It was only a decade ago that fledgling market startup, Finders Keepers, launched with 20 stalls and a handful of eager design enthusiasts looking to score an artsy deal. Finders Keepers is now Australia's longest-running arts and design market and is celebrating 10 years of giving the city's artisan producers that much-needed exposure. And this season's going to be huge. The twice-yearly event hosts over 250 stalls for the multitudes of market-goers after a deal, amid a backdrop of live music, bars, coffee carts, food trucks, workshops and a dessert bar. And this season's market is being held just in time to knock out all that Christmas shopping you've been putting off. Yes, Mum will be upset if you don't get her a present and no, you really shouldn't get Grandpa a pair of socks again. But you don't need to bust your bank account, either, the market has a friendly entrance fee of just $2 (kids enter free). Inside, you'll find quirky doll- and cat-head shaped candles from You, Me & Bones, ceramics by Sydney-favourites Bridget Bodenham and Mukumono Ceramics, stunning hand-stitched quilts by Aneau, leather goods by Tammy Luk and pickles and jams from Cornersmith. There'll be wrapping paper and Christmas cards available, too. This year the three-day market will be held at Barangaroo's expansive Cutaway (a stone's throw from the water) and it has new extended trading hours on Friday and Saturday — because sometimes making decisions is difficult. The line-up continues to grow in the lead-up to opening night, so keep an eye on the Finders Keepers directory to see who else joins. Finders Keepers Spring/Summer Market runs from 8–10 December; 5pm–10pm on Friday, 10am–7pm on Saturday and 10am–5pm on Sunday.
Thousands of punters attending Splendour in the Grass were left stranded for hours at the North Byron Parklands site on Friday evening, with bus and traffic wait times reaching into the early hours of Saturday morning. After The Strokes wrapped up on the main Amphitheatre stage, the masses flocked to the festival's shuttle buses — only to find almost empty bus bays and unbelievable queues. Oh man. #Splendour bottleneck is absolutely burying the vibe of thousands in one fell swoop. NOT COOL @SITG 😭 — Kira Puru (@kirapuru) July 22, 2016 In a pretty chaotic scene that resembled The Walking Dead, punters were jumping ditches, ducking under fences, pissing in fields and flocking to any maxi-cab (or moving vehicle, for that matter) that passed by. Concrete Playground even saw a woman with a walking frame having to walk the 1.25km from the festival entrance to the festival gate and duck under a fence, waved to do so by a NSW Roads and Maritime traffic controller. By 1-2am, many punters even waved $50 notes at passing cars in the hopes of catching a ride back to town. Traffic was no better, with early leavers waiting up to two hours just to leave the festival site, many returning to Byron Bay by 2-3am. The "line" for the buses at #SITG2016 been waiting for 65mins so far. Poor form #Splendour organisers @secretsounds pic.twitter.com/ojhl33RLmM — BrigFee (@boo_indeed) July 22, 2016 NSW Roads and Maritime officers corralled punters down into darker, less busy parts of the pre-highway road — with little time for compassion for the stranded punters. NSW Police rolled out the riot squad, patrolling with formidable casualness. This is not Splendour's first time at the closing time rodeo — so what the heck went wrong? Using data for non-camping ticketholders versus camping ticketholders should have offered a clue into Friday night's logistical nightmare — there were simply not enough buses for the number of non-staying punters. Here's hoping Saturday's three-hour set from The Cure staggers the leaving times. so we'll wait all damn niiight by the big floodlight towers they have the buses and also the powerrrr #SITG2016 pic.twitter.com/6zQvraIz7N — spicy cinnamon taco (@Caitlin_Welsh) July 22, 2016
The Art Gallery of New South Wales will be staying open after dark until the end of January, maximising access to its summer blockbuster, Pop to Popism. Swing by before 10pm on Wednesdays and 9pm on Thursday to Saturday for the opportunity to not only take in the exhibition — a survey of pop art to which we gave a big thumb's up — but also the Pop shop and Pop twister. Dinner at Chiswick at the Gallery kicks your night up a fancy notch, and there’s even a special event combining the culinary inventiveness of Matt Moran with a talk from exhibition curator, Wayne Tunnicliffe. After all, these balmy summer nights are for cramming in as much culture as you can. The gallery's regular Wednesday late-night event, Art After Hours, is going retro for the occasion, with a series of colourful parties organised around different decades' subcultural rivalries and soundtracked by suitably nostalgic live music. Wednesday, January 21, is all about the era of water beds and lava lamps: the '70s. Alongside the rise of Punk and Disco, look back on the progressive changes ushered in by Gough Whitlam. And on January 28, the spotlight will be turned towards the '80s with its stage-stealing New Romantics and Yuppies. The heyday of pop music and outrageous fashion, nothing screamed look-at-me like the '80s. Reminiscing on this loud and proud decade, Romance Was Born designer Luke Sales will be speaking about the influences that have filtered into his creative process. It was also the era that launched slick art stars like Jeff Koons, who is still going strong, and conceptual photographer Cindy Sherman. Rock up with shoulder pads and big hair to be in the running for best dressed.
The team behind our favourite Bangladeshi street eatery are taking the flavours of the subcontinent up the road. Throwing open their doors next month at 163 Crown Street, Darlinghurst just a couple of hundred doors up from its predecessor, Trunk Road is a spin-off of Tapos Singha's Bang Street Food, and will be open for breakfast, lunch and dinner seven days a week. Named after the two millennia old road that stretches through Bangladesh, India, Pakistan and Afghanistan, Trunk Road will be smaller and more casual than its predecessor. According to Gourmet Traveller, the menu will feature a number of different roti kebabs, nicknamed 'roadies', including a traditional variety full of tandoori lamb, lettuce, chilli achar and coriander yoghurt, as well as a breakfast version featuring pressed rice, banana, yoghurt and honey – and another made with bacon and fried egg. Side dishes will include tandoori chicken wings and chilli cheese fries topped with curry. Drool. The drinks list will feature traditional loose-leaf and condensed milk teas, along with an array of beers, cocktails and local gins paired with Indian tonics. We're also kind of hoping they'll be serving Bang Street Food's rum spiked lassis. Trunk Road is expected to seat 34 people across two floors. The interior will be designed by Bang co-owner Nicholas Gurney, who took his inspiration from '60s era India. That means waiters in white shirts and bow-ties: "smart and always with a bit of theatre," said Singha to Gourmet Traveller. The restaurant is expected to open in early November, but you can get your first taste of the menu at the Good Food Month Noodle Night Markets, which kicks off in Hyde Park next week. Trunk Road will open at 163 Crown Street, Darlinghurst. Keep your eyes on the Bang Street Food Facebook for more information. Via Gourmet Traveller. Header image: Bang Street Food.
Is there anything better than a bit of creative, raucous fun after an opening night at a local art gallery? We think not. If you agree, you'll love the monthly after pARTy at Chippendale bar Freda's. Held the first Wednesday of the month and curated by a different artist each time, the after pARTy is invariably an epic affair. For the first edition of 2017, immerse yourself in a feminist punk Arabian night(mare) created by multidisciplinary artist Leila El Rayes. Expect live Arabian drumming, genre-bending music by Melbourne-based DJ SEZZO SNOT, and El Rayes bellydancing wearing a skirt of knives (yes, really). This is an afterparty that is bound to be particularly memorable. Image: Dancing in the Crevice of Desire, live performance by Leila El Rayes, photograph by Four Minutes To Midnight, 2016.
Looking for a mid-week pick-me-up? Marrickville’s favourite local hangout has just the thing to turn your week around. The crew at Batch Brewing Company are hosting their final Beer Geek Series for the season, divulging all the secrets behind the beauty of hops. For only $30 per person, you’ll get a tasting of six beers, each of which have been individually dry hopped. From Apollo to Galaxy and all the celestial favourites in between, you’re sure to find a newfound appreciation for those bitter beers. As usual, the tastings will be paired with a hoppy history by Batch’s resident Beer Ambassador (and beer geek himself) Johnathan Hepner. Worried about getting to and from? Batch has set up a VIP shuttle by Dave’s Brewery Tours ($10 extra), which takes you round trip from the Keg & Brew in Surry Hills.
While Australian winters can get pretty damn nippy (hello slanket, our old friend), unfortunately we're not often blessed with really fun cold weather. We don't get snow, sleet or iced-over lakes which means we don't get snow days, slush fights, skating, tobogganing or a plucky bobsledding team to represent us in the Olympics (OK, we do have that last one). The Winterlight wonderland in Parramatta's Prince Alfred Park is aiming to right this grievous wrong. From June 25, you can delve into the kind of winters that the Starks seem to fear so much — a snowy, fun winter. The installation boasts all the icy activities you could ever want. If gliding around a treacherous ice pond with knives attached to your boots is your bag (known as 'ice skating'), you'll be delighted to know there's a large ice rink planned. But if you're more of a demure ice frolicker, the elegant ice toboggan may be more your thing. Or perhaps a trip down a slick ice slide? It's just $5 for three slides. The world is your cold, wet oyster. A turn about the rink will set adults (14 years and older) back $20, but after you ease your tired feet back into normal shoes and try to remember how to walk, the real fun begins. Mulled wine fun, that is. Winterlight is decked out with a delicious, delicious village serving up mulled wine, hot chocolate pasties, bratwurst and burgers. And really, aren't bratwurst and mugs of mulled wine the real spirit of winter? Winterlight is on at Prince Alfred Park Parramatta, from July 1- 17. Open Sunday to Thursday 10am to 8.45pm and Friday to Saturday 10am to 9.45pm. Image: Benson Kua.
The time has come. No longer will you need to plan your night around a 1.30am curfew. No longer will you be denied shots after midnight. You might even be able to stay out past 3am. Because, from today, the five-year-old lockouts have been scrapped in the CBD Entertainment Precinct — a move that venue owners and punters alike hope will signal a new era of Sydney nightlife. It's huge news. And we thought the best way to celebrate it was with a big ol' party at Big Poppa's. This Friday, January 17, Concrete Playground and the late-night haven of cheese, hip hop and cocktails will break out the good stuff for a good time — and a good cause, too. Stop in for a cheesy dinner — Big Poppa's is known for its cheese and will be doing half-price burrata on the night. It comes with heirloom tomatoes, chilli oil, pangrattato and oregano — and will be an easy $11.50.Then head downstairs for the party. From 7pm, the bar will be mixing negronis (with Campari and Cinzano Rosso vermouth) and espresso martinis for just $12 and serving tins of Atomic Beer Project XPA for just six bucks. If it sways you, $6 from each cocktail — and all the cash from the $6 beers — will be donated to WIRES's Wildlife Emergency Fund, which is helping to care for animals injured and orphaned during this season's catastrophic bushfires. Bacardi cocktails will be available, too, and DJs will be keeping things going right up until 3am. You'll be able to catch Flux-3, and VJ Spook and DJ Adverse, who will come together as CutKlipz for a special visual set that blends hip hop videos and tracks. You've been with us as we've covered the closures, the rallies, the fight for Sydney's right to party and this bash will be an opportunity to kick off what we hope will be the re-ignition of Oxford Street. Entry is free but let us know if you're coming (or, fine, be non-committal and hit 'interested') on the Facebook event. You don't need a reservation for the downstairs bar — it's first in best dressed until it's full.
One of Sydney's hidden rooftop gems has reopened atop the recently revamped East Village Hotel. After much anticipation, the folks at Goodtime Hospitality Group revealed two of three newly revamped sections of the much-adored, 100-year-old drinking spot in late October — we've seen the Public Bar and Athletic Club, a slick, minimalist wine bar and a vintage-inspired sports bar, respectively. And now, the third and final space, Terrace, is open. We've been waiting to see what design team Alexander & Co.(Busby, The Village Inn, Surly's, Daniel San) do with this 100-square-metre rooftop space — it's got one heck of a CBD skyline view. Climb four flights of stairs and you'll find high bar tables, lower lounge-like seating, handcut terrazzo slabs, plenty of plants and a retractable roof. It's the perfect spot for lazy weekend cocktails, with general manager Lee Potter Cavanagh and bar manager Reece Griffiths putting together a Terrace-only menu. There's 'seasonal mimosa' on the bill, with interchanging fruit juices, a 'teetotallers' menu for non-drinkers, and 'holiday' cocktails each month with recipes from their overseas buddies. Plus, for the strong-stomached, there's a 'Squidmark Sour', with Bulleit rye whiskey, Tempus Fugit gran classico bitters, crème de cacao, cherry, grapefruit, shichimi togarashi and squid ink— yep, squid ink. Food-wise, the Terrace is offering up something a little more casual than its lower counterparts, where head chef Graham Johns (Quay) and executive chef Tom Kime (Ceru, Fish & Co.) are reimagining classic counter meals. Upstairs though, executive chef Tom Kime has crafted a summery, casual menu of grilled meats, salads and snack — think gazpacho soup with marinated blue swimmer crab and basil ($21), escabeche of seared fish with saffron and pickled vegetables ($24), and rare grilled veal with anchovy and herb mayonnaise, caper berries and fried anchovies ($24). Head downstairs to find out more about the East Village's other unique levels. Find the East Village at 234 Palmer Street, Darlinghurst. Terrace is open this week on Wednesday and Thursday from 6–10pm, Friday – Sunday: 11am – 10pm. Then, from Monday 21 November, open 11am–10pm, seven days a week.
