This week Art/Work sits down for a cuppa with artist Keg de Souza. Keg is one cool little lady who never fails to have her fingers in every pie. From social activist to book binder to screen printer to Rizzeria handler to tour guide to pun maker to home brewer - how she manages to fit in her day job, we don't know... Most days you'll find me starting my day by walking our snowdog to get a coffee, (for me, not him) reading the paper then I begin my 'working' day by checking emails and whittling away at whatever project I'm working on at the time - sometimes it's exciting like building a boat to paddle across the harbour, sewing a giant inflatable igloo or binding a book but most likely it's life administration which usually takes up the better part of my day! When I am not there I am at the Bookbinding Guild making books, if it's a Wednesday. I also often work collaboratively so sometimes I'm working or meeting with the various groups I'm in; SquatSpace, You Are Here or the Rizzeria. Basically I'm usually scheming about something. My day job is working as an educator at the Museum of Contemporary Art. The rest of the time I do odd bits of illustration, run workshops and whatever casual paid work I can muster up. At the moment I am working on researching a project based around the Rocks area, continuing my interest in neighbourhoods. It's just the beginning of the project but I have already found some pretty great stories from the area and I am excited to create a new work there. Also, I'm collecting broken umbrellas for it - so if you have any send them my way! If money wasn't an issue I'd just do more making and less of the other odd jobs. Being an artist in Sydney can be a struggle, just living in Sydney can be a struggle but I find that often inspires me to make stuff about that very thing. My neighbourhood is Waterloo, right next to Redfern Park which is a pretty great. In 2005 due to the anxiety we were feeling about the area's mysterious and rapid changes, SquatSpace - one of the collectives I work with, developed the Redfern/Waterloo Tour of Beauty. The tours take people on bike and bus tours of the area with various local speakers. We've been running these since then so I feel pretty connected to the area. The area has, and continues to change a lot. The rapid gentrification of the area is pretty intense - there is a fast spreading new-café rash across the park on Redfern Street and then there's Danks Street to the East but don't even get me started on that. All I can say is thank goodness for the Public Housing so we have a little diversity still, at the moment… My favourite spot in Sydney is listening to the bats in the Botanic Gardens, which unfortunately is all about to change with the plans that are already in place to evict them…wah. For a full rundown on all of Keg's projects click here or for her blog click here.
It isn't often that Americans seek inspiration from Australia; our humble shores are prone to mimicking rather than leading by example. And yet, just last week, Melbourne boys Chris McPherson and Chris Rendell launched Flinders Lane, a New York eatery inspired by their home city. "Most of the Australian restaurants in the city are like Outback Steakhouse or the Crocodile Dundee sort of vision," McPherson told the Village Voice. "We wanted to bring back what's actually there." Their venue, which opened on February 3, is full of the cross-section of cultures and cuisines that is so unique to Australia. McPherson and Rendell met a few years back, quickly agreeing on the need to plot a restaurant that would pay homage to modern Australian food. Predominately driven by a serious case of homesickness, the Aussie expats quickly set to work, establishing a spot for contemporary Australian cooking, a long way from home. The result? A delicious array of fresh seafood and Australian fruit and veg, from chef Rendell. Many dishes also sport an identifiable Asian influence — highlights include tandoori rabbit, steamed snapper in sesame broth and a chicken san choy bau. Drinks-wise, the boys aim to offer a boutique selection of domestic and international wines, as well as a seasonal cocktail list, steering away from the heavy Shirazes that characterise many stereotypical perceptions of an Australian drop. Three tap beers, including the classic Coopers Green, are also available to accompany your grub. The 40-seat eatery isn't covered with Melbournalia; its sleek, pared-back look is a more subtle nod to the city. There is, however, a stunning collection of Melbourne photography, including a massive print of namesake Flinders Lane on the back wall. Flinders Lane New York is located in the East Village: 162 Ave A, 212-228-6900. Via Fork in the Road.
Just like Australian television's 80s golden couple Scott and Charlene — aka Jason Donovan and Kylie Minogue — everyone heads back to Ramsay Street at some point. It's true of viewers who tuned in to watch Neighbours wrap up its 37-year run earlier in 2022, and it's now true about the TV show itself, too. After that big star-studded farewell midyear, complete with the return of Donovan, Minogue and fellow big-name past stars Margot Robbie and Guy Pearce, the Australian soap opera will now make a comeback in 2023. Because everybody needs more Neighbours, Amazon is behind the revival via its free, ad-supported Amazon Freevee streaming service (which was formerly known as IMDb TV). That's where the series will air in the UK and US from the second half of next year. But it'll be available via Network Ten and Prime Video in Australia, and on the latter in New Zealand as well. 🚨 Breaking News from Erinsborough! 🚨 Neighbours will return for a brand-new series next year exclusively on @AmazonFreevee, alongside thousands of episodes from previous seasons to stream as you please. 🎉 pic.twitter.com/1Qq2fIPgog — Neighbours (@neighbours) November 17, 2022 Amazon will pick up the show after more than 9000 past episodes, and also stream thousands of those instalments from prior seasons before the new season premieres. While Neighbours previously ran five days a week — helping notch up that hefty number of eps — whether the revival will do the same hasn't yet been confirmed, although Amazon's announcement does note that it'll be a "continuation of the long-running daily drama series". Something that is definitely locked in: the return of Stefan Dennis as Paul Robinson, Alan Fletcher as Karl Kennedy, Jackie Woodburne as Susan Kennedy and Ryan Moloney as Toadie Rebecchi. The fan favourites will all star in the new Neighbours, in the show's first casting announcement. Whether any fellow past cast members will make a comeback and who any knew faces will be also hasn't been revealed as yet. "Neighbours is a unique series with a powerful connection with its fans across the world. We cherish the show and all those who have been part of its incredible story over many decades, so we are thrilled that we have found a new home with Amazon Freevee. Thanks to the innovative Amazon Freevee platform, many classic episodes will be available to fans, and Neighbours will go back into full production in Australia early next year, providing our fans with new episodes," said Jennifer Mullin, global CEO of Neighbours' production company Fremantle. "This partnership with Amazon Freevee marks an exciting new chapter, and we look forward to collaborating with them, along with our long-term and valued partner in Australia, Network 10." Neighbours was originally cancelled after being dropped by its UK network, Channel 5, leaving local backer Network Ten without enough funding to continue the series. As seen in the show's swansong, the list of well-known faces who've graced the series since its 1985 debut is hefty, all playing characters either living in or connected to the show's cul-de-sac in the fictitious Melbourne suburb of Erinsborough. As well as Minogue, Donovan and Pearce, 80s-era Neighbours boasted a four-episode stint from Russell Crowe. In the 90s, Natalie Imbruglia got her start there. Liam Hemsworth was a regular in the 00s, as was Robbie, and Chris Hemsworth popped up in one 2002 episode before moving over to rival Aussie soap Home and Away. Also just as sizeable: the show's 37 years of twists, amnesia spells, shock returns from the dead, and other Ramsay and Robinson family dramas. Indeed, it's fitting that Neighbours itself is being resurrected after being killed off. And yes, as Amazon's announcement video shows, the iconic Neighbours theme tune remains part of the series — because good Neighbours songs become good friends, naturally. Neighbours will return for a new season in 2023, airing via Network Ten and Prime Video in Australia, Prime Video in New Zealand, and Amazon Freevee in the UK and US. Images: Fremantle.
If you tend to do all your best thinking in the shower, then pay attention. We know it's difficult to keep track of all those deep thoughts as you lather, rinse, repeat; but never fear, AquaNotes are here. Shower-thinkers can now write down their genius ideas on AquaNotes, a waterproof notepad that can be hung in the shower. The paper is made from soy-based ink, so it can absorb water and still be written on when it gets wet. Accompanied by a cedar wood pencil, this revolutionary piece of stationery will never let a good idea be forgotten. Whether you have a revelation about how to stop world hunger or just remember what you meant to buy at the grocery store, AquaNotes will be just a few feet from the soap dish to save the day. Bubble bath thinkers are not excluded, as AquaNotes are durable enough to be used all the way underwater. To boot they're recyclable and environmentally friendly. https://youtube.com/watch?v=p-7zABpEN3E [via Whathecool]
The crew at Frankie's wants you to kick off your week with a heavy dose of after work rock 'n' roll with the help of the bar's raucous house band. Each Monday, the Frankie's World Famous House Band takes to the stage to perform a mix of classic rock and heavy metal covers. Entry is free and if you head over straight from work, happy hour is on from 4pm-6pm. Live music kicks off at 9pm with the house band performing two sets, joined by a revolving roster of guest singers and musicians each week. While you're soaking in the music, you can enjoy a selection from Frankie's new pizza menu, which has been created with the help of Restaurant Hubert and Bistrot 916 chef Dan Pepperell. Grab yourself a slice of zucchini pizza with lemon, chilli, garlic, stracciatella and mint; the Texas, which combines two different cheeses, roasted corn, red onion, jalapeños; or the Bismark with truffle salami and egg yolk. Images: Katje Ford
If you tend to take out your stress and anxiety on your innocent writing utensil, then it's about time you chomped on something a little less plastic-flavored and a lot more delicious. Feast your eyes upon the edible pen. Dave Hakkens was one of those nervous pen-chewers, leading him to invent this tasty ballpoint. He wanted a pen that he could chew on without making it dirty or, for lack of a better word, gross. After realizing that the only essential part of any pen was the ink, Hakkens set about designing a pen that he could entirely eat, and that he did. The body of the pen is made out of 22 pieces of sugary candy, similar to those in candy necklaces, which enclose edible ink. The only part that cannot be consumed is the small tip, which can be thrown away or transferred to another refill once the whole pen is eaten. The best part? The candy is made so it won't melt in your hands or stick to anything. Hakken's first prototype was peppermint flavoured, but the edible pen now comes in five other fruity flavours. As well as being a treat for your sweet tooth, an edible pen makes ecological sense when you consider all the ballpoints that get binned every year.
