We've all had teachers who changed our lives. We just haven't, generally, alighted onto tables to declare them "O Captain, my Captain". These larger-than-life 'movie teachers' are entertaining, sure, but they're not real enough to punch you in that soft spot in the gut a more quietly familiar representation, of a person more imperfect than ideal, can target. What if your teacher smacks you across the back of the head, makes you take dictation from Balzac, and forgets to paste up anything colourful on the wall? What if your teacher isn't perfect; what if he's just the perfect teacher for right now? Monsieur Lazhar is the sensitively drawn antidote to all those inspiring teacher movies (Ryan Gosling's Half Nelson also admirably bucked the trend). It starts when a primary school one morning discovers a teacher, Martine, has hanged herself in her classroom. Particularly disturbed by the tragedy are her students Simon (Emilien Neron) and Alice (Sophie Nelisse), who saw her body. But the classroom is repainted, counselling dispensed, and everyone encouraged to return to living while the principal hastily brings in a new teacher, Bachir Lazhar (Mohamed Fellag). They're all still traumatised — as is he, though they don't know it. He's a recent arrival from Algeria with a tragic history he'd rather not talk about. He calmly, though with means not always conventional to contemporary French Canadians, tries to give his 11- and 12-year-old charges the education they need while discreetly awaiting a ruling on his application for asylum. It should be heavy, but it's not. Monsieur Lazhar has a light touch that led it to win the Audience Award at this year's Sydney Film Festival. Basically, it's the saddest crowd-pleaser you'll ever see. The slice of life it presents touches on issues from grief and pedagogy to refugees and exile, and it touches on them tenderly, without oversentimentality. The cherry on top is that Nelisse's Sophie is the most adorable of teachers' pets and singly responsible for a wave of cluckiness about to overtake Australian cinemagoers. https://youtube.com/watch?v=-pBm9keEBAY
Handpicking some of the globe's best new artists for yet another glorious year (their sixth, to be exact), Sugar Mountain has revealed one heck of a 2017 lineup, with Dev Hynes/Blood Orange, homegrown duo Big Scary and British boss Little Simz headlining. Returning to Melbourne's Victorian College of the Arts on Saturday, January 21, Sugar Mountain has again balanced international drawcards with local talent this year, from Perth avant-electronic bedroom producer KUČKA to German producer Pantha Du Prince. Other Aussies converging on Mebourne for the fest include Methyl Ethel, Dro Carey and The Belligerents. The Boiler Room stage will also return, live streaming around the world with a yet-to-be-announced lineup. As always though, music isn't the only thing on the menu for Sugar Mountain. There'll also be a load artists on the bill, including Chairlift vocalist Caroline Polacheck, Melbourne-based, Novocastrian sculptor Caleb Shea and New Orleans-based public space artist MOMO. Nosh-wise, don't just expect your regular festival fare — Sugar Mountain's immersive on-site restaurant Sensory will be back. Last year, it was a collaboration between Bomba, Tin & Ed and Cut Copy, so we can't wait to see what they put together this year. Enough chatskies, here's that lineup you're after. SUGAR MOUNTAIN 2017 LINEUP: ALTA Baba Stiltz (Sweden) Beppe Loda (Italy) Big Scary Black Cab Blood Orange (UK) CC:DISCO! Daydreams Dro Carey Jaala Jack River Jessy Lanza (Canada) Kelsey Lu (USA) Kornel Kovacs (Sweden) KUČKA Little Simz (UK) Methyl Ethel Mood II Swing (USA) Moses Sumney (USA) My Disco Palms Trax (UK) Pantha Du Prince (Germany) Rolling Blackouts Coastal Fever Slum Sociable Sui Zhen Suzanne Ciani x Kaityn Aurelia Smith (USA) The Belligerents Tornado Wallace Weyes Blood (USA) ARTISTS Caleb Shea Elliot Routledge Karan Singh (Japan) March Studio MOMO (USA) Myriam Bleau (Canada) Robyn Moody x Caroline Polacheck (USA) Supergroup London - Morag Myerscough x Luke Morgan (UK) Sugar Mountain Festival is happening at Victorian College Of The Arts, Melbourne on Saturday, January 21, 2017. Tickets are $99 each and are on sale now at sugarmountain.com. By Shannon Connellan and Lauren Vadnjal.
Getting your mind around the carbon statistics involved in keeping London warm is like trying to make sense of the figures that astronomers toss about when they’re talking about the size of the universe — pretty much impossible to do. According to a 2006 climate change report, the average Briton uses 1.49 tonnes of carbon every year in preventing death-by-freezing. Multiplying that by London’s population — 8.3 million — gives the staggering figure of 12.3 million. The good news is that Mayor Boris Johnson wants to do something about it. He's planning to reduce London's annual carbon usage by 3.5 million tonnes by 2025, through the increased use of secondary heat sources and decentralisation. So, in the search for solutions, renewable energy experts are getting creative. In May 2013, construction began on a 'fat plant', which will see the transformation of the fat balls, grease and oils found in London's sewers into heat. And as of late last year, the Underground is getting ready to do its bit. Johnson, the Islington Council, UK Power Networks and Transport for London have hatched a plan to transfer the heat generated by the tube and a local substation into at least 500 homes. The project, the first of its kind in Europe, will not only decrease the city's carbon footprint, it'll also reduce power bills for the households involved. At the same time, New York's Department of Sanitation is set to expand a pilot program that has seen 5,000 homes heated with the energy generated from food waste. The organic matter is collected from homes and schools and taken to the Newtown Wastewater Treatment Plant, where it is mixed with waste water and transformed into biogas. Via Springwise. Image by smaedli via photopin cc.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But the beloved Aussie comedian gave following up that hit a red hot crack when she returned to the stand-up stage with her latest work, Douglas, which is named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas takes you on a "tour from the dog park to the renaissance and back". Gadsby took Douglas to stages across Australia and New Zealand in late 2019 and early 2020, and now, to the delight of comedy fans people across the world, is bringing it to Netflix this month. Available to stream globally from Tuesday, May 26, the show will bring us all some much-needed comic relief. As Gadsby says: "mark it in your socially-distant calendars...then wash your hands". https://twitter.com/Hannahgadsby/status/1249668347693654019 As the just-dropped trailer for the comedy special demonstrates, Gadsby's humour hasn't lost its charms. This time around, expect reflections on her Nanette success and observations about language — and that's just the beginning of the rib-tickling hilarity, of course. Check out the Douglas trailer below: https://www.youtube.com/watch?v=ziIwxPCeByU Hannah Gadsby's 'Douglas' will be available to stream globally on Netflix from Tuesday, May 26.
Ethereal-voiced songstress Katie Noonan and Brisbane dance-circus troupe Circa will soon treat Sydney to Love-Song-Circus. A show inspired by and devoted to the gutsiness of Australia's first female convicts, it tells tales of love, longing, hardship and survival from a period where traditionally only men's stories got a look-in. With the highly versatile Noonan on piano and vocals, a folk-infused string quartet and a troupe of aerial acrobats directed by Circa's own Yaron Lifschitz, it's a night guaranteed to delight both your visual and aural senses. Love-Song-Circus is written and composed by Noonan, who got the initial idea from a museum exhibition of engraved love tokens made by convicts for their left-behind loved ones. Inspired to research the period, she poured over the letters and records concerning women's stories in particular. "As a woman and a mother I felt deeply compelled to explore these stories," she says, "and I soon discovered that the life of the first female convicts is a part of our history that has been explored by few." The show premiered in Adelaide and has been well received so far (in fact it's been described as "searing", "transporting" and "spell-binding"). It's on for an exclusive two nights only in the acoustically generous City Recital Hall. Love-Song-Circus is on Wednesday, April 2, and Thursday, April 3, at 8pm at the City Recital Hall, Angel Place. Thanks to the City Recital Hall, we have one double pass to give away. To be in the running, simply subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with your name and address.
Touring is a risky business. Relationships can go sour. Promoters can go AWOL. Local gangs can threaten your welfare. And, once in a while, the venue you're playing might even erupt into flames. Which is why we're cheering on Sydney four-piece The Laurels as they gallantly embark on their first US tour this April. The psychedelic rockers had a brilliant 2012, signing with Rice Is Nice before releasing their debut album, Plains, to much critical thumb-uppery. Now, these brave souls are risking love, life and limb with the hope of turning perfect American strangers into lifelong fans. And they're looking for your help. In order to avoid sleeping at Taco Bell, The Laurels are throwing a tour fundraising party at the Standard on Saturday, April 6. With support from longtime pals World's End Press, Zeahorse and East River, the night is all about sending The Laurels off in style (with a few extra Benjamins for the road). https://youtube.com/watch?v=4Fpo4YrND-4
A fully mobile food forest, urban-produced honey, raised beds packed with organic veggies, worm farms and vertical gardens are just some of the plans in store for a brand new rooftop garden, currently in progress above 107 Projects. The artist-run space is already one of Sydney's favourite community gathering spots. Now it's set to become a greener and leafier one with permaculture gurus Milkwood "dead set on creating a super urban permaculture garden that will be an amazing community resource" and currently crowdfunding through Pozible. The team is hard at work, laying down bricks, shifting soil and setting up irrigation systems. A bunch of local organisations have had input, including Fresh Landscape Design, Free Range Food Gardens, Meanwhile Outside, Urban Growers, Select Water Tanks and Atlantis. With three days to go, the 107 Rooftop Garden Pozible campaign has exceeded its target of $5000. With 80 supporters pledging over a total $7,000, a stretch goal is on the horizon. Creating a garden from scratch — especially on a rooftop — is no cheapie, so mustering as many pennies as possible is the order of the day. "We’re really excited about it," says director Nick Ritar. "When we first started we were overcome with enthusiasm, but we weren’t thinking so much about the costs ... We have lots of volunteers, but we also need professional labour to help with installation and the more expensive bits and pieces." But crowdfunding isn’t just about the money. It's also about spreading awareness and encouraging interaction. "We want people to be introduced to the space," Ritar continues. "[The Pozible campaign] is as much about raising funds as it is about raising awareness and giving people ownership. We want the community to be involved ... The more people who contribute, the better we can make it.” Once the flowers are a-blooming and the bees are a-buzzing, the garden will provide a place for all manner of green-thumbed activity, including providing free cuttings and veggie seedlings for the Redfern community. “It will allow Milkwood and 107 to run a whole bunch of accessible programmes about sustainability," says Ritar. "There’ll be public talks and workshops and a consistent schedule of free and low-cost events. It’s such a central location ... and being that little bit removed [on the rooftop], it’s a bit like a secret garden." Contribute to the 107 Rooftop Garden via their Pozible page. $40 will fund a shiitake log, the perfect nurturing spot for organic mushies, while $1200 funds a giant woven willow shade arch, to shelter gardeners from sunburn. Images courtesy of Milkwood Permaculture.
Mark Ruffalo has always been a stellar actor, and he has the resume to prove it. But he's in particularly excellent form in I Know This Much Is True. It isn't just because he's as reliably great as ever in the six-part HBO miniseries, which is adapted from the book of the same name. He is, of course; however he's also playing two roles. While identical twins Dominick and Thomas Birdsey look alike, they have their own struggles — including, in the latter's case, paranoid schizophrenia. Set in the 90s in Three Rivers, Connecticut, the series charts the intricacies of their intertwined lives as past and present troubles collide. It's no slouch behind the lens, either, with Blue Valentine and The Place Beyond the Pines filmmaker Derek Cianfrance directing and co-writing the entire thing.
