For fans of Adam Driver, 2019 was a movie-watching delight. When he wasn't tackling zombies in Jim Jarmusch's The Dead Don't Die, he was investigating CIA-sanctioned torture in The Report. He scored an Oscar nomination for his relationship struggles with Scarlett Johansson in Marriage Story, and fought the force in Star Wars: Episode IX — The Rise of Skywalker, too. Alas, after that welcome onslaught of Driver-starring flicks in such short succession — The Man Who Killed Don Quixote also released Down Under the same year, in fact — he didn't appear on our screens in 2020. But this year, he'll be back in cinemas in one of his most-anticipated films yet. In the works for half a decade — and reportedly initially delayed in part due to Driver's busy schedule — Annette tells the tale of stand-up comedian Henry (Driver) and his soprano opera singer wife Ann (Marion Cotillard). He's funny, she's famous, and their lives are happy and glamorous; however, when their daughter Annette is born, they're changed forever. Few other narrative details have been revealed, but their story plays out in a musical — and if the just-dropped first trailer gives any indication, viewers can expect a brooding, dreamy, sweeping and immensely gorgeous film to dance across the screen. Actually, movie buffs can expect all of the above simply based on Annette's director. It has now been nine years since Leos Carax's Holy Motors hit cinema screens, becoming one of the most memorable films of both the decade and the 21st century in the process, so his next project has been eagerly awaited for quite some time. Annette will also mark the French filmmaker's English-language debut. And, after being shot late in 2019 and initially expected in 2020, it'll open this year's Cannes Film Festival in July. Exactly when viewers elsewhere will get to see the film hasn't been announced, but whenever it surfaces locally, it'll be a certain big-screen event. Every director wishes that they made movies that no one else could even dream of, but Carax is genuinely one of those filmmakers. Here's hoping that we soon get to see what Carax's inventive mind has put together next. Check out the trailer below: https://www.youtube.com/watch?v=068aFF8fOIA&feature=emb_logo Annette will open the Cannes Film Festival on July 6. Details for the film's release Down Under are yet to be revealed — we'll update you with further details when they're announced.
UPDATE: MARCH 17, 2020 — Splendour in the Grass has been postponed until Friday, October 23–Sunday, October 25, 2020. This one-off spring edition is 'an effort to ensure a safe Splendour in the Grass experience' in such 'unpredictable times' as well as in response to the Australian Government's ban on public gatherings in excess of 500 people. Many artists have confirmed they'll be playing over these new dates, including Flume, The Strokes and Tyler, The Creator. The below article has been updated to reflect this. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. Its 20th year, in fact. As usual, speculation has run wild in anticipation of the lineup announce — will Frank Ocean finally come to Australia? Will the recently reunited Rage Against the Machine be on the lineup? Will Flume be playing? — but the details for Splendour 2020 are finally here. And we're happy to report that some of the rumours were true. Flume — AKA Harley Edward Streten — himself will be Splendouring. He'll be heading back Down Under for his only Aussie show. Speaking of Splendour exclusives, Tyler, The Creator will also only be playing at the festival, performing hits off IGOR including the always-banging 'EARFQUAKE'. The Strokes will be heading to the festival to perform their first new album in seven years, The New Abnormal, and, while the Rage Against the Machine rumour isn't true, another recently reunited big-name band will be playing: Midnight Oil. The Aussie rockers have recently started recording music together for the first time in two decades. They're collaborating with First Nations artists for a new mini-album called The Makarrata Project, which they'll be performing at Splendour. There's also a big female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes Stella Donnelly, Thelma Plum, Jack River, Alice Ivy, Sampa The Great and George Alice (and more). The lineup seems to go on forever, including the Yeah Yeah Yeahs, Denzel Curry, Violent Soho, the list goes on. Anyway, we know what you're here for. We'll cut to the chase. [caption id="attachment_735766" align="alignnone" width="1920"] Tyler, The Creator by Sam Rock[/caption] SPLENDOUR IN THE GRASS 2020 LINEUP Flume (only Aus show) The Strokes Tyler, The Creator (only Aus show) Yeah Yeah Yeahs Midnight Oil (The Makarrata Project) Glass Animals Denzel Curry Duke Dumont Live Violent Soho Mura Masa 100 Adrian Eagle Alex The Astronaut Alice Ivy Andy Golledge The Babe Rainbow perform The Velvet Underground's Loaded Bad//Dreems Baker Boy Banoffee Benee The Big Moon Brame & Hamo Bruno Major Charlie Collins Cry Club Cub Sport Dillon Francis DMA'S Dom Dolla Dro Carey & DJ Scorpion Fazerdaze G Flip George Alice Georgia Gerry Cinnamon Greentea Peng Grinspoon Grouplove Gryffin Hooligan Hefs Idles Illy Inhaler Jack Garratt Jack River Jarreau Vandal Joy Crookes JPEGMAFIA Julia Jacklin Julia Stone The Jungle Giants King Krule King Princess Kllo The Lazy Eyes Lex Deluxe Lillie Mae Lime Cordiale Mako Road Mall Grab Memphis LK Methyl Ethel Mickey Kojak Miiesha Mildlife Miss June Mo'Ju (fka Mojo Juju) Muna Northeast Party House Oliver Tree Petit Biscuit Pink Matter PUP Rolling Blackouts CF Ruel Sampa The Great Shaed Shannon & The Clams Sly Withers Sofi Tukker The Soul Movers Starcrawler Stella Donnelly Stevan Still Woozy Surfaces Thelma Plum Tierra Whack Tim Minchin Triple One Wallows Splendour will return to North Byron Parklands on Friday, October 23, Saturday, October 24 and Sunday, October 25, 2020. Tickets go on sale Thursday, February 27 at 9am AEDT sharp. For more info, head to the official Splendour In The Grass site. Image: Bianca Holderness and Charlie Hardy
Ben & Jerry's aren't afraid to put their ice cream where their mouth is, and not just by devouring their own creamy frozen desserts. In their latest show of support for marriage equality in Australia, the sweet treat makers are giving away free ice cream cones to celebrate this week's historic passage of legislation. Between 5.30pm and 9.30pm on December 11, visitors to Ben & Jerry's Aussie stores can pick up a frosty scoop without spending a cent. The offer applies at the chain's seven New South Wales, five Victorian, four Western Australian, one South Australian, two Australian Capital Territory and five of its six Queensland stores. If you're wondering why one misses out, that's because their Movie World digs aren't open once the park closes at 5pm. It's not the first time the brand has demonstrated their values with ice cream, as anyone who asked for a double dose of New York Super Fudge Chunk this year would know. When the fight for marriage equality was still under way, they instituted a same-flavour ban across their stores, refusing to put two scoops of the same ice cream variety on a single cone until the country's LGBTQI+ citizens were given the same rights as their heterosexual counterparts. Now that the plebiscite has been and gone, 61.6 percent of respondees voted yes and lawmakers followed through, the ban has been lifted. Ben & Jerry's history of supporting marriage equality also includes their 2013 launch of the I Dough, I Dough ice cream flavour and campaign. Grab a free ice cream cone from Ben & Jerry's stores across Australia from 5.30pm to 9.30pm on December 11. For further information, visit the event Facebook page.
UPDATE, November 20, 2020: Maiden is available to stream via Netflix, Google Play, YouTube Movies and iTunes. "Her name is Tracy Edwards, and her dream is to compete in the world's toughest yacht race with the world's first all-women crew." They're the words of a British television presenter in the mid-80s and, as seen in documentary Maiden, they're dripping with condescension. Edwards decided to enter an entirely female team into the prestigious Whitbread Round the World yachting race after first taking part in 1985–86, when she was the cook to an all-male group. During that initial voyage, she was treated poorly — unsurprisingly given the era and the sport's male bias at the time. But those patronising, dismissive, chauvinistic attitudes and insults were like a red rag to a bull, motivating the passionate lover of the open sea to compete again on her own terms. The only way for Edwards to truly sail the 33,000 nautical miles from Southampton, England, and back — via Uruguay, Western Australia, New Zealand, Uruguay again and then America — was to recruit 11 other women to make the journey with her. The 27-year-old knew she'd be instantly mocked, and mocked she was. She assembled a committed crew of women for the 1989–90 contest, and found a boat called Maiden, but no one would sponsor them, support them or even take them seriously. In the media, they were mercilessly made fun of ("tin full of tarts," one journalist called them). In the yachting realm, their male peers bet that they wouldn't finish the race's first leg, let alone all six over its eight-month duration. At every turn, they were belittled, underestimated and considered a sideshow (and when they dared to be seen in swimsuits at one point on their watery trek, they were also shamelessly objectified). With this chapter of sporting history now sailing across the cinema screen 30 years later, one thing should be obvious: Maiden's voyage through the Whitbread race is a story worth telling. It's the ultimate underdog tale, as well as a rallying cry against sexism that's no less relevant today than when the fearless skipper and her dedicated crew hit the seas. As chronicled via archival clips and contemporary interviews by filmmaker Alex Holmes, his doco makes all of the above plain, giving this plucky story and the gutsy gals who made it happen the treatment and respect that both deserve. Holmes' task is a relatively easy one, admittedly; with real-life events this gripping, this tale almost tells itself. Recognising this fact, the director steps through the specifics in a linear, unfussy but deftly edited fashion, deploying the formidable Edwards as his anchor. He starts with her backstory, explores how teenage rebellion led her to the freedom of venturing across the world's oceans, and then follows her Whitbread efforts — from her initial inspiration to the white-knuckle on-the-boat reality in the team's secondhand vessel once the race began. Even when the film leans heavily on talking heads, the details are riveting; however the documentary steps up a gear once it weaves grainy home-video footage from Maiden's journey into the mix. Candid and unfettered as it captures women doing battle with the water ("the ocean is always trying to kill you; it doesn't take a break," Edwards notes, looking back), it puts viewers right there on the yacht with the all-female crew. The fist-pumping, cheer-worthy highs and tense, dangerous lows of Maiden's trek are best discovered by watching, with the yacht's trip serving up the kinds of thrills usually penned by Hollywood. Indeed, it's incredibly surprising that a dramatisation hasn't hit the big screen already. Never forgetting or downplaying just how appallingly Edwards and company were treated three decades ago, Holmes' doco does more than simply relive or revel in their tale. Crucially, it also gives the film's subjects a voice, letting them relay the nitty gritty of their experiences in their own way. Back in the 80s, they were asked about squabbles, surviving without makeup and whether a round-the-world yacht race was the best place for the fairer sex, all while the men were were asked about strategies, tactics, skills and accomplishments. Redressing that egregious wrong — and showing the determined sparks still gleaming in these women's eyes — this rousing and exhilarating documentary proves a stellar snapshot of an inspiring feat, a rebuke against gender stereotypes and misogynistic attitudes, and a fierce portrait of persistent ladies telling the world that they'll do whatever they damn well like wherever they damn well like. https://www.youtube.com/watch?v=kjFXdXSmGZ8
Given the calibre of the venues at Sydney's Tramsheds, we were expecting the growers market to be somewhat spectacular. And, the folks behind the huge Harold Park development did not disappoint. The European-inspired growers market on Artisan Lane, have become the heart of the foodie precinct. Boasting two fully functional kitchens, and room for 76 people, Artisan Lane plays host to a mix of markets, workshops, master classes, and innovative food pop-ups. With a lineup of classes set to cover everything from butchery and fish filleting, to brewing beer. But the growers market is where it's at. The markets are run in collaboration with Bodega 1904 — a restaurant inside the precinct, from the folks behind Porteño and Bodega — so, naturally, the food is delicious. Discerning foodies will be able to get their hot little hands on a grand array of tasty nosh, like Pepe Saya's handmade butter and stunning floral works by Thorny Roses Florists. Among the local vendors holding stalls each week are foodie favourites Brickfields Bakery, Broomsfield Pies, Russolini Seafood and Gj Fine French Foods, to name but a few. Proceeds from vendor stall fees are donated to a different charity each week, nice. During the markets, which run from 8am to 2pm every Sunday, there are wine tastings with Bodega 1904, more wine tastings with Chamber Cellars, and culinary masterclasses that kick off at 11am. You can learn about fresh produce (and eat plenty of it), sip with sommeliers, chat to cheesemakers, chefs and authors. While you're there, check out one of the restaurants inside the precinct — you'll find everything from spicy fried chicken to freshly baked bread and boudin noir.
