Whether you're a Melburnian making a regular date with the city's major art gallery, or you're eager to head to the Victorian capital for a getaway, visiting the NGV International over summer is always recommended. That's when the St Kilda Road site plays host to its annual Architecture Commission — including a pink car-wash inspired playground back in 2016, an openair maze in 2017, a timber amphitheatre in 2018 and a dramatic tower in 2019. In 2021, the NGV is set to get watery — and pink, again. The gallery has just revealed its latest Architecture Commission, which'll include two parts: a pink pond that's meant to nod to Victoria's inland salt lakes, and a body of Indigenous plants. The entire installation is called Pond[er], and hails from Melbourne-based architecture firm Taylor Knights in collaboration with artist James Carey. Emerging victorious from this year's submissions, it will join the NGV's Grollo Equiset Garden from November 2021–April 2022. Exact dates are yet to be announced, but entry will be free. And yes, to answer the question that has instantly popped into your head, you'll be able to wade through the pond. When visiting Pond[er], NGV patrons will wander through a series of interconnected walkways and accessible platforms, which will become part of the venue's garden rather than sit separate from it. You'll then be able to step into the water as you're moving about, with giving NGV visitors somewhere to cool off during the summer one of the piece's main purposes. Also driving the installation: reflecting upon the environment, which Pond[er] aims to evoke in a number of ways. By filling the pond with pink-coloured water, the piece is designed to get people thinking about its scarcity and importance. By using Victorian wildflowers among its plants — which will bloom at different times throughout the installation — it also endeavours to inspire folks to contemplate just how fleeting and precarious our natural environment can be. Pond[er] will display at the NGV International, St Kilda Road, Melbourne from November 2021–April 2022, with exact dates to be announced. Images: courtesy of Taylor Knights and James Carey.
It arrives in the dead of winter. It fills Hobart with festivalgoers in the dark of night. It gets the brave donning nothing but their birthday suits to take a dip for the winter solstice. For ten fests now, with Tasmania's Museum of Old and New Art at the helm, Dark Mofo has unleashed its wildest and weirdest delights upon the Apple Isle — its most sinister, surprising, challenging and stunning as well — and tempted arts lovers Australia-wide and beyond to the nation's southernmost state. Don't just think of Dark Mofo as the twisted sibling to Tasmania's other big annual festival, summer's Mona Foma, though. Running from Thursday, June 8–Thursday, June 22 in 2023, this event adores the space where opposites clash: dark and light, birth and death, all things wholesome and hedonistic included. That's what makes it the kind of Tassie getaway where you can slumber while listening to an eight-and-a-half-hour lullaby, see garbage turned into musical instruments, then wander into a theatre-meets-rave performance and witness Dante's journey through hell, purgatory and paradise come to life. Keen on the sunnier, sweeter side of this year's lineup? Prefer letting loose and making "when at Dark Mofo" your mantra? There's an event on the 2023 program for you either way, and no matter what level of chaos you're after — and after asking the Dark Mofo team for their tips on both sides of the spectrum, we've put together this handy guide. Concrete Playground Trips' Dark Mofo accommodation package might come in helpful, too. And, while some of these events are sold out at the time of writing, keep a keen eye on the fest's resales for more tickets. WHOLESOME: [caption id="attachment_899216" align="alignnone" width="1920"] Photo credit: Luke Currie-Richardson. Courtesy of BARKAA and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] THE GATHERING There's no doubting that Dark Mofo knows how to throw a party. That's the entire festival from start to finish, as well as many of its events from its first moments each year to its last. But there's nothing like a massive opening-night celebration — especially when that shindig showcases and celebrates First Nations culture and talent, as The Gathering does. On 2023's bill: Palawa and mainland Indigenous artists, all taking over In The Hanging Garden from 6.30pm–12am on Thursday, June 8. When you're not listing to BARKAA's energetic tunes and Tasman Keith's synth-scored raps, you'll be enjoying dameeeela's mixes, DENNI's vocals, and MARLON X RULLA's R&B and hip hop. Kartanya + KARAI are joining forces for a performance that blends poetry and music, Rob Braslin will do a stand-up set and Lutruwita / Tasmanian Aboriginal Elder Uncle Dougie Mansell will play music inspired by the state. And, in a partnership with Melbourne's YIRRAMBOI, Kin heroes cross-cultural connections between Victoria's Koorie and Tasmania's Palawa peoples. [caption id="attachment_803281" align="alignnone" width="1920"] Max Richter — SLEEP, Kraftwerk Berlin 2016. Photo: Stefan Hoederath.[/caption] MAX RICHTER'S SLEEP For some party people at Dark Mofo — many, even — spending all night at the festival doesn't involve getting any shuteye. But hitting the hay is definitely a part of this year's fest. Actually, Dark Mofo wants you to wear your pyjamas and sleep over. The slumber party comes courtesy of Max Richter's SLEEP, which returns to Australia for an eight-and-a-half-hour overnight stint on Wednesday, June 14 (and heads to Tasmania as an Aussie exclusive). You'll close your eyes, drift off to the land of nod and Richter's compositions will play as you snooze. The forty-winks part will happen on beds provided by Dark Mofo, while the latter is based on the neuroscience of having a kip. If you've seen the documentary about it, you'll already be excited — and you'll have your PJs ready. [caption id="attachment_899213" align="alignnone" width="1920"] Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] ZINDZI & THE ZILLIONAIRES There's a bear on Dark Mofo's 2023 program. There's also an actor and musician that usually appears on-screen to entertain the festival's youngest attendees after a song about chairs, games and stories gets a spin. That'd be Zindzi, one of Play School's beloved hosts, who joins the fest lineup with The Zillionaires, her fluffy sidekicks. This concert is firmly for kids — and the adults taking them along, with children under two admitted free. If you're making the visit to Tassie with your family, Zindzi's two daytime sets on Sunday, June 11 (at 12pm and 2.30pm) are prime all-ages fun. And yes, you'll also know Zindzi as Okenyo, and for popping up as an actor in The Code, Sisters, Wakefield and Totally Completely Fine. [caption id="attachment_899214" align="alignnone" width="1920"] Photo credit: Zizuke. Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] FULU MIZIKI Venturing to Dark Mofo from the Democratic Republic of Congo, Fulu Miziki won't just entertain you with their Afro-futurist-punk sounds. That's a given; however, they'll also make you think twice about what you discard. As you watch them play, they'll be making music with garbage — which they've turned into musical instruments. There are two parts to Fulu Miziki's Dark Mofo stint. The experimental workshop on Sunday, June 11 will teach a few lucky folks how to follow in the collective's footsteps with their own refuse and reclaimed materials, complete with a concert afterwards. And, the day prior on Saturday, June 10, Fulu Miziki will also be taking to the Odeon Theatre stage. This isn't just a family-friendly part of Dark Mofo — it's eco-friendly as well. [caption id="attachment_899210" align="alignnone" width="1920"] Photo credit: Zan Wimberley. Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] WITHOUT US YOU WOULD HAVE NEVER LEARNT ABOUT LOVE When we said before that there's a bear in Dark Mofo's 2023 program, we were referring to Giant Teddy, a towering Korean pop culture-inspired teddy bear that has lasers for eyes, plus a camera that'll show its live surveillance elsewhere in Hobart. But you can also expect to see stuffed toys at Without Us You Would Have Never Learnt About Love — because it makes an operatic tragedy with repurposed playthings. Artist Jason Phu is behind this creative use of jailbroken toys, and will have them performing inside a taoist robotic shrine. If it sounds like the kind of thing that you don't see every day, it truly is. Checking it out is free, and as simple as heading to the Baha'i Centre from 4–10pm between Thursday, June 8–Monday, June 12 and Wednesday, June 14–Sunday, June 18. HEDONISTIC: [caption id="attachment_898571" align="alignnone" width="1920"] Photo Credit: Dark Mofo/Jesse Hunniford. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia. Dark Mofo 2018.[/caption] WINTER FEAST Winter Feast is all about tucking into local produce by the fire while listening to tunes and just generally enjoying an evening of revelry. One of Dark Mofo's annual highlights, it returns for 2023 across eight nights — running from Thursday, June 8–Sunday, June 11, then again from Thursday, June 15–Sunday, June 18, at Salamanca Lawns and Princes Wharf Shed 1 — with 90 stallholders setting up by the feast's blazes. Headlining the 2023 event is an acclaimed culinary name: Ana Roš, who you might know from Netflix documentary Chef's Table. She's the owner of Slovenia's two Michelin-starred restaurant Hiša Franko in Kobarid, and was named the world's best female chef by The World's 50 Best Restaurants academy in 2017. The World Tourism Organisation have also given her the title Ambassador of Gastronomic Tourism. At Dark Mofo, Roš will get cooking in a newly built 50-seat structure just for cooking and dining, and she'll have company: Stephen Peak and Rodney Dunn, both from New Norfolk's The Agrarian Kitchen. Their spread is set to span four courses, taking its cues from the dishes that that Roš and Peak whip up in their own kitchens. So, expect Slovenian-inspired fare, but made with Tasmania's top seasonal produce. [caption id="attachment_897774" align="alignnone" width="1920"] Camille Blake. Image courtesy of the artist and Dark Mofo.[/caption] TRANCE Slipping into a different mindset is just part of being at Dark Mofo. At TRANCE, you're openly invited to slide into a reverie in the process. Hailing from Berlin-based Chinese artist Tianzhuo Chen, this three-day performance from Thursday, June 8–Saturday, June 10 isn't just something that you watch — it's a true festival experience. You'll need to purchase a 'trance pass' to head along, which gives you access to the whole show across its run. Then, you can wander in and out as you like, seeing each day's 12-hour ritual — which is batched up in six two-hour chapters — in what's basically a physical theatre-meets-rave show. Along the way, you'll notice nods to religious iconography and pop culture alike — and Butoh choreography as well — as things get psychedelic and transcendental. You'll also spot Tinazhuo's cast of characters go all-in on testing the body's corporeal limits. [caption id="attachment_886260" align="alignnone" width="1920"] Nicole Marianna Wytyczak[/caption] A DIVINE COMEDY A wild dance theatre performance inspired by Dante's The Divine Comedy? Yes, that sounds completely in Dark Mofo's wheelhouse. That production is A Divine Comedy, hailing from Austrian choreographer and performance artist Florentina Holzinger, and hitting the festival from Friday, June 16–Sunday, June 18 as both an Australian premiere and an Aussie exclusive. Holzinger is known for making challenging and provocative theatre, and for exploring gender relations — including how women's bodies are represented in art and media. For A Divine Comedy, she's staging the whole dive into the hell, purgatory and paradise as a giant autopsy room, all to explore how humans negotiate life and death. From an all-female-identifying cast spanning all ages, as well as a variety of physical, musical and athletic disciplines, expect to see nude performers, slapstick acts, bodily substances and references to slasher movies as well — plus a jam-packed selection of nods to art and dance's respective histories. [caption id="attachment_899218" align="alignnone" width="1920"] Image courtesy of DarkLab.[/caption] THE BLUE ROSE BALL Get ready for a ball both wonderful and strange: Dark Mofo's hedonistic masquerade, which this year is called The Blue Rose Ball. David Lynch fans, this sounds like absolute heaven — and it is indeed inspired by the inimitable filmmaker behind Twin Peaks. The event takes its name from a secret task force in that very show, in fact, which you'll already know if you agree that it's the best show ever made (as you should). On Wednesday, June 7, a mystery venue will play host to cocktails, wines, aperitifs and epicurean provisions. Exactly what will happen from there is set to be revealed on the night — having your expectations challenged Lynch-style is part of the fun, of course — but if your costume includes red and white zigzags, you've obviously nailed it. Fancy getting a Lynch-meets-Dark Mofo fix throughout the rest of fest? From Thursday, June 8–Monday, June 12 and Wednesday, June 14–Sunday, June 18, Dark Park will also play host to a Blue Velvet Lounge, and with live tunes and performances all on theme. [caption id="attachment_899219" align="alignnone" width="1920"] Photo credit: Rosie Hastie, 2022. Image courtesy of Dark Mofo 2022.[/caption] NIGHT MASS If you love wild affairs that run late into the evening, it's time to lose yourself to Night Mass. Anything and everything can and does happen at this after-dark affair, which is sprawling wider in 2023 than usual — taking over three city blocks, and naming the space District X. Within the precinct's confines, there'll be 13 stages hosting a hefty list of acts, all in an area with a capacity of 4500 — with Night Mass taking place over five nights across two weekends. Those dates: Friday, June 9–Sunday, June 11, and then Friday, June 16–Saturday, June 17. On offer: everything from music and cocktail lounges through to punk theatre and junkyard raves. Attendees can also expect art, performances, cinema cabarets, games arcades, tarot readings, plenty of places to eat and drink, and fire beacons lighting the way. And, on the bill, folks such as Desire Marea, dameeeela, Amnesia Scanner, Violent Magic Orchestra and Mahne Frame, as well as Ms Boogie, Prison Religion, Pelada, Marie Davidson and Moktar. Dark Mofo 2023 runs from Thursday, June 8–Thursday, June 22 in Hobart, Tasmania, with tickets on sale now. Top image: Dark Mofo/Jesse Hunniford, 2018. Image of Société Anonyme Costume Ball Hadley's Orient Hotel. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world — including our Dark Mofo tickets and accommodation package.
Put your hand on your heart and tell us: how excited are you that Kylie Minogue has not only announced a new world tour, which is her biggest in 14 years, but that she's starting it in Australia? Headlining Splendour in the Grass 2024 mightn't have worked out after the Byron Bay music festival was cancelled mere weeks after revealing its lineup, but the Aussie pop superstar is ensuring that local fans will see her new Tension tour before anyone else on the planet. It's a 'Padam Padam' summer all over again, with Minogue kicking off her latest shows in February 2025, beginning with a one-night concert in Perth. From there, she is also playing Adelaide, Brisbane and Melbourne before hitting Sydney for three gigs. The last time that Minogue embarked on a tour this big was back in 2011. The last time that she hit the stage Down Under was in 2023 to open Sydney WorldPride. In the Harbour City, Minogue will get behind the microphone to start autumn, across Saturday, March 1–Monday, March 3 at Qudos Bank Arena. In what's proven a massive career since her Neighbours-starring, 'I Should Be So Lucky'- and 'Locomotion'-singing 80s era, it's been a big last few years for Minogue thanks to the huge success of the Grammy-winning 'Padam Padam', a brief return to Neighbours and a Las Vegas residency — and now the Tension tour keeps that streak running. Images: Erik Melvin. Updated: Monday, February 17, 2024.
