If spending a couple of sunny days immersed in live tunes at Falls Festival is part of your summer ritual, we come bearing sad news: the end-of-year music fest won't take place over the 2023–24 season. The event's organisers have announced that they're sitting out this year after a chaotic period — including the festival's pandemic cancellations between 2019–2021, returning in a big way at the end of 2022 and beginning of 2023, and also hosting a Melbourne edition. While the fest's team has announced the event's hiatus as "a year off", whether it will return for the summer of 2024–25, what the festival might look like and where it will take place hasn't yet been revealed. "The past few years has seen unprecedented change in the live music space, both front of house and behind the scenes. While Falls' reboot in 2022–23 was full of amazing moments and we were thrilled to reconnect with our Falls fam, our team needs a break, so this year we'll take time off to enjoy the holiday period and allow some space to re-imagine how Falls will look in the future," said Secret Sounds co-CEO and Falls producer Jessica Ducrou, announcing the news. "We send huge love and appreciation to all our patrons for their ongoing support and for the great vibes they brought to the 2022–23 events. You really are the heart and soul of Falls and we look forward to updating you with our plans when the time is right." "We also want to send our love and thanks to our extended Falls team including staff, contractors, volunteers, sponsors, partners, suppliers, stakeholders and key agencies that we work with each year, for their enduring passion, dedication and support" Ducrou continued. Falls Festival has spent 28 years celebrating each new year with a hefty array of acts, including Arctic Monkeys, Lil Nas X, Peggy Gou, Jamie xx, Chvrches and The Wiggles to see out 2022 and welcome 2023. For its 2022–23 run, Falls took place in Pennyroyal Plains in Colac in Victoria, North Byron Parklands in Yelgun in New South Wales and Fremantle Park in Fremantle. It's been an eventful few years for the fest beyond the pandemic mayhem, too; back in 2021, Falls announced that it was saying goodbye to its usual Tasmanian leg in Marion Bay after 17 years, and also moving from Lorne in Victoria after a 27-year stint. Falls Festival won't return over the 2023–24 summer season. We'll update you when the event's comeback plans are announced. For more information in the interim visit the festival's website. Images: Charlie Hardy / Ash Westwood.
Colourful anime hits, intriguing murder mysteries and moody yakuza thrillers — they're all on the lineup at this year's Japanese Film Festival. Throw in a rom-com about renting a friend, a musical-comedy starring a former J-pop idol and a live-action version of a best-selling manga, and Melbourne viewers will have plenty to watch at the Treasury and Capitol theatres between Thursday, November 21 and Sunday, December 1. It all starts with opening night's Masquerade Hotel, which tasks a detective (Blade of the Immortal's Takuya Kimura) with going undercover at a swanky Tokyo establishment. The reason? He believes that a murder is about to take place within its walls, and he's determined not only to stop it, but to solve three other seemingly unrelated killings. From there, standouts include Little Love Song, about Okinawa high schoolers in a pop band; family reunion drama Born Bone Born, as set on the island of Aguni; and Melancholic, which follows a new university graduate who takes a job at a bathhouse, only to find himself working for dangerous mobsters. On the animated front, Ride Your Wave takes to the sea on a surfboard, because Japanese animators can make surfing movies too. Final Fantasy fans might want to catch Brave Father Online, given that it focuses on a father and son reconnecting through their love of Final Fantasy XIV: A Realm Reborn, while Dance With Me takes its characters on a singing and dancing road trip — and And Your Bird Can Sing gets atmospheric with three friends over a long Hokkaido summer.
Ms Elwood, the southside hawker-style eatery and bar, has a whole array of pan-Asian offerings on the go for hungry folk — but even tastier news is its weekly specials. As well as $1 dumplings on Mondays and Wednesdays (with $9 margaritas also available on the latter), Thursdays are Bao Night, with $3 bao. But its piece de resistance might be its occasional bottomless cocktail nights. At a price of $25 (or $30 at peak times), you get all you can drink cocktails for 90 minutes. Running on both Friday, June 22 and Saturday, June 23 — the first 90-minute slot kicking off at 4pm and the last at 9pm — the deal is only valid if you order food (lining your stomach is important) and bookings are essential. The cocktails you'll get to drink (limitlessly) include frosé, espresso martinis, lychee martinis and long island iced teas. That's a whole heap of fancy cocktails for less than a pineapple.
Melbourne will be stepping up its hotel game in the coming years, with Adina's new Pentridge Prison development, Bennetts Lane's proposed jazz-era hotel, and the upscale CBD outpost of Mornington Peninsula's Jackalope. And now the city's is set to welcome yet another luxury accommodation offering into the fold, as the internationally renowned St. Regis Hotels & Resorts makes its Aussie debut, with a 168-room hotel slated to open in 2022. The grand hotel will spread over ten floors of the yet-to-be-built, 33-storey Flinders Bank precinct, towering above the CBD on the corner of Spencer and Flinders Streets. And it's set to be a pretty swanky operation, sporting luxury interiors by famed design studio Chada and a cutting-edge building design by Melbourne's own Fender Katsalidis Architects. It will have an onsite wellness and fitness centre, too, complete with a spa, a salon and a 25-metre indoor pool, and the acclaimed St. Regis Butler Service will let guests customise every last detail of their stay. The hotel will also feature a bunch of upscale wining and dining options, including a specialty restaurant and the elegant St Regis Bar. For the uninitiated, the St Regis New York's King Cole Bar was the supposed birthplace of the Bloody Mary back in 1934 and the hotel brand has claimed the spicy cocktail as its signature sip ever since. Here, the bar will be whipping up a special Melbourne edition of the drink — we wonder just what that entails. The St Regis Melbourne has 40 hotels worldwide — including in New York, Mallorca and the Maldives — and is one of the Marriott International's brands. The parent company has announced more plans to open hotels Down Under, too, with the recent launch of the W Hotel in Brisbane and W Hotels also planned for Sydney and Melbourne. St Regis Melbourne is slated to open in the new Flinders Bank precinct in 2022.
From holding a bake sale to selling off your bodily organs to teaching your dog to do this, artists, artisans and inventors have always had to be creative when it comes to getting dollars in the bank. If you’re not the baking or self-mutilating or dog-training type, Australia’s top crowdfunding platform Pozible might be up your alley. Pozible is more like a superhighway that started in 2010 and has since grown to support over 4,500 projects in Australia and around the world. It’s not hard to run a campaign, but it can be tough to succeed. We spoke to Pozible co-founder Rick Chen and compiled a hit list of top tips to help you on your way to making that money pool you always dreamed of. The Anything's Pozible pop-up is on in Sydney until March 13. Check it out for more tips and workshops to help you crowdfund your next project. Research ten similar projects First off the bat, do your research. Make sure you know how Pozible works. Search the Pozible website to find out how other similar projects have been funded. Read the FAQ, get in touch with Pozible and ask all the dumb questions. According to Rick, the Pozible team “work with project creators to educate them and let them know what works and what doesn’t work. This face-to-face guidance is a rare thing, and no other platform approaches crowdfunding in this way”, a contributing factor to high success rates. Tell a story “Most of the time it’s not about the project itself, it’s about the person behind it," says Rick. "People want to be part of you and your journey, so you need to be able to open those doors for people to get in.” Keep it simple, keep it personal, and make your crowdfunding supporters feel that they are all just as much a part of the process as you are. Transparency is also key in your storytelling. Tell people exactly what you are going to do with your money if you meet your target. (The more specific you are with this, the more it will feel as if your supporters are making a tangible difference). Include a video of yourself: you'll raise 114 percent more money if you That’s according to American crowdfunding site Indiegogo. And who doesn’t love a selfie? If you star in your own video, people will connect better with your story. The key is to create content that is visually compelling to compete with the visual noise of the internet. Offer a combination of physical goods and experience-based rewards "Physical products give your supporters a tangible sense they are getting something out of their contribution," says Rick. "Experience gives them the sense they are part of something exclusive. These two combined make it personal for people to get behind your project.” And how many rewards should you offer up? The sweet spot is somewhere between three and eight. Get another three people on your team If you have four or more people on your team, you’ll raise 70 percent more money than if you only have one person. That is, use your networks to build your team; it’s not about how many friends you’ve got, it’s about how you use them. Have your family and friends help to get the ball rolling. Don’t be afraid to ask people you know to contribute. In addition, line up a few key influential people to help spread the word. Build your networks before you launch to create hype. Shoot for 25 percent of your overall goal within the first 24 hours Go hard or go home. You are more likely to hit your target if you can reach 25 percent of your overall goal within the first 24 hours. People are more likely to donate to a campaign if other people have already donated. Pozible advises not to run a campaign for less than 20 days unless you have a good reason or are super confident. You need time to disseminate your marketing material. Indiegogo supplements this advice with the fact that on average, successful campaigns will cross their target fundraising goal on Day 36. Don't all-out beg on social media Only directly ask people to pledge to your campaign in 20 percent of your social media posts. The other 80 percent of posts should add meaning to your project, reveal exciting project news and engage people in the story. Plan your social media posts before beginning your campaign. According to Rick, “It is not about the social media platforms that you use, it is about how you use those platforms as a tool to carry out your activity — to tell your story”. Write medium-specific posts. And don’t get too disheartened if things slow down in the middle of your campaign, it happens to everyone. What’s important is you keep communicating during this period. Don’t be shy to post every day. Only ask for the amount you really need Consider the size of your networks and how many people you can realistically reach. Surprisingly, the average contribution size on successful campaigns comes in at around $70, with performance projects the most successful category. According to Rick, this is often because “these campaigners have strong existing followings — sometimes small but strong audiences who come to see shows, hardcore fans who follow these artists”. So it isn’t necessarily how many people you target, it’s who. Be realistic, write a budget. Factor in the cost of delivering your rewards. The more people you have promoting, the more pledges you will receive. Finally we asked Rick the ultimate question: What’s the biggest reason people don’t reach their targets? His response goes right back to point one: “Absolutely no question, it is because people don’t do their research properly and don’t know what they’re doing. We try to educate as much as we can, we run workshops on a monthly basis across cities in Australia. We strongly encourage people to prepare before they launch a campaign. Lack of research is basically what kills campaigns." Roslyn Helper crowdfunded her project zin's PARTY MODE on Pozible. Supplementary information sourced from US crowdfunding site Indiegogo.
VJing on now-defunct pay TV music channel Channel [V], then hosting Australian Idol, The Bachelor franchise and The Masked Singer: they're dream gigs. So is appearing as yourself on Neighbours and Offspring, narrating Bondi Rescue, popping up on everything from Thank God You're Here to Have You Been Paying Attention?, running successful podcasts and writing a book. Since getting his start in radio in Brisbane, Osher Günsberg has ticked off all of the above and more for over two decades, and has rarely been far from the spotlight — but he's also always wanted to make fun of the news live in front of an audience. That show now exists, complete with the requisite tongue-twister name: NTNNNN: Night Time News Network Nightly News with Osher Günsberg. "It's an old joke, but it works," Günsberg tells Concrete Playground, his enthusiasm evident over the phone. "How many Ns can you make it? I think The Chaser had four and I wanted to get more than that, so I've gone with five Ns." Premiering in January and playing Marrickville's Factory Theatre in Sydney until Friday, February 17, then set for a debut Victorian stint at Malthouse's Beckett Theatre from Thursday, March 30–Sunday, April 9 as part of the Melbourne International Comedy Festival, NTNNNN is a fully improvised live satire of the news of the day. The show's targets don't stop with whatever's earning attention before each gig, however, also parodying the entire news industry plus Günsberg's stardom. "It's just such a ripe field to plough. It deserves fun being poked at it," Günsberg notes. "Essentially, it's a news show. It's like the six o'clock news or the late news, the 10.30 news. And it's the headlines of the day, with my intrepid NTNNNN news team out in the field — on stage," he continues. "It's completely unpredictable. It's news in the way you've never seen it before. It completely takes the piss out of what people want to cling to in times of uncertainty, which is someone being super sure on television — whether it be a leader or a news anchor or someone who's paid to do long-form editorials late at night on television. We have commercial breaks, because you've always got to have commercial breaks. And if you've never been in a TV studio for a filming, the commercial breaks are a very strange time. People at home are watching ads, but you in the studio are still there, and all the TV people are still in the room. So that actually happens." The end result: Günsberg in a comedic role that he doesn't usually get to slip into, and one that's worlds away from hosting The Bachelors and the like. He's also hoping that it's a step towards making NTNNNN an on-screen reality, as he explained in a chat about the onstage show, his own fame, his need to always give 100 percent and the best advice he's ever been given. "I've always wanted to host a live satirical news show. I'm going the long way about it, but yeah, absolutely, would I want to see this on TV one day? For sure. By the time that it gets there, will what we call television exist? Who knows. I'm only interested in building things that scale, so I'm going to see how far I can take it." ON MAKING HIS LIVE SATIRICAL NEWS SHOW DREAMS COME TRUE "I've always wanted to host a satirical news show since I was a kid. I've always felt that satire, particularly satire of news and current events, was as valuable in the public discourse as a really solid, well-researched editorial or a really great newspaper article that exposes something. I think satire has the ability to expose stuff that is usually shrouded in solemnity, for example the solemnity of office. 'Ooh, we can't say that, that person's very important' — but look what they've done, you know? When you use satire, you can break out of that stuff and look at things from a different angle. So I've always wanted to host a show like that, and I've had a few chances here and there — I've done a stint on a panel once or twice. And I guess I figured out that no one was going to walk down my front path knock on my door and say 'hey, we've got this great television show, can you come and host it?'. It was going to be up to me to create it, so that's what I've done. It's the news show that I've always wanted to host — it just isn't on television at the moment. But it plays with all of the language of television and television news, which is ridiculous. It's a product just like any of the TV shows that I make, and it deserves to have a bit of fun poked at it as well. So that's the show we've made." ON WHY MAKING FUN OF THE NEWS IS SO FUN — AND IMPORTANT "I think as the news becomes more and more of a product, in that it's a business — whether it's a website or a newspaper or a radio station, or a television network or program on a television network, essentially that's a product — it needs to rate. It needs to be able to justify the expense of it being created, so hopefully it brings in more money than it costs to make. There are ways to get that to rate. There are ways to get eyeballs onto your content, and it doesn't matter what's in the news — the way the news is framed is to try to push those numbers, which is also worth having a crack at. Those are the laughs that we find, I think: the laughs of just the ridiculousness of how the news is told, and the ridiculousness of the way the systems and the people who are in charge of those systems play the news against itself from one publication or one network to another. There's a way that you'll get quoted on one particular network and then the very same press conference will have a completely different soundbite, because that is the lens through which those networks view the situation. I think it is in exposing those moments and having fun with that, those are where the laughs are. So it doesn't matter what's in the news cycle, there's always something funny — there's always something to laugh at." ON TAKING THE PISS OUT OF HIMSELF AS WELL "I've been working in TV for nearly 25 years. It's ridiculous that I'm even still on air, so I think it's important — most of this is me taking the piss out of myself as well. I think I'm this ridiculous character on television, and I really enjoy taking the piss out of the way that I do some of the jobs that I do on television. I know I'm very good at them, but that's not everything about me. So it's funny for me to take the piss out of the person I become when I do those jobs — I think it's quite funny for me to have a crack at him, too. There's a lot to work with. I think there's this mystical idea of a person on television. I enjoy busting the bubble of what people think life is like when you have a job like the job that I have. Because there's only one person who's actually really living the mega mega mega mega dream, and that's the man who's the smartest with his money than any of us — that's bloody Larry Emdur. Me, I'm paycheque to paycheque, and I think that's hilarious — and well-worth making fun of. I was in television before the global financial crisis, and maybe there was a time when I was getting paid that kind of money. But, that was also a time when I was drinking very heavily, and I was doing really dumb stuff, so all that money's gone. And they don't pay that kind of money anymore, so it's pretty funny. I am going do whatever job people want me to. I have kids and a mortgage. I'm in the business of topping up my super and making sure I pay off my mortgage. I'm making sandwiches after this. I've got two podcasts going on, I'm trying to get this live show happening — I've got not enough room on my stove, there's that many irons in the fire." ON THE PATH TO NTNNNN "I'm nearly 50, and what you want in life changes over time. When I was working in radio at B105 in Brisbane, what I wanted in radio is certainly not what I want in radio now. Through this show, am I exorcising that need to question authority or challenge the status quo that I just adored watching people on television do when I was a kid? Yeah! I think that's important. Systems should be challenged, status quos should be challenged, because that's how you refine them. There's always 'ooh, you can't say that about the Prime Minister' — but you can. And it's useful when you do, if you do it in the right way. I'm thrilled to be calling back to that 14-year-old watching TV at night in Brisbane, feeling he was being naughty hearing someone say something about the leader of the country that he in his heart felt was also true. ON THE BEST PIECE OF ADVICE HE'S EVER RECEIVED "I lived in America for about ten years, and my manager was an absolute legend of the game over there, a bloke by the name of John Ferriter — a really big bigwig. I was so lucky to get in with him, and he's the one who told me that only you know how hard you've worked to make your dreams come true. He's right. Because you can tell everyone around you, 'oh, I didn't get into that course' or 'oh, I didn't get the job' or 'oh, he doesn't want to go out with me'. And people will go, 'yeah, no problem, moving on'. But you're the only one that knows 'did I actually pick up the phone enough times, did I put the work in, did I study hard enough, did I train hard enough?'. You're the only one that knows that, and you're going to have to be okay with that. That means that whether you're going for a job on television, or you're going for a job at the coffee shop down the road, or you're studying for your grade ten exams or your grade 12 exams, or you're trying to pass your apprenticeship certificate, or you're going for uni — or you're trying to meet someone and convince someone to fall in love with you, or you're trying to date somebody — only you will lie in bed at night knowing how much effort you actually put in. For someone like me, I am no good if I haven't put in everything. So I'm pretty stuck, I've got to do it as hard as I can, because I can't rest if I don't." NTNNNN: Night Time News Network Nightly News with Osher Günsberg plays Marrickville's Factory Theatre in Sydney until Friday, February 17, and will then head to Malthouse's Beckett Theatre from Thursday, March 30–Sunday, April 9 as part of the Melbourne International Comedy Festival.
Last Easter, when social distancing and public gathering rules were in place across the country, KFC did everyone a solid by offering up free home delivery for the first time ever Down Under. While this year's four-day break will look quite different for much of the country — and hopefully for Brisbanites, with the city's current lockdown due to end at 5pm on Thursday, April 1 — the fried chicken chain is bringing back the deal anyway. Yes, joining the Easter Bunny this year to spice up this long weekend is another famous figure: The Colonel. So, it's time to round up your housemates again and tuck into those 11 secret herbs and spices. The limited-time offer is available nationwide and kicks off on Friday, April 2, then runs through until Monday, April 5. To get your hands on some finger lickin' good chook with no extra cost, head to Menulog's website or use the Menulog app. No promo code is needed this time — and there is no minimum spend either. And, while your food is on its way, you can meditate with KFChill, a wellness website that lets you unwind to the sound of chicken frying, gravy simmering or bacon sizzling away in a pan. Obviously, it'll make you hungry. KFC is offering free delivery across Australia on all orders via Menulog from Friday, April 2–Monday, April 5. To order, head to the Menulog website or app.