When Kevin Bacon stood up in Footloose and said, “This is our time to dance. It is our way of celebrating life,” what he didn’t say was “but only for skinny people”. And yet, that seems to be what we mean these days. 'Fat' dancers and performers aren’t often seen, and so many people seem to have so many opinions on fatness and how fat people move through our society. We look at fat people and assume things — that the person is lazy, slovenly, unhappy and definitely, definitely ungraceful and unconnected to their bodily wellbeing. Now fat activist and artist Kelli Jean Drinkwater and resigning Force Majeure artistic director Kate Champion are working together to broaden our outlook on the body and the act of dancing. Playing as part of Sydney Festival, Nothing to Lose is highly topical, audacious and — coming from dance-theatre masters Force Majeure (Never Did Me Any Harm, Food) — sure to be a powerful watch. Challenging as it is to our prejudices, it might even be the most important work you see at the festival. We spoke to Drinkwater and Champion about the thinking behind the provocative project. Read what they had to say over here. It's also one of our top ten picks of the festival.
Twenty years ago the Australian wine landscape was shaped by French viticulture. The grapes we grew and the wines we drank were dominantly French in origin — Shiraz, Cabernet Sauvignon, Chardonnay and Sauvignon Blanc. But over the last decade, an influx of Italian, Spanish, and Greek varietals have begun to make their mark across Australia, and they're now commonplace on wine lists and retail shelves all over the country. The winemakers who saw the potential for these varieties, long before they were considered cool, deserve endless credit. Before Aussie Wine Month kicks off in May, we've partnered with Wine Australia to round up five bottles of Australia's most delicious, innovative wine — keep this list in mind for your next dinner party. ASSYRTIKO Because the temperature in Australia's wine regions is continually rising, the search for varieties that thrive in warmer environments has moved to the top of every winemakers to-do list. It's taken ten years and a long wait at Australian customs to get Santorini's indigenous white grape Assyrtiko into Australia (specifically, South Australia's Clare Valley). Producing a fresh, crisp, acidic style of white wine, it's the perfect accompaniment to contemporary Australian food, and a natural partner to Australia's climate and cuisine. Think grilled octopus, fresh seafood, slow cooked lamb shoulder and cured ocean trout. In a couple of sentences: Assyrtiko is native Greek white wine that we've recently started producing here in Aus, that thrives in a warmer climate and which will quench any thirst on a hot day. Try it if you like Sauvignon Blanc, if you're bored with the status quo, or have a seafood platter to devour. One to try: 2016 Jim Barry Assyrtiko, Clare Valley SA MENCIA A wonderful little region called Galicia is tucked up high in the North-West corner of Spain. Here, among some of the steepest wine-growing mountain ranges, a delicious red grape called Mencia was found, picked and brought over to our shores. What's exciting about this grape is that it can express so many different characteristics when it's made into wine. From light and fresh, with a powerful mid-palate concentration of fruit and an elegant finish, to a rich and opulent, dark and brooding beast with structure and density. No matter which direction the flavours go, the wine is always perfumed, with a persistent juiciness that lingers in your mouth for hours. In a couple of sentences: Tastes like Pinot Noir on steroids — loads of fruit, but a nice grip on your palate. Try it if you're eating pulled pork, and you need something to match it with. One to try: 2016 Oliver's Taranga '2 Chicas' Mencia Rosé, McLaren Vale SA ZINFANDEL Zinfandel (also known as Primitivo) is a black-skinned grape variety that produces a robust red wine. Expect to experience jammy flavours of blueberry, raspberry, cherry, plum, and cranberry alongside characters of black pepper, clove and liquorice. When you taste Zinfandel, it often bursts on the palate with juicy fruitiness, followed by spice and often a tobacco-like finish. A pro-tip when searching for the right Zinfandel is to keep an eye on the back label and check the Alcohol by Volume (ABV). If you like a lighter, more red-fruited style, look for a lower ABV. If big dark fruits and savoury spices are more your speed, look for a Zinfandel with an ABV above 15%. In a couple of sentences: Originating in Italy, made famous in the USA and now found in our backyard, Zinfandel is your Friday night pizza wine. If Cabernet Sauvignon and Merlot had a love child, Zinfandel would be the product. One to try: 2013 Lowe Wines Zinfandel, Mudgee NSW SKIN CONTACT/ORANGE WINE To make an orange wine you take white grapes and crush them slightly (usually under foot), and then put them in a vessel (often ceramic, or made of large cement) to ferment. The fermenting wine is left alone from anywhere between four days to over a year. The longer the time spent on skins, the darker the orange/amber colour and the more tannin (or structure) the wine receives. Orange wines are usually robust and bold, with honeyed aromas of sweet melon, hazelnut, brazil nut, bruised apple, wood varnish, lanolin, juniper, sourdough and dried orange rind. On the palate, they're big, dry, and tend to be overly acidic — not for the faint hearted. In a couple of sentences: The colour and tannin structure of orange wine comes from extended juice contact with the skin of the grape — it's white wine for lovers of red wine. Try it if you like sour ale, cider, bold flavours, tannic wines, or if you've got a lemon stuffed baked chicken in the oven. One to try: 2016 #003 by Tom Ward, Pinot Gris, Riesling, Gewurtztraminer, Orange NSW PÉTILLANT-NATUREL Pétillant-Naturel is a delicious, lightly-sparkling wine, unfiltered and often bottled with a crown cap (like a beer bottle) rather than a cork. Colloquially shortened to Pét Nat, it's lightly cloudy like a cider and holds the distinct vinous characters, aromas and flavours of the grape variety it's made from — meaning each bottle, or vintage will have its own unique flavour. A rustic style of sparkling wine, Pét Nat is made using mostly traditional production methods. Unlike classic sparkling wines and Champagne however, wine producers don't add sugar to kick off secondary fermentation in the bottle (the element that gives most varieties of sparkling a firmer, more pronounced bubble). In fact, most, if not all Pét Nats do not see any additions in their fermentation process. The literal translation of the name is 'natural sparkling' — meaning it's the truest essence of grape in a bottle that a winemaker can get. In a couple of sentences: Bursting with flavour, Pét-Nat is a lightly-sparkling wine with a stylistically softer bubble compared to more traditionally-made sparkling wine. Try it if you like cider. One to try: 2016 Delinquente 'Tuff Nut' Bianco di Alessandria Pét Nat Riverland, SA Celebrate all types of Australian wine by getting involved with Aussie Wine Month over May — there will be events and tasting opportunities all over the country. Images: Kimberley Low.
Something remarkable takes place in Captain America: Civil War. Or rather, it doesn't. For this is a superhero movie in which not a single building falls. Not one. No skyscrapers tumble, no factories collapse, not even a tiny workman's shed lists slightly to one side and crushes some petunias. In a cinematic world now so inured to (and bored by) the sight of 9/11-esque dust clouds chasing hapless citizens through crumbling streets, Civil War doesn't just eschew this trend, it centres its entire story on the consequences of those kind of destructive nightmares. That's not to say there isn't any action. Quite the opposite. Civil War features some of the most exhilarating chase sequences and fight scenes in recent memory, choreographed with a balletic-like precision in which the emphasis is on small, considered flourishes rather than sheer brute force. Every punch, block, shot, weave and parry has been painstakingly conceived to reflect the personalities of each character involved. We see Cap (Chris Evans) bouncing his shield off walls like Ronnie O'Sullivan on a 147 break; Iron Man (Robert Downey Jr) dispatching villains with scientific swagger; and Scarlet Witch (Elizabeth Olsen) trapping explosions instead of creating them. It's exactly the opposite of the kind of 'mindless violence' of which superhero flicks are so often accused, and it's as refreshing as it is electrifying. The other key feature of Captain America: Civil War is its story, in part because it actually has one. There's no fighting for fighting's sake here. Indeed most of the action is driven by a determination to stop the violence. As with its previous instalment The Winter Soldier, this is a film about oversight and accountability – acknowledging the terrifying (and unchecked) power of the Avengers, then seeking to control, regulate and restrict it by way of a UN accord. The world knows it owes an unpayable debt to these heroes, but collateral damage and civilian casualties can only be excused for so long.Here lies the conflict at the heart of the so-called civil war. Self-determination versus oversight. Freedom versus control. Team Cap versus Team Iron Man. It's a compelling and plausible fissure along which the line in the sand is drawn. And as with any great story, neither side is entirely in the right. Marvel, to its credit, knows its tone better than perhaps any other franchise, and here again we find its signature combination of edge-of-the-seat action and laugh out loud comedy. The performances teem with an emotional complexity rarely found in blockbusters, and the new character additions – whether they be previous Marvel Universe ring-ins like Spidey (Tom Holland) and Ant Man (Paul Rudd), or totally fresh inclusions like the outstanding Black Panther (Chadwick Boseman) – ensure that no single actor commands too much screen time. Plot driven, fast-paced and terrifically funny, Captain America: Civil War is an outstanding film and the most fun you'll likely have in the cinema this year. https://www.youtube.com/watch?v=dKrVegVI0Us
The end appears to have come for one of Sydney's most iconic LGBTIQ venues. After a difficult few months that included two 72-hour closure orders by the Office of Liquor, Gaming and Racing on drug-related offences, The Imperial Hotel in Erskineville was this week sold to new owners, who intend to reinvent the venue as a high-end restaurant. According to Gay News Network, former owner Shadd Danesi has sold the troubled venue to Fraser Short and Scott Leach, who between them operate a number of sites around town including The Morrison, Watson’s Bay Hotel and Rose of Australia. The pair told the news service that the hotel would remain closed for the next few months while they locked down plans for its future, and have promised to consult with members of the local LGBTIQ community. "We recognise the Imperial’s importance to the LGBTIQ community and we will be reaching out to the community in coming months as we try to create something unique and special with the venue, whilst acknowledging its LGBTIQ heritage," said Leach. The sale was apparently inked for around $6.5 million, and the duo plans to commit an additional $3 million for renovations. "We are injecting funds immediately to start creating a modern food and beverage option for the venue," said Short. "This will include the introduction of a custom kitchen and high end restaurant business to meet the local community demand." A stalwart LGBTIQ venue for the past 13 years, and one the stars from 1994's iconic film The Adventures of Priscilla, Queen of the Desert, The Imperial ran into troubled earlier this year when Danesi leased the venue to Spice Group International, who previously ran the Spice Cellar in Martin Place. Police raided the premises in June, leading to the first 72-hour closure after staff members were alleged to have been caught using illicit drugs. The venue was again closed in July, and has remained that way ever since. Via GNN. Image: J Bar, Wikimedia Commons.
Get ready for a night of raucous entertainment, as one of the biggest names in Sydney's underground cabaret scene returns to the Beresford in Surry Hills. Presented by Artbank and MC'd by the legendary Renny Kodgers, this one-off event will see an epic lineup of performance artists take the stage, for a variety show unlike anything you've ever seen before. "Events like Renny Kodgers and Friends provide us with the opportunity to engage all of our audiences — showing art isn't always a serious, sombre affair," says Artbank director Tony Stephens. "It's a common misconception that Artbank is just an art rental service. In reality, we are a leading government program charged with supporting and promoting the incredible work of Australian artists." The event is set to take place on the evening of April 21, with Stephens promising "a unique celebration of Australian art and artists in an unconventional setting." "Guests who attended the last sell-out Artbank event hosted by Renny Kodgers at the Beresford in 2013 still talk about it as one of their art world highlights for the year and have been after us ever since to present it again," said Stephens. "This time there'll be even more performance artists, Australian art infused trivia and the launch of an Artbank sculpture commission. We're also embedding two Australian artists on every table so guests can expect an intimate evening of non-stop thrills and laugh out loud fun." Alright, so you're not entirely caught off-guard, here are five unexpected, flashy, glamorous, far-out things to expect at Renny Kodgers and Friends this April. BETTY GRUMBLE WILL CONJOUR THE SUPERNATURAL WITH HER WITCH DANCE A former child pageant star turned self-described "feminist contagion," Betty Grumble's act is fierce, provocative and titillating all at once. Expect ample nudity and plenty of fake blood. YOU'LL LEARN TO TWERK WITH CAROLINE GARCIA Perfect the art of the twerk with Caroline Garcia, a Sydney-based performance artist who specialises in cross-cultural dance and its intersection with popular culture. YOU'LL SEE RENNY MEET HIS MATCH AGAINST ADONIS Adonis is a mainstay of the local art scene, having collaborated on numerous projects including Force Majeure's audacious dance work Nothing to Lose. Here's hoping Renny is up to the challenge. GANG OF SHE WILL BELT OUT THE MUSIC OF TINA TURNER What could possibly suit a surrealist drag act better than the music of Tina Turner? This disco-obsessed art collective will be belting out the hits, and we can't image they'll object if you decide to sing along. LIAM BENSON WILL THROW DOWN AND CHANNEL HIS INNER-DIVA Liam Benson has been performing in Sydney for over a decade. Unashamedly political, his act interrogates contemporary Australian attitudes towards race, sexuality and gender. Artbank presents Renny Kodgers and Friends on Thursday, April 21 from 7-10pm at Upstairs Beresford. Limited tickets on sale from artbank.eventbrite.com. Header image: Rowan Conroy.
