For around 140 years, since back in the 1880s, Australians have been able to make calls from public payphones. Most of us might now carry mobile phones around with us in our pockets, but public payphones are still there — in case your battery is flat, you have no signal, you've lost or forgotten your phone, you simply don't have one, or there's an emergency. And, if you need to use one of Telstra's handsets while you're out and about, you now won't have to pay a thing if you're making a local, national or mobile call. Coins, phone cards, credit cards, debit cards: these have been acceptable forms of payment in the past; however, now you won't need them to get dialling in most situations. If you're calling overseas, that'll still cost you, but otherwise you can use Telstra's 15,000 payphones across the country for free. Telstra CEO Andrew Penn announced the news in a statement on the company's website, noting that "since mobiles became nearly universal, a lot of Australians might not give them [payphones] much thought. Until there's a natural disaster. Until you're in vulnerable circumstances, homeless or fleeing domestic violence." He continued: "that's why I decided it's time to make payphones free. Because even in the age of the smartphone, they play such a critical role in our community, particularly in times of need, and particularly for those in need." "I've seen myself how much payphones are part of the fabric of Australia and how important they are in good times, and bad. I've seen queues of people waiting in line, coins at the ready, to use a payphone to call home and tell their family and friends they're safe after a bushfire, a cyclone or some other natural disaster has taken the mobile network down," Penn said. "I know payphones are also a lifeline for thousands of vulnerable Australians — the homeless, the isolated, those escaping domestic violence — and often provide their only link to critical support services and those that care about them." Gone are the days when every 90s kid had a phonecard in their wallet to use when they needed to call home, but Australians still made 11 million payphone calls in 2020, including more than 230,000 to essential services such as Triple Zero. For more information about Telstra's free payphone calls, head to the company's website. Images: Sarah Tee.
In A Complete Unknown, Timothée Chalamet stepped into Bob Dylan's shoes in the 60s and charted his rise to fame. A trip to the past and aspiring to greatness is also on the actor's agenda in his next film. Instead of folk music, Marty Supreme's eponymous figure is passionate about ping-pong — and he's certain that it's going to be the next big thing. "I know it's hard to believe, but I'm telling you: this game, it fills stadiums overseas. And it's only a matter of time before I'm staring at you from the cover of a Wheaties box," Marty advises in the A24 movie's just-dropped teaser trailer. Welcome to your first sneak peek at the second of two features that are filling a very specific niche: 2025 releases (in the US, at least) directed by a Safdie brother solo and focusing on sports. Josh Safdie helms Marty Supreme. His Daddy Longlegs, Lenny Cooke, Heaven Knows What, Good Time and Uncut Gems co-directing sibling Bennie has The Smashing Machine on the way, starring Dwayne Johnson's (Red One) as IRL MMA fighter Mark Kerr. Could 2025 nominee Chalamet and Johnson find themselves going head to head come awards season for different Safdie films? That's firmly a possibility. As Marty Supreme's Marty Mauser, Chalamet's task (or obligation, as his character puts it) is chasing the dream that is ping-pong success — for himself and for the game his loves, which no one else seems convinced of in the 50s-set flick's first sneak peek. Gwyneth Paltrow (The Politician) pops up in the Marty Supreme trailer as a famous movie star, while the eclectic cast also includes fellow actors Fran Drescher (A Tooth Fairy Tale) and Odessa A'zion (Until Dawn), rap star Tyler, The Creator, filmmaker Abel Ferrara (Turn in the Wound) and magician Penn Jillette. In America, Chalamet's latest film is a Christmas treat, releasing on Thursday, December 25. That's two years in a row that the merriest day of the year and Chalamet have gone hand in hand in the US, as A Complete Unknown also dropped on the same date. When Marty Supreme will hit cinemas Down Under hasn't yet been revealed. Josh Safdie co-wrote the movie with Heaven Knows What, Good Time and Uncut Gems co-screenwriter Ronald Bronstein, and helms a feature on his lonesome for the first time since 2008's The Pleasure of Being Robbed. Check out the first teaser trailer for Marty Supreme below: Marty Supreme releases in US cinemas on Thursday, December 25, 2025 — we'll update you on Down Under release details when they're announced.
As we pass World Environment Day for 2022, the year's motto of "only one Earth" lingers. It's a message at the forefront of the news cycle and on the minds of many, with our planet only continuing to get hotter and our need to make lifestyle shifts getting only more pressing. Enter Lottie Dalziel, the Sydneysider dedicating her working life to everyday sustainability. The self-professed optimist is the founder of Banish, an online marketplace, education platform and recycling platform. With a focus on small achievable changes (which collectively have a large impact), Lottie inspires hope — and change. "I believe people do want to be more sustainable," Lottie says. "I think the main barrier to people making eco-switches in their life is them not knowing where to start." One easy way to start? The NSW Government's Return and Earn program. Working towards adjusting the state's everyday consumption behaviours — and highlighting the ease of making a big eco-impact — Return and Earn allows you to easily recycle the bottles, cans and cartons we all amass in our daily lives, with used containers back on shelves living a new life in as little as four weeks. There are over 600 return points where recyclers are given the choice between a refund or charitable donation. Either way — you're taking steps towards making the planet better for all. Together with Return and Earn, we had a chat with Lottie and asked her to share her favourite switches that will see you quickly — and easily — living a more sustainable life. 1. DITCH THE SINGLE-USE COFFEE CUPS "Use a reusable coffee cup for your daily brew," Lottie says. With caffeine powering a great number of us through our days, a simple and oh-so-effective switch is ditching those plastic-lined cups and nabbing yourself one for keeps. 2. CHOOSE BAMBOO "Every plastic toothbrush that every person has ever used still exists somewhere on this planet — and will take at least 300 years to break down," Lottie tells us. The sheer enormity of those numbers is overwhelming, which makes this easy swap from the sustainability queen that much more welcome: "Switch to a bamboo toothbrush," she offers. "Then, when you're done, you can compost the base." Taking it to even higher sustainability heights is bamboo's rapid growth rate, natural pest-resistance qualities (eliminating the need for chemical pesticides, which can enter the wider ecosystem) and ability to remove carbon from the air (a huge point-breaker in the plastic-or-bamboo-toothbrush debate). 3. GET COMPOSTING Pump the brakes on throwing veggie scraps in your rubbish bin. "Start composting! On average, 40% of the contents in a household bin is organic matter that could be composted. Grab yourself a kitchen caddy and then join ShareWaste — and get its app — so you don't even need to get your hands dirty." 4. WAKE UP YOUR MAKEUP ROUTINE Giving a shout-out to another small biz that's as planet-focused as Banish, Lottie suggests a simple switch-a-roo between single-use makeup wipes and these Sabbia Co resusable ones. Removing the day doesn't have to cost the earth, so grab some machine-washable, 100% cotton pads — which can last over 200 washes with the right kind of loving. 5. KISS PLASTIC SHOPPING BAGS GOODBYE Lottie knows how to keep it simple yet effective: "Remember your reusable tote bag when you head to the grocery store." Have the best intentions but always turn up with empty hands? Pop a tote in your car, or a teeny-tiny fold-away one in your bag, so you're not left with plastic — or a precarious hand-held balancing act — as your only option. If you haven't made the switch already you'll want to do it soon — some of NSW's biggest retailers are farewelling the plastic shoppers for good, which is sure to prove a momentous step towards a greener planet for all. [caption id="attachment_767688" align="alignnone" width="1920"] Markus Spiske (Unsplash)[/caption] 6. SHOP SMARTER Think long and hard about whether those four apples really need a bag around them. And surely your bananas can handle themselves? Skip the plastic when you can, but if your market haul — we're thinking brussels sprouts and string beans — is really in need of some organisation assistance, Lottie has an easy solution: "Ditch plastic bags in the fruit and veg section, and use reusable produce bags instead." 7. BLADES OF CHANGE "Never use a plastic razor again," says Lottie. "Grab a safety razor and for the rest of your life all you'll need to do is replace the blades." That's a sell that's hard to shop past, so if you're not spending winter growing your hair out, head to Banish to see the back of plastic-powered hair care. Looking to kickstart your eco-journey? Head to the Banish website. Or, if you're ready to put your recyclables to work, look no further than Return and Earn. Crunch your numbers at the impact calculator and see the real-world benefits your recycling will have. Images provided by Lottie Dalziel.
From WorldPride to the Women's World Cup this year, Sydney has proven to the world that it knows how to throw an epic party. It's no wonder then that the harbourside city has been chosen for SXSW's first iteration outside the US. SXSW Sydney will take over numerous venues across the CBD, Darling Harbour, Haymarket, Surry Hills, Ultimo and Chippendale for a week from Sunday, October 15 to Sunday, October 22. Music has always been an integral part of SXSW — the inaugural event in 1987 started as a music festival with only 177 artists and 15 panels. Now, the music portion of SXSW Sydney includes 300-plus live music performances in 25 venues from Wednesday, October 18 to Saturday, October 21, showcasing homegrown musos and global emerging artists alike. There will also be various brand activations, including Tkay Maidza performing at the Defender House pop-up in the CBD and Spotify House taking over The Lansdowne Hotel. In partnership with Jack Daniel's, we've compiled a guide on the top spots for live music and a late-night boogie around the SXSW precinct. For those without a wristband or badge, we've even included a few spots that aren't part of the festival, so you can still feel like you're in on the action.
Have you been known to look at a doughnut and think "you belong with me"? Do you consider sweet treats your karma? Does happiness to you come in round orbs of pastry? Do you have your eyes open for all things Taylor Swift — or just for free doughnuts? The pop superstar has hit Australia, finally bringing her Eras tour Down Under thanks to three shows in Melbourne and four in Sydney. Her Aussie stint starts today, Friday, February 16. And to celebrate, Krispy Kreme is getting in on the action to give out free doughnuts to Swifties, and also to anyone — as long as you're wearing a friendship bracelet when you head into its Australian or Auckland stores. The chain is known for giving away its round treats, including handing out 100,000 of them each National Doughnut Day. In 2023 for Halloween, it also doled out freebies if you went in in costume. So, it's thoroughly unsurprising that it's linking in with Swiftmania. To snag yourself a signature glazed freebie, make a beeline to your closest Krispy Kreme store in Australia or Auckland on Friday, February 16 while wearing a friendship bracelet. The last part isn't optional. You'll then receive one original glazed doughnut per person, and you don't have to buy anything else to nab the treat without paying a cent. This is a while-stocks-last giveaway, so getting in as quick as someone trying to nab Taylor Swift tickets is obviously recommended. That gives everyone a heap of places to flock to: 38 in Australia and six in New Zealand. Sydneysiders are able to hit up stores stretching from Penrith to the CBD, Victorians can visit locations from Chadstone to Collins Street, and Queenslanders have Albert Street in the Brisbane CBD and Surfers Paradise among the choices. For residents of Perth, Hay Street, Cannington and more await. In Aotearoa, all options are in Auckland — including at Newmarket, Chancery Square and the domestic airport terminal. Krispy Kreme's Taylor Swift giveaway is taking place in-store on Friday, February 16 in Australia and Auckland. To find your closest shop and check its opening hours, head to Krispy Kreme's Australian and New Zealand websites.
Think of Thailand and you probably think of idyllic beaches, excellent food and lovely, welcoming people. But there's one more thing you can add to that list: trash. Specifically, agricultural and industrial waste. In the country's creative and industrial hubs, a group of environmentally conscious Thai brands are creating practical objects out of discarded materials and embodying the ethos of DEWA and DEWI, or Design from Waste of Agriculture and Industry — a method that uses design and creativity to both repurpose waste and minimise pollution. As the old saying goes: one man's trash is another man's treasure. And in this case, the proverbial trash has been repurposed to create treasure in the form of tableware, carry bags and eco-friendly upholstery. Pineapple by-products, unused medical gloves, car parts and even food scraps are all being transformed into products that are useful, eco-friendly and aesthetically pleasing. And as the other old saying goes: waste not, want not. We've teamed up with Thailand's Department of International Trade Promotion to showcase six brands that are solving environmental problems and hitting consumer demand all in one go by turning garbage into gold. THAI NUM CHOKE Thailand has a huge pineapple industry and that mammoth crop leads to a whole lot of pineapple leaves ending up as waste each year. The unwanted leaves are usually discarded via burning, causing an extra kick of waste, too. But it turns out this fibrous material doesn't need to go up in flames. At Thai Num Choke, pineapple leaves are transformed into fibres, yarns and even vegan leather before being reborn as bags, clothing and award-winning fabrics. Blended with industrial materials and hemp barks (another agricultural waste problem), the fabrics make for durable upholstery and beautiful, environmentally responsible leather. Thai Num Choke also uses natural dye sources and is looking at reclaiming other waste products to expand its innovative textile making. LAMUNLAMAI It's no secret that food waste is a big environmental issue. But what if that waste could end up back on the table — think, an egg cup made of eggshells, coffee accoutrements made of coffee grounds and a vase made of carrot pulp. At Lamunlamai, that's exactly what you'll find. Taking waste from individuals, restaurants and industry, Lamunlamai creates artisanal ceramic tablewares, the shapes and subdued natural hues of which are made to echo their source material. Utterly unique and with exquisite attention to detail, each piece is a beautiful work of art for the table which harks back to the company's origins in creating custom pieces and art installations. MUNIE The Delight Collection by Munie has very humble beginnings: weeds and waste. In Thailand, water hyacinths infest city drains and need to be regularly cleared. As it turns out, those tough but elegant masses of weeds can be turned into natural fibres that are light, quick-drying and absorbent. When woven into yarn with cotton scraps, this waste matter becomes a useful and beautiful fabric that can be used to make pillows, slippers, cushions, table-runners, hats and baskets. Munie supports a strong rural economy by investing in local workers, making its fabrics sustainable and socially conscious all the way along the production line. RUBBER IDEA Rubber Idea is a clever concept. In a post-plastic bag era, the 5 billion unused medical gloves that go to waste each year seemed like a golden opportunity to create recycled and reusable carry bags. After all, rubber is waterproof, easy to clean and the latex can be reconstituted and coloured in vibrant hues, giving you a functional and environmentally responsible bag that also provides a solution to a huge waste problem. It's not just bags that Rubber Idea has mastered. It also has a line of pet products including accessories, temperature-adjustable bedding and chewable and snack-dispensing toys. Because why shouldn't your beloved pet live the same environmentally conscious lifestyle as you? CHYWA You probably think about petrol pollution and the fossil fuels that are used to power your car regularly, but what about the environmental impact from the actual car itself? Airbags alone result in tonnes of waste each year across Asia, Europe and the US. But they're a durable material: tough, wrinkle-resistant and made to withstand stress and hard knocks. In other words, ideal for the outdoors. Chywa receives airbags and seatbelts from Thai garages and up-cycles them into outdoor lifestyle products. The range features stylish and functional camping gear including backpacks, folding chairs, shoulder bags and wide-brimmed hats. With tourism being an integral part of Thailand's economy, integrating sustainable practices to improve the ecological footprint of this industry makes complete sense. RENIM PROJECT Producing just one brand-new pair of jeans uses on average 7,600 litres of water and can create up to 60 kilograms of CO2 emissions. And when you think about how many new pairs of jeans are made each year, that's a lot unnecessary usage. With fast fashion being such a big polluter, consumers are wising up and looking for alternatives. The solution? Recycle, reduce and redesign denim via The Renim Project. This Bangkok-based label raises awareness around denim waste through Thai craftsmanship. Using all scrap parts — including zippers, buttons and leather labels — the project reforms waste into stylish new fashion items, such as eye-catching patchwork clothing, bags, accessories and even placemats and table runners. The Renim Project also collaborates on limited-run items that have made their way into LA Fashion Week. Keen to explore more waste-embracing Thai brands? For more information, visit the DITP website, or explore more of Thailand's booming creative scene here.