If Victoria has its way, it'll become home to a 900-kilometre hot springs trail, attracting travellers from near and far to hit up its bathing spots. But the state isn't the only place for a soak around Australia, including if you're keen to get off the beaten path. Indeed, come winter 2023, outback Queensland's Cunnamulla is set to join everyone's must-visit list if you're keen to take a dip in its new artesian hot springs. Set to open in June, and in the works since 2018, this new spot for a blissful bathing session will feature seven pools on the banks of the Warrego River. Each will sport different temperatures, so you can get steamy, opt for a stint in the chilled plunge pool or both. As part of a state-of-the-art complex, there'll also be therapeutic activities on offer — and river views and ample natural surroundings. [caption id="attachment_892757" align="alignnone" width="1920"] Image is an artist render only.[/caption] Cunnamulla Hot Springs' pools will be filled with mineral and vitamin-rich artesian water, which means that the hot spots for a dip will feature H20 naturally warmed from the Artesian Basin. Learning about the latter around your soak is also set to be part of the experience — relaxing your body and feeding your mind at the same time. When it starts welcoming in patrons — with an exact date yet to be announced — Cunnamulla Hot Springs will be a highlight on the just-unveiled Outback Queensland Traveller's Guide, which is filled with things to do inland in the Sunshine State. Queensland isn't just about beaches, rainforests and the tropics, even if that's what it's best known for. So, Cunnamulla Hot Springs joins everything from starlight river cruises in Longreach and Winton's Australia Age of Dinosaurs Museum through to the Southwest Queensland Indigenous Cultural Trail and a heap of national parks. [caption id="attachment_844043" align="alignnone" width="1920"] Mark Gillow (Flickr)[/caption] The Outback Queensland Traveller's Guide also features other outback spas and baths, including in Julia Creek, Bedourie, Quilpie, Mitchell and Yowah. If you're now planning a trip to Cunnamulla, it's around a nine-hour drive west from Brisbane, with flights via Rex, and also boasts an outback river lights festival; the Artesian Time Tunnel, which explores the Artesian Basin's history; and safari-style glamping — among other attractions. [caption id="attachment_841311" align="alignnone" width="1920"] Cunnamulla Cultural Walk, Tourism and Events Queensland[/caption] Cunnamulla Hot Springs will open in Cunnamulla in June 2023. For further information about outback Queensland getaways and attractions, head to the Outback Queensland website. Top image: image is an artist render only. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Fitzroy's Rose St Artists' Market has been teaming up with the Heide Museum of Modern Art for regular instalments of the Heide Makers' Market for almost two years now. This Saturday, May 12 will be the last market for the season — and, conveniently, it's the day before Mother's Day. Taking over the lush surrounds of the gallery's sculpture park, the market will once again celebrate talented local makers. It'll showcase a broad range of handmade goodness, across art and design, jewellery and homewares. Visitors will get the chance to chat one-on-one with stall holders, or just saunter through the gallery's grounds with a cup of coffee in hand. If you're looking for something to do that afternoon, the gallery is running a crafternoon tea at 2pm.
Moving into the light-filled space once home to the popular Resident Cafe, Joe Frank had big shoes to fill. But big shoes the new Ashburton go-to for Italian brunch fare has filled. And it's all thanks to one Melbourne hospitality family. Already bustling with hungry locals, Joe Frank is brought to you by the owners of Mr Tucci and Son of Tucci: siblings Fabian, Massimo and Romina Crea. The cafe's name combines the names of their father (Joe) and grandfather (Frank) and the menu is littered with Italian favourites, Aussie brunch staples and a few things cooked by Mum. Nonno's Garden sees a bed of baba ghanoush loaded with roasted vegetables Meredith's Dairy goats cheese and fresh herbs, while the panzanella — layers of buffalo mozzarella, roasted capsicum and fresh fennel — is further proof that vegetables can be very exciting. The cafe's moreish house-made crumpets are a nod to old-school Aussie brunches and come topped with mulled strawberries, zabaglione custard and pistachio praline. We don't recommend attempting to share these — you'll regret it. [caption id="attachment_749245" align="alignnone" width="1920"] Julia Sansone[/caption] If you can't quite commit to a full meal in-house, pick up a pork belly sandwich to-go or a fresh cake or biscotti made by Franca (Mum), who bakes the treats every day on site. These go well paired with a good coffee (it wouldn't be an Italian coffee shop without it), which comes courtesy of Melbourne's Veneziano Coffee Roasters. This can all by enjoyed indoors, but, during the warmer months at least, we suggest you make the most of the dog-friendly outdoor area. We're guessing this new hotspot in Melbourne's southeast will quickly become an institution in the area, if its sister cafes' longevity are anything to go by. If you're not a local, you'll be happy to know it's located across the road from Ashburton Train Station, too. Joe Frank is located at 246 High Street, Ashburton. It's open from Monday–Friday 7am–3.30pm and Saturday–Sunday 8am–3pm. Images: Julia Sansone
The Supernatural Amphitheatre may have banned Native American headdresses, but they'll soon have to make an unexpected exception — Golden Plains 2015 will feature the Village People. That's right, it's been nearly 40 years since the height of their fame, but the Village People are still coercing you to stay at the YMCA. Get ready to raise your cowboy boot. The full lineup which has just been released is nothing if not diverse. The Village People are proving disco isn't dead, your emotional teenage heartthrob Conor Oberst will be there bringing the indie rock, classic local tunes will be had with Something For Kate, even seminal Australian punk legends Radio Birdman will be in attendance. As always, the local lineup is strong. Off the back of her first national headline tour, Courtney Barnett will be the perfect soundtrack to your afternoon chill session. You can expect some unsavoury antics while watching The Bennies, and local favourites like Twerps, Banoffee, and Milwaukee Banks will also be hitting the stage. Aside from your Bright Eyed boyfriend and the Village People, other international acts include Swedish folk duo First Aid Kit and Pavement follow-up project Stephen Malkmus and The Jicks. As always, you'll have to enter the ballot if you want in on this glorious gathering. The festival will run from March 7-9 and tickets will be $328.80+bf. It's the same festival you know and love — no dickheads, no need to hide your goon sacks, no problems. The second-draw ballot closes on 9pm on Tuesday, October 21. Welcome to the sounds of your summer. Full lineup: Aldous Harding Banoffee Black Vanilla Bombino Conor Oberst Courtney Barnett Dj Shadow & Cut Chemist Felice Brothers First Aid Kit Graveyard Hits La Pocock Milwaukee Banks Neneh Cherry With Rocketnumbernine+ Nick Waterhouse Oblivions Parquet Courts Radio Birdman (featuring Rob Younger, Deniz Tek, Pip Hoyle, Jim Dickson, Dave Kettley, Nik Rieth) Sharon Van Etten Sleep D Soil & “Pimp” Sessions Something For Kate Stephen Malkmus And The Jicks The Bennies The Meanies Theo Parrish Total Giovanni Twerps Village People
2024 marks two decades since one of the best blends of romance, comedy, drama and sci-fi of the 21st century reached screens in the form of Michel Gondry's Eternal Sunshine of the Spotless Mind. How should you celebrate that fact? Rewatching the movie always, and also checking out the French filmmaker's latest feature at Australia's annual Alliance Française French Film Festival. In his first movie since 2015, the director draws from his own experience in semi-autobiographical comedy The Book of Solutions — one of the just-announced full AFFFF program's clear must-sees. French film fans, rejoice — the lineup goes on from there, with 41 titles on offer overall. The festival will run across March and April in its 35th year, giving most of its stops a month of Gallic movies. So, in Brisbane, Sydney, Melbourne, Perth, Adelaide and Canberra, get ready to see plenty of France from your cinema seat. Byron Bay's season is shorter, but still lasts for three weeks. At the end of 2023, AFFFF unveiled its first eight flicks for 2024, so audiences already had opening night's The Three Musketeers: D'Artagnan to look forward to, alongside its second part The Three Musketeers: Milady. And, the Catherine Deneuve (The Truth)-led The President's Wife, Juliette Binoche (The Staircase)-starring The Taste of Things, futuristic The Animal Kingdom, regal scandal-focused Jeanne Du Barry, legal drama All Your Faces and Laure Calamy (The Origin of Evil) in Iris and the Men as well. Joining them are plenty of new highlights, such as Last Summer, the latest from iconic director Catherine Breillat (Abuse of Weakness), about a woman and her teenage stepson. Not one but two movies starring the great Isabelle Huppert (The Crime Is Mine) are on the roster, with The Sitting Duck casting her as IRL whistleblower Maureen Kearney and Sidonie in Japan about a love triangle that includes a ghost. And Second Round gets the closing-night spot, hailing from Albert Duponte (Bye Bye Morons), and taking aim at politics and the media. Attendees can also check out A Difficult Year, from The Intouchables' Éric Toledano and Olivier Nakache, and with Noémie Merlant (The Innocent) and Mathieu Amalric (The French Dispatch) among the cast — plus rom-com Mr Blake at Your Service!, with author Gilles Legardinier turning director to adapt his own book, and John Malkovich (Billions) and Fanny Ardant (Well Done!) starring. Historical drama Bonnard, Pierre & Marthe is about the painter (Vincent Macaigne, Irma Vep) and his wife (Cécile de France, The Swarm), while Out of Season has Guillaume Canet (Breaking Point) and Alba Rohrwacher (La Chimera) play ex-lovers. Like The Book of Solutions, The Taste of Things, The Animal Kingdom and romantic drama Along Came Love, both Àma Gloria and Rosalie grace the program after debuting at Cannes 2023. The first focuses on a girl and her nanny, while the second tells of a real historical figure who was born with hair covering her face and body. Other options include Take a Chance on Me, as starring French pop singer Louane Emera; fellow comedy A Chance to Win, where two rival villages face off in rugby; the swashbuckling The Edge of the Blade; the world premiere of King of My Castle, from the writers of Welcome to the Sticks; and the animated Nina and the Secret of the Hedgehog, with Audrey Tautou (The Jesus Rolls) among the voices. The fest is also giving classic Children of Paradise from 1945 a new big-screen celebration, taking viewers back to the 1800s with its storyline, as well as into Paris' theatre scene — because looking at France's great films from year gone by is another way to showcase the country's cinema industry and its impact. Alliance Française French Film Festival 2024 Dates: Tuesday, March 5–Tuesday, April 2 — Palace James St and Palace Barracks, Brisbane Tuesday, March 5–Tuesday, April 9 — Palace Central, Palace Norton Street, The Chauvel, Roseville Cinema and Cinema Orpheum Cremorne, Sydney Wednesday, March 6–Tuesday, April 2 — Palace Como, Kino Cinema, Palace Balwyn, Palace Brighton Bay, Palace Westgarth, Pentridge Cinema, The Astor Theatre and Palace Penny Lane, Melbourne Wednesday, March 6–Tuesday, April 2 — Palace Raine Square, Luna on SX, Luna Leedeerville and Windsor Cinema, Perth Thursday, March 7–Wednesday, March 27 — Palace Byron Bay, Byron Bay Thursday, March 7–Tuesday, April 2 — Palace Electric, Canberra Thursday, March 21–Tuesday, April 16 — Nova Prospect and Palace Nova Eastend, Adelaide The Alliance Française French Film Festival tours Australia in March and April 2024. For more information and tickets, visit the AFFFF website.
There hasn't been much to look forward to in 2021, but we're all eagerly anticipating one big thing. That'd be the moment that 11.59pm on Friday, December 31 passes by, ticking over to 12.00am on Saturday, January 1, 2022. And, because it's actually almost that time of year, plenty of events have started announcing their New Year's Eve plans so you can work out how to spend that long-awaited moment. Here's another one: Annus Finis, MONA's first-ever NYE shindig. Taking place from 6.30pm on Friday, December 31 (obviously), this New Year's Eve party will take over MONA's lawns and main stage with live tunes, food and drinks, and the general kind of end-of-year shenanigans that every NYE get-together needs. Here, that also means an all-Tasmanian lineup, with Indigenous singer-songwriter Denni, hip hop artist Greely and audio visual artist and DJ Dameza helping do the honours. Also on the bill: Medhanit, Too Many Jasons, Scraps, Silver Fleet Ships, and what's being described as "an absurdist, anarchist ensemble boasting some of Tasmania's most talented performers" who'll pair up punk and Japanese influences. So, if a trip to Tassie is now on your NYE agenda — with the state reopening to double-vaccinated arrivals in mid-December, handily — you now know how can say goodbye to 2021. As for what you'll be eating and sipping, MONA's burger bar Dubsy's will be dishing up its diner-inspired fare, and the Moorilla Wine Bar will be doing both food and drinks. "Here at MONA, we love to throw a party, and I think we're pretty good at it," said MONA CEO Patrick Kelly, announcing Annus Finis. "We're excited to see our lawn full of punters again, and hopefully we can cast some MONA magic over New Year's Eve after what has been another challenging year for tourism and events, saying goodbye to arguably the worst year since 2020." MONA has also already announced that it's bringing back Mona Foma in January — so if you can't spend NYE in Tassie, you still have options for a 2022 trip to the Apple Isle. Annus Finis will take place at MONA from 6.30pm on Friday, December 31. For more information or to buy tickets, head to the MONA website. Images: Mona/Jesse Hunniford.
If anyone wanted a big case of déjà vu for Christmas, it's arrived, with COVID-19 cases rising again across Victoria. And, in response, the Victorian Government is changed the state's mask rules to bring back mandatory face coverings indoors. As announced today, Thursday, December 23, wearing masks in inside spaces will become compulsory again at 11.59pm tonight — so, effectively from Friday, December 24. Victorians, that means covering up your smile is now part of your Christmas plans. Face masks will be mandatory inside for all Victorians over the age of eight, in all indoor settings other than homes. Also, they'll become compulsory when you're moving around major events with more than 30,000 people — as cricket fans know, the Boxing Day Test at the MCG is almost upon us — but not when you're seated outdoors. No other restrictions are being introduced at present; however, Victorians are being encouraged to work from home if they need to work over the festive season. Also, if you're keen to be as COVID-safe as possible, the government is also advising sticking to seated service while inside hospitality venues rather than moving around crowded venues, and only hitting up dance floors in in well-ventilated outdoor areas. Victoria currently has 14,801 active cases, including 2005 new cases reported today, Thursday, December 23. For those looking to get tested, you can find a list of testing sites including regularly updated waiting times also on the Department of Health website. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website.
Tuesdays mean different things to different people. Another day closer to the weekend, almost hump day, the day you wish you could sleep through — they're all on the list. But, at The Bavarian each week, the day after Monday also means tucking into $9.95 schnitzels. It's one of the tastiest ways to celebrate any day, and to also save your pennies while doing so. There's no occasion, other than just because — but cheap schnitties for the sake of it is what any Schnitzel Tuesday should be about. For a bargain price, The Bavarian will serve you up a chicken schnitzel with fries and lemon, but you do have to also buy a full-priced drink to get the deal. Fancy another schnitty? That's completely fine — just get another drink. Available all day every Tuesday, this is some good schnitz. To get your fix, you can head to The Bavarian venues around town — there are two in Victoria, at Highpoint and Westfield Knox, so you've got options. You can also level-up your schnits for an extra $10, getting a 'Godfather' (a giant schnitzel, ham, cheese, kielbasa, napoli sauce and cheese) or a 'Matterhorn' (a schnitzel mountain, cheese spätzle, three layers of Alpen cheese and bacon).
