UPDATE, August 21, 2022: Cyrano is now available to stream via Prime Video, Google Play, YouTube Movies and iTunes. Love can spring quickly, igniting sparks instantly. Or, it can build gradually and gracefully, including over a lifetime. It can be swift and bold like a lightning strike, too, or it can linger, evolve and swell like a gentle breeze. In the sumptuous confines of Cyrano, all of the above happens. The latest adaptation of Edmond Rostand's 1897 play Cyrano de Bergerac, this time as a musical via playwright Erica Schmidt's own song-filled on-stage version, lends its attention to two men who've fallen for the plucky Roxanne (Haley Bennett, Hillbilly Elegy) in opposite ways. Charming soldier Christian de Neuvillette (Kelvin Harrison Jr, The Trial of the Chicago 7) gets the fast-and-infatuated experience, while the movie's namesake (Peter Dinklage, I Care a Lot), a poet also handy in battle, has ached for his childhood pal for as long as he can remember. Roxanne's two suitors make a chalk-and-cheese pair, with their contrasting approaches to matters of the heart — specifically, to winning her heart and helping ensure that she doesn't have to marry the rich and ruthless De Guiche (Ben Mendelsohn, The Outsider) to secure her future — driving much of Cyrano's drama. Also present and accounted for, as all takes on the tale have included (see also: 80s rom-com Roxanne with Steve Martin, the Gérard Depardieu-starring Cyrano de Bergerac, 90s rom-com The Truth About Cats & Dogs with Uma Thurman and Janeane Garofalo, plus recent Netflix teen flicks Sierra Burgess Is a Loser and The Half of It): insecurities about appearance, a way with words and a ghostwriting gambit. Short in stature given Dinklage's casting, Cyrano can't even dream that Roxanne could love him. But he wants her to be happy above all else and knows that she's smitten with Christian, so he secretly lends his romantic rival his letter-penning abilities to help woo her by lyrical prose. This Cyrano may have a different reason for not believing that Roxanne could reciprocate his feelings, even as she gets giddy over the correspondence he scripts for Christian — traditionally, a large nose gets in his way — but his slow-and-steady affection is especially apt in this particular film. The latest period piece from Joe Wright, it slips into the British director's resume alongside Pride & Prejudice, Atonement and Anna Karenina, and initially seems as standard a silver-screen staging of Cyrano as a musical as he could reliably muster. But all three of those aforementioned movies are stunning in their own ways, especially the gutsy Anna Karenina. Unsurprisingly, his newest feature is as well. Doing his best work since that Tolstoy adaptation, and clearly back in his comfort zone after Pan, Darkest Hour and The Woman in the Window, Wright lets Cyrano take its time to bloom and blossom. And, when it flowers partway through, it makes viewers realise that it's been a gorgeous gem of a film all along. Like on-screen love story, like surrounding flick, basically. That said, the routine air that initially seems to float through Cyrano's first act can't have been by design. Rather, the film winds up to its full heart-wrenching powers so patiently that it appears a tad too expected while its various pieces are being put into place — a fact hardly helped by how often this exact narrative or variations of it have made it to screens — until it's just simply and unshakeably wonderful. Wright doesn't change anything in his approach, helming a handsome, detail-laden, rhythmic piece of cinema from the outset, but the emotions that truly make the movie sing strengthen minute by minute. And yes, when it all clicks in just so, it's with its three main players literally crooning, conveying so much about their huge, swirling, all-encompassing feelings that normal dialogue couldn't have done justice to. That swooning sensation — because this is a feature that it's easy to tumble head-over-heels for — helps answer the obvious question that needs asking whenever a famed tale gains songs. That query: why? Wright and screenwriter Schmidt, the latter of whom is married to Dinklage and wrote her crooning-heavy stage version for him in 2018, reply by making it rousingly plain how much yearning and desire resides in each musical number. The movie's tunes come courtesy of The National's Aaron and Bryce Dessner, fresh from their efforts scoring C'mon C'mon, and prove worlds away from big, barnstorming Broadway numbers. Emotionally sweeping, they survey the full range from longing to heartache, while also navigating an immensely tricky task: relaying what simmers inside each character that not only goes unspoken, but isn't inked in the feature's back-and-forth love letters. Thank goodness for not just Wright's finessed handling of these musical scenes, which lets those sung-about feelings echo with weight and heart-swelling resonance, but also for his clear passion for the musical genre. This marks his first entry, although both rhythm and music have been key to so much of his back catalogue — not the least of which being spy thriller Hanna with its melodic Chemical Brothers score — and he whirls properly into the fold like he was always meant to dance there. Even when no one is singing, Cyrano has the soul of a musical in its lush staging, Seamus McGarvey's (Bad Times at the El Royale) fleet-footed cinematography, the pace instilled by Valerio Bonelli's (The Woman in the Window) lithe editing and its performances. It has its own beat and vibe, and every element drums and hums along in time. Also trilling the right tune, regardless of whether they're singing (which they each do well): Dinklage, Bennett and Harrison Jr. Australia's own Mendo still gives exceptional villain, and darkly and cunningly so; however, being enamoured with Cyrano's main trio is inescapable. The decision to cast Dinklage and Bennett straight from the stage production is a winner. He imparts melancholy, wit and spark into his romantic lead, as he so consistently did in Game of Thrones, too, while she ensures that Roxanne's quest for a big and fulfilling life — and love — cuts deep. And, as much chemistry buzzes between the two, enlisting Luce and Waves' standout Harrison Jr as the man between them is another masterstroke. Indeed, Cyrano adores Roxanne and Christian's romance as much as it feels its eponymous figure's pining, loves his rhapsodic words and wants his heart's desire to come true — and sharing it all comes, gradually but still overwhelmingly, with the cost of admission.
Great cinema often feels timely and topical. Even just from its two trailers so far — and even while remaking a South Korean sci-fi comedy from 2003 — Yorgos Lanthimos and Emma Stone's next movie together already seems to fit that description. A battle between the one percent and the conspiracy-obsessed is at the heart of Bugonia, when a CEO is kidnapped by two young men who are convinced that she isn't from earth. Another year, another collaboration between two big names who keep teaming up to make stellar films, then. With Bugonia, Stone and Lanthimos combine for their fourth joint feature, following 2018's The Favourite, 2023's Poor Things and 2024's Kinds of Kindness. The first of the bunch earned them both Oscar nominations. The second scored Stone her second Academy Award and made Lanthimos a contender again. The latest? It's a remake of Save the Green Planet!. If you've seen that film, then you'll know the story. If you haven't, get ready for Lanthimos' take on it. Either way, the Greek filmmaker's newest movie is all about a CEO of a major company, two men obsessed with wild theories, the belief that said head honcho is an alien who'll destroy earth and, as a result, an abduction plot to attempt to hold her to account. In her second feature of 2025, and second this year to see her wrapped up with conspiracy-spouting folks after Ari Aster's Eddington, Stone is the CEO in Bugonia. Doing the abducting: Jesse Plemons — who also worked with Lanthimos on Kinds of Kindness, and won the Best Actor Award at Cannes for his efforts — plus feature first-timer Aidan Delbis. Bugonia's cast also spans Stavros Halkias (Tires) and Alicia Silverstone (Y2K). Behind the camera, while Lanthimos directs, Will Tracy (The Menu) adapted the screenplay from Jang Joon-hwan's film. Stone is one of Bugonia's producers, too — and so is Aster. The movie just premiered at the Venice International Film Festival, where Poor Things did and won the Golden Lion. For audiences Down Under, Bugonia has a date with local cinemas from Thursday, October 30, 2025. Check out the full trailer for Bugonia below: Bugonia releases in cinemas Down Under on Thursday, October 30, 2025. Images: Atsushi Nishijima/Focus Features © 2025 All Rights Reserved.
Whether you're a total baller who lives and breathes hip hop, or the fair weather type to throw your hands up in irritation each time triple j features another hip hop take on Like a Version; it's hard to deny Australia’s hip hop culture has gained almighty momentum in recent years. Whether you're digging on homegrown heroes or American gems, hip hop culture is growing rapidly in Sydney; a rare combination of creativity, expression and individuality. But where can self-professed hip hop heads find likeminded fiends, solid beats and All The Beers? United by a passion for the craft, love of the hip hop community vibe, or perhaps just a need to get turnt up come weekend; we've come up with the five best ways to celebrate hip hop in Sydney. Halfway Crooks at Phoenix Bar The most bangin' of Sydney hip hop parties, Halfway Crooks is the rap throwdown for party people. Originating in 2009 within the depths of Sydney's dingy Phoenix Bar, the Crooks have since expanded to include packed-out nights at Goodgod Small Club, boat parties, their own radio show and a spot on the bill for Vivid LIVE 2014. Each monthly party at Phoenix welcomes a new crop of local and international artists, with resident DJs and Halfway Crooks founders Elston, Levins and Captain Franco taking to the decks between each set. Expect copious amounts of sweat, gratuitous grinding and new rap handraisers alongside forgotten East/West coast classics. First Saturday of the month at Phoenix Bar, 34 Oxford Street Sydney. $10 entry. Check the Crooks' website for upcoming parties, but if you can't wait until the next throwdown tune into their gem-filled radio show on FBi Click. One Day Sundays at The Vic on the Park Australian hip hop has come a long way in recent years, making an international name for itself and moving away from the stereotypical idea that hip hop is all 'bitches', 'hoes' and affluent whiners venting about their so-called problems. This new era of Australian hip hop has solid roots in Sydney's inner west, home to many of the country's biggest acts and One Day Sundays — the hugely popular, monthly block party at Enmore's Vic on the Park. The last Sunday of every month sees hip hop collective One Day Crew (made up of Horrorshow, Spit Syndicate, Joyride and Jackie Onassis) take over the decks for a chilled afternoon of beats, basketball and live graffiti. ODS kicks off at 1pm and runs until you're coming up with excuses for a Monday sickie. Last Sunday of every month; The Vic Hotel , 2 Addison Road, Enmore. Free entry. Speech Therapy at Work-Shop Australia's premier spoken word hip hop event, Speech Therapy is designed by rappers, for rappers. Curated by Sydney rap establishment The Tongue, Speech Therapy is a night of spoken word, rap and poetry, with some of the country's finest lyrical talents sharing their craft over past months. Snuggled within the walls of Redfern's Work-Shop, audiences are treated to intimate, slam-style performances; previous guests among the likes of P Smurf (Daily Meds, Big Village), Urthboy (Elefant Traks, The Herd) the charismatic Ellesquire (Loose Change) and Horrorshow's unmatchable MC Solo. Seating space at Work-Shop is strictly limited, so buy up early and get amongst some of the best in local hip hop talent — raw and unplugged. Work-Shop is located at 80 George Street, Redfern. Check Speech Therapy's Facebook page for upcoming events. Joyride and Friends at Lo-Fi If you’re trawling for Sydney’s hip hop scene, chances are you’ll come across Joyride. One of Sydney’s most celebrated hip hop DJs, Joyride is best known for being part of the One Day Crew (cranking One Day Sundays at The Vic, deets up above), DJing with Spit Syndicate for an age and collaborating with Horrorshow, Hermitude, Drapht, Illy and pretty much every Australian hip hop name you could muster. Cranking beats and cheap eats every Thursday at Darlinghurst’s Lo-Fi, Joyride invites his buds to team up for one of Sydney’s best weeknight escapades. With $5 Young Henry’s, an $8 cocktail dubbed Romance Potion and $10 duck pancakes, this is a solid Thursday night option for both hip hop fans and General Good Time lovers alike. Every Thursday from 6pm at Lo-Fi, 383 Bourke Street Darlinghurst. Free entry. Hustler Fridays at Hustle & Flow Hustle & Flow is Redfern's answer to all things hip hop. Cranking everything from Tweet to Aloe Blacc to Ice Cube, this is a venue with a strong concept, committed crew, welcoming space and (most importantly) an excellent soundtrack. Most impressive is the almost scholastic commitment to theme — cocktails are all named after hip hop classics, with Thug Passion ($11), and Hurricane ($15) notable mentions. Beers include South Sydney brews Green Star Lager and Cinnamon Girl Spiced Ale (both $10); you can share an actual litre of Sol with friends ($16) or down a 'poor man's Mimosa', the Brass Monkey ($7). Every Friday the Dream Soundz crew crank tunes from 7pm for Hustler Fridays, hosted by MC Shaba. Hustle & Flow's calendar also marks toastworthy dates in hip hop, so watch out for drink deals on Biggie's birthday. Every Friday from 7pm at Hustle & Flow, 3/105 Regent Street, Redfern. Free entry. Words by Mairead Armstrong and Shannon Connellan.
Whether you're from the community or just a keen onlooker, Darling Harbour's Serbian Festival makes for a fascinating experience filled with traditional cuisine, music and more. Forming part of Culture Alive – a multicultural series of events celebrating global communities – expect Tumbalong Park to feature an abundance of foot-stomping kolo dances and folk performances from a host of local entertainers. Mouthwatering cuisine is also a major focus, with Serbian favourites like cevapcici and mixed grill ensuring there's no shortage of heaty flavours to explore. Alongside super crispy bureks loaded with ground beef, onions and spices, don't miss your opportunity to sip down a refreshing lemon or strawberry Limunana. Held across 15-16 February, a host of interactive workshops and exhibitions will also delve into Serbian history and traditions. Plus, there's a good chance you'll get swept up in the colourful costumes and infectious energy whenever musicians and dancers take to the stage, with each performance showcasing various regional styles and stories. Need more food, culture and fun? Up next as part of Culture Alive are more upbeat celebrations welcoming the best of Greek, Holi and Buddhist festivities. The Serbian Festival Sydney is on from February 15-16 at Tumbalong Park, Darling Harbour. Head to the website for more information on Culture Alive's upcoming events.
Yellowjackets wants viewers to be its bloody Valentine in 2025 — and more cannibalism, more haunting reminders of what it takes to survive in the wilderness after a plane crash, and more hunting in both of the hit thriller series' timelines are in store. In November 2024, not only was a Friday, February 14, 2025 return date locked in for the show's third season, but fans scored a first glimpse. Now comes a proper trailer, complete with chases, the faces of the dead popping back up and pondering who should be eaten (or should've been by now). Two years after its second season, Yellowjackets will make is comeback on Valentine's Day to kick off its latest round, again following its characters both in the immediate aftermath of their traumatic accident and when the past keeps intruding on their present after decades have gone by. As viewers discovered when it debuted in 2021 and became one of the best new shows of that year, the instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after their plane plummets into the forest, and also checks in with everyone that's made it out alive 25 years later. Across two seasons so far, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (The Tattooist of Auschwitz's Melanie Lynskey as an adult, and also No Return's Sophie Nélisse as a teenager), Natalie (I'm a Virgo's Juliette Lewis, plus Heretic's Sophie Thatcher), Taissa (Law & Order's Tawny Cypress, and also Scream VI's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Atlas' Samantha Hanratty). The latest trailer for season three puts it this way: "once upon a time, a bunch of teenage girls got stranded in the wilderness — and they went completely nuts." The full setup: back in 1996, en route to a big match in Seattle on a private aircraft, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. Thanks to the new sneak peek at what's to come, get ready for howling, masks, more fighting, ghosts and the present-day crew trying to work out who is after them. After swiftly getting picked up for a second season because its first was that ace, Yellowjackets was then renewed for a third season before that second group of episodes even aired. In Australia, viewers can watch via Paramount+. In New Zealand, the series streams via Neon. In season three, the returning cast — which includes Simone Kessell (Muru) as the older Lottie and Lauren Ambrose (Servant) as the older Van, characters played in their younger guises by Australian actors Courtney Eaton (Mad Max: Fury Road) and Liv Hewson (Party Down) — will be joined by Hilary Swank (Ordinary Angels) and Joel McHale (The Bear). And from season two, Elijah Wood (Bookworm) is also back. Check out the latest trailer for Yellowjackets season three below: Season three of Yellowjackets will start streaming from Friday, February 14, 2025 via Paramount+ in Australia — and streams via Neon in New Zealand. Read our review of season one and review of season two, plus our interview with Melanie Lynskey. Via Variety.
If you've yet to nab your outfit for Mardi Gras parade night, London clothing brand Sparklebutt has you covered. The fabulous design label, which — if you haven't worked out from its name — makes sparkly pants, shorts, shirts and accessories, is taking over The Forresters on Saturday, March 2 from noon–7pm. This Surry Hills pop-up costume market is guaranteed to get you all sorted for one of Sydney's biggest nights out. Full-on makeovers will be on offer, from eco-glitter and braid bars to bedazzling workshops and threads aplenty. Apart from Sparklebutt, some of NSW's most colourful creators will be selling their wares, including Day By Day The Label, A Beautiful Weirdo Glitter Bar, Trash Vintage, Holosexual Wear, Kirgis Creations and Kat Margarita Designs. DJs will set the vibe while you get all dolled up, and they'll keep the partying going until 1am — with plenty of booze and food from the bar crew, too. Looking for more events to attend during Mardi Gras? Check out nine of our favourite here. Image: Mardi Gras, DNSW.
Ever since the world initially watched Squid Game in 2021, Netflix has been obsessed with bringing everyone's favourite South Korean streaming series into real life. First came pop-up stunts. Then arrived reality competition show Squid Game: The Challenge, obviously without a body count. Experiences that let everyone play the show's games without appearing on TV are also part of the IRL fun. As the show's second season approaches, dropping on Boxing Day 2024, Australia keeps welcoming Squid Game activations — starting in St Kilda, where 200 pink guards relaxed on the Melbourne suburb's beach to kick things off. Three years back, however, Young-hee made its eerie presence known in Sydney. The Red Light, Green Light doll has now returned to the Harbour City, crossing the famous waterway by ferry with 300 pink guards as an escort to get to Luna Park Sydney for Squid Game: The Experience. On Thursday, December 12, 2024, a towering sight joined the harbour alongside the Sydney Harbour Bridge and the Sydney Opera House — and, as the pictures show, it was quite an image to behold. From Saturday, December 14, you can head to Luna Park to be in the doll's company. Just in time for the Christmas holidays and Squid Game season two's release, Squid Game: The Experience will get everyone playing with Young-hee. Call it Red Light, Green Light. Call it Statues. Call it Grandmother's Footsteps. Whichever name you prefer, how good are you at the game that involves folks a-sneaking, ideally without being caught? Now, how would you fare trying to creep forward while avoiding being spotted when Young-hee is lurking? Squid Game: The Experience lets you find out. Get your green tracksuit ready. Front Man will be there to dare you to take the Squid Game challenges IRL. Busting out your marbles skills and walking over the glass bridge are also on the agenda. Some games are inspired by the Netflix program. Others are brand new. You'll only know if Squid Game: The Experience takes any cues from the thriller's second season, though, if you drop by after Thursday, December 26. Players can take part individually, or in groups of up to 25. As you work through the challenges, which get harder as you go along, you'll earn points. Another difference from the series: if you get eliminated from a game, you'll still be able to take part in the challenges that follow. Squid Game: The Experience arrives at Luna Park Sydney, 1 Olympic Drive, Milsons Point, from Saturday, December 14, 2024. Head to the venue's website for more information and to buy tickets. Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced.
Since opening in 2006, the Parramatta Artists' Studios has been a hub of creativity. Hundreds of artists have sketched, painted, sculpted and photographed here resulting in scores of exhibitions. Headquartered near Parramatta Town Hall, the Studios also recently gained a second home in the form of six warehouse studios in the nearby neighbourhood of Rydalmere so you can check out both if you have time. Get your culture fix by attending an exhibition opening or by joining a workshop. If you're a budding artist, there are six- and 12-month studio tenancies on offer, too. You can learn more about the program here or check out what's coming up over here. Image: Kalanjay Dhir by Andrew Vincent
Chances, you'll smell Maverick before you see it. Tucked away behind a car dealer and Ulladulla Macca's, this isn't just a cafe, but a microroastery, too. Owner and obsessive barista Andrew Gibson worked his way around Australia, New Zealand, the UK and Europe before setting up shop on the South Coast. He knows his beans inside-out, including where to source those that are both ethical and tasty. Sink into a couch in the light-filled industrial space and order your brew of choice — be it a house blend or one of the ever-changing single origins, like the Blue Bianca from Indonesia, which has notes of grapefruit and tobacco. And, in case you're travelling with your best mate, puppaccinos also on the menu. Feeling a bit peckish after your drive? Take your pick of sweet treats – from vegan donuts and hand-crafted chocolates to fresh pastries. Also, back in the centre of town, Maverick has a sibling cafe called The Sunday Life, which is open seven days a week from 6am.
