This cosy bar has become a favourite with Bondi locals, both for its food and beverage options as well as its comfortable surrounds. Forget about OTT beach cocktails: wine is the drink of choice here, served by the bottle or the glass. You'll find drops from all around the country as well as New Zealand, France, Argentina and beyond — but you don't need to be a wine snob to enjoy what's on offer, as the drinks list provides short descriptions below each tipple. In addition to reds and whites you'll find a small but tempting selection of spirits, or you can ask the waiter about their secret beers and ciders. The food offerings are similarly tempting, with a mouthwatering array of tapas share plates along with a generous selection of cheeses. The decor is low-key and casual, with dim lighting, comfy couches and seats for around 20 people, making Speakeasy an ideal place for a quiet night out with friends.
Goodbye Shiv Roy, hello Dorian Gray — plus every other character in Oscar Wilde's gothic-literature masterpiece. That's Sarah Snook's current path. The Australian Succession star is swapping the hit HBO drama, which wrapped up forever with its just-aired four season, with a stage date with the sinister portrait that lets its subject stay young and beautiful. And, she's playing every single role in the production. On the page, The Picture of Dorian Gray is exceptional, as well as astute and unnerving, as it follows the selling of its namesake's soul in order to keep indulging every corporeal whim, urge and desire. There's a reason that it just keeps getting adapted for the screen and in theatres, after all. But there's never been a version like Sydney Theatre Company's The Picture of Dorian Gray, which is the iteration that Snook will star in — in the UK's West End. [caption id="attachment_896386" align="alignnone" width="1920"] HBO[/caption] This news is two huge announcements in one: Snook's return to the London stage after debut in the 2016 production of The Master Builder, and this Aussie reworking of Oscar Wilde's classic making its UK premiere. With its high-profile star, The Picture of Dorian Gray is headed to The Theatre Royal Haymarket, with a season from Tuesday, January 23–Saturday, April 13, 2024 locked in. Premiering in Sydney 2020, this take on the tale uses video and theatre to get its star playing 26 characters. In Australian runs, Eryn Jean Norvill has done the honours, and brilliantly, with Snook following in the actor's footsteps abroad. "I am elated to return to the London stage in such an astonishing piece of theatre," said Snook. "From Oscar Wilde's remarkable original text to Kip Williams' stunning adaptation, this story of morality, innocence, narcissism and consequence is going to be thrilling to recreate for a new audience. I can't wait." Williams, who adapted Wilde's text into the phenomenal production and also directs, is heading to the UK as well. "In creating a new piece of theatre like The Picture of Dorian Gray, you always hope to have the opportunity to share it with a wider audience. I am so excited for theatre lovers in London to experience our show, and am thrilled to have the extraordinary Sarah Snook bringing to life the many characters of Oscar Wilde's remarkable story." [caption id="attachment_856346" align="alignnone" width="1920"] Dan Boud[/caption] Taking the show to London is part of a partnership between STC and Michael Cassel Group, which is all about sharing the former's works around the globe. A similar path — from Australia to the UK, but originating from the Griffin Theatre Company — has worked out spectacularly for Prima Facie, with the British production starring Killing Eve's Jodie Comer winning Best New Play and Best Actress at the 2023 Laurence Olivier Awards. On-screen, Snook will next be seen in straight-to-streaming films Run Rabbit Run and The Beanie Bubble. Check out a trailer for STC's Australian seasons of The Picture of Dorian Gray starring Norville below: The Picture of Dorian Gray will play The Theatre Royal Haymarket, 18 Suffolk Street, London from Tuesday, January 23–Saturday, April 13, 2024 — for more information and tickets, head to the venue's website. Top image: Alexi Lubomirski.
In 2022, The Kid LAROI embarked upon his debut headline Australian tour, selling out arenas across the nation and adding more dates to meet demand. Two years later, the Aussie star otherwise known as Charlton Kenneth Jeffrey Howard is hitting local stages again, locking in tour dates for November 2024. Initially announced in 2023 and due to happen in February 2024, then postponed to October due to trying to confirm a "really big surprise and special guest" and "a bunch of other logistical stuff", The Kid LAROI's The First Time Australian tour has now set both its dates and venues. His supports at five of his seven stops: Migos frontman Quavo and Sydney's own ONEFOUR. [caption id="attachment_926206" align="alignnone" width="1920"] Adam Kargenian[/caption] "I'm really excited to confirm the November tour dates and bring my show to Australia. It's going to be incredible to perform back home and share this experience with all of you," said the singer-songwriter, revealing the new dates. "I'm also pumped to announce that Quavo will be joining the tour as a special guest. Can't wait to see you guys and make this tour unforgettable!" The Kid LAROI has made some changes to the tour itinerary, which is in support of The Kid LAROI's debut studio album The First Time and was originally set for a five-city Australian run. This was meant to be his first-ever Aussie stadium tour thanks to shows at Melbourne's AAMI Park, Perth's HBF Park, Adelaide's Coopers Stadium, Sydney's Commbank Stadium and CBUS Super Stadium on the Gold Coast. Now, however, he's hitting up HOTA, Home of the Arts on the Gold Coast, Brisbane Entertainment Centre, Commbank Stadium in Sydney, Perth's RAC Arena, Adelaide Entertainment Centre, MyState Bank Arena in Hobart and Melbourne's Rod Laver Arena. Quavo and ONEFOUR won't be on the bill on the Gold Coast or in Hobart. The First Time might've been a new 2023 arrival, but The Kid LAROI has been releasing music since 2018 — solo, and also teaming up with everyone from Juice WRLD and ONEFOUR to Justin Bieber. Accordingly, fans can look forward to hearing 'Stay', 'Without You', 'Thousand Miles', 'Love Again', 'Girls' and more come spring. The Kid LAROI The First Time Australian Tour 2024: Monday, November 11 — HOTA, Home of the Arts, Gold Coast Thursday, November 14 — Brisbane Entertainment Centre, Brisbane Saturday, November 16 — Commbank Stadium, Sydney Wednesday, November 20 —RAC Arena, Perth Sunday, November 24 — Adelaide Entertainment Centre, Adelaide Wednesday, November 27 — MyState Bank Arena, Hobart Friday, November 29–Saturday, November 30 — Rod Laver Arena, Melbourne The Kid LAROI is touring Australia in November 2024, postponed from February 2024. Head to the Australian ticketing site for more information — and for presales from 1pm local time on Tuesday, August 6 and general sales from 1pm local time on Thursday, August 8.
As the country that gave the world Cate Blanchett, Nicole Kidman and Margot Robbie, to name just a few world-famous Aussie actresses owning the silver screen in recent years, Australia is no stranger to celebrating formidable women in cinema. It tracks, then, that the country's national centre devoted to moving pictures — aka the Australian Centre for the Moving Image in Melbourne — has curated a world-premiere exhibition dedicated to femininity across film history. Girls to the front at this six-month-long showcase, with Goddess declaring its affection for ladies of the screen right there in its name. Displaying from Wednesday, April 5–Sunday, October 1, it's both a massive and a landmark exhibition. More than 150 original objects, artworks, props and sketches will grace the Federation Square venue's walls and halls, all championing oh-so-many talented women and their impact upon cinema. [caption id="attachment_882188" align="alignnone" width="1920"] Britt Romstad, 2022, photo by Phoebe Powell. Costume: Kitty (Elaine Crombie) costume, Kiki and Kitty, Australia, 2017, designed by Amelia Gebler, courtesy of Jetty Distribution Pty Limited. Backdrop: Marilyn Monroe on the set of Some Like It Hot, photo by Don Ornitz, © Globe Photos / ZUMAPRESS.com. Image courtesy of ZUMA Press, Inc. / Alamy Stock Photo.[/caption] That lineup includes costumes that've never been displayed before, various cinematic treasures, large-scale projections and other interactive experiences. While exploring the female footprint upon film is an immensely worthy subject, Goddess will also chart how representations of femininity have changed over the years — not just in different eras, but in different places, too — and inspire a rethink of plenty of cinema's memorable female characters. Silent-era sirens, classic Hollywood heroines, unforgettable femme fatales and villains, Bollywood stars, women in China and Japan's cinematic histories: they're all being given the spotlight. Goddess will also dive into provocative on-screen moments from Hollywood's silent days through to today that've not only left an imprint, but also played a part in defining (and altering) what's considered the feminine ideal. Expect an interrogation of how women on-screen have helped to redefine fashion expectations, sparked a boundary-breaking genre and spearheaded the #MeToo movement — and to spend time thinking about how screen culture has shaped societal views of gender. [caption id="attachment_882194" align="alignnone" width="1920"] Blonde Venus, 1932, Marlene Dietrich. Image courtesy of PARAMOUNT PICTURES / Ronald Grant Archive / Alamy Stock Photo.[/caption] ACMI hasn't revealed the full slate of women highlighted, or films, or items that'll be on display, but the details revealed so far are impressive. Think: Marlene Dietrich in 1930's Morocco, Pam Grier's spectacular Blaxploitation career, Tilda Swinton in 1992's Orlando and the aforementioned Robbie via 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). Plus, Mae West's sky-high heels from 1934's Belle of the Nineties, costumes worn by Geena Davis and Susan Sarandon in 1991's Thelma & Louise (1991) and Michelle Yeoh's fight-ready silks from 2000's Crouching Tiger, Hidden Dragon will also feature. The list goes on, clearly, spanning Anna May Wong, Marilyn Monroe, Laverne Cox and Zendaya as well. And, expect everything from Glenn Close's Cruella de Vil in 102 Dalmatians to the Carey Mulligan-starring Promising Young Woman to get time to shine. [caption id="attachment_882191" align="alignnone" width="1920"] Crouching Tiger, Hidden Dragon, 2000, Yu Xiulian costume.[/caption] "The women of Goddess are bold, rebellious and defiant. Their power is expressed in numerous ways — in what they wear, how they move and the stories they tell," said ACMI Director of Experience and Engagement Dr Britt Romstad, announcing the exhibition. "ACMI's exhibition honours their influence and daring, and explores how they have transformed the face and expectations of on-screen femininity for audiences, time and time again," Romstad continued. [caption id="attachment_882195" align="alignnone" width="1920"] Thelma and Louise, 1991, L-R Susan Sarandon, Geena Davis, © MGM. Image courtesy of Moviestore Collection Ltd / Alamy Stock Photo.[/caption] Goddess will pair its wide-ranging display with soundscapes by Melbourne-based composer Chiara Kickdrum, and also feature a sprawling events program complete with late-night parties, performances and talks — and film screenings, of course. The full program, including guests, will be announced in February 2023, which is when tickets go on sale. Unsurprisingly, the exhibition is ACMI's big midyear blockbuster — and its 2023 contribution to the Victorian Government's Melbourne Winter Masterpieces series, as Light: Works from Tate's Collection was in 2022. After showing in Melbourne for its premiere season, Goddess will then tour internationally, taking ACMI's celebration of women on-screen to the world. [caption id="attachment_882197" align="alignnone" width="1920"] Limehouse Blues (AKA. East End Chant), 1934, L-R Anna May Wong, George Raft. Image courtesy of Everett Collection Inc / Alamy Stock Photo.[/caption] Goddess will display at the Australian Centre for the Moving Image, Federation Square, Melbourne, from Wednesday, April 5–Sunday, October 1, 2023. For more information, and to join the ticket waitlist, head to the ACMI website. Top image: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, 2020, Margot Robbie, © Warner Bros. Image courtesy of LANDMARK MEDIA / Alamy Stock Photo.
Lightning Ridge might be best known for its enduring opal mining history, but the community's collection of bizarre museums is definitely a close second. Astronomers Monument is a kooky landmark dedicated to scientists like Copernicus. Others not to miss are the Bottle House Museum, Amigo's Castle, Beer Can House and the Kangaroo Hill Complex. Image: John, Flickr
Twenty minutes from the heart of Sydney's CBD is a lovely Mosman village with boutique stores, harbour views, busy restaurants and cosy bars — and of course, the family favourite Taronga Zoo. Mosman is known for its always-busy Military Road, relaxed cafe culture and popular nearby bathing spots like Balmoral Beach and the clothing-optional Cobblers Beach. While you should never bypass a visit to see the elephants and giraffes, Mosman is a great place to spend a leisurely Sunday afternoon browsing its independent shops and businesses. To get you started, we've teamed up with American Express to bring you a round-up of local businesses where you can shop small with your Amex Card.
He's responsible not just for a big Australian movie franchise, but for the big Australian movie franchise. He's also followed a pig in the city, made penguins dance, gotten witchy and granted wishes, too. He's Australian filmmaking icon George Miller, and he has just joined the Sydney Film Festival lineup for 2024 to talk about his career, and of course Mad Max and Furiosa. Mere weeks after Furiosa: A Mad Max Saga hit cinemas — starring Anya Taylor-Joy (The Super Mario Bros Movie) as Furiosa and Chris Hemsworth (Thor: Love and Thunder) as wasteland warlord Dementus — Miller now has a date with Sydney's annual cinema showcase to chat about on-screen storytelling. For company, he'll have someone else who knows a thing or two about action cinema, and just filmmaking in general: stuntman and filmmaker Nash Edgerton, brother of Joel (Dark Matter), and director of episodes of Bodkin, plus Mr Inbetween, Gringo and The Square. The Road to Furiosa — George Miller with Nash Edgerton will take place at 3pm on Saturday, June 15 in the Sydney Film Festival Hub at Town Hall, on the second-last day of the fest. SFF's full dates: Wednesday, June 5–Sunday, June 16. Miller won't just be stepping through his work in a general sense, either. The director that started the Mad Max franchise 45 years ago and has helmed four more films in the saga — and has Babe: Pig in the City, The Witches of Eastwick, the two Happy Feet movies, Lorenzo's Oil and Three Thousand Years of Longing on his resume as well — will dig into a specific action sequence, if you want to find out how it was executed. After also adding a visit from Elvis star Austin Butler for his new picture The Bikeriders and straight-from-Cannes body-horror flick The Substance as closing night's flick since announcing its 2024 program, Sydney Film Festival has now popped something for Game of Thrones and House of the Dragon fans on the bill, too. Ahead of season two's arrival, the Iron Throne spend time at Martin Place from Wednesday, June 5–Friday, June 7. Yes, you can sit in it. Other talks and events on the program also include a queer cinema night, going all in on the 80s to tie in with opening night's Midnight Oil: The Hardest Line, K-pop fun as part of a Korean cinema celebration and a session on the impact of AI. [caption id="attachment_959668" align="alignnone" width="1920"] Belinda Rolland © 2023/SFF[/caption] Sydney Film Festival 2024 takes place from Wednesday, June 5–Sunday, June 16 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website. Read our interview with George Miller, Anya Taylor-Joy and Chris Hemsworth about Furiosa: A Mad Max Saga, and our review of the film. Top image: Sonna Studios.