A longtime festival favourite among foodies, the Good Food & Wine Show, is back for its 2022 run. And, like always, the event packs a flavourful punch — there's the Good Food Village, which showcases artisan producers (with tastings galore); the Riedel Drinks Lab and its roll call of vino masterclasses; and The Kitchen by Harris Scarfe and its supercharged list of hospo heavyweights sharing their tips, tricks and favourite recipes. Here at Concrete Playground, good food and wine is our religion. We're up on the latest openings and frequent the delicious mainstays, we try out the hot-ticket ingredients (be it yuzu or alc-free liqueurs) and we happily attend events celebrating the tip-top of Aussie producers, dining venues and culinary talents. So, bringing it all under the one roof — with tickets for just $28 (or $35 with a tasting glass to keep) — is a sure-fire way to have us racing to plan a tasty itinerary for the day. After successful weekenders in Melbourne, Sydney and Perth, the annual extravaganza is set to hit Brisbane Convention & Exhibition Centre from October 21–23. This year is truly not one to be missed — read on for our picks at this year's shows. NOODLE SMACKDOWN AND DINNER INSPIRATION As someone who learns best by seeing things in action, I can guarantee you I'll be spending most of my Good Food & Wine Show at The Kitchen by Harris Scarfe. There'll be a bunch of live cooking demonstrations courtesy of well-known chefs sure to equip you with new kitchen tricks and some much-needed dinner inspiration. With so many incredible options available, it's tough to decide which class to attend. So far, I've got my eyes firmly fixed on Brendan Pang's Noodle Smack Down Street Food demonstration. Courtney Ammenhauser, Branded Content Manager A CHEESY WONDERLAND The food show is always a cheese wonderland, and tasting your way up and down Cheese Lane (and then up and down again) is a delicious way to spend your day — just mentally prepare yourself for those cheese dreams afterwards. Here are three little words that should get nearly everyone excited: cheese, chocolate and sparkling. This Good Food & Wine Show masterclass — hosted by cheese expert and owner of Smelly Cheese Project Valerie Henbest — is dedicating 45 minutes to the not-so-common pairing of cheese and choccie (with a glass of bubbles on the side), and is sure to tempt a crowd. You'll want to nab a ticket, stat, if you don't want to miss it. Sarah Ward, Associate Editor CULINARY STARS AND BIG, BEAUTIFUL BAROSSA REDS Since wine always tastes better when you know a bit about whatever the heck it is you're sipping, I'll be heading to the free palate appreciation classes at the Riedel Drinks Lab. The sessions are led by resident wine guy Nick Ryan and involve some expert tutelage, as well as tastings. In the midst of winter's chill, the class dedicated to big, beautiful reds is calling out to me. Libby Curran, Staff Writer A TICKET ESPECIALLY FOR THE WINE LOVERS First things first, I will definitely be nabbing myself a Wine Lovers Ticket. If you're into your fine drops, the extra dollars are well worth it — you'll take home a Riedel magnum tasting glass and an expert-selected bottle of vino, get exclusive access to back vintages and a tote bag to haul your goodies around in. The highlight in my eyes? Is it Really Better to be Single?, the punny wine-tasting masterclass that will have Nick Ryan chatting through the ins and outs of blending (and shining a light on why it's one of the most important skills in a winemaker's toolbox). A stop by the Good Food Village for a refuel by way of tastings and my day is made. Grace MacKenzie, Branded Content Manager EVENTS WORTH CROSSING THE DITCH FOR Confession: this is a hypothetical recommendation as I'm stuck over here in New Zealand and can't head to the show. But it may surprise Aussies to know that here in Aotearoa we are fanatical about MasterChef Australia. And no contestant has had an impact on me or my mother more than Brendan Pang during his tenures in 2018 and 2020. We were women obsessed. So, seeing him in real life whipping up dumplings and street eats during the Noodle Smack Down Street Food masterclass is absolutely worth booking flights across the ditch for. While I'm at the show, I'd definitely head to the Wine and Dine Tasting Room for Perfetto! Italian Food and Varietals, which combines two of my greatest loves: pasta and wine. Learning how to effectively match bold local drops to the diversity of Italian cuisine is almost as good as heading away on my own Euro-summer vacation. Almost. Sarah Templeton, New Zealand Editor Ready to start planning your tasty day out? Head to the website to explore the full lineup and book tickets. Top images: Jessica Wyld and Joseph Byford (last image)
Radiance in the face of conflict, determination amid oppression, striving for basic human rights at your most vulnerable: these aren't easy experiences to live through, or to bring to the screen. Iranian Australian filmmaker Noora Niasari knows both firsthand, with her debut feature Shayda based on her childhood. Aged five, she resided in a women's shelter with her mother. The latter fought for freedom by moving to the other side of the world, away from everything that she knew, and carving out an existence anew. As Niasari's mum battled for agency and independence, and for the ability to divorce and also retain custody of her daughter, she still taught the young Noora Farsi, and Persian dance. She passed on Nowruz, or Persian New Year, traditions as well. "I think that was the element of the process that I underestimated — how challenging it would be, just on a very psychological, emotional level," Niasari tells Concrete Playground about the sifting through her own experiences to make the Melbourne-set and -shot Shayda. "It's one thing to direct your first feature film with a much bigger crew than you've ever had, much bigger cast, a lot of different personalities. And then to be triggered by your childhood trauma every day in the process — it's not something I would recommend to anyone." "It's something that I'm still struggling with, to be honest," Niasari continues, noting that she continually comes back to why she made the movie. "The fact that this story is much bigger than me and my mum, that it's already touching women and families all over the world, that really means something to me. I feel like it's a catalyst for healing, not just for me and my mum, but for so many people. That's what drives me to keep going and keep putting the putting the story out there." [caption id="attachment_910860" align="alignnone" width="1920"] Taylor Jewell/Associated Press[/caption] Niasari started Shayda from her mother's unpublished memoir, adapting it and fictionalising elements — and while it doesn't tell an easy tale, it's an easy film to fall for. Named for her mum's on-screen surrogate, who is played by 2022 Cannes Best Actress-winner Zar Amir Ebrahimi (Holy Spider), Shayda is clearly deeply personal. With engaging first-timer Selina Zahednia as Mona, Niasari's own in-film double, naturally it feels not only lived-in but like it has materialised as a movie from memories. As it charts its eponymous character's quest to start afresh, it tells of resilience and perseverance, strength and self-determination, and courage and community. It doesn't ever shy away from its protagonist's struggle to be permitted to be her own person, or from the pain and distress that she's forced to feel as she maintains that mission; however, in heroing its eponymous figure's fortitude, bravery and spirit, Shayda is also a hopeful film. Audiences at the 2023 Sundance Film Festival agreed; in January, Shayda won the US fest's World Cinema — Dramatic Audience Award. That world-premiere berth in Park City was just the start of the feature's festival run. Next stops: opening this year's Melbourne International Film Festival, then closing Switzerland's Locarno Film Festival. Internationally, Amir Ebrahimi's name is a drawcard. Cate Blanchett's, too, given that the Australian Tár and The New Boy actor executive produced the feature. The Tehran-born, Australian-raised Niasari is equally as talented behind the lens, after studying architecture then film; being mentored by iconic Iranian director Abbas Kiarostami; making documentaries in Wales, Lebanon and Chile; and beginning to focus on the Iranian diaspora community with her shorts and now this. Ahead of Shayda launching MIFF in early August, then hitting Australian cinemas in late September, Niasari chatted Concrete Playground through turning her own childhood into this powerful and important feature — plus balancing darkness and hopefulness, casting, engaging Melbourne's Iranian community, the Sundance experience, MIFF's coveted opening-night slot and her journey to becoming a filmmaker. ON NIASARI REALISING THAT SHE NEEDED TO TURN HER CHILDHOOD INTO A FILM "I lived in that women's shelter with my mum when I was five years old, and the woman who was running the shelter, who the character Joyce [played by Leah Purcell, The Drover's Wife The Legend of Molly Johnson] is based on, she's kind of my godmother now. She's been a family friend, my mother's close friend, for over 25 years. We often talk about those times, and it's an experience that's stayed with me through my whole life. Whenever I told people about living in a women's shelter, they were so surprised. I feel like there's not enough awareness of what services are available, and what those experiences are. But I was compelled to tell this story of female empowerment, and to show the world of a women's shelter that we haven't really seen on screens before." ON DECIDING WHERE TO STAY TRUE TO REALITY, WHERE TO FICTIONALISE AND WHY "I was lucky to have an amazing script editor throughout the scriptwriting process. The first draft was very much adapted from my mum's unpublished memoir, which I encouraged her to write before I did the adaptation. But the drafts after that were a departure from the autobiographical details of our life, of that memoir. There's certain things that in real life seem far too dark for a cinema audience — and it's important to prioritise the cinematic experience over what really happened. It very about finding the cinematic potential of the story beyond what happened to us. Thankfully I had my script editor, and a lot of amazing notes from producers — and also just a lot of kind of soul searching, and finding the moral compass of each character, and what they would do in this given scenario and that given scenario. It very much became a fictional exercise at a certain point, and it also incorporated not just my mother and I's story, but stories from my godmother — a lot of her personal experience of working in the shelter is in the film as well. So it's really an amalgamation of fact and fiction, and blurring those lines in order to tell a cinematic story." ON MAKING A FILM THAT SEES BOTH DARKNESS AND HOPE "From the start, I wanted there to be a lot of grounding in the mother-daughter connection, which is a beautiful one that they have. And in the celebration of Persian New Year — the film takes place over the course of that time. Celebrating the cultures and traditions, the poetry, the dance, those are things that kept my mother and I buoyant through those difficult times, and that's something I wanted to capture in the film. Whenever there's darkness, there's light as well. Finding that balance was really a priority for us — my cinematographer, production designer, all of us, we were always thinking about that, whether it came to the lighting or the set dressing or the costumes. Despite the fact that there's difficult themes, we wanted the audience to feel the hope and the joy, and the strength of Shayda and the other women in this in this shelter and in this situation, because there's more to life than the darkness." ON CASTING ZAR AMIR EBRAHIMI AS SHAYDA "We cast her before she won Cannes. It was very, very fortunate timing. Zar is an incredible woman, incredible human being, what she's been through. Just her story is amazing, but I'll leave that to for readers to Google. From the very first self-tape I received from Zar, within a few seconds I knew she was Shayda. It was that powerful. She has this dual strength and vulnerability happening all at once, just in her gaze, in her presence, the way she carries herself. This is a quality that I was always looking for in the character. And Zar also brings so much of her life experience to this film, and has so many parallels to my mother. They also became good friends in the making of the film, which was a beautiful thing as well because you could feel the sisterhood and bonding, and the deeply felt connections — which I feel came across in the performances, too." ON FINDING SOMEONE TO BASICALLY PLAY NIASARI HERSELF AS A CHILD "We auditioned Iranian girls all over Australia, through Persian schools, mostly grassroots casting. And Selina was one of the shortlisted applicants in Melbourne, which was lucky because we were shooting in Melbourne. She came to the callback and to the audition room, and my assistant and I were just blown away by her ability to lock into a situation emotionally and respond to it. For a six-year-old, her emotional intelligence was just phenomenal. She cried in the audition, not prompted by anything but the actual situation we gave her. Then she was able to snap back to the joy and dancing that she loves. She's actually very different to who I was as a child. She has a really happy family. She's got a beautiful childhood, no trauma — she's a really happy kid. As soon as the audition finished, when knew it was her, we were like 'that was remarkable, she's the one'. But then we were like 'but we have to protect her; we have to protect that joy and that light and spark'. So that's what we went about doing — protecting Selina from the material, and making sure that she stayed who she is. She has, and I'm glad that we went above and beyond to do that." ON ENGAGING WITH FELLOW MEMBERS OF MELBOURNE'S IRANIAN COMMUNITY "Their collaboration was really important when it came to preproduction and the making of the film. There's a place called House of Persia in in Melbourne — one of the founding members is my cinematographer's mum. We ran a lot of our rehearsals and auditions there. And we had huge amounts of volunteer extras and people helping us set up the fire-jumping festival, like multiple stall owners. It was a remarkable show of support from the community. They were very excited, very collaborative and just happy to be a part of something like this. It doesn't happen every day for there to be an Iranian Australian feature film financed by Screen Australia. I'm pretty sure that ours is the first. People were really, really excited, and generous and kind and supportive. And we're super grateful to everyone who supported us in the community." [caption id="attachment_910852" align="alignnone" width="1920"] Michael Loccisano/Getty Images[/caption] ON PLAYING SUNDANCE AND WINNING AN AWARD WITH NIASARI'S DEBUT FEATURE "It was definitely a dream come true to screen at Sundance, and to win an award was such a huge honour. It meant a lot to me, and to the whole team, because it just showed that the film is not just a film about my mother and I's personal experience — that it's a universal story that crosses borders, that audiences from all over the world and all different backgrounds are connecting with the film. That's what the audience award meant to me. For me, the most important thing is making a connection with the audience, so it was a wonderful thing to happen." ON OPENING MIFF "It feels surreal at the moment. I've had three shorts at MIFF. I was in the Accelerator Lab [a workshop for emerging short-film directors]. I became a filmmaker in Melbourne, and I really love Melbourne. In so many ways, it feels like a graduation to even just be at the festival with my feature. The opening-night spot, it's important in so many ways, but at the same time I just want to have fun with it and celebrate our hometown screening. But it does signify something new, in a sense, because I don't know how many Australian films have opened MIFF that are the majority in the different language, from a different cultural perspective to what we're used to, from a filmmaker who's lived that and who is from that world. I'm proud, and I'm grateful that my community is being seen and represented in this way." [caption id="attachment_910851" align="alignnone" width="1920"] Matt Winkelmeyer/Getty Images[/caption] ON THE JOURNEY FROM ARCHITECTURE TO DOCUMENTARIES TO SHAYDA "My mum used to take me to the Brisbane Film Festival, and I think one of the first films I saw in the cinema was a Jafar Panahi film. He was Kiarostami's assistant, and then I continued watching his films and Kiarostami's films. Just Iranian cinema in general was pivotal in my adolescence through to university. It always stayed with me, and the poetry and everything. I feel like I always had that undercurrent or simmering desire to tell stories, but I just didn't see it as a possible career path. It was never made mention to me until I was in architecture school. Even when I was in high school, I wanted to go to art school and I had a great art teacher, but filmmaking — nobody ever handed me a camera and said 'you could be a director one day'. It just never came to be. And especially with my mum, it was a single-parent family, and she was working, she was studying, she was hustling my whole childhood and adolescence. It was kind of amazing to discover it at that age of 19. I'm not one of those filmmakers who's like 'oh yeah, I watched E.T. when I was growing up and decided I want to be a director'. I think it was just something that was inside me, and was discovered slightly later based on the circumstances of what I was doing. I loved architecture school, too. I did work for a year and was definitely at a crossroads. But I just fell in love with storytelling, with making movies and being able to make a connection with people through that medium, so I haven't looked back since then." Shayda opens the 2023 Melbourne International Film Festival on Thursday, August 3, then releases in Australian cinemas on Thursday, October 5. Read our review.
At the 2024 British Film Festival, when you're not watching movies starring Saoirse Ronan, Andrew Garfield, Florence Pugh and Barry Keoghan, you'll be catching the latest performances from Ralph Fiennes, Jude Law, Pierce Brosnan and Helena Bonham Carter. There's never any lack of big-name talents gracing the screen at Australia's annual celebration of the UK's latest and greatest contributions to cinema, but this year's is particularly jam-packed — so much so that there's not just one feature boasting Ronan among its cast, but two. Blitz, which sees the Foe, Little Women and Ammonite actor team up with 12 Years a Slave, Widows and Small Axe filmmaker Steve McQueen, is the British Film Festival's 2024 opening-night film. Playing Down Under fresh from also launching the London Film Festival, the period drama heads back to World War II, and starts the fest's month-long run from Wednesday, November 6–Sunday, December 8 with one of the year's must-see movies. At the other end of the festival, the also highly anticipated We Live in Time will close out the event's seasons in Sydney, Melbourne, Brisbane, Perth, Adelaide, Canberra, Byron Bay and Ballarat. Pugh (Dune: Part Two) and Garfield (Under the Banner of Heaven) lead the romance from Brooklyn filmmaker John Crowley, which follows a couple's relationship across a decade. The second Ronan-led flick on the full 2024 British Film Festival comes courtesy of page-to-screen adaptation The Outrun, where the four-time Oscar-nominee plays a recovering addict — and there's plenty more highlights on the program from there. Hard Truths sits in the fest's centrepiece slot, reuniting iconic director Mike Leigh (Peterloo) with his Academy Award-nominated Secrets & Lies star Marianne Jean-Baptiste (Surface). Also boasting the coveted pairing of an impressive helmer and an exceptional on-screen talent: Bird from Andrea Arnold (American Honey), which is where Keoghan (Saltburn) pops up. As for Fiennes (The Wonderful Story of Henry Sugar), he stars with Juliette Binoche (The New Look) in The Return, a British spin on Homer's Odyssey — and also in papal thriller Conclave with Citadel's Stanley Tucci, Killers of the Flower Moon's John Lithgow and Spaceman's Isabella Rossellini. Law (Peter Pan & Wendy) plays King Henry VIII opposite Alicia Vikander (Irma Vep) as Katherine Parr in Firebrand, while Brosnan (The Last Rifleman) and Bonham Carter (One Life) feature in romance Four Letters of Love. Other standouts include the century-hopping dark comedy Timestalker from Garth Marenghi's Darkplace alum Alice Lowe, the Gillian Anderson (Scoop)- and Jason Isaacs (Archie)-led The Salt Path, Julia Louis-Dreyfus (You Hurt My Feelings) facing death in Tuesday, and Kelly Macdonald (Operation Mincemeat) and Damian Lewis (Billions) in vampire comedy The Radleys. For music fans, there's a dedicated themed sidebar featuring both Blur: To the End and Blur: Live at Wembley Stadium — one about the band's most-recent chapter, the other a two-hour concert film — as well as the Led Zeppelin-focused The Song Remains the Same and The Rolling Stones-centric The Stones and Brian Jones. This year's British Film Festival is also peering backwards via retrospective sessions of Ratcatcher, the debut feature from You Were Never Really Here's Lynne Ramsay; the Bonham Carter- and Dame Maggie Smith (The Miracle Club)-starring A Room with a View; and classic British historical dramas such as A Man for All Seasons, Heat and Dust, The Lion in Winter and Kenneth Branagh's (A Haunting in Venice) Henry V. British Film Festival 2024 Dates and Venues Wednesday, November 6–Sunday, December 8 — The Astor Theatre, Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Palace Penny Lane, The Kino and Pentridge Cinema, Melbourne Wednesday, November 6–Sunday, December 8 — Palace Regent Ballarat Wednesday, November 6–Sunday, December 8 — Palace Electric Cinemas, Canberra Wednesday, November 6–Sunday, December 8 — Palace Barracks and Palace James Street, Brisbane Wednesday, November 6–Sunday, December 8 — Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide Wednesday, November 6–Sunday, December 8 — Palace Raine Square, Luna on SX, Leederville and Windsor, Perth Wednesday, November 6–Sunday, December 8 — Palace Byron Bay Thursday, November 7–Sunday, December 8 — Palace Norton Street, Palace Moore Park, Chauvel Cinema and Palace Central, Sydney The 2024 British Film Festival tours Australia in November and December. For more information and to buy tickets, visit the festival website.
Weren't lucky enough to wrangle an overseas summer holiday this year? Never mind — South Yarra has its own sky-high paradise replete with European vibes. A luxe cocktail bar, Tetto di Carolina is the newest addition to Joe Mammone's celebrated stable (Bar Carolina, Il Bacaro, Sarti). As its name suggests (it means 'roof of Carolina' in Italian), Tetto is located above its sister restaurant Bar Carolina. And, in the same vein as its siblings, Tetto is also study in sophistication. The intimate Chris Connell-designed space is decked out with terrazzo tiling, warm polished timber and an impressive, six-metre-long walnut bar. Deep leather banquettes are nestled throughout, while an openair terrace — with a retractable roof — overlooks South Yarra. There's an Italian lean to the food and drinks. The booze is selected by award-winning cocktail bartender Alex Dyzart of London's Bar Three. You'll spy a stack of champagne and sparkling iterations, a tight range of wines from across Australia and Europe, and plenty of crafty signature cocktails like the Copacabana Fizz — starring aged rum, fig leaf and clarified almond — and the gin and and fennel flower Florence Revival. From the kitchen comes a smart lineup of plates designed to be enjoyed beside a drink. Think Italian-style fried chicken with fennel slaw on brioche, pine-smoked mussels in a sweet vermouth and butterbean sauce, savoury cannoli filled with duck liver parfait and Sicilian doughnuts crafted with chestnut flour and roasted hazelnuts. To round out your European adventure, there'll even be a program of live performances, headlined by some of Melbourne's most respected jazz musicians. Images: Kristoffer Paulsen
It hasn't served up meals for more than a decade, but El Bulli will always be a famous culinary name. Until 2011, when the spot in the town of Roses in Catalonia, Spain was operating as a restaurant, it was the pinnacle of fine-dining. It boasted three Michelin stars to prove it. Documentary El Bulli: Cooking in Progress also told its story. Head Chef Ferran Adrià didn't just oversee one of the world's best eateries, either — he's one of the world's best chefs, too. Didn't get the chance to enjoy a dish there, for all manner of reasons? How about sleeping at El Bulli for a night instead. That's the latest money-can't-buy experience on offer via Airbnb, and for one evening only. Slumbering at elBulli1846, the museum that's now onsite, is also free — for two people, but you are responsible of getting yourself to Roses, including paying your own way from Down Under if you score the booking. Airbnb loves opening up places that you wouldn't normally be able to kip in, as seen in the past with Shrek's swamp, Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill and Hobbiton, for starters. It has also listed the Bluey house, the Paris theatre that inspired The Phantom of the Opera, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop, the Sanderson sisters' Hocus Pocus cottage and Santa's festive cabin in Finland. Earlier in 2024, Christina Aguilera hosted a two-night Las Vegas stay. Adrià does the honours at elBulli1846 — which, as you'd expect, goes all in on El Bulli's history. As you spend the night in the venue at Cala Montjoi, within the Cap de Creus Natural Park, he's hoping that you'll get inspired by its gastronomic innovation while soaking in the Mediterranean sea views. The museum is named after the 1846 dishes that El Bulli created in its restaurant days, after all. "The mission of elBullirestaurante was about pushing limits. We had reached what we felt was the limits of what can be done in a gastronomic experience at the maximum level," said Adrià. "Now I'm excited to push new creative boundaries, to share this way of seeing the world with the guests who stay here and to introduce them to our latest chapter as elBulli1846." This is the first time that El Bulli has allowed anything like this within its famed culinary halls. Whoever nabs the reservation will meet Adrià, and hear all about the restaurant from him; eat at one of his favourite restaurants in Roses; and get overnight access to El Bulli, including its private rooms. You'll also have dinner the next day at Enigma in Barcelona, where Adrià's brother Albert is the chef. And, in-between all of that, you'll be sleeping in a bed designed to look like a plate, which takes its cues from El Bulli's spherical olive. To enjoy all of the above, you'll need to be free to stay across Wednesday, October 16–Thursday, October 17 — and you'll be getting booking at 2am AEST / 4am NZST on Thursday, April 18. Again, while you won't pay a cent for accommodation or the two dinners while you're at elBulli1846, you will need to fork out to get there and back. For more information about the elBulli1846 Airbnb stay, or to book at 2am AEST / 4am NZST on Thursday, April 18 for a stay across Wednesday, October 16–Thursday, October 17, 2024, head to the Airbnb website. Images: Marc Ensenyat. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
The 2023 FIFA Women's World Cup is last year's news, sadly. There's still two years to wait until Australia hosts the 2026 Women's Asian Cup. But 2024 is the year of the Paris Olympics — and in preparation for vying for gold, the Matildas are hitting the field Down Under. The country's national women's soccer team are playing two friendlies against China, the first in Adelaide on Friday, May 31 and the second in Sydney on Monday, June 3. And although both are sold out — giving the Tillies a massive 14 sellout games on home soil in a row — you can still tune in from home, or the pub, if you won't be in the South Australian or New South Wales capitals or haven't scored tickets. These are the Matildas' first games in Australia since the last match of the final Olympics qualifiers back in February. Taking place in Melbourne against Uzbekistan, that game turned out mighty well for the squad, resulting in a 10–0 scoreline their way and locking in a spot in Paris. This time, there's nothing but bragging rights on the line, but a Tillies game is still a Tillies game. To watch, 10Play and Paramount+ are your destinations — plus Network 10 on regular TV. Sam Kerr is injured, but the squad is filled with high-profile names, including Steph Catley donning the captain's armband, Ellie Carpenter as vice captain, and also everyone from Mackenzie Arnold, Alanna Kennedy, Caitlin Foord, Mary Fowler and Kyra Cooney-Cross to Hayley Raso, Michelle Heyman, Cortnee Vine and Lydia Williams. Expect the latter to spend some time in goal, given that the legend of the game announced that she'll retire from international football following the Olympics. After this, the Tillies kick off their quest for a medal in Paris on Friday, July 26 at 3am Australian time, playing Germany. Their first-round draw also includes matches against Zambia and the USA. In-between, you can get another Matildas fix via documentary Trailblazers, which hits Stan on Tuesday, June 4 — and if you're in Sydney on Monday, June 10, at a Vivid 2024 talk with Mackenzie Arnold and Tony Gustavsson. The Matildas vs China PR Friendlies 2024: Friday, May 31 — 8.10pm AEST / 7.40pm ACST / 6.10pm AWST Monday, June 3 — 7.40pm AEST / 7.10pm ACST / 5.10pm AWST The Matildas' friendlies against in China PR take place on Friday, May 31 and Monday, June 3, 2024— and you can watch via 10, 10Bold, 10Play and Paramount+. Images: Tiffany Williams, Football Australia.
