Wherever your suitcases are currently stashed, dig them out: spring is almost here, Jetstar has dropped an end-of-winter flight sale, and a range of Australian and international destinations await. There's no better motivation for a getaway than cheap fares, whether you're keen to soak up the sunshine away from home, book your next big overseas trip, lock in a pre-Christmas vacation or plan your first holiday of 2025. All of the above scenarios are covered by the Australian carrier's latest batch of discounted flights, which start at $34. As always, that price spans trips from Sydney to Byron Bay. From there, the Gold Coast, Hamilton Island, Uluru, Bali, Tokyo, Hawaii, Bangkok, Seoul and Vanuatu are among the options, and the list goes on from there. Some specific highlights include Sydney to Hamilton Island from $79 and Melbourne to Hamilton Island from $109, Brisbane to Cairns from $69 and Brisbane to Tokyo from $335 — plus Honolulu flights from $280 out of Sydney, $285 from Melbourne and $359 departing from Brisbane. Domestically, other destinations span Newcastle, Darwin, Mackay, Busselton, Sunshine Coast, Whitsunday Coast, Hobart, Launceston and Hervey Bay. And from the overseas bargains, you also have Osaka, Queenstown, Auckland, Christchurch, Wellington, Fiji, Singapore, Manila, Phuket, Krabi and Ho Chi Minh City to pick from. Travel periods vary, starting as early as September 2024 and ranging as late as July 2025, if that helps you to decide where — and when — to go. You've got until 11.59pm AEST on Monday, August 26, 2024 to nab your flights, or until sold out if they're snapped up by other travellers before then. There are a few rules, as is always the case. All sale fares are one-way, and they don't include checked baggage — so you'll need to travel super light or pay extra to take a suitcase. Jetstar's Just Plane Good Sale runs until 11.59pm AEST on Monday, August 26, 2024 — or until sold out, if snapped up earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from November's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL CAUSEWAY Trauma is a screenwriter's best friend. If on-screen characters didn't have past stresses to overcome or new hardships to cope with — usually both — then dramatic scripts would barely last a few pages. Neither would horror flicks, or thrillers, or plenty of comedies; however, few films are happy to sit with trauma in the way that (and as well as) Causeway does. Starring Jennifer Lawrence (Don't Look Up) as a military veteran sent home from Afghanistan after being blown up, working her way through rehab and determined to re-enlist as soon as she has medical sign-off, this subtle, thoughtful and powerful movie grapples with several stark truths. It knows that some woes do genuinely change lives, and not for the better. It's well aware that many miseries can't be overcome, and completely alter the person experiencing them. It's keenly cognisant that that simply existing can be a series of heartbreaks, and escaping that cycle can be the most powerful motivator in the world. And, when Atlanta and Bullet Train's Brian Tyree Henry enters the picture as a New Orleans mechanic with his own history, it sees the solace that can be found between people willing to face their tough realities together. When Causeway begins, Lawrence's Lynsey is freshly out of hospital, and learning how to walk, dress, shower, drive and do all other everyday tasks again. Even then, she still wants to redeploy. Directed by feature first-timer Lila Neugebauer (The Sex Lives of College Girls), and penned by fellow debutants Ottessa Moshfegh, Luke Goebel and Elizabeth Sanders, the film spies the determination in its protagonist's eyes — and the pain she's trying to bury after she goes home to stay with her mother (Linda Emond, The Patient), gets drawn into old unhealthy dynamics, but finds a friend in Henry's kind, eager but haunted James. There's no cross-country drive with a canine, if the similarly themed Dog comes to mind, but rather a willingness to steep in Lynsey and James' complicated emotions. Neugebauer has the perfect central duo for the movie's key parts, too; neither Lawrence nor Henry's resumes are short on highlights, acclaim or award nominations, but their respective textured, naturalistic and deeply felt performances in Causeway ranks among each's best work. Causeway streams via Apple TV+. CALL JANE Whenever Call Jane peers Elizabeth Banks' way, the look on her face doesn't just speak a thousand words — it screams a million of them, even while she's silent. That said, although first-timer filmmaker Phyllis Nagy (who last penned Carol's screenplay) directs the lens towards her star often, there's nothing quite like Banks' expression in an early pivotal scene. The Charlie's Angels and Brightburn star plays Joy, a happy Chicago housewife with a 15-year-old daughter (Grace Edwards, American Crime Story) and a baby on the way, until she learns that her pregnancy is causing a heart condition. If she remains in the family way, there's a 50-percent chance that she mightn't survive; however, this is 1968 in America, before the Roe v Wade decision that legalised abortion. In the scene in question, Joy is the only woman in the room, and yet the men around her talk about her life and potential death like she isn't even present. Worse: most of those male doctors are only concerned about whether the baby might make it to term. Joy seethes with pain, anger and heartbreak, then secretly takes a path that'll be familiar to viewers of 2022 documentary The Janes, contacting a clandestine service that helps women in such circumstances. As played with charm, warmth, depth and potency by Banks, Joy does more than merely pick up the phone. Soon, she's helping other women cope, alongside a team of ladies led by Sigourney Weaver (Ghostbusters: Afterlife) as Virginia. The latter is also canny casting, bringing both gravitas and understanding to the role — and the rapport between Call Jane's two central figures helps convey not only the urgency driving and importance behind the hotline's existence, but the crucial camaraderie. Still at home venturing decades into the past on-screen, Nagy and cinematographer Greta Zozula ensure that every second looks the rich, authentic period part, and a well-chosen soundtrack adds to the time-capsule feel. Of course, Call Jane isn't merely a look back. It'd be moving, sensitive and inspiring if the situation in the US hadn't changed this year via a Supreme Court ruling, once again putting women in Joy's situation, but now it acts as a cautionary tale as well, not to mention a reminder about banding together to fight back. Call Jane streams via Prime Video. WEDNESDAY It's a truth that Morticia, Gomez, Wednesday and Pugsley would treasure: nearly a century might've passed since The Addams Family first graced the pages of The New Yorker in the 1930s, but this creepy, kooky, mysterious and ooky brood will never die. America's first macabre family keeps entrancing and enchanting audiences, luring them in with their unflinching embrace of the eerie, the gothic, and the all-round dark and twisted. Forget bumps, jumps, screams and shrieks, however; this off-kilter crew might pal around with a severed limb and adore graveyards, but they also delight in a gloriously eclectic, eccentric, embrace-your-inner-outcast fashion, as the 1960s TV show, 1991's live-action film The Addams Family and its 1993 sequel Addams Family Values, and now new Netflix series Wednesday understands and adores. The Addams Family's latest go-around arrives stitched-together as so much is of late. Netflix's algorithm has accurately gleaned that viewers love cartoonist Charles Addams' horror-influenced creations. It knows that people like mysteries and teen coming-of-age tales, two of the platform's favourite genres. And, the service is well-aware that already-beloved big names are a drawcard. Throw in Tim Burton directing like it's his 80s and 90s heyday, current scream queen Jenna Ortega sporting the trademark plaits, 90s Wednesday Christina Ricci returning in a new part, and a supernatural school for unusual children complete with Miss Peregrine's Home for Peculiar Children-meets-Hogwarts vibes, and Wednesday's various pieces are as evident as the sewn-on limbs on Frankenstein's monster. And yet, while seeing why and how Netflix has crafted this series, and which levers it's pulling to electrify its experiment, is as easy as getting a killer glare from Wednesday's teenage protagonist, enjoying every second because it's astutely, knowingly and lovingly spliced together is just as straightforward — especially with Scream, Studio 666 and X star Ortega leading the show so commandingly and convincingly. Wednesday streams via Netflix. Read our full review. 1899 Before the Titanic collided with an iceberg, became one of modern history's most famous tragedies and inspired one of cinema's biggest box-office hits, a different cross-Atlantic liner sailed into chaos. So says Dark's Jantje Friese and Baran bo Odar, with the German pair's new — and wholly fictional — Netflix series 1899 taking place onboard the steamship Kerberos 13 years before the sinking that everyone knows about. This vessel is travelling from England to America with 1400 crew and passengers, filling everywhere from stately rooms to jam-packed halls. Among its number: Maura Franklin (Emily Beecham, The Pursuit of Love), a rare female doctor at the time; Kerberos' captain Eyk Larsen (Dark alum Andreas Pietschmann); and everyone from French newlyweds hardly in the throes of married bliss to a devoutly religious Danish family. Then the ship receives word of a missing craft. Owned by the same company, the Prometheus took the same route four months prior, and was thought to have disappeared without a trace until that distress signal beckons. Friese and bo Odar love a mystery, and 1899 has a hefty one right from the outset. Friese and bo Odar also love making labyrinthine puzzle-box shows that keep dropping clues, twists, and philosophical ideas about the meaning and point of existence in aid of the bigger picture — aka an approach that made 2017–20 German-language effort Dark such a massive and deserving success. Here, they ensure that sparks ignite twice by diving even deeper into their favourite themes, tactics and flourishes, and delivering a boatload of thrills, suspense and intrigue. With Friese and bo Odar pulling the strings, Dark and now 1899 instantly grab attention with their riddles, nightmarishly brooding mood and — as one series put right there in its name — their willingness to get and stay dark. Throw in the pair's penchant for existential musings, trippy setups and premise-shattering revelations, and both shows are catnip for mystery lovers. 1899 streams via Netflix. Read our full review. THE ENGLISH It tells of gold rushes, of brave and dusty new worlds, and of yellow frontiers stretching out beneath shimmering and inky blue skies; however, the true colour of the western is and always will be red. This isn't a genre for the faint-hearted, because it's a genre that spins stories about power and its brutal costs — power over the land and its Indigenous inhabitants; power-fuelled in-fighting among competing colonialists; and power exercised with zero regard for life, or typically for anyone who isn't white and male. It's a rich and resonant touch, then, to repeatedly dress Emily Blunt (Jungle Cruise) in crimson, pink and shades in-between in The English, 2022's best new TV western. She plays one instance of the show's namesakes, because the impact of the British spans far beyond just one person in this series — and the quest for revenge she's on in America's Old West is deeply tinted by bloodshed. In her first ongoing television role since 2005, in a stunning and powerful series from its performances and story through to its spirit and cinematography, Blunt dons such eye-catching hues as Lady Cornelia Locke. With a mountain of baggage and cash in tow, she has just reached Kansas when The English begins, seeking vengeance against the man responsible for her son's death. But word of her aims precedes her to this remote outpost's racist hotelier (Ciarán Hinds, Belfast) and, with stagecoach driver (Toby Jones, The Wonder), he has own mission. That the aristocratic Englishwoman arrives to find her host torturing Pawnee cavalry scout Eli Whipp (Chaske Spencer, Blindspot) is telling: the plan is to blame her end on him. Before the first of this miniseries' episodes ends, however, Cornelia and Eli have rescued each other, notched up a body count and started a journey together that sees them each endeavouring to find peace in a hostile place in their own ways — and started their way through one helluva show. The English streams via Prime Video. Read our full review. DEAD TO ME When Dead to Me's ten-episode first season came to an end back in 2019, it was with secrets being exposed, plus a growing list of both woes and deaths. In season two, which dropped another ten episodes in 2020, Jen Harding (Christina Applegate, Bad Moms 2) and Judy Hale (Linda Cardellini, Hawkeye), the chalk-and-cheese pair at the show's centre, had worked through the fallout. There's been plenty to deal with, including the hit and run that left Laguna Beach real-estate agent Jen widowed, Judy's tale about the loss of her fiancé Steve Wood (James Marsden, Sonic the Hedgehog 2) and the truth behind both — as well as the reality of having Steve's kinder, cornier twin brother Ben (also Marsden) around. This is a show about cycles and circles, so when its second outing finished, it was with another accident, this time with Jen and Judy as its victims. That's where season three's ten episodes pick up, with the two women in hospital weathering yet another aftermath to a significant event with yet another round of life-changing consequences. Finding solace in complicated bonds, the strength to confront life's challenges, and the savviness to know when to appreciate the small wins and big delights: that's Dead to Me season three's arc. It's the series' in general, and was long before it was announced that it would finish after a third and final run. Of course, now that it's coming to an end — a fitting one, that keeps recognising the gifts, shocks, joys and sorrows that greet everyone — farewells and heightened feelings frequently go hand in hand. Cue unexpected diagnoses, meddling cops (returnees Diana Maria Riva, Kajillionaire, and Brandon Scott, Goliath), sleuthing federal agents (series newcomer Garrett Dillahunt, Where the Crawdads Sing), old flames (Natalie Morales, The Little Things) and frustrating neighbours (Suzy Nakamura, Avenue 5). And, cue creepy rooms filled with twin dolls, plus outlaw names: Bitch Cassidy and Judy Five Fingers (who chooses which is obvious) as well. Yes, Dead to Me goes all in on as many more plot swings as it can fit in as it rides off into the sunset. In the process, the show's swansong evokes as many emotions as it can, too. Dead to Me streams via Netflix. Read our full review. THE GUARDIANS OF THE GALAXY HOLIDAY SPECIAL Two words: Kevin Bacon. That's the festive gift that The Guardians of the Galaxy Holiday Special gives audiences, aka the gift that always keeps on giving. Viewers of this ragtag crew's big-screen adventures so far — including 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2 — know that Peter Quill aka Star-Lord (Chris Pratt, Jurassic World Dominion) loves the Bacon. Rightly so, too. Accordingly, in what's an obvious but also delightful move, the gang's first small-screen special celebrates the holiday season by trying to give the iconic Footloose, Friday the 13th, Apollo 13 and Wild Things star as a present. New to Christmas and its significance to humans, and knowing that Quill is struggling after a big loss, Mantis (Pom Klementieff, Westworld) and Drax (Dave Bautista, Glass Onion: A Knives Out Mystery) think that their plan is perfectly acceptable, but chaos ensues, including when the two discover Christmas decorations. The second of the Marvel Cinematic Universe's straight-to-streaming specials in 2022, and the second that's occasion-themed as well — following the Halloween-targeted Werewolf by Night — The Guardians of the Galaxy Holiday Special is Marvel at its silliest and fluffiest. Getting gleefully goofy, and retro, has always been Quill and company's vibe, but this 44-minute affair takes that tone to another level. There's no missing how slight it all is, how much heavy lifting Bacon does just by being Bacon in an on-screen realm that worships Bacon, and the fact that it's a piece of marketing timed just when merchandise sales could double as gifts. Nonetheless, the gang's usual writer/director James Gunn (The Suicide Squad) still heartily embraces his brief. A big highlight, other than the vibe, the fun and poignancy that spring, and teenage Groot (Vin Diesel, Fast & Furious 9), is the range of alternative Christmas songs on the soundtrack — starting with The Pogues' 'Fairytale of New York' and including Julian Casablancas and The Smashing Pumpkins' merry contributions. The Guardians of the Galaxy Holiday Special streams via Disney+. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK WELCOME TO CHIPPENDALES Scandals are to the true-crime genre like loose bills are to erotic dancers: virtually essential. On-screen stories about real life can exist without getting into ripped-from-the-headlines territory, of course, and performers who disrobe onstage can do their job without crumpled notes being thrust their way. Still, some synergies just work. In 2022, TV writer and producer Robert Siegel has happily mined sordid chapters of the past for two new streaming series, and how — first with the instantly watchable and engrossing Pam & Tommy, and now with the just-as-easy-to- Welcome to Chippendales. The second sees him survey the eponymous male stripping business, of course, showers of dollar notes and all. And for viewers who don't already know the details behind the world-famous touring dance troupe and its West Los Angeles bar origins, as started by Somen 'Steve' Banerjee back in the 70s and earning ample attention in the 80s, the full rundown has far more than scantily clad guys aplenty, lusty women, and bumping and grinding to an era-appropriate soundtrack. Kumail Nanjiani (Eternals) plays Steve, who rustles up the cash to start his own backgammon club by working in a service station for years. His dream place: cool, suave and sophisticated, and somewhere that Hugh Hefner might want to hang out. When a rush of patrons doesn't eventuate, the male dancer idea springs after a night at a gay bar with club promoter Paul Snider (Dan Stevens, Guillermo del Toro's Cabinet of Curiosities) and his playboy model wife Dorothy Stratten (Nicola Peltz Beckham, Holidate). But as business partners change, choreographer and Emmy-winning producer Nick De Noia (Murray Bartlett, Physical) gives the troupe its crowd-pleasing moves, Steve kinds a kindred spirit in accountant Irene (Annaleigh Ashford, American Crime Story) and costume designer Denise (Juliette Lewis, Yellowjackets) comes on board, this twists into a tale of money, envy, squabbles over power and ultimately murder. And yes, both Nanjiani and Bartlett are riveting to watch — as are the dance routines De Noia conjures up. Welcome to Chippendales streams via Disney+. MYTHIC QUEST Starring in short-form ABC iView and YouTube series Content back in 2019, Charlotte Nicdao played a wannabe influencer who hoped that her online antics would bring her fame. Nicdao's career dates back almost two decades now, including past roles on The Slap, Please Like Me and Get Krack!n, but the Australian actor has certainly catapulted to stardom after her #Flipgirl days. In Mythic Quest, her character Poppy Li has also been seeking the spotlight. A gifted coder, as well as the technical force behind the hit video game that gives the series its name, she wants recognition and respect more than celebrity status, however. Three seasons in, she also wants her own hit title, rather than just always being stuck in creative director Ian Grimm's (Rob McElhenney, It's Always Sunny in Philadelphia) shadow. So, they've branched out on their own, away from their big success, in what's supposed to be a true 50/50 partnership — if they can get it together. On-screen, this season is about breaking out of one's comfort zones and embracing new challenges, even if Ian and Poppy are just on a different floor of the same building as Mythic Quest's regular crew — such as neurotic executive producer David Brittlesbee (David Hornsby, Good Girls), his brusk assistant Jo (Jessie Ennis, The Flight Attendant) and disgraced ex-finance head (Danny Pudi, Community). The series itself isn't quite in the same situation, though, because it's still finding new depths to explore by focusing on its characters' relationships with each other. Throwing a motley crew together, watching them bounce around, seeing how they change and grow — if the characters in It's Always Sunny in Philadelphia were capable of significant change and growth, McElhenney's two shows would have plenty in common. They still do, including an incisive ability to satirise and reshape the genre they're each in, aka the workplace sitcom. As Mythic Quest keeps going, it also keeps getting sharper and funnier. Mythic Quest streams via Apple TV+. FLEISHMAN IS IN TROUBLE The title doesn't lie: when Fleishman Is in Trouble begins, its namesake is indeed struggling. He's also perfectly cast. If you're going to get an actor to play an anxious, unravelling, recently divorced man in his forties who's trying to navigate the new status quo of sharing custody of his kids, having a high-powered ex, and being initiated into the world of dating apps and casual hookups, it's Jesse Eisenberg. If his Zombieland character lived happily ever after until he didn't, or his Vivarium character was trapped into a different type of domestic maze, this book-to-screen series would be the end result. Fleishman Is in Trouble has Eisenberg play Toby, a well-regarded hepatologist who is passionate about being able to help people through medicine, but has spent more than a decade being made to feel inferior by Upper East Siders because his job hasn't made him rich enough. His theatre talent agent wife — now former — Rachel (Claire Danes, The Essex Serpent) had the exact same attitude, too, until she dropped their kids off at his place in the middle of the night, said she was going to a yoga retreat and stopped answering his calls. Written to sound like a profile — something that journalist, author and screenwriter Taffy Brodesser-Akner knows well, and has the awards to prove it — Fleishman Is in Trouble chronicles Toby's present woes while reflecting upon his past. It's a messy and relatable story, regardless of whether you've ever suddenly become a full-time single dad working a high-stakes job you're devoted to in a cashed-up world you resent. As narrated by the ever-shrewd Lizzy Caplan (Truth Be Told) as Toby's old college pal-turned-writer and now stay-at-home-mum Libby, Fleishman Is in Trouble dives into the minutiae that makes Toby's new existence such a swirling sea of uncertainty. At the same time, while being so specific about his situation and troubles, it also ensures that all that detail paints a universal portrait of discovering that more of your time is gone, your hopes faded and your future receded, than you'd realised. Everything from class inequality and constant social hustling to the roles women are forced to play around men earns the show's attention in the process, as layered through a show that's both meticulously cast and evocatively shot. Fleishman is indeed in trouble, but this miniseries isn't. Fleishman Is in Trouble streams via Disney+. THE SEX LIVES OF COLLEGE GIRLS That Chalamet family is everywhere. In cinemas, Timothée is currently taking a bite out of another yearning-filled romance — his specialty — in Bones and All. On streaming, The Sex Lives of College Girls starring his sister Pauline (The King of Staten Island) has just returned. After ranking among 2021's new highlights, this university-set comedy gets its second season off to just as charming and energetic a start, and with just as healthy a lashing of the kind of comedy that series co-creator Mindy Kaling is known for. If you watched The Office, The Mindy Project, Never Have I Ever and the TV Four Weddings and a Funeral remake, you know the vibe — but focused on four 18-year-olds navigating their freshman year at a prestigious Vermont college. And, while each one of that key quartet fits a type to begin with, including studious, sporty, posh and funny (yes, they're one short of the full Spice Girls), unpacking those first impressions sits firmly at the heart of the series. This time around, scholarship student Kimberly Finkle (Chalamet), aspiring comedy writer Bela Malhotra (Amrit Kaur, The D Cut), star soccer player Whitney Chase (Alyah Chanelle Scott, Reboot) and the wealthy Leighton Murray (theatre star Reneé Rapp) know what to expect on campus. When season two starts, however, they're persona non grata among the fraternities after season one's events. As well as humorously observing the antics of teenage girls discovering who they are, The Sex Lives of College Girls loves unfurling and interrogating obvious but loaded contrasts, like why its four smart protagonists feel drawn to the frat party scene to begin with. Also earning the show's focus in its latest batch of episodes, as examined with the same warmth, insight and hilarity as its first go-around: income inequality, busting preconceptions, coming out, relationship double standards and starting a comedy magazine. The Sex Lives of College Girls streams via Binge. 2022 CINEMA HIGHLIGHTS WORTH CATCHING UP WITH AT HOME PETITE MAMAN Forget the "find someone who looks at you like…" meme. That's great advice in general, and absolutely mandatory if you've ever seen a Céline Sciamma film. No one peers at on-screen characters with as much affection, attention, emotion and empathy as the French director. Few filmmakers even come close, and most don't ever even try. That's been bewitchingly on display in her past features Water Lillies, Tomboy, Girlhood and Portrait of a Lady on Fire, any of which another helmer would kill to have on their resume. It's just as apparent in Petite Maman, her entrancing latest release, as well. Now 15 years into her directorial career, Sciamma's talent for truly seeing into hearts and minds is unshakeable, unparalleled and such a lovely wonder to watch — especially when it shines as sublimely and touchingly as it does here. In Sciamma's new delicate and exquisite masterpiece, the filmmaker follows eight-year-old Nelly (debutant Joséphine Sanz) on a trip to her mother's (Nina Meurisse, Camille) childhood home. The girl's maternal grandmother (Margot Abascal, The Sower) has died, the house needs packing up, and the trip is loaded with feelings on all sides. Her mum wades between sorrow and attending to the task. With melancholy, she pushes back against her daughter's attempts to help, too. Nelly's laidback father (Stéphane Varupenne, Monsieur Chocolat) assists as well, but with a sense of distance; going through the lifelong belongings of someone else's mother, even your spouse's, isn't the same as sifting through your own mum's items for the last time. While her parents work, the curious Nelly roves around the surrounding woods — picture-perfect and oh-so-enticing as they are — and discovers Marion (fellow newcomer Gabrielle Sanz), a girl who could be her twin. Petite Maman streams via Stan. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September and October this year. You can also check out our running list of standout must-stream 2022 shows so far as well — and our best 15 new shows from the first half of this year, top 15 returning shows over the same period and best 15 straight-to-streaming movies up until June.
Blessed be your streaming queue one last time, or at least until a TV version of The Testaments arrives. The Handmaid's Tale is finishing in 2025, concluding with the page-to-screen hit's sixth season. As both the first teaser trailer and the just-dropped full sneak peek at the award-winning series' last run illustrate, June (Elisabeth Moss, The Veil) is again up for a fight. Since 2017, watching The Handmaid's Tale has meant wishing for one thing: the end of Gilead, the totalitarian, male-dominated society that rules the show's dystopian version of the United States. In the award-winning series adapted from Margaret Atwood's 1985 book, that outcome is finally coming in a way, at least for viewers for now. When June says that "this is the beginning of the end" in the new trailer, ideally she means for the way of life that she's been forced to endure — but whatever happens, this specific Gilead story will wrap up. "Now it's time for them to be afraid of us," June also states. For the show's protagonist and her fellow red-wearing women, revolution is coming. Rallying against the oppressive status quo however possible has sat at the heart of this series since day one — and in its last season, June is back waging war. As the initial teaser trailer for season six had June note, outlining the ways that the regime has tried to push her and her fellow women down, including via their restrictive attire, "the dress became a uniform — and we became an army". If you haven't read The Testaments, and therefore have no idea where Atwood has guided her franchise on the page from here, it's set 15 years after the events of its predecessor and also includes familiar characters. How that'll play into the end of The Handmaid's Tale on-screen obviously hasn't been revealed. Season six's plot will chart June's battle to take down Gilead, though, plus Luke (O-T Fagbenle, No Good Deed) and Moira (Samira Wiley, Breaking News in Yuba County) joining the resistance, Serena's (Yvonne Strahovski, Teacup) efforts to change Gilead, tests for Nick (Max Minghella, Maximum Truth), and reckonings for Commander Lawrence (Bradley Whitford, The Madness) and Aunt Lydia (Ann Dowd, The Friend). The sixth season of The Handmaid's Tale debuts on Tuesday, April 8, 2025. Down Under, it streams via SBS On Demand and Neon. Praise be for what looks like one helluva last hurrah for the show. Madeline Brewer (Space Oddity), Amanda Brugel (Dark Matter), Sam Jaeger (Wolf Man) and Ever Carradine (The Neighbourhood) also all return among the cast, with Josh Charles (Moss' The Veil co-star) a new addition. Check out the full trailer for The Handmaid's Tale season six below: The Handmaid's Tale season six debuts on Tuesday, April 8, streaming Down Under via SBS On Demand and Neon.
When choosing a Greek restaurant (or, frankly, any restaurant) to visit, the crowd it pulls can be the deciding factor. So you know you're getting the real deal at Lefkas Taverna, which still manages to pack out daily after three generations of operation. While the longstanding West End spot has had some facelifts in its time, the home-style Greek cuisine that comes out of the kitchen has remained much the same since the day it opened. When you find something that works, right? Start with a selection of traditional dips with pita, triple cheese croquettes and grilled halloumi. Next, move on to bigger plates of souvla, yiros and stifado, which is braised for five hours with red wine and white onions. With low prices, big portion sizes and a lively atmosphere, this spot is perfect for big group celebrations. Lefkas Taverna offers BYO wine and beer. Image: Hennessytrill
It'll soon be a whole lot harder for any Queensland driver to get away with using their mobile phone while driving, or for a driver or front seat passenger to fail to wear a seatbelt — and it's thanks to new safety cameras being installed to detect the illegal behaviour. Starting Monday, July 26 — just a day short of a year since they were first trialled — the Queensland Government will permanently roll out phone and seatbelt detection cameras. When the technology was tested in the second half of last year, it was part of a plan to implement them on a widespread basis if the pilot phase was successful, so that's exactly what's happening now. So, how do they work? Well, the distracted driving and seatbelt cameras take high-resolution images of the front seat of the car, and those images are then scanned by artificial intelligence to detect folks either using their phones while they're behind the wheel, or not wearing seatbelts if they're driving or sitting in the front passenger seat. The cameras can apparently operate in all conditions, day and night, and regardless of the weather — and they can watch vehicles across multi-traffic lanes, whether installed on overpasses and bridges, or operating from trailers by the roadside. The new technology was tested across several metro and regional locations, and followed the launch of similar world-first cameras in NSW. Victoria is bringing in mobile phone detection cameras as well, in 2023; however, only Queensland's cameras will also capture folks who don't wear a seatbelt. Some of Queensland's cameras will be set up at specific locations, while some will be mobile — so they could be stationed anywhere. There'll be a three-month grace period for drivers snapped by the new setup, so fines won't come in until November 1. From that point, anyone caught by the cameras will get a $1033 fine and lose four demerit points. In 2020, Queensland implemented new penalties for using your mobile phone while driving — with those caught with their device in their hands and being used for any reason, even when stopped at traffic lights or in congested traffic, facing those same penalties. And if you're wondering about privacy concerns involving the new cameras, images will only be used to identify mobile phone use and the wearing of seatbelts, and to check the registration status of the vehicle. "Images that do not contain any illegal mobile phone use or failure to wear a seatbelt will be deleted by the system in a short timeframe," the government advises. Queensland's six-month trial of safety cameras starts on Monday, July 27. To find out more, head to the Queensland Government website.
Every corner of the city seems to house a craft beer bar, and a growing number make their own tasty tipples on the premises. West End watering hole The Catchment Brewing Co. fits both categories, serving ice-cold pints not only poured fresh from the keg, but also brewed on site. Indeed, it should be smiles all round at the Boundary Street venue, which boasts two levels and two laneway hangout areas within its renovated art deco confines. The relaxed atmosphere is enough to make patrons want to stay all day — and that's before you get to the menus. The food offering features favourite gastropub fare, such as pizzas, small snacks to share and mains such as wagyu rump, tempura chicken, duck breast and swordfish — aka the ideal meals to line the stomach with. On the drinks side, wine gets plenty of attention, with 25 drops to choose from. Of course, then there's the beer. Local and international brews sit alongside Catchment's in-house Bright Ale, Pale Select Ale and The 500 IPA, as well as its special releases. Pick one of the ales if you like your beer with a fruity flavour, and go for the IPA if you're just mad about hops.