Another year goes by, and we return to another year of Sydney's beloved short film festival: Flickerfest. Anyone who loves to be ahead of the cinematic curve can attest that a night at Australia's only Academy® Qualifying short film festival is a night of screen culture unlike anything you'll catch at the blockbusters. Returning to its home at Bondi Pavilion for the 33rd year running, Flickerfest spans ten days in Sydney before it packs up to tour screens across Australia. Throughout the festival, 200 top films handpicked from over 3400 entries will delight audiences while vying for awards like the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Panasonic Lumix for Best Australian Short Film and the Flickerfest Award for Best Documentary - all of which are Academy® qualifying. Flickerfest also includes celebrations of diverse filmmakers of all ages and walks of life. Rainbow Shorts celebrates the work of LGBTQI+ storytellers; and FlickerKids gathers the best of the family-friendly program and Short Laughs will keep you giggling throughout the night. Of course, what's a night at the movies without food and drinks? You'll be able to start your evening right with a bev at the Pav's beachside panoramic bar, enjoying conversations with your crew as the sun goes down behind you. Come by day after a swim in the water then a movie at the indoor cinema, or head into the open-air courtyard after dark and enjoy a night of screenings under the stars. After wrapping its Sydney stint, Flickerfest will share the short-film love and pop up at over 50 venues across the country between February and October 2024. The 33rd Flickerfest International Film Festival will run from Friday, January 19 to Sunday, January 28. Tickets and the full 2024 program are available now. For more information, head to the website.
As first announced in 2017, then officially given the go-ahead by the government in 2018, the Art Gallery of NSW (AGNSW) is currently undergoing a $344 million expansion. Dubbed Sydney Modern Project, it'll see the cultural institution double its current exhibition space, incorporating an entirely new 7830-square-metre building — complete with a gallery for Aboriginal and Torres Strait Islander art, plus a contemporary art space created from an old WWII oil tank — and an outdoor public art garden. Also part of the plan: revitalising its historic building, including restoring key original features, upgrading and reconfiguring spaces, and revealing old windows that have been covered up in past renovations. As just announced by AGNSW, most of the refurbishment work will start next year and be finished by 2022 — which is when the full Sydney Modern Project is set to be completed. Art lovers can look forward to walking into the 19th- and 20th-century building via a restored entrance vestibule, which'll showcase Walter Liberty Vernon's original 19th-century architecture — and to peering down on the 8.5-metre-high atrium in the 1972-built wing via reinstated internal balconies, too. In the latter area, you'll be able to look out the large windows on the building's northeast facade, getting a glimpse outside to the new art garden. Those windows aren't new, but they've been covered over in recent decades to give the gallery extra hanging space. [caption id="attachment_786960" align="aligncenter" width="1920"] Image of the Art Gallery of New South Wales as produced by Mogamma for Tonkin Zulaikha Greer Architects © Mogamma.[/caption] The original Grand Courts galleries will also score a refurb, including restoring its heritage fabric, removing a staircase that was added in the 70s and installing new energy-saving LED lighting. And, the major temporary exhibition space is moving from Lower Level 1 to Lower Level 2, to give it more space — and to benefit from higher ceilings as well. Other changes span expanding and moving the Capon Research Library and National Art Archive to Lower Level 3, to a new purpose-built site within the building; enhancing facilities for AGNSW's members, including doubling lounge capacity and adding a new outdoor terrace; and upgrading the dedicated area and facilities for volunteers. Along with the new building and gardens — ambitious plans designed by Pritzker Prize-winning architecture and design practice, SANAA, who is also behind New York's New Museum of Contemporary Art and the Louvre's satellite museum in Lens — the revamp of AGNSW's main building is part of an overall effort to all to help the gallery's bid to better compete with its interstate counterparts. While it was the country's most visited gallery in 2007, AGNSW has since dropped to fourth position behind Melbourne's NGV and ACMI and Queensland's GOMA. It's predicted this expansion will double the number of visitors to the Gallery. Construction on AGNSW's Sydney Modern Project is slated for completion in 2022. The Gallery will remain open during this time. Images: Kazuyo Sejima + Ryue Nishizama/SANAA, courtesy of the AGNSW.
When Easter rolls around each year, one thing is always on everyone's minds: eating as much chocolate as humanly possible. Chocolate eggs, chocolate ice cream, chocolate cocktails, chocolate-filled hot cross buns — the list goes on. Thanks to SBS, Easter 2020 won't just involve eating chocolate, however. Courtesy of The Chocolate Factory: Inside Cadbury Australia, Australian audiences can also spend three hours watching chocolate Easter treats get made. It's the latest instalment in the network's 'slow TV' series — which has previously let viewers spend 17 hours watching a train journey on not one but two occasions, and tracked a lengthy cruise from Broome to Darwin, and a trip from New Zealand's north island to its south island as well. Of course, vicariously indulging your wanderlust is one thing. Teasing your sweet tooth is another entirely. Spanning three hours — and set to a new original score by Amanda Brown and Caitlin Yeo — The Chocolate Factory: Inside Cadbury Australia charts the chocolate-making process from beginning to end, starting with seeing sugarcane being harvested from north Queensland fields and milk being collected from a Tasmanian dairy farm. Naturally, the observational documentary devotes the bulk of its time to the factory itself, focusing on the creation of its best-selling easter eggs and chocolate bunnies by combining the aforementioned two ingredients with cocoa imported from Ghana. Expect melting, rolling, drying, shaping and wrapping. Expect to be mesmerised by the routine and rhythm, too. Airing twice over the Easter weekend of Saturday, April 11 and Sunday, April 12 — and then available for a year on SBS On Demand — it's basically Charlie and the Chocolate Factory, just without the Oompa-Loompas, songs or everlasting gobstoppers. That said watching chocolate come to fruition will likely have your stomach singing out with hunger, so don't forget to stock up on appropriate snacks (yes, chocolate) to accompany your viewing. Check out the trailer for The Chocolate Factory: Inside Cadbury Australia below: https://www.youtube.com/watch?v=yFSE3TW7EPc&feature=youtu.be The Chocolate Factory: Inside Cadbury Australia screens is now available to watch on SBS On Demand.
Are you the kind of person who just has to read the book before watching a TV show or movie? Perhaps you prefer the opposite, soaking in every minute of the series or film afresh with no knowledge of what's to come, then devouring the source material to spending more time in its world and fill in the details. Whichever best describes your style of page-to-screen fandom, you're welcome at a new Australian event that's all about streaming hits adapted from novels: Prime Book Club LIVE. You might've noticed that plenty of the streaming platform's recent fare began on the page. It's true of The Summer I Turned Pretty, and also of the Culpable trilogy and also We Were Liars, for instance. So, the service is celebrating that fact in Sydney, putting on Prime Book Club LIVE with a number of authors and actors connected to its lineup as guests. The third and final season of The Summer I Turned Pretty, the platform's most-successful original series, is streaming from Wednesday, July 16 and releasing episodes through until Wednesday, September 17. Accordingly, author Jenny Han — who not only penned the books The Summer I Turned Pretty, It's Not Summer Without You and We'll Always Have Summer that the show is based on and is the series' showrunner, but also wrote the To All The Boys I've Loved Before trilogy — is on Prime Book Club LIVE's lineup. So are Lola Tung and Rain Spencer (Test Screening). Ahead of Culpa Nuestra (Our Fault), the third and final Culpable trilogy flick after films Culpa Mia (My Fault) and Culpa Tuya (Your Fault), reaching Prime Video in October, author Mercedes Ron is also getting chatting in the Harbour City. Taking place from 5pm on Thursday, July 31, 2025 at Machine Hall in Sydney, Prime Book Club LIVE boasts Lucinda 'Froomes' Price as its host, features a #BookTok panel, and sports an immersive setup spanning interactive experiences, giveaways and more. The event is also set to cover We Were Liars — which has an Australian connection thanks to Invisible Boys talent and future The Hunger Games: Sunrise on the Reaping star Joseph Zada — and others that fit the page-to-screen mould, including upcoming book-to-screen titles. Attendance is free, but you'll either need to register for a ticket in advance from 12pm AEST on Monday, July 14 or try your luck for one of the limited seats that'll be available on the day. The Summer I Turned Pretty images: Erika Doss © AMAZON CONTENT SERVICES LLC / Craig Barritt/Getty Images for Prime Video.
Traditional horizontal gardens are a fantastic aesthetically pleasing addition to any house, park or natural area. Yet by simply rotating these gardens 90° to make them vertical, their purpose, possibilities and magnificence can completely and utterly transform. Vertical gardens are a recent craze, which are taking the world by storm. Gardens on museum walls, on the outside of buildings, in shopping centres or as feature pieces are popping up in almost every major city of the globe. Aside from adding a wonderful visual and organic element to the concrete shackles of urban centres, vertical gardens also offer a host of environmental benefits. Adding a vertical garden to any space can help improve air quality and respiratory functions, keep the air cool and humidity comfortable through the process of transpiration, reduce harmful levels of CO2 and provide natural insulation and acoustic absorption; not to mention the instinctive elated sensation humans feel when in close proximity to plant life, called biophilia. Here are ten of the most beautiful, useful and impressive vertical gardens from around the world that will make even the most elaborate horizontal garden look boring and mundane. Miami Art Museum Patrick Blanc is the world's most renowned vertical garden specialist and his incredible creations have spread like wildfire across the globe. With his designs appearing in every continent, and his recent publication, 'The Vertical Garden: from Nature to the Cities' being widely acknowledged as the expert book on this new trend, you simply can't go past Blanc's inspired works of art. This amazing garden from the Miami Art Museum is one of Blanc's projects, designed together with Herzog & De Meuron. Who needs the Hanging Gardens of Babylon when we have our own hanging gardens of Miami? Alpha Park II Les Clayes sous Bois At 2,000m², the Alpha Park II Les Clayes sous Bois just West of Paris will become the largest vegetal facade in the world. The shopping centre is being reopened sometime this month with its new organic coating of various plants and flowers. Melbourne Greenhouse Restaurant Joost Vertical Gardens are an up-and-coming business in Australia, which specialises in living walls and columns. Their vertical gardens have appeared in art exhibitions, sculptural installations and high-end architectural fitouts, highlighting their aesthetic value and practical purpose. Through popular demand, Joost's unique designs are now available online and by consultation for restaurants and both domestic and commercial spaces. Vertical Garden Institute Philip and Vicki Yates set up the Vertical Garden Institute in 2007 after witnessing the awe of Blanc's huge vertical garden in Spain. They wanted to promote vertical gardens through sales, research, education and the development of vertical garden partnerships throughout the globe. This vertical art garden was released in July 2010. Berlin Another stunning design from Patrick Blanc, this garden wall in Berlin is a beautiful and eco-friendly addition to the city's streets. Increased temperatures in cities can partially be attributed to the absorption of heat by concrete buildings and roads. However, the natural processes of transpiration in plants ensures that they never go 5°C above the atmospheric temperature, thus helping to keep the urban area cooler. Madrid Caixa Forum This feature wall in the capital of Spain is a magnificent piece of natural artistry that provides a perfect place for tourists and locals alike to marvel at. The building was a former power plant built in 1899 and a rare example of industrial architecture in the old part of the city. The vertical garden is another design from Patrick Blanc and reaches four stories high, with over 15,000 plants from over 250 species. Tokyo AKROS Fukuoka Prefectural International Hall This 15-stepped terrace was shifted from a 10,000m² park in the city centre of Tokyo by US architect, Emilio Ambesz. To stand out from other city park areas, Ambesz opted instead for a garden resembling a mountain, culminating in a belvedere, which offers magnificent views of the harbour. The building is 14 floors above ground and 4 below, making it one of the largest vertical gardens in the group. Bangkok Siam Paragon Shopping Center The vertical garden craze has also reached Thailand, with this example of beautiful plants lining the balconies of the Siam Paragon Shopping Centre in Bangkok. Gardens appear not only in this courtyard of the shopping mall but they also decorate the elevator shaft as well as even some of the shopping booths. Living Walls, Netherlands Rather than being concrete, this colourful wall is made up of a thin layer of felt and rock wool material. To keep the vertical garden alive and vibrant, it also has water pumping through the material. This Dutch house is a perfect example of how easy it is to spice up any building with some floral flair. Bilbao Guggenheim Art Museum Outside the Guggenheim Art Museum in Bilbao, Spain, one would find a giant 43-foot tall 'plant puppy' made out of a steel substructure and an array of colourful vegetation. Jeff Koons created this cute and vibrant vertical garden masterpiece in the mid-1990s and we just couldn't go past this impressive creation. Especially since it made its own notable visit to the lawns of Sydney's MCA in 1995.
White Bay Power Station is ramping up to unveil its new look and new use as a bustling arts and community hub, with lead builder FDC announcing that the restoration and rebuild works are officially complete. The historic site will reopen in March, acting as a core site for the 2024 Biennale of Sydney — the first time the building has been operational in more than 40 years and the first time it's been open to the public in a century. The power station has been in the lengthy process of being revitalised and transformed into an arts, culture and community hub as part of the Bay West precinct. First constructed in 1917, the massive 30,000-square-metre building has been closed since it was decommissioned in 1984. Now it's been transformed into a site for diverse and boundary-pushing art, with FDC leading the charge on the build following its work on other significant cultural projects in Sydney, including Carriageworks, Phoenix Central Park, Chau Chak Museum and the National Arts School. Among the works that FDC completed in order to get the heritage-listed site ready for the public, 1.2 million litres of contaminated water had to be removed from the basement, the iconic chimneys were provided with extensive reinforcement and the 45-metre-tall boilerhouse received widespread work, including the installation of a new staircase. "White Bay Power Station has been a once-in-a-lifetime project for many on our team," says FDC Managing Director Russel Grady. "With any heritage site, and without that vital building blueprint to guide us, it required a high level of agility and creative problem-solving skills to address the many challenges in bringing the massive site to life." [caption id="attachment_920057" align="alignnone" width="1920"] Adam JWC[/caption] The first artists breathing life into the space will be working within the Bienalle's 2024 theme Ten Thousand Suns. Heat, power, light, summer, joy, strength, the changing climate — they're all notions that spring to mind. This is what artists are being asked to ponder when creating their pieces for the citywide event. Running from Saturday, March 9–Monday, June 10 across Sydney, and free to attend as always, the Biennale will feature works by artists such as William Yang, Tracey Moffatt, Serwah Attafuah, Kirtika Kain and Kaylene Whiskey among the homegrown contingent, as well as Sachiko Kazama from Japan, Francisco Toledo from Mexico and Malaysia's Anne Samat. In addition to ample art for attendees to experience, the 24th Biennale of Sydney will also feature a contemporary music lineup in partnership with Phoenix Central Park. The venue's curatorial skills will be taken to new locations beyond its stunning Chippendale site, responding to both Ten Thousand Suns as a theme and the works on display. Alongside the changes to the White Bay Power Station, the long-term plan for the Bay West precinct includes new employment spaces, 250 new homes with provisions for affordable housing and a new Metro station. Overall, the planned changes to the area are expected to create over four hectares of new public and open space. White Bay Power Station is located at 28 Robert Street, Rozelle. Read more about the plans for the massive structure via the NSW Government website and the Biennale of Sydney's website. Images: Toby Peet.
