As a child, I equated riding a bike with my younger brother’s cup-cake fuelled birthday parties at the Centennial Park Bike Track. Not so cool. Now as an adult (and after attending the Deus Bike Swap Meet for the Bicycle Film Festival last weekend), bike riding has become something entirely different Now, riding a bike is very cool. Sydney collective GreenUps have decided to pay tribute to all things bike in their September drinks this Tuesday (September 1). The crew are taking over the Alexandria Hotel, Sydney, with bike valet, bike films and photography, tune-ups, giveaways, prizes for ‘best bike’ and (as always) green drinks for green minded Sydneysiders. Couriers, fixed-gear wheelers, BMX Bandits, bush bashers and leisure riders all welcome!
Come early 2021, the Gold Coast will boast yet another attraction, and it doesn't involve sun, surf, sand or theme park rides. Southeast Queensland's popular tourist destination will become home to a $60.5 million, six-level art gallery — the country's largest art gallery outside of a capital city. Currently under construction at Surfers Paradise's HOTA, Home of the Arts, the gallery will include a 1000-square-metre main exhibition space that'll be used for touring exhibitions, plus 900 square metres of permanent collection space across three levels, a children's gallery, and another 1000 square metres for storing works that aren't on display. Simply called the HOTA gallery, it's being built at the top of the site's new concert lawn, and will overlook HOTA's outdoor stage. View-wise, for those keen to gaze at something other than the pieces gracing the walls, the building's rooftop will also be open to the public — and, with a bar part of the plans, it'll serve up plenty of drinks to go with the 270-degree vantage over both the city skyline and natural vistas. Going in the opposite direction, a ground-floor restaurant will also feature. With linking with HOTA's outdoor grounds a key component of the site — with the gallery both spilling out onto the landscape and incorporating the garden into its internal spaces — the structure's design and construction is being overseen by Hansen Yuncken, who managed the same process for Hobart's Museum of Old and New Art (MONA). From late 2019, HOTA will also boast a brand new 130-metre green bridge over the Nerang River, connecting it with the rest of Surfer's Paradise via Chevron Island, and making it easier for pedestrians and cyclists to get to the arts centre. HOTA Gallery is set to open at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise from early 2021. For more information, visit the HOTA website. Image: HOTA, Home of the Arts.
Believe it or not, Fabbrica Pasta Bar has been winning over Darlinghurst diners with its knockout cacio e pepe and hot honey and ricotta zucchini flowers — among numerous other delights — for a year. And, this week, the Victoria Street pasta purveyor is inviting you to celebrate its first anniversary with free drinks and the return of some of its most popular dishes. To be more precise, if you stop into Fabbrica Darlinghurst between 9–13 April (that's this Wednesday to Sunday), you'll be treated to a complimentary limoncello. On top of that, head chef Damiano Balducci is bringing back two original (and once widely devoured) creations. The first is the slightly sweet, slightly spicy and velvety smooth tonnarelli with blue swimmer crab and chilli. The second is cotoletta, consisting of Tathra Place pork cutlets, which are brined, crumbed and fried, before being served with crispy sage and creamy aioli. You can think of it as Balducci's signature take on a schnitty. We reckon this is going to attract fans in their legions. Don't want to miss out? Then be sure to book online as soon as you can.
With so many beauty products floating around, it's hard to know if your current ten- (or one-) step skincare routine is making any kind of difference. It might seem obvious, but Carla Oates, founder of The Beauty Chef, recommends starting with what's on the inside — with products that work on improving your gut and skin microbiome. The Beauty Chef first saw success with its GLOW®️ Inner Beauty Essential: a probiotic supernutrient powder that features powerhouse ingredients such as vitamin C, biotin, niacinamide, prebiotics and zinc to give your skin a serious glow-up, while supporting healthy hair, nails, digestion and energy. The entrepreneur has since spent the past 15 years creating a line of innovative inner beauty products for skin, gut and whole-body wellness that are now sold at David Jones, MECCA and Sephora — as well as beloved by people across the globe. In partnership with Klaviyo, we caught up with Oates to uncover her path into the industry, her advice for fellow entrepreneurs and the importance of listening to your gut. How did The Beauty Chef come about? As a child, I suffered from eczema and allergies. My mum took me to see a naturopath who dramatically changed what I ate, removing processed foods and allergens like gluten and dairy. My allergies and eczema subsided, so I experienced firsthand that what we eat can affect our skin and health. My daughter also experiences eczema and allergies. With the assistance of health professionals, we removed specific trigger foods from her diet, and I began researching the link between gut and skin health. As I explored this link more closely, I decided to put my family on a gut-healing protocol, which included eliminating certain foods and introducing lots of lacto-fermented whole foods with beneficial bacteria into our diet. Friends and family took notice and I realised I was onto something. Why focus specifically on inner beauty? Inner beauty is so important. When people start to delve deeper into understanding what makes skin healthy, it's not so much about what they're putting on their skin but how they're nourishing it from within. I focus on inner beauty because so many benefit from it. I've spoken to people who have tried all sorts of concoctions to remedy their skin on the outside, but it's only once they look to support their skin and health from the inside that results become abundantly clear. Can you break down the gut-skin connection for us in simple terms? The simplest way is to use the analogy of our gut as a garden. If the soil in the garden isn't healthy, balanced and thriving with a good array of nutrients and bacteria, then the plants that grow within its soil will struggle to blossom. The gut is where 70 percent of our immune system lies. It's where we make nutrients, regulate hormones, detoxify enzymes, neutralise pathogens and make neurotransmitters, so it's super important to get your digestive health in check. For someone just discovering The Beauty Chef, where should they start? GLOW®️ Inner Beauty Essential or GLOW AGELESS™ Inner Beauty Essential are five-star probiotic supernutrient formulas that promote healthy glowing skin, hair and nails, energy and gut health. From there, you can target any other specific skin, gut health or wellbeing concerns with products from the rest of our range — all our products are designed to work together for enhanced results. What challenges did you have to overcome as a woman establishing her own business? When I launched in 2009, ingestible beauty was a foreign concept. Pioneering the category wasn't easy because retailers didn't have a category for it. One of the hardest things was convincing manufacturers to support our low volumes. I had to find my CEO voice and seriously hustle to help them see my vision and understand the product. In the beginning, I was wearing every single hat, from product development to marketing and even HR. Now, we have 30 full-time staff at our head office. A key learning for me has been understanding and accepting that I can't be and do everything all the time. And, as the business expands, it's imperative to support that growth with leaders who are specialists in what they do. Networking with other female founders is also very important for me, both professionally and personally. No matter how different our businesses may be, we face similar challenges. When you connect, you can relate to each other and share learnings. How has Klaviyo helped your business? Klaviyo email and SMS have helped The Beauty Chef streamline our communications with our customers. We now have one central platform for key communications to our customers and can effectively personalise and segment to ensure long-term retention. Do you have any advice for other budding entrepreneurs? Do what you love because success requires hard work, so you might as well spend the hard work doing something you wholeheartedly enjoy. Plus, you are bound to be more successful doing something you have fire, passion and drive for. Try not to get caught up in trends and make sure you're creating products that serve a purpose and provide a solution that is unique. And be gutsy and follow your gut instinct. Discover The Beauty Chef's full range of products at the website, and find out more at the Klaviyo website.
When Inside popped up on Australia's film festival circuit in 2024, including at the Melbourne International Film Festival, SXSW Sydney Screen Fest and Brisbane International Film Festival, it was instantly one of the must-see homegrown titles doing the rounds. If you didn't catch it then, the Guy Pearce (The Clearing)-, Cosmo Jarvis (Shōgun)- and Toby Wallace (The Bikeriders)-starring thriller should be at the top of your to-watch list in 2025 when it hits local cinemas in February — and it has just dropped its trailer to demonstrate why. Fresh from earning a well-deserved Golden Globe nomination for The Brutalist — and likely on track for an Oscar nomination for the same role, too — Guy Pearce (The Clearing) leads the prison-set film as Warren Murfett, an inmate on the cusp of parole. As he's preparing for potentially earning his freedom, he's asked to take Mel Blight (Vincent Miller, Plum) under his wing after the latter is transferred from juvenile detention to adult prison. Also giving the newcomer a guiding hand is the infamous and widely despised Mark Shepard (Cosmo Jarvis, Shōgun). Inside doesn't just bring the three men together in a powderkeg of a location; it immerses them in a violent plot that could change each of their lives forever, all while thoughtfully and empathetically pondering choices, repercussions, and the impact of inherited damage and trauma. Also among the cast: Toby Wallace (The Bikeriders), Chloé Hayden (Heartbreak High) and Michael Logo (Colin From Accounts), with the film boasting impressive names on- and off-screen. Inside marks the feature debut of writer/director Charles Williams, who won the 2018 short film Palme d'Or at the Cannes Film Festival for the also-excellent All These Creatures. The Stranger and Acute Misfortune filmmaker Thomas M Wright is onboard, too, as an executive producer. "Inside is a movie that's been with me in some form or another for the better part of a decade. I wanted to make the kind of film that resonated with me growing up. Movies that you could get lost in, often uncovering very specific worlds and complicated characters," explains Williams. "They felt very real but also oddly transporting and almost spiritual — while still being visceral, cinematic experiences for the big screen. It's been such an honour to collaborate with this incredible cast and crew to bring Inside to life." Check out the trailer for Inside below: Inside releases in Australian cinemas on Thursday, February 27, 2025. Images: Mathew Lynn.
Lior's sophomore album, Corner Of An Endless Road has been described as “Led Zeppelin meets Nick Drake at a teahouse in the Middle East sharing a hookahâ€. Elaborate melodies and fancy water pipes aside, he is also the man responsible for penning the wedding-favourite hit, This Old Love, from his debut album, Autumn Flow. Earlier this year the singer-songwriter collaborated with shadow artists, Stephen Mushin and Anna Parry, the same dynamic duo behind the puppetry in the video to his song and duet with Sia, I’ll Forget You, and Lior is now set stage a special encore season of the Shadows and Light concerts with accompaniment from the Tailem String Quartet.A percentage of proceeds from the series will be donated to Youngcare - an organisation working towards constructing state-of-the art purpose-built facilities for young adults who require 24-hour care.
There couldn't be a better spot to gather for a feast after a day's exploration than in the mess hall of The Shearers Quarters at Kimo Estate. A 12-person gaggle of friends can spread out in this rustically renovated shed that sits within 7000 acres of rolling sheep- and cattle-grazing land. The earthen, knobbly kitchen benches are ideal for cooking up a storm after touring the Gundagai wine region or dropping lines in the Murrumbidgee and Tumut rivers searching for a catch of trout, Murray cod, yellowbelly or bream to bring to the barbecue. If you're an adventurous lot, consider planning your trip around the estate's five-day horse riding program, or jump out the front door and into a helicopter for a stunning flight through the Snowy Mountains foothills. Top image: Destination NSW
So long MissChu, hello Saigon Lane. Restaurateur Aki Kotzamichalis has taken over the licenses of the popular Vietnamese eateries in Bondi, Glebe, Darlinghurst and the CBD — which, from December, will be trading with new menus and a new moniker to match. Kotzamichalis is best known as the man behind Bali restaurants Ku De Ta and Saigon Street, with the latter establishment inspiring the Sydney rebrand. "It's a massive undertaking" Kotzamichalis told Concrete Playground. "Rebranding, painting, renovating, new menu, staff training, you name it." The Saigon Lane menu will be inspired by chef Phil Davenport, who previously served as head chef for seven years at Ku De Ta. Think green rice fried tiger prawns, Vietnamese chicken coleslaw with peanuts, and pork belly banh mi. They'll also retain a number of favourites from the old MissChu menu, including the popular Atlantic salmon dish and a selection of dumplings. "We didn't want to alienate anyone," said Kotzamichalis. "Anything that is really popular we'll keep or tweak." The menu will be the same at all four sites, although there'll be a bigger focus on takeaway at the "rush in, rush out" tuck shops in Darlinghurst and the CBD. The restaurants in Glebe and Bondi, on the other hand, will feature a selection of signature cocktails, at least two of which will be available on tap. The new interiors, meanwhile, will come courtesy of Alex Zabotto-Bentley, who'll make use of the same bright colour palette seen over in Seminyak. "Saigon Lane will have a similar look and feel to its big brother, but with a few unique twists that will be revealed when we open our doors in December," promised Kotzamichalis. For more information about Saigon Lane visit www.saigonlane.com.
With the sale of Marrickville's iconic Vic On The Park to hotel powerhouse Merivale, the ardent hipsters of Enmore Road are on the lookout for a traditional, independent boozer to call their local. The "Wazza" is the inner west pub of yesteryear — a simple, reasonably priced menu, sport on the telly and cheap beer alongside a couple of local craft taps. This unpretentious pub might look to be another old man's watering hole, yet the unassuming decor of the main bar gives way to a secluded, shady and spacious outdoor garden courtyard full of hipsters, tradies and families alike. The bamboo-panelled walls of the garden, coupled with multiple umbrellas all centred around the shade thrown from the large tree in the middle of the garden make for a great place to hide from the traffic outside and forget how close you are to the city. A great neighbourhood pub with one of the best kept secret gardens in the area.