In supremely Brisbane news, the River City was shocked back in March when Myer announced that it was moving out of its CBD store. Shutting up shop in Queen Street didn't just mean leaving the inner city — it meant saying goodbye to the Myer Centre, aka the retail complex that's been named after its key tenant since opening back in 1988. The time for farewells has come, with Myer closing up shop in the Myer Centre after its last day of trading on Monday, July 31. In the aftermath, Vicinity Centres and ISPT, the two companies behind the shopping centre, have wasted no time in changing the building's name. So, meet Uptown. [caption id="attachment_893280" align="alignnone" width="1920"] John Robert McPherson via Wikimedia Commons[/caption] Other than the big Myer-shaped gap across a hefty part of the complex, the centre is still the same — just with a different moniker. What will take over Myer's multi-floor tenancy is still yet to be revealed. It likely wasn't among the choices, but The Dragon Coaster Centre — paying tribute to the beloved rollercoaster that used to sit at the top of the building — would've had a nice ring to it. For many Brisbanites, the spot has never been the same since it lost that attraction. Even if you aren't old enough to have lived through that pre-2000 era, you've probably always wondered what it was like. Before Y2K, the CBD shopping complex's upper levels weren't home to cinemas and arcade games — they boasted an indoor theme park called Tops, including a ride that had everyone loving fire-breathing creatures before they'd ever heard of Game of Thrones and House of the Dragon. There's been rumours of the dragon coaster making a comeback over the years, but sadly nothing has ever eventuated. Back to Myer: until now, the department store that the whole place is named after was the complex's central shop, but the company decided not to renew its lease. "Myer has made the decision to depart the Myer Centre Brisbane at the end of its lease in July 2023," said Vicinity Centres and ISPT in a joint statement in March. "Vicinity and ISPT were investigating a number of options for the centre including a downsized contemporary department store and plans without a department store, which we can now progress with certainty." "We look forward to delivering a reimagined destination in the heart of Brisbane's evolving CBD and anticipate sharing our plans shortly." [caption id="attachment_893278" align="alignnone" width="1920"] Figaro via Wikimedia Commons[/caption] "Whilst we remain committed to the Brisbane market, we have been unable to negotiate a reasonable commercial outcome with the landlord and as such will continue to look for an alternative CBD location," said Myer CEO John King at the time. "We thank our team members for their service and will be providing redeployment opportunities at nearby stores." "For our loyal customers, we will continue to serve the Brisbane area with our surrounding stores and our 24/7 online business while we explore future Brisbane CBD options, and we thank you for your ongoing loyalty." [caption id="attachment_893277" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Responding to the news when it was first revealed, Brisbane Lord Mayor Adrian Schrinner said that "while this is a sad day for generations of Brisbane residents who have loved shopping at the Queen Street Mall Myer, it's also a great opportunity for our city centre." "With the Brisbane 2032 Olympic and Paralympic Games on the horizon, now is the perfect time for the centre's owners to reimagine one of Queensland's premier retail spaces." "The Myer Centre once had live music on its lower levels, as well as a fun park at the top, and has always evolved and moved with the times. I think this is a fantastic opportunity for the centre to be reinvigorated into a vibrant, modern retail experience for residents and visitors and I look forward to working with the owners on their future plans." Find Uptown at 91 Queen Street, Brisbane — and head to the centre's website for further details. Top image: Maksym Kozlenko via Wikimedia Commons.
After a fairly long stretch of time in which twee monarchs Belle and Sebastian haven't graced our shores, the prolific Glaswegian darlings of indie pop, and facilitators of bedroom dancing everywhere since 1996 are returning to Australia. Even though our arty-side-of-weird inner teenage selves are squeeing with excitement, no one's begrudging them the long absence; frontman Stuart Murdoch has been keeping well busy writing and directing his 2014 movie musical, God Help the Girl. This tour comes in the immediate wake of the release of their ninth studio album in two decades, Girls in Peacetime Want to Dance. We spoke to Murdoch about stylistic changes, having cocktails created in one's honour, putting politics in pop, and how — once — you may have just been his unwitting muse. You’re heading to Australia very soon, and you’re doing a show at Taronga Zoo — pretty cool. Have you ever played anywhere else kind of unusual? Well, we played at the American ambassador’s house in London last month at a party, because his wife was a big fan. That was interesting. They made a special cocktail in our honour and served them, and people got really drunk. It was pretty red, so I think there was raspberry in it somewhere, but I think that was the only thing that was non-alcoholic. Do you think it summed you up as a band in a cocktail? I didn’t taste it, because I don’t really drink. But it went down pretty sweet, so maybe it did sum us up. [embed]https://www.youtube.com/watch?v=3vS1Hf3CVGs[/embed] I was reading this interview you did with Meredith Graves and you're talking about the new record and whether it's a political record or a radical record. Some of the tracks — like 'Allie' and 'The Party Line' — do seem overtly current and like commentary on the state of the world. Were you consciously making something more political with this album? No, not consciously. I think it crept in there. When you say overtly, I think it's probably more covertly. I don't think I could ever put the politics first and foremost. I think if I was in The Clash, or if I was Billy Bragg... They have a flair for that kind of stuff. They're telling it how it is, whereas I don’t feel quite so polarised. I'm not quite sure what I think about certain subjects, so it's nice to have the characters in the songs think about the politics. You see the story of Allie who seems to be pretty messed up with all the pressures on her personally and politically. In 'The Cat with the Cream' it's almost like a similar character who's musing about the disappointments of the politics of the day, wishing she could get behind a true leader. I love the line about her making a list of her heroes and thinking about what they went through and how "it's much darker, much harder than anything that happened to you." I feel like everyone who lives privileged, safe lives must have that thought. I agree with that. I'm always looking back. You can't avoid all that. I watch so many history shows on the BBC. Growing up in the '70s in Scotland, I felt that we were living in the shadow of the Second World War. It wasn't really too much after that. Most of the teachers at our schools fought in the war. You didn't have a choice. You went off and did your bit for your country and you went through all this hardship, and it does put into perspective the troubles in our own lives. What about your song 'Enter Sylvia Plath'? Everyone seems to be saying how big of a change it is for you, that it's super dancey and it doesn’t really sound like the Belle and Sebastian that we're used to. Tell me about making that and what went into it and how it came to be as it is. I'll tell you — that one was super easy. I don't mean to sound like I'm being arrogant. Okay, maybe on the surface there's a little bit of a stylistic change but there's nothing unnatural about it; it was super easy for us to do. I just woke up and I heard that sound in my head, it couldn't sound any other way. Once we got the bass going and we got a few synths on it — that's definitely the way it's supposed to be. I love so much of the music from the early '80s, and I guess I'm channeling some of that into this new record, which is fun to do. But I think the theme of the story, the words, they're consistent with what Belle and Sebastian has written about for years and years. You've talked about muses in the past, and there's a song on the album called 'The Everlasting Muse'. Back around the time of your diary-series-cum-book The Celestial Cafe you said your muse was the Belle and Sebastian fan. You've also talked about Glasgow being your muse before. What about now — do you have a muse or muses? I do change my mind from year to year. You change and you grow up and you think. But that's a life, isn't it? I do remember specifically when I was writing the diary all the time. I was a single guy, I was living on my own, so every night I would be addressing who I thought was the Belle and Sebastian fan, because they were reading the diaries. I knew who I was writing for. But the idea of the muse is almost like a two-way street. Sometimes I can't decide whether you're writing for the muse, or whether the muse is writing for you. In that song on the new record, it's a two-way thing. I'm acknowledging that the muse exists — that somebody is sending me this music, that it's coming from somewhere else. But I'm beseeching her to send me some pop songs because I need to write a whole album. That was the first song that I wrote for this album. I just thought it would be kind of funny, kind of cheeky to actually address the muse directly. I love that line, at the end, what is it? "Be popular, play pop—" "Be popular, play pop, and you will win my love." It's a bit tongue-in-cheek. I like that idea. I like that idea that if we ever somehow cut through to the general public, that at last the muse will return her love. [embed]https://www.youtube.com/watch?v=T4-ozvWipFE[/embed] One thing that seems to be carried through all the music you've made with Belle and Sebastian — which spans about two decades now — is that it's full of characters and stories. Not all pop music has that. Why do you think there is that storytelling pattern in your music? I'm not saying that’s an ideal thing, I'm not saying it's better than other music. It's a trick, to an extent. Sometimes the best pop music comes from a person’s experience. But the trouble was I didn't have so much experience, especially when the group started, because I was sort of waylaid with this illness, and it stopped me from doing so many things. I was really stuck inside a room a lot of the time, so I used to dream. I used to fantasise about everyday living. To me, the idea of people going off to their nine-to-five job was tremendously glamorous. The idea that they would be around other people all day, that they would tell jokes at the photocopier... All that stuff seemed glamorous to me. So I ended up writing about characters rather than my own life. Have you got any glamorous plans for while you're here in Australia? Not too much. I just want to feel the sun on my bones. I want to lie out on a park bench and just feel the warmth. See Belle and Sebastian at the Tivoli on January 28, at the Enmore Theatre on January 29, at Twilight at Taronga on January 31, or at the Palais Theatre on February 1. Girls in Peacetime Want to Dance is out now via Matador.
There's no meal that can't be improved by dessert — yes, even breakfast — and no special occasion, either. That's all in Gelato Messina's wheelhouse, and it's mighty fond of releasing specials to make holidays even tastier. The latest example: the chain's Easter offering, which brings back its popular 2021 snack pack. Even better: if you've always wanted to smash open a Messina Easter egg, that's on the menu as well. Your tastebuds might already remember Messina's hot cross bun version of the brand's sticky snails — and they can savour it again this year. Basically, it's the brand's interpretation of a Cinnabon-style scroll, then combined with an Easter favourite. It's another of Messina's limited releases, and it'll be available at all of its stores for a very short period. Wondering what exactly Messina's hot cross bun sticky snail entails? Well, that spiced sticky hot cross bun dough is filled with choc chips and vanilla custard. Crucially, raisins aren't included — but it is topped with a cinnamon malt caramel. The sweet bake-at-home bite to eat can only be ordered online on Monday, April 4. It will set you back $65, which includes a one-litre tub of the brand's triple choc gelato hot tub, too — which features milk chocolate gelato, toasted white chocolate mousse and Ecuadorian dark chocolate crack. Or, also available at the same time — and for the same price — is the Messina Easter egg. Made from 44-percent single-origin cocoa couverture chocolate, the 420-gram egg comes filled with even more sweet treats. Crack it open and you'll find white and milk chocolate chickens, white chocolate and passionfruit gel fried eggs, caramelised white chocolate and waffle cone mini eggs, and milk chocolate hot cross bun bites. Messina now opens its orders at different times for different places, so you'll want to hop online at 9am for Queensland and Australian Capital Territory stores, 9.30am for Victorian shops, and at either 10am, 10.30am or 11am depending on where you are in New South Wales. Once you've placed your preorder, pick up will be available between Thursday, April 14–Sunday, April 17 from your chosen Messina location. And, after you've got the hot cross bun sticky snail safely home, you just need to whack it in the oven for 20–25 minutes at 160 degrees and voila. Gelato Messina's Easter snack packs and Easter eggs are available to order from Monday, April 4, for pick up between Thursday, April 14–Sunday, April 17 — head to the Messina website for further details.
"You know you're like the tenth guy to try this, right? It never works out for the dipshit in the mask." So scolds TV reporter Gale Weathers (Courteney Cox, Shining Vale) in the latest trailer for Scream VI, saying what everyone that's ever watched this slasher franchise has long known. But, if bad past outcomes for fellow Ghostfaces were going to stop the next killer in the horror-film saga from getting stabby, there wouldn't even be a new flick to begin with. If you like scary movies, then you've likely watched a Scream film or five over the last quarter of a century. And, across that period — ever since the OG feature became a box-office smash in 1996, then delivered 1997's Scream 2, 2000's Scream 3, 2011's Scream 4 and 2022's Scream, plus TV spinoff Scream: The TV Series — you've seen the saga's mask-wearing killer Ghostface slash his way through the fictional Californian town of Woodsboro multiple times, as well as a college in Ohio and then Hollywood. This time, however, he's following in The Muppets' footsteps and making a date with Manhattan. In both the initial Scream VI teaser trailer from back in 2022 and the just-dropped full sneak peek, New York City has an unwanted guest — and the current person donning a Ghostface mask is more than a little obsessed with their task. Early in the clip, there's even a shrine to the franchise so far, taking a trip down memory lane through the saga's history. There's also another familiar face: Hayden Panettiere (Nashville), returning to the fold as Kirby Reed following Scream 4. She joins Cox as Weathers, the last Scream's Melissa Barrera (In the Heights) and Jenna Ortega (Wednesday) as sisters Sam and Tara Carpenter, and Jasmin Savoy Brown (Yellowjackets) as the siblings' film-obsessed pal Mindy among the existing franchise players making a comeback to get stalked by Ghostface once again. Or, make that Ghostfaces. In the two trailers so far, it's clearly Halloween, and costumes abound on a NYC subway. Among all that spooky attire: more than one black-clad person in a Ghostface mask, making Sam, Tara and Mindy more than a little distressed. Ghostface also whips out a gun in a convenience store, slinks around New York's streets and gets Gale on the phone. Does the latter signal an end to one of the series' original characters? Amid references to other horror movies, and to the franchise's own past, that's how those kinds of scenes usually play out. Whatever's in store for Gale, Kirby and company — and whether Kirby might be the killer this time around, because this series does love links when it comes to Ghostface's identity — will be revealed in early March, when Scream VI hits cinemas. Ready or Not's Matt Bettinelli-Olpin and Tyler Gillett return to direct, as they did with 2021's Scream. Also involved, featuring on-screen: She-Hulk: Attorney at Law and The Other Two's Josh Segarra, Servant and The Grand Budapest Hotel's Tony Revolori, and Australian Nine Perfect Strangers and Ready or Not star Samara Weaving, plus Dermot Mulroney (Umma) and Henry Czerny (another Ready or Not alum). Check out the full Scream VI trailer below: Scream VI releases in cinemas Down Under on March 9. Images: Philippe Bossé.
Besides being famous for The Gabba cricket ground, the chic underside of the inner-city suburb of Woolloongabba is well known to southsiders. Tucked away off Logan and Ipswich roads, five great breakfast spots could be argued as some of the best in Brisbane. Before you say otherwise, give them a try yourself. You won't be disappointed. 1. The Crosstown Eating House Paying homage to its antique store origins, The Crosstown Eating House is a contemporary interpretation of a 1920s dining room. Amongst elegant art deco styling with a downtown cool feel, guests at the Crosstown can relive laidback Gatsby vibes with hearty meals such as potato and feta hash cakes with tomato jam, smashed peas, herb sour cream, poached eggs and rocket ($17.50). With decent helpings of simple food that tick all the boxes, try the spicy chorizo bake with kipfler potatoes, winter greens, a fried egg and toast ($17.50), or for something sweet the Canadian-style French toast with bacon and maple syrup or lemongrass poached pear, coconut ricotta and lime goes down a treat (both $16.90). If you can't make breakfast (or are busy dining at Woolloongabba's other fine breakfast establishments) the menu for both lunch and dinner won't disappoint. And the bar is open until late. 23 Logan Road, Woolloongabba 2. Pawpaw Cafe Let's get this straight. Brunch at Pawpaw is not an eggs, baked beans and bacon affair. Its menu takes more adventurous cues, in part from its Balinese and Thai sister restaurant, Green Papaya. If you're lucky, the black pudding, scramble eggs, apple and jalapeno jam ($12.90) will feature on the ever-changing menu or specials board. Or try the baked eggs in a sofrito with chorizo and dukkah sprinkled on top ($14.95), or their legendary corn cakes with chipotle sour cream, avocado, tomato relish ($11.90). Corner of Potts Street and Stanley Street, Woolloongabba 3. Brown Dog Cheap, cheerful and super laidback, Brown Dog has nailed the combination of fantastic coffee, great service and simple yet delicious food. Pocketed away in the industrial sector, Brown Dog is a poorly kept secret with locals, and on most Saturdays cosy indoor seating and sun-soaked outdoor seating are equally popular. The all-day breakfast menu features the signature Dog's Breakfast ($13), including haloumi, grilled tomato, wilted spinach and avocado as well as more adventurous options like the breakfast burrito ($14) complete with house-made beans, wild rocket, avocado and a fried egg. Brown Dog has certainly cemented itself as a favourite among southsiders, with good reason. 54 Logan Rd, Woolloongabba 4. Pearl Cafe It seems Pearl Cafe was onto a good thing with its 'what's old is new again' stance on cuisine. Owned by former Gunshop Cafe manager Daniel Lewis, Pearl is a throwback to days when food was highly valued and eating out was a glamorous excursion. The food at Pearl Cafe is decadent, filling and by no means suitable for those on a diet. With changing seasonal menus, new to breakfast this winter is the braised beef short ribs, rainbow chard, hash cake, and hen's egg, and the homemade lemon verbena crumpets, goat curd, mandarin and cardamom compote. And we hear their Sunday lunch roast is set to rival Grandma's. 28 Logan Rd, Woolloongabba 5. Foxy Bean Once you step through the bright red door, Foxy's decor will convince you to take a seat. You'll need one; there is a lot going on. Taking inspiration from the suburbs' many Queenslander-style homes, the walls are an eclectic mishmash of colourful v-joint pine boards and pressed tin, and that's just the entrance. Further in, the Foxy Drop, a bar with painted murals, a wall of fake hanging vines and taxidermy animals will capture your imagination. Keep going through the rabbit warren (or should we say fox den) to discover an AstroTurfed courtyard with plenty of space. Foxy is known for classic breakfasts with a tasty twist; the eggs Benedict with savoury mince ($16.90) or the haloumi breakfast (large slices of haloumi, thyme-sauteed mushrooms, avocado, lemon, herb-roasted tomato and sourdough, $16.90) are popular hits. We've tested both and give them two thumbs up. 896 Stanley St East, Woolloongabba By the Concrete Playground team.