Your Christmas lunch will soon be soundtracked by Bill Murray. We squealed about it back in October 2014 — Hollywood's quirkiest legend has teamed up with Sofia Coppola for a festive TV special involving him singing a variety of Christmas carols and decking the halls with one heck of a cast. Murray and Coppola's new project will be undoubtedly somewhat different to their last collaboration, Lost in Translation. The synopsis? The trailer came with a little peek: "This winter, Bill Murray brings an extra-special dose of holiday cheer to Netflix with the premiere of an all-star musically-driven holiday special, A Very Murray Christmas. Set inside New York City’s iconic Carlyle hotel, A Very Murray Christmas opens with Murray preparing to host a live, international holiday broadcast. After a blizzard shuts down the production, he makes the best of the situation by singing and celebrating with friends, hotel employees and anyone else who drops by." Dropped this morning, the trailer's a pretty quick look at a pretty damn big cast. Set to Murray's 'Let It Snow' duet with Miley Cyrus, the trailer revealed one heck of a lineup: Amy Poehler, Rashida Jones, George Clooney, Michael Cera, Jason Schwartzman, Maya Rudolph, Chris Rock and Paul Shaffer. Watch it here and try not to squeal: 'A Very Murray Christmas' is coming to Netflix on December 4. By Meg Watson and Shannon Connellan.
If you're one to buy a whole new wardrobe every season, we can't change you. But what if you bought sustainably, invested in eco-friendly fabrics, or bought second-hand? What if... you repaired your jean crotch hole instead of buying a new exxy pair? Sustainable fashion is something Sydney folk trio Little May feel pretty damn passionate about, and seeing as though they're about to kick off a national tour at Sydney's Metro Theatre, we thought we'd hand over the reins to multi-instrumentalist and eco-boss Annie Hamilton and let her school you on their favourite places to buy sustainable fashion. Handing over to Annie. Hello! I've just finished a year of buying-no-new-clothes in an effort to be more sustainable and to force myself to put more thought into the things that I buy and what impact they have on other humans, the environment and my own body. I studied textile design at uni and have always been interested in sustainable and ethical fashion, so I put together a list of a few Australian/NZ brands that are doing pretty awesome things in the world of sustainable fashion. In the wake of Fashion Revolution Week, it seems that more and more people are starting to question where and how their clothes were made, which can only be a good thing in the world of mass-produced, trend-driven fast fashion. Everyone has their own personal values and you should think about what yours are and try to reflect those in your purchases. But for a start, you can look for organic natural fibres, buy either locally-made or fair-trade, and look for traceability throughout the supply chain. And of course, buy clothing that is made to last, that won't fall apart or go out of fashion after a couple of wears. NUDIE JEANS CO In terms of sustainable clothing brands, Nudie ticks a lot of boxes. Nudie clothing is organic, traceable and made to last. Check out their website and you can find out exactly where the organic cotton for their jeans was grown in Turkey, or where the organic, fair trade cotton used in their shirts was grown in India. Information regarding their entire supply chain is available to the public, all the way down to the origins of their buttons, zippers and care labels. My favourite thing about Nudie is that they offer free lifetime repairs of their garments from their Paddington store, so if your much-loved jeans start to come apart at the seams, they will patch them right up for you. VEGE THREADS You can't make a list of sustainable designers without including Vege Threads. Every piece in the Vege Threads range is organic and locally made, utilising organic vegetable-based dyes. They have also collaborated with BB Shoes to create hand-made vegetable-tanned kangaroo leather sandals. They're based in Adelaide, mainly stocked online, but also available in Sydney at Newtown's You, The Earth and Me. HER SWIM It seems weird to be talking about swimwear when it is technically almost winter, but considering the fact that we're enjoying sunny, 26-degree days in Sydney, it seems evident that this summer may never actually end. This Sydney-based swimwear label uses 100 percent recycled post-consumer polyester and nylon to create simple, clean and minimal swimwear designs. NICO Nico is a Brisbane-based basics and underwear label with a huge focus on ethical and sustainable production and materials. With a minimal aesthetic, their pieces are all made of organic cotton, bamboo or modal, because who wants to be wearing chemicals-laden synthetics near your hoo-ha? Not me. KOWTOW Kowtow is a NZ based label that is truly committed to traceability and sustainability in their production. They use 100 percent fair trade organic cotton grown in India, with the entire production chain explored in the 'Seed To Garment' documentary on their website. Kowtow has several Sydney stockists (including the Somedays store in Surry Hills, which also stocks organic and ethical BaseRange underwear/basics). YOUR LOCAL VINNIES After all, nothing is more sustainable than buying second-hand (especially when that money is going back into charity). Go find yourself a bargain. [caption id="attachment_571217" align="alignnone" width="1280"] Celeste Tesoriero, Winter 2016 for Fashion Revolution Week.[/caption] WELLMADECLOTHES.COM A pretty awesome resource for buying ethically and sustainably. Full stop. SWEDISH STOCKINGS They're not Australian, but they make stockings out of 100 percent recycled plastics, and will offer you a discount if you send them your old/ripped stockings to recycle. GOOD ON YOU An Australian app that rates the sustainability of different brands to help shoppers make informed choices. Now you're all dolled up in eco-friendly threads thanks to Annie, go see Little May. Here's where: LITTLE MAY 2016 AUSTRALIA TOUR DATES Thursday, May 5 — Wollongong Uni Bar, Wollongong Friday, May 6 — Metro Theatre, Sydney Saturday, May 7 — Small Ballroom, Newcastle Thursday, May 12 — ANU Bar, Canberra Friday, May 13 — Max Watts, Melbourne Saturday, May 14 — Waratah Hotel, Hobart Friday, May 20 — Adelaide Uni Bar, Adelaide Saturday, May 21 — Amplifier Bar, Perth Friday, May 27 — Solbar, Sunshine Coast Saturday, May 28 — The Zoo, Brisbane Sunday, May 29 — Studio 56 @ Miami Marketta, Gold Coast Tickets on sale now from littlemaymusic.com/tour.
The team behind popular Newtown cafe Cuckoo Callay and Crown Street restaurant Nour have a brand new project, opening a second Cuckoo Callay outpost in Surry Hills. They've taken over the now-closed Ampersand Cafe space with a refined revamp of their beloved brunch spot. It's easy to see that owners and restaurateurs Ibby Moubadder and Ella Harris have their hands full, having just opened Lebanese fine-dining spot Nour in 2016 and with their Bacon Festival in its third year. "We weren't really looking to open another restaurant since we just opened Nour, but we saw this location and just loved it so we jumped on it," says Harris. The fitout is still Cuckoo at its heart, but has been given a bit of a Surry Hills refresh by Giant Design (The Capsule Hotel, Sugarcane Coogee, Eastside Grill). While their signature magenta colour palette remains and a few neon slogans run up the stairs, the aesthetic is otherwise luxed up with velvet curtains, white marble and brass finishes. "The design has a more Surry Hills feel about it and is a little bit more grown up and refined," says Harris. The menu follows suit, with head chef Jason Black (ex-Bathers Pavilion Restaurant) at the helm. While a few of the original favourites remain — like the Bacon Macdaddy, a croissant stuffed with double smoked bacon, bacon mac and cheese, fried egg and bacon tomato jam — the rest of the menu is completely new. There's the She's My Cherry Kewpie, a karaage chicken burger topped with wasabi mayo and nori strips on a milk bun, and the Mr Pinchy, a lobster tail version of eggs Benny with tom yum hollandaise, avruga caviar and fried curry leaves, all atop a squid ink English muffin. Yup, it's all pretty indulgent. Brunchers with pups will be happy to know the dog-friendly menu is also expanding, adding pupcakes to their pupachinos among other dog treats. The Surry Hills outpost isn't simply be dog-friendly, either — Harris's own new puppies will act as mascots for the space and be at the cafe most days. Cuckoo Callay's new cafe is now open at 78-80 Crown Street, Surry Hills. Open Monday through Friday from 7am to 4pm and Saturday through Sunday from 8am to 3pm. For more info, visit their Facebook page.
Bring a little colour to your summer G&Ts, thanks to a new Australian made small batch gin. Produced by the family-owned Husk Distillers in Northern NSW, Ink Gin is made with organic botanicals and infused with the petals of the butterfly pea flower. The result is a spirit with touches of lemon myrtle, pepper and orange that stands out a mile away thanks to its royal blue hue. That's right, blue gin. The coloured spirit came about after three years of experimenting by Husk owner Paul Messenger. Botanicals used in its creation include citrus peel, juniper berries, elderflower and cinnamon, while its unique appearance comes from the butterfly pea, which is traditionally used in South East Asian cooking. The flower's pH sensitivity also means that the gin changes colour when mixed with tonic water, going from deep blue to pale pink. Not a bad trick to have up your sleeve the next time you invite somebody over for drinks. Speaking to The Gold Coast Bulletin, Paul's daughter Harriet said that the demand for the gin has been enormous. "We sold out of our first batch in three days," she said. "We have been keeping up the distilling to make sure we could meet demand but we really did not expect people to embrace it so quickly." So how can you get your hands on one? 700mL bottles of Ink Gin can be purchased online for $80 plus a $10 shipping fee Australia-wide. It is also available in select bars around Queensland, NSW, Victoria and WA. Just make sure you store it somewhere dark, so that it retains its natural colour. Lastly and importantly, it won't stain your teeth. Via Australian Bartender and The Gold Coast Bulletin.
Good (or just pretty good) news for the Australian arts community today. The federal government has once again redesigned its controversial arts funding scheme, following months of heavy campaigning by artists around the country. Communications and arts minister Mitch Fifield announced today that the widely maligned National Program for Excellence in the Arts (NPEA), which was introduced by his predecessor George Brandis with next to no consultation with the artistic community, will have its funding reduced by $32 million over four years, with the money instead being reallocated to the independent Australia Council — from whose budget it was originally cribbed. Top stuff. The change comes after the government received significant pushback from artists and political opponents, who were outraged by the decision made under the Abbott government to redirect $104 million from the Australia Council to the newly created NPEA — a move many believed would prove fatal for small, independent arts groups. Calls were made for Turnbull to take over the troubled portfolio, and here we are. Under this latest round of changes (and let's be honest here, there'll probably be more down the line), the NPEA budget will drop from $20 million a year to $12 million, with the savings being returned to the Australia Council. Brandis' brainchild will also be getting a brand spanking new name, going from the National Program for Excellence in the Arts to Catalyst - Australian Arts and Cultural Fund. Yeah, it doesn't exactly roll off the tongue either, does it? Now, while this definitely seems like a step in the right direction, don't start planning your celebratory interpretive dance show just yet. I'm no mathematician, but $32 million still seems like a lot less than $104 million. Let me just quickly check the numbers on that... yep, it's definitely less. Moreover, despite the budget cut and the name change, it appears that Catalyst will still function in much the same way as the NPEA would have. Like they say, a rose by any other name. Although in this case, a rose probably isn't the best analogy. Fifield is expected to announce further details regarding these changes later today. In the meantime, the National Association for the Visual Arts has issued a statement suggesting the fight is far from over. "We are relieved that the Minister is prepared to go some way towards alleviating the havoc being caused by the original decision of his predecessor," said NAVA Executive Director Tamara Winikoff. "However, the renamed Catalyst program is still being created at the expense of ensuring the survival of organisations that are the engine room for developing and presenting new Australian work." Via SMH. Image: Chunky Move.
Photographer Chris Walters put together this dreamy, dreamy exhibition with one aim in mind: to calm you down. That's right. So, drop whatever you're doing, take a deep breath and scurry down to Black Eye Gallery sometime before July 24. Each photograph focuses on a single detail — that tiny thing that gives you a powerful sense of escape — and, in so doing, hopes to transport you. "When isolated, these details evoke sensations of place without being tied to one particular place," Walters writes. Expect to see misty sunsets, impossibly still seas, low-lying clouds and rolling hills splashed with sunshine. Walters studied at the Sydney College of the Arts before becoming a full-time commercial photographer and head of a successful media company. He's also worked in architectural representation and as a film director, but, over the past ten years, has been putting more and more energy into his fine art.