Let's be honest, Apple has taken over the world. They've changed the way we listen to music, the way we use computers, the way a phone operates. Sure there is always talk about how it's not the best technology and that other things work better, faster and more reliably but there's nothing that can match the simple cool of the famous white headphones. But how does any of that explain the design for the new Apple HQ in California? Resembling an alien mothership, the completely circular building is built on an old Hewlett Packard site. Mimicking the glass aesthetic of Apple Stores worldwide, there is not a single straight piece of glass in the entire building. The plans include 6,000 trees in the landscaped central courtyard, as well as a natural-gas power generation facility so that they don't have to rely on the fickle Californian grid. The futuristic feat of engineering is yet to pass the local council's approval, so this mothership may never take off. See the video below for Steve Jobs' personal appeal to the council. https://youtube.com/watch?v=gtuz5OmOh_M [Via Geekologie]
Fine dining institution Nel restaurant is bringing a whole lot of nostalgia back to its set menu with the relaunch of the Once Upon a Time degustation. The Disney-themed feast was first created by Executive Chef Nelly Robinson last year — and the second iteration is even more fanciful than before. Available to order from Tuesday, August 4 to Saturday, November 7, the 11-course menu features the Melted Snowman (black garlic bread with a carrot nose, black iced eyes, yoghurt and 'snow') and Roses Are Red, Beasts Are Blue (a cake served with smashed roses). There's also a Cinderella-themed pumpkin bread with dukkah oil — aka the You Shall Go To The Ball — and a Finding Nemo-themed pan-fried dory, aptly dubbed Just Keeping Swimming. Plus Eat Me cookies, served in a storybook, and the Imagination custard tarts, served on an antique clock. And if all that isn't enough, you can also opt for a drinks package, which includes paired cocktails and wines for $105 (or $50 for non-alcoholic drinks). Though the menu is inspired by your childhood, you'll need that adult salary to enjoy it, with the food menu setting you back $135. [caption id="attachment_778663" align="alignnone" width="1920"] Cole Bennetts[/caption] The Once Upon a Time menu is available for dinner Tuesday–Saturday and for lunch on Saturday. Images: Cole Bennetts
Adam Long knows how to print. It's just that the things he prints don't stop at the second dimension. Adam is one third of the Sydney laser-cutting print-shop the Beehive, and as part of the Oxford Street Design Store's ongoing push to educate you about interesting things, the second instalment of their A Guide to... series brings you A Guide to... Lasercutting and 3D Printing. As well as deftly burning images and shapes onto two-dimensional things — evident in their Panda-loving Kickstarter project — the Beehive is also au-fait with the methodology of piling on more layers to print objects out into a third dimension. Adam's short, sharp explanation of the joys of printing along the third axis should leave you hungry for a future that seems to be coming quicker than planned. RSVP via the Facebook event. https://youtube.com/watch?v=5jTxJ1fBKbQ
Crack that whip: you've got a date with new-wave icons Devo. Back in August, the 'Girl U Want' band was announced among the headliners for Good Things 2023, touring to celebrate 50 years since first forming in 1973 — and also to say goodbye on a farewell tour that'll mark their last-ever Australian shows. Now, they're among a heap of acts that've added their own gigs as sideshows to the main fest. Devo's famous energy dome hats will be on display at their own concerts at the ICC Super Theatre in Sydney, QPAC in Brisbane and Palais Theatre in Melbourne. Also set to do their solo shows: Limp Bizkit, Pennywise, Corey Taylor, Enter Shikari, Sepultura, Hanabie. and Taking Back Sunday — and the list still goes on from there. So, these sideshows will keep rollin', rollin', rollin', rollin' with Limp Bizkit; will see Slipknot frontman Corey Taylor hit the stage; and are guaranteed to burst with punk energy thanks to Pennywise. And, they'll also serve up I Prevail, PVRIS, Slaughter to Prevail, While She Sleeps and Royal & The Serpent as well. Different acts are going to different cities — and, while Good Things itself isn't on in New Zealand, Limp Bizkit, Behemoth and While She Sleeps are all playing Auckland. If you're wondering about Fall Out Boy, the group behind 'Sugar, We're Goin Down' and 'Uma Thurman' hasn't locked in any Australian and NZ dates other than Good Things — so that's your only chance to see Pete Wentz, Patrick Stump, Andy Hurley and Joe Trohman so far. GOOD THINGS 2023 SIDESHOWS: LIMP BIZKIT Sunday, November 26 — Spark Arena, Auckland Wednesday, November 29 — Hordern Pavilion, Sydney Wednesday, December 6 — Fortitude Music Hall, Brisbane Friday, December 8 — John Cain Arena, Melbourne DEVO Sunday, November 26 — ICC Super Theatre, Sydney Wednesday, November 29 — QPAC, Brisbane Wednesday, December 6 — Palais Theatre, Melbourne I PREVAIL Tuesday, November 28 — Eatons Hill Hotel, Brisbane COREY TAYLOR Tuesday, November 28 — Metro Theatre, Sydney Wednesday, November 29 — Northcote Theatre, Melbourne PENNYWISE Tuesday, December 5 — The Tivoli, Brisbane Wednesday, December 6 — Coolangatta Hotel, Gold Coast Friday, December 8 — Drifters Wharf, Central Coast Saturday, December 9 — Torquay Hotel, Torquay ENTER SHIKARI Monday, December 4 — The Triffid, Brisbane Wednesday, December 6 — Liberty Music Hall, Sydney BEHEMOTH Friday, November 24 — Powerstation, Auckland Monday, November 27 — The Triffid, Brisbane Wednesday, November 29 — The Gov, Adelaide Tuesday, December 5 — Max Watts, Melbourne SEPULTURA Sunday, November 26 — Metropolis, Fremantle Tuesday, November 28 — The Gov, Adelaide Wednesday, November 29 — Max Watts, Melbourne Monday, December 4 — Princess Theatre, Brisbane TAKING BACK SUNDAY Wednesday, November 29 — 170 Russell, Melbourne Tuesday, December 5 — Princess Theatre, Brisbane Wednesday, December 6 — Factory Theatre, Sydney PVRIS Tuesday, November 28 — Factory Theatre, Sydney Wednesday, November 29 — Croxton Bandroom, Melbourne Tuesday, December 5 — The Triffid, Brisbane SLAUGHTER TO PREVAIL Tuesday, November 28 — 170 Russell, Melbourne Tuesday, December 5 — Manning Bar, Sydney Wednesday, December 6 — The Gov, Adelaide WHILE SHE SLEEPS Tuesday, November 28 — Hollywood, Auckland Thursday, November 30 — Stay Gold, Melbourne Tuesday, December 5 — The Brightside, Brisbane HANABIE. Tuesday, November 28 — Stay Gold, Melbourne Monday, December 4 — The Brightside, Brisbane ROYAL & THE SERPENT Wednesday, November 29 — Crowbar, Sydney Monday, December 4 — Stay Gold, Melbourne Good Things will hit the Melbourne, Sydney and Brisbane in December 2023 — head to the festival website for more information and tickets. The festival's sideshows run throughout November and December — head to the festival website for more details and tickets, with early bird tickets available from 9am local time on Wednesday, October 18 and general sales from 9am local time on Friday, October 20. Top image: swimfinfan via Wikimedia Commons.
Usually when we see a teen romance at the heart of a film we're watching a film made for teens. Goodbye First Love is no such film. Mia Hansen-Love's semi-autobiographical ode is an unapologetically sentimental love story stripped to its emotional core. Following the acclaim of All Is Forgiven (2007) and Father of My Children (2009), this film weaves neatly into her emerging lineage of intimate, slow-burn portraits of fractured relationships. Goodbye First Love does not end with young lovers kissing under the speckled light of a disco ball at a high school prom. In the Paris of 1999 we meet a mousy, sulky and studious 15-year-old, Camille (Lola Creton), and her raffish, free-spirited 19-year-old lover Sullivan (Sebastian Urzendowsky). As a summer of breezy afternoon sex in the countryside comes to a close, passions are tempered by Sullivan's decision to head away on a 10-month backpacking trip around South America. It isn't long before his letters dry up and Camille, who is constitutionally gloomy, descends into the darker reaches of melancholy. Over the course of a decade, the film charts Camille's movements through geography, romance and self-discovery governed by the dictates of a broken heart. The very simple narrative arc follows the familiar tropes of the calendar seasons (summer skin is shed and winter inspires introspection, etc) and yet, to the director's credit, the action never feels concocted. Hansen-Love's power as a filmmaker is her knack for crafting intimately realised worlds. The experience of peering into these worlds is at once familiar to us and yet so specific that it feels unique to the lives of her characters. A director with this talent is one to watch. Read our review with director Mia Hansen-Love here.
These days, living in a beautiful home doesn't mean you need to have a massive backyard and dozens of bedrooms. The success of the tiny house movement has proven that you can have a wonderfully designed, sustainable home parked just about anywhere. To keep you up-to-date with the latest innovations taking place in the industry, Australian bathroom designer Caroma is hosting a Tiny House Expo in its Sydney showroom. Running from Thursday, April 11 to Sunday, April 14, this event will provide an up-close look at why considering a tiny house makes sense — especially once you factor in the reduced costs and cutting-edge design (that still includes all the amenities you need). Saturday will feature the presentation of three Tiny House makeovers designed around the themes of luxury for less, boho chic and coastal living. Visitors can admire just how flexible these spaces can be and get top tips on renovation and design from field leaders, including renovation expert Naomi Findlay. Meanwhile, there'll also be a sprawling plant sale and a variety of activities happening across the four-day expo, from free talks on composting to DIY workshops on terrariums, kokedama (hanging moss gardens) and even paraben-free bath bombs. Tiny House Expo is free to attend (but some workshops incur a cost). For more information on the program and to register for a workshop, head this way. Images: Jacquie Manning.
In great news for cat-loving cinephiles, 2019 is shaping up to be a huge year for felines on film. Photorealistic big cats are currently prowling around the new remake of The Lion King, and they'll soon be joined by a bunch of singing, scurrying street mousers in the silver-screen adaptation of stage musical Cats. For nearly four decades, Andrew Lloyd Webber's acclaimed production has pranced across stages everywhere, turning a tale inspired by poems from T.S. Eliot's Old Possum's Book of Practical Cats into an award-winning theatre hit. But, while plenty of other popular musicals have made the leap to cinemas, this one hasn't until now. The first trailer for the new flick might just explain why. Ever wanted to see Taylor Swift as a preening, purring cat? Keen to soothe your disappointment over the fact that Idris Elba isn't James Bond by spotting him with whiskers, fur and a tail? Perhaps you've always dreamed of watching accomplished actors such as Judi Dench and Ian McKellen channel their inner feline? Have you ever hoped for all of the above, and for the actors to all play cat-sized cats? That's what's on offer in the just-dropped first clip, as well as a heap of dancing and singing set to the musical's famous melancholic tune 'Memory'. In terms of story, Cats zaps Swift, Elba and company down to feline height to spin a narrative about the Jellicle cat tribe, who spend a night deciding just which four-legged moggy will get to leave their group, ascend to the Heaviside Layer and come back to a new life. The movie comes with a significant pedigree, with Les Miserables' Tom Hooper in the director's chair, Webber on music duties, Hamilton's Andy Blankenbuehler doing the choreography, and the cast also spanning James Cordon, Jennifer Hudson, Jason Derulo, Ray Winstone and Rebel Wilson. And yet, it all looks a little odd. Perhaps it doesn't help that Unbreakable Kimmy Schmidt featured a fantastic Cats parody, or perhaps it's just the film's cats-with-human-faces concept. Check out the first Cats trailer below: https://youtu.be/FtSd844cI7U Cats opens in Australian cinemas on December 26.
