The City Sounds are one of Brisbane’s most underappreciated entertainment outfits. Almost every week there are bands playing right in the middle of Queen Street Mall, performing free shows for anyone on their lunch break or shopping trip. This week, The City Sounds have a new act each day, so if you happen to be in the city, why not spend some time listening to some great music. We’ve done you a favour and have listed below when and where each act will be playing. Wednesday 15th: The Phoncurves (pictured) @ noon, 1pm, 2pm @ Intersection of Queen St Mall & Albert St Thursday 16th: Jorja May @ noon, 1pm, 2pm @ Intersection of Queen St Mall & Albert St. Friday 17th: The Imprints @ 4.30pm, 5.30pm & 6.30pm @ Milano Café Fox Lane @ 5pm, 6pm & 7pm @ Visitor Information Centre June @ 5pm, 6pm & 7pm @ Intersection of Queen St Mall & Albert St Saturday 18th: Amon and Audra @ 11.30am, 12.30pm, 1.30pm @ Milano Café Flap! @ noon, 1pm & 2pm @ Queen Street Mall Main Stage Sunday 19th: Danny Widdiecombe @ 11.30am, 12.30pm, 1.30pm @ Milano Café Max Savage & The False Idols @ noon, 1pm & 2pm @ Queen Street Mall Main Stage
The Sunday roast is a tradition for a reason — and at Emporium Hotel's Signature Restaurant, it's going festive until Sunday, January 3. Fancy swapping your usual end-of-weekend lunch for a five-course version that serves up a few twists on a traditional Christmas lunch? Keen to do so throughout the month, because we all now that seasonal celebrations don't just happen on one day? Well, that's what's on the menu at the South Bank spot. On Sundays between 12–2.30pm, Signature is hosting Signature Sunday Festive Lunches — and arriving hungry is definitely recommended. You'll start with Moreton Bay bug tortellini, then tuck into scallops and pork belly, before moving on to the roast duck main course. Tete de moine with flavours of pumpkin pie, saltbush and candied pecan follows, as does a cherry dessert number (because it wouldn't be Christmas without them). This five-course meal will set you back $75 — or $120 if you'd like to add matching wines.
Looking for a rainy day activity? Here are five. Five of the most electric and immersive exhibitions to hit Aussie shores, and they're all happening this winter. From 100 artworks by Picasso to a showcase of MoMa works — featuring Dalí, Andy Warhol and more — and a field of 3000 flowers to an electric ode to the radical artists of post-war Germany, it's all happening down under. The only catch is that they're spread across the country, so keep an eye on cheap flights or plan an epic road trip and hit them all up. It'll cost you much less than flights to Europe, but will still transport you to an alternative world — whether that's New York, post-war Germany, a fictional flower-filled land or Alice's Wonderland.
Never one to embrace cliches as an actor or director, Ralph Fiennes avoids the obvious with his latest film. While The White Crow tells the involving tale of Rudolf Nureyev, the biopic doesn't quite dance across the screen. Although it features exceptional sequences of real-life dancer and first-time actor Oleg Ivenko as the Russian ballet great, it doesn't ever let its subject's distinctive talents do the heavy lifting, or explain them away as a product of his difficult existence. There's still a flow and a rhythm to the movie, yet it's never exactly fluid. The film doesn't deny that Nureyev and his skills were influenced by the world around him, or ignore the struggles it caused him, but it doesn't simply connect the clear-cut dots either. All of this is by design, with The White Crow as restless as its central figure. The dancer couldn't ever really be pinned down, so Fiennes daren't waste his third stint behind the camera trying to achieve the impossible. Rather, as he once again highlights a complicated and conflicted man (as he did with Roman general Coriolanus in his adaption of Shakespeare's tragedy of the same name, and then writer Charles Dickens in The Invisible Woman), Fiennes builds his portrait of Nureyev by watching. The White Crow still spins a story, of course, primarily exploring the 1961 defection from the Soviet Union that'll forever remain synonymous with the ballet dancer. However, the movie particularly revels in gaining its sense of Nureyev through more than biographical data. It's clear that such an approach is behind the film's lead casting, specifically Fiennes' choice of a dancer over an actor. In the expressive yet internalised Ivenko, the picture gains a performer accustomed to conveying everything that transcends words, and one who demands an audience's attention with a fierce gaze and unwavering physicality. Making the leap from the Tatar State Academic Opera and Ballet Theatre in Kazan to portraying Russia's 'lord of the dance', Ivenko plays Nureyev as determined and dedicated — to his art and to himself. In Rudi's mind, they're both one and the same. Born aboard the Trans-Siberian Express in 1938, he emerges from a bleak childhood to find solace at a St Petersburg dance academy. Under the tutelage of mentor Alexander Pushkin (Fiennes), he's moulded by discipline and structure, though he rankles against the corresponding rules and surveillance. Then, on a visit to Europe while with the Kirov Ballet, Nureyev realises that his art and self will never thrive in his homeland. Parisian lights, sights and parties beckon, as do friendships with French dancer Pierre Lacotte (Raphaël Personnaz) and Chilean-French heiress Clara Saint (Adèle Exarchopoulos). Next comes his decision to flee to the west. Amidst handsomely shot frames, Fiennes tasks Ivenko with a responsibility placed upon all soloists, asking him to be one of the guiding lights without completely carrying the entire production. Despite his on-screen inexperience, the Ukrainian is certainly capable of the latter, but that's not what a ballet recital or a movie is about. And so, his co-stars add texture and detail around his central role, with Fiennes unsurprisingly the standout supporting player in a solely Russian-speaking part. Another real-life dancer, controversial superstar Sergei Polunin, acquits himself well as fellow Kirov troupe member Yuri Soloviev, whose prowess helps spur Rudi to push his own limits. From its defection focus, to its observational feel, to its solid performances, The White Crow boasts much that elevates it beyond the tried-and-tested biopic format. Alas, even though David Hare's script doesn't relay its narrative in a linear fashion, the film is far less engaging when it gets overly bogged down in the minutiae of the Cold War-era story — which can veer towards the routine, even for viewers unfamiliar with Nureyev's entire history. The same can be said of the movie's overt thematic nods, including unnecessary visual reminders of the freedom that's abundant abroad but absent under Soviet rule. That's all too straightforward, which Nureyev definitely wasn't. Although no single scene, on-stage or not, can wholly capture his essence, the ballet legend is better served by The White Crow's contemplative moments; as the title intimates, drawing from a Russian idiom, he's an outsider through and through. Accordingly, when he's seen staring intently at Géricault's painting The Raft of the Medusa and Rembrandt's The Prodigal Son at the Louvre, agonising over their detail and finding an unexpected creative connection in a different type of art, that's when Nureyev's spirit truly leaps off the screen. https://www.youtube.com/watch?v=v8M2n8YGFus
When 11-year-old Toni (Royalty Hightower) looks at the world, she does so from a specific perspective. That might sound obvious; however The Fits doesn't just follow her journey — it embraces everything that makes the shy pre-teen who she is. When the camera isn't peering from her point of view, it's showing how her body reacts to everything around her. And with movement Toni's main way of processing her thoughts and conveying her feelings, the movie's editing tries to mirror its protagonist's distinctive presence. Indeed, if most coming-of-age films champion the universal nature of growing up, then Anna Rose Holmer's feature filmmaking debut endeavours to celebrate Toni's individual experience. The first-time writer-director understands that everyone encounters similar issues and situations at a young age, including the awkward prospects of trying something different and making new friends. But with her co-scribes Saela Davis and Lisa Kjerulff, Holmer also acknowledges that it's the unique details, rather than the broader strokes, that make each story interesting. Accordingly, The Fits burrows deep into Toni's mindset as it explores her attempts to join local dance drill ensemble The Lionesses. When the film opens, she's a tomboy happily tagging along to her older brother's boxing training sessions at the local community centre — until the cheering and chatter emanating from another gymnasium in the complex attracts her attention. Soon, she's testing out their moves when no one is around, and working up the courage to audition. Alas, as Toni moves closer to the group, something strange happens: the rest of her teammates mysteriously start fainting and convulsing. Of course, it's not an accident that The Fits' title has multiple meanings. As Toni tries to fit in, her peers are literally having fits, which the jerkiness of their chosen style of dance unmistakably resembles. Such a sense of synergy is just one of the layered touches that makes the movie so simultaneously intimate and expressive. While the film brings a particular narrative to the screen, it's more concerned with the emotional voyage that eventuates, rather than the underlying plot points. As a result, even though a number of eye-catching dance numbers feature throughout its 72-minute running time, The Fits isn't a dance film in the usual sense. Instead, it's a tale that can only be told through movement and a heightened awareness of physicality, and through the stylistic and acting choices that emphasise the difference between stepping up and communicating a psychological state. Holmer displays rare confidence behind the camera, especially when it comes to the film's immersive soundtrack, symmetrical framing and rhythmic choreography. But it's the cast of non-professional actors that ensure the film hits home. Led by Hightower, they're the reason the movie doesn't just look striking, but feels like an authentic glimpse into the mind of a pre-teen girl.