Spraying reboots, remakes, sequels and prequels across cinema screens like a spirit supposedly sprays ectoplasm — gushing reimaginings, spinoffs and seemingly never-ending franchises, too — Hollywood ain't afraid of no ghosts. It loves them in horror movies, obviously, but it adores the spectre of popular intellectual property even more. These phantoms of hits gone by can be resurrected again and again, all to make a profit. They haunt both cinemas and box-office blockbuster lists, making film-goers and the industry itself constantly feel like they're being spooked by the past. With 14 of Australia's 15 top cash-earning flicks of 2021 all falling into the been-there-done-that category in one way or another, looking backwards in the name of apparently going forwards is now mainstream filmmaking 101, and the big end of town rarely likes bustin' a money-making formula. After more than a few pandemic delays, that's the world that Ghostbusters: Afterlife floats into — a world that's made worshipping previous glories one of the biggest cash-spinners show business could've ever dreamed up. The fourth feature to bear the Ghostbusters name, but a new legacy sequel to the original 1984 film, this reanimated franchise entry certainly sports a fitting subtitle; treating its source material like it's nirvana is firmly filmmaker Jason Reitman's approach. To him, it might've been. Although he established his career with indie comedies such as Thank You for Smoking and Juno, he's the son of director Ivan Reitman, who helmed the OG Ghostbusters and its 1989 follow-up Ghostbusters II. To plenty of fans, those two initial comedy-horror flicks were something special as well; however, acknowledging that fact — and trying to recreate the feeling of being a kid or teen watching the first Ghostbusters nearly four decades ago — isn't enough to fuel a new film. To be fair, the younger Reitman isn't particularly interested in making a new movie; Be Kind Rewind's "sweded" Ghostbusters clips are more original than Ghostbusters: Afterlife. Instead, he directs a homage that sprinkles in links to its predecessor so heartily that it's probably easier to name the scenes and details that don't scream "hey, this is Ghostbusters!" as loudly as possible. And, even when Reitman and co-screenwriter Gil Kenan (Poltergeist) appear to shake things up ever so slightly, it all still ties back to that kid-in-the-80s sensation. Sure, Ghostbusters: Afterlife's protagonists aren't adult New Yorkers, but they're small-town adolescents who might as well have ambled out of one of the era's other hot properties: Steven Spielberg-helmed or -produced coming-of-age adventure-comedies about life-changing, Americana-dripping, personality-shaping escapades. Phoebe (Mckenna Grace, Malignant) is one such child, and a new inhabitant of the cringingly titled Summerville, Oklahoma at that. With her mother Callie (Carrie Coon, The Nest) and brother Trevor (Finn Wolfhard, The Goldfinch), she's made the move because the granddad she never knew just passed away, leaving a dilapidated rural property to his estranged family. The townsfolk speak his nickname, "dirt farmer", with mocking and intrigue, but his actual moniker — and all that equipment he's left behind — brings big changes Phoebe's way. While being Dr Egon Spengler's granddaughter doesn't initially mean too much to her, other than giving her love for science a genetic basis, she's soon segueing from testing out ghost traps with local teacher Mr Grooberson (Paul Rudd, The Shrink Next Door) to cracking Egon's secret efforts to stop a world-shattering supernatural event. Who ya gonna call? Reitman and Kenan's teen fantasies, presumably. The pair haven't taxed themselves with their screenplay, which reads like backyard cosplay. That said, when they're not getting characters to utter the obvious — including "who ya gonna call?", of course — or trotting out mini marshmallow men for no good narrative reason, Reitman and Kenan do expend ample energy differentiating Ghostbusters: Afterlife from 2016's Ghostbusters. Wrongly maligned by manchildren who claimed that women bustin' ghosts somehow ruined their childhoods despite the fact they're now ostensibly grown, the latter is a comic gem that's far nearer in tone to the 1984 flick than this new nostalgia dump. But the female-fronted film didn't linger on every Ghostbusters nod it could shoehorn in every 30 seconds or so, and definitely didn't regard all those winks as the sole reason it existed, so Ghostbusters: Afterlife is here to redress that (and, continuity-wise, to flat-out ignore that the last movie was ever made). It seems that Hollywood does want to blast away some spirits after all: the remnants of prior franchise entries that didn't thrill their diehard fans. There's no point asking if this is what blockbuster filmmaking is now, because we've all seen the proof countless times — but even Spider-Man: No Way Home's theme park-esque references to past web-slinging iterations still recognised the movies that weren't universally loved. The Matrix Resurrections plugged into its chequered history even deeper, defiantly making its two worst predecessors indispensable to the latest movie. But Ghostbusters: Afterlife doesn't dare challenge, surprise, or do anything other than pander to and try to evoke claps and cheers from viewers easily pleased by loving what they've always loved. Bringing back familiar faces, blatantly ripping off the original Ghostbusters' ending, tastelessly resurrecting (via CGI) the late Harold Ramis as Egon: there is no inspiration here, only bland, tedious, sentiment-coddling cinematic gruel. If only Reitman approached Ghostbusters: Afterlife less like inevitably inheriting the family business, and more like the smart, sharp and very funny comedies already on his resume. If only he'd brought over just a single proton-pack blast of Young Adult and Tully's disdain for idolising the past. If only he'd given the engaging Grace something more to do than act out his own path — learning to follow in her grandfather's footsteps, just as Reitman does with his dad. There's more where these laments came from, too. If only there really was something strange, unusual, wacky and silly in this movie's neighbourhood, other than Rudd never ageing. If only Ghostbusters: Afterlife wasn't just empty and easy fan service: the movie. If only it wasn't bloated, shot like a parody of an 80s all-ages adventure, far too influenced by Wolfhard's Stranger Things, wasteful of its cast, and determined to remind its audience over and over that better Ghostbusters films exist. This fourquel only has eyes for one movie, it ain't afraid to show it, and it isn't itself — and that's what it leaves you wishing you'd watched again instead.
Summer may be well and truly done and dusted, but spritz season is kicking on strong at Richmond's Baby Pizza. In fact, the venue is serving up a fresh series of daily aperitivo specials to see you happily sipping through autumn. From 4–6pm each day, Baby is slinging serves of Aperol and sbagliato rosa for $9.50 a pop. Otherwise, part with $6.50 for a Peroni Rossa or $14 for a glass of Castelli Mt Barker pinot grigio instead. If you're also feeling peckish, you'll find plenty to love about the aperitivo food menu: house-made focaccia with mortadella, buffalo mozzarella and green olive; fritto di polenta (parmesan-crusted polenta with aioli); gnudi di ricotta with roasted red pepper and sage; and pizzette with anchovy, San Marzano tomato and basil. Walk-ins are welcome, though you can make a booking online if you want to be sure of nabbing a table.
Empire of the Sun are back, proving that video making is still an art; Owl Eyes are telling golden lies; and Bastille are taking full advantage of the acoustics properties of a museum corner to give you the perfect Sunday song. 1. 'ALIVE' - EMPIRE OF THE SUN Empire of the Sun dropped their much-awaited new track 'Alive' just the other week. Tuesday saw the release of the accompanying video, and the apt word is wow. It almost looks like a futuristic Game of Thrones scene and it proves that Luke Steele and Nick Littlemore just know how to do epic. They also prove that despite the dwindling numbers tuning into MTV, the music video is still a valid art form. It also helps that the track is incredibly catchy. We should give a warm welcome back to the absurdly dressed duo. 2. 'GET LUCKY' - DAUGHTER And so the covers of the best song so far this year begin. Daft Punk's heralded return track has been covered here by brooding British band and anticipated Splendour act Daughter and is a surprisingly excellent cover, perhaps because they have taken such a different path to the French gods of electronica. Hopefully any other covers that follow are up to this quality. 3. 'YOUNG & BEAUTIFUL' - LANA DEL REY Anything to do with the upcoming movie The Great Gatsby gets me excited, mainly as everything is so secretive. The soundtrack is promising to be as epic as the film itself, with Jay-Z, Florence and the Machine and Sia just some of the artists who recorded for the film. For a long time we only heard snippets of sound, but now full tracks are starting to leak out. Lana Del Rey dropped this treat and, like all things Gatsby, it is suspenseful, epic and beautiful. Enjoy at will. 4. 'GOLDEN LIES' - OWL EYES Owl Eyes are telling us golden lies and I don't mind what truth they are covering up so long as it keeps sounding as good as this. 'Golden Lies' is one of the twelve dance-inducing tracks from Nightswim, Owl Eyes' debut album released just last week. Do yourself a favour and put this on repeat. 5. 'POMPEII' - BASTILLE These British boys were invited to perform 'Pompeii' at the opening of the British Museum's Pompeii exhibit, and we should all be very glad that Bastille accepted, as it turns out that the corner of a museum is the perfect place for a haunting voice, a guitar and three pairs of hands percussively beating thighs to make perfectly serendipitous music. Excellent for that relaxing Sunday afternoon.
It's that time of year again. The sprawling Fringe program is winding up and the stages are getting a little bigger. The 2014 Melbourne Festival kicks off on Friday, October 10, and our local favourites are teaming up with big name international acts. Over the next month you can ride a golden carrousel inside the NGV, be serenaded by a choir of 40 young European girls, and hear The Avalanche's 'Frontier Psychiatrist' like never before. Seamlessly blending the worlds of 'high' and 'low' culture, this year's program is jam-packed with circus, dance, and giant fighting manga people. Get ahead of the hype and book your tickets now. MPavilion While not technically an event at Melbourne Festival, this is definitely a thing to see. Inspired by the pop up spaces at London's Serpentine Gallery, arts patron and philanthropist Naomi Pilgrim has commissioned something amazing to pop up on St Kilda Road. Designed by Australian architect Sean Godsell, MPavilion will be an innovative pavilion space in the Queen Victoria Gardens that will play host to 118 free events. The structure, open to the public from October 7 until February 2015, will also host a large component of events from the Melbourne Festival. Though we're yet to see the space, we imagine it'll be the perfect place to kick back and relax between shows; a flowery refuge from the buzz of the city. October 7 - February 2015, Queen Victoria Gardens (opposite NGV International), Free. Golden Mirror Carrousel Recreating the amusement and festivities of the fairground with an important touch of luxe, Belgian artist Carsten Höller is bringing his golden mirror carrousel down under to the NGV. Höller has been exhibiting fully-functional carrousels in galleries in the US and Europe for some time now, but his attractions always have a crucial difference from what you might find at the Royal Melbourne Show. In the past, he has altered the speed or rotation of the carousel to slightly disorient or confuse visitors, but recently he's been focussed on surface material. A plain mirror carrousel was exhibited in New York a few years ago, now we get the upgraded version. I It's sure to bring a few smiles and selfies along the way, but don't expect any showbags or dagwood dogs after the ride. October 10 - March 2015, National Gallery of Victoria (NGV International), Free. Complexity of Belonging Enjoying its world premiere at this year's Melbourne Festival, there are quite a few reasons why Complexity of Belonging is piquing our interest. First, it kills two birds with one stone. Both theatre and dance are looking like strong elements of the program this year and with this outstanding new work you'll get a taste of both. And, the same could be said of its creators — in a festival packed full of exciting Asian and European works, Complexity of Belonging is one of the few international co-productions with Australia. Our beloved MTC and Chunky Move have joined forces with German playwright and director Falk Richter. Exploring the age of social media with the help of five dancers and four actors, the show is shaping up to be an unique and dynamic experience on stage. October 6 - 25, Southbank Theatre, The Sumner, $40-79. When the Mountain Changed its Clothing The Melbourne Festival is certainly living up to its big reputation with this one. Flying in 40 young singers from the Vocal Theatre Carmina Slovenica, When the Mountain Changed its Clothing is an epic international show which defies categorisation. Under the direction of legendary director and composer Heiner Goebbels, the show combines storytelling, dance, and song as it examines the transition from childhood to adulthood. Utilising texts from intellectual greats like Jean-Jacques Rousseau, Gertrude Stein and Marina Abramovic, the work is incredibly far from conventional theatre. With just four performances scheduled in this first Australian run, we suggest you jump on tickets now. This is a curious piece people will be keen to figure out. October 23 - 26, Arts Centre, State Theatre, $49-129. Opus If you like your circus bright, gawdy and replete with peanuts and fairy floss, this is not the show for you. Off the back of five-star reviews in the UK, Opus comes to us from the local legends at Circa as they team up with France's Debussy Quartet. Combining world-class classical music and spellbinding acts of grace and endurance, the show presents a fusion of styles that hasn't really been seen on Australian stages. Intensifying this dynamic, the musicians will in fact be seated on stage while playing the work of Russian composer Dmitri Shostakovich. High energy and high concept, it might be best to leave the kids at home. October 17 - 19, Arts Centre, State Theatre, $25-79. Pop Crimes Rowland S. Howard never quite got the notoriety he deserved. Known for his work in The Birthday Party and his iconic song 'Shivers' that was later famously covered by Nick Cave, Howard was an incredibly influential and inventive musician for well over three decades but his sound was always on the fringes. Now, five years after his death, his seminal 2009 album Pop Crimes is being treated to some serious fanfare on the big stage. These two shows at the Festival Hub will see Howard's old bandmates and key collaborators pay tribute to the fallen great. This will include old faithful like Mick Harvey and Harry Howard as well as newbies like Adalita among others. Get ready for some shivers. October 23-24, Foxtel Festival Hub, $45. Since I Suppose Arguably the most innovative show of the festival, Since I Suppose takes you on a journey through the city with an interactive and intimate show that teeters on the edge of theatre and live art. Experienced by just two people at a time, the work reinterprets Shakespeare's Measure for Measure through filmed action on a handheld device. Site-specific moments will blur the distinctions between film and reality, and audio elements will create a wholly unique experience. Co-created by Richard Jordan Productions and the Chicago Shakespeare Theatre, the show's US run was sold-out before the season even opened. It finished sporting 5-star reviews. As each experience is so unique, there's not much more we can tell you. But watch this space: we'll definitely be trying it out for ourselves. October 15-26, CBD to North Melbourne, $45-65. Since I Left You 'You're a nut! You're crazy in the coconut!' Throw your head back to 2000, you're going to need all the lyrics to 'Frontier Psychiatrist' for this one. In tribute to The Avalanches' legendary album Since I Left You, Sydney's Astral People and Jonti are performing the entire thing live on stage. That might not sound like the most amazing of accomplishments, but it really needs to be put in perspective. This genius patchwork of an album was made from more than 3,500 samples. It's game-changing electronic music that was never meant to be performed live. But that won't stop these guys. Astral People and Jonti will be joined by a 17-piece orchestra. We've never been so pumped to hear some violins. October 10-11, Foxtel Festival Hub, $45. Marzo With costumes like these, this dance work from Dewey Dell is sure to be anything but dull. Well known for their bizarre antics on stage, this Italian company has teamed up with Japanese artists Kuro Tanino and Yuichi Yukoyama to utilise a manga aesthetic. In neon power suits and Daft Punk helmets these dancers are going to war, exploring love and hate in a surreal futuristic plane of existence. This is the closest thing you're ever going to see to Yoshimi battling the pink robots in real life. Do not pass it up. October 10-14, Arts House, North Melbourne Town Hall, $15-40. Art as a Verb The days of art being pristine and untouched are long gone. Art these days wants to get all up in your face. It's cheeky and inappropriate. Sometimes it involves dancing naked in a gallery. Taking these ideas to the extreme, MUMA is presenting Art as a Verb: a group retrospective of interactive, performance based works. Exhibiting pieces from Marina Abramovic, Vito Acconci, Francis Alyss, Mike Parr, Yoko Ono and many more, this show asks you to get your hands dirty. With people masturbating under floorboards and sewing their lips shut, it's pretty clear — art is no longer just about pretty oil paintings. October 3-16, Monash University Museum of Art, Free. To see the full program, head over to the Melbourne Festival website.
Planning a Japanese getaway, or dreaming about eventually planning one? You can take one thing off of your to-do list: packing. Instead of carefully researching all possible weather conditions, obsessively trying to predict what you'll want to wear and then trying to jam it all into your suitcase, you can now simply rent whatever you need when you arrive at your destination. Luggage-free travelling comes courtesy of a new service called Locarry, which lets you hire everything from clothes to costumes to cameras — and sporting equipment, strollers and more — from residents on the ground, rather than taking your own. Prices are set by those leasing out the goods, with no fees charged by the sharing platform itself. The service can be used by friends to arrange to lend items to other friends as well. There are a few restrictions, understandably. While users can rent things out individually or as a collection (that is, a pack of objects that you might need if you're going sight-seeing in Tokyo or wandering through cherry blossoms in Kyoto, for example), they can't hire out food, drinks, booze, medicines, animals or a number of other items. And — as you'd completely expect — underwear is off the table as well. Of course, the idea of hopping on a plane without your own outfits won't appeal to everyone. Still, packing lighter than usual, being able to nab a raincoat if the weather turns or pick up a camera to use while you're away just might. For more information, visit Locarry's website.
