We love our friends. Really, we do. But sometimes we just need a little me time. And when the urge for a few solitary hours strikes, one of our favourite things to do is take ourselves out on a little solo lunch or dinner date. But, with many restaurants and bars set up for dates or groups, finding a place to go solito can often be a bit of a challenge, tempting you to get that alone time by skipping lunch with the colleagues to eat a wilted salad at your desk or holing up at home with takeout and a series. To make sure that doesn't happen, American Express has helped us find nine spots, all Amex-accepting, where eating by yourself is both totally acceptable and incredibly fun. Equipped with single tables or bar seating, and with food so good you wouldn't want to share it anyways, these places make solo dining perfectly, deliciously comfortable. Whether you want a quiet break from the office during a particularly hectic day or are on the hunt for a bar you can go to when you don't feel like being with the mates, we've found the perfect place. Bring a book and you'll be well-prepared to linger over dessert and a few glasses of vino. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
UPDATE, December 4, 2020: Sound of Metal opened in select Sydney cinemas on Thursday, December 3, and also streams on Amazon Prime Video from Friday, December 4. When Sound of Metal begins just as its title intimates, it does so with the banging and clashing of drummer Ruben Stone (Riz Ahmed, Venom) as his arms flail above his chosen instrument. He's playing a gig with his girlfriend and bandmate Lou (Olivia Cooke, Ready Player One), and he's caught up in the rattling and clattering as her guttural voice and thrashing guitar offers the pitch-perfect accompaniment. But for viewers listening along, it doesn't quite echo the way it should. For the bleached-blonde, tattooed, shirtless and sweaty Ruben, that's the case, too. Sound of Metal's expert and exacting sound design mimics his experience, as his hearing fades rapidly and traumatically over the course of a few short days — a scenario that no one wants, let alone a musician with more that a few magazine covers to his band's name, who motors between shows in the cosy Airstream he lives in with his other half and is about to embark upon a new tour. 'Heavy metal drummer loses his hearing' is the six-word way to sum up Sound of Metal, but that's not all the film is about. Ruben's ability to listen to the world around him begins to dip out quickly and early — a scene where he's driving is methodically crafted to convey to the audience just how out of the blue and jarring it is — leaving him struggling to cope. It's how he grapples with the abrupt change, and with being forced to sit with his own company without a constant onslaught of aural interruptions distracting him from his thoughts, that the movie is most interested in, however. Ruben feels a sense of loss and also feels lost. As the awards-worthy soundscape makes plain, he feels both cast adrift and assaulted. With apologies to cinema's blockbusters (which usually monopolise the sound categories come Oscars time), no other feature this year mixes its acoustics together in as stunning and stirring a fashion, and also bakes every single noise heard into its script, and its protagonist's journey, as well. Reluctantly, Ruben takes up residence at a rural community for addicts who are deaf; he's four years clean himself, but the turn of events has Lou worried. While he's in the care of the soulful Joe (Paul Raci, Baskets), an ex-soldier and ex-alcoholic with kindness seeping from his pores, Ruben must move in alone — farewelling the love of his life and their shiny caravan. Again, he's unmoored, even as he's welcomed in by other residents and the children at the school where he's taught sign language. Although Joe stresses that deafness isn't something that needs to be fixed, Ruben is obsessed with rustling up the cash for a surgically inserted cochlear implant. The movie's most telling sequence, though, comes when Joe notices that Ruben literally can't sit still or stand his own company, and tasks him with spending his days in a quiet room unburdening his angst onto a piece of paper. On the first go, he's so distraught and so desperate to escape his brain that he smashes a doughnut as if he was beating a snare in an intense solo. 'Intense' is the word for Sound of Metal, and for its decision to express Ruben's distress as immersively as possible. It's also a term that doesn't completely do the movie justice. Making his feature directing debut, and co-writing another screenplay with filmmaker Derek Cianfrance as he did with 2012's The Place Beyond the Pines, Darius Marder turns his picture into a masterful exploration and skilled evocation of the kind of anxiety that's drummed deep into a person's darkest recesses. Viewers don't just hear what Ruben hears, but also feel what he feels as he rages and rallies against a twist of fate that he so vehemently doesn't want yet has to live with. While the film specifically depicts hearing loss, it's so detailed and empathetic in conveying Ruben's shock, denial, anger and hard-fought process of adjustment that it also proves an astute rendering of illness and impairment in general. That's Ahmed's recent niche; in two consecutive roles in just the past year, the always-excellent actor has played musicians who are blindsided by their health and the impact of a sudden affliction on their future. This year's Berlinale-premiering Mogul Mowgli, where he steps into the shoes of a British Pakistani rapper with an autoimmune condition, doesn't just pair perfectly with Sound of Metal. Together, the two movies demonstrate how committed Ahmed is to telling such tales in a piercing, probing, visceral and lived-in way. Here, he learned to play the drums and American Sign Language. What resonates as persistently as the muffled buzz that replaces Ruben's ability to discern ordinary sounds, though, is how affectingly and attentively his on-edge but also vulnerable portrayal is attuned to the everyday grief that comes with his character's situation. Losing a part of yourself, whether it's an actual sense or the sense that you'll always be healthy, is dispiritingly tough. Accepting and making the most of that scenario is just as difficult. Being deaf shouldn't be considered a state that needs to be cured, as Joe rightly espouses, so Ahmed's powerfully physicalised performance shows the fight and fortitude it takes to get to that place mentally and emotionally. From the exceptional work of supervising sound editor Nicolas Becker (Suspiria, American Honey, Gravity) to the urgent, in-the-moment cinematography favoured by Daniël Bouquet (Elektro Mathematrix), every choice made under the talented Marder's guidance has the same outcome as well. Indeed, when Sound of Metal ends — not with a bang, nor a whimper, but with a quiet yet potent moment — it has taken its audience deep into Ruben's journey, made those on- and off-screen confront both specific and existential anxiety, and rousingly, movingly and sensitively challenged traditional depictions of and attitudes towards disability in the process. https://www.youtube.com/watch?v=VFOrGkAvjAE
Fancy an art experience that extends beyond looking at works on a wall? Then prepare to be impressed by Melbourne's new 3000-square-metre, 11-metre-high immersive digital art gallery. Originally set to open in late 2020, then postponed till autumn 2021, and now finally set to launch when the first day of spring hits — so, Wednesday, September 1 — The Lume will make its home permanently at the Melbourne Convention and Exhibition Centre (MCEC). The big drawcard: projections of some of the world's most celebrated artworks, which will be splashed across various surfaces. Those luminous displays will be backed by powerful musical soundtracks, too, and even complemented by aromas. The inaugural exhibition at The Lume will celebrate the works and life of Vincent van Gogh. So, you'll be able to walk through artworks like The Starry Night and Sunflowers while listening to a classical music score. If you were lucky enough to make it up to Sydney last year for Van Gogh Alive, expect something very similar. The project is the brainchild of Melbourne-based Grande Experiences, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 130 cities across the world — and is taking Van Gogh Alive around Australia this year, too. The company also owns and operates Rome's Museo Leonardo da Vinci. The Lume will open at the Melbourne Convention and Exhibition Centre on Wednesday, September 1. General public tickets go on sale at 12pm on Thursday, June 3 — with wait list pre-sales from Monday, May 31.
UPDATE, October 19, 2020: Climax is available to stream via SBS On Demand, Google Play, YouTube, iTunes and Amazon Video. A bowl of LSD-laced sangria. A thumping soundtrack. Dancers at the top of their game. With the lurid and kinetic Climax, Gaspar Noé takes a trip into a memorable, manic and murderous all-night party. Loosely based on a true story that dates back to the 90s, it starts with a troupe busting moves, downing beverages and blowing off steam after rehearsals, then discovering that their drinks have been spiked. That said, 'discover' isn't really the best word to describe folks realising that their nightmare is real. It's wholly accurate, however it can't completely convey Selva (Sofia Boutella) and her crew's horrific predicament. Writing as well as directing and co-editing, Noé isn't interested in explaining or describing, so that's about as far as his narrative goes. But, as the Argentine-born, French-based provocateur keeps demonstrating with each successive picture, he loves plunging audiences into hallucinatory and immersive worlds. From I Stand Alone and Irreversible to Enter the Void and Love, every movie on his resume involves a straightforward set-up, followed by a descent into chaos and mayhem of varying kinds. That said, Climax's might just be the most literal. One moment, everyone is eagerly strutting their stuff in a seemingly safe space. The next, an orgy of screams, tears, paranoia, sex, blood and death is the new normal. From a largely non-professional cast that numbers 24, all trapped in a remote hall as snow falls outside, connective threads emerge. Selva isn't particularly happy with anyone, and David (Romain Guillermic) considers himself the ladies man of the gang. Emmanuelle (Claude Gajan Maull) is trying to balance her career with being a mother to the young Tito (Vince Galliot Cumant), while everyone just wants to let loose as Daddy the DJ (Kiddy Smile) hits the decks. Personal squabbles, petty grievances and plenty of baggage all add to a jittery, claustrophobic mood, and that's before the acid takes effect. When the drugs kick in, so too do the group's fears and insecurities, the competitive vibe that comes with performing for a living, and the emotional and physical slaughter. Epitomising the idea that style can equal substance (as he has across his entire filmography), it's how Noé spins this story that mesmerises. Whether he's watching the troupe unleash their stellar dance skills in Climax's hypnotic first half, or charting carnage in its second, there's never a dull moment. There's never an average or unengaging moment either, or one that doesn't want to get a rise out of viewers. All of the director's usual traits are on display, from the propulsive tunes that set a distinctive rhythm, to the fluid and floating camerawork by his now four-time cinematographer Benoît Debie, to his penchant for evocative red lighting. And yet, pairing them with dance is a masterstroke. Noé already has a handful of music videos to his name, including for Nick Cave, Placebo and Daft Punk's Thomas Bangalter (who contributes a new song to Climax's soundtrack), but in mixing fancy footwork and horror, he might've found his true calling. That's not to say that Climax doesn't have thematic bite as it both revels in and dissects hedonism, and posits that creation and destruction are two sides of the same coin. Nor does it mean that Noé isn't up to his usual tongue-in-cheek tricks (he introduces his main players via video auditions screened on a TV, with VHS tapes of boundary-pushing classics like Suspiria and Salò underneath). But the film is an experience above all else. Purposefully overwhelming the senses — and trying to shatter them, too — it pulls you in with a lengthy sequence of astonishing choreography. It gets your toes tapping until they can't stop. Then, it forces its pulsating frenzy into your soul. The result is Noé at his best, and is best summarised by a song by his regular collaborator Bangalter. In a sea of sweat and terror, Climax loses itself, its characters and its audience to dance in the most bold, unhinged and thrilling way. https://www.youtube.com/watch?time_continue=1&v=-ydNrDCw58c
It can sometimes be hard for cafes to stand out in this city. With so many places peddling their wares, it's not the easiest thing for operators to find their niche — the one little difference that puts them before the rest. I mean, something as simple as geographic location is usually the clincher when I decide where to eat in the morning. At Sticky Fingers, which is nestled in the backstreets of Surry Hills, they've gone for a strongly Asian-influenced menu for both brunch and lunch that tends towards a sweet Sunday morning decadence. The fit-out in the café is a classic, semi-industrial chic that shows off the history of the building and the suburb. There's a communal table and plenty of space for a few groups, but the option for more intimate dining is there as well. It's a place that caters for everyone, and this is obvious from the menu, as well as the décor. Look out for breakfast items like the pulled pork Benedict, served on a soft bun and garnished with a forest of fried sweet potato shavings ($18). The pork itself is lovely, not too dry and not too salty, and the overall dish a massive undertaking — perfect for a hungover or famished patron. The lunch menu takes the Asian influence a bit more seriously, with the inclusion of dishes like a succulent duck stir fry ($17). The duck, which can be so easy to overcook, is soft and delicious; a sharp sauce with a subtle umami binds protein, rice and crisp vegetables together. As is the norm, the coffee rotates regularly (depending on how you take your Joe), and comes from Marrickville's Golden Cobra. It's tops and the Bloody Marys are incredible. All in all, it's a comfortable, welcoming joint with a varied menu that caters for everyone without ever compromising the cafe's brand.
Blessed be the TV screens — because on April 26, The Handmaid's Tale is back. After becoming 2017's number one must-watch show with its compelling first season, everyone's favourite dystopian drama returns for a new 13-episode round of bleakness. Yes, that means more time trawling through the oppressive society of Gilead and watching women forced into child-bearing servitude, thanks to this grim but gripping adaptation of Margaret Atwood's iconic 1985 novel. It also means once again trying to shake the feeling that this fictional future really isn't all that hard to imagine. Elisabeth Moss putting in another fierce performance, Alexis Bledel stealing every scene she's in, the all-round stacked cast showing why the series won eight Emmys and two Golden Globes: yep, that's all on the agenda as well. It's enough to make you cancel your plans every Thursday night for the next 12 weeks, with this season airing weekly on SBS and SBS On Demand after the two-part premiere. Sure, that means that you can't binge it all in one sitting — but, it also means that your time with Offred and company will last even longer. If you're eager to extend the experience further still, then get a jump start by working through our five pieces of Handmaid's homework. Praise be, obviously. RE-BINGE THE FIRST SEASON It's an easy starting point, we know, but the best way to prepare for the new season is by rewatching the first. Also, it's something else for you to watch if you've already replayed the season two trailer over and over and over again. Scour for clues about what might come next, and come up with theories about Offred's fate; given that the show left audiences with a cliffhanger, there's plenty of questions to ponder. Or, see if there's anything you missed the first time around (like Atwood's early cameo), or introduce all things Handmaid's to your friends that were clearly hiding under a rock last year and somehow haven't seen the show. They're all great reasons to dive back in again, not that you need them when a program is as engrossing as this. As it was last year, the full first season is currently available on SBS On Demand. READ (OR RE-READ) THE NOVEL Maybe you were already a fan of Atwood's 33-year-old book long before the TV version was announced. Maybe you segued from watching the first season of The Handmaid's Tale to devouring the novel. Maybe you meant to get around to pouring over the text (you really, truly did mean to), but life just got in the way. Whichever category you fall into, now is the perfect time to read or re-read the piece of fiction that started it all — and, to set the scene for what might happen in the television program's second outing. As thorough as the first series was, it doesn't include everything that Atwood initially dreamed up. We won't spoil the details, but if you don't have time to stick your nose in the printed tome, here's a rundown. There's also an audiobook version too, if you'd rather listen, as read by Claire Danes. https://www.youtube.com/watch?v=oTnhx_N7nro WATCH A COMPLETELY DIFFERENT TAKE ON THE TALE The Handmaid's Tale that we know and love isn't the only screen version of the story. In fact, if the timeliness, insightfulness and hugely enthralling nature of the show got you thinking "why hasn't the book been adapted before?", well, the short answer is: it has. Back in 1990, German filmmaker Volker Schlöndorff joined forces with poet and Nobel laureate Harold Pinter on an American film based on the novel, starring Natasha Richardson at Offred, Faye Dunaway as Serena Joy and Robert Duvall as Fred. Saying that it's completely different to the current take is quite the understatement, right up there with saying that Gilead isn't the best place to live if you're female. If you're keen to seek it out, it's available to watch on Stan. https://www.youtube.com/watch?v=A-fofQ9VpPQ SEEK OUT LAST YEAR'S OTHER GREAT ATWOOD ADAPTATION 2017 didn't just deliver one adaptation of Atwood's work, but two. Yep, when it rains, it pours, as the saying goes. While Alias Grace didn't attract anywhere near as much attention as The Handmaid's Tale, the Netflix miniseries is definitely well worth your time. Directed by American Psycho's Mary Harron and starring Sarah Gadon (11.22.63), Zachary Levi (Chuck), Anna Paquin (True Blood) and legendary The Fly filmmaker David Cronenberg, the six-part show takes inspiration from famous 19th-century murders. Gadon plays the real-life figure of Grace Marks in this somewhat fictionalised version of true events, with the series exploring a question that has been pondered for nearly two centuries: what was Marks' actual involvement in the crime? GET COOKING Food has special significance in The Handmaid's Tale. No, we're not talking about the "blessed be the fruit" greetings exchanged by handmaids — it refers to the children they're supposed to be bearing, rather than the goods they're often seen shopping for — but, rather, the way it's used to denote status. Handmaids buy it for the household, Marthas prepare meals and the Gilead elite eat fancy spreads while everyone else tucks into something much less appetising. In one first-season episode, for example, a macaron is used to signify the divisive role that food plays, with Serena Joy (Yvonne Strahovski) offering Offred a rare treat. There are plenty more instances where that came from, and it's enough to make you both horrified and hungry. Unsurprisingly, there's no shortage of Handmaid's-themed party menus floating around, but if you whip up something crimson red (cupcakes with red icing are a favourite), then you're on the right track. Or, you could turn your hand to something particularly elaborate. When season two started filming, Elisabeth Moss received a cookie shaped like a music box — something else of significance within the series.