Dead Language are a New York based trio who dedicate themsevles to breathing new life into old music. Based on the idea that scored music (as in, written for a play, musical, opera, ballet, television programme or film) can be seen as a dead language akin to Latin. Unfamilliar to some, forgotten by most. Utilising aspects of the art world (theatre, visual art) and with the help of others, Dead Language are shining a light on forgotten songs and reinterpreting them for a contemporary audience. Dead Language will be performing works by Morton Feldman, George Lewis and Bernhard Lang and will be accompanied by Graeme Jennings (violin) and students of Queensland Conservatorium’s New Music Ensemble and Jazz department. This is a one off show, so if you are at all interested in musical history or just keen for some soothing sounds, get to the Queensland Conservatorium on the 9th of October. Oh, and the show is free too - so there is another good reason to head along.
Tina Fey hasn't starred in, created or executive produced a bad sitcom yet — and when the first season of Girls5eva dropped back in May, it continued that trend. In its own way, it's another workplace comedy like 30 Rock and Great News. And, albeit in a completely different manner to Unbreakable Kimmy Schmidt, it also follows a group of women trying to navigate new lives years after they were thrust together under extreme circumstances. The setup: more than two decades after they split up, the four remaining members of a late 90s girl group decide that it's time to get the bad back together. Now in their forties, they're all at different points in their lives, but rekindling their dreams is too enticing to ignore. Sara Bareilles (Broadway's Waitress), Busy Philipps (I Feel Pretty), Renée Elise Goldsberry (Hamilton) and the great Paula Pell (AP Bio) play Girls5eva's reunited members, Fey pops up as a fantasy version of Dolly Parton, and the comedic takes on 90s pop tunes are all both 100-percent spot on and so ridiculously catchy that they'll get lodged in your head for weeks. Also pitch-perfect: everything about this immensely funny take on stardom, fame and the way that women beyond their twenties are treated. In great news for everyone who has already streamed their way through the show's eight-episode first season and instantly found themselves wanting more — and for anyone who is yet to go through that process, too — Girls5eva has just been renewed for a second season. So, expect more earworm songs and jokes about the entertainment industry, although exactly when the next season will drop hasn't yet been revealed. Like its first season, Girls5eva's next batch of episodes will stream in Australia via Stan whenever they do release. For now, you can check out the trailer for the show's first season below: Exactly when the second season of Girls5eva will drop hasn't been announced, but the show's first season is available to stream now via Stan.
Next time you crack open a can of BrewDog's Punk IPA, you might find yourself motivated to welcome a new four-legged addition into your family. Teaming up with Animal Welfare League Queensland, the Scottish brewery has brought its Street Dog initiative to Australia — profiling adorable dogs that are currently available for adoption across its cans. If you're the type of person that pats every pooch you see, and takes a daily walk past the local dog park just so you can get a glimpse of those adorable canines and their little faces, then you're also the kind of person who'd love to see pictures of puppers while you're sinking a brew. The photos adorn select Punk IPA packs, which have been badged 'Street Dog'. And yes, if you fall in love with the little fluffball staring back at you from the can, you can give it a home. By picking up a few Street Dog brews — which are on offer in eight- and 16-packs — you'll also be helping doggos in need another way. BrewDog is also donating all of the profits from sales of the beer to Animal Welfare League Queensland. And, although it's brewed at the company's Australian base in Brisbane, it's only making the beer available via its new online store, so everyone nationwide can stare at these canine cuties over their next cold one. Street Dog actually started in the UK earlier this year, as inspired by comedian Ricky Gervais. The comedian tweeted about his genuine fondness for Punk IPA, while also noting that businesses in general were better off giving their money to charities than paying for celebrity endorsements — and, taking his words to heart, BrewDog decided to start supporting homeless dogs, a cause that Gervais has been vocal about. Cue BrewDog cans covered with photos of dogs, which, when they launched in Britain, helped all of the pups featured on the tinnies to find homes. If you're wondering about the timing of bringing the Street Dog initiative to Australia, it's designed to help give the profiled pooches a permanent home before Christmas hits. The 375-millilitre cans will be available to purchase online until sold out. BrewDog's Street Dog limited-edition version of its Punk IPA beer is available to buy as an eight-pack for $40 and a 16-pack for $70.
Your local takeaway spot might be convenient when you've been stuck at work all day, but it's far from kind on the environment — or your wallet, for that matter. With the right know-how, you can spice up your midweek meals without too much hassle. We've partnered with Glad and its Glad to be Green range to bring you six simple, eco-conscious dinner ideas that'll not only keep more cash in your bank account, but also see fewer takeaway containers ending up in landfill. Roll up those sleeves and get ready to whip up feasts every night of the week. ADD MEAT-FREE MONDAYS TO THE DIARY After an indulgent weekend, you'll want to put your best foot forward when the new week comes. Regardless of whether you're consciously looking to go full vegan, starting the week off a plant-based dinner means you're cutting back on one of climate change's biggest contributors: the meat industry. If you're someone who likes numbers, according to this study beef has a carbon dioxide equivalent of 59.6 kilograms. To compare, tofu has an equivalent of three kilograms. These days, about 12.1 percent of Aussies eat a fully or mostly vegetarian diet. Don't know where to start? Treat yourself to a couple of cookbooks. Some go-tos include Hetty McKinnon's To Asia, With Love and Neighbourhood; Smith & Daughters' Shannon Martinez's cookbook Vegan with Bite; and, of course, Ottolenghi's newest title Flavour (or any from his Plenty series). Once you've cooked up your veg-packed feast, simply cover any leftovers with Glad to be Green cling wrap — made from 50 percent sugarcane and with a smaller carbon footprint — and consider tomorrow's lunch sorted. HAVE POTLUCK DINNERS WITH MATES Next time you're having mates round, organise a potluck dinner rather than hitting up the local pizza shop for a mediocre slice (and subsequent greasy box that can't be recycled). First up, it's a gamble as to what everyone will bring and, therefore, you'll be tucking into all sorts of delicious dishes. Plus, it's likely to save everyone some cash and your friends get to flex their kitchen skills. With everyone bringing a plate — and some quality stories — to share, this is a great way to add some more home-style cooking and community to your life, too. And, there'll be a lot of food going around the table, which means no one will go hungry. SLOW ROAST AS YOU WFH Many of us have come to know the pros and cons of WFH life. But one undeniable benefit of working from your home office (or couch) is that you can slink away from the computer to prepare a glorious dinner. Whether you're cooking for your partner who has to go into the office or prepping a feast for your friends, slow roasting is super easy — when you actually have the time to do it. So, as time is on your side when you're commute-less, you can try out new roast dinners each week. Whether you prefer sticky pork, rosemary-covered lamb shoulder or bourbon- and honey-glazed brisket, these slow-roasted meats are heartwarming meals for when the cold weather hits. Just be sure to layer your roasting pan with Glad to be Green compostable baking paper to cut down on the messy cleanup. It's certified home compostable, and it even breaks down in a worm farm. KEEP THINGS SIMPLE WITH ONE-POT WONDERS Replace the convenience of takeaway with an even more practical one-pot dinner. Although your meal might not get delivered straight to your door, there's not much cleaning involved when you throw all the ingredients into the same cauldron. Which, let's be honest, is a big reason why we often turn to delivery apps in the first place. From quick 'n' easy stir-fries and soups to veggie laksas and casseroles, there are plenty of one-pot wonders out there. Plus, you can put any leftovers in Glad's new plant-based resealable sandwich bags, which are made with 50 percent sugarcane (a renewable resource). These bags are also freezer safe, so you can store leftovers for longer, ensuring you have a quick, fuss-free dinner for the next time cooking from scratch is too much of a chore. MAKE A HOUSEMATE ROSTER Coming up with homecooked dinner ideas doesn't have to be harder than picking something on Uber Eats. But, sometimes inspiration is lacking after a day at your nine-to-five, we get it. If you live with others, why not come up with a roster? That way, it's easy to plan for, everyone gets a night off the pots and pans, and you don't have to cook those sad dinner-for-one meals. After all, food is better when shared, right? To make your new schedule a success, it's a good idea to liven up each night of the week with some broad themes, too. It'll also help ensure no one is stuck for ideas. Of course, you'll want to take into account your housemates' culinary and dietary preferences to avoid encountering any awkward dinner conversations. COME TO LOVE LEFTOVERS Leftovers are a godsend when you've got an itch for cheeky takeaways. Instead of having to dip into your savings (and even possibly impact your chances of a future homeloan), you can swing open your fridge or freezer and pull out a tasty creation cooked by yours truly. Not to mention, you're doing your bit for the planet, too. In fact, you can store your leftovers in Glad's plant-based snack and sandwich size resealable bags if you want to divvy them up into perfect portions. So, when you CBF to cook next week, you've already got yourself covered. Go green and visit the Glad website for more tips and tricks.