In honour of the recent selection of the winner of the World Press Photo awards this week, here are each of the winners from 1955 to 2011. They say a picture tells a thousand words, and this old statement is strikingly appropriate for what's displayed here. Some truly moving and iconic pieces are featured; let's hope that the coming year's winner can uphold the tradition. Warning: some images contain graphic or objectionable content. 1955 A competitor tumbles off his motorcycle during the Motorcross World Championship at the Volk Mølle race course. (Mogens von Haven) 1956 A German World War II prisoner, released by the Soviet Union, is reunited with his daughter. The child had not seen her father since she was one-year-old. (Helmuth Pirath) 1957 Dorothy Counts, one of the first black students to enter the newly desegregated Harry Harding High School is mocked by whites on her first day of school. (Douglas Martin) 1958 National Football Championships between Prague and Bratislava. (Stanislav Tereba) 1960 A right-wing student in Japan assassinates Inejiro Asanuma, Socialist Party Chairman, during his speech at the Hibiya Hall. (Yasushi Nagao) 1962 Priest Luis Padillo offers last rites to a loyalist soldier who is mortally wounded by a sniper during military rebellion against President Bétancourt at Puerto Cabello naval base in Venezuela. (Héctor Rondón Lovera) 1963 Buddhist monk Thich Quang Duc sets himself ablaze in protest against the persecution of Buddhists by the South Vietnamese government. (Malcolm W. Browne) 1964 A Turkish woman mourns her dead husband, a victim of the Greek-Turkish civil war. (Don McCullin) 1965 A mother and her children wade across a river to escape US bombing. The US Air Force had evacuated their village because it was suspected of being used as a base camp by the Vietcong. (Kyoichi Sawada) 1966 The body of a Vietcong soldier is dragged behind an American armored vehicle en route to a burial site after fierce fighting. (Kyoichi Sawada) 1967 The commander of an M48 tankgunner of the US 7th regiment in Vietnam's 'Iron Triangle'. (Co Rentmeester) 1968 South Vietnam national police chief Nguyen Ngoc Loan executes a suspected Viet Cong member. (Eddie Adams) 1969 A young Catholic wears a gasmask during clashes with British troops. People had been fleeing from teargas after a night of street fighting. (Hanns-Jörg Anders) 1971 During negotiations on the safe-conduct of a group of criminals on the run, police superintendent Gross suddenly shoots down gang leader Kurt Vicenik. The gang, who had disappeared after a bank-robbery in Cologne, re-emerged near Saarbrücken, carrying a hostage with them. A chase followed and the police and the robbers met at Baltersweiler. The two other men were captured in a wild fight. The men running away from the bullets are policemen. (Wolfgang Peter Geller) 1972 Phan Thi Kim Phuc (center) flees with other children after South Vietnamese planes mistakenly dropped napalm on South Vietnamese troops and civilians. (Nick Ut) 1973 Democratically elected President Salvador Allende moments away from death during military coup at Moneda presidential palace in Chile. (Orlando Lagos) 1974 The Faces of Hunger. A mother comforts her child, both victims of drought. (Ovie Carter) 1975 A mother and her daughter are hurled off a collapsing fire-escape in an apartment house fire in Boston. (Stanley Forman) 1976 Palestinian refugees in district La Quarantaine. (Françoise Demulder) 1977 Police throw tear-gas at a group of chanting residents of the Modderdam squatter camp protesting against the demolition of their homes outside Cape Town. (Leslie Hammond) 1978 A demonstrator is engulfed in flames of the molotov cocktail he was about to throw at the police during protests against the construction of the New Tokyo International Airport. The original Narita Airport plan was unveiled in 1966. To acquire the initial land, the government had to evict protesting landowners. Violent clashes between the opponents and authorities resulted in 13 deaths, including five police officers. The new airport opened in May 1978. (Sadayuki Mikami) 1979 A Cambodian woman cradles her child while waiting for food to be distributed at a refugee camp. (David Burnett) 1980 A starving boy and a missionary in Uganda. (Mike Wells) 1981 Lt. Col. Antonio Tejero Molina orders everyone to remain seated and be quiet after armed Guardia Civil soldiers stormed the Assembly Hall of the Spanish Parliament. Three hundred deputies and cabinet members were in session to vote upon the succession of premier Suarez. They were released next morning after having been held hostage for almost 18 hours; the coup was a failure. (Manuel Pérez Barriopedro) 1982 The war in Lebanon: The aftermath of the massacre of Palestinians by Christian Phalangists in the Sabra and Shatila refugee camps. (Robin Moyer) 1983 Kezban Özer (37) finds her five children buried alive after a devastating earthquake. At five o'clock in the morning she and her husband were milking the cows as their children slept. A few minutes later, 147 villages in the region were destroyed by an earthquake of magnitude 7.1 on the Richter scale; 1,336 people died. (Mustafa Bozdemir) 1984 A child killed by the poisonous gas leak in the Union Carbide chemical plant disaster. (Pablo Bartholomew) 1985 Omaira Sanchez (12) is trapped in the debris caused by the eruption of Nevado del Ruíz volcano. After sixty hours she eventually lost consciousness and died of a heart attack. (Frank Fournier) 1986 Ken Meeks' (42) skin is marked with lesions caused by AIDS-related Kaposi's Sarcoma. (Alon Reininger) 1987 A mother clings to a riot policeman's shield at a polling station. Her son was one of thousands of demonstrators arrested because they tried to prove that the presidential election on December 15, which was won by the government candidate, had been rigged. (Anthony Suau) 1988 Boris Abgarzian grieves for his 17-year-old son, victim of the Armenian earthquake. (David Turnley) 1989 A demonstrator confronts a line of People's Liberation Army tanks during protests for democratic reform. (Charlie Cole) 1990 Family and neighbors mourn the death of Elshani Nashim (27), killed during a protest against the Yugoslavian government's decision to abolish the autonomy of Kosovo. (Georges Merillon) 1991 US Sergeant Ken Kozakiewicz (23), gives vent to his grief as he learns that the body bag at his feet contains the remains of his friend Andy Alaniz. 'Friendly fire' claimed Alaniz's life and injured Kozakiewicz. On the last day of the Gulf War they were taken away from the war zone by a MASH unit evacuation helicopter. (David Turnley) 1992 A mother carries her dead child to the grave, after wrapping it in a shroud according to local custom. A bad drought coupled with the effects of civil war caused a terrible famine in Somalia which claimed the lives of between one and two million people over a period of two years, more than 200 a day in the worst affected areas. The international airlift of relief supplies which started in July was hampered by heavily armed gangs of clansmen who looted food storage centers and slowed down the distribution of the supplies by aid organizations. (James Nachtwey) 1993 Boys raise toy guns in a gesture of defiance. The Palestinian uprising, which began in December 1987, strengthened the Arab population in their determination to fight the occupying force. In March Israel closed its border with Gaza, causing a massive rise in unemployment. With more than 800,000 people contained in the Israeli-patrolled, eight-km-wide strip of land, bloodshed increased sharply. The peace agreement signed in Washington on September 13 promised limited authority for the Gaza Strip and a withdrawal of the Israeli army. (Larry Towell) 1994 A Hutu man at a Red Cross hospital, his face mutilated by the Hutu 'Interahamwe' militia, who suspected him of sympathizing with the Tutsi rebels. (James Nachtwey) 1995 A bus on the road leading to Grozny during fighting between Chechen independence fighters and Russian troops. The civil war which erupted when President Yeltsin sent troops to the rebellious province in December 1994 was still dragging on months later. When the Chechen fighters fled Grozny, the capital, where the war had claimed a horrendous human and material toll, Russian troops pursued them into the countryside to the south and east. (Lucian Perkins) 1996 Landmine victims in Kuito, a town where many people were killed and traumatized during the civil war. (Francesco Zizola) 1997 A woman cries outside the Zmirli Hospital, where the dead and wounded were taken after a massacre in Bentalha. (Hocine) 1998 A woman is comforted by relatives and friends at the funeral of her husband. The man was a soldier with the ethnic Albanian rebels of the Kosovo Liberation Army, fighting for independence from Serbia. He had been shot the previous day while on patrol. (Dayna Smith) 1999 A man walks the streets in one of the largest gathering points for ethnic Albanian refugees fleeing violence in Kosovo. (Claus Bjørn Larsen) 2000 The mother of a Mexican immigrant family makes piñatas to support herself and her children. The family numbers among the millions of 'uncounted' Americans, people who for one reason or another have been missed by the national census and so don't exist in population records. (Lara Jo Regan) 2001 The body of a one-year-old boy who died of dehydration is prepared for burial at Jalozai refugee camp. The child's family, originally from North Afghanistan, had sought refuge in Pakistan from political instability and the consequences of drought. The family gave the photographer permission to attend as they washed and wrapped his body in a white funeral shroud, according to Muslim tradition. In the overcrowded Jalozai camp, 80,000 refugees from Afghanistan endured squalid conditions. (Erik Refner) 2002 A boy holds his dead father's trousers as he squats beside the spot where his father is to be buried, surrounded by soldiers and villagers digging graves for victims of an earthquake in Armenia. (Eric Grigorian) 2003 An Iraqi man comforts his four-year-old son at a holding center for prisoners of war, in the base camp of the US Army 101st Airborne Division near An Najaf. The boy had become terrified when, according to orders, his father was hooded and handcuffed. A soldier later severed the plastic handcuffs so that the man could comfort his child. Hoods were placed over detainees' heads because they were quicker to apply than blindfolds. The military said the bags were used to disorient prisoners and protect their identities. It is not known what happened to the man or the boy. (Jean-Marc Bouju) 2004 A woman mourns a relative killed in the tsunami. On December 26, a 9.3 magnitude earthquake off the coast of Sumatra, Indonesia, triggered a series of deadly waves that traveled across the Indian Ocean, wreaking havoc in nine Asian countries, and causing fatalities as far away as Somalia and Tanzania. (Arko Datta) 2005 The fingers of malnourished Alassa Galisou (1) are pressed against the lips of his mother Fatou Ousseini at an emergency feeding center. One of the worst droughts in recent times, together with a particularly heavy plague of locusts that had destroyed the previous year's harvest, left millions of people severely short of food. (Finbarr O'Reilly) 2006 Young Lebanese drive down a street in Haret Hreik, a bombed neighborhood in southern Beirut. (Spencer Platt) 2007 A soldier of Second Platoon, Battle Company of the Second Battalion of the US 503rd Infantry Regiment sinks onto an embankment in the Restrepo bunker at the end of the day. (Tim Hetherington) 2008 Detective Robert Kole of the Cuyahoga County Sheriff's Office enters a home, following mortgage foreclosure and eviction. He needs to check that the owners have vacated the premises, and that no weapons have been left lying around. (Anthony Suau) 2009 Women shout their dissent from a Tehran rooftop on 24 June, following Iran's disputed presidential election. (Pietro Masturzo) 2010 Bibi Aisha, an 18-year-old woman from Oruzgan province in Afghanistan, fled back to her family home from her husband's house, complaining of violent treatment. The Taliban arrived one night, demanding Bibi be handed over to face justice. After a Taliban commander pronounced his verdict, Bibi's brother-in-law held her down and her husband sliced off her ears and then cut off her nose. Bibi was abandoned, but later rescued by aid workers and the U.S. military. (Jodi Bieber) 2011 A veiled woman holds a wounded relative "inside a mosque used as a field hospital by demonstrators against the rule of President Ali Abdullah Saleh, during clashes in Sanaa, Yemen. (Samuel Aranda) [via Buzzfeed]
Life has been a cabaret for one of the world's inimitable designers since 2018, when Jean Paul Gaultier's Fashion Freak Show first premiered in Paris. Couture, colour, flair, excess, passion, a larger-than-life attitude: they're all channelled into this fashion show-meets-musical revue that steps through its namesake's career and promises a time at the theatre like nothing else. More than 200 original Gaultier pieces feature. His 50 years making threads are in the spotlight. Unsurprisingly, the whole thing also plays out like a party. So far, London, Tokyo, Munich, Porto, Lisbon, Milan, Barcelona and Osaka have also revelled in the Jean Paul Gaultier's Fashion Freak Show experience. Next, it's Brisbane's turn. The River City will welcome the Australian debut of the show — and the Aussie-exclusive season, too — during Brisbane Festival 2024. Donning attire that Gaultier would approve of isn't a prerequisite of attending the production, but you know that you want to dress the part if you're heading along. Jean Paul Gaultier's Fashion Freak Show will kick off with Brisbane Festival itself, starting on Friday, August 30. The Australian season runs until Sunday, September 15, taking over the South Bank Piazza — which forms part of the Festival Garden for the duration of Brisbane Festival. "I am pleased and honoured that my Fashion Freak Show will be presented in Australia, as part of the Brisbane Festival," said Gaultier about the production's trip Down Under. "I could never imagine that it would travel this far and I hope that the Australian audiences will enjoy the show as much as I enjoyed making it with the fantastic team that you will see in Brisbane. It's the story of my life told through music and dance and fashion. The story of a boy from the suburbs who dreamed of being a couturier — who lived his dream with all the highs and lows of his destiny." Of course Jean Paul Gaultier's Fashion Freak Show emphasises its titular figure's boundary-pushing work, his focus on individual expression, and his championing of queer aesthetics and LGBTQIA+ causes. Alongside the hefty range of outfits, it also features a suitable genre-defying soundtrack of disco, funk, pop, rock, new wave and punk tunes as actors and dancers — plus circus artists as well — take to the stage. The diverse cast of faces bringing the show to life spans even further, too, with celebrities and other special guests filming cameos that play during the production. [caption id="attachment_960525" align="alignnone" width="1920"] Jean-Paul Gaultier: Freak & Chic[/caption] In another highlight of Jean Paul Gaultier's Fashion Freak Show's Brisbane visit, a couture piece by Queensland Indigenous designer Grace Lillian Lee has been chosen by Gaultier to feature for the season. "The coming together of Grace Lillian Lee and Jean Paul Gaultier will forever be one of my proudest moments and the epitome of Brisbane Festival as local and global," said Brisbane Festival Artistic Director Louise Bezzina. "And in an Olympic year when eyes will turn from Paris to Brisbane, the festival is perfectly placed to host this shining blockbuster event that brings together superstar talents from Europe and First Nations Australia." [caption id="attachment_960526" align="alignnone" width="1920"] Grace Lillian Lee[/caption] Lee is no stranger to Brisbane Festival thanks to 2021's First Nations Fashion: Walking In Two Worlds, and will debut her first solo exhibition The Dream Weaver: Guardians of Grace from Friday, August 30–Saturday, September 21 during this year's fest. For more of Brisbane Festival's ode to Jean Paul Gaultier, the event has also included a screening of documentary Jean-Paul Gaultier: Freak & Chic on its 2024 lineup. Jean Paul Gaultier's Fashion Freak Show will play the South Bank Piazza, Festival Garden, South Bank, Brisbane from Friday, August 30–Sunday, September 15 as part of Brisbane Festival 2024. Head to the festival website for tickets and more details.
Whether you've got a birthday to ring in or just want an inviting space to feast with friends, Cho Cho San's Buns and Bottomless Bubbles lunch is now held every Saturday and Sunday. Bringing the fun of Japanese izakaya culture to Potts Point, you probably shouldn't expect the most authentic experience. Yet that doesn't mean the banquet menu doesn't feature highlights from top to bottom. Spanning share plates and fluffy bao served with crispy chicken katsu and an assortment of condiments like pickled ginger, chilli and cucumber, each booking is rounded out by a delightfully chewy mochi. This being a bottomless session, guests can also expect house sparkling, wines and beers in abundance, while you're invited to add a seasonal cocktail package for $35pp. Keen? You'll choose from a strawberry rhubarb spritz, Tokyo tommy margarita and honeydew highball. From kickstarting a party to keeping the festivities going, getting down for Buns and Bottomless Bubbles is bound to impress. Plus, if it's your birthday, bring a group of eight or more pals to receive a complimentary offering. Lunch is $95pp and runs every Saturday and Sunday from 12–3pm.
Every month or thereabouts, ice cream chain Gelatissimo unveils a new special flavour. That's why we've been able to tuck into everything from frosé sorbet to ginger beer- flavoured gelato in the past — and Weet-Bix, fairy bread, hot cross bun, cinnamon scroll, chocolate fudge, bubble tea and Caramilk varieties, too. That hasn't changed lately, with a new limited-edition choc-caramel fudge gelato made with Lindt currently on the menu. Even more exciting: you can get the flavour delivered to your door during lockdown as part of a build-your-own sundae. If it's the choc-caramel fudge or the collaboration with Lindt that's tempting your tastebuds, you'll be pleased to know that it's made with molten Lindt chocolate and caramel fudge sauce, and it's rather decadent. Also on offer: a dark choc pistachio flavour, again made with molten Lindt chocolate — this time paired with dry roasted pistachio paste. If you're more interested in the sundae side of things, that just involves ordering a tub of whatever flavours you like — and also picking your choice of cone (including choc-dipped, choc-dipped with peanut and choc-dipped with hundreds and thousands), and also opting for toppings (such as gummy bears, sour straps, mini M&Ms, and hundreds and thousands). You'll have to then scoop it all together, of course, but that's part of the fun. Gelatissimo delivers its take-home packs via services such as Uber Eats, Deliveroo and Doordash, should your lockdown tastebuds now have a hankering for something sweet. And, flavour-wise, options include the new cold brew with oat milk vegan flavour, as well as everything from cookie dough and choc mint to raspberry sorbet and good ol' fashioned vanilla. Gelatissimo's new Lindt flavours and take-home packs are available from all stores nationwide — and via delivery as well.
This modern, clean pottery studio offers up an open learning space where you can dabble in the age-old art of handbuilding and wheel-thrown pottery. Classes come in a bunch of different formats to suit everyone from novices to pros, including an evening taster (a one-off intro into wheel throwing); a date night for couples or a DIY keep cup class. You can also commit to one of the workshops, where you hone your skills across four, six or ten weeks by throwing, cutting, firing and glazing your pieces from scratch.
One of the most crippling and persistent of first world problems is the fact that sometimes things remain over there when you in fact want them over here. But now cutting-edge spy technology could change all that. How did we fail to see the answer, when it was right in front of our eyes? All we need is a way to give objects wings, and Dutch designer Jasper van Loenen has already done the bothersome design work for us. Drone It Yourself takes the guesswork out of droning, by using simple components to transform any (lightweight) item into a flying beast of the skies. Channelling our Zeitgeist's motif of personal customisation, anyone can 3D-print the kit's parts, which can also be altered and enhanced with any clamps or other addenda you may wish to incorporate into your quadrocopter. Grab your remote control/pizza/Frankie magazine, and dispatch it on its stealth mission. The kit's four propellors connect to a control unit containing a receiver, bluetooth module, 4 ESCs and OpenPilot CC3D flightcontroller. Presto: next-level convenience — and a springboard for further innovation — is achieved. Check out the video below to see how it looks when drones become tools that anyone can make. Via Mashable.