Subscriptions services have taken off over the last few years and for good reason. Whether it's for craft beers and natty wines, house plants or colourful socks, it's like giving yourself a little gift every month. If you're a caffeine enthusiast and you enjoy brewing your own cuppas at home or you're looking to cut down on your trip to the cafe, Thieves Coffee is the subscription service for you — and it's just introduced a new coffee pod option to its range so all home brewers can get involved. Thieves Coffee drops you off a different bag of coffee beans or set of pods from a new roaster each month. You can expect choice selections from small independent coffee companies like Stella or Criteria Coffee, through to larger beloved brands like Rumble and Industry Beans. If you're the kind of coffee drinker who enjoys branching out and trying different makers and flavours in your morning cup o' joe, your subscription will provide you with a regular rotation of top-quality varieties that the Thieves team has hand selected. Originally focusing on beans, Thieves has now added the option to have selections of pods for your pod-based coffee machine dropped to you each month. Plenty of popular and boundary-pushing brewers have expanded to offering compatible coffee pods recently, including local favourites like Stitch and ST. ALi, as well as the sustainability-minded Tripod. With your daily flat white or oat cap hitting upwards of $5 at cafes right now, Thieves is also a penny-pinching alternative. If you go the bean route, you have the option to order between 250 grams of beans each month, all the way up to three kilograms. If you want just one bag delivered each month, that will set you back $25 including shipping Australia-wide, or you can up your delivery to two bags (500g) for $40 or four bags (1kg) for $60. This means each cup of coffee will cost you as little as $1. These beans can be ordered either for espresso machines or for simpler filter or Aeropress coffee — plus you can choose between whole beans or pre-ground coffee depending on if you have your own grinder. As for the pods, subscriptions start from $15 for 10 pods and go up to $255 for 300 pods which can be ordered on a monthly basis or once every two or three months. Head to the Thieves Coffee website to check out all the options and treat yourself to a monthly coffee surprise. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Move aside turmeric, matcha and beetroot — the next controversial coffee trend to look out for involves an unassuming little veggie called broccoli. Yep, the green stuff could soon star on coffee menus across the country, thanks to an innovative broccoli powder created by teams at Hort Innovation and the CSIRO. The product is crafted from those imperfect-looking vegetables that would otherwise be binned, and is designed to help everyday Aussies infuse more nutrients into their diets. Packed full of fibre, protein and phytochemicals, the 100 percent broccoli powder also sounds like a pretty nifty way to sneak some greens onto your kids plates. As well as being used as a key ingredient for a range of packaged snacks unveiled during last year's National Science Week, the powder also looks set to elbow its way onto the Australian coffee scene. It was recently trialled at Mornington's Commonfolk — a sustainability focused coffee roaster and cafe that's aiming towards a zero-waste existence — though, with mixed response from customers. Image credit: CSIRO
For the third time in the 2020s, Fatboy Slim is heading to Australia to break out 'Right Here, Right Now', 'The Rockafeller Skank', 'Praise You' and plenty more dance-floor fillers. After touring the country in 2020 and 2023, the dance music legend is returning in March 2025 on a five-stop trip, four of which will get him spinning tunes in wineries. "Like the crazy drunk uncle who turns up every Christmas, I'm coming back to my Aussie fam once again. Expect the usual inappropriate behaviour and interpretational dancing," said Fatboy Slim, aka Norman Cook, announcing his latest Down Under visit. [caption id="attachment_975623" align="alignnone" width="1920"] neal whitehouse piper via Wikimedia Commons[/caption] Trying to dance like Christopher Walken, pretending you're in Cruel Intentions, being transported back to the late 90s and early 00s: that's all on the agenda again. So is making shapes to DJ Seinfeld, CC:DISCO! and Jennifer Loveless, who'll be supporting the British legend at all five gigs. The tour is kicking off in Perth, at the only show that isn't at a vineyard, on Friday, March 14. From there, Fatboy Slim has a date with Centennial Vineyards in Bowral, Peter Lehmann Wines in the Barossa Valley, Mt Duneed Estate in Geelong and Sirromet Wines in Mount Cotton. [caption id="attachment_878696" align="alignnone" width="1920"] Carlos Luna / Secretaría de Cultura CDMX via Wikimedia Commons[/caption] Cook has been making music since the 80s, but took on the name Fatboy Slim in the mid-90s, starting with 1996 record Better Living Through Chemistry. His 1998 album You've Come a Long Way, Baby was the club soundtrack to end the 20th century — a staple of every 90s teen's CD collection, too. As for 2000's Halfway Between the Gutter and the Stars, it gave the world 'Weapon of Choice' and its iconic Walken-starring (and Spike Jonze-directed) video. Fatboy Slim's discography also spans 2004 album Palookaville and 2013 single 'Eat, Sleep, Rave, Repeat'. [caption id="attachment_878697" align="alignnone" width="1920"] Secretaría de Cultura de la Ciudad de México via Wikimedia Commons[/caption] You might not be able to dance along the walls when Cook hits the decks — but you'll want to thanks to his big beat sound. Indeed, alongside the Chemical Brothers, The Prodigy, Basement Jaxx, The Propellerheads and Crystal Method, he helped bring the style to mainstream fame. If you've seen Cook live before — or the epic live video from his 2020 Melbourne gig at the Sidney Myer Music Bowl that's notched up more than 3.2-million views — then you'll know that any Fatboy Slim tour is always news to get excited about right about now. Fatboy Slim 2025 Australian Tour Friday, March 14 — Langley Park, Perth Saturday, March 15 — Centennial Vineyards, Bowral Friday, March 21 — Peter Lehmann Wines, Barossa Valley Saturday, March 22 — Mt Duneed Estate, Geelong Sunday, March 23 — Sirromet Wines, Mount Cotton Fatboy Slim is touring Australia in March 2025. Early-bird tickets start from 1pm local time on Friday, October 11, 2024, then presales from 2pm on Tuesday, October 15, then general sales from 10am on Friday, October 18. Head to the tour website for more details. Top image: Selbymay via Wikimedia Commons.
UPDATE, July 29, 2020: Spider-Man: Into the Spider-Verse is available to stream via Amazon Prime Video, Foxtel Now, Google Play, YouTube and iTunes. Sharing his name with six live-action films in 16 years, Spider-Man is no stranger to the big screen. Since 2002, he's saved New York from disaster again and again, kissed his sweetheart while hanging upside down, and turned evil and danced down the sidewalk. The friendly neighbourhood web-slinger has ripped off his mask to reveal the faces of Tobey Maguire, Andrew Garfield and Tom Holland, gotten cosy with Kirsten Dunst, Emma Stone and Zendaya, and eventually joined the Marvel Cinematic Universe. And yet, the best Spider-Man movie doesn't involve most of the above. It's not just about Spider-Man, but spider-men. It also features a spider-woman, spider-robot and spider-pig, as well as Nicolas Cage as a 30s-era spider-vigilante. In other words, it's the animated delight that is Spider-Man: Into the Spider-Verse. Returning Spidey to his cartoon roots — his first screen appearance came via the animated 60s TV series with that catchy theme tune — this addition to the fold isn't your regular take on Stan Lee and Steve Ditko's iconic character. Rather, it recognises that a wealth of different spider-figures have swung through the comic book realm, because Spider-Man really could be anyone. Radioactive arachnids don't discriminate. They just sink their fangs into whoever's in their path. In Into the Spider-Verse, it's Brooklyn high-schooler Miles Morales (voiced by Shameik Moore) who's on the receiving end of a tiny but monumental bite. When he's not feeling like he's disappointing his cop dad (Brian Tyree Henry) and wishing he could spend more time with his outcast uncle (Mahershala Ali), Miles is also a rather big fan of the established Spider-Man, Peter Parker (Chris Pine). Two people donning the famous red and blue costume? With nefarious crime kingpin Wilson Fisk (Liev Schreiber) tearing a hole through multiple universes using a supercollider, two are just the beginning. The uncertain Miles is soon buddying up with Peter B. Parker (Jake Johnson), who's more than a little over being Spider-Man — consider him an on-screen avatar for spider-fatigued audiences. Like filtering all things Spidey through an episode of Rick and Morty, they're joined by other web-slingers, including Peter Porker (John Mulaney), Spider-Gwen (Hailee Steinfeld), Spider-Man Noir (Cage), and Peni Parker (Kimiko Glenn) and her mechanical offsider SP//dr. The fate of several worlds is at stake, and the futures of several spider-people (and spider-animals) too. Arriving at a time when superhero movies (let alone Spider-Man flicks) are no longer a special event, Into the Spider-Verse offers what so few caped crusaders can muster these days: an endless array of surprises. It also serves up jokes about whether Spidey could or should wear a cape, although it's the film's ability to astonish that sticks firmer than Spider-Man's web. Who knew that a character who's been seen on screen over and over again for decades — and one who sports a 56-year history on the page as well — could seem so vibrant, thrilling and fresh? That's not a knock on the various live-action iterations, which have each boasted their own appeal, even if some fare better than others. But in embracing the entire big, bustling and diverse spider-world, Into the Spider-Verse genuinely feels new. In recent years, only Black Panther has bounced through cinemas with the same kind of vibe, feeding viewers' eagerness to finally watch something different. Into the Spider-Verse ramps that idea up a few notches, not only showcasing the first Afro-Lantino Spider-Man alongside a number of other interpretations, but playing with superhero and storytelling conventions. While good-versus-evil plots and coming-of-age themes are engrained in Spidey lore, neither notion bows to formula in the hands of filmmakers Bob Persichetti, Peter Ramsey (Rise of the Guardians) and Rodney Rothman. Instead, this adventure spins tales upon tales at a mile-a-minute pace — with a healthy dash of irreverence and amusement, ample nods to past comics and flicks, plus a warm-hearted willingness to make fun of the whole spider-shebang. That Rothman co-wrote the script with The Lego Movie's Phil Lord, and that Lord produced the picture with his usual directing partner Christopher Miller, partly explains Into the Spider-Verse's immense charms. Led by the soulful Moore as Morales, and peppered with hilarious work by Cage and Mulaney, the excellent voice cast also plays a part in making this the new high point for Spider-Man films. That said, Into the Spider-Verse could've dispensed with dialogue altogether and it'd still mesmerise. We mean that literally, because the standard and style of animation on display, and the action scenes and sight gags that go with it, resembles nothing else that's been beamed into cinemas before. Fast, bright, imaginative and often even abstract, it blends a hand-drawn feel with the most inventive visuals that computer-generated imagery can deliver. In this vivid, kaleidoscopic world, Spider-Ham's Looney Tunes aesthetic, Peni Parker and SP//dr's anime look, and Spider-Man Noir's dark approach all fit in perfectly. So too does a new plucky school kid who embodies the most important spider-fact of all: that everyone can do whatever a spider can. https://www.youtube.com/watch?v=xbfIIGRfRJg
Every one of QT Sydney's guest suites have been carefully crafted to reflect and honour the historic Gowings and State Theatre buildings in which it resides. QT's exterior sports a striking blend of gothic, art deco, and Italianate-influenced architecture — and inside, the luxurious rooms carry through that art deco-meets-gothic aesthetic to quite the striking degree. Plus, thanks to its location right in the centre of the CBD — and alongside one of the city's most famous theatres — it's a great pick for out-of-towners, while locals can often be found making the best of its various bars, bistros and restaurants. And if you're looking to bring your pooch along, you're in luck. The QT pup fur-endly rooms come with an in-room menu specifically for woofers, a pooch-friendly mini bar offering and designer canine bedding. The doggy food range is overseen by the brand's head of treats — Nic Wood in Australia and Jiwon Do in NZ — and includes steak tartare with raw beef, mushrooms and egg yolk; bone marrow risotto with bone broth and crispy pigs ears; and chicken livers and pork necks on wholemeal toast with chicken gravy. Fancy a doggy dessert for your pooch? There's also a bacon ice cream sandwich, made from bacon ice cream, dried liver and oat biscuits. es, this is incredibly silly. But why not treat your pup, while you're treating yourself? Aussie pet lovers are lucky to have QT Sydney, for it is one of the top dog-friendly hotels in the country. Just nearby, you'll find Sammy Junior, Glass Brasserie and The Grounds of the City; however, if you don't feel like leaving your hotel, you're in luck. The QT Sydney hosts the renowned Gowings Bar & Grill, too. Want to stay a little closer to the beach? Hop over to the QT Bondi for a coastal escape. It's one of Sydney's best hotels, for sure.