On the fairly unassuming Hallenstein Street in picturesque Queenstown sits one of the most luxurious new offerings in New Zealand's hotel portfolio, offering a personalised accommodation experience worth travelling for. The Carlin is the brainchild of US-born hotelier Kevin Carlin, a property developer with a special connection to the region after buying up large swaths of land here decades ago in a move he says people claimed was "nuts". But unlike other hotels in the area, his newest venture and namesake does not sit on the crowded shores of Lake Wakatipu. Instead, it's found quietly up Queenstown Hill and therefore boasts jaw-dropping views of the lake and CBD. For those after a luxurious hotel experience, The Carlin is fairly unmatched. If you're looking for a typical five-star experience look elsewhere – this hotel modelled on the luxury hotels of Europe offers a range of spacious suites with 88 to 500 square metres of indoor and outdoor living space, and boasts a ''beyond five-star' experience. The "beyond five-star" features include (but are not limited to) private butlers, private chefs, private massage, a separate private entrance and access to a private jet and luxury vehicles — you can take a Bentley for a quick shopping sojourn into town and save your legs from the hike back up the hill afterwards. While most hotel balconies are an afterthought, that's not the case here – instead, your outdoor space has been maximised to make the most of those views. You'll find a spa, a fireplace and a full-sized dining table for entertaining. Want to host a dinner party? Your suite has a fully stocked kitchen — although you'll probably want to leave cooking preparations to your private chef. Our experience: Our arrival at the Carlin for a recent stay was marked by an extensive tour by the man himself. While clutching our welcome cocktails (dirty gin martini for me, spaced rum old-fashioned for my partner) we were taken around the various one-, two-, three- and four-bedroom suits – including a peek at the penthouse. More resembling a full-scale apartment, The Carlin Skyhome is the largest penthouse suite in Australasia. It has seven bedrooms spanning three floors, and a separate quiet entrance "for when Tom Cruise comes to stay", according to Carlin. If you want to book in hoping to spot celebs or royalty you'll probably be out of luck as discretion is the name of the game here. The hotel only accommodates a maximum of 50 guests at one time and can even be booked out by single groups – Carlin told us he has a family taking over the whole hotel for a week in December. Once you've settled into your suite and noticed the unique touches luxuriously appointed in gold and marble, showered with the Molten Brown toiletries and tried out the wildly exciting modes on the toilet (turn it into a heated bidet if you're so inclined), it's time to head downstairs for dinner. Oro (meaning 'gold' in Italian and Spanish) is the hotel's single restaurant, and hospitality brains will notice the clever separate hot and cold pass system designed by Kevin Carlin himself. This eatery offers a further elevated experience and one not reserved solely for hotel guests – you'll spot a mix of Queenstown locals taking the opportunity for a special occasion meal. The menu has a local lean, making the most of suppliers from the region. Standouts include the grilled ora king salmon, South Island venison, line-caught seafood and lamb rack from Royalburn Station — a name that will stand out for fans of Nadia Lim's television series Nadia's Farm. We opted for steaks, and upon learning my partner was a scotch man, the wonderfully attentive front of house brought out various examples on offer on a board so he could choose the most appealing cut. It's that attention to detail that most stands out at the Carlin — nothing is a bother. And while you're drinking, dining and chatting you'll realise the tinkling piano playing while you dine isn't a Spotify playlist, but the work of the hotel owner himself, taking a quick 10 minutes to entertain guests with a virtuoso performance in the corner. Attention to detail, indeed.
Dust off your skinny jeans. In news that we hope doesn't trigger memories of the era of Sydney's lockout laws, legendary DJ collective Bang Gang is returning to Club 77 this month. The Friday night party starters are returning to the subterranean Darlinghurst club to help it celebrate its 28th year. The Sydney-born collective that helped define a generation of dance floors is reuniting for the first time in over ten years, and they'll be taking over their spiritual home for one massive night on Friday, May 16. It's part of a month-long birthday program for 77 that brings together past legends, rising selectors and the club's own residents, in a celebration of the past and future of Sydney's club culture. Some context for younger readers: Friday nights in the 2000s were ruled by Bang Gang. Known for their high-energy sets and bold selections, the crew made Club 77 ground zero for Sydney's early-internet-era electro scene, and came to embody the sound and spirit of a generation. "It gives me this kind of excitement that's hard to explain — not nervous or anxious, just that fuck-me-this-moment-can't-come-soon-enough kind of excitement," shares Bang Gang member Dangerous Dan ahead of the upcoming gig. "The Club 77 crowd has always been there for one reason — to dance. It's dark, it's loud, and you can't really talk much anyway. But they know what's up. That's my favourite kind of crowd." Sydney — indeed, the world — looked very different when Club 77 first opened its doors in 1997. The club stared down lockouts, lockdowns, licensing crackdowns and the ever-fluctuating tides of the city's live music and nightlife scene. These days, it's where you'll find some of the sharpest programming in the city, and May's stacked birthday lineup proves it: alongside Bang Gang, you can catch returning heroes like Phil Smart, Robbie Lowe and Dreems, as well as next-gen selectors like Mowgli, Deepa, Ciara, Aquenta, DJ D.Dee and more. Whether you were around for the Bang Gang days or are part of the newer set keeping the party going, this month presents a rare opportunity to experience a slice of Sydney nightlife history in one of the city's most iconic nightlife destinations. All of Club 77's birthday events are free to enter with guest list registration before midnight, and $25 thereafter. To sign up for the guest list and to check out the full program, head to the Club 77 website. Top image: Benjamin Weser.
There's no shortage of ways to celebrate Halloween, whether scary movies, eerie art, a trick-or-treating stint, playing with Lego or themed mini golf is your thing. Here's a particularly tasty one: getting dressed up in costume and scoring a free Krispy Kreme doughnut. The chain is known for giving away its round treats, including handing out 100,000 of them each National Doughnut Day. For Tuesday, October 31, it isn't locking in an exact number of doughnuts that'll be on offer — but it will give one to everyone who turns up to a Krispy Kreme store dressed for the occasion. If that isn't an excuse to don your spookiest outfit, then what is? To snag yourself a signature glazed freebie, head to your closest Krispy Kreme store in Australia or New Zealand on Tuesday, October 31 while wearing a Halloween-appropriate costume. You'll receive one original glazed doughnut per person, and you don't have to buy anything else to nab the treat without paying a cent. That gives everyone a heap of places to flock to: 38 in Australia and six in New Zealand. Sydneysiders able to hit up 17 stores stretching from Penrith to the CBD, Victorians can visit nine locations from Chadstone to Collins Street, and Queenslanders given eight different doughnut shops to pick from (with the most central in Albert Street in the CBD). Residents of Perth can make a date with one of four Krispy Kreme locations. In Aotearoa, all options are in Auckland — including at Newmarket, Chancery Square and the domestic airport terminal. Of course, Krispy Kreme is hoping that you will be possessed by the Halloween vibe while you're in-store — or beforehand — and treat yourself to something from its themed range. On offer until Tuesday, October 31: four different varieties. If you opt for the Spiderweb, you'll get an OG doughnut that's been dipped in chocolate ganache and topped with white truffle. The Jack O'Lantern takes a shell doughnut, packs it with choc crème, then dips it in orange-coloured truffle — what else? — before giving it an eyes and mouth via sugar fondant. The Ghost goes with a white truffle dip, plus white choc flakes and candy for eyes. And the Graveyard fills a shell doughnut with strawberry filling, covers the outside with green truffle, then uses sour gummy worms and ground chocolate crumb as soil. Krispy Kreme's Halloween giveaway takes place in-store on Tuesday, October 31. The chain's Halloween range is available until the same date. To find your closest shop and check its opening hours, head to the Krispy Kreme website.
It's no secret that the last few years have seen the hospitality industry need make some swift changes to its modus operandi. Businesses had to adapt or run a very large risk of not making it through. Although this free fall-like state has surely been clear to all, Uber Eats has taken it a step further and surveyed hundreds of restaurant operators nationwide to co-produce Pulse Check: Restaurant Report 2022, a piece of analysis highlighting key areas of challenge and opportunity for the industry as it continues to manage the shockwaves brought upon by the pandemic. Interestingly, the data revealed a whopping 92% of restaurants remodelled their business in some way during lockdown. Of course, the industry took a lot of hits, but more than a few businesses have come out in better shape than they could've imagined. One such business is El Jannah, the widely loved — and continually expanding — charcoal chicken joint. Together with Uber Eats, we sat down to chat through the ins and outs of the hospitality industry with Brett Houldin, El Jannah's CEO. Our mission? To find out how he and his team work, what they focus on and why he thinks they've thrived during an obstacle-ridden time. Have a watch below, and read on for the low down. https://vimeo.com/756994014 AUTHENTICITY IS FRONT AND CENTRE Houldin puts authenticity front and centre — El Jannah does what it knows and does it well. (Some would even say it does it perfectly). Of course, some pivots were made — especially as orders via delivery services exploded — but the chicken aficionados held true to what customers love and expect in every visit, no reinvention in sight. How that was possible? Houldin reckons it's thanks to an unwillingness to compromise on "the food quality, the ingredients and the healthy attributes". THE EXPERIENCE Something else that relies on authenticity (and contributes greatly to a diner's experience) is an environment that's friendly and memorable. When expertly executed, this generates a deep loyalty in a customer base — an all too familiar situation where El Jannah's concerned. "[Our customers] treat it like an extension of their friends and family," Houldin shares. "They know people by name, they can tell you a lot about their last food occasion, their first experience. They want to tell their friends and family about what that looks like and how that felt. And I think that, in turn, brings a lot of people coming through." "CULT-LIKE BEHAVIOUR" What's certain is that El Jannah has created a dining experience (even when delivered to your home) that keeps people coming back. And without well-trained staff giving friendly, top-quality service, that probably wouldn't be achievable. "That cult-like behaviour is growing with us as we expand into more locations across Sydney and Melbourne," says Houldin. "That's what's made us stand out." All this chat put you in the mood for El Jannah chicken? Head to the website to find a location near you, or place your order via Uber Eats. Top image: Jarrad Shaw
Located at Angel Place, the City Recital Hall is an eclectic arts space that hosts — and also often creates — a range of performances, events and lectures, with some featuring famous faces like Matthew McConaughey and Nigella Lawson. The company behind the hall has pledged to produce and facilitate a vibrant, diverse and inclusive program. Seating more than 1000 patrons, the purpose-built theatre is home to everything from spoken word performances to classical concerts, live contemporary gigs, cabaret hows, opera productions and musicals. There is also an on-site refreshments bar, with a small menu, should you grow peckish, otherwise check out the plethora of dining options on the surrounding laneways for a pre- or post-theatre feed. Images: Destination NSW
Power in Shakespeare's Julius Caesar is brutal. It's corrosive and fleeting. It makes good people do bad things for their short-term survival, leads them to blur the public interest with their own. A manipulative entourage operates behind each visible figurehead. The citizenry's patience is short and their memory shorter. They martyrise their last despot not long after rejoicing in his removal by another. Their favour sways like a rope bridge over a gusty ravine. Sound familiar? The Bell Shakespeare Company thought so, too, which is why their slick and effective take on Julius Caesar speaks to modern executive government generally and the Kevin-to-Julia Labor leadership switch specifically. By keeping the allusions from getting petty or gimmicky, they pull off the production with grace and resonance and built it up to possibly the best Caesar you'll have the pleasure to see. The set is ringed by steel-framed meeting-room chairs and oversized spotlights; the cold corporate aesthetic interrupted only by the presence of a ruined Roman column bursting through the floor (which has a point, you'll see). There's shoe throwing and Q&A-style discourse, and the abridged script emphasises imagery of "the faction" and conspirators with "faces hidden in their cloaks" that were sketched 400 years before we made a cliche of 'faceless men'. Brutus (Colin Moody), Cassius (Kate Mulvany) and their supporters begin moving against tyrannical old Caesar (Alex Menglet) in a gently paced first half before the infamous execution scene is split by intermission. You're then dropped into a relentless and regularly jaw-dropping second hour where the set comes alive with a mesmerising assemblage of scaffolding, two great orators battle for the audience's hearts, and there's much navel-gazing on the part of the losers as they get their comeuppance at the Battle of Philippi. There are some great performances here, particularly from Mulvany (who's also the excellent dramaturg). Making one of the key political players female proves an instant way to modernise the play, and disregarding gender, she is a brilliant Cassius — bitter, sharp and determined. With regard to gender, it creates an interesting opportunity to play with sexual power and subtly question how we see women in positions of authority. Director Peter Evans and the creative team have had a clearly conceived idea of what this show should be and proceeded to impressively execute it. The drama features some strong choreography, including explosive fights. Where most Caesars have chosen to swim in blood, this one marks its wounds with movement and white chalk dust — it's bloodless, in fact. Like in modern politics and warfare, this violence is clean and distant. It doesn't get its hands dirty, and it's more disturbing for it.