The jolliest time of the year is almost here. And, that means the most festive movie-viewing window of the year is nearly upon us, too. We all know that it wouldn't be Christmas without rewatching a heap of suitably themed flicks, whether you've loved Elf since you can remember, prefer a classic such as It's a Wonderful Life or will only watch Die Hard — but Stan is hoping that you'll add a new Australian comedy to your end-of-year rotation. Sometime around Christmas, the streaming platform's subscribers will be able to watch festive Aussie flick A Sunburnt Christmas. And yes, you are probably just now realising that Australian doesn't actually have that many Christmas films to its name. This newcomer will join the likes of Bush Christmas, both the 1947 and 1983 versions; the animated Around the World with Dot; and recent horror movies Red Christmas and Better Watch Out — and it seems to be really leaning into the fact that it's a seasonal Aussie film. Directed by Christiaan Van Vuuren (Bondi Hipsters, The Other Guy), A Sunburnt Christmas follows a group of kids who mistake a runaway criminal for the real Santa. Daryl (Snowtown and Acute Misfortune's Daniel Henshall) happens to be dressed appropriately, red suit and all. He has also just crashed a van full of toys. But as well as not being Father Christmas, he's being chased by a mobster called Dingo (Animal Kingdom and Ride Like a Girl's Sullivan Stapleton). Kids, crims, hijinks — if you're currently thinking about Home Alone or Bad Santa, that isn't surprising. But these children live on an outback farm with their a single mother (The Gloaming's Ling Cooper Tang), and neither Joe Pesci nor Billy Bob Thornton are anywhere to be seen. The all-ages-friendly flick doesn't yet have a release date, but you can obviously expect it to hit your streaming queue just as you're breaking out the eggnog. A Sunburnt Christmas will be available to stream via Stan later in 2020 — we'll update you with an exact date when one is announced.
While we've been checking out art IRL again for some time it's still exciting — and now even more so with Yayoi Kusama gracing us with another of her dazzling installations: Narcissus Garden. The famous mirror balls, which first exhibited at the 1966 Venice Biennale, is taking a tour through three Sydney Living Museums (SLM) locations, showing at Museum of Sydney, Vaucluse House and Elizabeth Bay House (for SLM members only) right up till the end of May. So, you'll have ample opportunity to see it. Kasuma's piece provokes questions of history, identity, cultural belonging and reflection. So, fittingly, it kicks off SLM's 2021 theme of 'Reflections on Identity.' The work is less in the vein of Kusama's super-popular mirrored infinity rooms and more about inward contemplation. In effect, the mirrored balls reflect the historic and colonial-entrenched spaces in its infinitely recurring maze-like structure. You can check out Narcissus Garden at Museum of Sydney from February 20–April 18. The museum is open from 10am–5pm every Thursday–Sunday, but as part of its Culture Up Late series you can see it till 8pm on Thursdays throughout February and March. [caption id="attachment_801018" align="alignnone" width="1920"] 'Narcissus Garden' at Vaucluse House; James Horan for Sydney Living Museums[/caption] The installation then moves to Vaucluse House where it'll be on display from April 24–May 23, with the space open from 10am–4pm Wednesday–Sunday. The work's final exhibition will be at Elizabeth Bay House from late May and will only be available to SLM members. Admission is $15 and free for SLM members. For more information, head to the Sydney Living Museums website. Images: James Horan for Sydney Living Museums
Not everyone was a fan of the Opera House's last, occasionally boisterous venture into the world of pop-up bars with El Loco, but this year theatre-goers can probably breathe a sigh of relief; the Opera House's new pop-up bar is so chill they're even offering yoga sessions. This summer, the team behind Bondi institution The Corner House is bringing its brand of laidback Mediterranean cool to the Opera House with their pop-up, Garden Bar by the Corner House, as part of the Opera House's Summer Playground series of events. While there'll certainly be cocktails on offer, this bar's not just about the standard pre-event drinks. According to The Corner House owner Anthony Kaplan, Garden Bar by the Corner House will be "the ultimate summer hangout". There'll be a rotisserie and salad bar, and they're even serving breakfast. As far as entertainment goes, there'll be everything from live music to early-morning yoga. Garden Bar by the Corner House will head to the Opera House in January and stay till January 27. Image: El Loco at the House in 2013.
If there's two things that the end of the year always includes, it's Christmas decorations and plenty of drinks. They're both all well and good separately, but they might be even better combined — in a Christmas tree made out of tinnies, for instance. A real object that now exists ready for the merriest portion of the 2021 calendar, this Christmas tinnie tree isn't fashioned out of old cans. So, it doesn't merely celebrate the remnants of your past beverages. Instead, it gives you a place to stack new cold ones just waiting to quench your thirst. And yes, it comes with beers, as they're obviously essential to the whole concept. Craft Cartel is slinging these mighty jolly centrepieces this festive season, after giving beer lovers Australia's largest case of craft beer back in 2020. If you're keen to add one to your home — and to get sipping — it'll cost you $399, which covers a flat-pack tree that you then put together yourself, 48 brews ready to wet your whistle and delivery to your door. If you're wondering what you'll be drinking, those 48 tinnies span 24 different varieties — so, two of each. And, alongside cans from Ballistic, Slipstream, Sydney Brewing, Gage Roads, Modus Operandi and Brick Lane, there's seven limited releases among them, such as Stockade's The Mountie Maple Imperial Stout, Akasha's Korben Double IPA, Sauce's Caribbean Fogg Hazy Pale Ale and Moon Dog's Splice of Heaven Mango Ice Cream IPA. Design-wise, the tree itself uses sustainable timber, and is crafted to resemble a traditional pine tree — all thanks to Australian designer Ian Tran of Domus Vim. Who doesn't want to place all their presents around a tower of beer? No one, that's who. And if you decide it needs some tinsel as well, that's up to you. For more information about the Christmas tinnie tree, or to buy one, head to the Craft Cartel website.
Discussing complex issues like climate change can be difficult even for the most skilled orators. But, if we are going to make a difference when it comes to sustainability, more of us are going to need to speak up. This class welcomes prominent author and climate campaigner Anna Rose, who'll provide you with the necessary tools to not only feel comfortable talking about climate issues but also use your own power to affect real change. Across this interactive session, you'll learn the strategies that work best when you need to motivate people in your life to get engaged with climate science. Plus, you'll be encouraged to stay in contact with your fellow attendees to put your newfound skills into action. Anna Rose's interactive session about how to talk about climate change will take place on Saturday, June 1 from 11.30am–1pm and Sunday, June 2 from 10.30am–12pm. Tickets cost $45 per person ($36 for members). This event forms part of the Museum of Contemporary Art's Conversation Starters 2019: Temperature Rising program. To see the full program, head this way.
The idea behind theme parks is simple. If someone loves something enough — superhero movies, TV shows, video games, animation studios, a huge entertainment brand or Italian food, for example — they'll be willing to pay money to indulge that affection. And, they'll be particularly keen to roam around an entire site dedicated to their favourite thing, celebrating it all day long. With that in mind, if you're someone who simply can't get enough bubble tea, you'll want to head to Japan's latest theme park. There are no prizes for guessing what patrons will be drinking at Tokyo Tapioca Land; however, that's not all they'll be doing. Attendees will also be able to work their way around various tapioca-themed photo booths, and try different tapioca foods and beverages, including from some of the country's big brands. Based on sketches on the theme park site, as well as a report by Sora News 24, they may also be climb onto tapioca-themed rides. Just what most of above will entail is being kept rather vague — and yes, it sounds a more than a little like the incredibly Instagram-friendly food-focused sites that've been popping up around the place, such as Australia's Sugar Republic. Tellingly, Tokyo Tapioca Land is a temporary attraction, setting up shop outside of the station in Harajuku train station from August 13 to September 16. [caption id="attachment_707444" align="aligncenter" width="1920"] Gotcha Tea[/caption] If you're going to be in Tokyo at the time, pre-sales have already sold out, but there will be tickets available on the day for 1200 yen (around AU$16) — if you're willing to brave what'll likely be some significant queues. For those who don't have a trip to Japan on the cards, perhaps trying to drink away your envy by indulging in a bubble tea or several will help. Tokyo Tapioca Land will be open at jing, outside the Harajuku train station at 6-7 Jingumae Shibuya-ku, Tokyo, from August 13 to September 16. For further details, visit the website. Via PR Times / Sora News 24.
As if Aesop didn't already lure us in with their disarmingly aromatic street samples, they've gone and fitted out their newest store with rich, glorious cedarwood. Teaming up with Japanese design and architecture firm Torafu Architects, Melbourne skincare and all-the-nice-things brand Aesop has unveiled the interiors for their latest chapter in Osaka. Snuggled in the Grand Front Osaka Mall, the seven square metre space is a delightfully minimal celebration of cedarwood, with shelves, islands and counters all super sleek blocks of once-baked pillars. Pairing down their interior design to match the stripped back branding of the products, Aesop worked closely with Torafu to be the prettiest kids on the block. "We wanted to create a natural feeling against the cold glass and stone materials decking the promenade. Looking for local materials, we found the once-baked Japanese cedar wood pillars," said Wei Ting of Torafu Architects. "When we presented the material choices to Aesop, they suggested using the pink colour for the walls. "While the rough veneer of the Japanese cedar creates a contrast with the homogenising effect of its surroundings, the top surface of the squared logs of varying length are punctuated by aptly placed sinks, thereby bringing about a soothing sense of rhythm to the store." Gotta love an aptly placed sink. Started in Melbourne in 1987 and seeing its first in-store customers in 2004 at a former underground carpark ramp space in St Kilda, Aesop are slowly infiltrating the world skincare market one unique store at a time, from Berlin to London's Covent Garden, the Hamptons to Shibuya, Tokyo. The makers of mindblowing moisturiser opened a rustic, oak and copper-clad store in Hong in February 2014, covered the roof of their December 2013 Chelsea, NYC store with one thousand different covers of literary journal The Paris Review and just months earlier used fruit picking ladders to quaintify their Marylebone, London store. Not to mention the myriad of pop-ups they've cranked out over the years, Aesop has realised over 25 instalments worldwide now. Founder Dennis Paphitis told Dezeen he was "horrified of the thought of a soulless chain," and aimed to invest time and significant funds toward unique design for each store. "There's a direct correlation between interesting, captivating store spaces and customer traffic within a store," he said. "I’ve always imagined what we do as the equivalent of a weighty, gold charm bracelet on the tanned wrist of a glamorous, well-read European woman who has travelled and collected interesting experiences. I felt and still do that it should be possible to grow in a lateral way without prostituting the essence of what the company is about." Now for some solid design porn. Here's Aesop's new cedarwood-clad, super sleek Osaka joint: Via Dezeen. Images by Takumi Ota.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you inside the San Domenico Palace, a Four Seasons Hotel. This luxe Sicilian stay is the real life set of The White Lotus season two, set within a 14th-century convent. Welcome to the playground of the rich and famous. WHAT'S SO SPECIAL? This hotel is located within the ancient town of Taormina, sitting atop cliffs overlooking the sea. Yes, it's stunning. It's also where The White Lotus season two was filmed, meaning that you'll be walking in Jennifer Coolidge's footsteps — perhaps even staying in her glam suite. (A note: it does close over the European winter, with 2022 stays ending on November 28 and 2023 stays beginning from March 14.) THE ROOMS This swanky joint has 111 rooms and suites dotted about the property, most of which boast incredible views across the Ionian Sea. And those without ocean views get to look out towards Sicily's famous active volcano Mount Etna. It's obvious, but still worth mentioning that entry into this world doesn't come cheap, with rooms starting at about AU$850 a night and suites going for upwards of AU$10,000. It's stupid, but look at the photos — this place is gorgeous. We can imagine ourselves sitting in one of the sea-view suites, dipping in and out of our private plunge pool with a cheeky negroni sbagliato in hand — and then living off nothing but packets of ramen noodles for the rest of our lives. FOOD AND DRINK This is a Four Seasons Hotel, so you can expect some incredible food onsite. It has three separate restaurants and a garden bar (with the obligatory room service, too). Principe Cerami is the fine-dining restaurant, where you can wear your most glamorous holiday gowns and suits — because, we all have those, right? The slightly (just slightly) more chill restaurant Anciovi is where you'll get those White Lotus vibes. Grab a seat looking over uninterrupted views of the ocean and sink deep into la dolce vita. Sicily has got to be one of the best places in the world to eat, thanks to all that Italian cooking — be sure to get all the best local dishes while you're here. THE LOCAL AREA San Domenico Palace is in one of the most stunning parts of Sicily. Views from any part of this town are incredible, but this area is also steeped in history, with so much being preserved. The most famous site is the Teatro Antico di Taormina, as also seen in The White Lotus. It's an ancient Greco-Roman theatre which is still used to this very day. When visiting, you can see openair live orchestras and theatre permeances, all the while looking out over the sparkling waters. And, of course, you've also got plenty of beautiful beaches and coves down below the cliffs of the town. Beach hop for a few days before heading off another iconic Sicilian town — our picks are Palermo, Modica, Catania, Syracuse, Agrigento and any of the Aeolian Islands. THE EXTRAS A place this lavish doesn't just offer stunning views, rooms and food. There's always more. Treat yourself even more with massages, facials or scrubs in the Botanica Spa, or hit up the gym to work off all the arancini and pasta you'll be eating during the stay. But you really should explore the local area while you're here, too — and the San Domenico Palace team will organise all the best exclusive travel experiences for you. Go on a stargazing safari, a food tour around Mount Etna (led by the hotel's head chef), an Aeolian Islands sailing trip or even try a unique Sicilian sushi masterclass (yes, that's a thing). If you want to take advantage of all this, best get saving now — or start buying some more lotto tickets. For more information about San Domenico Palace, head to the hotel's website. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
If you like scary movies, then you've likely watched a Scream film or five over the past quarter of a century. And, across that period — ever since the OG flick became a box-office smash in 1996, then delivered 1997's Scream 2, 2000's Scream 3, 2011's Scream 4 and 2022's Scream, plus TV spinoff Scream: The TV Series — you've seen the saga's mask-wearing killer Ghostface slash his way through the fictional Californian town of Woodsboro multiple times, as well as a college in Ohio and then Hollywood. Until now, viewers haven't witnessed the series' villain follow in The Muppets' footsteps, though. But thanks to Scream VI, which arrives in cinemas in March 2023 and just dropped its first teaser trailer, that's changing. This time around, Ghostface is getting slashy while taking — and terrorising — Manhattan. No, everyone's favourite felt characters didn't quite do that, but they did galavant across the New York City borough first. When the first Scream VI trailer begins, it's clearly Halloween, and costumes abound on a NYC subway. Among all that spooky attire: more than one black-clad person in a Ghostface mask, making passengers and franchise returnees Sam Carpenter (Melissa Barrera, In the Heights), her sister Tara (Jenna Ortega, Wednesday) and their film-obsessed pal Mindy (Jasmin Savoy Brown, Yellowjackets) more than a little distressed. Scream VI's trailer doesn't provide any other story detail, but it does still love scary movies, riffing on Alien's famous "in space, no one can hear you scream" tagline. It's also set to bring a few other familiar Scream faces back — sadly not Neve Campbell, after the actor turned down a reappearance after a salary dispute, but seeing Courteney Cox (Shining Vale) return as TV reporter Gale Weathers, Mason Gooding (Fall) pop up again after the last flick and Hayden Panettiere (Nashville) rejoin the fold following Scream 4. Will this make Panettiere's Kirby Reed the killer this time around, because this franchise does love links when it comes to Ghostface's identity? At this stage, we can only guess. What anyone who has even just heard of the Scream flicks does know, of course, is that stabbing murders and horror movie fandom will combine no matter who's wielding the knife. Ready or Not's Matt Bettinelli-Olpin and Tyler Gillett return to helm Scream VI, as they did with 2021's Scream. And yes, why the franchise's titles have gone from Scream to Scream 2, Scream 3 and Scream 4, then back to Scream, and now to Scream VI, makes about as much sense as running up the stairs when someone should be heading out the front door. Also set to feature in Scream VI: She-Hulk: Attorney at Law and The Other Two's Josh Segarra, Servant and The Grand Budapest Hotel's Tony Revolori, and Australian Nine Perfect Strangers and Ready or Not star Samara Weaving, plus Dermot Mulroney (Umma) and Henry Czerny (another Ready or Not alum). Check out the first Scream VI teaser trailer below: Scream VI releases in cinemas Down Under on March 9, 2023.