Today marks the last day of Dark Mofo and, for those of us on the mainland, this means today is the last day our social media news feeds are bombarded with Tasmanian whimsy. Over the past few days you may have asked yourself what this congregation of lights and bearded men actually is. You may have wondered what kind of wizardry has conjured all this neon and Hogwarts-esque feasting, and how you can become a part of it. Well, we've scoured our Instagram feeds and compiled a handy outsiders' guide for you. Organisers may declare the festival a celebration of "large-scale art, food, music, light and noise," but we feel it's best summed up by the following. Here's what went down at Dark Mofo 2014: People spent their time washing ice This was probably the most confusing thing that's popped up in your feed over the past few days. In an act of — let's face it — supreme futility, Mofo-goers have been caught this year scrubbing a large tower of ice (although we guarantee they didn't keep it up for long once the photo had been uploaded). Watching this ice slowly, slowly erode into separate smaller blocks has been like a deeply unsatisfying game of Tetris played in reverse. Explanation: It's actually an artwork by Chinese artist Yin Xiuzhen. After freezing water from the Derwent River, Xiuzhen asked festival patrons to scrub the dirty water clean. It's a symbolic act that she terms an artist's solution to pollution. This radioactive bunny made its way down from Sydney Tasmania has stolen Sydney's giant neon bunny rabbit! How rude. You probably recognise this critter from your jaunts down to Vivid Sydney earlier this month. It's the kind of thing that definitely sticks in your mind (and your Instagram feed, for that matter). Because of this, Sydney-siders really can't be too jealous of its presence at Dark Mofo. But, for everyone else across the country, this is the holy grail of public art and the number one cause of jealousy. I maintain that if I got one hug from this amazing bringer of joy, at least half the problems in my life would be solved. Explanation: The bunny is the work of Tassie artist (and Sydney expat) Amanda Parer. We can neither confirm nor deny that it's radioactive, but we can say that it's maybe the greatest thing we've seen for awhile. There was a cat shooting laser beams from its eyes We can't even. This needs all of the explanations. Explanation: Disappointingly, we can't find out much about this little treasure. From the almighty power of hashtags we can deduct it has something to do with Dj Kiti playing at the festival club Faux Mo on Saturday night. We don't know how big the cat was. We don't know how strong its powers are. We don't know what it wants from us. We do however know that it's maybe the most mesmerising thing we've seen since Hypnotoad and we feel strangely compelled to obey it. If you know more, please get in touch! It's a good place to be if you like to feast From all the photos of mood-lit dining halls and opulent dinners, we can only reasonably deduct that Dumbledore and/or representatives from Hogwarts School of Witchcraft and Wizardry have made their way to Tasmania. Sure, there are no ghosts flying around, but the twigs cascading from the ceiling do look suspiciously like broomsticks and the feast speaks for itself. Explanation: This is more or less right. The Winter Feast is one of the hallmarks of the festival and consists of a "three-night Bacchanalian banquet of feasting and fire, drinking and celebration, music and performance". Apparently there were some problems with capacity this year, but with the amazing spread on offer it's easy to understand why. Everyone got naked for some reason It's a strange thing to wake up to as you check your phone, but this morning we were treated to the sight of hundreds of bums along a beautiful beach at sunrise. Accompanying them (on what looked like a freezing morning) were a couple of old men in beanies shooting orange smoke into the air because, hell, why not? Explanation: This nude run into the water was in fact to commemorate the winter solstice. It's an annual event at Dark Mofo that's now in its second year. And, despite the unpleasant temperature, this year saw 700 people get on board! We're going next year Confusing art, giant animals, laser beams, opulent feasts, and reckless nudity — why is it that we don't live in Hobart, again? Photo credits in order of appearance: jackjesta, melfiddles, angela__g, katesaunders002, chdaku, rosiehastie.
There's nothing like a big, warm welcome to make you feel instantly at home, whether you're wining and dining out or enjoying a hard-earned weekend escape. At some places, it might be a traditional greeting, called cheerfully when you walk through a restaurant's front door, for others, a thoughtful gesture that's steeped in culture. Then, there are the greeting rituals that'll please your taste buds as well as give you the warm and fuzzies — like DoubleTree by Hilton's signature 'cookie welcome', which sees all of its guests gifted with a freshly baked, warm chocolate chip cookie on arrival. Keen to feel at home away from home? We've scouted out some of Melbourne's best global eateries dishing up warm welcomes of their own. BHANG, BRUNSWICK At contemporary Brunswick spot Bhang, Indian street food gets a freshen-up with classic flavours married to modern techniques and served up in a funky, new-school setting. Here, a lot of thought goes into making visitors feel welcome, with gestures both traditional and not. If you're digging the vibe, it could be because the figure of Hindu deity Ganesha is given fresh flowers at the start of each service, as a way of increasing the positive energies and inviting health and prosperity. You'll also catch welcoming wafts of incense throughout the restaurant and enjoy complimentary house-made pappadums to kick-start your meal. 1/2A Mitchell Street, Brunswick. DOC, CARLTON Enter through the doors of Carlton's legendary DOC and you'll be welcomed with the scent of baking pizza dough, as well as a cheery chorus of ciao, Italy's well-known greeting. Here, crisp-based traditional pizzas are the stars of the show, but to start things off right, let the friendly staff invite you aboard the aperitivo train. An alcoholic sip designed to help fire up the appetite, consider this the proper Italian welcome to any hearty meal. At DOC, fuel up with a glass of prosecco or a spritz, and you'll know you've been invited to enjoy some serious feasting. 295 Drummond Street, Carlton. AKACHOCHIN, SOUTH WHARF For fresh, honest Japanese fare served with a side of warm hospitality, you'll find it hard to beat a visit to South Wharf's Akachochin. Named after the red paper lanterns you'll often spy strung up outside a Japanese izakaya, this waterfront spot plays to tradition — from the serious knife skills on display in the open kitchen to the menu of sushi, sashimi and tried-and-true classics. Of course, you'll find it hard not to get swept up in tradition yourself, when you're greeted with a cheerful staff chorus of irasshaimase — Japan's customary call of 'welcome' or 'come on in'. 33 S Wharf Promenade, South Wharf. MOVIDA, CBD Spain's renowned tapas culture is about much more than just chowing down on tasty small food — it's about sharing a meal and wine with friends and celebrating social interactions. And when you partake in the tradition, it's hard not to feel like you're part of some big Spanish eating club. Here in Melbourne, Frank Camorra's famed MoVida is one of the best spots to get your authentic tapas fix — all funky tunes, moody lighting and a menu filled with top-notch small bites, like mini beef tartares and pressed pork tostadas. 1 Hosier Lane, Melbourne. PASTUSO, CBD Dining at ACDC Lane restaurant Pastuso is a bit like embarking on a journey through the many flavours of Peru, from the lively seafood dishes of the dedicated ceviche bar to the charry, meaty offerings coming hot off the traditional grill. And of course, the proper welcome to any authentic Peruvian adventure comes in the form of a fresh, tangy pisco sour — Peru's widely celebrated national cocktail, made from a grape-based spirit. To have you dining like a true Peruvian, the staff here are always eager to steer you towards an expertly crafted concoction from the pisco bar. 19 ACDC Lane, Melbourne. BON AP', FITZROY This cosy Fitzroy gem is like a little slice of provincial France, with fare as charming and authentic as the staff's French accents. The aim here is to replicate the familiarity of a quaint village bistro from back home, so expect a hearty bonjour upon entering, a warm bon appétit and an easygoing energy for as long as you stay. It's an inviting spot for breakfast, lunch or dinner — settle in with some charcuterie, a serve of mussels and a few glasses of great French wine and you'll find it pretty hard to say goodbye. 193 Brunswick Street, Fitzroy. LOS HERMANOS, BRUNSWICK At cosy Brunswick haunt Los Hermanos, bank on being greeted by authentic Mexican eats, a festive vibe and a serious collection of Mexico's national drink, tequila. But for all the choice, you won't be left daunted, with staff always keen to help hook you up with your ultimate agave match — their way of welcoming you into the fray. For full effect, pair your chosen drop with a few of the kitchen's drool-worthy tacos, featuring fillings like beer-battered fish, slow-cooked lamb leg and bold chipotle chicken. 339 Victoria Street, Brunswick. SON IN LAW, COLLINGWOOD Rooted in tradition, yet unafraid to unleash its creativity, Collingwood's Son In Law is one of Melbourne's best-loved Thai joints. Named after the dish of deep fried eggs that's said to be served up to misbehaving Thai sons-in-law, it's a colourful spot that's guaranteed to charm. Owner Piyawut Tony Rungpradit says his aim is to welcome diners to an authentically Thai dining experience by offering this namesake dish, as well as traditional share plates like the rich green curry and pad see ew noodles. Expect a sunny Aussie welcome to make you feel at home while you tuck into a proper Thai feast. 56 Johnston Street, Collingwood. DIN TAI FUNG, CBD Famed for its signature dumplings and boasting venues across the globe, Din Tai Fung sure knows how to pull the crowds. But no matter how busy the Melbourne Emporium restaurant might get, you'll always be met with a friendly call of ni hao — a Mandarin version of 'hi' or 'how are you' that's commonly used in China and Taiwan. It's just a kind little reminder of the Taiwanese deliciousness that awaits — drunken chicken, fragrant wonton soup and, of course, a parade of juicy, perfectly-crafted dumplings. Emporium, 287 Lonsdale Street, Melbourne. HOFBRAUHAUS, CBD In Germany, one of the world's largest consumers of beer, the heartiest welcome you'll find comes in the form of a nice, cold stein. For centuries it's been part of the social fabric, bringing people together and creating homes away from homes. And you'll experience exactly this with a visit to Market Lane's historic German restaurant, Hofbrauhaus. Here, staff sport classic Bavarian outfits, live German tunes set a cheerful tone and generous serves of pork knuckle are primed for feasting sessions. A range of traditionally brewed biers rounds out the whole lively experience. 18–28 Market Lane, Melbourne. Discover the many ways to feel welcome in Melbourne — from an authentic aperitivo hour to a chorus of 'irasshaimase' to the warm, freshly baked cookies waiting to welcome you to your home away from home at DoubleTree by Hilton on Flinders Street.
Sydney hospo favourite Odd Culture Group (Odd Culture, The Duke of Enmore) is throwing a free street party to raise money for its historic Woolloomooloo theatre. So if you want to spend a Sunday soaking in rays with live music, theatre previews and a top-notch food and drink lineup — all for a good cause — you're in luck. Located within one of our favourite pubs in Sydney, The Old Fitz Theatre has been a vital space for Sydney's arts scene for over two decades now. To celebrate the exciting things the theatre has in store and to ensure the space continues to thrive for another 20+ years, A Streetparty Named Fitz (good name) will take over Dowling Street out the front of The Old Fitz from midday until 7pm on Sunday, February 11. [caption id="attachment_937223" align="alignnone" width="1920"] The Old Fitz Theatre, Sydney Fringe Festival[/caption] On the day, you can expect a pair of performances from the theatre for a preview of its upcoming season, plus a live set from red Wiggle Murray Cook's band The Soul Movers, DJ Aunty Jonny on the decks, and roaming performers popping up throughout the crowd. Odd Culture Group Executive Chef James MacDonald has created a summer barbecue menu inspired by the cuisine of New Orleans (the setting of A Streetcar Named Desire). There will be jambalaya, smoked meats and veggies, smoked cheeseburgers and loaded fries. The Mapo Bus will also be on deck for all your gelato desires. Some high-profile friends have been called on to assist with the day's drinks: a pop-up bar will feature slushies and spritzes created by Matt Whiley (Re), Evan Stroeve (The Waratah) and Eduardo Conde (El Primo Sanchez), as well as margarita seltzers and Four Pillars Bloody Shiraz gin and tonics. A very good time for a very good cause. What's not to love?
A Noel Coward play, a series of Haydn string quartets, a concert by Clannad — wait, is this Melbourne Festival? It is, but it's the new-look Melbourne Festival, now in its first year under new artistic director Josephine Ridge. Ridge's goal with her first program has been to broaden the festival's appeal. While there will as always be a range of offerings on the weirder side of wonderful, from an epic dramatisation of a verbatim phone conversation (Nature Theater of Oklahoma's Life and Times), to an artist who makes playable musical instruments out of disarmed assault weapons (Pedro Reyes), the 2013 program is also aiming to draw in audiences who may normally have seen Melbourne Festival as not their thing. An expanded music program is a big part of that, bringing an eclectic range of acts from pop bands such as British India and Polyphonic Spree to a celebration of ska, a classical program put together with the help of the Australian Chamber Orchestra’s Richard Tognetti and a concert in the dark by blind artists Amadou and Mariam. This year also sees a greater focus on commissioned works, both from local artists such as Eddie Perfect and Daniel Schlusser and from big international names such as British choreographer Hofesh Shechter. Other guests of note include much-loved Indigenous singer Archie Roach, who will be playing in a grand welcome to country to kick the festival off, Hollywood legend John Landis and celebrated French ballerina Sylvie Guillem. There’s plenty for free and even if you can’t get yourself to a single film screening, gallery exhibit, concert or performance, the art will be coming to you anyway, via a series of decorative 'art trams'. Ridge has just come from nine years working on the Sydney Festival, an event which she says seems to draw more emotional engagement from its audience, compared to the intellectualised response typical of Melbourne. She’s hoping this year to bring a bit of that passion south, with a program that truly gets into Melbourne's heart. Tickets for the Melbourne Festival are on sale on Friday, 16 August. For tickets and the full program, see the festival website.
Lives don't just thrive in New York City apartment buildings. As Only Murders in the Building keeps showing, sometimes they end, too. Folks connected to the fictional Arconia complex haven't been having a good run in the hit mystery-comedy series, but neighbours and podcasters Mabel Mora, Charles-Haden Savage and Oliver Putnam — as played by Selena Gomez (Emilia Pérez), Steve Martin (It's Complicated) and Martin Short (Grimsburg) — keep investigating their untimely demises, and talking about it. Audiences keep watching, too. You'll next be viewing the trio's antics and sleuthing along with the series' latest whodunnit scenario from spring Down Under, with Only Murders in the Building setting a Tuesday, September 9, 2025 premiere date for its fifth season. There's no trailer as yet, but the show has unveiled its first-look image, and also enlisted Gomez, Martin and Short in a clip announcing the day to pop in your calendar. [caption id="attachment_972138" align="alignnone" width="1920"] Disney/Eric McCandless)[/caption] Yes, it's happening again: to continue to live up to its title, there's been another murder in the building. This time, Charles, Oliver and Mabel refuse to accept that the death of a beloved figure was accidental. As they endeavour to prove that's the case, mobsters and powerful billionaires all become involved, as do more Arconia residents. Michael Cyril Creighton (American Horror Stories) is back among the cast as well, as are Meryl Streep (Extrapolations), Da'Vine Joy Randolph (Bride Hard), Richard Kind (Poker Face) and Nathan Lane (The Gilded Age). Season five also features Bobby Cannavale (Unstoppable), Renée Zellweger (Bridget Jones: Mad About the Boy), Logan Lerman (We Were the Lucky Ones), Christoph Waltz (Old Guy), Téa Leoni (Death of a Unicorn), Keegan-Michael Key (Dear Santa), Beanie Feldstein (Drive-Away Dolls), Dianne Wiest (Apartment 7A) and Jermaine Fowler (Sting). [caption id="attachment_912213" align="alignnone" width="1920"] Patrick Harbron/Hulu[/caption] By now, everyone should already well-aware of Only Murders in the Building's setup. Each season, a new murder takes place in the apartment tower that its main sleuthing trio call home. It was true in 2021's season one, then 2022's season two, 2023's season three and 2024's season four. Also accurate in every season: when Mabel, Charles and Oliver are on the case, a heap of fellow big-name talent both help and hinder their investigations. There's no trailer yet for Only Murders in the Building season five, but check out the date announcement video below: View this post on Instagram A post shared by Only Murders in the Building (@onlymurdershulu) Only Murders in the Building streams Down Under via Disney+, with season five premiering on Tuesday, September 9, 2025. Read our reviews of season one, season two and season three. Top image: Disney/Patrick Harbron.
Us Aussies might not get to enjoy a white Christmas here on home turf, but that doesn't mean we can't indulge in all the classic wintery yuletide treats. Think, fruit mince pies, creamy egg nog and spiced gingerbread fresh from the oven. Or hey, how about a festive fusion of gingerbread and gin, like you'll find in the latest drop from The Craft & Co? The Collingwood distillery has just announced the return of its cult favourite Gingerbread Gin, a seasonal creation that's been steadily growing in popularity since debuting in 2019. Having just scooped another medal at last month's Australian Gin Awards, the spiced tipple is once again heading to a bottle shop shelf near you, with this year's edition now available to buy from The Craft & Co's online store and select booze retailers. The spirit is a nod to one of the classic food and drink pairings, inspired by stories from 18th-century England, when Brits would apparently warm the cockles with a combination of hot gin and gingerbread. The Craft & Co's riff on this concept takes the form of a rich, smooth gin, with warming flavours imparted by a mix of cinnamon, macerated ginger root, smashed nutmeg and tonka bean. It's unfiltered and clocks in with an ABV of 40 percent. So, how to put this Gingerbread Gin to good use? Apart from sipping it neat or on ice for a quick hit of Christmas cheer, the distillers recommend matching the drink with some blood orange soda or ginger beer. We're told it also works a treat in milky cocktails, and you can find recipes for a Gingerbread Gin Alexander and a Gingerbread Gin Egg Nog over on The Craft & Co's website. You can grab a Gingerbread Gin for $85 from The Craft & Co's online store or at its cellar door at 390 Smith Street, Collingwood. It's also available from select retailers including Dan Murphy's, BWS and Boozebud.