Before it was a ten-part Prime Video series, Daisy Jones & The Six was a book. And before Taylor Jenkins Reid's 2019 novel jumped back to the 70s rock scene, Fleetwood Mac lived through, stunned and shaped the era. No matter where or when an adaptation popped up, or who took to the microphone and guitar in it, bringing Daisy Jones & The Six to the screen was always going to involve leaning into Mick Fleetwood, Stevie Nicks, John McVie, Christine McVie and company's story. Reid has said that she took loose inspiration from the band; "it's a Fleetwood Mac vibe," she's also noted. Those parallels are as obvious as a killer lyric in Daisy Jones & The Six. Creators Scott Neustadter and Michael H Weber have a recent history of riffing on true and classic tales, too — their last two projects were The Disaster Artist, which they co-scripted based on Greg Sestero's memoir about making Tommy Wiseau's The Room; and Rosaline, a retelling of William Shakespeare's Romeo and Juliet from the titular Romeo-spurned character's perspective. With directors James Ponsoldt (The End of the Tour), Nzingha Stewart (Inventing Anna) and Will Graham (A League of Their Own), the duo approach Daisy Jones & The Six exactly as that pedigree brings to mind: it's heightened, impressively cast, and well-versed in what it's tinkering with and recreating; it also isn't afraid of romance and tragedy, or of characters going all-in for what and who they're passionate about. On the page, this melodramatic tale of sex, drugs and rock 'n' roll unspools as an oral history. On streaming, it's framed by two-decades-later documentary interviews where key figures — Daisy Jones (Riley Keough, Zola), members of The Six and other pivotal folks in their careers — share memories to-camera. The eponymous musicians burned bright but flamed out fast together, opening text on-screen informs the audience before anyone gets talking. A huge stadium gig at Chicago's Soldier Field late in 1977 was their last, coming at the height of their popularity after releasing hit Rumours-esque record Aurora. Viewers immediately know the ending, then, but not what leads to that fate. Introduced in the show's flashbacks as the ignored child of wealthy parents, Daisy couldn't be more obsessed with music. A childhood spent internalising her mother's cruel comments that she doesn't have the voice or talent to follow her dreams holds her back in Daisy Jones & The Six's first episode, however, even as she couldn't spend more time hopping between Sunset Strip's venues. Cue another piece of IRL rock history, of course, thanks to Keough's pitch-perfect casting. She doesn't play her part like she's playing Elvis Presley's granddaughter — aka herself — but she makes fantastic use of her rockstar genes, including in her energy, swagger, stare, volatile temperament, and all the ferocious singing that the American Honey, The Girlfriend Experience and The Lodge star does herself. Daisy Jones & The Six takes its time putting the two parts of its moniker together, but follows The Six's origins from the outset as well, when Billy Dunne (Sam Claflin, Book of Love) agrees to front his younger brother Graham's (Will Harrison, Madam Secretary) high-school band. The full group initially spans guitarist Eddie Roundtree (Josh Whitehouse, Valley Girl), drummer Warren Rojas (Sebastian Chacon, Emergency) and bassist Chuck Loving (Jack Romano, Mank). But when dental school and the security it represents beckons the latter, and British keyboardist Karen Sirko (Suki Waterhouse, The Broken Hearts Gallery) joins their number, there's still just five band members moving from Pittsburgh to Los Angeles to make a proper go of it after tour manager Rod Reyes (Timothy Olyphant, Amsterdam) tells them that's where the serious action is at. Aspiring photographer Camila (Camila Morrone, also a Valley Girl alum) is the sixth person with The Six; she's Eddie's crush but Billy's girlfriend, then his wife and the mother of his child. She's also one of the reasons that the love-hate pull he feels towards Daisy earns two oft-used words: it's complicated. As much as Daisy Jones & The Six is a portrait of a band and a snapshot of an era, it's firmly a love triangle, too. Does great art only spring from deep feelings? Does faking it till you make it apply to discovering your artistic groove with someone and selling a bond that'll sell albums? What's the difference between finding a soulmate and seeing your own reflection peering back in another's eyes, struggles and life? They're all queries the series ponders. Fleetwood Mac's tumultuous relationships and breakups are a matter of history, which no one needs to know when sitting down to Daisy Jones & The Six. As Keough twirls onstage, adores shawls and lengthy sleeves, glares pure determination and fire, and self-medicates heavily, though, consider this a condensed fictionalisation. The Buckingham to her Nicks is Claflin, obviously, as duelling lead singer-songwriters Daisy and Billy keep circling around each other from the moment that ace record producer Teddy Price (Tom Wright, True Story) puts them together. She's desperate to make it big and not just be her lyric-stealing ex-boyfriend's, or anyone's, muse, but seeks solace all day with pills and booze. He's sober and trying to get his band another shot after a tussle with drink and drugs derails their first tour, almost ruins his marriage and sees him miss his daughter's birth. No one needs to have seen Almost Famous, either, to know where Daisy Jones & The Six heads. Still, this quickly engrossing series engages in the moment like a catchy refrain. Spinning a familiar but nonetheless involving story of chasing dreams, fame's excesses and troubles, and learning whether someone is a mirror or a kindred spirit, it looks the part in every wardrobe choice — including the disco attire worn by Daisy's pal Simone Jackson (Nabiyah Be, Black Panther), who gets close to her own episode about trying to make it in an industry unwelcoming to Black and queer artists, and the embrace she finds in New York with DJ Bernie (Ayesha Harris, Abbott Elementary) instead. Daisy Jones & The Six's songs are earworms as well, whether the show is giving the suite of 70s-style tunes written by Phoebe Bridgers, Marcus Mumford, Jackson Browne and more a whirl, or dropping a soundtrack of other cuts that, yes, even features Fleetwood Mac. Check out the trailer for Daisy Jones & The Six below: Daisy Jones & The Six streams via Prime Video.
When we were kids, spending time with our favourite people — our mates — was a regular occurrence. Nowadays, with different schedules and responsibilities, catching up is trickier to coordinate. And organising a group trip? Even harder. Trust us when we say the slog — juggling competing preferences and calculating budgets — is worth it once you're all together. The sense of belonging you'll experience when surrounded by people with shared passions or history is simply unmatched. To minimise holiday admin and finally get your gang on the road, we've investigated destinations around New South Wales that are ideal for a getaway with friends. Whether you're part of an outdoorsy circle or you hang with folks who prefer to spend their leisure time at a constant recline, there's something here to satisfy every taste in vacay.
The big friendly giant of the streaming world has found itself a golden ticket, with Netflix bringing the work of beloved author Roald Dahl to its platform. Viewers can expect to feel like Charlie Bucket walking into Willy Wonka's chocolate factory, with a whopping 16 of Dahl's classic books set to get the Netflix treatment. Teaming up with The Roald Dahl Story Company, the outfit is turning everything from Charlie and the Chocolate Factory and its sequel Charlie and the Great Glass Elevator to Matilda and The Twits into new animated television shows. Oompa Loompas, everlasting gobstoppers and everyone's favourite book-loving schoolgirl with telekinetic abilities will be joined by basically every Dahl novel you read and adored as a kid — including The BFG, Esio Trot, George's Marvellous Medicine, The Enormous Crocodile, The Giraffe and the Pelly and Me, Henry Sugar, Billy and the Minpins, The Magic Finger, Dirty Beasts and Rhyme Stew. His autobiographical efforts Boy – Tales of Childhood and Going Solo will also hit the service, with one detailing Dahl's youth and the other delving into his journeys to Africa as well as his service in World War II. For many, including the tales about the author himself, it'll be the first time that they've been adapted for the screen. Netflix plans to turn Dahl's stories into event series and specials — so limited-run shows across a number of episodes, plus one-offs. Announcing the news, the company said in a statement that it "intends to remain faithful to the quintessential spirit and tone of Dahl while also building out an imaginative story universe that expands far beyond the pages of the books themselves". In other words, expect the tales you know and love, as well as tales that expand upon those tales. Work will start on the first Dahl animated series in 2019, although just which one it'll be is yet to be revealed. Netflix also hasn't said when the shows will hit the platform, but expect them soon — it's usually pretty speedy when it comes to turning content around. And if you just can't wait, Wes Anderson's delightful stop-motion animation version of Dahl's Fantastic Mr Fox is currently streaming on the service.
Taqiza offers traditional Mexican food in a comfortable, relaxed setting. While we are totally stoked on the tuna ceviche bowl, it's the tacos that make this place truly shine. Twelve different tacos are on offer, with a range of meat, plant and seafood options keeping both carnivores and herbivores satisfied. Standouts include the pork crackling with green tomato sauce and watercress, and the vegan chorizo with confit potatoes, guacamole and pico di gallo. Tuesday is the best day to stop by if you're pinching your pennies — there are $5 tacos, $5 Tecates and $12 margaritas available from 5pm till close.
What stars Selena Gomez (The Dead Don't Die), Steve Martin (It's Complicated), Martin Short (Schmigadoon!), the ageless Paul Rudd (Ant-Man and the Wasp: Quantumania), and the one and only Meryl Streep (Don't Look Up)? What's arriving to add a bit of murder, a new mystery to solve and plenty of laughs to your winter? That'd be season three of Only Murders in the Building, which has locked in a date for its eagerly awaited premiere: Tuesday, August 8. "Is this really happening again?" asks Oliver Putnam (Short) in the first teaser trailer for the new batch of episodes. "Well, you know, who are we without a homicide?" replies his neighbour, fellow murder-mystery buff and co-podcaster Mabel Mora (Gomez). Clearly, this hit sleuthing comedy will be back doing what it's always done, and well, since season one made it one of the best new shows of 2021 and season two put it in the best returning category in 2022. This time around, Mabel, Oliver and Charles-Haden Savage's (Martin) will still be bantering while solving a murder. Given that season two ended with another big death, the latter won't come as a surprise — and neither will the victim. From the initial sneak peek so far, season three will devote a fair amount of its focus to working through the events leading up to that killing, piecing together what happened, why, how and who's behind it. Enter Rudd and Streep, because this series does love adding names to its on-screen roster. Over both season one and two, Tina Fey (Girls5eva) has been a significant presence, Sting and Amy Schumer have played themselves, and Cara Delevingne (Carnival Row) has also popped up. If you're yet to experience Only Murders in the Building's charms, it follows the odd trio of Charles-Haden, Oliver and the much-younger Mabel after they bond over two things: listening to a Serial-style podcast hosted by the show's own version of Sarah Koenig, aka Cinda Canning (Fey); and a death in their luxe abode. Of course, they did what everyone that's jumped on the true-crime bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way. In the show's second go-around, another death needed investigating. That time, it was someone the main trio were all known not to be that fond of, so suspicions kept pointing in their direction. Check out the first trailer for Only Murders in the Building season three below: Only Murders in the Building's third season will start streaming Down Under via Star on Disney+ from Tuesday, August 8. Season one and two are currently streaming. Read our full review of season two — and of the show's first season, too.
In 2024, Doja Cat topped the Triple J Hottest 100 of songs from 2023 and added Coachella headliner to her list of achievements. This year, she's notching up a first touring-wise: the superstar's debut arena gigs in Australia. Come December 2025, the 'Say So', 'Kiss Me More' and 'Vegas' talent will hit Sydney, playing on Monday, December 1 at Qudos Bank Arena. Her Aussie (and NZ) shows are part of the rapper's Ma Vie world tour, which also has international stints in Manila, Singapore, Seoul, Tokyo, Bangkok and Kaohsiung locked in for December. The run of dates takes its name from Doja Cat's upcoming fifth album Vie. Expect to hear Jack Antonoff- and Y2K-produced single 'Jealous Type' as part of her set, with new tune first debuted live at San Francisco's Outside Lands Music Festival at the beginning of August. [caption id="attachment_1018453" align="alignnone" width="1920"] Dana Jacobs/WireImage[/caption] Vie follows 2018's Amala, 2019's Hot Pink, Planet Her from 2021 and 2023's Scarlet on the Grammy-winner's discography. It's the latter that delivered 'Paint the Town Red' — 2023's Hottest 100 number one, which marked the first time that a female rapper and woman of colour topped the poll.The tune also sat at number one on the Billboard Hot 100 chart for three weeks, was the first rap song to reach those heights in 2023 and topped the Billboard Global 200 chart for four weeks in a row, too. [caption id="attachment_1018452" align="alignnone" width="1920"] Jacob Webster[/caption] Top image: Raph_PH via Flickr.