Winter is well and truly upon us. Everywhere you look, Sydneysiders are decked in their downiest puffer jackets and thickest tracksuits. But don't let the oh-so-chilly air stop you, because the city is still in full swing. Winter is a season of warmth, driven by delicious roasts and hot drinks, and you don't need to rug up at home to enjoy that side of the season. Step into the warm sunlight and get ready to browse, because busy markets are popping up across Sydney to fill baskets and bags with all the fresh produce, tasty treats and homemade gifts you'd ever need. Start by pencilling in a visit to the Cronulla Winter Market. This 100-plus stall event is returning to its annual home of Don Lucas Reserve on Saturday, July 29 and Sunday, July 30, from 10am to 3pm. Here, you can get your hands on anything, from swimwear to ceramics. To keep your shopping energy up, fill your stomach with street food, baked goods, healthy choices and everything in between. If time gets the better of you, or if you're looking to get some serious shopping done, make plans for The Ultimate Winter Market EQ. This is being held on Sunday, August 6, from 10am to 3pm, under the Entertainment Quarter's Market Canopy. This is another 100-plus stall market, but it's in the heart of the bustling Entertainment Quarter, so expect live music and entertainment for all ages alongside the goods and food available. You're also within range of the local entertainment venues and can take advantage of two hours of free parking at the Entertainment Quarter. The Cronulla Winter Markets are running on Saturday, July 29 and Sunday, July 30, from 10am to 3pm at Don Lucas Reserve. The Ultimate Winter Market EQ runs on Sunday, August 6 from 10am to 3pm at the Entertainment Quarter. For more information on either, visit the Cambridge Markets website.
One of 2013's best album covers, Pennsylvanian Kurt Vile's LP Waking On a Pretty Daze featured a specially commissioned mural by Steve "ESPO" Powers in Philadelphia. Now the bright, purely inoffensive mural — which controversially features a rampaging dancing snowflake, threateningly adorable postbox and a terribly welcoming couch surround by a love heart and the words "There's a place for all my friends." — has been painted over by local man DJ Lee Mayjahs, according to Philadelphian radio station WXPN. Why? Apparently the mural was "attracting graffiti to the neighbourhood." WARNING: Vile fans, this photo hurts a little. Philadelphia journalist Leah Kaufmann spoke to Mayjahs, turns out he really didn't know what he was doing when he took to the mural with white paint. Mayjahs is apparently horrified by his actions and has offered every sincere apology. "I got home and started doing research on my computer. I can't believe what I had done ad I wrote a letter to Kurt Vile apologising," he said. "I wrote a letter to the artist Espo apologising, telling them that I would pay Espo to come down and repaint it. I also wrote a letter to the mural arts apologising. Apparently it wasn't official. Even though it wasn't official I'm sorry for everything I did. I would do whatever I could do to make it right. I really am sorry. I don't know what I was doing. I literally lost my mind and took it out which was the dumbest thing I've ever done in my entire life." "I live in that neighbourhood. I've lived there for 15 years. I'm always cleaning up the streets and alleyways. I don't know… for some reason I feel like ever since that piece has been there it's attracted more and more graffiti to that neighbourhood, he said. "Every time I paint over illegal graffiti I was blaming it on it (the mural) and I didn't realise the people in the neighbourhood love it, I've never really sat and looked at it. I never did any research on it and then I just snapped." "I didn't think anything through and acted false pretence. I didn't think about the consequences of my actions. I'm sorry about that, I love Philadelphia, I love my neighbourhood and I love the arts. I'm a big supporter of the arts and so for me to do something that offends all of these people is completely out of character for me. Anybody who knows me will tell you the exact same thing. I'm sorry about it." Vile's rep has confirmed to that ESPO will head back to the mural and repaint it. The building's owner and the attached restaurant are apparently fans, seeing no reason to fear a graffiti influx to their Philadelphian streets because of it. Check out the mini-doco about the creation of the mural and just stare forlornly at the Waking On a Pretty Daze album cover for consolation: https://youtube.com/watch?v=I4RlljcBKg0 Via Pitchfork, Metro and WXPN.
The warmer months are here, and our bodies are ready to take our indoor fitness routines to the outside world. Think yoga. Think nature. Think combining the two for the perfect summer activity. As well as mixing up your usual vinyasa routine, doing yoga in natural environments has great benefits for mental health since it combines the benefits of exercise with the restorative effects of being in nature. But where can you realign those chakras outside? We're here to point you to a few golden outdoor spots to practice your asanas. We've also found a few teachers who'll help you through the moves, but these spots are also excellent for when you need a solo session with just you and nature. Either way, make sure to be sun safe and do your sun salutations from the shade when that fiery ball you're saluting is at its strongest (11am–3pm). A sunrise or sunset yoga practice is prime for avoiding peak UV time and for ensuring you aren't a total sweaty mess by the end of class. Whatever time of day you practice, though, make sure to apply that SPF 30+, wear some protective clothing and lay your mat in the shade. NARRABEEN SURF CLUB, NARRABEEN BEACH Nestled halfway up the Northern Beaches, Narrabeen Beach is one of the most consistently clean beaches in Sydney, partly due to local conservation efforts aimed at protecting the ecosystems where Narrabeen Lagoon meets the sea. Slop on that sunscreen, plonk your mat right down on the sand with Louise Kelly of Surfside Yoga, breathe in the fresh air and flow to the calming sound of the waves rolling in. As a bonus, you can often spot dolphins here, giving you the full David Attenborough yogi experience. Corner of Ocean and Albert streets, Narrabeen BONDI BEACH A sweeping view of Bondi Beach, the splash of salt spray, an outdoor lap pool on hand and an outdoor yoga sesh makes an ideal start to any day. Yoga By The Sea runs sunrise classes at the southern pocket of the world-famous beach on Tuesday and Friday mornings, with sessions focusing on strength, fitness and flexibility. Can't make it to Bondi? Classes also take place at Bronte, Manly and Freshwater. 1 Notts Avenue, Bondi Beach [caption id="attachment_852734" align="alignnone" width="1920"] Joppe Spaa (Unsplash)[/caption] MANLY BEACH So, you've mastered yoga on land and you're looking for a new challenge? Look no further: Manly's Flow Mocean has just the ticket with its weekend stand-up paddleboarding yoga classes. Paddle out to the floating studio for a 60-minute class that promises a lighthearted yet challenging practice that caters to just about any fitness and experience level. Prefer to stay on land? Flow Mocean also offers kayak yoga — no, it's not yoga on a kayak, but rather taking a kayak from Manly Kayak Centre Wharf to a secluded beach where you'll have a class on sand before taking a refreshing ocean dip afterwards. [caption id="attachment_852737" align="alignnone" width="1920"] Hopefilmphoto (Unsplash)[/caption] YOGA IN THE PARK Health, happiness and community are at the heart of the mission of registered charity Live Life Get Active. Its online and IRL fitness workshops welcome people from all walks of life to stay healthy and active, with classes led by professional trainers. The charity offers regular yoga classes in parks throughout Sydney, from Cronulla to Castle Hill, offering yogis of all experience and fitness levels a chance to practice outdoors. The best part? All classes are absolutely free. If you are looking for more places to feel a sense of connection in New South Wales, head to visitnsw.com.
Heading to Marvel Stadium at Melbourne's Docklands usually means watching a game of AFL. Or, you could be hitting up the venue to see a gig. Moseying beneath the space to wander around an underground light show and labyrinth definitely isn't normally on the cards. That'll change come winter, with the city's Firelight Festival returning for 2024 — and, for the first time, bringing the Firelight Labyrinth with it. The fest itself is a three-day affair over the last weekend in June, running from Friday, June 28–Sunday, June 30 at New Quay Promenade, Victoria Promenade and Harbour Esplanade. On the agenda, as in past years: fire performers, fire pits, fire drums, flame jets, fire arches and fire sculptures. There'll also be live music, African drumming, and an array of stomach-warming food and drink options — such as dumplings, smoked meats, paella, churros and hot chocolates. Flame-filled arts — and bites to feast on and beverages to sip while you're enjoying them — aren't the only drawcard this year, though. Cue more than 144,000 lights beaming beneath Marvel Stadium, with the labyrinth sticking around for over two weeks from Friday, June 28–Sunday, July 14. Accordingly, this year's Firelight Festival is also a huge tourist attraction for locals and visitors alike, especially if you want to see a key Aussie Rules venue in a new light — literally. As well as all of those sources of luminousness, the Firelight Labyrinth will feature immersive audio, making the experience an audio-visual maze. While the festival is free to attend — you'll need your wallet for whatever you eat and drink — the Firelight Labyrinth is ticketed, costing $37.50 for adults.
Drop everything, it's time to book a holiday for next year. At this time of year, every dollar counts, and when else can you book a return flight (domestic and international) and only pay for half the fee? Jetstar — ever the patron saint of affordable getaways — has just announced its latest special offer: three days of deals that offer essentially two flights for the price of one. From midnight tonight (or midday today if you're a Club Jetstar member), customers who purchase an outbound starter fare on select flights will get their return flight completely free, until 11.59pm on Sunday, November 30, or until the 90,000 available fares sell out. As mentioned, the offer is available across both domestic and international trips. Sydneysiders could skip the eight-hour drive to Byron and instead book a flight to Ballina from $42, or to Cairns from $102. Brisbane travellers can book a Whitsundays flight from $63, and Perth locals looking to go cross-country can fly to Melbourne from $199. If you're going out of the country, you're spoilt for choice. Sydneysiders looking for a quick and easy trip to Bali can do so from $249, Melbournians can immersive themselves in the cultural melting pot that is Singapore from $209, and if you're part of the Aussies that have yet to visit the 'it' destination of 2025: you can fly from Brisbane to Tokyo from $373 and Sydney to Osaka for the same price. Just next door is South Korea, which has gone underappreciated for too long — but Brisbanites can fly to Seoul from $309 in 2026. In terms of dates, the availability varies per route, but the offer is open for domestic flights between early February and late October 2026, and for international flights between early February and mid-September 2026. The Jetstar Return for FREE Black Friday sale runs from 12pm AEDT on Thursday, November 27 for Club Jetstar members, and from 12am AEDT for the general public. The sale will run until 11.59pm AEDT on Sunday, November 30, or until fares sell out. Visit the Jetstar website for more information.
In the age of streaming, DVD commentary tracks are no longer as much a part of the home-viewing process. If you're keen to hear insider details about the making of Sydney-shot 1999 sci-fi great The Matrix and 2025's Melbourne-made horror hit Together, however, SXSW Sydney has you covered. 2025's event has unveiled more details of its Screen Festival program for this year, with the return of its Screen Commentary sessions among the highlights. Costume designer Kym Barrett, who has also worked on everything from Baz Luhrmann's Romeo + Juliet, The Nice Guys, The Shallows, Aquaman and Us to Charlie's Angels, Shang-Chi and the Legend of the Ten Rings and Three Thousand Years of Longing — and on The Matrix Reloaded and The Matrix Revolutions, plus the Wachowskis' Speed Racer, Cloud Atlas and Jupiter Ascending — will talk through her efforts on The Matrix as the film plays. For Together, writer/director Michael Shanks will dig into his debut feature, which also opened 2025's Sydney Film Festival. SXSW Sydney has also announced Screen conference sessions as part of its roster of seminars, workshops and more, with Whitney Fuller, the Development Executive of Jordan Peele's Monkeypaw Productions, one of the big names. Fittingly, Fuller will be part of the festival's Women in Genre panel. Also, producer Liz Watts (The Royal Hotel) and filmmaker Tony Ayres (The Survivors) are teaming up for the What Is an Australian Story? session, while Fantastic Festival Director Lisa Dreyer, Rachel Watt from Watt Social, Yellow Veil Pictures' Joe Yanick and Oscilloscope's Alexandra Fredericks are set to get chatting as well. The panel lineup also spans Jill Kingston from Pacific Shadow Pictures, Enzo Tedeschi and Helen Tuck from Deadhouse Films, and Lake Martin Films' Kate Separovich unpacking all things indie horror from a filmmaking perspective, as well as Invention Studios' Carmen Knox and actor Remy Hii (Arcane) on deciding whether to make the leap to LA. SXSW Sydney's latest screen-centric additions join Paul Feig (Another Simple Favour) hitting the Harbour City as the Screen Festival keynote speaker and its first recipient of the new SXSW Sydney Screen Pioneer Award — and also a 14-hour Freaks and Geeks marathon, plus sessions of Bridesmaids and The Heat, to go along with his time at the fest. There's more to come; however, as similarly announced earlier, viewers will also be able to catch By Design, $POSITIONS, Dead Lover, Zodiac Killer Project, The Last Sacrifice and Bokshi. Among that group, body-swap effort By Design features Juliette Lewis (The Thicket), Mamoudou Athie (Kinds of Kindness) and Robin Tunney (Dear Edward); horror-comedy Dead Lover is a SXSW Austin award-winner; Charlie Shackleton (The Afterlight) digs into a famed serial killer; and everything from comedy to folk horror features. [caption id="attachment_967878" align="alignnone" width="1920"] Jaimi Joy[/caption] [caption id="attachment_923287" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] [caption id="attachment_923317" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] SXSW Sydney 2025, including the SXSW Sydney Screen Festival, runs from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details and tickets. The Matrix image: Ronald Siemoneit/Sygma/Sygma via Getty Images. Together image: Ben King, Neon.
