When Sydney Film Festival unveils its complete lineup in May each year, it lets Australian movie lovers know which features are on the way to the Harbour City just before the cinema-adoring world turns its eyes to Cannes. Consider the Aussie fest a cure for film FOMO, then. Plenty of the movies that are set to wow audiences in France this month will head Down Under next month. SFF always adds more such titles just before it kicks off, as late additions to the program, but 2025's roster of flicks already boasts 15 entries in the direct-from-Cannes camp. Here's a few, all playing between Wednesday, June 4–Sunday, June 15: Josh O'Connor (Challengers) and Alana Haim (Licorice Pizza) in heist-thriller mode in filmmaker Kelly Reichardt's (Showing Up) 70s-set The Mastermind; It Was Just an Accident, the latest feature from acclaimed Iranian director Jafar Panahi (No Bears), who is also the subject of one of SFF's 2025 retrospectives; and Dangerous Animals, hailing from Australian helmer Sean Byrne (The Loved Ones, The Devil's Candy) and telling a tale of a shark-obsessed serial killer on the Gold Coast. Musing on its eponymous author as only filmmaker Raoul Peck (I Am Not Your Negro) can, Orwell: 2+2=5 is also taking the Cannes-to-Sydney route. So is coming-of-age story Enzo from BPM (Beats Per Minute)'s Robin Campillo; Mirrors No 3, which sees German director Christian Petzold reteam with his Transit, Undine and Afire star Paula Beer; Nigeria's My Father's Shadow, the first-ever movie from the country to be selected to play on the Croisette; The Secret Agent, led by Wagner Moura (Dope Thief) for filmmaker Kleber Mendonça Filho (a Sydney Film Festival Prize-winner for Aquarius); and Vie Privée with Jodie Foster (True Detective: Night Country). Some of the aforementioned titles are vying for this year's SFF prize, in the competition's 17th year — where opening night's already-announced Together, a new body-horror by Australian filmmaker Michael Shanks (The Wizards of Aus) starring Alison Brie (Apples Never Fall) and Dave Franco (Love Lies Bleeding) is also in contention. A few movies that the festival announced back in April, when it started giving sneak peeks at its 2025 lineup, are equally on that category. Will DJ Ahmet, a Sundance-winner after collecting its World Cinema — Dramatic Audience Award, emerge victorious? Or will that honour go to 2025 Berlinale Grand Jury Prize-winner The Blue Trail? They're in the running, with The Narrow Road to the Deep North filmmaker Justin Kurzel, one of his recent stars in Thomas Weatherall, the latter's Heartbreak High co-star Rachel House, plus Hong Kong-based producer Winnie Tsang and Marrakech International Film Festival director Melita Toscan du Plantier all doing the judging. What features Tom Hiddleston's (Loki) newest performance as well, with The Life of Chuck directed by The Fall of the House of Usher's Mike Flanagan and based on a Stephen King novella? What also boasts Jacob Elordi (Oh, Canada), Daisy Edgar-Jones (Twisters) and Will Poulter (Warfare) in queer romance On Swift Horses, plus Richard Linklater's (Hit Man) Blue Moon with Ethan Hawke (Leave the World Behind), Margaret Qualley (The Substance) and Andrew Scott (Ripley) — alongside Carey Mulligan (Spaceman) in music-fuelled comedy The Ballad of Wallis Island, the Dylan O'Brien (Saturday Night)-led Twinless and Pike River with Melanie Lynskey (Yellowjackets) getting its world premiere? This year's Sydney Film Festival. Which event is adding to its screening venues in 2025 in a spectacular way by showing films at Sydney Opera House, too? And which fest has 201 movies from 70 countries on its lineup, with 17 world premieres, six international premieres and 137 Australian premieres among them? The answer is still the same. How does long-term Sydney Film Festival Director Nashen Moodley characterise this year's program, the event's 72nd? "The 2025 Festival offers a bold and expansive view of cinema today, with films that confront the urgent realities of our world, while also revelling in the power of imagination and storytelling," he advises. "From astonishing Australian debuts to daring new works by global auteurs, this year's program is a celebration of creative risk, personal vision and artistic resilience. We invite audiences to explore this thrilling lineup, connect with filmmakers from around the world, and share in the transformative joy of cinema." Other 2025 highlights include Berlin's Golden Bear-winner Dreams (Sex Love); Aussie effort Death of an Undertaker, the directorial debut of actor Christian Byers (Bump), who uses an IRL Leichhardt funeral parlour as his setting; Dreams, with Jessica Chastain (Mothers' Instinct) reuniting with her Memory helmer Michel Franco; satire Kontinental '25, from Do Not Expect Too Much From the End of the World and Bad Luck Banging or Loony Porn's Radu Jude; and What Does That Nature Say to You, the latest from South Korea's prolific Hong Sang-soo (In Our Day). Or, there's the near-future Tokyo-set Happyend, the Luca Guadagnino (Queer)-produced Nineteen, Tibetan-language anthology State of Statelessness (the first ever, in fact), Naomi Watts (Feud) and Bill Murray (Ghostbusters: Frozen Empire) in page-to-screen dramedy The Friend, Beyoncé and Kendrick Lamar collaborator Kahlil Joseph's BLKNWS: Terms & Conditions, and Vicky Krieps (The Dead Don't Hurt) and Dacre Montgomery (Stranger Things) tackling grief and possession in Went Up the Hill. Among the standouts on the festival's documentary slate, Jennifer Peedom (River) turns her focus to the quest to make the world's deepest cave dive by Thai cave rescue hero Dr Richard Harris in Deeper, 20 Days in Mariupol's Mstyslav Chernov works bodycam footage from the Ukrainian frontline into 2000 Metres to Andriivka and All I Had Was Nothingness features unused material from iconic Holocaust documentary Shoah 40 years on. Plus, Floodland is focused on Lismore, Journey Home, David Gulpilil charts the iconic actor's journey to be laid to rest, Prime Minister shines a spotlight on Jacinda Ardern and trying to open a Tokyo restaurant is at the heart of Tokito: The 540-Day Journey of a Culinary Maverick. Fans of The Texas Chain Saw Massacre, take note: it's up for discussion in Chain Reactions from Alexandre O Philippe (Lynch/Oz). If you miss the video-store era, Alex Ross Perry (Her Smell) understands, and has made Videoheaven about it — a film essay solely comprised from movie and TV clips. A New Leaf, The Heartbreak Kid, Mikey and Nicky and Ishtar director Elaine May earns SFF's second 2025 retrospective, while the fest's lineup of restored classics includes the Aussie likes of Muriel's Wedding, Somersault and Mullet, plus Angel's Egg from Ghost in the Shell director Mamoru Oshii. For viewers of all ages, the live-action How to Train Your Dragon is also on the program. SFF's 2025 announcements until now were already impressive, so there's not only more joining the above flicks courtesy of the full program — they already have great company. Barry Keoghan's (Bird) new Irish thriller Bring Them Down; the Australian premiere of homegrown animation Lesbian Space Princess; music documentaries One to One: John & Yoko and Marlon Williams: Ngā Ao e Rua — Two Worlds; Tilda Swinton (The Room Next Door)- and Michael Shannon (The Bikeriders)-starring post-apocalyptic musical The End; intimacy coordinators getting the doco treatment; Ellis Park, about Nick Cave & The Bad Seeds collaborator, Dirty Three founder and frequent film-score composer Warren Ellis: they're on the lineup, too. So is the one-film movie marathon that is 14-hour picture Exergue — on documenta 14, which is set inside the 2017 edition of the documenta art exhibition in Germany and Greece. Audiences will watch it in four- to five-hour segments — because, if it wasn't already apparent, there's no such thing as too much time spent in a cinema at Sydney Film Festival. [caption id="attachment_1002690" align="alignnone" width="1920"] Photo by Christian Schulz/ Schrammfilm[/caption] [caption id="attachment_1002697" align="alignnone" width="1920"] Screenshot[/caption] [caption id="attachment_1002698" align="alignnone" width="1920"] Greg Cotten[/caption] Sydney Film Festival 2025 runs from Wednesday, June 4–Sunday, June 15 at cinemas across Sydney. Head to the festival website for further information and tickets.
As all the best things usually are, Sauce Brewing's Marrickville tasting bar was a little while coming. The label began gypsy brewing out of The Australian Brewery last year and launched two debut beers in December, before setting up operations of their own within a Marrickville warehouse. Then, the next part of the dream was realised, with the doors to Sauce Brewing's on-site taproom opening to the public back in 2017. One half of that sprawling industrial space was transformed into a comfy, laidback watering hole, overlooking the shiny collection of brewing equipment. The bar area is crafted from recycled bricks and timber, and there are seating options aplenty. And comfort is key at Sauce Brewing Co — it has the kind of craft beer lineup that keeps you busy for a good, long session. From the Imperial Stout aged in bourbon barrels to the flat-white coffee milkshake IPA, the beers here are creative, fun and downright delicious. The family currently includes an on-trend New England IPA, a mango and guava juicy IIPA and an Infra-Red IPA. Appears in: The Best Sydney Brewery Bars for 2023
Rumour has it Google employees get unlimited “sick” days, but chances are only the most raging of hangovers would convince them to stay at home. The company in charge of ruling the world gave an exclusive tour of their NYC offices, and they make the idea of working from home in your pyjamas flicking tabs between Microsoft Word and Facebook while spilling toast crumbs over your MacBook look dreadfully boring. CEOs everywhere, take note: The way to get employees eager to show up to work is not with fruit box deliveries or permission to cellotape cheesy family photographs to office cubicles. A more effective way to increase workplace morale is with Pac-Man arcades and game rooms where employees can fight brain block with a round of pool. For those who find silence more conductive to creativity the compound also features a Google Library eschewing books (so last decade) in favour of secret rooms. And for days when heating last night’s leftovers in one of the multiple “micro” kitchens (which are incidentally bigger than most people’s apartments) doesn't sound appetising there are cafés dishing up free hot meals. One of them even has a rooftop theme and an interior resembling a wooden sauna. Interesting to think what the disgruntled employees of Facebook would have to say about that wee perk. Evidently the building is also occasionally used for working. This can take place in sleek cubicle spaces housing both actual humans and Star Wars B1 Battle Droid replicas, from the comfort of a lounge chair in a space modeled on an NYC apartment, or in the Broadway-themed New Amsterdam conference room. Scroll through the images, turn green with envy and try to think of one cooler office in which to have Friday afternoon drinks. Google's "computer museum". The game room. One of the many "micro" kitchens, which appears to be connected to the Pac-Man arcade. Free M&Ms in the micro kitchen. The Google Library. A B1 Battle Droid from Star Wars. Inside the Five Borough Café. These walls are a continuous impression of what's behind them, giving the impression of viewing the NYC skyline from a balcony. A room poking fun at a cramped NYC apartment. via Refinery29.
The Workers on Balmain's Darling Street opened its doors with a rather impressive nod, wink and a nudge to the venue's Labor Party roots. Not only did Tim Freedman from the Whitlams play out the night, former PM Bob Hawke officially opened the doors to this hip mash-up of Mexican, American and Aussie. Once the home to Sydney's first Labour Electorate League, now a funky addition to Balmain's watering holes, we suggest you take a drink. The big bar, headed by Lo-Fi mixologist Ben Johnson and overlooked by a great big hairy buffalo head, is stocked with a nice range of the usual beer and wine suspects as well as fine-tuned cocktails like the tall and refreshing Batanga of tequila, lime, salt and cola ($18). The menu follows this city's well-versed trend of Mexican tapas bites, even featuring $3 tacos on Wednesdays. Titled Viva La Tacos, and on other days $5.50 each or four for $20, you can live life to the belly full with options like the Nemo Gonzales: a combo of battered blue eye, slaw, salsa pico de gallo and baja sauce (a spicy seasoned mayonnaise). The Pulled Porky Pig of slow cooked pork shoulder, red slaw, pico de pina asado and fresh coriander is also tops. Or head due north on the culinary map for a little stars and stripes spangled loving with a variety of sliders, named The Slider Diaries. Identically priced, the pulled duck with cabbage, spring onion salad and smoky BBQ sauce, aka The Quack, pulls rank, swiftly followed by the Mini Mac of grilled beef, pickles, onion, cheese, tomato and French yellow mustard mayo. Don't miss $4 sliders complemented with $4 ciders every Sunday from 2pm. Then there's everything else, or The Rest, like fresh corn chips with very decent guacamole ($7), spicy Jalapeno Poppers consisting of deep-fried and bacon, jack cheddar and cream cheese stuffed jalapenos ($12) or Fried Frys: shoestring fries with cumin, rosemary salt and baja dipping sauce. Basically, if you don't give a crap about calories, you're in heaven. The place itself is undoubtedly cool, has plenty of space for live music every Thursday and even a colourful and relatively spacious outdoor seating area to lap up the summer rays with shades on and drink in hand. Worth a visit, The Workers won't be going anywhere soon.
When That's Not Me begins, it's with a black screen and an Oscar speech — and then a toilet and a can of air freshener. Polly Cuthbert (Alice Foulcher) is practicing for the acclaim and awards she hopes will come, but it's clear the aspiring actress still has a way to go. But hey, she's determined. Working at a cinema, turning down soap operas, and waiting to audition for Jared Leto's new HBO show are part of her slow-and-steady approach to carving out a serious career. And it might've worked, if her identical twin sister Amy hadn't started living out Polly's wildest acting fantasies instead. That's Not Me is more than just the title of this smart, funny and perceptive Australian comedy from writer-director Gregory Erdstein and writer-star Foulcher. It's also what Polly finds herself telling her sibling's fans when they start accosting her wherever she goes. Moreover, in a movie that explores the reality that lifelong dreams don't always work out as planned, it offers audiences a clever reminder: there's nothing wrong with not having the life and job you thought you would when you were a kid. Call it a quarter-life-crisis portrait, a faking-it-without-making-it character study, or a not-quite-slacker story. Whichever label you choose, they all fit the bill. As familiar as all of that may sound, the film also deserves to be described as earnest, astute, insightful and thoroughly amusing. Brimming with well-observed scenarios, characters and emotions, it's the kind of movie that makes you feel like you might've seen it all before, only to delight you as you realise you haven't. Frankly, it's the type of flick you could easily imagine remade around an unhappy New Yorker. And yet despite that, it wears its local-and-proud-of-it heart on its sleeve — even while making jokes about the stereotype that no one watches Aussie films. Indeed, this is a movie that is both universal and unmistakably Australian – and that's just one of many delicate balancing acts that That's Not Me achieves. Gags about Jared Leto and the superficial nature of the film industry sit alongside jabs at Neighbours and Home and Away, as well a brief appearance from Andrew O'Keefe. It takes a similar amount of skill to plot a story filled with highs and lows, while maintaining an awareness that life usually exists somewhere in between. The movie's look and feel further blends a variety of elements, from a fond but never rosy view of Melbourne, to music that leans towards the '80s without wallowing in nostalgia, to pacing that feels brisk but never rushed. Of course the biggest juggling task sits with Foulcher, and not just because she's playing twins. Rather than filling the movie with sisters in the thick of sibling rivalry, this is really a flick about Polly's unrealised dreams, and Foulcher gives her character all of the dimensions you'd expect — plus some you might not. Her character's not always sympathetic, but she's certainly relatable, with the actress delivering an immensely likeable and layered turn. If there's any justice, this gem of a film will be remembered in the exact same way. https://www.youtube.com/watch?v=2C-78QW3xq8
If you can't remember the last time you used a payphone, kudos to you. It means you haven't lost your phone, keys and wallet and had to call your mum with 50 cents you wrangled from some guy on the street. There aren't too many around these days, with Telstra either taking them down or (supposedly) converting them into Wi-Fi hotspots. But in Berlin, they've got a better idea — they're turning disused telephone booths into tiny rave caves. It's called Teledisko, and it's probably the smallest party you'll find in Berlin. At one square metre, the booth can only fit two or three people at one time.It's coin operated, but once you've paid your 'entrance fee', you'll be able to select your tunes from the touchscreen in the booth. You may find it a bit hard to throw shapes, but what it lacks in space it more than makes up for with special effects, including a smoke machine, strobe lights and a disco ball. There's even a photobooth inside that will print your photos or email you a video of your debauchery the next day. At the moment there are only three Telediskos — a pink one at Kater Blau nightclub, a gold one at RAW Flohmarkt (both in the Friedrichshain district) and a silver edition available for hire. However, high demand (and long lines) looks set to see more come into being. Image: Teledisko
There's a seductive, undeniable appeal in the familiar. It's the reason you've ordered takeaway Thai twice already this week, how you justify hanging onto that band tee with more holes than an aged block of Swiss, and why you believe that seat on the bus is undeniably and eternally yours alone. Seriously, we thrive on routine; we love trying to know what to expect in the hopes of guaranteeing as little disappointment as possible. For most of us, visiting the ballet falls well outside the realm of our normal weekly routine. But when you begin to break it down, there's a lot of reason to give this often inaccessible artform a go. Not just the stuffy, 100-year-old performances of yore, modern ballet can be just as fun and contemporary as your regular night at your local indie cinema. And this year, The Australian Ballet have just what you need to break from the familiar. They're kicking off their stellar 2016 season with a production perfect for tentative first-timers. It's called Vitesse, and it's an exhilarating, high-energy triple bill showcasing dances from top contemporary choreographers from around the world. Still unsure if the ballet's for you? We chatted with The Australian Ballet's dancer and Vitesse cast member Vivienne Wong to get to the bottom of what this latest production is all about. So, let's clear a few things up. IT'S ABOUT MORE THAN JUST TUTUS AND TIARAS Throw out your misconceptions of what ballet is supposed to be with this one; Vitesse is an undeniably modern show. Unlike its more traditional counterparts Swan Lake and Romeo and Juliet, this production is rooted firmly in the present. Comprised of three unique ballets, each piece challenges dancers to push themselves to their limits. Wong, who is featured in two of the three ballets, believes it's Vitesse's emphasis on physicality that makes this a must-see production. "It's totally different to our traditional ballets," she says. "It's three amazing works that are really influential to contemporary ballet these days." Donning plain leotards and flowing dresses, Wong reveals these simple costumes further highlight the dynamic shapes and lines made by the dancers on stage. "Everyone gets to really push themselves in a fun way. It's so physically different to the straight, classical ballet. It's challenging on our bodies." [caption id="attachment_563663" align="alignnone" width="1280"] NYC Ballet, DGV: Danse à Grande Vitesse[/caption] IT TAKES CUES FROM CULTURAL HISTORY Despite its contemporary grounding, Vitesse doesn't lose sight of the past. The triple bill's first ballet, Christopher Wheeldon's DGV: Danse à Grande Vitesse, sees English composer Michael Nyman's 1993 musical score Musique à Grande Vitesse transformed into a spectacular display of agility and motion. So what's the significance behind all this? Basically, the composition was created for the inauguration of France's fast train, TGV. Now, this might sound like the dullest means of inspiration — but hear us out. As Wong explains, Wheeldon wanted to "capture the feeling travelling in time or being suspended in space". Which might help paint a picture of the choreographed reimagination of the work. This movement is played out in a pas de deux (translation: a duet where dancers move through ballet steps together), where performers, hurtling and bounding across the stage, capture the movement of this high-speed train. The ballet unfolds with sequences that capture the intensity of the music through geometric shapes and sculptural positions, which, as Wong describes it, is "really quite athletic". IT'S FAST PACED AND VARIED That's right folks, along with DGV, there are still two more ballets on this bill to keep you entertained. Czech choreographer Jiří Kylián's Forgotten Land brings a somber tone to the night, capturing the loneliness and heartache contained within the paintings of Edvard Munch. As Wong explains, the work is "inspired by a painting of a woman alone on a beach. He [Kylián] wanted to express these feelings of time lost...it's about recalling time's past". Six couples will fill the stage, flowing through an emotional and passionate ballet. And to round it all off, William Forsythe's 1987 ballet In the Middle, Somewhat Elevated promises to blow audiences away with explosive, ultra-stretched poses. Challenging dancers to extend and test their athletic abilities, this slick composition of complex movements ends Vitesse on a deservedly dramatic note. It seems an apt end to a bill that showcases the beautiful extremes of dance, and how powerful, athletic and complex it can be. Vitesse runs from April 26 to May 16 at the Sydney Opera House as part of The Australian Ballet's 2016 season. You can book tickets here.