The 2026 snow season is almost here, and the mountains might just be calling your name for the first time. Yet it's no secret that heading to a top Aussie ski resort will put a dent in your wallet. Fortunately, the crew at Vail Resorts has a new promo designed to introduce adult rookies to the slopes, whether they got caught up in the Winter Olympics or love the idea of a summit-side apres-ski experience. Available for the first time, the Epic Beginner Bundle, priced at $499, offers three flexible days of beginner lift access, lessons and rentals at Perisher, Falls Creek and Hotham. Plus, if your debut on the slopes turns out to be such an unforgettable experience that round two can't wait, purchasing the bundle means you can access discounts on additional lift tickets, lessons and rentals for the rest of the 2026 season. And if that's not enough, you're also given an early incentive to lock in a 2027 winter escape, with Epic Beginner Bundle buyers scoring themselves 20 percent off a 2027 Epic Australia 4-Day Pass or an even more impressive 2027 Epic Australia Pass. The latter includes access to over 80 world-class overseas resorts, so you can take your newfound obsession to Canada's Whistler Blackcomb, Japan's Hakuba or Switzerland's Verbier 4Vallées, with loads more to choose from. "We created the Epic Beginner Bundle to make it easy for adults to learn how to ski or snowboard and set them up for future success," said Nathan Butterworth, General Manager of Perisher Resort. "We've seen that three days on the slopes with expert instruction is often the moment it clicks — when guests build confidence and start to fall in love with the sport." Equipped with the pass, you'll have everything you need to get acquainted with the slopes. That includes an adult group lesson, top-notch rental gear and lift access to green runs. While newbies should probably be steering clear as it is, just know that intermediate and advanced terrain isn't accessible with the Epic Beginner Bundle. Instead, you can spend three straight days, or three days spread throughout the season, learning at your own pace on the easy runs at various resorts. "By combining lift access, lessons and rentals into one bookable experience at an accessible price, our goal is to make it easier to say 'yes' to learning something new and provide benefits that make it easier to keep coming back for years to come," says Butterworth. Vail Resorts' Epic Beginner Bundle is now available for $499. Head to the website for more information. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: Supplied.
Hay St Market is going all-in on festive cheer, rolling out Christmas celebrations until Sunday, December 21. Expect festive food, live music, themed weekends and plenty of family-friendly fun as the precinct transforms into one of Sydney's merriest holiday destinations. For the entire month of December, Hay St will serve up its curated Christmas menu, featuring favourite festive dishes such as brown sugar and orange-glazed ham ciabatta, roasted turkey and pork belly sausage roll, prawn cocktail, boozy fruit mince tarts, and Christmas trifle. Over at the Traders Bar, two seasonal cocktails are taking the spotlight: the Nutcracker, a mix of rum, peanut butter whiskey, Frangelico and cream, as well as the Crimson Noel, blending rosemary gin, cranberry, cinnamon and ginger beer. On Friday, December 19, Hay St is throwing an Ugly Christmas T-Shirt and Jumper Party complete with Christmas movie trivia, live entertainment and prizes. It's ideal for groups (including end-of-year work parties) looking to dial up the festive chaos and get into the Christmas spirit. Music lovers can soak up Hay St Sounds: Christmas Edition, which features a rotating line-up of weekly live performances, Christmas carolers and seasonal tunes running right up until Sunday, December 21. On Saturday, December 20, Hay St will host a tribute night to Mr Christmas himself, Michael Bublé (why, who were you thinking of?). It'll be an evening of all smooth Christmas hits to soundtrack your festive market indulging. There's also loads of family-friendly fun at Hay St Market with the Elf on the Shelf Treasure Hunt, as well as face painting, and Christmas cookie decorating on select weekends. Be sure to head to Hay St Markets this Christmas season to soak up the festive spirit for yourself. Discover the full Christmas line-up and plan your festive visit at Hay St Market. Image Credit: Supplied
Let's call it the "Nicolas Cage plays" effect: when those three words combine, almost anything can follow and viewers will be obsessed. Dracula, himself, an expat Aussie surfer, a man that no one can stop dreaming about, Superman, a truffle hunter and a dad milking an alpaca are just some of the recent ways to end that sentence. In Longlegs, the pivotal phrase wraps up with the movie's title. It's the key name in the case that a just-out-of-the-academy FBI agent has been assigned. Nothing can prepare audiences for Cage's performance, however, even if you've seen him in everything from Fast Times at Ridgemont High and Vampire's Kiss to Wild at Heart and Face/Off, and then Mandy and Willy's Wonderland. Little can prepare you for this instant-classic and supremely unnerving addition to the horror canon, either. In making Longlegs, Maika Monroe and Osgood Perkins were well-equipped, though, thanks to a decade separately linked to the genre as an actor and a filmmaker, respectively. The former came to prominence with 2014's It Follows, a follow-up to which is on the way. The latter made his directorial debut with 2015's The Blackcoat's Daughter, then added 2016's I Am the Pretty Thing That Lives in the House and 2020's Gretel & Hansel to his resume. Perkins is tied to horror by blood, too, as well as from his work on-screen, where he was stepping into a young Norman Bates' shoes at the age of nine. His father is Anthony Perkins, aka the elder Bates in Alfred Hitchcock's Psycho, plus three sequels — one of which he helmed himself — in the 80s and 90s. Cage, Monroe, Perkins: that's a helluva pedigree for any movie. Longlegs doesn't squander it. Whether it's opening in 70s or unfurling its bulk with pitch-perfect 90s details, Perkins has whisked up a can't-look-away cinematic nightmare — one with a namesake that takes some thematic cues from Darth Vader in a way, he tells Concrete Playground. That's a connection that likely no one would make if he didn't join those dots himself. That said, it also speaks to the impact of a figure that lingers over an entire feature while deployed judiciously. The trailers for Longlegs are just as careful with their teasing, and Perkins was with Monroe as well: on-set, she saw Cage as Longlegs properly the first time that Agent Lee Harker, her character, does. Mentioning the best-known villainous force in a galaxy far, far away is also an aptly leftfield clue for a movie that does indeed play out like a puzzle, not just for Monroe's Harker and her boss Carter (Blair Underwood, Origin), but for everyone — and a feature that can never be accused of making obvious choices. Perkins has also described Longlegs as a "horror movie mixtape", and it fits a flick that's about unsolved murders, detectives chasing the culprit, the occult and Satanism, mysterious codes, unsettling dolls and creepy barns, each adding to the components waiting for audiences to piece together. The response so far in the US alone hasn't just been warm, but hypnotised and huge. Neon, the US distributor that's also brought Parasite, Portrait of a Lady on Fire, Possessor, Titane, Spencer, Moonage Daydream, Triangle of Sadness, Infinity Pool, Anatomy of a Fall, Ferrari and Perfect Days to screens in America, broke its box-office record for a debut weekend when the movie opened there a week before Down Under. The only film that beat it in takings: the all-ages-friendly minion power of Despicable Me 4, so the exact opposite of this haunting thriller. Now it's Australia and New Zealand's turn to meet Longlegs — and we chatted with both Perkins and Monroe about it, including about where inspiration came from for Perkins for a character as immediately unforgettable as Longlegs, plus Monroe's career path to the movie. Also covered in our round-table discussion with the duo: the genesis of the film's story, Monroe's reaction when it initially came her way, building a presence like Longlegs with Cage and Perkins' route to the genre. On What Inspired the Character of Longlegs Osgood: "For me, it starts with Darth Vader, and everything goes forward from there. And when I say it starts with Darth Vader, it starts with the quality of 'ohh, the villain is really the star of their own story, the star of their own situation. They're doing the best that they can with what they've been dealt'. And so with someone like Cobble, with Longlegs, the idea is not how do you make him sinister, but what about him isn't sinister? The sinister parts and the sort of evil parts and the kind of villainous parts is de rigueur. That's got to just be part of it. That's mandatory. Where you pull and stretch the rubber band is like, well, where is he pathetic? Obviously he's powerful, but where is he weak? Obviously he's invested — well, where is he unsure? So when you start to create these binary positions, much more can exist between those poles. If you have a villain who's like this all the time, and that's not — you don't see a lot of that anymore, but everybody has their pluses and their minuses. And I guess even a serial killer is ultimately still a person who shit's happened to, not good. And when you pluck them out of their habitat, they're probably pretty pathetic." On What Came to Mind First When Perkins Was Conjuring Up the Film's Story Osgood: "It's what I think would be fun about something like this. And usually that comes in through music, and imagery evolves as you work with other people. The first thing that happens is the dialogue and the way the movie sounds and what people are talking about, and what words they're choosing to use. I'm a big words guy. I don't believe in thinking about writing. I only believe in actually writing. Those are very different entities for me. So it starts with the words, and it starts with words that I like, and it starts with the title like Longlegs that I like. And then it starts with the way that he talks and the things he chooses to say, and it grows out of that." On Monroe's Initial Reaction to the Movie When the Script Came Her Way Maika: "I read a whole lot of scripts, and it is few and far between that you read something that just grabs you immediately. The writing was so good. It was so vivid. And, probably similar to audience members watching the movie for the first time, I really thought that I had a grip on where it was going and understanding, and I was like 'okay, awesome, a nostalgic crime-thriller'. And then a little past halfway through, all of a sudden it turned into a whole other beast, and it just felt so unique and fresh." On How Much of Longlegs, the Figure, Was on the Page — and How Much Came Together During the Shoot Osgood: "We worked together on it, and of course there's the contribution of hair, makeup, special effects makeup, wardrobe, production design. Everybody's gratifyingly pulling towards the same goal, which is to make something cool, something that has a music to it, something that has a pulse or that vibes stronger than anything else around it. That's the whole trip that we're on. And with Nic, with the character of Longlegs, most of it is on the page when he gets it. The way he looks is written. And then we've got to figure out a way to make that look right. So it becomes about literally taking one piece at a time. Like the chin, it's too much, it looks like Dick Tracy, so take it down by half. I don't need these scary things around the eyes because that makes it look a little too like Halloween costumes, so let's take that down. Let's look at this — the hair should be poufy. We're talking about glam rock, so let's exaggerate that a little bit. It just becomes about taking all the little pieces and sewing them together. And luckily for me, I have a collaborator in one of the great all-time movie presences who's really as focused and deliberate and deep as you want them to be." On Monroe's First Proper Meeting with Longlegs Maika: "It definitely felt intense, and pretty much we would do a take and I would just step out of the room — and I would go in if there were notes or something, but I just think it was nice for us to keep our space. Then after we finished filming that day, it was actually his [Cage's] last day. We were sitting across from each other and they were taking some still photos, and we just started chatting. It was the first time I heard his actual voice, and he was just saying to me 'I'm just such a fan. I love all your movies'. And I was just like sitting there like 'is this really happening?'. It was crazy. It was very surreal." [caption id="attachment_924171" align="alignnone" width="1920"] It Follows[/caption] On What Monroe Makes of Her Career So Far After 15 Years On-Screen and a Decade on From It Follows Maika: "There's just so many ups and downs, and there's no rhyme or reason to this industry. You book this big movie and you're like 'this is it. This is going to be it'. And it isn't. And then you do this tiny film, and all of a sudden it turns into to something that was never expected. I think at the end of the day, I am just so insanely grateful. I have to step outside and sort of look at where I'm at. And if I were to talk to my 13-year-old self, I would have never believed this, that I'd be sitting here right now and just the people I've been able to work with — it's just surreal and just very lucky. On Perkins' Path to Directing Horror Movies Osgood: "I think like any kid who grows up and sees their dad doing the thing, there's either the raging impulse to do the same thing and to try to find out, do a little bit of a detective search on your dad by trying to go in their footsteps of — and I think for me, it was certainly part of that. The horror genre to me is just the most delightful. It's the most delicious. It's the most profane and absurd, romantic, poetic, endless, concealed genre of all of them. It really contains everything. It contains love. It contains comedy. It contains adventure and science fiction, and it's all sort of embedded in there. So I don't necessarily think of myself as a horror director, because I don't know that I think of myself as a horror fan. I can't remember the last horror movie I paid for to see in the theatre. I don't really care about it, it's not really interesting to me. To me, I'm more looking to do something expansive, and the horror genre allows for all realms of thought and expression. And there's so many little signifiers that you can connect to, like serial killer or procedural crime, or it's an axe murderer or whatever it is — you can go in and people have an idea about it, and an emotion attached to it. And then you can create your own thing based on the model." Longlegs opened in Australian and New Zealand cinemas on Thursday, July 18, 2024. Read our review.
It certainly hasn't been a normal year for supermarkets, with toilet paper battles and limits on everyday items hitting the front page, but now the pandemic palaver has settled down somewhat, Coles hopes to make your everyday grocery shop (dare we say) exciting with the launch of its fancy new store on the lower north shore. Located in Chatswood Westfield, the newly renovated and reinvented store is the newest iteration in the Coles Local series, the first of which launched in Rose Bay back in May. Opening on Wednesday, November 11, the new Chatswood store has a range of forward-thinking elements never before seen at an Australian supermarket. You can cut down on single-use plastic by stocking up on shampoos, conditioners, body washes and laundry liquids at an in-store refill station, with reusable bottles made from recycled and sugarcane plastic. There is also a Japanese mochi ice cream parlour, a freshly squeezed orange juice station and a coffee booth with both dairy and plant-based milk options. Speaking of mylk, the store also stocks over 200 plant-based products, which is great news if you're a local vegan or dairy-free person. [caption id="attachment_789798" align="alignnone" width="1920"] Hanna Lassen[/caption] The store also stocks products from 35 Sydney-based businesses, including pasta and salads from Pasta Pantry, sourdough bread and sweet treats from Sonoma and meat from Field to Fork. Twenty-five bilingual team members have been hired to assist customers who aren't fluent in English — and Coles hasn't forgotten about the most important member of your family, your pets. You can treat them with new in-store goodies, such as snacks from a dog food pick-and-mix bar and Coles' first range of pet-friendly ice cream, so your pooch can have an after-dinner treat while you enjoy your Tim Tams. The store also has a mural honouring Chatswood's history and culture created by local artist Nancy Liang. A third Sydney edition to the Coles Local series is set to open in Manly later this year. Coles Local Chatswood is located in Westfield Chatswood, Victor Street, Chatswood and open 7am–10pm Monday–Saturday and 8am–10pm Sunday. Top images: Hanna Lassen
Growing up in a tiny town on NZ's North Island, the Popstrangers made "the music [they] wanted to make, without thinking too much about who was going to hear it." Fortunately, their psych pop reached the ears of the decision makers at Carpark Records and last month saw the US release of their debut LP, Antipodes. Popstrangers are not the only Antipodean musicians making waves on the international scene right now. With new EP Over Easy set to drop on April 19, Bearhug is soon to jet to Austin to play the SXSW Festival. Even though they continue to describe themselves as "pathetic as ever", the good people at Spunk Records have certainly found something in the group's airy indie pop that's worthy of global promotion. Meanwhile, Cooperative Music is anything but bored by Bored Nothing's emotive compositions and lo-fi production, and will release the group's new EP internationally in April. Before they hit the big time, catch all three acts, all on one night, when they share a triple headline bill at Goodgod on March 7. https://youtube.com/watch?v=UQs6rGE_1cc
Forget about taco Tuesday or margarita Monday. They're all well and good, but SoCal's annual taco and tequila festival is a huge six-day affair featuring back-to-back celebrations dedicated to Mexico's best-loved exports. And, it's returning for its third iteration, taking over the colourful North Shore spot from Monday, May 3–Saturday, May 8. On the Monday, you can settle into some live comedy and tequila cocktails, while Tuesday is serving up a $35 bottomless taco feast with $12 margaritas to match. Then there's a tequila cocktail masterclass on Wednesday, a chilli-eating competition spicing up the Thursday night, and a Friday fiesta that'll see you wrap up the work week with the help of live tunes, $10 margs, face painting and a few fiery rounds of taco roulette. But you'll want to save at least a little energy for the rollicking taco and tequila feast sending things off on Saturday, May 8. Alongside live entertainment and games, you'll get to experience the greatest hits from SoCal's new menu, with two dinner sittings available on the night. Book the first session (5–6pm) to enjoy a feasting menu and cocktail on arrival for $49, or grab an $89 ticket for the late edition (8.30–9.30pm), which'll also score you two hours of drinks.