If your usual night-out routine has been suffering from same-same syndrome of late, left-of-field events company Curious Cartel has just the thing to help you lift your game. The experts of immersive theatre and masters of intrigue — the same ones that brought us Prom Night and Popcorn Therapy — will again lead punters blindly into an unknown world of wonders, this time with their interactive cocktail pop-up and game room, The Lock In. Guests are in for a truly immersive experience here, mixing booze, nostalgia, sci-fi and theatre, as they're led back in time (and over some oceans) to 1980s small-town Indiana, USA. In classic Curious Cartel form, the event is pretty much shrouded in mystery until the moment you walk through the door, entering the pop-up's temporary world above Surry Hills bar The Wanderer. All we know is you'll have 90 minutes to investigate an eerie mystery surrounding a fictional, top-secret government facility, while enjoying cocktails, games, food and a soundtrack of banging 80s jams. UPDATE: MARCH 18, 2019 — Due to overwhelming success, The Lock In has been extended until further notice. To purchase tickets, head this way.
D4vd has officially been removed from the touring lineup of Spilt Milk, in the midst of official investigations into a dead body discovered in a Tesla registered in the artist's name. His 2025 touring schedule has been up in the air ever since the investigation began, but after quietly being scrubbed on the weekend, the organisers have confirmed their decision today as reported on Rolling Stone. The body was discovered in the Tesla trunk after police were called to a tow yard in Hollywood to investigate reports of a foul smell coming from the car. It took a week for medical examiners to identify the victim as 15-year-old Celeste Rivas, who had been missing for over a year. Burke was on tour when Rivas' body was discovered, and he continued to play shows. "Last week we removed d4vd from our website and marketing out of respect for the unfolding story," a statement reads. "We can now confirm d4vd will not perform at Spilt Milk and we are working on a replacement booking which we'll announce as soon as it's finalised." View this post on Instagram A post shared by Spilt Milk (@spiltmilk_au) Tickets for d4vd's headline shows while in the country have also been quietly scrapped. Rolling Stone AU/NZ has contacted promoters for comment. According to a previously released statement, Burke has been "cooperating" with authorities during the investigation. He has not been named as a suspect or a person of interest, nor has he been accused of any crimes. While authorities haven't identified a suspect or person of interest yet, several details about the investigation have come out. For instance, the impounded Tesla was towed from the affluent Bird Streets neighbourhood in the Hollywood Hills, with neighbors telling Rolling Stone that it had been spotted in various places. It was eventually towed from a spot on Bluebird Avenue, where sources said it had been sitting for at least three weeks. After Rivas was identified, law enforcement searched a house around the block from where the car was towed. Police left with several items, including a computer. The home's owner later confirmed to Rolling Stone that the residence had been rented to Burke's manager, Josh Marshall, last year, starting in February 2024. Spilt Milk will take place in Ballarat, Perth, Canberra and the Gold Coast between Saturday, December 6 and Sunday, December 14. For more information on the lineup, visit the website.
Powerhouse Youth Theatre (PYT) Fairfield once again heads out into the local community to do what they do best — that is, highlighting and celebrating cultural pockets of Sydney that are vibrant but often little-known. This time the focus is on the thriving Iraqi culture in Sydney's western suburbs. Little Baghdad is a culinary theatre experience, but it's also an effort to gain public recognition and support for one of the most successful refugee services in the world. Audiences are invited to attend a traditional dinner party in the Parents' Garden Café in Fairfield High School, a commercial kitchen-cum-refugee support centre that has been praised by the UN as a model for welcoming and integrating refugees into a community. The night will consist of food, drink, dance and song as newly arrived Australians share dishes and memories from the country of their birth. Artists and musicians will be showcasing their works, with performances and live music throughout the night. After dinner, though, everyone dances. It's tradition. This is an excellent opportunity to support one of the few positive measures Australians have implemented when it comes to refugees. It's also a great chance to immerse yourself in the culture of a country that's been a tad difficult to explore as a tourist of late. If you need extra incentive, supporting this event is an incredibly creative way of telling Peter Dutton where he can shove it. Although, if you'd rather not spoil your dinner with politics, the first two reasons are perfectly adequate.
Almost three decades ago, before he had the world saying "thank you, thank you very much" to Elvis, before he explored the birth of American hiphop in Netflix's The Get Down, and before gave The Great Gatsby a spin and made Moulin Rouge! spectacular (spectacular), too, Baz Luhrmann achieved two not-too-insignificant things with his film version of Romeo + Juliet. Not only did the Australian director's vibrant take on the classic tragedy completely change the way everyone thinks about Shakespeare adaptations — it also delivered one of the killer soundtracks of the 90s, and one that many a movie has tried and failed to top since. The track list speaks for itself, really, featuring everything Garbage's '#1 Crush' to The Cardigans' 'Lovefool' to Radiohead's 'Talk Show Host'. Everclear, Butthole Surfers, Des'ree and Quindon Tarver's 'Everybody's Free (To Feel Good)' also pop up, with Luhrmann turning the greatest love story ever told into the greatest soundtrack ever sold. If you were around and of a certain age back in 1996, you definitely owned a copy. You probably still do. Even if you weren't loving it before the turn of the century, you should now as well. It's no wonder, then, that not just the picture but the tunes keep being celebrated as Romeo + Juliet nears its 30th anniversary in 2026. In London for more than a decade, concert screenings of the movie with a live choir and band have been wowing audiences and selling out. More than half-a-million filmgoers have attended. Now, Baz Luhrmann's Romeo + Juliet: A Cinematic Experience is finally coming to Australia. Young hearts run free to The Astor Theatre in Melbourne, which is playing host to the Australian debut of this live experience from Tuesday, September 23–Sunday, September 28, 2025. New sessions have already been added due to demand, and there's no word yet if the shows will make their way to other Australian cities. "Audiences really feel like they're stepping into Verona as we don the theatre for a multisensory experience," said Dominic Davies, CEO of the UK's Backyard Cinema, which created the experience. "After sellout performances in London, we are thrilled that Sony Music Australia is bringing this production Down Under for the first time." "The Astor Theatre is such an iconic Melbourne venue and will provide a majestic backdrop for the immersive performance — it will be an experience like no other," added Sony Music Australia and New Zealand Chair and CEO Vanessa Picken. "The show has done incredibly well in London for a long time. We're really looking forward to adding a local slant with a well-known narrator to be announced soon." Baz Luhrmann's Romeo + Juliet: A Cinematic Experience runs at The Astor Theatre, 1 Chapel Street, St Kilda, from Tuesday, September 23–Sunday, September 28, 2025 — head to Ticketek for more details and tickets. Images: Andrew Ogilvy Photography.
The Entertainment Quarter's multi-storey live music venue is set for a huge transformation with the Mary's Group taking over operations at the Moore Park spot. Formerly Hi-Fi and Max Watt's, the 1200-capacity hall will be renamed Liberty Hall and taken under the wing of burger bros, Mary's founders Jake Smyth and Kenny Graham. Located across from the Hordern Pavillion and the Entertainment Quater's new pub Watson's, Hi-Fi quickly became a Sydney mainstay for midsized gigs in the early 2010s. It was then renamed Max Watt's House of Music in 2015. Now, with Smyth and Graham at the helm, the venue will host gigs ranging from local acts finding their feet and club nights to tours with big international acts. "We are humbled at another opportunity to take the reins of yet another fallen live music venue and pour energy and hard work into creating an exciting creative space for Sydney's arts community," Graham said. Liberty Hall will swing its doors open from late October with initial lineups and shows set to be announced over the next couple of months. View this post on Instagram A post shared by George Kostopoulos (@gm.kosto) "Today's announcement is another great step forward in the renaissance of Sydney's live music scene," NSW 24-Hour Economy Commissioner Michael Rodrigues said. "This new venue will give a platform for creative talent from Sydney and beyond, whilst also helping to revitalise the Entertainment Quarter precinct. It's a big shot in the arm for our city's 24-hour economy and I can't wait to experience its first performances." The live music venue will be accompanied by a new Mary's restaurant next door, serving up the team's signature burgers and fried chicken. The burger joint will become the group's fifth Sydney location, joining Newtown, Castelraigh Street, Circular Quay and the recently opened Castle Hill outpost. This won't be the team's first foray into live music programming. Below the Circular Quay location, you'll find another salvaged space, the underground gig space Mary's Underground. Previously known as The Basement, Mary's resurrected the venue a year after it was forced to close. Smyth and Graham also ran gigs out of The Lansdowne for over half a decade before stepping away from the venue in February. Thankfully for the city's live music junkies, the beloved City Road pub has been saved by the Oxford Art Factory team. [caption id="attachment_747991" align="alignnone" width="1920"] Mary's by Kitti Gould[/caption] Liberty Hall will be located at Building 220, 116-122 Lang Road, The Entertainment Quarter, Moore Park. It will open in late October. Images: Tom Wilkinson
When someone spots a giant spider, they take notice, even when it's simply a tall metal piece of art. Seeing one of Louise Bourgeois' towering arachnids is indeed a stunning experience; however, so is watching people clock her lofty works. Her Maman sculptures demand attention. They're the type of public art that audiences just want to sit around, soak in and commune with. They're photo favourites, too, of course — and one is coming to Australia. This will be the first time that Maman has displayed Down Under, with the world-famous work heading to Sydney as part of Sydney International Art Series returns for 2023–24. As previously announced, Bourgeois is one of three hero talents scoring a blockbuster exhibition during event, alongside Wassily Kandinsky and Tacita Dean. And, the nine-metre-high, ten-metre-wide sculpture that she's best known for will be catching Aussie art lovers in its web. [caption id="attachment_914565" align="alignnone" width="1920"] Louise Bourgeois' Maman, located outside the National Gallery of Canada. Radagast via Wikimedia Commons.[/caption] That said, there won't be any physical strings of silk — but Maman is that entrancing. The sculpture hails back to 1999, and boasts its name because it's a tribute to Bourgeois' mother. The artist described her mum as "deliberate, clever, patient, soothing... and [as] useful as a spider". If you're keen to see Maman on home soil, it'll sit on the forecourt of the Art Gallery of New South Wales' South Building from Saturday, November 25, 2023–Sunday, April 28, 2024 during Louise Bourgeois: Has the Day Invaded the Night, or Has the Night Invaded the Day?'s run. And if it sounds familiar, that's because you might've seen permanent installations of the bronze, steel and marble work outside the Mori Art Museum in Tokyo — or at the Tate Modern in the UK, National Gallery of Canada in Ottawa, Guggenheim Museum Bilbao in Spain, Crystal Bridges Museum of American Art in Bentonville in Arkansas or the Qatar National Convention Center in Doha. [caption id="attachment_914560" align="alignnone" width="1920"] Louise Bourgeois 'Clouds and Caverns' 1982–89, metal, wood, 274.3 x 553.7 x 182.9 cm, Collection The Easton Foundation, New York, courtesy Kunstmuseum Den Haag © The Easton Foundation, photo: Christopher Burke.[/caption] "We are proud that the subject of our first major solo exhibition in our new SANAA-designed North Building, almost one year since opening, is the great Louise Bourgeois. We are honoured to introduce this deeply influential artist to new generations, and to have the opportunity to share the strange beauty and emotional power of her art with Sydney,' said Art Gallery of New South Wales director Michael Brand. "The scale of this exhibition, which is one of the most extensive ever dedicated to an international woman artist in Australia, demonstrates our commitment to revealing the depth and complexity of the artistic careers we explore and our commitment to celebrating the work of women artists in our collection and exhibitions." "We are proud to bring Maman, the largest spider sculpture ever made by Bourgeois, to Sydney for the very first time, and to be showcasing the extraordinary breadth of the artist's practice, which includes fabric sculpture, works on paper, bronzes, works from her series of Cells, mechanised sculpture, and more." [caption id="attachment_914563" align="alignnone" width="1920"] Louise Bourgeois 'Twosome' 1991, steel, paint, electric light, 190.5 x 193 x 1244.6 cm, Collection The Easton Foundation, New York © The Easton Foundation, photo: Elad Sarig.[/caption] A collaboration with The Easton Foundation in New York, Louise Bourgeois: Has the Day Invaded the Night, or Has the Night Invaded the Day? will showcase more than 150 works. It's the largest survey of Bourgeois' work ever displayed in Australia — and, as Brand mentioned, one of the most comprehensive ever devoted to a female artist in the country. The Bourgeois exhibition will display 13 years after the Paris-born artist passed away in New York in 2010, and after she stamped her imprint upon the art of the 20th century. Visitors to will see her Personage sculptures from the 1940s, textile works of the 1990s and 2000s, and plenty in-between, with the showcase playing up the duelling themes and ideas in her work by taking over AGNSW's major exhibition gallery and 'the Tank'. Other highlights include The Destruction of the Father, which is among the pieces that've never been displayed in Australia before; Crouching Spider, and one of the biggest works ever to grace the Tank; Clouds and Caverns, which is rarely seen in general; and the mirrored piece Has the Day Invaded the Night, or Has the Night Invaded the Day?, which shares the exhibition's moniker. [caption id="attachment_889027" align="alignnone" width="1920"] Louise Bourgeois, The destruction of the father 1974-2017, archival polyurethane, resin, wood, fabric and red light, 237.8 x 362.3 x 248.6 cm. Glenstone Museum, Potomac, Maryland. Photo: Ron Amstutz. © The Easton Foundation.[/caption] Louise Bourgeois: Has the Day Invaded the Night, or Has the Night Invaded the Day? runs from Saturday, November 25, 2023–Sunday, April 28, 2024 at the Art Gallery of New South Wales, Art Gallery Road, The Domain, Sydney, with tickets on sale from Wednesday, September 6. Sydney International Art Series runs from November 2023 — head to the AGNSW and MCA websites for further details. Top image: Louise Bourgeois 'Maman' 1999, installed during the exhibition 'Louise Bourgeois: To Unravel a Torment', Museu de Arte Contemporânea de Serralves, Porto, 3 December 2020 – 20 June 2021 © The Easton Foundation, photo: Filipe Braga.
