Do you remember the first time you complained, "I hate Christmas?" If you've never said it, can you pinpoint precisely when the build-up and family politics began to give you mild panic attacks? At the very least, carol fatigue syndrome? Chances are you weren't 10 years old. When you're 10, you're still in love with the Day itself (as well as counting down the days leading up to it). You've started to suspect that Santa Claus isn't really the red-suited sky ranger that you once thought, and realised that there are undeniable logistical problems with flying reindeer, pixies and elves. You may vaguely comprehend that the magic isn't in the man who drinks milk and eats cookies, it's in the spirit of togetherness. But you're still stubbornly clinging to the childish certainty that on the 25th of December, nobody fights, nothing goes wrong, and everyone is happy. For 10-year old Freya (an effervescent Holly Austin), her dad's casual announcement that he may spend Christmas working on an offshore oil rig is devastating. It steels her determination that the limited number of days they do have together be extra perfect. Freya's family is pretty fractured — her Mum is dead, her widowed Nan is sweet but totally out of tune with the needs of a young girl, and her best friend Poppy is just a tad unadventurous. Life gets pretty boring in the Tasmanian seaside town of Rainwood for Freya — it's no wonder Christmas is a big deal. She even feigns joy when her dad gives her a vintage air rifle. But then her Dad and Nan start fighting, and a body washes up on the shore. The set design of Boxing Day is simple and the stage is beautifully used. Co-presented by the Tamarama Rock Surfers, it is the first major work by Sydney-based Tin Shed Theatre Company, which writer Phil Spencer formed with the director, Scarlet McGlynn. It's hard to say too much about this coming-of-age story without giving away the ending. Suffice to say, there's a reason that it's called Boxing Day. Freya has a Christmas to remember — just not in the picture-perfect way she planned. This is a review of the September 2011 production at the Old Fitzroy Theatre. Boxing Day comes to the Bondi Pavilion for two nights only before going on a regional tour. https://youtube.com/watch?v=s2u0XDzL5ks
If there's one place we're gagging to get to right now, its the pub. There's nothing quite like that first sip of a freshly poured froth monster on a warm day with your mates. But, since we're bunkering down at home for a little while longer yet, our pals at Bridge Road Brewers are bringing the beer to your house, instead. On Thursday, September 23, you can take part in Sour Times, a one-hour virtual sour beer tasting session with Bridge Road Brewers founder Ben Kraus and head brewer James Dittko. These two beer brainiacs will take you on an exploration of the sour beer style, highlighting brewing techniques, recipe development and sampling some of Bridge Road Brewers delicious sours, of course. To make sure you're all kitted out for this sampling session, the folks at Bridge Road Brewers will send you a sour beer tasing pack filled with tasty treats. Inside the pack you'll find a Belgium table beer named Hoppy Sour, a raspberry sour with passionfruit for extra tang and a tropical sour that'll take your palate poolside. Want to make your next virtual work drinks a little more brew-tiful? You can. Sour Times Virtual Tasting with Bridge Road Brewers will kick off at 6pm on Thursday, September 23. For more information and to book, visit the website.
Maybe you're the kind of film lover who wouldn't dream of navigating Oscar season without seeing every movie that you possibly can as the accolades approach. Perhaps you wait to find out who wins big before deciding what to watch that you haven't caught already. Either way, the 2024 Academy Awards have now happened, taking place on Monday, March 11, Down Under — and a new batch of pictures, and the folks behind them, now have Hollywood's most-coveted cinema trophy to their names. We've been along for the ride since these pictures hit the big and small screen. So, if you need the full rundown, we have the list of winners, the nominees before that, our picks for who we predicted would and should win, exactly where you can see 2024's nominees in Australia and a drinking game designed to go with with this year's ceremony. Now, we also have all the details on nine films that have just been anointed Oscar-winners at the 96th Academy Awards that you can check out right now. Watch them. Rewatch them. Either way, you're in for some stellar viewing. And if you're wondering where The Boy and the Heron and Godzilla Minus One are — aka two of the very best recipients of the night — they sadly aren't currently in cinemas or streaming Down Under, but keep an eye out for them when they hit digital. Oppenheimer Cast Cillian Murphy and a filmmaker falls in love. Danny Boyle did with 28 Days Later and Sunshine, then Christopher Nolan followed with Batman Begins, The Dark Knight, The Dark Knight Rises, Inception and Dunkirk. There's an arresting, haunting, seeps-under-your-skin soulfulness about the Irish actor, never more so than when he was wandering solo through the empty zombie-ravaged streets in his big-screen big break, then hurtling towards the sun in an underrated sci-fi gem, both for Boyle, and now playing "the father of atomic bomb" in Nolan's epic biopic Oppenheimer. Flirting with the end of the world, or just one person's end, clearly suits Murphy. Here he is in a mind-blower as the destroyer of worlds — almost, perhaps actually — and so much of this can't-look-away three-hour stunner dwells in his expressive eyes. As J Robert Oppenheimer, those peepers see purpose and possibility. They spot quantum mechanics' promise, and the whole universe lurking within that branch of physics. They ultimately spy the consequences, too, of bringing the Manhattan Project successfully to fruition during World War II. Dr Strangelove's full title could never apply to Oppenheimer, nor to its eponymous figure; neither learn to stop worrying and love the bomb. The theoretical physicist responsible for the creation of nuclear weapons did enjoy building it in Nolan's account, Murphy's telltale eyes gleaming as Oppy watches research become reality — but then darkening as he gleans what that reality means. Directing, writing and adapting the 2005 biography American Prometheus: The Triumph and Tragedy of J Robert Oppenheimer by Kai Bird and Martin J Sherwin, Nolan charts the before and after. He probes the fission and fusion of the situation in intercut parts, the first in colour, the second in black and white. In the former, all paths lead to the history-changing Trinity test on July 16, 1945 in the New Mexico desert. In the latter, a mushroom cloud balloons through Oppenheimer's life as he perceives what the gadget, as it's called in its development stages, has unleashed. Oscars: Won: Best Picture, Best Director (Christopher Nolan), Best Actor (Cillian Murphy), Best Supporting Actor (Robert Downey Jr), Best Film Editing, Best Cinematography, Best Original Score Nominations: Best Supporting Actress (Emily Blunt), Best Adapted Screenplay, Best Costume Design, Best Makeup and Hairstyling, Best Production Design, Best Sound Where to watch: Streaming via YouTube Movies, iTunes and Prime Video. Read our full review. Poor Things Richly striking feats of cinema by Yorgos Lanthimos aren't scarce. Sublime performances by Emma Stone are hardly infrequent. Screen takes on Mary Shelley's Frankenstein couldn't be more constant. For Lanthimos, see: Dogtooth and Alps in the Greek Weird Wave filmmaker's native language, plus The Lobster, The Killing of a Sacred Deer and The Favourite since he started helming movies in English. With Stone, examples abound in her Best Actress Oscar for La La Land, supporting nominations before and after for Birdman or (The Unexpected Virtue of Ignorance) and Lanthimos' aforementioned regal satire, and twin 2024 Golden Globe nods for their latest collaboration as well as TV's The Curse. And as for the best gothic-horror story there is, not to mention one of the most influential sci-fi stories ever, the evidence is everywhere from traditional adaptations to debts owed as widely as The Rocky Horror Show and M3GAN. Combining the three results in a rarity, however: a jewel of a pastel-, jewel- and bodily fluid-toned feminist Frankenstein-esque fairy tale that's a stunning creation, as zapped to life with Lanthimos' inimitable flair, a mischievous air, Stone at her most extraordinary and empowerment blazing like a lightning bolt. With cascading black hair, an inquisitive stare, incessant frankness and jolting physical mannerisms, Poor Things' star is Bella Baxter in this adaptation of Alasdair Grey's award-winning 1992 novel by Australian screenwriter Tony McNamara (The Great). Among the reasons that the movie and its lead portrayal are so singular: as a character with a woman's body revived with a baby's brain, Stone plays someone from infancy to adulthood, all with the astonishingly exact mindset and mannerisms to match, and while making every move, choice and feeling as organic as birth, living and death. In this fantastical steampunk vision of Victorian-era Europe, London-based Scottish doctor Godwin Baxter (Willem Dafoe, Asteroid City) is Bella's maker. Even if she didn't call him God, he's been playing it. But curiosity, the quest for agency and independence, horniness and a lust for adventure all beckon his creation on a radical, rebellious, gorgeously rendered, gloriously funny and generously insightful odyssey. So, Godwin tries to marry Bella off to medical student Max McCandles (Ramy Youssef, Ramy), only for her to discover masturbation and sex, and run off to the continent with caddish lawyer Duncan Wedderburn (Mark Ruffalo, She-Hulk: Attorney at Law). Oscars: Won: Best Actress (Emma Stone), Best Makeup and Hairstyling, Best Production Design, Best Costume Design Nominations: Best Picture, Best Director (Yorgos Lanthimos), Best Supporting Actor (Mark Ruffalo), Best Adapted Screenplay, Best Cinematography, Best Film Editing, Best Original Score Where to watch: In Australian cinemas, and streaming via Disney+, YouTube Movies, iTunes and Prime Video. Read our full review. Anatomy of a Fall A calypso instrumental cover of 50 Cent's 'P.I.M.P.' isn't the only thing that Anatomy of a Fall's audience won't be able to dislodge from their heads after watching 2023's deserving Cannes Film Festival Palme d'Or-winner. A film that's thorny, knotty and defiantly unwilling to give any easy answers, this legal, psychological and emotional thriller about a woman on trial for her husband's death is unshakeable in as many ways as someone can have doubts about another person: so, a myriad. The scenario conjured up by writer/director Justine Triet (Sibyl) is haunting, asking not only if her protagonist committed murder, as the on-screen investigation and courtroom proceedings interrogate, but digging into what it means to be forced to choose between whether someone did the worst or is innocent — or if either matters. While the Gallic legal system provides the backdrop for much of the movie, the real person doing the real picking isn't there in a professional capacity, or on a jury. Rather, it's the 11-year-old boy who loved his dad, finds him lying in the snow with a head injury outside their French Alps home on an otherwise ordinary day, then becomes the key witness in his mum's case. Also impossible to forget: the performances that are so crucial in telling this tale of marital and parental bonds, especially from one of German's current best actors and the up-and-coming French talent playing her son. With her similarly astonishing portrayal in The Zone of Interest, Toni Erdmann and I'm Your Man's Sandra Hüller is two for two in movies that initially debuted in 2023; here, she steps into the icy and complicated Sandra Voyter's shoes with the same kind of surgical precision that Triet applies to unpacking the character's home life. As Daniel, who couldn't be more conflicted about the nightmare situation he's been thrust into, Milo Machado Graner (Alex Hugo) is a revelation — frequently via his expressive face and posture alone. If Scenes From a Marriage met Kramer vs Kramer, plus 1959's Anatomy of a Murder that patently influences Anatomy of a Fall's name, this would be the gripping end result — as fittingly written by Triet with her IRL partner Arthur Harari (Onoda: 10,000 Nights in the Jungle). Oscars: Won: Best Original Screenplay Nominations: Best Picture, Best Director (Justine Triet), Best Actress (Sandra Hüller), Best Film Editing Where to watch: In Australian cinemas. Read our full review. The Holdovers Melancholy, cantankerousness, angst, hurt and snow: all five blanket Barton Academy in Alexander Payne's The Holdovers. It's Christmas in the New England-set latest film from the Election, About Schmidt and Nebraska director, but festive cheer is in short supply among the students and staff that give the movie its moniker. The five pupils all want to be anywhere but stuck at their exclusive boarding school over the yuletide break, with going home off the cards for an array of reasons. Then four get their wish, leaving just Angus Tully (debutant Dominic Sessa), who thought he'd be holidaying in Saint Kitts until his mother told him not to come so that she could have more time alone with his new stepdad. His sole company among the faculty: curmudgeonly classics professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; plus grieving head cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The year is 1970 in Payne's long-awaited return behind the lens after 2017's Downsizing, as the film reinforces from its opening seconds with retro studio credits. The Holdovers continues that period-appropriate look in every frame afterwards — with kudos to cinematographer Eigil Bryld (No Hard Feelings), who perfects not only the hues and grain but the light and softness in his imagery — and matches it with the same mood and air, as if it's a lost feature unearthed from the era. Cat Stevens on the soundtrack, a focus on character and emotional truths, zero ties to franchises, a thoughtful story given room to breathe and build: that's this moving and funny dramedy. Christmas flicks regularly come trimmed with empty, easy nostalgia, but The Holdovers earns its wistfulness from a filmmaker who's no stranger to making movies that feel like throwbacks to the decade when he was a teen. Oscars: Won: Best Supporting Actress (Da'Vine Joy Randolph) Nominations: Best Picture, Best Actor (Paul Giamatti), Best Original Screenplay, Best Film Editing Where to watch: In Australian cinemas, and streaming via YouTube Movies, iTunes and Prime Video. Read our full review. American Fiction Here's Thelonious 'Monk' Ellison's (Jeffrey Wright, Rustin) predicament when American Fiction begins: on the page, his talents aren't selling books. Praise comes the Los Angeles-based professor's way for his novels, but not sales, nor attendees when he's part of writers' festival panels. And even then, publishers aren't fond of his latest manuscript. Sick of hearing that his work isn't "Black enough", and also incensed over the attention that fellow scribe Sintara Golden (Issa Rae, Barbie) is receiving for her book We's Lives in Da Ghetto, he gets a-typing, pumping out the kind of text that he vehemently hates — but 100-percent fits the stereotype of what the world keeps telling him that Black literature should be. It attracts interest, even more so when Monk takes his agent Arthur's (John Ortiz, Better Things) advice and adopts a new persona to go with it. Soon fugitive convict Stagg R Leigh and his book Fuck are a huge hit that no one can get enough of. Because of the story spun around who wrote the bestseller, too, the FBI even wants to know the author's whereabouts. Deservedly nominated for five 2024 Oscars — including for Best Picture, Best Actor for Wright and Best Supporting Actor for Sterling K Brown (Biosphere) as Monk's brother Clifford — American Fiction itself hails from the page, with filmmaker Cord Jefferson adapting Percival Everett's 2001 novel Erasure. Wright is indeed exceptional in this savvy satire of authenticity, US race relations and class chasms, and earns his awards contention for his reactions alone. Seeing how Monk adjusts himself to a world that keeps proving anything but his dream is an utter acting masterclass, in big and small moments alike. As the film dives into the character's personal chaos, that's where Brown's also-fantastic, often-tender performance comes in, plus Leslie Uggams (Extrapolations) as Monk's mother and Tracee Ellis Ross (Candy Cane Lane) as his sister, and also Erika Alexander (Run the World) as a neighbour who is a fan of his — not just Stagg R Leigh's — work. Don't discount how excellent American Fiction is beyond its literary hoax setup, in fact; as a character study, it's equally astute. Oscars: Won: Best Adapted Screenplay Nominations: Best Picture, Best Actor (Jeffrey Wright), Best Supporting Actor (Sterling K Brown), Best Original Score Where to watch: Streaming via Prime Video. Read our full review. The Zone of Interest Quotes and observations about evil being mundane, as well as the result when people look the other way, will never stop being relevant. A gripping, unsettling masterpiece, The Zone of Interest is a window into why. The first film by Sexy Beast, Birth and Under the Skin director Jonathan Glazer in more than a decade, the Holocaust-set feature peers on as the unthinkable happens literally just over the fence, but a family goes about its ordinary life. If it seems abhorrent that anything can occur in the shadow of any concentration camp or site of World War II atrocities, that's part of the movie's point. It dwells in the Interessengebiet, the 40-square-kilometre-plus titular area that comprised and surrounded the Auschwitz complex, to interrogate how banal genocide was to those in power; commandant Rudolf Höss (Christian Friedel, Babylon Berlin), even gloats that his name will be remembered and celebrated for its connection to mass extermination. Höss was a real person, and the real Nazi SS officer overseeing Auschwitz from 1940–43. His wife Hedwig (Sandra Hüller, Anatomy of a Fall) and five children are similarly drawn from truth. But The Zone of Interest finds its way to the screen via Martin Amis' fiction novel of the same name, then hones its interest down from the book's three narrators to the Höss family; a biopic, it isn't, even as it switches its character monikers back to reflect actuality. This is a work of deep probing and contemplation — a piece that demands that its viewers confront the daily reality witnessed and face how the lives of those in power, and benefiting from it, thrived with death not only as a neighbour but an enabler. Camp prisoners tend the Höss' garden. Ashes are strewn over the soil for horticultural effect. Being turned into the same is a threat used to keep the household's staff in line. All three of these details, as with almost everything in the feature, are presented with as matter-of-fact an air as cinema is capable of. Oscars: Won: Best International Feature, Best Sound Nominations: Best Picture, Best Director (Jonathan Glazer), Best Adapted Screenplay Where to watch: In Australian cinemas. Read our full review. 