For more than two decades, acclaimed New York artist Spencer Tunick has been staging mass nude photographs in Australia — and he isn't done yet. Sydneysiders, or anyone who's keen to disrobe for a new piece of art, you'll want to be in the Harbour City at the end of November. Your destination: a yet-to-be-disclosed beach. It's been 21 years since the country's first taste of the internationally famed talent's work, when 4500 naked volunteers posed for a snap near Federation Square in Melbourne as part of the 2001 Fringe Festival. Tunick then photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras, headed back to Melbourne in 2018 shoot over 800 Melburnians in the rooftop carpark of a Prahran Woolworths, and went to the Whitsundays with almost 100 Aussies in 2019. Elsewhere, he's photographed the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK. But with his new Aussie installation, he's getting sandy and raising funds for — and awareness about — skin cancer. Saturday, November 26 is the date earmarked for the shoot, with Sunday, November 27 on hold in case the weather isn't quite right for naked folks on the beach. Tunick is hoping to amass around 2500 volunteers, with each participant honouring one of the 2000-plus Aussies who pass away each year due to skin cancer. "Skin unites us and protects us. It's an honour to be a part of an art mission to raise awareness of the importance of skin checks. I use the amazing array of body types and skin tones to create my work, so it feels perfectly appropriate to take part in this effort in that my medium is the nude human form," said Tunick, announcing his new installation. "It is only fitting that I use my platform to urge people to get regular check-ups to prevent skin cancer. I have not had a skin check in ten years, so I am one of the many who have wrongly ignored getting them regularly. One can say I am traveling all the way to Australia to get one!", Tunick continued. Dubbed Strip Off for Skin Cancer, the artist's latest work is timed to coincide with National Skin Cancer Action Week, which runs from Monday, November 21–Sunday, November 27 — and it is looking for volunteers. Tunick hopes to have a diverse mix of bodies in the shoot, with participants each getting a print of the photograph and, we're sure, a big boost of body confidence. The catch here is, of course, the location. Exact details of where the shoot is taking place will only be given to folks signing up — but if you're not usually located in Sydney, you will need to travel there at your expense. Those that do will not only be part of a piece art, but will also help a great cause. Strip Off for Skin Cancer will be shot on Saturday, November 26 on a Sydney beach. Head to the installation's website to register to take part. Images: Spencer Tunick.
He's had his heart broken during a lusty Italian summer, romanced Saoirse Ronan in a Greta Gerwig film not once but twice, spiced up his life in a sci-fi saga and sported a taste for human flesh. The next addition to Timothée Chalamet's resume: a sweet time worshipping chocolate. Get ready for a big Timmy end of 2023, with Dune: Part Two hitting cinemas Down Under in November, then Wonka giving Roald Dahl's famous factory owner and candy man a Chalamet-starring origin story. First gracing the page almost six decades back, in 1964 when Charlie and the Chocolate Factory initially hit print, Willy Wonka has made the leap to cinemas with Gene Wilder playing the part in 1971, then Johnny Depp in 2005. The difference this time: not just Chalamet plunging into a world of pure imagination, but a film that swirls in the details of Wonka's life before the events that've already been laid out in books and filled two movies. As the just-dropped first trailer for Wonka shows, the picture's main man has a dream — and, after spending the past seven years travelling the world perfect his craft, he's willing to get inventive to make it come true. Starting a chocolate business isn't easy, especially when the chocolate cartel doesn't take kindly to newcomers. "You can't get a shop without selling chocolate, and you can't sell chocolate without a shop," the bright-eyed Willy is told early in the debut sneak peek. From there, brainwaves, optimism, determination and life-changing choices all spring, plus big vats of chocolate, chocolate that makes you fly — "nothing to see here, just a small group of people defying the laws of gravity," comments a police officer — and Willy's dedication to making "the greatest chocolate shop the world has ever seen". Also accounted for: a mood of wonder, and not just due to the umbrella-twirling dream sequences and cane-whirling dance scenes, or the leaps through fairy floss and chats with Hugh Grant (Dungeons & Dragons: Honour Among Thieves) as an Ooompa-Loompa. Indeed, the magical tone doesn't just fit the tale; it's exactly what writer/director Paul King and his co-scribe Simon Farnaby have become known for on the Paddington films. King helmed and penned both, while Farnaby also did the latter on the second (and acted in each). The duo also worked together on wonderful and underseen 2009 film Bunny and the Bull, and on The Mighty Boosh, of which King directed 20 episodes. On-screen, Wonka's cast is as jam-packed as a lolly bag, with Chalamet and Grant joined by Farnaby (The Phantom of the Open), as well as Olivia Colman (Secret Invasion), Sally Hawkins (The Lost King), Keegan-Michael Key (The Super Mario Bros Movie), Rowan Atkinson (Man vs Bee), Jim Carter (Downton Abbey: A New Era) and Natasha Rothwell (Sonic the Hedgehog 2). Yes, you'll want a golden ticket to this. Check out the first trailer for Wonka below: Wonka releases in cinemas Down Under on December 14, 2023.
Sixteen films in, the Marvel Cinematic Universe shows no signs of stopping, with eight more already in the works. Add their growing list of television series, the comics they're all based on, plenty of merchandise and an Australian gallery exhibition, and Marvel mania is difficult to escape. In fact, soon you'll be able to sleep in a hotel dedicated to the company's caped crusaders. Disney has announced that Disneyland Paris will become the home of the world's first Marvel hotel, reimagining an existing site into a superhero-themed wonderland. The park's Disney's Hotel New York will become known as Disney's Hotel New York – The Art of Marvel — and yes, we do think that a Parisian place with New York in its name has the potential to be confusing, but that's not likely to stop Avengers fans. Details are currently thin on the ground; however the hotel will feature nods to everyone from Iron Man to Spider-Man — and we're hoping some of the brand's female superheroes too. And, in what's shaping up to be a great time to be a pop culture fan, the news comes hot on the heels of another huge Disney hotel, with a Stars Wars-theme site slated to debut as part of Walt Disney World's new 360 vacation concept in Orlando. Image: Disney/Marvel via Disney Parks Blog.
Sydney's lockout laws have kept the city talking since they were first announced; however, there have been more than a few reasons for discussion in the past few days. In what has proven a tumultuous week, Keep Sydney Open announced a new rally for January 21, a last-minute Supreme Court ruling stopped their plans, and three venues received a 30-minute extension to current cutoff times. Now, KSO have pledged to stage their third anti-lockouts protest on Saturday, February 18. "We are announcing that the rally will go ahead at a later date, and it will be bigger, louder and stronger than the one originally scheduled," said KSO in a statement, which also highlights a second reason for the peaceful gathering. "This time we're not just protesting to draw attention to the lockouts, but we're fighting for our very right as citizens of NSW to gather on the streets and express ourselves politically." Further details, including a venue, have yet to be revealed, but yesterday's cancelled event was due to team up with Sydney's ARIA-winning duo Flight Facilities. As fans would know, Flight Facilities has been continually outspoken in their opposition to the lockouts. After all, the duo played some of its first gigs after 3am at now-closed Kings Cross venues, including Hugo's, Soho, Tank Room and the Piano Room. Flight Facilities were included in a group of artists commemorated recently in a KSO project, which paid tribute to closed Sydney venues and the artists who cut their teeth there. Flight Facilities have long been associated with Kings Cross's now-closed Piano Room, where Jimmy and Hugo met. Keep Sydney Open does not see the 30-minute extension as a solution. Instead, the organisation wants to work with the NSW Government to implement a seven-point plan, as follows: Developing best-practice policing strategies; Investing in 24/7 public transport; Implementing integrated urban planning reform; Encouraging diversification of after-dark activities; Establishing anti-violence education and intervention campaigns; Incentivising well-run venues; and Appointing a Night Mayor or office charged with managing Sydneyʼs night-time economy. "A 30-minute extension will not be enough to reverse the damage being done to the cultural areas and small businesses that make Sydney an exciting place to be," said Tyson Koh, director of Keep Sydney Open. "Itʼs barely enough time to line up for the bathroom or get a kebab. "For too long the debate about our city and how we live our lives has been dominated by misinformation and fear-mongering. We call on the lobby groups who support the lockout laws to enter the conversation about smart solutions, instead of clearing people off the streets." The rally will be Keep Sydney Open's third. To keep up to date with developments, follow the event page over here. By Jasmine Crittenden and Sarah Ward. Image: Kimberley Low.
FBi Radio's boots are getting bigger, better and shinier by the day —for the first time ever, Sydney's independent radio legends are launching an Australia-wide competition. Extending their Northern Lights competition nationwide — in which FBi flies two above-and-beyond newbies to Iceland Airwaves Festival in Reykjavik — FBi are looking for talent across Australia this time. A hotly-anticipated date on the music festival calendar, Iceland Airwaves has seen everyone from Bjork to Omar Souleyman, Savages to Harpa Silfurberg playing to packed halls of Icelandic and international fans. FBi competition's now in its third year, offer two winning spots to join the Airwaves lineup — one solo producer/artist, one band. With the help of philanthropist Mitchel Martin-Weber, this marks one of FBi's biggest-scale competitions to date, kicking another goal after yesterday's FBi Click launch. Winners of the first Northern Lights, Oliver Tank and Rainbow Chan, have seen super success following their Icelandic escapade (with Tank supporting Lorde on her recent national tour and Chan joining the lineup for Vivid LIVE's recent Avalanches tribute Since I Left You, no biggie). "It really changed my life that whole trip. It was so incredible," says Tank. "I got to play music overseas before I’d even done that many gigs in Australia. And there were people over there that were interested in my music and that just blew my mind. It was like a dream come true. It was such an experience." A national callout means a national road trip for FBi, taking their Music Open Day (a monthly staple event for FBi where new bands/artists can meet FBi music director Stephen Goodhew and learn how to get their music on radio) to community stations around the country. "Over 300 artists have been to Music Open Day in the last 12 months," says Goodhew. "Oliver Tank, Cloud Control, Gang of Youths, Movement are all examples of the kind of talent that have responded to and engaged with our Music Open Day in the past and gone on to establish themselves as prominent figures in the Australian music scene. It’s a great way to discover new talent and give emerging musicians some valuable advice about the industry." To apply for a spot at Iceland Airwaves and enter FBi Radio's Northern Lights competition, you simply have to be an emerging solo artist/producer or band (and an Australian resident). Head to FBi's website to throw your name in the ring from June 26 - July 21. Music Open Day is on the road from July 11-18. 11 July - Brisbane's 4ZZZ 15 July - Adelaide's Fresh FM 16 July - Perth's RTR FM
It's television's greatest tragedy, and one that's been more than a decade in the making. Watching Better Call Saul, it's impossible not to think about the route its protagonist takes through Breaking Bad. We already know how Saul Goodman's (Bob Odenkirk) story ends, so as we explore his pre-Walter White life — when he was known by his birth name of Jimmy McGill and genuinely wanted to be a legitimate lawyer — the feeling is bittersweet, to say the least. The same sensation applies to former cop Mike Ehrmantrout (Jonathan Banks), whose Breaking Bad fate is also already known. Before getting caught up with Gus Fring (Giancarlo Esposito), he first crossed Jimmy's path as a car park attendant at the Albuquerque court house — and Better Call Saul tells his tale as much as its namesake's For four seasons since 2015, the Breaking Bad prequel has stepped through the earlier existence of these two characters, as well as others in their orbit — such as Jimmy's successful older brother Chuck (Michael McKean), his girlfriend and fellow lawyer Kim Wexler (Rhea Seehorn), and Mike's widowed daughter-in-law Stacey (Kerry Condon) and granddaughter Kaylee (Abigail Zoe Lewis). As the episodes pass, the two central figures slowly start inching towards their Breaking Bad lives. Familiar faces, such as Fring and Hector Salamanca (Mark Margolis) also pop up. The result: a series that's as excellent as its predecessor, and one that provides another excuse to spend more time in Breaking Bad's world. After last airing episodes in 2018, it's returning for a fifth season this year — and if you can't wait until February 24 to see what comes next, a pair of sneak peeks have dropped. The teasers are incredibly brief, as proved the case when glimpses of 2019's El Camino — A Breaking Bad Movie first started releasing. Still, they show what we all knew was coming: that Jimmy McGill is slipping further away — and Saul Goodman is emerging. Check out the teasers below: https://www.youtube.com/watch?v=ULZVGONrfuw&feature=youtu.be https://www.youtube.com/watch?v=XqopNXmg3x0 Better Call Saul's fifth season starts streaming on Stan from Monday, February 24.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Monte Pacis in Lithuania, an outrageously grand monastery that's been partly transformed into a luxury hotel. If you're planning a big European getaway this summer, think about spending a few nights here. WHAT'S SO SPECIAL? It's a 17th century monastery located on a gorgeous lagoon surrounded by nature — need we say more? THE ROOMS The 13 rooms and apartments at Monte Pacis are decorated in baroque style, each complete with a minibar and private bathroom. Large canopy beds sit in rooms with double-vaulted ceilings and chandeliers dripping from large wooden beams. Ornately decorated and grand in scale, it feels more like a royal castle than the home of monks. And with so few people staying here at one time, you are almost guaranteed peace and quiet. FOOD AND DRINK The restaurant at Monte Pacis is known as one of the very best places to eat in the Baltics. It offers a four- or six-course tasting menu that changes seasonally (notably, much of the produce comes from the monastery grounds). Head chef Raimundas Dambrauskas is known for creating challenging dishes that rival Michelin-starred restaurants. On the booze front? The team has won awards for the extensive wine list, with some wines coming from other monasteries in the region. Be sure to add the (very) reasonably priced wine pairings onto your tasting menu experience. THE LOCAL AREA The hotel sits on the bank of Lithuania's Kaunas Lagoon, where you can swim and sail during summer and take wintery walks in the colder months — you might even be able to walk across some of the frozen parts. If that sounds too risky, you can simply stick to some of the many hiking trails that wind around the protected forests. The local city of Kaunas must be explored too. In 2022, it was named the European Capital of Culture thanks to the abundance of galleries, festivals and dining venues. There's stacks going on in this little known city — both ancient and modern. Next time you go gallivanting around Europe, be sure to add Lithuania to your list of must-visit countries. THE EXTRAS When staying at Monte Pacis, you are surrounded by history and tradition. That's why it's imperative you take a tour of the monastery and its grounds — seeing how monks, both past and present, use the space while marvelling at all the baroque artworks. The hotel's residents even have access to the historical literature library and spiritual literature room. Either attempt to read something from the shelves or bring your own book to enjoy within the staggering space. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
