Australians can now send emoji-filled text and online messages featuring illustrated boomerangs, the Aboriginal flag and other visual representations of the country's Indigenous culture. As first announced earlier this year, Ingenous Studios has created a set of Indigenous images that are now available to download on both Android and iOS platforms — marking the first such collection of emoji-like symbols that celebrate the nation's first peoples. Called Indigemoji, and originally slated to feature 19 pictures but now spanning a whopping 90, the set was developed on Arrernte land in Mparntwe, aka Alice Springs, by Central Australia's young Aboriginal people. The Northern Territory residents were asked to design new emojis that were relevant to their culture and lives, with symbols that feature the Aboriginal flag on crowns, hands and hearts among them. Other images include animals, plants, landscape, vehicles, faces, gestures and symbols. Each of Indigemoji's images also feature their name the Eastern and Central Arrernte language, which is spoken around Mparntwe/Alice Springs, Amoonguna, Ltyentye Apurte/Santa Teresa and Titjikala. And while the set of symbols features the term 'emoji' in its name, they function as stickers — because getting any new emoji approved by overseeing body Unicode, let alone a set of 90, is an extensive and difficult process. If you're keen to start adding them to your messages, that means that they don't officially feature in your phone's inbuilt emoji keyboard. But, once you download the Indigemoji app from the App Store or Google Play, you can share them to text messages, WhatsApp, Messenger and social media platforms. The Indigemoji app is now available to download from the App Store and Google Play. For further details, visit the Indigemoji website or Facebook page. Image: Ingeous Studios.
If a tree falls in a forest and no one is around to hear it, does it make a sound? If 50 of the world's most renowned street artists transform a derelict, glamorous 19th-century bathhouse-turned-nightclub into a temporary gallery space but no-one sees it, does it even exist? Paris's historic Les Bains-Douches building is steeped in history — built in 1885 as a civic bathhouse where Marcel Proust reportedly enjoyed a morning dip, the grandiose space became a pumping discotheque in the late '70s, until some overzealous renovation attempts led to the iconic club's closure in 2010. It's set to reopen as a mystery venue in 2014, but for now owner Jean Pierre-Marois has invited a stable of prominent urban artists, commissioned by the Magda Danysz Gallery, to reimagine the soon-to-be demolished space. Les Bain's fleeting metamorphosis as a gallery space will never open to the public; instead it's memorialised exclusively in the online exhibition platform Un Artiste Un Jour ('One day one artist), as captured by photographers Stephane Bisseuil and Jerome Coton. Perhaps a throwback to the pleasure-seeking days of disco when Les Bains was a playground for the debauchery of Andy Warhol, Yves Saint Laurent, Jean-Michel Basquiat, Grace Jones, Kate Moss, Mick Jagger and Johnny Depp, the beautifully decaying artwork is here for a good time, not a long time. Hedonistic? Perhaps, but what is art if not beauty for beauty's sake alone. Take a sneak peek below, no fake ID necessary. Lek and Sowat Thomas Canto Jeanne Susplugas Joachim Sauter Sten Lex Zeer Image credits: Sambre, Lek and Sowat, Thomas Canto, Jeanne Susplugas, Joachim Sauter, Sten Lex, Zeer by Jerome Coton and Stephane Bisseuil. See more images here.
When Prince told us he'd be partying like it was 1999, he probably figured he'd get a few good years out of the song. And yet, 35 years after his single was first released back in 1982 — and nearing two decades since the year in question passed — we're all still following in his footsteps. At The Elephant's free All '90s All Nighter on July 15, they're doing the purple one proud; however, that's not all they're doing. Thrusting 1999 and the nine years prior into the spotlight, they're enjoying the next best thing to time-travelling back to the era that gave us everything from grunge to girl power to tamagotchis. Wear something made out of flannelette. Stick some butterfly clips in your hair. Sure, it's winter, but a slip dress would definitely fit in here. There'll be prizes for best '90s wardrobe, and you'll be wanting to give the DJs prizes for cranking out some retro hits.
If you're a fevered festival-head, you'll know all about New Year's Eve favourite Beyond the Valley. At the end of 2022 an eclectic bill of musos will be taking to the stage in Barunah Plains, a region west of Melbourne, to see out the year with a dance floor heaving with good vibes. Nelly Furtado is heading up the festivities, and she'll be joined by the likes of Flight Facilities, Kaytranada, Charlotte De Witte and Lime Cordiale, too. It's set to be a big one. Now to squeeze as much fun as you can out of your festival experience, you don't just rock up without some forward thinking. To have the best time, you've got to know what you're doing — you've gotta plan. In our opinion, even the most experienced Aussie summer festival-goers could do with a few hacks. That's especially true with the influx of new tech and gadgets that work hard to see that our experiences are funner, easier and cheaper. Take, for example, inDrive, the new-to-Australia ride-sharing biz that lets you negotiate your own fares, and choose your own driver (based on star rating, pick-up time and car). Torn between surge pricing and waiting who-knows-how-long for public transport? That's not how you finish off a fest. Together with inDrive, we spoke to Taylah Hume, Beyond the Valley's Customer Experience Manager, about how to make the most out of summer festival season. BOOK YOUR RIDE BEFORE YOU GO "I cannot stress this enough — sort out your transport ahead of time! If you're going to a single-day event, make sure you've decided how you're getting home (or to kick-ons). No hitchhiking home please, and no one has time for surge pricing. Luckily there are businesses making this easier and cheaper — like inDrive, the ride-share app that lets you choose a pick-up time, a driver and your fare. You'll have no need to worry about being stung with surge pricing at the end of your night. That's a huge win for those of us on a budget — we don't need costly surprises at the end of a big festival when we're heading home. You can party as hard as you like, start and end your experience on a high with heaps of peace of mind." PACK D-FLOOR SNACKS "The best way to ensure you're not partying on an empty stomach — and crashing early — is to snack on the dance floor! I've never been as popular as when I opened a bag of chips in the middle of the dance floor on the second day of a camping festival. Don't forget to pack yourself some sweet treats, too. People are always so practical with their festival shopping and forget about the fun stuff. I bring lamingtons to every camping festival — they're perfect for summer festivals as they don't melt in the heat! You're welcome." [caption id="attachment_879657" align="aligncenter" width="1920"] Beyond the Valley[/caption] ARRIVE EARLY "Always arrive early to catch the opening acts, because you'll never be disappointed — these artists are booked for a reason! And when they start getting more traction, there is no greater flex than telling your friends you were onto them months ago, duh. You'll also give yourself plenty of time to enjoy the festival's other activities — there's always more going on beyond the stages. Arrive early to get the full experience without rushing." DON'T BE AFRAID TO OVERPACK "You don't have the creature comforts of home, so a camping festival is the one time it's okay to overpack. My essentials? Face masks, a few extra pairs of socks, a portable charger, duct tape (you'd be surprised how often this comes in handy). And don't just come prepared with items, come prepared with an itinerary too. Who are your must-sees? When are they playing? And if you're still working it out, the best way to get prepared is to create a playlist ahead of the event — with both the artists you're already into and the new acts you want to check out all queued. Listening to the playlist on your way to the event is the best way to hype your crew, too!" KEEP YOUR KEYS IN A SAFE PLACE "There is nothing worse than having a big day/night/weekend — you're tired, the funs worn off — and then realising you have no idea where you left your keys. You want to be able to get home, and you want to be able to get inside once you're there. Make sure you keep them in a safe place — and make sure that safe place is not inside your tent (the tent that is currently packed up and wedged in between everyone else's belongings in the back of the car), because I guarantee you'll be getting the silent treatment the whole car ride home. If you can't tell, I learnt this one the hard way." If you're heading to a music festival this summer, or simply enjoying your city, inDrive will make sure you get to where you need to go — without any surge pricing. Head to the website for more information and to download the app. Top image: Mackenzie Sweetnam (first)
Whether Banksy is building the world's most depressing theme park, crafting a dark tourism ad for Gaza, opening a Bethlehem guesthouse with a view of the Israeli-Palestinian border or spray painting his pieces all over the globe, the artist's work tends to make a statement. That said, nothing sends a message quite like ripping your own painting to shreds. In a turn of events that the crowd at London's Sotheby's auction house definitely weren't expecting, Banksy's Girl with Balloon artwork self-destructed as the hammer fell on the winning bid. The moment that the painting had been sold on Friday, October 5 — for the hefty sum of £860,000 (AU$1.6 million) — the piece emitted a beeping noise. Then the artwork began to slide through a shredder embedded in the bottom of the frame, coming out the other side in torn pieces. In a video posted on the artist's Instagram feed and YouTube channel, Banksy is shown secretly building a shredder into a painting, with an explanation that this was done a few years ago "in case it was ever put up for auction". The clip then jumps to the scene at Sotheby's during and after the auction. Unsurprisingly, things get chaotic. https://www.youtube.com/watch?v=iiO_1XRnMt4 Sotheby's has advised that it had no knowledge of the prank before it happened. "It appears we just got Banksy-ed," Alex Branczik, head of contemporary art for Europe, told The Art Newspaper. Just what will happen to the piece now is still being determined, with suggestions that the work has gone up in value after being partly shredded. It certainly does continue Banksy's fascination with both creation and destruction, which has long been a theme at the centre of the street artist's work. Images: Olga Rozenbajgier, The Art of Banksy / Banksy.
You step inside a room, painted white from floor to ceiling. All surfaces, fixtures, furniture and objects are white, and not just the usual things, either. Every single item that features — a fireplace trimmed with stockings, perhaps, or maybe a kitchen filled with utensils — are all white as well. From there, it's up to you and your fellow visitors to add spots of colour to The Obliteration Room in sticker form. This interactive project stems from Japanese artist Yayoi Kusama's childhood perception, seeing the world through a screen of tiny dots. In her work that followed, she covered everything with dots in a process she calls "obliteration". That's what Kusama asks everyone to do here: obliterate the installation's pristine state. And yes, running around sticking spots on everything is as fun and therapeutic as it sounds. [caption id="attachment_1008415" align="alignnone" width="1920"] Yayoi Kusama / Japan b.1929 / The Obliteration Room (installation view) 2002–present / Furniture, white paint, dot stickers / Dimensions variable / Collaboration between Yayoi Kusama and Queensland Art Gallery. Commissioned by the Queensland Art Gallery. Gift of the artist through the Queensland Art Gallery Foundation 2012 / Collection: QAGOMA, Brisbane / © Yayoi Kusama / Photograph: N Harth © QAGOMA[/caption] Developed for the Queensland Art Gallery in 2002, The Obliteration Room has toured the world, but it keeps coming back to Brisbane, including for the Gallery of Modern Art's Wonderstruck exhibition across Saturday, June 28–Monday, October 6, 2025. It may be a feature of GOMA's Children's Art Centre; however, witnessing and participating in the transformative process is a delight for big kids as well. You'll want to go back again and again during the just over three-month run, but don't forget to check out the rest of the free showcase as well. [caption id="attachment_677199" align="alignnone" width="1920"] Gallery of Modern Art. Exterior south and east face. James Turrell artwork.[/caption] Top image: Yayoi Kusama. The obliteration room 2002–present. Queensland Art Gallery | Gallery of Modern Art. © YAYOI KUSAMA
Any chance to see Yayoi Kusama's work in Australia is huge news, and reason to make a date — including travel plans, if needed — to get immersed in the Japanese icon's infinity rooms, and also be surrounded by pumpkins and dots. So when the National Gallery of Victoria announced that its big summer 2024–25 showcase would be dedicated to the artist, that was enough to make the resulting exhibition a firm must-see. Adding Friday-night parties to the mix, which the NGV has just locked in, is the cherry on top, then. How many ways can Melbourne go dotty for Kusama? Everyone is about to find out, although that question keeps being answered in the lead up to the exhibition's opening on Sunday, December 15, 2024. Already, Kusama's five-metre-tall dot-covered Dancing Pumpkin sculpture has made NGV International's Federation Court its home. Then came the revelation that the showcase will feature a world record-breaking number of infinity rooms and other immersive installations. And, outside the gallery on St Kilda Road right now, Kusama's Ascension of Polka Dots on the Trees has wrapped the trunks of more than 60 trees in pink-and-white polka-dotted material. NGV Friday Nights often forms part of the venue's high-profile exhibitions, so it should come as no surprise that the event series will be back for Yayoi Kusama. The after-hours parties will kick off on Friday, December 20, 2024 for some pre-Christmas fun, then run for 18 weeks until Friday, April 18, 2025. Come quittin' time for the week, Melburnians can add spots to their late-night shenanigans. If you're making a visit from interstate, you'll want to ensure you time it to hit one of the soirees on your trip. Seeing art is obviously on the NGV Friday Nights itinerary, but so is music and culinary experiences. The NGV's Great Hall will welcome live DJ sets, including from Dijok, Small FRY, Elle Shimada, Tanzer and more. In the NGV Garden Restaurant, acclaimed chefs Martin Benn is doing a residency for the exhibition's duration, serving up Asian-inspired dishes using Australian produce, Attendees can also look forward to other dining and drinking options, such as the Moët & Chandon champagne bar, Four Pillars gin bar, Yering Station wine bar and Häagen-Dazs ice cream cart — so there's sparkling, G&Ts, wine flights and frozen treats covered — plus a Japanese-inspired menu from the Great Hall and Gallery Kitchen. Gracing NGV International's walls until Monday, April 21, 2025, Yayoi Kusama will feature over 180 works, in what'll be the largest Kusama retrospective that Australia has ever seen — as well as one of the most-comprehensive retrospectives devoted to the artist to be staged globally, not to mention the closest that you'll get to experiencing her Tokyo museum without leaving the country. Other highlights include NGV International's glass waterwall going pink, but with black rather than white dots; Kusama's new version of Narcissus Garden, which dates back to 1966 and will feature 1400 30-centimetre-diameter silver balls this time around, sitting in front of the waterwall and in parts of Federation Court; and the yellow-and-black spheres of Dots Obsession hanging over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Overall, Yayoi Kusama will step through the 95-year-old artist's eight decades of making art via a thematic chronology. Some pieces hail from her childhood. Some are recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they'll all appear. [caption id="attachment_981011" align="alignnone" width="1920"] Yayoi Kusama, The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe 2019 at Kusama's solo exhibition Yayoi Kusama: All About Love Speaks Forever at Fosun Foundation, Shanghai. Courtesy of Ota Fine Arts © YAYOI KUSAMA.[/caption] [caption id="attachment_950473" align="alignnone" width="1920"] Yayoi Kusama, The obliteration room 2002–present. Queensland Art Gallery | Gallery of Modern Art, © YAYOI KUSAMA.[/caption] [caption id="attachment_950474" align="alignnone" width="1920"] Installation view of Yayoi Kusama's Flower Obsession 2017 on display in NGV Triennial from 15 December 2017 – 15 April 2018 at NGV International Melbourne. Image courtesy of NGV.[/caption] Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne from Sunday, December 15, 2024–Monday, April 21, 2025 — and NGV Friday Nights: Yayoi Kusama runs each Friday night from 6–10pm between Friday, December 20, 2024–Friday, April 18, 2025. Head to the NGV website for more details and tickets. Top image: Installation view of Yayoi Kusama's Dots Obsession 1996/2015 at Kusama's solo exhibition YAYOI KUSAMA: IN INFINITY, Louisiana Museum of Modern Art, Humlebaek, Denmark. YAYOI KUSAMA Courtesy of Ota Fine Arts © YAYOI KUSAMA. NGV Friday Nights images: Michael Pham / Tobias Titz.