Album artwork, gig posters, band t-shirts, on-stage theatrics — music is mainly about the sound, but it’s also about the look. From endless highways snapped from the window of a tour bus to Capybaras that look like Rafael Nadal, Concrete Playground rounds up ten Instagram accounts that give you a look inside the intoxicating life of a modern muso. 1. ED DROSTE OF GRIZZY BEAR Username: @eddroste If you want to believe that rock stars survive solely on beer, passion and leftover pizza, look away now. According to his Instagram feed the frontman of indie rock band Grizzly Bear halts the tour bus to capture isolated beaches, sundrenched city skylines and pretty pink Peonies. Droste’s mastery of digital filters makes the Brooklyn Botanic Garden look like a scene from Tim Burton’s Alice in Wonderland, and he’s one of the few people who can Instagram his lunch without you wanting to poke him in the eye. 2. BENJAMIN CURTIS OF SCHOOL OF SEVEN BELLS Username: @benjamincurtis Benjamin Curtis’ spacey, psychedelic guitar sound is echoed in his trippy Instagram shots. Capturing everything from dead birds to dilated pupils and blurry neon signs, this futuristic photo feed is the antithesis of Ed Droste’s comparatively tranquil digital scrapbook. Not recommended for pregnant women or sufferers of motion sickness. 3. CATCALL Username: @catcallmusic Catcall’s Instagram feed confirms everything you thought you knew about her — she’s cute, funny and hangs out at cool spots. She’s also a huge fan of tennis, which is a fact you might not ascertain just from listening to her music, and has posted photos of Capybaras that look like Rafael Nadal on more than one occasion. 4. AZEALIA BANKS Username: @azealiabanks A life it would be particularly enjoyable to steal is the life of Azealia Banks. In between rubbing shoulders with Karl Lagerfeld and Kanye West at Chanel parties Banks hangs out with bottles of Veuve Clicquot and Prada handbags, but shots of funny cats and novelty condoms show she’s really just like us. Sometimes. 5. GROUPLOVE Username: @grouplove Grouplove’s Hannah Hooper is a painter as well as a singer and has a BFA from New York’s Parsons School of Design, so she’s probably overqualified for the post of managing her band’s Instagram feed. Her sharp eye has given Grouplove’s Instagram account a pleasantly consistent, colourful aesthetic, kind of like an action-packed hippie convention with less dried kale and more Texas BBQ. 6. BIG SCARY Username: @bigscarymusic Big Scary’s unique blend of indie pop has provided the busy duo with travel opportunities aplenty, and with touring around California comes In-N-Out Burger and Jimmy Dean’s meal sized breakfast biscuits. Big Scary have Instagrammed only 23 times to date, which isn’t great in the fast-paced world of social media, but in this case it’s a matter of quality over quantity. 7. THEOPHILUS LONDON Username: @theophiluslondon Theophilus London’s Instagram bio warns that the feed contains “emotional photos”. The emotion he’s referring to is probably jealousy because the photos are primarily of amazing sneakers, but Instagram’s most stylish rapper also has a penchant for gig posters and his equally stylish friends. 8. TWERPS Username: @twerps “We’ll get drunk, we’ll get stoned, we’ll get high, we’ll get drunk…” A satisfying mix of gig shots, scenery, alcohol and delicious/hilarious food, Twerps have got the workings of a great Instagram feed down pat. The jangly Melbourne quartet might sing about getting sauced, but their digital album is surprisingly coherent (and munchies like Klondike’s frozen Choco Tacos do make for great photographs). 9. PEAKING LIGHTS Username: @peakinglights The Wisconsin duo with an eight-and-a-half minute song called “Marshmellow Yellow” has an equally psychedelic and sun-drenched Instagram feed filled with highway scenery, neon signs and old motorcycles. There’s even a picture of a miniature leather motorcycle jacket for baby Mikko’s birthday present. Cute! 10. SOULJA BOY Username: @souljaboytellem “thanks for liking my pictures if you have time sign up on sodmg.com”. Grammar might not be Soulja Boy’s forte, but he’s incredibly skilled at taking selfies while flexing his muscles, pulling gangsta signs and wearing copious amounts of bling. Instagram is available via the Apple App Store or Google Play
Byron Bay Bluesfest returns for the first time since 2019 over the Easter long weekend with more than 170 performances. With international borders reopening, festival organisers have secured a stellar lineup of musicians from home and abroad. There are local draws like Midnight Oil, Crowded House, Paul Kelly, Jimmy Barnes, The Teskey Brothers, Amy Shark, Briggs and Hiatus Kaiyote, as well as the final performance of The Cat Empire with the original lineup. Plus, get excited for international stars such as George Benson, Morcheeba, The Wailers and Amadou & Mariam. The numbers tell their own story — five days, 170-plus performances, and over 70 food and market stalls mean that Bluesfest has more than enough to keep you entertained and make sure your trip north was well worth the drive. Marking its return in a big way, this year's Bluesfest runs from Thursday, April 14–Monday, April 18 at Tyagarah Tea Tree Farm. And if you're wondering who else is on the huge bill, other acts include John Butler, Xavier Rudd, Pete Murray, Ian Moss, Mark Seymour & The Undertow, Kate Ceberano, Kasey Chambers, The Waifs, The Church and Kate Miller-Heidke — as well as Fat Freddy's Drop, Josh Teskey and Ash Grunwald, John Williamson, CW Stoneking, The Tea Party's Jeff Martin playing the songs of Led Zeppelin and Rockwiz Live. [caption id="attachment_661844" align="alignnone" width="1920"] Joseph Mayers[/caption] Top image: Andy Fraser
When it comes to an island filled with dinosaurs, humanity just won't learn. Since Michael Crichton's Jurassic Park hit bookstores in 1990, spawning not only Steven Spielberg's 1993 blockbuster film, but two direct sequels and the recent Jurassic World spin-off trilogy, people just keep clamouring to share the same landmass as re-animated prehistoric beasts. Now they're about to do so all over again in a just-announced animated Netflix series. Headed to the streaming platform in 2020, Jurassic World: Camp Cretaceous will hail back to the events of 2015's initial Jurassic World flick — and to the franchise's familiar setting, Isla Nublar. This time, six teenagers have been chosen to attend a new adventure camp on the other side of the remote deathtrap. If you've seen the movie, you already know that the dinos break loose (of course they do), which'll leave the plucky youths fighting to survive. Executive produced by Spielberg — as well as Jurassic World executive producer Frank Marshall, plus two-time series director Colin Trevorrow — the show will help fill the gap until the live-action Jurassic World 3 releases in 2021. It's being overseen by Scott Kreamer (Pinky Malinky) and Lane Lueras (Kung Fu Panda: The Paws of Destiny), and forms part of Netflix's family slate, so you can probably expect less scares than usual (although the teaser below is a little creepy). Given that it's aimed at all ages, you can probably expect more (albeit friendlier) dinosaurs, however. Just who'll be voicing Camp Cretaceous' characters has yet to be revealed. The same remains true for everyone's two burning questions: whether a few familiar Jurassic World talents will pop up, and if any of the old-school Jurassic Park gang will lend their vocals. Our wish, and it's an obvious one, is for more Jeff Goldblum. If you're keen for the briefest of sneak peeks of Camp Cretaceous, check out the first teaser below: https://www.youtube.com/watch?v=VkFrNm5M_Ck Jurassic World: Camp Cretaceous doesn't have an exact release date as yet, but it's expected to hit Netflix in 2020. We'll keep you updated with specific timing when it comes to hand.
iPhone photography apps like Instagram and Hipstamatic recreate a Polaroid-feel in our piccies. We can Lomo-fi and Poprocket our way to nostalgia-town, but still, there's something not quite right. According to the creators of Instaprint, a location-based photography booth launched last Monday, "deep down we all still miss the uniqueness of those square little photos you'd hold comfortably in your hand." Created by Breakfast, a New York interactive agency, Instaprint is the modern day equivalent of a photo booth, but with all the digital mobile perks modern technology has to offer. The device automatically detects and prints photos marked with a particular location or hashtag using old-school inkless printing techniques developed by Zink. Two Instaprint machines will be showcased at the SxSW conference in Austin this week, where tech enthusiasts can road-test the device. It's still in beta-stage, but will be officially available by March 18. That's not the only way to get your Instagrams in ink. StickyGram turns your miniature masterpieces into delightful magnets, perfect for jazzing up shopping lists, menus and notes living on the door of your fridge. The service is currently limited to select UK and US users, but as the website assures us, StickyGram will be open to the public soon.
'I Miss You' isn't just the name of a beloved blink-182 song. It isn't just a track they're busting out on their 2024 tour Down Under, either. It's also the vibe being felt around the band in general, based on how popular tickets to its 2024 Australian and New Zealand tour have been proving — but there's still seats available. In 2022, blink-182 revealed that they were reforming their classic lineup of Tom DeLonge, Mark Hoppus and Travis Barker, then hitting the road — and that Aussie fans would get their chance to see the end result live in February 2024. Sydney's dates, at Qudos Bank Arena with Rise Against in support: Friday, February 16–Saturday, February 17 and Friday, February 23–Saturday, February 24. For three decades, blink-182 have been the voice inside punk and rock fans' heads, especially in the late 90s and early 00s thanks to albums Enema of the State and Take Off Your Pants and Jacket. Accordingly, expect to hear everything from 'Dammit' and 'The Rockshow' to 'What's My Age Again?' and 'All the Small Things' live. Now that they're back together after DeLonge left the band in 2015, blink-182 are also recording new music together, with single 'Edging' out now — and on the setlist.
UPDATE, December 1, 2021: The Power of the Dog is screening in select cinemas, and also streams via Netflix from Wednesday, December 1. Don't call it a comeback: Jane Campion's films have been absent from cinemas for 12 years but, due to miniseries Top of the Lake, she hasn't been biding her time in that gap. And don't call it simply returning to familiar territory, even if the New Zealand director's new movie features an ivory-tinkling woman caught between cruel and sensitive men, as her Cannes Palme d'Or-winner The Piano did three decades ago. Campion isn't rallying after a dip, just as she isn't repeating herself. She's never helmed anything less than stellar, and she's immensely capable of unearthing rich new pastures in well-ploughed terrain. With The Power of the Dog, Campion is at the height of her skills trotting into her latest mesmerising musing on strength, desire and isolation — this time via a venomous western that's as perilously bewitching as its mountainous backdrop. That setting is Montana, circa 1925. Campion's homeland stands in for America nearly a century ago, making a magnificent sight — with cinematographer Ari Wegner (Zola, True History of the Kelly Gang) perceptively spying danger in its craggy peaks and dusty plains even before the film introduces Rose and Peter Gordon (On Becoming a God in Central Florida's Kirsten Dunst and 2067's Kodi Smit-McPhee). When the widowed innkeeper and her teenage son serve rancher brothers Phil and George Burbank (The Courier's Benedict Cumberbatch and Antlers' Jesse Plemons) during a cattle-run stop, the encounter seesaws from callousness to kindness, a dynamic that continues after Rose marries George and decamps to the Burbank mansion against that stunning backdrop. Brutal to the lanky, lisping Peter from the outset, Phil responds to the nuptials with malice. He isn't fond of change, and won't accommodate anything that fails his bristling definition of masculinity and power, either. In a career-best, awards-worthy, downright phenomenal turn by Cumberbatch, Phil is all hawkish menace and bravado; he viciously calls his brother 'Fatso', his initial taunting of Peter over paper flowers and effete mannerisms is all the more ferocious for its dinner-table audience, and he's effusive in his admiration for Bronco Henry, the man's man who taught him everything he knows. Indeed, Phil's hyper-masculine air, complete with threatening and mocking banjo-plucking, soon drives Rose to drink. He'd rather still be bunking in with George, as they have for the quarter-century they've run their inherited ranch. He'd rather scare everyone away by failing to bathe, unless he's stealing off to a secret water hole — and by mixing his Yale classics degree into his sneering, too. The key to Cumberbatch's commanding performance isn't softening Phil or playing up his charisma, but conveying the battle of repression and self-resentment raging within; the cattleman has long tanned his own public persona, but he's as complex as rawhide. Adapting Thomas Savage's 1967 novel of the same name, Campion gives Phil's chomping misery ample company: in the sauced Rose, in the intimidating attitude that rolls around the ranch like a stubborn tumbleweed, and in Peter when he returns from his medical studies for the summer. The Power of the Dog lets this unhappy stew fester, adding grit to its brew with each passing scene and deepening its rich character studies in the process. The film's only misstep is pushing George aside, although the fact that his passivity — his main trait alongside tenderness — earns him less attention is an incisive touch. Rose becomes a supporting player as Phil and Peter's initially antagonistic relationship finds deeper dimensions but, in Dunst's hands, this is still an intense portrait of a woman heartbreakingly accustomed to being at others' whims. As a raw-boned young man who proves exacting and steely inside, Smit-McPhee isn't just similarly exceptional — he's revelatory. So much of The Power of the Dog hinges upon loaded moments where little appears to occur beyond interpersonal manoeuvring — where observing Phil, Rose and Peter's fraught dance is the most gripping thing in the film's frames. And while that back-and-forth is compulsively captivating, especially thanks to the feature's tremendous performances, the movie springs an unforgettable kicker that makes everything preceding its final scenes blister anew. Campion hasn't helmed a mystery, but she's masterful at lacing her feature with careful clues. She's meticulous with her unfurling, and with the herd of emotions it unleashes. From the get-go, she's also painstaking in her handling of tone and tension — so much so that there's never a second of The Power of the Dog that isn't on edge, particularly when Jonny Greenwood's ominous score grinds, twangs and bounces, the Radiohead guitarist setting the mood as firmly as he did with There Will Be Blood 14 years back. Westerns frequently canter through conflict, finding quarrels baked into the rough countryside. They also gallop into overt clashes about who's permitted to roam over, control and truly exist upon all that land. The Power of the Dog is a domestic melodrama as well as a western, but it's still a tale of dominance, yearning and survival in a remote place — and of people fighting for space, be it by oozing the macho toxicity expected of powerful white men, seeking safety in a sturdy marriage or extracting one's own path through the muck. Handsomely lensed and hauntingly patient, Campion's film is both classic and subversive, the two extremes that recent examples of the genre tend to oscillate between. Like Ang Lee's Brokeback Mountain and Kelly Reichardt's Meek's Cutoff — both soaring modern westerns — it's aware of its past and also firmly of the moment, too. Viewers should expect nothing less of Campion, the first woman to win the Palme d'Or back in 1993 with The Piano — only this year did Julia Ducournau become the second thanks to Titane — and also the second-ever female Best Director Oscar nominee. She's already won Venice Film Festival's equivalent of the latter for her efforts here, and deserves at least another Academy Award nomination as well. Campion approaches filmmaking like she's stitching together a delicate tapestry layered with feeling, texture and insight, and the results are exquisite and immaculate. In this case, she's braided The Power of the Dog as intricately and determinedly as Phil plaits the rawhide lasso he becomes obsessed with — and ensures that it also cuts as sharply and devastatingly as the bull castrations he undertakes with his bare hands. Top image: Kirsty Griffin/Netflix.