We'll take a gin and tonic, sans the sugary soda, please. A brand new Sydney cocktail bar can help you out, using all-natural, locally-made soda and ditching the usual crap. PS40 will open in Sydney's CBD in April as the newest bar concept by the creators of PS Soda, an all-natural soda line. PS Soda and its upcoming bar are the brainchild of an all-star, internationally-renowned crew. From Sydney hospitality goalkickers Thor Bergquist (ex-Experimental Cocktail Club (ECC) and Der Raum) and Michael Chiem (ex-Sokyo, Bulletin Place and the Star's Black by Ezard) to creative director Livia Lima (ex-Maud), this team knows what they're doing. PS40 will focus around the trio's new soft drink line, an unusual approach stemming from Bergquist and Chiem's gastronomic backgrounds — think core flavours like wattle cola, bush tonic and smoked lemonade. All PS Soda will be made and bottled in-house and used for the line of signature cocktails available at PS40. We're most excited to try the 'Batanga!', which combines the Wattle Cola with green coffee bean infused tequila. All PS sodas are of the preservative-free kind, which are not words you generally associate with soda pop. The ingredients themselves are sourced from local, native produce and made with community input at that; Archie Rose Distillery helped to develop the tonic that would complement their gin and LP's Quality Meats' Luke Powell helped create the lemonade. The local love doesn't stop there, with the wine list curated by Lo-Fi Wines and taps from Sydney brewers Wayward and Young Henry's. Yep, it's an all-Sydney affair at PS40. The space is promised to hold true to its warehouse interior with large open windows, concrete walls and high ceilings, designed with a modern and bright fitout. If you're keen to try PS Soda before the bar opens, you can find the sodas behind the bar at Bennelong, The Old Clare Hotel, Firedoor and Archie Rose. PS40 will open in early April at 40 King Street, Sydney. Open Monday – Saturday, 4pm - midnight (closed Sundays).
As the taxi industry and Uber continue to trade blows, a new app targeted exclusively at women and children could prove safer and more comfortable than either. Mum's Taxi is the brainchild of comedian and single mother George McEnroe, and is currently seeking backers via the crowdfunding platform GoFundMe. Assuming it gets over the line, the service would only be available to women and children, while also providing female drivers employment opportunities in an industry dominated by men. Speaking to The Age, McEnroe said she came up with the idea while weighing up the potential dangers of driving for Uber. ""I registered a couple of times and realised I was just too scared, there are too many risks," she said. "I thought of the name Mum's Taxi, which is a bit daggy, but who else do you want to pick you up?" In addition to offering a safe environment for passengers, the service would provide employment opportunities to female drivers. McEnroe points out that only 12 per cent of rideshare drivers are women, despite the fact that women make up more than half of the casual workforce. The plan is to launch the service in Sydney in October, before eventually rolling-out nationwide. Drivers would be expected to complete police and working with children checks, and in return get to keep 85 per cent of each fare. Once Mum's Taxi is national, McEnroe intends to donate a further one per cent of every fare to a charity that improves the lives of women and children. For more information or to donate to Mum's Taxi, check out their GoFundMe campaign. Via The Age. Image: Splitshire.
Whether you're on a date, catching up with your friends, or just looking for a way to kill a few hours on a gloomy Tuesday night, there are few modern indulgences that beat settling into a dark cinema and letting your worries escape you as you slip into another world. Spies, superheroes, lovers, musicians, presidents, dictators, robbers and cops: you'll encounter them all as the lights go down and the projector begins to whir. There's plenty afoot a the pictures this month, so we're here to give you a little bit of help with choosing tonight's movie. See you at the candy bar. https://www.youtube.com/watch?v=WWbk3-gEBRU GOLDSTONE Australian cinema has a new hero — or heroes, to be exact. In case 2013's neo-western crime thriller Mystery Road didn't make that apparent, Goldstone shouts it across the outback. On screen, Indigenous police detective Jay Swan (Aaron Pedersen) stalks through another remote desert town searching for the truth. Behind the camera, writer-director Ivan Sen guides another insightful examination of race, prejudice, inequality and exploitation inextricably linked to the Australian landscape. Read our full review. https://www.youtube.com/watch?v=5j2IBHNUl5I LIGHTS OUT If all a horror movie needed was a killer concept, then Lights Out would sit at the top of the spooky cinematic heap. At its core is an idea that's equally obvious, ingenious and universal: the unsettling feeling that springs in children and adults alike when a flick of a switch plunges a room into darkness. In fact, when Swedish filmmaker David F. Sandberg first toyed with the notion in his two-and-a-half-minute short film of the same name, it became a viral sensation, catching the eye of horror producer James Wan in the process. Three years later, Sandberg has fleshed out the attention-grabbing effort into his feature film debut. Read our full review. https://www.youtube.com/watch?v=nAoEoWrOe8g MAGGIE'S PLAN In Frances Ha, Greta Gerwig became the on-screen embodiment of a predicament most twenty-somethings can relate to: knowing what you don't want out of life, rather than what you do. In Mistress America, she offered a different side of failing to achieve your dreams, this time from a slightly older perspective. Now, in Maggie's Plan, she grapples with the fact that you can't control everything, no matter how hard you try. Consider it the next phase in her ongoing examination of the idiosyncrasies of quarter-life malaise. Read our full review. https://www.youtube.com/watch?v=oJyR3Atf5q8 SING STREET Who amongst us hasn't used music to process their thoughts and feelings? The right song can convey things that words alone cannot, as writer-director John Carney understands. In his films, moving ballads and catchy melodies intertwine with life and love, providing a killer soundtrack to memorable moments and an effective method of expressing emotions. When his characters pen lyrics, strum instruments and grab the mic, they're not just creating tunes and chasing dreams — they're helping make sense of everything around them. Read our full review. https://www.youtube.com/watch?v=XRVD32rnzOw STAR TREK BEYOND Space, the final frontier. An infinite continuum capable of sapping morale and robbing voyaging crews of both purpose and progress since, by its very definition, there can never be an end in sight. Such is the existential crisis facing Captain James T. Kirk (Chris Pine) at the beginning of this third instalment in the revised Star Trek franchise – a notably low-key opening compared to its bombastic predecessors. Read our full review.
Hold onto your doughnuts and prepare to say ay, caramba! more than once, because the Sydney Opera House has just announced a huuuuge headliner for this year's GRAPHIC festival: Matt Groening. The comedic cartoonist genius responsible for The Simpsons and Futurama will make his way to Australia for the very first time to speak at the two-day festival this November, which celebrates pop culture and graphic storytelling, animation and music. Considering most of us probably acquired the large majority of our pre-Internet knowledge on global popular culture from Groening's work (well, when we could wrangle watching The Simpsons instead of the 6pm news), it seems like a brilliant full circle that we're now able to see him speak IRL as adults. He will deliver a talk titled Secrets of The Simpsons, and a Couple of Milhouse Fun Facts, which will delve into the making of the show, include hardly-seen clips and apparently even some full-frontal cartoon nudity. He will also join a session with his friend and fellow cartoonist Lynda Barry. "The most intense Simpsons fanatics I've met are from Australia, so I'm coming to Sydney to check out all you lunatics," Groening said. "I'm going to share stories of the making of The Simpsons and show embarrassing home movies and rarely-seen animation, including oddball outtakes and uncensored Itchy & Scratchy cartoons." Other highlights from the GRAPHIC 2016 program announced this morning include a screening of George Lucas' 1971 sci-fi epic THX 1138, which will be re-scored live by Asian Dub Foundation. There will be a heap of free talks from cartoonists including Leunig and First Dog on the Moon, as well as two film premieres from Nail Gaiman, who has previously called the festival "the smartest, wisest, most cutting-edge festival and celebration of narrative literature and its intersection with culture in the world". GRAPHIC will take place at the Sydney Opera House from November 4-5. Tickets go on sale on Friday, September 16 here.
Heston Blumenthal’s London restaurant Dinner will soon be losing a head chef to a Melbourne version of the Michelin-starred restaurant. But in an international switcheroo, Blumenthal is taking back quite the culinary talent to the UK to reopen The Fat Duck in Berkshire: a MasterChef from Ballina. Confused? Let's break it down. Last night saw the greatly anticipated MasterChef finale, and after a two-and-a-half hour tension headache, a winner was crowned (spoiler alert: it was Ballina chef, Billie McKay, who beat competition golden girl Georgia Barnes in a shocking twist that took a long, long while to get there). But the real star of the show was (as always) wacky, inflatable arm-flailing Blumenthal who appeared with a dish from another dimension: the Botrytis Cinerea dessert, a dish more art than food. After the winner was crowed, Heston offered McKay a job at The Fat Duck when it reopens in Berkshire, which she graciously accepted. So, Australia is losing its newly crowned MasterChef to the UK, but at the same time Melbourne is gaining a new Blumenthal restaurant, Dinner, complete with ex-Fat Duck head chef, Ashley Palmer-Watts. Dinner will take up residence in the Crown Melbourne in October, taking over from The Fat Duck's now-closed, six-month Melbourne residency. Farewell Fat Duck classics as snail porridge and quail jelly with crayfish cream, and welcome Dinner specialties like the fabled meat fruit. Dinner Melbourne will be modelled on the Blumenthal's Michelin-starred London restaurant which serves a typically jaw-dropping menu — inspired by 15th century manuscripts and 'the fanciful dramatic dishes of the royal courts of King Henry VII'. Expect dishes such as the infamous meat fruit (chicken liver parfait contained within a mandarin jelly skin), and ‘rice and flesh’, which is made of saffron, calf tail and red and hails all the way from 1390AD (where it perhaps should have stayed). It’s an ode to historical British gastronomy, which in Hestonspeak means: be wary of your meal because there’s almost certainly four and twenty blackbirds baked into it and about to sing somehow. Dinner by Heston Blumenthal will open in late October at the Crown Melbourne, 8 Whiteman Street, Southbank. Open for lunch Friday and Saturday, and dinner daily. Via Good Food. Images: Alisa Coonan, Ashley Palmer-Watts.
Fancy spending some time in Latin America? Don't we all. It's not quite the same as a holiday but, thanks to the brand new Cine Latino Film Festival, getting immersed in the sights, sounds and stories of everywhere from Mexico to Puerto Rico is as easy as heading to the movies. Throughout August, the latest addition to Palace Cinemas' ever-growing festival calendar brings the best films from the region to Australian screens, celebrating not just excellence but variety. Come for cinematic poetry from master filmmakers and stay for Peruvian horror efforts — they're just a few of our five must-see pics of the festival. Plus, if you scroll down to the bottom, you can go in the draw to win a double pass to see one of them. NERUDA Curbing one's excitement for Pablo Larraín's latest feature is close to impossible. The Chilean filmmaker hasn't even reached the age of 40 yet, and he already has a number of features under his belt that any writer/director would be envious of. After wowing the Aussie festival circuit with his first collaboration with Gael Garcia Bernal in 2012's political drama No, Larraín tasks the charismatic actor with once again exploring the difficulties of restrictive societies — this time through an examination of the life the poet that gives the movie its name. That Neruda has been called gripping won't surprise anyone, in yet another stellar work from a director on the rise. ENDLESS POETRY When it comes to Endless Poetry, knowing that it is directed by Alejandro Jodorowsky should be more than enough motivation to send you rushing towards your nearest Palace Cinema. After breaking a 23-year directing drought with 2013's The Dance of Reality, the 87-year-old filmmaker behind such brazen, mind-bending cult classics as El Topo and The Holy Mountain offers up another cinematic memoir. In the second of a planned five-feature series, he moves from his youth to the formative experiences of his 20s, chronicling his efforts to become a poet against the wishes of his family. THE WOMB If sitting in a darkened room, staring at a big screen and getting scared is your idea of a good time at the movies, then The Womb should be your type of film. If the fact that it is being billed as Peru's first bona fide horror flick doesn't get your pulse racing, then perhaps its unsettling tale of several layers of motherhood struggles will. Sure, you've probably seen plenty of frightening fare about being a parent lately, but there's a reason filmmakers keep returning to this tried and tested topic. HOW TO WIN ENEMIES You can never have too many offbeat comedies, right? Finding amusement in the quirks of everyday life is always going to strike a chord, with How to Win Enemies the latest Argentinian effort to give it a shot. Focusing on a young lawyer with a fondness for detective stories, it's a love story, a family drama and a mystery all in one. Yes, the sleuthing angle has seen Gabriel Lichtmann's film compared to TV's Bored to Death — so if you're a fan of that show, it can only be a good thing. I PROMISE YOU EVERYTHING Combine a skater film, a crime drama and a queer love story all into one, and the result is I Promise You Everything. Weaving through the streets of modern-day Mexico City, the feature tells the tale of Miguel and Johnny, their stumbling upon a get-rich-quick scheme supplying blood to drug traffickers, and the tumultuous results. If it sounds a little like the early work of Oscar-winning director Alejandro González Iñárritu, that's not a bad thing. One review has even mentioned the film in the same breath as The Godfather — and while they're awfully big shoes to fill, discovering how it tries to achieve that feat should be intriguing at the very least. The Cine Latino Film Festival screens at Sydney's Palace Norton Street and Verona from August 9 to 24, Brisbane's Palace Centro and Barracks from August 11 to 24, and Melbourne's Palace Como and Westgarth from August 17 to 31. For more information, visit the festival website. [competition]583085[/competition]
Sydneysiders need no longer hypothesise about taking all their cans to South Australia, you'll be able to nab a tiny return right here. In a initiative launched by the City of Sydney in June last year (modelled on successful overseas ventures), a series of vending machines have been rewarding recyclers for throwing in their empty plastic bottles or cans. Sure, the rewards might be food truck vouchers. But it's something. The machines have been feeding on bottles in Circular Quay for the last twelve months, a successful trial which saw the machines recycle over 75,000 beverage containers — enough to build a tower 30 times the height of Sydney's Centrepoint Tower. Now the City of Sydney is adding two more machines, one at Wynyard and one in Redfern. These chomping vendors can hold up to 3000 bottles and cans each before reaching capacity. Feeding one of the machines isn't rewarding recyclers in cash money yet, instead you'll nab little freebies — two-for-one food truck vouchers, ten cent donations to charity or entry into the draw for New Year's Eve Dawes Point tickets, bus tickets or an iPad mini. A prevalent and well-established project in the U.S, Norway and Germany, these 'reverse vending machines' have been proven to achieve colossal recycling rates — South Australia's rose up to 90 percent (double the rate of NSW). City of Sydney reported that 15,000 bottles and cans are currently chucked into landfill every minute Australia-wide. That's a crapload of Coke cans. Contrary to our smug, uppity recycling faces, just over 40 percent of bottles and cans are recycled annually in NSW. People are still throwing their Mount Franklins in with their banana peels. But this is a solid step forward for Sydney. "It's fantastic that Sydneysiders are using these machines to help us turn rubbish into a useful resource," says Lord Mayor Clover Moore. "The success of these machines shows that people are actively looking for options to recycle, and we thank Sydneysiders for their recycling efforts so far." The Lord Mayor has confirmed the City of Sydney is now calling for a national container deposit scheme like this one, as a long-term sustainable solution to beverage container waste. While we're not sure if a few raffle tickets will be enough incentive for Sydneysiders to recycle their Passiona cans, it's certainly a start. Recycle your cans at Circular Quay near the A to D bus stands, and (coming soon) on the Wynyard Park side of Erskine Street in the CBD, and at Redfern Village on the corner of Redfern and Regent Streets. Image: City of Sydney.