ARIA has revealed the full list of nominees for its 39th annual ceremony, returning to Sydney's Hordern Pavilion on Wednesday, November 19. In partnership with Spotify, this year's awards will celebrate artists who are redefining the sound and scope of Australian music — from club floors to global charts. Ninajirachi leads the pack with a record-breaking eight nominations, the most ever for a female electronic artist in ARIA history. Her debut album I Love My Computer has cemented her place at the forefront of a new wave of Australian producers pushing pop and club sounds forward. Close behind is Dom Dolla with seven nods, recognised for his chart-topping track 'Dreamin''. Other major contenders include Amyl and The Sniffers and Thelma Plum, each earning six nominations, while Hilltop Hoods and RÜFÜS DU SOL scored five and four, respectively. The 2025 ARIAs will also debut a new category: Best Music Festival. Nominees include Ability Fest, Beyond the Valley, Bluesfest Byron Bay, Laneway Festival and Yours and Owls — a nod to Australia's thriving live scene. Meanwhile, rock legends You Am I will be inducted into the ARIA Hall of Fame. "This year's nominees are living proof that Australian artists are shaping the global cultural narrative in real time," said ARIA CEO Annabelle Herd. "There's no longer a singular image of what success looks like for an artist — and the stories celebrated in November are absolute proof of that." For the first time, fans can vote for public categories directly through Spotify, with voting open until November 10. The 2025 ARIA Awards will take place at Sydney's Hordern Pavilion on Wednesday, November 19. For the full list of nominees, visit the ARIA Awards website. Images: Supplied
It's the best way to feel like you're at one of the world's top music festivals without physically being there, and it's back for 2025: the Coachella livestream. When the world's eyes turn to the Empire Polo Club in Indio, California for six days each April, it isn't just folks on the ground that are paying attention. Courtesy of the fest's partnership with YouTube, everyone can stream along. Wondering when to watch? Enter this year's set times. For 2025, Coachella has made a change — or, another one, after revealing its lineup earlier than usual when it dropped in late 2024. With who'll be taking to the stage when, the festival is letting you plan ahead, unveiling both weekends' rosters at once rather than week by week. [caption id="attachment_980914" align="alignnone" width="1920"] Raph_PH via Flickr[/caption] Accordingly, you can now plot out how to work in Lady Gaga, Green Day and Post Malone's headlining sets into your diary across Saturday, April 12–Monday, April 14 and Saturday, April 19–Monday, April 21 Down Under — and when you can catch Missy Elliott, Charli XCX, Megan Thee Stallion, Travis Scott, The Prodigy, Kraftwerk, Kneecap, Benson Boone, Basement Jaxx, The Go-Go's, Djo, Miike Snow, T-Pain, Jimmy Eat World, Beth Gibbons, Amyl and the Sniffers, and plenty more as well. The fest's set times have come with a few lineup amendments, however, with FKA twigs no longer playing the event on either weekend. Instead, Weezer has joined the bill for the first three-day run for 2025, while Ed Sheeran is doing the same the following week. View this post on Instagram A post shared by Coachella (@coachella) Coachella was livestreaming its sets long before the pandemic — and while beaming festivals to the world is no longer such a novelty, the calibre of the event's lineup means that it's still a mighty fine way to spend a weekend or two. The festival also has a new Coachella livestream app for this year, which lets you see the full livestream schedule, set reminders for your favourites, then watch the highlights afterwards. [caption id="attachment_912640" align="alignnone" width="1920"] Hunter Kahn via Wikimedia Commons[/caption] [caption id="attachment_975321" align="alignnone" width="1920"] Harley Weir[/caption] [caption id="attachment_994173" align="alignnone" width="1920"] Raph_PH via Flickr[/caption] Coachella 2025 runs from Friday, April 11–Sunday, April 13 and Friday, April April 18–Sunday, April 20 — which is Saturday, April 12–Monday, April 14 and Saturday, April 19–Monday, April 21 Down Under — at the Empire Polo Club in Indio, California, and livestreams via YouTube across the same dates. Top image: Raph_PH via Flickr.
It's been a difficult year for New Farm Deli, with the beloved spot falling victim to fire in July. You can't keep this community icon down, though, with the store set to reopen on Friday, November 29 — 40 years since owners Maria and Vince Anello first started the inner-north mainstay. The ribbon will be cut at 6am on re-opening day, with the doors swinging open at 9am — and that's just the start of the celebrations. Head by the Merthyr Village carpark outside the deli until 11am to grab a few pastries, focaccia and paninis to snack on, listen to live music and take care of your morning caffeine hit. Make sure you pick up your cuppa from the onsite coffee cart, as it'll be donating all proceeds from sales between 6–11am to the Rural Fire Brigades Association Queensland Inc. If you can't make if on Friday, there'll also be music, entertainment for kids and gifts for every customer across the entire weekend.
2005 movie Mr & Mrs Smith isn't the first time that title adorned a spy caper about a literally killer couple. That honour goes not to the Brad Pitt (Babylon)- and Angelina Jolie (Eternals)-starring, Brangelina-sparking film, but to a 90s TV series. No one remembers 1996's Mr & Mrs Smith, where Scott Bakula (who was not long off Quantum Leap at the time) and Maria Bello (Beef) took on the eponymous parts. It didn't last, with just nine episodes airing and a further four made but left unseen. But its existence gives 2024's Mr & Mrs Smith a full-circle vibe, with Donald Glover (Atlanta) and Maya Erskine's (PEN15) now both adopting the monikers and ushering the premise back to episodic storytelling. Bakula and Bello's Mr & Mrs Smith didn't inspire Pitt and Jolie's; however, the latter did give rise to Glover and Erskine's. Their version isn't the first time that television has taken the Brangelina picture's lead, either. In 2007, a pilot was made of a spinoff from the then-recent film featuring Martin Henderson (Virgin River) and Jordana Brewster (Fast X), but didn't go any further. Thankfully, as streaming via Prime Video from Friday, February 2, the latest eight-part Mr & Mrs Smith hasn't suffered the same fate. All that history isn't mere trivia. Instead, it speaks to a concept that's so appealing that it keeps being reused, whether coincidentally or knowingly, and to an idea that's now being given its full Mr & Mrs Smith due, in line with True Lies and The Americans: that relationships are mysteries, missions and investigations. The backstory behind Glover and Erskine bringing glorious chemistry to John and Jane Smith doesn't stop there, because Mr & Mrs Smith circa 2024 has been in the works for three years. When announced in February 2021, it was with Atlanta-meets-Fleabag hopes, with Glover co-starring and co-creating with Phoebe Waller-Bridge (Indiana Jones and the Dial of Destiny). Then creative differences with Glover saw Waller-Bridge — who also co-wrote the No Time to Die screenplay and created Killing Eve — leave the project within six months. While it's impossible to know how that iteration of Mr & Mrs Smith would've turned out, whether with more overt comedy, talkier or boasting a darker tone, Glover's interpretation with fellow Atlanta alum Francesca Sloane lives up to the promise of two creatives from one of the 21st century's best dramedies turning their attention to espionage and romance. There's an intimacy, a lived-in feel and hangout charm to this Mr & Mrs Smith, even as it swaps Brangelina's already-wed pair discovering that they're assassin rivals for a duo only tying the knot for the gig. This John and Jane solely make each other's acquaintance via their shadowy new employer, who they exclusively interact with online (they nickname their supervisor "hihi" because that's how every message from them starts). After a vetting process, complete with questions about their individual willingness to leave their loved ones and current existence behind, the new Mr and Mrs Smith are soon inhabiting a just-renovated New York brownstone so lavish that their neighbour (Paul Dano, Dumb Money) is wowed. They're both fresh to the job, leaping into the spy world with their own baggage. They're unsurprisingly also fresh to fake marriages. They now have an array of cases to navigate and, slowly but heatedly, real feelings to grapple with. Alongside the self-contained exploits in each episode, surrounding Mr & Mrs Smith's stars with a feast of other talents is a highlight. The wealth of well-known names includes Ron Perlman (Poker Face), Alexander Skarsgård (Infinity Pool), Sarah Paulson (The Bear), John Turturro (Severance), Parker Posey (Beau Is Afraid), Wagner Moura (The Gray Man), Eiza González (Ambulance), Michaela Coel (Black Panther: Wakanda Forever) and Sharon Horgan (Bad Sisters). Fellow Smiths, rich bigwigs, targets, a couples' therapist with no clue what John and Jane do for a paycheque (software engineers is their cover): Glover, Sloane, and their co-scribes Stephen Glover (also Atlanta), Carla Ching (Home Before Dark), Yvonne Hana Yi (Raising Dion), and Adanne Ebo and Schuyler Pappas (both screenwriting first-timers) enlist the supporting cast in all of the above roles, keeping John, Jane and audiences on their toes. No one among the guest performers puts a foot wrong, but this is always the ever-excellent Glover and Erskine's time to shine. There's not just suaveness but also patience and vulnerability in his portrayal, while she goes for hyper-competent and enigmatic with equal skill. This Mr and Mrs Smith always feel like humans rather than character types — messily, engagingly, complicatedly so. With love no longer a given from the outset in this spin on the story, Glover and Erskine's growing rapport also couldn't be more crucial. John is clearly interested in being more than just colleagues early, Jane is more tentative about mixing work and pleasure, and everything about them falling for and bickering with each other plays as authentically as every Atlanta scene between Earn and Van (Zazie Beetz, Black Mirror). The slinky series handles its mix of Mission: Impossible and wedlock comparably: although it's always an espionage effort, it's about John and Jane as people, and as a pair getting amorously entangled, first and foremost. "Spies but relatable" could've been the tagline as the show's protagonists juggle life, love and work. They trot the globe, receive secretive instructions, shoot to kill and make the stylishly crafted action sequences count. They also struggle with disposing of bodies, and are visibly shaken by explosions, deaths and other necessities of their line of work. They argue over doing the dishes, too, then clash over trying to truly get to know each other, tussle with trust and weather the minutiae of living together. That lived-in atmosphere plays two ways, in fact: in the intricacies of John, Jane and their connection; and in the cooped-up, pandemic-appropriate scenario that is thrusting folks together to make the most of it. Behind the camera, Hiro Murai directs the first two episodes after notching up 26 instalments of Atlanta, plus helming the Glover-led Guava Island and several Childish Gambino music videos ('This Is America' being one). She Dies Tomorrow's Amy Seimetz similarly took the reins on Atlanta, while Christian Sprenger was the cinematographer on 34 episodes and Guava Island. Karena Evans has fellow movie-to-TV adaptation Dead Ringers on her resume — and when Glover himself directs Mr & Mrs Smith's finale, which makes stunning use of costuming for both him and Erskine, that he's calling the shots is evident. This is a series to commit to, embrace and relish. All the history that comes with TV's latest mining of cinema's wares (see also: Irma Vep, A League of Their Own, What We Do in the Shadows, Interview with the Vampire and Monarch: Legacy of Monsters, to name just a few), Brangelina and all, melts away in this gem. Check out the trailer for Mr & Mrs Smith below: Mr & Mrs Smith streams via Prime Video from Friday, February 2, 2024.
Once the site of Expo 88, and now a sprawling riverside precinct with everything from pools to eateries, South Bank is about to become a Christmas wonderland. When Friday, December 1 hits, festive cheer will take over the waterside parkland with activities for Brisbane's merriest residents. Chief among them: the return of the annual free outdoor Christmas cinema. Getting jolly by the river has meant settling in for themed films without paying a cent for years now, and 2023 is no different. With two screenings per night from Monday, December 18–Saturday, December 23 — at 6pm and 8pm — at River Quay, Christmas movie lovers can settle in for a selection of yuletide favourites, including Elf and The Holiday. Those dates will see the bulk of South Bank's Christmas festivities start raining down on the precinct, including a seasonal song-and-dance show, photo opportunities with Santa, carols by the river and live tunes performed on the lawn nightly, soundtracking bites and drinks from nearby eateries. When December kicks in, however, South Bank's Christmas tree will light up from that very day, with decorations set to dazzle the parkland until Wednesday, January 3, 2024. Another huge drawcard, especially if you're a last-minute shopper, is the return of The Collective Markets Christmas Edition from Friday, December 15–Saturday, December 23. Under twinkling lights, rows of stalls will sell everything from clothes to homewares — with a big focus on handmade goods — to help you find gifts for your nearest and dearest.
Call it cinema, the movies, the pictures, the big screen, the silver screen, a glorious excuse to sit in a darkened room without your phone for at least 90 minutes: whichever you prefer, the experience it refers to is usually the same. You hit up your favourite/most convenient theatre, get comfortable in your chosen chair, maybe munch on popcorn or a choc top, and stare at the giant rectangle in front of you as the magic happens. Sometimes the shape that glistens with films is bigger than normal, but there's always just one of them — until now. Meet ScreenX, Australia's first-ever surround-screen viewing experience, which'll use three screens within one movie theatre. Meet the new trend that is multi-projection, too, which is debuting Down Under thanks to Event Cinemas. In the chain's ScreenX's auditoriums, there'll be a trio of screens: one right there at the front where it usually is, plus one over the left wall and another across the right wall. Three walls, three screens, a 270-degree field of view: that's the maths. ScreenX will premiere on the Gold Coast, launching at Event Cinemas Robina on Thursday, August 17; however, that's just the beginning of the rollout. Event Cinemas plans to take the concept nationwide, including hitting Sydney by the time that 2023 is out. The exact details of which other sites will be scoring the ScreenX experience, and when, haven't yet been revealed — but only peering forwards is about to become outdated. If your first question is "how big will this three-screen setup get as it envelops everything that I can see, including my peripheral vision?", the answer is up to 67.7 metres in width. The surround-screen format will be paired with surround sound, of course, to truly immerse two of your senses. And while you watch, you'll be in recliners to get as comfortable as possible. If your burning query is "which films can I see?" — aka which flicks will make you feel like you've walked right into them — the response there is: big blockbusters and epic spectacles. Among the upcoming slate of releases, Dune: Part Two, The Marvels and Aquaman and the Lost Kingdom are all getting the ScreenX treatment at Robina. The cinema is also looking backwards, too — not literally, just into past hits — with Top Gun: Maverick, Avatar: The Way of Water, Mission: Impossible — Dead Reckoning Part One and Guardians of the Galaxy Vol. 3. (Cross your fingers that Barbie and Oppenheimer also get the nod down the line.) "At Event Cinemas, we are dedicated to bringing the best range of cinema experiences to Australian audiences. ScreenX is popular globally and we can't wait for our local audiences to experience it. Our next stop will be Sydney," said Luke Mackey, Director of Entertainment Australia for EVT (which owns Event Cinemas), announcing ScreenX. "We are thrilled to strengthen our partnership with Event Cinemas by premiering Australia's first ScreenX experience," added Don Savant, ScreenX's Chief Business Officer. "Our talented team of ScreenX visual effects artists work closely with the Hollywood studios and top talent to truly differentiate movie going. ScreenX provides an unparalleled experience in a completely unique format to watch the biggest blockbuster films." If there are three giant screens showing each movie in every ScreenX auditorium, patrons will have no excuse not to put their own tiny screen — aka their phone — away while the film plays. Event Cinemas' new ScreenX experience launches at Event Cinemas Robina on Thursday, August 17, with a national rollout to follow — including in Sydney later in 2023. Head to the chain's website for further details.
When winter hits — and you know when it really hits — pressing command+A and delete on all your iCal entries seems like a rational thing to do. But hold your horses, cold one — there are a few festivals happening that you won't want to miss out on. In recent years, Australia has developed quite the winter events calendar. With Vivid's lights hitting every visible surface in Sydney, Melbourne's White Night moving to August for the first time, and hedonistic shenanigans happening down in Hobart for Dark Mofo, there is plenty to inspire a break from hibernation. So pull your calendar back up and block out a weekend to have a winter adventure out of town or interstate.