If there's one thing Sydney has a lot of, it's water. Whether it's the gobsmackingly beautiful harbour, the many rivers snaking their way to the sea from the west or the scores of pristine white sand beaches that stretch along the city's giant coastline, this whole place is full of H2-oh-wow moments. They're basically at every turn. But sometimes heading to Bondi Beach for the umpteenth time just won't cut it. So here are a few ideas to help you get wet, steal some sea spray and cool down creatively. [caption id="attachment_556149" align="alignnone" width="1280"] Jason James via Flickr[/caption] STAND UP PADDLEBOARDING AT BALMORAL BEACH There are a heap of places to rent a paddleboard in Sydney, but head northside to the stunning harbour beach of Balmoral to be rewarded with calm waters, beautiful views of the bay and island and several options for top-notch coffee when you've conquered the board. Hit up Balmoral Boatshed on The Esplanade, where you can hire a board and get taught the basics before being sent out on your own. It's $30 for the first hour, with discounted rates for subsequent hours. [caption id="attachment_545050" align="alignnone" width="1280"] Andrew JWC via Wikimedia Commons[/caption] GRAB A KAYAK AT ROSE BAY If you've accidentally skipped arm day at the gym, a session in a kayak at one of Sydney's eastern suburb beaches will help you even things out. The folks at Rose Bay Aquatic Hire will fit you out with a life jacket, paddle and your choice of a one- or two-man kayak for around $25 an hour per person. The lightweight boats are surprisingly easy to manoeuvre and, once you get the hang of it, you'll be able to explore a pretty large section of the bay and harbour. Kayak out to Shark Island (if you buy entry first) or pull up at Milk Beach for a little rest and/or lunch break. They don't require a hefty deposit either — just some photo ID to be left behind as security. And if you're keen for more kayak time, check out our other favourite places to kayak in Sydney. [caption id="attachment_551558" align="alignnone" width="1280"] Dollar Photo Club[/caption] TAKE A SURFING LESSON AT MAROUBRA Maroubra is one of the most underrated beaches in Sydney's east. The parking is considerably easier and cheaper than Bondi or Bronte, and the waves are consistently good. It's the perfect spot to try your hand (or feet) on a surfboard. A two-hour beginner's lesson with Let's Go Surfing is only $60 and includes all equipment and instruction. Classes are kept to a maximum of six people too, so you'll get plenty of one-on-one help — and if you want to keep practicing after class, board hire is available for around $20 an hour. And if you can't get to Maroubra, try one of these prime surfing spots for beginners. [caption id="attachment_556134" align="alignnone" width="1280"] EastSail[/caption] HIRE A BOAT AND EXPLORE SYDNEY HARBOUR You do need a boat license for this one — so if you don't have the paperwork, find a mate who does. It'll be totally worth it — because once you've got control of the boat, you'll have the freedom of exploring all the amazing nooks and crannies of Sydney Harbour. Spend a few hours cruising around the eastern suburbs playing 'which waterfront house would I buy if I won Lotto?', and then head to a secluded inlet like Milk Beach or Chinamans Beach to drop anchor and have a swim. There are a heap of places around Sydney that will rent you a vessel, but we like EastSail at Rushcutters Bay, which is reasonably priced and has a good selection to choose from. [caption id="attachment_556132" align="alignnone" width="1280"] Dollar Photo Club[/caption] RIDE THE FERRY TO MANLY This one might not be that exciting for those who do it as part of their commute every day, but it's a classic Sydney experience for a reason. There aren't many views of the harbour city more beautiful than from the deck of a giant yellow (or green) ferry as it glides past the Opera House and under the Harbour Bridge. Pack a picnic and take it to Manly; Little Manly Cove is perfect for a quiet afternoon, otherwise smash some fish and chips on Manly Beach and have a quick dip before jumping on a ferry home. Hot tip: make it a Sunday journey and you'll pay only $2.50 on your Opal card for the entire return trip. [caption id="attachment_556135" align="alignnone" width="1280"] phonetography101 via Flickr[/caption] TAKE THE RIVERCAT UP THE PARRAMATTA RIVER For a unique look at Sydney that you may not have yet considered, jump on a RiverCat and make the trip west without having to deal with traffic, freeways and the endless car yards that line Parramatta Road. The catamaran hits decent speeds on the way, and the journey takes about 45-minutes from Circular Quay. Once you arrive, head into Parramatta's CBD to explore an area that is bustling with great cafes, bars and restaurants. There's even a Gelato Messina. The Village People were right – 'Go West', life is peaceful there. [caption id="attachment_556136" align="alignnone" width="1280"] Thunder Jet Boat[/caption] GET YOUR HEART PUMPING ON A JET BOAT You might dismiss this as a tourist trap, but the Sydney Harbour jet boat rides are actually pretty fun. You'll hit high speeds, get spun in circles all over the place, and the ratio of splashes to enjoyment is pretty high. Add in the incredible views you'll get of Sydney Harbour and you've got yourself a pretty sweet little ride. Thunder Jet Boat and Harbour Jet are both good options. Book online for better deals. [caption id="attachment_556137" align="alignnone" width="1280"] Sydney Seaplanes[/caption] GET A BIRD'S EYE VIEW FROM A SEA PLANE Yes, we're moving into seriously luxe, seriously expensive territory here — but if you have the funds, the opportunity to see the city from above is totally worth it. Taking off in a sea plane is unlike anything you'll have ever experienced — it's sort of a cross between a speedboat and a go-kart. But then, all of a sudden you'll lift up and above what is arguably the world's greatest harbour. Go all out and book a fly-and-dine package at Jonah's through Sydney Seaplanes for a harbour tour followed by a fabulous meal and a view of Whale Beach. It's certainly not cheap — but for an anniversary or special occasion, it will be utterly unforgettable. EXPLORE CLARK ISLAND If it's a picnic with extremely good views of the water you're after, pack your rug and basket and head to one of Sydney's islands and most unique national parks. You can get to Clark Island either by water taxi, private boat or kayak — just note that a $7 landing fee applies. There are gorgeous shaded gazebos dotted about the island, and plenty of places for a swim. You'll just need to book your trip in advance through the NSW National Parks and Wildlife Service. TAKE A SAILING LESSON Sailing has so many excellent words: Dinghy! Starboard! Ahoy! Use them with confidence after you've felt the sea spray in your face and the wind through your hair. Sydney By Sail offers one-off day cruise sailing trips where they'll show you the ropes (quite literally in this case), or you can sign up for an intensive two-day 'Introduction to Yachting' course that will build you some serious sea legs. They're located right near the Maritime Museum as well, for more #boatspiration. Top image: Visit St. Pete/Clearwater via Flickr
It's about to get a whole lot harder for any NSW driver to get away with using their mobile phone while driving — and it's thanks to a world-first move by the NSW Government, which has agreed to adopt speed camera-style technology to detect the illegal behaviour. As reported by The Sydney Morning Herald, the legislation giving the tech the go-ahead was passed in NSW parliament this week. It's hoped the decision to use the cameras will have a huge positive impact on the number of road fatalities — much like when breath testing was introduced back in 1982 and slashed fatal accidents by almost 50 percent. "The community wants safer roads and better driver behaviour," NSW Minister for Roads Melinda Pavey told The Sydney Morning Herald. "Three quarters of those surveyed supported the use of cameras to enforce illegal mobile phone use." But the technology doesn't actually exist yet. The government will now put the call-out to companies who are interested in providing the technology. Whatever that technology may be. Most drivers will probably see this as a cash grab — fully licensed drivers are looking at a $330 fine and four demerit points if caught — but Mrs Pavey said that money raised from the camera fines will go back into a Community Road Safety Fund. And considering that the dangerous use of phones involved in 184 crashes between 2012 and 2017, it's not hard to see why the decision's got so much backing. Via The Sydney Morning Herald.
It's bright, lively, neon-lit, and wholly unapologetic about blending colour, cocktails and Tex-Mex cuisine — and soon, the fast-growing El Camino Cantina will double its Sydney footprint. The chain already has has spots in The Rocks and Manly, as well as another in the works in Moore Park. But first, it will launch a new joint in Westfield Miranda's rooftop dining and entertainment precinct. It's the latest expansion for the brand, which also operates in Brisbane and Melbourne, all under the guidance of Rockpool Dining Group (Sake, Rosetta, Burger Project and, of course, Rockpool Bar & Grill). If you've already been to one of El Camino's existing eateries, then you'll know this casual dining venue takes its vibe serious. Think loud and over-the-top, complete with giant margaritas, rock 'n' roll jukeboxes, fluorescent signage and Tex-Mex staples. Setting up shop in the city's south, the new site will seat 280, including on the 180-person outdoor terrace. Expect to spend plenty of time outdoors here, with the external area featuring festive lighting, plus a sizeable stage for live bands and other weekend performances. The other drawcard comes down to the location — specifically, the panoramic views over Sydney that comes with it. Menu-wise, all of the chain's favourites will make the jump to the new spot. Slushie machines will serve up brain freezes in margarita form, with El Camino's coming in multiple sizes and many renditions, including a tropical Red Bull flavour. Other options span a host of beers from near and far, and a sizeable collection of mezcals and tequilas. The food lineup remains fun and casual, like the drinks. Think fiery buffalo wings, sizzling fajitas, plump burritos, soft shell tacos loaded with punchy flavour combinations, and unlimited complimentary corn chips and salsas. And some of the brand's specials will be available at Miranda, too — including ten-cent wings on Wednesdays and $2 tacos on Tuesdays. The venue will launch on Friday, June 14 with a three day fiesta. Until the venue closes on Sunday, September 1, giant margaritas and 'chalices' of beer will be just $7.50. El Camino Cantina will open on Westfield Miranda's rooftop at 600 Kingsway, Miranda on Friday, August 30. Images: El Camino Cantina Brisbane. Updated: August 20, 2019.
Across the last few months of 2021, and spilling into 2022, there'll be something strange happening in Australian cinemas. This'll be the case in places where big screens have still been showing new movies over the past few months, and also in Sydney and Melbourne when they're permitted to reopen following the two cities' respective (and long, and ongoing) lockdowns. The flicks that'll be playing? Many will be films we've been hearing about for a few years now because they were meant to release in 2020, and were then pushed back a few times due to the pandemic. But, there'll be something different going on Down Under, because a heap of these already-delayed movies have just been postponed again — only for Aussie viewers. Been waiting for No Time to Die, Dune, The French Dispatch, Halloween Kills and Ghostbusters: Afterlife? You'll now be waiting a bit longer. They're just some of the movies that've delayed their Aussie releases because cinemas in our two biggest cities have been closed due to lockdowns. Instead of hitting the silver screen in places around the country that are open, then perhaps being fast-tracked to digital — as In the Heights, The Suicide Squad and a range of other titles have lately — these movies have been pushed back nationwide to wait for projectors in Sydney and Melbourne to start whirring. So, if you like your spy movies shaken, not stirred, you'll now be holding out until November 11 to see the latest Bond flick. Fancy sand worms and seeing Timothée Chalamet follow in Kyle MacLachlan's footsteps? Mark December 2 in your diary for your date with Dune. Wes Anderson's suitably star-studded latest movie, The French Dispatch, will now arrive on December 11, while Michael Myers will get slashing again in Halloween Kills on October 28 (because this horror sequel was always going to stay in October, at least). And, wondering when there really will be something strange in your neighbourhood again? That'll come with Ghostbusters: Afterlife on January 1, 2022. Venom: Let There Be Carnage will also releasing later than expected, hitting on November 25 this year — and, like all of the above movies, it'll arrive locally after it releases in the US. So, you might see your social media feeds filled with chatter about flicks that you've been looking forward to, are out overseas, but haven't yet opened in Australia. Aussies will also be waiting longer to see a few films that haven't been pushed around for a year or so — movies that've only dropped their first trailers in past months — such as Malignant (October 21), The Many Saints of Newark (November 4), Last Night in Soho (November 18), The Last Duel (November 18), Dear Evan Hansen (December 9), House of Gucci (December 26), The Matrix Resurrections (January 1) and King Richard (January 18). There's also Zola, which'll now hit on November 18 after being delayed everywhere until 2021, releasing in the US midyear, then having its Australian debut pushed back. And, some long-delayed flicks have kept postponing their releases worldwide, too, such as the Spider-Man-related Morbius, featuring Jared Leto (January 20); The King's Man, the next instalment in the Kingsman franchise; and Top Gun: Maverick (May 26), because it doesn't feel the need for speed just yet. If you're living somewhere where picture palaces have been shut for months, you're probably just keen to see whatever you can whenever you're allowed — understandably. In Sydney, that's due to happen when New South Wales reaches the 70-percent fully vaxxed mark, which is expected in mid-October. In Melbourne, no timeframe has been given for reopening cinemas just yet, or easing out of lockdown in general; however the travel radius will expand to ten kilometres and outdoor exercise will be allowed for three hours once 70 percent of Victorians have had their first jabs. Of course, moving release dates around was a regular part of movie-going life before the pandemic, too. More often than not, big blockbuster titles had been hitting Aussie cinemas at the same time as overseas, though. New films are still releasing in cinemas Down Under each week at the moment, where they're open, and will continue to do so; however, you'll just be waiting longer for some movies, including a number of big-name flicks, in some instances. To check out the new releases screening in Australian cinemas each week, check out our weekly rundown, complete with reviews. Image: Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved
When winter hits in 2021, Sydneysiders can prepare to be ensconced in projections once again. After taking a year off in 2020, Vivid Sydney's annual festival of light, music and ideas will transform the city over 23 nights with a jam-packed lineup of cultural events, pop-ups and activations. Public spaces across Sydney will be treated to Vivid's beloved light installations — including the previously announced Cockle Bay light walk and Customs House's 3D visual storytelling project, and the freshly revealed activation Fall, a multi-sensory experience in The Rocks playing off the heritage area's leaky drains as a comment on our collective water consumption. The program's lineup will sprawl across iconic Sydney buildings and open spaces in Circular Quay, The Rocks, Barangaroo and Darling Harbour. [caption id="attachment_761801" align="alignnone" width="1920"] Jordan Munns[/caption] In Circular Quay, the Sydney Opera House's sails will light up with a digital rendition of Yarrkalpa (Hunting Ground), a stunning painting created by the Martu Artists of the Pilbara region. Inside and in front of the iconic harbourside venue, Vivid Live will feature an array of boundary-pushing and fan-favourite musicians from Australia and New Zealand. Across the three-week festival, music fans can catch the world premiere of Sampa the Great's new stage show, a tenth anniversary showcase of Sydney record label Astral People, rock and jazz legends Gareth Liddiard (The Drones), Jim White (Dirty Three) and Chris Abrahams performing together, plus sets from Golden Features, Flight Facilities, Hermitude, Gordi, G Flip, Miiesha and Connan Mockasin. [caption id="attachment_813276" align="alignnone" width="1920"] Image: Vivid Sydney, 2019[/caption] English actor and The Good Place star, Jameela Jamil will appear as part of Vivid Ideas, discussing body positivity, social media, diet trends and mental health via a virtual talk with Australian author and podcast host Jamila Rizvi. Elsewhere on the Vivid ideas program, Magda Szubanski will discuss the importance of art and laughter, and Briggs will be joined by YouTuber Nat's What I Reckon to discuss mental health while discussing food and music they've been loving. Author of Honeybee Craig Silvey will also be in attendance with screenwriter, performer and multi-disciplinary "trans queen" Glace Chase to talk gender fluidity and representation. Away from the Sydney Opera House, cultural events will activate across the city. Carriageworks will play home to a Cantina OK! pop-up, featuring food and cocktails from the CBD bar, a roster of DJs and performances from King Gizzard & the Lizard Wizard and Amyl & the Sniffers. LGBTQIA+ party collective Heaps Gay will bring its Kween's Ball to Luna Park, while FBi Radio will invite audiences into their studio for performances from local musicians. The UTS Great Hall will host a series of talks, seminars and film screening, and the Australian Museum, Parliament House, MCA, the Powerhouse Museum and Maritime Museum will all continue with their after-dark culture series Up Late. [caption id="attachment_809934" align="alignnone" width="1920"] Image: Destination NSW, an artist's render of a Vivid installation.[/caption] Vivid will run from Friday, August 6 until Saturday, August 28. You can check out the full program via Vivid's website.