Over the past four months, since Sydney's northern beaches cluster started just before Christmas, the New South Wales Government has implemented and changed the rules around wearing face masks multiple times. They've been mandatory on public transport since the beginning of January, for instance, even after the rules eased for other settings in late January and again in February. Come 12.01am on Monday, March 29, however, it'll no longer be compulsory to cover your face when you're travelling around town. Today, Wednesday, March 24, Premier Gladys Berejiklian announced that mask rules will be easing when next week rolls around. Donning a face covering will stop being mandatory on public transport, which means that they won't be required in any situation across the state. They'll move to being strongly recommended instead — so if you can't guarantee social distancing somewhere, you're advised to wear them. The news came as part of a press conference to announce a swag of other relaxed restrictions, all of which will come into effect on the same date — including allowing dancing again and scrapping limits on at-home gatherings. Announcing the eased mask requirements, Premier Berejiklian stressed that more relaxed restrictions mean that NSW residents need to abide by the usual social distancing and hygiene protocols that have become part of everyday behaviour during the pandemic. "If you are feeling unwell you need to get tested and stay home. Stay home. Don't go anywhere," she said. "Because we need to do everything we can as we are easing restrictions to make sure we keep the virus at bay if it does escape and it does get into the community." Masks will no longer be mandatory while using public transport in NSW from 12.01am on Monday, March 29. To find out more about the status of COVID-19 in NSW, head to the NSW Health website.
Flowers aren't the only things that bloom in Sydney each September. The first month of spring also means a vibrant lineup of theatre, cabaret, music, dance, art and whatever else that Sydney Fringe Festival can fit within its program, all blossoming around the Harbour City. It's as diverse as flora, too, so you might start your 2024 fest experience making shapes to house music's history, then take an audio guided tour with a stranger, then get your ABBA fix. In-between, a collaboration between Ngaiire and Anna Polyviou awaits, then a parody of The Hunger Games. This year's Sydney Fringe will have the entire month flourishing — so, from Sunday, September 1–Monday, September 30 — and it has the numbers to prove it. The festival will feature four precincts, making its presence known in the Inner West, central Sydney, the city's east and at a Greater Sydney precinct. It'll span 12 hubs, including its first-ever Queer Hub. And ensuring that there's no shortage of things to see, 400-plus events will fill all of the above. From the aforementioned highlights, the Soweto Gospel Choir is doing double duty. Its first spot on the roster is with Groove Terminator, teaming up for a History of House session to commemorate dance music through the decades. For its second Sydney Fringe show, the choir is performing new concert Hope, a celebration of the music of protest and freedom. If you're keen on potentially making a new friend, that's where Two Strangers Walk Into a Bar... , the brainchild of Australian actor Tilda Cobham-Hervey (The Lost Flowers of Alice Hart), comes in. ABBA fans can get excited about Abbey Paige Williams' ABBAsolutely Abbey, while the odds will forever be in your favour to laugh at Definitely Not a Hungry Game: A Parody Musical. As for Ngaiire and Anna Polyviou — and ACID FLWRS — they're joining forces for songs, florals, a dessert bar and Maker's Mark cocktails at Just Desserts. [caption id="attachment_917117" align="alignnone" width="1920"] Helen Page[/caption] Plus, Qtopia Sydney is the new Queer Hub's location, hosting shows such as MONSTER by Florian Wild, and one-man musical A Shark Ate My Penis: A History of Boys Like Me from trans musician and actor Laser Webber. Another new hub: the First Nations Hub at PACT Centre for Emerging Artists, where Coloured Stone will provide a one-night-only soundtrack, the Yalgali Markets will showcase First Nations artisans and makers, and the Koori-oke Open Mic & Scratch Night will feature everything from tunes to poems in ten-minute bites. Over the entire lineup, attendees should also make a date with Anna Dooley's endometriosis-focused one-woman show ENDHOE, Plate It Forward and The Ethics Centre collaborating on food and conversations about Sydney's cultural scene, and Joan of Arc retelling Voices of Joan. Or, there's two evenings of hip-hop battles, Bay 43 becoming a piano bar, a hub for multicultural comedy and pop-ups across The Rocks. Racing through Romeo and Juliet in ten minutes, dancing to Asian pop, sipping your way through POOF DOOF's drag brunch, seeing The Simpsons given the adults-only burlesque and drag parody treatment, dancing again to a Daft Punk tribute, a comedy gig that's also a ghost tour, an unscripted riff on Jane Austen, a drag satire of Kath & Kim: if you don't already have enough on your agenda, there's clearly more to add. Festivalgoers can also show some affection to the musicians sadly lost at the age of 27 — Janis Joplin, Amy Winehouse, Kurt Cobain, Jim Morrison and Jimi Hendrix among them — and, in a separate show, to Charlie Chaplin. [caption id="attachment_966764" align="alignnone" width="1917"] Belinda Rolland © 2022[/caption] Sydney Fringe Festival 2024 will take place from Sunday, September 1–Monday, September 30. For further information and tickets, head to the fest's website. Top image: Helen Page.
Want to keep your building cool in summer but are self-conscious of the impact it may have on the environment? Well, those worries could soon be a thing of the past, thanks to the environmentally friendly wooden skin erected by French architect Stephane Malka on student housing in Paris. The wooden skin is constructed on the exterior of buildings and consists of a host of pallets of varying dimensions that can be mechanically expanded or contracted, via horizontal hinges, to let in more or less ventilation and daylight as required. Stephane constructed The AME-LOT project, named after the rue Amelot the housing resides on, in response to ecological strategies that "often generate an over-production of materials". By building on top of pre-existing structures, Malka hopes to showcase a sustainable and ecological alternative that does not require new construction by 'energyvores'. As well as its environmental benefits, it would certainly look incredible on the body of a skyscraper. [Via PSFK]
This latest lower north shore Sunday session lets you spend a decadent afternoon eating loaded croissants, sipping bubbles and playing a casual game of pétanque as you watch the sunset. Greenhouse-inspired rooftop bar The Fernery is hosting a series of retro-French events across four Sundays, starting September 15. While you enjoy free rounds of the game — which is often played among the rolling vineyards of Provence — you can sip French rosé ($12 a glass) and Lanson champagne ($99 a bottle). Punters can also pair these drinks with one of the OTT croissants. Choose from one filled with oozy brie and truffle, or the sweet chocolate cookie crumble version — with each freshly baked pastry costing $17. For those hungry for something a little more substantial, the menu will also include steak au poivre with frites: a perfectly cooked peppercorn-crusted steak served with a creamy pan sauce and sweet potato chips ($28). Croissants and Pétanque runs from 11am–6pm.
Whether it's the start of a brand new year or time for a mid-year rest, a bit of re-centring and rejuvenation is always in order. And there's almost no better way to do that then with a few days at a yoga retreat. Not sure where to go for your R&R? We've rounded up eight stellar retreats across the country — ranging from the budget-friendly to the all-out luxurious — that are guaranteed to leave you feeling calm, contented, and ready to take on the world. BILLABONG RETREAT, MARAYLYA, NSW Set in 12 acres of natural bushland, this 30-bed eco yoga retreat offers relatively affordable escapes that include beginner-friendly yoga, meditation workshops and accommodation in gorgeous treetop cabins. Extra perks include a magnesium-infused swimming pool and delectable vegetarian food. Don't have time for a weekend retreat? Drop in for a cheeky day visit and you'll be back in Sydney by dinner time, all relaxed and centred. When? Retreats vary between one and seven nights, and run all year round excluding over New Year. How much? Around $250 for one night to $1260 for a week, which includes all meals, twice daily yoga and meditation. Day retreats cost $200. EDEN HEALTH RETREAT, CURRUMBIN VALLEY, QLD Located in the lush rainforest on the Gold Coast hinterland, Eden Health — one of Australia's first retreats — offers guests an individually tailored experience. Want to improve your general health? Manage your stress? Or just chill the hell out? Eden Health will design a program to meet your specific goals over the course of your stay. The centre's extensive facilities (a spa, a natural mud bath, tennis courts, and a heated pool are just a few of the offerings) also mean you'll have plenty to keep you occupied during your downtime. When? Retreats run each week from Sunday to Saturday all year round. How much? Prices start from $3350 for the week, which includes all meals, classes, use of facilities and $300–400 of therapies. YOGA CUCINA, NSW If you thought yoga retreats were all silence and brown rice, Yoga Cucina invites you to reconsider. Initiated by a trio of yoga instructors — and wine drinkers — it's a new kind of yoga-inspired getaway. The retreats — which run a few times a year — let you spend a weekend practising your salutes to the sun and downward dogs, in between sampling several drops, feasting on Italian fare, playing darts and swimming beneath waterfalls. On the first night you'll meet for a pre-dinner wine tasting, then sit down to a big Italian feast. The rest of the weekend will see you waking up to yoga sessions, honing your practice in workshops, trundling off to national parks for swimming under waterfalls, learning how to make pasta, eating, drinking and playing games. When? The next retreat will run over the weekend of September 6–9, 2018. How much? The weekend costs $1050–1200 per person, which includes all activities, food, wine and accommodation. RADIANCE RETREATS, BYRON BAY, NSW As Australia's yoga capital, Byron offers wellness retreats aplenty. While many are geared towards yoga buffs (and can, therefore, be rather intimidating to the beginner), Radiance Retreats focuses on deep, slow vinyasa, making it a great choice for newbies. Run by renowned yogi and author Jessie Chapman, the retreats supplement top-notch yoga classes with meditation, hikes, beach walks, and spa therapies. When? Five- and six-night retreats run about six times a year, with the next two happening on on November 9–14, 2018 and over NYE 2018. How much? Around $2000–2800, which includes all meals, classes, activities and a massage. GLAMPING YOGA RETREAT, WARRANDYTE, VIC Not all retreats have to cost you your yearly yoga member ship. Melbourne-based yoga teacher Maud Léger has just launched a new retreat in Warrandyte, and instead of fancy lodgings, the accommodation is a glamping village. While the camping vibe helps keep costs down, you will in no way rough it — all tents include mattresses, nice linen and rugs, and you'll practice in the estate's studio and deck. When? The next retreat will run from November 3–6, 2018. How much? Prices start from $767 for a shared tent. TRANQUIL POINT BIKRAM YOGA SCHOOL, CYGNET, TAS Searching for a Bikram (that is, hot yoga) retreat? Tranquil Point Bikram Yoga School in Cynget, Tasmania, specialises in this variety. Located 45 minutes from Hobart, the school boasts gorgeous ocean views, an orchard, and an organic vegetable garden. Anyone can drop in for a class, but you can sign up for one of the many retreats on offer — these vary from beginner retreats to weekend getaways to 30- and 60-day challenges. It's a good option for those who are interested in a more active retreat as you can fill your hours off the mat with bushwalks, kayaking and leisurely swims. When? Classes and retreats run throughout the year. How much? Rooms start at $250 a night and retreats can go all the way up to $7500. GWINGANNA LIFESTYLE RETREAT, TALLEBUDGERA, QLD A firm favourite among the yogi crowd, Gwinganna Lifestyle Retreat last year won Luxury Travel Magazine's Best Australian Health and Wellness Property award. The all-encompassing wellness experience pairs yoga and meditation classes with naturopathy, nutritional advice, an award-winning spa and stunning accommodation. While a few days at this luxurious retreat will put a serious dent in your wallet, if you can afford it, the experience is well worth it. When? Retreats vary between one and seven nights, and run all year round. How much? Around $1000 for the weekend to $3485 for the week, which includes all meals, classes, use of facilities and airport transfers and some therapies. PREMA SHANTI YOGA AND MEDITATION RETREAT, DAINTREE RAINFOREST, QLD It doesn't get much better than working on your downward dog in a world heritage rainforest. Two hours north of Cairns, Prema Shanti is a secluded, intimate, and eco-friendly retreat that offers a yoga temple, meditation room, and boutique accommodation. Rather than booking in a set retreat, you just book in how many nights you want to stay, from two days up to two weeks. Greet the day with a meditation session, wind down with an evening yoga class, and spend the hours in-between relaxing with a massage or another spa treatment. Best part? Rooms start at $90 a night. When? Classes run throughout the year. How much? Rooms cost $90–120 a night.