You've putted your way around Holey Moley's neon-lit themed mini golf greens at its two Brisbane venues. When the most festive time of the year rolls around, you've tap, tap, tapped through Victoria Park's Christmas-adorned site. And, when it stopped by the city, you swung a club at Pixar Putt as well. But one thing even the most enthusiastic Brisbane mini golf fan hasn't done is head to Redcliffe and channel your inner Happy Gilmore on an underwater-inspired 18-hole course — until now. Open since Thursday, November 12 but officially launching on Saturday, November 14 at Bluewater Shopping Centre, Undersea Putt & Play features everything from sharks and fish hanging above the course to turtles and pirates scattered among the greens. Some holes are decked out in glowing hues, like you're in the deepest parts of the ocean, while others have tropical backdrops. You'll enter through the jaws of a dunkleosteus, an extinct ancient fish that grew up to eight metres long, and you'll also spot squid, jellyfish, whales, turtles, stingrays, mermaids and treasure chests (all fake, of course). It's all family friendly, so expect to have company of all ages. That's the type of game that mini golf is, after all. The same applies to the arcade that's also part of Undersea Putt & Play — if you've ever wondered what Timezone would be like if gropers and crocodiles were part of the decor. Open seven days a week, Undersea Putt & Play also has a cafe and bar onsite for pre-golf snacks and post-match celebrations. Find Undersea Putt & Play opens at Shops 2-5 Bluewater Square Shopping Centre, 20 Anzac Avenue, Redcliffe — open from 10am–8pm Monday–Saturday and 10am–6pm Sunday.
Like furniture-filled playgrounds for adults, IKEA's warehouse-style stores aren't just a shopping space — they're the place where we all go to dream about our ideal homes. Who hasn't wandered through the Swedish retailer's showroom setup, felt inspiration strike and suddenly known exactly what you want your house to look like? We all have, and that's often why visiting the chain isn't a short trip. Fancy decking out a specific part of your home, but without also conjuring up plans for every other single room in your house, then picking up three throw cushions, realising you need a new lamp, somehow buying another Billy bookcase and also eating all of the Swedish meatballs? In other words, fancy solving a particular home-design problem without indulging in the full IKEA experience? That's where the brand's Plan and Order Point concept stores come in — a place, as the name suggests, where you can simply plan out what you need, then order it, all while getting advice from IKEA experts (and, yes, without having to wander through the chain's warehouses). IKEA has been rolling out its Plan and Order Point locations around the world for a few years now, but not in Australia — until Thursday, September 29. The first Aussie version of the concept store will launch at Highpoint Shopping Centre in Melbourne and focus on the brand's more complex home solutions and products, such as kitchens and wardrobes. Know that you want to give your kitchen a makeover, but daunted by the IKEA options? Desperate to organise your clothes, but looking for some advice about what'd work best for your bedroom? That's the kind of one-on-one service that'll be on offer — after which customers can order whatever they've decided upon while they're still at the Plan and Order Point, and then either get it delivered or pick it up at your chosen IKEA warehouse. "IKEA already has a strong presence in the Melbourne market, but with the IKEA Highpoint Plan and Order Point we can engage with new Melbourne customers in a more personalised and bespoke way than ever before," said Julian Pertile, Manager of IKEA Richmond and the new Plan and Order Point. "We hope to welcome customers that have never shopped with us before, as well as existing customers that may have found creating complex solutions, such as a kitchen or wardrobe system, too daunting to tackle alone." IKEA's debut Australian Plan and Order Point comes just months after it also launched its As-Is Online Australian marketplace nationwide, allowing customers to search for and purchase discontinued, ex-display and pre-loved products. Although Highpoint's new Aussie-first store doesn't open till the end of September, it's taking bookings for planning appointments via the IKEA website from Thursday, September 15. And if this sounds like your ideal IKEA experience but you're not in Melbourne, there's still good news — if the Highpoint outpost proves a success, IKEA may look to open other Plan and Order Point locations around Australia in 2023. IKEA's Highpoint Plan and Order Point will open on Thursday, September 29 at Highpoint Shopping Centre, 120–200 Rosamond Road, Maribyrnong, Victoria. Bookings for appointments can be made via the IKEA website from Thursday, September 15.
At this point, it's not really a surprise when Uber announces some strange, attention grabbing promotion. Sometimes they bring you ice cream. Other times, it's puppies. And this Australia Day/Invasion Day/January 26, they're delivering the most important (and oft-forgotten) addition to any barbecue: bags of ice. Now, there's a heap of things to do for tomorrow's public holiday — we've put together a handy list for Sydneysiders, Melburnians and Brisbanites. You can attend one of the rallies happening around the country, head to a Survival Day festival, take the opportunity to learn up on Australian history or simply go to see an Australian film (Lion just got a heap of Oscar noms), but if you're attending a barbecue, this delivery service might come in handy — especially when you run out of ice and all your mates are already four beers in. Starting from 11am on January 26, UberEATS users in Sydney, Melbourne, Brisbane, Perth and Adelaide will be able to log onto the app and, by typing 'backyard hero', see all the locations selling bags of ice and order one. If you've never used Uber before, use the code 'backyard hero' for free ice — otherwise it'll cost you $10. By Tom Clift and Lauren Vadnjal.
Summer is almost here and that means it's getting time to whip out the sunscreen and shades and get on the group chat to organise some al fresco hangs in the sunshine. Whether you've got a huge backyard, a compact garden or a decked out balcony, there are lots of ways you can transform your openair space for parties. Think makeshift performance spaces, themed dining where everyone pitches in a plate, or active games to get everyone into the summer spirit. To help you make the most of your outdoor space, we've partnered with Jim Beam to bring you a guide to transforming your backyard for parties and hangouts to remember this summer. [caption id="attachment_789655" align="alignnone" width="1920"] Cottonbro[/caption] CREATE A MAKESHIFT OUTDOOR CINEMA Each summer brings with it a new selection of romance, comedy and holiday flicks to catch at the cinema, but when you're looking to entertain your friends at home, there's a lot to be said for the old classics that bring us together. Impress your friends by upping movie night and transforming your outdoor space with a makeshift outdoor cinema. All you need is a good projector — which you can buy online or at most tech stores — and then set it up to shine on a wall or vertical flat surface away from other light sources, such as streetlights. Then, grab a cold one and some popcorn, and settle in for a night of quote-alongs and nostalgia bonding. [caption id="attachment_786454" align="alignnone" width="1920"] Cassandra Hannagan[/caption] HOST AN AROUND-THE-WORLD FEAST Just because you can't travel around the world right now doesn't mean you can't transport yourself elsewhere through the medium of food. Host an 'around the world' picnic where each of your guests brings a dish based on world cuisine. Think bratwurst from Germany, lasagne from Italy, sushi from Japan, chow mein from China, barbecued meats from the US and dosas from India. Then set up the food in different areas around the outdoor space and 'travel' from place to place with your tastebuds. You can even take it a step further and bring drinks from different countries too — for the US, try a Jim Beam with peach iced tea and soda, for example. [caption id="attachment_789656" align="alignnone" width="1920"] Jake Ryan[/caption] INVITE YOUR MUSO FRIENDS TO PERFORM Every friendship group has a mate who loves to show off their skills on the guitar and can play a steady rotation of Oasis, John Mayer and Jason Mraz numbers. So why not take advantage of your mates' talents and invite all your muso friends to perform some classic sing-a-longs? They could even show off some originals, if they're that good. String up some coloured lights and get the drinks flowing and it'll feel like a real gig (just like old times). And, because it's your backyard, you get to mingle with the main act afterwards. HOST A MINI OLYMPICS Make up for the delayed 2020 Tokyo Olympics and channel the spirit of our finest green-and-gold athletes by hosting a mini version in your backyard. Get each of your guests to bring over a variety of games, including solo sports and team games — such as frisbee, cricket, bocce, basketball, table tennis and putt-putt — and arrange a tournament in your yard. You can even set up an obstacle course if you're feeling super energetic. Don't forget to provide some snacks for fuel and some drinks for good measure — then, let the games begin. After all, who doesn't love healthy competition between friends? [caption id="attachment_790604" align="alignnone" width="1920"] Steven Woodburn[/caption] SET UP YOUR OWN TINY BAR There's no better summertime classic activity than getting the mates round for a drink or two. Now imagine upping the game and playing bartender to your pals in a decked out tiny bar in the backyard. To help out in this endeavour, the global bourbon brand Jim Beam is currently running a competition to give away a fully stocked Jim Beam Tiny Stillhouse, worth over $20,000. The stillhouse includes bluetooth speakers, a mini fridge, four bar stools, an esky, bar mats, a Jenga set, a case of Jim Beam and Cola and a bottle of Jim Beam White Label. Enter here before Sunday, November 22 to get the party going. Top image: Cottonbro via Pexels
By now, it feels like no stone has been unturned by Sydney's big developers. But you know where they haven't developed yet? Underground. So perhaps that's why the NSW Government has set its sights below street level — today it announced its plans to turn the St James tunnels, a large subterranean space that adjoins St James Station, into an underground attraction. The tunnel is, after all, just sitting there. It was built back in the 1920s as part of a plan to connect the CBD with eastern suburbs, but the project was never realised. Since then, it's been used as an air raid shelter during World War II, an operations bunker for the air force and as a location for The Matrix Revolutions. Tours used to run, but now there's no way for the public to access the tunnels. The NSW Government is opening this one up to the floor, and is seeking expressions of interest from both local and international developers. Ideally, it would like something that would turn the tunnel and its platform into a "world-renowned attraction" — perhaps restaurants, bars, shops, or cultural and entertainment spaces. "Spaces like the St James tunnel are rare," said Minister for Transport and Infrastructure Andrew Constance in a statement today. "Around the world, hidden spaces are being converted into unique experiences and we want St James Station to be part of that." Expressions of interest will close November 6 — after they've been received, the process will be managed by Sydney Trains and real estate company CBRE. We'll keep you updated on the next stage of the process.
Before it was a ten-part Prime Video series, Daisy Jones & The Six was a book. And before Taylor Jenkins Reid's 2019 novel jumped back to the 70s rock scene, Fleetwood Mac lived through, stunned and shaped the era. No matter where or when an adaptation popped up, or who took to the microphone and guitar in it, bringing Daisy Jones & The Six to the screen was always going to involve leaning into Mick Fleetwood, Stevie Nicks, John McVie, Christine McVie and company's story. Reid has said that she took loose inspiration from the band; "it's a Fleetwood Mac vibe," she's also noted. Those parallels are as obvious as a killer lyric in Daisy Jones & The Six. Creators Scott Neustadter and Michael H Weber have a recent history of riffing on true and classic tales, too — their last two projects were The Disaster Artist, which they co-scripted based on Greg Sestero's memoir about making Tommy Wiseau's The Room; and Rosaline, a retelling of William Shakespeare's Romeo and Juliet from the titular Romeo-spurned character's perspective. With directors James Ponsoldt (The End of the Tour), Nzingha Stewart (Inventing Anna) and Will Graham (A League of Their Own), the duo approach Daisy Jones & The Six exactly as that pedigree brings to mind: it's heightened, impressively cast, and well-versed in what it's tinkering with and recreating; it also isn't afraid of romance and tragedy, or of characters going all-in for what and who they're passionate about. On the page, this melodramatic tale of sex, drugs and rock 'n' roll unspools as an oral history. On streaming, it's framed by two-decades-later documentary interviews where key figures — Daisy Jones (Riley Keough, Zola), members of The Six and other pivotal folks in their careers — share memories to-camera. The eponymous musicians burned bright but flamed out fast together, opening text on-screen informs the audience before anyone gets talking. A huge stadium gig at Chicago's Soldier Field late in 1977 was their last, coming at the height of their popularity after releasing hit Rumours-esque record Aurora. Viewers immediately know the ending, then, but not what leads to that fate. Introduced in the show's flashbacks as the ignored child of wealthy parents, Daisy couldn't be more obsessed with music. A childhood spent internalising her mother's cruel comments that she doesn't have the voice or talent to follow her dreams holds her back in Daisy Jones & The Six's first episode, however, even as she couldn't spend more time hopping between Sunset Strip's venues. Cue another piece of IRL rock history, of course, thanks to Keough's pitch-perfect casting. She doesn't play her part like she's playing Elvis Presley's granddaughter — aka herself — but she makes fantastic use of her rockstar genes, including in her energy, swagger, stare, volatile temperament, and all the ferocious singing that the American Honey, The Girlfriend Experience and The Lodge star does herself. Daisy Jones & The Six takes its time putting the two parts of its moniker together, but follows The Six's origins from the outset as well, when Billy Dunne (Sam Claflin, Book of Love) agrees to front his younger brother Graham's (Will Harrison, Madam Secretary) high-school band. The full group initially spans guitarist Eddie Roundtree (Josh Whitehouse, Valley Girl), drummer Warren Rojas (Sebastian Chacon, Emergency) and bassist Chuck Loving (Jack Romano, Mank). But when dental school and the security it represents beckons the latter, and British keyboardist Karen Sirko (Suki Waterhouse, The Broken Hearts Gallery) joins their number, there's still just five band members moving from Pittsburgh to Los Angeles to make a proper go of it after tour manager Rod Reyes (Timothy Olyphant, Amsterdam) tells them that's where the serious action is at. Aspiring photographer Camila (Camila Morrone, also a Valley Girl alum) is the sixth person with The Six; she's Eddie's crush but Billy's girlfriend, then his wife and the mother of his child. She's also one of the reasons that the love-hate pull he feels towards Daisy earns two oft-used words: it's complicated. As much as Daisy Jones & The Six is a portrait of a band and a snapshot of an era, it's firmly a love triangle, too. Does great art only spring from deep feelings? Does faking it till you make it apply to discovering your artistic groove with someone and selling a bond that'll sell albums? What's the difference between finding a soulmate and seeing your own reflection peering back in another's eyes, struggles and life? They're all queries the series ponders. Fleetwood Mac's tumultuous relationships and breakups are a matter of history, which no one needs to know when sitting down to Daisy Jones & The Six. As Keough twirls onstage, adores shawls and lengthy sleeves, glares pure determination and fire, and self-medicates heavily, though, consider this a condensed fictionalisation. The Buckingham to her Nicks is Claflin, obviously, as duelling lead singer-songwriters Daisy and Billy keep circling around each other from the moment that ace record producer Teddy Price (Tom Wright, True Story) puts them together. She's desperate to make it big and not just be her lyric-stealing ex-boyfriend's, or anyone's, muse, but seeks solace all day with pills and booze. He's sober and trying to get his band another shot after a tussle with drink and drugs derails their first tour, almost ruins his marriage and sees him miss his daughter's birth. No one needs to have seen Almost Famous, either, to know where Daisy Jones & The Six heads. Still, this quickly engrossing series engages in the moment like a catchy refrain. Spinning a familiar but nonetheless involving story of chasing dreams, fame's excesses and troubles, and learning whether someone is a mirror or a kindred spirit, it looks the part in every wardrobe choice — including the disco attire worn by Daisy's pal Simone Jackson (Nabiyah Be, Black Panther), who gets close to her own episode about trying to make it in an industry unwelcoming to Black and queer artists, and the embrace she finds in New York with DJ Bernie (Ayesha Harris, Abbott Elementary) instead. Daisy Jones & The Six's songs are earworms as well, whether the show is giving the suite of 70s-style tunes written by Phoebe Bridgers, Marcus Mumford, Jackson Browne and more a whirl, or dropping a soundtrack of other cuts that, yes, even features Fleetwood Mac. Check out the trailer for Daisy Jones & The Six below: Daisy Jones & The Six streams via Prime Video.