The Koreans do violent. The Italians do romantic. The French do flowery and pretentious. But when it comes strange, no one make movies like the Greeks. Characterised by a deadpan, absurdist sense of humour often punctuated by moments of unsettling violence, the so-called Weird Wave has led to a renewed interest in Greek cinema in recent times — and what better place to get acquainted than at Australia's very own Greek Film Festival. Standout wave films on the program include Luton and the aptly named Miss Violence. The latter title caused quite a stir at the Sydney and Melbourne Film Festivals earlier this year for its extremely graphic content, which caused a number of audience members to walk out. It's a remarkably well-made film for anyone who can stomach it. Just don't say we didn't warn you. Thankfully, there's more to the Greek industry than brutality and existential angst. Opening night film Little England is a lavish period romance set during the Second World War, while Block 12 mixes Bollywood dance numbers into a comedy about the country's economic crisis — because really, they just seem like a natural fit. For the full Greek Film Festival program, visit their website.
It started back in 1956 as a singing contest between a mere seven nations. Now, more than six decades later, Eurovision is a glitter and spandex-fuelled global musical phenomenon. Forty-one countries not only in Europe but from elsewhere compete — hello Australia — and viewers tune in en masse each May to watch, sing along and add new pop tunes to their playlists. But with COVID-19 continuing to spread, the show won't go on in 2020 in Rotterdam as planned. With this year's event cancelled, that leaves a huge Europop-shaped hole in plenty of music fans' lives. Thankfully, while the live contest isn't happening, SBS is screening an alternative. Between Sunday, May 10–Sunday, May 17, the Aussie broadcaster is hosting a week-long Eurovision festival filled with new specials and repeat airings of the Eurovision grand finals from 2015–2019. It all kicks off with Road to Eurovision 2020 on Sunday, May 10, which is hosted by this year's hosts and was actually filmed in the Netherlands in December — and charts the journey towards this year's now-axed event. Then, between Monday, May 11–Friday, May 15, viewers can check out the contests that featured Australia's entrants so far — Guy Sebastian, Dani Im, Isaiah, Jessica Mauboy and Kate Miller-Heidke — with each grand final screening in full. Next, on Saturday, May 16, SBS is putting together a new special called Eurovision 2020: Big Night In. As well as watching along, Aussie Eurovision aficionados can take part. Viewers are asked to head to the SBS website before Sunday, May 3, check out all the songs and artists that would've competed if this year's contest went ahead, and then vote for your three favourites, with the results revealed on the night. SBS' usual local hosts Myf Warhurst and Joel Creasey will be overseeing the show, and this year's Australian entrant, Montaigne, will perform live as well. https://www.youtube.com/watch?v=gr-wWxu4974&feature=emb_logo Finally, on Sunday, May 17, it's time for Eurovision: Europe Shine A Light. All 41 of this year's songs will get their time to shine in a non-competitive format, with the special made in The Netherlands and hosted by Dutch Eurovision presenters Chantal Janzen, Edsilia Rombley and Jan Smit. SBS' week-long Eurovision festival will air from Sunday, May 10–Sunday, May 17 on SBS and SBS Viceland. For further details — or to vote for your favourite 2020 Eurovision acts for Eurovision 2020: Big Night In before Sunday, May 3 — head to the SBS website.
It's hard to get a true snapshot of a place you're holidaying in when you don't have a friend who lives there to show you around. The Margaret River region presents its own unique set of challenges — with over 150 wineries and six days' worth of stunning coastal walking track, you're just not going to get to do it all are you? We've teamed up with Pullman Hotels and Resorts to bring you a guide to Margaret River that you can do in a few days, and that should leave you feeling like you really got to know the area. (If you ever decide to leave, that is. You do realise it's a food and wine mecca with a boho beach vibe that's long been punching above its weight in the culturescape, right?) Putting our heads together with Pullman Bunker Bay ambassador Shane Hilder — a creative consultant, entrepreneur and passionate amateur photographer who shot the most stunning images in this article — we've curated a list of ten must-dos that will expose you to Margaret River's many strengths. They range from a brewery in a dairy farm to a beach beloved for its stingrays, because the southwest of this country has no room for ordinary, apparently. Check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. FOOD & DRINK [caption id="attachment_643873" align="aligncenter" width="1920"] Larry Cherubino winery[/caption] MARGARET RIVER WINERIES You didn't come all this way, to one of Australia's premier wine-growing regions, not to taste a truckload of wine. Plenty of tour operators offer group trips that will help you blitz a selection of the area's more than 150 cellar doors. Alternatively, sort your own car or bike and follow an itinerary of your own invention. Taking responsible service of alcohol to heart, several of the wineries also have strong food offerings that will more than line your stomach. Cullen Wines and Vasse Felix (the region's first winery, dating back 50 years) are two estates with excellent restaurants, while Woodlands Wines has some of the best reds in the region. Don't miss: The brand spanking new cellar door at Larry Cherubino. The former head winemaker at Houghton, Larry started producing wines under his own label in 2005 and has just opened a cellar door in Wilyabrup. METRICUP'S BEER FARM Right in the midst of Margaret River's zoned agricultural area is this brewery, recently converted from a working dairy farm, and with cows still roaming its fields. The Beer Farm's old creamy is now an entrance, and the roundhouse where the cows were milked is the brewhouse, but you'll spend most of your time in the old hay shed — which has been transformed into a bar filled with handmade wood benches, chesterfield couches and floor-to-ceiling murals. An atmosphere of casual fun pervades the whole space (pinball machines, lawn games and footy posts help kick that along), and you can get a good feed from the on-site food truck. Don't miss: Their lovely cloudy cider, made from local Manjimup apples. THE GOOSE BEACH BAR & KITCHEN The main attraction of The Goose is its position at the start of the Busselton Jetty — the longest timber piled jetty in the southern hemisphere. The views from here out over the waters of Geographe Bay will make you Zen out so deeply you could forget to eat. Though, don't — it's all local southwest produce here, whipped into comforting cafe classics. Start your day with eggs any which way, the house granola with coconut yoghurt, or a more adventurous salmon pastrami and 63-degree egg on rye. Don't miss: Walking off a meal on Busselton Jetty — it stretches nearly 2 kilometres into the ocean, with an underwater observatory at the end. MARGARET RIVER FARMERS MARKETS Is there anything more pleasing than a farmers market in an actual farming area? Everything is so damn fresh, it's practically still growing, and the people manning the stall are the actual growers. On every Saturday morning at the Margaret River Education Campus, this farmers market has been running for more than 13 years. It's where residents do their weekly shop, producers test out their new creations, and visitors go to try out everything from regional honey and olive oil to kimchi and kombucha. It's only about 50 stalls, but the good vibes are disproportionately huge. Don't miss: Having a coffee by local roastery Yahava and a plate of Má Là dumplings — made in the northern Chinese style but stuffed with the produce of Australia's southwest. WELLBEING & LEISURE [caption id="attachment_643870" align="aligncenter" width="1980"] by Shane Hilder[/caption] HAMELIN BAY Two words: Friendly. Stingrays. These guys just love swimming around the jetty here and don't care if you hop in the water with them. While patting and feeding of the rays isn't strictly encouraged, people often do it anyway, so just use your common sense and be respectful. Otherwise, Hamelin Bay is great for swimming, walks or just some solid lolling around. The beach is open to the northwest, so skip it if it's a windy day and opt for somewhere more secluded. There's a reason 11 vessels have been shipwrecked here over the centuries. Don't miss: On the plus side, that's 11 sites to explore if you've got a snorkel or scuba gear. [caption id="attachment_643871" align="aligncenter" width="1920"] by Shane Hilder[/caption] CANAL ROCKS While you're in Margaret River, you've got to do a section of the Cape to Cape Track — the 140 kilometre coastal path from Cape Naturaliste to Cape Leeuwin that take about six days to walk in whole. A good segment to pick is around Yallingup, as it means you can take in the Canal Rocks. Waves have eroded a narrow path through the rocks in this headland over time, and watching the waters roar through it now is transfixing viewing. Unlike many other coastal spots, this one is great when the seas are rough, as the force of the waves is accentuated. There's a boardwalk over the rocks so you can get up close. You can swim around here too, but — need it be said — use caution. Don't miss: Watching the sunset from here over the Indian Ocean. If you're used to east-coast sunrises, you've been missing out on a world of colour. MOUNTAIN BIKE TRAIL Margaret River is betting that interest in mountain biking will continue to boom — it's apparently planning 500 kilometres in new trails in the coming years. There's already plenty there, winding through the region's famous jarrah and karri forests, with options for riders of all levels. Beginners can try the 10 Mile Brook track, following the Margaret River for some 15–20 kilometres, with an option to detour to the Colonial Brewery for lunch. Advanced riders might be more drawn to the Creek Trails, which include some sharp descents and what Margaret River Tourism terms the "flowy magic dirt" of Goobers Pool. Check their website for more tracks. Don't miss: Fat biking on the beach with The Margaret River Adventure Co. The oversized tyres mean your bike won't sink into the sand and it's actually fun. [caption id="attachment_643648" align="aligncenter" width="1920"] by Shane Hilder[/caption] BUNKER BAY One of the many excellent beaches along the southwest coast, Bunker Bay has the advantage of being relatively sheltered from the winds of the Indian Ocean. You'll only ever be facing smallish waves, which makes it a great spot for swimming and snorkelling. Fishing is also permitted in this area. Pullman ambassador Shane Hilder also rates this area for its photographic opportunities, especially the "forever-changing" characteristics of its afternoon versus morning light. Don't miss: A post-swim meal at Pullman Bunker Bay's restaurant The Other Side of the Moon (the name comes from a nearby surf break), which focuses on local ingredients like Manjimup truffle, Cape Naturaliste beef, and line-caught fish. ART & DESIGN RED CLOUD ART SPACE Opened in 2012 in Yallingup, Red Cloud Art Space is a gallery with two artists' studios attached. It's also the place you're most likely to find non-wine gifts for friends and family back home, as it brings a contemporary, minimal and accessible style to the Margaret River scene. Works on sale here range from WA artist Lisa Payton's abstracted and textural mixed-media canvases capturing the ocean hitting rocks (which hit around the $1000 mark) to individually handcrafted ceramic flowers by Perth's Bronwen Holding (which start at just $3). Don't forget to poke your head into the studios and watch the resident artists at work. Don't miss: Quarterly event Kaleidoscope. There's live music and drinks alongside displays of the latest work by Red Cloud artists, and your donation at the door goes to a chosen charity. MARGARET RIVER GALLERY If your budget stretches slightly higher, or you just want to get a look at some of the best contemporary art in the state, head to Margaret River Gallery. Located on Charles West Avenue in Margaret River town proper, this light and bright gallery focuses on works by leading WA practitioners and emerging artists, but it also catches some interstate names in its net. Look out for objects by local studio Melting Pot Glass, the oceanscape photography of Tony Warrilow, and poetic, migration-themed small sculptures by Lesley Whitham. Don't miss: The great jewellery selection by WA artists — clever, contemporary and not-too-exxy designs that make a great treat for someone (especially yourself). Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
You've watched your way through every episode of Stranger Things to date, including the just-dropped first part of the show's fourth season. Thanks to your latest binge, you've now got Kate Bush's 'Running Up That Hill' stuck in your brain permanently, too. You've eaten a demogorgon burger, seen an Upside Down rift open up in Bondi and played Netflix's Stranger Things mobile game as well. Yes, there's no shortage of ways to indulge your love for the 80's-set streaming hit — but only one involves both singing and laughing. Stranger Things is heading to the stage — well, Stranger Sings! The Parody Musical is, to be exact. Because every popular TV show and movie seems to tread the boards eventually, whether in a serious (Back to the Future, Moulin Rouge!, Amelie) or satirical (Friends, Shrek, The Simpsons) guise, everyone's favourite tale about kids fighting monsters in Hawkins, Indiana has also made that leap. Even better: it is now venturing Down Under for the first time. Already an award-winner in the US, where it picked up seven 2021 BroadwayWorld Off-Broadway Awards — including Best New Musical (Off-Broadway) — Stranger Sings! The Parody Musical retells the tale we all already know, but on-stage, with amusing songs and while making fun of the whole thing. So, you'll be watching Mike, Eleven, Dustin, Lucas and the rest of the Hawkins gang navigate the wild antics that've made their town the worst place to grow up in since Buffy the Vampire Slayer's Sunnydale, and both tapping your toes to tunes and giggling along. Obviously, creepy creatures are a feature — singing and dancing ones, in fact. And, so are pop-culture references aplenty, big hair, throwback fashions, a synth-heavy soundtrack and possibly justice for Barb. Penned by Jonathan Hogue — book, music, lyrics and all — Stranger Sings! The Parody Musical will make its Australian debut thanks to Melbourne's Salty Theatre, with co-founders Ashley Taylor Tickell directing and Sarahlouise Younger assisting. So far, only dates for the Victorian capital have been announced — so lock November 3–19 in your diary, and get ready to hear a song-filled account of Hawkins' weirdness at Meat Market Melbourne. Tickets aren't yet on sale, but you can sign up to be notified when they do at the production's Australian website Fingers crossed that Stranger Sings! The Parody Musical eventually brings the Upside Down to other Aussie cities, obviously. Stranger Sings! The Parody Musical will play Meat Market Melbourne from November 3–19, 2022. For more information, or to sign up to be notified about tickets, head to the production's Australian website. Images: Bruce Glikas / Danny Hildago.
There ain't nothing quite like country music, is there, partner? First popping up in the American South more or less a century ago, it's a simple yet satisfying genre that has found fans worldwide. Some of the most recognisable artists in history have been country singers — with a podium including Dolly Parton, Elvis Presley, Johnny Cash, Shania Twain, Kenny Rogers and more. If you know or love any of the above artists, you'd best secure some tickets to the upcoming Country by Candlelight tour. Having sold out theatres across the UK, it's headed down south (or down under, in this case) to tour across Australia and Aotearoa throughout February and March. After a series of February shows in NZ, the Australian tour will arrive in Queensland for a Gold Coast show at The Star Theatre on Sunday, March 1. The following week, it's Sydney's turn at Darling Harbour Theatre on Sunday, March 8, before moving to Melbourne Town Hall on Thursday, March 12. Then, the tour will hop across the country to PCEC Perth on Sunday, March 15, before an additional Queensland show at QPAC Brisbane on Thursday, March 19. Finally, the tour will conclude in South Australia at Her Majesty's Theatre, Adelaide, on Sunday, March 22. Each show starts at 7.30pm and should wrap up (encores notwithstanding) by 10pm. Country by Candlelight will tour across cities in Australia and New Zealand from Sunday, February 15 to Sunday, March 22. For more information or to book tickets, visit the website.
Strolling through stunning lights as far as the eye can see, moseying beneath a canopy of glowing multi-coloured trees, wandering between ribbons of flashing beams, taking the most luminous 1.8-kilometre stroll through nature that you can imagine — you'll be able to do all of this again when Lightscape returns to Sydney in 2024. If you went to the 2023 version, this second Lightscape stint in the New South Wales capital will also take place during Vivid Sydney. For two years in a row, one dazzling event hosts another, then, with 2024's iteration running from Friday, May 24–Saturday, June 15. Once more, the after-dark light festival is taking over the Royal Botanic Garden Sydney, beaming away from 5pm each night. Prepare to see the garden illuminated by immersive and large-scale installations scattered along that almost two-kilometre route, including sparkling trees, luminous walkways and bursts of colour that look like fireworks. A big highlight: large-scale works like giant flowers and glowing tunnels, both of which will make you feel like you're being bathed in radiance. But don't go thinking that you'll just be repeating what you saw last year, because 2024's Lightscape in Sydney has been reimagined. Standouts this year will include Winter Cathedral, which is made out of glowing bulbs; Light a Wish, where dandelions will appear to defy gravity; Floraison, complete with suspended flowers; the blooming Blossom; the self-explanatory Neon Outline Trees; and the geometric Trapezoid. Lightscape first hit Australia in 2022 after initially taking over gardens across the United Kingdom and the United States. Developed by Royal Botanic Gardens, Kew in the UK, it's understandably proven a huge success — and more than two-million people wandered along its glowing trails in a single season overseas. In the Harbour City, pop-up food and drink stalls will be scattered throughout Lightscape at Royal Botanic Garden Sydney — selling, we hope, mulled wine to keep hands warm during the chilly winter nights. "Vivid Sydney 2024 is diving deep into what makes us uniquely human, designed to foster connections, spark imagination and showcase the multitude of ways creativity enriches our lives," said Vivid Sydney Festival Director Gill Minervini. "We are so excited to welcome back Lightscape to Vivid Sydney 2024 to showcase this through the reimagined activation at the Royal Botanic Garden Sydney." Lightscape will light up the Royal Botanic Garden Sydney, Queen Elizabeth II Gates, from Friday, May 24–Saturday, June 15 during Vivid Sydney. For more information or to buy tickets, head to the Vivid Sydney website.