Melbourne's blazing summers aren't just a blessing for beachgoers. If you're fond of cooling down on dry land with a spritz in your hand and the sun's rays on your face, this is your time to shine. Perhaps more than most, this summer is certain to bring Melburnians together. A chaotic few years, our gorgeous climate, tastebud-tempting cocktails, that carefree vibe that floats across the Yarra as soon as the season hits — that'll do it. If you're wondering where to head, we've teamed up with Aperol to pick six must-visit spots that'll take care of this year's holy trifecta: spritzes, all that glorious sunshine, and ample space for you and your pals. Plus, to celebrate togetherness, Aperol is picking up the tab for 100,000 spritzes this summer to make your summer soiree even sweeter.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?time_continue=4&v=87RIVAc6MJU&feature=emb_logo SYNCHRONIC Justin Benson and Aaron Moorhead made a significant splash in genre circles with 2014's horror-romance Spring and 2017's excellent cult thriller The Endless, but they aren't currently household names. If the duo keep writing and directing mind-bending sci-fi like Synchronic, though, they will be sooner rather than later. The pair actually appear destined to become better known via Marvel. They're slated to helm one of the MCU's many upcoming Disney+ TV series, the Oscar Isaac-starring Moon Knight, in fact. But, they've already worked their way up from the US$20,000 budget of their 2012 debut Resolution to making movies with Anthony Mackie and Jamie Dornan. Here, with Marvel's own Falcon and Fifty Shades of Grey's leading man, they play with time, relativity, fate and brain-altering substances. They ponder the shadows that the past leaves on the present, the way that progressing through life can feel far more like a stumble than following a clear path, and how confronting loss and death can reframe your perspective on living, too. Those temporal jumps and existential themes aren't new, of course, and neither is the film's steely look and feel, and its willingness to get dark. That's the thing about Benson and Moorhead, however: few filmmakers can twist familiar parts into such a distinctive, smart and engaging package in the same way, and with each and every one of their movies. Synchronic shares its title with a designer drug. In the film's vision of New Orleans, the hallucinogen can be bought in stores — and plenty of people are doing just that. Shift after shift, paramedics Steve Denube (Mackie) and Dennis Dannelly (Dornan) find themselves cleaning up the aftermath, as users keep overdosing, dying in unusual ways and getting injured in strange mishaps. And, these aren't your usual drug-fuelled incidents. One, involving a snakebite, happens in a hotel without even the slightest sign of slithering reptiles. That's enough to arouse the world-wearied Steve and Dennis' interest, and to give them something to talk about other than the former's attachment-free life and the latter's marriage. Then Dennis' teenage daughter Brianna (Ally Ioannides, Into the Badlands) goes missing, and the two EMTs are instantly keen to investigate any links that the popular pill might have to her disappearance. Cue a film that initially drips with tension, dread and intensity; uses every tool at its disposal to take viewers on a trippy journey; and grounds its surreal imagery and off-kilter atmosphere in genuine emotions. Each of Benson and Moorhead's four films so far are strikingly shot and astutely written, and rank among the best horror and sci-fi efforts of the past decade, but they're also as thoughtful and resonant as they are intelligent and ambitious — and that's an irresistible combination. Read our full review. https://www.youtube.com/watch?v=V5R46NgopPw&feature=emb_logo ANOTHER ROUND Even the most joyous days and nights spent sipping your favourite drink can have their memory tainted by a hangover. Imbibe too much, and there's a kicker just waiting to pulsate through your brain and punish your body when all that alcohol inevitably starts to wear off. For much of Another Round, four Copenhagen school teachers try to avoid this feeling. The film they're in doesn't, though. It lays bare the ups and downs of knocking back boozy beverages, and it also serves up a finale that's a sight to behold. Without sashaying into spoiler territory, the feature's last moments are a thing of sublime beauty. Some movies end in a WTF, "what were they thinking?" kind of way, but this Oscar-shortlisted Danish film comes to a conclusion with a big and bold showstopper that's also a piece of bittersweet perfection. The picture's highest-profile star, Mads Mikkelsen (Arctic), is involved. His pre-acting background as an acrobat and dancer comes in handy, too. Unsurprisingly, the substances that flow freely throughout the feature remain prominent. And, so does the canny and candid awareness that life's highs and lows just keep spilling, plus the just-as-shrewd understanding that the line between self-sabotage and self-release is as thin as a slice of lemon garnishing a cocktail. That's how Another Round wraps up, in one the many masterstrokes poured onto the screen by writer/director Thomas Vinterberg (Kursk)) and his co-scribe Tobias Lindholm (A War). The film's unforgettable finale also expertly capitalises upon a minor plot detail that viewers haven't realised had such significance until then, and that couldn't typify this excellent effort's layered approach any better. But, ending with a bang isn't the movie's only achievement. In fact, it's full of them. The picture's savvy choices start with its premise, which sees the quiet and reserved Martin (Mikkelsen) and his fellow educators Tommy (Thomas Bo Larsen, Veni Vidi Vici), Peter (Lars Ranthe, Warrior) and Nikolaj (Magnus Millang, The Commune) all decide to put an out-there theory to the test. Motivated by real-life Norwegian psychiatrist Finn Skårderud, they conduct an experiment that involves being permanently sauced. Skårderud has hypothesised that humans are born with a blood alcohol deficit of 0.05 percent, so, with some cajoling needed on Martin's part, the quartet work that idea into their daily lives. Ground rules are established, and the shots, sneaky sips and all-hours drinking swiftly begins — and so splashes a tragicomic look at coping with mundane lives and the realities of getting older in an extreme fashion that's frank, unflinching, and yet also warm and sometimes humorous. Read our full review. https://www.youtube.com/watch?v=LNkmnVd9wHM&feature=emb_logo ASSASSINS On February 13, 2017, at the Kuala Lumpur International Airport, a man was assassinated in broad daylight. While standing by the self check-in kiosks at around 9am, he was approached from behind by two women. After they each rubbed their hands across his face, he was dead within the hour. For a plethora of reasons, the attack garnered global news headlines. Such a brazen murder, carried out not only in public but also in full view of the Malaysian airport's security cameras, was always going to receive worldwide attention. The use of extremely deadly chemical weapon VX obviously demanded scrutiny — and so did the fact that the victim was Kim Jong-nam, the estranged elder half-brother of North Korean leader Kim Jong-un. But, despite the onslaught of newsprint, pixels and airtime devoted to the incident when it happened, the full details behind it took time to unfurl. As Assassins explores, those facts are fascinating, gripping and distressing in equal measure. Indeed, if a Hollywood screenwriter had cooked up the story at the centre of Ryan White's (The Keepers) meticulously documentary, they would've been told that it's too far-fetched. Not that the world needs any additional reminders, but real life really is far stranger than fiction here. Across 104 minutes that relay an unmistakably and inescapably wild tale in an edge-of-the-seat yet never sensationalistic fashion, White asks the question that was on everyone's lips four years ago: why? That query has many layers. It starts with wondering why two women in their 20s — one from Indonesia, the other from Vietnam — with no clear political affiliations would kill an exiled North Korean who was once expected to lead his nation. From there, it expands to contemplate why Malaysian law enforcement officers and prosecutors were so content to believe that culprits Siti Aisyah and Doan Thi Huong acted without any involvement from North Korea, and why a number of the latter country's citizens were interviewed, but then released and allowed to return home without facing any legal repercussions. Aisyah and Huong certainly weren't afforded the same treatment. Charged with Kim Jong-nam's murder, they were put through a long trial, and faced the death penalty if convicted. The pair, who didn't know each other beforehand, pled their innocence from the outset. Both women were adamant that they had each been hired to make prank videos for a YouTube show and, as far as they knew, their efforts in Kuala Lumpur were part of their latest production. Read our full review. https://www.youtube.com/watch?v=BZNN9AttdBQ LONG STORY SHORT The type of guy who is always too busy to both make plans and stick to them, Teddy (Rafe Spall, Just Mercy) has a slippery relationship with time. He never seems to have enough to commit to anything right now, including setting a date to marry to his girlfriend of four years and new fiancée Leanne (Zahra Newman, Neighbours). Ever the procrastinator, he's always saying that he'll do everything later, too. Then, after an odd cemetery run-in with a mysterious woman (Noni Hazelhurst, Ladies in Black) that results in his wedding occurring just weeks later, Teddy's life starts slipping away in an unexpected fashion. Everything is normal when he climbs into bed on his wedding night but, when wakes up, he realises that it's suddenly a year later. Leanne hasn't skipped the past 12 months with him, although she does think that he's acting strangely (and, that he's simply freaking out because he forgot their anniversary). Teddy's best friend Sam (Ronny Chieng, Crazy Rich Asians) also doesn't believe that anything is amiss with the calendar, but plenty has changed. When another year glides by a few minutes later, everything changes yet again. Now, Teddy's claims that he doesn't have enough time take on much greater urgency, as he tries to work out what's going on, how to stop it and how to save his disintegrating marriage in the process. Writing, directing and appearing on-screen as a psychiatrist who exacerbates Teddy's frustrations, House of Lies and Superstore actor Josh Lawson turns filmmaker again with Long Story Short. He's still sticking with comedy, as he did with The Little Death, his last effort behind the camera. He's still happy to sketch out his narratives via broad strokes, too, and to pile on implausible details as well. Here, he starts with the supposedly romantic idea that a man will kiss any woman who wears the same dress as his girlfriend. That mistaken situation inspires Teddy's meet-cute with Leanne, and somehow sparks their whole relationship. It's about as believable as the beachfront Sydney house the apparently ordinary couple buy as their first marital home — so, when Teddy starts jumping through time, that seems feasible in comparison. From there, Long Story Short packages the expected manchild and relationship cliches with familiar temporal-hopping tropes, and can't hide that fact by shouting out to Groundhog Day. Physically resembling his director more often than not, Spall plays rattled well enough. Newman does her best in a thinly written role that simply has Leanne reacting to Teddy's chaos. But being suddenly whisked through time and missing this flat movie wouldn't be a bad outcome for audiences, unless you're the type of viewer who loves Aussie flicks filled with all the usual tourist-courting visuals. https://www.youtube.com/watch?v=a4mxHlXBy_g THE PEOPLE UPSTAIRS A film like Spanish comedy The People Upstairs lives and dies on the strength of its performances. That's not a criticism of the movie's script; rather, it's recognition that its conversation-fuelled dramas and sudden, drastic twists and turns need the right actors to sell everything that unfurls across its brief 82-minute running time. Thankfully, writer/director Cesc Gay (A Gun in Each Hand, Truman) has amassed a top-notch cast. That's hardly surprising — he has worked with his male leads Javier Cámara (Narcos) and Alberto San Juan (Advantages of Travelling by Train) before, and his female leads Belén Cuesta (Money Heist) and Griselda Siciliani (Morir de Amor) boast considerable resumes. But, had any of the quartet missed even the slightest of beats, the whole film could've crumbled, and badly. As the long-married Julio and Ana, Cámara and Siciliani are asked to convey years of unhappiness that's long threatened to push the couple apart, but to still find enough of a spark in their wearied relationship to explain why they're still together (and not just via the smoke that radiates from their frequent arguments). As the upstairs-dwelling Salvo and Laura, San Juan and Cuesta are tasked with looser roles; however, they also have to roll with the punches when their characters keep shocking and surprising their downstairs neighbours. For Julio, the Friday night that attracts the movie's attention should just be an ordinary evening. Coming home from his music teaching gig, he has papers to grade and doesn't plan on doing much else. Alas, after mentioning in passing the day prior that she'd like to invite Salvo and Laura over, Ana has followed through — and they arrive not long after Julio walks in the door, notices the new rug and starts an argument. From there, The People Upstairs stays within Julio and Ana's apartment and follows their awkward get-together with Salvo and Laura. The latter pair notice the tension immediately, and they have very specific ideas about how to ease it. Plenty of comedies of manners have stepped into comparable terrain, to the point that dinner party movies have become their own subgenre, but Gay and his cast never let the situation feel too familiar. While the film makes the most of its nicely appointed set, which helps, how its stars deliver the lively content of Julio, Ana, Salvo and Laura's chats remains crucial. The movie's comedy, and the pondering of changing societal norms that's baked into it, wouldn't work otherwise. That's not to say that The People Upstairs always hits its targets; although short, some of its conversations become not only purposefully circular, but also repetitive. But when the tightly written script and the cast performing it all sparkle, so does the feature. https://www.youtube.com/watch?v=c85aXHth_uQ&feature=youtu.be UNSOUND In Unsound, Finn (feature first-timer Yiana Pandelis) and Noah (Reece Noi, When They See Us) meet by chance. When the latter wanders into the club for Sydneysiders with hearing impairments that the former runs in the city's northern beaches, a connection springs, although both enter the relationship with other things on their mind. Attendance at the neighbourhood centre has been waning, and the locals complain about Finn's weekly dance parties. Tucking his long hair up under a cap while he stands behind the DJ decks by night and helps children learn Auslan by day, Finn is also slowly taking steps to cement his identity as a transgender man. As for the British-accented Noah, he's just arrived in Australia after touring the UK with his pop singer mentor Moniqua (Christine Anu), and his mother Angela (Paula Duncan, Neighbours) has hardly given him a warm welcome. So, Unsound follows Finn and Noah's romance, but that's just one of the things the film is interested in. While both lead characters receive ample screen time, Finn's experiences as a person who is deaf and with his transition are frequently thrust to the fore. That's a welcome move — not because Noah's efforts to step out of his absent father's shadow, take his career seriously and cope with his often-dismissive mum don't deserve attention, but because inclusive movies about trans men and people who are hearing impaired are rarely this thoughtful (and rarely exist at all, really). Directed by TV veteran Ian Watson (Heartbreak High, Home and Away) and penned by Ally Burnham (Nice Package), Unsound might bring both 52 Tuesdays and Sound of Metal to mind, which are excellent movies to even remotely resemble; however, this small feature with big ambitions and a heartfelt impact is always its own film. Absent touristy Sydney shots that constantly remind you where it's set, and favouring a low-key, lived-in aesthetic instead, it dedicates its running time to plunging into Finn's life and portraying it authentically, a task that it doesn't lose sight of even for a minute. The texture and detail in Burnham's script, especially in fleshing out the movie's characters, isn't just admirable but essential. It's little wonder, then, that Pandelis always makes Finn feel as if he could walk off the screen — although the performer also deserves ample credit. Noi also more than does his part justice, in a well-cast film all-round (see also: scene-stealer Olivia Beasley as one of Finn's colleagues, and a grounded turn from The Boy From Oz star Todd McKenney as Finn's father). And, the use of sound to convey the joy that Finn and his friends feel at their Saturday night dance parties is one of the picture's many astutely calibrated touches. Unsound is currently screening in Melbourne cinemas, and will open in Sydney and Brisbane cinemas on March 18. https://www.youtube.com/watch?v=cb7iVXzGics&feature=youtu.be ESCAPE FROM EXTINCTION As well as introducing the world to Joe Exotic and his out-there story, Tiger King: Murder, Mayhem and Madness initiated many viewers into the horrors of roadside zoos and exotic animal menageries. Consider Escape From Extinction the counterpoint, then. Focusing on the other end of the zoo and aquarium industry — the professional, well-funded, properly run type — it sings the praises of establishments worldwide that have been doing their part to help save threatened and endangered species from disappearing. The figures, which the film quotes often (and repeats frequently, too), speak volumes. It's impossible not to be moved by the numbers of species already lost, others teetering on the brink, the dwindling populations left in some cases and, after successful conservation programs, the hard-earned upswings as well. But, it's also impossible not to see this feature as a prolonged advertisement, and an attempt to redress the criticism of keeping animals in captivity stoked by not just Tiger King, but animal activism in general, including high-profile campaigns to release creatures such as Keiko, the orca from the Free Willy films. American Humane produced the movie, so the latter is hardly surprising — but even if you didn't know that when you stepped into the cinema, you'd easily guess. With Helen Mirren's calm but no-nonsense voice providing its narration, Escape From Extinction largely operates in two modes: bigger-picture overviews and individual case studies. If you've delved into the ever-growing subgenre that is animal-focused environmental documentaries before (such as 2020's David Attenborough: A Life On Our Planet), you'll have heard many of the movie's main overall messages. If you've paid any attention to news coverage of recent disasters, including Australia's bushfires, you'll also be familiar with its top-level details. When first-time director Matthew R Brady gets specific, however, the film endeavours to find its own niche — and to pad it with its clear viewpoint at the same time. Accordingly, there's more than a little awkwardness to some segments, especially when you compare the section about sharks being unfairly maligned by popular culture (yes, Jaws gets a mention) and the black-and-white footage and sinister soundtrack used whenever activists are shown protesting. Of course, the fight to save animals from extinction is a worthy one. The view that many zoos play an important part is worth espousing, too. And the experts, wildlife veterinarians, scientists, zookeepers and other industry figures assembled as taking heads are all clearly passionate about their work and about conservation. But, as Escape From Extinction shows, a film can make a plethora of valid and important points and still clumsily and forcefully push an agenda at the same time. https://www.youtube.com/watch?v=UIxq3UCcJmw LOVE, WEDDINGS & OTHER DISASTERS Filmmaker Garry Marshall passed away in 2016, ending his career with three terrible movies focused around specific occasions: Valentine's Day, New Year's Eve and Mother's Day. As well as being awful, all three took star-studded ensemble casts, split them across separate but eventually interlinked vignettes, and told tales relating to the celebrations in each feature's title. While Marshall clearly didn't helm it, Love, Weddings & Disasters takes its cues from his aforementioned films. It's directed by Dennis Dugan, though, who otherwise has the Adam Sandler-starring Happy Gilmore, Big Daddy, I Now Pronounce You Chuck & Larry, You Don't Mess with the Zohan, Grown Ups and its sequel, Just Go With It and Jack and Jill on his resume. Sandler doesn't show up here, though, because he's made a decision far wiser than Jeremy Irons (Watchmen), Diane Keaton (Poms), Maggie Grace (Fear the Walking Dead) and Diego Boneta (Monster Hunter). Indeed, it's difficult to see what anyone appearing on-screen saw in Dugan's script, other than the filmmaker himself — who plays the obnoxious host of a TV dating show called Crash Couples that sees strangers literally chained together in an attempt to win $1 million. Yes, the clips involving the latter are as excruciating as they sound but, in fairness, so is everything else about this supremely unfunny and unromantic supposed rom-com. Putting the word 'disaster' in this movie's moniker couldn't be more apt. Nor could its opening scene, where the ultra-competitive Jessie (Grace) drops her soon-to-be ex-boyfriend while skydiving. She also crashes into a lakeside ceremony, with the footage going viral and earning her the nickname 'wedding trasher' — which is a problem given that she wants to work in the industry. Just eight days before a Boston mayoral candidate and his bride-to-be are due to get hitched, Jessie scores her big chance. Trying to play nicely with veteran Lawrence Philips (Irons) while planning the ceremony isn't easy, though, especially when he's preoccupied after being set up on a blind date with Sara (Keaton), a woman with a visual impairment. More of Love, Weddings & Other Disasters' bite-sized tales link in with these narratives from there, involving musicians, buskers, Crash Couples and tours of the city, and they're all just as cliched and thinly thought-out. That's one of the movie's problems, but it's also near-incoherently shot and edited, and looks as if all of its budget went to paying Irons and Keaton. It's hard to say they were worth the money, because he's just asked to be prim, proper and uptight, and she somehow agreed to play a woman who is blind and trips over all the time. That's Dugan's idea of prime romantic-comedy material, and it's enough to harden even the softest of hearts in dismay. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26; and January 1, January 7, January 14, January 21 and January 28; and February 4. You can also read our full reviews of a heap of recent movies, such as The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch and The Nest.
The government's restrictions and regulations for COVID-19 containment are changing at a rapid pace. But there are two words we're all hearing on repeat: stay home. As much as is possible within each person's specific set of circumstances (including their job and requirements around food, exercise and health), every Australian is being encouraged to avoid leaving their homes unless absolutely necessary. We're being told that minimising the time spent outside is vital in getting through this crisis. As a result, many of the services that contribute to the lifestyles of city dwellers have been temporarily suspended, including cultural institutions, cinemas, clubs, pubs and gyms. But we still need to be able to access the essentials: household essentials, booze and, of course, food. Up until now, delivery services have been viewed as merely a convenience or something to facilitate laziness. Now, they're more important than ever. IT'S ONE OF THE SAFEST WAYS TO GET FOOD Supermarkets are still open to purchase food and other household items, but we'd rather avoid them as much as possible right now. The stories of stockpiling — and subsequent product shortages and buying restrictions — paint a pretty dire picture of a simple visit to the shops. Plus, with many of our favourite activities currently on hiatus, we have to find fun where we can. Yep, you may not be able to go to a gallery or play team sports, but you can still shirk your cooking and cleanup duties and let someone else prepare dinner. In the wake of the restrictions on public gatherings, many restaurants and cafes have shifted their operations to takeaway and delivery, so you can eat well in the comfort of your own home. And, to put your mind at ease, it's worth remembering that commercial kitchens are held to extremely rigorous food safety and hygiene practices, and most have upped their cleaning and sanitation procedures as the COVID-19 situation unfolded in Australia. For Domino's, this means daily audit checks and no human contact with the pizzas after they leave the 265-degree ovens. IT'S KEEPING PEOPLE INDOORS Obviously, the increased availability of delivery services means there are fewer people out on the streets, which can only be a good thing right now. But some places have taken it one step further. For example, Domino's has introduced a zero-contact delivery for all delivery orders place through the app or over the phone. The person delivering your meal will leave it on your doorstep and call or text you to confirm it's there — and they'll wait until they can see you've picked it up, too. This is just another simple step, facilitated by technology, to limit person-to-person contact with those outside your household. It also means you don't need to leave your house for too long and miss that live-stream of furry koalas, a theatre show or a gig. IT'S KEEPING PEOPLE EMPLOYED As the restrictions continue in an effort to manage the COVID-19 outbreak, huge job losses are occurring over many sectors, including hospitality. Maintaining (and supporting) delivery services is vital to ensuring this number does not continue to grow. In fact, it could help minimise the issue. Some companies, including Domino's, are currently seeking out temporary workers to keep up with increased demand for delivery services. The company is also supporting other essential workers with its Feeding the Frontline efforts, which delivers pizzas to those working tirelessly to support the community during this time — think healthcare, supermarket, government, education and emergency workers — to keep morale up and more people in jobs. Domino's is now offering zero-contact delivery across Australia. To order, head here.