Finding a critter creeping around in your food is one of most people's worst nightmares; however at this year's Antenna Documentary Film Festival, it's all part of the fun. Not only is the fest screening Bugs, a doco about two researchers from René Redzepi's experimental Nordic Food Lab exploring the culinary value and environmental benefits of eating insects — it's also serving up ant-covered choc tops. Sure, we already knew that edible bugs were in the festival's 2016 lineup; however we didn't take it quite so literally. Gelato makers Cow & Moon are doing the honours, creating a guava-flavoured sorbet choc top crawling with tiny creatures. They'll give the dish a pop of acidity — and yes, the ants are 100% real. The daring desserts will only be on offer at the October 15 session of Bugs at the Chauvel Cinema in Sydney, and really turns film-viewing into quite the interactive and sensory experience. "I am excited for audiences to connect to this film in a real, adventurous and visceral way," says Antenna festival manager Kate Vinen. Who's hungry? The 2016 Antenna Documentary Film Festival screens in Sydney from October 11 to 16, Brisbane from October 26 to 30, and Melbourne from November 2 to 6. For more information, check out the festival website.
Is this the Nordic design collaboration to end all Nordic design collaborations? For a new limited-edition collection that'll hit stores worldwide on Thursday, March 9, Swedish furniture retailer IKEA and Finnish design house Marimekko are joining forces. Even better: when this duo teams up, they're taking inspiration from Nordic nature, sauna culture and self-care rituals, and giving off big treat yo'self vibes. Actually, the best news of all might be that nothing in this 26-product range will cost more than $119. That price will get you a birch bench or a birch mirror, but everything from towels and shower curtains to glassware and candles is also on offer — all either featuring or inspired by Marimekko's prints, naturally. The range's name, BASTUA, gives away its focus: the term means sauna in Småland, the region in Southern Sweden where IKEA originates from. And, this gorgeous teamup marks a first for Marimekko — the first time that it has designed a set of prints exclusively for a brand collaboration. "Collaborating with Marimekko was a natural choice for IKEA as we are both committed to enabling a better everyday life at home, and with the BASTUA collection, it begins with focusing on wellness first," said Henrik Most, Creative Leader at IKEA, announcing the new range. "The collaboration encapsulates the sensations of endless summers and the simple and aesthetic beauty of Nordic nature in furniture and accessories for the home." To answer perhaps the most important question that arises every time that IKEA unveils a new collection, yes, the iconic FRAKTA bag has also been given a Marimekko makeover — as it has with rainbows and pink frills in the past. With the BASTUA collection heroing a print inspired by the large rhubarb leaves that are often found growing next to Finnish saunas, IKEA's trusty carrier will spot that image in red, green and pale blue hues. Wondering what else you'll be filling that FRAKTA with? The towels, robes and IKEA's first-ever sauna bucket obviously take the theme as seriously as possible, as do the elderflower-, rhubarb- and sweet vanilla-scented candles. Elsewhere, the range also gleans inspiration from Nordic furniture design, which is where the side table, bench, trays and glasses come in. Unsurprisingly, this is a while-stocks-last collection — so getting in fast on launch day, with items on sale in-store from 10am and online from 9pm AEDT, is highly recommended. IKEA and Marimekko's BASTUA collection will hit IKEA's shelves on Thursday, March 9 — in-store from 10am and online from 9pm AEDT.
The COVID-19 pandemic has taught us many things, and reminded us of plenty of advice that we've all heard for years. We're all now well and truly aware that any situation can change quickly, for instance. In the latest example to prove those words accurate, the Australian Government has moved forward its vaccine rollout plans — just a day after announcing its last fast-tracked inoculation schedule. Yesterday, Wednesday, January 6, Minister for Health Greg Hunt said that COVID-19 vaccinations would begin at the beginning of March, which was earlier than the previous date of late March (which, in turn, had been brought forward from the second quarter of 2021). Then today, Thursday, January 7, Prime Minister Scott Morrison announced in a press conference that the timeline for kicking off vaccinations has now been shifted to February. First in the queue when jabs start being administered mid-to-late next month (with an exact date yet to be revealed): frontline workers — particularly those working at hotel quarantine sites and international border checkpoints — as well as health workers and residential aged care facility residents. They'll comprise the first of five priority groups, with elderly Aussies aged over 70, Indigenous Australians over the age of 55, other health care workers, younger adults with an underlying medical condition, and other critical and high-risk workers falling into the second group. From there, adults aged 50–69, Indigenous Australians over 18 and the next tranche of critical and high-risk workers will receive the vaccination, followed by the balance of the adult population. Department of Health Secretary and former Chief Health Officer Brendan Murphy noted that children will fall into the last group. The Prime Minister also advised that that the rollout will begin with a target of giving 80,000 vaccinations per week, starting with the Pfizer-BioNTech vaccine. By the end of March, it's expected that four million Australians will have been vaccinated — with capacity ramping up once the University of Oxford-AstraZeneca vaccine is approved. Several vaccines have not only been created over the past year — much faster than the usual timeline — but have started being used in countries around the world. The latter is happening in places such as the UK and the US, where coronavirus case numbers have remained at enormous levels. In Australia, where the situation thankfully hasn't reached the same scale, the federal government has decided on a different approach. Vaccines need to be evaluated and approved locally by the Therapeutic Goods Administration before they can be rolled out anyway, and that process is currently underway for multiple different vaccines, including from Pfizer-BioNTech and University of Oxford-AstraZeneca. As the Prime Minister announced in mid-2020, vaccines will be provided to every Aussie for free when they are available. Australia currently has agreements to receive ten million doses of the Pfizer-BioNTech vaccine, which will be manufactured overseas, and 53.8 million doses of the University of Oxford-AstraZeneca vaccine, with production of the latter already starting locally. Both require two doses per person to be effective — and you have to get two doses of the same vaccine (so you can't mix and match them). If you're wondering how it'll all work logistics-wise, there'll be specific hubs to deliver the Pfizer-BioNTech vaccine — at 30–50 hospitals around the country — first up. After that, when the University of Oxford-AstraZeneca vaccine becomes available, vaccinations will be available at other sites, such as GPs and respiratory clinics. Obviously, it's expected that specific details about sites and dates will be revealed before vaccinations start in February. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
For years Barefoot Coffee Traders were renowned for two things: their specialty coffee and amazing waffles. And while they're not ones to budge in the coffee department — they serve Mecca and have a firm no decaf and no large coffees rule — we're happy to report they've since branched out in other ways. In addition to their signature waffles, which they drizzle with melted Belgian chocolate and an optional scoop of ice cream, Barefoot now serves a Thai lunch special as well (I guess it probably isn't healthy to have waffles for lunch every day). Inspired by the heritage of the cafe's owner, these new additions are homemade and based on traditional recipes. With space for little more than a coffee machine in one corner and timber stools dotted around the perimeter, it's quite astounding what this small cafe is able to produce.
When John Safran was making his comedy/doco program John Safran vs God for SBS in 2004, his segment on Catholicism included a guest spot from South Melbourne Catholic Priest Father Bob Maguire. It was one of the show’s standout moments: the sardonic Father Bob playing off Safran’s nebbish persona like they’d just come off a 30-week Neil Simon run on Broadway. The relationship continued in television and radio, and Father Bob’s increasing media profile led to him to become every non-Catholic’s favourite Catholic: an outspoken priest who seemed unafraid of offending the Church with his opinions. Because of Bob's notoriety, it's not unreasonable to approach this documentary with trepidation. Would the film simply be repeating what we already knew about Bob? Would it be more suitable for a crowd who’d never heard of him? The film does play to an audience unfamiliar with Bob’s extraordinary personality, but even those who are fans of the man will find much to learn here. And it’s actually Safran who goes unexplained throughout the film. He appears sporadically — most satisfactorily as 'Death' in a beachside callback to Ingmar Bergman’s The Seventh Seal — without much comment. This is not necessarily a bad thing; enigmatic figures are an underrated tool for fostering audience intrigue. But it's Father Bob who is the star of the show. Filmed over the period during which the Catholic Church was trying to forcibly eject him (deeming him "too old" at age 75), In Bob We Trust documents the opinions and work of a man who seems to understand the fundamental message of Christ better than many of his counterparts. Not only that, but he puts it into practice. His well-fostered grumpy persona is the perfect conduit for what seems to be a genuine frustration at the Catholic Church's attitude towards women, gays, refugees, the poor, etc. He nearly explodes at the idea of having to explain to his superiors why he keeps spending money on the less fortunate. Lynn-Maree Milburn again proves herself a masterful director, following her superb documentary Autoluminescent: Rowland S Howard in 2011. She confidently steps back when the scene demands it but isn’t afraid to ramp up the production values (jump cuts, non-diegetic music and anything that dares to threaten the film’s verisimilitude with artifice) when needed. Father Bob continuously insists that he himself should not be the message, and the film’s central thesis largely bears this out: Bob is presenting to us the reason and the ideal of Catholicism, what it should be and what it could be. He does not particularly wish to be venerated, and the film respects that whilst slyly paying tribute to a man of extraordinary grace, intelligence, wit and compassion.
This week, NASA has been peering further than it has ever peered before, with dazzling results. But if you're fond of staring at the heavens with your own two eyes to see a stunning sight, you can also just look up until Friday, July 15. A supermoon is upon us, officially hitting at 4.37am AEST today, Thursday, July 14, Down Under — and if you train your peepers towards the sky this evening, you'll still be in for a glowing show. While super full moons aren't particularly rare — several usually happen each year, and one occurred just last month — there is a good reason to peer upwards this time around. If you're wondering why, we've run through the details below. [caption id="attachment_769713" align="alignnone" width="1920"] NASA/Joel Kowsky[/caption] WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. As we all learned back in November 2016, a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. They're not all that uncommon — and because July 2022's supermoon is a full moon (and not a new moon), it's called a super full moon. It's also a buck moon, too, which doesn't refer to its shape or any other physical characteristics, but to the time of year. In the northern hemisphere, July is around the time that new antlers grown by a deer buck each year start to show. Of course, that doesn't really apply in the southern hemisphere, but the name still sticks. Also, this supermoon happens to the biggest and brightest of 2022. WHEN CAN I SEE IT? As mentioned above, the buck supermoon officially hit at 4.37am AEST today, Thursday, July 14, Down Under — but thankfully it is still visible until Friday morning Australia and New Zealand time. NASA advises that this moon appears full for a few days, from Tuesday through till Friday — so if you already thought that the night sky looked a little brighter this week, that's why. Still yet to catch a glimpse? You'll want to peek outside when it gets dark to feast your eyes on a luminous lunar sight. Head over to timeanddate.com for the relevant moonrise and moonset times for your area, with the moon rising at 5.37pm AEST on Thursday, July 14 and setting at 7.58am AEST on Friday, July 15. WHERE CAN I SEE IT? You can take a gander from your backyard or balcony, but the standard advice regarding looking into the night sky always applies — so city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. Weather-wise, the Bureau of Meteorology advises that Sydney's showers will start to ease tonight, Melbourne will be cloudy, showers will develop in Perth and Adelaide will be partly cloudy. In Brisbane, though, clear skies await. If you miss out on this supermoon, the next one is due on August 12. Via NASA / timeanddate.com. Top image: Andrew C.
Everybody knows that Macaulay Culkin’s once adorable image has taken a bit of a hit since the good ol’ days of Home Alone and My Girl. But his latest charade is in a whole new league. A tribute band like no other, Culkin’s Pizza Underground was first heard of in December last year, with the band since performing a string of gigs across the New York anti-folk scene. With their only agenda being to spread the good news of pizza to the world, the group finally have a video to accompany their debut hit. And it certainly does not disappoint. Dressed all in black and donning matching, dark shades, Culkin and his musical counterparts (Matt Colbourn, Phoebe Kreutz, Deenah Vollmer, Austin Kilham) have delivered a clip both entertaining and bizarre. A mash up of amended hit Velvet Underground tracks including 'All Tomorrow's Parties' ('All the Pizza Parties') and 'Femme Fatale' ('Pizza Gal', obviously) and featuring killer lines like "Hey babe take a bite of the wild slice", this psychedelic ode to pizza and Lou Reed is a fusion of madness and hilarity. Notable highlights include pizza lining the walls and ceiling, and Culkin playing a kazoo solo through a cheesy slice. A star fallen from grace? Or Culkin’s greatest triumph yet? Either way, this vid can’t help but leave you jiving in your seat. As well as craving a slice. Via Huffington Post. Go behind the scenes on the shoot with Vice.