First it was the children's book that stunned a generation into awareness. Australia's colonial history was powerfully, simply laid bare by the allegory of The Rabbits — arriving, multiplying and eventually controlling the peaceful native marsupials. Now, it's an Australian-grown opera, dreamed up by John Sheedy, the artistic director of Perth's Barking Gecko Theatre Co. Before its premiere at last year's Perth Festival, Sheedy revealed why he had to make the show. “I was completely inspired, and in awe that, between Shaun Tan’s illustrations and John Marsden’s powerful and economic language, they tackled such huge themes," he told the Australian. "You can spend an hour on each page and make discovery after discovery ... The epic nature of the illustrations just lent itself to an opera.” Two of our brightest female artists were enlisted to create the music and libretto: Kate Miller-Heidke (who also performs as the principal soprano) and Lally Katz, along with set and costume designer Gabriela Tylesova. From the looks of it, the expressively angular animals dwarfed by dusty landscapes look just as magical as Tan's. Indeed, the Perth, Melbourne and Sydney seasons saw The Rabbits applauded as an exceptionally brave, vital and moving work.
If you know Brisbane fashion, you've definitely stumbled across Frock Paper Scissors at some point. This annual fashion and lifestyle publication from QUT features the best content from its creative industry students. Every year, the magazine becomes a fashionista bookshelf staple, and their 2014 edition is proving no different. Frock Paper Scissors 2014 Launch Party kicks off on November 20 at The Glasshouse at QUT. Join in celebrating the dedicated work of the creative minds who've been slaving tireless for four months to show off Brisbane’s most inspiring and innovative happenings in the fashion world. Tickets are $25, and that include drinks, food, entertainment, and of course, the star of the evening — a copy of the ninth edition of Frock Paper Scissors. Meet and mingle with some of Brisbane's most promising up and comers, with a glass of champagne in one hand and one of Brisbane's hottest mags in the other.
The day ‘our’ Kylie – Charlene - locked lips and hearts with the best mullet on Ramsay St - Scott – Australian TV history was made, according to Harold. Since then, we can only assume in their totally hypothetical, fictitious marriage they spawned the band whose taken on mum and dad’s awesome day to be one of Australia’s toppest knotched rock bands. Scott and Charlene’s Wedding is dangerously occa, with enough indie integrity to pull itself back from a full Farnhaming. With the second album, Any Port in a Storm already under their belt, and a fanbase both charmed and confused by the musical antics of this group, Scott and Charlene’s Wedding is a band that pulls threads from a dozen genres to make music that’s rich and strange. Black Bear Lodge will be playing host to this part gig, part ceremony for a bargain price of $13. Give your blessing to Scott & harlene's Wessing and their dazy, dreamfilled tunes. Check out Scott & Charlene’s Wedding’s Footscray Station
Just months after one Melbourne proposal claimed to be constructing the country's tallest building, another towering skyscraper has popped up to snatch its lofty crown. The latest super-tall contender is the $2 billion Green Spine, with UN Studio and Cox Architecture emerging victorious in the international competition to design the new addition to Southbank, all for developer Beulah International. Winning out over five other shortlisted proposals, the 356.2-metre-high Green Spine is actually two cantilevered towers that sport a noticeable twist — that is, the structures both physically twist in their geometric design. Terracing and glass also feature prominently, as does greenery. Indeed, as well as plant-filled public spaces along the ground and stepped lower levels, the building will include a 'future botanic garden' at its peak, which will basically be a garden in the sky that's accessible to everyone. Before you start looking up, however, The Age reports that a building application hasn't yet been submitted for the mixed-use development, which plans to feature apartments, offices, a hotel, retail spaces, an entertainment centre, restaurants, bars, a BMW showroom, a school and even a cinema. If it does come to fruition, Green Spine could possibly eclipse the previously announced Magic, also in Melbourne, which will span between 330 and 362 metres. The city's current tallest building is the 297.3-metre tall Eureka Tower, however the 319-metre Australia 108 residential tower at Southbank is in progress, and the 323-metre-tall One Queensbridge tower is also slated for the Crown precinct. Around the rest of the country, the Gold Coast's Q1 presently reaches 332.5 metres, with the new 328m Orion Towers in Surfers Paradise in development.
Girls called Cinderella only find their Prince Charming in fairytales, so what's someone named Cindy supposed to do in the age of Tinder dates and internet porn? Local comedienne and theatre-maker Genevieve Butler explores the complexities of modern romance in her latest show, while also delving into the stuff that comes after flowers and chocolates. That'd be commitment, scandal and desolation — aka the more serious side to chance encounters and ideas of living happily ever after. This isn't your usual rom-com, but if you've seen it in a cheesy flick or sappy story, it probably informs this awkward, humorous dissection of love.
When Brisbane Comedy Festival arrives each year, it does so with one mantra: anything can happen at a comedy fest. Yes, plenty of supremely talented folks hop behind the microphone to entertain audiences with hour-long sets, aka the usual festival staple; however, that's never all that's on the lineup. When it comes to top-notch comic stars unleashing their latest excuses to get giggling, BCF 2023 has plenty of options. In total this year's event will feature 350-plus gigs by more than 110 comedians by the time it wraps up on Sunday, May 28. Looking for something beyond the standard setup — as stellar as it always proves? If you're keen on Tarantino tributes, saucy cabaret, improvised murder-mysteries and two kinds of roast in one, you're catered for as well. Comedy fans, here are eight events to add to your diary.
Since the first-ever Valley Fiesta back in 1997, one of Brisbane's favourite events has popped up in all shapes and sizes. Its suburb remains the same, obviously, but how many days it runs for, exactly where in Fortitude Valley that it sets up its stages, who is on the bill and whether there's more than just tunes involved can change from year to year. Accordingly, whenever the program drops, Valley Fiesta's surprises span more than just the lineup. In 2024, this massive street party is returning as a one-day affair — and heading along is free. From 1.30–10pm on Saturday, October 26, the all-ages event will take over Brunswick Street, Winn Lane and Bakery Lane, setting up four stages featuring 20 local and national acts. On headlining duties: Meg Mac, May-a and The Buoys. Attendees will find the QMusic-produced roster of talent's key trio on the main stage in the Brunswick Street Mall, joined by Daste, Velvet Trip, Porpoise Spit, Deafcult and 01 Thurman. Valley Fiesta's primary location will also feature a DJ stage, with Zed Mero, Danyon, Eve and Eljae on the decks. Or, Brisbanites can hit the laneways to enjoy tracks spun by a QUIVR lineup of Patricia, DJ EmGem, Kodos, First Beige DJs, Sophie McAlister and Andras in Winn Lane. Bakery Lane isn't missing out on the action, either, thanks to a DJ stage with Luke Brazier and Jimmy Ellis. [caption id="attachment_974506" align="alignnone" width="1920"] Dave Kan[/caption] "Brisbane is Australia's lifestyle capital and home to some of the country's most iconic music venues — many of which are in the heart of Fortitude Valley. The arts and entertainment industry needs our support and this fantastic free event means more people can get out and back our incredible local artists," said Brisbane Lord Mayor Adrian Schrinner, announcing the lineup. "Thousands of people attended last year's event and we will continue delivering programs just like this to create more to see and do in suburbs right across Brisbane." "Valley Fiesta is one of the key music events at Australia's greatest music precinct. t's a spectacular chance for everyone — whether they're new to Valley or been coming for years — to experience what makes the strip famous the world over," added QMusic CEO Kris Stewart. Valley Fiesta 2024 Lineup Brunswick Street Main Stage: Meg Mac May-A The Buoys Daste Velvet Trip Porpoise Spit Deafcult 01 Thurman Brunswick Street DJ Stage: Zed Mero Danyon Eve Eljae Winn Lane QUIVR Stage: Patricia DJ EmGem Kodos First Beige DJs Sophie McAlister Andras Bakery Lane DJ Stage: Luke Brazier Jimmy Ellis [caption id="attachment_974507" align="alignnone" width="1920"] Dave Kan[/caption] [caption id="attachment_974505" align="alignnone" width="1920"] Tom Sue Yek[/caption] Valley Fiesta 2024 takes place on Saturday, October 26. For further information, head to the QMusic website.