Downton Abbey has always been the TV equivalent of a cup of tea: warm, soothing, a tad sugary, but reliably serving up an escape from everyday woes. Airing for six seasons from 2010–15, the 1920s-set British TV series was a hit for many reasons, letting audiences get lost in the soapy intrigue of a lavish Yorkshire mansion chief among them. That, and watching Maggie Smith sling barbs, make quips, and put anyone in their place, a skill that the veteran actor wields oh-so-well. It's been nearly four years between sips, but both the show and its beloved octogenarian are back. They're on the big screen this time around, however this is the epitome of a television movie. It's filled with everyone's favourite characters, hits all of the familiar marks, overflows with slim subplots that get wrapped up before the end credits, and leaves viewers feeling happy and cosy. With the film taking place in 1927, more than a year has passed for Downton Abbey's inhabitants, but it's business as usual at the titular manor. That's until royal news arrives, with King George V (Simon Jones) and Queen Mary (Geraldine James) planning to stop by for a visit. Naturally, excitement abounds among the aristocratic Crawley family and their loyal staff. It's the latter that have to weather the most obstacles, though. Dreaming of attending to Their Majesties, they soon discover that the Crown will be bringing their own servants with them. That's not the Downton Abbey way, of course, and the house's maids, butlers, cooks, footmen and the like won't give up their chance to shine for the kingdom without a fight. There's plenty of story to go around, and plenty of people to navigate the regal antics. Patriarch Robert Crawley (Hugh Bonneville) isn't too fussed, and nor is his wife Cora (Elizabeth McGovern), although that's largely because their daughter, Lady Mary (Michelle Dockery), takes charge. His mother Violet (Smith) is spoiling to confront her cousin Maud (Imelda Staunton), who's also the Queen's lady-in-waiting, about an inheritance. Among the upstairs residents, Tom Branson (Allen Leech) gets the most interesting narrative arc — an ex-chauffeur who married into the family, and an Irish Republican, it's suspected that he may cause trouble during the royal stay. Downstairs, retired butler Carson (Jim Carter) has been asked back for the occasion, much to his replacement Barrow's (Rob James-Collier) dismay. Kitchen maid Daisy (Sophie McShera) isn't quite ready to plan her wedding to footman Andy (Michael C. Fox), and Mary's maid Anna Bates (Joanne Froggatt) is on the trail of a thief. The list goes on, with more than 25 characters receiving substantial screen-time. Penned by Julian Fellowes, like all 52 episodes of the TV show, Downton Abbey takes the more-is-more approach. This cinematic last hurrah is packed with as much as it possibly can manage, which is great news for existing fans, but comes across as rushed for newcomers. No one gets too much attention, no storyline feels particularly important and there's little in the way of tension. The blueprint of each subplot gleams as obviously as the mansion's lavish surfaces, too, even when the movie keeps jumping from one minor drama to the next. Rather than telling a rousing new tale in a fleshed-out fashion, Fellowes and director Michael Engler are more concerned with letting Downton diehards spend a bit of extra time with the well-to-do crew and their kindly subordinates. The pair do just that, however that doesn't mean uninitiated viewers aren't catered for. Nearly two decades after winning a screenwriting Oscar for Gosford Park, actor-turned-writer Fellowes has become the fount of all knowledge regarding English upstairs-downstairs shenanigans — and even when he's keeping things light and slight, the results are enjoyable to watch. As well as possessing an ear for the rhythm of everyday banter among posh and ordinary folks alike, he understands the class clashes between them, plus the similarities that draw them together. He also knows and conveys a crucial fact: that the dynamic between the upper echelons and the help isn't as consigned to the past as it may seem. Downton Abbey is a historical fantasy where scant little changes, but there's a reason that the period program struck such a chord over the last decade. As the political landscape becomes more and more fractured around the globe, the series recognises society's divisions while leaning into comfort, safety and stability in a gentle and unchallenging manner. Comfort, at least visually, might just be an understatement. There isn't much to rationalise Downton Abbey's release in theatres instead of on TV (other than the likely box office windfall, that is), but the lavish costuming and grand set design look a treat on the silver screen. Indeed, other than Smith doing what the program has always tasked her with doing best, the film's imagery is the star of the show. While the rest of the cast perform exactly as they're asked — as is to be expected nine years after the series first premiered — this isn't an actor-driven affair. Really, it's a big hug goodbye in movie form, offering up a huge embrace to eager aficionados and giving a pleasant-enough squeeze to everyone else. https://www.youtube.com/watch?v=GbV8LpEzYgQ
UPDATE, September 24, 2020: On the Basis of Sex is available to stream via Binge, Foxtel Now, Google Play and YouTube Movies. For the second time in the past year, Ruth Bader Ginsburg graces the silver screen. On the Basis of Sex might come hot on the heels of 2018's Oscar-nominated documentary RBG, but this won't be the last time its subject gets the cinema treatment. The celebrated US Supreme Court Justice also pops up as a mini-figure in The Lego Movie 2: The Second Part, which sums up her current status — Ginsburg isn't just one of America's current top judges, or a pioneering legal champion, but a pop culture icon as well. As the years keep passing, filmmakers will keep telling her tale, simply because there's just that much to tell. The first dramatised version of Ginsburg's life, On the Basis of Sex focuses on her early career, but consider it merely the beginning in several senses of the word. Before achieving her current professional and popular standing, as well as her 'Notorious RBG' nickname, Ginsburg (Felicity Jones) was one of the first women accepted into Harvard Law School. But while she shared the top spot in her graduating class — a feat she managed while helping her unwell husband Martin (Armie Hammer) through his legal studies and raising the couple's children — job offers didn't follow. In 50s and 60s America, firms were openly reluctant to hire a female attorney. It's this type of engrained, everyday sexism that steels Ginsburg for the battle that she's now synonymous with. Rallying against legislation that discriminates on the basis of sex, Ginsburg made her name crusading for gender equality, as director Mimi Leder (Pay It Forward) and screenwriter Daniel Stiepleman (the Justice's nephew) chronicle. On the Basis of Sex could've drawn from decades of material, however narrowing the film's focus is a savvy choice. So is highlighting one particular 1972 case, where Charles Moritz (Chris Mulkey) was denied a tax refund for costs related to caring for his ailing mother. With Ruth largely ignored in her quest to expose the inequitable standing of women, both Ginsburgs knew they had something special when they discovered a man being overlooked and discriminated against in the same way. It was her first case of its kind, but the fact that the future judge made a splash with this matter — fighting for a man taking on a traditionally female task — makes an enormous, damning statement about US society at the time. There's much that incites anger in On the Basis of Sex, from the dismissive treatment meted out to Ginsburg time and time again, to the male-dominated domain that she's forced to navigate — an attitude that wasn't just widely accepted, but was solidified in law. There's much in the movie that inspires, too, not only including Ginsburg herself, but her marriage with Martin. Leder proves patient and poignant with her direction, displaying immense reverence for Ginsburg, all that she's faced and everything that she represents, yet never feeling the need to over-stress the importance of the future judge's achievements. The narrative's details do the talking, while the craft of the film remains restrained and respectful. It's the standard broad, celebratory biopic framework, complete with gentle pacing, warm hues and handsome imagery, but in recreating the life of someone with such quiet, commanding power, it works. This may be a prestige portrait through and through, but it's effective. The fact that the movie's central double-act thoroughly hit their marks also assists. Jones brings determination and assurance to her starring part, Hammer plays Martin as thoughtfully aware of the challenges blighting his wife's career, and together they make a winning team through the story's ups and downs. While it's infuriating that it took a man's case to spark Ginsburg's rise to prominence, the support that she receives from Martin doesn't evoke the same response. Crucially, however, this isn't a tale about a noble man standing behind a great woman, but of a partnership that helped Ruth overcome obstacles that were never even an issue for her husband. Of course, On the Basis of Sex never forgets who its paying tribute to, not even for a moment. https://www.youtube.com/watch?v=jtzesNEmVhs
How good is Easter? Not only is it the longest of all long weekends, but it's also a time of celebration, of enjoying the fine things. Fine things being hot cross buns, which some may say deserve to be on the shelves year-round. But we're not here to talk about seasonal baked goods. If you're reading this, you might be lacking in the plans department for this year's Easter long weekend. If that's true, settle in, dear reader. Here's some carefully curated inspiration on how to best utilise your four treasured days of freedom. IF YOU WANT A CLASSY DOSE OF CULTURE Theatregoers need not look any further than Madama Butterfly on Sydney Harbour. It's a stage show quite unlike anything else on offer in Sydney and is playing two shows over the Easter weekend on Saturday, April 8 and Sunday, April 9 at 7.30pm. But what makes this show worth your time compared to others? The play, a historically inspired ode to unrequited love and devotion, takes place on the floating stage at Fleet Steps. Part of what makes it so impressive is that it has endured over 100 years of performing on stages worldwide. But it doesn't show its age. The award-winning production design is built around the evolving nature of the characters, with a total re-design of the stage during the intermission as a highlight. Plus, it's backlit by the Sydney Opera House itself, and a fireworks display with every show. To pair with the show's spectacle and venue, you can enjoy luxury onsite dining at one of the several popup eateries and bars, because opera is always better with a full stomach and a drink in hand. IF YOU'RE LOOKING FOR A SHORTCUT TO A CHOCOLATE COMA What's the maximum age for participating in an easter egg hunt? Trick question, the limit does not exist. In fact, there's no greater sport. What if we told you there's a better way to enjoy Easter goodies than buying or hunting them? Instead, make your own. Such a thing is possible at the Sydney Chocolate School, where owner and master chocolatier Rebecca Knights and her team run classes on all things chocolate. While many courses are available at the Mosman venue, Easter opens up a unique masterclass in chocolate tempering, where you can craft your own sweet treats. You'll be learning the traditional method of marble tempering, a classy approach to creating oh-so-sweet treats. The treats in question will be a variety of shapes and sizes and, assuming you resist the urge to devour them upon completion, you'll get to take them home with you. TO DODGE THE CROWDS OF KIDDOS Yes, Easter is a time for celebration. Celebrations like the Sydney Royal Easter show will appear all over Sydney. However, and there's no shame in this, you might prefer to avoid those events that lean a bit more toward the family-friendly end of things. Don't worry, long weekends also mean long nights and lengthy events that are totally child-free. Take Greenwood Hotel as an example – something of a North Sydney icon for 18+ ragers. On Saturday, April 8 it's hosting DJ legends Basement Jaxx for their Australian stop of a world tour. There's also a myriad of supporting acts playing in the pub's chapel, courtyard and lounge areas from 1pm to 10pm. Alternatively, you could take to the not-so-high seas of Sydney Harbour aboard Yeah Buoy's Easter Long Weekend Boat Party. Be immersed in good tunes and good vibes from 3.30pm-7.30 pm in the biggest party you could throw on water. And if those don't take your fancy, drag queen Trixie Mattel is coming to Roundhouse in Kensington on Sunday, April 9, for the world premiere of her new Solid Pink Disco Party. Expect pink deco, drinks, DJ sets, and probably pink drag queens too. Shockingly, the dress code is also pink. It'll be a big night, kicking off at 9pm. Lucky it's a long weekend! IF YOU WANT TO EAT LIKE THERE'S NO TOMORROW It's Easter. If you're not planning on partaking in at least one lunch that'll set you up for a late afternoon nap, are you doing it right? All holidays have an element of food built into their traditional bones, but that doesn't mean you need to limit yourself to spiced baked goods and chocolate at Easter. To kickstart your appetite, consider the Maestria Restaurant and Bar. This decadent venue is planning an Easter buffet worthy of any holiday. It has undergone an Easter transformation by event planning pros Anna Wang and is hosting three-hour buffet sessions plus egg hunts for all ages on Saturday, April 8. Similarly, the Amora Hotel Jamison is hosting an Easter lunch event on Sunday, April 9 in the Croft restaurant. Expect fine farm-to-plate produce from land and sea alike. And for something a bit looser, book a seat aboard a three-hour scenic lunch cruise on Sydney Harbour, running on Saturday, April 8 and Sunday, April 9 at 12.30pm. IF YOU NEED TO GET AWAY FROM IT ALL We've talked all about plans big and small, but we don't all like to stay busy. If your long-weekend plans are to dodge the hustle and bustle entirely, frankly, it'd be a waste to stay at home. Why not get up and explore some of that natural beauty we're surrounded by in Sydney? Depending on your definition of Sydney's border, there are anywhere between 50 and 250 National Parks in the greater Sydney area. This includes one of the oldest in the world, the densely packed wilderness of Royal National Park. National Parks like that boast some of the most impressive natural vistas in town, including great coastal walks, bushwalking adventures and secluded swimming spots. Adventurous folks might also want to check out some awe-inspiring caves or put some distance between you and the land altogether on a kayaking excursion. For more information about Madama Butterfly on Sydney Harbour, visit the website. And for more inspiration on what's worth doing in Sydney, find it here on Concrete Playground.