Sydney gets a lot of things right. The harbour? Check. Charcoal chicken? Check. Bottomless Brunch? Check. But one thing that sometimes flies under the radar is our world-class collection of breweries. And while Marrickville remains the epicentre of Sydney's brewery scene, there are craft tap rooms across the city. One such addition to the Sydney craft beer scene is Village Days Brewing Co., which opened in Gladesville in late 2023, bringing a classic spread of craft brews and a breezy taproom to an area that was once an early trailblazer in Australian brewing. Founder Dan Smith, Head Brewer Patrick Menschik and the Village Days team are currently churning out a range of 12 beers. Menschik joined the team directly from Germany, where he was trained as a German Brew Master and worked at Weyermann in Bavaria. This German influence can be spotted throughout the varieties Viallge Days is producing, but there's still a uniquely Australian touch to its lineup. The classics are infused with local pride, sporting names like the 2111 Lager and Glades Pale, while a few European varieties and funkier creations can be found. Dark beer fans can opt for the oatmeal stout, while those looking for a light, refreshing sip can enjoy a couple of Czech pilsners. Located just off Victoria Road, the simple open-plan Village Days warehouse taproom invites you to sample your way through the roster alongside a guest tap or two. Open Wednesday–Sunday, Village Days is sure to be a hit on weekends over summer — but keep in mind, if you visit on a Wednesday or Thursday afternoon, you can snag yourself a deal. Take $3 off every pint and $2 off every half-serve from 4–6pm on Wednesdays and 3–6pm Thursdays. After-work beers, anyone?
Sydney's best experiences aren't always hidden down laneways or reserved for those in the know. Sometimes, the city's most enduring attractions stick around because they continue to deliver year after year. Whether you're heading to Sydney for the first time as a tourist or are rediscovering your own city, these four Sydney attractions are worth experiencing at least once. And, they're all located in the easy-to-access heart of the city. SEA LIFE Sydney Aquarium SEA LIFE Sydney Aquarium offers a front-row seat to Australia's underwater ecosystems. Home to thousands of marine creatures, the aquarium takes you beneath the surface through immersive tunnels, coral reef displays and close encounters with sharks, rays and a dugong. Walk beneath glass tunnels as grey nurse sharks glide overhead in Shark Valley, find a world of colour and wonder in the Great Barrier Reef exhibit, meet Dottie the rescue turtle, and get close to a penguin colony with the Penguin Exhibition Boat Ride. For locals, it's the perfect weekend or school holiday experience with the kids. For visitors, it's an introduction to Australia's marine life — no wetsuit required. Madame Tussauds Sydney If you're a pop culture fan, you have to take a trip to Madame Tussauds Sydney in Darling Harbour. Discover a magical world of unrivalled ancient craftsmanship where the Madame Tussauds team combines time-honoured wax techniques with cutting-edge technology. It takes more than 500 exact measurements and 150 images to create each celebrity figure, with the sculpting process taking months and costing as much as $220,000 per icon. At the Sydney venue, you and your friends can pose with global superstars, take selfies with Australian legends, and step into immersive sets that let you feel a part of the action. Whether you're popping in with friends or entertaining interstate visitors, Madame Tussauds Sydney makes for a fun city activity that'll have you walking out with plenty of memories and a full camera roll. WILD LIFE Sydney Zoo If you've ever told overseas friends they'll see kangaroos and koalas "at some point," WILD LIFE Sydney Zoo makes good on that promise, all without leaving the CBD. See kangaroos lounging in the sunlight, koalas napping in Eucalyptus trees, and even come face-to-face with the endangered Tasmanian Devil. There are ten interactive zones for you to wander through, where you can learn more about Australia's beloved animals and the zoo's conservation efforts. Be sure to get your photo snapped with the cuddly koalas (a classic tourist moment) and, if you really want to make a day of it, book in a private group dining experience. Here, you'll receive exclusive after-hours access to the zoo and its exhibitions, a three-course dinner and beverage package as well as the opportunity of a self-guided tour of the surrounds. Sydney Tower Eye There's seeing Sydney, and then there's seeing Sydney from 250 metres above ground. Sydney Tower Eye is a highlight in the city's recognisable skyline and offers visitors 360-degree views that stretch from the Harbour Bridge to the Blue Mountains (on a clear day). For first-time visitors, the observation deck is a breathtaking way to get your bearings. For locals, it's an opportunity to step back and appreciate just how spectacular (and sprawling) the city really is. Watch ferries on the harbour, spot familiar neighbourhoods from a new perspective, and time your visit for sunset to see the city come alive at night. Want to take your trip up a level? The SKYWALK experience takes things one step further, with an outdoor walk around the tower's edge. It's an open-air adventure for those who want to see Sydney from brand-new heights. Book your tickets to these Sydney attractions online now. Image credit: Supplied
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. JURASSIC WORLD DOMINION When Jurassic World Dominion was being written, three words must've come up often. No, they're not Neill, Dern, Goldblum. Those beloved actors reunite here, the trio appearing in the same Jurassic Park flick for the first time since the 1993 original, but the crucial terms are actually "but with dinosaurs". Returning Jurassic World writer/director Colin Trevorrow mightn't have uttered that phrase aloud; however, when Dominion stalks into a dingy underground cantina populated by people and prehistoric creatures, Star Wars but with dinosaurs instantly springs to mind. The same proves true when the third entry in this Jurassic Park sequel trilogy also includes high-stakes flights in a rundown aircraft that's piloted by a no-nonsense maverick. These nods aren't only confined to a galaxy far, far away — a realm that Trevorrow was meant to join as a filmmaker after the first Jurassic World, only to be replaced on Star Wars: Episode IX — The Rise of Skywalker — and, yes, they just keep on coming. There's the speedy chase that zooms through alleys in Malta, giving the Bond franchise more than a few nods — but with dinosaurs, naturally. There's the plot about a kidnapped daughter, with Taken but with dinosaurs becoming a reality as well. That Trevorrow, co-scribe Emily Carmichael (Pacific Rim Uprising) and his usual writing collaborator Derek Connolly (Safety Not Guaranteed) have seen other big-name flicks is never in doubt. Indeed, too much of Dominion feels like an attempt to actively make viewers wish they were watching those other movies. Bourne but with dinosaurs rears its head via a rooftop chase involving, yes, dinos. Also, two different Stanley Kubrick masterpieces get cribbed so blatantly that royalties must be due, including when an ancient critter busts through a door as Jack Nicholson once did, and the exact same shot — but with dinosaurs — hits the screen. What do Star Wars, Bond, Bourne and The Shining have to do with the broader Jurassic Park film saga, which started when Steven Spielberg adapted Michael Crichton's book into a box-office behemoth? That's a fantastic question. The answer: zip, zero and zilch, other than padding out Dominion as much as possible, as riffs on Indiana Jones, The Birds, Alien, Mad Max: Fury Road, Austin Powers, the Fast and Furious movies, cloning thrillers, disaster epics and more also do. In nearly every scene, and often at the frame-by-frame level, another feature is channelled so overtly that it borders on parody. And, that's on top of the fact that recycling its own history is just Dominion 101. There's no theme park, but when it's mentioned that dinosaurs are being placed in a sanctuary, everyone watching knows that the film's human characters will get stranded in that spot, trying not to be eaten by a Tyrannosaurus rex and the like. From all of the above, a loose narrative emerges — an overstuffed and convoluted one, too. A few years on from 2018's Jurassic World: Fallen Kingdom, people are endeavouring to co-exist with dinosaurs. Unsurprisingly, it's going terribly. Run by Mark Zuckerberg-esque entrepreneur Lewis Dodgson (Campbell Scott, WeCrashed), tech company BioSyn owns that safe dino space in the Italian Dolomites, although palaeobotanist Ellie Sattler (Laura Dern, Marriage Story) and palaeontologist Alan Grant (Sam Neill, Rams) also tie the firm to giant dino-locusts wreaking existence-threatening havoc. Plus, ex-Jurassic World velociraptor whisperer Owen Grady (Chris Pratt, The Tomorrow War) and his boss-turned-girlfriend Claire Dearing (Bryce Dallas Howard, Rocketman) head BioSyn's way when the adopted Maisie Lockwood (Isabella Sermon) — who links back to the first Jurassic Park thanks to Forbidden Kingdom's ridiculous storyline — is snatched. Oh, and mathematician Ian Malcolm (Jeff Goldblum, Search Party) works there, as does cloning whiz Henry Wu (BD Wong, Mr Robot). Read our full review. A HERO With apologies to Bonnie Tyler, cinema isn't holding out for a hero — and hasn't been for some time. The singer's 80s-era Footloose-soundtrack hit basically describes the state of mainstream movies today, filled as screens now are with strong, fast, sure and larger-than-life figures racing on thunder and rising on heat. But what does heroism truly mean beyond the spandex of pop-culture's biggest current force? Who do we hold up as role models, and as feel-good champions of kind and selfless deeds? How do those tales of IRL heroism ebb, flow and spread, too? Pondering this far beyond the caped-crusader realm is Asghar Farhadi, a two-time Oscar-winner thanks to A Separation and The Salesman. As is the acclaimed Iranian filmmaker's gambit, his latest movie is intricately complicated, as are its views on human nature and Iranian society. As Farhadi has adored since 2003's Dancing in the Dust — and in everything from 2009's exceptional About Elly to his 2018 Spanish-language feature Everybody Knows as well — A Hero is steeped in the usual and the everyday. The 2021 Cannes Film Festival Grand Prix-winner may start with a sight that's the absolute opposite thanks to necropolis Naqsh-e Rostam near the Iranian city of Shiraz, an imposingly grand site that includes the tombs of ancient Persian rulers Xerxes and Darius, but the writer/director's main concerns are as routine, recognisable and relatable as films get. One such obsession: domestic disharmony, aka the cracks that fracture the ties of blood, love and friendship. A Hero sprawls further thematically, wondering if genuine altruism — that is, really and wholeheartedly acting in someone else's interest, even at a cost to oneself — can ever actually exist. But it charts that path because of the frayed and thorny relationships it surveys, and the everyman caught within them. When A Hero begins, calligrapher and sign painter Rahim Soltani (Amir Jadidi, Cold Sweat) is no one's saviour, victor or ideal. While he definitely isn't a villain, he's just been given a two-day pass from an Iranian debtor's prison, where he's incarcerated over a family financial feud. Owing 150,000,000 tomans to his ex-wife's brother-in-law, he's stuck serving out his sentence unless he can settle it or his creditor, copy shop owner Bahram (Mohsen Tanabandeh, Capital), agrees to forgive him. The latter is unlikely, so with his girlfriend Farkhondeh (debutant Sahar Goldust), Rahim hatches a repayment plan. She has stumbled across a handbag filled with 17 gold coins, and together they hope to sell it, then use the proceeds to secure his freedom — except, when they attempt to cash in, they're told that their haul won't reach anywhere the sum they need. Instead, with a mixture of guilt and resignation — and at Farkhondeh's suggestion — Rahim decides to track down the coins' rightful owner. Cue signs plastered around the streets, then an immensely thankful phone call. Cue also the prison's higher-ups discovering Rahim's efforts, and wanting to cash in themselves by eagerly whipping up publicity around their model inmate's considerate choice. The media lap it up, as do the locals. Rahim's young son Siavash (newcomer Saleh Karimaei), a quiet boy with a stutter that's been cared for by his aunt Malileh (fellow first-timer Maryam Shahdaei), gets drawn into the chaos. A charity that fundraises to resolve prisoners' debts takes up the cause, too. Still, the stern and stubborn Bahram remains skeptical, especially as more fame and attention comes Rahim's way. Also, the kind of heroism that's fuelled via news reports and furthered by social media is fickle above all else, especially when competing information comes to light. Read our full review. BENEDICTION To write notable things, does someone need to live a notable life? No, but sometimes they do anyway. To truly capture the bone-chilling, soul-crushing, gut-wrenching atrocities of war, does someone need to experience it for themselves? In the case of Siegfried Sassoon, his anti-combat verse could've only sprung from someone who had been there, deep in the trenches of the Western Front during World War I, and witnessed its harrowing horrors. If you only know one thing about the Military Cross-winner and poet going into Benediction, you're likely already aware that he's famed for his biting work about his time in uniform. There's obviously more to his story and his life, though, as there is to the film that tells his tale. But British writer/director Terence Davies (Sunset Song) never forgets the traumatic ordeal, and the response to it, that frequently follows his subject's name as effortlessly as breathing. Indeed, being unable to ever banish it from one's memory, including Sassoon's own, is a crucial part of this precisely crafted, immensely affecting and deeply resonant movie. If you only know two things about Sassoon before seeing Benediction, you may have also heard of the war hero-turned-conscientious objector's connection to fellow poet Wilfred Owen. Author of Anthem for Damned Youth, he fought in the same fray but didn't make it back. That too earns Davies' attention, with Jack Lowden (Slow Horses) as Sassoon and Matthew Tennyson (Making Noise Quietly) as his fellow wordsmith, soldier and patient at Craiglockhart War Hospital — both for shell shock. Benediction doesn't solely devote its frames to this chapter in its central figure's existence, either, but the film also knows that it couldn't be more pivotal in explaining who Sassoon was, and why, and how war forever changed him. The two writers were friends, and also shared a mutual infatuation. They were particularly inspired during their times at Craiglockhart as well. In fact, Sassoon mentored the younger Owen, and championed his work after he was killed in 1918, exactly one week before before Armistice Day. Perhaps you know three things about Sassoon prior to Benediction. If so, you might be aware of Sassoon's passionate relationships with men, too. Plenty of the film bounces between his affairs with actor and singer Ivor Novello (Jeremy Irvine, Treadstone), socialite Stephen Tennant (Calam Lynch, Bridgerton) and theatre star Glen Byam Shaw (Tom Blyth, Billy the Kid), all at a time in Britain when homosexuality was outlawed. There's a fated air to each romantic coupling in Davies' retelling, whether or not you know to begin with that Sassoon eventually (and unhappily) married the younger Hester Gatty (Kate Phillips, Downton Abbey). His desperate yearning to hold onto someone, and something, echoes with post-war melancholy as well. That said, that sorrow isn't just a product of grappling with a life-changing ordeal, but also of a world where everything Sassoon wants and needs is a battle — even if there's a giddy air to illegal dalliances among London's well-to-do. Benediction caters for viewers who resemble Jon Snow going in, naturally, although Davies doesn't helm any ordinary biopic. No stranger to creating on-screen poetry with his lyrical films — or to biopics about poets, after tackling Emily Dickinson in his last feature A Quiet Passion — the filmmaker steps through Sassoon's tale like he's composing evocative lines himself. Davies has always been a deeply stirring talent; see: his 1988 debut Distant Voices, Still Lives, 2011's romance The Deep Blue Sea and 2016's Sunset Song, for instance. Here, he shows how it's possible to sift through the ins and outs of someone's story, compiling all the essential pieces in the process, yet never merely reducing it down to the utmost basics. Some biopics can resemble Wikipedia entries re-enacted for the screen, even if done so with flair, but Benediction is the polar opposite. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on March 3, March 10, March 17, March 24 and March 31; April 7, April 14, April 21 and April 28; and May 5, May 12, May 19 and May 26; and June 2. You can also read our full reviews of a heap of recent movies, such as The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow, The Souvenir: Part II, Dog, Anonymous Club, X, River, Nowhere Special, RRR, Morbius, The Duke, Sonic the Hedgehog 2, Fantastic Beasts and the Secrets of Dumbledore, Ambulance, Memoria, The Lost City, Everything Everywhere All At Once, Happening, The Good Boss, The Unbearable Weight of Massive Talent, The Northman, Ithaka, After Yang, Downton Abbey: A New Era, Wheel of Fortune and Fantasy, Petite Maman, The Drover's Wife The Legend of Molly Johnson, Doctor Strange in the Multiverse of Madness, Firestarter, Operation Mincemeat, To Chiara, This Much I Know to Be True, The Innocents, Top Gun: Maverick, The Bob's Burgers Movie, Ablaze, Hatching and Mothering Sunday.
Hidden behind Enmore Road in a sleepy backstreet, Soulmate is standout in the stacked Inner West cafe scene. The work of the accomplished team behind some of the best cafes in northwest Sydney — Good Fella and The Tuckshop — this Phillip Street spot is a go-to for good coffee and loaded sandwiches. Just be warned that getting a table on the weekend is an uphill battle. On entry, you'll notice two taps that would fit right in at any of Enmore or Newtown's beloved pubs but instead of beer these are pouring cold brew. They fit into a drinks menu that includes all of your standard milk coffees, batch brew, smoothies and cold-pressed juices, plus craft beer and Cantina OK! seltzers for that requisite hair of the dog. There's also a creation called The McHenry which is hot or cold black coffee topped with whippy. If you're hungry, the food menu doesn't do things in half measures, with all sorts of ingredients sandwiched between or served on top of every type of bread imaginable. Highlights include the deli hoagie which loads up a soft hoagie roll with salami, ham, provolone, tomato, mustard, pickles, guindillas, herb mayo and shredded lettuce; and the Soulmate B&E Roll, a play on your classic bacon and egg with the addition of sambal, nanna's cheese and herb mayo on a potato bun. Bagels are also a fan favourite here. They're made in-house and there are three to choose from including the classic Reuben style with pastrami, sauerkraut, Swiss cheese, spicy mayo and pickles. As mentioned up top, there's generally a considerable wait for a table on weekends but if you can't nab a spot, you can always get your brunch takeaway and head over to Camperdown Memorial Park for a morning picnic. Images: Josh Jay Appears in: The Best Cafes in Sydney Where to Find the Best Breakfast in Sydney
It might located right in the heart of North Sydney's buzzing city centre, but the newly opened Green Moustache feels far from it. Instead, this fresh-faced bar and restaurant has embraced Mother Nature, and is filled with an abundance of greenery and plant life. It's a well-executed lushness that's not all too surprising given this is the latest venture from Andrew Utiger and Matt Erby — the minds behind fellow North Sydney foliage den, Treehouse. Sporting primo rooftop views, the pair's new light-filled venue is destined to be a bar of choice for Sydneysiders looking for a warm and lush hideaway this winter. A roll call of hospitality guns are managing the spot, including co-owner David Maisey (Treehouse, Merivale, The Palisade Hotel), who oversaw the menu, which will be executed by chef Peter Fitzsimmons (Chin Chin) and pastry chef Alfredo Jr Peralta (Nomad). Wines have been chosen by sommelier Julien Perrimond (Bambini Trust Restaurant and Wine Room) and bartender Aby Dedej (Ivy Pool Club) will be shaking, mixing and stirring a drinks list that packs a punch. The food menu runs from breakfast through dinner — six days a week. Mornings might mean the likes of haloumi-topped bruschetta with pesto or a loaded brekky bowl, while later visits promise caramelised sticky pork with shredded coconut and snake beans — or a pasta starring hand-picked blue swimmer crab, chilli and lemon. Those heading here in winter will find comfort in the scotch fillet paired with artichoke chips and duck fat-roasted potatoes. Find Green Moustache at 100 Miller Street, North Sydney. It's open Monday–Friday, 7am–10pm, and Saturday, 2pm–late.