From extreme ironing and cable wakeboarding to base-jumping and cave diving, extreme sports range from the mildly risky to the downright deadly, the slightly bracing to the savagely adrenaline pumping. With a program of mini shorts and one hour films, the Adventure Film Festival aims to celebrate these endeavours, along with related stories of the raw, the dangerous, and the wondrous in the world. Experience remarkable human achievement, quirky animations focused on raising environmental awareness, harrowing and inspiring takes of amputee rock climbers overcoming adversity, and the world's first tandem paraglide from the top of Mount Everest. This is cinema that will amaze and push, exhilarate and enflame with passion. Last year the festival was geld at the Bondi Pavilion to a highly receptive audience. This year it will be held over two equally billed nights at the Chauvel Cinema in Paddington, with nearly 50 films of varying lengths and origins being shown.
Instagram-obsessed iPhoneographers can now turn their collection of photographs into posters, thanks to a clever new website. London-based online retailer, Firebox, allows Instagram app users to create wall-sized prints of their photo library. All you have to do is click the 'Buy' button on the Firebox website, then add your Instagram username to retrieve photos from your account. Each poster is a fixed 61cm wide, but you can add as many rows of photos as you like, so there is no need to worry about choosing just a few snapshots. When your poster reaches 1.5 metres long, Firebox will shrink your pictures to fit and you can then choose between a white or black background. Firebox are not the only ones who have other ideas for Instagram. Photo sharing app, Prinstagram, let’s you make posters from 50-400 photos, as well as mini prints, stickers and mini books. If you prefer having your photos printed rather than just leaving them in digital format on your laptop, then this is a quirky and colourful way to do it. [via Mashable]
As new migrants arrive and travellers return, Sydney folds its terrain over new cultures every day. The results of older collisions continue to shiver like tectonic plates gently unraveling one under the other, creating new landscapes, the occasional shock and some radical shifts of perspective. The Colourfest film festival screens films by and about arriving, arrived and established Australians. In the process it opens up stretches of the city that are talked about a lot, but not always well represented on Australian screens. The festival is screening first at Marrickville’s Red Rattler, then again at the Riverside in Parramatta, each screening divided into two sessions of shorts. In Session 1, Corrie Chen’s Happy Country charts the collision of cultural dislocation and driving directions, Vessel Safei’s Streets of My Country shows the effects of the Green Revolution being played out for Iranian-Australians live online, in the news and at home, while Marie Setiwan’s Fairytale takes us inside the marriage dilemmas of a Vietnamese-Australian family. The second session’s Rima is a veiled young Muslim woman with a fierce obsession for fast cars, and Maria Tran’s Hot Bread Shop takes you inside the business and history of a family-run Vietnamese bakery. *The Parramatta sessions are on the 4th of June at the Riverside from 3-8pm, tickets are available here.
With its award-winning barrel-aged, bloody shiraz, rare dry, spiced negroni, Christmas and overproof gins, Four Pillars has won plenty of fans — and as of today, one big buyer. If you're keen on creative takes on juniper spirits, you might've snapped up plenty of the brand's coveted tipples, but only beer giant Lion has become the distillery's new partner. It's the first foray into the craft spirit market for the huge beverage company, which is owned by Japan's Kirin Holdings and boasts beer labels such as James Squire, Little Creatures, Furphy, White Rabbit, Hahn, Tooheys, James Boag's and XXXX to its name. Picking up a 50 percent stake in Four Pillars, it's clearly hoping to capitalise upon the gin outfit's growing popularity. According to the Australian Financial Review, the Healesville-based boozemakers are expected to sell half a million bottles this year. The sale comes little more than five years after Four Pillars was established by Stuart Gregor, Cameron Mackenzie and Matt Jones — and Gregor say it's "the start of a really exciting new chapter for our business". It's not the first time the trio has been approached by potential buyers, but when it came to pairing up with Lion, they liked "the fact we will be their first and most important craft spirit brand". Gregor, Mackenzie and Jones will still be running the show, and they'll still keep their existing Yarra Valley digs as their base. But Four Pillars aficionados can look forward to a few changes — including more small batch gin experiments, more attempts to push boundaries, when it comes to both distilling and botanicals, and more collaborations with renowned bartenders, chefs and other creatives. The company will also build a new hospitality and production space next to its current location, which'll give it the capacity to make and bottle more than one million bottles of gin a year. And, in good news for anyone who considers Bloody Shiraz Gin day the best day of the year, a new website that doesn't crash when each new batch goes on sale is also on the cards. If you're wondering, as it has previously, the much-loved variety will go on sale on June 1.
Palo Alto should come with a warning: may cause optic nerve damage as a result of excessive eye-rolling. Adapted from a collection of semi-autobiographical short stories by Instagram-age Renaissance man James Franco, the film marks the directorial debut of 26-year-old Gia Coppola, the granddaughter and niece of filmmakers Francis Ford and Sofia, respectively. A portrait of teenage disaffection, it's a film that attempts to capture the aimlessness, the angst and the self-aggrandised melancholy of youth. That it more or less succeeds in that goal is a big part of what makes it so unbearable. Emma Robert and newcomer Jack Kilmer play April and Teddy, a pair of brooding high schoolers absorbed by personal drama. He's a delinquent skater who's actually an unappreciated artist; she's the neglected daughter of self-absorbed parents who begins an affair with her creepy soccer coach (Franco). Meanwhile, Teddy's best bud Fred (Nate Wolff) finds himself drawn to increasingly anti-social behaviour to hide his insecurities, while another classmate Emily (Zoe Levine) turns to sex in order to hide her own. While Coppola and Franco do their best to depict the nuances of teenage ennui, their interlocking stories end up bringing little new material to what is already an over-saturated genre. Likewise, while the mannerisms of the characters feel pretty accurate, the kids ultimately come across more like ciphers than real people. There's little insight into why they do the things that they do, other than they're bored, perhaps, or feel entitled. Or maybe the world just, like, doesn't understand. Coppola's direction shows promise, only to fall into indie film cliché. Midnight strolls through deserted streets look as though they've been pulled from a Smashing Pumpkins music video circa 1996, while some of the visual metaphors — Fred driving the wrong way down the freeway, for example — are way too obvious to be profound. Despite this stumble, there's enough in Palo Alto to suggest the youngest Coppola may have a future ahead of her. You'd be less inclined to be charitable towards Franco, whose aggressive desire to be taken seriously makes it basically impossible to do so. https://youtube.com/watch?v=sTqMUu1iTIo
One of the single most iconic pieces of political advertising in living memory, Shepard Fairey’s Hope poster from Obama's 2008 Presidential campaign has inspired countless imitations. Now an Australian campaign group is getting in on the action, albeit with a slightly less positive spin. Plastered on the side of a building on Regency Street in Chippendale, this 4.5 metre poster featuring Tony Abbott’s face along with the word 'hopeless' was designed by Sydney-based graphic artist Michael Agzarian, who is the driving force behind the 'Abbottsolutely Hopeless' campaign. According to the campaign's website, the poster represents "the grim situation Australia finds itself in with Tony Abbott as Prime Minister leading an equally inept and uncaring ministry." To be clear, this poster isn't graffiti or street art. Agzarian spent more than $3000 of his own money getting the billboard legally placed, and is now asking for donations to fund additional posters around Sydney, Canberra and Melbourne. He's even hoping to get some placed in Warringah, Abbott’s own Northern Sydney seat. The current poster is payed up for the next four weeks. The original Shepard Fairey Hope poster was subject to a legal battle, following revelations in 2009 that it was based on a picture taken by Associated Press photographer. The case was eventually settled out of court, while the street artist subsequently pleaded guilty to destroying documents related to the case. Back at home, Abbott continues to lag in popularity, with the Sydney Morning Herald reporting on a recent Newspoll survey that indicated that two-thirds of participants believe the Prime Minister is out of touch, while more than three-quarters consider him to be arrogant. Via SMH. Images: Abottsolutely Not.
In a time when picture houses are filled with the monotonous munching of popcorn and sporadically lit by the distracting glow of mobile phones, Underground Cinema attempts to take the film out from behind the curtain and make going to the movies a memorable experience once again. Underground Cinema is an immersive movie-going experience with events held in undisclosed locations around the city. The setting is always a surprise and never revealed until the last minute — be it a warehouse, car park, or forgotten ballroom, you can never be too sure what to expect, and the film shown will always be a mystery, too. Underground Cinema doesn't just let you watch a movie, it draws you into it, too. As you enter the location, you'll feel like you're walking onto a film set, as actors perform memorable moments from the movie. The last Underground Cinema was revealed to be Children of Men, complete with barking dogs and rattling cages. The next one is sure to be lighter, with a theme of 1970s summer on the cards.
At the moment, you can't go visit your local bar for a round of after-work negronis on a Friday afternoon. But that doesn't mean you need to forego your usual end-of-week drinks with your colleagues. A heap of bars, wineries and distilleries are bringing the happy hour to you — virtually. Whether you'd like to learn how to whip up a Bond-worthy martini, show off your beer knowledge at a boozy trivia session or taste your way through some top drops (and learn a thing or two) at an online cellar door event, there are plenty of digital happy hours to get around while you work from home. Here are some of our favourites.
Grabbing a meal. Going to work. Eating at a restaurant with friends. Making a living cooking up a storm or waiting tables. We've all had a bite to eat at a cafe, and many of us have worked in hospitality — and we should all be able to enjoy both in a safe space. With tensions rising across the United States since the election of Donald Trump as the country's 45th President, a new initiative has emerged to ensure both patrons and employees can do just that. Sanctuary Restaurants provides resources to eateries to help ensure that people can dine and work in a discrimination-free environment, and to assist with supporting customers and staff that find themselves targeted. Establishments that join the movement — currently 64 at the time of writing — have a zero tolerance policy for sexism, racism, and xenophobia. More explicitly, they do not allow "any harassment of any individual based on immigrant/refugee status, race, religion, gender, or sexual orientation to occur in their restaurant". After signing up, they're advised to place a sign in their windows advertising their policy: "SANCTUARY RESTAURANTS: A Place At the Table for Everyone". While such an initiative should definitely be commended, as should the restaurants signing up and the effort to make sure that restaurants remain inclusive and welcoming for all, the fact that it is needed really says plenty about the current climate of hatred and fear festering around the globe. As long as something like this is necessary, here's hoping more places join in — and that the commitment to cultivating safe spaces continues to spread, including beyond America. Via MUNCHIES.