“Living together alone is hell between consenting adults" according to Michel Houellebecq. Porn.Cake, (written by Vanessa Bates and directed by Shannon Murphy) first played to Melbourne audiences at the Malthouse and is on now at Griffin Theatre 'til the 14th of July. If you’re expecting cakes in the shape of naughty body parts: don’t. The producers have opted for standard cake, lovely cake in fact, made by the bakers at the Epicurean Kitchen. Speaking of Epicurus, it’s strange that he is now associated with gluttony and indulgence, when he was really just a hippy who believed that the good life meant spending quality time with friends and family over a modest bowl of soup. Porn.Cake is a world apart from the Epicurean ideal. We meet two mirror-image couples living the middle class domestic dream, who are sick of their respective partners and are unable to communicate let alone copulate. The women are obsessed by their diminishing attractiveness and the men are forever texting about a "business matter". Cake acts a cover for their unfulfilled sexual desires and lack of connection. Porn.Cake’s premise is that "cake is the new porn". Just as porn stimulates a perpetual desire without fulfillment, cake promises sweet satisfaction without nourishment. Steve Toulmin’s sound design using snippets of Jamie and Nigella talking seductively about food in between scenes is pornographic in so far as it is full of promise, with the moment of satisfaction always out of reach. The performers eat cake mechanically, without the appreciation that Epicurus would have us note. In this way porn and food act as "points of entry" into the themes of isolation and existential dissatisfaction. (For more on this watch Steve McQueen’s Shame.) The piece is comprised of four monologues joined by scenes that repeat and morph as the evening progresses. The clunky opening monologue, performed by an otherwise entertaining Olivia Pigeot, falls short of the rest of the play. And this odd start means the play is a bit of a slow burn, but once it gets moving it’s thoroughly enjoyable. In particular, Georgina Symes’s monologue as the naturopath with a bee in her bonnet is excellent and hilarious. Be advised - you should go on an empty stomach, unless you have a truly voracious appetite for cake or porn or both. Image by Griffin Theatre.
Two Spiegeltents, two labyrinths and close to two hundred events are part of the program for Sydney Festival 2015. A happy 85 of the events are free this year, so it's looking like a long, wallet-friendly summer. "What’s really special about Sydney Festival is the diverse programming, with the best local and international artists from high arts — opera, theatre, and contemporary dance — to circus and family shows," says festival director Lieven Bertels. "Sydney Festival gives audiences the perfect excuse to celebrate the city in summer." Music Music at Sydney Festival has doubled this year, with Domain concerts, Spiegeltent gigs and late-night parties dominating the program. Latin and South American tunes take centre stage, from The Life Aquatic-popularised Brazilian legend Seu Jorge to Afro-Brazilian hip hop powerhouse Karol Conka and Argentinian WTF genre-spanners Frikstailers. Beats stake their claim as festival favourites this year, from Warp Records legend Nightmares on Wax to Young Turks’ Oneman, while strummers like #1 Dads and Kim Gordon’s Body/Head take things up a notch from the myriad of female folk artists on the bill — Alela Diane, Olivia Chaney, Jessica Pratt, Tiny Ruins. Anna Von Hausswolff takes to the Sydney Town Hall grand organ supported by NZ’s Aldous Harding, Moroccan trance dancers Fez Hamadcha explore Sufi sounds, co-founder of The Saints Ed Kuepper delves into a retrospective, while Ben Frost and Tim Hecker team up for a co-headline show at the Opera House. Then Tex Perkins plays Johnny Cash tunes at the historic Parramatta Gaol (check out the Parramatta program, announced yesterday over here), while Gotye realises the music of William Onyeabor with members of LCD Soundsystem and Hot Chip, among others. Sydney Festival’s love for the eclectic ‘who the hell?’ wildcards shines once more, from frenetic Barcelona multi-layering duo ZA! to the unexpected J-pop-meets-noise-pop team-up of Salyu and Cornelius. International hype cards How to Dress Well, Omar Souleyman, Wye Oak and return SydFester Dan Deacon are sure to get punters' paws rubbing. Giving local artists a sophisticated SydFest high-five, one third of the program features Australian musicians. Raise a plastic cup to the likes of Client Liaison, Kirin J Callinan and Firekites among the big Tex Perkins/Gotye guns. Public Art Home to much of the festival's music, two Spiegeltents will be anchoring the expanding Festival Village, one of the real successes of last year and a true hub for hanging out in. Also within it will be a huge-scale art work from Ireland's answer to Banksy, street artist Maser. The maze-like, colour-splashed, two-storey-high installation, called Higher Ground, is said to be "a dream come true for those who always wished they could step inside a painting", and will be the focus of everyone's Instagramming this festival (which for the first time in two years, is Rubber Duck-less). Maser will be the artist-in-residence at the Village, though as he operates in anonymity, we don't expect to see too much of him. Other highlights among art installations include the must-ride Waterfall Swing at Darling Harbour, a giant swing that sends you flying towards a curtain of water that, thanks to the work of sensors, parts just before you hit it. Over at Carriageworks is another super-enticing labyrinthine experience, Inside There Falls (by UK-based Mira Calix), an immersive, tissue-paper environment you walk through, guided by haunting audio and the occasional glimpse of dancers. Also at Carriageworks, you can watch the meditative, 45-minute SpongeBob SquareTimes, an accidentally shot video of a man in a SpongeBob suit trying to make friends in Times Square. Performance Another big pillar of the festival is international theatre, dance and performance works. This year the big draws are Belgium's Kiss & Cry, a cinematic romance performed by two hands (yes, hands); India's The Kitchen, a spectacle of cooking and drumming from the creator of The Manginyar Seduction; France and the UK's The Night Dances, a celebration of the words of Sylvia Plath and music of Benjamin Britten, performed by Charlotte Rampling; and France's On the Harmful Effects of Tabacco, a Chekov one-act comedy performed by Theatre Des Bouffes du Nord (former home of Peter Brook) with costumes by Christian Lacroix. These join the already announced Tabac Rouge, a festival centre piece from another French innovator, circus performer James Thierree. On the smaller and more experimental side, there's one-woman memory mission I Guess If the Stage Exploded and, told entirely through the contents of one man's shoebox, Wot? No Fish!!. There's plenty of Australian contributions too, of the likes of Kate Mulvany's Masquerade, Force Majeure's Nothing to Lose, ambitious multimedia ethical exploration The Experiment and the return of the folks from Alvin Sputnik for Falling Through Clouds. On the circus side of things, the new Aurora Spiegeltent will be home to both last year's Limbo and new minimal circus artists A Simple Space, while the USA's Wau Wau Sisters lead the cabaret lineup. Those still holding a torch for the iconic Festival First Night will have to keep holding it; there's no sign of its return any time soon. Absent that inclusive and accessible event, hit up Sounds in the Domain, the Festival Village and the POP Parramatta Opening Party for free outdoor shenanigans. The 2015 Sydney Festival is on from January 8-26. Multipack tickets go on sale on October 24 (tomorrow!) at 9am, and will get you nice discounts. Single tickets go on sale on October 27 at 9am. To buy tickets and check out the full program, see the festival website. By Rima Sabina Aouf and Shannon Connellan.
The year that Adam Elliot's Mary and Max reached cinemas, Sarah Snook earned her first on-screen credit in an episode of All Saints. A decade and a half later, the Oscar-winning Australian animator and the Succession star have joined forces on Memoir of a Snail. Elliott finally has a new stop-motion feature sliding into picture palaces, with Snook lending her voice to the lonely Grace Pudel, the coming-of-age tale's protagonist with a story to spin. Fresh from locking in its Australian premiere as the opening-night flick at the 2024 Melbourne International Film Festival, Memoir of a Snail has just dropped its first trailer to give audiences a glimpse at what's in store. Get ready for Elliot's distinctive animation style — because no one makes clay in shades of brown, black and grey look as expressive as the Melbourne talent — bringing Grace's existence to life. Get ready for snails almost everywhere, too, including as clocks, music boxes, hats and ornaments. "Dad used to say that childhood was like being drunk: everyone remembers what you did except you," explains Snook as Grace to begin this debut peek at Elliot's long-awaited sophomore feature. "But I remember everything," she continues. As Grace talks through the details, snails don't merely feature heavily, clearly giving the picture a metaphor for its lead character — in the movie, the book-loving, shy and anxious Grace is also relaying her experiences to a snail called Sylvia. As it charts a trail of loss, angst, friendship and learning to embrace life, that Memoir of a Snail is bowing on home soil at MIFF couldn't be more fitting. It's "about Melbourne, made by Melburnians and voiced by Melburnians," said Elliott when the festival revealed the flick as its launch pick. To make that connection clear even just in this initial teaser, the trailer includes St Kilda's Luna Park. Joining Snook in the voice cast is a who's who of Australian talent, such as Kodi Smit-McPhee (Elvis), Eric Bana (Force of Nature: The Dry 2), Tony Armstrong (Tony Armstrong's Extra-Ordinary Things), Nick Cave (The Electrical Life of Louis Wain), Jacki Weaver (Hello Tomorrow!) and Magda Szubanski (After the Trial) — and also French actor Dominique Pinon (The Walking Dead: Daryl Dixon). After playing MIFF, Memoir of a Snail will hit Australian cinemas in general release on Thursday, October 17, 2024, with this year not only marking 15 years since Mary and Max, but 20 years since Elliot won the Academy Award for Best Animated Short Film for Harvie Krumpet. Check out the trailer for Memoir of a Snail below: Memoir of a Snail releases in Australian cinemas on Thursday, October 17, 2024.
The latest line of merch you never knew you needed has just dropped — and it's celebrating yet another old-school favourite. This time, it's South Australia's strangely beloved milky treat, Farmers Union Iced Coffee (FUIC), that's been emblazoned on some sweet threads. Much like beer brands VB and Melbourne Bitter before it, the new line of branded goodies has a bit of a vintage feel. The streetwear collection — which features mens and womens designs — runs from classic hoodies and tees to beanies and a denim cap, with prices starting at $35. Each piece is adorned with the iced coffee's recognisable brown and turquoise logo, so you can share your love of the caffeinated drink — or simply let people know you're from Adelaide — without having to say a word. Everything is all printed right in FUIC's homeland of South Australia — so it's basically a symbol of SA pride. If you happen to be in Adelaide and really keen, an FUIC pop-up hits Adelaide's Rundle Mall this Friday, June 28 and Saturday, June 29. Otherwise, you'll find the full range on sale at online. Farmers Union Iced Coffee's new line of gear is on sale now at fuicgear.com.au.
Today marks the last day of Dark Mofo and, for those of us on the mainland, this means today is the last day our social media news feeds are bombarded with Tasmanian whimsy. Over the past few days you may have asked yourself what this congregation of lights and bearded men actually is. You may have wondered what kind of wizardry has conjured all this neon and Hogwarts-esque feasting, and how you can become a part of it. Well, we've scoured our Instagram feeds and compiled a handy outsiders' guide for you. Organisers may declare the festival a celebration of "large-scale art, food, music, light and noise," but we feel it's best summed up by the following. Here's what went down at Dark Mofo 2014: People spent their time washing ice This was probably the most confusing thing that's popped up in your feed over the past few days. In an act of — let's face it — supreme futility, Mofo-goers have been caught this year scrubbing a large tower of ice (although we guarantee they didn't keep it up for long once the photo had been uploaded). Watching this ice slowly, slowly erode into separate smaller blocks has been like a deeply unsatisfying game of Tetris played in reverse. Explanation: It's actually an artwork by Chinese artist Yin Xiuzhen. After freezing water from the Derwent River, Xiuzhen asked festival patrons to scrub the dirty water clean. It's a symbolic act that she terms an artist's solution to pollution. This radioactive bunny made its way down from Sydney Tasmania has stolen Sydney's giant neon bunny rabbit! How rude. You probably recognise this critter from your jaunts down to Vivid Sydney earlier this month. It's the kind of thing that definitely sticks in your mind (and your Instagram feed, for that matter). Because of this, Sydney-siders really can't be too jealous of its presence at Dark Mofo. But, for everyone else across the country, this is the holy grail of public art and the number one cause of jealousy. I maintain that if I got one hug from this amazing bringer of joy, at least half the problems in my life would be solved. Explanation: The bunny is the work of Tassie artist (and Sydney expat) Amanda Parer. We can neither confirm nor deny that it's radioactive, but we can say that it's maybe the greatest thing we've seen for awhile. There was a cat shooting laser beams from its eyes We can't even. This needs all of the explanations. Explanation: Disappointingly, we can't find out much about this little treasure. From the almighty power of hashtags we can deduct it has something to do with Dj Kiti playing at the festival club Faux Mo on Saturday night. We don't know how big the cat was. We don't know how strong its powers are. We don't know what it wants from us. We do however know that it's maybe the most mesmerising thing we've seen since Hypnotoad and we feel strangely compelled to obey it. If you know more, please get in touch! It's a good place to be if you like to feast From all the photos of mood-lit dining halls and opulent dinners, we can only reasonably deduct that Dumbledore and/or representatives from Hogwarts School of Witchcraft and Wizardry have made their way to Tasmania. Sure, there are no ghosts flying around, but the twigs cascading from the ceiling do look suspiciously like broomsticks and the feast speaks for itself. Explanation: This is more or less right. The Winter Feast is one of the hallmarks of the festival and consists of a "three-night Bacchanalian banquet of feasting and fire, drinking and celebration, music and performance". Apparently there were some problems with capacity this year, but with the amazing spread on offer it's easy to understand why. Everyone got naked for some reason It's a strange thing to wake up to as you check your phone, but this morning we were treated to the sight of hundreds of bums along a beautiful beach at sunrise. Accompanying them (on what looked like a freezing morning) were a couple of old men in beanies shooting orange smoke into the air because, hell, why not? Explanation: This nude run into the water was in fact to commemorate the winter solstice. It's an annual event at Dark Mofo that's now in its second year. And, despite the unpleasant temperature, this year saw 700 people get on board! We're going next year Confusing art, giant animals, laser beams, opulent feasts, and reckless nudity — why is it that we don't live in Hobart, again? Photo credits in order of appearance: jackjesta, melfiddles, angela__g, katesaunders002, chdaku, rosiehastie.