Everyone remembers studying ancient Egyptian history in school. Pyramids, pharaohs, boy kings, mummification: they aren't easily forgotten. Your next chance to explore this chapter of the past will get you walking through works from centuries ago, covering the time of Tutankhamun, Ramses II, Nefertari, Khufu and even Alexander the Great, all as part of an impressive exhibition at Melbourne's NGV International called Pharaoh. Meet the venue's midyear blockbuster for 2024, which will fall into Victoria's annual Melbourne Winter Masterpieces season. Following on from 2023's Pierre Bonnard: Designed by India Mahdavi, this middle-of-the-calendar spectacular will run from Friday, June 14–Sunday, October 6 and feature items from the British Museum. That loan is quite significant, too, with Pharaoh including the venue's biggest-ever borrowing of ancient Egyptian jewellery, as well as pieces that previously haven't been shown. [caption id="attachment_918948" align="alignnone" width="1920"] Statue of Ramses II as a high-priest, Abydos, Egypt, 19th Dynasty, reign of Ramses II, about 1279-1213 BC, Limestone, H 171cm, W 71.5cm, D 98cm, © The Trustees of the British Museum.[/caption] In total, more than 500 works will be on display as the NGV peers back at Egypt from the 1st Dynasty to the Roman era — so, from around 3000 BCE to the 4th century CE. Expect to see plenty of gleaming artefacts given that focus on ancient Egyptian jewellery. The exhibition will also span coffins and other funerary items, as well as examples of architecture spanning tombs, temples, and also massive monuments and sculptures. "Pharaoh seeks to introduce a new generation of visitors to the perennially fascinating visual culture of ancient Egypt through an unprecedented exhibition of sculpture, architecture, jewellery and more from the British Museum in London," said NGV Director Tony Ellwood AM, announcing the exhibition. "The NGV's exhibition will place precedence on the exceptional craftsmanship of the ancient Egyptians, highlighting their refined artistic sensibility and technical skill." [caption id="attachment_918946" align="alignnone" width="1920"] Shabti of Pharaoh Sety I, Tomb of Sety I, Valley of the Kings, Thebes, Egypt, 19th Dynasty, reign of Sety I, about 1294-1279 BC, Blue faience, H 22.8 cm, W 9.6 cm, D 9.6 cm, © The Trustees of the British Museum.[/caption] Among the specific highlights, a hefty wall from a 2.5-metre-high, three-metre-wide limestone wall from a mastaba tomb dating back to the Old Kingdom is one of them — complete with hieroglyphic texts carved into the surface. Also going big: a huge fist made of stone from a statue of Ramses II that hails from Memphis, in the temple of Ptah, and weighs in at almost 1.5 tonnes. Still on that particular ruler, Pharaoh will feature an enormous limestone statue of Ramses II that shows him as a high priest. Visitors will also be able to see a seated statue of Sety II, Ramses II's grandson, which is also notable for being one of the most complete sculptures that still exist from the time. Or, check out Pharaoh's oldest item, a five-centimetre-wide ivory label that shows the 1st Dynasty's King Den. Jumping forward, a green siltstone head of the 18th Dynasty's Tuthmose III wearing the cobra headdress will also feature. [caption id="attachment_918943" align="alignnone" width="1920"] Ivory label with King Den, Abydos, Egypt, 1st Dynasty, about 2985 BC, Ivory, H 4.5cm, W 5.3cm, D 0.3cm, © The Trustees of the British Museum.[/caption] Among the gold, silver and gemstone-studded jewellery, everything from rings and necklaces to collars and girdles will be on display — and as sourced from tombs, so will amulets that were placed to protect the deceased, to examine the role that adorning bodies played in ancient Egyptians' beliefs about the afterlife. Pharaoh won't just focus on jewels used after death, however, with pieces from places such as Akhenaten's royal city Amarna also part of the exhibition as it examines everyday life. Still on royals, the showcase will boast objects from Deir el-Medina, where the craftspeople who were responsible for carving and decking out the Valley of the Kings' royal tombs resided. Here, attendees will see letters, notes, sketches and poems carved on limestone fragments. "The British Museum's collection of ancient Egyptian objects — one of the most comprehensive outside of Egypt — tells the fascinating story of life and death in the ancient Nile Valley in unparalleled depth and breadth. We are thrilled to be able to share the collection with the Australian public and celebrate the extraordinary artistry of the ancient Egyptians with a new international audience," added Daniel Antoine, the British Museum's Keeper, Egypt and Sudan. While Pharaoh is exclusive to Melbourne, it's about to become a great time to step back to this chapter in the past Down Under, with Ramses & the Gold of the Pharaohs also on the way to the Australian Museum in Sydney to display more 181 rare artefacts and treasures. [caption id="attachment_918944" align="alignnone" width="1920"] Ornament of a winged scarab holding a sun-disc, Provenance unknown, possibly Thebes, Egypt, 12th Dynasty, reign of Senusret II, about 880-1874 BC, Electrum, lapis lazuli, cornelian and feldspar, H 1.8cm, W 3.5cm, D 3cm , © The Trustees of the British Museum.[/caption] [caption id="attachment_918947" align="alignnone" width="1920"] Statue of a lion erected by Amenhotep III, reinscribed by Tutankhamun, Gebel Barkal, Sudan, 18th Dynasty, reign of Amenhotep III, about 1390-1352 BC, Red granite, H 117cm, W 216cm, D 93cm, © The Trustees of the British Museum. [/caption] [caption id="attachment_918942" align="alignnone" width="1920"] Head of colossal statue, probably of Amenemhat III Bubastis, Egypt 12th Dynasty, reign of Amenemhat III, about 1854-1808 BC Granodiorite H 83cm, W 85cm, D 71cm © The Trustees of the British Museum.[/caption] [caption id="attachment_918950" align="alignnone" width="1920"] Ostracon showing Khnummose worshipping Meretseger, Deir el-Medina, Egypt, 19th–20th Dynasty, about 1295-1069 BC, Limestone, H 16.5 cm, W 20.2 cm, © The Trustees of the British Museum.[/caption] Pharaoh will display at NGV International on St Kilda Road, Melbourne from Friday, June 14–Sunday, October 6, 2024 — head to the NGV website for further details and tickets. Top image: Plaque of Amenemhat IV, Probably Byblos, Lebanon, 12th Dynasty, reign of Amenemhat IV, about 1808- 1799 BC, Gold, H 2.9 cm, W 3.1 cm, D 0.1 cm, © The Trustees of the British Museum.
Writing a prescient tale is the science-fiction holy grail, and a feat that Philip K Dick firmly achieved. Making a movie that becomes the prevailing vision of what the future might look like in the entire world's minds? That's a stunning filmmaking feat, and one that Ridley Scott notched up as well. The reason for both? On the page, 1968's Do Androids Dream of Electric Sheep?. In cinemas, 1982's Blade Runner. And if you need reminding of how stunning a story that the iconic sci-fi author penned, or how spectacular a film that the legendary director then turned it into, look no further than Blade Runner's return to the big screen — with a live score. When Dick pondered the difference between humans and artificial intelligence more than half a century back, he peered forward with revelatory foresight. When Scott followed fresh from Alien, he did the same. Now, in 2023, with the clash between the organic and the digital a daily part of our lives in this ChatGPT-heavy reality, of course it's time for Blade Runner to flicker again. Film lovers, get ready for another dream movie-and-music pairing. Get ready for synths, too. Vangelis' stunning score will echo as Scott's feature screens at Melbourne's Hamer Hall, in the only Australian stop announced so far for Blade Runner Live — an event that premiered in London in 2019, made its way around the UK, then hit Japan earlier in 2023. The Victorian capital will host two sessions, on Saturday, November 4–Sunday, November 5, and show the Final Cut version of the movie. Wondering how it differs from the OG release, and also the House of Gucci, The Last Duel and Napoleon filmmaker's Director's Cut? First unveiled in 2007 for the feature's 25th anniversary, it's the only version that Scott truly had full artistic control over. Blade Runner's narrative, if you're new to the franchise — which also includes exceptional 2017 sequel Blade Runner 2049 and recent animated series Blade Runner: Black Lotus, with a new Blade Runner TV series also on the way — focuses on the one and only Harrison Ford (Indiana Jones and the Dial of Destiny) as cop Rick Deckard. His task: finding replicants, aka androids, which turns into quite the existential journey. It's almost impossible to name a movie or TV series in sci-fi that's popped up over the four decades since Blade Runner first arrived that hasn't owed Scott's film a massive debt — and any synthesiser-fuelled score that hasn't done the same with Vangelis. And yes, add Blade Runner to the list of favourites getting another silver-screen run that celebrates their tunes heartily, alongside everything from Star Wars: Into the Spider-Verse to The Lion King to Star Wars and Harry Potter, plus The Princess Bride, Home Alone and Toy Story. Check out the trailer for Blade Runner below: Blade Runner Live will play Melbourne's Hamer Hall, Arts Centre Melbourne, on Saturday, November 4–Sunday, November 5. Head to the event website for further details, and tickets from 10am AEST on Friday, August 11.
The Koreans do violent. The Italians do romantic. The French do flowery and pretentious. But when it comes strange, no one make movies like the Greeks. Characterised by a deadpan, absurdist sense of humour often punctuated by moments of unsettling violence, the so-called Weird Wave has led to a renewed interest in Greek cinema in recent times — and what better place to get acquainted than at Australia's very own Greek Film Festival. Standout wave films on the program include Luton and the aptly named Miss Violence. The latter title caused quite a stir at the Sydney and Melbourne Film Festivals earlier this year for its extremely graphic content, which caused a number of audience members to walk out. It's a remarkably well-made film for anyone who can stomach it. Just don't say we didn't warn you. Thankfully, there's more to the Greek industry than brutality and existential angst. Opening night film Little England is a lavish period romance set during the Second World War, while Block 12 mixes Bollywood dance numbers into a comedy about the country's economic crisis — because really, they just seem like a natural fit. For the full Greek Film Festival program, visit their website.
This uber-cool barbershop has called Fortitude Valley home for a few years now — first in design firm Wrightson Stewart's workshop and now in its own shopfront on Ann Street. Owner-operator Ryan Reed hails from the Sunshine Coast and has been in the biz for over a decade having honed his craft in London before returning to Brisbane to open his own store. The sleek new space, which Ryan.Co took over in late-2019, is worlds away from the retro barbershops that you're used to seeing. But it suits its trend-forward, inner city location well, with a stripped-back industrial vibe — think bare concrete walls and a largely monochrome palette save for a few indoor plants. Here, you can expect to shell out about $30 for a standard or buzz cut, and $60 for a luxe face shave, and appointments are a must.
If furniture could talk, the couch from Friends would have plenty to say. For a decade up until 2004, the orange-hued lounge played a pivotal on everyone's favourite 90s sitcom, as Rachel, Ross, Monica, Chandler, Joey and Phoebe whiled away the hours in Central Perk, reclined upon the sofa's comfortable-looking cushions, drank copious amounts of coffee and nattered non-stop about their lives. As far as on-screen seats go, it's up there with the most famous. And Australian streaming platform Stan bringing it Down Under. The current home of Friends in Australia, the service is celebrating the show's 25th anniversary — and while it can't bring Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer to our shores to mark the occasion, it can whip up a replica of the couch they plonked their butts on for ten seasons. Keen to sit where your TV besties once did (or on a settee that resembles the one they sat on, to be precise)? Then you can do just that between Thursday, August 29 and Sunday, September 22. Stan's couch pop-up is touring Aussie shopping centres during that period, spending different weekends in various spots in Victoria, Queensland, New South Wales and South Australia. We can't promise that the sofa will always be empty, like it magically was whenever Monica, Rachel and the gang wanted to grab a caffeine hit, but you will be able to see and touch the replica either way. An adjacent coffee cart will also serve up drinks, an acoustic performer will set the mood by playing 90s covers (including Phoebe's memorable ditties) and there'll be themed merchandise on offer, naturally. There's not much more to the promotion, other than showering Friends fans in nostalgia, letting everyone snap a selfie on the sofa and serving up a reminder that the show is available to stream. That said, if you take a pic, post it to your social media network of choice and tag Stan, you can win prizes, including a trip to New York City. COUCH DATES AND LOCATIONS Melbourne Central, Vic — Thursday, August 29 (10–9pm); Friday, August 30–Sunday, September 1 (12–5pm) Robina Town Centre, Qld — Thursday, September 5 (3–9pm); Friday, September 6–Sunday, September 8 (11–4pm) Westfield Tuggerah, NSW— Saturday, September 7–Sunday, September 8 (11–4pm) Westfield Chatswood, NSW — Saturday, September 7–Sunday, September 8 (11–4pm) Burnside Village, SA — Saturday, September 14–Sunday, September 15 (12–5pm) Westfield Southland, Vic — Saturday, September 21–Sunday, September 22 (12–5pm) Broadway Shopping Centre, NSW — Saturday, September 21–Sunday, September 22 (12–5pm) The Friends couch is touring the country between Thursday, August 29 and Sunday, September 22. Visit the Stan Facebook event for further details.
2023 marks six years since Revel Brewing Co set up shop on Oxford Street in Bulimba, and started both brewing and pouring its beers. And, when the end of the year hits, it will have been two years since these purveyors of yeasty beverages opened their second location in in Morningside, a sprawling spot in a century-old riverside factory in the Rivermakers precinct. They're usually the only two places you'll find the brewery doing its thing — except during the 2023 Brisbane Comedy Festival. Fancy a brew while you're giggling? Until the end of May, Revel has launched a pop-up bar outside Brisbane Powerhouse. It's a first for both — Revel's first time at Brisbane's annual laughfest, and the first time that the event has boasted its own bar at all. And, it's one of only a few places where beer lovers can sip a brand-new brew whipped up just for the occasion: the aptly named Laughing Lager, a limited-release drop that's on tap at the Revel Bar, plus BCF's hubs at The Tivoli and Fortitude Music Hall. With the Revel Bar making itself at home on the Powerhouse Plaza until Sunday, May 28, Brisbane Comedy Festival attendees can also kick back under strung-up lights and grab a bite from a range of food trucks. Eating and drinking here should be familiar — the space just hosted the first Night Feast markets back in March, which will return again in October. "For the first time, we have a designated festival bar with the Revel Bar, which includes a selection of great food trucks out on Brisbane Powerhouse's Plaza. We look forward to watching this space come to life throughout the Festival," said Brisbane Comedy Festival Director Phoebe Meredith. "As well as developing the limited-release Laughing Lager, we are excited to deliver the Revel Bar. We look forward to offering a fantastic, streamlined customer experience where visitors to the festival can get great quality food and beverages quickly, then relax and enjoy before they head into their show for a laugh," added Revel Brewing Co Founder and CEO Jay Neven. Until Monday, May 22, Revel and Brisbane Powerhouse are also giving one lucky person the chance to win a year's worth of beer to celebrate the Revel Bar — which you can enter online. Find the Revel Bar at Brisbane Powerhouse, 119 Lamington Street, New Farm during the 2023 Brisbane Comedy Festival until Sunday, May 28.