From September 12-22, the nucleus of Sydney will be transformed into a science and research hub as part of the Ultimo Science Festival, an 11-day initiative from the Powerhouse Museum, Australian Broadcasting Centre, Ultimo TAFE and the University of Technology, Sydney. But this isn’t just an event for nerd-burgers: there’s the Craft Punk workshops that’ll leave you in a garment of wearable light shows; myth busting with youth culture’s fave scientist, Adam Spencer; discussions about discovering stars; an exhibition that has you dodging laser lights; and even a Comedy Night for anyone curious about the world around them. Boring it ain’t. So throw on your thinking cap, because it’s all happening at Harris Street’s Powerhouse Museum. This is a festival that’s sure to leave you wowing your peers with a ridiculous amount of knowledge.
When it comes to job opportunities in the hospitality industry, options aren't limited solely to being behind the bar, on the floor or in the kitchen. There is an entire world of positions within hospitality that many don't realise exists. For example, food festivals don't just come together on their own; and if you've ever been at one of these massive events wondering what goes into the planning — or even picking up on things you would do better — you may just be thinking like an event manager without even realising it. That person behind the curtain is the one looking after every tiny detail to bring all that good food and booze together. In partnership with William Blue at Torrens University, we're asking hospitality graduates who run our favourite events in Sydney to talk about how they got started in the industry. Event management student Rebecca Wheatley is four weeks from graduating with a Bachelor of Business (Event Management), and has already earned a successful position as operations event executive at IMG Culinary. Part of her job includes helping run several of IMG's much-loved culinary events, including Taste of Sydney, Taste of Melbourne and Margret River Gourmet Escape. Just before graduation day, we asked her how she got here and for a few tips on how to be successful in the event management space. And might we add, whether events and the hospitality industry are for you or not, Rebecca gives some pretty steadfast advice no matter what field you're starting in. [caption id="attachment_632242" align="alignnone" width="1620"] Katje Ford.[/caption] GET AN INTERNSHIP "When I first finished school, I wasn't really sure what I wanted to do. I was working a million jobs, travelling a lot, and then I just started doing a few internships. They all happened to be in the event management industry, and at one of my internships, I met a few students from William Blue who highly recommended the program, so I signed up for the next trimester. It's so important to do internships and to get into the work environment. This is the way to start learning what you enjoy and what you're good at. Networking and learning how businesses work is key, and I wouldn't have my job if I didn't do that." RECOGNISE YOUR STRENGTHS "My very first uni subject was to work with a team to make an event. My team ended up doing a charity cocktail party for 130 people. And since it was for charity we had no budget; so figuring out how long to make it all work was very challenging, especially for beginners. I remember looking into ticketing platforms — which often take a percentage — and realising I had to be more creative and find other options. This first project really made me realise how detail oriented I was when looking at events. It's what really led me to the operations side of event management. This showed me the side of the business that I love and am skilled at." [caption id="attachment_632243" align="alignnone" width="1620"] Katje Ford.[/caption] JUMP AT OPPORTUNITIES "During uni, a former student came to one of my professors looking for an operations assistant for Brand Events (now IMG Culinary). My teacher recommended me, and I started off there with a three-month contract role. I kept contracting for IMG Culinary after that and now, at the start of this year, they put me on full-time as operations event executive. It's been such a great experience and a great opportunity to now graduate with a full-time role." EXPECT LONG HOURS AND HARD WORK "It's obviously a big challenge to juggle both uni and work; one that so many students struggle through. But finishing school without any job experience is even tougher, so working during uni was key to my success. Right now, I'm working [with] IMG four days per week and fitting uni in where I can. It's really hectic to do both at once, especially when there are events on. For Taste of Sydney, I had to go bump in at 7am, then run back for classes for a few hours and then head back to the event until midnight or 1am. And right now, I'm working on the program for Margaret River Gourmet Escape and managing all 150 exhibitors, as well as the contractors, schedule, council and all of the logistics. In this industry, you really devote your life to getting the event over the line. It's all you do and all you think about. You're constantly trying to come up with new ideas and ways to make it all work. Then, when the event opens and you see it all come to life, its such a rush and a moment to be really proud of yourself. You need to have that passion to keep going." [caption id="attachment_632241" align="alignnone" width="1620"] Katje Ford.[/caption] STAY DEDICATED "When you're just starting out, it's either long hours, low pay or both, but don't be afraid to work for it and get through it. If you're lucky enough to be in an industry that you love, then it all pays off. Especially when juggling school and work, it's really hard, but remember it's only temporary. Don't be afraid to stick it out. Sometimes it feels impossible to do both, but you'll get through it and be so glad that you did when you have a career at the end of it." William Blue at Torrens University offers courses in Event Management, Hospitality, Culinary Management and Tourism. Find out more about the diverse career options in hospitality, and kick-start your career at the William Blue Open Day on Saturday, August 12 in Sydney or via their website.
When Massachusetts teenager Conrad Roy was found dead in his truck in 2014, in a Kmart parking lot, it was ruled a suicide. But then the police investigating his passing discovered text messages sent to Roy by his 17-year-old girlfriend Michelle Carter, and noted the onslaught of words encouraging him to take his own life. That's the case that I Love You, Now Die: The Commonwealth Vs Michelle Carter delves into, splitting the details across two parts — with the first charting the prosecution's side of the story, and the second focusing on the defence. It's a tragic and complicated case, and it's also one that inspires a plethora of questions, all of which filmmaker Erin Lee Carr handles with sensitivity. That shouldn't come as a surprise, as she did the same with 2017's Mommy Dead and Dearest as well, which stepped through the now well-known murder of Dee Dee Blanchard and its links to Munchausen syndrome by proxy.
Whether you're a Queenslander hoping to hop over the border for a mid-year holiday, or a resident of the rest of the country eager to soak in the Sunshine State's splendours once winter hits, don't go making plans anytime soon — with Queensland's borders possibly remaining closed until September. While the state has been relaxing its COVID-19 restrictions in recent weeks — including allowing non-essential trips out of the house, then permitting small in-home gatherings and letting restaurants, cafes and pubs reopen — Queensland hasn't changed its stance on its locked-down border. And, as Premier Annastacia Palaszczuk revealed this morning, that's not likely to happen in the short term. Speaking to ABC News Breakfast, the Premier said "we want to welcome as many domestic tourists as possible to Queensland", but that isn't on the cards as yet because "there is still community transmission in Victoria and New South Wales". The Premier also explained that the border situation will be reviewed at the end of each month, and that she's aware that people are starting to ponder their plans for the June–July school holidays; however she noted that it's likely "things will look more positive towards September". Asked about opening up travel to other states without community transmission — that is, allowing Queenslanders to visit Northern Territory, Western Australia and South Australia, and permitting residents of those regions to visit Queensland — the Premier advised that she "could see that happening before New South Wales and Victoria, but that's a matter for the premiers there as well". https://twitter.com/BreakfastNews/status/1262137356460539904 The Queensland Premier's comments come a few days after her New South Wales counterpart Gladys Berejiklian called for borders between Australian states to be reopened — and just a day after the NSW Premier singled out Queensland specifically, saying "I don't want to be able to say to people I'm allowed to go to Auckland before I can go to Brisbane". As part of the national three-step roadmap out of COVID-19 lockdown announced by Prime Minister Scott Morrison earlier this month, some interstate travel is earmarked to return in step two, while all interstate travel would be allowed in step three — however, while it's the Federal Government's aim to implement all three stages by July, each step has to be put in place by every state individually. Over the past week, Queensland, New South Wales and Victoria each moved to the first stage of eased coronavirus restrictions in different ways, with the same approach likely to apply to interstate travel. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Tourism and Events Queensland
Antebellum opens with a sprawling, roving and weaving single-take shot that's designed to garner attention from the get-go. Constantly roaming — and saturated with both sunlight and colour, in case you aren't instantly glued to its vivid sights — it surveys a stereotypical-looking plantation in America's south. This is where resident belle Elizabeth (Jena Malone) lives. A troop of Confederate soldiers under the leadership of Captain Jasper (Jack Huston) also call it home, too. And when the latter aren't in combat, they join Elizabeth in imposing their might on the property's other residents: its enslaved Black workers. Watching this conspicuously eye-catching introduction, it helps to know what Antebellum's title actually means. The term refers to a time before a war, and is typically used in relation to the American Civil War — but, in the movie's first sequence, it certainly seems as if that historical conflict is raging away. Indeed, that'd explain the soldiers' presence, as well as the cruelty and brutality meted out to the plantation's slaves for daring to speak while picking cotton, refusing to acquiesce to every single order or trying to escape. First-time writer-directors Gerard Bush and Christopher Renz haven't chosen Antebellum's moniker by accident, though, and that clash between the word's definition and the sights seen on-screen is crucial to their movie. Yes, Antebellum hinges on a twist, endeavouring to use the horror genre to explore US race relations in the manner that Jordan Peele has recently perfected. Alas, this copy-cat flick consistently proves far less surprising, powerful and clever than it thinks it is. Here's the setup: attempted runaway Eden (Janelle Monáe) is one of the property's enslaved workers, and subject not just to beatings, brandings and forced labour, but also raped regularly by the general (Eric Lange) who has claimed her as his own. She's planning another escape; however, thoroughly unexpectedly given the surroundings, a mobile phone suddenly rings. Now Monáe's character is called Veronica Henley, and she's a well-known activist and author. Also, everything about her life — including the conference in New Orleans she attends, meeting up with her outspoken best friend Dawn (Gabourey Sidibe) while she's there — is firmly set in the 21st century. Obviously, how Monáe's dual roles intertwine is best discovered by watching, as is the reappearance of Too Old to Die Young's Malone as a modern-day caller for Veronica. But even if you'd hardly call yourself a horror or thriller fan, or even just a movie buff, the big shift here isn't hard to guess. Bush and Renz rely so heavily on their one twist that the film resembles M Night Shyamalan's more forgettable works more than Get Out, Us or TV series Lovecraft Country, and suffers noticeably as a result. Their aim is undeniably bold, smart and timely, unpacking systemic racism by not only looking at how Black Americans have been treated both in the present and in the country's history, but by finding a way to firmly, unmistakably connect the two. And yet, Antebellum feels more like an exercise in making a provocative genre film than a feature that actually says something substantial about engrained prejudice in the US — a topic that sadly continues to remain relevant, but is treated here as stock-standard horror fodder. Take the movie's always-lurid, often-violent imagery as an example. Visually, Antebellum isn't easily forgotten, but its parade of grim frames is a double-edge sword. On the one hand, it reinforces how horrific the idea of slavery is, and shows the audience exactly why in graphic detail. Of course, viewers already know this, even without such heavy-handed reminder. Accordingly, Bush and Renz seem to revel in startling sights almost for the sake of it. If its main victim didn't seem so much like a symbol — more than a fleshed-out character, that's for sure — Antebellum might've succeeded in getting viewers to stare unflinchingly at her pain, experiencing it with her like Australian standout The Nightingale did so expertly, but it really just appears to put her through the wringer to evoke shocks rather than emotion. Most of Antebellum's cast are only asked to fit a specific type, too, as Malone, Huston and Lange all demonstrate. In fact, although Kiersey Clemons (Hearts Beat Loud) pops up as a new arrival at the plantation and Tongayi Chirisa (iZombie) also features among the property's fellow captives, the film tasks them with little more than being present and distraught. The exception is Monáe, with the Moonlight and Hidden Figures star turning in a masterly performance. That's a credit to the musician-turned-actor and her all-round excellence more than the material, though. And if everything around her didn't feel so formulaic and calculating, this'd be a far better film — rather than just an ambitious one that mistakes jumping on a bandwagon for actually making a meaningful statement. https://www.youtube.com/watch?v=3nf--afqelY