If you're keen for some fashion finds that are both thrifty and charitable, head to the Paddington Town Hall this winter. The Red Cross will be hosting a huge pop-up shop — on Saturday, June 1 and Sunday, June 2 — and all proceeds will going to the Australian charity. Expect thousands of vintage, pre-loved and new fashion items on offer, including designer clothing, shoes and accessories. Dig through winter-appropriate coats and boots, or get ready for next summer (it'll be here before you know it) and stock up on denim and dresses. Need new bowls? A new rug? Lost all your spoons? A heap of homewares will be up for grabs, too. And if just acting as a consumer doesn't hit your do-good quota, the Red Cross is also calling for volunteers to join the pop-up staff. The shop will be open from 9am–5pm on Saturday and 9am–2pm on Sunday and entry is free. Save your wardrobe shopping until then and do some good with your spending money — give back one designer dress at a time.
Barangaroo's Ume Burger is harking back to its fan-crazed pop-up days, this time heading out to Rhodes to join forces with beloved local cafe Left of Field. The pair's one-night block party will take over Gauthorpe Street next to the cafe on Friday, March 23 from 5.30pm. Unsurprisingly, it's all about the food at this party, with a brand new yet-to-be-revealed collab burger on offer, along with Ume classics and sides — we hope this means the Menchi burger with pork katsu and tonkatstu sauce will make an appearance, or the Japanese fried chicken with curry mayo. Left of Field will also serve up its signature pavlova hotcakes while Australian Brewery slings ice-cold brews and DJ Levins sorts the tunes. If Ume's past pop-ups are anything to go by, it's best to get there early and score yourself some tasty eats before it's all gone.
What's better than one indulgent pop-up serving lobster, truffles and champagne in Sydney? Two, obviously. As well as hitting up the Entertainment Quarter for Taste in the City, Lobster & Co is also coming to town for Runaway Gardens at First Fleet Park in The Rocks during Sydney Fringe Festival from Tuesday, August 16–Sunday, September 25, too. Clearly, there's a specific kind of thinking behind this food event: sometimes, your tastebuds just crave something special. They hanker for the kind of dish you're not going to eat every day, aka a treat yo'self type of culinary experience. If that sounds like your idea of an indulgent meal, Lobster & Co will be doing what it does best, with the pop-up van serving lobster rolls with truffle fries and flutes of Pommery champagne. You'll pay $50 for the food combo, which features a whole confit lobster tail served warm on a caramelised brioche bun with buttermilk fennel slaw, plus a side of parmesan truffle fries. A chilled glass of the champers will cost you $20 extra. Also on offer: a second roll, a Thai fusion number, which includes cabbage, green papaya and sriracha mayo — and lobster, obviously — on a brioche bun. Images: Karon Photography.
One of inner city Sydney's favourite regular markets is bringing the magic to the south with a new market in Wolli Creek. Located at Discovery Point and aptly named Discovery Markets, it's a fiesta of independently grown, baked, designed and made goodness — from local produce and tasty treats to fashion pieces and homewares. The brains behind this event are the same as those behind Chippendale's Brewery Yard Markets, Jacob Collier and Rupert Partridge. "Every stallholder has a unique story to tell," says Jacob and Rupert. "At Discovery Markets we want this to be recognised, by giving our visitors the opportunity to learn more about what they're buying and who they're buying it from." You can expect more than 40 stalls. Get set for sweet deliciousness from Donut Papi, super-fresh juices from Steve's Easy Squeeze, spicy feasts from Paella Del Mar, American burgers from East Coast Slider Shack and cracking caffeine hits from Black Market Roasters. Meanwhile, if it's gifts you're looking for, browse through Waja Creations' recycled flowerpots laden with cactii, hand-poured candles from Kandel, and designer dogwear from Haus of Harley. The Discovery Markets are held on the first and third Saturdays of every month from 9am till 3pm. Feel free to drive and load up your car with your loot — there's plenty of parking. Images: Tim da-Rin.
The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when chaos surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate for Carmen 'Carmy' Berzatto (Jeremy Allen White, Shameless) and his colleagues on-screen, however; for viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. Streaming via Disney+ Down Under from Wednesday, July 19 — arriving a month after it hit the US, making Australian and New Zealand audiences wait for a repeat reservation just like last year — The Bear season two serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling stretch. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and sous chef Sydney (Ayo Edebiri, I Think You Should Leave with Tim Robinson) endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. For Carmy, Syd, the former's sister Natalie aka Sugar (Abby Elliott, Indebted), and lifelong pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings) — plus The Beef and now The Bear's baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), and resident Mr Fixit Neil Fak (IRL chef Matty Matheson) — it's all systems go from the instant that the show's second season starts. With his James Beard Award and experience at the world's top restaurants, Carmy has never been one to take things slowly or calmly. Relaunching the space that he inherited after his brother Mikey's (Jon Bernthal, We Own This City) death is no different, even after Carmy found $300,000 in cash sealed tins of tomatoes to close out season one. In cooking, money just buys ingredients and equipment. Here, while The Beef team has scored itself a hefty stash, those funds can't quite purchase enough. Swiftly, Carmy and Syd enlist Sugar as their project manager so that they can focus on conjuring up the new restaurant's customer-courting spread — and they're asking the Berzattos' uncle Cicero (Oliver Platt, Chicago Med), their main investor, for extra aid just as promptly. Creator Christopher Storer (Ramy, Dickinson and Bo Burnham: Make Happy), also the dramedy's frequent writer and director, brings the heat and the bedlam early. He tests and stresses his kitchen-obsessed characters in their favourite surroundings, where they spent the opening season just surviving. Season two pushes them towards thriving by growing and learning, though, complete with new insights into Carmy and company, plus new ways to drizzle out their hopes, wants, fears and hungers. The Bear's smorgasbord of havoc continues, then, but paired with savouring what quieter moments everyone can manage to stick on their forks. When Carmy runs into his old friend Claire (Shiva Baby and Booksmart's Molly Gordon), who is now a doctor, he finds something to enjoy beyond being a chef for the first time in far too long (certainly the first time in the show's narrative). Their relationship blossoms, taking the workaholic's focus away from his about-to-open restaurant. That causes struggles, too, but The Bear has always appreciated life's unexpected alchemies. When Carmy ditches plans to hop around town with Syd to glean culinary inspiration for the menu, for instance, she's initially peeved. Then her tasting tour of the Windy City, which is also a visual tour of some of its famous places and names for viewers, proves both revelatory and rewarding. The clock keeps ticking, with Cicero's extra cash speeding up the opening date. The deadline: 12 weeks. Whenever The Bear is at The Bear, the non-stop pressure-cooker energy blisters like grabbing a steel-handled saucepan off the stove with your bare hands. Season one was exceptional at thrusting its audience into the hustle and bustle of working in hospitality as if they were really there, warts, woes and all. Season two doesn't falter on that front. But when The Bear isn't at The Bear, it lets its usually frantic figures make themselves over, including by sending Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3) and getting Richie to spend a week learning the upscale ropes at one of the city's best restaurants. This season's performances as a result: exquisite. Marcus' trip to Denmark spans an entire episode, the only chapter in the show's 18 across both seasons to-date that isn't directed by either Storer or executive producer Joanna Calo. Instead, Ramy Youssef steps in, invests the lived-in feel that's so much a part of his own impressive series, and revels in the eye-opening minutiae of being a visitor in a new place learning fresh skills. Storer is back at the helm of Richie's dedicated instalment, but it too benefits from broadening its horizons and getting out of its comfort zone. So does Cousin. In his typically abrasive way, he isn't happy about being sent away, taking it as punishment. In one of The Bear's finest exchanges yet, however, he has his entire perception altered in a touching conversation that adds Oscar-winner Olivia Colman (Secret Invasion) to the season's guest stars. Well-known names must've been lining up to join The Bear: fellow Academy Award-recipient Jamie Lee Curtis (Halloween Ends) also features, likely nabbing herself a 2024 Best Guest Actress Emmy, alongside Bob Odenkirk (Lucky Hank), Sarah Paulson (Ratched) and John Mulaney (Bupkis). That smattering of talent appears in a double-lengthy episode that jumps back to the past, demonstrates how chaos would've been in Carmy's blood regardless of if he became a chef — including when food is involved — and is as nerve-shredding and brilliantly acted as the series gets. You can't just taste the same bites over and over again, season two's detours advise. You're chomping into history whenever you sink your teeth into anything, this particular episode also conveys. The Bear burns brighter thanks to both trains of thought and, even with season one stetting such a high bar, couldn't be more appetising and satisfying. Long may it keep spending time in streaming's kitchen, bettering something that's already proven perfect. Check out the trailer for The Bear season two below: The Bear season two streams via Disney+ Down Under from Wednesday, July 19. Read our full review of season one. Images: Chuck Hodes/FX.
After building a cult following at Paramount House's rooftop and in a sleepy Newtown backstreet, A.P Bakery has opened a third Sydney outpost, this time enticing city workers back to the CBD with delectable pastries and lunch treats on Barrack Street. The A.P team's third bakery and cafe brings all of their favourites to a hole in the wall hidden among the hustle and bustle of a pedestrian-only section of Barrack Street. Keep an eye out for the warm glow of the bakery and the bright yellow A.P Place sign and head in to discover some of the best baked goods and brunch items Sydney has to offer. The menu here follows the A.P formula pretty closely. There's top-notch coffee from Reuben Hills, a range of sandwiches including the famous egg and cheese sando and a new cauliflower toastie, and a daily list of pastries, cakes, pies and bread. After extensive 'research', we can confirm that the Sri Lankan chicken curry pie, Aleppo pepper and asiago cheese scrolls, and fig leaf cream and rhubarb croissants are all must-tries if they're on the menu the day you visit. There are also a few special items that have been created specifically for the CBD shop. From 11am you can nab thick slices of pizza that you'll only find on Barrack Street, plus sandwiches made with the same bianca dough. And there's a cheeky salt and vinegar hash brown on the menu that's worth a try. If you needed an excuse to head back to the office, there aren't many better than A.P's creations. Because if you wanted to visit on a Saturday or Sunday, you're out of luck — A.P Place is only open on weekdays. Time to call in sick and get your hands on a cauliflower toastie. Images: Finley Jones
Why drink a regular beer when you can enjoy a beverage that glows in the dark? And why scour the shops for bottled varieties when you can make your own bright bioluminescent tipples? They're the questions former NASA biologist Josiah Zayner will get you pondering when you discover his latest illuminating product. After leaving the American space agency to start his own company, The Odin, he has created a fluorescent yeast kit that will add a glow to your home brewing endeavours — or perhaps inspire you to start. The key ingredient is called the Green Fluorescent Protein, or GFP, that actually originally comes from a jellyfish. With the Engineer Any Yeast to Fluoresce kit, you'll actually make your own yeast that contains the protein, which will then glow when exposed to a black light. Technically, thanks to some concerns by the US Food and Drug Administration, it's being sold for educational purposes — but Zayner does intend for it to be used for brewing beer. The Odin has a full statement about any safety concerns on the company's website. The good news is that the kit ships internationally, so you really can make your glow-in-the-dark beer dreams a reality. The not-so-good news — if you're low on cash and time, that is — is that it costs US$199 and requires ten hours of effort over the course of two days to get to the ready-to-brew stage. Luminous beer might light up your next drinking session, but it isn't something you can make lightly, it seems. For more information about the Engineer Any Yeast to Fluoresce kit, visit The Odin's website. Via Eater. Image via The Odin.
Beyond the conflicts in Afghanistan and Iraq, the attacks of September 11 set in motion a third, different kind of battle. One fought on the home front; a quiet, uncomfortable and unspoken war of words and sidelong glances directed towards anyone who suddenly came to look 'different', 'foreign', 'un-American'. The inadequacies of American security were undeniable; however, the indignity of the racial profiling that became rampant in their wake remains — to this day — an irredeemable blight on the United States' history. It's within this framework that author Mohsin Hamid set his bestselling 2007 novel, The Reluctant Fundamentalist, now a film by director Mira Nair. It tells the story of Changez (Riz Ahmed), a prodigious Pakistani-born Princeton graduate who's headhunted by Jim (Kiefer Sutherland) to work in New York's top consultancy firm. With the company placing him on the fast-track to partnership and the chairman's daughter (Kate Hudson) quickly besotted, Changez's pursuit of the American dream seems assured. But then the Twin Towers come crashing down, and so too his perceived security. Colleagues view him differently, arrests and random searches become commonplace and despicable bigotry bubbles to the surface. At first Changez ignores, then endures, the prejudice, but eventually the feeling of victimisation and the loss of his identity become untenable and he returns to Pakistan. The film flicks back and forth between Changez's time in America and his present-day life as a 'radical academic' suspected of kidnapping an American colleague, and it's those latter scenes that engage most directly. Played out as an interview with US journalist Bobby (Liev Schreiber), they've a distinctly Cold War-era feel to them in the vein of the recent Tinker Tailor Soldier Spy. Schreiber puts in a great performance as the journo with his own secrets, and Sutherland shines as a Gordon Gecko-esque corporate cutthroat; however, it's Ahmed who steals the show. At times the rhetoric is handled a touch clumsily and the 'fundamentals of business'/'fundamentals of Islam' motif is, like the book, not especially subtle, but The Reluctant Fundamentalist remains a compelling and confronting examination of one of the war on terror's less publicised dimensions.