20 Days in Mariupol Incompatible with life. No one should ever want to hear those three devastating words. No one who is told one of the most distressing phrases there is ever has them uttered their way in positive circumstances, either. Accordingly, when they're spoken by a doctor in 20 Days in Mariupol, they're deeply shattering. So is everything in this on-the-ground portrait of the first 20 days in the Ukrainian port city as Russia began its invasion, with the bleak reality of living in a war zone documented in harrowing detail. Located less than 60 kilometres from the border, Mariupol quickly segues from ordinary life to an apocalyptic scene — and this film refuses to look away. Much of its time is spent in and around hospitals, which see an influx of patients injured and killed by the combat, and also become targets as well. Many of in 20 Days in Mariupol's faces are the afflicted, the medics tending to them in horrendous circumstances, and the loves ones that are understandably inconsolable. Too many of the carnage's victims are children and babies, with their parents crushed and heartbroken in the aftermath; sometimes, they're pregnant women. Directed by Pulitzer Prize-winning journalist Mstyslav Chernov, and narrated by him with the grimness and soberness that can be this movie's only tone, 20 Days in Mariupol even existing is an achievement. What it depicts — what it immerses viewers in with urgency, from shelled hospitals, basements-turned-bomb shelters and more of the city destroyed day after day to families torn apart, looting, struggling to find food and bodies of the dead taken to mass graves — needs to be viewed as widely as possible, and constantly. His footage has also featured in news reports, but it can and must never be forgotten. Doctors mid-surgery demand that Chernov's camera is pointed their way, and that he shows the world the travesties taking place. The Ukrainian reporter, who has also covered Donbas, flight MH17, Syria and the Battle of Mosul for the Associated Press, does exactly that. He's doing more than ensuring that everyone bears witness, though; he makes certain that there's no way to watch 20 Days in Mariupol, which shows the vast civilian impact and casualties, and see anything but ordinary people suffering, or to feel anything other than shock, anger and horror. Oscars: Won: Best Documentary Feature Where to watch: Streaming via DocPlay. Barbie No one plays with a Barbie too hard when the Mattel product is fresh out of the box. As that new doll smell lingers, and the toy's synthetic limbs gleam and locks glisten, so does a child's sense of wonder. The more that the world-famous mass-produced figurine is trotted through DreamHouses, slipped into convertibles and decked out in different outfits, though — then given non-standard makeovers — the more that playing with the plastic fashion model becomes fantastical. Like globally beloved item, like live-action movie bearing its name. Barbie, the film, starts with glowing aesthetic perfection. It's almost instantly a pink-hued paradise for the eyes, and it's also a cleverly funny flick from its 2001: A Space Odyssey-riffing outset. The longer that it continues, however, the harder and wilder that Lady Bird and Little Women director Greta Gerwig goes, as does her Babylon and Amsterdam star lead-slash-producer Margot Robbie as Barbie. In Barbie's Barbie Land, life is utopian. Robbie's Stereotypical Barbie and her fellow dolls (including The Gray Man's Ryan Gosling as Stereotypical Ken) genuinely believe that their rosy beachside suburban excellence is infectious, too. And, they're certain that this female-championing realm — and the Barbies being female champions of all skills, talents and appearances — has changed the real world inhabited by humans. But there's a Weird Barbie living in a misshapen abode. While she isn't Barbie's villain, not for a second, her nonconformist look and attitude says everything about Barbie at its most delightful. Sporting cropped hair, a scribbled-on face and legs akimbo, she's brought to life by Saturday Night Live great Kate McKinnon having a blast, and explained as the outcome of a kid somewhere playing too eagerly. Meet Gerwig's spirit animal; when she lets Weird Barbie's vibe rain down like a shower of glitter, covering everything and everyone in sight both in Barbie Land and in reality, the always-intelligent, amusing and dazzling Barbie is at its brightest and most brilliant. Oscars: Won: Best Original Song ('What Was I Made For?', Billie Eilish and Finneas O'Connell) Nominations: Best Picture, Best Supporting Actor (Ryan Gosling), Best Supporting Actress (America Ferrera), Best Adapted Screenplay, Best Original Song ('I'm Just Ken', Mark Ronson and Andrew Wyatt), Best Costume Design, Best Production Design Where to watch: Streaming via YouTube Movies, iTunes and Prime Video. Read our full review. The Wonderful Story of Henry Sugar After stepping into a play as a live production in a TV show in Asteroid City, and also flicking through a magazine's various articles in The French Dispatch before that, Wes Anderson gets an author sharing his writing in The Wonderful Story of Henry Sugar. The 39-minute short film features Ralph Fiennes (The Menu) as Roald Dahl, who did indeed pen the tale that gives this suitably symmetrically shot affair its name — the book it's in, too — with the account that he's spilling one of several in a film that enthusiastically makes Anderson's love of layers known in its playful structure as much as its faux set. So, Dahl chats. The eponymous Henry Sugar (Benedict Cumberbatch, Doctor Strange in the Multiverse of Madness) does as well. And, Dr Chatterjee (Dev Patel, The Green Knight) and his patient Imdad Khan (Ben Kingsley, Shang-Chi and the Legend of the Ten Rings) also have a natter. The stories within stories within stories (within stories) share the fact that Khan has learned to see without his eyes, Chatterjee couldn't be more fascinated and Sugar wants to learn the trick for himself — to help with his gambling pastime. In his three decades as a filmmaker, Anderson has only ever made both features and shorts with one of two people responsible for their ideas: himself, sometimes with Owen Wilson (Haunted Mansion), Noah Baumbach (White Noise), Jason Schwartzman (Spider-Man: Across the Spider-Verse) and/or Roman Coppola (Mozart in the Jungle) contributing; and Dahl. With the latter, first came Anderson's magnificent stop-motion Fantastic Mr Fox adaptation — and now The Wonderful Story of Henry Sugar sits among a series of four new shorts, all of which released in September 2023, that are based on the author's work. This is still a dream match, with the director's beloved jewel and pastel colours, dollhouse-esque visuals, moving sets, love of centred framing and dialogue rhythm all proving a treat in this account of personal and spiritual growth. The cast is as divine on-screen as it sounds on paper, too, especially Cumberbatch and Patel. The next in the set, the 17-minute The Swan, pushes Rupert Friend (High Desert) to the fore in a darker tale about a bully. With The Ratcatcher and Poison, too, the only quibble is with the decision to release all four shorts separately, rather than package them together as an anthology film. Oscars: Won: Best Live-Action Short Where to watch: Streaming via Netflix. Read our full review. Looking for more Oscar-nominees to watch? You can also check out our full rundown of where almost all of this year's contenders are screening or streaming in Australia.
The dulcet, knowledgeable voice embodying the soundtrack to a generation of nature docos is returning to our fair shores, with Sir David Attenborough set to roll through town in February. He'll be taking the stage for Sir David Attenborough – A Quest For Life, a series of live talks hosted by our own Ray Martin. The esteemed writer, filmmaker, producer, and host will give audiences a unique glimpse into his jam-packed, six-decade career. Sir David will give some insight into the changes he's witnessed along the way, as well as delving into some of the world's current environmental challenges — all delivered in that charming, distinguished voice we know and love so well. The tour kicks off in Auckland on February 2, followed by shows in Brisbane, Sydney, Melbourne, Adelaide and Perth. SIR DAVID ATTENBOROUGH – A QUEST FOR LIFE DATES AUCKLAND 8pm Thursday, February 2 — The Civic BRISBANE 7.30pm Saturday February 4, Brisbane Convention and Exhibition Centre SYDNEY 7.30pm Wednesday, February 8 and Thursday, February 9, State Theatre MELBOURNE 7.30pm Saturday, February 11, and (new date) Monday, February 13, Plenary, Melbourne Convention and Exhibition Centre ADELAIDE 7.30pm Tuesday February 14, Festival Theatre PERTH 7.30pm Thursday, February 16, Riverside Theatre, Perth Convention and Exhibition Centre
In Brisbane, back in 2017, a simple idea was born: gathering a heap of beer and music-loving folks in a pub, teaching them the lyrics to a well-known song over the course of one night, and then communally crooning the tune in question the same evening. It's karaoke, but in a group. It's your school choir, but boozy. And it's little wonder that Pub Choir soon became not just a local but a national and international success. Of course, as Australia responds to COVID-19, mass groups of folks can't all spend time together in one room — even if they are drinking and singing a tune. So, Pub Choir has evolved into Couch Choir. It's the same basic concept, except everyone is giving their vocal cords a workout from their own homes. Running across Tuesday, March 19–Thursday, March 21, here's how it works. Firstly, at 7pm AEST on Tuesday, three videos will be released on the event's Facebook page. They'll show Pub Choir's organisers singing three different harmonies, and then hand things over to you at home. Next, you'll have two days to watch, listen and learn everything you need to know about your chosen part — or all three if you want — and record yourself singing it. Submit your video by 7pm on Thursday, and they'll all be mixed into one big compilation that'll be released for everyone to enjoy. Beer is usually a big part of Pub Choir so if you need a dash of liquid courage at home, prepare accordingly.
Japanese minimalist homeware wizards Muji are moving into the architecture game with a series of new flat-pack houses that are giving us some serious FOMO and YOLO and all manner of acronym envy and inspiration. The best part? They’re economical in both price and space, giving hope to the current generation that perhaps we won’t always have to deal with landlords. Praise be to Muji! Unfortunately, for now, they’re only available in Japan. However, Muji have recently opened stores in Melbourne and Sydney, so surely it’s only a matter of time before they ship em’ into our waiting arms. The houses are incredibly cute and, in classic Muji style, effortlessly minimalist. There are three designs to choose from, starting at US$150,000 for the ‘Wooden House’, US$160,000 for the ‘Window House’, and US$215,000 for the tall, Tokyo-inspired ‘Vertical House’. Incredibly reasonable. The finishes are all white and blonde wood with elegant staircases and cosy nooks. And hey, it may be a bit cookie cutter but moving to Japan is surely better than selling all your internal organs to afford a house in Toorak or Double Bay right? The real estate game is a-changin’ though and other retailers are starting to cater for the penny-saving generation (i.e. us ;_; ). Ikea are experimenting with movable walls (not set to hit the market for a few years but keep at it Ikea) and there are many innovative Aussie architecture firms experimenting with non-traditional and environmentally friendly ways to bring down the cost of building a new home. Firms like iBuild (punny) and the slightly more upmarket modscape design, construct and deliver modular homes and extensions which cost much less than a contractor. And of course, there’s the shipping container community who do some spectacular things with discarded shipping containers. Then there's the slightly earthy young buyers and the Earthship movement, slowly but surely making its way through all the red tape into the Australian construction landscape. Earthship structures use passive heating and cooling techniques, are constructed from indigenous or local materials (including old tyres and glass bottles) and feature an in-house sewerage treatment system, making them somewhat off the grid and cheap to run in the long term. So have faith guys, there are houses in our future, don’t you worry. They just might not be the classic two-windows-one-door type most of us drew in preschool. Via Domain.
If you can pair wine with food, who says you can't swap vino for whisky? Not Toko Restaurant, as they've teamed up with Japanese icon Suntory to present modern izakaya cuisine across a five-course feast and whisky pairing. This isn't the first time Suntory has presented this special event — it was previously held for the brand's 100th anniversary in 2023. And because it was such a hit, they've decided to bring it back for one night only. Held on Wednesday, June 4, each course presents a myriad of fascinating flavour combos. Kicking off the night with canapes, a Baerii vintage caviar salmon cone is served with wasabi miso alongside a Toki highball. Then it's time for kingfish sashimi, signature nigiri and sashimi, paired with a Yamazaki 12-year-old single malt. Moving through the courses, both food and drink get even more luxe, with seafood chawanmushi, shiso scallop mousse and wagyu striploin matched with ultra-exclusive Suntory whiskies, including the herbal notes of the 12-year-old Hakushu and the crème de la crème, the 18-year-old Yamazaki Mizunara 100th Anniversary Edition. A bottle of this usually sets you back about $4,000. Rounding out this bountiful affair is, of course, dessert. Here, tofu panna cotta with strawberry, missile apple and gold leaf is elegantly coupled with a glass of 21-year-old Hibiki, a wonderfully sweet and caramelised way to conclude the evening. Book your spot for $495 per person at the website.
Along with delivering quintessential Southern hospitality, Memphis is the destination that allows you to walk the brick-lined streets that witnessed the astronomical talent — and unprecedented ascent to fame — of Elvis Presley. The birthplace of rock 'n' roll, and home of blues and soul, is all electrifying energy and originality. This June, Baz Luhrmann is bringing the bright lights, creative flair and distinct directorial prowess he's known for to the euphonious history of Memphis with Elvis. The energetic and emotionally charged film charts the rise (and rise) of Elvis Presley (Austin Butler), celebrating the inimitable musician's music and life against the backdrop of an evolving cultural climate in 1950s and 60s America. Using the lens of Presley's relationship with his enigmatic manager Colonel Tom Parker (Tom Hanks), the bold picture tells a story of musical self-expression and monumental stardom — and the coinciding loss of innocence that was broadcast on a global stage. As hips shook, money was made and a rock 'n' roll icon immortalised. https://youtu.be/xSbQ_ERfmFQ To celebrate the release of Elvis in cinemas Thursday, June 23, Memphis Tourism is giving you the chance to win two tickets to the Australian premiere on the Gold Coast — which is where the feature was shot — on Saturday, June 4. To be in the running to rock and roll your way to the red-carpet experience, enter below. [competition]851551[/competition] Top images: Hugh Stewart (first two); Courtesy of Warner Bros Pictures (third) © 2022 Warner Bros. Ent. All Rights Reserved.
Returning for the first time since 2019, Falls Festival has one clear thing to say about its 2022 events: it bets you'll look good on the fest's dance floors. It wants you to get on your dancing shoes, too, and make the most of spending a couple of days immersed in live tunes — from Arctic Monkeys, for starters, as well as from fellow big-name acts Lil Nas X, Peggy Gou, Chvrches and Jamie xx. Your destinations this time around: Pennyroyal Plains, Colac in Victoria from Thursday, December 29–Saturday, December 31; North Byron Parklands, Yelgun in New South Wales from Saturday, December 31–Monday, January 2; and Fremantle Park, Fremantle in Western Australia from Saturday, January 7–Sunday, January 8. That's where and when the fest will hit to either see out 2022, kickstart 2023 or both — after revealing back in 2021 that it was saying goodbye to its usual Tasmanian leg in Marion Bay after 17 years, and also moving from Lorne in Victoria after a 27-year stint. As always, Falls has delivered one helluva lineup — one that's exciting, broad, hops between international stars and homegrown hits, and is certain to draw crowds. Also making appearances: Aminé, Ocean Alley, Camelphat and Spacey Jane, plus DMA's, G Flip, Pinkpantheress, Rico Nasty, Amyl and the Sniffers, Mall Grab and Ben Böhmer. And yes, that's just a taste of the bill. The tunes will be backed by a colourful curation of art events, performances, pop-ups, markets, wellness sessions and gourmet eats — because that's the Falls Festival way. Think: morning yoga, hammocks, swimming pools, three-legged races, backyard cricket, non-alcoholic beer pong and pinot-and-paint sessions, plus burgers, Korean chicken, woodfired pizza and ramen on the food lineup. Drinks-wise, everything from margaritas to hard seltzers (and beers and bubbles) will be on offer. Camping options include renting a tent or glamping in both NSW and Victoria. And yes, if it feels a little early for a Falls lineup, there's a reason for that. Pre-pandemic, the fest usually unveiled its bill in August; however, we all know how the world has changed in the past couple of years — and that we're all planning much further ahead than usual. Anyway, here's what you're here for — the lineup as it currently stands, with more to be announced. FALLS FESTIVAL 2022 LINEUP: Arctic Monkeys Lil Nas X Peggy Gou Chvrches Jamie xx Aminé Ocean Alley Camelphat Spacey Jane DMA's G Flip Pinkpantheress Rico Nasty Amyl and the Sniffers Mall Grab Ben Böhmer DJ Seinfeld Genesis Owusu TSHA CC:DISCO! Young Franco Anna Lunoe Luude Lastlings MAY-A Choomba The Vanns King Stingray Peach PRC Beddy Rays Jean Dawson Telenovela Biscits Barry Can't Swim Elkka Floodlights Wongo Yng Martyr 1300 Moktar Magdalena Bay Dameeeela Ebony Boadu Rona. Elsy Wamayo Juno Mamba and more FALLS FESTIVAL 2022 DATES: Pennyroyal Plains, Colac, VIC — Thursday, December 29–Saturday, December 31 North Byron Parklands, Yelgun, NSW — Saturday, December 31–Monday, January 2 Fremantle Park, Fremantle, WA — Saturday, January 7–Sunday, January 8 Falls Festival 2022 will take place in December 2022 and January 2023 in Victoria, New South Wales and Western Australia. Pre-sale tickets are available from 9am (local time) on Monday, May 9, with general sales kicking off at 9am on Thursday, May 12. For more info and to buy tickets, visit the festival's website.