In 2020, businesses around Australia have needed to think on their feet and adapt. Restaurants have introduced new takeaway menus, cocktail delivery systems and set up sandwich shops in the front of their business, all to adjust to the new realities of the hospitality industry. Now a much-loved Sydney food truck is turning back to more traditional dining options and opening a diner. Known for serving American and Mexican dishes from its eatery on wheels, Nighthawk has launched a brick-and-mortar restaurant to complement its impressive fleet of food trucks. The new diner has set up shop on Botany Road in Alexandria, and is serving lunch and dinner for both dine-in and takeaway customers from Wednesday through till Saturday. Nighthawk is hoping to adopt the American diner culture, but with a uniquely Sydney spin. The diner has unveiled a new daytime menu designed around locally sourced and seasonal ingredients — combining the food truck classics that Sydney has come to love with lunch items. You'll find Philly cheesesteak and eggplant parmigiana sandwiches side-by-side with green salads, jackfruit reubens and smoked salmon bagels. Accompanying the food is an all-star selection of local Australian beverages. Freshly brewed Mecca coffee, kombucha sourced from Melbourne's Monceau Kombucha and tinnies sent directly from The Grifter Brewing Co in Marrickville are all available. Nighthawk food trucks will still be out and about, including by offering catering throughout Sydney. The food trucks will remain available for events and office functions; however, not everyone has space for fully functioning mobile restaurant. So, now you can have the Nighthawk Ribwich and a kombucha delivered directly to your office or engagement party. Nighthawk Diner is located at 4/662 Botany Road, Alexandria. It is open Wednesday–Saturday from 12pm–2.30am and 5pm–9pm.
This November, the unique Sydney harbourside is set to welcome a new addition: a little bit of Ibiza in the form of a new arm of the Café del Mar franchise. Famous for its stunning beach setting and chill-out compilations, Café del Mar is one of Ibiza's most sought-after destinations — and now aims to be one of Sydney's. Rather than simply transplant one beach to another, the brand spanking Café del Mar will add a touch of Sydney flavour, with more of a focus on food than its European brethren. Chef Ben Fitton (Macleay St Bistro, Coast) has designed the menu to emphasise a distinctly Australian inflection, while Spanish-Australian celebrity chef Miguel Maestre (Network Ten's The Living Room) will blend the two cultures together. Set in an as yet undisclosed location on the CBD waterfront, the new digs are designed by Sibella Court — fitting, considering her new book, Nomad, is all about bringing travel experience into design. Plus, there's the fact that her experience extends to design work for hotel group Merivale. The most renowned aspect of the Spanish stalwart — the bangin' tunes — will be maintained, with the Ibiza location's resident DJ Shane SoS regularly spinning the vinyl at the new Sydney joint. Considering Sydney's gradual shift towards the stripped-bare approach to dining and the artisanal attitude to bars, the new Café del Mar will ask a lot of questions of Sydneysiders. Still, we're always up for something new, and soon we'll be able to soak up the Ibiza sunset, all from the comfort of our hometown. Photo credit: daveyll via photopin cc.
The bright lights and debauchery of the Las Vegas strip are fun, but there comes a time when you need some natural sun and nutrients that don't come from a complimentary bowl of nuts. That's where Vegas' whole other identity comes in. This alter ego has a sense of adventure, a taste for quality fare, and of course, is still a little bit wild — aka, it's worth getting to know. [caption id="attachment_635169" align="aligncenter" width="1920"] H. Michael Miley via Flickr[/caption] TAKE A SCENIC RUNNING TOUR If you're looking for a legal way to get high in Vegas, this is it. With the choice to explore a changing range of different areas — the historic side of the strip, downtown, the Valley of Fire and Hoover Dam have all been featured — Las Vegas Running Tours will show you a completely different side of Vegas. Catering to runners of all levels, this is a chance to see Vegas from a vastly different perspective to most tourists. Guided by Jimmy, who simply loves to run, the tours last 4-5 hours, generally cover four different trails and include pick up from your hotel, snacks, water and some sweet merch. Our tip: while it's not always on offer, a visit to The Valley of Fire is like travelling to another planet. And given that it's where they filmed Star Trek: Generations, this is no exaggeration. Characterised by multiple tones of red rock formations, exploring this place on foot is pretty spectacular. [caption id="attachment_635170" align="aligncenter" width="1920"] Sake Rok[/caption] ENJOY A DIFFERENT KIND OF DINNER AND A SHOW AT SAKE ROK Sake Rok takes the concept of dinner and a show to a new level. Professional dancers first, waiters second, the staff jump between taking your order and bursting into an all-singing, all-dancing rendition of some of the '90s greatest hits — think the Backstreet Boys and *NSYNC. When the music starts, all the staff get into it, even the traditionally-trained Japanese chefs in the open plan kitchen. Basically, nobody takes themselves too seriously here. It may sound kitsch, but if you don't mind things that are a little over the top, this place is a lot of fun — and a great place to start your night. From the graffitied walls painted by local artists to the food itself, Sake Rok is a sensory overload. Classic sashimi dishes get kicked up a level with a dusting of truffles, ordering a sushi platter is a spectacle in itself thanks to a roaring, smoking Godzilla, and the vegan-friendly menu features a crispy rice version of avocado toast. And, for a really good time, get involved with a sake bomb or a punch bowl. While American serving sizes are usually too much, when it comes to dessert at Sake Rok, it's nowhere near enough. Their specialty honey toast is the love child of waffles and brioche toast, doused in honey and piled with ice cream. It's dense and fluffy in parts, and crunchy on the outside, which means it's the perfect consistency for unnecessarily mopping up every last bit of honey. [caption id="attachment_635171" align="aligncenter" width="1920"] Angie Ortaliza Photography via EAT Cafe[/caption] ROLL OUT OF BED FOR A QUALITY BRUNCH In Vegas, you can get anything you want — for cheap and in excess. That includes an $8 rump steak, 99 cent margaritas and the Octuple Bypass Burger from downtown's aptly named Heart Attack Grill, which is just shy of 2 kilograms of meat. What's difficult to find is the kind of breakfast us Aussies take for granted. Luckily, EAT Cafe know that a serving of chicken and waffles that defies nature isn't necessarily the way you always want to start the day. The kind of place every traveller hopes to find, this is where locals go for brunch. They do pancakes with chicken-apple sausage and maple syrup, a killer BLAT with chipotle mayo, and eggs any style with smoked bacon, chive potatoes and toast. Plus, for those nursing a hangover, the more sizeable truffled egg sandwich with wild mushrooms, chives, feta and bacon will set you straight. FIND THE HIDDEN SPEAKEASY AT THE COMMONWEALTH For some, The Commonwealth is a rooftop cocktail bar overlooking downtown Vegas. But for those in the know, it harbours a speakeasy under its floorboards. And while it's not the best kept secret — the number to book a table is listed on the website — once you're in, The Laundry Room feels like the real deal. Resembling an underground bunker adorned gilded artworks, a wooden bar and top-notch spirits, you can easily imagine the city's upper echelons enjoying countless salubrious nights here. Not much has changed, but now they have a rotation of flavoured popcorn to snack on. If The Laundry Room really had stepped out of times gone by, you'd expect the drinks to be served strong and straight up, but thankfully that's not the case. The cocktails here befit the ornate setting. Served in traditional crystalware, the green chartreuse and fresh honey lemon sour with muddled strawberries may appear a light choice, but that's until the blowtorch comes out to top it off with an absinthe-torched rosemary sprig. And if you're after a beverage with impact, go the Mighty Tiki Joe. Topped with the cap of a Gifford Caribbean pineapple, this sweet and substantial mix of light and dark rums, ginger liqueur, lime and pineapple juices with mint and habanero bitters makes a grand entrance — it comes out smoking. Main image: Thomas Wolf
If you live in Adelaide, you probably already think your city is the best place in Australia. For two days this spring, music fans across the country will share that view, too. Come November, the South Australian capital will play host to a brand-new — and huge — music festival called Harvest Rock, and it boasts one helluva lineup. Headlining the bill is Jack White, with The White Stripes frontman playing his only Australian show — and, at Rymill Park and King Rodney Park across Saturday, November 19–Sunday, November 20, he'll be joined by plenty of international talent. The Black Crowes, Khruangbin and Groove Armada are all on the roster, as are The Lumineers and Hot Chip. Yes, that's a lineup worth planning a weekend in Adelaide for. From the local contingent, Crowded House will bring a hefty dose of nostalgia — don't dream it's over indeed. The Avalanches sit among the other big drawcards, as do Courtney Barnett, You Am I and Tones And I. [caption id="attachment_865436" align="alignnone" width="1920"] Mia Mala McDonald[/caption] Hailing from Secret Sounds, the crew behind Splendour in the Grass, Harvest Rock's two-day run will also place a big focus on the other part of its moniker: food. That'll include a dedicated stage for chef and bar stars to showcase their skills, a clear marquee serving up curated bites by chef Jake Kellie (arkhé, Burnt Ends), and a food truck park. Plus, the bar lineup is being curated by Australian wine critic Nick Stock, and features Archie Rose Distilling Co pouring spirits, wine tastings at a cellar door pop-up, a beer hall and a champagne bar. One watering hole will be a LGBTQI+ space, too, and there'll also be a booze-free bar for anyone keen on avoiding a post-fest hangover. HARVEST ROCK 2022 LINEUP: Jack White Crowded House The Black Crowes Khruangbin Groove Armada Sam Fender The Lumineers Tones And I The Avalanches Courtney Barnett Kurt Vile Angus & Julia Stone The Teskey Brothers Hot Chip Goanna Genesis Owusu The Living End Cat Power You Am I Meg Mac Marlon Williams Holy Holy Alex Cameron Ruby Fields Allen Stone Electric Fields TOWNS Slowmango Harvest Rock will take over Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, November 19–Sunday, November 20, with tickets on sale from 9am AEST on Wednesday, August 24. Top image: Paige Sara.
When the Berlin Wall was torn down from November 9, 1989, it was an incredible and enduring symbol of freedom. Nowadays, the surviving parts of the wall have been covered with a striking array of artwork commemorating the 50-year struggle between East and West, redefining the remains of the wall. However, if a group of property developers have their way, a portion of the 1.3km outdoor gallery known as the East Side Gallery — the longest remaining continuous stretch of the Berlin Wall — will again be torn down to make way for a series of luxury apartments. Berlin company Living Bauhaus are the developers in question. Their proposed project, 'Living Levels', is a 63m-high tower of flats and offices with promises of "breathtaking panoramic views" of Berlin and described by the developers as offering buyers a "totally new dimension of life and living". For those opposing the development, however, the damage it would cause the wall is difficult to measure in dollars and cents. Not only is the outdoor gallery Berlin's second most visited tourist attraction, with 800,000 visitors each year, but tearing down the wall is seen by many to be an affront to the memories of the countless men and women who were killed along the strip. Club owner Sascha Disselkamp, who represents a coalition of high-profile clubs that have together taken a stand against the proposal, likened the development to "erecting a petrol station in front of one of Berlin's museums". Similarly, the artists responsible for transforming the outdoor gallery into the evolving and evocative work of art it now is aren't too happy to see it converted into an urban development project. French artist Thierry Noir, whose famous "heads with big lips" are set to be torn down, joined the chorus of protestors this week. "All the paintings have become a symbol of freedom in Berlin and Europe," he told the Guardian. "Unlike elsewhere in the city, where the majority of the wall has been removed, this is a unique opportunity to preserve a large section of what was once a death strip. If you remove the sections, you're destroying the authenticity of this place." The district's mayor, Franz Schulz, has confirmed the legality of the proposed demolition, stating "we'll have to do it." Although protesters have succeeded in stalling the demolition through growing demonstrations over the weekend, it is likely to go ahead during the night-time hours. Via HuffPost Arts & Culture.
Beloved Redfern pub The Woolpack has been given a revamp, led by an all-star team of Sydney hospitality mainstays. With The Good Atelier's Aaron Crinis at the helm, The Woolpack will boast a new menu of pub classics created by taco king Toby Wilson (Ricos Tacos, ex-Bad Hombres, ex-The George). Rounding out the team of experienced hospo names is Jamie Wirth (The George, The Duke, The Old Fitz) who will work with Crinis and The Good Atelier to shape the future of the venue. Wilson has given your typical array of nostalgic pub classics a reserved, but fun, makeover. There are classics served straight down the middle like schnitzel with gravy, but a lot of the items bring a unique twist to the selection of eats. The potato wedges are served with labne and fermented chilli, the chips are accompanied by French onion dip and a charred cauliflower steak is available with a black pepper tahini sauce. There are also two exciting sambos on the menu. One packs beetroot jam and caramelised onion into a rissole sandwich, while the other is a potato scallop butty spruced up with a curry sauce. "A great pub is an essential part of Australian culture, and the marker of a great neighbourhood," says Crinis. "While growing up working in pubs around Sydney, I have always looked on at The Woolpack as a true community pub." The new custodians have been wary to change too much about the pub outside of the menu, giving it a fresh coat of paint and a spring clean, but not a full renovation. "We wanted the vibe to feel like a nod to the great Aussie and English pubs of yester-year," Wirth continues. "The decor brings in some history from the Redfern area, with some vintage odd-ball pieces too — some bits were found throughout the upper levels of the hotel, and some we created especially for the pub." The al fresco dining has been expanded and a series of events including Tuesday trivia nights and weekend DJs have been introduced, with a Sunday roast and live jazz set to become a weekly end-of-week occurrence from next month. The Woolpack is located at 229 Chalmers Street, Redfern. It's open from 12pm until late seven days a week. Images: Jessica Nash
If you feel like the general cost of living is on an endless journey upwards, well, you'd be right on the money (or lack thereof). In news that's surprising to pretty much no one, Sydney and Melbourne have again outdone themselves, both trumping their earlier positions on an index of the world's most expensive cities. The list, which is one of many that index cost of living, is put together by the world's biggest price aggregation website Numbeo. This year sees Sydney shoot to number 32, soaring past last year's ranking of 41, and Melbourne also surged ahead, moving from last year's 77th position to become the world's 64th most expensive city in 2018. The Gold Coast was the least expensive local city in the index, ranking at 180. To create the Cost of Living Index, Numbeo looked at a range of factors, surrounding things like food, lifestyle, housing, salaries and taxation. Hamilton in Bermuda topped the list, followed closely by five different Swiss cities. In the breakdown, Sydney's hefty rental prices were named the 16th highest in the world, with a one-bedroom city apartment averaging $2619 a month. If that makes you cringe, spare a thought for London (ranked 10th on the rent index) where the same sort of pad costs $2876 a month, or the top-ranking city of San Francisco, where you'd be forking out $4113. Meanwhile, Hobart was named Australia's most expensive city for dining out and 26th in the world, with a two-person feed at a mid-range restaurant averaging about $100. In this lineup, Perth ranked 46, while Melbourne and Sydney clocked in at numbers 79 and 80 respectively. When it comes to the average cost of a new set of wheels, Sydney ranked 188th in the world, with Perth edging in at number 202. Canberrans have it better than any other Aussie city in this department, taking out 226th ranking. To check out the full list, visit numbeo.com.