2024 marks a big milestone for an unsung Sydney cultural pillar, one you might not be aware of. As of October, the Entertainment Quarter markets are celebrating 23 years of connecting Sydneysiders with fresh produce and artisanal products from all around Australia and the world. After 23 years, most Sydney residents have likely wandered the stalls at least once, whether they knew the name of the market or not. It's a memorable experience to see the empty showground transformed with the sights, sounds and smells from 100+ stalls. The Entertainment Quarter was organised with an activity-first approach, but the markets bring depth to the usual range of Hoyts, Strike Bowling and al fresco pub dining. Current vendors include Mayfarm Flowers (which brings buckets of flowers directly from its local farm), Vegie King, Prickle Hill Produce and Organic Bread Bar. Choose a delicious lunch option from an array of international options — like Spanish from Mojo Picon, Vietnamese from Pho Bay, Israeli from Food Theatre and Ottoman Turkish Gozleme. Or, stick to old favourite Two Duck Trading Co. with its French provisions, baskets and striped tees. Beyond the food, you can also browse a beautiful natural range of handmade body washes, creams and candles from Verve Candles, and get a jump-start on silly season planning by stopping by Wrappsody and stocking up on premium wrapping paper, cards, ribbons and Christmas bonbons and decorations. The lineup of stalls shifts week to week, changing with the seasons and reflecting growing conditions. If you prefer your shopping to focus on sustainable products, made authentically by original vendors, plan a trip to Moore Park for the EQ Markets. The markets are open from 8am–2pm, every Wednesday and Saturday. Visit the website for more information.
If you're a science-fiction fan — and a lover of 2008's Cloverfield and its 2016 follow-up 10 Cloverfield Lane, specifically — then you might want to cancel your plans for tonight. With barely a few hours notice, Netflix is now streaming the third film in the franchise. Yes, today. No, that's not a typo. Previously called God Particle, it's now going by the name The Cloverfield Paradox, and it's now available worldwide (yes, even on Australian Netflix) via the streaming platform the moment the New England Patriots and the Philadelphia Eagles walk off the field. Haven't even heard of the flick, even though it stars Black Mirror's' Gugu Mbatha-Raw, The IT Crowd's Chris O'Dowd, Inglourious Basterds' Daniel Brühl, Selma's David Oyelowo, Crouching Tiger, Hidden Dragon's Zhang Ziyi and Aussie actress Elizabeth Debicki? That's okay — the first trailer for the movie only aired during the game, bearing the words "only on Netflix tonight" at the end. The news that it'd be available via Netflix rather than in cinemas is a recent development, too. Initially, it was set to release in theatres last year, before being moved to February 1 this year and then later this year. In fact, up until a few minutes ago, we still had the film in our review schedule for April. https://www.youtube.com/watch?v=8brYvhEg5Aw&feature=youtu.be In taking on a star-filled, decent-budget movie that was originally made to be viewed in cinemas, then releasing it for all the world to see with very little warning, Netflix is in uncharted territory. If this was another sci-fi saga, we'd say they're boldly going where no one has gone before. It's great news for film buffs eager to watch something when and where they want — and not be at the mercy of different release dates around the world — but it's also indicative of a new trend. Paramount, the studio originally behind The Cloverfield Paradox, did something similar with fellow sci-fi title Annihilation, the latest effort from Ex Machina's Alex Garland. As The Hollywood Reporter noted in December last year, it decided to find another avenue for the film after worrying it was "too intellectual" and "too complicated" for viewers. If you think that sounds a little patronising, you're not alone. The Atlantic ran through some of the worries behind the strategy, but, in short, it could be a sign of not-so-great things to come. At a time when cinemas are filled with endless Star Wars instalments and multiple superhero cinematic universes — not that there's anything wrong with that, either — movies like The Cloverfield Paradox and Annihilation are becoming increasingly rare. Not just sci-fi flicks, but anything that doesn't fit into an existing franchise, remake/reimagine/reboot a recognisable property or star The Rock (or, sometimes, all of the above). And while they're frequently the films that do extremely well at the box office, audiences do want to see other things too. We don't just want our cinematic candy — bright, loud, comfortable and familiar — but fare that's are different, intriguing, unusual and unexpected as well. Of course, the Cloverfield franchise has a history of surprise reveals, keeping things close to its chest and doing things differently. The first film, a found-footage monster effort, gave very little away before the movie hit cinemas. The second, which focused on Mary Elizabeth Winstead in a bunker with a possibly hostile John Goodman, only released its first trailer and confirmed that the movie even existed a month before it was released. Netflix's plan of attack with The Cloverfield Paradox makes that seem positively slow. But, when you're settling down to watch the flick from today onwards, here's hoping that you'll still be able to see movies like this on the big screen in the future. The Cloverfield Paradox is now streaming on Netflix here.
This article is part of our series profiling the perfect Brisbane weekends of the city’s creative personalities. Oh Brisbane, you are truly the land of eternal summer. Although it’s officially winter now, temperatures are hanging in the 20s and we can still step out to enjoy the crisp, blue days in our beloved T-shirt-and-thongs outfit. But where will we go this weekend? We continue the series this week with Vlada Edirippulige, the owner and operator of comic book and zine haven Junky Comics. She's also known for her illustration work (under the name 'Junky') and as a member of the band Major Leagues. “The thing that I admire most about Brisbane is that it doesn’t have an ego yet,” she says. “Which is great! So great! I mean sure there are ‘scenes’ and maybe even ‘cliques’ but there is still so much room for us to grow here. We have one of the best modern galleries in Australia (personally I think it’s the best but, sure, whatever). We have so many wonderful, like-minded, motivated people who are doing really cool stuff.” Junky Comics opened earlier this year. Under Vlada’s guidance Junky has become a hub for creatives from many different fields to gather together and collaborate. “It’s hard when you only have the internet through which to showcase your work," she says. "I think people respond so much better to something that’s tangible. I’ve noticed that that in turn instils motivation in others to continue the cycle of making zines and comics”. Here are Vlada's five steps to the perfect Brisbane weekend. To experience them for yourself, head to the Visit Brisbane website and get booking. CATCH THE CITYCAT TO SOURCED GROCER Start your day by catching the ferry! You can catch the CityCat from Mowbray Park in East Brisbane and go down to Teneriffe and then go to Sourced Grocer and eat a delicious breakfast. The focus here is on seasonal produce so you can always get a taste of something different. VISIT THE GOMA AND THE QUEENSLAND MUSEUM If you end up going to GOMA (which you should, of course), make sure that you go from the Cultural Centre end, that way you can go through the whale tunnel between the galleries. You should also see all the taxidermy animals and the turtle room (my favourite) at the museum. CHILL OUT AT HIGHGATE HILL PARK Go up to Highgate Hill Park at the top of Dornoch Terrace with some friends and some picnic supplies and just hang out. The park has some pretty amazing views overlooking the city in West End (and in summer it’s breezy). DINNER AT MADTONGSAN II Madtongsan II, located in the city on Elizabeth Street, is amazing. They serve super-cheap and delicious Korean food. I recommend the lemon soju (yes pls) and the potato noodles with seafood (hnnnnngggg). KARAOKE AT THE BRUNNO Karaoke at The Brunswick Hotel on a Saturday night is a classic. There’s a big group of people who frequent the Brunno for karaoke on a Saturday night and that sense of community is so much fun (with many renditions of '90s pop classics). Book your own Queensland weekender at the Visit Brisbane website or follow them through the Visit Brisbane Facebook page or Twitter at @VisitBrisbane and hashtag #brisbaneanyday.
If you're looking for a stay in the heart of Western Sydney, consider SKYE Suites Parramatta. A splash of luxury means you'll be sitting pretty during your stay, but the real charm of this bustling accommodation is its proximity to the city-best dining, drinking and culture on offer in Parramatta. The rooms have the feeling of a new apartment with stylish but understated furniture, and walls dividing the bedroom from the kitchen rather than your classic open-plan hotel suite. On arrival, you'll be greeted by all of the luxuries you can expect from any up-market stay: free wifi, espresso machine, a smart TV and a mini-bar packed with quality snacks and bevs. The hotel's picturesque outdoor deck boasts a 25-metre swimming pool and adjoining spa — an idyllic spot for summer dips. And inside there's a modest gym and a series of conference rooms, positioning SKYE as a one-stop spot for everything from family vacays to business retreats. As with any good hotel, you'll be tempted to spend your stay soaking in all of the in-house luxuries, but if you can tear yourself away from the pool deck there's plenty to discover within walking distance. Head up the elevator to the top level of the building for your first stop of the night — a drink at Parra's beloved rooftop cocktail and champagne bar Nick and Nora's. After you enjoy burnt butter old fashioned with panoramic views of Sydney, our recommendation for dinner is Lilymu in Parramatta Square — one of our picks for the 20 best restaurants in Sydney. Other standout spots on your doorstep include the library and community space PHIVE; one of the best cafes in Sydney in Circa Espresso; and, of course, the towering Westfield Parramatta for your shopping and cinema needs. If you're staying at SKYE Suites Parramatta, make sure to check out our Parramatta guides on where to eat and drink, the best cafes, outdoor activities and how to get your cultural fix. [caption id="attachment_691230" align="alignnone" width="1920"] Nick and Nora's, Jiwon Kim[/caption]
He has serenaded Laura Dern with an Elvis song, swooned over Cher, swapped faces with John Travolta, voiced a version of Spider-Man and won an Oscar for playing an alcoholic. He's appeared on-screen as brothers, professed his love for milking alpacas and fought ninjas from outer space, too. We're talking about Nicolas Cage, of course, and the list of amazing inclusions on his resume just goes on. Indeed, he's about to step into Joe Exotic's shoes — and, via a new Netflix series, teach the world about the history of swear words as well. Nicolas Cage's History of Swear Words is a very real series that definitely exists, and will hit the streaming platform on Tuesday, January 5. So yes, if you were hoping that 2021 would be better than 2020, we can think of one very good reason why that's likely to prove the case. The concept behind the show is extremely self-explanatory. For that very reason, Netflix didn't release too many details when it first announced the show earlier in December. But, via a just-dropped new full trailer, it has given Cage-loving viewers more of a glimpse at what's in store. Prepare for Cage on hosting duties, plus experts and famous faces like Sarah Silverman and Nick Offerman popping up to talk through the origins, pop culture usage, science and cultural impact of oh-so-many expletives. Obviously, you don't get Cage involved in this kind of project without having fun with the concept. The first teaser trailer for the series made that plain — and nodded to Face/Off fans, too — and this new sneak peek does as well. Cage starts the latest trailer by screaming one word, then ends it by giving the audience quite the invitation. Clearly, it's glorious. Check out the latest trailer for Nicolas Cage's History of Swear Words below: https://www.youtube.com/watch?v=XByiHpUvrj0 Nicolas Cage's History of Swear Words hits Netflix on Tuesday, January 5. Top image: Adam Rose/Netflix.
Australian Venue Co — one of the country's largest hospitality groups which operates 94 venues in Queensland, 70 in Victoria, 26 in Western Australia, 18 in South Australia, 10 in New South Wales and 2 in the Northern Territory — announced on Monday, December 2, that it will no longer host Australia Day celebrations on January 26 at any of its more than 200 outposts. January 26 is a contentious date for many. Commemorating the arrival of the First Fleet at Sydney Cove in 1788 and the beginning of European settlement on the Australian continent, it is a day of enduring collective trauma for First Nations communities and their allies who know it as Invasion Day or Survival Day rather than its traditional name. [caption id="attachment_908540" align="alignnone" width="1920"] Morris House, Melbourne[/caption] In a statement supplied to The Herald Sun, an Australian Venue Co spokesperson said of the decision to bar events on January 26: "Australia Day is a day that causes sadness for some members of our community, so we have decided not to specifically celebrate a day that causes hurt for some of our patrons and our team," Since 1994, all Australian states and territories have enjoyed a public holiday on January 26, but calls to move the country's national day to another less controversial date have gained momentum in recent years. In 2017, radio station Triple J made the decision to move its annual Hottest 100 rankings to January 25 and earlier this year, major supermarket brands Woolworths and Aldi both pledged to no longer stock Australia Day merchandise in its stores. Across Australia, January 26 has also created opportunities to show solidarity with First Nations communities. More than 80 councils around the country no longer hold citizenship ceremonies on January 26 and Invasion Day rallies attract thousands of peaceful protesters every year. For a full list of the Australian Venue Co venues effected by the January 26 event ban, visit the Australian Venue Co website.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=3TG-Mxzl88Q LOCKED DOWN Sparked by the pandemic, lockdown films aren't just an exercise in adapting to stay-at-home conditions — or a way to keep actors, directors and other industry professionals busy and working at a challenging time. The genre also provides a window into how the creatives behind its flicks view everyday life and ordinary people. Arising from a global event that's placed many of the planet's inhabitants in similar circumstances, these features tell us which stories filmmakers deem worth telling, which visions of normality they choose to focus on and who they think is living an average life. With Malcolm & Marie, a hotshot young director and an ex-addict were the only options offered. In Language Lessons, which premiered at this year's virtual Berlin Film Festival, a wealthy widower and a Spanish teacher were the movie's two choices. Now Locked Down directs its attention towards a CEO and a courier, the latter of which stresses that he's only in the gig because his criminal record has robbed him of other opportunities. Yes, these films and their characters speak volumes about how Hollywood perceives its paying customers. That's not the only thing that Locked Down says. Directed by Doug Liman (Chaos Walking) and scripted by Steven Knight (Locke), this romantic comedy-meets-heist flick is verbose to a farcical degree — awkwardly rather than purposefully. The repetitive and grating misfire is primarily comprised of monologues, Zoom calls and bickering between its central couple. Well-off Londoners Linda (Anne Hathaway, The Witches) and Paxton (Chiwetel Ejiofor, The Old Guard) are weeks into 2020's first lockdown, and their ten-year relationship has become a casualty. Whether chatting to each other or virtually with others, both commit a torrent of words to the subject. Linda has decided they're done, which Paxton has trouble accepting. She's also unhappy with her high-flying job, especially after she's forced to fire an entire team online, but gets scolded by her boss (Ben Stiller, Brad's Status) for not telling her now-sacked colleagues they're still like family. Tired of driving a van, Paxton is willing to do whatever his employer (Ben Kingsley, Life) needs to climb his way up the ladder. That said, he's still tied to the road, with the ex-rebel's decision to sell his beloved motorbike — a symbol of his wilder youth, and its fun, freedom and risks — hitting hard. Read our full review. https://www.youtube.com/watch?v=0GC--RZ3jOo THE PERFECT CANDIDATE With 2012's Wadjda, Haifaa al-Mansour became the first female filmmaker from Saudi Arabia to make a full-length movie. Fittingly, she achieved the feat via a powerful tale about a girl breaking boundaries — by fighting to ride a bicycle in the street, an activity that's by no means routine in the Middle Eastern country. A hopeful yet truthful