To hear the latest new tunes by Flume, you'll need to make a date with the Art Gallery of New South Wales' Volume music series when it returns for 2024. The Australian talent won't be performing at the event. There's no word of him popping up with Tkay Maidza, who is already on the festival's bill, following their 2023 single 'Silent Assassin'. But he has composed the soundtrack for a world-premiere installation in AGNSW's old Second World War oil tank that's been turned into a performance and art space. Featuring sound, projections, lighting and lasers, Every dull moment (EDM) hails from Flume and multidisciplinary artist Jonathan Zawada, and shows its inspiration right there in its name — EDM festivals, specifically. It has been designed for the unique site in Naala Badu, AGNSW's $344-million extension that opened in late 2022. Comprised of sequences spanning between ten and 90 seconds, the piece goes on continuously and randomly without repeating, paired with Flume's new compositions. It's also on the free portion of Volume's lineup. Not just Zimbabwean Australian singer-songwriter Maidza, but also André 3000's Australian-exclusive shows with his experimental jazz project André 3000 New Blue Sun LIVE, Sonic Youth's Kim Gordon and Ghanaian Australian talent Genesis Owusu were previously announced as the event's headliners — all at ticketed gigs. Now comes the rundown of events that won't cost you a cent to enjoy between Friday, July 5–Sunday, July 21. Every dull moment (EDM) has company from a heap of excuses to see live tunes for free, featuring more than 30 local and international artists in total. Another huge highlight: Blak Country, a celebration of Aboriginal country music which will take place during 2024's NAIDOC Week. On the bill: Roger Knox, Kyla-Belle Roberts, Loren Ryan, Frank Yamma, Jarrod Hickling and Kathryn Kelly, as well as a playlist from musical talents from incarcerated First Nations communities as part of the Songbirds project. [caption id="attachment_957075" align="alignnone" width="1920"] Matt Day[/caption] Volume is devoting another night, dubbed Extasis, to experimental sounds curated by Lawrence English, with Jim O'Rourke, Eiko Ishibashi and Hand to Earth among the artists featured. And, at Future Tilt, it'll spend an afternoon getting creative with salllvage, Lydian Dunbar, DeepFaith and more in experimental pop and electronic drone. Fennesz, amby downs, Jules Reidy, Seaworthy and Matt Rösner will be world-premiering new compositions across both AGNSW buildings — the new north building Naala Badu and the OG south building Naala Nura — in a program called Threshold, while Play on, play again, play forever will see musicians from Asylum Seeker Centre play tunes in response to the site's artworks each weekend. Volume initially premiered in 2023 with Solange and Sampa The Great taking to its stages. As the above lineup shows, the fest is using its 2024 program to build upon its first-year successes — and to give everyone plenty of motivation to experience the blending of music and art this winter. [caption id="attachment_957076" align="alignnone" width="1920"] Emma Luker[/caption] [caption id="attachment_957077" align="alignnone" width="1920"] Jim O'Rourke [/caption] [caption id="attachment_957078" align="alignnone" width="1920"] James Hadfield[/caption] Volume 2024 Lineup: Headliners: Friday, July 5–Saturday, July 6 — Genesis Owusu Saturday, July 13 — Tkay Maidza Thursday, July 18–Friday, July 19 — Kim Gordon Saturday, July 20–Sunday, July 21 — André 3000 New Blue Sun LIVE Free program: Saturday, July 6 — Future tilt Saturday, July 6—Sunday, July 21 — Threshold Sunday, July 7—Sunday, July 21 — Every dull moment (EDM) Wednesday, July 10 — Blak Country Wednesday, July 17 — Extasis Dates TBA — Play on, play again, play forever [caption id="attachment_954053" align="alignnone" width="1920"] Dexter Navy[/caption] [caption id="attachment_954055" align="alignnone" width="1920"] @trippydana[/caption] [caption id="attachment_954056" align="alignnone" width="1920"] Bec Parsons[/caption] Volume 2024 runs from Friday, July 5–Sunday, July 21 at the Art Gallery of New South Wales, with general ticket sales from 11am on Wednesday, May 22 — head to the festival website for further details.
Parking in Sydney is, well, a bit of a nightmare. There are some 10,483 council parking spaces available to share between a population of over 4 million. The average price for the privilege of plonking your vehicle in the CBD for two-hours is up around the $40 mark. That's if you even manage to find a spot. It's double that for a parking infringement, unless of course you avoid getting caught thanks to geo-location app Park Patrol. Other cities resort to stacking cars vertically, while privately-owned spaces can be crowd-sourced on sites like YourParkingSpace. Perhaps we should take a leaf from San Francisco's book. Recently launched SFPark is a website and mobile app which uses sensors, new meters, and real-time parking data to improve parking in eight test neighbourhoods in the inner city. Around 7,000 of San Fran's 28,800 metered spaces and 12,250 public garage spaces are covered in the program. Accessing real-time information about the availability of parking, drivers can quickly zip into open spaces. Parking meter pricing gets adjusted according to supply and demand, which helps balance availability of popular spaces while subtly encouraging commuters to opt for more sustainable travel options, like a bike or a bus. https://youtube.com/watch?v=bzUGs02Zy40 [Via Fast Company]
Australian fashionistas no longer have to pay a fortune in shipping (or travelling) if they want to get their hands on COS — representatives of the Swedish fashion retailer have confirmed they'll be opening their first store in Australia. The chosen spot? That would be Melbourne, again, with the The Strand on Elizabeth Street the locale du jour. COS is the slightly higher-end arm of the more well-known retailer H&M, but with a simpler, more stripped-back aesthetic. As yet, they haven't announced an opening date for the COS store, but H&M is set to open their flagship Australian store later this year in Melbourne's GPO building, taking over three floors. H&M and COS are joining the Australian high street market at an extremely competitive time. In the past couple of years, a lot of big-name retailers have started to realise that not only do Australians want to buy their clothes but we also came out of the GFC looking pretty good. Sydney currently boasts the recently opened Topshop and Zara, and overseas brands H&M, Uniqlo (Japan), Marks & Spencer (UK) and Forever 21 (US) are all on their merry way over. Via Vogue.
A barbershop with a hell of a lot of personality, Old Sport Barber opened in 2014 and hasn't looked back. Operating to serve the stylish Darlo crowd from its Victoria Street salon, Old Sport's stylists offer classic styles and fades, beard trims and art, plus steam facials with relaxing essential oils, all topped off with the world's friendliest service. And yes, in case you were wondering, the shop is named after The Great Gatsby. Image: Trent Van der jagt.
If you've read much of Stephen King's work, then you'll agree with some of the first words spoken in the just-dropped debut teaser trailer for HBO's new IT prequel series: "anywhere but Derry". That's a great motto if you're keen to avoid unnerving and supernatural events, which have frequented the fictional town's streets in the author's pages for decades — and in their screen adaptations, too, including the hit 2017 IT movie and its 2019 sequel IT: Chapter Two. HBO and its streaming service HBO Max are in franchise mode of late, adding The Penguin to the world of The Batman, expanding the Game of Thrones realm with not only House of the Dragon but also the upcoming A Knight of the Seven Kingdoms: The Hedge Knight, announcing a new drama series set in The Conjuring universe and locking in a Harry Potter series that readapts the books. As first revealed in 2023, IT: Welcome to Derry falls into the same camp. It'll arrive in your streaming queue sometime in spring 2025. If you're not fond of clowns, find yourself scurrying past sewers and simply can't stand red balloons, there's probably one big reason for your phobias. Maybe you read King's horror tome IT, which first made its way to bookshelves back in 1986. Perhaps you saw the 1990 miniseries, which turned Tim Curry from The Rocky Horror Picture Show's Frank N Furter into the transdimensional evil entity known as Pennywise. Or, you might've caught the recent two IT flicks. Whichever fits, your fears are about to get another workout. King's go-to Maine town is clearly the setting, with the series stepping through the locale's scares before the terror that viewers have already seen and experienced. And yes, Pennywise does indeed feature. So does a spate of missing children, more kids seeking answers, a new family moving in, uncaring police, eerie smiles and cackles, voices in the pipes and a crimson balloon. Returning to oversee the show is filmmaker Andy Muschietti, who helmed the most-recent two IT movies and last directed DC Extended Universe flick The Flash. He's also behind the camera here on multiple episodes, expanding his Derry-set vision from his two features. "As teenagers, we took turns reading chapters of Stephen King's IT until the thick paperback fell to pieces," said Muschietti and his sister Barbara Muschietti, who is also working on IT: Welcome to Derry, back when the show was first revealed. "IT is an epic story that contains multitudes, far beyond what we could explore in our IT movies. We can't wait to share the depths of Steve's novel, in all its heart, humour, humanity and horror." "I'm excited that the story of Derry, Maine's most haunted city, is continuing, and I'm glad Andy Muschietti is going to be overseeing the frightening festivities, along with a brain trust including his talented sister, Barbara. Red balloons all around!" added King at the time. If you've somehow missed all things IT so far, it follows the exploits of maniacal clown Pennywise, as well as the folks he's rather fond of terrorising. In the 2017 and 2019 movies, Bill Skarsgård (Nosferatu) put on the demonic makeup. In the first of those films, his targets were all kids. In the second, those teens — the Losers Club — were all grown up and still getting spooked. Skarsgård is back as Pennywise in IT: Welcome to Derry, with Taylour Paige (Brothers), Jovan Adepo (3 Body Problem), Chris Chalk (Feud), James Remar (Megalopolis), Stephen Rider (What Lies Under the Tree), Madeleine Stowe (Soundtrack) and Rudy Mancuso (The Flash) as his co-stars. Watch the initial IT: Welcome to Derry teaser trailer below: IT: Welcome to Derry is set to stream via Max in Australia and Neon in New Zealand sometime in spring 2025 — we'll update you with an exact release date when it is announced. Images: HBO.
Our antipodean cousin is officially recognised as a foremost composer with a career spanning seminal post-pop-punk band Blam Blam Blam; art experimentalists The Front Lawn; platinum-selling pop-rockers The Mutton Birds; and several film soundtracks.McGlashan was recently a guest musician at Neil Finn’s 7 Worlds Collide project and he had some added Finn-fun opening for Crowded House on their recent American tour. In July his second solo album, Marvellous Year, will be released to coincide with his first solo dates in Australia, including a special one-off concert as part of the Winter Wonderland series at the Opera House Studio.https://youtube.com/watch?v=Px9-fJJzYrI
Escaping to Tasmania has long been a popular way to get away from it all, especially if you're keen to swap the Australian mainland's hustle and bustle for the Apple Isle's stunning surroundings for a brief spell. Vacationing in a tiny house has also become a beloved way of leaving the daily grind, your usual routine and everyday stresses behind — so a tiny house in Tassie is clearly a holiday dream. Make that two tiny houses, actually, thanks to eco-friendly tiny house company Tiny Away. Good things definitely come in small packages here — and in scenic locations, too, with the accommodation network making its first leap to Australia's southern-most state. The two new spots join Tiny Away's 120-plus tiny house lineup, with each small-scale home architecturally designed, set on private land in rural and regional locations, and available for short bookings. If you're keen for a getaway in a fishing village around 45 minutes from Hobart, then Quirindi in Dunalley is your ideal destination. It sits on an eight-acre property, in the middle of wildlife-filled bush and grassland, that's been in the same family for three generations. The small abode even comes with its own nine-hole putting course — which, yes, you can use amid warming up by the fire pit, cooking on the barbecue or exploring the area. Nearby drawcards include the coastline at Eaglehawk Neck, plus seafood joints The Cannery and Bangor Wine & Oyster Shed. If you're eager to venture to Launceston — well, around half an hour away — then Cottesloe in the small town of Hagley is for you. This tiny house sits among a small farming operation on the edge of Meander Valley, which means that green pastures and farm animals come with the territory. Here, local highlights include Georgian and Victorian buildings in the town of Deloraine — and bakeries for a snack — plus the Western Tiers Distillery and the limestone caves at Mole Creek Karst National Park. With not only getting back to nature but respecting the natural environment a key part of Tiny Away's ethos, each of the company's homes is fashioned out of sustainable materials, and also includes waterless compost toilets, rainwater collection tanks for showers, plus solar panels. Checking that leave balance already? Scouring your calendar for a free weekend getaway slot? We understand. Tiny Away's new Quirindi and Cottesloe tiny houses are available to book online. For more information, head to the company's website.