With the Gold Coast set to host the 2018 Commonwealth Games, south-east Queensland's favourite sun, surf and sand-drenched tourist strip has been starting to look a bit different over the past few years. Light rail, new sports venues, a revamped Pacific Fair, new Jupiter's restaurants and bars — the list goes on, and Australia's largest night market is set to join it. Due to open in early 2018 before all things sporting take over, but destined to become a permanent fixture, The FareGround will transform an empty two-hectare Carrara block into an dining entertainment precinct. Located near Metricon Stadium, four kilometres up the road from the casino, and based around a 250-year-old Moreton Bay fig tree with a branch span of 40 metres, it aims to combine the best of two beloved worlds: fairgrounds, as the name suggests, and food. Think rides and sideshow games, dedicated stations for street performers, buskers, circus acts and theatre performers, and a 750-person live venue for local musicians. And as far as eating and drinking is concerned, think 70 semi-permanent vendors including 40 street food kitchens, plus wine, beer and cocktail bars littered around the fully licensed site. 30 spaces for local arts and crafts stalls will also feature. The project is the brainchild of night market entrepreneurs Michelle Christoe and Ian Van der Woude, who already worked their magic on NightQuarter Helensvale — as well as business identity Terry Morris, who owns the nearby daytime Carrara Markets. Expect it find it up and running from Friday to Sunday once 2018 rolls around (as well as Wednesday and Thursday evenings during school holidays), and expect it to be busy. The FareGround will be able to seat 4000 people, in case you didn't think it sounded massive enough. For more information about The FareGround, visit their website and Facebook page.
Surfing and gig-going have always been two of Australia's best-loved pastimes, and in 2018 we scored a festival celebrating the best of both worlds. After returning this year, it's back for its third round of autumnal beachside festivals. Returning from February–April 2020, The Drop festival will cruise around the country as it once again follows the Aussie leg of the World Surf League (WSL) Championship Tour — and it's bringing a banging little lineup of musical gold along for the ride. Surfing the festival wave are dance music legends The Presets, Aussie indie-rock chart-toppers Boy & Bear and Brisbane's Ball Park Music, along with other local acts Allday, DZ Deathrays, Kita Alexander and Graace. Held on the first weekend of each area's surfing event, The Drop is set to grace some of the Australia's most iconic surf spots, each outing featuring a locally focused offering of food, drink and culture, to match the tunes. As well as heading to the official WSL events in Torquay, Margaret River and Coolangatta as it has since 2018 — and forming part of WSL Qualifying Series events Surfest Newcastle and Vissla Sydney Surf Pro in Manly, as it did in 2019 — the fest will also hit Noosa as part of the WSL Noosa Longboard Open. [caption id="attachment_753214" align="aligncenter" width="1920"] Ian Laidlaw[/caption] THE DROP FESTIVAL 2020 LINEUP The Presets Boy & Bear Ball Park Music Allday DZ Deathrays Kita Alexander Graace THE DROP FESTIVAL 2020 DATES Noosa, Qld — Dolphins Rugby Club, Sunshine Beach, Saturday, February 29 Newcastle, NSW — Empire Park, Saturday, March 7 Manly, NSW — Keirle Park, Saturday, March 14 Coolangatta, Qld — Queen Elizabeth Park, Saturday, March 28 Torquay, Vic — Torquay Common, Saturday, April 11 Margaret River, WA — Barnard Park, Busselton, Saturday, April 25 The Drop tickets go on sale from 6pm AEDT on Wednesday, December 4, with pre-sales available from 6pm, Tuesday, December 3 for folks who register in advance (prior to 6pm, Monday, December 2). For more info, visit thedropfestival.com.au. Images: Walk Wild Studio/ Miranda Stokkel / Ian Laidlaw.
Mecca, aka the Melbourne-born beauty and cosmetics chain that has won fans the country over since it launched in the 90s, has been opening stores around Australia for the last 20 years. And it's currently hosting a huge online sale with 50 percent off a heap of products. That's good news for everyone, including your bank balance. If you haven't jumped on the Mecca bandwagon yet, then prepare to nab all those prestigious international brands you can't get elsewhere — as well as its own line of products. It's a makeup mecca, and more than a 100 different products are currently on sale. You can nab half-price Urban Decay highlighter, Nars eyeshadow, Too Faced concealer and Bare Minerals products — just to name a few of the items on sale. If this is the excuse you needed to boost your makeup bag, the sale runs online — on both Mecca Australia and Mecca NZ websites — from 7am on Tuesday, June 30 until 6.59am on Tuesday, July 14 (or till stocks last).
Richard Tognetti is the Heston Blumenthal of Australian classical music. He is a master of his craft, an experimentalist and most importantly a composer whose work has continuously radiated perfection. Now, in Tognetti's latest and most ambitious project to date, The Reef, he takes his audience to the rugged coast and desert landscape of northern Western Australia. In what is best described as a beautiful yet delicate marriage of pieces, Tognetti intersects music and nature to create a unique cinematic and musical experience. Tognetti, however, is not a solo artist in this production. In what is a remarkable collaboration of artists, including photographer Jon Frank, director Mick Sowry, composer Iain Grandage, didgeridoo player Mark Atkins, singer Stephen Pigram and the young musicians of ACO2, The Reef delves into links between surfing, the ocean, landscape and music. Dive in and be mesmerised by the swirls of music, arid landscapes and captivating footage that is, The Reef. Take a sneak peek at The Reef
When March rolls around, Brisbane won't just have welcomed one major new night market for 2019. It'll also become home to another fresh addition. The second debutant for the year is heading to the city's north, will happen every Friday and Saturday night, and will serve up plenty of food. Created by caterer Tom Burke, BITE Markets has its sights set on your stomach — and it'll have 40 'flavour makers' on its lineup to keep your hunger in check. Fancy German street food? Sweet treats in the form of brownies, doughnuts, churros and poffertjes? Dumplings, momo, gozleme, paella and Japanese eats? They're all on the menu, with the likes of Mitte Berlin Street Food, Don Quijote Paella and Tapas, Tibetan Momo Café, Donut Kitchen, Mister Churros, Mr Bunz, Zoe's Brownies and Mocktail Madness coming to North Harbour to sling their wares. A shipping container setup like Hamilton's Eat Street — complete with landscaping and a dining precinct — BITE Markets will showcase local talents, so prepare to feast on meals whipped up by the best producers, food creators and artisans in the area. Kicking off across Friday, March 1 and Saturday, March 2 from 4–10pm each day, then returning every weekend, the huge foodie gathering will call a patch of Nolan Drive in Morayfield home. Entry will cost $3 for adults, and for those driving north, there's more than 600 car parks onsite.
Ah 21st century, you’re just flying along these days aren’t you? Bringing Mos Burger to the Queen Street Mall, inventing cars that can parallel park themselves, and arming every Gen Y with an internet connection the power to comment on society. Recognising this recent phenomena are the latest bunch of talented students studying at the Queensland College of Art. Outlining the intrinsic relationship between humans and their need to constantly celebrate their life online, this group of artists have put together a collection of artwork showcased under the title NOWstalgia. Highlighting how interesting it is having access to amazing technology and depicting how the present is somehow resulting in a sense of loss, the eighteen emerging artists have created a varied and eclectic amount of work that is sure to intrigue, cause wonderment and definite dialogue. It also wouldn’t be commentary on the 21st century if Twitter wasn’t involved. As part of the lead up to the opening date, NOWstalgia has launched their own twitter feed which all 18 artists are contributing to anonymously. It can be considered a preview artwork of sorts, and with comments such as “my eyeballs are cold” and “just ate that whole pizza. It was pretty great” you be can guaranteed NOWstalgia will be entertaining.
It's been a while in the making but planning for the 'adult Triple J' is now well underway, with Myf Warhurst at the helm. After taking control of digital music channel Dig in October last year, Triple J today announced that the over-30s station will be rebranded as Double J and officially launched on April 30 with Warhurst as regular presenter. The new station name is a throwback to Triple J's early days as Double J — a time when listeners were introduced to The Ramones and Joy Division and the station became a landmark in Australia's music history. Now, Double J will focus on the nostalgia of the '80s and '90s "celebrating the iconic music you grew up with" (N.B. This means a lot of Nick Cave, Nirvana and INXS), while adding in some palatable new sounds. "We have wanted to build a station like this for a number of years and now, with your help, we are really proud to deliver Double J," says Triple J manager Chris Scaddan. "While it won’t be a throwback to the music of the original Double J, it will be a station that takes the best elements of triple j’s past - a name, a presenter and the incredible archives, thrown headlong into the future with the best new sounds around." The reaction on Twitter has been positive with a touch of needling. — Callum Wilson (@Cal___) April 8, 2014 HEY! Gen X (old people) stop listening to @triplej its sad & you're making it uncool.We made you another thing over here #DoubleJ #TripleJ — Michael Davis (@MikeyMikeD) April 8, 2014 Regardless, the move is a necessary step to satisfy those who have felt disconnected from the national youth broadcaster of late. Alongside the usual complaints — "The Doctor sucks"; "Dubstep sucks"; "I hate hipster music and banjos" — Triple J has courted some controversy in the past few months about the homogenisation of their playlists. Faced with the familiar, high-rotation airplay of young indie acts like San Cisco, upcoming bands and old favourites alike have been reportedly feeling pressure to conform to a specific sound. Double J will hopefully help to quell this unrest and provide a bit of diversity to the listening landscape. "One of the best things any of us working in the media can do is to deliver something that audiences genuinely want," says ABC director of radio Kate Dundas. "We recognise people want to stay connected to music and discover new artists as they go through life — that’s the simple aim of Double J." Double J will launch at midday on Wednesday, April 30, with a live broadcast from Warhurst. The former Spicks and Specks favourite will present a daily show from 11am–3pm weekdays. The full list of programs and presenters will be revealed on air and you can listen in via the ABC radio app, online at www.doublej.net.au, or on your digital radio or TV.