On Friday the much-loved Sydney gallery White Rabbit will reopen and unveil their new show, Serve the People. Which means it's time for one of their famously fun opening night parties! Everyone's welcome, so get there early to grab a prime place in the inevitable queue. The exhibition is curated by Chinese art aficionado Edmund Capon, former director of the Art Gallery of New South Wales. Capon lends his passionate expertise to this intriguing collection of the best artworks of the ‘21st-century cultural revolution’. So grab a drink and prepare to be impressed by pieces from artists including Yan Siwen, Jin Feng and Madeln Company (Xu Zhen) reflecting a freer period in which the phrase ‘serve the people’ no longer means producing art to further the socialist cause. Instead, in highly experimental, individualistic ways artists are interrogating China’s national image, exploring themes like consumerism, history vs. ideology, corruption, personal identity and censorship. Image: Zhou Xiaohu, "America Likes Me", 2012
For many families in the hospitality industry, children often inherit the beloved restaurants where they spent their formative years. It's not often that you find a hospitality veteran launching a restaurant specifically with his parents in mind. Brookvale's Bazaar and Bar and Sketch Manly founder, Kabir Arora, wanted to give his parents a "real place to land" once they emigrated to Australia from India. "Mum had years of catering experience back in India and deserved a kitchen where she could show off properly," says Kabir. "Dad, BJ, is a numbers guy, so he slid straight into the accounting seat. Sketch became our family project before it ever became a restaurant." If you're not familiar with the curry and craft beer house, Sketch Manly, you've been missing out. The restaurant started with Indian tapas nights that the locals packed out. Throughout COVID, Sketch Manly stayed open every day and nine years into their venture, the restaurant still hasn't closed its doors once. "That's how committed we are to being part of this neighbourhood," says Kabir. "Sketch is what it is because Manly made it that way." Kabir describes Sketch Manly as Indian home-cooking meets a cosy Melbourne bar (despite being in Sydney). "Vibey street energy, hip tunes, and a space built with genuine care for food and drinks," Kabir tells Concrete Playground. Sketch Manly's curries are all Kabir's mum's, Sukh's recipes. "It's simple food done right. Our butter chicken and mushroom korma anchor the menu, and the rest rotates seasonally. No gimmicks. Just home cooking executed properly." Said butter chicken is the "unofficial mascot of Sketch", and Kabir prides himself on their version going back to basics. "Too many Sydney spots have turned butter chicken into dessert, so we went in the opposite direction: tomato, butter, cream, a few spices, and restraint." Kabir's partner, Ivy, has also helped Manly to fall in love with the restaurant's newest dessert: the Chai-misu, an Indian twist on the ever-popular tiramisu. Alongside its food offerings, Sketch Manly is also known for pairing its homemade curries with crispy craft beers. "Spices and a crisp, cold beer are natural mates," says Kabir. "A clean lager cools things down beautifully, but a juicy pale or hazy IPA can actually lift the flavours and make the whole meal pop." Ultimately, the family ethos that began Sketch Manly is what Kabir hopes customers feel after dining in. Similar to eating at your cousin's or mum's place, he says, the family hopes diners leave full, content, happy and planning their next visit. "It's the neighbourhood curry spot where everyone feels welcome," says Kabir. "First-timers, regulars, families, tradies — whoever walks in gets treated like part of the crew. We cook the same way every day, with the same care." So, what's next for the Northern Beaches restaurant? Kabir is setting his sights on more dinner collaborations, hibachi nights, and even an expansion. "And we're finally launching Sketch Goods — small-batch chutneys, sauces, pickles, and other Indian pantry staples we've been quietly perfecting," says Kabir. The idea for Sketch Goods is simple: bring Sketch Manly's beloved flavours into other cafes, delis, pubs, and home kitchens. What began as a family project has turned into a nearly decade-long love affair with the Northern Beaches suburb, and as the Pittwater Road gem expands, it seems Sketch Manly's food and flavours could soon be enjoyed by more than just the locals. Images: Supplied
Those fortunate enough to have spent a night or two at Capella Sydney – a five-star stay immersed in art and heritage – will probably know all about its luxury dining offering, Brasserie 1930. Having just celebrated its second birthday, operator Bentley Restaurant Group saw this moment as the perfect time to shake things up. Entering its next era, Brasserie 1930 has got a new head chef, a new Australian brasserie menu and an exciting culinary experience linking sophisticated food with art and culture. Leading this evolution is Executive Chef Brent Savage and newly appointed Head Chef Troy Spencer (Pomme, Bistro Thierry, L'Etoile Restaurant & Bar). Working closely together, the duo have married Savage's passion for incredible local produce with Spencer's impressive career working in European brasseries. Bringing an elevated Australian-inspired approach to French late-night cuisine, expect dishes featuring native flavours and ingredients that honour tradition without foregoing innovation. Adorning the new menu are highlights such as David Blackmore wagyu tartare with mustard cream, rye cracker and sorrel; Aquna Murray cod, smoked clam with roasted onion butter and paperbark oil; and Kinross Station lamb saddle with eggplant, macadamia and saltbush. There's also a selection of curated cocktails, including a macadamia martini, lemon myrtle sidecar and wattleseed highball. "Brasserie 1930 celebrates the incredible variety of native Australian ingredients, blending the country's unique culinary heritage," says Savage. "It's about highlighting the best of what Australia has to offer in a warm and inviting setting where guests can enjoy exceptional food with attentive, yet relaxed, Australian hospitality. It's about good and honest flavours in a space that feels elegant, yet approachable." Adding to this perspective is the hotel's new monthly series, The Art of Dining, starting from Thursday, May 29. Curated by international art and design consultancy, The Artling, this exclusive experience sees restaurant guests receive a private tour of the hotel's landmark art collection, guided by renowned advisor Fiona McIntosh. Those taking up the tour will also receive a complimentary glass of champagne and a double pass to the Museum of Contemporary Art Australia (MCA). With over 1,400 pieces on display, Capella Sydney's art collection is one of the largest in any Australian luxury hotel. That's a fitting status for one of Sydney's heritage icons. Built in 1915 amid what's now called 'the sandstone precinct', the hotel's storied building is best known as the former home of the Department of Education. After the department moved to new digs in 2018, the developer behind Capaella Sydney snapped up the property with incredible results. Brasserie 1930 is situated inside Capella Sydney at 24 Loftus Street, Sydney. Head to the website for more information. Images: Ethan Smart.
While almost everyone loves hot chips, agreeing on which takeaway option does them best is far more contentious. Plus, everyone has their preferences when it comes to tomato sauce. However, Mutti has teamed up with acclaimed chef Nelly Robinson of Sydney's NEL Restaurant to create a single, show-stopping fry that might just settle the debate. Bringing together the humble chip and the world of fine dining, this over-the-top tribute set out to achieve the World's Fanciest Fry. Once you start delving into the ingredients and process that make it happen, it's hard to deny that this unique creation has truly taken the classic side dish to extraordinary heights. "To create a fry truly worthy of Mutti tomato ketchup, we had to go all in. We started with the fanciest Chipperbec potatoes we could get our hands on, blanched them in Wagyu beef fat, and finished them with fresh truffle and served with scampi caviar. This isn't just a chip — it's the McLaren of fries," says chef Nelly Robinson. With a creation this lavish, settling for an ordinary condiment is simply not an option. Fortunately, Mutti's range of premium table sauces made for the ideal pairing at the launch of this special dish. If you're the kind of person to slather your chips in sauce, perhaps they'll also take your humble feast up a notch. As for the World's Fanciest Fry, it's now available on NEL Restaurant's menu until the end of June. But don't expect this supremely decadent treat to come cheap. Priced at $35, this curious delicacy has seen the everyday, moreish side dish transformed into a luxurious morsel that takes centre stage. Says Robinson: "It's crispy, rich, outrageously indulgent and possibly the most culinary brainpower ever invested in a single hot chip. But with a ketchup as good as Mutti's, the fry's gotta bring its A-game!" The World's Fanciest Fry is available until the end of June at NEL Restaurant, 75 Wentworth Avenue, Sydney. Head to the website for more information.
A lavish European-influenced brasserie is swinging open its doors in Sydney's CBD. Brasserie 1930 will officially arrive on Wednesday, March 15, coming to the new luxury hotel Capella Sydney from the Bentley Restaurant Group. The acclaimed hospitality crew behind Bentley Restaurant and Bar, Monopole, Yellow and Cirrus will bring an elegant dining room, next-level eats and a meticulously curated wine program to the expansive inner-city hotel — the first Australian opening from the Capella hotel group. Named after the year the Young Street section of the building was completed, Brasserie 1930 takes the idea of an elevated French diner and injects it with local Australian produce and Sydney-favourite dishes. Expect to kick off your meal with Sydney rock or Tasmanian pacific oysters, as well as prawns paired with fermented chilli mayonnaise. Highlights from the starters section of the menu include beef tartare, brown butter scallops, spanner crab alla chitarra with sea urchin sauce and glazed quail paired with whipped feta. [caption id="attachment_892588" align="alignnone" width="1920"] Kris Paulsen[/caption] Then there's the mains. Starting from $48, this portion of the offerings is full of no-holds-barred luxury. The seafood selections, for example, include coral trout with potato yoghurt puree and leek, coal-roasted Murray cod with pepperberry butter and eastern rock lobster. There are three steaks on offer if that's what you're craving. Take your pick from the Yarabah wagyu rump cap, O'Connor's bone-in sirloin or Coppertree Farms 600-gram rib eye that'll set you back an easy $110. And, rounding out the mains is the whole-roasted duck which you can order for the table. This $190 share dish comes accompanied by duck-neck sausage, roasted plum, fennel, spinach and glazed eschalots. [caption id="attachment_892592" align="alignnone" width="1920"] Timothy Kaye[/caption] Bentley Restaurant Group's co-owner and sommelier Nick Hildebrandt has pulled together a massive wine list to compliment the elegant menu. More than 400 producers from across Australia and Europe are on show, with the by-the-glass menu set to evolve and change over time, spotlighting picks from the hospitality group's wine vault. All of this is housed within an equally grand dining space. Original architectural features of the nearly century-old building have been restored, then complemented with sleek modern furnishings and light fixtures. Brasserie 1930 will join the McRae Bar in the 192-room, eight-storey Capella Sydney hotel. The luxury accommodation will become Australia's first Capella when it also opens on Wednesday, March 15, offering guests an elevated inner-city stay featuring swimming and vitality pools, a fitness centre and a spa alongside the impressive dining options. [caption id="attachment_892589" align="alignnone" width="1920"] Kris Paulsen[/caption] Capella Sydney and Brasserie 1930 both open on Wednesday, March 15 at 2–4 Farrer Place, Sydney. Top image: Kris Paulsen.
Maroubra locals who have been looking at the inner west with envy at the area's range of markets are about to be blessed with a monthly market of their own. After two false starts due to extreme weather, the market maestros at Cambridge Markets launched this monthly market at Maroubra Beach in partnership with Randwick City Council on Saturday, November 2, which runs from 8am–2pm. Dozens of vendors will dish out hot food, cool drinks, and all sorts of homemade goodies, so you'll want to bring plenty of shopping bags with you. There will also be water bottle refill stations so you can stay hydrated as you explore. Expect also to find fashion, homewares, toys, fresh produce, art, craft, gifting, vintage clothing, plants, and plenty more. Plus, there'll also be live music, along with activities to partake in and some fun rides for the kids. Held down at Broadarrow Reserve, mere steps from the beach, the Maroubra Beach Markets will be held on the first Saturday of each month from 8am–2pm. The Maroubra Beach Markets are taking place on the first Saturday of every month from Saturday, November 2, from 8am–2pm. For more information on Cambridge Markets or any of its events or markets across Sydney, visit the website.
In Greek, 'Ela ela' means 'come here', which is exactly what chef Peter Consistis (ex-Alpha) hopes Sydneysiders will do to sample his new menu of reimagined Mediterranean fare. Ela Ela is the sixth and final venue to open at the new dining and nightlife hotspot The Bristol. Once a historic Sydney pub, The Bristol Arms Hotel was permanently closed during the pandemic. Following a multimillion-dollar refurbishment, the building has been reborn as a multilevel hospitality haven, complete with a rooftop bar, an art deco cocktail lounge, a pumping nightclub, a sports bar and a casual public bar on the ground floor – an homage to building's pub heritage. The arrival of Ela Ela, the site's main dining space, completes The Bristol's comprehensive offering, delivering a complete night out from pre-dinner drinks to late-night revels. The restaurant's 80-seat dining space takes its design cues from a traditional Greek mezedopolio, but with a modern sheen. Green and orange jewel tones complement the rustic design of the furnishings, giving the revamped restaurant a warm and inviting atmosphere. Consistis has created a menu that champions the classic flavours of Greek cuisine, infused with his signature contemporary flare and notes from Greece's Mediterranean neighbours. Ela Ela's kitchen is centred around its woodfired grill, where charred octopus with gigantes beans and fire-roasted king prawns are imbued with a rich smokiness. For a more refined interpretation of classic Greek cuisine, Consistis presents a goat moussaka with globe artichoke and goat feta bechamel. Diners can wash their meal down with their choice of an extensive selection of beers and wines, carefully picked to pair perfectly with Ela Ela's pyro-powered menu. And as for cocktails, there are a selection of Greek-inspired mingles — in sizes 'mini' and 'not mini' — including a dirty Greek martini, featuring a tea made from tomatoes, cucumbers, green olives and feta brine, olive-infused vodka, vermouth and finished with a Greek salad skewer. [caption id="attachment_977926" align="alignnone" width="1920"] Peter Consistis[/caption] Images: Paul Papadopulos
With the end of Summer almost in sight, it's time to make the most of those long lazy afternoons. And what better way to do that than with a few cold drinks in a relaxed, comfortable outdoor setting — AKA, a lush beer garden. So we've rounded up the best lesser-known beer gardens in the inner west, where you can soak up some rays and brews this summer (without struggling to find a place to sit).
The Colins Butcher is an excellent place to visit for your culinary needs, with an extensive selection of gourmet meats on offer. This butchery in Zetland is great for fresh and ethically sourced meat — it boasts produce that is 'natural, hormone and chemical-free' to ensure you get the best quality. Colins also sells handmade sausages and smoked meats, and it has its own biltong machine for dehydrating. There's also a hot food deli counter, so you can try before you buy. The team at Colins is passionate about its stock, so ask them a couple of questions and see what they can recommend — your dinner guests will thank you later.