Mary Shelley's Frankenstein will never stop being a gothic-horror masterpiece, or inspiring stories across the page, stage and screen as well. The latest: Poor Things, the next film from acclaimed Greek Weird Wave director Yorgos Lanthimos, and his long-awaited first release since 2018's excellent The Favourite. Also back: that regal drama's Oscar-nominated supporting player Emma Stone. The Cruella star didn't end up clutching an Academy Award for her past performance under Lanthimos' guidance, and nor did her co-star Rachel Weisz (Dead Ringers) or the filmmaker himself; instead, they watched on as Olivia Colman (Empire of Light) emerged victorious for her leading part. But Stone and Lanthimos made a winning pair anyway, in what was one of the former's very best performances of her career. It's no wonder that they're teaming up again — or that the just-dropped first Poor Things trailer looks mesmerising, eerie and stunning. Poor Things adapts Alasdair Grey's 1992 award-winning novel, but the parallels with Shelley's mother-of-all horror greats are as obvious as a bolt of lightning. The focus: Bella Baxter, a woman resurrected by an unorthodox scientist, distinctive in her mannerisms afterwards and eager to learn about a world that isn't quite sure how to react. Continuing the movie's top-notch casting — and Lanthimos' in general, as seen in everything from Dogtooth and Alps to The Lobster and The Killing of a Sacred Deer as well — Poor Things features Willem Dafoe (The Northman) as the tinkering Dr Godwin Baxter; Mark Ruffalo (She-Hulk: Attorney at Law) as Duncan Wedderburn, a slick lawyer that Bella runs off with; and also Ramy's Ramy Youssef, plus On the Count of Three co-stars Jerrod Carmichael and Christopher Abbott. The film will hit cinemas in the US on September 8, but doesn't yet have a release date Down Under. Poor Things jolts Stone's career back onto the screen a few years away, too — Cruella released in 2021, and only The Croods: A New Age, Zombieland: Double Tap and TV's Maniac sit on her resume since The Favourite. Check out the first teaser trailer for Poor Things below: Poor Things doesn't currently have a release date Down Under — we'll update you when one is confirmed. Image: Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
This article is part of our series on the diverse highlights of NZ's Canterbury region, from city to snow. To book your snow trip, visit the 100% Pure New Zealand website. The South Island of New Zealand is enjoying some epic snow this year, attracting a huge local and international crowd to test out the slopes. To capture this season in all of its glory, New Zealand Tourism is using ‘dronies’ — mini drones with cameras attached to them — to photograph the skiers and snowboarders so they can take a little something back with them. That means, what a mere three months ago sounded like an April Fool's Day prank is now spectacularly real. The drone begins recording with a close-up of you being king of the mountain, then it swiftly flies backwards, widening the shot to include the surrounding snowy mountains and beautiful South Island landscape. The videos last for about eight seconds, and it seems like a much wiser option for a photo-op than carrying a camera in your pocket only to crush it if/when you ungracefully stack it on the mountain. Once the video is taken they’ll send it to you so you can share it via social media using #NZdronie. If you’re heading to New Zealand while the powder is still fresh we’d happily wage a bet that your snow selfie will make more then a few friends/colleagues/family members tingle with envy. And really, isn’t that what a selfie is all about? NZ Tourism is the first country to use dronies on their slopes, and they will be flying all over the South Island between July and August. Some of the destinations they plan to pop into include Coronet Peak, Cardrona, Mount Hutt, Mount Cook, Queenstown and Lake Tekapo. For more info on the NZdronie, or to find out where they’re located, head to the 100% Pure New Zealand Facebook page.
It's no secret that toasties are having a moment, with just about every cafe in town serving up its version of a grilled cheese — not that we're complaining. However, if you're keen to try something just a little different, La Panineria is setting up shop in a hole-in-the-wall spot along Curtin Place, giving you the chance to indulge in loaded Tuscan schiacciata sandwiches. Set to open in June, La Panineria is led by the same family-run outfit behind Tessuto, the easygoing trattoria that recently opened in the CBD. For their latest venture, expect loaded Tuscan flatbread, pizza by the slice and pistachio-stuffed lobster tail pastries, all served from a smartly designed laneway venue that echoes Italy's charming piazzas — just with more colour. While only 30 square metres in size, La Panineria will offer top-notch coffee, sweet treats and savoury sarnies throughout the week, starting from 6am. That's good news for early-rising office workers needing a stellar bite for a more satisfying morning. It might even be the ideal time to indulge in a schiacciata — the thinner, crispier alternative to its more famous Italian bread cousins. Although it might look like focaccia on the surface, La Panineria's Head Chef and co-owner Mattia Senesi explains that schiacciata's time-consuming process — the dough can rest for up to three days — makes it lighter, more flavoursome and easier to digest. With this in mind, each slice is primed for stacks of toppings. "It also has special meaning to me as it's the bread of my childhood and my family," says Senesi. This love of Italian cuisine was a major motivator for opening La Panineria, with the team on the hunt for the perfect venue for the past three years. Having secured its Curtin Place location, co-owner Anthony Arienzale is keen to add a few more Italian traditions to Sydney's bustling sandwich scene. "Schiacciata bread is still relatively unknown in Sydney, but we want to continue to shine a spotlight on it," says Arienzale. "Name something better than classic fillings like prosciutto, mortadella, fresh mozzarella and polpette alongside olive-oil-washed crispy bread with a soft and fragrant underbelly." La Panineria is expected to open in June in Curtin Place, off 280 George Street, Sydney. Head to the website for more information.
When you're sitting in a cinema, you want to hear one thing and one thing only: the film that you're watching. No one likes having their movie-going experience ruined by excessive noise from those around them; however, shooshing and scowling are only somewhat effective at combating the problem. Sure, you can ask an incessant talker to pipe down, but requesting that the person behind you devours their movie munchies at a lower volume isn't so easy, particularly in a place that sells far-from-quiet foods such as popcorn and potato chips. Enter Silent Snacks, aka the invention someone really should've thought of earlier. The brainchild of theatre ticketing app company TodayTix, they're exactly what they sound like — or ideally don't, thanks to products such as Quiet (Pop)corn, Muffled Truffles, Silent Slices and Anti-Gas Lime and Mint Drink. Basically, the new snack range takes your usual cinema treats and gives them a few twists to tone down any annoying munching, crunching and slurping sounds. The popcorn has been ground down, mixed with dates, coconut butter, cocoa butter and coconut blossom nectar, and rolled into balls; chocolates have been switched with truffles; and chips swapped for dehydrated pears. And when it comes to washing it all down, Silent Snacks' beverage of choice is not only designed to reduce burping noises coming out, but is served in silicone to ensure that it's also stealthy while you're sipping it. Yep, soft, soundless packets and wrappers are all part of the package, because everyone knows that it's not just loud eating that can echo throughout a cinema, but the crinkling and rustling that goes with it. Of course, given that TodayTix only operates in the US and UK at present, you won't find these super-quiet foods at a local candy bar any time soon. Instead, we'll live in hope that something similar will pop up here soon — silently, of course. Via TodayTix.
Spending more time at home is much easier to stomach with a hefty rage of desserts on hand, or at least that seems to be Gelato Messina's pandemic motto. Over the past few months, the gelato fiends have served up plenty of tasty specials, including cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties, as well as 40 of its best gelato flavours. Up next: a gelato version of everyone's childhood-favourite biscuit. If you've been baking your own coconut-topped Iced VoVos at home since Arnott's released the recipe a few months back, consider your tastebuds primed for this frosty, creamy version. Messina initially whipped it up in collaboration with Sydney eatery Firedoor and, unsurprisingly, it proved mighty popular. So the gelato chain is now making tubs of the flavour available at all its stores for a limited period. Wondering what exactly Iced VoVo gelato entails? It combines toasted coconut gelato with pieces of shortbread biscuit, then tops it with marshmallow, raspberry puree and desiccated coconut. And yes, the end result looks like the bikkies you know and love — but in a scoopable form. Available as part of Messina's new 'Hot Tub' series, the Iced VoVo gelato can only be ordered online on Monday, July 20, with a one-litre tub setting you back $30. You can then go into your chosen Messina store to pick up your tub between Friday, July 24–Sunday July 26. Gelato Messina's Iced VoVo gelato tubs will be available to order on Monday, July 20, for pick up between Friday, July 24–Sunday July 26 — keep an eye on the Messina website for further details. If and when you do decide to head out to pick up food, remember to follow the Australian Government Department of Health's social distancing guidelines.
So, you've found that special forever someone – someone who deals with your drama, puts up with your quirks and shares your passion for all the important stuff, like, say, fried chicken. Well clearly, there's just one thing left to do, and that's to seal the deal at your very own official KFC wedding. Yep – the international fried chicken brand has cooked up yet another idea we never knew we needed and has launched its own wedding service, exclusive to Australia. For real. Fried chook obsessives across the country now have the opportunity to get hitched in finger lickin' matrimony, with KFC already taking applications for its unique service. All couples, regardless of gender, sexual preference or religion, are invited to apply, by summing up their need for a KFC wedding in 200 words. There's no time to waste, though – only six lucky Aussie duos will get a call-up, with the weddings taking place from October 2019 to May 2020. So what's involved in the ultimate KFC nuptials, you ask? Well, you can bank on a KFC-themed wedding celebrant (we assume Colonel Sanders), a KFC photo booth for those all-important happy snaps, music, decorations and customised KFC buckets. And of course, the lucky newlyweds will get to dive into some freshly cooked KFC chicken hot from the KFC food truck. We can only hope the bride will be throwing buckets instead of bouquets and there'll be plenty of wet wipes to go around. It was this time last year that KFC launched a cheeky meditation website featuring the soothing sounds of chicken frying. If you're keen to kick off married life with some secret herbs and spices, you can apply for your own KFC wedding here.
Netflix's hefty stable of original programming spans every genre imaginable, from nostalgic sci-fi thrillers such as Stranger Things and smart existential comedies like Russian Doll to crime procedurals such as Mindhunter and period dramas like The Crown. But as fans of Making a Murderer, Tiger King and Unbelievable all know, the streaming platform has also been leaning rather heavily upon true tales in recent years — both via docuseries and dramatised versions. Add Unorthodox to the latter pile, with the new four-part miniseries based on Deborah Feldman's best-selling 2012 autobiography Unorthodox: The Scandalous Rejection of My Hasidic Roots. As the book's title makes plain, the memoir and the TV adaptation each explore her decision to leave her ultra-Orthodox Jewish community in Williamsburg, New York, flee her arranged marriage and everyone she's ever known, and escape to Berlin to start a brand new life. Names and details have been changed, as tends to be the case with dramas based on real-life stories; however Unorthodox still follows the same overall path. In a tense but instantly commanding opening to the show's first episode, 19-year-old Esther 'Esty' Shapiro (Shira Haas) slips out of the apartment she shares with her husband Yanky (Amit Rahav), picks up a passport from her piano teacher and nervously heads to the airport. Once she arrives in Berlin, she's just as anxious and uncertain — whether she's thinking about contacting her estranged mother (Alex Reid), who lives in the German capital; trying to work out where she'll sleep, given that she knows no one and brought nothing with her; or befriending a group of music students, cherishing making new connections and hoping she can join them at city's conservatory. Netflix's first original series primarily in Yiddish, Unorthodox then jumps between multiple narrative strands — chronicling Esty's sudden awakening into a secular existence far removed from her previous life; charting Yanky's desperate efforts to track her down under orders of their rabbi, with his cousin Moische (Jeff Wilbusch) on hand to help; and flashing back to Esty's childhood, her time with her beloved grandmother (Dina Doron), the lead up to her marriage and the wedding itself. Directed by German actress-turned-filmmaker Maria Schrader (Deutschland 83 and Deutschland 86), the end result proves a unique and intriguing coming-of-age tale, a thoughtful thriller, and an eye-opening but always careful and respectful look at a culture that's rarely depicted on-screen in such depth. Israeli actress Haas (The Zookeeper's Wife, Foxtrot, Mary Magdalene) turns in a nuanced, weighty and gripping performance as Esty, too — which is absolutely pivotal in making Unorthodox so compelling to watch. And, for viewers stuck at home and eager for a window into the wider world, the series makes great use of its Berlin setting — viewing the busy city with the same wide-eyed wonder as its protagonist. Check out the trailer below: https://www.youtube.com/watch?v=-zVhRId0BTw Unorthodox is currently streaming on Netflix. Images: Anika Molnar/Netflix.
International travel could possibly be back on the cards for Australians by Christmas, but you'll be able to get a 26-film glimpse of Italy first. The reason: the 2021 Italian Film Festival. As it does every year, it's showcasing a stacked lineup of new and classic cinema from its chosen part of the globe, as part of its touring program. In a change from previous years, this year's fest will start in Brisbane, Adelaide and Perth, then move to Byron Bay and Sydney in line with New South Wales' roadmap out of lockdowns. Next, it'll hit up Canberra and Melbourne as they emerge from stay-at-home conditions as well. Wherever you're located, your leg of the festival will start with The Ties — and with a marriage in crisis. Starring Alba Rohrwacher (Happy as Lazzaro) and Luigi Lo Cascio (Human Capital), and helmed by Daniele Luchetti (La Nostra Vita, My Brother is an Only Child), this moving film follows a couple's tumultuous romance over the course of decades. It heads to the Italian Film Festival after opening last year's Venice Film Festival, and becoming the first Italian movie in more than a decade to do the latter. At the other end of the 2021 Italian Film Festival, the event will close with a classic: Roberto Rosselini's Rome, Open City. It's part of a four-film retrospective of the director's work, and also falls within the fest's look back at iconic Italian leading ladies. This event always comes with a big appreciation for Italy's filmmaking past, which is where documentary Fellini Forward: From the Creative Genius of Federico Fellini, about the acclaimed director, also fits in. Elsewhere, festival highlights include Cannes Film Festival Director's Fortnight winner To Chiara, about a 15-year-old who discovers her father might have criminal ties; Nanni Moretti's Three Floors, which is set across a Rome apartment block; Hidden Away, a biopic about artist Antonio Ligabue; and You Came Back, a thriller that makes ample use of Venice's lagoons. Or, there's also comedy Three Perfect Daughters; drama Tigers, about footballer Martin Bengtsson; and Sirley, which sees director Elisa Amoruso draw upon her adolescence for her first fictional film. ITALIAN FILM FESTIVAL 2021 DATES: Wednesday, October 20–Sunday, November 14 — Palace James Street and Palace Centro, Brisbane Wednesday, October 20–Sunday, November 14 — Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide Wednesday, October 20–Sunday, November 14 — Palace Raine Square, Luna Leederville, Luna on SX and Windsor Cinema, Perth Friday, October 20–Sunday, November 7 — Palace Byron Bay, Byron Bay Wednesday, October 27–Sunday, November 21 — Palace Norton, Palace Verona, Palace Central and Chauvel Cinema, Sydney Wednesday, November 17–Sunday, December 12 — Palace Electric, Canberra Friday, November 19–Sunday, December 12 — Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, The Kino, Pentridge Cinema, The Astor and Cinema Nova, Melbourne The 2021 Italian Film Festival tours Australia between Wednesday, October 20–Sunday, December 12. For more information and to buy tickets, visit the festival website.