UPDATE: JULY 17, 2020 — All of the Hella Mega Tour dates for Australia and New Zealand have been cancelled due to COVID set backs. Tickets will be refunded but no new dates will be released. For more information, head to the event Instagram. We hope you'll have the time of your life with the latest retro tour announcement. We hope it makes you feel just like Buddy Holly, too. Bands who were big a couple of decades back just keep teaming up and heading to our shores for nostalgia-dripping gigs — and, in music to our greedy ears, Green Day, Weezer and and Fall Out Boy have revealed that they're all doing just that come November 2020. Hot on the heels of a similar announcement by The Offspring and Sum 41 just last week, the bands who gave us 'American Idiot', 'Undone — The Sweater Song' and 'This Ain't a Scene, It's an Arms Race' will be hitting up Sydney, Melbourne, Brisbane and Perth, before heading over to NZ for shows in Auckland and Dunedin. It's the latest leg of the trio's Hella Mega Tour, which they first announced in September last year, and which sees them play across Europe, North America, and now Australia and New Zealand. Green Day, Weezer and and Fall Out Boy have all actually released new music lately, with Green Day's 13th album dropping today, February 7, and Weezer's 14th album expected in May. That means they'll all have new tunes to bust out as well. But, admit it — if you're excited about seeing this trio of American rock bands share a stage, then you're excited about hearing their respective back catalogues live. Given they've been doing their punk-styled thing since the late 80s, Green Day certainly have plenty of iconic tracks — whether you prefer early 90s hits 'Welcome to Paradise' and 'When I Come Around', the late 90s-era likes of 'Good Riddance' and 'Nice Guys Finish Last', or mid-00s songs like 'Boulevard of Broken Dreams'. Weezer's discography is just as hefty — and if they don't play 'Island in the Sun' while they're touring these islands in the sun, you're allowed to be upset. As for Fall Out Boy, the tour comes just after they dropped their second best-of album last November, so you know they'll treating audiences to everything from 'Dance, Dance' to 'Uma Thurman'. Local support for all shows comes from New Zealand power-rock four-piece The Beths. https://www.youtube.com/watch?v=erG5rgNYSdk THE HELLA MEGA 2020 AUSTRALIAN and NZ TOUR DATES Perth — Sunday, November 8, HBF Park Melbourne — Wednesday, November 11, Marvel Stadium Sydney — Saturday, November 14, Bankwest Stadium Brisbane — Tuesday, November 17, Suncorp Stadium Dunedin — Friday, November 20, Forsyth Barr Stadium Auckland — Sunday, November 22, Mt Smart Stadium Fan pre-sale tickets for The Hella Mega Tour go on sale at 10am local time on Monday, February 10. Then, there will be a Live Nation pre-sale — that starts at 10am local time on Tuesday, February 11 in Australia, and 10am local time on Thursday, February 13 in New Zealand. Finally, general tickets on sale at 11am local time on Friday, February 14. Visit the tour website to sign up for pre-sale and for further details.
This year has been one of the most challenging faced by Sydney's hospitality industry in decades, eclipsing even the turbulent and uncertain periods during the COVID-19 shutdowns and the gruelling months of trading restrictions that followed. The industry has been rocked by a drastic downturn in revenue driven by a number of factors, but chiefly the soaring cost of living, which has forced many consumers to give up dining out regularly. Josh and Julie Niland, the hospitality heavyweights behind celebrated low-to-no waste seafood venues including Saint Peter and Fish Butchery, have already lost two venues to the closure crisis: the OG Fish Butchery in Paddington and their fast-casual concept Charcoal Fish in Rose Bay, which both closed in April. Now, another Niland restaurant has been forced to close permanently. [caption id="attachment_983665" align="alignnone" width="1920"] Petermen[/caption] Petermen, which opened in St Leonards on the North Shore in February of 2023, will serve its last service on Sunday, December 15. In a statement, Josh and Julie Niland cited the challenging economic conditions hammering the hospitality sector as the main reason for shuttering the business. "Our time on Chandos St, St Leonards, has brought a lot of joy to us and our team, and we have welcomed the most incredible guests. However, the past 12 months have been extremely challenging for independent businesses within the hospitality industry." the statement reads. [caption id="attachment_826356" align="alignnone" width="1920"] Charcoal Fish in Rose Bay[/caption] "Sadly, Julie and I have had to make the decision to close Petermen. Our last day of trading will be Sunday, December 15. We wish to thank the local community for all their support. We are incredibly grateful to our team, who will continue with us at Saint Peter and Fish Butchery. A big thanks to our suppliers, incredible guests, and everyone who has assisted in making Petermen a special restaurant to dine in." While this is no doubt a disappointing outcome for the Nilands, 2024 hasn't been all bad for these leading lights of Australian dining. In August, the couple's flagship restaurant, Saint Peter, relocated to The Grand National Hotel, expanding its dining room substantially. In November, the pair also announced the opening of a new restaurant at the new luxury Hamilton Island resort The Sundays, expanding the Niland's Australian footprint beyond NSW for the first time. [caption id="attachment_739656" align="alignnone" width="1920"] Fish Butchery. Image by Cody Duncan[/caption] Petermen will open for its last service on Sunday, December 15. For more details and to make a booking, visit the Petermen website.
The world's most famous plumber siblings wearing colour-coded matching outfits? Tick. Earworm tunes? Tick again. Mushrooms aplenty, castles, tunnels, blocks that need bumping and flowers that let you shoot fireballs? Just keep ticking. All of the above are accounted for in the second and full trailer for The Super Mario Bros Movie, aka the animated flick that's bringing Mario, Luigi and all of the Nintendo-created gang back to cinemas. Also on that hefty list of inclusions: a rainbow road, and racing along it Mario Kart-style. This just-dropped sneak peek at The Super Mario Bros Movie arrives after an initial teaser back in early October, and gives Nintendo fans a bigger look at the world of the film and its characters — all of which look very faithful to their gaming counterparts. And yes, basically everyone's a fan of Mario. We've all played Nintendo's Mario games, including on Google Maps and mobile phones. We've tried our hands at Mario Kart in reality, too. And, we've made plans to hit up the Super Nintendo theme park in Japan, or perhaps the upcoming second site in Hollywood. (Also, if everyone hasn't watched 1993's live-action Super Mario Bros, which starred Bob Hoskins as the titular figure, John Leguizamo as Luigi and Dennis Hopper as King Koopa, then they need to at least once.) Come March 2023, however, cinemas will be pressing start on the new The Super Mario Bros Movie, which has enlisted Chris Pratt (The Terminal List) to voice the Italian plumber. Clearly, the former Parks and Recreation star doesn't have enough big franchises on his resume already; see: Guardians of the Galaxy, Jurassic World and The Lego Movie. So far, there's only one new Super Mario Bros, but predicting there'll be more if it does well at the box office is as easy as collecting mushrooms in the games. This new full trailer includes a heap of other nods to Mario and the crew's time behind all of our controllers, sees Bowser (Jack Black, Apollo 10 1/2: A Space Age Childhood) proclaim his desire to rule the world and casts Luigi (voiced by Charlie Day, It's Always Sunny in Philadelphia) as the Mushroom Kingdom's comedic sidekick. Princess Peach (Anya Taylor-Joy, The Menu) is determined to take on the challenge, and dispense words of advice in general, while battling Donkey Kong (Seth Rogen, Pam & Tommy) also features. The Super Mario Bros Movie's voice cast also includes Keegan- Michael Key (Wendell & Wild) as Toad, plus Fred Armisen (Wednesday) as Cranky Kong. And, it hails from directors Aaron Horvath and Michael Jelenic (Teen Titans Go!, Teen Titans Go! To the Movies), is penned by Matthew Fogel (Minions: The Rise of Gru) and is produced by Illumination Entertainment (aka the studio behind the Despicable Me and Minions flicks, and the Sing films). Check out the full trailer below: The Super Mario Bros Movie releases in cinemas Down Under on March 30, 2023.
In 2022, Sydneysiders were hit with a devastating development: the closure of longtime Enmore Road favourite Stanbuli. With that sad news, however, came the exciting announcement that beloved chef Ibrahim Kasif would be at the helm of a new venue, a wine bar and manoush restaurant that NOMAD Group had first announced back in 2021. Beau is a multi-faceted 100-seat venue divided into two sections. The first, Beau & Dough, opens its doors on Reservoir Street in Surry Hills on Tuesday, February 7, while Beau Bar will officially launch on February 24. Open from 7am till late seven days a week, Beau & Dough is all about manoush all day every day. Kasif has created a menu that champions this form of Lebanese flatbread for breakfast, lunch and dinner. If you arrive in the morning, pair a carby treat in the form of a breakfast manoush with a cup of joe made using Beau's signature house blend of Single O coffee. "I can't wait to see people walking down the street with a manoush in their hands," says Kasif. When lunchtime rolls around, you can still opt for flatbread, topped with the likes of za'atar and cheese, spicy lamb, or sujuk and egg. Alternatively, you can dive further into the all-day offerings, which is where you'll find a crumbed blue-eye trevalla burger topped with yoghurt and tahini remoulade, achiote-spiced spatchcock, twice-cooked lamb neck and a Middle Eastern-style chopped salad. "Beau has your whole day sorted, from manoush to go, a sit-down breakfast or lunch in the laneway, or dinner and a glass of wine from our expansive and ever-changing list that focuses on unique and interesting Australian wines," NOMAD Group co-owner Rebecca Yazbek says. Once Beau Bar swings its doors open, you can expect an impressive 300-strong vino list offering different varieties and price points, plus a more lavish selection of eats featuring chilled seafood platters, lobster thermidor, flank steak, and an ox tongue bun with Moreton Bay bug and Russian sauce. Beau will be located just down the road from NOMAD. The manoush restaurant is housed in a bright sunlit street-level building, while the wine bar will have a more secluded, moody atmosphere, with private use of Fracks Lane which connects Reservoir Street to NOMAD's Foster Street. The opening of the Beau Bar will, in fact, reinstate the laneway for the first time in a century. Find Beau at 52 Reservoir Street, Surry Hills. Beau & Dough is open 7am–late seven days a week from Tuesday, February 7. Beau Bar will open on Friday, February 24 and will be open from midday for lunch and 5pm for dinner seven days a week.
Some TV shows start with a wild and wonderful premise, such as strange things happening in a small town, teenage girls fighting to survive in the wilderness and solving mysteries across America because you're a human lie detector. Others stick with everyday scenarios, which is what Beef has chosen. So, if you've ever been involved in a road-rage incident, or witnessed one — if you've ever held a grudge against a stranger for a petty reason, too — you'll instantly empathise with this newcomer's concept. In the ten-episode Netflix and A24 dramedy — which marks the latest show from A24 after everything from Ramy and Euphoria to Mo and Irma Vep — Danny Cho (Steven Yeun, Nope) and Amy Lau (Ali Wong, Paper Girls) get in a fender bender, and neither handles it well. Cue a feud that they can't shake, infiltrating their lives and relationships. If their quest for revenge each other just fizzled out, there obviously wouldn't be a series. Part of Beef's ongoing beef stems from a comedy staple: putting opposites together and seeing what springs. Danny is struggling as a contractor and isn't happy about it, while Amy lives a seemingly idyllic life thanks to her success as an entrepreneur. They both share a need to get back at each other, though, as the just-dropped first trailer for the show makes clear. The series premiered at this year's SXSW — the OG version in the US, not Sydney's offshoot to come later in 2023 — before plunging streaming viewers into its faceoff on Netflix from Thursday, April 6. Yeun and Wong also executive produce, while Beef hails from creator and showrunner Lee Sung Jin (a veteran of It's Always Sunny in Philadelphia, Dave and Silicon Valley). On-screen, as well as Minari Oscar-nominee Yeun and Always Be My Maybe's Wong, the series features Joseph Lee (Searching), Young Mazino (Prodigal Son), David Choe (The Mandalorian) and Patti Yasutake (Pretty Little Liars) — plus Maria Bello (NCIS), Ashley Park (Girls5eva), Justin H Min (After Yang), Mia Serafino (iCarly) and Remy Holt (The Afterparty). Check out the trailer for Beef below: Beef streams via Netflix from Thursday, April 6. Images: Netflix.
Set in the backstreets of suburban Brisbane, Trent Dalton's award-winning 2018 novel Boy Swallows Universe is destined to become an Aussie classic. It follows a young boy, his prophetic brother and his jailbreaking best friend as they navigate the heroin-filled underworld of 80s Queensland. And it's about to come to life on the stage. In September 2020, the stage version of the novel will world premiere in Brisbane. It'll be a co-production between Queensland Theatre and Brisbane Festival, with the former's Artistic Director Sam Strong directing the adaptation, which will be written by playwright Tim McGarry. Brisbane-born author Dalton said in a statement it was only fitting that the stage show should premiere in his hometown, "It was the people of Brisbane who took that wild, strange book and ran with it first and that book belongs to them now and this production will belong to them, too." It has not yet been revealed if the stage show will then travel to interstate theatres, but we'll keep our fingers crossed — and let you know if it does. Boy Swallows Universe has snagged a slew of local awards, including Book of the Year, Literary Book of the Year and Audio Book of the Year at the 2019 Australian Book Industry Awards. The novel, which has sold 160,000 copies in Australia alone, has also been longlisted for Australia's most prestigious literature prize, the Miles Franklin Award. The winners will be announced on July 30. Fans of the novel will be excited to hear that it won't stop at the stage, either — Boy Swallows Universe is also destined for the small screen. Last week, it was announced that Harper Collins had sold the television rights to the novel, with Australian actor and director Joel Edgerton (who recently wrote, directed and produced Boy Erased) set to produce the show alongside Dalton as executive producer. Boy Swallows Universe will world premiere in Brisbane in September 2020 as part of Brisbane Festival. You can sign-up to receive updates from Queensland Theatre here. Top image: Trent Dalton and Sam Strong by Luke Marsden.
Time flies when you're obsessing over a big blockbuster fantasy TV series, as HBO's biggest hit of the past decade demonstrates. This April marks ten years since Game of Thrones first hit screens and became a pop culture phenomenon — broadening the world's awareness of George RR Martin's books, pointing out how often Sean Bean meets an untoward end on-screen and delivering more dragon-fuelled drama than anyone ever knew they needed. Keen to celebrate the occasion like you're in a Westerosi tavern? That's an option, all thanks to a new collaboration between Moon Dog Brewing and Warner Bros Consumer Products. The two have joined forces on a new line of GoT beers, so get ready to sip a Breaker of Chains imperial stout and a Watchers on the Wall imperial white ale. The former features chipotle chilli, vanilla and a chocolate finish, while the latter pairs white chocolate with orange and coriander. Winter might be coming, but these brews will be available this month — so, in autumn — with the Melbourne-based Moon Dog pouring them at its Abbotsford and Preston sites from Friday, April 16. The brewery is hosting a launch party in Abbotsford the day before, then dedicating the weekend of April 16–18 to all things GoT in Preston. An Iron Throne will also be onsite, because clearly Moon Dog couldn't pass up the opportunity to let folks sit on one of the most famous chairs there is. [caption id="attachment_744585" align="aligncenter" width="1920"] Moon Dog World, Kate Shanasy[/caption] Lovers of both beer and G0T elsewhere in the country won't miss out on the brews, however, with the two beverages available via the brewery's online store and at craft beer retailers nationwide from Monday, April 19. If you decide to keep some in the fridge so that you can drink it when winter arrives, that's perfectly understandable. And if you're just excited about getting another chance to show your affection for the huge hit series — while you're waiting for the just-announced GOT stage production, and the many TV spinoffs and prequels in the works — that is, too. Moon Dog Brewing's Breaker of Chains and Watchers on the Wall beers will be available from its Melbourne venues from Friday, April 16, and online and in craft beer retailers nationwide from Monday, April 19.