We get it: everyone loves an espresso 'tini. And that isn't changing any time soon. Over the past few years, the Central Coasts's cold-pressed coffee liqueur company My Black has held its fair share of festivals dedicated to them — and, this February, the team is heading to Marrickville's Factory Theatre for the Backyard Espresso Martini Fest. The all-day party will take over the venue from 1pm on Saturday, February 8. The affair will involve an array of alcoholic caffeinated beverages from the Mr Black caravan, including the obvious, plus a menu of cocktails that throwback to after-school treats — think cocktails topped with Ice Vovos, irish coffees sipped through Tim Tams and a salted caramel espresso martini made with Caramello Koalas. As with any festival of this kind, there will be plenty of food trucks on hand, and Katherine Sabbath will also be holding her own back sale to raise money for bushfire relief. Given its location, this time round, the festival will be pair the cocktails with a lineup of local DJs and artists. The day will start in the courtyard with sets from Bindah, Randy Knuckles and Jnr. Then, come 7pm, the party will move indoors to the Factory Floor for a set by Cairo Heaven, the new project from one half of Sydney duo Polographia. It's a long day but you'll be well-caffienated to see it through. Tickets are $18 and include your first drink.
In celebration of the Aboriginal and Torres Strait Islander culture held on the traditional lands of the Gadigal people in Sydney, Koori Radio 93.7FM presents the annual Yabun Festival. The largest one-day celebration of its kind, the festival seeks to showcase some of the best Indigenous music, speakers and creative talent in the country. Get cultured in traditional dance as performers kick up the dust; wander the market stalls of Corroboree Ground; or be enlightened by some of Australia's leading artists, authors and thinkers at the SpeakOut Tent.
If your Easter routine usually involves a seafood feast, you don't need to alter your plans in 2020. While heading to the shops looks a bit different in these COVID-19 times — and going out for a meal is on hold indefinitely — Betty's Burgers is serving up plenty of prawns for the occasion. Combining four juicy fried prawns, the chain's special garlic mayonnaise, lettuce and tomato, Betty's new prawn roll is available for takeaway from its restaurants spotted across Australia. If your stomach is already rumbling, you can tuck into one for $15 — or order a meal for you and your housemate and get two rolls and two serves of fries for $35. You'll need to get in quickly, though, with the prawn roll only available for a week from Thursday, April 9–Thursday, April 16. And, if it's anything like the chain's lobster roll, expect it to sell-out — fast. Known for its Shake Shack-style burgs and frozen custard desserts (called concretes), Betty's foray into prawns is also a celebration of its beachy roots. While you can now grab a Betty's burger at over 20 locations across Australia, including six Sydney outlets, four Melbourne spots, four Brisbane outposts, one Toowoomba eatery and one location in Adelaide, the company first began in Noosa, and then expanded to the Gold Coast. Over the Easter long weekend, Betty's Burgers stores are open from 11.30am–9pm daily, with the following stores temporarily closed: Coomera and Pacific Fair in Queensland, Central Station and Market Street in NSW, and The Glen and Exhibition Street in Victoria. The rest of the chain's stores are open for takeaway and most of them offer delivery via UberEats and Deliveroo. To check what options your local has, head to the Betty's Burgers' website or download the app for iOS or Google Play. Betty's Burgers' prawn roll is available at all Australian stores — except Coomera and Pacific Fair in Queensland, Central Station and Market Street in NSW, and The Glen and Exhibition Street — for takeaway for a limited time. To order, download the Betty's Burgers app for iOS or Google Play. If you choose to pick up these burgers, have a look at the latest COVID-19 advice and social-distancing guidelines from the Department of Health.
Festivals have evolved. Nowadays, they're almost unrecognisable from the pits of despair we experienced in our teens — and there's a festival to suit almost everyone. If your bag is being terrified until you poop your pants, Horror Movie Campout is the festival for you. Last year they debuted in Sydney and Melbourne, and this year it's not only coming back, but spreading further. Brisbanites had their chance back in September, and Adelaide residents can embrace all things scary in late October. Basically, it's the Meredith of monstrosity, the Splendour of spookiness…kind of exactly like Stereosonic ain its current zombied state. So what goes on at a horror festival? Well, it's full of horrifying spectres and hair-raising scenes of horror (aka, your blood will literally curdle). We've had some clues from last year: yep, survivors camped out overnight in the woods (first mistake right there, seriously). They reported roaming zombies, all the classic pop-culture murderers you can shake your pathetic choice of weapon at and of course, menacing clowns. Not only do the organisers hire actors to scare the bejesus out of you, but everyone comes to event dressed in costume. So get down to your local stuff shop before they sell out of 1920s nightgowns, fake blood and Kabuki masks. You can expect a horrifying 'death chamber' maze, as well as a main stage with live music (will it be horrifying? They haven't specified but probably). Then, the main event is a series of curated horror shorts followed by two headliners, decided by you, the victims. The Melbourne campout is happening on December 3 and 4 (giving you just enough time to recover from Halloween) at the very remote and haunted Point Cook Homestead. Hint: old Point Cook has seen its fair share of murders. Melbourne Horror Movie Campout is happening on December 3 and 4; book your tomb online. Adelaide is on October 29 and 30 — and pencil it in, Sydney, because your event is happening next year on March 11 and 12. Grab your one-way ticket to poop town through the website a little closer to the date.
Nestled in the heart of Paddington, Five Ways is home to many an artisan vendor. So what better way to spend your Saturday than feasting on the best baked goods, sweets and art of the neighbourhood at The Royal Paddington Artisan Market? Grab a complimentary coffee to sip as you peruse the goods. Locals like artisan sourdough bakers Sonoma, doughnut wizards Woah Nelly, and cupcakesmith Elisa Pie among others will be setting up shop at the markets and selling their delicious, delicious wares. The Lust List will be doing free illustrations and Flow Athletic will also be leading free yoga sessions, the perfect Sunday session for de-stressing. It's not really a market without some music to accompany your roaming. Citizens of the World and Alice Quiddington will be providing the soundtrack to your lazy Saturday afternoon. And if the shopping makes you a little too hungry and you're insatiable even after The Royal's breakfast canapés (did we hear mini scones and bacon and egg sliders?), head up to the second floor for a special market menu, sparkling wine and that stunning view of the suburb and beyond. Image: Royal Hotel.
As that sweaty, gamer dude with greasepaint dripping from his nose that you bumped into on the bus who was cosplaying Emperor Palpatine en route to Oz Comic-Con said: Let the nerd flow through you. Despite sounding like one of the most horrendous pick-up lines of all time, he had a point. Nerd culture is inescapable, and unless you want to look back on a life haunted by the zeitgeist, it's time to get on board. Dragon Friends is a Dungeons and Dragons game played live on stage by some of Sydney's best comedians. While that may sound niche, the kicker is that none of the comedians have played D&D — the cult tabletop fantasy role playing game — before. DM'd by Dave Harmon, the creator of Australia's largest real world zombie survival game, Zedtown, together with Story Club co-creator and regular Chaser collaborator, Ben Jenkins, are Dragon Friends. And it's silly, unashamedly nerdy, and utterly delightful. The core cast of comedians/D&D newbies is compromised of triple j presenter and Good Game Well Played host, Michael Hing, BuzzFeed Australia's Alex Lee, national Theatresports champion Simon Greiner, and one third of the Axis of Awesome, Benny Davis. Having just performed at PAX Australia in Melbourne — where they were joined on stage by Lawrence Leung and none other than Senator Scott Ludlam — Dragon Friends won't be little known for long. If this piques your interest, you can catch up on the adventure so far via their podcast.
When a franchise has spent more than a decade intertwining 20-plus films and multiple TV shows, watching along often becomes a game of 'spot the other superheroes'. Yes, we're talking about the never-ending, always-expanding Marvel Cinematic Universe, which loves popping as many caped crusaders as it can into its flicks and shows — and serving up surprises, too, beyond the usually sizeable list of main spandex-wearing players that any of its movies or series have already announced. The next film set to do just that: Doctor Strange in the Multiverse of Madness, the 28th big-screen chapter in the MCU, the followup to huge 2021 hit Spider-Man: No Way Home and the direct sequel to 2016's Doctor Strange. It first dropped a trailer last December, back when No Way Home arrived. In fact, that trailer was tacked onto the end of the Spidey flick if you sat through it till the very end of the credits. But now Marvel has released a second sneak peek at Doctor Strange's next adventures — Super Bowl day is always a big trailer day in the US, which is why it's dropping now — and it comes with quite the tease. Already, fans knew that The Power of the Dog Oscar-nominee Benedict Cumberbatch is popping his Doctor Strange cloak back on, as he did in No Way Home. We were also already that this new dive into the mystic arts would include a post-WandaVision Scarlet Witch (Elizabeth Olsen) — plus Benedict Wong (Nine Days) as Wong, Rachel McAdams (Game Night) as Strange's ex Dr Christine Palmer and Chiwetel Ejiofor (Locked Down) as fellow Master of the Mystic Arts Mordo, too. The new trailer seems to add to the film's cast in a huge way, however, which is exceptional news for anyone that's loved movies based on Marvel comics since other superhero teams were doing big things in the early 2000s pre-Iron Man. The surprise is best discovered by watching, could signal the arrival of a whole heap of other familiar characters into the MCU, and arrives in a trailer that sees Doctor Strange forced to face the consequences of breaking the rules for Peter Parker. Indeed, Wanda points out that the repercussions for his actions appear to have been rather different than the fallout for hers post-WandaVision, and she's really not thrilled about it. Expect Doctor Strange in the Multiverse of Madness to serve up will trippy Inception-style imagery, Strange's brooding demeanour and Marvel's usual world-in-peril shenanigans as well, all in a flick that also boasts a nice piece of symmetry. The movie marks the MCU filmmaking debut of acclaimed Evil Dead franchise director Sam Raimi, the man who helmed the original three Spider-Man movies in the 00s, way back before the Marvel Cinematic Universe was even a glimmer in the comic book company's eye, and obviously long before Doctor Strange and Tom Holland's Spider-Man became pals. Check out the latest Doctor Strange in the Multiverse of Madness trailer below: Doctor Strange in the Multiverse of Madness releases in cinemas Down Under on May 5, 2022. Images: Photos courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.
If the only thing that's been holding you back from packing up and making a home in the middle of nowhere has been the lack of electricity (and the desire to not live out of a tent), you might want to start plotting your escape. Architecture firm Skidmore, Owings & Merrill (SOM) have designed a 3D-printed pod home that not only looks 100 percent epic, but can function entirely off the grid. The sustainable structure works in conjunction with a companion vehicle, which is also printed using 3D technology. Solar panels built into the pod's curved pavilion-stye roof powers it by night, and the vehicle generates its own power too through a hybrid electric system. The two share their power — get this — wirelessly through a closed-loop battery system to ensure you're not left in the dark when the sun doesn't peek out behind those clouds. The pod has been developed with the geniuses at the U.S. Department of Energy's Oak Ridge National Laboratory as part of the Additive Manufacturing Integrated Energy (AMIE) project. The pod, which is largest of its kind at 11.6m long, 3.7m high and 3.7m wide, has been developed with the aim to illustrate "the potential of a clean energy future for a rapidly urbanising world by demonstrating the use of bidirectional wireless energy technology and high performance materials to achieve independence from the power grid at peak-demand times". 3D printing has given us everything from a chewable toothbrush, 60-second cupcakes, and titanium sculptures, but this has to be the most dream-worthy 3D printed possibility yet. Via Dezeen. Image: SOM.