Among the wealth of new content that Netflix drops on viewers each and every year, Dead to Me proved one of the streamer's 2019 hits. Taking a few cues from 2018 film A Simple Favour, the show's ten-episode first season told the tale of two women who meet, become friends despite seemingly having very little in common, and help each other with their daily lives — then find themselves immersed in more than a little murky business. Back in May this year, the twisty dark comedy returned for a second season — with stars Christina Applegate and Linda Cardellini coming back as well. The former plays a just-widowed woman trying to cope with losing her husband in a hit-and-run incident, while the latter pops up as a positive-thinking free spirit. Initially they crossed paths at a grief counselling session, sparking a definite odd-couple situation — which has evolved to feature secrets, lies, complications, cliffhangers and more than one murder cover-up over the show's two seasons to-date. If you've become a fan of Applegate's Jen Harding, Cardellini's Judy Hale and their antics — and fellow series co-star James Marsden, too — Netflix has revealed some good news: after the show's latest big ending, it's coming back once more. And we do mean once. The streaming platform has renewed the series for a third and final season, The Hollywood Reporter notes, which'll wrap up the program's story. Created by 2 Broke Girls writer Liz Feldman, the series marks Applegate's first lead TV role since 2011-12 sitcom Up All Night. For Cardellini, it's a return to Netflix after starring on the streaming platform's drama Bloodline — and she also featured in A Simple Favour, too. If you haven't watched it yet, check out the full trailer for Dead to Me's second season below: https://www.youtube.com/watch?v=HmU7ylnmn_M Dead to Me's third season will hit Netflix at a yet-to-be revealed date — we'll update you with exact details when they come to hand. The show's first and second seasons are available to stream now. Via The Hollywood Reporter. Images: Saeed Adyani / Netflix.
Mikkel Borg Bjergsø is an ex-high school physics teacher who has become one of the most prominent gypsy brewers in the world with his well-loved Mikkeller beer. He's basically a legal, Danish version of Walter White. While chemists may naturally turn to meth labs, physicists seem to turn to beer. Sydney University physicists Scott Brownless and Chad Husko have followed Bjergso's lead in starting up their own, teeny tiny Angstrom Brewery, which is not a microbrewery and not even a nano-brewery; it’s an Angstrom brewery. For those of you who skipped physics class, “Angstrom is 1.0 × 10-10 metres, which is roughly the size of an atom”, Scott explains. Chad arrived in Sydney four years ago from Chicago and says he could tell the microbrewery scene was about to “blow up”. And Sydney seems well and truly ready for what they’re selling, if their launch at Kingston Public three weeks ago is anything to go by. They came prepared with three kegs of beer, which were consumed in three hours. Scott is delighted to tell me, “We’ve got the metrics and that’s a beer being poured, at this very small bar, every 30 seconds for three hours straight.” The Scientific Method "Dude, I actually think I have a Maxwell's in the fridge upstairs!" This is the kind of hospitality I was met with at 7.30am in the Physics lab at Sydney Uni, where the pair work on super-resolution and microstructures in optics. They tried to set me straight on their science, but I’m pretty sure what they're actually doing is making an invisibility cloak so they can drink their beer in peace. They are young and smart, bona fide geeks but gregarious enough that you’d want to have a beer with them (just maybe not before 8am). And they’re not alone in the Physics Department in their love of brewing. Chad estimates he could find at least ten home brewers on his floor alone. He explains it’s not isolated to Sydney and that at his lab in New York they used to hold a regular home brew happy hour. Why the link between physics and beer? Chad has two words for me: “parameter space!” Scott kindly elaborates, “What physics brings to the table is the scientific method. There’s a huge parameter space in beer and we need to figure out a way of exploring that. Every small aspect of the beer has to be controlled — temperature controlled, pH controlled, you have an infinite set of creations of malts and hops that you could be using here.” While an artisan baker may spend decades 'getting a feel for' natural yeast and learning to love its unpredictability, these guys do not get a feel for the European Saison yeast they use in their craft; they get a metric. “That’s what we do well, we try to map the optimum beers; how-you-move-uphill-in-your-tastes kind of metric,” says Scott. “I have a record of every recipe I’ve made since 2002,” adds Chad. And when he says ‘record’ he means long spreadsheets full of data, not a scribbled note in a Moleskin diary under his bed. A lesson in a bottle Scott and Chad are well aware that people may not want a science class thrown at them while they consume a cleansing ale, but if they do, each of the bottles will don a label explaining the scientific principle behind the name (once they graduate from delivering kegs out of the back of a car to bottle distribution). For example, their Maxwell’s Demon Farmhouse Ale is named after a thermodynamics thought experiment where you imagine that entropy is in fact not always expanding but instead decreasing. "And the reason that works so well with our beer is that ... you hear Maxwell’s Demon and you think kind of dark and smoky and that’s what that beer is, but if you know the reference, you know that it’s a thermodynamics principle, which connects in very well with these farmhouse yeasts, which are very temperature controlled”, explains Scott. And while the Manhattan Project American Pale Ale may need no explanation, Chad is from New York's Columbia University, where the Manhattan project began before they all upped and left to New Mexico to work on the atomic bomb. The project was "the best scientists of the time working together. They all stopped their normal research and worked like crazy to end the war as it were. It was the birth of nuclear science, essentially," Chad explains. No doubt if all of today’s best physicists stopped work and started brewing beer tomorrow, we would be living in a hop-filled utopia within five years. Thankfully for Sydney, two of the brightest are already working steadily on their very own 'hop bomb'. Images by Annabel Campbell.
"Well, Kriv got talking to me, you see. At a certain point late in the filming of The Correspondent, he mentioned in passing that he wanted to talk to me about another thing. And when he told me about the idea, I had some initial reluctance, because I guess playing another important Australian political figure wasn't the first thing that would come to mind on my list of most-desired projects," Richard Roxburgh tells Concrete Playground. The Australian actor is chatting about director Kriv Stenders, who he worked with on 2019's Danger Close: The Battle of Long Tan, then on 2025 cinema release The Correspondent and now on Joh: Last King of Queensland as well. "And I guess the way that he talked about it, the way that he pitched it to me, I just thought it was such a kind of crazy, excellent idea that I thought I had to go for." In Roxburgh and Stenders' aforementioned movie collaborations so far, the former has continued a trend that's popped up repeatedly across his career: portraying real-life Australian figures. Danger Close tasked him with stepping into Brigadier David Jackson's shoes. In The Correspondent, he helped bring journalist Peter Greste's ordeal after being arrested in Egypt, then put on trial, found guilty and sentenced to seven years' imprisonment, to the screen. Now, however, Roxburgh is playing former Queensland premier Joh Bjelke-Petersen — and doing so not in a drama, but in a documentary. Joh: Last King of Queensland initially premiered at the 2025 Sydney Film Festival, then made its way to streaming via Stan. While Stenders has compiled a wealth of archival footage to fill its frames, as well as contemporary interviews with the politician's family members and friends, plus journalists, historians and more, Roxburgh couldn't have a more pivotal part. In recreations of the final days that the conservative figure at the doco's centre spent in office in 1987 after years leading the Sunshine State — when he refused to leave, in fact — the acclaimed actor delivers Bjelke-Petersen's speeches. Stenders grew up in Queensland, and has crafted a cautionary portrait of Bjelke-Petersen's time in charge of the state. The prolific filmmaker, who has kept jumping between fiction and fact, and the big and small screens, via everything from The Illustrated Family Doctor, Lucky Country, Red Dog and its sequel, Kill Me Three Times, the Wake in Fright miniseries, Jack Irish, Bump and Last Days of the Space Age to The Go-Betweens: Right Here, Brock: Over the Top and Slim & I, has also made another timely film with Roxburgh after The Correspondent also proved exactly that. Watching Joh: Last King of Queensland's survey of one man's authoritarian-style power, a regime filled with corruption and the vast suppression of dissent, for instance, means seeing blatant parallels to global politics today. [caption id="attachment_1015675" align="alignnone" width="1920"] Stephane Cardinale - Corbis/Corbis via Getty Images[/caption] Despite his initial hesitation, Roxburgh felt that this was a unique opportunity. "It really did. It felt really quite odd, and I was still unreally unsure about it when we started shooting it — but Kriv was so determined about it and was loving what he was seeing so much, he kept reassuring me that it was just going to slot into what he was doing. So, I trusted him," he advises. He was aware of the type of material that would surround his performance in the documentary, too. "I picked Kriv's brains about a lot of it, so I did know quite a bit of what was going on. I knew the people he'd interviewed, what the general thrust of their interviews were. I was across quite a bit of that stuff." Portraying Bjelke-Petersen doesn't just follow Roxburgh's time as Greste and as Jackson for Stenders. He has played former Australian Prime Minister Bob Hawke twice, in both Hawke and The Crown. His performance as corrupt police office Roger Rogerson in Blue Murder won him his first Australian Film Institute Award — the accolades that are now the AACTAs — and Logie. Then there's Roxburgh's efforts as pianist Percy Grainger in Passion; as Ronald Ryan, the last person legally executed in Australia, in The Last of the Ryans; and in Bali 2002 as Graham Ashton, the Australian police's operational commander in the investigation into the bombings. That parts as real-life Australian figures keep coming his way, alongside interrogations of power and how it impacts those in prominent positions — streaming series Prosper and The Dry sequel Force of Nature equally fit the latter bill — were also topics of discussion in our second chat for 2025 with Roxburgh. Among other subjects, we spoke with him about putting in another performance for Stenders that places him in one space alone, as portraying Greste largely did; not growing up in Queensland under Bjelke-Petersen like Joh: Last King of Queensland's director; if there's a real-life Aussie that he's keen to take on next; and the diversity he's enjoyed beyond his stints inhabiting IRL names, with Thank God He Met Lizzie, Oscar and Lucinda, Mission: Impossible II, Moulin Rouge, Van Helsing, Rake, Sanctum, Looking for Grace, Go!, Elvis, Aunty Donna's Coffee Cafe and Lesbian Space Princess just some of his other projects. On the Theatre Feel to Roxburgh's Solo Scenes in Joh: Last King of Queensland — and the Process of Stepping Into Bjelke-Petersen's Shoes "It was a weird little moment in time, obviously. Because it felt after a couple of days, I said to Kriv, like a stage production that no one would see about the life and times and great strangeness of this powerful Australian political presence. So it was odd. But I think the more I settled into it, into the rhythms of that character, and tried to burrow into what he was doing in those last three days when he was alone, the more settled I felt. I thought it was going to be easier than it ended up being — because I thought, the way that Kriv talked about it, we weren't going to do makeup, we weren't going to do any of the lookalike stuff, in particular. But there were some elements that were so key to his personality, and so key to the way that he crafted sentences — the way that he conveyed information. And then there were other things, like the fact that he had polio as a child. There were so many things that went into the physical and vocal life of the character that ended up being so important and, in a way, they were sine qua non. I had to at least find the song of it. I had to find that cadence, that particular gift for clouding argument, for obfuscation, for changing sentences midstream. And you couldn't do that in the end without actually doing it. So it ended up being quite a lot of work — a lot of pre-work." On Getting Into the Mindset of a Leader That Everyone Wants Out of Office But Is Refusing to Leave "There's quite a bit of really excellent footage of Joh strongly inhabiting his argument, whatever the argument is. And so that was really useful to see how he commanded the space in those times. There was a lot less of his cloudiness, his wooliness, his diversion, obfuscation, when he was speaking like that — and a lot more control and determination, incredible determination, that he was absolutely right. Joh was an absolutist. He believed in his authority, and the fact that it was a kind of gift to Queensland from god, as it were, because he felt like he was obeying divine instruction. He was always serving his version of his lord. And so there's, to my mind, a really salient warning in that as well." On Whether There's Anything That's Key to Roxburgh in Inhabiting, Rather Than Merely Impersonating, a Real-Life Figure "I guess it's not more than it is for any other character you do. It's just a different landscape, because it's a landscape that everybody's seen before. So the difference is that an audience is going to watch it with a precondition and pre-understanding of what that character is meant to look like or how they were. It's not really different in the sense that you always have to find yourself in the in the centre, in the makeup of — and I don't mean makeup as in hair and makeup, I mean in the cellular energy of that individual, which doesn't change whether the character is fictitious or was somebody who lived and was very much in the public eye. But the difference is that everybody knows that landscape. So the people watching this documentary, at least 90 percent of them will be enormously familiar with the personality and personage of Joh. And so they'll be coming in with a pre-understanding or a preconditioning to what that character is like. So that's the thing. The risk is to do the comedic version of the character, because there were so many great versions of that and I didn't want to fall into that." On If Having an Outsider's Eye, Not Growing Up in Queensland, Helped with Roxburgh's Task in Joh: Last King of Queensland "Interesting thought. I don't know the answer to that. I feel like probably my work would be the same no matter what. Because your work, when you're inhabiting that character, is going to be always the same — and in a sense, it's to not judge it. Because Joh, whatever we think of him, he had his own incredibly powerful reasons for doing what he did — and incredibly powerful self-justifications for doing them." On What Interests Roxburgh About Interrogating the Nature and Influence of Power On-Screen "I think it's definitely something that interests me, because it's so front and centre in the human experience — because we're either living it, aiming for it ourselves, or we're suffering at the hands of it. And so it's always there. And it's such a rich and compelling part of what it is to be a human being, as evidenced in everything that Shakespeare ever wrote. There's no drama, in a sense, without it, without the mechanics of it in one way or another." On Why Portraying Prominent Real-Life Australian Figures Keeps Coming His Way "No clue why I get offered these things because I obviously don't look a thing like Bob Hawke. I don't look at thing like Joh Bjelke-Petersen, either. I don't know why this happens. And as I said, I did have really strong tendrils of reluctance when Kriv was first talking to me about this. And he said 'look, I understand if you don't want to do this, having played Bob and various others — Peter Greste and other Australian famous figures'. But then I think I just really love the audacity of this project. I love the audacious way that Kriv was finding to tell this story. I just thought 'it's a great, really ballsy, wonderful piece of cinematic thinking that I loved I really'. I just really dug it. And I trust his opinion." On the Parallels That Joh: Last King of Queensland Draws Between Joh-Era Queensland and the US in 2025 — and If It Felt Like This Would Be a Timely Film While Making It "Yeah, it did. I think it's really fascinating because I have spoken to 30-year-olds in Australia who didn't know the name Joh Bjelke-Petersen, and I thought 'holy crap, come on, everybody should know that name'. These people need to be known about. As the famous saying goes about history repeating, I just think there's so many shots across the bow in that administration of Joh Bjelke-Petersen. There's so many warnings about untrammelled power and where it can lead — that one tiny rollback of something here then leads to a bigger rollback of democracy there, which just keeps leading democracy further and further afield, until you end up with, I think, a kind of deeply embedded, corrupt, pretty rotten administration where there is so much fear, so much resentment, so much anxiety. And where anybody with a slight sense of sitting outside the paradigm had to escape to safety. And I don't think that's a great place to be, and so I would love Australians to know about what happened under the administration of Joh Bjelke-Petersen." On How Roxburgh and Stenders' Working Relationship Has Evolved Over Multiple Films Now "A lot of trust in it. I really do. And a lot of the time, not having to say too much to each other. I'll still pick his brains and he'll obviously give me direction and talk about stuff. We will do that. But I think I just know what he's after. I can assess what he's after at any given moment, I think. And sometimes, we just scratch our heads after a scene and say 'I don't know if that? Did we get that right? Or do we — fuck it, let's do another one'. So there's a really great, very relaxed, trusting shorthand, I would say. And I think Kriv is an artist who is at his peak of his powers. I think he's doing such really, really interesting, strong work." On How Roxburgh Sees His Almost Four-Decade On-Screen Journey So Far "I think I've been really lucky because I've had a working life in the thing that I love. And I do still love it. I love the hell out of it. I love doing what I do so much. I love the various shapes of it. So I also like the idea of producing, of directing, of creating material, as well. I love being able to step between theatre and film and television. I like the gradation of difference that exists between film and television. I like all of it. I love all of it. So I feel really lucky and I feel privileged in the matter that I have had a life in it, and been able to make life in it. Because it's not always the case, and it can be a tough life at times. But I feel incredibly fortunate." On the Diversity That Roxburgh Has Enjoyed Across His Career — Even If Recurring Trends and Themes Pop Up "I love it. I love the kind of weird, wacky, family-photo-album madness of that particular curriculum vitae, I guess. I think, again, I'm lucky. I'm lucky to have experienced things that were ridiculous comedies. I love my time on Rake so much, because it was familial because I was deeply involved creatively — and it was so meaningful to me on lots of levels. But I think it's just a really madcap photo album that is kind of fascinating to thumb through, not that I ever do. But I guess one day in my dotage I'll be siting around, thumbing through: 'my god, I did this thing called Go!. I did this thing called — can anybody remember Lesbian Space Princess? I mean what did I do in that?'. I think it's fascinating. It's crazy." On Whether There's Any Other Key Australian Figure That Roxburgh Is Keen to Portray "No — I can say in all honesty there's not particularly. That person does not exist particularly at the moment. Generally what happens more is that you get offered something and your first thought is 'well, that's insane. That's ridiculous. Why would they? I don't. I'm not. I couldn't play that person'. And it goes from there so. No, I would say this — it's not like I would ever sit around thinking 'I'd love to have a crack at that character'." Joh: Last King of Queensland streams via Stan.