Pizza Hut. The noble and long-serving ‘za provider who filled our tummies at last-day-of-school pizza lunch and, in our uni student years, staved off hunger and calcium deficiency with cheap Tuesday deals. That is until in 1983 when the Dominos chain hit our shores. Dominos grew in reach and popularity and brought the Hut to its knees (or at least, to mainly smaller takeaway-only venues, less all-you-can-eat restaurants). Sure, there's still a few floating around (lookin' at you Goulburn), but they're harder and harder to come by nowadays. Once a dignified, family-friendly palace of soft serve on-tap, mini marshmallows and slice after slice after slice, Pizza Hut is now reduced to stunt-like takeaway grotesquery such as the Four 'N Twenty Meat Pie crust and its ilk, cramming more and more fast food, chicken nuggets, hot dogs, cheeseburgers into the crust until it’s just a misshapen farce oozing with disappointment. There's not much scope for an in-house sit-down pig-out any more. Apparently someone else has also noticed the decline. Sydney-based photographer Ho Hai Tran has taken up the quest of documenting the last surviving original Pizza Hut buildings before they pass into irrelevance. Tran has travelled 14,000kms across Australia, New Zealand and the USA to try and capture the photos of the buildings, most of which have been converted for other uses. “Pizza Hut buildings might not seem like the most aesthetically compelling structures, but they do ooze a certain charm”, says Tran. His purpose in all of this is historical record-keeping and maybe making Gen Y-ers shed a little tear because our world is crumbling to pieces. He’s even launched a Kickstarter to help him on his way. The archive of photographs will eventually be compiled into a book which has, in our humble opinion, the greatest title ever: Pizza Hunt. And the special edition even comes in a pizza box. Ouch, right in the childhood. Help Ho Hai Tran on his quest to immortalise the ‘Hut through by chipping into the Kickstarter.
From moonlit rooftops to moody underground dens, Brisbane almost has it all when it comes to bars. But this hasn't stopped a horde of new and inventive ones from opening this year. A adults-only arcade bar pairing vintage prizes with alcoholic bubble teas, a specialty gin bar in a food truck bark and the city's only inner-city microdistillery with over 100 rums. This year's newbies are nothing if not diverse. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented whippersnappers pushing Brisbane to be a better, braver city. So, these six new bars were nominated for Best New Bar in Concrete Playground's Best of 2018 Awards. You can check out all the winners here.
From the outside, 22 Agnes Street mightn't particularly stand out. But this old brick warehouse in Fortitude Valley is home to a top-notch culinary combo. It comes from the crew behind Same Same, Bianca and Honto, as well as the acclaimed chef Ben Williamson (ex-Gerard's Bistro, The Apo) — and both of those factors make it one of Brisbane's must-visit eateries. Step inside Agnes' three-level space, and you have a trio of options. Those keen on a drink can head downstairs to the wine bar or, on Tuesday–Thursday from 5.30pm and Friday–Saturday from 2pm, up to the rooftop. If you pick the former, you can sip your vino over snacks and dessert, and even treat your visit as a first stop before dinner or a place for an after-meal tipple. If you'd prefer an outdoors berth, you can also grab a small or sweet bite to eat while you're looking out over the Valley and the CBD. Both bars are walk-in only, though, with no bookings taken. You will want to reserve a spot for Agnes' main dining room, where the menu changes seasonally. Whatever is on offer, it'll come out of the low-set open-plan kitchen and likely have a woodfired flavour, because that's the kind of cooking that's on Williamson's agenda here. Think scallop doughnuts with green onion cream, charred cucumbers with whipped peanut and lamb ribs with sesame whey caramel as snacks, plus beef tartare, clams with pork and fennel, and an oyster mushroom and potato sourdough miso dish for starters. Mains span the likes of smoked lamb neck, wood-roasted duck and dry-aged angus sirloin, while charred mango is a very fitting inclusion on the dessert list. If you're dropping by with seven or more people, you'll need to eat your way through one of the $85 or $130 set menus, which can be matched with wines. Agnes also has a private dining space upstairs that seats 22 people if you're celebrating somewhere special. Appears in: The Best Restaurants in Brisbane
Since 1987, if you've wanted to hit up South by Southwest, then you've needed to visit Austin in Texas. In October 2023, however, that'll no longer be the case. In what was perhaps Australia's biggest cultural news of 2022, the acclaimed tech, innovation, music, gaming, screen and culture festival and conference announced that it'll stage its first-ever non-US event in Sydney this year — and it's just added a bunch more musicians and speakers to its lineup. Headlining the latest announcement is a new featured speaker, who will be talking at the event's music-industry conference. Chris Lee (also known as Lee Sung-Su) is the Chief A&R Officer and former CEO of SM Entertainment, a K-pop powerhouse. Lee and the label have played a part in popularising breakout K-pop stars like aespa (who recently dropped a Sydney-heavy promo for their new album), SHINee, EXO, Red Velvet and NCT. Two of the biggest annual parties from SXSW Austin have also joined the program. Dr Martens and Vans slide in alongside local legends Young Henrys as major sponsors, bringing their respective music hubs — Dr Martens Presents and House of Vans — to the debut Australian festival. Both showcases are regular occurrences over in Texas, pulling big-name guests to perform, with past lineups including the likes of The Stooges, Denzel Curry, ODESZA and Wolf Alice. More artists have been added to the live music lineup, which already boasts previously announced acts Redveil, Connie Constance, Otoboke Beaver, Ekkstacy and Los Bitchos. The majority of the new announcement is dedicated to the first local Australian acts to join the program, with Teenage Joans, Phoebe Go, MALI JO$E, Ashli, Andrew Guruwiwi Band, Alter Boy, Mi-Kaisha, VV Pete, Rum Jungle and Golden Vessel's side project 1tbsp among the 18 Aussie additions. There are also seven fresh international names, including New Zealand's Soaked Oats, Japan's Chameleon Lime Whoopiepie, South Korean's HYPNOSIS THERAPY and American indie-pop star Wallice — who recently supported The 1975 on their Australian tour. [caption id="attachment_899225" align="alignnone" width="1920"] Chameleon Lime Whoopiepie[/caption] "The lineup features an essential array of styles, ranging from post-punk, jazz and experimental pop to club-tinged hip hop, R&B and indie folk," says Claire Collins, SXSW Sydney's Head of Music. "It is a vibrant snapshot of the undeniably exciting next wave of talent from across the globe, from Western Sydney to the Top End, South Korea to the UK, and beyond. We can't wait to reveal more in the coming weeks and months." The first lineup announcement back in February included American futurist, The Genesis Machine author, and Future Today Institute founder and CEO Amy Webb as the festival's first-ever keynote speaker. Webb will be joined by other featured speakers like Ben Lamm and Andrew Pask, who'll discuss their work on the de-extinction of the woolly mammoth and the Tasmanian tiger; Guy Kawasaki, Chief Evangelist of Canva and former Apple Chief Evangelist, who'll talk evolving tech; lawyer, writer and filmmaker Larissa Behrendt, fresh from helming Richard Bell-focused documentary You Can Go Now; and Saudi women's rights activist Manal al-Sharif. [caption id="attachment_899226" align="alignnone" width="1920"] Teenage Joans[/caption] SXSW Sydney will all take place between Sunday, October 15–Sunday, October 22 within a walkable precinct within the Sydney CBD, Haymarket, Darling Harbour, Ultimo, Chippendale and more. Think of the fest's footprint as a huge hub, with festivals within the bigger fest, exhibitions, talks, networking opportunities and streetside activations popping up everywhere. So far, venues named include Powerhouse Museum, ICC Sydney, UTS, Central Park Mall, the Goods Line Walk, The Abercrombie and Lansdowne Hotel. Attendees can hit up the SXSW Sydney Conference, which is where those keynotes, presentations, panels, workshops and mentor sessions come in — more than 400 of them. And, there's the SXSW Sydney Technology & Innovation Exhibitions, which is all about innovative and emerging tech and entertainment companies from across the Asia-Pacific region. Plus, at the Startup Village, up-and-comers from all industries and sectors will have space to meet, present and chat. SXSW's arts fests will span the SXSW Sydney 2023 Music Festival, which will be focused on live music venues in central Sydney — and the SXSW Sydney Gaming Festival, complete with more than 100 local and international independent games to play at venues (alongside demonstrations, launches performances, exhibitions and social gatherings). Movie and TV lovers, get excited — because the SXSW Sydney Screen Festival isn't just a film fest. There'll be flicks to see, including at red-carpet premieres; episodic content; and digital, XR and social content. Expect Q&As and panel discussions with the folks behind them as well. Can't wait, whether you're a Sydney local or planning to head along from elsewhere in Australia — or New Zealand? Platinum and industry badges are already available at early-bird prices, with more ticketing to come. SXSW SYDNEY 2023 — SECOND LINEUP ANNOUNCEMENT: FEATURED SPEAKERS: Chris Lee (aka Sung-Su Lee) SXSW SYDNEY MUSIC FESTIVAL: 1tbsp Alter Boy Andrew Guruwiwi Band Ashli Dean Brady DICE dust Elle Shimada MALI JO$E Mi-Kaisha Mikayla Pasterfield Milku Phoebe Go Teenage Joans Vv Pete PANIA GO-JO Rum Jungle Hans. hanbee Soaked Oats Nuha Ruby Ra Wallice HYPNOSIS THERAPY Chameleon Lime Whoopiepie Joining: KEYNOTES: Amy Webb FEATURED SPEAKERS: Andrew Pask Ben Lamm Guy Kawasaki Jack Reis Kyas Hepworth Larissa Behrendt Manal Al-Sharif Michael J Biercuk Per Sundin Que Minh Luu Robyn Denholm Rohit Bhargava Sam Barlow Sean Miyashiro Sheila Nguyen Sung-Eun Youn Tom Verrilli Yiying Lu Yoomin Yang SXSW SYDNEY MUSIC FESTIVAL: Connie Constance Ekkstacy Los Bitchos Otoboke Beaver Redveil SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues — head to the festival's website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
Now is the time to start planning your big adventures for 2020. After all, you have early bird flight specials to nab, spare hours to spend browsing and plenty of time to give your boss leave notice — before everyone else does. To save you time, we've scoured the globe to find the best destinations of 2020. There's something for every adventurer on this list — whether you're looking to visit the most sustainable destination in the world or keen to try out a brand new, multi-country hiking trail. KOCHI, INDIA Kochi's claim to fame is its massive, beautiful estuary — perched on India's southwest coast on the Arabian Sea. Traders, fishers, sailors and merchants have been travelling here for more than 600 years. And, more recently, it's become a mecca for artists. Spend your holiday wandering among 16th-century Portuguese architecture, bohemian cafes and thousand-year-old mosques, including the oldest one in India. In 2020, the Kochi-Muziris Biennale will fill the city with art, including the likes of site-specific installations in heritage buildings, live performance in disused spaces and exhibitions in traditional galleries. For an extra local experience, consider booking a homestay. ARMENIA Keen hiker? Make Armenia your 2020 destination. The new Transcaucasian Trail, which travels through some of the most remote countryside in Armenia and Georgia, gives you 3000 kilometres to conquer. One of the best sections is the 80-kilometre walk through Dilijan National Park, a five-day adventure among tenth-century monasteries, magical villages and enchanting forests. There's also Lake Sevan, which, at 1900 metres above sea level, is one of the largest freshwater high-altitude lakes in the world. You can camp in the wild or book into local guesthouses. If you're looking for some company, book a spot on a guided group treks, run by the creators of the Transcaucasian Trail. ETHIOPIA In 2018, tourism in Ethiopia went through the roof, increasing by 48.6 percent in just 12 months. If you have your heart set on visiting, it could be a good idea to go soon — before it gets even busier. You'll most likely begin your journey in Addis Ababa, the capital, where you'll meet Lucy, a 3.2 million-year-old skeleton of a human ancestor, in the National Museum. Other sights to add to your itinerary include the castles of Gondar, the World Heritage-listed ruins of ancient Aksum, the medieval stone churches of Lalibela and the Menz-Guassa Conservation Area, a community-managed wilderness that's home to Ethiopian wolves, geladas (baboons) and bearded vultures. TOKYO, JAPAN If Tokyo is on your bucket list, this could be the year to tick it off. The city's gearing up to host the 2020 Summer Olympics and Paralympics — from July 24–August 9 and August 25–September 9, respectively — so it's be even more dazzling than usual. Get started with the newest developments, including Maxell Aqua Park Shinagawa, where the underwater world meets immersive digital art; Shibuya Scramble Square, a 230-metre tower with views all the way to Mount Fuji; and the Kengo Kuma-designed Meiji Jingu Museum, where history blends with nature. You'll need to relax in between sights, so be sure to take five in an ashiyu (footbath) cafe, dine in a Buddhist temple and sample some quality drops in Tokyo's many wineries. Travelling on a budget? Check out our shoestring guide to Tokyo over here. GOTHENBURG, SWEDEN For followers of 16-year-old climate change activist Greta Thunberg, Gothenburg should be on the bucket list. Located on Sweden's west coast, half way between Oslo, Norway, and Copenhagen, Denmark, it's the most sustainable destination in the world, according to the Global Destination Sustainability Index. Among its eco-friendly delights are a public sauna made out of 12,000 recycled bottles, a theme park powered entirely by wind, ethical cafes galore, 274 square metres of green space per resident and a 1200-room hotel with more than 150,000 bees living on its rooftop. GALWAY, IRELAND Galway is always one big music festival — 24 hours a day, 365 days a year. And, this year, things will go next level, as the city embraces its status as a 2020 European Capital of Culture. The action will begin on Saturday, February 8, with an epic opening party in Galway Square, which will unleash a four-part year-long programme, inspired by the seasons. Prepare for touring theatre, lively concerts in the city's surrounding villages, audio installations, poetry readings on beaches, floating light shows and loads more. Check out the full programme over here. PAPUA NEW GUINEA If you're not into crowds, Papua New Guinea might the place to go. Its tourism density is just 2.75 percent, according to Intrepid Travel's 2019 Tourism Density Index. This means that, for every 100 residents, just three tourists visit per year. And yet PNG is just four hours' flight from Sydney. Begin with a deep dive into culture and history at the National Museum and Art Gallery in Port Moresby, before checking out the white-sanded beaches of Yuo Island, the cassowaries and endangered Matschie's tree kangaroos in Lae's Rainforest Habitat and the brightly coloured haus tambarans of Maprik. Getting around Papua New Guinea isn't always easy or safe, so be sure to plan before you go. NEW YORK STATE New York City is worth a visit anytime. But there's a compelling new reason to explore the rest of New York State: The Empire State Trail. Due to be finished by the end of 2020, this mammoth achievement is a 750-mile (1200-kilometre) path that travels from Manhattan to Lake Champlain on the Canadian border, as well as from Buffalo, the second biggest city in New York State, to Albany. You'll be able to walk or cycle every section — and link to several famous trails and areas along the way, like the Appalachian Trail, Catskill Park and the Great Lakes Seaway Trail. AMAZON RAINFOREST During the past decade, a whopping 62,000 square kilometres of the Amazon Rainforest has been deforested — mainly due to beef farming, logging and palm oil production. That's equal to 8.4 million soccer fields. The good news is that, according to the World Wildlife Fund, one way to help the Amazon is ecotourism, which provides income to local communities, while sustaining the environment. Consider a stay on the floating Amazon Eco Lodge, a trip with a responsible operator like Gondwana Ecotours or supporting the work of the Amazon Conservation Association. RWANDA Rwanda's Akagera National Park is a environmental success story. Nearly destroyed by war and hunters, it's now a thriving wilderness, where lions, warthogs, impala, hipos and zebra roam — thanks to a decade-long conservation program. It's reason enough to visit Rwanda in 2020, but, while you're there, you should also check out the mountain gorillas of Volcanoes National Park and the pretty beaches of Lake Kivu. For a spot of city life, head to Huye, where you'll find the rich collections of the Ethnographic Museum, the National University of Rwanda and, most importantly on steaming hot days, Inzozi Nziza ice cream shop, run by an all-female collective.