Looks like Australians aren't the aggressive booze-hounds we've all been told we are. New research from government report Australia’s Changing Drinking Habits, shows we're actually drinking less alcohol than we did 40 years ago — a whopping 25 percent less. Plus, alcohol related violence has decreased by 30 percent in New South Wales over the last six years. Thirty percent. Hmmm, so we're apparently drinking less, and drunkenly hitting people less. #lockouts If you're rolling your eyes and searching for our credible sources right now, take a little gander at the ACDH report, generated by the Australian Liquor Stores Association (ALSA) —an advocacy organisation affiliated with Drinkwise, representing all off-licence retail liquor stores across Australia (so yes, they've got a pretty vested interest in changing certain legislation). In results published by FoodProcessing.com.au this week, the report uses existing Australian Government data to disprove leg-to-stand-on beliefs that alcohol consumption and alcohol-related violence are on the rise. Between 1974-75, Australians consumed an average of 13.1 litres of alcohol per person. This has severely declined since the early '80s, to 9.9 litres in 2012-13. If you think this is just down to adults drinking less and those pesky good-for-nothing teenagers drinking more, you're way off. According to the report, almost three-quarters of all Australian minors drink no alcohol at all. The amount of young people abstaining from drinking has increased from 56 percent in 2007 to a huge 72 percent in 2013. Smirnoff Blacks and UDLs, you're almost out of a job. So we're all apparently drinking less in Australia, young and older. But now to the biggie: alcohol-related violence. The ACDH report shows that alcohol-related violence has decreased 30 percent in NSW over the last six years. Decreased. The report also shows that "consumption is falling at a time of significantly greater footprint of liquor store outlets in Australia," — the number of liquor licences has gone up by 16 percent, even though Australians are apparently drinking less. Looks like we're going to have to look elsewhere to entirely blame alcohol for violence — more licences and less assaults means there is a lack of evidence to connect violence to alcohol availability, according to Terry Mott, CEO of ALSA (the representative body who generated the report). Mott's positive about Australians and their drinking behaviour, telling FP he thinks we're making better choices than ever when it comes to the drink. "Australia's drinking habits have changed significantly over the course of the four decades; we are more educated about alcohol and we are making much better choices than we ever have before," he said. "The majority of Australians consume alcohol responsibly and enjoy the social benefits it brings. It is important to distinguish between the moderate consumption of alcohol by the overwhelming majority of Australians and the misuse of it by a small minority." With this in mind, most Australians are all for cleaning up the mess that comes with alcohol-related problems. While the report shows 85 percent of people polled could get behind greater enforcement of penalties for drunk drivers and 82 percent support enforcement for violation of the ol' RSA (bartenders serving intoxicated customers), only 28 percent support raising the price of alcohol. Big things to think about, for you and the government alike. Check out the report Australia’s Changing Drinking Habits, available from the Australian Liquor Stores Association's website. Via FoodProcessing.com.au.
Russian cinema was relatively unknown in Australia until the Russian Resurrection Film Festival came along. This year the largest festival of Russian cinema outside of the mother country is celebrating a decade of cinematic offerings, returning to silver screens across the nation this July and August. Whilst originally appealing primarily to Russian expats, the festival has grown immensely in popularity, now fascinating a broad audience of cinephiles and Russophiles. The line up for this year's anniversary event features a collection of Russian cinematic riches, intricately blending the contemporary and the classic. It will showcase 18 new films, including two world premieres, Marathon and The Geographer. Other contemporary highlights include the animated delight The Snow Queen, which tells the heartwarming tale of a quest to save family, art and the hearts of people everywhere; Legend No. 17, the highest grossing Russian film in history, which explores the life of ice hockey legend Valery Harlamov and how he captivated a nation; Metro, Russia's first big-budget disaster blockbuster, which keeps the audience in suspense as a flood rages through the Russian underground; and the romcom Love With an Accent, an optimistic and slightly absurd film in which love knows no borders as Russia and Georgia bury the hatchet. If you prefer a classic take on Russian cinema, then the two retrospective programs on offer at the festival are for you. The first takes a look at the work of the celebrated producer/director Valery Todorovsky and features his cult hits My Stepbrother Frankenstein, Vice and Hipsters, among others. The second takes a nostalgic tour through 'Comedies from our Childhood' and features Beware of the Automobile, Gentlemen of Fortune and the timeless Ivan Vasilievich – Back to the Future. Cinema lovers in Sydney will be able to experience the festival from July 24 until August 7. Most of the screenings will take place at Paddington's Chauvel Cinema but Event Cinemas Burwood will also experience some Russian culture, offering screenings of The Snow Queen, Marathon and The Conductor. Peruse the program and see what makes you want to don your ushanka and journey to the cinema. Image from Hipsters. https://youtube.com/watch?v=jpfcuU6taTE
With its mix of high-end boutiques and local, independent retailers, there's no denying that Paddington is home to some of the best shopping in Sydney. See it in full swing on the evening of Thursday, March 25, when the streets of the 'hood come to life at A 2021 Night Out. Making the most of the last days of daylight savings, the one-night event sees over 100 local businesses host an evening of fashion, food and festivities. A 2021 Night Out is a partnership between Woollahra Council, City of Sydney Council and Visit Paddington. [caption id="attachment_803592" align="alignnone" width="1920"] Elph Ceramics, Steven Woodburn[/caption] There'll be plenty to see, do and shop at sites in the main zones of Oxford Street, Five Ways, The Intersection and William Street. The one-night offers include 15 percent off storewide at Funkis, the Paddington-based Swedish designer store famed for its minimalist and timeless Scandi-style designs. Speaking of timeless designs, Aussie designer Scanlan Theodore is serving free signature cocktails and refreshments to enjoy as you browse the latest collection, or to sip on during a complimentary styling session by senior in-house stylists. Elsewhere, Parlour X, located in the former St John's Church, will offer 10 percent off new season items, as well as a further 20 percent off sale items, from its range of European designer wares. Closer to Five Ways, dreamy stationery and paper store Journals is teaming up with neighbouring restaurant Tequila Mockingbird for an evening of magazines and margaritas — and, we must ask, why hadn't anybody thought of this sooner? Also on the non-fashion front, Elph Ceramics is offering 10 percent off its stunning house range of handmade pieces. For more information on all participating businesses and their exclusive offers for A 2021 Night Out, head here. Top image: Funkis, Steven Woodburn
Enjoying a glass of wine might come with plenty of medical benefits, but having a tipple isn't typically an exercise-heavy pastime. You sit. You drink. You get up, top up your beverage and repeat. You usually don't walk particularly far, let alone run. At a new series of wine-tasting fun runs about to take place around Australia, however, you'll put in the hard yards before you get the boozy rewards. The Grapest 5K run consists of two sections. First, you sprint, jog or set forth at whatever pace suits you best, making your way through scenic vineyard surroundings. Then, you walk another kilometre — yes, in addition to the first five, or ten if you're feeling extra energetic — while stopping at tasting stations along the way and sampling the good stuff. Don't worry, if you're not up to the first part and you're simply keen on wandering and sipping, that's an option (although it does defeat the idea of combining fitness with throwing back drinks). The first run takes place on February 11 at Balgownie Estate in Bendigo, with a second scheduled on March 4 at Coolangatta Estate in Shoalhaven, south of Woollongong. Further events are mooted in the Hunter Valley, Brisbane, Margaret River in Western Australia, Langhorne Creek in South Australia and Canberra throughout the rest of the year. For more information, visit the Grapest 5k run website.
It's not every day that two cult Australian brands go on sale in the same place at the same time. Yet that's what going down from Thursday, October 23–Sunday, October 26, as Brie Leon and Friend of Audrey come together for a massive warehouse sale. With prices up to 80 percent off, this is your chance to shop archival favourites, best sellers and past-season treasures. So, make space in your wardrobe for FoA's wool coats, knitwear and elevated basics alongside Brie Leon's sought-after bags and jewellery. Launched in Sydney in 2015, Friend of Audrey has made its name on pieces that resonate with timeless sophistication. Inspired by the iconic elegance of Audrey Hepburn, the brand's philosophy speaks to quiet refinement that makes just enough of a statement. Also Sydney-born, Brie Leon has been shaping classic, well-crafted pieces since 2016, striking a balance between quality and style that make for versatile silhouettes that transcend trends. If that sounds like you, perhaps check out this sale and level up your look with a selection of coveted pieces.
Big pop-culture titles, big stunts: from a Stranger Things rift and Squid Game's creepy Red Light, Green Light doll to an Everything Everywhere All At Once-style multidimensional laundromat and a massive Timothée Chalamet mural for Dune, new TV shows and movies sure do love launching with a pop-up in Australia. The latest doing just that: Aquaman and the Lost Kingdom, the sequel to 2018's Aquaman. For four days, the film is making its presence known in Sydney with a huge seven-metre gold trident. To see the towering, gleaming object, you'll need to head to Watermans Cove in Barangaroo from Thursday, December 14–Sunday, December 17. On display: the Trident of Neptune that gives Aquaman's namesake the power to rule the sea. It's being used to break ground of the boardwalk, and will be paired with a giant wall of water measuring nine metres high and 12 metres wide on the Friday night only. Seeing the trident is free, and you can just head along whenever suits you across the four days. If you want to catch a glimpse of the wall of water as well — which will have footage from the film projected onto it — you'll need to drop by from 7.45–10pm on Friday, December 15. As for the movie itself, it features Jason Momoa swapping the Fast and Furious franchise's roads for the ocean in that other big-budget saga he's been known to glisten through: DC's flicks. It's been five years since the first solo cinema swim for Arthur Curry arrived, with Aquaman marking just the sixth entry in the DC Extended Universe. Now the series hits 15 instalments with sequel Aquaman and the Lost Kingdom, bringing back DC's wettest superhero — plus Yahya Abdul-Mateen II (Ambulance) as Black Manta as well. Hitting cinemas on Boxing Day as the fourth DC feature of 2023 after Shazam! Fury of the Gods, The Flash and Blue Beetle, Aquaman and the Lost Kingdom also hails from Australian director James Wan (Malignant), as the first film did — and sees Patrick Wilson (Insidious: The Red Door), Amber Heard (The Stand), Nicole Kidman (Special Ops: Lioness) and Temuera Morrison (The Book of Boba Fett) return alongside Momoa and Abdul-Mateen II. Dolph Lundgren (Minions: The Rise of Gru) and Randall Park (Strays) are back as well, all in another movie that dives into the sea, heads down to Atlantis and paddles about trying to save the world. The story this time: Black Manta is still after vengeance, but now has the Black Trident and its powers to help. So, as well as being a father and the new King of Atlantis, Aquaman has to seek his own assistance. That's how Wilson's Orm, Curry's half brother, ends up fighting by his side instead of being his imprisoned enemy. Check out the trailer for Aquaman and the Lost Kingdom below: The Aquaman and the Lost Kingdom trident will be on display at Watermans Cove, Barangaroo, Sydney from Thursday, December 14–Sunday, December 17. Aquaman and the Lost Kingdom opens in Australian cinemas on Tuesday, December 26.
Like a stack of Melbourne's large cultural institutions, the National Gallery of Victoria has temporarily shut its doors to the public in an effort to help slow the spread of COVID-19. But, you can now feast on some of the NGV's art offerings from afar, thanks to its newly-launched virtual programming. A series of online galleries, virtual exhibition tours and eBooks are now free to access via the NGV's website and social media channels. And if you're having a crack at the whole social distancing thing, or stuck in self-isolation, that's a serious boredom-busting win. Over on the new NGV Channel, punters will find a growing haul of virtual content to explore. Right now, you can join a free, curator-led tour of Collecting Comme and the NGV's Indigenous art collection Marking Time. From Saturday, March 21, you'll be able to digitally explore around KAWS: Companionship In The Age Of Loneliness and then, from Saturday, March 28, Keith Haring | Jean-Michel Basquiat: Crossing Lines. [caption id="attachment_742493" align="alignnone" width="1920"] Kaws, What Party (2019) photo by Tom Ross[/caption] On the NGV app, there are also guided tours of NGV International and NGV Australia artworks, narrated by curators, artists and special guests. Thanks to a lengthy digitisation project, much of the 75,000-strong NGV Collection is also online for your viewing pleasure, so you can take a peek at the likes of the Spirit of Herbarium couture dress by Maria Grazia Chiuri for Christian Dior, or Katsushika Hokusai's 1830 piece The great wave off Kanagawa. It's easy to search by artist or artwork name, and even boasts a few pieces that aren't usually accessible. Those craving some new reading material can dig even deeper with a bunch of new eBooks and curatorial essays available free online, exploring exhibitions like Collecting Comme and Japanese Modernism. In a first, the almost 60-year-long back catalogue of Art Journal of the National Gallery of Victoria is also yours to browse at your own pace online. And don't forget, there's a whole lot more going on over on the NGV's socials and under the hashtag #NGVEveryDay, with regular insight videos and mini talks from the curators. Top image: Keith Haring | Jean-Michel Basquiat: Crossing Lines, NGV. Photo by Tom Ross.