If you're in the quaint and historic aviation town of Tocumwal, and you prefer trains to planes, the Tocumwal Railway Heritage Museum presents fascinating photos and railway memorabilia dating back to 1908. Open by appointment only, the museum is within the railway station and presents original photos, a working model train and original furnishings. Image: John, Flickr
The name might not ring a bell, but his creations would certainly be familiar. Yoram Gross is the man behind classic cartoons such as Blinky Bill and Dot and the Kangaroo. Now, rather than telling the tale of a mischievous koala, he is publishing his own memoirs. As is often the case, fact can be more interesting than fiction. As a Jewish boy in Nazi-occupied Poland during World War II, Gross was forced to move between over 70 hideouts, even passing himself off as a séance host. After the war he settled in Israel, where he became an award-winning film maker, and in 1968 he was on the move again, this time heading to Australia with his family where he would eventually create some of the country’s most iconic cartoon characters. Looking back on the films — if you need a recap Blinky Bill has his peaceful bush home destroyed by invading humans and must rescue his mother from captivity, Dot is lost in the bush and must rely on her new animal friends to find her way home — it is enlightening to see the stories with adult eyes, recognising that the light-hearted adventures that entertained us as children have much more serious layers with their roots in Gross’ own experiences. As his life, and his films show, you can always make the best of a bad situation. And you should enjoy the kangaroo rides while you can! My Animated Life is published by Brandl & Schlesinger.
Along with opera on a lightship, Courtney Barnett, a giant octopus and plenty more, Sydney Festival announced a brand-new music festival as part of its 2024 program. But that event, called Summerground, will no longer go ahead, with organisers advising that the fest within the broader fest has been cancelled. "Changing consumer behaviours, cost of living pressures and mounting operational expenses are having an impact on many large music festivals nationwide and unfortunately, Summerground was not immune from these factors," said the Sydney Festival team in a statement. [caption id="attachment_884407" align="alignnone" width="1920"] King Stingray[/caption] "We remain fully committed to the spirit of live music and are proud to present a wide range of other music offerings in the 2024 program that showcase the diverse talent our music scene offers," organisers continued. "The rest of Sydney Festival's program has not been affected with more than 130 events locked in for the January celebration." [caption id="attachment_862591" align="alignnone" width="1920"] Electric Fields, by Morgan Sette[/caption] Summerground ticketholders will receive a full refund, with Sydney Festival also thanking "Summerground artists for their understanding". Announced as one of Sydney Festival 2024's headline events, Summerground was set to run for three days from Friday, January 5–Sunday, January 7 at Tumbalong Park, boasting a lineup that included King Stingray, Electric Fields, Cimafunk, Queen Omega, The Brand New Heavies, Dem Mob, Beckah Amani, The Teskey Brothers, Full Flower Moon Band and more. Hopping between genres was promoted as a big feature, spanning everything from alt pop and R&B to soul and reggae, all across the first weekend of the overall festival. [caption id="attachment_864727" align="alignnone" width="1920"] The Teskey Brothers, by Nick Mckinlay[/caption] Summerground will no longer take place from Friday, January 5–Sunday, January 7 at Tumbalong Park. Sydney Festival 2024 runs from Friday, January 5–Sunday, January 28 at venues across the city. For further details and to buy tickets, visit the Sydney Festival website. Top image: Darren Chan.
If you've looked at a television lately or headed in search of the golden arches to get a feed, then you've probably already realised that 2021 marks 50 years since McDonald's first started serving burgs in Australia. To celebrate, the fast food chain has been splashing advertisements all around the place, and whipping up specials — including 50-cent cheeseburgers and new McFlurrys so far. Up next: Macca's PJs. Obviously, you'll be lovin' them. Teaming up with Peter Alexander, McDonald's has launched a collection of sleepwear that features burgers, fries, golden arches, the chain's red and yellow colour scheme, and its famous figures such as Ronald, Grimace, Birdie and the Hamburglar. Do people wearing burger-covered pyjamas dream of Big Macs? That's the question you can now put to the test. You can clearly expect a big dose of nostalgia as well and, thanks to Ronald and company's presence, to have a fierce hankering for happy meals. Given that McDonald's opened here in the 70s, there's a huge retro feel to the entire range. If, while wearing them, you wake up and start watching cartoons, that's understandable. Ten different items are available now at Peter Alexander stores and via the sleepwear brand's website until stocks last — including PJ pants and sweaters for men and women, and four different matching sets for the latter. Prices start at $69.95 for kids, and span up to $129.95 for long-sleeved women's flannelette pyjamas covered in Macca's well-known characters. The McDonald's x Peter Alexander sleepwear collection is on sale now via Peter Alexander stores and the sleepwear brand's website.
Audible is the world's largest creator and retailer of audiobook content, so you can be sure they know a thing or two about great stories. During Vivid Sydney, Audible is hosting three separate events with some of the city's best names in audio entertainment. On Wednesday, June 1, former MasterChef Australia champion Adam Liaw will be speaking about how the food we cook and eat shapes the world around us. Wednesday, June 8, sees TV presenter Melissa Doyle examine how the world handles – or rather, doesn't handle – the concept of women ageing. Finally, on June 15, writer Laura Nagy and journalist Marc Fennell uncover some of pop culture's more unusual and niche trends.
As lockout laws push weekend revellers further outside the CBD, Newtown's King Street has long offered an alternative to areas like Kings Cross. Drinks are served until the pub shuts and the music is… well, the music is still pretty strictly policed. But the times, they are a-changing, according to Bourke St boss and new owner of the Botany View Hotel, Paddy Coughlan, and we should be looking to the south. South King Street, that is. The Sydney Park end of Newtown's main drag hosts a slew of pubs that have carried the 'Keep Newtown Weird' flag for years, keeping the music loud and frequent, and punters happy with a good brew, great company, and especially live music. "I think that south end of King Street represents all that used to be good about Newtown in general, and a big part of that was live music," says Coughlan. "We need to support and foster music venues." Under his ownership, the Botany View Hotel will host live music every Friday and Saturday night, representing the up and comers in the local music scene. Reviving the old vibe, for Coughlan, means maintaining the authentic edge of a pub's pub. "I like to think people come to our pubs for the authenticity of what we're doing", he said, "not because we've overthought every piece of furniture." The Botany View will also aim to rehash the grub at the pub, looking to nail down a menu that the everyday punter can get behind with good quality produce and reasonably priced food. Though, with two of his other venues, the Lord Gladstone and the Lady Hampshire, serving their fair share of tacos and burgers, Coughlan hints to expect something a bit more "considered". The revival of King Street's south end is already underway, with Coughlan pointing out stalwarts like the Union Hotel and the Sydney Park Hotel, as well as the Botany View Hotel, as part of "our own little community" — although we'll be sad to see the final days of Newtown Social Club. With pubs like these continuing to support live music, good feeds, and cheap beers, Coughlan is confident the "that old Newtown vibe" is on its way back. "The already strong sense of community will get stronger," he says, which is something we can all raise our lighters to. Find the Botany View Hotel at 597 King Street, Newtown. Final renovation dates TBC.
Already on Saturday, August 14, the New South Wales Government has reported 466 new cases of COVID-19 in the past 24 hours, and announced the introduction of stricter new stay-at-home rules for Greater Sydney. That's not the end of the day's news, with the entire state now set to enter lockdown from 5pm today — for at least a week in regional NSW, with a current end date of 12.01am on Sunday, August 22 given for areas outside of Greater Sydney. "To protect the people of NSW from the evolving COVID-19 outbreak, new restrictions will be introduced for all of regional NSW," said NSW Premier Gladys Berejiklian and NSW Health in a statement. "Following updated health advice from NSW Chief Health Officer Dr Kerry Chant, stay-at-home orders will apply to all people who live in regional NSW. This means the whole of New South Wales will be under stay at home restrictions from 5pm today." Following the press conference today, I received health advice concerning multiple regional NSW areas. As such, from 5pm tonight, all of regional NSW will go into a seven-day lockdown. This means the whole state is in strict lockdown. pic.twitter.com/urND0bYfkT — Gladys Berejiklian (@GladysB) August 14, 2021 The Greater Sydney, Blue Mountains, Central Coast, Wollongong and Shellharbour regions have already been in lockdown since the end of June, and several regional areas in NSW are also under stay-at-home conditions presently — including in Byron Bay and Northern Rivers, Armidale, Newcastle, Hunter Valley, Lake Macquarie, Maitland, Port Stephens, Singleton, Dungog, Muswellbrook, Cessnock, Dubbo, Tamworth, Bogan, Bourke, Brewarrina, Coonamble, Gilgandra, Narromine, Walgett and Warren. Any regional areas that are currently in lockdown but were due to have stay-at-home rules lift during the next week will now remain locked down until Sunday, August 22, while Greater Sydney's lockdown will continue until at least Saturday, August 28 as outlined at the end of July. Under the newly announced rules for regional NSW, everyone is required to remain at home unless they have a reasonable excuse to leave, just like in Greater Sydney. Work is a permitted reason to head out of your house, but only if it is not practicable to do your job from home. Also, no visitors from outside your household are allowed to come to your home, including family and friends — other than for very select reasons. So, regional NSW residents can only have one person over at one time, and only to fulfil carers' responsibilities, for care or assistance, or compassionate reasons, the latter of which covers people who are in a relationship but don't live together. Also coming into effect: the closure of all hospitality venues other than for takeaways, and the closure of retail premises except for a small list that sell essentials. Supermarkets and grocery stores, other shops that mainly sell food or drinks to consume at home, chemists and pharmacies, kiosks, and places that primarily sell office supplies, pet supplies, newspapers, magazines and stationery, alcohol, maternity and baby supplies, and medical or pharmaceutical supplies can remain open, as can places that sell hardware, building and landscaping supplies, and timber, garden and plant items. Vehicle hire places, mobile phone repairs shops, service stations, banks, post offices, laundromats and dry cleaners can also stay open. ⚠️ STAY-AT-HOME ORDERS FOR REGIONAL NSW FROM 5PM TODAY ⚠️ To protect the people of NSW from the evolving COVID-19 outbreak, new restrictions will be introduced for all of regional NSW, effective from 5pm tonight until 12.01am Sunday 22 August 2021. pic.twitter.com/Y68KKV0wVf — NSW Health (@NSWHealth) August 14, 2021 Anyone who leaves their home must carry a mask with them at all times, too — and they must be worn in most situations. So, that means masking up in all indoor venues outside of your own home, while working outdoors, in outdoor markets and at outdoor shopping strips, and while lining up outside to pick up products like coffee and food. As has been the case since the beginning of the pandemic, NSW residents are also asked to continue to frequently check NSW Health's long list of locations and venues that positive coronavirus cases have visited. If you've been to anywhere listed on the specific dates and times, you'll need to get tested immediately and follow NSW Health's self-isolation instructions. In terms of symptoms, you should be looking out for coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste — and getting tested at a clinic if you have any. Regional areas of New South Wales will go into lockdown from 5pm today, Saturday, August 14 until at least 12.01am on Sunday, August 22. Greater Sydney, the Blue Mountains, the Central Coast, Wollongong and Shellharbour remain in lockdown until at least 12.01am on Saturday, August 28, with new lockdown rules coming into effect in these specific areas from 12.01am on Monday, August 16. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
We've all heard the term 'airport novel', which refers to fast-paced, easy-to-devour fiction that's perfect to read when you're on a long flight and you've watched everything on the onboard entertainment system — or, to flick through while you're waiting to hop on the plane. If you're the kind of traveller who always starts your trip with a visit to the airport newsagency to pick up new reading material to help while away the hours, then you probably have a stash of paperbacks that fit the bill. And, because its name and premise are oh-so-perfect for the genre, you might even have The Flight Attendant on that pile. Chris Bohjalian's novel was first published in 2018. Two years later, at a time when we'd all love to be flying far more than we've been able to of late, it makes the leap to the screen as an eight-part miniseries. On the page and on streaming platform Binge, The Flight Attendant unfurls a pulpy, twisty tale that starts high in the sky, bounces around the globe and delivers a hectic murder-mystery — all with the eponymous Cassie Bowden (The Big Bang Theory's Kaley Cuoco) at its centre. Cassie likes sipping mini bottles of booze as much as she likes pouring them for the travellers on her flights — and she also loves her jet-setting lifestyle. When she's at home in New York between trips, she parties away her time in bars and via her vodka-packed fridge. When she's stopping over in overseas cities between legs, she's known to do the same. In Bangkok, though, she does something that she's not supposed to. After flirting with first-class passenger Alex Sokolov (Game of Thrones' Michiel Huisman) throughout the flight, she makes an excuse to ditch drinks with her coworkers and takes up his dinner offer. The next morning, she feels the repercussions. Also, she finds herself confronted by a dead body, trying to outsmart the authorities both in Thailand and back in the US, and endeavouring to work out just what's going on. The Flight Attendant's many ups and downs are best discovered by watching, of course, with the series aligning viewers with Cassie as she embarks upon a very turbulent ride. Her life in general fits that bill — it's chaotic and, in depicting that reality as Cassie slowly begins to explore why she's so drawn to her job and to boozy benders, the show itself is as well. Think sudden revelations and reversals, multiple points of interest playing out across a split-screen setup, and cliffhangers to end every episode (and keep viewers keen to watch more). Also noticeable, and crucial: the fact that Cassie is unreliable in general, and was blackout drunk on the night in question so she can't remember what happened. This is a tightly and glossily made whodunnit; however, it's also a thorny thriller that tasks its key figure with scrambling around not only trying to investigate the case, but also to work out her role within it. In topic, themes and tone, Cuoco leaves The Big Bang Theory far behind. She's still engagingly erratic as Cassie, though — but in a different and deeper way. As the character's personality, background and present situation calls for, she finds the fine line between messy and likeable, and poignant and even slapstick on occasion. Cassie makes so many terrible decisions that they become her defining trait but, thanks to Cuoco in career-best form, she never feels like she's just being driven by the plot's many machinations. The always-charming Huisman gets more screen time than viewers might initially expect, too, and the series is better for it. Plus, post-Girls, Zosia Mamet is also a welcome inclusion as Cassie's steely, no-nonsense best friend and lawyer Annie, who eventually calls out her pal on her baggage. Airport novels frequently require readers to simply go with the flow. As a slick, swift-moving TV series that knows exactly the kind of story it's telling and goes for broke, The Flight Attendant is no different. The fact that it's filled with intrigue, often of the implausible and even ridiculous yet still instantly addictive type, will surprise no one — it's what such tales are supposed to serve up, after all. But there's darkness, weirdness, pathos and plenty of twisty comedy on offer here as well. It's easy to get immersed in, and to be entertained by. And, it'll help vicariously indulge your wanderlust and plunge you into a bingeworthy mystery at the same time. https://www.youtube.com/watch?v=4rWnlXbnQLk&feature=youtu.be The Flight Attendant is available to stream via Binge — with the first seven episodes online now, and the series finale available from the evening of Thursday, December 17. Images: Phil Caruso, HBO.