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are nine that you can watch right now at home. Longlegs Faces carve deep impressions in Longlegs, in both their presence and their absence. As Agent Lee Harker, Maika Monroe (God Is a Bullet) does so with a clenched jaw, permanently on-edge eyes and mere bursts of words, aka the guise of a woman who'll never stop being vigilant in every moment but doesn't always know exactly why. As the movie's namesake, as announced in the opening credits, Nicolas Cage (Dream Scenario) has audiences straining to catch whatever glimpse they can whenever they can — and when a full look comes, it's scorching and haunting in tandem in the stare alone. Blair Underwood (Origin) gives Harker's boss Carter a weary gaze, but with fully rounded life experience beyond his FBI gig evident behind it. Alicia Witt (Switch Up) plays Ruth Harker, mother to Lee, as distance and struggle personified. As she relays a tale as survivor Carrie Anne Camera, Kiernan Shipka (Twisters) demonstrates how disconnected a grim reality can be from a dream. For his fourth feature following 2015's The Blackcoat's Daughter, 2016's I Am the Pretty Thing That Lives in the House and 2020's Gretel & Hansel — the first of which also starred Shipka — writer/director Osgood Perkins has clearly assembled an excellent cast for his unease-dripping, get-under-your-skin, torment-your-nightmares serial-killer thriller. Another face leaves an imprint beyond his actors, however. Bill Clinton's portrait assists with setting the scene as it adorns bureau offices, with the majority of the movie taking place in the 90s. Think the FBI and three decades back, and there's no lack of pop-culture touchstones. The Silence of the Lambs is one. Monroe's portrayal as a newly minted operative tracking a murderer is every bit as layered, complex and unforgettable — and awards-worthy — as Jodie Foster's (True Detective: Night Country) Oscar-winning performance was. Longlegs streams via Prime Video. Read our full review, and our interview with Maika Monroe and Osgood Perkins. MaXXXine As played as an unrelenting force by Mia Goth (Infinity Pool), even when slasher killers have other plans, Maxine Minx was always going to go big and never go home. To wrap up the horror trilogy with the ambitious actor at its centre (when Goth hasn't also been playing Pearl, its other protagonist, as both an elderly and a younger woman), MaXXXine shoots for the stars as well, including in shifting to new surroundings. Gone is the New Zealand-standing-in-for-Texas production base of X and its prequel Pearl. Absent is the claustrophobic feel of mainly making one spot the franchise's location, whether it was taking place in the 70s in its first entry or in the 1910s in its second. This Los Angeles-set leap to 1985 sparkles with the same scorching drive and determination as its titular figure — and Minx, Goth, writer/director Ti West (Them) and MaXXXine alike won't accept a life, or a swansong instalment in one of the best sagas in the genre in the 2020s, that they do not deserve. From its debut with 2022's X, which turned a porn shoot in a remote farmhouse into a bloody stalking ground, West's big-screen series has always understood that sex and violence so often intersect in the arena that it's paying tribute to: moving pictures. X, Pearl and now MaXXXine also see how censors and the pearl-clutching equate one with the other. Equally, these pictures glean how a woman with a libidinous appetite — or simply the craving to succeed and the unwillingness to settle — can be deemed a larger threat to morality than a murderer. They also spy what a battle it too frequently is for women to chart their own path free of society's expectations, no matter their aspirations. West not only continues splattering these ideas through the Elizabeth Debicki (The Crown)- and Kevin Bacon (Beverly Hills Cop: Axel F)-co-starring MaXXXine, but layering them, plus stacking his latest unpackings of them with X and Pearl. The true target in his current sights, however: what it just might cost to make it in a realm as ruthless and ravenous as stardom. MaXXXine streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Elizabeth Debicki and Kevin Bacon. The Bikeriders Can a dream ever exist for more than a fleeting moment? That isn't just a question for oneirology, the field of psychology focused on studying the involuntary visions of our slumbers, but also applies whenever tales of motorcycle clubs rev across the screen. Stories of hitting the open road on two wheels, finding camaraderie and community in a group of likeminded outsiders, and perhaps discovering a purpose along the way are stories of chasing dreams — of freedom, of belonging, of mattering, of meaning in a world seemingly so devoid of it if you don't fit in the traditional sense. So it was in TV series Sons of Anarchy and in Australian film 1%, two titles set within the roar and rush of biker gangs in recent years. So it was in The Wild One, 1953's Marlon Brando-starring classic that immortalised the query "what are you rebelling against?" and the reply "whaddaya got?". Now, so it equally proves in The Bikeriders, about a 60s and 70s leather- and denim-wearing, motorbike-riding crew formed after infatuation got motors runnin' when founder Johnny (Tom Hardy, Venom: Let There Be Carnage) saw The Wild One on TV. A family man, Johnny has a dream for the Vandals MC out of America's midwest — and so does Benny (Austin Butler, Dune: Part Two), the closest thing that the club has to a spirit animal. The latter is introduced alone at a bar wearing his colours, refusing to take them off even when violence springs at the hands of unwelcoming patrons. He won't be tamed, the sixth feature from writer/director Jeff Nichols after Shotgun Stories, Take Shelter, Mud, Midnight Special and Loving establishes early. He won't be anyone but his smouldering, swaggering, rebel-without-a-cause self, either. Courtesy of the Vandals, he not only has the space to stand firm, but the assurance. He's a lone wolf-type, but knows that he has the devoted backing of the pack anyway. Johnny has fashioned the gang as a tribe and a place to call home for those who can't locate it elsewhere, and is open about how his fellow bikers need Benny — and how he does as well — to look up to. The Bikeriders streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Austin Butler. Twisters A cinema plays a key part in Twisters. Frankenstein flickers across its screen, but mother nature proves not only more of a monster, but also an audience member worse than folks who can't manage to spend two hours in a darkened room without their phones. There's a knowing air to featuring a picture palace in this disaster-flick sequel from Minari director Lee Isaac Chung and The Boys in the Boat screenwriter Mark L Smith, reminding viewers how deeply this genre and this format are linked. Almost three decades ago, as co-penned by Michael Crichton fresh off Jurassic Park's mammoth success, 1996's Twister packed movie theatres worldwide to the tune of nearly half-a-billion dollars, doing so with a spectacle. No matter if its sequel reaches the same heights at the box office globally, it too delivers better-on-the-big-screen sights, chief among them Chung and cinematographer Dan Mindel's (Star Wars: Episode IX — The Rise of Skywalker) naturalistic imagery. For those unaware going in that the filmmaker behind six-time Oscar contender Minari — a helmer who received a Best Director Academy Award nomination for his gorgeous and heartfelt work, in fact — is also steering Twisters, it isn't hard to guess from its look, including in its opening moments alone. The movie begins with storm chasers doing what they enthusiastically do. It also kicks off with a horror turn of events thanks to a tornado that exceeds their expectations, and with the crew's survivors afterwards struggling with trauma that'll later drive them forward. In these scenes and beyond, this isn't a picture of visual gloss and sheen, as witnessed right down to its lighting. Twisters remains polished, of course. It also can't tell its tale without CGI. But a choice as pivotal as valuing a genuine aesthetic tone over a gleaming one has a massive impact. Twisters streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Daisy Edgar-Jones, Glen Powell, Anthony Ramos and Lee Isaac Chung. Inside Out 2 They're basic: joy, sadness, fear, disgust and anger, that is, the five emotions that swirled inside human heads in Pixar's 2015 hit Inside Out. In nine-years-later follow-up Inside Out 2, that quintet of feelings isn't enough to cope with being a teenager, which is where anxiety, envy, ennui and embarrassment come in. The newcomers arrive with the onset of puberty, literally overnight. They have no time for simple happiness; they've levelled up some of the emotions adjacent to sorrow, fright, dismay and fury, too. Although its now 13-year-old protagonist Riley Andersen (Kensington Tallman, Summer Camp) isn't actively choosing how to manage her feelings because her feelings themselves are doing that for her, Inside Out was always an all-ages ode to mindfulness, as is its sequel — and discovering how to accept and acknowledge apprehension, unease and nerves is here, like in life, a complicated balancing act. In the Inside Out world, feelings are characters, led in Riley's noggin by the radiant Joy — who, with Amy Poehler (Moxie) shining with Leslie Knope-esque positivity in the voice-acting part, is one of Pixar's best-ever cast figures. In an ideal inner world, they all get along. But workplace comedy-style, getting viewers thinking about Parks and Recreation again, that's never the case. Joy, Sadness (Phyllis Smith, Barb and Star Go to Vista Del Mar), Fear (Tony Hale, Quiz Lady), Disgust (Liza Lapira, The Equalizer) and Anger (Lewis Black, The Last Laugh) have their routine down pat when Inside Out 2 kicks off. They can handle everything from high-stakes hockey games, complete with a stint in the sin bin, through to learning that Riley's best friends Grace (Grace Lu, Fight Krewe) and Bree (debutant Sumayyah Nuriddin-Green) will be going to a different high school. Then their status quo is upended by the Inside Out equivalent of new colleagues storming in. Inside Out 2 streams via YouTube Movies, iTunes and Prime Video. Read our full review. A Quiet Place: Day One There seems little that could be utopian about an alien invasion film where people are picked off by hulking, spider-limbed, lightning-fast, armour-clad creatures who punish every sound with almost-instant death, but prequel A Quiet Place: Day One makes the opening status quo of horror franchise-starter A Quiet Place look positively idyllic. If you're forced to try to survive an extra-terrestrial attack, where better to be than at your well-appointed farmland home with your family, as the John Krasinski (IF)-helmed and -starring 2018 feature depicted? Most folks, including the third movie in the saga's protagonist Samira (Lupita Nyong'o, Black Panther: Wakanda Forever), a terminal cancer patient with just a service cat called Frodo left as kin, can only dream of being that lucky — not that there's much time for fantasising about a better way to be conquered by otherworldly monsters when what looks like meteors start crashing down to earth. Samira is in hospice care as the A Quiet Place big-screen series, which also spans 2021 release A Quiet Place Part II, steps back to the moment that its apocalyptic scenario begins in New York. She hugs her black-and-white feline companion like letting go would untether her from life even before existence as the planet knows it changes forever — when she's sharing surly poems among other patients, being convinced to attend a group excursion to see a marionette show and, when the promise of pizza on the way home is nixed, telling kindly nurse Reuben (Alex Wolff, Oppenheimer) that he's not actually her friend. Written and directed by Pig filmmaker Michael Sarnoski, A Quiet Place: Day One explores the ground-zero experience for someone who feels so alone in this world and connected only to her devoted pet, and also answers a question: how do those on more than two feet react when the worst that humans can imagine occurs? A Quiet Place: Day One streams via YouTube Movies, iTunes and Prime Video. Read our full review. In a Violent Nature Again and again, fans of slasher films have seen the one about the unhinged murderer butchering teen victims. They've seen more than one, in fact. It's a horror convention: take a bunch of young adults, then dispense with them person by person as a killer works through childhood trauma. Penning and helming his first feature — his short Z Is for Zygote was included in The ABCs of Death 2, and he did special effects work on Psycho Goreman, too — writer/director Chris Nash knows the basics of his chosen genre as much as any other diehard viewer. He's just as aware of the great, and greatly influential, flicks gone by such as Halloween and Friday the 13th. He's well-versed in their tropes in storytelling and in form alike. Making his full-length debut with a picture called In a Violent Nature, he's also clued up on what happens when someone sinister gets a-stalking in scenic surroundings. Plot-wise, Nash isn't trying to break the mould with his account of Johnny (Ry Barrett, Massacre at Femur Creek) and the folks who are unlucky enough to fall across his path. But the filmmaker asks a question: what if a rampaging slaughterer's terrors came not with a score heralding their every menacing move (even when those tunes can become iconic, as John Carpenter's Halloween music has), but with the ordinary silence of everyday life in nature punctuated only by noises just as commonplace, and then by the sounds of a killer at their insidious worst? In its imagery, In a Violent Nature adds another query: what if the audience wasn't biding its time with those likely to perish, tension dripping from not knowing when and where the murderer would strike, but was stuck at the side of the force causing such gruesome mayhem as the inevitable approaches? There's seldom any escape from a slasher; however, Nash finds a new way to take that idea literally. In a Violent Nature streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Promised Land The transfixing terrain of Mads Mikkelsen's face has been cast against formidably frosty and inhospitable climes before, weathering mirroring weathering. Sporting a piercing and determined glint in his eye, the Danish acting great has previously surveyed the Scandinavian landscape, too, seeing possibility where others spot peril. It was true in Arctic, in Valhalla Rising and now in The Promised Land: there's no stare as mesmerisingly resolute as his. When Ludvig Kahlen, Mikkelsen's latest character, insists that he can do what no one else has done — to begin with: settling the heath on the heather-covered Jutland moorland and building a colony for the king, a feat considered virtually impossible in the mid-18th century — doubting him isn't a possibility for anyone in the movie's audience. The BAFTA-nominated Another Round star has danced in historical drama territory for his countryman director Nikolaj Arcel in the past as well, with the pair reteaming after 2012's Oscar-nominated A Royal Affair. A different king sits on the throne in this film, Frederick V instead of Christian VII; however, the regal shadow remains inescapable. This time, Mikkelsen and Arcel tell not of a doctor influencing a monarch and a country, but of a soldier aligning his quest for a better future with a sovereign's wish, and learning what it means to chase a dream only to realise that you need something less tangible. Kahlen's attempt to farm land considered barren is equally a battle against entitlement and arrogance thanks to his clash with Frederik de Schinkel (Simon Bennebjerg, Borgen), a cruel local magistrate who contends that the king's land is his own — and feels far enough away from Copenhagen for there not to be any consequences for his claim. The Promised Land streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Taste of Things Cooking is an act of precision. It's also one of feeling. On the movie that nabbed him the Best Director award at the 2023 Cannes Film Festival, Trần Anh Hùng (Éternité, Norwegian Wood) helms with the same care, spirit and emotion that his characters display in the kitchen. The Taste of Things' audience has a front-row seat to both, as this 1885-set French picture begins with dishes upon dishes being whipped up and the feature's gaze, via cinematographer Jonathan Ricquebourg (Final Cut), lenses their creation intimately and sumptuously. The film's extraordinary opening 30 minutes-plus, as the camera is trained on the stove and counter with slight detours around the room to collect or wash ingredients, is meticulously crafted and at the same time instinctual. Think: the sensations of observing the finest of fine-dining chefs and being a child watching your grandmother make culinary magic, as nearly every kid has, all rolled into one appetising introductory sequence. In the home of gourmand Dodin Bouffant (Benoît Magimel, The King of Algiers), and in its heart, his personal chef Eugénie (Juliette Binoche, The New Look) is so skilled and fastidious that she'd do small-screen hit The Bear proud; she's clearly a conjurer of the culinary arts, too. Hùng and Ricquebourg — the latter a well-deserving Lumiere Award-winner for his efforts here — are methodical with the choreography of setting the scene, while equally deeply immersed in the flow of the kitchen's tasks. As soundtracked by chirping birds, if this was The Taste of Things for 135 minutes and not just half an hour-ish, it'd remain a mesmerising movie. (A word of warning: eat before viewing, lest hunger pangs not just simmer but boil over.) Adapting 1924 novel The Passionate Epicure: La Vie et la Passion de Dodin-Bouffant, Gourmet by epicure Marcel Rouff as he scripts and directs, Hùng does more than fashion among the most-handsomely staged and shot imagery of a meal coming to life, but his approach to this entrée establishes the flavour. The Taste of Things streams via YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June and July 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2024's 15 best films, 15 best new TV shows, 15 best returning TV shows and 15 best straight-to-streaming movies from the first half of the year. Also, here's 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows as well.