A beloved staple of the meeting point between Marrickville, Enmore and St Peters in Sydney's Inner West, West Juliett shut its doors earlier in 2023. Luckily for all of the fans of this corner cafe, the original founders have opened Agnes just a five-minute drive away. John and Kathryn Stavropoulos have remained in Marrickville, swinging open the doors to their latest venture on Meeks Road just off Marrickville Road. The duo has enlisted an all-star team for their new opening, with Agnes team members boasting experience from across Flour and Stone, Black Star Pastry and Cross Eatery. Housed in a classic graffiti-laden red-brick terrace that had been left dormant, the cafe offers White Horse coffee, plenty of baked treats, and a hefty breakfast and lunch menu which can be taken away, enjoyed inside or paired with some Vitamin D out on the pair of al fresco tables. Pastry chef Etta Napier's focaccia features heavily throughout the menu. For breakfast, you can order it with a simple spread, stacked with avocado and feta, or as the basis for a loaded breakfast sandwich. Come 11am, there are five sandwiches on offer, all piled high atop the focaccia. Veggie lovers can opt for charred miso eggplant with crunchy slaw and pickled red onion, or you can keep it classic with a classic crumbed chicken sambo partnered with nori and fermented chilli mayo. Following your savoury selection, it's only right to treat yourself to a little something sweet. Expect blueberry, lime and cheesecake tarts, plus West Juliett's famous pink salt chocolate-chip cookies. The Agnes team is also committed to keeping things local and in-house, with the honey, jams, pickles and milkshake syrups all made right there at the cafe, or at John and Kathryn's apiary. Even the bacon is smoked locally. "Agnes is more than just a cafe — it's a place where people can come together, enjoy delicious food, connect with friends and create lasting memories," says Kathryn Stavropoulos. Find Agnes at 69 Meeks Road, Marrickville. It's currently open 7am–3pm Monday–Friday and is considering expanding its opening hours to Saturdays.
There might be no such thing as a free lunch, but at least there's now cheap lunch, thanks to Sydney Place. The Circular Quay dining precinct is doing its bit to help you through the cost of living crisis by bringing you 11 days of affordable lunches. On weekdays from Monday, April 14, until Friday, April 25, you'll be able to munch your way through a variety of Japanese, Thai and Italian dishes, each at $10 a pop. Drop by Dopa by Devon for a steaming chicken don bowl, crowded with crispy fried free-range chicken thigh fillet and steamed rice, sprinkled with seaweed, sesame and shallots, topped with a 63° soft egg. Alternatively, swing by Sushi Yuzen for two sushi rolls of your choice alongside a warm miso soup, or Gang Thai, where you can choose between chicken pad see ew, chilli basil chicken with steamed rice; and yellow curry. Meanwhile, Bourke & Ward is offering Roman Pizza, and Toby's Estate will swap your tenner for a chicken and avocado wrap with a regular coffee.
Film fans, your spider-senses should be tingling: there's a new batch of Spider-Man-adjacent characters swinging onto the big screen. Get ready to meet Dakota Johnson (Cha Cha Real Smooth) as Madame Web, aka clairvoyant paramedic Cassandra Webb. Get ready, too, for Sydney Sweeney (Reality) as Julia Carpenter, who has a stint as Spider-Woman in her story in the comic books. Johnson and Sweeney lead Madame Web, the fourth film in Sony's Spider-Man Universe. That's the name for the studio's franchise of flicks that have been spun off from its Spider-Man movies — so from Spider-Man: Homecoming, Spider-Man: Far From Home and Spider-Man: No Way Home — but aren't part of the the Marvel Cinematic Universe. Hitting cinemas on Wednesday, February 14, 2024, it slings in alongside Venom, Venom: Let There Be Carnage and Morbius, plus the delayed Kraven the Hunter when it arrives later the same year, to spread another web of superhero-related pictures. Given its name, there's no chance of thinking that Madame Web would be subtle about its Spidey links. The just-dropped first trailer for the film makes that plain not just in multiple Spider-Woman sightings, but in an explanatory line from Johnson designed to drop some backstory: "he was in the Amazon with my mum when she was researching spiders right before she died". In the first SSU movie with a female lead, the man that Webb is talking about is Ezekiel Sims (Tahar Rahim, Extrapolations), a character who also hails from the page. He factors into a narrative that has Webb almost drowning, then discovering that she can see the future, with not just Sims but Carpenter linked to her fortunes. Also, would this be a Spider-Man-related movie, or a comic book movie in general, if a complicated past didn't also play a part? Also featuring on-screen in Madame Web: Celeste O'Connor (Ghostbusters: Afterlife), Isabela Merced (Rosaline), Mike Epps (I'm a Virgo), Emma Roberts (American Horror Story) and Adam Scott (Party Down). Veteran TV helmer SJ Clarkson (Succession, Vinyl, Jessica Jones) directs, and also co-wrote the script with producer Claire Parker (Life on Mars). Check out the trailer for Madame Web below: Madame Web opens in cinemas Down Under on Wednesday, February 14, 2024.
Mulalo is the bright, bold and energetic Aussie rapper from the western suburbs of Naarm (Melbourne) whose music exploded onto the scene in 2021 with the release of her track 'M31 (Racing Down the Hume)'. What followed was a packed year of making and performing music: warming crowds up for Cakes Da Killa and Triple One, hitting the stage at Bendigo's Groovin the Moo and the release of her instant-hit 'Tracy Grimshaw'. Ahead of her appearing at The Kraken Black Spiced Rum's one-night-only underground Sydney gig, Subterranean Summer, taking place at Marrickville's The Great Club, Concrete Playground's Ben Hansen caught up with the artist to chat everything from collaboration and community in the hip hop scene, to her music's quintessentially Australian references and how she's feeling about sharing the stage with hardcore favourites SPEED and Posseshot. https://www.youtube.com/watch?v=DjNDwcWqzWM If someone isn't a Mulalo fan, who is Mulalo? What's the vibe? If people don't know Mulalo, they're a bit late. Mulalo is me. I'm her. I'm just all about making music for the girls, making music to have fun to. That's who Mulalo is. There's been a lot of change in the local hip hop landscape in the last 10 years — how do you feel about hip hop in Australia right now? I feel like when people thought about rap music in Australia, they were thinking about a very specific type of genre of music, which is fine. But especially being a young immigrant who grew up in [Melbourne's] western suburbs, I see how diverse it is: that wasn't being represented in mainstream rap in Australia. Now it's like you're getting all these young people from all over that are just doing their thing. That's how I think it's changed. And now it's cool, 'cos the people that are actually doing it, I relate to. Do you feel like there's more community now that there's a lot more collaboration? Yes! Every time I go somewhere, I always post it on my Instagram. "People are like 'Oh my god, you're here! Let's meet up, let's hang out!' You get to meet all these people and make sick music." Who's your favourite collaborator to make music with? My two OGs: Nerve and Kuya Neil. Like, those are my boys. They're the best, 'cos they know me. Like, they're me, but in a man's body. Do you have any more songs coming out with them soon? Yes! I do! Like, literally my next few singles are produced by either or. Jumping to the lineup for next week's gig. There's Posseshot and SPEED — is there anyone else in the lineup that you're a fan of? Honestly, I've never seen Posseshot perform, but in my life — from my ex-boyfriend to my friends — they were always wearing the t-shirt. And I was like, who is this? So I'm so excited to see them perform. And I'm excited to see SPEED perform again — I'm gonna be in the mosh. We did a show once together and it was hectic. Were you in the mosh pit that time? I was very much sidestage. I couldn't do it. But you think you might jump in the mosh pit at The Kraken Subterranean Summer? Yeah, I'm gonna get into the crowd. Changing gears, hip hop and punk both came out of resistance and protest. Do you think there's a relationship between the two genres? One hundred percent. Just because people are delivering their message differently doesn't mean it's not an act of protest. I feel like SPEED's message, my message, Posseshot's message are kind of all the same. They're just all delivered differently. Do you see the fans of those genres are receptive to the different kinds of music in a really wide swathe of sounds? I often find that crowds are super receptive of more punk music, more hardcore music, 'cos you know, I turn it up every time. The boys from SPEED support me so much, like on a ground level, and even Posseshot, they've supported me on a ground level. So if the artists are like, 'We write for her', I know that the crowd is going to be open, and like, 'Let's give it a chance, open up our minds to something different'. Last time you played with SPEED, did it gel? Did their fans get around it? It was a very interesting show 'cos it was a hip hop versus rock kinda vibe. Nerve was on the lineup, Barkaa, me and SPEED. And honestly, it was lit. It went off. "The people that were in there were just so open to receiving. Which is what I love about fans of SPEED and Posseshot, they are just so open to receiving music and having a good time and turning it on." https://www.youtube.com/watch?v=q74Nz5RlG2Y You weave in a lot of local references in your music, whether it's 'Racing Down the Hume' or all the references in 'Tracy Grimshaw'. Is that something that, when you're writing a song, you're setting out to do because you want to make it relatable? Or does it just come naturally? I feel like people think that it's intentional, but anyone that knows me — and, like, talks to me for more than five minutes — knows that I love Australiana culture. I absolutely love it. You'll catch me at the RSL getting a chicken parma and a VB on a weekend. Like, that's my vibe. And then it's just like, why would I reference stuff that's not from where I'm from? Why would my song be called Katie Couric? Like, I watched Tracy Grimshaw and she's an icon. That track will be nice to perform at The Great Club cos it has an RSL, local-club energy. Are you excited to play here, at The Great Club, for The Kraken Subterranean Summer? Do you think your songs will translate well to this venue? I'm a bit nervous for The Kraken Subterranean Summer event at The Great Club cos I'm very different to everyone else that's on the lineup, and I don't know how the crowd will receive me. But I light it up every time. Like, I don't care, I'll light it up every time. When you're performing on a lineup with lots of different bands, are you chatting to other artists? Maybe hooking up collaborations? Or is it a bit nerve-wracking? I'm not going to lie to you, I'm shy. And I also have facial blindness. So when you know people through social media and you're like, 'Is that that person? Is that that person?' You should try this time! I always did say I wanted to do a song with SPEED. I feel like I would kill it. I think it needs to come together. We need to force them to do it. Are you excited when you're performing on a lineup like this that you might introduce someone to a type of music that they had kind of dismissed previously? Yes, definitely. It's good when you have opportunities, like this one with Kraken, where I know it's a challenge. Obviously my people are going to be there, the people that listen to my music are gonna be there, but they won't be most of the crowd. So it's going to be a good challenge. "And I'm doing it for the girls always. I'm gonna show the boys how the girls do it. You know what I mean? I turn it up." Do you ever consider just turning the bass or the 808s up a bit if you're at a heavier show to try and really get the crowd going? Oh, I am notorious for hitting the red. They say: 'Oh, it needs to be at this level'. Me when they walk away: 'Let's blow the speakers, what are we doing? Let's turn up.' Anything else you're really looking forward to at The Kraken Subterranean Summer? Drinking the Kraken! Seriously, for real. I was waiting for them to give me one to try, The Kraken Black Mojito: mint and lime, topped with soda water. I'm gonna get some ice, a nice glass — maybe I'll get one from behind the bar. Have it on stage. Honestly, I wanna reach final form [at The Kraken Subterranean Summer]. This is one of my last shows of the year before I go overseas to South Africa, and I wanna do this sick show. It's gonna be so cool and people are gonna be like, 'That was sick!' and I'm gonna be like, 'Yeah it was! Do you wanna go and get a Black Mojito?' And just turn it up, and see SPEED perform and see Posseshot perform. Hopefully they bring merch. Mulalo takes to the stage at The Kraken Subterranean Summer on Thursday, December 1, at Marrickville's The Great Club. To catch the interview in action, head to Instagram. Top image: Minori Ueda Interview: Ben Hansen
Show me someone who says they don't like road trips and I'll show you a liar (or someone you should be blocking ASAP). Road trips are the backbone of travelling around our giant island nation, and exploration is in our DNA — but what do you do when you yearn to take off into the great beyond but all your mates are busy? Well, why not take your dog? Chances are you have one (especially if you clicked on this story) — about half of Australian households do. So who needs friends when you can take your best furry mate down one of the most mesmerising road trips Australia has to offer? That's right. Pack your bags, grab your car 'cause we're ditching Perth and heading south along the great southern coast of WA, all the way to Esperance, with plenty of dog-friendly pit stops along the way. Don't have a car? Check out SIXT, which offers pet-friendly car rentals from Perth Airport, Perth City, Fremantle and Kewdale. Now, on with the show. PAW-FECT PERTH Hey, what's the rush? Before we scoot off, why not check out some of the best stuff to do with your pooch in the great capital — plus it gives you plenty to do at the end of your trip if you want to do this itinerary in reverse. Check out some of the West's best dog cafes in the form of Slate Cafe in Bennett Springs and The Dog's Breakfast Cafe in Swan Valley — the former features a fully enclosed dog playground with a large, grassed area, while the latter is home to an agility park and dog playground, as well as a doggie pool and spa. Kind of jealous. If you're looking to stretch your legs, the Swan River Foreshore Loop and the Sir James Mitchell Park to Charles Peterson Park walks are scenic, accessible, and most importantly, dog-friendly. DOG-FRIENDLY WINERIES IN MARGARET RIVER First stop: Margaret River, one of the best wine regions in the country. Take this golden opportunity to pretend to be a wine connoisseur with the peace of mind that comes with knowing your dog — who knows you actually don't know a thing about wine — can't talk to rat you out. Sip on fancy wines at dog-friendly wineries like Woody Nook Wines, Xanadu Wines, Passel Estate, Cape Mentelle, and Stonefish Wines. Just watch your little pal doesn't knock over a wine glass or two. If wineries aren't your thing, Drift Cafe, White Elephant Cafe, and The Hairy Marron are all lovely options for you and your pal to enjoy a nice coffee break together. Or if breweries are more your scene, you're in luck, with Margeret River being home to a bunch of dog-friendly options, including Cheeky Monkey Brewing Co, Margaret River Brewhouse, Beerfarm and Bootleg Brewery. If you feel like crashing for the night, check out RAC Busselton Holiday Park, a pet-friendly powered campsite nestled on the doorsteps of Busselton and Dunsborough — not too far from Margaret River. DOG-FRIENDLY CAFES IN ALBANY Need a pick-me-up? Stop by Albany's dog-friendly cafes, where you can indulge in a much-needed caffeine hit while your bestie scoffs down its third puppuccino (relax Rex). Dylans on the Terrace and Hybla Tavern are the paces to be when it comes to dog-friendly cafes and pubs, with both offering outdoor seating so you can both enjoy the fresh air. Albany also has plenty to offer in its many stunning beaches dotted along Frenchman Bay. Or if you'd fancy some lush green over sandy gold, head to Whalers Cove, which offers a nice five-kilometre loop bushwalk in the form of the Uredale Point Heritage Trail. [caption id="attachment_912573" align="alignnone" width="1920"] Albany Wind Farm. Image: Harry Cunningham (Unsplash)[/caption] CATCHING THE WIND AT ALBANY WIND FARM Next up, Albany Wind Farm, where you can witness wind turbines that make you feel as insignificant as raisin cookies at a potluck (no one's touching those). Enjoy the coastal breeze and panoramic views, while your little pal probably wonders why you dragged them to this windy wonderland. On a serious note, the wind farm offers some lovely walking tracks, including one leading up the coast and another to the lookout. Keep in mind that while the area is dog-friendly, off-leash is prohibited. [caption id="attachment_913228" align="alignnone" width="1920"] World of Travoluton 360, Flickr[/caption] CHECK OUT NATURE'S POOCH: ALBANY'S FAMED DOG ROCK That's right, it's a rock that looks like a dog — and on this road trip, you'd be a fool to miss it. There's nothing artificial about this rocky canine, the formation is completely natural. And besides being a testament to the endless wonder of mother nature, it's also the perfect spot to snap a cute pic of your lil pal in front of their giant rocky cousin — if that doesn't get you Insta engagement, nothing will. Once you're ready to hit the hay, you'll be spoilt for choice in Albany, as there's a cornucopia of pet-friendly accommodation options available. [caption id="attachment_784595" align="alignnone" width="1920"] Great Ocean Drive. Image: supplied[/caption] THE GREAT OCEAN DRIVE As you continue towards Esperance, take the scenic Great Ocean Drive. Brace yourself for stunning coastal views, turquoise waters meeting pristine white sands, and a reminder that nature's beauty is clearly showing off. The 40-kilometre loop of picturesque winding roads includes plenty of perfect spots to stop and take in the natural splendour of WA — a sight to behold for any species. [caption id="attachment_897522" align="alignnone" width="1920"] Weilim Zheng[/caption] EXPERIENCE ESPERANCE You've made it, now you both deserve to chill out — and what a perfect spot to do so. Running along Esperance's beaches must feel like winning the lottery to dogs — sandy, wet, and vast. Check out Eleven Mile Beach, Salmon Beach, Blue Haven, Fourth Beach, and Ten Mile Lagoon for endless sandy adventures for your favourite mutt. Saving the best for last, check out Lucky Bay to catch one of the only places in the world where kangaroos sunbathe on the beach (yes, you heard me) — so you might wanna bring a leash for this one. And once you're ready to rest those tired legs, head to RAC Esperance Holiday Park, where dogs are always welcome. Looking for a pet-friendly rental to take you and your best furry mate on the road trip of a lifetime (or looking for a bigger car to fit your furry mate)? Check out SIXT, which welcomes customers to bring their family and furmily along for the ride, so no one gets left behind. Auto club members including NRMA, RACV, RACQ, RAA, RACT, RAC and AANT will receive 15% off SIXT's daily rates. Click here to book now
The lower north shore has the best of both worlds. You can zip into the CBD easily and (traffic depending) quickly, and it's close to some of the country's finest beaches. Chuck in some sweet harbour views and you can see why Neutral Bay in particular is such a popular neighbourhood. We've teamed up with American Express to uncover seven of the suburb's top spots. Whether you're after a fresh hairstyle, doing your weekly shop or just craving a good cup of joe and some eggs for brekkie, Neutral Bay has you covered — no matter the occasion.