In news that will probably not surprise anybody, the ill-fated oBikes of Melbourne are set to vanish off the streets for good. Confirmed by Port Phillip Mayor Bernadene Voss and Melbourne Lord Mayor Sally Capp, the move is a reaction to new guidelines imposed by the Environmental Protection Agency, in which abandoned bikes blocking streets for more than two hours would prompt $3000 fines. According to reports, the Singapore-based bike sharing service would rather move out of Melbourne than risk having to cough up the hefty fines. These fines are on top of earlier restrictions Melbourne councils imposed on oBike back in late 2017. oBike was introduced to Melbourne a mere year ago, a station-less bike service which in theory is convenient — as users don't have to dock them at the end of a ride — but in practice resulted in abandoned oBikes being strewn all over the place, including many in the Yarra. The past year has also been rough waters for oBike in the media, with reports about violence being carried out with the bikes emerging (luckily, the target was just a train; unluckily, the damage totalled $300,000). The abandoned bikes on the streets of Melbourne, of which there are many, are currently being rounded up, and the oBike storage facility in Nunawading has been cleared. It's the next troubled chapter for bike sharing companies in Australia. Earlier this year in Sydney, oBike — and three other major bike rental operators Reddy Go, Ofo and Mobike — all had to comply with a new set of guidelines designed to target bike dumping and vandalism. Six Sydney councils developed the guidelines, focusing on the distribution and redistribution of the bikes post-ride, as well as timeframes for removal of faulty bikes on behalf of the bike company. Mobike has its sights set on Melbourne next, so we can only hope that it's able to comply with council restrictions — and less of them end up as river pollution. Via The Age
Aussie icons like the Big Banana, the Big Crab and the Big Pineapple will forever loom large in your childhood memories. But they might be soon overshadowed by the country's next giant side-of-the-highway landmark: the Big Milo Tin. After a social media callout last month saw 80,000 Milo fans scramble to throw their support behind the idea, the proposition has snowballed, and Australia is actually going to get its own super-sized homage to the homegrown choccy malt powder. If you're thinking, 'we don't need that' — well, of course we don't. The whole thing is a big publicity stunt to celebrate Milo's upcoming 85th birthday. The structure is set to be erected by Nestlé itself somewhere in and around Smithtown on the mid-north NSW coast, where Nestlé's factory is located. Milo has the go-ahead from the local area, and is currently taking suggestions for the structure's location. The town is just off the Pacific Highway between Port Macquarie and Coffs Harbour — it's no doubt hoping to become a prime road trip pit-stop on the way up the coast. Although both Milo and Big Things are both integral to understanding Australian culture, we're not too sure about how we feel about having a big commercial product taking up space on the side of the highway. At least the Big Banana has a water park. If you really, really care about the Big Milo Tin's future, you can jump on Milo's Facebook page to throw your own suggestions into the ring. It's slated for completion in 2019, to coincide with the brand's 85th birthday.
It's hard not to fall in love with Excelsior Jones. The friendly cafe sits in what used to be an old corner store in the inner west suburb of Ashfield and is a welcome addition to a quiet neighbourhood that was, before Excelsior, devoid of a local haunt. Having to compete with popular neighbouring Marrickville and its drawcards of Cornersmith and Coffee Alchemy, Excelsior Jones is no doubt something the locals here will want to keep secret, especially with such a top-notch crew on board. Co-owners Anthony Svilicich and James Naylor are both ex Le Monde, so too is the barista, Julian Beresford, who is steaming out their own custom blend of Five Senses coffee to perfection. Also on board to bring a touch of brilliance to the modest menu is Adrian Borg, who previously held stints at Assiette and District Dining. The compact menu is a cracker. House-cured salmon hash with pearl shallots, fried buckwheat, poached egg, and fresh herbs ($16) is nourishing and tasty to say the least, while the bacon and egg sandwich with capsicum relish and aioli ($10) will please any fan of this staple. For those who love a crunchy granola, go for the house-made version with roasted seeds, nuts, and creamy yoghurt ($10), and if you're around for lunch, try the chicken salad with black sesame, avocado, and bean shoots ($15) or a slow-roasted lamb sandwich with salsa verde ($14). Feeling nostalgic? Your undoing could be a malted milkshake ($6.50) or a spider ($6), a real tribute to the classic milk bar days. But it's the cheeseburger that will win over the famished ($16). The tomato relish could be the crucial component, or perhaps it's the fried spuds that accompany this time-honoured favourite. Either way, it'll be hard to wipe a smile off your face afterwards. The open space uses white wooden furniture with raw textures, and big windows help to highlight the abundance of air and space. Both James and Anthony are incredibly enthusiastic about providing a place where locals and people from all walks of life are welcome and feel comfortable, and the atmosphere definitely reflects this. They're so passionate, in fact, that the name 'Excelsior Jones' came from historical research Anthony did into the area. Formerly the name for the street, before the current Queen Street, Anthony thought the pairing of the two words had a nice ring to it and slight mystique. Moreover, in Latin, 'excelsior' translates to 'ever upward'. You get the point.
Warwick Thornton, Cate Blanchett, Deborah Mailman, Nick Cave and Warren Ellis: name a better Australian quintet. The director of Samson & Delilah and Sweet Country, the two-time Oscar-winner and recent Tár tour de force, the local screen mainstay, and the Bad Seeds bandmates and seasoned film composers all combine not for the ultimate Aussie dinner party, but for The New Boy. None are debuting in their jobs. All are exceptional. They're each made better, however, by the luminous and entrancing Aswan Reid. As well as playing the titular part, the 11-year-old first-time actor lives it among such a wealth of acclaimed and experienced talent — and he's such a find in such excellent company, while saying little in words but everything in every other way, that Thornton's third fictional feature owes him as much of a debt as its applauded and awarded household names. There's a spark to Reid from the moment that he's first spied grappling with outback law enforcement under blazing rays as Cave and Ellis' (This Much I Know to Be True) latest rousing score plays. His sun-bleached hair couldn't be more fitting, or symbolic, but it's the confident way in which he holds himself as New Boy, plus the determined look on his face, that sears. Wily and wiry, the feature's eponymous figure is toppled by a boomerang, then bagged up and transported to the remote Catholic orphanage doted on by Sister Eileen (Blanchett, Nightmare Alley) in the 1940s. The cop doing the escorting notes that the kid is a bolter, but the nun is just as fast in her kindness. She sees what Thornton wants his audience to see: a boy that beams with his presence and through his sense of self, even though he's been snatched up, taken from his Country and forced into a Christian institution against his will. Sister Eileen is as drawn to him as the movie, but — and not just due to the red wine she likes sipping and the subterfuge she's keeping up about the resident father's absence — she isn't as certain about what to do. The path that any new arrival at the monastery is supposed to follow is preordained: uniforms, a dorm bed, porridge, helping in the fields, obedience and church. New Boy barely subscribes, donning only shorts, sleeping on the floor and cutting in front in the food line, which Sister Eileen permits. The abbey's two other adults, the nurturing Sister Mum (Mailman, Total Control) and farmhand George (Wayne Blair, Seriously Red), are welcoming yet know the reality that's facing all of the boys in their care, particularly the First Nations kids. In the priest's name, Sister Eileen might write letters to the government urging them not to send her charges away when they're considered old enough to work — the endgame to the state, especially with the Second World War impacting labour — but Sister Mum and George are lived proof that acquiescing and assimilating is the only outcome that will be accepted. There's a spark to the new boy, too, and literally. He's meant to pray away his Indigenous spirituality in the name of dutiful conformity, and in favour of Christianity, but the faith and culture that's as old as Australia's Traditional Owners glows. He's curious, though, including about the ornate, life-sized wooden cross that's sent from France for safekeeping during the war. He wants to undo its nails, free Jesus from crucifixion and give it the property's snakes as gifts. As Thornton peppers in religious imagery, New Boy displays more in common with its carved figurine than Sister Eileen knows how to handle. This is a tale of survival and, while always its namesake's story first and foremost, it also sees two sides to it: the First Nations lad ripped away from all he knows, as well as the nun that's gone renegade within a system that sees her as lesser because she's a woman. Writing and directing — as he did with Samson & Delilah, but not Sweet Country — Kaytetye man Thornton takes inspiration from his own experience as a child sent to a missionary boarding school ran by Spanish monks. In the process, he makes a moving and needfully blunt statement about the clash that's too often been enforced upon the country's First Peoples since colonisation. Indeed, simmering with anger but also hope, The New Boy is a clear, unshakeable rebuttal of the perennially ridiculous idea that only one faith, culture or way of life can exist. And, crucially, it feels as personal as Thornton's work gets; he isn't in front of the lens as he was with the also-remarkable The Beach, where he charted his own escape away from the incessant hustle and bustle of modern life, but the sensation that emanates from the screen is overwhelmingly the same. Thornton works as his own cinematographer on The New Boy, another trademark touch — see also: anthology film The Darkside, documentary We Don't Need a Map, plus the episodic Mystery Road and Firebite — which allows him to load every inch of every immaculate frame with deep and blistering emotion. There's no such thing as a passive image anywhere in any film by any director, but Thornton's beautifully shot movies ensure that his viewers can't evade the landscape that's been forever changed by white settlement. Here, he roves over the plains outside of South Australia's Burra, where every structure for the feature was erected from scratch, and where shimmering yellow fields of wheat grow atop the ochre earth that's been inhabited by Indigenous Australians for thousands of years. He sees how the terrain has been reshaped, but never forgets who was there first. With his oh-so-perceptive eye, Thornton's visuals stunningly do what New Boy does: expresses everything with little speaking necessary. In her first on-screen role in a solely Australian film since 2013's The Turning, Blanchett talks, of course. Where much of the picture around her bubbles with loaded patience, and Reid's innate naturalism, The New Boy's biggest star is the storm amid the deceiving calm. Consumed by her struggles with her own faith while tasked with instilling it into her charges, and also now challenged by the new boy that defies her sense of logic, Sister Eileen rarely stops moving, fretting, surveying, asserting, preaching and confessing — and Blanchett is magnetic to behold. That said, it's a performance with a needed counterbalance. Without Reid's serenity, Blanchett might've come on too strong. Without Reid, too, the fact that the eponymous character's quest to endure is tinged with hard-won optimism amid its palpable fury mightn't have shone through. No matter what happens, or how rarely he's accepted for who he is, New Boy always persists.
Secret Gardeners, get your diaries out: the festival has officially announced its 2015 return. On Friday, February 27, and Saturday, February 28, just as summer is packing its bags, the most clandestine event on the music calendar will arrive at its once secret, now regular destination known as 'The Farm', a 3000 acre property on the city's fringes. As usual, we won’t know the lineup until well after the ticket allocation is exhausted. We can tell you, however, that tickets will go on sale at 9am on November 14, with the supporters’ ballot happening on November 7. Admission for both days is $185, while for Saturday only it’s $125. If previous experience is anything to go by, tickets are likely to be snapped up within a few hours. Since last year, the Secret Garden crew has been busy, in their own words, “making improvements, watching bands in dark rooms, and dreaming up the wildest, grandest playground that the farm has ever seen”. We can expect new spaces and increased weather readiness. Numbers, meanwhile, will remain at their comfortable and intimate limited capacity, despite the fact that the program is promising to deliver “the best Secret Garden yet”. There’ll be a handpicked selection of “memorable” previous acts, combined with a bunch of new favourites. Last year, the crowd was treated to appearances from Worlds End Press, Bloods, Elizabeth Rose, Donny Benet and numerous other artists. All in all, the festival will continue to uphold its two founding aspirations: to be the best, most unusual weekend music event around and to raise plenty of funds for charity. Last year, $100,000 in proceeds were donated to an array of charities, including Oxfam, Sarah Hilt Foundation and Girls and Boys Brigade. On the 'unusual' front, the first day of the festival has typically been themed and elaborately costumed, and this year looks to carry on that tradition, with organisers instructing you to "Get your sewing kits ready".
Some visit Bali seeking romantic places to stay, where they can treat themselves to pamper packages within wild natural surroundings. Others want a tropical adventure — hiking up volcano craters, riding quad bikes through the jungle or swimming beneath hidden waterfalls. And, of course, there's the party atmosphere, from group day trips to places to dance the night away. To help any kind of traveller have the best time in Bali, we curated a selection of local trips and tours that can be booked through Concrete Playground Trips. Read on to find a few of our favourites. [caption id="attachment_892435" align="alignnone" width="1920"] Juan Cruz Mountford (Unsplash)[/caption] SUNRISE VOLCANO HIKE WITH THERMAL SPRINGS SWIM This trek could quite easily become the highlight of your trip to Bali. You'll get up early to hike to the summit of volcanic Mount Batur to catch the sunrise and enjoy breakfast cooked over volcanic steam. It's not a difficult climb, but the natural hot springs waiting for you at the bottom are a magical treat. Enjoy the view of the volcano and the surrounding mountains while you soothe your muscles in the natural springs. Not a morning person? Book a midnight hike or a private jeep ride up to the volcano and into the crater instead. BOOK IT NOW. [caption id="attachment_892433" align="alignnone" width="1920"] Rob M Visuals (Unsplash)[/caption] RICE TERRACE CYCLING TOUR When visiting Bali, go beyond the island's famous beaches and head inland to explore the untamed jungle and thousands of miles of rice terraces. While you can drive to many of them, the best way to see a bunch is by going on a cycling tour. This particular one focuses on the Bangli region. It is a less commercialised area, boasting some of the world's most beautiful rice fields with views of Mount Batur in the distance. Alight from your bike to walk between the terraces, little huts, tumbling waterfalls and quaint temples before sitting down to a big lunch overlooking the stunning scenery. We could think of worse ways to spend a day. BOOK IT NOW. [caption id="attachment_892434" align="alignnone" width="1920"] Jared Rice (Unsplash)[/caption] FIVE-DAY HOLISTIC RETREAT Bali abounds with wellness retreats, and Y Retreats is one of the best budget-friendly options. That's why we teamed up with Y Retreats to sell some of the spots available on its upcoming Reset and Recharge retreat. Over the course of five days, you'll be immersed in a carefully curated combination of breathwork, cold exposure, yoga, self-development sessions, leadership and resilience workshops, physical adventuring and so much more. It's held at a secluded beachfront property in Tabanan and includes all your meals. It's the perfect place to relax and work on yourself. BOOK IT NOW. BALI SEA WALKER This is a really random travel experience. But it's heaps of fun. You pop on a glass helmet that's fed oxygen via a long tube and walk along the sea floor spotting tropical fish swimming about coral reefs. It's much easier than proper scuba diving (no training is required for sea walking). Add this little activity to a day spent at the beach. BOOK IT NOW. [caption id="attachment_892436" align="alignnone" width="1920"] Nick Fewings (Unsplash)[/caption] UBUD DAY TRIP The Ubud region has become increasingly popular these days, but remains quieter than most parts of Bali. It has many picturesque temples, coffee plantations, rice fields, museums and small villages filled with markets and great places to eat. But seeing all its best bits can be tough without a guide. So, we teamed up with Candidasa Taxi to offer this unique private tour of Ubud that also includes a trip to Tegenungan Waterfall and Sacred Monkey Forest Sanctuary. BOOK IT NOW. [caption id="attachment_892432" align="alignnone" width="1920"] Tandya Rachmat (Unsplash)[/caption] THREE-DAY GILI ISLANDS AND LOMBOK TOUR The Gili Islands is one of our favourite places to go in Indonesia. These six small islets are all located by Bali's neighbour sister Lombok and offer up exceptional experiences. You can swim with turtles, explore small fishing villages, relax on long white sand beaches and simply escape the crowds of Bali. And if you book this Gili Island and Lombok tour, you'll get to take your time seeing all the best bits over three days — you'll really want to spend more than just a day in these parts. The tour will also pick you up from Padang, so it's a great addition to any Bali holiday. BOOK IT NOW. [caption id="attachment_892439" align="alignnone" width="1920"] Florian Giorgio (Unsplash)[/caption] REGIONAL BALI TOURS Bali is a diverse place when it comes to culture, food and natural sites. That's why you shouldn't spend your entire holiday in just one place. But packing up all your things to stay in several different areas can also be tiring. The solution? Get on the day trip bandwagon. We have a bunch to help you see it all. Spend a day in the north, south, east or west of the island with each of these unique trips that take you to all the most popular parts — as well as a few hidden gems only locals know about. [caption id="attachment_892438" align="alignnone" width="1920"] Nattu Adnan (Unsplash)[/caption] NUSA PENIDA DAY TRIP Nusa Penida is an absolutely stunning island located just off the shores of Bali. It's a beach lover's paradise, with countless hidden coves located all over. A great way to see them is by joining a day tour. This particular one takes you to Broken Beach, Angel's Billabong, Kelingking Beach and Crystal Bay. You can even book a really affordable private boat tour of Nusa Penida to see it all from the water. BOOK IT NOW. [caption id="attachment_892441" align="alignnone" width="1920"] Bali Surgawi Tour Travels (Unsplash)[/caption] QUAD BIKE ADVENTURE As an ATV rider, you will be challenged to conquer some of Bali's rugged off-road terrain and muddy rock formations for 90 to 120 minutes. You'll see some great scenery, rice fields, rivers and beaches while zooming about with some mates. This will be followed by a two-hour snorkel trip that will take you to two different swimming spots. It's a two-in-one. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world. Top image: Jamie Fenn (Unsplash)
The World's 50 Best Restaurants for 2013 have just been announced, and it seems the trend towards all things natural and sustainable is here to stay, along with a speckling of Australian culinary talent working here and abroad. The Acqua de Panna award for Australasia's best went to Attica in Melbourne, a Ripponlea gem helmed by Patrick Shewry. The New Zealand-born chef has brought a certain sensitivity to his kitchen and earned a reputation for sustainable practice that showcases natural flavours and textures. Breaking into the list at no. 21, Attica was also honoured with the highest placed new entry. Peter Gilmore's usual suspect, Quay, came in at no. 48 to secure its fifth consecutive year on the list and rounded out our national presence. The result of 900 food journalist, restaurateurs, gastronomes and chefs working across the planet, the World's 50 Best Restaurants named Catalonia's El Celler de Can Roca as this year's premier international culinary destination. Run by the three Roca brothers — Joan (chef), Jordi (pastry chef) and Josep (sommelier), pictured — it has sat at no.2 for the last two years behind Denmark's Noma, which left the number one ranking for the first time in three years to slip to no.2. The United States and France confirmed their ascendancy with six restaurants in the top 50 each, including the celebrity-magnet Per Se in New York. Homegrown talent working abroad also nabbed a few spots, with Brett Graham's Notting Hill restaurant, The Ledbury, finishing at no. 13 and ex-Sydneysider David Thompson coming in at no.32 with Nahm in Bangkok. Thompson became the Sydney authority on Thai cuisine during the '90s with his well-remembered Darley Street Thai.