Movie fans, prepare for your first wave of film envy for 2016. On January 21, the Sundance Film Festival kicks off its annual celebration of cinema in the snow — and that means a host of celebrities are headed to Utah to party with Robert Redford, and a new batch of indie titles are about to premiere. Last year, we were so consumed with excitement about the program that we outlined the ten flicks we desperately wanted to see on Australian screens — and with Mistress America, The End of the Tour, Dope, Kurt Cobain: Montage of Heck and Sleeping With Other People on our list, we had a pretty good hit rate (if we do say so ourselves). So, what's got us buzzing this time around? Well, theres a few documentaries, a mermaid thriller and an all-star cast in a film named Wiener-Dog, to name a few standouts. Here's our picks of the films we hope Aussie audiences will get the chance to watch, either courtesy of a local release or a festival — plus a few more we've got our eye on. HUNT FOR THE WILDERPEOPLE There's plenty about this flick that appeals: its manhunt for a rebellious kid and his foster uncle storyline, and Sam Neil and Rhys Darby featuring among the cast, to name a few. However, most of our enthusiasm for Hunt for the Wilderpeople stems from the involvement of Taika Waititi. To date, the New Zealand filmmaker has brought us the charming Boy, directed episodes of Flight of the Conchords, and co-starred and co-directed one of the funniest flicks of the past few years, the vampire mockumentary What We Do in the Shadows. With Marvel sequel Thor: Ragnarok coming up next, he's clearly bound for bigger things, but this eccentric comedy sounds like vintage Waititi. Also watch out for: Sing Street, another music-focused flick from Begin Again director John Carney — this time about an Irish teen in a glam-ish band. LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD More and more documentaries keep touching upon the topic of the technology we're all now unable to live without. The latest comes from none other than the great Werner Herzog, which marks his first factual effort since Into the Abyss five years ago. History and horror stories combine as he interviews a wealth of experts and tries to look at both the good and the bad of the online environment. And yes, the filmmaker provides the narration — because hearing his distinctive tones wax philosophical is all part of the Herzog doco experience. Also watch out for: Under the Gun, a dissection of the firearms debate that continues to divide America. WIENER-DOG When is a sequel not quite a sequel? When it takes one figure from a film and inserts them into a compilation of tales. That's the case with Todd Solondz's Wiener-Dog, with its title referring to the as dachshund at the centre of its stories, as well as the Welcome to the Dollhouse character of Dawn Wiener (then played by Heather Matarazzo, now by Greta Gerwig) it crosses paths with. If you're a fan of the director or the 1995 feature, this is all good news. Plus, there's the cast, with the ever-luminous Gerwig joined by everyone from Kieran Culkin and Girls' Zosia Mamet to Julie Delpy and Danny DeVito. Also watch out for: Maggie's Plan, also starring continued Sundance fave Gerwig, but this time contemplating marriage and children alongside Ethan Hawke and Julianne Moore. CERTAIN WOMEN Another film, another set of intersecting stories — however, don't let the format deter you from Certain Women. In one tale, Laura Dern is immersed in a hostage situation. In another, Michelle Williams copes with marital problems in her new home. In the next, Kristen Stewart plays a lawyer-turned-teacher. All three segments are tied to a vision of America's midwest that sees the women forge paths forward. If you're not already sold, knowing that the movie is directed by Kelly Reichardt — who previously worked with Williams on Wendy and Lucy and Meek’s Cutoff, and most recently helmed Night Moves — should take care of that. Also watch out for: Love and Friendship, which sees Whit Stillman reuniting with his The Last Days of Disco stars Kate Beckinsale and Chloe Sevigny for an adaptation of an unpublished Jane Austen novella. THE LURE If you think there's just not enough mermaid-related horror flicks, then The Lure should catch your attention. Aquatic sirens feature quite prominently in the feature debut of Polish director Agnieszka Smoczyńska, as does a tale of romance, some bloodlust and a neon-lit dance club. Yep, this is a musical affair as well as a scary one, coming together with what Sundance describes as "a knack for both burlesque and the grotesque". If it can live up to that description, consider us pumped. And even if it can't, it has to be better than one of the last films to chart this territory: the exactly-as-bad-as-it-sounds Killer Mermaid. Also watch out for: Convenience store clerks, Johnny Depp playing his character from Tusk, and plenty of silliness in the next Kevin Smith effort, Yoga Hosers. MANCHESTER BY THE SEA In 2012, Kenneth Lonergan's Margaret finally found its way to Australian cinemas. Problems and delays had plagued the film for years — the Anna Paquin-starring effort was actually made in 2007 — however if ever a film was worth the wait, it was this one. Thankfully, Lonergan's latest doesn't seem to be suffering the same fate — we're just hopeful that it will deliver. Here, a loner handyman has to take care of his teenage nephew and face a past tragedy. The underrated Affleck brother, Casey, leads a cast that also includes Kyle Chandler and Michelle Williams. Also watch out for: Belgica, the new bar-set, Soulwax-scored film from Belgian writer and director Felix van Groeningen, who was nominated for an Academy Award for his polarising The Broken Circle Breakdown. THE BIRTH OF A NATION If you know your film history, you should've already heard of a film with this title. Back in 1915, filmmaker D. W. Griffith made a silent, black and white chronicle of the American Civil War. The film is still considered ahead of its time in a technical sense, but was courted for its stance on race and depiction of the Klu Klux Klan. Now, actor-turned-director Nate Parker (Beyond the Lights) uses the same name for an effort charting a real-life slave rebellion in 1831 — and there's a statement in his choice of moniker, of course. He also stars on screen, alongside Armie Hammer as a slave owner. Also watch out for: The Office's John Krasinski steps behind the camera as director for The Hollars, a family comedy featuring Anna Kendrick, Margo Martindale, Charlie Day and Sharlto Copley. ALI & NINO He might be known for delving into the life and death of both Amy Winehouse and Ayrton Senna in two of the last decade's most powerful docos — that'd be Amy and Senna — however, Asif Kapadia also has a few narrative features on his resume. Ali & Nino marks his return to non-factual storytelling, adapting the novel of the same name. This time, he examines a clash of cultures in Baku between 1918 and 1920. Given that the film explores a romance that springs up between a Muslim Azerbaijani boy and Christian Georgian girl, expect plenty of tension between traditional and modern ways in this politically-charged love story. Also watch out for: Southside With You, a romance about a guy called Barack and a girl called Michelle. We know who you're thinking of — and yes, we mean those ones. HOLY HELL When Holy Hell was first announced in the Sundance lineup, it didn't list the director. Filmmaker Will Allen initially kept his identity a secret — which, considering the subject of his documentary, is more than a little understandable. For 20 years he lived inside a secretive spiritualist community led by a charismatic guru, filming everything that went on. That footage forms the basis of the doco, however Allen also shares his own recollections, and interviews fellow former members of the community. He ponders not only the organisation he devoted two decades of his life to, but the lengths people are willing to go to in search of happiness. Also watch out for: NUTS!, a doco that tells the so-crazy-it-must-be-true tale of the small-town doctor who tried to cure impotence by transplanting goat testicles into men. We're serious. THE INTERVENTION You've seen Clea DuVall in the likes of The Faculty, Girl Interrupted, Argo and TV's Carnivale — and now you can watch her directorial debut. In The Intervention, she stars as well as guides Cobie Smulders, Alia Shawkat, Natasha Lyonne, Melanie Lynskey, Jason Ritter and Ben Schwartz through a weekend trip that doesn't quite turn out the way everyone thinks it will. Four couples head away for what seems like the usual booze-soaked holiday, however, the apparently jolly jaunt also doubles as an intervention. Yep, this one is a dramedy, making the most of the dramatic and comic talents of its ensemble of performers. Also watch out for: Other People, which corrals Jesse Plemons, Molly Shannon, Bradley Whitford, June Squibb and Parks and Recreation's Retta into the big screen, feature-length debut of Saturday Night Live writing supervisor Chris Kelly.
Playwright Kate Mulvany has adapted Craig Silvey's 2009 Indie Book of the Year, Jasper Jones, for the stage — and scored a 2015 Nick Enright Prize nomination in the process. It's Western Australia in the 1960s. Charlie Bucktin is a clever 14-year-old whose ambition is writing The Great Australian Novel. But he's faced with a moral dilemma when Jasper Jones, an indigenous boy who serves as the town's scapegoat, turns up at the window asking for help. Jasper has unwittingly come across a crime scene. But he's too scared to tell anyone, because he knows he'll cop the blame, without question or fair trial. So he asks Charlie for help in solving the mystery. In the suspenseful story that develops, Jasper Jones explores race relations, the Vietnam War and small-town Australian culture, alongside teenage friendships, word play and the complexities of growing up. Mulvany deftly adapts Silvey's words for the stage, keeping the right balance of tension and humour. At Belvoir, her script is directed by Anne-Louise Sarks, with Guy Simon playing Jasper Jones and Tom Conroy in the role of Charles Bucktin.
Most people's reluctance to get tattooed stems from the niggling suspicion that Kermit the Frog may not be timeless. But before at least there was solace in the idea that when you died, your skin would rot away and all tattoo sins would be forgiven (unless we get that cheapo tattoo removal cream we’ve been promised). Now, as we always knew they would, tattoo artists have found a way to conquer death. Save My Ink is a tattoo preservation service that you never knew you wanted, offered by the National Association for the Preservation of Skin Art (NAPSA). And by preservation service, this is what we mean: when you die, they come and cut your tattoo off and frame it. (?_?) So here’s the deal if you want to preserve your butterfly tramp stamp to pass along to your children. The tattoo preservation service is only available to NAPSA members, which requires you to pay a sign-up fee and annual membership fee. Then, when you die, your beneficiaries (the lucky ones who will receive your decorated skin flap) will notify NAPSA who will send in their technicians to hack off your skin art. Within three to six months, your presumably still-grieving family will receive your tattoo and will be able to promptly try to clone you with the DNA therein. You can have as many tattoos preserved as you please, as long as they’re not on the face or genitals (that would be way too creepy). In all seriousness though, while this is a pretty morbid service, it kind of makes sense. Tattoos are often sentimental, unique and used to commemorate big life events, so for some it may be comforting to preserve them. And it would be an easy way to resolve the practicalities of issues like this. For more information, check out the Save My Ink website here.