If you're a fan of LGBTQIA+ flicks, don't say that you don't have anything to watch between Friday, February 28–Monday, March 10, 2025. You're not just stuck with usual couch-viewing options, either. The return of Queer Screen's Mardi Gras Film Festival in Sydney also means the return of the event's online component, which is great news no matter where you live in Australia. As always, the roster of movies that Sydneysiders can catch at MGFF's in-person sessions is far larger than its online program — but joining in from home is still filled with highlights. Movie buffs eager to check out the online picks from their couch can look forward to the Alan Cumming (Schmigadoon!)-starring Drive Back Home; Aussie effort Heart of a Man, about a closeted Indigenous boxer; a doco about activist Sally Gearhart; Unusually Normal's factual portrait of a family that includes two lesbian grandmothers, four lesbian mothers and one lesbian granddaughter; and a blend of fiction and reality with 2024 Sundance Special Jury Award-winner Desire Lines, among other titles. A number of shorts programs will be available to stream, too, with packages devoted to Asia Pacific, transgender and gender diverse, queer horror, queer documentaries, sapphic and more. Black Doves' Ben Whishaw pops up in one of the gay shorts, while Hacks' Megan Stalter appears in one of the films in the comedy lineup.
Remember the Pokémon Go phase? What a time in millennial history. And while you may not see hordes of people playing it in your local park these days, fans need not despair. Because Pokémon is coming back to you in real life. Three years after the game temporarily took over the world, a pop-up bar decked out in everything Pokemon is hitting Sydney, Melbourne and Brisbane this year. We don't have specific details, like the when and where of it, but can tell you to expect everything to do with the franchise: Pokéball-shaped burgers, as well as games, themed cocktails and prizes. The bars will supposedly be divided into seven regions and each session will includes two hours of 'hunting, battling and catching time' — we're interested to see how that will be interpreted. You can complete all regions to be the ultimate winner, where we suppose you might win one of the aforementioned Pokémon prizes. There will also be prizes for the best dressed and a DJ spinning tracks. The nitty gritty of it all, though, is yet to be revealed. Will you be playing on the app, or will you have to find Pokémons in a scavenger hunt? Does anyone still actually play Pokémon Go? The mystery is yet to be solved, but you may want to start rounding up your old catching team. We don't know dates for this one, but you can be the first to know when tickets are available by signing to the mailing list. The event comes from the same group that have previously announced a Simpsons-themed Flaming Moe's tavern and a Harry Potter-themed Cauldron Bar. While neither of these events have actually happened — even though the Cauldron Bar initially scheduled for last month — organisers have told Concrete Playground that they are trying to find the perfect venues for the bars, and both of them are still "in the pipeline". The Pokébar should hit Melbourne, Sydney and Brisbane later this year. Tickets will be $35 for a two-hour session. They're not yet on sale, but you can register here.
Affectionately known as "The Paddo", the Paddington Tavern has long been a fixture of Brisbane's inner-west pub scene. While the surrounding suburb has transformed over the years, the tavern has held firmly onto its unpretentious, come-as-you-are character. Part of the McGuires Pubs group, the venue is currently undergoing a major refurbishment that will see the historic site refreshed and expanded, with works expected to be completed in late 2027. Even as it evolves, the spirit of the pub remains the same. The Paddo is home to the long-running Sit Down Comedy Club, Brisbane's best-known comedy venue since 1992, drawing crowds each week for live stand-up. Elsewhere, big screens and surround sound make the Main Bar a reliable spot for watching sport, while pool tables and casual drinking spaces keep the atmosphere lively. Whether you're dropping in for a pint, catching a game or settling in for a night of comedy, the Paddington Tavern continues to deliver the kind of easygoing pub experience that's increasingly rare in the inner city.
Australia loves a drive-thru. Before the pandemic, the country became home to the first-ever drive-thru-only KFC in the world. In 2020 and 2021, during various COVID-19 restrictions, every business everywhere seemed to embrace keeping customers in their cars. Brisbane even scored temporary lasagne and wine, mac 'n' cheese, and Ekka-centric strawberry sundae, dagwood dog and Bertie Beetle showbag drive-thrus. Up next: the nation's debut Grill'd drive-thru, which is now open in Mt Ommaney in Brisbane's west. Taking over a site that used to be a Hungry Jack's, it's slinging the chain's burgs in a more convenient way from outside the suburb's shopping centre. [caption id="attachment_909056" align="alignnone" width="1920"] Coffee shop soulja via Flickr[/caption] The move comes almost 20 years since Grill'd launched in 2004 in Hawthorn in Melbourne, then started spreading around the country. Now, the chain boasts 165 stores in Australia, plus one in Bali. Hit the drive-thru at Mt Ommaney and you'll find a choice of more than 40 menu options, spanning Grill'd's burger range — including beef, wagyu, chicken, fried chicken, lamb and vegetarian options — as well as its sliders, salads and onion rings. And yes, you can get potato, sweet potato and zucchini fries with that. [caption id="attachment_909053" align="alignnone" width="1920"] Adrian Gigante via Flickr[/caption] While the new drive-thru opened at the end of June, Grill'd is celebrating its milestone with a day of $5 burgers — including for drive-thru customers, of course. Head along in your car from 10.30am–9pm on Saturday, July 15. The caveats: you can only nab a Simply Grill'd, Crispy Bacon & Cheese, Simon Says, HFC Classic, Kids Cheeseburger & Garden Goodness Burgers, and only on traditional buns. Also, you can't call in a takeaway order or get delivery. And, everyone can only get two discounted burgers each. Find Grill'd's drive-thru store at 171 Dandenong Road, Mt Ommaney — and it's doing $5 burger deals on orders from 10.30am–9pm on Saturday, July 15.
If you happen to have an outfit in your wardrobe that's the same shade favoured by Squid Game's guards, here's a piece of advice: it'd be best not to wear it to St Kilda Beach on the morning of Tuesday, December 10, 2024. A huge 200 people will already be there in that exact attire, with Netflix sending a continent of pink guards to the sandy patch of Melbourne to remind everyone that the hit series' second season is on the way — and soon — in an eerie fashion. When season one proved a massive success, the creepy Red Light, Green Light doll from the show towered over Sydney Harbour. Ahead of Squid Game's second season, the Victorian capital is getting in on the action. If your morning routine involves hitting the beach in Melbourne, you'll clearly have plenty of company — not just from the guards, but from others keen for a glimpse at the pop-up. And if you're located elsewhere in Australia, expect to see photos all over social media. Netflix is promising "a true Aussie takeover", all to celebrate Squid Game season two sliding into your streaming queue on Boxing Day. It might be wise to avoid wearing green tracksuits to St Kilda at the same time that the stunt is taking place, too, to avoid earning the pink guards' attention. Up at Sydney's Luna Park, you'll have another chance to get some IRL Squid Game action — without any murder, of course — when an immersive experience hits the tourist attraction to get you playing Red Light, Green Light from Monday, December 16, 2024. Three years have passed since Squid Game became an award-winning Netflix sensation — for viewers and, in the show itself when new episodes drop, for Seong Gi-hun (Lee Jung-jae, The Acolyte) as well. Audiences and Player 456 are alike are in for a new round of life-or-death matches when the streaming smash finally returns, although only the series' protagonist will be fighting for survival again while on a quest to shut down this chaos forever in season two. No one watching should ever want Squid Game to end; however, the show itself will wrap up in 2025 with season three. First comes the long-awaited second season to end 2024, though, where Player 456 is back in the game with new fellow competitors for company. Netflix has been dropping multiple early looks at season two, including a teaser trailer to kick off November — and it finished off the month with a new glimpse at what's to come. As the show's protagonist dons his green threads once more for the new season, his new fellow competitors are wary of his motives. Also part of the recent teases: Lee Byung-hun (The Magnificent Seven) as Gi-hun's nemesis Front Man, plus Wi Ha-joon (Little Women) also back as detective Hwang Jun-ho. For season two, Gong Yoo (Train to Busan) also returns as the man in the suit who got Gi-hun into the game in the first place; however, a show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount. Accordingly, new faces were always going to be essential — which is where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. Check out the full trailer for Squid Game season below: Squid Game's pink guards are taking over St Kilda Beach in Melbourne on the morning of Tuesday, December 10, 2024. Keep an eye on Netflix's social media for more details. Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: No Ju-han/Netflix.
When 2019 rolls to a close, more than 550 films will have screened in Australasian cinemas across the entire year. That's a huge amount of movies — enough to send you to your favourite picture palace almost twice a day. But unless watching films is your actual job, you probably don't have the time (or stamina, willpower or eagerness to basically live in a darkened room) to see anywhere near that many flicks. So, you prioritise. And, based on 2019's box office tallies, that means that most folks see all the big titles. This year, it seems that absolutely everyone caught a session of Avengers: Endgame, The Lion King, Captain Marvel, Joker and Aladdin. Plenty of cinemagoers spent some time with Once Upon a Time in Hollywood, John Wick: Chapter 3 — Parabellum, Yesterday and Alita: Battle Angel, too. Excellent movies such as Us and Hustlers also found a crowd. Terrible flicks like Men in Black: International and The Angry Birds Movie 2 did as well. And, although it actually first hit cinemas at the beginning of November 2018 (and ranked fourth in last year's box office), Bohemian Rhapsody still currently sits 15th in terms of ticket sales in 2019. While you were watching all of the above flicks (or watching Bohemian Rhapsody again, apparently), you might've missed some of 2019's smaller gems. They're the movies that weren't plastered all over billboards, didn't spend weeks and months on every screen around town, and you could've blinked and missed them. Thankfully, they all still exist — and we've compiled a rundown of the films that rank among the year's best, but you might not have seen. https://www.youtube.com/watch?v=QMs28A1s1OA BORDER Rarely has a movie felt as unique, engrossing and electrifying as Swedish film Border, the sophomore feature from Iranian-Danish writer/director Ali Abbasi. Based on a short story by Let the Right One In author John Ajvide Lindqvist, this constantly surprising horror- and fantasy-tinged drama sifts through the life of customs agent Tina (a phenomenal Eva Melander), who is especially suited to her job thanks to her special ability: due to a chromosome flaw, she can smell what people are feeling. When the mysterious Vore (Eero Milonoff) passes through her checkpoint, his scent sets her nostrils ablaze with curiousity. This isn't an unconventional meet-cute in a quirky rom-com, though. In a film that saunters into dark genre territory with a purpose, Border savvily draws on myth, sci-fi and body horror to explore societal limits, the concept of otherness and the search for identity that plagues us all. https://www.youtube.com/watch?v=nwJ5LDOl2Tc ACUTE MISFORTUNE If Adam Cullen had been any other artist and Erik Jensen any other journalist, Acute Misfortune may not exist. In 2008, the former invited the latter to stay with him, see him at his best and worst, and channel his life story into a biography — and, as dramatised by actor-turned-filmmaker Thomas M. Wright, the results are blistering. Just as Jensen didn't shy away from Cullen's erratic, frequently controversial nature, nor does this stunning drama, which could never be accused of being a straightforward biopic of the Archibald-winning painter. Aided by stellar performances by Daniel Henshall as Cullen and Toby Wallace as Jensen, as well as a script by co-written by the real-life Jensen, this is a warts-and-all portrait that lays bare not only its subject, but Australia's fascination with festering masculinity, and it's a lively and compelling watch from start to finish. https://www.youtube.com/watch?v=1VTFLvLtdYw SKATE KITCHEN Crystal Moselle's first and second films shouldn't share as much in common as they do. With documentary The Wolfpack, the American filmmaker stepped inside a Manhattan apartment inhabited by a homeschooled family, who learned about the wider world by watching and re-enacting movies. With the fictional Skate Kitchen, she glides across New York's streets with the titular all-female skate crew — and it still feels like she's entering a rarely seen realm. That's partly this equally expressive and naturalistic drama's point, as it conveys through the story of 18-year-old Camille (Rachelle Vinberg), a Long Island teen who finds the part of herself she's been missing when she joins Skate Kitchen. A flame-haired Jaden Smith also pops up as one of the boys in the crew's orbit, but this film belongs to its fantastic real-life skater cast, and to the fiercely female perspective it champions. Read our full review. https://www.youtube.com/watch?v=amB2Ol6wihg HAIL SATAN? Hail Satan? isn't trying to recruit new members to the Satanic Temple, but that might happen anyway. Exploring satanism beyond the usual horror movie trappings, filmmaker Penny Lane crafts engaging and amusing documentary about a controversial group endeavouring to subvert the societal status quo in a broader sense. Yes, goat horns, fetish outfits and heavy metal all feature, but this is primarily a chronicle of concerned citizens speaking out against the the current political climate. They're fighting for true freedom of belief, which doesn't just mean enshrining discriminatory and oppressive conservative Christian values — a topic of particular relevance in Australia at present. They're also battling religious-motivated hate, championing equality and rallying against injustice in general, like any other social activist group. As seen in this sympathetic but illuminating film, that's the kind of satanic panic that many could get onboard with. Read our full review. https://www.youtube.com/watch?v=XTh4uTFWPeg THE THIRD WIFE For her impressive directorial debut, Vietnamese-born filmmaker Ash Mayfair delves into her ancestry. The story: the arranged marriage of a 14-year-old girl to an already twice-wed wealthy landowner, with the late-19th century-set tale drawing its details from Mayfair's own family history. In rural Vietnam, and in the life and experiences of May (Nguyen Phuong Tra My), The Third Wife unpacks the minutiae of a patriarchal system that treats women like property — all as its protagonist is told she must bear her husband a son, and strives to find what little contentment she can in her new life. Favouring lush imagery over dialogue, this is a moving and ravishing film not only aesthetically, but in the simmering emotions clearly felt by May and the other languishing ladies around her. https://www.youtube.com/watch?v=TslErMXUBp4 HAPPY AS LAZZARO At first, Happy As Lazzaro seems straightforward — venturing to a traditional Italian estate, following the interplay between its tobacco farm workers and the arrogant aristocracy who decide their fates, and doing so in both a poetic and naturalistic manner. The film's eponymous figure, the kindly and caring Lazzaro (Adriano Tardiolo), stands out from his agitated rural brethren by virtue of his good-natured demeanour; however writer/director Alice Rohrwacher appears content to watch him navigate the sometimes ordinary, sometimes exaggerated struggles of feudal life. Then, in a twist that needs to be seen to be believed, this Cannes Best Screenplay winner changes. Making a connection with modern-day life, the wry film cements its status as a parable. Equally surreal and astute, the end product is one of the most distinctive films of this and many other years. https://www.youtube.com/watch?v=Zch4VPKGBwU ISLAND OF THE HUNGRY GHOSTS Despite its festive name, Christmas Island has been splashed across Australia's news headlines for all the wrong reasons. For much of the 21st century, it has been one of the places where those fleeing hostilities and seeking asylum have been housed — amid protests, controversies, closures and, this year, the re-opening of its Immigration Reception and Processing Centre. In a potent, haunting blend of fact and recreation that proves far more effective than a straightforward documentary, Australian filmmaker Gabrielle Brady ponders the impact of the site and its purpose on those who call it home. Trauma counsellor Poh Lin Lee draws the film's focus, with her discussions with detained refugees, her daily life, her family, the island's migrating crabs and its history all playing a part in this compassionate, deservedly acclaimed movie. https://www.youtube.com/watch?v=mwgUesU1pz4 UNDER THE SILVER LAKE After working horror fans into a frenzy with It Follows, David Robert Mitchell opted for a neo-noir black comedy for his next film. A thematic companion piece to similarly sprawling, spiralling, slacker-focused California-set fare such as Inherent Vice and The Big Lebowski, Under the Silver Lake hones in on aimless 33-year-old Sam (Andrew Garfield), who stumbles upon several mysteries. Murdered pets, his alluring new neighbour (Riley Keough), a missing billionaire and an underground zine series about local neighbourhood legends all rate a mention in this deliriously labyrinthine movie, as do Hollywood history and ominous conspiracies. Mitchell's technical game is pitch-perfect, as evidenced in both the film's vibrant images and intoxicating score, with every element inviting audiences along for a wild and rewarding ride. https://www.youtube.com/watch?v=xLIQABWm2mg FINKE: THERE AND BACK The past few years have been memorable for Dylan River. The Alice Springs filmmaker directed Robbie Hood, the delightful SBS web series; was the cinematographer on rousing Adam Goodes documentary The Australian Dream; and worked as the second unit director on Sweet Country, which was helmed by his father Warwick Thornton. He also wrote, directed and shot Finke: There and Back. While the iconic Finke Desert Race is the kind of event that you're either into or you're not — it's a rough, tough, two-day off-terrain trek through central Australia's dust and dirt via motorbike and car, and it's been known to cause casualties — this insightful documentary is for everyone. Through intimate interviews and striking on-the-ground footage, River follows the competitors before and during the race, telling their tales while exploring a difficult feat from the inside. https://www.youtube.com/watch?v=322NzXR3n4o LORDS OF CHAOS According to Euronymous (Rory Culkin), Norway is known for "seal clubbing and a very high suicide rate". If that sounds far from cheery, then this simultaneously dramatic and comic true crime tale won't be for you. Fictionalising a spate of murders and church burnings in the early 90s, Lords of Chaos spends time with the bleak-minded guitarist and his bandmates as they scream and thrash their way through the Norwegian black metal scene, shaping its early days as they go along. History dictates that this is an incredibly dark story, and director Jonas Åkerlund — an ex-Swedish black metal rocker himself — doesn't shy away from its violence. That said, he firmly recognises that he's following wannabe rebels looking for any cause they can find. Åkerlund also made the abysmal straight-to-Netflix John Wick clone Polar, but with Lords of Chaos, he tackles a grim story with both brutal style and weight.