If you've ever dreamed of one day owning a house full of gin where boutique and international bottles line the walls, this place might help tide you over until it becomes a reality. Barman Grant Collins has taken over one of the 18th century townhouses on Chippendale's Kensington Street and transformed it into a delightfully pokey gin bar. And, just like your hypthetical palace of booze, it's filled with gins — 75 types, to be precise. These can all be ordered on their own, or mixed into one of 25 on-menu cocktails. Of course, the staff can make you all the classics and, if you're not feeling gin, the back bar stocks vodka, rum, tequila, whisky, beer and wine.
You know what's better than heading back to the office? Heading away on holiday. Scoot is helping make that idea even more tempting with its latest summer sale, running from now until Monday, January 12. Sure, this ultra-budget airline isn't exactly stacked with frills, but who needs them when the airfares are this cheap? What's more, Scoot has been extra crafty with its travel dates, ensuring there are loads of affordable options positioned around Australian long weekends throughout 2026. That means a little savvy planning can help you keep hold of your annual leave. For instance, you might maximise your time away around Australia Day with a carefully chosen airfare or book in eight days' leave around Easter to jet-set for 16 days straight. So, where are you headed? Chasing sun, culture or street food is made easy with stellar itineraries for Thailand, Vietnam, Japan and Malaysia. Filled with life-changing experiences, you'll return home refreshed, or at least motivated to book another overseas adventure. And demand for these destinations is expected to soar, so don't let your colleagues hand in their leave before you get the chance. Travel periods include: January 19–March 18, April 15–June 4, July 13–September 10, and October 5–October 24. As for the prices, these discounted fares are good for the wallet. Travel from Sydney to Koh Samui starting from $300, or fly Melbourne to Ho Chi Minh City starting from $240. Travellers in Perth can score an even better deal, with one-way fares to Bangkok starting from $179 or Penang from $159. With heaps more options, your next getaway doesn't have to wait. Scoot's Summer Sale is happening now until 11.59pm on Monday, January 12. Head to the website for more information.
Hatted restaurant Kuro Bar and Dining unites familiar Japanese flavours and techniques with high-quality Australian produce and native ingredients to create an exciting array of dishes. Led by co-owners Alan Wong and executive chef Taka Teramoto, Kuro is located in a heritage-listed building on Kent Street in Sydney's CBD — its sister venue Kahii is mere steps away. The venue is split into three parts: the 40-seater dining room, the eight-seater bar and an intimate chef's table experience. Chef Teramoto previously worked at Michelin-starred Restaurant Pages, Paris and Florilège, Tokyo — he draws on this culinary experience and his Japanese heritage to create the venue's signature dishes. Patrons can complement their dishes with a drop from the venue's 200-plus-strong wine list courtesy of sommelier Wanaka Teramoto (116 Pages, Paris). The focus is on boutique, minimal-intervention Australian producers. There are also Japanese beers and an extensive range of premium Japanese spirits, sake and umeshu (Japanese plum wine) on offer. Designed by Potts Point's Henderson & Co, the space is impressive — particularly the lighting. Fifty-six American oak light 'portals' spread across the walls create an ever-changing ambience throughout the day and into the night. Other design elements include a copper-tiled bar, sandstone and brick walls, polished stone and marble tables and a massive, blossom-shaped capiz chandelier. Cracks in the existing concrete floors have been filled with gold — a nod to the Japanese pottery-fixing technique of kintsugi — and soft fabric screens create semi-private dining spaces throughout. Kuro's eight-person omakase experience, Teramoto by Kuro, curated by chef Teramoto, is currently on hiatus but you can sign up on the website to ensure you're first in and best dressed. Images: Supplied, Kitti Gould
Bondi Junction locals, your lunch game is about to level up. Pappa Flock (home of everyone's favourite juicy, crispy, crunchy chicken tenders and the cult-status Flock Box) will open its doors on Friday, May 16. Born in Parramatta and known across Sydney for its American-style fried chicken, signature sauces and lemonade freshly squeezed in-house daily, this proudly Australian chicken shop is now bringing the flavour to the eastern suburbs. To celebrate the new opening, Concrete Playground readers can score an exclusive offer: a full Pappa Flock Box for just $7.90 (normally $17.90) for two weeks only (Monday, May 19– Sunday, June 1). That's three juicy, crispy, crunchy chicken tenders (classic or spicy), seasoned chips, buttery toast, a regular drink and a side of Pappa Flock's signature sauce. Whether you're already a die-hard Flocker or just curious about the buzz, we've got expert tips to help you hack your next box like an absolute pro. From DIY sandwiches to secret sauce mixes, here's how to get the most out of your Pappa Flock Boxes. Build Your Own Chicken Sandwich If you want to crank up your Pappa Flock Box experience, get the O.G Box with slaw and an extra tendie. Take the buttery toast, add a couple of delicious chicken tenders, some hot chips, pile on the slaw and drizzle it with Pappa Flock's signature sauce. Boom. You've just built your own fried chicken sandwich. It's crunchy, creamy, tangy and rich all at once. Expert tip: Ask for a second slice of toast to make it a complete sandwich. Add Spicy Mango Habanero to Your Lemonade This one's a bit rogue, but very refreshing. Grab a cup of freshly squeezed, in-house lemonade and stir in a little mango habanero sauce. It's spicy-sweet, citrusy and addictive. Expert tip: Just add salt to the cup rim for a spicy mocktail margarita. Mix Your Own Signature Sauce Pappa Flock's signature sauce is a standalone treat, but mixing it with other sauces is where the real flavour customisation begins. For a super saucy experience, try a half-and-half blend with the Spicy Mango Habanero for something slightly sweet and hot, or throw it into your coleslaw for a creamy twist. Expert tip: go to the counter and ask for their secret Jumbo Sauce (aka the Cup of Sauce). Make It Into a Chip Butty If you know, you know. The humble chip butty is a carb-on-carb classic. Originating in England, it's essentially a sandwich filled with chips. For Pappa Flock's version, grab your toast and load it up with seasoned chips and a lashing of signature sauce. It's the kind of snack you didn't realise you needed until you take your first bite. Expert tip: for more of a flavour boost, add creamy Ranch — or for heat lovers, add Spicy Mango Habanero. You'll find the new Pappa Flock Bondi Junction store inside Westfield (opposite McDonald's, near the Bronte Rd entrance) from Friday, May 16 – just follow the scent of chicken tenders. To claim your $7.90 Pappa Flock Box, head to the Pappa Flock Bondi Junction store between Monday, May 19, and Sunday, June 1 and mention Concrete Playground when ordering. That's three juicy, crispy crunchy chicken tenders (classic or spicy), seasoned chips, buttery toast, a regular drink and Pappa Flock's signature sauce all for under a tenner. Pappa Flock is open at Westfield Bondi Junction from Friday, May 16, with other stores in Parramatta, Westfield Miranda, French's Forest, Casula, Westfield Eastgardens, Macquarie Centre Food Court and Rouse Hill. Follow along on Instagram or TikTok for more Sydney locations, menu tips, offers and updates. Pappa Flock Bondi Junction opens Friday, May 16 at 12pm. The Bondi exclusive $7.90 Flock Box offer (normally $17.90) is available in-store for a limited time from Monday, May 19 to Sunday, June 1, 2025. Delivery excluded. +$1.50 for Lemonade upgrade. Mention 'Concrete Playground' to redeem. Maximum of two boxes per customer. While stock lasts. By Jacque Kennedy
Sydney CBD's Clarence Street is set to add another much-hyped venue to its already stacked hospitality offerings. Nestled within the YCK Precinct, the bustling city street will welcome an expansive new venue from the team behind Ragazzi — a 120-seat trattoria called Palazzo Salato. The Love Tilly Group, which is also behind Fabbrica, Love Tilly Devine and Dear Saint Eloise, has previously operated in the world of intimate wine bars and small-scale eateries. That's all changing with Palazzo Salato, the acclaimed hospitality group's largest and most-ambitious offering yet. Set to open in April, this inner-city haven for all things pasta will pull inspiration from New York's Gramercy Tavern and the trattorias of Rome into the heritage-listed former Redoak Boutique Beer Cafe building. Expect a multi-space venue featuring a walk-in-only bar overlooking Clarence Street, a lavish dining room and a 20-seat space dedicated for private bookings. [caption id="attachment_891216" align="alignnone" width="1920"] Alex Major, Scott McComas-Williams, Adam Fogwell, Bora Biyiklioglu, Julie Barbero, Matt Swieboda, Gabriele Lackerer Villabruna and Jordan Grocock.[/caption] "I realised this was the site for our first proper restaurant the moment we walked into the space," Group Executive Chef Scott McComas-Williams. "For the first time, we have a kitchen with enough room to swing a cat, allowing us to produce some of my favourite hand-shaped pastas like agnolotti dal plin, scarpinocc and fagottini while still being able to grill, roast and braise cuts of meat, veg and fish from our long-time producers." An impressive 500-bottle wine list has been curated to compliment the classic Ragazzi-style pasta menu, pulling together drops from across the world. Expect a wide span of varieties and blends, ranging from the expected through to vintage 60s and 70s amari and rare Italian wines. "While we've previously focused on a single country's wines at each venue — for example Australian at Love, Tilly Devine and France at Dear Sainte Éloise — this one will, excitingly, be a lot more international," says Love Tilly Group's Matt Swieboda. [caption id="attachment_747368" align="alignnone" width="1920"] Ragazzi, Nikki To.[/caption] Inside, the heritage-listed space will be transformed with brass pendants, leather banquettes and luxe velvet backrests. Framed artwork and silk prints will add a burst of colour, while the branding featuring otherworldly characters will inject a playful touch to the restaurant. An all-star roster of hospitality mainstays heads up the venues. Alongside McComas-Williams, Executive Chef Alex Major (ex-Head Chef at Ragazzi) and new Head Chef Vincenzo Romeo (ex-Casoni) are behind the exciting new venture. Former Ragazzi Restaurant Manager Adam Fogwell and Bora Biyiklioglu (Hong Kong's Honky Tonks Tavern and Shady Acres) lead the front of house, and Bar Manager Jordan Grocock has moved over from The Baxter Inn to head up the drinks offerings with Love Tilly's Group Sommelier Jabe Febvre and the venue's Head Sommelier Julie Barbero (formerly London's Frenchie Covent Garden and France's Michelin-starred La Chassagnette). The Clarence Street bar and trattoria will be the first to open in April, followed by the large bar and dining room with access from Kent Street later this year. View this post on Instagram A post shared by Palazzo Salato (@palazzosalato) Palazzo Salato is set to open at 201 Clarence Street, Sydney in April.
As the name suggests, this new bar from master mixologist Grant Collins is dedicated to celebrating the evolution of the dry martini, as well as its caffeinated crowd-pleasing cousin, the espresso martini. Through a carefully curated collection of experimental and classic cocktails, Grant Collins and Gin Lane invite patrons into an atmosphere of easy-going sophistication, bringing elements from London's modern martini bars and Spain's laidback cocktail and tapas scene to the heart of Chippendale. Think of Dry Martini's menu as an ode to the evolution of the cocktail classic, where guests can experience different flavour profiles and mixes ranging from original and well-loved Gatsby-coded recipes from the 20s and 30s, to contemporary creative takes such as the salted caramel espresso martini with a nitro frozen foam and Scottish espresso martini with a shortbread infused whiskey and shortbread foam. If you're overwhelmed by choice, simply surrender to the espresso martini tree — a bespoke tower of six curated drinks. Guests can expect cocktails mixed with the highest quality house-distilled gin, unique vodkas, and house-made bitters. A tapas-style food menu has been designed to complement the flavours of the martini selection. The oyster shell gin martini, for example, is ideally served alongside freshly shucked oysters — dished-up with dry ice smoke billowing beneath the platter for a little side serving of theatricality. The menu draws inspiration from San Sebastian's bite-size pintxos, offering both sweet and savoury options, from a martini wagyu slider with rich and silky caramelised onions, cheek-wrinkling sour house-made pickles and a generous amount of martini mayo to sweeter options like their piña colada dome with coconut crumble and caramelised pineapple. Alternatively, if the cocktail sidekick you seek is something simpler, the high-low delight of the truffle and jamon toastie topped with caviar perfectly pairs with the house negroni. Dry Martini's wallet-saving happy hours are banishing cost-of-living worries with $10 martinis and $15 daily cocktail specials available every day from 5.30pm–7.00pm Tuesday - Thursday and 5.30pm–6.30pm Friday and Saturday.