The Palisade Hotel was once the highest building in Sydney. It's true, back in 1915 it was built as a pub for port workers and the residents of Millers Point; a feat of modern commercial development. After many long and hearty years as a Millers staple pub, hotel and prized Brian Sudek/Annie Parmentier restaurant, it closed in 2008. But now, the Palisade is about to find new life in its 100th year, under brand new ownership. Quite the prime real estate spot, the Palisade has been snapped up for about $20 million by entrepreneur Richard Sapsford, according to Good Food. Set to reopen in August, the pub will apparently fuse boutique hotel accommodation with a brand new eatery and bar, under the direction businessman of Greg Walker. GF reports owner of The Society Inc and interior stylist for the likes of Palings, Mr Wong, Palmer & Co, El Loco, 30 Knots, Upstairs at The Beresford, MsG’s and more Sibella Court has been locked in to steer the revamp — one she has hinted may have a "Soho House feel", nodding to the New York City Meatpacking District institution. The Palisade will reportedly reopen in August 2015. Watch this space for more details. Via Good Food. Images: Mick Stanic and Newtown Grafitti (Flickr CC)
Need an escape from the the winter weather? Then escape from the chill to a warm, dark cinema, where you can watch movies from places even colder than here. Returning to Palace Cinemas in Sydney, Melbourne, Canberra, Adelaide, Brisbane, Perth and Hobart, the Volvo Scandinavian Film Festival will once again showcase the best of Swedish, Danish, Finnish, Norwegian and Icelandic cinema, from award-winning dramas to esoteric comedies and the very best of Nordic Noir. While the 2017 program is yet to be announced, to give you an idea of what to expect, one of the big highlights from last year's program was the Golden Globe-nominated The Fencer, a Finnish-German-Estonian co-production — dubbed by Finland Today as "the best Finnish film in a decade" — about a fencing instructor hiding from Soviet forces in Estonia in the years after the war. This played alongside oddball Icelandic rom-com The Together Project which took home a screenplay prize at Cannes, and the excruciatingly tense Danish drama Land of Mine.
Ease your way into the Easter long weekend with a film, cocktail and music at Golden Age Cinema and Bar. The main act of the evening is a screening of Hail The New Puritan (1987), starting at 7pm on Thursday, March 24. Directed by Charles Atlas, this off-the-wall film tells the story dancer and choreographer Michael Clark, who hails from Aberdeen, Scotland. It's part-art flick, part-documentary and delves deep into Clark's life beyond the stage, drawing together interviews, rehearsals and performance preparation, as well as bowls of fruit and spots, spots, spots. Artist and fashion designer Leigh Bowery took care of production design, while the soundtrack was the work of The Fall and Glenn Branca, among others. Pelvis DJs are the brains behind this event and they'll be playing in the bar all night long.
Summer may be at an end, but you can continue to revel in the still-warm mornings with sunrise yoga and exercise classes on the Sydney Opera House steps. The ten-week program — which follows a sell-out trial run in 2016 — kicks off on March 13 with classes running four days a week. Yoga will be led by Crawf Weir (of Barefoot Yoga in Paddington) on Wednesdays and Fridays and, for those keen to do strength and cardio, circuit classes will run on Tuesdays and Thursdays. All classes start at 7am and run for an hour. Tickets are a little steep at $25 each, but there's surely no better way to start your day than by saluting the sun as it shimmers over the harbour and those legendary white sails as your backdrop. Images: Daniel Boud and Kai Leishman.
There aren't a whole bunch of things that can beat a day in the sun with a drink in your hand. Recognising the need to slake that thirst, Canadian Club is bringing their Racquet Club back for the summer, dosing out refreshing Canadian Club, dry and lime beverages by the water with a screen showing the tennis. The Racquet Club celebrates Australia's biggest annual summer sporting fixture, the Australian Open. After keeping punters hydrated in Melbourne last year, the pop-up will this year extend to Sydney and Brisbane as well. The club will set up at The Bucket List on Bondi Beach for a whole month, from December 29 to January 30, and overlooking Sydney Harbour at Cruise Bar from January 3 to January 30. The pop-up bar will carry Canadian Club on tap, as well as a whole slew of Canadian Club cocktails (the grapefruit Summer Spritz is our pick), and will be decked out in all the tennis memorabilia that they can find. Plus, when the Open starts on January 16, there'll be a big screen showing every game, loud and live. We're giving away 25 bar tabs worth $100 for the opening night of Racquet Club at The Bucket List and Cruise Bar. Tell us which location you'd like to head to and enter your details below for your chance to enjoy the summer vibes. [competition]602874[/competition]
This summer, Monte Morgan, Harvey Miller and stylist Kirsty Barros as co-designer launch the Client Liaison Designer Line pop-up in Melbourne and Sydney. While the band have always designed their own merchandise, they felt the time had come to embark on something a bit more ambitious. We brought you a peek of the range last month, which features Client Liaison's signature peach and 'reef' variations, and keeps to a unisex beach theme, manifesting itself as jumpers, beach robes, t shirts, bumbags, visors and budgie smugglers. For Harvey, it's all about slip, slop, slap. "Sun protection is a big one," he told Concrete Playground this spring. "It's something everyone should remember. We have a rash vest incorporated into the Designer Line." [caption id="attachment_595549" align="alignnone" width="1280"] Chris Middleton.[/caption] When choosing a summer outfit, the Client Liaison Designer Line is a good place to start. "It's luxury at the beach," says Monte. "You're totally relaxed but retaining a level of class". Harvey adds: "At the beach you'll need a light bag to chuck your beach towel in, somewhere to store your sunglasses at night. Bring a jumper for the icy cold evening. Dressing for the summer is all about being prepared." Read more about Client Liaison's summer wardrobe-picking abilities here. The Client Liaison Designer Line is available to purchase exclusively at pop-up stores in Melbourne and Sydney and at www.clientliaison.com from November 10. Prices range from $10-129. CLIENT LIAISON DESIGNER LINE POP-UP SHOP DATES: MELBOURNE Collarts, 209 Brunswick Street, Fitzroy Launch: Friday, November 10, 6-9pm Pop-up store: Friday, November 11 to Sunday, November 13 (10am to 5pm) SYDNEY Location TBC Launch: Friday, November 18, 6-9pm Pop-up store: Friday, November 18 to Sunday, November 20 (10am to 5pm) Diplomatic Immunity is out now. Images: Chris Middleton.
JumpFromPaper, a fashion company straight out of Taiwan, want you live out your dream of a Saturday morning cartoon world with their range of trippy accessories that look they’ve have jumped right out of the TV and onto your shoulder. Just look at them. Don't you just want to take this backpack called 'Adventure' and going exploring around the city? And this 'Summer Breeze' rounded bag somehow begs you to put on a crisp white tennis skirt and do some loosely choreographed exercise. You may just give a stranger in the street an existential crisis with this little cartoon-like 'Spaceman' backpack. They've even got a range for you dapper gents out there. Honestly, how are these three-dimensional? Trouble is, once you have one, it may be near impossible to stop holding your own artistic fashion shoots. Look at these whimsical ladies on their way to the movies. And if your girlfriends all get one then there's really no other option but to form a girl band, so you can have whacky photos like this as your album cover. Shipping to Australia you can get anything from wallets for $30 to backpacks for $139. You'll be paying for something that looks like it's made of a single sheet of paper, but we guarantee your inner child will thank you everyday. Images: JumpForPaper.
Already this year, Aussie movie lovers have been able to journey to France from their cinema seats. Hitting up Spain just by heading to your local picture palace has also been on the itinerary. Your next stop: Germany. Kicking off just as the weather gets colder to remind you of frosty European climes, Australia's touring German Film Festival is back for 2022 with a 26-movie program. The fest's destinations: Sydney, Canberra, Melbourne, Brisbane, Adelaide, Perth and Byron Bay, spanning different dates between Tuesday, May 24–Wednesday, June 22. Wherever you reside, you'll be able to see in winter with quite the lineup of new and classic German movies. There's typically a couple of clear recurring themes in this annual cinema showcase, as there tends to be in German films in general. So, the fact that this year's GFF will open with A Stasi Comedy, about life a Stasi agent's double life as both an underground poet and a spy in 80s-era East Berlin, is hardly surprising. Nor are two of the fest's other big-name titles: The Last Execution, starring Babylon Berlin's Lars Eidinger and also set in East Berlin in the 80s; and The Forger, led by Dark's Louis Hofmann, who plays a young Jewish man in Berlin in 1942. They're just some of the 21 movies that'll enjoy their Australian premieres at the event — alongside drama My Son, about a teenager's relationship with his mother; crime comedy The Black Square, starring Toni Erdmann's Sandra Hüller; the post-WWII-set The German Lesson, which leaps from the page to the screen; and political thriller The House, which takes place in the near future. GFF is also showcasing new films from just beyond German's borders in Austria and Switzerland. So, you can check out films such as downhill skiing drama Chasing the Line, an Austrian biopic about Winter Olympian Franz Klammer — and Swiss effort Caged Birds, about a lawyer in the 80s battling the prison system. The festival's final five titles hail from its impressive retrospective for 2022, which takes a look back at German cinema over the past five decades. Cannes Palm d'Or-winner The Tin Drum gets the 70s slot, while the East German-set Sunny Side represents the 80s. Doing the honours for the 90s is the exceptional Run Lola Run, aka one of the best thrillers ever made. The movie that helped push The Falcon and the Winter Soldier's Daniel Brühl to stardom, Good Bye Lenin!, has the 00s covered, and kinetic one-take gem Victoria returns to the big screen to showcase cinema from the past decade. GERMAN FILM FESTIVAL 2022 DATES: May 24–June 19: Palace Norton Street, Chauvel Cinema and Palace Central, Sydney May 25–June 19: Palace Electric, Canberra May 25–June 19: Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, The Kino, Pentridge Cinema and The Astor Theatre, Melbourne June 1–22: Palace Barracks and Palace James Street, Brisbane June 2–22:Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide June 2–22: Palace Raine Square Cinemas, Luna Leederville and Luna on SX, Perth June 3–19: Palace Byron Bay, Byron Bay The German Film Festival Australia tours the country from May 24–June 22. For more information, visit the festival website.
If you've long felt you missed out on a decent childhood because you weren't bunking in with the Swiss Family Robinson, you can now make up for lost time. Treehouses for grown-ups are one of the latest fads sweeping global architecture, and a new apartment block in Turin, Italy is among the wildest. Named 25 Verde (25 Green) and designed by architect Luciano Pia, the five-storey apartment block doubles up as an urban forest. There are 190 trees snuggled within the structure, with 40 of them creating a tranquil courtyard garden, and the rest providing greenery for 63 uniquely luscious apartments. While the lower floor offers leafy garden-facing arrangements, apartments on the upper floor come with spacious, sunny terraces. Both, however, come with ample opportunities for making your own secret password security precautions and 'no boys/girls allowed' signs. Apart from their obviously eco-friendly presence, the trees also help to moderate temperature in the apartments — filtering sunlight on hot days and providing insulation when the weather cools. Total bosses. To pay 'em back, the trees are kept alive by an irrigation system that uses harvested rainwater. Meanwhile, heating is provided by ground water pumps and ventilated walls enable additional 'breathing'. Vertical gardening might have met its match. Via Huffington Post.
Majestic Gourmet Grocers are taking full advantage of their iconic Majestic Theatre space in Petersham with next week's opening of Harvest Bar, which will sit upstairs from its sister restaurant Majestic Harvest and the Mercado Europa marketplace. The drinking den will maintain many of the theatre's original features — think art deco railings and stripped-back walls — and carry through the style of the 1920s era of historic cinema. Century leather lounges will be accompanied by ebony shelving and polished metal light fittings. While Harvest Bar will open alongside the restaurant, the upstairs establishment will have its own dedicated tapas menu by ex-Three Williams chef Shiman Woon. Using the fresh, seasonal market produce the group is known for, the small dish offering will include pan-roasted scallop with sweet corn puree and parmesan foam ($13), grilled octopus with capsicum puree ($14) and a 36-month cured Iberico ham ($15). An indulgent duck liver parfait ($12) and crispy pig's ear ($9) will also sit on the menu, but for less fancy affair, house-made onion rings ($6) and herb fries ($6) are yours for the snacking. With the food sounding this tasty, it's easy to forget it's a bar we're talking about here. Harvest Bar will feature signature drinks and a curated wine list to pair with the dishes, with both local and international beverages to choose from. The local and craft beer scene hasn't been left out either, with the rotating taps starting with Batch Brewing Company. Of course, no trip to Majestic is complete without a wander around Mercado Europa, with its specialty smallgoods and overwhelmingly good-looking edible things. They have a counter for just about everything, from charcuterie to cheese (as well as a separate patisserie and boulangerie), so it's perhaps best to pop in after you've eaten to stop yourself from buying the place out. Harvest Bar will open Thursday, May 12 at the old Majestic Theatre, 49 New Canterbury Road, Petersham. The bar will be open Thursday to Friday from 5-10pm and Saturday and Sunday from 4-10pm.
Ever have this problem? You're kayaking through crystal clear waters on adventure of a lifetime in paradise, and the goddamn bottom of your canoe is infuriatingly opaque. All that sea life, going unseen. All those underwater sea creature orchestras, going unappreciated. It's infuriating and devastating. Well, all of that is about to change thanks to the Crystal Kayak Company. They've invented (maybe a better term is re-imagined) the kayak, and this time round it's completely see-through. It's the boldest see-through invention since the see-through toaster. Using the same material as windshields are made from, the see-through kayaks are perfect for moments when you want to see what your kayaking over (i.e. undersea orchestras). Check out the promo vid — and we dare you to not feel like you want to quit your job, burn all of your possessions and spend the rest of your life in a transparent kayak. They retail from a whopping $1,499, but if that blows your kayak budget out of the water, you can trial it at resorts around the world. And don't think that price tag just buys the opacity of your kayak. Oh no. As well as offering quite the underwater view, they've been ergonomically designed to be wayyy more comfy than your average kayak. Check em out here.