film that depicts the present-day reality for Saudi women, while also remaining committed to dreaming of a different future, al-Mansour's directorial debut marked the first-ever feature shot entirely in her homeland, too. Accordingly, she smashed barriers in multiple ways, including both on- and off-screen. Nine years later, she demonstrates the same spirit again with The Perfect Candidate. After exploring another female trailblazer in 2017 biopic Mary Shelley, then pondering the beauty standards imposed upon women in 2018 rom-com Nappily Ever After, al-Mansour delivers the ideal companion piece to her applauded first picture — this time focusing on a young Saudi doctor who tackles her town's misogynistic and patronising attitudes by running for local council. No matter the day or situation, the ambitious Maryam (debutant Mila al-Zahrani) is repeatedly reminded that women aren't considered equal in her community. In one of The Perfect Candidate's early scenes, an elderly male patient writhes in agony, but is more upset about the fact that she'll be treating him — until Maryam's condescending boss proclaims that male nurses can easily step in and do the job for her. When her recently widowed musician father Abdulaziz (Khalid Abdulraheem) goes away on tour, she attempts to fly to Dubai for a medical conference and subsequent job interview that would see her move to Riyadh. Alas, she's stopped from departing because her dad hasn't updated her travel permit, and she can't leave unless he rectifies the paperwork. A male cousin (Ahmad Alsulaimy) in a role of authority within the government might be able to assist, but even the bonds of blood aren't enough to get her through the door to his office. He's interviewing and approving candidates for the municipal election, so Maryam puts her name forward just to progress past his secretary. That still doesn't help her make her flight, but it does send her in a different direction. While already struggling to convince her employers to pave the road to the town's emergency medical clinic, she decides to run to fix that specific problem — and the more backlash she receives for putting herself in contention, the more determined she is to campaign for change. The Perfect Candidate is currently screening at Sydney's Randwick Ritz cinema, and will play at ACMI in Melbourne from May 13–25. Read our full review. https://www.youtube.com/watch?v=bv72JDeSaXY DE GAULLE Paris' international airport is named after him, so even if you know nothing else about Charles de Gaulle, you know that his chapter in French history turns out well enough to be immortalised in one of the country's most pivotal sites. The new biopic that also shares his name endeavours to help explain why by focusing on a specific period during the Second World War — the few weeks in June 1940 when France's powers-that-be were contemplating kowtowing to Germany rather than continuing to lose men in their battles against the Nazis. As Prime Minister Paul Reynaud (Olivier Gourmet, The Midwife) attempts to decide how to proceed, de Gaulle (Lambert Wilson, The Translators) ranks among the government's key voices. But support for capitulating to their enemy keeps growing stronger, including via Philippe Pétain (Philippe Laudenbach, Ad Vitam), who would become the Chief of State of Vichy France shortly afterwards. Trying to thwart his nation's submission to and collaboration with the Germans, the movie's eponymous figure heads to London to meet with Winston Churchill (Tim Hudson, A Very English Scandal). Swiftly, and while causing ire at home, he becomes a driving force behind the Free France movement — which would lead the resistance against occupation during the remainder of the war. De Gaulle's audience doesn't need to have an intimate awareness of France's involvement in WWII before they start watching this sombre drama, with writer/director Gabriel Le Bomin (Our Patriots) and his co-scribe Valérie Ranson-Enguiale (who also co-wrote his 2008 short film L'occupant) routinely demonstrating their fondness for using dialogue to deliver exposition. Indeed, much of the feature is dedicated to talk describing the situation — as intertwined with glimpses of de Gaulle's home life, and of the efforts of his wife Yvonne (Isabelle Carré, Moving On), elder children Elisabeth (Lucie Rouxel, Rascal) and Philippe (Félix Back, Black Tide), and younger daughter Anne (debutant Clémence Hitten), who has Down Syndrome, to flee France as the Nazis invade. The end result, while never short on intrigue, always seems more interested in explaining history than depicting it. The ceaselessly worshipping tone doesn't help flesh out the movie's subject as a person, either; again, viewers already know that he's worthy of celebration going in. And, while De Gaulle's urgent efforts to save his country and his family's quest to escape should be tense and suspenseful, much of the feature feels like a by-the-numbers mashup of Second World War film tropes. Wilson's performance is solid, and the period detail catches the eye, but De Gaulle is never more than standard. https://www.youtube.com/watch?v=FXn0ryXxfak JUNE AGAIN The third film about dementia to reach Australian cinemas in little over a month, June Again starts as The Father did: with its elderly protagonist losing time, and her sense of her place within it, as moments, days and life in general all seem to rush by. The titular June (Noni Hazlehurst, Long Story Short) barely greets her daughter Ginny (Claudia Karvan, Bump) or grandson Piers (Otis Dhanji, Aquaman) when they visit the aged care centre she has lived in for five years, rarely passes her doctor's (Wayne Blair, Rams) cognitive tests and constantly feels disoriented due to vascular dementia that's been caused by a series of strokes. But, one otherwise ordinary morning, she wakes up lucid, annoyed, and wondering where she is and why. So, as Supernova did, this Aussie feature then follows June's quest to make the most of the time she has left as herself. Here, however, that involves trying to set right the many wrong choices she thinks her adult children have made, and also attempting to snatch a last grasp at happiness. Dramas ensue, with Ginny thrilled to have her mum back as she once was, but frustrated with her meddling — and her sibling Devon (Stephen Curry, Mr Love) mainly falling into the latter category. But June's window of clarity doesn't simply allow her to be herself again; it lets her address her mistakes, follow paths not taken, and try to become the woman that life and raising a family never her let her be. For 23 years on Play School, Hazlehurst helped guide young minds and teach pre-schoolers about the world that they were only just beginning to explore. Accordingly, there's a feeling of synergy about her role in June Again. Playing a woman slipping out of a world that she's navigated for a lifetime, she tackles a condition unlikely to have been directly experienced by many of the viewers who grew up peering through square, diamond, round and arched windows with her — and looking at rocket and flower clocks, too — but might now be touching those that watched with them. And, alongside fellow familiar faces Karvan and Curry, Hazlehurst is one of the best things about June Again. First-time feature writer/director JJ Winlove keeps things comfortable and predictable in his warm-hearted narrative and warm-hued stylistic choices, but every scene, emotional moment, and insight into life, love, loss, ageing, forgetting and farewelling those dearest to us is improved by his all-star cast. That's never more accurate than when Hazlehurst is cherishing June's renewed lease on life, reminding viewers how delightful she always is on-screen, and selling the film's sentimental but heartfelt message about the importance of chasing what you love in the time you're given. https://www.youtube.com/watch?v=civOp5c5GM0 FATALE Only 14 women have ever won more than one Academy Award for Best Actress, and Hilary Swank is one of them. When she earned the Oscars double for 1999's Boys Don't Cry and 2004's Million Dollar Baby, she beat both Meryl Streep and now three-time recipient Frances McDormand to the feat — but her career hasn't brought the coveted accolade her way again since. Fatale isn't going to change that recent trend. It hasn't earned Swank a Razzie either, but she could've easily been in the running. Playing a Los Angeles cop who has a one-night stand in Las Vegas with an ex-college basketball star turned high-profile player manager, then starts stalking her way through his life while also trying to intimidate her politician ex-husband into giving her back access to her young daughter, she has one mode here: stern-faced yet unbalanced. Even when her character, Detective Valerie Quinlan, is first seen flirting, Swank plays her as if something isn't quite right. That's accurate, plot-wise, but it robs Fatale of any semblance of tension it might've possessed. The film is meant to be an adultery-focused thriller in the Fatal Attraction mould — with even its title blatantly nodding that way — but it just ends up recycling tired, simplistic, overused cliches about unhinged women into a monotonous and unnecessarily convoluted package. Valerie and Derrick (Michael Ealy, Westworld) hit it off at a Vegas bar, then get physical; however, the next morning, he heads home to his wife Tracie (Damaris Lewis, BlacKkKlansman), who he actually suspects of being unfaithful herself. Before Derrick can meaningfully process either his infidelity or his fears about his crumbling marriage, his swanky home is broken into one night — and, because director Deon Taylor (Black and Blue) and screenwriter David Loughery (The Intruder) are content to hit every expected beat there is (and because they've seen every 80s and 90s erotic thriller ever made, too), Valerie is the investigating officer. Despite being woefully predictable from the outset, Fatale doesn't dare have fun with its cookie-cutter narrative. It doesn't evoke thrills, bring anything more than surface style or prove particularly sexy, and it never gets its audience invested in its obvious twists, one-note characters or rote dialogue. And, although having its badge-toting stalker use excessive force and exploit her power to target a person of colour could've been a choice that said something about America's current reckoning with law enforcement, race and police brutality, Fatale doesn't even contemplate anything other than clunky formula. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow and Wrath of Man.
After 14 years, Kylie Kwong's days of serving up her brand of locally grown, oft-boundary-pushing Chinese fare to a Crown Street crowd are coming to a close. The chef's much-loved eating house, Billy Kwong, is moving to a new Potts Point location — in a partnership with restaurateur and owner of enoteca 121BC Andrew Cibej and Kwong's colleague David King. The new restaurant promises all the bursting-with-flavour vibrancy and ethical sustainability of the Kwong cuisine you know and love, in a smart, brand spanking new setting on Macleay Street, Potts Point. The sharp, 130-seat fit-out is being specially designed by local designer George Livissianis. "The new venue will have the DNA of Billy Kwong Surry Hills but will also be the very modern model of a meeting place for eating and drinking in 2015," says Kwong. The Surry Hills restaurant isn't going out quietly, though. The last meal will be served on October 19, and from October 1 up until close patrons will be able to order from a special menu bound to please the sentimental tastebuds of BK regulars. It will feature some of the classics — like steamed scallop dumplings with Sichuan chilli oil dressing, hiramasa kingfish sashimi, and caramelised pork belly with Chinese coleslaw. Diners will be able to order a la carte or banquet-style — at $95 a pop for 10 courses, the latter sounds like a pants-stretchingly delicious feast that might just keep you full and fuelled until the new restaurant opens. Visit Billy Kwong before October 19 at 3/355 Crown St, Surry Hills.
Just like their killer villains, some horror franchises never seem to die. In 2021, two big recent sagas have released their latest instalments, with Spiral: From the Book of Saw and The Conjuring: The Devil Made Me Do It keeping their respective spook-filled realms going. Alas, neither movie was anywhere near either series' best, but the fact that both Saw and Conjuring flicks are still reaching screens is a great testament to James Wan. The Australian filmmaker has been a key figure behind both franchises, directing their early instalments and still earning executive producer credits now — as he's followed the tried-and-tested path from horror movies to Hollywood blockbusters. Wan mightn't have been behind the lens of Spiral and The Devil Made Me Do It, but he is returning to his favourite genre this year — after detouring into action with Fast & Furious 7, Aquaman and the upcoming Aquaman 2. His latest flick Malignant will hit cinemas in September, marking his first horror film that isn't attached to an existing franchise since the initial Conjuring movie released back in 2013. This time around, he's playing with nightmares — but of the daylight variety. Malignant's protagonist Madison (Annabelle Wallis, Boss Level) keeps having visions of disturbing murders, only to find out that they aren't just figments of her imagination. Also complicating matters, as seen in the just-dropped trailer: the fact that, as a kid, she told people that she was speaking to the devil. The suitably moody and dark-hued trailer teases out this exact scenario, throws in a few bumps and jumps, but obviously leaves the key details for horror fans to discover when the film hits the big screen. Wan co-wrote the story behind the movie, with screenwriter Akela Cooper (upcoming Conjuring Universe sequel The Nun 2) penning the script. And, cast-wise, Maddie Hasson (Mr Mercedes), George Young (Containment), Michole Briana White (Songbird), Jacqueline McKenzie (Palm Beach), Jake Abel (Son of the South) and Ingrid Bisu (The Conjuring: The Devil Made Me Do It) all co-star. Check out the trailer for Malignant below: Malignant opens in Australian cinemas on September 7.
In one of the standout movies of 2014 — in 2015 Down Under, based on when it hit cinemas locally beyond film festivals — an escapable supernatural force just kept coming. Once it had you in its sights, this presence wasn't just creepy and unsettling; it was single-minded and unrelenting. The flick: It Follows. The ominous evil: the eponymous 'it', which latched onto the sexually active, passing from person to person when they slipped between the sheets. A decade later, it's about to have company in sequel They Follow. US distributor and studio Neon has announced that It Follows is scoring a follow-up, and that two key figures are returning as well: filmmaker David Robert Mitchell and star Maika Monroe. As The Hollywood Reporter and Variety report, the pair are reteaming for a second stint of sex bringing about death thanks to one helluva cursed chain of events. View this post on Instagram A post shared by NEON (@neonrated) In the first movie, The Guest and The Bling Ring's Monroe played 19-year-old Jay Height, who got intimate with her boyfriend, found herself saddled with more than morning-after regret, then enlisted her sister, friends and neighbours to try to fight back. While Monroe will reprise her role, nothing has been revealed regarding They Follow's storyline, or anything else but Mitchell's involvement, apart from the tagline: "it's everywhere". Exactly when you'll be watching They Follow hasn't been announced, either, other than that it's coming soon. Fingers crossed that Disasterpiece (Bodies Bodies Bodies, Marcel the Shell with Shoes On) will be back on score duties, after doing such a fantastic job on the first film. After It Follows, which debuted at the 2014 Cannes Film Festival, Monroe's career has taken her to The 5th Wave, Independence Day: Resurgence, Greta and Honey Boy — and the episodic The Stranger as well. Writer/director Mitchell made his second movie with It Follows, with 2010's The Myth of the American Sleepover already on his resume first, then helmed 2018's also-excellent Under the Silver Lake. There's no trailer yet for They Follow, obviously, but you can check out the trailer for It Follows below: They Follow doesn't yet have a release date, but we'll update you when it does. Via The Hollywood Reporter / Variety.
There’s a rumbling in the north. The swift opening whoosh of shiny new doors, followed by a frantic cavalcade of foot traffic, as ravenous battalions of Sydneysiders clamber to taste test the newest offerings of the northern suburbs. From Cammeray to Cremorne, Mosman to Manly, there’s been a serious influx of contenders for the culinary crown of late — establishments somewhat under-appreciated by the more east-, west-, and southern-dwelling Sydneysiders. But winter is coming, and you’re going to want to know where to hole up. From Scandinavian-style eateries to quirky art bars, revamped bowling clubs to Italian jetty restaurants (and not to mention whatever Merivale is plotting in Newport), north Sydney's newest are staking their claim for the city's patronage — regardless of their crow-measured proximity from the CBD. Rally your troops and get amongst it. Correction: Mona Vale's La De Da bar was originally on this list. Unfortunately, we've since learned it's closed due to "operational costs proving too great". Better luck next time, Mona Vale.