My, my, Alexandria certainly is becoming quite the foodie hotspot. It seems now the locals here are spoilt for choice, much like their fellow inner-westies over in Marrickville. Keeping in harmony with Alexandria's business district and concrete jungle theme, the Copper Mill is a spacious and stylish spot, perfect for the locals to grab a coffee or some lunch to escape the suburban mayhem. Formerly serving at Chippendale cafe, Shortlist, Jake Thomas, Hugh Piper and Rebecca Keane have continued with their impressive set-ups and effortless appeal, with no small detail being overlooked. Walls are painted in grey slate and exposed brick and copper pipes are a reflection of the industrial area. The raw and casual appeal is maintained with wooden tables and benches that are adorned with help-yourself cutlery buckets and Young Henry flagons of water. Window seats are available too, where you can watch the daily thrum of dog walkers and fitness gurus en route to Sydney Park. These coffee pros are pouring a not-too bad Human Canonball, roasted by Golden Cobra ($3.50), as well as a rotating single origin from Moccamaster ($3.50). The real star of the show though is the simple, healthy, rustic menu that is served up quick smart from the open kitchen. Their culinary skills do not go amiss here: a sure-fire Peruvian influence evident with a bacon and egg roll spiced up with pork chicharron, egg, kumera, salsa criolla and lemon mayo ($10). Furthermore to this latino swinging, the ancient Peruvian grain quinoa is puffed up in a cereal topped with dates, coconut flakes, yoghurt and a sweet pear and cardamom milk ($9.50). More straightforward options such as sourdough toast, come courtesy of Brickfields bakery — thick slices with homemade jam ($4.50) are classic winners. The strength of the fare comes at lunchtime, when humble salads are assembled with fresh ingredients and unusual dressings drizzled over to complete the package. Beet-cured salmon with garden peas, quinoa, cherry tomatoes ($15) and chilli yoghurt is a beseeching option; but the real chart-topper is a delicious plate of broadbeans, chorizo and a sunnyside egg, with parsley and lemon zest adding a zing and a side of sourdough balancing it all out ($13). So tasty is this bread in fact, that it's also hard to overlook the daily sandwiches ($9). Who doesn't love Christmas ham, especially when gruyere cheese and an eggplant pickle are its companions? Speaking of eggplant pickle — let's hope this homemade condiment gets kept on rotation. Decidedly the champion in a vegetarian sarnie, it perfectly complements the roast cauliflower, butter lettuce and feta cheese. But we'd like a tad more on our sarnie please — actually no, the whole jar to lick clean the contents. Sweet-tooths will be pleased to see a small array of pastries on offer, otherwise an iced chocolate ($5) or a coconut hot choccie ($4.50) will seal the deal. The Copper Mill is offering up decent food and coffee, service with a smile, and an ideal opportunity for locals to avoid chaotic King Street or the exhausting queues at the Grounds.
Tenth birthdays are a big deal, especially when you're an Australian music festival that's been navigating a pandemic and the resulting difficult time for the industry for half of your run, and also grappling with the impact of La Niña. Yours and Owls has been on quite the rollercoaster ride across the past decade, clearly, so of course it's celebrating its milestone birthday with a massive lineup. Fontaines DC, Denzel Curry, The Kooks and Goo Goo Dolls lead the roster of talent taking to the stage in Wollongong across Saturday, March 1–Sunday, March 2, 2025. Orville Peck, Hockey Dad, The Jungle Giants, Peach PRC and The Veronicas are also on the bill, as are Elderbrook, Honey Dijon, JPEGMafia and Salute — and plenty more. When Yours and Owls revealed that it wasn't going ahead in 2024, joining the long list of music festivals scrapping plans for this year, it thankfully only put its fun on hold for 2025. Returning in 2025 was always the intention — and this is a lineup worth waiting for. Yours and Owls didn't completely sit 2024 out, however. Earlier in October, it held a pre-party, aka the event you put on when you can't put on the full festival experience at your usual time of the year because it doesn't work for your headliners' calendars. So, a tunes-filled shindig still took over the University of Wollongong campus — complete with Golden Features, Peking Duk, Alice Ivy, Anna Lunoe and more — to keep things warm for next year. Affectionately labelled "Gong Christmas", Yours and Owls 2025 will feature four stages across its two-day run, plus a feast of local arts — and food and drinks — beyond the tunes. [caption id="attachment_976058" align="alignnone" width="1920"] Theo Cottle[/caption] Yours and Owls Lineup 2025 Fontaines DC Denzel Curry The Kooks Goo Goo Dolls Elderbrook Hockey Dad Honey Dijon JPEGMafia The Jungle Giants Orville Peck Peach PRC Salute The Veronicas Allday Babe Rainbow Coterie Cyril Dice The Dreggs Frankie Stew & Harvey Gunn Grentperez Isabel Larosa Magdalena Bay May A Mark Blair Pond Richy Mitch & The Coal Miners Sam Tompkins San Cisco Slowly Slowly Sycco Wunderhorse Battlesnake Bean Magazine Bodyjar The Belair Lip Bombs C.O.F.F.I.N Crocodylus Keli Holiday Kitschen Boy Le Shiv Miss Kaninna Nick Ward Ra Ra Viper Satin Cali Total Tommy Y.O.G.A Top Yours and Owls image: Ruby Bowland.
If you haven't watched Nicolas Cage pour a bottle of vodka over himself while growling with sorrow and menace, have you truly lived? If you haven't seen him milk an alpaca, get creepy about eating peaches or lend his voice to a black-and-white film noir-style Spider-Man (yes, really), then you probably should ask yourself the same thing. And if you haven't witnessed him chase a terrible CGI white jaguar around a hijacked ship, fight space ninjas, battle demonic animatronics and seek revenge over a stolen pig, well, you know you now want to after reading that sentence. The same applies to Cage playing Cage as well, naturally. That's the thing about Cage — sometimes his films are fantastic, sometimes they're terrible, but he's always compellingly, intoxicatingly watchable. He's the type of actor that no one wants to stop watching and, for better and for worse, his mighty prolific career just keeps delivering more and more movies. Currently got a Cage-sized itch that desperately needs scratching? Don't we all, and always. Indeed, there's plenty to watch from his 100-plus on-screen credits. That's a lot of flicks to choose from, so we've picked out 26 of his weirdest, wildest and most wonderful films, paired them up in double features, and basically planned out your next 13 nights of movie-watching. Consider this the viewing marathon you didn't know you needed. MANDY AND COLOR OUT OF SPACE One features Cage as a heartbroken lumberjack wreaking havoc with a chainsaw while chasing down demonic bikers. The other initially puts him in kooky dad mode, until a strange meteor unleashes mayhem and monsters — and Cage's unhinged best, of course — on a rural property. If these descriptions didn't already make it obvious, when it comes to excellent recent Cage flicks that pair out-there premises with excellent performances from their leading man, both Mandy and Color Out of Space sit at the top of the pile. They also provide quite the mind trip filled with psychedelic visuals and vivid soundscapes, all thanks to filmmakers Panos Cosmatos (Mandy) and Richard Stanley (Color Out of Space). Mandy is available to stream via Stan, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Color Out of Space is available to stream via Shudder, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. CON AIR AND FACE/OFF If you're a Cage-loving movie buff, then you probably know exactly when cinema reached its peak. Back in June 1997, two films hit the big screen within weeks of each other, delivering a double dose of Cage action, chaos and craziness that people still watch and rewatch today. Yes, Con Air and Face/Off made their way to cinemas in the same month — and yes, that's a whole lotta Cage to soak up in a darkened room in short succession. In Con Air, he plays a former army ranger-turned-paroled convict who's trying to head home when his prison flight is hijacked by fellow criminals. In Face/Off, he's a sociopathic terrorist who switches faces with the FBI agent (John Travolta) on his trail. Unsurprisingly, neither film is subtle. Face/Off is available to stream via Disney+, iTunes and Prime Video. Con Air is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. RAISING ARIZONA AND ADAPTATION Often, when you're watching a Cage film, laughter is inevitable — even if you're not watching a comedy. So when Cage flexes his comic chops on purpose, the results are usually genuinely spectacular. In the case of Raising Arizona, Cage and the Coen brothers make a perfect pair. Also mighty fine: the movie's premise, following an ex-con and his wife's (Holly Hunter) zany scheme to kidnap a baby (and a quintuplet at that) so that they can start a family. With Adaptation, Cage pairs up with Being John Malkovich's Spike Jonze and Charlie Kaufman, and they also make quite the team — as you'd expect with Cage playing a version of Kaufman, as well as Kaufman's fictional twin brother. Raising Arizona is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Adaptation is available to stream via ABC iView, Google Play, YouTube Movies, iTunes and Prime Video. WILD AT HEART AND MOONSTRUCK Speaking of Cage and phenomenal director combos, Wild at Heart boasts one of the very best there is. The movie David Lynch made between Twin Peaks' initial run and the series' big screen prequel and sequel Fire Walk With Me, it features one of Cage's greatest performances — because Cage playing one half of a couple on the run (opposite Laura Dern), singing Elvis tunes like he was born to and navigating a Lynchian crime-romance flick is what dreams are made of. The actor also dabbles in affairs of the heart in Moonstruck, this time as an opera-obsessed baker who falls for his brother's (Danny Aiello) fiancee. It's the movie that won Cher a Best Actress Oscar, too, as the object of Cage's affection. Wild at Heart is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Moonstruck is available to stream via Stan, Google Play, YouTube Movies, iTunes and Prime Video. THE UNBEARABLE WEIGHT OF MASSIVE TALENT AND PIG If there's one thing that's been a constant in Cage's career, it's range: you name it, he's probably played it. His two most recent big-screen releases demonstrate that perfectly — including taking on the part he was born to, and also turning in one of his best-ever performances. In The Unbearable Weight of Massive Talent, Cage is Cage. Yes, this Cage-loving film tasks him with jumping into his own fictionalised shoes, and he has a blast doing so. In Pig, he's seeking vengeance against the people who stole his beloved truffle pig, and he's as phenomenal as he's ever been on-screen. It sounds like the kind of premise that'd be a joke in other hands, or just a John Wick ripoff, but not with Cage at his finest and debut feature writer/director Michael Sarnoski behind this revenge thriller. The Unbearable Weight of Massive Talent is available to stream via Google Play, iTunes and Prime Video. Read our full review. Pig is available to stream via Stan, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WILLY'S WONDERLAND AND JIU JITSU Sometimes, we all just want to see Cage fight things. Clearly, that's an easy sell to get film financing, too. Otherwise, there's no justification for either Willy's Wonderland or Jiu Jitsu to exist — because both films' entire concepts revolve around Cafe going fist to fist with improbable adversaries. In Willy's Wonderland, he faces off against possessed animatronic mascots at a family-friendly restaurant. He also put in a silent performance for the ages, with his drifter character grunting and growling rather than speaking. Then, in Jiu Jitsu, he's part of an ancient order of skilled martial artists who have to do combat with vicious aliens every six years. No, we didn't make all of this up — but, in each case, someone else did. Willy's Wonderland is available to stream via Stan, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Jiu Jitsu is available to stream via Stan, Google Play, YouTube Movies, iTunes and Prime Video. LEAVING LAS VEGAS AND JOE Never forget that Cage, when he wants to be, is a truly talented actor. His resume can scream otherwise at times, but an exceptional Cage performance is a sight to behold. Exhibit A: his Oscar and Golden Globe-winning work as a suicidal alcoholic in Leaving Las Vegas. Exhibit B: his role as a troubled man who gives a similarly tormented 15-year-old (Tye Sheridan) a job in Joe. Made almost two decades apart, this pair of films show that Cage always has a great performance in him, no matter what else he's been acting in lately. And, while he's often known for his wild and wacky ways — in no small part due to his resume over the past decade or so — he's impressively attuned to telling bleak tales. Leaving Las Vegas is available to stream via iTunes. Joe is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. BRINGING OUT THE DEAD AND THE ROCK Speaking of Cage's absolute best performances, Bringing Out the Dead features a powerhouse effort from its main star. He's directed here by the great Martin Scorsese, so how could it not? As a paramedic who works the graveyard shift, has his own demons, and is wearied by life and the world, this is one of the greatest films on both Cage and Scorsese's resumes. It sits in stark contrast to The Rock, but sometimes a good double is all about contrast — and seeing someone at the height of their powers in two different ways. Working with king-of-the-overblown Michael Bay (the Transformers franchise), Cage tries to break into Alcatraz to diffuse a hostage situation, and he hits every mark he's asked to. He also makes a great double act with Sean Connery. Bringing Out the Dead is available to stream via Disney+. The Rock is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. MOM AND DAD AND MATCHSTICK MEN In Mom and Dad, Cage is no one's ideal father. Along with Selma Blair as his wife, he's trying to kill his kids. So are all the other parents in town, all thanks to a violent and murderous bout of mass hysteria. That means horror-comedy antics aplenty, as well as a whole heap of over-the-top expressions from Cage — the kind that only he can do justice to, of course. He grapples with being a dad and gives his facial muscles a workout in the entertaining Ridley Scott-directed drama Matchstick Men, too, although in a completely different scenario. This time, Cage plays a conman who discovers he has a teenage daughter (Alison Lohman) just as he's about to pull off a big job with his protege (Sam Rockwell). Mom and Dad is available to stream via Stan, Google Play, YouTube Movies, iTunes and Prime Video. Matchstick Men is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. KICK-ASS AND SPIDER-MAN: INTO THE SPIDER-VERSE Still getting fatherly, Cage isn't just a dad in Kick-Ass — he's a former cop-turned-crime fighter called Big Daddy, and he's training his 11-year-old daughter (Chloe Grace Moretz) to follow in his footsteps. Focusing on their run-in with the eponymous wannabe superhero (Aaron Taylor-Johnson), this caped crusader flick isn't always as funny as it thinks it is, but Cage consistently delivers. And, if you've always fantasised about hearing Cage as Spider-Man, he delivers in the sublime and surreal Spider-Man: Into the Spider-Verse. He's just one of many webslingers in this animated delight (and the best Spider-Man movie out of the lot); however he's a great one: Spider-Man Noir, a black-and-white Spidey from a 1930s universe. Kick-Ass is available to stream via Binge, Google Play, YouTube Movies, iTunes and Prime Video. Spider-Man: Into the Spider-Verse is available to stream via Disney+, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. VAMPIRE'S KISS AND GHOST RIDER If you think you've witnessed Cage at his most manic but you haven't experienced Vampire's Kiss, we have some news for you: you're wrong. Nothing in the actor's filmography compares to this 80s comedy-horror film. We'll say that again: nothing. In terms of out-there Cage performances, this is ground zero. You'd expect that given that Cage plays a literary agent who starts to believe he's a vampire, and begins acting accordingly. After you've watched it, you'll spot shades of Vampire's Kiss in every other Cage film — including in Ghost Rider, where Cage blazes away as the titular bounty hunter of the damned. Adapting a Marvel comic, Ghost Rider isn't great, but like Vampire's Kiss, it's the type of movie that really has to be seen to be believed. Vampire's Kiss is available to stream via iTunes. Ghost Rider is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Prime Video. BAD LIEUTENANT: PORT OF CALL — NEW ORLEANS AND PRIMAL Let these five words tell you all you need to know about Bad Lieutenant: Port of Call — New Orleans: Nicolas Cage and Werner Herzog. One acts, the other directs, two inimitable titans of their fields combine, and the movie that results — a crime thriller about a corrupt cop — firmly marches to its own beat. It also features a memorable iguana scene, which might've prepared Cage for his role in Primal. There, he plays a big-game hunter stuck chasing a white jaguar around a hijacked ship, all as a deranged murderer also stalks the crew and passengers. One of Cage's most recent movies, it turns out exactly as you expect it does (and with oh-so-much awful CGI). Bad Lieutenant: Port of Call - New Orleans is available to stream via Stan, Google Play and YouTube Movies. Primal is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. KNOWING AND DRIVE ANGRY When it comes to Cage, there's no avoiding the obvious: he has made a whole heap of ridiculous and trashy movies. Lately, they've been going direct to streaming — but, in the late 2000s and early 2010s, these kinds of Cage flicks were still hitting cinemas. The Australian-shot Knowing is one of them. Made in Melbourne, co-starring Rose Byrne, Ben Mendelsohn and Liam Hemsworth before they were Hollywood fixtures, and proving a box office hit, it casts Cage as an astrophysics professor certain he's found a code that predicts the future. Or, there's Drive Angry, where Cage escapes hell with a gun stolen from Satan, all so he can get revenge on the cult leader who killed his daughter. Knowing is available to stream via Binge, Google Play, YouTube Movies, iTunes and Prime Video. Drive Angry is available to stream via iTunes and Amazon Video.
What's better than a road trip through the epicurean delights of Tasmania? Undertaking the unforgettable road trip all the way there from Sydney, stopping to feast along the way. Long gone are the days when the culinary offerings on the road were limited to Maccas and 24-hour servos, and it mightn't be obvious from behind the wheel, but the route along the Hume Highway is dotted with foodie adventures — from rolling vineyards to 19th-century pubs serving up seasonal produce. Here's where you should plan a pit stop between Sydney and Melbourne (before you board a ferry to Tassie). From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. Under current COVID-19 restrictions in Australia, there are limitations on where you can go on a holiday. Bookmark this for when you can explore once again. [caption id="attachment_773485" align="alignnone" width="1920"] Clonakilla via Destination NSW[/caption] MURRUMBATEMAN After a 3.5-hour drive south from Sydney, take the Barton Highway exit and drive for 15 minutes to reach this cute village in the Yass Valley; it's a gateway to wineries, restaurants and cute shops, including Robyn Rowe Chocolates, whose sweet treats are inspired by local produce, including walnuts from a backyard tree and coffee beans roasted in Canberra. If you're not the designated driver, drop into Helm Wines, afterwards, where you get to wine taste in an 1888 public schoolhouse; and Clonakilla, where some of Australia's best-reviewed wines are made. If you happen to be passing by on the second or fourth Saturday of the month, then have a wander through the Murrumbateman Village Markets, which are packed full of local produce and cooked goodies. [caption id="attachment_773499" align="alignnone" width="1920"] Long Track Pantry via Destination NSW[/caption] JUGIONG After another hour cruising south, turn off to Jugiong, a pretty village on the banks of the Murrumbidgee River. At the Long Track Pantry, you'll find good coffee, hearty brekkies and lunches, and a delicious collection of homemade jams, chutneys, oils and sauces. From there, pop into the Jugiong Wine Cellar to sample up to 18 drops from the surrounding wine regions of Gundagai, Tumbarumba, Hilltops and Murrumbateman. Also worth a visit is the Sir George, a warm and welcoming pub. Built in 1852, it also houses an artisanal bakery, a restaurant and, in winter, an open fire. On the menu are share plates of lamb croquettes and cauliflower fritters, as well as pub classics like beer battered fish 'n' chips, sausage and mash, and free range parmas, all taken to the next level with premium-quality local ingredients. [caption id="attachment_773479" align="alignnone" width="1920"] Borambola Wines via Destination NSW[/caption] BORAMBOLA WINES, NEAR WAGGA WAGGA This idyllic winery lies just 15 minutes' drive from the Hume along the Sturt Highway, which travels to Wagga Wagga. It's a relaxed spot, family owned, and where you can take your time working your way through several drops while soaking up the views of rolling vineyards. Plus, there's an apple cider and a lager, both named after the Dog on the Tuckerbox. If you've time to spare, continue to Wagga Wagga, where you can try more wines at Eunonyhareenyha Winery and Cottontails and locally brewed beers at Thirsty Crow Brewing Co. [caption id="attachment_773482" align="alignnone" width="1920"] River Deck Cafe, Albury via Destination NSW[/caption] RIVER DECK CAFE, ALBURY Perched on the banks of the mighty Murray River, Albury is surrounded by lush farmland. Numerous local eateries take advantage of this fact, and one of the best is the River Deck Cafe. You'll find it right on the water, in leafy Noreuil Park. The French-inspired menu changes with the seasons, with dishes varying from steamed Murray cod with seasonal greens, lobster bisque and zucchini flowers to kangaroo loin served rare with white and black-eyed peas, cos lettuce and game jus. If you're wondering where the produce comes from, it's usually written on the menu, and one of the River Deck's favourite suppliers is RAD Growers, a small, independent farm that lies 20 kilometres west. [caption id="attachment_665497" align="aligncenter" width="1920"] Milawa Cheese[/caption] MILAWA Handmade cheeses, spicy mustards, locally grown olives and wineries: there's enough deliciousness in Milawa, a tiny town near Wangaratta — just ten minutes' drive from the Hume — to keep you going all day. If you're keen to stretch your legs, grab a free bike from Brown Brothers Winery and go exploring on two wheels. Whichever way you travel, stops should include Milawa Cheese for cheese created with traditional European methods (book ahead for a tasting); Milawa Mustards for mustards and condiments; the Olive Shop for olives, tapenades and dukkah; and finally back at Brown Brothers Winery for a tasting and lunch at the onsite hatted restaurant Patricia's Table. Just six kilometres south of town is Hurdle Creek Still, a distillery where you can sample small-batch spirits and learn all about the gin-making process. THE WEEKEND LOCAL, EUROA Every single product in this friendly shop is made, grown or created within 150 kilometres of Euroa, a little town just off the highway, about an hour's drive southwest of Wangaratta. There's coffee from Mansfield Coffee Merchants, sourdough from Strathbogie, pasta sauces, oils and pastes from the Yarra Valley, pastries from Salus Bakery and so much more. In fact, you could pretty much do your week's shopping here. It doubles up as a cafe, serving up excellent coffee and dishes driven by local produce. Another spot worth visiting in Euroa is Fare Enough, which offers light, fresh dishes, including pad thai and wombok salads. [caption id="attachment_773687" align="alignnone" width="1920"] Blue Tongue Berries via Visit Victoria[/caption] BLUE TONGUE BERRIES, NEAR SEYMOUR Take a break from driving with a bucolic frolic at this 20-acre blueberry farm, close to the Hume on Seymour's northwestern outskirts. This organic paradise is dedicated to growing the juiciest blueberries possible without harming the environment. To that end, the entire shebang is off-the-grid and self-sufficient, via a mix of solar and wind power. If you're passing by in berry season — November to February — call in advance to book a tasting session. On top of berries, the farm grows loads of seasonal fruit and veggies, as well as producing free-range eggs and lamb. Swing by the farm gate any time to grab some supplies or settle in at the cafe, which overlooks the Tallarook Ranges. You can even stay the night in one of the four homestays, all listed on Airbnb. That way you can time your visit with one of the farm's live music sessions before heading to Melbourne the next day. You're only an hour and 15 minutes' drive to Port Melbourne, where you can board a ferry to Tasmania on any day of the week. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Borambola Wines via Destination NSW
Sure, you know Dracula. But what do you actually know? If we brass-tacks this, you've got a deathly pale, rake-thin Eastern European guy with a black cloak, high collar, high cheekbones and low voice. "I vont to suck your blooood." So, next to nothing, in other words. If you want to change that, this is where you start. Shake and Stir have been cranking out literary adaptations for a decade now. Past productions include 1984, Animal Farm, George's Marvellous Medicine and Endgame.Last year they tackled Wuthering Heights, Emily Bronte's unsettling, romance-y trek over the English moors. Mr Stoker, one imagines, is in very good hands. When Jonathan Harkness, an up-and-coming lawyer pays a visit to Castle Dracula, he is intrigued by his host, an odd gentleman with a rather macabre fascination for… well, you know the rest. But you don't, do you? Book a ticket here. Image: Dylan Evans.