For a month in 2026, The Phantom of the Opera will be there, on a floating stage on top of Sydney Harbour. Each year, Australia's most-stunning performance venue welcomes a big-name Opera Australia show to unleash its wonders with a spectacular backdrop. Just like in 2022, 2026's production involves the music of the night echoing over the ocean. The extremely popular Handa Opera on Sydney Harbour has repeated titles before, but there's a particular reason for Andrew Lloyd Webber's The Phantom of the Opera haunting its scenic setup again so soon. 2026 also marks the stage musical's global 40th anniversary. There's phenomenal ways to commemorate a milestone and the there's this. When it takes to Handa Opera on Sydney Harbour's picturesque waterfront digs at Mrs Macquaries Point for 2026 — across Friday, March 27–Sunday, April 26 — this run of The Phantom of the Opera will kick off a worldwide program of events planned for the year to celebrate four decades of the show. The production will also increase the huge audience numbers that've spent time with The Phantom and Christine, given that it has already been seen by 160-million-plus people in 205 cities across 58 territories across its lifespan so far. Simon Phillips, who recently helped bring Round the Twist from the screen to the stage, initially directed the 2022 Handa season — and is back for 2026, too. Also a highlight: the eye-catching production design that includes a giant chandelier. "We're honoured to be playing such a prominent role in the 40th-anniversary global celebrations for this iconic musical, in the same year that OA is marking its own significant milestone with its 70th anniversary," said Opera Australia Acting CEO Simon Militano. "Our spectacular staging of The Phantom of the Opera, with its magical setting on Sydney Harbour, and the sweeping gothic romance and unforgettable music, all combines to create a fantastic showcase of OA's artistic excellence, and an event not to be missed." As always, included in the new The Phantom of the Opera Handa Opera on Sydney Harbour experience is not just the show on the overwater stage, but also fireworks each evening, dazzling Sydney skyline views and hitting up pop-up dining spots that are constructed onsite each year. The Phantom of the Opera at Handa Opera on Sydney Harbour will run from Friday, March 27–Sunday, April 26, 2026 — with tickets via Opera Australia subscription packages available from Tuesday, August 5, 2025; single-performance presales on offer from Tuesday, August 26, 2025; and general tickets available from Tuesday, September 2, 2026. Images: Handa Opera on Sydney Harbour's 2022 production of The Phantom of the Opera © Prudence Upton / Hamilton Lund.
Wes Anderson movies and Marvel films generally have little in common, but one fact remains true about both: they know how to stack a cast (sometimes with the same talents). The Phoenician Scheme, the latest from cinema's foremost fan of symmetry and pastels, is a case in point for the former. Benicio del Toro (Reptile) stars, joined by everyone from Mia Threapleton (The Buccaneers, and also Kate Winslet's daughter) and Michael Cera (Christmas Even in Miller's Point) to Riz Ahmed (Fingernails), Tom Hanks (Here), Bryan Cranston (The Studio), Mathieu Amalric (Why War), Richard Ayoade (Dream Productions), Jeffrey Wright (The Agency), Scarlett Johansson (Fly Me to the Moon), Benedict Cumberbatch (Eric), Rupert Friend (Companion) and Hope Davis (Succession). Many of the above actors are Anderson regulars but, as the just-dropped trailer for The Phoenician Scheme shows, the writer/director never puts his ensemble to work in the same way twice. This time, he's enlisted his all-star roster to tell another of his tales of family chaos — one officially badged "the story of a family and a family business" — revolving around del Toro as Zsa-zsa Korda, one of Europe's richest men. Korda, an "international businessman" and "maverick in the fields of armaments and aviation", has nine sons and a daughter. The latter, Liesl (Threapleton), is a nun — and, as the first look at The Phoenician Scheme outlines, also newly appointed the sole heir to his estate despite not having seen her father for six years. Korda has his reasons. He also has a land and sea infrastructure scheme that's the "most important project" of his lifetime, plus the attention of rebels determined to get in his way however possible. Anderson's new movie doesn't just have a trailer — it has a date with cinemas soon. After it likely plays at this year's Cannes Film Festival, it will release Down Under on Thursday, May 29, 2025. The Phoenician Scheme marks the filmmaker's first project since 2023's Anderson bonanza, when Asteroid City hit cinemas and Oscar-winner The Wonderful Story of Henry Sugar went straight to streaming alongside fellow shorts The Swan, The Rat Catcher and Poison. While the writer/director penned the script for The Phoenician Scheme solo, he reunited with Roman Coppola, another of his frequent collaborators — see: The Darjeeling Limited, Moonrise Kingdom, Isle of Dogs, The French Dispatch and Asteroid City — on its story. Check out the first trailer for The Phoenician Scheme below: The Phoenician Scheme opens in cinemas Down Under on Thursday, May 29, 2025.
It's that time of the year again. Time to dig out your old witch hat or join the vampires and grow some fangs. Perhaps the only thing scarier than your fake blood and broomstick are these vintage Halloween get-ups. Nothing says Halloween in the '70s like a shiny plastic devil mask, after all. Halloween garb in the '60s, '70s and '80s was dominated by two costume companies, Ben Cooper Inc. and Collegeville. Ben Cooper had relationships with multiple media companies often leaving Collegeville to create their own version of Frankenstein and Batman, resulting in hilariously similar characters with pathetic names such as 'The Monster' and 'The Bat.' Despite the name of the costume, both companies survived off excitable youth desperate to avoid their mother's home-made sheet-ghost costume for the third year in a row. For better or for worse, the companies have retired their Halloween costume services and the awkward one-piece jumpsuits and thick plastic masks have graduated and become classic vintage collector's items.
Forget grey. Come October-November, the Northern Rivers of New South Wales will be covered in 50 shades of purple when the historic town of Grafton gives off big main character energy through its annual showcase of violet-hued blooms. With roots as the oldest floral festival in the country, the Grafton Jacaranda Festival really knows what it takes to celebrate one of Australia's most-loved flowers. And, for one week between Friday, 27 October and Sunday, 5 November, visitors and locals alike will line the main street of Grafton to watch the annual float parade, settle in for a round of drag queen bingo (complete with lavender eyeshadow), enjoy a lazy long lunch underneath a floral lilac canopy or watch the beautiful trees of See Park illuminated as the sun goes down. While the fest will feature a mix of ticketed and free activities, if there's one event which we recommend committing to, it's Jacaranda Thursday. On this day Grafton's main street will close down as people meander throughout the CBD, soak up the atmosphere and simply stop and smell the jacarandas. The Grafton Jacaranda Festival will run from Friday, 27 October and Sunday, 5 November 2023. For the full event program visit their website.
More and more Australians are reassessing their drinking choices, and choosing to ditch or simply limit the booze. In response, clever bartenders, winemakers and beer brands across the globe have been busy dreaming up new and creative alcohol-free beverages to make that no-booze night out a satisfying option. And, there's now one Melbourne haunt that'll leave teetotallers more spoilt for choice than ever before — with the Brunswick Aces Bar, the city's first dedicated non-alcoholic cocktail lounge, now open. From Saturday, May 1, local distillery and booze-free gin producer Brunswick Aces is welcoming patrons into its much-anticipated Brunswick East watering hole, which also marks the first of its kind in the country. The 150-person Weston Street space is not only a temptation-free drinking destination for the teetotaller or sober curious, but also just a neat spot to hang and imbibe when alcohol's simply not on your night's agenda. The bar's rocking a look best described as industrial baroque, with lots of plush furniture covered with velvety textiles, walls filled with gilded frames and moody floral arrangements trailing from the ceiling. While Brunswick Aces does make regular gin, it's perhaps best known for its range of sapiir — a non-alcoholic distilled drink crafted on botanicals. The brand uses aromatic ingredients like lemon myrtle, pepperberry, wattleseed and that all-important juniper to create a concoction that's akin to a gin, sans booze. And in this new bar, you've got a front-row seat to the sapiir distilling operations, while you sip the spoils just metres from where they're made. The menu might be short on alcohol, but it's sure not wanting for choice. In fact, there's more than 100 booze-free options available. You can expect to find an ever-evolving range of crafty cocktails, led by boozeless takes on the classics such as a negroni and an espresso martini. There's be a focus on local ingredients, too, with appearances from some premium international labels and regular product features. And, alongside the cocktails sits an impressive lineup of non-alcoholic beers and wines sourced from all over the world, as well as mixed drinks made on booze-free spirits and sapiirs. While you're there, you can browse and buy some hangover-free tipples in the country's first physical non-alcoholic bottle shop. This retail section will be slinging local brands including Heaps Normal, Ovant and Songbird Wine, as well as international offerings like the Netherlands' Vandestreek Playground IPA. [caption id="attachment_801275" align="alignnone" width="1920"] Brunswick Aces' signature sapiir.[/caption] If you're hanging for the real deal, that's okay, too. In the spirit of inclusivity — and celebrating Brunswick Aces' other pursuits — the bar will be serving a single alcoholic option: a gin and tonic, made on the brand's own Spades and Hearts gin blends. Find The Brunswick Aces Bar at 124 Weston Street, Brunswick East, from Saturday, May 1. It's open Thursday–Saturday 3–11pm, with the bottle shop open Monday–Saturday 11am–5pm. Top images: Griffin Simm
Experiencing the best of Byron's Bay serenity is made easy when you're tucked away in luxe accommodation at Australia's easternmost point. Designed as an uncompromising beachside escape, ESTE Wategos combines stellar design with nature-driven wellbeing, ensuring your trip to the easygoing surf community is every bit as tranquil as you imagined. Perched above Wategos Beach, virtually within the shadow of the iconic Byron Bay Lighthouse, a pair of architecturally designed three-story residences — known as North, South or Estate when combined — nest within a lush forest landscape, just a short journey from Byron's bustling centre. Stacked with top-notch amenities, private rooftop terraces, glass-bottom pools and a curated concierge service ready to cater to every guest's whim are only the beginning. Crafted by Shaun Lockyer Architects for Co-Owners Chris Bissiotis and Dr George Bilios, ESTE Wategos features more than enough space for 12 guests. Offering just a little more serenity than the backpacker dorms you'd find in town, it's hard to imagine a more suitable spot for hosting a chic family holiday, celebrating a special milestone or escaping with friends. "Both George and I have travelled extensively, and through our travels we became inspired to create a tranquil yet luxurious getaway in one of our favourite locations," says Co-Owner Chris Bissiotis. "With ESTE Wategos, we're excited to share a unique sanctuary unlike anything seen before in Byron Bay." With prices starting at $5000 per night, the interior is as meticulous as you'd expect. Fashioned by Fiona Dunin of FMD Architects, bespoke furnishings from Mark Tuckey and Jardan level up the experience. Meanwhile, hand-laid Italian travertine stone walls continue throughout the residence, blending indoor and outdoor spaces that culminate with stunning views over Wategos Beach. "The proximity to both the ocean and rainforest isn't just about aesthetics," says Bilios, explaining how the property revolves around the concept of prescribing nature. "It's about creating a space where guests can disconnect, recharge, and experience the well-being benefits of being immersed in nature." ESTE Wategos is now open for bookings at 11 Brownell Dr, Byron Bay. Head to the website for more information. Images: Courtney King.
American food has experienced a surge in popularity in Brisbane in the past year or so, but the Smoke BBQ (formerly Blue Smoke) is far from a mere bandwagon jumper, having been around since 2004. The interior does not call to mind the stereotypical American diner or food hall, instead it’s all rather understated and a bit chic. Though it does display its roots through a few decorative touches – an American flag plaque hangs behind the cow hide upholstered bar, and gridiron matches are screened on the television. If you’ve ever spent time wistfully watching Travel Channel shows where fortunate hosts travel the US, indulging in all manner of comfort food along the way, then you will be very happy to read the Smoke BBQ menu. So many speciality items that at one time Brisbanites may have had a hard time getting their mitts on: North Carolina pulled pork, cheese steak subs, fried shrimp po’ boy sandwiches, hickory chicken, beef brisket, buffalo wings with blue cheese dipping sauce and banana cream pie. It’s hard not to get excited. If you’re going to make the effort of going out for American smoked BBQ, then you really should be getting some ribs. The Big Rib Combo (Texas beef short rib, Memphis pork belly & North Carolina pulled pork for $50) and the ‘New’ Signature Rib Combo (Texas beef ribs, Bourbon lamb ribs & thick cut pork ribs for $65) are designed for sharing and come with basic accompaniments. If for some reason ribs just aren’t for you, then the Pork & Chicken Platter will do (Memphis pork belly with a side of Memphis sauce, North Carolina pulled pork & a half hickory chicken with a side of Memphis BBQ for $50). The ribs are tender, with distinctive smoke rings – a result of quality time in the restaurant’s in-house smoker. With a Sam Adams or Brooklyn Lager it goes down very nicely. You may be expecting huge platters overladen with smoky bounty, however, portions are definitely on the small side, especially for the price. That said, you won’t leave hungry, but if you plan to go all out, prepare to spend some money.
Life hack: pretending that you're still on your best-ever Tokyo getaway (or the dream one you plan to go on when Japan fully reopens to international travel) is a perfectly acceptable way to get through the daily grind. Eating Pocky as a snack works. Hitting up your favourite ramen joint for lunch does, too. Going home to a few post-work cans of -196 — aka the premix from the makers of Strong Zero — definitely fits the bill as well. The ready-to-drink -196 launched in Australia in 2021, with a double lemon variety that you probably sipped ASAP — it sold out when it first arrived. What's better than one such tipple, which hails from Japanese brewing and distilling company Suntory? Two, naturally. Prepare to start knocking back -196 in double grape, again blending shochu, vodka and soda — but with a whole lot of grape flavour. Wondering about the name? That's because the fruit for both varieties is frozen at -196 degrees Celsius, then crushed, powderised and infused with spirits. In Japan, Strong Zero comes in double grapefruit, double ume and double shekwasha, if you're holding out hope for more flavours in the future. For now, you'll be able to pick up -196's double grape variety from the end of October, available in bottle-os nationwide. Suntory's -196 double grape will hit bottle shops across Australia at the end of October.