When October rolls around each year, there's really only one appropriate thing to watch. That'd be horror movies, horror movies and more horror movies — all leading up to Halloween, obviously. Australia's A Night of Horror International Film Festival clearly loves the genre no matter the time of year; however, in 2021, it's showcasing its lineup of fear-inducing flicks in the two weeks right before the spookiest day of them all. So, from Monday, October 18–Sunday, October 31, you can get your scares at its virtual fest. And yes, by jumping online, that means the event is accessible nationally as well. This is A Night of Horror's 13th fest, fittingly, and it comes with an unsettling program of shorts and features. From the full-length titles on the bill, highlights include the UK's Lair, about an occult expert and skeptic with a pal who thinks he's possessed; New Zealand's The Turn of the Screw, the latest big-screen adaptation of Henry James' novel; and the Aussie-made My Cherry Pie, which nods back to 80s slasher fare — plus dreamlike Austrian effort Memory, and the supernatural and sinister Sunod from The Philippines.
When most people graduate from high school they leave behind their days in the science lab, where they once learnt about the periodic table and played with magnets. However for those who keep a flame burning for Miss Frizz of the Magic School Bus, it can be very hard to find adult opportunities to satiate the need to conduct experiments, create hypotenuses and make rockets fly. Hearing your cries of desperation, South Bank’s The Edge has created The Science Fair – an experience to fulfil every desire your 9am-5pm job is lacking. The day is jam packed with a large and eclectic varieties of workshops and activities to inspire you to release the mad scientist within. Best of all, everything is free! So hunt around in the back of your cupboard for that white lab coat you know is in there, and keep next Saturday free.
When Australian sporting history is being made, Brisbane turns out. It happened during the 2022 Men's World Cup. For a glorious winter month this year, it kept occurring during the Women's World Cup. And, with the Brisbane Lions into their first men's AFL Grand Final since 2004, it's happening again — with the River City splashing around plenty of maroon, blue and gold to celebrate. When the Lions beat Carlton in the preliminary final on Saturday, September 23, the Lachie Neale- and Harris Andrews-led team earned a spot in the AFL decider at the MCG on Saturday, September 30 — but, unsurprisingly, tickets to the Melbourne game aren't easy to get. So, for everyone staying in Brisbane, South Bank is hosting a free live viewing site, just as it did when soccer fever was sweeping the city. Thanks to AFL Queensland and the Brisbane Lions, the Grand Final festivities will feature a finals hub at South Bank's Riverside Green from Thursday, September 28–Saturday, September 30, complete with AFL clinics and other all-ages-friendly activities. Fancy seeing if you can hit an inflatable target with a handball? That's on the agenda as well, plus face painting for kids, merchandise stalls — slinging Lions gear, of course — and signups for both children and adults who are keen to play Aussie Rules footy themselves. Then, on Saturday, September 30, the big screens at South Bank Piazza and Streets Beach will show the big dance, with the Lions taking on Collingwood in the AFL Grand Final from 2.30pm. If you're an AFL fan, there's no better way to spend the last Saturday in September. And if it all sounds familiar, that's because the team's famous three-peat of premierships back in 2001–03 included wins over Collingwood in 2002 and 2003. The Brisbane Lions AFL Grand Final hub at South Bank will run from Thursday, September 28–Saturday, September 30 — head to the Lions website and AFL Queensland's website for more information Top image: Flickerd via Wikimedia Commons.
Unfolding over 200 kilometres, the country's largest outdoor gallery will soon play host to the new Silo Art Hotel — a luxury, street art-themed pop-up getaway located in Sea Lake, near the northwest corner of the art trail's looped route. Announced today, Monday May 17, the Silo Art Hotel will give visitors an opportunity to spend the night just a short hop away from the trail's many spectacular visual offerings. Located beside the vivid pink waters of Lake Tyrrell, the hotel is crafted from three repurposed shipping containers, two of which have been transformed into luxe suites. The third has been reimagined as a heated open-air swimming pool, ideal for weary travellers after a long day spent exploring the region. It's all appearing for just one month, from June 11–July 12 this year. A joint effort from Visit Victoria and street art collective Juddy Roller, the Silo Art Hotel will offer some visual splendours of its own with the Matt Adnate Suite and Drapl & Zookeeper Suite each kitted out with never-before-seen artworks from their respective namesake artist. Adnate concepted and created the mural on the Sheep Hills silos in 2016, while Drapl & The Zookeeper are behind the collaboration that has graced the Sea Lake silos since 2019. A colourful mural by Rosebery silo artist Kaff-eine will adorn one side of the pop-up swimming pool. [caption id="attachment_812361" align="alignnone" width="1920"] The Sea Lake silos, featuring artwork by Drapl and The Zookeeper.[/caption] The Silo Art Hotel design is the work of Contained — the same crew behind The Wine Down pop-up winery hotels. The two self-contained hotel rooms boast high-end features including fancy Cultiver linen and robes, Australian-made toiletry products and a mini bar stocked with local goodies. Each room will also boast a private deck, ensuite bathroom and reverse cycle heating and cooling. The Silo Art Trail has been slowly and steadily expanding since its conception in 2016. It currently features 10 large-scale artworks, painted onto towering silos dotted across the state's Wimmera Mallee region. The Silo Art Hotel will pop up at Sea Lake from June 11–July 12. Rooms are $275 per night Sunday through to Thursday, and $375 per night from Friday to Saturday. Head to the website to book your stay.
It doesn’t take a genius to grow some plants, but it does take one to craft an entire art exhibition out of them. Scott Eady’s The Shit Gardener takes everything you thought you knew about the humble garden and reworks it into a collection of art that intrigues, confuses and creates a pleasant amount of awe. You won’t find shimmering, waxed apples or Coles-quality carrots at this exhibition. Eady’s practices are more mischievous, intertwining a humour and irony that spawn endless interpretations. His collection of cast bronze garden vegetables, quail egg-crusted potatoes and other green creations at a glance might seem banal but quickly take on a duality of their own. Having recently exhibited at the Gwanju Biennale, the Venice Biennale and the Auckland Art Fair Project, the Dunedin artist's work is now going on show at a href="http://smallworksgallery.com.au/">SmallWorks. All in all, Shit Gardener. Good Artist.
Surfing and gig-going have always been two of Australia's best-loved pastimes, and now we've scored a festival celebrating the best of both worlds. Debuting this autumn, The Drop festival will cruise around the country as it follows the Aussie leg of the World Surf League Championship Tour and it's bringing a banging little lineup of musical gold along for the ride. Surfing the festival wave for 2018 are Canberra favourites Safia, Indie pop darlings San Cisco and Brisbane rockers Dune Rats, along with other local legends Holy Holy and Ruby Fields. Held on the first weekend of each area's surfing event, The Drop's set to grace some of the Australia's most iconic surf spots, each outing featuring a locally-focused offering of food, drink and culture, to match the tunes. Catch it at Ebenezer Park in Tweed Heads on March 17.
For the third time in a year, across both the men's and the women's AFL competitions, the Brisbane Lions have made it to the grand final. Accordingly, also for the third time in a year, South Bank is dedicating its big screens to showing the Aussie Rules action. Just as it did twice in 2023, the waterside precinct is hosting a live viewing site, this time for the men's decider on Saturday, September 28, 2024. Go maroon, blue and gold: they're the colours that you should be wearing at either the South Bank Cultural Forecourt or while enjoying a splash at Streets Beach when the Brisbane Lions take on the Sydney Swans for the 2024 AFL men's premiership. On the day itself, the free grand final hub will start screening at both locations from 1pm, with kickoff at 2.30pm. South Bank isn't just celebrating the Lions on grand final day, however. The hub action begins on Wednesday, September 25, with AFL-themed activities taking over the Cultural Forecourt for three days before the match. On the agenda: AFL clinics and other all-ages-friendly activities. Fancy seeing if you can hit an inflatable target with a handball? You can try that, too — and there's also face painting for kids, merchandise stalls slinging Lions gear (of course), and signups for both children and adults who are keen to play Aussie Rules footy themselves. When the big dance rolls around on the Saturday, attendees just need to remember that both live viewing sites are alcohol-free — and also that you'll need to check your bags. If you're an AFL fan, there's no better way to spend the last Saturday in September. This is the first time ever that Brisbane and Sydney have faced off in the grand final as Brisbane and Sydney. The last time that the two teams competed against each other for the premiership was back in 1899 as Fitzroy and South Melbourne. In the 2024 AFL season, Brisbane and Sydney played one match, in Brisbane at the Gabba in July, with the Lions winning by two points.