If you're a fan of watching smart, rewarding, deep-thinking science fiction, then you're probably a fan of Alex Garland's. Originally an author, he initially came to fame as the writer of 90s bestseller The Beach, before moving into screenwriting with the script for 28 Days Later. More screenplays followed, including Sunshine, Never Let Me Go and Dredd — but it was his 2014 directorial debut Ex Machina that showed the extent of his filmmaking prowess. Annihilation proved a highly worthy addition to his resume in 2018, too, even after it was shuffled onto Netflix rather than screening in cinemas in much of the world. Given his track record so far, any new project by Garland is cause for excitement. In 2020, direct your enthusiasm towards new eight-part series Devs. The writer/director is making the leap to television with a cast led by Nick Offerman — and with Ex Machina's Sonoya Mizuno, Love's Karl Glusman, American Horror Story's Alison Pill and Bad Times at the El Royale's Cailee Spaeny also featuring. Due to start streaming in the US in March — with availability Down Under yet to be confirmed — Devs begins with a premise that doesn't sound all that different from Ex Machina. At a quantum computing company called by Amaya, which is run by an unnerving CEO called Forest (Offerman), things don't seem quite right. That especially seems the case to computer engineer Lily Chan (Mizuno), who believes that Amaya is responsible for the disappearance of her boyfriend. The more she investigates, the stranger and more sinister it all appears, as seen in the show's first trailer. Expect conspiracies, futuristic tech thrills, dark yet vivid images and Offerman sporting a long-locked hairstyle that Ron Swanson surely wouldn't approve of — plus, as the series' sneak peek demonstrates, killer set design. Naturally, the bulk of Devs' mysteries are being kept close to Garland's chest until the show premieres, but the initial teaser still paints an immensely intriguing picture. Check out the trailer below: https://www.youtube.com/watch?v=t8klax373ds Devs starts streaming in the US on March 5 via Hulu, with the series' air date Down Under yet to be revealed. Image: Miya Mizuno, FX Networks.
In multiple different web-slinging franchises across multiple decades, everyone's favourite friendly neighbourhood Spider-Man has been on quite the on-screen journey. He's been played by different actors, faced a whole heap of different foes, and spun his way into the Marvel Cinematic Universe, too — and in Spider-Man: No Way Home, all this chaos is set to converge. The third Spider-Man movie starring Tom Holland (Chaos Walking) in the role, Spider-Man: No Way Home already teased plenty of multiverse madness in its first teaser trailer. Doctor Strange (Benedict Cumberbatch, The Power of the Dog) plays a pivotal part this time around, too, ahead of the character's own dedicated next flick — Doctor Strange in the Multiverse of Madness — which is set to arrive in 2022. But the just-dropped new Spidey sneak peek shows just how far the movie is willing to go when it comes to all those other Spider-Man films that've reached screens over the years. No, Tobey Maguire and Andrew Garfield don't show up, but some of the villains they fought make an appearance. Get ready to get reacquainted with Willem Dafoe's Green Goblin from 2002's Spider-Man, as well as Alfred Molina's Otto Octavius from 2004's Spider-Man 2 and Thomas Haden Church's Sandman from 2007's Spider-Man 3. Also re-emerging: Rhys Ifans' the Lizard from 2012' The Amazing Spider-Man and Jamie Foxx's Electro from 2014's The Amazing Spider-Man 2. If you're wondering how this all works, it stems from the big reveal at the end of Spider-Man: Far From Home, where Peter Parker's secret identity was unveiled to the world. No Way Home picks up with Parker struggling to deal with the fact that everyone now knows who he is, and that he can't now just be an ordinary high schooler when he's not acting the hero. So, he asks Doctor Strange to spin a time- and space-twisting spell, which tears a whole in the world and sparks all of this multiverse mayhem. So far, there's still no sight of Maguire or Garfield — but that could be the kind of surprise that's being saved for cinemas. And, whether the film gets playful as the phenomenal animated Spider-Man: Into the Spider-Verse is obviously still yet to be seen. No Way Home will feature a heap of other familiar faces, including Zendaya (Space Jam: A New Legacy), Marisa Tomei (The King of Staten Island) and Jacob Batalon (Let It Snow). Behind the lens, Jon Watts returns after previously helming both Spider-Man: Homecoming and Spider-Man: Far From Home as well. In a nice piece of symmetry, when Doctor Strange in the Multiverse of Madness does hit cinemas next year, it'll be directed by Sam Raimi — who also directed the Maguire-starring Spider-Man movies in 2002, 2003 and 2007. Check out the full No Way Home trailer below: Spider-Man: No Way Home opens in Australian cinemas on December 16. Images: ©2021 CTMG. All Rights Reserved. MARVEL and all related character names: © & ™ 2021 MARVEL.
The Marvel Cinematic Universe's phase four is so 2022, and earlier. In 2023, the comic book-based blockbuster screen saga is all about phase five. And, to begin with, it's 100-percent focused on the MCU's tiniest superhero: Ant-Man, as adorably played by Paul Rudd. Here, entertaining things come in small packages, as the character's two solo big-screen outings have shown. Yes, those past flicks have also wavered between charming and familiar, but whenever the ageless star himself pops up — and wherever, given that he hasn't just been confined to his own franchise within the franchise — he's always proven a treat. So, of course a third Ant-Man movie is on its way, because who doesn't want to give the world more Paul Rudd more often? The MCU clearly does, and that new film is Ant-Man and The Wasp: Quantumania, which dropped its first trailer in 2022 and will buzz into cinemas this February. This time, the MCU's insect-sized superheroes — including both Scott Lang aka Ant-Man (Rudd, Ghostbusters: Afterlife) and Hope van Dyne aka The Wasp (Evangeline Lily, Crisis) — are thrust into a secret universe beneath the one they already know and inhabit, and also face a new enemy. The chaotic space? The quantum realm, hence the Quantumania part of the upcoming movie's title. The adversary? Kang the Conqueror, as played by Lovecraft Country and The Harder They Fall's Jonathan Majors. And yes, both pop up in just-released new trailer for Ant-Man and The Wasp: Quantumania, too, where the story gets dark quickly. Also part of the movie is the return of Hope's parents Janet van Dyne (Michelle Pfeiffer, French Exit) and Hank Pym (Michael Douglas, The Kominsky Method), plus Scott's now-older daughter Cassie (Kathryn Newton, Freaky). Viewers of 2015's Ant-Man and 2018's Ant-Man and the Wasp will know that Janet spent decades stuck in the quantum realm, so it's unsurprising that she's a key part of Ant-Man and The Wasp: Quantumania. But, she hasn't told her family and friends everything about the place — as the film is set to explore. When it hits cinemas, the movie doesn't just spark Marvel's fifth phase — it also notches up the MCU's 31st film. Of course, if you're reading this, you know that, and you're ready for the company's latest silver-screen adventure after 2022's Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder and Black Panther: Wakanda Forever. Check out the new Ant-Man and The Wasp: Quantumania trailer below: Ant-Man and The Wasp: Quantumania hits cinemas Down Under on February 16, 2023. Images: courtesy of Marvel Studios. © 2023 MARVEL.
In Sydney's crowded, ever-evolving food scene, it can seem like new openings need to shout in order to be heard. And given its bold, all-caps, exclamation-pointed name, this is something the team behind ATTENZIONE! Food and Wine — a vibrant bistro-cum-wine bar opening in Redfern — clearly understand. This colourful new addition to the area's dining offering, which will welcome its first diners in late July, is the passion project of Felix Colman, the part-owner and operator of Ragazzi and Fabbrica, and business partners Toby Davis, Toby Stansfield and Dexter Kim, who between them boast stints at Yellow, Lola's, The Old Fitz and the hospitality-focused creative agency Buffet Digital. After working alongside each other for years, this quartet of hospo veterans decided to make their shared dream of running a venue together a reality. "ATTENZIONE! is the culmination of many years of friendship and experience combined with our very genuine love for great food, wine and all-round great hospitality," said Colman. "We know what makes a restaurant experience memorable and we know what makes you want to return." Before you jump to conclusions, the choice of name has nothing to do with online memes or pickpockets. Rather, it's a reference to an in-joke between the four partners regarding an Italian friend's mother, who while visiting her daughter in Sydney would cry out "attenzione!" whenever a handsome — and potentially eligible — man walked past. Since then, shouting "attenzione!" has become such a go-to callback between the friends, and it quickly emerged as the obvious name for their first venture together. On the menu, punters can expect plenty of sharing platters, antipasti classics and snackable Euro street eats alongside pasta-centric mains: think crispy gnocco fritto with raw beef, the traditional veal and tuna combo of tonnato vitello, and dry-aged cuts of pasture-raised dairy cows courtesy of Emilo's Butcher in Rozelle. What are sure to be the restaurant's most-talked-about dishes feature jumbo strands of house-made pico pasta, coated in a glossy slick of cacio e pepe sauce or nduja crema with Kinkawooka mussels. Colman and Davis have balanced accessibility and quality with their internationally sourced wine selection, focusing on terroirs with well-managed vineyards and superb pedigrees. Full-flavoured drops from Piemonte and Burgundy will share the spotlight with lesser-known varieties such as savagnin and timorasso. Taking over the former digs of The Sunshine Inn on Redfern Street, the fitout is designed by new Sydney-based interiors studio Coffeyhallet. With a vibrant mustard and aniseed palette as well as tactile leather banquettes, dark-stained Bentwood chairs and large mirrors to create a sense of space, the restaurant's decor will be an extension of the lively, welcoming vibes that the four owners hope ATTENZIONE! will be known for. "We're creating a fun restaurant that we'd all personally love to visit time and time again," Colman said. "We really do hope it's a restaurant that'll be deserving of Sydney's ATTENZIONE! now and for many years to come." ATTENZIONE! Food and Wine will open in late July 2024 at 180 Redfern Street in Redfern, operating Thursday–Monday. For more updates, follow ATTENZIONE on Instagram. Images: Dexter Kim.