For cheese fiends, there's only one suitable way to tuck into the beloved dairy product: all the time, or at least as much as possible. That's an idea that Australian cheese festival Mould not only understands but encourages, and has since 2017. In 2023, those cheese dreams will be continuing as well. Because you can never have too many occasions to eat cheddar, brie, camembert, raclette or whatever other cheese takes your fancy, Mould is back for another year, letting dairy lovers to explore and devour the mild, hard and soft bites that Australia's best cheese wizards have to offer. The event hails from Bruny Island Cheese Co cheesemaker Nick Haddow and the organisers of Pinot Palooza, and will hit up the John Reed Pavilion at Brisbane Showgrounds from Friday, May 12–Sunday, May 14. There won't just be a few cheeses on the menu. In 2023, more than 100 artisan cheeses from around the country will be ready and waiting for you to devour, spanning dairy from 25-plus producers. This year's lineup includes Grandvewe, Section 28, Coal River, La Cantara, Long Paddock Cheese and Vannella — and Bruny Island Cheese Co is usually involved, naturally. Also, past years have featured Milawa Cheese, Yarra Valley Dairy and Stone & Crow, as well as Red Cow Organics, Nimbin Valley Cheese, Dreaming Goat and Second Mouse Cheese. Alongside unlimited tastings of Australia's best cheeses — snacking on samples and purchasing slices and slabs to take home with you — the fest features cooking demonstrations, masterclasses and talks. 2023's fest will span Mount Zero olives, artisan honey from Bee One Third, and small-batch preserves from Women's Work to sample, too. And it wouldn't be a cheese festival without beverages to wash it all down with, so expect a bar serving Aussie wines, whisky, vodka, gin, beer, cider, cocktails and sake, all of which match nicely to a bit of cheese. Archie Rose, Hartshorn Distillery and Brick Lane Beer will all be doing the honours, as will a Pinot Palooza Wine Bar — and the Picolo Bar for no- and low-alcohol options. Unsurprisingly, Mould is mighty popular. In 2022, 10,000-plus attendees tucked into a six tonnes of artisanal dairy across the fest's three cities. So, if this the kind of event that your cheese dreams are made of, you'll want to nab a ticket ASAP. Sessions run from 5–9pm on the Friday, 11am–3pm and 4–8pm on the Saturday, and 11am–3pm on Sunday. Updated March 10.
It was once a thriving hospitality empire with giant doughnuts on seemingly every corner, pink-hued ice cream parlours slinging hip hop-themed desserts, over-the-top cakes tempting tastebuds, and everything from luxe hotels to cruisy bars lining the streets (and sometimes the same block) of Brisbane. And, as far as those round, doughy iced sweet treats were concerned, Damian Griffiths' footprints spread right throughout Sydney and Melbourne too. Now, however, the mogul's string of businesses have faltered. Given how prominent Doughnut Time's heaving presence proved across the east coast — rapidly expanding to 30 locations in the three years between 2015 and 2017, plus its own food truck at one point — the brand's demise has been impossible to miss. After a tumultuous few months, where its pastel green-coloured hole-in-the-wall outlets once littered Brissie, Sydney and Melbourne's streets, empty stores painted stark white now sit. But Doughnut Time is just the tip of the iceberg — Griffiths has been caught up in bankruptcy proceedings, liquidation, attempted sales and more since late 2017. Hundreds have lost their jobs (some reportedly without payment) and there's been a huge cloud of uncertainty around what this means for the slew of venues that operate under Griffiths' name, particularly in Brisbane. If you're wondering what the situation means for some of your former favourites, here's a rundown. DOUGHNUT TIME The doughnut chain has been splashed across the headlines in recent weeks, and for good reason. Reports include failing to pay staff, breaching rental contracts and racking up huge debts, which ultimately led to a potential sale to former Doughnut Time CEO Dan Strachotta. When that fell through, the company went into liquidation and promptly closed all of its stores. There's now no salvaging the business — as reported by the ABC, liquidator Michael Caspaney has noted that "there is no money anywhere". Staff owed backpay and superannuation can seek compensation through the Australian Government's Fair Entitlements Guarantee, but only if they're an Australian citizen or permanent resident. MISTER FITZ While Doughnut Time has monopolised attention of late, Mister Fitz's apparent demise has flown under the radar — but visit one of its three former Brisbane sites and you'll find empty stores. Indeed, East Brisbane has been closed for at least a month, pre-dating the shuttering of Doughnut Time next door. Over at South Bank, where it also shared space with Doughnut Time, a sign advises "our lease has ended and we are planning bigger and better things." And, at the original Mister Fitz site in the Valley, a sign states "we are taking a little holiday while we undergo renovations" — with the confusing addition of "but don't worry, you can still find us at South Bank". LES BUBBLES Opening in 2015, Les Bubbles courted controversy from the outset. When you launch a bar and steakhouse in a site that was once Bubbles Bathhouse, a seedy underground casino and 'massage parlour' back in the late 80s, then you're clearly asking for attention. The Wickham Street joint got it — not just via its neon sign announcing "we regret to inform you we are no longer a brothel", but courtesy of a wind-up application from the ATO in November 2017, then administration this year. At present, it's still trading, after being sold to a business owned by Strachotta last year. CHESTER STREET BAKERY Les Bubbles wasn't the only Griffiths business in trouble in 2017. Around the same time that the ATO was pursuing the Valley joint, Chester Street Bakery was collapsing. The Griffiths-owned KTG Bakeries went under in November, with CSB's once-bustling Newstead store now sitting empty — with not a towering, rainbow-coloured piece of cake in sight. THE LIMES The original jewel in Griffith's hospitality crown, The Limes is up for sale, under the instruction of the receivers charged with managing the business at present. Expressions of interest close in April, but this isn't the first time it's been in this position, with an attempted sell-off in 2015 failing to come to fruition. The Limes is currently still taking bookings. ALFRED & CONSTANCE Alfred & Constance is also up for sale — separately from The Limes, but under the same instructions — with expressions of interest also closing in April. The Valley hangout has also garnered news headlines in the past few months after unexpectedly shutting up shop over the Christmas period, and failing to open for a planned New Year's Eve party, despite selling tickets (and not even bothering to notify patrons). Amidst questions about the venue's future given Griffiths' situation, it reopened in February and continues to trade. On-site restaurants Kwan Bros and Alf's Place remain closed, however. A&C and Kwan Bros have also been put up for sale previously, back in 2016.
It's the market equivalent of one of cinema's new favourite gimmicks — instead of all your favourite superheroes jumping into one film, two of Brisbane's markets are joining forces for one day. At Carseldine's Christmas in July Markets on Saturday, July 25, the weekly northside market is teaming up with the folks at Love Handmade Markets and focusing on all things crafty and handmade. And Christmas-themed too, because this market mash-up is pretending it's five months down the track for some extra fun (and, given the year we've all had so far, a much-needed distraction). You could always browse, buy and go home with all your gift shopping taken care of well in advance — or that's what you could tell yourself, at least, while you tuck into some festive bites to eat. There'll be Brisbane's biggest array of local handmade artists and makers, as well as Carseldine's usual 150-plus food, flower and fresh produce stalls. The market opens as normal at 7am, entry is free and it all runs until midday. [caption id="attachment_776684" align="aligncenter" width="1920"] Carseldine Markets[/caption] The Carseldine Christmas in July Markets run from 7am–12pm on Saturday, July 25. Image: Carseldine Farmers & Artisan Markets.
Working in retail since I was 15 hasn’t dampened my love of Christmas, no sir, it has not. I love watching Christmas decorations be put up in September, listening to carols that start in November and answering the phone every time it rings with, “Merry Christmas, how can I help you?” for a month straight. Just kidding, all of those things really irritate me! Howeve,r when it comes to the genuinely nice and time-appropriate activities, you can count me in - family feasts, kisses under mistletoe, and present wrapping I’m there. One other Christmas tradition that tickles my fancy is setting up the tree, so what better way to partake this year than to supersize and watch the lighting of the Brisbane City Christmas Tree. An annual tradition held in King George Square, this year the Lord Mayor Graham Quirk will be joined by Santa and a bevy of special guests to officially launch the 2011 countdown to Christmas. As well as an extensive amount of lights and baubles, the evening also involves festive banter and carol singing to get every one in a joyful mood. And considering this event takes place in December, it will be out of the ‘retail zone’ and into the ‘real zone’, meaning all of you will have no excuses not to attend.
UPDATE, November 25, 2022: The Northman is available to stream via Binge, Prime Video, Google Play, YouTube Movies and iTunes. Satanic goats don't talk in The Northman. Heartthrobs don't masturbate while fondling mermaid figurines, either. Still, within ten minutes, pre-teen Viking prince Amleth (Oscar Novak, The Batman), his glory-seeking warrior father King Aurvandil War-Raven (Ethan Hawke, Moon Knight) and jester-meets-shaman Heimir (Willem Dafoe, Nightmare Alley) descend into a fire-lit cave to take hallucinogens, growl, grunt, bark like wolves and fart like it's a god-given superpower. If viewers didn't know who's behind this bold, brutal, brilliant, and blood- and guts-strewn Scandinavian opus before then, there's no doubt from this trippy scene onwards: after The Witch and The Lighthouse, writer/director Robert Eggers' touch, approach and style have become that distinctive just three remarkable features into his helming career. As he first demonstrated with his potent pilgrim horror movie, then doubled down on with his mesmerising oceanside nightmare, Eggers crafts chaotic celluloid dreams about faith- and sanity-stretching dances with madness and mania. He makes features so striking that they're haunting, rippling with the devotedly realistic and the hypnotically occult in tandem. Eggers' work isn't merely meticulously tense and atmospheric; it proves blisteringly visceral to the point of feeling inescapably tangible. Indeed, his steadfast commitment to authenticity spirits the whole concept of immersive filmmaking high into movie Valhalla. See: the vivid period-appropriate detail in The Northman's Nordic villages, which'd only be more evocative if they'd time-travelled in from the ninth and tenth centuries. Sense: the entrancing swirl that springs from all of the above, complete with Eggers' unfailing idiosyncrasies. Experience: the sublime tussle with myth, fantasy and folklore that results, as it has in each of his features, to both plunge into and interrogate his history-set reveries. In this untamed and laid-bare portrait of the past, something is rotten in the state of Iceland — as it was in Denmark via William Shakespeare, and in the Pride Lands of Africa in both versions of The Lion King. Writing The Northman's screenplay with poet, novelist and Björk collaborator Sjón (Lamb), Eggers takes his cues not from Hamlet, however, but from the Old Norse legend of Amleth that inspired the iconic tragedy. The narrative still involves a son anointed to be the future king, a tragedy that shatters his regal family, and a dastardly uncle who gets murderous to seize the throne and his brother's wife, of course. And, it keeps following its protagonist as he wages a determined odyssey of feral revenge against the man who reshaped his fate so ruthlessly. "I will avenge you, father. I will save you, mother. I will kill you, Fjölnir." That's Amleth's vow as a boy on a north Atlantic island in 895 when he witnesses the latter's (Claes Bang, Locked Down) treachery. He flees after hearing his uncle bay for his head, too, and seeing him carry off Queen Gudrún (Nicole Kidman, Being the Ricardos) as a spoil of his victory. Two decades later, Amleth (Alexander Skarsgård, Succession) is a hulking, wolfskin-clad Viking berserker, living life flinging whatever weaponry he can find while viciously pillaging through the lands of the Rus. But amid the bloodlust, gore and piling-up body count, the intense marauder is thrust back onto his vengeance-seeking path. A Slavic seeress (Björk, in her first film role since 2005) whispers stark truths about his current savagery and lapsed mission against Fjölnir, reigniting his yearning for that promised slaughter — and the single-minded behemoth learns that his uncle is now sheep-farming in Iceland, having lost the kingdom in another coup. A line from Hamlet comes to mind: "now could I drink hot blood". By the time Amleth brands himself to pass as a prisoner of war, slips onto a slave ship and ensures he's among the new captives at Fjölnir's ranch, he's already literally done just that. But his thirst for honouring his father, rescuing his mother and slaying his uncle remains unquenched, and he soon has help from and the heart of fellow servant Olga (Anya Taylor-Joy, who scored her big break with The Witch alongside Eggers). How that quest eventuates won't surprise anyone familiar with the Bard, but The Northman still astonishes again and again. As only visionary filmmakers can, Eggers refuses to take any expected turn or make a single predictable move even while playing with a plot that's long spilled its thrills across popular culture, and while slashing into a genre — Viking epics — that's rarely far from screens. High among The Northman's joys and wonders, both large and small, sits its cast — with Skarsgård fulfilling a decade-plus journey from playing True Blood vampire Eric Northman to both starring in and producing this, which he's been trying to bring to fruition for just as long. His muscular power and presence as the epitome of rage and revenge is pulsating, not to mention physically commanding, and buying Amleth as the lacerating spirit of both a wolf and a bear is one of the easiest things about the film. His Big Little Lies co-star Kidman also turns in a ferocious performance, and the pair's evolution from that TV hit's husband-and-wife dynamic to this flick's unhinged mother-and-son duo drips with the requisite Oedipal creepiness. Elsewhere, Bang does brooding villainy like he's born to it, as he showed in Dracula; 22 years after playing Hamlet himself, Hawke delivers a 20-minute supporting-player masterclass; and the inimitable Taylor-Joy ensures that no one else could ever be pictured in her pivotal part. Plus, that Eggers finds small roles for The Witch's Kate Dickie and Ralph Ineson doesn't go unnoticed. A ravaging rampage of a film — a movie beating with unshakeable fury, as metal a Viking saga that's ever likely to be made, and equally thunderous and off-kilter — Eggers' best feature yet wouldn't be what it is without its weight and spectacle, though. It's a picture of brusque poetry in its dialogue, its curt lines laden with importance but never trite (Amleth's stated juggling act to find "kindness for my kin and hate for my enemies" included). It's a work of elemental potency in its sweepingly shot imagery, with cinematographer Jarin Blaschke (a veteran of all three of the director's films) painting with light, the stunning landscapes, and the wind, rain, snow, mud, fire and ash that lurks upon it. That's true in the head-splitting game of Knattleikr that makes just one primal centrepiece, the climactic naked volcano sword fight and the many supernatural-laced sights in-between. And, it all contributes to a breathtaking cinematic onslaught that savvily turns hellishness into movie heaven — all without shying away from the costs and sacrifices of Amleth's crusade; serving up a simplistic revenge fantasy; or excusing, glorifying or downplaying the relentless violence that informs every moment.
To add a bit of twinkle to your Brisbane Festival experience, head along to South Bank’s Cultural Forecourt for the Brisbane Airport International Lantern Garden. Each night of the festival, the Lantern Garden will illuminate after 6pm. The free show will feature lanterns of all different cultures, as designed by celebrated creative director, Tony Assness. There is paid parking available at the South Bank Parklands and the Queensland Performing Arts Centre, both of which are a short walk away from the Cultural Forecourt, which is situated along the Brisbane River. Public transport is also ideal, with the Cultural Centre busway located nearby, as well as the South Brisbane train station. For your fill of "ooh" and "ahh" be sure to check it out.
Authentic Nordic cuisine isn't easy to come by in Brisbane, but the city's first Norwegian-inspired eatery wants to put an end to that. In fact, Lokal + Co has the market cornered. No, Ikea's Swedish cafeteria food doesn't count as competition. Of course, a sunny spot in West End probably isn't the kind of location you'd expect to serve up gingerbread waffles with chocolate hazelnut sauce, house-cured gravlax with rye soldiers, or Danish open rye sandwiches with sardines. Closing your eyes, biting into anything on the menu, and pretending you're on the other side of the globe is completely acceptable. So is soaking up the minimalist vibe, which brings a Scandinavian look to an airy split Queenslander. Well, that's what the inside looks like, at least. If you're pulling up a chair outdoors on the deck, expect the next best thing to the traditional Aussie backyard (yep, we're talking about astroturf aplenty). The mix of Norwegian and Australian elements stems from the venue's owners, with Helge Olsen hailing from the former, Corey Thom calling the latter home. The chef duo boast seven years cooking up a storm at Cicada before branching out on their own. And when their liquor license is approved, the cafe intends to extend that blend to their booze lineup too. Nordic beer, anyone?