A stone's throw away from the hubbub of the Valley lies a true gem, The Old Museum. Built in 1891, the building has always been a cultural centre and has played host to numerous gigs, art galleries and concerts. From it's beautiful exterior to its lively atmosphere and cultural events, it's easy to understand why this is a much-loved Brisbane venue. This Sunday, the Old Museum is holding a new project by musical director, Robin Jones and producer, Will Davy. Museum Collective are excited to start their new collaboration with the Old Museum as heaps of exciting music will be showcased in the coming months. Head along for a night of great music in a gorgeous setting. Tickets are free but must be booked through the Old Museum box office. There is a limit of 2 tickets per account.
When the team behind iconic Fortitude Valley music venue The Zoo dropped word of their latest venture back in March, they announced both a new laneway cocktail spot and a tribute — with Stranded, their fresh addition to Winn Lane, taking its name from The Saints' relentlessly catchy punk hit that'll always be a part of Brisbane's history. The bar opened its doors on Friday, April 8, but its ode to one of the city's pioneering bands echoes even louder just a few days later, following The Saints' frontman Chris Bailey's passing on Saturday, April 9. Owners Shane Chidgzey, Luke Johnston and Cat Clarke couldn't have predicted this turn of events; however, Brisbanites now have a fitting spot to say cheers to a homegrown legend. Obviously, like a snake calling on a phone, you've got no time to be alone at Stranded — which aims to be a haven for music lovers by also decking out the place in rock and punk memorabilia, and generally using 70s and 80s alternative culture as its guiding force. As well as moody lighting, exposed rafters, the requisite centrepiece bar sat in front of a booze-lined wall and DJs spinning vinyl, Stranded is mighty fond of creative tipples — but also pairs its boozy concoctions with bites to eat as well. So, it's the kind of place where you can flick through a 24-page drinks list while tucking into oysters, pumpkin arancini, 30-hour slow-cooked mezcal-rubbed beef cheek and grilled octopus. Oh, and then treat yo'self to piña colada panna cotta for dessert, too. Other menu highlights include boquerones, aka white anchovies and homemade focaccia; gravlax made with mezcal-cured salmon and davidson plum citronette; slow-cooked lamb ribs; Italian pan-roasted chicken with desert lime yoghurt; and affogatos in either espresso, pecan or chocolate flavours. From the drinks lineup, mezcal features prominently again, alongside tequila — there's even a separate section on the menu dedicated to the two, plus raicilla and sotol. But you can also sip your way through the Bernard's Delight (Maker's Mark, averna, sweet vermouth, honey and egg white); a martini made with Jinzu gin, red shisho Liqueur and sake; and a coriander and jalapeno mojito. And, downing blood peach sours on tap, picking from 20 beers, enjoying pet nats and rosé, and keeping a clear head with five virgin cocktails is all also on the agenda. Operating from Wednesday–Monday each week — including opening from 2pm on Sunday afternoons — Stranded is The Zoo crew's second new venture in 2022, after already branching out beyond just gigs with Zoopreme Pizzeria. Presumably, giving The Saints' '(I'm) Stranded' — both the song and the album of the same name — quite a few spins was always going to be the plan, but you can likely expect it to feature heavily on the bar's soundtrack over the coming months. Find Stranded upstairs at 3 Winn Lane, Fortitude Valley — open from 6.30pm–late Wednesday–Saturday and Mondays, and from 2pm–late on Sundays.
With the chilly weather well and truly upon us, what makes for a better night in than snuggling up with a cup of tea and a good read? It’s true, nothing beats a good book. How many times has the book been better than the movie, or you’ve kept reading just one more page into the wee hours of the morning, or you’ve fallen head of heals in love with a fictional character… oh, Mr Darcy. If your bookcase is gathering some dust and you’re dying to sink your teeth into a new page turner, head to the Lifeline Bookfest, the world’s biggest second-hand book sale. Hundreds of books are up for grabs so you’ll be sure to snag a bargain. Most importantly though, all money raised from the Bookfest supports Lifeline’s 24 hour crisis line as well as suicide prevention and awareness programs. Support a wonderful cause by finding a few pre-loved books at the Brisbane Lifeline Bookfest. Happy reading!
The Baroque Room is one of the multiple venues located within The Carrington Hotel, the Blue Mountains institution on Katoomba Street. Soon, it will play host to Ngaiire. The singer is undoubtedly a creative force of nature, as well as the first Papua New Guinean to feature in Triple J's Hottest 100. Since her Australian Idol appearance back in 2004, Ngaiire has been working on her unique brand of R&B and neo soul, which has seen her tour alongside acts as diverse as Flume and Alicia Keys. Her live performances are renowned for their theatricality, attention-grabbing costumes and incredible vocals — it's no exaggeration to say the mountains won't know what's hit them this spring. If you're keen to head along, you best get in quick as her later performance has already sold out. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively.
Despite the many different varieties of margarita available, only one is the undisputed best — no matter which tequila-soaked flavour it actually is. That type of marg: a free marg. And for three weeks from Wednesday, February 15–Tuesday, March 7, 10,000 of them are up for grabs around New South Wales, Victoria, Queensland and South Australia. International Margarita Day is upon us for another year, hitting on Wednesday, February 22, and tequila brand Altos is celebrating. That's where the hefty giveaway comes in, but starting early and running for a couple of weeks after the date itself. Days commemorating different foods are really just an excuse to sell more dishes, drinks and/or ingredients, but this is an occasion — and stack of freebies — worth saying cheers to. Exactly how many bars are pouring free 'ritas across the three-week period varies per state, but Sydneysiders can head to Employees Only, Watsons EQ, Coogee Beach Club, Marrickville Bowling Club, Club 77, Chula, Mejico, Kid Kyoto, Applejack Group's venues and more. For Melburnians, you'll want to make a date with places like Maeve Fox, Death or Glory, Fitzroy Beer Garden, Fable, Mejico, Public House and Common Man. Brisbanites, pop Emporium, Southbeach Social, Victoria Park, Brooklyn Standard, Pig 'n' Whistle West End and others on your list — and Adelaide residents, you're heading to Republic. [caption id="attachment_698575" align="alignnone" width="1920"] Employees Only[/caption] There are a few caveats, as always comes with these types of giveaways. You do need to sign up online first, which'll get you a voucher for that free marg and entry into a competition to win a trip to Mexico. Altos is calling the promo a Mexican wave, because if you get a friend to sign up as well, you'll score an extra entry in that contest. That — and those free cocktails — is excuse enough to get clicking and sipping. [caption id="attachment_869703" align="alignnone" width="1920"] Mejico[/caption] Altos Tequila's margarita giveaway runs from Wednesday, February 15–Tuesday, March 7. For more information, to register for your free drink and to find your nearest venue, head to the brand's website.
Forget about Ingmar Bergman, Stellan Skarsgard and Noomi Rapace. The cinema of Sweden has a brand new face — and by new, we mean very, very old. Adapted from the bestselling novel by Jonas Jonasson, The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared is the single most profitable film in the history of Swedish cinema. What drove audiences in such numbers to such a singularly unfunny comedy we'll chalk up to cultural misunderstanding The film, to its credit, delivers exactly what it promises to. On the day of his centennial, geriatric explosives expert Allan Karlsson (Robert Gustafsson) decides he's had enough of life in his retirement home and promptly shimmies through the curtains for a stroll. While at the bus station purchasing a one-way ticket to wherever, Karlsson accidentally comes into the possession of a suitcase full of drug-money — the first in a series of hi-larious coincidences and knee-slapping misunderstandings that follow the senior citizen wherever he seems to go. Indeed, the addlebrained pensioner is no stranger to misadventure. As flashbacks soon reveal, Karlsson apparently met, and influenced, most of the major figures of the 20th century, including Franco, Stalin and both Eisenhower and Reagan. He was also the lynchpin in the Manhattan Project, served as a spy for both sides during the Cold War, and spent some time in a Siberian gulag for his troubles. The film's most obvious compatriot would be something like Forrest Gump, but frankly, the comparison doesn't flatter. Gump wasn't exactly the sharpest hammer in the cutlery draw, but he had a certain childlike innocence that helped endear him to an audience. Karlsson, on the other hand, is just plain dumb. As such, it's difficult to care about either his past or his present, the latter of which sees him on the run from some skinhead bikers, intent on getting their money back in whatever way they can. The comedy is broadly slapstick, but with an undertone of callous black humour. Putting aside the fact that Karlsson helped invent the atom bomb and apparently feels not the least bit bad about it, the film regularly sees him cause the deaths, albeit mostly accidental, of people who cross his path. As it turn out, stupidity and nastiness doesn't make for an entertaining mix. The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared can hardly disappear from cinemas soon enough. https://youtube.com/watch?v=6SEiaODjTZw
Roll up, roll up, laugh-loving folks — it's that time of year. Think there's not much in common between a circus and a comedy festival? Well, both throw a feast of different acts your way for you to have a fine night out. And both will make you marvel at just what's possible — in terms of clever gags and, in comedy's case, how much more hilarity your stomach can handlee. At this year's Brisbane Comedy Festival at Brisbane Powerhouse — the event's eighth and biggest yet — there will be more than 66 comedians performing over the course of four weeks. The best thing to do is clear your schedule, dive in and prepare to give your face a workout. Here are our picks of the festival. By Sarah Ward, Shannon Connellan and Yelena Bide.