The cutest little Jedi in a galaxy far, far away is back — and the most adorable one in our own on-screen realm as well. Although The Mandalorian won't release its third season until 2023, Disney+ has just unveiled the first sneak peak at the Star Wars spinoff's upcoming batch of episodes. The best and most important news? Grogu, aka Baby Yoda, returns (and obviously remains as charming as ever). If you've somehow missed it before now, the Emmy-nominated show follows the titular bounty hunter (Pedro Pascal, The Unbearable Weight of Massive Talent); however, it's his encounter with a fuzzy little creature first known as The Child, affectionately named Baby Yoda by everyone watching, and officially called Grogu, that's always had everyone talking. So, it comes as zero surprise that one of the Star Wars universe's best-ever double acts is pushed into the spotlight in the debut glimpse at The Mandalorian's third season. In fact, the trailer confirms that Mando, aka Din Djarin and Grogu's big reunion, picking up where The Book of Boba Fett left off. But the events of the pair's past streaming adventures have consequences, including seeing The Mandalorian disowned by his fellow Mandalorians. It wouldn't be a Star Wars series if everyone got along — the 'wars' part is right there in the franchise name, after all. Accordingly, this first sneak peek teases the obligatory battles, as well as the fallout when its namesake doesn't actually have that title any more. Oh, and plenty of Grogu, naturally. Yes, the Star Wars universe certainly does sprawl far and wide these days, both within its tales and in its many different movies, shows, books and games. When this one first arrived in 2019, it started five years after Star Wars: Episode VI — Return of the Jedi. Also on offer across its run so far: a cast that's included everyone from Giancarlo Esposito (Better Call Saul), Carl Weathers (Toy Story 4), Taika Waititi and iconic filmmaker Werner Herzog through to Timothy Olyphant (Once Upon a Time in Hollywood), Rosario Dawson (DMZ), Katee Sackhoff (Another Life) and Temuera Morrison as Boba Fett. While The Mandalorian fans will have to wait till next year to see what comes next, the Star Wars franchise has already delivered Obi-Wan Kenobi to streaming already in 2022 — and Rogue One spinoff Andor arrives on Wednesday, September 21. Check out the latest trailer for The Mandalorian below: The Mandalorian's third season will hit Disney+ sometime in 2023 — we'll update you with an exact date when one is announced. Images: ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.
With intrastate travel now allowed in NSW, Victoria and Queensland, many of us are already planning (a long list of) road trips. Those without a car have probably also been comparing car rental companies — and, now, there's a new player in the game: Uber. The global ride-sharing company is branching out and trialling car rental in Australia as a world first. Rolling out in Brisbane today, then in the Gold Coast, Sydney, Melbourne, Perth and Adelaide next week, Uber Rent will only be available to 50 percent of app users in its initial phase. So, you'll need to cross your fingers you get it. If you do land in the lucky half of users, this is how it'll work: update your app to the latest version, select the 'Rentals' option and you'll be able to choose from a selection of cars from Cartrawler and punch in your pick up date and location. Cartrawler is a global company that's connected to a heap car rental suppliers, as well airline companies and online travel retailers, that does just what it says on the packet: trawls through the existing sites to bring you what's available at the times and locations you want it — so you don't have to spend too long doing your own comparisons. The connection to Uber helps make it a little more convenient, with the ability to book through the one app — and score Uber Rewards, if that's something you do. [caption id="attachment_583987" align="alignnone" width="1280"] Great Ocean Road[/caption] Cars start from around $40 a day (for a small car) and $76 for an SUV, with prices getting a little cheaper the longer you book. A Hyundai Accent, for example, will cost around $150 for seven days, with pick up and drop off at Melbourne Airport. If the trial is a success, it'll be rolled out nationally as a permanent option on the app. So, you can plan more trips to dog-friendly pubs, beaches and parks. And get to the vet a little easier (don't tell your cat). Need some inspo when planning your first (second or third) road trip? Have a look at these ten country towns near Brissie worthy of a day trip, these towns outside of Sydney or these wintry Victorian day trips. To find out more about Uber Rent, head to the Uber website.
For half a century now, The Rocky Horror Show has been astounding. And, with the Richard O'Brien-created production lasting that long, perhaps time really is fleeting. Either way, whenever this sci-fi/horror musical hits the stage — and wherever — a glorious kind of madness takes its toll. In 2023, Australian audiences will be able to listen closely — and watch Jason Donovan as Frank N Furter take a jump to the left, then a step to the right, too — when the famed musical heads around the country on a huge 50th-anniversary tour. The Rocky Horror Show's brand-new Aussie run will kick off at Theatre Royal Sydney in February, with other stops and dates yet to be announced. On offer: the tale that theatre audiences have loved for five decades — and movie-goers as well, thanks to 1975's iconic big-screen release The Rocky Horror Picture Show. For the uninitiated, the story involves college-aged couple Brad Majors and Janet Weiss getting a flat tyre, then wandering over to an old castle to ask for help. That's where they discover an extra-terrestrial mad scientist from the galaxy of Transylvania, plus his staff and his Frankenstein-style experiments — and, yes, doing 'The Time Warp' is essential. As well as Donovan slipping on Frank N Furter's fishnets (fresh from popping back up in Ramsay Street to farewell Neighbours), the new Australian tour will star Myf Warhurst as The Narrator. Also set to feature: Ellis Dolan (School of Rock) as Eddie/Dr Scott, Darcey Eagle (Cruel Intentions: The 90s Musical) as Columbia, Ethan Jones (9 to 5 The Musical) as Brad, Deirdre Khoo (Once) as Janet, Loredo Malcolm as Rocky (Hamilton) and Henry Rollo (Jagged Little Pill the Musical) as Riff Raff. Since first premiering in London in June 1973, The Rocky Horror Show has played in more than 30 countries — and over 30 million people have seen songs like 'Science Fiction/Double Feature', 'Dammit, Janet!', 'Sweet Transvestite', 'Over at the Frankenstein Place' and 'Touch-a, Touch-a, Touch-a, Touch Me'. If you haven't been before, this is your turn to join in. The Rocky Horror Show's 2023 Australian tour kicks off at Theatre Royal Sydney in February, with tickets on sale from 10am on Monday, October 17. Head to the production's website for further details. We'll update you with information on seasons in other cities when they're announced. Images: Richard Davenport, The Rocky Horror Show UK tour.
In this age of seemingly endless streaming platforms, there's never a shortage of things to watch. New movies hit the likes of Netflix, Stan, Amazon Prime Video, Disney+, Apple TV+ and DocPlay all the time, as well as the plethora of other online viewing services that just keep popping up, especially in 2020 — and they're all ready to be viewed and enjoyed by your ravenous eyeballs. With such an ongoing onslaught of content fighting for everyone's attention, there's always a new highlight. This year has been full of them, in fact, and we've been rounding up the best streaming standouts each and every month. But, with 2020 now almost at a close, we're in reflective mode — so, from a 12-month period that saw us all glued to our screens at home far more than we ever dreamed of back in January, we've picked the 12 very best straight-to-streaming flicks from the past year. These movies didn't play in local cinemas, even for just a short period, but they're all absolute must-sees. https://www.youtube.com/watch?v=vcqItifbNUA SMALL AXE British filmmaker Steve McQueen hasn't directed a bad movie — and, dropping five new features as part of the Small Axe anthology, that isn't changing now. The director of Hunger, Shame, 12 Years a Slave and Widows gifts viewers a quintet of films that are as exceptional as anything he's ever made, with every entry in this new series taking place in England, in the 60s, 70s and 80s, with London's West Indian community at its centre. The first, Mangrove, tells an infuriating true tale about a police campaign to target a Caribbean restaurant in Notting Hill. From there, Lovers Rock spends time at a house party as two attendees dance into each other's orbits, and Red, White and Blue follows a young forensic scientist who decides to join the force to change it from the inside. Next, Alex Wheatle explores the life of the award-winning writer of the same name, while Education unpacks unofficial moves to segregate children of colour in schools. There's no weak link here — only stunning, stirring, standout cinema that tells blistering tales about Black London residents doing everything it takes to resist their racist treatment. Every film is sumptuously shot, too, thanks to cinematographer Shabier Kirchner (Bull), and the cast spans everyone from Lost in Space's Shaun Parkes and Black Panther's Letitia Wright to Star Wars' John Boyega. All five Small Axe films are available to stream via Binge. https://www.youtube.com/watch?v=ord7gP151vk MA RAINEY'S BLACK BOTTOM Chadwick Boseman, Oscar-winner. That combination of words is very likely to become a posthumous reality for the late, great actor, thanks to his last screen role. Boseman is just that phenomenal in Ma Rainey's Black Bottom. He has earned that term before in Get on Up, Black Panther and Da 5 Bloods, but his performance in this stage-to-screen production is such a powerhouse effort that it's like watching a cascading waterfall drown out almost everything around it. He plays trumpeter Levee Green, who is part of the eponymous Ma Rainey's (Viola Davis, Widows) band. On a 1920s day, the always-nattering, big-dreaming musician joins Ma — who isn't just a fictional character, and was known as the Mother of Blues — and the rest of his colleagues for a recording session. Temperatures and tempers rise in tandem in the Chicago studio, with Levee and Ma rarely seeing eye to eye on any topic. Davis is in thundering, hot-blooded form, while Colman Domingo (If Beale Street Could Talk) and Glynn Turman (Fargo) also leave a firm impression. It's impossible take your eyes off of the slinkily magnetic Boseman though, as would prove the case even if he was still alive to see the film's release. Adapting the play of the same name by August Wilson (Fences), director George C. Wolfe (The Immortal Life of Henrietta Lacks) lets Boseman farewell the screen with one helluva bang. Ma Rainey's Black Bottom is available to stream via Netflix. https://www.youtube.com/watch?v=vTfJp2Ts9X8 UNCUT GEMS The best film of 2020, based on Australian release dates, might only screen on Netflix on our shores. That might seem a big call, but the anxiety-dripping, riveting Uncut Gems is a stone-cold masterpiece, complete with one of the greatest performances of Adam Sandler's career (alongside Punch-Drunk Love and The Meyerowitz Stories (New and Selected)). Far, far removed from his Netflix comedies of late, the actor is all hustle and bustle as Jewish American diamond-district jeweller Howard Ratner. A compulsive gambler who is deeply in debt, about to get divorced and being shaken down by a loan shark (Eric Bogosian) he's related to by marriage, he's always trying to lure in high-profile clientele. When he comes into possession of a rare black opal — the uncut gem of the title — basketballer Kevin Garnett becomes interested, sparking a wild chain of events. Writer/directors Josh and Benny Safdie last worked their gritty, vivid and relentlessly tense magic with the Robert Pattinson-starring Good Time to exhilarating and mesmerising effect, and this uncompromisingly chaotic thriller and all-round exceptional character study is even better. Uncut Gems is available to stream via Netflix. https://www.youtube.com/watch?v=D5RDTPfsLAI DA 5 BLOODS A fiery examination of both the Vietnam War and US race relations, Da 5 Bloods is a Spike Lee film through and through. It nods liberally to its influences, such as Apocalypse Now, but only the acclaimed Do the Right Thing and BlacKkKlansman filmmaker could've made a war movie this affecting, incisive, entertaining and politically astute — especially given its focus on African American men expected to fight and die for the same country that still struggles to treat them equally. Plot-wise, the part combat drama, part heist thriller, part history lesson follows four ex-soldiers (Delroy Lindo, Clarke Peters, Norm Lewis and Isiah Whitlock Jr) who make the trip back to Ho Chi Minh City decades after the conflict. They're searching for buried gold, as well as for the remains of their beloved squad leader (Chadwick Boseman, as seen in flashbacks). In Lee's hands, and with Lindo taking charge as a PTSD-afflicted, MAGA hat-wearing veteran, the results are energetic, passionate, and both intellectually and emotionally stunning. Da 5 Bloods is available to stream via Netflix. https://www.youtube.com/watch?v=O7X0O9lZ_jQ WOLFWALKERS From FernGully: the Last Rainforest to Moana — and including everything from Studio Ghibli's Pom Poko and Princess Mononoke to Pixar's Wall-E, too — many an animated movie has combined eye-catching frames with an important message about the environment. Irish film Wolfwalkers joins the pile and rockets to the top, thanks to one of the most visually and emotionally enchanting features of the year. Story-wise, it follows young wannabe hunter Robyn Goodfellowe (Honor Kneafsey, The Bookshop). In a tale set centuries ago, she moves to Ireland with her father Bill (Sean Bean, Snowpiercer) when he's hired to eradicate the last wolf pack lurking in the woods. The locals, as overseen by an English Lord Protector (Simon McBurney, The Loudest Voice), want to wipe out the wolves so that they can tear down the forest in the name of progress. But, after sneaking out to go exploring, Robyn befriends a girl called Mebh (feature first-timer Eva Whittaker) who just might be a member of a mythical tribe that's able to shapeshift into the creatures while they're dreaming. As well as a rousing eco-conscious narrative, Wolfwalkers delivers distinctive and delightful animation. Expect earthy, natural colours, with greens, browns, oranges and yellows dancing across the screen. Expect a line-heavy visual style, too, which is almost reminiscent of woodblock prints. And, expect another all-round beauty from co-director Tomm Moore, who also helmed the Oscar-nominated and equally beautiful duo The Secret of Kells and Song of the Sea. Wolfwalkers is available to stream via Apple TV+. https://www.youtube.com/watch?v=Gs--6c7Hn_A SOUL Released earlier in 2020, Onward definitely wasn't Pixar's best film — but Soul, its straight-to-streaming latest movie, instantly contends for the title. The beloved animation studio has always excelled when it takes big leaps. Especially now, 25 years into its filmmaking tenure, its features prove particularly enchanting when they're filled with surprises (viewers have become accustomed to seeing toys, fish, rats and robots have feelings, after all). On paper, Soul initially seems similar to Inside Out, but switching in souls for emotions. It swaps in voice work by Tina Fey for Amy Poehler, too, and both movies are helmed by director Peter Docter, so there's more than one reason for the comparison. But to the delight of viewers of all ages, Soul is a smart, tender and contemplative piece of stunning filmmaking all on its own terms. It's Pixar at its most existential, and with a strikingly percussive soundtrack by Trent Reznor and Atticus Ross to further help it stand out. At its centre sits aspiring jazz musician-turned-music teacher Joe (Jamie Foxx, Just Mercy). Just as he's about to get his big break, he falls down a manhole, his soul leaves his body, and he's desperate to get back to chase his dreams. But that's not how things work, and he's saddled with mentoring apathetic and cynical soul 22 (the always hilarious Fey) in his quest to reclaim his life. Soul is available to stream via Disney+ from Friday, December 25. https://www.youtube.com/watch?v=fAveuCPBYSw I'M YOUR WOMAN Normally, when a criminal's latest job takes a turn for the worst for whatever reason, the film that tells their tale follows their part in the aftermath. I'm Your Woman isn't that movie. It looks like that kind of feature. It resembles one with exacting precision. But that isn't the narrative that's on offer here, and refreshingly so. Directed and co-written by Julia Hart (Fast Colour) with such a supreme handling of style, story and genre, this is a 70s-esque crime affair, but it focuses on Jean (Rachel Brosnahan, The Marvelous Mrs Maisel), the wife of a thief who has gone missing after a big score goes south. The aggrieved gangsters chasing her husband are also unlikely to be kind to Jean and her baby, so she's whisked off into hiding in the middle of the night with zero notice. That's a drastic change that she's unprepared to cope with — but, with help from the her spouse's ex-acquaintance Cal (Arinzé Kene, How to Build a Girl), she also discovers that she's far more resilient than she thinks. Compelling from the moment it opens with Jean clad in a magenta robe, add I'm Your Woman to the pile of movies that serves up a big shift in a familiar genre (see also: Sylvie's Love below), and does so in a spectacular fashion. I'm Your Woman is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=cDTg62vsV4U I'M THINKING OF ENDING THINGS For much of I'm Thinking of Ending Things two-hour-plus running time, the film's characters sit and talk as discomfort fills the space around them. The movie's protagonist (Wild Rose's Jessie Buckley) and her boyfriend Jake (Jesse Plemons) awkwardly chat as they drive through the snow to the Oklahoma farm where the latter grew up. They both endure several seesawing conversations with Jake's erratic and eccentric mother (Toni Collette) and father (David Thewlis) once they arrive. And, steam-of-consciousness narration also provides a soundtrack. But given this feature is written and directed by Being John Malkovich and Eternal Sunshine of the Spotless Mind screenwriter Charlie Kaufman, it was never going to be a straightforward flick about meeting the parents. Instead, it's a purposely ambiguous and complex exploration of identity, choice and the very nature of human existence — complete with sudden ballet dances, strange overnight stops at deserted dessert stands and flashes to an unhappy janitor (Guy Boyd) — and it's a fascinating, challenging, visually stunning trip the entire way. I'm Thinking of Ending Things is available to stream via Netflix. https://www.youtube.com/watch?v=DSCKfXpAGHc HAMILTON If you haven't been lucky enough to catch Hamilton on the stage — and, let's face it, most of us haven't — a filmed "live capture" version of the popular hip hop musical here to fill the gap. The story, for those who aren't intimately acquainted with US revolutionary history, chronicles the Caribbean-born eponymous "bastard, orphan, son of a whore and a Scotsman" from his arrival in New York in the early 1770s. As the informative opening number explains, Alexander Hamilton will go on to become "the ten-dollar Founding Father without a father", with the production charting how he "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". And, as shot on Broadway back in 2016, the results really are as phenomenal as we've all been hearing for the past five years. The entire cast, including not only creator, writer and star Lin-Manuel Miranda but Tony-winners Daveed Diggs (Snowpiercer) and Leslie Odom Jr (Murder on the Orient Express), Mindhunter's Jonathan Groff and Waves' Renee Elise Goldsberry, is superb, as is every element of the production. Infectiously exuberant from its first moments, and not only lively but frequently funny, Miranda's rich, dense but always accessible words and songs interrogate US history with passion, intelligence and energy. They'll also become firmly lodged in your head, too, so don't say we didn't warn you. The filmed version of Hamilton is available to stream via Disney+. Read our full review. https://www.youtube.com/watch?v=u7QpnvmMmag&feature=emb_logo PALM SPRINGS It wasn't the first movie to play with temporal trickery; however, Groundhog Day has a lot to answer for. Films about folks stuck in a loop, repeating the same day or events over and over, now almost comprise their own genre — but, wearing its allegiance to the aforementioned Bill Murray-starring comedy on its sleeves, Palm Springs is one of the best of them. Here, Brooklyn Nine-Nine's Andy Samberg plays Nyles, who has ventured to the titular location with his girlfriend Misty (Meredith Hagner, Brightburn) to attend a friend's nuptials. He gets drunk, makes a speech and a scene, befriends fellow wedding guest Sarah (Cristin Milioti, Modern Love) and disappears into a cave, warning the latter not to follow. When dawn breaks, it's the same day again. Then variations on the same events happen once more, and they just keep repeating over and over. Also featuring an initially intense JK Simmons (21 Bridges) as another ceremony attendee, Palm Springs has a wealth of fun with its concept, and becomes one of the year's most enjoyable movies in the process. Produced by Samberg alongside his Lonely Island colleagues Akiva Schaffer and Jorma Taccone, directed by feature first-timer Max Barbakow and written by Lodge 49's Andy Siara, it also finds its own way to grapple with the time-loop genre's usual elements — the repetition that feels like being stuck in purgatory, and the existential malaise that comes with it — in a smart and funny rom-com that boasts particularly great performances from Samberg and Milioti. Palm Springs is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=wfTmT6C5DnM DICK JOHNSON IS DEAD Mortality is no one's favourite subject. Confronting the certainty of our own demise is so difficult, we all just generally carry on as though it won't happen. And the reality that everyone we know and love will die, including our parents, is just as tough to deal with. Facing not only the fact that her father is advancing in age, but that he's suffering dementia — meaning that she'll lose him mentally before he passes away physically — cinematographer and documentarian Kirsten Johnson (Cameraperson) conjured up a playful and poignant project. In Dick Johnson Is Dead, she stages her dad's death over and over. He's very much alive and he takes part, with the father-daughter duo bonding during what time they have left together in the process. While it might sound morbid, this moving movie is anything but. As well as the scenes that give the film its title, it also provides an insightful chronicle of the Johnsons' lives. Tender, thoughtful, personal and intimate, and driven by both Dick and Kirsten's presence, the result is perhaps the most affecting feature of the year — and a very worth winner of the Special Jury Award for Innovation in Non-Fiction Storytelling at this year's Sundance Film Festival. Dick Johnson Is Dead is available to stream now via Netflix. https://www.youtube.com/watch?v=mGvYFB6GHRY SPACESHIP EARTH When it premiered at Sundance in January this year, Spaceship Earth wouldn't and couldn't have seemed as topical as it does at present. The documentary's subject: Biosphere 2, the biodome in the Arizona desert that played host to eight inhabitants for two years in the early 90s — all isolating themselves from the world by choice, in the name of science, to see if a closed-off, fully self-sustaining vivarium could work if/when humanity ever ventures beyond the earth. It sounds like pure sci-fi, but this is 100-percent reality. With the help of a treasure trove of archival material as well as present-day interviews from many of the folks involved at the time, filmmaker Matt Wolf takes viewers through the unusual and fascinating experiment. While it would've been very easy to play up the outlandishness of the whole project (indeed, as seen in media clips from the time, many an onlooker did), this doco approaches Biosphere 2 and the passionate people who made it happen with thoughtfulness and appreciation, in what proves a supremely mesmerising, engaging and intelligent film. Spaceship Earth is available to stream via DocPlay.