This article is part of our series on the 17 most unique things to have come out of Japan. Check out the other 16. Put all of Japan’s vending machines together and you’d pretty much have a department store. They’ve become so widespread for so many products that it’s more a matter of what can’t you get than what you can. Fresh eggs? Check. Toasted sandwiches? Check. Neckties? Check. Buddhist charms? Check. Umbrellas? Check. Vending machines first hit Japan in the 1950s, with run-of-the-mill drink machines. But rather than sticking with conventional products, they became the 24-hour go-to for all manner of retail. These days, you’ll find more vending machines per capita in Japan than in any other nation in the world. There are 5.52 million of them altogether. And they’re not only in cities. In fact, in rural areas, where retail opening hours are still sane, vending machines are seriously handy. Who doesn’t get a craving for a fresh egg at 3am every now and again? Plus, to supplement packaged items, there are stacks of unattended stands selling fresh fruit and vegetables through an honesty system. According to Japan expert Brian Ashcraft, one of the reasons for the proliferation of vending machines is the country’s incredibly low crime rate. “The Japan National Tourism Organisation says that the country's low crime rate is why there are so many vending machines in Japan — because the machines can be left outside and are rarely vandalised,” he writes.
After eight seasons, a massive body count and an enormous wait for winter, Game of Thrones is coming to an end, with the final season kicking off this week. But that doesn't mean saying goodbye to the world first created by author George R.R. Martin — not only thanks to the author's books, whenever The Winds of Winter finally hits shelves, or even simply due to the planned prequel series. In addition, fans will soon be able to visit a heap of new GoT tourist attractions. After shooting much of the show in Northern Ireland for the past decade, last year HBO announced that it's teaming up with Tourism NI to open a number of sets and sites to the public for the first time. If you've ever dreamed about walking around Westeros, this will be your chance. Winterfell, The Wall, King's Landing and Dragonstone are among the iconic spots that'll feature in what's being called Game of Thrones Legacy. Now, further details have been revealed, so prepare to be happier than Arya Stark crossing a name off of her infamous list. The first part of Game of Thrones Legacy will be a huge Game of Thrones studio tour within Linen Mill Studios, which is where plenty of she show has been filmed. Yes, this is where you'll find the ancestral home of House Stark, the headquarters of the Night's Watch and the capital of the seven kingdoms. When it launches as a tourist site, it'll be filled with original set pieces, costumes, props and weapons across a hefty 110,000-square-feet. The tour has been dubbed an 'interactive experience', although exactly how you'll be able to interact with these GoT items — other than training your peepers towards them — hasn't yet been unveiled. You will definitely wander through fully dressed sets, walk "in the very footsteps of Westeros's most prominent residents", relive "key moments from the series" and stand "right where they took place" as part of the immersive attraction, according to the press release. There'll also be informative displays highlighting the production spaces, as well as the craftsmanship and artistry that goes into bringing something as epic as GoT to life. Plus, you'll also be able to play around at an interactive costume department station, as well as sections dedicated to the show's make-up, prosthetics and armoury. Also set to go on display: art files, models and other production materials, as well as accompanying digital content and interactive materials highlighting GoT's digital effects. If you're now contemplating a trip to Northern Ireland, the entire Game of Thrones Legacy setup will comprise the largest authentic public display of GoT artifacts in the world, should that stoke your excitement. More details are set to come and, after originally touting a 2019 opening date, the tour looks slated to open around this time in 2020 (spring in Northern Ireland) instead. By then, you'll certainly know whether Jon Snow really does know nothing — and then you can head to Northern Ireland to visit many of his haunts. Images: Home Box Office, Inc.
Inspired by real-life events, David Cronenberg's A Dangerous Method delves into the corrupt relationship triangle between aspiring psychiatrist Carl Jung (Michael Fassbender), his renowned mentor Sigmund Freud (Viggo Mortensen) and their unbalanced patient, Sabina Spielrein (Keira Knightley). Studying psychiatry under Freud in pre-WWI Zurich and Vienna, Jung becomes seduced by both Spielrein's unique case and her beauty. He takes her into his care, initially utilising the methods of his master, who also proves to be intrigued by Spielrein's erotically disturbed case. Increasingly, however, the mindsets of the two men become divided, with Spielrein cast in between. Jung struggles with the sexually focused methods of his master, while Freud urges Jung towards a more defined line of psychological analysis. Tension escalates as the three come together along a dark path of erotic and intellectual exploration. Their discoveries result in the birth of modern psychoanalysis, polarising the two men and forever altering the world of today's psychology. Dark and seductively unsettling, A Dangerous Method will take you into recesses of the psyche that you may not have been ready to face. This twisted story line and impressive cast make for a can't-miss mind-boggle of a film. To win one of twenty double passes to see A Dangerous Method, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au https://youtube.com/watch?v=P_y_oW2S65w
The status of Queensland's borders has changed multiple times in 2020, and whether they're open to other states or not has attracted ample public and political attention over the past few months. At present, the Sunshine State has closed off access to anyone who has been in Victoria, New South Wales or the Australian Capital Territory in the past 14 days — and, as revealed today, Monday, August 17, that is unlikely to change anytime soon. When the last border restrictions were announced on August 5, Queensland Premier Annastacia Palaszczuk noted that they'd be reviewed at the end of the month. In her latest press conference, however, she said that the state's borders won't reopen until New South Wales and Victoria no longer have any COVID-19 cases that were acquired by community transmission. "We do not have any intentions of opening any borders whilst there is community transmission active in Victoria and in New South Wales," the Premier advised. "I think we're going to continue to see restrictions in Victoria up until around Christmas time. That's very unfortunate for people living down there, but it's a serious situation. You only have to look at what's happening around the world — and we don't want to see that happen here." The Premier also explained that, in good news for Queenslanders, "there has been no evidence of community transmission in Queensland now for 28 days". That's particularly significant given that the past month has seen several health alerts issued regarding areas of Brisbane that have been visited by a number of people with a positive COVID-19 diagnosis. https://www.facebook.com/annastaciamp/videos/690694074852757/?__xts__[0]=68.ARBbc0v17o2dQyWT_ig-HRbWPgWa0drYvvm9Dmb83aVr9h1jP8-dKx6gLMWWNwhn8fUDjnAs8_3Cr4nVZCu27aKMq-po6yPw26D4I8gZIeqztFg_HdgrXPsOk7RhLS9g-Mcd-62BTfbD2E6BprnJVCSnhHuIjr0vXP1T2VSdxu-OyqXxBogearGuoOvC16jxpt8eZIhD6yC32KaE3NqZUjxBtA1RnVUO91dizZ80dW8wQkPK5cgBQqrt3aazyXYBm5A5HxKn0KcxgwHTiSqbb0dVpkYAhCy85GNRFZHDWe1acp-ovxYj_fDhGo268LAT_v2xQ_86-8AXXOK6mEtCEXBk0qqpnjW6iDI&__tn__=-R In case you're not 100-percent up-to-date with Queensland's border situation — or you need a refresher — the state is completely shut to folks in Victoria, NSW and the ACT, which have been declared hotspots by Queensland's Chief Health Officer. That means that all visitors from all three states and territories will be denied entry to Queensland, except for rare exemptions and returning Queenslanders. If you fall into those categories, you'll have to fork out for a 14-day stretch of mandatory hotel quarantine. As the Premier has previously advised, exemptions are limited, including for compassionate reasons. During the shutdown, the aim is to only allow folks who live in border communities and essential workers such as truck drivers to cross. Anyone who fits that description will need to obtain a pass, with those who reside in the area requiring proof of address and photo identification to do so. Queensland's borders are currently closed to everyone in Victoria, NSW and the ACT, unless they are a returning resident or are entering for one a few essential reasons. For more information, head to the Queensland Government website.
This article is part of our series on the 17 most unique things to have come out of Japan. Check out the other 16. As if Japan’s global contribution by way of regular sushi conveyor belts weren’t enough, the humble sushi train has gained a serious speed injection at Uobei, a chain restaurant found in Tokyo and other locations. Order your sushi via tablet and within one minute, you’ll see it hurtling towards you, covering seven metres in just eight seconds. This high-tech arrangement replaces the conveyor belt with three rails, stacked vertically, which allow three plates to travel at once. As soon as you’ve grabbed your food, hit another button and the tray bolts straight back to the kitchen, continuing its breakneck speed. Uobei’s sushi might not be the most incredible sushi you’ve ever come across, but it is affordably priced, at just $1 a pop. And the menu is available in several languages, including English. Another high-tech, fast sushi set-up came to Australia late last year, when Toshiba brought the world’s first ever sushi rollercoaster to District 01, Surry Hills for just three nights. Hundreds of people queued to nab some free Zushi-made delights and watch it delivered to them via miniature fairground attraction. Find Uobei at 2-29-11 Dogenzaka, Shibuya-ku, Tokyo. Open daily 11am to midnight. Image: Brian Sterling, Flickr CC.
Get excited, festivalgoers: Pitch Music & Arts is returning to Grampian Plains in 2025, complete with a jam-packed roster of talent. Joy Orbison, Honey Dijon, Funk Tribu, 2manydjs: they're all on the just-announced bill. So are Daria Kolosova, SPFDJ, 999999999, Shanti Celeste, FJAAK, Lady Shaka and Job Jobse, with the list going on from there. When Victoria's March long weekend arrives each year, music lovers have two reasons to head out of town — or head to the state from interstate — for a few days of tunes. Both are beloved parts of the cultural calendar. Both are such a hit that you need to enter a ballot to get tickets. And just as Golden Plains has already done, Pitch Music & Arts is locking in its 2025 details. Everyone should make the trip to the Grampians at least once, and here's as ace an excuse to do so as any: the return of the much-loved camping festival, which will host its eighth edition, taking over Moyston again. Next years' festivities are happening from Friday, March 7–Tuesday, March 11. Not only will its three stages play host to a sparkling lineup of local and international musical talent, as always, but the tunes will be backed by a hefty program of interactive art and installations. Basically, no matter who makes it onto the bill, attendees are in for a very big, very busy four days. Joy Orbison's 'flight fm' and 'better' were used in teaser videos for 2025's fest, which was indeed a huge advance lineup hint. You can also look forward to catching Gabber Eleganza, BASHKKA, Funk Assault, Baraka, ISAbella, Ogazón, southstar, Midland, Dax J, Anetha and plenty more, including Osmosis Jones, Moopie, DJ PGZ, Stev Zar, Jennifer Loveless and Mabel. The ticket ballot is currently open until 9am AEDT on Monday, November 25 — and is a necessity after the last three festivals all sold out — and you can get also excited about a bigger Pitch One stage, Pitch Black getting a revamp and the Resident Advisor stage's red orb being part of the fun again. Pitch Music & Arts has revealed its arts lineup as well, unveiling it alongside the music lineup for the first time, and it's also stacked. Think: Adnate, Anatolik Belikov, Ash Keating, Builders Club, Clayton Blake, EJ Son, ENOKi, Georgia Treloar, Henry Howson & Ambrose Zacharakis, Jaqui Munoz, Joan Sandoval, Lukas Rafik Mayer, ØFFËRÎNGŠ (aka Melissa Gilbert), Petra Péterffy, Rachel Lyn & Cameron Trafford, Raquel Villa, Reelize Studio, Sam Hayes, TERRAIN, Tetrik and UnitePlayPerform. In between all of the dance-floor sessions and arty things, festivalgoers will again be able to make themselves at home in the Pitch Pavilion, which is where yoga classes, meditation and sound baths usually help patrons unwind. The local-focused Club Serra will be new in 2025, championing homegrown talent. Pitch Music & Arts 2025 Lineup 2 LUBLY 2manydjs (DJ set) 6 SENSE 999999999 Anetha Audrey Danza BADSISTA Baraka (LIVE) BASHKKA D. Tiffany Daria Kolosova b2b SPFDJ Dax J Diffrent DJ Fuckoff DJ Gigola DJ Paulette DJ PGZ b2b Moopie Ed Kent Ela Minus Elli Acula Fadi Mohem FJAAK (LIVE) Funk Assault Funk Tribu Gabber Eleganza presents the Hakke Show GiGi FM Guy Contact Honey Dijon ISAbella Jennifer Loveless Job Jobse Joy Orbison Kasper Marott Kia Kuzco (LIVE) Lacchesi Lady Shaka Leo Pol Maara Mabel Maruwa Mia Koden Midland Mikalah Watego Miley Serious Naycab Ned Bennett Objekt Ogazón Ollie Lishman Osmosis Jones Pablo Bozzi Pegassi Shanti Celeste southstar Stev Zar Sugar Free Surf 2 Glory Taylah Elaine The Illustrious Blacks Trym VOLVOX Y U QT Pitch Music & Arts returns to Moyston from Friday, March 7–Tuesday, March 11, 2025. Head to the festival's website for further details, or to enter the ballot before 9am AEDT on Monday, November 25, 2024. Tickets in the first ballot tier will go on sale at 6pm AEDT on Monday 25th November, with tickets in the second on sale at 12pm AEDT on Tuesday, November 26 — and any remaining tickets at 6pm on Tuesday, November 26. Images: Duncographic, William Hamilton Coates, Max Roux and Ashlea Caygill.