Imagine a room filled with pinot noir, with red drops after red drops from wineries around the country poured for your sipping pleasure for hours. If that's your preferred type of vino, it likely sounds like your idea of boozy heaven. There's no need to just dream up the concept, however. Thanks to Pinot Palooza, it already exists, has been doing the rounds in Australia for more than a decade, and has locked in its return for 2024. A guiding principle here: that being spoilt for choice can be overrated when it comes to deciding which wine varieties you feel like at any given moment. So, let this event do the picking for you. Pinot Palooza celebrates exactly the type of vino that's in its name, and makes the sound of a light- to medium-bodied red wine sloshing around a glass its standard soundtrack, including in Sydney in spring. Expect to hear that noise a whole heap — before the pandemic, the Melbourne-born wine-tasting festival had notched up an estimated 65,000 tickets sold globally. In 2024, Pinot Palooza is hitting up Carriageworks for a two-day stint across Friday, October 4–Saturday, October 5. The Pinot Palooza team has also revealed that up to 100 wineries will be taking part in 2024, up from more than 50 winemakers last year, and surveying everything from organic and vegan to biodynamic and low-intervention drops. The full list of producers hasn't been unveiled, but Tasmania's Meadowbank, Oakdene from Geelong, Murdoch Hill and Vinteloper from the Adelaide Hills and New South Wales' M&J Becker are among the names that'll be involved from Australia. New Zealand tipples will be showcased by Two Paddocks, Burn Cottage, Mt Difficulty, Te Whare Ra, Greystone and others. As always, attendees will spend their session swirling and sampling that huge array of pinot noir, and making the most of up pop-up bars and food stalls between drinks.
There's more to the appeal of Zubi than their La Marzocco hardware and reputation for consistently quality coffee. It only takes a single visit to their Newport outpost to pick up on the community vibe. The walls are a rotating display of locals' artworks and there's a rear garden courtyard where you can enjoy countless Campos coffees in the company of your four-legged friend. On Sundays this courtyard plays host to musical talents from the northern beaches — a weekend ritual that certainly draws a crowd. If you can't find yourself a seat, Zubi's sister store is a couple of beaches along in Narrabeen. While coffee is Zubi's craft they also do a mean egg and prosciutto panini ($8.50) and a 'classic' chicken sambo that (thankfully) doesn't skimp on the mayo.
If you've never attended a big community Syrian barbecue, Almond Bar is giving you the chance to get in on one. Head down to the laneway behind the Darlinghurst restaurant on Sunday, May 20, and you can load up your plate with Syrian-style lamb skewers and pumpkin kibbeh, and enjoy the accompanying music and dancing. All for $20. This successful event has been a staple in Darlinghurst for the last four years. The scent of grilling meats sends a siren call throughout the area, bringing people together to celebrate cultural diversity and togetherness. Syrians love a feast, and they love a party — their cooking traditions are among the oldest in the world and the government itself produces two varieties of beer, Al-Shark Beer and Barada Beer. There's no need to book, but seating is limited, so get there early. Image: Natalie Carroll.
As a filmmaker, he co-created the Saw and Insidious franchises, and has since been tackling iconic horror tales with The Invisible Man and 2025 release Wolf Man. As an actor, he popped up in The Matrix Reloaded. Before all of that, he was a film critic on beloved late-90s Saturday-morning music TV show Recovery. That's a helluva career so far — and next, Leigh Whannell is heading to AACTA Festival to chat about it. In 2024, the Australian Academy of Cinema and Television Awards launched a festival to sit alongside its accolades, and to celebrate the latter's move to the Gold Coast. That event is returning in 2025 in a bigger guise, running for five days between Wednesday, February 5–Sunday, February 9, and hosting more than 100 sessions. AACTA Festival will also welcome Australian The Greatest Showman filmmaker Michael Gracey, who has been earning some love from the academy of late. Better Man, his unconventional Robbie Williams biopic, topped the 2025 AACTA nominations — and attendees will hear all about the film at his festival session. Equally huge news is enlisting Paul Kelly to perform at the live How to Make Gravy concert, which also features Meg Washington, Brendan Maclean and Beddy Rays — and yes, it's easy to predict what the Australian icon will be singing. Plus, Late Night with the Devil is in the spotlight via filmmakers Colin and Cameron Cairnes getting talking, while Netflix's upcoming Apple Cider Vinegar series will score a behind-the-scenes look. Another massive drawcard: the Working Dog team, aka Santo Cilauro, Tom Gleisner, Jane Kennedy, Michael Hirsh and Rob Sitch, coming together for an in-conversation session that's bound to touch upon everything from The Castle, Frontline, Thank God You're Here and Utopia to The Dish, The Hollowmen and Have You Been Paying Attention?. The Dish is also the screening program, and the Working Dog team will receive the prestigious AACTA Longford Lyell Award. Australian cinematographer Greig Fraser, who won an Oscar for Dune and is highly tipped for another one for Dune: Part Two, is another big-name inclusion, chatting about his Hollywood work. Also in the same category: John Seale, who took home an Academy Award for The English Patient, and was nominated for Witness, Rain Man, Cold Mountain and Mad Max: Fury Road. Everyone can also look forward to authors Trent Dalton and Holly Ringland returning from 2024's lineup, chatting about Boy Swallows Universe and The Lost Flowers of Alice on the small screen, respectively; a dive into the Heartbreak High soundtrack; a panel on queer storytelling with RuPaul's Drag Race Down Under season two winner Spankie Jackzon and Deadloch's Nina Oyama; and a session with First Nations filmmakers. And if you're keen to watch movies, Gettin' Square followup Spit will enjoy its Queensland premiere, complete with star David Wenham (Fake) chatting about the feature's journey; Looney Tunes: The Day The Earth Blew Up will make its Australian debut, at Movie World, of course; and upcoming action film Homeward with Nathan Phillips (Kid Snow) and Jake Ryan (Territory) will take viewers behind the scenes.
Getting comfy on the couch is nothing new for avid readers. Staying in to attend Brisbane Writers Festival is, though. Like many other events in 2020, the annual celebration of all things literary is going virtual this year, serving up a week-long celebration of the written word that's being delivered digitally. Called Brisbane Writers Festival 2020: Room to Dream, the fest runs from Monday, August 31–Sunday, September 6, with seven events on the agenda. Each day, two artists will respond to the theme as part of a call and response-style presentation that's available to watch via the BWF website. Also, checking out their readings, poetry, art and dance is completely free. First up is poet Alison Whittaker and dancer and choreographer Katina Olsen, offering up a piece that's being described as "a fusion of feelings". Also on the bill: Vietnamese Australian author Vivian Pham's words brought to life with artworks by Vietnamese illustrator Camelia Pham; a collaboration between award-winning novelist James Bradley and writer and video game enthusiast Shastra Deo; and real-life partners Chris Flynn (author of Mammoth) and Eirian Chapman (an illustrator). The list goes on, which is reason enough to tune in each day — and to get your BWF fix before it returns as a physical event from May 7–9, 2021. https://www.youtube.com/watch?v=RLEw15OmF0M&feature=emb_logo Brisbane Writers Festival 2020: Room to Dream runs from Monday, August 31–Sunday, September 6 via the BWF website.
You wouldn't usually think of crochet as an extreme sport. Then again, you wouldn't think of it as a solid metaphor explaining the other-dimensional structure of complex, non-Cartesian hyperbolic plane geometry, either. But it does that too. The Sydney Hyperbolic Crochet Coral Reef Project has been making crochet cool for years, showing off its cerebellum-like mathematical knit-wear at the Powerhouse and the Carriageworks. Now a local cider-maker has gotten in on the action, sponsoring an evening of World Extreme Crochet Championships taking place at Lo Fi's Darlinghurst digs. While drinks are served to the crowd, entrants in the championship will loop eye-catching wools over their hooks for to gratify your granny-chic aesthetic at what are, for crochet, breakneck speeds. While there may not be the same level of risk to life and limb offered by other extreme sports — neither the illegality of base-jumping, nor the threat of the plumber's crack that comes with bungee — getting out old-fashioned beanie-making skills live on stage, in front of an audience of strangers hungry for entertainment, does take its own particular style of courage. Image by Rhiannon Hart.
If everyone looked at strangers in the same way as French New Wave icon Agnes Varda (Cléo from 5 to 7, Vagabond), the world would be a much kinder place. Indeed, when Faces Places begins with the Belgian-born filmmaker and oldest ever Academy Award nominee hitting the road with street artist JR, the octagenarian can't hide her excitement. "I'm always game to go towards villages," she explains, "toward simple landscapes, toward faces." It's with honesty and humour that she expands upon why: "In fact, JR is fulfilling my greatest desire. To meet new faces and photograph them, so they don't fall down the holes of my memory." So commences Varda's 22nd film, one of this year's best documentary Oscar contenders. Co-directed by JR, the movie centres on the pair's jovial jaunts through the French countryside. Zipping about in JR's custom-made vehicle — a van with an in-built large-scale photo printer — Varda and her younger companion do just what the doco's title promises: they take photos of different faces in different places. The photographs are her obsession; for him, it's just the start. Thanks to his distinctive car's printing abilities, it's not long before JR is standing in a cherry picker, zooming up the exterior of rustic, historic, often crumbling buildings and pasting the giant photos on their facades. As pieces of large-scale art, the results of their efforts are never less than striking, each installation towering down in all of its detailed glory. Moreover, their odd couple collaboration makes for a heartwarming project, requiring and encouraging openness, curiosity and warmth. Wide smiles beam from lofty heights, sparking wide smiles from those below — regardless whose portrait is on the wall, or if it's a goat instead. A sense of community also springs up around the photographs, cultivated not only by something as simple as paper stuck on buildings, but by the willingness to pay a stranger some attention. "I like your laughing eyes," Varda tells one woman, whose likeness will soon adorn a stack of dockside shipping containers. "We wanted to pay homage to you," she tells another, who refuses to move out of her slated-for-demolition home in an old mining town. With her friendly, empathetic chatter and her distinguishing mop of grey and red hair, Varda looms as large over the project as the images she makes with JR. As the duo roam through small yet lively villages, Varda makes new memories while reminiscing about older ones — about love, work, times passed, friends lost and past moments immortalised in earlier photos. She's looking forwards and backwards in tandem, observing, sifting and making sense of her lengthy life in the process. Of course, all photos, films, paintings and the like are informed as much by the artist's aims as their experiences. Faces Places doesn't pretend to coin this idea, but rather explores it in a thoughtful and affectionate manner. In her travels, in the people she meets and in her blossoming friendship with a man six decades her junior, Varda interrogates how she chooses to capture her existence as it's inching towards an end. Well known for making personal documentaries across her career, hers is a sometimes melancholy but always enchanting journey, accepting the changes that time brings and acknowledging the fact that nothing is permanent. Served up with charm and heart, that's a perspective we could all benefit from embracing. https://www.youtube.com/watch?v=KKbjnLpxv70
In 2023, the Darling Harbour outpost of global hotel chain Sofitel (that also made our list of the best hotels in Sydney) unveiled its lavish new two-storey spa, delivering a fresh dose of relaxation high among the Sydney skyline. Joining the Harbour City's existing impressive supply of luxe spa experiences, and pairing its relaxation experiences with sweeping water views, the Sofitel SPA Darling Harbour offers an array of facilities and wellness journeys — all housed within a "quintessentially Sydney" space. Soft timbers, sandstone and marble finishes welcome guests into the latest addition to Sydney's wellness scene, which boasts seven roomy treatment spaces. Also on offer: a bespoke standalone bathtub with harbour views, an infrared sauna, a meditation zone and a contemplation deck sitting on level four of the hotel. While traditional experiences like massages, facials, body wraps and exfoliation are all available, the flagship offerings from the spa are its package deals — or wellness journeys. Take the signature half-day journey, for example, and you'll combine exercise, nutrition, treatment and introspection, getting a holistic experience that's meant to leave guests refreshed head-to-toe. French beauty brand Biologique Recherche and fast-rising Australian company Waterlily have been enlisted to provide the spa with its cosmetic treatment products, each of which will be personalised to every guest's needs. Plus, the spa sits alongside the hotel's previously opened level-four infinity pool. The swimming spot is heated year-round and offers guests the ability to enjoy a dip while soaking in panoramic views of Darling Harbour and the Sydney CBD skyline. Images: Anna Kucera
This year's Vivid Sydney theme 'Naturally' has been totally embraced by Barangaroo House — as it transforms into the House of Naturalia from Friday, May 26 to Saturday, June 17. Each part of the building is embracing sustainability through its specially curated selection of cocktails, dishes and light installations. At Rekodo Restaurant and Vinyl Bar, visitors can tuck into a unique Vivid Sydney food menu that champions local ingredients and zero-waste practices. And every Thursday night, diners will be served a side of A-grade beats with Frank Booker, DJ Jnett and Queen Bee DJs taking over the decks. Head up to the Smoke Rooftop Bar to sip on custom cocktails made from the kitchen's trimmings and off-cuts. It takes zero-waste to a whole new, delicious level — especially as you'll enjoy these ever-changing creations while looking out over the Barangaroo light shows. The House of Naturalia makes for an excellent refuel pit-stop when tackling the Vivid Sydney Light Walk. The illuminated trail will take you through the natural surrounds of Barangaroo Reserve, along the picturesque Wulugul Walk and into the nature-filled foodie paradise that is House of Naturalia. For more info on House of Naturalia and to book a table at any of the venues, head to the Barangaroo House website.