Spinning origin stories might be one of Hollywood's favourite trends at the moment — and for years, in fact — but few characters have screamed for an entire movie dedicated to their backstory like Furiosa. In Mad Max: Fury Road, Mad Max's moniker was right there in the title; however, it was as much Charlize Theron's (Fast X) film as Furiosa as it was Tom Hardy's (Venom: Let There Be Carnage) as the picture's eponymous figure. Cue Furiosa: A Mad Max Saga, which will dive into her history from May. As the just-dropped second trailer for the feature shows — following an initial sneak peek in late 2023 — there's no shortage of details to explore. The new footage starts with Furiosa being robbed of her family as a child, then beginning her quest for vengeance. Australian director George Miller knows to name his characters fittingly, clearly. Shaving her head, vehicular chaos in the wasteland, Anya Taylor-Joy (The Super Mario Bros Movie) looking fierce in the part, Chris Hemsworth (Thor: Love and Thunder) co-starring: that's all also covered. Shot in Australia, arriving nine years since Mad Max: Fury Road reached cinemas and became the best action movie of this century so far — and the best Australian flick of the same period — Furiosa marks the fifth instalment in Miller's dystopian Mad Max franchise. That delay means nothing given that there was a 30-gap between 1985's not-so-great Mad Max Beyond Thunderdome and Fury Road's triumphant arrival in 2015, however. More Miller extending his passion project is always worth waiting for. Furiosa's storyline follows the younger Furiosa as she's taken from the Green Place of Many Mothers, ends up with a biker horde led by Warlord Dementus, and then gets caught in the middle of a war being waged with the Citadel's Immortan Joe — all while trying to escape and get back home. And, as the both glimpses of the movie illustrate so far, the look and feel is all classic Mad Max. Miller not only directs but co-writes with Mad Max: Fury Road co-scribe Nico Lathouris, while Alyla Browne (The Lost Flowers of Alice Hart) and Tom Burke (Living) are also among the movie's stars. A heap of Miller's other behind-the-scenes collaborators are back, including production designer Colin Gibson, editor Margaret Sixel, sound mixer Ben Osmo, costume designer Jenny Beavan and makeup designer Lesley Vanderwalt, all Fury Road Oscar-winners. Check out the second trailer for Furiosa below: Furiosa releases in cinemas Down Under on May 23, 2024.
Thanks to an unfortunately timed COVID-19 outbreak, this year's edition of the Emerging Writers' Festival will take place entirely online. But if you're a devourer of books, you can rest assured it's still set to deliver a hefty lineup of talks, workshops, panels and more. Running from June 16–June 26, the all-digital program has events for all varieties of lit-lover — from After Dark, a night of live-streamed performance headlined by emerging stars like Wai-Mun Mah, Christy Tan, Jesse Oliver and Penny Smits, to a short story masterclass led by the award-winning Alice Bishop. Streamed via YouTube, Next Big Thing will feature readings from some of the country's hottest up-and-coming talent, while Littlefoot & Co heads up a night of spoken word on June 24. Plus, EWF favourite Amazing Babes will see a cast of familiar faces sharing stories about the women, real and imagined, who've helped shape their lives. The National Writers' Conference will also run as planned, with a full-day online program of panels, talks, workshops and pitching sessions. It's also your chance to hear from EWF's 2021 ambassadors, including poet and editor Elena Gomez (Body of Work), activist and novelist Tony Birch (Ghost River), and non-fiction star Sisonke Msimang (Always Another Country: A Memoir of Exile and Home). [caption id="attachment_811529" align="alignnone" width="1920"] Sisonke Msimang[/caption]
Two decades ago, Bill Nighy won two BAFTAs in the same year for vastly dissimilar roles: for playing a rock 'n' roll singer belting out a cheesy Christmas tune in Love Actually, and also for his turn as a journalist investigating a political scandal in gripping miniseries State of Play. The beloved British actor has achieved plenty more across his career, including collecting an eclectic resume that spans an uncredited turn in Black Books, a pivotal part in Shaun of the Dead, and everything from Underworld and Pride to Pirates of the Caribbean: Dead Man's Chest and Harry Potter and the Deathly Hallows: Part I (plus stepping into David Bowie's shoes in the TV version of The Man Who Fell to Earth). Somehow, though, Nighy made it all the way into his 70s before receiving a single Oscar nomination. He didn't emerge victorious at 2023's ceremony for Living, but his recognition for this textured drama isn't just a case of the Academy rewarding a stellar career — it's thoroughly earned by one of the veteran talent's best performances yet. Nighy comes to this sensitive portrayal of a dutiful company man facing life-changing news with history; so too does the feature itself. Set in London in 1953, it's an adaptation several times over — of iconic Japanese director Akira Kurosawa's 1952 film Ikiru, and of Leo Tolstoy's 1886 novella The Death of Ivan Ilyich, which the former also takes inspiration from. That's quite the lineage for Living to live up to, but Nighy and director Oliver Hermanus (Moffie) are up to the task. The movie's second Oscar-nominee, Nobel Prize-winning screenwriter Kazuo Ishiguro, unsurprisingly is as well. Also the author of The Remains of the Day and Never Let Me Go, he's at home penning layered stories with a deep focus on complicated characters not being completely true to themselves. When those two novels were turned into impressive pictures, Ishiguro didn't script their screenplays, but he writes his way through Living's literary and cinematic pedigree like he was born to. A man of no more words than he has to utter — of no more of anything, including life's pleasures, frivolities, distractions and detours, in fact — Williams (Nighy, Emma.) is a born bureaucrat. Or, that's how he has always appeared to his staff in the Public Works Department in London County Hall, where he's been doing the same job day, week, month and year in and out. He's quiet and stoic as he pushes paper daily, overseeing a department that's newly welcoming in Peter Wakeling (Alex Sharp, The Trial of the Chicago 7). It's through this fresh face's eyes that Living's audience first spies its central figure, adopting his and the wider team's perspective of Williams as a compliant and wooden functionary: a view that the film and its sudden diagnosis then challenges, as Williams does of himself. As Ikiru was as well, and as The Death of Ivan Ilyich's name made so apparent, this is a tale of a man dying — and, while confronting that fact, finally living. In Hermanus and Ishiguro's hands, sticking close to Kurosawa and his collaborators before them, this story gets part of its spark from a simple request by local parents for a playground. Before learning that he has terminal cancer, Williams behaves as he always has, with the women making their plea sent from department to department while he does only as much as he must. Afterwards, grappling with how to capitalise upon the time he has left, he wonders how to leave even the smallest mark on the world. Living isn't about a big, impulsive response to one of the worst developments that anyone can ever be saddled with during their time on this mortal coil, except that it is in Williams' own way; when your reaction to hearing that you have mere months left to live is "quite", any break from routine is radical. This isn't a cancer weepie, not for a second. It also isn't an illness-focused film where someone's health struggles come second to the feelings and changes experienced by those around them. Williams' colleagues notice his absence when he stops showing up to the office, of course. One, the young Margaret Harris (Aimee Lou Wood, Sex Education), accompanies him on unexpected away-from-work outings and advises that she'd nicknamed him 'Mr Zombie'. Living is about those instances — the fancy lunches that Williams treats himself to, the nights out drinking with new pals (Tom Burke, The Wonder) he never would've contemplated before, the flouting of his lifelong monotonous routine, and the efforts to go above and beyond that he's now willing to take — rather than about an ailing man's family and acquaintances facing loss. Indeed, given that Williams doesn't want to interrupt his son (Barney Fishwick, Call the Midwife) and daughter-in-law (Patsy Ferran, Mothering Sunday) with his condition, Living is firmly invested in someone navigating their swansong on their own terms. At the heart of this ruminative film, and Williams' post-diagnosis behaviour, sits one of the most fundamental existential questions there is. Knowing that death is looming so soon and so swiftly, what can possibly provide comfort? That's a query we all face daily, most of us just on a longer timeline — context that makes Williams' way of coping both resonant and highly relatable. Life is filling each moment with anything but reminders that our here and now is fleeting, albeit not in such a conscious and concerted manner. Living's boxed-in imagery, constrained within Academy-ratio frames and gifted a handsome, period-appropriate but almost-wistful sheen by Hermanus' Moffie and Beauty cinematographer Jamie Ramsay (also the director of photography on See How They Run), helps visually express a crucial feeling: of being anchored within a set amount of space and discovering how to make the most of it. When Rashomon, Seven Samurai, Throne of Blood, Yojimbo and Ran great Kurosawa stepped through this terrain, he did so with one of his frequent players: Takashi Shimura. There's a particular sense of potency in telling this tale with a familiar figure, as Nighy also is, hammering home how truly universal this plight is no matter the specifics. Nighy's performance toys with what viewers have come to know and expect from him, however. He's in reserved rather than twinkling and instantly charming mode — still, muted and melancholy, too — a facade for his character that says oh-so-much about the dedicated life that Williams has weathered, the solace he's found in it, his handling of his current situation and also the film's post-World War II setting. Conveying the difference between being and relishing so effortlessly and also so heartbreakingly, Nighy is a marvel, and one that the movie around him lives for.
UPDATE: OCTOBER 6, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Dune will no longer release in December 2020. Instead, it will now release on Thursday, September 30, 2021. This article has been updated to reflect that change. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. A beloved science fiction title. A star-studded cast. A Hans Zimmer score. Combining all three worked rather spectacularly in Blade Runner 2049, and now filmmaker Denis Villeneuve is hoping that it'll just turn out just as swimmingly with his Timothée Chalamet, Oscar Isaac and Zendaya-led version of Dune. In the latest adaptation of Frank Herbert's 1965 novel, Chalamet plays Paul Atreides — son of Duke Leto Atreides (Isaac), who has just been given stewardship of the planet Arrakis. In this futuristic tale, Arrakis is the source of 'the spice', the most valuable substance in the universe. It's also home to a population of people known as the Fremen, as well as to giant sandworms, and it's known for being dangerous partly due to the latter. And, once Paul, Leto and Paul's mother Lady Jessica (Doctor Sleep's Rebecca Ferguson) move to the planet, it's the subject of a bitter battle with malicious forces over the spice trade. If all of the above sounds more than a bit familiar, that's because David Lynch brought Dune to the screen back in 1984, with his Kyle MacLachlan-starring movie becoming one one of the most unfairly maligned sci-fi films ever made. Fellow director Alejandro Jodorowsky also tried to make his own version — a feat that wasn't successful, sadly, but was explored in the excellent documentary Jodorowsky's Dune. Just how Villeneuve's take will fare is still yet to be seen, obviously, with the film initially due to hit cinemas Down Under on Boxing Day 2020, but now slated to release on September 30, 2021. But the French Canadian director has an impressive resume — see: Arrival, Sicario, Enemy, Prisoners and Incendies, just to name a few titles on his resume — and with Dune, he's clearly reaching for epic territory. The long-awaited, just-dropped first trailer makes that case quite heartily. As well as serving up plenty of Call Me By Your Name and Little Women's Chalamet as the film's brooding hero, the sneak peek features sandy expanses aplenty, a scream-inducing box of pain, and many a confrontation. And, a stellar cast that also includes Josh Brolin, Stellan Skarsgård, Dave Bautista, Charlotte Rampling, Jason Momoa and Javier Bardem, all getting caught up in a spice war. Check out the trailer below: https://www.youtube.com/watch?v=n9xhJrPXop4 Dune was originally scheduled to release in Australian cinemas on December 26, 2020, but will now hit screens on September 30, 2021. Top image: Chiabella James. Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved.
Gotta love this grass-roots, crowd-sourced internet art project. Corpus Libris is an ongoing photo essay on books and the bodies that love them, in which participants create visually quirky creations by superimposing images of the human body found on book covers over their own bodies. Creator of the project Emily Pullen says "It began as a fun little photo essay on a Thursday night while working at Skylight Books in Los Angeles. As we kept going and going, I realized that many, many more people could enjoy and create similar photographs. The possibilities are practically endless!" The most successful images strike a balance of perspective, positioning the book so the image is the same size as the human holding it – check them out below: [Via Flavorwire]
When warm weather arrives, the Snowy Mountains transform into an adventurer's playground. Lakes you wouldn't dip a toe into during winter become dazzling, sun-kissed visions, perfect for windsurfing, sailing and fishing. Walking, cycling and horse riding trails buried in snow thaw out, allowing you to wander through twisted snow gum forests, across wildflower meadows and along majestic mountain ridges, surrounded by incredible panoramas. Here are ten ways to spend time in the Snowies during the warmer months — from paddling the legendary Snowy River to catching trout in Lake Eucumbene to camping by tranquil Thredbo River. [caption id="attachment_659671" align="alignnone" width="1920"] Destination NSW.[/caption] WINDSURFING AND SAILING ON LAKE JINDABYNE Whether you're completely new to windsurfing or a seasoned expert, peaceful Lake Jindabyne, one of the highest lakes in Australia, offers escapades a-plenty. Winds are pretty steady (yet gentle) and there's not too much traffic, so you don't have to continually stress about bumping into someone else. What's more, the mountainous scenery is stunning. There's a bunch of windsurfer hire spots about, including Sacred Ride and Snowy Mountains Holidays. Alternatively, you could consider a sailboat. If you're looking for fellow sailors, check out Lake Jindabyne Sailing Club, which runs a busy program from November to March. [caption id="attachment_659673" align="alignnone" width="1920"] Jon Armstrong / Destination NSW.[/caption] PADDLING THE SNOWY RIVER Starting on Mount Kosciuszko's slopes and flowing into the Bass Strait in Victoria, the Snowy River's 352 kilometres provide ample opportunities for paddling. That said, there are rapids and tight spots a-plenty, so, unless you're experienced, it could be a good idea to find a guide. Alpine River Adventures runs adventurous, yet suitable for newbies day trips and multi-day expeditions through the ancient Byadbo Wilderness. Expect to meet platypuses and brumbies, to journey through steep gorges and to rush down grade-three rapids. [caption id="attachment_661863" align="aligncenter" width="1920"] Destination NSW[/caption] HORSE RIDING IN THREDBO VALLEY Unencumbered by snow, Thredbo Valley is a picturesque garden of pretty snow gums, towering mountain gums and open plains, with the wild Thredbo River running through. To find out what The Man from Snowy River was all about, experience it from a horse's back. Thredbo Valley Horse Riding has been running trail rides since 1993. For a taster, book a one or two-hour ride, or to spend a bit longer in the saddle, go for a half-day adventure. All rides include gear and basic instruction. If you're interested in a multi-day trip, get in touch with Cochran Horse Treks. CAMPING ON THREDBO RIVER It is, of course, possible to camp in the snow, but you've got to be tough and well-prepared. In the warmer months, pitching a tent is a lot more comfortable. There are stacks of stunning campgrounds in the Snowies and one of the loveliest is Thredbo Diggings. Perched right on Thredbo River, this gorgeous spot surrounds you with snow gums, backdropped by mountain ranges. Spend your days lazing about, going for dips, trying your luck at fly fishing and strolling or cycling on the Thredbo Valley Track. If you're in need of a nightcap, Wild Brumby distillery's warming schnapps, made with local fruit, are just up the road. Another camping option along Thredbo River is Ngargio Campground. [caption id="attachment_661864" align="aligncenter" width="1920"] Destination NSW[/caption] TROUT FISHING AT LAKE EUCUMBENE You won't have any trouble finding a spot to throw in a line at Lake Eucumbene; it's the biggest lake of the many created by the Snowy Hydro scheme. At full capacity, it's nine times the size of Sydney Harbour and 30 metres deep on average. Plus, a total of 145 kilometres of shoreline gives you lots of room to explore. Before getting started, be sure to pick up a NSW Recreational Fishing Licence, usually available at servos and caravan parks. If you don't feel confident fishing on your own, then consider a visit to Eucumbene Trout Farm, where gear and guidance are provided, as is a barbecue for a post-fishing feast. VISITING A WATERFALL There are several waterfalls in the Snowies that'll capture your imagination. One of the easiest to access is found along a walking track that leaves from Kosciuszko Education Centre, about 12 kilometres west of Jindabyne. The six-kilometre loop passes through an impressive diversity of scenery, from heathland dotted with wildflowers to giant granite boulders to mature gum trees. Keep an eye out for echidnas, wallabies and kangaroos along the way. When you reach the waterfall, be sure to wander onto the viewing platform for some beautiful sights. [caption id="attachment_659669" align="alignnone" width="1920"] Paul Sinclair / Destination NSW.[/caption] CYCLING COOMA TRAILS On the outskirts of Cooma lie 80 hectares of land known as North Ridge Reserve. Speckled with granite boulders, basket grass and bright wildflowers, including native bluebells, everlasting daisies and black anther flax lilies, it's a great spot for mountain bike riding. There's a variety of trails, offering something for everyone, from beginners to pros. And, if you're not keen on cycling, you can always walk. Whichever way you travel, the views are breathtaking — over Cooma, east towards the coast and west towards the Snowy Mountains. If you're looking for a coffee or a bite to eat in Cooma afterwards, head to The Lott Food Store. [caption id="attachment_659675" align="alignnone" width="1920"] Destination NSW.[/caption] WALKING THROUGH YARRANGOBILLY CAVES The oldest of these limestone spectacles, found in the northern section of Kosciuszko National Park, was formed millions of years ago. Several are accessible by self-guided tour, including the biggest, South Glory, where a 500-metre trail passes vast chambers like the dazzling white Ice Age Chamber, stunning rock formations and a natural skylight 55 metres above the ground. Other caves to check out include Jillabenan, covered in delicate cave coral, stalactites and helictites, as well as Jersey Cave, whose extraordinary grey and black flowstone was created by bushfires thousands of years ago. Round out your visit with a swim in Yarrangobilly thermal pool, which is a toasty 27 degree celsius all year round. [caption id="attachment_658614" align="alignnone" width="1920"] Facebook / Heli Fun.[/caption] TAKING A SCENIC FLIGHT IN A HELICOPTER Regardless of whether you've skied, snowboarded, hiked, cycled or paddled the Snowy Mountains, a scenic flight will give you a whole new perspective. Heli Fun will take you soaring above Australia's highest peaks, including Mount Kosciuszko, Mount Townsend and the Ramshead Ranges — make sure you look out for wild brumbies and familiar landmarks, such as Thredbo ski fields as you're flying high. Choose between 30-minute and 60-minute trips or a speedy ten-minute swoop over Lake Jindabyne. For an even more exciting adventure, book a wilderness picnic. Your pilot will take you on a one-hour jaunt, before leaving you in the middle of nowhere with a gourmet picnic and bottle of sparkling. [caption id="attachment_659674" align="alignnone" width="1920"] Destination NSW.[/caption] GOING WINE (AND BEER AND SCHNAPPS) TASTING The Snowies' wines might not be as well known as those of the Yarra Valley or McLaren Vale, but there's no shortage of decent drops to try. If you're into beer, get started at Kosciuszko Brewery at the Banjo Paterson Inn in Jindabyne. From there, head to Snowy Vineyard Estate in Dalgety, where Dalgety Brewing Company serves up a variety of ales, including pale, golden and red, as well as a selection of wines. On the other side of the mountain lies Tumbarumba cool climate wine region, which specialises in chardonnay and pinot noir. It's easy to spend an afternoon in the lush, Italy-inspired grounds of Tumbarumba Wine Escape and Courabyra is worth a visit, too. Discover all that the Snowy Mountains has to offer outside of winter months, from jam-packed adventures to culinary excursions and so much more.