When Bran Nue Dae started singing and dancing its way across Australia back in 1990, the production made history, becoming the world's first Aboriginal stage musical. In the years since, it has won awards, inspired a making-of documentary and been adapted into a film of the same name. Now, the show is returning to the country's stages for its 30th anniversary. In January 2020, a new production will open in Sydney, followed by seasons in Perth, Melbourne, Brisbane and Adelaide. While exact dates haven't been announced, the revival is being spearheaded by Australia's premier opera companies under the banner of Opera Conference — with Opera Australia, Opera Queensland, State Opera South Australia and the West Australian Opera all collaborating on the national tour. If you need a refresher on the story, Bran Nue Dae heads back to 60s-era Western Australia, with teenager Willie hitchhiking his way from his mission school back to Broome — all to reunite with the girl he loves. As written by Jimmy Chi and his band Knuckles, it also features two hippies, a wily Uncle and a German priest. While Chi sadly passed away in 2017, Knuckles will once again direct the musical component of the show. Original production director Andrew Ross is also returning, but just who he'll be gracing his stage hasn't been determined. Bran Nue Dae will feature a 15-performer cast, all except one of whom will be Indigenous, with auditions set to be held in Broome, Perth, Sydney and Melbourne. Check out the trailer for Rachel Perkins-helmed, Rocky McKenzie, Jessica Mauboy, Dan Sultan, Deborah Mailman and Ernie Dingo-starring 2009 movie version below: https://www.youtube.com/watch?v=qtLbLBi5Jyk Bran Nue Dae will play in Sydney from January 2020, then tour to Perth, Melbourne, Brisbane and Adelaide, with dates yet to be revealed. For more information and to join the ticket waitlist, visit the production's website. Image: Bran Nue Dae, the film adaptation.
This post is sponsored by our partners, Wotif.com. Adelaide born and bred, comedian and known barfly Cam Knight has seen the city at its best. Here are a few of his tips for making the most of your time in the understated SA capital. Stay in the city at one of the boutique accommodations, like the Adabco Boutique Hotel, which is set within the beauty of a Heritage-listed, 19th-century Venetian gothic style building. If that’s not your style, The Mayfair is a 1940s-inspired, Hollywood-style boutique hotel in the heart of the city — slated for completion in October of this year. Wake up with the best coffee at the Coffee Branch on Leigh Street in the West End. Owner Josh has the palate of a genius, the speed of a mouse on Red Bull and the memory of an elephant that just snorted a mouse on Red Bull. Hire a free bike. Sounds like an oxymoron but Adelaide City Bikes has a free bike hire scheme. The whole place is flat and gridded so it's impossible to (a) get exhausted or (b) get lost. Adelaide city is low density and it still has a lot of original buildings standing. You can explore North Adelaide, River Torrens, or the various parklands that surround the city and still have plenty of time left over for drinking (and eating). Take a stroll down Ebenezer Place. It feels like a little Melbourne-esque laneway hidden between Rundle and Grenfell Streets with a lot of quirky shops selling one-of-a-kind items well worth a gawp. You’ll want lunch or brunch, yeah? Hey Jupiter will serve you a delicious amount of French food without the snootiness. There’s also Nano. They make their very own bread and do simple, restrained, tasty Italian food. Get thee to a pub. Order a Coopers beer at The Austral or The Exeter on Rundle Streett, or turn a corner and head to The Crown & Anchor on Grenfell Streett. The Wheatsheaf out in Thebarton is the place for craft beer, and The Grace Emily on Waymouth Street is the best pub for live music. There’s a lot to chose from (or ‘heaps’, as the locals would say). Radelaidians are super-friendly people who will love to help you have a top night out. Feel free to start a conversation up wherever you go. Hunt out a different style of bar like Udaberri on Leigh Street in the West End, which has been made out of a shipping container. The food is pintxos, the Basque region’s version of tapas, or you can simply order a 1kg rib eye steak like a boss. Press Club Food & Wine do one of the best burgers in town and regularly change their beloved wine list. Take in a night of comedy at the Rhino Room on Frome Street. There are always big name comedians from interstate or overseas on, plus some excellent local acts. The Howling Owl Cafe downstairs is not only a cafe; it's a bar and an art gallery showcasing some very talented local artists. You’ll also find the Urban Cow Studio tucked in to this building. Their art gallery has an opening night on the first Wednesday of every month, which includes wine, music and fun. Their shop showcases jewellery and all sorts of exciting new work from emerging or established artists. Visit Adelaide when the Fringe is on. The festival is huge — it’s like a circus exploded in the East Parklands. There are over 900 different events to choose from, including cabaret, magic shows, circus, comedians, puppetry, dance and so much more. Check out shows running late into the night at Rhino Room, Producers Bar, Gluttony and The Garden Of Earthly Delights. Rundle Street usually closes to traffic at night over the Fringe weekends, so you can roam the streets in a bleary haze taking in the energy of it all without fear of being run over. Get out to McLaren Vale for a day or two. It’s easily one of Australia’s greatest wine regions and is seriously only about 35 mins south from the city. Some of the vineyards, like Chapel Hill, have accommodation which are very handy post tasting tour for a cheeky nap. Spoiler: it’s almost impossible to feel hung over waking up to the beautiful landscape of the Adelaide Hills. Don’t believe me? Check this out. Do a tasting tour or have a very, very understanding friend or partner who elects to drive you around. Coriole, Samuel’s Gorge, Alpha Box & Dice, Primo Estate, Chapel Hill and D’Arenburg should get you going. If you get chatting with the wine makers they may have a few drinks with you and recommend some top places to visit, whilst also letting you into their intriguing world. Grab a bite at The Famous Star of Greece in Port Willunga, perched atop the cliffs looking out to one of the most stunning ocean views whilst savouring the freshest seafood around. Sounds terrible, huh?
After a two-year COVID-related hiatus, the Eden Whale Festival is back with three huge days of animal conservation talks, educational workshops, delicious eats and live music. Festivities will kick off on Friday, October 7, with a Welcome to Country and Smoking Ceremony, before guests hear from two speakers. First off is Lyn Hughes, author of the novel Mr Carver's Whale. Then wildlife scientist Dr Vanessa Pirotta will discuss her work — she's a whale enthusiast well-known for her research using drones to collect whale snot (because, yes that's apparently a thing). Complimentary afternoon tea is provided before some abalone tasting begins. Locally harvested blacklip abalone will be served in eight different ways during the appropriately named 'A Taste of Abalone', prepared by renowned local chef David Ahren. Grand Matriarch Distilling, a local Sapphire Coast micro-distillery will be operating the bar for the evening, while live music is provided by local crooner Lochie Marson. This abalone tasting event is ticketed, costing $99 per person. Day two is a little different. They'll have a seafood paella demonstration by celebrity chef Miguel Maestre, as well as plenty of market stalls where you will find a great mix of food vendors, local artisans and local produce. Entertainment comes in the form of a chainsaw wood carver, fire throwers and sky-high kite displays. Wildlife stalls will be scattered about the space for those wanting to learn a little bit, too. And a series of musicians will be playing live music throughout the day. The final day of the festival, on Sunday, October 9, will be offering a whole lot of educational fun: you can attend an ORRCA Whale Rescue Training Workshop, the Wolf Peak Community Sand Sculpture Workshop, SKIFF boat trials and a Cultural Whale Experience. And don't miss the art exhibition, held in the new creative space connected to the Eden Library. You can check out photography, woodwork and mixed media from artists around the community. If you can't make it in during the festival, no worries — the works will remain on display during library opening hours until 5pm on Thursday, October 13.
Decades of sci-fi speculation seems set to come true: in 2022, the world will welcome its first luxury space hotel. Claims like this aren't new, but the Aurora Station is determined to make holidaying in space a reality — for a sky-high price, unsurprisingly. In development by US-based company Orion Span, the fully modular space station will be capable of hosting six people at a time, including four guests and two crew members. Operating as a luxe place to stay, it'll feature everything a short-term astronaut could want, such as zero gravity, views of the northern and southern aurora, the ability to participate in space research experiments and a virtual reality holodeck. As souvenirs, visitors can even help grow their own food and take it home with them. Plus, because no hotel can get by without it, guests will be able to access high-speed wifi while they soar more than 300 kilometres above the earth and orbit the planet every 90 minutes. Enjoying all of the above — which means spying an average of 16 sunrises and sunsets every 24 hours — will set eager space cadets back a cool US$9.5 million for a 12-day trip. That price tag hasn't stopped plenty of flush folks putting down a US$80,000 deposit to sign up, with the first four months of reservations selling out within 72 hours of being announced. That's hefty cost for a company with a stated mission — "to build and sustain human communities in space accessible to all" — but soaring into space isn't cheap, so perhaps the accessible part is more of a long-term quest. The company's founder and CEO, Frank Bunger, says that Aurora Station will bring "travellers into space quicker and at a lower price point than ever seen before." Wannabe astronauts will also undergo a three-month training program, which has been condensed from the usual 24-month timeframe, although surely preparing to go into space isn't something anyone would want to rush. Future plans for Aurora Station include zero gravity research, space manufacturing — and, if an interstellar vacation doesn't sound futuristic enough, space condos. "Our architecture is such that we can easily add capacity, enabling us to grow with market demand like a city growing skyward on earth," explains Bunger. "We will later sell dedicated modules as the world's first condominiums in space. Future Aurora owners can live in, visit, or sublease their space condo." For more information, visit the Orion Span website.
With the recent mammoth announcement for this year's Splendour in The Grass, there's no doubt that some punters are already planning their list of must-sees and bathing in anxiety over possible timetable clashes. With this being said, we at Concrete Playground have compiled our list of the five most essential acts to catch at this year's Splendour instalment. Keeping in mind that there's a tonne of bands on the line-up, and we only have space for five, so don't be upset if we haven't included your most respected idols. However, feel free to hurl abuse and/or musical knowledge in the comments section. Have a look at our picks below. Who knows, you might find your new favourite artist. 1. AT THE DRIVE-IN While The Mars Volta and Sparta both have their dedicated fanbases, neither group comes close to matching the sheer power of post-hardcore powerhouse At The Drive-In. Minds were blown when the group reformed and appeared on the line-up for this year's Coachella festival, and now Australian fans will also be treated to the live experience. With an abundance of afros, quirky dance moves and furious convulsion-inducing tracks, this will be nothing short of epic. Please, for the love of God, see this band. 2. SMASHING PUMPKINS If you're still fond of the dreary teenage years that you spent smoking cigarettes and hating "the man," then Smashing Pumpkins will be right up your alley. As one of the biggest alternative bands to hit the nineties, their appearance will undoubtedly draw alot of older, angrier people to Splendour this year. Even if you hate their music, you should go along, stand in the front row and yell multiple quotes from the Simpsons episode that they featured in. 3. THE SHINS Having appeared on The OC and the roster of the highly-regarded Sup Pop Records, The Shins have become a staple in every hipsters iTunes library. Crafting indie tunes with youthful pop appeal, the sheer catchiness of their catalogue will resonate well with audiences at Splendour. Having just released their fourth album Port of Morrow earlier this year, fans can expect a slice of fresh material as well as old favourites. 4. AZEALIA BANKS Azealia Banks comes straight outta New York - the same city that produced vicious female emcees like Lil' Kim, Remy Ma and Foxy Brown. Banks has been one of the most hyped artists of 2012, having collaborated with production heroes Major Lazer and gaining recognition on BBC and NME. If you ever need proof that females can spit a verse, catch Banks in her element at Splendour. Alternatively, you could go see Nicki Minaj when she visits in May - but I don't think that's as acceptable. 5. SEEKAE This electronica trio have been causing significant waves over the past few years, and their inclusion on this year's line-up is indicative of their rising popularity. From their humble beginnings in Sydney's indie scene, they've grown to even be featured on an advertisement for Hyundai. With sounds that are mellow yet strikingly powerful, catch these guys getting real ambient in Byron Bay. Will appeal to chilled fans of instrumental hip-hop and dubstep (whatever that term even means anymore).
This New Year's Eve, it's time to turn back the clock. Pumping out his signature '90s hip hop classics, the legendary Grandmaster Flash is hitting The Soda Factory for a house party like no other. Spinning an unmissable set of old-school records, the founding father of the hip hop scene will be sending off the year-that-was in spectacular fashion. The Grandmaster is gearing up to bring his truly partystarting edits to our shores this NYE. Renowned for breaking new ground and pushing the limits of what DJs are capable of, Flash paved the way for the mixing methods seen pumping across clubs and airwaves today. Tucked away in Surry Hills, The Soda Factory will play host to partygoers looking for a spot to one-two step their way into 2015. Bring your mates and best dance moves along for some Grandmaster tracks this New Year's Eve. Thanks to the Soda Factory, we're giving away a VIP NYE experience for you and SIX friends this December 31. You'll nab: 6x tickets to the NYE Grandmaster Flash House Party at The Soda Factory A VIP booth for your gang A Magnum of Chandon to share Plus, as the lucky winner, you'll have one very happy 2015, with a year's supply of hotdogs from the Soda Factory for you and a friend. Simply show your face at the Soda Factory throughout the year to collect your prize. Two runners up will also receive passes to the Soda Factory's NYE House Party. To be in the running for this prize, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address: Sydney: win.sydney@concreteplayground.com.au The winner will be drawn on Friday, December 26.