As first announced back in 2018, Melbourne's Australian Centre for the Moving Image will soon look rather different, with the screen culture-focused Federation Square site currently undergoing extensive $40 million renovations. When it reopens in 2021, visitors can expect revamped exhibition spaces, new immersive experiences and added interactive activations, including a permanent ode to Mad Max. Also part of the huge makeover: increasing the ways that everyone can engage with ACMI digitally, both when heading by in-person and from home. Yes, that sounds like a very 2020 move; however, the decision to implement a new experience operating system, or XOS, pre-dates the pandemic. The idea is to give visitors an integrated, multiplatform visitor experience, including before they arrive, as they're wandering around onsite and after they've left. And while some of ACMI's new additions will be familiar — an online exhibition space and its own video-on-demand service, for example — it has one particularly creative initiative up its sleeves. That'd be The Lens, a handheld device made out of compressed cardboard and featuring an NFC tag. Visitors will use it while they're physically moseying through ACMI's galleries, and can take it home with them as a keepsake. As you walk around and view the museum's exhibitions, you'll tap the device at around 200 different touchpoints to collect objects of interest — which'll then be available for you to explore on any device afterwards, no matter where you are. https://www.youtube.com/watch?time_continue=2&v=ez82jLMVpmM&feature=emb_logo Explaining ACMI's new push to combine the physical and the digital, Director and CEO Katrina Sedgwick notes that "we often consume the same stories via different platforms; we might read the comic book then watch the film adaptation and later play the videogame. Each platform brings out something new in the story. We have taken this concept of multiplatform storytelling and applied it to our museum. Thanks to our XOS, what we can now offer is a deeply integrated journey that extends, expands and enriches your visit, be that in person, or online". While no one will be able to get their hands on The Lens until next year, with ACMI's exact relaunch date yet to be revealed, the museum is unveiling some of its new digital additions before it opens. Online right now is The Story of the Moving Image, a multimedia exhibition currently focused on three main topics — Australian television, video games, Australian film — with additional sections on digital art, social video and Black women on-screen to come. It expands one of the site's forthcoming permanent physical exhibitions. Also, in November this year, ACMI will unveil its aforementioned online exhibition space and online viewing platform. Arriving first is Gallery 5, which will stream artwork and performances from November 11, launching with the premiere of Delusional World by Shanghai-based video, installation and performance artist Lu Yang. Then, on November 19, Cinema 3 will start rolling, with the VOD service streaming a curated range of classics and new movies. It'll kick off with a digital restoration of Claire Denis' 1999 standout Beau Travail, plus Toshio Matsumoto's 1969 Japanese drama Funeral Parade of Roses and 2019's acclaimed Romanian flick The Whistlers. The Australian Centre for the Moving Image will reopen its doors sometime in 2021, with an exact date yet to be revealed. Its The Story of the Moving Image exhibition is currently available to view online, while its Gallery 5 digital exhibition space will launch on November 11, 2020 — with its Cinema 3 video-on-demand service following on November 19, 2020. Top image: Field Carr.
And just like that, there was a teaser trailer — for HBO's new Sex and the City spinoff And Just Like That..., that is. First announced back at the beginning of 2021, and already locked in for a December release, the ten-part series reunites Sarah Jessica Parker, Kristin Davis and Cynthia Nixon more than a decade since they last shared a screen in the terrible 2008 and 2010 Sex and the City movies. And, if you're wondering what's in store, the first teaser trailer has just been released. Obviously, Parker's Carrie Bradshaw narrates the sneak peek. It really wouldn't be a Sex and the City-related series otherwise, and you'd probably want to a pair of Manolo Blahniks at your screen in protest if that was the case. This time, the famed fictional New Yorker is waxing lyrical about life's changes — and obviously the words "and just like that" get uttered. The teaser doesn't provide much in the way of narrative detail, but it is filled with images of Carrie, Miranda (Nixon) and Charlotte (Davis) going about their lives — and of plenty of other familiar Sex and the City faces as well. The series' main trio won't have Kim Cattrall's Samantha for company, but Chris Noth, Mario Cantone, David Eigenberg, Evan Handler and the late Willie Garson all return. Yes, that's Big, Anthony, Steve, Harry and Stanford all accounted for. Grey's Anatomy's Sara Ramírez features, too — and, in news that's worth raising a few cosmopolitans, the ten-episode spinoff now has an exact release date. So, you'll be able to stream the first two episodes on Thursday, December 9 via Binge in Australia, with new episodes dropping weekly on Thursdays afterwards. In New Zealand, it'll air on Neon and Sky Go from Friday, December 10, with new episodes dropping at 1pm each week. It'll also head to SoHo from 9.30pm on Mondays from December 20. Due to Cattrall's absence, And Just Like That... is being badged as a "new chapter' in the Sex and the City story, rather than an additional season of the existing 1998–2004 program. Parker, Davis and Nixon are also named as producers on And Just Like That..., alongside Michael Patrick King, who worked as a writer, director and executive producer on the original (and on the two movies). Check out the first teaser trailer below: And Just Like That... will start streaming in Australia via Binge from Thursday, December 9. In New Zealand, it'll air via Neon and Sky Go in New Zealand from Friday, December 10, and also on SoHo from 9.30pm on Mondays from December 20.
Being The Drums means being one of the most hardworking bands around at the moment – since they skyrocketed in hype in 2009, The Drums haven't slowed down, incessantly touring and releasing two LPs in that time. They've visited antipodean shores before, working the festival circuit and are about to do it for the third time – this time around for St. Jerome's Laneway Festival in Australia. Singer Jonny Pierce took some time out to talk to Kirstie Sequitin about the rise and rise of the band, recording Portamento in their kitchen and getting lost in translation in Poland. Hi Jonny, how are you? Hey there, how you doin'? I'm good thank you, how's your day going? It's going pretty good, I'm down in Puerto Rico right now, just wrapping up my first real holiday since we started the band and heading back to wintery New York City tomorrow morning. It's a little fast to be leaving but I'm also ready for it – I'm having a really hard time actually relaxing. My mind is constantly reeling so I think it'll actually feel better to sort of, do something creative again. This is the first time, actually, that we've had time for a break… we've had just under a month off. That's the longest time that we've had off since we started three years ago. Because we've just been going going going, even a month feels like a very long time. I feel like we all feel somewhat refreshed and excited to come to Australia, which is a change from sort of the, the, how we were feeling a few months ago when we were wrapping up a very long three-year tour. So Australia will kind of be the first stop after your holidays then? It will, absolutely, yeah. It'll be nice to continue this warm weather, actually. I really didn't like warm weather as a child - I was always drawn towards the cold winters but uh, getting older, so, things change I suppose. You've been coming to Australia every year basically since you started – doing the festival circuit and your sideshows and tours and whatever – how do you feel about coming here so often? Do you like it here? Well, we've always had a really warm reception in Australia so it is a place that we look forward to going… and you know there are some places that we've gone a few times and every time it feels the same but there's always this… it feels like every time we've been to Australia there's been this mounting electricity in the air. It's that sort of thing that keeps you on the road. It seems that the fans there are a bit more rowdy than most of the places which really gets us through the show and makes us excited and makes us sort of play the best show possible. And it's nice to go somewhere where people speak English, to be quite honest (laughs). We spend a lot of time sort of, pointing at venues, and… a lot of sign language. So it's sort of nice to just be able to talk to people. Yeah. "We… like… being… here…" Yeah, exactly. Or like, memorising the words Thank You in every language. It seems that I think I know it and I walk up on stage confidently and it completely slips my mind. I end up asking my guitar player how to say thank you in Polish and he tells me – he gives me an answer that's almost right but just wrong enough to make me look foolish and for the entire set I'm saying thank you wrong… (laughs) Oh, that's awesome. Literally happens non-stop. You were saying before that you being in Puerto Rico is the first holiday that you've had since you guys have started – so how does it feel to be on the road for three years? Do you feel like you've enjoyed those three years or do you feel like it's a bit of a burden? Well, when we first started writing songs for this band and recording, we were living in the middle of nowhere in Florida and it was just Jacob and I – we wrote the Summertime EP and then we recorded most of the first album and that whole time we thought we'd be the only two people who would ever hear it. And out of nowhere, we were asked to play a show in New York City – you know, we had a MySpace page and that was it – so we went off to New York and played the show and the next day we were getting calls from record labels and managers and booking agents. Right from the very first show that we played it was a non-stop whirlwind up until a month ago. At the beginning everything is exotic and exciting and surreal and there's nowhere to really feel like you can put your feet down because the whole time it just felt like we were floating and being hyped up as we were. You don't even really feel anything: we didn't have time to feel excited, we didn't have time to feel angry, we didn't have time to feel anything which is just so, so wild. And then about a year into it, the dust starts to settle a little bit and our feet started touching the ground and you sort of have a clearer vision of what you are as a band and we realised where we had landed. It was really exciting, we felt really grateful for everything – and we still do – but, you know, the reality was… none of us were home, ever, and we were always all together and you don't think about those things when you start a band. You think, 'Oh, we'll play a couple of shows here and there, and I'll keep my bartending job and you'll keep your retail job and that will be enough…' you just jump into it because it's exciting. It's very simple - we just spent too much time together and things started to get a little bit ugly. To me, when things get dramatic and ugly, to me it's a really exciting time to be creative, because I think the best art comes through hardship, and that sort of anger and bitterness really gave Portamento a darker texture that I think we were hoping for. So I think, without really saying it, we were all welcoming the drama. Since then, when we finished Portamento and released it, I think we all felt something break… it was just a unifying experience and I think what we all really learned from the whole thing was to give each other space and to respect each other's opinions. Jacob, Connor and I are all really stubborn, bull-headed people and I don't think this band would exist or be able to survive if we weren't that way. I think it's those three dynamic, clashing heads all the time that… that's where the ideas come from. I'm grateful for all of that and I wouldn't want this to be easy and comfortable because I think that's the number one way to lose your creative spark. Yeah, definitely. (And then the line gets cut and Kirstie's heart breaks a little bit. But he calls her back!) Hello! I don't know what happened there. Alright, so I always read the fact that you guys produced Portamento in your kitchen – is that true? Mmhmm. Do you think that for your next efforts you'll go into the studio? Or do you think you'll continue this kind of, very DIY sensibility. Um, I don't know. We didn't do things DIY because we thought we should – we did things DIY because it was the only option when we started. We were completely broke – we didn't have cars, we didn't really have friends, we were living in this small apartment complex in Kissimmee, Florida, riding my bike to work, a 36-mile round trip every day, that sort of thing. We were really broke. So we just downloaded recording software illegally (laughs) and borrowed our friend's guitar and used an old synthesizer that Jacob's mum gave him and bought a $25 microphone from RadioShack and just recorded things that way. With Portamento we just decided that we were really happy with how the first album turned out. We were trying to record things as professionally as we possibly could but because we didn't have the right gear and the right know-how to do it, we sort of landed on a certain sound by accident but we really learned to love it and call it our own. For Portamento we didn't want to stray from that. We kept it the same way and didn't buy any new equipment or any new recording gear, we just decided to make another record how we made the first. And The Drums, I think so far our heart has been into doing it on our own, but that's just because that's sort of how it happened and I think however we go about the next album – whether we get a producer or we do it ourselves again, or we co-produce, I'm not really sure – whatever it is, you can bet that it's because that's what we want to do. That's the number one thing for us, to never look back and feel like we've made a long list of compromises. So if we work with a producer it's because we feel like we should for the next album and not because someone tells us we should. It's about feeling really natural about everything. Alright, I think that's all I've got for today – thank you so much for your time Jonny and thanks for calling me back after I dropped out there. No problem at all, thank you. Have a great time in Australia, et cetera et cetera. Oh, and have fun in Puerto Rico! Oh, thank you, I will - we have had a really nice time. I lied to this man and told him I had a boating license so I've been taking his boat out every day. So, so far you know that I've been downloading illegal software and lying to people in Puerto Rico – it's not all bad, I swear. The Drums will be playing at St. Jerome's Laneway Festival in Australia. This interview was originally conducted for Scene Magazine.