How many ways can getaways go wrong? In The White Lotus, each season brings a new list of chaos — and the show isn't done sending characters off to exclusive resorts to deal with whatever life throws at them just yet. The show's third season will arrive in February 2025, but there's already more on the way after that, with HBO announcing that season four has been greenlit as well. Accordingly, before anyone even watches a second of The White Lotus season three — which'll stream from Monday, February 17 Down Under — season four has been locked in. There's no word yet on which destination will follow Hawaii, Sicily and Thailand, however. There's also no details on who'll be in the series' fourth cast, and if any familiar faces will return. While the world waits for more information about season four, season three is worth getting excited about, too. A new batch of travellers is checking in, and a third The White Lotus hotel is ready and waiting. As Lisa from BLACKPINK says in both the initial look at footage from season three in a broader HBO trailer and in the anthology hit's first teaser, "welcome to The White Lotus in Thailand". A getaway at a luxurious hotel is normally relaxing, but that isn't what vacationers find in this show. It was true in the Hawaii-set first season in 2021, then in season two in Sicily in 2023, each with a largely different group of holidaymakers. Based on the sneak peek at season three, that's of course going to be accurate again in the third season's eight-episode run. Walton Goggins (Fallout), Carrie Coon (Ghostbusters: Frozen Empire), Jason Isaacs (The Crowded Room), Michelle Monaghan (MaXXXine), Leslie Bibb (Palm Royale) and Parker Posey (Mr & Mrs Smith) are among the folks checking in season three, alongside Sam Nivola (The Perfect Couple), Patrick Schwarzenegger (Gen V), Sarah Catherine Hook (Cruel Intentions) and Aimee Lou Wood (Sex Education). Families, couples and friends on getaways: they're all covered by the above cast members. And as Monaghan exclaiming "what the fuck is this place?" indicates, they're in for some chaos. Bad feelings, seeking pleasure but finding pain, threatening to drink oneself to sleep: alongside guns, dancing, judgemental pals, missing pills, snakes, monkeys, ambulances, complaints about gluten-free rice and a body bag, they're all featured in the teaser as well. From season one, Natasha Rothwell (How to Die Alone) is back Hawaii spa manager Belinda, who advises that she's there on an exchange program. Season three also stars Lek Patravadi (In Family We Trust) and Tayme Thapthimthong (Thai Cave Rescue) as one of The White Lotus' owners and security guards, respectively. Where the Mike White (Brad's Status)-created, -written and -directed satire's first season had money in its sights and the second honed in on sex, eastern religion and spirituality is in the spotlight in season three, which also co-stars Nicholas Duvernay (Bel-Air), Arnas Fedaravičius (The Wheel of Time), Christian Friedel (The Zone of Interest), Scott Glenn (Bad Monkey), Dom Hetrakul (The Sweetest Taboo), Julian Kostov (Alex Rider), Charlotte Le Bon (Niki), Morgana O'Reilly (Bookworm) and Shalini Peiris (The Ark). Check out the first teaser trailer for The White Lotus season three below: The White Lotus returns on Sunday, February 16 in the US, which is Monday, February 17 Down Under. At present, the series streams via Binge in Australia and on Neon in New Zealand. The White Lotus season four doesn't yet have a release date — we'll update you when one is announced. Images: HBO.
You'd think that after seven books, eight films, just as many video games, a real-life MOOC that lets you study magic and 17 years of worshipping a fictional teenager, we'd have run a little dry on news about Harry Potter. Instead, this week has featured news of a West End play, a spinoff film trilogy, and new material being written for the '2014 Quidditch World Cup'. It seems like the wizarding world is still very much alive, and nowhere more so than the Universal Studios Harry Potter theme park in Orlando. The Wizarding World of Harry Potter was first established in 2010, but this year sees its first major expansion effectively doubling its size. The upgrades include a surprisingly functional Platform 9 3/4, a full Hogwarts Express experience, and most spectacularly of all, a Gringotts ride that replicates the ornate mayhem of the characters' dramatic expedition in Harry Potter and the Deathly Hallows. It was announced today that the ride will include high-def animation, 3D projection, live special effects courtesy of Bellatrix Lestrange and the Death Eaters, incredibly realistic (if not kind of anti-Semitic) Gringotts goblins and — best of all — a 60-foot dragon. Hurtling through the bank vaults on a rickety old cart just like the one in the film, Escape from Gringotts is definitely a ride for the hardcore fans. And, though it's a world away from our local equivalents like Dreamworld or Movieworld, it's worth keeping in mind if you're ever up for spilling a few galleons on flights to the States. Via Variety and MTV.
Sydney's Martin Place is set to transform into a marketplace of fresh food this July for the event Think.Eat.Save, with visitors to the location receiving a free lunch cooked by Neil Perry and Daniel Pepperell from Restaurant Hubert. OzHarvest and the United Nations Environment Programme (UNEP) are teaming up for the event with the aim of not only filling the hungry stomachs of chilly Sydneysiders, but also to raise awareness of the global problem of food waste. The renowned chefs will be on-hand from 11.30am till 2pm alongside War on Waste's Craig Reucassel (if you haven't watched it yet, iView it now). With four million tonnes of food wasted in Australia each year, the path to change starts with the fridge of every Australian. A recent study revealed that Melburnians waste nearly a million tonnes of edible food every year, of which fresh fruit, vegetables and dairy are among the main foods tossed (and, arguably, the easiest to save). While you eat your free celebrity chef-cooked lunch — and taste a range of free food samples — you'll be able to pick up some of their tips for preventing food waste. You'll be making master stock with your veggie scraps in no time. Image: Cole Bennetts for OzHarvest.
Australian design student Alexander Vittouris has managed to not only design an all-bamboo velobike, but has also incorporated the natural growth process of bamboos in the design of a fully sustainable vehicle, the Ajiro Bamboo Velobike. The Monash University student's design was a finalist at the 2011 Australian Design Awards. He uses the term 'growth mobility' to describe the incorporation of the "strength and rapid growth of bamboos" in the final structure of his design. Vittouris borrows from the principals of arborsculpture, or 'tree shaping' techniques, whereby the shape of a tree or plant is controlled and instructed by various techniques (leaf trimming, wiring and pruning, for example). In this case, Vittouris has used an inner skeleton structure that the bamboo grows around. He says the manipulation technique used becomes economical and environmentally-friendly, in comparison to the cost of metal and energy exerted in assembling a traditional bicycle frame. In his Australian Design Awards entry, he writes: "The skeleton frame is then proposed to be reused, for future plant generations as an ongoing cycle. In this case, the manipulation and intervention is more akin to a farming process, whereby bamboo plants need time for thorough establishment to form the required energy mass to produce new culms."
Two beloved venues will join forces on Sunday, February 11, for a one-time event called Ciao Chez (which hilariously translates to 'the home of hi') at our favourite pub in Sydney, The Cricketers Arms in Surry Hills. The boozer's excellent upstairs dining room Chez Crix is welcoming into its kitchen Fabbrica Pasta Shop's head chef Tom Cleland for a delicious lunchtime sesh starring Fabbrica's superb hand-rolled pasta, ricotta-stuffed zucchini flowers and hazelnut tiramisu. DJs will set the mood and, naturally, there will also be very good wine from the Crix's ever changing, always exciting wine list. Walk-ins will be welcome for the downstairs tables but to grab a seat in the dining room we recommend you book immediately. [caption id="attachment_888590" align="alignnone" width="1920"] Fabbrica pasta, Nikki To[/caption] Pasta image by Nikki To for Buffet Digital.
Love them or hate them; oysters are a big business. NSW has a multimillion-dollar oyster industry, with a serious portion of Sydney's supply coming from the Central Coast. Those local farms get their chance to celebrate when the annual Brisbane Waters Oyster Festival rolls around, returning in 2024 on Sunday, November 10. Hosted at Lion's Park in Woy Woy, you'll find all sorts of oyster-centric entertainment and offerings at this all-day event. Local producers like Hawkesbury River Oyster Shed and Whittle Organic Oyster Farms will be dishing out the goods themselves, fresh from local waterways. There will also be live music and mariachi bands, market stalls selling food, wines, cocktails, and a drinks stand selling cold beers from Six Strings Brewing Company. Don't fill up on beverages, though. You'll need an empty stomach if you're to compete in the annual oyster-eating competition.
We enjoyed the tenth annual Bicycle Film Festival last year, and the 2011 instalment is already brewing. But obviously, there can be no film festival without films – that’s where you, dear cycling-and-film-making reader come in! BFF want you to make a bike film and be a part of the global event. Submitting an entry is free, and films can be of any style, as long as they’re bike-related. With the festival travelling to over 25 cities worldwide, successful entries are guaranteed some great exposure, and being an entrant will give you a great excuse to attend the screenings, parties and other events that make up the festival itself. If you’re in need of some inspiration check out the BFF trailer below, or consider using your bike in the film-making process. Entries close on April 1 so get your camera and get on your bike!
The Amazing Type-Writer iOS app from Doormouse Manufacturing gives typing on the iPhone a vintage feel by re-creating the look and sound of typing on an antique typewriter. Keeping true to the old-school aesthetic, users can't backspace and some of the more modern symbols, such as the @ sign, won't function. This might be a little frustrating for some, but now you know how your older relatives felt when they had to send out birthday invitations to all their buddies. You'll just have to type over your mistakes and pray that it's legible. This ability to type over existing writing also means you can make tonnes of different patterns and scribbles. According to Doormouse Mfg, the app has "combined the latest in mobile pneumatic tubes technology with the highest-quality digital micro-swingarms available." This means that you'll be able to shift the carrier all over the screen and mark your letter however you like. After you've finished your masterpiece you can save it to your own camera roll, e-mail it, or post it in a public gallery. Perhaps best of all, you can select other people's pieces from this gallery and re-interpret or ruin their works however you like. This gives you the potential to post your own questions or thoughts, and see how many people will respond to it. This app will be perfect for pensioners who miss the good old days, overly-ambitious hipster poets, or people who want to send creepy letters to their ex-girlfriends. Two dollars won't get you much nowadays, but it will buy you the endless joy of having your own nifty little typewriter in your pocket. A limited amount of these are available through iTunes.