Days after winter has officially landed, HBO has gone and announced something totally off The Wall. Just as we were prepping to find alternate means to secure Game of Thrones for another Monday night, the giants of television have announced that Game of Thrones: The Exhibition will open in Sydney in July 2014. And now they've confirmed the venue and dates: the Museum of Contemporary Art Australia from July 1-5. Presented by Google Play, the immersive exhibition will highlight all key GoT locations, characters and narrative ERHMAGHERD moments, with nearly 100 props, weapons, costumes and bits and pieces from the show — season four included. Because they're Stark raving mad legends, Game of Thrones: The Exhibition will be open to the public FO FREE. It's been confirmed that the exhibition is the same one that has been touring the globe of late, so we're in for a big ol' dragon-sized treat. The existing HBO exhibition started in New York in January then moving to Mexico City, Austin, Rio de Janeiro, Oslo, Toronto and Belfast and Vancouver. Included are cloaks galore, an Iron Throne you can sit on and an interactive virtual reality experience powered by Oculus Rift. If the exhibition saw numbers anything like those from the Powerhouse's past Harry Potter, Lord of the Rings or Star Wars blockbusters, Google Play and HBO will rub some gleeful paws in the merchandising aftermath. With the amount of gore and boobery in GoT, however, major kiddie target markets are almost totally ruled out. For all the details, check out the exhibition website. Updated June 17, 2014.
UPDATE, August 24, 2020: American Animals is available to stream via SBS On Demand, Google Play, YouTube Movies and iTunes. For most people, a pile of DVDs provides a good night's viewing. For Spencer Reinhard (Barry Keoghan) and Warren Lipka (Evan Peters) in American Animals, it's a how-to guide. Hiring out The Usual Suspects, The Thomas Crown Affair, The Italian Job and more back in 2003, the pair aren't just indulging their love of heist films — they're planning their very own robbery. Alongside Eric Borsuk (Jared Abrahamson) and Chas Allen (Blake Jenner), the Kentucky college students set their sights on the Transylvania University library's rare collection, where specific volumes kept behind lock and key are worth millions. And while watching The Sting and giving each other codenames straight out of Reservoir Dogs mightn't seem like the smartest way to prepare, it illustrates the group's entire handling of their pilfering operation. Motivated by the thrill of disrupting their daily routine, the lure of easy money and the yearning to feel as though they're not simply average, Spencer and his fellow middle-class pals treat their caper like it's a movie. If they realise that the likes of Butch Cassidy and Point Break don't end well for the thieves, they're choosing to ignore it. Astonishingly, theirs is a true story. That said, it proves even more astonishing in Bart Layton's hands. Drawn to another strange slice of reality after 2012's similarly twisty and thrilling The Imposter, the writer-director literally turns the quartet's hijinks into the kind of slick Hollywood flick that they'd love to watch. Incorporating interviews with the actual men behind the larceny as well, Layton also crafts a spectacularly playful and entertaining film that blurs the line between documentary and drama. When Spencer discovers the treasure trove of books sitting within his college library, stealing them just seems so straightforward. Or at least it does to Warren. While art student Spencer is apprehensive, the more outgoing and carefree Warren latches onto the idea like there's no other alternative. And from that moment on, there isn't. Soon the two friends are sketching blueprints, flying to Amsterdam to meet with art dealers, rustling up disguises, and recruiting the apprehensive Eric and Chas. But then the big day arrives, they come face-to-face with the kindly archivist (Ann Dowd) charged with keeping the valuable texts safe, and the group's brush with crime is hardly the glossy heist that they've imagined. If only American Animals could've sat in Spencer and Warren's to-watch pile, showing them what lay ahead. It doesn't, of course, although the notion isn't that far removed from Layton's perceptive and inventive approach. In a supremely clever blend of fact, fiction, fantasy and memory — and a superb display of editing as well — the filmmaker inserts the real-life perpetrators into the proceedings. Along with their parents and teachers, they relay their version of events to the camera, often conflicting with each other. Layton rewinds his recreations in response, unfurling new takes and changing details. More than that, he lets the actual Spencer and Warren step into the drama and interact with their counterparts, stopping the actors playing them when questions arise about what exactly happened, and how, and why. There are heist movies, and then there are heist movies. Despite the many examples viewed by American Animals' protagonists, there's never been one quite like this. It's the product of a filmmaker who's determined to probe and ponder in a savvy and dazzling manner — and it's not only his thoroughly relevant and timely queries that grab attention, but the way he's doing the asking. In an endlessly fascinating film that wonders why four young men from comfortable backgrounds would risk their futures just to prove that they're special, and what that says about society as a whole, Layton lets his stylistic choices offer some of the answers. It's not by accident that American Animals begins with talking heads and naturalistic hues, then becomes fast and sleek when Spencer and company start chasing their fantasy, only to opt for grit and grimness when reality strikes. Serving up resounding proof that The Imposter wasn't a one-off, Layton is at the top of his game — but he also has help. Or, perhaps his nose for a stunning story and his astute ability to spin it in exactly the right way are matched by his knack for casting. Acting opposite the real figures, Keoghan (The Killing of a Sacred Deer) and Peters (X-Men: Days of Future Past) couldn't better convey Spencer and Warren's essence. When the actual Warren proudly shows off his comic tattoo of a tyrannosaurus rex trying to switch off a ceiling fan, Peters instantly matches his wild yet assured vibe. When Spencer shows himself to be a ball of quiet nerves, Keoghan lets the feeling seep out of his pores. Still, the greatest trick that American Animals pulls is turning truth into a yarn and vice-versa, all while demonstrating how flimsy the boundary between the two truly is. https://www.youtube.com/watch?v=WlSxrxMYn8A
Enter one of Yayoi Kusama's infinity rooms, including the Japanese icon's brand-new Infinity Mirrored Room–My Heart is Filled to the Brim with Sparkling Light at the National Gallery of Victoria, and it appears as if the artist's work goes on forever. A great exhibition dedicated to Kusama evokes the same sensation. Accordingly, when you're not staring at a seemingly endless celestial universe while enjoying a world-premiere piece from the talent that's been unveiled for the first time ever in Melbourne, you'll still feel as if Kusama's touches are everywhere around you. Simply titled Yayoi Kusama, NGV International's big summer 2024–25 showcase features 200 works, so there really is enough Kusama art to envelop attendees in dots, mirrors, balls, tentacles, pumpkins, flowers, rainbow hues and her other beloved flourishes. With ten immersive installations, the exhibition breaks the world record for the number of such pieces by the artist assembled in one spot. The showcase is also the largest-ever Kusama retrospective that Australia has ever seen. Open since Sunday, December 15, 2024 and running until Monday, April 21, 2025, Yayoi Kusama has taken over the St Kilda Road gallery's entire ground floor with a childhood-to-now survey of its subject's creative output. With the artist reaching 95 years of age in March 2024, there's eight decades of art on display. Some pieces have never been seen Down Under until now. Some are sourced from private collections, and others from Kusama's own personal stash. In advance of the exhibition's launch, Melbourne welcomed Kusama's five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court. Outside the gallery, Kusama's Ascension of Polka Dots on the Trees wrapped the trunks of more than 60 trees in pink-and-white polka-dotted material before Yayoi Kusama opened its doors, too. Now comes the chance to explore the complete showcase, which is also one of the most-comprehensive retrospectives devoted to the artist to be staged globally. Forget booking in a trip to Kusama's Tokyo museum for the next few months, then — all that Melburnians need to do is stay local, and Australians elsewhere just need to head to the Victorian capital. Other highlights include NGV International's glass waterwall going pink, but with black rather than white dots; Kusama's new version of Narcissus Garden, which dates back to 1966 and features 1400 30-centimetre-diameter silver balls this time around, sitting in front of the waterwall and in parts of Federation Court; and the yellow-and-black spheres of Dots Obsession hanging over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Flower Obsession is another participatory piece, returning from the 2017 NGV Triennial. Again, you're asked to add to the work. Here, red flowers are applied to a domestic space — and again, obliterating it is the mission. If you adore the artist's way with mirrors, you'll want to see 2016's Chandelier of Grief, which features baroque-style chandelier spinning within a hexagon of mirrors; 2013's Love Is Calling, where tentacles in different colours spring from both the floor and the ceiling; and 2017's The Spirits of the Pumpkins Descended into the Heavens, which gets viewers peering at glowing pumpkins as far as the eye can see through a small peephole. In Invisible Life, convex mirrors line a twisting and multi-hued corridor. With its six-metre-tall tendrils — which are covered in polka dots, naturally — the yellow-and-black The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe from 2019 is striking without using a looking glass (or several), and makes its Australian premiere. Prefer flowers instead? Set within a dotted space, All My Love for the Tulips, I Pray Forever from 2013 sees a trio of giant tulips loom over audiences. Overall, Yayoi Kusama steps through the artist's 80-plus years of making art via a thematic chronology. While a number of pieces hail from her childhood, others are far more recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they all appear. Any chance to see Yayoi Kusama's work in Australia is huge news, and reason to make a date — including travel plans, if needed. Here's another drawcard: the NGV has also added Friday-night parties to the mix, kicking off on Friday, December 20, 2024 for some pre-Christmas fun, then running for 18 weeks until Friday, April 18, 2025. Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne until Monday, April 21, 2025 — and NGV Friday Nights: Yayoi Kusama runs each Friday night from 6–10pm between Friday, December 20, 2024–Friday, April 18, 2025. Head to the NGV website for more details and tickets. Images: Visitors and artworks in the Yayoi Kusama exhibition at NGV International, Melbourne until 21 April 2025. © YAYOI KUSAMA. Photos: Danielle Castano, Sean Fennessy, Tobias Titz and Kate Shannassy.
Square burger patties are now on the menu Down Under, with American chain Wendy's launching in Australia. After initially starting making moves to hit our shores in 2022, then confirming in 2023 that a heap of Aussie stores are on the way, the burger-slinging joint has opened its first-ever Australian outpost on the Gold Coast, in Surfers Paradise's Paradise Centre. In terms of big US fast-food franchise making the leap to this part of the world, Taco Bell did it, plus Mark Wahlberg's Wahlburgers and fellow burger joint Five Guys, too — and now Wendy's has officially followed suit. The Australian venues fall under The Wendy's Company's master franchise agreement with Flynn Restaurant Group to set up a huge number of Aussie shops. And we do mean a big figure: at least 200 stores, in fact, as slated to open by 2034. Wendy's already knew there was an Aussie appetite for its burgers thanks to a 2021 Wendy's pop-up in Sydney, where it gave out free burgs and desserts. Indeed, when it confirmed the massive expansion to Australia, the company mentioned the one-day pop-up's success among the reasons for giving Australia a couple of hundred places to nab its burgers within the next decade. Back then, it was expected that the stores would largely start launching from 2025 — and with the Gold Coast flagship, that's exactly what has happened. Exactly where Wendy's will set up shop from here, and when, hasn't been revealed. Open since Wednesday, January 15, 2025, Wendy's Gold Coast store features the brand's signature dishes, such as its Classic Double, Baconmator and Spicy Chicken Sandwich — as well as the Wendy's Frosty in chocolate or vanilla flavours for dessert. The menu also spans double hand-breaded chicken tenders (which are served by themselves, and in burgers and wraps), plus sea-salted fries with loaded options (cheese, chilli and cheese, and bacon and cheese). Flynn Restaurant Group and Wendy's have history, with the former already running nearly 200 of the latter's outposts across five US states. Similarly on Flynn Restaurant Group's plate in America: operating Applebee's, Taco Bell, Panera, Arby's and Pizza Hut restaurants. In Australia, Wendy's isn't the only food joint with that name. Across the country, that moniker also graces a South Australian-born ice cream chain which is now known as Wendy's Milk Bar. With more than 7000 stores worldwide, the American Wendy's is one of the globe's biggest and most-recognisable burger chains. While most of its outposts are scattered across the US, the chain also has over 1000 international locations in countries like New Zealand, Canada and the UK. The first Wendy's was opened by Dave Thomas in Columbus, Ohio in 1969. It quickly expanded due to the popularity of its burgers and iconic Frostys, growing to over 1000 restaurants in its first nine years of operations. Find Wendy's at Paradise Centre, 2 Cavill Avenue, Surfers Paradise — open from 10am–10pm Thursday–Tuesday and 11am–9pm Wednesday. Head to the chain's website for more details.