When Jemaine Clement and Taika Waititi invited the world to experience the vampire sharehouse mockumentary genre, one of the best comedies of the decade wasn't the only result. Every film seems to spawn sequels, remakes, spinoffs and the like these days, but no one's complaining about spending more time in the What We Do in the Shadows universe. A follow-up, We're Wolves, is in the works, focusing on the undead bloodsuckers' Rhys Darby-led lycanthrope enemies. And six-episode television spinoff Wellington Paranormal, following the movie's cops (Mike Minogue and Karen O'Leary) as they keep investigating the supernatural, is now streaming on SBS On Demand. Add a US TV remake of the original flick to the pile as well, but withhold any "do we really need a remake?" judgement. First revealed by Waititi last year, given a pilot order earlier in 2018 and now officially moving ahead with a ten-episode first season, the American version will be written by Clement and directed by Waititi, The Hollywood Reporter notes — and will see a documentary crew follow three vampire flatmates living in New York City, according to Variety. The series will star Toast of London's Matt Berry, Four Lions' Kayvan Novak, British stand-up comedian Natasia Demetriou and The Magicians' Harvey Guillen. It's unknown whether Clement and Waititi will reprise their on-screen roles in a guest capacity, but you can watch the first two (very brief) teasers here. https://www.youtube.com/watch?v=rLdeHQ_0nts https://www.youtube.com/watch?v=a0idSAp9HRk With What We Do in the Shadows actually starting its life as a short back in 2005, the concept of flatting members of the undead arguing about bloody dishes has taken quite the journey since those early beginnings. If any idea was going to come back in multiple guises, it's this one. Of course, so have Clement and Waititi. Clement has a new Flight of the Conchords TV special airing on HBO this month, while Waititi two post-Thor: Ragnarok flicks in the works — a stop-motion animated effort called Bubbles, about Michael Jackson's chimp, and another by the name of Jojo Rabbit, set during World War II and starring Scarlett Johansson and Sam Rockwell. The US remake isn't set to air in America until early-to-mid 2019. Via The Hollywood Reporter / Variety. Image: Kane Skennar.
When it comes to prime spring drinking turf, Chiswick's sprawling green lawn is up there with the best. And you can bet it's set to get a solid workout this summer, as the Woollahra restaurant sets up a pop-up bar for outdoor drinks throughout February. Join in the al fresco fun from 5.30–7.30pm each Wednesday in February and make the most of those balmy pre-sunset temperatures with some hard-earned hump day knock-offs. The pop-up Bombay Sapphire bar will be slinging a selection of ice-cold gin cocktails, including a G&T ($10), a Passionfruit Collins ($14), and a Summer Twist with gin, peach bitters and mint ($12). There'll also be 4 Pines pale ales ($10) and house-made orange coconut soda ($5) — if gin isn't your thing. And, to cap it off, there'll be live acoustic tunes setting the mood, games of bocce, plus some free canapés making the rounds.
Just 18 months into its time on a sunny Chippendale corner, Ricos Tacos is on the move. Toby Wilson's beloved taco truck turned permanent Mexican eatery will officially be closing on Sunday, August 6. While this is sad news, Wilson and the team promise this is "see you soon" rather than "goodbye forever" with a bigger and better Ricos outpost set to open later this year. "While we will miss our sunny little corner, greener pastures await," reads the post on the Ricos Instagram page. "We will soon be announcing details of our new store where we will be back to cooking tacos (and hash browns) for you all." "The plan was always for that to be our production kitchen while we had the truck and the cart going," Wilson told Concrete Playground. "But after the second lockdown, things changed and that became our site. We never intended to have a 20-seater venue. Ricos was always meant to be something a bit bigger than that." After spending time at Gelato Messina Rosebery, Rocker and Grifter Brewery, Ricos opened its first brick-and-mortar outpost at the beginning of 2022. Initially, just a casual breakfast and lunch spot, the inner-city restaurant expanded to serving dinner and hosting plenty of collaborations with Sydney favourites including Pizza Oltra and Baba's Place. The Meagher Street spot has allowed Wilson to experiment with menu items, with the current slate of offerings including tacos, tortas, quesadillas, tostadas, hibiscus margaritas and the beloved aforementioned hash browns. He'll even be bringing back a fan-favourite menu item for just this weekend — the chorizo pancakes that were a hit during the second lockdown and the site's first few months serving breakfast. "I loved the lockdown window. Pumping lunches out of that window we built in the front room," says Wilson. The popular chef began serving up tacos to Sydneysiders in 2016 at Ghostboy Cantina, which was first set up in the Dixon House food court before moving to Tio's. From there, he went on to become a prolific member of the Sydney hospitality scene, starting Bad Hombres in Surry Hills, and also running kitchens out of The Duke of Enmore and The George, before taking his tacos on the road with the Ricos food truck. While a new location for Ricos hasn't been locked in yet, it's sure to pack the same flavoursome punch that each iteration the Ricos name has been through to date. In the meantime, the cart at Grifter Brewery has finished up for the time being so you'll have to keep an eye on Ricos' Instagram for news on the new venue or another star-studded collab. Absence does make the heart grow fonder. If you want to experience the Chippendale diner one last time, it will be open for dinner Wednesday–Saturday and lunch (including pancakes) Thursday–Sunday this week. View this post on Instagram A post shared by Ricos Tacos (@ricostacotruck) Ricos Tacos is located at 15 Meagher Street, Chippendale and is set to close on Sunday, August 6. A new, bigger Ricos Tacos is set to open later this year.
One of Sydney's rare heritage gems, and custodians of the former General Post Office (GPO) building, The Fullerton Hotel Sydney invites guests to experience its historic charm firsthand in celebration of the 150th anniversary of the iconic building it calls home. To celebrate, guests can indulge in a Heritage Afternoon Tea and a Heritage Stay package, each offering unique historical immersion alongside quality hospitality, available for bookings until Saturday, May 31. The Heritage Stay Package is an overnight retreat celebrating the heritage and history of the General Post Office (GPO). It includes a one-night stay in a Heritage Wing room and a buffet breakfast for two at The Place Restaurant, as well as a Heritage Afternoon Tea for two at The Bar and two bespoke Postmaster's Break cocktails. Guests will also be treated to a postcard-designed cake and a guided heritage tour (available from Tuesday to Saturday only), which offers a one-of-a-kind insight into the rich history of the building. The package is available for stays booked before Saturday, May 31. If it's the mention of afternoon tea that's got you most excited, you can head over to The Fullerton Hotel for just that, sans-stay. Inspired by 19th-century high society traditions, The Heritage Afternoon Tea will transport you back in time via your tastebuds. A curated menu combines British and Australian flavours (yes, that includes finger sandwiches) with a contemporary twist. This package is available daily from 12pm to 4pm until Saturday, May 31. For more information or to book your Afternoon Tea or Stay Package, visit the Fullerton Sydney website. Images: Supplied.
A broad national network of mental health treatment centres, including up to 57 additional clinics for adults, is part of the Federal Government's landmark $2.3 billion investment in the mental health sector. It represents the single largest Commonwealth commitment to mental health and suicide prevention in history, according to the Coalition. Announced as part of the 2021–22 Federal Budget on Tuesday night, the new National Mental Health and Suicide Prevention Plan brings the government's total estimated mental health spending to $6.3 billion in 2021–2022. The lion's share of spending ($1.4 billion) will go towards improving the accessibility of mental health services for vulnerable Australians. This includes improving access to community-based mental health services ($487.2 million) with an initial 32 new centres for adults, and expanding the existing Headspace network for youth aged 12–25 through the establishment of ten new dedicated clinics ($278.6 million). "The past twelve months have no doubt been some of the most difficult for many young people. It's not surprising that we've seen an increase in need across all parts of the mental health system," Headspace CEO Jason Trethowan said in a statement. "We know increased investment in early intervention is key to supporting young people's mental health." [caption id="attachment_811701" align="alignnone" width="1920"] Pexels stock image: Anastasia-Shuraeva[/caption] Almost $249 million of the spend is allocated to prevention and early intervention, including investments into broadening the digital services available in Australia through a new, world-class digital platform. The system will be home to online professional counselling as well as offering peer and clinical support under Head to Health. A further $298 million is promised for suicide prevention, with the government committing more than half of this spend ($158.6 million) to ensuring Australians who attempt suicide receive continued care and support once they leave hospital. Another $107 million is dedicated to supporting vulnerable groups in the community, which includes Aboriginal and Torres Strait Islander-specific services such as a 24/7 crisis line run by Indigenous Australians. $202 million is also committed to training and growing the mental health workforce. "We have a monumental task ahead of us to ensure that our system levels up to our expectations, and treats people with the care and compassion they deserve," Prime Minister Scott Morrison said in a statement. "[This] is an investment for all Australians." Currently, one in five Australians experience mental health issues every year. 3,000 Australians lose their lives to suicide each year and it remains the leading cause of death for Australians aged 15–44 years old. You can read the Federal Government's National Mental Health and Suicide Prevention Plan online. A media release is also available to the public, or head to the government's website to view a range of available fact sheets.
The term "passion project" is usually thrown around when a filmmaker tries to make something near and dear to them, but doesn't quite achieve the success they'd hoped for. Fences clearly meets the first half of that definition, with Denzel Washington directing and starring in a stage-to-screen adaptation of the play he previously won a Tony award for on Broadway. With the aid of his co-star Viola Davis, who also follows the project from the theatre to film, Washington crafts a picture full of commanding lead performances and blistering drama. And yet, like so many passion projects, it's never quite everything that it could be. Just why that's the case is apparent from the outset, when Pittsburgh garbage collector Troy (Washington) returns home on a Friday afternoon with both his pay packet and a bottle of gin in his hand. The working week is over, and so he's jovial, tipsy, talkative, and cheekily playing up for his dutiful wife Rose (Davis) and his long term friend and work colleague Jim Bono (Stephen Henderson). It's the type of performance-centric opening scene designed to make an impact, and in a theatre it would certainly cause an immediate splash. On film, it simply offers the first of many reminders of the movie's origins on the stage. In a script written by the late August Wilson based on his own Pulitzer Prize-winning play, Troy unleashes his thoughts, problems and memories upon Rose, their teenage son Cory (Jovan Adepo), his first son from a previous relationship Lyons (Russell Hornsby) and his brother (Mykelti Williamson). He wants to become a driver, while Cory yearns to pursue a football career against his father's wishes, and Rose remains suffering but still poised in the middle. The more Troy talks as time passes, the more revelations are in store. Slowly, his bravado and bluster fades. The almost constant chatter continues, only quieter, with the characters weighed down by their mounting troubles. If that sounds like a whole lot of arguing, that's because Fences doesn't shy away from the spoken word. The script serves the film's cast well, and each player delivers their lines with passion and conviction. Above all else, this is an actor's showcase. Washington perfects the transformation from confident to wearied, while Davis charts the opposite trajectory. The space where they collide is the place where pride is undone, legacies are shattered, hearts are broken, and racial and socio-economic truths are exposed. Distilling all of that into their performances, it's almost enough just to watch them circle around each other for 139 minutes. Of course, the key word there is almost. As a filmmaker, Washington obviously believes in the strength of the scenario and the acting it inspires. In a way, that's the problem, since it means his direction ends up feeling rather stagey. Given that the film's characters are both fenced in and trying to burst beyond their confines, a sense of constraint comes with the territory. And yet, for all its attempts at intimacy, the end result still keeps viewers at a distance. Fences feels more like a great play captured on camera, rather than a great movie in its own right. https://www.youtube.com/watch?v=JtkjUJoSPa4
It seems like the legends at burger joint Mary's don't just want us to be spoilt for choice, they want us to be absolutely swimming in it. This week, the Sydney group went ahead and launched a surprise attack, opening the doors to a brand-new Pitt Street venue, in a move that pretty much no one saw coming. The 60-seat table-service restaurant has made its home at the Surry Hills edge of the city and embraces a classic Mary's offering. Alongside tried-and-true favourites — like the signature Mary's burger, the 'shroom burger and that fried chicken number — this one's dishing up the same gangbusters vegan menu that first launched at Mary's Circular Quay earlier this year. Think, outrageously crispy fried cauliflower, plant-based mash and gravy, and burgers oozing with vegan cheese. To match, there's a high-energy soundtrack of blues and rock, a largely Aussie and New Zealand wine lineup courtesy of Mary's award-winning Group Sommelier Caitlyn Rees, and an all-new, rum-heavy cocktail list with a little something for all tastes. And if you're a planner, this newest Mary's outpost will really float your boat – unlike its siblings, the Pitt Street eatery actually takes bookings, for tables of 8 to party groups of 60. https://www.instagram.com/p/B2dkhQIFR8N/ In terms of decor, expect exposed bricks, comfy banquettes, a skeleton or two and chandeliers for swinging a la Sia (and Smyth, above). According to Smyth, the venue is a slightly more mature than its Newtown and Castlereagh Street counterparts. "Pitt Street looks, feels and tastes like Mary's, but one that may have taken some advice from two old fuckers that used to be young fuckers," Smyth said in a statement. This latest outpost marks Mary's third CBD venture and wraps up what must have been a pretty darn busy nine months for the crew. Owners Kenny Graham and Jake Smyth (also The Lansdowne, The Unicorn, Mary's Pizzeria) opened that new Circular Quay restaurant in April and took over the basement space below for new venue Mary's Underground a short while later. They even enjoyed a spin down to Melbourne somewhere along the way, for a two-month kitchen residency at cocktail bar Fancy Free. But hey, who's arguing? The more Mary's, the better – right? Head into Mary's Pitt Street between 5–6pm for the rest of opening week (September 18 to 20) and you can nab yourself a $5 burger to celebrate its arrival. Find Mary's latest venture at 410 Pitt Street, Sydney. It's open midday–midnight, daily. Top image: Mary's Newtown.