In self-portrait after self-portrait, Frida Kahlo was no stranger to giving the world a window into what made the artist tick. The Mexican painter didn't just create art — she bared her soul, especially in pieces where she stares back at audiences. Frida Kahlo: In Her Own Image has a similar intimate aim in mind, as aided by some of the icon's depictions of herself, as well as a treasure trove of her personal belongings. When it arrives Down Under in 2025, this will be Australia's latest celebration of Kahlo after the Art Gallery of South Australia's 150-work Frida & Diego: Love & Revolution showcase of Mexican modernism in 2023, and also Sydney Festival's multi-sensory Frida Kahlo: Life of an Icon the same year. That's quite the spread of places around the country that've been dedicating walls and halls to the artist, with Bendigo now joining them. Frida Kahlo: In Her Own Image will display at the Bendigo Art Gallery from Saturday, March 15–Sunday, July 13. [caption id="attachment_966475" align="alignnone" width="1920"] Frida Kahlo in blue satin blouse, 1939, photograph by Nickolas Muray © Nickolas Muray Photo Archives.[/caption] Many of the artworks and items that'll feature have never been seen in Australia before. In fact, some were sealed for 50 years in her family home when Diego Rivera ensured that the site would become a museum after Kahlo passed away in 1954, and that her most-personal items were stored in the bathrooms away from public eyes. Objects such as clothes and makeup will make the trip to regional Victoria, as will mementoes and photographs. Accordingly, attendees will be peering at traditional Mexican garments, including a headdress from the Oaxaca region, that were worn by Kahlo; Revlon cosmetics, such as lipstick, nail polish and an eyebrow pencil; and hand-painted medical corsets that she donned following spinal surgeries. Appearances Can Be Deceiving, a self-portrait drawing that provides a view through her clothing to her corset x-ray style, is also a highlight. [caption id="attachment_966474" align="alignnone" width="1920"] La Casa Azul. Photograph by Sebastián Monsalve. © Frida Kahlo & Diego Rivera Archives. Bank of Mexico, Fiduciary in the Diego Rivera and Frida Kahlo Museum Trust.[/caption] Arriving direct from the Museo Frida Kahlo in Mexico, Frida Kahlo: In Her Own Image is exclusive to the Bendigo institution, so you'll need to make the trip if you're keen to explore what the artist's belongings and style says about her art. "This remarkable collection rarely travels outside Mexico, and has never before been seen in Australia. Kahlo's much-loved home, Casa Azul, now the Museo Frida Kahlo, was the embodiment of her art, philosophies and design influences," explains Jessica Bridgfoot, Director of Bendigo Art Gallery. "Frida Kahlo: In Her Own Image will shed a light on Kahlo's carefully crafted appearance in the world, and how her vibrant clothing, poetic use of makeup and adornment constructed her captivating public image, and also addressed global political issues, cultural identity and how her physical disabilities both defied and defined her." [caption id="attachment_966476" align="alignnone" width="1920"] Cotton blouse embroidered with glass beads; satin skirt with chain stitch and floral motif embroidery; holán (ruffle) and guatemalan waist-sash. Photo: © Museo Frida Kahlo - Casa Azul Collection - Javier Hinojosa, 2017.[/caption] "Frida Kahlo: In her own image originates from the extensive investigation of Frida Kahlo's personal objects, found in trunks, wardrobes, drawers, bathrooms and cellars of the Casa Azul," adds Perla Labarthe Alvarez, Museo Frida Kahlo's Director. "The exhibition is a unique opportunity to learn about the Kahlo's life in a classical Mexican house which encompassed not only her personal world but so much of Mexican life and culture. These endearing objects help us understand the story of this complex artist with all her humanity, resilience and creative power." [caption id="attachment_966477" align="alignnone" width="1920"] Frida Kahlo, by Guillermo Kahlo, 1932 © Frida Kahlo Museum[/caption] [caption id="attachment_966478" align="alignnone" width="1920"] Revlon compact and powderpuff with blusher in 'Clear Red'; Seal-fast nail varnish top coat; Lastron nail varnishes in 'Frosted Snow Pink' and 'Frosted Pink Lightening'; lipstick in 'Everything's Rosy'. Before 1954. Photo: © Museo Frida Kahlo - Casa Azul Collection - Javier Hinojosa, 2017.[/caption] Frida Kahlo: In Her Own Image will display at Bendigo Art Gallery, 42 View Street, Bendigo from Saturday, March 15–Sunday, July 13, 2025. Head to the gallery's website for further details. Top image: Frida Kahlo in blue satin blouse, 1939, photograph by Nickolas Muray © NickolasMuray Photo Archives.
YCK Laneways, a new cultural precinct that launched in 2021 encompassing the CBD laneways in York Street, Clarence Street and Kent Street, is currently in the swing of six week cultural festival titled YCK Intersections. The festival's lineup of live music, workshops and pop-ups is taking over venues across the three CBD streets including Since I Left You, Esteban, PS40, The Duke of Clarence, Stitch Bar, Uncle Ming's, Prince of York and many more. Alongside these activations, the YCK team is throwing a three-day party called Master the Art, which stretches over the ANZAC Day long week at Barrack Street — and features a stacked lineup of live sets and cooking masterclasses. Heading up the music bill over the three days from Friday, April 22–Sunday, April 24 are Wafia, Sneaky Sound System and Day1, with support from the likes of Ula, Kota Banks, A.Girl, B Wise and East Av3, just to name a few. As for the food and drink masterclasses, you'll find Sydney favourites like Maybe Sammy, Cantina OK!, Hickson House and Sydney Oyster Farm Tours running you through skills ranging from crafting the perfect margarita to upping your oyster game. Tickets to each night of the gigs and each masterclass are available for $60 a pop — with masterclasses available in discounted bundles — however, we have 150 passes to give away to Concrete Playground readers. If you want to head along and upgrade your cocktail-making skills or hit the dance floor to 'UFO' this weekend, just use the code 'CPSHOUT' at the checkout to secure a free pass. If you've left your long-weekend plans until the last minute, you can thank us later for setting you up with a top-notch experience free of charge. But hurry, as those 150 passes are sure to be snatched up quickly. Check out the lineup for the Barrack Street party and YCK Intersection's full program at the YCK Laneways website. [caption id="attachment_836314" align="alignnone" width="1920"] Hickson House[/caption] YCK Intersections: Master the Art takes place at Barrack Street, Sydney between Friday, April 22–Sunday, April 24. If you're keen to head along, use the code 'CPSHOUT' at checkout to score free tickets.
Last September, John Malkovich took time off from being John Malkovich to be Everyone Else for a change. Shot by Sandro Miller in Los Angeles, the highly publicised series of photographs dubbed Malkovich, Malkovich, Malkovich recreated some of the most iconic portraits in recent history — from John and Yoko to Che Guevara, Dorothea Lange's Migrant Woman to Andres Serrano's Piss Christ. And now the series is coming to Sydney as part of this year's Head On Photo Festival (running May 1 - 31), showing at Darlinghurst's Black Eye Gallery from April 28 - May 5. Malkovich, Malkovich, Malkovich is just the tip of the iceberg for Head On. The photography festival will showcase works from local and international photographers in over 50 featured exhibitions across Sydney, running from May 1–31. There's some pretty diverse exhibitions at the new Head On Festival Hub at Sydney Lower Town Hall. There's Georges Pacheco’s exhibition, Amalthée, which takes cues from Italian and Dutch renaissance painting to look at the universal and timeless act of breastfeeding. There's also Sydney-based photographer Nic Bezzina's show Cam Girls, which consists of screen grabs from 'Cam Girl' websites — where women enact instructed sexual fantasies via webcam. There are retrospectives aplenty this year too. Internationally acclaimed photographer Emmanuel Angelicas has a retrospective detailing his 45 years of documenting Marrickville's often overlooked residents, and portrait photographer to the stars George Fetting will also delve into years of shooting the likes of Buzz Aldrin, Cate Blanchett, Baz Luhrmann, Spike Milligan, Lee Lin Chin, Marcel Marceau, Barry Humphries, Ralph Fiennes, Billy Idol and many more.
A trip to France might not be on your agenda in 2024. Sans DeLorean, travelling back in time definitely isn't. But add visiting regional Victoria to your itinerary between March–July and you can enjoy a look at Paris in the Belle Époque period. Bendigo Art Gallery is hosting Paris: Impressions of Life 1880–1925, a big exhibition that benefits from pieces from Parisian history museum Musée Carnavalet — Histoire de Paris. This is an exclusive showcase, so hitting the town from Saturday, March 16–Sunday July 14 is the only way to see it in Australia. Art and artisan objects will be on loan from Musée Carnavalet, and they'll have company thanks to fashion pieces from houses of the era, which will be provided by National Gallery of Victoria and the National Gallery of Australia. [caption id="attachment_943227" align="alignnone" width="1920"] Georges Stein. Riders, and carriages on the avenue du Bois c. 1900. oil on canvas. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] More than 170 works will be on display from Paris' oldest municipal museum, which is a mere fraction of its 620,000-strong collection. This is the first time that an exhibition has been solely developed from the Musée Carnavalet for an international gallery only featuring its own pieces — other than the fashion that Bendigo Art Gallery is pairing with it — which is no small coup for the venue. Paris: Impressions of Life 1880–1925 will split its wares into seven strands, all endeavouring to show Paris of the era as seen by those who lived there. Accordingly, including across 90-plus paintings, attendees will peer at gardens, the Seine's banks, theatres, Montmartre's cabarets, openair markets, restaurants and more. Among the artists featured: Ludovic Vallée, Albert Marquet, Louis Abel-Truchet, Maurice Utrillo, Paul Signac, Jean Béraud, Maximilien Luce, Jules Chéret and Leonetto Capiello. [caption id="attachment_943231" align="alignnone" width="1920"] Paul Signac, Le Pont des Arts 1928, oil on canvas. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] Henri de Toulouse Lautrec's theatre posters will also be a big drawcard. Or, you can check out shop signs from cafes and hairdressers, illustrated dining menus, and souvenirs from the 1889 and 1900 Exposition Universelles. It was for the 1889 event that the Eiffel Tower was built (see also: the film Eiffel). As for the fashion, it'll cover pieces from the late-19th century to the 1920s, too, including from House of Worth, Jacques Doucet, Madeleine Vionnet and the Callot Souers. [caption id="attachment_943228" align="alignnone" width="1920"] Henri de Toulouse-Lautrec, Poster for the cabaret venue Divan Japonais at 75 rue des Martyrs 1892. colour lithograph. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] "Paris is without doubt one of the world's most picturesque and captivating cities, and the exhibition distils its beauty and energy, from the busy banks of the Seine, bustling marketplaces, grand boulevards, idyllic public gardens and the bohemian Montmartre area, as it was portrayed by some of the most influential artists and artisans of the period," said Jessica Bridgfoot, Director of Bendigo Art Gallery. "This is a rare opportunity for audiences to take a promenade through turn-of-the-century Paris, a dynamic time when the city courted the attention of the world." Stepping back into Parisian history is also on the agenda in Sydney this year, thanks to the Art Gallery of New South Wales' huge Alphonse Mucha exhibition, while both The LUME in Melbourne and HOTA, Home of the Arts on the Gold Coast are focusing on the Italian renaissance. [caption id="attachment_943230" align="alignnone" width="1920"] Ludovic Vallée, Montsouris Park c1900, oil on canvas. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] [caption id="attachment_943232" align="alignnone" width="1920"] Souvenir fan with panorama of the 1889 Universal Exhibition 1889, printed glazed cotton percale and wood. Musée Carnavalet © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] Paris: Impressions of Life 1880–1925 will display at Bendigo Art Gallery, 42 View Street, Bendigo from Saturday, March 16–Sunday July 14 — head to the gallery's website for further details. Top image: Jean Béraud, The Entrance to the 1889 Universal Exhibition 1889, oil on wood. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.
Some bands are born from skill, passion and a garage strewn with beer cans, but others are born from the shrewd minds of television producers (or at least a combination of the two). Flight of the Conchords might be the one of the biggest players in guitar-based digi-bongo a cappella-rap-funk-comedy folk spheres, but they're not the first great band to have emerged from behind a television screen (via stage and radio, to be fair). To celebrate the Conchords' upcoming tour, here are ten made-for-TV bands that have rocked the tube in decades gone by. https://youtube.com/watch?v=ehJNw-T3gpo 1. THE MONKEES Three No. 1 singles, six Top 10s, 12 Top 40s and a total of 20 Hot 100 singles. The Monkees weren't just made for television — they were made for world domination. Commanding the charts during one rock 'n' roll's most significant periods and staging a showdown against the producers who banned them from actually playing any instruments on early records, The Monkees helped define authenticity in rock. R.I.P. Davy Jones. https://youtube.com/watch?v=kFohA6mKFjc 2. MISSION CONTROL (FREAKS & GEEKS) Before James Franco was a multi-talented actor/director/writer/grad student he was a small-time guitarist (and a bit of an asshole) on NBC's Freaks and Geeks. The short-lived cult TV show was excellent for many reasons, one of the best being the quote "Rock 'n' Roll don't come from your brain! It come from your crotch!" https://youtube.com/watch?v=27EVNiKDR4k 3. ZACK ATTACK (SAVED BY THE BELL) Saved by the Bell's Zack Morris was involved in a range of extra-curricular activities, but none were so memorable as his role as lead singer and lead guitarist in Zack Attack. The band never achieved the success that it did in Zack's dreams, but it definitely made the show that much more awesome. https://youtube.com/watch?v=B7-IoFyp_68 4. DINGOES ATE MY BABY (BUFFY THE VAMPIRE SLAYER) Can't think of a name for your band? Why not turn to notorious stories involving the death of small children for inspiration? Pushing past the awkward name, Dingoes Ate My Baby weren't actually that bad for a post-grunge, pre-emo rock band. Probably because the more tastefully named Four Star Mary provided all their music. https://youtube.com/watch?v=8ti8-vEM3U8 5. JESSE AND THE RIPPERS (FULL HOUSE) It's not every made-for-television band that still has a frequently updated Facebook page 17 years after the demise of the television show, but it's not every made-for-television band member who had hair like Jesse Katsopolis. Hit songs included "Forever", and several hundred Beach Boys cover songs. https://youtube.com/watch?v=qCIKg3YREHY 6. FROZEN EMBRYOS (MY SO-CALLED LIFE) Also living on through Facebook are Frozen Embryos from ABC's My So-Called Life. The lead singer is the elusive Tino, who isn't actually seen in any episode. He is, however, mentioned in Juno when Ellen Page's character says her band should be ready to rock "once Tino gets a new drumhead". Rock lives! https://youtube.com/watch?v=IXMFKmiNyvk 7. DR TEETH AND THE ELECTRIC MAYHEM (THE MUPPETS) You know you've struck the right chord when your band inspires the name of a hipster dive in San Francisco's Mission district. Dr. Teeth and the Electric Mayhem mostly stick to rock music, but it's arguable that they do a better rendition of Chopin than Chopin. https://youtube.com/watch?v=0B9wJ7EwcN4 8. SCRANTONICITY (THE OFFICE) A Police cover band with Kevin as the drummer and lead singer. This has "magnificently awkward" written all over it. https://youtube.com/watch?v=8sITlZo5r84 9. MYSTIK SPIRAL (DARIA) The fictional grunge rock band from Daria helped confirm one of lyricisms irrefutable truths: coherence is no way near as important as a good rhyme. Okay so that might not always be true, but Mystik Sprial were way cool and totally would have scored the big break they deserved had they only managed to agree upon the perfect band name. https://youtube.com/watch?v=rXWaVz4yogI 10. DETHKLOK (METALOCALYPSE) Say what you will about virtual melodic death metal as a whole, but you have to hand it to Dethklok for achieving such widespread commercial success that they were ranked as the world's seventh largest economy by the end of Metalocalypse's second season. And while the real-life version of the band hasn't achieved quite this level of success, they do still play regular shows.