In a bid to contain the spread of COVID-19, the Australian Government is urging Australians to stay at home. In a statement made last night, Tuesday, March 24, after a national cabinet meeting, Prime Minister Scott Morrison said everyone should remain in their homes "unless it's absolutely necessary you go out". The Prime Minister clarified that it was acceptable to go out to buy basics and for medical needs, to exercise in small groups and to go to work when you cannot work from home. The announcement also included an expanded list of non-essential indoor venues that must close. While pubs, clubs, gyms, indoor sporting venues, cinemas, casinos and places of worship were forced to close on Monday, galleries, museums, libraries, auction and open houses, all indoor health clubs, fitness centres, yoga, barre and spin facilities, saunas, bathhouses and wellness centres, amusement parks, arcades, beauty therapy, tanning, waxing, nail salons and tattoo parlours all have until midnight tonight, Wednesday, March 25 to shut up shop. Bars, restaurants, cafes and food courts can still offer takeaway and delivery only, and hairdressers can continue to operate if appointments are limited to less than 30 minutes. Outdoor personal training and bootcamps can also continue with a maximum of ten people, weddings with no more than five and funerals with ten or less. Visits at your home should also be kept to a minimum with very few guests. Last week's advice of "do not travel abroad" has also evolved into a blanket ban on all international travel, except for compassionate reasons, health workers and other essential work. The Prime Minister said that "no one should be getting on a plane and going overseas", but the ban would officially come into place today after it has been signed off by the Health Minister. Australian airlines had already slashed their flights significantly, with Qantas and Jetstar cutting their international flights by 90 percent until at least the end of May, and Virgin Australia suspending all international flights from March 30. At the meeting, Australia's Chief Medical Officer reiterated the sentiment that these measures will be in place for a prolonged period — previously predicated to be at least six months — saying, "we have to change the way we interact as human beings in our society for quite a long time as this virus will be with us for quite a long time." The Australian Government also urges anyone that does leave their house to follow its social distancing guidelines.
Australia is in for a big hot summer of music tours — a hefty end of spring, too — with everyone from Post Malone and The Weeknd to Taylor Swift and The Chemical Brothers on their way Down Under. Also on the list: Foo Fighters, who have a date with a heap of Aussie stadiums, and are about to release more tickets. It's times like these that you can add catching the Dave Grohl-fronted band to your calendar, with the group embarking on their first headline tour of Australia since 2018. It's also their first visit Down Under since drummer Taylor Hawkins passed away in March 2022. Foo Fighters were last in Australia that same month and year, playing a huge Geelong show to help launch Victoria's post-COVID-19 lockdowns live music program. The band unsurprisingly took a break from touring after Hawkins' death, only returning to live gigs earlier in 2023. On this tour, they're playing Perth, Adelaide, Melbourne, Sydney and Brisbane, with additional tickets becoming available due to changed production information — so, it's likely that the band's setup won't take up as much space as initially thought — and going on sale at 3pm AEDT on Friday, October 13. [caption id="attachment_903613" align="alignnone" width="1920"] Scarlet Page[/caption] Picking up the sticks: ex-The Vandals, Devo, Guns N' Roses and A Perfect Circle drummer Josh Freese, taking on the likely-daunting task of being the touring drummer in a band led by Nirvana drummer Grohl. Freese's stint with the band was announced in May, ahead of their first tour dates. When they hit our shores, the new-look Foo Fighters will weave in tunes from their new record But Here We Are, which released in June. Of course, all the hits from across their career will get a whirl, with their current setlist including everything from 'This Is a Call', 'Big Me' and 'Monkey Wrench' through to 'Learn to Fly', 'The Pretender' and 'Best of You'. And, yes, 'Everlong', because it wouldn't be a Foo Fighters show without it. [caption id="attachment_903618" align="alignnone" width="1920"] Jo via Wikimedia Commons[/caption] 'I'll Stick Around', which is also on the list, isn't just a song title from the group's first album. Given that their new tour comes 28 years after that debut release in 1995, it perfectly sums up Foo Fighters' longevity. Over the years, they've made it Down Under a heap of times, released 11 studio albums including the just-dropped But Here We Are, and made 2022 horror movie Studio 666. When they take to the stage again in Australia, they'll do so with Queensland punk act The Chats in support on a stack of dates, Manchester's Hot Milk also playing with them on the east coast, Teen Jesus and the Jean Teasers doing Melbourne and Body Type in Adelaide. FOO FIGHTERS AUSTRALIAN 2023 TOUR DATES: Wednesday, November 29 — HBF Park, Perth, with The Chats and Teenage Jones Saturday, December 2 — Coopers Stadium, Adelaide, with The Chats and Body Type Monday, December 4 — AAMI Park, Melbourne, with Teen Jesus and the Jean Teasers and Hot Milk Saturday, December 9 — Accor Stadium, Sydney, with The Chats and Hot Milk Tuesday, December 12 — Suncorp Stadium, Brisbane, with The Chats and Hot Milk Foo Fighters are touring Australia in November and December 2023, with additional tickets going on sale at 3pm AEDT on Friday, October 13. Head to the tour website for further details. Top image: Mr Rossi vi Wikimedia Commons.
Sydney has scored a new live music and wellness venue, and this one's doing things a little differently to most. The new space is the latest venture from local charity A Sound Life, which is out help improve the health and wellbeing of people in vulnerable communities through the likes of free yoga, meditation and music. Making its home within the Entertainment Quarter, A Sound Life Dome is serving up a jam-packed program of creative and wellness-focused offerings, as well as free services to those doing it tough in hospitals, women's refuges and aged-care, mental health and disability facilities. Taking the form of an 18-metre silver dome, the structure has been designed with optimised energy flow in mind and with grounding rose quartz crystal buried at its centre. And it's playing host to a diverse spread of workshops and sessions, which are open to the public. In the coming weeks alone, you'll catch everything from sound healing workshops, to live soundscape-backed yoga sessions, an evening devoted to maximising happiness and a celebration of dance, music and movement for LOVEFEST Sydney. Acclaimed musicians including Ben Lee, Lisa Mitchell and Lenka Kripac are set to make appearances, too, with The Dome also available to hire out for events and corporate wellness programs. Find A Sound Life Dome at The Entertainment Quarter, Moore Park. To check out its full lineup of events, head to asoundlife.org.
Conscious consumerism and shopping sustainably are hot topics at the moment. That's where independent markets come in handy — aside from the joy of uncovering rare, one-of-a-kind (or, at least, one of a small number) finds, they're also great for discovering quality vendors that specialise in ethical practices and products. And when it comes to rolling out the creme de la creme of local producers every season, the Finders Keepers market knows its stuff. For over a decade, the twice-yearly mini-festival has been championing small-scale producers. So, sustainable shoppers and knick-knack connoisseurs, we've got some good news — Finders Keepers is back for another season. The first stop on its autumn/winter circuit is Sydney, running from Friday, May 3 to Sunday, May 5 — just in time for you to snag the perfect Mother's Day gift. It's then popping up in Brisbane between Friday, June 21 and Sunday, June 23, before wrapping up in Melbourne across Friday, July 12–Sunday, July 14. As always, Finders Keepers has pulled together a high-calibre of art, fashion, beauty and design stalls. And, to help you figure out which ethical vendors to make a beeline towards, we've trawled through the huge Finders Keepers directory to find eight brands doing good for the world — and making even better products. [caption id="attachment_718857" align="alignnone" width="1920"] Finders Keepers. Captured by Mark Lobo.[/caption] YALU APOTHECARY Yalu Apothecary will be gracing the markets this year with its simple ethos — nurture with nature. This philosophy perfectly captures its offerings of sustainable, handmade beauty products. Yalu Apothecary promotes holistic wellness with specialty naturopathic herbal tea blends, crystal-infused botanical perfume oils, face masks and bath products. The products are handcrafted by Rhiannon Mapstone, who sources the finest natural and organic botanicals from local gardens in Australia and from around the globe. Skip the damaging chemicals of mass-produced beauty products and opt for a Yalu perfume, made with pure plant essences, organic infusions and supercharged with crystal healing power. Yalu Apothecary will be at the Sydney and Melbourne markets this season. MISTER TIMBUKTU Secretly hoarding two draws dedicated to activewear for all days of the week? Yep, we're guilty too. Make your yoga tights habit a positive one by grabbing a pair from Mister Timbuktu — an apparel store saving plastics from landfill and the ocean and turning them into outdoor and fitness apparel. A simple yet brilliant idea, Mister Timbuktu began as a crowdfunded debut collection before officially launching in June 2018. In addition to being a recycled and high quality material, these plastics use less energy, water and chemicals to produce compared to traditional fabric. The business ensures ethical and sustainable practices all the way from above-minimum wage for its factory workers in Indonesia to home-compostable bags for deliveries. For stylish and sustainable active threads, Mister Timbuktu will be open at all three city's Finders Keepers markets. CORNER BLOCK STUDIO Avoid scraping Blu Tack off the walls of your rental at the end of each lease and display your favourite artworks in a frame from Corner Block Studio. This modest store combines innovation with handcrafted woodwork to bring you simple and stylish adjustable frames for your artwork. Whether you want to display your band poster, record covers or beautifully illustrated coffee table books, Corner Block Studio has a frame for every purpose. With respect to the planet, all products are made from recycled Australian hardwoods that have been reclaimed from decommissioned buildings. Each piece is crafted in Brisbane and features unique characteristics in the timber, so you'll walk away with a one-of-a-kind frame. Corner Block Studio will be popping up at the Brisbane and Melbourne markets. EARTH FIBRE Take a piece of the gorgeous Australian natural environment home with Earth Fibre. Each handcrafted piece tells a story of the colourful landscape. Creator Michelle Ohara uses various mediums, carefully selected from the Glass House Mountains area in the Sunshine Coast, to produce her collection of eclectic designs. She utilises the local flora to make her goods, including seeds, environmental earth fibres, paper fibres, wood and environmental weeds. You'll find baskets woven from garden waste, small books made from seed pods and botanically dyed scarves made using leaves. Michelle leaves it to nature to put an individual stamp on each of her designs — with no trace of the chemicals or materials that you might find in goods made in a factory. This season, you'll find Earth Fibre at the Brisbane Finders Keepers market. POSIE Posie provides an alternative to the mountains of mass-produced candles packed with chemicals. Co-founders Ashleigh Sampson and Casie Brooker started the brand from a shared passion for travel, design and the simple things in life — and each candle blend is reminiscent of the people, places and paths that they've encountered in their journeys. The candles are designed and made using 100 percent soy wax and their individual scents come from natural fragrances and essential oils. Each candle is hand-poured into a recycled container in Posie's Byron Bay studio. By working and sourcing materials locally, Sampson and Brooker ensure that every Posie candle upholds their core principles of fair, cruelty-free and sustainable trade. You can pick up a Posie candle for your home at the Sydney, Melbourne or Brisbane markets. [caption id="attachment_718864" align="alignnone" width="1920"] Homelea Lass via Pintrest[/caption] HOMELEA LASS Baby, it's cold outside. Fight the oncoming winter temperature drop with cosy, snuggly crocheted textiles from Homelea Lass. Pick up a thick blankie to snuggle in on the couch or a gorgeous snood and matching beanie for all your outdoor winter adventures. Or, better yet, you can become your own grandma with a DIY crochet kit and keep warm inside while you make your own woollies. As an Australian farmer and maker, owner Lynda Rennick is passionate about supporting the Aussie farming industry — which is why she uses 100 percent Australian-grown and -processed merino wool. Homelea Lass keeps business sustainable with its use of locally sourced and ethical materials and tools, too. You'll be able to snag these cosy crochets at Sydney, Melbourne or Brisbane markets. NZURI ORGANICS Avoid incorporating harsh chemicals into your skincare routine by switching to products by Nzuri Organics. Founder Nadine Shuma ensures that each and every handcrafted product is made with certified organic, raw materials. From body butters to hand creams, Nzuri provides organic solutions for everything from your face to your feet. Nadine is Tanzanian-Australian and her brand incorporates beauty routines and ingredients from Tanzania, along with locally sourced organic ingredients of the highest quality. Accredited by Choose Cruelty Free, Nzuri Organics' products are handmade and all containers are either 100 percent recyclable or biodegradable. Nourish your skin by giving Nzuri Organics a visit at the Sydney, Melbourne or Brisbane markets. [caption id="attachment_675445" align="alignnone" width="1920"] Finders Keepers. Captured by Samee Lapham.[/caption] ARCADIA SCOTT Reusable travel cups are all the rage nowadays. They're much better for the environment, a lot of cafes offer a discount on your morning cuppa if you use one, and they just look so much better than a plain disposable cup — it's a win, win, win. If you're yet to jump on the bandwagon, or you just want to upgrade to something more aesthetically pleasing, stop by Arcadia Scott's stall. The self-taught potter creates a range of ceramic pieces in her Melbourne studio including bowls, vases and adorable glazed travel cups. Each item is handmade, giving your purchase a unique edge — which is exactly why you came to an independent art fair, right? Arcadia Scott will be popping at the Sydney, Melbourne and Brisbane markets. Finders Keepers will be at Sydney on Friday, May 3 – Sunday, May 5, Brisbane on Friday, June 21–Sunday, June 23 and Melbourne on Friday, July 12–Sunday, July 14. Entry is $5 and your ticket is valid across the entire weekend. Visit the website here for more information and to find open hours for your city. Top Image: Finders Keepers. Captured by Samee Lapham.