When the 2021 Academy Awards took place this week, much about the ceremony was different. From the format and order to the venue and vibe, change was definitely in the air. But another big shift was evident even before the gongs were handed out. Both in cinemas and via streaming, the Best Picture contenders were all available to watch Down Under before the ceremony — so you could check out Sound of Metal from your couch, for instance, then head to your local cinema to see Minari. Nomadland, which won the Best Picture prize, has also been showing in cinemas. It actually first started screening theatrically in Australia on Boxing Day last year, then returned to the big screen in early March. That's a little unusual, and so is the next piece of news: it'll be available to stream via Star on Disney+ from this Friday, April 30. A number of movies have been making the leap from the big to the small screen quite quickly of late, including while they're still in cinemas. Wonder Woman 1984 did just that after Christmas, in fact. That's how the film business has been adapting to the pandemic era. Still, being able to stream the year's Best Picture winner at home mere days after it nabbed the coveted award isn't a usual part of Oscar proceedings. The Chloé Zhao-directed and Frances McDormand-starring film follows the widowed, van-dwelling Fern — a woman who takes to the road, and to the nomad life, after the small middle-America spot she spent her married life in turns into a ghost town when the local mine is shuttered due to the global financial crisis. Charting her travels over the course of more than a year, this humanist drama serves up an observational portrait of those that society happily overlooks. It also won Zhao the Best Director gong, making her the first woman of colour and only second woman ever to nab the prize. McDormand won the Best Actress Oscar, too, and the feature was our best film of 2020 as well. Disney+ viewers will be able to watch Nomadland as part of their regular subscription, with the movie available part of its new Star brand — a just-added new section of the streaming platform that joined the service back in February. For folks yet to see the Oscar-winning film — or if you need a refresher — check out the Nomadland trailer below: https://www.youtube.com/watch?v=jePa57J0Ang&feature=youtu.be Nomadland will be available to stream via Star on Disney+ from Friday, April 30. Top image: Searchlight Pictures. © 2020, 20th Century Studios. All Rights Reserved
Classic cocktails are called classics for a reason. They've stood the test of time, they're easy to whip up anywhere and — perhaps most importantly — they're almost impossible to mess up. But what if the recipes were a little more…nutty? Skrewball Peanut Butter Whiskey is here to throw a curveball into your bar cart staples. There's no shortage of novelty spirits on the shelf, but this one has done it right. Created by husband-and-wife team Steve Yeng and Brittany Merrill Yeng in California, this flavoured liqueur blends American whiskey with natural peanut butter flavour, resulting in a spirit that's sweet, smooth and nutty. When used right, it can unlock a completely different kind of cocktail. Whether you're a cocktail aficionado or just partial to a decent drink after work, swapping in this whiskey gives old favourites an edge that's unexpected, yet weirdly spot-on. Don't believe us? Here are seven classic cocktails that get even better with a peanut butter twist. Old Fashioned The old fashioned is simple: whiskey, sugar, bitters, ice. No garnish, unless you really feel like showing off. Swap in Skrewball Peanut Butter Whiskey and you're still staying true to that formula, just with a bit more flavour. The roasted peanuts round out the sweetness and soften the citrus in the bitters. So, you get a richer, smoother version of the drink you already know. Serve it with a big ice cube and a twist of orange peel for a fresh take on the old school, without losing any of the ritual. Get the recipe here. Manhattan This one's a little wild, but it works. Strong, slightly sweet and built for sipping, the manhattan is a go-to for good reason. A hint of peanut butter doesn't mess with its DNA, but it does add to it. This recipe keeps the bones of the original but trades out sweet vermouth for Skrewball Peanut Butter Whiskey and a splash of amaro. The result is a silky, peanutty drink you can garnish with a cherry and orange twist. Get the recipe here. [caption id="attachment_1014576" align="aligncenter" width="1920"] iStock[/caption] Mudslide A classic mudslide should taste like a milkshake with an extra kick. And this one doesn't disappoint. The Skrewball version blends peanut butter whiskey with equal parts Irish cream liqueur and coffee liqueur, with a scoop of vanilla ice cream and served with a chocolate syrup drizzle. You could sip this slowly, but let's be honest — it'll be gone in minutes. Get the recipe here. Irish Coffee Peanut butter and coffee are a match made in heaven, which makes the classic Irish Coffee another cocktail worth reinventing. This cold-weather go-to gets an upgrade by swapping out traditional Irish whiskey for a hit of peanut butter and hot black coffee. Enjoy it as is, or top with whipped cream and dust it with chocolate powder for a little sweetness. Get the recipe here. Espresso Martini While we're on the coffee bandwagon, here's another classic twist: the espresso martini. Strong, bitter and full of peanut flavour, this espresso martini remix skips vodka in favour of the richer and smoother, Skrewball Peanut Butter Whiskey. Shake it with coffee liqueur, freshly brewed espresso and ice, then strain into a martini glass with a couple of espresso beans to garnish. Yum. Get the recipe here. Paloma The Paloma is usually a tequila-heavy spritz, but this version dials up the fun with a peanut butter backbone and a splash of grapefruit juice. It's still refreshing and citrusy with tequila and Aperol, but that nutty flavour turns it into something you'll start to crave when the sun's out. To make, simply pour Skrewball Peanut Butter Whiskey, tequila, sour mix and pineapple juice over ice and garnish with lemon. Get the recipe here. Margarita This one sounds wrong on paper, until you try it. An extreme riff on the classic margarita, here tequila and lime take a backseat to Skrewball Peanut Butter Whiskey and pineapple juice. It's fruity but not sugary, and sharp but not tart. If you're the kind of person who likes to experiment with strange flavour combos, this is your moment. Get the recipe here. Adding peanut butter whiskey to your favourite classic cocktails may not be the obvious choice — but once you've tried it in one, you'll want to remake them all. Explore more Skrewball Peanut Butter Whiskey cocktail recipes on the website.
There aren't many better, or cheaper, ways to feed an entire family than a hot roast chook. And with the cool winter weather meaning the rich, tender, warming flavours hit even harder, now is the perfect time to load one into the oven. However, Portuguese chicken maestros Oporto are inviting you to put your feet up this winter with a special holiday giveaway. From 12pm on Tuesday, June 10, over 200 participating stores across the nation are handing out 10,000 Portuguese flame-grilled chickens for free. Coinciding with Dia De Portugal, aka Portugal Day, this festive event is the ideal excuse to get the whole family together — or your closest pals — with a free meal bound to fill your belly and lift your mood this cold season. "This is about more than just chicken," says Ben Simmons, head of marketing at Oporto. "Dia De Portugal, or Portugal Day, is a global event in Portuguese culture, and what better way to mark it than with our craveable, Portuguese flame-grilled chicken? It's our way of bringing people together with food, flavour and generosity." Made the Portuguese way — that means butterflied and basted in flavourful options like lemon and herb, original chilli or extremo picante — these flame-grilled treats are incredible on their own or served with plenty of hearty sides. Each participating restaurant has a minimum of 50 free chickens to give away, with a limit of one per customer. If you miss out, the good news is that Oporto's much-loved Bondi Burger is also available for $5 to mark the occasion, too. Oporto's 10,000 free chicken giveaway is available at participating stores from 12pm on Tuesday, June 10. Head to the website for more information.
While rain continues to batter Sydney, a rainbow has emerged in one part of the city. A huge multi-coloured installation has popped up in Circular Quay in the lead-up to the Mardi Gras parade at the SCG this Saturday, March 5. The public artwork takes inspiration from Australia's love of big things, appearing as part of a new project from Tinder. The Big Rainbow Project is a new initiative from the dating app that promises to erect the rainbow installation in a regional Australian town while also pledging $100,000 to regional LGBTQIA+ community organisations. You can come to visit and get photos of the rainbow at its temporary home in Circular Quay next to the Overseas Passenger Terminal until Monday, March 7. If you head by between 4.30pm–6.30pm, you'll be treated to music and entertainment from party troupe Poof Doof who is hosting Rainbow Hour each afternoon. During this daily party DJs will be on-site spinning Mardi Gras-ready tunes alongside local queens Coco Jumbo, Jimi The Kween and Danni Issues. You'll also be in with a chance to win merch and tickets to upcoming Poof Doof parties. Following its stint in Sydney, the Big Rainbow Project will be transporting the installation to a regional town decided by the public. You can suggest a regional town that you think deserves this colourful landmark via the Tinder website. Once the new home has been decided, Tinder will be announcing the town alongside the list of LGBTQIA+ community organisations it will donate to. Mardi Gras 2022 kicked off mid-last month and will culminate in the annual parade as well as citywide parties this weekend. If you're looking for the perfect party, check out our round-up of the best last-minute events. The Big Rainbow Project's installation can be found next to the Sydney Overseas Passenger Terminal from Thursday, March 3 until Monday, March 7.
UPDATE, May 17, 2021: Shoplifters is available to stream via SBS On Demand, Google Play and YouTube Movies. Quantity and quality, as alike as the two words sound, have long been pitted as opposites. To be prolific is to be imperfect, or so the thinking goes, although Hirokazu Kore-eda just keeps blowing that idea out of the water. The writer-director's latest release is his eleventh since the turn of the century and, in a hefty collection of intimate, moving movies that includes Nobody Knows, Like Father, Like Son and Our Little Sister, the Palme d'Or-winning Shoplifters is one of the best. There's really no such thing as a bad Kore-eda film, even when he steps into slightly different territory, as with last year's less-acclaimed crime flick The Third Murder. But his rich and poignant new family drama is almost disarmingly affecting (and effective), showcasing the height of the Japanese filmmaker's prowess. The family that steals together, stays together in Shoplifters. Daily pilfering — and other petty crimes and grifts, as well as regular pension cheques — enable father Osamu (Lily Franky), mother Nobuyo (Sakura Andô), grandmother Hatsue (Kirin Kiki), aunt Aki (Mayu Matsuoka) and son Shota (Jyo Kairi) to survive in their tiny, overpacked cottage on the outskirts of Tokyo. On the way home one winter evening after giving their light fingers a workout, Osamu and Shota spy a slip of a girl cold and shivering on an apartment balcony, and soon young Yuri (Miyu Sasaki) is in their care too. While Osamu and Nobuyo's choice to keep the bruised and starving child could be construed as kidnapping, she's just so happy with them. In time, Yuri also proves rather skilled in the family business. 'Family drama' is a loaded way to describe Shoplifters. It's accurate — more accurate than can be conveyed without giving too much away — but the two words barely scratch the surface of Kore-eda's film. Seemingly straightforward in its narrative and themes, but thoroughly complex in the depths it reaches in both its story and sentiments, Shoplifters doesn't simply ponder one family's tough but loving existence. Rather, it contemplates exactly what makes a family. On more than one occasion, a character wonders whether blood or choice forge a stronger bond, a notion that couldn't be more important as the movie's ups and downs play out. Integral to that train of thought is Kore-eda's clear-eyed exploration of an oft-ignored aspect of Japanese society, at least on screen: the realities of life on the country's margins. As embodied by the film's central clan, the poor and the struggling aren't ignored here. They're literally stealing to get by, and they're never denigrated for it. Nor does the movie judge them for their decision to unofficially adopt someone else's child. The cast, which includes some of Japan's great acting talents, deserve a wealth of credit for building textured, layered characters that cannot be pigeonholed — people who feel like they could've walked off of the street and into Kore-eda's naturalistically shot picture. It's not just financial stress that drives Franky's patriarch, for example, but a desperation to connect that's evident every time that Shota steadfastly refuses to call him dad. And it's not just caring for one's elders that cements Kiki's grandma at the head of the family, a truth that's always apparent on the now-late actor's face. Of course, Franky, Kiki and the rest of the movie's stars have the good fortune to be performing for Kore-eda, one of the most empathetic and humanistic directors in the business both in Japan and around the world. Tissues should come with tickets to his films, not because he overtly pulls at the heartstrings, but because he peers so generously at everyone within his frames. Indeed, the kindness that he shows, and the space that he gives his characters, has a quietly overwhelming impact. Here, the filmmaker is at his best when he's cramming Shoplifters' family into their cramped villa, and observing their interactions, emotions and motivations in such close quarters. Every moment of their lives is tainted by hardship and harshness, but every moment is also a tender revelation. https://www.youtube.com/watch?v=tOOcpb48Oyo
Alone is a performance art installation. No, scratch that — it's a psychological experiment. Created by Los Angeles-based artist Devon Paulson and film producer Lawrence T. Lewis, it hurls participants into a city-wide, 'haunted house'-style scenario. And, it's coming to Australia. Aided by a crowd of actors, the hour-long walkthrough will see participants transported around Melbourne, into inexplicable, scary or hilarious situations that are designed to mess with their sanity. Participants must sign a waiver beforehand and be in good physical and mental health, which just might says something about what the night will involve. They're then taken to a secret location to begin their terrifying abduction. No mobile phones are allowed and it's likely that your clothes will get dirty. "Alone explores the complex folds of the human psyche and the human condition, from the inside out," says Paulson. "The truth is that one needs to experience Alone to understand it." According to the website, "your body may be aggressively touched and moved or tenderly embraced or utterly left displaced and alone." Despite having organised the event 18 times over the last six years, the creators refuse to reveal details of previous stints. "What I can say is that the situations will cause participants to traverse the spectrum of human emotion," says Paulson. "But the crucial goal is to dislocate you, from the world, from others, from comfort, from self." And yes, it begins on Valentine's Day — but it's a completely solitary journey, so don't think about bringing your date. "Some experiences you may find yourself in a group situation, but as in life, you will eventually find yourself to be alone," reads a hard-hitting FAQ on the Alone website. Alone runs from February 14–27. Head to the website for tickets and more details.
If you've ever felt uncomfortable in Sydney at night, you're far from alone, with a new study by Plan International Australia finding a huge 90 percent of the city's young women share those fears. Of course, this won't be all that surprising to those who've been subjected to some kind of street harassment. But it's statistics like this that have spurred the creation of the NGO's new Free To Be map, which has just launched in Sydney. The interactive map feature is aimed at 15 to 25-year-olds, and allows girls and women using the app to drop 'bad' pins on spots around the city where they feel unsafe. 'Good' pins are also used to show locations they consider safe. While the responsibility to prevent street harassment shouldn't land on the victim, Plan believes, by giving young women a platform to anonymously report incidents and collecting that data, that it can help make Sydney's streets safer. "This data will be provided to city planners, public transport authorities, police and groups responsible for urban safety, so they can make positive changes to make cities safer places for women," said Plan International Australia CEO Susanne Legena. The map is now open for submissions — and while it looks like most people have been taking it seriously, there's already a number of entries that appear to have come from trolls. Plan is now working with police, local councils and Metro trains in tackling issues of harassment head-on. The findings will also be shared with local businesses in an effort to instigate change at that level and make more of the city's spaces safer. The Free to Be map can be found here. You can add to it up until May 28, 2018.
In recent years, Disney has bet heavily on a simple idea: fans of its classic animated films will flock to new live-action versions. So far that gambit has proven accurate, with Alice in Wonderland, Cinderella, The Jungle Book and Beauty and the Beast all doing big things at the box office — and in the coming months, Dumbo, The Lion King and Aladdin are set to join them. Everyone's favourite flying elephant hits cinemas in mere weeks, while moviegoers will be feeling the love again come mid-year; however, a certain Arabian tale will soar onto screens right in the middle. If you've ever found a magic lantern, rubbed its gleaming sides and asked a supernatural being to remake this childhood favourite, your wish is now coming true. If you pleaded for Guy Ritchie and Will Smith to be involved as well, then there's your three wishes taken care of. Yes, Ritchie, the filmmaker behind Lock, Stock and Two Smoking Barrels, Snatch, the awful Robert Downey Jr-starring Sherlock Holmes movies and the very forgettable King Arthur: Legend of the Sword, is in the director and co-writer's chair for this journey to a whole new live-action world — and in good news, there's no signs of Cockney accents, rhyming slang or over-stylised action scenes in Aladdin's just-released first full trailer. As for Smith, he's stepping into the role of Genie, originally made famous by Robin Williams' energetic voice work. In other words, he's turning from a man in black to a spirit in blue. Aladdin's overall story will be familiar to anyone who has seen the 1992 movie, with an Agrabah street urchin once again trying to win over the Sultan's daughter and thwart a scheming sorcerer, with the larger-than-life Genie on hand to help. Canadian actor Mena Massoud (The 99) plays Aladdin, and Naomi Scott (Power Rangers) steps into Princess Jasmine's shoes, while Dutch star Marwan Kenzari (Murder on the Orient Express) takes on the role of Jafar. Check out the trailer below: https://www.youtube.com/watch?v=foyufD52aog Aladdin opens in Australian cinemas on May 23, 2019. Images: (c) 2019 Disney Enterprises Inc. All Rights Reserved.