Mona has never shirked attention. Tasmania's Museum of Old and New Art has welcomed it, in fact, whether it's bringing in 80 tonnes of sand, is allowing music fans listen to the sole copy of Wu-Tang Clan's Once Upon a Time in Shaolin or is part of a TV show about potentially eating Australia's invasive animal species — and that's just in the past year. Also part of the venue's story over the past 12 months or so: the legal proceedings around Ladies Lounge, the feminist installation created by artist and curator Kirsha Kaechele, which was taken to court due to an anti-discrimination complaint. Two big developments impacted Ladies Lounge in 2024: first, in April, the Tasmanian Civil and Administrative Tribunal ruled that it must start letting men enter; then, a September decision by the state's Supreme Court upheld Mona's appeal, permitting it to reopen for women only to continue to make its statement about the lack of opportunity historically offered to ladies by such spaces. Kaechele did indeed relaunch the installation, but only briefly, while flagging that it could go on tour. So, after ending its run at its original home in January 2025, Ladies Lounge is now headed to the Gold Coast. Each year, the coastal Sunshine State spot turns over much of the city to Bleach*, its annual arts festival. This year, Ladies Lounge is on its lineup. This is the first time that it will pop up beyond Mona, and therefore also beyond Tasmania, with the Gold Coast's HOTA, Home of the Arts playing host to the feminist space. "Yes, some boys may be allowed in for domestic arts lessons and reparations," the fest advises. Bleach* 2025 runs from Thursday, July 31–Sunday, August 10, also covering music, opera, drama, food and more, all at festival hubs a HOTA, Kurrawa Park and Emerald Lakes. It has more big art names attached, too. Australian visual artist Michael Zavros is the festival's guest Artistic Director for the year, curating a program that spans 100-plus events. Among them, Patricia Piccinini's Skywhale and Skywhalepapa are on the lineup, and will float through the Gold Coast's skies. That's how Bleach* will kick off at sunrise on its first 2025 day. "It's such a thrill to come on board as guest Artistic Director and launch Bleach* 2025. We've been shaping this festival for some time now, and it's incredibly rewarding to see the program come to life and finally share it with our audiences," said Zavros, announcing this year's bill. "We've dreamed big this year — pushing for bold, ambitious moments — and it's exciting to see those ideas realised in such powerful ways. Bleach* continues to play a vital role in the Gold Coast's arts and culture scene, and this year's program is a true reflection of the city's creative spirit and growing artistic ambition." Among the festival's three world premieres of works created on the Gold Coast, plus five Queensland premieres and plenty of other must-sees, other highlights include opera, classical music and dancing horses taking over Kurrawa Beach; artist Jeff Koons getting chatting at an exclusive in-conversation event; and Selve's new album Breaking Into Heaven performed in full with lasers, Karul Projects dancers and the Australian Session Orchestra outdoors at HOTA. Or, there's also Drum As You Are, a family-friendly Nirvana tribute — one of the iconic band's albums is called Bleach, after all — that'll feature both professional and community drummers. Unsurprisingly given that he's steering this year's festival, you can also see Zavros' Drowned Mercedes, the sculpture that was first unveiled in Brisbane in 2023 and, yes, features a 1990s Mercedes-Benz SL convertible filled with water. Zavros is also taking part in life-drawing sessions, Melissa Spratt and Tal Fitzpatrick are teaming up to showcase how textiles can be comforting in public space, and Josh Cohen's Radiohead for Solo Piano II will be in the spotlight. Bleach* 2025 runs from Thursday, July 31–Sunday, August 10 at various locations around the Gold Coast. For further information, head to the festival website.
Erykah Badu has always been a good sign for me. Whether it's a cafe or a clothes shop, if I hear her music it's a sign that I'm in the right place at the right time. So, when it's a sparkler of a summer day at Bondi and I'm sat in front of the windows at Sean's Panorama, it was no surprise to hear Erykah's voice sliding out of the speakers, across the street and out over the waves crashing on Bondi Beach. As we ogle the view, a family walks in for lunch; one of the sons has bare feet. Next to us a trio of suited-up, male mid-life crises are talking 'big data' and 'synergies' (no joke). Outside, a young mother in Rick Owens sneakers whose toddler is sporting a Chicago Bulls jersey. This is how Bondi rolls. No one here is anyone but themselves because, as a Sydney institution, Sean's is nothing but itself. There are no pretensions and no shortcuts. The roses on the tables are from the garden. They have that long-forgotten scent. The waitstaff is the sort that does this because they want to, not because it's a job that will finance a ticket to somewhere else. What's also real is the house-made bread and butter. Both white and wholewheat come warm, and you desperately remind yourself of your mother's warning not to fill up on them before the mains. Judged as a blackboard listing alone, is a basic but delightful tomato, watermelon and feta salad. Perfection in the individual components on each of these dishes is anything but. Rough-cut, room-temperature tomatoes (Praise be!) in a thin, sunlight-coloured pool of oil are the answer to all your heirloom, vine-ripened tomato fantasies. Fat, hand-rolled ribbons of rocket-flavoured pasta have the same effect on your palate that the view of the Pacific sprawled before you has on your eyes. When the basics are this good, ordering the chicken main at Sean's begins to feel like an obligation. This logic is rewarded as breast, thigh and leg pieces congregate in holy, crisp-skinned communion. The accompanying creamed corn and slaw are nearly an insult to meat cooked this perfectly, but they definitely don't go astray. After this, dessert doesn't get any more basic than vanilla ice cream with raspberry jelly. You could almost laugh for the way the vivid jelly and first-kiss shock of vanilla ice cream conjure up all the joy of the packet stuff that made you so happy so long ago. Today though, you delicately pick at them with shards of the accompanying florentine to make it last as long as you can. I could have guessed, but I didn't, that the bill would be hand-written and our leftovers would be handed over wrapped in tin foil. As we leave, a kid outside rolls an esky atop a skateboard towards the beach and clouds roll in from the east. Sean has it good. Images: Enzo Amato and Sean's Panorama Instagram Appears in: The Best Restaurants in Sydney
This popular Chinese restaurant serves up regional flavours from China's far northwestern Xinjiang province, which is home to the Uyghur ethnic group. You won't find your typical westernised Chinese meal here, so don't go looking for a bowl of classic chow mein or pot of steamed xiao long bao. Expect a fusion of Central Asian and Turkic flavours influenced by the many cultures that surround the Silk Road. Indulge in lagman — traditional handmade noodles served with diced meat, sichuan pepper and cabbage — and cumin-spiced meats. Images: Cassandra Hannagan
A band whose lyrically deft and jangly pop sound saw them propelled into worldwide minds after just one album with movie and TV soundtracks, the Shins are returning to Australian shores for the fifth time, with a visit to Sydney's Hordern Pavilion. Formed in 1996, the Shins, whose style knows no restrictions by genre, released their debut album Oh, Inverted World, along with the seminal single 'New Slang', to critical acclaim, and have since gone on to create further soundtracks to seasons, with songs that reflect the mood, ambition and startling ability of frontman James Mercer. Back with new material off the five-years-in-the-making Port of Morrow album, the Portland quintet will be supported by Melbourne's Husky. https://youtube.com/watch?v=fweNLKBCh5A
Crowd-favourite Tokyo Lamington has expanded its dessert empire with a concept bakery in Marrickville. The mission of this new branch is more than just dishing out the cubed desserts the brand is known and loved for; it is to expand its offering into all sorts of new savoury ground with a full roster of artisanal baked goods, all paying homage to the local melting pots of Asian and Australian culture. But don't panic, lamingtons are still on the menu. View this post on Instagram A post shared by Tokyo Lamington (@tokyolamington) The dessert slingers have introduced new additions, like a Vietnamese coffee lamington. This cubed delight is a tribute to Marrickville's migrant communities, featuring a gluten-free sponge soaked in Vietnamese coffee and filled with a coffee cream made from rich Vietnamese coffee beans and condensed milk, finished with a coating of white chocolate. But there are plenty of its classics on the menu, including its iconic raspberry jam and vanilla cream, the yuzu curd and blow-torched meringue, and the colourful fairy bread and popcorn. But that's just the tip of the iceberg. Tokyo Lamington & the Bakery expands the offering beyond delicious sponge cubes to include a wide spectrum of baked delights, including pastries, cakes, breads, savoury pies, quiches and even sausage rolls. The cultural fusion is plain to see when looking at the ingredients — quiches made with savoury custard, miso and mushroom, pies with Japanese chicken curry and sausage rolls with pork, ginger and katsu curry sauce. It's all in the spirit of fusion, a direction that the Tokyo Lamington team takes to the tastiest levels.
Recently to point-and-click was our primary mode of interacting with devices; now it's being usurped by the tap, swipe and pinch. What will be next? The Haptic Interface Pop-Up Exhibition is a chance for the public to experience a type of technology that, right now, is still largely unknown and experimental — and can take a lot of googling to understand. The exhibition is held at Hong Kong House and is part of this year's Vivid festival. Essentially, the user interacts with haptic technology through touch, usually in the form of something you wear that translates your movements or pulses into some kind of effect. Things like hats that light up and move when someone speaks, or shoes that allow you to feel someone else walking, or cuffs that read pulses and allow you to sense another person's presence even if you can't see them — they even come with stylish ostrich feather plumage. A lot of the ideas are in pretty early stages. It's hard to imagine a situation where you'd think, "Wow, I wonder what walking feels like?" Though one practical item might be the wearable pillows that tell you when you're snoring — just think how many arguments between couples it would settle. Haptic Feedback is open 9.30am - 4.30pm on the Ground Level Function Room of Hong Kong House (right next to the QVB).
Situated between Collaroy Point and the northern base of Long Reef Point Headland is Fishermans Beach, a quiet and picturesque spot largely sheltered from the wind. Fishermen have used the beach since the 18th century, and while line fishing is permitted at the beach, these days most fishers use the boat ramp to launch and head out to the nearby reefs. Head here to tuck into crunchy fish and chips by the ocean and go for a wander to explore the sea life — the area forms part of an aquatic reserve. And, if you've got time, venture up to the top of Long Reef Headland and take in the panoramic coastal views. Fishermans Beach is unpatrolled, so if you'd like to go for a swim but prefer to do so safely, it's best to head to nearby Collaroy. Image: Mel Koutchavlis
Still making plans for the Easter long weekend? How does a barbecue, craft beer and music festival sound? Wollongong is getting its first of the kind when Crafted LIVE takes over MacCabe Park on Saturday, April 15 and Sunday, April 16. They're taking their barbecue very seriously at this one, with a 30-team competition going down, sanctioned by the Australian Barbecue Alliance and hosted by the Shank Brothers (from Channel Seven's Aussie Barbecue Heroes). On the craft brew side, the festival will bring together 20 of the best brewers in Australia, from Wollongong locals Illawarra Brewing Co and Shark Island Brewing to Sydney favourites Wayward Brewing and Young Henrys, and even nabbing Australia's SA much-loved Pirate Life. Live music will be rocking through the day and night, with Melbourne rocker Tex Perkins and blues musician Ash Grunwald headlining. It's an unbeatable trifecta that will feed soul, mind and belly and it's only a short train ride away. Easter plans sorted.
On the first Friday of every month, the Redfern Community Centre will fill with live music, dance, independent artists, designers, jewellery makers and food trucks for the Redfern Night Markets. Held between 4.30pm and 9.30pm, they're dedicated to giving Redfern's creatives a place to showcase their work. And it's fair to say they're more than just markets — they're a mini-festival. Browse the philately inspired postage stamp jewellery of Postcards from Aloysius, the women-orientated boxing gear of Ruff Stuff, the artworks and printed totes of local Aboriginal artist Sharon Smith, and plenty more. April 10's music program is all about slinky funk, soul and reggae, with live performances from The Roots Odyssey (UK Sound System), who'll play three sets at 4.30pm, 7.10pm and 8.45pm. If you have something to sell, visit the Redfern Night Markets website to apply for a stall. Alternatively, you can get involved as a volunteer. The April market will be held on the second Friday, April 10, rather than Good Friday.
Under current COVID-19 restrictions in Australia, there are various interstate border restrictions in place. Up-to-date information on restrictions are available at your state's health websites (click through for NSW, Victoria and Queensland). Of course, even border closures don't mean you can't start dreaming — bookmark this for when you can explore freely once again. There's something special about getting behind the wheel for a long drive, whether you're summiting Australia's soaring mountain ranges or rambling your way up the coastline. There are fascinating adventures awaiting in every corner of the country, so forget about setting a breakneck pace. Just pick out a few waypoints along the way and pull in wherever you please. When you spot a stunning hike or a sandy beach that simply has to be experienced, slide the new Sonos Roam — featuring ten hours of playtime and a drop-resistant design — into your daypack and let the perfect playlist soundtrack your adventures. Exploring Australia has never sounded so good. [caption id="attachment_728931" align="alignnone" width="1920"] Lisa Kuilenburg, Tourism Tas[/caption] GREAT EASTERN DRIVE, TASMANIA Don't think that you can get away with ignoring Tassie for much longer. The entire state deserves to be explored but, if time is of the essence, the east coast boasts a particularly scenic drive overflowing with stellar restaurants, wineries and landscapes. The fun starts in the island's northeastern corner at the Bay of Fires with its striking orange lichen-cloaked boulders. Heading south, you'll find windswept delights in coastal towns like Binalong Bay, St Helens and Bicheno before arriving at Freycinet National Park and experiencing spectacular views across Wineglass Bay. [caption id="attachment_777954" align="alignnone" width="1920"] Ensay Winery, Visit Victoria[/caption] GREAT ALPINE ROAD, VICTORIA Victoria offers some wonderfully diverse landscapes with the Great Alpine Road carrying you through some of the best. Stretching for 339 kilometres from Wangaratta to Metung, this adventure sees you cruise through granite mountain ranges and venture into lush rainforests — with dozens of great stops to make along the way. Consider taking a detour into Mount Buffalo National Park to experience the incredible views from The Horn or cool off in the Eurobin Falls. You can also sample eco-conscious wines at Ensay Winery or swing by Bruthen's Bullant Brewery for top-quality beers and a feed that showcases delicious regional flavours. [caption id="attachment_734990" align="alignnone" width="1920"] Cape Paterson, Visit Victoria[/caption] BASS COAST, VICTORIA You don't have to travel far from Melbourne to get amongst some of the state's most scenic locations. Just an hour's drive from the CBD is the stunning Bass Coast region, which encompasses everything from Phillip Island to Inverloch. Catch views of the jagged coastline and sea-bird nesting areas from San Remo before scooting along the coast to charming towns like Kilcunda, Wonthaggi and Cape Paterson. This unforgettable coastal cruise bounces from one relaxed village to the next with outstanding spots for surfing, snorkelling and dining at every turn. [caption id="attachment_813784" align="alignnone" width="1920"] Cape Tribulation, Unsplash[/caption] CAIRNS TO CAPE YORK, QUEENSLAND Completing the 1000-kilometre trip from Cairns to Cape York is a tropical adventure like no other. Featuring some of Australia's wildest landscapes, this road trip will take you on a tour of pioneering history via lowland rainforests and sweeping landscapes. Pause at Mareeba to discover why 70 percent of Australia's coffee is grown here before experiencing the reaches of the Daintree Rainforest at Port Douglas and the pristine Mossman Gorge. While much of the Cairns to Cape York route is sealed, having a 4WD to overcome some unexpected obstacles is a good idea. [caption id="attachment_743610" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] 75 MILE BEACH, QUEENSLAND Scout out the sights of the world's largest sand island — K'gari (Fraser Island) — and its breathtaking 75 Mile Beach. When the tide is right, you're welcome to take your four wheels onto the white sand beach to live out the summertime getaway of your dreams. Plus, there are more than 100 freshwater lakes found across K'gari — be sure to take a dip in the red waters of Lake Boomanjin. You can also explore the SS Maheno Shipwreck, which ran aground in 1935, before pitching a tent beneath the enormous ferns of Central Station's open rainforest. [caption id="attachment_813791" align="alignnone" width="1920"] Geoffrey Rhodes, Flickr[/caption] ANCIENT OUTBACK MOUNT ISA LOOP, QUEENSLAND Pack plenty of water and sunscreen because a multi-day drive through Queensland's remote northwest is bound to get a bit warm. This trip departs from the mining capital of Mount Isa, taking you east past the rugged Selwyn Ranges. Onwards to Richmond, you'll come across Australia's best-preserved dinosaur skeleton at Kronosaurus Korner, while Winton, about 230 kilometres to the south, is believed to be the birthplace of 'Waltzing Matilda'. Ahead of finishing the loop, experience cinematic history by stopping for a drink at Crocodile Dundee's favourite pub, the Walkabout Creek Hotel, in McKinlay. [caption id="attachment_772492" align="alignnone" width="1920"] Destination Port Stephens[/caption] PACIFIC COAST, NEW SOUTH WALES/QUEENSLAND The road from Sydney to Brisbane is peppered with remarkable attractions. You'll need about a week to experience the top-notch locations along the 1000-kilometre route. After leaving Sydney behind, the first unmissable stop is Lake Macquarie's sparkling rock pools and world-class fishing. Just up the coast, choose any of Port Stephens's 26 stunning beaches for an idyllic picnic and break out the snorkelling gear at Coffs Harbour's Solitary Islands Marine Park. Following a stop in Byron Bay, it's time to cross the Queensland border and experience the Gold Coast hinterland en route to Brisbane. [caption id="attachment_813795" align="alignnone" width="1920"] Broken Hill, Trevor McKinnon, Unsplash[/caption] BROKEN HILL AND THE OUTBACK, NEW SOUTH WALES See both sides of New South Wales as this sweeping road trip transports you from Sydney's bright lights to the frontier town of Broken Hill. You have a variety of fascinating backcountry communities to explore with Dubbo the first major landmark on this adventure. Prepare yourself for the wide open landscapes to come by visiting the Taronga Western Plains Zoo. After you move through historic mining towns like Cobar, Wilcannia and White Cliffs, you'll soon arrive at Broken Hill. Relish a cold drink at the famous Palace Hotel, then head out for an unbeatable sunset surrounded by the sandstone sculptures at the Living Desert & Sculpture Symposium. [caption id="attachment_746256" align="alignnone" width="1920"] Tourism Snowy Mountains[/caption] ALPINE WAY, NEW SOUTH WALES Australia might not be best known for its snow-capped mountains, but our alpine region is about as scenic as they come. The Alpine Way links one mindblowing destination to the next with this road trip beginning at the laidback community of Cooma and heading deep into the Snowy Mountains. Learn your local history by paying a visit to the Snowy Hydro Discovery Centre, then make tracks to the picturesque town of Jindabyne for a dip in the lake (weather permitting, of course). As the altitude increases, the isolated town of Khancoban provides the perfect launchpad to explore Kosciuszko National Park's hikes and adventure activities. Find out more about the new Sonos Roam at the official website. Top image: Bay of Fires, Spencer Chow.