Picture this: you're eating something delicious and your adorable doggo wants some, but it's just not good for them. Everyone who shares their life with a barking four-legged best friend has experienced this scenario — sadly, while cute pooches love the sight and smell of plenty of human treats, they just can't stomach some foodstuffs. Chocolate is a culprit, as everyone remembers come Easter. Thanks to its milk and sugar content, ice cream is another. If your pet pooch goes yapping mad over heaped ice cream cones, here's the good news: Gelatissimo is releasing a new limited-edition flavour that's both human and dog-friendly. We're not saying that you and your fluffball should share the same cone of the frosty dessert, but you definitely could. Made fresh in-store, the new scoop is called Pawesome Peanut Butter. As the name suggests, it's a peanut butter gelato — and to make it suitable for dogs, it's made from soy, so it's also vegan. Obviously, if you're a human or canine that's allergic to nuts or soy, this isn't for you. Puppers with a history of pancreatitis also need to steer clear. Those who can tuck into a tub will find it at Gelatissimo outlets around the country from Friday, May 3. And if you're in Sydney on Saturday, May 18, you can also to Cook & Philip Park between 9.30–11.30am. The gelato chain is hosting a dog brunch with vegan yum cha, vegan dog treats and Pawesome Peanut Butter gelato to finish, with tickets costing $60 (which includes food for one human and one dog). Pawesome Peanut Butter gelato is available at all 46 Australian Gelatissimo stores for a limited time from Friday, May 3. For more information and to find your nearest store, visit Gelatissimo's website.
Dropping all commitments, staying indoors and bingeing Netflix was just shorthand for being an introvert six months ago. Now, it's the reality of many of our lives. As Australia, along with the rest of the world, battles to contain COVID-19, many of us are spending more time indoors than ever before, and we're searching for new ways to fill the minutes of the day that seem to tick by at a glacial pace. Streaming marathons, virtual trivia nights, indoor exercises and completing many, many jigsaw puzzles are solid ways to pass the time. But it's unlikely you'll ever have these chunks of uninterrupted free time at your disposal again, so you may as well use them to learn a new trick or two. There are a bunch of courses, workshops and activities that'll help you upskill while you're bunkering down — here are eight of our picks. LEARN TO COOK WITH SOME OF THE WORLD'S BEST CHEFS Chances are you'll be getting quite familiar with your kitchen over the next couple of weeks. If up until now, you've mainly used the kitchen as a place to grab cutlery for your takeaway feast, then you're going to be looking for a little guidance. In a very real example of the 'we're all in this together' aspect of this crisis, many of the world's best chefs are also social distancing, self-isolating or in quarantine, and they're using that spare time to share some of their top tips. Michelin-starred chef Massimo Bottura is live streaming nightly tutorials on Instagram, while celebrity chef Jamie Oliver has launched the Keep Cooking and Carry On series, with easy-to-follow recipes and simple swaps (since some ingredients can be hard to come by), which you can catch on 10 Play. Meanwhile, if you're inspired by (almost) your entire Instagram feed making sourdough and want to have a crack at your own loaf, Bon Appetit's baking extraordinaire Claire Saffitz has a step-by-step tutorial saved on her Instagram highlights. A little closer to home, Aussie culinary legend Maggie Beer has started her own social media cooking series, as have chefs like Mitch Orr (Ciccia Bella), Neil Perry (Rockpool Bar & Grill) and Danielle Alvarez (Fred's). LEARN TO CODE FOR FREE Coding is going be such an important skill in the future it's now part of the curriculum for primary school students. But you haven't completely missed the boat just because you graduated (many) moons ago. There are hundreds of online courses you can take to learn to code, including General Assembly's. As well as Dash, its free online coding course, GA is also running free sessions on UX design and data analytics. If you want to have some fun with it, also check out Girls Who Code. The platform is releasing fun online and offline coding activities to download every week — like debugging tasks and a digital storytelling game — and each one also showcases a woman kicking goals in the tech world. [caption id="attachment_696381" align="alignnone" width="1920"] Jean Malek[/caption] LEARN TO WRITE WITH LITERARY LEGENDS Have you always thought you were capable of writing the next great Australian novel, if only you weren't so busy? Now is the time to put your money where your mouth is. If you're not feeling quite so confident, Masterclass can help you get started. Like many other online education platforms, this San Francisco-based startup offers extensive courses on a range of topics, but what sets it apart is the truly astonishing lineup of instructors. For writing, that includes author Margaret Atwood (The Handmaid's Tale, The Testaments) leading a creative writing course, Dan Brown (The Da Vinci Code, Inferno) teaching on writing thrillers and essayist David Sedaris (Calypso, Me Talk Pretty One Day) on storytelling and humour. If words aren't your thing, Masterclass also has legendary photographer Annie Leibovitz teaching photography, Martin Scorsese teaching filmmaking, Doctor Jane Goodall explaining conservation and Hans Zimmer speaking on film scoring. Of course, the big names come at a price. There's an annual membership fee of AUD$280, but that grants access to every course on the platform. Plus, Masterclass is currently running a limited-time 'buy one, get one free' membership offer, so you can split that cost with a mate. LEARN PHOTOGRAPHY (AND LEVEL UP YOUR INSTAGRAM GAME) Photography as an art form has been muddled in recent years by way of us all documenting everything we do, eat, drink or see on social media. But there is a huge quality difference between pointing and shooting on your phone (and then promptly forgetting about it), and mastering manual mode on a DSLR camera. Once you get into it, you'll appreciate the value of a well-framed, well-lit HD photo so much more. Throughout April, Nikon is making its suite of online photography tutorials free to stream. Each video is hosted by a professional photographer covering topics like the fundamentals of photography and videography, understanding DSLR features, unlocking creativity and tips on shooting different subjects or environments. For now, you may be stuck practising on your pets, kids or housemates but, when the restrictions are lifted, you can reenter the world with your camera in hand, ready to capture all the beautiful things you missed. Just remember, nobody really cares what you ate for dinner — even in high definition. [caption id="attachment_662277" align="alignnone" width="1920"] Trent van der Jagt[/caption] LEARN TO MAKE WINE AND COCKTAILS We're not here to encourage excessive drinking, but we're also not going to skirt around the facts: you're probably consuming a bit of alcohol at home during this time. There are plenty of bars that have pivoted to delivering cocktails to your door, but you may also want to have a go shaking and stirring, too. If it's just recipes you're after, we've got plenty to get you started. Just pick your poison: vodka, gin, prosecco or spiced rum. Or you could go the whole hog and follow Ina Garten's (otherwise known as Barefoot Contessa) hilarious giant cosmopolitan recipe, which went viral on Instagram. If you want more of a guiding hand, check out Sydney Cocktails' Home Five O'Clock-tails video tutorials. Each day at 5pm, it'll share a new cocktail masterclass on Facebook, and it's getting Aussie bartenders who are out of work due to the current lockdown restrictions to host them. Or you could use this extra time to become the oenophile you've always wanted to be with The University of Adelaide's online course: World of Wine: From Grape to Glass. The free six-week course will teach you everything from the principles of grape growing and sustainable vineyard management to how to critique and describe a specific drop. You'll never need bluff your way through a restaurant wine list again (that is, once we're allowed back into restaurants). LEARN A NEW LANGUAGE IN PREPARATION FOR FUTURE TRAVEL Aussies have always been avid travellers, so it's safe to say there'll be plenty of itchy feet raring to set off on adventures as soon as the travel restrictions are lifted. You may not be able to make any solid plans right now, so use the spare time to add another language to your travel arsenal instead. The Open University has a number of introductory language courses available via its free Open Learn platform including German, Spanish, French, Welsh and ancient Greek and Latin. Each course takes between 5–20 hours to complete, so they should eat up a chunk of self-isolation time. After you've mastered your second, third or fourth language, take a look at some of the other courses available on the platform — there's everything from forensic psychology and art history to Egyptian mathematics. LEARN TO PLAY THE GUITAR OR MAKE MUSIC You've seen the Italians singing from their balconies, watched Lin-Manuel Miranda and the rest of the original Broadway cast of Hamilton singing 'Alexander Hamilton' via Zoom and danced up a storm to a virtual gig or two in your living room. And now it's time for you to create your own beats. Figure out which of your roommates has a neglected guitar hidden in the back of their wardrobe and jump onto Fender's website — it's offering three months of free online guitar, bass and ukulele lessons right now. Meanwhile, Apple is offering a 90-day trial on music production software system Logic Pro X, and Ableton is granting free access to a bunch of its music making resources, including the Ableton Live 10 Suite program, Spectral Textures presets pack and the Learning Music and Learning Synths tutorials. LEARN TO PAINT AND DRAW (WITH A GLASS OF WINE IN HAND) After spending so much time inside, you may get a little tired of staring at those same blank bedroom walls. Get those creative juices flowing and make something that you'll actually enjoy looking at via a virtual paint and sip class. All of the studios are currently shut down, so some of them, like Sydney's Cork and Canvas, have pivoted to offering online classes instead. For $25, you can access a step-by-step video tutorial to follow along whenever you like with a glass of wine in hand. And, if you need supplies, the studio is also delivering creative kits with paintbrushes, paint and canvases to your doorstep. There are single packs ($65), double packs ($120) and family packs ($230) available, and they all include a $20 voucher to Different Drop so the vino side of things is sorted, too. Or, you could check out the National Gallery of Victoria's Virtual Drop-By Drawing sessions, which are now happening online. Melbourne artists like Minna Gilligan and Kenny Pittock will guide you through a sketching session inspired by a piece from the gallery's collection, and all you'll need is a pencil, piece of paper and internet connection.
Get ready to toss a coin to your witcher, again. Two years after Netflix aired the first season of The Witcher — and got that song stuck in everyone's heads in the process — the fantasy series is finally returning. It was always going to, given that it was renewed for a second season before the initial one even aired, but thanks to the current state of the world, the next batch of episodes has taken some time to turn up. Come Friday, December 17, you'll be able to settle in for a weekend binge to see what happens next in the Henry Cavill (Zack Snyder's Justice League)-starring series — and to check out how his icy locks look this time around. You can nab a sneak peek at both right now, actually, with Netflix also dropping the first trailer for the show's second season to help tide fans over until the end of the year. Need a refresher? Haven't watched the first season yet? If the series' name sounds familiar, that's because The Witcher is based on the short stories and novels of writer Andrzej Sapkowski — and, as well as being turned into comics, it was adapted the video game series of the same name. A Polish film and TV show also reached screens in the early 2000s, although they were poorly received. In the Netflix show, Cavill plays the witcher of the title: Geralt of Rivia, a monster hunter who prefers to work — aka slay beasts — alone in a realm called The Continent. But life has other plans for the lone wolf, forcing him to cross paths with powerful sorceress Yennefer of Vengerberg (Anya Chalotra, Netflix's Wanderlust) and young princess Ciri (newcomer Freya Allan). In the first season, the latter harbours a secret, because of course she does, with the series blending plenty of fantasy staples such as magic, royalty, fighting factions, battling hordes, fearsome creatures, a heap of sword-swinging and many a scenic location. After stepping into Superman's shoes and facing off against Tom Cruise in Mission: Impossible — Fallout, The Witcher marked Cavill's return to TV a decade after starring in regal period drama The Tudors. As well as Chalotra and Allan, the first season also featured Jodhi May (Game of Thrones), MyAnna Buring (Kill List), Lars Mikkelsen (House of Cards) and Australian actor Eamon Farren (Twin Peaks). Based on the just-dropped trailer for the season season, viewers can expect a homecoming, more all-round eeriness, and more time spent with both Geralt and Ciri. He's bringing her to his childhood home of Kaer Morhen, where he'll need to keep protecting her — from her powers, and from The Continent's kings, elves, humans and demons, who are battling for supremacy. Check out the trailer for The Witcher's second season below: The Witcher's second season will hit Netflix on Friday, December 17. The show's first season is currently available to stream. Top image: Susie Allnut.
When Golden Century closed down it left a yum cha-sized hole in the heart of Sydney — one that was only compounded by the loss of Marigold later that year. While you can still get the Golden Century team's famous XO-drenched pipis at the appropriately named XOPP, the closing of the original location left many locals longing for the rattling of yum cha trollies and late-night feeds like no other. Thankfully, the old Golden Century space has not been renovated into a set of apartments or a high-end boutique but instead has reemerged as The Royal Palace Seafood Restaurant, an expansive 600-person Cantonese restaurant with dining until 3am, live seafood tanks and yum cha. The impressive new Haymarket restaurant is split across three levels. On level one you'll find the a la carte dining room lined with 24 live seafood tanks with lobsters, crabs and fish. Head upstairs to level two for yum cha service or to nab a private dining suite. And on level three you'll discover a dedicated function space that can host 175 guests. Living up to its name, seafood plays a pivotal role on the menu, with highlights including pipis in XO sauce, lobster and braised noodles, and Singapore chilli crab. There are also plenty of crowd-pleasing classics like Peking duck pancakes, crispy roast pork and honey-glazed char siu. Up in the yum cha zone, you can expect a classic spread. Prawn dumplings, siu mai and Cheung fun rice rolls are just some of the tasty plates being wheeled around. And, make sure to leave room for dessert, with egg tarts and mango pancakes available after you've worked through the dim sum offering. Golden Century's late-night opening hours were always a huge drawcard at the original restaurant, and The Royal Palace Seafood Restaurant is committed to carrying this torch. The full menu is available until 10.30pm Sunday–Wednesday, and all the way until 3am Thursday–Saturday. The Royal Palace Seafood Restaurant is located at 393–299 Sussex Street, Haymarket. It's open 10am–11pm Monday–Wednesday, 10am–3pm Thursday, 9.30am–3am Friday–Saturday and 9.30am–11pm Sunday.
If you’ve tried to visit The Carrington for some calamari sliders recently, you may have noticed that the restaurant has been a little off limits — closed, in fact. If the barricaded zone has caused minor freak outs, fear not. It'll be back, the crew at Drink N Dine just thought the space was due for a little change. Reincarnated and due for a May opening: meet Chica Linda. Scheduled to start things cookin' on May 2, Chica Linda is serving up Latin American and Cuban-inspired dishes. The menu will see asado steak skewers; soft shell crab or pork neck arepas; and saltenas with black beans, corn and oxacana cheese. They’ve got dessert covered too, with guava empanadas and dulce de leche ice cream. Trust us, it looks muy bueno. The Drink N Dine group has quickly become known for rebooting a solid cornucopia of cuisines in the Sydney food scene — and making the pub fancy again. They’re responsible for thematic renovation successes like The Norfolk, The Oxford Tavern and The Forresters. The next project for the DnD crew, Chica Linda is set to dish out gourmet, homestyle Latino food following in the vein of its sibling establishments. But don’t worry, The Carrington will still be open for business as your friendly neighbourhood pub with all your drinking needs, and their pub menu will stick around to satiate the wait for Linda.
In 2017, one filmmaker had viewers around the world swooning. From the moment that Luca Guadagnino's big-screen adaptation of Andre Aciman's Call Me By Your Name premiered at the Sundance Film Festival and then the Berlinale, it wowed audiences, made a star out of Timothée Chalamet and had everyone talking about Armie Hammer's dancing skills. So the news that the acclaimed director is serving up another Italy-set coming-of-age drama is firmly — and understandably — cause for excitement. This time, Guadagnino is doing so on the small screen, courtesy of new HBO mini-series We Are Who We Are. It's set in 2016, and follows two American teenagers living on a US military base with their parents. Jack Dylan Grazer (IT: Chapter Two) stars as 14-year-old Fraser Wilson, a new arrival from New York with his mothers Sarah (Chloë Sevigny, Queen & Slim) and Maggie (Alice Braga, The New Mutants) — while first-timer Jordan Kristine Seamón plays Caitlin Poythress, a veteran of living on the base with her older brother Danny (Spence Moore II, AP Bio), father Richard (Scott Mescudi, aka Bill & Ted Face the Music's Kid Cudi) and mother Jenny (Faith Alabi, Cold Feet). Also featured in this eight-episode tale of friendship, teen angst, first love and finding one's identity are Francesca Scorsese (daughter of iconic filmmaker Martin Scorsese), Ben Taylor, Corey Knight, Tom Mercier (Synonyms) and Sebastiano Pigazzi — with the cast blending well-known names and faces with plenty of newcomers. We Are Who We Are started airing in the US back in September, which is when SBS revealed it would be screening it, too — via SBS Viceland and SBS On Demand. Now, the Aussie broadcaster has announced just when the show will make its local debut, screening weekly on TV from 9.30pm on Tuesday, November 3 and dropping the entire season online at the same time. If you're in the need of a virtual trip to Northern Italy, as directed by the filmmaker also behind I Am Love, A Bigger Splash and the 2018 Suspiria remake — and co-written by Guadagnino with Paolo Giordano (The Solitude of Prime Numbers) and Francesca Manieri (Daughter of Mine) — then add this to your future must-watch list. Check out the trailer below: https://www.youtube.com/watch?v=u6VAQ6LdnKs&feature=emb_logo We Are Who We Are will screen on SBS Viceland and SBS On Demand from November, airing weekly on TV from 9.30pm on Tuesday, November 3 and dropping its entire season online at the same time. Top image: Yannis Drakoulidis/HBO.