Not once, not twice, but nine times, Australia's most-dazzling Indigenous arts festival has lit up the Northern Territory. 2025 will make ten. Parrtjima — A Festival in Light has so firmly established itself as a highlight of Alice Springs, the Red Centre and Australia's cultural scene that it's hard to imagine a time before it. Expect luminous sights again this year, including the reliable star of the show: getting a 2.5-kilometre stretch of 300-million-year-old MacDonnell Ranges glowing every evening. The MacDonnell Ranges Light Show is one of two favourites returning to Parrtjima in 2025, again pairing its eye-catching display with classical music and Arrernte language. The other: Grounded, asking attendees to look down instead of up. A festival of lights in the NT was always going to incorporate the red earth, too, which is where large-scale projections turn the soil into a canvas. This year's version features six artworks. If Parrtjima only boasted those two pieces across Friday, April 4–Sunday, April 13, it'd still be worth heading to the Red Centre to enjoy — but there's far, far more in store across the event's ten days. Four other installations, all new and focusing on the 2025 festival theme 'timelessness', are among the standouts of a lineup that sports contributions from 20-plus First Nations artists, plus more than 100 performers and special guests. At The Gateway at Parrtjima's entrance, towering poles by artists from Antulye, Irlpme, and Mparntwe groups will greet guests. Also, Balanggarra and Yolŋu artist Molly Hunt's Three Generations of Station Women is making an animated comic strip that honours Aboriginal stockwomen, with actor Mark Coles Smith (Apple Cider Vinegar) on soundtrack duties. Then there's Bobby West Tjupurrula's Hypnotic Reverberations, creating a moving dreamscape out of beams of light, mist and reflections on a shallow pool. From Lyall Giles, Transforming Light & Country isn't just about sand dune patterns — it gets festivalgoers to play with them, using drums to create rings of light. Troy Cassar-Daley is headlining the festival's roster of nightly performances, putting on a free show on opening weekend. On the rest of the bill: the Darwin Symphony Orchestra, in what'll be Parrtjima's first-ever orchestral performance, plus gigs by Bumpy, Dem Mob, and Warren H Williams & Western Wind. This year will also feature the fest's debut comedy night, with Andy Saunders and Sean Choolburra sparking laughs. The Blak Markets are back, again showcasing First Nations paintings, jewellery, prints, baskets, sculptures and more — and Cassar-Daley, filmmaker Rachel Perkins (Jasper Jones), Michael Liddle, Armani Francois and Rudi Bremer are among the guests and speakers at the event's in-conversation sessions. If you're keen to learn by doing, the workshops itinerary spans art centre Iltja Ntjarra Many Hands getting participants doing watercolour paintings in the style of Albert Namatjira, Chef Mark Olive and Kungkas Can Cook's Rayleen Brown exploring bushfoods and traditional recipes, Parrtjima Curator Rhoda Roberts leading a weaving workshop, drumming with Dobby, and using native plants in Aboriginal healing with language holder and ecologist Veronica Perrule Dobson. Parrtjima – A Festival in Light will return from Friday, April 4–Sunday, April 13, 2025, at venues around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: Parrtjima – A Festival in Light. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It was one of the biggest celebrity scandals of the 90s, and it's now heading back to screens. When a sex tape featuring Baywatch star Pamela Anderson and her then-husband Tommy Lee was stolen from their home in 1995, then leaked on online, it fuelled tabloid headlines (and internet downloads) for years and years. Now, the whole saga has been turned into a drama called Pam & Tommy — starring Lily James (The Pursuit of Love) as Anderson and Sebastian Stan (The Falcon and the Winter Soldier) as the Mötley Crüe drummer. Even better: US streaming platform Hulu, which is behind the eight-part show, has just dropped the first teaser trailer for the series. James obviously dons the red swimsuit that Anderson was so famous for wearing for 76 episodes of everyone's favourite 90s lifeguard drama — you really couldn't make a series about Anderson without it — and, given that the focus is squarely on the couple's intimate recording, how it became public, and the impact it had on Anderson and Lee, things clearly get chaotic rather quickly. In the sneak peek, a mullet-wearing duo played by Seth Rogen (An American Pickle) and Nick Offerman (Devs) can't quite believe what they've stumbled across. That's the focus of the trailer; however, the clip does also show Anderson and Lee's reaction when the tape makes its way out into the world. Pam & Tommy's stars firmly look the part — calling James' appearance a transformation definitely fits — and the trailer sports an expectedly hectic vibe. Australian-born director Craig Gillespie has jumped into larger-than-life true tales before with I, Tonya, so he's in somewhat familiar territory. He also keeps being drawn to decades gone by: the 90s here and in I, Tonya, the 80s in aerobics-focused dark comedy series Physical, and the 70s in this year's live-action Cruella as well. Hulu has set a February 2 release date for Pam & Tommy in America, dropping the first three episodes on that date and then streaming the rest week-to-week afterwards. At the moment, where and when it'll surface Down Under hasn't yet been revealed, but hopefully that'll happen around the same time. Check out the Pam & Tommy teaser trailer below: Pam & Tommy will start screening via Hulu in the US on February 2. A release date Down Under hasn't yet been revealed — we'll update you when one is announced.
You don't need binoculars or a deerstalker cap to be a sleuth. If you're keen to investigate new cases at the press of a few buttons, all you really need is a stacked streaming queue. TV mysteries and dramas are full of whodunnits, after all. And, while they're filled with on-screen folks trying to get to the bottom of many a thorny predicament, they're also all perfect for letting viewers play armchair detective at home. Perhaps you're excellent at spotting tiny foreshadowing details? Maybe you have a great feel for television's twists and turns? Or, you could just love escaping into a series, lapping up all the minutiae and seeing if you can pick what's going to happen next? Whichever category fits, we've paired up with streaming platform Binge to take care of your next five viewing picks. They'll have you puzzling along as you're watching — including via a 14-day free trial for new customers.
Heading overseas from Australia is about to become a reality again, with the Federal Government recently announcing that international travel will be allowed to restart on a state-by-state basis from November. When each state or territory hits the 80-percent fully vaccinated mark set out in the National Plan to transition Australia's National COVID Response, that part of the country will be able to resume international flights — and Qantas has announced which routes will be operating first. Back in August, the airline revealed that it was planning to begin flying overseas again in December this year, based on when it forecast that Australia's international borders would reopen again. It has since started selling tickets for a number of overseas routes and, now that a firm plan has been put in place to open the nation back up to the rest of the world, it's bringing forward the start date for its flights to London and Los Angeles. Both legs will operate out of Sydney, and recommence operations from Sunday, November 14. To begin with, there'll be three weekly return flights to each city on Qantas' Boeing 787-9 Dreamliners. And if you're wondering why the carrier picked these two routes, it's because they've been the most searched options for the past few weeks. Pack your bags, flights from Sydney to LA and London take-off from mid-November ✈️ https://t.co/reJshnEF0U pic.twitter.com/KsxjrsBfGC — Qantas (@Qantas) October 1, 2021 The airline advises that it'll add more flights if it needs to, as per demand, and that the dates may shift once the exact border reopening date is announced (or, if anything changes with the Australian Government's current plan). So, if travel can recommence out of Sydney earlier, Qantas will move things forward — and it it gets pushed back, so will the flights, obviously. If you're keen to get booking anyway, ticketholders for these flights will be able to make changes without paying a fee for travel up until the end of 2022, although you will need to pay a difference in fare if that applies. Fares for the two routes are open to Australian citizens, permanent residents and their immediate families and some visa holders, and start at $1662 return for the Sydney–Los Angeles trip and $1869 return for Sydney–London. At present, Qantas is sticking with its plans to restart other international flights from Saturday, December 18. Previously, Qantas had revealed its intention to recommence flights to destinations with high vaccination rates from December 2021, including Singapore, Japan, the US, the UK, Canada and Fiji, before adding Hong Kong flights in February, and then trips to Bali, Jakarta, Manila, Bangkok, Phuket, Ho Chi Minh City and Johannesburg in April 2022. When overseas flights do resume, Qantas will use digital health passes to verify vaccination and testing status. And, as Qantas CEO Alan Joyce has previously stated, the airline will only allow fully vaccinated passengers to travel on international flights. Passengers will also need to have returned a negative PCR COVID-19 test 72 hours before departure. It's expected that travellers on these international flights will need to go into home quarantine for seven days when they return, which Prime Minister Scott Morrison mentioned when he announced that the international border will reopen in November; however, the exact details of how that'll work hasn't yet been revealed. As part of its efforts to encourage vaccinations — and to help speed up the return to its normal operations — the airline is also currently giving away discounts and frequent flyer points to vaxxed Aussies. Qantas will restart Sydney–Los Angeles and Sydney–London flights from Sunday, November 14. For more information or to book, visit the Qantas website.
Have you ever dreamt of a better version of yourself? At Sydney Film Festival's 2024 closing night, that'll be the question of the evening. The query sits at the heart of The Substance, which premiered at this year's Cannes Film Festival, got the movie world talking instantly and now has a date with the Harbour City on Sunday, June 16 to wrap up SFF with a dose of body horror. If you've being seeing Demi Moore's name pop up a heap lately and were wondering why, this film is the reason. After recently adding Feud, The Unbearable Weight of Massive Talent, Please Baby Please and Brave New World to her resume, the actor leads The Substance as celebrity Elizabeth Sparkle. When the character uses a black-market drug in an effort to cling on to her image and fame, it creates a younger version. "More beautiful" and "more perfect" is also how the first official clip from the film describes the temporary clone. If everything went swimmingly, however, there wouldn't be much of a movie. The Substance is also the long-awaited second feature from writer/director Coralie Fargeat, who made a spectacular debut with 2017's Revenge, and just picked up the Best Screenplay award on the Croisette for her sophomore effort. And, alongside Moore, Margaret Qualley (Drive-Away Dolls) and Dennis Quaid (Lawman: Bass Reeves) also star. "We are thrilled to close this year's Sydney Film Festival with the Australian Premiere of The Substance. Coralie Fargeat's film, featuring an outstanding performance by Demi Moore, promises to leave a lasting impression," said Sydney Film Festival Director Nashen Moodley. While the festival announced its full lineup in early May, the event always keeps adding to the program afterwards. Elvis' Austin Butler also joined the bill, coming to Sydney for a screening of his new film The Bikeriders. Plus, normally before the fest kicks off, it reveals a few more straight-from-Cannes titles. Accordingly, keep watching this space. Check out the teaser trailer for The Substance below: Sydney Film Festival 2024 takes place from Wednesday, June 5–Sunday, June 16 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website.
Yet another piece of the New South Wales Government's continual expansion of Sydney's public transport infrastructure has been announced this week, with two new inner city train stations set to be constructed as part of the new Metro West train line. Pyrmont and the CBD's Hunter Street will both receive new train stations under the expanded rail plans. Pyrmont's station will be located between Pyrmont Bridge Road and Union Street, near the Pyrmont Bridge Hotel and just down the road from the current Pyrmont Bay Light Rail Station. The Hunter Street station will have entrances between Hunter and George Street as well as Bligh and O'Connell Street. Designed to connect greater Parramatta to the Sydney CBD, the Metro West project will run through Westmead, Parramatta, Sydney Olympic Park and the inner west through to the new Pyrmont and Hunter Street Stations. The Metro project is expected to reduce travel time along the train line by up to 43 minutes. Public transport travel time between Parramatta Station and Pyrmont currently sits at around 50 minutes each way, with no direct public transport routes between the two locations. This travel time could be reduced to 18 minutes thanks to the new metro line, with travel between Sydney Olympic Park and Pyrmont being cut from 56 minutes down to just 13. "There will be massive and game-changing travel time savings across Sydney. For example, sports fans will be able to get from Bondi Junction to the new metro station at Sydney Olympic Park in just 27 minutes (interchanging at Martin Place) compared to 56 minutes now," Sydney Metro Chief Executive Peter Regan said. [caption id="attachment_811845" align="alignnone" width="1920"] Artist's render of the new Pyrmont train station.[/caption] 13 commercial buildings will be acquired by the government in the process of building the two stations. 11 CBD commercial residencies will make room for the Hunter Street station, while two Pyrmont locations will be acquired for its Metro station. The heritage-listed Skinner Family Hotel which resides atop the proposed Hunter Street Station site will be protected within the construction site. The Hunter Street station will become the fourth train station to operate in the city's CBD. When asked why one of the current CBD stations couldn't have been connected to the Metro West line instead of building a new station, NSW Transport Minister Andrew Constance responded: "There is so much infrastructure underground in Sydney, because of this government, we had to find a site which worked". Mr Constance also confirmed the NSW Government is expecting a financial contribution from the Star Casino due to the proximity of the new Pyrmont Station to the casino. "One of the things we are flagging, of course, for the peninsular at Pyrmont is a contribution, given the fact that it is going to massively increase the value of properties in those areas." The Metro West project is expected to be completed by 2030.