From the Lumiere brothers to Christopher Nolan, cinema has always been more than just benign entertainment for our Saturday nights. It has reflected the ages we live in, not just in costumes and settings but in representing the pure zeitgeist. As we head off to the Sydney Film Festival and the Human Rights Arts and Film Festival, where films break barriers and open eyes, we’re thinking about those films that have changed how we see that crazy little thing called love. Mixed-race couples in love Even now it's still unusual to see mixed-race couples on film and television. Take Glee: the Asian girl has to end up with the Asian guy. It seems like a particularly persistent blindness given all the inter-species lovin' outlined below. But go back a few years and you will find a few films that did manage to break down this particular barrier. Most famous is 1967's Guess Who's Coming to Dinner where Katharine Hepburn and Spencer Tracy's daughter brings home a black fiance, the barrier-breaker himself, Sidney Poitier. This film paved the way for a series of bad dance films where white ballerinas hook up with street dancers, a la Save the Last Dance. Awesome. Monsters and humans in love Move over Twilight; if you think this was the first film that depicted the forbidden love between a human and a monster, you need to catch up on some movies. It wasn't even the brilliant Joss Whedon who was first in with Buffy. You have to go right back to the first monster movies, and King Kong. Okay, so in the 1933 version love was a little-one sided on the monkey side, but in Peter Jackson's 2005 remake Ann Darrow (Naomi Watts) shows a tender affection for the giant ape. The Mummy (1999) also depicted an everlasting love between a monster and a human, with the mummy rising only with the intention of bringing his love back to life through a human host. Unwed couples in love Cinema is polluted with unwed couples; the only thing is they're usually the ones copping all the flak. Take any disaster or horror movie you know: the first people that are going to get it are the ones that are enjoying a bit of out-of-wedlock nookie. Most movies, in Hollywood at least, focus on the couple's progression towards an inevitable marriage. Even today it's unusual for a Hollywood romance not to end in marriage. The spectacular The Princess Bride is one classic film that, ironically due to the title, doesn't end in a wedding. In fact, it ends with breaking up the marriage that was to be, so the true lovers can be together. More recently, the successful comedy Knocked Up shows us that it's possible to not only be in love but to have a baby out of wedlock and still be relatively happy. Other films catching up to the multitude of ways in which start families include the upcoming Friends with Kids, where friends have kids. Teenagers in love Early cinema often turned to literature's classics for inspiration, which means cinema's first teenage couple in love was that famous star-crossed duo Romeo and Juliet. They were the ones breaking barriers down between two warring families, but were they breaking cinematic barriers? Teenage films really came into their own in the '60s with the likes of cheesy, safe comedies like Beach Blanket Bingo (1965), where the teenage actors were well into their twenties. That trend continued into Grease (1978), surely one of the greatest teen love stories of all time, but it was John Hughes and the Brat Pack in the '80s that really examined what it meant to be a teenager in love. The '90s brought us another round of teens in love with 10 Things I Hate About You being a personal favourite (vale Heath Ledger). If a teenage boy can get over a girl's obsession with Sylvia Plath to buy her a Fender Strat, that's got to be love. Gay couples in love One of the earliest scenes in moving pictures shows two be-suited men dancing together, perhaps cinema's first gay couple. In fact, this scene is from an experimental sound picture now known as Dickson Experimental Sound Film, one of the first examples of an attempt to synch sound and picture. One early German film, Madchen in Uniform, is reputedly the first film with a pro-lesbian storyline, and in 1931, that’s quite an achievement. References to gay characters have permeated cinema throughout the years - for the best breakdown on queer cinema see the brilliant, though slightly old, doco The Celluloid Closet - but it's only been in recent years that we've seen true love, not jaded by other motivations. While we enjoyed the comedic love between the fathers in The Birdcage (1996), it was with the excellent The Kids Are All Right (2010) where we first had a gay couple, truly in love, whose 'gayness' wasn't an issue to be exaggerated; in fact, wasn't part of the main storyline at all. How could it be, when the parents could just as easily have been heterosexual? The Sydney Film Festival is on from June 6-17 and the Human Rights Arts and Film Festival is on from May 29 to June 1. The New Zealand Film Festival kicks off in Auckland on July 19 2012. Friends with Kids releases nationally on June 7. Main image from the film Attenberg.
In A Midsummer Night's Dream, Shakespeare's character Helena says of Hermia, "Though she be but little, she is fierce." The same might be said of The Shop, one of Bondi's original small venues. In this pocket-sized 'cafe that sells wine', well off the main drag, great things happen. Like roasted mushies with thyme, lemon, Persian feta and smoked ocean trout on toast. And 'Warm Meatball Goodness'. And Tinja riesling from Lowe Wines' organic vineyard in Mudgee. And 'mystery beers'. The Shop is a cafe by day, whipping up breakfast from 7am and lunch all afternoon. Come evening, it transforms into a bar, serving share plates and a thoughtful, mostly Australian wine list, with a few European drops thrown in for good measure. The atmosphere is friendly, which is lucky, given that there's only seating for about twenty or so. Ten people can fit on the red-wallpapered inside and about ten on the pavement outside.
Grabbing everyone's attention with one shiny promise, then delivering something else as well: if you've ever watched Black Mirror, then you've seen that exact situation play out several times among its many tech nightmares. When the dystopian saga's seventh season arrives, that setup just might apply to the show itself, too. A sequel episode to season four's Star Trek-riffing USS Callister episode has long been promised, but a follow-up to choose-your-own-adventure movie Black Mirror: Bandersnatch also appears to be part of the six-instalment return. Black Mirror season seven now has a trailer, and Bandersnatch's Will Poulter (The Bear) and Asim Chaudhry (Industry) are part of it. The next chapter in Charlie Brooker's can't-look-away take on how humanity's use of gadgets and innovations can go devastatingly wrong also has an official release date. In excellent news, you'll be plugging in soon, on Thursday, April 10, 2025. The new episodes will drop two years after 2023's sixth season, which is a short gap in Black Mirror terms given that there was a four-year wait after season five. Season seven's batch of Black Mirror episodes is also bigger than the past two seasons, serving up six instalments — which only season three and four have done in the past. As teased by the trailer, the show's seventh season has artificial intelligence in its focus — and everything from a black-and-white realm and wearable tech to Peter Capaldi (Criminal Record) chatting about expanding minds on offer along the way. From USS Callister, Cristin Milioti (The Penguin), Jimmi Simpson (Pachinko), Billy Magnussen (The Franchise), Milanka Brooks (The Windsors), Osy Ikhile (All American) and Paul G Raymond (Deadpool & Wolverine) are all back. Across the rest of the season, the cast also includes Awkwafina (Jackpot!), Emma Corrin (Nosferatu), Rashida Jones (Sunny), Chris O'Dowd (The Big Door Prize), Issa Rae (American Fiction), Michele Austin (Hard Truths), Tracee Ellis Ross (Candy Cane Lane), Harriet Walter (Silo), Patsy Ferran (Mickey 17), Paul Giamatti (The Holdovers) and more. And if you're wondering whether Brooker took any inspiration from his headline speaker gig at the first-ever SXSW Sydney in 2023, you'll need to watch the new season to find out. Chatting with Netflix, he has promised "a mix of genres and styles". Also "they're all sci-fi stories — there's definitely some horrifying things that occur, but maybe not in an overt horror-movie way. There's definitely some disturbing content in it." Check out the trailer for Black Mirror season seven below: Black Mirror season seven will stream via Netflix from Thursday, April 10, 2025. Read our review of season six, and our interview with Charlie Brooker.
Lunar New Year is about much more than red envelopes and lion dances. Bring your family and friends together to celebrate the Year of the Dragon with the Chippendale Collective's range of special events this month, as part of the Chippendale Spice Festival. From Thursday, February 8 to Saturday, February 24, Chippendale will come alive with free live music, workshops, bespoke set menus and art exhibits across the inner-city hub. Treat the family to a fortuitous meal at Holy Duck! with the Lucky 88 Menu for $88, or opt for a tableside spectacle with Olio's salt-baked fish, derived from a recipe that dates back 800 years. Afterwards, purchase a Money Bag Cake or Golden Hongbao Cake at beloved KOI Dessert Bar for a chance to win a gift voucher, or try the limited edition chilli mango gelato at Anita Gelato. For some liquid luck, tag along for an entertaining cocktail class at Fortress Sydney, or try your hand at a drawing class paired with spicy margs at one of Sydney's best pubs, The Lord Gladstone. Then, burn it all off with DanceKool Studio's TikTok dance workshops and Asian pop party at Central Park Mall on Saturday, February 24. Culture vultures can drop in for free Chinese contemporary art at White Rabbit Gallery or discover Chinese ornaments at the free Chau Chak Wing Museum. There's also free live music with drinks and food at the Sneaky Possum on Saturday, February 17, and free live gigs by the likes of cellist James Morley, rap star Mulalo and more at the stunning Phoenix Central Park. [caption id="attachment_837008" align="alignnone" width="1920"] Jordan Munns[/caption] And of course, there'll be lion dances and family-friendly activities including giveaways, fortune tellers, fairy floss, an eating competition and face-painting at the Kensington Street Lunar New Year Festival on Sunday, February 18. The event is presented by the Chippendale Collective and proudly supported by the City of Sydney. Check out the lineup of events at the Chippendale Spice Festival website.
2021 was a tough year, but one thing that managed to make it better was seeing Sydney's creative and hospitality communities come together to try make lockdown a little more bearable. During the four-plus months Sydneysiders were under stay-at-home conditions, many local businesses went above and beyond to help those that were struggling. And, a heap of our favourite spots came up with new and creative ways to keep their staff in work and keep locked-down patrons well-fed, entertained and feeling hopeful. We've complied a list of eight fresh ideas that emerged during 2021's lockdown to help both us and the greater community through a difficult period. From tasty tacos and next-level home meals to virtual festivals and a throwback to the video stores of the past, these pivots made their mark.
Bones is a slick 20-seat ramen restaurant hidden right on the border of Potts Point and Rushcutters Bay. The hidden gem opened at the beginning of 2022 with Michael Mu Sung of Farmhouse and Jeremy & Sons at the helm. You'll find it across the road from Farmhouse, decked out in red brick, ocean blue tiles and parquet wood floors courtesy of design firm, Guru Projects. It's walk-in only with ten of the seats overlooking the ramen action in the kitchen, while the other ten are outside, ready for sunny days and brisk nights. "Bones is our chance to serve something that we love and in our own style. The ramen dishes themselves are high-quality, something we felt was missing from the Elizabeth Bay/Potts Point dining precinct," explains Mu Sung. As for the ramen, it's a tight, spicy menu, stuffed with seasonal ingredients and headed up by Jacob Riwaka — whose previous culinary experience spans years at Newtown favourite Rising Sun Workshop and Cornersmith restaurants. "Unique to Bones will be our in-house production, barrelling and storage of taré, which is the soy seasoning for the broths. Controlling this from the restaurant means we're able to ensure continuity across our bowls at the highest possible standard," Riwaka says. Scan the menu and you'll find four specialty ramen bowls. These change but generally include pork, chicken, seafood and vegetarian options. Highlights include the niboshi shio seafood soup with prawn dumplings, scallops and shallots. Looking for a complete feast? Add snacks and sides like fried chicken— plus a small but tasty selection of drinks including a gentle pét-nat and local craft beers like Sailor's Grave and Yulli's. Appears in: The Best Japanese Restaurants in Sydney
UPDATE, January 29, 2021: The Dig is available to stream via Netflix. When Ralph Fiennes first trundles across the screen in The Dig, then starts speaking in a thick Suffolk accent, he's in suitably surly mode, as he needs to be. But, playing forthright, hardworking and under-appreciated excavator Basil Brown, the adaptable Official Secrets, Hail, Caesar!, Spectre and A Bigger Splash star also flirts with overstatement in his initial scenes. Thankfully, Fiennes settles into his role quickly. What starts out threatening to dissolve into caricature — not a charge aimed at the actor very often across his long career — soon becomes a measured, layered and earthy performance that's quietly weighty and moving. The self-taught Basil has spent a lifetime being judged by his voice, demeanour and appearance, and not on his talents and intellect, which Fiennes conveys with a firm but also delicate touch. As he finds his groove, not only while his character shovels dirt but in his conversations with those around him, this 1939-set drama about a real-life archaeological discovery also finds its rhythm with him. Hired by Edith Pretty (Carey Mulligan, Promising Young Woman) to burrow into what appear to be centuries-old burial mounds on her sprawling estate, Basil doesn't unearth any old junk. His kindly employer has always had a feeling about the small hills on her property, as she tells him in one of their friendly, leisurely chats, and her instincts prove more than accurate when they're found to contain Anglo-Saxon relics dating back to the sixth or seventh century. Basil initially dismisses Edith's suggestion about one particular mound; however, he swiftly realises that she too has spent her years being cast aside — due to her gender, not her class — by others. Their discovery on the site now known as Sutton Hoo is immense. It sparks national attention, including from museum head honchos who were barely interested when Edith first went asking for help excavating her property. Indeed, they cared so little about assisting Edith, and what her land might contain, that they fobbed off the job to Basil. The latter was well-recommended, and rightly so, but the way in which he came to be in Edith's employment smacks of men of authority, wealth or both who think they inherently know better than everyone, especially those they consider beneath them. Telling this tale, The Dig adapts the 2007 novel of the same name by John Preston — exploring Basil's work, Edith's fight to retain both recognition and the items buried deep in her soil, her increasing health woes, and the keen excitement of her primary school-aged son Robert (Archie Barnes, Patrick) as the excavation continues. It also follows the circus that arises when the British Museum's Charles Phillips (Ken Stott, The Mercy) insists on taking over once objects of value are found, and the love triangle that forms between his married employees Stuart (Ben Chaplin, The Children Act) and Peggy Piggott (Lily James, Rebecca) and Edith's airforce-bound cousin Rory Lomax (Johnny Flynn, Emma). The latter is the film's least convincing and least necessary element, smacking of pointlessly adding a romantic subplot to ramp up the drama. Still, whether you already know Sutton Hoo's story or you're learning the details for the first time, The Dig nonetheless relays an astonishing chapter of history. The first half of the 20th century was a staggering time for unearthing the past in general, as the movie nods to when Edith and Basil mention the exhumation of Tutankhamun's tomb in Egypt just the decade prior. That said, spending time at an archaeological site mightn't sound like rich and riveting viewing — but this fascinating feature proves that notion wrong. While The Dig doesn't hone in on the scooping, shovelling and scraping too often, every shot that does leave an imprint. Such images also reinforce the film's broader contemplation of longevity, mortality and legacies, too. This is a movie that steps back into the past, chronicles an extraordinary historical discovery, and ponders the reality that time comes for all things and people. We all hope to leave a mark, to ensure that generations to come know that we once walked this earth, and to live on in the minds of those who follow after us, but the reality is that not everyone gets to. We can't all have our treasures dug up more than a thousand years after our deaths, or have our names etched in the history books for finding someone else's. We can all hope to be remembered by those nearest to us, those dearest to them and so on, though. As well as its true tale and its ruminative, melancholy undercurrent, The Dig benefits from two important decisions: the casting of Mulligan and Fiennes, and the involvement of Australian theatre director-turned-filmmaker Simon Stone. After the anger and raw energy of Promising Young Woman, Mulligan finds power in restraint here. Arriving back to back, her two recent performances are almost whiplash-inducing; that's how extensively they survey her range. Once Fiennes finds his knack as Basil, he's a source of stoic potency as well. Indeed, Mulligan and Fiennes' scenes together rank among the movie's best, although, making his first feature since 2015's The Daughter, Stone ensures that even the most routine of moments is never dull. The Dig abounds with sun-dappled imagery of Suffolk fields, their green and yellow expanse being carved into one spade at a time, but it's a gorgeously lensed picture in every frame. Stone and cinematographer Mike Eley (who also worked on The White Crow, which was directed by Fiennes) rarely shoot anything within view in the expected manner, resulting in a film that appears the handsome period part, yet also looks and feels fluid and lively. It has a sense of movement, of living, of truly engaging with everything within its view, rather than just peering on. And, while gouging into the land sometimes disinters valuables and sometimes just offers more dirt, this graceful movie proves a consistent gem. https://www.youtube.com/watch?v=JZQz0rkNajo Image: Larry Horricks/Netflix.