As Newtown's lockout law-exempt King Street becomes the go-to for Sydney's after-dark crowds in lieu of Kings Cross, the presiding Inner West Council hopes to boost its status as an all-hours precinct by giving late-night retail trading the go-ahead and allowing arts and music in shopfronts in a new proposal announced this week. It's also keen to untangle the messy web of confusion that comes from governing just one part of King Street — the council looks after just one side of the road south of Church Street, while the City of Sydney looks after the other. Currently, King Street businesses on opposite sides of the thoroughfare face a swag of inconsistencies regarding the likes of parking meters, streetside seating, business grants and garbage bins. The suggestions follow the City of Sydney's own proposal to investigate late-night trading over on its turf, with Inner West mayor Darcy Byrne both supporting the idea and calling for the proposed rules to apply to the whole of King Street. "I want to ensure that common sense prevails over red tape and bureaucracy and create one level playing field for all businesses to unite King Street," he said. Further proposals by the Inner West Council — which was recently created as a merger between Ashfield, Leichhardt and Marrickville councils — would allow cafes, restaurants and shops to host small-scale arts and music performances without wading through mounds of red tape, which Cr Byrne says "would provide a shot in the arm to the local arts scene and exponentially increase the number of venues for emerging artists". If the inner west goes with the plans proposed by the City of Sydney, small venues could stay open till 10pm each night without applying for approval to do so. The council will work with Newtown Precinct Business Association and the City of Sydney to develop the proposed changes. If they are implemented, it could see more small King Street venues open later to offer different types of entertainment, which would make for a more lively Newtown nightlife. We'll keep you updated on any further announcements. Image: Steven Woodburn.
A longstanding pillar of Sydney's queer community and nightlife, Oxford Street nightclub ARQ finally reopened in 2022 after a pandemic-forced hiatus of close to three years. 23 years on from originally opening its doors, the beloved club has made a grand return following a multimillion-dollar renovation. Staples of the ARQ experience including the spa and sauna, Bodyline, Trash Alley and the legendary revolving doors have all been maintained and refreshed, while the venue has also welcomed a new arcade-style games room and a cocktail lounge. "We have all come together again to not only revitalise ARQ, but the entire Australian nightlife industry," ARQ owner Shadd Danesi says. "We believe we are finally in a position to revitalise Australian entertainment, starting with ARQ, reclaiming its position as the jewel in Oxford Street's crown." As with before its temporary shutdown, the club hosts an ongoing program of DJs, drag performers, pyrotechnics, aerialists and live musicians, contributing to that renowned Oxford Street energy and ensuring the dance floor is always packed. You can explore what's on at ARQ via the nightclub's website. [caption id="attachment_881391" align="alignnone" width="1920"] Lady Gaga performing at Arq, Eva Rinaldi[/caption]
UPDATE, December 17, 2022: Strange World opened in cinemas on Thursday, November 24, and streams via Disney+ from Friday, December 23. In the Disney: The Magic of Animation exhibition that's doing the global rounds, including not one but two stops Down Under so far, spectacular concept art is the star. Walt Disney Animation Studios has made 61 films to-date, a selection of which are celebrated throughout the eye-catching showcase — and it's the intricately drawn and painted images used to help finalise the look of Fantasia, Bambi, Alice in Wonderland, Sleeping Beauty, The Little Mermaid and more that truly shimmer. That's the magical art behind the on-screen art, with every piece proving stunning when framed on a wall. So would the work behind Strange World, the Mouse House studio's latest movie. Actually, so would each image of its titular realm in the big-screen end result. Even by Disney animation standards, saying that this flick is visibly dazzling is a hefty understatement Strange World needs to be a visual knockout; when a title nods to an extraordinary and otherworldly place, it makes a promise. Director Don Hall and co-helmer/screenwriter Qui Nguyen, who last worked together as filmmaker and scribe on the also-resplendent Raya and the Last Dragon, meet that pledge with force — aka the movie's trademark approach. Strange World goes all-in on hallucinogenic scenery, glowing creatures and luminous pops of colour (pink hues especially) that simply astound. Indeed, calling it trippy is also an understatement. The picture is equally as zealous about its various layers of messaging, spanning humanity's treatment of the planet, learning to coexist with rather than command and conquer our surroundings, and navigating multigenerational family dynamics. A feature can be assertive, arresting and entertaining, however, because this is. Clade patriarch Jaeger (Dennis Quaid, Midway) can also be described as strong-willed and unsubtle, much to his son Searcher's (Jake Gyllenhaal, Ambulance) frustration. In the mountainous land of Avalonia, the former is a heroic explorer intent on seeing what's on the other side of those peaks — a feat that's never been achieved before — but the latter pleas for staying put, spotting a curious plant on their latest expedition and wanting to investigate its possibilities. Doing anything but bounding forth isn't the Clade way, Jaeger contends, sparking an icy father-son rift. Jaeger storms off, Searcher goes home, and Avalonia is revolutionised by pando, the energy-giving fruit from that just-discovered plant, over the next quarter-century. Then, in a locale that now enjoys electricity, hovering vehicles and other mod cons, the natural resource suddenly seems to start rotting from the root. Hall and Nguyen introduce their story in perky, pithy, old-school newsreel-style, with a tone-setting montage of Jaeger and Searcher's past adventurous feats — more of which can only follow. As much as Searcher rallies against retracing his father's footsteps and openly resents the expectation that traversing the land is in his blood, the pando crisis means he's the obvious choice to join President Callisto Mal (Lucy Liu, Death to 2021) on a journey down deep to see what's going on. Over the last 25 years, Searcher has become a husband to pilot Meridian (Gabrielle Union, Truth Be Told) and a dad to 16-year-old Ethan (Jaboukie Young-White, Only Murders in the Building), though, and is content in his farmer life. In contrast, the youngest Clade is raring to go, stowing away for the trip. That said, Ethan does share his father's yearning to want for embracing his own calling, rather than merely towing the family line. From the moment that Strange World's adolescent point of focus would rather be flirting with his cute crush Diazo (Jonathan Melo, American Horror Story) than doing his pando chores, the feature's history-repeating storyline is apparent. 'Tis the year for both Disney and cinema in general to address the weight assumptions that parents put on their kids, plus the pressure to chart a prescribed path, as Pixar's Turning Red similarly did, and Guillermo del Toro's Pinocchio, and sci-fi standout Everything Everywhere All At Once as well. If the first word in its moniker didn't make it plain, Strange World's visit to an underground realm that's upside down from the regular domain, populated with unusual creatures and perilous to humans also gives off big Stranger Things — but family-friendly — vibes. The Mouse House's Treasure Planet springs to mind, too, as do Jules Verne's contributions to literature. And, unsurprisingly when it comes to big eco messages and animation, Studio Ghibli's Nausicaa of the Valley of the Wind and Princess Mononoke got there first. Don't discount the impact that marrying familiar ideas with magnificent and mesmerising imagery can have, however, with Strange World's captivating aesthetic offering more than just pretty pictures. Those gorgeous visuals reflect the movie's open heart about embracing a vibrant existence, which Nguyen's screenplay lets sprout and spread in a heaving forest's worth of ways. It's there in belatedly giving Disney's animated flicks their first-ever out gay teenage lead character, in letting that fact be a regular narrative detail rather than the story's focus and in having Ethan value the dreamy subterranean domain the Clades find themselves in for what it is, for starters. Strange World knows that to see is to feel, and that that applies to overdue representation and environmental messaging alike. There's also a twist that hammers home the need to appreciate and respect the living world we're lucky enough to inhabit, and to revel in all of its diversity, but the film's frames make its statement anyway from the outset. The lush flora and fauna, the landscapes that could've backdropped 60s sci-fl, the cute blob named Splat that seems to be a friend: all of this draws Strange World's audience in and makes them cherish every single last piece. Accordingly, as heavy-handed as the movie is about its parallels with the present state of the earth, and as easily pieced-together as its rollicking adventure plot is, those beguiling sights — aka the animated film's version of David Attenborough-esque visuals — back everything up. Also, given the urgent importance of recognising the planet's fossil fuel-reliant predicament, plus the need to address the climate change that's springing as a result, a lack of nuance is hardly uncalled for. And while using a flick to lay the groundwork for more to come is one of modern cinema's worst traits, especially the Mouse House's, the ambitious Strange World closes out with ample intrigue to inspire further chapters — and to keep viewers coming back to this entrancing land.
Now in its 29th year, this popular and highly anticipated event celebrates all things seafood. Held over 36 hours from 5am on Monday, December 23–5pm on Tuesday, December 24, this marathon shopping event offers Sydney's seafood lovers the opportunity to shop for fresh, sustainably sourced produce around the clock, making it perfect for those preparing festive feasts or seeking special holiday ingredients on short notice. Over 350 tonnes of seafood is expected to be sold including 120 tonnes of prawns and almost 70,000 dozen oysters. Punters can also find everything they need for the rest of their Christmas table, including fresh fruit and veggies, fresh bread, quality meat, cheese, wine, dry goods, and sweet treats. And it's not just about shopping. The marathon also features live cooking demonstrations, tastings and special deals from local vendors. The vibrant atmosphere, with its bustling stalls and live entertainment, captures the essence of Sydney's thriving food culture during the holiday season.
For the third year running, Pyrmont Bay Park will transform itself into a pop-up food festival of Asian cuisine for ten nights from Friday, January 27. Wander through a heap of food stalls, which will this year include Asian-inspired creations from Chur Burger for the first time, as well as nosh from Teague Ezard's Star Gingergirl pop-up. This year they'll also have a Bubble Bar serving alcoholic and non-alcoholic bubble teas, and all your Night Noodle Market regulars like Hoy Pinoy, Mamasan and the insanely popular Bao Stop. Black Star Pastry and N2 Extreme Gelato are once again teaming up to create a gelato riff on their strawberry watermelon cake smash with fire crackers, a rooster macaron and Chinese herbal syrup syringe Paired that with live music and roaming performers, this is a solid Chinese New Year date. The Lunar Markets are open Monday to Wednesday 5–9pm, Thursday to Friday 5–10pm, Saturday 4–10pm, and Sunday 4–9pm.