Forget Instagram — when it comes to peering at famous faces, portrait galleries have been serving up the goods since long before social media ever existed. Think of a well-known name not just in recent times, but going back decades, centuries and longer, and it's likely that someone somewhere once painted their likeness. The Beatles, David Bowie, Charles Dickens, the Brontë sisters, Nelson Mandela and Malala Yousafzai: they've all been given the portrait treatment, and the results — or one painting bearing their faces, at least — are now on display at Shakespeare to Winehouse: Icons from the National Portrait Gallery, London. Showing at Canberra's National Portrait Gallery, this is the type of exhibition that arises when one portrait gallery teams up with another; think of it as the Inception of portrait showcases. There's a heavy British skew, naturally, covering people who have shaped UK history, identity and culture over the past 500 years. Accordingly, other famous folks gracing the NPG's walls include both Queen Elizabeth I and Queen Elizabeth II, Kate Moss, Mick Jagger and Princess Diana, as well as Lord Nelson, Sir Isaac Newton and Ed Sheeran, Darcey Bussell. As mentioned in the exhibition's name, both the Bard and Amy Winehouse obviously also feature, in an exhibition that's sorted by theme rather than year. And, by grouping portraits around fame, power, love and loss, identity, innovation and self, Shakespeare to Winehouse: Icons from the National Portrait Gallery, London also examines how portraiture has evolved over the years — all across a season that runs from Saturday, March 12–Sunday, July 17.
In the first season of Severance, which was one of the best new shows of 2022, celebrations were marked with waffle parties, egg bars and melon bars. In the upcoming second season of the Apple TV+ sci-fi mindbender, there must be more festivities on the way. The streaming platform has finally unveiled its debut glimpse at the series' return, with Adam Scott's (Loot) Mark — well, his innie — holding blue balloons in Lumon Industries' labyrinthine hallways. There's no full trailer for Severance season two as yet, but snippets of footage are included in a just-dropped compilation trailer for Apple TV+'s upcoming slate. While the segments relating to the series don't give away much about what's going on in the biotech company that has a drastic way to enforce work-life balance, they do represent a step closer to the show returning. No release date for the second season has been locked in so far, however. Science fiction has proven one of Apple TV+'s strengths, with Silo in 2023 also one of the best new shows of that year. The first new footage from the Rebecca Ferguson (Dune: Part Two)-starring dystopian series' second season is also included in the platform trailer, putting a big focus on Tim Robbins' (Castle Rock) IT head Bernard addressing a crowd inside the titular structure. As with Severance, there's no confirmed release date for Silo season two, but you can start getting excited about another plunge into an underground chamber with 10,000 inhabitants anyway. Apple TV+'s new teaser covers the second season of page-to-screen drama Pachinko as well, and of Shrinking with Jason Segel (Winning Time: The Rise of the Lakers Dynasty) and Harrison Ford (Indiana Jones and the Dial of Destiny). The first will return in August, with the second still yet to reveal when it'll be back. Season four of Gary Oldman (Oppenheimer)-led British spy dramedy Slow Horses also received a sneak peek. Among the service's upcoming new shows, Bad Monkey and Lady in the Lake both feature. Vince Vaughn (Curb Your Enthusiasm) leads the former an ex-Miami cop who is now a health inspector, but thinks he's found a way back to his old job. Natalie Portman (May December) stars in the latter, which puts the disappearance of a young girl in Baltimore in 1966 at its centre. Also scoring a glimpse: movies Fly Me to the Moon with Scarlett Johansson (Asteroid City) and Channing Tatum (Magic Mike's Last Dance), Wolfs with George Clooney (Ticket to Paradise) and Brad Pitt (Babylon), and The Instigators with Matt Damon (Drive-Away Dolls) and Casey Affleck (Oppenheimer). The first two have a date with cinemas before making their way to Apple TV+, while The Instigators will be available to stream in August. Check out Apple TV+'s new trailer for its upcoming slate below: New TV shows and movies will continue to hit Apple TV+ throughout 2024 — head to the streaming platform for its current catalogue.
Baffled by bubbly? Who isn't. Particularly once those bubbles start going to your brain. We thought it best to enlist the help of an expert to get the fast facts right, so we tracked down journalist and Champagne educator Champagne Jayne, who taught us just how damn special the bubble drop actually is. Let us let you in on why. Champagne 101 Champagne is exclusive to the Champagne region in northern France. Due to the cumulative effects of soil, climate and the cultivation practises, the three types of grapes used (chardonnay, pinot noir and pinot meunier) are married together to produce the world-famous bubbly drop. The Champenois (master Champagne makers) use the lengthy and arduous traditional method that involves the bottle going under a second process of fermentation to create the fizz. Champagne first gained world eminence through its connection with the baptism of French kings, and consequently royalty spread the word throughout Europe about this exotic wine, awarding it status of opulence and nobility. Nowadays, it is the natural partner for any event where celebration, luxury and romance are themes. Popping, Pouring and Drinking Temperature plays an integral part in Champagne appreciation. "Bubbles are part of the pleasure. Serving champagne anywhere between 4.5 degrees celcius to 7 degrees celcius is perfect. If it is too cold it will suppress the aromatics and if it is too warm, the wine will froth up and then go flat," says Jayne. To open the bottle with the proper pomp, hold the bottle at a 45 degree angle (preferably aimed away from your compatriots) and keeping the cork still, gently twist the bottle. Pour a little bit into clean glasses to let the foam die down, and then top up leaving adequate space to get a whiff of its excellence. Matching Champagne with Food Champagne is the ideal drink as an aperitif, encouraging conversation that can be somewhat stale at the beginning of the night. However, because it is blended from numerous base wines, Jayne says that it's like an orchestra of flavour in your mouth and matches well with food. "Anything goes, from prawns to pizza!," she says. There are many types of Non-Vintage, but the general rule of thumb is that they're easy on the palate (and pocket), and best to serve with canapes. Vintage Champagnes have a slightly richer and heavier palate weight, making them ideal with a more intensely flavoured dish and are "also an unparalleled match for any cheese and delicate dessert". Is Champagne only for Special Occasions? "Rubbish! It's like a holiday in a glass!" exclaims Jayne. Champagne is most frequently associated with exclusive affairs, but why should we be such scrooges and reserve this esteemed beverage for memorable moments? Jayne believes it is the ultimate icebreaker for any audience and guaranteed to make anyone smile. "It isn't about being snobby, posh or saving up to celebrate a job or a wedding, it's actually the affordable luxury in life! Everyone can afford the small indulgence of enjoying a really decent glass of fizz on a Friday night." Hear, hear. Champagne on the Cheap This is a toughie because unless you're Gina Rinehart, spending your bucks on Vintage champagne might not be so simple. Jayne says that the best value choice on the market at the moment for something exceptional is currently the world's favourite, Moet & Chandon which can be found for around $85. For Champagne at the start of a meal, Jayne recommends Pierre Gimonnet. "The delicious crisp blanc de blanc is approachable in style and accessibly priced," she says. "For everyday bubbles, Lanson or Duperrey are an affordable option at around $40," Jayne adds. For those who want a James Bond-themed beverage, don't look past his favourite tipple, Champagne Bollinger. The full-bodied classic (much like the man himself) can be spotted for $60. And don't forget to ensure that the label actually says 'Champagne' as well as France. If it doesn't, you've been well bluffed. Famous Champagne Drinkers Madame de Pompadour, King Louis XV's favourite mistress, is credited with bringing champagne to the French royal court in the 18th century. She is also famously quoted as saying, "Champagne is the only wine that leaves a woman beautiful after drinking it." We're certainly willing to road test that. Winston Churchill was also notorious for enjoying the tipple. And Napoleon was known to take large stocks for the army wherever they campaigned. Want to get even more serious? If you've got a spare 308 bottle handy, why not simulate Marilyn Monroe's habit of bathing in the bubbly stuff every night? And lest we forget to remind you that it was American author and humorist Mark Twain who had it right all along. It was he who said, "too much of anything is bad, but too much Champagne is just right." Where to Drink Champagne in Sydney Most hotels, restaurants and bars in Sydney are stocked with the big names like Mumm, Moet & Chandon and Veuve Clicquot. Conversely, if you’d like to go all out and grace yourself with boutique grower champagnes, Jayne recommends seeking out obsessive enthusiasts. "Places like Veluto, The Bentley, One Moncur, Monopole and Ananas have the best champagne for a bar situation," she says. After something notably remarkable for that down-on-one-knee occasion, perhaps? Jayne suggests knocking your socks off and booking into Quay, Marque or Est. for the ultimate sensory experience. "These places stock prestige champagne, with perfectly matched food and a refined atmosphere." Champagne Alternatives Crémant: is what you should look out for when after French bubbly on a budget (pronounced ‘cray-mawn’). This sparkling wine is made in France using the same traditional methods, however falls outside the borders of the Champagne region. Cava: this white or pink sparkly number is produced mainly in the Penedés region in northern Spain. Like crémant, Cava is made using the same method, but with different grape varieties. Cava is a part of Spanish tradition and like Champagne is often consumed at special occasions. Prosecco: this is the Italian aperitif of choice. Light and fresh, the aromatic bubbly has an apple-and-pear sweetness. Prosecco is the original base ingredient of the Bellini cocktail.
Located just minutes from The Royal Botanic Garden, the Museum of Sydney will take you through the city's history. Housed in the city's first Government House, the Museum explores everything from the arrival of the First Fleet, first contact, colonisation and racial prejudice to the creation of the iconic Sydney Opera House and Sydney Harbour Bridge through videos, images, and crafted models. The Museum of Sydney is part of the Sydney Living Museums, a collection of 12 unique historic houses and museums that tell the stories — past and present — of the city. The Museum of Sydney is open from 10am–5pm, Thursday to Sunday.
Musical theatre fans just keep getting more reasons to celebrate Jonathan Larson. In the past few years, none other than Hamilton's Lin-Manuel Miranda took one of the composer, lyricist and playwright's works and turned it into a movie. After tick, tick…BOOM! hit screens, a stage production toured Australia as well. Next, Aussie audiences can catch the show that made him an icon: Rent. In 2024, it too will do the rounds Down Under, kicking off in Brisbane in January. Larson created and composed the smash-hit production. Also, his Rent journey comes with quite the heartbreaking behind-the-scenes story. In the 90s, Larson passed away at the age of 35 on the day that that now-huge show premiered its first off-Broadway preview performance. So, he didn't get to see the Tony Award- and Pulitzer Prize-winning phenomenon that it would become. Plenty of other people have — when it first hit Broadway, Rent ran for 12 years, making it one of the famed theatre district's longest-running shows. And among those prizes is the Tony Award for Best Musical and the Pulitzer for Drama, all for a tale about seizing the moment, facing adversity and finding one's community. Loosely based on Puccini's La Boheme, and written to include real-life locations and events, the rock musical will bring tunes including 'Seasons of Love', 'Take Me or Leave Me' and 'La Vie Bohème' to Brisbane's QPAC Playhouse, then head to Arts Centre Melbourne, the Civic Theatre in Newcastle, Perth's His Majesty's Theatre and Canberra Theatre. If you need a refresher on the story — or you're coming to Rent for the first time, having missed past performances and the 2005 film version — then prepare to step back to New York in 1991. Over the course of the year, as their neighbourhood is being gentrified and HIV/AIDS casts a shadow, a group of friends chase their dreams and strive for their place in the world. "With Rent, Jonathan Larson unleashed a phenomenon — it would be difficult to find someone who hasn't at least heard of it. Rent is the musical of the 1990s and the early-aughts but it has proved itself timeless," said producer Lauren Peters, announcing the new Aussie run. "The characters who live in the East Village of 1990s New York navigate that which resonates so deeply with us in Australia in 2024: cost-of-living pressures, the threat of preventable disease, the subtle feeling that all the ways in which we can now communicate belie our disconnection." "And all of this sounds terribly heavy but Rent somehow takes all this and turns it into a joyous celebration of connection, chosen family and life itself — and it's that joy in the face of all of life's adversity and opportunity that is perhaps best captured in its iconic number Seasons of Love, a song which has achieved the rarest of Broadway feats and transcended the show for which it was written," Peters continued. View this post on Instagram A post shared by RENT: The Musical (@rent_2024) RENT AUSTRALIAN TOUR 2024: Saturday, January 27–Sunday, February 11 — Playhouse, QPAC, Brisbane Saturday, February 17—Thursday, March 7 — Arts Centre Melbourne, Melbourne Friday, March 15–Sunday, March 17 — Civic Theatre, Newcastle Saturday, May 11–Sunday, May 26 — His Majesty's Theatre, Perth Saturday, June 7–Sunday, June 16 — Canberra Theatre, Canberra Rent will tour Australia in 2024 — head to the musical's website for further details and to sign up for the ticket waitlist, with Melbourne pre-sale tickets available from Monday, September 25 and Brisbane pre-sale tickets available from Tuesday, October 3. Top image: Team Dustizeff via Wikimedia Commons.
Whether you've travelled to South Korea or simply caught the news, salt bread is quickly becoming a must-try pastry. Fortunately, South Korean bakery Buttered is swinging open its doors in Chippendale on Thursday, May 8, meaning experiencing what makes these sweet and buttery rolls special is easier than ever. Best of all, Buttered is celebrating its grand opening with an awesome giveaway. Running from 12pm on launch day until Sunday, May 11, the first 100 customers to make a salt bread purchase will score themselves a free coffee (limited to one per customer). Now you've got another excuse to head along. Behind Buttered is pastry chef Philip Choi, a graduate of Paris' renowned Le Cordon Bleu culinary school. After plying his trade at Seoul's top patisseries, he's bringing a range of treats to our shores, with salt bread as the headline attraction. For those yet to be acquainted, expect a bronzed exterior, layered folds and a chewy centre finished with a perfect pinch of sea salt. However, there's more to Buttered than just the signature 'Salty Boi', with inventive flavours like roasted garlic and vanilla cream. Other tantalising treats include Tissue Bread – a soft, buttery pull-apart loaf – and the Waterfall Cake, featuring airy sponge layered with whipped cream and topped with seasonal fruits.
If travelling is synonymous with getting into a good book or, whenever you walk into a bookshop, you get this strange feeling to curl up on the shelves and go to sleep, you need to book a flight to Tokyo and reserve yourself sleeping shelf at Book and Bed hostel. The hostel describes themselves as an "accommodation bookshop", which is exactly what it sounds like. It's no five-star deal here; at Book and Bed, the commodity is words, rather than luxury. It is budget accommodation after all, and for around $50 AUD a night, they're offering you the chance to sleep surrounded by stories, the smell of printed pages and the sound of other hostellers greedily flipping through their own books in their bed each night. Sounds much more chill than your usual hostel, where most people are doing anything but book-reading. The hostel is designed has been designed as a lounge-like bookshop, so you can pick out a book and read it in the lobby, or take it back to bed with you for some horizontal action. And if you're thinking that the beds are just out the back somewhere, you're wrong — the beds are actually built into the bookshelves. Yep, you'll be sleeping where the books sleep. Needless to say, this makes for a bit of a pod-like situation, so don't come expecting room to move. It's all about reading. And nodding off to sleep mid-chapter every night. Book and Bed Tokyo is located in the Toshima-ku ward, and is close to Ikebukuro Station. For more information, visit their website. Via PSFK.
Some holidays arise from months of planning. Others happen simply because an airline has cheap flights on offer. Both are perfectly acceptable ways to lock in a getaway — and if you're keen for the latter, Jetstar is doing a big 48-hour sale with 400,000-plus fares to Bali, Phuket, Hawaii, Vietnam, Japan and Seoul, among other destinations. Actually, the Australian carrier is doing discounted flights across Australia as well as to international spots — but after the couple of years we've all had, with closed borders both locally and overseas, you're probably (and understandably) itching to venture to other countries. International fares start from $199 return — yes, both ways — because this is Jetstar's 'return for free' sale. Running from 12am AEST on Wednesday, May 4–11.59pm AEST on Thursday, May 5, or until sold out, it's as straightforward as it sounds. Whatever flights you opt for as part of the sale, you'll get the return fare for nothing. Overseas, one big caveat is worth keeping in mind: some destinations, such as Japan, haven't yet opened to international tourists. But if you'd like to book cheap flights to Tokyo or Osaka and back for later in the year and cross your fingers that the border situation changes, you can. Also on the list: fares to Bangkok, Ho Chi Minh City, Wellington, Auckland, Christchurch and Queenstown, to name a few, with 29 international routes covered. Locally, you've got a choice between 59 routes — all with return legs for free — starting from $69. Tickets in the sale are for trips from this coming spring onwards, with exact days varying in each region. There are a few other rules, as is always the case. You have to the same departure and arrival ports for the two fares — so you can go from Melbourne to Honolulu and back, for instance, but can't return via another place or to another city. And, the sale fares don't include checked baggage, so you'll need to travel super light or pay extra to take a suitcase. Jetstar's 'return for free' sale runs from 12am AEST on Wednesday, May 4–11.59pm AEST on Thursday, May 5 — or until sold out.