The 62nd Sydney Film Festival closed on Sunday, June 14, having unleashed a number of great and good films upon the city. But 'great' isn't all we go to the festival for — we come looking for the stuff that challenges us, for the weirdest concoctions that will never get a cinema release, for the wild artistic risks that might not even work as a motion picture and, yes, for the failures that went down swinging. So with that appetite guiding our cinematic feast, here are our critics' highlights of the festival. THE BEST THE CLUB If there's one club no one wants to be a member of, it's the one at the centre of Pablo Larrain's latest film. The director of 2012's No keeps his voice political and his eyes focused on his Chilean homeland, with the injustices committed by the Catholic Church his new point of focus. That his chilling and complex tale takes place within a coastal retirement home for disgraced priests should give an indication of the dark psychological territory he traverses, though Larrain spares his judgment for the system rather than his subjects. There, he's scathing about the culture of covering up scandals, as demonstrated by a final act that just might render viewers speechless. He's also likely to cause another club to form: those of avid fans of the atmospheric feature, and of his continued contemplation of corruption. -Sarah Ward TEHRAN TAXI Road movies often take characters on a literal and emotional journey from point A to B. You know the ones. Jafar Panahi interprets driving, talking, growing and learning a bit differently; the director turns on-screen cabbie in Tehran in an effort that merges art and life on several levels. Panahi is currently banned from filmmaking, yet once again uses his limitations as inspiration — including in setting and staging his latest feature in a taxi, and in combining fact and fiction. In this year's Berlin Film Festival Golden Bear winner, he makes a statement about his own predicament while drawing attention to the restrictions prevalent in modern-day Iran. Forget heading off on holiday; his road trip takes audiences through his and his nation's everyday existence. -SW THE HUNTING GROUND It was a fantastic festival for documentary filmmaking, with titles like Going Clear and Sherpa taking on pressing real world issues with empathy and determination. But of all the docos in the program, Kirby Dick’s The Hunting Ground stands out as perhaps the most important. Over 103 devastating minutes, the Oscar-nominated filmmaker exposes the endemic rates of rape on American college campuses — crimes that administrators at many of the country’s leading universities have a shameful history of trying to sweep under the rug. It’s a grim and confronting story, but one that needs all the attention that it can get. -Tom Clift VICTORIA If you thought the long takes in Gravity and Birdman were impressive, then have we got a recommendation for you. Filmed in a single real-time take, Sebastian Schipper’s Victoria follows a young Spanish expat living in Berlin, who after a big night out finds herself the unlikely participant in an early morning bank heist. Schipper’s audacious shooting style adds a sense of immediacy to the tale, taking viewers through the city’s famous club scene and into its seedy criminal underworld on the same emotional rollercoaster as Victoria herself. Gripping and empathetic, this is experiential cinema at its finest. -TC THE WORST SHE'S FUNNY THAT WAY Screwball comedies can be a love 'em or hate 'em affair. Sometimes their fast-talking banter charms. Sometimes their reliance upon too many conveniences grates. Sometimes, like in She's Funny That Way, the latter outweighs the former. In his first film in more than a decade, writer/director Peter Bogdanovich brings together a likeable cast of Owen Wilson, Imogen Poots, Rhys Ifans, Will Forte and Kathryn Hahn, yet pushes them past the point of farce and into tiring territory. There are a few giggles to be had, alongside obvious love for genre, but it's the late-stage cameo that most will remember this movie for, and that's never a good thing. -SW AMONG THE BELIEVERS Among the Believers isn’t so much a bad film as it is a disappointing one. Documentarians Hemal Trivedi and Mohammed Ali Naqvi were allowed unprecedented access to Abdul Aziz Ghazi, the leader of the notorious Red Mosque network which is widely viewed as a breeding ground of religious extremism in Pakistan. Yet we can’t help feel that they squandered the opportunity, with the resulting documentary offering little real insight into the minds of the would-be terrorists or the social and political factors that create them. With so much media attention given to the threat of Islamic terrorism, Among the Believers needed to bring a lot more to the table to rise above the noise. -TC THE BOLDEST EXPERIMENTS ARABIAN NIGHTS Making a three-volume, 383-minute feature is a bold choice, but the length of Miguel Gomes' Sydney Film Festival competition-winning effort is actually one of the least bold things about it. Yes, he's made his movie an endurance test; however, it's his choice of content and the way he splices it together that's audacious. Often involving trials and other forms of judgment, frequently featuring animals (bees, a talking cockerel, the canine winner of Cannes' coveted Palm Dog Award, and too many chaffinches), and flitting between surreal segments and documentary-style observation, the thematically connected chapters try to achieve a feat the director himself acknowledges as impossible. That'd be seducing in narrative while acknowledging the misery of Portugal's harsh economic reality — and if it sounds like courageous, challenging work, that's because it is. -SW TANGERINE Loud, gaudy and unapologetically crass, Sean Baker’s Tangerine is a far cry from a stereotypical festival film, and honestly, that’s a big part of why we loved it. Shot on the streets of Los Angeles using tricked-out iPhone 5s, the film follows a transgender prostitute named Sin-Dee as she blazes through the city with her best friend Alexandra in tow, on the hunt for her pimp boyfriend who she’s learnt has been unfaithful. The hyper-raw cinematography suits the plot and characters to perfection: tacky and stylish and outrageously funny all at once. And beneath all the humour lies surprising emotional depth. -TC THE MOST WTF THE FORBIDDEN ROOM Guy Maddin's latest effort, as co-directed with Evan Johnson, is the kind of movies cinephiles dream of. No, it's not your usual, stereotypical serious movie fare — this really is something that feels it has been ripped out of someone's head mid-slumber, or perhaps mid-hallucination. Think tripping through cinema history, complete with mind-altering substances, and you're still nowhere close to the ride this takes through layers of stories, colours, genres, tropes and film stocks. The Forbidden Room is a movie that teaches you how to take a bath, has a wolf hunter as its hero, and relays the thoughts of a volcano and a moustache. We're not kidding. Yes, it really is that offbeat and glorious. -SW A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE The title of this film is probably the least strange thing about it, hence its place in our coveted WTF section. The third part of a thematic trilogy by Swedish filmmaker Roy Andersson 15 years in the making, A Pigeon Sat on a Branch Reflecting on Existence consists of a series of deadpan tragicomic vignettes ostensibly ‘about being a human being’. Sexually aggressive dance instructors, a pair of morose travelling salesman and the long dead King Charles XII are just a few of the bizarre characters who inhabit this esoteric comedy, one that had us scratching our head in bafflement as often as it had us laughing. -TC
Uber's international developments are going gangbusters of late, after launching free breathalyzers in Canada, possibly slashing UberX prices in Western Australia, and launching its first ever cash-only service — a brand new auto-rickshaw option available in Delhi. Uber users in Delhi can book a rickshaw through the mobile app — you just don't have to punch in your destination — before paying in cash without extra commission charges. Drivers are apparently being trained not to refuse bookings. For regular Uber cabs, it's still electronic payment as usual. And as always, Uber users can rate their auto driver on the app, and vice versa. Sure, there's already an auto-rickshaw booking service called Ola in Delhi, and sure, it's a PR attempt to steer Uber Delhi's recently less-than-great reputation back into clear waters, but it's one that will hopefully boost job security and facilitate generally more organised and safe auto-rickshaw service in the capital for both drivers and passengers. Can't argue with that. There's just over 100,000 auto-rickshaws in Delhi (actually one of the lowest rickshaw populations in the country, something the Delhi government is trying to up), so this could really shake up the local transport industry for the Indian capital. Via Economic Times.
Wander between three of the city's go-to gig spots to discover your new favourite local artist at returning multi-venue festival Volumes — and this year's lineup features 50 percent female artists. Catch Straight Arrows, Hideous Sun Demon, Terry, Huntly, Exhibitionist, Publique, Shady Nasty, Sunscreen, Luen Jacobs, Matka and Burning Rose DJs, joining Gold Class, Willaris. K and Body Type among plenty more. Volumes will be taking place on August 19 in multiple venues along Oxford Street including beloved Sydney live music venues Oxford Art Factory, The Cliff Dive and Brighton Up Bar. If light, sound and sensory installations are more your thing, check out Sam Whiteside and Danny Wild's works in said venues. This year the festival will also be offering a limited allocation of Late Night Passes for those who can't make it during the day. They're $20 on first and $25 on second release. Tickets can be exchanged for wristbands at box office (next door to the Oxford Art Factory) from 10pm and give you entry to all venues. VOLUMES 2017 LINEUP: Jonti Gold Class Baro Straight Arrows The Ocean Party Retiree Fortune Lucy Cliche Orion Hideous Sun Demon World Champion Mezko Terry Rvg Wallace Ara Koufax Willaris. K Sam Weston Love Deluxe Body Type Bus Vipers Huntly The Goods Genesis Owusu Publique Shady Nasty Moaning Lisa Party Dozen Gauci Exhibitionist Sunscreen Clypso Tru La Sape Luen Jacobs Matka Burning Rose DJs Future Classic DJs Dinosaur City DJs Noisey DJs
The Museum of Contemporary Art’s monthly ARTBAR has become a firm fixture on Sydney’s after-dark cultural calendar. After knocking off work on Friday, head down to Circular Quay for an extra dose of art, a splash of wine and your choice of fun-filled activities — with the added bonus of panoramic views of the harbour from the Sculpture Terrace. Past curators have included the likes of Pip and Pop, Blak Douglas, Haines and Hinterding, and Rebecca Baumann — each building uniquely flavoured late-night events. Wander in on the last Friday night of the month and you can expect a lively conglomeration of art, music, design and performance. It’s an excuse to let loose alongside some of Sydney’s best artistic talent. The next ARTBAR for 2016 will be curated by the supremely colourful Rosie Deacon. See Bush Ranger Bob’s interactive dance performance, get a hole-in-one at the glittering mini putt-putt golf course created by Rosie Deacon, meet Teena the sausage dog, see Giselle Stanborough’s performative lecture on ‘Farmer Wants a Wife’, take in live music by The Willy Wagtail Western All Stars, take a trip to the Golden Gumnut Cottage, and dance to tunes spun by DJ Sveta on the rooftop bar. Plus there'll be roaming artworks, classic Aussie birthday party games and mates rates Grayson Perry: My Pretty Little Art Career tickets. Want more after-hours fun in the gallery? Stay after closing time on these five Sydney late night art adventures.
Was one of your New Year's Resolutions to 'see more art'? There's no time like the first month of the year to get started. Sydney's galleries are kicking off 2016 with some hard-hitters, large-scale installation shows and local collaborations. From the first major Australian exhibition of one of Ghana's most prolific artists to a huge group show teasing out Australia's complicated national identity, these five shows aren't for idly cruising through. Switch that brain on and make a note of the gallery's nearest pub for post-exhibition beery debates.