Get the jab, get permission to head out of the house: that's a key part of New South Wales' COVID-19 strategy, as Premier Gladys Berejiklian has been talking up. And, while concrete details haven't yet been revealed, it looks like eating in at restaurants, pubs and bars — and working out at the gym, too — may be on the cards for folks who've had both jabs once NSW reaches the 70-percent fully vaccinated mark. The state is currently experiencing its biggest COVID-19 outbreak of the pandemic, reporting 825 new local cases on Saturday, August 21 and breaking Australia's record in the process. Lockdowns and restrictions have been tightening in response, including across Greater Sydney, in Local Government Areas of concern and statewide. But, as well as containing the current spread, outlining how NSW emerges from its current stay-at-home rules has also become a prominent focus — with the Premier set to release a roadmap for moving forward sometime during the week beginning Monday, August 23. Back in mid-July, this exact roadmap was also promised, outlining how Sydney would emerge from lockdown; however, as case numbers grew and stricter rules were put in place, it didn't emerge. Now, it appears set to be released, detailing what'll be possible for people who've had both shots — starting when the state reaches six million jabs, then expanding when 70 percent and then 80 percent of NSW residents are fully vaxxed. The latter two benchmarks fall in line with Australia's new overall 'National Plan to transition Australia's National COVID Response' that was announced in July. Obviously, case numbers will still have an impact when it comes to whether these plans eventuate. At present, the state remains under lockdown until the end of September. But NSW Police Minister David Elliott told the Seven Network's Sunrise that allowing restaurants, bars, pubs and gyms to open to fully vaxxed NSW residents once the 70-percent target is reached is the plan. "That's something that a lot of people have been working very hard towards. We've got to make sure that we continue to encourage people to get the vaccine," the Minister said, noting that being able to go to the pub once you're jabbed should be a powerful motivation. "It's something she's been working towards for quite some time," Elliott continued when asked if the Premier would be announcing the details soon. "We've been speaking to the hospitality industry, the AHA [Australian Hotels Association], Clubs NSW, restaurants... and it makes sense, it makes perfect sense. It's exactly what the British government did." "That's the plan" NSW Police Minister David Elliott confirms Premier @GladysB will ease most restrictions for double jabbed residents when the state reaches 70 per cent vaccination. "It's exactly what the British government has done" pic.twitter.com/xrev6lPr7v — Sunrise (@sunriseon7) August 19, 2021 Exactly what that might mean in practical terms hasn't been revealed, but outdoor dining is likely to be a big feature, as it was in 2020 when NSW reopened after lockdowns. Also, vaccine passports may play a part, with Prime Minister Scott Morrison announcing after Australia's last National Cabinet meeting on Friday, August 20 that work will now move forward regarding "incorporating the proof of vaccination status into existing state and territory check-in apps." Wondering when the 70-percent target might be reached? Earlier this week, the Premier advised that "at this stage, those targets will be met at the end of October for 70-percent double dose and mid-November for 80-percent double dose." She continued: "Life will be much freer than what it is today once we get to 70 percent and 80 percent. It doesn't mean we'll be completely free. It doesn't mean that we will let the virus be rampant in the community no matter our number of cases, but it will be freer than it is today." Again, exactly what double-vaxxed NSW residents will be allowed to do at the six-million jab mark, at 70-percent double doses and at the 80-percent fully vaccinated threshold hasn't yet been outlined in detail, and neither has the impact of rising daily case numbers. Getting haircuts has also been floated as a possibility, and the federal plan for the 70-percent mark includes letting jabbed folks out of lockdowns and border controls. At 80-percent fully vaxxed, the nationwide outline proposes allowing vaccinated people to travel overseas again without restrictions, too. [caption id="attachment_798916" align="aligncenter" width="1920"] Cassandra Hannagan[/caption] Amid all of the discussion about opening back up, the Premier has also advised that the NSW Government does expect case numbers to remain high in September and October. That said, she still expects that there'll still be scope to ease some rules for vaccinated people — with encouraging folks to get vaccinated obviously a very big part of the strategy moving forward. "What we need to do is to make sure that when we get to that 70-percent double dose in New South Wales and that 80-percent New South Wales double dose, that we try and he's gonna keep the case numbers as low as possible," the Premier said at the state's daily COVID-19 press conference on Saturday, August 21. "What we do also have to accept is how we actually talk about this disease moving forward. Once you get to 70-percent double doses, it will be a situation where the vaccine rate will be more critical than how many cases we have." If you're wondering were you can get vaccinated, there's a handy online map that helps you find your nearest clinic. Australia's vaccination campaign is also expected to get a boost from Monday, August 30, when the Pfizer jab will open up to everyone aged 16–39 — and also from September, as that's when the recently approved Moderna vaccine will join the rollout. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
If spending a day listening to Porter Robinson, Gang of Youths, Peking Duk, Hockey Dad and Alex Lahey at This That was on your agenda for this spring, the festival comes bearing bad news — again. After cancelling its 2022 end-of-year events, the Newcastle and Brisbane fest has now done the same for 2023. "It is with the heaviest of hearts that we announce This That Sandstone Point (Qld) and Newcastle (NSW) festivals will no longer be going ahead," the festival team announced in a statement on its website and social media. "This difficult decision was reached due to the challenging economic conditions we have been working within this past year, and the many factors that have been impacted by this. It has left us feeling that the This That experience you have come to know and love, and that we pride ourselves on offering, would only be dampened if we were to forge ahead," the This That crew continued. View this post on Instagram A post shared by THIS THAT (@thisxxthat) This That's November dates — on Saturday, November 4 at Sandstone Point Hotel in Sandstone Point and Saturday, November 11 at Wickham Park in Newcastle — were set to mark the coastal festival's return for the first time since early 2022. When the event pulled the plug last year, it was "due to a combination of issues", organisers advised; however, it promised that it'd be back in 2023. Also on the first This That 2023 lineup announcement: Slumberjack, Set Mo and The Presets doing a DJ set, plus Lola Scott, Trophy Eyes, Dear Seattle, Chillinit, Hooligan Hefs, Jesswar, Sophiya, Godlands, Kinder, Alice Ivy and more. [caption id="attachment_910563" align="alignnone" width="1920"] Zagexma via Wikimedia Commons[/caption] Some of the acts on this year's now-shuttered bill were also on the roster last year's scrapped, such as The Presets, Winston Surfshirt, Chillinit, Hockey Dad and Jesswar. Ticketholders for 2023 will be contacted by Oztix about refunds, which will be returned to the card that tickets were purchased with automatically. This That will no longer return in November 2023 at Sandstone Point in Queensland and Newcastle in New South Wales. For more information about the festival's cancellation, head to the event's website. Images: Jordan Munns / Mitch Lowe.
If you're in Byron Bay right now, looking forward to this year's Splendour in the Grass — or you're on your way — then you'll already know that it's mighty wet in the region at the moment. In fact, it has been so soggy that campsites have been flooded, lines to get in have taken all night, there's even more mud than usual and the past 24 hours have been filled with chaos. And with more rainy weather due for the rest of the day, the fest's organisers have pulled the plug on all main stage gigs today, Friday, July 22. "A significant weather system is currently sitting off the east coast and may reach land later today bringing more rainfall. In the interest of patron safety and in consultation with all relevant emergency services, we have decided to err on the side of caution and cancel performances on the main stages today only — Amphitheatre, Mix Up, GW McLennan and Park(lands) stages," said the Splendour crew in a statement. "All of our destination spaces (Global Village, Tipi Forest, Forum, Comedy and Science tents, etc) will remain open today for patrons who are already onsite as well as those at our satellite campground at Byron Events Farm. Please relax and enjoy what is open." View this post on Instagram A post shared by Splendour in the Grass (@splendourinthegrass) From the fest's hefty lineup, Gorillaz, The Avalanches, DMA's, Dillon Frances, Kacey Musgraves and Orville Peck are among the acts that were due to perform today, but won't now. Organisers also advised that SITG looks forward "to Saturday and Sunday programming moving ahead as planned". So, fingers crossed that The Strokes, Glass Animals, Jack Harlow, Violent Soho, Tim Minchin and more will hit the stage on Saturday — and Tyler, The Creator, Liam Gallagher, Bad//Dreems, Mura Masa and others on Sunday. More rain is forecast by the Bureau of Meteorology for Byron Bay today, with showers and wind expected on Saturday, plus possible showers on Sunday. Affected ticketholders will be contacted by Moshtix in the coming week, via the email address you used to buy your ticket, with further information on refunds. Today's cancellation comes in Splendour's big comeback year, after two winters without live tunes at North Byron Parklands due to the pandemic. Splendour in the Grass runs until Sunday, July 24 at North Byron Parklands. For further information, head to the festival's website and Facebook page. Images: Ben Hansen.
If digging for bling isn't your thing, how about searching for dinosaur fossils? At the Australian Opal Centre, visitors are welcome to register for Lightning Ridge Fossil Digs, which give you the chance to discover opalised fossils buried for over 100 million years. With the next dig scheduled for August 2022, you can sign up for six days of adventure alongside some of Australia's leading palaeontologists and researchers. Previous excavations here have resulted in several world-first discoveries, so your trip might just make history. Places are strictly limited, so if you want to spend a week fossicking for fossils, book your spot now. Image: James de Mers, Pixabay
In response to Sydney's latest cluster of locally acquired COVID-19 cases, people who live or work in four Sydney Local Government Areas will be required to stay home for the next week. From 11.59pm tonight, Friday, June 25 until at least the same time on Friday, July 2, the City of Sydney, Woollahra, Waverley and Randwick LGAs will revert to the same conditions that were in effect when the state went into lockdown back in March 2020 — which means you'll only be able to leave the house for four specific essential reasons. Premier Gladys Berejiklian announced the new public health order on the morning of Friday, June 25, announcing that the New South Wales Government was following updated health advice from the Chief Health Officer Dr Kerry Chant about the growing risk to the community. Also revealed this morning: 11 new locally acquired cases reported to 8pm yesterday, Thursday, June 24, plus another 17 that have been identified since. If you need a reminder about those four reasons, folks who either live or work in the City of Sydney, Woollahra, Waverley and Randwick LGAs can only leave home for work and study if you can't do it from your house, for essential shopping, for exercise — outdoors in groups of ten or fewer — and for compassionate reasons, which includes emergency medical treatment. Otherwise, everyone must stay at home; however, there are no restrictions on when you can go shopping or go out for exercise, and there's no curfew. Again, the stay-at-home orders don't just apply to folks who live in the four LGAs, but also to anyone who works in them. "In this outbreak, we're seeing too many examples of workers coming in from other areas, getting infected in the workplace but then passing on the infection to multiple clients — and that is, without being specific, it hasn't just happened in one instance, it's happened in multiple instances," said the Premier. https://twitter.com/NSWHealth/status/1408228493310132226 The stay-at-home orders will require venues in the four LGAs will need to close. "Clearly, if you are a business in those four Local Government Areas, unfortunately, unless you're providing essential food and services — that is take away food and services or grocery services of that nature — we don't expect those businesses to remain open in the next week," said the Premier. Premier Berejiklian also said that NSW Health "remains concerned that given how contagious the virus is, we are likely to see more cases in coming days — namely from household contacts. Previously, you may have had one or two other members of a household getting the virus, but because this is a contagious strain, we anticipate that close to 100 percent of everybody in a household is likely to get the virus if one person has had a positive test result." She continued: "we also appreciate, given the patterns of behaviour that we've seen, that many workers, unfortunately, who are face-to-face with a number of clients during the day have also been transmitting the virus." While the stay-at-home order only applies to four specific LGAs, the rest of Greater Sydney — including the Central Coast, Blue Mountains, Wollongong and Shellharbour areas — will remain under the same restrictions that came into effect on Wednesday, June 23. They'll be in effect a little longer, too, until at least 11.59pm on Friday, July 2. And, in general, folks across Greater Sydney "should also limit unnecessary activity and avoid large gatherings in coming days and comply with the current restrictions," the NSW Government advised. Those settings for the rest of the city include only having five people over to your home, as well as wearing masks in all indoor spaces and at organised outdoor events — and still on public transport and in public indoor spaces. If you're having a beverage in a bar or something to eat at a cafe, you need to sit down. Dancing and singing have be banned again, Footloose-style, everywhere except weddings — which can only have 20 people on the dance floor at once — and the one person per four-square-metre rule is also back in all indoor and outdoor settings. Residents of the Bayside, Canada Bay and Inner West LGAs also can't leave the metropolitan Sydney area. Neither can residents of the City of Sydney, Woollahra, Waverley and Randwick LGAs, of course — so if you are leaving home for one of the four permitted reasons, you can't venture beyond the city limits. As always, Sydneysiders are also asked to continue to frequently check NSW Health's long list of locations and venues that positive coronavirus cases have visited over the past week — and, if you've been to anywhere listed on the specific dates and times, get tested immediately and self-isolate for 14 days after your visit. In terms of symptoms, you should be looking out for coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste — and getting tested at a clinic if you have any. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
For most people, waking up to the smell of freshly brewed coffee is one of life's simple pleasures. Soon, waking up in bedding made from coffee grounds might be as well. Forget using caffeinated leftovers in the garden or around the house — Australian outfit Ettitude wants to reuse the parts that don't make it into your cuppa, infusing them into their new sheets range. It seems that they're not the only ones keen on the idea, with their Kickstarter campaign fully funded, and the first sheets due to ship in November. Their range includes the whole bedding kit and caboodle — aka flat and fitted sheets, quilt covers and pillow cases — in double, queen and king sizes, as available in a range of packs of combinations. And while they don't actually smell like everyone's favourite hot beverage, they do supposedly reap plenty of rewards. So, how does it work? The company's bamboo coffee bedding collection uses coffee yarns sourced from S.Cafe, who repurpose coffee grounds from cafes around the world, blend them with a polymer made from recycled plastic drink bottles, and turn the mix into fabric. At Ettitude, the yarns are then woven through their own sustainable bamboo lyocell textiles, ready to bring some coffee goodness to bedrooms everywhere. It's not just the environmentally friendly aspect of their new creation that Ettitude is getting all frothed up about, either; their sheets apparently offer a range of other benefits. It's unsurprising that material made out of something as heavy-scented as coffee grounds can block out other odours, but it can also wick away moisture faster, ensuring that bedding stays fresher for longer. Ettitude also state that hypoallergenic, thermoregulating bamboo-based linen doesn't irritate hair and skin as much as other fabrics, helping you wake up feeling refreshed — before you even roll out of bed and grab a coffee. For more information about Ettitude's bamboo coffee sheets, head to their Kickstarter campaign.