Queensland is known for more than a few things. Endlessly warm weather, fearsome footy, particularly wild wildlife and a bustling arts and culture scene to name a few. But it's also home to a long legacy of scientific discovery. This history — and that of the science community the world over — is celebrated annually at World Science Festival Brisbane, which is returning this March for its 2023 edition. Taking over several venues citywide over its five-day run, World Science Festival Brisbane is here to both delight and educate across a range of scientific fields. Just like last year, the event is coinciding with Curiocity Brisbane, which runs until Saturday, April 22 — so you're guaranteed a double dose of thought-provoking attractions. If you plan on seeing it all, you're in for a jam-packed five days. Head to QPAC for one or all of Professor Brian Greene's four conversation sessions, which are set to cover astrology, neurology, history and more. For a good laugh, visit QPAC on Saturday, March 25 for the live comedy quiz show Night of the Nerds, or Sunday, March 26 for a live recording of A Rational Fear, the award-winning podcast series that explores – and manages to laugh at – all the ways the world could end. Fascinated by the oceanic realm? Artistically inclined? Head to Brisbane Planetarium between Thursday, March 23 and Sunday, March 26 to catch a screening of the award-winning short film CORAL: Rekindling Venus. And, excitingly, Curiocity's city walk returns. From Wednesday, March 22 till Saturday, April 22, your stroll through South Bank will be dotted with 14 immersive artworks and displays that explore everything from cat-babysitting AI to T-Rex farts. Beyond all of that science-fuelled fun, the loggerback turtle hatchery is returning to Queensland Museum (a true fan fave), interactive experiments are popping up across Brisbane, there's the chance to picnic amongst prehistoric animals at the South Bank Piazza and more. For more information and to nab your tickets to World Science Festival Brisbane, visit the website.
Huge music tours are back on Australia's agenda — and they aren't just confined to chart-topping stars, iconic names and huge festivals. In the classical world, the London Symphony Orchestra is also coming our way to play a series of shows in Brisbane, Sydney and Melbourne. And, the 2023 tour will mark only its fourth-ever trip Down Under. Famous for everything from being the official orchestra of the London 2012 Olympic and Paralympic Games ceremonies through to recording the Star Wars, Superman, Indiana Jones, Thor and The Shape of Water film soundtracks, the LSO held its first-ever gig in 1904. That means it's been picking up its instruments for almost 120 years — and in that time, it has only visited Australia on three occasions before now. The April and May shows at QPAC in the Sunshine State, the Sydney Opera House in the Harbour City and Arts Centre Melbourne in Victoria will also see the orchestra make the journey Down Under for the first time since 2014. If it's drama you're after, get ready to watch music director Sir Simon Rattle's baton fly as he conducts the orchestra during his final season with the organisation. The LSO is bringing 114 musicians our way for the tour, including two Australians: Naoko Keatley and Belinda McFarlane, both on violin. And, it's the largest orchestra it has ever toured to our shores. The orchestra will play three different programs — two each in Brisbane and Melbourne, and a third in Sydney as well. All cities will be treated to a night featuring John Adams' 'Harmonielehre', Claude Debussy's 'La Mer' and Maurice Ravel' 'Daphnis and Chloé Suite No.2', plus an entire evening dedicated to Gustav Mahler's 'Symphony No.7'. As for that extra Sydney gig, it'll feature Daniel Kidane's 'Sun Poem' and Anton Bruckner's 'Symphony No.7'. Before its 2014 tour, the LSO first came to Australia in 1966 and then again in 1983. LONDON SYMPHONY ORCHESTRA 2023 AUSTRALIAN TOUR Friday, April 28–Saturday, April 29 —Queensland Performing Arts Centre, Brisbane Monday, May 1–Wednesday, May 3 — Sydney Opera House Friday, May 5–Saturday, May 6 — Hamer Hall, Arts Centre Melbourne The London Symphony Orchestra will tour Australia in April and May 2023. For further information and to buy tickets — with on-sale dates varying per city — head to the Sydney Opera House, Melbourne Symphony Orchestra and websites. Images: Mark Allen.
Remember show and tell in primary school? The Maker Faire is a bit like a grown-up version of that, except it’s less about Disneyland vacation photos and more about science experiments and arts and crafts. Founded by the US-based Make magazine, the Maker movement is all about celebrating the DIY ethic, resourcefulness, innovation and imagination, and it’s coming to Australia in the form of the Mini Maker Faire. The first Australian event was held at the Powerhouse Museum in 2013, and it will return this year. The first Maker Faire was held eight years ago in San Mateo, California. Since then, the Maker movement has spread all over the world, with events in Detroit, New York, Newcastle (UK), Rome and Tokyo, and over 200,000 attendees worldwide. Whether you’re a scientist, artist or foodie, there’ll be something for you.
5 Loaves 2 Fish (5L2F to the cool kids) dishes up wholesome breakfasts, lunches and desserts until 4pm each day from its light, airy Neutral Bay space. The minimalist space — with white painted brick walls and greenery hanging from the ceiling — mimics the menu that celebrates punchy flavours with a clean-eating lens. Here, you can expect cafe classics with a twist — think scrambled eggs with XO sauce, blue swimmer crab and Korean chilli oil on Brickfields sourdough or corn fritters, with a turmeric kick, served with grilled halloumi, avo, smoked salmon and a poached egg. If you fancy something light and fresh, opt for one of the delectable salads, like the poke bowl with ponzu cured salmon, super grains, heirloom tomatoes and edamame or slow-roasted cauliflower and chickpea bowl with sweet potato tahini. The speciality coffees are praised by diners, so be sure to order one — dining at home means you can even decant it into your favourite mug.
Australians have hotly anticipated the opening of the very first Il Mercato Centrale in Melbourne ever since it was first announced in 2022. At that time, it was expected to launch late the same year. But it's now 2024, and we still have no hard date for its opening. The highly ambitious venture came across a heap of setbacks, as the team behind it is determined to create a hospitality venue unlike anything that Melbourne has ever seen. All the red tape has now been sorted, however, and construction is charging ahead at 546 Collins Street at lightning speed. [caption id="attachment_856983" align="alignnone" width="1920"] Il Mercato Centrale in Turin[/caption] First off, the 3500-square-metre space, spread across three stories, truly is enormous. The first floor will have a market feel to it but with more flash, fun and tech. Each of the vendors will be slinging their own specialty goods, with none competing with the other. There'll be a bakery, patisserie, pasta shop, pizza joint, cheese maker, butcher and seafood stall, to name a few. Here, you can get fresh produce to take away or order it to be cooked up right in front of you. That means that you can buy a steak to eat at home or ask them to pop it on the grill while you start on some wine that you ordered from the bar right in the centre of the ground floor. Want to make it a surf and turf? Order some grilled calamari from the seafood stall next door and create your own feast. Conveniently, you'll be able to order from any and all vendors all in one transaction by using a QR code — or even pre-order from your office to pick up when it's ready. It going to be one of the easiest Melbourne food halls to order from. Then, on the second floor of Melbourne's Il Mercato Centrale, you'll find a fine-dining restaurant, cocktail bar, pasta restaurant (all made by hand), pizzeria, gelateria, wine bar, a gin and vodka distillery, and live music stage. We told you, it's huge. Up here, you'll even be able to order some of the food from downstairs to be delivered to you. Say you're sipping on a negroni at the bar upstairs and get a bit hungry. All you've got to do is order a cheeseboard and perhaps some slices of pizza on your phone, and the team will bring it up to you. If it all works out how the crew wants it to, it will be a huge feat of tech and service ingenuity. The top floor of Il Mercato Centrale will then be dedicated to private events and masterclasses, where each of the vendors will run workshops on their particular trades each month. [caption id="attachment_856981" align="alignnone" width="1920"] Il Mercato Centrale Rome[/caption] There will even be a big outdoor seating area right on Collins Street, something that was not easy for the Il Mercato Centrale team to secure. Taking Concrete Playground on a tour of the site, General Manager Gary Patikkis couldn't share the details about the outside area, but he noted that it is set to be unlike any other street-level drinking and dining space in the CBD. The venue will have a 3am liquor license (another rarity for new venues in Melbourne) and be open until from 7am–12am every day of the week. Patikkis was reluctant to share any opening dates, but rest assured that Il Mercato Centrale is coming. And Melburnians and visitors alike hopefully won't have to wait much longer before being able to dine on a massive range of Italian eats in the Victorian capital's CBD. [caption id="attachment_856978" align="alignnone" width="1920"] Il Mercato Centrale Firenze[/caption] Mercato Centrale Melbourne is set to open at 546 Collins Street, Melbourne. We'll share more information as it is announced, and you can head to the venue's website in the interim. Top image: Il Mercato Centrale Milan.