This coming August, your daughter probably isn't getting married. In fact, you mightn't even have a daughter at all. But if you'd like to spend the month saying "you come into my house on the day my daughter is to be married" while holidaying in the very mansion featured in The Godfather, that's now a genuine possibility. Movie lovers have Airbnb to thank for this opportunity, with the accommodation service adding the chance to follow in the footsteps of the most iconic gangster movie ever made to its list of pop culture-themed one-off experiences. Just this year alone, it has listed the Bluey house, the Moulin Rouge! and the Scooby-Doo Mystery Machine for stays. If you wanted to solely plan your getaways around living life like you're in your favourite movie or television show, Airbnb has definitely here to help lately. The platform's current impressive home away from home arrives to celebrate The Godfather's 50th anniversary, and will have one lucky person and up to four of their pals whiling away an entire month in the Staten Island mansion in New York that's seen in Frances Ford Coppola's masterpiece. The film features the outside of the house, but you'll get to scope out the inside as well — all 6248 square feet of it, which was built in 1930. When you're not channelling your inner Marlon Brando, Al Pacino, James Caan or Diane Keaton, you'll have plenty to do — there's a big saltwater pool, a pub in the basement, a game room and a gym. In fact, you'll have the run of the five-bedroom, seven-bathroom abode, other than the basement closets and the attic. You do need to be keen for a lengthy trip, with just one reservation available for 30 nights from August 1–31. And, like all of Airbnb's similar offerings in the past, you're responsible for getting yourself there and back — so if you do get lucky and score the booking, travel isn't included in the price. For those making the jaunt from Down Under, that turns this stint of The Godfather worship into a more expensive option. That said, the mansion itself will cost you just US$50 per night. And, if your bank balance is up to it, a stay here will get you away from Australia and New Zealand's frosty climes and into a Staten Island summer. If you're still keen, you can apply to book at 3am AEST on Thursday, July 28 via the Airbnb website. Another caveat: this is a family home when it's not welcoming in Airbnb guests, and it's located in a quiet neighbourhood, so stays are strictly limited to you and the four folks you take with you — with no outside guests allowed. If the timing doesn't work for you, it's likely only a matter of time until Airbnb finds another pop culture-themed getaway that'll tempt your wanderlust. Here are two places on our wishlist: Buffy's house from Buffy the Vampire Slayer and Twin Peaks' Black Lodge. For more information about the The Godfather mansion listing on Airbnb, or to apply to book at 3am AEST on Thursday, July 28, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Marc McAndrews.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=odM92ap8_c0 GODZILLA VS KONG Given that neither of Godzilla vs Kong's towering titans are truly terrors, and therefore neither should really emerge victorious over the other, getting them to face off seems pointless. "They're both big, so they can't get along" is the simplistic concept. This isn't a new train of thought, or new to the American-made Monsterverse that's been nudging the beasts closer together for seven years. Thankfully, in the hands of You're Next and The Guest director Adam Wingard, Godzilla vs Kong has as much in common with its superior Japanese predecessors as it does with 2019's terrible Godzilla: King of the Monsters. The follow-up to 2017's Kong: Skull Island, too, this new battle of the behemoths doesn't remake the duo's first screen showdown in 1962's King Kong vs Godzilla. And, sadly, it hasn't ditched the current Hollywood flicks' love of unexciting human characters. But it crucially recognises that watching its titular creatures go claw-to-paw should be entertaining. It should be a spectacle, in fact. The film also realises that if you're not going to make a movie about this pair with much in the way of substance, then you should go all out on the action and fantasy fronts. In other words, Godzilla vs Kong feels like the product of a filmmaker who loves the Japanese Godzilla flicks and Kong's maiden appearance, knows he can't do them justice thematically, but is determined to get what he can right. Wingard is still saddled with a flimsy script with a tin ear for dialogue by screenwriters Eric Pearson (Thor: Ragnarok) and Max Borenstein (Kong: Skull Island), but his massive monster melees are a delight. Also welcome: Godzilla vs Kong's eagerness to lean into its genre. When it surrenders to its pixels, and to a tale that involves a journey to the centre of the earth, subterranean asteroids, altercations with giant flying lizards and an underground tunnel from Florida to Hong Kong, it's equal parts loopy and fun. That trip to the planet's interior is guided by Kong. Now kept in a dome that simulates the jungle, the jumbo primate is under the watch of researcher Ilene Andrews (Rebecca Hall, Tales from the Loop), and bonds with Jia (newcomer Kaylee Hottle), the orphan also in the doctor's care. But, after Godzilla surfaces for the first time in three years to attack tech corporation Apex's Miami base, CEO Walter Simmons (Demián Bichir, Chaos Walking) enlists geologist Nathan Lind (Alexander Skarsgård, The Stand) on a mission. Testing the latter's hollow earth theory, they plan to track down an energy source that could be linked to both Zilly and Kong's existence — if Kong will lead them there. In a plot inclusion that'd do Scooby Doo proud, teenager Madison Russell (Millie Bobby Brown, returning from King of the Monsters) and her classmate Josh Valentine (Julian Dennison, Hunt for the Wilderpeople) are certain that Apex is up to no good and — with podcaster Bernie Hayes (Brian Tyree Henry, Superintelligence) — start meddling. Read our full review. https://www.youtube.com/watch?v=3yJ4r7ON974 THE PAINTER AND THE THIEF Asked why he broke into Oslo's Gallery Nobel in 2015 and stole two large oil paintings in broad daylight, Karl-Bertil Nordland gives perhaps the most honest answer anyone could: "because they were beautiful". He isn't responding to the police or providing an excuse during his court appearance, but speaking to Czech artist Barbora Kysilkova, who wanted answers about the theft of her work. Captured on camera, the pilfering of Kysilkova's Swan Song and Chloe & Emma initially appeared to be a professional job. As the two pieces were removed from their frames in such an exacting manner, it was presumed that experts were behind the crime. But Nordland and his accomplice didn't plan their brazen heist, or have a background in purloining art. Thanks to the effect of illicit substances, Nordland can't even remember much about it, let alone recall what happened to the stolen works that Kysilkova desperately wants back. That said, as the thief tells the painter when she first talks with him, he does know that he walked past Gallery Nobel often. He's aware that he saw her photorealistic pieces — the first of a dead swan lying in reeds, the second of two girls sat side by side on a couch — many times, too. And, he's candid about the fact that he marvelled at and was moved by the two canvases long before he absconded with them. As a result, he doesn't seem surprised that his life led him to that juncture, and to snatching Kysilkova's creations. A victim confronts a perpetrator: that's The Painter and the Thief's five-word summary, and it's 100-percent accurate. But such a brief description can't convey how fascinating, thoughtful, moving and astonishing this documentary is as it unfurls a tale so layered and wild that it can only be true — a story that stretches far beyond what anyone could feasibly anticipate of such an altercation and its aftermath, in fact. Nordland was arrested and charged for his crime, with Kysilkova initially making contact with him at his trial. From there, the skilled carpenter and heavily tattooed addict unexpectedly gained a friend in the woman whose works he took. Kysilkova first asked to paint Nordland as part of her attempts to understand him, and he then became her muse. As all relationships do, especially ones forged under such unusual circumstances, their connection evolved, adapted and changed from there. As Norwegian filmmaker Benjamin Ree (Magnus) pointed a camera in their direction for three years, the duo weathered their own ups, downs, twists and turns, as did their friendship. If Nordland's reply to Kysilkova feels disarmingly frank and unguarded, that's because it is. The same tone remains throughout The Painter and the Thief's entire duration. Absent the usual tropes and stylistic markers that true-crime documentaries are known for, the film eschews the standard mix of talking heads, re-enactments and explanatory narration in favour of truly observing and stepping inside its subjects' unique bond. Read our full review. https://www.youtube.com/watch?v=JCw90xLvYPw THE LAST VERMEER Dutch artists Johannes Vermeer and Han van Meegeren picked up their brushes more than two centuries apart. Mention the latter, though, and you need to mention the former. Just why that's the case makes for a fascinating tale, as The Last Vermeer tells — one filled with twists, subterfuge, investigations, a trial and post-World War II efforts to punish anyone who conspired with the Nazis. Directed by producer turned first-time helmer Dan Friedkin (All the Money in the World, The Mule), and adapted from Jonathan Lopez's 2008 book The Man Who Made Vermeers, The Last Vermeer relays the Hollywood version of the story, of course. Big speeches and massaged details consequently abound. Attention-grabbing performances jump across this cinematic canvas, too, with Guy Pearce (Bloodshot) resembling Geoffrey Rush as van Meegeren and Claes Bang (Dracula) adding his third recent art-centric feature to his resume after The Square and The Burnt Orange Heresy. There's enough here to keep viewers interested, as there should be given the real-life basis, cast and handsome staging, but this is the type of film that's nicer to look at than to dive into. Its subject: art forgery, a topic that leaves an imprint beyond the movie's narrative. The Last Vermeer doesn't steal from elsewhere, but it also sinks into a well-populated list of other dramas about art and the war (see also: The Monuments Men and Woman in Gold ) far too easily and generically than a feature about this specific tale should. Bang plays Dutch Jewish officer Captain Joseph Piller, who is tasked with hunting down artworks illegally sold to the Nazis during the war and bringing everyone responsible to justice. That leads him to Christ and the Adulteress, a piece credited to Vermeer but found after his death — and to van Meegeren, the man who is suspected of selling it to key Nazi figure Hermann Göring in the world's biggest art sale at the time. Turning on the rakish charisma even when he's being interrogated by Piller and his offsider (Roland Møller, The Commuter), van Meegeren denies the accusation. Piller isn't convinced, but then police detective Alex De Klerks (August Diehl, A Hidden Life) tries to take over the case. Soon, van Meegeren has been secreted away, is painting while in hiding and, when eventually charged and brought to court, offers an astonishing theory. Also arising in The Last Vermeer: an exploration of the costs of and sacrifices involved in surviving wartime, although Friedkin and screenwriters John Orloff (Anonymous), Mark Fergus and Hawk Ostby (The Expanse) happily stick to the surface as they do elsewhere. As a mystery, the film suitably zigs and zags. As a courtroom drama, it boasts stirring moments. But, as well as wasting Vicky Krieps (Phantom Thread) in a thankless part, The Last Vermeer is never more than passable. https://www.youtube.com/watch?v=4GjskJIRyRA GOLDEN VOICES The year is 1990, the USSR has collapsed, and Victor (Vladimir Friedman, The Operative) and Raya Frenkel (Mariya Belkina, Into the Night) are among the hordes of Russia's Jewish citizens that decide to move to Israel in search of a fresh start. But relocating costs them their prolific and busy careers as dubbing artists, with the married pair spending the decades prior recording Russian dialogue tracks for every type of film imaginable — to the point of becoming minor celebrities, including among Israel's ex-pat community once they emigrate. For Victor, the lack of work in the same field is crushing. He delivers pamphlets instead, determined to finance their new life, but yearns to get behind a microphone. Willing to try a gig that puts her voice to use in a different way, Raya takes a job at an erotic phone line, although she tells Victor that she's selling perfume from a call centre. Films about relationships disrupted by sizeable changes and duos forced out of their comfort zones aren't rare. Nor are movies about late-in-life shifts and new developments, and the impact on seemingly solid nuptials. And yet, as directed, written and edited by Evgeny Ruman (The Damned), and co-scripted and shot by Ziv Berkovich (A Simple Wedding), the warm and engaging Golden Voices finds its own niche again and again. There's a thoughtfulness to Golden Voices that underscores almost every choice, including in the film's narrative. Features that wear their overwhelming affection for cinema on their sleeves aren't uncommon either (filmmakers love the medium they work with, obviously, and like to show it). Still, Victor's passion for the big screen and its wonders is steeped in his inability to explore the world physically under Soviet rule, with movies opening a door that he couldn't otherwise pass through. Similarly, the unexpected freedom that Raya finds in her new job is anchored by the same truth. Being able to genuinely be herself behind a veil of anonymity is a new experience, which she relishes, as she does the attention sent her way by a doting customer. These characters are truly approaching their lives afresh — sometimes by choice, sometimes not so — and Ruman and Berkovich find multiple ways to convey this in their screenplay. Also helping: the film's lived-in sense of Israel's expat Soviet Jewish community, Berkovich's eye for composition, the visual period detail and the nuanced yet potent performances by Friedman and Belkina. A sense of neatness can creep into Golden Voices at times, but never encroaches upon the work of its likeable and expressive leads. https://www.youtube.com/watch?v=iVBKyLqsS5k PETER RABBIT 2: THE RUNAWAY Before a single Peter Rabbit movie had hopped into cinemas, the Paddington films got there first — and twice. The English franchise about everyone's favourite marmalade-eating bear has left big paw prints for its bunny-focused counterpart to follow in, too, but neither 2018's Peter Rabbit nor its new sequel Peter Rabbit 2: The Runaway comes remotely close to filling them. While impressive photorealistic CGI brings the jacket-wearing Peter and his also partially clothed fellow animals to life, and such special effects wizardry blends seamlessly with the live-action settings and cast members as well, this series is cartoonish and anarchic from its first moments. Anyone who grew up reading Beatrix Potter's books, which date back nearly 120 years, will notice the distinct, stark and unwelcome change of tone. The farmland setting and all those cute rabbits look just as they should, but this is a family-friendly franchise that turned sticking a carrot down a man's pants into one of its big gags the first time around. Accordingly, expecting anything gentle and measured in The Runaway — and anything other than more of the same, just laced with some snarky commentary that acknowledges the criticisms directed the initial movie's way — is as foolish as most of Peter's chaotic adventures. Once again voiced by James Corden — as the all-knowing computer in Superintelligence was last year as well — Peter thinks of himself as a plucky rebel. After his long-time human surrogate mother Bea (Rose Byrne, Irresistible) marries his former nemesis Thomas (Domhnall Gleeson, Run), he tries not to cause trouble around the farm, but it seems that he's always seen in that light no matter what he does. As Bea's books about Peter, his sisters Flopsy (Margot Robbie, Dreamland), Mopsy (Elizabeth Debicki, Tenet) and Cottontail (Aimee Horne, Psychotown), and cousin Benjamin (Colin Moody, Miss Fisher's Murder Mysteries) attract the attention of a big-city publisher (David Oyelowo, Chaos Walking), Peter gets fed up with his bad reputation. And when he crosses paths with town-dwelling bunny Barnabus (Lennie James, Fear of the Walking Dead), he thinks he's found someone who likes him as he is. From here, returning director and co-writer Will Gluck (Annie) unleashes a heist film that's also a musing on identity, and both elements feel not just broad, messy and distractingly energetic, but also routine. Byrne, Gleeson and Oyelowo bring what they can to their flesh-and-blood roles; however, the overall movie is as about as charming as rabbit droppings. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; and March 4, March 11 and March 18. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit and Saint Maud.
Technology just keeps getting smaller and smaller. UK game developer David Braben has created the prototype for a mini computer, so tiny and efficiently manufactured that it could be provided to school kids for free. It's called the Raspberry Pi USB computer, and it functions as a real PC, with USB and HDMI ports meaning you can hook it up to a keyboard and television screen in no time. The Raspberry Pi Foundation exists to promote the study of computer science and related topics, especially at school level, and to put the fun back into learning computing. "We plan to develop, manufacture and distribute an ultra-low-cost computer, for use in teaching computer programming to children. We expect this computer to have many other applications both in the developed and the developing world," reads a description of the Pi project on the foundation Web site. https://youtube.com/watch?v=pQ7N4rycsy4 [Via Mashable]
If you live in one of the 82 million households that gave Bridgerton a stream during its first month on Netflix — making it the platform's most-watched new series ever — then you're probably also a fan of its reigning monarch. Sure, the soapy series spends most of its time with the eponymous family, with its first season following Daphne Bridgerton's (Phoebe Dynevor, Younger) quest to find a husband, and her dalliances with the Duke of Hastings (Regé-Jean Page, Sylvie's Love). But whenever Queen Charlotte (Golda Rosheuvel, Lady Macbeth) enters a scene, she steals it so convincingly and savagely that everything else around her withers in comparison. Clearly, Netflix noticed this, too. And, fresh from renewing Bridgerton for its third and fourth seasons before the second even streams, the service has announced a Queen Charlotte-centric spinoff. Get ready to spend more time with the character, but in her younger guise, with the currently untitled new show set to be a prequel. At this immensely early stage, few other details have been revealed — although Charlotte will be joined by a few other familiar faces. Younger versions of Violet Bridgerton (Ruth Gemmell, Deep State) and Lady Danbury (Adjoa Andoh, The Witcher) will also feature in the new series, if you've ever wanted to know more about their backstories. Just who'll be playing Charlotte, Violet and Lady Danbury also hasn't been announced, and neither has exactly when the show about them will hit your streaming queue. It has been revealed that the new series will be penned by Bridgerton executive producer (and Grey's Anatomy and Scandal creator) Shonda Rhimes, though. She's calling the Charlotte-focused show part of "the Bridgerton-verse" — so yes, you can probably expect more spinoffs to follow. For now, you can revisit the original Bridgerton trailer below: https://www.youtube.com/watch?v=gpv7ayf_tyE The first season of Bridgerton is available to stream now via Netflix. The show's Queen Charlotte-focused spinoff doesn't yet have a release date — and neither does Bridgerton's second, third and fourth seasons — but we'll update you when details come to hand. Top image: Liam Daniel/Netflix.
Black Friday and its super-cheap sales only come once a year. Use the occasion to score a bargain holiday, however, and the memories will last a lifetime. Thanks to Virgin's addition to the 2022 shopping frenzy, you have options — whether you're happy to explore Australian destinations or fancy a getaway further afield. A whopping 500,000 fares are currently up for grabs as part of the airline's Black Friday, Bright Holidays sale, covering a heap of Aussie and international spots. Sticking with home turf, you can head to Byron Bay, the Whitsundays, the Sunshine Coast, Cairns, Hamilton Island, Alice Springs, Hobart and more. And, if you're eager to journey overseas, you can hit up Bali, Fiji, Samoa, Vanuatu and Queenstown. With discounts of up to 30-percent off, one-way domestic fares start at $55, which'll get you from Sydney to Byron Bay. As always, that's cheapest route. Other cheap flights include Brisbane to either Cairns for $89 and Hamilton Island for $99, Melbourne to the Sunshine Coast from $109, Adelaide to the Gold Coast from $125 and Perth to Hobart from $189. Internationally, both one-way and return flights are on offer — with return deals including Sydney to Fiji from $469, Brisbane to Vanuatu from $539 and Melbourne to Queenstown from $489. If you're wondering when you'll need to travel, there's a range of dates from January–June 2023, all varying depending on the flights and prices. As usual when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight on Tuesday, November 29 or sold out, whichever arrives first. Virgin's Black Friday, Bright Holidays sale runs until midnight AEST on Tuesday, November 29 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Star Wars fans, prepare to punch it on down to Sydney's Powerhouse Museum in November — and prepare to come face to face with 200 original objects from the popular sci-fi franchise at Star Wars Identities: The Exhibition. You might have to wait more than 12 months until Star Wars: Episode IX reaches cinemas late next year, but you can spend your days from November 16, 2018 until June 10, 2019 perusing the items that helped make space opera movie magic happen. Coming to Australia for the first time, that includes costumes, props, models and artworks from the Lucasfilm archives, complete with a galaxy's worth of favourites — think BB-8, R2-D2 and the Millennium Falcon just for starters. Get a glimpse of Yoda, you will, circa Star Wars: Episode V — The Empire Strikes Back. You'll also feel the power-hungry menace radiate from Darth Vader's suit from Star Wars: Episode VII — Return of the Jedi. Star Wars Identities is also an interactive exhibition, with creating your own unique character also part of the experience. If you've ever felt as though you should be hanging out in a cantina somewhere on a remote planet, here's your chance to answer a heap of questions, work through a series of stations and find your inner Star Wars hero. You won't need to use the force — rather, you'll receive a smart technology bracelet and a headset to use while you're in the exhibition (but if you want to say that you're using the force or even want to give midi-chlorians some credit, no one will stop you). The Powerhouse Museum is no stranger to Star Wars shenanigans, having hosted a weekend's worth of May the Fourth fun earlier this year. For those already planning their costumes for this 90-minute experience, you're welcome to attend as Han Solo, Leia Organa, Luke Skywalker or whichever other character you'd like — but helmets and masks will need to be left in the cloak room, and you'll also need to leave your lightsabers at home.