Tokyo Tower's stunning views, Studio Ghibli's theme park, various Godzilla statues, Mount Fuji, ramen everywhere, all of the temples, taking the shinkansen, karaoke on a ferris wheel, the Rainbow Bridge, cherry blossom season, the best sushi you'll ever eat, becoming addicted to Pocky: these are some of the highlights of a trip to Japan. In fact, when it comes to dream vacation itineraries, they're just the beginning. Something else that should be on your list: Suganuma Village. The World Heritage-listed site sits on the Shō River, and is known not only for its stunning scenery — think: spectacular mountains and forests — but for its Gasshō-style thatched-roof houses. Usually, visitors to the town can only appreciate them by looking, not staying within them, with the village normally only open to residents after dark. Indeed, that's been the case for decades, and it's the reason that the locale is considered a hidden spot; however, via Airbnb, that's changing for two lucky travellers for a two-night stay. Add a once-in-a-lifetime getaway to this nine-home spot to the list of unique experiences that the accommodation platform has offered up in recent years, alongside the Ted Lasso pub, Hobbiton, the Paris theatre that inspired The Phantom of the Opera, the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage, to name just a few. The Suganuma stay boasts something else special, though: it's free. As with all Airbnb specials, the service's price — here, $0 — only covers accommodation and the specific inclusions listed. Travelling there and back isn't part of the deal, so you'll be paying to fly to Japan and home. Still, this is the type of experience that doesn't come up often (or, before now, ever). And, you'll be hosted by the Nakashima family, who are fifth-generation locals, under their 170-year-old thatched roof. During your two-evening trip, you'll be immersed in the area's cultural traditions while marvelling at those distinctive buildings, which boast the style they do to last — as the Nakashimas' home clearly has — and because of winter's heavy snow. "I am delighted to open my family's home for a unique stay that will enable guests to enjoy the traditional life of our beautiful village of Suganuma. Through our collaboration with Airbnb, my family and I look forward to providing guests with unique experiences that have been part of our village for centuries," commented Mr Shinichi Nakashima. "We are honoured to offer a truly unique experience in Suganuma village, a World Heritage Site, through our collaboration with Airbnb. The rich history and vibrant culture of this charming small town, coupled with the warm hearts of the people who live there, will make for a fascinating and restorative stay. We hope this campaign brings attention to this beautiful destination for both Japanese residents and guests from around the world," stated Mr Mikio Tanaka, Mayor of Nanto City, Toyama Prefecture. If you're keen, you'll want to try to score the only booking at 10am AEST / 12pm NZST on Friday, June 30 — and if you're successful, you'll be having a money-can't-buy stay across Monday, July 17–Wednesday, July 19 this year. The reservation includes a welcome tea, plus Gokayama tofu, mountain vegetables and fish caught from the local river, as prepared by Mr Nakashima; a guided bike tour around the village and its surroundings; a hands-on workshop to learn about crafting thatched roofs; and also finding our more about the town's traditions such as making washi and sasara, a paper made of local fibre and a traditional instrument, respectively. And, you'll also be treated to a light show with folk songs one night, Suganuma Village's residents illuminating their homes. For more information about the Nakashima family's Gasshō home listing on Airbnb, or to apply to book at 10am AEST / 12pm NZST on Friday, June 30, head to the Airbnb website. Images: Satoshi Nagare. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
UPDATE, January 27, 2021: Savage is available to stream via Stan and Amazon Video. Tattoos covering his cheeks, nose and forehead, a scowl affixed almost as permanently, but raw sorrow lurking in his eyes, Jake Ryan cuts a striking sight in Savage. He's a walking, drinking, growling, hammer-swinging advertisement for toxic masculinity — how it looks at its most stereotypical extreme, and how it often masks pain and struggle — and the performance is the clear highlight of the Home and Away, Wolf Creek and Underbelly actor's resume to-date. Playing a character named Danny but also known as Damage, Ryan also perfectly epitomises the New Zealand gang drama he's in, which similarly wraps in-your-face packaging around a softer, richer core. Savage's protagonist and plot have had plenty of predecessors over the years in various ways, from Once Were Warriors' exploration of violence, to Mean Streets' chronicle of crime-driven youth, plus the bikie warfare of TV's Sons of Anarchy and even Aussie film 1%, but there's a weightiness on display here that can't just be wrung from a formula. That said, although first-time feature director and screenwriter Sam Kelly takes inspiration from NZ's real-life gangs, and from true tales from within their ranks spanning three decades, Savage does noticeably follow a predictable narrative path. Viewers first meet Danny in 1989, when he's the second-in-charge of the Savages, which is overseen by his lifelong best friend Moses (John Tui, Fast & Furious: Hobbs & Shaw, Solo: A Star Wars Story) but is also under threat by rank-and-file members agitating for a leadership challenge. In-fighting, and Moses' sheer desperation to remain on top, aren't Danny's biggest issues, however. Whether imposing the ramifications of being disloyal upon a younger colleague or being unable to relinquish control in an intimate situation, he's both tightly wound and silently aching, and he's also unable to shake the cumulative effect of all the factors and decisions that have led him to this testosterone-saturated point. A series of flashbacks, each fittingly moody and tense, explain why Danny is in his current situation physically, mentally and emotionally. The film first jumps to 1965, when he's nine (played by Pete's Dragon's Olly Presling), victimised by his overbearing father and sent to juvenile detention, where he initially meets and befriends a young, wild-haired Moses (Lotima Pome'e). The circumstances leading to Danny's stint in custody and his treatment while he's there each leave an imprint, with Moses swiftly becoming the only person that he can count on. Skipping forward to 1972, when the pair are in their late teens (played by James Matamua and Haanz Fa'avae-Jackson), they establish the Savages — and, although it gives them a sense of belonging that's absent elsewhere, they're soon caught in a Wellington turf war with a rival gang. Yes, all of the above narrative elements have a well-worn feel to them, but a blandly, routinely by-the-numbers flick isn't the end result here. Aided by suitably gritty and restless camerawork that mirrors Danny's inner turmoil, the film packs a punch when it lets that unease fester in quiet moments. It's also particularly astute when honing in on Danny and Moses's complicated friendship, and how pivotal it is throughout their constantly marginalised lives. There's never any doubting that Savage is a movie about family, including the traumas they can inflict, the hurt that comes with being torn away from loved ones at a young age, the kinship found in understanding pals and the concept of brotherhood in gangs, and the feature is at its most affecting when it lets these truths emanate naturally. Kelly does like to stress the point, though, and to do overtly. Indeed, the clunkiest parts of Savage involve Danny's yearning to see his mother and his tussles with his older brother Liam (played by Jack William Parker as a teen and Seth Flynn as an adult). Every year Danny, stands outside his childhood home, looks on at his parents and siblings and, unable to step into the yard, notches a mark on the fence outside — and it's an instantly and repeatedly overdone touch. When he's reunited with Liam, it's because the two brothers are in opposing crews, another obvious, template-esque inclusion that's far less effective or moving than seeing how Danny navigates the gang he has chosen as his new family. Unsurprisingly, Danny's gang life is brutal and violent, which Savage doesn't shy away from in a visual sense. Tonally, the film aims for Shakespearian levels of tragedy, too, as Sons of Anarchy did before it. But while most of the feature hits its marks, draws viewers in and keeps them interested, the movie's biggest force and asset is always Ryan. Tui also proves a commanding screen presence, as does first-timer Alex Raivaru as the latter's nemesis, while young Presling and Pome'e share a convincing rapport. When an actor plays the kind of immediately imposing role that Ryan is tasked with, however, how they handle the subtler side of the character is pivotal — and audiences can feel Danny's bubbling distress even when he's the most formidable figure figure in the room. https://www.youtube.com/watch?v=NK3eDfkXBzg Top image: Domino Films, Matt Grace.
When you were a kid, your biggest demonstration of self-control was not throwing Jaffas at the heads of people sitting in front of you at the cinema, right? Well, here's your chance to let loose and make up for lost time. Once a month, at Cremorne's decadent Hayden Orpheum Picture Palace, there's a screening of The Room — an American independent romantic-drama film. Tommy Wiseau not only starred in the feature, he also wrote, directed and produced it. The film quickly developed a cult following, after everyone realised it was terrible and unintentionally hilarious. The best bit of this screening is that you and everyone else are 100% permitted to throw spoons at the screen. Making as much noise as you like is most definitely on the agenda, too.
If Harry Potter and Singing in the Rain were mashed up, this gadget would be the key prop. It might look like a magic wand, but it acts like an umbrella. By sucking in air at one end and pushing it out at the other, the motorised head creates a jet airflow, pushing raindrops away from you. Hence, you’re kept dry, without the inconvenience of carrying around a soggy piece of fabric that will invariably whack your fellow pedestrians in the face. Created by Nanjing-based inventor Chuan Wang, the air umbrella is currently funding on Kickstarter. It began life as a prototype back in November 2012. Wang then spent time working with PhD graduates from the Beijing University of Aeronautics and Astronautics to reduce the size, while maintaining an effective level of airflow. A controller at the base of the handle enables the user to manipulate the umbrella’s force, to meet the rain’s intensity. With ten days to go, the Kickstarter campaign has exceeded its target goal, thanks to 97 backers pledging to the tune of $10,283. Three sizes are available, the ‘A’, which is selling for $88; the ‘B’, priced at $98; and the ‘C’ at $108. The smallest measures 30 centimetres and weighs in at 500 grams, while the largest is extendable, to a length of 80 centimetres, and weighs 850 grams. The invention has some weaknesses. For one, it looks dodgy as. Dyson should really put this sleeker concept into production. Two, it eats battery life faster than Facebook for iPhone. Despite the significant size of the rechargeable lithium pack, umbrella ‘A’ offers only 15 minutes of protection at a time, while ‘C’ provides 30 minutes. Via PSFK.
Every Thursday night from now until the end of May, QT Sydney's opulent city-slicker hideout Gilt Lounge is grabbing your Thursday nights roughly by the collar and dragging them away from your nerdy mid-week friends onto the cool table with Friday and the hot weekend twins. In collaboration with Perrier-Jouët, the cocktail bar is rolling out a regular evening of bubbles, beats and treats in their elegant and intimate CBD space. Soundtracked by luxe deep-lounge DJs Cassette and Alice Q, you can grab a bottle of NV Grand Brut champagne and spoil yourself with four premium freshly-shucked oysters from the bar's in-house European brasserie, Gowing's Bar and Grill, for $99 until 10:30pm each week. Complete with an outstanding cocktail offering and the seductive atmosphere and mystique that often accompanies destination-hotel bars, Gilt Lounge has your back for dates and deluxe after-work hangouts. Every Thursday throughout April and May, you now have an excuse to drink champagne.
Last time Spike Lee stepped behind the camera, he took on American race relations in the 1970s, with the equally scathing, impassioned and amusing BlacKkKlansman winning him the Cannes Grand Prix and an Oscar for Best Adapted Screenplay for his troubles. Two years later, the acclaimed filmmaker is back with his latest feature, which once again tackles inequality and its consequences — this time in Vietnam War heist flick Da 5 Bloods. Dropping on Netflix on June 12 — and just dropping its first trailer, too — Da 5 Bloods follows four African American veterans who head back to Saigon decades after the conflict. They're looking for the remains of their squad leader, who was killed in action, but they also have another mission: searching for the buried gold they stashed away all those years ago. As the trailer makes clear, Lee was never going to explore the controversial war without also examining the role played by African American soldiers at the time. That just wouldn't be a Spike Lee joint. So, as well as charting the exploits of his characters both now and during the conflict, Da 5 Bloods interrogates the political and social reality behind their military service — including the fact that they were fighting for a country that didn't treat them equally, let alone care whether they lost their lives in combat. Lee's latest flick also assembles a mighty impressive cast, including Black Panther's Chadwick Boseman as the unit's fallen commander — plus, as the older versions of the surviving squad members, The Good Fight's Delroy Lindo, Broadway veteran Norm Lewis, and The Wire duo Clarke Peters and Isiah Whitlock Jr. Whether the latter will exclaim "sheeeeeeeee-it" is yet to be seen, although Lee is clearly a fan. https://twitter.com/SpikeLeeJoint/status/1262194706416455680 Da 5 Bloods also features French actors Jean Reno and Mélanie Thierry, When We Rise's Jonathan Majors and Richard Jewell's Paul Walter Hauser, as well as Breaking Bad and Better Call Saul's Giancarlo Esposito — who reteams with Lee after starring in the director's School Daze, Do the Right Thing, Mo' Better Blues, and Malcolm X in the late 80s and early 90s. Check out the Da 5 Bloods trailer below: https://www.youtube.com/watch?v=D5RDTPfsLAI Da 5 Bloods hits Netflix on June 12.
If you're watching a film in a darkened theatre without some sort of snack in your hand, are you really at the cinema? Lovers of popcorn and choc tops certainly don't think so. And while whipping up a bowl of popped corn kernels in the microwave is a rather easy way to help recreate that movie magic at home at the moment, enjoying a choc top — a proper cinema-quality choc top, not just your own attempt — isn't quite that simple while Australian picture palaces are temporarily closed. To help satisfy Australia's choc top cravings during the COVID-19 pandemic, Hoyts has been delivering them (and popcorn and other movie snacks as well). Other cinemas have been selling the desserts, too, such as Melbourne's Cinema Nova and Sydney's Golden Age Cinema and Bar. But if you'd just like to grab a few from the supermarket, you'll now find Bulla's choc tops in Coles' freezer aisle for a limited period. It's the first time that Bulla's choc tops have been available outside of movie theatres, with different flavours on offer in different states. Ice cream fiends in New South Wales, Victoria and Tasmania can lick their way through mint, vanilla, salted caramel, and cookies and cream varieties, while Queenslanders, Western Australians and South Australians can opt for mint, vanilla, choc fudge and boysenberry. https://www.instagram.com/p/CArIHWhgWUg/ Bulla and Coles haven't revealed just how long the choc tops will be on the freezer shelves; however the fact that the majority of cinemas aren't aiming to reopen in Australia until mid-July might be a good guide. Find Bulla's choc tops in the Coles freezer aisle for a limited time. For further details, visit the Bulla or Coles websites.
It's time for natural wine drinkers and Australiana lovers to unite, with a new country club-style vino bar arriving on Enmore Road to help kick off 2023. A blockbuster crew of accomplished hospitality mainstays is teaming up to bring the Enmore Country Club, a neighbourhood bar drenched in 70s throwback nostalgia, to the Inner West from Tuesday, January 17. Taking over Cottonmouth Records' former digs at 182 Enmore Road, the 70-seat venue arrives with Dan McBride and Dynn Szmulewicz at the helm. You may have had a wine or cocktail at one of McBride and Szmukewicz's other beloved Sydney venues like Redfern's The Sunshine Inn and The Little Guy in Glebe. Adding to the firepower behind Enmore Country Club is natty winemaker Doom Juice's Creative Director Zachary Godbolt. The mastermind behind the wine brand's colourful and memorable visuals has come on board as the head designer for the new Enmore spot, leading the charge with its retro dive-bar aesthetic. The space has been given a full revamp with the bar set to live up to its name with fresh wood cladding, brass finishes, custom tablecloths from Defy Designs and a handmade resin bar top. As you would expect from a venue associated with The Sunshine Inn and Doom Juice, you'll find plenty of natural wines on the menu. The ever-evolving vino list will be projected onto the walls in order to facilitate any new drops that the team may get in. Complimenting the wines will be a seasonal cocktail list printed on the country club's coasters and a selection of local beers. McBride and Szmukewicz have also created a signature drink that plays into the country club energy: a house-made spiked cherry cola. The duo has also promised that there'll be some special surprises and hidden Easter eggs for when patrons being to roll in — but you'll have to take a visit to find out what they are. Find Enmore Country Club at 182 Enmore Road from Tuesday, January 17. Images: Angus Bell Young.
Sydney's northern beaches are again set to reap the rewards of acclaimed chef Giovanni Pilu's flair for regional Italian fare, as the Sardinian-born chef prepares to open his next bar and restaurant venture this weekend. Sister to Pilu at Freshwater, the soon-to-launch AcquaFresca by Pilu is a local take on the coastal trattorias of Italy, complete with al fresco dining, a share-friendly food offering and some primo waterfront views. It's also expected to have significantly cheaper prices than Pilu at Freshwater, so will be a way to experience Pilu's renowned fare with burning a hole through your pocket. The menu will feature a hefty antipasti offering with burrata and candied tomato crostini, and a bite-sized assembly of mortadella, farinata and pickled fennel. Add a drop or two from the strong list of both Italian and local pouring wines and you've got yourself an ideal after-work scenario. Deeper in, you'll find freshly rolled pasta — think pumpkin gnocchi with burnt butter, sage and truffle pecorino — along with a handful of mains and pizzas, made on dough proved in-house for 48 hours. Local beers and a crop of classic-leaning cocktails and spritzes round out the beachside fun. The restaurant will open inside the new Harbord Diggers, a $160 million dining and entertainment precinct in the northern beaches. Run by the Mounties Group, and replacing the former club overlooking Freshwater and Curl Curl Beach, the precinct will be home to a slew of bars and restaurants — including AcquaFresca, Teddy Larkin's Seafood and Steakhouse, pan-asian eatery WaterDragon and a new Harbord Diggers Bar — childcare facilities and a new senior living residences called Watermark Freshwater. These will all be part of Harbord Diggers' stage one openings, happening this Saturday, June 30. The second stage, slated to open in late 2019, will include a new fitness and aquatic centre and the completion of Watermark Freshwater. AcquaFresca by Pilu will open in Harbord Diggers, 88 Evans St, Freshwater, on Saturday, June 30.