After putting on a spectacular footballing show as the host of the 2023 FIFA Women's World Cup — and the Matildas making history in the process — Australia will next roll out the green carpet for the 2026 Women's Asian Cup. The Asian Football Federation has given the Aussie bid for the event the go-ahead, meaning that the country will host two major women's soccer tournaments in the space of just three years. Get ready for a sea of green and gold again. Australia has welcomed the Women's Asian Cup to our shores before, back in 2006, with the tournament taking place in Adelaide. In 2026, you'll be able to check out the football action in New South Wales, Queensland and Western Australia. All three states were put forward as locations during the bidding process. And yes, that means that the tournament won't head to other parts of the nation — so there'll be no games in either Victoria or South Australia, notably. Twelve countries will compete in the 2026 Women's Asian Cup — including Australia, of course, with the hosts automatically qualifying. So, the Matildas will get another moment to shine on home soil in a major contest. China will also compete, defending their title from the last edition in 2022, which took place in India. The Tillies were knocked out in the quarter finals — and were runners up in 2014 and 2018. Back in 2010, we won the competition, our only time as champions so far. "Securing the AFC Women's Asian Cup is a testament to our nation's dedication to football. It is not only a victory for the sport but for every Australian, offering significant economic and cultural benefits," said Anter Isaac, Chairman of Football Australia, about hosting the 2026 tournament in a statement. "We are profoundly honoured to host the 2026 edition of the AFC Women's Asian Cup™. This decision reflects the global football community's confidence in our capability to deliver outstanding events. Following the resounding success of last year's FIFA Women's World Cup™, we are eager to create another tournament that celebrates women's football and inspires a new generation," added James Johnson, CEO of Football Australia. Exactly when the in 2026 the Women's Asian Cup will take place hasn't been locked in as yet, so you can't mark your calendar just yet. The Matildas next play in Australia at the end of May and beginning of June, hosting two games against China in the lead-up to the 2024 Paris Olympics. At the latter, in July and August, they're in the same group as Germany, Zambia and the US. During the team's next Aussie leg, goalkeeper Mackenzie Arnold and Mackenzie Arnold and coach Tony Gustavsson will also hit the stage at Vivid Sydney 2024 to talk all things Tillies. [caption id="attachment_912895" align="alignnone" width="1920"] Matildas: The World at Our Feet[/caption] The 2026 AFC Women's Asian Cup hasn't yet announced its exact dates — we'll update you when they're revealed. Head to the AFC website for more details in the interim. Images: Tiffany Williams / Football Australia.
Given that The Simpsons Australia episode was more of a Fosters ad than anything else, it sounds clunky to claim 'beer is back Down Under'. When did it leave? So let's settle for the idea that brewers have lifted their socks in the wake of the return of cocktail culture. Hell, the Old Growler is pretty much a hops-filled speakeasy, beer festivals seem to be going off like fireworks on Guy Fawkes Day and home brewing is slowly being wrestled from the cold, dead hands of the river folk. Oh, and Coles now owns a microbrewery, Steamrail, that's exclusively stocked at their Liquorlands across the country. The times they are a-changing. But, with a flood in the market, where should you be directing your attention before the sun cuts back its working hours and we're all staring down those few unmentionable months of winter? Here is a list of (mostly) local beers you've probably glanced over on a menu but may not have taken the risk, forgone your beloved Coopers and forked over those extra $3 for a taste. Let's try them together. Robot Ninja Lager Rice lager is a great way to ease into the wonderful world of craft beer — fruity, light and round, this offering from the Victorian brewery Kooinda is inspired by Tokyo City and the proof is on the palate. Plus, it is something new. You can pretty much taste everything in this tipple (the website even claims a bubble-gum finish), but it is surprisingly smooth and a go-to on those hot afternoons. Though, be warned: this one masks its 4.6 percent booze content with a ricey backbone and shouldn't be treated lightly. For a more traditional rice lager, try out the Koshihikari Echigo Beer. Four Pines American Pale Ale Four Pines comes out of Manly, and offhand there is nothing in their range that isn't worth a look. The kolsch is an absolute winner, but their pale gets on here by virtue of its wide appeal. They use an unusual amount of hops in here, so expect a mouth-filling flavour, but the softness of the pine and bite of the grapefruit wrangle it in and make it a very versatile food match… Admittedly I'm thinking pub food here, but heck go with it. Murrays Angry Man If you are looking for something a little bit more familiar (yes I'm talking to all of you smashing-Sierra-Nevadas-like-its-going-out-of-fashion people) in a pale ale but still interested in broadening those horizons, try out the Murrays Angry Man. It's got a bit more punch and hop, aka bitterness, and will suit a blokier pallet — I swear I am not just running with their ridiculously awesome strong man versus kangaroo label here — but there is still plenty of complexity to the flavour. Keep a few in your fridge and order some unadvisedly hot Thai curry for your next Thursday in. Emerson's Pilsner New Zealand does do a few things well, and one of them is pilsner — in this case German pilsner. Emerson's is a well-balanced beer with a healthy smack of nectarine and then (which those of you easily overwhelmed by ales will appreciate) a long, dry finish that makes this one taste like… well... beer, essentially, which is nice. A clean, crisp mouth-wetter with a few surprising flavour notes to get your tongue wagging. Stone & Wood Jasper Ale It is still an ale, but its not going to blow your socks off with an overwhelming burst of vanilla or pineapple. The Jasper is a great crowd pleasingly thirst quencher, and it is sold in pints which is good news for everyone! Most people who identify as non-beer-likers are actually just not that into hops, but that doesn't mean you have to forgo the whole drink. Plenty of people enjoy peat free whisky, and in the same vein beers that let the malt sing and tone down the hops, like this one, will make a convert of you in no time. For the rest of us, true believers, this deep-red Jasper Ale kicks off fruity, finishes nutty and is very restrained on the carbonation front so it won't fill you up. Young Henrys Newtowner An Australian pale (i.e. they use Australian hops), this critter came out for the 150 years of Newtown celebrations and remains only available in the Inner West — which makes it the perfect excuse for a trip to King Street. Young Henrys is easily one of the most talked about local breweries and this English summer ale is a fair bit drier than their other regular pours, with a golden look and refreshing finish. Head over to The Courthouse for a long lunch with this one before summer's end. Murray's Moon Boy Golden Ale This is a beautifully gentle beer that should have spent all summer teamed up with your favourite pineapple-filled burger. It didn't did it? Do not mistake gentle for wishy-washy or tasteless; there is a lot of wheat in this baby, so expect a dry finish, and there is fruit there too. And if the option to drink a beer with a maroon-sweated, bespectacled werewolf man for a logo doesn't get you high-tailing it to the Trinity Bar on Crown Street, then I feel like I don't even know who you are anymore, man. Feral Brewing Hop Hog If this was 'Ten Beer Names to Appreciate Before the End of Summer', all of them would be from Feral Brewing. These WA beer freaks don't stop at making great beer, no, no; they then give them names like The Raging Flem, Runt and a whole selection of hogs. The Hop Hog is simply a great beer, but there is nothing simple about it: big on the hops, well balanced by malt, and somehow the whole room smells like pine when the top's off. Feral reminds us that some tastes can't be luck and someone, somewhere must know exactly what they are doing. Seriously, hop on a hog. Hargreaves Hill ESB Serious beer drinkers need only apply for this one, an Aussie twist on the Extra Special Bitter (this is normally an English speciality) that brought this Victorian brewery some serious international attention a few years ago. There are hops aplenty, a rich toffee-like malt and tropical wonders on the nose. Yes, I am an unabashed fan of this beer. If you're looking for a bit more oomph, pair it up with sherry casked single malt and sip away the next 45 minutes of your day. Sinha Stout Okay, so stouts aren't particularly summery, but they also aren't particularly Sri Lankan, which is where this mochaccino-worthy bevvy hails from, so go with it. First up, it is smooth (look at how this thing pours into a glass; it's like they've managed to bottle the voice of Laurence Fishburne), and then you sip it and suddenly you've gone to that place Irish Coffee promised but never delivered. It is 8 percent, but honestly, you don't even notice. Well, not while you're drinking it at least. Try this one out for a flavour kick at the end of your next dumpling session at Uncle Mings. Like anything, your appreciation of beer grows in direct proportion to the amount you pop in your gob, so get yourself off to an upcoming beer festival or check out the website of a brewery near you for the grand tour. Yes, it will smell like yeast. Yes, that is pretty much the smell of warm horse feed. Yes, you'll love it. Or else, we'll see you in the beer garden.
We get it. Everyone loves an espresso 'tini, and that isn't changing any time soon. Like plenty of other cities, Sydney even has its own event dedicated to them — and now it's back, heading to the Park House in Mona Vale. Sleep, who needs it? The festival, to be held between Friday, December 6–Sunday, December 8, is being gifted to our espresso-loving, cocktail-filled city by the caffeinated folks at Mr Black, a NSW-based cold-pressed (and damn fine) coffee liqueur. In short, they know how to capitalise on our weaknesses and we're not even mad about it. The affair will involve a beautiful array of alcoholic caffeinated beverages from the Mr Black coffee caravan, including the obvious, plus coffee negronis, coffee spritzes, coffee cherry cola, a salted caramel espresso martini made with Caramello Koalas and a tiki-style frozen espresso martini. As with any festival of this kind, there will be plenty of food, too, so line your stomach with tacos and wood-fired pizza — or opt for espresso martini gelato from Mr Goatee. Entry is free, although RSVPs are required for Saturday and Sunday, with Friday night acting as a soft launch. You can also nab a VIP ticket, which includes an espresso martini masterclass — and your first drink. The Mr Black Espresso Martini Festival runs from 4pm on Friday, December 6, then kicks off at midday on both Saturday, December 7 and Sunday, December 8.