On Sunday, December 1, Australian Venue Co — one of the country's largest hospitality groups with more than 200 venues nationwide — announced its decision to no longer host events on January 26 in recognition of the trauma experienced by many of its patrons and staff on Invasion Day. In response, certain swathes of the media, social media users and even notable politicians loudly voiced their opposition to the move, with some calling for a boycott of AVC venues in retaliation. Queensland Senator Matt Canavan said during an interview on the Today Show on Monday, December 3, that Australian Venue Co were acting as "moral guardians," adding: "They should get off their moral high horse. They're a pub, for god's sake. They deal in alcohol … I mean, let people have a good time at a pub." In response to this widespread backlash, Australian Venue Co has issued an apology via its social media platforms and reversed its decision to ban Australia Day events. "We can see that our comments on the weekend have caused both concern and confusion. We sincerely regret that — our purpose is to reinforce community in our venues, not divide it," the statement reads. "It is not for us to tell anyone whether or how to celebrate Australia Day. We acknowledge that and we apologise for our comments. It certainly wasn't our intention to offend anyone … Whether you choose to celebrate Australia Day or not, everyone is welcome in our pubs, always. We have been, and are always, open over Australia Day and we continue to book events for patrons." View this post on Instagram A post shared by Australian Venue Co. (@australianvenueco) Many social media posts highlighted the confusion created by the Australian Venue Co's original announcement, which was misconstrued as suggesting its venues would be closed on January 26, when in reality the group was pledging not to hold Australia Day events while remaining open for patrons independently celebrating the day. Whether or not Australia should commemorate its national day on a date that represents a moment of profound mourning and inter-generational trauma for First Nation's communities continues to be hotly debated. However, local governments, certain major businesses and media organisations, and social groups across the country have made the decision in recent years to acknowledge the contentiousness of January 26. More than 80 councils around the country no longer hold citizenship ceremonies on this date and since 2017, radio station Triple J has announced its popular Hottest 100 rankings on January 25. Earlier this year, major supermarket brands Woolworths and Aldi both pledged to no longer stock Australia Day merchandise in their stores, while Invasion Day rallies attract thousands of peaceful protesters every year.
This article is sponsored by our partners, Wotif.com. Writer Benjamin Law recently performed a glorious piece of erotic fan fiction about his two culinary idols, Stephanie Alexander and Maggie Beer. We'll spare you the gory details, but the story involves a fair bit of verjuice and self-saucing pudding. The two food goddesses both call South Australia home, because, basically, that's where the good food and wine is. Restaurateurs in Adelaide respect the exceptional produce and wine at their doorstep. Here are ten who are doing it very nicely indeed. BISTRO DOM South African born chef Duncan Welgemoed brings the best of his training under Gordon Ramsay and Heston Blumenthal to Bistro Dom on Waymouth Street in the CBD, where he’s serving up French-inspired cuisine such as steak tartare ($19.90) and duck with boudin noir, apple and cinnamon ($39.90). While Welgemoed has a keen interest in the science of cooking, you’ll see no clouds or foams here; his focus is on showing off the produce, unadorned and simple. Bistro Dom boasts a truly varied wine list of French, German and boutique local wines. Make sure you have a crack at the Alpha Box and Dice ‘Tarot’ from McLaren Vale — an elegant blend of Grenache, Shiraz and Tempranillo. 24 Waymouth Street, Adelaide Street ADL and Orana A two-part venture from chef Jock Zonfrillo, together Street ADL and Orana span two levels, offering two unique dining experiences within the one venue. Downstairs is Street ADL; it's informal, casual and accessible, offering up ‘Australian street food’ such as pulled kangaroo sangas, cheeseburgers, Goolwa pipis and lamingtons. Venture upstairs, however, and it's a whole different story. Orana is delicate, intimate (it only seats 25 guests) and very much a fine dining experience. The food continues to tread the line of Australiana, with Zonfrillo paying homage to rich flavours of the land. 285 Rundle Street, Adelaide RUBY RED FLAMINGO Ruby Red Flamingo has an ever changing menu of Italian share plates and a blackboard wine list with Italian wines including Nero D’Avola. Snuggle down in front of their open fireplace with a comforting favourite like macaroni with eggplant and smoked mozzarella or osso bucco risotto. 142 Tynte Street, North Adelaide Peel Street Tucked away on Peel Street (go figure) this restaurant may not look like it's got a lot going on, but once you step in, see the food slapped on the concrete bench, let the smell of freshly baked goods hit your nostrils and take a seat, there'll be no desire to ever leave. Open from 7.30am on weekdays and serving up dinner on Thursday, Friday and Saturday nights, Peel Street has quickly become a favourite amongst city dwellers — particularly those who frequent the small bar scene in the adjoining streets. If you like what you see on the counter, order 'from the concrete', or otherwise order something bigger 'from the blackboard'. Whatever you go for, you won't be disappointed. And you will be taking a muffin, pie or cupcake on your way out. 9 Peel Street, Adelaide Gin Long Canteen Gin Long has been open for little over six months, but already it's a favourite. You might be hard off getting a seat on a Friday or Saturday night; don't let that deter you because this is possibly the closest Adelaide comes to modern Asian. As well as rice paper rolls and betel leaf cigars, expect to chow down on gin long wings, nom nom barramundi, spicy caramel chicken and sticky braised pork belly. The cocktail list makes it extra fun, and the whole space is spot on — worth the wait, if you ask us. 42 O'Connell Street, North Adelaide MAGILL ESTATE RESTAURANT Magill Estate is the showcase restaurant for Penfolds wines just out of the city in the Adelaide foothills. Head chefs Scott Huggins and Emma McCaskill deliver an ever changing degustation menu designed to show off the Penfolds range (and not just the '51 Grange) starting off with calamari, chlorophyll and preserved lemon and finishing with South Australian Mayura wagyu with radishes and mustard. 78 Penfolds Road, Magill PRESS FOOD AND WINE Press Food and Wine is a new addition to the Adelaide dining scene, and a very welcome one. The two-level restaurant on Waymouth Street is at once homely and elegant. Head chef Andrew Davies prides himself on in-house pickling and curing and their custom-made chargrill. A la carte and degustation menus are on offer, with sophisticated starters such as king fish and pickled radish ($21) and heartier mains such as house-made pappardelle with blue swimmer crab ($29). 40 Waymouth Street, Adelaide EROS OUZERI Eros Ouzeri is a bit of an Adelaide institution. The grand daddy of Rundle Street, its cafe is home to the best damn kataiffi in town and the restaurant proper will sort you out with classic Greek mezze fare such as grilled haloumi, octopus and gyros as well as heartier mains such as lamb shoulder ($29.90) or a charred Angus fillet with mustard skordalia ($35). All this deliciousness is accompanied, of course, by a robust, SA-faithful wine list. Head in for a lunch banquet ($45) and let the famously hospitable Eros staff welcome you to the fold. 277 Rundle Street, Adelaide The Grace Establishment Located on The Parade — which is generally busy with shoppers and alfresco diners, but don't let that put you off — The Grace Establishment is a nice option for a sit-down lunch without breaking the bank. Relatively new and still very shiny, it's part bar, restaurant and beer garden, meaning you can sit indoors or out for a charcuterie board, plate of Kinkawoona mussels or a hearty SA sirloin. 127 The Parade, Norwood GOLDEN BOY RESTAURANT Golden Boy Restaurant popped up last year to feed the hungry punters at the Botanic Bar at the East End of the city and it has quickly become a destination in its own right, serving honest, home-style Thai food in a relaxed setting. Open till midnight, Golden Boy offers the perfect late-night fix of spicy chicken wings and pork belly — you can lick your fingers in style. 309 North Terrace, Adelaide Words by Lauren Vadnjal and Jessica Keath. Peel Street image courtesy of Kristina Dryža via Facebook.
Few things will ever be better than seeing Mads Mikkelsen get day drunk and dance around while swigging champagne in an Oscar-winning movie, which is one fantastic film experience that 2021 has already delivered. But the always-watchable actor is equally magnetic and exceptional in Riders of Justice, a revenge-driven comedy that's all about tackling your problems in a different and far less boozy fashion. In both features, he plays the type of man unlikely to express his feelings. Instead of Another Round's mild-mannered teacher who's so comfortably settled into his adult life that his family barely acknowledges he's there, here he's a dedicated solider who's more often away than home. Beneath his close-cropped hair and steely, bristly beard, he's stern, sullen and stoic, not to mention hot-tempered when he does betray what's bubbling inside, and he outwardly expects the same of everyone around him. Mikkelson excels at transformational performances, however. He's also an exquisite anchor in films that dare to take risks. The aforementioned Another Round and Riders of Justice make a great double on his resume, in fact, and they're both bold and glorious in their own ways. In, Riders of Justice, Mikkelson's Markus isn't just the strong, silent type from the feature's first frame to its last. No matter what part he's playing, the Danish star is gifted at conveying subtlety, which is ideal for Markus' slow realisation that he needs to be more open with his emotions. And, while Mikkelson is usually expertly cast in most entries on his resume — the misfire that is Chaos Walking being one rare exception — he's especially in his element in this genre-defying, trope-unpacking, constantly complex and unpredictable film. With a name that sounds like one of the many by-the-numbers action flicks Liam Neeson has starred in since Taken, Riders of Justice initially appears as if it'll take its no-nonsense central figure to an obvious place, and yet this ambitious, astute and entertaining movie both does and doesn't. After a train explosion taints his life with tragedy and leaves him the sole parent to traumatised teenager Mathilde (Andrea Heick Gadeberg, Pagten), Markus returns home from Afghanistan. Talking is her method of coping, or would be if he'd let her; he refuses counselling for them both, and opts not to discuss the incident in general, because clamming up has always been his PTSD-afflicted modus operandi. Then statistician Otto (Nikolaj Lie Kaas, The Keeper of Lost Causes), his colleague Lennart (Lars Brygmann, The Professor and the Madman) and the computer-savvy Emmenthaler (Nicolas Bro, The Kingdom) arrive at the grieving family's door. They're a trio of stereotypically studious outsiders to his stony-faced military man, but they come uttering a theory. Mathematically, they don't think that the events surrounding the accident add up, so they're convinced it wasn't just a case of pure misfortune — because it's just so unlikely to have occurred otherwise. The nervy Otto, who was on the train with Mathilde and her mother Emma (Anne Birgitte Lind, The Protector), has even started to narrow down possible culprits with his pals. Markus, with his action-not-words mindset, is swiftly eager for retribution, but again, this isn't like most films of its ilk. Writer/director Anders Thomas Jensen (Men & Chicken) and screenwriter Nikolaj Arcel (A Royal Affair) do take the movie to its blatant next destination, yet never in the routine and formulaic sense. Narratives about seeking justice often ride the expected rails on autopilot, getting from start to finish on the standard vengeance template's inherent momentum; this one questions and subverts every usual cliche, convention and motif along the way. Its chief tactic: putting characters first. Jensen and Arcel don't just twist and turn a recognisable setup for the sake of it, but ground every change and choice in the personalities and backstories of their protagonists. Accordingly, Markus isn't just taciturn because that's the kind of figure that always stalks around reprisal-centric flicks, Otto and Lennart aren't merely booksmart geeky sidekicks eager for attention, and Emmenthaler is keenly aware of how the world sees him, not only because of his fondness for technology but also due to his weight. Riders of Justice doesn't add flesh to its characters to neatly explain away their decisions, either, diving into the myriad of factors that push and pull people in various directions without them even knowing it. The term 'emotional intelligence' might be so overused in self-help speak that it now feels largely meaningless, but it genuinely applies to this attentive and layered film. With calm and control, Jensen and Arcel also take a darkly comedic approach to Riders of Justice's storyline, as plenty goes wrong on their retaliatory quest. While that's where the movie's anarchic plot developments come in, and its witty dialogue as well, the film never jeopardises its investment in its characters' depth. In one case in point, the four men decide to hide their plans from Mathilde. Needing a cover, Otto and his friends claim to be counsellors dispatched to help after all. "I've had over 4000 hours of therapy," exclaims Lennart, who is quick to both embrace the ruse and spit out the appropriate terminology — and this scenario not only speaks volumes about him, but leads the feature to keep unpacking what that means. Indeed, this is a picture with a thoughtful and tender core, particularly when it comes to men facing their troubles. It's also shrewdly aware that that's what its chosen genre is always about amidst the overblown violence, and purposefully opts for a different alternative. Action, thrills and confrontations still lurk in Riders of Justice, of course. Blood and brutality do as well, as does a definite body count. But, although convincingly shot and staged, these scenes are never the picture's reason for being, or its point. Riders of Justice packages hilarity with its payback, understanding and empathy with its bullet-riddled affrays, and morality and ethics with its showdowns. It's set at the end of the year, too, so it also counts as a screwball Christmas movie — and it uses the visual references that come with that merry period to underscore its musings on togetherness, redemption, and valuing what really matters most. Another movie it'd make a stellar double with: the Nicolas Cage-starring Pig, because this year has been great for star-led revenge crusades that delight, surprise and ruminate on much, much more than getting even.
The 2021 edition of Negroni Week has kicked off in Melbourne, running from September 13–19. And, while you can't celebrate by enjoying one of the event's namesake cocktails at your favourite local bar, this year's program is still serving up loads of negroni-centric goodness. The annual initiative sees venues across the globe whipping up signature negroni-inspired sips, raising funds for various charity partners. Of course, this time around, Melbourne is delivering a lockdown-friendly spin on the Negroni Week festivities, with specialty creations available for takeaway and delivery. Mjolner has crafted a Norse-inspired drink dubbed The Negrimnir, starring a burnt orange blossom honey mead infused with bilberry, while Bar Clara is coming to the party with a three-strong negroni flight pack. The Tipplers Bar is also doing a trio of negroni variations, available to order through its website, and Jimmy Rum distillery is delivering its rum-infused take on the classic drink across the Mornington Peninsula. That's Amore Cheese has assembled a Cocktail Hour Hamper packed with cheese, gourmet snacks and an Everleigh Bottling Co cocktail, to raise money for OzHarvest. Meanwhile, new Japanese grill restaurant Robata is serving a revamped negroni featuring Japanese gin and umeshu, available via the online store. And leading bars including Byrdi, Capitano and Bar Americano have teamed up with the Everleigh Bottling Co to create a limited-edition Negroni Week mixed pack, with $10 from each box donated to Aussie non-profit R U OK. Jump onto the website to see who's whipping up what drinks and where to get your hands on them. [caption id="attachment_825331" align="alignnone" width="1920"] That's Amore's Negroni Week Cocktail Hour Hamper[/caption]
UPDATE, March 14, 2022: Sizzlefest will no longer be hosting an evening session on Friday, March 18 due to staff shortages. This article has been updated to reflect that change. Barbecue eats are set to reign supreme this month, when the annual Sizzlefest returns to the Prahran Market. The free event fires up the southside food precinct from Saturday, March 19, to Sunday, March 20, for two big days of flame-driven celebrations. Across various sessions — Saturday (12–5pm) and Sunday (12–3pm) — Market Square will come alive with pop-up stalls slinging an array of grilled delights from the likes of Berbeo Bros, Hoy Pinoy and The Que Club. Meanwhile, the Mezzanine plays host to a pop-up beer garden by Deeds Brewing, complete with live tunes and lawn games. And if you fancy levelling up your own skills, catch a program of workshops and cooking demos led by seasoned grill experts like Danish-born chef Bente Grysbaek (Pope Joan). As for the famed Sausage Tasting Competition, it'll make its return on the Sunday, once again seeing some of the market's top butchers battle it out for the title of champion snag, as voted by the public. To help pick the winner, grab a $5 ticket and you'll score a sample plate featuring each of this year's sausage creations, plus a Prahran Market shopping bag. All proceeds from these tickets will go to support food rescue organisation SecondBite. Hit the Prahran Market website for the full program and to buy tickets.
For the second time, Gemini Wine Bar is living up to its name by hosting the month-long Gemini Season. Leaning into the astrological from Wednesday, May 21–Saturday, June 21, the Coburg neighbourhood bar has shaped a stunning lineup of dinners, tastings, collaborations and parties. Designed to unite the community, the event also allows owners (and Geminis) Tresna Lee and Shane Farrell to host a birthday bash like no other. Thursday, May 22, sees local artist and maker Nic McGuffog host Weave and Wine, where guests are invited to shape zodiac-inspired artworks as they sip and snack. Then, be sure to get your tickets for Gemini Season's headline event — the Gemini Party — as Friday, May 30, sees the venue come to life with cheap drinks, delicious snacks and tarot card readings, with more to be revealed. Every ticket includes a free cocktail on arrival. The following week, local mystic Aud Pitch will host Tarot Reading Night on Monday, June 2, offering two hours of conversation, drinks and snacks. Later in the season, there's free wine tastings from Athletes of Wine and Sabi Wabi on Saturday, June 14 and Wednesday, June 18, before Dutch Rules Distillery hosts an intimate dinner and cocktail pairing for 10 lucky guests on Thursday, June 19. Throughout the rest of Gemini Season, expect inspired promotions and one-time deals. For example, happy hour will include bougie extras like champagne, truffles and oysters from 5–6pm every Wednesday–Saturday. Plus, the venue will launch special collabs, like the Gemini Amaro Choc Top and the Gemini Flawless Martini, invented alongside standout makers and producers like Maidenii and Gelato Papa.
The team behind Peter Gunn's new restaurant IDES must be really organised. Or really lucky. Or both. The ambitious new venue opened at the same time as the Ides of March — and while it was a disastrous time for Caesar, it's proven to be rather fortuitous for the ex-Attica chef. Gunn, who's spent the last five years as a sous chef under the legendary Ben Shewry at Attica, is striking out on his own with his new Collingwood restaurant with seating for just 36 lucky guests. But it's not exactly a big risk for him, as Melburnians have been keen on what he's got since 2013. Gunn's already put in the leg work for IDES via his monthly pop-up dinners at Persillade that he organised while working in the kitchen at Attica (kind makes you feel guilty about lazily ordering takeaway, doesn't it?). The dinners were always booked out months in advance, and his first permanent restaurant has been just as busy. Interestingly, the menu retains the spontaneity of the pop-ups with dishes going unplanned until the last moment, which Gunn believes injects energy into the menu. The package clocks in at six dishes for $110 (wine pairing will be available for a little more moolah), which is extraordinary good value for a degustation menu designed and made by one of Melbourne's — and perhaps, the world's — best young chefs.
It's been 14 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Thankfully, Laneway Festival has just confirmed it will be heading back to its collection of unconventional venues for another year, revealing its jam-packed 2019 lineup. Returning to Melbourne next February, Laneway will raise a plastic cup to the middle of summer with one heck of a lineup. This year's eclectic program is headlined by two huge Aussie names: indie rock group Gang of Youths and acclaimed singer-songwriter Courtney Barnett. A few big artists are heading Down Under for the first time, too, including English R&B superstar Jorja Smith, neo-soul singer Rex Orange County and American rapper Denzel Curry. You'll also be able to get down to Camp Cope, Middle Kids and Mitski and sway along to Mansionair, What So Not and Skeggs. If you want to catch Jorja Smith and NYC rapper A Boogie Wit Da Hoodie, you'll have to head along to Laneway — they'll both be playing exclusively at the festival, with no sideshows. This year, the Melbourne leg of the festival will be heading to its new location for the first time: Footscray Park. Its a bigger space, but, supposedly, won't have an increased capacity — so, hopefully that'll mean less lines and more room for dancing. But, enough chit-chat — here's the full 2019 lineup. LANEWAY 2019 LINEUP Gang of Youths Courtney Barnett A Boogie Wit Da Hoodie (exclusive) Baker Boy Camp Cope Charlie Collins* Clairo Cosmo's Midnight Crooked Colours* Denzel Curry* DJDS G Flip Jon Hopkins Jorja Smith (exclusive) KIAN Mansionair Masego Methyl Ethel Middle Kids Mitski* Parquet Courts Ravyn Lenae Rex Orange County Ruby Fields Skeggs Smino What So Not Yellow Days *East Coast only Laneway Image: Anthony Smith.