December is here, and we're sure the sound of jingling bells is well and truly lodged in your head — but if your TV isn't screening an endless festive movie marathon, is it really Christmas? This portion of year isn't just the prime period for gift-giving, lots of eating, and spending quality time with your nearest and dearest, but also for watching and rewatching all those flicks that make you feel merry. Or, if you're hardly the jolly type, to get a dose of Christmas with some offbeat, action-packed and/or darkly comic picks. Just what makes a Christmas film has been hotly debated. Some folks, like Last Christmas director Paul Feig, rightly believe that Die Hard counts. Others stick firmly to movies that weave in the season in a more overt way. Whichever category you fall into, and however you feel about the season, we have a list of suggestions for your Yuletide viewing pleasure. Pour yourself some eggnog, get cosy on your couch and start streaming. Home Alone (and Its Sequels) In 2021, a brand new Home Alone movie arrived to demand your attention. Yes, the 90s classic was remade — by Disney+, and with Jojo Rabbit's Archie Yates, Unbreakable Kimmy Schmidt's Ellie Kemper and Deadpool & Wolverine's Rob Delaney among the cast. Nostalgia might draw you to it, but the Mouse House's streaming platform is already serving up classic Home Alone delights, with the 1990 original, 1992's Home Alone 2: Lost In New York and 1997's Home Alone 3 all available (and also 2002's Home Alone 4, if you're a completist). Naturally, the original is the one that calls everyone's names whenever they're feeling festive. It was the highest-grossing live-action comedy at the US box office for more than two decades for a very good reason. Watch as Macaulay Culkin (Entergalactic) puts in a star-making performance, Joe Pesci (Bupkis) and Daniel Stern (For All Mankind) play bumbling burglars, and plenty of inventive booby traps get in the way. Home Alone, Home Alone 2: Lost In New York, Home Alone 3, Home Alone 4 and Home Sweet Home Alone stream via Disney+. Happiest Season Forget Twilight. Yes, it's the film franchise that Kristen Stewart (Love Lies Bleeding) is best known for, but her resume spans much further than sparkly vampires. And, courtesy of Happiest Season, it includes a festive rom-com that gives its well-worn genre a much-needed queer focus. Stewart plays Abby, the girlfriend of Harper (Mackenzie Davis, Speak No Evil). The former usually hates Christmas, but she's willing to give the usual trimmings a go for the latter. Alas, it turns out that Harper hasn't come out to her family, which cause more a few complications over the holidays. From the get-go, it's easy to see where the film is headed, but Happiest Season willingly sticks to a formula in order to update it. And, it's likely this LGBTQIA+-friendly dose of merriment wouldn't have found the right mix of festive familiarity and emotional substance with other leads. Happiest Season streams via Binge. Read our full review. The Nightmare Before Christmas More than a quarter-century ago, filmmakers Tim Burton (Beetlejuice Beetlejuice) and Henry Selick (Wendell & Wild) served up one of the most-enchanting holiday films to hit the big screen — and one that doubles as both Halloween and Christmas viewing. It's Burton's name that everyone remembers; however, a pre-Coraline Selick is actually in the director's chair on The Nightmare Before Christmas, which charms with both its offbeat story and its gorgeous stop-motion animation. Burton came up with the narrative though, because Jack Skellington only could've originated from the Beetlejuice and Edward Scissorhands filmmaker's brain. Imaginative, original and engaging (even as it nods to Dr Seuss a few times), it still remains a festive treat for all ages. The Nightmare Before Christmas streams via Disney+. The Holdovers Melancholy, cantankerousness, angst, hurt and snow all blanket Barton Academy in Alexander Payne's (Nebraska) The Holdovers. It's Christmas 1970 in New England in this thoughtful story that's given room to breathe and build, but festive cheer is in short supply among the students and staff that give the movie its moniker. Soon, there's just three folks left behind: Angus Tully (debutant Dominic Sessa), whose mother wants more time alone with his new stepdad; curmudgeonly professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; and grieving cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building, and an Oscar-winner for her work here), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The Holdovers streams via Netflix and Binge. Read our full review. Last Christmas Some Christmas movies — many festive movies, let's be honest — get the usual carols stuck in your head. Fancy a little George Michael whirling around your brain instead? That's what's on offer with Last Christmas, for obvious reasons. Just read the title and you'll already be humming the appropriate tune. This recent festive rom-com is both extremely likeable and very predictable. In other words, it's perfectly suitable feel-good Christmas in July viewing. The cast, which includes Emilia Clarke (Secret Invasion), Henry Golding (The Ministry of Ungentlemanly Warfare) and Emma Thompson (Roald Dahl's Matilda the Musical) are all an absolute delight, Paul Feig (Bridesmaids, A Simple Favour) directs with a light touch, and the George Michael hits just keep coming. Last Christmas streams via Netflix, Stan, Prime Video and Paramount+. Read our full review, and our interview with Paul Feig. It's a Wonderful Life It's been 78 years since Frank Capra's It's a Wonderful Life first warmed hearts, and started to become a festive tradition. The ultimate 'what if?' tale, the five-time Oscar nominee is also a shining example of a movie that didn't do well at the box office originally but has more than made up for it since. Featuring a pitch-perfect performance from the great James Stewart as the downtrodden George Bailey, the film's charms are many. It's sweet, optimistic but still willing to look at grim realities. That's what happens when Bailey has bleak thoughts one Christmas Eve, and contemplates ending it all, before a guardian angel shows him what life would've been like in his home town of Bedford Falls without him. It's a Wonderful Life streams via Stan. Eyes Wide Shut It isn't by accident that Eyes Wide Shut, Stanley Kubrick's last complete film and one of the masterful director's absolute best, takes place during the holidays. The late, great filmmaker plunges into a fraying marriage at a time of year that's either blissful or fraught in relationships, or seesaws between the two, with then real-life couple Nicole Kidman (The Perfect Couple) and Tom Cruise (Mission: Impossible — Dead Reckoning Part One) as his leads. And, in the process, he has plenty to say about the institutions, traditions and expectations that society tells us will bring contentment — the wealth and romantic ideals that fall into the same categories, too — and the gaping chasm between those glossy notions and reality. When it hit cinemas, Eyes Wide Shut was marketed as an erotic thriller — 'twas the 90s — but despite the sex, masquerades and relationship games, that's only one layer of the feature. Following Bill (Cruise) and Alice (Kidman) Hartford as they navigate the festive period, complete with indulgent parties and strung-up lights aplenty, this probing film has zero cheer for Christmas' shiny facade, or the annual promise that forced jolliness will make anyone's lives better. Eyes Wide Shut streams via iTunes. How to Make Gravy Normally when it comes to watching Christmas movies, you can pick whichever day in December takes your fancy and press play. But How to Make Gravy is best watched on December 21, because that's the date that's been known as Gravy Day since 1996 thanks to Paul Kelly's classic tune 'How to Make Gravy'. Yes, this is a movie adaptation of the song, with musician Meg Washington and writer/director Nick Waterman behind it. And yes, it spins a story around the many characters that Kelly names in his track. The Royal Hotel co-stars Daniel Henshall (RFDS) and Hugo Weaving (Slow Horses) feature as Joe and Noel. The first hails from the tune — he's the prisoner who writes to his brother Dan (Brenton Thwaites, Titans) to kick things off — while Noel, a new addition to the tale, is a veteran inmate that he crosses paths with inside. With a cast that also spans Kate Mulvany (The Clearing), Damon Herriman (Better Man), Kieran Darcy-Smith (Mr Inbetween) and Kym Gyngell (The Artful Dodger), plus Titane's Agathe Rousselle in her first English-language film, How to Make Gravy charts the events that lead to Joe being away from his family come festive season, how they're coping without him and the underlying factors that he needs to face to spend next Christmas at home. How to Make Gravy streams via Binge. Read our interview with Daniel Henshall and Hugo Weaving. The Muppet Christmas Carol It's time to play the music, light the lights and see Charles Dickens' classic play out in felt — and with Michael Caine (The Great Escaper) as Ebenezer Scrooge. Any Muppets movie is ace seasonal viewing because they're all so warmhearted, but The Muppet Christmas Carol was obviously made for the merriest time of year. The movie follows Dickens's tale, with the miserly Ebenezer Scrooge given a change of perspective by the ghosts of Christmas Past, Christmas Present and Christmas Yet to Come. Here, however, Jim Henson's beloved creations join in, with Kermit the Frog playing clerk Bob Cratchit, Miss Piggy as Emily Cratchit, Gonzo narrating the story as Dickens (with help from Rizzo the Rat), Fozzie Bear as Fozziwig and Robin the Frog as Tiny Tim. Other Muppets show up, because of course they do. The Muppet Christmas Carol streams via Disney+. Rare Exports: A Christmas Tale Calling all festive horror fans — and fans of deadpan comedy. You'll get a bit of both with Finnish thriller Rare Exports: A Christmas Tale, because sometimes, that's just what the season needs. Taking inspiration from the Joulupukki, a pagan and folkloric figure that's helped shape Santa Claus-centric stories, this creative film starts as all sinister tales do: with the unearthing of something eerie and perhaps best left forgotten. Here, after a British research team disturbs an ancient burial mound, the local reindeer become the first casualties. Twisted and off-kilter, eager to play with mythology and unafraid of gruesome imagery, this is the kind of Christmas flick that doesn't come around very often — all from Jalmari Helander, the filmmaker behind 2023's underseen Sisu. Rare Exports: A Christmas Tale streams via iTunes and Prime Video. Tangerine Before writer/director Sean Baker gave the world 2024 Palme d'Or-winner Anora, plus The Florida Project and Red Rocket before that — each among the best movies of their year — he spent Christmas Eve with two transgender sex workers as one learns that her boyfriend and pimp has been unfaithful. Sin-Dee Rella (Kitana Kiki Rodriguez) is fresh from a 28-day stint in jail when she teams up with her best pal Alexandra (Mya Taylor, High Tide) to chase down her other half Chester (James Ransone, The Black Phone). While getting revenge on cheating spouses isn't a new topic on film, Tangerine is its own raw and delightful effort. Baker also shot the Los Angeles-set feature solely on iPhones, which proves quite the technical feat, and doesn't stop it from being visually inventive again and again. Tangerine streams via iTunes. Christmess "Happy holidays" might be two of the most-used words each and every December, but this time of year isn't jolly for everyone. With the gripping and affecting Christmess, writer/director Heath Davis (Broke, Book Week and Locusts) stares clear-eyed at the haunting regrets, aching loneliness and complicated family dynamics that are part of the festive season for many — and has his characters chat about the best Christmas movies, too. Fresh-out-of-rehab actor Chris Flint (Steve Le Marquand, The Twelve) is at this Australian dramedy's centre, as he tries to get his life back on track — a job playing a shopping-centre Santa included — while living in a halfway house with his sponsor Nick (Darren Gilshenan, Colin From Accounts) and fellow recovering alcoholic Joy (musician Hannah Joy). Christmess streams via Binge. Nutcrackers After a few years spent making horror movies — and building upon genre classics at that, thanks to Halloween, Halloween Kills, Halloween Ends and The Exorcist: Believer — filmmaker David Gordon Green has swapped scares for heartwarming seasonal hijinks. Consider that one of his latest feature's big returns. Opening the 2024 Toronto International Film Festival before making its way to streaming, Nutcrackers also gets Ben Stiller back in front of the camera (although he can be forgiven for his time behind the scenes given that he's been busy directing Severance). Long-term Stiller fans should spot echoes of Reality Bites, which he helmed as well as co-starred in, in his Nutcrackers character Mike Maxwell. Looking the corporate part and devoted to his job, he's not fond of the idea of shaking up his routine — or jeopardising his career advancement prospects. Then tragedy strikes, leaving him to find new guardians for his four rambunctious nephews who definitely don't want to go into foster care, and also have a creative take on classic ballet The Nutcracker that they're eager to stage. Nutcrackers streams via Disney+. White Reindeer If your attitude towards Christmas is 'bah humbug' or something similarly grinchy, then White Reindeer might just be the festive film for you. It starts with the festive season approaching, and with real estate agent Suzanne Barrington (Anna Margaret Hollyman, Sister Aimee) happy with her weatherman husband Jeff (Nathan Williams, Younger) — and super excited about the most wonderful time of the year. Then, tragedy strikes, and Zach Clark's (The Becomers) black comedy leans firmly into its genre. Tackling dark subjects, as well as the fact that Christmas isn't all presents, big hugs and glittering lights for everyone, this is a very funny, savvy and astute movie. It's also purposefully awkward, and remains a great example of low-budget indie filmmaking no matter the time of year. White Reindeer streams via YouTube Movies. Carol Carol falls into the category of films that, purely because they're set at the right time of year, automatically qualify as Christmas movies (see also: a few other flicks on this list). If that's the excuse you need to revisit Todd Haynes' (May December) aching romantic drama, then that's completely fine. Any excuse will do, really. The more eyeballs soaking in this sumptuous tale of forbidden love either for the first time or the hundredth, the better. Starring Rooney Mara (Women Talking) as a shopgirl who falls for Cate Blanchett's (Disclaimer) titular character, and based on Patricia Highsmith's novel The Price of Salt, the 50s-set drama fills the screen with emotion as the two women confront their feelings. Haynes' resume isn't short on highlights (Velvet Goldmine and Far From Heaven, for example), but might be his crowning achievement. Carol streams via ABC iView. Read our full review. Batman Returns Why so seasonal? No, the Joker doesn't say that in Batman Returns. In fact, that villain isn't even the Dark Knight's nemesis in this 1992 film. The sentiment still fits, though. Given the amount of times that Batman has graced cinemas, one of those movies was always going to be appropriate Christmas viewing — and Tim Burton's (Beetlejuice Beetlejuice) second stint unpacking Bruce Wayne's alter ego, plus Michael Keaton's (also Beetlejuice Beetlejuice) second round of playing the titular character, is 100-percent that movie. Christmas provides the backdrop for Oswald Cobblepot (Danny DeVito, It's Always Sunny in Philadelphia) and Selina Kyle's (Michelle Pfeiffer, Ant-Man and the Wasp: Quantumania) antics — aka The Penguin and Catwoman — in this sequel to 1989's Batman, and lights up Gotham City as its namesake endeavours to save the day. Again, there's never any shortage of Dark Knight flicks to choose from, including two more follow-ups in the 80s and 90s franchise, Christopher Nolan's trilogy, Ben Affleck in the cape and cowl and 2022's Robert Pattinson-starring The Batman, but 'tis the season for this one. Batman Returns streams via Binge. Elf Will Ferrell (The Boys) plays an elf. It sounds like the idea for a Saturday Night Live sketch, really. To the joy of Christmas-themed film fans everywhere, that's not the case with Elf — and even though it was written with Jim Carrey (Sonic the Hedgehog 3) in mind, and even though he went seasonal again with Spirited in 2022, this festive comedy ranks alongside Anchorman as one of the movies that Ferrell will always be remembered for. He's both amusing and endearing as Buddy, a human raised by Santa's elves who only realises that he's not like everyone else he knows when he grows up. It's a basic fish-out-of-water setup, but showered with humour, heart and festive goodwill. Also, long before he directed Iron Man, The Jungle Book and the photorealistic version of The Lion King, this is what actor-turned-filmmaker Jon Favreau served up. Elf streams via Binge and Stan. Gremlins Fun fact for Breaking Bad fans: Jonathan Banks, aka Mike Ehrmantraut, plays a deputy in Gremlins. He's not the star of the show, though, and nor are any of the movie's humans. No, that honour goes to its furry creatures that definitely shouldn't be exposed to water or sunlight, or fed after midnight. That's the warning that Randall Peltzer (Hoyt Axton, King Cobra) receives when he buys an unusual gift for his teenage son Billy (Zach Galligan, Midnight Peepshow) from a Chinatown store and, as Joe Dante's (Nightmare Cinema) upbeat, anarchic comedy demonstrates, it's advice that should be heeded. Another trusty tidbit that's worth remembering: no matter how old you are, watching Gremlins will make you want a mogwai for yourself. Gremlins streams via Binge. Black Christmas A fun, feisty remake with a female perspective and a refreshing sense of sisterhood, Black Christmas is a college-set slasher flick for the #MeToo era. The latter gets thrown around a helluva lot, but with this updated version of a 1974 cult movie, writer/director Sophia Takal (Always Shine) firmly leans into the term. Indeed, Black Christmas circa 2019 lives and breathes its #MeToo mindset, particularly in its story and characters. In this Imogen Poots (Outer Range)-led, Cary Elwes (Knuckles)-costarring effort, a masked predator stalks women as the festive season swings into gear, specifically targeting sorority sisters at a stately university. There's a mounting body count, but these gals aren't merely a parade of powerless, disposable victims. Black Christmas streams via Netflix. Read our full review. Die Hard Yippee ki-yay, fans of both action and seasonal hijinks (and of Bruce Willis crawling around in vents trying to fight off terrorists, too). It's time to follow in the footsteps of Brooklyn Nine-Nine's Jake Peralta and love Die Hard unconditionally, because — by virtue of being set on Christmas Eve — this is a Christmas-appropriate film. The story, if you somehow don't know it, involves NYPD cop John McClane (Willis, Assassin), a Los Angeles building attacked by the nefarious Hans Gruber (Alan Rickman, Eye in the Sky) and plenty of explosive antics. We know, we know, Rickman also features in that other, more overtly festive-themed favourite, aka Love Actually, but there's nothing quite like a couple of hours spent at Nakatomi Plaza. Die Hard streams via Disney+. In Bruges Before The Banshees of Inisherin, filmmaker Martin McDonagh teamed up with actors Colin Farrell (The Penguin) and Brendan Gleeson (Joker: Folie à Deux) on another darkly comic gem. In Bruges is writer/director McDonagh's first feature, in fact, and what a stunning debut it is, diving into hitmen chaos in Belgium over the Christmas period. McDonagh's whip-smart script only mentions the time of year a few times, but its titular setting is lit up for the occasion. Farrell's Ray is hardly thrilled, though; "For two weeks? In fucking Bruges? In a room like this? With you? No way," is his response to being holed up and hiding out with his mentor Ken (Gleeson) at the behest of their handler Harry (Ralph Fiennes, The Wonderful Story of Henry Sugar). Blackly comedic amusement springs from their predicament, and so does mayhem, melancholy and even hope. In Bruges streams via Netflix and Stan. That Christmas Richard Curtis is getting festive again. The screenwriter behind Four Weddings and a Funeral, Notting Hill and the first two Bridget Jones movies — and a big driver of Hugh Grant's (Heretic) early career, clearly — will forever be associated with the jolliest part of the calendar thanks to Love Actually. Now he's added That Christmas to his resume, and a clip of his past end-of-year flick that everyone knows and has thoughts about even features in this animated all-ages-friendly affair. That Christmas springs from the page, from Curtis' books That Christmas, The Empty Stocking and Snow Day with illustrator Rebecca Cobb. On-screen, he's intertwined those tales, with Simon Hunter (A Tale Dark & Grimm) directing, Peter Souter (Married Single Other) co-scripting, and the film's account of home-alone kids both lonely and mischievous featuring voicework by Bill Nighy (The Wild Robot), Brian Cox (The Lord of the Rings: The War of the Rohirrim) and more. That Christmas streams via Netflix. Bad Santa The sequel didn't stuff anyone's stocking full of laughs, sadly, but the original Bad Santa is a masterclass in seasonal misanthropy and utterly inappropriate humour. Now two decades since Billy Bob Thornton (Landman) first popped on the red suit to play the world's most begrudging Father Christmas — actually a professional thief that uses his gig as a department-store Santa as a cover to case the place — he's still one of the most memorable festive figures there is. Everything that can go wrong does for Thornton's character Willie, and every boundary that director Terry Zwigoff (Art School Confidential) and writers Glenn Ficarra and John Requa (Jungle Cruise) can test gets pushed as well. Grinches, this comedy understands your Yuletide disdain and milks it — and finds hilarious uses for a sack full of the festive film genre's cliches, child sidekicks and all. Bad Santa streams via Prime Video. Scrooged Every Christmas, real or otherwise could use a dose of Bill Murray (Ghostbusters: Frozen Empire) — even when he's hardly brimming with festive cheer. So, back in 1988, Scrooged delivered just that in a modern retelling of A Christmas Carol. Murray plays arrogant, selfish TV executive Frank Cross. He doesn't share the same name as Charles Dickens' famous grouch, but he's just as lacking in feel-good spirit. Everyone knows how the broad story goes, with ghosts of Christmas past, present and future popping up to teach this cynical crank the error of his ways. When Murray is involved, though — and when he's also leading a sing-along — even what seems like the umpteenth adaptation of a well-known story doesn't feel routine. Scrooged streams via Binge. Carry-On What if Die Hard met TV series Hijack, but starring Taron Egerton (Tetris) and Jason Bateman (Air), and with Non-Stop director Jaume Collet-Serra on helming duties? That's Carry-On, 2024's addition to the festive thriller subgenre. Egerton plays a Los Angeles TSA officer with a newly pregnant girlfriend (Sofia Carson, Purple Hearts) and therefore fresh motivation to ask his boss (Dean Norris, Law & Order: Organised Crime) for a promotion, who's given a chance to show he's worthy of climbing the airport's corporate ladder on Christmas Eve. Baggage scanning duties await, then, as a test — but a trial of a different kind swiftly arrives. Via a voice speaking to him through an earpiece, Carry-On's protagonist is soon being told to let a particular piece of luggage through or face deadly consequences. Bateman is a treat playing firmly against type, in what proves a well-cast picture all round. And while it's easy to see where the story is going, the writing remains smart and the setpieces are lively. Carry-On streams via Netflix.