California's endless sunshine and awe-inspiring scenery helped establish it as the home of US filmmaking. Nowadays, just about every nook and cranny in the state has appeared on the silver screen, with Hollywood productions making the most of dynamic landscapes and architectural wonders. Ready to see some of pop culture's most iconic scenes in person? We've teamed up with Visit California to highlight ten of the best attractions to visit when you want to geek out on cinematic history. [caption id="attachment_960577" align="aligncenter" width="1920"] Hang Tran via iStock[/caption] Griffith Observatory, Los Angeles Perched on the side of Mount Hollywood, Griffith Observatory offers incredible views across Los Angeles stretching from downtown to the Pacific Ocean. After dark, it becomes a buzz of activity as free telescopes give visitors glimpses into deep space. Inside, cosmos-related exhibitions dazzle guests. A go-to spot for directors, Griffith Observatory has been the setting for hundreds of productions. You might recall the opening shot of The Terminator, featuring a stark-naked Arnold Schwarzenegger, or a mesmerising musical number in La La Land. Don't miss the James Dean busk to celebrate the observatory's role in Rebel Without a Cause. [caption id="attachment_960579" align="aligncenter" width="1920"] Travelview via iStock[/caption] Union Station, Los Angeles Few train stations have appeared on camera more than Union Station. Although it typically serves as LA's major rail terminal, its fascinating combination of art deco and Spanish colonial revival architecture gives it an undeniable gravitas that makes for a powerful scene. In the original Blade Runner, Union Station stands in for Los Angeles Police Station, while The Dark Knight Rises sees it transformed into a kangaroo court overseen by the Scarecrow. Although surprisingly rare, Union Station was simply a train station in Pearl Harbor. [caption id="attachment_961524" align="aligncenter" width="1920"] Ross G Perry[/caption] Fox Plaza, Los Angeles You might still debate whether Die Hard is a Christmas flick, but there's no doubting where it all began for Detective John McClane. Better known as Fox Plaza, or 2121 Avenue of the Stars, this LA skyscraper is where villainous mastermind Hans Gruber met his match. Yet McClane isn't the only cop to roam this building. In Brooklyn 99, Jake makes the team detour to the fictional Nakatomi Plaza, quoting McClane every step of the way. You can also catch Fox Plaza's exterior in Lethal Weapon 2, connecting more made-up cops to the building's legacy. [caption id="attachment_960584" align="aligncenter" width="1920"] Michael Overstreet via iStock[/caption] Bodega Bay, Sonoma County North of San Francisco, Bodega Bay is one of the top spots on the West Coast for whale-watching, peaceful hiking trails and day spas. It's also a must-visit on a cinema-inspired road trip along the coast. Though you might not get that impression from Alfred Hitchcock's 1963 classic, The Birds. After socialite Melanie Daniels follows lawyer Mitch Brenner to Bodega Bay, mysterious bird attacks terrorise the townspeople. Head along to discover how the reality is far more tranquil. [caption id="attachment_961526" align="aligncenter" width="1920"] Marie Beschen[/caption] Museum of Western Film History, Lone Pine Western films had a defining role in the development of American cinema, with the desolate surroundings of Lone Pine central from the beginning. Over 400 feature films were shot across the Alabama Hills, the Sierra Nevada and the Owens Valley since 1920, starting with the silent film, The Round Up, starring Roscoe Conkling "Fatty" Arbuckle. Iconic films like Gunga Din, High Sierra and The Lone Ranger have featured the same vast landscape. For a true movie-buff experience, the Museum of Western Film History offers a diverse collection of frontier film memorabilia. [caption id="attachment_960608" align="aligncenter" width="1920"] Olga U via iStock[/caption] Alabama Hills, Owens Valley On the outskirts of Lone Pine, the Alabama Hills is where numerous seminal western genre films were captured. Surrounded by towering rock formations and seemingly endless desert, traversing Movie Road with the Sierra Mountains adorning the horizon is a great way to get introduced. Films new and old were shot along this barren stretch, with the likes of The Lone Ranger, Iron Man and Gladiator just some of the best-known. Discover landmark geological wonders rising from the desert like the Mobius Arch, Nightmare Rock and Cyclops Arch. Kansas City Barbecue, San Diego Belt out 'Great Balls of Fire' just like Maverick and Goose in Top Gun at Kansas City Barbecue — the setting for the iconic diner scene. It was discovered by Paramount Studios' location scout ahead of production who liked the atmosphere so much that he returned with director Tony Scott. Situated in the harbour district of San Diego, Kansas City Barbecue serves up jam-packed meat dishes and hearty sides. If the classic diner vibe wasn't enough, the walls are adorned with assorted Top Gun memorabilia and the real piano used in the movie is still there. [caption id="attachment_960613" align="aligncenter" width="1920"] Damien Verrier via iStock[/caption] Death Valley National Park, Southwest California Tatooine might seem like a galaxy away in Star Wars Episodes IV and VI, but these otherworldly scenes were shot in the dunes and canyons of Death Valley National Park. Wander into Artist's Palette — a colourful collection of volcanic deposits — just like R2-D2 does in A New Hope. The movie also used one of Death Valley's most impressive vantage points, Dante's View, to capture a panorama of Mos Eisley, a spaceport town filled with scum and villainy. [caption id="attachment_961525" align="aligncenter" width="1920"] Courtesy of Flickr[/caption] Hillard House, San Francisco Featuring a masterclass in comedic performance by Robin Williams, Mrs Doubtfire remains an essential childhood film for millions. Many of the jokes might have gone over your head as a youngster, but this 90s classic still has much to say when you watch as an adult. Located in the upmarket Pacific Heights neighbourhood of San Francisco, Hillard House, featured throughout Mrs Doubtfire, still looks much the same. Although the interiors were shot on a soundstage, it's well worth climbing the hills to visit. Plus, the bay views are incredible. [caption id="attachment_960618" align="aligncenter" width="1920"] Rebecca Todd[/caption] Muir Woods, San Francisco Bay Delve into Muir Woods to discover a fascinating old-growth coastal redwood forest. With some of these towering trees dating to over 1,000 years old, this ancient landscape is bound to leave you feeling in touch with nature. Throughout the Planet of the Apes series, Muir Woods becomes home to a super-intelligent colony of apes. Although these scenes in the films were captured in Vancouver with the help of a little old-fashioned movie magic, the in-universe setting is a stunning location, easily driven to from San Francisco, and it makes for an unforgettable detour. Start planning your tour of California, America's ultimate playground, today. Header images: B Alberts via iStock, Visit California
Practise your Cockney accent, rehearse your favourite drunken London tale and prepare for high tea: the British Film Festival has arrived in Australia for the first time ever. There'll be a dozen contemporary features, five 20th-century classics (The Third Man and Lawrence of Arabia among them) and a chance to quiz Eric Bana during a live Q&A session, and a simply smashing opening night party. Here are five of our must-sees: Jump A massive hit at the Toronto International Film Festival and winner of the Palm Springs Festival's Bridging the Borders Award, Jump is a comic thriller set on New Year's Eve in Derry, Northern Ireland. A witty, fast-paced script captures the stories of three troubled individuals, who find themselves entangled by doomed romance, theft and revenge. Good Vibrations This eccentric, unstoppable rock movie comes to the British Film Festival following sold-out sessions at the 2013 Melbourne International Film Festival. Set against Ireland's Troubles of the 1970s, it follows the story of rebellious, maverick music lover Terri Hooley, Belfast's 'godfather of punk', and his determination to show the world the power of the seven-inch single. Dom Hemingway A gangster film in the style of Sexy Beast, Dom Hemingway stars Jude Law as the outrageous, volatile Dom, and Richard E. Grant as his best friend, Dickie. Following Dom's release after twelve years of imprisonment, the two travel from London to the south of France, encountering all number of misadventures along the way, from a car accident to an inevitable femme fatale. Mission to Lars How far would you go to meet your favourite rockstar? In this quirky documentary, siblings Kate and Will Spicer find out when they take their autistic brother, Tom, to Los Angeles to pursue Metallica's Lars Ulrich. Still Life The latest offering from Uberto Pasolini (producer of The Full Monty), Still Life is a drama in the British humanist tradition. A calm, meticulous ex-councillor, John May (Eddie Marsan) enters the lives of a mischievous adventurer, Billy Stoke, and his abandoned daughter, Kelly (Joanne Froggatt).
Since Euphoria last hit screens in 2022, 2023 added Saltburn to Jacob Elordi's resume, then 2024 Down Under brought Priscilla. In 2025, viewers will be watching the Australian star in The Narrow Road to the Deep North. The Australian-made five-part miniseries was initially announced a couple of years back, then unveiled a few sneak-peak images last year. Now, Prime Video has locked in the show's streaming debut for April. Put Friday, April 18, 2025 in your diary, and consider your Easter long-weekend viewing sorted. The Narrow Road to the Deep North will premiere at this year's Berlinale first, getting a rare cinema showing, before bringing its page-to-screen tale to streaming. Before all of the above projects, and also before the three Kissing Booth films helped boost his career first, Elordi scored his initial on-screen acting credit beyond short films in Aussie movie Swinging Safari. Since then, however, the Brisbane-born talent has largely focused on working overseas. So The Narrow Road to the Deep North is a rarity of late on his filmography, with the actor returning home to make the drama. The series adapts Richard Flanagan's Booker Prize-winning novel of the same name. Also featuring among the show's starry lineup of talent: Olivia DeJonge (Elvis), her The Staircase co-star Odessa Young (My First Film), Limbo and Boy Swallows Universe's Simon Baker; Heartbreak High's Thomas Weatherall, Love Me's Heather Mitchell and Belfast's Ciarán Hinds — as well as Show Kasamatsu (Tokyo Vice), Charles An (Last King of the Cross), Essie Davis (One Day), William Lodder (Love Me), Eduard Geyl (Born to Spy) and Christian Byers (Bump) The project's impressive talent extend behind the camera, with The Narrow Road to the Deep North hailing from Snowtown, True History of the Kelly Gang and Nitram collaborators Justin Kurzel and Shaun Grant. Kurzel directs, while Grant is on adaptation duties — and both are also executive producing. [caption id="attachment_927127" align="alignnone" width="1920"] Jon Kopaloff/FilmMagic for HBO via Getty Images, supplied by Prime Video.[/caption] Elordi shares the role of Dorrigo Evans with Hinds, playing the younger version of the character in a tale that jumps between different time periods. The Narrow Road to the Deep North's protagonist is a Lieutenant who becomes a prisoner of war on the Thailand-Burma Railway. His story encompasses becoming a surgeon and war hero, and a life-changing stint of falling in love with Amy Mulvaney (Young). DeJonge and Baker feature with Elordi and Young in the show's 40s-set segments, where World War II obviously casts a shadow. Hinds hops in when the series gets to the 80s, which is where Mitchell, Weatherall, Kasamatsu and An will pop up as well. [caption id="attachment_947836" align="alignnone" width="1920"] HBO[/caption] [caption id="attachment_919075" align="alignnone" width="1920"] Saltburn[/caption] The Narrow Road to the Deep North will stream via Prime Video from Friday, April 18, 2025. Images: Prime Video.
The Wire isn't an anthology series in the traditional sense. It focuses on the same Baltimore police detectives each season — as led by Dominic West and Wendell Pierce — but sees their investigations overlap with a different element of the city's daily life. In the first season, it peers into illegal drugs. In the second, sea freight and the ports are in the spotlight. Across subsequent seasons, the focus falls on city government, the education system and newspapers. Dense, intricate, devastatingly smart and oh-so-involving, the result is one of the best shows that HBO has ever made — and a series on par with The Sopranos in terms of its influence. It was created and primarily written by former Baltimore police reporter David Simon, so it knows its stuff. Also, among its A+ cast, keep an eye out for particularly exceptional work by Idris Elba and a very young Michael B Jordan (and for Isiah Whitlock Jr's over-extended pronunciation of "sheeeeeeeee-it".
The rooftop bars just keep on coming this spring. Next up it's The Rooftop Sydney — not to be confused with Pyrmont's also newly opened The Rooftop. This one is a Hamptons-inspired garden terrace that just opened on level three of the CBD's Shelbourne Hotel. It boasts a retractable roof, floor-to-ceiling windows and views across Sydney Harbour, too. A go-to in all weather conditions, the alfresco dining spot has luxury vacation home feels with hanging rattan chairs, herringbone tiles, tropical palm trees and festoon lights. The share menu focuses on local seafood, salads and skewers, all prepared in the rooftop's dedicated open kitchen. Think kingfish ceviche with pomegranate, jalapeño and nam jim ($19), Alaskan king crab salad with avocado and mandarin ($24) and Moroccan chicken skewers served with romesco sauce ($19), plus truffle and mushroom arancini ($18) and salt cod croquettes ($19). In true Hamptons fashion, long lunches are encouraged and, if you really want to live like the upper crust, a pop-up Champagne bar is also on offer from October 3 — with two-hour bottomless champagne packages priced at a cool $155 per person. Cocktails (all $17) play to the Hamptons vibes, too, with poolside-inspired concoctions like the North Haven (white rum, pressed watermelon, strawberry, mint and lime), Hayground Cove (Aperol, gin, orangeflower syrup, lemon and cherry bitters) and the Holy Hacienda (spiced tequila with agave, orange liqueur, cranberry and cucumber). There are also cocktail carafes to share ($35), including the Emma Rosé with gin, strawberry and cranberry juice. And, if you come by on Thursday nights, it's slinging special cocktails for a tenner. Open three nights a week from noon until late, The Rooftop is a solid weekday live music option with acoustic sessions on Wednesday nights and DJ sets on Fridays.