Melbourne masquerades as New York in Predestination, the latest film from German-Australian directing duo Michael and Peter Spierig. Reuniting the twin filmmakers with their Daybreakers star Ethan Hawke, this slickly produced time-travel noir attempts to put its own distinctive spin on one of sci-fi's most thoroughly exploited sub-genres. There are plenty of intriguing concepts beneath the movie's stylish surface, although often their delivery leaves a lot to be desired. Nevertheless, some old-school vibes — and an astounding, career-making performance from actress Sarah Snook — ensures Predestination is worth your precious time. Adapted, and expanded, from Robert A. Heinlein's 13-page short story All You Zombies, much of the first half of the film takes place in a dive bar in New York, where a time-travelling secret agent (Hawke), on the trail of a terrorist mastermind, is working undercover serving drinks. One evening, he strikes up a conversation, seemingly at random, with a sullen young man named James (Snook), who bets the barkeep a bottle of whiskey he's got the best story the place has ever heard. And it's certainly a corker of a yarn. James, it would seem, began his life as Jane, abandoned by unknown parents on the steps of a Cleveland orphanage. A bright, tough young woman, Jane very nearly becomes one of the first female astronauts, only to be ruled out by an unexpected pregnancy. The father of the child abandons her soon after, although the shock is overshadowed by a revelation from her doctor: it turns out Jane has a second set of fully functioning (albeit internal) male reproductive organs, and that complication from her pregnancy will leave her no choice but to transition into a man. How James's incredible story is connected to Hawke's manhunt isn't immediately clear — although it's obvious from the cryptic way the brothers frame the flashbacks – always obscuring certain faces — that the cogs will eventually interlock. The second half of the film, wherein Hawke offers James the chance to travel back and change his past, is positively overflowing with time paradoxes and plot twists. The problem is, anyone with even a passing familiarity with time-travel stories will see them coming at least three scenes before they do. It's not that the revelations aren't interesting on an intellectual level; they just never result in the dropped jaws and shocked gasps that the Spierigs would obviously like. Still, if their script could use some polish, they succeed in delivering style. From Hawke's fedora and six-shot revolver to his portable time machine disguised as a violin case, the feel of Predestination is a particular brand of retro-futuristic cool. Likewise, the narrative device of two strangers swapping stories across the bar has an enjoyably hardboiled quality to it and helps disguise the fact that the entire first half of the movie is basically one giant dump of exposition. It also helps a great deal that Snook is the one who's delivering it. Hawke brings his typical mix of wryness and intensity, while Noah Taylor is dapper is his seemingly all-knowing handler. But it's the Adelaide-born actress who clearly runs away with the film, ranging from tough and emotionally guarded to devastatingly raw. So affecting are the scenes immediately before and after James' transition that you could almost do away with the time travel story altogether. https://youtube.com/watch?v=UVOpfpYijHA
Bringing some of the world's greatest past and present artists to Australia, the Sydney International Art Series 2017-18 features two outstanding exhibitions — and a gleaming pop-up bar to match. First up, the MCA hosts Pipilotti Rist: Sip My Ocean, a kaleidoscopic exhibition exploring the much-acclaimed work of the Swiss video art pioneer. The most comprehensive showing of Rist's work in Australia to date, the exhibition considers the coming together of the natural world, technology and the human body through Rist's immersive installations and vast audiovisual compositions. Meanwhile, just across the Royal Botanical Garden at the Art Gallery of NSW, Rembrandt and the Dutch Golden Age: Masterpieces from the Rijksmuseum showcases 76 masterpieces of Dutch painting, created during an era of unmatched prosperity and artistic inspiration. Rembrandt and the Dutch Golden Age reveals the wealth, power and influence of an emerging Dutch society in the 17th century. As part of the exhibition, there will be an entire room dedicated to Rembrandt's vast range of work. Also, there will be a work by painter Johannes Vermeer — one of only 35 surviving paintings in the world. To celebrate this year's event, a Pipilotti Rist inspired pop-up bar has sprung up on the banks of Circular Quay. A vibrant and unconventional space, Colour Fields has lots going on, including Sunday sessions by Future Classic, snacks and cocktails by Culinary Edge, workshops and more. Art Gallery of NSW will also hold special events dedicated to the Rembrandt exhibition. Each Wednesday evening during the exhibition's run, the gallery's Art After Hours will feature special talks, tours, performances and a pop-up bar serving drinks and eats. Pipilotti Rist: Sip My Ocean runs until February 18, 2018; Colour Fields is open throughout the summer at the MCA and Rembrandt and the Dutch Golden Age runs until February 18, 2018.
You've played the video games, bought the toys, collected the trading cards, enjoyed the anime and watched Pokémon: Detective Pikachu. When Pokémon Go was the only reason that everyone was picking up their phones, you caught 'em all then, too. So, we're guessing that Netflix's upcoming Pokémon series will jump straight into your must-watch list — with the streaming service reportedly working on a new live-action take on everyone's favourite pocket monsters. Yes, Detective Pikachu also combined all things Pokémon with flesh-and-blood humans, and it proved a big box office hit to the tune of $433 million worldwide. So, it is far from surprising that Netflix wants to give the concept a spin. The platform already streams a few existing animated Pokémon titles, with Indigo League, Sun and Moon: Ultra Legends and Journeys currently available via the service Down Under. And, it is known to like padding out its catalogue with, well, pretty much everything it can get its hands on. As reported in Variety, the new live-action Pokémon series doesn't yet have a name — and if or how it might tie into Detective Pikachu is also unknown. That said, writer and executive producer Joe Henderson is expected to be behind the project, hopping over from Lucifer, which is set to end this year following its sixth and final season. When the inherently nostalgic new series might turn up, how many episodes it will span and who else could be involved also hasn't been revealed, because that's how early-stage the show is. But Netflix does love bringing back childhood favourites, as it has previously done with She-Ra and the Princesses of Power and the just-released Masters of the Universe: Revelation — not that Pokémon has gone anywhere since first debuting in the 90s. Obviously, there's no trailer yet for Netflix's potential live-action Pokémon show, but you can check out the trailer for Detective Pikachu below: Netflix's live-action Pokemon series doesn't yet have a release date — we'll update you when further details are announced. Via Variety.
Step aside negronis and espresso martinis, the whisky highball is fast becoming the go-to drink for anyone who wants their cocktail crisp, refreshing and full of character. And we've got Japan (and Suntory) to thank for it. With over 125 years of drinks innovation, Suntory has shaped Japan's drinking culture in a way few others have. From founding the country's first whisky distillery to refining the art of balance and precision in every pour, the brand has always been about setting the benchmark. One of its greatest hits? Toki Whisky. A modern 100% authentic Japanese blend that's easily mixed (especially in a whisky highball). The Origins of the Highball While the whisky highball first bubbled up in the UK as a way to lighten strong spirits, Japan made it a staple. Back in 1923, Shinjiro Torii founded the Yamazaki Distillery with a dream to create a truly Japanese whisky. It was a bold move that kicked off a whisky revolution and eventually led to the rise of the Japanese-style highball. Suntory's Kakubin whisky (meaning 'square bottle') debuted in 1937 and quickly became a staple in izakayas across the country, thanks in large part to its starring role in the highball. In the 1950s, Suntory opened a chain of bars in major cities called 'Torys Bars', which specialised in highballs. Workers would clock off, crowd in and knock back highballs with grilled skewers and salty snacks. Light, dry and approachable, the highball offered a clean canvas that brought out the subtle complexity of Japanese whisky. Toki Whisky, Suntory's smooth, well-balanced and incredibly drinkable take on a traditional blend, is tailor-made for highballs. Meaning 'time' in Japanese, Toki is a mix of malt and grain whiskies from Yamazaki, Hakushu and Chita distilleries by Fifth Generation Chief Blender, Shinji Fukuyo. With notes of green apple, basil and honey, it's light enough for daytime sipping and complex enough to hold its own with food. So, What Exactly is a Highball? A classic highball keeps things clean and simple. Japanese whisky, cold soda water, ice and a peel of citrus to garnish. But don't be fooled by the short ingredient list, the highball is all about precision. With one part whisky to three parts soda, it's meant to highlight the whisky, not drown it. The bubbles should be fine, the citrus subtle, and the ice big enough not to melt too fast. It's basically the minimalist's dream drink. The Signature Toki Highball 45ml Suntory Toki Blended Japanese Whisky 3 parts premium soda water Grapefruit slice or lemon peel Method: To make a classic Toki Highball, start by chilling a glass with ice. Pour in one part chilled whisky, give it a quick stir, then top with chilled soda water. Stir once (gently, from the bottom up) to keep the bubbles intact and garnish with a twist of grapefruit or lemon peel. Or, you can skip the ice altogether and let the whisky's flavour come through. A Drink That Plays Well With Others The real beauty of the highball? It's customisable. You can swap lemon for yuzu or grapefruit, add a touch of ginger, or even infuse your soda with herbs. Take it a step further by pairing it with food. The highball's crisp profile makes it a natural match for salty, fried or umami-rich dishes, like karaage chicken, grilled yakitori or even a cheeky bowl of hot chips. Where To Try a Suntory Toki Whisky Highball In April and May, venues across Sydney and Melbourne are rolling out limited-edition menus where you can sip a perfectly poured Suntory Toki Whisky Highball with an expertly paired snack. Sydney locations: Bancho, Ito, Tokyo Bird, Ora, Moku, Ennui, Genzo, Tanuki, Prefecture 48: Ibushi and Whisky Thief. Melbourne locations: Waxflower, Lucy Liu, Yakimono, Bar Bellamy, Izakaya by Tamura, Kura, Tokyo Tina, Gogyo or Bincho Boss. Every venue is giving the highball their own spin, so you can taste a few versions and pick your favourite. Visit your local venue this April and May to experience a Suntory Toki Whisky Highball and snack pairing. More details at the Suntory Time hub, Sydney here and Melbourne here.
Steak connoisseurs, all your Christmases have arrived at once with the launch of Bistecca. The new CBD restaurant's menu is built around a single cut of steak: bistecca alla Fiorentina. Originating in Florence centuries ago, it's widely accepted as one of the finest cuts around. Designed by architecture firm Tom Mark Henry, the 50-seat basement restaurant has Italian flourishes throughout, with a marbled wine bar and yet-to-open adjoining wine shop. As you might've guessed, Bistecca is the creation of a couple of diehard Italophiles. Co-owners and lifelong friends, James Bradey and Warren Burns, travelled all over Italy in search of the ideal steak and the perfect red wine to match. Having decided on the bistecca alla Fiorentina, the duo returned home to find a premium local source, eventually landing on Black Angus cattle from NSW's Riverine region. "We tried at least 40 different steaks from different regions and farmers across Australia to settle on the right one," says Burns. "We chose the Riverine to deliver my holy trinity of meat: flavour, texture and supply." To complement your juicy steak, there's an array of hearty, traditional side dishes, including braised cannellini beans, garlic and rosemary potatoes, and Brussels sprouts with pecorino and sour cream. And vegetarians, though you're probably quaking in your leather-free boots by now, we should let you know there are meat-free ricotta dumplings on the menu, too. While the food menu has only one thing on its mind, the wine list is quite the opposite with more than 300 drops to choose from. Similarly, the cocktail list is ripe with Italian classics like garibaldis and bellinis, and negronis are poured straight from the tap. And later in the year, you'll be able to head straight through to the connected 'enoteche' to take home your favourite drop of the evening. Bistecca is now open at 4 Bridge Street, Sydney. Enter via Dalley Street. Images: Dominic Loneragan
UPDATE: February 1, 2022 — Theatre Royal Sydney is currently running a two-for-one offer on platinum or gold tickets for selected performances of Girl From the North Country. Check terms and conditions below for details. Following multiple sell-out seasons since debuting in London in 2017, Girl From the North Country has become one of the most critically acclaimed productions of our generation. Making its Australian premiere at the 2022 Sydney Festival, and kicking off from Wednesday, January 5 at the recently unveiled new Theatre Royal, Girl From the North Country takes place in a guesthouse in the US state of Minnesota in 1934. The story revolves around owner Nick, who is deeply in debt; his wife Elizabeth, whose mind is fraying; and their pregnant daughter Marianne — as well as a bible-slinging preacher and a boxer endeavouring to make a comeback. For Bob Dylan fans, the name of this musical will be familiar. It's the title of one of the legendary folk singer's 1963 songs — a tune that features in this musical, naturally. Indeed, the entire show uses Dylan's tracks, including everything from 'Like a Rolling Stone' and 'Hurricane' to 'Slow Train' and 'I Want You', all weaved throughout a story of American life during the Great Depression. The debut Aussie season will star Lisa McCune (The King and I, South Pacific), Zahra Newman (The Book of Mormon, Wentworth), Terence Crawford (Escape From Pretoria, 1984) and Helen Dallimore (Wicked, Legally Blonde). Terms and Conditions: Offer subject to availability. Available for selected performances up to and including Sunday, February 13, 2022. Limit of two tickets per transaction. Transaction fees apply.
If there's one thing Sydneysiders like more than food (and that's a big 'if'), it's food with a view. A new rooftop bar opens nearly every week, but few could compete with this. To celebrate Chinese New Year, local favourite One Tea Lounge & Grill is opening a 'Sky High Bao Bar' in the Observation Deck of the Sydney Tower Eye. The Observation Deck, of course, is at the top of Sydney Tower — Sydney's tallest building by about 50 metres — and provides unparalleled views of the city. One Tea Lounge have become famous mostly for their ramen burgers, but the pop-up bar will be serving their (also popular) 'baogers' instead — specifically, matcha baogers with braised pork rib. Dessert will be cookie shots filled with creamy matcha white chocolate in both green tea and 'Red Fortune' flavours. On top of your standard Observation Deck views, the pop-up also includes a photobooth and a Wishing Wall for people to send well wishes to their loved ones. The pop-up will be open from 12–3pm Monday to Thursday and 12–5pm Friday and Saturday.