If a tree falls in a forest and no one is around to hear it, does it make a sound? If 50 of the world's most renowned street artists transform a derelict, glamorous 19th-century bathhouse-turned-nightclub into a temporary gallery space but no-one sees it, does it even exist? Paris's historic Les Bains-Douches building is steeped in history — built in 1885 as a civic bathhouse where Marcel Proust reportedly enjoyed a morning dip, the grandiose space became a pumping discotheque in the late '70s, until some overzealous renovation attempts led to the iconic club's closure in 2010. It's set to reopen as a mystery venue in 2014, but for now owner Jean Pierre-Marois has invited a stable of prominent urban artists, commissioned by the Magda Danysz Gallery, to reimagine the soon-to-be demolished space. Les Bain's fleeting metamorphosis as a gallery space will never open to the public; instead it's memorialised exclusively in the online exhibition platform Un Artiste Un Jour ('One day one artist), as captured by photographers Stephane Bisseuil and Jerome Coton. Perhaps a throwback to the pleasure-seeking days of disco when Les Bains was a playground for the debauchery of Andy Warhol, Yves Saint Laurent, Jean-Michel Basquiat, Grace Jones, Kate Moss, Mick Jagger and Johnny Depp, the beautifully decaying artwork is here for a good time, not a long time. Hedonistic? Perhaps, but what is art if not beauty for beauty's sake alone. Take a sneak peek below, no fake ID necessary. Lek and Sowat Thomas Canto Jeanne Susplugas Joachim Sauter Sten Lex Zeer Image credits: Sambre, Lek and Sowat, Thomas Canto, Jeanne Susplugas, Joachim Sauter, Sten Lex, Zeer by Jerome Coton and Stephane Bisseuil. See more images here.
Coogee Pavilion, Merivale's revamp of the old Beach Palace Hotel, is set to open its first phase on July 24. If you've had mixed feelings about the mega group's growing expansion into Sydney's suburbs, they're determined to charm you: the plans for the ground floor of Coogee Pavilion sound less public house, more funhouse. Overlooking Coogee Beach, the Pavilion will of course focus on seafood dining, with fresh catches, a raw bar and an oyster counter. But then there's Vinnie's Pizzeria (serving up woodfired creations from Merivale's pizza maestro Vincenzo Biondini), a fresh flower stall, Will & Co coffee cart, a cocktail bar, a juice bar and a gift shop. The games area is perhaps the most surprising element of the venue. It's in big part for kids, but the promise of "beautifully refurbished" 1950s ping pong tables, petanque, a giant hand-painted Scrabble board and old-school arcade games suggests they've fun-seekers of more refined tastes in mind too. The area will even include a movie theatrette and barber. The 1887 building encloses 4500 square metres of space, which explains how they're able to promise all these fabulous things. The upper two floors will continue to be developed over the coming months. The ambitious plans for the venue have been developed by a design team including Kelvin Ho of Akin Creative, Amanda Talbot plus Justin and Bettina Hemmes. Coogee Pavilion ground floor will be open for breakfast, lunch, dinner and more from Thursday, July 24. Its opening hours are 11am - 11pm, Monday – Thursday; 11am – 3am, Friday; 7am – 3am, Saturday; and 7am - midnight, Sunday. Update July 22: The revised opening date for the Coogee 'Pav', as we may as well start calling it already, is July 24. Image: Santa Cruz beach promenade, many moons ago.
Everyone has had a Surry Hills Shopping Village experience. Maybe it is (or was) your closest spot for groceries, where you've bartered for salmon at the fishmonger, rummaged for discounted fresh produce at the fruit shop, or picked up an emergency serve of Singapore noodles from Noodle Star. Well, love it or loathe it, soon, it will all be different. The Cleveland Street shopping centre is set to be totally redeveloped — and the designs have just been released by property group Toga. And, boy, does it look different. In the hands of architects SJB and Studio Prineas, Murder Mall — as it's 'affectionately' known — will keep its original 1867 Federation-style brickwork frontage, but also gain commercial space and a casual 157 residential apartments across an additional three storeys. Also new will be a small public park at the rear of the site (towards Baptist Street) and a "market-style" laneway that will no doubt feature a few street food vendors requisite of all new developments. The interiors will be given an upgrade, too, thanks to BKH Interiors. The Coles supermarket will be retained, but it sounds like all other retailers will be booted in favour of more boutique offerings. A statement from Toga didn't mention specifics, but that it would be looking to fill the retail spaces with "a diverse mix of Surry Hills' finest providores and restaurateurs". The master plan has already been approved, so Toga has now submitted the development application for the Surry Hills site. If it all goes ahead, construction will start late 2019 with a view to finish in early 2022. The shopping village will be closed in that time — to try and make up for the inconvenience, a shuttle will run between the site and the Coles in Waterloo. There's no doubt that the shopping centre could do with a new coat of paint, but the development — which, according to The Australian Financial Review, will cost around $150 million — does pose to change the vibe of the site and the area around it, as has happened with similar developments in Waterloo and Chippendale. The Surry Hills Shopping Village is located on the corner of Cleveland and Baptist streets, Redfern. It will remain open until late 2019. Find more info on the development here.
When A League of Their Own hit cinemas back in 1992, it didn't just claim that there's no crying in baseball. More importantly, it told a spirited story about the All-American Girls Professional Baseball League back in the 1940s — and it hit a home run with audiences in the process. It should come as no surprise, then, that it's getting the remake treatment, this time with Broad City's Abbi Jacobson leading the show. Jacobson also co-created and executive produced Prime Video's new version of A League of Their Own, which'll slide into your streaming queue on August 12. If you've seen the movie — which starred Geena Davis, Madonna and Rosie O'Donnell as members of a women's baseball team, plus Tom Hanks as their manager (and the person who famously decided that tears didn't have a part in the bat-swinging game) — you'll know the general gist of what's in store. As seen in the show's initial teaser trailer back in June, as well as the just-dropped full trailer, the series again jumps back to World War II to follow a group of women who dream of playing professional baseball. That said, it also promises to expand its story further that the film, charting a whole generation of baseball-loving ladies with that dream, including beyond the AAGPBL — and looking at both race and sexuality on and off the field in the process. Jacobson plays Carson, while Chanté Adams (Voyagers) plays Max — and they're joined by The Good Place's D'Arcy Carden among the players, plus Parks and Recreation favourite Nick Offerman as well. Also appearing on-screen: Gbemisola Ikumelo (The Power), Roberta Colindrez (Vida), Saidah Arrika Ekulona (Better Call Saul), Kate Berlant (Search Party), Kendall Johnson (Sexless), Kelly McCormack (George & Tammy), Alex Désert (Better Things), Priscilla Delgado (Julieta), Aaron Jennings (Grand Crew), Molly Ephraim (Perry Mason), Melanie Field (The Alienist) and Dale Dickey (Palm Springs). Charting its characters' efforts to make their way onto the field — and not only be part of a team, but also discover who they really are along the way — the new A League of Their Own marks Jacobson's first ongoing on-screen TV role since Broad City said goodbye. If you're in need of a weekend-long binge in August, all eight episodes of the show will drop at once, too. Check out the full trailer for A League of Their Own below: A League of Their Own will start streaming via Prime Video on August 12.
If an early 20th-century Jewish immigrant found himself walking around in 2019, what would he think of the world? That question comes with a flipside, of course, because it's equally valid to wonder how today's folks would react in response. With Seth Rogen starring as a ditch-digging, rat-catching new arrival from Eastern Europe to Brooklyn, these are a couple of the queries pondered by An American Pickle. It's the latest in a long line of comedies that trifle with time while doubling as time capsules, and it falls firmly from a familiar mould. Some such flicks send teens to the past via Deloreans and phone booths, as seen in the Back to the Future and Bill & Ted franchises. Others focus on people from another era grappling with modern living, as the likes of Encino Man and Blast From the Past demonstrated. Yes, these concepts were particularly popular in the 80s and 90s — but no matter when they flicker across our screens, they do two things: serve up a snapshot of the attitudes and norms prevalent when they're made, and explore how current perspectives intersect with those gone by. That's true of An American Pickle, and overtly so, with seeing, examining and giggling at the contrast between century-old ways and contemporary ideas a considerable part of the film. Not only that, but this Simon Rich-penned adaptation of his own short story Sell Out does all of the above broadly and blatantly — pointing out that big, bushy beards have become hipster beacons, for example, and that much has progressed since the 1900s. Consequently, there's no avoiding just how slight An American Pickle is. Its protagonist might fall into a vat of brine, get sealed in, then emerge in a new millennium, but this movie isn't diving deep. Thankfully, mixed up with all the obvious jokes are two thoughtful performances, both by Rogen, that help the film interrogate the push and pull between the past and the present in a moving fashion. Rogen plays Herschel Greenbaum, a new arrival to US with his wife Sarah (Succession's Sarah Snook), after the pair leave their home of Schlupsk to escape Russian Cossacks and chase a better life. Rogen also steps into the shoes of app developer Ben Greenbaum, Herschel's great-grandson and only living descendant when he awakens in his preserved (and presumably extra salty) state. The two men are the same age, and look alike. That said, they sport differences beyond Herschel's facial hair and Ben's technological know-how. It's the usual generational divide, as instantly recognisable to everyone watching. The elder Greenbaum is devoted to his family and faith, and is horrified that his sole remaining relative doesn't appear as fussed about either, while Ben gets increasingly frustrated with his great-grandpa's know-it-all-approach, bluntness and incessant meddling. Rich gives the two men more reasons to argue, and for Ben to start plotting Herschel's downfall. An app that rates companies on their ethics, an artisanal pickle business that becomes a viral hit and a towering billboard for vodka all factor into their feud. So too does Ben's willingness to capitalise upon Herschel's inherent ignorance of 21st-century minutiae, and the proud and stubborn Herschel's insistence upon staying set in his ways. The details are almost superfluous and, as the narrative keeps picking low-hanging comic fruit, they feel that way in the movie as well. Herschel upends Ben's business plans with some unethical behaviour, and Ben tricks Herschel into spouting his dated and offensive opinions on social media, but there's never any doubt that it'll all eventually work out. As a result, even though An American Pickle delivers plenty of conflict, there's no real drama here — and no real investment in Herschel and Ben's spat. Instead, the movie deploys over-the-top clashes in the service of clearcut gags and satirical observations, and to drum up easy laughs. Well that, and a product placement-driven fondness for Soda Stream that's the one thing Herschel and Ben always agree on. But, despite how straightforward it all proves, the film still boasts heart, sweetness, and an understanding of how the past always leaves an imprint, the future needn't fastidiously be chained to tradition, and that everything old and all things new have a symbiotic relationship. Yes, watching Rogen battle with himself manages to convey those notions. Luckily, too, given that the latest feature from The FP's Brandon Trost is rather standard otherwise. Generally, everything about An American Pickle takes the expected option — including switching aspect ratios to distinguish between 1919 and 2019, and using varying colour palettes to differentiate between Eastern Europe and America — but that description doesn't fit Rogen. If you've seen him in everything from Freaks and Geeks and Knocked Up to the Bad Neighbours movies and Long Shot, you've probably started predicting how he plays his parts here. And yet Herschel and Ben feel grounded and textured in a way that little else in this flick does. Rogen offers up two convincingly melancholy visions of two men cartoonishly wrapped up in their own needs and ideas, and his dual performances are consistently anchored in relatable emotions instead of merely self-evident jokes. And, in an affable but also mostly forgettable film, he's the only aspect that doesn't feel like it's been pulled straight from a jar that's been sitting on the shelf for quite some time. https://www.youtube.com/watch?v=RC2dsAGvGy0 Top image: Hopper Stone. © 2020 Warner Bros. Entertainment Inc. All Rights Reserved.
Come October 2025 in Sydney, Tomato Day will be back on the big screen, all thanks to Looking for Alibrandi's inclusion in this year's Italian Film Festival lineup. A quarter of a century has passed since the Pia Miranda (Invisible Boys)-starring Australian page-to-screen classic reached cinemas, so the nation's annual celebration of Italian movies has programmed the beloved picture based on Melina Marchetta's 1992 book in its closing-night slot. Audiences will get a particular filmic treat, too, given that the 4K restoration of the film will be gracing the screen. So, as well as surveying the latest in Italian cinema — as IFF does every year, 2025 being no exception — there's an Aussie flavour to the festival this time around. Another example: the Greta Scacchi (Darby and Joan)-narrated Signorinella: Little Miss, with the team responsible for Lygon St — Si Parla Italiano turning their attention to Italian women who helped make the Italian Australian community what it is. 2025's Italian Film Festival kicks off in mid-September, running across Thursday, September 18–Wednesday, October 15 at Palace Moore Park, Palace Norton St, Palace Central and Chauvel Cinema in Sydney. While Looking for Alibrandi is on closing duties, romantic comedy Somebody to Love will get IFF 2024 started, as hailing from Perfect Strangers filmmaker Paolo Genovese. In the festival's centrepiece slot is La Grazia, the latest from Paolo Sorrentino (Parthenope) — and, like The Hand of God, Loro and The Great Beauty, starring Toni Servillo. Its inclusion is quite the get for IFF, given that the movie will head to Australia direct from having its world premiere opening the 2025 Venice International Film Festival. Servillo is a significant feature of IFF's lineup this year, too, thanks to also appearing in Sicilian Letters and The Illusion, with the first focusing on Cosa Nostra boss Matteo Messina Denaro's time as a fugitive and the second heading back to Giuseppe Garibaldi's efforts in 1860 to unify Italy. In another highlight, Napoli — New York sees Gabriele Salvatores (Cassanova's Return) chart the path of two Neapolitan children to New York in 1949 — and continue, as also evident courtesy of Looking for Alibrandi and Signorinella: Little Miss, the festival's celebration of migrant stories. The must-sees keep coming from there, with IFF also screening 2024 Venice Film Festival Grand Jury Prize-winner The Mountain Bride — Vermiglio; Diamonds by Ferzan Özpetek; The Great Ambition, which won Elio Germano (Trust) the Best Actor Award at the David di Donatello Awards for portraying former Italian Communist Party leader Enrico Berlinguer; Italian box-office hit The Boy with the Pink Trousers; and the Valeria Golino (Maria)-led Fuori, a biopic about Italian feminist writer Goliarda Sapienza. Or, attendees can catch post-WWII-set drama My Place Is Here, as based on the novel by Daniela Porto; The Life Apart, which sports Vicenza as a backdrop; and Gianni Versace — Emperor of Dreams, as focused on the fashion icon. And, for its blast from the pasts for 2025, the fest is embracing giallo, to the delight of horror and thriller fans. Think: a new 4K restoration of Dario Argento's Deep Red, alongside Lucio Fulci's A Lizard in a Woman's Skin, Mario Bava's Blood and Black Lace, Pupi Avati's The House with Laughing Windows and Sergio Martino's All the Colours of the Dark.
When it opened 88 years ago at Milsons Point, Luna Park Sydney wasn't the world's first Luna Park, or even Australia's. But Harbour City residents and tourists alike have enjoyed its presence around multiple closures, reopenings and revamps ever since. Come December, the amusement park will unveil its latest reason to stop by and enjoy its attractions: Dream Circus, an immersive experience that's revamping the site's big top. If you've ever wanted to feel like you've walked into a movie, this is the Luna Park Sydney feature for you. Dream Circus will be filled with 360-degree projections, holograms, motion-activated LED screens, surround sound and lighting to immerse you in a Hollywood-style experience. It'll become Sydney's first permanent immersive-experience attraction, the venue advises — and a world-first type of attraction as well. Attendees can expect to enter a narrative journey, where characters and a spectacle that engages the senses will combine. The experience will take over the 3000-square-metre big top, with its sights filling a surface area of over 3500 square metres — and with Artists in Motion, TDC and Auditoria, who have ABBA Voyage, King Kong on Broadway, works at Vivid and Walking with Dinosaurs to their names, behind it. Luna Park Sydney expects people to flock to see the results when Dream Circus opens on Friday, December 22, just in time for the Christmas holidays, anticipating that 50,000 people will check it out over summer. The new attraction will help the site embrace the future, while still loving its status as an art-deco amusement park that dates back almost a century. "We are proud to build for Sydney one of the most technically advanced environments in the country. The result will be a venue without equal — capable of featuring the best immersive experiences, never-before-seen immersive live music and special events" said Luna Park Sydney CEO John Hughes. "As a world-class amusement park, we need to be more than rides, and expanding our depth of offering through world-class immersive experiences will mean that Sydneysiders won't have to travel the globe to experience these incredible environments. We want to be a reliable, magical, and affordable destination for all generations of Sydneysiders and visitors to our city". Dream Circus launches at Luna Park Sydney, 1 Olympic Drive, Milsons Point, on Friday, December 22 — visit the park's website for more information and tickets.