BTS ARMY unite: you've got a new must-visit getaway spot, and Airbnb wants to make your dreams a reality. Fancy getting a dream glow because you're holidaying in the dynamite South Korean estate where BTS filmed season two of their reality show In the Soop? Of course you do — and, if you nab the overnight stay, you obviously have permission to dance. The series' second season dropped back in 2021, so if you always have 'Butter', 'Heartbeat' or 'Fake Love' on rotation in your head, you've probably been eyeing off a stay in PyeongChang for a while. Your chance now comes via Airbnb, with the accommodation service adding to its lengthy list of pop culture-themed one-off experiences — which also includes the Bluey house, the Moulin Rouge!, the Scooby-Doo Mystery Machine and The Godfather mansion in the past few months. The idea with this listing: letting two BTS fans relax in the South Korean countryside like their idols did. Even if you're not a diehard devotee, it looks like a mighty luxe place to stay. Clearly, you'll get more out of it if you live, breathe and worship the band, given that it's largely decked out as it was during their time there. That includes some of the furniture seen on the show, so you can kick back with a book like RM, float on a unicorn in the pool like Jin and hit the trampoline like Jung Kook. Also included: a karaoke machine, sound system and all of BTS' songs and albums, right up to their latest record Proof; and a specially catered menu, including charcoal grilled Korean beef and tteokbokki. And, because there's seven BTS members, the one-night stay costs just US$7 — which is just over AU$10 / around NZ$11. Sadly, if you score the booking, you'll just miss out on the best spring day ever, with the trip taking place on August 29. If you're keen to make it right all night and stay gold in the scenic estate, you'll need to try to nab the reservation at 12pm AEST on Tuesday, August 2. As with all Airbnb special listings like this, you need to take care of your own travel costs there and back, including airfares — although this one does cover the round trip by car from KTX PyeongChang station to the BTS In the Soop property. For more information about the BTS In the Soop estate listing on Airbnb, or to apply to book at 12pm AEST on Tuesday, August 2, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Time of Blue.
Are you planning a fancy weekend away in 2016? Forget glamping (seriously forget it, let’s pretend it never happened), we suspect 2016 is going to the year of the gallery getaway. This is a wonderfully alliterative way of saying that 2016 is shaping up to be an amazing year for Australian galleries and you owe it to yourself to spend a few glamorous and very grown-up weekends out of town taking in the exhibitions. To help you get started, the Art Gallery of New South Wales and the Museum of Contemporary Art have a slam dunk of a prize pack to giveaway to a lucky couple (platonic or otherwise) which is designed to bequeath unto you a weekend spent enjoying the cornucopia of art and culture available in Sydney right now. The full prize will include return flights for two (economy from Brisbane, Canberra, Hobart or Melbourne), a night’s accommodation in the Sofitel Sydney Wentworth and two art passes which grant you entry into The Greats: Masterpieces from the National Galleries of Scotland exhibition at the Art Gallery of New South Wales and Grayson Perry: My Pretty Little Art Career at the Museum of Contemporary Art. If you need to bone up on the ins n outs of the current exhibitions, let us help you out: a review of Grayson Perry can be found here and a review of The Greats here. As if that wasn’t enough, they’ll also throw in a feasting voucher (glory of the gods!) for dinner at Matt Moran's Chiswick at the Gallery and drink vouchers for MCA's pretty, pretty Gin Garden. So if you win you can bank on two days of art, boozing, and artful boozing which pretty much sounds like the perfect weekend. Now go forth and enter the contest! Thanks to the Art Gallery of New South Wales, Museum of Contemporary Art Australia and the Sydney International Art Series, we have one trip for two to Sydney from Melbourne or Brisbane up for grabs. The prize includes two return economy flights to Sydney, one night accommodation at Sofitel Sydney Wentworth, two Art Passes (provides entry into The Greats at AGNSW and Grayson Perry at MCA), one dining voucher for CHISWICK at the Gallery, drink vouchers for the Gin Garden at MCA. To be in the running, subscribe to the Concrete Playground newsletter by January 18 and then email win.sydney@concreteplayground.com.au with your name and address. The winner will be notified by January 19. See competition Terms and Conditions.
Anywhere Theatre Festival is back in Brisbane for another year of impressive, imaginative and spontaneous performances. With a vision to propel theatre outside the traditional stage spaces, Anywhere Theatre is providing exactly that. It's a smart, simple concept appealing to a logical yet creative notion. You don’t need a big expensive stage to have a big performance. They maintain an any time, anywhere type of experience for anyone who wants it. So you're thinking, this sounds fun but how exactly does it work? Don't fret, we've got you covered! This ten day theatre festival is packed with instructions and options of how, when and where to enjoy its incredible experiences. Because each performance location is different, you must check out their website to determine what show and what setting you're after. There is an amazing array of options for you to choose from. You don't need to be a theatre buff to enjoy this event. It's a festival for everyone. Get out to experience and explore the unique, outer theatre venues of Brisbane. With many performance mediums to appeal to almost anyone, there is sure to be a performance and location that fits you. We recommend: The Gremlins - Gravity Is Only The Beginning (pictured), The Alleyway Project and 'Merica.
Any weekend is a good weekend to shop for plants at the Brisbane Markets, the old faithful of the Brissie market scene. That said, Saturday, October 7 will be better than ever thanks to a returning event: Plantapalooza. It's the fourth time that the Rocklea spot has held a plant festival and, running from 6am–1pm, that's something to get excited about. You'll still find the venue's regular 100-stall-plus market array, but it'll be joined by thousands of extra indoor and outdoor plants, as well as plenty of flowers and succulents — and demonstrations from horticulture experts to help you put your green thumb to work. Spring is well and truly in swing, so if you've been putting off getting into the garden, here's your motivation. Or, if you'd like to brighten up your house with a potted piece of nature, here's your chance as well. Remember: there's absolutely nothing wrong with giving a name to your favourite houseplant. Entry costs $2, or $6 with premium parking.