It's time for another menu change at CBD cocktail haunt PS40 — and this one will transport you to ten of the world's best festivals. The PS40 Festivus cocktail menu, as it's been named, will launch for a limited time this Saturday, June 29, and we reckon that's your weekend drink plans sorted. There are ten new cocktails all up, each named for one of the team's favourite festivals. And, as usual for PS40, they sound next-level. We're particularly eager to try the Day of the Dead, a creamy mezcal concoction with mole, Chartreuse, maraschino and a whole egg. As well as the drink named for Tasmania's winter solstice fest Dark Mofo — this one is a carbonated mulled wine with cardamom, mountain pepperberry and sandalwood. Others on the list include Nevada Desert's Burning Man (gin and Seedlip Garden with smoked pea), Germany's Oktoberfest (white rum and raspberry bier mixed with cured strawberry, lime and egg white) and Japan's Cherry Blossom Festival (rum, vermouth, beetroot and orange bitters). [caption id="attachment_728682" align="alignnone" width="1920"] Wes Nel[/caption] Alternatively, you can grab your American friends and take a seat at the Thanksgiving dinner table by sipping on this rye whiskey cocktail that's been combined with sweet potato, sage and egg white. If you're a food-lover, the Into the Wild might be your go-to — it's inspired by a food festival run by Argentinian chef Francis Mallmann and Krug Champagne and combines macadamia-washed vodka and verjus with salt-baked pineapple and basil. In true festive fashion, the venue has also been dolled up with pops of colour and heaps of new lightly themed posters — including the cocktail menu, which will now be printed on A0 sized paper and become a feature of the bar design going forward. While there are no exact dates for how long these newbies will be available, the cocktail menu at PS40 changes every two-to-four months and these won't make a comeback, so grab 'em while you can. Find PS40 at Skittle Lane, Sydney. The PS40 Festivus cocktail menu launches on Saturday, June 29. Images: Wes Nel
Get ready to boogie: JAM Record Bar is here to shake up Sydney's CBD with a lively space filled with epic tunes. Merivale is behind the venue, with CEO Justin Hemmes and his Bettina driving a passion project that's aptly named after their parents John and Merivale. Residing in George Street digs, this newcomer opens its doors on Friday, April 19 with 15,000 vinyl records and an enticing Japanese snack menu created by Sushi e's Head Chef Michael Fox. Plus, there's cocktails that draw inspiration from Japanese favourites, as well as the classics, curated by Merivale's Creative Cocktail Lead James Irvine. The music-focused outpost's history is rooted in the legacy of its namesake, with the family, including John and Merivale, launching an array of JAM-titled projects from the 50s up until 2003. They ranged from JAM Jeans and its adjacent clothing store through to record label JAM Recordings, which founded national music festival Good Vibrations. While the venue may be small, the hits are anything but. Merivale's Head of Music and Entertainment Nick van Tiel has taken on the task of ensuring that the record bar's vinyl collection — which spins on a custom vintage JBL sound system — is wide-spanning. Thanks to the diverse selection of tunes chosen by the JAM Record Bar team, you'll walk into a different set of songs each time. This intimate spot takes cues from Tokyo's popular listening bars, putting its own spin on the concept. Justin and Bettina both worked with Akin Atelier and Merivale's in-house teams to bring the space to life. JAM Record Bar features pink plywood, cork and 'pink batt' insulation to create a surround-sound experience that emulates sitting inside a speaker box pumping out bangers. As for eats, expect snacks like Japanese-style sandos, spring rolls and grilled skewers starring ingredients like furikake and yuzu tartare. The drinks list highlights the iconic highball and plenty of sake, alongside margaritas and a stiff old fashioned. Find JAM Record Bar at 320 George Street, the Ivy Precinct, Sydney from Friday, April 19 — open 12pm–12am Monday–Saturday and 12pm–10pm Sunday. Images: Mattia Panunzio.
First, the bad news: as much as fans of Kate McCartney and Kate McLennan's excellent Australian mystery series Deadloch want it to (and we do want it to), the first season of that stellar new show doesn't go on forever. Now, some news to help cope with that reality: come August, The Lost Flowers of Alice Hart will hit streaming to deliver another twisty Aussie affair. This one heads to the screen from the page, with Holly Ringland's 2018 novel getting the miniseries treatment. And, it features one helluva huge name leading the show. Alien and Ghostbusters legend Sigourney Weaver stars as June, the no-nonsense grandmother to the titular nine-year-old, in the seven-part drama — with the story kicking into gear when Alice loses her parents in suspicious circumstances. On the page and on Prime Video — where The Lost Flowers of Alice Hart will debut on Friday, August 4 — Alice moves to Thornfield flower farm after the life-changing tragedy, and starts to find solace among its wildflower blooms. But her new home is also the place where secrets about her family and their past start to blossom. Wondering about the show's mood? In both the initial teaser trailer back in June and the just-dropped new full trailer now, the series emphasises that it hails from the producers of Big Little Lies and Nine Perfect Strangers. Lambs of God's Sarah Lambert, Mustang FC's Kirsty Fisher and A League of Their Own's Kim Wilson penned the scripts, while Penguin Bloom's Glendyn Ivin directs every instalment. As well as Weaver as Alice's grandmother, The Lost Flowers of Alice Hart stars Alycia Debnam-Carey (Fear the Walking Dead) as its namesake, plus Ayla Browne (Nine Perfect Strangers) as the younger version. The cast from there is a who's who of homegrown talent, including fellow Nine Perfect Strangers alum Asher Keddie, Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Tilda Cobham-Hervey (Hotel Mumbai), Xavier Samuel (The Clearing) and Alexander England (Black Snow). In sneak peeks that highlight the complex decades-spanning drama surrounding the titular character, the swirling lies and simmering mistrust, fire, the Aussie backdrop and the big-name stars, Frankie Adams (The Expanse), Charlie Vickers (The Lord of the Rings: The Rings of Power) and Sebastián Zurita (How to Survive Being Single). Check out the full trailer for The Lost Flowers of Alice Hart below: The Lost Flowers of Alice Hart will start streaming via Prime Video from Friday, August 4.
It’s that time of year. The sun is beating down, the heat has sapped everyone’s energy and you’d do something other than watch endless hours of cricket on the telly except it all seems too hard. What you need is a holiday – ideally, one by the beach, so that you can get in to the endless summer. We have teamed up with boutique travel experts Mr & Mrs Smith to bring you ten of the best local beach breaks – no passport required. 1. Pinctada Cable Beach Where: Broome, WA If your beachy dreams encompass sailing on pearl luggers, splashing with manta rays and riding camels along the shore, you might want to contemplate a trip to Pinctada Cable Beach boutique hotel in Broome, WA, where you can do all these things and more. Its 72 spacious rooms feature breezy decks, plantation shutters and Aboriginal art. Chill out at the Brizo Pool Bar before heading for Selene Brasserie with its blend of North African, Middle Eastern and Mediterranean flavours. 2. Saffire Where: Freycinet Peninsula, TAS Set on one of the most beautiful beaches you’ll ever lay your peepers on is luxury Freycinet Peninsula retreat Saffire, on Tasmania’s east coast. From your uber-swank and super-spacious suite – all minimalist Scandi styling and full-length windows – you can eye off pristine Coles Bay below. You’ll want to linger at Palate, the contemporary restaurant featuring local produce, and intimate Spa Saffire, but do tear yourself away. The water may be a little chilly for splashing, but you can don waders to explore an oyster farm, walk along the beach or observe it from the water either on a kayak or a luxury speedboat. Iconic Wineglass Bay is also just a hop away. 3. Annalilli Where: Byron Bay, NSW Byron Bay: it’s the preferred destination of surfers, city types who don’t like to go without decent coffee and faux hippies. Rustic Byron Bay self-catering stay Annalilli is tucked away in a quiet nature reserve five minutes’ drive from the town’s famous beaches, eateries and boutiques. With three bedrooms (it sleeps up to seven), a light-flooded living room and mod kitchen this restored Queenslander is great for a group. Be aware, however, there’s a noise curfew of 10pm, so it’s no party pad. 4. Palazzo Versace Where: Gold Coast, QLD Surfers Paradise can be a little unruly at times, but Gold Coast boutique resort Palazzo Versace, on marina-strewn Main Beach, is an exercise in refinement. It cost $300 million to build and you can see it in its finishes – richly textured and vibrantly coloured Versace fabrics and homewares, acres of marble, a string of lagoons making up the pool and a swathe of upmarket restaurants. When the luxury starts to blow your mind, you can go hang out at nearby Main Beach or scuba with the sharks at Sea World. 5. Port Elliot Beach House Where: Fleurieu Peninsula, SA If you’re feeling kinda lazy, you don’t even need to leave the living room at South Australian self-catering stay Port Elliot Beach House, a modern architectural gem on the Fleurieu Peninsula’s Boomer Beach. A huge window wall faces the ocean, as does a patch of lawn at the front of the house. Sleeping eight in four bedrooms – nab the downstairs master bedroom for sea and sky views from atop the vast expanse of linen – it’s a super-chic hideaway featuring polished concrete, Tasmanian oak, glass and stainless steel, as well as a sheltered deck with a gas barbecue. Top surfing beckons for active types. 6. Wilson Island Where: Great Barrier Reef, QLD The annual summer holiday in the tent with mum and dad was never like this. Just six luxurious canvas structures make up Great Barrier Reef glamping getaway Wilson Island. You’ll definitely get that Robinson Crusoe feeling as you nap in your hammock just outside your digs and metres from the ocean. Days are spent snoozing, snorkelling, playing bocce and chilling. An astonishing array of delicious meals is cooked on the barbecue at the communal Longhouse, where you can also help yourself to a cocktail. Watch out for cute baby turtles hatching from mid-January to April. 7. Zealandia Where: Mornington Peninsula, VIC It’s like stepping back into another era when you open the door to Portsea beach house Zealandia on Victoria’s Mornington Peninsula. This restored Fifties house, just a short stroll from Portsea village and its two beaches, is completely decked out in mid-century furniture, making it one stylish surfside getaway. There’s three double bedrooms, a smart kitchen, an expansive deck with a table for eight and a cool pool for groovy group getaways. 8. QT Port Douglas Where: Port Douglas, QLD The Far North gets a Miami makeover at QT Port Douglas boutique hotel, where pastel Hawaiian prints and surf memorabilia are de rigueur. Bask on the island in the centre of the pool, sip on coconut coladas – served in a scooped-out pineapple, natch – on the deck at Estilo bar, and book a table at Bazaar, a market-inspired buffet piled high with tasty local produce, including fresh seafood. Stunning Four Mile Beach is a five-minute walk away and Port Douglas’s main street is accessible by shuttle bus or the hotel’s cute retro bicycles. 9. Bells at Killcare Where: Central Coast, NSW Sometimes you want to be by the beach but you don’t want to have to eat fish and chips for three meals a day. For those breaks there’s Hardys Bay boutique hotel Bells at Killcare on the NSW Central Coast, part hotel, part chef’s-hatted-restaurant, part private retreat. Acclaimed Italian chef Stefano Manfredi is in charge of the kitchen, the 25 rooms have a chic country vibe and the entire estate is surrounding by English manor-style gardens. Go for a wander around Bouddi National Park, then head to Killcare Beach for a surf – you’ll definitely need to build up your appetite for that multi-course feast come dinnertime. 10. Alinghi Where: Great Barrier Reef, QLD It’s a bit of a hidden gem, the unlikely sounding town of Agnes Waters, 50 kilometres north of Bundaberg. Just five minutes away is Great Barrier Reef holiday house Alinghi, clinging to the cliff of Queensland’s Capricorn Coast. You’ll be blown away by the master bedroom – there are five in all, sleeping up to 14 – separated from the main house by an expansive travertine terrace. Every luxury and high-tech gadget is provided in this cutting-edge cedar, glass and steel property, allowing you to stock up on supplies before cutting yourself off from the real world. Spend time soaking up sea views or lolling about on Honeymoon Bay and Springs Beach, both a stroll from Alinghi.
If you want to revolutionise the art world, what better way to do it than take it to the people? This September, a trans-American train will journey from New York City to San Francisco over the course of three weeks, showcasing art at nine stops along the way. Organised by artist Doug Aitken and sponsored by Levi's, the project, titled Station to Station, 'will connect leading figures and underground creators from the worlds of art, music, food, literature, and film for a series of cultural interventions and site-specific happenings.' Participating artists include Dan Deacon, Ariel Pink, Charlotte Gainsbourg, Rirkrit Tiravanija, Urs Fischer, Kenneth Anger and Carsten Holler. The train itself will function as a mobile, kinetic light sculpture, as visible in the above photograph. Funds raised through donations and ticket sales will be given to seven partner museums in various parts of the US, to support innovative, non-traditional programming. Aitken, born in California in 1968, is no stranger to colossal projects. He has repeatedly drawn international attention for his groundbreaking installations, which draw on film, sound, photography, architecture and sculpture. In 1999, his work Electric Earth won the International Prize at the Venice Biennale, and his 2007 exhibition at MoMA turned a whole city block into 'an expansive cinematic experience'. [via Springwise]
In the canon of Star Wars movies, there are now essentially four chapters: The Originals, The Prequels, The Sequels and The Spinoffs. The Originals (Episodes IV-VI) are, and perhaps always will be, the best of the bunch; a genre-defining, special-effects revolutionizing space saga of such epic proportions they remain, to this day, some of the most spectacular blockbusters ever made. The Prequels (Episodes I-III) are, and hopefully always will be, the worst of the bunch; a childish, CGI-heavy money spinner that played more like hastily written video games than films worthy of their iconic opening credits and characters. The Sequels (Episode VI-IX) are only one film in (with the second now in post-production), but it's safe to say The Force Awakens gave us exactly what we needed; a thrilling if rather familiar-feeling reboot with a talented, multi-dimensional and engaging new trio of stars to pick up where Luke, Han and Leia left off. That brings us to The Spinoffs, beginning with Rogue One and soon to include the untitled Han Solo origin story. In a way, while it's not given its own Roman numeral, Rogue One is a sort of Episode III-point-V – a nifty prelude to one of the most iconic please explains in cinema history: the Death Star's infamous design flaw. In Rogue One, audiences get the answer to two important questions: why the moon-size battle station had such an exploitable Achilles' heel, and how the Rebel Alliance found out about it. The former and weaker of these two revelations occupies the first two-thirds of the movie, whilst the latter gives it its much needed closing momentum. Leading the film's magnificent ensemble is Felicity Jones as Jyn Erso, the abandoned daughter of Galen Erso (Mads Mikkelsen), a famed Imperial scientist whose work proves pivotal to both the inception and design of the Empire's new super weapon. Unfortunately, Jones's dialogue does little to showcase her ability – frankly, much of Rogue One's screenplay leaves a lot to be desired. The two big exceptions are Forest Whitaker's eccentric character Saw Gerrera, and the Alan Tudyk-voiced droid K-2SO. In particular, the latter character's deadpan honesty helps cut through the film's often overwhelming sense of gloom. On the positive side, though, we again find in the Star Wars universe a film where gender holds zero stock as either an insult or a differentiator. Whenever a character's abilities are called into question, it's because of their experience or upbringing, not their reproductive organs, and Jyn is no exception. Alongside her, Diego Luna plays a conflicted assassin whose scenes repeatedly address the film's preoccupation with the hazy moralities of war, whilst the villain in Rogue One is a ruthless egotist named Director Krennic – played magnificently by Australia's Ben Mendelsohn. Though the film's various additional characters are too numerous to mention, one does command further attention – although in the interest of avoiding spoilers, we won't mention them by name. Suffice it to say, Rogue One reintroduces a key figure from the original Star Wars film, and does so by digitally recreating the deceased actor's face and voicing him with an impersonator. Sadly, the momentary joy experienced upon first seeing this familiar face quickly gives way to disappointment as the CGI falls short. An ultimately needless piece of fan service, the character's depiction pulls you out of the moment with such intensity that it takes several minutes to draw you back in each time he appears. As The Force Awakens proved, a tangible, human actor will always be preferable to a computer-generated one, and actors should sleep soundly in that knowledge. Nevertheless, Rogue One is overall an impressive and engaging exercise in nostalgia, full of delightful nods to the original trilogy. The movie's pacing, especially at the beginning, feels well off, jumping from character to character and location to location with surprising clumsiness. Fortunately, spectacular action sequences largely make up for this issue, most notably the climactic final battle and the scenes showcasing the Death Star's destructive capabilities – which even on their lowest power setting prove legitimately unsettling. Many Bothans may have died to bring us word of Death Star 2.0, but now, at long last, we can give names to those who did the same for the original – and it's definitely worth the price of admission. https://www.youtube.com/watch?v=frdj1zb9sMY