“The play’s about a group of actors in crisis... so art is imitating life.” Actor Gareth Davies is in the middle of a manic final week of rehearsals for The Government Inspector ahead of its opening at Melbourne’s Malthouse, before a Sydney season at Belvoir. “But manic’s good,” says Davies. “The plays I’ve done that have been bad have been slow, sedate, very careful and cautious things that we were all totally prepared for, and you get up there in front of an audience and it doesn’t have a spark of spontaneity or panic.” In the plot of the original Russian play by Nikolai Gogol, a low-level clerk is confused with an important bureaucrat and worshipped as a god. In this collaboration between director Simon Stone, writer Emily Barclay and the cast, the gormless pen-pusher becomes a bitterly unsuccessful actor (Davies). A cast of frantic actors who are desperately putting together a show mistake him for a famous auteur and worship him accordingly. Stone recently said that this play is “the furthest away I’ve ever gone [from a source text’s foundations]". It’s a big claim from a director who’s built a career on adaptations that self-reportedly “rape and pillage” the classics. But Davies agrees that only the skeleton of the original work remains. “There’s various character archetypes and a basic story structure that’s there, but the setting’s entirely changed," he says. "Thematically it’s pretty similar — it’s fraud, it’s someone accidentally being placed in a position where everyone thinks he’s someone else and then kind of enjoying that. Once he’s realised that he’s essentially being totally dishonest with everyone he starts to really wallow, to enjoy the free booze and the free food and the way that people talk to him.” Like Gogol’s story, Stone’s choice of play was born out of misunderstanding: a sudden seismic shift prompted by the last-minute discovery of existing rights for Belvoir’s scheduled production of The Philadelphia Story. I put it to Davies that the frustration of those events seems to have bled into this work, but he’s more circumspect. “It is a starting point for our play, but it would have been pretty uninteresting to do an attack on that situation. With these actors, at the beginning, just like us, something that they knew and something that they wanted is taken away and then the story begins, but that’s as far as it goes — it’s just a crisis that sets off the story." As open as he is about its beginning, Davies is reluctant to give anything away about the latter parts of the play, especially the musical sections choreographed by Lucy Guerin and composed by longtime Stone collaborator Stefan Gregory. For Davies, this kind of mainstage production seems a little out of character, given his background in independent theatre as one of the founders of The Black Lung Theatre and Whaling Firm, whose work has terrorised audiences across Australia. Yet Stone’s process has in many ways reflected the same kind of approach. “The way we’re working here is much more similar to those shows. Often with mainstage work as an actor you’re one of the last people to find out about anything — by the time you arrive, the vision for the play is already there.” The world of The Government Inspector might be easy for the Malthouse and Belvoir to market to a theatre-savvy audience, familiar with the utter chaos that goes into creating a show, but Davies firmly believes in its wider appeal. “We’ve been really aware of this, of making it too in-jokey," he says. "It is about a group of people making a show, but in the end that’s not what you’re responding to. More than anything else, it’s a play about characters responding to crisis. In the end, we’re all human, and just as petty, and beautiful, and small-minded as everyone else.” Read Concrete Playground Melbourne's review of the Malthouse production.
This month The Rocks Pop-Up will host an exhibition and pop-up shop displaying original clothing designs by people from refugee backgrounds. It's run by The Social Outfit, an enterprise that seeks to enrich the lives of local refugees and asylum-seekers through creativity. They're the sister organisation to Melbourne’s Social Studio, which currently produces two seasons of clothing a year using excess fabric from the fashion industry. Check out the lookbook here — items of which will be available to buy at The Rocks Pop-Up. It's an opportunity to peruse and purchase the work of some hugely talented designers using hand dyes and digital prints on a range of fabrics, with visual sensibilities born from a different perspective. The Social Outfit is also running a series of free four-day design workshops at their pop-up — in hat-making, eco fabric dyeing, fashion crochet and giant knitting — as well as a runway show. Photo by Hayley Hughes
Indie musical theatre became a thing people talked about because of local production company Squabbalogic. Previous productions — Carrie: The Musical, The Drowsy Chaperone and Bloody Bloody Andrew Jackson — pulled crowds and injected the often naff theatrical genre with a bit of cool factor. Their current effort, Sondheim on Sondheim, is the first production of their 2014/15 season, and it’s a different kind of beast. The production is a revue-style homage to Stephen Sondheim, ‘father of the modern musical’. (Think music and lyrics for Sweeney Todd and Into The Woods, and lyrics for West Side Story.) The show is made up of musical pieces from 18 Sondheim shows and interview footage of Sondheim himself projected onto a screen which hangs above the stage, giving the show a necessary (if tenuous at times) narrative thread. The performances are tight, which, with the constant character changes, is impressive. Monique Salle is the stand-out among the cast of eight — her energy and physical humour infect every scene she’s in. A lot of the laughs come from this exaggerated movement bordering on slapstick, but it’s genuinely funny, and there are plenty of poignant moments too. The humour is also partly due to Sondheim’s on-screen charisma. From his lofty position he comments on, interrupts and interacts with the performers. The melding is almost seamless. Perhaps the best example of this integration is in ‘God‘ — the only song written specifically for Sondheim on Sondheim. His inane chatter about the pencils he uses (very soft, so that he can spend maximum time sharpening them and minimum time writing) is interrupted by loud proclamations of his divinity and the genius of his lyrics. It’s all charmingly irreverent, and the performers handle it with ease. Ultimately, Sondheim’s conviction that in musical theatre, with all its lights and costumes, “the lyric must be simple”, is probably what makes this show work. It’s a series of brief glimpses into different Sondheim universes, a formula which could have resulted in a messy hodgepodge of barely delineated beginnings. But because each song tells its own story so well — a credit to the lyricist, of course — the show leaves you feeling satisfied, entertained and not really missing a plot. As a review of Sondheim’s work, in that sense, it works. For Sondheim fans, there’s probably not much new to learn from Sondheim on Sondheim, but as a sentimental, celebratory romp it will please. For the passing admirer, it’s surprisingly good fun, even at two and a half hours. Most of the time, the tricky revue style is held up by the quality of performance. Squabbalogic have done well. Bring on the rest of the season.
Just when you thought Newtown had seen and done it all, a new project is set to take on unexplored cultural frontiers: Tokyo Sing Song. Even though the nitty gritty details are shrouded in secrecy, we can tell you that on October 11, a late-night bar will open in a King Street basement. Featuring Japanese-style cocktails and a vending machine selling underwear, it'll be informed by a Tokyo aesthetic, but every month, a different curator will be running the show. Their plans will be kept a mystery up until the moment they happen. All we know is that, four nights a week, sometime between midnight and final drinks, performances will occur. They're promising to "excite, confuse, frustrate and stimulate", but there are strictly "no set times, no theme, no rules". The first curator to don the Tokyo Sing Song mantle is Melbourne-based artist, lighting designer and "advocate of pyjamas as semi-formal pleasure wear" Duckpond, in collaboration with interior designer Michelle Leslie of Curious & the Specimen. If you've ever experienced the Big Day Out's 'Lilypad' or MONA's Dark Faux Mo, you've interacted with Duckpond's work. "I was thrilled to be invited to join the project by my friend Michelle," he told us. "We've worked together to make the space suitably insane for late night voyeurs ... I'm very excited to collaborate with Sydney's next generation of party practitioners and bring together many different styles and philosophies into a very intimate confined space. Since it's a basement with a very late licence, we're not constrained by tiresome concepts like daylight, and we're looking to create an environment which will no doubt have more split personalities than Yuri Pavlov's favourite hamster." Japanese aesthetics have long been an influence on Duckpond's work. He explains, "I've always been inspired by Japanese neon, squeaky toys and the dress and culture of Japan, from traditional all the way through to the very modern." Back in 2002, he even created a Japanese version of the Lilypad, "where we had Japanese dancers and performers doing tea ceremonies and calligraphy lessons." When I ask him for hints as to what we can expect from his stint at Tokyo Sing Song, he's reluctant to spoil the surprise. "Well, I can't tell you what to expect, as that would be non sequitous. The drink menu sounds suitably amazing, and there is a great representation of many styles of music, performance and personality awaiting to engage and entice our loving visitors. Aside from that, I'm ready to be just as surprised as you!" Tokyo Sing Song opens to the public on Friday, October 11. Find it in the basement of 145 King Street, Newtown.
UPDATE: Thursday May 6, 2021 — New COVID-19 restrictions have been announced. We'll keep you updated on this event as the situation changes. For the latest information, visit NSW Health. If you're starting to feel like a new season hasn't truly started until Finders Keepers has come to town, you're not alone. The ever-expanding art and design market has been bringing us face-to-face with some of the country's most quirky and creative designers for over a decade now — and it's set to do it all over again when it returns from Friday, May 7–Sunday, May 9. The focus remains, as ever, on helping you discover and connect with the next wave of independent and emerging artisans. Expect to find everything from jewellery, fashion and ceramics to leather goods, body products and items for your pets. Many of the market's seasoned vendors will also return — so, if you've been kicking yourself since last round that you didn't pick something up, you're in luck. And, you're covered when the inevitable shopping-induced hunger strikes, with food trucks and coffee spots on offer. Tickets are $5, which you'll need to buy online this year in advance — whether you're planning to head along on Friday from 3–9.30pm, on Saturday from 10am–5pm or on Sunday from 10am–5pm. Keen to start creating your shopping list now? You can head to the Finders Keepers market lineup to see the full scope of vendors. Images: Samee Lapham.
There's no shame in picking up a cheap bottle of whiskey. You're a little strapped for cash and in need of a nightcap, so what? You can knock it back all the same. As much as we'd love it, we can't all be Don Draper kickin' back on some Blue Label. But, now there might be a way to get the best of both worlds. This new device currently blowing up on Kickstarter claims transform your horrid cheap whiskey into something delectable in just 24 hours. Get ready for some serious life hacking. After six years of development, a group of Portland entrepreneurs named Time and Oak have created what they call Whiskey Elements — nifty little devices to stimulate the ageing process of whiskey (or at least make it seem that way). Each 'Element' is a small customised oak stick that is to be placed in a bottle of whiskey. After being submerged for a single day, your drink will taste richer and more complex while having much less toxins. The process has roughly the same effect as three years of ageing. Taking this one step further, the Elements have different variations to ensure a unique custom taste. You can choose from classic oak, vanilla, maple, smoky or peaty options and create a different flavour of whiskey altogether. It's a concept which must seem appealing to a lot of people. The Whiskey Elements Kickstarter campaign has surpassed its goal seven times over. Though the developers were only shooting for US$18,000, they've already received over $150,000 in pledges. The crowdfunding effort is open until next week, so you still have an opportunity to contribute and get your hands on some tasty, tasty whiskey. Though the lower level pledges only ship within the US, you can pick yourself up a starter pack for $24 plus delivery. If you ask us, that's not a bad price to trick your way into Don Draper levels of luxury. Via Springwise. Photos via Whiskey Elements.