If you fancy yourself a bit of a cocktail connoisseur, Lûmé is about to jump to the top of your must-visit list. Last night, bartender Orlando Marzo, from the South Melbourne restaurant, was crowned the world's best bartender. Which means Melbourne is now officially home to some of the tastiest cocktails in the world. Marzo took out the gong at the World Class Bartender of the Year competition in Berlin, where he beat more than 10,000 other bartenders from around the world for the prize. World Class, which is in its tenth year, is the biggest bartending competition in the world and culminates in four days of finals, during which Marzo impressed judges with a particularly notable Zapaca rum aperitif in a challenge called 'Before and After'. You might see this pre-dinner tipple pop-up on Lûmé's menu one day very soon. Before Marzo heads back Down Under to join the ranks of Australia's bartending elite — which includes Maybe Frank's Andrea Gauldi, who took out best bartender in Australia at last year's competition — he'll be travelling the world, making cocktails and judging competitions. When he's back, we'll let you know what drinks has plans to serve up at the South Melbourne restaurant and what pop-ups he plans to host. Who knows, he may even follow in Gauldi's steps and open a bar. You can check out the full list of past and present winners at the World Class website. Image of Lûmé: Josie Withers, Visit Victoria
When you're watching Blade Runner 2049, Black Panther: Wakanda Forever and The Creator, or playing Cyberpunk 2077 and Saltsea Chronicles, possible futures unfurl before your very eyes. As these imaginings play out in cinemas and on televisions, how prophetic will they prove? No one can know for certain what tomorrow will bring; however, the tales told on screens big and small, and through games and comics as well, have delivered plenty of visions of what might come. At The Future & Other Fictions, these peering-forward works are in the spotlight. Will androids dream of electric sheep? Will a Keanu Reeves (John Wick: Chapter 4)-voiced rock star and terrorist make their presence known? Will Afrofuturist technologies transform life as we know it? These are some of the potential scenarios conjured up by beloved pop-culture titles — and they're all part of the Australian Centre for the Moving Image's world-premiere exhibition as well, which is filled with 180-pieces, such as artworks, sets, costumes and props, as well as scripts, clips and original design materials. Open since Thursday, November 28, 2024 and running until Sunday, April 27, 2025, this is a love letter to and deep dive into futuristic storytelling, including pondering the significance of humanity's thoughts about what could be in store. It's also the Melbourne screen museum big summer showcase. "Film, TV, videogames and art spark our imagination and help shift our thinking about how the future might, or should, be. The crafts of screen culture — visual effects, costume design, character creation and model building — are powerful tools that bring future visions to life," explained ACMI Director and CEO Seb Chan. "The Future & Other Fictions asks us to consider some of the worlds we're familiar with and imagine the worlds we'd like to see." "For thousands of years cultures have shared ideas through storytelling. It is an extraordinary common language. I hope a key takeaway of the exhibition is the importance of sharing stories about the futures we want to live in — be they greener, more sustainable, more harmonious or more diverse. Stories are products of culture and in turn produce it. As we write stories, we write the world," added director and artist Liam Young, who co-curated The Future & Other Fictions with ACMI's Amanda Haskard and Chelsey O'Brien. Before he was just Ken, Ryan Gosling (The Fall Guy) starred in the 35-years-later sequel to Blade Runner — and before he brought Dune and Dune: Part Two to the screen, Denis Villeneuve directed Blade Runner 2049. The Future & Other Fictions lets attendees follow in their footsteps via miniature sets, which are one of the exhibition's definite must-sees. Black Panther: Wakanda Forever gets the nod thanks to Academy Award-winning costumes by Ruth E Carter, while sketches from comic series NEOMAD also features — as does concept art showing The Creator and Cyberpunk 2077's cityscapes, plus more from Saltsea Chronicles. As it celebrates how screens imagine the years ahead, The Future & Other Fictions also features a film season focusing on Björk, complete with Björk: Biophilia Live on the lineup. Within the exhibition's halls rather than in ACMI's cinema, the Icelandic icon also pops up via the dress and headpiece from her music video for 'The Gate'. This showcase isn't just about well-known renderings of the future, though, thanks to work by Olalekan Jeyifous, Osheen Siva and Tāgata Moana art collective Pacific Sisters. Plus, via new commissions, DJ Hannah Brontë has her own take, and so do Young and Natasha Wanganeen (Limbo). The first, Birth of Dawn, is all about the circle of life. After the End, the second, muses on a future without fossil fuels. On The Future & Other Fictions' events program, visitors can look forward to four days of short films in February that highlight Australian cinema's future, a video-game showcase focused on emerging developers, the return of ACMI's annual symposium, and talks on topics as varied as artificial intelligence and pop-culture predictions. Fancy making your sci-fi movie — or, to be accurate, playing a text-based choose-your-own-adventure game about that very scenario? That's part of the exhibition, too, via INT. SPACESHIP — NIGHT, which you can access for free via the QR code in the ACMI foyer. The Future & Other Fictions is on display at ACMI, Federation Square, Melbourne, from Thursday, November 28, 2024–Sunday, April 27, 2025. Head to the venue's website for more details. Images: Eugene Hyland.
While hovercars, podracers and a McDonalds on Mars may not be a yet be a part of our lives, they are for artist Joel Pedersen. An artistic prophet of sorts, Pedersen uses his work to explore the balance between far-fetched ideas and realism, asking timeline-twisting questions that ponder the space between technological fantasies and their feasible existence. With that in mind, Pedersen's latest exhibition, Space People, showcases a make-believe future set in the American Southwest. In his work, Pedersen lets real-life locations meet the latest and greatest tech wizardry in a means that seems half realistic. His pieces provide a believable snapshot of a place where technology, the future, the unreal, the paranormal and the extraterrestrial combine. And it's not as if these are things that are reserved for likes of Bill Gates and Richard Branson. They're as much a part of the transport infrastructure and industry supply chain as they are integrated into the domestic lives of the people living there. Space People is made up of a selection of prints spanning Pedersen’s vast body of composite images. It exhibits at This Must Be The Place until January 8.
First, the bad news: if you don't already have a ticket to Laneway Festival 2025 in Brisbane to see Charli XCX, Djo, Beabadoobee, Clairo, Barry Can't Swim, Remi Wolf and more, they've completely soldout. Now, some good news: in the Queensland capital, Laneway is throwing an official afterparty. The small club show features STÜM, nate sib and more — and it's your next chance to get in on the Laneway action. The date for the shindig is obviously the same as the Laneway date. Accordingly, you'll be heading to The Brightside on Saturday, February 8. Brisbane's gig also features DJ Ivan Berko and Cyber DJs. Tickets are limited — so, like all things Laneway, getting in fast is recommended. As for the festival itself, if you've been lucky enough to nab tix, its lineup also features BICEP doing their CHROMA AV DJ set, Olivia Dean, Eyedress, Skegss, Hamdi, Joey Valence & Brae, 2hollis, Ninajirachi, Julie, Girl and Girl, and more. [caption id="attachment_711489" align="alignnone" width="1920"] The Brightside[/caption]
For Tyza Stewart, the essence of his art lies in personal experience and portrayal. Tyza as a Clown, Tyza Getting Changed, Tyza Trying to be Agile — these paintings may as well be selfies, minus the narcissism because they're art. From self-portraits to self-professions, his pieces play out questions around the human body and gender; confusing just as much as they create conversation. Some pieces play with feminine facial features on masculine bodies, others present armpits unshaven, make-up full fledged, and faces of transparency that could belong to hims, hers or both. It's all a little anti-heteronormative, but mostly resisting our society's narrow values of what it is to look like a person. So while pornography may portray unrealistic ideas of the human body, Tyza takes anatomic-displacement to the next level. You catch his work at Heiser Gallery from the August 5 to 30. If you don't leave Tyza's exhibition a little more open minded, you'll at least walk away asking, "Why doesn't mine look like that?"
So far the Trashbags club night may have only occurred once, but those in charge certainly know how to create a lasting and memorable impression on picky Brisbanites. Following on its success at the Oxford Arts Factory in Sydney, it's not surprising that Trashbags Brisbane already looks to be a prominent fixture on the 2011's club night lineup. From the location choice of Monastery Nightclub through to the international star DJs, every selection for the nights are made to create the best possible experience. Lucky for those who missed out last time, Trashbags is back on Saturday 4 June with GTRONIC headlining and it’s sure to be a big one. Currently touted as one of the world’s best producers, GTRONIC is bringing his DANCE MACHINE WORLD TOUR to Brisbane for the very first time. In a class of his own, his work is instantly recognisable as soon as he drops the first beat. On the night he’ll be supported by K.Oh!, Noy, Jmac, Killafornia, Alex Terrell & Wil E.
If saying goodbye to 2020 has you feeling festive — and feeling like heading out for a drink and a feed with mates, too — we don't blame you. And while we don't doubt you've already hit the town a few times since Queensland's hospo scene started back up again, Australian Venue Co's sites around the city are giving you even more reason to go out for a catch up when January hits. From Friday, January 1–Sunday, January 31, 22 venues are taking 50 percent off your total bistro bill from 5–6pm daily. No joke. It's a short daily window, but a wallet-friendly one. The catch? You'll have to order food with your beverages. To get the deal, you just have to download the AVC app here or use the Mr Yum mobile ordering platform, hit up one of the venues between 5–6pm and claim the 50 percent discount off your bill. And, you can nab the deal multiple times while it's running, if you're keen on a few cheap meals. Australian Venue Co's Queensland's Happy Days promotion is available at the below Brisbane sites (and, although the company has other venues in Brissie, if it's not on the list, the 50-percent-off deal isn't available): Buffalo Bar, Brisbane Bonny View, Bald Hills Darling & Co, Paddington Kingsleys, Brisbane Finnigans Chin, Keperra Carindale Hotel, Carindale Cannon Hill Hotel, Cannon Hill Oxley Hotel, Oxley Jindalee Hotel, Jindalee Newnham Hotel, Mt Gravatt Springlake Hotel, Springfield Lakes Lord Stanley Hotel, East Brisbane Regatta Hotel, Toowong — but not at the Regatta Boatshed Everton Park, Everton Park Kenmore Hotel, Kenmore Salisbury Hotel, Salisbury Cleveland Sand, Cleveland Fitzy's Waterford, Waterford The Royal Nundah, Nundah Waterloo Hotel, Fortitude Valley The Wickham, Fortitude Valley Fridays, CBD