It's the busiest time of year for both our calendars and our wallets. Though the silly season may feel like fun and games, it's worth remembering that December is the most important month of the year for many small business owners. This year, even more so. After so much turbulence, the 2021 festive trading season is going to be critical for the recovery of the small businesses that make our local communities so special. Between all the end-of-year parties and the excessive present buying, you're going to be doing a lot of shopping in the next few weeks. So, we've teamed up with American Express to highlight some excellent spots around Sydney to get what you need — and support a small business in the process. Whether you're looking for an out-of-the-box gift for your crazy aunt, a gripping read for your summer getaway or a next-level ham for the main event, you'll find 'em all at these stores, which all warmly welcome American Express.
Less than ten minutes walking from Kings Cross station gets you to hideaway Italian restaurant Bar Grazie, which opened its doors in September 2022. Bar Grazie has some weight to its name, thanks to the power trio that brought the space to life, starting with Barry McDonald (the man behind the OG Fratelli Fresh). Let's start with the interiors, designed by George Gorrow (co-founder of Ksubi and The Slow). Looking around, you'll notice wood panelling and white walls. It's gentle and welcoming and has just the right amount of lighting. Pick a refreshment from a selection of Italian beers, an impressive roster of Italian and French wines, spritzes and classic cocktails. Opening up the food menu, you're met with a fine selection of Italian choices from head chef Jarrard Martin, whose resume includes Rockpool, Ucello and Mary's Underground. Start light with Sydney rock oysters with yuzu mignonette, or take a denser route with the famed vitello tonnato. Mains follow — there's gnocchi with pine nuts, aged balsamic and brown butter; market fish al caltoccio (cooked in foil) with salsa verde; macaroni with ragu bolognese, and so much more. If you can't decide, don't stress, the team offers three-course set menus from Monday to Wednesday. Or visit on weekends to grab pasta and wine for $30.
With the city beginning to turn green again and temperatures creeping from 'mildly cold' to merely 'mild', this month's batch of plays still have something of an edge to them. There are very few signs of new life here, but plenty of grunt left in the classics.
Stanley Street's about to get pretty Pacific Northwestern; IconPark has announced their next pop-up residency. Revealed today, the Darlinghurst space will play host to dream team collaboration Rupert & Ruby from August 25. Bringing together Fat Rupert's Eli Challenger and Aaron Pearce and IconPark favourites Ruby's BBQ, this collaboration marks the second pop-up for the Stanley Street space, following Matt Stone, Bobby Carey and Jeremy Spencer's celebrated Stanley Street Merchants — finishing up this Saturday, August 9. Launched in this year as a top notch crowdfunding experiment, IconPark was launched to showcase Australia's top hospitality goalkickers — basically providing a space to let kickass collaborations come up with something super special (and temporary). Identifying various teams from their first season of successes, the brisket-loving Ruby's BBQ was invited to curate the second residency for IconPark's second Stanley Street pop-up. "The Ruby’s BBQ concept was so popular at the Taste of Sydney festival, we just had to give these talented and passionate people an opportunity. They will bring a new dimension to the Stanley St location," says IconPark co-founder Dean McEvoy. Fingers crossed for the offensively high-fiveable bourbon iced teas they cranked out at Taste. Opening late August, the Darlinghurst space will see Bondi's beloved Fat Rupert's team up with braised goodness of Ruby's BBQ (again — the two have paired up for residencies together in the past). Expect modern twists on the flavours of modern Australian-meets-traditional American food — revamped egg dishes, fried chicken and waffles, and the go-to Rupert's menu of addictive burgers. FR's award-winning Yeezy Sliders have been realised in full form as the Big Poppa, with the Bondi Babe and Notorious K.F.C little'uns getting the Rick Moranis treatment as well. But good ol' greens aren't left out of this, with Eli Challenger's signature salads and vegetable dishes joining the ranks at Rupert & Ruby. Canadian-born and Porteno-trained, Challenger is one of Sydney's best culinary assets; taking out the coveted 2014 People's Choice Award at Taste of Sydney. "Eli is such an exciting young culinary talent, the festival goers at Taste of Sydney recognised the passion he and his team put into their work. IconPark trusts in the ‘crowd’ of diners in cities to identify brilliant talent," says Paul Schell, IconPark co-founder. Will & Co will crank out coffee at the all-day eatery, a genuine treat for inner-city coffee aficionados who haven't found the lads on Bondi's Hall Street yet. With Stanley Street Merchants closing up this Saturday, August 9, the highly successful St Ali coffee operations will hang around and continue serving their applaudable coffee until Rupert & Ruby open their doors on August 25. Rupert & Ruby will open at IconPark, 78 Stanley St Darlinghurst on August 25 and reside until the end of 2014. Bookings are now open here. Look out for season three of IconPark, with new IconPark crowdfunding locations set to be launched around the city.
If your natural response to winter is to stay indoors, rug up, make friends with your couch and activate hibernation mode, you might be feeling rather happy about your usual frosty routine over the weekend of Saturday, July 13 and Sunday, July 14. Thanks to a cold front that's currently moving through New South Wales from the alpine region, the Bureau of Meteorology is forecasting blustering winds across Sydney for the next two days, with gusts potentially reaching 90 kilometres per hour. BOM has issued a severe weather warning for the possibly damaging winds, noting that they'll blow west to southwesterly, especially on Saturday. While the present cold front is anticipated to ease on Saturday afternoon, another is due to make its presence known on Sunday, which means the breeziness will pick up once again. The Bureau is specifically cautioning about winds of around 70–80 kilometres per hour in Sydney, and advises that gusts up to 90 kilometres per hour are possible. Folks in Illawarra, the eastern parts of the Central Tablelands — including the Blue Mountains — and Southern Tablelands, as well as the high country around the Upper Hunter and Barrington Tops, can all expect winds of 60–70 kilometres per hour in Illawarra, with gusts exceeding 90 kilometres per hour. https://twitter.com/BOM_NSW/status/1149784201874616320 Sydneysiders are only being warned about Saturday so far, while those in the other aforementioned regions should factor more than a stiff breeze into their entire weekend. Temperatures in the city will only reach 15 degrees on Saturday and 16 on Sunday, which will help to keep things chilly regardless of the wind. On Facebook, NSW SES recommends that residents secure loose items, and move vehicles undercover or away from trees. If you're not only venturing out of the house today, but to the airport, the windiness could interfere with flights into and out of the city — travellers in some parts of the country, such as the Gold Coast, have already been advised of possible delays due to Sydney's blustery conditions. The winds are forecast to drop off on Monday, when the second cold front will move away from NSW. Image: Jason Tong via Flickr.
Whatever else the past couple of years have served up, it has been an impressive time for folks who like staring up at the sky. 2016 ended with a huge supermoon that had everyone looking to the heavens, then 2018 began with an extremely rare super blue blood moon (a supermoon, a blue moon and a total lunar eclipse all at once). Next, at the end of July, an epic lunar eclipse will mark the next notable celestial happening. WHAT IS IT? On Saturday, July 28, earth will bear witness to the longest lunar eclipse of this century — with the penumbral eclipse lasting just shy of four hours (236 minutes, to be exact) and the total lunar eclipse spanning 103 minutes. If you're wondering what the difference is between the two (because we're all more familiar with The Mighty Boosh's take on the moon than actual lunar terms, aren't we?), a penumbral eclipse is when the earth's outer shadow falls on the moon's surface, while a total lunar eclipse involves the moon passing directly into the earth's actual shadow. WHAT'S SO SPECIAL ABOUT IT? As well as offering a great excuse to go stargazing, the 103-minute total eclipse pips the 100-minute event that took place on June 15, 2011 — although it falls just short of the 108-minute event on July 16, 2000. That said, eclipses that last this long are rare. When the super blue blood moon came around earlier in 2018, its full eclipse only lasted 72 minutes. In fact, if you miss it, you'll need to wait until 2029 for a 102-minute total lunar eclipse, with others lasting the same duration expected in 2047 and 2094. Nothing that reaches 103 minutes will in length will occur again this century — and no total lunar eclipses of any length will be visible from Australia again until May 2021. During the main event, the moon will also turn a blood-red shade thanks to sunlight that's filtered and refracted by the earth's atmosphere. So as well as a total lunar eclipse and a full moon, it'll be a blood moon as well. WHEN CAN I SEE IT? Australians will be able to spy the penumbral eclipse from 3.14am local time and the partial eclipse from 4.24am, before the full thing at 5.30am. If you're not able to tear yourself out of bed that early on a winter weekend morning, the maximum eclipse will occur at 6.21am. We won't be able to see the end of it, however, as the moon will be below the horizon when the full, partial and penumbral eclipses end (at 7.13am, 8.19am and 9.28am local time, respectively). For the full details, timeanddate.com has put together a handy to-the-minute schedule of when the eclipse will be happening in Sydney, Melbourne and Brisbane. [caption id="attachment_678443" align="aligncenter" width="1080"] Sydney total lunar eclipse times via timeanddate.com[/caption] Have your cameras at the ready, obviously — and see if you can outdo the previous big batches of supermoon snaps and super blue blood moon pics. WHERE CAN I SEE IT? Being in the southern hemisphere, we get some of the best views in the world — weather permitting, of course. Everyone in Australia should be able to catch a glimpse, but, even so, if you're living in the city, it would be best to as far away from light pollution as you can. Unsurprisingly, possible showers are predicted for the day in Sydney and Melbourne, which could have an impact upon visibility; however Brisbane is supposed to be mostly sunny. For Sydneysiders looking for a specific stargazing (or moon-viewing) spot, Sydney Observatory will be open from 5am. If you can't get a clear view, The Virtual Telescope Project will be live-streaming what they're calling 'The Night of the Red Moon and the Red Planet' – because Mars will also be visible in the sky — from the skyline above Rome from 4.30am AEST. Via Space.com and timeanddate.com.
Step back into Japan’s oldest tradition of dramatic art with Theatre of Dreams, Theatre of Play at the Art Gallery of New South Wales. This exhibition features a range of cultural materials, from enigmatic masks and dazzling costumes through to paintings, musical instruments and songbooks. Drawing upon the theatrical tradition of no, often referred to as Japanese Opera, this exhibition will uncover the historical rituals and symbols that shape the refined elegance and complexity of this continuous art form. This type of performance is also interspersed with brief comedic interludes, known as kyogen skits, typically recounting folk tales and anecdotes from everyday life. In representing these two styles, curator Dr Khanh Trinh explains, "These objects are not just functional props but also items of great aesthetic appeal ... the patronage by the military nobility also means that no costs and efforts were spared in their production." There has been an immense effort to preserve the fragile beauty of these objects, handed down through influential households. Dating back to the samurai age, many of these artefacts have never been exhibited outside of Japan. It's a rare opportunity to marvel at the richness and intricacy of one of the world’s most ancient forms of performance.
Before 2020 rolled around, the Victoria–New South Wales border hadn't closed for more than 100 years. So when it shut last July, it was a rather big deal. In the months since, however, residents of both states have seen the situation change back and forth multiple times. After a COVID-19 outbreak hit Sydney's northern beaches over the Christmas and NYE period, the border closed again, with Victoria starting 2021 by shutting off to all of NSW. Since then, the latter state reopened to regional NSW, then to all but ten Greater Sydney local government areas and finally to all but one LGA. From 6pm tonight, Friday, January 29, it's reopening to that last LGA, Cumberland — which means that no one in NSW will be forbidden from entering. Victoria implemented a traffic light-style system earlier in January, which colour-codes different regions of the country depending on their COVID-19 cases — so, as part of this new change, Cumberland will move from a red zone to an orange zone. That'll mean that folks who've been in the LGA in the past 14 days can enter Victoria, but they'll need to isolate on arrival and get tested within 72 hours. And, they'll need to receive a negative result before they're free to leave isolation. They also have to apply for a permit before entry, too — like all Australians, because compulsory permits are now part of Victoria's process for anyone who wants to enter the state. If you try and enter Victoria without a valid permit, you risk being fined $4957. You can apply for one online. Cumberland isn't the only part of NSW that has been downgraded, either. Victoria is also moving all parts of the state that were previously classified as orange zones to green zones. On the list: the Greater Sydney LGAs of Blacktown City, Burwood, Canada Bay City, Canterbury-Bankstown, Fairfield City, Inner West, Parramatta City and Strathfield Municipality and Liverpool, plus Wollongong and the Blue Mountains. Travellers entering Victoria from a green zone still need to apply for a permit, but do not need to get tested or isolate on arrival, unless they develop symptoms. https://twitter.com/VicGovDHHS/status/1354985485140185093 The loosened border restrictions come as Victoria records its 23rd consecutive day of zero new cases of community transmission. Overnight, the state did record one new case in hotel quarantine. Announcing the change in a statement, Premier Daniel Andrews said that he is "extremely happy to see the last red zone in New South Wales be downgraded. We're reminding people to get tested if they're returning from an orange zone, so we can continue to enjoy an open and COVID-safe summer." For more information on Victoria's new permit system — or to apply for one — head to the Department of Health and Human Services website.
Plan a trip to South Australia, and spending time surrounded by grapes is probably on your agenda. This year, you can pair all those winery visits with plenty of pumpkins, too, because Yayoi Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens will display at the Art Gallery of South Australia from Friday, April 1. Australia just keeps going dotty for Kusama. Brisbane's Gallery of Modern Art's hosted a kaleidoscopic exhibition dedicated to the Japanese artist back in 2017, her Obliteration Room has proven a hit in the Sunshine State several times and, going one better, Canberra's National Gallery of Australia acquired The Spirits of the Pumpkins Descended into the Heavens back in 2018. While the latter is a permanent addition to the NGA's collection, it's also going on the road on — which is why Adelaide is your next place to see oh-so-many dots. The piece was first exhibited in 2015. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama work. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her art — "our earth is only one polka dot among a million stars in the cosmos," she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The NGA's acquisition was made possible via a gift from Andrew and Hiroko Gwinnett, which is also supporting the infinity room's tour. AGSA hasn't revealed how long it'll be on display, but entry will be free — and it's obviously a must-visit addition to any Adelaide itinerary. Images: Installation view, THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS by Yayoi Kusama, 2017, National Gallery of Australia, Canberra. © Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo/Singapore/Shanghai.