This month we commemorated 11 years since the devastating events of September 11, 2001. The events of that morning were beamed on to every television and front page across the globe and those images have come to define a generation. Phrases like the "war on terror" and "suicide bomber" became part of the vernacular of the Western world and international politics, the American identity and the concept of warfare were changed forever. The images of that day were of unthinkable devastation and destruction: billows of smoke shrouding lower Manhattan, people jumping from the skyscrapers to escape the inferno of glass and metal and all of New York joined together in mourning at the death of more than 3,000 of their brothers and sisters. Yet amongst the rubble there were incredible stories of hope, of the very best of human nature, of firefighters running into the fire and of a nation binding together, steadfastly and resolutely, during its darkest hour. An image may be able to tell a thousand words, but the most iconic images, the 'where were you when' images, can tell us so much more about humanity. About its creativity, its innovation and its potential but also about its ability to love and, often more powerfully, its ability to hate. So here are ten images that have stopped the world and ten stories that have shaped the course of history. Moon Landing, 1969 Almost undoubtedly the most famous 'where were you when' moment of the 20th Century, the landing of Apollo 11 on the moon was initially just a pipe dream of President Kennedy's. When in May 1961 Kennedy proclaimed that he wanted to land a man on the Moon "before this decade is out" it was seen as being exactly the sort of political point-scoring and voter-pandering that we have come to expect from our politicians, just on a much grander scale. But on 20 July, 1969 the dream of every science fiction geek became a reality when images of Neil Armstrong setting foot on the Moon were broadcast to every television across the globe. Tiananmen Square Massacre, 1989 The story of the Tiananmen Square Massacre is one of shocking brutality, with estimates of up to 2,500 people, mainly students, being senselessly slaughtered by the Chinese military for protesting against the dictatorial and corrupt communist regime. Yet it was not images of bloodshed and brutality that captured the attention of the world, but instead a startlingly powerful photograph of resistance and hope. An unknown student, armed only with a couple of shopping bags, refused to budge when four Chinese Type 59 tanks approached Tiananmen Square on June 5, 1989, the morning following the military's forcible removal of the one million protestors. The event was captured by a number of foreign journalists and photographers and distributed to newspapers across the globe, giving birth to a remarkable symbol of democracy and defiance. Migrant Mother, 1936 This is the image that gave a face to the Great Depression of the 1930s. This 32-year-old Californian widow had just sold her tent and the tires off her car in order to afford food for her seven children. This is one of many photographs captured by Dorothea Lange from her tours of rural California, which eventually helped convince the US government they were not doing enough to help field workers. While this farmworker's heartbreaking story was not dissimilar to millions of others across America, it was her story and her expression sitting somewhere between defiance and despair as she clutched her starving children that has endured as the Great Depression's most iconic image. Execution of a Viet Kong Guerilla, 1968 The Vietnam War was infamously the first televised wartime conflict and more than the rising death tally or the lack of military success, it was the images capturing the brutality of guerilla warfare that turned public opinion against the war. This Pulitzer Prize winning image depicts South Vietnam's national police chief, Nguyen Ngoc Loan, executing a Viet Kong captain in the middle of a street in Saigon. It was with this photograph that the shocking realities of modern warfare, that for so long had been shrouded in mystery, became tangible for every American. The Beginning of Life, 1965 Lennart Nilsson began taking photographs with an endoscope, an instrument that could see inside the body, as early as 1957 but it wasn't until 1965 when LIFE Magazine did a 16 page spread on his photographs that the world first saw a child inside the womb. Initially the editors of LIFE could not believe that these images were real, spending several months confirming their legitimacy before creating a worldwide sensation when they were published. Lynching, 1930 It is hard to believe but this image was not taken to condemn the barbarity of the racial hatred of the South but was in fact used as a postcard in order to promote white supremacy. The photograph was taken in Marion, Indianapolis and depicts the lynching of two black men accused of raping a white girl who were hauled from a country prison by a 10,000 man lynch mob bearing sledgehammers. Perhaps most frightening about this image is not the the men hanging from the trees but the smiling crowd of revelers who seem to be taking great joy in the horrific affair. Lynches were often seen as big community events, like a carnival or fair, and from the late 1800s to the 1960s more than 5,000 lynching cases were documented and endorsed as a legitimate means of justice. Betty Grable, 1942 Forget Marilyn Munroe and Rita Hayworth, Betty Grable was the original pin-up girl, and rather than being simply a form of cheap thrills, this iconic photograph of Grable represented the only connection that many American WWII soldiers would have with their homeland while serving overseas. With her girl-next-door charm, million-dollar legs and oodles of sex appeal Grable was the perfect antidote for the wartime depression and homesickness suffered by many soldiers. Even if she hasn't been as well remembered as some of her more voluptuous kinsmen, the enormous success of Grable's pin-up is responsible for kick-starting one of the world's most lucrative industries and every pouting, pruning model you see plastered all over your department store should pay a debt to Grable, the woman who started it all. Nagasaki Atomic Bomb, 1945 The effect that the Hiroshima and Nagasaki atomic bombs dropped in August, 1945 had on the course of history is hard to overstate. The numbers alone are staggering, with more than 200,000 dying as a direct result of the blast and countless more dying as a result of the nuclear fallout. While there are countless photographs taken from WWII that capture the inhumanity of the war, this image of the mushroom cloud swirling hundreds of kilometres above Nagasaki perfectly captures the sheer enormity of this event, providing the US and USSR with a stark warning against the awesome and terrible power of nuclear weapons in their the five decade Cold War stand-off. Hindenburg Disaster, 1937 The day the Hindenburg catastrophically and spectacularly came crashing to Earth, was meant to be the day that zeppelins became the world's favourite form of air travel. The Hindenburg's parent company in German had engaged in a massive PR blitz before the voyage into Lakehurst, New Jersey such that 22 photographers, reporters and cameramen were there the day of the crash resulting in the Hindenburg being the most well-documented disaster of the early 20th Century. While rumours still circulate as to why the zeppelin ignited and turned into a deadly fireball, the crash effectively sounded the death knell for the airship business with commercial flights ceasing following the Hindenburg disaster. Dali Atomicus, 1948 While this surrealist photograph may not have stopped the world, the world did seem to stop for this photograph. It took Latvian-American artist Phillipe Halsman six hours, 28 jumps, three angry cats, a roomful of assistants and bucketloads of water to capture this genre-defining portrait and homage to Salvador Dali. One of the most famous pieces of photographic art ever captured, the work explored the idea of "suspension" as inspired by the recent scientific discovery that all matter hangs in a constant state of suspension. While the end result was as bizarre and surreal as many of Dali's mind-boggling paintings, it could have been a whole lot weirder if Halsman had stuck with his original idea which involved exploding a cat in order to capture it "in suspension". Leading image credit: 010914-N-1350W-005 New York, N.Y. (Sept. 14, 2001) -- A fire fighter emerges from the smoke and debris of the World Trade Center. The twin towers of the center were destroyed in a Sep. 11 terrorist attack. U.S. Navy Photo by Photographer's Mate 2nd Class Jim Watson. (RELEASED). From Navy.mil.
If a cruisy Byron Bay getaway is your dream kind of getaway, you'll soon have a new place to stay at your favourite vacation spot. After welcoming Hotel Marvell in 2023, the beachside New South Wales town will next see the boutique Basq House join its accommodation options, complete with 32 rooms, communal spaces that encourage guests to hang out and a focus on wellness. Set to open in autumn 2024, with an exact date yet to be revealed, Basq House is pitching itself as an oasis for relaxing, rather than a base for being seen among the always-popular tourist spot's social scene. Accordingly, as well as a place to slumber, the hotel will feature plenty of inclusions for making the most of your accommodation — by the pool, at the bar and on the roof. If you're keen for a splash, the pool will sit in the centre of the property, flanked by sun loungers, cabanas and ample greenery. Some hotel rooms will look out over the glistening water, with others getting a Marvel Street or Fletcher Lane view. Eager for an onsite beverage? The hotel's reception will double as a bar, while there'll also be a lounge room that takes its cues from speakeasies. Prefer to while away your holiday with a book in your hand? That's where the library with its floor-to-ceiling shelves, sofas and fireplace for the winter months will come in. Head up to the rooftop and yoga, meditation sessions and sunset drinks will await, plus stargazing stints. Personal training classes with a view will also grace the hotel's top level, giving guests prime motivation to enjoy a workout while they're vacationing. For de-stressing elsewhere, a wellness centre will reside over multiple levels, featuring massages and floatation tanks as well as ice plunges and infrared saunas. Among the design features and decor, the staircase leading to the rooms will boast a skylight. In the suites themselves, expect high ceilings, natural textures and calming colours. "Our remit was to deliver an authentic hotel with soul and one that stays true to its location. With Basq House, we will place a significant emphasis on strong placemaking; hotel interiors; sensory inputs such as light, sound and smell; out-of-guest-room experiences' and the delivery of pre-emptive service," said David Jones, Director of Jeremy and Jones, which is operating the hotel. Find Basq House at Fletcher Lane, Byron Bay, in autumn 2024 — head to the hotel's website for further details.
When Candace Bushnell first started penning a newspaper column about life, love and sex in New York City back in the early 90s, she couldn't have known what would follow. Those missives sparked a book, plus two prequels on the page. Then came a smash-hit TV series, two movies, a prequel television show and a small-screen sequel. And, there's no signs of all things Sex and the City-related slowing down anytime soon. In fact, follow-up And Just Like That... is guaranteed to hang around for at least one more season, with HBO renewing the show. The series first premiered in 2021, and is currently airing its second season — and now a third has been locked in. "We are delighted to share that since the launch of season two, And Just Like That… ranks as the #1 Max Original overall, and is the most-watched returning Max Original to date," said Sarah Aubrey, Head of Original Content at Max, HBO's streaming service in the US. "As we approach the highly anticipated season finale on Thursday, we raise our cosmos to Michael Patrick King and his magnificent team of writers, producers, cast and crew, who continue to charm us, 25 years later, with dynamic friendships and engaging stories. We cannot wait for audiences to see where season three will take our favourite New Yorkers." "We are thrilled to spend more time in the Sex and the City universe telling new stories about the lives of these relatable and aspirational characters played by these amazing actors. And Just Like That… here comes season three," added King, the series' executive producer, who also worked as a writer, director and executive producer on the original show (and on the two terrible 2008 and 2010 Sex and the City movies). Sarah Jessica Parker (Hocus Pocus 2), Kristin Davis (Deadly Illusions) and Cynthia Nixon (The Gilded Age) star in And Just Like That..., but it isn't just called Sex and the City again for one key reason: Kim Cattrall is largely sitting it out. While she does make a brief cameo in season two, however, the program has been focusing on Carrie Bradshaw, Charlotte York Goldenblatt and Miranda Hobbes, not Samantha Jones, thanks to off-screen dramas. Other familiar faces abound, though, including John Corbett (To All the Boys: Always and Forever) reprising his role as Aidan Shaw in season two. Mario Cantone (Better Things), David Eigenberg (Chicago Fire) and Evan Handler (Power) have all also returned. Among the full cast: Sara Ramírez (Madam Secretary), Sarita Choudhury (Ramy), Nicole Ari Parker (Chicago PD), Karen Pittman (The Morning Show), Christopher Jackson (Space Oddity), Niall Cunningham (Poker Face), Cathy Ang (My Best Friend's Exorcism) and Alexa Swinton (Old). Cosmos at the ready — again. Exactly when your next excuse to sip vodka, Cointreau, cranberry juice and lime juice will arrive hasn't been revealed, but expect it on Binge in Australia and Neon in New Zealand. And if you've spent any part of the past two-and-a-half decades dreaming about being a fabulously dressed Big Apple writer who seems to do very little work but can still afford a fantasy wardrobe — or if you've just filled it drinking a lot of pink-coloured cocktails — then you'll already be excited. Also, you'll know that when the first season of And Just Like That... arrived to step into Carrie, Miranda and Charlotte's lives and friendships in their 50s, when things are even more complicated than they were two decades ago, it did so 17 years after Sex and the City wrapped up its 1998–2004 HBO run. There's no sneak peek at And Just Like That... season three yet, but you can check out the season two trailer below: And Just Like That... streams via Binge in Australia and Neon in New Zealand. We'll update you with a season three release date when one is announced. Images: HBO.
If you're a fan of Gelato Messina and its frosty sweet treats, the past year or so has been mighty kind to your tastebuds. The dessert chain has released all manner of one-off specials, launched a new range of chocolate-covered ice cream bars in supermarkets and dropped a new merchandise line, for starters. And, thanks to a boozy collaboration, it has also been taking care of your cocktail cravings. Teaming up with Cocktail Porter, Messina started serving up DIY drinks kits last year — and Easter this year, too — letting you make your own boozy beverages using Messina products. Unsurprisingly, these make-at-home packages have proven popular, so one has just become a permanent addition to Cocktail Porter's range: the dulce de leche espresso martini kit. Basically, it's the answer to a familiar dilemma. No one likes choosing between tucking into dessert or having another boozy beverage — so these kits combine the two. To enable you to whip at dulce de leche espresso martinis at home, you'll get a box filled with vodka, coffee liqueur, premium cold-drip coffee and Messina's dulce de leche topping, plus Messina's chocolate hazelnut spread and shaved coconut to go on top. Then, you just need to follow the instructions and get drinking. You can pick between two different-sized packs. A mini espresso martini kit costs $85 and serves up six drinks — or you can opt for the large for $149, which makes 18 dessert cocktails. Cocktail Porter delivers Australia-wide, if that's your winter drinking plans sorted. You can also sign up for a subscription, which'll see a kit sent to your door each and every month. To order Cocktail Porter's Gelato Messina cocktail kits, head to the Cocktail Porter website.
Sometimes, you need to take a break from your city, to get out and soak up the sun somewhere new. Sydney's sun-plenty northern beaches are the perfect destination, they're bursting with, well, beaches where you can ride the waves, catch some rays and let your worries dissipate. Moreover, there's a thriving foodie scene. Come the weekend, the folks on the beaches will be set up at cafes overlooking the sand, a specialty brew in one hand and a healthy breakfast burrito in the other — and you should be, too. To help you out, we've partnered with Qantas and curated a list of the best cafes on the northern beaches, perfect for your next cuppa. Get away from everything stressful at home, relax, and make the most of your Sydney escape.
Take the Fast and Furious franchise's ongoing success and longevity, the current rush to make game-to-movie and -TV show adaptations, and everyone's affection for Stranger Things star David Harbour. Then, throw in the real-life story of a British teen who turned his love of PlayStation racing game Gran Turismo into an IRL racing career. The end result: a movie also called Gran Turismo, which will speed into cinemas this August — taking a Tetris-style approach, too, to bringing a button-mashing favourite to the screen. "Do you really think you're going to take a kid who plays video games in their bedroom, [and] you're going to strap them to a 200-mile-an-hour rocket?" They're Harbour's words, sounding characteristically cranky and unsurprisingly incredulous, in his role as Jann Mardenborough's trainer. Indeed, much of Gran Turismo's just-dropped trailer features Harbour doing his best Hopper schtick while being none too happy about the concept behind GT Academy, which is how the real-life Mardenborough made the leap behind the wheel. For newcomers to the story, and to anything beyond knowing Gran Turismo as a racing game, GT Academy did turn gamers into racers from 2008–16. Players competed through phases, including in real Nissan cars, with each year's winners scoring fast-tracked training to get an international racing license, and usually a competition slot in an international endurance race. In 2011, Mardenborough was one such winner — the youngest, in fact. So, his path from racing virtually to actually hitting the track provides the framework for the Gran Turismo film to offer something more than just speeding cars. They're still a part of the flick, of course, because it wouldn't be a GT movie without them. Alongside Harbour, Gran Turismo features Beau Is Afraid, Voyagers and Midsommar's Archie Madekwe as Mardenborough, plus Djimon Hounsou (Shazam! Fury of the Gods) as his father and Orlando Bloom (Carnival Row) as the marketing executive behind GT Academy. And, although it's a blink-and-you'll-miss-her situation in the trailer, Geri Horner — aka Spice Girl Geri Halliwell — plays Mardenborough's mother. Behind the lens, director Neill Blomkamp adds the high-octane flick to his resume after District 9, Elysium and Chappie. And if you're thinking about past instances of racing video games becoming movies, Need for Speed might've come to mind. Here's hoping that focusing on Mardenborough's story steers Gran Turismo to a better result. Check out the trailer for Gran Turismo below: Gran Turismo releases in cinemas Down Under on August 10.