Step into New Romance: art and the posthuman at the MCA and you'll be greeted with a dizzying array of moving parts, flickering lights and a casual spot of time travel. Splicing science and technology with politics and aesthetics, 18 artists from Australia and Korea conceive of the distant and not too distant future in this just-opened exhibition. But New Romance is not simply a celebration of quirky technologies — however seductive they may be. Many of the featured works stimulate discussion around the ethical responsibilities underpinning new ideas. This exhibition contemplates the future of our bodies and brains, the intersections between artificial intelligence and inanimate objects, and the foreboding path from climate change to catastrophe. Ultimately, New Romance is poised before the forked road leading to utopia, on the one hand, and dystopia, on the other. It's our choices that split the two. Sounds pretty hectic huh? To help you navigate through this complex exhibition, we've plucked out five key themes that will get your mind cogs moving. BIOETHICS AND AGENCY In the relentless quest for improvement and efficiency, we're seeing the development of exciting new technologies — or so-called disruptive technologies. Of course, when inventors and innovators are faced with decisions that may change the collective path of humanity, the future becomes a moral minefield. Anticipating an era of ethical complexity, Patricia Piccinini and Peter Hennessey's installation, Alone with the Gods (2016), is like stumbling upon a scene from a science fiction film. Featuring all the fleshy mutations you would expect from Piccinini, part of the MCA has been transformed into a makeshift bomb shelter. There are strange crystalline gardens growing out of punctured furniture and grotesque experiments in biotechnology. These futuristic oddities are set amongst a creepy and cult-ish living room, which appears to be the headquarters of a secret society. Rather than blueprinting a progressive new world, Piccinini and Hennessey create an ominous vision of what could be, aiming to evoke an emotional and visceral response from the viewer. TRANS-SPECIES AND HYBRIDISATION When it comes to genetics, it could be argued there seems to be a set of preordained rules in this society of ours determining which living things should be combined and which should not. The darker underbelly of hybridisation comprises the stuff of H.G. Wells' The Island of Dr Moreau. Yet even today, agricultural processes of selective breeding and genetic modifications are often treated with suspicion. These attitudes hinge upon an implicit sense of when a line is being crossed — what is too 'unnatural' for us? Jumping into the spiky world of succulents, Soyo Lee explores the social paradoxes surrounding hybridisation. Ornamental Cactus Design (2013–16) is a research-driven project that follows Korea's massive cactus export market, and in particular, the weird history attached to the famous breed of moon cacti. Concocted in the less than tropical climate of Korea, the unique plant was originally developed to appeal to European markets. However, the cactus cannot photosynthesise on its own and must be joined with another plant in order to survive. Lee's project dwells on why some hybrids are deemed more attractive than others. While cross-species experiments in the animal world are typically greeted with moral outrage, Korea's mutant cacti are seen to be aesthetically pleasing and highly marketable. HYPER-CONSUMERISM Frederic Jameson wrote that it's easier to imagine the end of the world than the end of capitalism. This may very well be true, as the bulk of disaster movies manage to depict post-apocalyptic situations with relative ease, yet capitalism is the ball and chain that won't budge. And as evidenced by the Great Pacific Garbage Patch, it seems we are consuming more and more 'stuff' into the 21st century. Are we inevitably evolving into a hoard of hungry consumers with an insatiable appetite for fast fashion and shiny gadgets? Sanghyun Lee's work, We Are Not Hungry (2014), focuses on the politically volatile division of Korea. Often regarded as one of the world's most capitalist societies, Lee traces the modern materialism of South Korea from the Japanese occupation. Using historical paintings, he substitutes certain elements for video game characters and K-Pop stars — mapping a sense of social and cultural evolution. This form of digital manipulation has been described as a kind of plastic surgery, reflecting the country's obsession with cosmetic enhancements. Of course, Lee also addresses the radically different society that lies across the divide. Turning an imaginative eye toward North Korea, he recreates the authoritarian aesthetics of one of the world's most closeted regimes with a sprinkle of colour and popular culture. While reconciliation or reunification is not on any near horizon, Lee highlights a collective sense of yearning that unites North and South. SOCIAL NETWORKS In the midst of the continually shifting landscape of labour, what we do for a good time has become big business. While social media has transformed the way we interact, our data is being continually harvested by companies in order to build an accurate picture of our tastes, habits and preferences. It seems privacy is a privilege confined to the past, and the power wielded by social media companies is neatly veiled by a friendly thumbs up. This begs the question, to what extent do we expect technologies to construct our personal lives and sense of self? With a refreshing dose of cynicism, Giselle Stanborough's Lozein: Find the Lover You Deserve (2016) takes on the colonisation of our social activities by the likes of Google and Facebook. Channelling the style of a TED Talk, the artist conducts a series of performance lectures. Advertising a fictional matchmaking service, she deploys the persuasive language and branding of the leisure economy — often used to reel in the lonely and lovesick client. Of course, as Stanborough's project suggests, convenience does not guarantee a meaningful experience. And while high-tech 'solutions' are readily dispensed, we may be still articulating the problem. In her final lecture on August 18, Lozein Analytics, Giselle will reveal her insights on what Lozein user behaviour can tell us about our relationships with technology and each other. ALTERNATIVE FUTURES The much cited prediction that we are faced with our last opportunity to do something about climate change is a scary one. In cultural circles, there's a definite fascination with the Anthropocene — the point at which humanity fundamentally and permanently alters the Earth's geological properties. What is becoming increasingly apparent is that a failure to act — not zombies — will be the catalysing force of global decline. Hayden Fowler's large-scale installation, Dark Ecology (2015 - 16), in the MCA Forecourt paints a regressive vision of humanity. Inside a plastic biodome, there are stagnant puddles of dark water and dead branches — the remnants of a failed civilisation. The folly of the structure is that it was evidently unable to guard against degradation and decay. At various intervals, Fowler and his assistants conduct performances within the biodome. From inside the gallery, you can catch a glimpse of some of the details within the structure on CCTV. While Fowler's work is a vision of what might come to pass, it is patently a plea for action. New Romance: art and the posthuman runs Thursday, June 30 to Sunday, September 4 at the Museum of Contemporary Art, 140 George Street, The Rocks and is open until 9pm on Thursday nights. Entry is free.
Nine floors above the bustle of Melbourne's Collins Street is Client Liaison HQ — an office filled to the brim with pastel jackets and patterned shirts that have been sourced from vintage stores around the world. The band — Monte Morgan and Harvey Miller — have just rounded off a string of tours across the country, and they're getting ready to release their first full length album, Diplomatic Immunity. The first video sees the boys cruising along Collins Street in the Client Liaison limousine. When you're in Client Liaison, there is no such thing as a half measure. We've partnered with Heineken 3 and spoken to a few of our favourite musicians, chefs and artists, to get their insight on what it takes to create the perfect summer afternoon. For summer fashion advice, there is no one more stylish to ask than Client Liaison. The prestige in their on-stage costumes carries through into their casual wear — so much so that in November, they're due to launch their own fashion line. The boys invited us into their band wardrobe and picked out three options for summer afternoon outfits. Take note — the next time you're with your friends sipping on a Heineken 3, you might need something to wear. A PASTEL SUIT IS PERFECT FOR A SUMMER GATHERING "The boys are running a little bit late. They're in a big white limousine and they're stuck in traffic", says band stylist Kirsty Barros before we meet the boys. Soon enough, they arrive dressed to kill in polished brown shoes and matching summer suits. These were the product of a recent costume sourcing trip to Bali. Client Liaison's signature peach and 'reef' colour variations are a palette developed from the vibrant bubblegum colours of Technicolor film. In the words of Barros, it's a "seamless blend of pop and prestige". Don't be afraid to show your feminine side, she says. "For a more formal summer soiree, pastels are a subtly unconventional way to subvert an 80s power suit." Wear these classic summer colours in cotton or linen — they offer a good alternative to the dull and predictable black suit you might be forced to bring out in summer. A GENTLEMAN SHOULD NEVER WEAR SHORTS, UNLESS IT'S FOR LEISURE OR SAFARI According to Monte, it's as simple as that. "It's still possible to look classy and respectable in the heat of summer, you just have to choose the right fabrics," he says. "You go to India and everyone's wearing long kaftans and light linens. Covering the skin can keep you cool. When people get into stubby shorts and a singlet — for me, that's too far". Barros adds: "We love a sunburnt country and we chose this print for it's fruity Australiana flavour. It's perfect for a summer sunset." Accessorise with a hat, a prawn cocktail, a dirty martini or a Heineken 3. ATTENTION TO DETAIL IS EVERYTHING For Client Liaison, detail is key. "All of our music is under the scrutiny of at least two sets of eyes. Two people have to love it," Monte explains. "For our clothes and costumes, we have three [Kirsty, their stylist]. "Generally, if it's two against one we'll move on, but if we need to explore something further, we will. It sometimes means that things take a bit longer, but generally it's a good way to finesse." For this outfit the details are in the fabric choice. "Linen is the number one fabric for deep heat and breathability," says Kirsty. "For summer colours, we chose the boldest of electric blue to pack a punch and married it back with flirty pastels in textured 80s cotton meshes and a fresh optical white." INTRODUCING: THE CLIENT LIAISON DESIGNER LINE This summer, Harvey, Monte and Kirsty as co-designer launch the Client Liaison Designer Line pop-up in Melbourne and Sydney. While the band have always designed their own merchandise, they felt the time had come to embark on something a bit more ambitious. The range features Client Liaison's signature peach and 'reef' variations, and keeps to a unisex beach theme, manifesting itself as jumpers, beach robes, t shirts, bumbags, visors and budgie smugglers. For Harvey, it's all about slip, slop, slap. "Sun protection is a big one — it's something everyone should remember. We have a rash vest incorporated into the Designer Line." When choosing a summer outfit, the Client Liaison Designer Line is a good place to start. "It's luxury at the beach," says Monte. "You're totally relaxed but retaining a level of class". Harvey adds: "At the beach you'll need a light bag to chuck your beach towel in, somewhere to store your sunglasses at night. Bring a jumper for the icy cold evening. Dressing for the summer is all about being prepared." Enjoy your summer afternoons with the new low-carb Heineken 3 — we're helping you make the most of them. Client Liaison first album Diplomatic Immunity will be out Friday, November 4 via Dot Dash / Remote Control. Images: Chris Middleton.
Love a cheeky G&T? You're probably someone who's noticed gin's undergoing a massive revival in Australia, with new gin bars seemingly popping up every other day, and local distillers pushing boundaries with bold, experimental flavours and colours, and all of it is thanks to those miraculous little things known as 'botanicals'. But what are they exactly? What are you even talking about when you're loftily referring to 'aromatic botanicals' in your nip of Tanqueray No.TEN? This iconic, award-winning gin, launched in 2000 as an evolution of the original Tanqueray, is handcrafted in small batches that combine the four botanicals of juniper, angelica root, coriander and liquorice. It's the only gin to be inducted into the San Francisco Hall of Fame — not too shabby. Every type of gin has a unique blend, but botanicals are the key in every bottle. Let's get to know them. [caption id="attachment_580018" align="alignnone" width="1280"] Jonas Tana.[/caption] BOTANICALS By EU law, all gin has to be made using a 96% ABV (alcohol by volume) highly rectified spirit, and must taste predominantly of juniper — the small shrub from the mountain slopes of Italy and Macedonia whose name itself is from where the word 'gin' is derived. Juniper's taste is one of bittersweet pine, lavender, and camphor, but it's from the other botanicals — those select natural additives with which the spirits are distilled — that we get the uplifting, complex and unique aromas of spicy, floral, woody and citrus. SPICE Key amongst the spicy botanicals is coriander, whose seeds are second only to juniper in terms of their importance to the process of gin distillation. Coriander is grown throughout southern Europe, southern Asia and North Africa, and its tiny fruits release spicy sage and lemon flavours that contribute a dry, peppery finish to your gin. The other major spicy botanical is ginger root, one of the earliest spices known in Western Europe. In its pure form, it's capable of raising your body temperature, and when distilled in gin it imparts a dry, spicy character. [caption id="attachment_580016" align="alignnone" width="1280"] Flickr.[/caption] FLORAL Chamomile is perhaps best known to tea drinkers and aromatherapists courtesy of its reputation for reducing stress and assisting with sleep. As a gin botanical, however, this creeping plant found throughout Europe, Asia, Australia and North America imparts distinctive light apple and faint straw aromas (indeed, its name means 'ground apple') as well as a sensation of dryness. Chamomile's most frequently used floral alternative is the leaf of the bay laurel tree, with its pungent, bitter taste and an aroma most closely resembling thyme. WOODY Amongst the earthy, woody botanicals, there is no greater ingredient than Angelica root. Once rumoured to cure the plague and stave off witchcraft, the angelica root from the subarctic regions of the northern hemisphere is renown for its medicinal purposes. Yet in gin, it's an indispensable component that not only makes it dry, but provides its typically earthy base. Liquorice root, too, is another woody mainstay that hails from southwest Asia, India and some parts of Europe, and whose sweet and bitter compounds produce similarly woody flavours. Liquorice root is responsible for adding length and base to your gin, softening and rounding out its 'mouth feel' or texture. CITRUS NOTES Finally, there are the citrus botanicals, led most famously by bergamot peel. Grown in Italy's southern Calabria region, bergamot orange peel is just as likely to turn up in perfumes and lotions as it is gin, possessing a distinctly bright, citrusy aroma and taste. More broadly, then, comes the conventional orange peel botanical, which — in dried form from both sweet and Seville oranges — is similarly used in gin to offer a light, citrusy note capable of balancing out the more pungent botanicals. Top image: Jez Timms.
Looks like the cat's out of the bag for this year's Listen Out festival, leaked the old fashioned way: posters. Although the national beats-heavy festival's lineup was supposed to drop at midday on triple j, Project U noticed a casual poster on a Sydney telegraph pole this morning. US rapper and general champ Childish Gambino is heading the bill, returning after a slam dunk set at last year's Splendour in the Grass. He'll be sitting pretty alongside returning UK producer SBTRKT (DJ set), Brooklyn rapper Joey Bada$$ and recent Coachella smashes Odesza on the bill. Local favourites like Alison Wonderland, Client Liaison, Roland Tings, Hayden James and masked producer Golden Features will be there, alongside international drawcards like American hip hop duo Rae Sremmurd, LA producer ILoveMakonnen, Lido and Ryan Hemsworth. LISTEN OUT 2015: Childish Gambino SBTRKT (DJ set) Joey Bada$$ Alison Wonderland Odesza Rae Sremmurd Golden Features Dusky Ryan Hemsworth ILoveMakonnen George Fitzgerald Lido Hayden James Client Liaison Roland Tings Halfway Crooks Jordan Burns Triple J Unearthed winner and more to be announced Saturday, September 26 Catani Gardens St Kilda, Melbourne Sunday, September 27 Ozone Reserve, Perth Saturday, October 3 Centennial Park, Sydney Sunday, October 4 Brisbane Showgrounds, Brisbane Tickets on sale Thursday, June 18 at midday. Head to the Listen Out website for more details, tickets and lineup info.