If there's one thing the crew at this play-on-words beachside cafe is famous for, it's grilling some serious burgers (and being snapped on Instagram the city over). There are at least 16 different versions to choose from at Bare Grill, covering everything from the classics to chicken, vegetarian and fish — so whatever your preference, you've always got at least a few options. And if you think delicious cheesy towers like these don't come cheap, then you'd be mistaken, because The Original — with a beef patty, American cheddar, gherkins, caramelised onions, American mustard and ketchup served on their famous Bare Grill-branded bun — will only set you back $10. If you're feeling particularly famished you might want to tackle The Grizzly Bare: four beef patties, American cheddar, bacon, Bare sauce and a side of fries for $25. But the fun doesn't stop there. If your goal in life is to claim victory in a man versus food comp, then the 'Death by Burger' challenge ($45) has your name on it. All you have to do is swallow ten beef patties, ten slices of American cheddar, ten pieces of bacon, Bare sauce, two buns and a large chips in half an hour. If you do it, you'll become the third person in Bare Grill's history to complete it, and you'll score yourself a T-shirt and a free meal. Glory is a bonus. However, we can't give all the glory to the burgers alone, because their fries ($4 small) are damn good too. Perfectly golden chunks of potato smothered in a seasoning so good you can't stop eating — that is, until you see a basket of their 'epic' fries ($15) come out of the kitchen. That's when food envy sets in. Waffle fries are smothered in pulled pork, cheese, spiced aioli, Carolina sticky BBQ sauce, bacon and shallots. It's basically a meal in itself, so we'd recommend ordering smaller items to go with it, or nothing at all. And then there are the signature and extremely indulgent Gaytime and Malteser Bare shakes, which have to be seen (on Instagram) to be believed. Jam-packed with confectionery, syrups and ice cream; these guys certainly know how to shake things up. But don't be fooled into thinking this is just another fast food joint. There's also ribs ($30 for half a rack), seafood and salads on the menu for those not necessarily feeling burgers. And with the picturesque Bare Island fort as the backdrop, it's no coincidence this local gem is bright and relaxed with openair bar seating and shades of yellow and turquoise. Even little touches like newspaper-printed burger wrappers make for an old-school Aussie seaside experience. And even if you haven't been to Bare Grill yet, but don't want to bus it to La Perouse, then you're in luck, because their second cafe in Surry Hills is proving to be just as popular. Images: Katje Ford.
Just west of Sydney CBD, across the sparkling waters of Darling Harbour, you'll find Pyrmont. It's famously the home to a number of tourist hot spots, including Sydney Fish Market, the Powerhouse Museum and The Star. But, beyond these legendary landmarks, there's a cornucopia of quirky restaurants, small bars, cafes and friendly pubs to explore. Begin your day with Egyptian bakery treats, stop for lunch in a 177-year-old pub and finish up with a degustation where Italian fare meets Japanese influences. In between eats, step into the future at the Powerhouse Museum and catch some live jazz in a New York-style club. Here are ten places in Pyrmont that you really, really shouldn't miss. Plus, for a few more hot tips, check out our video above for Terminus Hotel venue manager Luke Reimann's favourite spots around the suburb.
The service industry has really been through some things lately. 'Shake up' doesn't even come close. Crowd-sourcing, app-ification, and hyper-localisation mean that the service industry we enjoy looks nothing like what our parents knew. And the latest offering from the team behind Paramount Coffee Project, Reuben Hills and Melbourne's Seven Seeds is a testament to this brave new world. The Paramount House Hotel won't be a hotel in the traditional sense of the word. It's gone local instead of global. It won't be a glitzy chain where everything looks and feels the same no matter which country you're visiting. It aims to be an immersive local experience and give visitors a genuine slice of life in Surry Hills. "We hope to encapsulate the spirit of Surry Hills and offer the guest an immersive local community experience," said co-owner Ping Jin Ng. "We are considered but not staged, generous but not lavish and we will offer a memorable and inspiring stay — not just comfortable and slick." The hotel will be part of Paramount House, which currently houses Paramount Coffee, a co-working space and Golden Age Cinema. The hotel's lobby will blend into the downstairs cafe, and a two-storey extension will provide 29 rooms. Room service will be provided by acclaimed local restaurant Ester. Finally you'll be able to eat their sourdough ice cream in bed. Ng sees the hotel's patronage being similar to the crowd that comes into Paramount Coffee — those that appreciate "good food and coffee, but also beautifully designed spaces and interesting events". The vision for the hotel has been realised by Melbourne architecture firm, Breathe. You may know them for their work on Seven Seeds, Brother Baba Budan, Host, the Collingwood Arts Precinct, The Commons and Transformer. They'll retain the heritage details and deck it out with little luxuries like private terraces, generous greenery and Aesop products in all the bathrooms — of course. We'll keep you updated on an opening date. Paramount House Hotel is expected to open in early 2018 at 80 Commonwealth Street, Surry Hills. They're currently hiring staff too. For more info, visit paramounthousehotel.com.
A stunning new dining experience has arrived in Sydney's inner west, courtesy of restaurateur Bill Drakopoulos (Ormeggio at The Spit, LuMi Dining, Ripples Chowder Bay, Chiosco by Ormeggio and Jardin St James). The Fenwick, a heritage-listed waterfront building, reopened as a cafe and gallery last week. It boasts sweeping harbour views, seasonal fare and exhibitions by local and international artists. The tiny sandstone space was built in the 1880s and was originally used as a tugboat store. Heaps of private development proposals were rejected before the building was finally acquired by the former Leichhardt Council in 2003 (now part of the Inner West Council), thanks to a campaign by local Balmain East residents. After a restoration that cost millions, The Fenwick is finally open to the public. To us, the space better resembles a chapel — think a pitched roof, exposed timber beams and large barn doors that open out to views across Barangaroo, the Harbour Bridge and Luna Park. At the simple yet sleek cafe, co-owner and executive chef Davide Rebeccato (Aqua Dining) is serving up modern Australian eats with a focus on seasonal dishes. For breakfast, expect scrambled eggs served on French toast and topped with prawns and eggplant; pulled pork breakfast burgers with fried egg and cabbage slaw; and poached eggs on sourdough with haloumi, mushrooms, avocado and kale. Apart from all those eggs, you can tuck into homemade granola with fresh fruit and berry compote pancakes with banana, coconut and pistachio crumble. More refined fare is on offer for lunch, including pickled sardines, burrata with prosciutto and figs, and jalapeño kingfish with tiger milk. Larger plates feature snapper tail served in a lemon and garlic butter sauce; fish stew with fregola, olives and capers; and wild mushroom and black truffle gnocchi. For the morning, the cafe is slinging Little Marionette coffee and cold pressed juices. Once the arvo hits, a specialty cocktail list will accompany lunch — it includes the Chamomile Kicker (chamomile-infused gin, elderflower liqueur, lime juice and egg), the Lavender Martini (gin, Amaro Nonino, lavender syrup and lime) and the Dark Chocolate Negroni (gin, Campari, Regal Rouge vermouth and dark chocolate bitters). Jugs of Pimm's Cup and rosé spritzes are also up for grabs, as are heaps of local and international wine by the glass and bottle. Level twos houses the public gallery, which will be open daily and offers regular exhibitions featuring local and international artists. Creative events held in partnership with other local galleries and community groups are also on the docket. Keep an eye on this space for upcoming exhibitions and events. The Fenwick is now open at 2-8 Weston Street, Balmain East. Cafe opening hours are for breakfast 7–10.30am and lunch noon–5pm daily.
It is little wonder that, for many of us, bikes are our preferred means of transport when getting from A to B. They're cheaper, greener, and ensure the health and general perkiness of various muscular groups. Yet while we love our bikes, we rarely share the affection with the cycling paths we ride on — indeed quite the opposite. But that may be about to change. French industrial designer, Ines Le Bihan, has recently developed Bicycle Road, a modular bike path with benefits galore. The Bicycle Road consists of small square-shaped panels which are easily assembled and disassembled, which means they take the labour, disruption and cost out of painting pesky white lines. The Bicycle Road is also well-equipped to deal with seasonal changes and to cope with the natural inclinations of the road. It also promises to be a safer alternative. And Greener. What is not to like about the Bicycle Road — it promises to be a greener, safer, more economical alternative to the less than adequate bike tracks that currently trail around our city street. We may even end up loving our bike tracks as much as our bikes. Maybe.
The role of Andie Whitford, the lead part in High Country, was written for Leah Purcell. It's easy to understand why. There's a quiet resolve to the character — a been-there-seen-that air to weathering tumult, too, and to knowing that she'll always have to fight hard for what she wants — that's long been a part of the Indigenous Australian star's acting toolkit across a three-decade career. Purcell first appeared on-screen in 90s TV shows such as GP, Police Rescue and Water Rats. In the past year before High Country, The Lost Flowers of Alice Hart and Shayda also popped onto her resume. In-between, the 2000s brought Lantana, Somersault, The Proposition and Jindabyne — and the 2010s added Redfern Now, Last Cab to Darwin, Janet King and Black Comedy. Across three formats, as a play, a book and a movie, she also interrogated and reimagined Henry Lawson's The Drover's Wife in blistering fashion, and while writing, acting and directing. It's thanks to Wentworth that High Country came Purcell's way, however. Creators Marcia Gardner and John Ridley worked with her there, then made this the trio's next shared project. The nuts and bolts of the series are solid anyway, but it joins the ranks of Aussie detective and mystery tales made all the better due to their main talent. Mystery Road, which High Country co-star Aaron Pedersen (High Ground) has led in films and on TV, was the same. Jack Irish, featuring Guy Pearce (The Clearing) as its namesake and also Pedersen as his righthand man, equally fits. So does The Dry and its sequel Force of Nature: The Dry 2, both with Eric Bana (Blueback) — the latter of which also used Victoria's alpine region as a backdrop, as does High Country. Andie is a seasoned police detective who takes a job back in uniform overseeing the town of Broken Ridge, which is located in the mountainous Victorian spot that gives the show its moniker. While High Country might be the second Aussie effort in 2024's early months to embrace this part of the nation — among a small but growing wave of rural-set Down Under movies and programs that aren't traversing red earth, such as the Tasmanian-set Deadloch, The Gloaming and The Kettering Incident, too — it's no mere rehash there, or anywhere. High Country's framework, down to its character types, is easily recognisable. Gardner and Ridley know what everyone does, though: that a great story can make any whodunnit-driven procedural feel different, as can excellent casting. A big reason for Andie's move: stability and work-life balance, aka relocating for the sake of her personal life with spouse Helen Hartley (Sara Wiseman, Under the Vines) and daughter Kirra (Pez Warner, making her TV debut). An existence-resetting tree change is meant to be on the cards, then, in a place where leafy vantages stretch over mountains and down into valleys as far as the eye can see. But her arrival, especially being installed as the new police chief, doesn't earn the sunniest of welcomes. Then there's the missing-person cases that swiftly start piling up, some old, some new, some previously explained by pointing fingers in specific directions. An absent doctor (Francis Greenslade, Irreverent) and the car he leaves behind is Andie's entry point, but that isn't the beginning or the end of the tale. Also key to the series are Andie's retiring predecessor Sam Dryson (Ian McElhinney, The Boys in the Boat), who is fixated on the past disappearance of a young boy — and former teacher Damien Stark (Henry Nixon, The PM's Daughter), who he's certain is responsible, has become the town outcast as a result and contends that he's psychic. Andie is soon perched between them. She values Sam's advice, yet spies how fixated he is in his vendetta (one wall in his house is right out of the obsessed-cop playbook). At the same time, she enlists Damien as a consultant to help on active cases, hoping that he'll accidentally reveal his involvement in the process. Ranger Owen Cooper (Pedersen) is one of the few other Indigenous faces in town; his teenage son Ben (Pedrea Jackson, Sweet As) quickly befriends Kirra. Throw in Rose De Vigny, the financially challenged proprietor (Linda Cropper, How to Stay Married) of a haven for artists, plus cop colleagues of varying help and loyalty (Romance at the Vineyard's Matt Domingo and Wyrmwood: Apocalypse's Luke McKenzie), and Broken Ridge doesn't lack in players. Rabble-rousing siblings (Boy Swallows Universe's Nathaniel Dean and The Clearing's Jamie Timony), town bigwigs (Geoff Morrell, The Lord of the Rings: The Rings of Power) — the list goes on. Crucially, no matter how many of High Country's characters feel as if they could've walked in from fellow Aussie fare, where the show takes them is always its own journey. The same is true of Andie, and not just within a homegrown context; Jodie Foster (Nyad) in True Detective: Night Country and Kate Winslet (The Regime) in Mare of Easttown have charted comparable paths, but never this exact route. Pivotal to giving High Country its own flavour is its sense of place — not merely as a source of picturesque sights, which Andie often takes in as a newcomer to these parts, but in getting entrenched in the ragtag Broken Ridge community. When Sam reflects early that disappearances and deaths are just what happens here, Andie is horrified. Digging into the motivation behind his words becomes another of her missions, and the series'. With a wealth of fellow Wentworth alum behind the camera — Kevin Carlin (Ms Fisher's Modern Murder Mysteries) and Beck Cole (Deadloch) direct; Craig Barden (The Rooster) and Darrell Martin (White Fever) are High Country's cinematographers — this is a probing affair. The surroundings that make us, and also hide our secrets, prove a canvas, a minefield and a map. Discovering what they contain in this small-town thriller makes for addictive viewing, unsurprisingly. And in Purcell as Andie, High Country has a discerning and determined guide to fuel not just one season and its mysteries, but hopefully much more to follow. Check out the trailer for High Country below: High Country streams via Binge. Read our interview with Leah Purcell Images: Sarah Enticknap / Narelle Portanier.
The New South Wales Government wants to overhaul "outdated, complicated and often duplicated regulation" across the state in order to facilitate a more thriving nightlife. Newly introduced Vibrancy Reforms legislation is set to deliver changes in six key areas that the government hopes will lead to more live music, more outdoor dining and less trouble with noise complaints. The six areas of reform that are expected to be addressed are sensible sound management, nightlife precincts, outdoor dining and entertainment, the 24-Hour Economy Commissioner's remit, licensing and an improved night-time sector for workers. "This is a clear statement of intent from the State Government that the night-time economy matters," said Night Time Industries Association (NTIA) CEO Mick Gibb. "If NSW is going to realise the full potential of these reforms, we need Local Governments to get behind the suite of options at their disposal. By creating vibrant, diverse and safe Special Entertainment Precincts, a local council can shape the type of night-time ecosystem it wants to create for its community," Gibb continued. Among the reforms, you'll find commitments to streamline noise complaints, extend the success of the Enmore Road Special Entertainment Precinct to other areas across the state, make applications for al fresco dining quicker and less strenuous, and make the 24-Hour Economy Commissioner a statutory role. While many local councils have been pushing for an overhaul of the noise complaint system, venues such as The Great Club in Marrickville have still run into issues with neighbours, even in supportive councils like the Inner West. These new reforms will remove noise tests, which are highly subjective, from the system. They'll also see all issues go through Liquor and Gaming NSW. "The NTIA is delighted to see the government stick to its election commitment and make the 24-Hour Economy Commissioner's role a statutory appointment. This is a measure that will mean there's a champion for the night-time economy embedded into the government so we can avoid ever going back to the devastation of lockout laws while maintaining public safety at all times," said Gibb. The Vibrancy Reforms also include promises to remove outdated regulations, meaningfully encourage venues to host live music and the arts, and ensure that after-dark staff from healthcare workers to security and retail have the support they need. The announcement comes less than a month after Western Sydney's Lakemba was named a global Purple Flag-accredited safe nightlife zone alongside international areas including London and Stockholm. It's the third Sydney precinct to gain the recognition, following YCK Laneways' and Parramatta CBD's certification. [caption id="attachment_798916" align="alignnone" width="1920"] Cassandra Hannagan[/caption] For more information on the New South Wales Government's proposed Vibrancy Reforms legislation, head to the NSW Government website. Top image: Jasmine Low.
It was all quiet on the Western Messina front, until now. The monarchs, the sultans, nay, the emperors of gelato, Messina, have extended their cold, creamy love to Parramatta with a brand new store opening today. No more cross city, traffic-laden escapades for your favourite salted caramel crack. The newest chapter in the Messina tale, Parramatta's gelato hub joins Sydney's flagship Darlinghurst and subsequent Surry Hills, Bondi and The Star casino spinoffs, alongside Fitzroy's Melbourne venture. The new Messina will sit smack bang in one of Parramatta's busiest intersections, on the corner of Church and Phillip Street. "We’re so excited about making a mark in one of Sydney’s cultural hotspots and making our product accessible outside of inner Sydney; nobody should be deprived of good gelato," said founder (and owner of bragging rights to That Job We All Wanted in Year Three) Nick Palumbo. He'll hand the Parramatta reins over to an original Messina partner Ray Abbas, who spent a little stint in the corporate end of the food realm before realising... it's Messina. Making everything from scratch, raw and wriggling, Messina will continue to pride themselves on ditching the pre-made ingredients and testing out flavours meeting the highest form of "What? Huh? No way." Most memorable flavours in recent memory include Homer's Odyssey (beer and peanuts), Heisenberg (blueberry yoghurt gelato with crystallised violets made to resemble Breaking Bad's currency of choice) and Robert Baratheon (chocolate gelato with red wine jellies and fig custard. "Big, bold and beautiful with subtle tones of pillage and plunder."). Messina have created a special edition gelato for the occasion dubbed East meet West — a base of house strained labneh and pistachio gelato, and finished with the sweet touch of fig and date jam. "The flavour is an ode to both the multicultural cross section that is Parramatta and our way of saying ‘Hi’ to our friends out West — from East with love," say the Messina team. Gelato Messina's Parramatta store will open at 5pm today. You can join the predictably gargantuan queue at 283 Church Street, Parramatta (Corner of Church and Philip St).