Transform your long weekend into a bucolic adventure in a pecan orchard on the Central Coast. The Pecan Lady is opening her idyllic property to the public, so you can spend Saturday, Sunday or Monday picking pecans from 9am to 4pm. You'll find her in Somersby, a pretty, rural locality between Brisbane Waters National Park and Strickland State Forest, about an 80-minute drive north of Sydney. Her pecans are particularly small and sweet because they're of the Witchita and Western Schley varieties. Plus, they're grown organically and fed by nutrient-rich spring water. Entry is free, while any pecans you pick will cost $8 per kilo or $30 a bucket. While you're there, you'll be treated to a tree-shaking demonstration, which, as the name suggests, involves shaking a tree's branches, so it allows any ripe nuts tumble to the ground.
UPDATE Thursday, June 29: Ocean Alley have now been announced as the replacement for Lewis Capaldi. Find the full 2023 Splendour in the Grass lineup and set times at the festival website. Splendour in the Grass is just weeks away from its 2023 festival, and two new artists have just been added to the lineup, with one more major announcement still set to come. Danny Brown and Thelma Plum have both joined the bill as replacements for Slowthai and Rainbow Kitten Surprise. Plus, Splendour has confirmed that a replacement for Lewis Capaldi is coming, after the Scottish singer-songwriter advised that he would be taking a break from touring to focus on his health. Eccentric US rapper Danny Brown will join the lineup as an Australian exclusive, playing his first Australian show in over five years. He'll head up the Mix Up Stage on the Friday night, bringing his catalogue of experimental rap hits including his highly acclaimed recent collaborative project SCARING THE HOES with Jpegmafia (who you can catch at this year's Listen Out). Thelma Plum also joins the lineup of musicians that'll will arrive at North Byron Parklands from Friday, July 21–Sunday, July 23, alongside the likes of Lizzo, Flume, Mumford & Sons and the Yeah Yeah Yeahs — the latter of which were slated to headline 2022's Splendour in the Grass lineup, but cancelled in the leadup. Plum was a highlight of the festival back in 2019, and was also scheduled to play at the 2020 edition before it was cancelled due to the pandemic. https://www.youtube.com/watch?v=8YgxQlS2054 Along with the new acts, the annual winter event has also just unveiled its set times and maps, so you can start planning your weekend and prepare for set clashes if you've nabbed tickets. The schedule reveals an hour-long gap on the Amphitheatre stage between Ruel and J Balvin where festivalgoers can expect Capaldi's replacement to pop up. Just last week, Splendour added a heap of new talent to the weekend, including powerhouse Russian punk group Pussy Riot and a heap of names for its Forum, Science Tent, Comedy Club and Forum Live Podcasts programs. These additions included a talk with Pussy Riot's Nadya Tolokonnikova, everyone's favourite ex-AFL player-turned-sports newsreader Tony Armstrong, The Betoota Advocate, Dr Karl, Brooke Boney, and comedians such as Deadloch star Nina Oyama and Michael Hing. [caption id="attachment_907565" align="alignnone" width="1920"] Stephen Booth[/caption] SPLENDOUR IN THE GRASS 2023 MUSIC LINEUP: Danny Brown (Australian exclusive) Thelma Plum Ocean Alley Joining Lizzo Flume (Australian exclusive: ten years of Flume) Mumford & Sons (Australian exclusive) Yeah Yeah Yeahs Hilltop Hoods J Balvin Sam Fender Idles Little Simz Tove Lo 100 Gecs (Australian exclusive) Arlo Parks Ball Park Music Iann Dior King Gizzard & The Lizard Wizard 070 Shake Pussy Riot Pnau Ruel Loyle Carner Benee Marlon Williams Hooligan Hefs Peach PRC Palace Dune Rats Tkay Maidza Noah Cyrus Skegss Sudan Archives Cub Sport Meg Mac X Club. Claire Rosinkranz Jack River The Smith Street Band Lastlings Jeremy Zucker Young Franco Sly Withers MAY-A The Vanns Telenova Vallis Alps Jamesjamesjames Kaycyy RVG Teenage Dads Balming Tiger Automatic Harvey Sutherland Gali Del Water Gap Royel Otis Shag Rock Big Wett Mia Wray Memphis LK Gold Fang Milku Sumner Forest Claudette Full Flower Moon Band William Crighton Hellcat Speedracer Triple J Unearthed Winners Mix Up DJs: Tseba Crybaby Latifa Tee Foura Caucasianopportunities Luen Mowgli DJ Macaroni Crescendoll Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023 — head to the festival website for further details and tickets.
Next time you have a great idea while making a cup of coffee, it could spark a hit comedy flick. That's what happened to Jackie van Beek, New Zealand comedian and one half of the writing/directing/acting duo behind The Breaker Upperers. "I was literally just wandering aimlessly around my kitchen, and I was just thinking about all those conversations that we've all had with friends about that horrible moment when you realise that you have to break up with your partner, and that feeling of dread," she explains. "And I just thought, "gosh, how much money would somebody pay to not have to do that themselves?". And I thought it'd be quite a lot of money, and I know a lot of people that would pay to get out of that responsibility." To answer the obvious question, van Beek never considered setting up a business to end other people's relationships for cash. Instead, she called fellow NZ comedian and actress Madeline Sami, and they started working on what would become 2018's best comedy. That was back in 2013. The script took years to perfect between other jobs, and the film shot across 22 days in 2017, with a cast that included Boy's James Rolleston and Rosehaven's Celia Pacquola. This year, The Breaker Upperers premiered its tale of best friends Jen (van Beek) and Mel (Sami), their love-busting business, their various life woes and their Celine Dion karaoke singalong at SXSW, and then opened the Sydney Film Festival. "It has been a whirlwind few months," Sami observes. "I didn't really have any expectations on how it would do. You spend so long editing the film, making it, and then you're just kind of relieved to have finished it. Then it comes out, and then all of these other people see it and take it into their hearts, and it's just overwhelmingly lovely." Indeed, while The Breaker Upperers is all about helping others when love has faded, there's plenty of love blossoming for this smart, funny film, with audiences both overseas, in New Zealand and in Australia reacting warmly. With the movie now releasing around Australia, we sat down with van Beek and Sami to chat about real-life break-ups, smashing rom-com conventions and working collaboratively in a Kiwi comedy scene that also includes the film's executive producer, Taika Waititi. https://www.youtube.com/watch?v=-phMlkRiWIg ON CREATING ROLES FOR THEMSELVES THAT DIDN'T EXIST OTHERWISE Sami: "We wanted to write characters that were fucked up women in their thirties, and that didn't have to settle down. That was the big, big point for us. Otherwise it's so unrealistic and so much pressure for women, and I hate that." van Beek: "And so exclusive. We've of course got so many friends that are single, in their early forties and are not going to have a baby now. What about happy endings for those guys? So it was very important that — we love rom-coms, but it was very important for us that we buck the convention and that we didn't end with a double church wedding with two women and two men tying the knot and talking about children." Sami: "We definitely thought about it in drafts and played with the idea, and it just never sat right. And we were just like, this is really a story about being okay with who they are, and accepting that and not having to bow to society's expectations — and the movies' expectations — of what your life should be like. It's really the movies. The movies tell us that we need to have all this shit together, especially for women. I think the pressure on women in movies — just the damsel in distress thing, it goes right back to Snow White. Or in all the Disney stuff. There's a princess who's stuck in a tower or she's in a coma, which is fucking dark, and she needs to be saved. And that same thing is in rom-coms today — a woman who's…" van Beek: "All befuddled." Sami: "And needs to be saved. And it's like, no we don't. We're cool. Just chill." van Beek: "We can figure out our own mess. It doesn't have to involve a man." Sami: "And also, a happy ending doesn't have to be what we've always been told what a happy ending is. It doesn't always have to be that conventional, settle down thing. It can just be 'well you're just not as dark and fucked up as you were at the beginning of the movie'." ON DECIDING TO NOT ONLY WRITE AND STAR IN THE BREAKER UPPERERS, BUT TO DIRECT IT, TOO van Beek: "It was always on the table." Sami: "We were scared." van Beek: "Were we scared? I wasn't scared." Sami: "There was a fear that it would take the fun away from the acting, which is what the whole reason we wanted to do it. It wasn't like scared to do it — it was just whether we were going to give ourselves too much of a workload." van Beek: "Yeah that's right. We knew that if we got too stressed, and we're on screen doing improvised comedy, it's just not going to be fun for us or the audience — so the stakes were quite high in making that decision." Sami: "And then we just like, we can't think of anyone who could fulfil this vision for us that we are planning in our own heads, so why don't we just do it? Take the gamble, and make sure we surround ourselves with really talented, experienced people so that we're supported. And that's what we did." van Beek: "People who are confident at improvisation, so we could all get there. And Taika was helpful." Sami: "Taika, we've worked with a lot — and he would've been a wonderful director for this film. But we knew that we were never going to get Taika because he was on Thor and was committed to that for years. But he shares our sensibility, we've worked with him — he directed the first series of a TV show that I'd made in New Zealand called Super City, and we had a lovely time when we worked together in that way. And he'd definitely get it. But he wasn't available, so we were the ones." van Beek: "But we got Jemaine Clement, who is an old friend of ours as well, he came up for three or four days of pre-production when we wanted to stand up and start exploring the characters ourselves. He'd come into the rehearsal room, and we'd do rewrites with him, and so it was all really..." Sami: "Collaborative." van Beek: "Supportive." Sami: "We've got so much amazing talent around us in New Zealand. There's so many amazing comedians coming up, and writers, that it was just really important for us to be energised by them. So we'd just keep them around us all the time, just everyone 'come in, add a joke in here if you want, yeah that's a good idea.' Just keep it fresh for ourselves, especially because we'd been writing for four-five years, so at a lot of points in that time, when you're right in it — especially towards the end, towards pre-production — you can't see. You're really close to it." ON SEEING NEW ZEALAND COMEDY FINALLY GET RECOGNITION OVERSEAS van Beek: "With Taika's films, and Flight of the Conchords and Rhys Darby having done so well internationally — we were over at SXSW with our film, and people were saying after the screening 'that's New Zealand' humour. They were identifying it. 'We love New Zealand humour! We love you guys.' It was quite exciting that people identify it, and many thanks to Taika who brought that New Zealand comedy voice into the mainstream with Thor." Sami: "When there's a bunch of people, and when there's support — the New Zealand Film Commission have really made an effort to get in behind New Zealand comedy over the last ten years probably. And because we've had success internationally, then there's more support back home. And it's kind of like with the Danish thrillers. All of a sudden the world loves Danish thrillers, and it's just the people making them are making them really well. I guess coming out of New Zealand right now, we've got a lot of great comedy, and it's just a time where it's just being recognised for what it is." van Beek: "Long may it last." Sami: "It's exciting. It's really just, I think, the world getting to know that New Zealand comedy a bit — and it started with Flight of the Conchords. There's an awkwardness to the comedy we make. So yeah, who knows how long that will last. But it's exciting that we don't have to explain our accent any more. People can start to tell the difference a little bit [between Australian and New Zealand accents]. We'll see Americanss try to do a Kiwi accent rather than just going 'oh, I can do a Kiwi accent — g'day mate'." van Beek: "Now they do Flight of the Conchords." Sami: "Yeah, 'Brett'. Or they do, 'oh hi, I'm Korg,' [from Thor: Ragnarok] or stuff like that. They're showing that they know the difference." van Beek: "By mocking us in a different way." Sami: "I loved being mocked." ON FINDING INSPIRATION FOR THE FILM'S MANY BREAK-UP SCENES Sami: "I've never been two-timed by someone, and then found out that... aah, I think I have." van Beek: "You have?" Sami: "Maybe I have." van Beek: "There's always going to be a bit of crossover." Sami: "There's just a bit of subconscious stuff — for me, the break up scenarios, everything you see in the film, nothing is specific to anything but everything is influenced by stories we've heard or things we've experienced. But there's no one like, 'yeah, I had this terrible breakup and this is exactly how the story went'." van Beek: "Or 'yeah, my boyfriend pretended to be in a coma and then died.' That all came from our imagination, but it was more like — definitely I've been through phases in my life when I've been a bit more like Jen, and just been in denial. I've been heartbroken and not wanting to grow up." Sami: "We did have a lot more scenarios and they got a lot more extreme. Obviously some were cut for time, and we didn't shoot all of them — a lot of them we just weren't going to be able to. To shoot someone falling off a speedboat in the middle of Auckland of harbour and taking an underwater scuba to an island and then sailing off, that would've been the whole budget of our film probably, just for that one day." van Beek: "We spent a bit of time writing it though." Sami: "It was a lot of fun writing and thinking out the ways people might choose to break up with each other." The Breaker Upperers is now screening in Australian cinemas.
Ramen fans, rejoice! Popular noodle chain Motto Motto Japanese Kitchen is celebrating the opening of its fifth Sydney outpost — and its first in the CBD — with a massive discount promotion. From 11am on Saturday, July 27, the first 500 patrons through door of the new Sydney Plaza branch will be able to snag a steaming bowl of soupy noods for just $1. This cozzie-livs-defying deal applies exclusively to Motto Motto's signature ramen, made to a recipe devised by Executive Chef Ryuji Tomihara. The signature serve sees rich, creamy tonkotsu broth flavoured with shoyu kaeshi share the bowl with fresh noodles — made in-house — and finished with with tender slices of pork, a marinated soft-boiled egg, fresh shallots and seaweed. In addition to this opening day bargain bonanza, Motto Motto will keep the good times slurpin' for one lucky Sydneysider, with a year's worth of ramen for free. To enter, simply sign up to be a Motto Motto member, selecting the Sydney Plaza branch as your local. The winner will be drawn at random on Wednesday, July 31.