Winner of the 2011 Lord Mayor's Photographic Awards, Amy Carkeek, brings to the Brisbane Powerhouse her latest project, Even our Dreams are Fake. In a world where image is a dominant form of communication and value, this exhibit aims to highlight why such imagery presents a fragmented representation of society. As members of the western world, we are the greatest witnesses to the dominant nature of the image in popular culture, and Carkeek's exhibit aims to challenge such influence. The exhibit features a number of photographs that confront hyperreal imagery used in our contemporary consumer society. By juxtaposing them against the weird and uncanny, Carkeek's showcase is a unique collection of art that challenges our existing western values, to expose what lies beneath such artificial perceptions. This free exhibit will be at the Brisbane Powerhouse for two weeks, and promises a unique insight into the perception of the images we witness everyday.
When Ze Pickle first started slinging burgers, it did so on the Gold Coast, launching its initial store at Burleigh Heads. That venue is still dishing up the meat-and-bun combo, and will soon be the chain's only eatery. After its Fortitude Valley outpost closed in February, Ze Pickle has announced that its Camp Hill store will say farewell on Sunday, March 17. The chain is also shutting up shop in Brisbane altogether, announcing that its OG Burleigh site will soon get all of its focus. No closure date has been announced for Ze Pickle's Brisbane Airport eatery so far. View this post on Instagram A post shared by Ze Pickle (@zepickle) "We've made the decision to slowly take Ze Pickle 360 degrees back to its roots and just sport our wares at the OG Burleigh store. It's been a great, successful, wild and trying nine years-plus since we expanded from our little shoebox here on the GC that we first opened 12 years ago," said the chain's team via social media. "In that time we have amassed a huge and amazingly loyal following (love yas all!), had plenty of ups and downs which we have learned a lot from, and have now come to a point where we are keen to keep it simple." When Ze Pickle's Fortitude Valley spot shut, it did so nine years after opening as the brand's debut Brisbane outpost, and saw the chain join the city's recent spate of burg-slinging closures. In 2023, both Fish Lane's plant-based favourite Grassfed and chain Getta Burger stopped trading in the River City. Ze Pickle became a southeast Queensland favourite over a decade back on the Goldie and since 2016 in Brisbane for its OTT creations. American-influenced standouts include the Pablo, which features corn chips; the 3am, with fried cheese sticks a big feature; and the Triple Loco, which comes laden with three beef patties, three slices of cheese and three rashers of bacon, all between two grilled cheese sandwiches. Among the chicken burgs, Mash Mash City Bish includes truffle-buttered mashed potato on the burger. And yes, living up to the Ze Pickle name, each one comes topped with a pickled cucumber. Also a highlight: each venue's laidback bar vibes, plus the desserts and cocktails on the menu. Indulging your sweet tooth means tucking into deep-fried Oreos in doughnut batter — or a skillet filled with baked caramel M&Ms, choc-chip cookie dough, ice cream and marshmallow gravy. The drinks include a Bacon Old Fashioned, of course, as well as boozy takes on banoffee pies and Hubba Bubba, plus a frozen bubblegum margarita. Ze Pickle is closing at 1/4 Newman Avenue, Camp Hill on Sunday, March 17, 2024, but will still trade at 1/37 Connor Street, Burleigh Heads. For further details, head to the chain's website.
If it takes a fascinating person to write fascinating characters, then consider Patricia Highsmith absolutely enthralling. Her work really does speak for itself. Any author would dream to have her books — including Strangers on a Train, Carol, The Talented Mr Ripley and The Two Faces of January — on their resumes. And while all of the above titles have been turned into films, playwright Joanna Murray Smith has done something different with Highsmith's own story. In Switzerland, she hypothesises about the last night in the writer's life. What if the scribe, then a recluse, had been convinced to write one more Ripley tale? In the hands of a talented cast and crew, including director Paige Rattray and actors Andrea Moor and Matthew Backer, the Queensland Theatre Company ponders that very question. If you've ripped through any of Highsmith's printed tomes or watched the movies that followed, you'll be as keen as we are to find out the answer.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Monte Pacis in Lithuania, an outrageously grand monastery that's been partly transformed into a luxury hotel. If you're planning a big European getaway this summer, think about spending a few nights here. WHAT'S SO SPECIAL? It's a 17th century monastery located on a gorgeous lagoon surrounded by nature — need we say more? THE ROOMS The 13 rooms and apartments at Monte Pacis are decorated in baroque style, each complete with a minibar and private bathroom. Large canopy beds sit in rooms with double-vaulted ceilings and chandeliers dripping from large wooden beams. Ornately decorated and grand in scale, it feels more like a royal castle than the home of monks. And with so few people staying here at one time, you are almost guaranteed peace and quiet. FOOD AND DRINK The restaurant at Monte Pacis is known as one of the very best places to eat in the Baltics. It offers a four- or six-course tasting menu that changes seasonally (notably, much of the produce comes from the monastery grounds). Head chef Raimundas Dambrauskas is known for creating challenging dishes that rival Michelin-starred restaurants. On the booze front? The team has won awards for the extensive wine list, with some wines coming from other monasteries in the region. Be sure to add the (very) reasonably priced wine pairings onto your tasting menu experience. THE LOCAL AREA The hotel sits on the bank of Lithuania's Kaunas Lagoon, where you can swim and sail during summer and take wintery walks in the colder months — you might even be able to walk across some of the frozen parts. If that sounds too risky, you can simply stick to some of the many hiking trails that wind around the protected forests. The local city of Kaunas must be explored too. In 2022, it was named the European Capital of Culture thanks to the abundance of galleries, festivals and dining venues. There's stacks going on in this little known city — both ancient and modern. Next time you go gallivanting around Europe, be sure to add Lithuania to your list of must-visit countries. THE EXTRAS When staying at Monte Pacis, you are surrounded by history and tradition. That's why it's imperative you take a tour of the monastery and its grounds — seeing how monks, both past and present, use the space while marvelling at all the baroque artworks. The hotel's residents even have access to the historical literature library and spiritual literature room. Either attempt to read something from the shelves or bring your own book to enjoy within the staggering space. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Sometimes, we take the little things for granted, and we don’t get a chance to stop and smell the roses. While roses should be around for a little while longer, artist Catherine Young has worked in collaboration with Swiss perfume company Givaudan to create a collection of fragrances that we may lose due to climate change. The Ephemeral Marvels Perfume Store (or TEMPS for short) features eight perfumes in the scent of Coasts, Coffee, Honey, Wine, Eucalyptus, Peanuts, Ice and Hardwood Trees. Young approached Givaudan with the smells that she wanted to capture and the feelings or memories that she wanted to evoke, and the scientists went from there. The perfumes are held in beautiful glass bottles, each with a hummingbird on the label. "Because of its speed, the hummingbird is known as a messenger and stopper of time," writes Young on her website. "It is also a symbol of love, joy and beauty. The hummingbird is also able to fly backwards, teaching us that we can look back on our past. This could be the saddest perfume collection ever produced. And while it's not likely to flip the Ian Plimers of the world into acting on climate change, there's no denying it is a poetic way to communicate the message. Scent is renowned for its ability to transport us back to a past memory. Think of all the things we stand to forget if we can no longer visit them via olfactory highway. Unfortunately, the scents are not for sale. TEMPS is part of Young’s solo exhibition The Apocalypse Project, held at the Mind Museum in the Philippines. This is also not the first time that Young has used scents as part of her artistic work. In graduate school Young created a book called An Olfactory Memoir of Three Cities: Manila, New York, Barcelona, which featured smells from three cities Young had previously lived in. Via Fast Company.
Fancy prancing through fields laced with the charm of provincial France? It's just casual summer weekendery when So Frenchy So Chic is in town. The ever-popular one-day French festival is waltzing back to Melbourne in 2021, although this time there'll be a few changes. If you haven't been before, expect an entire afternoon of French-inspired niceties, including (but not limited to) gourmet picnic hampers, top-notch tipples and a chill French soundtrack. But, this particular event has been badged 'Le Long Lunch', rather than being called a festival. From 11am on Sunday, February 21 at Rippon Lea House and Gardens, you'll listen to tunes from Tame Impala's Julien Barbagallo, ex-Paris street musician Nadéah, Melbourne-based five-piece Bananagun, Melbourne DJ Mike Gurrieri and So Frenchy So Chic founder Jean-François Ponthieux. And, you'll do so in a group with your mates — because, to stick to social distancing requirements, tickets are only being sold in lots of six or ten. This picnic is fully catered and licensed, too, with So Frenchy putting on the works. You can pre-order a picnic box, or grab something from Frederic, Romu, Tarts Anon, Milk The Cow and L'Hôtel Gitan on the day. As for drinks, expect French champagne and beer from Laurent Perrier and Kronenbourg 1664. Images: Max Kruse.
The force is strong with this one — the Lego-building force, that is, with the largest collection of life-sized Lego Star Wars models ever assembled, as well as the biggest touring Lego exhibition, hitting Australia in 2025 (and world-premiering Down Under). Melbourne has locked in the first-ever Lego Star Wars: The Exhibition season. And yes, of course it'll open on Sunday, May 4. Melbourne Museum will be filled with more than eight-million bricks, all making models based on the George Lucas-created space saga. What music goes best with turning all that Lego into a Star Wars fan's dream? 'Luke's Theme', aka the franchise's main tune? 'The Imperial March' when things get tricky? 'Parade of the Ewoks', just because? That's a question for Ryan McNaught aka Brickman, who has indeed been spending time turning plastic rectangles, squares and other shapes into a recreation of a galaxy far, far away. The exhibition is set to take 25,000-plus hours of building, which is occurring at McNaught's headquarters in Tullamarine. Here's a question for attendees, too: which tunes will pair well with walking through this Lego Star Wars wonderland? The full list of models that'll feature hasn't been unveiled so far, but one will be life-sized — and that'll be a Lego Star Wars first. A huge 64,759 bricks are being used to craft the three-metre-high X-wing Red-5, taking 382 build hours. Attendees can also expect to see battle scenes between Luke Skywalker and Darth Vader, plus Qui-Gon Jinn and Darth Maul duelling, and also Emperor Palpatine's throne flanked by two Royal Guards. If you're keen to check it out, you'll need to be in the Victorian capital to wander through Lego Star Wars: The Exhibition. As well as the hosting the world-premiere season, which will run until Monday, January 26, 2026, the stint at Melbourne Museum is an Australian exclusive. While you're there, you won't just be looking at all things Star Wars in Lego — you'll be able to get building yourself. Images: Museums Victoria.
Southeast Queensland's penchant for a party boat has a long history, from The Island to Seadeck and now Yot Club. Haven't had the joy of revelling on the water on Halloween? Give it a try while cruising around the Gold Coast on Saturday, October 26, 2024. Yot Club has been making quite a big splash over the past few years, as you'd expect from a huge yacht with two bars, a stage, a dance floor and a 400-person capacity. The glamorous, custom-built vessel calls itself "the world's first super yacht entertainment venue", and it's certainly something that the region hadn't seen before it hit our waters. Sprawling over two levels, it measures nearly 40-metres long and over 22-metres wide, and blends a licensed floating club and a luxe function space. With lounges across an open deck and undercover, a VIP room in the hull, and the promise of bands and DJs on its lineup, Yot Club wants to be the region's one-stop watery hangout. It serves up more than water, of course, thanks to a menu of classic and creative cocktails, plus brews chilled in the 45-keg-capacity cool room. Yot Club is setting off from Arm C, Mariners Cove, Main Beach for its Halloween bash, boarding at 6pm for a 6.30pm departure. On offer: spooky-themed cocktails, a photo booth to snap all those costumes and prizes for best dressed as well. Yes, you do need to don something to suit the occasion to hop onboard; "only guests in full costume can board this ghost ship of a party," the venue advises. Prices vary, starting at entry from $49.95 with drinks and food purchased separately, and also including a $99.95 option with a sip upon arrival. Images: Richard Greenwood / Yot Club.
How do you hear what you see and feel? That's a question that most of us haven't thought much about — but Australian audiovisual artist Robin Fox has. A favourite at Aussie art events, including busting out beams of light at RISING and Mona Foma, he blends light and sound in laser works that are all about turning what our eyes perceive, ears hear and skin senses into a three-dimensional show. His latest: Brisbane Constellation at Brisbane Powerhouse's new Night Feast. One of two of Fox's projects in Brisbane in March — the other: being part of Powerhouse's also-debuting "festival of other music" ΩHM — his site-specific Brisbane Constellation is all tones and rays, unsurprisingly. Here, he's using a matrix of crystal refractors to put on a spectacle, complete with colour explosions that look out of this world. [caption id="attachment_893492" align="alignnone" width="1920"] Bryony Jackson[/caption] It's one of the arts events as part of the Night Feast lineup, alongside plenty of food and drinks by the river across the neon-lit market's March debut. Head along from 4.30–9.30pm Wednesday–Sunday between Wednesday, March 1–Sunday, March 26 — for its first two weeks, then starting at 2pm on Saturdays and Sundays from Saturday, March 18 — for an audiovisual journey, in what marks Fox's latest piece in his latest city. All up, his work has graced 60 spots worldwide and counting. [caption id="attachment_893490" align="alignnone" width="1920"] Lachlan Douglas[/caption] Top image: Lachlan Douglas.
It's blast from the past time, again — and time to spend a couple of nights journeying back a few decades just by hitting the dance floor. Whether you lived through the 90s rave scene, spent every weekend enjoying club life in the 00s or just wish you were old enough to have ticked both boxes, Ministry of Sound will take you there when its huge Testament parties return for 2024. Ministry of Sound itself was around through both eras, so you couldn't be in better hands to get retro via old-school 90s and 00s bangers. The Testament events last toured Australia in 2023, and will return for this year from the end of August through to early September — for two nights each in Sydney, Melbourne, Brisbane and Perth, plus one-day-only stops on the Sunshine Coast and the Gold Coast. Each evening is devoted to either the 90s or the 00s, so you'll need to attend both if you want to make shapes to tunes from both decades. But it's a choose-your-own-adventure type of affair, so fans of late 20th-century beats can hit up the session dedicated to 90s house, rave, trance and garage tracks if that's all that you're keen on, while lovers of 00s electro and breaks get their own shindig. More than 80 DJs will be on the decks between Saturday, August 31–Sunday, September 8, with Danny Rampling, Judge Jules and Seb Fontaine joined by Mousse T, Laidback Luke and X-Press 2 on headlining duties. The first three, all from the UK, are all about the 90s — and the second three are no strangers to getting dance floors pumping with 00s tunes. Australia's own John Course, Mark Dynamix and Dirty South are also on the lineup, alongside over 70 other names across the tour. And if you went to 2023's events, you'll be making a date with different venues in some cities. In Sydney, the newly reopened White Bay Power Station will host a music party of this type for the first time. In Brisbane, Felons Barrel Hall awaits for letting loose by the river. Ministry of Sound: Testament 2024 Dates: Sydney: Saturday, August 31 — 00s session at White Bay Power Station Saturday, September 7 — 90s session at White Bay Power Station Melbourne: Saturday, August 31 — 90s session at The Timber Yard Saturday, September 7 — 00s session at The Timber Yard Brisbane: Sunday, September 1 — 00s session at Felons Barrel Hall Friday, September 6 — 90s session at Felons Barrel Hall Gold Coast: Sunday, September 1 — 90s session at Miami Marketta Sunshine Coast: Sunday, September 8 — 00s session at The Station Perth: Friday, August 30 — 00s session at Metro City Sunday, September 8 — 90s session at The Court Ministry of Sound: Testament 2024 Lineup: Danny Rampling Judge Jules Laidback Luke Mousse T Seb Fontaine X-Press 2 Dirty South John Course Mark Dynamix Minx Alex Taylor Andy Murphy Ange Annabelle Gasper Barking Boy Ben Korbel B2B Declan Lee Boogs Casey Leaver Cassette Chantal Chiari Chris Wilson Craig Obey Darren Briais Diamond D Ember Franky D Gavin Campbell General Lee Goodwill Greg Sara Hutcho Ian Spicer Illya Jackness Jade James A Jen E JJ John Ferris Jumping Jack Kate Monroe Kevin Matt Kitshon Matt Nugent Menis Micah Miggy Mike Dotch Mind Electric Ming D Miss Doodes Mr Sparkles Pete McNamara pH Pussymittens Rachel Harvey Rob Sharp Robbie Lowe Robin Knight RobKAY Rudy Sam Hill Sardi Sgt Slick Shamus & Gabby Sheen Spacey Space Stephen Ferris Sunshine Sweet Chilli DJ's T-Rek Tim McGee Tonez Trent Anthony Ministry of Sound: Testament 2024 will tour Australia in August and September. For further details, and to buy tickets — with pre-sale registrations until 11.59pm on Tuesday, May 21, then pre-sales from 12pm on Wednesday, May 22 and general sales from 12pm on Thursday, May 23 — head to the event's website. Images: Rachel Rachel / Ashlea Caygill.