A road trip through the American South is one of those epic, once-in-a-lifetime journeys. It's also the epitome of Americana and offers an unrivalled way to experience the South. The sheer distance between many of the South's most distinctive sights, sounds, culture and history can only be bridged via four wheels, and there's no freedom quite like the one when you take to the road. Your next destination depends only on your interests and how much fuel (or gas, as it's known in the States) is in the tank. In partnership with Travel South USA, we've curated the best routes in each of the South's nine states to accelerate your trip planning. Create an adventure that's entirely your own by linking up different sections of the region's countless routes. Whether you want to cruise through vibrant towns, savour Southern cuisine or catch your breath in the face of awe-inspiring natural scenery, the open road can take you there in the South. Route 66 — Missouri One of America's most iconic highways, driving along Route 66 is a classic American road trip. Affectionately known as "Mother Road", the route covers over 450 kilometres traversing America from east to west, but Missouri's stretch is one of the highway's best segments. Not only will you pass through two of Missouri's largest cities, encounter well-preserved motor courts harkening to a bygone era and enjoy incredibly scenic views, it also takes in some of the Route's most historic attractions and is lined with fascinating landmarks that will have you stopping the car every couple of miles. Music, Marches and Mardi Gras — Alabama The South is and historically has been a region of outsized cultural impact in America — and a road trip through Alabama is one of the best ways to see the history of the US firsthand. Stop in the central cities of Birmingham, Montgomery and Selma, where Dr. Martin Luther King and Rosa Parks made history; in Muscle Shoals where music history was made with recordings by many of America's most influential artists; and in Mobile, which is one of America's oldest cities, the birthplace of Mardi Gras and where you'll find fresh seafood straight out of the Gulf. For miles of powdery white sand, beaches, resorts and plenty of outdoor fun, be sure to stop at Alabama's coastal cities of Gulf Shores and Orange Beach too. Outer Banks Scenic Byway — North Carolina Extending for over 138 miles (about 220 kilometres), the Outer Banks Scenic Byway follows the barrier islands off the coast of North Carolina. Showcasing the region's scenery and history, you'll drive alongside pristine beaches, windswept dunes and local landmarks. In addition to the charming coastal towns en route, be sure to add these must-sees to your road trip itinerary: Wright Brothers National Memorial, which commemorates where the first flights in heavier-than-air aircrafts took place; Jockey's Ridge, the tallest living sand dune system on the Atlantic coast; Cape Hatteras National Seashore, where you'll find America's tallest lighthouse; and fuel your sightseeing by filling up on oysters along the North Carolina Oyster Trail. The Kentucky Bourbon Trail — Kentucky The American South is the birthplace of bourbon and nowhere is it better to experience that culture than in Bourbon country itself along the Kentucky Bourbon Trail. The trail takes you through the state's legendary distilleries, showcasing the craft of bourbon-making. With the option to stop at a few distilleries in the state or at each and every single one, the trail can last anywhere from four days to a whole leisurely month on the road — all while taking in the rest of the sights of Kentucky too. Tennessee Scenic Trails & Byways — Tennessee Tennessee's 95 counties are filled with hidden gems just waiting to be explored. Take the scenic route and embark on any number of the state's 16 self-guided scenic drives. The trails and byways are a breeze to follow — they're well marked by brown signs — and you'll discover captivating attractions, local eateries and noteworthy stops along the way. Highland Scenic Highway — West Virginia Nestled in the Monongahela National Forest, the Highland Scenic Highway is one of the most stunning drives on America's East Coast. Over 43 miles (about 70 kilometres) the route traverses crystal clear rivers and wild forest where native spruce trees tower. This unmissable drive promises panoramic views and adventures in the Potomac Highlands and is one of the best ways to experience West Virginia's natural beauty. [caption id="attachment_988789" align="alignnone" width="1920"] Angela Liguori[/caption] Scenic Highway 11 — South Carolina Named after the Native Americans who once called the South Carolina foothills home, Cherokee Foothills Scenic Byway (South Carolina Highway 11) captures some of the most stunning views of South Carolina's mountains and landscapes. Along the highway, take in views of Table Rock State Park's 350-million-year-old granite dome. Stop along the way for a hike or canoe in the State Park, or continue driving to experience the beautiful Wildcat Branch Falls from the comfort of your car. Natchez Trace Parkway — Mississippi If you've ever wondered where the largest octagonal home in America can be found, the answer lies along the Natchez Trace Parkway at Longwood, a historical home that's listed on the US National Register of Historic Places. Spanning 444 miles (about 715 kilometres) through Mississippi and two other states, the scenic drive includes historical points of interest and passes through lush forest where outdoor adventures such as biking, hiking, birdwatching, picnicking, or camping amidst the state's wilderness await. Great River Road — Louisiana See all of Louisiana along the Great River Road which follows the Mississippi River from north to south. This route is a designated All-American Road, which means it contains features that can't be found anywhere else in America. On this route, you'll find UNESCO sites such as Poverty Point World Heritage Site, where artifacts dating back to 1700–700 BC are still being uncovered; the Frogmore Plantation and Gins, a still-functioning cotton farm that tells story of slavery in the area; the tallest state capitol building in the US in Baton Rouge; and New Orleans where an abundance of museums can be explored alongside world-class venues and restaurants and a thriving live music scene. Find your next adventure in the South. Discover more unforgettable destinations and start planning your trip with Travel South USA.
It's been a busy couple of months of stargazing, with both the Lyrid and Eta Aquarids Meteor Showers lighting up our skies, as well as a supermoon. This weekend, there are another two reasons to look up, too: a strawberry moon and an eclipse. Well, it's penumbral lunar eclipse. And you'll have to shake yourself out of your warm bed at a super-early hour on the morning of Saturday, June 6 to catch this one. While the penumbral lunar eclipse — which occurs when the Earth moves between the Sun and the Moon, but they don't form a perfectly straight line — will start around 3.45am, the maximum eclipse will occur at 5.24am. From here, you'll only have a very short amount of time to catch the main event, with the moon setting at 6.59am. For the full details, timeanddate.com has put together a handy to-the-minute schedule of when the eclipse will be happening in each city. During a total lunar eclipse, the moon turns a shade of red, but during a penumbral eclipse, which is much subtler, it'll appear to look dark grey or silver. For a lunar eclipse to occur, there must be a full moon. This June full moon is called a strawberry moon after the wild strawberries that ripen at this time of year. If you can't get a clear view, The Virtual Telescope Project will be live-streaming the partial lunar eclipse from the skyline above Rome from Saturday, June 6 at 5am AEST.
As far as winter comfort food goes, a big serve of rustic-style gnocchi has to be up there with the best. But, even better? A bottomless, never-ending serve of gnocchi, like the kind being served up for two Wednesdays at The Stables Restaurant. The Paddington eatery is getting right into the spirit of the chilly season, with its new Winter Wednesdays gnocchi deal, on offer from 4pm on Wednesday, July 10 and Wednesday, July 17. On these two nights, the kitchen is whipping up three styles of gnocchi and you can devour as much as your belly can handle for just $20 a head. And we think that's a pretty standout bargain. Choose from a classic pesto version, an 'nduja number and a creamy gorgonzola gnocchi, all of which probably work a treat alongside a couple of glasses of red from The Stables' impressive cellar selection. We think these two nights will fill up (like your stomach) pretty quickly, so if you're keen to head along we suggest you get there early. Images: Kimberley Low
Inspire packed halls to erupt with laughter, travel around picturesque locales while eating meals with Steve Coogan, and imitate everyone from Tom Jones to Michael Caine. Yes, there's much that Rob Brydon can do. He can also hold his own on every British panel show ever made, play a traffic warden in Lock, Stock and Two Smoking Barrels and make his voice sound like it's echoing from a box. But not even this multi-talented Welsh comedian can keep Swimming with Men afloat. Brydon's latest big-screen outing wants to bob along the surface of the offbeat sports comedy pool. It wants to paddle around casually, making viewers happy without making too big a splash. Alas, this by-the-numbers comedy sinks quickly, as you might expect given its premise: The Full Monty, just with synchronised swimming. The mix of curiosity, amusement and puzzlement that synchronised swimming sometimes sparks ("really, this is actually a sport?") is Eric Scott's (Brydon) starting position. To be fair, he's similarly bewildered by much of his routine life. The closer that his local councillor wife Heather (Jane Horrocks) seems to get to her colleague Lewis (Nathaniel Parker), the more blustered Eric becomes, and the more his son Billy (Spike White) revels in the uncomfortable situation. Gin doesn't cure his despair, however a dip in the local pool just might. In the beginning, Eric only notices the amateur synchronised swimming squad because they have the wrong number of members, and naturally he's an accountant. And yet it's not all that long until he's joining their ranks. The difference between formulaic comedy done well and formulaic comedy done badly is often a matter of mood and energy. With Swimming with Men reaching cinema screens at the same time as the also straightforward Fighting with My Family, that couldn't be more evident. The pair have their commonalities and their contrasts. Both are based on documentaries — 2010's Men Who Swim, about an all-male Swedish team, in this case — and both tell standard underdog tales. Each focuses on a vastly dissimilar sport, and has its own target market in mind. But the flat, dull feeling that Swimming with Men evokes is all a matter of tone and spirit; specifically, it doesn't have much of either. Instead, the film presents a forced feel-good vibe, a strong desire to swim in Calendar Girls and Brassed Off's slipstream, and very little to make it stand out. Skimming along the surface of its male malaise theme, it also boasts a rote group of hardly fit and heavily discontent blokes surrounding Brydon: Rupert Graves plays the slick one, Adeel Akhtar is the cynic, Jim Carter is sensitive, Daniel Mays is both hot-headed and stressed, and Thomas Turgoose is the token troubled youth. No one is at their best, and while treading water is an essential part of donning speedos and doing eggbeater kicks, the cast does so both literally and figuratively. Screenwriter Aschlin Ditta doesn't give anyone much choice, saddling them with easy, lazy humour and zero trace of character development. Also wading half-heartedly is director Oliver Parker. Trading the teen-centric St. Trinian's flicks for the silliness of Johnny English Reborn, and then for the middle-aged antics of Dad's Army and Swimming with Men, he's happy to take the dullest, most obvious route through the movie. It's the filmmaking equivalent of slowly paddling laps rather than busting out any acrobatic moves — and while you can swim freestyle leisurely with a smile, it's always going to remain the same old stroke. When the film reaches its big climax, a synchronised swimming contest, it almost seems like Parker realises how little excitement he has put on the screen. Rather than relishing the performance, appreciating this odd bunch of unlikely men banding together and doing their best, or eagerly celebrating their achievement, he keeps jumping to shots of the watching crowd. They might be enthused, but after such a bland affair, it's difficult to share their sentiments. https://www.youtube.com/watch?v=3pzvyIZdXTY
Ryan Matthew Smith doesn't just cook and eat food - he spills its, throws it, sets it on fire and then shoots it with a sniper rifle to make sure. He's also a photographer, and has documented these sick culinary experiments in a 2,400 page tome on the subject, Modernist Cuisine: the Art and Science of Cooking. From collating several individual exposures for one delectable cutaway shot of hamburgers on a grill to shooting a lineup of eggs with a sniper rifle at 6200 frames per second, Smith shot 1,400 images for the cookbook/artwork. Despite little experience in studio work, Smith explains in an interview with Feature Shoot that his extensive portfolio of nature and architecture photography helped prepare him for the task. "Having a strong artistic sense towards photography in general can easily transfer through any of the disciplines from advertising all the way to fine art," he says. [via Coolhunting]
The force is strong with this one — the Lego-building force, that is, with the largest collection of life-sized Lego Star Wars models ever assembled, as well as the biggest touring Lego exhibition, set to hit Australia in 2025. Earlier in 2024, news arrived that Lego Star Wars: The Exhibition was on its way in this very galaxy, world-premiering Down Under. Now, exactly when and where you'll be able to check it out has been revealed. Melbourne has locked in the first-ever Lego Star Wars: The Exhibition season — and yes, of course it'll open on Sunday, May 4. Melbourne Museum will be filled with more than eight-million bricks, all making models based on the George Lucas-created space saga. What music goes best with turning all that Lego into a Star Wars fan's dream? 'Luke's Theme', aka the franchise's main tune? 'The Imperial March' when things get tricky? 'Parade of the Ewoks', just because? That's a question for Ryan McNaught aka Brickman, who has indeed been spending time turning plastic rectangles, squares and other shapes into a recreation of a galaxy far, far away. The exhibition is set to take 25,000-plus hours of building, which is occurring at McNaught's headquarters in Tullamarine. Here's a question for attendees, too: which tunes will pair well with walking through this Lego Star Wars wonderland? You've got a few months to think about it, but you can start getting as excited as a Skywalker learning how to first use a lightsaber. The full list of models that'll feature hasn't been unveiled so far, but one will be life-sized — and that'll be a Lego Star Wars first. A huge 64,759 bricks are being used to craft the three-metre-high X-wing Red-5, taking 382 build hours. Attendees can also expect to see battle scenes between Luke Skywalker and Darth Vader, plus Qui-Gon Jinn and Darth Maul duelling, and also Emperor Palpatine's throne flanked by two Royal Guards. If you're keen to check it out and you don't live in Melbourne, you'll need to head to the Victorian capital to wander through Lego Star Wars: The Exhibition. As well as the hosting the world-premiere season, which will run until Monday, January 26, 2026, the stint at Melbourne Museum is an Australian exclusive. While you're there, you won't just be looking at all things Star Wars in Lego — you'll be able to get building yourself. As it constructs an immersive experience and follows in the footsteps of the Jurassic World franchise, which has also scored the Lego treatment from Brickman, Star Wars: The Exhibition has plenty of material to draw upon. On-screen, the series spans the initial film trilogy that released from 1977–83, then the prequels from 1999–2005, then the sequels — including The Force Awakens, The Last Jedi and The Rise of Skywalker — from 2015–2019. Rogue One, Solo, The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi, Andor, Ahsoka, The Acolyte: the list goes on across the big and small screens, including the wealth of animated efforts in the saga. "Building these iconic scenes and characters in Lego Star Wars form is an extremely complex task — taking the humble Lego brick and using it by the millions to translate into Star Wars builds and models at an epic scale the world has never seen before," said McNaught about Lego Star Wars: The Exhibition. "My team and I are super excited to launch this mind-blowing experience right here in Melbourne. My inner seven-year-old self still can't quite believe this is happening. I can't wait till May the Fourth next year to be able to share this incredible galaxy-first exhibition with the fans." Lego Star Wars: The Exhibition will make its world-premiere from Sunday, May 4, 2025, running until Monday, January 26, 2026 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the exhibition's website for more details and to join the ticket waitlist. Exhibition images: Museums Victoria.
