Fading Gigolo

The influence of Woody Allen is evident, and not just in his co-starring role.
Sarah Ward
Published on April 28, 2014

Overview

A love of Woody Allen courses through Fading Gigolo, his influence evident in his inclusion amongst the film's cast but his distinctive footprint also felt in its themes and moods. Though John Turturro is the feature's guiding force as its lead actor, writer and director, the inspiration he has taken from his co-star is obvious. His fifth effort as a filmmaker offers a light homage to the type of easy and breezy New York comedies Allen is synonymous with.

To saddle Turturro's protagonist with the waning prostitute descriptor of the film's title is to overstate his enthusiasm for his new-found line of work; for Fioravante — also known by his gigolo pseudonym of Virgil Howard — making money making love is a reluctant sideline to his floristry job. His friend, failed bookseller Murray (Allen), convinces him to test out the world's oldest profession with dermatologist Dr Parker (Sharon Stone). Positive reports from their first satisfied customer motivate Murray to start actively scouring for other clients, including Hasidic widow Avigal (Vanessa Paradis).

The relaxed attitude that marks Fioravante's take-it-or-leave-it approach to benefiting from his bedroom skills also flavours the entire film. It's a movie that saunters with fondness rather than marches with purpose. Affection is its primary motivation — for its New York setting, for eclectic characters that careen through eccentric circumstances, for the brand of emotional sweetness and slapstick silliness too rarely offered with any intelligence, and for the continual mysteries of life and love.

If it all seems familiar in that warm and witty way of Allen's directorial efforts, that's because it is, especially with the auteur in the thick of the amiable ensemble antics. In his best acting role in many years (and in a part obviously written for him), he relishes the expected affable neuroses of his accepted screen presence. And yet, his biggest feat and the feature's biggest surprise is his double act with Turturro. Where Allen provides the anticipated patter, Turturro is an engaging, alluring enigma. He sells the facade of Fioravante's sexual appeal and sensitive outlook but leaves audiences ever intrigued and always wanting more.

The duo fit in perfectly in the caper-like creation that Fading Gigolo becomes, as do their well-cast supporting players; however, the hijinks-laden atmosphere stems as much from a persistent jazz score and a storyline that sees Murray tailed by a jealous neighbourhood watch cop (Liev Schreiber) and Fioravante pursued for a menage a trois with Dr Parker and her friend Selima (Sofia Vergara). Following such comic paths proves purposely frivolous and recognisable but also pointedly earnest. With a slightness of touch, Turturro whips his Allen-esque meanderings into a modest but melodious tapestry of offbeat observations and off-kilter charm.

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