trail to people with strong outdoor skills who value both independence and comfort." The pre-existing guided experiences remain, if that's your trip of choice, otherwise the self-guided walk is available for groups of between six and 12 hikers for $1500 per person and bookable from Wednesday, June 10. Images: supplied Like what you see? Subscribe to the Concrete Playground Newsletter to get stories just like these straight to your inbox.
Last year, the two distinct festivals Mould and Pinot Palooza teamed up for the first time, showcasing — as you can probably guess — the best of Australian cheese and wine. Well, the combined experience was such a hit, this crowd-pleasing duo is running it back once more, bringing together a massive celebration of fromage and fermentation. Presented by Revel, Mould x Pinot Palooza is touching down in five capital cities, including Adelaide for the first time and Sydney after an 18-month hiatus. Meanwhile, the 2026 program will also run four sessions over three days, adding Sundays to the lineup at every leg of the tour. That gives you even more opportunity to explore over 100 Australian cheeses and wines ready to be paired and savoured. On the cheese front, expect the full spectrum of flavours, from funky blues to creamy bries and plenty of stinky samples, accompanied by a huge selection of pinot. So far, the confirmed names for 2026 include festival favourites Milawa Cheese and the bold flavours of Rub-a-Dub, alongside low-intervention innovators Ohkela Wine and sustainable Victorian standouts Mulline Vintners. Beyond the cheese and wine, bars spread throughout each venue will pour top-notch beers, spirits and cocktails, while a host of food producers will be on-site offering ready-to-eat bites, pantry staples and grazing essentials. "Cheese and pinot naturally belong together, and this format gives people the freedom to explore both at their own pace, talk directly with producers, and enjoy the experience without it feeling over-programmed or precious," says Head of Revel, Jess Audus. Mould x Pinot Palooza 2026 Dates: Brisbane: Friday, May 22–Sunday, May 24 at John Reid Pavilion, RNA Showgrounds Sydney: Friday, June 12–Sunday, June 14 at The Hordern Pavilion, Moore Park Melbourne: Friday, July 3–Sunday, July 5 at Melbourne Convention & Exhibition Centre Perth: Friday, August 7–Sunday, August 9 at Silver Jubilee Pavilion, Claremont Showgrounds Adelaide: Friday, August 28–Sunday, August 30 at The Queens Theatre