The sugar-white sand and shimmering turquoise waters of Hyams Beach draw south coast seaside explorers in droves. And who could blame them? This pristine stretch of coastline sheltered in the protective curve of Jervis Bay is almost too perfect for postcards. The calm waters are ideal for snorkelling, swimming, paddle boarding and kayaking, and being part of a protected marine park means bottlenose dolphins, fur seals and little penguins are regular visitors. When you're not waving out to sea at humpback and southern right whales on their annual migration, wander along the shaded Hyams Beach trail to spot local birdlife on the two-kilometre track. Image: Destination NSW
UPDATE: July 17, 2020: Aquaman is available to stream via Netflix, Foxtel Now, Google Play, YouTube and iTunes. Not since the screaming spider of Arachnophobia has there been something so ridiculous as a shark that roars. Then again, this is a film that also gives a bedazzled octopus a drum solo, so where does one draw the line? Welcome to Aquaman, a movie that chooses all the wrong places to play it safe, and all the weirdest ones to, well, be weird. It's a shame, too, because DC had a good opportunity here to turn things around for its ill-fated Universe. The ingredients were solid: a charismatic and sexy leading man (Jason Momoa), an unconventional hero with an appealing no-fucks-given attitude and, best of all, a generous amount of distance between itself and the woeful Justice League that preceded it. Add to that the relegation of DC veteran director Zack Snyder to a producer credit and Aquaman was neatly positioned to carve out another potentially lucrative sub-franchise in the vein of Wonder Woman. Instead, it delivers another special effects-laden delirium whose plot is both convoluted and dull. It's an origin story of sorts, albeit one set after Aquaman's formal introduction in Justice, with the film's opening scenes providing an engaging balance of history and action. We learn Aquaman (born Arthur) is the result of a star-crossed romance between lighthouse keeper Tom (Temuera Morrison) and self-exiled Atlantean royal Queen Atlanna (Nicole Kidman), whose semi-literal fish out of water routine offers the film both some amusing and tender moments (as well as a kick-arse fight scene from out of nowhere). Arthur's burgeoning powers are seldom explored, however, and the occasional training or education flashbacks offer none of the excitement or moral dilemmas that are custom-built for superhero origin stories (Clarke Kent not beating up his bullies in Man of Steel but then saving a busload of kids, including the bullies, being a prime example of the device done properly). Aquaman's powers are extreme, and extensive, yet they're rarely explained. How is it, for example, that in addition to his aquatic properties he's essentially bullet-proof? Doubtless all answers lie in the comic books, but a movie can't rely so heavily on its source material that it obviates at least some screenplay hand-holding. The problem is, Aquaman chooses to do its exhaustive exposition not for the fun stuff like talking to fish, but for dry factional politics between its secondary characters (a near-identical mistake to that made by George Lucas in The Phantom Menace). It also falls into the ridiculous trap of establishing a world full of aliens and monsters, then denying their very existence for the sake of artificial conflict. To wit, it makes absolutely no sense to have conservative TV pundits in the vein of Fox News panelists saying things like "Atlantis!? Please! It's a myth!" when they all live in a world that openly acknowledges the existence of Super Man, and Wonder Woman, and The Flash, and Cyborg, and Steppenwolf and a whole bunch of invading aliens (some of whom previously levelled several cities and tried to terraform the Earth). Given those realities, a lost city seems entirely plausible by comparison. On the plus side, Momoa owns every scene he's in, assisted by a solid turn from Amber Heard in a role that's entirely warrior princess and zero damsel in distress. It's also comfortably the brightest and most colourful DC film to date, delivering visuals that wouldn't feel out of place in Blade Runner. Too often, though, director James Wan takes the focus away from Momoa and Heard, favouring instead either long-winded pontificating from the villain Orm (Patrick Wilson) or CGI-heavy action that never even comes close to looking real. It's an entertaining ride and a refreshing break from the Snyder-driven darkness/slow-mo aesthetic that has long felt stale. But the only character you ever really care for is Arthur's father, and his story receives the least amount of time of all. Aquaman is one small step forward for DC, but one giant leap missed for the Universe. https://www.youtube.com/watch?v=WDkg3h8PCVU
The problem with Spider-Man movies — all Spider-Man movies — can be summed up in one word: villains. With names like 'Green Goblin', Doc Oc', 'Sandman' and now 'Electro', they're just too 'comic booky'. It may seem a ridiculous argument given these are films based on comic books, but consider the Batman model. There, the villains were also possessed of suitably villainous names like: Ra's al Ghul, Scarecrow, Joker, Two-Face and Bane, but they were — without exception — just men. Specifically, a man with a face, a man with a sack over his face, a man with paint on his face, a man with half his face missing and a man with half his face covered in a Dyson vacuum cleaner. As men, however, mortal and tangible, no matter how outlandish their schemes, they remained believable. Again, it may seem an unfair to invoke plausibility given we're talking here about a franchise built around a man/spider hybrid, but believing in Spidey has never been the problem. We're on board with that. A freak, near-spontaneous mutation definitely pushes the bounds of probability, but it stays just enough inside to feel okay to audiences, helped in no small way by the constant, private and human moments from Peter Parker's life to which we're given backstage passes: the experimentation, the girl troubles, the laundry and even the sniffles. There has been one outstanding Spider-Man villain — a complex, tormented and conflicted soul with whom Spider-Man has battled constantly throughout every film — the only problem is, it's Spider-Man. Not Topher Grace's 'bad Spidey' from 2007's Spider-Man 3, it's literally Spider-Man. "With great power comes great responsibility" proclaimed Peter's grandmother way back in the original Spider-Man, and that dark concord has been the most compelling dynamic to all the films that followed. All great superheroes are, in a way, tortured by their abilities, forced to choose between desire and duty. The demons from Peter's choices make his version of the superhero conundrum all the more engrossing, because (causality scepticism aside) they've led to people's deaths. First his grandfather, then his girlfriend's father — the latter's dying wish being that Peter leave his daughter Gwen alone. For these reasons, of the two concurrent plot lines in The Amazing Spider-Man 2, one is far more appealing than the other. The weaker thread is the 'villain plot', featuring a loner electrical engineer (Jamie Foxx) turned furious spectral Tesla coil by the name of 'Electro'. He's somewhere between a bullied high school kid and an emotional Doctor Manhattan, whose motivations for citywide chaos and suffering are as gossamer as his translucent skin. Ultimately, Electro's only worth to this film is to highlight the choice Peter (Andrew Garfield) must make between the love of his life, Gwen (Emma Stone), and his self-imposed duty to protect the city. This is the story that makes The Amazing Spider-Man 2 a film well worth watching. In fact, if it were just two hours of Garfield and Stone flirting and quipping with each other, not only would it have possibly been a better movie, it would have smacked down most of the other supposed romantic comedies of the past decade. The real-life couple has an outrageously appealing on-screen chemistry, and their exchanges are so well-written that it's a crime when actual crimes are committed to interrupt them. The special effects are, of course, spectacular, and the use of 3D is a rare example of the technique adding to, rather than distracting from, the storytelling. The music, too, is excellent, employing a body-shuddering pseudo dubstep whenever Electro crackles into action. But it's the small-scale, romantic moments that shine most brightly, culminating in an ending that'll have you humming 'We have all the time in the world' as you make you way home. https://youtube.com/watch?v=nbp3Ra3Yp74
Chicken-devouring people of the northern beaches, another Chargrill Charlie's is coming your way. As of Saturday, December 14, Dee Why will be home to the 14th incarnation of the Sydney institution. And, to celebrate, the Charlie's team is giving away free food. Get there between midday and 1pm on opening day to score a free quarter barbecue chicken with chips, then make a return between 5pm and 6pm to tuck into a half chook with salad, also gratis. Charlie's is transforming a shop a short walk from Dee Why beach into a comfy space with a beachside twist, a pop of colour and a touch of neon. In keeping with the eatery's usual look, you can expect a modern industrial feel, with tiled tables and a greenery. As well as burgers, chicken and chips, the menu will offer all the other goodness for which Charlie's has become legendary. That includes up to 15 types of salad on any one day, chicken schnitzel, creamed potato, rolls, DIY dinner plates and desserts, including apple pie. If you're keen to eat for free, we suggest you get there early — the giveaways are only available for an hour, or until sold out.
Melbourne's fashion fiends are in for a serious treat, with the NGV International kicking off its dazzling new exhibition — The Krystyna Campbell-Pretty Fashion Gift. A treasure trove of sartorial delights, the free showcase features over 150 haute couture pieces from some of the world's most iconic fashion houses. Prepare for wardrobe envy to hit hard as you take in this intriguing collection, which has been gifted to the NGV by leading philanthropist Krystyna Campbell-Pretty. There are a swag of legendary designs on show, from Le Smoking Suit — the avant-garde Yves Saint Laurent women's tuxedo, circa 1967 — to that tartan Alexander McQueen creation made famous by Sarah Jessica Parker at the 2006 Met Gala. Taking a style trip through the ages, the exhibition also showcases Madame Grès gowns, a rare collection of little black dresses from the one and only Chanel, and Dior designs from as far back as the label's 1947 debut. On display daily until Sunday, July 14, the threads are backed by a curation of original sketches and workbooks, rarely seen early-edition fashion magazines, embroidered samples and a suite of fashion photography. And for those keen to dive in further, The Krystyna Campbell-Pretty Fashion Gift is accompanied by a program of talks, including an International Women's Day chat about women's fashion in the 20th century. Images: Tom Ross.
A good night's sleep is one of life's pure joys and what better way is there to enhance your new year with a new set of bed sheets or a new mattress. Melbourne-designed Eva Mattress is here to help up your comfort level with its end-of-year Boxing Day sale. Think half-price sheets and hundreds of dollars off mattresses — and that's just the start. For its 13 day sale, running from 10am, Wednesday, December 23 until 10am, Tuesday, January 5, the local Aussie retailer is offering big end-of-year discounts. Expect $150 off its Eva mattress, $40 off the Eva pillow, $50 off Eva hemp linen and $50 off timber bed-frames. The award-winning mattress-in-a-box has been engineered as a hybrid, which means it combines the comfort of memory foam with the support of pocket springs. The memory foam pillow uses activated charcoal to keep you cool and dry throughout the night. The timber bed frame, winner of a 2020 Good Design Award, has been certified by the Forrest Stewardship Council meaning it's made from sustainably sourced timber. If you do spring for the mattress, sheets, pillow or bed frame, they come with a 120-night free trial, so you can be sure they'll help you get a good night sleep before you commit. All mattress orders come with free next-day delivery to metro areas and a 12-year warranty, ensuring you'll be sleeping pretty for years to come. Browse the store and pick up a discount. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Visiting the lush Riverina region in southern NSW? Take flight above the countryside with Sport Aviation, one of the top attractions in Tocumwal. Courageous passengers can experience heart-pumping flights in both gliders and light sports aircraft, whether you're just looking for a thrill or keen to learn the basics of piloting. Leaving from the runway located just outside town, you'll soar high above the rolling hills and sprawling river system with an expert guide. Traversing across the landscape, these nimble aircraft provide a striking bird's-eye view, ensuring you have the best possible vantage point to soak up the scenery. Head to the website to book your flight. Image: Rob Blackburn, Visit Victoria