First, Australian supermarkets introduced restrictions on the amount of toilet paper that customers could purchase. Next, as COVID-19-related panic-buying ramped up, Aussie chains also announced dedicated shopping times for the elderly and people with disability and implemented limits on a wide range of everyday items. Now, in their latest attempt to help combat the spread of the coronavirus, local stores are putting a cap on the number of customers allowed in store at any one time. Coles, Woolworths and Aldi have each announced plans to restrict the number people who can shop for groceries at once, marking the supermarket chains' next tactic to enforce social-distancing measures. The move comes after stores have already implemented a range of other initiatives in recent weeks, including rolling out plexiglass screens to separate checkout clerks from customers, placing stickers on the floor 1.5 metres apart at checkouts and encouraging shoppers to use the length of their trolleys as a distancing guide. Coming into force from this Monday, April 6, the restrictions will vary store by store, depending on each shop's size. Overall, though, each chain is taking a similar approach — enlisting staff and security to enforce limits, decide how many customers are allowed in every store at any one time, and make sure that queues outside each shop also adhere to the 1.5-metre social distancing requirements. Outside Woolies stores, for example, there'll be signage and a coned area, showing customers where to queue. The chain will also employ a one in, one out policy in terms of letting customers inside its stores. Coles advises that shoppers will be assisted at the entrance to each store, and may be asked to queue to get in where necessary. And it's worth remembering that Coles, Woolworths, Aldi and IGA have all also released a collective plea for consideration, stressing the need to stick to new restrictions — and reminding shoppers something that should just be a given, aka that hardworking supermarket staff should be treated with courtesy and respect. For more details on Australian supermarket customer limits, keep an eye on Coles, Woolworths, Aldi and IGA's websites. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Put your hand on your heart and tell us: how excited are you that Kylie Minogue has not only announced a new world tour, which is her biggest in 14 years, but that she's starting it in Australia? Headlining Splendour in the Grass 2024 mightn't have worked out after the Byron Bay music festival was cancelled mere weeks after revealing its lineup, but the Aussie pop superstar is ensuring that local fans will see her new Tension tour before anyone else on the planet. It's a 'Padam Padam' summer all over again, with Minogue kicking off her latest shows in February 2025, beginning with a one-night gig in Perth. From there, she also has a single date locked in for Adelaide, two in Brisbane, plus three shows apiece in Melbourne and Sydney. The last time that Minogue embarked on a tour this big was back in 2011. The last time that she hit the stage Down Under was in 2023 to open Sydney WorldPride. In the River City, Minogue will get behind the microphone on Wednesday, February 26–Thursday, February 27 at the Brisbane Entertainment Centre. In what's proven a massive career since her Neighbours-starring, 'I Should Be So Lucky'- and 'Locomotion'-singing 80s era, it's been a big last few years for Minogue thanks to the huge success of the Grammy-winning 'Padam Padam', a brief return to Neighbours and a Las Vegas residency — and now the Tension tour keeps that streak running. Images: Erik Melvin. Updated: Monday, February 17, 2024.
The Australian Centre for the Moving Image might be all about celebrating screen art — peering at films and TV shows, stepping into virtual reality and showcasing the talents that've made such a huge impact, for instance — but that doesn't mean that the Melbourne-based venue doesn't appreciate nature. The world around us can look stunning projected as large as a cinema can allow. David Attenborough has turned his documentaries about the planet into their own spectacular genre, too. And the natural realm can provide experimental artists with quite the playground to ponder, as Marshmallow Laser Feast: Works of Nature is exploring. This world-premiere exhibition sees art collective Marshmallow Laser Feast unveil a showcase of works that muse on trees, black holes, cells, breathing, space, science and more. Hitting ACMI from Thursday November 23, 2023–Sunday, April 14, 2024, Works of Nature spans five major pieces that aim to deeply contemplate and appreciate humanity's role in nature, and just nature overall. And, these aren't tiny pieces — these large digital works aim to inspire awe in both their size and content. This is the London-based MLF's first major showcase in Australia, adding a stint Down Under to appearances at the Sundance and Tribeca film festivals, the Istanbul Design Biennial, Lisbon Triennial and the V&A and Design Museum in their hometown. [caption id="attachment_917014" align="alignnone" width="1920"] Marshmallow Laser Feast, 'Distortions in Spacetime', 2018, courtesy of the artists[/caption] That impressive history is matched by a significant lineup of names involved with MLF's immersive Works of Nature pieces. Cate Blanchett (The New Boy) lends her narration, director Terrence Malick (A Hidden Life) executive produces, while Radiohead's Jonny Greenwood (Licorice Pizza) and fellow acclaimed composer Jóhann Jóhannsson (Last and First Men) are among the talents providing music — the latter's work continuing to entrance after his passing in 2018. Daisy Lafarge provides poetry, while Jon Hopkins, Meredith Monk and Howard Skempton also contribute tunes. Whether you're a Melburnian or have a trip to the Victoria capital in your future, you'll be able to see the meditative Evolver, which uses Blanchett's voice to journey through the human body, breath, the origins of cells and the cosmos — and Distortions in Spacetime, which heads to a black hole's edge. Or, there's the large-scale Sanctuary of the Unseen Forest, a video installation about the Amazon's kapok trees. Thanks to The Tides Within Us, oxygen is in focus again via six static pictures. And with We Live in an Ocean of Air, MLF examine how that last word in the piece's moniker connects life on earth. [caption id="attachment_917018" align="alignnone" width="1920"] Marshmallow Laser Feast, 'We Live in an Ocean of Air', courtesy of the artists.[/caption] Marshmallow Laser Feast: Works of Nature is running at the Australian Centre of the Moving Image until Sunday, April 14. For more information or to book tickets, visit the website. Top image: Marshmallow Laser Feast, 'Distortions in Spacetime', 2018, courtesy of the artists.
While wallet-friendly price points and a penchant for the flat-pack can often see IKEA's designs pitched as short-term furniture, the Swedish retailer is keen to shake off those perceptions. And how better to do so than by teaming up with an acclaimed design company for a clever new collection? The latest move in IKEA's push towards longevity is a statement range called Ypperlig, created in collaboration with Danish designers HAY. Launching this October, it's a collection of basics crafted for contemporary styling, drawing on HAY's flair for functionality and aesthetics. According to Rolf Hay, one half of the husband-and-wife duo behind the design company, the project proved an all-round win. "It's fair to say that HAY and IKEA are two very different companies," he acknowledged. "But when we started talking to IKEA it became very clear that we shared many perspectives on design." Unlike some of IKEA's more ubiquitous designs, this is a range of furniture and accessories you won't want to get rid of in a hurry — each piece clever, yet understated, sleek and undeniably Danish. Expect nifty products like a slimline LED lamp complete with in-built touch dimmer, hand-painted stoneware vases, a contemporary take on the classic Scandinavian plank table and a spring mattress sofa bed that's actually comfy enough to sleep on. HAY has even redesigned the iconic blue Ikea shopping bag, working in a range of new colours and weave patterns. The best part about this HAY x IKEA collaboration is that you can purchase a HAY piece for IKEA prices. While a HAY chair retails for around $200–400, one from their IKEA collaboration will set you back less than $100. The HAY x IKEA Ypperlig collection will go on sale this month. To browse the collection, visit ikea.com.
We are all well acquainted with the fascinating leaning Tower of Pisa in Italy. Shrouded in mystery, marvelously eccentric and either architecturally amazing or atrocious, leaning towers and buildings are simply fascinating structures, which arouse our amazement and curiosity. However, the Leaning Tower of Pisa is far from being the only leaning tower in the world; in fact, it doesn't even top the list for being the oldest, tallest or having the greatest lean. Here are ten of the most stunning, mystifying leaning buildings from around the world that will be sure to make you look at buildings from a new angle. Capital Gate, Abu Dhabi Granted the title of the world's furthest leaning man-made tower, the recently built Capital Gate in Abu Dhabi boasts of a whopping 35 stories, all leaning at an impressive 18-degree slant. This structural wonder is a 520-foot sleek and futuristic design which requires 49 piles drilled 100 feet into the Earth to maintain its integrity. Qianwei Leaning Tower, China In Huludao City in China's Liaoning Province lies the world's first leaning tower. Aside from it's rich historical background, the Qianwei leaning tower is believed by many to also have the largest lean in the world, yet it is not recognized by Guinness World Records. Leaning Tower of Barceloneta, Spain Situated on Barceloneta Beach in Spain, this iconic tower features four cubes stacked precariously on top of each other at varying angles. Scores of tourists and visitors flock to this beautiful part of the country, not only for the sun and sand, but also to take in the view of this unorthodox building. Leaning Tower of Teluk Intan, Malaysia The Leaning Tower of Teluk Intan, formerly known as just the water tower, is one of the major attractions of this small Malaysian town. Shortly after the construction of the tower the building began to tilt due to the stream of water running through the ground below, which made the foundation soil weak. Neuer Zollhof, Germany Part of the redeveloped port in Dusseldorf, this unconventional building was created by renowned architect Frank Gehry. The three buildings curve and lean in varying directions and are made of different cladding, whether that be white plaster, red brick or reflective stainless steel. Leaning Temple of Huma, India The only leaning temple in the world, the Temple of Huma was built in 1670 on the banks of the Mahanadi at an angle of 17 degrees, and is dedicated to the Lord Shiva. It is said that the construction of the temple came about due to enquiries made because of a milkman's daily ritual of crossing the Mahanadi and offering his milk to the rock which cropped out on the bank, and the rock would miraculously consume the milk each time. Tilting Hypo Alpe-Adria Bank, Italy This eco-friendly building is an architectural feat in its own right as, rather than using shading devices to protect the south-facing walls, the solar passive design instead uses its own floors with the 14 degree tilt. The office also features a myriad of sustainable building strategies to provide comfort and save energy. Leaning Tower of Nevyansk, Russia The mysteries surrounding this Russian tower work to make this ethereal building all the more stunning. No-one knows exactly what the tower/prison/science lab for secret experiments is actually for, when in the 18th century it was constructed, by whom, or the origins of its tilt. Although there are bizarre speculations including crying walls or throwing architects off the balcony, this one is better shrouded in mystery. Gate of Europe, Madrid The twin towers that make up the Gate of Europe are named as such for good reason. These foreboding structures, known as Puerta de Europa, lay at the top of a stone staircase and appear to barricade the city of Madrid. The 114m towers have 26 floors of office space and have fittingly appeared in a number of movies, such as The Day of the Beast. Leaning Tower of Suurhusen, Germany Before the Capital Gate was built in Abu Dhabi, this medieval steeple held the title of the most tilted tower in the world. Located in a village in North Western Germany, the 14th century church was built with oak tree trunk foundations, which rotted in the surrounding marshy land.
You Won't Be Alone isn't just the name of Macedonian Australian writer/director Goran Stolevski's debut feature, which hit cinemas in 2022. It's also a phrase that applies now that his second film is here. Of an Age initially premiered in the same year as well, bowing in Melbourne International Film Festival's opening-night slot — and, while it tells of growing up queer in 90s Melbourne, falling in love for the first time, then sifting through the aftermath a decade later, it's a glorious companion piece to its predecessor. No one is chosen by a sorceress here. The place isn't Macedonia, the period isn't the 19th century and supernatural shapeshifting isn't part of the narrative. But even just a mere duo of movies into his helming career, Stolevski makes pictures that profoundly ruminate upon two of life's purest truths: that absolutely everything changes and, consequently, nothing completely lasts forever. Neither You Won't Be Alone nor Of an Age fly solo in their moods of yearning, either, or in piecing themselves together from familiar elements that still feel fresh — more than that, that feel immediate and hauntingly immersive — in Stolevski's hands. Where his last flick played like a sibling to Robert Eggers' The Witch by way of The Tree of Life and A Hidden Life's Terrence Malick, his latest rich and poetic effort earns the same sensation with 2011's Weekend and 2017's Call Me By Your Name. This too is a tender love story, as both of those recent greats of LGBTQIA+ cinema are. A clock ticks inescapably, this time a single day rather than the respite at the end of the working week or a whole summer. And, in a keenly felt romance that swells and swirls with lingering emotions, two men find their lives eternally altered, while also facing the unshakeable fact that their bliss will be fleeting. 1999 is inching towards becoming Y2K when Of an Age begins, and 17-year-old Nikola aka Kol (Elias Anton, Australia Day) is only hours from taking to the floor at a Melbourne dance championship. That's how his day is meant to pan out, at least, and what he's preparing for when the film meets him practising his smooth ballroom moves in his suburban garage — conjuring up visions of John Travolta in a flick made famous two decades prior, in fact. Kol's ordinary morning fever breaks, however, thanks to friend and dance partner Ebony (Hattie Hook, Savage River) and her bender of an evening. She's awoken on the beach in Altona with no idea where she is, scrounging up change for the payphone call to say she thinks she'll miss the recital unless Kol can pick her up. Stolevski hones in on Ebony early, not because this is primarily her story — it isn't — but to commence his coming-of-age and coming-out tale with compulsive urgency. Anything can happen in the whirlwind from adolescence to maturity when your entire adult future is ahead of you. Anything can occur when you've just finished high school, as Kol and Ebony have, and the days, months and years to come seem endless and brimming with possibility. Any day can be a shock and a surprise as well, as the jittery young woman conveys while scrambling to work out what's going on, where her belongings are, what happened last night and how she'll get home. With cinematographer Matthew Chuang (another You Won't Be Alone alum), and while editing himself, Stolevski's infuses the scene with a freneticism and nerviness that could've barrelled straight out of Good Time or Uncut Gems, adding the Safdies to the picture's influences. That frenzied energy thrums when Kol dons his dance attire, rushes through the streets and looks like a Serbian Elvis all shook up as the Victorian capital wakes up. To attempt to make his big performance, he has to convince Ebony's older brother Adam (Thom Green, Eden) to play taxi — and he's still all aflutter with anxiety, and just the inertia of being so keyed up from endeavouring to sort things out, when he slides into the twentysomething's brown car. They remain in that race against time, although the reality of missing the contest slowly sinks in. Cue the aforementioned other battle with the clock, as what starts as a panicked drive between virtual strangers becomes a leisurely on-the-road chat between kindred spirits warming up. When Ebony hops in the backseat, Adam and Kol only have eyes for each other (plus mentions of music, books and movies traded as tentatively flirtatious currency, all while listening to the soundtrack to Wong Kar-wai's 1997 queer romance Happy Together). An awakening is at the centre of Of an Age, which Stolevski brings to the screen with electrifying specificity and universality in tandem. He achieves an always-sought-after but never-assured feat, making Kol's discovery that he's attracted to Adam and their blossoming bond from there feel so sincere and lived in that it could've only happened for these two characters — as thoughtfully and compellingly performed by the charismatically matched Anton and Green, too — and yet ensuring that it also feels as if it has been ripped from everyone's formative experiences, or near enough. 90s teens of Australia, prepare for a time capsule in the movie's sounds, sights and slang, plus its costuming and vibe, across the feature's first section. This isn't quite a picture of two halves but, after Kol and Adam spend an intense 24 hours in each other's orbit (including at a 21st-birthday party that leads to the moment they've been building towards), it comes with a coda in 2010. Embracing its debt to Weekend and Call Me By Your Name, Of an Age could've stayed in 1999 for its entire duration and still proven a gorgeous, heartfelt and affecting film. It cuts deeper and hits harder courtesy of its final chapter, though — and the dreamy visual sheen of its sequences in 1999, which have the intimacy and glow of fond recollections even when they're at their most fraught (with help from boxed-in Academy framing, and reminiscent of Chuang's work on Blue Bayou), is all the more powerful due to what comes next. When Kol and Adam cross paths again, both returning to Melbourne from abroad, much has shifted and transformed. That spark between them still burns bright, but confronting what it now means and how it too has evolved is another stop in Kol's coming-of-age journey. How moving and entrancing it is to tag along for the ride, and for a Melbourne-set, distinctively Aussie tour through following your heart, trying not to be alone, and understanding that perfect memories and existence-shaping delights quiver and sway just like everything else.