The 21st-century has not been kind to the vampire. Between Stephenie Meyer's sparkling high schoolers, the leather-clad killers of the Underworld series and whatever the hell those things in I Am Legend were meant to be, the once noble creatures of the night have been reduced by pop-culture to cringeworthy caricatures. Bela Lugosi must be turning in his grave. Enter Jim Jarmusch, director of Dead Man, Ghost Dog and Broken Flowers, to name just a few. One of the enduring figures of the American indie film movement, Jarmusch has made a career out of minimally plotted, post-modern genre subversions, and his latest work is no exception. Mixing traditional vampire mythology with the director's distinctively aloof brand of cool, Only Lovers Left Alive is a handsome, compelling, meditative take on the lives of the eternal undead. An appropriately gaunt and pasty Tom Hiddleston plays Adam, a centuries-old bloodsucker living on the outskirts of Detroit. A reclusive figure, Adam's only human contacts are a crooked hospital doctor (Jeffrey Wright) who provides him with fresh batches of O-negative, and a wide-eyed rock 'n' roll fan (Anton Yelchin) from whom the vampire buys vintage guitars. Aside from his music, the one thing Adam cares about is his wife, Eve (Tilda Swinton), with whom he is reunited not long after the movie begins. For a while, the immortal lovers live in peace, only to find their solitary existence shattered by the arrival of Eve's impulsive younger sister (Mia Wasikowska). Like many of Jarmusch's films, Only Lovers moves along at a languid pace, with large stretches of the movie unfolding in which very little actually happens. Nevertheless, viewers willing to give the film their patience will be rewarded by its rich, intoxicating atmosphere. Synonymous both with rock 'n' roll and America's crumbling economy, Detroit's empty streets and abandoned buildings are the perfect stalking ground for Jarmusch's silent camera, which finds an eerie kind of beauty in moonlit vistas of urban decay. Electronic guitar chords flow despondently across the soundtrack, ringing in perfect harmony with the images projected on the screen. The protagonists are drawn with fascinating detail. Late-night musings, on music, art, science and the various historical figures that Adam and Eve once knew, are underlined by a sardonic sense of humour, informed by centuries of bitterness and disappointment. Detached from the world around them, there's an air of tortured disinterest to the duo, like ageing rock stars, or unkillable hipsters (and isn't that a terrifying concept?) Emphasising mood over story, Only Lovers Left Alive is the cinematic equivalent of one of Adam's melancholic rock songs. It washes over you, absorbing through your skin. Jarmusch has brought dignity back to the vampire, in his own unmistakable style. https://youtube.com/watch?v=ycOKvWrwYFo
Knowing when to take the one-and-done route isn't pop culture's forte, as too many movie franchises and TV shows extending beyond their best days keep showing. The Tourist falls into the opposite category: initially planned as a once-off with its six-episode first season in 2022, the Australian-international co-production has found a way to return. The catalyst for that comeback isn't just the show's initial success, but teaming up stars Jamie Dornan (A Haunting in Venice) and Danielle Macdonald (French Exit) for a second time because it worked so swimmingly to begin with. Indeed, when The Tourist swiftly earned its season-two renewal, it was hardly a twist. Some on-screen collaborations simply demand more opportunities to keep shining, and Dornan with Macdonald is one of them. Same cast, new location, similar-enough scenario: that's the approach in this also six-episode run, as streaming on Stan in Australia and TVNZ+ in New Zealand since Tuesday, January 2. In season one, Dornan's Elliot Stanley awoke in the Aussie outback with zero memory and his life in danger. When it ended, he'd uncovered who he was, complete with a distressing criminal past, but was on the path to starting anew with Helen Chambers (Macdonald), the constable who helped him get to the bottom of his mystery. Screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) switch part of their initial setup in season two, moving the story to Elliot's homeland and turning Helen into the tourist. Remaining is the lack of recollection about the former's history, even as he actively goes looking for it. The travelling life has been far kinder to Elliot in the gap between seasons, with The Tourist first rejoining him and Helen on a train in southeast Asia. While not married, they're firmly in the honeymoon phase of their relationship. But the now ex-cop has a revelation for her boyfriend: he's received a letter from one of his childhood pals who wants to meet back home. Quickly, off to the Emerald Isle the show's main duo go. Trying to shave off his bushy holiday beard in a public toilet leads to Elliot being kidnapped, plus Helen playing investigator again. As he attempts to flee his captors (Outlander's Diarmaid Murtagh, Inspektor Jury: Der Tod des Harlekins' Nessa Matthews and The Miracle Club's Mark McKenn), she seeks help from local Detective Sergeant Ruairi Slater (Conor MacNeill, Operation Fortune: Ruse de Guerre), but any dreams that The Tourist's globe-hopping couple had about happy reunions or relaxing Irish getaways are sent packing fast. Disturbing discoveries; feuding families led by the equally formidable Frank McDonnell (Francis Magee, Then You Run) and Niamh Cassidy (Olwen Fouéré, The Northman); Helen's grating ex Ethan (Greg Larsen, Aunty Donna's Coffee Cafe) hopping on a plane to Ireland in an effort to win her back, even as he's supposedly dealing with his oozing toxicity: they're all key factors in The Tourist's second season. So is doing plot-wise what the series' namesakes often embrace, aka veering here, there and everywhere. The obvious point of comparison has always been the Coen brothers and, in particular, Fargo. Its TV adaptation is currently working through its fifth season, and also hurtles through comic crime chaos as a madcap caper with thoughtful leads. Both have that anything-can-happen feel, and live up to it in their narratives. You betcha both are also well-cast. As Elliot endeavours to evade his abductors, Helen searches and worries, and frays going back decades are pushed to the fore, the Williams' brothers aren't afraid of tonal and storytelling swerves, or of jam-packing a tale that's taut and tense but also regularly amusing. Directors Fergus O'Brien (Happy Valley), Lisa Mulcahy (Lies We Tell) and Kate Dolan (Kin) don't shy away from stressing season two's setting, either. As also served their season-one counterparts Daniel Nettheim (who made the excellent 2011 Australian film The Hunter) and Chris Sweeney (Liar) well, the helming trio take their visual cues from their surroundings — with coolly bleached hues suiting someone with nothing to grasp onto in the show's initial run, and verdant sights lingering now that Elliot can't stop being confronted by his densely overflowing past. So follows car and foot chases among rolling hills, a Saw-esque stint, escaping an island, hanging off cliffs, Helen witnessing a murder, unearthed secrets and others that should be buried, escalating violence, and several folks wanting Elliot to reckon with events and choices that he can't recall, all dropping at a breakneck pace that makes binging the series as rapidly as possible the natural reaction. The Tourist is gleefully written to be moreish, yet never manipulatively so. The only misstep: giving Ethan such a prominent part again. In its jump to the other side of the world, bringing Helen's jilted former fiancé back feels like an attempt to ensure that there's more than one Aussie actor popping up — because it certainly isn't a plot necessity. There's no doubting that The Tourist prefers the rollicking over the realistic in everything that it throws Elliot and Helen's ways; however, Dornan and Macdonald are up to the job. He finds the subtleties and vulnerabilities in a man learning who he is more literally than most, and she gives Helen the perfect balance of kindness and determination. Together and with charisma to burn, they're clearly a pair to build a series around, as the Williams siblings have done twice now. Whether laced with laughs or overtly courting them, comedy suits Dornan — see: Barb and Star Go to Vista Del Mar — but he brings as much dramatic nuance and depth to the role as he did in fellow recent highlights Belfast and Synchronic. If The Tourist will end with just two stamps on its passport is yet to be announced. Its driving forces patently hope otherwise, setting up a third season that hasn't yet been greenlit in season two's final moments, and showing that they're keen to keep shaking up their overarching narrative by always leaping in new directions. Regardless of whether more comes to fruition, Dornan and Macdonald have a highlight on their resumes, while viewers have a compellingly entertaining thriller-meets-dramedy that not only made the most of its arrival, but does the same with its 2024 return. Check out the trailer for second season of The Tourist below: The Tourist season streams via Stan in Australia and TVNZ+ in New Zealand. Read our review of season one.
Two years ago, Pappa Rich gave tastebuds across Australia the culinary hybrid they didn't know they were craving: a nasi lemak burger. They were originally sneakily trialled in Sydney stores in 2018, then rolled out for a limited time in 2019. Now, they're back. The burger takes the typical accompaniments in this Malaysian rice dish and sandwiches them all between two toasted burger buns. There are layers of crispy Malay fried chicken, spicy sambal, peanuts and anchovies, all topped with cucumber, lettuce and a fried egg. As a side? Expect Pappa Rich's deep-fried chicken skin, of course. You can also opt for chips if you prefer. The Malaysian hawker chain is returning the nasi lemak burger to its menu — at all of its 31 stores countrywide, but only for two months. If you're instantly hungry, you'll want to pop into one of Pappa Rich's outlets between Monday, March 29–Sunday, May 30. Or, if you just can't wait to sink your teeth into a burg, you can score one between Friday, March 26–Sunday, March 28, but only via Door Dash. The delivery service is selling 1000 nasi lemak burgers for just $1 across the three days, so you'll want to get in quickly. You'll also need to enter the code 'MALAYSIANBURGER' while you're ordering. Otherwise, if you're happy to grab a burger from next week onwards, you'll still have a couple of months to enjoy as many as your stomach demands. If you're in Sydney, you can nab one in Bankstown, North Ryde, Chatswood or on your lunch break at the express outlet in Ultimo; in Melbourne, pop by Chadstone, Southern Cross or QV; and Pappa Rich in Wintergarden, Garden City, Indooroopilly and Coorparoo Square will be selling them in Brisbane. Perth residents can head to Cockburn and Joondalup, while folks in Adelaide will want to make a trip to Gouger Street in the CBD. There are a heap more locations though, so check the website if you're looking for one closer to you. The nasi lemak burger will be available Monday, March 29–Sunday, May 30 at Pappa Rich locations across the country. There are also 1000 up for grabs for $1 via Door Dash between Friday, March 26–Sunday, March 28 by entering the code 'MALAYSIANBURGER' while you're ordering.
Ever wondered what would happen if all the lights went out? No, we're not talking about boogeymen, babadooks and blood-sucking bats — we're older than that. But, transport yourself back to your teenage years and no doubt you got up to a bit of mischief. Like throwing a massive party with all your mates in a park, for example. At least that's what playwright Alexander Lee-Rekers would do in such strange circumstances. Lee-Rekers' play Lights in the Park won the Australian Theatre for Young People's (ATYP) Foundation Commission back in 2018 and now it's making its way to a western Sydney stage. The debut production, directed by Lucy Clements, will feature a youthful cast, with all actors aged between 14–17. There's the disgraced schoolgirl viral video star looking to maker her social comeback, two young entrepreneurs selling torches for a profit and, of course, those getting up to some innocent fun. Lights in the Park delves into the heart of what it means to be a teenager — from coming into your own skin to your first experiences of grief and rifts in friendships. Showing at Penrith's Joan Sutherland Performing Arts Centre, it's suitable for audiences above the age of 14 — just don't blame us if your adolescent theatregoer-in-tow gets any party ideas. 'Lights in the Park' is an ATYP co-production with Q Theatre. It is showing from April 20–24. Head here for tickets.
As a filmmaker, he co-created the Saw and Insidious franchises, and has since been tackling iconic horror tales with The Invisible Man and 2025 release Wolf Man. As an actor, he popped up in The Matrix Reloaded. Before all of that, he was a film critic on beloved late-90s Saturday-morning music TV show Recovery. That's a helluva career so far — and next, Leigh Whannell is heading to AACTA Festival to chat about it. In 2024, the Australian Academy of Cinema and Television Awards launched a festival to sit alongside its accolades, and to celebrate the latter's move to the Gold Coast. That event is returning in 2025 in a bigger guise, running for five days between Wednesday, February 5–Sunday, February 9, and hosting more than 100 sessions. AACTA Festival will also welcome Australian The Greatest Showman filmmaker Michael Gracey, who has been earning some love from the academy of late. Better Man, his unconventional Robbie Williams biopic, topped the 2025 AACTA nominations — and attendees will hear all about the film at his festival session. Equally huge news is enlisting Paul Kelly to perform at the live How to Make Gravy concert, which also features Meg Washington, Brendan Maclean and Beddy Rays — and yes, it's easy to predict what the Australian icon will be singing. Plus, Late Night with the Devil is in the spotlight via filmmakers Colin and Cameron Cairnes getting talking, while Netflix's upcoming Apple Cider Vinegar series will score a behind-the-scenes look. Another massive drawcard: the Working Dog team, aka Santo Cilauro, Tom Gleisner, Jane Kennedy, Michael Hirsh and Rob Sitch, coming together for an in-conversation session that's bound to touch upon everything from The Castle, Frontline, Thank God You're Here and Utopia to The Dish, The Hollowmen and Have You Been Paying Attention?. The Dish is also the screening program, and the Working Dog team will receive the prestigious AACTA Longford Lyell Award. Australian cinematographer Greig Fraser, who won an Oscar for Dune and is highly tipped for another one for Dune: Part Two, is another big-name inclusion, chatting about his Hollywood work. Also in the same category: John Seale, who took home an Academy Award for The English Patient, and was nominated for Witness, Rain Man, Cold Mountain and Mad Max: Fury Road. Everyone can also look forward to authors Trent Dalton and Holly Ringland returning from 2024's lineup, chatting about Boy Swallows Universe and The Lost Flowers of Alice on the small screen, respectively; a dive into the Heartbreak High soundtrack; a panel on queer storytelling with RuPaul's Drag Race Down Under season two winner Spankie Jackzon and Deadloch's Nina Oyama; and a session with First Nations filmmakers. And if you're keen to watch movies, Gettin' Square followup Spit will enjoy its Queensland premiere, complete with star David Wenham (Fake) chatting about the feature's journey; Looney Tunes: The Day The Earth Blew Up will make its Australian debut, at Movie World, of course; and upcoming action film Homeward with Nathan Phillips (Kid Snow) and Jake Ryan (Territory) will take viewers behind the scenes.
Dropping all commitments, staying indoors and bingeing Netflix was just shorthand for being an introvert six months ago. Now, it's the reality of many of our lives. As Australia, along with the rest of the world, battles to contain COVID-19, many of us are spending more time indoors than ever before, and we're searching for new ways to fill the minutes of the day that seem to tick by at a glacial pace. Streaming marathons, virtual trivia nights, indoor exercises and completing many, many jigsaw puzzles are solid ways to pass the time. But it's unlikely you'll ever have these chunks of uninterrupted free time at your disposal again, so you may as well use them to learn a new trick or two. There are a bunch of courses, workshops and activities that'll help you upskill while you're bunkering down — here are eight of our picks. LEARN TO COOK WITH SOME OF THE WORLD'S BEST CHEFS Chances are you'll be getting quite familiar with your kitchen over the next couple of weeks. If up until now, you've mainly used the kitchen as a place to grab cutlery for your takeaway feast, then you're going to be looking for a little guidance. In a very real example of the 'we're all in this together' aspect of this crisis, many of the world's best chefs are also social distancing, self-isolating or in quarantine, and they're using that spare time to share some of their top tips. Michelin-starred chef Massimo Bottura is live streaming nightly tutorials on Instagram, while celebrity chef Jamie Oliver has launched the Keep Cooking and Carry On series, with easy-to-follow recipes and simple swaps (since some ingredients can be hard to come by), which you can catch on 10 Play. Meanwhile, if you're inspired by (almost) your entire Instagram feed making sourdough and want to have a crack at your own loaf, Bon Appetit's baking extraordinaire Claire Saffitz has a step-by-step tutorial saved on her Instagram highlights. A little closer to home, Aussie culinary legend Maggie Beer has started her own social media cooking series, as have chefs like Mitch Orr (Ciccia Bella), Neil Perry (Rockpool Bar & Grill) and Danielle Alvarez (Fred's). LEARN TO CODE FOR FREE Coding is going be such an important skill in the future it's now part of the curriculum for primary school students. But you haven't completely missed the boat just because you graduated (many) moons ago. There are hundreds of online courses you can take to learn to code, including General Assembly's. As well as Dash, its free online coding course, GA is also running free sessions on UX design and data analytics. If you want to have some fun with it, also check out Girls Who Code. The platform is releasing fun online and offline coding activities to download every week — like debugging tasks and a digital storytelling game — and each one also showcases a woman kicking goals in the tech world. [caption id="attachment_696381" align="alignnone" width="1920"] Jean Malek[/caption] LEARN TO WRITE WITH LITERARY LEGENDS Have you always thought you were capable of writing the next great Australian novel, if only you weren't so busy? Now is the time to put your money where your mouth is. If you're not feeling quite so confident, Masterclass can help you get started. Like many other online education platforms, this San Francisco-based startup offers extensive courses on a range of topics, but what sets it apart is the truly astonishing lineup of instructors. For writing, that includes author Margaret Atwood (The Handmaid's Tale, The Testaments) leading a creative writing course, Dan Brown (The Da Vinci Code, Inferno) teaching on writing thrillers and essayist David Sedaris (Calypso, Me Talk Pretty One Day) on storytelling and humour. If words aren't your thing, Masterclass also has legendary photographer Annie Leibovitz teaching photography, Martin Scorsese teaching filmmaking, Doctor Jane Goodall explaining conservation and Hans Zimmer speaking on film scoring. Of course, the big names come at a price. There's an annual membership fee of AUD$280, but that grants access to every course on the platform. Plus, Masterclass is currently running a limited-time 'buy one, get one free' membership offer, so you can split that cost with a mate. LEARN PHOTOGRAPHY (AND LEVEL UP YOUR INSTAGRAM GAME) Photography as an art form has been muddled in recent years by way of us all documenting everything we do, eat, drink or see on social media. But there is a huge quality difference between pointing and shooting on your phone (and then promptly forgetting about it), and mastering manual mode on a DSLR camera. Once you get into it, you'll appreciate the value of a well-framed, well-lit HD photo so much more. Throughout April, Nikon is making its suite of online photography tutorials free to stream. Each video is hosted by a professional photographer covering topics like the fundamentals of photography and videography, understanding DSLR features, unlocking creativity and tips on shooting different subjects or environments. For now, you may be stuck practising on your pets, kids or housemates but, when the restrictions are lifted, you can reenter the world with your camera in hand, ready to capture all the beautiful things you missed. Just remember, nobody really cares what you ate for dinner — even in high definition. [caption id="attachment_662277" align="alignnone" width="1920"] Trent van der Jagt[/caption] LEARN TO MAKE WINE AND COCKTAILS We're not here to encourage excessive drinking, but we're also not going to skirt around the facts: you're probably consuming a bit of alcohol at home during this time. There are plenty of bars that have pivoted to delivering cocktails to your door, but you may also want to have a go shaking and stirring, too. If it's just recipes you're after, we've got plenty to get you started. Just pick your poison: vodka, gin, prosecco or spiced rum. Or you could go the whole hog and follow Ina Garten's (otherwise known as Barefoot Contessa) hilarious giant cosmopolitan recipe, which went viral on Instagram. If you want more of a guiding hand, check out Sydney Cocktails' Home Five O'Clock-tails video tutorials. Each day at 5pm, it'll share a new cocktail masterclass on Facebook, and it's getting Aussie bartenders who are out of work due to the current lockdown restrictions to host them. Or you could use this extra time to become the oenophile you've always wanted to be with The University of Adelaide's online course: World of Wine: From Grape to Glass. The free six-week course will teach you everything from the principles of grape growing and sustainable vineyard management to how to critique and describe a specific drop. You'll never need bluff your way through a restaurant wine list again (that is, once we're allowed back into restaurants). LEARN A NEW LANGUAGE IN PREPARATION FOR FUTURE TRAVEL Aussies have always been avid travellers, so it's safe to say there'll be plenty of itchy feet raring to set off on adventures as soon as the travel restrictions are lifted. You may not be able to make any solid plans right now, so use the spare time to add another language to your travel arsenal instead. The Open University has a number of introductory language courses available via its free Open Learn platform including German, Spanish, French, Welsh and ancient Greek and Latin. Each course takes between 5–20 hours to complete, so they should eat up a chunk of self-isolation time. After you've mastered your second, third or fourth language, take a look at some of the other courses available on the platform — there's everything from forensic psychology and art history to Egyptian mathematics. LEARN TO PLAY THE GUITAR OR MAKE MUSIC You've seen the Italians singing from their balconies, watched Lin-Manuel Miranda and the rest of the original Broadway cast of Hamilton singing 'Alexander Hamilton' via Zoom and danced up a storm to a virtual gig or two in your living room. And now it's time for you to create your own beats. Figure out which of your roommates has a neglected guitar hidden in the back of their wardrobe and jump onto Fender's website — it's offering three months of free online guitar, bass and ukulele lessons right now. Meanwhile, Apple is offering a 90-day trial on music production software system Logic Pro X, and Ableton is granting free access to a bunch of its music making resources, including the Ableton Live 10 Suite program, Spectral Textures presets pack and the Learning Music and Learning Synths tutorials. LEARN TO PAINT AND DRAW (WITH A GLASS OF WINE IN HAND) After spending so much time inside, you may get a little tired of staring at those same blank bedroom walls. Get those creative juices flowing and make something that you'll actually enjoy looking at via a virtual paint and sip class. All of the studios are currently shut down, so some of them, like Sydney's Cork and Canvas, have pivoted to offering online classes instead. For $25, you can access a step-by-step video tutorial to follow along whenever you like with a glass of wine in hand. And, if you need supplies, the studio is also delivering creative kits with paintbrushes, paint and canvases to your doorstep. There are single packs ($65), double packs ($120) and family packs ($230) available, and they all include a $20 voucher to Different Drop so the vino side of things is sorted, too. Or, you could check out the National Gallery of Victoria's Virtual Drop-By Drawing sessions, which are now happening online. Melbourne artists like Minna Gilligan and Kenny Pittock will guide you through a sketching session inspired by a piece from the gallery's collection, and all you'll need is a pencil, piece of paper and internet connection.