Keen to avoid Sydney Harbour's NYE crowds this year? Make tracks to Parramatta to bid farewell to 2019 instead, where you'll be surrounded by century-old trees, heritage-listed buildings, gourmet food trucks, rides and live music. Taking over Parramatta Park for the evening, this free shindig will give you plenty of room to move, so you can roll out a picnic blanket, crack open a tinnie, sit back and watch the fireworks. The action will kick off at 5pm, across three stages. You can count on a healthy dose of live, local and original acts, including pianist and composer Freyja Garbett, who studied at the prestigious Berklee College of Music in Boston; neo-soul singer-songwriter Rissa; rock band Amends; and indie popper and producer Poolroom (Charlie Waldren). Keeping you fuelled between tunes will be a range of dishes from all over the world. Tuck into Middle Eastern street food, Korean barbecue, gozleme, fried chicken, dumplings, noodles, pizza and more. Come dessert time, there'll be loads to sweeten you up, from baklava to creme brûlée and ice cream. While it is a BYO-friendly event, no glass will be allowed — so make sure you bring your bevvies in a glass-free vessel. And, of course, New Year's Eve isn't New Year's Eve without fireworks. To that end, Parramatta Park will host its very own spectacular at 9pm. Images: City of Parramatta and Peter Dovgan.
Stadium food isn't normally anyone's favourite part of footy or cricket, but that all changed late last year when Sydney hospitality giant Merivale announced it was moving into the Sydney Cricket Ground to take over the dining offering. For the past six months, dishes from acclaimed Merivale executive chefs such as Jordan Toft (Mimi's, Bert's Bar & Brasserie) and Dan Hong (Ms.G's, Mr. Wong) have been on offer at the ground, with the stadium even sporting pop-up Queen Chow, El Loco and Vinnie's Pizza outposts. Now, with Allianz Stadium set to reopen its doors on Sunday, August 28 after its multimillion-dollar rebuild, Merivale is moving in next door and bringing a range of its top-notch eats to the new stadium as well. It was announced that Justin Hemmes and co would be running the food and beverage offerings out of the new Sydney Football Stadium when the original SCG deal was revealed last year, but we now have a heap of new details including an expansive list of vendors that will be setting up shop at the Moore Park ground. [caption id="attachment_864353" align="alignnone" width="1920"] Steven Woodburn[/caption] Queen Chow, El Loco, Vinnie's Pizza and Jimmy's Falafel will all be making their way over from the SCG. Joining them will be offerings from Totti's Pasta Bar, Bert's Bistro and Ms.G's. Ms. G's will be serving up cheeseburger spring rolls, pork buns and salt and pepper squid; Totti's will be offering burrata and mortadella as part of its antipasti menu alongside fettuccine stracciatella and bolognese pappardelle; and Bert's will be taking the member's concourse to the next level with a truly luxurious menu featuring oysters, garlic butter lobster and wagyu sirloin bearnaise. There's also an exciting new drinks offering that will add to the stadium experience for sports- and concert-goers. Spritzes and martinis from Bert's, negronis from Totti's and margaritas will be available to purchase alongside a selection of beers, wine and bubbly beverages. [caption id="attachment_864365" align="alignnone" width="1920"] Steven Woodburn[/caption] If you are still after burgers, hot dogs and hot chips — those trusty stadium faves — never fear, they'll still be available, too. Merivale won the tender to become the SCG and SFS's exclusive hospitality experience partner for almost six years, with its tenure in the Moore Park precinct currently set to run until September 2027. Allianz Stadium will officially reopen on August 28 with a free open day and an opening-night celebration featuring performances from Guy Sebastian and Baker Boy. From there, its first events will include NRL and A-League matches, international rugby and soccer games, and two official opening concerts from Grammy Award-winning international superstar Bruno Mars. [caption id="attachment_864352" align="alignnone" width="1920"] Steven Woodburn[/caption] Merivale's food and drink lineup will be available at the Sydney Football Stadium from its opening on Sunday, August 28. Images: Phil Hillyard.
A sleepy small town. A body on a beach. A local detective trying to solve the case, plus an outsider dropping in to lend their expertise. Viewers have seen this scenario plenty of times before, complete with secrets swirling, a killer lurking among a close-knit community and ample friction between the new arrival and the town's inhabitants — but until now, we've never seen Kate McCartney and Kate McLennan's take on the situation. Anything that The Katering Show and Get Krack!n's duo make is an instant must-see — see: those two very shows — and Deadloch, their newest effort, is clearly no different. Announced in 2022 and set to hit Prime Video from Friday, June 2, this mystery-comedy series is created, written and executive produced by the comic duo, with McCartney and McLennan acting as showrunners as well. They're not listed among the cast, sadly, but The Kates are still back. Another Kate — Kate Box (Stateless) — stars as local senior sergeant Dulcie Collins. When a local man turns up dead on the beach, her life and Deadloch's titular seaside spot are thrown into chaos, as the just-dropped first trailer for the show illustrates. And no, it isn't by accident that the series subverts the usual dead-girl trope that's such an engrained part of these kinds of TV setups, even when they're at their best as in Twin Peaks. Enter Darwin-based senior investigator Eddie Redcliffe (Madeleine Sami, The Breaker Upperers), too, who isn't afraid to make a splash as she teams up with Dulcie to get to the bottom of the case. There's also junior constable Abby (Nina Oyama, Koala Man), who couldn't be more eager to join in, all while Deadloch is busy getting ready to launch its annual Winter Feastival — an arts, food, and culture festival. "We are both so thrilled to share the dark, strange little town of Deadloch with the world. We're particularly excited for everyone to meet Dulcie and Eddie, performed by the powerhouses Kate Box and Madeleine Sami, who are far better actors than we'll ever be," said The Kates. "The supporting cast is sublime, the crew are a delight, and the experience of making this story with Prime Video globally on the incredible land of lutruwita (Tasmania) is one we'll never forget." As well as Box, Sami and Oyama, Deadloch's cast spans a heap of recognisable faces, including comedian Tom Ballard, Alicia Gardiner (Wakefield), Susie Youssef (Rosehaven), Pamela Rabe (Wentworth), Kris McQuade (Irreverent), Duncan Fellows (The Letdown), Harvey Zielinski (Love Me) and Shaun Martindale (Sissy). Shot in and around Hobart, Deadloch's eight-episode run also sports a stacked roster of directors: Ben Chessell (The Great), Gracie Otto (Seriously Red) and Beck Cole (Black Comedy). Check out the trailer for Deadloch below: Deadloch streams via Prime Video from Friday, June 2, 2023.
What started with one of the best sci-fi films ever made, delivered two underwhelming sequels, also includes an excellent animated anthology and rightly claims that Keanu Reeves is the one? For the past two decades, we've all known the answer: The Matrix franchise. The science-fiction epic smartly recognises that it's Keanu's world and we're all just living in it — but what if that isn't the case in The Matrix Resurrections? Come Boxing Day Down Under, the series' long-awaited fourth live-action flick — and fifth film overall — will reach screens. Yes, Keanu is back, as is Carrie-Anne Moss (Jessica Jones) as Trinity. But as the new movie's first trailer showed, and the latest sneak peek keeps teasing, things aren't the same for his on-screen alter-ego Neo. After working with sibling Lilly on the first three live-action films, filmmaker Lana Wachowski was never likely to bring back The Matrix without throwing in more than a few trippy twists, of course. "Maybe this isn't the story we think it is," the new trailer tells viewers — all while reminding us both verbally and visually about the deja vu glitch in the matrix theory. Things get trippy, and quickly. And as well as changes for Neo, it looks as if Trinity has a new role. From the clips so far, audiences can also expect Keanu's John Wick-era look; a version of Neo who can't remember anything about blue and red pills, bending spoons, bullet time and living in a simulated reality in a dystopian future where artificially intelligent machines harvest human bodies for power; an advice-spouting character (played by Mindhunter's Jonathan Groff) who just might be the new Agent Smith; some martial arts moves in a recognisable dojo; and a familiar figure in a new guise. Arriving 18 years after The Matrix Reloaded and The Matrix Revolutions hit cinemas in 2003, this follow-up obviously dives back down the rabbit hole as Neo once again grapples with the Matrix and everything it means for humanity — and also sees Jada Pinkett Smith (Girls Trip) return alongside Reeves and Moss. They're joined by Matrix newcomers Neil Patrick Harris (It's a Sin), Jessica Henwick (On the Rocks), Priyanka Chopra Jonas (The White Tiger), Christina Ricci (Yellowjackets) and Yahya Abdul-Mateen II (Candyman). Forget Christmas — Boxing Day can't come soon enough. Check out the latest trailer for The Matrix Resurrections below: The Matrix Resurrections opens in cinemas Down Under on December 26, 2021.
David Attenborough may have turned 94 in 2020; however the acclaimed broadcaster and natural historian isn't slowing down anytime soon. Fresh from narrating and presenting two new TV series in 2019 (Our Planet and Seven Worlds, One Planet), appearing at Glastonbury and recently joining Instagram, he's now bringing his latest movie-length documentary to your screen. Called David Attenborough: A Life On Our Planet, the film sees Attenborough look back on his more than nine decades on earth, the sights he has seen and the changes he has witnessed. Specifically, he reflects upon humanity's enormous and damaging impact on the natural world — and, when it hits Netflix on Sunday, October 4, it servers up quite the powerful viewing experience. Since the early 50s, Attenborough's stunningly shot documentaries have been awash with revelatory sights and detailed insights from across the planet, sharing the kind of wonders that eager audiences would be unlikely to see or discover themselves otherwise. Now, after becoming a constant, respected and beloved presence in the field, his passionate and vibrant work has earned its place in history several times over. But it might also become a record of a world, and of natural history, that's lost due to climate change. It's this possibility that's behind A Life On Our Planet — that, and the great broadcaster's efforts to motivate a response to combat both global warming and the catastrophic loss of biodiversity blighting the environment. On offer here is an urgent and far-ranging exploration of how our pale blue dot evolved to its current state, what might be in store if we continue down this path, and how and why things could and should change. Determined in his tone, Attenborough calls the documentary his witness statement several times within its frames, and it's as potent and devastating as intended. Bookended by scenes in Chernobyl that are initially designed to illustrate what can happen ecologically when bad planning and human error combine — a situation that, Attenborough posits, applies to climate change as well — A Life On Our Planet is both broad and intricate, and personal and political too. Cycling through the earth's life to-date to provide a snapshot of the planet's predicament, it delivers a comprehensive overview, a raft of telling facts and figures, and a plethora of reflections from its central figure. It also features the now-requisite array of eye-catching footage that Attenborough's hefty body of work has long become known for, served up here to not only revel in its glory and showcase his exceptional career, but to demonstrate what's fading away due to humanity's impact upon the globe. Accordingly, it's impossible not to be moved by the film. If viewers won't listen to Attenborough on this topic, and as he explains what he's seen and where he sees things heading, then they probably won't listen to anyone. In the documentary's latter third, A Life On Our Planet follows in the footsteps of Australian doco 2040, too, by pondering how the world might adapt for the better. Produced by wildlife filmmakers Silverback Films and global environmental organisation WWF, A Life On Our Planet was originally slated to play in cinemas in April — but, due to the COVID-19 pandemic, its release was postponed. It's currently showing on the big screen Down Under now (except Victoria), with the film paired with an exclusive cinema-only conversation between Attenborough and Michael Palin, if you'd rather see its vivid and impassioned sights in a larger format. Check out the trailer below: https://www.youtube.com/watch?v=64R2MYUt394 David Attenborough: A Life On Our Planet hits Netflix on Sunday, October 4, at 5pm AEST / 6pm ADST. It's also currently screening in Australian and New Zealand cinemas.
Streaming platforms and superheroes are modern life's new certainties, with instances of both continuing to pop up all over the place. When Disney launches its own next big venture, the two will combine, giving a number of Marvel's big-screen characters their own small-screen series. As reported by Variety, Marvel is apparently planning a number of limited-run shows based on its popular Marvel Cinematic Universe figures, with Tom Hiddleston's Loki and Elizabeth Olsen's Scarlet Witch named as the likely first candidates. Each series is expected to run for six to eight episodes, and the strategy will focus on characters that haven't yet received their own standalone movies — and don't have any in the works. That means that we won't be seeing any dedicated shows about Iron Man, Captain America, Thor, Spider-Man, Doctor Strange, Black Panther, Ant-Man, the Wasp, Captain Marvel or Black Widow; however there are plenty of others that fit the bill. While no other names have been floated, War Machine, Hawkeye, Falcon, Quicksilver, Bucky Barnes, Valkyrie and Killmonger all meet the criteria, for starters — and, if you forget about the Edward Norton-starring The Incredible Hulk (which is easily done) before Mark Ruffalo took over the part, then the Hulk could also fit at a stretch. Taking a figure from one of its films and spinning a series around them is an approach that Marvel took with Agent Carter, based on Hayley Atwell's character from Captain America: The First Avenger, so it's hardly new or surprising. Like that two-series program, the plan seems to be for actors from Marvel's movies to reprise their roles for the streaming service. Disney hasn't even announced a specific launch date for its streaming platform — although it's expected to become available late next year — so this really is a watch-this-space kind of situation. Still, between the long-running Marvel's Agents of S.H.I.E.L.D., the company's six different Netflix series and a few other TV titles, the company has shown that it likes putting the MCU on the small screen as much as the big. Disney's streaming platform will also boast a $100 million Star Wars series from The Jungle Book, Iron Man and Iron Man 2 director Jon Favreau, a High School Musical TV series, another show based on Monsters, Inc. and a live-action Lady and the Tramp movie. Via Variety. Image: Marvel Studios' Avengers: Infinity War. Loki (Tom Hiddleston). Photo: Chuck Zlotnick. ©Marvel Studios 2018.
At the box office, a film adaptation of Wicked was always set to defy gravity, as the world discovered in 2024. On the stage, the hit musical had proven a blockbuster for two decades. The realm of The Wizard of Oz has been beloved on the page for over a century and on the screen for over 85 years, too. So when heading back to Oz sparked the fifth highest-grossing movie globally of last year, it wasn't at all a surprise. Can Wicked: For Good top it? Bringing Wicked to cinemas is a two-part affair. The first picture arrived in November 2024, painted theatres pink and green, then won Oscars. The second has a date with the silver screen in November 2025. And if you're wondering how the stage musical's second act will soar at the movies, here's your first glimpse: the debut trailer for Wicked: For Good. When sneak peeks for the initial film started dropping last year, questions such as "are people born wicked, or do they have wickedness thrust upon them?" were peppered within them. Now, sentiments like "there's no going back", "think of what we could do together" and "it's time for both of us to fly" echo instead, hailing from Glinda and Elphaba. Ariana Grande (Don't Look Up) and Cynthia Erivo (Poker Face) return to their Academy Award-nominated parts to bring Wicked's tale to its conclusion, and to keep chronicling their characters' paths to becoming Glinda the Good Witch of the North and the Wicked Witch of the West, respectively. As the first instalment did, Wicked: For Good boasts director Jon M Chu (In the Heights, Crazy Rich Asians) behind the lens, again taking inspiration from composer Stephen Schwartz and playwright Winnie Holzman. Alongside Grande and Erivo, Jeff Goldblum (Kaos) portrays the Wizard of Oz, while Michelle Yeoh (Star Trek: Section 31), Jonathan Bailey (Bridgerton), Ethan Slater (Elsbeth) and Marissa Bode (who made her feature debut in Wicked) also co-star. From the first Wicked: For Good trailer, audiences can get excited about more time in Emerald City, flying monkeys, transformations, yellow bricks, grand ceremonies, warnings in the sky and heartfelt messages — and also Dorothy, the Scarecrow, the Tin Man and the Cowardly Lion. For those new to Wicked, it focuses on the Land of Oz's witches, with telling their untold tale the musical's whole angle. On the stage, the show has notched up more awards than you can fit in a hefty cauldron over the years. That includes three Tonys from ten nominations, a Grammy, an Olivier Award and six Drama Desk Awards. Check out the trailer for Wicked: For Good below: Wicked: For Good releases in cinemas Down Under on Thursday, November 20, 2025.