Clocking in at a whopping 170 hectares, Whites Hill Reserve is a bushland park and conservation area. The massive public space located in Camp Hill has amazing views of the city through native trees, plus long bush walks and heaps of native wildlife to discover. With playgrounds, a dog park, sporting fields, picnic areas and a lookout from the top of the reserve's hill, there is heaps of room for activities in this natural outdoor hub. Hang out in The Common area, take a walk up to the summit or check out the eucalypt forest and the Sankey's Scrub rainforest, which is home to some rare plant species. Images: Brisbane City Council, Flickr
When Da Biuso first hit Brisbane's streets back in March, it took the meals-on-wheels concept up another level. The River City's only fine-diner on a bus, it plates up decadent degustations in luxe style, in a coach decked out to give the fanciest bricks-and-mortar restaurants a run for their money. That's a unique concept and experience, but how do you make it even more of a must-attend event? Put on a pasta degustation. One bus, seven courses of pasta and four days only: that's the maths behind this culinary feast, which runs from Thursday, June 29–Sunday, July 2. Already taking cues from Mediterranean cuisine in its regular menu, Da Biuso is going all in on Italian fare for this limited-time offering, which includes tagliolini scampi and caviar, lobster raviolo, pappardelle with rabbit and mushroom ragu, all for $140 per person. And for dessert, it's doing a sweet version of lasagne: lasagne dolce, which encases lemoncello custard in pasta sheets, and adds white chocolate and vanilla ganache with strawberries.
When it comes to art exhibitions, second chances aren't common. A big-name showcase may display at several places around the world, but it doesn't often hit the same venue twice. French Impressionism is an exception, then, returning to the National Gallery of Victoria in Melbourne in 2025 after initially gracing the institution's walls in 2021. When it was first announced for that debut Australian run, French Impressionism was set to be a blockbuster exhibition — and with 100-plus works featuring, including by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Mary Cassatt and more, it's easy to understand why. But 2021 wasn't an ordinary year, like 2020 before it. Accordingly, when this showcase of masterpieces on loan from Boston's renowned Museum of Fine Arts opened Down Under, it was forced to close shortly afterwards due to the pandemic. Cue another season in this part of the world four years later, thankfully, with French Impressionism back at NGV International from Friday, June 6–Sunday, October 5, 2025. This is one of the largest collections of the eponymous art movement to ever make its way to Australia, complete with works that've never been seen here before. [caption id="attachment_977042" align="alignnone" width="1920"] Claude Monet, French, 1840–1926, Water lilies, 1905, oil on canvas, 89.5 x 100.3 cm, Museum of Fine Arts, Boston Gift of Edward Jackson Holmes Photography © Museum of Fine Arts, Boston. All Rights Reserved.[/caption] Again part of the Melbourne Winter Masterpieces exhibition series, French Impressionism isn't short on gems, especially given the array of artists with pieces on display, which also includes Camille Pissarro and Berthe Morisot. But one certain must-see is the presentation of 16 Monet pieces in one gallery, all in a curved display to close out the showcase — and focusing of his scenes of nature in Argenteuil, the Normandy coast and the Mediterranean coast, as well as his Giverny garden. In total, there's 19 Monet works in French Impressionism from the Museum of Fine Arts' collection (Water Lilies among them), and that still leaves the US gallery almost as many to display in Boston. Another section digs into early works by Monet and his predecessors, such as Eugène Boudin — and Renoir and Pissarro's careers also get the in-depth treatment. As the exhibition charts French impressionism's path across the late-19th century, visitors will enjoy three never-before-seen-in-Australia pieces, with Victorine Meurent's Self-portrait one of them. Ten-plus Degas works, as well as two pieces that were part of the very first exhibition of French Impressionism that took place in 1874, also feature. If you made it along to the showcase's first trip Down Under, you will notice changes, with the exhibition design reimagined for its latest presentation. [caption id="attachment_977038" align="alignnone" width="1920"] Camille Pissarro, French (born in the Danish West Indies), 1830–1903, Spring pasture, 1889, oil on canvas, 60 x 73.7 cm, Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts, Photography © Museum of Fine Arts, Boston. All Rights Reserved.[/caption] Top image: excerpt of Camille Pissarro, French (born in the Danish West Indies), 1830–1903, Spring pasture, 1889, oil on canvas, 60 x 73.7 cm, Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts, Photography © Museum of Fine Arts, Boston. All Rights Reserved.
UPDATE, December 24, 2020: The Night Before is available to stream via Google Play, YouTube Movies and iTunes. Seth Rogen on drugs. It's as predictable a filmic theme these days as lens flares from J.J. or bleeding penises from Lars Von Trier. Good news is, if you're into that sort of thing (Rogen, not the…blood), then his latest flick The Night Before should keep you sufficiently chuckling from go to woe. Rogen's in wildly familiar territory here, spending almost the entirety of the movie completely off his nut. Joined by his 50/50 co-star Joseph Gordon-Levitt and The Avengers' Anthony Mackie, The Night Before is like a prequel to The Hangover; a tale of three friends embarking upon the final run of their decade-long Christmas Eve partying tradition. Heavy drinking, karaoke, Chinese food and a search for the infamous yet illusive 'Nutcracker Ball' form the chapters of this quirky, crass film by director Jonathan Levine (Warm Bodies), and while there's very little new material here, those 'under the influence' staples are handled with an assured touch. The Night Before also boasts an extensive supporting cast, with amusing appearances from Mindy Kaling, Lizzy Caplan, Tracey Morgan, Jillian Bell, James Franco, Iliana Glazer, Miley Cyrus and – best of all – Michael Shannon as the philosophical drug dealer Mr Green. Shannon's character is as trippy as the visions he facilitates for his customers, but it's a fine performance that lends the film a touch of otherwise absent class. Predictably, there's not much of a plot to speak of, and what little there is suffers from more than a few glaring inconsistencies – most notably Rogen's heavily pregnant wife (Bell) playing both facilitator and chief critic of his yuletide drug binge. Still, story is rarely what beckons audiences to this genre, and the over-the-top set pieces do deliver a solid stream of pop culture nostalgia, stoner gags and crude one-liners to keep you chuckling throughout. https://www.youtube.com/watch?v=As1zja2shsA
Wes Anderson is partial to a few things. Bill Murray. Primary colours. Owen Wilson. Folk music. Natalie Portman's bottom. And overhead shots, to name but a few. Here, all of the auteur's beautifully crafted bird's eye views have been compiled into one stylish montage, featuring scenes from films including The Royal Tenenbaums, The Darjeeling Limited and The Life Aquatic with Steve Zissou. [Via Best Week Ever]
Freak out, losers and cosmic girls — you've got the number-one song in heaven to dance to. Adelaide music festival Harvest Rock has just announced who'll be hitting its stages in 2023, and the jam-packed lineup is overflowing with legends. Jamiroquai's only Australian show, Beck doing the same, the absolute icons that are both Nile Rodgers & Chic and Edgar Wright's favourite band Sparks: they're all headed to the South Australian capital in October. A two-day blend of music, food and wine — well, it is in SA — Harvest Rock debuted in 2022 and instantly proved a success, attracting 15,000 attendees per day. This year, the festival will return for another stint of tunes, bites and beverages at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, October 28–Sunday, October. Whether or not you live in the City of Churches, the event has amassed a killer roster of talent worth planning a weekend around. Jamiroquai will play an exclusive Aussie performance filled with classics like 'Canned Heat', 'Virtual Insanity', 'Little L' and, yes, 'Cosmic Girl', in what'll be the Jay Kay-fronted British band's first show on our shores in more than a decade. Will there be hats? Here's hoping, with audiences set to find out when the group headlines the Saturday. Beck was last in Australia earlier in 2023, playing Bluesfest and doing an acoustic tour, but this time the Californian great will return with his full band to headline Harvest Festival's Sunday roster. It's almost been three decades since he came to fame with 90s anthem 'Loser', and he's kept making ace tunes from there — 'Where It's At', 'Devil's Haircut' and 'Sexx Laws' all included, across 14 records since his 1993 debut album Golden Feelings. 'Le Freak' and 'Good Times' will get a whirl when the one and only Rodgers takes to the stage with his band Chic, which was first formed more than 50 years ago. As a guitarist, Rodgers is in a league of his own (see also: his work on Daft Punk's Random Access Memories, including single 'Get Lucky'). As a writer and producer, he's had a hand in everything from David Bowie's Let's Dance album to Madonna's 'Like a Virgin'. Sparks will draw upon a whopping 57 years of making ridiculously catchy and smartly funny tunes, including 'The Number One Song in Heaven', 'This Town Ain't Big Enough for the Both of Us' and latest single 'The Girl Is Crying in Her Latte'. In a glorious move, they've been beginning their recent sets with 'So May We Start' from Annette, too, which won them the Best Composer award at Cannes. The rest of Harvest Rock's lineup is no slouch. Santigold, Chromeo, Bright Eyes and Ladyhawk join the international contingent, while Flight Facilities, Baker Boy, Julia Jacklin, Chet Faker, Ocean Alley, Bad//Dreems, Thelma Plum and Vera Blue are among the Aussie names. And, back on legends, Paul Kelly will also take to the stage, as will The Rolling Stone Revue featuring Adalita of Magic Dirt, Tim Rogers of You Am I and Tex Perkins — yes, all teaming up to play The Rolling Stones' greatest hits. Dubbed Harvest Rock II and hailing from Secret Sounds, the crew behind Splendour in the Grass, the returning spring fest will feature Adelaide's top restaurants and eateries serving up food at the Feastiville precinct, onsite eatery Wildwood led by arkhé's chef and co-owner Jake Kellie, a culinary-focused stage and wine tastings as well. Plus, there's a wellness centre doing tarot readings and massages, and mini festival Little Harvest for kids. If you're keen to make a weekend of it, you can grab a VIP ticket package including accommodation from Concrete Playground Trips. HARVEST ROCK II LINEUP: Bad // Dreems Baker Boy Beck (Australian exclusive) Bright Eyes Built to Spill Chet Faker Chromeo Flight Facilities — Decades DJ set Jamiroquai (Australian exclusive) Julia Jacklin Ladyhawke Nile Rodgers & Chic Ocean Alley Paul Kelly Sam Barber Santigold Sparks The Lemon Twigs The Rolling Stone Revue Thelma Plum Vera Blue Warpaint Harvest Rock 2023 will take at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, October 28–Sunday, October 29, 2023 — with tickets on sale from 9am AEST on Wednesday, August 9. Head to Concrete Playground Trips for a VIP package for two, including tickets and accommodation.
Just six months young, the city’s newest gourmet burger joint was there long before Eat Street decided these storage boxes of the sea were the new ‘hip thing’. Some may say it’s pretty hard to miss the bright red Miel shipping container in the middle of Brisbane city, but you’d be surprised. After venturing down Albert Street and going a block too far, at last – a shiny, lit-up box with too-good-to-be-true burger smells wafting our way. Fresh baked each morning you have a choice of either ciabatta or brioche buns to fill with a classic beef pattie, grilled chicken breast, rib fillet, fish fillet or veggie pattie. At Miel it is encouraged to build your own burger – you get a choice of ingredients to add including fresh vegetables, gourmet cheese and 13 sauces. With a choice of three vegies included in price, Miel are super reasonable with any extra add ons (try telling that to any breakfast cafe). Adding bacon is a mere $1.20 and an egg is just 70 cents. The burgers are huge and served on a board (also very hip) with a bonus side of steak cut chips. The classic beef pattie was freshly made and delicious. Telling you how I designed my burger seems a bit intimate, especially considering your choices range from grilled eggplant and triple cream brie (guilty) to the usual salad suspects. Chock full of vegies, oozing brie and basil pesto, you could certainly say my beef pattie was in a good place between two bits of brioche. We recommend you order this soft bready delight as it’s a bit hard to find around Brisbane but oh-so worth it. If DIY (design it yourself) burgers aren’t your thing, Miel also do a range of ready-designed including the Korean barbecue bulgogi, tandoori chicken burger or miso pork belly. If you’re after more sides, try the thick-cut onion rings, sweet potato wedges or chilli con carne fries. And finish it all off with a macaron. Why? Because what’s more dainty than a two-hand-hold, dripping-down-your-arm-good burger? Macaron, duh.
Every gig should be its own distinctive experience, even if a band is hitting city after city on a massive national or international tour. But there's unique concerts and then there's Sigur Rós' latest run of shows. While there's nothing quite like seeing the Icelandic band live in general, they'll be doing something different on their next trip to Australia: taking to the stage with live orchestras. Jónsi Birgisson, Georg Hólm and Kjartan Sveinsson will play with the Brisbane Philharmonic Orchestra when Sigur Rós' current orchestral tour makes its way to the River City. Across the rest of 2024, fans across the US and Nordic countries can catch the group joining forces with a 41-piece orchestra. Then, come Tuesday, May 27 at QPAC Concert Hall, it's Brisbane's turn to witness quite a few new members temporarily join the band. ÁTTA, their 2023 album, will be in the spotlight, as the last time they toured Down Under was in 2022, before it was released — and it was was recorded with arrangements featuring a 32-piece orchestra. [caption id="attachment_974240" align="alignnone" width="1920"] Kathryn Parson Photography via Flickr.[/caption] Fans can expect tracks from their 1997 debut Von onwards, however, spanning tunes from fellow records Ágætis byrjun, ( ), Takk..., Með suð í eyrum við spilum endalaust, Valtari and Kveikur. That last — and soldout — trip this way was part of the group's first tour in five years, but clearly they haven't left the same gap go by between then and their next tour. Sigur Rós first started doing the rounds with an orchestra in 2023, playing a limited number of gigs, before expanding the experience further. Next stop: Australia. [caption id="attachment_974235" align="alignnone" width="1920"] Alive87 via Wikimedia Commons.[/caption] Top image: Goatling via Flickr.