Wearing a pair of R.M. Williams says 'I'm ready for anything'. You could be going to the pub, walking into a work meeting or heading out to the farm to milk the cows. Sparkly footwear doesn't quite conjure up the same feelings of practicality. Well, until R.M. Williams released a special run of boots in gold metallic. The Aussie bootmaker released a special run of the boots last year to much fanfare — the shoes sold out quicker than most of us could transfer all our money into one bank account to pay for them. So we're sure more than a few people will be happy to hear that R.M.s will release a second lot of the limited edition Adelaide boots in gold and, for the first time, bronze. As with each R.M. boot, these have been crafted out of a single piece of leather and feature the same elegant stitching and tapered heel cuban heel of the regular Adelaide range. R.M.s are arguably Australia's most iconic shoe. From a modest start in the Adelaide outback servicing the stockmen and women of the heartland, 85 years later, a diverse range of people still wear the boots — from farmers in the outback, to corporate businessmen, to the style set at fashion week. Australian designer Dion Lee has used R.M.s regularly in campaign shoots and runway shows, even creating his own for New York Fashion Week in 2014. This latest addition to the women's range is only available online from tomorrow, Thursday, April 19. At $545 a pair, they're not exactly cheap — but if you're looking for an investment piece, a pair of R.M.s is the very definition of the phrase. Continuing to embrace contemporary styles and adapting to modern fashion without sacrificing their DNA has surely guaranteed the longevity of this historic label. R.M. Williams' gold and bronze Adelaide boots will be available to order online from Thursday, April 19 at rmwilliams.com.au.
When it comes to food, using fire is a gamechanger — it transforms humble ingredients into incredible flavours. And few are as skilled at harnessing flame for this purpose as Duncan Welgemoed. Welgemoed is the head chef of Africola, a North African-inspired grill and smokehouse that's so renowned, it alone is almost worth booking a trip to Adelaide to visit. A little extreme? Well, luckily, you'll soon have a chance to taste Welgemoed's lauded food right here in Sydney. He has teamed up with Red Rock Deli to host one of its upcoming Secret Suppers on Thursday, June 20. [caption id="attachment_724626" align="alignnone" width="1920"] Josh Geelen[/caption] So, what can diners expect from the chef behind menu items such as grilled smoked tongue, a 'tea sandwich' of crispy chicken skin and hot chicken dripping and wood oven cauliflower with tahini cream? Well, we don't quite know — yet. The menu will stay true to the event's name and remain under-wraps until the night. But we do know that it'll be inspired by Red Rock Deli's limited-edition flavour, flame grilled steak and chimichurri, and that fire will play a big role. "At Africola, we channel the smoke element of fire to be essentially used as a seasoning. And that's what I've done with my dishes for the event," Welgemoed said. That's some truly next-level, elemental seasoning. The raw force of nature flavouring your food? It's practically magic. As a man with a burning passion for cooking by fire (thanks to his South African roots), Welgemoed has a keen admiration for other like-minded chefs. So, in an effort to get more information on his upcoming menu, we asked him about some of his favourites. [caption id="attachment_522922" align="alignnone" width="1280"] Firedoor[/caption] Sydney's vibrant restaurant scene is home to some notable inclusions in this 'hall of flame'. One venue that stands out is the aptly named Firedoor, where smoke and flames are the conceptual theme throughout the menu. Welgemoed sings high praise of the 203-day dry-aged rib of beef. "Lennox Hastie at Firedoor is one of the best fire cooks in the world. His technique is second to none," Welgemoed said. And, while it's hard to pin down a favourite dish at the Argentinian barbeque and grill restaurant Porteño, he assures us you can't go wrong with anything cooked on the asado (fire pit). Of course, sometimes you want the comfort of a classic dish done just right, and that's when you should head for The Unicorn. Welgemoed loves the half Bannockburn barbeque chook with brown mushrooms and tarragon sauce — just the right balance of fancy and familiar. Then again, if you need your dining experience to be both firey and very fine, the wood-fired potato bread from Ester comes highly recommended. Welgemoed prefers it with dashi jelly, but Ester's latest menu refresh sees it intriguingly paired with kefir cream and trout roe for a zingy, salty lift. [caption id="attachment_658136" align="alignnone" width="1920"] Fred's[/caption] Fred's in Paddington strikes the balance between home comfort (you feel like you're in someone's luxurious open plan kitchen) and upscale city dining. Welgemoed's chosen dish reflects this perfect marriage of impressive elegance and honest, wholesome flavour — grilled rack of lamb with wine grapes, cime di rapa, fennel seed and rosemary. Like the other venues, Fred's exemplifies an approach to cooking similar to Welgemoed's own by letting the ingredients speak for themselves. So, what might we deduce about Welgemoed's secret supper menu from his Sydney sparks of inspiration? Expect delightful, yet unpretentious, play with fire and flavour, the comfort of familiar touches with innovative twists and a decidedly global approach to three flaming good courses. We'll leave that idea smouldering with you for now. Duncan Welgemoed's Secret Supper will take place across two sessions on Thursday, June 20. Top Image: Josh Geelen.
Showcasing everything from graphic design to performance poetry to music, ParraNormal is an artistic collaboration by 12 young Western Sydney artists aged between 16-25. You’ll experience six distinctive artistic responses to the people and places of Parramatta. Featured visual artist Harrison Earl describes his contribution as a kind of “melancholic love song” to his hometown. Produced by the Information and Cultural Exchange (ICE) and facilitated by fabulous folk including performance artist/poet Candy Royalle and design duo Webuyyourkids, ParraNormal sounds like a good chance to witness how one creative medium can inspire another. It’s also an opportunity to encounter the talented voices currently emerging from Sydney’s west. The pop-up installation is there until the end of September, but if you want to see the artists performing live, then Thursday’s your chance. Can’t make it? You’ll soon be able to see all six works curated into an online graphic novel. Get a little taster here.
Attention, Wes Anderson enthusiasts: The trailer for his latest film, The Grand Budapest Hotel, has just been released. This follow-up to the wildly popular Moonrise Kingdom is giving us another project to look forward to, with all the oddities that resonate with Anderson fans. The story follows Gustave H (Ralph Fiennes), a manager at the swanky Grand Budapest Hotel and his devoted lobby boy, Zero Moustafa. The suave Gustave is a hit with the mature lady guests, and when one of them dies, he is suspected of murder and theft. So he and his precious sidekick make a run for it, and the story unfolds into a whirlwind of adventure, mystery, romance and, of course, comedy that captivate us with Anderson's films. It looks like Anderson won't be abandoning his colourful, dreamy sets; dry, poker-faced humour; and eccentric characters anytime soon. The usual suspects in the cast include Willem Dafoe, Edward Norton, Bill Murray, Owen Wilson, Jeff Goldblum, Adrien Brody and Jason Schwartzman. Tilda Swinton, Jude Law and Saoirse Ronan are also thrown in, making The Grand Budapest Hotel one Anderson's most dynamically cast films yet. It is set to release in 2014. https://youtube.com/watch?v=1Fg5iWmQjwk Via The Verge.
Located just minutes from The Royal Botanic Garden, the Museum of Sydney will take you through the city's history. Housed in the city's first Government House, the Museum explores everything from the arrival of the First Fleet, first contact, colonisation and racial prejudice to the creation of the iconic Sydney Opera House and Sydney Harbour Bridge through videos, images, and crafted models. The Museum of Sydney is part of the Sydney Living Museums, a collection of 12 unique historic houses and museums that tell the stories — past and present — of the city. The Museum of Sydney is open from 10am–5pm, Thursday to Sunday.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=MlBWyDf0r2M THE BROKEN HEARTS GALLERY Romantic comedies routinely trade in cliches, and The Broken Hearts Gallery is no different. Here, aspiring gallery curator Lucy (Geraldine Viswanathan, Miracle Workers) endures a traumatic breakup, indulges in a niche hobby that might just change her life, and oozes chemistry with the handsome and brooding Nick (Dacre Montgomery, Stranger Things) after the obligatory meet-cute. Her obsession: turning her hoarded mementos from past relationships, and similar junk collected by other lovelorn New Yorkers, into a cathartic, heartwarming exhibition. Long taunted by her best pals and roommates (Hamilton's Phillipa Soo and Good Boys' Molly Gordon) about her need to hold onto trinkets for sentimental purposes, she's actually motivated to make something of her bric-a-brac after drunkenly mistaking Nick's car for an Uber, unburdening her woes to him as he kindly drives her home, and later visiting the rundown old hotel that he's pouring his heart, soul and cash into as a passion project. From the above description, it should be apparent exactly where this film goes — but, in another rom-com trope, The Broken Hearts Gallery's likeable leads make a big imprint. Seen at home in Emo the Musical and Janet King, as well as Better Watch Out and A Few Less Men, Australian duo Viswanathan and Montgomery have already made a splash via high-profile US-made TV shows in the past few years — and, in Viswanathan's case, in the film Blockers as well. They're both destined for bigger things, especially the grounded, relatable and very funny Viswanathan, but they make the most of their roles here. Well, they do as much as they can given they're in an immensely standard movie otherwise. Indeed, while there are few weak links among The Broken Hearts Gallery's cast (which also includes Brittany Runs a Marathon's Utkarsh Ambudkar and Mozart in the Jungle's Bernadette Peters), the film's central duo easily make viewers wish that everything around them had more spark, served up more surprises and took more chances. Even when it's upbeat, spirited and delivered with charming talent, a happily by-the-numbers affair is still going to feel formulaic, after all, a sensation that this feature debut from writer/director (and ex-Gossip Girl scribe and story editor) Natalie Krinsky never quite shakes. https://www.youtube.com/watch?v=RC2dsAGvGy0 AN AMERICAN PICKLE If an early 20th-century Jewish immigrant found himself walking around in 2019, what would he think of the world? That question comes with a flipside, of course, because it's equally valid to wonder how today's folks would react in response. With Seth Rogen starring as a ditch-digging, rat-catching new arrival from Eastern Europe to Brooklyn, these are a couple of the queries pondered by An American Pickle. It's the latest in a long line of comedies that trifle with time while doubling as time capsules, and it falls firmly from a familiar mould. Indeed, seeing, examining and giggling at the contrast between century-old ways and contemporary ideas is a considerable part of the film. Not only that, but this Simon Rich-penned adaptation of his own short story Sell Out does all of the above broadly and blatantly — pointing out that big, bushy beards have become hipster beacons, for example, and that much has progressed since the 1900s. Consequently, there's no avoiding just how slight An American Pickle is. Its protagonist might fall into a vat of brine, get sealed in, then emerge in a new millennium, but this movie isn't diving deep. Thankfully, mixed up with all the obvious jokes are two thoughtful performances, both by Rogen, that help the film interrogate the push and pull between the past and the present in a moving fashion. He plays Herschel Greenbaum, a new arrival to US with his wife Sarah (Succession's Sarah Snook), after the pair leave their home of Schlupsk to escape Russian Cossacks and chase a better life — and he also steps into the shoes of app developer Ben Greenbaum, Herschel's great-grandson and only living descendant when he awakens in his preserved (and presumably extra salty) state. The two men are the same age, and look alike, but they sport differences beyond Herschel's facial hair and Ben's technological know-how. It's the usual generational divide, as instantly recognisable to everyone watching. But when An American Pickle lets its star shine, rather than gets weighed down with over-the-top clashes in the service of clearcut gags and satirical observations, this affable but also mostly forgettable film boasts heart and sweetness. It's oh-so predictable, but it also shows an understanding of how the past always leaves an imprint, the future needn't fastidiously be chained to tradition, and that everything old and all things new have a symbiotic relationship. Read our full review. https://www.youtube.com/watch?v=THXebxAFCzY THE TRANSLATORS Like Agatha Christie and Knives Out before them, the makers of The Translators know that a good whodunnit serves up two major joys. That'd be the puzzle and the journey — because whichever intriguing narrative is being thrust their way, audiences want to sleuth along with the characters, piecing clues together in their heads; and, they want to enjoy each and every one of the story's many ins, outs, twists and turns as all the details unravel, too. In fact, this French film embraces those truths heartily. Writer/director Régis Roinsard (Populaire) and his co-scribes Romain Compingt and Daniel Presley even go a little heavy on convoluted minutiae and attempts to keep everyone guessing. Still, they mostly deliver an entertaining thriller — and, as always proves the case in this genre, if you enjoy the game and the ride enough once, it doesn't really matter if you won't be clamouring for a second helping The Translators' premise is killer — in a film that doesn't shy away from a body count, but is actually more concerned with stolen pages from the yet-to-be-released last book in the bestselling The Man Who Did Not Want to Die series. The latest novel has only been seen by its secretive author, arrogant French publisher Eric Angstrom (Lambert Wilson, The Odyssey) and the nine translators the latter has assembled to prepare the text in multiple languages for a simultaneous worldwide debut. The enlisted team of experts are working in a bunker under stringent conditions, however, so when Angstrom receives an email threatening to leak the new book unless a huge ransom is paid, he's both perplexed and angry. Also starring Olga Kurylenko (The Man Who Killed Don Quixote) as a Russian translator who purposely dresses to resemble the fated heroine in the novel the group is working on, as well as Alex Lawther (The End of the F***ing World) as a noticeably young Brit, The Translators isn't big on depth but still keeps viewers engaged. Hurtling forward like someone furiously thumbing through an airport novel, and offering a slick, swift-moving affair that ticks all the whodunnit basics (even as it gets a little too carried away with the exaggerated drip-fed clues, surprise reveals and reversals) will do that. Read our full review. https://www.youtube.com/watch?v=8Jv6f59Z4Y8 THE SECRETS WE KEEP First bursting onto cinema screens as The Girl with the Dragon Tattoo's Lisbeth Salander — before Rooney Mara and Claire Foy both played the role in US versions — Noomi Rapace instantly became a star. Since her great performance in that thriller series and the underrated Prometheus, however, she's struggled to secure meaty roles that do her talents justice. And, unfortunately, The Secrets We Keep doesn't redress that situation. In a film that takes a premise already explored in 1990 play and 1994 film Death and the Maiden, but shifts the details to post-Second World War America, she's saddled with a stock-standard revenge narrative that couldn't feel more routine. In fact, Rapace's casting is actually one of the movie's overtly obvious elements. She's famed for her work a woman determined to right past wrongs and unafraid to take drastic actions to do so, and that's what she's asked to do here. Her last big part, as a mother who might be getting gaslit in Angel of Mine, also proves relevant as well. Rapace plays Romani immigrant Maja, who has set up a life with her physician husband Lewis (Chris Messina, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) and their young son (Jackson Dean Vincent) in a small American town. Then, in passing, she spies newcomer Thomas (Joel Kinnaman, Suicide Squad). Still haunted by horrors from the war 15 years prior, she's certain that he once brutally attacked her — then changed his identity and moved to her neighbourhood. So, Maja takes matters into her own hands. Quickly, even though he has plenty of doubts, Lewis is enlisted to help. Writer/director Yuval Adler's last film, The Operative, also attempted to wade through a murky plot and similarly had little success. Rapace hits the familiar notes she's asked to with visible gusto, Kinnaman endeavours to play more than just a cookie-cutter possible Nazi, and She Dies Tomorrow filmmaker Amy Seimetz turns in a nuanced supporting performance, but The Secrets We Keep constantly mistakes its solemn tone for substance. A thoughtful, captivating or even just intriguing reckoning with vengeance, trauma and trying to reconcile past struggles, this sadly isn't. https://www.youtube.com/watch?v=fy32-KCnexo THE SECRET GARDEN When The Secret Garden first reached the page as a serialised story in 1910, author Frances Hodgson Burnett couldn't have known how relevant her tale would feel 110 years later. Obviously she'll never know, as she passed away in 1924 — but if there was ever a time for a new big-screen version of this beloved children's favourite about escaping life's woes by banding together, making the most of things and enjoying the pockets of nature at hand, it's 2020. Indeed, while this new cinematic iteration was actually due to hit screens earlier this year, which means that it was made pre-pandemic, it firmly strikes a chord in these strange times. Whether you loved the book when you were much smaller, you can barely remember it, or you're more familiar with the narrative from the 1993 movie, a lavishly shot fantasy about a unhappy girl plagued by tragedy yet finding solace in the titular space couldn't be more fitting right now. The narrative, for those who need a refresher, focuses on the pre-teen Mary (Dixie Egerickx, The Little Stranger) — who swiftly segues from from living in India under British rule to being sent to the Yorkshire moors to stay with her reclusive uncle (Colin Firth) when her parents are killed. She's bratty, spoiled and far from content about the new arrangement, but wandering the estate's sizeable grounds soon brings her to a hidden patch of greenery. Under the direction of TV veteran Marc Munden (Black Sails, National Treasure), this version of the tale takes place after the Second World War, but that's not the only change. It relays the same overall details, but it also leans into the darkness and gothic drama of the material in a firm and noticeable way. Perhaps that's another reason why it also feels apt for viewers young and young-at-heart — because overcoming loss, misery and struggle always comes with a sense of weight and, amidst its expected leafy sights and general childhood wonder, this take on The Secret Garden never forgets that. https://www.youtube.com/watch?v=tvXgXQ6iro4 TROLLS WORLD TOUR Fuzzy-haired playthings turned into animated heroes, glitter fart clouds and cupcakes poop, and a lengthy list of earworm-style songs: that's what 2016's Trolls served up. It was loud, shiny and sickly sweet, but it also featured lively voicework from Anna Kendrick and standout handmade-looking visuals, which made the film's CGI look as if it had been made from felt and other crafting products. Naturally, the all-ages movie was a hit, like most flicks based on toys and simultaneously designed to sell more toys. So, it's to the surprise of absolutely no one that sequel Trolls World Tour now exists, and that it's once again using bright and bouncy visuals and a jukebox-musical style format to appeal to viewers young and old, and to spread a positive message — again, as efforts like this are known to. With Kendrick back as the perky Queen Poppy and Justin Timberlake once again voicing her best friend Branch, this follow-up returns to the first film's trolls as they learn that other creatures like them exist. They're not exactly the same, though, with different troll groups favouring varying styles of music — making Poppy's community the 'pop trolls'. Clearly, as the villainous Queen Barb (Rachel Bloom, Crazy Ex-Girlfriend) of the hard rock trolls tries to make the separate tribes assimilate under her preferred style of music, there's an overt message about acceptance on offer. It isn't subtle, and it's actually undercut by the fact that the different troll crews (including techno trolls, funk trolls, classical trolls and country trolls) are all given such blatantly stereotypical traits. But, once more, the film is lifted by its cast (complete with Sam Rockwell and Ozzy Osbourne), it's textile appearance and the fact that it actually works its ongoing medley of well-known songs into the story, rather than merely uses them as an easy distraction technique as many fellow Hollywood-made animated movies do. If you're wondering what else is currently screening in cinemas, check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23, July 30, August 6, August 13, August 20, August 27, September 3 and September 10 — and our full reviews of The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables and The New Mutants.