Under current COVID-19 restrictions in Australia, there are various interstate border restrictions in place. Up-to-date information on restrictions are available at your state's health websites (click through for NSW, Victoria and Queensland). Of course, even border closures don't mean you can't start dreaming — bookmark this for when you can explore freely once again. Australia's hugely diverse landscape means there's plenty of choice when it comes to finding an off-road experience, no matter how you like to get around. From twisting turns across the Australian Alps to tropical rainforest descents, epic all-terrain mountain biking adventures can be discovered in every corner of the country. When you're ready to hit the road, don't forget to pack the new Sonos Roam. Designed to withstand a rough-and-tumble lifestyle, this lightweight and portable smart speaker is drop-withstanding and waterproof, making it the perfect device to soundtrack your journey. [caption id="attachment_812642" align="alignnone" width="1920"] Ain Raadik Photography[/caption] THE AUSTRALIAN ALPINE EPIC, VICTORIA When it comes to the Alpine Epic, everything you need to know is in the name. The first trail in the southern hemisphere to be designated, quite literally, 'epic' by the International Mountain Bicycling Association, this exhilarating cross-country trail begins from the lofty Mt Buller Alpine Village. From there, you'll pedal through 40 kilometres of incredible alpine terrain, including many of the region's most picturesque destinations. Passing through snowgum groves and wildflowers via Soul Revival, One Tree Hill and Gang Gangs on this challenging descent, the Australian Alpine Epic is suited to experienced riders, and takes around seven hours to complete. The trail is open from December to April. [caption id="attachment_818224" align="alignnone" width="1920"] Ready Aim Media[/caption] OURIMBAH STATE FOREST, NSW Situated at the southern end of the Watagan Mountains, just west of Wyong, Ourimbah State Forest is a popular destination for outdoor adventure activities near the Central Coast. As well as stellar hiking and ziplining experiences through the treetops, mountain biking is high on the agenda for many visitors with a series of well-maintained downhill and cross-country trails suitable for both beginner and experienced riders. You'll find plenty of obstacles and jumps to test your skills, with many of the routes designed with progression in mind. Plus, a convenient shuttle bus ensures you get a break on the way back to the top of the mountain. [caption id="attachment_818229" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] SMITHFIELD MOUNTAIN BIKE PARK, QUEENSLAND The dense, lush landscape of tropical north Queensland makes for the perfect destination when you're looking for some serious thrills. Featuring more than 60 kilometres of trails set deep within the rainforest, Smithfield Mountain Bike Park is considered one of the top all-terrain trail systems anywhere in the world. It hosted the 1996 and 2017 UCI Mountain Bike World Championships — and it's also the oldest mountain bike park in Australia. You can bounce your way across craggy hillsides and fast-flowing streams as you ride through vine-covered jungle and jagged ridges overlooking the Great Barrier Reef. While experienced riders flock to Smithfield for its great selection of quick technical routes to test their skills, beginners will discover a series of spacious, smooth trails that skirt the lower edges of the park. [caption id="attachment_812640" align="alignnone" width="1920"] Visit Victoria[/caption] ARTHURS SEAT PARK, VICTORIA Surrounding the 314-metre summit of Arthurs Seat State Park is a striking network of mountain biking trails that wind through the region's native bushland and rocky terrain. There are suitable off-road adventures for every experience level here, with 14 trails of varying difficulty. Beginners will prefer the well-connected Pink Line Trail, Slippery Gypsy Trail and East Link Trail with their low gradients and minimal obstacles. More accomplished riders can take on the highly technical Deadwoods Trail or the sharp drops of the Pins and Needles Trail. [caption id="attachment_812638" align="alignnone" width="1920"] Destination NSW[/caption] THREDBO MOUNTAIN BIKE PARK, NSW Alpine mountain biking doesn't get much better than what's on offer at the Thredbo Mountain Bike Park. The trails are open from November to May each year and offer an evolving network of cross-country adventures that ensure you can find a path to match your skillset. Featuring Australia's only chairlift-accessed gravity trails open throughout summer, Thredbo is a great place for riders with a bit of experience to test themselves on berms, rock drops and other technical obstacles. For those who'd prefer a more relaxing off-road experience, Easy Street and the Thredbo Valley Track offer a stellar combination of thrills and alpine scenery. Thredbo Mountain Bike Park also offers clinics for all ages and skill levels. [caption id="attachment_812641" align="alignnone" width="1920"] Visit Victoria[/caption] BIG HILL MOUNTAIN BIKE PARK, VICTORIA Situated atop the appropriately named Mount Beauty, Big Hill Mountain Bike Park is widely regarded as one of Australia's best mountain biking destinations. This labyrinth of downhill and cross-country trails spans more than 40 kilometres, with over 50 trails to choose from ranging in terrain and difficulty. Big Hill is home to the National Mountain Bike Championships, but there are a number of trails suited to less experienced riders including the Dart Spur Track and Sesame Street. With the charming town of Bright located within close proximity of this track, you can round out your outdoor adventures with a visit to the Bright Brewery or one of the many cafes in town. [caption id="attachment_818518" align="alignnone" width="1920"] Stromlo Forest Park[/caption] STROMLO FOREST PARK, ACT Stromlo Forest Park is the best place for mountain biking when you don't want to totally leave civilisation behind. Just a 15-minute drive from the centre of Canberra are over 40 kilometres of world-class trails that are suited to a wide range of riding abilities and age groups. Cemented in Australian mountain biking folklore thanks to its hosting numerous national championships and professional competitions, Stromlo Forest Park offers highly technical routes, including log rides and bridges, alongside easier trails with long, flowing descents. Stash away your lunch and Sonos for a relaxing post-ride picnic amongst the trees. [caption id="attachment_818267" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] NOOSA TRAIL NETWORK, QUEENSLAND Spanning a vast section of Queensland's rural landscape, the Noosa Trail Network encompasses eight distinct hinterland trails ideal for biking, hiking and horse riding. While these scenic journeys are slightly more focused on the incredible vistas that make up this part of the world, there are still plenty of challenges to be found. The 25-kilometre Kin Kin to Lake Macdonald Trail, for example, delves from wide-open countryside into the rainforest, while the Kin Kin Countryside Loop is a leisurely ride linking peaceful picnic spots with bird watching opportunities. Find out more about the new Sonos Roam at the official website. Top image: TBC
Heading to an outdoor music festival normally means hoping for fine and sunny outdoor weather. At Snow Machine, you'll be praying for one thing: yes, snow. Because spending a day or several dancing to tunes in the open air isn't solely synonymous with summer, this event embraces its wintry setup, combining live music with a ski trip — as Japan first experienced in 2020, and New Zealand has been enjoying since 2022. The Japanese fest takes place for 2025 in March, but you'll want to mark September in your calendar if you're keen on the Aotearoa event. The hottest festival for the colder months is unleashing its avalanche of music and adventure at two mountain-topping NZ ski resorts between Tuesday, September 9–Sunday, September 14 this year. The snow-filled attraction has also just dropped its impressive lineup. On the Thursday night, Claptone and Hot Dub Time Machine will be headlining. On the Friday, Amyl and The Sniffers are playing an exclusive New Zealand show, with Mallrat also on the bill. Come Saturday, Netsky and Luude are doing the honours. Also helping to give Snow Machine's NZ winter wonderland a thumping soundtrack across the fest: Argonaut, Baby J, Ben Silver, Beverly Kills, Body Ocean, Boogs, Brian Fantana and Casey Leaver — plus Dannika Peach, Jimi The Kween, Lenni Vibe, Mell Hall, Montel2099, Odd Mob. And, then there's Bribera, Savage, Spacey Space, T-Rek and What So Not. As the hefty roster of talent demonstrates, attendees are in for a helluva few days, including hitting the slopes and partying at après ski events on both Coronet Peak and The Remarkables. How much dancing, skiing and sipping you want to do is up to you — as is how many other adventurous activities you'd like to add to your itinerary, such as heli-skiing, jet boating, bungy jumping, canyon swinging and skydiving. Snow Machine's official welcome party is also on the agenda again, taking place at AJ Hackett Bungy Kawarau Bridge. So is another annual highlight: the Polar Bare, which endeavours to set a world record for the most amount of people heading down the slopes their swimwear. Alongside the wintry backdrop and the fun that comes with it, one of the things that sets Snow Machine apart from other music fests is being able to book your entire getaway with your ticket. Packages span both five and seven nights of accommodation, and include a four-day festival ticket, plus multi-day ski pass. If you'd rather make your own way or pass on the skiing, there are ticket-only options — and VIP packages if you really want to do it in style. Snow Machine 2025 Lineup Amyl and The Sniffers Argonaut Baby J Ben Silver Beverly Kills Body Ocean Boogs Brian Fantana Casey Leaver Claptone Dannika Peach Hot Dub Time Machine Jimi The Kween Lenni Vibe Luude Mallrat Mell Hall Montel2099 Netsky Odd Mob Bribera Savage Spacey Space T-Rek What So Not Plus stage takeovers from: Poof Doof Ski Club Thicks as Thieves Revolver Sundays Electric Rush Snow Machine 2025 takes place from Tuesday, September 9–Sunday, September 14 in Queenstown, New Zealand. Presale tickets go on sale on from 1pm AEDT / 12pm AEST / 3pm NZDT on Monday, February 24, 2025, with general tickets available from 1pm AEDT / 12pm AEST / 3pm NZDT on Tuesday, February 25, 2025. For more information, visit the festival's website. Images: Han Lowther / Amee Freeman / Luke O'Keefe.
Head into Sydney's Odd Culture in Newtown, or its new accompanying bottle shop and small bar SPON, and you'll be greeted with a stack of tasty wine and snack pairings. The venue's chicken liver pâté with potato chips and fish sauce caramel is one of the Harbour City's best bar snacks. The same can be said down in Melbourne, where Odd Culture's Fitzroy digs boasts the same addictive trio on its snack menu. And, all three offer charcuterie from LP's Quality Meats — all of which can be paired with a white, red, skin-contact, rosé or pét-nat. But, sometimes you're not on the hunt for something as extravagant as pâté and instead are hankering for a snack with a bit more nostalgic familiarity. Well, not to worry — we've asked Odd Culture Group's Beverage Manager Jordan Blackman (Odd Culture, The Duke of Enmore, The Old Fitz) for suggestions for the best wines to pair with schoolyard snacks, all of which are available in-store or online at SPON. (And, yes, SPON ships beyond New South Wales.) If you've ever craved a natty wine with a full box of cheese and bacon Shapes, or wondered what drop would partner well with a berry Roll-Up, we've got you covered. ROLL-UPS Jordan: "If we're talking Roll-Ups, then we simply can't go past grenache. Candied fruit with a lick of spice — a match made in heaven. Grab a bottle of 2021 Les Fruits Gonzo made from a blend of grenache and cinsault. Bright and crunchy with juicy red fruits (think strawberry, raspberry and cherry) and gentle tannin. Great chilled, great at room temp. It goes without saying we're talking about the best flavour of Roll-Ups here — and that's strawberry." OVALTEENIES Jordan: "Why do they call it Ovaltine? The mug is round. The jar is round. They should call it Roundtine. Anyway. Steering away from anything too hectic that might overwhelm the sweet, delicate chocolate malt of our precious Ovalteenies, I'd crack into some Ngeringa Altus from Mount Barker. Inspired by Vin Santo by way of Tuscany, it's sweet yet oxidative and insanely complex — crème caramel, Turkish delight, hazelnut and dried fruits drenched in honey." CHEESE AND BACON SHAPES Jordan: "My mind immediately gravitated towards Bandol rosé from the south of France — weighty, powerful and made from mourvèdre, often said to be quite 'meaty'. In the spirit of keeping things homegrown, I've gone with a longstanding favourite: 2022 Poppelvej Dead Ohio Sky Rosé which clearly draws inspiration from the Bandol. Organically grown Mourvèdre from McLaren Vale with texture turned up to eleven, it's serious, savoury and spicy all the while refreshing and moreish — kind of like cheese and bacon Shapes?" LE SNAK Jordan: "Cheese and crackers, but not just any ordinary cheese and/or cracker — elevate your lunchbox with Le Snak and a bottle of 2021 Harkham Aziza's Chardonnay. Hands down, one of my favourite cuvées — zero adds, clean as a whistle, alive! Naturally fermented and rested in seasoned French oak, these two play almost too well together coaxing out notes of fresh sourdough, vanilla biscuits and whipped cream while racy acidity keeps everything in check." JUMPY'S Jordan: "Apparently there are other flavours of Jumpy's than chicken? 2022 Trutta Pétillant Naturel Blanc is the obvious choice here. A blend of chardonnay and riesling, this organic fizz is brimming with energy, bright acidity and reminds us of another nostalgic Australian snack — oh, glorious Splice! Saline, zippy and ultimately refreshing — a perfect match for couch snacks of the kangaroo-shaped kind. We love salty snacks with our bubbles." Head to SPON's website — or in-store if you're in Sydney — if you want to get your hands on any of the mentioned wines. SPON is open at 256 King Street, Newtown 12pm–10pm Monday–Thursday, 12pm–12am Friday and 11am–12am Saturday.
A mainstay of Australia's film festival scene for 22 years, the Moro Spanish Film Festival doesn't just celebrate a single country. It also celebrates a language. With Spanish ranking as the globe's second most popular tongue, this showcase of cinema broadens its gaze across the world — not only highlighting movies from the festive European nation that gives the fest its name but, by joining forces with the Cine Latino Film Festival in 2019, screening flicks from Latin America as well. Consider the end result the biggest bargain there is in the film fest world: two festivals for the price of one. Consider it a hefty lineup of new Spanish-language movies, too, with 32 titles touring the country until mid-May. Overseas award-winners? New voices making their debut? A focus on female filmmakers? They're all on this year's program. So are existential thrillers, queer standouts and classic romps — which each claim a place among our five must-sees. https://www.youtube.com/watch?v=pQ5qPWgG1H0 ANA BY DAY Seeing double is one of cinema's favourite tropes — from creepy twins to stalking lookalikes to cases of mistaken identity, doppelgängers are all common film fodder. In Ana by Day, the eponymous Madrid woman (Ingrid García Jonsson) finds her life turned upside down when her double arrives, takes over and leaves her to her own devices. It's a tantalising notion, especially when Ana decides to lean into the situation and live the existence she's always wanted. As conveyed by first-time filmmaker Andrea Jaurrieta as well as exceptional star García Jonsson, at the core of the concept sits a simple truth: the struggle to realise who we really are. https://www.youtube.com/watch?v=iO_PZqilExE CARMEN & LOLA Premiering at last year's Cannes Film Festival, picking up two gongs at this year's Goya Awards, and earning plenty of praise on the queer festival circuit, Carmen and Lola brings an observant, empathetic eye to a tale of romance versus prejudice. The movie's two paramours are also its two victims — and while the setup might feel somewhat familiar, this film has its own spark. Here, a pair of Roman women (Zaira Romero and Rosy Rodríguez) in a Catholic gypsy community defy tradition by falling for each other. Drawing upon her documentary background, writer/director Arantxa Echevarría uses her non-professional cast perfection, conveying the heart-swelling love and heartbreaking oppression that mark the titular characters' lives. https://www.youtube.com/watch?v=KKdTPuCgqkU ROJO He mightn't be a household name, but Dario Grandinetti boasts quite the resume, with the Argentinian veteran featuring in everything from Pedro Almodovar's Talk to Her and Julieta to twisty anthology Wild Tales. He's also a multiple film festival best actor award winner for his work in Rojo, playing a lawyer navigating the corruption and crime of Granada in the 1970s. Murky, paranoid thrillers were a staple during that decade, and movies both set in and styled after the period keep reaching screens for a reason, as this complex and compelling affair demonstrates. As the film follows its protagonist's entry into a shady world, it delves into the fractured, fraying reality of pre-coup Argentina. https://www.youtube.com/watch?v=0paBosD04mM THE GOOD GIRLS Peering at the lives of the wealthy isn't just about indulging envious fantasies, dreaming of a different existence or watching a cashed-up trainwreck, Real Housewives-style. Rather, whether in satirical or melodramatic mode — and this Mexican comedy-drama operates in both — it's about examining the inner workings of the upper echelons and laying bare a society from the top down. Expect all of the above in Alejandra Márquez Abella's second feature, which follows the wives of her country's richest men in 1982. A wife to Fernando (Flavio Medina) and a mother to three children, Sofia (Ilse Salas) is accustomed to a charmed life, until her and her pals experience the other side. https://www.youtube.com/watch?v=PypMOEKJuh8 WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN Breakups, breakdowns, breaking free, blending sleeping pills into gazpacho — that's actor Pepa Marcos' (Carmen Maura) life when she's dumped by her fellow thespian boyfriend Iván (Fernando Guillén). It's also just the beginning of the always spirited, often farcical story that drives this masterful 1988 comedy from Spanish auteur Pedro Almodovar. One of the filmmaker's deserved early hits, Women on the Verge of a Nervous Breakdown is also the film that helped introduce the world to Antonio Banderas' charms. It wasn't the pair's first collaboration; however, this Oscar-nominated, multiple Goya-winning film thrust both the director and his star to greater attention, and it's easy to see why. The Moro Spanish Film Festival tours Australia from April 16, screening at Sydney's Palace Norton Street, Palace Verona and Palace Central from April 16 to May 8; Melbourne's Palace Cinema Como, Palace Westgarth, Palace Brighton Bay, Palace Balwyn, Kino Cinemas and The Astor Theatre from April 18 to May 8; Brisbane's Palace Barracks and Palace James Street from April 24 to May 15; and Perth's Palace Cinema Paradiso from April 24 to May 15. For more information, visit the festival website.
Well, it's happening. After months of hostility from taxi drivers and general confusion about what the future of the taxi industry should look like, the NSW government looks set to announce some pretty big state reforms — which, according to reports, will legalise the much loved and lauded ride sharing, ice cream delivery, kitten appreciation service, Uber. The Daily Telegraph last night reported that, in reforms to be announced today, Uber drivers would be required to pay a licence fee for the first time, and would be subject to criminal record checks and vehicle inspections. Basically, they'd be forced to operate under same regulations as regular taxi drivers. In an attempt to compensate regular cab drivers for suddenly losing their monopoly over the market, the cost of taxi plates would become significantly cheaper. They'd also retain the sole right to use taxi ranks and be hailed on the street. How exactly existing drivers will be compensated for the drop in value of their plates is not yet known, and would be decided by Cabinet next month. The decision to legalise Uber seems like it was inevitable, if not a little surprising — especially considering the New South Wales Road and Maritime Services effectively put the company on notice in September. It comes two months after the ACT made the move to legalise and regulate Uber and its drivers, and if the same does indeed happen in Sydney and NSW, it will surely see the rest of the country look towards integrating the ride sharing service into their taxi system. Via The Daily Telegraph.
So, you love a good pub trivia night but you're also a fan of the thrilling murder mystery concept. Well, you'd better round up your best sleuthing mates and book in some midweek whodunit action, when the National Hotel returns with another brain-tickling session of its popular Murder Mystery-themed trivia. On Thursday, June 2, the Richmond pub invites you to put on your thinking cap and battle other teams for a taste of sweet, Sherlock Holmes-style glory. You'll navigate four rounds of pop culture questions while staying tuned for cheeky clues that'll help you crack the night's overall murder mystery puzzle. And you might want to play a few games of Cluedo to brush up those sleuthing skills in the lead-up — not only are there round prizes and jugs of beer up for grabs, but the winner will score a hefty $100 bar tab. Entry is free, with bookings made via the website, and you can have between four and six players on your team. [caption id="attachment_678307" align="alignnone" width="1920"] The National, by Gareth Sobey[/caption]
If you've ever been stateside and tasted real buffalo wings, you've probably gone out of your way to find something similar upon your return to Melbourne. However, finding a restaurant or bar that gets all the flavours exactly on point has proved a difficult task for many wing lovers. Unless you know where to go. Lucky for us, a few Melbourne eateries go above and beyond to prove they make the greatest buffalo wings this side of upstate New York. We've picked out five of the best in the city, which thankfully means you won't need to fly out to the US to feast on them once again — enough for a tram fare will be enough.