Secret Sounds, the organisation behind some of the country's most beloved festivals and memorable tours including Splendour in the Grass, has announced a huge tour of southern Queensland and northern New South Wales to raise money for flood-affected communities. The tour promoter hopes to raise $1 million over a one-month period, with those funds donated to organisations such as Lifeline, GIVIT, Koori Mail Bundjalung Community Flood Relief and Northern Rivers Community Foundation. The Flood Aid tour will take place over three separate gigs, kicking off with a dance-heavy lineup at the Kingscliff Hotel on Saturday, March 19. Heading up the bill is a DJ set from arguably Australia's biggest dance music export, Flume, alongside Sweden's DJ Seinfeld, Pure Space's Andy Gavey, Jono Ma, Rona and Dameeeela — who's fresh off becoming the first Indigenous Australian to perform a Boiler Room set. The other two shows will take place on the next Saturday, on March 26, at Fortitude Valley Music Hall and Byron Beach Hotel. Brisbane will be treated to sets from Bernard Fanning, The Rubens, Cub Sport (doing a DJ set), Last Dinosaurs, Stevan and Hanni, while Byron Bay will play host to Wolfmother, Dune Rats, Tex Perkins, Jez Mead, Waax, Kobie Dee and Mylee Grace. In addition to these gigs, Flight Facilities have also allocated 100 of the tickets to their huge Airfields show at Sydney's Victoria Park this Saturday, March 19 for the flood relief appeal. The hometown show will feature sets from the headlining duo, Grammy-nominated Canadian DJ Jayda G, as well as Cosmo's Midnight, CC:DISCO!, Sycco, Merci, Mercy and Mel Blue. Another way you can get involved is by buying merch from Secret Sounds. A special line of tongue-in-cheek 'Where the Muddy Hell Are You?' t-shirts and hats has been created, and a flood aid auction is also in the works. [caption id="attachment_846570" align="alignnone" width="1920"] Nick Green[/caption] SECRET SOUNDS FLOOD AID 2022: Saturday, March 19 at Kingscliff Hotel, Kingscliff — Andy Garvey, Dameeeela, DJ Seinfeld, Flume (DJ set), Jono Ma and Rona Saturday, March 26 at Fortitude Valley Music Hall, Brisbane — Bernard Fanning, The Rubens, Cub Sport (DJ set), Last Dinosaurs, Stevan and Hanni Saturday, March 26 at Byron Bay Hotel, Byron Bay — Wolfmother, Dune Rats, Tex Perkins and Jez Mead, Waax, Kobie Dee and Mylee Grace Tickets for Secret Sounds Flood Aid gigs are on sale from midday Thursday, March 17. Head to the Secret Sounds website for all the information
There are plenty of reasons to head down to West End and check out Quan Thanh. The reason for me swinging this way is the selection of soups. In particular, I go just for the pho soup, better known as the best hangover cure. This soup has caused my bearded mate to go on an eating tour of Vietnam in search for the worlds best pho. Coincidentally, when comparing the soups of his travels, his mind keeps ticking back to Quan Thanh as one of the best soup experiences. If that's not a well-researched recommendation, I don't know what is! To fill you in, 'pho' is a beef soup consisting of several cuts of beef to produce the clean, clear, aromatic broth. The soup comes neutral in heat so you can tailer it to your craving of hotness, sourness, fresh herbs and rich hoi sin. So on this amazing sunny day, I decided to sit on the kerbside deck of Quan Thanh. A word of warning, if you also like the deck seating, keep your guard up as the locals will try to steal your food... and by locals, I mean the flock of magpies. Inside tables are also available if the pesky birds are a bother to you. The service is very hit and miss. A tip is to know what you want to eat and don't dilly-dally when ordering. Remember you are not here for the service, you are here for the food. There are two menu options available to suit different tastes. The first is Vietnamese food and the second is Chinese (the more stock standard and all round safer option). But it's all Vietnamese for this tummy! If you're a bit of a risk taker and enjoy trying new food, option 1 is for you. The steamed dim-sims are a must, and in the afternoon you can see the family roll them, hell yeah! Doesn't get more authentic than that! If you're brave and open to unique flavours, the fried prawn cake with infused vinegar comes highly recommended. It's like a savoury muffin topped with a crispy whole prawn and baked with a pork mince ball and lentil filling. To fill the hunger, I skip past the vermicelli salads and grilled pork chop and rice. Although nice, they are light meals and if you came for a feed you need to pick your menu options right. Instead, go for the spicy pork and beef noodle soup, filled with soft poached beef brisket and pork neck with a thin layer of fried chilli oil sitting on top. Or alternatively, if you love pho as much as my bearded mate, go for his much loved favourite - sliced beef pho with rice noodles. The soups are fantastic and feature real, rich, deep flavour. But do be weary, in the past they have been known to be a little up and down. In the tasty beverage section you have two options, the bottle shop three meters to your left (a personal favourite), or the home made lemon ice tea, which proves to be a sweet, sharp and refreshing drink. To me this place has that 'first car feel'. It's not perfect, but always does the job and always leaves that appreciation and satisfaction that you keep going back to. Although the service isn't always amazing, the food will fill the void. And hey, if you love pho, Quan Thanh is the place to go.
When Yellowjackets begins, it's with an instantly intriguing mystery, a killer cast — led by the always-watchable Melanie Lynskey (Mrs America), Juliette Lewis (Breaking News in Yuba County) and Christina Ricci (The Matrix Resurrections) — and a deep valley overflowing with trauma. Streaming via Paramount+ in Australia and Neon in New Zealand, it starts with eerie forests, bright-eyed 90s teens with their whole lives ahead of them, devastating plane crashes and what looks like cannibalism, too, plus the unhappy adult lives endured by the tragedy's survivors 25 years later. In their high-school prime, Shauna (Lynskey, and also The Kid Detective's Sophie Nélisse as a teenager), Natalie (Lewis, plus The Tomorrow Man's Sophie Thatcher) and Taissa (Billions' Tawny Cypress, and also Scream's Jasmin Savoy Brown) were key players on the titular high-achieving New Jersey soccer team, while Misty (Ricci, as well as Shameless' Samantha Hanratty) was the squad's frequently bullied student manager. Then, en route to a big match in Seattle on a private plane in 1996, they entered Lost territory. That accident saw everyone who walked away from the accident stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. As established in a stellar first episode that's directed with the utmost precision by Destroyer filmmaker Karyn Kusama, Yellowjackets isn't simply interested in inherently disturbing events that'd change anyone forever, however. There's a reason that it flits between two time periods from the outset, rather than laying its dramas out in a linear fashion and teasing out how things end up. From the get-go, creators and showrunners Ashley Lyle and Bart Nickerson (Dispatches From Elsewhere) ensure that all that time in the woods, cabin and all, is tough, rough, savage and creepy, and that its complications and swerves into the supernatural only grow. That said, their immediately addictive series is just as obsessed with the transformation that springs after such an experience. As struggles arise in both the 90s and now — including weird symbols in both, and deaths, plus blackmail plots in the present — Yellowjackets examines how, after falling from the sky, learning to cope in such remote surroundings and plummeting into a horror movie, anyone manages to go on. As set to a top-notch 90s soundtrack, it also faces the fact that for some, normality won't just come calling nicely afterwards. Actually, for everyone, each and every second spent back in civilisation will always be coloured by that time in the wild. A series about misfortune weathered, paths taken, necessities accepted, friendships twisted and grief endured, as well as the reverberations that linger from all of the above, Yellowjackets boasts a searingly smart and savvy concept, which lets tragedy echo as all tragedies do — because facing an ordeal isn't just about the terrifying experience right there in the moment. Back in 1996, when an at-any-cost survivalist mindset begins to fester amid an embrace of woodland spirituality, grappling with the crash, teammates who don't make it, being cut off from normal teen life, and finding food and shelter is all immensely difficult. In 2021, the adult Shauna is an unhappy housewife embarking upon an affair, Natalie has just come out of rehab for the umpteenth time to shattering news, Taissa is running for state senate and having problems with her wife and son, and Misty is a nurse but still nobody's favourite, and little feels easier. It's no wonder that the show became a chilling, perceptive, resonant and potent must-see from its very first episode back in November, and that it only grew bolder and stronger as its ten-episode first season kept going. It quickly proved one of 2021's best new series, and is the absolute standout drama of the past few months as well. If you already watched it week-by-week, it was appointment viewing, aka the kind of show you plan your nights around and couldn't stop theorising about in the week afterwards (and the type that gets its pitch-perfect opening-credits track lodged in your head non-stop, too). If you're new to all things Yellowjackets and you're planning to check it out now, it'll make one helluva binge. And, in news just as exceptional as the series itself, it's returning for a second season. Given that Yellowjackets' first run of episodes kept deepening its mysteries moment by moment, persistently embraced every up and down thrown its complex characters' ways, never took the easy or obvious route, and found the ideal balance between survivalist horror, coming-of-age antics and midlife malaise, its new batch really can't come sooner. Check out Yellowjackets' first-season trailer below: The first season of Yellowjackets is available to stream via Paramount+ in Australia and Neon in New Zealand. Season two doesn't yet have a release date — we'll update you when it does. Images: Kailey Schwerman/Showtime.
Keli Holiday — the solo project of Peking Duk's Adam Hyde — is set to play two special headline gigs in Melbourne and Sydney this November, giving fans the chance to experience the energy of his latest single 'Dancing2' live on stage. The shows are locked in for Melbourne's Howler on Thursday, November 14, and Sydney's Mary's Underground on Saturday, November 16. Both will see Holiday deliver his signature mix of raw emotion and euphoric sounds, with Hyde describing the sets as a chance to "share some joy together and let's sweat." Born during the creative standstill of the pandemic, Keli Holiday became Hyde's outlet for heartbreak, sonic experimentation and reinvention. Now, with 'Dancing2', he's channelling it all into a slow-burning, string-laced modern love story inspired by meeting his partner Abbie Chatfield. "This song is about meeting a love that seemed a world away," Hyde explained. "There's so much noise and distraction going on constantly … We were both just dancing through the show as we all are. There was a definitive moment when we decided to connect with each other on an unspoken battlefield and we have been dancing together ever since." 'Dancing2' has been climbing the ARIA charts, peaking at number one on the Top 20 Australian Singles list. It's also made its way onto Spotify's Daily Top Songs, cracked the Shazam Top 50, and hit number one on TikTok's Viral Chart. The track marks a bold step toward the next chapter for the 2025 Rolling Stone Australia Readers' Choice Award winner, following 2022's KELI and 2024's JESTERMAN EP. Tickets for Keli Holiday's Sydney and Melbourne shows are on sale now via the official website.
The island of Lombok is Bali's equally magical (but considerably less crowded) neighbour. Here, you get long white sand beaches, deep forests hiding waterfalls and small villages filled with friendly locals. Yes, Bali has all this too. But Lombok is significantly quieter and cheaper. Experienced travellers come here for all the luxury trimmings at beachside or mountaintop villas but at a fraction of the price. Read on to find our favourite places to stay in Lombok, all of which can be booked through Concrete Playground Trips. HOTEL TUGU LOMBOK This luxury Lombok hotel is full of character. One of the dining rooms sits under an enormous wooden pavilion filled with locally made furniture. The bar is located within a traditional hut decorated with a smattering of artworks and sculptures. And the uniquely designed rooms include features like private rooftops, lotus ponds, outdoor baths, plunge pools and more. Add the private beach and spa facilities and you're left with the total wellness package. Plus, it's only a short boat ride away from the famous Gili Islands — so your day trips are sorted. BOOK IT NOW. KU VILLAS This small resort has a few different accommodation types, ranging from individual rooms and suites (with or without a plunge pool) to larger villas with private gardens and larger pools. Modern simplicity is also key when it comes to design and amenities — expect large open rooms with classic wooden furniture and crisp white linens. The in-house spa and small restaurant both make spending entire days by the pool all too easy. We're so impressed with KU Villas that we've teamed up with them to bring our readers one massive island holiday deal. Guests will get a three-night stay, an hour-long massage, a personal chauffeur, a $200 food and beverage voucher for the nearby SIWA Clubhouse and daily breakfast for only $455 — an absolute bargain by anyone's standards. BOOK IT NOW. SELONG SELO RESORT AND RESIDENCES These villas and studios feel more like luxury homes than travel accommodations. Guests have their own modern kitchens, living rooms and bedrooms as well as private balconies with barbecues and private plunge pools. And the views — well, they are just serene. Whether you're sitting in your room or dining by the main pool and restaurant, you'll have uninterrupted sea views framed by wide-open plains and dramatic mountains. Plus, with the option to book a seven-bedroom villa, Selong Selo Resort and Residence is great for large groups of travellers. BOOK IT NOW. RINJANI BEACH ECO RESORT This rustic eco-resort has all the essentials required for having a super comfortable holiday on a tropical island — but it's the location and long list of adventure experiences that make it one of the best places to stay in Lombok. The resort's team will organise snorkelling and diving trips and hikes up to the Rinjani volcano where you'll see large emerald-green lakes and hidden waterfalls. What else is on the menu? Day trips to the nearby Gili Islands, massages at the spa and the opportunity to watch turtles hatch on the beach. Head here to immerse yourself in nature. BOOK IT NOW. JEEVA BELOLAM BEACH CAMP Now, this is the ultimate glamping destination. The off-the-grid recycled wood and alang alang beachfront lodges combine elements of Robinson Crusoe with East Indonesia aesthetics to create a boutique beach camp experience. When staying here, you'll feel totally removed from the outside world. Jeeva Beloam's 11 rooms lie within a 55-hectare nature forest preserve, facing the Timor Sea from a sand dune above a quiet 250-metre-long white sand beach. This Lombok paradise is made for true escapism. BOOK IT NOW. HARMONY VILLAS LOMBOK Is minimalism your vibe? If so, you've got to check out these beautifully designed villas in Kuta, Lombok. On the property, you'll find just five boutique villas (painted stark white inside and out) set around a luxurious lagoon-style swimming pool. It's gorgeous and calming — especially thanks to its adults-only policy. You won't find little kids running around this joint, disturbing your relaxing holiday. BOOK IT NOW. NOVOTEL LOMBOK RESORT AND VILLAS This is a stellar middle-of-the-budget resort on Lombok. You're not spending a heap of money, but you still get to stay right on the beach — free from crowds — getting all the top luxury resort inclusions. You've got large air-conditioned rooms by the water, free daily activities, three outdoor pools and a great restaurant and bar. Tick, tick, tick. It has it all. BOOK IT NOW. THE OBEROI BEACH RESORT This beachside resort is made for chilling out. Spend your days jumping from the pool to the beach and then to the bar — all before starting the rotation again. Sure, you can go on one of its snorkelling trips or have a private dinner on the shore, but you've got to take your time just hanging at the property too. That's especially true of you book the enormous luxury villa that has its own pool and private courtyard. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Selong Selo Resort and Residence
Paddington's newest cafe calls itself "the friendly place on the terrace", and with the food and the vibe they're serving up, it's hard not to agree. Or, just take at look at their surroundings for starters. A cosy courtyard filled with wooden outdoor furniture and ample greenery — who doesn't want to eat breakfast, brunch, lunch or a daytime snack there? So, there's no doubting that Cafe Bema looks the part, and feels it too. Luckily, the meals and snacks whipped up by Chef Benny Loh promise to send your tastebuds into the same territory. Encrusted macadamia snapper with orange creamy sauce is his signature dish, if you're feeling decadent. Or, try the blueberry pancakes with caramel ice cream if you're looking to start the day well. There are plenty of other options where they came from: a Singapore-style breakfast of nasi lemak, beef burgers on black brioche buns, chicken curry and the old fave that is avo, fetta and poached eggs, for example. Drinks wise, if you're after something other than Genovese coffee, a lamington, charco choc or muddy caramel milkshake should hit the spot.
